Yamaha Htr 5450Rds Owners Manual 0101V520RDS_caution_EN

HTR-5450RDS OWNER'S MANUAL HTR-5450RDS

HTR-5450RDS to the manual 7e4dd468-76f9-4fb3-bba0-c5e3bcf5fa6d

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HTR-5450RDS

YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA

ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

00RX-HTR5450RDS-cv1/4

HTR-5450RDS
Natural Sound AV Receiver
Ampli-tuner audio-vidéo

OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Printed in Malaysia ID

V735940

2/1/1, 4:42 PM

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1

To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.

Install this unit in a well ventilated, cool, dry, clean
place with at least 30 cm on the top, 20 cm on the
right and left, and 10 cm at the back of this unit for
ventilation space — away from direct sunlight, heat
sources, vibration, dust, moisture, and/or cold.

Locate this unit away from other electrical
appliances, motors, or transformers to avoid
humming sounds. To prevent fire or electrical shock,
do not place this unit where it may get exposed to
rain, water, and/or any type of liquid.

Do not expose this unit to sudden temperature
changes from cold to hot, and do not locate this unit
in a environment with high humidity (i.e. a room with
a humidifier) to prevent condensation inside this unit,
which may cause an electrical shock, fire, damage to
this unit, and/or personal injury.

On the top of this unit, do not place:
– Other components, as they may cause damage
and/or discoloration on the surface of this unit.
– Burning objects (i.e. candles), as they may cause
fire, damage to this unit, and/or personal injury.
– Containers with liquid in them, as they may cause
electrical shock to the user and/or damage to this
unit.

Do not cover this unit with a newspaper, tablecloth,
curtain, etc. in order not to obstruct heat radiation. If
the temperature inside this unit rises, it may cause
fire, damage to this unit, and/or personal injury.

Do not plug in this unit to a wall outlet until all
connections are complete.

Do not operate this unit upside-down. It may
overheat, possibly causing damage.

Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall
outlet, grasp the plug; do not pull the cord.
11 Do not clean this unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
12 Only voltage specified on this unit must be used.
Using this unit with a higher voltage than specified is
dangerous and may cause fire, damage to this unit,
and/or personal injury. YAMAHA will not be held
responsible for any damage resulting from use of this
unit with a voltage other than specified.
13 To prevent damage by lightning, disconnect the
power cord from the wall outlet during an electrical
storm.
14 Take care of this unit so that no foreign objects and/
or liquid drops inside this unit.

15 Do not attempt to modify or fix this unit. Contact
qualified YAMAHA service personnel when any
service is needed. The cabinet should never be
opened for any reasons.
16 When not planning to use this unit for long periods of
time (i.e. vacation), disconnect the AC power plug
from the wall outlet.
17 Be sure to read the “TROUBLESHOOTING” section
on common operating errors before concluding that
this unit is faulty.
18 Before moving this unit, press STANDBY/ON to set
this unit in the standby mode, and disconnect the AC
power plug from the wall outlet.

This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.

■ For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.

Note
• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.

■ Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.

CAUTION

0101V520RDS_caution_EN

1/31/1, 4:20 PM

INTRODUCTION

CONTENTS
ADVANCED OPERATION

INTRODUCTION

Checking the Package Contents ............................. 3
Battery Installation in the Remote Control ............ 3
Battery Replacement .............................................. 3

CONTROLS AND FUNCTIONS ....................... 4
4
6
7
8
9

SET MENU ......................................................... 35
Adjusting the Items on the SET MENU ..............
1 SPEAKER SET (speaker mode settings) ..........
2 HP TONE CTRL (headphone tone control) ......
3 I/O ASSIGN ......................................................
4 INPUT MODE (initial input mode) ..................
5 DOLBY D. SET (Dolby Digital set) .................
6 DTS SET (DTS LFE level) ...............................
7 SP DLY TIME (center delay) ............................
8 DISPLAY SET ..................................................
9 MEM. GUARD (memory guard) ......................

35
36
37
37
38
38
38
39
39
39

PREPARATION

Front Panel .............................................................
Remote Control ......................................................
Using the Remote Control ......................................
Display ...................................................................
Rear Panel ..............................................................

INTRODUCTION

FEATURES .......................................................... 2
GETTING STARTED ......................................... 3

DELAY TIME AND SPEAKER OUTPUT
LEVELS .......................................................... 40

PREPARATION
SPEAKER SETUP ............................................ 10
Speakers to Be Used ............................................ 10
Speaker Placement ............................................... 10

CONNECTIONS ............................................... 11

ADJUSTING THE SPEAKER BALANCE .... 19
Before You Start Adjusting .................................. 19
Using the Test Tone .............................................. 19

SLEEP TIMER .................................................. 42
Setting the SLEEP Timer ..................................... 42
Canceling the SLEEP Timer ................................ 42

PRESET REMOTE CONTROL ...................... 43
Component Selector Buttons ...............................
Controlling the Components Connected to
This Unit ..........................................................
Description of Each Mode ...................................
Setting the Manufacturer Code ............................
Returning to the Factory Setting ..........................

BASIC OPERATION

Before Connecting Components ........................... 11
Connecting Audio Components ........................... 12
Connecting an External Decoder ......................... 12
Connecting Video Components ............................ 14
Connecting Speakers ............................................ 16
IMPEDANCE SELECTOR Switch ..................... 18
Connecting the Power Supply Cords ................... 18

Delay Time ........................................................... 40
Sound Output Level of the Center, Right Rear
and Left Rear Speakers, and Subwoofer .......... 40
Adjusting Method ................................................ 41

43
43
44
48
49

SOUND FIELD PROGRAM ............................ 50
Hi-Fi DSP Programs ............................................ 50
CINEMA DSP Programs ...................................... 50

PLAYING A SOURCE ...................................... 21
Input Modes and Indications ................................ 23
Selecting a DSP Program ..................................... 24
Canceling the Sound Effect (turning off the effect
speakers) ........................................................... 25

TUNING ............................................................. 26

APPENDIX
TROUBLESHOOTING .................................... 53
SPECIFICATIONS ............................................ 57
GLOSSARY ....................................................... 58
INDEX ................................................................ 60

26
27
27
28
29
29
30

APPENDIX

Connecting the Antennas .....................................
Automatic Tuning ................................................
Manual Tuning .....................................................
Automatic Preset Tuning
(for RDS stations only) ....................................
Manual Preset Tuning ..........................................
To Recall a Preset Station ....................................
Exchanging Preset Stations ..................................

ADVANCED OPERATION

BASIC OPERATION

RECEIVING RDS STATIONS ........................ 31
Description of RDS Data .....................................
Changing the RDS Mode .....................................
PTY SEEK Function ............................................
EON Function ......................................................

31
31
32
33

RECORDING A SOURCE ............................... 34

English

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FEATURES
5-Channel Power Amplification

Other Features

◆ Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
Main:
70 W + 70 W (8 Ω)
Center:
70 W (8 Ω)
Rear:
70 W + 70 W (8 Ω)

◆ 96-kHz/24-bit D/A Converter
◆ “SET MENU” which Provides You with 9 Items
for Optimizing This Unit for Your Audio/Video
System
◆ Test Tone Generator for Easier Speaker Balance
Adjustment
◆ 6-Channel External Decoder Input for Other Future
Formats
◆ Video Signal Input and Output Capability
(Including S Video Connections)
◆ Optical and Coaxial Digital Signal Input Jacks
◆ SLEEP Timer
◆ Remote Control with Preset Manufacturer Codes

Multi-mode Digital Sound Field
Processing
◆
◆
◆
◆
◆

DTS Decoder
Dolby Pro Logic Decoder
Dolby Digital Decoder
Hi-Fi DSP
CINEMA DSP: Combination of YAMAHA DSP
Technology and Dolby Digital, Dolby Pro Logic or
DTS
◆ Virtual CINEMA DSP
◆ SILENT CINEMA

Sophisticated FM/AM Tuner
◆
◆
◆
◆

40-Station Random Access Preset Tuning
Automatic Preset Tuning
Preset Station Shifting Capability (Preset Editing)
Multi-Functions for RDS Broadcast Reception

• y indicates a tip for your operation.
• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when
the button names differ between the main unit and the remote control, the button name on the remote control is given in
parentheses in this manual.

Manufactured under license from Dolby Laboratories.
“Dolby”, “AC-3”, “Pro Logic” and the double-D symbol are
trademarks of Dolby Laboratories.
Confidential Unpublished Works. ©1992-1997 Dolby Laboratories,
Inc. All rights reserved.

Manufactured under license from Digital Theater Systems, Inc. US
Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS” and “DTS Digital Surround” are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.

2
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GETTING STARTED
INTRODUCTION

Checking the Package Contents
Check that the following items are included in your package.
Remote control

AM loop antenna

Indoor FM antenna

Quick reference card

75-ohm/300-ohm antenna adapter
(U.K. model only)

Connection guide

BASIC OPERATION

Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes preset for
the remote control will return to the factory settings.

Notes

Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.

Insert the batteries (AAA, R03 or UM-4 type)
according to the polarity markings on the
inside of the battery compartment.

Close the battery compartment cover.

English

3
0102V520RDS01-09_EN

APPENDIX

• Use only AAA, R03 or UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.

ADVANCED OPERATION

Battery Installation in the Remote
Control

PREPARATION

Batteries (AAA, R03, UM-4 type)

2/1/1, 2:24 PM

CONTROLS AND FUNCTIONS
Front Panel
1

6 78

VOLUME
D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

BASS

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

SILENT

VIDEO

AUDIO R

OPTICAL

VIDEO AUX

o pa s

1 STANDBY/ON

6 EON

Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set the volume at the minimum level.

Press this button to select the desired program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to tune in to a
radio program of that type automatically.

Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.

2 Remote control sensor

7 PTY SEEK START
Press this button to begin searching for a station after the
desired program type has been selected in the PTY SEEK
mode.

8 INPUT MODE

3 Display

Press this button to select the input mode among AUTO,
DTS and ANALOG for the sources that send two or more
types of signals to this unit.

This shows various information.

9 VOLUME

4 PTY SEEK MODE

Turn this control to turn up or down the volume.

Press this button to set the unit in the PTY SEEK mode.

0 6CH INPUT

5 RDS MODE/FREQ

Press this button to select the source connected to the 6CH
INPUT jacks. The source selected by pressing 6CH INPUT
takes priority over the source selected with INPUT l / h
(or the input selector buttons on the remote control).

This receives signals from the remote control.

When an RDS station is received, press this button to
change the display mode among the PS mode, PTY mode,
RT mode, CT mode (if the station offers those RDS data
services) and/or frequency display mode in turn.

4
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CONTROLS AND FUNCTIONS

q BASS

i VIDEO AUX jacks

Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response.

Connect an auxiliary audio or video input source such as a
game console to these jacks. To reproduce source signals
from these jacks, select V-AUX as the input source.

w TREBLE

Note
• If you increase or decrease the high-frequency or the lowfrequency sound to an extreme level, the tonal quality from the
center and rear speakers may not match that of the left and right
main speakers.

e BALANCE

r SPEAKERS A/B

When “ z ” appears on the display:
This button is used to select a preset station number (1 to 8).
Press l to select a lower and h to select a higher preset
station number.
When “ z ” goes off from the display:
This button is used for tuning. Press l to tune in to lower
frequencies, and h to tune in to higher frequencies.
When this unit is in the PTY SEEK mode, press this button
to select a program type.

p A/B/C/D/E
Press this button to select one of 5 preset station groups (A
to E).

a PRESET/TUNING (EDIT)

t PROGRAM l / h

s MEMORY (MAN’L/AUTO FM)

Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.

Press this button to store the broadcasting stations. Hold
down this button for more than 3 seconds to begin
automatic preset tuning (for FM stations only).

y EFFECT

d TUNING MODE (AUTO/MAN’L MONO)

Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, all Dolby Digital and DTS
audio signals except for the LFE channel are directed to the
right and left main speakers. In that case, the output levels
of the right and left speakers may not match.

Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.

u PHONES jack

f FM/AM

Connect the headphones to the PHONES jack so that this
unit outputs audio signals for private listening.
When listening with headphones privately, set both
SPEAKERS A/B to the OFF position.

Press this button to switch the reception band between FM
and AM.

ADVANCED OPERATION

Press this button to turn on or off “ z ” on the display and
switch the function between for storing a broadcasting
station (preset tuning) and for tuning. This button is also
used to exchange the assignment of two preset stations with
each other.

BASIC OPERATION

Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.

PREPARATION

This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.

o PRESET/TUNING l / h

INTRODUCTION

Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response.

g INPUT l / h

APPENDIX

Press these buttons to select the input source (DVD, AUX,
MD/CD-R, TUNER, CD, V-AUX, VCR, D-TV/CBL) that
you want to listen to or watch. The name of the selected
input source appears on the display.

English

5
0102V520RDS01-09_EN

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CONTROLS AND FUNCTIONS

Remote Control
This section describes basic operation of this unit with the
remote control. First, press AMP(TUNER) on the
component selector. Refer to “PRESET REMOTE
CONTROL” for full details.

3 POWER
Each time you press this button, the unit switches between
the power on and standby mode.

4 TEST
Press this button to output the test tone for each speaker.

5 A/B/C/D/E, PRESET –/+
Press
AMP(TUNER).

These buttons are used to select a preset station.
A/B/C/D/E:
To select one of a group (A to E) of preset
stations
PRESET –/+: To select a preset station number (1 to 8)

6 MUTE
Press this button to mute the sound. To cancel mute, press
this button again.

q
w
e

7 VOLUME
These buttons are used to adjust the volume level.
u: To turn up the volume
d: To turn down the volume

8 SLEEP

Press this button to set the SLEEP timer.

9 –/+

6
TV VOLUME

These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.

0 TIME/LEVEL

8
TV INPUT

Press this button to select the items in the TIME/LEVEL
mode.

q Input selector buttons
r

1 Indicator
This flashes in red when pressing a button on the remote
control. If it flashes rapidly several times, press the selected
button again.

These buttons select the input source.
CD:
To play a CD
TUNER:
To listen to an FM (RDS) or AM broadcast
MD/CD-R:
To play an MD or CD recorder (or tape
deck)
DVD:
To play a DVD
D-TV/CBL: To watch a TV/digital TV or cable TV
VCR:
To play a video cassette
AUX:
To use another audio component
V-AUX:
To use another audio/video component

w 6CH INPUT
Press this button to play a source connected to the 6CH
INPUT jacks.

2 Component selector buttons
Press one of these buttons which corresponds to the
component you want to control with the remote control.
(The proper code must be set for your component. Refer to
“Setting the Manufacturer Code”.) When the component
selector button has been pressed, the remote control is set to
that component operation mode.

6
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CONTROLS AND FUNCTIONS

e EFFECT

Using the Remote Control

Press this button to turn on or off the effect speakers (center
and rear).

r PRG+, PRG–
INTRODUCTION

Press these buttons to select a DSP program.
Once you press SET MENU, these buttons are used for
selecting the SET MENU item.

Remote control
sensor

t SET MENU
Press this button to select the items in the SET MENU.

Within approximately 6 m
(20 feet)

ADVANCED OPERATION

Handle the remote control with care.
Do not spill water, tea or other liquids on the remote control.
Do not drop the remote control.
Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.

BASIC OPERATION

Notes
•
•
•
•

PREPARATION

The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.

APPENDIX
English

7
0102V520RDS01-09_EN

1/31/1, 4:20 PM

CONTROLS AND FUNCTIONS

Display
1

VIRTUAL DOLBY DTS
DIGITAL
DIGITAL PRO LOGIC
PRO LOGIC ENHANCED

MONO TV SPORTS
MOVIE THEATER 1 2
ENTERTAINMENT
DISCO 5CH STEREO

78 9

PS
PTY
CONCERT HALL
JAZZ CLUB
PTY HOLD
ROCK CONCERT NEWSINFO
BASS EXT. MEMORY
GAME

RT
CT AUTO
EON
STEREO
AFFAIRS SPORT
TUNED SLEEP

DSP

PCM

dB
ms

SP
AB

K HZ

t y

1 t indicator

9 STEREO indicator

The “t” indicator lights up when the built-in DTS
decoder is turned on.

This lights up when an FM stereo broadcast with sufficient
signal strength is being received.

2 VIRTUAL indicator

0 x indicator

This lights up when using Virtual CINEMA DSP.

“ x ” lights up when the built-in digital sound
field processor is on.

3 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on and the signals of the selected source are
encoded with Dolby Digital. “ o ” lights up when
the built-in Dolby Pro Logic decoder is on.

q v indicator

4 DSP program indicators

This lights up when headphones are connected.

This indicates the name of the selected DSP program.

e Multi-information display

5 PTY HOLD indicator

This display shows various information: for example the
name of the selected input source and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.

This lights up while searching for stations in the PTY SEEK
mode.

6 RDS mode indicators
The name(s) of the RDS data offered by the currently
received RDS station light(s) up. Illumination of the red
indicator next to the RDS data name shows that the
corresponding RDS mode is now selected.

7 EON indicator
This lights up when an RDS station that offers the EON data
service is being received.

8 AUTO indicator
This lights up when the unit is in the automatic tuning
mode.

This lights up when this unit is reproducing PCM (pulse
code modulation) digital audio signals.

w Headphones indicator

r MEMORY indicator
This flashes for about 5 seconds after pressing MEMORY.
During this period, the displayed station can be stored in the
memory.

t Program type name indicators
The name of the selected program type lights up when the
“EON” indicator lights up.

y TUNED indicator
This lights up when this unit tunes in to a station.

u SLEEP indicator
This lights up while the built-in SLEEP timer is on.

8
0102V520RDS01-09_EN

2/2/1, 5:34 PM

CONTROLS AND FUNCTIONS

Rear Panel
1 2 3

TUNER
AM ANT GND

–

SPEAKERS

–

FM ANT

MAINS

A
COAXIAL

UNBAL.

