Yamaha Dgx 630 Owners Manual YPG 635 Owner's

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Yamaha Corporation DGX-630 Owner's Manual dgx630_en_om_a0 Yamaha Corporation - DGX-630 - Owner's Manual

Yamaha Corporation YPG-635 Owner's Manual dgx630_en_om_a0 Yamaha Corporation - YPG-635 - Owner's Manual

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2014-12-13

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Owner’s Manual
Keyboard Stand Assembly
For information on assembling the
keyboard stand, refer to the instructions
on page 10 of this manual.

EN

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords of any
kind. The use of an extension cord is not recommended! If you must use
an extension cord, the minimum wire size for a 25’ cord (or less) is 18
AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an
audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or
installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.

NOTICE:

Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, do not mix batteries with new, or with batteries
of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.

NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.

Model

ENVIRONMENTAL ISSUES:

Purchase Date

Serial No.

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:

92-BP (bottom)

2

PLEASE KEEP THIS MANUAL

DGX-630/YPG-635 Owner’s Manual

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential
environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den
ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,
sålæenge netledningen siddr i en stikkontakt, som er t endt — også
selvom der or slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko
laitetta verkosta.
(standby)

IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured makings identifying the terminals
in your plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of
the three pin plug.
• This applies only to products distributed by
Yamaha Music U.K. Ltd.

(class B)

COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif.
90620
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : DGX-630/YPG-635
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception is
suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.

(FCC DoC)

(2 wires)

DGX-630/YPG-635 Owner’s Manual

3

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor

Water warning

• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.

• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings. If any liquid such as water seeps into the instrument, turn off the
power immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.

• Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.

• Never insert or remove an electric plug with wet hands.

Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.

If you notice any abnormality

Do not open
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.

Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.

• Do not place the instrument in an unstable position where it might accidentally
fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
• Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.

(3)-11

4

DGX-630/YPG-635 Owner’s Manual

1/2

Connections

Saving data

• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.

Saving and backing up your data
• The panel settings and some other types of data are not retained in memory
when you turn off the power to the instrument. Save data you want to keep to the
Registration Memory (page 90.)
Saved data may be lost due to malfunction or incorrect operation. Save
important data to a USB storage device/or other external device such as a
computer (pages 99, 100, 110).

Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.

Backing up the USB storage device/external media
• To protect against data loss through media damage, we recommend that you
save your important data onto two USB storage devices/external media.

Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long
time, make sure you unplug the AC power adaptor from the wall AC outlet.

The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your
instrument.
● Trademarks
• The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd.
• Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

(3)-11

2/2
DGX-630/YPG-635 Owner’s Manual

5

Copyright Notice
The followings are the titles, credits and copyright notices for three (3) of the songs pre-installed in this
electronic keyboard:
Mona Lisa
from the Paramount Picture CAPTAIN CAREY, U.S.A.
Words and Music by Jay Livingston and Ray Evans
Copyright © 1949 (Renewed 1976) by Famous Music Corporation
International Copyright Secured All Rights Reserved
Composition Title : Against All Odds
Composer’s Name : Collins 0007403
Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD
AND HIT & RUN MUSIC LTD
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.

Can’t Help Falling In Love
from the Paramount Picture BLUE HAWAII
Words and Music by George David Weiss,
Hugo Peretti and Luigi Creatore
Copyright © 1961 ; Renewed 1989 Gladys Music (ASCAP)
Worldwide Rights for Gladys Music Administered by Cherry Lane
Music Publishing Company, Inc.
International Copyright Secured All Rights Reserved

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it
has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI
files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use
is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE
ILLEGAL COPIES.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.

Panel Logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music
data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM
mark is affixed to all software and hardware products that support GM System Level.

XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format.
Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that
some songs may play back differently compared to the original data, due to the reduced set of control
parameters and effects.

XF
The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and
open-ended expandability for the future. The instrument is capable of displaying lyrics when an XF file containing lyric data is played.

STYLE FILE
The Style File Format is Yamaha’s original style file format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types.

USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with
peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the computer is on).

6

DGX-630/YPG-635 Owner’s Manual

Congratulations and thank you for purchasing
the Yamaha DGX-630/YPG-635 Portable Grand!
Please read this owner’s manual carefully before using the instrument
in order to take full advantage of its various features.
Make sure to keep this manual in a safe and handy place even after you finish reading,
and refer to it often when you need to better understand an operation or function.

Included Accessories
The DGX-630/YPG-635 package includes the following items. Please check that you have them all.
•
•
•
•
•
•

Music rest
Accessory CD-ROM
Owner’s manual (this book)
Keyboard stand
Footswitch
AC Power Adaptor (PA-5D or an equivalent recommended by Yamaha)
* May not be included depending on your particular area. Please check with your Yamaha dealer.

DGX-630/YPG-635 Owner’s Manual

7

Special Features of the DGX-630/YPG-635
Graded Hammer Standard Keyboard
Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a
keyboard with action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive
to lighter playing. The keyboard’s sensitivity can even be adjusted to match your playing style. This
Graded Hammer technology also enables the DGX-630/YPG-635 to provide authentic touch in a lightweight instrument.

■ Performance assistant technology

Page 39

Play along with a song on the instrument’s keyboard and produce a perfect
performance every time ... even if you play wrong notes! All you have to do
is play on the keyboard—alternately on the left- and right-hand ranges of the
keyboard, for example—and you’ll sound like a pro as long as you play in
time with the music.
And if you can’t play with both hands, you can still play the melody simply
by tapping one key.

■ Play a Variety of Instrument Voices

All you need is
one finger!

Page 19

With the DGX-630/YPG-635, the instrument voice that sounds when you
play the keyboard can be changed to violin, flute, harp, or any of an extensive
range of voices. You can change the mood of a song written for piano, for
example, by using violin to play it instead. Experience a whole new world of
musical variety.

■ Play Along with Styles

Page 28

Want to play with full accompaniment? Try the auto-accompaniment Styles.
The accompaniment styles provide the equivalent of a full backing band covering wide variety of styles from waltzes to 8-beat to euro-trance … and
much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.

■ Easy Performance with Music Notation Display
When you play back a song, the corresponding score will be shown on the
display as the song plays. This is a great way to learn how to read music. If
the song contains lyric and chord data*, the lyrics and chords will also appear
on the score display.
* No lyrics or chords will appear on the display if the song you are using with the score display function does not contain the appropriate lyric and chord data.

8

DGX-630/YPG-635 Owner’s Manual

Page 37

Contents
Copyright Notice ....................................................................... 6
Panel Logos ............................................................................. 6
Included Accessories ............................................................... 7
Special Features of the DGX-630/YPG-635............................. 8

Setting Up

10
Keyboard Stand Assembly................................. 10

Power Requirements .............................................................. 13
Connecting Headphones (PHONES/OUTPUT Jack) ............. 13
Connecting a Footswitch (SUSTAIN Jack)............................. 13
Connecting a Pedal Unit (PEDAL UNIT jack)......................... 14
Connecting to a Computer (USB Terminal)............................ 15
Turning the Power On ............................................................ 15

Panel Controls and Terminals

16

Front Panel ............................................................................. 16
Rear Panel ............................................................................. 17

Quick Guide
Changing the Display Language

18

Try Playing a Variety of Instrument Voices

19

Select and Play a Voice—MAIN ............................................. 19
Play Two Voices Simultaneously—DUAL .............................. 20
Play Different Voices with the Left and Right Hands—SPLIT 21
Play the Grand Piano Voice ................................................... 22

Fun Sounds

23

Drum Kits................................................................................ 23
Sound Effects ......................................................................... 23

The Metronome

24

Start the Metronome............................................................... 24
Adjusting the Metronome Tempo ........................................... 24
Setting the Number of Beats per Measure,
and the Length of Each Beat............................................. 25
Setting the Click bell sound .................................................... 26
Adjusting the Metronome Volume .......................................... 26

Playing Styles

27

Select a Style Rhythm ............................................................ 27
Play Along with a Style ........................................................... 28
Playing Auto-accompaniment Chords .................................... 32

Using Songs

33

Select and Listen to a Song ................................................... 33
Song Fast Forward, Fast Reverse, and Pause ...................... 34
Change the Song Tempo ....................................................... 34
Play the Demo Song .............................................................. 35
Types of Songs ...................................................................... 36
Displaying the Song Score ..................................................... 37
Display the Lyrics ................................................................... 38

The Easy Way to Play Piano

39

CHORD Type—Play with Both Hands.................................... 40
CHORD/FREE Type—
Applying the Chord Type to the Left Hand Only................ 42
MELODY Type—Play with One Finger .................................. 44
CHORD/MELODY—
Chord Type with the Left Hand, Melody with the Right ..... 46

Select a Song For a Lesson

50

Lesson 1—Waiting ................................................................. 51
Lesson 2—Your Tempo ......................................................... 54
Lesson 3—Minus One ............................................................ 55
Practice Makes Perfect—Repeat and Learn .......................... 56

Play Using the Music Database

57

Change a Song’s Style

58

Try Out the Easy Song Arranger ............................................ 58
Using the Easy Song Arranger ............................................... 58

Record Your Own Performance

60

Recording Procedure ............................................................. 61
Song Clear—Deleting User Songs ......................................... 63
Track Clear—Deleting a Specified Track from a User Song .. 64

Backup and Initialization

65

Backup ................................................................................... 65
Initialization............................................................................. 65

Basic Operation

Reference
Play with a Variety of Effects

70

Adding Harmony ..................................................................... 70
Adding Reverb ........................................................................ 71
Adding Chorus ........................................................................ 72
Adding DSP ............................................................................ 73
Panel Sustain ......................................................................... 74
Pitch Bend .............................................................................. 74

Handy Performance Features

75

Tap Start ................................................................................. 75
Touch Response Sensitivity ................................................... 75
One Touch Setting.................................................................. 76
Select an EQ Setting for the Best Sound ............................... 77
Pitch Controls ......................................................................... 78

Style (Auto-accompaniment) Functions

79

Pattern Variation (Sections).................................................... 79
Setting the Split Point ............................................................. 82
Play a Style with Chords but No Rhythm
(Stop Accompaniment) ...................................................... 83
Adjusting the Style Volume..................................................... 83
Chord Basics .......................................................................... 84
Playing Styles Using the Entire Keyboard .............................. 86
Looking Up Chords Using the Chord Dictionary ..................... 87

Song Settings

88

Song Volume .......................................................................... 88
A-B Repeat ............................................................................. 88
Muting Independent Song Parts ............................................. 89
Change the Melody Voice ...................................................... 89

Memorize Your Favorite Panel Settings

90

Saving to the Registration Memory ........................................ 90
Recalling a Registration Memory............................................ 91

The Functions

92

Selecting and Setting Functions ............................................. 92

Saving and Loading Data

96

Connecting a USB Flash Memory .......................................... 96
Formatting USB Flash Memory .............................................. 98
Saving User Files (Registration Memory) to
USB Flash Memory ........................................................... 99
Save a User Song to USB Flash Memory ............................ 100
Loading Files from a USB Flash Memory ............................. 101
Deleting Data from a USB Flash Memory ............................ 102
Delete User Data from the Instrument .................................. 103
Playing Files Located on a USB Flash Memory ................... 103

Connections

104

Connectors ........................................................................... 104
Connecting a Personal Computer ........................................ 105
Transferring Performance Data to and from a Computer ..... 106
Remote Control of MIDI Devices .......................................... 107
Initial Send ............................................................................ 108
Transferring Data Between the Computer and Instrument ... 108

Accessory CD-ROM Installation Guide

111

Important Notices about the CD-ROM.................................. 111
CD-ROM Contents ............................................................... 112
System Requirements .......................................................... 113
Software Installation ............................................................. 113

Appendix
Troubleshooting .................................................................... 118
Messages ............................................................................. 120
Scores .................................................................................. 122
Voice List .............................................................................. 128
Drum Kit List ......................................................................... 132
Style List ............................................................................... 134
Music Database List ............................................................. 135
Songs Provided On the Supplied CD-ROM.......................... 136
Harmony Type List ............................................................... 137
Effect Type List ..................................................................... 138
MIDI Implementation Chart................................................... 144
MIDI Data Format ................................................................. 146
Specifications ....................................................................... 149
Index ..................................................................................... 150

66

Basic Operation ...................................................................... 66
The Displays........................................................................... 68
MAIN Display Items ................................................................ 69
DGX-630/YPG-635 Owner’s Manual

9

Setting Up
Keyboard Stand Assembly
CAUTION

Read these cautions carefully before you assemble or use the keyboard stand.
These cautions are to promote safe use of the stand and to prevent injury and damage from occurring to you and others. By following these cautions carefully, your keyboard stand will provide you with safe and prolonged use.
• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the
sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage.
• Use the stand after assembly is complete. An uncompleted stand may overturn or the keyboard may drop.
• Always place the stand on a flat, stable surface. Placing the stand on uneven surfaces may cause it to become unstable or overturn,
the keyboard to drop, or injury.
• Do not use the stand for anything other than its designed purpose. Placing other objects on the stand may result in the object dropping or the stand overturning.
• Do not apply excessive force to the keyboard as it may cause the stand to overturn or the keyboard to drop.
• Make sure the stand is sturdy and safe, and all screws have been tight and firm before use. If not, the stand may overturn, the keyboard may drop, or may result in injury to the user.
• To disassemble, reverse the assembly sequence given below.

Have a phillips-head (+) screwdriver of the appropriate size ready.

z The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly
instructions and select the parts as needed.

1

Assembly Parts
Back board

q Joint connectors (4 pcs.)

w 6 x 70 mm roundhead
screws (4 pcs.)
Side
boards
Stand
bases

e 6 x 30 mm roundhead
screws (4 pcs.)

r Support rail
t 4 x 45 mm flathead screws
(6 pcs.)

y 5 x 16 mm roundhead
screws (4 pcs.)

Use the packing sheet to protect both the instrument and
the floor when assembling.
* The sheet is the bag in which the instrument is wrapped.

10

DGX-630/YPG-635 Owner’s Manual

Setting Up

x Attach the stand bases.

2
q Joint connectors

Insert the joint connectors q into the stand boards as
shown. The joint connectors have been installed properly if
you can see the screw head on the connector.
NOTE
• If you put the connectors in wrong direction and want to take them out,
tap around the holes on the boards.

w 6 x 70 mm
roundhead screws

3

e 6 x 30 mm roundhead screw

Attach the stand bases to the bottom of the side boards,
using the screws w. The left and right stand bases are the
same shape, and there is no difference between their frontto-back orientation. If you have trouble fastening the
screws, use a screwdriver to rotate the joint connectors so
that the connector holes are aligned with the screw holes
on the stand bases.

c Attach the back board.

Attach the back board, using the screws e. Check the
back-to-front orientation for the side boards. Make sure the
non-colored surface is facing down.
CAUTION
• Be careful not to drop the back board or touch the sharp metal fittings.

NOTE
• If you have purchased an optional pedal unit, attach the pedal unit
before proceeding to the next step. Refer to the instructions provided
with your pedal unit.

4

t 4 x 45 mm
flathead
screws

v Attach the support rail.
r Support rail

Spread the packing sheet on the floor. Place the instrument on the sheet with the rear panel side on the bottom.
Align the support rail r into the groove on the bottom
of the instrument and attach the rail, using the screws t.
NOTE
• If you don’t have the packing sheet, use a thick blanket or other soft
material to protect the floor and the instrument.

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11

Setting Up

b Put the keyboard on the stand.

5–6

Check the back-to-front orientation for stand, and carefully place the keyboard on the side boards. Slowly move
the keyboard so that the holes on the bottom of the keyboard are properly aligned with the holes on the angle
brackets.
CAUTION
• Be careful not to drop the keyboard or to get your fingers caught
between the keyboard and the stand parts.

n Install the keyboard to the stand.
y 5 x 16 mm

Fix the keyboard to the angle brackets, using the screws
y.

roundhead
screws

■ Post-assembly checklist
Once you’ve assembled the stand, check the following points:
• Are there any parts left over?
➔ If so, read the assembly instructions again and correct
any errors you might have made.

• Is the instrument clear of doors and other movable
fixtures?
➔ If not, move the instrument to an appropriate location.

• Does the instrument make a rattling noise when you
play it or move it?
➔ If so, properly tighten all screws.

• Also, if the keyboard makes a creaking noise or
seems unsteady when you play it, refer carefully to
the assembly instructions and diagrams and
retighten all screws.

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DGX-630/YPG-635 Owner’s Manual

Setting Up

Be sure to do the following operations BEFORE turning on the power.

Power Requirements
 Make sure that the [STANDBY/ON] switch of the
instrument is set to STANDBY.

 Plug the AC adaptor into an AC outlet.
CAUTION

WARNING
• Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha) only. The use of other adaptors may
result in irreparable damage to both the adaptor and the
instrument.

• Unplug the AC Power Adaptor when not using the instrument,
or during electrical storms.

 Connect the AC adaptor to the power supply jack.



AC power
adaptor

AC outlet

Make all necessary connections below BEFORE turning the power on.

Connecting Headphones (PHONES/OUTPUT Jack)
WARNING
• Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be
damaging to your hearing.

CAUTION

The instrument speakers are automatically shut off
when a plug is inserted into this jack. The PHONES/
OUTPUT jack also functions as an external output. You
can connect the PHONES/OUTPUT jack to a keyboard
amplifier, stereo system, mixer, tape recorder, or other
line-level audio device to send the instrument’s output
signal to that device.

• To prevent damage to the speakers, set the volume of the external
devices at the minimum setting before connecting them. Failure to
observe these cautions may result in electric shock or equipment
damage. Also, be sure to set the volumes of all devices at their
minimum levels and gradually raise the volume controls while
playing the instrument to set the desired listening level.

Connecting a Footswitch (SUSTAIN Jack)
The sustain function lets you produce a natural sustain
as you play by pressing a footswitch. Plug the Yamaha
FC5 footswitch into this jack and use it to switch sustain
on and off.
NOTE
• Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this
changes the recognized polarity of the footswitch, resulting in reversed
footswitch operation.

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Setting Up

Connecting a Pedal Unit (PEDAL UNIT jack)
This jack is for connecting an optional LP-7 pedal
unit. When connecting the pedal unit, make sure to
also assemble the unit on the supplied keyboard
stand.
NOTE
• Make sure that power is OFF when connecting or disconnecting
the pedal.

LP-7
(optional)

Keyboard
Stand

Pedal Unit Functions
The optional pedal unit has three foot pedals that produce a range of
expressive effects similar to those produced by the pedals on an acoustic
piano. The pedal unit does not affect the split voice when the keyboard is
in split mode.
Damper (Right) Pedal

The damper pedal functions in the same way as a damper pedal on an
acoustic piano. When the damper pedal is pressed, notes sustain
longer. Releasing the pedal immediately stops (damps) any sustained
notes.
A “half-pedal” effect lets you use the damper pedal to create partial
sustain effects, depending on how far down you press the pedal.
* When using both the foot switch and pedal unit, the last effect applied takes
priority.

When you press the damper
pedal here, the notes you play
before you release the pedal
have a longer sustain.

Sostenuto (Center) Pedal

If you play a note or chord on the keyboard and press the sostenuto
pedal while the note(s) are held, those notes will sustain as long as you
hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to
sustain a chord, for example, while other notes are played “staccato.”
Soft (Left) Pedal

The soft pedal reduces the volume and slightly changes the timbre of
notes played while the pedal is pressed. The soft pedal will not affect
notes that are already playing when it is pressed.

14

DGX-630/YPG-635 Owner’s Manual

When you press the sostenuto
pedal here while holding the
note, the note will sustain as
long as you hold the pedal.

Setting Up

Connecting to a Computer (USB Terminal)
Connect the instrument’s USB terminal to the USB terminal of a computer, and you can transfer performance
data and song files between the two (page 105). To use
the USB data-transfer features you’ll need to do the following:
• First, make sure the POWER switch on the instrument is set to OFF, then use an AB type USB cable
to connect the instrument to the computer. After
making the connections, turn the instrument’s
power on.
• Install the USB-MIDI driver on your computer.

Installation of the USB-MIDI driver is described on
page 113.

Turning the Power On
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON]
switch to turn on the power. Press the [STANDBY/ON]
switch again to turn the power OFF.

Backup data in the flash memory is loaded to the instrument when the power is turned on. If no backup data
exists on flash memory, all instrument settings are
restored to the initial factory defaults when the power is
turned on.
CAUTION
• Even when the switch is in the “STANDBY” position, electricity is
still flowing to the instrument at the minimum level. When you are
not using the instrument for a long time, make sure you unplug the
AC power adaptor from the wall AC outlet.

CAUTION
• Never attempt to turn the power off when a “WRITING!” message
is shown in the display. Doing so can damage the flash memory
and result in a loss of data.

● Music Rest
Insert the music rest into
the slots as shown.

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15

Panel Controls and Terminals
Front Panel

Song Category List
(page 35)

Style Category List
(page 134)

u

e

i

o

q
r

y

t

w

!1

!0

!2

!3

!4

!5

!6

!7

!8

!9

Front Panel

16

DGX-630/YPG-635 Owner’s Manual

r

!9 [START/STOP] button ...............pages 27, 34, 67
@0 [SONG] button ........................................ page 33
@1 [EASY SONG
ARRANGER] button ............................... page 58
@2 [STYLE] button ....................................... page 27
@3 [VOICE] button........................................ page 19
@4 Dial....................................................pages 67, 92
@5 CATEGORY [ ] and [ ]
buttons .............................................pages 67, 92
@6 Number buttons [0]–[9],
[+] and [-] buttons............................pages 67, 92
@7 [DEMO] button ........................................ page 35
@8 [EXIT] button........................................... page 68
@9 REGIST MEMORY
[MEMORY/BANK], [1], [2] buttons......... page 90
#0 [PORTABLE GRAND] button ................. page 22
#1 [SPLIT ON/OFF] button .......................... page 21
#2 [DUAL ON/OFF] button .......................... page 20
#3 [HARMONY ON/OFF] button ................. page 70
#4 [PITCH BEND] wheel.............................. page 74
#5 Drum Kit .................................................. page 23

f

q [STANDBY/ON] switch ............................page 15
w [MASTER VOLUME] control ...........pages 15, 66
e FILE CONTROL [MENU],
[EXECUTE] buttons.......................pages 96–102
r [LYRICS] button.......................................page 38
t [SCORE] button.......................................page 37
y [P.A.T. ON/OFF] button............................page 40
u [DSP ON/OFF] button..............................page 73
i [MUSIC DATABASE] button....................page 57
o [FUNCTION] button .........................pages 68, 92
!0 LESSON [L], [R],
[START] buttons ......................................page 51
!1 [METRONOME ON/OFF] button .............page 24
!2 [TEMPO/TAP] button.......................pages 34, 75
!3 SONG MEMORY
[REC], [1]–[5], [A] buttons ......................page 61
!4 [REPEAT & LEARN]/
[ACMP ON/OFF] button ..................pages 56, 28
!5 [A-B REPEAT]/
[INTRO/ENDING/rit.] button............pages 88, 79
!6 [REW]/
[MAIN/AUTO FILL] button...............pages 34, 79
!7 [FF]/[SYNC STOP] button ...............pages 34, 81
!8 [PAUSE]/
[SYNC START] button .....................pages 34, 80

The illustrations next to each key indicate the drum and
percussion instruments assigned to the keys when
“Standard Kit 1” is selected.

Panel Controls and Terminals

Display
(pages 68, 69)

Music Database List
(page 135)

Voice Category List
(page 128)

@7
@0
@1

@4

@2
@3

@6

@5

#0

@8

#1

#2

#3

@9

#4

#5

Rear Panel

#6

#7

#8

#9

$0

$1

Rear Panel
#6 CONTRAST knob ....................................page 69
#7 USB TO DEVICE terminal........................page 97
USB TO HOST terminal .........................page 105
#8 SUSTAIN jack...........................................page 13

#9 PEDAL UNIT jack.................................... page 14
$0 PHONES/OUTPUT jack .......................... page 13
$1 DC IN 12V jack ........................................ page 13

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Changing the Display Language
Quick Guide

This instrument allows you to select English or Japanese as the display
language. The default display language is English, but if you switch to
Japanese the lyrics, file names, demo display, and some messages will be
displayed in Japanese where appropriate.

2

Press the CATEGORY [ ] and [ ] buttons a number of
times until the “Language” item appears.

r

Press the [FUNCTION] button.

f

1

The currently selected display language will appear below the “Language” item.
When highlighted you can use the [+] and [-] buttons to select the language as required.

Language item

The currently selected
language

3

Select a display language.
The [+] button selects English and the [-] button selects Japanese.
The language selection will be stored in the internal flash memory so
that it is retained even when the power is turned off.

4

18

Press the [EXIT] button to return to the MAIN display.

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Try Playing a Variety of Instrument Voices
In addition to piano, organ, and other “standard” keyboard instruments,
this instrument has a large range of voices that includes guitar, bass,
strings, sax, trumpet, drums and percussion, sound effects … a wide variety of musical sounds.

Select and Play a Voice—MAIN
This procedure selects the main voice you will play on the keyboard.

1

Press the [VOICE] button.
The main voice selection display will appear.
The currently selected voice number and name will be highlighted.

The currently
selected voice number and name

2

Select the voice you want to play.
While watching the highlighted voice name rotate the dial. The available voices will be selected and displayed in sequence. The voice
selected here becomes the main voice.
For this example select the “105 Flute” voice.

Select 105 Flute

3

Play the keyboard.

Adjusts volume.

Try selecting and playing a variety of voices.
Press the [EXIT] button to return to the MAIN display.

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Try Playing a Variety of Instrument Voices

Play Two Voices Simultaneously—DUAL
You can select a second voice which will play in addition to the main voice when you play the keyboard.
The second voice is known as the “dual” voice.

1

Press the [DUAL ON/OFF] button.
The [DUAL ON/OFF] button turns the dual voice on or off.
When turned on the dual voice “DUAL” will appear in the MAIN display. The currently selected dual voice will sound in addition to the
main voice when you play the keyboard.

Voice Number

2

Press and hold the [DUAL ON/OFF] button for longer than
a second.
The dual voice selection display will appear.
Dual voice selection display

The currently selected dual voice
Hold for longer than a second

3

20

Select the desired dual voice.
Watch the displayed dual voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the dual voice.
For this example try selecting the “123 Vibraphone” voice.

DGX-630/YPG-635 Owner’s Manual

Try Playing a Variety of Instrument Voices

4

Play the keyboard.

Two voices will sound at the same time.

Try selecting and playing a range of dual voices.
Press the [EXIT] button to return to the MAIN display.

Play Different Voices with the Left and Right Hands—SPLIT
In the split mode you can play different voices to the left and right of the keyboard “split point”. The main
and dual voices can be played to the right of the split point, while the voice played to the left of the split
point is known as the “split voice”. The split point setting can be changed as required (page 82).
Split point

Split voice

1

Main voice and dual voice

Press the [SPLIT ON/OFF] button.
The [SPLIT ON/OFF] button turns the split voice on or off. When
turned on the split voice “SPLIT” will appear in the MAIN display. The
currently selected split voice will sound to the left of the keyboard split
point.

Voice Number

2

Press and hold the [SPLIT ON/OFF] button for longer than
a second.
The split voice selection display will appear.
Split voice selection display

The currently selected split
voice
Hold for longer than a second

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21

Try Playing a Variety of Instrument Voices

3

Select the desired split voice.

4

Play the keyboard.

Watch the highlighted split voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the split voice
which will play to the left of the keyboard split point. For this example
try selecting the “041 Folk Guitar” voice.

Try selecting and playing a range of split voices.
Press the [EXIT] button to return to the MAIN display.

Play the Grand Piano Voice
When you just want to play piano, all you have to do is press one convenient button.

Press the [PORTABLE GRAND] button.
The “001 Grand Piano” voice will be selected.

NOTE
• When you press the [PORTABLE GRAND] button all settings
other than touch sensitivity are
turned off. The dual and split
voices will also be turned off, so
only the Grand Piano voice will
play over the entire keyboard.

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DGX-630/YPG-635 Owner’s Manual

Fun Sounds
This instrument includes a range of drum kits and unique sound effects you can
use for entertainment. Laughter, babbling brooks, jet fly-bys, eerie effects, and
much more. These sounds can be a great way to enhance the mood at parties.

Drum Kits
Drum kits are collections of drum and percussion instruments. When you select a violin or other
normal instrument main voice, for example, all keys produce the sound of the same violin, only at
different pitches. If you select a drum kit as the main voice, however, each key produces the sound
of a different drum or percussion instrument.

◆ Drum Kit Selection Procedure ➔ (refer to steps 1 and 2 on page 19)
1 Press the [VOICE] button.
2 Use the dial to select “131 Standard Kit 1”.
3 Try out each key and enjoy the drum and percussion sounds!

Try out each key and enjoy the drum and percussion sounds! Don’t forget the black keys! You’ll
hear a triangle, maracas, bongos, drums ... a
comprehensive variety of drum and percussion
sounds. For details on the instruments included
in the drum kit voices (voice numbers 131 to
142), see the “Drum Kit List” on page 132.

Sound Effects
The sound effects are included in the drum kit voice group (voice numbers 141 and 142). When
either of these voices are selected you will be able to play a range of sound effects on the keyboard.

◆ Sound Effect Selection Procedure ➔ (refer to steps 1 and 2 on page 19)
1 Press the [VOICE] button.
2 Use the dial to select “142 SFX Kit 2”.
3 Try out each key and enjoy the sound effects!

As you try out the various keys you’ll hear the sound of a
submarine, a telephone bell, a creaking door, and many
other useful effects. “141 SFX Kit 1” includes lightning,
running water, dogs barking, and others. Some keys do
not have assigned sound effects, and will therefore produce no sound.
For details on the instruments included in the SFX kit
voices, see “SFX Kit 1” and “SFX Kit 2” in the “Drum
Kit List” on page 133.

