Yamaha SW1000XG DataList/E Data List SW1000E2
User Manual: Yamaha SW1000XG Data List
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DataList-E.qx 7/31/98 3:17 PM Page 1 DataList-E.qx 8/4/98 4:00 PM Page 2 XG Voice List (Normal voices) Bank Select LSB = Bank number Key Scale Panning Stereo Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 0 0 SW1000XG E Native 1 † GrandP # 1 † BriteP # 1 2 † EPiano1# † EPiano2# 1 2 † Clavi # 1 1 0 1 E E 1 GrndPnoK BritPnoK 1 ElGrPnoK 2 HnkyTnkK 2 El.Pno1K 1 1 El.Pno2K 1 Harpsi.K 2 Clavi K 1 1 1 Vibes K MarimbaK 1 † DrawOrg# † PercOrg# 2 † RockOrg# 2 2 2 Single 0 3 E † StBrtPno Slow 0 6 Fast Decay 0 8 E 0 12 E E 2 2 † ChoEPDcy 2 1 1 1 1 † StDrawOr 2 1 2 † TangoAc# † NylonGt# 1 † SteelGt# 1 † JazzGtr# 2 1 1 2 1 † MuteGtr# 1 † Ovrdriv# 1 † DistGtr# 2 2 1 † AcoBass# † FngrBa # 1 † Frtless# 1 † SlapBa1# † SlapBa2# 1 2 1 † Violin # 1 1 1 1 † TremStr# 1 1 1 1 † Strngs1# 1 † Strngs2# 2 2 DstRthmG ** 2 1 1 2 2 MelloSBa 1 2 1 1 2 1 † Trumpet# 1 † Trmbone# 1 † MuteTrp# 1 † BrssSec# S.Strngs S.SlwStr 2 2 S.Choir 2 Seq Bass 2 Slow Vln 1 SlwTrStr 1 Slow Str LegatoSt 2 † Memory 2 1 LoFi Hit *** 1 1 2 FrHrSolo 1 2 StBrsSec *** 2 Quack Br 2 Continued on page 16 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension Switching between MU Basic and SW1000XG Native can be executed by Voice Map of the SW1000XG System bulk dump. (Refer to the MIDI Data Format) 2 2 DataList-E.qx 8/4/98 Double Attack 4:00 PM Bright 1 0 14 Bright 2 0 16 E Page 3 Dark 1 0 17 E Dark 2 0 18 E Resonant 0 19 LFO-Cutoff Freq 0 20 E E 0 21 E E MelloGrP 1 † ResoBrtP 1 MelloEP1 2 NylonGt2 1 SteelGt2 † BrtSlpSp 1 MelloGtr 1 FingrDrk 2 SynBa1Dk ClkSynBa 2 † SfzStrgs † CsmicSlp 2 † TL66 2 † TradeWnd 2 2 FastResB 1 1 SynBa2Dk 1 1 † Zephyr 2 Ch.Aahs2 2 Trumpet2 1 Tuba 2 SfrzndBr ** 2 BriteTrp 2 Trmbone2 2 MildBrss *** 2 Soft Brs 2 1 RezSynBr Continued on page 17 3 2 DataList-E.qx 8/4/98 4:00 PM Page 4 XG Voice List (Normal voices) Bank Select LSB = Bank number Vel-cutoff freq Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 Attack 0 22 E Release 0 24 E Sweep 0 25 E Resonant Sweep 0 26 E 0 27 E E 1 1 2 Harpsi.2 1 2 1 1 2 ClaviWah 2 1 1 1 70sPcOr1 2 2 1 2 NylonGt3 2 1 1 1 1 1 DistGtr2 ** 2 FlangeBa 2 1 ResoSlap 1 † Wah Slap 1 2 † Zealot 1 1 1 1 1 1 1 1 1 2 2 2 AcidBass 1 ResoBass *** 1 2 Arco Str 2 Reso Str 2 1 1 1 1 PolyBrss 2 SynBrss3 2 Continued on page 18 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 4 2 DataList-E.qx 8/4/98 Muted 4:00 PM Complex-FEG 0 28 Detune 1 0 29 E Page 5 Detune 2 0 32 E E † DtndBrtP Det.CP80 2 † MtdPulsB E DX Hard 60sDrOr1 2 Lite Org DetDrwOr 2 DetPrcOr 2 MutePkBa 0 34 Octave 1 Octave 2 0 35 0 36 E E E 2 Chor.EP1 2 Chor.EP2 2 ChurOrg3 2 † ReedOrDt AccordIt Harmo. 2 2 Detune 3 0 33 2 DXLegend † Synth CP 2 Harpsi.3 2 2 Dulcimr2 2 70sDrOr1 2 60sDrOr2 2 DrawOrg2 2 12StrGtr 2 DistGtr3 ** 2 PowerGt2 ** 2 2 ChurOrg2 2 2 2 † NylnGtDt † StlGtrDt 2 Jazz Amp 2 ChorusGt 2 2 † OdrvGtDt 2 † ChoGtrLt † FngrBaDt 2 Fretles2 PunchThm 2 Fretles3 2 SmthSynB 2 2 1 1 † SlwAttck 2 Fretles4 2 1 Clv Bass 2 † Pizz Oct 2 60sStrng 2 Syn Str3 ** 2 MelChoir 2 OrchHit2 2 Warm Trp 2 FrHorn 2 1 Tp&TbSec † AnalgSfz 2 JumpBrss 2 Continued on page 19 5 2 Tp&TbSc2 *** 2 DataList-E.qx 8/4/98 4:00 PM Page 6 XG Voice List (Normal voices) Bank Select LSB = Bank number 5th 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 5th 2 0 37 Bend 0 38 E E Tutti 1 0 39 E E 1 1 Tutti 2 0 40 0 41 E E PianoStr † SyPadPno LayerCP1 2 2 Dream 2 LayerCP2 2 2 HardEl.P 2 DX Phase † ElHarpsi † CsmcClav 2 DX+Analg 2 2 2 2 1 2 1 1 1 1 1 60sDrOr3 2 PercOrg2 2 2 Even Bar 2 16+2"2/3 2 NotreDam Puff Org 2 2 1 1 † Wayside Nyln&Stl † OrganGtr 2 2 Stl&Body 2 2 † OctPlate 1 1 1 PowerGt1 ** FunkGtr1 2 † Parallel 2 FeedbkGt 2 MuteStlG 2 1 2 2 Dst.5ths ** 2 JazzRthm 2 Ba&DstEG † PkB&MtGt 2 FeedbkG2 2 † PckAcoBa 2 2 † Kik'n'Ba 2 DX Bass 2 2 2 1 1 2 1 1 1 TechnoBa ModulrBa 2 † Unison 2 † VlaDoubl 1 1 1 1 1 1 2 2 Susp.Str † Sleep YangChin 2 † Monarchy † WormHole † Gasp 2 2 2 Orchestr 2 Orchstr2 2 Warm Str 2 Kingdom 2 2 GrandPad *** 2 † SweepStr 2 2 ChoirStr 2 † Dead Sea SyVoice2 2 † Throne 2 2 1 1 1 † Backyard Choral 2 2 2 2 1 HornOrch 2 BrssFall ** 1 BrssSec2 2 Hi Brass SyBrsSub *** 2 SynBrss4 2 ChoirBrs Continued on page 20 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 6 2 2 DataList-E.qx 8/4/98 Tutti 3 4:00 PM Velocity Switch 0 42 0 43 E DXKotoEP Page 7 Velocity Cross Fade Detune 4 0 45 E E VX El.P1 2 VX El.P2 2 2 Tutti 4 0 48 † ChoEP K Tutti 5 0 52 Tutti 6 0 53 E E 2 † DXMallet 2 † Lento 2 † Bund 2 † FakeHorn 0 54 E E 2 † FkHrnOct 2 HardVibe 2 VelGtHrm 2 † TwinDist FunkGtr2 2 Jazz Man 1 Gt.Pinch 2 2 RckRthm2 ** 2 RckRthm1 ** 2 † Blink Ba FngrSlap 2 2 VXUprght 2 FngBass2 2 Velo.Str 2 VeloSlap 2 † NEP † DXBa Brt 2 2 TremOrch 2 † SwpStOct 2 MelloBrs 2 † Roll&Hit 2 † AnHrnRch 2 AnVelBr1 2 AnVelBr2 2 Continued on page 21 7 DataList-E.qx 8/4/98 4:00 PM Page 8 XG Voice List (Normal voices) Bank Select LSB = Bank number Other Waves 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 0 64 Other Waves 2 0 65 Other Waves 3 0 66 Other Waves 4 Other Waves 5 0 67 0 68 E E E E E E 1 † ConGrnd 1 † BrConGrd 1 † ConGrndK 1 † BrConGrK 1 † DblConGr 1 † MIDIGrd3 2 † MIDIGrd1 2 † MIDIGrd4 2 † MIDIGrd2 2 † OldPiano 2 2 † Old EP 1 2 † OldEP Tn 2 PierceCl 1 † Tribecca 2 † Flips 1 † Diploid1 2 1 † FlipsDtd † Flops 2 † Flicks 1 1 1 † SynClavi 1 2 † SmalOrgl 2 2 StdiumOr *** 2 † CrnGrace 1 2 2 60sEl.P1 1 † Shrakawa 1 † SynHrpsi 2 PulseClv 1 1 † FMCelsta 1 Orgel 1 1 SineMrmb 2 † ClrClavi 1 † SwpClavi 2 1 Organ Ba 1 70sDrOr2 2 CheezOrg JazOrgan *** 1 WarmJzOr *** 2 ClikOrgn *** 2 RotaryOr 2 SloRotar 2 FstRotar OrgFlute 2 TrmOrgFl 2 1 † SyReedDk 2 2 DrawOrg3 2 † Grace 2 † GlaclRtr 2 2 TngoAcd2 † EsGuitar 1 † Nashvlle 1 † SuperJzM CleanGt2 ** 1 † Wrench 1 1 † ManhttnM 1 † Bite AcoHarmo ** † Boston 1 Jazzy Ba ** † HardPick 1 † PwrFrtls Slapper *** 2 1 2 2 1 2 2 2 1 1 1 1 1 1 1 1 1 1 1 † TightAcd † EsGtrHrd † NashvllR † SuperJzB MidT.Gtr *** † WrenchHv † ManhttnB † Bite Res GtFeedbk 1 † BostnBrt Mod.Bass 2 † HrdPikRs † PwrFrtlR Thum&Slp *** 1 1 1 1 1 1 1 1 1 2 1 2 † TghtAcdD † EsGtMllo † Nashvl12 † SuperJzD MidTGtSt *** † WrnchDbl † ManhttnD † Bite Dtd 2 GtrHrmo2 1 † Coolth † Chase † PkBass + † TalkinBa † GltzySlp † EsGtrDcy 1 HardReso *** 1 1 † FrcOscBa 1 2 Sqr.Bass 2 AtkPulse *** 1 † CadenzDk RubberBa 1 CS Light *** 1 2 Fish *** 1 MetlBass *** 1 1 1 1 1 1 2 2 † Fear 1 † Fear Dtd 2 † Apoclyps 2 1 1 2 2 1 1 † SprStrSt Strings3 Syn Str5 † Virgo Male Aah ** † Hmn † Aspirate 2 BrssStab ** 1 DrkTpSft *** 1 MellowTb *** 2 1 2 2 1 1 1 2 1 1 1 † Basso 1 † Bkstairs 1 1 2 † SprBrCut † SynthThn † Soft Cut 1 1 † SprBrBlw 1 † SyncBrss † AnaHornS † Solitude 2 † Platinum † Scroll † WrlChoir † AsprateD DoublHit ** † Soft Trp 1 † JJJ 1 2 2 2 2 † Burnout 2 † BlueBass 1 1 † FMSlpDtd 2 2 † Fate 1 † Thulium 1 † OctavPWM 2 † Taurus 2 † Scroll + 2 † Facula BrStab80 ** † Blow 2 2 Bass Hit *** 1 † Blow Dbl 1 2 2 † Pwrd Sfz 1 † SyncBrSt 2 2 † PwrSfzBr 2 † AnaHorn1 2 1 1 Continued on page 22 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 8 1 2 1 1 2 2 2 2 1 1 Orbiter X WireBa 2 † Cadenza † Sonata 1 † Triste † DX JzGtr NaslGtSt *** † SuperJzR NasalGtr *** † Tin † ManhttnP † Bite + † Shimla 1 † Coolth B 1 † ChaseRes 2 1 † NoizFrtl 2 2 † FM Slap 1 2 1 1 1 † SprStrng 70s Str Syn Str4 † Hope StrngAah ** VoiceDoo ** AnaVoice 1 2 Impact 1 Dark Trp *** 1 BrghtTrb *** 1 MuteTrp2 ** 1 † Syn Horn † SprBrass AnaBrss1 2 AnaBrss2 2 1 DataList-E.qx 8/4/98 Other Waves 6 4:00 PM Other Waves 7 0 69 Page 9 Other Waves 8 0 70 Other Waves 9 0 71 Other Waves 10 Other Waves 11 Other Waves 12 0 72 0 73 0 74 0 75 E E E E E E E † Soho † FliksDtd 1 † FlopsDtd † BrightDX 2 † Diploid2 2 1 † BrtDXDtd † Brooklyn 2 † Kitayama 1 † Diploid3 2 2 † Turnpik1 PhunkyDX 2 Turnpik2 2 † Nasal DX 2 † Cerritos 1 1 † SprClavi 2 † GtrClavi 2 1 † HrdyPlk+ 2 † FMClavDb 2 † HardyPlk StdiumO2 *** 2 GospelOr *** 1 ClkGsplO *** 2 ChapelOr *** 2 † DimChors † DimClick 2 † Dusk 2 † FM Click † SprRotry 1 † Spoony 1 2 Dawn 2 LoFiOrgn 2 1 † Mellorgn † BeepOrgn 2 1 † DXJzGt D 2 † PulsJazz † Hammer M 1 † Hammer B 1 † RghcastN 1 † Hammer D 1 † RghcastM 2 † HammerSt 1 2 † FMChoGtr 2 FMChoGtS 2 † PeskyGtr 1 † Bombay 2 † Bombay S 2 † Jaipur 2 † Wah Saw † Cubit 1 † Pluto 1 † Cubit + 2 1 † Pluto + 2 † Keel † Stimuli 1 † KeelPwrd 1 † RunPulse 2 † PlnPulse 1 TalkPuls 2 PwrdPuls 1 1 † Node † PwrPulsB 1 1 † Brook † Frost 1 † Brook St 2 † Leo 2 2 BassHit+ *** 2 6th Hit *** 1 2 Blowout 2 † Alto&Trp † AnaHorn2 2 † Tnr&Trp 1 † AnHrnOct † SolPlexs 2 6thHit + *** 2 Euro Hit *** 1 EuroHit+ *** 2 † VagueBro 2 2 2 † BrssBros 2 † SawBrPwr Continued on page 23 9 DataList-E.qx 8/4/98 4:00 PM Page 10 XG Voice List (Normal voices) Bank Select LSB = Bank number Other Waves 13 Other Waves 14 Other Waves 15 Other Waves 16 Other Waves 17 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 0 76 0 77 E 0 78 E E † NaslDXDt † Sunset 1 2 † Din † Soft DX 2 2 1 † Fuzzorgn † Belief 2 2 † FMO 2 † SnapOrgn 1 1 0 79 0 80 E E E 1 † PiercnDX 2 † ShvrngDX 1 1 † SwpSqr + 2 † Stinks 1 1 1 2 † Reso DX 1 2 1 1 1 1 1 2 1 1 † ClaviGtr 2 1 1 1 1 1 † Stainer 1 2 † Pwrd Saw 1 1 1 † StainAtk 1 † SweepSqr 1 1 1 1 1 1 1 2 2 2 1 1 1 1 Continued on page 24 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 10 DataList-E.qx 8/4/98 4:00 PM Page 11 Other Waves 18 Other Waves 19 Other Waves 20 Other Waves 21 Other Waves 22 Other Waves 23 Other Waves 24 0 81 0 82 0 83 0 84 0 85 0 86 E E E E E † ShvrnDX+ 1 † RattlnDX 1 † RatlnDX+ 2 † TinkerDX 1 † TinkrDX+ 2 † StnksRes 1 † Reso Sqr 1 † Dagger 1 † Zinc 0 87 E 2 † SweePWM 2 † SwPWM St 2 † Slow Wah Continued on page 25 11 E 1 DataList-E.qx 8/4/98 4:00 PM Page 12 XG Voice