8
INTRODUCTION

DIGITAL
INPUT
CD

MAIN

OPTICAL
D-TV/CBL
6CH INPUT
MAIN
DVD

SURROUND
L

CENTER

DVD

D-TV/CBL

VIDEO SIGNAL
IN VCR 1 OUT

MONITOR OUT
VIDEO

MD/CD-R

CENTER
S VIDEO
R

R SUB WOOFER

OPTICAL
MD/CD-R

IMPEDANCE SELECTOR

AC OUTLETS

SET BEFORE POWER ON

SWITCHED
100W MAX. TOTAL

MAIN A OR B: 8
A + B:16
CENTER
:8
REAR
:8

REAR
R (SURROUND) L

MAIN A OR B: 4
A + B: 8
:6
:6

CENTER
REAR

MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER

PREPARATION

–
R

DIGITAL
OUTPUT

AUX

IN(PLAY) OUT(REC)
MD/CD-R

IN
DVD
D-TV/CBL
AUDIO SIGNAL

OUT
VCR 1

(Europe model)

1 DIGITAL OUTPUT jacks

8 AC OUTLET(S)

2 DIGITAL INPUT jacks

Use these outlets to supply power to your other audio/video
components (see page 18).

3 6CH INPUT jacks
See pages 12 and 13 for connection information.
See page 26 for connection information.

5 Video component jacks
See pages 14 and 15 for connection information.

6 Speaker terminals
See pages 16 and 17 for connection information.

9 Audio component jacks
See pages 12 and 13 for connection information.

0 SUBWOOFER jack
See page 17 for connection information.

q IMPEDANCE SELECTOR switch
Use this switch to match the amplifier output to your
speaker impedance. Set this unit in the standby mode before
you change the setting of this switch (see page 18).

7 AC power cord

ADVANCED OPERATION

4 Antenna input terminals

BASIC OPERATION

As this terminal is used
for an examination in the
factory, do not connect
any equipment to this
terminal.

SUB
WOOFER
OUTPUT

Connect to a power outlet.

APPENDIX
English

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PREPARATION

SPEAKER SETUP
Speakers to Be Used
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture to ensure even tonal quality.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your
sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.

Speaker Placement
Refer to the following diagram when you place the
speakers.
Main speaker (R)
Rear speaker (R)
Subwoofer
Main
speaker (L)

1.8 m

Center speaker
Rear speaker (L)

■ Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.

■ Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.

■ Center speaker
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.

Note
• If the center speaker is not used, the sound will be heard from the
right and left main speakers. In that case, “CENTER SP” in the
SET MENU is set to the NON position.

■ Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.

CAUTION
Please use magnetically shielded speakers.
Sometimes a video monitor may be adversely affected
even when magnetically shielded speakers are used.
Separate the speakers from the monitor if this happens.

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CONNECTIONS
INTRODUCTION

Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output jacks for pin plugs can be distinguished as follows:
video signals (composite)

White

analog audio signals for the left channel

Red

analog audio signals for the right channel

coaxial digital signals

BASIC OPERATION

Yellow

PREPARATION

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the jacks with the same number labels as !, #, $ etc.

After completing all connections, check them again to make sure they are correct.

ADVANCED OPERATION
APPENDIX
English

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CONNECTIONS

Connecting Audio Components
■ Connecting to digital jacks
This unit has digital jacks for direct transmission of digital
signals through either coaxial or fiber optic cables. You can
use the digital jacks to input PCM, Dolby Digital and DTS
bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the
input signals from the COAXIAL jack. All digital input
jacks are acceptable for 96-kHz sampling digital signals.

y
• You can designate the input for each digital jack according to
your component by using “3 I/O ASSIGN” in the SET MENU.

About the dust protection cap
Pull out the cap from the optical jack before
you connect the fiber optic cable. Do not
discard the cap. When you are not using the
optical jack, be sure to put the cap back in
place. This cap protects the jack from dust.

Note
• The OPTICAL jacks on this unit conform to the EIA standard. If
you use a fiber optic cable that does not conform to this standard,
this unit may not function properly.

■ Connecting a CD player
y
• The COAXIAL jack is available for a CD player which has
coaxial digital output jack.
• When you connect a CD player to both the analog and digital
jacks, priority is given to the input signals from the digital jack.

■ Connecting an MD recorder, CD
recorder or tape deck
y
• When you connect your recording component to both the analog
and digital input and output jacks, the priority is given to the
digital signal.

Notes
• When you connect a recording component to this unit, keep its
power on while using this unit. If the power is off, this unit may
distort the sound from other components.
• Since digital output and analog output (REC OUT) are
independent of each other, the analog signal is output only to the
analog jack, while the digital signal is output only to the digital
jack.

Connecting an External Decoder
This unit is equipped with 6 additional input jacks (left and
right MAIN, CENTER, left and right SURROUND and
SUBWOOFER) for discrete multi-channel input from an
external decoder, sound processor or pre-amplifier.
Connect the output jacks on your external decoder to the
6CH INPUT jacks. Be sure to match the left and right
outputs to the left and right input jacks for the main and
surround channels.

Notes
• When you select 6CH INPUT as the input source, this unit
automatically turns off the digital sound field processor, and you
cannot listen to DSP programs.
• When you select 6CH INPUT as the input source, changing items
of “1 SPEAKER SET” in the SET MENU is not affected (except
“MAIN LVL”).

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CONNECTIONS

SUBWOOFER
OUTPUT

MAIN
OUTPUT

OUTPUT

External decoder

CD player

INTRODUCTION

COAXIAL
OUTPUT
L

CENTER
OUTPUT

SURROUND
OUTPUT

DIGITAL
INPUT
CD

TUNER
AM ANT GND

PREPARATION

COAXIAL

FM ANT

UNBAL.

OPTICAL
D-TV/CBL
6CH INPUT
MAIN
DVD

SURROUND
L

CENTER

DVD

D-TV/CBL

VIDEO SIGNAL
IN VCR 1 OUT

MONITOR OUT
VIDEO

MD/CD-R
S VIDEO
R

R SUB WOOFER

OPTICAL
MD/CD-R

DIGITAL
OUTPUT

AUX

OUTPUT

IN
DVD
D-TV/CBL
AUDIO SIGNAL

OUT
VCR 1

OUTPUT

MD recorder or
CD recorder

ADVANCED OPERATION

OPTICAL
INPUT

INPUT

Audio component

BASIC OPERATION

(Europe model)

IN(PLAY) OUT(REC)
MD/CD-R

OPTICAL
OUTPUT

indicates signal direction
indicates left analog cables

indicates right analog cables

indicates optical cables

indicates coaxial cables

APPENDIX

English

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CONNECTIONS

Connecting Video Components
■ Audio signal jacks
Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

■ Video signal jacks
Be sure to connect the input (IN) and output (OUT) properly.

■ TV monitor with a 21-pin connector
Make a connection as shown on page 15 with a commercially available SCART-plug connector cable.

■ S VIDEO jacks
Video monitor

DVD player

S VIDEO OUT

S VIDEO IN
S

D-TV/CBL

VIDEO SIGNAL
IN VCR 1 OUT

Notes
• Use a special S VIDEO cable (commercially available) for the S
VIDEO connection.
• If video signals are input from both the S VIDEO input and
composite input jacks, the signals will be directed to their
respective output jacks.

DVD

If your video component has “S” (high-resolution) video
jacks, they can be connected to this unit’s S VIDEO jacks.
Otherwise, connect the composite video jacks of your video
component to this unit’s composite video jacks.

MONITOR OUT
VIDEO

S VIDEO

S Video signal
Signal flow

S VIDEO OUT

S VIDEO
OUT

TV/digital TV,
cable TV or
satellite tuner

S VIDEO IN

VCR

■ VIDEO AUX jacks (on the front panel)
S VIDEO

VIDEO

AUDIO R

These jacks are used to connect any video input source such
as a game console to this unit.

OPTICAL

VIDEO AUX

OPTICAL OUT
AUDIO OUT R
AUDIO OUT L
VIDEO OUT

Game console

S VIDEO OUT

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CONNECTIONS

Video monitor
OPTICAL
OUTPUT

SCART-plug

DVD player

S VIDEO
OUTPUT
L

VIDEO
OUTPUT

S VIDEO
INPUT

INTRODUCTION

AUDIO
OUTPUT
O

VIDEO
INPUT
V

No connection
DIGITAL
INPUT
CD

TUNER
AM ANT GND

COAXIAL

FM ANT

UNBAL.

PREPARATION

OPTICAL

(Europe model)

D-TV/CBL
6CH INPUT
MAIN
DVD

CENTER

SURROUND
L

DVD

D-TV/CBL

VIDEO SIGNAL
IN VCR 1 OUT

MONITOR OUT
VIDEO

MD/CD-R
S VIDEO
R

R SUB WOOFER

OPTICAL
MD/CD-R

IN(PLAY) OUT(REC)
MD/CD-R

IN
DVD
D-TV/CBL
AUDIO SIGNAL

VIDEO
S VIDEO
OUTPUT OUTPUT

SUB
WOOFER
OUTPUT

AUDIO
INPUT

TV/digital TV
or cable
TV/satellite tuner

S VIDEO
OUTPUT

VCR
AUDIO OUTPUT

S VIDEO
INPUT

AUDIO OUTPUT

ADVANCED OPERATION

OPTICAL
OUTPUT

OUT
VCR 1

BASIC OPERATION

AUX

DIGITAL
OUTPUT

VIDEO
OUTPUT
VIDEO INPUT

indicates signal direction
L

indicates left analog cables

indicates right analog cables

indicates optical cables

indicates video cables

indicates S-video cables

0103V520RDS10-20_EN

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English

APPENDIX

When using an LD player
Connect the LD player output to the DVD jack.
If the LD player has an OPTICAL digital output jack, connect it to this unit’s OPTICAL DVD jack. If it has analog jacks,
connect it to the analog DVD jacks. If it has an “RF OUTPUT jack” to output a Dolby Digital RF signal (AC-3), use a
commercially available RF demoduclator and connect it to the OPTICAL DVD jack.
If connecting a DVD player and an LD player, connect the LD player to the digital input jack (ex. D-TV/CBL) or the analog
input jack (D-TV/CBL or VCR 1). For details on connections and operations, refer to the operation instructions for the LD
player.
Note that this unit’s remote control can be used to operate the LD player by setting the corresponding manufacturer code for
the DVD/LD mode.

CONNECTIONS

Connecting Speakers
Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no
sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural
and lack bass.

CAUTION
• Use speakers with the specified impedance shown on the rear panel of this unit.
• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.

■ Speaker cables

Remove approx. 10 mm (3/8”) of insulation
from each of the speaker cables.

Twist the exposed wires of the cable together
to prevent short circuits.

10 mm (3/8”)

■ Connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)

1
2

Unscrew the knob.

Tighten the knob to secure the wire.

Insert one bare wire into the hole in the side of
each terminal.

■ Connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+)
Black: negative (–)

3
2

1
2

Open the tab.

Return the tab to secure the wire.

Insert one bare wire into the hole of each
terminal.

■ Main speaker terminals
One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of
the SPEAKERS A or B terminals.

■ Rear speaker terminals
A rear speaker system can be connected to these terminals.

■ Center speaker terminals
A center speaker can be connected to these terminals.

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CONNECTIONS

Main speakers A

Main speakers B

Right

INTRODUCTION

Left

Right

Left

(Europe model)
R

–

SPEAKERS

–

L
MAINS

A
MAIN

PREPARATION

CENTER

IMPEDANCE SELECTOR

AC OUTLETS

SET BEFORE POWER ON

SWITCHED
100W MAX. TOTAL

MAIN A OR B: 8 MIN. /SPEAKER
A + B:16 MIN. /SPEAKER
CENTER
: 8 MIN. /SPEAKER
: 8 MIN. /SPEAKER
REAR

REAR
R (SURROUND) L

MAIN A OR B: 4 MIN. /SPEAKER
A + B: 8 MIN. /SPEAKER
: 6 MIN. /SPEAKER
: 6 MIN. /SPEAKER

CENTER
REAR

–

SUB
WOOFER
OUTPUT

Subwoofer
system

Center speaker

BASIC OPERATION

Right

Left
Rear speakers

ADVANCED OPERATION

■ Subwoofer connection
When using a subwoofer with built-in amplifier, including
the YAMAHA Active Servo Processing Subwoofer System,
connect the input jack of the subwoofer system to this jack.
Low bass signals distributed from the main, center and/or
rear channels are directed to this jack. (The cut-off
frequency of this jack is 90 Hz.) The LFE (low-frequency
effect) signals generated when Dolby Digital or DTS is
decoded are also directed if they are assigned to this jack.

APPENDIX

Notes
• Adjust the subwoofer volume according to the operation
instructions for the subwoofer. (Fine adjustment is possible using
this unit’s output level control of the effect speakers.)
• Depending on the settings of “1 SPEAKER SET”, “LFE LEVEL
(5 DOLBY D. SET)” and “6 DTS SET” in the SET MENU, some
signals may not be output from the SUBWOOFER jack.

English

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CONNECTIONS

IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not
be fully slid either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
(Europe model)

Switch Speaker
position

IMPEDANCE
SELECTOR

MAINS

Main
IMPEDANCE SELECTOR

AC OUTLETS

SET BEFORE POWER ON

SWITCHED
100W MAX. TOTAL

MAIN A OR B: 4 MIN. /SPEAKER
A + B: 8 MIN. /SPEAKER
CENTER
: 6 MIN. /SPEAKER
: 6 MIN. /SPEAKER
REAR

If you use one set of main speakers, the impedance of
each speaker must be 4 Ω or higher.
If you use two sets of main speakers, the impedance of
each speaker must be 8 Ω or higher.

Left

MAIN A OR B: 8 MIN. /SPEAKER
A + B:16 MIN. /SPEAKER
CENTER
: 8 MIN. /SPEAKER
REAR
: 8 MIN. /SPEAKER

Impedance level

Center

The impedance must be 6 Ω or higher.

Rear

The impedance of each speaker must be 6 Ω or higher.

Main

If you use one set of main speakers, the impedance of
each speaker must be 8 Ω or higher.
If you use two sets of main speakers, the impedance of
each speaker must be 16 Ω or higher.

Right
Center

The impedance must be 8 Ω or higher.

Rear

The impedance of each speaker must be 8 Ω or higher.

Connecting the Power Supply Cords
After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you
will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)
(Europe model)

Europe model .................................................... 2 OUTLETS
U.K. model .......................................................... 1 OUTLET
Use these outlets to connect the power cords only from your
audio/video components to this unit. The power to the AC
OUTLET(S) is controlled by this unit’s STANDBY/ON (or
POWER). These outlets will supply power to any connected
component whenever this unit is turned on. The maximum
power (total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.

MAINS

IMPEDANCE SELECTOR

AC OUTLETS

SET BEFORE POWER ON

SWITCHED
100W MAX. TOTAL

MAIN A OR B: 8 MIN. /SPEAKER
A + B:16 MIN. /SPEAKER
CENTER
: 8 MIN. /SPEAKER
: 8 MIN. /SPEAKER
REAR
MAIN A OR B: 4
A + B: 8
CENTER
:6
:6
REAR

MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER

To AC outlet

SWITCHED

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ADJUSTING THE SPEAKER BALANCE
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control.

INTRODUCTION

This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.

Note
PREPARATION

• Since this unit cannot enter the test mode while headphones are
connected to this unit, be sure to unplug the headphones from the
PHONES jack when using the test tone.

5
2,6

Before You Start Adjusting
2

Press AMP(TUNER) on the
component selector.

Press TEST.
“TEST LEFT” appears on the display.

Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left
main speaker, center speaker, right main speaker, right
rear speaker and left rear speaker. The display changes
as shown below.

VOLUME
D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

VIDEO

SILENT

AUDIO R

OPTICAL

VIDEO AUX

Set the volume at the
minimum level.

Turn the power on.

VOLUME

TEST
LEFT

STANDBY
/ON

TEST CENTER

Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.

SPEAKERS
A

OFF

Set BASS, TREBLE and BALANCE to the
center position.
BASS

–

TREBLE

–

BALANCE

TEST L SUR.

TEST R SUR.

Notes

APPENDIX

TEST
RIGHT

ADVANCED OPERATION

BASIC OPERATION

INPUT MODE

TREBLE

BASS

• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” in the SET MENU.

English

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ADJUSTING THE SPEAKER BALANCE

Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.

BALANCE

Front panel

Press –/+ repeatedly to
adjust the output level of
the speaker currently
outputting the test tone so
that it becomes almost the
same as that of the main
speakers.
While adjusting, the test tone is heard from the selected
speaker.

When the adjustment is complete, press TEST.
The test tone stops.

Notes
• If “CENTER SP” in the SET MENU is set to the NON position,
the sound output level of the center speaker cannot be adjusted in
step 5. The center channel sound is automatically output from the
right and left main speakers.
• For details on adjusting the subwoofer speaker, refer to “DELAY
TIME AND SPEAKER OUTPUT LEVELS” on page 40.
• After adjusting with the test tone, it is possible to adjust the
speaker level to taste while listening to the playback of an actual
source. Refer to “DELAY TIME AND SPEAKER OUTPUT
LEVELS” on page 40.

y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (u/d)).
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” in the SET MENU to “–10 dB”.

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BASIC OPERATION

PLAYING A SOURCE

1,6

Select the desired input source with INPUT
l / h (or the input selector buttons). (Turn on
the video monitor for video sources.)
The name of the selected input source appears on the
display.

VOLUME
D I G I T A L

RDS MODE/FREQ

INPUT

EON

INTRODUCTION

When using the remote control, press AMP(TUNER) on
the component selector.

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

or
INPUT MODE

BASS

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

Front panel

EDIT
MEMORY

–

TUNING
MODE

OFF

Remote control

MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

VIDEO

AUDIO R

OPTICAL

PREPARATION

SILENT

VIDEO AUX

4
Input source

6
2
7

6CH INPUT

or
Front panel

Turn the power on.
or

• An audio source can not be played if “6CH INPUT” appears.
Press 6CH INPUT to turn off “6CH INPUT”.
• If you select and play a video source when “6CH INPUT”
appears, the playback result will be a video image from the video
source and the sound from the audio source selected by using
“6CH INPUT”.

Front panel

Remote control

• The current input mode is also shown. Refer to “Input Modes and
Indications” on page 23 for details.

SPEAKERS
A

APPENDIX

Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.

ADVANCED OPERATION

Notes

STANDBY
/ON

Remote control

VOLUME

Set the volume at the
minimum level.

Front panel

BASIC OPERATION

To select a source connected to the 6CH INPUT
jacks
Press 6CH INPUT so that “6CH INPUT” appears on the
display.

OFF

Front panel

English

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PLAYING A SOURCE

Play the source.
Refer to the instructions for the source component (and
“TUNING” for details).

Note
• When controlling an audio/video component (MD recorder, CD
player, DVD player, tape deck, etc.) with the remote control, press
one of the component selector buttons, (TAPE/MD, CD, DVD/
LD, etc.), which corresponds to the component you want to
control. Refer to “PRESET REMOTE CONTROL”.