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The Metronome
The instrument includes a metronome with adjustable tempo
and time signature. Play and set the tempo that is most comfortable for you.

Start the Metronome
Turn the metronome on and start it by pressing the [METRONOME ON/OFF] button.
To stop the metronome, press the [METRONOME ON/OFF] button
again.

4/4

Current setting

Adjusting the Metronome Tempo

1

Press the [TEMPO/TAP] button to call up the tempo setting.

Tempo

2

24

Use the dial to select a tempo from 5 to 280.

DGX-630/YPG-635 Owner’s Manual

The Metronome

Setting the Number of Beats per Measure, and the Length of Each Beat
In this example we’ll set up a 5/8 time signature.

1

Press and hold the [METRONOME ON/OFF] button for
longer than a second to select the function “Time Signature–Numerator”.

Hold for longer
than a second

Numerator
(Number of
beats per
measure.)

Denominator
(The length of
one beat.)

The available range is from 1 through 60. Select 5 for this example.
A bell accent will be sounded at the first beat of each measure.

3

Press the CATEGORY [ ] and [ ] buttons as many times
as necessary to select the beat length function “Time Signature–Denominator”.

4

Use the dial to select the beat length.

r

NOTE
• The metronome time signature
will synchronize to a style or
song that is playing, so these
parameters cannot be changed
while a style or song is playing.

f

2

Use the dial to select the number of beats per measure.

Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter
note, eighth note, or 16th note). Select 8 for this example.

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25

The Metronome

Setting the Click bell sound
This allows you to select whether the click sound has a bell accent, or plays only a click sound.

3

You can then use the [+] and [-] buttons to turn the bell
sound on or off.

r

2

Use the CATEGORY [ ] and [ ] buttons to select the Bell
item.

f

1

Press the [FUNCTION] button.

Adjusting the Metronome Volume

r

2

Use the CATEGORY [ ] and [ ] buttons to select the Metronome Volume item.

f

1

Press the [FUNCTION] button.

Metronome volume

3
26

Use the dial to set the metronome volume as required.

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Playing Styles
This instrument has an auto accompaniment feature that produces
accompaniment (rhythm + bass + chords) in the style you choose to
match chords you play with your left hand. You can select from 160 different styles covering a range of musical genres and time signatures
(see page 134 for a complete list of the available styles).
In this section we’ll learn how to use the auto accompaniment features.

Select a Style Rhythm
Most styles includes a rhythm part. You can select from a wide variety of rhythmic types—rock, blues, Euro
trance, and many, many more. Let’s begin by listening to just the basic rhythm. The rhythm part is played
using percussion instruments only.

1

Press the [STYLE] button.
The style select display will appear. The currently selected style number
and name will be highlighted.

The currently selected style

2

Select a style.

3

Press the [START/STOP] button.

Use the dial to select the style you want to use.
A list of all the available styles is provided on page 134.

NOTE
• Style files transferred from a
computer or stored on a USB
flash memory device connected
to the instrument can be
selected and used in the same
way as the internal Styles (Style
numbers 161–). File transfer
instructions are provided on
page 108.

The style rhythm will start playing.
Press the [START/STOP] button a second time when you want to stop
playback.

NOTE
• Style numbers 131, 143–160
have no rhythm part and therefore no rhythm will play if you
use them for the above example. For these styles first turn
auto accompaniment on as
described on page 28, press the
[START/STOP] button, and the
accompaniment bass and chord
parts will begin playing when
you play a key to the left of the
keyboard split point.

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27

Playing Styles

Play Along with a Style
You learned how to select a style rhythm on the preceding page.
Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with.

1
2

Press the [STYLE] button and select the desired style.
Turn automatic accompaniment on.
Press the [ACMP ON/OFF] button.
Pressing this button a second time will turn automatic accompaniment
off.

This icon appears when
automatic accompaniment is on.

NOTE

● When automatic accompaniment is on ...
The area of the keyboard to the left of the split point (54: F#2) becomes the
“auto accompaniment region” and is used only for specifying the
accompaniment chords.
Split point (54: F#2)

Auto accompaniment region

3

Turn sync start on.
Press the [SYNC START] button to turn the sync start function on.

Flashes when sync start
is on.

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DGX-630/YPG-635 Owner’s Manual

• The keyboard split point can be
changed as required: refer to
page 82.

Playing Styles

When sync start is on, the bass and chord accompaniment included in a
style will start playing as soon as you play a note to left of the keyboard
split point. Press the button a second time to turn the sync start function
off.

4

Play a left-hand chord to start the style.
You can still “play” chords even if you don’t actually know any chords.
This instrument will recognize even a single note as a chord. Try playing from one to three notes at the same time to the left of the split point.
The accompaniment will change according to the left-hand notes you
play.
Try this!
Scores for some chord progressions are provided on page 30. These
examples should help you get a feel for what types of chord progressions sound good with the styles.

Split point

Auto accompaniment region

5

Play a variety of left-hand chords while playing a melody
with your right hand.
Split point

Auto accompaniment region

6

Press the [START/STOP] button to stop style playback
when you’re done.

You can switch style “sections” to add variety to the accompaniment.
Refer to “Pattern Variation (Sections)” on page 79.

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29

Playing Styles

Styles Are More Fun When You Understand Chords
Chords, created by playing multiple notes at the same time, are the basis for harmonic accompaniment.
In this section we’ll take a look at sequences of different chords played one after another, or “chord
sequences.” Since each chord has it’s own unique “color”—even if it’s different fingerings of the same
chord—the chords you choose to use in your chord progressions have a huge influence on the overall
feel of the music you play.
On page 28 you learned how to play colorful accompaniments using styles. Chord progressions are vital
to creating interesting accompaniments, and with a little chord know-how you should be able to take
your accompaniments to a new level.
On these pages we’ll introduce three easy-to-use chord progressions. Be sure to try them out with the
instrument’s accompaniment styles. The style will respond to the chord progression you play, effectively
creating a complete song.

■Playing the Chord Progressions

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

Play the scores with the left hand.
Before playing the scores follow steps 1 through 3 of “Play Along with a Style” on page 28.
* The scores provided here are not standard song scores, but rather simplified scores that indicate which notes to play to
produce the chord progressions.

Split point

Play to the left of the split point.

Recommended Style

041 Euro Trance

—Dance music with simple chords—
Press the [INTRO/ENDING/rit.] button.

F

C

G

Am

This is a simple-but-effective chord progression. When you play through to the end of the score, start
again from the beginning. When you’re ready to stop playing press the [INTRO/ENDING/rit.] button
and the auto accompaniment function will create a perfect ending.

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DGX-630/YPG-635 Owner’s Manual

Playing Styles

Recommended Style

148 Piano Boogie

—3-chord boogie-woogie—
Press the [INTRO/ENDING/rit.] button.

C

F

C

G

F

C

Press the [INTRO/ENDING/rit.] button.

This progression provides varied harmonic backing with just three chords. When you get a feel for the
progression in the score, try changing the order of the chords!

Recommended Style

096 Bossa Nova

—Bossa nova with jazz-style chords—
Press the [INTRO/ENDING/rit.] button.

Dm

Bm7 5

G7

CM7

FM7

E7

Am

A7

This progression includes jazzy “two-five” (II-V) changes. Try playing it through several times. When
you’re ready to stop playing press the [INTRO/ENDING/rit.] button.

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31

Playing Styles

Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords:
● Easy Chords
● Standard Chords

The instrument will automatically recognize the different chord types. The function is called Multi Fingering.
Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 28). The keyboard to the left of the
split point (default: 54/F#2) becomes the “accompaniment range”. Play the accompaniment chords in this area
of the keyboard.
Split point (default: 54/F#2)

Db Eb

F# G# Bb

Db Eb

F#

C D E F GA B C D E F

Accompaniment
range
Root notes and the corresponding keys

■Easy Chords

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

This method lets you easily play chords in the
accompaniment range of the keyboard using only
one, two, or three fingers.

■Standard Chords ● ● ● ● ● ● ● ● ● ● ● ● ●
This method lets you produce accompaniment by
playing chords using normal fingerings in the
accompaniment range of the keyboard.
● How to play Standard Chords [Example for “C” chords]

C

(9)

C

C

• To play a minor chord
Press the root note together with the
nearest black key to the left of it.

C M7

C M7

(9)

C6

C6

Cm

C sus4

Cm

Cm

(b5)

(

C aug

C M7aug

C m6

C m7

C mM7

C mM7

(

)

C M7

C

)

)

C M7

(

)
(

• To play a seventh chord
Press the root note together with the
nearest white key to the left of it.

(#11)

(9)

(b5)

C7

(

(

)

)

• To play a major chord
Press the root note of the chord.

)
(

• To play a minor seventh chord
Press the root note together with the
nearest white and black keys to the left
of it (three keys altogether).

(9)

(9)

(11)

C m7

C m7

(9)

(b5)

C m7

C mM7

C7

C7

)

(9)

C7

)

)

C7

(#9)

C7

)

(

C 7sus4

(b5)

C7

)

)

(

(

)

(13)

C7

(

C 7aug

(b13)

(b9)

(

(#11)

C7

C dim7

C dim

(

(b5)

(

)
(

)
(

(

)

(

)

C m7

C sus2

* Notes enclosed in parentheses ( ) are optional; the chords
will be recognized without them.

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Using Songs
With this instrument the term “song” refers the data that makes up a
piece of music. You can simply enjoy listening to the 30 internal songs,
or use them with just about any of the many functions provided—the
performance assistant technology feature, lessons, and more. The
songs are organized by category.
In this section we’ll learn how to select and play songs, and briefly
describe the 30 songs provided.

Song

Listen

Lesson

Record

Select and Listen to a Song

1

Press the [SONG] button
The song selection display will appear.
The currently selected song number and name will be highlighted.

The currently selected song
number and name

2

NOTE

Select a song.
Select a song after referring to the preset song category list on page 35.
Use the dial to select the song you want to listen to.

• You can also play songs you
have recorded yourself (User
Songs) or songs that have been
transferred to the instrument
from a computer in the same
way that you play the internal
songs.

The song highlighted here
can be played

001–030

Built in Songs (See page 35)

031–035

User Songs (Songs you record yourself).

036–

Songs transferred from a computer (pages 108–110) or Songs in a
USB flash memory connected to the instrument (page 96)

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Using Songs

3

Listen to the song.
Press the [START/STOP] button to begin playback of the selected song.
You can stop playback at any time by pressing the [START/STOP] button again.

Song start!

Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF],
rewind [REW] and pause [PAUSE] playback of the song.

REW
Press the fast
reverse button to
rapidly return to an
earlier point in the
song.

FF
Press the fast forward button to rapidly skip ahead to
a later point in the
song.

PAUSE
Press the pause
button to pause
playback.

Change the Song Tempo
You can change the song tempo as required. Press the [TEMPO/TAP] button. The tempo display will
appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons to set to tempo to
anywhere from 5 and 280 quarter-note beats per minute.

You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.
Press the [EXIT] button to return to the MAIN display.

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Using Songs

Play the Demo Song
Press the [DEMO] button.
The demo song will start playing. Listen to some of the outstanding
instrument voices provided!
The demo song will automatically repeat from the beginning after it has
played all the way through. You can stop demo playback at any time by
pressing the [START/STOP] button.
● Song List
These 30 songs include songs that effectively demonstrate the instrument’s Easy Song Arranger feature,
songs that are ideally suited for use with the performance assistant technology feature, and more. The “Suggested Uses” column provides some ideas as to how the songs can most effectively used.
Category
Main Demo

Voice Demo

Function Demo

Piano Solo

No.
1

CHORD

JetSet

2

CHORD

Winter Serenade

3

CHORD

Take off

4

CHORD

Live! Grand Demo

5

CHORD

Live! Orchestra Demo

6

CHORD

Cool! RotorOrgan Demo

7

CHORD

Cool! Galaxy Electric Piano Demo

8

CHORD

ModernHarp & Sweet Soprano Demo

9

CHORD

Hallelujah Chorus

10

CHORD

Ave Maria

11

CHORD

Nocturne op.9-2

12

For Elise

13

Maple Leaf Rag

14

Piano Ensemble

Piano
Accompaniment

CHORD

Name

Suggested Uses
The songs in this category have been created to give
you an idea of the advanced capabilities of this
instrument. They’re great for listening, or for use with
the various features.
These songs features some of the instrument’s many
useful voices. They make maximum use of the
characteristics of each voice, and might serve as
inspiration for your own compositions.
Use these songs to experience some of the
instrument’s advanced features: song number 9 for
the easy song arranger, and songs 10 and 11 for the
performance assistant technology feature.
These piano solo pieces are ideally suited for use as
lesson songs.

Jeanie with the Light Brown Hair

15

CHORD

Amazing Grace

16

CHORD

Mona Lisa (Jay Livingston and Ray Evans)

17

Piano Concerto No.21 2nd mov.

18

CHORD

Scarborough Fair

19

CHORD

Old Folks at Home

20

CHORD

Ac Ballad (Against All Odds: Collins 0007403)

21

CHORD

Ep Ballad

22

CHORD

Boogie Woogie

23

CHORD

Rock Piano

24

CHORD

Salsa

25

CHORD

Country Piano

26

CHORD

Gospel R&B

27

CHORD

Medium Swing

28

CHORD

Jazz Waltz

29

CHORD

Medium Bossa

30

CHORD

SlowRock (Can’t Help Falling In Love: George
David Weiss, Hugo Peretti and Luigi Creatore)

A selection of piano ensemble songs that are also
well suited for use as lesson songs.

When you need to practice backing (accompaniment)
patterns, these are the songs to do it with. This is
ability you’ll need if you’re invited to play with a band.
These songs allow you to practice backing parts one
hand at a time, which can be the easiest way to
master this important skill.

: Includes chord data.

The scores for the internal songs—except for songs 1–11, and song 16, 20 and 30 which is copyrighted, are provided in the Song
Book on the CD-ROM. The scores for songs 9–11 are provided in this manual.
Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same
as the original.

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Using Songs

Types of Songs
The following three types of songs can be used by the DGX-630/YPG-635.
● Preset Songs (the 30 songs built into the instrument) ................Song numbers 001–030.
● User Songs (recordings of your own performances) ..................Song numbers 031–035.
● External song files (song data transferred from a computer*) ...Song numbers 036–.
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 109 for instructions on how
to transfer the songs to the instrument.

The chart below shows the basic processes flow for using the preset songs, user songs, and external song
files from storage to playback.

Computer

Your own
performance

USB flash memory

Song

Record

Transfer

(page 60)

(page 108)

Song
Connect
(page 104)

DGX-630/YPG-635 Song
Storage locations
Preset Songs
(001–030)

User Songs
(031–035)

The 30 songs built
into the instrument.

Song

Flash Memory

Song

Save

Play

NOTE
• User songs cannot produce score display as they are. If you convert a user song file
to SMF and save it to USB flash memory, however, it becomes capable of producing
score display and can be used with the lesson features.

NOTE
• Different flash memory areas are used to store user songs and external song files
transferred from a computer. User songs cannot be directly transferred to the external song file flash memory area, and vice versa.

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DGX-630/YPG-635 Owner’s Manual

USB
(036–)
Song

Using Songs

Displaying the Song Score
This instrument is capable of display the scores of songs.
Scores are displayed for the 30 internal preset songs as well as songs in SMF format stored in a USB fl ash
memory or the instrument’s internal flash memory.

1
2

Select a song.
Follow steps 1 and 2 of the procedure described on page 33.

Press the [SCORE] button and a single-staff score will
appear.
There are two types of score display: single-staff and double-staff.
These are alternately selected each time the [SCORE] button is pressed.

NOTE
• Both chords and lyrics will be
shown in single-staff score display of a song that includes
chord and lyric data.
• When there are many lyrics they
may be displayed in two rows a
measure.
• Some lyrics or chords may be
abbreviated if the selected song
has a lot of lyrics.
• Small notes that are hard to
read may be easier to read after
you use the quantize function
(page 94).

Single-staff
Marker

Melody score

Chord

Lyrics

NOTE

Double-staff

3

Press the [START/STOP] button.

4

Press the [EXIT] button to return to the MAIN display.

• No chords or lyrics are shown
on the double-staff.

The song will begin playing. The triangular will move across the top of
the score to indicate the current location.

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Using Songs

Display the Lyrics
If a song contains lyric data, the lyrics can be made to appear on the display.
No lyrics will be displayed for a song that contains no lyric data even if the [LYRICS] button is pressed.

1

Select a song.

2

Press the [LYRICS] button.

Select a song between 16, 20, and 30 by performing steps 1 and 2
described on page 33.

The title, lyricist, and composer of the song will appear on the display.

NOTE
• Songs downloaded from the
Internet or commercially available song files, including XF format files (page 6), are
compatible with the lyrics display features as long as they are
standard MIDI file format files
containing lyric data. Lyrics display may not be possible with
some files.

NOTE
• If the lyrics display shows garbled characters, try changing
the display language (page 18).

Song title, lyricist,
and composer.

3

Press the [START/STOP] button.
The song will play back while the lyrics and chords are shown on the
display.
The lyrics will be highlighted to show the current location in the song.

Lyrics and chord
display

■ Preset Songs That Can be Used For Lyrics Display
Number

38

Name

016

Mona Lisa (Jay Livingston and Ray Evans)

020

Against All Odds (Collins 0007403)

030

Can’t Help Falling In Love (George David Weiss, Hugo Peretti and Luigi Creatore)

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The Easy Way to Play Piano
This instrument includes a performance assistant technology feature
that lets you play along with a song and sound like a great pianist (even
though you might be making lots of mistakes)! In fact, you can play any
notes and still sound good! You could even just tap one key and the
results would be a beautiful melody. So even if you can’t play piano and
can’t read a note of music, you can have some musical fun.

Performance assistant technology offers four selectable types. Select the type that produces the best results
for you.

● Chord ...................... No matter where or what you play, the result will be musical, well-balanced sound. This type offers the greatest freedom, allowing you to play
anything with both your left and right hands.

● Chord/Free........... If you can play simple right-hand melodies but have trouble with lefthand chords, this is the type for you. The Chord type applies to only the
left-hand section of the keyboard, allowing you to easily play chords to
support the melody you are playing with your right hand.
Split point

Play your own melody with the right hand.

● Melody ................... This type lets you play the melody of the selected song by playing any
keys with just one finger. Start playing melodies right away, even if you’ve
never played a keyboard instrument before!

● Chord/Melody .... Play the melody of the selected song with one finger on the right-hand
section of the keyboard, and play chords on the left-hand section of the
keyboard using the Chord type.
Split point

Refer to page 48 for more information on using performance assistant technology to help you play.
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The Easy Way to Play Piano

CHORD Type—Play with Both Hands

1

Press the [P.A.T. ON/OFF] button.
This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the performance assistant technology feature is on.

The currently
selected type

2

Select the CHORD type.

Hold for longer than a second

Select Chord

Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the
Chord type by using the dial.

3

Select a song.
Press the [SONG] button, and the Song Select display appears. Select a
song by using the dial. For this example try selecting the “010 Ave
Maria”.
When the Chord type is selected, features only available for this song
can be seen in the display!

NOTE
• Using Songs (page 33)

The song displayed here will
be played.

● What is a Song?
You know the normal meaning of this word, but in this instrument the term
“Song” refers to the data that makes up a complete song. The performance
assistant technology features uses the chord and melody data, and should
always be used with a song (page 33).
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DGX-630/YPG-635 Owner’s Manual

The Easy Way to Play Piano

4

Press the [START/STOP] button.

Song playback will begin.
The basic pattern will play repeatedly. Listen to the basic pattern for
four measures while getting a feel for the basic pattern, then begin playing yourself from the fifth measure. The keys you should play will be
shown in the display.

5

Play on the keyboard.

Before

After

Try playing the score on the left with both hands. You can even play the
same keys over and over: C, E, G, C, E, G, C, E. You’ll notice that at
measure five the notes will come out according to the score on the right.
Keep playing, and performance assistant technology Chord type will
continue to “correct” the notes that you play.
This is the performance assistant technology Chord type.

NOTE
• The score for Ave Maria is provided on page 124.

You can stop song playback at any time by pressing the [START/STOP]
button.

6

Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
“...” will appear on the display where the performance assistant technology type is normally shown.

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The Easy Way to Play Piano

CHORD/FREE Type—Applying the Chord Type to the Left Hand Only

1

Press the [P.A.T. ON/OFF] button.
This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the performance assistant technology feature is on.

The currently
selected type

2

Select the CHORD/FREE type.

Hold for longer than a second

Select
Chord/Free

Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the
Chord/Free type by using the dial.

3

Select a song.
Press the [SONG] button, and the Song Select display appears. Select a
song by using the dial. For this example try selecting the “011 Nocturne”.

NOTE
• Using Songs (page 33)

The song displayed here will
be played.

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DGX-630/YPG-635 Owner’s Manual

The Easy Way to Play Piano

4

Press the [START/STOP] button.

Song playback will begin.
The left-hand keys you should play will be shown on the display.

5

Play on the keyboard.
Play to the right of the split point with your right hand, and to the left of
the split point with your left hand.
Split point

With this type notes played on the
left-hand side of the split point will
actually sound an octave higher.

Play the Nocturne melody with your right hand. Continually play an FA-C arpeggio with your left hand as indicated by the score shown in the
display. Although you’re repeatedly playing the same notes with your
left hand, the actual notes produced will change to match the music.
This is the performance assistant technology Chord/Free type.

NOTE
• The score for Nocturne is provided on page 126.

Press the [SCORE] button if you want to see the score for the right-hand
part in the display.
You can stop song playback at any time by pressing the [START/STOP]
button.

6

Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
“...” will appear on the display where the performance assistant technology type is normally shown.

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The Easy Way to Play Piano

MELODY Type—Play with One Finger
See page 48 for some hints on how to play melodies.

1

Press the [P.A.T. ON/OFF] button.
This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the performance assistant technology feature is on.

The currently
selected type

2

Select the MELODY type.

Select Melody

Hold for longer than a second

Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the Melody type by using the dial.

3

Select a song.
Press the [SONG] button, and the Song Select display appears. Select a
song by using the dial.

NOTE
• Using Songs (page 33)

The song displayed here will
be played.

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The Easy Way to Play Piano

4

Press the [START/STOP] button.
Song playback will begin.
Because the Melody type has been selected, the song melody will not
sound. You can enjoy playing the melody yourself (step 5).

Song start!

5

Play on the keyboard.
To begin, try to feel the rhythm of the song. Then tap a key with one finger of your right hand in time with the music. You can play any key. If
you want to play the melody with the melody score, press the [SCORE]
button to call up the melody score in the display.

Sounds like a
melody!

How does it sound? You’ve played the melody using only one finger
thanks to the performance assistant technology Melody type!
You can stop song playback at any time by pressing the [START/STOP]
button.

6

Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
“...” will appear on the display where the performance assistant technology type is normally shown.

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The Easy Way to Play Piano

CHORD/MELODY—Chord Type with the Left Hand, Melody with the Right

1

Press the [P.A.T. ON/OFF] button.
This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the performance assistant technology feature is on.

The currently
selected type

2

Select the CHORD/MELODY type.

Hold for longer than a second

Select
Chord/Melody

Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the
Chord/Melody type by using the dial.

3

Select a song.
Press the [SONG] button, and the Song Select display appears. Select a
song by using the dial.

NOTE
• Using Songs (page 33)

The song displayed here will
be played.

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The Easy Way to Play Piano

4

Press the [START/STOP] button.

Song playback will begin.
The basic pattern will repeat. Listen to eight measures while memorizing the basic pattern. It’s your turn to play the part from the ninth measure.

5

Play on the keyboard.
Play to the right of the split point with your right hand, and to the left of
the split point with your left hand.

Split point

With this type notes played on the
left-hand side of the split point will
actually sound an octave higher.

Play along with the rhythm of the song melody with your right hand.
You can play any keys as long as you’re playing to the right of the split
point. At the same time play accompaniment-like chords and phrases
with your left hand. No matter what you play, you’ll produce the song
melody with your right hand and beautiful chords and phrases with your
left hand.
This is the performance assistant technology Chord/Melody type.
If you want to play the melody with the melody score, press the
[SCORE] button to call up the melody score in the display.
You can stop song playback at any time by pressing the [START/STOP]
button.

6

Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
“...” will appear on the display where the performance assistant technology type is normally shown.

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The Easy Way to Play Piano

Use the Performance Assistant to Play Like a Pro!
Here are a few hints for using the Chord type.
If you select Chord/Free or Chord/Melody, the left-hand section of the
keyboard becomes the Chord type section, so use these hints on the lefthand section of the keyboard.
To begin, try to feel the rhythm of the song. Then, with your hands
spread as shown in the illustration, simply play the keyboard alternately
with your left and right hands (any notes will do).
The chord information
included in the song is
displayed in the lower
area of the MAIN display.
You will get even better
results if you match your
left-hand rhythm to rhythm
of the chord indicator in
the display.

Sounds like you’re
playing the right
notes!

How does it sound? You’ll get acceptable results no matter where you
play thanks to the performance assistant technology Chord type!
Next try the three playing methods illustrated below. Different ways of
playing produce different results.
● Play with the left and right hands
at the same timing—type 1.

Play 3 notes at once
with your right hand.

● Play with the left and right hands
at the same timing—type 2.

Play 1 note at a time with your right
hand (for example: index finger →
middle finger → ring finger).

Once you get a feel for it, try playing chords with your left hand and a
melody with your right ... or any other combination.

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DGX-630/YPG-635 Owner’s Manual

● Play alternately with the left
and right hands—type 3.

Play 3 notes at once
with your right hand.

The Easy Way to Play Piano

Make Use of the Score in the Melody Type.
If you want to play the melody with the correct rhythm, use the onscreen
score feature.

Displaying the Score.
After performing steps 1 to 4 on page 44, press the [SCORE] button.
The melody score will appear.
Appears when the performance
assistant technology is on
Marker

Chord
Melody

The marker will indicate the current position in the score during playback.
If you play a key each time the marker appears above a note in the score
you will be able to play the melody with the correct “original” rhythm.

Play while watching the
marker

● Songs That Can Be Used With the performance assistant technology.
When the Chord type is selected the performance assistant technology can only be used with songs that
include chord data. When the Melody type is selected the performance assistant technology will only
work with songs that include melody data. In order to find out if a song includes the required data, first
select the song and then press the [SCORE] button. If chords appear on the display when you press the
[SCORE] button you can use the Chord type or any combination type that includes the Chord type. If
melody appear on the display when you press the [SCORE] button you can use the Melody type or any
combination type that includes the Melody type.

● External Songs and the performance assistant technology.
Songs downloaded from the Internet can also be used with the performance assistant technology as
long as they include the required chord and/or melody data.
See page 109 for instructions on how to transfer the songs to the instrument.

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Select a Song For a Lesson
Yamaha Education Suite
You can select song you like and use it for a left-hand, right-hand, or
both-hands lesson. You can also use songs (only SMF format 0/1)
transferred to the instrument from a computer. (page 108) During the
lesson you can play as slowly as you like, and you can even play
wrong notes. Song playback will slow down to a speed you can handle. It’s never too late to start learning!

Lesson Flow:
Select a song from the Piano Solo, Piano Ensemble category!

Select the
song you
want to learn.

Select the part you
want to work on
(right hand, left
hand, both hands).

Select lesson
1, 2, or 3.

Lesson
start!

The practice methods:
● Lesson 1 ..............Learn to play the correct notes.
● Lesson 2 ..............Learn to play the correct notes with the correct timing.
● Lesson 3 ..............Learn to play the correct notes at the correct timing along with the song.

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Select a Song For a Lesson

Lesson 1—Waiting
In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you
play the right note.

1

Select a song for your lesson.

2

Press [EXIT] button to return to the MAIN display.

3

Select the part you want to practice.

Press the [SONG] button, and rotate the dial to select the song you want
to use for your lesson. As listed on page 35 there are a variety of song
types.

Press the [R] button for a right-hand lesson, [L] button for a left-hand
lesson, or press both the [R] and [L] buttons simultaneously for a bothhands lesson. The currently selected part is shown in the upper right corner of the display.

Select R for right-hand lesson.
Select L for left-hand lesson.
Select LR for bothhands lesson.

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Select a Song For a Lesson

4

Start Lesson 1.
Press the LESSON [START] button to select Lesson 1. Each time the
LESSON [START] button is pressed the lesson modes are selected in
sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ... An
explanation of the selected lesson will appear on the display for a few
seconds before the lesson begins.
In this case the “R1” indicates that righthand lesson 1 has been selected.

(Lesson 1)

(Lesson 2)

(Lesson 3)

(Song Lesson off)

Song playback will begin automatically when you select
Lesson 1.
Play the notes shown in the on-screen score. The next note to be played
is indicated by a dot (●) on the appropriate key of the graphic on-screen
keyboard. When you play the correct note the marker will move to the
next key to be played. Playback will pause and wait for you to play the
correct note. The triangular marker (▼) above the score indicates playback progress.
▼ Marker
Left-hand part

● Marker

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DGX-630/YPG-635 Owner’s Manual

Right-hand part

(In the case of a right-hand lesson)

Select a Song For a Lesson

● Shifting the keyboard left or right.
The hidden (
) areas of the keyboard can be brought into view by
pressing the [+] or [-] button.
The displayed range (61 keys)

Actual keyboard range (DGX-630/YPG-635 = 88 keys)

61 keys of the keyboard’s range are shown on the display. The DGX-630/
YPG-635 actually have 88 keys. In some songs that include very high or
low notes, those notes may fall outside the displayed range and may not be
shown on the display. In such cases an “over” indicator appear to the left or
right of the graphic keyboard. Use the [+] or [-] button to shift the keyboard
left or right so you can see the notes (the ● marker will appear on the
appropriate key in the display). Notes that actually fall outside the
keyboard’s range cannot be used in the lesson.