List (Normal voices) Bank Select LSB = Bank number Other Waves 25 Other Instrument 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 0 88 E 0 96 E Other Instrument 2 0 97 E Other Instrument 3 Other Instrument 4 0 98 E 0 99 E 1 1 2 1 2 1 1 1 1 Balafon ** 2 Balimba ChrchBel 2 Cimbalom Carillon 2 Santur Ukulele Mandolin 2 PdlSteel ** 1 1 2 Log Drum 2 2 2 1 2 1 2 1 1 1 1 1 1 1 † Crook 2 1 1 1 1 1 1 1 1 1 2 2 2 1 1 1 † MndlnEns 2 Mu.DstGt ** 2 † WalkSyBa 1 † Dim&Cool 1 SynFretl 2 SmthFrtl 2 2 Hammer 2 † Vln Harp 1 † VlnHrpDt VoiceHmn ** 1 FluglHrn ** 1 2 † Cornet 2 1 Continued on page 26 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 12 E DataList-E.qx 8/4/98 Other Instrument 5 0 100 4:00 PM Other Instrument 6 0 101 E Page 13 Capital Voices on MU100 Native Map 0 126 E Capital Voices on MU Basic Map 0 127 E † GrandP # † BriteP # 1 1 † EPiano1# † EPiano2# 2 1 † Clavi # 2 † DrawOrg# † PercOrg# † RockOrg# 2 2 2 † TangoAc# † NylonGt# † SteelGt# † JazzGtr# 2 1 1 2 † MuteGtr# † Ovrdriv# † DistGtr# 2 2 1 † AcoBass# † FngrBa # 1 1 † Frtless# 1 † SlapBa1# † SlapBa2# 2 2 E † Violin # 1 † TremStr# 2 † Strngs1# † Strngs2# 1 1 † Trumpet# † Trmbone# 1 1 † MuteTrp# 2 † BrssSec# 2 Continued on page 27 13 DataList-E.qx 8/4/98 4:00 PM Page 14 XG Voice List (Normal voices) Bank Select LSB = Bank number MODEL EXCLUSIVE VOICE Timbre Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano 1 2 3 4 5 6 7 8 Chromatic 9 Percussion 10 11 12 13 14 15 16 Organ 17 18 19 20 21 22 23 24 Guitar 25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 0 0 MU Basic GrandPno BritePno El.Grand 2 HnkyTonk E.Piano1 2 E.Piano2 2 Harpsi. Clavi Celesta Glocken MusicBox 2 Vibes Marimba Xylophon 1 TubulBel 1 Dulcimer 1 DrawOrgn PercOrgn 1 RockOrgn ChrchOrg 2 ReedOrgn Acordion 2 Harmnica 1 TangoAcd NylonGtr 1 SteelGtr Jazz Gtr CleanGtr 1 Mute Gtr Ovrdrive Dist.Gtr GtrHarmo 1 Aco.Bass 1 FngrBass 1 PickBass 1 Fretless SlapBas1 1 SlapBas2 1 SynBass1 SynBass2 Violin Viola Cello Contrabs 1 Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch.Hit Trumpet Trombone Tuba Mute Trp 1 Fr. Horn BrssSect 1 SynBrss1 2 SynBrss2 1 Timbre, Poly E E 1 † MtdClavi 1 † Orimba 2 1 † Beeline 1 † BlineHrd † Dwarf † Byte † Ping † NastyCut † NstyCtSt † Xe † OrganHit † OrgnHit+ † Soft Hit 1 † Vein † Packet † Jolly † Jolly + † Envy † EnvyShrt † Cough † Remark 2 † Potala † Fury † Glocken+ 2 1 2 1 1 1 1 1 2 1 Timbre, Looped 48 8 48 0 Timbre, Looped , Poly Phrase, Looped 48 16 E 2 2 1 1 1 2 1 1 2 1 1 1 2 1 2 1 † Rage † TnglCaos † Incontnc † IncntClk 1 † CheapOsc † CheapOc+ † NstOrSpl † SprClick † Boomout † ChoirSpl † Veld † VaporVox † VoxShoot † SemiacOr 48 24 48 48 E E E E 1 † Reflex 1 1 † Reflex 2 † Prcesion 1 † RndmWalk 1 † RandmRun 1 2 2 2 2 † Insanity 2 2 † Habakkuk 2 1 1 † DstnFire 2 † BlowNoiz † Fall † Chaff 2 1 1 2 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 2 2 2 1 1 1 1 Continued on page 28 E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 14 48 64 1 † Fuss 1 † VanAllen 1 † Divinity 2 † Paranoia 1 † Vexation 2 † CalcOrg1 2 † CalcOrg2 1 † CalcOrg3 2 † ChoCalcO 2 † Sodium 2 2 1 2 2 2 ** *** † 48 56 E 2 2 1 : No sound Phrase, Looped, Poly SFX, Timbre DataList-E.qx 8/4/98 4:00 PM SFX, Timbre, Poly SFX, Phrase 48 72 † Litning † Oof † Lust † Lust St 2 † SoftHit+ 2 † Cough + † Ruin † Ruin St 2 † Vein + † Universe † UnvrsSwp † Xe + † Daze † Refusal 1 † Refusal+ † Lie † Malice † Doubt † DoubtDbl Page 15 SFX, Phrase, Poly 48 80 48 88 E E 2 † Zipzap 2 1 1 † Escape 2 † Zigzag † Scud † Hinayana † Boot † Anathema † Germ 1 2 † Germ 2 2 † Malfnctn 2 1 2 1 2 2 2 Rhythm, Timbre 48 96 E 2 2 2 2 2 Rhythm, Timbre, Poly Rhythm, Phrase, Poly 48 104 E † TinKettl 2 † K/S Anlg † K/S Humd † K/S Slap † Rvr/Crsh 2 2 2 2 † Satya † Monastry † Vinaya † Prana † Delight 2 † Puja † Bent Tom 2 2 1 2 1 2 Continued on page 29 15 48 120 E E 1 † Vodou 2 2 2 1 2 2 SFX Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 64 0 E CuttngNz 1 CttngNz2 2 DstCutNz ** Str Slap B.Slide ** 2 P.Scrape ** 2 1 Fl.KClik 1 Shower Thunder Wind Stream Bubble Feed ** † Cave 2 1 1 2 2 2 2 Dog Horse Tweet 2 Kitty ** Growl ** Haunted ** Ghost Maou ** † Insects 2 † Bacteria 1 1 1 1 1 2 2 2 1 2 DataList-E.qx 8/4/98 4:00 PM Page 16 XG Voice List (Normal voices) Bank Select LSB = Bank number Key Scale Panning Stereo Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 0 0 MU Basic E 0 0 SW1000XG E Native 0 1 Single 0 3 E Slow 0 6 E Fast Decay 0 8 E 0 12 E E Continued from page 2 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot 1 † AltoSax# † VgSprnSx 1 LMSquare 1 ThickSaw 2 2 2 1 2 † Oboe # 1 1 1 1 1 † Flute # † PanFlut# 1 1 2 1 1 SquarLd2 1 Saw Ld 2 2 2 2 2 † FifthLdS 2 2 2 2 2 2 SynDrCmp 2 2 2 2 2 1 1 Echoes 2 2 1 1 2 1 1 2 2 2 1 2 2 2 1 1 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension Switching between MU Basic and SW1000XG Native can be executed by Voice Map of the SW1000XG System bulk dump. (Refer to the MIDI Data Format) 16 2 DataList-E.qx 8/4/98 Double Attack 4:00 PM Bright 1 0 14 Bright 2 0 16 E Page 17 Dark 1 0 17 E Dark 2 0 18 E Resonant 0 19 E LFO-Cutoff Freq 0 20 E 0 21 E Continued from page 3 † ASax Lgt 1 Hollow Dyna Saw 1 Shroud 1 Digi Saw 2 2 Big Lead 2 Big&Low 2 ThickPad 2 Soft Pad 2 Sine Pad 2 Shwimmer Popcorn 2 TinyBell WarmAtms 2 2 HollwRls Echo Pan 2 17 2 2 E DataList-E.qx 8/4/98 4:00 PM Page 18 XG Voice List (Normal voices) Bank Select LSB = Bank number Vel-cutoff freq Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 0 0 MU Basic Attack 0 22 E Release 0 24 E Sweep 0 25 E Resonant Sweep 0 26 0 27 E E E 2 Mondo *** 1 RezzySaw *** 1 Continued from page 4 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot 1 1 2 1 1 1 1 2 1 1 HeavySyn 2 2 WaspySyn 2 SynthAah 2 2 2 2 2 2 Converge 2 2 2 Prologue 2 2 2 2 2 2 1 1 1 1 2 1 1 2 2 2 1 2 2 2 1 1 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 18 DataList-E.qx 8/4/98 Muted 4:00 PM Complex-FEG 0 28 Detune 1 0 29 E Page 19 Detune 2 0 32 E Detune 3 0 33 E 0 34 E Octave 1 Octave 2 0 35 0 36 E E E 2 Osc *** 2 Toy Lead *** 2 Dim Saw *** 2 Big Five 2 Continued from page 5 DoublSaw *** 2 RndGlock 2 DetSitar 2 Sitar 2 MuteBnjo 1 19 2 DataList-E.qx 8/4/98 4:00 PM Page 20 XG Voice List (Normal voices) Bank Select LSB = Bank number 5th 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 0 0 MU Basic 5th 2 0 37 E Bend 0 38 E Tutti 1 0 39 E Tutti 2 0 40 E 0 41 E E Continued from page 6 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot Sax Sect 2 BrthTnSx 2 1 SoftTenr 2 Dr.Lead 2 ClearBel 2 1 2 1 1 1 1 † Syn&Clr 2 † Brthy Fl 2 2 1 1 2 2 PulseSaw 2 † Novice † SaltLead 2 2 † Vishnu 2 † Tiu 2 2 2 2 2 2 2 2 GlockChi 2 Nylon EP 2 2 2 2 2 2 1 1 † Bhuj 2 1 1 2 1 1 2 2 2 1 2 2 2 1 1 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 20 DataList-E.qx 8/4/98 Tutti 3 4:00 PM Velocity Switch 0 42 0 43 E Page 21 Velocity Cross Fade Detune 4 0 45 E Tutti 4 0 48 E Tutti 5 0 52 E E Continued from page 7 HyprAlto 2 VeloLead 2 ClaviPad 2 ChorBell Tutti 6 0 53 2 21 0 54 E E DataList-E.qx 8/4/98 4:00 PM Page 22 XG Voice List (Normal voices) Bank Select LSB = Bank number Other Waves 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 0 0 MU Basic SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot 0 64 Other Waves 2 0 65 E E Other Waves 3 0 66 Other Waves 5 0 67 0 68 E E E Continued from page 8 † Mdtation 1 † MdtatnRs 1 1 † ASaxPwrd 1 † FakeAlto 1 † FakeAlt+ TnrSax 2 1 † SprTenor 1 † SprTnr + 1 2 † Heinz 1 † HeinzUni 2 2 † FakeAltD 2 † SprTnrSt 2 2 † Tnr&Alto 2 1 1 1 1 † Boehm 1 † Piplith PanFlut2 ** 2 † BottlLgt 2 2 2 1 † Reverie 2 1 † Opalina 1 Mellow 2 Digger *** 1 Vent Syn ** 2 Rubby DistLead 2 2 Vox Lead 2 2 Fat&Prky 2 2 Fantasy 2 Horn Pad 2 PolyPd80 2 Heaven 2 Glacier Tine Pad 2 † Aries 2 PolarPad 2 2 HrmoRain Ancestrl 2 SynMalet 1 NylnHarp 2 2 FantaBel 2 2 GobSynth 2 2 EchoBell 2 2 Starz 1 † Raga Syn 1 † El Banjo 1 1 2 1 1 2 2 † FM Koto BigKalim ** † Thistle † Boehm Br 2 † Home 1 † Meadow E Other Waves 4 2 1 1 † Pastoral SineLead 1 2 SoloSine 2 † Dunce 2 † BrassSaw † ElPrimtv 2 PureLead 2 2 HardSync *** 1 SynPluck *** WireLead 2 Br.Layer *** 2 † Cypher 1 † Shepherd Pulse Ld *** 1 † SawRiver 2 1 SyncLead *** 1 2 † BrPulsDb 2 1 1 † Cypher 2 1 † Cypher 3 2 2 Soft Wrl 2 † Libra RotarStr ClickPad 2 2 Lite Pad ** 2 GlassPad 2 Pan Pad 2 Sweepy ** 2 AfrcnWnd 2 2 Rave ** SftCryst Harp Vox 2 2 † Cant 2 2 Ana. Pad 2 2 Itopia † SqrTwang 2 † Queever 2 † Mogul 1 † Distance SquarPad 2 2 CC Pad 2 2 Snow Pad *** 2 2 CosmicPd *** 2 2 Celstial Carib 2 Fairy *** 2 LoudGlok 2 AtmosPad 2 † Monsoon 2 2 † Hermit ChrstBel 2 Planet 2 † Io 2 2 2 VibeBell 2 † Lyra 2 2 Creeper Big Pan 2 Odin ** 2 1 2 Ring Pad 2 2 SynPiano 2 2 Ritual Creation 2 ToHeaven 2 StarDust 2 2 2 2 2 Shanai 2 1 † TcklBell 2 2 Mel Tom2 1 Real Tom 2 Ana Tom 1 ElecPerc 2 1 Rev Cym2 ** 1 2 2 Rock Tom 2 2 1 1 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 22 DataList-E.qx 8/4/98 Other Waves 6 4:00 PM Other Waves 7 0 69 Other Waves 8 0 70 E Page 23 Other Waves 9 0 71 E Other Waves 10 Other Waves 11 Other Waves 12 0 72 E 0 73 0 74 E E 0 75 E E Continued from page 9 † ForcdOsc † Saw Trp 1 † Accent 1 † Hue 1 † Brick 1 † StrghtSw 1 † Alum 1 † StrtPuls 1 † SprCyphr 2 † Sync B&L 1 † Pixie 2 † Pisces 2 † Spiral 2 DigiBell † Akasaka 2 AirBells 2 † DgBermda 2 BellHarp 2 2 MilkyWay ** Reso&Pan 2 Night 2 2 Glisten Gamelmba 2 Puffy ** 2 † Query † PWMania 2 † FMSlwSwp 2 † SyncLdDb 1 † Mod Saw 1 † Toad 2 † Bounce 2 2 † Mimicry 2 23 † Parasite 2 † Cicada 2 2 1 DataList-E.qx 8/4/98 4:00 PM Page 24 XG Voice List (Normal voices) Bank Select LSB = Bank number Other Waves 13 Other Waves 14 Other Waves 15 Other Waves 16 Other Waves 17 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 0 0 MU Basic 0 76 0 77 E E 0 78 E 0 79 E 0 80 E Continued from page 10 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot 1 1 2 1 1 1 1 2 1 1 † Curse 2 † FatOctav 2 † OctvBeep 1 † Overdose 1 2 † PWMDecay 1 † SawDecay 1 2 2 2 2 2 2 2 2 2 2 2 † Beacon 2 2 2 1 1 1 1 2 1 1 2 2 2 1 2 2 2 1 1 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 24 E DataList-E.qx 8/4/98 4:00 PM Page 25 Other Waves 18 Other Waves 19 Other Waves 20 Other Waves 21 Other Waves 22 Other Waves 23 Other Waves 24 0 81 0 82 E 0 83 E 0 84 E 0 85 0 86 E E Continued from page 11 25 0 87 E E DataList-E.qx 8/4/98 4:00 PM Page 26 XG Voice List (Normal voices) Bank Select LSB = Bank number Other Waves 25 Other Instrument 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 0 0 MU Basic 0 88 E 0 96 E Other Instrument 2 Other Instrument 3 0 97 E Other Instrument 4 0 98 E 0 99 E E Continued from page 12 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot 1 1 2 1 1 1 1 BassClar ** 1 Kawala ** 2 2 1 1 Seq Ana. 