Yamaha PSR A300 Owner's Manual PSRA300 En

Yamaha Corporation PSR-A300 Owner's Manual psra300_en Yamaha Corporation - PSR-A300 - Owner's Manual

User Manual: Yamaha PSR-A300 Owner's Manual

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Owner’s Manual
Bedienungsanleitung
Mode d’emploi
EN
DE
FR

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on
the name plate, or specifically recommended by Yamaha.

This product may also use “household” type batteries.
Some of these may be rechargeable. Make sure that the
battery being charged is a rechargeable type and that the
charger is intended for the battery being charged.

This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by
Yamaha. If a cart, etc., is used, please observe all safety
markings and instructions that accompany the accessory
product.

When installing batteries, do not mix batteries with new, or
with batteries of a different type. Batteries MUST be
installed correctly. Mismatches or incorrect installation
may result in overheating and battery case rupture.

SPECIFICATIONS SUBJECT TO
CHANGE:

Do not attempt to disassemble, or incinerate any battery.
Keep all batteries away from children. Dispose of used
batteries promptly and as regulated by the laws in your
area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

The information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing
loss. DO NOT operate for long periods of time at a high
volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you
should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time
period before damage occurs.

NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is
operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your
dealer before requesting service.

Warning:

Disposal Notice:
Should this product become damaged beyond repair, or
for some reason its useful life is considered to be at an
end, please observe all local, state, and federal regulations that relate to the disposal of products that contain
lead, batteries, plastics, etc. If your dealer is unable to
assist you, please contact Yamaha directly.

NAME PLATE LOCATION:
The name plate is located on the bottom of the product.
The model number, serial number, power requirements,
etc., are located on this plate. You should record the model
number, serial number, and the date of purchase in the
spaces provided below and retain this manual as a permanent record of your purchase.

Model

ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user
safe and environmentally friendly. We sincerely believe
that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the
following:

Serial No.
Purchase Date

Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average
life span of this type of battery is approximately five years.
When replacement becomes necessary, contact a qualified service representative to perform the replacement.

PLEASE KEEP THIS MANUAL
92-BP (bottom)

PSR-A300 Owner’s Manual

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY
THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.

2. IMPORTANT: When connecting this product to
accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual, may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regulations does not guarantee that interference will not
occur in all installations. If this product is found to be
the source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar
ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sålæenge
netledningen siddr i en stikkontakt, som er t endt — også selvom der or
slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta
verkosta.
(standby)

Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder
Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren
Sie sich bei Ihrer Kommune.
(battery)

PSR-A300 Owner’s Manual

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from
electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to,
the following:
Power supply/AC power adaptor

Water warning

• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Use the specified adaptor (PA-3B, PA-3C or an equivalent recommended by
Yamaha) only. Using the wrong adaptor can result in damage to the instrument
or overheating.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.

• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• Never insert or remove an electric plug with wet hands.

Fire warning

• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord, place
heavy objects on it, or place it in a position where anyone could walk on, trip
over, or roll anything over it.

Do not open
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If
it should appear to be malfunctioning, discontinue use immediately and have
it inspected by qualified Yamaha service personnel.

• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.

If you notice any abnormality
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power
switch, disconnect the adaptor plug from the outlet, and have the instrument
inspected by qualified Yamaha service personnel.

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
• Do not attempt to recharge batteries that are not intended to be charged.

Power supply/AC power adaptor
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.

• When the batteries run out, or if the instrument is not to be used for a long
time, remove the batteries from the instrument to prevent possible leakage of
the battery fluid.

• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.

• Keep batteries away from children.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid
should come in contact with your eyes, mouth, or skin, wash immediately with
water and consult a doctor. Battery fluid is corrosive and may possibly cause
loss of sight or chemical burns.

• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.

Battery

Location

• Always make sure all batteries are inserted in conformity with the +/- polarity
markings. Failure to do so might result in overheating, fire, or battery fluid
leakage.
• Always replace all batteries at the same time. Do not use new batteries
together with old ones. Also, do not mix battery types, such as alkaline
batteries with manganese batteries, or batteries from different makers, or
different types of batteries from the same maker, since this can cause
overheating, fire, or battery fluid leakage.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or
radio may generate noise.

• Do not dispose of batteries in fire.

• Do not place the instrument in an unstable position where it might
accidentally fall over.

(4)-9

• Do not expose the instrument to excessive dust or vibrations, or extreme cold
or heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.

1/2

PSR-A300 Owner’s Manual
2

• Before moving the instrument, remove all connected adaptor and other cables.
• Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.

• Never insert or drop paper, metallic, or other objects into the gaps on the
panel or keyboard. If this happens, turn off the power immediately and unplug
the power cord from the AC outlet. Then have the instrument inspected by
qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this
might discolor the panel or keyboard.

Connections
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the
volumes of all components at their minimum levels and gradually raise the
volume controls while playing the instrument to set the desired listening level.

• Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If
you experience any hearing loss or ringing in the ears, consult a physician.

Saving data

Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.

Handling caution
• Do not insert a finger or hand in any gaps on the instrument.

Saving and backing up your data
• The panel settings and some other types of data will be lost if the power is
turned off before they are saved. Be sure to save data you want to keep to the
internal Flash Memory (page 33) before turning off the power. Saved data may
be lost due to malfunction or incorrect operation. Save the important data to
your computer. For information on sending the data, see page 67.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the power is off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a
long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.

• The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from
those on your instrument.

● COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect
to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and
contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences.
DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
● Trademarks
• Windows is the registered trademark of Microsoft ® Corporation.
• All other trademarks are the property of their respective holders.
(4)-9

2/2

PSR-A300 Owner’s Manual

Congratulations and thank you for purchasing
the Yamaha PSR-A300 PORTATONE!
Please read this owner’s manual carefully before using the instrument
in order to take full advantage of its various features.
Make sure to keep this manual in a safe and handy place even after you finish reading,
and refer to it often when you need to better understand an operation or function.

Panel logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of
manufacturer. The GM mark is affixed to all software and hardware products that support GM
System Level.

XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator.
However, keep in mind that some songs may play back differently compared to the original
data, due to the reduced set of control parameters and effects.

Stereo Sampled Piano
The instrument has a special Portable Grand Piano Voice—created by state-of-the-art stereo
sampling technology and using Yamaha’s sophisticated AWM (Advanced Wave memory) tone
generation system.

Yamaha Education Suite 5
The instrument features the new Yamaha Education Suite—a set of learning tools that utilize
the latest technology to make studying and practicing music more fun and fulfilling than ever
before!

Touch Response
The exceptionally natural Touch Response feature, with a convenient front panel on/off switch,
gives you maximum expressive level control over the voices.

Supplied Accessories
The PSR-A300 package includes the following items. Please check that you have them all.
• Music rest

• Owner’s manual (this book)

● Music rest
Insert the music
rest into the slots
as shown.

PSR-A300 Owner’s Manual
4

Contents
Panel logos ................................................................ 6
Supplied Accessories................................................. 6

Setting Up

Power Requirements ................................................. 8
Connecting headphones (PHONES/OUTPUT Jack) . 9
Connecting a footswitch (SUSTAIN Jack) ................. 9
Using the MIDI Terminals .......................................... 9
Turn on the power...................................................... 9

Panel Controls and Terminals

Front Panel .............................................................. 10
Rear Panel ............................................................... 10

Step 1

Try playing a variety of instrument Voices ............... 12
Playing Two Voices Simultaneously—Dual ............. 13
Playing Different Voices with the Left and
Right Hands—Split ............................................... 14
Playing the Grand Piano Voice ................................ 15
Drum kits & Oriental Percussion kits........................ 15
Step 2

Fun Sounds

Step 3

Play With The Metronome

Start the metronome ................................................ 18
Step 4

Playing Songs

Select and Listen to a Specific Song ....................... 20
Step 5

Play with a Style

Selecting a rhythm of a Style ................................... 22
Playing with a Style.................................................. 23

Record your own performance

Recording Your Performance .................................. 25
Recording to a specified track.................................. 26
Deleting User Songs ................................................ 28
Step 7

Using Oriental Scales

Setting an Oriental Scale—Scale Setting ................ 29
Registering the Scale settings ................................. 30
Recall the Scale settings.......................................... 31
Set the Accompaniment Tuning on.......................... 31
Step 8

Play with the Pitch Bend Wheel

Adding pitch variations with the Pitch Bend Wheel.. 32
Adjust the pitch bend range ..................................... 32

Backup and Initialization

Song Lesson

Lesson 1 (Listen & Learn) ....................................... 37
Lesson 2 (Timing).................................................... 39
Lesson 3 (Waiting) .................................................. 40

Song settings

Changing the Melody Voice .................................... 41
Song Volume ........................................................... 41
Mute ........................................................................ 42
Practice Makes Perfect ........................................... 43

Backup ..................................................................... 33
Initialization .............................................................. 33

Handy Performance Features

Touch Response Sensitivity .................................... 47
Setting the Split Point .............................................. 48
Transpose ............................................................... 48
Tuning ..................................................................... 49
One Touch Setting .................................................. 49
Changing the tempo of the Song/Style.................... 50
Adjusting the Voice Parameters .............................. 50

Style (Auto Accompaniment) Functions

Various ways to start and stop Style playback ........ 51
Pattern Variation (Sections) .................................... 53
Adjusting the Style Volume ..................................... 55

Playing Auto Accompaniment Chords

Easy Chords ............................................................ 56
Standard Chords ..................................................... 56
Looking up Chords Using the Chord Dictionary ...... 58

Select the item and change the value ..................... 60

About MIDI

What is MIDI? .......................................................... 62
What You Can Do With MIDI................................... 62
Transferring Performance Data To and
From Another Instrument..................................... 63
Transferring data between the PSR-A300
and a computer.................................................... 65

Troubleshooting ...........................................................68
Index ..............................................................................69
Voice List.......................................................................71
Maximum Polyphony ............................................... 71
Drum Kit & Oriental Percussion Kit List.....................78
Style List........................................................................83
Effect Type List .............................................................84
MIDI Implementation Chart ..........................................86
MIDI Data Format ..........................................................88
Effect map ............................................................... 90
Specifications ...............................................................91

PSR-A300 Owner’s Manual
5

Adding Harmony...................................................... 44
Adding Reverb......................................................... 45
Adding Chorus......................................................... 46
Adding Panel Sustain .............................................. 46

Function Settings

Step 6

Basic Operation ....................................................... 34
Display..................................................................... 36

Play With a Variety of Effects

— Quick Guide —
Changing the Voices

Basic Operation and Displays

Setting Up
Be sure to do the following operations BEFORE turning on the power.

Power Requirements
Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an
AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not
deplete resources.

■ Using an AC Power Adaptor
q Make sure that the power of the instrument is off

(the backlit display is off).
WARNING
• Use ONLY a Yamaha PA-3B or PA-3C AC Power Adaptor (or other adaptor specifically recommended by
Yamaha) to power your instrument from the AC mains.
The use of other adaptors may result in irreparable
damage to both the adaptor and the instrument.

w Connect the AC adaptor (PA-3B, PA-3C or other

adaptor specifically recommended by Yamaha) to
the power supply jack.
e Plug the AC adaptor into an AC outlet.
CAUTION
• Unplug the AC Power Adaptor when not using the
instrument, or during electrical storms.

e
PA-3B or
PA-3C

AC outlet

■ Using Batteries
q Open the battery compartment cover located on the

instrument’s bottom panel.
w Insert the six new alkaline batteries, being careful
to follow the polarity markings on the side of the
compartment.
e Replace the compartment cover, making sure that it
locks firmly in place.
CAUTION
• Never connect or disconnect the AC power adaptor when
the batteries are installed in the instrument and the power
is on. Doing so will turn the power off, possibly resulting
in loss of the data being transferred and the data currently in the transfer destination during transferring or
recording a data.

For battery operation the instrument requires six 1.5V
“AA” size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes
too low for proper operation, the volume may be
reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to
replace all batteries, following the precautions listed
below.
If necessary, also make sure to save all important User
data (see page 33), since custom panel settings are
lost when the batteries are removed.
CAUTION
• Use alkaline batteries for this instrument. Other types of
batteries (including rechargeable batteries) may have
sudden drops of power when battery power becomes low,
possibly resulting in loss of data in the flash memory.
• Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, fire and/or
leaking of corrosive chemicals.
• When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new
batteries. Do not use different kinds of batteries (e.g.
alkaline and manganese) at the same time.
• If the instrument is not to be in use for a long time,
remove the batteries from it, in order to prevent possible
fluid leakage from the battery.
• Please use the power adaptor when transferring data to
flash memory. Batteries (including rechargeable types)
can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the
data being transferred and the data currently in the transfer destination will be lost.

PSR-A300 Owner’s Manual
6

Setting Up

Make all necessary connections BEFORE turning the power on.

Using the MIDI Terminals

Connecting headphones (PHONES/OUTPUT Jack)

The PSR-A300 speakers are automatically shut off
when a plug is inserted into this jack. The PHONES/
OUTPUT jack also functions as an external output.
You can connect the PHONES/OUTPUT jack to a
keyboard amplifier, stereo system, mixer, tape
recorder, or other line-level audio device to send the
instrument’s output signal to that device.

MIDI instrument

The instrument also features MIDI terminals, allowing you to interface the instrument with other MIDI
instruments or computers. (For more information, see
page 62.)
NOTE

WARNING
• Avoid listening with the headphones at high volume for
long periods of time; doing so may not only result in ear
fatigue, it may be damaging to your hearing.

• MIDI cables (sold separately) must be used for connecting to
MIDI devices. They can be bought at music stores, etc.

Turn on the power

CAUTION
• To prevent damage to the speakers, set the volume of the
external devices at the minimum setting and turn power
off the devices before connecting them. Failure to
observe these precautions may result in electric shock or
equipment damage. Also, be sure to set the volumes of all
devices at their minimum levels and gradually raise the
volume controls while playing the instrument to set the
desired listening level.

Turn down the volume by turning the [MASTER
VOLUME] control to the left and press the
[STANDBY/ON] switch to turn on the power. Pressing the switch again turns the power off.

Connecting a footswitch (SUSTAIN Jack)
Backup data in the flash memory (page 33) is loaded
to the instrument when the power is turned on. If no
backup data exists on flash memory, all instrument
settings are restored to the initial factory defaults
when the power is turned on.
The sustain function lets you produce a natural sustain
as you play by pressing an optional footswitch. Plug
the Yamaha FC4 or FC5 footswitch into this jack and
use it to switch sustain on and off.
NOTE

• Make sure that the footswitch plug is properly connected to
the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing
this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.

CAUTION
• When using a power adaptor, even when the power is off,
a small amount of electricity is still being consumed by
the instrument. When you are not using the instrument for
a long time, make sure to unplug the AC power adaptor
from the wall AC outlet, and/or remove the batteries from
the instrument.

CAUTION
• Never attempt to turn the power off when a “Writing!”
message is shown in the display. Doing so can damage
the flash memory and result in a loss of data.

PSR-A300 Owner’s Manual

Panel Controls and Terminals
■ Front Panel

q [STANDBY/ON] switch ....................................page 9, 34
w [MASTER VOLUME] control ......................... pages 9, 34
When the lesson mode
e LESSON PART
[L] button .............................................................page 38
[R] button.............................................................page 38
When the recording mode
e [REC TRACK 2] button........................................page 27
[REC TRACK 1] button........................................page 27
r [LISTEN & LEARN] button..................................page 38
t [TIMING] button...................................................page 39
y [WAITING] button ................................................page 40
u [FUNCTION] button..................................... pages 60, 35
i [SONG] button............................................. pages 20, 35
o [STYLE] button............................................ pages 22, 35
!0 [VOICE] button ............................................ pages 12, 35
!1 Number buttons [0]-[9], [+/YES], [-/NO].............page 35
!2 [DEMO] button.....................................................page 21
!3 [METRONOME ON/OFF] button .........................page 18
When the Song mode
!4 [A-B REPEAT] button..........................................page 43
!5 [REW] button .......................................................page 21
!6 [FF] button ...........................................................page 21
!9 [PAUSE] button....................................................page 21

■ Front Panel
Style List (page 83)

e
w

!4 !5 !6 !7

Song List (page 21)

When the Style mode
!4 [ACMP ON/OFF] button ......................................page 23
!5 [INTRO/ENDING/rit.] button................................page 53
!6 [MAIN/AUTO FILL] button...................................page 53
!9 [SYNC START] button.........................................page 23
!7 [TEMPO/TAP] button...........................................page 50
!8 [REC] button........................................................page 25
@0 [START/STOP] button .........................................page 34
@1 [PORTABLE GRAND] button..............................page 15
@2 [SOUND EFFECT KIT] button.............................page 17
@3 [REVERB ON/OFF] button..................................page 45
@4 [SPLIT ON/OFF] button.......................................page 14
@5 [DUAL ON/OFF] button .......................................page 13
@6 [HARMONY ON/OFF] button ..............................page 44
@7 [TOUCH ON/OFF] button ....................................page 47
@8 [PITCH BEND] wheel...........................................page 32
@9 [ORIENTAL SCALE] buttons ..............................page 29

■ Rear Panel

#0 MIDI IN/OUT terminals ........................................page 62
#1 SUSTAIN jack.........................................................page 9
#2 PHONES/OUTPUT jack .........................................page 9
#3 DC IN 12V jack.......................................................page 8

PSR-A300 Owner’s Manual
8

Panel Controls and Terminals

Display (page 36)

Voice List (page 72)

001

GrandPno
001

r
i
o

001

@4 @5 @6 @7

GrandPno
001

■ Rear Panel

PSR-A300 Owner’s Manual

Step

— Quick Guide —

Changing the Voices
Try playing a variety of instrument Voices

In addition to the piano Voice, a wide variety of other instrument Voices can be selected and
played, including guitar, trumpet and flute. The Voice selected here becomes the Main Voice.

Press the [VOICE] button.
The Voice number and name are displayed.
Voice number

001

Voice name

GrandPno
001

Select a Voice.
Select the desired Voice by using the number buttons [0]-[9], [+],
[-].
Refer to the Voice List on page 72.

084

Appears when the
Voice mode.

Flute

The Voice shown here
becomes the Main Voice
for the instrument.

Play the keyboard.

Try selecting and playing different Voices.

PSR-A300 Owner’s Manual
10

Playing Two Voices Simultaneously—Dual
Quick Guide

You can select a second Voice which will play in addition to the Main Voice selected on the previous page. This second Voice is known as the Dual Voice.

Two Voices sound at the
same time

Step 1 Changing the Voices

Play the Dual Voice
Press the [DUAL ON/OFF] button to turn the Dual function on.
When Dual is on, you can play a Dual Voice in a layer with the
Main Voice.
To turn the Dual Voice off and play only the Main Voice, press the
[DUAL ON/OFF] button again.
Appears when Dual
is on.

084

Flute
001

Selecting a Dual Voice
The best-suited Dual Voice is automatically selected whenever you
turn Dual on, but you can select any of the available Dual Voices.

Press and hold the [DUAL ON/OFF] button for longer than a second.
“D. Voice” appears in the display for a few seconds, then the Dual
Voice will appear.
Currently selected Dual Voice

102

Marimba

NOTE

• You can also access the
Dual Voice setting display
by pressing the [FUNCTION] button several times,
then selecting Dual Voice.

001

Hold for longer
than a second.

Select a Dual Voice.
Select the desired Dual Voice by using the number buttons [0][9], [+], [-].
Refer to the Voice List on page 72.

PSR-A300 Owner’s Manual

Playing Different Voices with the Left and Right Hands—Split
In the Split mode you can play different Voices to the left and right of the keyboard “Split Point.”
The main and Dual Voices can be played to the right of the Split Point, while the Voice played to
the left of the Split Point is known as the “Split Voice”
Split Point

Main Voice and Dual
Voice

Split Voice

Play the Split Voice
Press the [SPLIT ON/OFF] button to turn the Split function on.
When Split is on you can play a Split Voice to the left of the Split
Point.
When you don’t want to play a Split Voice, press the [SPLIT ON/
OFF] button to turn Split off.
Appears when Split
is on.

059

Choir

NOTE

001

• The Split Point setting can
be changed as required
(page 48).

Select a Split Voice
You can select a different Split Voice by following the procedure outlined below.

Press and hold the [SPLIT ON/OFF] button for longer than a second.
“S. Voice” appears in the display for a few seconds, then the Split
Voice will appear.
The currently selected
Split Voice

040

FngrBass

NOTE

• You can also access the
Split Voice setting display
by pressing the [FUNCTION] button several times,
then selecting the Split
Voice.

001

Hold for longer
than a second.

Select the desired Split Voice by using the number buttons [0][9], [+], [-].
Refer to the Voice List on page 72.

PSR-A300 Owner’s Manual
12

Select a Split Voice

Playing the Grand Piano Voice
Quick Guide

When you simply want to play a piano Voice, all you have to do is press one convenient button.

Press the [PORTABLE GRAND] button.

Step 1 Changing the Voices

The Voice “Grand Piano 001” will automatically be selected as
the Main Voice.