5

Stop the Lesson mode
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 1, move on to Lesson 2.

■See How You’ve Done

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

When the lesson song has played all the way
through your performance will be evaluated in 4
levels: OK, Good, Very Good, or Excellent.
“Excellent!” is the highest evaluation.

After the evaluation display has appeared, the lesson will start again
from the beginning.

NOTE
• The evaluation feature can be
turned off via the FUNCTION
Grade item (page 95).

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Select a Song For a Lesson

Lesson 2—Your Tempo
Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed
you are playing at. The song will slow down when you play wrong notes, so you can learn at your own
pace.

1

Select the song and part you want to practice (steps 1 and
3 on page 51).

2

Start Lesson 2.
Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ...

In this case the “R2” indicates
that right-hand lesson 2 has
been selected.

Song playback will begin automatically when Lesson 2 is
selected.
The triangular marker will appear in the score display, and will move to
indicate the current note in the song. Try to play the notes at the correct
timing. As you learn to play the right notes at the right timing the tempo
will increase until eventually you’ll be playing at the song’s original
tempo.
Play while following the
score marker

Left-hand part

Right-hand part

(In the case of a right-hand lesson)

3

Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 2, move on to Lesson 3.

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DGX-630/YPG-635 Owner’s Manual

Select a Song For a Lesson

Lesson 3—Minus One
Here’s where you can perfect your technique. The song will play at the normal tempo, minus the part you
have chosen to play. Play along while listening to the song.

1

Select the song and part you want to practice (steps 1 and
3 on page 51).

2

Start Lesson 3.
Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ...

In this case the “R3” indicates
that right-hand lesson 3 has
been selected.

Song playback will begin automatically when Lesson 3 is
selected.
Play along while listening to the song. The score marker and keyboard
marker in the display will indicate the notes to play.

▼ Marker
Left-hand part

● Marker

3

Right-hand part

(In the case of a right-hand lesson)

Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.

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55

Select a Song For a Lesson

Practice Makes Perfect—Repeat and Learn
Use this feature when you want to start again just ahead of a section on which you made a mistake, or to
repeatedly practice a section you find difficult.

Press the [REPEAT & LEARN] button during a lesson.
The song location will move back four measures from the point at
which you pressed the button, and playback will begin after a one-measure count-in. Playback will continue up to the point at which you
pressed the [REPEAT & LEARN] button, and then jump back four measures and begin again after a count-in. This process will repeat, so all
you have to do is press the [REPEAT & LEARN] button when you
make a mistake in order to repeat practice of that section until you get it
right

e Jump back 4 measures and
repeat playback
q
w

Song playback
direction

Oops!
A mistake!

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DGX-630/YPG-635 Owner’s Manual

Press immediately

NOTE
• You can change the number of
measures the Repeat and learn
function jumps back by pressing
a number button [1]–[9] during
repeat playback.

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Play Using the Music Database
You want to play music in your favorite style, but you’re not sure how to
select the best voice and style for the type of music you want to play ...
simply select the appropriate style from the Music Database. The panel
settings will automatically be adjusted for the ideal combination of
sounds and style!

1

Press the [MUSIC DATABASE] button.

A Music Database list will appear in the display.

2

Select a Music Database.

3

Play the chords with your left hand and melody with your
right.

Referring to the list on the panel or Music Database List on page 135 of
the manual, use the dial to select a music database. Select one that
matches the image of the song you intend to play.
For this example select the “158 Patrol”.

NOTE
• Music Database (MDB) files
transferred from a computer or
stored on a USB flash memory
device connected to the instrument can be selected and used
in the same way as the internal
Music Databases (MDB numbers 301–). File transfer instructions are provided on page 108.

The jazz style will start playing when you play a left-hand chord to the
left of the split point (page 28). Refer to pages 30–32 for information
about playing chords.
Split Point

If you press the [EXIT] button to return to the MAIN display at this
point you can check the assigned voice and style.

4

Press the [START/STOP] button to stop playback.

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Change a Song’s Style
In addition to each song’s default style, you can select any other style to
play the song with the Easy Song Arranger feature. This means that you
can play a song that is normally a ballad, for example, as a bossa nova,
as a hip-hop tune, etc. You can create totally different arrangements by
changing the style with which a song is played.
You can also change the song’s melody voice and the keyboard voice for
a complete change of image.

Try Out the Easy Song Arranger
You can try out the Easy Song Arranger feature using the internal Hallelujah Chorus song.

Press the [SONG] button and use the dial to select “009
Hallelujah Chorus.” Press the [START/STOP] button begin
playback of the song. An explanation of the Easy Song
Arranger feature will appear on the display.

As the song progresses the styles will change, changing the overall
image of the song.
Keep in mind that you can enjoy using Easy Song Arranger with other
songs as well—any songs that include chord data.

NOTE
• The score for Hallelujah Chorus
is provided on page 122.

Using the Easy Song Arranger

1

Press the [EASY SONG ARRANGER] button.
The Song Select display will appear. The currently selected song name
and number will be highlighted.

The currently selected song
number and name are displayed here.

2
58

Select a Song.
Use the dial to select the song you want to arrange.

DGX-630/YPG-635 Owner’s Manual

Change a Song’s Style

3

Listen to the song.
NOTE

Press the [START/STOP] button to begin playback of the song. Move
on to the next step while the song is playing.

• When playing song numbers
010, 011, and 020 to 030 while
using the Easy Song Arranger,
melody tracks will be automatically muted and no melody will
sound. In order to hear the melody tracks you will need to press
the SONG MEMORY buttons [3]
to [5].

Song start!

4

Press the [EASY SONG ARRANGER] button.
The Style Select display will appear. The currently selected style name
and number will be highlighted.

The currently selected style
number and name are displayed here.

5

Select a style.

6

Select a voice part.

Rotate the dial and listen to how the song sounds with different styles.
As you select different styles the song will remain the same while only
the styles change.

NOTE
• Because the Easy Song
Arranger uses song data you
can’t specify chords by playing
in the accompaniment range of
the keyboard. The [ACMP ON/
OFF] button will not function.
• If the time signature of the song
and style are different, the time
signature of the song will be
used.

If you press and hold the [VOICE] button for longer than a second a
voice list will appear. The Melody R and Melody L displays will be
selected alternately each time you press the [VOICE] button.

The Melody R and Melody
L displays will be selected
alternately each time you
press the [VOICE] button.

The currently selected melody voice will be displayed.

Hold for longer than a second

7

Select a voice you want to play as a song melody.
Use the dial to change the melody voice. As you select different melody
voices the song will remain the same while only the melody voice
changes.

NOTE
• If you press the [INTRO/ENDING/rit.] button during style playback, the style will stop but the
song will continue playing. Use
the [START/STOP] button to
stop playback completely.

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Record Your Own Performance
You can record up to 5 of your own performances and save them as
user songs 031 through 035. Once your performances have been saved
as user songs they can be played in the same way as the internal
songs. User songs can also be saved to a USB flash memory device, as
described on page 100.

■ Recordable Data
5 melody tracks and 1 Style (chord) track can be recorded. To record your own
performance, first use the SONG MEMORY [1]–[5] and [A] buttons to specify the track(s) you want to record on.

• User songs are saved as SMF
(Standard MIDI File) format 0
files. Refer to page 108 for information on SMF files.

● SONG MEMORY (Track) [1]–[5]
Record the melody parts.
● SONG MEMORY (Track) [A]
Records the style pattern and chord parts.

Melody

Chords
Specify track(s)
and record

Track
1

Track
2

Track
3

Track
4

Track
5

Track
A

■ Track Mute
This instrument allows you to choose whether recorded tracks will play back
while you are recording or playing back other tracks (page 89).

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DGX-630/YPG-635 Owner’s Manual

NOTE
• Up to approximately 30,000
notes can be recorded for the
five user songs if you record
only to the melody tracks.

Record Your Own Performance

Recording Procedure

1

From the MAIN display press the [SONG] button, then use
the dial to select the user song number (031–035) you
want to record to.

Rotate the dial to select a
song number between 031
and 035.

2

Select the track(s) you want to record to and confirm your
selection on the display.
◆ Record a Melody Track and the Accompaniment Track
Together
Press the melody track button [1]–[5] you want to record to while holding the [REC] button.
Next, press the [A] button while holding the [REC] button.
The selected tracks will be highlighted in the display.

CAUTION
• If you record to track that contains previously-recorded
data the previous data will be
overwritten and lost.

NOTE
• Style accompaniment is automatically turned on when you
select the style track [A] for
recording.
• Style accompaniment cannot
turned on or off while recording
is in progress.

Press and hold

◆ Record a Melody track
Press the melody track button [1]–[5] you want to record to while holding the [REC] button. Select button [1]–[3] if you want to record a dual
voice. Split voices cannot be recorded.
The selected track will be highlighted in the display.

NOTE
• If style accompaniment is on
and track [A] has not yet been
recorded, the style track [A] will
automatically be selected for
recording when a melody track
is selected. If you only want to
record a melody track, be sure
to turn the style track [A] off.

To cancel recording to a selected track, press that track button a second time. Style accompaniment cannot be turned on or off while
recording is in progress.

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Record Your Own Performance

3

Recording will start when you play on the keyboard.
You can also start recording by pressing the [START/STOP] button.
The current measure will be shown on the display during recording.
Current measure

NOTE
• If the memory becomes full during recording a warning message will appear and recording
will stop automatically. Use the
song clear or track clear (page
63) function to delete unwanted
data and make more room available for recording, then do the
recording again.

Recording
starts

4

Stop recording by pressing the [START/STOP] or [REC]
button.

NOTE
• If you press the [INTRO/ENDING/rit.] button while recording
a style track, an appropriate
ending pattern will play and then
recording will stop.

or

When recording stops the current measure number will return to 001
and the recorded track numbers in the display will be shown in a box
border.

5

Save the song.
When recording is stopped a message asking if you want to save
the song will appear. Press the [+/YES] button to save the song, or
the [-/NO] button if you don’t want to save the song. If saved, the
song will be stored as a MIDI file in song number 031–035.

If you press the [-/NO] button in response to the confirmation message
the song will not be saved as a MIDI file but will remain in the instrument’s memory until the power is turned off, so you have the option of
converting the song to a MIDI file and saving it later. To do this press
and hold the [REC] button until the save confirmation message appears,
then press the [+/YES] button.

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DGX-630/YPG-635 Owner’s Manual

CAUTION
• The recorded Song data will
be lost if you turn the power
to the instrument off without
executing the Save operation.

Record Your Own Performance

● To Record Other Tracks
Repeat steps 2 through 5 to record any of the remaining tracks.
By selecting an unrecorded track—SONG MEMORY buttons [1]–[5],
[A]—you can record the new track while listening to previously recorded
tracks (the border around the track number will appear in the display). You
can also mute previously recorded tracks (the border around the track
number disappears in the display) while recording new tracks.
● To Re-record a Track
Simple select the track you want to re-record for recording in the normal
way.
The new material will overwrite the previous data.

6

When the recording is done ...
◆ To Play Back a User Song
User songs are played back in the same way as regular songs (page 33).
1 Press the [SONG] button from the MAIN display.
2 The current song number/name will be highlighted—use the dial
to select the user song (031–035) you want to play.
3 Press the [START/STOP] button to start playback.

◆ To save a User Song to USB flash memory ➔ page 100.
● Data that cannot be recorded
• Split voice
• The following items are recorded at the beginning of the track. Changes
made during the song will not be recorded.
Time signature, Style number, Style volume

Song Clear—Deleting User Songs
This function clears an entire user song (all tracks).

1
2

NOTE

From the MAIN display select the user song (031–035) you
want to clear.

• If you only want to clear a specific track from a user song use
the Track Clear function.

Press and hold the SONG MEMORY [1] button for longer
than a second while holding the SONG MEMORY [A] button.
A confirmation message will appear on the display.
You can cancel the clear operation by pressing the [-] button.

Press and hold
Hold for longer than a second

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Record Your Own Performance

3

Press the [+] button to clear the song.
The clear-in-progress message will appear briefly on the display while
the song is being cleared.

Track Clear—Deleting a Specified Track from a User Song
This function lets you delete a specified track from a user song.

1
2

From the MAIN display select the user song (031–035) you
want to clear.
Press and hold the SONG MEMORY track button ([1]–[5],
[A]) corresponding to the track you want to clear for
longer than a second.
A confirmation message will appear on the display.
You can cancel the clear operation by pressing the [-] button.

Hold for longer than a second

3

64

Press the [+] button to clear the track.
The clear-in-progress message will appear briefly on the display while
the track is being cleared.

DGX-630/YPG-635 Owner’s Manual

Backup and Initialization
Backup
The following settings are always backed up, and are maintained even when the power is turned off. If you
want to initialize the settings, use the Initialize operation as explained below.
● The Backup Parameters
• Registration Memory
• FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume,
Metronome Volume, Grade, Demo Cancel, Language Selection,
Panel Sustain, Master EQ type, Chord Fingering

Initialization
This function erases all backup data in the instrument’s flash memory and restores the initial default settings. The following initialization procedures are provided.

■Backup Clear ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear data backed up to the internal flash memory—panel user setting, registration memory—turn the power on by pressing the
[STANDBY/ON] switch while holding the highest white key on the
keyboard. The backed up data will be erased and the default values
restored.

■Flash Clear

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

To clear User Songs as well as Song, Style, and Music Database files
that have been transferred to the internal flash memory from a computer,
turn the power on by pressing the [STANDBY/ON] switch while simultaneously holding the highest white key on the keyboard and the three
highest black keys.

CAUTION
• When you execute the Flash
Clear operation, data you
have purchased will also be
cleared. Be sure to save data
you want to keep to a computer.

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65

Basic Operation
Basic Operation
Overall DGX-630/YPG-635 control is based on the following simple operations.

1 Press a button to select a basic function.
2 Use the dial to select an item or value.
3 Start a function.

3 Start a function.

1 Select a basic function.

2 Select an item or value.

Display (pages 68, 69)

● Volume Adjustment
Adjusts the volume of the sound heard via the
instrument’s speakers or a pair of headphones
plugged into the PHONES jack.

Rotate counterclockwise to lower
the volume.

Rotate clockwise to
increase the volume.

1 Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson.

Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.

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DGX-630/YPG-635 Owner’s Manual

Basic Operation

2 Use the dial to select an item or value
When you select a basic function, the item corresponding to that function will be listed in the display.
You can then use the dial or the number buttons [0]–[9] to select the desired item.

The currently selected item is highlighted in the display. In this example the
[VOICE] button has been pressed.

■Changing Values ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
r

Jump to the first item
in the next or previous category.

r

Increase

f

Decrease

The CATEGORY [ ] and [ ] buttons are useful for selecting categorized items, as in the example below.
Example: VOICE SELECT Display

r

] mark.

f

CATEGORY button [

CATEGORY button [

Press briefly
to decrement.

Press briefly
to increment.

Select the category shown
here.

The first voice in the selected
category is selected.

In a display in which a category appears, selection is easy if
you first use the CATEGORY [ ] and [ ] buttons to select
the category containing the desired item, then use the dial or
[+] and [-] buttons to select the item. This can be particularly
handy when you have to select from a large number of voices.

f

● Number Buttons [0]–[9]
The number buttons can be used to directly enter a song number or parameter value.
Hundreds or tens digits that are “0” can be omitted (see
below).
Example: Song number “003”
can be entered in three ways.
• [0] → [0] → [3]
• [0] → [3]
(“003” will appear on the display after a brief delay)
• [3]
(“003” will appear on the display after a brief delay)
Press number buttons
[0], [0], [3].

] mark.

r

● [+] and [-] Buttons
Press the [+] button briefly to increment the value by 1, or press the [-]
button briefly to decrement the
value by 1. Press and hold either
button to continuously increment or
decrement the value in the corresponding direction.

● CATEGORY [ ] and [ ]
buttons
When selecting a song, style, or voice,
you can use these buttons to jump to the
first item in the next or previous category.

f

● Dial
Rotate the dial clockwise to
increase the value of the selected
item, or counterclockwise to
decrease it’s value. Rotate the dial
continuously to continuously
increase or decrease the value.

In most procedures described throughout this owner’s
manual the dial is recommended for selection simply
because it is the easiest and most intuitive selection
method. Please note however, that most items or values
that can be selected using the dial can also be selected
using the [+] and [-] buttons.

3 Start a function.
This is the [START/STOP] button.
Press the [START/STOP] button after pressing the [SONG] or [STYLE]
button to start playback of the selected song or style (rhythm).

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67

Basic Operation

The Displays
● Display Names
All operations are carried out while watching the display. A number of display types are provided for different modes and functions. The name of the current display appears at the top of the display.
● MAIN Display
Title

To Return To the MAIN Display
Most basic operations are carried out from the instrument’s MAIN
display.
You can return to the MAIN display from any other display by pressing the
[EXIT] button near the lower right corner of the display panel.

r

f

● FUNCTION Display (page 92)
The FUNCTION display provides access to 50 utility functions.
The FUNCTION display appears when the [FUNCTION] button is pressed. In the FUNCTION display you
can use the CATEGORY [ ] and [ ] buttons (page 67) to select 50 different groups of functions. Press the
CATEGORY button(s) as many times as necessary until the required function appears. You can then use the
dial, the [+] and [-] buttons, or the number [0]–[9] buttons to adjust the value of the function as required.

Function item

Value

The “Press & Hold” Symbol
The “
” symbol that appears next to some buttons indicates that
the button can be pressed and held for longer than a second to call
up a related function. This provides convenient direct access to a
range of functions.
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DGX-630/YPG-635 Owner’s Manual

Basic Operation

MAIN Display Items
The MAIN display shows all of the current basic settings: song, style, voice.
It also includes a range of indicators that show the on/off status of a range of functions.

* Adjust the LCD CONTRAST control on
the rear panel of the instrument for optimum display legibility.

A-B Repeat
Tempo

Appears when repeat
playback is engaged.

Transpose

Measure Number

Function ON/Off Icons
Dual
Appears when the Dual Voice is
on. When this icon is showing a
second voice is “layered” on and
played with the main voice.

Chord
Display
Split

Style (Auto-accompaniment)
Status (page 28)

Registration Memory
Status (page 90)

Appears when the Split Voice is
on. When this icon is showing
different voices can be played to
the left and right of the keyboard
split point.
Performance assistant technology

Appears when the [ACMP ON/
OFF] button is pressed to turn
accompaniment on after selecting
a style. When showing the keyboard range to the left of the split
point is used for accompaniment
chord recognition.

Shows the selected bank
number.
Shows the memory numbers that contain data. A
border appears around
the selected number.

Appears when the synchro-stop
function is engaged.
The style pattern name.

Song Track Status
(pages 60, 89)

Appears when the performance
assistant technology is on.
Harmony
Appears when Harmony is on.
When this icon is showing harmony notes will be added to the
main voice.
File Control
When this icon is showing you
can control file operations.

Highlighted during user song
recording.

The track(s) selected for
recording are highlighted during user-song recording. Only
tracks that contain data are displayed. A border appears
around a selected track that
contains data. No border
appears around a Muted track.

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69

Reference

e

erenc
ef
R

Play with a Variety of Effects

Adding Harmony
This feature adds harmony notes to the main voice.

1 Press the [HARMONY ON/OFF] button

to turn Harmony feature on.
To turn Harmony off, press the [HARMONY
ON/OFF] button again.

Hold for longer than
a second.

The currently selected harmony type
When harmony
is on the harmony icon will
appear in the
display.

NOTE
• When you press the [HARMONY ON/OFF] button to turn this feature
on, the appropriate harmony type for the currently selected main
voice is automatically selected.

3 Use the dial to select a harmony type.
Refer to the Effect Type List on page 137 for
information about the available harmony types.
Try playing the keyboard with the harmony
function. The effect and operation of each Harmony Type is different-refer to the below section
“How to sound each Harmony Type” as well as
the Effect Type List for details.

2 Press and hold the [HARMONY] button
for longer than a second.
The currently selected harmony type will be
displayed.

NOTE
• The harmony notes can be added only to the Main Voice, not to Dual
or Split Voices.
• The keys left of the Split Point of the keyboard produce no harmony
notes when the auto accompaniment is on (ACMP ON is lit).

● How to sound each Harmony Type

• Harmony type 19 to 22 (Tremolo)

• Harmony type 01 to 10, 13
Keep holding
down the keys.
Press the right-hand keys while playing chords in the
auto accompaniment range of the keyboard when the
Auto Accompaniment is on (page 28).

Hold down two
keys.

• Harmony type 15 to 18 (Echo)

Keep holding
down the keys.

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DGX-630/YPG-635 Owner’s Manual

• Harmony type 23 to 26 (Trill)

You can adjust the Harmony Volume in the Function
Settings (page 94).

Play with a Variety of Effects

Adding Reverb
Reverb lets you play with a rich concert hall type ambience.
When you select a style or song the optimum reverb type for the voice used is automatically selected. If you
want to select a different reverb type, use the procedure described below. Refer to the Effect Type List on
page 138 for information about the available reverb types.

1 Press the [FUNCTION] button to call up
the FUNCTION display.

2 Use the CATEGORY [

3 Use the dial to select a reverb type.
You can check how the selected reverb type
sounds by playing on the keyboard.

r

f

] and [ ] buttons to select the Reverb Type item.

Selected reverb type.

Refer to the Effect Type List on page 138 for
information about the available reverb types.

Reverb Type item

● Adjusting the Reverb Level
You can individually adjust the amount of reverb
that is applied to the main, dual, and split voices.
(See page 93).

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Play with a Variety of Effects

Adding Chorus
The chorus effect creates a thick sound that is similar to many of the same voices being played in unison.
When you select a style or song the optimum chorus type for the voice used is automatically selected. If
you want to select a different chorus type, use the procedure described below.

1 Press the [FUNCTION] button to call up
the FUNCTION display.

2 Use the CATEGORY [

3 Use the dial to select a chorus type.
You can check how the selected chorus type
sounds by playing on the keyboard.

r

f

] and [ ] buttons to select the Chorus Type item.

Selected chorus type.

Chorus Type item

● Adjusting the Chorus Level
You can individually adjust the amount of chorus
that is applied to the main, dual, and split voices.
(See page 93).

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Play with a Variety of Effects

Adding DSP
DSP is term of abbreviated form of Digital Signal Processor. The DSP effect can be added to the Main and
Dual Voices. These range from reverb-like ambience effects to distortion and other dynamic processing
tools that let you enhance the sound, or completely transform it.

1 Use the [DSP ON/OFF] button to turn

the DSP function on.
The indicator lights when DSP is on.
To turn DSP off, press the [DSP ON/OFF] button again.

3 Use the dial to select a DSP type.
Refer to the DSP Type List on page 139 for
information about the available DSP types.

NOTE
• When DSP is turned on, the optimum DSP type for the current Voice
is automatically selected.
• The volume of the currently playing Voice changes when turning
DSP on or off. This is not a malfunction. The amount of change differs depending on the selected Voice.
• The DSP type is an overall setting–only one type can be selected.
For this reason, when you play a newly loaded Song or Style, for
example, the currently playing Voices may not sound as expected.
This is normal, since the Song or Style has its own DSP type which
replaces any selection you’ve made before loading. A similar phenomenon occurs when you use the [FF], [REW] buttons or A-B
Repeat function during song playback.

2 Press and hold the [DSP ON/OFF] button for longer than a second.
The currently selected DSP type will be displayed.

Currently selected DSP type.

● Adjusting the DSP Level
You can individually adjust the amount of DSP that
is applied to the main and dual voices.
(See page 93).

Hold for longer
than a second

DSP Type

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Play with a Variety of Effects

Panel Sustain
This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all
times, regardless of footswitch operation. The sustain function does not affect split voice.

1 Press the [FUNCTION] button to call up
the FUNCTION display.

3 You can then use the [+] and [-] buttons
to turn panel sustain on or off.
NOTE
• The sustain of some voices may not be markedly affected when the
panel sustain function is turned on.

2 Use the CATEGORY [

r

f

] and [ ] buttons to select the Sustain item.
The current setting is displayed.

Pitch Bend
The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll
the wheel upward to raise the pitch, or downward to lower the pitch.
If you use this feature with a voice such as the “048 Overdriven” guitar voice (page 19), you can produce
remarkably realistic string-bending effects.
You can change the amount of pitch bend produced by the wheel, as described on page 93.

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Handy Performance Features

Tap Start
You can start the song/style by simply tapping the [TEMPO/TAP] button at the required tempo—4 times
for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song
playback by pressing the button just twice.

Touch Response Sensitivity
You can adjust the keyboard’s sensitivity to dynamics in three steps.

1 Press the [FUNCTION] button.
The currently selected function will appear in
the display.

3 Use the dial to select a touch sensitivity
setting between 1 and 3. Higher values
produce greater (easier) volume variation in response to keyboard dynamics
—i.e. greater sensitivity.
A setting of “4” results in a fixed touch
response, or no level change no matter how
hard or how soft you play the keys.
NOTE
• The initial default touch sensitivity setting is “2”.

2 Use the CATEGORY [

r

f

] and [ ] buttons to select the Touch Sensitivity
item.
The currently selected touch sensitivity will be
displayed.

Touch Sensitivity item

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Handy Performance Features

One Touch Setting
Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting
feature automatically selects a well-balanced voice for you when you select a style or song. Simply select
voice number “000” to activate this feature.

1 Select voice number “000” (steps 1 to 2
on page 19).

4 Use the dial to change songs, then play
the keyboard and listen to the voice.

You should hear a different keyboard voice
than you played in step 3. Watch the display
while changing songs and you will see that different voices are selected for each song.
Use the dial to select
voice number 000.

2 Select and play back any song (steps 1
to 3 on page 33).

3 Play the keyboard and remember the
sound of the voice.

If you have stopped playback at some point
during this procedure press the [START/STOP]
button to start playback again.

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Handy Performance Features

Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listening through different reproduction systems—the instrument’s internal speakers, headphones, or an external
speaker system.

1 Press the [FUNCTION] button.
The currently selected function will appear in
the display.

2 Press the CATEGORY [

r

f

] and [ ] buttons as many times as necessary to
select the master EQ type function
“Master EQ Type”.
The currently selected EQ type will appear.

The currently selected
master EQ type.

3 Use the dial to select the desired Master
EQ setting.
Five settings are available: 1–5. Settings 1 and
2 are best for listening via the instrument’s
built-in speakers, setting 3 is for headphones,
and settings 4 and 5 are ideal for listening via
external speakers.

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Handy Performance Features

Pitch Controls
◆ Large Pitch Changes (Transpose)
The overall pitch of the instrument can by shifted
up or down by a maximum of 1 octave in semitone
increments.

◆ Small Pitch Changes (Tuning)
The overall tuning of the instrument can by shifted
up or down by a maximum of 100 cents in 1-cent
increments (100 cents = 1 semitone).

1 Press the [FUNCTION] button.

1 Press the [FUNCTION] button.

2 Use the CATEGORY [

2 Use the CATEGORY [

Transpose item

Tuning item

Can be set between -12 and +12

3 Use the dial to set the transpose value
between -12 and +12 as required.
NOTE
• The pitch of Drum Kits voices cannot be changed.

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r

] and [ ] buttons to select the Tuning item.

f

r

f

] and [ ] buttons to select the Transpose item.

Can be set between -100 and +100

3 Use the dial to set the tuning value

between -100 and +100 as required.
NOTE
• The pitch of Drum Kits voices cannot be changed.

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Style (Auto-accompaniment) Functions

Basic operation of the Style (auto-accompaniment) feature is described on page 27 of
the Quick Guide.
Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.

Pattern Variation (Sections)
The DGX-630/YPG-635 features a wide variety of style “sections” that allow you to vary the arrangement
of the accompaniment to match the song you are playing.
Intro

Ending

Main A/B

Auto fill

● INTRO section
This is used for the beginning of the Song. When the intro finishes playing, accompaniment shifts to the
main section. The length of the intro (in measures) differs depending on the selected Style.
● MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats
indefinitely until another section’s button is pressed. There are two variations on the basic pattern (A
and B), and the Style playback sound changes harmonically based on the chords you play with your left
hand.
● Fill-in section
This is automatically added before changing to section A or B.
● ENDING section
This is used for the ending of the Song. When the ending is finished, the auto accompaniment stops
automatically. The length of the ending (in measures) differs depending on the selected Style.

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79

Style (Auto-accompaniment) Functions

1 Press the [STYLE] button and then
select a style.

4 Press the [MAIN/AUTO FILL] button.

2 Press the [ACMP ON/OFF] button to
turn auto accompaniment on.

The name of the selected section—MAIN A or MAIN B—will
be displayed.

5 Press the [INTRO/ENDING/rit.] button.

Appears when auto
accompaniment is on.

You’re now ready to play the intro.

6 As soon as you play a chord with your
3 Press the [SYNC START] button to turn
synchro start on.

The indicator will flash when the
synchro start standby mode will
be engaged.

left hand, the Intro of the selected Style
starts.
For this example, play a C major chord (as
shown below). For information on how to enter
chords, see “Playing Auto-accompaniment
Chords” on page 32.
Split point

Accompaniment range

● Synchro Start
When the synchro start standby mode is engaged,
style playback will begin as soon as you play a
chord in the accompaniment range of the
keyboard. You can disengage the synchro-start
standby mode by pressing the [SYNC START]
button again.

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Style (Auto-accompaniment) Functions

7 Press the [MAIN/AUTO FILL] button.

When the fill-in is finished, it leads smoothly
into the selected main section A/B.

