Yamaha DTX500 Owner's Manual Drum Trigger Module Owners
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User Manual: Yamaha DTX500 Drum Trigger Module Owner's Manual
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For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
ASIA
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
AUSTRIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH
Branch Sp.z o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDIA
Yamaha Music India Pvt. Ltd.
5F Ambience Corporate Tower Ambience Mall Complex
Ambience Island, NH-8, Gurgaon-122001, Haryana, India
Tel: 0124-466-5551
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
RUSSIA
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
THE PEOPLE’S REPUBLIC OF CHINA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
SY51
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16th floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Owner’s Manual
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2432
Yamaha Electronic Drums web site:
http://www.yamaha.co.jp/english/product/drums/ed/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2010 Yamaha Corporation
002PO***.*-01A0
WU53720
EN
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended by Yamaha. If a cart,
etc., is used, please observe all safety markings and instructions
that accompany the accessory product.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended for
the battery being charged.
When installing batteries, do not mix batteries with new, or with
batteries of a different type. Batteries MUST be installed correctly.
Mismatches or incorrect installation may result in overheating and
battery case rupture.
SPECIFICATIONS SUBJECT TO CHANGE:
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery disposal information.
The information contained in this manual is believed to be correct
at the time of printing. However, Yamaha reserves the right to
change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for
long periods of time at a high volume level or at a level that is
uncomfortable. If you experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc. If your dealer is
unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and are
therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on
this plate. You should record the model number, serial number, and
the date of purchase in the spaces provided below and retain this
manual as a permanent record of your purchase.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which
(if applicable) is soldered in place. The average life span of this
type of battery is approximately five years. When replacement
becomes necessary, contact a qualified service representative to
perform the replacement.
92-BP (bottom)
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your
authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all
installation instructions. Failure to follow instructions could
void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these requirements
provides a reasonable level of assurance that your use of this
product in a residential environment will not result in harmful
interference with other electronic devices. This equipment
generates/uses radio frequencies and, if not installed and
used according to the instructions found in the users manual,
may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not
guarantee that interference will not occur in all installations.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
If this product is found to be the source of interference, which
can be determined by turning the unit “OFF” and “ON”, please
try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park,
CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
(class B)
Introduction
Thank you for purchasing the YAMAHA DTX500.
The DTX500 is a compact drum trigger module that includes a wealth of rich, high-quality
drum voices and is compatible with snare pads equipped with a pad controller. It also has a
comprehensive variety of features that help you build your drumming and rhythm section
skills, a built-in sequencer for recording your own songs and performances, an effective
Groove Check function that helps you tighten your timing, and a versatile, multi-function
metronome for enhancing your practice sessions. Moreover, it provides a large selection of
preset songs that you can play along with and improve your ability in a variety of musical
styles.
To get the most out of your DTX500, please read this manual carefully. After reading
through the manual, make sure to store it in a safe place so that you can refer back to it
again as needed.
Accessories
Yamaha AC power adaptor (PA-130)*
Module stand
Module stand fastening screws x 2
Owner’s Manual (this book)
*May not be included depending on your particular area. Please check with your Yamaha dealer.
About the Descriptions and Conventions in this Manual
• [DRUM KIT], [CLICK], etc.
Panel buttons and controls are indicated with [ ] (brackets).
• [SHIFT] + [DRUM KIT], etc.
This means to simultaneously hold down the [SHIFT] button and press the [DRUM KIT] button.
• [<]/[>], etc.
This means that you can use either the [<] button or [>] button in the operation.
• “Completed!”, etc.
Words in quotation marks indicate a message shown on the LCD display.
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may
appear somewhat different from those on your instrument.
■ About the pads
This Owner’s Manual described the model names of the drum pads which can be connected to the DTX500. Note that these were the latest models at the
time this Owner’s Manual was produced. For details about more recently released models, refer to the following website.
http://www.yamaha.co.jp/english/product/drums/ed/
DTX500 Owner’s Manual
3
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Water warning
• Do not place the power cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the
cord, place heavy objects on it, or place it in a position where
anyone could walk on, trip over, or roll anything over it.
• Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (page 3) only. Using the wrong adaptor
can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust
which may have accumulated on it.
• Do not expose the instrument to rain, use it near water or in damp or
wet conditions, or place containers on it containing liquids which
might spill into any openings. If any liquid such as water seeps into
the instrument, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected
by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
Do not open
• This instrument contains no user-serviceable parts. Do not attempt
to disassemble or modify the internal components in any way. If it
should appear to be malfunctioning, discontinue use immediately
and have it inspected by qualified Yamaha service personnel.
If you notice any abnormality
• When one of the following problems occur, immediately turn off the
power switch and disconnect the electric plug from the outlet. Then
have the device inspected by Yamaha service personnel.
• The power cord or plug becomes frayed or damaged.
• It emits unusual smells or smoke.
• Some object has been dropped into the instrument.
• There is a sudden loss of sound during use of the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound quality, or
possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet,
always hold the plug itself and not the cord. Pulling by the cord can
damage it.
• Remove the electric plug from the outlet when the instrument is not
to be used for extended periods of time, or during electrical storms.
Location
• Do not place the instrument in an unstable position where it might
accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are
using is easily accessible. If some trouble or malfunction occurs,
immediately turn off the power switch and disconnect the plug from
the outlet. Even when the power switch is turned off, electricity is
still flowing to the product at the minimum level. When you are not
using the product for a long time, make sure to unplug the power
cord from the wall AC outlet.
(7)-1
4
DTX500 Owner’s Manual
• Use only the rack specified for the instrument. When attaching the
stand or rack, use the provided screws only. Failure to do so could
cause damage to the internal components or result in the instrument
falling over.
Connections
• Before connecting the instrument to other electronic components,
turn off the power for all components. Before turning the power on
or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum
levels and gradually raise the volume controls while playing the
instrument to set the desired listening level.
Handling caution
• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons, switches
or connectors.
• Do not use the instrument/device or headphones for a long period of
time at a high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss or
ringing in the ears, consult a physician.
1/2
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using
the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
Information for Users on Collection and Disposal of Old Equipment
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should
not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your
national legislation and the Directives 2002/96/EC.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human
health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service
or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European Union]
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and
ask for the correct method of disposal.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget,
även om själva apparaten har stängts av.
ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt, sålæenge netledningen siddr i en
stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.
(standby)
NOTICE
To avoid the possibility of damage to the product, data or other property, follow the notices below.
■ Handling and Maintenance
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the
instrument, TV, or radio may generate noise.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car
during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
■ Saving data
• Never attempt to turn off the power while data is being written to Flash ROM (while a “now storing...” message is shown). Turning the
power off in this state results in loss of all user data and may cause the system to freeze (due to corruption of data in the Flash ROM). This
means that this instrument may not be able to start up properly, even when turning the power on next time.
Information
■ About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for
your personal use.
• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has
license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files,
WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not
permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
■ About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from
those on your instrument.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
(7)-1
2/2
DTX500 Owner’s Manual
5
Main Features
The DTX500 is equipped with a high-quality 32-polyphony tone generator that produces realistic
voices, includes a high-performance, multi-function metronome, a built-in sequencer and a variety of songs—all combined into a compact, portable package. The DTX500 is an exceptionally
versatile instrument that can be used in a variety of situations such as live performance, personal practice, and much more.
■ Drum Triggers
• The DTX500 drum trigger module is compatible with the new pads (XP series.)
• Built into the unit are twelve trigger input jacks and a hi-hat controller jack. The instrument also features jacks that are
compatible with two-zone or three-zone pads (pads that transmit different signals depending on the area that is hit).
Moreover, the snare drum jack is compatible with pad-controller-equipped pads. This lets you adjust the ‘virtual’
snares and the tuning—just as you would with an acoustic snare drum. All in all, the DTX500 has the operability, functionality and performance that is virtually equivalent to an acoustic drum kit.
• You can connect the DTX500 to an acoustic drum kit by using drum triggers such as Yamaha DT20. The setup data
such as the trigger input types and sensitivity can be customized to suit your playing preferences, style and particular
setup.
• Also included in the unit are 50 preset drum kits which naturally contain acoustic drum kits, and cover a wide range of
music genres, such as rock, funk, jazz, reggae, Latin, etc. Moreover, User kit memory is available for storing 20 sets.
With this, you can set up your own original drum kits using the various drum voices.
* The word “trigger” refers to the means by which hitting a pad sends a signal to the DTX500 as to what sound to play on the built-in
tone generator and how loud the sound should be played.
■ Tone Generator
• The DTX500 is equipped with a high-quality, 16-bit AWM2 (PCM) tone generator with 32-voice polyphony that produces dynamic voices or exceptional realism. The voices—totalling 427—cover a wide range sounds, such as authentic acoustic drums, unique electronic percussion, sound effects, and much more. The instrument also features a built-in
high-quality digital reverb for enhancing the sound.
■ High-performance Metronome
• The DTX500 provides with a comprehensive, multi-function metronome, allowing various click settings for each note
value. Each note value can be assigned its own separate click sound and pitch. You can also set a timer that will determine when the click stops and set breaks which how many measures the click will play and then be muted.
• The DTX500 also features a “Tap” function that lets you set the tempo for the song or click by tapping in tempo on a
pad to any tempo you like. This lets you set whatever tempo you desire for playing or practicing.
■ Sequencer
• The built-in sequencer contains a wide variety of 63 preset songs. Two functions that make the DTX500 great for practice are the Drum Mute Function, which mutes a specific drum part, and the Bass Solo function, which lets you play
along with just the song’s bass part. The DTX500 also allows you to record your performance in real time—and allows
you to play along with your recorded performance data.
• In addition to one main song that is controlled from the panel, three pad songs can be individually controlled and
simultaneously played by trigger input from the pads.
■ Groove Check
• The Groove Check function monitors your playing and provides instant feedback on your rhythmic skills, providing a
powerful way to quickly improve your technique. It includes a Rhythm Gate function that produces sounds only if
your timing is accurate, and also has a Challenge mode that evaluates your playing, giving you a letter grade—and
makes mastering the drums easier and more fun than ever before.
■ Interface
• A MIDI OUT jack on the rear panel lets you connect other devices and play sounds from an external tone generator or
synchronize the metronome with an external sequencer. Also provided are an AUX IN jack, which lets you plug in and
play along with an external audio device, such as a CD player or MD player, and a headphones jack for convenient
practice without disturbing others.
6
DTX500 Owner’s Manual
Contents
Introduction ............................................................3
5 Using the Groove Check Function ............... 22
Accessories ...............................................................3
Groove Check Mode ............................................... 22
About the Descriptions and Conventions
in this Manual ............................................................3
6 Record Your Performance............................. 24
Main Features ...........................................................6
Controls and Functions.........................................8
Top Panel ..................................................................8
Recording System .................................................. 24
7 Create Your Own Original Drum Kit ............. 26
Factory Set ............................................................. 33
Rear Panel ................................................................9
1 Connections ....................................................10
1 Connecting the Pads ..........................................10
8 Trigger Setup Edit .......................................... 34
Trigger Setup procedure ......................................... 34
Explanations of Each Display Page........................ 35
Setting up with Acoustic Drums.......................10
2 Setting Up the Power Supply..............................10
3 Connecting to Speakers or Headphones............10
4 Turning the Power On.........................................11
5 Selecting the Trigger Setup ................................12
2 Time to Play.....................................................13
Adjusting the Hi-hat .................................................14
Pad Controller Settings ...........................................15
3 Playing Along With the Click .........................16
Click Out Select.......................................................18
Tap Tempo Function ...............................................19
LED Display Setting ................................................19
Error Messages ................................................... 38
Troubleshooting .................................................. 38
Index ..................................................................... 40
Appendix .............................................................. 41
LCD Displays .......................................................... 41
MIDI Implementation Chart ..................................... 44
Drum Voice List ...................................................... 45
Preset Drum Kit List ................................................ 46
Preset Song List .................................................... 46
Specifications.......................................................... 47
MIDI Data Format ................................................... 47
4 Playing Along With a Song ............................20
Pad Function Settings .............................................21
DTX500 Owner’s Manual
7
Controls and Functions
Top Panel
i
o
8.8.8.
~~~~~YAMAHA ~~~~ !0
~~~ DTX drums~~
w
q
e
r
t
!1
y
u
q Drum Kit button (DRUM KIT)
y Click ON/OFF button (
• For entering the Drum Kit Select display. (p. 13)
• Hold the [SHIFT] button and press the [DRUM KIT] button to
enter the Trigger Setup Select page. (p. 12)
• This button can also be used to temporarily mute all sounds of
all voices.
• For starting/stopping the click sound (metronome). (p. 16)
• Hold the [SHIFT] button and press the [
ON/OFF] button to
enter the Tap Tempo Setting page. (p. 19)
w Click button (CLICK)
• For entering the Click (Metronome) Setting page. (p. 16)
• Hold the [SHIFT] button and press the [CLICK] button to enter
the Groove Check Setting display. (p. 22)
e Song button (SONG >/■)
• For entering the Song Select page. (p. 20)
• Hold the [SHIFT] button and press the [SONG >/■] button to
enable recording standby mode for the DTX500.
• Press this button to start/stop song playback or recording.
r Shift button (SHIFT)
Holding this button and pressing another specific button switches
to the function printed above each button on the top panel.
t Select buttons (<, >)
• For selecting an item you want to edit (the selected item
flashes). If there are multiple pages either before or after the
page currently displayed, the buttons are used to view the next
or previous page. Hold the button to continuously move the
flashing cursor.
• Press these two buttons together to scroll continuously back
and forth through the pages. Holding the [<] button first and
pressing the [>] button moves to the previous page while
holding the [>] button first and pressing the [<] button moves
to the next.
• Hold the [SHIFT] button and press the [<]/[>] buttons to
select the trigger input you want to edit.
8
DTX500 Owner’s Manual
ON/OFF)
u Save/Enter button (SAVE/ENTER)
• For saving data or executing an operation (Enter).
• Hold the [SHIFT] button and press the [SAVE/ENTER] button
to enter the Utility page, which is used to make overall settings
for operating the DTX500.
i Click lamp
The red lamp lights on the first beat of every measure when the
click or a song is playing. The other beats are indicated with a
green light.
o LED display
For indicating the tempo, the number selected in the current page,
or the click timer depending on the setting made. (p. 19)
!0 LCD display
For displaying important information and data used in operating
the DTX500.
!1 Jog dial
Rotate the jog dial to change the value selected with the cursor
(the flashed item to be edited) in the display. Rotate the dial to the
right (clockwise) to increase the value, and to the left to decrease.
The jog dial can also be used to change the layer (A/B) and for
Drum mute.
Hold the [SHIFT] button and rotate the knob to change the current tempo.
Controls and Functions
Rear Panel
!2
!3
!5
!6
!4
!7
!9
!8
@0
@1
!2 MIDI OUT jack
!5 Output jacks (OUTPUT L/MONO, R)
For sending data from the DTX500 to an external MIDI device.
With this jack, you can use the DTX500 as a control device to
trigger voices from an external tone generator, or synchronize
song playback or the click of the DTX500 with the playback of
an external sequencer. (p. 11)
For connecting the DTX500 to an external amplifier, mixer, etc.
For mono playback use the L/MONO jack. For stereo playback
connect both L and R jacks. (p. 10)
!3 Trigger Input jacks (1SNARE thru 8KICK/9)
For connecting pads or drum triggers (Yamaha DT20, etc.) to
receive trigger signals.
Connect external pads such as a snare, tom, etc., according to the
indication below each input. (p. 10)
1SNARE ..................... Compatible with three-zone pads and the pad
controller.
2TOM1/ 0, 3TOM2/ !, 4TOM3/ @, 8KICK/ 9
.............................. Mono x 2 inputs
A Y-shaped cable (stereo plug—mono jack x
2; refer to the illustration below) can be used to
trigger inputs 9, 0, !, and @ (monaural
pad). Also, if the KP125W/125/65 kick pad is
connected to this jack with a stereo cable, the
external pad input jack on the KP125W/125/65
can be used as the input for input jacks 9, 0,
!, or @.
5RIDE, 6CRASH ..... Compatible with three-zone pads.
7HI HAT ..................... Compatible with stereo pads (with switches)
● Y-shaped cable
Mono phone jack
!6 Headphones jack (PHONES)
Connect a set of stereo headphones to this jack to monitor the
DTX500. (p. 10)
!7 AUX IN jack
Connect the output of an external audio device, etc., to this jack
(stereo mini jack). (p. 11)
This is convenient for playing along with music from a CD
player, etc.