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 2 1 1 2 2 Smokey BelChoir 2 2 Dharma *** Tambra Rabab Tsugaru ** Taisho-k 2 Tamboura 2 Gopichnt 2 2 2 Kanoon 2 Pungi Bonang Atrigane ** Tablas ** 2 Castanet 1 Gr.Cassa 1 1 Hichriki 2 Altair 2 GlasPerc 2 2 2 Gamelan 2 RevSnar1 ** 1 RevSnar2 ** 1 RevKick1 ** 2 Oud 2 2 ThaiBell S.Gamlan 2 2 2 1 2 2 1 RevConBD ** 1 2 1 1 : Same as Bank 0. ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 26 DataList-E.qx 8/4/98 Other Instrument 5 0 100 4:00 PM Capital Voices on MU100 Native Map Other Instrument 6 0 101 E Page 27 0 126 E Capital Voices on MU Basic Map 0 127 E E Continued from page 13 † AltoSax# 2 † Oboe # 1 Rama Cym 2 AsianBel 2 Rev Tom1 ** 1 Rev Tom2 ** † Flute # 1 † PanFlut# 1 1 27 DataList-E.qx 8/4/98 4:00 PM Page 28 XG Voice List (Normal voices) Bank Select LSB = Bank number MODEL EXCLUSIVE VOICE Timbre Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 0 0 MU Basic Timbre, Poly 48 0 E Timbre, Looped 48 8 E Timbre, Looped , Poly Phrase, Looped 48 16 E 48 24 E 48 48 E Continued from page 14 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax 1 Alto Sax TenorSax 1 Bari.Sax Oboe Eng.Horn 1 Bassoon Clarinet Piccolo Flute Recorder 1 PanFlute 1 Bottle Shakhchi 2 Whistle Ocarina SquareLd 2 Saw Ld CaliopLd 2 Chiff Ld CharanLd 2 Voice Ld Fifth Ld Bass&Ld 2 NewAgePd Warm Pad PolySyPd 2 ChoirPad 2 BowedPad MetalPad 2 Halo Pad 2 SweepPad Rain SoundTrk 2 Crystal Atmosphr 2 Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen 1 Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom Syn Drum 1 RevCymbl FretNoiz BrthNoiz Seashore 2 Tweet Telphone 1 Helicptr Applause 1 Gunshot 1 1 2 1 1 1 1 2 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 2 1 1 2 2 2 1 2 2 2 1 1 : No sound ** *** † E: Number of elements : MU80 Extension : MU90 Extension : MU100 Extension 28 Phrase, Looped, Poly SFX, Timbre 48 56 48 64 E E DataList-E.qx 8/4/98 SFX, Timbre, Poly 48 72 4:00 PM SFX, Phrase, Poly SFX, Phrase 48 80 E Page 29 48 88 E Rhythm, Timbre 48 96 E SFX Rhythm, Timbre, Poly Rhythm, Phrase, Poly 48 104 E 48 120 E E Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 64 0 E Continued from page 15 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 29 PhonCall ** DoorSqek 1 DoorSlam 1 ScratchC 1 ScratchS ** WindChim Telphon2 1 CarEIgnt 1 CarTSqel 1 Car Pass 1 CarCrash 1 Siren Train JetPlane Starship Burst Coaster Submarin 2 † Cnectvty † Mystery 2 1 2 1 2 1 2 2 2 2 2 Laugh Scream Punch Heart Footstep Applaus2 ** 1 1 1 1 1 1 MchinGun LaserGun 2 Xplosion Firework † Fireball 2 1 2 2 DataList-E.qx 8/4/98 4:00 PM Page 30 TG300B Voice List (Normal voices) Bank Select MSB = Bank number, LSB = 000 Bank Select MSB Instrument Group Piano Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Pgm # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 Bank 0 E GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah VoiceDoo SynVoice Orch.Hit Trumpet Trombone Tuba Mute Trp Fr. Horn BrssSect SynBrss1 SynBrss2 1 1 2 2 2 2 1 2 1 1 2 1 1 1 1 1 1 1 2 2 1 2 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 2 2 1 1 1 2 1 1 1 1 2 1 2 1 Bank 1 E Bank 2 E Bank 3 E Bank 4 LayerCP1 2 LayerCP2 2 HardVibe 2 Dulcimr2 70sDrOr1 70sPcOr1 2 2 2 Harmo. 2 2 MelloGtr 1 Mu.DstGt 2 DistGtr2 2 DistGtr3 2 FngBass2 2 Jazzy Ba 1 Fretles2 2 Fretles3 2 Fretles4 2 SynFretl SynBa1Dk ClkSynBa 1 2 ModulrBa 2 Seq Bass 2 Slow Str 70s Str Syn Str4 1 1 2 OrchHit2 Trumpet2 Trmbone2 Tuba 2 2 1 2 1 FrHorn 2 2 PolyBrss Soft Brs 2 2 Continued on page 34 Same as Bank 0 E: Number of elements 30 E Bank 5 2 SmthFrtl E 2 DataList-E.qx Bank 6 8/4/98 E 4:00 PM Bank 7 E Page 31 Bank 8 E Bank 9 E Bank 10 GrndPnoK BritPnoK ElGrPnoK HnkyTnkK Chor.EP1 Chor.EP2 Harpsi.3 Clavi K 1 1 2 2 2 2 2 1 Vibes K MarimbaK 1 1 ChrchBel Cimbalom DetDrwOr DetPrcOr RotaryOr ChurOrg2 2 Carillon 2 2 70sDrOr2 2 2 2 AccordIt 2 Ukulele 12StrGtr PdlSteel ChorusGt FunkGtr1 1 2 Nyln&Stl 1 2 2 FeedbkGt GtFeedbk 2 FeedbGt2 1 MutePkBa 1 ResoSlap 1 AcidBass DX Bass Slow Vln 1 FastResB 2 X WireBa 1 1 TechnoBa 2 SlwTrStr 1 Susp.Str 2 Orchestr LegatoSt Syn Str3 2 Orchstr2 2 Warm Str 2 2 TremOrch 2 S.SlwStr S.Choir 2 MelChoir 2 SyVoice2 Impact FluglHrn 2 2 BrssStab 1 2 DoublHit ** FrHrSolo BrssSec2 SynBrss3 SynBrss4 1 2 2 Quack Br 2 E Bank 11 E Bank 16 E MelloGrP 1 VX El.P1 VX El.P2 Harpsi.K 2 2 1 Balafon 2 60sDrOr1 2 SloRotar ChurOrg3 2 2 NylonGt3 Mandolin 2 2 FunkGtr2 2 PowerGt1 AcoHarmo 2 1 ResoBass RubberBa 1 2 2 2 2 2 2 Continued on page 35 31 2 2 ChoirStr 2 2 2 S.Strngs 2 LoFi Hit 2 HornOrch BrssFall AnaBrss1 AnaBrss2 2 1 2 2 DataList-E.qx 8/4/98 4:00 PM Page 32 TG300B Voice List (Normal voices) Bank Select MSB = Bank number, LSB = 000 Bank Select MSB Instrument Group Piano Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Pgm # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 Bank 0 E GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute Trp Fr. Horn BrssSect SynBrss1 SynBrss2 1 1 2 2 2 2 1 2 1 1 2 1 1 1 1 1 1 1 2 2 1 2 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 2 2 1 1 1 2 1 1 1 1 2 1 2 1 Bank 17 E Bank 18 Balimba 2 60sDrOr2 2 60sDrOr3 E Bank 19 2 PowerGt2 2 Dst.5ths 2 SynBa2Dk 1 MelloSB1 1 SmthSynB AnVelBr2 E Bank 24 1 HardEl.P 2 2 Log Drum 2 CheezOrg 2 FstRotar OrgFlute 2 2 VelGtHrm 2 RckRthm1 2 RckRthm2 Velo.Str 2 BriteTrp 2 Warm Trp E 2 2 2 2 E: Number of elements 32 Bank 25 60sEl.P1 DX Hard Harpsi.2 Continued on page 36 Same as Bank 0 E 2 DataList-E.qx Bank 26 MelloEP1 8/4/98 E 4:00 PM Bank 32 2 El.Pno1K El.Pno2K E Page 33 Bank 33 E Bank 40 1 1 DrawOrg2 PercOrg2 2 Even Bar 2 TrmOrgFl 2 NylonGt2 SteelGt2 1 1 Ch.Aahs2 2 2 Organ Ba Requinto E Bank 126 A-Piano1 A-Piano2 A-Piano3 A-Piano4 A-Piano5 A-Piano6 A-Piano7 E-Piano1 E-Piano2 E-Piano3 A-Guitr1 A-Guitr2 A-Guitr3 E-Guitr1 E-Guitr2 Slap-1 1 Slap-2 Slap-3 Slap-4 Slap-5 Slap-6 Slap-7 Slap-8 Finger-1 1 Finger-2 Picked-1 Picked-2 FretlsBs A-Bass Choir-1 Choir-2 Choir-3 Choir-4 Strngs-1 Strngs-2 Strngs-3 Strngs-4 E-Organ1 E-Organ2 E-Organ3 E-Organ4 E-Organ5 E-Organ6 E-Organ7 E-Organ8 E-Organ9 SoftTP-1 SoftTP-2 TP/TRB-1 TP/TRB-2 TP/TRB-3 TP/TRB-4 TP/TRB-5 TP/TRB-6 Sax-1 Sax-2 Sax-3 Sax-4 Brass-1 Brass-2 Brass-3 Brass-4 Brass-5 Orch-Hit Continued on page 37 33 E 2 2 2 2 1 1 1 2 2 2 1 2 2 2 1 2 2 2 2 2 2 2 2 1 2 1 2 1 2 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 2 2 1 1 1 2 1 1 2 2 2 1 Bank 127 a.piano1 a.piano2 a.piano3 e.piano1 e.piano2 e.piano3 e.piano4 hnkytnk e.organ1 e.organ2 e.organ3 e.organ4 pipeorg1 pipeorg2 pipeorg3 acordion harpsi1 harpsi2 harpsi3 clavi1 clavi2 clavi3 celesta1 celesta2 synbras1 synbras2 synbras3 synbras4 synbass1 synbass2 synbass3 synbass4 newagepd synharmo choir pd bowed pd soundtrk atmosphr syn warm synfunny synecho1 rain synoboe synecho2 synsolo synrdorg synbell squareld strsect1 strsect2 strsect3 pizz.str violin 1 violin 2 cello 1 cello 2 contrabs harp 1 harp 2 guitar 1 guitar 2 elecgtr1 elecgtr2 sitar E 1 1 1 1 1 1 1 2 2 2 1 1 2 2 2 2 1 2 1 1 1 1 1 1 2 2 2 2 1 1 2 1 2 2 2 2 2 2 2 1 2 2 2 2 2 2 1 2 2 2 2 1 2 1 1 1 1 1 1 1 1 2 2 1 DataList-E.qx 8/4/98 4:00 PM Page 34 TG300B Voice List (Normal voices) Bank Select MSB = Bank number, LSB = 000 Bank Select MSB Instrument Group Bank 0 E Bank 1 E Bank 2 E Bank 3 E Bank 4 E Bank 5 E Pgm # Continued from page 30 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax Alto Sax TnrSax 2 Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot 1 1 1 1 2 1 1 1 1 1 1 1 2 2 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 2 1 1 2 2 2 1 1 2 1 1 2 2 2 2 1 1 1 1 SquarLd2 Saw Ld 2 Vent Syn 1 Hollow 1 PulseSaw 2 PureLead 1 Mellow 2 ThickSaw 2 2 SoloSine 2 Big Lead 2 Shroud 2 VeloLead Big Five Big&Low Fantasy ThickPad PolyPd80 Heaven 2 2 Fat&Prky 2 2 Horn Pad 2 2 Tine Pad 2 Pan Pad 2 PolarPad HrmoRain Ancestrl SynMalet WarmAtms 2 2 2 1 2 AfrcnWnd Prologue SftCryst NylnHarp GobSynth EchoBell Starz Sitar 2 MuteBnjo Tsugaru 2 Creeper 2 Echo Pan 2 2 DetSitar 1 2 Shanai 2 1 Real Tom 2 Rev Cym2 CuttngNz Fl.KClik Shower Dog PhonCall CarEIgnt Laugh MchinGun 1 1 1 1 1 1 1 1 1 2 2 2 Soft Pad 2 2 2 2 RndGlock 2 Harp Vox 2 LoudGlok 2 HollwRls 2 GlockChi 2 Nylon EP 2 2 2 2 Echoes 2 2 Big Pan 2 Reso&Pan 2 2 2 RotarStr 2 Str Slap 1 CttngNz2 2 DstCutNz 2 B.Slide 2 Thunder Horse DoorSqek CarTSqel Scream LaserGun 1 1 1 1 1 2 1 1 1 1 1 2 2 1 1 1 1 2 1 1 2 1 Same as Bank 0 Wind Tweet 2 DoorSlam Car Pass Punch Xplosion Stream Kitty ScratchC CarCrash Heart E: Number of elements 34 Bubble Growl WindChim Siren Footstep DataList-E.qx Bank 6 8/4/98 E 4:00 PM Bank 7 E Page 35 Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E Continued from page 31 LMSquare HeavySyn 2 2 Dyna Saw ClearBel AtmosPad 2 ChrstBel 2 SynPiano 2 P.Scrape 1 Train ScratchS 1 JetPlane HyprAlto BrthTnSx 2 2 BassClar 1 Kawala 2 SineLead 1 Dr.Lead 1 