Drum kits & Oriental Percussion kits
Drum kits and oriental percussion kits are collections
of drum and percussion instruments.
When drum kits and oriental percussion kits (Voice
number 109-121 or 518-523) are selected, you can
play different percussion sounds directly from the
keyboard.

Press the [VOICE] button.

Select the desired kit.
Select one of the Voice numbers from 109-121 or 518-523 by
using the number buttons [0]-[9], [+], [-].

Example: 109 Standard Kit 1

109

Std.Kit1

PSR-A300 Owner’s Manual

Try out each key.

You’ll hear bongo drums, congas, maracas, and more—a comprehensive variety of drum and percussion sounds.
Details on the instruments and key assignments of each kit can be
found in the Drum Kit & Oriental Percussion Kit List on page 78.

● Drum Kit List
109

Standard Kit 1

116

Jazz Kit

110

Standard Kit 2

117

Brush Kit

111

Room Kit

118

Symphony Kit

112

Rock Kit

119

SFX Kit 1

113

Electronic Kit

120

SFX Kit 2

114

Analog Kit

121

Sound Effect Kit

115

Dance Kit

● Oriental Percussion Kit List
Arabic Kit

521

Arabic Mix Kit

519

Khaligi Kit

522

Khaligi Mix Kit

520

Irani Kit

523

Irani Mix Kit

PSR-A300 Owner’s Manual
14

518

Step

— Quick Guide —

Fun Sounds
Quick Guide

This instrument also includes a wide range of unique
sound effects. Try out each key and enjoy the sounds!
As you try out the various keys you’ll hear the sound of
a dog barking, running water, a creaking door and many
other unique effects.

Step 2 Fun Sounds

Press the [SOUND EFFECT KIT] button.

Try out each key and enjoy the sounds. Don’t forget the black
keys!
You’ll be able to play various sound effects from the keyboard:
barking, braying, yelling, and much more.
Details on the instruments and key assignments of each sound
effect kit can be found in the Drum Kit & Oriental Percussion Kit
List on page 78.
After trying out these sounds, press the [PORTABLE GRAND]
button to reset the instrument Voice to the default setting of Voice
“001 Grand Piano.”

PSR-A300 Owner’s Manual

Step

— Quick Guide —

Play With The Metronome
Start the metronome

The instrument includes a metronome with adjustable tempo and time signature. Play and set the
tempo that is most comfortable for you.

Starting the metronome
Turn the metronome on and start it by pressing the [METRONOME ON/
OFF] button.
To stop the metronome, press the [METRONOME ON/OFF] button again.
001

GrandPno

1
1

Displays the
current beat.

Setting the metronome tempo

Press the [TEMPO/TAP] button to display the tempo.
Tempo value

090

Set the metronome tempo by using the number buttons [0]-[9], [+], [-].
The tempo can be adjusted between 32-280.

PSR-A300 Owner’s Manual
16

Tempo

Setting the Metronome Time Signature

Quick Guide

A chime will sound on the first beat of each measure, while a metronome click will sound on all others. You can also set the time signature
to “00,” in which case the chime will not sound and the click sound
will be heard on all beats.

Press and hold the [METRONOME ON/OFF] button for longer than a
second
The time signature appears in the display.

Step 3 Play With The Metronome

Time signature

TimeSig

Hold for longer
than a second.

Set the time signature by using the number buttons [0]-[9], [+], [-].
The metronome can be set for time signatures of 0 to 15 beats.

NOTE

• The time signature cannot
be changed for Songs and
Styles, because each has a
fixed time signature.

Setting the Metronome Volume

Press the [FUNCTION] button a number of times until “MetroVol”
appears.

100

MetroVol

Metronome Volume

Set the metronome volume by using the number buttons [0]-[9], [+], [-].

PSR-A300 Owner’s Manual

Step

— Quick Guide —

Playing Songs
Select and Listen to a Specific Song

This instrument has 35 built-in Songs.
Listening to a Song

Press the [SONG] button.
The Song number and name are displayed.
Song number

001

Song name
Appears when
the Song mode is
active.

Arabic
001

Refer to the Song List on next page.

001-035

Built in Songs (see next page)

036-040

User Songs (Songs you record yourself).

041-

Songs transferred from a computer on page 67

Press the [START/STOP] button.

NOTE

• You can play Songs
recorded from the instrument or transferred from a
computer. The procedure
for playing these Songs is
the same as that of the
built-in Songs.

The Song will begin playing.
You can stop playback at any time by pressing the [START/
STOP] button.

PSR-A300 Owner’s Manual
18

Select the desired Song by using the number buttons [0]-[9], [+], [-].

Quick Guide

● Other Operations

[REW] button ........... Fast-reverses the Song if pressed during playback (no sound is heard
during fast reverse). Decreases the measure number if pressed while
playback is stopped.
[FF] button................ Fast-forwards the Song if pressed during playback. Increases the
measure number if pressed while playback is stopped.

Step 4 Playing Songs

[PAUSE] button ........ Temporarily stops playback. Press this button a second time to resume
playback from the point at which it was stopped.

● Using the [DEMO] button
Press the [DEMO] button to play Songs 001, 002, 003, 004, 005 in sequence,
and playback will continue repeatedly starting again from the first Song 001.
You can stop playback at any time by pressing the [DEMO] or [START/
STOP] button.

● Song List
No.

Song Name
DEMO

001*

Arabic Demo

002*

Khaligi Demo

003*

Irani Demo

004*

Greek Demo

005*

Turkish Demo
CLASSICAL MELODIES

006*

Waltz (The Sleeping Beauty) (P. I. Tchaikovsky)

007*

Air (Orchestral Suite) (J. S. Bach)

008*

Minuetto/Boccherini (L. Boccherini)

009*

Pizzicato Polka (J. Strauss II)

010*

Romanze/Beethoven (L. v. Beethoven)

011*
012*
013*
014*
015*

Sicilienne/Fauré (G. Fauré)
Méditation (Thaïs) (J. Massenet)
Grand March (Aida) (G. Verdi)
Swan Lake (P. I. Tchaikovsky)
Le Cygne (Le Carnaval des Animaux)
(C. Saint-Saëns)
PIANO SOLO

016

Für Elise (L. v. Beethoven)

017

Valse op.64-1 “Petit Chien” (F. Chopin)

No.

Song Name

018

Andante grazioso (Sonate K.331) (W. A. Mozart)

019

24 Preludes op.28-7 (F. Chopin)

020

Fröhlicher Landmann (Album für die Jugend)
(R. Schumann)

021

Träumerei (Kinderszenen) (R. Schumann)

022

Thema (Impromptus D.935-3) (F. Schubert)

023

La Chevaleresque (J. F. Burgmüller)

024

Menuett BWV. Anh.116 (J. S. Bach)

025

Invention Nr.1 (J. S. Bach)

026

Londonderry Air (Traditional)

027

Twinkle Twinkle Little Star (Traditional)

028

Loch Lomond (Traditional)

029

Home Sweet Home (H. R. Bishop)

030

Nocturne op.9-2 (F. Chopin)

031

Etude op.10-3 “Chanson de L’adieu” (F. Chopin)

032

Menuett BWV. Anh.114 (J. S. Bach)

033

Piano Concerto No.21 2nd mov. (W. A. Mozart)

034

Romanze (Serenade K.525) (W. A. Mozart)

035

Ode to Joy (L. v. Beethoven)

PIANO ENSEMBLE

• Songs with an asterisk mark (*) are ones which do not have a left part. Therefore, the lesson is applicable only for the right hand.
• Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same
as the original.

PSR-A300 Owner’s Manual

Step

— Quick Guide —

Play with a Style
Selecting a rhythm of a Style

The Style feature provides built-in backing and rhythm parts in 135 different musical styles, covering a wide variety of musical categories, including rock, blues, techno and much more. You can
also load commercially available Style Files to the instrument. To do this load the Style files from
computer, and then register a style data to Style number 136. (Refer to the information on transferring data on page 67 and registering Styles on page 61.)
Here’s how to play a rhythm of a Style. The rhythm sound consists of percussion instruments.

● STYLE FILE
The Style File Format “SFF” is Yamaha’s original style file format which
uses a unique conversion system to provide high-quality automatic
accompaniment based on a wide range of chord types.

Press the [STYLE] button.
The Style number and name are displayed.
Style number

001

Style name

8BtModrn
001

Select a Style.
Select the desired Style by using the number buttons [0]-[9], [+],
[-].
Refer to the Style List on page 83.

016

Swing H

Press the [START/STOP] button.
The Style rhythm will start.
You can stop playback at any time by pressing the [START/
STOP] button.

PSR-A300 Owner’s Manual
20

Appears when
the Style mode is
active.

Playing with a Style

Press the [STYLE] button and then select a Style.

Turn auto accompaniment on.
Press the [ACMP ON/OFF] button.
Press the [ACMP ON/OFF] button again to turn the auto accompaniment off.
001

Step 5 Play with a Style

1
2

Quick Guide

On the previous page, you’ve learned how to select your favorite rhythm of a Style. Here, you’ll
learn how to expand on that rhythm with bass and chord backing, and use all of it as your accompaniment as you play.

8BtModrn
001

Appears when auto
accompaniment is on

● When auto accompaniment is on ...

NOTE

The keys to the left of the Split Point (54; F#2) will play only
chords.
This is known as the “Auto Accompaniment range.”

• You can change the Split
Point. Refer to “Setting the
Split Point” on page 48.

Split Point (54; F#2)

Auto Accompaniment range

Turn SYNC START on.
Press the [SYNC START] button.
001

8BtModrn
001

Flashes when Sync
Start is on.

When the Sync Start standby mode is engaged, Style playback
will begin as soon as you play a chord in the accompaniment
range of the keyboard. You can turn off Sync Start standby mode
by pressing the [SYNC START] button.

PSR-A300 Owner’s Manual

The Style will begin playing as soon as you play a chord in the
accompaniment range of the keyboard.
Not sure how to play chords? No problem! This instrument is
capable of playing chords even if you only play one key.
Try playing one, two or three keys (any notes will do) in the auto
accompaniment range of the keyboard. Different keys will produce different results.
Refer to page 56 for detailed instructions for playing chords.
Split Point

Auto Accompaniment range

Try playing other chords with your left hand and play a melody with
your right hand.
Split Point

Auto Accompaniment range

PSR-A300 Owner’s Manual
22

You can stop playback at any time by pressing the [START/STOP]
button.

Step

— Quick Guide —

Recording Your Performance

Step 6 Record your own performance

You can record up to five of your own performances as User Songs (User 1-5: Song numbers 036040). Think of each User Song as a kind of basket or drawer for storing your recording. Remember that you can also record a Style (containing chord changes) along with your own performance.

Press the [REC] button.
NOTE

Flashes

rEC

• A total of approximately
10,000 notes or 5,500
chord changes can be
recorded to the five User
Songs.

User 1
001

NOTE

• Accompaniment cannot be
turned on or off once the
[REC] button is pressed.

The lowest-numbered unrecorded User Song
(Song numbers 036-040) available for recording is displayed. If you want to select the Song
you will be recording, select the desired Song
number by using the [+] and [-] buttons.

After you’ve selected the desired User Song for recording, you
can select a Style to be recorded as well. To do this, press the
[STYLE] button and select the Style number while the ACMP
indication is on.
You can turn off the Record mode by pressing the [REC] button
again (
and
stop flashing).

Start recording.
When you play the keyboard, recording will begin.

CAUTION

Split Point

By playing keys to the left of the Split Point when the Auto
Accompaniment is set to on, the Style starts sounding and is
recorded with your performance.
When Auto Accompaniment is set to off, only your keyboard performance is recorded.

• If all User Songs (Song
numbers 036-040) contain
recorded data, Song 036
will automatically be
selected. In this case, you
will record over and erase
any previous data in Song
036, so be careful that
you won’t be erasing any
material you want to
keep!

PSR-A300 Owner’s Manual

Quick Guide

Record your own
performance

Stop recording.

CAUTION

Pressing the [START/STOP] button stops recording and writes
the data to the User Song. (A “Writing!” message is shown.)
To playback the newly recorded performance, press the [START/
STOP] button.
●In order to record with the Style, turn the Auto Accompaniment to on (see Steps 1-2 on page 23), and then record
according to the instructions.
(The “ACMP ON” lights.)

● In order to record only your performance, turn the Auto Accompaniment to off and record according to the normal steps.

• Never attempt to turn the
power off when a “Writing!” message is shown
in the display. Doing so
can damage the flash
memory and result in a
loss of data.

CAUTION
• Keep in mind that any
kind of power failure during recording—such as
the power being turned
off, the AC adaptor being
plugged/unplugged or the
batteries running down—
will result in data loss.
NOTE

(The “ACMP ON” is unlit.)

• Use the Musicsoft Downloader to backup the User
Songs to a computer (page
66).

Recording to a specified track
The User Songs are organized into two tracks: Track 1 and Track 2. You can specify the track you
want to record to.

About track recording
If you start recording by specifying a track, the track will be overwritten (existing data in the track is deleted and replaced with the new
recording).
User Song
Data that can be
recorded to Track 2
Style playback* (including
chord changes) or your
own keyboard performance

Data that can be
recorded to Track 1
Your own keyboard
performance only

• You cannot record the metronome click, or the Transpose and Tuning settings.

Recording to the
specified track

Only your keyboard performance can be recorded to Track 1. Either a
Style or your performance can be recorded to Track 2, resulting in a
User Song like that depicted below.
User Song
Track 2

• The settings and buttons
below cannot be changed,
or if changed, the new settings cannot be recorded if
entered during the recording process.
ACMP ON/OFF, split
point, reverb type, chorus
type, harmony type,
[FUNCTION] button,
[PORTABLE GRAND]
button, [SOUND
EFFECT KIT] button.

User Song
Track 1

Track 2

Track 1

Your own keyboard

performance

PSR-A300 Owner’s Manual
24

• Record following the steps
in the previous page, and
your performance will be
recorded to Track 1 and the
Style (if you are playing
one) will be recorded to
Track 2.
NOTE

* When playing
the Style

Style

NOTE

Turn ACMP (auto accompaniment) on or off,
depending on what you want to record.

NOTE

If you want to record Style playback, turn ACMP on. If you
want to record only your own keyboard performance, turn
ACMP off.

• Keep in mind that both Tracks
1 and 2 will be overwritten
with new data if you record
without specifying the tracks.

Specify the track you want to record.
Specify the track 2 when you want to record the Style.
When you want to record your own keyboard performance, you
can specify either track.
● Recording to Track 1
Press the [REC] button and [REC TRACK 1] button
simultaneously.
rEC

• The both “L” and “R” flashes,
this indicates that you have
specified Track 1 when the
Auto Accompaniment is on. If
you want to record your own
performance, press the
[TRACK 2] button to stop the
“L” flashing. If you want to
record a Style, press the
[REC] button to cancel the
recording, and repeat the procedure from the beginning.

User 1
001

Flashes when track 1 is
selected for recording.

Press simultaneously

● Recording to Track 2
Press the [REC] button and [REC TRACK 2] button
simultaneously.
rEC

Flashes
when track 2
is selected
for recording.

User 1
001

Press simultaneously

Lights when recorded data exists.
Turns off when there is no recorded data, or when Mute
is set to on (page 42) to turn off playback of the track.

Press the [+], [-] buttons to select the User Song you want to record.

rEC

User 3

If you want to record Style playback to Track 2, press the
[STYLE] button and select the desired Style.

Start recording
Perform steps 2 and 3 on pages 25-26.
By playing keys to the left of the Split Point when the Auto
Accompaniment is set to on, the Style starts sounding and is
recorded. Only your performance is recorded by playing the
keyboard (any key is OK) when the Auto Accompaniment is set
to off.

NOTE

• You can record a new track
while listening to a previously
recorded track (the track indication will appear). You can
also mute recorded tracks
(the track will disappear)
while recording a new track
by pressing the desired track
button.

PSR-A300 Owner’s Manual

Step 6 Record your own performance

Quick Guide

Specifying track recording

Deleting User Songs
Deleting an entire User Song

NOTE

• You cannot delete a specific
track from a User Song.

Press the [SONG] button and select the User Song you want to
delete by using the number buttons [0]-[9], [+], [-].

036

User 1

Press and hold the [REC] button for longer than a second.
The Song Delete display appears.

YEs

ClrUser1

Hold for longer
than a second.

You can cancel the delete operation by pressing the [-/NO] button.

Press the [+/YES] button.
A confirmation message will appear on the display.

YEs

Sure?

You can cancel the delete operation by pressing the [-/NO] button.

Press the [+/YES] button to delete the Song.
“Writing!” message will appear while the track is
being deleted.

Writing!

PSR-A300 Owner’s Manual
26

Step

Using Oriental Scales
Quick Guide

The Oriental Scales feature lets you simply and easily raise or lower the pitches of specific notes
and create your own scales. You can change the scale settings at any time-even when you are
playing. Up to four scale settings can be stored for instant recall, whenever you need them.

Step 7 Using Oriental Scales

Setting an Oriental Scale—Scale Setting
The ORIENTAL SCALE [SETTING] buttons, located at the top left side of the panel, simulate a
one-octave keyboard (C through B). Pressing each button turns the Scale Setting feature of the
specific note on/off. The Scale Setting feature affects all the notes having the same note name in
all octave registers. When this is set to on (the indicator above the selected button is lit), you can
play the keyboard in the Oriental scale. The default scale setting (tuning) for each note is -50
cents. You can also adjust the scale tuning by 1 cent as follows.
NOTE

• The Scale Setting function
is always turned off, whenever the power switch is
turned on.
• Scale tunings are not effective for song playback, Split
Voices or keyboard percussion.

Adjusting the Scale Tuning

Call up the Scale Tuning function by pressing and holding the
desired “note” button (C-B) in the Scale Tuning section for longer
than a second.
NOTE

Current cent value

Tune D

• You can also access the
Scale Setting display by
pressing the [FUNCTION]
button several times.

Hold for longer
than a second.

Adjust the Scale Tuning.
Use the [+]/[-] or number buttons to adjust the desired tuning.
The range is from “-64” to “63” cents (one cent is one hundredth
of a semitone).

PSR-A300 Owner’s Manual

● Using the [+] and [-] buttons:
Press the [+] or [-] button, repeatedly if necessary, until the
desired pitch value appears in the display. Or press and hold the
[+] or [-] button, until the desired pitch value appears in the display.

NOTE

• Press the [-] and [+] buttons
simultaneously to instantly
reset the value to its default
setting (0 cents).

● Negative values:
You can also enter negative values directly, by simultaneously
holding down the [-] button and using the number buttons.

Adjust other notes as desired.
To do this, simply repeat steps 1-2 above.

Registering the Scale settings
Scale settings and on/off settings are memorized by the Scale Memory function.

1
2

Set the scale tuning of each note.

While holding the ORIENTAL SCALE [MEMORY] button, press one of
the [MEMORY 1-4] buttons. The indicator of the selected button will
light to indicate that the data has been stored.
CAUTION
• Never attempt to turn the
power off when a “Writing!” message is shown
in the display. Doing so
can damage the flash
memory and result in a
loss of data.
NOTE

• The Scale Memory data is
retained in memory even
when the power is turned
off.

PSR-A300 Owner’s Manual
28

Recall the Scale settings
Quick Guide

The scale settings stored to a SCALE MEMORY button can be recalled at any time simply by
pressing the appropriate button.

Step 7 Using Oriental Scales

Scale Memory can be turned off by pressing the currently lit [MEMORY 1-4] button. The indicator
goes out and the PSR-A300 returns to the regular scale setting.

Set the Accompaniment Tuning on
You can select whether Scale Tuning is applied to accompaniment or not. Press the [FUNCTION]
button, repeatedly if necessary, until “TuneAcc” appears on the display, then turn it on or off by
using the [+]/[-] buttons.

oFF

TuneAcc

Current setting

PSR-A300 Owner’s Manual

Step

Play with the Pitch
Bend Wheel
Adding pitch variations with the Pitch Bend Wheel

The [PITCH BEND] wheel can be used to add smooth pitch variations to notes you play on the
keyboard.
Roll the wheel upward to raise the pitch, or downward to lower the pitch. When you release the
wheel it will automatically return to center position and the keyboard pitch will return to normal.

Adjust the pitch bend range
The range of the pitch bend wheel can be adjusted in semitone increments. When the pitch bend
range is set to “2,” for example, rolling the wheel all the way up will produce a maximum pitch rise
of 2 semitones (one whole tone), and rolling it all the way down will produce a maximum pitch drop
of the same amount (2 semitones or one whole tone). With the highest possible pitch bend range
setting of “12,” the pitch bend range becomes +/-1 octave.

Press the [FUNCTION] button a number of times until “PBRange”
appears.
Currently Pitch Bend range

PBRange

Use the number buttons [0]-[9], [+], [-] to set the Pitch Bend range as
required.

PSR-A300 Owner’s Manual
30

Pitch Bend range

Backup and Initialization
Backup
Some internal parameters will revert to their default values if not saved
before the power is turned off.
In order to backup these parameters press and hold the [FUNCTION] button for longer than a second.

Hold for longer than a second.