* Use the volume control on the external device to adjust the
volume balance.
!8 Master Volume (VOLUME)
Adjusts the DTX500’s overall volume (output level of the signal
sent via the OUTPUT jacks and PHONES jack). Rotate the knob
clockwise to increase the volume, or counter-clockwise to
decrease it.
!9 DC IN terminal (12V)
Connect the supplied AC power adaptor to this terminal. To prevent the adaptor from becoming unplugged, secure the cable to
the cable clip.
@0 Cable clip
Prevents the power cord from accidentally becoming unplugged.
(p. 10)
Stereo phone plug
Mono phone jack
!4 Hi-hat controller jack (HI HAT CONTROL)
@1
Standby/On Switch
The power is turned on when the button is set to this position:
(>). The power is off when set this way: (?).
For connecting a hi-hat controller.
* Use a cable with a stereo plug (shown below) when connecting a hi-hat controller.
Double insulator
DTX500 Owner’s Manual
9
1
Connections
In this chapter, you’ll learn how to set up the DTX500. Read these instructions carefully and in
the following order to ensure that the instrument sounds and operates properly:
1 Connecting the Pads → 2 Setting Up the Power Supply (p. 10) → 3 Connecting to Speakers or Headphones (p. 10) → 4 Turning the Power On (p. 11) → 5 Selecting the Trigger Setup (p. 12)
!! IMPORTANT !!
You’ll need to change the Trigger Settings of the DTX500 according to the type of drum set you are using. If the
setting is not appropriate, problems may occur—such as improper sound, or inappropriate volume balance
among the pads.
Refer to the “Selecting the Trigger Setup” section on page 12 on how to select the appropriate setup.
1 Connecting the Pads
CAUTION
Referring to the illustration below, connect the output cable from
each pad to each Trigger Input jack located on the rear panel of
the DTX500. For details, see the Assembly Manual that comes
with the drum set you are using.
CAUTION
• To prevent electric shock and damage to the devices,
make sure the power is switched OFF on the DTX500 and
all related devices before making any connections to the
DTX500’s input and output jacks.
Setting up with Acoustic Drums
The DTX500 can be played from an acoustic drum kit if the kit is
fitted with an optional set of drum triggers (such as Yamaha DT20
Drum Triggers) and the triggers are properly connected to the
input jacks of the DTX500.
2 Setting Up the Power Supply
A special power source adaptor supplies power to the DTX500.
2-1. Make sure that the Standby/On Switch of the DTX500 is
set to the standby (?) position.
• Make sure that the power adaptor’s cord is not bent at an
extreme angle when wrapping the cord around the clip.
Doing this can damage or sever the cord and create a fire
hazard.
2-3. Connect the other end of the power cord to an AC outlet.
WARNING
• Please use the specified AC power adaptor. The use of
any other adaptors may cause irregular operation or
damage to the device.
• Only use the voltage specified as correct for the DTX500.
The required voltage is printed on the name plate of the
DTX500.
CAUTION
• Unplug the AC Power Adaptor when not using the
DTX500, or during electrical storms.
3 Connecting to Speakers or
Headphones
Since the DTX500 has no built-in speakers, you’ll need an external audio system or a set of stereo headphones to properly monitor it.
Monitor system for the DTX series
MS100DR, MS50DR, etc.
Headphones
2-2. Connect the DC plug of the included AC power adaptor to
the DC IN terminal on the rear panel.
To prevent the cord from being unplugged accidentally,
wrap the cord around the cable clip and secure it.
OUTPUT L/MONO and R jacks
10
DTX500 Owner’s Manual
PHONES jack
1 Connections
4 Turning the Power On
NOTICE
• Whenever making connections, make sure that the plug
on the cable being used corresponds to the type of jack
on the device.
● OUTPUT L/MONO, R jacks (standard mono phone)
These jacks allow you to connect the
DTX500 to an external amplifier + speakers and produce full, amplified sound, or
connect the DTX500 to audio recording
equipment for recording your own performance.
* Use the DTX500’s OUTPUT L/MONO jack when connecting to a device with a mono input.
● PHONES jack
(standard stereo phone jack)
Use the VOLUME knob on the rear panel
to adjust the headphone volume.
CAUTION
• Do not use the DTX500 at a high volume level for a long
period of time, or your hearing may be damaged.
● AUX IN jack (stereo mini phone jack)
The audio output from a MP3 player or
CD player connected to the AUX IN jack
can be mixed with the sound of the
DTX500 and transmitted via the OUTPUT jacks or PHONES jack. This jack
can be used when you want to play along
with your favorite songs.
* Use the volume control on the external device (MP3 player,
etc.) to adjust the volume balance.
4-1. Make sure the volume settings of the DTX500 and external
devices are turned down to the minimum.
4-2. Turn the power on (>) by pressing the
Standby/On
Switch on the rear panel of the DTX500, then turn on the
power of the amplifiers.
4-3. To turn off the power, press the
again.
Standby/On Switch
CAUTION
• Even when the instrument is turned off, electricity is still
flowing to the instrument at the minimum level. When you
are not using the DTX500 for a long time, make sure to
unplug the AC power adaptor from the wall AC outlet.
● Connecting a Mixer or MIDI Devices
Make sure that all volume settings are turned down all the way to
the minimum. Then turn on the every device in your setup in the
order of MIDI masters (controllers), MIDI slaves (receivers),
then audio equipment (mixers, amplifiers, speakers, etc.).
When powering down the setup, first turn down the volume for
each audio devices, then switch off each device in the reverse
order (first audio equipment, then MIDI).
1
2
DTX500 (MIDI Master)
MIDI slave
8.8.8.
~~~~~YAMAHA ~~~~
~~~ DTX drums~~
● MIDI OUT jack
The MIDI functions on the DTX500 lets you play voices on an
external tone generator with the pads of the DTX500, or synchronize the DTX500’s song or click playback with the playback of
an external sequencer.
About MIDI
3
Audio equipment
(first mixer, then amplifier)
MIDI (Musical Instrument Digital Interface) is a worldwide standard that enables
you to connect instruments and computers—of different manufacturers and different types—and transmit performance and
other data among them.
* Also, use a MIDI cable that is not more than 15 meters in
length. Using a longer cable may result in irregular operation
and other problems.
DTX500 Owner’s Manual
11
1 Connections
5 Selecting the Trigger Setup
● About Connecting Pads
This setting lets you select the Trigger Setup that most closely
matches the trigger output levels and functions of your pads.
Use the operation described below to select the Trigger Setup you
want to use.
● Procedure
5-1. Press the [SHIFT] + [DRUM KIT] buttons to view Page 1 in
the Trigger Setup Select display (TRG1).
TRG1~~~ååååååååå
1~:XP~Med~~~~~~‚
5-2. Rotate the jog dial to select the Trigger Setup that matches
the drum kit you are using.
TRG1~~~ååååååååå
5~:STD~Med~~~~~‚
Trigger Setup
NOTE
• If you want to replace some of the pads from your drum set, or if
you need to solve any crosstalk problems, the operation “Trigger
Setup Edit” on page 34 describes how to make a detailed setting
for each pad after the above setting is done. If you have created a
setup for these reasons, that setup can be saved to one of the Trigger Setup locations (8-11).
• The DTX500’s input jack parameters are preset with settings
suitable for pads when an appropriate Trigger Setup is
selected. If you intend to connect any other type of pad or a
drum trigger (Yamaha DT20, etc.) to the input jack, that
jack’s parameters (sensitivity, etc.) should be changed to settings that suit the particular pad. Pad sensitivity is set in the
Trigger Setup Select display’s Page 3 [TRG3 Gain] setting
(p. 36).
• Pad-controller-equipped pads like the XP100SD, TP100,
etc., can be connected to Trigger Input jack 1SNARE.
• Three-zone pads like the TP65S, PCY155/150S, PCY135/
130SC, etc., can be connected to Trigger Input jacks
5RIDE and 6CRASH.
• 7HI HAT is a stereo input type jack. Pads equipped with
trigger switches like the TP65S, PCY65S, PCY130S, etc.
can be connected to this jack.
• The 2TOM1/ 0, 3TOM2/ !, 4TOM3/ @ jacks correspond to a two-trigger input that uses a stereo jack for L and
R. A Y-shaped cable (stereo plug—mono jack x 2) can be
used to input two trigger signals.
• The 8KICK/ 9 jack accepts a two-trigger input using a
stereo cable and jack for L and R signals. A Y-shaped cable
(stereo plug—mono jack x 2) can be used to input two trigger signals.
Also, if the KP125W/125/65 kick pad is connected to the
DTX500’s input jack 9 with a stereo cable, the external pad
input jack on the KP125W/125/65 can be used as the input
for Input jack 9.
• In addition to the 8KICK/ 9 jack, the 2TOM1/ 0,
3TOM2/ !, and 4 TOM3/ @ jacks can be used to connect a second bass drum pedal to create a double-bass drum
set.
● Trigger Setup List
No.
Name
1
XP Med
2
XP Dyna
3
SP Med
4
SP Dyna
5
STD Med
Features
Normal Setting
Drum Set with new pads
(XP series)
Normal Setting
for DTXPRESS IV
Special Drum Set
Wide dynamic range. This setting is designed for maximum expressive control, allowing performance subtleties over a wide dynamic range. Excessive vibration however,
may result in crosstalk (sound being produced by other pads).
Normal Setting
6
STD Dyna
for DTXPRESS IV
Standard Drum Set
7
DT10/20
—
Use for DT10/20 drum trigger systems applied to acoustic drums.
8
|
11
UserTrig
—
Allows creation of custom trigger setups. (→Settings are made using Trigger Setup
Edit on page 34.)
* In the default setting, “1: XP Med” is selected.
12
Wide dynamic range. This setting is designed for maximum expressive control, allowing performance subtleties over a wide dynamic range. Excessive vibration however,
may result in crosstalk (sound being produced by other pads).
DTX500 Owner’s Manual
Wide dynamic range. This setting is designed for maximum expressive control, allowing performance subtleties over a wide dynamic range. Excessive vibration however,
may result in crosstalk (sound being produced by other pads).
2
Time to Play
Now that your DTX500 is properly connected, it’s time to make some music!
1
3
Play the DTX500
While hitting the pads, turn the VOLUME knob on the rear
panel to raise the overall volume to a comfortable level.
Change the Volume for Each Pad
Change the volume for each pad and adjust the overall balance of the Drum Kit.
Press the [>] button once in the previous Drum Kit Select
page.
The following display appears and the flashing cursor is at
“˙” in the LCD.
KIT2~~~ƒsnare~~˙
”S01:OakCustom~‚
The trigger input level will be displayed in the bar graph in
the upper right corner of the display. The bar graph indicates
the input levels of the following input jacks.
KIT1~~~∑åååååø¥å
1~:Oak~Custom~~‚
2
Bar graph
Bar graph (from left)
Corresponding input jacks
1
2
3
4
5
6
7
8
9
1 SNARE
2 TOM1/ 0
3 TOM2/ !
4 TOM3/ @
5 RIDE
6 CRASH
7 HI HAT
8 KICK
8 PAD 9
Select a Drum Kit
A ‘Drum Kit’ is a collection of drum sounds (or voices) that
play when you hit the pads. Try selecting some of the Drum
Kits (1–50) and enjoy the variety of sounds and drum setups
available.
* Preset Drum Kit List (p. 46)
Rotate the jog dial to select a Drum Kit.
KIT1~~~ååååååååå
1~:Oak~Custom~~‚
Drum kit Number
Press the [>] button again to move the flashing cursor to the
“S” position, the first character of “S01:OakCustom”.
KIT2~~~ƒsnare~~˙
”S01:OakCustom~‚
Press the [>] button twice to view the KIT 3 page.
KIT3~~~ƒsnare~~
”~~Volume=120~~‚
Use the [<]/[>] buttons in this manner to select the desired
item (the cursor flashes). When the page only contains a single item, pressing the [<]/[>] buttons will select the next or
previous page.
* The “‚” mark on the lower right side of the display indicates
that a succeeding page is available. Likewise, the “”” mark
on the lower left side of the display indicates that a previous
page is available.
In the KIT 3 page, hit the pad for which you want to change
the volume. The selected pad (input jack) is shown in the
upper half of the display.
Rotate the jog dial to adjust the volume (the value is flashing)
of the pad.
* Some drum voices have two voices in a layer (in other words,
two voices sound at the same time when a pad is hit). In case
of two-layer voices, select the ˙ or ¶ mark in the upper right
side of the display (press the [<]/[>] buttons so that the
mark flashes, and use the jog dial to select) then adjust each
volume.
Drum kit Name
Pad (Input jack)
Try out the different drum kits and select one drum kit you
like.
* Some Drum Kits have pad songs and drum loops that start
playback when the corresponding pad is hit.
KIT3~~~™tom1~~~˙
”~~Volume=120~~‚
˙/¶)
Layer (
Volume (0–127)
DTX500 Owner’s Manual
13
2 Time to Play
Adjusting the Hi-hat
NOTICE
• An asterisk “*” will appear next to “KIT3” in the display
once the volume is changed, indicating that the kit has
been edited. This asterisk will disappear after the Store
operation (p. 32) is carried out. If a different drum kit is
selected, etc., before carrying out the Store operation,
the current settings will return to their original condition.
If you want to keep changes made to the data, make sure
you carry out the Store operation.
KIT3*~~™tom1~~~˙
”~~Volume=110~~‚
4
Change the Output Sound Quality
Use the Master Equalizer found on Utility Page 5 to change
the output sound quality. Overall settings for the DTX500 are
set in the Utility pages.
First, press the [SHIFT] + [SAVE/ENTER] buttons to view
the Utility pages.
Utility (Page 1)
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
Press the [>] button five times to view Utility Page 5.
UTIL5~MasterEQ
”Lo=+~2~Hi=+~2~‚
Now use the Master Equalizer (two-band shelving type) setting to change the sound quality.
“Lo=” is for the low-range gain setting (+0dB to +12dB) and
“Hi=” for the high-range gain setting (+0dB to +12dB).
Press the [<]/[>] buttons to move the flashing cursor to the
item you want to set, then rotate the jog dial to set its value.
UTIL5~MasterEQ
”Lo=+~8~Hi=+~0~‚
You can also adjust or set the individual pad voices,
tuning, reverb type/level, and other settings that fine
tune the DTX500 (p. 26).
14
DTX500 Owner’s Manual
Hi-hat adjustment is used to determine the point at which
the hi-hat closes when the hi-hat pedal (foot controller) is
pressed. You can also set the threshold at which foot
‘splashes’ are produced.
* This setting is only valid when a foot controller is connected to the HI HAT CONTROL jack. The setting has no
effect on a foot controller connected to any other jack.
Operation
1. Press the [SHIFT] + [SAVE/ENTER] buttons to view
Utility Page 1.
Use this display to adjust the hi-hat.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
2. To set the point at which the hi-hat closes, move the
flashing cursor to the “HHofs=” value then use the
jog dial to adjust the value.
The range of adjustment is -32 to 0 to +32. Smaller
values produce a shallower closing point.
UTIL1~Hi-hat
HHofs=-12~T=~~5‚
To set the ease at which foot splashes are produced,
move the flashing cursor to the “T=” value then use
the jog dial to adjust the value.
Settings include “off” and a range of 1 to 127. Larger
values make foot splashes that are long and easier to
produce. When this is set to “off,” foot splashes are
not produced.
* Too high a value will make foot splashes too easy to produce, resulting in the continuous production of foot
splashes when the pedal is held down continuously.
UTIL1~Hi-hat
HHofs=-12~T=~20‚
2 Time to Play
Pad Controller Settings
When a pad-controller-equipped pad (XP100SD, etc.) is connected, you can adjust the snares setting and tightness, tuning, or
tempo by rotating the pad controller knob of the pad.
Operation
In the default setting, you can adjust the snares setting
and tightness using the pad controller of the XP100SD
(the snare drum pad). To use functions other than the
snares adjustment, change the setting as follows.
1. Press the [DRUM KIT] button to enter the Drum Kit
Select display.
KIT1~~~_________
1~:Oak~Custom~~‚
Operation (Replacing the pad with one equipped
with pad controller)
Here’s how you can use the pad with pad controller
(XP100SD) as a snare drum.
1. Connect the XP100SD with trigger input 1SNARE
on the DTX500.