8 Press the [INTRO/ENDING/rit.] button.
The style will play
while you are playing
the keys

Style playback will
stop when you
release the keys

This switches to the ending section.
When the ending is finished, the auto accompaniment stops automatically. You can have the
ending gradually slow down (ritardando) by
pressing the [INTRO/ENDING/rit.] button
again while the ending is playing back.
● Synchro Stop
When this function is selected the accompaniment
style will only play while you are playing chords
in the accompaniment range of the keyboard.
Style playback will stop when you release the
keys. To turn the function on, press the [SYNC
STOP] button.

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Style (Auto-accompaniment) Functions

Setting the Split Point
The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the
procedure described below.

1 Press the [FUNCTION] button.

3 Use the dial to set the split point to any
key from 021(A-1) through 108 (C7).
Split point (54: F#2)

Main voice

Split voice

NOTE

2 Use the CATEGORY [

• When you change the split point the auto-accompaniment split point
also changes.

r

f

] and [ ] buttons to select the Split point item.

• The split point cannot be changed during a song lesson.
• The split voice sounds when the split-point key is played.

NOTE

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DGX-630/YPG-635 Owner’s Manual

r

f

• You can also access the Split Point item by pressing the [FUNCTION]
button and using the CATEGORY [ ] and [ ] buttons to locate the
item (page 92).

Style (Auto-accompaniment) Functions

Play a Style with Chords but No Rhythm (Stop Accompaniment)
When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play
chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the
accompaniment chords. This is “Stop Accompaniment”, and any of the chord fingerings recognized by the
instrument can be used (page 32).
Press the [ACMP ON/OFF] button to turn
auto accompaniment on after pressing the
[STYLE] button.
Accompaniment range

Appears when auto
accompaniment is
on

Adjusting the Style Volume
2 Use the CATEGORY [

r

] and [ ] buttons to select the Style Volume item.

f

Press the [STYLE] button to engage the
style function.

1 Press the [FUNCTION] button.

3 Use the dial to set the style volume
between 000 and 127.

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Style (Auto-accompaniment) Functions

Chord Basics
Two or more notes played together constitute a “chord”.
The most basic chord type is the “triad” consisting of three notes: the
root, third, and fifth degrees of the corresponding scale. A C major triad,
for example, is made up of the notes C (the root), E (the third note of the
C major scale), and G (the fifth note of the C major scale).

3rd

3rd

Root

In the C major triad shown above, the lowest note is the “root” of the
chord (this is the chord’s “root position” ... using other chord notes for
the lowest note results in “inversions”). The root is the central sound of the chord, which supports and
anchors the other chord notes.
The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major third–four half steps (semitones)

Minor third–three half steps (semitones)

The lowest interval in our root-position triad (between the root and the third) determines whether the triad
is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.
Major chord
CM

Minor 3rd

Minor chord
Cm

Minor 3rd

Major 3rd

Major 3rd

Augmented chord
C aug

Major 3rd

Major 3rd

Diminished chord
C dim

Minor 3rd

Minor 3rd

The basic characteristics of the chord sound remain intact even if we change the order of the notes to create
different inversions. Successive chords in a chord progression can be smoothly connected, for example, by
choosing the appropriate inversions (or chord “voicings”).
● Reading Chord Names

Chord names tell you just about everything you need to know about a chord
(other than the inversion/voicing). The chord name tells you what the root of the
chord is, whether it is a major, minor, or diminished chord, whether it requires a
major or flatted seventh, what alterations or tensions it uses ... all at a glance.

Cm
Root note

Chord type

● Some Chord Types (These are just some of the “Standard” chord types recognized by the DGX-630/YPG-635.)
Suspended 4 th

7 th

C sus4

Perfect 5 th

Perfect 4 th

Flatted 7 th

Minor/major 7 th

84

Minor chord

Major chord

Flatted 7 th

Minor chord

(b5)

C m7

C7

DGX-630/YPG-635 Owner’s Manual

C M7

Minor 7 th, flatted 5 th

(b5)

Flatted 5 th

Major 7 th

C m7

7 th, flatted 5 th

C mM7

Major 7 th

Minor 7 th

C7

7 th chord

Flatted 5 th

Minor 7 th chord

Major 7 th

Major chord

7 th, suspended 4 th

C 7sus4

Flatted 7 th

Suspended
4 th chord

Style (Auto-accompaniment) Functions

■Recognized Standard Chords ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
All chords in the chart are “C-root” chords.
Chord Name/[Abbreviation]

Normal Voicing

Chord (C)

Major [M]

1-3-5

C

Add ninth [(9)]

1-2-3-5

C

Sixth [6]

1 - (3) - 5 - 6

C6

Display
C

(9)

C9
C6

(9)

Sixth ninth [6(9)]

1 - 2 - 3 - (5) - 6

C6

C 69 *

Major seventh [M7]

1 - 3 - (5) - 7

C M7

CM7

Major seventh ninth [M7(9)]
Major seventh add sharp eleventh [M7(#11)]
Flatted fifth [(b5)]

1 - 2 - 3 - (5) - 7
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
1 - 3 - b5

(9)

C M79 *

(#11)

CM7#11 *

(b5)

Cb5 *

(b5)

C M7

C M7
C

Major seventh flatted fifth [M7b5]

1 - 3 - b5 - 7

C M7

CM7b5 *

Suspended fourth [sus4]

1-4-5

C sus4

Csus4

Augmented [aug]

1 - 3 - #5

C aug

Caug

Major seventh augmented [M7aug]

1 - (3) - #5 - 7

C M7aug

CM7aug *

Minor [m]

1 - b3 - 5

Cm

Cm

Minor add ninth [m(9)]

1 - 2 - b3 - 5

Cm

Cm9

Minor sixth [m6]

1 - b3 - 5 - 6

C m6

Cm6

Minor seventh [m7]

1 - b3 - (5) - b7

C m7

Minor seventh ninth [m7(9)]

1 - 2 - b3 - (5) - b7

C m7

Minor seventh add eleventh [m7(11)]

1 - (2) - b3 - 4 - 5 - (b7)

C m7

Cm711 *

Minor major seventh [mM7]

1 - b3 - (5) - 7

C mM7

CmM7

Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]

1 - 2 - b3 - (5) - 7
1 - b3 - b5 - b7

(9)

(9)

(11)

(9)

C mM7
(b5)

C m7

Cm7
Cm79

CmM79 *
Cm7b5

C mM7
C dim

CmM7b5 *

C dim7

Cdim7

C7

C7

Seventh flatted ninth [7(b9)]

1 - b3 - b5 - 6
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
1 - b2 - 3 - (5) - b7

Seventh add flatted thirteenth [7(b13)]

1 - 3 - 5 - b6 - b7

C7

Minor major seventh flatted fifth [mM7b5]

1 - b3 - b5 - 7

Diminished [dim]

1 - b3 - b5

Diminished seventh [dim7]
Seventh [7]

Seventh ninth [7(9)]
Seventh add sharp eleventh [7(#11)]
Seventh add thirteenth [7(13)]

1 - 2 - 3 - (5) - b7
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
1 - 3 - (5) - 6 - b7

(b5)

Cdim

(b9)

C7b9

C7

(b13)

C7b13

(9)

C79

(#11)

C7#11

(13)

C713

(#9)

C7
C7
C7

Seventh sharp ninth [7(#9)]

1 - #2 - 3 - (5) - b7

C7

C7#9

Seventh flatted fifth [7b5]

1 - 3 - b5 - b7

C 7b5

C7b5 *

Seventh augmented [7aug]

1 - 3 - #5 - b7

C 7aug

C7aug

Seventh suspended fourth [7sus4]

1 - 4 - 5 - b7

C 7sus4

C7sus4

Suspended second [sus2]

1-2-5

C sus2

Csus2 *

* These chords are not shown in the Dictionary function.
NOTE
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.
• A perfect fifth (1 + 5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7b5, 6, m6, sus4,
aug, dim7, 7b5, 6(9), sus2.

NOTE
• Inversion of the m7(11) chords are not recognized if the notes shown in
parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.

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Style (Auto-accompaniment) Functions

Playing Styles Using the Entire Keyboard
In “Play Along with a Style” on page 28 we described a method of playing styles in which chords were
detected only to the left of the keyboard split point. By making the settings described below, however,
chord detection for style accompaniment occurs over the entire range of the keyboard, allowing for even
more dynamic style performance. In this mode only chords played in the normal way (page 32) can be
detected.

1 Press and hold the [ACMP ON/OFF] button for longer than a second to select
the function “Chord Fingering”.

Hold for longer than a second

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2 Use the dial to select 2 “FullKeyboard”.

Style (Auto-accompaniment) Functions

Looking Up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords.
It is ideal when you know the name of a certain chord and want to quickly learn how to play it.

1 Press and hold the LESSON [START]
button for longer than a second.

Hold for longer than a second

3 Press the “M7” (major seventh) key in

the section of the keyboard labeled
“CHORD TYPE”. (The note doesn’t
sound.) The notes you should play for
the specified chord (root note and
chord type) are shown in the display,
both as notation and in the keyboard
diagram.

Notation of chord

Chord name (root and type)

2 As an example, we’ll learn how to play a

GM7 (G major seventh) chord. Press the
“G” key in the section of the keyboard
labeled “ROOT”. (The note doesn’t
sound.) The root note you set is shown
in the display.
Individual notes of chord (keyboard)

To call up possible inversions of the chord,
press the [+]/[-] buttons.
NOTE
• About major chords: Simple major chords are usually indicated only
by the root note. For example, “C” refers to C major. However, when
specifying major chords here, make sure to select “M” (major) after
pressing the root note.
• Be aware that the chord types explained here are the left-hand
notes applied to various styles and different from the one for the performance assistant technology feature.

4 Try playing a chord in the auto accom-

paniment section of the keyboard,
checking the indications in the display.
When you’ve played the chord properly,
a bell sound signals your success and
the chord name in the display flash.
Press the [EXIT] button to return to the MAIN
display.

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Song Settings

Song Volume
1 Press the [FUNCTION] button.

Song volume item

Can be set between 000 and 127

2 Use the CATEGORY [

f

r

] and [ ] buttons to select the Song Volume item.

3 Use the dial to set the song volume
between 000 and 127.
NOTE
• Song volume can be adjusted while a song is selected.

A-B Repeat
You can specify a section of a song—“A” is the
start point and “B” is the end point—for repeat
playback.

A

2 Press the [A-B REPEAT] button a sec-

ond time at the end of the section you
want to repeat (the “B” point).

B

1 Play the song (page 33) and press the

[A-B REPEAT] button at the beginning
of the section you want to repeat (the
“A” point).

3 The specified A-B section of the song
will now play repeatedly.
You can stop repeat playback at any time by
pressing the [A-B REPEAT] button.
NOTE
• Repeat start and end points cannot be specified within the same
measure While the song is stopped.
• The current measure number is shown in the display during playback.
• If you want to set the start point “A” at the very beginning of the song
press the [A-B REPEAT] button before starting playback of the song.

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Song Settings

Muting Independent Song Parts
Each “track” of a song plays a different part of the
song—melody, percussion, accompaniment, etc.
You can mute individual tracks and play the muted
part on the keyboard yourself, or simply mute
tracks other than the ones you want to listen to. To
mute a track, press the appropriate track button
(TRACK [1]–[5], [A]) button. Press the same button a second time to disengage track muting.

No track number ... no data.

Track number without border
... track contains data but is muted.
Track number with border ... track contains data and is not muted.

Change the Melody Voice
You can change a song’s melody voice to any other voice you prefer.
Press the lesson [L] and [R] buttons simultaneously so that “LR” appears in the
upper right corner of the MAIN display.
Select the song and play it.

2 Use the dial to select the voice.
As you select different melody voices, only the
melody voice changes while the song will
remain the same.

1 Press the [VOICE] button for longer

than a second.
The VOICE SELECT (MELODY R or MELODY L) display will appear so you can select
the Melody R or Melody L voice. Pressing the
[VOICE] button alternates between VOICE
SELECT MELODY R and MELODY L.

Hold for longer
than a second

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Memorize Your Favorite Panel Settings

This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever they’re needed. Up to 16 complete setups can be saved
(8 banks of two setups each).
8 Banks

Memory 1

Memory 2

Up to 16 presets (eight
banks of two each) can
be memorized.

Saving to the Registration Memory
1 Set the panel controls as required—

select a voice, accompaniment style,
etc.

2 Press the [MEMORY/BANK] button. A

4 Press the REGIST MEMORY [1] or [2]

button while holding the [MEMORY/
BANK] button to store the current panel
settings to the specified registration
memory.

bank number will appear in the display
when you release the button.

Press the [EXIT] button to return to the MAIN
display in order to check the bank and registration memory numbers.

Bank number

3 Use the dial or the [1]–[8] number but-

tons to select a bank number from 1 to
8.

Bank number

NOTE
• You can also save your panel settings memorized to registration
memory button into USB flash memory as the user file or to a computer as the backup file.

NOTE
NOTE
• Data cannot be saved to the registration memory during song playback.

• If you select a Registration Memory number that already contains
data, the previous data is deleted and overwritten by the new data.

CAUTION
• Do not turn off the power while saving settings to the registration memory, otherwise the data may be damaged or lost.

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Memorize Your Favorite Panel Settings

Recalling a Registration Memory
1 Press the [MEMORY/BANK] button. A

bank number will appear in the display
when you release the button.

● Settings That Can be Saved to the Registration Memory
• Style settings*
Style number, Auto Accompaniment ON/OFF,
Split Point, Style settings (Main A/B),
Style Volume, Tempo, Chord Fingering

Bank number

2 Use the dial or the [1]–[8] number buttons to select bank you want to recall.

• Voice settings
Main Voice setting (Voice number, Volume,
Octave, Pan, Reverb Level, Chorus Level, DSP
Level),
Dual Voice settings (Dual ON/OFF, Voice
number, Volume, Octave, Pan, Reverb Level,
Chorus Level, DSP Level),
Split Voice settings (Split ON/OFF,
Voice number, Volume, Octave, Pan,
Reverb Level, Chorus Level)
• Effect settings
Reverb Type, Chorus Type,
Panel Sustain ON/OFF, DSP ON/OFF, DSP Type
• Harmony settings
Harmony ON/OFF, Harmony Type,
Harmony Volume
• Other settings
Transpose, Pitch Bend Range
* Style settings are not available for Registration Memory when
using the Song features.

You can check whether the panel settings are
stored in registration memory 1 or 2 by pressing the [EXIT] button to return to the MAIN
display.

3 Press the REGIST MEMORY button, [1]

or [2], containing the settings you want
to recall. The panel controls will be
instantly set accordingly.

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The Functions

The “Functions” provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. There are 50 function parameters in all.
When you locate a function you want to set up, simply select the function’s display
name and adjust as required.

Selecting and Setting Functions
1 Find the function you want to set in the
list that begins on page 93.

2 Press the [FUNCTION] button.

4 Use the dial, the [+] and [-] buttons, or

the [0]–[9] number buttons to set the
selected function as required.
The [+] and [-] buttons are used to make ON/
OFF type settings: [+] = ON, [-] = OFF.
In some cases the [+] button will initiate execution of the selected function, and the [-] will
cancel the selection.

Direct numeric
entry.

3 Select a function.

Function category

Previous item

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f

Press the CATEGORY [ ] and [ ] buttons as
many times as necessary until the function’s
display name appears in the display.

• Increment value by 1.
• ON
• Execute

Press simultaneously to
recall the default setting.

Next item

The selected function

Value

92

• Decrement value by 1.
• OFF
• Cancel

DGX-630/YPG-635 Owner’s Manual

Some Function settings are stored in memory
as soon as they are changed. See “The Backup
Parameters” on page 65 for information on the
function settings that are stored on the instrument.
To restore all initial factor default settings perform the “Backup Clear” procedure described
in the “Initialization” section on page 65.

The Functions

● Function Setting List
Category

Function Item

Range/Settings

Description

Style Volume

000–127

Determines the volume of the Style.

Song Volume

000–127

Determines the volume of the Song.

Transpose

-12–+12

Determines the pitch of the instrument by semitone increments.

Tuning

-100–+100

Sets the pitch of the instrument’s sound in 1-cent increments.

Pitch Bend Range

01–12

Sets the pitch bend range in semitone increments.

Split Point

021(A-1)–108(C7)

Determines the highest key for the Split voice and sets the Split “point”—in
other words, the key that separates the Split (lower) and Main (upper)
voices. The Split Point setting and Accompaniment Split Point setting are
automatically set to the same value.

Touch Sensitivity

1(Soft), 2(Medium),
3(Hard), 4 (Off)

Determines the sensitivity of the feature.

Chord Fingering

1(Multi Finger),
2(FullKeyboard)

Sets the chord detection mode. In the Multi Finger mode both normal
chords and simple chords played to the left of the split point are detected. In
the Full Keyboard mode normal chords played anywhere on the keyboard
will be detected, and the notes played will be sound as well.

Main Volume

000–127

Determines the volume of the Main voice.

Main Octave

-2–+2

Determines the octave range for the Main voice.

Main Pan

000 (left)–
64 (center)–
127 (right)

Determines the pan position of the Main voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127” results
in the sound being panned full right.

Main Reverb Level

000–127

Determines how much of the Main voice’s signal is sent to the Reverb
effect.

Main Chorus Level

000–127

Determines how much of the Main voice’s signal is sent to the Chorus
effect.

Main DSP Level

000–127

Determines how much of the Main voice’s signal is sent to the DSP effect.

Dual Volume

000–127

Determines the volume of the Dual voice.

Dual Octave

-2–+2

Determines the octave range for the Dual voice.

Dual Pan

000 (left)–
64 (center)–
127 (right)

Determines the pan position of the Dual voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127” results
in the sound being panned full right.

Dual Reverb Level

000–127

Determines how much of the Dual voice’s signal is sent to the Reverb
effect.

Dual Chorus Level

000–127

Determines how much of the Dual voice’s signal is sent to the Chorus
effect.

Dual DSP Level

000–127

Determines how much of the Dual voice’s signal is sent to the DSP effect.

Split Volume

000–127

Determines the volume of the Split voice.

Split Octave

-2–+2

Determines the octave range for the Split voice.

Split Pan

000 (left)–
64 (center)–
127 (right)

Determines the pan position of the Split voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127” results
in the sound being panned full right.

Split Reverb Level

000–127

Determines how much of the Split voice’s signal is sent to the Reverb effect.

Split Chorus Level

000–127

Determines how much of the Split voice’s signal is sent to the Chorus
effect.

VOLUME

OVERALL

MAIN VOICE

DUAL VOICE

SPLIT VOICE

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The Functions

Category

Function Item

Range/Settings

Description

Reverb Type

01–30

Determines the Reverb type, including off. (See the list on page 138)

Chorus Type

1–25

Determines the Chorus type, including off. (See the list on page 138)

DSP Type

001–183

Determines the DSP type, including off. (See the list on page 139)

Sustain

ON/OFF

Determines whether or not panel sustain is always applied to the MAIN/
DUAL voices. Panel sustain is applied continuously when ON, or not
applied when OFF. (page 74)

Master EQ Type

1(Speaker 1),
2(Speaker 2),
3(Headphones),
4(Line Out 1),
5(Line Out 2)

Sets the equalizer applied to the speaker output for optimum sound in
different listening situations.

Harmony Type

01–26

Determines the Harmony type. (See the list on page 137)

Harmony Volume

000–127

Determines the volume of the Harmony effect.

PAT

P.A.T. Type

CHORD,
CHORD/FREE,
MELODY,
CHORD/MELODY

Determines the performance assistant technology feature type. (See the list
on page 39)

PC

PC Mode

PC1/PC2/OFF

Optimizes the MIDI settings when you connect to a computer (page 106).

Local

ON/OFF

Determines whether the instrument’s keyboard controls the internal tone
generator (ON) or not (OFF). (page 106)

External Clock

ON/OFF

Determines whether the instrument synchronizes to the internal clock
(OFF) or an external clock (ON). (page 106)

Keyboard Out

ON/OFF

Determines whether keyboard performance data of the instrument is
transmitted (ON) or not (OFF).

Style Out

ON/OFF

Determines whether Style data is transmitted (ON) via USB or not (OFF)
during Style playback.

Song Out

ON/OFF

Determines whether User Song is transmitted (ON) via USB or not (OFF)
during Song playback.

Initial Setup

YES/NO

Lets you send the data of the panel settings to a computer. Press [+] to
send, or press [-] to cancel.

Time Signature Numerator

01–60

Determines the time signature of the Metronome.

Time Signature Denominator

2, 4, 8, 16

Sets the length of each metronome beat.

Bell

ON/OFF

Determines whether a bell accent will be sounded (ON) or not (OFF).

Metronome Volume

000–127

Determines the volume of the Metronome.

Quantize

1(1/4 note),
2(1/4 note triplet),
3(1/8 note),
4(1/8 note triplet),
5(1/16 note),
6(1/16 note triplet),
7(1/32 note),
8(1/32 note triplet)

Depending on the song data, you can make the score more readable by
adjusting the timing of the notes.
This determines the minimum timing resolution used in the song. For
example, if there are both quarter notes and eighth notes in the song, you
should set this value to “eighth note”. Any notes or rests shorter than this
value will not be shown in the score.

EFFECT

HARMONY

MIDI

METRONOME

SCORE

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The Functions

Category

LESSON

UTILITY

LANGUAGE

Function Item

Range/Settings

Description

Right-Part

GuideTrack 1–16

Determines the guide track number for your right hand lesson. The setting
is effective for songs in SMF format 0 and 1 transferred from a computer.

Left-Part

GuideTrack 1–16

Determines the guide track number for your left hand lesson. The setting is
effective for songs in SMF format 0 and 1 transferred from a computer.

Grade

ON/OFF

Determines whether the Grade function is on or off.

Demo Cancel

ON/OFF

Determines whether Demo cancel is enabled or not. When this is set to ON,
the Demo Song will not play, even if the [DEMO] button is pressed.

English/Japanese

Determines the display language for the demo displays, song file names,
lyrics and certain display messages. All other messages and names are
displayed in English. When this is set to Japanese, the file names are
displayed in the Japanese font. The lyrics display follows the language
setting originally made in the song data; however, when no such setting
exists, the setting here is used.

Language

* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously.
(The exception to this is Initial Send, which is an operation, not a setting.)

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Saving and Loading Data

USB flash memory is a memory medium used for storing data.
When a USB flash memory is inserted in this instrument’s USB TO DEVICE terminal,
registered settings can be saved from or loaded into the instrument. USB flash memory can also be used to transfer Song, Style, and Music Database files to the instrument, where they can be selected and used in the same way as the internal data.
In this section we’ll look at the procedures for setting up and formatting USB flash
memory devices, as well as for saving and loading data to and from them.
Before using a USB device, read through the “Precautions when using the USB TO
DEVICE terminal” section on page 97.

Connecting a USB Flash Memory
1 Connect a USB flash memory to the

USB TO DEVICE terminal, being careful
to insert it with the proper orientation.

2 Check that the file control icon is shown
in the MAIN display.

Appears while the
memory device is
being mounted.

File Control Icon

A message (information or confirmation dialog)
sometimes appears on the display to facilitate
operation. Refer to the “Messages” on page 120
for an explanation of each message.

You can go to the FILE CONTROL display
from which you can access file operations by
pressing the [MENU] button from this display.
(Do not press this button now, but only when
instructed to in the sections below.)
Menu

Reference Page

Format

98

User File Save

99

User Song Save

100

Load

101

USB Delete

102

User Delete

103

NOTE
• No sound will be produced if you play the keyboard while the FILE
CONTROL display is showing. Also, in this state only buttons related
to file functions will be active.

NOTE
• The FILE CONTROL display will not appear in any of the following
cases:
• During style or song playback.
• During a lesson.
• While data is being loaded from a USB flash memory.

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DGX-630/YPG-635 Owner’s Manual

Saving and Loading Data

■ Precautions when using the USB TO DEVICE terminal
This instrument features a built-in USB TO DEVICE terminal. When connecting a USB device to the terminal, be sure to
handle the USB device with care. Follow the important precautions below.
NOTE
• Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data.

● Compatible USB devices
• USB storage devices (flash memory, floppy disk drive)
The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee
operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please
visit the following web page:

● Using USB Storage Devices
By connecting the instrument to a USB storage device, you
can save data you’ve created to the connected device, as
well as read data from the connected device.
NOTE
• Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data.

http://music.yamaha.com/download/
NOTE
• Other USB devices such as a computer keyboard or mouse cannot
be used.

● Connecting USB device
• When connecting a USB device to the USB TO DEVICE
terminal, make sure that the connector on the device is
appropriate and that it is connected in the proper direction.
• Though the instrument supports the USB 1.1 standard,
you can connect and use a USB 2.0 storage device with
the instrument. However, note that the transfer speed is
that of USB 1.1.

The number of USB storage device to be used
Only one USB storage devices can be connected to the
USB TO DEVICE terminal.

Formatting USB storage media
When a USB storage device is connected or media is
inserted, a message may appear prompting you to format
the device/media. If so, execute the Format operation (page
98).
CAUTION
• The format operation overwrites any previously existing data.
Make sure that the media you are formatting does not contain
important data.

To protect your data (write-protect)
To prevent important data from being inadvertently erased,
apply the write-protect provided with each storage device
or media. If you are saving data to the USB storage device,
make sure to disable write-protect.

Connecting/removing USB storage device
Before removing the media from the device, make sure that
the instrument is not accessing data (such as in the Save
and Delete operations).
CAUTION
• Avoid frequently turning the power on/off to the USB storage
device, or connecting/disconnecting the device too often.
Doing so may result in the operation of the instrument “freezing” or hanging up. While the instrument is accessing data
(such as during Save, Delete, Load and Format operations) or
is mounting the USB storage device (shortly after the connection), do NOT unplug the USB connector, do NOT remove the
media from the device, and do NOT turn the power off to either
device. Doing so may corrupt the data on either or both
devices.

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Saving and Loading Data

Formatting USB Flash Memory
New USB flash memory must be formatted before they can be used by this instrument.

5 Press the [EXECUTE] button again, or

CAUTION
• If you format a USB flash memory that already contains data, all of
the data will be erased. Be careful not to erase important data
when using the format function.

the [+] button, and the format operation
will begin.
CAUTION

1 After connecting the USB flash memory
to be formatted to the instrument’s USB
TO DEVICE terminal, check that the
icon is showing in the MAIN display.

• Once the format-in-progress message appears on the display
the format operation cannot be canceled. Never turn off the
power or remove the USB flash memory during this operation.

6 A message will appear on the display to
inform you that the operation has finished.
Press the [EXIT] button to return to the MAIN
display.

2

NOTE

Press the FILE CONTROL [MENU] button.

3 Use the CATEGORY [

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f

] and [ ] buttons to select the Format item.
The display prompts you for confirmation.

4 Press the [EXECUTE] button and the

display prompts you for confirmation.
You can press the [-] button at this point to cancel the operation.

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DGX-630/YPG-635 Owner’s Manual

• If the USB flash memory has been write-protected, an appropriate
message will appear on the display and you will not be able to execute the operation.

Saving and Loading Data

Saving User Files (Registration Memory) to USB Flash Memory
This operation saves a “User File” containing the registration memory data to a USB flash memory device.
The User File name will have a “.usr” extension which will not appear in the instrument’s display.

1 Make sure that a properly formatted

USB flash memory has been properly
connected to the instrument’s USB TO
DEVICE terminal, and that the icon is
showing in the MAIN display.
Cursor left

r

f

2 Press the FILE CONTROL [MENU] button.
3 Use the CATEGORY [ ] and [ ] buttons to locate the Regist Save item.
A default file name will automatically be created.

Delete character

The dial selects
characters

Cursor right

Cursor

6 Press the [EXECUTE] button. The dis● To Overwrite an Existing File
If you want to overwrite a file that already exists
on the USB flash memory, use the dial or the
[+] and [-] buttons to select the file, then skip
ahead to step 6.
NOTE

7

play prompts you for confirmation.
You can cancel the save operation at this point
by pressing the [-] button.
Press the [EXECUTE] button again, or
the [+] button, and the save operation
will begin.
The user song will be stored to the USER FILE
folder in the USB flash memory.

• Up to 100 user files can be saved to a single USB flash memory.
• If the USB flash memory has been write-protected, an appropriate
message will appear on the display and you will not be able to execute the operation.
• If there is not enough capacity left on the USB flash memory to save
the data an appropriate message will appear on the display and you
will not be able to save the data. Erase unwanted files from the USB
flash memory to make more memory available (page 102), or use a
different USB flash memory.
• Refer to the “Messages” list on page 120 for other possible errors
that might prevent you from completing the operation.

4 Press the [EXECUTE] button. A cursor
will appear below the first character in
the file name.

5 Change the file name as necessary.

• The [-] button moves the cursor to the left,
and the [0] button moves it to the right.
• Use the dial to select a character for the current cursor location.
• The [+] button deletes the character at the
cursor location.

CAUTION
• Once the save-in-progress message appears on the display the
operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.

8 A message will appear on the display to
inform you that the operation has finished.
Press the [EXIT] button to return to the MAIN
display.
NOTE
• If an existing filename is specified the display prompts you for confirmation. Press [EXECUTE] or [+] if it is OK to overwrite the file, or [-]
to cancel.
• The amount of time it will take to perform the save operation will
depend on the condition of the USB flash memory.

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Saving and Loading Data

Save a User Song to USB Flash Memory
This operation saves a user song (song numbers 031–035) to USB flash memory.

1 Make sure that a properly formatted

USB flash memory has been properly
connected to the instrument’s USB TO
DEVICE terminal, and that the icon is
showing in the MAIN display.

