Yamaha Rx V890 Owners Manual V890_e O/M

RX-V890 Manual 01_om_rx-v890

RX-V890 OWNER'S MANUAL RX-V890_e

RX-V890 to the manual a208bcb2-d51d-4e03-b9f0-5c4016dc51c1

2015-01-15

: Yamaha Rx-V890-Owners-Manual yamaha-rx-v890-owners-manual-133753 yamaha pdf

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Page Count: 39

SAFETY INSTRUCTIONS
PROFILE OF THIS UNIT
SPEAKER SETUP FOR THIS UNIT
CONNECTIONS
ADJUSTMENT BEFORE OPERATION
BASIC OPERATIONS
TUNING OPERATIONS
USING THE DIGITAL SOUND FIELD PROCESSOR (DSP)
SETTING THE SLEEP TIMER
REMOTE CONTROL TRANSMITTER

OWNER’S MANUAL

Contents

PROFILE OF THIS UNIT ............................ 6

SPEAKER SETUP FOR THIS UNIT ........... 7

CONNECTIONS ......................................... 9

ADJUSTMENT BEFORE OPERATION .... 15

BASIC OPERATIONS .............................. 18

TUNING OPERATIONS ........................... 21

USING THE DIGITAL SOUND FIELD

PROCESSOR (DSP) ................................ 25

SETTING THE SLEEP TIMER ................. 30

REMOTE CONTROL TRANSMITTER ..... 31

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

• Explanation of Graphical Symbols

The lightning flash with arrowhead

symbol, within an equilateral triangle,

is intended to alert you to the

presence of uninsulated “dangerous

voltage” within the product’s

enclosure that may be of sufficient

magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an

equilateral triangle is intended to

alert you to the presence of

important operating and

maintenance (servicing) instructions

in the literature accompanying the

appliance.

IMPORTANT!

Please record the serial number of this

unit in the space below.

Model:

Serial No.:

The serial number is located on the rear

of the unit.

Retain this Owner’s Manual in a safe

place for future reference.

WARNING

TO REDUCE THE RISK OF FIRE OR

ELECTRIC SHOCK, DO NOT EXPOSE

THIS UNIT TO RAIN OR MOISTURE.

RX-V890

Natural Sound Stereo Receiver

SAFETY INSTRUCTIONS

1Read Instructions — All the safety and operating

instructions should be read before the unit is operated.

2Retain Instructions — The safety and operating

instructions should be retained for future reference.

3Heed Warnings — All warnings on the unit and in the

operating instructions should be adhered to.

4Follow Instructions — All operating and other

instructions should be followed.

5Water and Moisture — The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen sink,

laundry tub, in a wet basement, or near a swimming pool, etc.

6Carts and Stands — The unit should be used only with

a cart or stand that is recommended by the

manufacturer.

6A An unit and cart combination should be

moved with care. Quick stops,

excessive force, and uneven surfaces

may cause the unit and cart

combination to overturn.

7Wall or Ceiling Mounting — The unit should be mounted

to a wall or ceiling only as recommended by the

manufacturer.

8Ventilation — The unit should be situated so that its

location or position does not interfere with its proper

ventilation. For example, the unit should not be situated

on a bed, sofa, rug, or similar surface, that may block

the ventilation openings; or placed in a built-in

installation, such as a bookcase or cabinet that may

impede the flow of air through the ventilation openings.

9Heat — The unit should be situated away from heat

sources such as radiators, stoves, or other appliances

that produce heat.

10 Power Sources — The unit should be connected to a

power supply only of the type described in the operating

instructions or as marked on the unit.

11 Power-Cord Protection — Power-supply cords should

be routed so that they are not likely to be walked on or

pinched by items placed upon or against them, paying

particular attention to cords at plugs, convenience

receptacles, and the point where they exit from the unit.

12 Cleaning — The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods — The power cord of the unit should be

unplugged from the outlet when left unused for a long

period of time.

14 Object and Liquid Entry — Care should be taken so that

objects do not fall into and liquids are not spilled into the

inside of unit.

15 Damage Requiring Service — The unit should be

serviced by qualified service personnel when:

A. The power-supply cord or the plug has been damaged;

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or exhibits

a marked change in performance; or

E. The unit has been dropped, or the enclosure damaged.

16 Servicing — The user should not attempt service the

unit beyond those means described in the operating

instructions. All other servicing should be referred to

qualified service personnel.

17 Power Lines — An outdoor antenna should be located

away from power lines.

18 Grounding or Polarization — Precautions should be taken

so that the grounding or polarization is not defeated.

19 Outdoor Antenna Grounding — If an outside antenna is

connected to this unit, be sure the antenna system is

grounded so as to provide some protection against voltage

surges and built-up static charges. Article 810 of the

National Electrical Code, ANSI/NFPA 70, provides

information with regard to proper grounding of the mast

and supporting structure, grounding of the lead-in wire to

an antenna discharge unit, size of grounding conductors,

location of antenna discharge unit, connection to grounding

electrodes, and requirements for the grounding electrode.

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810-20)

GROUNDING CONDUCTORS

(NEC SECTION 810-21)

GROUND CLAMPS

POWER SERIVCE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250, PART H)

NEC – NATIONAL ELECTRICAL CODE

ELECTRIC

SERVICE

EQUIPMENT

GROUND

CLAMP

MAST ANTENNA

LEAD IN

WIRE

EXAMPLE OF ANTENNA GROUNDING

Note to CATV system installer:

This reminder is provided to call the CATV system

installer’s attention to Article 820-40 of the NEC that

provides guidelines for proper grounding and, in

particular, specifies that the cable ground shall be

connected to the grounding system of the building, as

close to the point of cable entry as practical.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT

1To ensure the finest performance, please read this

manual carefully. Keep it in a safe place for future

reference.

2Install your unit in a cool, dry, clean place – away from

windows, heat sources, and too much vibration, dust,

moisture or cold. Avoid sources of hum (transformers,

motors). To prevent fire or electrical shock, do not

expose to rain and water.

3Do not operate the unit upside-down. It may overheat,

possibly causing damage.

4Never open the cabinet. If a foreign object drops into

the set, contact your dealer.

5Do not use force on switches, knobs or cords. When

moving the set, first turn the unit off. Then gently

disconnect the power plug and the cords connecting to

other equipment. Never pull the cord itself.

6Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

7Always set the volume control to “– ∞” before starting

the audio source play: increase the volume gradually to

an appropriate level after the play is started.

8To prevent lightning damage, pull out the power cord and

remove the antenna cable during an electrical storm.

9Be sure to read the “Troubleshooting” section on common

operating errors before concluding that your unit is faulty.

10 Do not connect audio equipment to the AC outlets on

the rear panel if that equipment requires more power

than the outlets are rated to provide.

11 When not planning to use this unit for long periods of

time (ie., vacation, etc.), disconnect the AC power plug

from the wall outlet.

The apparatus is not disconnected from the AC power

source as long as it is connected to the wall outlet, even

if the apparatus itself is turned off.

FCC INFORMATION

1. IMPORTANT NOTICE: DO NOT MODIFY THIS

UNIT! This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved

by Yamaha may void your authority, granted by the

FCC, to use the product.

2. IMPORTANT: When connecting this product to

accessories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions.

Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to

comply with the requirements listed in FCC

Regulations, Part 15 for Class “B” digital devices.

Compliance with these requirements provides a

reasonable level of assurance that your use of this

product in a residential environment will not result in

harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions

found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee

that interference will not occur in all installations. If

this product is found to be the source of interference,

which can be determined by turning the unit “OFF”

and “ON”, please try to eliminate the problem by using

one of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker of fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce

satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can

not locate the appropriate retailer, please contact

Yamaha Electronics Corp., U.S.A. 6600 Orangethorpe

Ave, Buena Park, CA 90620

The above statement apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association’s

Consumer Electronics Group want you to get the most out

of your equipment by playing it at a safe level. One that lets

the sound come through loud and clear without annoying

blaring or distortion – and, most importantly, without

affecting your sensitive hearing. Since hearing damage from

loud sounds is often undetectable until it is too

late, YAMAHA and the Electronic Industries

Association’s Consumer Electronics Group

recommend you to avoid prolonged exposure

from excessive volume levels.

SUPPLIED ACCESSORIES

After unpacking, check that the following parts are contained.