* The other trigger input jacks other than the 1SNARE are
not compatible with pad-controller-equipped pads. The
pad controller will not work if this type of pad is connected
to a trigger input jack other than 1SNARE.
2. Press the [SHIFT] + [DRUM KIT] buttons to view the
Trigger Setup display.
2. Next, continue pressing the [>] button until Page 22
of the Drum Kit Select pages is called up.
3. Rotate the jog dial to change the value for
“PadCtl=”. You can select from the following functions.
off .......... No function is assigned.
snares .... Adjusting the snares setting and tightness (also affects the open rim sound)
tuning.... Tuning adjustment (also affects the open
rim sound)
tempo ...... Adjusting the tempo
KIT22*
”PadCtl=tuning~‚
NOTICE
• An asterisk “*” will appear next to “KIT22” in the
display if the data has been changed. This asterisk
will disappear after the Store operation (p. 32) is carried out. If a different drum kit is selected or the
power is turned off before carrying out the Store
operation, the current settings will return to their
original condition. If you want to keep changes made
to the data, make sure to carry out the Store operation.
TRG1~~~ååååååååå
1~:XP Med~~~~~~‚
3. Next, press the [>] button once to view the following
display (pad type).
Hit the snare pad to view “ƒsnare” in the upper half
of the display, then rotate the jog dial to set
“Type=SN-1.”
TRG2*~ƒsnare~~0%
”Type=SN-1~~~~~‚
NOTICE
• An asterisk “*” will appear next to “TRG2” in the display if the data has been changed. This asterisk will
disappear after the Store operation (p. 34) is carried
out. If a different drum kit is selected or the power is
turned off before carrying out the Store operation, the
current settings will return to their original condition.
If you want to use the selected pad again, make sure
to carry out the Store operation.
4. Now you are ready to use the pad-controllerequipped pad.
See the section “Operation” in the left column to
change the function you want to use for the pad controller.
DTX500 Owner’s Manual
15
3
Playing Along With the Click
Play the DTX500 along with the click (metronome).
The DTX500 is equipped with a high-performance metronome that gives you a comprehensive
variety of settings and allows you to create complex rhythms.
1
Start the Click (Metronome)
Press the [
ON/OFF] button to start the click sound. The
left lamp lights in red on the first beat of every measure when
the click is playing. Other beats are indicated with the right
lamp in green. The click tempo (q=) is also indicated on the
LED display. Press the [
ON/OFF] button again to stop.
Use this display to select the desired Click Set, and then set
the beat, tempo, timer, and the click sound’s overall volume.
Press the [<]/[>] buttons to move the flashing cursor to the
item you want to set, then rotate the jog dial to set its value.
Click Setting display (page 1)
* If tempo is not shown, change the LED display setting (p.
19) to “Disp=tempo.”
1st beat (red)
CLK1~~~~∫~B=4~÷ç
1~:User~~~⁄=123‚
Other beats (green)
Click Set Number:
Click Set Name
123
2
Click Master Volume
Beat
Set the settings for Click Set, Tempo, Beat,
etc.
By fine tuning the different note value clicks that are shown
in the illustration below, the DTX500 can be used to create a
variety of click patterns. The patterns you set are called Click
Sets, and you can save up to 30 original patterns in the
DTX500’s memory.
Example: Beat timings used when Beat=4
Tempo
Click Timer
• Click Set Number [Range] 1 to 30
Selects the Click Set to be used.
• Beat [Range] 1 to 9
Determines the click’s time signature.
• Tempo [Range] 30 to 300
Determines the click’s tempo (q=).
* The tempo can also be set using the Tap Tempo Function. This function lets you set the song or click’s tempo
by tapping in tempo on a pad. With this, you can set the
tempo to one that feels best to you. Refer to page 19 for
more information.
• Click Timer [Range] 0 to 600 seconds (in 30-second
steps)
This function is used to automatically stop the click at the
time set in this setting.
* The value (the remaining number of seconds) of the Click
Timer can be shown in the LED display. Refer to page 19
for more information.
• Click Master Volume [Range] 0 to 16
Determines the click’s overall volume.
* When the flashing cursor is not positioned here, the
speaker icon will be displayed.
NOTICE
Press the [CLICK] button to view Click Setting Page 1.
CLK1~~~~∫~B=4~÷ç
1~:User~~~⁄=123‚
• An asterisk “*” will appear next to “CLK1” in the display
if settings for beat and tempo are changed. This asterisk
will disappear after the Store operation (p. 18) is carried
out. If a different Click Set is selected, etc., before carrying out the Store Operation, the current settings will
return to their original condition. If you want to keep
changes made to the data, make sure to carry out the
Store Operation.
CLK1*~~~∫~B=4~÷ç
1~:User~~~⁄=130‚
16
DTX500 Owner’s Manual
3 Playing Along With the Click
3
Create Your Own Original Click Set
6
Press the [>] button to view Click Setting Page 2.
Set the User Click Sounds
Press the [>] button to view Click Setting Page 5.
Click Value Type
CLK2*~A˘=9~⁄=9
”~‹=6~ßß=4~Œ=2~‚
CLK5*Sound=¤
”E20:Click1~~~~‚
Use this display to set the individual volume levels (0 to 9)
for each of the five click beats. Set the volume level to “0” if
you don’t want the beat to sound. Use this page to create your
own original click set.
Voice Category/Voice Number: Voice Name
You can assign a different drum voice to each of the five click
voices.
* For details about the five click beats, see the illustration
example “Beat timings used when Beat=4” in step 2 on page
16.
4
* This setting is only available if “UserClick” is selected in
the CLK4 page.
First, select the click value type (A˘, ⁄, ‹, ßß, Œ) in the
upper half of the display, then move the flashing cursor to the
lower half of the display and select the voice you want to
assign to the click.)
First, select the voice category.
Set the Click Measure Break
Press the [>] button to view Click Setting Page 3.
CLK3*MeasBreak
”Meas=1~Brk=3~~‚
● Voice Category
K : Kick
S : Snare
T : Tom
C : Cymbal
H : Hi-hat
P : Percussion
E : Effect
The Click Measure Break puts a muted “break” for the number of measures decided with the “Brk” setting (off, 1 to 9)
after the click has played for the number of measures determined by the “Meas” setting (1 to 9). When values are set as
above, the click is played for a measure then muted for 3
measures.
Next, select the voice number and voice name. If the voice
number is set to “00,” the indication “NoAssign” is shown
for the voice name and no sound will be produced.
* Decide the number of measures to be muted at “Brk=” then
the number of measures to be played at “Meas=.”
* If the setting “Brk=off” is used, the click will not be muted.
5
Set the Click Sound Set
Press the [>] button to view page 4 in the Click Setting display.
CLK4*Sound
”~1:Metronome~~‚
7
Tuning the User Click Sounds
Press the [>] button to view Click Setting Page 6.
Click Value Type
CLK6*Sound=¤
”~~Tune=+~0.0
Tuning
The Click Sound Set is used to assign the five different click
sounds that are produced by the metronome. The sounds are
changed as a group.
[Range]
Metronome, Wood Block, Percussion,
Agogo, Stick, Pulse, UserClick
With the “UserClick” setting you can use the CLK5 and
CLK6 pages to fine-tune the click sound settings.
You can individually tune each of the five click sounds.
* This setting is only available if “UserClick” is selected in
the CLK4 page.
First, select the click value type in the upper half of the display, and then move the flashing cursor to the lower half of
the display and set the tuning value in semitones (-24.0 to 0 to
+ 24.0).
DTX500 Owner’s Manual
17
3 Playing Along With the Click
8
Save an Original Click Set
After creating your own original Click Set, save it in the
DTX500’s memory using the Store Operation described
below.
NOTICE
• Any changes made to the data will be lost if another Click
Set is selected before carrying out the store operation. If
you want to keep settings or changes, make sure to carry
out the Store Operation.
8-1.
NOTE
• You can use the Factory Set operation to reset the click sets 1
through 30 to their original factory condition. However,
please proceed with caution because carrying out this operation will rewrite the DTX500’s entire contents (all Click Sets,
User Trigger Setups 8–11, User Drum Kits 51–70, User
Songs 64–83, Utility settings) with the data that was set in the
unit’s memory when it was shipped from the factory (p. 33).
Press the [SAVE/ENTER] button. The following display will appear.
Click Out Select
Store Destination
CLK~save~to~1
:[User~~]
Click Set Name
8-2.
Rotate the jog dial to select the destination memory
number (1 to 30) to which you want to store the Click
Set.
8-3.
If you want to change the Click Set name, press the
[<]/[>] buttons to move the flashing cursor to the
character you want to edit, then rotate the jog dial to
select the desired character. A Click Set name can contain a maximum of six characters, and these can be
selected from the following list.
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
8-4.
Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
CLK~save~to~1
~Are~you~sure~?
8-5.
Press the [SAVE/ENTER] button to actually execute
the Store operation.
* To cancel the Store operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons.
(When “Are you sure?” appears in the display, the jog
dial will also cancel the operation.)
The following display appears after the Store operation is complete.
~~~Completed!
18
DTX500 Owner’s Manual
The DTX500 lets you select from which output jack the
signal of the click (metronome) is sent. Click output and
performance output can be routed to separate outputs.
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility display.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
2. Next, press the [>] button twice to call up the following display.
UTIL2~Click
”OutSel=mix~~~~‚
3. Rotate the jog dial to select the output from the outputs listed below.
mix
This is the standard output setting. The click signal is output from both the OUTPUT L and R
jacks.
clickL The click signal is output from the OUTPUT L
jack only. All drum performance and song playback are output in mono via the OUTPUT R jack.
clickR The click signal is output from the OUTPUT R
jack only. All drum performance and song playback are output in mono via the OUTPUT L jack.
* The PHONES jack outputs the same signal as the OUTPUT jacks. The settings in this section would then also be
applied to the PHONES jack’s stereo L and R.
3 Playing Along With the Click
Tap Tempo Function
LED Display Setting
With the Tap Tempo Function, you can set the song or
click’s tempo by manually tapping in the tempo on a pad.
This lets you set the tempo to one that is most comfortable
for you.
The [<]/[>] buttons can also be used to set the tempo
instead of tapping on a pad.
Generally, the tempo is shown in the LED display. You can
change the value to be displayed to one of the following
three types.
tempo ..... Shows the current tempo.
mode........ • When pressing the [DRUM KIT] button:
Drum kit Number
• When pressing the [SHIFT] + [DRUM KIT]
buttons: Trigger Setup Number
• When pressing the [SONG] button: Song
Number
• When pressing the [CLICK] button: Click
Set Number
• When pressing the [SHIFT] + [SAVE/
ENTER] buttons: Shows nothing.
• Others: Shows the current tempo.
timer ......Shows the current click timer (p. 16).
Operation
1. Press the [SHIFT] + [
ON/OFF] button.
The Tap Tempo Setting display shown below will
appear.
* The Tap Tempo function can even be used during song
playback or while the click is sounding.
TAP~TEMPO
¤=123~≠ªªªª
Operation
2. Tap on the pad at the tempo in which you want to play
the song. (Or use the [<]/[>] buttons.) Tap on the pad
steadily and repeatedly—as many times as there are
circles (≠ªªªª) in the display. Every time you tap a
circle disappears, and the resulting tempo value is set
and shown in the LED display.
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility pages.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
* Any pad will do.
* The jog dial can also be used to change the tempo value.
2. Next, press the [>] button four times to call up the following page.
UTIL4~LED
”~Disp=tempo~~~‚
3. Press the [
tempo.
ON/OFF] button to hear your newly set
4. Press the [DRUM KIT], [CLICK], or [SONG >/■] button to exit from the Tap Tempo page. In the Click Setting page and Song Select page, the tempo is set to
the newly selected tempo. If the song or click is playing, the tempo will immediately change to the new
tempo.
3. Rotate the jog dial to select the type you want to display.
Even though a parameter value other than “tempo”
is shown in the LED display, when tempo is
changed by one of the operations below, the new
tempo briefly appears in the LED after the change is
made.
• When the tempo is changed by holding the
[SHIFT] button and rotating the jog dial.
• When operating a pad controller (p. 15) whose
function is set to “tempo.”
• When hitting a specific pad whose pad function
(p. 21) is set to “inc tempo” or “dec tempo.”
DTX500 Owner’s Manual
19
4
Playing Along With a Song
The DTX500 contains a wide variety of 63 preset songs. Try selecting among these and play
along with them—they are effective tools that help you learn how to drum and master drumming
techniques. The DTX500 conveniently lets you mute the drum part of a song and have only the
bass part sound during playback, so you can play the drum part yourself.
1
Select a Song
Tempo
Select one of the DTX500’s songs and listen. The DTX500
contains 63 preset songs that, in addition to drums, include
accompaniment with keyboard, brass, and other voices.
SONG1~~~⁄=130~11
1~:Demo~1~~~~∞¢‚
* Preset Song List (p. 46)
Press the [SONG >/■] button to view the Song Select display.
* The tempo can also be set using the Tap Tempo function.
This lets you set the song or click’s tempo by tapping in
tempo on a pad. With this, you can conveniently set the
tempo to one that feels best to you. Refer to page 19 for more
information.
SONG1~~~⁄=123~÷ç
1~:Demo~1~~~~∞¢‚
Make sure the song number is flashing, then use the jog dial
to select a song number (1 to 63) you want to listen to.
4
SONG1~~~⁄=123~÷ç
1~:Demo~1~~~~∞¢‚
2
SONG1~~~⁄=130~÷›
1~:Demo~1~~~~∞¢‚
Song Name
Listen to the Song
Press the [SONG >/■] button and after the count, the song
will start playback from the beginning.
After the song has played to the end, it will automatically
start playing from the beginning again.
Press the [SONG >/■] button to stop playback.
* If a different song is selected during song playback, the new
song will start playback from the beginning.
Adjust the Song’s Volume and Tempo
Use the [<]/[>] buttons to select the tempo value (the value
flashes), and then use the jog dial to set the song’s playback
tempo (q = 30–300).
Next, press the [>] button to move the flashing cursor to the
right. The speaker icon will change to a numeric value and
flash. This determines the volume (range: 0–16) for parts
other than the drum. Rotate the jog dial and adjust the balance
between the song accompaniment and your performance.
20
DTX500 Owner’s Manual
Rotate the jog dial
counterclockwise.
Rotate the jog dial
clockwise.
∞¢
˚¡
Cancel the mute
function.
(The drum part plays.)
Mute
(The drum part
doesn’t play.)
Now play the drum part yourself.
To cancel the Drum Mute function and hear the original
drums, rotate the jog dial counterclockwise to change the
“˚¡” mark to “∞¢” again.
* If you’ve changed the song’s tempo or its voices and want to
return to the original, re-select the song.
3
Mute the Drum Part
Try playing along with the song.
Press the [>] button several times so that the “∞¢” mark
flashes in the lower right side of the display.
Next, rotate the jog dial clockwise to change the mark to
“˚¡” in the lower right side of the display, to mute the drum
part of the song during playback.
* When a different song is selected, the drum kit changes to
one that matches the song.
Song Number
Song Volume
* The Drum Mute setting can also be changed during song
playback.
5
Adjust the Tuning
The song’s tuning can be adjusted in increments of 10 cents.
The Tuning setting is found in the Utility pages.
First, press the [SHIFT] + [SAVE/ENTER] buttons to call up
the Utility pages. Next, press the [>] button 7 times to view
the Master Tuning page shown below, then use the jog dial to
adjust the tuning in semitones (-24.0 to 0 to +24.0).
UTIL6~MasterTune
”~~Tune=+18.0~~‚
4 Playing Along With a Song
6
Play Along with Bass Solo
The useful Bass Solo function lets you isolate just the bass
part during playback and play along with it. Since this function mutes the other accompaniment parts, it lets you concentrate on mastering the important technique of ‘locking in’
with the bass and forming a tight rhythm section.
First, press the [SHIFT] + [SAVE/ENTER] buttons to call up
the Utility pages.
Next, press the [>] button three times to call up the following page. Rotate the jog dial and select “BassSolo=on.”
UTIL3~Song
”~BassSolo=off~‚
With this set, press the [SONG >/■] button to start playback—only the bass part will be heard.
* You may find that with the drum part muted or the bass solo,
it may be a little difficult to keep time. In this case, use the
click along with the song. Using the click sound as a reference will make it easier to play along with the song.
Press the [
ON/OFF] button to have the click play in tempo
along with song playback. Press the [
ON/OFF] button
again to stop.