7 Change the file name as necessary.
Refer to “Saving User Files (Registration
Memory) to USB Flash Memory” on page 99
for filename entry.

2 Press the FILE CONTROL [MENU] button.

3 Use the CATEGORY [

r

f

] and [ ] buttons to locate the User Song Save item.
The SOURCE FILE—a user song name—will
be highlighted.
Cursor

The name of the file to
be saved

8 Press the [EXECUTE] button. The dis-

play prompts you for confirmation.
You can cancel the save operation at this point
by pressing the [-] button.

9 Press the [EXECUTE] button again, or

the [+] button, and the save operation
will begin.
The user song will be stored to the USER FILE
folder in the USB flash memory.

The source user song name.
CAUTION

4 Select the source user song.
You can press the [+] and [-] buttons simultaneously to select the first user song.

5 Press the [EXECUTE] button.
The DESTINATION SONG will be highlighted, and a default name will automatically
be created.
● To Overwrite an Existing File
If you want to overwrite a file that already exists
on the USB flash memory, use the dial or the
[+] and [-] buttons to select the file, then skip
ahead to step 7.

6 Press the [EXECUTE] button.
A cursor will appear below the first character in
the file name.

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DGX-630/YPG-635 Owner’s Manual

• Once the save-in-progress message appears on the display the
operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.

10

A message will appear on the display
to inform you that the operation has
finished.
Press the [EXIT] button to return to the MAIN
display.
NOTE
• If an existing filename is specified the display prompts you for confirmation. Press [EXECUTE] or [+] if it is OK to overwrite the file, or [-]
to cancel.
• The amount of time it will take to perform the save operation will
depend on the condition of the USB flash memory.

Saving and Loading Data

Loading Files from a USB Flash Memory
User files as well as Style, Song, and Music Database files residing on a USB flash memory can be loaded
into the instrument.

4 Use the dial to select the file you want

CAUTION
• If you load a User File registration memory data will be overwritten
by the newly loaded data. Save important data to a USB flash
memory before loading data that will overwrite it.

1 With the USB flash memory containing
the file you want to load connected to
the USB TO DEVICE connector, check
that the File Control icon is shown in
the MAIN display.

to load.
All user files in the USB flash memory will be
displayed first, followed by the style files, song
files and music database files.
Files must be located in the “User Files” folder
in the USB flash memory. Files located outside
of that folder will not be recognized.

5 Press the [EXECUTE] button. The dis-

play prompts you for confirmation.
You can cancel the load operation at this point
by pressing the [-] button.

6 Press the [EXECUTE] button again, or
2 Press the FILE CONTROL [MENU] button.

3 Use the CATEGORY [

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f

] and [ ] buttons to locate the Load item.

the [+] button, and the load operation
will begin.
CAUTION

• Once the load-in-progress message appears on the display the
operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.

7 A message will appear on the display to
inform you that the operation has finished.
Press the [EXIT] button to return to the MAIN
display.

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Saving and Loading Data

Deleting Data from a USB Flash Memory
This procedure deletes User, Style, Song, and Music Database files from a USB flash memory.

1 Make sure that the USB flash memory

containing the file(s) you want to delete
has been properly connected to the
instrument’s USB TO DEVICE terminal,
and that the icon is showing in the
MAIN display.

4 Use the dial to select the file you want

to delete.
All User files in the USB flash memory will be
displayed first, followed by the style files, song
files and music database files.
Files must be located in the “User Files” folder
in the USB flash memory. Files located outside
of that folder will not be recognized.

5 Press the [EXECUTE] button. The dis2 Press the FILE CONTROL [MENU] button.

3 Use the CATEGORY [

r

f

] and [ ] buttons to locate the USB Delete item.

play prompts you for confirmation.
You can cancel the delete operation at this
point by pressing the [-] button.

6 Press the [EXECUTE] button again, or

the [+] button, and the delete operation
will begin.
CAUTION
• Once the delete-in-progress message appears on the display
the operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.

7 A message will appear on the display to
inform you that the operation has finished.
Press the [EXIT] button to return to the MAIN
display.
NOTE
• If the USB flash memory has been write-protected, an appropriate
message will appear on the display and you will not be able to execute the operation.

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Saving and Loading Data

Delete User Data from the Instrument
This procedure deletes the User Song as well as Style, Song, and Music Database files transferred from an
external device such as a computer. This operation does not erase the preset data.

r

f

1 Press the FILE CONTROL [MENU] button.
2 Use the CATEGORY [ ] and [ ] buttons to locate the User Delete item.
Only “User Delete” can be selected if no USB
flash memory is connected to the instrument.

All user songs will be displayed first, followed
by the song, style and music database files.

4 Press the [EXECUTE] button. The display prompts you for confirmation.
You can cancel the delete operation at this
point by pressing the [-] button.

5 Press the [EXECUTE] button again, or

the [+] button, and the delete operation
will begin.
CAUTION
• Once the delete-in-progress message appears on the display
the operation cannot be canceled.

6 A message will appear on the display to
inform you that the operation has finished.
Press the [EXIT] button to return to the MAIN
display.

3 Use the dial to select the file you want
to delete.

Playing Files Located on a USB Flash Memory
IMPORTANT
• In order to play data copied to a USB flash memory from a computer or other device, the data must be stored either in the USB
flash memory’s root directory or a first-level/second-level folder in
the root directory.
Data stored in third-level-folders created inside a second-level
folder cannot be selected and played by this instrument.

1 Make sure that the USB flash memory

containing the file you want to play has
been properly connected to the instrument’s USB TO DEVICE terminal, and
that the icon is showing in the MAIN
display.

USB flash memory (Root)
Song
File

Song
File

Can be selected/played.

2 Press the [SONG], [STYLE] or [MUSIC

DATABASE] button. Files of the corresponding type will be displayed.

Song
File

Song
File

3 Use the dial to select the file you want
Cannot be selected/played.

to play.

4 Play the selected file in the same way

the internal files are played: press the
[START/STOP] button, or play on the
keyboard.
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Connections

Connectors

q

q USB TO DEVICE terminal
This terminal allows connection to USB storage devices. Refer to “Precautions when using
the USB TO DEVICE terminal” on page 97.

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w

w USB TO HOST terminal
This terminal allows direct connection to a personal computer. Refer to “Connecting a Personal Computer” on page 105 for more
information.

Connections

Connecting a Personal Computer
The following functions become available when this instrument is connected to a computer.
● Performance data can be transferred between the instrument and the computer (page 106).
● Files can be transferred between the instrument and the computer (page 108).

The connection procedure is as follows:

1 Install the USB-MIDI driver on your com-

puter.
The USB-MIDI driver is included on the CD-ROM.
Installation of the USB-MIDI driver is described on
pages 114–115.

2 Connect the USB terminal of the computer to
the USB terminal on the instrument using an
AB type USB cable (USB cable sold separately).

The supplied CD-ROM also includes a Musicsoft
Downloader application that allows you to transfer
song files from your computer to the instrument’s
flash memory. For instructions about how to install
Musicsoft Downloader and how to transfer song
files, see pages 108, 115.
Computer

Instrument

■ Precautions when using the USB TO
HOST terminal
When connecting the computer to the USB TO
HOST terminal, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or losing the data. If the
computer or the instrument freezes, restart the
application software or the computer OS, or turn
the power to the instrument off then on again.
CAUTION
• Use an AB type USB cable of less than about 3 meters.
• Before connecting the computer to the USB TO HOST terminal,
exit from any power-saving mode of the computer (such as suspended, sleep, standby).
• Before turning on the power to the instrument, connect the computer to the USB TO HOST terminal.
• Execute the following before turning the power to the instrument
on/off or plugging/unplugging the USB cable to/from the [USB TO
HOST] terminal.
• Quit any open application software on the computer.
• Make sure that data is not being transmitted from the instrument. (Data is transmitted whenever you play on the keyboard
or play back a song, etc.)
• While the computer is connected to the instrument, you should
wait for six seconds or more between these operations:
(1) when turning the power of the instrument off then on again, or
(2) when alternately connecting/disconnecting the USB cable.

USB cable

DGX-630/YPG-635 Owner’s Manual

105

Connections

Transferring Performance Data to and from a Computer
By connecting the instrument to a computer, the instrument’s performance data can be used on the computer, and performance data from the computer can be played on the instrument.
● When the instrument is connected with computer,
it transmits/receives performance data.
USB terminal

USB terminal

Computer

Instrument

USB cable

■MIDI settings ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
These settings pertain to performance data transmission and reception.
Item

Range/Settings

Description

Local

ON/OFF

Local control determines whether or not notes played on the instrument are sounded by its internal
tone generator system: the internal tone generator is active when local control is on, and inactive when
local control is off.

External Clock

ON/OFF

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to
a clock signal from an external device (ON).

Keyboard Out

ON/OFF

These settings determine whether keyboard performance data of the instrument is transmitted (ON) or
not (OFF).

Style Out

ON/OFF

These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback.

Song Out

ON/OFF

These settings determine whether User Song is transmitted (ON) or not (OFF) during Song playback.

CAUTION

1 Press the [FUNCTION] button.

• If you can’t get any sound out of the instrument, this most likely
may be caused by Local Control being set to off.

CAUTION
• If External Clock is ON and no clock signal is being received from
an external device, the song, style, and metronome functions will
not start.

2 Use the CATEGORY [

r

f

] and [ ] buttons
to select the item you want to change its
value.

3 Use the dial to select ON or OFF.

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DGX-630/YPG-635 Owner’s Manual

Connections

■PC Mode

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

A number of MIDI settings need to be made when
you want to transfer performance data between the
computer and the instrument. The PC Mode item
can conveniently make multiple settings for you in
one operation. Three settings are available: PC1,
PC2, and OFF.
This setting is not necessary when transferring
song or backup files between the computer and the
instrument.

1 Press and hold the [DEMO] button for
longer than a second so that the PC
Mode item appears.

* Set the PC mode to PC2 when using Digital Music Notebook.
PC1

PC2*

OFF

OFF

OFF

ON

External Clock

ON

OFF

OFF

Song Out

OFF

OFF

OFF

Style Out

OFF

OFF

OFF

Keyboard Out

OFF

ON

ON

Local

2 Use the dial to select PC1, PC2, or OFF.
NOTE
• When the PC2 setting is selected the instrument’s style, song, demo,
song recording, and lesson features cannot be used.

NOTE

r

f

• You can also access the PC Mode item by first pressing the [FUNCTION] button and then using the CATEGORY [ ] and [ ] buttons to
locate it (page 92).

Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on
your computer (via the USB connection)—controlling playback, stop and transport functions from the
panel.

■Remote control keys ● ● ● ● ● ● ● ● ● ●
To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (A-1 and A#-1) and press the appropriate
key (shown below).

NOTE
• Remote control of MIDI devices will function independently of the PC2
mode.

A#-1

A-1

C7: Fast forward
B6: Start
A6: Stop
G6: Rewind
F6: Top (move to the beginning of the song)
E6: Metronome ON/OFF

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107

Connections

Initial Send
This function lets you send the panel setup data to a computer. Before you record performance data to a
sequencer application running on your computer, it is a good idea to first send and record the panel setup
data before the actual performance data.

1 Press the [FUNCTION] button.

2 Use the CATEGORY [

3 Press [+/YES] to send, or press [-/NO]
to cancel.

r

f

] and [ ] buttons
to select the Initial Send item.

Transferring Data Between the Computer and Instrument
Songs, styles, or Music Database files residing on a
computer or the supplied CD-ROM, can be transferred to the instrument. Backup file can also be
transferred from the instrument to the computer
and back.
In order to transfer files between your computer
and the instrument you will need to install the
Musicsoft Downloader application and the USBMIDI Driver included on the Accessory CD-ROM
on your computer. Refer to the Accessory CDROM Installation Guide on page 111 for installation details.
● Data that can be transferred from a computer
to this instrument.
• Data Capacity: 1895KB
502 files total for the Song, Style and Music
Database.
• Data Format
Song: .mid SMF format 0/1
Style: .sty
Music Database: .mfd
Backup File: 08PG88G.bup

● What is SMF (Standard MIDI File)?
The SMF (Standard MIDI File) format is one
of the most common and widely compatible
sequence formats used for storing sequence
data. There are two variations: Format 0 and
Format 1. A large number of MIDI devices are
compatible with SMF Format 0, and most
commercially available MIDI sequence data is
provided in SMF Format 0.

■With the Musicsoft
Downloader You Can.

● ● ● ● ● ● ● ● ●

● Transfer files from the computer to the instrument’s flash memory.
⇒ refer to the procedure described on
page 109.
The procedure for transferring songs included
on the Accessory CD-ROM from your computer to the instrument is given as an example.
● Backup file can be transferred from the instrument to a computer and back.
⇒ refer to the procedure described on
page 110.
Use the Musicsoft Downloader application with
Internet Explorer 5.5 or higher.

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DGX-630/YPG-635 Owner’s Manual

Connections

■Use Musicsoft Downloader
To Transfer Songs From the
Accessory CD-ROM To the
Instrument’s flash memory ● ● ● ● ●
NOTE
• If a song or style is being played, stop playback before proceeding.

1 Install the Musicsoft Downloader and

USB-MIDI driver to your computer, then
connect the computer and the instrument (page 113).

At this point you can select a Style or Music Database file on the computer or CD-ROM and transfer
it to the instrument in the same way as a song file.

6 A copy of the selected MIDI song file

will appear in the “List of files stored
temporarily” at the top of the window.
The memory medium will also be displayed at
the bottom of the window to specify the destination for the transfer. Click “Instrument”, and
then “Flash memory”.

2 Insert the included CD-ROM into the
CD-ROM drive.
A start window will appear automatically.

3 Double-click the Musicsoft Downloader
shortcut icon that is created on the
desktop.
This will launch the Musicsoft Downloader
application and the main window will appear.

NOTE
• The instrument cannot be operated while the Musicsoft Downloader
is running.

4 Click the “Add File” button and the Add
File window will appear.

5 Click the button to the right of “Look in”
and select the CD-ROM drive from the
drop-down menu that appears. Doubleclick the “SampleData” Folder on the
window. Select the file from the “SongData” Folder you want to transfer to the
instrument, and click “Open”.
q Click the CD-ROM drive

q Click the “Electronic Musical Instruments”,
and then “Flash Memory”

7 After selecting the file in the “List of

files stored temporarily”, click the
downward [Move] button and a confirmation message will appear. Click [OK]
and the song will be transferred from
the “List of files stored temporarily” to
the instrument’s memory.
NOTE
• Files transferred to a USB flash memory root directory using the
Musicsoft Downloader—any location outside the USER FILES folder
on the USB flash memory device—cannot be deleted via the instrument’s file control display. Use the Musicsoft Downloader delete button to delete such files.

w Double-click “SampleData” Folder ➝ “Song-

e Click “Open”

Data” Folder, and click a song file.

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109

Connections

8 Close the window to end the Musicsoft
Downloader.

NOTE
• End the Musicsoft Downloader to playback the file transferred from
your computer.

9 To playback a song stored in flash

memory, press the [SONG] button.
Use the dial to select the song you want
to play, then press the [START/STOP]
button to start playback.
CAUTION
• Do not unplug the USB cable during a data transfer. Not only
will the data not be transferred and saved, but operation of the
memory media may become unstable and its contents may disappear completely when the power is turned on or off.

You can use the Musicsoft Downloader to transfer
“Backup” files containing Registration Memory and
FUNCTION settings (page 65) to a computer. If you
click “Electronic Musical Instruments” in the
Musicsoft Downloader display, and then “System
Drive”, a file named “08PG88G.bup” will appear in
the lower right corner of the Musicsoft Downloader
display. This is the backup file. For details about
how to transfer backup files using the Musicsoft
Downloader application, refer to the Online help
“Transferring Data Between the Computer and
Instrument (for unprotected data)” in the application.
NOTE
• Preset Song data cannot be transmitted from the instrument.

CAUTION
• Store data can be lost due to equipment malfunction or
improper operation. For safety we recommend that you keep a
copy of all important data stored on your computer.

r

f

● To Use transferred Songs For Lessons...
In order to use songs (only SMF format 0 and 1)
transferred from a computer for lessons it is
necessary to specify which channels are to be
played back as the right-hand and left-hand parts.
1 Press the [SONG] button and select the song
(036–) residing in flash memory for which you
want to set the guide track.
2 Press the [FUNCTION] button.
3 Use the CATEGORY [ ] and [ ] buttons to
select the R-Part or L-Part item.
4 Use the dial to select the channel you want to
play back as the specified right- or left-hand part.
We recommend that you select channel 1 for the
right-hand part and channel 2 for the left-hand part.

110

■Transfer a Backup file from
the instrument to a computer ● ● ●

DGX-630/YPG-635 Owner’s Manual

CAUTION
• The backup file is transmitted/received as a single file. As a result,
all registration memory data will be overwritten every time you
transmit or receive. Keep this in mind when transferring data.

CAUTION
• Do not rename the backup file on the computer. If you do so it will
not be recognized when transferred to the instrument.

e

erenc
ef
R

Accessory CD-ROM Installation Guide
SPECIAL NOTICES

• The software and this manual are the exclusive copyrights of Yamaha Corporation.
• Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon
breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of
this manual before installing the application.)
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden
without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software.
• This disk containing the software is not meant for use with an audio/visual system (CD player, DVD player, etc.).
Do not attempt to use the disk on equipment other than a computer.
• Future upgrades of application and system software and any changes in specifications and functions will be
announced separately.
• The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different
from the screens which appear on your computer.

Important Notices about the CD-ROM
● Data Types
This CD-ROM includes application software. Please refer to page 113 for software installation instructions.
CAUTION
• Do not attempt to play this CD-ROM on any playback device other
than a computer. The resulting high-volume noise may cause hearing damage or damage to the playback device.

● Operating System (OS)
The applications in this CD-ROM are provided in versions for Windows operating systems.

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Accessory CD-ROM Installation Guide

CD-ROM Contents

e

r

Folder Name

w

Application / Data Name

Contents

Musicsoft Downloader

This application can be used to download MIDI song data from the Internet
and transfer it from the computer to the instrument’s memory.

DMN_

Digital Music Notebook

Digital Music Notebook is a combination music learning program and
online service that makes it easy and fun to practice and master your
favorite songs.
You can experience Digital Music Notebook functions with the demo song
after installing Digital Music Notebook.

DMN_FlashDemo

Digital Music Notebook
Flash Demo

Full motion demo software which introduces all features of the Digital
Music Notebook.

SongBook

Song Book

Includes score data for the 30 internal songs provided on the instrument as
well as 70 MIDI songs provided on the CD-ROM. The exceptions are songs
1–11, 16, 20 and song 30 which is copyrighted. The scores for songs 9–11
are provided in this manual beginning on page 122.

USBdrv2k_

USB-MIDI Driver
(Windows 2000/XP)

USBdrvVista_

USB-MIDI Driver
(Windows Vista/XP x64)

q MSD_

w

e

q

r

SampleData

SongData

MIDI 70 songs

StyleData

5 style files

MDB

5 music database files

This driver software is necessary to connect MIDI devices to your computer
via USB.

These songs, styles, or music database can be transferred to the
instrument and played or used with the instrument functions.

In order to view PDF scores, you will need to install Adobe Reader in your computer.
You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/

■Using the CD-ROM

● ● ● ● ● ● ● ● ● ● ●

Please read the Software License Agreement on
page 147 before opening the CD-ROM package.

1 Check the system requirements to

make sure that the software will run on
your computer.

2 Insert the included CD-ROM into the

CD-ROM drive.
The start window should appear automatically.

3 Install the USB-MIDI driver to the com-

puter.
Refer to “Installing the USB-MIDI Driver” on
page 113 for installation and setup instructions.

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DGX-630/YPG-635 Owner’s Manual

4 Connect the instrument to the com-

puter.
The connection procedure is described on page
105.

5 Install the software.
Musicsoft Downloader:
See page 115.

6 Launch the software.
For further software operation refer to the online
help supplied with the software.
Refer to the “Troubleshooting” on page 116 when
you have trouble with installing the driver.

Accessory CD-ROM Installation Guide

System Requirements
Application/Data

Musicsoft Downloader

OS
Windows 2000/XP Home
Edition/XP Professional/
Vista
* Only 32-bit is supported.

CPU

Memory

Hard Disk

Display

233 MHz or higher;
Pentium®/Celeron®
Processor family
(500 MHz or higher is
recommended)

64 MB or more
(256 MB or more
is recommended)

at least 128 MB of
free space (at least
512 MB of free
space is
recommended)

800 x 600
HighColor
(16-bit)

Intel®

USB Driver for Windows
2000/XP

Windows 2000/XP Home
Edition/XP Professional

166 MHz or higher; Intel®
Pentium®/Celeron®
Processor family

32 MB or more
(64 MB or more is
recommended)

at least 3 MB of free
space

—

USB Driver for Windows
Vista/XP x64

Windows Vista/XP
Professional x64 Edition

800 MHz or higher; Intel®
Pentium® /Celeron®
Processor family or Intel®
64 compatible processor

512 MB or more

at least 3 MB of free
space

—

Digital Music Notebook

Windows XP Home/
Professional Edition,
Service Pack 1a (SP1a)
more/Windows Vista

400 MHz or higher
processor clock speed
(Intel® Pentium®/Celeron®
Processor family, or
compatible processor
recommended)

128 MB or more
(256 MB or more
is recommended)

1 GHz or higher; Intel®
Pentium®/Celeron®
Processor family (1.4 GHz
or more is recommended)

256 MB or more

* Only 32-bit is supported.

Digital Music Notebook
(Requirements for
playing content with
video included.)

Windows 2000/XP Home
Edition/XP Professional/
Vista
* Only 32-bit is supported.

at least 150 MB of
free space

1024 x 768
HighColor
(16-bit)

Software Installation
● Uninstall (Removing the Software)
Installed software can be removed from your
computer as follows:
From the Windows Start menu select Start →
Settings → Control panel → Add or Remove
Applications → Install and Uninstall. Select the
item you want to remove and click [Add or
Remove]. Follow the on-screen instructions to
remove the selected software.
NOTE
• The actual names of the menu items and buttons will depend on
the OS version you are using.

■ Installing the USB-MIDI Driver● ● ● ●
In order to be able to communicate with and use
MIDI devices connected to your computer, the
appropriate driver software must be properly
installed on your computer.
The USB-MIDI driver allows sequence software
and similar applications on your computer to transmit and receive MIDI data to and from MIDI
devices via a USB cable.
Computer
Sequence
software

USB
Cable

MIDI device

Driver

• Windows 2000 installation ➔ page 114.
• Windows XP installation ➔ page 114.
• Windows Vista installation ➔ page 115.
Check the drive name of the CD-ROM drive you
will be using (D:, E:, Q: etc.) The drive name is
displayed beside the CD-ROM icon in your “My
Computer” folder. The root directory of the CDROM drive will be D:\ , E:\ , or Q:\ , respectively.
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Accessory CD-ROM Installation Guide

Installing the driver on Windows 2000

Installing the driver on Windows XP

1 Start the computer and use the “Adminis-

1 Start the computer and use the “Adminis-

2

3
4

5
6

trator” account to log on to Windows
2000.
Select [My Computer] ➔ [Control Panel]
➔ [System] ➔ [Hardware] ➔ [Driver Signing] ➔ [File Signature Verification], and
check the radio button to the left of
“Ignore—Install all files, regardless of file
signature” and click [OK].
Insert the supplied CD-ROM into the CDROM drive. A start window will appear
automatically.
First, make sure the POWER switch on the
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device. The
system automatically launches the Found
New Hardware Wizard. Click [Next]. (Some
computers may take a while to display the
Wizard window.)
Otherwise, refer to “Troubleshooting” in the
“Accessory CD-ROM Installation Guide” section
of the Owner’s Manual.
Select the radio button for “Search for a
suitable driver for my device [recommended]”, then click [Next].
Check the “CD-ROM drives” check box,
deselect all other check boxes, then click
[Next].

2

3
4
5
6

NOTE
• If the system prompts you to insert the Windows CD-ROM during
detection of the drivers, point to the “USBdrv2k_” folder (e.g.,
D:\USBdrv2k_) and continue the installation.

7 Deselect the “Install one of the other drivers”, then click [Next].

7

NOTE
• If the Wizard panel informs you that “The software you are about to
install does not contain a Microsoft digital signature”, click [Yes].

8 When the installation is complete, the

9

Wizard displays “Completing the Found
New Hardware Wizard”.
Click [Finish]. (Some computers may take a
while to display the Wizard window.)
Restart the computer.
The USB-MIDI driver installation is complete.

trator” account to log on to Windows XP.
Select [Start] ➔ [Control Panel]. If the
control panel appears as “Pick a category”, click “Switch to Classic View” in
the upper left of the window. All control
panels and icons will be displayed.
Go to [System] ➔ [Hardware] ➔ [Driver
Signing Options] and check the radio button to the left of “Ignore” and click [OK].
Click the [OK] button to close System
Properties, and then click “X” in the upper
right of the window to close the Control
Panel.
Insert the supplied CD-ROM into the CDROM drive. A start window will appear
automatically.
First, make sure the POWER switch on the
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device.
The system launches the Found New
Hardware Wizard automatically. Otherwise, refer to “Troubleshooting” in the
“Accessory CD-ROM Installation Guide”
section of the Owner’s Manual. If the system displays “Found New Hardware” in
the lower right corner, wait until Wizard
windows is displayed. (Some computers
may take a while to display the window.)
If the Wizard window prompts you to specify
whether or not to connect to Windows Update,
select the radio button for “No, not this time”,
then click [Next].
Select the radio button for “Install the
software automatically (recommended)”,
then click [Next].
NOTE
• If during the installation the system displays “...has not passed Windows Logo testing to verify its compatibility with Windows XP”, click
[Continue Anyway].

8 When the installation is complete, the

9

Wizard displays “Completing the Found
New Hardware Wizard”.
Click [Finish]. (Some computers may take a
while to display the Wizard window.)
Restart the computer.
If the system displays “Found New Hardware” in
the lower right corner, wait until the Wizard window is displayed. (Some computers may take a
while to display the Wizard window.)
The USB-MIDI driver installation is complete.

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Accessory CD-ROM Installation Guide

(Some computers may take a while to display the
window.)

NOTE
• This Wizard window will not appear when using Windows XP Professional x64 Edition. There is no need to restart the computer.

The USB-MIDI driver installation is complete.

10

When using Windows XP Professional
x64 Edition, the Support Module must
be installed.
After installing the USB-MIDI drivers for all the
connected USB devices, select “My Computer”
from the Start menu. Right-click the CD-ROM
icon and select “Open” from the pop-up menu.
Select “USBdrvVista_” →
“XPx64SupportModule” → “Setup.exe” and
launch “Setup.exe.” Follow the onscreen directions.
NOTE
• Once the Support Module is installed, this step is not necessary,
even if you’ve connected a new USB device or updated the USBMIDI driver.

Installing the driver in Windows Vista

1 Start the computer and use the “Adminis2
3

trator” account to log on to Windows Vista.
Insert the included CD-ROM into the CDROM drive. A start window will appear
automatically.
First, make sure the POWER switch on the
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device. The
system automatically launches the “Found
New Hardware” window. Click “Locate and
install driver software (recommended)”.
Otherwise, refer to “Troubleshooting” in the
“Accessory CD-ROM Installation Guide” section of the Owner’s Manual. (Some computers
may take a while to display the window.).
NOTE
• If the “User Account Control” window appears, click [Continue].

4 If a message allowing Windows to search
5

online for driver software appears, click
“Don’t search online.”
If a message prompting you to insert the
disk that came with your device appears,
click [Next].
The system starts the installation.

NOTE
• If the “Windows Security” window appears, confirm this software is
authored by Yamaha Corporation then click [Install].

6 When the installation is complete, the

system displays the message “The software for this device has been successfully installed.” Click [Close].

■Installing the Musicsoft
Downloader and Digital
Music Notebook Applications ● ● ●
IMPORTANT
• You will need to log in with administrator (root) privileges in order
to install Musicsoft Downloader on a computer running Windows
2000, XP or Vista.
• You will need to log in with administrator (root) privileges in order
to install Digital Music Notebook on a computer running Windows
XP or Vista.

IMPORTANT
• When installing the Digital Music Notebook, make sure that Internet Explorer 6.0 (with SP1) or higher is installed to your computer.
IMPORTANT
• Credit card settlement is required to purchase Digital Music Notebook content. Credit card processing may not be possible for
some areas, so please check with your local authorities to make
sure that your credit card can be used.
NOTE
• Use of the DMN (Digital Music Notebook) is governed by the SIBELIUS
SCORCH LICENSE AGREEMENT, which the purchaser fully agrees to
when using the application. Please read carefully the AGREEMENT at
the end of this manual before using the application.

1 Insert the Accessory CD-ROM into your

computer’s CD-ROM drive. The start window will appear automatically showing
software applications.
NOTE
• If the start window does not appear automatically, double click your
“My Computer” folder to open it. Right-click the CD-ROM icon and
select “Open” from the pop-up menu. Double click “Start.exe” and
proceed to step 2, below.

2 Click [Musicsoft Downloader] or [Digital
3

Music Notebook].
Click the [install] button, and follow the
on-screen instructions to install the software.
For Digital Music Notebook operating instructions see the help menu: launch the Digital Music
Notebook application and click “Help”.
For Musicsoft Downloader operating instructions
see the Help menu: launch the Musicsoft
Downloader application and click “Help”.

* You can obtain the latest version of the Musicsoft
Downloader at the following Internet URL.
http://music.yamaha.com/download/
IMPORTANT
• Only Musicsoft Downloader can be used to transfer files between
this instrument and a computer. No other file transfer application
can be used.

