Yamaha P 60 Owner's Manual P60E1
Yamaha Corporation P-60 Owner's Manual p60e1 Yamaha Corporation - P-60 - Owner's Manual
Yamaha Corporation P-60 Owner's Manual p60e1 Yamaha Corporation - P-60 - Owner's Manual
User Manual: Yamaha P-60 Owner's Manual
Open the PDF directly: View PDF 
.
Page Count: 40
| Download | |
| Open PDF In Browser | View PDF |
Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones Yamaha Web Site (English only) http://www.yamahasynth.com Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ This document is printed on recycled chlorine free (ECF) paper with soy ink. Auf Recycling-Umweltpapier mit Sojatinte gedruckt. Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre d'huile de soja. Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja. M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2002 Yamaha Corporation WA11810 308APAP2.3-05D0 Printed in Japan Before using the P-60, be sure to read “PRECAUTIONS„ on pages 6 -7. Achten Sie darauf, vor Einsatz des P-60 die “VORSICHTSMASSNAHMEN„ auf Seite 6 -7 durchzulesen. Avant d'utiliser le P-60, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6-7. Antes de utilizar el P-60, lea las “PRECAUCIONES„ que debe tener en cuenta en las páginas 6-7. SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NAME PLATE LOCATION: NOTICE: Model Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. Serial No. ENVIRONMENTAL ISSUES: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Purchase Date Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: PLEASE KEEP THIS MANUAL 92-BP (bottom) Thank you for purchasing the Yamaha P-60 Electronic Piano! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the P-60. We also recommend that you keep this manual in a safe and handy place for future reference. About this Owner’s Manual This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.” ENGLISH Introduction (page 2): Please read this section first. Reference (page 13): This section explains how to make detailed settings for the P-60’s various functions. Appendix (page 29): This section introduces reference material. * The illustrations of the controls in this owner’s manual are for instructional purposes only and actual appearance of the controls may be somewhat different on your instrument. COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI files and WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Trademarks: • • • Apple and Macintosh are trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft® Corporation. All other trademarks are the property of their respective holders. P-60 About this Owner’s Manual 3 Table of Contents Introduction SPECIAL MESSAGE SECTION ...................... 2 About this Owner’s Manual ........................ 3 Application Index........................................ 5 ENGLISH Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéfinis / Lista de canciones preseleccionadas ...... 30 Accessories .................................................. 8 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI .............................................. 31 Features....................................................... 9 MIDI Implementation Chart ..................... 35 Before Using the P-60 ............................... 10 Power supply connections .................................10 Turning the power on........................................10 Adjusting the volume.........................................10 Using the [PHONES/OUTPUT] jack ...............11 Using the [SUSTAIN PEDAL] jack...................11 Using the MIDI connectors...............................11 Music Rest ..........................................................12 Specifications / Technische Daten / Caractéristiques techniques / Especificaciones ...................................... 36 PRECAUTIONS............................................. 6 Reference Part Names................................................ 14 Listening to the Demo Songs ................... 15 Listening to 50 Piano Preset Songs .......... 16 Selecting & Playing Voices........................ 18 Selecting Voices ..................................................18 Adding Variations to the Sound – Reverb ........19 Combining Two Voices (Dual mode)...............20 Transposition .....................................................21 Fine-tuning the Pitch .........................................21 About MIDI ............................................... 22 Connecting a Personal Computer ............ 23 MIDI Functions.......................................... 24 MIDI Transmit/Receive Channel Selection......24 Local Control ON/OFF......................................24 Program Change ON/OFF.................................25 Control Change ON/OFF ..................................25 Troubleshooting ....................................... 26 Options...................................................... 26 Index ......................................................... 