2 DistLead 2 Converge ClaviPad Rave 2 VibeBell 2 Shwimmer 2 2 2 DigiBell 2 Celstial WaspySyn 2 ChorBell 2 2 2 Tambra Rabab 2 2 Tamboura Gopichnt 2 2 Taisho-k 2 Kanoon 2 Pungi Bonang Atrigane 1 2 Altair 2 Hichriki 2 Rama Cym 2 2 Castanet Gr.Cassa Mel Tom2 Ana Tom RevSnar1 1 1 1 Rock Tom 1 ElecPerc 1 RevSnar2 2 2 1 RevKick1 1 2 Burst 2 Coaster 2 2 2 Starship 2 Gamelan 35 2 S.Gamlan DataList-E.qx 8/4/98 4:00 PM Page 36 TG300B Voice List (Normal voices) Bank Select MSB = Bank number, LSB = 000 Bank Select MSB Instrument Group Bank 0 E Bank 17 E Bank 18 E Bank 19 E 2 Gamelmba 2 Bank 24 E Bank 25 E Pgm # Continued from page 32 Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SprnoSax Alto Sax TnrSax 2 Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute 1 Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot 1 1 1 1 2 1 1 1 1 1 1 2 2 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 AirBells 2 2 2 2 2 1 1 1 1 1 2 1 1 2 2 2 1 1 2 1 1 RevConBD 2 2 2 2 1 1 1 1 2 BellHarp 1 Same as Bank 0 Oud 2 Rev Tom1 1 Rev Tom2 E: Number of elements 36 1 DataList-E.qx Bank 26 8/4/98 E 4:00 PM Bank 32 E Page 37 Bank 33 E Bank 40 E Bank 126 E Bank 127 E Continued from page 33 Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence Silence a.bass 1 a.bass 2 e.bass 1 e.bass 2 slapbas1 slapbas2 fretles1 fretles2 flute1 flute2 piccolo1 piccolo2 recorder panpipes sax1 sax2 sax3 sax4 clarint1 clarint2 oboe eng.horn bassoon harmnica trumpet1 trumpet2 trmbone1 trmbone2 fr.horn1 fr.horn2 tuba brssect1 brssect2 vibe1 vibe2 symallet maletwin glocken tubulbel xylophen marimba koto sho shakhchi whistle1 whistle2 bottle breath timpani melotom deepsnar e.perc1 e.perc2 taiko taikorim cymbal castanet triangle orchehit telphone bird jam efctwatr efctjngl 37 1 1 1 1 1 1 1 1 1 1 1 2 1 2 2 1 1 1 1 1 1 1 1 1 1 1 2 2 1 2 2 1 2 1 1 1 2 2 1 1 2 1 2 2 2 1 2 2 1 1 1 1 1 1 1 2 1 1 1 1 1 1 2 2 DataList-E.qx 8/4/98 4:00 PM Page 38 XG Drum Map (Drum voices) Bank Select MSB 127 127 127 127 127 127 127 127 127 Bank Select LSB 0 0 0 0 0 0 0 0 0 Program# 1 2 3 4 5 6 7 8 9 Key Alternate Note# Note Off Group Standard Kit E Standard Kit 2 E Dry Kit *** E Bright Kit *** E Skim Kit **** E Slim Kit **** E Rogue Kit **** E Hob Kit **** E 13 C# -1 3 Surdo Mute 1 Surdo Mute V *** 1 Surdo Mute B *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 14 D -1 3 Surdo Open 1 Surdo Open V *** 1 Surdo Open B *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 15 D# -1 1 Hi Q B *** 1 Whip Slap 1 Whip Slap B *** 1 17 F -1 4 Hi Q Scratch H 1 Scratch H B *** 1 18 F# -1 4 Scratch L 16 E -1 1 Scratch L B *** 19 G -1 Finger Snap 1 Finger Snap B *** 1 20 G# -1 Click Noise 1 Click Noise B *** 1 21 A -1 Metronome Click 1 Metronome Click B *** 1 22 A# -1 Metronome Bell 1 Metronome Bell B *** 1 23 B -1 Seq Click L 1 Seq Click L B *** 1 24 C 0 Seq Click H 1 Seq Click H B *** 25 C# 0 Brush Tap 1 Brush Tap V *** 1 Brush Tap B *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 26 D 0 O Brush Swirl 1 Brush Swirl V *** 1 Brush Swirl B *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 27 D# 0 Brush Slap 1 Brush Slap V *** 1 Brush Slap B *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 28 E 0 O Brush Tap Swirl 1 Brush Tap Swirl V *** 1 Brush Tap Swirl B *** 1 Brush Tap Swirl L **** 29 F 0 O Snare Roll 1 Snare Roll 2 30 F# 0 Castanet 1 31 G 0 Snare Soft 1 Snare Soft 2 32 G# 0 Sticks 1 33 A Kick Soft 1 0 1 Snare Roll V *** 1 Snare Roll B *** Castanet B *** 1 Snare Dry Soft *** 1 Snare Soft B *** Sticks B *** Kick Dry Soft *** 1 Brush Tap Swirl L **** 1 Brush Tap Swirl L *** 1 Brush Tap Swirl L *** 1 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 1 Castanet Sk **** 1 Castanet H **** 1 Castanet H **** 1 Castanet H **** 1 1 Snare Dry Q **** 1 Snare Rough Q **** 1 Snare Brass Soft **** 1 Snare Brass Soft H **** 1 1 Sticks Q **** 1 Kick Soft 2 **** 1 Kick Soft 2 H **** 1 Open Rim Shot H Short 1 Open Rim Shot Dry V *** 1 Open Rim Shot B *** 1 Open Rim Shot Dry HPF **** 1 Open Rim Shot Sl **** 1 Open Rim Shot 2 **** 1 Open Rim Shot H Short 2 **** 1 Kick Tight 1 Kick Tight Short 1 Kick Dry Tight *** 1 Kick Dry Tight Q**** 1 Kick Tight Short L **** 1 Kick Dark 2 **** 1 Kick Dark 2 H **** 1 Kick Dry Mute *** Kick 1 Kick Short 37 C# 1 Side Stick 1 38 D 1 Snare 1 Snare Short 39 D# 1 Hand Clap 1 40 E 1 Snare Tight 1 Snare Tight H 41 F 1 42 F# 1 1 43 G 1 44 G# 1 45 A 1 1 46 A# 1 1 Floor Tom L 1 Hi-Hat Closed 1 Floor Tom H 1 Hi-Hat Pedal 1 Low Tom 1 1 Kick Dry Soft HPF **** 1 Kick Soft Dark **** 1 Open Rim Shot 36 C 1 1 Kick Soft B *** 1 35 B 1 Kick Tight B *** 1 1 1 Kick B *** 1 Kick Dry Mute HPF **** 1 Kick Short Dark **** 1 Kick Tight 4 **** 1 Kick Tight 4 H **** 1 Kick Room ** 1 Side Stick B *** 1 Side Stick Dry Q **** 1 Side Stick Q **** 1 Side Stick Tight **** 1 Side Stick Tight H **** 1 1 Snare Dry *** 1 Snare B *** 1 Snare Dry H **** 1 Snare Short HPF **** 1 Snare Snappy Short **** 1 Snare Snappy Short H **** 1 Snare Snappy 1 Snare Dry Mute *** 1 Snare Tight B *** Side Stick Dry *** Hand Clap B *** Floor Tom L Short *** 1 Floor Tom L B *** Floor Tom H Short *** 1 Floor Tom H B *** Low Tom Short *** 1 Low Tom B *** 1 Mid Tom L B *** Hi-Hat Closed L B *** Hi-Hat Pedal B *** 1 Hand Clap Dark **** 1 1 Snare Tight Mute **** 1 Snare Brass Hard **** 1 1 Floor Tom L Short Sk **** 1 Floor Tom L Tight **** 1 Floor Tom L Tight **** 1 Floor Tom L Tight H **** 1 Tom Room 1 1 Hi-Hat Closed 3 **** 1 Hi-Hat Closed 3 H **** 1 Floor Tom H Tight **** 1 Floor Tom H Tight H **** 1 Tom Room 2 1 Hi-Hat Closed L Q **** 1 1 Hi-Hat Pedal Q **** 1 Hi-Hat Pedal 3 **** 1 Hi-Hat Pedal 3 H **** 1 1 Low Tom Short Sk **** 1 Low Tom Tight **** 1 Low Tom Tight **** 1 Low Tom Tight H **** 1 Tom Room 3 1 Hi-Hat Open H **** 1 Hi-Hat Open Q **** 1 Hi-Hat Open 3 **** 1 Hi-Hat Open 3 H **** 1 1 Mid Tom L Tight **** 1 Mid Tom L Tight H **** 1 Tom Room 4 1 1 1 1 Mid Tom L Short *** 48 C 2 Mid Tom H 1 Mid Tom H Short *** 1 Mid Tom H B *** 1 Mid Tom H Short Sk **** 1 Mid Tom H Tight **** 1 Mid Tom H Tight **** 1 Mid Tom H Tight H **** 1 Tom Room 5 49 C# 2 Crash Cymbal 1 1 Crash Cymbal 1 V *** 1 Crash Cymbal 1 B *** 1 Crash Cymbal 1 Q **** 1 Crash Cymbal 1 L **** 1 Crash Cymbal 3 **** 1 Crash Cymbal 3 H **** 1 50 D 2 High Tom 1 High Tom Short *** 1 High Tom B *** 1 High Tom Short Sk **** 1 High Tom Tight **** 1 High Tom Tight **** 1 High Tom Tight H **** 1 Tom Room 6 51 D# 2 Ride Cymbal 1 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 B *** 1 Ride Cymbal 1 Sk **** 1 Ride Cymbal 1 L **** 1 52 E 2 Chinese Cymbal 1 Chinese Cymbal V *** 1 Chinese Cymbal B *** 1 Chinese Cymbal HPF **** 1 Chinese Cymbal L **** 53 F 2 Splash Cymbal V *** 1 Splash Cymbal B *** Ride Cymbal Cup 1 Tambourine 1 Splash Cymbal 1 56 G# 2 Cowbell 1 57 A 2 Crash Cymbal 2 1 58 A# 2 Vibraslap 1 59 B 2 1 Mid Tom L Short Sk **** 1 Mid Tom L Tight **** Ride Cymbal Cup Short *** 1 Ride Cup Q **** Tambourine B *** Cowbell L *** Crash Cymbal 2 V *** 1 Crash Cymbal 2 B *** Vibraslap B *** 1 Ride Cymbal Cup L **** 1 Ride Cymbal 3 **** 1 Ride Cymbal 3 H **** 1 Chinese Cymbal 2 **** 1 Chinese Cymbal 2 H **** 1 1 Ride Cymbal Cup 2 **** 1 Ride Cymbal Cup 2 H **** 1 1 Tambourine Q **** 1 Tambourine H **** 1 1 Splash Cymbal H **** 1 Splash Cymbal L Short **** 1 Splash Cymbal V *** 1 Splash Cymbal H **** 1 1 Cowbell HPF **** 1 Cowbell Dark **** 1 Cowbell Mid **** 1 Cowbell H **** 1 1 Crash Cymbal 4 **** 1 Crash Cymbal 4 H **** 1 1 1 Crash Cymbal 2 Dark **** 1 Crash Cymbal 2 L **** 1 Ride Cymbal 2 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 B *** 1 Ride Cymbal 2 Q **** 1 Ride Cymbal 2 L**** 1 Ride Cymbal 4 Q **** 1 Ride Cymbal 4 **** 60 C 3 Bongo H 1 Bongo H V *** 1 Bongo H B *** 1 Bongo H HPF **** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 61 C# 3 Bongo L 1 Bongo L V *** 1 Bongo L B *** 1 Bongo L HPF **** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 62 D 3 Conga H Mute 1 Conga H Mute V *** 1 Conga H Mute B *** 1 Conga H Mute HPF **** 1 Conga H Mute V *** 1 Conga H Mute 2 **** 1 Conga H Mute 2 H **** 1 63 D# 3 Conga H Open 1 Conga H Open V *** 1 Conga H Open B *** 1 Conga H Open HPF **** 1 Conga H Open V *** 1 Conga H Open 2 **** 1 Conga H Open 2 H **** 1 64 E 3 65 F 1 Conga L 1 Conga L V *** 1 Conga L B *** 1 Conga L HPF **** 1 Conga L H **** 1 Conga L 2 **** 1 Conga L 2 H **** 1 3 Timbale H 1 Timbale H V *** 1 Timbale H B *** 1 Timbale H HPF **** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 66 F# 3 Timbale L 1 Timbale L V *** 1 Timbale L B *** 1 Timbale L HPF **** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 67 G 3 Agogo H 1 Agogo H V *** 1 Agogo H B *** 1 Agogo H HPF **** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 68 G# 3 Agogo L 1 Agogo L V *** 1 Agogo L B *** 1 Agogo L HPF **** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 69 A Cabasa 1 Cabasa B *** 1 Cabasa BPF **** 1 70 A# 3 Maracas 1 Maracas B *** 1 Maracas L **** 1 Maracas Q **** 1 Maracas Q **** 1 Maracas Q **** 1 71 B 3 3 O Samba Whistle H 1 Samba Whistle H V *** 1 Samba Whistle H B *** 1 Samba Whistle H BPF **** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 72 C 4 O Samba Whistle L 1 Samba Whistle L V *** 1 Samba Whistle L B *** 1 Samba Whistle L BPF **** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 73 C# 4 Guiro Short 1 Guiro Short B *** 1 74 D 4 O Guiro Long 1 Guiro Long B *** 1 75 D# 4 Claves 1 Claves B *** 1 76 E 4 Wood Block H 1 Wood Block H B *** 77 F 4 Wood Block L 1 Wood Block L B *** 78 F# 4 Cuica Mute 1 Cuica Mute V *** 1 Cuica Mute B *** 79 G 4 Cuica Open 1 Cuica Open V *** 1 Cuica Open B *** 1 Cuica Open H **** 1 Cuica Open H **** 1 1 1 1 1 Cuica Open H **** 80 G# 4 2 Triangle Mute 1 Triangle Mute B *** 1 81 A 2 Triangle