• Remote Control Transmitter • Indoor FM Antenna

• Batteries (size AA, LR6, UM-3) • User Program Sheets

• AM Loop Antenna

Remote

POWER

PLAY

TAPE 1

DIR A DIR B

SKIP PHONO

TUNER

STOP

VCR 1

VCR 2

STOP PLAY

V–AUX

SLEEP TV VCR AUX

DISC

SKIP

PAUSE/STOP

DECK

A/B PRESET

—

REC/PAUSEREC MUTE TAPE 2 MON

PLAY LD/TV

CHAPTER/CH

—

DISPLAY

MASTER

VOLUME

—

TEST

MUTING

—

TRANSMIT

/LEARN

DSP

HALL

EFFECT

CHURCH

CENTER LEVEL

REAR LEVEL

DELAY

TIME

MOVIE THEATER

JAZZ CLUB

STADIUM

PRO LOGIC

SURROUND

SPORTS

ENHANCED

ROCK

THEATER

70mm TV

YPC LEARN

USER

1234

5678

910

ON/OFF

RESET CLEAR

A／B／C／D／E

Features

• Five Speaker Configuration

Front: 100 W + 100 W (8Ω) RMS Output Power,

0.015% THD, 20-20,000 Hz

120 W + 120 W (6Ω) RMS Output Power,

0.04% THD, 20-20,000 Hz (USA Model Only)

Center: 100 W (8Ω) RMS Output Power,

0.015% THD, 1 kHz

Rear: 25 W + 25 W (8Ω) RMS Output Power,

0.08% THD, 1 kHz

• Digital Sound Field Processor

10 Programs including “Cinema DSP” 70mm Movie Theater

• Automatic Input Balance Control for Dolby Surround

• Test Tone Generator for Easier Speaker Output Balance Adjustment

• 3 Center Channel Modes (NORMAL/WIDE/PHANTOM)

• 40-Station Random Access Preset Tuning

• Automatic Preset Tuning (FM only)

• Preset Station Shifting Capability (Preset Editing)

• IF Count Direct PLL Synthesizer Tuning System

• Video Signal Input/Output Capability

• SLEEP Timer

• Remote Control Capability

• Program and status messages superimposed on connected video monitor

PROFILE OF THIS UNIT

You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital

Sound Field Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the

field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in

this manual carefully when setting up your system, and this unit will sonically transform your room into a totally

new listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from

Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.

Please read this owner’s manual carefully and store it in a safe place for later reference.

this same sound in your own listening room, so you’ll

feel all the sound of a live concert.

Furthermore, our technicians, armed with sophisti-

cated measuring equipment, have even made it

possible to capture the acoustics of a variety of venues

such as an actual concert hall, theater, etc. to allow

you to accurately recreate one of several actual live

performance environments, all in your own home.

Digital Sound Field Processing

What is it that makes live music so good? Today’s

advanced sound reproduction technology lets you get

extremely close to the sound of a live performance,

but chances are you’ll still notice something missing:

the acoustic environment of the live concert hall.

Extensive research into the exact nature of the sonic

reflections that create the ambience of a large hall has

made it possible for Yamaha engineers to bring you

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets

you experience the dramatic realism and impact of

Dolby Surround movie theater sound in your own

home. Dolby Pro Logic gets its name from its profes-

sional-grade steering logic circuitry, which provides

greater effective front and rear channel separation for

a much higher degree of realism than the “passive”

Dolby Surround circuits found in less sophisticated

home audio/video equipment. Dolby Pro Logic

Surround provides a true center channel, so that there

are four independent channels, unlike passive Dolby

Surround which has in effect only three channels: left,

right, and rear. This center channel allows listeners

seated in even less-than-ideal positions to hear the

dialog originating from action on the screen while

getting a stereo effect as well.

This Dolby Pro Logic Surround Decoder employs a

digital signal processing system. This system in-

creases sound stability at each channel and minimizes

crosstalk between channels compared to conventional

analog Dolby signal processing.

In addition, this unit features a built-in automatic

input balance control. This circuit always presents

you the best surround conditions without performing

manual adjustments.

Dolby Pro Logic Surround + DSP

You can also enjoy Dolby Pro Logic with two modes

of Digital Sound field processing. These combinations

expand the surround effect. One is the “EN-

HANCED” Dolby Pro Logic Surround which recre-

ates the surround effect of the 35 mm film movie

theater. The other is the sound field program ”70 mm

MOVIE THEATER”. Which recreates the listening

experience of a 70mm film theater.

Directional Enhancement Circuit + DSP

The newly featured directional enhancement circuit

expands and focuses the digital sound field by

emphasizing position of sound.

This effect puts you in the midst of the action, while

centering and focusing your attention to the screen.

This circuit is available on the sound field program

“TV THEATER” and “SPORTS”.

CINEMA DSP

The YAMAHA “CINEMA DSP” logo indicates

these programs are created by the combination of

Dolby Pro Logic and YAMAHA DSP technology.

SPEAKER SETUP FOR THIS UNIT

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a fivespeaker configuration. The speakers to be

used with this unit will be front speakers, rear speakers, and a center speaker.

The front speakers are used for the main source sound. These are usually a much larger, high-quality loudspeaker

than you will use for the surround sound effects. The center speaker is used for the center sound (dialog, etc.)

encoded with the Dolby Surround. And the rear speakers are used for special effects that enhance the surround

sound. The rear and center speakers do not need to be equal to the front speakers. However, all the speakers

should have high enough power handling to accept the maximum output of this unit.

SPEAKER CONFIGURATION

Five-Speaker Configuration

This configuration is the most effective and recom-

mended one. In this configuration, the center speaker

is used for dialog when you select the digital sound

field program DOLBY PRO LOGIC, DOLBY PRO

LOGIC ENHANCED, 70mm MOVIE THEATER, TV

THEATER, or SPORTS.

• Set the center channel mode to the “NORMAL” or

“WIDE” position. (For details, refer to page 16.)

Front L Center Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Four-Speaker Configuration

The center speaker is not used in this configuration. If

the digital sound field program DOLBY PRO LOGIC,

DOLBY PRO LOGIC ENHANCED, 70mm MOVIE

THEATER, TV THEATER, or SPORTS is selected, the

center sound along with the front effects are output

from the left and the right front speakers. However,

the sound effect of other programs can be the same as

that of the other configurations.

• Be sure to set the center channel mode to the

“PHANTOM” position. (For details, refer to page

16.)

Front L Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

SPEAKER PLACEMENT

The recommended speaker configuration, the five-speaker configuration, will require two speaker pairs: front

speakers and rear speakers, plus a center speaker. When you place these speakers, refer to the following:

Front: In normal position. (The position of a standard

stereo speaker setup)

Center: Precisely between the front speakers. (To avoid

interference with TV sets, use a magnetically

shielded speaker.) When two center speakers are

used, place these to the right and left of your TV

set or video monitor.

Rear: Behind your listening position, facing slightly

inward. Nearly six feet (approx. 1.8 m) up from the

floor.

Rear L

Front R

Front L Rear R

Center

CONNECTIONS

CAUTION

Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this

unit and to any other components to which connections are being made.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly,

that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each

component to be connected to this unit.

10dB

0dB

PHONO

TAPE 1

LD/TV

VCR 1

VCR 2

TAPE

REC

OUT

VIDEO SIGNAL

AUDIO SIGNAL

MONITOR

OUT

S VIDEO

AUDIO SIGNAL

TAPE 2

TAPE

REC

OUT

LD/TV

VCR 1

VCR 2

OUT

VIDEO

ANT

GND

ANT

GND

Ω

UNBAL.

MAIN

FRONT

LEVEL

PRE

OUT

Monitor TV

Tape deck 1

Turntable Video cassette recorder 1

Video cassette recorder 2

Compact disc player

GND

VIDEO IN

Tape deck 2

LaserDisc-Spieler

VIDEO IN

AUDIO IN

VIDEO OUT

AUDIO OUT

VIDEO OUT

AUDIO OUT

OUTPUT

AUDIO OUT

VIDEO OUT

VIDEO IN

AUDIO IN

LINE IN

LINE OUT

LINE IN

LINE OUT

CONNECTING SPEAKERS

Connect the respective speakers to this unit as shown below:

VIDEO SIGNAL

MONITOR

OUT

S VIDEO

LD/TV

VCR 1

VCR 2

OUT

A OR B: 5

Ω

MIN. /SPEAKER

B: l2

Ω

MIN. /SPEAKER

OUTPUT

REAR OUT

CENTER

OUT

LOW

PASS

fo:200Hz

Ω

MIN. /SPEAKER

SPEAKERS

REAR

FRONT

CENTER

C: 8

Ω

MIN. /SPEAKER

D: 4

Ω

MIN. /SPEAKER

Right Left

Front speakers A

Rear speakers

Right Left

Front speakers B

Center speaker(s)

Note on front speaker connection:

One or two speaker systems can be connected to this

unit. If you connect only one speaker system, connect

it to either the SPEAKERS A or B terminals.

Note on center speaker connection:

One or two center speakers can be connected to this

unit. If you cannot place the center speaker on or

under the TV, it is recommended to use two center

speakers and place them on both sides of the TV to

orient the center sound at the center position.

When connecting two center speakers, be sure to

press the CENTER speaker switch into the “C+D”

position( ). When you use a single center speaker,

set the switch to the “C” position ( ).

How to Connect:

Connect the SPEAKERS terminals to your speakers

with wire of the proper gauge, cut as short as pos-

sible. If the connections are faulty, no sound will be

heard from the speakers. Make sure that the polarity

of the speaker wires is correct, that is, + and – mark-

ings are observed. If these wires are reversed, the

sound will be unnatural and will lack bass.