27 4 Appendix P-60 Table of Contents Application Index Use this index to find reference pages that may be helpful for your particular application and situation. Listening Listening to demo songs with different voices...................................................... “Listening to the Demo Songs” on page 15 Listening to 50 Piano Preset Songs............................................................... “Listening to 50 Piano Preset Songs” on page 16 Using a supplied foot switch......................................................................... “Using the [SUSTAIN PEDAL] jack” on page 11 Playing an accompaniment that matches pitch ............................................................................. “Transposition” on page 21 Fine-tuning the pitch of the entire instrument when you play the P-60 along with other instruments or CD music.......................................................................“Fine-tuning the Pitch” on page 21 Changing voices ENGLISH Playing Viewing the list of voices............................................................................................................. “Selecting Voices” on page 18 Simulating a concert hall .................................................................... “Adding Variations to the Sound – Reverb” on page 19 Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 20 Connecting the P-60 to other devices What is MIDI? ....................................................................................................................................“About MIDI” on page 22 Connecting the computer ...............................................................................“Connecting a Personal Computer” on page 23 P-60 Application Index 5 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: ENGLISH Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Do not open • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • Never insert or remove an electric plug with wet hands. Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. If you notice any abnormality • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Location • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected adaptor and other cables. • Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. (3)-7 6 P-60 PRECAUTIONS 1/2 Connections Handling caution • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Maintenance • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. • Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. ENGLISH • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. (3)-7 2/2 P-60 PRECAUTIONS 7 Accessories • Owner’s Manual This manual contains complete instructions for operating your P-60. • Quick Operation Guide • Sustain Pedal ENGLISH • Music Rest 8 • Yamaha PA-5D power adaptor P-60 Accessories P-60(E).book Page 9 Thursday, January 9, 2003 5:19 PM Features The Yamaha P-60 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamaha’s original “AWM Stereo Sampling” tone-generation technology for rich, musical voices, and a special “Graded Hammer” keyboard that provides graded key weight and response throughout the keyboard range. The Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The E. Piano 1 voice features a single velocity-switched sample and E. Piano 2 voice features two velocity-switched sample. The P-60 sounds much closer to a true acoustic piano. A set of standard stereo headphones can be plugged in here for private practice. You can also output P-60 sound from an audio system connected here. (page 11). PHONES/ OUTPUT ENGLISH Connectors (rear panel) [PHONES/OUTPUT] STANDBY / ON DC IN 12V Connect the supplied foot switch here to switch sustain effects on and off (page 11). MIDI [IN/OUT] Connect a MIDI device to this connector to use various MIDI functions (page 23). (About MIDI—page 22) MIN POWER [SUSTAIN PEDAL] IN MIDI OUT SUSTAIN PEDAL MAX MASTER VOLUME DEMO VOICE PIANO 2 PIANO 1 EP 2 EP 1 VIBE HARPSI 1 HARPSI 2 C. ORGAN 2 C. ORGAN 1 STRINGS ELECTRONIC PIANO P-60 PRESET SONG [MASTER VOLUME] Adjust the volume level using this control (page 10). MIN POWER MAX MASTER VOLUME DEMO VOICE [VOICE] Select voices from 10 internal sounds, including Grand Piano 1 and 2 (page 18). You can also combine two voices simultaneously (page 20), select various reverb effects (page 19), etc. [DEMO] Playback of a demo song and 50 preset songs is available (page 15). P-60 Features 9 Before Using the P-60 Power supply connections 1. Make sure that the [STANDBY/ON] switch of the P-60 is set to STANDBY. 2. Connect the AC adaptor’s DC cable to the [DC IN 12V] jack. 3. Plug the AC adaptor into an AC outlet. DC IN 12V ENGLISH After turning the power OFF, simply reverse the procedure to disconnect the power. WARNING Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-60. WARNING Unplug the AC Power Adaptor when not using the P-60, or during electrical storms. Turning the power on After making sure that the P-60’s AC power adaptor is properly plugged into the P-60 itself and plugged into a convenient AC wall outlet, press the [STANDBY/ON] switch located on the rear panel of the P-60. • The power indicator located on the left of the panel lights up. When you’re ready to turn off the power, press the [STANDBY/ON] switch again. • The power indicator turns off. CAUTION Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the P-60 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Adjusting the volume To adjust the volume, use the [MASTER VOLUME] located at the top left of the panel. Play the keyboard to actually produce sound while you adjust the volume. The level decreases. The level increases. MIN MAX MASTER VOLUME CAUTION Do not use the P-60 at a high