Open 1 Triangle Open B *** 1 4 82 A# 4 Shaker 1 Shaker B *** 1 83 B Jingle Bells 1 Jingle Bells B *** 1 Bell Tree 1 Bell Tree B *** 1 4 84 C 5 1 Cuica Open H **** 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5 : Same as Standard Kit : No sound ****: MU800 Extension ****: MU900 Extension ****: MU100 Extension 1 1 Hi-Hat Pedal H **** Mid Tom L 55 G 2 1 1 1 Hi-Hat Closed H **** 1 Floor Tom H Short Sk **** 1 Floor Tom H Tight **** 1 1 Snare Brass Hard H **** 1 Snare Tight Snappy Hi-Hat Open 54 F# 2 Hi-Hat Open B *** 1 Hand Clap Sk **** 1 Snare Dry Mute Q **** 1 47 B E 1 34 A# 0 0 Room Kit E: Number of elements Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously. For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time. 38 1 1 DataList-E.qx 8/4/98 4:00 PM Page 39 XG Drum Map (Drum voices) Bank Select MSB 127 Bank Select LSB 0 0 0 0 0 0 0 0 0 Program# 1 10 17 18 25 26 27 28 29 127 127 127 127 127 127 127 127 Key Alternate Note# Note Off Group Standard Kit E Dark Room Kit *** E Rock Kit E Rock Kit 2 *** E Electro Kit E Analog Kit E Analog Kit 2 *** E Dance Kit *** E Hip Hop Kit *** E 13 C# -1 3 Surdo Mute 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 14 D -1 3 Surdo Open 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 15 D# -1 Hi Q 1 16 E -1 Whip Slap 1 1 17 F -1 4 Scratch H 18 F# -1 4 Scratch L 1 19 G -1 Finger Snap 1 20 G# -1 Click Noise 1 21 A -1 Metronome Click 1 22 A# -1 Metronome Bell 1 23 B -1 Seq Click L 1 24 C 0 Seq Click H 25 C# 0 Brush Tap 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 26 D 0 O Brush Swirl 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 27 D# 0 Brush Slap 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 28 E 0 O Brush Tap Swirl 1 Brush Tap Swirl V *** 1 Brush Tap Swirl V *** 1 Reverse Cymbal 1 Brush Tap Swirl V *** 1 29 F 0 O Snare Roll 1 Snare Roll V *** 1 1 30 F# 0 Castanet 1 31 G 0 Snare Soft 1 32 G# 0 Sticks 1 33 A Kick Soft 1 0 Snare Roll V *** 1 Reverse Cymbal 1 1 Reverse Cymbal *** Snare Roll V *** Hi Q 2 Snare Noisy 1 Snare Noisy 5 *** 1 Snare Snappy Electro Kick Tight 2 1 Reverse Cymbal *** 1 Snare Roll V *** 1 1 1 Hi Q 2 1 Hi Q 2 *** 1 Hi Q 2 *** 1 1 Snare Noisy 4 1 Snare Analog 3 *** 1 Snare Techno 3 *** 1 Open Rim Shot 2 Soft *** 1 1 Kick Techno Q *** 1 Kick Dry Soft 2 *** 1 1 Open Rim Shot 2 *** 1 1 Kick Tight 3 *** 1 Kick 3 1 Kick Tight 2 1 Kick Techno Soft *** 34 A# 0 Open Rim Shot 1 35 B Kick Tight 1 Kick Dark *** 1 Kick 2 1 Kick 4 *** 1 Kick Gate 1 Kick Analog Short 1 Kick Techno Tight *** 1 Kick Techno L *** 1 Kick Dim *** 36 C 1 Kick 1 Kick Room Gate *** 1 Kick Gate 1 Kick Gate 2 *** 1 Kick Gate Heavy 1 Kick Analog 1 Kick Techno *** 1 Kick Techno 2 *** 1 Kick Boon *** 1 37 C# 1 Side Stick 1 1 Side Stick Analog *** 1 Side Stick Analog *** 1 Side Stick Dry *** 1 38 D 1 Snare 1 Snare Snappy 2 *** 1 Snare Techno *** 1 Snare Clap *** 2 Snare Dry Mute *** 1 39 D# 1 Hand Clap 1 40 E 1 Snare Tight 1 Snare Tight Snappy 2 *** 1 Snare Rock Rim 1 Snare Rock Rim Q *** 1 Snare Techno 2 *** 1 Snare Dry 2 *** 41 F 1 Floor Tom L 1 Tom Room 1 Q *** 1 Tom Rock 1 1 Tom Rock 1 H *** 1 Tom Analog 1 *** 1 Tom Analog 1 *** Hi-Hat Closed 1 Hi-Hat Closed Q *** 1 0 42 F# 1 1 43 G 1 44 G# 1 45 A 1 1 46 A# 1 1 Open Rim Shot Dry V *** 1 Rim Gate *** Side Stick Analog 1 Snare Rock Floor Tom H 1 Room Tom 2 Q *** 1 Tom Rock 2 Hi-Hat Pedal 1 Hi-Hat Pedal Q *** 1 Low Tom 1 Room Tom 3 Q *** 1 Tom Rock 3 1 Snare Rock 2 *** Hi-Hat Closed 2 *** 1 Tom Rock 2 H *** Hi-Hat Pedal 2 *** 1 Tom Rock 3 L Short *** 1 Snare Analog 1 Snare Noisy 3 1 Snare Analog 2 1 Tom Electro 1 1 Tom Analog 1 1 Hi-Hat Closed Analog 1 Tom Electro 2 1 1 Tom Analog 2 Hi-Hat Closed Analog 2 1 Tom Electro 3 1 1 1 Tom Analog 2 *** 1 Floor Tom H Short *** 1 Tom Analog 2 *** 1 Hi-Hat Closed Analog 2 *** 1 Hi-Hat Closed Analog 2 *** 1 Hi-Hat Pedal 2 H *** 1 1 1 Tom Analog 3 *** 1 Tom Analog 3 *** 1 Low Tom Short *** 1 1 Hi-Hat Open Analog *** 1 Hi-Hat Open 3 *** 1 Hi-Hat Open 2 L *** 1 1 Tom Analog 4 *** 1 Tom Analog 4 *** 1 Mid Tom L Short *** 1 1 Hi-Hat Open L *** 1 Mid Tom L 1 Tom Room 4 Dark *** 1 Tom Rock 4 1 Tom Rock 4 L Short *** 1 Tom Electro 4 1 Tom Analog 4 48 C 2 Mid Tom H 1 Tom Room 5 L Dark *** 1 Tom Rock 5 1 Tom Rock 5 L Short *** 1 Tom Electro 5 1 Tom Analog 5 1 Tom Analog 5 *** 1 Tom Analog 5 *** 1 Mid Tom H Short *** 1 49 C# 2 Crash Cymbal 1 1 Crash Analog 1 Crash Analog *** 1 Crash Analog *** 1 Crash Cymbal 1 V *** 1 50 D 2 High Tom 1 Tom Analog 6 1 Tom Analog 6 *** 1 Tom Analog 6 *** 1 High Tom Short *** 1 51 D# 2 Ride Cymbal 1 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 V *** 1 52 E 2 Chinese Cymbal 1 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1 53 F 2 Ride Cymbal Cup 1 54 F# 2 Tambourine 1 55 G 2 Splash Cymbal 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1 56 G# 2 Cowbell 1 57 A Crash Cymbal 2 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 58 A# 2 Vibraslap 1 59 B Ride Cymbal 2 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 V *** 1 60 C 3 Bongo H 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 61 C# 3 Bongo L 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 62 D 3 Conga H Mute 1 Conga H Mute V *** 1 Conga H Mute V *** 1 Conga Analog H 1 Conga Analog H *** 1 Conga Analog H *** 1 Conga H Mute V *** 1 63 D# 3 Conga H Open 1 Conga H Open V *** 1 Conga H Open V *** 1 Conga Analog M 1 Conga Analog M *** 1 Conga Analog M *** 1 Conga H Open V *** 1 64 E 3 Conga Analog L 1 Conga Analog L *** 1 Conga Analog L *** 1 Conga L V *** 65 F 2 2 1 Tom Rock 6 1 Tom Rock 6 L Short *** Hi-Hat Open Analog 1 1 Floor Tom L Short *** 1 Hi-Hat Closed 2 H *** Hi-Hat Open 1 Tom Room 6 L Dark *** 1 1 Tom Analog 3 1 Snare White *** 1 Hi-Hat Closed Analog *** 1 Hi-Hat Closed 3 *** 1 47 B Hi-Hat Open 2 *** 1 Snare Noisy 2 1 1 Tom Electro 6 Splash Cymbal V *** Cowbell Analog 1 Cowbell Analog *** 1 1 Cowbell Analog *** 1 1 1 1 Conga L 1 Conga L V *** 1 Conga L V *** 1 3 Timbale H 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 66 F# 3 Timbale L 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 67 G 3 Agogo H 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 68 G# 3 Agogo L 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 69 A Cabasa 1 70 A# 3 Maracas 1 71 B 3 Maracas 2 1 Maracas 2 *** 1 Maracas 2 *** 1 3 O Samba Whistle H 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 72 C 4 O Samba Whistle L 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 73 C# 4 Guiro Short 1 74 D 4 O Guiro Long 1 75 D# 4 Claves 1 76 E 4 Wood Block H 1 77 F 4 Wood Block L 1 78 F# 4 Claves 2 1 Claves 2 *** 1 Claves 2 *** 1 1 Cuica Mute V *** 1 Cuica Mute V *** 1 Scratch H 2 1 Scratch H 2 1 Scratch H 2 *** 1 Scratch H 2 *** 1 Cuica Mute V *** 1 Cuica Open 1 Cuica Open V *** 1 Cuica Open V *** 1 Scratch L 2 1 Scratch L 3 1 Scratch L 3 *** 1 Scratch L 3 *** 1 Cuica Open V *** 1 80 G# 4 2 Triangle Mute 1 81 A 2 Triangle Open 1 Cuica Mute 79 G 4 4 82 A# 4 Shaker 1 83 B Jingle Bells 1 Bell Tree 1 4 84 C 5 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5 : Same as Standard Kit : No sound ****: MU800 Extension ****: MU900 Extension ****: MU100 Extension E: Number of elements Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously. For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time. 39 DataList-E.qx 8/4/98 4:00 PM Page 40 XG Drum Map (Drum voices) Bank Select MSB 127 127 127 127 127 127 127 127 127 127 Bank Select LSB 0 0 0 0 0 0 0 0 0 0 Program# 30 31 32 33 34 41 42 49 65 66 Key Alternate Note# Note Off Group Jungle Kit *** E Apogee Kit **** E Perigee Kit **** E Jazz Kit E Jazz Kit 2 *** E Brush Kit E Brush Kit2 **** E Symphony Kit E Tramp Kit **** E Amber Kit **** E 13 C# -1 3 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 14 D -1 3 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 15 D# -1 16 E -1 17 F -1 4 18 F# -1 4 19 G -1 20 G# -1 21 A -1 22 A# -1 23 B -1 24 C 0 25 C# 0 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 26 D 0 O Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 27 D# 0 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 28 E 0 O Brush Tap Swirl V *** 1 Reverse Cymbal *** 1 Reverse Cymbal *** 1 Brush Tap Swirl V *** 1 Brush Tap Swirl L **** 1 Reverse Cymbal *** 1 Brush Tap Swirl L *** 1 29 F 0 O Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 1 Hi Q 2 *** 1 Castanet H **** 1 Hi Q 2 *** 1 1 Snare Techno 3 Q **** 1 Open Rim Shot 3 Soft **** 1 30 F# 0 Hi Q 2 *** 31 G 0 Rim Gate 2 *** 1 Snare Analog 4 **** 1 Snare Analog 4 H **** 1 Brush Slap 2 1 Snare Dry Hard **** 32 G# 0 33 A Sticks Q **** 0 Kick Cough *** 1 Kick Techno 3 **** 1 Kick Techno 3 **** 1 Kick Release **** 34 A# 0 Rim Gate 3 *** 1 Open Rim Shot L **** 1 Open Rim Shot L **** 1 Open Rim Shot Dry L **** 1 35 B Kick Zap *** 1 Kick Techno 4 **** 1 Kick Techno 4 H **** 1 Kick Cloudy H **** 36 C 1 Kick Dawn *** 1 Kick Techno Tight 2 **** 1 Kick Techno Tight 2 H **** 1 Kick Jazz 37 C# 1 Side Stick Dry *** 1 Side Stick Analog 2 **** 1 Side Stick Analog 2 H **** 1 38 D 1 Snare Tin *** 1 Snare Analog 5 **** 1 Snare Analog 5 H **** 1 0 39 D# 1 1 Kick Jazz L *** 1 1 Hi-Hat Pedal 2 Soft *** 1 Tom Analog 7 **** 1 Floor Tom Tech L **** Hi-Hat Closed L *** Hi-Hat Pedal L *** 1 1 Mid Tom L Short *** 1 Tom Techno 4 **** 48 C 2 Mid Tom H Short *** 1 Tom Techno 5 **** 49 C# 2 Crash Cymbal 1 V *** 1 Crash Analog *** 50 D 2 High Tom Short *** 1 Tom Techno 6 **** 1 Tom Techno 6 H **** 1 Tom Jazz 6 1 Tom Jazz 12 *** 51 D# 2 Ride Cymbal 1 V *** 1 Ride Cymbal Analog 1 **** 1 Ride Cymbal Analog 1 H **** 1 Ride Cymbal 1 V *** 1 52 E 2 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1 53 F 2 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Tom Techno 5 H **** 1 Tom Jazz 5 1 