● Parameters that are saved in backup:
• User Songs*
• Loaded Styles*
• Touch Response on/off setting
• Scale Memory
• The following Function settings: Tuning, Scale Tune, Accompaniment Tuning ON/OFF,
Pitch Bend Range, Split Point, Touch Sensitivity, Style Volume, Song Volume,
Metronome Volume, Demo Cancel, Panel Sustain
* The User Songs and loaded Styles are automatically backed up when recording is completed,
ensuring that the data is not deleted even when you fail to backup.

Initialization
This function erases all backup data in the instrument’s flash memory and restores the initial default
settings. The following initialization procedures are provided.

Backup Clear
To clear data backed up to the internal flash memory (described above),
turn the power on by pressing the [STANDBY/ON] switch while holding
the highest white key on the keyboard. The backed up data will be erased
and the default values restored.

CAUTION
• When you execute the
Backup Clear operation,
backup parameters will
be cleared. You can save
the backup parameters
(containing the five User
Songs) by using Musicsoft Downloader to transfer them to a computer.
Refer to the section
“Transferring a user file
from the PSR-A300 to a
computer” on page 67.

Flash Clear
To clear Song data and Style data that has been transferred to the internal
flash memory from a computer, simultaneously hold down the highest
white key and the three highest black keys on the keyboard and turn the
power on by pressing the [STANDBY/ON] switch.

CAUTION
• When you execute the
Flash Clear operation,
Song data you have purchased and downloaded
will also be cleared. Make
sure to save your important data by transferring
to a computer using
Musicsoft Downloader
(page 67).

PSR-A300 Owner’s Manual

Basic Operation and Displays
Basic Operation
Turning the power on
Turn down the volume by turning the
[MASTER VOLUME] control to the left
and press the [STANDBY/ON] switch to
turn on the power.
Press the [STANDBY/ON] switch again
to turn the power OFF.

Adjusting the volume
Turn the [MASTER VOLUME] dial.

Rotate clockwise to
increase the
volume.

Rotate counterclockwise
to lower the
volume.

001

GrandPno
001

About the [START/STOP] button
Press the [START/STOP] button after pressing
the [SONG] or [STYLE] button to start playback of the selected Song or Style (rhythm).

The “Press & Hold” symbol that
appears next to some buttons indicates
that the button can be pressed and
held for longer than a second to call
up a related or different function.

PSR-A300 Owner’s Manual
32

The “Press & Hold” Symbol

Basic Operation and Displays

Press a button to select a basic function

Press the [SONG] button to
select a Song.
Press the [STYLE] button to
select a Style.

When you select a basic function, the name and
number of the currently selected Song, Style and
Voice is shown. From this display, you can select
the desired Song, Style or Voice.

Press the [VOICE] button to
select a Voice.

Set the number or value
● Number buttons [0]-[9]
The number buttons can be used to directly enter a Song,
Style or Voice number or parameter value.
For numbers that start with one or two zeroes, the first
zeroes can be omitted
Example: Selecting Voice 002, Bright Piano.

002

BritePno

Press number buttons [0], [0], [2].

Function Settings (page 60)
The [FUNCTION] button contains
47 settings.
Each time you press the [FUNCTION] button, the setting item is
selected in sequence, and the value of
the selected item can be changed in
the display.

● [+], [-] buttons
Press the [+] button briefly to increase the value by 1, or
press the [-] button briefly to decrease the value by 1. Press
and hold either button to continuously increase or decrease
the value in the corresponding direction.

Press briefly to
decrease.

Press briefly to
increase.

PSR-A300 Owner’s Manual

Basic Operation and Displays

Display
The Main display shows all of the current basic settings for Song, Style and Voice. It also includes a range of
indicators that show the on/off status for various functions.

Song/recording track display

Notation

Displays the melody and chord notes of a Song
when the Song lesson function is in use, or the
notes of chords you specify when the Dictionary function is in use. At other times the notes
you play on the keyboard are displayed.

Information related to the
Song/recording tracks is shown
here. (See pages 25 and 42.)
Lit: Track contains data
Unlit: Track is muted or contains no data
Flashing: Track is selected as recording track

Measure

Indicates the current measure
during playback of a Song.

NOTE

• Any notes occurring below or above the staff are
indicated by “8va” in the notation.
• For a few specific chords, not all notes may be
shown in the notation section of the display. This is
due to space limitations in the display.

001

003

Beat Display

Indicates the beat of the current Style or Song with flashing arrows.

GrandPno
003

Chord Display

Indicates the name of the
chord currently being
played back, or the name of
the chord being played on the keyboard.
ACMP ON

Appears when the auto
accompaniment is on.
Keyboard Display

Indicates notes currently
being played.
Indicates the melody and
chord notes of a Song when the Song lesson
function is in use. Also indicates the notes of a
chord—either when playing a chord or when
using the Dictionary function.

HARMONY

Appears when the Harmony
function is on (page 44).
SPLIT

Appears when the Split function is on (page 14).
REVERB

Appears when Reverb is on
(page 45).
TOUCH RESPONSE

Appears when Touch
Response is on (page 47).

PSR-A300 Owner’s Manual
34

DUAL

Appears when the Dual function is on (page 13).

Song Lesson
Yamaha Education Suite 5
You can select any Song you like and use it for a left-hand, right-hand, or both-hands
lesson. Song Lesson lets you learn how to play Songs in three easy steps. Songs that
can be used with the Lesson feature include Songs transferred from a computer to
flash memory (SMF Format 0 only; see page 65). The procedure for transferring songs
are described on page 67.
■ Lesson Flow
Select a Song
for your lesson.

Select the part you want
to practice.

Select the practice
method.

Start the
Lesson!

■ The practice methods:
Lesson 1 (Listen & Learn) ........ Listen and learn the melody or rhythm of a selected Song.
Lesson 2 (Timing) ...................... Learn to play the notes at the correct timing along with the Song.
Lesson 3 (Waiting) ..................... Learn to play the correct notes.

Lesson 1 (Listen & Learn)
There’s no need to play the keyboard in Lesson 1.
The model melody/chords (in other words, the musical material you should
learn) of the part you selected will sound. Listen to it carefully and learn it
well.

NOTE

• User Songs cannot be used
for the lesson.

NOTE

Select the desired Song for your lesson.
Press the [SONG] button, and then select a Song (referring to the Song
list on page 21) by using the number buttons [0]-[9], [+] and [-]. If you
want to practice a Song you’ve transferred from a computer, select one
of the Songs beginning from Song number 041.
023

• You cannot select the part
during Song playback
before Lesson 1 starts. If a
Song is currently being
played back, stop the Song
first, then continue from
Step 2.

Chevaler
001

The instrument includes 35 built in Songs. Some Songs (as shown
below) are intended for use as right-hand lessons, and cannot be used
for left-hand or both-hands lessons.
● Songs for right-hand lesson
Song numbers: 001-015
35

PSR-A300 Owner’s Manual

Song Lesson

Select the part you want to practice.
Press the [R] button for a right-hand lesson, [L] button for a left-hand
lesson, or press both the [R] and [L] buttons simultaneously for a bothhands lesson. The selected part is displayed.
Left-hand lesson

Right-hand lesson

Left

Right

Both-hands lesson

BothHand

A “No LPart” message is shown in the display if you select the left part
in one of the Songs 001-015, which do not have left part data. These
Songs cannot be used for left-hand or both-hands lessons.

NOTE

• For songs transferred from
a computer, the “No LPart”
indication does not appear,
even when there is no left
hand part in the song.

No LPart

Start Lesson 1.
Press the [LISTEN & LEARN] button to start Lesson 1.
The melody of the part you selected in Step 2 will sound. Listen to it
carefully and learn it well.
r1

LISTEN
011

The notation and key positions of the model
melody are shown in the display.

• When the melody Voice of
the Song is changed, the
key position shown in the
display may be shifted (in
octave units), depending on
the Voice selected (page
41).
• You can select Lessons 1-3
by pressing the [LISTEN &
LEARN], [TIMING] and
[WAITING] buttons, respectively.

PSR-A300 Owner’s Manual
36

Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.

NOTE

• Even after Lesson 1 has
started and the Song is
playing, you can still select
the part.

Song Lesson

Lesson 2 (Timing)
In this lesson, try playing the notes with the correct timing. Simply
concentrate on playing each note in time with the rhythmic accompaniment. The correct notes sound even if you play wrong notes as long
as you play in time with the rhythm.

Select a Song for your lesson.

• You cannot use Dual or Split Voices
during lessons.
• The Split Point is fixed and it cannot be changed. For the left-hand
lesson, it is fixed at 59 or B2; for
the left-hand chord lesson, it is
fixed at 54 or F#2.
NOTE

• You cannot select the part during
Song playback before Lesson 2
starts. If a Song is currently being
played back, stop the Song first,
then continue from Step 2.

Select the part you want to practice.

Start Lesson 2.
Press the [TIMING] button to start Lesson 2.
r2

NOTE

• Even after Lesson 2 has started
and the Song is playing, you can
still select the part.

TIMING
004

Play the notes shown in the display.
In Lesson 2, simply play each note in time with the music.

Stop the Lesson mode.
You can stop the Lesson mode at any
time by pressing the [START/STOP]
button.

Grade
When the lesson Song has played all the way through in Lesson mode 2 or
3, your performance will be evaluated in four levels: OK, Good, Very
Good, or Excellent.

OK
Good
Very0Good
Excellent

PSR-A300 Owner’s Manual

Song Lesson

Lesson 3 (Waiting)
In this mode, try playing the correct notes. The notes you should play
appear in the score and the keyboard on the display. The Song pauses until
you play the right note.

Select a Song for your lesson.

NOTE

Select the part you want to practice.

Start Lesson 3.
Press the [WAITING] button to start Lesson 3.

WAITING

• You cannot select the part
during Song playback
before Lesson 3 starts. If a
Song is currently being
played back, stop the Song
first, then continue from
Step 2.

NOTE

• Even after Lesson 3 has
started and the Song is
playing, you can still select
the part.

Play the notes shown in the display.
Try playing the correct notes.

PSR-A300 Owner’s Manual
38

Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.

Song settings
Changing the Melody Voice
You can change a Song’s melody Voice to any other Voice you prefer.

NOTE

• You cannot change the melody Voice of a User Song.

Select the Song and play it.
Refer to the section “Playing Songs” on page 20.

Select a desired Voice by using the number buttons [0][9], [+], [-].
003

HnkyTonk
001

The selected Voice sounds when you play the keyboard.
If a Song has played through and stopped during this procedure, press
the [START/STOP] button to start playback again.

Press and hold the [VOICE] button for longer than a second.
“SONG MELODY VOICE” appears in the display for a few seconds,
indicating that the Voice selected in Step 2 has replaced the Song’s
original melody Voice.

Hold for longer than a second.

Song Volume
This procedure allows you to adjust the balance between Song playback
and the notes you play on the keyboard by setting the volume of the playback sound.

Press the [SONG] button.

PSR-A300 Owner’s Manual

Song settings

Press the [FUNCTION] button a number of times until
“SongVol” appears.
Current Song Volume

100

Song Volume

SongVol

Set the Song Volume by pressing the number buttons [0][9], [+], [-].

NOTE

• Press the [+] and [-] buttons
simultaneously to instantly
reset the value to its default
setting (100).

Mute
You can mute Track 1 or Track 2 during Song playback.
• Track 1 can be muted by pressing the [REC TRACK 1] button during
Song playback.
• Track 2 can be muted by pressing the [REC TRACK 2] button during
Song playback.
You can cancel the mute function by pressing the corresponding track buttons, [TRACK 1] or [TRACK 2] again during Song playback, or by selecting any other Song.
001

Arabic
010

Pressing one of the Track buttons [TRACK 1] or [TRACK 2]
will mute the corresponding
track during Song playback.

Unlit—track is muted
or contains no data.

PSR-A300 Owner’s Manual
40

Lit—track contains
data.

Song settings

Practice Makes Perfect
You can repeatedly practice a section you find difficult. This function lets
you specify a section of a Song you want to practice—“A” is the start point
and “B” is the end point—for repeat playback.
A

Repeat playback of this section

Play the Song and press the [A-B REPEAT] button at the beginning of
the section you want to repeat (the “A” point).
“A-REPEAT” will be displayed.

A-

REPEAT

Press the [A-B REPEAT] button a second time at the end of the section
you want to repeat (the “B” point). The specified A-B section of the
Song will now play repeatedly, letting you practice the section over and
over.

A-b

• The repeat start and end
points can be specified in
one-measure increments.
• You can also set the A-B
Repeat function when the
Song is stopped. Simply
use the [REW] and [FF] buttons to select the desired
measures, pressing the [AB REPEAT] button for each
point, then start playback.
• If you want to set the start
point “A” at the very beginning of the Song press the
[A-B REPEAT] button
before starting playback of
the Song.

REPEAT

You can stop repeat playback by pressing the [A-B REPEAT] button.
The A-B REPEAT mode will be canceled and normal playback of the
Song will continue.

oFF

NOTE

• The A-B Repeat function
will be canceled when you
select another Song or
Style mode.

REPEAT

PSR-A300 Owner’s Manual

Play With a Variety of Effects
Adding Harmony
This feature adds harmony notes as well as tremolo or echo effects to the
Main Voice.

Press the [HARMONY] button to turn harmony on.
When you don’t want to add harmony notes, press the [HARMONY
ON/OFF] button again to turn Harmony off.
Appears when harmony is on.

Press and hold the [HARMONY ON/OFF] button for longer than a second.
“HarmType” appears in the display for a few seconds, followed by the
Harmony Type.
Currently selected
Harmony type

NOTE

• When you press the [HARMONY ON/OFF] button to
turn this feature on, the
appropriate Harmony type
for the currently selected
Main Voice is automatically
selected.

NOTE

• You can also access the
Harmony Type setting display by pressing the
[FUNCTION] button several times.
• Harmony will be turned off if
the Chord Dictionary function is used.

Trio

Hold for longer
than a second.

PSR-A300 Owner’s Manual
42

Select a desired Harmony Type by using the number buttons [0]-[9], [+],
[-].
Refer to the Harmony Type list on page 84.
Try playing the keyboard with the harmony function. The effect and
operation of each Harmony Type is different—refer to the section
“How to sound each Harmony Type” on the next page as well as the
Harmony Type List for details.

Play With a Variety of Effects

NOTE

● How to sound each Harmony Type
• Harmony type 01-05

• The harmony notes can be
added only to the Main
Voice, not to Dual or Split
Voices.

• Harmony type 13-19 (Tremolo)

Press the right-hand keys while playing chords in the auto accompaniment
range of the keyboard when the Auto
Accompaniment is on (page 23).

• The keys left of the Split
Point of the keyboard produce no harmony notes
when the auto accompaniment is on (ACMP ON is lit).

Keep holding down the keys.

• Harmony type 20-26 (Echo)

• Harmony type 06-12 (Trill)

Keep holding down the keys.
Hold down two keys.

You can adjust the Harmony Volume in the Function Settings (page 60).

Adding Reverb
Reverb adds the ambience of a room or concert hall to the sound that you
play on the keyboard.

To add Reverb
Press the [REVERB ON/OFF] button to turn Reverb on. Reverb is normally
on. You can check how the selected Reverb Type sounds by playing the keyboard. To turn Reverb off, press the [REVERB ON/OFF] button again.

Appears when
Reverb is on.

Select a Reverb Type
The ideal type is automatically selected whenever you select a Song or
Style, but you can select any of the available Reverb Types.

Press and hold the [REVERB ON/OFF] button for longer than a second. “REVERB” appears in the display for a few seconds, followed by
the Reverb Type.

Hall2

Currently selected Reverb Type

Hold for longer
than a second.
43

PSR-A300 Owner’s Manual

Play With a Variety of Effects

Select the desired Reverb Type by using the number buttons [0]-[9], [+], [-].
Refer to the Reverb Type list on page 85 for
details.
You can adjust the Reverb depth in the Function
Settings (Reverb Level on page 60).

NOTE

• You can also access the
Reverb Type setting display
by pressing the [FUNCTION] button several times.

Adding Chorus
This effect makes the Voice sound richer, warmer and more spacious. The
best-suited Chorus type is automatically selected whenever you select a
Voice; however, you can select any of the available types.

Press the [FUNCTION] button a number of times until the “Chorus”
appears.
“Chorus” appears in the display for a few seconds, followed by the
Chorus Type.

Chorus1

Currently selected
Chorus Type

Select a desired Chorus Type by using the number buttons [0]-[9], [+], [-].
Refer to the Chorus Type list on page 85 for details.
You can adjust the Chorus depth independently for the Main, Dual and
Split Voices in the Function Settings (page 60).

Adding Panel Sustain
This function adds a fixed sustain to the keyboard Voices.

Press the [FUNCTION] button a number of times until the “Sustain”
item appears.

oFF

Sustain

Current setting

Press the [+] button to turn the Panel Sustain on.
Panel Sustain will be added to the notes you play on the keyboard
when the Panel Sustain is on. To turn it off, press the [-] button.

Sustain

NOTE

• See the section “Connecting a footswitch (SUSTAIN
Jack)” on page 9 for information on applying sustain
with the optional footswitch.

PSR-A300 Owner’s Manual
44

Handy Performance Features
Touch Response Sensitivity
Touch Response
Appears when Touch
Response is on.

NOTE

• The Touch Response function cannot be used for
some Voices (such as
organ), even if the Touch
Response icon appears in
the display.

Press the [TOUCH ON/OFF] button to turn Touch Response on.
When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press
the [TOUCH ON/OFF] button again to turn the Touch Response off. When
Touch Response is off, the same volume will be produced no matter how
hard you play the keys.

Setting the Touch Sensitivity
When Touch Response is on, you can adjust the sensitivity of the keyboard
in response to keyboard dynamics in three steps. Higher values produce
greater (easier) volume variation in response to keyboard dynamics—in
other words, greater sensitivity.

Press and hold the [TOUCH ON/OFF] button for longer than a second.
“TouchSns” appears in the display for a few seconds, followed by the
current Touch Sensitivity value.
Currently selected Touch Sensitivity

Medium

Hold for longer
than a second.

Select a Touch Sensitivity setting between 1 and 3 by using the number
buttons [0]-[9], [+], [-].

PSR-A300 Owner’s Manual

Handy Performance Features

Setting the Split Point
The Split Point setting can be changed as desired.
Split Point—default setting: 54 (F#2)

The initial default Split Point is key number 54 (the F#2 key), but you can
change it to another key. When you change the Split Point, the auto accompaniment range also changes.

Press the [FUNCTION] button a number of times until “SplitPnt”
appears.
Currently selected Split Point

054

Split Point

SplitPnt
001
NOTE

Split Point

Set the Split Point by using the number buttons [0]-[9], [+], [-].

• Press the [+] and [-] buttons
simultaneously to instantly
reset the value to its default
setting (54 or F#2).

Transpose
The overall pitch of the instrument can be shifted up or down by a maximum of 1 octave in semitone increments.

Press the [FUNCTION] button a number of times until the “Transpos”
appears.
Current transpose value

Transpos
NOTE

Use the number buttons [0]-[9], [+], [-] to set the
Transpose value between -12 and +12 as
required.

• The pitch of the Drum and
Oriental Percussin Kits
Voices (Voice numbers 109121, 518-523) cannot be
changed.
• Press the [+] and [-] buttons
simultaneously to instantly
reset the value to its default
setting (00).

PSR-A300 Owner’s Manual
46

Handy Performance Features

Tuning
You can fine tune the pitch of the entire instrument. The overall tuning of
the instrument can be shifted up or down by a maximum of 100 cents in 1cent increments (100 cents = 1 semitone).

Press the [FUNCTION] button a number of times until “Tuning”
appears.
Currently tuning value

000

Tuning

Use the number buttons [0]-[9], [+] and [-] to set the Tuning value
between -100 and +100 as required.

NOTE

One Touch Setting
Sometimes selecting the ideal Voice to play with a Song or Style can be
confusing. The One Touch Setting feature automatically selects the most
suitable Voice for you when you select a Style or Song. Simply select Voice
number “000” to activate this feature.

Press the [VOICE] button, and then select Voice number “000” by
using the number buttons [0]-[9], [+], [-].
Appears when One Touch Setting is on.

000

SprnoSax

This turns the One Touch Setting feature on. One Touch Setting will be
turned off if you select any other Voice number.

PSR-A300 Owner’s Manual

Handy Performance Features

Changing the tempo of the Song/Style
Songs and Styles can be played at any tempo you desire—fast or slow.

Press the [TEMPO/TAP] button to call up the Tempo setting in the display after selecting a Style/Song.
Current Tempo value

116

Tempo

Set the Tempo by using the number buttons [0]-[9], [+], [-].
You can also set the Tempo by simply tapping the [TEMPO/TAP] button at the required tempo—four times for time signatures in 4, and
three times for time signatures in 3.
You can change the Tempo during Style/Song playback by pressing the
[TEMPO/TAP] button just twice.

NOTE

• Press the [+] and [-] buttons
simultaneously to instantly
reset the value to the
default tempo of a Style or
Song.