volume level for a long period of time, or your hearing may be damaged. TERMINOLOGY TIP 10 MASTER VOLUME: The volume level of the entire keyboard sound You can also adjust the [PHONES/OUTPUT] output level using the [MASTER VOLUME] control. P-60 Before Using the P-60 Using the [PHONES/OUTPUT] jack Connect a pair of headphones here. When a pair of headphones is connected to this jack, the P-60’s internal speakers will turn off automatically. This is helpful for private practice or late night playing. Though the P-60 is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the P-60 and any external devices are turned off. Then, connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel [PHONES/OUTPUT] jack on the P-60. CAUTION PHONES/ OUTPUT Do not use the P-60 at a high volume level for a long period of time, or your hearing may be damaged. IN STANDBY / MIDI OUT ON DC IN 12V SUSTAIN PEDAL CAUTION ENGLISH Standard stereo phone plug Connect the P-60 to external equipment only after turning off power for all devices. Failure to observe these cautions may result in electric shock or equipment damage. To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Using the [SUSTAIN PEDAL] jack This jack is for connecting a supplied foot switch or an optional foot pedal to the P-60. When you press the foot switch or the foot pedal, the notes you play have a longer sustain. The supplied foot switch is an on/off switch for sustain. For the optional foot pedal FC3, the further down the pedal is pressed, the longer the sound will be sustained (can be used like a half pedal effect). NOTE Connect or disconnect the foot switch or the foot pedal when the power is off. NOTE Do not turn on the power to the unit while pressing the foot switch or foot pedal. Otherwise, the switch or pedal polarity (on/off) will be reversed. PHONES/ OUTPUT IN STANDBY / MIDI OUT ON DC IN 12V SUSTAIN PEDAL Using the MIDI connectors The MIDI IN connector receives MIDI data from an external MIDI device (such as a MIDI sequencer) which can be used to control the P-60. The MIDI OUT connector transmits MIDI data generated by the P-60 (e.g. note and velocity data produced by playing the P-60 keyboard). More details on MIDI are given in “About MIDI” on page 22. IN MIDI OUT P-60 Before Using the P-60 11 Music Rest ENGLISH You can use the supplied music rest by inserting it in the slot on the top panel of the P-60. 12 P-60 Before Using the P-60 ENGLISH Reference This section explains how to make detailed settings for the P60’s various functions. Part Names................................................................ 14 Listening to the Demo Songs................................... 15 Listening to 50 Piano Preset Songs.......................... 16 Selecting & Playing Voices ....................................... 18 Selecting Voices ........................................................... 18 Adding Variations to the Sound – Reverb.................. 19 Combining Two Voices (Dual mode)......................... 20 Transposition............................................................... 21 Fine-tuning the Pitch .................................................. 21 About MIDI.............................................................. 22 Connecting a Personal Computer ........................... 23 MIDI Functions........................................................ 24 MIDI Transmit/Receive Channel Selection ............... 24 Local Control ON/OFF............................................... 24 Program Change ON/OFF ......................................... 25 Control Change ON/OFF ........................................... 25 Troubleshooting ....................................................... 26 Options ..................................................................... 26 Index ......................................................................... 27 P-60 13 Part Names 5 PHONES/ OUTPUT 7 6 STANDBY / DC IN 12V ON ENGLISH 9 8 IN MIN POWER DEMO SUSTAIN PEDAL VOICE PIANO 2 1 EP 2 EP 1 VIBE HARPSI 1 HARPSI 2 C. ORGAN 2 C. ORGAN 1 STRINGS ELECTRONIC PIANO 3 4 DEMO VOICE MAX MASTER VOLUME [POWER] ....................................... P10 [MASTER VOLUME] ....................... P11 [DEMO] ........................................ P15 [VOICE]....................................P18–20 P-60 Part Names P-60 PRESET SONG 2 MIN POWER 14 OUT MAX MASTER VOLUME PIANO 1 1 2 3 4 MIDI 5 6 7 8 9 [PHONES/OUTPUT] ...................... P11 [STANDBY/ON]............................. P10 [DC IN 12V].................................. P10 MIDI [IN] [OUT]............................ P22 [SUSTAIN PEDAL] .......................... P11 Listening to the Demo Songs Demo songs are provided that effectively demonstrate each of the P-60’s voices. Procedure 1. Turn on the power. (In case the power is not turned ON) Press the [STANDBY/ON] switch. When you start playing, adjust the [MASTER VOLUME] control to the most comfortable listening level. 2. Engage Demo mode. Press the [DEMO] button to engage Demo mode. The [DEMO] button indicator will light. 