■ Notes on the digital signal
The digital input jacks of this unit can also handle
96-kHz sampling digital signals. (To utilize this, use a
source that supports 96-kHz sampling digital signals and set
the player for digital output. Refer to the operation
instructions for the player.) Note the following when a
96-kHz sampling digital signal is input to this unit:
1. The following indication will appear on the display.

Adjust the volume to the desired output level.
VOLUME

PCM

Front panel

Remote control

If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for the sound from the
main speakers.
• BASS controls the low-frequency response.
• TREBLE controls the high-frequency response.
• BALANCE adjusts the balance of the output volume
from the right and left main speakers.
BASS

–

BALANCE

TREBLE

–

Front panel

Use the digital sound field processor.
Refer to “Selecting a DSP Program”.

K HZ

2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound from only the left and
right main speakers.

Note
• If “MAIN SP” in the SET MENU is set to SMALL and
“BASS OUT” is set to SWFR or “BASS OUT” is set to
BOTH, the sound is also output from the subwoofer.

3. Adjustment of the speaker output level described on
page 40 cannot be made (except the level of the
subwoofer).

■ BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT l / h on the front panel.

PROGRAM

Remote control

Front panel

■ To mute the sound
Use this when you want to temporarily mute audio output.
Press MUTE on the remote
control.
To restore the audio output to
the previous volume level, press
MUTE again.

Note
• During muting, “MUTE ON” appears on the display.

■ When you have finished using this
unit
Press STANDBY/ON (or POWER) to set this
unit in the standby mode.

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PLAYING A SOURCE

Input Modes and Indications
When using the remote control, press AMP(TUNER) on
the component selector.

INPUT MODE

or
Front panel

Remote control

AUTO:

ADVANCED OPERATION

In this mode, the input signal is
automatically selected in the following
order:
1) Dolby Digital or DTS signal
2) Digital (PCM) signal
3) Analog signal
DTS:
In this mode, only the digital input
signal encoded with DTS is selected
even if another signal is input at the
same time.
ANALOG (ANLG): In this mode, only the analog input
signal is selected even if a digital
signal is input at the same time.

BASIC OPERATION

Input mode

PREPARATION

Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.

• If the digital output data of the player has been processed
in any way, you may not be able to perform DTS
decoding even if you make a digital connection between
this unit and the player.
• If you play a source encoded with a DTS signal and set
the input mode to ANALOG, this unit reproduces the
noise of an unprocessed DTS signal. When you want to
play a DTS source, be sure to connect the source to a
digital input jack and set the input mode to AUTO or
DTS.
• If you switch the input mode to ANALOG while playing
a source encoded with a DTS signal, this unit reproduces
no sound.
• The following phenomena may occur if the input mode
is set to AUTO when playing back a source encoded with
DTS:
– If you continue to play a source encoded with a DTS
signal, this unit automatically switches to the “DTSdecoding” mode to prevent noise from being generated
during subsequent operation. (The “t” indicator
lights up on the display.) The “t” indicator may flash
immediately after playback of a source encoded with a
DTS signal has finished. Only a source encoded with a
DTS signal can be played back while this indicator is
flashing. (The indicator will flash for less than a minute.)
If you want to play a normal PCM source soon, set the
input mode back to AUTO.
– The “t” indicator may flash when a search or skip
operation is performed. If this status continues for a
certain length of time, the unit will automatically switch
from the “DTS-decoding” mode to PCM digital signal
input mode and the “t” indicator will go out.

INTRODUCTION

This unit comes with various input jacks. If your component
is connected to more than one type of input jack, you can set
the priority of the input signal.

■ Notes on playing a source
encoded with a DTS signal

Notes

APPENDIX

• If digital signals are input from both the COAXIAL and
OPTICAL jacks, the digital signal from the COAXIAL jack is
selected.
• When AUTO is selected, this unit automatically determines the
type of signal. If this unit detects a Dolby Digital or DTS signal,
the decoder automatically switches to the appropriate setting and
reproduces 5.1 channel source.
• The sound output may be interrupted for some LD players and
DVD players in the following situation:
When the input mode has been set to AUTO and a search is
performed while playing the source encoded with a Dolby Digital
or DTS signal, the sound may delay for a moment when playback
is resumed.
• Depending on the LD player, playback may not be made when
playing an LD that is not digitally recorded with the input mode
set to AUTO. If this happens, set the input mode to ANALOG.

English

23
0104V520RDS21-25_EN

1/31/1, 4:22 PM

PLAYING A SOURCE

■ On the front panel

Selecting a DSP Program
You can enhance your listening experience by selecting a
DSP program. Refer to “SOUND FIELD PROGRAM” for
details about each program.

VOLUME
D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

TREBLE

BASS

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT

• Make sure that the sound effect is turned on (see page 25).

MEMORY

–

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

■ On the remote control

S VIDEO

SILENT

VIDEO

AUDIO R

OPTICAL

VIDEO AUX

PROGRAM

Press PROGRAM l or h
repeatedly to select the
desired program.
The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.

TUNING
MODE

Press AMP(TUNER) on the
component selector.

DIGITAL

PROGRAM

MOVIE THEATER 1
BASS EXT.

DSP

Press PRG+ or PRG–
repeatedly to select the
desired program.
The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.
DIGITAL

DSP program name

y
• If desired, adjust the delay time and the sound output level of each
speaker. (Refer to “DELAY TIME AND SPEAKER OUTPUT
LEVELS” on page 40 for details.)

Notes

MOVIE THEATER 1
BASS EXT.

DSP

DSP program name

• Choose a DSP program based on your listening preference, and
not on the name of the program. The acoustics of your listening
room affect the DSP program. Minimize the sound reflections in
your room to maximize the effect created by the program.
• When you select an input source, this unit automatically selects
the last DSP program used with that source.
• When you set this unit in the standby mode, the current source
and DSP program are memorized and are automatically selected
when you turn on the power again.
• If a Dolby Digital or DTS signal is input when the input mode is
set to AUTO, the DSP program automatically switches to the
appropriate decoding program.
• When a monaural source is being played with PRO LOGIC/
NORMAL or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” in the
SET MENU is set to NON, the center channel sound is output
from the main speakers.
• When a source connected to the 6CH INPUT jack of this unit is
selected, the digital sound field processor cannot be used.
• When 96-kHz sampling digital signals are input to this unit, the
DSP program cannot be selected. In this case, the sound is
reproduced as normal 2-channel stereo.

24
0104V520RDS21-25_EN

1/31/1, 4:22 PM

PLAYING A SOURCE

■ Virtual CINEMA DSP and SILENT
CINEMA

Press EFFECT to cancel the sound effect and
monitor only the main sound.
Press EFFECT again to turn the sound effect back on.
EFFECT

The sound field processing is changed to the Virtual
CINEMA DSP mode by setting “REAR LR SP” on the SET
MENU to NON. Virtual CINEMA DSP is performed by
using the main speakers.

Front panel

Remote control

Notes

SILENT CINEMA
SILENT CINEMA allows you to enjoy the realistic feel of
the DSP program while using headphones. This feature
delivers powerful surround reproduction just as if listening
through the speakers.

ADVANCED OPERATION

You can listen to SILENT CINEMA by connecting your
headphones to the PHONES jack while the effect speakers
are on.

BASIC OPERATION

• If the sound effect is canceled when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In that case, turn back
on the sound effect.

PREPARATION

Note
• This unit is not set in the Virtual CINEMA DSP mode even if
“REAR LR SP” is set to NON in the following cases:
– when the 5CH STEREO, PRO LOGIC/NORMAL, DOLBY
DIGITAL/NORMAL or DTS/NORMAL program is selected;
– when the sound effect is turned off;
– when 6CH INPUT is selected as the input source;
– when 96-kHz sampling digital signals are input to this unit;
– when the Dolby Digital KARAOKE source is played;
– when using the test tone; or
– when connecting the headphones (you will hear SILENT
CINEMA).

INTRODUCTION

Virtual CINEMA DSP
Virtual CINEMA DSP allows you to enjoy the sound field
effects of the DSP program without rear speakers. Using
YAMAHA original technology, natural surround
reproduction is possible through the generation of a virtual
speaker.

Canceling the Sound Effect (turning
off the effect speakers)

APPENDIX
English

25
0104V520RDS21-25_EN

1/31/1, 4:22 PM

TUNING
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength.
Connect each antenna correctly to the designated terminals.
AM loop
antenna
(included)

Release the tab to lock the lead wires.
Lightly pull the lead wires to confirm a good
connection.

4
5

Attach the loop antenna to the antenna stand.

Indoor FM
antenna
(included)

Orient the AM loop antenna so that the best
reception is obtained.

y
TUNER
AM ANT GND

• The AM loop antenna can be removed from the stand and
attached to a wall, etc.

FM ANT

UNBAL.

Notes

Ground (GND terminal)
For maximum safety and
minimum interference, connect
the antenna GND terminal to a
good earth ground. A good earth
ground is a metal stake driven
into moist earth.

■ Connecting the indoor FM antenna
Connect the included indoor FM antenna to the FM ANT
75Ω UNBAL. terminal.

• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer
reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the
quality. Consult the nearest authorized YAMAHA dealer
or service center about the outdoor antennas.
Connecting a coaxial cable to the included
75-ohm/300-ohm antenna adapter (U.K. model
only)

Note

11 (7/16)
8 (5/16)
6 (1/14)

Cover

• Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.

■ Connecting the AM loop antenna
3

Cut the external sleeve of
the 75-ohm coaxial cable
and prepare it for
connection.

Open the cover of the
included 75-ohm/300-ohm
antenna adapter.

1
2

Lead wire
Cut the lead wire and
remove it.

5
4
Clamp
with
pliers.

Antenna stand

1
2

Press and hold the tab to unlock the terminal
hole.
Insert the AM loop antenna lead wires into the
AM ANT and GND terminals.

5
Clamp with
pliers.
Insert the wire
into the slot.

Insert the cable wire into the
slot, and clamp it with
pliers.

26
0105V520RDS26-30_EN

Unit: mm
(inch)

1/31/1, 4:22 PM

Snap the cover into
place.

TUNING

Automatic Tuning

Manual Tuning

Automatic tuning is effective when station signals are
strong and there is no interference.

If the signal from the station you want to select is weak, you
must tune in to it manually.
Use INPUT l / h to select
TUNER as input source.

Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.

VOLUME

INPUT

D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

BASS

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

VIDEO

AUDIO R

INTRODUCTION

OPTICAL

FM/AM
SILENT

VIDEO AUX

Use INPUT l / h to select
TUNER as the input
source.

INPUT

Press TUNING MODE (AUTO/MAN’L MONO) so
that the “AUTO” indicator goes off.
TUNING
MODE

Goes off

AUTO/MAN'L MONO

If “ z ” appears on the display next to the band
indication, press PRESET/TUNING (EDIT) to turn it
off.

Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
or

EDIT

Press TUNING MODE (AUTO/MAN’L MONO) so
that the “AUTO” indicator lights up on the
display.
TUNING
MODE

Turn “ z ” off

Press PRESET/TUNING l or h to tune in to
the desired station.
To continue the tuning search, hold down the button.
PRESET/TUNING

Lights up

AUTO/MAN'L MONO

Note
• If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.

PRESET
/TUNING

EDIT

Turn “ z ” off

APPENDIX

Press PRESET/TUNING l once to tune in to a
lower frequency and h once to tune in to a
higher frequency.
Press the button again if the tuning search does not stop
at the desired station.

ADVANCED OPERATION

If “ z ” appears on the display next to the band
indication, press PRESET/TUNING (EDIT) to turn it
off.

BASIC OPERATION

PRESET
/TUNING

FM/AM

PREPARATION

PRESET/TUNING

y
English

• Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).
• When tuned in to a station, the “TUNED” indicator lights up and
the frequency of the received station is shown on the display. If an
RDS station that offers the PS data service is being received, the
station name is shown instead of the frequency on the display.

27
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TUNING

■ Automatic preset tuning options

Automatic Preset Tuning (for RDS
stations only)
You can make use of the automatic preset tuning function
for RDS stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 RDS stations (5 groups x 8 stations).

VOLUME
D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

BASS

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

■ When automatic preset tuning is
completed

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

SILENT

S VIDEO

VIDEO

AUDIO R

OPTICAL

VIDEO AUX

The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 29.

3 21

You can select the preset number from which the unit will
store RDS stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3),
1. Press A/B/C/D/E and PRESET/TUNING l or h to
select the preset number with which the first station will
be stored. The automatic preset tuning will stop when
stations have all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.

Press FM/AM to select the FM band.

Notes

FM/AM

Press TUNING MODE (AUTO/MAN’L MONO) so
that the “AUTO” indicator lights up on the
display.
TUNING
MODE

Lights up

AUTO/MAN'L MONO

Hold down MEMORY (MAN’L/AUTO FM) for
about 3 seconds.
The preset number, the “MEMORY” and “AUTO”
indicators flash. After about 5 seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.
MEMORY

AUTO
BASS EXT. MEMORY

MAN'L/AUTO FM

• A new setting can be stored in place of the former one.
• The reception mode is stored along with the station frequency.
• You can manually replace a preset station with another FM or AM
station by simply using the manual preset tuning method.
• Automatic preset tuning will be performed for all RDS network
stations until all have been stored up to E8. Even if the number of
received stations is not enough to be stored up to E8, automatic
preset tuning is automatically ended after searching for all
stations.
• Only RDS stations with sufficient signal strength are stored by
automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method. (There may be a
case that this unit cannot receive a station which could be
received by using the automatic tuning method. This is because
this unit receives a large amount of PI (Program Identification)
data along with the station.)

Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.

Flashes

28
0105V520RDS26-30_EN

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TUNING

Manual Preset Tuning

To Recall a Preset Station

You can also store up to 40 stations (5 groups x 8 stations)
manually.

RDS MODE/FREQ

EON

SURROUND

PTY SEEK
MODE
START

INPUT MODE

BASS

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

You can also recall a preset station with the remote control.
Press AMP(TUNER) on the component selector and press
TUNER on the input selector.

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

VOLUME

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

VIDEO

AUDIO R

D I G I T A L

OPTICAL

RDS MODE/FREQ

EON

D I G I TA L

SILENT

SURROUND

STANDBY
/ON

VIDEO AUX

PTY SEEK
MODE
START

INPUT MODE

TREBLE

BASS

4 3 2,5

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

VIDEO

SILENT

AUDIO R

OPTICAL

PREPARATION

INTRODUCTION

VOLUME
D I G I T A L

D I G I TA L

STANDBY
/ON

You can recall any desired station simply by selecting the
preset station number with which it was stored.

VIDEO AUX

Tune in to the desired station.
Refer to “Automatic/Manual Tuning” for the tuning
procedure.

2 1

Press MEMORY (MAN’L/AUTO FM).
The “MEMORY” indicator flashes for about 5 seconds.
MEMORY

MAN'L/AUTO FM

Press A/B/C/D/E repeatedly to select the
desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.
Make sure that “ z ” appears on the display. The
selected group appears on the display.

1
2

A/B/C/D/E

Press A/B/C/D/E to select the required group
of preset stations.
Make sure that “ z ” appears on the display.

Press PRESET/TUNING l or h to select a
preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
indicator goes off.
Press l to select a lower preset
station number and h to select
a higher preset station number.
PRESET/TUNING

Front panel

Remote control

Press PRESET/TUNING l or h (or PRESET
–/+) to select a preset station number (1 to 8).
The preset group and number appear on the display
along with the reception band, frequency, and the
“TUNED” indicator lights up.
PRESET/TUNING

or
Front panel

APPENDIX

Press MEMORY (MAN’L/AUTO FM) before the
“MEMORY” indicator goes off.
The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear and the “TUNED” indicator
lights up on the display.

Remote control

AUTO
STEREO

MEMORY

ADVANCED OPERATION

A/B/C/D/E

BASIC OPERATION

Flashes

TUNED
AUTO
STEREO

MAN'L/AUTO FM

TUNED

Repeat steps 1 to 5 to store other stations.

English

Notes
• A new setting can be stored in place of the former one.
• The reception mode is stored along with the station frequency.

29
0105V520RDS26-30_EN

1/31/1, 4:22 PM

TUNING

Exchanging Preset Stations
You can exchange the assignment of two preset stations
with each other.
Example: Exchange preset station “E1” with “A5”

VOLUME
D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

BASS

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

SILENT

S VIDEO

VIDEO

AUDIO R

OPTICAL

VIDEO AUX

2,4

Recall preset station “E1”.
Refer to the procedure in the section “To Recall a
Preset Station” on page 29.

Hold down (PRESET/
TUNING) EDIT for about
3 second.
“E1” and the “MEMORY”
indicator flash.

PRESET
/TUNING

EDIT

BASS EXT. MEMORY

Flashes

Recall preset station “A5” by using the buttons
on the front panel.
“A5” and the “MEMORY” indicator flash.
BASS EXT. MEMORY

Flashes

Press (PRESET/TUNING)
EDIT again.
The display shows the
exchange of stations has been
completed.

PRESET
/TUNING

EDIT

MEMORY

30
0105V520RDS26-30_EN

1/31/1, 4:23 PM

RECEIVING RDS STATIONS

RDS data contains various information such as PI (Program
Identification), PS (Program Service name), PTY (Program
Type), RT (Radio Text), CT (Clock Time), EON (Enhanced
Other Networks), etc. The RDS function is carried out
among the network stations.

This unit can receive PI, PS, PTY, RT, CT, and EON data
when receiving RDS broadcasting stations.

■ PS (Program Service name) mode:
The name of the RDS station being received is displayed.

The program type on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which is
broadcasting a program of the desired type. Refer to “PTY
SEEK Function” for details.

■ RT (Radio Text) mode:

• When an RDS station is being received, do not press RDS
MODE/FREQ until one or more RDS mode indicators light up on
the display. If you press the button before the indicators light up
on the display, the mode cannot be changed. This is because the
unit has not yet received all of the RDS data on the station.
• RDS data not offered by the station cannot be selected.
• The RDS data service cannot be utilized by this unit if the
received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible
that the RT mode may not be displayed even if other RDS modes
(PS, PTY, etc.) are displayed.
• RDS data cannot sometimes be received under poor reception
conditions. If so, press TUNING MODE so that the “AUTO”
indicator goes off from the display. Although the reception mode
is changed to monaural by this operation, when you change the
display to RDS mode, RDS data may be displayed.
• If the signal strength is weakened by external interference during
the reception of an RDS station, the RDS data service may be cut
off suddenly and “...WAIT” will appear on the display.
RDS MODE/FREQ

PS mode

■ CT (Clock Time) mode:

PTY mode

The current time is displayed and updated every minute. If
the data are accidentally cut off, “CT WAIT” may appear.