Adjusting the Voice Parameters
The volume, octave (the pitch of the instrument can be shifted by up or
down in octaves) and Chorus Send Level can be individually adjusted for
the Main, Dual, and Split Voices.
● Main Voice Parameters (page 61)
• Main Voice Volume
• Main Voice Octave
• Main Voice Chorus Send Level

● Dual Voice Parameters (page 61)
• Dual Voice Volume
• Dual Voice Octave
• Dual Voice Chorus Send Level

● Split Voice Parameters (page 61)
• Split Voice Volume
• Split Voice Octave
• Split Voice Chorus Send Level

You can adjust each of the parameters above in the Function settings (page
60).
PSR-A300 Owner’s Manual
48

Style (Auto Accompaniment) Functions
Various ways to start and stop Style playback
Starting Style playback
The following three methods can be used to start Style playback. In all
cases you will need to press the [ACMP ON/OFF] button to turn auto
accompaniment on before actually starting Style playback. Whichever
method you choose, you can press the [INTRO/ENDING/rit.] before
starting playback. To begin your performance, an introduction will play
automatically, then will automatically switch to the MAIN section when
finished.
■ Immediate Start
Press the [START/STOP] button to begin rhythm-only playback of the
selected Style.
The bass and chords will begin playing as soon as you play a chord in
the accompaniment range of the keyboard.

Appears when the auto
accompaniment is on

Immediate Start

■ Chord Start
Press the [SYNC START] button and the beat arrows will begin flashing, indicating that the Sync Start “standby” mode has been engaged.
The bass and chords will begin playing as soon as you play a chord in
the accompaniment range of the keyboard.
Accompaniment range

001

GrandPno
001

Sync Start standby

Style playback begins when
you play a chord

■ Tap Start
You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo—4 times for time signatures in 4, and 3 times for time signatures in 3—and the selected Style
rhythm will begin playing at the tapped tempo.
The bass and chords will begin playing as soon as you play a chord in
the accompaniment range of the keyboard.
Start at the
tapped tempo

PSR-A300 Owner’s Manual

Style (Auto Accompaniment) Functions

Stopping Style playback
The following three methods can be used to stop Style playback.
■ Immediate Stop
Playback will stop as soon as you press the [START/STOP] button.

Immediate Stop

■ Stop and Enter Sync Start Mode
If you press the [SYNC START] button during Style playback, playback
will stop immediately and the Sync Start standby mode will be engaged
(beat arrows will flash).
Stop immediately and
enter the Sync Start
mode

001

GrandPno
001

Sync Start standby

■ Play the Ending and Stop
Press the [INTRO/ENDING/rit.] button to begin playing an ending section. Playback will stop when the ending has played all the way through.

Stop after ending plays

If you press the [INTRO/ENDING/rit.] button a second time (while the
ending is playing), the ending will play in ritardando (the tempo will
gradually get slower).

PSR-A300 Owner’s Manual
50

Style (Auto Accompaniment) Functions

Pattern Variation (Sections)
The instrument features a wide variety of Style “sections” (patterns) that allow you to
vary the arrangement of the accompaniment to match the Song you are playing.

Intro

Main A/B

Ending

Auto fill

● INTRO section
This is used for the beginning of the Song
When the intro finishes playing, accompaniment shifts to the main section.
The length of the intro (in measures) differs depending on the selected Style.

● MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats
indefinitely until another section’s button is pressed. There are two variations on the basic pattern (A and
B), and the Style playback sound changes harmonically based on the chords you play with your left hand.

● Fill-in section
This is automatically added before changing the section A and B.

● ENDING section
This is used for the ending of the Song. When the ending is finished, the auto accompaniment stops
automatically. The length of the ending (in measures) differs depending on the selected Style.

1
2

Press the [STYLE] button and then select a Style.
Turn auto accompaniment on.
Press the [ACMP ON/OFF] button.

Appears when the auto accompaniment is on.

Turn SYNC START on.
Press the [SYNC START] button.

PSR-A300 Owner’s Manual

Style (Auto Accompaniment) Functions

Press the [MAIN/AUTO FILL] button.

MAIN A
The name of the selected section—MAIN A
or MAIN B—will be displayed

Press the [INTRO/ENDING/rit.] button.

INTRO≥A

As soon as you play a chord with your left hand, the Intro
of the selected Style starts.
For this example, play a C major chord (as shown below). For information on how to enter chords, see “Playing Auto Accompaniment
Chords” on page 56.
Accompaniment range

Press the [MAIN/AUTO FILL] button.

FILL A≥B

When the fill-in is finished, it leads smoothly into the selected main
section A/B.

Press the [INTRO/ENDING/rit.] button.

ENDING

This switches to the ending section.
When the ending is finished, the auto accompaniment stops automatically. You can have the ending gradually slow down (ritardando) by
pressing the [INTRO/ENDING/rit.] button again while the ending is
playing back.
PSR-A300 Owner’s Manual
52

Style (Auto Accompaniment) Functions

Adjusting the Style Volume
This procedure allows you to adjust the balance between Style playback
and the notes you play on the keyboard by setting the volume of the playback sound.

1
2

Press the [STYLE] button.
Press the [FUNCTION] button a number of times until the
“StyleVol” appears.
Current Style volume setting

100

Style Volume

StyleVol

Set the Style volume by using the number buttons [0]-[9],
[+], [-].

NOTE

• Press the [+] and [-] buttons
simultaneously to instantly
reset the value to its default
setting (100).

PSR-A300 Owner’s Manual

Playing Auto Accompaniment Chords
You’ve learned in the section “Play with a Style (Accompaniment)” on page 22 that the
“feel” of the Style changes every time you play a chord on the left-hand side of the keyboard. Here, you’ll learn the types of the chords and how to play them in greater detail.
The examples of chords are given here in the key of C.
There are two basic ways (below) you can play the chords on the left-hand side of the
keyboard, while playing the Style (page 23)
Split Point—default setting: 54 (F#2)

■ Easy Chords
■ Standard Chords
36

Easy Chords
This method lets you easily play chords in the accompaniment range of the
keyboard using only one, two, or three fingers.
C

• To play a major chord
Press the root note of
the chord.

• To play a minor chord
Press the root note
together with the nearest black key to the left
of it.

Cm 7

• To play a seventh chord
Press the root note together
with the nearest white key to
the left of it.

NOTE

• Root notes and the corresponding keys

Accompaniment range

• To play a minor seventh chord
Press the root note together
with the nearest white and
black keys to the left of it
(three keys altogether).

Standard Chords
This method lets you produce accompaniment by playing chords using
normal fingerings in the accompaniment range of the keyboard.

CmM 7

CmM 7 (9)

(

)
(

(

C (b5)

CM7 b5

Cm 7 (9)

Cm 7 (11)

)

CM 7 aug

CM7 (#11)

(

Caug

)

Csus 4

CM 7 (9)

CM 7

)

C (9)

(

C 6 (9)

Cm (9)

Cm 6

Cm 7

Cm 7 b5

CmM 7 b5

Cdim

Cdim 7

C 7 (13)

C 7 (#9)

C 7 b5

C 7 aug

C 7 sus4

)

(

)

C 7 (b13)

(

)
(

(

)
(

C 7 (b9)

)

)
(

C 7 (#11)

C 7 (9)

(

)

(

)

C 1+2+5

* Notes enclosed in parentheses are optional; the chords will be recognized without them.

PSR-A300 Owner’s Manual
54

Playing Auto Accompaniment Chords

● Recognized Standard Chords Chart
Chord Name/[Abbreviation]

Normal Voicing

Major [M]

1-3-5

Chord (C)
C

Display

• Notes in parentheses can
be omitted.

Add ninth [(9)]

1-2-3-5

C(9)

Sixth [6]

1 - (3) - 5 - 6

Sixth ninth [6(9)]

1 - 2 - 3 - (5) - 6

C6(9)

C6(9) *

Major seventh [M7]

1 - 3 - (5) - 7 or
1 - (3) - 5 - 7

CM7

Major seventh ninth [M7(9)]

1 - 2 - 3 - (5) - 7

CM7(9)

CM7(9) *

CM7(#11)

CM7(#11)*

1 - (2) - 3 - #4 - 5 - 7 or
Major seventh add sharp eleventh [M7(#11)]
1 - 2 - 3 - #4 - (5) - 7

• Playing two same root keys
in the adjacent octaves produces accompaniment
based only on the root.

Flatted fifth [(b5)]

1 - 3 - b5

C(b5)

Cb5 *

Major seventh flatted fifth [M7b5]

1 - 3 - b5 - 7

CM7b5

CM7b5 *

Suspended fourth [sus4]

1-4-5

Csus4

Augmented [aug]

1 - 3 - #5

Caug

Major seventh augmented [M7aug]

1 - (3) - #5 - 7

CM7aug

CM7aug *

Minor [m]

1 - b3 - 5

Minor add ninth [m(9)]

1 - 2 - b3 - 5

Cm(9)

Minor sixth [m6]

1 - b3 - 5 - 6

Cm6

Minor seventh [m7]

1 - b3 - (5) - b7

Cm7

Minor seventh ninth [m7(9)]

1 - 2 - b3 - (5) - b7

Cm7(9)

Minor seventh add eleventh [m7(11)]

1 - (2) - b3 - 4 - 5 - (b7)

Cm7(11)

Cm7(11) *

Minor major seventh [mM7]

1 - b3 - (5) - 7

CmM7

Minor major seventh ninth [mM7(9)]

1 - 2 - b3 - (5) - 7

CmM7(9)

CmM7(9) *

Minor seventh flatted fifth [m7b5]

1 - b3 - b5 - b7

Cm7b5

Minor major seventh flatted fifth [mM7b5]

1 - b3 - b5 - 7

CmM7b5

CmM7b5 *

Diminished [dim]

1 - b3 - b5

Cdim

Diminished seventh [dim7]

1 - b3 - b5 - 6

Cdim7

Seventh [7]

1 - 3 - (5) - b7 or
1 - (3) - 5 - b7

Seventh flatted ninth [7(b9)]

1 - b2 - 3 - (5) - b7

C7(b9)

Seventh add flatted thirteenth [7(b13)]

1 - 3 - 5 - b6 - b7

C7(b13)

Seventh ninth [7(9)]

1 - 2 - 3 - (5) - b7

C7(9)

Seventh add sharp eleventh [7(#11)]

1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7

C7(#11)

Seventh add thirteenth [7(13)]

1 - 3 - (5) - 6 - b7

C7(13)

Seventh sharp ninth [7(#9)]

1 - #2 - 3 - (5) - b7

C7(#9)

Seventh flatted fifth [7b5]

1 - 3 - b5 - b7

C7b5

C7b5 *

Seventh augmented [7aug]

1 - 3 - #5 - b7

C7aug

Seventh suspended fourth [7sus4]

1 - 4 - (5) - b7

C7sus4

One plus two plus five [1+2+5]

1-2-5

C1+2+5

NOTE

• A perfect fifth (1+5) produces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.
• The chord fingerings listed
are all in “root” position, but
other inversions can be
used—with the following
exceptions: m7, m7b5, 6,
m6, sus4, aug, dim7, 7b5,
6(9), 1+2+5
• Inversion of the 7sus4 and
m7(11) chords are not recognized if the notes shown
in parentheses are omitted.
• The auto accompaniment
will sometimes not change
when related chords are
played in sequence (e.g.
some minor chords followed by the minor seventh).
• Two-note fingerings will produce a chord based on the
previously played chord.

* These chords are not shown in the Chord Dictionary function.

PSR-A300 Owner’s Manual

Playing Auto Accompaniment Chords

Looking up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in “chord dictionary” that
shows you the individual notes of chords. It is ideal when you know the
name of a certain chord and want to quickly learn how to play it.

Press and hold the [WAITING] button for longer than a second.
“Dict.” will appear in the display.

Dict.
Hold for longer
than a second.

As an example, we’ll learn how to play a GM7 (G major seventh)
chord. Press the “G” key in the root section of the keyboard. (The note
doesn’t sound.) The root note you set is shown in the display.
Keys for chord type
dictionary

C# D#
Db Eb

F# G# A#
Gb Ab Bb

Dict.

C D E F G A B

Keys for root
dictionary

001

NOTE

Press the “M7” (major seventh) key in the chord section of the keyboard. (The note doesn’t sound.)
The notes you should play for the specified chord (root note and chord
type) are shown in the display, both as notation and in the keyboard
diagram.

• Major chords are usually
indicated by the root name
only. For example, the indication “C” in a score refers
to a “C Major” chord. To
look up the fingering for a
major chord press the root
key and then the M chord
type key.

Notation of chord
mM7
m7(9)
7(b13)
7aug
(9)
m(9) m7b5 7(9)
dim7 7sus4

Dict.
001

M7
G

m6
m

7
m7

7(#9) 7(#11) aug
7(b9) 7(13)

dim

sus4

Chord name (root
and type)

Individual notes of chord
(keyboard)

To call up possible inversions of the chord, press the [+]/[-] buttons.

PSR-A300 Owner’s Manual
56

Try playing a chord in the auto accompaniment section of the keyboard, checking the indications in the display.
When you’ve played the chord properly, a bell sound signals your success and the chord name in the display flashes.

Playing Auto Accompaniment Chords

■ About chords
Playing two or more notes together simultaneously creates a “chord.”
Playing a note together with two other notes spaced three notes (steps) apart—such as the
notes C, E and G—creates a harmonious sound. Chords like these are called “triads” and
they play an important role in most music.

3rd

Root

3rd

Taking the chord above as an example, the lowest note of this triad is called the “root note.” This is the central note
sound, and it supports or anchors the rest of the notes chord.
You’ll notice that the middle note of the chord above (E) is the third step in the succession of scale notes—C, D, then E.
There are two types of “thirds” in chords: major thirds and minor thirds.
Major third—four half steps from the root

Minor third—three half steps from the root

We’ll also alter the top note of our original chord and make three additional chords, as shown below. (The captions indicate the intervals between each of the notes.)
◆ Major chord

◆ Minor chord

Minor 3rd

◆ Augmented chord

Major 3rd

◆ Diminished chord

C aug

Minor 3rd

Major 3rd

C dim

Major 3rd

Minor 3rd

The basic characteristics of the chord sound are same, no matter if we change the order of the notes from bottom to top,
or if we add other same name notes in different octaves. Beautiful sounding harmonies can be built in this manner, and
emotional music can be created by playing different chords one after the other according to commonly accepted rules.
Harmony determines the nature of chords, and music is created based on harmony.

● Chord names
From the chord name, you can tell at a glance what type of chord it is and which notes
make up the chord. Understanding the basic structure of chords is very useful—once
you’re familiar with this, you’ll be quickly and easily play chords by looking at the
names that appear above the notation.

Cm
Root note

Chord type

● Chord types (These chords are among those that can be recognized by the Fingered method.)
Suspended 4 th

7 th

C sus4

Perfect 5th

Perfect 4th

Minor/major 7 th

Flatted 7 th

Minor chord

Major chord

Flatted 7 th

Minor chord

Major 7 th

C 7sus4

C m7

Flatted 5 th

Minor 7 th chord

Major chord

7 th, suspended 4 th

(b5)

7 th chord

C M7

Minor 7 th, flatted 5 th

(b5)

Flatted 5 th

Major 7 th

C m7

7 th, flatted 5 th

C mM7

Major 7th

Minor 7 th

Flatted 7 th

Suspended 4 th chord

PSR-A300 Owner’s Manual

Function Settings
The [FUNCTION] button gives you access to a variety of operations related to adjusting or enhancing the sound and making settings for connection to external devices.

Select the item and change the value
There are 47 different items that can be set.

Press the [FUNCTION] button a number of times until
desired item appears.
Each time the [FUNCTION] button is pressed 47 function items are
displayed in sequence. The description and display sample is provided
on the Function Setting List on page 60-61.

100

StyleVol

Value

Function item

Set the value by using the number buttons [0]-[9], [+], [-].
For on/off settings or the PC Mode setting, use [+]/[-] buttons.

If necessary, hold the [FUNCTION] button for longer than
a second to save your settings to flash memory.
(Refer to “Backup” on page 33)

Writing!
Hold for longer
than a second.

● Function Setting List
Display
StyleVol

Range/settings
000-127
000-127
-12–00–12

SongVol
TransPos

Tuning
Pitch Bend Range
Split Point

Tuning
PBRange
SplitPnt

-100–000–100
01-12
000-127
(C-2–G8)

Touch Sensitivity

TouchSns

1 (Soft)
2 (Medium)
3 (Hard)

Description
Determines the volume of the Style.
Determines the volume of the Song.
Determines the pitch of the instrument by semitone increments.
Sets the pitch of the instrument’s sound in 1-cent increments.
Determines the pitch bend range.
Determines the highest key for the Split Voice and sets the
Split “point”—in other words, the key that separates the Split
(lower) and Main (upper) Voices. The Split Point setting and
Accompaniment Split Point setting are automatically set to the
same value.
When Touch Response is on, this determines the sensitivity of
the feature.

PSR-A300 Owner’s Manual
58

Item
Style Volume
Song Volume
Transpose

Function Settings

Item
Accompaniment Tuning

Oriental Scales
(Tune C - Tune B)

Display
TuneAcc

Range/settings
ON/OFF

Tune C
:
Tune B
M.Volume
M.Octave
M.Chorus

-64–00–63

D.Voice
D.Volume
D.Octave
D.Chorus

001-482
000-127
-2–0–2
000-127

S.Voice
S.Volume
S.Octave
S.Chorus

001-482
000-127
-2–0–2
000-127

Reverb

01-10

Reverb Level

RevLevel

000-127

Chorus Type

Chorus

1-5

Panel Sustain

Sustain

ON/OFF

Harmony Type

HarmType

01-26

Harmony Volume

HarmVol

000-127

Style Register

StyleReg

PC Mode

PC0mode

OFF/PC1/PC2

Local On/Off

Local

ON/OFF

External Clock

ExtClock

ON/OFF

Initial Setup Send

InitSend

YES/NO

Time Signature
Metronome Volume
Lesson Track (R)

TimeSig
MetroVol
R-Part

00-15
000-127
01-16

Lesson Track (L)

L-Part

01-16

Demo Cancel

D-Cancel

ON/OFF

Main Voice Volume
Main Voice Octave
Main Voice Chorus
Send Level
Dual Voice
Dual Voice Volume
Dual Voice Octave
Dual Voice Chorus Send
Level
Split Voice
Split Voice Volume
Split Voice Octave
Split Voice Chorus Send
Level
Reverb Type

000-127
-2–0–2
000-127

Description
Determines whether Scale Tuning is applied to the accompaniment or not. Use the [+] button to turn it on (apply it to the
accompaniment) and [-] to turn it off.
Determines the pitch of each note.

Determines the volume of the Main Voice.
Determines the octave range for the Main Voice.
Determines how much of the Main Voice’s signal is sent to the
Chorus effect.
Selects the Dual Voice.
Determines the volume of the Dual Voice.
Determines the octave range for the Dual Voice.
Determines how much of the Dual Voice’s signal is sent to the
Chorus effect.
Selects the Split Voice.
Determines the volume of the Split Voice.
Determines the octave range for the Split Voice.
Determines how much of the Split Voice’s signal is sent to the
Chorus effect.
Determines the Reverb type, including off (10).
Refer to the Reverb Type list on page 85.
Determines how much of the Voice’s signal is sent to the
Reverb effect.
Determines the Chorus Type, including off (05).
Refer to the Chorus Type list on page 85.
Determines whether or not Panel Sustain is always applied to
the Main/Dual/Split Voices. Panel Sustain is applied continuously when ON, or not applied when OFF.
Determines the Harmony Type.
Refer to the Harmony Type list on page 84.
Determines the volume of the Harmony effect when Harmony
type 1-5 is selected.
Select and register a style file from flash files that are loaded
from computer. Select a style file by using [+]/[-] button, and
then register it by using [0] button. The selected Style will
automatically be registered as Style number 136.
Optimizes the MIDI settings when you connect to a computer
(page 64).
Determines whether the instrument’s keyboard controls the
internal tone generator (ON) or not (OFF).
Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON).
Lets you send the data of the panel settings to a computer.
Use the [+] button to transmit the data.
Determines the time signature of the Metronome.
Determines the volume of the Metronome.
Determines the guide track number for your right hand lesson.
The setting is only effective for Songs in SMF format 0 transferred from a computer. Refer to the section “Using Transferred Songs for Lessons” on page 67.
Determines the guide track number for your left hand lesson.
The setting is only effective for Songs in SMF format 0 transferred from a computer. Refer to the section “Using Transferred Songs for Lessons” on page 67
Determines whether Demo cancel is enabled or not. When
this is set to ON, the Demo Song will not play, even if the
[DEMO] button is pressed.

PSR-A300 Owner’s Manual

About MIDI
The instrument features a MIDI terminals that can be connected to other MIDI instruments and devices for expanded musical functionality.

What is MIDI?
MIDI (Musical Instrument Digital Interface) is a world-standard interface
for communication between electronic musical instruments and music
devices. When MIDI-equipped instruments are connected via a MIDI
cable, it becomes possible to transfer performance and setting data between
them for significantly enhanced performance and production potential.

CAUTION
• Connect the PSR-A300 to external equipment only after turning off power for
all devices. Then, turn on the power, first to the PSR-A300, then to the connected external equipment.