CAUTION

Do not let the bare speaker wires touch each other and

do not let them touch the metal parts of this unit. This

could damage this unit and/or the speakers.

Note:

Use speakers with the specified impedance shown on

the rear of this unit.

For connecting to the SPEAKER terminals

Red: positive (+)

Black: negative (–)

1Unscrew the knob.

2Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

3Tighten the knob and

secure the wire.

Banana Plug connections are also possible. Simply insert

the Banana Plug connector into the corresponding termi-

nal. (Not available on Singapore model.)

Note:

Use only single type banana plug cable.

ABOUT THE ACCESSORY TERMINALS

OUTPUT

REAR OUT

CENTER

OUT

LOW

PASS

fo:200Hz

1LOW PASS terminal

This terminal is for output to a monaural amplifier

driving a subwoofer. Frequencies above 200␣ Hz are

filtered out so that only the bass range remains.

The output signal is from the front and center

channels.

You may wish to add a subwoofer to reinforce the

bass frequencies.

Connect the LOW PASS terminal to the INPUT

terminal of the subwoofer amplifier, and connect

the speaker terminals of the subwoofer amplifier to

the subwoofer.

With some subwoofers, including the Yamaha

Active Servo Processing Subwoofer System, the

amplifier and subwoofer are in the same unit.

2CENTER OUTPUT terminal

This terminal is for center channel line output.

There is no connection to this terminal when you

use the built-in amplifier.

However, if you drive a center speaker with an

external power amplifier, connect the input

terminal of the external amplifier to this terminal.

3REAR OUTPUT terminals

These terminals are for rear channel line output.

There is no connection to these terminals when

you use the built-in amplifier.

However, if you drive rear speakers with an

external stereo power amplifier, connect the input

terminals of the external amplifier (MAIN IN or

AUX terminals of a power amplifier or an inte-

grated amplifier) to these terminals.

(USA model)

SWITCHED UNSWITCHED

120V 60Hz

120W MAX. TOTAL

120V 60Hz

200W MAX.

GND terminal (For turntable use)

Connecting the ground wire of the turn-

table to this terminal will normally

minimize hum. In some cases, better

results may be obtained with the ground

wire disconnected.

AC OUTLETS

2 SWITCHED OUTLETS and 1

UNSWITCHED OUTLET (USA,

Canada, and General models)

1 SWITCHED OUTLET

(Australa model)

2 SWITCHED OUTLETS

(Singapore model)

Use these to connect the power cords from your

components to this unit.

The power to the SWITCHED outlets is controlled by

this unit’s POWER switch or the provided remote

control transmitter’s POWER key. These outlets will

GND

supply power to any connected component whenever

this unit is turned on.

The maximum power (total power consumption of

components) that can be connected to the SWITCHED

AC OUTLET(S) is 120 watts.

The power to the UNSWITCHED outlets cannot be

controlled by this unit’s POWER switch or the

provided remote control transmitter’s POWER key.

(USA, Canada, and General models only).

The maximum power (power consumption of compo-

nent) that can be connected to the UNSWITCHED AC

OUTLET is 200 watts (USA model), 180 watts

(Canada model) and 200 watts (General model).

10dB

0dB

TAPE 2

REC

OUT

MAIN

FRONT

LEVEL

PRE

OUT

6FRONT LEVEL switch

Normally set to “0␣ dB”. If desired, you can de-

crease the output level at the FRONT SPEAKERS

terminals by 10␣ dB by setting this switch to

“–10␣ dB”.

4FRONT CH — MAIN␣ IN terminals

These terminals are for line input to the built-in

front channel amplifier. Leave the jumper bars

connected to the PRE␣ OUT terminals when you use

the built-in amplifier.

However, if you drive front speakers with an

external stereo power amplifier, remove the

jumper bars.

5FRONT␣ CH — PRE␣ OUT terminals

These terminals are for front main channel line

output. Leave the jumper bars connected to the

MAIN␣ IN terminals when you use the built-in

amplifier.

However, if you drive front speakers with an

external stereo power amplifier, remove the

jumper bars and connect the input terminals of the

external amplifier (MAIN IN or AUX terminals of

a power amplifier or an integrated amplifier) to

these terminals.

CONNECTING S␣ VIDEO TERMINALS

If your video cassette recorder, video disc player, monitor, etc., are equipped with “S” (high-resolution) video

terminals, connect them to this unit’s S␣ VIDEO terminals. Otherwise, use the composite video terminals of the unit.

Note:

• If video signals are sent to both the S␣ VIDEO input and composite input terminals, the input signals will be sent to the

respective S␣ VIDEO output and composite output terminals independently.

VIDEO SIGNAL

MONITOR

OUT

S VIDEO

LD/TV

VCR 1

VCR 2

OUT

VIDEO

Video Cassette recorder 2

Video Cassette recorder 1

LD player

VIDEO

OUT

S VIDEO

OUT

Monitor TV

VIDEO

IN S VIDEO

S VIDEO OUT

VIDEO OUT

S VIDEO IN

VIDEO IN

S-VIDEO OUT

VIDEO OUT

S-VIDEO IN

VIDEO IN

ON SCREEN DISPLAY

If you connect a video cassette recorder, video disc player, monitor, etc., to this unit, you can display DSP

program names and information about the other settings and adjustments on the video monitor screen. This

information is superimposed over the video image.

If there is no program material on the monitor, the information will be displayed over a monochromatic back-

ground.

Notes:

• If you use a video monitor that is connected to both the S␣ VIDEO and composite terminals, the screen display informa-

tion is only output from the S␣ VIDEO terminals.

• When no video signal is input to any of the S␣ VIDEO or composite video input terminals, the screen display information

is output from the S␣ VIDEO and composite MONITOR OUT terminals with a monochromatic background.

CONNECTING TO VIDEO AUX TERMINALS (FRONT PANEL)

These terminals are used to connect any video input source such as a camcorder to this unit.

AUDIO OUT

VIDEO OUT

RVIDEO

Camcorder

S-VIDEO

S VIDEO OUT

8 VIDEO

VIDEO AUX

8 VIDEO VIDEO L AUDIO R

ANTENNA CONNECTIONS

• Each antenna should be connected to the designated terminals correctly, referring to the following diagram.

• Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide

sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an

indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.

10dB

0dB

PHONO

TAPE 1

TAPE

REC

OUT

AUDIO SIGNAL AUDIO

TAPE 2

TAPE

REC

OUT

ANT

GND

ANT

GND

Ω

UNBAL.

MAIN

FRONT

LEVEL

PRE

OUT

AM loop

antenna

(included)

Indoor FM

antenna

(included)

Ground

Outdoor AM antenna

Outdoor FM antenna

75-ohm/300-ohm

antenna adapter

75-ohm

coaxial cable

300-ohm

feeder

Connecting the AM loop antenna

123

• The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.

• The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

➀

➁

➂

GND terminal

For maximum safety and minimum interference,

connect the GND terminal to a good earth ground.

A good earth ground is a metal stake driven into

moist earth.

Notes:

• When connecting the indoor FM

antenna, insert its connector into the

FM ANT terminal firmly.

• If you need an outdoor FM antenna to

improve FM reception quality, either

300-ohm feeder or coaxial cable may be

used. In locations troubled by electrical

interference, coaxial cable is preferable.

Orient so that the best

reception is obtained.

ADJUSTMENT BEFORE OPERATION

SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using

the built-in test tone generator. With this adjustment, the sound output level heard at the listening position will be

the same from each speaker. This is important for the best performance of the digital sound field processor.

The adjustment of each speaker output level should be done at your listening position with the remote control

transmitter. Otherwise, the result may not be satisfactory.

234

POWER

PLAY

TAPE 1

DIR A DIR B

SKIP PHONO

TUNER

STOP PLAY

SLEEP TV VCR AUX

DISC

SKIP

PAUSE/STOP

DECK

A/B PRESET

A／B／C／D／E

REC/PAUSEREC MUTE TAPE 2 MON

PLAY LD/TV

TRANSMIT

/LEARN

YPC LEARN

USER

—

* If you have a video monitor connected to this unit, you should use it to display the on screen information. The

easy-to-read information will help you to perform this adjustment.

Note:

Before adjustment, make sure that the mute circuit is not engaged. While mute is engaged, no sound will be heard and an

indicator on the master VOLUME control flashes. See page 20 for details.

1Set to the “∞” position. Set the remote YPC-USER-LEARN switch to the “YPC”

position.

For detailed information about the remote control transmitter,

refer to “REMOTE CONTROL TRANSMITTER” on page 31.

2Set to the “0” position.

BASS TREBLE

l0l

YPC LEARN

USER

VOLUME

–dB

POWER

Press the POWER

switch to turn on the

power.

6Select the main speakers to be used.

• If you use two main speaker systems, press both the A and

B switches.

SPEAKERS

BALANCE

l0l

Set to the “0” position.