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115

Accessory CD-ROM Installation Guide

■Troubleshooting
The driver cannot be installed.
• Is the USB cable connected correctly?
Check the USB cable connection. Disconnect the
USB cable, then connect it again.
• Is the USB function enabled on your computer?
When you connect the instrument to the
computer for the first time, if the “Add New
Hardware Wizard” does not appear, the USB
function on the computer may be disabled.
Perform the following steps.

1

Select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Windows 2000/XP), or select [Control Panel] ➔
[Device Manager] (for Windows Vista).
* Classic View only in Windows XP.

2

Make sure that no “!” or “x” marks appear
at “Universal serial bus controller” or
“USB Root Hub”. If you see an “!” or “x”
mark, the USB controller is disabled.

• Is any unknown device registered?
If driver installation fails, the instrument will be
marked as an “Unknown device”, and you will
not be able to install the driver. Delete the
“Unknown device” by following the steps below.

1

Select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Windows 2000/XP), or select [Control Panel] ➔
[Device Manager] (for Windows Vista).
* Classic View only in Windows XP.

2

Look for “Other devices” in the menu
“View devices by type”.

3

If you find “Other devices”, double-click it
to extend the tree to look for “Unknown
device”. If one appears, select it and click
the [Remove] button.

4

Remove the USB cable from the instrument, and make the connection again.

5

Install the driver again.
• Windows 2000 users..... see page 114
• Windows XP users........ see page 114
• Windows Vista users .... see page 115

116

DGX-630/YPG-635 Owner’s Manual

When controlling the instrument from
your computer via USB, the instrument
does not operate correctly or no sound
is heard.
• Did you install the driver? (page 113)
• Is the USB cable connected correctly?
• Are the volume settings of the instrument,
playback device, and application program set
to the appropriate levels?
• Have you selected an appropriate port in the
sequence software?
• Are you using the latest USB-MIDI driver?
The latest driver can be downloaded from the
following web site.
http://music.yamaha.com/download/

Playback response is delayed.
• Does your computer satisfy the system
requirements?
• Is any other application or device driver running?

Cannot suspend or resume the computer correctly.
• Do not suspend the computer while the MIDI
application is running.
You may not be able to suspend/resume
normally, depending on the particular
environment (USB Host Controller, etc.). Even
so, simply disconnecting and connecting the
USB cable will allow you to use the instrument
functions again.

Accessory CD-ROM Installation Guide

How can I remove the driver?
[Windows 2000/XP/Vista]

1

Start the computer and use the “Administrator” account to log on Windows.

Close all applications and windows that are
open.

2

Insert the included CD-ROM into the CDROM drive.

3

Select “My Computer” from the Start
menu.

4

Right-click the CD-ROM icon and select
“Open” from the pop-up menu.

5

Select “USBdrvVista_” or “USBdrv2k_”
folder ➔ “uninstall” folder ➔
“uninstall.exe” file and launch
“uninstall.exe.” file.

Follow the on-screen instructions to uninstall
the driver.
NOTE
• When using a 64-bit OS, click “uninstall_x64.exe.” from
“USBdrvVista_” folder.

NOTE
• If the “User Account Control” window appears, click [Continue].

6

A message asking you to restart your
computer in order to complete the
uninstall procedure will appear.

Driver removal will be complete when you
have restarted your computer.

DGX-630/YPG-635 Owner’s Manual

117

Appendix

Troubleshooting
■ For the Instrument
Problem

Possible Cause and Solution

When the instrument is turned on or off, a popping
sound is temporarily produced.

This is normal and indicates that the instrument is receiving electrical
power.

When using a mobile phone, noise is produced.

Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it
further away from the instrument.
Check that nothing is connected to the PHONES/OUTPUT jack on
the rear panel. When a set of headphones is plugged into this jack,
no sound is output.

There is no sound even when the keyboard is
played or when a song or style is being played
back.

Check the Local Control on/off. (See page 106.)
Is the FILE CONTROL display showing? The instrument’s keyboard,
etc., will not produce any sound while the FILE CONTROL display is
showing. Press the [EXIT] button to return to the MAIN display.

Playing keys in the right hand area of the keyboard
does not produce any sound.

When using the Dictionary function (page 87), the keys in the right
hand area are used only for entering the chord root and type.

The style or song does not play back when the
[START/STOP] button is pressed.

Is External Clock set to ON? Make sure External Clock is set to OFF;
refer to “External Clock” on page 106.
Make sure that the Style Volume (page 93) is set to an appropriate
level.

The style does not sound properly.

Is the split point set at an appropriate key for the chords you are playing? Set the split point at an appropriate key (page 82).
Is the “ACMP” indicator showing in the display? If it is not showing
press the [ACMP ON/OFF] button so that it does show.

No rhythm accompaniment plays when the
[START/STOP] button is pressed after selecting
style number 131 or a style between 143–160
(Pianist).

This is not a malfunction. Style number 131 and style numbers 143–
160 (Pianist) have no rhythm parts, so no rhythm will play. The other
parts will begin playing when you play a chord in the accompaniment
range of the keyboard if style playback is turned on.

Not all of the voices seem to sound, or the sound
seems to be cut off.

The instrument is polyphonic up to a maximum of 64 notes. If the
Dual voice or Split voice is being used and a style or song is playing
back at the same time, some notes/sounds may be omitted (or “stolen”) from the accompaniment or song.

The footswitch (for sustain) seems to produce the
opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains
the sounds.

The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning
on the power.

The sound of the voice changes from note to note.

This is normal. The AWM tone generation method uses multiple
recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different
from note to note.

The Demo display is shown in Japanese, and/or
there are Japanese characters in the display messages.

Make sure the Language setting in the FUNCTION display is set to
English. (See page 18)

118

DGX-630/YPG-635 Owner’s Manual

Troubleshooting

Problem

Possible Cause and Solution

The appropriate display does not appear when the
[SONG], [EASY SONG ARRANGER], [STYLE], or
[VOICE] button is pressed.

Is another display showing? Try pressing the [EXIT] button to return
to the MAIN display, and then pressing one of the mentioned buttons.

The wrong notes sound when the keyboard is
played.

Perhaps the performance assistant technology is turned on.
Press the [PERFORMANCE ASSISTANT] button to turn it off.

The ACMP indicator does not appear when the
[ACMP ON/OFF] button is pressed.

Is the [STYLE] button lit? Always press the [STYLE] button first when
you are going to use any style-related function.

There is no harmony sound.

The harmony effects (01–26) behave differently according to their
type. Types 01–10, 13 function when style playback is on, chords are
played in the accompaniment range of the keyboard, and a melody is
played in the right-hand range. Types 15–26 will function whether
style playback is on or off. For types 23–26 you need to play two
notes at the same time.

The “OverCurrent” message is shown in the upper
area of the MAIN display and the USB device
does not respond.

Communication with the USB device has been shut down because of
the overcurrent to the USB device. Disconnect the device from the
USB TO DEVICE terminal, then turn on the power of the instrument.

DGX-630/YPG-635 Owner’s Manual

119

Messages
LCD Message

Comment

Access error!

Indicates the failure in reading or writing from/to the media or the flash
memory.

All Memory Clearing...

Displayed while erasing all data in the flash memory. Never turn the power
off during data transmission.

Are you sure?

Confirms whether Song Clear or Track Clear is executed or not.

Backup Clearing...

Displayed while clearing the back-up data in the flash memory.

Cancel

Displayed when the transmission of Initial Send is cancelled.

Can’t clear TrackA.

Displayed when a track clear error occurs.

Clearing...

Displayed while executing Song Clear or Track Clear of the user songs.

Com Mode

Displayed when the Musicsoft Downloader is started on the PC connected
to the keyboard. This will not be displayed while the instrument is played
back.

Completed

Indicates the specified job completion such as data saving and transmission.

Create Directory

Displayed while creating a folder in the Musicsoft Downloader application.

Data Error!

Displayed when the user song contains illegal data.

Delete File

Displayed while deleting a file in the Musicsoft Downloader.

Delete OK ?

Confirms whether the Delete job is executed or not.

Delete Directory

Displayed while deleting a folder in the Musicsoft Downloader.

Deleting...

Displayed while the delete function is engaged.

End

Displayed when the transmission of Initial Send has been completed.

Error!

Displayed when writing has failed.

Exit.

Displayed when the record standby mode is exited because an inappropriate style has been selected during style record standby.

“File information area is not large enough.”

Indicates that saving data in the media cannot be executed since the total
number of files have become too many.

File is not found.

Indicates there is no file.

“File too large. Loading is impossible.”

Indicates that loading data cannot be executed since the file data is too
large.

Flash Clearing...

Displayed while clearing the song or style data transmitted to the internal
flash memory.

Format OK ? [EXECUTE]

Confirms whether formatting the media is executed or not.

Formatting...

Displayed while formatting.

Load OK ?

Confirms whether loading is executed or not.

Loading...

Displayed while loading data.

Media is not inserted.

Displayed when accessing the media while it is not inserted.

Media capacity is full.

Displayed when saving data cannot be executed since the media memory
becomes full.

Memory Full

Displayed when the internal memory becomes full during song recording.

“MIDI receive buffer overflow.”

Displayed when too much MIDI data was received at one time and failed to
proceed.

Move File

Displayed while moving a file in the Musicsoft Downloader.

“Now Writing...
(Don’t turn off the power now, otherwise
the data may be damaged.)”

Displayed while writing data in the memory. Never turn the power off while
writing. Doing so may result in data loss.

120

DGX-630/YPG-635 Owner’s Manual

Messages

LCD Message

Comment

OverCurrent

Communication with the USB device has been shut down because of the
overcurrent to the USB device. Disconnect the device from the USB TO
DEVICE terminal, then turn on the power of the instrument.

Overwrite ?

Confirms whether overwriting is executed or not.

Please Wait...

Displayed when executing the jobs that take some time, such as displaying
scores and lyrics, or stopping recording.

Rename File

Displayed while rewriting the file name in the Musicsoft Downloader.

Save OK ?

Confirms whether saving is executed or not.

Saved data is not found.

Displayed when the data to be saved doesn’t exist.

Saving...

Displayed while saving data in the memory. Never turn the power off while
saving. Doing so may result in data loss.

Send OK?

Confirms whether the data transmission is executed or not.

Sending...

Displayed while transmitting data.

“Since the media is in use now, this
function is not available.”

Indicates that the file control function is currently unavailable since the
media is being accessed.

Style data is too large to load.

Indicates that style data cannot be loaded since the style data is too large.

Sure ? [YES/NO]

Reconfirms whether each operation is executed or not.

“The limit of the media has been reached.”

Indicates that saving data cannot be executed since the folder/directory
structure has become too complicated.

The media is not formatted.

Indicates the inserted media has not been formatted.

“The media is write-protected.”

Indicates that the inserted media cannot be written since it is write-protected. Set to the write-protect switch to the “overwrite” position before use.

“The song data is too large to be
converted to notation.”

Indicates that the score cannot be displayed since the song data is too
large.

There are too many files.

Indicates that saving data cannot be executed since the total number of files
exceeds the capacity.

“This function is not available now.”

Indicates the designated function is not available since the instrument is
executing another job.

[nnn] “file name”

Indicates the file name of the currently transmitting. “nnn” indicates the
receiving block.

NOTE
• Not all the messages are listed in the table: the messages necessary to be explained only.

DGX-630/YPG-635 Owner’s Manual

121

Scores
This demo is an example of how the Easy Song Arranger can be used to change styles throughout a piece.
Song No.

9

q =123

(Function Demo for Easy Song Arranger)

Hallelujah Chorus

122

DGX-630/YPG-635 Owner’s Manual

Scores

DGX-630/YPG-635 Owner’s Manual

123

Scores

This score is provided with the intent that the pitch will be corrected by the performance assistant technology feature. If you play the “Play These Notes” part using the performance assistant technology feature, the
part will be corrected and played so that it matches the backing part.
Song No.

10

q =61

(Function Demo for performance assistant technology)

Ave Maria

P.A.T.
Type =CHORD

Your Turn.

Repeatedly Play the Same Key.

124

DGX-630/YPG-635 Owner’s Manual

Scores

DGX-630/YPG-635 Owner’s Manual

125

Scores

This score is provided with the intent that the pitch will be corrected by the performance assistant technology feature. If you play the “Play These Notes” part using the performance assistant technology feature, the
part will be corrected and played so that it matches the backing part.
Song No.

11

q =108

(Function Demo for performance assistant technology)

Nocturne op.9-2
P.A.T.
Type =CHORD/FREE

126

DGX-630/YPG-635 Owner’s Manual

Scores

DGX-630/YPG-635 Owner’s Manual

127

Voice List
■ Maximum Polyphony ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
The instrument has 64-note maximum polyphony. This means
that it can play a maximum of up to 64 notes at once, regardless of what functions are used. Auto accompaniment uses a
number of the available notes, so when auto accompaniment
is used the total number of available notes for playing on the
keyboard is correspondingly reduced. The same applies to the
Split Voice and Song functions. If the maximum polyphony is
exceeded, earlier played notes will be cut off and the most
recent notes have priority (last note priority).

NOTE
• The Voice List includes MIDI program change numbers for
each voice. Use these program change numbers when
playing the instrument via MIDI from an external device.
• Program change numbers are often specified as numbers
“0–127.” Since this list uses a “1–128” numbering system,
in such cases it is necessary to subtract 1 from the transmitted program change numbers to select the appropriate
sound: e.g. to select No. 2 in the list, transmit program
change number 1.
• Some voices may sound continuously or have a long
decay after the notes have been released while the sustain pedal (footswitch) is held.

● Panel Voice List
Voice
No.

001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049

128

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
PIANO
000
113
001
Live! Grand Piano
000
114
001
Live! Warm Grand Piano
000
112
001
Grand Piano
000
112
002
Bright Piano
000
112
007
Harpsichord
000
112
004
Honky-tonk Piano
000
112
003
MIDI Grand Piano
000
113
003
CP 80
E.PIANO
000
114
005
Cool! Galaxy Electric Piano
000
118
005
Cool! Suitcase Electric Piano
000
119
005
Cool! Electric Piano
000
120
005
Phase Electric Piano
000
113
006
Hyper Tines
000
112
005
Funky Electric Piano
000
112
006
DX Modern Electric Piano
000
114
006
Venus Electric Piano
000
113
005
Tremolo Electric Piano
000
114
008
E.Clavichord
000
112
008
Clavi
000
113
008
WahClavi
ORGAN
000
118
019
Cool! Organ
000
117
019
Cool! Rotor Organ
000
112
017
Jazz Organ 1
000
113
017
Jazz Organ 2
000
112
019
Rock Organ
000
114
019
Purple Organ
000
112
018
Click Organ
000
116
017
Bright Organ
000
127
019
Theater Organ
000
121
020
16'+2' Organ
000
120
020
16'+4' Organ
000
113
020
Chapel Organ
000
112
020
Church Organ
000
112
021
Reed Organ
ACCORDION
000
112
022
Musette Accordion
000
113
022
Traditional Accordion
000
113
024
Bandoneon
000
113
023
Modern Harp
000
112
023
Harmonica
GUITAR
000
112
025
Classical Guitar
000
112
026
Folk Guitar
000
112
027
Jazz Guitar
000
117
028
60’s Clean Guitar
000
113
026
12Strings Guitar
000
112
028
Clean Guitar
000
113
027
Octave Guitar
000
112
029
Muted Guitar
000
112
030
Overdriven Guitar
000
112
031
Distortion Guitar

DGX-630/YPG-635 Owner’s Manual

Voice
No.

050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
BASS
000
112
034
Finger Bass
000
112
033
Acoustic Bass
000
112
035
Pick Bass
000
112
036
Fretless Bass
000
112
037
Slap Bass
000
112
039
Synth Bass
000
113
039
Hi-Q Bass
000
113
040
Dance Bass
STRINGS
000
116
050
Live! Orchestra
000
112
049
String Ensemble
000
112
050
Chamber Strings
000
113
050
Slow Strings
000
112
045
Tremolo Strings
000
112
051
Synth Strings
000
112
046
Pizzicato Strings
000
112
041
Violin
000
112
043
Cello
000
112
044
Contrabass
000
112
047
Harp
000
112
106
Banjo
000
112
056
Orchestra Hit
CHOIR
000
112
053
Choir
000
113
053
Vocal Ensemble
000
112
055
Air Choir
000
112
054
Vox Humana
SAXOPHONE
000
117
067
Sweet! Tenor Sax
000
113
065
Sweet! Soprano Sax
000
114
072
Sweet! Clarinet
000
118
067
Growl Sax
000
112
067
Tenor Sax
000
112
066
Alto Sax
000
112
065
Soprano Sax
000
112
068
Baritone Sax
000
114
067
Breathy Tenor Sax
000
112
072
Clarinet
000
112
069
Oboe
000
112
070
English Horn
000
112
071
Bassoon
TRUMPET
000
115
057
Sweet! Trumpet
000
117
058
Sweet! Trombone
000
114
060
Sweet! Muted Trumpet
000
112
057
Trumpet
000
112
058
Trombone
000
113
058
Trombone Section
000
112
060
Muted Trumpet
000
112
061
French Horn
000
112
059
Tuba
BRASS
000
112
062
Brass Section

Voice List

Voice
No.
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
000
113
062
Big Band Brass
000
113
063
80’s Brass
000
119
062
Mellow Horns
000
114
063
Techno Brass
000
112
063
Synth Brass
FLUTE
000
114
074
Sweet! Flute
000
113
076
Sweet! Pan Flute
000
112
074
Flute
000
112
073
Piccolo
000
112
076
Pan Flute
000
112
075
Recorder
000
112
080
Ocarina
SYNTH LEAD
000
112
081
Square Lead
000
112
082
Sawtooth Lead
000
115
082
Analogon
000
119
082
Fargo
000
112
099
Star Dust
000
112
086
Voice Lead
000
112
101
Brightness
SYNTH PAD
000
118
089
SweetHeaven
000
112
092
Xenon Pad
000
112
095
Equinox
000
112
089
Fantasia
000
113
090
Dark Moon
000
113
101
Bell Pad
PERCUSSION
000
112
012
Vibraphone
000
112
013
Marimba
000
112
014
Xylophone
000
112
115
Steel Drums
000
112
009
Celesta
000
112
011
Music Box
000
112
015
Tubular Bells
000
112
048
Timpani
DRUM KITS
127
000
001
Standard Kit 1
127
000
002
Standard Kit 2
127
000
009
Room Kit
127
000
017
Rock Kit
127
000
025
Electronic Kit
127
000
026
Analog Kit
127
000
113
Dance Kit
127
000
033
Jazz Kit
127
000
041
Brush Kit
127
000
049
Symphony Kit
126
000
001
SFX Kit 1
126
000
002
SFX Kit 2

● XGlite Voice/XGlite Optional Voice* List
Bank Select

Voice
No.

143
144
145
146
147
148
149
150
151
152
153
154
155
156

MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
XG PIANO
000
000
001
Grand Piano
000
001
001
Grand Piano KSP
000
040
001
Piano Strings
000
041
001
Dream
000
000
002
Bright Piano
000
001
002
Bright Piano KSP
000
000
003
Electric Grand Piano
000
001
003
Electric Grand Piano KSP
000
032
003
Detuned CP80
000
000
004
Honky-tonk Piano
000
001
004
Honky-tonk Piano KSP
000
000
005
Electric Piano 1
000
001
005
Electric Piano 1 KSP
000
032
005
Chorus Electric Piano 1

Voice
No.
157
158
*159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
000
000
006
Electric Piano 2
000
001
006
Electric Piano 2 KSP
000
032
006
Chorus Electric Piano 2
000
041
006
DX + Analog Electric Piano
000
000
007
Harpsichord
000
001
007
Harpsichord KSP
000
035
007
Harpsichord 2
000
000
008
Clavi
000
001
008
Clavi KSP
XG CHROMATIC
000
000
009
Celesta
000
000
010
Glockenspiel
000
000
011
Music Box
000
064
011
Orgel
000
000
012
Vibraphone
000
001
012
Vibraphone KSP
000
000
013
Marimba
000
001
013
Marimba KSP
000
064
013
Sine Marimba
000
097
013
Balimba
000
098
013
Log Drums
000
000
014
Xylophone
000
000
015
Tubular Bells
000
096
015
Church Bells
000
097
015
Carillon
000
000
016
Dulcimer
000
035
016
Dulcimer 2
000
096
016
Cimbalom
000
097
016
Santur
XG ORGAN
000
000
017
Drawbar Organ
000
032
017
Detuned Drawbar Organ
000
033
017
60’s Drawbar Organ 1
000
034
017
60’s Drawbar Organ 2
000
035
017
70’s Drawbar Organ 1
000
037
017
60’s Drawbar Organ 3
000
040
017
16+2'2/3
000
064
017
Organ Bass
000
065
017
70’s Drawbar Organ 2
000
066
017
Cheezy Organ
000
067
017
Drawbar Organ 2
000
000
018
Percussive Organ
000
024
018
70’s Percussive Organ
000
032
018
Detuned Percussive Organ
000
033
018
Light Organ
000
037
018
Percussive Organ 2
000
000
019
Rock Organ
000
064
019
Rotary Organ
000
065
019
Slow Rotary
000
066
019
Fast Rotary
000
000
020
Church Organ
000
032
020
Church Organ 3
000
035
020
Church Organ 2
000
040
020
Notre Dame
000
064
020
Organ Flute
000
065
020
Tremolo Organ Flute
000
000
021
Reed Organ
000
040
021
Puff Organ
000
000
022
Accordion
000
000
023
Harmonica
000
032
023
Harmonica 2
000
000
024
Tango Accordion
000
064
024
Tango Accordion 2
XG GUITAR
000
000
025
Nylon Guitar
000
043
025
Velocity Guitar Harmonics
000
096
025
Ukulele
000
000
026
Steel Guitar
000
035
026
12-string Guitar
000
040
026
Nylon & Steel Guitar
000
041
026
Steel Guitar with Body Sound
000
096
026
Mandolin
000
000
027
Jazz Guitar
DGX-630/YPG-635 Owner’s Manual

129

Voice List

Voice
No.
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
*268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296

130

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
000
032
027
Jazz Amp
000
000
028
Clean Guitar
000
032
028
Chorus Guitar
000
000
029
Muted Guitar
000
040
029
Funk Guitar
000
041
029
Muted Steel Guitar
000
045
029
Jazz Man
000
000
030
Overdriven Guitar
000
043
030
Guitar Pinch
000
000
031
Distortion Guitar
000
040
031
Feedback Guitar
000
041
031
Feedback Guitar 2
000
000
032
Guitar Harmonics
000
065
032
Guitar Feedback
000
066
032
Guitar Harmonics 2
XG BASS
000
000
033
Acoustic Bass
000
040
033
Jazz Rhythm
000
045
033
Velocity Crossfade Upright Bass
000
000
034
Finger Bass
000
018
034
Finger Dark
000
040
034
Bass & Distorted Electric Guitar
000
043
034
Finger Slap Bass
000
045
034
Finger Bass 2
000
065
034
Modulated Bass
000
000
035
Pick Bass
000
028
035
Muted Pick Bass
000
000
036
Fretless Bass
000
032
036
Fretless Bass 2
000
033
036
Fretless Bass 3
000
034
036
Fretless Bass 4
000
000
037
Slap Bass 1
000
032
037
Punch Thumb Bass
000
000
038
Slap Bass 2
000
043
038
Velocity Switch Slap
000
000
039
Synth Bass 1
000
040
039
Techno Synth Bass
000
000
040
Synth Bass 2
000
006
040
Mellow Synth Bass
000
012
040
Sequenced Bass
000
018
040
Click Synth Bass
000
019
040
Synth Bass 2 Dark
000
040
040
Modular Synth Bass
000
041
040
DX Bass
XG STRINGS
000
000
041
Violin
000
008
041
Slow Violin
000
000
042
Viola
000
000
043
Cello
000
000
044
Contrabass
000
000
045
Tremolo Strings
000
008
045
Slow Tremolo Strings
000
040
045
Suspense Strings
000
000
046
Pizzicato Strings
000
000
047
Orchestral Harp
000
040
047
Yang Chin
000
000
048
Timpani
XG ENSEMBLE
000
000
049
Strings 1
000
003
049
Stereo Strings
000
008
049
Slow Strings
000
035
049
60’s Strings
000
040
049
Orchestra
000
041
049
Orchestra 2
000
042
049
Tremolo Orchestra
000
045
049
Velocity Strings
000
000
050
Strings 2
000
003
050
Stereo Slow Strings
000
008
050
Legato Strings
000
040
050
Warm Strings
000
041
050
Kingdom
000
000
051
Synth Strings 1
000
000
052
Synth Strings 2

DGX-630/YPG-635 Owner’s Manual

Voice
No.
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
000
000
053
Choir Aahs
000
003
053
Stereo Choir
000
032
053
Mellow Choir
000
040
053
Choir Strings
000
000
054
Voice Oohs
000
000
055
Synth Voice
000
040
055
Synth Voice 2
000
041
055
Choral
000
064
055
Analog Voice
000
000
056
Orchestra Hit
000
035
056
Orchestra Hit 2
000
064
056
Impact
XG BRASS
000
000
057
Trumpet
000
032
057
Warm Trumpet
000
000
058
Trombone
000
018
058
Trombone 2
000
000
059
Tuba
000
000
060
Muted Trumpet
000
000
061
French Horn
000
006
061
French Horn Solo
000
032
061
French Horn 2
000
037
061
Horn Orchestra
000
000
062
Brass Section
000
035
062
Trumpet & Trombone Section
000
000
063
Synth Brass 1
000
020
063
Resonant Synth Brass
000
000
064
Synth Brass 2
000
018
064
Soft Brass
000
041
064
Choir Brass
XG REED
000
000
065
Soprano Sax
000
000
066
Alto Sax
000
040
066
Sax Section
000
000
067
Tenor Sax
000
040
067
Breathy Tenor Sax
000
000
068
Baritone Sax
000
000
069
Oboe
000
000
070
English Horn
000
000
071
Bassoon
000
000
072
Clarinet
XG PIPE
000
000
073
Piccolo
000
000
074
Flute
000
000
075
Recorder
000
000
076
Pan Flute
000
000
077
Blown Bottle
000
000
078
Shakuhachi
000
000
079
Whistle
000
000
080
Ocarina
XG SYNTH LEAD
000
000
081
Square Lead
000
006
081
Square Lead 2
000
008
081
LM Square
000
018
081
Hollow
000
019
081
Shroud
000
064
081
Mellow
000
065
081
Solo Sine
000
066
081
Sine Lead
000
000
082
Sawtooth Lead
000
006
082
Sawtooth Lead 2
000
008
082
Thick Sawtooth
000
018
082
Dynamic Sawtooth
000
019
082
Digital Sawtooth
000
020
082
Big Lead
000
096
082
Sequenced Analog
000
000
083
Calliope Lead
000
065
083
Pure Lead
000
000
084
Chiff Lead
000
000
085
Charang Lead
000
064
085
Distorted Lead
000
000
086
Voice Lead
000
000
087
Fifths Lead

Voice List

Voice
No.
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
000
035
087
Big Five
000
000
088
Bass & Lead
000
016
088
Big & Low
000
064
088
Fat & Perky
000
065
088
Soft Whirl
XG SYNTH PAD
000
000
089
New Age Pad
000
064
089
Fantasy
000
000
090
Warm Pad
000
000
091
Poly Synth Pad
000
000
092
Choir Pad
000
066
092
Itopia
000
000
093
Bowed Pad
000
000
094
Metallic Pad
000
000
095
Halo Pad
000
000
096
Sweep Pad
XG SYNTH EFFECTS
000
000
097
Rain
000
065
097
African Wind
000
066
097
Carib
000
000
098
Sound Track
000
027
098
Prologue
000
000
099
Crystal
000
012
099
Synth Drum Comp
000
014
099
Popcorn
000
018
099
Tiny Bells
000
035
099
Round Glockenspiel
000
040
099
Glockenspiel Chimes
000
041
099
Clear Bells
000
042
099
Chorus Bells
000
065
099
Soft Crystal
000
070
099
Air Bells
000
071
099
Bell Harp
000
072
099
Gamelimba
000
000
100
Atmosphere
000
018
100
Warm Atmosphere
000
019
100
Hollow Release
000
040
100
Nylon Electric Piano
000
064
100
Nylon Harp
000
065
100
Harp Vox
000
066
100
Atmosphere Pad
000
000
101
Brightness
000
000
102
Goblins
000
064
102
Goblins Synth
000
065
102
Creeper
000
067
102
Ritual
000
068
102
To Heaven
000
070
102
Night
000
071
102
Glisten
000
096
102
Bell Choir
000
000
103
Echoes
000
000
104
Sci-Fi
XG WORLD
000
000
105
Sitar
000
032
105
Detuned Sitar
000
035
105
Sitar 2
000
097
105
Tamboura
000
000
106
Banjo
000
028
106
Muted Banjo
000
096
106
Rabab
000
097
106
Gopichant
000
098
106
Oud
000
000
107
Shamisen
000
000
108
Koto
000
096
108
Taisho-kin
000
097
108
Kanoon
000
000
109
Kalimba
000
000
110
Bagpipe
000
000
111
Fiddle
000
000
112
Shanai
XG PERCUSSIVE
000
000
113
Tinkle Bell
000
096
113
Bonang

Voice
No.
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503

Bank Select
MIDI
Program
Voice Name
MSB LSB
Change#
(0–127) (0–127)
(1–128)
000
097
113
Altair
000
098
113
Gamelan Gongs
000
099
113
Stereo Gamelan Gongs
000
100
113
Rama Cymbal
000
000
114
Agogo
000
000
115
Steel Drums
000
097
115
Glass Percussion
000
098
115
Thai Bells
000
000
116
Woodblock
000
096
116
Castanets
000
000
117
Taiko Drum
000
096
117
Gran Cassa
000
000
118
Melodic Tom
000
064
118
Melodic Tom 2
000
065
118
Real Tom
000
066
118
Rock Tom
000
000
119
Synth Drum
000
064
119
Analog Tom
000
065
119
Electronic Percussion
000
000
120
Reverse Cymbal
XG SOUND EFFECTS
000
000
121
Fret Noise
000
000
122
Breath Noise
000
000
123
Seashore
000
000
124
Bird Tweet
000
000
125
Telephone Ring
000
000
126
Helicopter
000
000
127
Applause
000
000
128
Gunshot
064
000
001
Cutting Noise
064
000
002
Cutting Noise 2
064
000
004
String Slap
064
000
017
Flute Key Click
064
000
033
Shower
064
000
034
Thunder
064
000
035
Wind
064
000
036
Stream
064
000
037
Bubble
064
000
038
Feed
064
000
049
Dog
064
000
050
Horse
064
000
051
Bird Tweet 2
064
000
056
Maou
064
000
065
Phone Call
064
000
066
Door Squeak
064
000
067
Door Slam
064
000
068
Scratch Cut
064
000
069
Scratch Split
064
000
070
Wind Chime
064
000
071
Telephone Ring 2
064
000
081
Car Engine Ignition
064
000
082
Car Tires Squeal
064
000
083
Car Passing
064
000
084
Car Crash
064
000
085
Siren
064
000
086
Train
064
000
087
Jet Plane
064
000
088
Starship
064
000
089
Burst
064
000
090
Roller Coaster
064
000
091
Submarine
064
000
097
Laugh
064
000
098
Scream
064
000
099
Punch
064
000
100
Heartbeat
064
000
101
Footsteps
064
000
113
Machine Gun
064
000
114
Laser Gun
064
000
115
Explosion
064
000
116
Firework

The voice number with an asterisk (*) is XGlite optional voice.