What You Can Do With MIDI
• Transferring performance and setting data between the PSR-A300 and
MIDI-equipped instruments or computers. (page 63)
• Transferring the Song or Style data between the PSR-A300 and computers. (page 65)

PSR-A300 Owner’s Manual
60

About MIDI

Transferring Performance Data To and From Another Instrument
By connecting the PSR-A300 to other MIDI devices or a computer, the performance data of the instrument can be used on those other MIDI devices or computer, and also the performance data from other MIDI devices and computer
can be received and sounded with the PSR-A300.
● When the instrument is connected with another MIDI device, it
transmits/receives performance data.
MIDI OUT

MIDI IN

PSR-A300

MIDI device
MIDI IN

MIDI OUT

● When the instrument is connected with a computer, it transmits/
receives performance data.
MIDI IN

MIDI OUT

USB

PSR-A300
A USB-MIDI interface
(such as the Yamaha UX16)

■ MIDI settings
These settings should be made when transmitting/receiving performance
data to a connected MIDI device or computer.

Local Settings
Local Control determines whether or not notes played on the instrument
are sounded by its internal tone generator system; the internal tone generator is active when local control is on, and inactive when local control is off.
On ........ This is the normal setting in which notes played on the instrument’s keyboard are sounded by the internal tone generator
system. Data received via the instrument’s MIDI terminal
will also be played by the internal tone generator.
Off ....... With this setting the instrument itself produces no sound
(keyboard performance, Harmony, or Style playback), but the
performance data is transmitted via the MIDI terminal. Data
received via the instrument’s MIDI terminal will also be
played by the internal tone generator.
You can set the Local Control in the Function Settings (page 60).

NOTE

• If you can’t get any sound
out of the instrument, Local
Control may be the most
likely cause. Playing the
keyboard results in no
sound when Local is set to
OFF.

PSR-A300 Owner’s Manual

About MIDI

External Clock Settings
These settings determine whether the instrument is synchronized to its own
internal clock (OFF), or to a clock signal from an external device (ON).
On......... The instrument’s time based functions will be synchronized
to the clock from an external device connected to the MIDI
terminal.
Off ........ The instrument uses its own internal clock (default).
You can set the External Clock in the Function Settings (page 60).

NOTE

• If External Clock is ON and
no clock signal is being
received from an external
device, the Song, Style, and
metronome functions will
not start.

PC Mode
The PC settings instantly reconfigure all important MIDI settings (as
shown below). The selections are PC1, PC2 and OFF.
● The chart of PC Settings
PC1

PC2*

OFF

LOCAL

Off

EXTERNAL CLOCK

Off

SONG OUT**

Off

STYLE OUT***

Off

KEYBOARD OUT****

Off

NOTE

• Song Out, Style Out and
Keyboard Out can only be
changed by the PC setting. They cannot be set
independently.
• Copyrighted Songs and
User Songs cannot be used
with Song Out.

Set the PC mode to PC2 when using Digital Music Notebook.
Digital Music Notebook is a major new multimedia platform for music tuition and
performance. Visit the website below for more information on the latest version of
Digital Music Notebook and how to install it.
www.digitalmusicnotebook.com

Determines whether Song data is transmitted (ON) via MIDI or not (OFF) during
Song playback.
*** Determines whether Style data is transmitted (ON) via MIDI or not (OFF) during
Style playback.
**** Determines whether keyboard performance data of the instrument is transmitted
(ON) or not (OFF).

Press and hold the [DEMO] button for longer than a second to call up
the PC Mode.

oFF

Hold for longer
than a second.

Select PC1, PC2, or OFF by using the [+], [-] buttons.

PSR-A300 Owner’s Manual
62

PC mode

About MIDI

Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital
Music Notebook application on your computer (via the MIDI connection)
—controlling playback, stop and transport functions from the panel.
● Remote control keys
PSR-A300: To use the remote control functions, simultaneously hold
down the lowest two keys on the keyboard (C1 and C#1) and press the
appropriate key (shown below).

NOTE

• Remote control of MIDI
devices will function independently of the PC2 mode.

C#1

C6: Fast forward
B5: Start
A5: Stop
G5: Rewind
F5: Top (move to the beginning of
the song)
E5: Metronome ON/OFF

PSR-A300 Panel Setting Transmission (Initial Send)
Sends the PSR-A300 panel settings to an external MIDI device.
When recording a PSR-A300 performance to an external sequencer or similar equipment, you can use this function to send the current PSR-A300
panel settings so that when the sequence is played back the original panel
settings are automatically restored.
You can set Initial Send in the Function settings (page 60).

Transferring data between the PSR-A300 and a computer
The PSR-A300 includes 35 preset Songs and 135 Styles, but you can load
other Songs and Styles from your computer and use them in the same way
as the preset Songs as long as the loaded Song is SMF format 0* or SFF
(Style File Format).
Loaded Song data will be stored in Song numbers beginning with 041 and
one of the loaded style/s can be registered as the 136th style.
In order to perform the operations described in this section you will need to
use a computer connected to the Internet to download the free Musicsoft
Downloader application from the URL listed below.
* The SMF (Standard MIDI File) format is one of the most common and widely compatible
sequence formats used for storing sequence data. Most commercially available MIDI
sequence data is provided in SMF Format 0.

PSR-A300 Owner’s Manual

About MIDI

Installing Musicsoft Downloader
You can download the “Musicsoft Downloader” application from the following website. Make sure that your computer has an Internet connection.
http://music.yamaha.com/download/
● The minimum computer requirements for Musicsoft Downloader operation are as follows:
• OS
: Windows 98SE/Me/2000/XP Home Edition/
XP Professional
• CPU
: 233 MHz or higher; Intel® Pentium®/Celeron®
processor family (500 MHz or more is recommended)
• Memory : 64 MB or more (256 MB or more is recommended)
• Hard Disk : at least 128 MB of free space (at least 512 MB of free
space is recommended)
• Display
: 800 x 600 HighColor (16-bit)
• Other
: Microsoft® Internet Explorer®5.5 or higher

NOTE

• Visit the Yamaha website for
more information on the latest version of Musicsoft
Downloader (version 5.2.0
or higher) and how to install
it.

Connecting a personal computer
After installing the Musicsoft Downloader application on your computer,
connect the PSR-A300 as described below.
A Yamaha UX16 or similar USB-MIDI interface (sold separately) will be
necessary for MIDI connection between the PSR-A300 and a USBequipped computer.
Make sure to purchase a Yamaha UX16 or a quality USB-MIDI interface at
a musical instrument store, computer store or electrical appliance store.
If you use the UX16 interface, install the driver supplied with the interface
on your computer.
MIDI IN

MIDI OUT

USB

PSR-A300
A USB-MIDI interface
(such as the Yamaha UX16)

PSR-A300 Owner’s Manual
64

About MIDI

Transferring data from a computer
You can transmit Song or Style File Format (SFF) files from
your computer to your PSR-A300’s Flash Memory.
For details about how to transmit the data using the Musicsoft Downloader application, refer to the Online help topic
“Transferring Data Between the Computer and Instrument
(for unprotected data)” of the Musicsoft Downloader.
● Data that can be loaded to the PSR-A300 from
a computer
• Songs
: 99 Songs max
(Song numbers 041-)
• Styles
: Style number 136
• Data
: 373 kilobytes
• Song data Format : SMF Format 0
• Style data Format : SFF
• File
: 05PK.USR (user file)
***.MID (MIDI Song)
***.STY (Style file)

NOTE

• The Musicsoft Downloader application may not
be able to access the instrument in the following cases:
• During Demo playbaack
• During Style playback
• During Song playback
• During recording

CAUTION
• Use the power adaptor when transferring
data. The data can be corrupted if the batteries fail during the transfer.
• Never turn the power off and never plug/
unplug the AC power adaptor during data
transmission. Not only will the data fail to
be transferred and saved, but operation of
the flash memory may become unstable
and its contents may disappear completely
when the power is turned on or off.
NOTE

• Close the window to exit from the Musicsoft
Downloader and re-enable control of the instrument.

Transferring a user file from the PSR-A300 to a computer
You can transfer backup data (page 33), including the five
User Songs stored to the instrument, to a computer as a “user
file” by using Musicsoft Downloader. For details about how
to transmit Song data using the Musicsoft Downloader application, refer to the Online help topic “Transferring Data
Between the Computer and Instrument (for unprotected
data)” in the application.
● Data that can be transferred to a computer
from the PSR-A300
• User file (05PK.USR: backup data containing five
User Songs)
• Songs transferred from a computer
• Styles transferred from a computer

NOTE

• Preset Song data cannot be transmitted from
the PSR-A300.
• Do not rename the user file on the computer. If
you do so, it will not be recognized when transferred to the instrument.

CAUTION
• The backup data, including the five User
Songs is transmitted/received as a single
file. As a result, all backup data (including
the five Songs) will be overwritten every
time you transmit or receive. Keep this in
mind when transferring data.

● Erasing Transferred Song Data from the PSR-A300 Memory
To erase all Songs or Styles transferred from the computer, use “flash clear” function on page 33.
To erase specific Songs and Styles transferred from the computer, use the Delete function on Musicsoft
Downloader.

● Using Transferred Songs for Lessons
In order to use Songs (only SMF format 0) transferred from a computer for lessons it is necessary to specify which
channels are to be played back as the right-hand and left-hand parts. Refer to the “Lesson Track (R)” or “Lesson
Track (L)” in the Function Setting List on page 61. The procedure for setting the “guide track” is as follows:
Select a transferred Song you want to use for lessons. Press the [FUNCTION] button a number of times until
the “R-Part” or “L-Part” appears in the display, and then use the number buttons [0]-[9], [+], [-] to select the
channel you want to play back as the specified right- or left-hand part.
We recommend that you select channel 1 for the right-hand part and channel 2 for the left-hand part.
65

PSR-A300 Owner’s Manual

Troubleshooting
Problem

Possible Cause and Solution

When the instrument is turned on or off, a
popping sound is temporarily produced.

This is normal and indicates that the instrument is receiving electrical
power.

When using a mobile phone, noise is produced.

Using a mobile phone in close proximity to the instrument may produce
interference. To prevent this, turn off the mobile phone or use it further
away from the instrument.

There is no sound even when the keyboard is
played or when a Song or Style is being
played back.

Check that nothing is connected to the PHONES/OUTPUT jack on the
rear panel. When a set of headphones is plugged into this jack, no sound
is output.
Check the Local Control on/off. (See page 63.)

Playing keys in the right hand area of the
keyboard does not produce any sound.

When using the Dictionary function (page 58), the keys in the right hand
area are used only for entering the chord root and type.

• The volume is too soft.
• The sound quality is poor.
• The rhythm stops unexpectedly or will not
play.
• The recorded data of the Song, etc. does
not play correctly.
• The LCD display suddenly goes dark, and
all panel settings are reset.

The batteries are low or dead. Replace all six batteries with completely
new ones, or use the optional AC adaptor.

The Style or Song does not play back when
the [START/STOP] button is pressed.

Is External Clock set to ON? Make sure External Clock is set to OFF;
refer to “External Clock Settings” on page 64.
Make sure that the Style Volume (page 55) is set to an appropriate level.

The Style does not sound properly.

Not all of the voices seem to sound, or the
sound seems to be cut off.

The instrument is polyphonic up to a maximum of 32 notes. If the Dual
voice or Split voice is being used and a style or Song is playing back at
the same time, some notes/sounds may be omitted (or “stolen”) from the
accompaniment or Song.

The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and
releasing it sustains the sounds.

The polarity of the footswitch is reversed. Make sure that the footswitch
plug is properly connected to the SUSTAIN jack before turning on the
power.

The sound of the voice changes from note to
note.

This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus,
the actual sound of the voice may be slightly different from note to note.

The ACMP ON indicator does not appear
when the [ACMP ON/OFF] button is pressed.

Always press the [STYLE] button first when you are going to use any
style-related function.

The harmony doesn’t sound.

The method of sounding the harmony effect (01-26) differs depending on
the selected type. For Types 01-05, turn the Auto Accompaniment on
and play it by pressing a chord in the auto accompaniment section of the
keyboard, then play some keys in the right-hand side to get the harmony
effect. For Types 06-26, turning the Auto Accompaniment on or off has
no effect. However, it is necessary to play two notes simultaneously for
Types 06-12.

The part indications, such as Right, Left and
Both Hands, do not appear—even when
pressing the [R] or [L] buttons for the Lesson.

Make sure that you are not pressing the [R] or [L] buttons while the Song
is playing. If you press one of the part buttons while playing the Song
and before starting the Lesson, these buttons serve to mute the corresponding Song tracks. Stop the Song first, then select the desired part
and start the Lesson.

PSR-A300 Owner’s Manual
66

Is the Split Point set at an appropriate key for the cords you are playing?
Set the Split Point at an appropriate key (page 48).
Is the “ACMP ON” indicator showing in the display? If it is not showing
press the [ACMP ON/OFF] button so that it does show.

Index
Panel Controls and Terminals
A-B REPEAT button ................................................. 43
ACMP ON/OFF button .............................................. 23
DEMO button ............................................................. 21
DUAL ON/OFF button .............................................. 13
FF button .................................................................... 21
FUNCTION button .............................................. 35, 60
HARMONY ON/OFF button .................................... 44
INTRO/ENDING/rit. Button ..................................... 53
L button ...................................................................... 38
LISTEN & LEARN button ........................................ 38
MAIN/AUTO FILL button ........................................ 53
MASTER VOLUME control ................................. 9, 34
METRONOME ON/OFF button ............................... 18
number buttons 0-9, +/YES, -/NO ............................. 35
ORIENTAL SCALE buttons ..................................... 29
PAUSE button ............................................................ 21
PITCH BEND wheel .................................................. 32
PORTABLE GRAND button .................................... 15
R button ...................................................................... 38
REC button ................................................................. 25
REC TRACK 1 button ............................................... 27
REC TRACK 2 button ............................................... 27
REVERB ON/OFF button ......................................... 45
REW button ............................................................... 21
SONG button ....................................................... 20, 35
SOUND EFFECT KIT button ................................... 17
SPLIT ON/OFF button .............................................. 14
STANDBY/ON switch .......................................... 9, 34
START/STOP button ................................................. 34
STYLE button ...................................................... 22, 35
SYNC START button ................................................ 23
TEMPO/TAP button .................................................. 50
TIMING button .......................................................... 39
TOUCH ON/OFF button ........................................... 47
VOICE button ...................................................... 12, 35
WAITING button ....................................................... 40
DC IN 12V jack ........................................................... 8
MIDI IN/OUT terminal .............................................. 62
PHONES/OUTPUT jack .............................................. 9
SUSTAIN jack ............................................................. 9

Alphabetical Order

A
AB Repeat .................................................................. 43
AC Power Adaptor ....................................................... 8
Accompaniment Tuning ............................................. 31
ACMP ON/OFF ......................................................... 23
Auto Accompaniment ................................................ 23
Auto accompaniment range ................................... 23-24

B
Backup ........................................................................ 33
Backup Clear .............................................................. 33
Battery .......................................................................... 8
Beat Display ............................................................... 36

C
Cancel ......................................................................... 28
Chord ......................................................... 24, 56-57, 59
Chord Dictionary ........................................................ 58
Chord Display ...................................................... 36, 57
Chorus ........................................................................ 46
Chorus Send Level (Dual) .......................................... 61
Chorus Send Level (Main) ......................................... 61
Chorus Send Level (Split) .......................................... 61
Chorus Type List ........................................................ 85
Computer ............................................................... 63-67

D
Delete (Song) ............................................................. 28
Demo .......................................................................... 21
Display ....................................................................... 36
Drum Kit .................................................................... 15
Drum Kit List ............................................................. 78
Dual ............................................................................ 13

E
Ending .................................................................. 52, 54
External Clock ...................................................... 61, 64

F
FF ............................................................................... 21
Flash Clear ................................................................. 33
Flash Memory ............................................................ 67
Footswitch (Sustain jack) ............................................. 9
Function Setting List ............................................. 60-61

G
Grade .......................................................................... 39

H
Harmony ................................................................ 44-45
Harmony Type List .................................................... 84
Harmony Volume ....................................................... 61

PSR-A300 Owner’s Manual

Index

I
Initial Send ................................................................. 61
Initialization ............................................................... 33
Intro ...................................................................... 51, 54

Reverb Type List ........................................................ 85
Rew ............................................................................ 21
Rhythm ....................................................................... 22
Root ...................................................................... 56, 58

Main/Auto fill ....................................................... 53-54
Master Volume Control ......................................... 9, 34
Measure ...................................................................... 36
Melody Voice ............................................................. 41
Metronome ............................................................ 18-19
Metronome Volume ................................................... 19
MIDI .......................................................................... 62
Music Rest ................................................................... 6
Musicsoft Downloader .......................................... 65-66
Mute ........................................................................... 42

Save data to computer ................................................ 67
Scale Setting .......................................................... 29-31
SFF ....................................................................... 22, 67
SMF Format 0 ............................................................ 65
Song ............................................................................ 20
Song List .................................................................... 21
Song Volume .............................................................. 41
Split ............................................................................ 14
Split Point ............................................................. 14, 48
Start ............................................................................ 34
Stop ............................................................................ 34
Style ............................................................22-23, 51-54
Style File .............................................................. 22, 67
Style List .................................................................... 83
Style Register ............................................................. 61
Style Volume .............................................................. 55
Supplied Accessories ............................................. 6, 91
Synchro Start ........................................................ 23, 51

NO .............................................................................. 28
Notation ...................................................................... 36

Tempo ........................................................................ 50
Time Signature ........................................................... 19
Touch Response ......................................................... 47
Touch sensitivity ........................................................ 47
Track .............................................................. 26, 36, 42
Track Rec .............................................................. 26-27
Transfer ................................................................ 63, 67
Transpose ................................................................... 48
Tuning ........................................................................ 49
Turn Auto accompaniment on or off .......................... 23

Keyboard Display ...................................................... 36

L
Lesson ................................................................... 37-40
Lesson track R/L for transferred songs ................ 61, 67
Local .................................................................... 61, 63

O
Octave (Dual) ............................................................. 61
Octave (Main) ............................................................ 61
Octave (Split) ............................................................. 61
One Touch Setting ..................................................... 49
Option ........................................................................ 91
Oriental Percussion Kit .............................................. 15
Oriental Percussion Kit List ....................................... 78
Oriental Scales ........................................................... 29

P
Panel Sustain .............................................................. 46
Part ............................................................................. 38
Pause .......................................................................... 21
PC setting ................................................................... 64
Pitch Bend range ........................................................ 32
Press and Hold for a while ......................................... 34

R
Recording .............................................................. 25-27
Remote Control .......................................................... 65
Reverb ........................................................................ 45
Reverb Level .............................................................. 61

User File ..................................................................... 67
User Song .............................................................. 25-26

V
Voice ..................................................................... 12-14
Voice List ................................................................... 71

X
XGlite ........................................................................... 6

Y
YES ............................................................................ 28

PSR-A300 Owner’s Manual
68

Voice List / Voice-Liste / Liste des voix
■ Maximum Polyphony • • • • • • • • • • • • • • • • • • • • •
The instrument has 32-note maximum polyphony. This means that
it can play a maximum of up to 32 notes at once, regardless of
what functions are used. Auto accompaniment uses a number of
the available notes, so when auto accompaniment is used the total
number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song
functions. If the maximum polyphony is exceeded, earlier played
notes will be cut off and the most recent notes have priority (last
note priority).

■ Maximale Polyphonie • • • • • • • • • • • • • • • • • • • • •
Das Instrument verfügt über eine maximale Polyphonie von 32
Noten. Dies bedeutet, daß das Instrument unabhängig von den aktivierten Funktionen maximal 32 Noten gleichzeitig spielen kann.
Eine bestimmte Anzahl der verfügbaren Noten wird von der automatischen Begleitung belegt; bei deren Einsatz verringert sich somit
die Anzahl der für das Spiel auf der Klaviatur verfügbaren Noten
entsprechend. Das Gleiche gilt für Split Voices und Song-Funktion.
Wenn die maximale Polyphonie überschritten wird, werden die am
frühesten gespielten Noten ausgeschaltet und die zuletzt gespielten
Noten haben Vorrang (Last Note Priority).

■ Polyphonie maximale • • • • • • • • • • • • • • • • • • • • •

205

Le PSR-A300 dispose d’une polyphonie maximale de 32 notes.
Cela signifie que l’instrument peut reproduire un nombre maximal
de 32 voix à la fois, indépendamment des fonctions utilisées.
L’accompagnement automatique fait appel à un certain nombre de
notes disponibles. Il s’ensuit que lorsque l’accompagnement automatique est utilisé, le nombre total de notes disponibles pour l’interprétation au clavier est réduit en conséquence. Cela s’applique aussi
aux fonctions Split Voice (Voix partagées) et Song (Morceau). Lorsque la polyphonie maximale est dépassée, les notes jouées en premier ne produisent aucun son ; seules les notes interprétées en
dernier sont audibles (priorité à la dernière note).