Tom Jazz 11 *** 1 Tom Brush 5 1 Tom Brush 11 **** 1 Crash Analog H **** 1 1 Tambourine H **** 1 1 Splash Cymbal H **** 1 Cowbell Analog L **** 1 Cowbell Analog H **** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 H **** 1 Ride Cymbal 2 V *** 56 G# 2 2 Hi-Hat Open 4 **** 1 Tom Brush 4 1 Tom Brush 10 **** Ride Cymbal Cup Q **** 1 Ride Cymbal Cup H **** 1 55 G 2 1 1 Tom Jazz 4 1 Tom Jazz 10 *** 1 Tom Techno 4 H **** Chinese Cymbal H **** 54 F# 2 Hi-Hat Pedal 4 **** 1 Tom Brush 3 1 Tom Brush 9 **** 1 Tom Techno 3 **** Hi-Hat Open L *** Hi-Hat Closed 4 **** 1 Tom Brush 2 1 Tom Brush 8 **** 1 Hi-Hat Open Analog 2 **** 1 Hi-Hat Open Analog 2 H **** 1 57 A 1 Tom Jazz 3 1 Tom Jazz 9 *** 1 Hi-Hat Open 2 Soft *** 47 B 1 Tom Techno 3 H **** Hand Clap Dark **** 1 Tom Jazz 2 1 Tom Jazz 8 *** 1 Hi-Hat Closed Analog 4 **** 1 Hi-Hat Closed Analog 4 H **** 1 Side Stick Analog Q **** 1 Side Stick Dry L **** 1 Snare Dry 2 Gate **** Low Tom Short *** 1 1 1 Tom Jazz 1 1 Tom Jazz 1 1 Tom Jazz 7 *** 46 A# 1 1 Kick Techno 2 Gate **** 1 Kick Comp 1 H**** 1 Band Snare 2 1 45 A 1 Gran Cassa Mute 1 Kick Comp 1 L**** 1 Tom Brush 1 1 Tom Brush 7 **** 1 1 Tom Techno 1 H **** 44 G# 1 1 1 Kick Techno L Q **** 1 Brush Tap 2 1 Brush Snare Loud **** 1 Clap Ambience H **** 1 Snare Analog 6 H **** 1 Tom Techno 1 **** 1 Tom Techno 2 H **** 1 1 Gran Cassa Snare Tight L *** Clap Ambience **** 1 Snare Analog 6 **** Floor Tom L Short *** 1 Tom Techno 2 **** 1 1 Snare Clap *** Snare Can *** Floor Tom H Short *** 1 Sticks Q **** 1 KickDrySoft3 **** 1 Open Rim Shot Dry **** 1 Band Snare 1 43 G 1 Rim Gate Lo-Fi **** 1 Brush Slap 3 1 Brush Slap 3 Q **** 1 Hi-Hat Closed 2 Soft *** 1 Hi-Hat Closed Analog 3 **** 1 Hi-Hat Closed Analog 3 H **** 1 1 Kick Techno Q 2 **** Snare H *** 41 F 1 1 Kick Cloudy L **** Side Stick B 2 **** 40 E 42 F# 1 1 Kick Small 1 Kick Soft 2 Crash Cymbal 4 **** 1 Tom Brush 6 1 Tom Brush 12 **** Ride Cymbal 1 H **** 1 1 1 1 2 Snare Dry Mute L **** 1 1 Hand Clap Dark **** 1 1 Hip Snare Long **** 1 1 Hi-Hat Closed 3 Dark **** 1 Hi-Hat Closed Tech **** 1 1 Tom Jazz 2 1 1 Tom Jazz 3 1 1 Tom Analog 8 **** 1 Floor Tom Tech H **** 1 Hi-Hat Closed Analog 2 L**** 1 Hi-Hat Pedal Tech **** 1 1 Tom Analog 9 **** 1 Low Tom Tech **** 1 Hi-Hat Open 3 Dark **** 1 Hi-Hat Open 3 Dark **** 1 1 Tom Jazz 4 1 Tom Analog 10 **** 1 Mid Tom Tech L **** 1 1 1 Tom Jazz 5 1 Tom Analog 11 **** 1 Mid Tom Tech H **** 1 Hand Cymbal 1 Crash Analog Dark **** 1 Crash Cymbal Dark **** 1 1 Tom Jazz 6 1 Tom Analog 12 **** 1 High Tom Tech **** 1 1 Hand Cymbal Short 1 Ride Cymbal 1 Dark **** 1 Ride Cymbal 1 Dark **** 1 Chinese Cymbal L **** 1 Chinese Cymbal H2 **** 1 Ride Cymbal Cup L *** 1 Ride Cymbal Cup 6 **** 1 1 Tambourine Dark **** 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Splash Cymbal L Q **** 1 Splash Cymbal L Q **** 1 Cowbell 2 **** 1 Cowbell Analog Q *** 1 Cowbell Lo-Fi **** 1 1 Crash Cymbal 2 Q **** 1 1 Ride Cymbal 2 V *** 1 Ride Cymbal Cup Dark **** 1 Ride Cymbal Cup Dark **** 1 Tambourine Dark **** Crash Cymbal 2 V *** 1 Hand Cymbal 2 1 Crash Cymbal 2 Q **** 58 A# 2 59 B 2 1 Ride Cymbal Analog 2 **** 1 Ride Cymbal Analog 2 H **** 1 Ride Cymbal 2 V *** 1 60 C 3 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 61 C# 3 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 62 D 3 Conga H Mute V *** 1 Conga Analog H Long **** 1 Conga Analog H Long H **** 1 Conga H Mute V *** 1 Conga H Mute V *** 1 Conga Analog H Long **** 1 Conga H Mute V *** 1 63 D# 3 Conga H Open V *** 1 Conga Analog M Long **** 1 Conga Analog M Long H **** 1 Conga H Open V *** 1 Conga H Open V *** 1 Conga Analog M Long **** 1 Conga H Open V *** 1 64 E 3 Conga L 2 **** 1 65 F Ride Cymbal 6 **** 1 Hand Cymbal 2 Short 1 Ride Cymbal 2 D **** 1 1 Conga L V *** 1 Conga Analog L Long **** 1 Conga Analog L Long H **** 1 Conga L V *** 1 Conga Analog L Long **** 1 Conga L 2 **** 1 3 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 66 F# 3 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 67 G 3 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 68 G# 3 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Maracas 2 *** 1 Maracas 2 *** 1 Maracas 2 *** 1 Maracas Q **** 1 69 A 3 70 A# 3 71 B Maracas Q **** 1 3 O Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 72 C 4 O Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 1 Claves 2 *** 1 Scratch H 2 *** 1 Scratch L 3 *** 1 Cuica Open H *** 73 C# 4 74 D 4 O 75 D# 4 76 E 4 77 F 4 Claves 2 *** 78 F# 4 79 G 4 80 G# 4 2 81 A 2 4 Cuica Mute V *** 1 Scratch H 2 *** 1 Scratch H 2 *** 1 Cuica Mute V *** 1 Cuica Open V *** 1 Scratch L 3 *** 1 Scratch L 3 *** 1 Cuica Open V *** 1 Cuica Open H **** 1 82 A# 4 83 B 4 84 C 5 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5 Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously. For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time. 40 1 DataList-E.qx 8/4/98 4:00 PM Page 41 XG Drum Map (Drum voices) 127 Bank Select MSB 127 Bank Select LSB 0 0 0 Program# 1 67 127 127 Key Alternate Standard Kit E Coffin Kit **** E 13 C# -1 3 Surdo Mute 1 Surdo Mute V *** 1 14 D -1 3 Surdo Open 1 Surdo Open V *** 1 Hi Q 16 E -1 MU100 Native**** 1 4 Scratch H 1 18 F# -1 4 Scratch L Finger Snap 1 20 G# -1 Click Noise 1 21 A -1 Metronome Click 1 22 A# -1 Metronome Bell 1 23 B -1 Seq Click L 1 24 C 0 Seq Click H 25 C# 0 Brush Tap 1 Brush Tap V *** 1 26 D 0 O Brush Swirl 1 Brush Swirl V *** 1 27 D# 0 Brush Slap 1 Brush Slap V *** 1 28 E 0 O Brush Tap Swirl 29 F 0 O 1 Brush Tap Swirl L *** 1 Snare Roll 1 Snare Roll V *** 1 Castanet 1 31 G 0 Snare Soft 1 Rim Gate 4 **** 1 Snare Soft# 32 G# 0 Sticks 1 Sticks Q **** 1 33 A Kick Soft 1 Kick Cough L **** 1 34 A# 0 Open Rim Shot 35 B Castanet# 1 Rim Gate 5 **** 1 Open Rim Shot# Kick Tight 1 Kick Comp 2 L **** 1 36 C 1 Kick 1 Kick Comp 2 H **** 1 37 C# 1 Side Stick 1 Side Stick Dry L **** 1 Side Stick# 38 D 1 Snare 1 Snare Tin L **** 1 Snare# 39 D# 1 Hand Clap 1 Hand Clap Dark **** 1 40 E 1 Snare Tight 1 Snare Can L **** 1 Snare Tight# 41 F 1 Floor Tom L 1 Floor Tom Tech L **** 1 Hi-Hat Closed 1 Hi-Hat Closed Tech **** 1 Hi-Hat Closed# Floor Tom H 1 Floor Tom Tech H **** 1 Hi-Hat Pedal 1 Hi-Hat Pedal Tech **** 1 Hi-Hat Pedal# Low Tom 1 Low Tom Tech **** 1 Hi-Hat Open 1 Hi-Hat Open 3 Dark **** 1 Hi-Hat Open# 1 43 G 1 44 G# 1 45 A 1 46 A# 1 47 B 1 1 1 1 1 1 1 1 1 1 1 Mid Tom L 1 Mid Tom Tech L **** 1 Mid Tom H 1 Mid Tom Tech H **** 1 49 C# 2 Crash Cymbal 1 1 Crash Cymbal Dark 2 **** 1 Crash Cymbal 1# 50 D 2 High Tom 1 High Tom Tech **** 51 D# 2 Ride Cymbal 1 1 Ride Cymbal Hard 2 **** 1 Ride Cymbal 1# 1 52 E 2 Chinese Cymbal 1 Chinese Cymbal Q **** 1 Chinese Cymbal# 1 53 F 2 Ride Cymbal Cup 1 Ride Cymbal Cup 5 **** 1 Ride Cymbal Cup# 1 54 F# 2 Tambourine 1 Tambourine Dark **** 1 55 G 2 Splash Cymbal 1 Tech Splash Cymbal **** 1 56 G# 2 Cowbell 1 Cowbell Lo-Fi **** 1 Cowbell# 1 57 A 1 Crash Cymbal 2# 1 1 Ride Cymbal 2# 1 Crash Cymbal 2 1 Crash Cymbal 2 Q **** 58 A# 2 Vibraslap 1 59 B 2 1 1 Ride Cymbal 2 1 Ride Cymbal 5 **** 60 C 3 Bongo H 1 Bongo H V *** 1 61 C# 3 Bongo L 1 Bongo L V *** 1 62 D 3 Conga H Mute 1 Conga H Mute V *** 1 Conga H Mute# 1 63 D# 3 Conga H Open 1 Conga H Open V *** 1 Conga H Open# 1 64 E 3 Conga L 1 Conga L 2 **** 1 Conga L# 1 65 F 3 Timbale H 1 Timbale H V *** 1 66 F# 3 Timbale L 1 Timbale L V *** 1 67 G 3 Agogo H 1 Agogo H V *** 1 68 G# 3 Agogo L 1 Agogo L V *** 1 69 A Cabasa 1 3 70 A# 3 Maracas 71 B 1 Maracas Q **** 1 3 O Samba Whistle H 1 Samba Whistle H V *** 1 72 C 4 O Samba Whistle L 1 Samba Whistle L V *** 1 73 C# 4 Guiro Short 1 74 D 4 O Guiro Long 1 75 D# 4 Claves 1 76 E 4 Wood Block H 77 F 4 Wood Block L 1 78 F# 4 Cuica Mute 1 79 G 4 Cuica Open 1 Cuica Open H *** 1 80 G# 4 2 Triangle Mute 1 81 A 2 Triangle Open 1 4 82 A# 4 Shaker 1 83 B Jingle Bells 1 Bell Tree 1 4 84 C 5 E 1 48 C 2 2 MU Basic**** 1 30 F# 0 42 F# 1 E 1 19 G -1 0 Standard Kit 1 Whip Slap 17 F -1 0 0 128 Standard Kit Note# Note Off Group 15 D# -1 127 1 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5 : Same as Standard Kit : No sound ****: MU800 Extension ****: MU900 Extension ****: MU100 Extension E: Number of elements Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously. For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time. 41 DataList-E.qx 8/4/98 4:00 PM Page 42 XG Drum Map (Drum voices) Bank Select MSB 126 126 Bank Select LSB 0 0 0 0 0 0 0 Program# 1 2 17 18 19 33 34 126 126 126 126 126 Key Alternate Note# Note Off Group 13 C# -1 3 14 D -1 3 SFX Kit 1 E SFX Kit 2 E Techno Kit K/S **** E Techno Kit Hi **** E Techno Kit Lo **** E Sakura Kit **** E Small Latin Kit **** E 15 D# -1 16 E -1 17 F -1 4 18 F# -1 4 19 G -1 20 G# -1 21 A -1 22 A# -1 23 B -1 24 C 0 25 C# 0 26 D 0 O 27 D# 0 28 E 0 O Insects **** 2 29 F 0 O Bacteria **** 2 36 C 1 Cutting Noise 1 Phone Call ** 1 Heavy Techno Kick 1 **** 1 Hyper Tom H 1 **** 1 Hyper Tom L 1 **** 1 Dora **** 1 Latin Cymbal Short **** 1 37 C# 1 Cutting Noise 2 2 Door Squeak 1 Heavy Techno Kick 2 **** 1 Asian Tom H **** 1 Asian Tom L **** 1 Tsuzumi Pon **** 1 Claves SL 1 **** 1 38 D 1 Distorted Cutting Noise ** 2 Door Slam 1 Psychedelic Kick **** 1 Lo-Fi Tom H **** 1 Lo-Fi Tom L **** 1 Tsuzumi Pu **** 1 Claves SL 2 **** 1 39 D# 1 String Slap 1 Scratch Cut 1 Gate Tekno Kick **** 1 Hyper Tom H 2 **** 1 Hyper Tom L 2 **** 1 Tsuzumi Ta **** 1 Claves SL 3 **** 1 40 E 1 Bass Slide ** 2 Scratch H 3 2 Rap Kick **** 1 Flanged Tom H **** 1 Flanged Tom L **** 1 Tsuzumi Chon **** 1 Claves SL 4 **** 1 41 F 1 Pick Scrape ** 1 Wind Chime 1 Heavy Techno Kick 3 **** 1 Minimal Tom H **** 1 Minimal Tom L **** 1 Tsuzumi Tsu **** 1 Claves SL 5 **** 1 1 Heavy Techno Kick 4 **** 1 Vox Drum H **** 1 Vox Drum L **** 1 Shimetaiko Ten **** 1 Muted