DGX-630/YPG-635 Owner’s Manual

131

Drum Kit List
• “
” indicates that the drum sound is the same as “Standard Kit 1”.
• Each percussion voice uses one note.
• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in
“131: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
• Key Off: Keys marked “O” stop sounding the instant they are released.
• Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are designed
to be played alternately with each other.)

Voice No.
MSB (0–127) / LSB (0–127) / PC (1–128)
Keyboard
MIDI
Key Alternate
Note#

C#0
D0
E0
F0

D#0

F#0

G0
G#0
A0
B0
C1

A#0

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

A#5

C#6

D6
E6
F6
G6

D#6

F#6

25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103

132

Note

C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G

0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6

Note#

13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91

Note

C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G

-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5

Off

assign

3
3

4
4

O
O
O

1
1
1

O
O
O

2
2

131
127/000/001

132
127/000/002

133
127/000/009

134
127/000/017

135
127/000/025

136
127/000/026

Standard Kit 1

Standard Kit 2

Room Kit

Rock Kit

Electronic Kit

Analog Kit

Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
Open Rim Shot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bells
Bell Tree

DGX-630/YPG-635 Owner’s Manual

Reverse Cymbal

Reverse Cymbal

Snare Roll 2
Snare Soft 2

Snare Noisy

Open Rim Shot H Short
Kick Tight Short
Kick Short

Hi Q 2
Hi Q 2
Snare Snappy Electro Snare Noisy 4

Kick Tight 2

Kick 3

Kick Tight 2

Kick 2
Kick Gate

Kick Gate
Kick Gate Heavy

Kick Analog Short
Kick Analog
Side Stick Analog
Snare Analog

Snare Short

Snare Snappy

Snare Rock

Snare Noisy 2

Snare Tight H

Snare Tight Snappy
Tom Room 1

Snare Rock Rim
Tom Rock 1

Snare Noisy 3
Tom Electro 1

Tom Room 2

Tom Rock 2

Tom Electro 2

Tom Room 3

Tom Rock 3

Tom Electro 3

Tom Room 4
Tom Room 5

Tom Rock 4
Tom Rock 5

Tom Electro 4
Tom Electro 5

Tom Room 6

Tom Rock 6

Tom Electro 6

Snare Analog 2
Tom Analog 1
Hi-Hat Closed Analog
Tom Analog 2
Hi-Hat Closed Analog 2
Tom Analog 3
Hi-Hat Open Analog
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6

Cowbell Analog

Conga Analog H
Conga Analog M
Conga Analog L

Maracas 2

Claves 2

Scratch H 2
Scratch L 2

Scratch H 2
Scratch L 3

Drum Kit List

Voice No.
MSB (0–127) / LSB (0–127) / PC (1–128)
Keyboard
MIDI
Key Alternate
Note#

C#0
D0
E0
F0

D#0

F#0

G0
G#0
A0
B0
C1

A#0

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

A#5

C#6

D6
E6
F6
G6

D#6

F#6

25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103

Note

C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G

0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6

Note#

13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91

Note

C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G

-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5

Off

assign

3
3

4
4

O
O
O

1
1
1

O
O
O

2
2

131
127/000/001

137
127/000/113

138
127/000/033

139
127/000/041

140
127/000/049

141
126/000/001

142
126/000/002

Standard Kit 1

Dance Kit

Jazz Kit

Brush Kit

Symphony Kit

SFX Kit 1

SFX Kit 2

Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
Open Rim Shot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bells
Bell Tree

Reverse Cymbal
Hi Q 2
Snare Techno
Kick Techno Q
Rim Gate
Kick Techno L
Kick Techno
Side Stick Analog
Snare Clap
Snare Dry
Tom Analog 1
Hi-Hat Closed Analog3
Tom Analog 2
Hi-Hat Closed Analog 4
Tom Analog 3
Hi-Hat Open Analog 2
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6

Cowbell Analog

Conga Analog H
Conga Analog M
Conga Analog L

Maracas 2

Snare Jazz H

Brush Slap 2
Kick Soft 2
Gran Cassa
Gran Cassa Mute

Kick Jazz

Kick Small

Snare Jazz L

Brush Slap 3 Band Snare

Snare Jazz M
Tom Jazz 1

Brush Tap 2 Band Snare 2
Tom Brush 1 Tom Jazz 1

Tom Jazz 2

Tom Brush 2 Tom Jazz 2

Tom Jazz 3

Tom Brush 3 Tom Jazz 3

Tom Jazz 4
Tom Jazz 5

Tom Brush 4 Tom Jazz 4
Tom Brush 5 Tom Jazz 5
Hand Cymbal
Tom Brush 6 Tom Jazz 6
Hand Cymbal Short

Tom Jazz 6

Cutting Noise
Phone Call
Cutting Noise 2 Door Squeak
Door Slam
String Slap
Scratch Cut
Scratch H 3
Wind Chime
Telephone Ring 2

Flute Key Click Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Hand Cymbal 2
Train
Jet Plane
Hand Cymbal 2 Short
Starship
Burst
Roller Coaster
Submarine

Shower
Thunder
Wind
Stream
Bubble
Feed

Laugh
Scream
Punch
Heartbeat
Footsteps

Dog
Horse
Bird Tweet 2

Machine Gun
Laser Gun
Explosion
Firework

Claves 2

Scratch H 2
Scratch L 3

Maou

DGX-630/YPG-635 Owner’s Manual

133

Style List
Style No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55

134

Style Name
8BEAT
ChartPianoPop
BritPopRock
8BeatModern
Cool8Beat
Classic8Beat
60’sGuitarPop
8BeatAdria
60’s8Beat
BubblegumPop
BritPopSwing
OffBeat
60’sRock
HardRock
RockShuffle
8BeatRock
16BEAT
16Beat
PianoPopShufle
PopShuffle1
PopShuffle2
GuitarPop
16BeatUptempo
KoolShuffle
JazzRock
HipHopLight
BALLAD
ChartPianoBld
PopGtrBallad
80’sBallad
PianoBallad
LoveSong
6-8ModernEP
6-8SlowRock
6-8OrchBallad
OrganBallad
PopBallad
16BeatBallad1
16BeatBallad2
DANCE
ClubBeat
Electronica
FunkyHouse
MellowHipHop
EuroTrance
Ibiza
DreamDance
TechnoPolis
Clubdance
ClubLatin
Garage
UKPop
HipHopGroove
HipShuffle
HipHopPop
DISCO
70’sDisco1
70’sDisco2
LatinDisco
DiscoPhilly

DGX-630/YPG-635 Owner’s Manual

Style No.
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110

Style Name
SaturdayNight
DiscoChocolate
DiscoHands
SWING&JAZZ
TradJazzPiano1
TradJazzPiano2
PianoBarBlues
BigBandFast
BigBandMedium
BigBandBallad
BigBandShuffle
JazzClub
Swing1
Swing2
OrchestraSwing
Five-Four
JazzBallad
Dixieland
Ragtime
AfroCuban
Charleston
R&B
Soul
DetroitPop1
60’sRock&Roll
6-8Soul
CrocoTwist
Rock&Roll
DetroitPop2
BoogieWoogie
ComboBoogie
6-8Blues
COUNTRY
70’sCountry
Country8Beat
CountryPop
CountrySwing
CountryBallad
Country2-4
CowboyBoogie
CountryShuffle
Bluegrass
LATIN
BrazilianSamba
BossaNova
PopBossa
Tijuana
DiscoLatin
Mambo
Salsa
Beguine
GuitarRumba
RumbaFlamenco
RumbaIsland
Reggae
BALLROOM
VienneseWaltz
EnglishWaltz
Slowfox
Foxtrot

Style No.
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160

Style Name
Quickstep
Tango
Pasodoble
Samba
ChaChaCha
Rumba
Jive
TRADITIONAL
USMarch
6-8March
GermanMarch
PolkaPop
OberPolka
Tarantella
Showtune
ChristmasSwing
ChristmasWaltz
ScottishReel
Hawaiian
WALTZ
ItalianWaltz
MariachiWaltz
GuitarSerenade
SwingWaltz
JazzWaltz1
JazzWaltz2
CountryWaltz
OberWaltzer
Musette
CHILDREN
Learning2-4
Learning4-4
Learning6-8
Fun 3-4
Fun 4-4
PIANIST
Stride
PianoBlues1
PianoBlues2
PianoRag
PianoRock&Roll
PianoBoogie
PianoJazzWaltz
PianoJazzBld
Arpeggio
Musical
Habanera
SlowRock
8BtPianoBallad
PianoMarch
6-8PianoMarch
PianoWaltz
PianoBeguine
PianoSwing

Music Database List
MDB No.
MDB Name
ALL TIME HITS
1
Jude Hey
2
New UK
3
MyLoving
4
All OK
5
Buttercp
6
JustCall
7
CheepChp
8
Daddy's
9
Dance?
10
GetBack
11
GtrWheel
12
HighTide
13
IWasBorn
14
Sailing
15
BluJeans
16
Holiday
17
Imagine
18
LoveMe
19
LetItBld
20
LdyMdona
21
YelowSub
22
Marriage
23
MovinOut
24
My Shell
25
NowNever
26
DoLoveMe
27
TcktRide
28
SeeClear
29
Masachus
30
Hard Day
31
USA Pie
32
Norway
33
YesterBd
MODERN POP
34
Watches
35
SoundMPH
36
Hold Us
37
Unfound
38
NeedSome
39
PrtTmLvr
40
MoonShdw
41
NikitSng
42
Sure of
43
Off Day
44
Tell Her
45
GirlsMne
46
NeedLove
POP CLASSICS
47
Standing
48
RainLaff
49
Sunshine
50
ForNamdo
51
ThankFor
52
ManPiano
53
CoinLane
54
LovesYou
55
Tmbourin
56
Alone
57
GldField
58
Raindrop
59
SultanSw
60
Life'sWk
61
TopWorld

MDB No.
MDB Name
62
WatchGrl
POP BALLAD
63
WnderLnd
64
CanIStop
65
EvryTime
66
IvoryAnd
67
TheWorld
68
LovWoman
69
Dolannes
70
Madigan
71
Paradise
72
Whisper
BALLAD
73
AllOdds
74
AtonalFl
75
Hero
76
Woman
77
RunToYou
78
LoveOfAl
79
CndleWnd
80
Cavatina
81
Cherish
82
ToLoveMe
83
YouKnow
84
Evrythng
85
EyesOfBl
86
Hello
87
BeThere
88
FlyAway
89
LoveYou
90
NeverLet
91
JustOnce
92
IfYouGo
93
SavingAl
94
InTheDrk
95
LovePwr
96
Vision
97
Beautifl
98
AllAlone
99
Opposite
100
BeHonest
101
SayYou
102
SayNthng
103
Stranger
104
OneDay
105
TheBayou
106
ThisSong
107
Distance
108
ThisWay
109
LoveGone
110
Inspirng
111
TrueColr
ROCK & ROLL
112
ShakenUp
113
Beethovn
114
HurryLov
115
BeCruel
116
Jumping
117
Countdwn
118
SuePeggy
119
Champion
120
Jailhous
121
BlueShoe
122
Rockin24

MDB No.
MDB Name
123
Shouting
124
Rock&Rll
125
HonkyTnk
OLDIES
126
Daydream
127
Sumertme
128
Diana's
129
Uptown
130
Apache
131
IGotIt
132
Tonight
133
MyPillow
134
NoRain
135
FInalDance
136
SlpnLion
137
Ghetto
138
LipsLcky
139
PrettyWm
140
TikiGtr
141
TurnThre
142
Sherry
DANCE & DISCO
143
Babylon
144
Goodbye
145
Catch22
146
DISCO
147
Survival
148
TheNavy
149
DontHide
150
Celebrat
151
LondonRU
152
10,2 Sun
153
ShakeYou
154
Believe
155
BoySumer
156
I'mSexy
157
StuffHot
SWING & JAZZ
158
Patrol
159
Charles
160
GiveLove
161
Rhythm
162
LOVE
163
LeroyBad
164
Caraban
165
Misbehav
166
Safari
167
Smiling
168
SoWhatIs
169
TimeGone
170
TasteHny
171
Sandman
172
Tunisian
173
TwoFoot
174
MyBaby
R&B
175
AsPlayed
176
BabyGrov
177
Highwy66
178
SweetCHI
179
JustU&Me
180
ManLoves
181
OurLove
182
Wish I

MDB No.
MDB Name
COUNTRY
183
OnTheRd
184
Breathe
185
InMyMind
186
ContryHw
187
GreenGrs
188
EverNeed
189
Lonesone
190
Lucille
191
HomeRng
192
Tennesse
LATIN
193
Bananabt
194
DanceMng
195
DntWorry
196
Jamaica
197
FleaSpa
198
I'mPola
199
MamboJm
200
OneNote
201
PasoCani
202
SayNoMor
203
Beguine
204
Tijuana
205
Picture
ENTERTAINMENT
206
OnTheHil
207
Barnacle
208
Califrag
209
DadClock
210
DanceLd
211
DnceFire
212
BigCntry
213
Cabaret
214
OdeToJoy
215
Mi-Re-Do
216
MyPrince
217
Necesary
218
NoBuiz
219
NoisyOld
220
Sleigh
221
RockBasy
222
Magnifiq
223
Magnfcnt
224
SilentNt
225
Nabucco
226
Standing
227
SummerPl
228
Christms
229
Favorite
230
Tubbie
231
Turkish
232
12OClock
WALTZ & TRADITIONAL
233
Blk&Whte
234
CanCan
235
Charmain
236
Musicbox
237
Clementn
238
Doodah!
239
Dreamer
240
EnterRag
241
Birthday
242
MaryLamb

MDB No.
MDB Name
243
Donald's
244
MoonWlz
245
MoulinHt
246
Sunshine
247
PieceOf
248
GreenSlv
249
TakeFour
250
TexRose
251
ThePolka
252
Scarboro
253
Edelweis
254
AroundWd
255
Whatever
256
Yankee's
WORLD
257
Hawaii
258
D'amor
259
ElCondor
260
GoodbyRm
261
ILandOn
262
ItalyBel
263
Cucarumb
264
Puntuali
265
Cielito
266
ItalySun
267
SantaLuc
268
Trumpetr
269
VanMass
PIANIST
270
ItalySun
271
BeGood
272
Chaie's
273
Flower
274
Frenetic
275
Highwy66
276
Leaves
277
Miload
278
Cabaret
279
Wonderfl
280
Submarin
281
Mi-Re-Do
282
MoreRhum
283
NoBuiz
284
BeatifulSn
285
OhBlah
286
Charades
287
Sally's
288
Nabucco
289
Spanish
290
SunnyStr
291
MistyFln
292
LdnBridg
293
GrndClck
294
Importnc
295
Snowman
296
Favorite
297
SugerSpn
298
Washngtn
299
ThisWay
300
ZipperD

DGX-630/YPG-635 Owner’s Manual

135

Songs Provided On the Supplied CD-ROM
File Name
001Nutcr.mid
002Orphe.mid
003Slavo.mid
004Prima.mid
005Medit.mid
006Guill.mid
007Fruhl.mid
008Ungar.mid
009Fruhl.mid
010Dolly.mid
011Cande.mid
012Arabe.mid
013Pasto.mid
014Petit.mid
015Innoc.mid
016Progr.mid
017Taren.mid
018Cheva.mid
019Etude.mid
020Marci.mid
021Turki.mid
022Valse.mid
023Menue.mid
024Momen.mid
025Enter.mid
026Prelu.mid
027Violl.mid
028Angel.mid
029Saraf.mid
030Ameri.mid
031Brown.mid
032Lomon.mid
033Bonni.mid
034Londo.mid
035Banjo.mid
036Vogle.mid
037Lorel.mid
038Funic.mid
039Turke.mid
040Campt.mid
041Jingl.mid
042Muss.mid
043Liebe.mid
044Jesu.mid
045Joy.mid
046Pearl.mid
047Gavot.mid
048Seren.mid
049Menue.mid
050Canon.mid
051Vogel.mid
052Piano.mid
053Surpr.mid
054WildR.mid
055Chans.mid
056Babbi.mid
057RowRo.mid
058Smoky.mid
059WeWis.mid
060ImMai.mid
061Chris.mid
062MaryH.mid
063TenLi.mid
064PopGo.mid
065Twink.mid
066Close.mid
067Cucko.mid
068Augus.mid
069Londo.mid
070Three.mid

Song Name
Danse des Mirlitons from “The Nutcracker”
“Orphée aux Enfers” Ouverture
Slavonic Dances op.72-2
La Primavera (from Le Quattro Stagioni)
Méditation (Thaïs)
Guillaume Tell
Frühlingslied
Ungarische Tänze Nr.5
Frühlingsstimmen
Dolly’s Dreaming and Awakening
La Candeur
Arabesque
Pastorale
Petite Réunion
Innocence
Progrès
Tarentelle
La Chevaleresque
Etude op.10-3 “Chanson de l’adieu”
Marcia alla Turca
Turkish March
Valse op.64-1 “Petit Chien”
Menuett
Moments Musicaux op.94-3
The Entertainer
Prelude (Wohltemperierte Klavier 1-1)
La Viollette
Angels Serenade
Krasnyj Sarafan
America the Beautiful
Little Brown Jug
Loch Lomond
My Bonnie
Londonderry Air
Ring de Banjo
Wenn ich ein Vöglein wär ?
Die Lorelei
Funiculi Funicula
Turkey in the Straw
Camptown Races
Jingle Bells
Muss i denn
Liebesträume Nr.3
Jesu, Joy Of Man’s Desiring
Ode to Joy
Pearl Fisher
Gavotte
Serenade/Haydn
Menuett BWV. Anh.114
Canon in D
Der Vogelfänger Bin Ich Ja “Die Zauberflöte”
Piano Sonate No.14 op.27-2 “Mondschein”
The “Surprise” Symphony No.94
To a Wild Rose
Chanson du Toreador
O Mio Babbino Caro
Row Row Row Your Boat (DUET)
On Top of Old Smoky (DUET)
We Wish You A Merry Christmas (DUET)
Im Mai (DUET)
O Christmas Tree (DUET)
Mary Had a Little Lamb (DUET)
Ten Little Indians (DUET)
Pop Goes The Weasel (DUET)
Twinkle Twinkle Little Star (DUET)
Close Your Hands, Open Your Hands (DUET)
The Cuckoo (DUET)
O du lieber Augustin (DUET)
London Bridge (DUET)
Three Blind Mice (DUET)

The easy song arranger can only be used with songs that include chord data.

136

DGX-630/YPG-635 Owner’s Manual

Composer
P.I. Tchaikovsky
J. Offenbach
ˇ
A. Dvorák
A. Vivaldi
J. Massenet
G. Rossini
F. Mendelssohn
J. Brahms
J. Strauss II
T.Oesten
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
F.Chopin
L.v. Beethoven
W.A. Mozart
F.Chopin
L. Boccherini
F. Schubert
S. Joplin
J.S. Bach
L.Streabbog
Traditional
Traditional
S.A. Ward
Traditional
Traditional
Traditional
Traditional
S.C. Foster
Traditional
F. Silcher
L. Denza
Traditional
S.C. Foster
J.S. Pierpont
F. Silcher
F. Liszt
J.S. Bach
L.v. Beethoven
G. Bizet
F.J. Gossec
F.J. Haydn
J.S. Bach
J. Pachelbel
W.A. Mozart
L.v. Beethoven
F.J. Haydn
E.A. MacDowell
G. Bizet
G. Puccini
Traditional
Traditional
Traditional
Traditional
Traditional
Traditional
S. Winner
Traditional
Traditional
J.J. Rousseau
Traditional
Traditional
Traditional
Traditional

Harmony Type List
No.

Harmony Type

1

01(Standard Duet)

2

02(Standard Trio)

3

03(Full Chord)

4

04(Rock Duet)

5

05(Country Duet)

6

06(Country Trio)

7

07(Block)

8

08(4-Way Close 1)

9

09(4-Way Close 2)

10

10(4-Way Open)

11

11(1+5)

12

12(Octave)

13

13(Strum)

14

14(Multi Assign)

15

15(Echo 1/4)

16

16(Echo 1/6)

17

17(Echo 1/8)

18

18(Echo 1/12)

19

19(Tremolo 1/8)

20

20(Tremolo 1/12)

21

21(Tremolo 1/16)

22

22(Tremolo 1/32)

23

23(Trill 1/12)

24

24(Trill 1/16)

25

25(Trill 1/24)

26

26(Trill 1/32)

Description

Harmony types 01–10, 13 are pitch-based and add one-, two- or three-note harmonies to the
single-note melody played in the right hand. These types sound when chords are played in the
auto accompaniment range of the keyboard. These Harmony types will also work when playing
songs that contain chord data.

Types 15–26 are rhythm-based effects and add embellishments or delayed repeats in time with
the auto accompaniment. These types sound whether the auto accompaniment is on or not;
however, the actual speed of the effect depends on the Tempo setting (page 34). The individual
note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings
are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note
triplets.
• The Echo effect Types (15–18) create delayed repeats of each note played.
• The Tremolo effect Types (19–22) repeat all held notes (up to four).
• The Trill effect Types (23–26) create two-note trills (alternating notes) when two notes are
held.

DGX-630/YPG-635 Owner’s Manual

137

Effect Type List
● Reverb Types
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30

Type
HALL1
HALL2
HALL3
HALL4
HALL5
HALL M
HALL L
ROOM1
ROOM2
ROOM3
ROOM4
ROOM5
ROOM6
ROOM7
ROOM S
ROOM M
ROOM L
STAGE1
STAGE2
STAGE3
STAGE4
PLATE1
PLATE2
PLATE3
GM PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
NO EFFECT

Description

Reverb simulating the acoustics of a hall.

Reverb simulating the acoustics of a room.

Reverb suitable for a solo instrument.

Reverb simulating a plate reverb unit.

A unique short reverb with a bit of initial delay.
Simulates a cylindrical space expanding to left and right.
A hypothetical acoustic space which extends without limit.
A bit of initial delay followed by reverb with a unique resonance.
No effect.

MSB
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
3
3
3
3
4
4
4
4
16
17
18
19
0

LSB
0
16
17
18
1
6
7
16
17
18
19
0
1
2
5
6
7
16
17
0
1
16
17
0
7
0
0
0
0
0

MSB
66
66
66
66
65
65
65
65
65
65
65
65
65
66
66
67
67
67
67
67
67
68
68
66
0

LSB
17
8
16
1
2
0
1
8
3
4
5
6
7
0
2
8
16
17
1
0
7
16
0
18
0

● Chorus Types
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25

138

Type
CHORUS1
CHORUS2
CHORUS3
CHORUS4
CHORUS5
CHORUS6
CHORUS7
CHORUS8
GM CHORUS1
GM CHORUS2
GM CHORUS3
GM CHORUS4
FB CHORUS
CELESTE1
CELESTE2
FLANGER1
FLANGER2
FLANGER3
FLANGER4
FLANGER5
GM FLANGER
SYMPHONIC1
SYMPHONIC2
ROTARY SP5
NO EFFECT

Description

Conventional chorus program with rich, warm chorusing.

A 3-phase LFO adds modulation and spaciousness to the sound.

Creates a sound reminiscent of a jet airplane.

Adds more stages to the modulation of Celeste.
Simulates a rotary speaker.
No effect.

DGX-630/YPG-635 Owner’s Manual

Effect Type List

● DSP Types
No.

Type

Description

MSB

LSB

1

HALL1

1

0

2

HALL2

1

16

3

HALL3

4

HALL4

1

17

1

5

18

HALL5

1

1

6

HALL M

1

6

7

HALL L

1

7

8

ROOM1

2

16

Reverb simulating the acoustics of a hall.

9

ROOM2

2

17

10

ROOM3

2

18

11

ROOM4

2

19

12

ROOM5

2

0

13

ROOM6

2

1

14

ROOM7

2

2

15

ROOM S

2

5

16

ROOM M

2

6

17

ROOM L

2

7

18

STAGE1

3

16

19

STAGE2

3

17

20

STAGE3

3

0

21

STAGE4

3

1

22

PLATE1

4

16

23

PLATE2

4

17

24

PLATE3

4

0

25

GM PLATE

4

7

26

WHITE ROOM

A unique short reverb with a bit of initial delay.

16

0

27

TUNNEL

Simulates a cylindrical space expanding to left and right.

17

0

28

CANYON

A hypothetical acoustic space which extends without limit.

18

0

29

BASEMENT

A bit of initial delay followed by reverb with a unique resonance.

19

0

30

DELAY LCR1

5

16

31

DELAY LCR2

Reverb simulating the acoustics of a room.

Reverb suitable for a solo instrument.

Reverb simulating a plate reverb unit.

Produces three delayed sounds: L, R and C (center).

5

0

6

0

7

0

32

DELAY LR

Produces two delayed sounds: L and R. Two feedback delays are provided.

33

ECHO

Two delayed sounds (L and R), and independent feedback delays for
L and R.

34

CROSS DELAY

The feedback of the two delayed sounds is crossed.

8

0

35

TEMPO DELAY

Tempo-synchronized delay.

21

0

36

TEMPO ECHO

Tempo-synchronized echo.

21

8

37

TEMPO CROSS

Tempo-synchronized cross delay.

22

0

38

KARAOKE1

20

0

39

KARAOKE2

20

1

40

KARAOKE3

20

2

41

ER1

9

0

42

ER2

9

1

43

GATE REVERB

Simulation of gated reverb.

10

0

44

REVERS GATE

Simulation of gated reverb played back in reverse.

11

0

45

CHORUS1

66

17

46

CHORUS2

66

8

47

CHORUS3

66

16

48

CHORUS4

66

1

49

CHORUS5

65

2

50

CHORUS6

65

0

51

CHORUS7

65

1

52

CHORUS8

65

8

53

GM CHORUS1

65

3

54

GM CHORUS2

65

4

55

GM CHORUS3

65

5

56

GM CHORUS4

65

6

57

FB CHORUS

65

7

58

CELESTE1

66

0

59

CELESTE2

66

2

Echo for karaoke.

This effect isolates only the early reflection components of the reverb.

Conventional chorus program with rich, warm chorusing.

A 3-phase LFO adds modulation and spaciousness to the sound.

DGX-630/YPG-635 Owner’s Manual

139

Effect Type List

No.

Type

60

SYMPHONIC1

61

SYMPHONIC2

62

ENS DETUNE
(Ensemble Detune)

Description
Adds more stages to the modulation of Celeste.
Chorus effect without modulation, created by adding a slightly pitchshifted sound.

MSB

LSB

68

16

68

0

87

0

63

FLANGER1

67

8

64

FLANGER2

67

16

65

FLANGER3

67

17

66

FLANGER4

67

1

67

FLANGER5

67

0

68

GM FLANGER

67

7

69

T_FLANGER

107

0
0

Creates a sound reminiscent of a jet airplane.

70

PHASER1

72

71

PHASER2

72

8

72

EP PHASER2

72

18

73

EP PHASER3

72

16

74

T_PHASER

108

0

75

DIST HEAVY
(Distortion Heavy)

Heavy distortion.

73

0

76

ST DIST
(Stereo Distortion)

Stereo distortion.

73

8

77

COMP+DIST1
(Compressor + Distortion1)

73

16

78

COMP+DIST2
(Compressor + Distortion2)

73

1

Cyclically modulates the phase to add modulation to the sound.

Since a Compressor is included in the first stage, steady distortion
can be produced regardless of changes in input level.

79

OVERDRIVE

Adds mild distortion to the sound.

74

0

80

ST OD
(Stereo Overdrive)

Stereo Overdrive.

74

8

81

DIST HARD
(Distortion Hard)

75

16

75

22

75

17

75

23

82

DIST HARD2
(Distortion Hard2)

83

DIST SOFT
(Distortion Soft)

Hard-edge distortion.

Soft, warm distortion.