STOP

VCR 1

VCR 2

V–AUX

CHAPTER/CH

—

DISPLAY

MASTER

VOLUME

—

TEST

MUTING

—

DSP

HALL

EFFECT

CHURCH

CENTER LEVEL

REAR LEVEL

DELAY

TIME

MOVIE THEATER

JAZZ CLUB

STADIUM

PRO LOGIC

SURROUND

SPORTS

ENHANCED

ROCK

THEATER

70mm TV

1234

5678

910

ON/OFF

RESET CLEAR

—

Select the center channel output mode according to your

speaker configuration.

(Refer to “SPEAKER CONFIGURATION” on page 7.)

CENTER

MODE

NORMAL

WIDE

PHANTOM

• If your video monitor is on, the state of the test tone output

is also shown by an image of an audio listening room on the

screen.

• The test tone from the left rear speaker and the right rear

speaker will be heard at the same time.

9Turn up the volume using the remote

control transmitter.

You will hear a test tone (like pink

noise) from the left front speaker, then

the center speaker, then the right front

speaker, and then the rear speakers, for

about two seconds each. The display

changes as shown below.

TEST

MASTER

VOLUME

Press the TEST button to run the Dolby

test.

In step 7, when you select the center mode, note the

following.

Five speaker configuration

NORMAL: Select this mode when you use a

center speaker that is smaller than the

front main speakers. In this mode, the

bass tone will be output from the

front speakers.

WIDE: Select this mode when your center

speakers are approximately the same

size as the front speakers.

Four speaker configuration

PHANTOM: Select this mode when you do not

have a center speaker. The center

channel sound will be output from

the left and right font speakers.

Note:

• If the center channel mode is in the “PHANTOM”

position, the sound output level of the center speaker

cannot be adjusted. This is because in this mode, the

center sound is automatically output from the left and

right front speakers.

• If you press the LEVEL +/– switch without previously

pressing the CENTER, or REAR switch, the last

channel selected will be changed.

STOP

VCR 1

VCR 2

V–AUX

CHAPTER/CH

—

DISPLAY

MASTER

VOLUME

—

TEST

MUTING

—

DSP

HALL

EFFECT

CHURCH

CENTER LEVEL

REAR LEVEL

DELAY

TIME

MOVIE THEATER

JAZZ CLUB

STADIUM

PRO LOGIC

SURROUND

SPORTS

ENHANCED

ROCK

THEATER

70mm TV

1234

5678

910

ON/OFF

RESET CLEAR

Notes:

• Once you have completed these adjustments, you can

adjust whole sound level on your audio system by using

the VOLUME control (or the MASTER VOLUME keys

on the remote control transmitter).

• If you use external power amplifiers, their volume

controls may also need to be adjusted to achieve the

proper balance.

If there is insufficient sound output from the center

and rear speakers, you may decrease the front speaker

output level by setting the FRONT LEVEL switch on

the rear panel to “–10 dB”.

Adjust the BALANCE control so that the test tone sound

output level of the left front speaker and the right front

speaker are the same.

Adjust the sound output level of the rear speakers to be

at the same level as that of the front speakers with the

REAR LEVEL keys.

Adjust the test tone sound output level of the center

speaker to be at the same level as that of the front

speakers with the CENTER LEVEL keys.

Cancel the test tone.

BALANCE

l0l

TEST

CENTER

LEVEL

REAR

LEVEL

PRO LOGIC

The previous mode is selected.

BASIC OPERATIONS

1,6

2 3

To play a source

Set to the “

∞

” position.

Select the front speakers to be used.

• The name of the selected input source will appear on the

display.

Adjust to the desired output level.

VOLUME

–dB

Select the desired input source by using the input selector

buttons. (For video sources, turn the video monitor ON.)

VIDEO AUX

VCR 2 VCR 1

LD/TV

TAPE 2

MONITOR TUNER CD PHONO

TAPE 1

SPEAKERS

• If you use two front speaker systems, press both the A and

B switches.

Play the source. (For detailed information on the tuning

operation, refer to page 21.)

VOLUME

–dB

POWER

Press the POWER switch

to turn on the power.

If desired, adjust the BASS, TREBLE, BALANCE

controls, etc. (refer to page 20) and use the digital

sound field processor. (Refer to page 25.)

Notes on using the input selector buttons

• Note that pressing on each input selector button selects

the source which is connected to the corresponding input

terminals on the rear panel.

• To select the source connected to the VIDEO AUX

terminals on the front panel, press VIDEO AUX.

• The selection of TAPE 2 MONITOR cannot be canceled

by pressing another input selector button. To cancel it,

press TAPE 2 MONITOR again.

When you select a button other than TAPE 2 MONI-

TOR, make sure that TAPE 2 MONITOR is not

accidently selected as well.

• If you select the input selector button for a video source

without canceling the selection of TAPE 2 MONITOR,

the playback result will be the video image from the video

source and the sound from the audio tape.

• Once you play a video source, its video image will not be

interrupted even if the input selector button for an audio

source is selected.

To turn off the power

Press the POWER switch again.

To record a source to tape (or dub from tape to tape)

Note:

• When the REC OUT selector is set to “SOURCE”, the

source selected by the input selector buttons is output

through the TAPE 1-REC OUT, the TAPE 2-REC

OUT , the VCR 1-OUT, and the VCR 2-OUT

terminals.

• When the REC OUT selector is set to something other

than “SOURCE” and you press an input selector

button other than the one you pressed in step 2, the

recording source will not be changed and you can enjoy

another source while recording.

• To record from tape deck 2, set the REC OUT selector to

SOURCE, and press the TAPE 2/MONITOR input

selector.

• If the tape deck connected to the TAPE 2 REC OUT

terminal has 3-head monitoring capability, you can

monitor the signal just recorded on the tape by pressing

the TAPE 2/MONITOR switch.

• DSP, VOLUME, BASS, TREBLE and BALANCE

control settings have no effect on the material being

recorded.

1Select the source to be recorded.

Play the source and press the corresponding input

selector, then turn the VOLUME control up to confirm

the input source. (For detailed information on the tuning

operations, refer to page 21.)

REC OUT

LD/TV

VCR 1

TAPE 1

TUNER

PHONOVIDEO AUX

VCR 2

SOURCE

Set the tape deck or VCR to the recording mode.

4To monitor a source selected by the REC OUT selector,

press the corresponding input selector button.

VOLUME

–dB

VIDEO AUX

VCR 2 VCR 1

LD/TV

TAPE 2

MONITOR TUNER CD PHONO

TAPE 1

Selecting the SPEAKERS system

Because one or two speaker systems (as front speak-

ers) can be connected to this unit, the SPEAKERS

switches allow you to select speaker system A or B, or

both at once.

SPEAKERS

Adjusting the BALANCE control

Adjust the balance of the output volume to the left

and right speakers to compensate for sound imbal-

ance caused by speaker location or listening room

conditions.

BALANCE

l0l

Note:

This control is effective only for the sound from the front

speakers.

Adjusting the BASS and TREBLE controls

BASS

Turn this clockwise to increase (or counter-clockwise

to decrease) the low frequency response.

TREBLE

Turn this clockwise to increase (or counter-clockwise

to decrease) the high frequency response.

BASS TREBLE

l0l

Note:

These controls are effective only for the sound from the

front speakers.

Using the TONE BYPASS switch

Press this switch to revert instantly to the flat states of

the BASS and TREBLE controls without changing the

setting of these controls.

OFF

TONE

BYPASS

Using the BASS EXTENSION switch

You can boost bass frequency response by setting this

switch to the “ON” position. This switch is effective

only on the sound from the front speakers.

OFF

BASS

EXTENSION

MUTING Key (Remote Transmitter)

Press this key to mute the master volume. While mute

is engaged, an indicator on the master VOLUME

control flashes. Press again to un-mute the master

volume.

MUTING

VOLUME

–dB

ON/OFF

EFFECT

V–AUX

MASTER

VOLUME

—

TEST

—

DSP

HALLCHURCH

CENTER LEVEL

REAR LEVEL

DELAY

TIME

JAZZ CLUB

STADIUM

SPORTS

ROCK

5678

910

RESET CLEAR

Flash

MUTING

When you listen with headphones

Connect the headphones to the PHONES jack. You

can listen to the sound to be output from the front

speakers through headphones.

When listening with headphones privately, set both

the SPEAKERS A and B switches to the OFF position

and switch off the digital sound field processor (so

that no DSP program name is illuminated on the

display) by pressing the EFFECT switch.

PHONES

TUNING OPERATIONS

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC

TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually

(MANUAL TUNING).

3,4,

AUTOMATIC TUNING MANUAL TUNING

TUNING

MODE

TUNING

MODE

• If the tuning search does not stop at the desired station

(because the signals of the station are weak), change to the

MANUAL TUNING method.

To tune to a higher frequency, press the right side once.

To tune to a lower frequency, press the left side once.

Select the reception band (FM or AM) while watching

the display.