* Changing the song will normally change the drum kit to the
kit that is pre-assigned to the song.
If you want to use a different drum kit when playing along with
the song, press the [DRUM KIT] button to enter the Drum Kit
Select display, and then select another drum kit number.
If a different song is selected while Drum Mute is active, the
drum kit will not change when a different song is selected.
Pad Function Settings
The DTX500 conveniently lets you execute important
operations by hitting a specific pad—without having to
press buttons on the panel. You can assign the following
functions to the pads.
off ................... Normal operation.
inc~kitNo..... Increases the drum kit number by 1
(increment).
dec~kitNo..... Decreases the drum kit number by 1
(decrement).
inc~clkNo..... Increases the click set number by 1
(increment).
dec~clkNo..... Decreases the click set number by 1
(decrement).
inc~tempo..... Increases the value of the tempo by 1
(increment).
dec~tempo..... Decreases the value of the tempo by 1
(decrement).
clkOn/Off..... Switches the click sound on/off.
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility pages.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
2. Press the [>] button several times to call up the
UTIL7 page.
UTIL7~~ƒsnare
”Func=off~~~~~~‚
3. To select the pad (Trigger Input Source) to which you
want to assign a function, simply hit the target pad, or
press the [SHIFT] + [<]/[>] buttons.
4. Rotate the jog dial to select the desired function.
Pad (trigger input source) to which
a pad function is assigned
UTIL7~~™tom1
”Func=clkOn/Off‚
Function assigned to the pad
In the above setting, the click sound can be switched
ON/OFF by hitting the tom1 pad which is connected
to the 2TOM1/ 0 jack.
DTX500 Owner’s Manual
21
5
Using the Groove Check Function
Another highly useful feature of the DTX500 is the Groove Check function. As you play along
with a song or the click, Groove Check compares your timing with the song or click playback
and lets you know how accurate your playing is.
The related Rhythm Gate function—in which the sound is cancelled if your timing is off—also
offers you a great way to improve your technique.
Groove Check Mode
The Groove Check function has the following two modes.
● Numeric Display Mode
In this mode, the accuracy of your drum hits is shown in
numeric display.
The aspects shown in the numeric display are the average
inaccuracy in the timing of each hit and the deviation in timing inaccuracy of all hits. To use this mode, select one of the
modes other than “Challenge” from the Rhythm Gate settings in the GRV2 page.
* Hit timing display
If your timing is slow or you’re dragging the beat, the
mark will move to the right side of the display. If your
timing is fast or you’re pushing the beat, the mark will
move to the left.
of Rhythm Gate according to the result. The tolerance automatically narrows if your hits are accurate and widens if your
hits are inaccurate.
This mode can be used by selecting “Challenge” from the
Rhythm Gate settings in the GRV2 page.
* Hit timing display
Just as with the Numeric Display mode, your timing is
displayed with an icon.
* Rhythm gate range
The set range of the Rhythm Gate is shown in the lower
side of the upper half of the display.
After a pad (pads) is hit a specific number of times, the
DTX500 evaluates the accuracy of the hits and sets the
range of Rhythm Gate automatically.
● Hit accuracy evaluation
In the lower half of the display, the number of remaining
hits and the current evaluation result (%) are shown.
The current level (evaluation) and the status change during playback. If your playing accuracy result (%) was
90% or more, the level is raised one step, and if accuracy
is 60% or less, the level is lowered one step.
• Current level (evaluation): A (best) to F (worst)
• The icon and the meaning of evaluation
Ã: Increases the strictness (as you continue playing in
the same way)
≥: Maintains the same strictness (as you continue playing in the same way)
À: Decreases the strictness (as you continue playing in
the same way)
* Rhythm Gate range
With the Rhythm Gate function, sound is produced only
if the hit is within the specified range, and sound is not
produced if the hit is outside this range. The range of
Rhythm Gate can be selected from three levels according
to the degree of difficulty and if this is set to off, sound is
always produced, no matter what your timing is. The
selected range is shown in the lower side of the upper half
of the display.
* Tempo
The jog dial can be used to adjust the tempo for the song
or click from 30 to 300.
* Inaccurate timing display
The average inaccuracies in timing as compared to the
note value set in page GRV4 are shown in numeric display. Range: 0 (perfectly accurate), 1–9 (in units of 1/24
of a 16th note)
The deviation in timing inaccuracy is 0.0 to 9.9. Of
course, the smaller this value is, more “in the pocket”
your playing is.
Your hit
* Tempo
Tempo is not shown in the Challenge mode display. To
change the tempo, hold the [SHIFT] button and rotate the
jog dial. You can adjust the tempo for the song or click
from 30 to 300 (the tempo is shown in the LED display).
Average inaccuracy
in timing (-9 to +9)
Your hit
Rhythm gate range
Deviation in timing
inaccuracy (0.0 to 9.9)
● Challenge Mode
The DTX500 automatically evaluates the accuracy of 100
times hits over six grade levels from A to F and sets the range
22
• The level (evaluation) when the challenge mode begins is set to D.
Perfect timing
GRV1~--æ√æ’æææ-⁄=130~Gr=-2œ0.0‚
Tempo
NOTE
DTX500 Owner’s Manual
Perfect timing
GRV1~--æ√æ’æææ-80Hits/~16%(DÀ)‚
Remaining
number of hits
The percentage in which
sound is produced
Rhythm gate range
Status display for evaluation
Ã, ≥, À
Current level (evaluation)
A (best) to F (worst)
Now let’s use the Groove Check function.
5 Using the Groove Check Function
1
4
Select a Song or a Click Set
First, select the song or click set that you want to play along
with.
2
Set the Timing (note value)
Press the [>] button to view page GRV4, then rotate the jog
dial to select the note value of the timing you want to check.
[Range]
Set the Rhythm Gate (select a mode)
Press the [SHIFT] + [CLICK] buttons to call up page 1
(GRV1) in the Groove Check Setting pages.
Accent A˘, quarter note ⁄(4),
eighth note Ö(8), sixteenth note Ü(16),
eighth note triplet Ö3
GRV4
”~~Note=⁄(4)
GRV1~--æææ’æææ-⁄=123~Gr=~0œ0.0‚
Timing (Note value)
Next, press the [>] button once to call up the GRV2 page,
then rotate the jog dial to set the Rhythm Gate.
5
After setup is complete, start playback of the song ([SONG
>/■]) or the click sound ([ ON/OFF]) and go back to the
Groove Check’s main menu (the GRV1 page).
Groove Check begins as soon as you hit the pad specified in
the GRV3 page.
GRV2~RhythmGate
”Mode=easy
Rhythm Gate setting
6
● Rhythm Gate settings
off .................Sound is always produced
easy...............Wide tolerance for sound production
(easy)
normal ..........Mid-level tolerance for sound production
(average)
pro .................Narrow tolerance for sound production
(difficult)
challenge...Tolerance changes by automatic evaluation (Challenge mode)
Note value set in GRV4 page
B
A
B
A
B
A
B
A: Range within which sound is produced. (The gate narrows
as the setting changes from “easy” to “normal” to “pro.”)
B: Range within which sound will not be produced even though
the pad is struck.
3
Start the Groove Check
Play as accurately as possible
Listen to the song or click and concentrate on playing the
pads accurately. The jog dial can be used to adjust the tempo
for the song or click.
If the Numeric Display mode is selected, stop the song or
click and check the results. Change the Rhythm Gate setting,
pad type, or note value as you like and enjoy practicing.
* The Groove Check’s results are reset the next time song or
click starts playing.
If the Challenge mode is selected, when the remaining hits
become zero, the final evaluation is displayed in six levels
from A to F. With this evaluation, the range over which the
sound is produced is set automatically. The higher the evaluation (A is the highest and F the lowest), the narrower the tolerance becomes.
* The Groove Check’s results are reset the next time song or
click starts playing. The current level (evaluation) and the
range over which sound is produced are also reset.
Select the Pad
Press the [>] button to call up the GRV3 page, then rotate the
jog dial to select the pad (Trigger Input Source) that you want
to check. The “ALL” setting selects all pads.
[Range]
ƒsnare, ™tom1, ... ƒ™pad12, all
GRV3
”~Input=ƒsnare~‚
Pad (Trigger Input Source)
DTX500 Owner’s Manual
23
6
Record Your Performance
In this section, you’ll learn how to record your performance to the DTX500’s built-in sequencer.
In the song data you record, you can switch Drum Kits, change the tempo and playback in the
same way as with Preset Songs.
Recording System
• Tempo [Range] 30 to 300
Sets the click’s tempo (q=) when recording.
• Recording can be done with any of the User Songs (64–83).
However, you cannot record to Preset Songs (1–63).
• A recorded song doesn’t contain recordings of the audio
‘sounds’ of the drums, but rather the performance ‘information’ or data of precisely when and how each pad was hit. This
information is called sequence data. Unlike audio data,
sequence data can be freely used to change the tempo, select
the voice or drum kit during playback.
• Beat [Range] 1 to 9
Sets the click’s beat when recording.
• Quantize [Range] ⁄, ⁄3, Ö (eighth note), Ö3 (eighth
note triplet), Ü (sixteenth note), Ü3 (sixteenth note triplet), no
The Quantize function can be applied during recording
and is used to align the timing of your performance with
that of the nearest specified beat. The accuracy of quantization is assigned with a note value.
* A setting of “no” results in no quantization.
Now, let’s start recording…
1
● How Quantize Works (an example)
Select the Song you want to record
Recorded notes were not played in time.
Press the [SONG] button to display the Song Select display,
select a User Song number (64–83).
If you want to play along with a Preset Song and record it,
select the desired song (1–63). In this case, the lowest numbered empty User Song will automatically be selected for
recording.
The Quantize Function aligns the timing.
NOTICE
• If a User Song containing data is selected, any recorded
data previously existing is overwritten and lost.
2
Perfect timing
Set the Recording Conditions
Simultaneously hold down the [SHIFT] button and press the
[SONG >/■] button to call up the following Recording Conditions setting page.
* If a Preset Song is selected for recording and all User Songs
already contain data, the error message “Memory full” is
shown. Use the Song Clear function (p. 25) to prepare an
empty User Song, then set the recording conditions.
3
Start Recording
Press the [SONG >/■] button and after the count, recording
will start. Record while listening to the click sound.
Current measure number during recording
In this display set the click tempo, beat, and quantize.
Press the [<]/[>] buttons to move the flashing cursor to the
item you want to set, then rotate the jog dial to set its value.
REC~~Meas=~10
~Now~Recording.
Tempo
NOTICE
REC~~~~~~~~⁄=130
Beat=4~Quant=⁄3
Beat
24
DTX500 Owner’s Manual
Quantize
• Never attempt to turn off the power during recording. All
User Song data may be lost.
6 Record Your Performance
4
Finish recording
6-3.
Press the [SONG >/■] button to finish recording. A
“now~storing~...” message is shown for a short time.
Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
SONG~save~name
~Are~you~sure~?
~now~storing~...
6-4.
NOTICE
Press the [SAVE/ENTER] button once more to actually execute the Store operation.
• Never attempt to turn off the power while the “now
storing ...” message is shown; all User Song data
may be lost.
* To cancel the Store operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons.
(When “Are you sure?” appears in the display, the jog
dial will also cancel the operation.)
When saving is complete, a “completed!” message is
shown and the Song Select page will reappear.
When saving is complete, a “completed!” message
appears and the Song Select page will reappear. The
song name is confirmed.
Even if the power is switched off, the completed song will be stored.
5
7
Clearing a User Song
If you want to clear any unneeded User Songs, follow the
operation below.
Listen to the Song
Following recording, the User Song number you recorded
flashes in the Song Select page.
Press the [SONG >/■] button, and playback of the song you
just recorded will start from its beginning.
* Preset Songs cannot be deleted.
7-1.
7-2.
In the Song Select page, move the flashing cursor to
the song number, and use the jog dial to select the
User Song you want to delete.
Press the [>] button twice to view the SONG2 page.
* You can change the Drum Kit used for the recorded song. To
change Drum Kits, press the [DRUM KIT] button to enter the
Drum Kit Select display (KIT1 page) and rotate the jog dial to
select a different kit.
6
SONG2~Clear
”Are~You~Sure~?
Give the User Song a name
The song name of the recorded User Song is shown as the
song name of the Preset Song or “Untitled.” Enter your
own original name for the recorded User Song.
* The song names of the Preset Songs cannot be edited.
6-1.
Press the [SAVE/ENTER] button in the Song Select
page. The Song Name setting page is shown.
SONG~save~name
:[Untitled]
6-2.
Press the [<]/[>] buttons to move the flashing cursor
to the character you want to edit, then rotate the jog
dial to select a character. A User Song name can contain a maximum of eight characters, and these can be
selected from the following list.
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
7-3.
Press the [SAVE/ENTER] button. A “now~clearing~...” message is shown for a short time.
NOTICE
• Never attempt to turn off the power while the message
“now clearing...” is shown; all User Song data may
be lost.
7-4.
When clearing data is complete, a “completed!”
message is shown and the SONG1 page will reappear.
NOTE
• If the Factory Set operation is executed, all User Songs (64–
83) will be lost. Please proceed with caution, since executing
this operation will also rewrite the entire memory contents of
the DTX500 (all Click Sets, User Trigger Setups 8–11, User
Drum Kits 51–70, Utility data) with the data that was set in
the unit’s memory when it was shipped from the factory (p.
33).
DTX500 Owner’s Manual
25
7
Create Your Own Original Drum Kit
The DTX500 lets you create your own original Drum Kit by assigning your favorite Drum Voice to
each pad and setting its tuning, pan, decay, reverb, etc.
* Drum Voice: Mainly individual percussion/drum sounds that are assigned to each of the pads.
* Drum Kit: A collection of Drum Voices assigned to pads.
1
Select a Drum Kit
Press the [DRUM KIT] button to view the Drum Kit Select
display (KIT1).
KIT1~~~ååååååååå
1~:Oak~Custom~~‚
Rotate the jog dial to select the Drum Kit you want to use as a
starting point for your original Drum Kit. A good idea is to
select a Drum Kit that is close in sound to the type of kit you
intend to create.
* Preset Drum Kits (1–50) and user Drum Kits (51–70) can be
used for editing as well.
2
Assign Drum Voices
In this example, we’ll create a bass drum (kick) sound.
2-1.
Press the [>] button to view the Drum Voice Select
page (KIT2).
KIT2~~~ƒsnare~~˙
”S01:OakCustom~‚
2-2.
To select the pad (trigger input source) you want to
edit, simply hit the pad you want to edit or use the
[SHIFT] + [<]/[>] buttons.
Step on the kick pedal or press the [SHIFT] + [<]/
[>] buttons and select “äkick.” Now the pad that is
connected to the 8KICK Trigger Input Jack is
selected. In other words, the kick pedal’s pad input is
selected.
● About the Trigger Input Sources
The Input Source indicates the trigger data that is transmitted by the pads
or drum triggers (Yamaha DT20, etc.) that are connected to trigger input
jacks 1SNARE to 8KICK/ 9 of the DTX500.
When mono pads TP65, KP125W/125/65, PCY65/130, DT10/20, etc. are
used, one Input Source is assigned to one input jack. When stereo pads
RHH135/130, PCY65S, etc. are used, two Input Sources (pad input and
rim switch input or 2 kinds of pad inputs, etc.) are assigned to one input
jack.
When three-zone pads XP100T/100SD/120T/120SD, TP65S, TP120SD/
100, PCY155/150S/135/130SC, etc., are used, three Input Sources (pad
input and two rim switch inputs, etc.) will be assigned to one input jack.
Each Input Source is defined as follows.
ƒsnare
ƒsnrOp
ƒsnrCl
ƒsnrOff
ƒsnrOfOp
Open rim switch input for 1SNARE jack.
Closed rim switch input for 1SNARE jack.
Pad input for 1SNARE jack with the snares off.
Open rim switch input for 1SNARE jack with the
snares off.
ƒsnrOfCl Closed rim switch input for 1SNARE jack with the
snares off.
™tom1
£tom2
Ωtom3
•ride
•rideE
•rideC
öcrash
öcrashE
öcrashC
ühhOp
Pad input for 2TOM1 jack.
Pad input for 3TOM2 jack.
Pad input for 4TOM3 jack.
Pad input for 5RIDE jack.
Edge rim switch input for 5RIDE jack.
Cup switch input for 5RIDE jack.