NOTE

• The Voice List includes MIDI program
change numbers for each voice. Use these
program change numbers when playing the
instrument via MIDI from an external device.
• Program Numbers 001 to 128 directly relate
to MIDI Program Change Numbers 000 to
127. That is, Program Numbers and Program
Change Numbers differ by a value of 1.
Remember to take this into consideration.
• Some voices may sound continuously or
have a long decay after the notes have been
released while the sustain pedal (footswitch)
is held.

HINWEIS

• In der Voice-Liste sind für jede Voice MIDIProgrammwechselnummern enthalten. Verwenden Sie diese Programmwechselnummern, wenn Sie das Instrument über MIDI
von einem externen Gerät aus ansteuern.
• Die Programmnummern 001 bis 128 hängen
direkt mit den MIDI-Programmwechsel-Nummern 000 bis 127 zusammen. Das bedeutet:
Programmnummern und ProgrammwechselNummern unterscheiden sich mit einem
Wert von 1. Denken Sie bei diesen Überlegungen daran.
• Solange der Sustain-Fußschalter gedrückt
ist, ertönen einige Voices nach dem Loslassen der Taste eventuell kontinuierlich oder
mit einer langen Abklingzeit (Decay).

NOTE

• La liste des voix comporte des numéros de
changement de programme MIDI pour chaque voix. Utilisez ces derniers pour commander le PSR-A300 à partir d’un
périphérique MIDI.
• Les numéros de programme 001 à 128 correspondent aux numéros de changement de
programme MIDI 000 à 127. Cela signifie
que les numéros de programme et les numéros de changement de programme sont
décalés de 1. N’oubliez pas de tenir compte
de cet écart.
• Certaines voix peuvent avoir une sonorité
prolongée ou un long déclin après le relâchement des touches, et ceci pendant la
durée de maintien de la pédale de sustain
(sélecteur au pied).

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Voice List / Voice-Liste / Liste des voix

● Panel Voice List / Verzeichnis der BedienfeldVoices / Liste des voix de panneau
MIDI
Program
Voice
MSB
LSB Change#
No.
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice Name

PIANO

Voice Name

043

112

Slap Bass

044

112

Synth Bass

045

113

Hi-Q Bass

046

113

Dance Bass

001

112

Grand Piano

002

112

Bright Piano

003

112

Honky-tonk Piano

047

112

String Ensemble

004

112

MIDI Grand Piano

048

112

Chamber Strings

005

113

CP 80

049

112

Synth Strings

006

112

Harpsichord

050

113

Slow Strings

051

112

Tremolo Strings

Galaxy Electric Piano

052

112

Pizzicato Strings

112

Violin

E.PIANO
007

114

STRINGS

008

112

Funky Electric Piano

053

009

112

DX Modern Electric Piano

054

112

Cello

010

113

Hyper Tines

055

112

Contrabass

011

114

Venus Electric Piano

056

112

106

Banjo

012

112

Clavi

057

112

Harp

058

112

013

112

Jazz Organ 1

014

113

Jazz Organ 2

059

112

Choir

015

112

Click Organ

060

113

Vocal Ensemble

016

116

Bright Organ

061

112

Vox Humana

017

112

Rock Organ

062

112

Air Choir

018

114

Purple Organ

019

118

16'+2' Organ

063

112

Tenor Sax

020

119

16'+4' Organ

064

112

Alto Sax

112

Soprano Sax

ORGAN

Orchestra Hit
CHOIR

SAXOPHONE

021

114

Theater Organ

065

022

112

Church Organ

066

112

Baritone Sax

023

113

Chapel Organ

067

114

Breathy Tenor Sax

024

112

Reed Organ

068

112

Oboe

ACCORDION

069

112

Clarinet

Traditional Accordion

070

112

English Horn

071

112

Bassoon

025

113

026

112

Musette Accordion

027

113

Bandoneon

028

112

Harmonica

GUITAR

TRUMPET
072

112

Trumpet

073

112

Muted Trumpet

029

112

Classical Guitar

074

112

Trombone

030

112

Folk Guitar

075

113

Trombone Section

031

113

12Strings Guitar

076

112

French Horn

077

112

Tuba

032

112

Jazz Guitar

033

113

Octave Guitar

034

112

Clean Guitar

078

112

Brass Section

035

117

60’s Clean Guitar

079

113

Big Band Brass

036

112

Muted Guitar

080

119

Mellow Horns

037

112

Overdriven Guitar

081

112

Synth Brass

038

112

Distortion Guitar

082

113

80’s Brass

083

114

BASS

BRASS

Techno Brass
FLUTE

039

112

Acoustic Bass

040

112

Finger Bass

084

112

Flute

041

112

Pick Bass

085

112

Piccolo

042

112

Fretless Bass

086

112

Pan Flute

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

206

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

Voice List / Voice-Liste / Liste des voix

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

Voice Name

087

112

Recorder

088

112

Ocarina

● XGlite Voice/XGlite Optional Voice* List /
Liste der XGlite-Voices/optionale XGlite-Voices* /
Voix XGlite/liste des voix* XGlite en option
Voice
No.

SYNTH LEAD

Voice Name

089

112

Square Lead

090

112

Sawtooth Lead

122

Grand Piano

091

112

Voice Lead

123

Grand Piano KSP

092

112

Star Dust

124

Piano Strings

093

112

101

Brightness

125

Dream

094

115

Analogon

126

Bright Piano

095

119

PIANO

Fargo

127

Bright Piano KSP

SYNTH PAD

128

Electric Grand Piano
Electric Grand Piano KSP

096

112

Fantasia

129

097

113

101

Bell Pad

130

Detuned CP80

098

112

Xenon Pad

131

Honky-tonk Piano

099

112

Equinox

132

Honky-tonk Piano KSP

100

113

Dark Moon

133

Electric Piano 1

134

Electric Piano 1 KSP

PERCUSSION

207

Bank Select
MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)

101

112

Vibraphone

135

Chorus Electric Piano 1

102

112

Marimba

136

Electric Piano 2

103

112

Xylophone

137

Electric Piano 2 KSP

104

112

115

Steel Drums

*138

Chorus Electric Piano 2

105

112

Celesta

139

DX + Analog Electric Piano

106

112

Music Box

140

Harpsichord

107

112

Tubular Bells

141

Harpsichord KSP

108

112

Timpani

142

Harpsichord 3

DRUM KITS

143

Clavi

144

Clavi KSP

109

127

Standard Kit 1

110

127

Standard Kit 2

111

127

Room Kit

145

Celesta

112

127

Rock Kit

146

Glockenspiel

113

127

Electronic Kit

147

Music Box

114

127

Analog Kit

148

Orgel

115

127

Dance Kit

149

Vibraphone

116

127

Jazz Kit

150

Vibraphone KSP

117

127

Brush Kit

151

Marimba

118

127

Symphony Kit

152

Marimba KSP

119

126

SFX Kit 1

153

Sine Marimba

120

126

SFX Kit 2

154

Balimba

121

126

113

Sound Effect Kit

155

Log Drums

156

Xylophone

157

Tubular Bells

158

Church Bells

159

Carillon

160

Dulcimer

161

Dulcimer 2

162

Cimbalom

163

Santur

CHROMATIC

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Voice List / Voice-Liste / Liste des voix

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

ORGAN

Voice
No.

Voice Name

211

164

Drawbar Organ

212

Jazz Man

165

Detuned Drawbar Organ

213

Overdriven Guitar

166

60’s Drawbar Organ 1

214

Guitar Pinch

167

60’s Drawbar Organ 2

215

Distortion Guitar

168

70’s Drawbar Organ 1

216

Feedback Guitar

169

60’s Drawbar Organ 3

217

Feedback Guitar 2

170

16+2'2/3

218

Guitar Harmonics

171

Organ Bass

219

Guitar Feedback

172

70’s Drawbar Organ 2

220

173

Cheezy Organ

174

Drawbar Organ 3

221

Acoustic Bass

175

Percussive Organ

222

Jazz Rhythm

176

70’s Percussive Organ

223

Velocity Crossfade Upright Bass

177

Detuned Percussive Organ

224

Finger Bass

178

Light Organ

225

Finger Dark

179

Percussive Organ 2

226

Bass & Distorted Electric Guitar

180

Rock Organ

227

Finger Slap Bass

181

Rotary Organ

228

Finger Bass 2

182

Slow Rotary

229

Modulated Bass

183

Fast Rotary

230

Pick Bass

184

Church Organ

231

Muted Pick Bass

185

Church Organ 3

232

Fretless Bass

186

Church Organ 2

233

Fretless Bass 2

187

Notre Dame

234

Fretless Bass 3

188

Organ Flute

235

Fretless Bass 4

189

Tremolo Organ Flute

236

Slap Bass 1

190

Reed Organ

237

Punch Thumb Bass

191

Puff Organ

238

Slap Bass 2

192

Accordion

239

Velocity Switch Slap

193

Harmonica

240

Synth Bass 1

194

Harmonica 2

241

Techno Synth Bass

195

Tango Accordion

242

Synth Bass 2

196

Tango Accordion 2

243

Mellow Synth Bass

244

Sequenced Bass

GUITAR

Muted Steel Guitar

Guitar Harmonics 2
BASS

197

Nylon Guitar

245

Click Synth Bass

198

Velocity Guitar Harmonics

246

Synth Bass 2 Dark

199

Ukulele

*247

Modular Synth Bass

200

Steel Guitar

248

DX Bass

201

12-string Guitar

202

Nylon & Steel Guitar

249

Violin

203

Steel Guitar with Body Sound

250

Slow Violin

204

Mandolin

251

Viola

205

Jazz Guitar

252

Cello

206

Jazz Amp

253

Contrabass

207

Clean Guitar

254

Tremolo Strings

208

Chorus Guitar

255

Slow Tremolo Strings

209

Muted Guitar

256

Suspense Strings

210

Funk Guitar 1

257

Pizzicato Strings

STRINGS

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

208

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice Name

Voice List / Voice-Liste / Liste des voix

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

Voice Name

258

Orchestral Harp

303

259

Yang Chin

304

260

Timpani

Soft Brass

ENSEMBLE

305

Soprano Sax

261

Strings 1

306

Alto Sax

262

Stereo Strings

307

Sax Section

263

Slow Strings

308

Tenor Sax

264

60’s Strings

309

Breathy Tenor Sax

265

Orchestra

310

Baritone Sax

266

Orchestra 2

311

Oboe

267

Tremolo Orchestra

312

English Horn

268

Velocity Strings

313

Bassoon

269

Strings 2

314

270

Stereo Slow Strings

271

Legato Strings

315

Piccolo

272

Warm Strings

316

Flute

273

Kingdom

317

Recorder

274

Synth Strings 1

318

Pan Flute

275

Synth Strings 2

319

Blown Bottle

276

Choir Aahs

320

Shakuhachi

277

Stereo Choir

321

Whistle

278

Mellow Choir

322

Ocarina

279

Choir Strings

280

Voice Oohs

323

Square Lead

281

Synth Voice

324

Square Lead 2

282

Synth Voice 2

325

LM Square

283

Choral

326

Hollow

284

Analog Voice

327

Shroud

285

Orchestra Hit

328

Mellow

286

Orchestra Hit 2

329

Solo Sine

287

Impact

330

Sine Lead

331

Sawtooth Lead

Choir Brass
REED

Clarinet
PIPE

SYNTH LEAD

BRASS

209

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

Voice Name

288

Trumpet

332

Sawtooth Lead 2

289

Warm Trumpet

333

Thick Sawtooth

290

Trombone

334

Dynamic Sawtooth

291

Trombone 2

335

Digital Sawtooth

292

Tuba

336

Big Lead

293

Muted Trumpet

337

Sequenced Analog

294

French Horn

338

Calliope Lead

295

French Horn Solo

339

Pure Pad

296

French Horn 2

340

Chiff Lead

297

Horn Orchestra

341

Charang Lead

298

Brass Section

342

Distorted Lead

299

Trumpet & Trombone Section

343

Voice Lead

300

Synth Brass 1

344

Fifths Lead

301

Resonant Synth Brass

345

Big Five

302

Synth Brass 2

346

Bass & Lead

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Voice List / Voice-Liste / Liste des voix

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

Voice Name

347

Big & Low

348

Fat & Perky

395

105

Sitar

349

Soft Whirl

396

105

Detuned Sitar

SYNTH PAD

397

105

WORLD

Sitar 2

350

New Age Pad

398

105

Tamboura

351

Fantasy

399

106

Banjo

352

Warm Pad

400

106

Muted Banjo

353

Poly Synth Pad

401

106

Rabab

354

Choir Pad

402

106

Gopichant

355

Itopia

403

106

Oud

356

Bowed Pad

404

107

Shamisen

357

Metallic Pad

405

108

Koto

358

Halo Pad

406

108

Taisho-kin

359

Sweep Pad

407

108

Kanoon

408

109

Kalimba

SYNTH EFFECTS
360

Rain

409

110

Bagpipe

361

African Wind

410

111

Fiddle

362

Carib

411

112

Shanai

363

Sound Track

364

Prologue

412

113

Tinkle Bell

365

Crystal

413

113

Bonang

366

Synth Drum Comp

414

113

Altair

367

Popcorn

415

113

Gamelan Gongs

368

Tiny Bells

416

113

Stereo Gamelan Gongs

369

Round Glockenspiel

417

100

113

Rama Cymbal

370

Glockenspiel Chimes

418

114

Agogo

371

Clear Bells

419

115

Steel Drums

372

Chorus Bells

420

115

Glass Percussion

373

Soft Crystal

421

115

Thai Bells

374

Air Bells

422

116

Woodblock

375

Bell Harp

423

116

Castanets

376

Gamelimba

424

117

Taiko Drum

377

100

Atmosphere

425

117

Gran Cassa

378

100

Warm Atmosphere

426

118

Melodic Tom

379

100

Hollow Release

427

118

Melodic Tom 2

380

100

Nylon Electric Piano

428

118

Real Tom

381

100

Nylon Harp

429

118

Rock Tom

382

100

Harp Vox

430

119

Synth Drum

383

100

Atmosphere Pad

431

119

Analog Tom

384

101

Brightness

432

119

Electronic Percussion

385

102

Goblins

433

120

Reverse Cymbal

386

102

Goblins Synth

387

102

Creeper

434

121

Fret Noise

388

102

Ritual

435

122

Breath Noise

389

102

To Heaven

436

123

Seashore

390

102

Night

437

124

Bird Tweet

391

102

Glisten

438

125

Telephone Ring

392

102

Bell Choir

439

126

Helicopter

393

103

Echoes

440

127

Applause

394

104

Sci-Fi

441

128

Gunshot

PERCUSSIVE

SOUND EFFECTS

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

210

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice Name

Voice List / Voice-Liste / Liste des voix

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)

● Oriental Voice List / Liste der orientalischen
Voices / Liste des voix orientales

Bank Select

Voice
No.

Voice Name

Cutting Noise

443

Cutting Noise 2

444

String Slap

445

Flute Key Click

483

113

106

Oud

446

Shower

484

114

Nay

447

Thunder

485

113

Kawala

448

Wind

486

113

108

Kanoun

449

Stream

487

121

Saz

450

Bubble

488

115

106

Oud Tremolo

451

Feed

489

114

112

Surnay

452

Dog

490

120

Bouzouki

453

Horse

491

113

Santoor

454

Bird Tweet 2

492

115

Rababa

455

Maou

493

119

Bouzouk

456

Phone Call

494

116

Nay Takasim

457

Door Squeak

495

114

108

Kanoun Oct.

458

Door Slam

496

116

106

Baglamas

459

Scratch Cut

497

117

106

Awtar

460

Scratch Split

498

122

112

Sorna

461

Wind Chime

499

114

106

Tar

462

Telephone Ring 2

500

114

Santuri

463

Car Engine Ignition

501

114

Kamanche

464

Car Tires Squeal

502

118

106

Awtar Tremolo

465

Car Passing

503

117

112

Gerba

466

Car Crash

504

121

112

Gerba Chorus

467

Siren

505

112

Dosaleh

468

Train

506

115

112

Mijwez

469

Jet Plane

507

116

112

Mizmar

470

Starship

508

119

112

Mizmar Oct.

471

Burst

509

120

112

Al Badou

472

Roller Coaster

510

118

112

Argoul

473

Submarine

511

116

Accordion

474

Laugh

512

117

Watariyat 1

475

Scream

513

119

Watariyat 2

476

Punch

514

113

Pizzicato

477

100

Heartbeat

515

121

Solo 1

478

101

Footsteps

516

124

Solo 2

479

113

Machine Gun

517

122

Brass

480

114

Laser Gun

481

115

Explosion

518

126

Arabic Kit

482

116

Firework

519

126

Khaligi Kit

520

126

Irani Kit

521

126

Arabic Mix Kit

522

126

Khaligi Mix Kit

523

126

Irani Mix Kit

Voice Name

ORIENTAL

ORIENTAL PERCUSSION

The voice number with an asterisk (*) is XGlite optional voice.
Voice-Nummern mit einem Stern (*) sind optionale XGlite-Voices.
Le numéro de voix porteur d’un astérisque (*) est une voix XGlite en
option.

211

MIDI
Program
MSB
LSB Change#
(0 - 127) (0 - 127) (1 - 128)
Bank Select

Voice
No.

442

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Drum Kit & Oriental Perussion Kit List / Drum-Kits und orientalische Percussion• “
” indicates that the drum sound is the same as “Standard Kit 1”.
• Each percussion voice uses one note.
• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in “109: Standard Kit 1”, the “Seq
Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
• Key Off: Keys marked “O” stop sounding the instant they are released.
• Voices with the same Alternate Note Number (*1 … 4) cannot be
played simultaneously. (They are designed to be played alternately
with each other.)

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

109
127/0/1

110
127/0/2

111
127/0/9

112
127/0/17

113
127/0/25

Standard Kit 1

Standard Kit 2

Room Kit

Rock Kit

Electronic Kit

Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch Push
Scratch Pull
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare H Soft
Sticks
Bass Drum Soft
Open Rim Shot
Bass Drum Hard
Bass Drum
Side Stick
Snare M
Hand Clap
Snare H Hard
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bell
Bell Tree

Reverse Cymbal

Snare H Soft 2

SD Rock H

Hi Q 2
Snare L
Bass Drum H

Open Rim Shot 2
Bass Drum 2

Bass Drum H
BD Rock

BD Rock
BD Gate

Snare M 2

SD Room L

SD Rock L

Snare H Hard 2

SD Room H
Room Tom 1

SD Rock Rim
Rock Tom 1

SD Rock H
E Tom 1

Room Tom 2

Rock Tom 2

E Tom 2

Room Tom 3

Rock Tom 3

E Tom 3

Room Tom 4
Room Tom 5

Rock Tom 4
Rock Tom 5

E Tom 4
E Tom 5

Room Tom 6

Rock Tom 6

E Tom 6

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Scratch Push
Scratch Pull

212

A#5

Voice No.
MSB(0-127) / LSB(0-127) / PC(1-128)
Keyboard
MIDI
Key Alternate
assign
off
Note#
Note
Note#
Note
25
C# 0
13
C# -1
3
26
D 0
14
D -1
3
27
D# 0
15
D# -1
28
E 0
16
E -1
29
F 0
17
F -1
4
30
F# 0
18
F# -1
4
31
G 0
19
G -1
32
G# 0
20
G# -1
33
A 0
21
A -1
34
A# 0
22
A# -1
35
B 0
23
B -1
36
C 1
24
C 0
37
C# 1
25
C# 0
38
D 1
26
D 0
O
39
D# 1
27
D# 0
40
E 1
28
E 0
O
41
F 1
29
F 0
O
42
F# 1
30
F# 0
43
G 1
31
G 0
44
G# 1
32
G# 0
45
A 1
33
A 0
46
A# 1
34
A# 0
47
B 1
35
B 0
48
C 2
36
C 1
49
C# 2
37
C# 1
50
D 2
38
D 1
51
D# 2
39
D# 1
52
E 2
40
E 1
53
F 2
41
F 1
54
F# 2
42
F# 1
1
55
G 2
43
G 1
56
G# 2
44
G# 1
1
57
A 2
45
A 1
58
A# 2
46
A# 1
1
59
B 2
47
B 1
60
C 3
48
C 2
61
C# 3
49
C# 2
62
D 3
50
D 2
63
D# 3
51
D# 2
64
E 3
52
E 2
65
F 3
53
F 2
66
F# 3
54
F# 2
67
G 3
55
G 2
68
G# 3
56
G# 2
69
A 3
57
A 2
70
A# 3
58
A# 2
71
B 3
59
B 2
72
C 4
60
C 3
73
C# 4
61
C# 3
74
D 4
62
D 3
75
D# 4
63
D# 3
76
E 4
64
E 3
77
F 4
65
F 3
78
F# 4
66
F# 3
79
G 4
67
G 3
80
G# 4
68
G# 3
81
A 4
69
A 3
82
A# 4
70
A# 3
83
B 4
71
B 3
O
84
C 5
72
C 4
O
85
C# 5
73
C# 4
86
D 5
74
D 4
O
87
D# 5
75
D# 4
88
E 5
76
E 4
89
F 5
77
F 4
90
F# 5
78
F# 4
91
G 5
79
G 4
92
G# 5
80
G# 4
2
93
A 5
81
A 4
2
94
A# 5
82
A# 4
95
B 5
83
B 4
96
C 6
84
C 5
97
C# 6
85
C# 5
98
D 6
86
D 5
99
D# 6
87
D# 5
100
E 6
88
E 5
101
F 6
89
F 5
102
F# 6
90
F# 5
103
G 6
91
G 5

• „
“ bedeutet, dass der Schlagzeugklang gleich „Standard Kit 1“ ist.
• Jede Perkussionsnote belegt eine Note.
• Die MIDI-Note # und Note sind in Wirklichkeit eine Octave tiefer als
hier aufgeführt. Beispiel: In „109: Standard Kit 1“ entspricht die „Seq
Click H“ (Note# 36/Note C1) der Note (Note# 24/Note C0).
• Key Off: Mit „O“ bezeichnete Tasten hören sofort auf zu klingen,
sobald sie losgelassen werden.
• Stimmen mit derselben Alternate Note Number (*1 … 4) können nicht
gleichzeitig gespielt werden. (Diese Stimmen sind dazu gedacht,
wechselweise gespielt zu werden.)