3. Play a Voice demo. While holding down the [DEMO] button, press one of the C1–A1 keys to select and start the corresponding demo song. Starting with the selected tune, the demo songs will play in sequence until stopped. TERMINOLOGY Mode: A mode is a condition or status under which you can execute a certain function. In Demo mode, you can play back demo songs. ENGLISH NOTE Refer to the voice list on page 18 for more information on the characteristics of each preset voice. NOTE You cannot adjust the tempo of demo songs. DEMO The lowest key C1 A1 Demo Song List Demo songs are original (©2002 Yamaha Corporation) except for the three songs listed below. Refer to the voice list on page 18 for voice key assignments. The demo songs listed below are short re-arranged excerpts from the original compositions. Key Voice Name Title Composer C1 GrandPiano1 Consolation No.3 F. Liszt E1 Harpsichord1 Gavotte J.S. Bach F1 Harpsichord2 Invention No.1 J.S. Bach Adjusting the Volume Use the [MASTER VOLUME] control to adjust the volume. 4. Stop the Voice demo. Press the [DEMO] button to stop playback. P-60 Listening to the Demo Songs 15 Listening to 50 Piano Preset Songs The P-60 provides performance data for 50 piano songs. You can simply listen to these songs. Procedure 1. Engage Preset Song mode. ENGLISH Press the [DEMO] button to engage Preset Song mode. The [DEMO] button indicator will light. 2. Play a preset song. While holding down the [DEMO] button, press one of the C2–C 6 keys to select and start the corresponding tune. To play all preset songs in sequence, while holding down the [DEMO] button, press the D6 key. C6 TIP D6 You can adjust the Reverb type (page 19) that is applied to the voice you play on the keyboard and to the preset song playback. DEMO The highest key Adjusting the Volume Use the [MASTER VOLUME] control to adjust the volume. Adjusting the tempo See page 17. 3. Stop playback. Playback will stop automatically when the selected preset song has finished. To stop the song during playback (or continuous playback), press the [DEMO] button. • To continue playing other songs, see procedure 2 above. 16 P-60 Listening to 50 Piano Preset Songs TIP You can play the keyboard along with the preset song. You can change the voice playing on the keyboard. For a list of the preset songs, see page 30. C2 TERMINOLOGY Song: On the P-60, performance data is called a “Song.” This includes demo songs and piano preset tunes. NOTE When you select a different song (or a different song is selected during chained playback), an appropriate reverb type will be selected accordingly. NOTE MIDI reception is not possible in Piano Song mode. Piano song data is not transmitted via the MIDI connectors. Adjusting the tempo The tempo of the preset song playback can be set from 32 to 280 beats per minute. While holding down the [DEMO] button, press a sequence of C0-A0 keys to specify a three-digit number. Select a number starting from the left-most digit. For example, to set the tempo “95,” press the C0 (0), A0 (9) and F0 (5) keys in sequence. 13 DEMO NOTE The default tempo is automatically selected whenever a new preset song is selected, and when a new preset song begins playback. 6 8 024579 C0 A0 To increase the tempo value in steps of one, while holding down the [DEMO] button, press the B6 key. To decrease the tempo value in steps of one, while holding down the [DEMO] button, press the A6 key. To increase the tempo value in steps of ten, while holding down the [DEMO] button, press the C7 key. To decrease the tempo value in steps of ten, while hold ing down the [DEMO] button, press the G 6 key. To set the default tempo (the song’s original tempo), while holding down the [DEMO] button, press the A 6 key. NOTE During preset song playback, you can set the tempo from 20 to 400 beats per minute, depending on the song data. ENGLISH The lowest key G6 A6 DEMO A6 C7(The highest key) B6 P-60 Listening to 50 Piano Preset Songs 17 Selecting & Playing Voices Selecting Voices Procedure ENGLISH While holding down the [VOICE] button, press one of the C1–A1 keys to select and start the corresponding voice. Then, when you start playing, adjust the [MASTER VOLUME] control to the most comfortable listening level. C1 D1 F1 G1 C1 D1 E1 F1 G1 A1 Voice: On the P-60, a voice means a “tone” or “tonal color.” TERMINOLOGY VOICE The lowest key Voice Name (Panel name) Description Grand Piano 1 (PIANO1) Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. C1 Grand Piano 2 (PIANO2) Spacious and clear piano with bright reverb. Good for popular music. D1 E.Piano 1 (EP1) An electronic piano sound created by FM synthesis. Good for popular music. D1 E.Piano 2 (EP2) The sound of an electric piano using hammer-struck metallic “tines.” Soft tone when played lightly, and an aggressive tone when played hard. E1 Harpsichord 1 (HARPSI1) The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. F1 Harpsichord 2 (HARPSI2) Mixes the same voice an octave higher for a more brilliant tone. F1 Vibraphone (VIBES) Vibraphone played with relatively soft mallets. It has a tremolo effect that is typical for vibraphone. G1 Church Organ 1 (C. ORGAN1) This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. G1 Church Organ 2 (C. ORGAN2) This is the organ’s full coupler sound, often associated with Bach’s “Toccata and Fugue”. A1 Strings (STRINGS) Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL mode. Key C1 18 TIP To understand the characteristics of various voices, listen to demo songs for each voice (page 15). P-60 Selecting & Playing Voices NOTE Selecting a voice automatically engages the best-suited