Pad input for 6CRASH jack.
Edge rim switch input for 6CRASH jack.
Cup switch input for 6CRASH jack.
Pad input for 7HI HAT jack when the hi-hat controller
is open.
ühhOpE
Edge rim switch input for 7HI HAT jack when the hihat controller is open.
ühhCl
Pad input for 7HI HAT jack when the hi-hat controller
is closed.
ühhClE
Edge rim switch input for 7HI HAT jack when the hihat controller is closed.
ühhFtCl
ühhSplsh
äkick
“pad9
ƒπpad10
ƒƒpad11
Īpad12
Input when the hi-hat controller is pressed (foot close).
Pad to be edited
KIT2~~~äkick~~~˙
”K01:OakCustom~‚
Pad input for 1SNARE jack.
Foot splash input of the hi-hat controller.
Pad input for 8KICK jack.
Pad input for 8PAD 9 jack.
Pad input for 2PAD 0 jack.
Pad input for 3PAD ! jack.
Pad input for 4PAD @ jack.
* Mono pads do not have a rim switch function.
26
DTX500 Owner’s Manual
7 Create Your Own Original Drum Kit
2-3.
The letter “˙” displayed next to “äkick” indicates
layer number 1, and “¶” indicates layer number 2.
Two voices can be output (in a layer) through one
input source. Select the voice to be edited here.
KIT2~~~äkick~~~˙
”K01:OakCustom~‚
2-4.
Layer number
Now you’ve selected the Drum Voice that will
be used as the base for your original Drum
Voice.
Next, let’s edit this Drum Voice and create
your original bass Drum Voice.
Select and set the display that you want to be edited from
page 3 to page 25 in the KIT screen.
Next, decide the Drum Voice category. Drum Voice
categories are the same as those used in the user click
sound setting (p. 17).
● Voice Category
K: Kick
S: Snare
T: Tom
C: Cymbal
H: Hi-hat
P: Percussion
E: Effect
Here, select “K: Kick”. Press the [<]/[>] buttons to
move the flashing cursor to the Voice Category and
rotate the jog dial to select “K”.
Store the data when you change the settings!
Make sure to store the data after any settings
have been changed.
For information about how to save, see steps 26.
If a different drum kit is selected, etc., before carrying
out the Store Operation, the current settings will
return to their original condition. If you want to keep
changes made to the data, make sure to carry out
the Store Operation.
3
This determines the volume of the Drum Voice that is output
when the pad is hit. Use this to adjust the volume balance
among the other pads.
NOTICE
• An asterisk “*” will appear next to “KIT” in the display if
data is changed. This asterisk will disappear after the
Store operation (p. 32) is carried out. If a different Drum
Kit is selected, etc., before carrying out the Store operation, the current settings will return to their original condition. If you want to keep changes made to the data,
make sure to carry out the Store operation.
2-5.
Next, let’s select a Drum Voice.
Press the [<]/[>] buttons so that the voice number
flashes, then rotate the jog dial and assign a Drum
Voice. The voice number and voice name will be displayed.
Use the [>] button to call up the KIT3 page, then rotate the
jog dial to set the volume (0–127).
KIT3*~~äkick~~~˙
”~~Volume=120~~‚
4
Use the [>] button to call up the KIT4 page, then rotate the
jog dial to set the tuning in semitones (-24.0 to 0 to +24.0).
played as the voice name and no sound will be produced.
KIT4*~~äkick~~~˙
”~~Tune=-~3.0~~‚
KIT2*~~äkick~~~˙
”K02:MapleCustm‚
• When Drum Voices are set for both layers 1 and 2, layer icon
˙ or ¶ is shown in the upper right hand corner of the KIT3 to
KIT10 displays. Move the flashing cursor to this icon (if necessary) and rotate the jog dial to change the layer to be edited.
• When a Drum Voice is assigned to either of the layers 1 and 2
(the other is set to “NoAssign”), the layer icon is not shown
in the KIT3 to KIT10 displays. The layer which has a Drum
Voice is the target layer for editing.
• When Drum Voices are not assigned for either layer 1 or 2
(“NoAssign”), “---” will be shown in the KIT3 to KIT18
displays and the settings cannot be made.
Change the Tuning (Pitch)
This determines the tuning (pitch) of the Drum Voice.
Here, select “K02:MapleCustm.”
* If the voice number is set to “00,” “NoAssign” is dis-
NOTE
Change the Volume
5
Change the Pan
This determines the Drum Voice’s pan setting (the voice’s
position within the stereo field).
Use the [>] button to call up the page KIT5, then rotate the
jog dial to set the voice’s pan position.
The range is from “L64” (hard left) to “C” (center) to “R63”
(hard right). As you rotate the dial, notice the voice change its
position within the stereo field according to the setting.
KIT5*~~äkick~~~˙
”~~~~Pan=L~5~~~‚
DTX500 Owner’s Manual
27
7 Create Your Own Original Drum Kit
6
Change the Decay
This determines the Drum Voice’s decay time (the time it
takes the sound to fade out after being produced).
Use the [>] button to call up the KIT6 page, then rotate the
jog dial to set the decay (-64–0–+63). Positive values produce
a crisper sound.
KIT6*~~äkick~~~˙
”~~Decay=+~8~~~‚
7
Change the Voice Character (Filter Setting)
This determines the filter’s cutoff frequency to change the
Drum Voice’s character (brightness).
Use the [>] button to call up the KIT7 page, then rotate the
jog dial to set the cutoff frequency (-64–0–+63). Positive values produce a brighter sound.
KIT7*~~äkick~~~˙
”CutOffFreq=+~4‚
9
Set the MIDI Channel
This determines the MIDI Transmit Channel for the MIDI
note on data that is transmitted when a signal is received from
the input source. This affects which particular channel will be
used when playing a voice on a connected MIDI device.
Use the [>] button to call up the KIT9 page, then rotate the
jog dial to set the MIDI Transmit Channel (1–16).
KIT9*~~äkick~~~˙
”~~MIDI~Ch=10~~‚
10 Set the Gate Time of the MIDI Output
This determines the Gate Time (the length of time from Key
On to Key Off) for the MIDI note on data.
Use the [>] button to call up the KIT10 page, then rotate the
jog dial to set the Gate Time (0.0s–9.9s).
KIT10*~äkick~~~˙
”GateTime=0.3s~‚
11 Set the MIDI Key On/Off
8
Set the MIDI Note Number
This determines the MIDI Note Number that is transmitted
when a signal is received from the input source. This affects
which particular percussion or drum sound of a voice will
play on a connected MIDI device.
Use the [>] button to call up the KIT8 page, then rotate the
jog dial to set the MIDI Note Number (0–127). Displays the
note number and note name (C-2–G8).
KIT8*~~äkick~~~˙
”Note=~~32/G#0~‚
This determines whether to recognize MIDI Key Off events
or not.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT11 page, then rotate the
jog dial to set Key On/Key Off.
KIT11*~äkick
”KeyOff=disable‚
enable ............Recognizes Key Off events.
disable .........Does not recognize Key Off events.
* When this is set to “disable,” some voices may sound continuously. Press the [DRUM KIT] button to stop the sound.
* When the selected MIDI Note Number has already been
assigned to another input source, an asterisk “*” will be displayed next to “Note=.”
* If the same MIDI Note Number is set to more than one pad
within the same Drum Kit, the lowest numbered Input Source
will take priority. In the case of the duplicate input sources,
the same voice will be output.
If the setting is not available because of an already assigned
MIDI note number, “(Note# in use)” or “(# in
use)” is shown in the lower half of the display.
12 Set the Hold Mode
Every time the pad is hit, Key On and Key Off messages are
alternately sent. This means that one hit of the pad turns the
sound on and the next turns it off.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT12 page, then rotate the
jog dial to set the Hold Mode.
KIT12*~äkick
”~HoldMode=off~‚
28
DTX500 Owner’s Manual
7 Create Your Own Original Drum Kit
on ................... Each time the pad is hit, either a MIDI Key
On or MIDI Key Off event will be transmitted
alternately.
off................. Normal operation. When a pad is hit, only a
MIDI Key On event will be transmitted. After
the decay time elapses, a Key Off event will
be transmitted automatically.
* When this is set to “on,” you should also set the Key Assign
Mode to “high” in the KIT15 page.
13 Set the Cross Fade
14 Set the Alternate Group
This function allows you to assign different voices to the
same alternate group, so that the playing of one sound in the
group will automatically cancel others in the same group. A
practical example of this is with the open and closed hi-hat
voices. When you play an actual hi-hat—first open, then
closed—the closed hi-hat naturally mutes the ringing open
sound. Likewise, when the open and closed hi-hat voices are
assigned to the same alternate group, the playing of one
mutes the other.
This determines the Velocity Cross Fade between the layer
voices ˙ and ¶.
* This setting has no affect on two-layer input sources. The ˙/¶
indication is not shown in the upper right corner of the display.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT14 page, then rotate the
jog dial to set the Alternate Group.
Use the [>] button to call up the KIT13 page, then rotate the
jog dial to set the Cross Fade type.
KIT13*~äkick
”~~VelXFade=0~~‚
● Cross Fade Type
0 .........Cross Fade function is not in effect.
1
˙
¶
2
˙
¶
6
7
˙
¶
˙
¶
KIT14*~äkick
”~AltGrp=off~~~‚
off .................No cancellation
HH~pad ..........For the voice (ühhOp, ühhOpE, etc.) that is
played when the hi-hat pad is hit.
HH~pdl ..........For the voice (ühhFtCl, ühhSplsh,
ühhCl, ühhClE, etc.) that is played when
the hi-hat pedal is pressed.
1–9..................Alternate group number. Assigns the same
group number for voices that you do not want
to be output simultaneously.
15 Set the Key Assign Mode
3
4
5
˙
¶
8
˙
¶
9
˙
˙
˙
¶
¶
¶
Vertical axis: Balance between layers ˙ and ¶
Horizontal axis: Velocity
Layer ˙
Layer ¶
This defines the sound output rules when multiple voices that
are assigned to the same MIDI note number are simultaneously output.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT15 page, then rotate the
jog dial to set the key assign mode.
KIT15*~äkick
”KeyAssign=semi‚
poly ...............Voices are output simultaneously.
semi ...............Up to three voices for this note number can
be produced at one time. When a fourth voice
is triggered, one of the first two voices will be
muted (cancelled).
mono ...............One voice can be delivered at one time, and
the previous voice will be muted (cancelled).
high ...............One voice can be delivered at one time, and
the previous voice will be muted (cancelled).
However, even if the maximum number of 32
notes is exceeded, the note number selected
here will not be muted.
DTX500 Owner’s Manual
29
7 Create Your Own Original Drum Kit
16 Set the Pad Song
17 Set the Rim to Pad
When the pad is hit, the assigned pad song will start playback. In addition to one main song that is selected in the Song
Select display, a maximum of three Pad Songs can be individually set for a Drum Kit.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT16 page, then rotate the
jog dial to set the Song Number to be assigned, the Repeat
function, and the Playback mode.
KIT16*~äkick
”Song=~45áéplay‚
Song Number
● Song Number
off, 45–63 ... Assigns the Song Number that is assigned to
the pad
● Repeat Playback
áé ................... Repeats playback of the song (when the song
reaches the end it will start again from the
beginning, continuously).
-≥ ................... Normal playback.
● Playback Mode
play .............. When the pad is hit, playback of the assigned
pad song will start/stop.
chse .............. When the pad is hit, one measure of the
assigned pad song will start playback then
pause.
ctof .............. When the pad is hit, playback of the assigned
pad song will start/stop. However, if the pad
song is set to “ctof,” the pad song will stop
when another pad song with the “ctof” setting
is started. This function allows only one
“ctof” pad song to be played at a time.
* Up to three pad songs can be set for each Drum Kit. To
assign a pad song for other pads, hit the target pad, or press
the [SHIFT] + [<]/[>] buttons, so that the target pad name
(trigger input source) is shown in the upper half of the display.
However, when three pad songs are set, “Song=off” is shown
and the settings cannot be made.
* The tempo of the pad song is the same as that of the main
song that is found in the Song Select display or the Click Setting display.
* If a function is already assigned in the UTIL7 page to the
input source that the pad song is assigned, “Song=(in
use!)” is shown and the setting in the UTIL7 takes priority.
(p. 21)
* When multiple pad songs are assigned and played back in
combination, the voices within the songs may change unexpectedly or sound different than intended.
DTX500 Owner’s Manual
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
* When an input other than the rim switch is selected for the
input source, “RimToPad=---” will be displayed and the
settings cannot be made. The following display appears
when “ƒsnrOp” is selected for the input source.
Use the [>] button to call up the KIT17 page, then rotate the
jog dial to set the Rim to Pad.
Playback mode
Repeat
30
This function is effective only when the input source is from
a rim switch. When the rim is hit, pad events triggered from
the same pad (trigger input jack) can be simultaneously transmitted with rim switch events. With this setting, a snare pad’s
sound can be triggered at the same time as the snare’s rim
shot.
KIT17*~ƒsnrOp
”~RimToPad=off~‚
off .....................Only transmits rim switch event.
on........................Transmits both rim switch event and pad event.
18 Change the Reverb Level (1)
This determines the Reverb Send Level for the voices (layers
1, 2) triggered by the input source. This effectively allows
you to adjust the reverb depth.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is
not shown in the upper right corner of the display.
* The actual Reverb Send Level is determined by adding the
Send Level set here to the Drum Reverb Send Level set in
the KIT19 page.
Use the [>] button to call up the KIT18 page, then rotate the
jog dial to set the Reverb Send Level (0–127).
KIT18*~äkick
”~RevSend=~30~~‚
19 Change the Reverb Level (2)
This determines the Overall Reverb Send Level of the Drum
Voice.
* This setting affects the entire Drum Voice. The ˙/¶ indication
is not shown in the upper right corner of the display.
Use the [>] button to call up the KIT19 page, then rotate the
jog dial to set the Drum Reverb Send Level (0–127).
KIT19*
”~RevSendDr=~40‚
7 Create Your Own Original Drum Kit
20 Change the Reverb Type
This determines the Type of Reverb effect for each Drum Kit.
The same Reverb Type is applied to the entire Drum Kit.
* This setting affects the entire Drum Voice. The ˙/¶ indication
is not shown in the upper right corner of the display.
Use the [>] button to call up the KIT20 page, then rotate the
jog dial to set the Reverb Type.
KIT20*
”RevType=hall1~‚
none .............. No reverb (same as thru).
hall1–5 ....... Simulates the reverb in a hall.
room1–5 ....... Simulates the reverb in a room.
stage1–5 ..... Simulates the ambience of a stage.
plate............ Simulates a steel plate reverb.
white............ A special short reverb effect.
tunnel ......... Simulates the reverb of a tunnel.
bsemnt ......... Simulates the reverb of a basement.
* The hall, room, or stage types with larger values produce a
more pronounced reverb effect.
21 Change the Reverb Level (3)
This determines the Signal Return Level from the reverb
effect for every Drum Kit. The same reverb type is applied to
the entire Drum Kit.
By setting the level, you can adjust the reverb effect for the
overall DTX500 system.
* This setting affects the entire Drum Voice. The ˙/¶ indication
is not shown in the upper right corner of the display.
Use the [>] button to call up the KIT21 page, then rotate the
jog dial to set the Reverb Master Return level (0–127).
KIT21*
”RevMastRet=~64‚
22 Set the Pad Controller
This is effective only when a pad equipped with pad controller is connected to the 1SNARE jack, and also when “SN1”, “SN-2”, “TM-1” or “TM-2” is assigned in the TRG2
page (pad type) of the Trigger Setup pages.
The following settings can be made by rotating the pad controller knob.
off .................No function is assigned.
snares ..........Adjusting the snares (also effective for the
open rim sound)
tuning ..........Adjusting the tuning (also effective for the
open rim sound)
tempo.............Adjusting the tempo
* The ˙/¶ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the page KIT22, then rotate the
jog dial to set the Pad Controller function.
KIT22*
”PadCtl=snares~‚
23 Set the Snares
This adjusts the snares effect (the characteristic sound of the
coiled wires on the bottom of an actual snare drum) of the
pad connected to the 1SNARE jack.
This also applies to pads not having a pad controller.
* The ˙/¶ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the KIT23 page, then rotate the
jog dial to set the Snares adjustment level.