FM/AM

DOWN

TUNING

If the station where tuning search stops is not the desired

one, press again.

DOWN

TUNING

AM FM

• To continue tuning search, press and hold the button.

Select the reception band (FM or AM) while watching

the display.

FM/AM

DOWN

TUNING

Tune to a desired station manually.

AM FM

“AUTO TUNING” goes off.

AUTO

TUNING

Note:

If you tune to an FM station manually, it is received in

monaural mode automatically to increase the signal quality.

Display information 1Displays the band and frequency of the received

station.

2Lights up when an FM stereo broadcast is received

in stereo.

3Indicates the signal level of the received station.

kHz

MHz

STEREO

020 l00

40 60

PRESET TUNING

Manual Preset Tuning

This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this

function, you can select any desired station by only pressing the corresponding preset station button. Up to 40

stations (8 stations x 5 pages) can be stored.

2, 4,

To program stations To recall a preset station

Notes:

• A new setting can be programmed in place of the former

one.

• For presets, the setting of the reception mode (stereo or

monaural) is stored along with the station frequency.

Memory back-up

The memory back-up circuit prevents the pro-

grammed data from being lost even if the POWER

switch is set off or the power plug is disconnected

from the AC outlet or the power is cut due to tempo-

rary power failure. If, however, the power is cut for

more than one week, the memory may be erased. If

so, it can be re-programmed by simply following the

PRESET TUNING steps.

MEMORY

• In the same way, program other stations to A2, A3, to A8.

Flashes for about 5 seconds.

Tune to a desired station.

(Refer to the previous page for tuning procedure.)

PRESET

MHz

Select a desired page (A - E) of preset station buttons

while watching the display.

Press a preset station button before the “MEMORY”

prompt on the display switches off.

• You can program more stations to the preset station buttons

on other pages in the same way by selecting other pages in

step 2.

A/B/C/D/E

PRESET

MHz

MEMORY

Shows the displayed station has been

programmed to A1.

I 2345678

PRESET STATIONS

Select the page of preset station buttons.

I 2345678

PRESET STATIONS

Select the desired preset station button.

A/B/C/D/E

PRESET

To tune to higher frequencies, press right side once.

To tune to lower frequencies, press left side once.

FM/AM

DOWN

TUNING

MEMORY

Press and hold for about 3 seconds.

Flashes

PRESET

MHz

MEMORY

STEREO

020 l00

40 60

• If the TUNING button is not pressed, in a while the

automatic preset tuning begins automatically toward higher

frequencies.

The automatic preset tuning begins from the frequency

currently displayed. Received stations are programmed to

A1, A2, to A8 sequentially.

• If more than 8 stations are received, they are also

programmed to the preset station numbers on other pages

(B, C, D and E) in that order.

Automatic Preset Tuning

You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit

performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored

automatically in the same way as in the manual preset tuning method on page 22.

To program stations

If you want to store the first station received by the

automatic preset tuning to a desired preset station

number.

If, for example, you want to store the first received

station to C5, select “C5” by using the A/B/C/D/E

button and the preset station buttons after pressing

the MEMORY button in step 2. Then press the

TUNING button. The first received station is stored to

C5, and next stations to C6, C7, etc., sequentially.

If stations are stored up to E8, the automatic preset

tuning is finished automatically.

When the automatic preset tuning is finished

The display shows the frequency of the last preset

station.

Check the contents and the number of preset stations

by following the procedure of the section “To recall a

preset station” on page 22.

To recall a preset station

Simply follow the procedure of the section “To recall

a preset station” on page 22.

Notes

• You can replace a preset station by another FM or AM

station manually by simply following the procedure of

the section “To program stations” on page 22.

• If the number of received stations is not enough to be

stored up to E8, the search is finished automatically

when it reaches the highest frequency after searching

through all frequencies.

• With this function, only FM stations with sufficient

signal strength are stored automatically. If the station

you want to program is weak in signal strength, tune to

it in monaural manually and program it by following the

procedure of the section “To program stations” on page

22.

Exchanging Preset Stations

You can exchange the places of two preset stations with each other as shown below.

2,4

(Example)

If you want to shift the preset station on E1 to A5, and

vice versa.

Recall the preset station on E1 (by following the method

of “To recall a preset station” on page 22).

Next, recall the preset station on A5 by following the

procedure in step 1.

Shows the exchange of stations is completed.

EDIT

MEMORY

EDIT

USING THE DIGITAL SOUND FIELD PROCESSOR (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand

and shape the audio sound field from both the audio and video sources, for a theater-like experience in the listen-

ing/viewing room.

This digital sound field processor has 10 programs; 8 programs for digital sound field processing and 2 programs

for the Dolby Pro Logic Surround sound system (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED).

You can create an excellent audio sound field by selecting the suitable program and adding desired adjustments. In

addition, when the DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, or 70␣ mm MOVIE THEATER pro-

gram is selected, the built-in automatic input balance control functions. This presents you the best surround

condition without manual adjustment.

DELAY TIME

CENTER REAR

CENTER

MODE

JAZZ CLUB

ROCK

CONCERT

HALL

PRO LOGIC

ENHANCED

THEATER

SPORTS STADIUM

DIGITAL SOUND FIELD PROCESSOR

VIDEO AUX

VCR 2 VCR 1

LD/TV

TAPE 2

MONITOR TUNER CD PHONO

EFFECT

345 6 78

PRESET STATIONS

890

LEVEL

MOVIE THEATER

70mm

CHURCH

SLEEP

020 l00

40 60

TAPE 1

TREBLE BALANCE

VIDEO AUX

8 VIDEO VIDEO L AUDIO R

REC OUT

LD/TV

VCR 1

TAPE 1

TUNER

PHONOVIDEO AUX

VCR 2

SOURCE

CINEMA DSP

WIDE

PRO LOGIC

34 5 6

MASTER

VOLUME

—

TEST

MUTING

—

DSP

HALL

EFFECT

CHURCH

CENTER LEVEL

REAR LEVEL

DELAY

TIME

910

ON/OFF

RESET CLEAR

1CENTER MODE

Selects the center channel output mode. (For details, refer to page 16.)

2Displays your selection on the DSP or other informations.

3DELAY TIME –/+

Adjusts the delay time. (For details, refer to page 29.)

4CENTER and LEVEL –/+

REAR and LEVEL –/+

Adjusts sound output level at each speaker. (For details, refer to page 28.)

5Selects a digital sound field program.

6EFFECT

Switches on/off the digital sound field processor (DSP).

7TEST

Used for speaker balance adjustment. (For details, refer to page 16.)

Description of Each Sound Field Program

The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind

that most of these are precise digital recreations of actual acoustic environments. The data for them was recorded at

the locations described using sophisticated sound field measurement equipment.

Note:

The channel level balance between the left rear effect speaker and the right rear effect speaker may vary de-

pending on the sound field you are listening to. This is due to the fact that most of these sound field recreations

are actual acoustic environments.

PROGRAM FEATURE

PRO LOGIC This program is effective for playback of sources encoded with Dolby Surround. The employ-

ment of the digital signal processing system reduces crosstalk and transfers the sound

source more smoothly and precisely, compared to conventional types. A stable movie sound

field is recreated.

PRO LOGIC ENHANCED This program is effective for playback of sources encoded with Dolby Surround. Enhancing

the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker

systems of a 35 mm film theater, thus widening the surround-sound field with greater

presence.

70 mm MOVIE THEATER This program is effective for playback of sources encoded with Dolby Surround.

The Yamaha DSP technology is ideally combined with the Dolby Pro Logic to present you the

incredible listening experience of the 70 mm movie theater. This program is ideal for pre-

cisely reproducing the sound design of the newest movies. The sound field is made accord-

ing to the design of the latest movie theaters, so the reverberations of the sound field itself

are restrained as much as possible. The three-dimensional feeling of the sound field is

emphasized and dialog is precisely oriented on the screen. You can enjoy watching science-

fiction, action, and adventure movies with this program.

TV THEATER This program is suitable for dramas, variety or music programs, etc. Much surround effect

can be gained for stereo sources.

SPORTS This program is furnished with a tight sound field in which the sound will not spread exces-

sively on the front side, but the rear surround produces a dynamic sound expansion. This

program is most suitable for sports programs encoded with Dolby Surround

STADIUM This program gives you long delays between direct sounds and effect sounds, and the

extraordinarily spacious feel of a large stadium.

ROCK CONCERT This program is suitable for rock music. A big, powerful sound is reproduced lively and

dynamically.

JAZZ CLUB This is a small, cosy jazz club with a low ceiling. The sound is very close and intimate.

CHURCH This program recreates the acoustic environment of a modern church with a high pointed

dome and columns along the sides. This interior produces very few primary reflections.

CONCERT HALL In this program, the center seems deep behind the front speaker pair, creating an expansive,

large hall ambience.

Description of Dolby Pro Logic Surround

DOLBY PRO LOGIC SURROUND: This unit

employs the Dolby Pro Logic Surround system. This

system is similar to professional Dolby Stereo decod-

ers used in movie theaters.