■ EON (Enhanced Other Networks):

ADVANCED OPERATION

Information about the program (such as the title of the song,
name of the singer, etc.) on the RDS station being received
is displayed by a maximum of 64 alphanumeric characters,
including the umlaut symbol. If other characters are used for
RT data, they are displayed with under-bars.

Notes

BASIC OPERATION

■ PTY (Program Type) mode:

The four modes are available in this unit for displaying RDS
data. When an RDS station is being received, PS, PTY, RT
and/or CT that correspond to the RDS data services offered
by the station light up on the display. Press RDS MODE/
FREQ repeatedly to change the display mode among the
RDS data offered by the transmitting station in the order
shown below. Illumination of the red indicator next to the
RDS mode indicator shows that the corresponding RDS
mode is now selected.

PREPARATION

Description of RDS Data

Changing the RDS Mode

INTRODUCTION

Radio Data System (RDS) is a data transmission system by
FM stations in many countries. Stations using this system
transmit an inaudible stream of data in addition to the
normal radio signal.

RT mode

Refer to “EON Function” on page 33.

APPENDIX

CT mode

Frequency
display mode

English

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0106V520RDS31-34_EN

1/31/1, 4:23 PM

RECEIVING RDS STATIONS

■ To cancel this function

PTY SEEK Function

Press PTY SEEK MODE twice.

If you select the desired program type, the unit
automatically searches all preset RDS stations that are
broadcasting a program of the required type.

■ Program types in the PTY mode
There are 15 program types to classify RDS stations.

3
VOLUME

D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

TREBLE

BASS

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

SILENT

S VIDEO

VIDEO

AUDIO R

OPTICAL

VIDEO AUX

Press PTY SEEK MODE to set the unit in the
PTY SEEK mode.
The program type of the station being received or
“NEWS” flashes on the display.

NEWS
AFFAIRS
INFO
SPORT
EDUCATE
DRAMA
CULTURE
SCIENCE
VARIED
POP M
ROCK M
M.O.R. M
LIGHT M
CLASSICS
OTHER M

News
Current affairs
General information
Sports
Education
Drama
Culture
Science
Light entertainment
Pops
Rock
Middle-of-the-road music (easy-listening)
Light classics
Serious classics
Other music

PTY SEEK
MODE
START

Flashes

Press PRESET/TUNING l or h to select the
desired program type.
The selected program type flashes on the display.
PRESET/TUNING

Flashes

Press PTY SEEK START to begin searching all
preset RDS stations.
The selected program type flashes and the “PTY
HOLD” indicator lights up on the display while
searching for stations.
Light up
PS

PTY SEEK
MODE
START

PTY

PTY HOLD

AUTO

BASS EXT.

The selected program type flashes.

• If a station that is broadcasting a program of the
required type is found, the unit stops at that station.
• If the called station is not the desired one, press PTY
SEEK START again. The unit begins searching for
another station that is broadcasting a program of the
same type.

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RECEIVING RDS STATIONS

EON Function

EON

Lights up

Note

• This function can only be used when an RDS station that offers
the EON data service is being received. When such a station is
being received, the “EON” indicator lights up on the display.

EON

PTY SEEK
MODE
START

TREBLE

BALANCE

PRESET
/TUNING

SPEAKERS
A

Flashes
PS

6CH INPUT

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

BASS EXT.

A/B/C/D/E
EDIT
MEMORY

SURROUND

INPUT MODE

–

AUTO
STEREO

EON
TUNED

–

PTY

AUTO
STEREO

EON

NEWS

PREPARATION

VOLUME
D I G I T A L

D I G I TA L

STANDBY
/ON

BASS

PTY

NEWS

• If a preset RDS station of the selected program type
starts broadcasting, the unit will automatically switch
from the program being currently received to that
program. The program type name indicator flashes.

RDS MODE/FREQ

BASS EXT.

INTRODUCTION

This function uses the EON data service on the RDS station
network. If you simply select the desired program type
(NEWS, INFO, AFFAIRS or SPORT), the unit
automatically searches for all preset RDS stations that are
scheduled to broadcast a program of the required type and
switches from the station being currently received to the
new station when the broadcasts starts.

Press EON repeatedly to select the desired
program type (NEWS, INFO, AFFAIRS or
SPORT).
The selected program type name indicator lights up on
the display.

TUNED

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

SILENT

VIDEO

AUDIO R

OPTICAL

VIDEO AUX

Make sure that the “EON” indicator lights up
on the display.
If the “EON” indicator does not light up, tune in to
another RDS station so that the “EON” indicator lights
up.
Lights up
PS

PTY

TUNED

PTY

AUTO
STEREO

EON
TUNED

Press EON repeatedly until no program type name lights up
on the display.

ADVANCED OPERATION

BASS EXT.

■ To cancel this function
AUTO
STEREO

EON

• When broadcasting of the required program ends, the
previously received station (or another program on
the same station) is recalled.

BASIC OPERATION

S VIDEO

APPENDIX
English

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RECORDING A SOURCE
Recording adjustments and other operations are performed
from the recording component. Refer to the instructions for
these components.

1,4

VOLUME
D I G I T A L

RDS MODE/FREQ

EON

D I G I TA L

SURROUND

STANDBY
/ON

PTY SEEK
MODE
START

INPUT MODE

TREBLE

BASS

BALANCE

PRESET
/TUNING

SPEAKERS
A

6CH INPUT

FM/AM

INPUT
EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E
EDIT
MEMORY

–

TUNING
MODE

OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES

S VIDEO

VIDEO

SILENT

AUDIO R

OPTICAL

VIDEO AUX

2
4

Notes
• Do a test recording before you start an actual recording.
• When this unit is set in the standby mode, you cannot record
between other components connected to this unit.
• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
• A source connected to the 6CH INPUT jacks of this unit cannot
be recorded.
• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
• A given input source is not output on the same REC OUT
channel. (For example, the signal input from VCR 1 IN is not
output on VCR 1 OUT.)
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.

If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.

Set the volume at the
minimum level.

Select the source you want to record.

VOLUME

Front panel

INPUT

Front panel

Remote control

Begin recording by the recording component
connected to this unit.

Play the source and then turn up the volume to
confirm the input source.

■ Special considerations when
recording DTS software
The DTS signal is a digital bitstream. Attempting to
digitally record the DTS bitstream will result in noise being
recorded. Therefore, if you want to use this unit to record
sources that have DTS signals recorded on them, the
following considerations and adjustments need to be made.
For DVDs and CDs encoded with DTS
Only 2-channel analog audio signals may be recorded.
Set the DVD player (or CD player) as described in the
player’s operation instructions so that the audio signals are
output from the player’s analog outputs.

VOLUME

Front panel

Remote control

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ADVANCED OPERATION

SET MENU
1

Press AMP(TUNER) on the
component selector.

Press SET MENU to enter the SET MENU.

Press PRG– (or PRG+) repeatedly to select the
item (1 to 9) you want to adjust.

INTRODUCTION

The SET MENU consists of 9 items including the speaker
mode setting. Use the SET MENU to enjoy the optimum
audio/video playback for your system.
• You can adjust the items on the SET MENU while playing a
source.

SPEAKER SET
CENTER SP
MAIN SP

PREPARATION

REAR LR SP
BASS OUT
MAIN LVL
2

HP TONE CTRL

I/O ASSIGN

INPUT MODE

DOLBY D. SET

y
• By pressing SET MENU repeatedly, you can select items in the
same order as when pressing PRG–.

Depending on the item, press PRG– (or PRG+) to
select a sub item.

ADVANCED OPERATION

LFE LEVEL

Press – or + once to enter the setup mode of
the selected item.
The last setting you adjusted appears on the display.

BASIC OPERATION

D-RANGE
6

DTS SET

SP DLY TIME

DISPLAY SET

MEM. GUARD

Adjusting the Items on the SET
MENU
Adjustment should be made with the remote control.

Press – or + repeatedly to change the setting
of the item.

Press PRG– (or PRG+)
repeatedly until the input
source name appears to
exit from the SET MENU.

APPENDIX

3,6
4,5
2

English

Note
• Some items require extra steps to change to the desired setting.

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SET MENU

Memory back-up
The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more than
one week, the settings of the SET MENU you adjusted
will return to the factory settings. If so, adjust the items
again.

1 SPEAKER SET (speaker mode
settings)
Use this feature to select suitable output modes for your
speaker configuration.

Notes
• When 96-kHz sampling digital signals are input to this unit, level
adjustments in items “MAIN SP”, “BASS OUT” and “MAIN
LVL” are possible, but those in items “CENTER SP” and “REAR
LR SP” are not affected.
• When 6CH INPUT is selected as the input source, level
adjustments in items of “1 SPEAKER SET” are not affected
(except “MAIN LVL”).

■ MAIN SP (main speaker mode)
Choices: LARGE, SMALL
Initial setting: LARGE

LARGE
Select this if you have large main speakers. The entire range
of the left and right main channel signal is directed to the
left and right main speakers.
SMALL
Select this if you have small main speakers. The lowfrequency signals (90 Hz and below) of the main channel
are directed to the speakers selected with “BASS OUT”.

Note
• When you select MAIN for “BASS OUT”, the low-frequency
signals (90 Hz and below) of the main channel are directed to the
main speakers even if you select SMALL for the main speaker
mode.

■ REAR LR SP (rear speaker mode)
Choices: LRG (large), SML (small), NON (none)
Initial setting: LRG

■ CENTER SP (center speaker mode)
By adding a center speaker to your speaker configuration,
the unit can provide good dialog localization for many
listeners and superior synchronization of sound and images.
Choices: LRG (large), SML (small), NON (none)
Initial setting: LRG

LRG
Select this if you have a large center speaker. The entire
range of the center channel signal is directed to the center
speaker.
SML
Select this if you have a small center speaker. The lowfrequency signals (90 Hz and below) of the center channel
are directed to the speakers selected with “BASS OUT”.

LRG
Select this if you have large left and right rear speakers or if
a rear subwoofer is connected to the rear speakers. The
entire range of the rear channel signal is directed to the left
and right rear speakers.
SML
Select this if you have small left and right rear speakers. The
low-frequency signals (90 Hz and below) of the rear
channel are directed to the speakers selected with “BASS
OUT”.
NON
Select this if you do not have rear speakers.

y
• This unit is set in the Virtual CINEMA DSP mode by selecting
NON for “REAR LR SP”.

NON
Select this if you do not have a center speaker. All of the
center channel signals are directed to the left and right main
speakers.

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SET MENU

■ BASS OUT (bass out mode)
LFE signals carry low-frequency effects when this unit
decodes a Dolby Digital or DTS signal. Low-frequency
signals are defined as 90 Hz and below.

Use this feature to adjust the level of the bass and treble
when you use your headphones.
Control range (dB): –6 to +3
Initial setting: 0 dB for both BASS and TRBL (treble)

SWFR
Select this if you use a subwoofer. The LFE signals are
directed to the subwoofer.

BOTH
Select this if you use a subwoofer and you want to mix the
main channel low-frequency signals with the LFE signals.

Notes

3 I/O ASSIGN
It is possible to assign jacks according to the component to
be used if this unit’s DIGITAL INPUT/OUTPUT jack
settings (component names for terminals) differ from that
component. This makes it possible to change the jack
assignment and effectively connect more component.
Once you assign, you can select that component with
INPUT l / h (or the input selector buttons).

■ 3A (1) (for the OPTICAL OUTPUT
jack)
Initial setting: (1) MD/CD-R

■ MAIN LVL (main level mode)

Choices: NORM (normal), –10 dB
Initial setting: NORM

■ 3B (2) to (4) (for the OPTICAL
INPUT jacks)

ADVANCED OPERATION

Change this setting if you cannot match the output level of
the center and rear speakers with the main speakers because
of the unusually high-efficiency performance of the main
speakers.

BASIC OPERATION

• When playing a 2-channel source (CD, MD, tape, video cassette
etc.), select BOTH position to direct low bass signals (below
90 Hz) to the SUBWOOFER jack.
• When you select SMALL (SML) for items “CENTER SP”,
“MAIN SP” and “REAR LR SP”, the low-frequency signals
(90 Hz and below) from those channels are added to the LFE and
output to the subwoofer.

PREPARATION

MAIN
Select this if you do not use a subwoofer. The LFE signals
are directed to the main speakers.

INTRODUCTION

Choices: SWFR (subwoofer), MAIN, BOTH
Initial setting: BOTH

2 HP TONE CTRL (headphone tone
control)

Initial settings: (2) MD/CD-R
(3) DVD
(4) D-TV/CBL

NORM (normal)
Normally select this setting.

APPENDIX

–10 dB
Select this if you cannot match the output level of your
effect speakers with that of your main speakers when using
the test tone. This setting decreases the main speaker output
level to about one-third of the normal level.

English

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SET MENU

■ 3C (5) (for the COAXIAL INPUT
jack)
Initial setting: (5) CD

■ D-RANGE (dynamic range)
Use this feature to adjust the dynamic range (the difference
between the maximum level and the minimum level of
sounds).
Choices: MAX, STD (standard), MIN
Initial setting: MAX

Note
• You cannot select an item more than once for the same type of
jack.

4 INPUT MODE (initial input mode)

MAX

Output level

Use this feature to designate the input mode when turning
on the power of this unit with the source component
connected to more than one type of input jacks.

• Select MAX for feature films.
• Select STD for general use.
• Select MIN for listening to sources at an extremely low
volume level.

Choices: AUTO, LAST
Initial setting: AUTO

Dialog
level

Input level

AUTO
Select this to allow this unit to automatically detect the type
of input signal and select the appropriate input mode.

MIN

LAST
Select this to set this unit to automatically select the last
input mode used for that source.

Dialog
level

H-LEVEL CUT
0.0
1.0

1.0

Output level

STD

Dialog
level

0.0
L-LEVEL BST

Input level

5 DOLBY D. SET (Dolby Digital set)
This setting is effective only when this unit decodes Dolby
Digital signals.

■ LFE LEVEL
Use this feature to adjust the output level of the LFE (lowfrequency effect) channel when playing back a Dolby
Digital signal. The LFE signal carries the low-frequency
special effect sound which is only added to certain scenes.
Control value (dB): –20 to 0
Initial setting: 0 dB

Notes
• Adjust the LFE level according to the capacity of your subwoofer.
• Normally, around –6 dB to –8 dB is most suitable for listening at
home.

Note
• When you select MIN, the sound output may be faint because
some Dolby Digital signals are not compatible with the
minimum-level dynamic range. In this case, select MAX or STD.

6 DTS SET (DTS LFE level)
This setting is effective only when this unit decodes DTS
signals.
Use this feature to adjust the output level of the LFE (lowfrequency effect) channel when playing back a DTS signal.
The LFE signal carries the low-frequency special effect
sound which is only added to certain scenes.
Control range (dB): –10 to +10
Initial setting: 0 dB

Note
• Adjust the LFE level according to the capacity of your subwoofer.

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SET MENU

7 SP DLY TIME (center delay)

You can adjust the brightness of the display.
Control range : –4 to 0
Initial setting: 0

9 MEM. GUARD (memory guard)
Use this feature to prevent accidental changes to the setting
of the SET MENU and other settings on this unit.

Choices: ON, OFF
Initial setting: OFF

PREPARATION

Control range (ms): 0 to 5
Initial setting: 0 ms

■ DIMMER
INTRODUCTION

Use this feature to adjust the delay of the center channel
sound. This feature works when this unit decodes a Dolby
Digital or DTS signal. Ideally, the center speaker should be
the same distance from the listening position as the left and
right main speakers. However, in most home situations, the
center speaker is placed in line with the main speakers. By
delaying the sound from the center speaker, the apparent
distance from the center speaker to the listening position can
be adjusted to make it seem the same as the distance
between the left and right main speakers to the listening
position. Adjusting the delay time for the center speaker is
especially important for giving depth to the dialog.

8 DISPLAY SET

Center speaker image

Select ON to protect the following features:
• All SET MENU items
• Center, rear speakers and subwoofer levels
• Delay time adjusted by using TIME/LEVEL

Notes

y
• Increasing the delay by 1 ms simulates moving the speaker
about 30 cm (one foot) farther away from the actual position of
the center speaker.

ADVANCED OPERATION

• When “9 MEM. GUARD” is set to ON, you cannot use the test
tone.
• When “9 MEM. GUARD” is set to ON, you cannot select any
other SET MENU items.

BASIC OPERATION

C
L

APPENDIX
English

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DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the
Dolby Pro Logic decoder, Dolby Digital decoder or DTS
decoder, you can adjust the delay time between the main
sound and sound effect, and each speaker’s output level as
you wish.

If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” procedure.

Delay Time
You can adjust the time difference between the beginning
of the sound from the main speakers and the beginning of
the sound effect from the rear speakers. The larger the
value, the later the sound effect is generated. The delay
time can be individually adjusted to all DSP programs.

Notes
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
1.
2.
3.
4.

5.
6.
7.

Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer

Program
CONCERT HALL
JAZZ CLUB
ROCK CONCERT
DISCO
5CH STEREO
GAME
TV SPORTS
MONO MOVIE
70 mm SPECTACLE
DGTL SPECTACLE
DTS SPECTACLE
70 mm SCI-FI
DGTL SCI-FI
DTS SCI-FI
70 mm ADVENTURE
DGTL ADVENTURE
DTS ADVENTURE
70 mm GENERAL
DGTL GENERAL
DTS GENERAL
PRO LOGIC/NORMAL
DOLBY DIGITAL/NORMAL
DTS DIGITAL SUR./NORMAL
PRO LOGIC/ENHANCED
DOLBY DIGITAL/ENHANCED
DTS DIGITAL SUR./ENHANCED

Preset value (ms)
45
30
15
26
2
36
10
69
23
13
13
20
16
16
20
15
15
20
15
15
20
5
5
20
5
5

Notes
• If “CENTER SP” in the SET MENU is set to the NON position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Speaker
Center
Right rear
Left rear
Subwoofer

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Preset value (dB)
0
0
0
0

DELAY TIME AND SPEAKER OUTPUT LEVELS

Adjusting Method

Press – or + to adjust the
delay time or speaker
output levels.