KIT23*
”~~Snares=24~~~‚
off .................Snares off (reproduces the sound with the
snares lifted off the drum)
1–24 ...............Snares are applied to the sound; the higher
the value, the tighter the snares sound. (A
value of “1” is the “loosest” snares setting.)
* When you change this setting, the decay setting (KIT6) for
the input sources “ƒsnare” and “ƒsnrOp” also changes.
DTX500 Owner’s Manual
31
7 Create Your Own Original Drum Kit
24 Set the Program Change and Bank Select
When a Drum Kit is selected, this function sets the MIDI Program Change Number and the Bank Select MSB and LSB
that will be transmitted. This can be set for each MIDI channel.
By transmitting a program change message, you can have the
voice of an external MIDI device automatically change when
switching the Drum Kit on the DTX500.
* The ˙/¶ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the KIT24 page, then rotate the
jog dial to make the following settings.
Program Change
Transmit On/Off
MIDI Channel
KIT24*PC~Ch1=on
”PC003~M000L003‚
Program Change Number
Bank Select LSB
Bank Select MSB
* When the Program Change Transmit On/Off is set to “off,”
values for PC, M and L will be “---” and the settings cannot
be made.
● MIDI Channel
1–16............... Target MIDI channel for the Program Change
● Program Change Transmit On/Off
on ................... Transmits.
off................. Does not transmit.
● Program Change Number
001–128 ....... Transmitted program change number.
● Bank Select MSB, LSB
000–127 ....... Bank select MSB number, LSB number
* For more information on Bank Select MSB and LSB, refer to
the Voice List and MIDI Data Format documents, etc. of the
particular external MIDI device you are using.
25 Set MIDI Volume and Pan—Control
Change
This function sets the MIDI Control Change Volume and Pan
values that will be transmitted when a Drum Kit is selected.
This can be set independently for each MIDI channel.
This lets you automatically change the voice Volume and Pan
on an external MIDI device when you switch the Drum Kit of
the DTX500.
* The ˙/¶ indication is not shown in the upper right corner of
the display.
32
DTX500 Owner’s Manual
Use the [>] button to call up the KIT25 page, then rotate the
jog dial to make the following settings.
MIDI Channel
Control Change
Transmit On/Off
KIT25*CC~Ch1=on
”Vol=127~Pan=~64
Volume
Pan
* When the Control Change Transmit On/Off is set to “off,”
values for Vol and Pan will show “---” and the settings cannot be made.
● MIDI Channel
1–16 ...............Target MIDI channel for Control Change
messages
● Control Change Transmit On/Off
on....................Transmits.
off .................Does not transmit.
● Volume
0–127 .............Sets the Volume Control Change data value
that will be transmitted.
● Pan
0–127 .............Sets the Pan Control Change data value that
will be transmitted.
26 Save the Original Voice
To save the Drum Voice you created, use the Store operation
described below and save it to the DTX500’s memory. Original kits can be saved as a Drum Kit to the User Drum Kit
(51–70) memory locations.
NOTICE
• If you select a different Drum Kit before performing the
Store operation, all changes you have made to the data
will be lost. If you want to keep settings or changes, make
sure to perform the Store operation.
26-1. Press the [SAVE/ENTER] button. The following display will appear.
Store destination
KIT~save~to~51
:[Oak~Custom~~]
Edited Drum Kit name
26-2. Rotate the jog dial to select the destination user Drum
Kit number (51–70) that you want to store.
* Data cannot be stored to the Preset Drum Kits (1–50).
* You can save data to a User Drum Kit number that
already contains data. However, be careful when
doing this, since the previous data will be overwritten
with the new data.
7 Create Your Own Original Drum Kit
26-3. If you want to change the Drum Kit name, press the
[<]/[>] buttons to move the flashing cursor to the
character you want to edit, then rotate the jog dial to
select a character. A Drum Kit name can contain a
maximum of 12 characters, and these can be selected
from the following list.
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
26-4. Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
KIT~save~to~51
~Are~you~sure~?
26-5. Press the [SAVE/ENTER] button once more to actually execute the Store operation.
*To cancel the Store operation, press any button except
for the [SAVE/ENTER] and [SHIFT] buttons. (When
“Are you sure?” appears in the display, the jog dial will
also cancel the operation.)
When the Store operation is complete, the following
display appears.
~~~Completed!
With this operation, you have now created a
Drum Kit that has an original bass Drum
Voice.
Use the same procedure to create Drum
Voices for the other pads (input sources) and
create a complete custom Drum Kit of your
own.
Factory Set
This operation returns all of the DTX500’s internal settings back to their original factory defaults.
Please proceed with caution, since executing
this operation will also rewrite the entire memory contents of the DTX500 (all Click Sets, User
Trigger Setups 8–11, User Drum Kits 51–70, User
Songs 64–83, Utility data) with the data that was
set in the unit’s memory when it was shipped
from the factory.
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility pages.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
2. Press the [>] button several times to call up the
UTIL8 page.
UTIL8
”~Factory~Set
3. From the page shown above, press the [SAVE/
ENTER] button to call up the prompt shown below,
asking for confirmation of the Factory Set operation.
* To cancel the Factory Set operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons (the
jog dial can also be used to cancel the operation).
All~data~will~be
lost.AreYouSure?
4. Once again, press the [SAVE/ENTER] button to proceed with the operation.
~All~Memory
~Initializing...
DTX500 Owner’s Manual
33
8
Trigger Setup Edit
Trigger Setup Edit contains various settings related to trigger input signals received from pads
or drum triggers (Yamaha DT20, etc.) that are connected to the trigger input jacks. These settings let you optimize the DTX500 for best operation and response to these signals.
If you are using drum triggers attached to acoustic drums, or pads other than those that came
with the DTX500 set, you’ll need to adjust the sensitivity. This section also has settings that help
prevent crosstalk* and double triggering*.
* Crosstalk: The interference between trigger signals of physically adjacent pads, producing unexpected notes.
* Double triggering: The condition where a single pad hit causes multiple (usually two) triggers.
Trigger Setup procedure
3
If you want to replace some of the pads from your drum set, or if
you need to solve problems with double triggering or crosstalk,
the Trigger Setup provides more detailed settings—such as
changing the preset’s trigger setup—for individual pads.
If you’ve created a custom setup for these reasons or others, that
setup can be saved to one of the Trigger Setup locations (8–11).
1
Rotate the jog dial to change the setting.
* An asterisk “*” will appear next to “TRG” in the display if data
is changed. This asterisk will disappear after the Store operation is carried out.
* The Trigger Input Level produced when a pad is hit is shown
on the upper right side of the display. When setting the gain,
use this level as a guide to measure how hard a pad is being
hit.
Trigger Input Level
TRG2* ƒsnare~~0%
”Type=DT~Snare~‚
Press the [SHIFT] + [DRUM KIT] buttons to call up the Trigger Setup Select page (TRG1). The currently selected Trigger
Setup is indicated in the display.
* If you want to edit a different trigger setup, use the jog dial
and select the setup here.
4
To save changes you’ve made to the data, use the procedure
described below to store them to a User Trigger Setup (8–11).
Trigger Setup Select display (page 1)
NOTICE
TRG1~~~ååååååååå
1~:XP~Med~~~~~~‚
Trigger Setup Number: Setup Name
2
• If a different trigger setup is selected before executing
the Store operation, all changes you have made to the
data will be lost. If you want to keep settings or changes,
make sure to carry out the Store operation.
4-1.
Use pages TRG2 through TRG8 to edit the Trigger Setup.
Press the [<]/[>] buttons to change pages and move the
flashing cursor to the parameter you want to set.
Press the [SAVE/ENTER] button. The following display will appear.
Store destination
TRG~save~to~8
:[XP~Med~~]
* Refer to pages 35 to 37 for more information on individual
parameters.
Trigger Setup name
To select the Trigger Input (input jack) you want to edit, simply hit the pad you want to edit or use the [SHIFT] + [<]/
[>] buttons.
4-2.
Rotate the jog dial to select the destination trigger
setup number (8–11).
Trigger Input to be edited
4-3.
If you want to change the Trigger Setup name, press
the [<]/[>] buttons to move the flashing cursor to the
character you want to edit, then rotate the jog dial to
select a character. A Trigger Setup name can contain a
maximum of eight characters, and these can be
selected from the following list.
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
TRG2~ ƒsnare~~0%
”Type=SN-1~~~~~‚
Previous page icon
Next page icon
Flashing cursor (parameter)
34
DTX500 Owner’s Manual
8 Trigger Setup Edit
4-4.
Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
TRG~save~to~8
~Are~you~sure~?
Explanations of Each Display Page
The following explanations cover the available parameters in the
pages TRG1 through TRG8. To save the edited data, refer to step
4 on page 34.
TRG1
4-5.
Press the [SAVE/ENTER] button once more to actually execute the Store operation.
* To cancel the Store operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons.
(When “Are you sure?” appears in the display, the jog
dial will also cancel the operation.)
The following display appears after the Store operation is complete.
Trigger Setup Select
TRG1~~~ååååååååå
1~:XP~Med~~~~~~‚
[Range]
1–11
Selects the Trigger Setup Type (p. 12)
TRG2
Type (Pad Type)
~~~Completed!
TRG2~ ƒsnare~~0%
”Type=SN-1~~~~~‚
NOTICE
• Never attempt to turn off the power while the message
“now storing...” is shown. All Trigger Setup data
may be lost.
Sets the type of pad that is connected to the input jack assigned in
the upper half of the display ([1SNARE] in the example shown
above).
* Values set in [TRG3 Gain, MVl (Mininimum Velocity)] (p. 36)
and [TRG5 RejTime (Self Rejection Time)] (p. 36) will automatically changed to the proper values for the pad type you
set here.
NOTE
• If you want to replace some of the pads from your drum set,
refer to the operation on page 34 (Trigger Setup Edit) after
the above setting is done, to make sure that the settings (such
as sensitivity) are appropriate for each pad.
Pad types are defined as follows.
KICK
KP125W/125/80S/80/65/60
SN-1
XP100T/100SD/120T/120SD
(mainly used as a snare pad)
SN-2
TP100/120SD (mainly used as a snare pad)
SN-3
TP65S/65 (mainly used as a snare pad)
TM-1
XP100T/100SD/120T/120SD
(mainly used as a tom pad)
TM-2
TP100/120SD(mainly used as a tom pad)
TM-3
TP65S/65(mainly used as a tom pad)
CY-1
PCY155/150S/135 *1
CY-2
PCY155/150S/135 *1
CY-3
PCY155/150S/135 *1
CY-4
PCY130SC
CY-5
PCY130S/130
CY-6
PCY65S
HH-1
RHH135
HH-2
RHH130
DT Snare DT series drum trigger (for a snare drum)
DT HiTom DT series drum trigger (for a small toms)
DTX500 Owner’s Manual
35
8 Trigger Setup Edit
*1 These pad types are different in the sensitivity settings among
the three sections (the Bow section, Edge section, and Cup
section in 3-zone cymbal pad.) You can change these as
desired.
“CY-1” is the setting that the sensitivities of the three sections
are same.
“CY-2” is the setting that the sensitivity of the Edge section is
set fairly lower than the other section.
“CY-3” is the setting that the sensitivity of the Cup section is
set fairly lower than the other section.
TRG3
Gain, MVI (Minimum Velocity)
TRG4
VelCurve (Velocity Curve)
TRG4~ ƒsnare~~0%
”VelCurve=norm~‚
Sets the Input Velocity Curve for the input jack assigned in the
upper half of the page.
norm
loud2
loud1
hard1
hard2
Velocity →
DT LoTom DT series drum trigger (for a large toms)
DT Kick DT series drum trigger (for a bass drum)
misc~1–6 Other manufacturer’s pads 1 to 6
Strength of hit →
TRG3~ ƒsnare~~0%
”Gain=65MVl=~12‚
Gain
[Range]
0–99
Adjusts the input gain (sensitivity) for the input jack assigned in
the upper half of the page.
Setting a larger value lets a smaller input level from the pad create sound.
* This value will be automatically set after the appropriate pad
type is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the
value will be necessary.
* Some pads are equipped with a sensitivity adjustment knob.
For details, refer to the owner’s manual that came with the
particular pad.
MVI
[Range]
1–127
Sets the MIDI Velocity (volume) that is transmitted when the pad
is hit the softest. Large values will produce a high volume level
even if the pad is hit softly. However, this will result in a narrow
volume range making it difficult to adequately produce wider
dynamic levels.
The Trigger Input Level will be displayed in percentage in the
upper right hand corner of the display. The maximum velocity
(input level 99 percent) will be 127. The lower the level is when
the pad is hit the weakest, the wider the potential dynamic range
will be.
* This value is automatically set after the appropriate pad type
is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the
value will be necessary.
36
TRG5
DTX500 Owner’s Manual
RejTime (Self Rejection Time)
TRG5 ~ƒsnare~~0%
”~~RejTime=1~~~‚
[Range]
0–9
Prevents double triggering from occurring in the input jack
assigned in the upper half of the page. After an event is detected,
further events will be automatically muted for a certain length of
time. The larger the value, the longer time events will be muted.
TRG6
RejLvlAll (Rejection Level)
TRG6 ~ƒsnare~~0%
”~RejLvlAll=2~~‚
[Range]
0–9
Prevents crosstalk from occurring in the input jack assigned in
the upper half of the page. Events triggered by other pads (input
jacks) that are of a lower input value than what is set here will not
be triggered for a certain length of time. Larger values require a
greater input level in order to produce a trigger event.
8 Trigger Setup Edit
TRG7
RejLvl (Specified Rejection Level)
TRG7~ ƒsnare~~0%
”RejLv1=3Frm=56‚
RejLvl [Range]
0–9
Frm
1–6, 56 (5 and 6), 7–12, 17 (1 and 7),
tm, cy, tc
[Range]
This setting is used to prevent crosstalk between the input jack
assigned in the upper half of the page and the input jack assigned
in the “Frm=” setting.
After an triggering event occurs from the pad that is assigned in
the “Frm=” setting, the pad assigned in the upper half of the display will not sound for a certain length of time unless the input
level is greater than the value set here. Larger values will require
a greater input level in order to produce a trigger event.
2. Press the [SAVE/ENTER] button. A prompt appears asking confirmation of the Copy operation.
Input~Copy~to~2
~Are~you~sure~?
3. Press the [SAVE/ENTER] button to actually execute the
Copy operation.
* To cancel the Copy operation, press any button except for the
[SAVE/ENTER] and [SHIFT] buttons (the jog dial can also be
used to cancel the operation).
The following display appears after the Copy operation is
complete.
~~~Completed!
A “Frm=“56” setting assigns trigger input jacks 5 and 6.
A “Frm=“17” setting assigns trigger input jacks 1 and 7.
A “Frm=“tm” setting assigns trigger input jacks 2, 3, and 4.
A “Frm=“cy” setting assigns trigger input jacks 5, 6, 7, and 9.
A “Frm=“tc” setting assigns trigger input jacks 2, 3, 4, 5, 6, 7,
and 9.
TRG8
CopyToInput (Trigger Setup Copy)
TRG8 ~ƒsnare
”CopyToInput=~2‚
This function allows you to copy all data settings in pages [TRG2
Type (Pad Type)] through [TRG7 RejLvl (Specified Rejection
Level)] to another input jack.
NOTICE
• When the Trigger Setup Copy operation is carried out, the
Trigger Setup data will be replaced with the settings of
the copy source.
Operation
1. Hit a pad to select the copy source (input jack) from
which the data will be copied.
Rotate the jog dial and assign the copy destination (input
jack).
Copy source (input jack)
TRG8~ ƒsnare
”CopyToInput=~2‚
Copy destination (input jack)
DTX500 Owner’s Manual
37
Error Messages
The DTX500 displays error messages when incorrect settings have been made or invalid operations have been detected, or when any abnormal operation or malfunction occurs.
If an error message appears, check the list below and make the appropriate corrections.
ERROR
Data~Initialized
ERROR
Memory~full
ERROR
Can'tWriteMemory
This message appears just after the power is switched on and the device cannot correctly
read the data due to the Factory Reset operation being active.
The backup ROM data may have been damaged. Contact the nearest Yamaha Service Center or the dealer where you purchased the device.
You have exceeded the memory capacity of the user song.
Delete unused songs to make more memory available and try recording again.
Writing data to the backup ROM has failed.
Troubleshooting
The DTX500 does not produce sound, or does not recognize trigger inputs.