By employing a four-channel system, the Dolby Pro

Logic Surround system divides the input signals into

four levels: the left and right main channels, the center

channel (to characterize dialog), and the rear sur-

round-sound channels (to characterize sound effects,

background noise and other ambient noise).

Dolby Surround is encoded on the sound track of

commercially available video cassettes and video

discs as well. When you play a source encoded with

Dolby Surround on your home video system, the

Dolby Pro Logic Surround system in this unit decodes

the signal and feeds the surround-sound effects.

The Dolby Pro Logic Surround mode may not be

always effective on video sources not encoded with

Dolby Surround.

Manufactured under license from Dolby Laboratories

Licensing Corporation. Additionally licensed under

Canadian patent number 1,037,877. “Dolby”, “Pro

Logic”, and the double-D symbol are trademarks of

Dolby Laboratories Licensing Corporation.

To play a source with the digital sound field processor

If desired, adjust the delay time and the output level of

each speaker. (For details, refer to the corresponding

descriptions on page 28, 29.)

2Select the desired program that is suitable for the source.

JAZZ CLUB

ROCK

CONCERT

HALL

PRO LOGIC

ENHANCED

THEATER

SPORTS STADIUM

DIGITAL SOUND FIELD PROCESSOR

MOVIE THEATER

70mm

CHURCH

Follow steps 1 - 6 shown in “BASIC OPERATIONS”

on page 18.

The selected program name is shown on the display.

PRO LOGIC

Notes:

• If you prefer to cancel the DSP, press the EFFECT

switch. The sound will be the normal 2-channel stereo

without surround sound effect.

• When STADIUM, ROCK CONCERT, JAZZ CLUB,

CHURCH, or CONCERT HALL is selected, no sound is

heard from the center speaker.

• When a monaural sound source is played with DOLBY

PRO LOGIC or DOLBY PRO LOGIC ENHANCED,

no sound is heard from the front speakers and the rear

speakers. Sound is heard only from the center speaker.

However, if the center channel mode is in PHANTOM,

the front speakers output the sound of the center chan-

nel.

• When this unit’s Dolby Pro Logic Surround system is

used, if the main-source sound is considerably altered by

over adjustment of the BASS or TREBLE controls, the

relationship between the center and rear channels may

produce an unnatural effect.

The following adjustments can be done on the remote control transmitter as well as on the front panel.

Adjustment of the CENTER LEVEL

You can adjust the sound output level of the center

channel speaker even if the output level is already set

in “Speaker balance adjustment” on page 15.

CENTER

LEVEL

Press the “+” or “–” CENTER LEVEL key on the

remote control transmitter. As you change the volume

level, the front panel LCD will display the value. If

you press the “+” or “–” key continuously, the level

will continuously change except for a momentary

pause at the preset point (80).

• The center channel speaker is used only in DOLBY

PRO LOGIC, DOLBY PRO LOGIC ENHANCED,

70 mm MOVIE THEATER, TV THEATER and

SPORTS modes.

• Once the output level is adjusted, the level value

will be the same in all the digital sound field

programs.

Note:

If the digital sound field program STADIUM, ROCK

CONCERT, JAZZ CLUB, CHURCH, or CONCERT

HALL is selected, the CENTER LEVEL control will not

function.

Adjustment of the REAR LEVEL

You can adjust the sound output level of the rear

speakers even if the output level is already set in

“Speaker balance adjustment” on page 15.

REAR

LEVEL

Press the “+” or “–” REAR LEVEL key on the remote

control transmitter, the level value changes continu-

ously. However, the value stops changing momen-

tarily at the preset point (80).

• Once the output level is adjusted, the level value

will be the same in all the digital sound field

programs.

Adjustment of DELAY TIME

You can adjust the time difference between the beginning of the source sound and the beginning of the effect

sound with the DELAY TIME control.

The DELAY TIME control is effective with all programs.

By applying more or less delay, sound effects, background noise, and ambient noise coming at you from the rear

speakers can be enhanced or subdued for extra effect.

1. PRO LOGIC from 15 to 30 milliseconds (Preset value: 20 milliseconds)

2. PRO LOGIC ENHANCED from 15 to 30 milliseconds (Preset value: 20 milliseconds)

3. 70 mm MOVIE THEATER from 15 to 30 milliseconds (Preset value: 17 milliseconds)

4. TV THEATER from 1 to 50 milliseconds (Preset value: 28 milliseconds)

5. SPORTS from 1 to 50 milliseconds (Preset value: 20 milliseconds)

6. STADIUM from 1 to 50 milliseconds (Preset value: 45 milliseconds)

7. ROCK CONCERT from 1 to 50 milliseconds (Preset value: 22 milliseconds)

8. JAZZ CLUB from 1 to 50 milliseconds (Preset value: 26 milliseconds)

9. CHURCH from 1 to 50 milliseconds (Preset value: 40 milliseconds)

10. CONCERT HALL from 1 to 50 milliseconds (Preset value: 30 milliseconds)

By continuously pressing “+” or “–” on the DELAY

TIME control, the value changes continuously.

However, the value stops changing momentarily at

the preset point.

DELAY TIME

Note:

Adding too much delay will cause an unnatural effect with

some sources. Experiment with the DELAY TIME control

to create the effect that you find most suitable.

Note:

The values of the DELAY TIME, CENTER LEVEL and

REAR LEVEL you set the last time will remain memorized

even when the power of this unit is off.

However, if the power cord is kept disconnected for more

than one week, these values will be automatically changed

back to the original factory settings.

SETTING THE SLEEP TIMER

If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep

while enjoying a broadcast or other desired input source, this timer function is helpful.

Notes:

• The SLEEP timer can be controlled only with the remote control transmitter.

• The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on

the rear panel of this unit.

To set the SLEEP time To cancel the selected SLEEP time

The unit will be turned off automatically at the selected

SLEEP time.

Whenever the SLEEP key is pressed, the SLEEP time

will change as follows:

After a while, the display returns to the indication before

the SLEEP timer is set, and the “SLEEP” indicator stops

flashing and lights up.

SLEEP

Flashes continuously.

(Minutes)

The SLEEPtimer is OFF.

(The indication before the

SLEEP key is pressed.)

Press once or more so that the display returns to the

indication before the SLEEP timer is set. (“SLEEP” will

go off from the display.)

SLEEP

Press the SLEEP key until

“SLEEP OFF” appears on

the display.

SLEEPSLEEP

SLEEP

Note:

The SLEEP timer setting can also be canceled by turning

off the power with the POWER switch or disconnecting the

power plug of this unit from the AC outlet.

REMOTE CONTROL TRANSMITTER

Battery installation

Battery replacement

If you find that the remote control transmitter must be

used closer to the main unit, the batteries are weak.

Replace both batteries with new ones.

Notes:

• Use only AA, LR6, UM-3 batteries for replacement.

• Be sure the polarities are correct. (See the illustration

inside the battery compartment.)

• Remove the batteries if the remote control transmitter

will not be used for an extended period of time.

• If batteries leak, dispose of them immediately. Avoid

touching the leaked material or letting it come in contact

with clothing, etc. Clean the battery compartment

thoroughly before installing new batteries.

Remote control transmitter operation range

Remoto control

sensor

30°

Within approximately

7 m (23 feet)

Notes:

• There should be no large obstacles between the remote

control transmitter and the main unit.

• If the remote control sensor is directly illuminated by

strong lighting (especially an inverter type of fluorescent

lamp etc.), it might cause the remote control transmitter

not to work correctly. In this case, reposition the main

unit to avoid direct lighting.

STANDBY mode (Singapore model only)

While the power is on, pressing the POWER key on

the remote control transmiter switches the unit to the

STANDBY mode. (In this mode, the indicator is half

illuminated.)

POWER on mode STANDBY mode

The remote control transmitter provided with this unit is designed to control all the most commonly used functions

of the unit. If the CD player, tape deck, etc. connected to this unit are YAMAHA components designed for remote

control compatibilty, then this remote control transmitter will also control various functions of each component.

• When you operate this unit and/or other YAMAHA components with this remote control transmitter, set the

YPC-USER-LEARN switch to the YPC (Yamaha Preset Code) position.

For Control of This Unit

Input selector keys

Selects input source.

(MASTER) VOLUME +/–

Turns the volume level

up/down.

—

PLAY

DIR A DIR B

SKIP

STOP

STOP PLAY

TV VCR AUX

DISC

SKIP

PAUSE/STOP

DECK

A/B

REC/PAUSEREC MUTE

PLAY

CHAPTER/CH DISPLAY

TEST

—

TRANSMIT

/LEARN

CENTER LEVEL

REAR LEVEL

DELAY

TIME

YPC LEARN

USER

RESET CLEAR

MASTER

VOLUME

MUTING

—

POWER

TAPE 1

PHONO

TUNER

VCR 1

VCR 2

V–AUX

SLEEP

PRESET

—

A／B／C／D／E

TAPE 2 MON

LD/TV

DSP

EFFECT

CHURCH

MOVIE THEATER

PRO LOGIC

ENHANCED THEATER

70mm TV

1234

5678

910

ON/OFF

HALL

JAZZ CLUB

STADIUM

SURROUND

SPORTS

ROCK

POWER

Turns the power on/off.