84

DIST SOFT2
(Distortion Soft2)

85

ST DIST HARD
(Stereo Distortion Hard)

Hard-edge stereo distortion.

75

18

86

ST DIST SOFT
(Stereo Distortion Soft)

Soft, warm soft distortion.

75

19

87

V_DIST HARD
(V Distortion Hard)

98

0

98

2

75

0

75

1

88

V_DIST SOFT
(V Distortion Soft)

89

AMP SIM1
(Amp Simulator 1)

Distortion which simulates vintage tube and fuzz sounds.

A simulation of a guitar amp.

90

AMP SIM2
(Amp Simulator 2)

91

ST AMP1
(Stereo Amp Simulator1)

75

20

92

ST AMP2
(Stereo Amp Simulator2)

75

21

93

ST AMP3
(Stereo Amp Simulator3)

75

8

75

24

Stereo amp simulator.

94

ST AMP4
(Stereo Amp Simulator4)

95

ST AMP5
(Stereo Amp Simulator5)

75

25

96

ST AMP6
(Stereo Amp Simulator6)

75

26

97

DST+DELAY1
(Distortion + Delay1)

95

16

95

0

98

140

DST+DELAY2
(Distortion + Delay2)

DGX-630/YPG-635 Owner’s Manual

Distortion and Delay are connected in series.

Effect Type List

No.
99

Type
OD+DELAY1
(Overdrive + Delay1)

100

OD+DELAY2
(Overdrive + Delay2)

101

CMP+DST+DLY1
(Compressor + Distortion + Delay1)

102

CMP+DST+DLY2
(Compressor + Distortion + Delay2)

103

CMP+OD+DLY1
(Compressor + Overdrive + Delay1)

Description

MSB

LSB

95

17

95

1

96

16

96

0

96

17

96

1

Overdrive and Delay are connected in series.

Compressor, Distortion and Delay are connected in series.

Compressor, Overdrive and Delay are connected in series.

104

CMP+OD+DLY2
(Compressor + Overdrive + Delay2)

105

V_DST H+DLY
(V Distortion Hard + Delay)

V Distortion Hard and Delay are connected in series.

98

1

106

V_DST S+DLY
(V Distortion Soft + Delay)

V Distortion Soft and Delay are connected in series.

98

3

107

DST+TDLY
(Distortion + Tempo Delay)

Distortion and Tempo Delay are connected in series.

100

0

108

OD+TDLY
(Overdrive + Tempo Delay)

Overdrive and Tempo Delay are connected in series.

100

1

109

CMP+DST+TDL
(Compressor + Distortion + Tempo Delay)

Compressor, Distortion and Tempo Delay are connected in series.

101

0

110

CMP+OD+TDLY1
(Compressor + Overdrive + Tempo Delay1)

101

1

111

CMP+OD+TDLY2
(Compressor + Overdrive + Tempo Delay2)

101

16

112

CMP+OD+TDLY3
(Compressor + Overdrive + Tempo Delay3)

101

17

101

18

Compressor, Overdrive and Tempo Delay are connected in series.

113

CMP+OD+TDLY4
(Compressor + Overdrive + Tempo Delay4)

114

CMP+OD+TDLY5
(Compressor + Overdrive + Tempo Delay5)

101

19

115

CMP+OD+TDLY6
(Compressor + Overdrive + Tempo Delay6)

101

20

116

V_DST H+TDLY
(V Distortion Hard + Tempo Delay)

V Distortion Hard and Tempo Delay are connected in series.

103

0

117

V_DST S+TDL1
(V Distortion Soft + Tempo Delay1)

V Distortion Soft and Tempo Delay are connected in series.

103

1

118

PITCH CHG1
(Pitch Change1)

80

16

119

PITCH CHG2
(Pitch Change2)

80

0

120

PITCH CHG3
(Pitch Change3)

80

1

121

AUTO WAH1

78

16

122

AUTO WAH2

78

0

123

AT WAH+DST1
(Auto Wah + Distortion1)

78

17

78

1

78

18

78

2

82

0

82

8

82

16

82

1

82

17

82

2

82

18

124

AT WAH+DST2
(Auto Wah + Distortion2)

125

AT WAH+OD1
(Auto Wah + Overdrive1)

126

AT WAH+OD2
(Auto Wah + Overdrive2)

127

TOUCH WAH1

128

TOUCH WAH2

129

TC WAH+DST1
(Touch Wah + Distortion1)

130

TC WAH+DST2
(Touch Wah + Distortion2)

131

TC WAH+OD1
(Touch Wah + Overdrive1)

132

TC WAH+OD2
(Touch Wah + Overdrive2)

133

CLAVI TC WAH
(Clavi Touch Wah)

Changes the pitch of the input signal.

Cyclically modulates the center frequency of a wah filter.

The output of an Auto Wah can be distorted by Distortion.

The output of an Auto Wah can be distorted by Overdrive.

Changes the center frequency of a wah filter according to the input
level.

The output of an Touch Wah can be distorted by Distortion.

The output of an Touch Wah can be distorted by Overdrive.

Clavinet Touch Wah

DGX-630/YPG-635 Owner’s Manual

141

Effect Type List

No.

Type

134

EP TC WAH
(EP Touch Wah)

135

WH+DST+DLY1
(Wah + Distortion + Delay1)

136

WH+DST+DLY2
(Wah + Distortion + Delay2)

137

WH+DST+TDLY
(Wah + Distortion + Tempo Delay)

138

WH+OD+DLY1
(Wah + Overdrive + Delay1)

139

WH+OD+DLY2
(Wah + Overdrive + Delay2)

140

WH+OD+TDLY1
(Wah + Overdrive + Tempo Delay1)

Description
EP Touch Wah

MSB

LSB

82

19

97

16

97

0

102

0

97

17

97

1

102

1

102

16

Wah, Distortion and Delay are connected in series.

Wah, Distortion and Tempo Delay are connected in series.

Wah, Overdrive and Delay are connected in series.

Wah, Overdrive and Tempo Delay are connected in series.

141

WH+OD+TDLY2
(Wah + Overdrive + Tempo Delay2)

142

MBAND COMP

Multi-band compressor that allows you to adjust the compression
effect for individual frequency bands.

105

0

143

COMPRESSOR

Holds down the output level when a specified input level is exceeded.
A sense of attack can also be added to the sound.

83

0

144

NOISE GATE

Gates the input when the input signal falls below a specified level.

84

0

145

ROTARY SP1
(Rotary Speaker1)

69

16

146

ROTARY SP2
(Rotary Speaker2)

71

17

147

ROTARY SP3
(Rotary Speaker3)

71

18

148

ROTARY SP4
(Rotary Speaker4)

70

17

66

18

Simulates a rotary speaker.

149

ROTARY SP5
(Rotary Speaker5)

150

ROTARY SP6
(Rotary Speaker6)

69

0

151

ROTARY SP7
(Rotary Speaker7)

71

22

152

2WAY ROT SP
(2way Rotary Speaker)

86

0

153

DST+ROT SP
(Distortion + Rotary Speaker)

Distortion and rotary speaker connected in series.

69

1

154

DST+2ROT SP
(Distortion + 2way Rotary Speaker)

Distortion and 2-way rotary speaker connected in series.

86

1

155

OD+ROT SP
(Overdrive + Rotary Speaker)

Overdrive and rotary speaker connected in series.

69

2

156

OD+2ROT SP
(Overdrive + 2way Rotary Speaker)

Overdrive and 2-way rotary speaker connected in series.

86

2

157

AMP+ROT SP
(Amp Simulator + Rotary Speaker)

Amp simulator and rotary speaker connected in series.

69

3

158

AMP+2ROT SP
(Amp Simulator + 2way Rotary Speaker)

Amp simulator and 2-way rotary speaker connected in series.

86

3

159

DUAL ROT SP1
(Dual Rotor Speaker1)

99

0

99

1

Rotary speaker simulation with speed switching.

160

DUAL ROT SP2
(Dual Rotor Speaker2)

161

TREMOLO1

70

16

162

TREMOLO2

71

19

163

TREMOLO3

70

0

164

EP TREMOLO

70

18

165

GT TREMOLO1
(Guitar Tremolo1)

71

20

166

GT TREMOLO2
(Guitar Tremolo2)

70

19

167

AUTO PAN1

71

16

168

AUTO PAN2

169

EP AUTOPAN

170

AUTO PAN3

142

DGX-630/YPG-635 Owner’s Manual

Rich Tremolo effect with both volume and pitch modulation.

Several panning effects that automatically shift the sound position
(left, right, front, back).

71

0

71

21

71

1

Effect Type List

No.

Type

Description

MSB

LSB

76

16

76

17

171

EQ DISCO

Equalizer effect that boosts both high and low frequencies, as is typical in most disco music.

172

EQ TEL

Equalizer effect that cuts both high and low frequencies, to simulate
the sound heard through a telephone receiver.

173

2BAND EQ

A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.

77

0

174

3BAND EQ

A mono EQ with adjustable LOW, MID, and HIGH equalizing.

76

0

175

HM ENHANCE1
(Harmonic Enhancer1)

81

16

81

0

Adds new harmonics to the input signal to make the sound stand out.

176

HM ENHANCE2
(Harmonic Enhancer2)

177

ST 3BAND EQ

An EQ which allows equalization of low, mid and high bands.

76

18

178

VCE CANCEL
(Voice Cancel)

Attenuates the vocal part of a CD or other source.

85

0

179

AMBIENCE

Blurs the stereo positioning of the sound to add spatial width.

88

0

180

TALKING MOD
(Talking Modulation)

Adds a vowel sound to the input signal.

93

0

181

ISOLATOR

Controls the level of a specified frequency band of the input signal.

115

0

182

NO EFFECT

No effect.

0

0

183

THRU

Bypass without applying an effect.

64

0

DGX-630/YPG-635 Owner’s Manual

143

144

DGX-630/YPG-635 Owner’s Manual

Change

Control

0,32
1,11,84
6,38
7,10
64,66,67
71
72
73
74
91,93,94
96-97
100-101

Key's
Ch's

After
Touch

Pitch Bend

Note ON
Note OFF

Velocity

o
x
o
o
o
x
o
x
x
o
x
o

o 0-24 semi

x
x

o 9nH,v=1-127
x 9nH,v=0

*1

*1
*1

*1

*1

0 - 127
: True voice **************

3
x
**************

Default
Messages
Altered

Mode

Note
Number

1 - 16
x

Default
Changed

Basic
Channel

Function...

Transmitted

o
o
o
o
o
o
o
o
o
o
o
o

o 0-24 semi

x
x

o 9nH,v=1-127
x

0 - 127
0 - 127

3
x
x

1 - 16
x

Recognized

YAMAHA
[ Portable Grand ]
Model DGX-630/YPG-635 MIDI Implementation Chart

Pedal
Harmonic Content
Release Time
Attack Time
Brightness
Effect Depth
RPN Inc,Dec
RPN LSB,MSB

Data Entry

Bank Select

Remarks

Date:14-MAY-2007
Version:1.0

MIDI Implementation Chart

: True #

x
x
x
x
o
x

Aux

o(120,126,127)
o(121)
o(122)
o(123-125)
o
x

o
o

x
x
x

o

o 0 - 127

*1 Refer to #2 on page 146.
Mode 1 : OMNI ON , POLY
Mode 2 : OMNI ON ,MONO
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF,MONO

:All Sound OFF
:Reset All Cntrls
:Local ON/OFF
:All Notes OFF
Mes- :Active Sense
sages:Reset

o
o

x
x
x

o

o 0 - 127
**************

System
: Clock
Real Time: Commands

Common

: Song Pos.
: Song Sel.
: Tune

System Exclusive

Prog
Change

o : Yes
x : No

MIDI Implementation Chart

DGX-630/YPG-635 Owner’s Manual

145

MIDI Data Format
NOTE:
1 By default (factory settings) the instrument ordinarily functions
as a 16-channel multi-timbral tone generator, and incoming
data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel
voices, auto accompaniment, and songs.
• MIDI Master Tuning
• System exclusive messages for changing the Reverb Type,
Chorus Type and DSP Type.
2 Messages for these control change numbers cannot be transmitted from the instrument itself. However, they may be transmitted when playing the accompaniment, song or using the
Harmony effect.
3 Exclusive
 F0H, 7EH, 7FH, 09H, 01H, F7H
• This message automatically restores all default settings for
the instrument, with the exception of MIDI Master Tuning.
 F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
• This message allows the volume of all channels to be
changed simultaneously (Universal System Exclusive).
• The values of “mm” is used for MIDI Master Volume. (Values
for “ll” are ignored.)
 F0H, 43H, 1nH, 4CH, 00H, 00H, 00H,
ddH, ddH, ddH, ddH, F7H
• This message simultaneously changes the tuning value of
all channels.
• The values of “dd” are used for XG Master Tuning.
• The default value of “dd” are 00H, 04H, 00H, 00H, respectively.

146

DGX-630/YPG-635 Owner’s Manual

 F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH,
llH, F7H
• mm : Reverb Type MSB
• ll : Reverb Type LSB
Refer to the Effect Type List (page 138) for details.
 F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH,
llH, F7H
• mm : Chorus Type MSB
• ll : Chorus Type LSB
Refer to the Effect Type List (page 138) for details.
 F0H, 43H, 1nH, 4CH, 02H, 01H, 40H, mmH, llH,
F7H
• mm: DSP Type MSB
• ll: DSP Type LSB
Refer to the Effect Type List (page 138) for details.
4 When the accompaniment is started, an FAH message is transmitted. When accompaniment is stopped, an FCH message is
transmitted. When the clock is set to External, both FAH
(accompaniment start) and FCH (accompaniment stop) are recognized.
5 Local ON/OFF
 Bn, 7A, 7F
 Bn, 7A, 00
Value for “n” is ignored.

ATTENTION
SOFTWARE LICENSE AGREEMENT
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE
ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE
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You expressly acknowledge and agree that use of the SOFTWARE is at your
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This Agreement shall be interpreted according to and governed by Japanese
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court of competent jurisdiction finds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and
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9. COMPLETE AGREEMENT
This Agreement constitutes the entire agreement between the parties with
respect to use of the SOFTWARE and any accompanying written materials and
supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or
revision of this Agreement will be binding unless in writing and signed by a
fully authorized representative of Yamaha.

As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible
media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen (14) days
from the date of receipt, as evidenced by a copy of the receipt. Yamaha’s entire
liability and your exclusive remedy will be replacement of the defective media
if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days
with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT
PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY
IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
A PARTICULAR PURPOSE.

DGX-630/YPG-635 Owner’s Manual

147

SIBELIUS SCORCH LICENSE AGREEMENT
By installing and/or using this Product you (an individual or legal entity) agree with the Licensor to be bound by the terms of this License which
will govern your use of the Product. If you do not accept these terms, do not install or use this Product.
The Product is copyright © 1987-2007 Sibelius Software, a division of Avid Technology, Inc, and its licensors.

1.

Definitions

In this License the following words and expressions have the
following meanings:
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permitted by the context, the conditional license granted to you in
this agreement.
“Licensor”: Avid Technology, Inc., of Avid Technology Park, One
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Software, of 20-23 City North, Fonthill Road, London N4 3HF, UK
“Product”: the Software and the Documentation.
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files supplied by the Licensor which are included in or with the
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2.

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2.1

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You shall not, and shall not cause or permit any third party to,
(1) translate, enhance, modify, alter or adapt the Product or any
part of it for any purpose (including without limitation for
the purpose of error correction);
(2) create derivative works based on the Product, or cause the
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The Product or any part of it must not be used to infringe any
right of copyright or right of privacy, publicity or personality or
any other right whatsoever of any other person or entity.

2.2

2.3

2.4

2.5

2.6

3.

Copyright

3.1

You acknowledge that copyright in the Product as a whole and
in the components of the Product as between you and the
Licensor belongs to the Licensor or its licensors and is
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4.

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In consideration of the fact that the Product is licensed
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and loss of profits, revenue or goodwill and any type of special,
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5.

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This License shall terminate automatically upon your
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This License is intended by the parties hereto to be a final
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(This section only applies if you are resident in the European
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(This section only applies if you are not resident in the
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and maintained only in the United States District Court for the
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Each party knowingly, voluntarily and irrevocably waives trial
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counterclaim), whether at law or in equity, arising out of or in
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matter hereof.

6.2
6.3

6.4

6.5

6.6

(License v5.0 (DMN), 30 July 2007)

148

DGX-630/YPG-635 Owner’s Manual

Specifications
Keyboards

Song

• 88 Graded Hammer Standard keys (A-1–C7),
with Touch Response.

Display
• 320 x 240 dots LCD display (backlit)

Setup
• STANDBY/ON
• MASTER VOLUME: MIN–MAX
• LCD CONTRAST

Panel Controls
• SONG, VOICE, STYLE, EASY SONG ARRANGER,
P.A.T. ON/OFF, LESSON L, LESSON R, LESSON START,
METRONOME ON/OFF, PORTABLE GRAND, DEMO,
FUNCTION, MUSIC DATABASE, HARMONY ON/OFF,
DUAL ON/OFF, SPLIT ON/OFF, TEMPO/TAP, [0]–[9], [+],
[-], CATEGORY, Dial, REPEAT & LEARN (ACMP ON/OFF),
A-B REPEAT (INTRO/ENDING/rit.), PAUSE (SYNC START),
START/STOP, REW (MAIN/AUTO FILL), FF (SYNC STOP),
REGIST MEMORY ([MEMORY/BANK], [1], [2]),
SONG MEMORY (REC, [1]–[5], [A]), File Control [MENU],
File Control [EXECUTE], [EXIT], [LYRICS], [SCORE],
DSP ON/OFF

Realtime Control
• Pitch Bend Wheel

Voice
•
•
•
•

130 panel voices + 12 drum/SFX kits + 361 XGlite voices
Polyphony: 64
DUAL
SPLIT

• 160 Preset Styles + External files
• Style Control: ACMP ON/OFF, SYNC STOP, SYNC START,
START/STOP, INTRO/ENDING/rit.,
MAIN/AUTO FILL
• Fingering:
Multi Finger, Full Keyboard
• Style Volume

Music Database
• 300 + External files

Education Feature
• Dictionary
• Lesson 1–3, Repeat & Learn

Registration Memory
• 8 banks x 2 types

Function
• VOLUME:
• OVERALL:

•
•
•
•
•
•
•
•
•
•
•

Performance assistant technology
• Chord, Chord/Free, Melody, Chord/Melody

Recording
• Song
User Song:
Recording Tracks:

5 Songs
1, 2, 3, 4, 5, STYLE

MIDI
• Local On/Off
• Keyboard Out

• Initial Send
• Style Out

• External Clock
• Song Out

Auxiliary jacks
• PHONES/OUTPUT, DC IN 12V, USB TO HOST,
USB TO DEVICE, SUSTAIN, PEDAL UNIT

Amplifier
• 6W + 6W

Speakers
• 12cm x 2 + 3cm x 2

Power Consumption

Style

•

• 30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs
(70)
• Song Clear, Track Clear
• Song Volume
• Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE,
REW, FF, START/STOP

Style Volume, Song Volume
Tuning, Transpose, Split Point, Touch Sensitivity, Pitch Bend Range, Chord Fingering
MAIN VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level, DSP Level
DUAL VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level, DSP Level
SPLIT VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level
EFFECT:
Reverb Type, Chorus Type, Master EQ Type,
Sustain, DSP Type
HARMONY:
Harmony Type, Harmony Volume
Performance assistant technology:
Performance assistant technology Type
PC:
PC Mode
MIDI:
Local On/Off, External Clock, Initial Send,
Keyboard Out, Style Out, Song Out
METRONOME: Time Signature Numerator, Time Signature
Denominator, Metronome Volume, Bell
SCORE:
Quantize
LESSON:
Lesson Track (R), Lesson Track (L), Grade
UTILITY:
Demo Cancel, Language

• 22W

Power Supply
• Adaptor: PA-5D or an equivalent recommended by Yamaha

Dimensions (W x D x H)
• 1,398 x 457 x 153 mm (55-1/16" x 18" x 6")
with keyboard stand:
1,405 x 485 x 773 mm (55-1/3" x 19-1/8" x 30-3/8")

Weight
• 18.0kg (39 lbs. 11 oz.)
with keyboard stand: 25.5kg (56 lbs. 3 oz.)

Supplied Accessories
• Music Rest
• Accessory CD-ROM
• Keyboard Stand
• Owner’s Manual
• Footswitch FC5
• AC Power adaptor (May not be included depending on your particular area.)

Optional Accessories
• Headphones: HPE-150
• Pedal Unit: LP-7
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or
modify products or specifications at any time without prior notice.
Since specifications, equipment or options may not be the same in
every locale, please check with your Yamaha dealer.

Effects
•
•
•
•

Reverb:
Chorus:
DSP:
Harmony:

29 types
24 types
182 types
26 types

DGX-630/YPG-635 Owner’s Manual

149

Index
Panel controls and terminals

150

r

f

+/– .................................................. 16, 67
........................................................ 68
0–9 .................................................. 16, 67
A-B REPEAT ................................. 16, 88
ACMP ON/OFF ............................. 16, 28
CATEGORY [ ] and [ ] ........... 16, 67
DC IN 12V ..................................... 13, 17
DEMO ............................................ 16, 35
Dial ................................................. 16, 67
DSP ON/OFF ................................. 16, 73
DUAL ON/OFF ............................. 16, 20
EASY SONG ARRANGER .......... 16, 58
EXECUTE ...................................... 16, 98
EXIT ............................................... 16, 68
FF ................................................... 16, 34
FILE CONTROL ........................... 16, 96
FUNCTION .................................... 16, 92
HARMONY ON/OFF .................... 16, 70
INTRO/ENDING/rit. ...................... 16, 79
LCD CONTRAST .......................... 17, 69
LESSON L, R ................................. 16, 51
LESSON START ........................... 16, 50
LYRICS .......................................... 16, 38
MAIN/AUTO FILL ........................ 16, 79
MASTER VOLUME ..................... 15–16
MEMORY/BANK, 1, 2 ................. 16, 90
MENU ............................................ 16, 96
METRONOME ON/OFF ............... 16, 24
MUSIC DATABASE ..................... 16, 57
P.A.T. ON/OFF ........................ 16, 40, 48
PAUSE ........................................... 16, 34
PC ....................................................... 107
PHONES/OUTPUT ....................... 13, 17
PITCH BEND wheel ...................... 16, 74
PORTABLE GRAND .................... 16, 22
REC, 1–5, A ................................... 16, 60
REGIST. MEMORY ...................... 16, 90
REPEAT & LEARN ...................... 16, 56
REW ............................................... 16, 34
SCORE ........................................... 16, 37
SONG ............................................. 16, 33
SONG MEMORY .......................... 16, 61
SPLIT ON/OFF .............................. 16, 21
STANDBY/ON .............................. 15–16
START/STOP ................................ 16, 67
STYLE ............................... 16, 27–31, 79
SUSTAIN ....................................... 13, 17
SYNC START ......................... 16, 28, 80
SYNC STOP .................................. 16, 81
TEMPO/TAP ...................... 16, 24, 34, 75
USB TO DEVICE ........................ 17, 104
USB TO HOST ............................ 17, 105
VOICE ............................................ 16, 19

DGX-630/YPG-635 Owner’s Manual

Alphabetical order

A

E

A-B Repeat ...........................................88
Accessories .............................................7
ACMP ...................................................28
Auto Accompaniment Range ................28
Auto-Accompaniment ..............28, 30, 32

Easy Chords ......................................... 32
Easy Song Arranger ............................. 58
Effect Type List ................................. 138
External Clock .............................. 94, 106
External Song ....................................... 36

B

F

Backup ..........................................65, 110
Bell ........................................................26

File Control .......................................... 96
File Name ............................................. 99
Flash Memory ...................................... 36
Foot Switch .......................................... 13
Format (File Control) ........................... 98
Function ................................... 68, 92–95
Function Display .................................. 68

C
CD-ROM ............................................111
Chord ..................................30–32, 84–85
Chord Dictionary ..................................87
Chord Fingering ..............................32, 86
Chord root .............................................87
Chord type (Chord Dictionary) .............87
Chord type (performance
assistant technology) ...................39–40
Chord/Free type (performance
assistant technology) ...................39, 42
Chord/Melody type (performance
assistant technology) ...................39, 46
Chorus ...................................................72
Chorus Type .......................................138
Computer ............................105–106, 108

D
Default Setting ......................................92
Delete (Song Track) ..............................64
Delete (USB flash memory) ...............102
Delete (User Data) ..............................103
Delete (User Song) ...............................63
Demo ....................................................35
Demo Cancel ........................................95
Display ............................................68–69
Double-Staff Score ...............................37
Drum Kit ...............................................23
Drum Kit List ......................................132
DSP .......................................................73
DSP Type ......................................73, 139
Dual Chorus Level ................................93
Dual Octave ..........................................93
Dual Pan ...............................................93
Dual Reverb Level ................................93
Dual Voice ............................................20
Dual Volume .........................................93

G
Grade .................................................... 53

H
Harmony ............................................... 70
Harmony Type ................................... 138
Harmony Volume ................................. 94
Headphones .......................................... 13

I
Initial Send ......................................... 108
Initialization ......................................... 65

K
Keyboard Out ............................... 94, 106
Keyboard Stand Assembly ................... 10

L
Language .............................................. 18
Lesson .................................................. 50
Load ................................................... 101
Local ............................................. 94, 106
L-Part ........................................... 95, 110
Lyric ..................................................... 38

M
Main Chorus Level ............................... 93
MAIN Display ...................................... 68
Main Octave ......................................... 93
Main Pan .............................................. 93
Main Reverb Level ............................... 93
Main Voice ........................................... 19
Main Volume ....................................... 93
Master EQ Type ............................. 77, 94

Index

Measure ................................................ 69
Melody ........................................... 37, 49
Melody Score ....................................... 37
Melody type (performance
assistant technology) .................. 39, 44
Melody Voice ................................. 59, 89
Messages ............................................ 120
Metronome ........................................... 24
MIDI ................................................... 106
MIDI Data Format .............................. 146
MIDI Implementation Chart ............... 144
Music Database .................................... 57
Music Rest ............................................ 15
Mute ..................................................... 89

N
notation ................................................. 69

O
One Touch Setting ................................ 76

P
P.A.T. Type .................................... 39, 94
Panel Sustain .................................. 74, 94
PC Mode ............................................. 107
Pedal Unit ............................................. 14
performance assistant technology ........ 39
Pitch Bend Range ................................. 93
Power Adaptor ..................................... 13
Preset Song ............................... 33, 35–36

Q
Quantize ............................................... 94

R
Recording ............................................. 60
Registration Memory ........................... 90
Remote control ................................... 107
Repeat ............................................. 56, 88
Reverb .................................................. 71
Reverb Type ....................................... 138
R-Part ........................................... 95, 110

S
Save (User File) .................................... 99
Save (User Song) ................................ 100
Score ....................................... 37, 49, 122
Single-Staff Score ................................ 37
SMF (Standard MIDI File) ................. 108
Software Licensing Agreement .......... 147
Song ...................................................... 33

Song Clear ............................................63
Song List ...............................................35
Song Memory .................................60–61
Song Out .......................................94, 106
Song Volume ........................................88
Specifications ......................................149
Split Chorus Level ................................93
Split Octave ..........................................93
Split Pan ................................................93
Split Point .......................................21, 82
Split Reverb Level ................................93
Split Voice ............................................21
Split Volume .........................................93
Standard Chords ...................................32
Style ..........................................27, 30, 79
Style File .............................................101
Style List .............................................134
Style Out .......................................94, 106
Style Volume ........................................83
Sustain (Footswitch) .............................13
Sustain (Panel) ................................74, 94
Synchro Start ..................................28, 80
Synchro Stop .........................................81

T
Tempo .............................................34, 75
TimeSignature
(Denominator, Numerator) ...............25
Touch Response ....................................75
Touch Sensitivity ..................................75
Track .....................................................60
Track Clear ...........................................64
Transfer .......................................106, 108
Transpose ..............................................78
Troubleshooting ..........................116, 118
Tuning ...................................................78

U
USB ....................................................104
USB-MIDI Driver .......................114–115
User file ........................................99, 101
User File Save .......................................99
User Song .......................................36, 60

V
Voice .....................................................19
Voice List ...........................................128

X
XF .....................................................6, 38
XGlite .....................................................6

DGX-630/YPG-635 Owner’s Manual

151

Limited Warranty
90 DAYS LABOR

1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed
below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models
included in the following series of products:

DGX, YPG SERIES OF Portable Grand ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect
in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject
to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the
consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as
warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY
IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO
THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR
INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for
assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation
of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts
under warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has
a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and
to follow all safety precautions.

EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to
failures and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia,
and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________

Serial #________________________________

Sales Slip #________________________________

Purchased from____________________________________________________________
(Retailer)

Date______________________________________

YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

152

DGX-630/YPG-635 Owner’s Manual

For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.

NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.

THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040

FRANCE

U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011

CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600

Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000

ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771

SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888

GREECE

BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377

ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021

PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311

EUROPE
THE UNITED KINGDOM
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700

IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177

GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990

AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025

POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57

Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160

SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00

DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00

ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211

HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688

INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577

KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022

MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900

PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551

SINGAPORE

FINLAND

Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374

F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511

TAIWAN

NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70

ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000

RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660

OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030

AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312

MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030

OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868

Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688

THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626

OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317

OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111

NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099

COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
EKB43

Yamaha Home Keyboards Home Page (English Only)
http://music.yamaha.com/homekeyboard
Yamaha Manual Library
http://www.yamaha.co.jp/manual/

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2007 Yamaha Corporation
WM92600 XXXPOXXX.X-01A0
Printed in China



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