● Are the pads or drum triggers (Yamaha DT20, etc.) properly
connected to the DTX500’s trigger input jacks? (p. 10)
● Is the DTX500 properly connected to headphones or an external audio device such as an amplifier, speaker, etc.? (p. 10)
● Check the position of the Standby/On switches and volume
levels of any connected external audio devices, such as an
amplifier, speaker, etc.
● The volume knob on the rear panel may be turned down (p.
13).
● Is the gain set too low? (p. 36 [TRG3 Gain, MVI (Minimum
Velocity)])
● The volume setting on the Drum Kit Select display’s “KIT3 Volume” page (p. 27) may be set to “0.”
● Is there a problem with the cable you are using?
● The drum voices for both layers ˙ and ¶ may be set to
“00:NoAssign.” (p. 27 Step2: [KIT2])
38
DTX500 Owner’s Manual
The external tone generator does not produce sound.
● Is the MIDI cable (connector) properly connected? (p. 11)
● Is the correct MIDI connector being used? (p. 11)
● Are the MIDI note number values appropriate?
(p. 28 Steps 8 to 10: [KIT8], [KIT9], [KIT10])
● The drum voices for both layers ˙ and ¶ may be set to
“00:NoAssign.” (p. 27 Step2: [KIT2])
A voice other than the set voice is produced.
● Is the transmitting MIDI channel set to a channel that is not
used for the drum voice (ch=10)? (p. 28, Step 9: [KIT9])
● Are two-layer voices set in the voice setting on the Drum Kit
Select display? (p. 27 Step 2: [KIT2])
Produces sound but the sensitivity is too low (volume
is low).
● Is the gain set too low? (p. 36: [TRG3 Gain, MVI (Minimum
Velocity)])
● Pads with a level adjustment knob should be adjusted
(increased).
● Is the minimum velocity set too low? (p. 36: [TRG3 Gain, MVI
(Minimum Velocity)])
● Are you using a proper velocity curve? (p. 36: [TRG4 VelCurve
(Velocity Curve)])
● Is the volume of the voice you want to use too low? (p. 27 Step
3: [KIT3])
Troubleshooting
The trigger sound is not stable. (For acoustic drums)
● Check the entry “Produces sound but the sensitivity is too low
(volume is low)” above.
● Try selecting a larger pad type setting (DT snare → DT HiTom
→ DT LoTom → DT Kick). (p. 35: [TRG2 Type (Pad Type)])
● Is the Drum Trigger (Yamaha DT20, etc.) improperly attached
with duct tape? (Is there any old adhesive remaining on the
head?)
● Is the cable securely connected to the drum trigger (Yamaha
DT20, etc.) jack?
Double triggering is produced.
● Pads with a level adjustment knob should be adjusted (lowered).
● Is the gain set too high? (p. 36: [TRG3 Gain, MVI (Minimum
Velocity)])
● Use the self-rejection setting. (p. 36: [TRG5 RejTime (Self
Rejection Time)])
● (KP65) Is the pad type for the input jack to which the KP65 is
connected set to Kick Pad? (p. 35: [TRG2 Pad Type])
● Are you using drum triggers (trigger sensors) made by other
manufacturers? Too large a signal can result in double triggering.
● Is the head causing irregular vibrations? It may be necessary
to mute the head.
● When using acoustic drums, make sure the Drum Trigger is
attached near the rim (above the bearing) and not near the
center of the head.
● When using acoustic drums, make sure that nothing is touching the Drum Trigger.
Crosstalk (trigger interference from different inputs) is
produced.
● Is the gain set too high? (p. 36: [TRG3 Gain, MVI (Minimum
Velocity)])
● Try increasing the rejection parameter. However, avoid setting
this value too high since that may cause the sound to not be
produced when another pad (trigger input) is hit at the same
time. (p. 36: [TRG6 RejLvlAll (Rejection Level)])
● If crosstalk is produced with a specific trigger input, try using
specific rejection. (p. 37: [TRG7 RejLvl (Specified Rejection
Level)])
● When using acoustic drums, place the Drum Trigger away from
any nearby drum.
Sounds are cut when you play continuously.
● The maximum polyphony of 32 voices might be exceeded. In
the Drum Kit Select dispaly’s “KIT15 Key Assign Mode” page
(p. 29), set the “KeyAssign” value to “semi” or “mono.”
When two pads (drums) are played only one sound is
heard.
● Raise the gain setting of the pad (trigger input) that is not producing sound. (p. 36: [TRG3 Gain, MVI (Minimum Velocity)])
● Lower the rejection setting of the pad (trigger input) that is not
producing sound. (p. 36: [TRG6 RejLvlAll (Rejection Level)])
● Lower the specified rejection setting of the pad (trigger input)
that is not producing sound (p. 37: [TRG7 RejLvl (Specified
Rejection Level)])
● Are both pads (trigger inputs) set to the same alternate group?
(p. 29 Step 14: [KIT14])
The sound is always loud.
● Is the minimum velocities minimum value set too high? (p. 36:
[TRG3 Gain, MVI (Minimum Velocity)])
● Are you using an appropriate velocity curve? (p. 36: [TRG4
VelCurve (Velocity Curve)])
● Are you using a pad made by another manufacturer? Depending upon the manufacturer, output levels might be too large.
The DTX500 does not receive any switch or trigger signals.
● If you can access the Utility display, perform the Factory Set
operation. The DTX500 will reset to its factory settings. (p. 33:
[UTIL8 Factory Set])
● Turn the power off then on while holding the [<] and [>] buttons together. The DTX500 will reset to its factory settings.
The sound does not stop.
● Some voices have very long release times when the “key off”
parameter is set to “disable.” (p. 28 Step 11: [KIT11])
Press the [DRUM KIT] button to temporarily stop the sound.
The pad controller function does not work
● Have you connected a pad equipped with a pad controller,
such as the TP100 or TP120SD?
● Are the pad controller settings properly set? (p. 15)
The Closed Hi-Hat voice is not produced.
● Is the proper pad type selected? If the RHH135/130 is used as
a hi-hat controller, the pad type must be set to “RHH.” (p. 35:
[TRG2 Pad Type])
The edge or cup sections of the cymbal pad do not produce sound when struck. The choke functions do not
work.
● Is the proper pad type selected? Select the appropriate pad
type for the kind of cymbal pad you are using. (p. 35: [TRG2
Pad Type])
● The sound produced by the edge and cup section will not be
produced when a pad equipped with a rim switch (PCY135/
155 etc.) is connected to the Input jack 9– @.
Foot Splashes are not produced.
● Is the foot controller connected to the HI HAT CONTROL jack?
● Adjust the detection time of foot splashes. (p. 14: Adjusting the
Hi-hat)
I need to restore the original factory settings of the
instrument.
● Use the Factory Set function (p. 33) to reset the DTX500 internal settings to the initial factory settings.
DTX500 Owner’s Manual
39
Index
Symbols
” .................................... 13
‚ .................................... 13
[<], [>] ............................ 8
[ ON/OFF] ..............8, 16
* .................14, 15, 16, 27
˙, ¶ .............................. 13
˚¡, ∞¢ ......................... 20
A
Accessories ..................... 3
Acoustic drums .......10, 39
Alternate group ............. 29
AUX IN ......................9, 11
B
Bank select ................... 32
Bass solo ...................... 21
Beat ............................... 16
C
Cable clip ..................9, 10
Challenge mode ............ 22
Clear ............................. 25
[CLICK] ........................... 8
Click .............................. 16
Click lamp ....................... 8
Click master volume ...... 16
Click measure break ..... 17
Click out select .............. 18
Click set ..................16, 17
Click set name .............. 18
Click sound set .............. 17
Click timer ...............16, 19
Closing point ................. 14
Connections .................. 10
Control change .............. 32
Copy .............................. 37
CopyToInput ................. 37
Cross fade ..................... 29
Crosstalk .......... 34, 36, 39
D
DC IN 12V .................9, 10
Decay ............................ 28
Double triggering
...................... 34, 36, 39
Double-bass drum set ... 12
[DRUM KIT] ..................... 8
Drum kit ...................13, 26
Drum kit list ................... 46
Drum kit name ............... 33
Drum voice .................... 26
40
DTX500 Owner’s Manual
O
Drum voice list ...............45
DT20 .................12, 34, 39
OUTPUT ...................9, 11
Store operation
...................... 18, 32, 34
E
P
T
Error messages .............38
Pad ............................... 26
Pad controller
................. 9, 12, 15, 31
Pad function .................. 21
Pad song .................13, 30
Pad type ........................ 35
Pad with switch .........9, 12
Pan .........................27, 32
PHONES ...................9, 11
Playback mode ............. 30
Power supply ..... 9, 10, 11
Program change ........... 32
Quantize ....................... 24
Tap tempo .....................19
Tempo ........15, 16, 19, 20
Three-zone pad ........ 9, 12
Top panel ........................8
Trigger input jacks ...........9
Trigger input source ......26
Trigger setup .... 12, 34, 35
Trigger setup copy ........37
Trigger setup name .......34
Tuning
Click ...........................17
Drum voice .................27
Pad controller .............15
Song ..........................20
Type ..............................35
R
U
Rear panel ...................... 9
Record .......................... 24
Rejection level .............. 36
RejLvl ............................ 37
RejLvlAll ........................ 36
RejTime ........................ 36
Repeat playback ........... 30
Reverb ....................30, 31
Reverb type .................. 31
Rhythm gate ...........22, 23
Rim shot ........................ 30
Rim to pad .................... 30
User click sound ............17
User drum kit .................32
User song ......................25
User trigger setup ..........34
Utility .............................14
F
Factory set .....................33
Filter ..............................28
Foot controller ...............14
Foot splashes ......... 14, 39
G
Gain ...............................36
Gate time .......................28
Groove check ................22
H
Headphones ............. 9, 10
HI HAT CONTROL ..........9
Hi-hat controller ...............9
Hi-hat pedal ...................14
Hold mode .....................28
I
Input level ......................13
J
Jog dial ............................8
K
Key assign mode ...........29
Kick pad .........................12
L
Layer ................13, 27, 29
LCD display .............. 8, 41
LED display .............. 8, 19
M
Master equalizer ............14
Metronome ....................16
MIDI ...............................11
MIDI channel .................28
MIDI data format ............47
MIDI implementation chart
...................................44
MIDI key on/off ..............28
MIDI note number ..........28
MIDI OUT ................. 9, 11
Minimum velocity ...........36
Mute ....................... 17, 20
MVI ................................36
N
Numeric display mode ...22
Q
S
Save ................. 18, 32, 34
[SAVE/ENTER] ............... 8
Self rejection time ......... 36
Sensitivity ......... 12, 36, 38
[SHIFT] ........................... 8
Snares ....................15, 31
[SONG >/■] .............8, 20
Song ............................. 20
Song list ........................ 46
Song name ................... 25
Sound quality ................ 14
Speaker ........................ 10
Specifications ................ 47
Specified rejection level
.................................. 37
Standby/On switch .......... 9
Stereo pad ...................... 9
Stereo plug ..................... 9
V
VelCurve .......................36
Velocity curve ................36
Voice category . 17, 27, 45
Voice character .............28
VOLUME .................. 9, 13
Volume
Click ...........................16
Control change ..........32
Drum voice .................27
Headphone ................11
Overall .................. 9, 13
Pad ............................13
Song ..........................20
Y
Y-shaped cable ........ 9, 12
Appendix
LCD Displays
* The above “LCD Displays” charts show you the pages available in each display.
Keep in mind that the actual displays on the instrument may be different from those shown here.
Drum Kit Settings
KIT1
ååååååååå
1 :Oak Custom ‚
KIT2
ƒsnare ˙
”S01:OakCustom ‚
KIT3
ƒsnare
” Volume=127
KIT4
ƒsnare
” Tune=+ 0.0
KIT5
ƒsnare
”
Pan= C
KIT6
ƒsnare
” Decay= 0
‚
‚
‚
‚
KIT7
ƒsnare
”CutOffFreq= 0‚
KIT8
ƒsnare
”Note= 32/G#0 ‚
KIT9
ƒsnare
” MIDI Ch=10
‚
KIT10 ƒsnare
”GateTime=0.3s ‚
KIT11 ƒsnare
”KeyOff=disable‚
KIT12 ƒsnare
” HoldMode=off ‚
KIT13 ƒsnare
” VelXFade=0
(Page 13)
(Page 26)
(Page
13, 27)
(Page 27)
(Page 27)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
KIT14 ƒsnare
” AltGrp=off
‚
KIT save to 51
:[Oak Custom ]
‚
KIT15 ƒsnare
”KeyAssign=poly‚
KIT16 ƒsnare
”Song= 45áéplay‚
KIT17 ƒsnare
” RimToPad=--- ‚
KIT18 ƒsnare
” RevSend= 75
(Page 29)
‚
KIT19
” RevSendDr= 40‚
(Page 29)
(Page 29)
KIT save to 51
Are you sure ?
(Page 30)
(Page 30)
(Page 30)
(Page 31)
KIT21
”RevMastRet= 64‚
(Page 31)
KIT23
” Snares=32
(Page 33)
(Page 30)
KIT20
”RevType=hall2 ‚
KIT22
”PadCtl=snares ‚
(Page 32)
(Page
15, 31)
‚
(Page 31)
KIT24 PC Ch1=on
”PC001 M000L001‚
(Page 32)
KIT25 CC Ch1=on
”vol=127 Pan= 64
(Page 32)
DTX500 Owner’s Manual
41
Appendix
Song Selection
Click Settings
SONG1
⁄=123 ÷›
1 :Demo 1
∞¢‚
CLK1
∫ B=4 ÷›
1 :User
⁄=130‚
(Page 16)
CLK2 A˘=9 ¤=9
” ‹=6 ßß=4 Œ=2 ‚
(Page 17)
CLK3 MeasBreak
”Meas=1 Brk=3 ‚
(Page 17)
CLK4 Sound
” 1:Metronome
‚
(Page 17)
CLK5 Sound=¤
”E20:Click1
‚
(Page 17)
SONG2 Clear
”Are You Sure ?
SONG save name
:[Untitled]
SONG save name
Are you sure ?
(Page 20)
* Displayed when
a user song is
selected.
(Page 25)
(Page 25)
(Page 25)
Song Recording
REC
⁄=120
Beat=4 Quant=⁄
REC Meas= 10
Now Recording.
(Page 22)
GRV1 --æ√æ’æææ-80Hits/ 16%(DÀ)‚
(Page 22)
GRV2 RhythmGate
”Mode=challenge‚
(Page 23)
GRV3
” Input=ƒsnare ‚
(Page 23)
GRV4
” Note=⁄(4)
(Page 23)
DTX500 Owner’s Manual
CLK save to 1
:[User ]
(Page 18)
CLK save to 1
Are you sure ?
(Page 18)
(Page 24)
Challenge Mode
42
(Page 17)
(Page 24)
Groove Check Function
GRV1 --æ√æ’æææ-⁄=130 Gr=-2œ0.0‚
CLK6 Sound=¤
” Tune=+ 0.0
Appendix
Utility Settings
Trigger Setup Edit
UTIL1 Hi-hat
HHofs=-13 T=112‚
(Page 14)
TRG1
ååååååååå
1 :XP Med
‚
(Page 18)
TRG2 ƒsnare
”Type=SN-1
(Page 21)
TRG3 ƒsnare 0%
”Gain=65MVl= 12‚
(Page 19)
TRG4 ƒsnare 0%
”VelCurve=norm ‚
(Page 14)
TRG5 ƒsnare
” RejTime=1
(Page 20)
TRG6 ƒsnare 0%
” RejLvlAll=2 ‚
(Page 21)
TRG7 ƒsnare 0%
”RejLvl=3Frm=56‚
(Page 37)
(Page 33)
TRG8 ƒsnare
”CopyToInput= 1
(Page 37)
TRG save to 8
:[XP Med ]
(Page 34)
TRG save to 8
Are you sure ?
(Page 35)
UTIL2 Click
”OutSel=clickR ‚
UTIL3 Song
” BassSolo=off ‚
UTIL4 LED
” Disp=tempo
‚
UTIL5 MasterEQ
”Lo=+ 4 Hi=+ 0 ‚
UTIL6 MasterTune
” Tune=+15.7 ‚
UTIL7 ƒsnare
”Func=off
UTIL8
” Factory Set
‚
Tap Tempo Function
TAP TEMPO
¤=123 ≠ªªªª
0%
‚
0%
‚
(Page 12, 34)
(Page 15, 35)
(Page 36)
(Page 36)
(Page 36)
(Page 36)
(Page 19)
DTX500 Owner’s Manual
43
MIDI Implementation Chart
YAMAHA
[ DRUM TRIGGER MODULE ]
Model DTX500 MIDI Implementation Chart
Transmitted
Recognized
Date :7-Dec-2009
Version : 1.0
Remarks
Function ...