SLEEP

Refer to “SETTING THE

SLEEP TIMER” on page

30.

Tuner keys

Controls tuner.

+: Selects higher preset

station number.

–: Selects lower preset

station number.

A/B/C/D/E

Selects the page (A - E)

of preset station buttons.

For the DSP control keys,

refer to the page 25.

Muting Key

Mutes the master volume.

While mute is engaged, an

indicator on the master

VOLUME control flashes.

Press again to un-mute the

master volume.

For Other Component Control

Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their functions

will be the same. On each key function, refer to the corresponding instruction on your component’s manual.

PLAY

DIR A DIR B

SKIP

STOP

STOP PLAY

DISC

SKIP

PAUSE/STOP

DECK

A/B

REC/PAUSEREC MUTE

PLAY

CHAPTER/CH

—

DISPLAY

—

POWER

TAPE 1

PHONO

TUNER

VCR 1

SLEEP TV VCR AUX

PRESET

A／B／C／D／E

TAPE 2 MON

LD/TV

TRANSMIT

/LEARN

YPC LEARN

USER

1CD player keys

Controls compact disc player.

DISC SKIP is applicable only to compact disc changer.

2Tape deck keys

Controls tape deck.

DIR A, B and DECK A/B are applicable only to double cassette tape deck.

For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction

of tape running.

3LD player keys

Controls LD player.

REMOTE CONTROL “LEARNING” FUNCTION

All of the keys on this remote control transmitter can be programmed to “learn” key-functions from other remote

control transmitters without losing the preset key functions. By using this feature, this unit can then be used in

place of one or more other remote control transmitters, thus making operation of your various audio and video

components more convenient. Use the included user program sheets to indicate a new function learned for each

key.

Note:

There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control

transmitter, this unit will not be able to “learn” its signals.

TRANSMIT/LEARN indicator YPC-USER-LEARN switc

RESET button

Press this button to “reset” the

internal microcomputer which

controls remote control

operations. Microcomputer

“reset” is necessary when the

remote control freezes.

Blank keys

These keys have no preset

functions and are used only for

learning other remote control

transmitter’s functions.

CLEAR button

This button is used to clear one or

all learned key functions. (Refer

to page 36.)

･ Pressing the RESET button will

not erase learned functions.

･ “YPC” is the abbreviation of YAMAHA

Preset Code.

USER : Set to this position when using

“learned” key functions.

LEARN : Set to this position when learning

new key functions from other

remote control transmitters.

YPC : Set to this position when using preset

key functions (for controlling this unit

and/or YAMAHA components).

—

1234

5678

POWER

PLAY

TAPE 1

DIR A DIR B

SKIP PHONO

TUNER

STOP

VCR 1

VCR 2

STOP PLAY

V–AUX

SLEEP

DISC

SKIP

PAUSE/STOP

DECK

A/B PRESET

—

A／B／C／D／E

REC/PAUSEREC MUTE TAPE 2 MON

PLAY LD/TV

CHAPTER/CH DISPLAY

MASTER

V0LUME

—

TEST

MUTING

—

DSP

HALL

EFFECT

CHURCH

CENTER LEVEL

REAR LEVEL

DELAY

TIME

MOVIE THEATER

JAZZ CLUB

STADIUM

PRO LOGIC

SURROUND

SPORTS

ENHANCED

ROCK

THEATER

70mm TV

910

ON/OFF

TV VCR AUX

TRANSMIT

/LEARN

YPC LEARN

USER

RESET CLEAR

To learn a new function

YPC LEARN

USER

Set to the “LEARN” position.

Press a key on this unit where a new function will be

learned.

About 5–10 cm (2–4 in).

Press and hold the key (on the other remote control

transmitter) where the desired new function is.

Lights up

• When the TRANSMIT/LEARN indicator stops lighting, the

learning is finished.

Repeat step 2 and 3 until all desired functions are

successfully learned.

Set to the “USER” position.

Try operating your components.

YPC LEARN

USER

Notes:

• When you operate the desired component with this

remote control transmitter, TRANSMIT/LEARN

indicator will flash steadily.

• The originally preset function of a key is still available in

the USER position if a new function has not been

learned to the key.

• Successful learning to a key results in the erasure of

previously learned functions and their replacement by

the newly learned ones.

• If there is no more room in the memory area for a

function to be learned, the TRANSMIT/LEARN

indicator will flash on and off. In this case, even if some

keys are not occupied with functions from other remote

control transmitters, no further learning is possible.

Memory back-up

All of the learned functions will be retained while you

replace the batteries. However, if no batteries are

installed for a few hours, the learned functions will be

erased and will have to be learned again.

Troubleshooting guide

SYMPTOM CAUSE REMEDY

Replace the batteries with new ones and press the

RESET button on the remote control transmitter.

The internal microcomputer “freezes”. Replace the batteries (and press the RESET button

for this remote control transmitter).

Place the remote control transmitters with the

proper distance.

Learning is not possible.

Further learning is not possible without deleting

unnecessary commands.

Memory capacity is full. Press the RESET button on the remote control

transmitter.

The batteries of this remote control transmitter are

weak.

The batteries of this remote control transmitter

and/or the other remote control transmitter are

weak.

The distance between the two remote control

transmitters is too long or too short.

The signal coding or modulation of the other

remote control transmitter is not compatible with

this remote control transmitter.

To clear a learned function To clear all learned functions

The remote control transmitter does not work.

Learning cannot be made successfully. (The

TRANSMIT/LEARN indicator does not light up or

flash.)

• To clear two or more functions, repeat step 2 and 3.

Press and hold the CLEAR button using the point of a

mechanical pencil, etc.

Set to the “USER” position.

Press and hold the key where the learned function to be

deleted is until the indicator flashes 3 times.

CLEAR

TRANSMIT

/LEARN

Press and hold the CLEAR button using the point of a

mechanical pencil, etc.

Set to the “LEARN” position.

Press and hold any key until the indicator flashes 7 times

CLEAR

TRANSMIT

/LEARN

YPC LEARN

USER

YPC LEARN

USER

Note:

If a key is not pressed soon after the CLEAR button is

pressed, this unit will automatically return to the status

that was in effect before the CLEAR button was pressed.

The unit fails to turn on when the POWER

switch is pressed.

The volume level cannot be increased, or

sound is distorted.

There is distortion and clear reception cannot be

obtained even with a good FM antenna.

A desired station cannot be tuned in with

Auto tuning.

A desired station cannot be tuned in with

Auto tuning.

There are continuous crackling and hissing

noises.

There are buzzing and whining noises

(especially in the evening).

The sound is degraded when monitoring is

performed by using the headphones connected to

the compact disc player or cassette deck which

are connected with this unit.

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by

the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column,

disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.

SYMPTOM CAUSE REMEDY

FFirmly plug in the power cord.

No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists,

the cords may be defective.

Appropriate input selector is not pressed. Press the appropriate input selector corresponding

to the input source.

The sound suddenly goes off. Turning the unit off and then on will reset the

protection circuit.

The SLEEP timer functioned. Do not make the SLEEP timer function.

Only one side speaker outputs the sound Incorrect setting of the BALANCE control. Adjust it to the appropriate position.

Incorrect cord connections. Connect the cords properly. If the problem persists,

the cords may be defective.

Sound “hums”. Incorrect cord connections. Firmly connect the audio plugs. If the problem

persists, the cords may be defective.

Make the GND connection between the turntable

and this unit.

The volume level is low while playing a record. The player should be connected to the unit through

the MC head amplifier.

Turn the power to the component on.

No sound from the rear speakers. Turn up the sound output level with the REAR

LEVEL control.

Select another program suitable for the monaural

sound source.

No sound from the center speaker. Turn up the sound output level with the CENTER

LEVEL control.

The center channel mode is in PHANTOM mode. Select NORMAL or WIDE.

Incorrect sound field program selection. Select the appropriate program.

No sound field program is selected.

FM stereo reception is noisy. Check the antenna connections. Try using a

multiple element FM antenna.

There is multipath interference. Adjust antenna placement to eliminate multipath

interference.

The station is too weak. Use Manual tuning mode. Use a high quality

directional FM antenna.

Weak signal or loose antenna connections. Tighten the AM loop antenna connections and

rotate it for best reception. Use Manual tuning

mode.

Use an outdoor antenna and a ground wire. This

will help somewhat but it is difficult to eliminate all

noise.

A television set is being used nearby. Relocate this unit away from the TV.

The remote control transmitter does not work. Change the position of the main unit.

Replace the batteries with new ones.

The power to this unit is off. Turn the power to this unit on.

Power cord is not plugged in or is not completely

inserted.