Kits-Liste / Liste des kits de batterie et des kits de percussions orientales
• «
» indique que les sonorités de percussion sont identiques à
celles de « Standard Kit 1 ».
• Chaque voix de percussion utilise une note unique.
• Le numéro de note MIDI (Note #) et la note MIDI se situent en réalité à
une octave inférieure à celle qui est indiquée dans la liste. Par exemple, dans « 109 : Standard Kit 1 », « Seq Click H » (Note# 36/Note C1)
correspond à (Note# 24/Note C0).
• Key Off : pour les touches signalées par « O », l’émission de sons
s’arrête instantanément aussitôt que les touches sont relâchées.
• Les voix portant un même numéro de note alternative (*1 … 4) ne
peuvent pas être jouées simultanément. (Elles sont en effet conçues
pour être interprétées en alternance).

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5

213

A#5

Voice No.
MSB(0-127) / LSB(0-127) / PC(1-128)
Keyboard
MIDI
Key Alternate
off
assign
Note#
Note
Note#
Note
25
C# 0
13
C# -1
3
26
D 0
14
D -1
3
27
D# 0
15
D# -1
28
E 0
16
E -1
29
F 0
17
F -1
4
30
F# 0
18
F# -1
4
31
G 0
19
G -1
32
G# 0
20
G# -1
33
A 0
21
A -1
34
A# 0
22
A# -1
35
B 0
23
B -1
36
C 1
24
C 0
37
C# 1
25
C# 0
38
D 1
26
D 0
O
39
D# 1
27
D# 0
40
E 1
28
E 0
O
41
F 1
29
F 0
O
42
F# 1
30
F# 0
43
G 1
31
G 0
44
G# 1
32
G# 0
45
A 1
33
A 0
46
A# 1
34
A# 0
47
B 1
35
B 0
48
C 2
36
C 1
49
C# 2
37
C# 1
50
D 2
38
D 1
51
D# 2
39
D# 1
52
E 2
40
E 1
53
F 2
41
F 1
54
F# 2
42
F# 1
1
55
G 2
43
G 1
56
G# 2
44
G# 1
1
57
A 2
45
A 1
58
A# 2
46
A# 1
1
59
B 2
47
B 1
60
C 3
48
C 2
61
C# 3
49
C# 2
62
D 3
50
D 2
63
D# 3
51
D# 2
64
E 3
52
E 2
65
F 3
53
F 2
66
F# 3
54
F# 2
67
G 3
55
G 2
68
G# 3
56
G# 2
69
A 3
57
A 2
70
A# 3
58
A# 2
71
B 3
59
B 2
72
C 4
60
C 3
73
C# 4
61
C# 3
74
D 4
62
D 3
75
D# 4
63
D# 3
76
E 4
64
E 3
77
F 4
65
F 3
78
F# 4
66
F# 3
79
G 4
67
G 3
80
G# 4
68
G# 3
81
A 4
69
A 3
82
A# 4
70
A# 3
83
B 4
71
B 3
O
84
C 5
72
C 4
O
85
C# 5
73
C# 4
86
D 5
74
D 4
O
87
D# 5
75
D# 4
88
E 5
76
E 4
89
F 5
77
F 4
90
F# 5
78
F# 4
91
G 5
79
G 4
92
G# 5
80
G# 4
2
93
A 5
81
A 4
2
94
A# 5
82
A# 4
95
B 5
83
B 4
96
C 6
84
C 5
97
C# 6
85
C# 5
98
D 6
86
D 5
99
D# 6
87
D# 5
100
E 6
88
E 5
101
F 6
89
F 5
102
F# 6
90
F# 5
103
G 6
91
G 5

109
127/0/1

114
127/0/26

115
127/0/28

116
127/0/33

117
127/0/41

Standard Kit 1

Analog Kit

Dance Kit

Jazz Kit

Brush Kit

Reverse Cymbal

Hi Q 2
SD Rock H

Hi Q 2
AnSD Snappy

SD Jazz H Light

Bass Drum H
BD Analog L
BD Analog H
Analog Side Stick
Analog Snare 1

AnBD Dance-1
AnSD OpenRim
AnBD Dance-2
AnBD Dance-3
Analog Side Stick
AnSD Q

BD Jazz

SD Jazz L

Brush Slap

Analog Snare 2
Analog Tom 1
Analog HH Closed 1
Analog Tom 2
Analog HH Closed 2
Analog Tom 3
Analog HH Open
Analog Tom 4
Analog Tom 5
Analog Cymbal
Analog Tom 6

AnSD Ana+Acoustic
Analog Tom 1
Analog HH Closed 3
Analog Tom 2
Analog HH Closed 4
Analog Tom 3
Analog HH Open 2
Analog Tom 4
Analog Tom 5
Analog Cymbal
Analog Tom 6

SD Jazz M
Jazz Tom 1

Brush Tap
Brush Tom 1

Analog Cowbell

Analog Conga H
Analog Conga M
Analog Conga L

Analog Maracas

Analog Claves

Scratch Push
Scratch Pull

Brush Slap L

Jazz Tom 2

Brush Tom 2

Jazz Tom 3

Brush Tom 3

Jazz Tom 4
Jazz Tom 5

Brush Tom 4
Brush Tom 5

Jazz Tom 6

Brush Tom 6

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Drum Kit & Oriental Perussion Kit List / Drum-Kits und orientalische Percussion-Kits-Liste /
Liste des kits de batterie et des kits de percussions orientales

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

109
127/0/1

118
127/0/49

119
126/0/1

120
126/0/2

121
126/0/113

Standard Kit 1

Symphony Kit

SFX Kit 1

SFX Kit 2

Sound Effect Kit

Drum Loop

Bass Drum L
Gran Cassa
Gran Cassa Mute

Cutting Noise
Cutting Noise 2

Marching Sn M
String Slap
Marching Sn H
Jazz Tom 1

Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch
Wind Chime
Telephone Ring 2

Jazz Tom 2
Jazz Tom 3
Jazz Tom 4
Jazz Tom 5
Hand Cym. L
Jazz Tom 6
Hand Cym.Short L
Flute Key Click

Hand Cym. H
Hand Cym.Short H

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Train
Jet Plane
Starship
Burst
Roller Coaster
Submarine

Heartbeat
Footsteps
Door Squeak
Door Slam
Applause
Camera
Horn
Hiccup
Cuckoo Clock
Stream
Frog
Rooster
Dog
Cat
Owl
Horse Gallop
Horse Neigh
Cow
Lion
Scratch
Yo!
Go!
Get up!
Whoow!

Huuaah!
Shower
Thunder
Wind
Stream
Bubble
Feed

Laugh
Scream
Punch
Heartbeat
Footsteps

Uh!+Hit

Dog
Horse
Bird Tweet 2

Machine Gun
Laser Gun
Explosion
Firework

Maou

214

A#5

Drum Kit & Oriental Perussion Kit List / Drum-Kits und orientalische Percussion-Kits-Liste /
Liste des kits de batterie et des kits de percussions orientales

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5

215

A#5

109
127/0/1
Standard Kit 1
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch Push
Scratch Pull
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare H Soft
Sticks
Bass Drum Soft
Open Rim Shot
Bass Drum Hard
Bass Drum
Side Stick
Snare M
Hand Clap
Snare H Hard
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bell
Bell Tree

518
126/0/37
Arabic Kit
Zarb Back mf
Zarb Tom f
Zarb Eshareh
Zarb Whipping
Tombak Tom f
Neghareh Tom f
Tombak Back f
Neghareh Back f
Tombak Snap f
Neghareh Pelang f
Tombak Trill
Khaligi Clap 1
Zalgouta Open
Khaligi Clap 2
Zalgouta Close
Arabic Hand Clap
Tabel Tak 1
Sagat 1
Tabel Dom
Sagat 2
Tabel Tak 2
Sagat 3
Riq Tik 3
Riq Tik 2
Riq Tik Hard 1
Riq Tik 1
Riq Tik Hard 2
Riq Tik Hard 3
Riq Tish
Riq Snouj 2
Riq Roll
Riq Snouj
Riq Sak
Riq Snouj 3
Riq Snouj 4
Riq Tak 1
Riq Brass 1
Riq Tak 2
Riq Brass 2
Riq Dom
Katem Tak Doff
Katem Dom
Katem Sak 1
Katem Tak 1
Katem Sak 2
Katem Tak 2
Daholla Sak 2
Daholla Sak 1
Daholla Tak 1
Daholla Dom
Daholla Tak 2
Tablah Prok
Tablah dom 2
Tabla Roll of Edge
Tablah Tak Finger 4
Tablah Tak Trill 1
Tablah Tak Finger 3
Tablah Tak Trill 2
Tablah Tak Finger 2
Tablah Tak Finger 1
Tablah Tik 2
Tablah Tik 4
Tablah Tik 3
Tablah Tik 1
Tablah Tak 3
Tablah Tak 1
Tablah Tak 4
Tablah Tak 2
Tablah Sak 2
Tablah Tremolo
Tablah Sak 1
Tablah Dom 1

519
126/0/38

520
126/0/39

Khaligi Kit

Irani Kit

Khaligi Bongo Low Dom
Khaligi Bongo Low Tak
Khaligi Bongo High Sak
Khaligi Bongo High Dom
Tabel Lewa High Sak
Khaligi Bongo Snap
Tabel Lewa High Dom
Lewa Cymbal 2
Tabel Lewa Big Dom
Lewa Cymbal 1
Tabel Lewa Big Tak
Tablah Big Dom 1
Tablah Big Tak 1
Tablah Big Sak 1
Tablah Big Dom 2
Tablah Big Tak 2
Tablah Big Sak 2
Tablah Small Snap 2
Tablah Small Dom
Tablah Small Snap
Tablah Small Tik
Tablah Small Sak
Manjoor
Twaisat 1
Twaisat 4 Open
Twaisat 5 Open
Twaisat 2
Tar Low Dom 1
Tar Low Sak 1
Tar Segal Dom
Tar Low Dom 2
Tar Segal Tak
Tar Low Dom 2
Tar Segal Sak
Arabic Hand Clap
Tar High Dom 1
Tar High Sak 1
Tar High Dom 2
Tar High Sak 2
Khaligi Clap 1
Khaligi Clap 2
Merwas Solo 1 Dom
Merwas Solo 2 Dom
Merwas Solo 1 Sak
Merwas Solo 2 Sak
Merwas Solo 1 Tak
Merwas Solo 2 Tak
Tar Barashim Group Dom
Tar Barashim Group Sak
Tar Barashim Group Tak
Tar Barashim Solo Sak
Tar Barashim Solo Dom
Tar Barashim Solo Tak
Yahla Dom 1
Yahla Tak 1
Yahla Dom 2
Yahla Tak 2
Nagara High
Nagara Low
Zeer Low Dom 1
Zeer Low Roll
Zeer Low Dom 2
Zeer High Roll
Zeer Low Dom 2
Zeer High Dom 1
Tabel Low Dom
Zeer High Dom 2
Tabel Low Tak
Tabel High Dom
Tabel High Sak
Tabel High Tak
Tabel Low Sak

Daf Tom
Daf Chain Up
Daf Back
Daf Chain Down
Daf Chap
Daf Full Roll
Daf Chain Roll
Daf Whipping Roll
Clap
Finger Snap 1
Neghareh Roll
Neghareh Tom
Neghareh Snap (Pelang)
Neghareh Chap
Neghareh Eshareh
Neghareh Back
Kurdish Dohol Low
Kurdish Dohol High
Kurdish Dohol Low Buzz
Lurish Dohol Low
Lurish Dohol Low Buzz
Lurish Dohol High
Tombak Full Roll
Tombak Timpani Roll
Tombak Tom
Tombak Eshareh Right
Tombak Back
Tombak Eshareh Left
Tombak Snap
Zarb Tom
Zarb Whipping
Zarb Back
Zarb Eshareh
Zarb Chap
Zarb Full Roll
Zarb Snap
Zarb Whipping Roll
Dayereh Roll
Dayereh Tom
Dayereh Eshareh
Dayereh Back
Dayereh Snap
Dayereh Edge Roll

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Drum Kit & Oriental Perussion Kit List / Drum-Kits und orientalische Percussion-Kits-Liste /
Liste des kits de batterie et des kits de percussions orientales

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

521
126/0/65
Arabic Mix Kit
Conga Analog H
Conga Analog M
Conga Analog L
Vibraslap
Kick Techno L
Side Stick Arabic Mix
Snare Techno
Guiro Long
Kick Techno Q
Open Rim Shot
Kick
Kick Arabic Mix
Snare Tight
Snare Arabic Mix
Hand Clap
Snare
Tom Electro 1
Hi-Hat Closed Arabic Mix
Tom Electro 2
Hi-Hat Closed 3
Tom Electro 3
Hi-Hat Open Arabic Mix
Tom Electro 4
Tom Electro 5
Crash Cymbal 1
Tom Electro 6
Hi-Hat Open 3
Reverse Cymbal
Timbale L
Conga H Open
Timbale H
Conga H Mute
Tambourine
Conga L
Cowbell
Claves
Bongo H
Wood Block H
Bongo L
Wood Block L
Iranian Kurdish Dohol Low f
Cabasa
Iranian Kurdish Dohol High f
Shaker
Snap 1
Maracas
Snap 2
Khaligi Twaisat 3
Khaligi Twaisat 1
Khaligi Twaisat 2
Khaligi Twaisat 5 Open
Khaligi Twaisat 4 Open
Khaligi Tablah Small Dom
Khaligi Tar Barashim Group Dom
Khaligi Tablah Small Snap
Khaligi Tar Barashim Group Sak
Khaligi Tablah Small Sak
Khaligi Tar Barashim Group Tak
Khaligi Tablah Small Tik
Khaligi Tablah Big Dom 1
Khaligi Tar Segal Dom
Khaligi Tablah Big Tak 1
Khaligi Tar Segal Tak
Khaligi Tablah Big Sak 1
Tablah Dom 1
Tablah Tak 1
Tablah Tremolo
Tablah Tak 2
Tablah Tik 1
Tablah Sak 1
Tablah Tik 3
Tablah Tik 2

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

522
126/0/66
Khaligi Mix Kit
Zalgouta Open
Bell Tree
Zalgouta Close
Timbale H
Timbale L
Conga H Mute
Bongo H
Conga H Open
Bongo L
Conga L
Shaker
Tablah Dom 1
Tablah Tak Finger 3
Tablah Tik 3
Tablah Tak Finger 4
Tablah Tik 4
Tablah Tik 1
Tablah Tremolo
Cowbell
Hand Clap
Tambourine
Snare Tight
Kick Analog Short
Kick
Crash Cymbal 1
Snare
Crash Cymbal 2
Side Stick
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Finger Snap 1
Chinese Cymbal
Finger Snap 2
Riq Brass 2
Riq Brass 1
Riq Tish
Riq Snouj 1
Riq Roll
Riq Snouj 2
RIQ Sak 1
Riq Dom
Riq Snouj 3
Tombak Back
Tombak Tom
Tombak Snap
Tombak Eshareh Right
Claves
Daf Chap
Daf Tom
Daf Full Roll
Triangle Mute
Daf Back
Triangle Open
Neghareh Tom
Neghareh Back
Neghareh Roll
Neghareh Snap (Pelang)
Wood Block H
Wood Block L
Zarb Back
Zarb Tom
Zarb Eshareh
Zarb Whipping
Zarb Chap
Hi-Hat Closed Analog
Hi-Hat Open Analog

523
126/0/67
Irani Mix Kit
Bongo H
Bongo L
Conga H Open
Conga L
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Ride Cymbal 1
Kick
Side Stick
Snare
Crash Cymbal 1
Snare Tight
Khaligi Tablah Big Dom 1
Khaligi Tablah Big Sak 1
Khaligi Tablah Big Tak 1
Arabic Doholla Sak 1
Arabic Doholla Tom
Arabic Doholla Tak 2
Arabic Doholla Tak 1
Daf Tom
Daf Chain Up
Daf Back
Daf Chain Down
Daf Chap
Daf Full Roll
Daf Chain Roll
Daf Whipping Roll
Clap
Finger Snap 1
Neghareh Roll
Neghareh Tom
Neghareh Snap (Pelang)
Neghareh Chap
Neghareh Eshareh
Neghareh Back
Kurdish Dohol Low
Kurdish Dohol High
Kurdish Dohol Low Buzz
Lurish Dohol Low
Lurish Dohol Low Buzz
Lurish Dohol High
Tombak Full Roll
Tombak Timpani Roll
Tombak Tom
Tombak Eshareh Right
Tombak Back
Tombak Eshareh Left
Tombak Snap
Zarb Tom
Zarb Whipping
Zarb Back
Zarb Eshareh
Zarb Chap
Zarb Full Roll
Zarb Snap
Zarb Whipping Roll
Dayereh Roll
Dayereh Tom
Dayereh Eshareh
Dayereh Back
Dayereh Snap
Dayereh Edge Roll
Twaisat 4 Open
Twaisat 2
Twaisat 5 Open
Twaisat 1
Timbale H
Timbale L

216

A#5

Style List / Style-Liste / Liste des styles
Style
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40

217

Style Name
8 Beat
8BeatModern
60’s8Beat
8Beat
60’sRock
RockShuffle
8BeatRock
16 Beat
16Beat
PopShuffle
GuitarPop
Ballad
PianoBallad
LoveSong
6/8ModernEP
PopBallad
16BeatBallad
Dance
EuroTrance
SwingHouse
Clubdance
TechnoParty
Disco
70’sDisco
LatinDisco
Swing & Jazz
BigBandFast
BigBandBallad
JazzClub
Swing
Five/Four
R&B
Soul
6/8Soul
Rock&Roll
ComboBoogie
Latin
BrazilianSamba
BossaNova
PopBossa
Tijuana
DiscoLatin
Mambo
Salsa
Beguine
GuitarRumba
RumbaFlamenca
Reggae
Ballroom
VienneseWaltz

Style
No.
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88

Style Name
EnglishWaltz
Foxtrot
Tango
Samba
ChaChaCha
Rumba
Jive
March & Waltz
March
6/8March
SwingWaltz
JazzWaltz
Arabic
Saeidy1
Saeidy2
Maksoum
Karachi
Laff
Baladi
Ayoub
MaksoumSarih
Katakoufti
Soudasi
Ibrahimi
Zaffah
Hajaa
Khaligi
Arabic Rumba
WehdaKabira
WehdaSaghira
Wehda
SaeidyDance
LaffDance
KarachiDance
Jerk
MasmoudiKabir
Samai
Khaligi
KhaligiRhumba
Shakshaka
Khebaiti
Emarati
Muruba
Bastah
Dazzah
Sharah
Seeroos
AlBudoor
Wadea
Samri

Style
No.
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135

Style Name
Mathoalath
Ashori
Liwa
Tanborah
Sout
Adani
Maghrebi
Ray1
Ray2
Ray3
Khammari
Iranian
BandariDance
Tehrani 1
Azari 1
Kurdish 1
Gilaki
Afghani
Tehrani 2
Lezgi
Reng
Avaaz
Asouri
RengTraditional
RengOrch
Bandari
Azari 2
Kurdish 2
Kurdish 3
Greek
Zeibekikos
Tsifteteli
Syrtorumba
Hasapiko
Hasaposerviko
Kalamatianos
Tsamikos
Karsilamas
5/8 Greek
Turkish
2/4OyunHavasi
ArapOryantal
Ciftetelli
Vahde
Azeri-Kafkas
5/8OyunHavasi
7/8OyunHavasi
Misket
9/8Standart
Halay

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Effect Type List / Effekttypliste /
● Harmony Types / Harmony-Typen / Types d’effets Harmony
No.
01

Duet

Trio

Block

Country

Octave

Trill 1/4 note

Trill 1/6 note

Trill 1/8 note

Trill 1/12 note

Trill 1/16 note

Trill 1/24 note

Trill 1/32 note

Tremolo 1/4 note

Tremolo 1/6 note

Tremolo 1/8 note

Tremolo 1/12 note

Tremolo 1/16 note

Tremolo 1/24 note

Tremolo 1/32 note

Echo 1/4 note

Echo 1/6 note

Echo 1/8 note

Echo 1/12 note

Echo 1/16 note

Echo 1/24 note

Echo 1/32 note

Description
If you want to sound one of the harmony types 01-05, play keys to the right side of the Split
Point while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two or three notes of harmony are automatically added to the note you
play. When playing back a Song that includes chord data, harmony is applied whichever
keys are played.
Wenn Sie möchten, dass einer der Harmonietypen 01-05 erklingt, schlagen Sie bitte nach
Aktivierung der Begleitautomatik Tasten rechts vom Splitpunkt an, während Sie auf der linken Tastaturseite Akkorde spielen. Der von Ihnen gespielten Note werden automatisch
eine, zwei oder drei Harmonienoten hinzugefügt. Bei der Wiedergabe von Songs mit
Akkorddaten wird der Harmonieeffekt angewendet, gleichgültig, welche Tasten angeschlagen werden.
Si vous voulez entendre un des types d’harmonie 01-05, jouez des notes à droite du point
de partage tout en jouant des accords dans la partie gauche du clavier après avoir activé
l’accompagnement automatique. Une, deux ou trois notes d’harmonie sont automatiquement ajoutées à la note que vous jouez. Lors de la reproduction d’un morceau contenant
des données d’accord, l’harmonie est appliquée quelles que soient les notes jouées.