Repeat steps 2 and 3 to adjust the settings of
any other item.

Adjustments should be performed with the remote control
while watching the information on the display.

Notes

3
2

Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as below.

DELAY

Delay time
Center speaker output level

R SUR.

Right rear speaker output level

L SUR.

Left rear speaker output level

SWFR

ADVANCED OPERATION

CENTER

Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.

BASIC OPERATION

Press AMP(TUNER) on the
component selector.

PREPARATION

• If “CENTER SP” or “REAR LR SP” is set to NON, or “BASS
OUT” is set to MAIN, the output level of that speaker cannot be
adjusted.
• When you adjust the output level with TIME/LEVEL, the settings
you made with the test tone will be changed.
• To adjust speakers other than the subwoofer, the adjusting
procedure using test tones on page 19 is recommended.

INTRODUCTION

Subwoofer output level

Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.

APPENDIX
English

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SLEEP TIMER
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying a broadcast or other desired
input source. The SLEEP timer can only be set with the
remote control.

Notes
• First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the
component selector to set the SLEEP timer for this unit.
• The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.

Canceling the SLEEP Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.

Note

Setting the SLEEP Timer
1

Play a source you want to enjoy when you are
going to sleep.

Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the
SLEEP time will change as
below:

120

• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON), or by disconnecting the AC power cord from
the AC power outlet.

The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)

BASS EXT.

SLEEP

Flashes

The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
STEREO
TUNED SLEEP

Lights up

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PRESET REMOTE CONTROL

Note
• For the notes on batteries, operating distance and names and functions of the remote control, refer to each description in this manual.

Component Selector Buttons

TAPE/MD
The code for a YAMAHA MD deck is factory
set. (The code for the YAMAHA CD recorder
and tape deck can also be set.)
VCR
A VCR can be controlled.
TV
A TV can be controlled.
CBL/SAT
A cable TV or satellite tuner can be controlled.

Notes
• The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details.
• When shipped from the factory, the YAMAHA manufacturer codes listed on page 49 are set for each dial position. If unable to operate your
YAMAHA A/V component, please try using another YAMAHA code.

Turn on the power.

Press CD on the input selector.

Press CD on the
component selector.

Press p.
Refer to “Description of Each
Mode” for the CD player
operation buttons.

Adjust the volume.

■ Example: To control YAMAHA CD
player
5
2
3
4

Make sure that the volume is set at the
minimum level.

Press AMP(TUNER) on the
component selector.

If you set the remote control with the manufacturer codes
listed from page i at the end of this manual, you
can control other brands of components. Refer to
“Setting the Manufacturer Code” for details.

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English

APPENDIX

ADVANCED OPERATION

Controlling the Components
Connected to This Unit

BASIC OPERATION

AMP(TUNER)
You can perform the basic operations of this
unit.
CD
The code for a YAMAHA CD player is
factory set.
DVD/LD & DVD MENU
An LD player can be controlled in
the DVD/LD mode. A DVD player can be
controlled in the DVD/LD and DVD MENU
modes. The code for a YAMAHA DVD
player is factory set.

PREPARATION

There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD
operation mode, allowing the CD player to be controlled.

INTRODUCTION

It is possible to control this unit and other YAMAHA A/V components using the remote control supplied with this unit. It is
also possible to control components from other manufacturers (or some YAMAHA components) by setting the proper
manufacturer code (a signal assigned to each manufacturer and component).

PRESET REMOTE CONTROL

Description of Each Mode
■ TAPE/MD MODE
Note
• TV VOLUME functions if you have set the code for your TV.

Press TAPE/MD.

POWER
This button turns this unit on if you have set the code
for a YAMAHA tape deck, MD recorder or CD
recorder. This button turns on the tape deck, MD
recorder or CD recorder that has a remote control with
a power button if you have set the code.

Input selector buttons

6CH INPUT
EFFECT

VOLUME
MUTE

SLEEP
r REC/PAUSE
This button gives a pause in recording on a tape deck
or MD recorder.
p PLAY
This button plays a tape, an MD or CD-R.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD/CD-R)
This button skips to the previous track.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD/CD-R)
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.

TV VOLUME

DISPLAY (MD/CD-R)
DECK A/B (TAPE)
This button selects deck A or B on a double-cassette
tape deck.
e PAUSE (MD/CD-R)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of deck B.
SKIP+ (MD/CD-R)
This button skips to the next track.
s STOP
This button stops operation on a tape deck, MD
recorder or CD recorder.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD/CD-R)
This button initiates a fast-forward search on the
track that is playing to find the point from which you
want to listen.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.
• Some of them may not function depending on the component you have. In this case, use the original remote control
supplied with your component.

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PRESET REMOTE CONTROL

■ CD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.

INTRODUCTION

Press CD.

PREPARATION

POWER
This button turns this unit on if you have set the code
for a YAMAHA CD player. This button turns on the CD
player that has a remote control with a power button if
you have set the code.
Input selector buttons

6CH INPUT

BASIC OPERATION

EFFECT
DISC SKIP –/+ (for a CD player with CD
changer)
These buttons skip to the next or previous CD.

VOLUME
MUTE

TV VOLUME

PAUSE/STOP function

SLEEP

p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the previous
track.
w SEARCH
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.

DISPLAY
TV INPUT

English

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APPENDIX

e PAUSE
This button gives a pause in operation. The
button functions as PAUSE/STOP* for operating
a YAMAHA CD player under factory setting.
a SKIP+
This button skips to the beginning of the next
track.
s STOP
This button stops operation. The button functions
as PAUSE/STOP* for operating YAMAHA CD
players.
f SEARCH
This button initiates a fast-forward search on the
track that is playing to find the point from which
you want to listen.

ADVANCED OPERATION

Press the button once to give a pause
in operation and press once more to
stop operation.

PRESET REMOTE CONTROL

■ DVD/LD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.

Press DVD/LD.
POWER
This button turns this unit on if you have
set the code for a YAMAHA DVD or LD
player. This button turns on the DVD or
LD player that has a remote control with a
power button if you have set the code.

Input selector buttons
6CH INPUT
EFFECT
DISC SKIP –/+
VOLUME
MUTE
SLEEP
PAUSE
SKIP –
STOP

TV VOLUME
DISPLAY
TV INPUT
SKIP +
PLAY
SEARCH

■ DVD MENU MODE
Notes
• TV VOLUME and TV INPUT function if you have set the code for your TV.
• DVD MENU operations cannot be performed for some DVD players.

Press DVD MENU.

POWER
This button turns this unit on if you have
set the code for a YAMAHA DVD or LD
player. This button turns on the DVD or
LD player that has a remote control with
a power button if you have set the code.

Numeric buttons

CLEAR
+10
DISC SKIP –/+
VOLUME
MUTE
RETURN
MENU UP
MENU LEFT
MENU DOWN

TV VOLUME
INDEX
TV INPUT
MENU RIGHT
MENU SELECT
MENU

TITLE

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PRESET REMOTE CONTROL

■ VCR MODE

■ CBL/SAT MODE

Note

• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.

Press VCR.

INTRODUCTION

VCR POWER

• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.

CBL/SAT POWER

Press CBL/SAT.

CHANNEL

VCR CHANNEL –/+
VOLUME
MUTE

TV VOLUME
DISPLAY
TV INPUT
VCR PAUSE

TV SLEEP
VCR REC
Press this button twice to
start recording.

CBL/SAT
CHANNEL –/+
VOLUME
MUTE

TV INPUT

MENU UP

MENU RIGHT
MENU SELECT
MENU

MENU DOWN

BASIC OPERATION

VCR REWIND

TV VOLUME
DISPLAY

TV SLEEP

MENU LEFT

VCR PLAY
VCR
FAST FORWARD

VCR STOP

+100
CHANNEL
ENTER

PREPARATION

EFFECT
CHANNEL
ENTER

CHANNEL

RECALL

■ TV MODE
Note
• You can control your VCR if you have set the
code for it.

ADVANCED OPERATION

TV POWER

Press TV.

CHANNEL

TV CHANNEL –/+
VOLUME
TV MUTE
TV SLEEP

VCR STOP
VCR REWIND

TV VOLUME
DISPLAY
TV INPUT
VCR PAUSE

APPENDIX

VCR REC
Press this button twice.

EFFECT
CHANNEL
ENTER

VCR PLAY
VCR
FAST FORWARD

English

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PRESET REMOTE CONTROL

Setting the Manufacturer Code
You can set the code for the manufacturer of your
component after pressing the component selector buttons
other than AMP(TUNER).

1
2

Turn on your component to be used.
Press one of the
component selector
buttons which
corresponds to the
component to be
controlled.

■ To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU modes if a cable TV or satellite tuner, or
DVD player is not being used.

Note
• In order to set a second (and third) VCR in the DVD MENU
mode, it is necessary to first set up the code for an LD player in
the DVD/LD mode.

1
2

Turn on the VCR to be used.
Press CBL/SAT or DVD
MENU on the component
selector.

Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.

Use the numeric buttons to
enter the four-digit
manufacturer code for the
component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.

Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.

Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.

Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.

Notes
• You can set only one code for one mode.
• In the DVD/LD and DVD MENU modes:
Be sure to press DVD/LD on the component selector before
entering the code for the DVD/LD player. You cannot set the code
for a DVD player after pressing DVD MENU on the component
selector. The code set in the DVD/LD mode is also
simultaneously set in the DVD MENU mode.
• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.

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PRESET REMOTE CONTROL

■ To return to the factory-set codes
in each mode

Returning to the Factory Setting

Press one of the
component selector
buttons other than
AMP(TUNER).

Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.

Enter the code number
“9990”.
Make sure that the indicator
flashes twice.

Press one of the
component selector
buttons which
corresponds to the
component to be returned
to the factory-set code.

Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.

Enter the code number
“0000”.
Make sure that the indicator
flashes twice.

PREPARATION

INTRODUCTION

■ To return to the factory-set codes
in all modes

BASIC OPERATION

The following codes are factory set.
Component

Code

TV
CBL/SAT
VCR
DVD/LD
CD
TAPE/MD

TV
Cable TV
VCR
DVD player
CD player
MD recorder

0101
0006
0002
0008 (YAMAHA DVD player)
0005 (YAMAHA CD player)
0024 (YAMAHA MD recorder)

Set component

Set code

ADVANCED OPERATION

Component selector button

We recommend that you write all the code numbers you have set on the table above.

APPENDIX
English

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SOUND FIELD PROGRAM
A digital sound field processor (DSP) based on the latest YAMAHA technology is built into this unit. It is possible to play
back various sound fields for the source you are listening to.

Note
• Regardless of the program name and characteristics listed in the table below, select the sound field program that sounds best to you.

Hi-Fi DSP Programs
■ For audio sources: Nos. 1 to 4
No.

Program (group)

Sub-program

Features

CONCERT HALL

—

A large round concert hall with a rich surround effect. Pronounced reflections from
all directions emphasize the extension of sounds. The sound field has a great deal of
presence, and your virtual seat is near the center, close to the stage.

JAZZ CLUB

—

This is the sound field at stage front in “The Bottom Line”, a famous New York jazz
club. The floor can seat 300 people to the left and right in a sound field offering a
real and vibrant sound.

ROCK CONCERT

—

The ideal program for lively, dynamic rock music. The data for this program was
recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of
the hall.

ENTERTAINMENT

DISCO

This program recreates the acoustic environment of a lively disco in the heart of a big
city. The sound is dense and highly concentrated. It is also characterized by a highenergy, “immediate” sound.

5CH STEREO

Using this program increases the listening position range. This is a sound field
suitable for background music at parties.

Note
• Reverberations (sound effects) for realizing the sound field and unprocessed stereo from the left and right main speakers is output. The
sound is not output from the center speaker. (The sound is output when one of these programs is selected while playing a source encoded
with a Dolby Digital or DTS signal. If 5CH STEREO is selected, the sound is output from all speakers regardless of the input source.)

CINEMA DSP Programs
■ For audio-video sources: Nos. 4 to 6
No.

Program (group)

Sub-program
GAME

Features

ENTERTAINMENT

TV SPORTS

—

Although the presence sound field is relatively narrow, the surround sound field
employs the sound environment of a large concert hall. With this program, you can
enjoy watching various TV programs such as news, variety shows, music programs
or sports programs. In a stereo broadcast of a sports game, the commentator is
oriented at the center position, and the shouts and the atmosphere in the stadium
spread on the surround side, while their spread to the rear is properly restrained.

MONO MOVIE

—

This program is provided for reproducing monaural video sources (such as old
movies). The program produces the optimum reverberation to create sound depth by
using only the presence sound field.

This program adds a deep and spatial feeling to video game sounds.

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SOUND FIELD PROGRAM

■ For movie programs: Nos. 7 to 9
No.
7

Program (group)

Sub-program

MOVIE THEATER 1 SPECTACLE

Input source
Analog, PCM,
Dolby Digital
in 2-channel

DGTL
SPECTACLE

Dolby Digital
(5.1-channel)

DTS SPECTACLE DTS
SCI-FI

Analog, PCM,
Dolby Digital
in 2-channel

DGTL SCI-FI

Dolby Digital
(5.1-channel)

DTS SCI-FI

DTS

MOVIE THEATER 2 ADVENTURE 70 mm
ADVENTURE

Analog, PCM,
Dolby Digital
in 2-channel

DGTL
ADVENTURE

Dolby Digital
(5.1-channel)

This program clearly reproduces dialog and sound
effects in the latest sound form of science fiction
films, thus creating a broad and expansive
cinematic space amid the silence. You can enjoy
science fiction films in a virtual-space sound field
that includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
This program is ideal for precisely reproducing the
sound design of the newest 70-mm and
multichannel soundtrack films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible.

GENERAL

q/DTS
SURROUND

NORMAL

DGTL GENERAL

Dolby Digital
(5.1-channel)

DTS GENERAL

DTS

PRO LOGIC/
NORMAL

Analog, PCM,
Dolby Digital
in 2-channel

DOLBY DIGITAL/ Dolby Digital
NORMAL
(5.1-channel)

ENHANCED

DTS DIGITAL
SUR./NORMAL

DTS

PRO LOGIC/
ENHANCED

Analog, PCM,
Dolby Digital
in 2-channel

DTS DIGITAL
SUR./
ENHANCED

DTS

The built-in decoder precisely reproduces sounds
and sound effects from sources.
The highly efficient decoding process improves
crosstalk and channel separation, and makes sound
positioning smoother and more precise.
In this program, the digital sound field processor is
not turned on.

This program ideally simulates the multi-surround
speaker systems of the 35-mm film theaters. Dolby
Pro Logic decoding, Dolby Digital decoding or
DTS decoding and digital sound field processing
create precise effects without altering the original
sound orientation.
The surround effects produced by this sound field
wrap around the viewer naturally from the back to
the left and right, and toward the screen.

APPENDIX

DOLBY DIGITAL/ Dolby Digital
ENHANCED
(5.1-channel)

This program is for reproducing sounds from
70-mm and multichannel soundtrack films, and is
characterized by a soft and extensive sound field.
The presence sound field is relatively narrow. It
spatially spreads all around and toward the screen,
restraining the echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully in a
wide space at the rear of the sound field.

ADVANCED OPERATION

70 mm GENERAL Analog, PCM,
Dolby Digital
in 2-channel

BASIC OPERATION

DTS ADVENTURE DTS

PREPARATION

70 mm SCI-FI

This program creates the extremely wide sound
field of a 70-mm movie theater. It precisely
reproduces the source sound in detail, making both
the video and the sound field incredibly real. This is
ideal for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS (especially
large-scale movie productions).

INTRODUCTION

70 mm
SPECTACLE

Features

Notes

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English

• The “ x ” indicator does not light up when selecting the sub-program “NORMAL” of the q/DTS SURROUND program.
• If “CENTER SP” in the SET MENU is set to NON, no sound is output from the center speaker.
• The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 4 (GAME) and 5
to 8.

SOUND FIELD PROGRAM

■ MOVIE THEATER 1 and 2
Most commercially available movie software has 4-channel (left, center, right and surround) sound information encoded by
Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic
decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend
to be lost in the encoding and decoding processes.
The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without using
matrix processing. This unit’s MOVIE THEATER 70 mm programs provide the same quality of sound and sound localization
that 6-channel soundtracks do.
When the input source is analog, PCM or encoded with Dolby Digital in 2-channel
These programs express an immense sound field and a large
surround effect. They also give depth to the sound from the
Presence DSP
sound field
main speakers to recreate the realistic sound of a Dolby Stereo
theater.
70 mm SPECTACLE
70 mm SCI-FI
70 mm ADVENTURE
Surround DSP
70 mm GENERAL
sound field

The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your home.
With the unit’s MOVIE THEATER programs, you can recreate a dynamic sound that gives you the feeling of being at a
public theater in your listening room by using Dolby Digital or DTS technology.
When the input source is encoded with Dolby Digital (5.1-channel) or DTS (Tri-Field CINEMA DSP)
These programs use YAMAHA’s tri-field DSP processing on
each of the Dolby Digital or DTS signals for the front, left
surround and right surround channels. This processing enables
this unit to reproduce the immense sound field and surround
expression of a Dolby Digital- or DTS-equipped movie theater
Presence DSP
sound field
without sacrificing the clear separation of all channels.
DGTL SPECTACLE
DTS SPECTACLE
DGTL SCI-FI
DTS SCI-FI
DGTL ADVENTURE
Left surround DSP
Right surround DSP
DTS ADVENTURE
sound field
sound field
DGTL GENERAL
DTS GENERAL

y
• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically switched to
the Dolby Digital playback sound field or DTS playback sound field.

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APPENDIX

TROUBLESHOOTING

■ General
Problem

No sound and/or no
picture.

Remedy

Refer to
page

The power cord is not connected or the plug is
not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the left or right
position.

Set the switch fully to the left or right position
when the unit is in the standby mode.

The protection circuit has been activated.

Make sure all speaker wire connections on this
unit and on all speakers are secure and that the
wire for each connection does not touch
anything other than its respective connection.

16, 17

Incorrect input or output cable connections.

Connect the cables properly. If the problem
persists, the cables may be defective.

12 – 15

An appropriate input source has not been
selected.

Select an appropriate input source with INPUT
l / h or 6CH INPUT (or the input selector
buttons).

The speaker connections are not secure.

Secure the connections.

The main speakers to be used have not been
selected properly.

Select the main speakers with SPEAKERS A
and/or B.