Basic
Channel
Default
Changed
1 - 16
1 - 16
x
x
Mode
Default
Messages
Altered
x
x
**************
x
x
x
Note
0 - 127
Number : True voice **************
x
x
Velocity Note ON
Note OFF
o 9nH,v=1-127
x 9nH,v=0
x
x
After
Touch
x
x
x
x
Pitch Bender
x
x
0,32
4,7,10
1,2,5,6,8,11,12,13
16-19
Control
33-63
64-84
Change
91-95
96-101
o
o
x
x
x
x
x
x
x
x
x
x
x
x
x
x
Prog
Change : True #
o 0 - 127
**************
x
x
System Exclusive
o
x
: Song Pos.
Common : Song Sel.
: Tune
x
x
x
x
x
x
System
:Clock
o
Real Time :Commands o
x
x
:All Sound Off
Aux :Reset All Cntrls
:Local ON/OFF
Mes- :All Notes OFF
sages:Active Sense
:Reset
x
x
x
x
x
x
Key's
Ch's
x
o
x
x
o
x
memorized
Bank Select
Notes:
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
44
DTX500 Owner’s Manual
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
o : Yes
x : No
Appendix
Drum Voice List
Voice Category
K : Kick
S : Snare
T : Tom
C : Cymbal
H : Hi-hat
P : Percussion
E : Effect
K:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
Kick
OakCustom
MapleCustm
MapleVintg
Beech
BirchDry
BirchJazz
DryDeep
DryTight 1
DryTight 2
SoTight
2Head
BigSofty
RockAmb 1
RockAmb 2
BD Room 1
BD Room 2
GateKick1
GateKick2
T8 Kick
T9 Kick
CR Kick
T9 HrdAtk
T9 Long
Sm Kick
T8 Down
T9 Dist
TechKick1
TechKick2
TechKick3
BreakKick1
BreakKick2
BreakKick3
BreakKick4
BreakKick5
BreakKick6
VoxKick
KickBass
ResoKick1
ResoKick2
DidgerKick
ReversBD
S:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
Snare
OakCustom
OakCusOpRm
OakCusClRm
OakCusOff
OakCusOffO
OakCusOffC
MapleCustm
MapCusOpRm
MapCusClRm
MplCusOff
MplCusOffO
MplCusOffC
Beech
BeechOpRim
BeechClRim
BeechOff
BeechOffOR
BeechOffCR
Metal
MetalOpRim
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
MetalClRim
MetalOff
MetalOffOp
MetalOffCl
MapleVtg
MapleVtgR
Loosy
LoosyRim
LiteWood
LiteWoodRm
RockAmb 1
RockAmb 2
RockAmb R
BirchDeep
BirchDeepR
Studio
StudioRim
MapleLite
MapleLiteR
DryMute
Brush
BrushRim
BrushOff
BrshOffRim
SnareRoll*
GateSnare1
GateSnare2
GateSnare3
GateSnare4
GateSnare5
T8 Snare1
T8 Snare2
T8 Rim
T9 Rim
Tek Snare
LoBitSnare
Sm Snare1
Sm Snare2
SynSnare
BreakSnr 1
BreakSnr 2
BreakSnr 3
BreakSnr 4
DB Snare1
DB Snare2
DB Snare3
DB Snare4
DB Snare5
DB Snare6
Snappy
R&BSnare1
R&BSnare2
R&BSnare3
VoxSnare1
VoxSnare2
GunSnare
ResoSnare1
ResoSnare2
T : Tom
1 OakCustomH
2 OakCustomM
3 OakCustomL
4 MapleCus H
5 MapleCus M
6 MapleCus L
7 BeechCus H
8 BeechCus M
9 BeechCus L
10 Studio H
11 Studio M
12 Studio L
13 RockAmb H
14 RockAmb M
15 RockAmb L
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
MapleAmb H
MapleAmb M
MapleAmb L
JazzTom H
JazzTom M
JazzTom L
BrushTom H
BrushTom M
BrushTom L
T8 Tom1 H
T8 Tom1 M
T8 Tom1 L
T8 Tom2 H
T8 Tom2 M
T8 Tom2 L
T9 Tom1 H
T9 Tom1 M
T9 Tom1 L
T9 Tom2 H
T9 Tom2 M
T9 Tom2 L
Sm Tom1 H
Sm Tom1 M
Sm Tom1 L
Sm Tom2 H
Sm Tom2 M
Sm Tom2 L
PulseTom H
PulseTom M
PulseTom L
VoxTom
E.BendTom
E.Talking
DidgeriTom
ReverseTom
C : Cymbal
1 Bright18
2 Bright18Eg
3 Bright18Cp
4 Warm16
5 Warm16Edge
6 Warm16Cup
7 Dark18
8 Dark18Edge
9 Dark18Cup
10 CrCustom17
11 CrLight17
12 CrFast16
13 CrFast14
14 Bright20
15 Bright20Eg
16 Bright20Cp
17 Warm20
18 Warm20Edge
19 Warm20Cup
20 Dark20
21 Dark20Edge
22 Dark20Cup
23 RideCool
24 RideCoolCp
25 RideDry
26 RideDryCup
27 SizzleRide
28 SizzRideEg
29 SizzRideCp
30 ChinaHi
31 ChinaLoCtr
32 ChinaLoEg
33 Splash 1
34 Splash 2
35 Trash 1
36 Trash 2
37 T8 Crash
38 T9 Crash
39
40
41
42
43
44
45
46
T8 Ride
T9 Ride
ElecCymbal
NoiseCym1
NoiseCym2
VoxCymbal1
VoxCymbal2
ReverseCym
H : Hi-Hat
1 Dark14 Opn
2 Dark14 OpE
3 Dark14 Cls
4 Dark14 ClE
5 Dark14 Ft
6 Dark14 Sp
7 Dark13 Opn
8 Dark13 OpE
9 Dark13 Cls
10 Dark13 ClE
11 Dark13 Ft
12 Dark13 Sp
13 Bright14Op
14 Bright14OE
15 Bright14Cl
16 Bright14CE
17 Bright14Ft
18 Bright14Sp
19 Warm13Opn
20 Warm13OpE
21 Warm13Cls
22 Warm13ClE
23 Warm13Ft
24 Warm13Sp
25 Tight12Opn
26 Tight12OpE
27 Tight12Cls
28 Tight12ClE
29 Tight12Ft
30 Tight12Sp
31 T8 HH Opn
32 T8 HH Cls
33 T9 HH Opn
34 T9 HH Cls
35 CR HH Opn
36 CR HH Cls
37 Break HHOp
38 Break HHCl
39 Brack HHFt
40 NoiseHHOpn
41 NoiseHHCls
P:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
Percussion
CongaHiOpn
CongaHiSlp
CongaHiOSw
CongaHiTip
CongaHiHel
CongaLoOpn
BongoHi
BongoLo
TimbalHi
TimbalLo
PailaHi
PailaLo
SurdoOpn
SurdoMt
SurdoHO
SurdoSw
PandieroOp
PandieroMt
PandieroSl
Tambarin1
Tambarin2
Tambarin3
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
Cowbell 1
Cowbell 2
Cowbell 3
Cowbell3Mt
Cowbell 4
Cowbell4Mt
Claves
Maracas
Vibraslap
Castanet
TriangleOp
TriangleCl
TriangleHO
TriangleSw
GuiroShort
GuiroLong
Agogo Hi
Agogo Lo
WoodBlockH
WoodBlockL
Shaker1
Shaker2
Caxixi1
Caxixi2
DjembeOpen
DjembeSlap
DjembeMute
CajonLo
CajonHi
CajonSlp
TalkDrOp
TalkDrMt
TalkDrSlp
TalkDrBend
PotDrOpn
PotDrCls
PotDrMute
PotDrBody
TablaOpen1
TablaOpen2
TablaMute
TablaSlp
BayaOpn
BayaMute
BayaBend
CuicaHi
CuicaLo
WhistleH
WhistleL
SleighBell
BellTree
WindChime
TimpaniF#2
Timpani B1
Timpani E1
ConctBDop
ConctBDmt
HandCymOp
HandCymMt
Gong
ChinaGong
Odaiko
OdaikoRim
Yagura
YaguraRim
Shimedaiko
ShimeRim
Atarigane
AtariganeM
AnaConga
AnaCowbell
AnaMaracas
AnaShaker1
AnaShaker2
DTX500 Owner’s Manual
45
Appendix
E:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
Effect
StickHit1
StickHit2
FingerSnap
E.Clap1
E.Clap2
E.Clap3
NoiseHit
Metal1
Metal2
Metal3
AmbShot
Tunnel
HiQ
Noise 1
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
Noise 2
Pulse
Zap
MetrBell 1
MetrBell 2
Click1
Click2
Vo Go!
Vo Hoo!
Vo Yoo!
Vo Ha!
Vo Uh!
Vo aYeah!
Scratch1
Scratch2
Scratch3
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
Scratch4
Scratch5
Scratch6
Scratch7
OrchHit1
OrchHit2
R&BHit1
R&BHit2
BrassHit
ScratchHit
Industry
CompuVoice
Radio
Thunder
Tire
Crash
63
64
65
66
67
68
69
70
71
72
73
74
75
Glass
GunShot1
GunShot2
Bomb
ResoNzClap
Strike
AmbientCym
SFXCymbal1
SFXCymbal2
SFXCymbal3
NzAmbient
LoDroneAmb
NzEcho
Vel-Decay1
Vel-Decay2
DlyScratch
Boyon
P!
E.Bass
SlapBass
Turntable*
Train*
Helicoptr*
Applause*
Police*
Ring*
FX Pad*
Didgerido*
VinylMan*
* Loop
Preset Drum Kit List
Kit No.
1
2
3
4
5
6
7
8
9
10
11
12
13
Kit Name
Oak Custom
Maple Custom
Beech Custom
Rock Kit
Gate Kit
HipHop Kit
Synth Drums
Street Beat
Brazil Kit
Sm Kit
Studio Kit
Dry Beat
SessionMastr
Kit No.
14
15
16
17
18
19
20
21
22
23
24
25
26
Kit Name
T8 Kit
T9 Kit
D’n’B Kit
Nu Electro
Perc. Kit
Social Cuban
SFX Kit
Funky Men
Power Kit
Reso Kit
Phase Drum
Jazz Kit
Brush Kit
Kit No.
27
28
29
30
31
32
33
34
35
36
37
38
39
Kit Name
Matsuri
AsianGypsy
Elec.Classic
Hey DJ!
VOX Kit
Vintage Kit
Room Kit
Afro Kit
Latin Club
Drum Corps
Orchestra
Dubstep
R&B Cool
Kit No.
40
41
42
43
44
45
46
47
48
49
50
Kit Name
WikkidPocket
Reggae Kit
BrokenFunk
GoGo1988
Re-0
Elec 5/4
Backbone
Groovin’
8/8 Craze
Bs.@Base
GM Standard
Preset Song List
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
46
Genre
Demo
Rock
Shuffle
Funk
Blues
Hip Hop
R&B
Name
Demo 1
Demo 2
Demo 3
Rock 1
Rock 2
Rock 3
Rock 4
Rock 5
Rock 6
Shuffle 1
Shuffle 2
Shuffle 3
Funk 1
Funk 2
Funk 3
Blues 1
Blues 2
HipHop 1
HipHop 2
R&B 1
R&B 2
DTX500 Owner’s Manual
No.
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Genre
Dance
Pops
Pop Rock
Jazz
Bossa Nova
Fusion
Samba
Latin
Reggae
Soul
Ballad
Name
Dance 1
Dance 2
Pops 1
Pops 2
PopRock1
PopRock2
Jazz 1
Jazz 2
Bossa 1
Bossa 2
Fusion 1
Fusion 2
Samba 1
Samba 2
Samba 3
Latin 1
Latin 2
Reggae
Soul
Ballad 1
Ballad 2
No.
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Genre
Second Line
Ska
Pad Song
Name
2ndLine
Ska
8Craze A
8Craze B
BassGrv
HornGrv
BassRiff
PadBass
GoGo Tp
GoGo Br
GoGo Lp
Re-O
BFunk A
BFunk B
BFunk C
Elec5/4A
Elec5/4B
Elec5/4C
Backb Ld
Backb St
Backb Pf
Appendix
Specifications
Tone Generator block
Trigger
Sequencer
Metronome
Others
Tone Generator
Maximum Polyphony
Voices
Drum Kits
Effects
Trigger Setups
Pad Controller
Pad Functions
Pad Songs
Note Capacity
Note Resolution
Recording Type
Track
Songs
Tempo
Beat
Timing
Click Sound Sets
Click Sets
Click Timer
Training Functions
Controls
Displays
Connectors
Power Consumption
Dimensions (W x D x H)
Weight
AWM2
32
427 Drum, Percussion Voices, 22 Keyboard Voices
Preset: 50, User: 20
Reverb x 19 types, Master EQ
Preset: 7, User: 4
Snares adjustment, Tuning, Tempo
Drum Kit INC/DEC, Click Set INC/DEC, Tempo INC/DEC, Click ON/OFF
Start/Stop, Chase, Cut Off, 3 songs (max.) can be played simultaneously.
Approx. 16,000 notes
96 parts per quarter note
Real Time Replace
1
3 Demo Songs, 41 Practice Songs, 19 Pad Songs, 20 User Songs
30–300 beats/minute, Tap Tempo function
1–9
Accent, Quarter note, Eighth note, Sixteenth note, Triplet
Preset: 6, User: 1
30
0–600 seconds (in 30-second steps)
Measure Break, Groove Check, Rhythm Gate
Buttons: DRUMKIT, CLICK, SONG >/■, SHIFT, <, >,
ON/OFF, SAVE/ENTER
Controllers: Volume, Jog Dial
16 characters x 2 lines backlit LCD, 7-segment LED (3-digit), Tempo LED x 2
Trigger inputs 1, 5, 6, 7 (stereo phone jack L: trigger input, R: rim switch)
Trigger inputs 2, 3, 4, 8 (stereo phone jack L: trigger input, R: trigger input)
HI HAT CONTROL (stereo phone jack)
OUTPUT L/MONO, R (mono phone jack)
PHONES (stereo phone jack), AUX IN (stereo mini jack)
MIDI OUT, DC IN
8.0W (DTX500), 13.0W (DTX500 and AC power adapter)
252 x 147 x 52 mm (9-15/16" x 5-13/16" x 2-1/16")
898 g (2 lbs.)
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale,
please check with your Yamaha dealer.
MIDI Data Format
1. Channel Messages
The channel messages described below are sent from
the drum triggers only. Other messages are sent from
both the drum triggers and the sequencer.
1.1
2. System Exclusive Messages
2.1
$F0 $7E $7F $09 $01 $F7 (hexadecimal)
Sets all messages (except MIDI master tuning) to their initial values.
Key On, Key Off
Note range: 0 (C-2)–127 (G8)
Velocity range: 0–127
1.2
Control Change
1.2.1 Bank select MSB, LSB–0, 32
data = 0–127
1.2.2 Foot controller–4 (Ch. 10 only)
1.2.3 Main volume–7
1.2.4 Pan–10 (left 0, right 127)
1.3 Program Change
Parameter Change
2.1.1 GM system ON
3. System Realtime Message
3.1
Timing clock
Sends data.
3.2
Start, Stop
Sends data.
3.3
Active sensing
Sends the messages within an interval of approximately 300 msec.
DTX500 Owner’s Manual
47
dtx500_en_3.fm Page 48 Tuesday, March 23, 2010 11:48 AM
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
ASIA
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
AUSTRIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH
Branch Sp.z o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDIA
Yamaha Music India Pvt. Ltd.
5F Ambience Corporate Tower Ambience Mall Complex
Ambience Island, NH-8, Gurgaon-122001, Haryana, India
Tel: 0124-466-5551
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
RUSSIA
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
THE PEOPLE’S REPUBLIC OF CHINA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
SY51
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16th floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2432
Yamaha Electronic Drums web site:
http://www.yamaha.co.jp/english/product/drums/ed/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2010 Yamaha Corporation
003PO***.*-01B0
Printed in Vietnam
WU53720
Source Exif Data:
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