reverb type and depth (page 19) for that particular voice. Adding Variations to the Sound – Reverb This control enables you to select various digital reverb effects that add extra depth and expression to the sound to create a realistic acoustic ambience. Procedure When you select a reverb, the reverb is automatically turned on. While holding down the [VOICE] button, press one of the C2–E2 keys to select a reverb type. ENGLISH C2 D2 VOICE The lowest key Key Reverb Type C2 D2 E2 Description C2 Room This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. C2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. D2 Stage Simulates the reverb of a stage environment. E2 Off No effect is applied. Adjusting Reverb Depth Adjust the reverb depth for the selected voice by pressing one of the C3–G 4 keys while holding down the [VOICE] button. The depth range is from 0 through 20. G 4: depth 20 TIP The default reverb type (including OFF) and depth settings are different for each voice. TIP VOICE The lowest key C3: depth 0 depth 0: depth 20: no effect maximum reverb depth The depth value increases as you press higher keys. P-60 Selecting & Playing Voices 19 Combining Two Voices (Dual mode) You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound. Procedure ENGLISH 1. Engage Dual mode. NOTE While holding down the [VOICE] button, press two of the C1–A1 keys at simultaneously (or press one key while holding another). Refer to the voice list on page 18 for available voices. C1 A1 According to the voice priority shown in the voice list (page 18), the voice assigned to the lower keyboard will be designated as Voice 1 (the other voice will be designated as Voice 2). You can make the following settings only in Dual mode: Setting the Octave You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual mode, the combination may sound better if one of the voices is shifted up or down an octave. While holding down the [VOICE] button, press one of the C5–F5 keys. C5 F5 VOICE For setting the octave. (C5–F5) The highest key C5 key: –1 (Voice 1), C 5 key: 0 (Voice 1), D5 key: +1(Voice 1), D 5 key: –1 (Voice 2), E5 key: 0 (Voice 2), F5 key: +1(Voice 2) Setting the Balance You can set one voice as the main voice, and another voice as a softer, mixed voice. While holding down the [VOICE] button, press one of the F 5–F 6 keys. A setting of “0” produces an equal balance between the two Dual mode voices. Settings below “0” increases the volume of Voice 2 in relation to Voice 1, and settings above “0” increases the volume of Voice 1 in relation to Voice 2. F6 F5 -6 -4 -2 +1 +3 +6 -5 -3 -1 0 +2 +4 +5 VOICE For setting the balance. (F5–F6) The highest key 2. Exit Dual mode and return to normal play mode. While holding down the [VOICE] button, press one of the C1–A1 keys. 20 P-60 Selecting & Playing Voices TIP Reverb in Dual Mode The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.) Reverb depth setting (page 19) will be applied only to Voice 1. VOICE The lowest key You cannot assign the same voice to Voice 1 and Voice 2 simultaneously in Dual mode. Transposition The P-60’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones, and lets you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the P-60 will transpose it to the key of F. Procedure A-1 C 0 F 2 -6 -4 -2 C3 F 3 +1 +3 TERMINOLOGY Transpose: Changing the key signature of a song. On the P-60, transposing shifts the pitch of the entire keyboard. +6 -5 -3 -1 0 +2 +4 +5 Transpose Transpose down. up. Normal pitch. ENGLISH While holding down the A-1 andC 0 keys, press one of the F 2–F 3 keys to set the desired amount of transposition. TIP Pressing the C3 key produces normal keyboard pitch. Pressing the key to the left of C3 (=B2) transposes the pitch of the keyboard down a semitone, the next key to the left (=B 2) transposes down a whole tone (two semitones), etc., down to the F 2 key, which transposes down six semitones. Upward transposition is accomplished in the same way using the keys to the right of C3, up to F 3, which transposes up six semitones. Notes below and above the A-1 .... C7 range of the P-60 sound one octave higher and lower, respectively. Fine-tuning the Pitch You can fine-tune the pitch of the entire instrument. This function is useful when you play the P-60 along with other instruments or CD music. TERMINOLOGY Procedure To tune up (in about 0.2Hz steps): Hold down the A-1 and B-1 keys simultaneously and press any key between C3 and B3. To tune down (in about 0.2Hz steps): Hold down the A-1 and A -1 keys simultaneously and press any key between C3 and B3. Hz (Hertz): This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. To restore standard pitch: Hold down the A-1, A -1 and B-1 simultaneously and press any key between C3 and B3. To tune up A-1 B-1 To tune down A -1 A-1 To restore standard pitch A -1 A-1 B-1 C3 B3 Setting range: 427.0-453.0 Hz Standard pitch: 440.0 Hz P-60 Selecting & Playing Voices 21 About MIDI MIDI (Musical Instrument Digital Interface) is a standard format for data transmission and reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the P-60, or control the P-60 from a connected MIDI device or computer. TIP Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and commands your devices can transmit or receive. The P-60’s MIDI Implementation Chart appears on page 35. ENGLISH MIDI connectors IN MIDI [IN]: MIDI [OUT]: TIP MIDI performance data and commands are transferred in the form of numeric values. MIDI OUT Receives MIDI data. Transmits MIDI data. MIDI cables Prepare dedicated MIDI cables. 