The volume is turned down.

Turn up the volume.

The sound is muted.

Press MUTE or any operation buttons to cancel
a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.

14, 15

16, 17

—

Make connections using the same type of jack
(between composites, S-VIDEOs, or
components) for both the input and output.

The sound suddenly
goes off.

The protection circuit has been activated
because of a short circuit, etc.

Check the IMPEDANCE SELECTOR switch is
set to the appropriate position and then turn the
unit back on.

Check the speaker wires are not touching each
other and then turn the unit back on.

16, 17

The sleep timer has functioned.

Turn on the power, and play the source again.

The sound is muted.

Press MUTE or any operation buttons to cancel
a mute and adjust the volume.

Incorrect cable connections.

Connect the cables properly. If the problem
persists, the cables may be defective.

Only the speaker on one
side can be heard.

12 – 17

APPENDIX

The output and input for the video are
connected to different types of video jacks.

ADVANCED OPERATION

The picture does not
appear.

BASIC OPERATION

Digital signals other than PCM audio, Dolby
Digital or DTS signal which this unit cannot
reproduce are being input to this unit by playing
a CD-ROM, etc.

PREPARATION

The unit fails to turn on
when STANDBY/ON (or
POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.

Cause

INTRODUCTION

Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed below or
if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact the nearest
authorized YAMAHA dealer or service center.

English

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TROUBLESHOOTING

Problem
No sound from the effect
speakers.

Cause

Remedy

The sound effect is off.

Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.

Select another DSP program.

50, 51

A 96-kHz sampling digital signal is being input
to this unit.
No sound from the
center speaker.

The output level of the center speaker is set to
minimum.

Raise the level of the center speaker.

“CENTER SP” in the SET MENU is set to
NON.

Select the appropriate mode for your center
speaker.

One of the Hi-Fi DSP programs (1 to 4) has been
selected.

Select another DSP program.

The source encoded with a Dolby Digital or
DTS signal does not have a center channel
signal.
No sound from the rear
speakers.

No sound from the
subwoofer.

A “humming” sound can
be heard.

The output level of the rear speakers is set to
minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the
program 9.

Select another DSP program.

“BASS OUT” in the SET MENU is set to
MAIN when a Dolby Digital or DTS signal is
being played.

Select SWFR or BOTH.

“BASS OUT” in the SET MENU is set to
SWFR or MAIN when a 2-channel source is
being played.

Select BOTH.

40
50, 51

—
37

“BASS OUT” in the SET MENU is set to
SWFR or BOTH and your system does not
include a subwoofer.

Select MAIN.

The output mode for each speaker (main, center
or rear) in the SET MENU does not match your
speaker configuration.

Select the appropriate output mode for each
speaker based on the size of the speakers in
your configuration.

36, 37

Incorrect cable connections.

Firmly connect the audio plugs. If the problem
persists, the cables may be defective.

12 – 15

54
0110V520RDS53-62_EN

50, 51
—

The source does not contain low bass signals
(90 Hz and below).
Poor bass reproduction.

Refer to
page

1/31/1, 4:24 PM

TROUBLESHOOTING

Problem

Cause

Remedy
Turn on the power to the component.

Refer to
page

The volume level cannot
be increased, or the
sound is distorted.
The effect and surround
sounds cannot be
recorded.

The component connected to the REC OUT
jacks of this unit is turned off.

A source cannot be
recorded by a digital
recording component
connected to the
DIGITAL OUTPUT jack of
this unit.

A source component is only connected to the
analog input jacks of this unit.

Connect the source component to the digital
input jacks of this unit.

The settings of the SET
MENU and some other
settings on this unit
cannot be changed.

“9 MEM. GUARD” in the SET MENU is set
to ON.

Select OFF.

This unit does not
operate properly.

The internal microcomputer has been frozen by
an external electric shock (such as lightning or
excessive static electricity) or by a power
supply with low voltage.

Disconnect the AC power cord from the outlet
and then plug it in again after about 30 seconds.

—

The sound is degraded
when listening with
headphones connected
to a tape deck or CD
player that is connected
to this unit.

This unit is in the standby mode.

Turn on the power of the unit.

—

There is noise
interference from digital
or high-frequency
equipment, or the unit.

The unit is too close to the digital or highfrequency equipment.

Move the unit further away from such
equipment.

—

12 – 15

INTRODUCTION

It is not possible to record the effect and
surround sounds by a recording component.

PREPARATION
BASIC OPERATION
ADVANCED OPERATION
APPENDIX
English

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TROUBLESHOOTING

■ Tuner
Problem

Cause
The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.

FM stereo reception
is noisy.

There is distortion,
and clear reception
cannot be obtained
even with a good FM
FM antenna.

There is multipath interference.

The desired station
cannot be tuned in
with the automatic
tuning method.

The station is too weak.

Previously preset
stations can no
longer be tuned in.
The desired station
cannot be tuned in
with the automatic
tuning method.
There are continuous
crackling and hissing
AM
noises.

Remedy
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Use the manual tuning method.
Adjust the antenna position to eliminate
multipath interference.

Refer to
page
26

27
26

Use the manual tuning method.

Use a high-quality directional FM antenna.

The unit has been disconnected for a long
period.

Re-store the stations.

The signal is weak or the antenna connections
are loose.

Tighten the AM loop antenna connections and
orient it for best reception.

Use the manual tuning method.

Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.

Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.

A TV set is being used nearby.

Move this unit away from the TV.

—

There are buzzing and
whining noises
(especially in the
evening).

■ Remote control
Problem
The remote control does
not work nor function
properly.

The unit or other
component cannot be
controlled.

Cause

Remedy

Refer to
page

Wrong distance or angle.

The remote control will function within a
maximum range of 6 m (20 feet) and no more
than 30 degrees off-axis from the front panel.

Direct sunlight or lighting (from an inverter type
of fluorescent lamp, etc.) is striking the remote
control sensor of this unit.

Reposition the unit.

The batteries are weak.

Replace all batteries with new ones.

The component to be controlled has not been
selected.

Press one of the component selector buttons,
corresponding to the component to be
controlled.

The remote control cannot control system
components.

—

The manufacturer code has not been set up
properly.

Enter the code again.

Depending on the manufacturer or the model,
some components cannot be controlled with this
unit’s remote control even though the code has
been set up properly.

Use the original remote control supplied with
your component.

Try setting another code for the same
manufacturer.
—

After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if you
mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode, disconnect
the power cord, plug it back in after 30 seconds, and start operating.

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SPECIFICATIONS
VIDEO SECTION

• Minimum RMS Output Power for Main, Center, Rear
20 Hz to 20 kHz, 0.06% THD, 8 ohms ...................................... 70 W
1 kHz, 0.7% THD, 8 ohms ......................................................... 85 W

• Video Signal Type .......................................................................... PAL

• DIN Standard Output Power
[Europe model only]
1 kHz, 0.7% THD, 4 ohms ....................................................... 105 W
• IEC Output Power
[Europe model only]
1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W

• Composite Video Signal Level .................................... 1 Vp-p/75 ohms
• S-Video Signal Level
Y ............................................................................... 1 Vp-p/75 ohms
C ........................................................................ 0.286 Vp-p/75 ohms
• Signal to Noise Ratio ...................................................... 50 dB or more
• Frequency Response (MONITOR OUT)
Composite, S-Video ...................................... 5 Hz to 10 MHz, –3 dB

• Dynamic Power (IHF)
8/6/4/2 ohms ......................................................... 95/115/135/155 W

FM SECTION

• Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................... 60 or more

• Alternate Channel Selectivity (±400 kHz) ................................... 70 dB

• Total Harmonic Distortion
CD, etc. to Main L/R (Effect Off, 20 Hz to 20 kHz, 35 W, 8 ohms)
.................................................................................. 0.025% or less

• Tuning Range ...................................................... 87.50 to 108.00 MHz

• Signal to Noise Ratio (IHF)
Mono/Stereo ................................................................... 76 dB/70 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ...................................................................... 0.2%/0.3%
• Stereo Separation (1 kHz) ............................................................ 48 dB
• Frequency Response ............................ 20 Hz to 15 kHz, +0.5, –2.0 dB

AM SECTION

• Residual Noise (IHF-A Network)
Main L/R ..................................................................... 150 µV or less

• Usable Sensitivity .................................................................. 300 µV/m

• Channel Separation
CD, etc. to Main L/R (1 kHz) ...................................... 60 dB or more
(10 kHz) .................................... 45 dB or more

GENERAL

• Phones Output (1 kHz, 150 mV, 8 ohms) ................. 490 mV/390 ohms

• Maximum Input Signal
CD, etc. (1 kHz, 0.5% THD) ........................................ 2.2 V or more
• Output Level
REC OUT ............................................................. 150 mV/1.2 kohms
SUBWOOFER ......................................................... 4.0 V/1.2 kohms

• Power Supply ............................................................. AC 230 V/50 Hz
• Power Consumption .................................................................... 250 W
Standby Mode ......................................................................... 0.96 W
• AC Outlets (Total 100 W maximum)
[Europe model] ......................................................... 2 (SWITCHED)
[U.K. model] ............................................................ 1 (SWITCHED)
• Dimension (W x H x D) ....................................... 435 x 151 x 390 mm
• Weight ....................................................................................... 10.0 kg
• Accessories ................................................................... Remote Control
........................................................................................... Batteries
............................................................................. AM loop antenna
.......................................................................... Indoor FM antenna
..................... 75-ohm/300-ohm antenna adapter (U.K. model only)
...................................................................... Quick Reference Card
............................................................................ Connection Guide

ADVANCED OPERATION

• Input Sensitivity
CD, etc ................................................................... 150 mV/47 kohms
6CH INPUT ........................................................... 150 mV/47 kohms

• Tuning Range .............................................................. 531 to 1611 kHz

BASIC OPERATION

• Signal to Noise Ratio (IHF-A Network)
CD, etc. to Main L/R (Effect Off, 250 mV, shorted)
................................................................................ 100 dB or more

• Tone Control (Main L/R)
BASS Boost/Cut ........................................................... ±10 dB/50 Hz
TREBLE Boost/Cut .................................................... ±10 dB/20 kHz

PREPARATION

• Frequency Response
CD, etc. to Main L/R (1 kHz, 150 mV, 8 ohms)
................................................................ 20 Hz to 20 kHz, ±0.5 dB

INTRODUCTION

AUDIO SECTION

* Specifications are subject to change without notice.

APPENDIX
English

57
0110V520RDS53-62_EN

1/31/1, 4:24 PM

GLOSSARY
■ Dolby Surround

■ LFE 0.1 channel

Dolby Surround uses a four analog channel recording
system to reproduce realistic and dynamic sound effects:
two left and right main channels (stereo), a center channel
for dialog (monaural), and a rear channel for special sound
effects (monaural). The rear channel reproduces sound
within a narrow frequency range.
Dolby Surround is widely used with nearly all video tapes
and laser discs, and in many TV and cable broadcasts as
well. The Dolby Pro Logic decoder built into this unit
employs a digital signal processing system that
automatically stabilizes the volume on each channel to
enhance moving sound effects and directionality.

This channel is for the reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is counted as 0.1 because it only enforces a low
frequency range compared to the full-range reproduced by
the other 5 channels in a Dolby Digital or DTS 5.1 channel
systems.

■ Dolby Digital
Dolby Digital is a digital surround sound system that gives
you completely independent multi-channel audio. With
three front channels (left, center and right), and two rear
stereo channels, Dolby Digital provides five full-range
audio channels. With an additional channel especially for
bass effects, called LFE (low frequency effect), the system
has a total of 5.1 channels (LFE is counted as 0.1 channel).
Using two-channel stereo for the rear speakers, more
accurate moving sound effects and surround sound
environment are possible than with Dolby Surround. The
wide dynamic range (from maximum to minimum volume)
reproduced by the five full-range channels and the precise
sound orientation generated using digital sound processing
provide listeners with previously unheard of excitement and
realism.
With this unit, any sound environment from monaural up to
a 5.1-channel configuration can be freely selected for your
enjoyment.

■ DTS (Digital Theater Systems)
Digital Surround

■ CINEMA DSP

■ SILENT CINEMA
YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed on headphones.

■ Virtual CINEMA DSP
YAMAHA has developed a virtual CINEMA DSP algorithm
that allows you to enjoy DSP sound field surround effects
even without any rear speakers by using virtual rear
speakers.
It is even possible to enjoy virtual CINEMA DSP in a
minimum two-speaker system that does not include a center
speaker.

DTS digital surround was developed to replace the analog
soundtracks of movies with a six-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc. has
developed a home theater system so that you can enjoy the
depth of sound and natural spatial representation of DTS
digital surround in your home. This system is practically
distortion-free, clear 6-channel sound (technically, a left,
right and center channels, two rear channels, plus an LFE
0.1 channel as a subwoofer, for a total of 5.1 channels).

58
0110V520RDS53-62_EN

D I G I T A L

Since the Dolby Surround and DTS systems were originally
designed for use in movie theaters, their effect is best felt in
a theater having many speakers and designed for acoustic
effects. Since home conditions, such as room size, wall
material, number of speakers, and so on, can differ so
widely, it’s inevitable that there are differences in the sound
heard as well. Based on a wealth of actually measured data,
YAMAHA CINEMA DSP uses YAMAHA original sound
field technology to combine Dolby Pro Logic, Dolby Digital
and DTS systems to provide the visual and audio experience
of movie theater in the listening room of your own home.

1/31/1, 4:24 PM

GLOSSARY

■ S VIDEO signal

INTRODUCTION

With S VIDEO signal system, the video signal normally
transmitted using a pin cable is separated and transmitted as
the Y signal for the luminance and the C signal for the
chrominance through the S VIDEO cable. Using the S
VIDEO jack eliminates video signal transmission loss and
allows recording and playback of even more beautiful
images.

■ PCM (Linear PCM)

PREPARATION

Linear PCM is a signal format under which an analog audio
signal is digitized, recorded and transmitted without using
any compression. This is used as a method of recording CDs
and DVD audio. The PCM system uses a technique for
sampling the size of the analog signal per very small unit of
time. Standing for “pulse code modulation”, the analog
signal is encoded as pulses and then modulated for
recording.

■ Sampling frequency and number of
quantized bits

BASIC OPERATION

When digitizing an analog audio signal, the number of times
the signal is sampled per second is called the sampling
frequency, while the degree of fineness when converting the
sound level into a numeric value is called the number of
quantized bits.
The range of rates that can be played back is determined
based on the sampling rate, while the dynamic range
representing the sound level difference is determined by the
number of quantized bits. In principle, the higher the
sampling frequency, the wider the range of frequencies that
can be played back, and the higher the number of quantized
bits, the more finely the sound level can be reproduced.

ADVANCED OPERATION

■ I/O ASSIGN (SET MENU)

APPENDIX

Although component is normally connected according to
jack names shown on the rear panel, this unit includes a
function that assigns jacks according to the component
being connected. If the component being used differs from
the component name shown for this unit’s digital input/
output jacks, it is possible to assign jacks according to the
component being connected. This makes it possible to
change the jack assignment and effectively connect more
component.

English

59
0110V520RDS53-62_EN

1/31/1, 4:24 PM

INDEX
A

AC outlets ...................................................................................... 18
Antennas ........................................................................................ 26

Manufacturer codes .................................................................... 48, i
Memory back-up ............................................................... 28, 36, 41
MEM. GUARD (SET MENU) ...................................................... 39
Muting ........................................................................................... 22

BALANCE .................................................................................... 22
BGV function ................................................................................ 22

C
CBL/SAT mode ............................................................................. 47
CD mode ........................................................................................ 45
CINEMA DSP ......................................................................... 50, 58
Connections
Antennas ................................................................................. 26
Audio components (MD recorder, CD recorder and
CD player) .............................................................................. 12
External decoder ..................................................................... 12
Power supply cords ................................................................ 18
Speakers ................................................................................. 16
Video components (DVD player, VCR and
TV/digital TV or cable TV/satellite tuner) ............................. 14

D
Delay time ..................................................................................... 40
Display ............................................................................................. 8
DISPLAY SET (SET MENU)
DIMMER ............................................................................... 39
DOLBY D. SET (SET MENU)
D-RANGE .............................................................................. 38
LFE LEVEL ........................................................................... 38
Dolby Digital ................................................................................. 58
Dolby Surround (Dolby Pro Logic) ............................................... 58
DSP program
CINEMA DSP program .......................................................... 50
Hi-Fi DSP program ................................................................. 50
DTS ............................................................................................... 58
DTS SET (SET MENU) ................................................................ 38
Dust protection cap ........................................................................ 12
DVD/LD mode .............................................................................. 46
DVD MENU mode ........................................................................ 46

E
External decoder ............................................................................ 12

F
Front panel ....................................................................................... 4

H
HP TONE CTRL (SET MENU) .................................................... 37

I
IMPEDANCE SELECTOR switch ............................................... 18
INPUT MODE (SET MENU) ....................................................... 38
Input modes ................................................................................... 23
I/O ASSIGN (SET MENU) ..................................................... 37, 59

L
LFE .................................................................................... 38, 39, 58

Package contents ............................................................................. 3
PCM ............................................................................................... 59
Playing ........................................................................................... 21
Power supply cords ....................................................................... 18
Preset stations
Exchanging preset station ....................................................... 30
Tuning in to a preset station ................................................... 29
Presetting tuning
Automatic preset tuning ......................................................... 28
Manual preset tuning .............................................................. 29

R
RDS stations
EON function ......................................................................... 33
PTY SEEK function ............................................................... 32
RDS mode .............................................................................. 31
Rear panel ........................................................................................ 9
Recording ...................................................................................... 34
Remote control
Basic operation ......................................................................... 6
Batteries .................................................................................... 3
Operation range ........................................................................ 7
Setup codes ............................................................................. 48

S
Sampling frequency ................................................................. 22, 59
SET MENU ................................................................................... 35
SILENT CINEMA ................................................................... 25, 58
Sleep timer ..................................................................................... 42
SP DLY TIME (SET MENU) ........................................................ 39
Speaker
Output balance (test tone) ...................................................... 19
Output levels (TIME/LEVEL mode) ...................................... 40
Placement ............................................................................... 10
SPEAKER SET (SET MENU)
BASS OUT ............................................................................. 37
CENTER SP ........................................................................... 36
MAIN LVL ............................................................................. 37
MAIN SP ................................................................................ 36
REAR LR SP .......................................................................... 36
Subwoofer ..................................................................................... 17
S VIDEO ....................................................................................... 59