If you keep holding down two different notes, the notes alternate (in a trill) continuously.
3

Wenn Sie zwei verschiedene Noten gedrückt halten, werden die Noten fortlaufend abwechselnd gespielt (als Triller).
Si vous maintenez deux notes différentes enfoncées, les notes alternent en
continu (dans une trille).

If you keep holding down a single note, the note is repeated continuously.
(The repeat speed differs depending on the selected type.)
3

Wenn Sie eine einzelne Note gedrückt halten, wird die Note fortlaufend wiederholt.
(Die Wiederholungsgeschwindigkeit hängt vom ausgewählten Typ ab.)
Si vous maintenez une note unique enfoncée, celle-ci est répétée en continu.
(La vitesse de répétition varie en fonction du type sélectionné.)

If you keep holding down a note, echo is applied to the note played.
(The echo speed differs depending on the selected type.)
3

Wenn Sie eine Note gedrückt halten, wird auf die gespielte Note die Echofunktion angewendet.
(Die Echogeschwindigkeit hängt vom ausgewählten Typ ab.)
Si vous maintenez une note enfoncée, un écho est appliqué à la note jouée.
(La vitesse de l’écho varie en fonction du type sélectionné.)

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

218

Harmony Type

Liste des types d’effets
● Reverb Types / Reverb-Typen / Types d’effets Reverb
No.

Reverb Type

Description

01-03

Hall 1-3

Concert hall reverb.
Nachhall in einem Konzertsaal.
Réverbération d’une salle de concert.

04-05

Room 1-2

Small room reverb.
Nachhall in einem kleineren Raum.
Réverbération d’une petite salle.

06-07

Stage 1-2

Reverb for solo instruments.
Halleffekte für Soloinstrumente.
Réverbération pour instruments solo.

08-09

Plate 1-2

Simulated steel plate reverb.
Simulation des Halls in einer Stahlplatte.
Simulation de la réverbération d’une plaque d’acier.

Off

No effect.
Kein Halleffekt.
Pas d’effet.

● Chorus Types / Chorus-Typen / Types d’effets Chorus
No.

Description

1-2

Chorus 1-2

Conventional chorus program with rich, warm chorusing.
Herkömmlicher Chorus-Effekt mit vollem und warmem Klang.
Programme de choeur classique avec un effet de choeur riche et chaud.

3-4

Flanger 1-2

This produces a rich, animated wavering effect in the sound.
Hiermit wird eine volltönende und lebhafte Tonhöhenschwankung erzeugt.
Vous obtenez un effet d’ondulation riche et animé dans le son.

Off

No effect.
Kein Effekt.
Pas d’effet.

219

Chorus Type

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

220

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Change

Control

0,32
1
6
38
7,10
11
64
71,73,74
2

Key's
Ch's

After
Touch

Pitch Bend

Note ON
Note OFF

Velocity

o
x
o
o
o
x
o
x

x
x

o 9nH,v=1-127
x

0 - 127
: True voice **************

3
x
**************

Default
Messages
Altered

Mode

Note
Number

1 - 16
x

Default
Changed

Transmitted

o
o
o
x
o
o
o
o

x
x

o 9nH,v=1-127
x

0 - 127
0 - 127

3
x
x

1 - 16
x

Recognized

[ PORTATONE ]
MIDI Implementation Chart

Basic
Channel

Function...

YAMAHA
Model PSR-A300

Expression
Sustain

Bank Select
Modulation wheel
Data Entry(MSB)
Data Entry(LSB)

Remarks

Date:15-Nov-2004
Version:1.0

MIDI Implementation Chart / MIDI-Implementierungstabelle /

221

: True #

x
x
x
x
o
x

Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY

o(120,126,127)
o(121)
o(122)
o(123-125)
o
x

o
o

x
x
x

o 0 - 127

o
o
o
o
o

Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO

*1 Refer to #2 on pages 88, 89.

:All Sound OFF
:Reset All Cntrls
:Local ON/OFF
:All Notes OFF
Mes- :Active Sense
sages:Reset

Aux

x
x
x

o
o

: Song Pos.
: Song Sel.
: Tune

o 0 - 127
**************

o
x
o
x
o

System
: Clock
Real Time: Commands

Common

System Exclusive

Prog
Change

72
84
91,93
96,97
100,101

o : Yes
x : No

Release Time
Portamento Cntrl
Effect 1,3 Depth
RPN Inc,Dec
RPN LSB,MSB

Feuille d’implémentation MIDI

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

MIDI Data Format / MIDI-Datenformat /
NOTE:
1 By default (factory settings) the instrument ordinarily
functions as a 16-channel multi-timbral tone generator,
and incoming data does not affect the panel voices or
panel settings. However, the MIDI messages listed
below do affect the panel voices, auto accompaniment,
and songs.
• MIDI Master Tuning
• System exclusive messages for changing the
Reverb Type and Chorus Type.

HINWEIS:
1 Im Standardbetrieb (Werkseinstellungen) funktioniert
das Instrument gewöhnlich als multi-timbraler 16Kanal-Klangerzeuger, und eingehende Daten haben
keinen Einfluß auf die Bedienfeld-Voices und die Bedienfeld-Einstellungen. Die im folgenden aufgeführten
Befehle verändern jedoch dieBedienfeld-Voices, die
automatische Begleitung und die Songs.
• MIDI Master Tuning
• Systemexklusive Meldungen zum Umschalten von
Halltyp (Reverb Type) und Chorus-Typ.

2 Messages for these control change numbers cannot be
transmitted from the instrument itself. However, they
may be transmitted when playing the accompaniment,
song or using the Harmony effect.

2 Befehle für diese Controller-Nummern können nicht
vom Instrument selbst gesendet werden. Sie können
jedoch gesendet werden, wenn die Begleitung gespielt
oder der Harmony-Effekt verwendet wird.

3 Exclusive
F0H, 7EH, 7FH, 09H, 01H, F7H
• This message automatically restores all default settings for the instrument, with the exception of MIDI
Master Tuning.
F0H, 7FH, 7FH, 04H, 01H, ll,
mm, F7H
• This message allows the volume of all channels to
be changed simultaneously (Universal System
Exclusive).
• The values of “mm” is used for MIDI Master Volume.
(Values for “ll” are ignored.)
F0H, 43H, 1nH, 27H, 30H, 00H,
00H, mm, ll, cc, F7H
• This message simultaneously changes the tuning
value of all channels.
• The values of “mm” and “ll” are used for MIDI Master
Tuning.
• The default value of “mm” and “ll” are 08H and 00H,
respectively. Any values can be used for “n” and “cc.”
F0H, 43H, 1nH, 4CH, 02H, 01H, 00H,
mmH, llH, F7H
• mm : Reverb Type MSB
• ll : Reverb Type LSB
Refer to the Effect Map (page 90) for details.
F0H, 43H, 1nH, 4CH, 02H, 01H, 20H,
mmH, llH, F7H
• mm : Chorus Type MSB
• ll : Chorus Type LSB
Refer to the Effect Map (page 90) for details.
4 When the accompaniment is started, an FAH message
is transmitted. When accompaniment is stopped, an
FCH message is transmitted.When the clock is set to
External, both FAH (accompaniment start) and FCH
(accompaniment stop) are recognized.
5 Local ON/OFF
Bn, 7A, 7F
Bn, 7A, 00
Value for “n” is ignored.

F0H, 7FH, 7FH, 04H, 01H, ll,
mm, F7H
• Mit diesem Befehl kann die Lautstärke aller Kanäle
gleichzeitig geändert werden (Universal System
Exclusive).
• Die Werte für „mm“ werden für MIDI Master Volume
verwendet. (Werte für „ll“ werden ignoriert.)
F0H, 43H, 1nH, 27H, 30H, 00H,
00H, mm, ll, cc, F7H
• Durch diesen Befehl wird der Stimmungswert für
alle Kanäle gleichzeitig geändert.
• Die Werte von „mm“ und „ll“ werden für MIDI Master
Tuning verwendet.
• Der Standardwert beträgt für „mm“ 08H und für „ll“
00H. Für „n“ und „cc“ können beliebige Werte verwendet werden.
F0H, 43H, 1nH, 4CH, 02H, 01H, 00H,
mmH, llH, F7H
• mm : Reverb Type MSB
• ll : Reverb Type LSB
Weitere Einzelheiten hierzu finden Sie in der EffektZuordnungstabelle (Seite 90).
F0H, 43H, 1nH, 4CH, 02H, 01H, 20H,
mmH, llH, F7H
• mm : Chorus Type MSB
• ll : Chorus Type LSB
Weitere Einzelheiten hierzu finden Sie in der EffektZuordnungstabelle (Seite 90).
4 Beim Starten der Begleitung wird eine FAH-Meldung
gesendet. Wenn die Begleitung gestoppt wird, wird die
Meldung FCH ausgegeben. Wenn die Clock auf
„External“ eingestellt ist, werden sowohl FAH
(Begleitung Start) als auch FCH (Begleitung Stop)
erkannt.
5 Local ON/OFF
Bn, 7A, 7F
Bn, 7A, 00
Der Wert für „n“ wird ignoriert.

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

222

3 Exclusive
F0H, 7EH, 7FH, 09H, 01H, F7H
• Durch diese Meldung werden automatisch alle
Werksvorgaben des Instruments, mit Ausnahme
des „MIDI Master Tuning“ (der Gesamtstimmung),
wieder hergestellt.

Format des données MIDI
NOTE:
1 Le PSR-A300 fonctionne par défaut (réglages d’usine)
comme un générateur de son multi timbre à 16 canaux.
De ce fait, la réception de données n’affecte ni les voix
de panneau ni les réglages de panneau. Cependant,
les messages MIDI figurant dans la liste ci-dessous
affectent les voix de panneau, l’accompagnement
automatique et les morceaux.
• MIDI Master Tuning
• Messages exclusifs au système permettant de
modifier les réglages Reverb Type et Chorus Type.
2 Les messages relatifs à ces numéros de changement
de commande ne peuvent pas être transmis depuis le
PSR-A300. Il est toutefois possible de les émettre
pendant la reproduction de l’accompagnement ou
l’exécution d’un morceau, et à l’aide de l’effet Harmony.
3 Messages exclusifs au système
F0H, 7EH, 7FH, 09H, 01H, F7H
• Ce message rétablit automatiquement tous les
réglages par défaut de l’instrument, à l’exception de
la commande MIDI Master Tuning.
F0H, 7FH, 7FH, 04H, 01H, ll,
mm, F7H
• Ce message autorise la modification simultanée du
volume de tous les canaux (Universal System
Exclusive).
• Les valeurs « mm » sont utilisées pour MIDI Master
Volume. (Les valeurs « ll » sont ignorées).
F0H, 43H, 1nH, 27H, 30H, 00H,
00H, mm, ll, cc, F7H
• Ce message modifie simultanément la valeur de
l’accord de tous les canaux.
• Les valeurs « mm » et « ll » sont utilisées pour MIDI
Master Tuning.
• Les valeurs par défaut de « mm » et « ll » sont respectivement 08H et 00H. N’importe quelle valeur
peut être utilisée pour « n » et « cc ».
F0H, 43H, 1nH, 4CH, 02H, 01H, 00H,
mmH, llH, F7H
• mm : Reverb Type MSB
• ll : Reverb Type LSB
Reportez-vous à la liste des effets (page 90) pour les
détails.
F0H, 43H, 1nH, 4CH, 02H, 01H, 20H,
mmH, llH, F7H
• mm : Chorus Type MSB
• ll : Chorus Type LSB
Reportez-vous à la liste des effets (page 90) pour les
détails.
4 Lors du lancement de l’accompagnement, un message
FAH est envoyé. A l’arrêt de l’accompagnement, c’est
un message FCH qui est transmis. Lorsque l’horloge
est réglée sur External, les messages FAH (début de
l’accompagnement) et FCH (arrêt de
l’accompagnement) sont reconnus.

223

5 Local ON/OFF
Bn, 7A, 7F
Bn, 7A, 00
La valeur « n » est ignorée.

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

MIDI Data Format / MIDI-Datenformat / Format des données MIDI

■ Effect map / Effekt-Zuordnung / Liste des effets • • • • • • • • • • • • • • • • • • • • • • • •
* When a Type LSB value is received that corresponds to
no effect type, a value corresponding to the effect type
(coming the closest to the specified value) is automatically set.
* The numbers in parentheses in front of the Effect Type
names correspond to the number indicated in the display.

* Lorsque la valeur Type LSB reçue ne correspond à
aucun type d’effet, une valeur correspondant à un type
d’effet (la plus proche possible de la valeur spécifiée) est
automatiquement sélectionnée.
* Les chiffres entre parenthèses qui précèdent les noms
des types d’effet correspondent aux numéros apparaissant sur l’afficheur.

* Wenn ein Type-LSB-Wert empfangen wird, der keinem
Effekttyp zugewiesen ist, wird automatisch ein passender Wert eingestellt, der dem empfangenen Wert am
nächsten kommt.
* Die Nummern in Klammern vor den Effekttyp-Bezeichnungen entsprechen der im Display erscheinenden
Nummern.

● REVERB
TYPE LSB

TYPE
MSB

No Effect

(01)Hall1

Room

Stage

(06)Stage1

(07)Stage2

Plate

(08)Plate1

(09)Plate2

5...127

(02)Hall2

(03)Hall3
(04)Room1

(05)Room2

No Effect

● CHORUS
TYPE LSB

TYPE
MSB
0...63

No Effect

Thru

Chorus

Celeste

Flanger

68...127

(2)Chorus2
(1)Chorus1
(3)Flanger1

(4)Flanger2

No Effect

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

224

Specifications / Technische Daten / Spécifications
Keyboards
• 61 standard-size keys (C1-C6), with Touch Response

Oriental Scale
• Setting : C-B
• Memory : 1-4

Display
• LCD display (backlit)

Pitch Bend Wheel
• Range: ±1 octave

Setup
• STANDBY/ON
• MASTER VOLUME: MIN-MAX
Panel Controls
• [L]/[REC TRACK 2], [R]/[REC TRACK 1], [LISTEN & LEARN],
[TIMING], [WAITING], [A-B REPEAT]/[ACMP ON/OFF],
[REW]/[INTRO/ENDING/rit.], [FF]/[[MAIN/AUTO FILL],
[TEMPO/TAP], [REC], [PAUSE]/[SYNC START], [START/STOP],
[SONG], [STYLE], [VOICE], [FUNCTION], [PORTABLE
GRAND], [SOUND EFFECT KIT], [REVERB ON/OFF], [DEMO],
[METRONOME ON/OFF], [SPLIT ON/OFF], [DUAL ON/OFF],
[HARMONY ON/OFF], [TOUCH ON/OFF],
number buttons [0]-[9], [+/ YES], [-/ NO],
[ORIENTAL SCALE SETTING] C-B, [MEMORY],
[PITCH BEND]
Voice
• 108 panel voices + 12 drum kits + 1 sound effect kit +
359 XGlite voices + 2 XGlite optional voices +
35 Oriental Voices + 6 Oriental Percussion Kits
• Polyphony: 32
• DUAL
• SPLIT

225

Speakers
• 12cm x 2
Power Consumption
• 10W (When using PA-3C power adaptor)

Weight
• 5.1kg (11 lbs. 4 oz.) (not including batteries)
Supplied Accessories
• Music Rest
• Owner’s Manual

Function
• Style Volume, Song Volume, Transpose, Tuning, Pitch Bend
Range, Split Point, Touch Sensitivity, Accompaniment Tuning,
Oriental Scales, Main voice (Volume, Octave, Chorus Send
Level), Dual voice (Voice, Volume, Octave, Chorus Send Level),
Split voice (Voice, Volume, Octave, Chorus Send Level),
Reverb Type, Reverb level, Chorus Type, Panel Sustain,
Harmony Type, Harmony Volume, Style Registration,
PC mode (PC1/PC2/Off), Local On/Off, External Clock,
Initial Setup Send, Time Signature, Metronome Volume,
Lesson Track (R), Lesson Track (L), Demo Cancel

Recording
• Song
User Song:
5 Songs
Recording Tracks: 1, 2

Amplifier
• 2.5W + 2.5W

Dimensions (W x D x H)
• 945 x 370 x 128 mm
(37-1/4" x 14-5/8" x 5-1/16")

Education Feature
• Chord Dictionary
• Lesson 1-3

Song
• 35 Preset Songs + 5 User Songs + Flash Memory
• Song Clear
• Song Volume

Auxiliary jacks
• PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN

Power Supply
• Adaptor: Yamaha PA-3B/3C AC power adaptor
• Batteries: Six “AA” size, LR6 or equivalent batteries

Style
• 135 preset Styles
• 1 flash Style
• Style Control:
ACMP ON/OFF, SYNC START, START/STOP,
INTRO/ENDING/rit., MAIN/AUTO FILL
• Fingering: Multi fingering
• Style Volume

Effects
• Reverb:
9 types
• Chorus:
4 types
• Harmony: 26 types

MIDI
• Local On/Off
• Initial Setup Send
• External Clock
• PC mode

Optional Accessories
• AC Power Adaptor: PA-3B/PA-3C
• USB-MIDI Interface: UX16
• Footswitch:
FC4/FC5
• Keyboard Stand:
L-2C/L-2L
• Headphones:
HPE-150

* Specifications and descriptions in this owner’s manual are for
information purposes only. Yamaha Corp. reserves the right to
change or modify products or specifications at any time without
prior notice. Since specifications, equipment or options may not
be the same in every locale, please check with your Yamaha
dealer.
* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich
das Recht vor, Produkte oder deren technische Daten jederzeit
ohne vorherige Ankündigung zu verändern oder zu modifizieren.
Da die technischen Daten, das Gerät selbst oder Sonderzubehör
nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte
mit Ihrem Yamaha-Händler in Verbindung.
* Les caractéristiques techniques et les descriptions du mode
d’emploi ne sont données que pour information. Yamaha Corp. se
réserve le droit de changer ou modifier les produits et leurs
caractéristiques techniques à tout moment sans aucun avis. Du
fait que les caractéristiques techniques, les équipements et les
options peuvent différer d’un pays à l’autre, adressez-vous au
distributeur Yamaha le plus proche.

PSR-A300 Owner’s Manual / Bedienungsanleitung / Mode d’emploi

Limited Warranty
90 DAYS LABOR

1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed
below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models
included in the following series of products:

PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in
material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to
the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the
consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as
warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS.
ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS
LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY
EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for
assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation
of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under
warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a
tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and
to follow all safety precautions.

EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to
failures and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and
Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________

Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________
(Retailer)

YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

226

For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.

NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311

U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011

CENTRAL & SOUTH AMERICA

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.

Yamaha Music Central Europe GmbH,
Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
Belgium
Tel: 02-726 6032

FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000

ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771

SPAIN/PORTUGAL

MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600

BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
Tel: 011-3085-1377

ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021

PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311

Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888

GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160

SWEDEN

EUROPE
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700

IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177

GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990

POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57

THE NETHERLANDS
Yamaha Music Central Europe,
Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040

Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211

HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688

INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577

KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660

MALAYSIA

PHILIPPINES

DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00

FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511

Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551

SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374

TAIWAN

Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70

ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000

OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030

Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688

THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626

OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317

AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312

AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900

Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00

NORWAY
THE UNITED KINGDOM

ASIA

BELGIUM/LUXEMBOURG

MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030

OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868

HEAD OFFICE

OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111

NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099

COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312

Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273

[PK] 35

Yamaha PK CLUB (Portable Keyboard Home Page, English Only)

http://www.yamahaPKclub.com/
Yamaha Manual Library

http://www.yamaha.co.jp/manual/english/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2005 Yamaha Corporation
A0
???PO???.?-01
WE15380 Printed in China

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