22 P-60 About MIDI TIP You can also obtain detailed information about MIDI from various music books and other publications. Connecting a Personal Computer You can enjoy computer music data on the P-60 by connecting a computer to the MIDI connector. NOTE When the P-60 is used as a tone module, performance data with voices that are not found on the P-60 will not be played correctly. There are two methods by which to connect the P-60 to a personal computer: 1. Use a MIDI interface and the P-60’s MIDI connectors. 2. Use the USB port on the computer and a USB interface (model UX16, UX96, or UX256). Before you connect the P-60 to a personal computer, first turn off the power to both the P-60 and the computer. After you make the connections, turn on the power to the computer first, then turn on the power to the P-60. ENGLISH NOTE 1. Using a MIDI interface and the P-60’s MIDI connectors Connection Use a MIDI interface to connect a computer to the P-60 using special MIDI cables. P-60 IN MIDI interface Windows MIDI IN MIDI MIDI IN MIDI OUT OUT MIDI OUT MIDI interface MIDI IN MIDI OUT Macintosh 2. Connecting the computer’s USB port to the P-60 via a USB interface, such as the UX16, UX96, or UX256 Connect the computer’s USB port to the USB interface (such as the UX16, UX96, or UX256) using a USB cable. Install the driver (that came with the USB interface) on the computer, and connect the USB interface to the P-60 using a serial cable or MIDI cables. For more information, refer to the instruction manual for the USB interface. An example of connecting the USB interface to the P-60 using MIDI cables USB cable IN MIDI OUT MIDI cables computer P-60 USB interface MIN POWER MAX MASTER VOLUME DEMO VOICE PIANO 2 PIANO 1 EP 2 EP 1 VIBE HARPSI 1 HARPSI 2 C. ORGAN 2 C. ORGAN 1 STRINGS ELECTRONIC PIANO P-60 PRESET SONG P-60 Connecting a Personal Computer 23 MIDI Functions You can make detailed adjustments to MIDI settings. For more information about MIDI, see the “About MIDI” section (page 22). MIDI Transmit/Receive Channel Selection ENGLISH In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the P-60 transmits or receives MIDI data. NOTE Procedure Setting the transmit channel In Dual mode, Voice 1 data is transmitted on its specified channel and Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In this mode, no data is transmitted if the transmit channel is set to “OFF.” While holding down the A-1 and C 0 keys, press one of the C1–E2 keys. Setting the receive channel While holding down the A-1 and C 0 keys, press one of the C4–F5 keys. A-1 C 0 E2 D2 C1 2 4 7 9 11 14 16 E5 F5 C4 2 4 1 3 5 6 8 10 12 13 15 7 9 11 14 16 1 3 5 6 8 10 12 13 15 1+2 For setting the transmit channels. (C1–D 2) For setting the receive channels. (C4–F5) OFF For ALL mode Local Control ON/OFF “Local Control” refers to the fact that, normally, the P-60 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the P-60 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. Procedure A-1 C 0 TIP Program change and other like channel messages received will not affect the P-60’s panel settings or the notes you play on the keyboard. The P-60 does not receive MIDI data when it is in Demo or Preset Song mode. C6 The highest key P-60 MIDI Functions TIP ALL: A “Multi-timbre” Receive mode is available. It allows simultaneous reception of different parts on all 16 MIDI channels, enabling the P-60 to play multichannel song data received from a music computer or sequencer. 1+2: A “1+2” Receive mode is available. It allows simultaneous reception on channels 1 and 2 only, enabling the P-60 to play 1 and 2 channel song data received from a music computer or sequencer. NOTE While holding down the A-1 and C 0 keys, press the C6 key. 24 NOTE Demo and preset song data are not transmitted via MIDI. Program Change ON/OFF Normally the P-60 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly-numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The P-60 will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly-numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the P-60 without affecting the external MIDI device. TIP For information on program change numbers for each of the P-60’s voices, refer to page 34 in the MIDI Data Format section. ENGLISH Procedure While holding down the A-1 and C 0 keys, press the C 6 key. C6 A-1 C 0 The highest key Control Change ON/OFF Normally the P-60 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected). The P-60 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the P-60’s pedal and other controls can be operated without affecting an external MIDI device. TIP For information on control changes that can be used with the P-60, refer to the MIDI Data Format on page 31. Procedure While holding down the A-1 and C 0 keys, press the D6 key. A-1 C 0 D6 The highest key P-60 MIDI Functions 25 Troubleshooting ENGLISH Problem Possible Cause and Solution The P-60 does not turn on. The P-60 has not been plugged in properly. Insert the adaptor plug into an AC outlet and the adaptor socket into the unit securely. (page 10). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. Noise from the speakers or headphones is audible. The noise may be due to interference caused by the use of a mobile phone in close proximity to the P-60. Turn off the mobile phone, or move it further away from the P-60. The overall volume is low, or no sound is heard. • The Master Volume is set too low. Set it to an appropriate level using the [MASTER VOLUME] control. • Make sure a pair of headphones is not connected to the headphones jack. • Make sure that Local Control (page 24) is ON. The foot switch has no effect, or the sound continuously sustains even when the foot switch is not pressed. The pedal cord may not be properly connected. Make sure to securely insert the pedal cord into the [SUSTAIN PEDAL] jack (page 11). The foot switch seems to produce the opposite effect. For example, pressing the foot switch cuts off the sound and releasing it sustains the sounds. The polarity of the foot switch is reversed. Make sure that the foot switch plug is properly connected to the [SUSTAIN PEDAL] jack before turning on the power. Do not press the pedal while turning the power on. Options • Foot Pedal FC3 • Foot Switch FC4 • Keyboard Stand L-120 (for P-60; black and mahogany two-tone finish) L-60W (for P-60S; silver and cherry two-tone finish) 26 P-60P-60 Troubleshooting Troubleshooting/Options Index Numerics S 50 Piano Preset Songs .....................................................16 Song ................................................................................. 16 Specifications................................................................... 36 Accessories .........................................................................8 Adjust Reverb Depth.............................................................19 Tempo (50 Piano Preset Songs) ...............................16 Volume (50 Piano Preset Songs) ..............................16 Volume (Demo) ........................................................15 STANDBY/ON.......................................................... 10, 14 Start/Stop playback 50 Piano Preset Songs ............................................... 16 Demo Songs............................................................... 15 SUSTAIN PEDAL ..................................................... 11, 14 T Transposition .................................................................. 21 C ENGLISH A Troubleshooting.............................................................. 26 Combining Two Voices (Dual mode)............................20 Connecting a Personal Computer ..................................23 V VOICE .................................................................14, 18–20 D DC IN 12V.................................................................10, 14 DEMO........................................................................14, 15 Dual mode .......................................................................20 F Foot switch.......................................................................11 M MASTER VOLUME ..................................................10, 14 MIDI ................................................................................22 MIDI [IN] [OUT] ...........................................................14 MIDI cables ...............................................................22, 23 MIDI connectors .............................................................22 MIDI Data Format ..........................................................31 MIDI Implementation Chart..........................................35 Music Rest........................................................................12 P PHONES/OUTPUT ........................................................14 Precautions ....................................................................6–7 Preset songs ➝ 50 Piano Preset Songs ...........................16 R Reverb ..............................................................................19 P-60 Index 27 ENGLISH MEMO 28 P-60 Appendix/Anhang/ Annexe/Apéndice This section introduces reference material. In diesem Abschnitt finden Sie Referenzmaterial. Cette section présente le matériel de référence. En esta sección se incluye material de referencia. Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéfinis / Lista de canciones preseleccionadas.................................................................................................................................................. 30 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI ................... 31 MIDI Implementation Chart / MIDI Implementierung stabelle / Feuille d’implantation MIDI / Gráfica de implementación MIDI ................................................................... 35 Specifications / Technische Daten / Caractéristiques techniques / Especificaciones .......................................... 