T
TAPE/MD mode ............................................................................ 44
Test tone ........................................................................................ 19
Tuning
Automatic tuning .................................................................... 27
Manual tuning ........................................................................ 27
TV mode ........................................................................................ 47

V
VCR mode ..................................................................................... 47
Virtual CINEMA DSP ............................................................. 25, 58

60
0110V520RDS53-62_EN

1/31/1, 4:24 PM

LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
Clarivox
0821, 0961, 1971
Clatronic
1181, 1331
Concerto
0791
Condor
0761
Contec
0151, 1171
Continental Edison
0571, 0651,
0901
Craig
1171
Crosley
0021, 0491, 1021,
1081, 1401, 1981,
2201, 2251, 2271
Crown
2541
Ctc Clatronic
0261
CXC
1171
Daewoo
0101, 1501, 1511,
2611
Dansai
0101
Decca
0271, 0581, 0601,
0971, 1101, 1691
Decca (UK)
0271, 0581, 0601,
1101, 1681
Degraaf
0451, 1351
Dixi
0991, 1511
Domeos
0101
Doric
1031
Dual
0091, 0601, 1611,
1641, 2101
Dual-Tec
0601, 1511, 1621,
2111
Dumont
0261, 0521, 0781,
1021, 1081, 1981,
2121, 2151
Dynatron
0101
Elbe
1551, 1971, 2031
Electro Tech
1511
Elektronska
0771
Elman
0261, 1621
Elta
1511
Emerson
0921, 1021, 1081,
1121, 1171, 1261,
1301
Erres
0101
Etron
1981
Europhon
0261, 0581, 0601,
0771, 1091, 1621,
2001
Fenner
0101, 1511
Ferguson
0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281, 2311,
2341
Fidelity
0451, 0761, 2281
Fidelity (UK) 0561, 0591, 1931,
2281
Filmnet
1141
Finlandia
0451, 2321
Finlux
0021, 0261, 0491,
0521, 0781, 0811,
0871, 1081, 1411,
1421, 1981, 2051,
2091, 2121, 2151,
2551

TV
Admiral

0411, 0451, 0911,
1021, 1081
Aiko
0891
Akai
0061, 0101, 0231,
1191, 1351, 1591,
1641, 1791, 1891,
1981
Akura
1331
Alba
1241, 1331, 2361
Albiral
1971
Amstrad
1301, 1511
Anam
1171
Arc En Ciel
0571
Arcam
0571, 0761
Aristona
0751
Arthur Martin 0451, 1641
ASA
0411, 0451, 0521,
0781, 0871, 1021,
1081, 1421, 2051,
2091, 2151, 2551
Astra
1511
Atantic
0761
Atlantic
0761
Atori
1511
Audiosonic
1181, 1321, 1511
Ausind
0491, 1411
Autovox
0091, 0351, 0481,
0491, 0601, 0781,
0951, 1051, 1081,
1391, 1421
Baird
1101, 1351
Bang & Olufsen
1081
Basic Line
1321, 1331
Bauer
1451
Baur
0041, 0061, 0121,
0131, 0221, 1561
Beko
2491, 2501
Blaupunkt
0221, 0231, 0241,
0251, 0471, 0741,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
Brandt
0571, 0651, 0731,
0901, 1821
Brionvega
1021, 1051, 1081
Britannia
0761
Bruns
0821, 0991, 1021,
1081
BSR
0391, 0691, 1621,
1901, 1981
Bush
0451, 1241, 1331,
1641, 1741, 2131,
2151
Bush (UK)
0481, 1561, 1611
Candle
0791
Century
1021, 1081
CGE
0491, 0811, 0981,
1401, 1531, 1611,
1621, 1981, 2201,
2251, 2271
Citizen
0791

First Line
Fisher

1981
0021, 0091, 0141,
0511, 0601, 0801,
0821, 0981, 1021,
1081, 1981, 2091
Forgestone
2281
Formenti
0451, 0491, 0761,
1081, 1451, 1541,
1981
Formenti-phoenix
0021, 0431,
0451, 0591,
1411
Fortress
1081
Frontech
0451, 1181, 1981
Fujitsu
1261
Funai
0391, 0691, 1171,
1181, 1261
Futuretech
1171
GBC
0021, 0141, 1321,
1511, 1621, 1981
GEC
0451, 1101, 1281,
2321
GEC (UK)
0031, 0081, 0581,
0601, 1101, 1281,
1561
Geloso
0021, 0411, 0451,
1321, 1511, 1621,
1981
General Technic
2681
Genexxa
0451, 1331
GoldStar
0591, 0601, 0761,
0791, 1371, 1491,
1511, 1561, 1621,
1641
Goodmans
0141, 1101, 1371,
1641, 2301
Gorenje
0981, 1061
Graetz
0451
Granada
0141, 0451, 0491,
0581, 0601, 1101,
1111, 1351, 1981,
2321
Granada (UK) 0081, 0141, 0451,
0491, 0581, 0601,
1031, 1311, 1521,
1561, 1641
Grundig
0221, 0231, 0471,
0491, 0711, 0741,
1381, 2021, 2041,
2141, 2151
Hanseatic
0021, 0121, 0141,
0431, 0591, 1561
Hantarex
0581
Hemmermann 0061
Hifivox
0331, 0571
Hinari
0071, 0141, 0451,
1261, 1351, 1511,
1641, 1981, 2011

Hitachi

Hyper
Imperial

Ingersol
Inno Hit

Innovation

Interfunk

Irradio

Isukai
ITT

ITT-nokia

JVC (Victor)

Kaisui
Kamosonic
Karcher

Kawasho
Kendo
Kennedy

0001, 0011, 0031,
0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341
0591, 0601, 1511,
1621
0451, 0491, 0811,
0981, 1401, 1611,
1621, 2201, 2251,
2271
1511
0581, 0601, 0841,
1101, 1331, 1371,
1511, 2011
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2711, 2721,
2761, 2771, 2781
0031, 0041, 0061,
0121, 0181, 0451,
0491, 1081, 1641,
1791, 1821, 1981,
2231
0491, 1321, 1331,
1371, 1411, 1511,
2011
1331
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
0071, 0721, 1441,
1581, 1591, 1741,
1791
0591, 1321, 1331
0601
0591, 0601, 0841,
1091, 1321, 1511,
1561, 2051
0761
0261
0021, 0351, 0951,
1981

i
08V520RDS-code(GB)

2/2/1, 5:44 PM

NEC

0141, 1711, 1721,
1731
Neckermann
0451, 0601, 0981,
1081, 1561, 1931,
1981, 2211, 2231,
2241
Nediator
0101
Nicamagic
0761
Nikkai
1101, 1331, 1641,
1701, 2011
Nobliko
0261, 0491, 0591,
0641, 1381, 1411
Nogamatic
0571
Nokia
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431, 2461, 2791
Nordmende
0031, 0291, 0331,
0451, 0531, 0541,
0571, 1051, 1131,
1591, 1791, 1811,
1821, 1891, 1941,
2631
Oceanic
0321, 1651, 1981
Oceanic (F)
0031, 0061, 0321,
0441, 1661
Onceas
0601
Onwa
1171
Orion
0061, 0391, 0691,
0851, 1211, 1241,
1251, 1301, 1481,
1511, 1681, 1691,
1981, 2371, 2421
Osaka
2011
Osaki
1101, 1331, 2011
Osume
0151
Otto Versand
0021, 0121, 0141,
0221, 0601, 1561,
1741, 1981
Pael
0591, 1411
Panasonic
0031, 0201, 0211,
0451, 0701, 1311,
1751, 1961, 2561,
2741
Panoramic
2351
Pathe Marconi 0571
Pathe’ Cinema (F)
0431, 0591,
1621, 1661,
1971
Pausa
1511
Pauza
1511
Perdio
0891, 1101
Philco
0021, 0491, 0811,
0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471
Philips
0101, 0361, 0591,
0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,
2511, 2731
Phoenix
1081
Phonola
0751, 1081
Pioneer
0291, 0451, 1341,
1821
Prandoni-prince
0411, 0451,
0491, 0581,
1411

Konka
Korting

2701
0431, 1011, 1021,
1081, 1541
KTV
0601, 1171
Lenoir
0601, 1511
Leyeo
1181
Lifetec
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2761,
2771, 2781
Loewe Opta
0121, 0131, 0581,
0611, 1081
Logic
1691, 2281
Logik
0551, 1681, 2281
Lowewe
0831
Luma
0351, 0451, 1901
Luxman
0791
Luxman Stereo Tuner 0791
Luxor
0001, 0061, 0181,
0341, 0421, 0451,
0461, 0491, 0601,
0671, 1351, 1371,
1561, 1601, 1911,
1921, 1981
Lyco
1181
Magnadyne
0021, 0061, 0261,
0581, 0641, 0771,
1021, 1081, 1621,
1981
Magnafon
0261, 0491, 0581,
0591, 0641, 0761,
1091, 2001
Manesth
0101
Marantz
0101
Marelli
1081
Mark
0101
Matsui
0061, 0451, 0601,
0691, 1101, 1151,
1241, 1271, 1301,
1511, 1561, 1681,
1691
Maximal
0071, 1981
McMichael
1281
Medion
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2721,
2761, 2771, 2781
Memorex
1511
Metz
0231, 0741, 1001,
1041, 1081, 1481,
2071, 2081
MGA
1231
Micromaxx
2591, 2621, 2641,
2651, 2711, 2761,
2771, 2781
Minerva
0221, 0231, 0491,
1381, 2141, 2151
Mistral
2281
Mitsubishi
0141, 0201, 0231,
0661, 1191, 1201,
1231, 1671, 1691,
1741
Mivar
0491, 0501, 0581,
0591, 0761, 0771,
1371, 1431, 2031
MTC
0791
Multitech
0261, 0581, 0601,
0641, 0981, 1321,
1511
Murphy
0451, 2091
Murphy (UK) 0081, 1031
N.E.I.
0101, 0961
NAD
1341

Prandoni-promce

0451, 0491,
0581

Prima
Profex
Protech
Quelle

0451
1981
0641, 1181, 1981
0041, 0061, 0121,
0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581
Radiomarelli
0101, 0451, 0661,
0771, 1081
Radionette
0031, 2051, 2091
Radiola
2291
Rank
0481, 2151
Rbm
2131, 2151
Rbm (UK)
0481
Rediffusion
0451, 0661, 1641,
1981, 2331
Rediffusion (UK)
0061, 0081,
1031
Rex
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
Rft
0991, 2511
Roadstar
1321, 1511
Rotel
0151
Saba
0291, 0331, 0421,
0451, 0531, 0541,
0571, 0581, 0651,
0731, 0931, 1021,
1071, 1081, 1131,
1791, 1811, 1821,
1891, 1941, 2631
Saccs
1971
Saisho
0451, 0601, 1161,
1241, 1301, 1511,
1671, 1681, 1691
Salora
0011, 0041, 0061,
0071, 0341, 0451,
0671, 1291, 1351,
1521, 1561, 1601,
1641, 1911, 1921,
1931, 1981, 2321
Sambers
0261, 0491, 0581,
0641, 1091, 1371,
1411, 2001
Samsung
0101, 0601, 0841,
0981, 1101, 1181,
1371, 1511, 2011
Sanyo
0141, 0151, 0401,
0601, 0801, 0821,
0981, 1021, 1101,
1111, 1291, 1351,
1691, 1741, 2051,
2091, 2551
SBR
0681, 0751, 1281,
2281
Schaub Lorenz 0451
Schneider
0021, 0071, 0091,
0451, 0511, 0591,
0601, 0751, 1321,
1361, 1621, 1641,
2101, 2111, 2291
Scott
1171, 1261
SEG
0261, 0601, 0821,
0991
SEI
0641, 0691, 1081,
1301, 1481, 1981

ii
08V520RDS-code(GB)

2/2/1, 5:44 PM

Seleco

Sentra
Sharp
Siarem

Sicatel
Siemens

Silver
Singer
Sinudyne

Skantic
Solavox
Sonoko
Sony
Soundesign
SSS
Stern

Sunkai
Supra
Tandberg

Tandy
Tashiko
Tatung

Tcm
Technics
Techwood
Teknika
Tele
Teleavia
Telefunken

Teletech
Tempest
Tensai
Texet
Thomson

Thorn

0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
1601
0141, 0151, 0191,
1761, 1781
0021, 0261, 0581,
0641, 1021, 1081,
1981
1971
0151, 0221, 0231,
0451, 0741, 2011,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
1181
0021, 0261, 1021,
1081
0101, 0021, 0061,
0261, 0391, 0641,
0691, 0851, 0941,
1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981
0451
0451, 1641, 2011
1181, 1511, 0101
0141, 0171, 1121,
1681, 1691, 2751
1171
1171
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
0691
0791
0161, 0331, 0611,
1021, 1421, 1771,
1791, 2081
0451, 0191, 1331,
1531
0141
0271, 0581, 0601,
0971, 1101, 1681,
1691
2621, 2641, 2711,
2761, 2771, 2781
1311
0791
1171, 1231, 1261
1141
0571, 0651, 0731,
1821
0291, 0301, 0311,
0551, 0731, 1131,
1471, 1591, 1791,
1801, 1811, 1821,
1991, 2161, 2171,
2181, 2191, 2201,
2251, 2271, 2521,
2631
1511
2381, 2391, 2401,
2411
1331, 2091
0601
0331, 0481, 0531,
0571, 0631, 0651,
0731, 0901, 1241,
1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531
0741, 0861, 2091,
2251, 2271, 2281

Thorn-Ferguson 0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281
TMK
0141, 0791, 1471
Toshiba
0141, 0381, 0481,
1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811
Trans Continens 0451
Tristar
2281
Triumph
0481, 0581, 2121
Uher
0431, 0451, 0481,
0491, 0511, 1311,
1541
Ultravox
0021, 0261, 0591,
1021, 1081, 1981
Universum
1181, 2051
Univox
1971
Vegavox
0811
Vexa
0101, 1511
Videoton
2481
Vortec
0101, 0651
Voxson
0411, 0451, 0491,
1021, 1081
Waltham
0451
Watson
0431, 2201, 2241
Watt Radio
0021, 0061, 0261,
0591, 0641, 0761,
1091, 1971, 1981,
2001
Wega
0141, 1081, 1981
Wega Color
1021
Weltblick
0101
Weston
1621
White Westinghouse 0101, 0261,
0431, 0591,
0761, 1401,
1541
Yoko
0601, 1511
Zanussi
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
Zoppas
0451

SATELLITE TUNER
Akai
Alba
Amstrad

1276
0826, 1276
0166, 0796, 1016,
1026, 1296
Ankaro
0476
Ast
0406
Astra
0126
Barcom
0476
Blaupunkt
0966
Bmc Satellite 0106
British Telecom
1276
Bush
0826
Bush (UK)
0956
Cambridge
0196, 1276
Chaparral
0016, 0696, 1006
Columbus
0616
Connexions
0306, 0426
Discus Elipse 0856, 0866
Diskxpress
0426, 0476
Drake
1516
Echostar
0226, 0236, 0606,
0626, 0666, 0926,
0996, 1046, 1056,
1066, 1106
Elta
1286
Elta Sat
0146
Eurodec
1226, 1236, 1246
Ferguson
0046, 0176, 0186,
0296, 0846, 0956,
1306
Finlux
0976
Fracarro
0026, 0536, 0776
Fuba
0476, 0616, 0636,
1056
Giucar Record 0206, 0336
Grundig
0176, 0946, 0956,
0966
High Performance
0916
Hirschmann
0756, 0966
Hitachi
0446, 0516, 0706,
0946
Icx International
0886
ITT
0066, 0126, 0176,
0446, 1156
ITT/Nokia
0066, 0126, 0176,
0446, 1156
Jeemon
0146
Jerrold
0846, 0986
Johansson
0246
JVC (Victor)
1276
Kathrein
0116, 0266, 0276,
0366
Kosmos
0266
Kyostar
1036, 1086
Leng
0246
Lifesat
1326, 1346, 1356
Luxor
0126, 0136, 0446,
0466, 0506, 1156
Macab
0356
Maspro
0016, 0116, 0256,
0956
Medion
1326, 1346
Metz
0966
Micromaxx
1326, 1346
Mitsubishi
0966
Morgans
0596
Muratto
0406
NEC
0286, 0316, 0766,
0786, 0836
Network
0046

CABLE
Cabletime
1446, 1456, 1476
Clyde Cablevision
1426
Filmnet
1396, 1436
France Telecom
1386
GEC
1426
Jerrold
1416
Movie Time
1466
NSC
1466
Philips
1386
Pioneer
0006
Samsung
1496
Scientific Atlanta
1486, 1506
Starcom
1416
STS
1466
Tele
1436
Tele+1
1436
Teleservice
1406, 1476
Tudi
1376
United Cable
1416
Zenith
1406

Nikko
Nokia

1136, 1146
0066, 0126, 0176,
0446, 1156, 1166,
1336
Norsat
0786
Otto Versand
0966
Pace
0046, 0176, 0296,
0936, 0956, 1306
Pace Mss
0946
Palcom
0616, 0686, 0706
Palsat
0396
Paltec
0706
Panasonic
0806, 1306
Pansat
1076
Philips
0326, 0346, 0476,
0956, 1126, 1186,
1196, 1206, 1216,
1306, 1316
Prosat
1176
Ptt Telecom
0306, 0896
Quelle
0966
Radix
1056
Rediffusion
0316, 0786
Rft
1186, 1196, 1206,
1216
Sagem
1256
Sakura
0566, 0816
Salora
0066, 0126, 0136,
0446, 0456, 0486,
0496, 0576
Samsung
0746, 0756
Sat
0406
Satcom
0896
Sateco
0646
Sector
1266
Sedea
1096
Sentra
0416
Siemens
0896, 0966
Sintrack
0906
Skylab
0476
Skyscan
0876
Sony
0736, 0946
Stella
0306
Strong
0156, 0396, 1036,
1086
Stv
0636
Tandberg
1116, 1366
Tandy
0916
Tantec
0616
Tatung
0516, 0546
Technisat
0086, 0096, 0526,
0556, 1056
Telecom
0306
Telemax
0586
Thorn-Ferguson
0046, 0076,
0176, 0186,
0956
Toshiba
0946
Triad
0406
Uniden
0036, 0216, 0676,
0716, 0726
US Electronics
0886
Vortec
0756, 1036, 1076
Vtech
0436
Winersat
0246
Wisi
0056, 0356, 0376,
0386, 0406, 0656,
1056, 1156
Wolsey
0916
Zehnder
0266, 0406
Zender
0406