Percussion SL 1 **** 1 1 Android Walk 1 H **** 1 Android Walk 1 L **** 1 Shimetaiko Tsu **** 1 Muted Percussion SL 2 **** 1 Asian Kick **** 1 Android Walk 2 H **** 1 Android Walk 2 L **** 1 Yagura Open **** 1 Muted Percussion SL 3 **** 1 Imbalance Kick **** 1 Electro Blip H **** 1 Electro Blip L **** 1 Ohdaiko Rim **** Justice Kick **** 1 Wood Percussions H **** 1 Wood Percussions L **** 1 Oriental Tambourine **** 1 Pandiero **** 1 Minimal Kick **** 1 Wood Door Open H **** 1 Wood Door Open L **** 1 Oriental Drum 1 **** 1 Surdo Mute SL 1 **** 1 48 C 2 Reso Noise Burst H **** 1 Reso Noise Burst L **** 1 Oriental Drum 2 **** 1 Surdo Mute SL 2 **** 1 49 C# 2 LFO Metal Attack H **** 1 LFO Metal Attack L **** 1 Oriental Drum 3 **** 1 Surdo Open SL **** 50 D 2 Steel Conga H **** 1 Oriental Rim 1 **** 1 Surdo Rim SL **** 1 51 D# 2 Rate Down Snare H **** 1 Rate Down Snare L **** 1 Oriental Rim 2 **** 1 Tamborim Mute **** 1 30 F# 0 31 G 0 32 G# 0 33 A 0 34 A# 0 35 B 0 42 F# 1 1 Telephone Ring 2 43 G 1 44 G# 1 45 A 1 1 46 A# 1 47 B Future Kick **** 1 1 52 E 2 53 F 2 Flute Key Click 1 Car Engine Ignition 1 Steel Conga L **** 1 Muted Percussion SL 4 **** 1 1 1 Radio Snare **** 1 Pop Ambient H **** 1 Pop Ambient L **** 1 Oriental Rim 3 **** 1 Tamborim Open **** 1 Car Tires Squeal 1 Cold Dry Snare 1 **** 1 Tunnel Ambient H **** 1 Tunnel Ambient L **** 1 Oriental Rim 4 **** 1 TimbaleL Drum **** 1 54 F# 2 Car Passing 1 Slap Snare **** 1 Vibraslap H **** 1 Vibraslap L **** 1 Oriental Metal Rim 1 **** 1 TimbaleH Drum **** 1 55 G 2 Car Crash 1 Cold Dry Snare 2 **** 1 Gun Shot Slap H **** 1 Gun Shot Slap L **** 1 Oriental Metal Rim 2 **** 1 TimbaleL Rim **** 56 G# 2 Siren 2 Cold Dry Snare 3 **** 1 Punch Snare H **** 1 Punch Snare L **** 1 Oriental Metal Rim 3 **** 1 TimbaleH Rim **** 1 57 A Train 1 Lo-Fi Metal Snare **** 1 Bomb Snare H **** 1 Bomb Snare L **** 1 Oriental Metal Rim 4 **** 1 Timbale Paila 1 **** 1 58 A# 2 Jet Plane 2 Space Tambourine H **** 1 Space Tambourine L **** 1 Oriental Metal Rim 5 **** 1 Timbale Paila 2 **** 1 59 B Starship 2 2 2 Ambient Cow Bell H **** 1 Ambient Cow Bell L **** 1 60 C 3 Burst 2 Chink Hat H **** 1 Chink Hat L **** 1 61 C# 3 Roller Coaster 2 Coal Mine 1 H **** 1 Coal Mine 1 L **** 1 62 D 3 Submarine 2 Coal Mine 2 H **** 1 Coal Mine 2 L **** 1 63 D# 3 Connectivity **** 2 Hammer Hit 1 H **** 1 Hammer Hit 1 L **** 1 64 E 3 Mystery **** 2 Hammer Hit 2 H **** 1 Hammer Hit 2 L **** 65 F 3 Hammer Hit 3 H **** 1 Hammer Hit 3 L **** 1 66 F# 3 Insensible Hah H **** 1 Insensible Hah L **** 1 67 G 3 Robot 1 H **** 1 Robot 1 L **** 1 1 68 G# 3 Shower 2 Laugh 1 Hi Pitch Slap H **** 1 Insensible Fuh H **** 1 Insensible Fuh L **** 69 A Thunder 1 Scream 1 Hi Pitch Slap L **** 1 Robot 2 H **** 1 Robot 2 L **** 3 1 1 70 A# 3 Wind 1 Punch 1 Rude Loop Cymbal H **** 1 Rude Loop Cymbal L **** 1 71 B 3 O Stream 2 Heart Beat 1 Noise Burst H **** 72 C 4 O Bubble 2 Foot Steps 1 Fizzer H **** 1 Fizzer L **** 1 73 C# 4 Feed ** 2 Applause 2 ** 1 Lo-Fi Shaker H **** 1 Lo-Fi Shaker L **** 1 74 D 4 O Cave **** 2 Temple Gong H **** 1 Temple Gong L **** 1 1 Noise Burst L **** 1 1 75 D# 4 76 E 4 77 F 4 78 F# 4 79 G 4 80 G# 4 2 81 A 2 4 82 A# 4 83 B 4 84 C 5 Dog 85 C# 5 Horse 1 Laser Gun 2 86 D 5 Bird Tweet 2 1 Explosion 2 87 D# 5 Kitty ** 1 Firework 2 88 E 5 Growl ** 1 Fireball **** 2 89 F 5 1 Machine Gun Haunted ** 2 90 F# 5 Ghost 2 91 G Maou ** 2 5 1 Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously. For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time. 42 DataList-E.qx 8/4/98 4:00 PM Page 43 TG300B Drum Map (Drum voices) Program# Note# Note 1 9 17 Alternate Standard Kit E Room Kit E Power Kit 25 E Electro Kit 26 41 33 E Analog Kit E Jazz Kit E Brush Kit 49 E Orchestra Kit 57 E SFX Set 128 E C/M Kit E assign 25 C# 0 Snare Roll TG 1 26 D 0 Finger Snap TG 1 27 D# 0 Hi Q TG 1 Hi-Hat Closed Orchestra 1 28 E 0 Whip Slap TG 1 Hi-Hat Pedal Orchestra 1 29 F 0 7 Scratch H TG 1 Hi-Hat Open Orchestra 1 30 F# 0 7 Scratch L TG 1 Ride Cymbal 1 Orchestra 1 31 G 0 Sticks TG 1 32 G# 0 Click Noise TG 1 33 A Metronome Click TG 1 34 A# 0 Metronome Bell TG 1 35 B Kick Tight 1 36 C 1 Kick 1 Kick Room 37 C# 1 Side Stick 1 38 D 1 Snare 1 39 D# 1 Hand Clap 1 40 E 1 Snare Tight 1 41 F 1 Floor Tom L 1 Tom Room 1 1 Tom Room 1 1 Tom Electro 1 42 F# 1 Hi-Hat Closed 1 43 G 1 Floor Tom H 1 Tom Room 2 1 Tom Room 2 1 Tom Electro 2 44 G# 1 Hi-Hat Pedal 1 45 A Low Tom 1 Tom Room 3 1 Tom Room 3 1 Tom Electro 3 46 A# 1 Hi-Hat Open 1 47 B 1 Mid Tom L 1 Tom Room 4 1 Tom Room 4 1 Tom Electro 4 1 Tom Analog 4 48 C 2 Mid Tom H 1 Tom Room 5 1 Tom Room 5 1 Tom Electro 5 1 Tom Analog 5 49 C# 2 Crash Cymbal 1 1 50 D 2 High Tom 1 Tom Room 6 1 Tom Room 6 1 Tom Electro 6 51 D# 2 Ride Cymbal 1 1 52 E 2 Chinese Cymbal 1 53 F 2 Ride Cymbal Cup 1 54 F# 2 Tambourine 1 Punch 1 Tambourine CM 55 G 2 Splash Cymbal 1 Heartbeat 1 56 G# 2 Cowbell 1 Footsteps 1 Cowbell CM 57 A Crash Cymbal 2 1 58 A# 2 Vibraslap 1 59 B Ride Cymbal 2 1 60 C 3 Bongo H 1 61 C# 3 Bongo L 1 62 D 3 Conga H Mute 1 Conga Analog H 1 63 D# 3 Conga H Open 1 Conga Analog M 64 E 3 Conga L 1 Conga Analog L 65 F 3 Timbale H 66 F# 3 67 G 3 68 0 0 1 1 1 1 2 2 Kick Tight Jazz TG 1 Kick Tight Jazz TG 1 Kick Orchestra 1 Kick Power 1 Kick Electro TG 1 Kick Analog 1 Kick Jazz Side Stick Analog Snare Power 1 Snare Electro TG Snare Power 2 1 Snare Analog 1 1 1 Tom Analog 1 1 Tom Jazz 1 Hi-Hat Closed Analog 1 Tom Analog 2 Hi-Hat Open Analog Crash Analog 1 Tom Analog 6 1 Gran Cassa Orchestra Kick Tight CM 1 1 Kick CM 1 Side Stick CM 1 Snare CM 1 1 Band Snare TG 1 Brush Slap TG 1 Castanet TG 2 1 Hi Q TG 1 Hand Clap CM 1 Brush Swirl TG 1 Band Snare TG 1 Whip Slap TG 1 Snare Electro CM 1 1 Timpani F 1 Scratch H TG 1 Floor Tom L CM 1 1 Scratch L TG 1 Hi-Hat Closed CM 1 1 Sticks TG 1 Floor Tom H CM 1 1 Click Noise TG 1 Hi-Hat Open Short CM 1 1 Tom Jazz 1 Timpani F# 1 Tom Jazz 2 1 Timpani G 1 1 Tom Jazz 3 Timpani G# 1 Tom Jazz 3 1 Timpani A 1 Tom Jazz 4 1 Tom Jazz 4 1 Timpani B 1 Tom Jazz 5 1 Tom Jazz 5 1 Timpani C 1 1 1 Tom Jazz 6 1 Metronome Click TG 1 Low Tom CM 1 1 Metronome Bell TG 1 Hi-Hat Open CM 1 1 Guitar Fret Noise 2 Mid Tom L CM 1 1 Cutting Noise H 1 Mid Tom H CM 1 1 Cutting Noise L 1 Crash Cymbal CM 1 1 String Slap 1 High Tom CM 1 Timpani D# 1 Flute Key Click 1 Ride Cymbal CM 1 Timpani E 1 Laugh 1 Timpani F' 1 Scream 1 Timpani A# Timpani C# 1 Tom Jazz 6 1 Timpani D Reverse Cymbal TG 1 Cowbell Analog 1 Brush Tap TG 1 1 Tom Jazz 2 Hi-Hat Closed Analog 2 1 Tom Analog 3 1 Kick Small 1 1 Hand Cymbal H TG Hand Cymbal L TG 1 Footsteps 1 Applause 1 1 Door Squeak 1 1 1 Door Slam 1 Bongo H CM 1 Scratch Cut 1 Bongo L CM 1 Wind Chime 1 Conga H Mute CM 1 1 Ignition 1 Conga H Open CM 1 1 Squeal 1 Conga L CM 1 1 Exhaust 1 Timbale H CM 1 Timbale L 1 Crash 1 Timbale L CM 1 Agogo H 1 Siren 1 Agogo H CM 1 G# 3 Agogo L 1 Train 1 Agogo L CM 1 69 A Cabasa 1 Jet Plane 2 Cabasa CM 1 70 A# 3 Maracas 1 Helicopter 1 Maracas CM 1 71 B 3 2 Samba Whistle H TG 1 Starship 2 Samba Whistle H TG CM 1 72 C 4 2 Samba Whistle L TG 1 Gunshot 1 Samba Whistle L TG CM 1 73 C# 4 3 Guiro Short TG 1 Machine Gun 1 Vibraslap CM 74 D 4 3 Guiro Long TG 1 Laser Gun 2 75 D# 4 Claves 1 Explosion 2 Claves CM 1 76 E 4 Wood Block H 1 Dog 1 Laugh 1 77 F 4 Wood Block L 1 Horse 1 Scream 1 78 F# 4 4 Cuica Mute TG 1 Bird Tweet 2 Punch 1 79 G 4 4 Cuica Open TG 1 Shower 2 Heartbeat 1 80 G# 4 5 Triangle Mute TG 1 Thunder 1 Footsteps 1 81 A 5 Triangle Open TG 1 Wind 1 Footsteps 1 82 A# 4 Shaker 1 Seashore 2 Applause 1 83 B Jingle Bells 1 Stream 2 Door Squeak 1 84 C 5 Bell Tree 1 Bubble 2 Door Slam 1 85 C# 5 Castanet TG 1 Scratch Cut 1 86 D 5 6 Surdo Mute TG 1 Wind Chime 1 87 D# 5 6 Surdo Open TG 1 Ignition 1 88 E 5 Squeal 1 89 F 5 Exhaust 1 90 F# 5 Crash 1 91 G 5 Siren 2 92 G# 5 Train 1 93 A Jet Plane 2 94 A# 5 Helicopter 1 95 B 5 Starship 2 96 C 6 Gunshot 1 97 C# 6 Machine Gun 1 98 D 6 Laser Gun 2 99 D# 6 Explosion 2 100 E 6 Dog 1 101 F 6 Horse 1 102 F# 6 Bird Tweet 2 103 G 6 Shower 2 104 G# 6 Thunder 1 105 A Wind 1 106 A# 6 Seashore 2 107 B 6 Stream 2 108 C 7 Bubble 2 3 4 4 Maracas 2 Claves 2 1 1 Applause 5 6 : Same as Standard Kit : No sound Drum and percussion sounds assigned to the same Alternate Assign numbered group cannot be sounded simultaneously. For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time. 43 1 1 DataList-E.qx 8/4/98 4:00 PM Page 44 A/D Input Preset List BANK Source 0 MIC Preset Name input gain var type 1 GUITAR Preset Name (Note 1) input gain var type 2 KEYBOARD Preset Name input gain var type 3 AUDIO Preset Name (Note 2) input gain var type 18 STEREO Preset Name KEYBOARD input gain (Note 3) var type 19 STEREO Preset Name AUDIO input gain (Note 3) var type A/D1 A/D2 PGM CNG# = 0 Off mic Off mic Off line Off line Off line Off line - 1 Mic mic Guitar mic Keyboard line Audio line Keyboard line Audio line - 2 3 Reverb Chorus mic mic Reverb Chorus mic mic Reverb Chorus line line Reverb Chorus line line Reverb Chorus line line Reverb Chorus line line - 4 Chorus+Reverb mic Chorus+Reverb mic Chorus+Reverb line Chorus+Reverb line Chorus+Reverb line Chorus+Reverb line - 5 Karaoke1 mic Karaoke1 Tube mic Amp Sim. Phaser EP line Phaser 6 7 Karaoke2 Karaoke3 mic mic Karaoke2 Karaoke3 Stack Flang Gtr mic mic Amp Sim. Flanger Pan EP Wah Clavi line line Auto Pan Touch Wah 8 Echo mic Echo Clean Gtr mic Celeste Rotary Orgn line Rotary Speaker 9 Vocal mic Stage1 Funk Gtr mic Touch Wah Synth Str line Symphonic 10 Studio mic Exciter Tremolo mic Tremolo Synth Pad line Flanger2 11 Oct Up mic Pitch Change Phaser mic Phaser Synth Lead line Delay LCR 12 Oct Down mic Pitch Change 5th Guitar mic Pitch Change SFX line Pitch Change Phaser EP Pan EP Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX line line line line line line line line Phaser Auto Pan Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change (Note 1) Depending on the guitar, the input may be distorted. Adjust the input level from your software or guitar. (Note 2) AUDIO sets PAN to Lch for A/D1 and Rch for A/D2. (Note 3) The Stereo setting can be selected only for A/D1. The A/D1 and A/D2 inputs will be handled as the Lch and Rch respectively of a stereo signal. 