36 P-60 29 Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéfinis / Lista de canciones preseleccionadas No. 30 Title Composer No. Title Composer 1 Invention No. 1 J.S.Bach 26 Etude op.10-12 “Revolutionary” F.F.Chopin 2 Invention No. 8 J.S.Bach 27 Valse op.64-1 “Petit chien” F.F.Chopin 3 Gavotte J.S.Bach 28 Valse op.64-2 F.F.Chopin 4 Prelude (Wohltemperierte Klavier I No.1) J.S.Bach 29 Valse op.69-1 “L’adieu” F.F.Chopin 5 Menuett G dur BWV.Anh.114 J.S.Bach 30 Nocturne op.9-2 F.F.Chopin 6 Le Coucou L-C.Daquin 31 Träumerei R.Schumann 7 Piano Sonate No.15 K.545 1st mov W.A.Mozart 32 Fröhlicher Landmann R.Schumann 8 Turkish March W.A.Mozart 33 La prière d’une Vierge T.Badarzewska 9 Menuett G dur W.A.Mozart 34 Dolly’s Dreaming and Awakening T.Oesten 10 Little Serenade J.Haydn 35 Arabesque J.F.Burgmüller 11 Perpetuum mobile C.M.v.Weber 36 Pastorale J.F.Burgmüller 12 Ecossaise L.v.Beethoven 37 La chevaleresque J.F.Burgmüller 13 Für Elise L.v.Beethoven 38 Liebesträume Nr.3 F.Liszt 14 Marcia alla Turca L.v.Beethoven 39 Blumenlied G.Lange 15 Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven 40 Barcarolle P.I.Tchaikovsky 16 Piano Sonate op.27-2 “Mondschein” 1st mov. L.v.Beethoven 41 Melody in F A.Rubinstein 17 Piano Sonate op.49-2 1st mov. L.v.Beethoven 42 Humoresque A.Dvorák 18 Impromptu op.90-2 F.P.Schubert 43 Tango (España) I.Albéniz 19 Moments Musicaux op.94-3 F.P.Schubert 44 The Entertainer S.Joplin 20 Frühlingslied op.62-2 J.L.F.Mendelssohn 45 Maple Leaf Rag S.Joplin 21 Jägerlied op.19b-3 J.L.F.Mendelssohn 46 La Fille aux Cheveux de Lin C.A.Debussy 22 Fantaisie-Impromptu F.F.Chopin 47 Arabesque 1 C.A.Debussy 23 Prelude op.28-15 “Raindrop” F.F.Chopin 48 Clair de lune C.A.Debussy 24 Etude op.10-5 “Black keys” F.F.Chopin 49 Rêverie C.A.Debussy 25 Etude op.10-3 “Chanson de l’adieu” F.F.Chopin 50 Golliwog’s Cakewalk C.A.Debussy P-60 Appendix/Anhang/Annexe/Apéndice MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computergener-ated MIDI messages, the data provided in this section can help you to control the P-60. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden, können Sie sich zur Steuerung des P-60 nach den im folgenden Abschnitt aufgeführten Spezifikationen richten. Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le P-60. SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la P-60. 1. NOTE ON/OFF 3. MODE MESSAGES Data format: [9nH] -> [kk] -> [vv] Data format: [BnH] -> [cc] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 / Receive: 00H ~ 7FH = C-2 ~ G8)* vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the selected voice, the note is adjusted by the necessary number of octaves. 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume (reception only) ccH Parameter Data Range (vvH) 07H Volume MSB 00H...7FH (3) Expression (reception only) ccH Parameter Data Range (vvH) 0BH Expression MSB 00H...7FH (4) Damper ccH Parameter 40H Damper MSB Data Range (vvH) 00H...7FH (5) Sostenuto (reception only) ccH Parameter Data Range (vvH) 42H Sostenuto 00H-3FH:off, 40H-7FH:on BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter Data Range (vvH) 78H All Sound Off 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Damper Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (6) Soft Pedal (reception only) ccH Parameter Data Range (vvH) 43H Soft Pedal 00H-3FH:off, 40H-7FH:on (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. (8) Effect4 Depth (Variation Effect Send Level) (reception only) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H...7FH • When control change reception is turned OFF, control change data will not be transmitted or received except for Bank Select and Mode messages. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received. P-60 Appendix/Anhang/Annexe/Apéndice 31 4. PROGRAM CHANGE 6. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number P-60 Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Harpsichord 1 Harpsichord 2 Vibraphone Church Organ 1 Church Organ 2 Strings MSB 0 0 0 0 0 0 0 0 0 0 LSB 122 112 122 122 122 123 122 123 122 122 P.C.# 0 0 5 4 6 6 11 19 19 48 • When program change reception is turned OFF, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received. 5. SYSTEM REALTIME MESSAGES [rrH] FEH: Active sensing Data FEH Transmission Transmitted every 200 milliseconds Reception If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. 32 P-60 Appendix/Anhang/Annexe/Apéndice (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = don’t care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = don’t care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. 7. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive 9. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H] F0H = 43H = 73H = 7FH = 2FH = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Electronic Piano ID Extended Product ID Product ID Special control Control MIDI change (n=channel number) Control number Value End of Exclusive Control Channel Channel Detune ch: 00H-0FH ccH vvH 43H (Sets the Detune value for each channel) 00H-7FH Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal. 10. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = don’t care (under 7FH) F7H = End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the P-60 another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. 8. SYSTEM EXCLUSIVE MESSAGES (Electronic Piano MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H] F0H = Exclusive status 43H = Yamaha ID 73H = Electronic Piano ID 01H = Product ID (electronic piano common) or 7F= Extended Product ID 2FH = Product ID nnH = Substatus nn Control 02H Internal MIDI clock 03H External MIDI clock 06H Bulk Data (the bulk data follows 06H) F7H = End of Exclusive * When nn=02H or 03H, Electronic common ID (01H) is rec-ognized as well as 75H. P-60 Appendix/Anhang/Annexe/Apéndice 33