VCR
Aiwa
Akai

0042, 0352, 0432
0042, 0422, 0492,
0582, 0612, 0642,
0652, 0762, 0912
Alba
0002, 0112, 0282,
0332, 0342, 0972
Amstrad
0322, 0432, 0452
Anitech
0002
Anitsch
1002
ASA
0012, 0052
Audiosonic
0002
Baird
0042, 0282, 0492
Bang & Olufsen
0042
Baur
0052, 0062, 0812
Blaupunkt
0062, 0092, 0252,
0462, 0672, 0992
Brionvega
0032
Bush
0002, 0282, 0332,
0342, 0512, 0972
Bush (UK)
0812
Capehart
0112
CGE
0042, 0432, 0762
Craig
0072, 0482
Crown
0112, 0282, 1212
Daewoo
0112, 0282, 1212
Dansai
0012
Daytron
0112
Decca
0042, 0052, 0432,
0942
Decca (UK)
0052
Degraaf
0052, 0132, 0432,
0532, 0602
Dixi
0442
Dual
0042, 0632
Dumont
0052, 0432, 0532
Dynatech
0432
Dynatron
0012
Elbe
0122
Elin
0072
Emerson
0012, 0162, 0202,
0432, 0512, 0522
Erres
0012
Ferguson
0042, 0712, 0722,
0852, 0902, 1012,
1022, 1082
Fidelity
0432
Finlandia
0052, 0532
Finlux
0012, 0042, 0052,
0082, 0262, 0382,
0432, 0462, 0492,
0532, 0572, 0602,
0912
First Line
0002, 0912
Fisher
0162, 0482, 0532,
0542, 0572, 0592
Formenti-Phoenix
0012, 0052
Frontech
0112
Funai
0432
GBC
0002
GEC (UK)
0022, 0052
Geloso
0002
General Technic
1172
GoldStar
0012, 0812, 0952,
1202
Goodmans
0002, 0072, 0282,
0432, 0502
Goodmans (UK)
0002
Graetz
0022, 0042
Granada
0052, 0132, 0532,
0572
Granada (UK) 0052, 0092, 0462,
0602, 0812, 0822

iii
08V520RDS-code(GB)

2/2/1, 5:44 PM

Nordmende

0042, 0102, 0142,
0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,
0842, 0872
Olympus
0462
Optonica
0132, 0502
Orion
0162, 0202, 0312,
0442, 0512, 0522,
0982
Osaka
0432
Osaki
0002, 0012, 0432
Otto Versand
0052, 0062, 0812
Panasonic
0022, 0212, 0462,
0672, 0992, 1092,
1102, 1182
Pentax
0172, 0602
Perdio
0432
Philco
1062
Philips
0052, 0082, 0092,
0152, 0182, 0362,
0372, 0472, 0502,
1072
Phonola
0052, 0152
Pilot
0012
Pioneer
0052, 0142, 0372,
0472
Portland
0112
Proline
0432
Pye
0052, 0152
Quartz
0572
Quelle
0012, 0032, 0042,
0052, 0062, 0072,
0092, 0202, 0462,
0552, 0942
Radionette
0022
Realistic
0012, 0072, 0132,
0432, 0482, 0502,
0532, 0572
Ret
1072
Rex
0042, 0742, 0782
Ricoh
0952
Saba
0042, 0142, 0192,
0222, 0242, 0392,
0632, 0732, 0742,
0762, 0772, 0782,
0792, 0872
Saisho
0162, 0202, 0292,
0442, 0512, 0522,
0972
Salora
0192, 0572, 0812,
0822, 0912
Samsung
0052, 0072, 0652,
1192, 1212
Sansui
0042, 0142
Sanyo
0482, 0532, 0562,
0572
SBR
0052, 0152, 0182
Schaub Lorenz 0022, 0042
Schneider
0002, 0012, 0052,
0072, 0432
SEG
0002, 0072
Sei-Sinudyne 0442
Seleco
0042
Sentra
0112
Sharp
0132, 0502, 0702
Shintom
0002
Siemens
0062, 0092, 0252,
0572
Sinudyne
0052, 0382, 0442,
0932
Sonoko
0282
Sony
0432, 0552, 0682,
0692, 0942, 0952,
0962, 1122, 1132

Grundig

0052, 0062, 0092,
0232, 0252, 0262,
0752, 0802
Hanseatic
0052, 0812
Harman/Kardon
0922, 1202
Hcm
0002
Hinari
0002, 0202, 0412,
0442, 0522
Hitachi
0042, 0172, 0292,
0432, 0602, 0662,
0812, 1022
Imperial
0072, 0432
Ingersol
0442
Inno Hit
0002, 0052, 0072
Innovation
1142, 1162, 1172
Interfunk
0022, 0052
Irradio
0002, 0012
ITT
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
ITT-Nokia
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
Jensen
0042
JVC (Victor)
0042, 0102, 0142,
0272, 0742, 0762,
0782, 0902
Karcher
0052, 0072, 0812
Kendo
0492
Kenwood
0042, 0142, 0572
Lifetec
1142, 1162, 1172
Lloyd
0432
Loewe Opta
0052, 0092, 0152
Logik
0002, 0072, 0442
Luma
0162
Luxor
0492, 0572, 0812
M Electronic
0432
Magnadyne
0052
Magnasonic
0572
Manesth
0012
Marantz
0012, 0052, 0092,
0502, 1202
Mark
0012
Marta
0012
Matsui
0012, 0442, 0512,
0522, 0812, 0972
Medion
1142, 1162, 1172
Memorex
0012, 0132, 0432,
0482, 0532, 0572
Metz
0062, 0092, 0932
MGA
0912
Micromaxx
1142, 1162, 1172
Minerva
0062, 0092, 0252
Minolta
0172, 0602
Mitsubishi
0052, 0062, 0142,
0912, 0922
MTC
0072, 0432
Multitech
0002, 0052, 0062,
0282, 0432
Murphy
0432
N.E.I.
0012, 0052
National
0462
NEC
0042, 0122, 0142,
1202
Neckermann
0032, 0042, 0052,
0072, 0092, 0202,
0522, 0572, 0762,
0812
Nikkai
0112
Nobliko
0092
Nokia
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762,
1152

STS
Sunkai
Sunstar
Sylvania
Symphonic
Tandegerg

0602
0512
0432
0432, 0912
0432, 0912
0062, 0162, 0522,
0932
Tashiko
0132, 0432
Tatung
0042, 0052, 0432,
0922
TCM
1142, 1162, 1172
Teac
0042, 0432
Technics
0462
Teknika
0012, 0432
Telefunken
0042, 0192, 0632,
0732, 0742, 0762,
0782, 0882, 0892
Tempest
1032, 1042, 1052
Tenosal
0002
Thomson
0042, 0102, 0142,
0192, 0402, 0632,
0762
Thorn
0042, 0902
Thorn-Ferguson 0042, 0222, 0302,
0712, 0722, 0742,
0762, 0852, 0862,
0872, 0902
TMK
0522
Tonsai
0002
Toshiba
0042, 0622, 0912,
1212
Totevision
0012, 0072
Triumph
0922
Uher
0042, 0072
Ulravox
0032
Unitech
0072
Vector Research 0122
Videon
1162, 1172
Weltblick
0012
White Westinghouse 0032
Xenon
0162
Yamaha
0042, 1202
Yoko
0012, 0062, 0072

DVD PLAYER
Akai
Denon
Hitachi
JVC (Victor)
Kenwood
Magnavox
Mitsubishi
Onkyo
Panasonic
Philips
Pioneer
Proscan
RCA
Samsung
Sharp
Sony
Technics
Thomson
Toshiba
Yamaha
Zenith

0108
0368
0388
0168, 0348
0288
0248
0268
0128, 0248
0048
0188, 0248
0208, 0228
0308
0067, 0308
0148
0068
0028
0048
0328
0088, 0248
0008, 0048, 0188,
0248
0248

iv
08V520RDS-code(GB)

2/2/1, 7:24 PM

LD PLAYER
Aiwa
Funai
Hitachi
Magnavox
Panasonic
Pioneer
Realistic
Samsung
Sony
Victor
Yamaha

0137
0137
0047
0077
0027
0037
0137
0017, 0087
0057, 0097, 0107,
0117
0127
0007

CD PLAYER
Accuphase
Adc
Adcom
Akai

0315
0865
0785, 1015
0115, 0125, 0725,
0735, 0745, 0935,
1155
Arcam
1875
Arcam-Rotel
0165
Audio-Technica 0835
Audiosonic
0155
Awia
1105, 1235, 1245,
1765, 1915, 1935
BSR
0875
California Audio Lab 1075
Carrera
0555, 0875
Carver
0825, 1415
Cyrus-Rotel
0205
Denon
0045, 0955, 1045,
1595, 1795, 1805
Dual
1005
Elin
0185
Emerson
1015, 1285, 1675
Fisher
0105, 0595, 0605,
0825, 1165, 1175
Genexxa
0525, 0825, 0855,
0875, 0995, 1265,
1285, 1345, 1355,
1485, 1575, 1675,
1715, 1825
GoldStar
0555, 1185, 1195,
1585
Grundig
0175
Harman Kardon 0495, 0565, 0325,
1135, 1145, 1155
Hitachi
0065, 0585, 0685,
0945, 1005, 1015,
1225, 1545
Innovation
1995, 2005, 2015
ITT-Nokia
0185
JVC (Victor)
0385, 0395, 0455,
0575, 0585
Karcher
0485
Kenwood
0025, 0055, 0145,
0215, 0595, 0675,
0695, 0705, 0715,
0925, 1355, 1485,
1575, 1675, 1715,
1825
Korting
0175
Lifetec
2015
Light Control 1155, 1645, 1655,
1665
Linn
0165, 1875
Luxman
0265, 0275, 0795,
0805, 1295, 1305,
1555, 1925
Luxor
0185, 1895, 1905
Magnavox
1865, 1875

Marantz

Matsushita
MCS
Medion
Memorex
MGA
Micromaxx
Mission
Mitsubishi
NAD

Nakamichi
NEC
Neckerman
Nikko
Oceanic
Okano
Onkyo
Panasonic
Philips
Pioneer

Proton
Quasar
Radiola
Radiotone
Realistic
Rotel
Saba
SAE
Salora
Sansui

Sanyo
Schneider
Scott
Sharp

Sherwood
Siemens
Signature
Sony

Sytvania
Tandberg
Tashiko
TCM
Teac

Technics
Telefunken
Theta Digital
Thomson
Toshiba

Vector Research 0555, 0865
Yamaha
0005, 0015, 0085,
0345, 0615, 0655,
0815, 0835, 0895

0165, 0175, 0545,
0665, 1275, 1335,
1405, 1505, 1875,
1955
1095, 1605
0535
0075, 1995, 2005,
2015
0525, 1015, 1265,
1275, 1285, 1675
1125
2015
0165, 1875
1125, 1205
0255, 0285, 0295,
0305, 0345, 0135,
0755, 0765, 1315,
1325
0635, 0645, 1565
0405, 0535, 0775,
0785
0155, 0225
0835, 1165
0185
0155, 0225
0885, 1385, 1425,
1455, 1515
1055, 1075, 1615,
1625
0165, 0175, 0195,
1865, 1875
0095, 0335, 0425,
0435, 0445, 0525,
0855, 1035, 1945
0905, 1875
1075
1845, 1855
0485
0825, 1015, 1265,
1275, 1285, 1575
1875
1005
1875
0185
0415, 0965, 0975,
0985, 1255, 1675,
1875
0625, 0825, 0845,
0915
1845, 1855
1285, 1675
0025, 0035, 1025,
1115, 1275, 1635,
1785, 1815, 1825,
1835
1275, 1445
1085
1155
0345, 0355, 0365,
0375, 0865, 1685,
1695, 1705, 1715,
1725, 1735, 1745
1875
1885
1525
1985, 2015
0235, 0245, 1275,
1365, 1375, 1395,
1435, 1465, 1475
0465, 0475, 1065,
1075, 1625
1005
1865
1005
0755, 0765

CD-RECORDER/CD-RW
Hitachi
JVC (Victor)
Marantz
Philips
Pioneer
Yamaha

0304
0334
0314, 0324
0274
0284, 0294
0244

MD RECORDER
Kenwood
Pioneer
Sharp
Sony
Yamaha

0214
0254
0264
0224
0024, 0224, 0234

TAPE DECK
Akai
Denon
Grundig
Harman
JVC (Victor)
Kenwood
Korting
Luxman
Marantz
NAD
Onkyo
Philips
Pioneer
Sony
Yamaha

0124
0204
0134
0044
0194
0164
0134
0054, 0064, 0074,
0084
0134, 0144
0174
0184
0134, 0144, 0154
0034, 0114
0094, 0104
0004, 0014

v
08V520RDS-code(GB)

2/2/1, 5:44 PM

HTR-5450RDS

YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA

00RX-HTR5450RDS-cv1/4

HTR-5450RDS
Natural Sound AV Receiver
Ampli-tuner audio-vidéo

OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Printed in Malaysia ID

V735940

2/1/1, 4:42 PM

Connection Guide (when listening to a digital 5.1-channel source)
Main speakers A

DVD player
OPTICAL

AUDIO OUT
L

S VIDEO
OUT

Main speakers B

VIDEO
OUT

R
OPTICAL
OUT

S VIDEO
OUT

AUDIO
OUT

VIDEO
OUT

DIGITAL
INPUT
CD

TUNER
AM ANT GND

SPEAKERS

—

FM ANT

A
COAXIAL

UNBAL.

MAIN

OPTICAL
D-TV/CBL
6CH INPUT
MAIN
DVD

SURROUND
L

DVD

CENTER

D-TV/CBL

VIDEO SIGNAL
IN VCR 1 OUT

B
MONITOR OUT
VIDEO

MD/CD-R

CENTER

REAR
R (SURROUND) L

S VIDEO
R

R SUB WOOFER

OPTICAL
MD/CD-R

—
R

AUX

IN(PLAY) OUT(REC)
MD/CD-R

IN
DVD
D-TV/CBL
AUDIO SIGNAL

OUT

SUB
WOOFER
OUTPUT

VCR 1

S
V

*
RX-V520/RX-V520RDS
*HTR-5450/HTR-5450RDS
only

(U.S.A. model)

VIDEO IN

S VIDEO IN

Analog signal

S Video signal

DIGITAL
OUTPUT

R
V

Video signal

Optical signal
Signal flow

Video Monitor

Subwoofer
system Center speaker

L
Rear speakers

V728210 RX-V520/RX-V420 (ML)

Quick Reference Card

TAPE/MD

AMP(TUNER)

Input selector
buttons

6CH INPUT

EFFECT
PRESET–/+

EFFECT

EFFECT
DISC SKIP–/+

VOLUME

VOLUME
TV VOLUME

MUTE
SLEEP

SLEEP
TV INPUT
PRG+,
PRG–

REC/PAUSE
PLAY
DIR A (TAPE)
SKIP– (MD)

SET
MENU

REWIND (TAPE)
SEARCH (MD)

–/+

TIME/LEVEL

POWER

Input selector
buttons

MUTE

DVD/LD

POWER

A/B/C/D/E
TEST

VOLUME
TV VOLUME
DISPLAY (MD)
DECK A/B (TAPE)
PAUSE (MD)
DIR B (TAPE)
SKIP+ (MD)

VOLUME
TV VOLUME

MUTE
SLEEP

DISPLAY
TV INPUT
PAUSE

PLAY
SKIP–

SKIP+
SEARCH

FAST FORWARD (TAPE)
SEARCH (MD)
STOP

STOP

MUTE
SLEEP

PLAY
SKIP–
SEARCH

TV VOLUME
DISPLAY
TV INPUT
PAUSE
SKIP+
SEARCH
STOP

V728130

V520(Q)_Quick

2/1/1, 1:37 PM

Quick Reference Card

VCR

DVD MENU

VCR
POWER

POWER

Numeric buttons

CLEAR
+10
DISC SKIP–/+
VOLUME
MUTE
RETURN

MENU SELECT
MENU LEFT
TITLE

CBL/SAT

TV VOLUME
INDEX
TV INPUT
MENU UP

CBL/SAT
POWER

MENU DOWN

CHANNEL

MUTE
TV SLEEP
*1

VCR REC
VCR PLAY

EFFECT
CHANNEL
ENTER

VCR
REWIND

TV SLEEP

DISPLAY
TV INPUT
MENU UP

MENU SELECT
MENU LEFT

VCR STOP

CHANNEL

TV
CHANNEL–/+
VOLUME
TV MUTE
TV SLEEP
*1

VCR REC
VCR PLAY

EFFECT
CHANNEL
ENTER
TV VOLUME
DISPLAY
TV INPUT
VCR
PAUSE

MENU RIGHT

VCR FAST
FORWARD

*1 Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.

V520(Q)_Quick

TV VOLUME

MUTE

DISPLAY
TV INPUT
VCR
PAUSE

+100
CHANNEL
ENTER

CBL/SAT
CHANNEL–/+
VOLUME

TV VOLUME

MENU RIGHT
MENU

TV
POWER

CHANNEL

VCR
CHANNEL–/+
VOLUME

MENU
RECALL

VCR
REWIND

MENU DOWN

Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.

2/1/1, 1:38 PM

VCR FAST
FORWARD
VCR STOP

V728130

Source Exif Data:

File Type                       : PDF
File Type Extension             : pdf
MIME Type                       : application/pdf
PDF Version                     : 1.3
Linearized                      : Yes
Encryption                      : Standard V1.2 (40-bit)
User Access                     : Print, Fill forms, Extract, Assemble, Print high-res
Create Date                     : 2001:01:31 17:05:27
Producer                        : Acrobat Distiller 4.0 for Macintosh
Author                          : 
Creator                         : PageMaker 6.5
Title                           : 0101V520RDS_caution_EN
Modify Date                     : 2001:05:21 13:53:23+09:00
Page Count                      : 71
Page Mode                       : UseOutlines

EXIF Metadata provided by EXIF.tools

Yamaha Htr 5450Rds Owners Manual 0101V520RDS_caution_EN

HTR-5450RDS OWNER'S MANUAL HTR-5450RDS

HTR-5450RDS to the manual 7e4dd468-76f9-4fb3-bba0-c5e3bcf5fa6d

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