The protection circuit has been activated because

of short circuit etc.

No connection from the turntable to the GND

terminal.

The record is being played on a turntable with an

MC cartridge.

The power to the component connected to the

REC OUT terminals of this unit is off.

The sound output level to the rear speakers is set

to 0.

The monaural sound source is played in DOLBY

PRO LOGIC or DOLBY PRO LOGIC ENHANCED

mode.

The sound output level to the center speaker is set

to 0.

Because of the characteristics of FM stereo

broadcasts, this is limited to cases where the

transmitter is too far away or the antenna input is

poor.

Noises will result from lighting, fluorescent lamps,

motors, thermostats and other electrical

equipment.

Direct sunlight or lighting (of an inverter type of

fluorescent lamp etc.) is striking the remote control

sensor of the main unit.

The batteries of this remote control transmitter are

too weak.

others

Remote control transmitter

AM FM Amplifier

SPECIFICATIONS

AUDIO SECTION

Minimum RMS Output Power per Channel

Front L, R

8 ohms, 20 Hz to 20 kHz, 0.015% THD

............................................................. 100W+100W

6 ohms, 20 Hz to 20 kHz, 0.04% THD

[U.S.A. model only] .......................... 120W+120W

Center

8 ohms, 1 kHz, 0.015% THD ......................... 100W

Rear L, R

8 ohms, 1 kHz, 0.08% THD .................. 25W+25W

Maximum Output Power [General model only]

8 ohms, 1 kHz, 10% THD (FRONT L/R)

............................................................. 135W+135W

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring method)

8/6/4/2 ohms ...................... 130/160/215/310W

Dynamic Headroom

[U.S.A. and Canadian models only]

8 ohms .......................................................... 1.14 dB

Power Band Width

8 ohms, 50W, 0.08% THD

....................................................... 10 Hz to 50 kHz

Damping Factor (SPEAKER·A)

8 ohms, 20 Hz to 20 kHz .................... 200 or more

Input Sensitivity/Impedance

PHONO MM ........................... 2.5 mV/47 k-ohms

CD/TAPE/LD·TV/VCR ...... 150 mV/47 k-ohms

MAIN IN ...................................... 1.0V/47 k-ohms

Maximum Input Signal

PHONO MM (1 kHz, 0.02% THD)

....................................................... 110 mV or more

CD/TAPE/LD·TV/VCR (EFFECT ON)

(1 kHz 0.5% THD) ............................................ 2.2V

Output Level/Impedance

REC OUT ............................... 150 mV/1.0 k-ohms

PRE OUT (FRONT) ................... 1.0V/1.5 k-ohms

LPF (EFFECT OFF) .................... 3.5V/2.7 k-ohms

Headphone Jack Rated Output/Impedance

(8 ohms, 1 kHz, 150 mV) ............0.55V/390 ohms

Frequency Response (20 Hz to 20 kHz)

MAIN IN .................................................... 0±0.2 dB

CD/TAPE/LD·TV/VCR (FRONT L/R)

..................................................................... 0±0.5 dB

RIAA Equalization Deviation

PHONO MM ............................................. 0±0.5 dB

Total Harmonic Distortion

PHONO MM to REC OUT

20 Hz to 20 kHz, 1V ..................... 0.01% or less

CD/TAPE/LD·TV/VCR (EFFECT OFF) to SP OUT

20 Hz to 20 kHz, 50W/8 ohms

...................................................... 0.015% or less

CD/TAPE/LD

·TV/VCR toSP OUT (REAR)

1 kHz 12.5W/8 ohms .................... 0.3% or less

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT (5 mV Input Shorted)

........................................................... 86 dB or more

CD/TAPE/LD·TV/VCR to SP OUT

(Input Shorted, EFFECT OFF) ....... 98 dB or more

Residual Noise (IHF-A Network)

SP OUT (FRONT L/R) ................... 170 µV or less

Channel Separation

(Vol. –30 dB, EFFECT OFF)

PHONO MM (Input Shorted 1 kHz/10 kHz)

................................60 dB or more/55 dB or more

CD/TAPE/LD·TV/VCR

(Input 5.1 k-ohms Shorted 1 kHz/10 kHz)

................................60 dB or more/45 dB or more

Tone Control Characteristics

BASS: Boost/cut ............................. ±10 dB (50 Hz)

Turnover Frequency..................... (350 Hz)

TREBLE: Boost/cut .................... ±10 dB (20 kHz)

Turnover Frequency .............. (3.5 kHz)

Filter Characteristics

LPF (fc=200 Hz) ....................................... 6 dB/oct

Gain Tracking Error (0 to –70 dB)

................................................................3 dB or less

Tuner Output Level/Impedance (1 kHz)

FM 100% MOD ......................500 mV/2.2 k-ohms

AM 30% MOD ....................... 150 mV/2.2 k-ohms

BASS EXTENSION .......................... +6dB (50 Hz)

VIDEO SECTION

Video Signal Type

[U.S, Canadian and General models] ............. NTSC

[Australian, Singapore and General models] ... PAL

Video Signal Level .......................... 1 Vp-p/75 ohms

S-Video Signal Level

Y .................................................... 1 Vp.p/75 ohms

C ............................................. 0.286 Vp.p/75 ohms

Maximum Input Level ................... 1.5 Vp-p or more

Signal-to-Noise Ratio .......................... 50 dB or more

Monitor Out Frequency Response

............................................ 5 Hz to 10 MHz, –3 dB

FM TUNER SECTION

Tuning Range

[U.S.A. and Canadian models]

.................................................... 87.5 to 107.9 MHz

[Australian, Singapore and General models]

.................................................... 87.5 to 108.0 MHz

50 dB Quieting Sensitivity (IHF, 75 ohms)

Mono ........................................... 1.55 µV (15.1 dBf)

Stereo .............................................21 µV (37.7 dBf)

Usable Sensitivity (75 ohms)

(30 dB S/N Quieting, 1 kHz, 100% mod.)

......................................................... 0.8 µV (9.3 dBf)

Image Response Ratio ........................................ 45 dB

IF Response Ratio ...............................................80 dB

Spurious Response Ratio ................................... 70 dB

AM Suppression Ratio ....................................... 55 dB

Capture Ratio ..................................................... 1.5 dB

Alternate Channel Selectivity ........................... 85 dB

Signal-to-Noise Ratio (IHF)

Mono/Stereo ..................................... 80 dB/75 dB

Harmonic Distortion (1 kHz)

Mono/Stereo ............................................ 0.1/0.2%

Stereo Separation (1 kHz) .................................. 50 dB

Frequency Response

20 Hz to 15 kHz ........................................ 0 ±1.5 dB

AM TUNER SECTION

Tuning Range

[U.S.A., Canadian and General models]

....................................................... 530 to 1,710 kHz

[Australian and Singapore models]

....................................................... 531 to 1,611 kHz

Usable Sensitivity .......................................100 µV/m

Selectivity ............................................................. 32 dB

Signal-to-Noise Ratio ......................................... 50 dB

Image Response Ratio ........................................ 40 dB

Spurious Response Ratio ................................... 50 dB

Harmonic Distortion (400 Hz) ........................... 0.3%

GENERAL

Power Supply

[U.S.A. and Canadian models]

....................................................... AC 120V, 60 Hz

[Australian model] ..................... AC 240V, 50 Hz

[Singapore model] ....................... AC 230V, 50Hz

[General model]

AC 110/120/220/240V, 50/60 Hz

Power Consumption

[U.S.A.] ............................................................ 340W

[Canadian models] ......................... 330W/440VA

[Australian , Singapore and General models]

.......................................................................... 340W

Maximum Power Consumption

[Gemeral model] ................................................. 700W

AC Outlets

[U.S.A model]

2 SWITCHED OUTLETS .......... 120W max. total

1 UNSWITCHED OUTLET ................ 200W max.

[Canadian model]

2 SWITCHED OUTLETS ........... 120W max. total

1 UNSWITCHED OUTLET ................ 180W max.

[General model]

2 SWITCHED OUTLETS ........... 120W max. total

1 UNSWITCHED OUTLET ................ 200W max.

[Australian model]

1 SWITCHED OUTLET ...................... 120W max.

[Singapore model]

2 SWITCHED OUTLETS ........... 120W max. total

Dimensions (W x H x D)

................................................. 435 x 171 x 470 mm

(17-1/8” x 5-3/4" x 15-3/16")

Weight ............................................................... 15.0 kg

Accessories ..................................... AM loop antenna

Indoor FM antenna

Remote control transmitter

Batteries

User Program Sheets

Specifications are subject to change without notice.

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77321 MARNE-LA VALLEE-CEDEX 2, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA VT26730-3 BWWb, V Printed in Japan

Yamaha Rx V890 Owners Manual V890_e O/M

RX-V890 Manual 01_om_rx-v890

RX-V890 OWNER'S MANUAL RX-V890_e

RX-V890 to the manual a208bcb2-d51d-4e03-b9f0-5c4016dc51c1

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