44 DataList-E.qx 8/4/98 4:00 PM Page 45 Effect Type List n The letter “H” shown to the right of each Effect Type’s MSB/LSB value means that the value is hexadecimal. REVERB No. 0 1 2 3 4 5 6 7 8 9 10 11 12 MSB 00H 01H 01H 02H 02H 02H 03H 03H 04H 10H 11H 12H 13H LSB 00H 00H 01H 00H 01H 02H 00H 01H 00H 00H 00H 00H 00H Effect Type NO EFFECT HALL 1 HALL 2 ROOM 1 ROOM 2 ROOM 3 STAGE 1 STAGE 2 PLATE WHITE ROOM TUNNEL CANYON BASEMENT Remarks Turn off the effect. Effect Type NO EFFECT CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 FLANGER 1 FLANGER 2 FLANGER 3 SYMPHONIC ENSEMBLE DETUNE PHASER 1 Remarks Turn off the effect. Reverb simulating the acoustics of a hall. Reverb simulating the acoustics of a room. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb device. Unique short reverb with a slight initial delay. Simulation of a cylindrical space extending to left and right. A hypothetical acoustic space which extends without limit. Reverb with distinctive resonance following a slight initial delay. CHORUS No. 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 MSB 00H 41H 41H 41H 41H 42H 42H 42H 42H 43H 43H 43H 44H 57H 48H LSB 00H 00H 01H 02H 08H 00H 01H 02H 08H 00H 01H 08H 00H 00H 00H A standard chorus effect, adding natural spaciousness to the sound. An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound. An effect reminiscent of a jet airplane taking off and landing. A multi-stage version of CELESTE modulation. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. Cyclically changes the phase to modulate the sound. 45 DataList-E.qx 8/4/98 4:00 PM Page 46 VARIATION No. 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 MSB 00H 01H 01H 02H 02H 02H 03H 03H 04H 10H 11H 12H 13H 05H 06H 07H 08H 09H 09H 0AH 0BH 14H 14H 14H 41H 41H 41H 41H 42H 42H 42H 42H 43H 43H 43H 44H 57H 58H 45H 56H 46H 47H 48H 48H 49H 49H 4AH 4BH 4CH 4DH 4EH 4EH 4EH 52H 52H 52H 52H 50H 50H 51H 53H 54H 55H 5DH 5EH 5FH 5FH 60H 60H 61H 61H 40H LSB 00H 00H 01H 00H 01H 02H 00H 01H 00H 00H 00H 00H 00H 00H 00H 00H 00H 00H 01H 00H 00H 00H 01H 02H 00H 01H 02H 08H 00H 01H 02H 08H 00H 01H 08H 00H 00H 00H 00H 00H 00H 00H 00H 08H 00H 01H 00H 00H 00H 00H 00H 01H 02H 00H 01H 02H 08H 00H 01H 00H 00H 00H 00H 00H 00H 00H 01H 00H 01H 00H 01H 00H Effect Type NO EFFECT HALL 1 HALL 2 ROOM 1 ROOM 2 ROOM 3 STAGE 1 STAGE 2 PLATE WHITE ROOM TUNNEL CANYON BASEMENT DELAY L,C,R DELAY L,R ECHO CROSS DELAY ER 1 ER 2 GATE REVERB REVERSE GATE KARAOKE 1 KARAOKE 2 KARAOKE 3 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 FLANGER 1 FLANGER 2 FLANGER 3 SYMPHONIC ENSEMBLE DETUNE AMBIENCE ROTARY SPEAKER 2WAY ROTARY SPEAKER TREMOLO AUTO PAN PHASER 1 PHASER 2 DISTORTION COMP+DISTORTION OVER DRIVE AMP SIMULATOR 3BAND EQ(MONO) 2BAND EQ(STEREO) AUTO WAH(LFO) AUTO WAH+DIST AUTO WAH+ODRV TOUCH WAH 1 TOUCH WAH 2 TOUCH WAH+DIST TOUCH WAH+ODRV PITCH CHANGE 1 PITCH CHANGE 2 HARMONIC ENHANCER COMPRESSOR NOISE GATE VOICE CANCEL TALKING MODULATOR LO-FI DIST+DELAY OVERDRIVE+DELAY COMP+DIST+DELAY COMP+OVERDRIVE+DELAY WAH+DIST+DELAY WAH+OVERDRIVE+DELAY THRU Remarks Turns off the effect. Reverb simulating the acoustics of a hall. Reverb simulating the acoustics of a room. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb device. Distinctive short reverb with a slight initial delay. Simulation of a cylindrical space extending to left and right. A hypothetical acoustic space which extends without limit. Reverb with distinctive resonance following a slight initial delay. Three delay sounds L, R and C (center). Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. This effect isolates only the early reflection components of the reverb. Simulation of gated reverb. Simulation of gated reverb played back in reverse. Echo for karaoke. Conventional chorus effect which gives natural spaciousness to the sound. A three-phase LFO is used to give modulation and spaciousness to the sound. An effect reminiscent of a jet airplane taking off and landing. A multi-stage version of CELESTE modulation. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. An effect which adds spatial breadth by blurring the location of the sound. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. Cyclically changes the phase to modulate the sound. Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well. Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level. Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well. Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well. Mono EQ with equalization of LOW, MID and HIGH. Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts. Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah. Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way. Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. This effect changes the pitch of the input signal. This effect adds new overtones to the input signal to make the sound stand out. Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc. Attenuates the vocal part from sources such as CDs. Adds a vowel sound to the input signal. Degrades the audio quality of the input signal. DISTORTION and DELAY are connected in series. OVERDRIVE and DELAY are connected in series. COMPRESSOR, DISTORTION and DELAY are connected in series. COMPRESSOR, OVERDRIVE and DELAY are connected in series. TOUCH WAH, DISTORTION and DELAY are connected in series. TOUCH WAH, OVERDRIVE and DELAY are connected in series. Bypass without applying an effect. 46 DataList-E.qx 8/4/98 4:00 PM Page 47 INSERTION1,2 No. 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 MSB 40H 01H 01H 02H 02H 02H 03H 03H 04H 05H 06H 07H 08H 14H 14H 14H 41H 41H 41H 41H 42H 42H 42H 42H 43H 43H 43H 44H 57H 45H 46H 47H 48H 49H 4AH 4BH 4CH 4DH 4EH 52H 52H 51H 53H 54H LSB 00H 00H 01H 00H 01H 02H 00H 01H 00H 00H 00H 00H 00H 00H 01H 02H 00H 01H 02H 08H 00H 01H 02H 08H 00H 01H 08H 00H 00H 00H 00H 00H 00H 00H 00H 00H 00H 00H 00H 00H 08H 00H 00H 00H Effect Type THRU HALL 1 HALL 2 ROOM 1 ROOM 2 ROOM 3 STAGE 1 STAGE 2 PLATE DELAY L,C,R DELAY L,R ECHO CROSS DELAY KARAOKE 1 KARAOKE 2 KARAOKE 3 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 FLANGER 1 FLANGER 2 FLANGER 3 SYMPHONIC ENSEMBLE DETUNE ROTARY SPEAKER TREMOLO AUTO PAN PHASER 1 DISTORTION OVER DRIVE AMP SIMULATOR 3BAND EQ(MONO) 2BAND EQ(STEREO) AUTO WAH(LFO) TOUCH WAH 1 TOUCH WAH 2 HARMONIC ENHANCER COMPRESSOR NOISE GATE Remarks Bypass without applying an effect. Reverb simulating the acoustics of a hall. Reverb simulating the acoustics of a room. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb device. Three delay sounds L, R and C (center). Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. Echo for karaoke. Conventional chorus effect which gives natural spaciousness to the sound. A three-phase LFO is used to give modulation and spaciousness to the sound. An effect reminiscent of a jet airplane taking off and landing. A multi-stage version of CELESTE modulation. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. Cyclically changes the phase to modulate the sound. Adds distortion with an edge to the sound. Adds mild distortion to the sound. Simulation of a guitar amp. Mono EQ with equalization of LOW, MID and HIGH. Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts. Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. This effect adds new overtones to the input signal to make the sound stand out. Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc. 47 DataList-E.qx 8/4/98 4:00 PM Page 48 Effect MSB/LSB List n “DEC” means Decimal and “HEX” means Hexadecimal. REVERB TYPE TYPE MSB DEC HEX 000 0 001 1 002 2 003 3 004 4 005 5 : : 015 F 016 10 017 11 018 12 019 13 020 14 : : 127 7F 00 NO EFFECT HALL 1 ROOM 1 STAGE 1 PLATE NO EFFECT : NO EFFECT WHITE ROOM TUNNEL CANYON BASEMENT NO EFFECT : NO EFFECT TYPE LSB 02 01 HALL 2 ROOM 2 STAGE 2 ... 08 ROOM 3 Same as basic effects (LSB = 00) NO EFFECT CHORUS TYPE TYPE MSB DEC HEX 000 0 001 1 : : 064 40 065 41 066 42 067 43 068 44 069 45 : : 071 47 072 48 073 49 : : 086 56 087 57 088 58 : : 127 7F TYPE LSB 02 00 01 NO EFFECT NO EFFECT : NO EFFECT CHORUS 1 CHORUS 2 CELESTE 1 CELESTE 2 FLANGER 1 FLANGER 2 SYMPHONIC NO EFFECT : NO EFFECT PHASER 1 NO EFFECT : NO EFFECT ENSEMBLE DETUNE NO EFFECT : NO EFFECT ... CHORUS 3 CELESTE 3 Same as basic effects (LSB = 00) NO EFFECT 48 08 CHORUS 4 CELESTE 4 FLANGER 3 DataList-E.qx 8/4/98 4:00 PM Page 49 VARIATION TYPE (MSB=0 - 63) TYPE MSB DEC HEX 000 0 001 1 002 2 003 3 004 4 005 5 006 6 007 7 008 8 009 9 010 A 011 B 012 C : : 015 F 016 10 017 11 018 12 019 13 020 14 021 15 : : 063 3F 00 NO EFFECT HALL 1 ROOM 1 STAGE 1 PLATE DELAY L,C,R DELAY L,R ECHO CROSS DELAY ER 1 GATE REVERB REVERSE GATE NO EFFECT or THRU : NO EFFECT or THRU WHITE ROOM TUNNEL CANYON BASEMENT KARAOKE 1 NO EFFECT or THRU : NO EFFECT or THRU TYPE LSB 02 01 HALL 2 ROOM 2 STAGE 2 ... 08 ROOM 3 ER 2 KARAOKE 2 KARAOKE 3 Same as basic effects (LSB = 00) NO EFFECT (for SYS)or THRU (for INS) VARIATION TYPE (MSB=64 - 127) TYPE MSB DEC HEX 064 40 065 41 066 42 067 43 068 44 069 45 070 46 071 47 072 48 073 49 074 4A 075 4B 076 4C 077 4D 078 4E 079 4F 080 50 081 51 082 52 083 53 084 54 085 55 086 56 087 57 088 58 089 59 : : 092 5C 093 5D 094 5E 095 5F 096 60 097 61 098 62 : : 127 7F 00 THRU CHORUS 1 CELESTE 1 FLANGER 1 SYMPHONIC ROTARY SPEAKER TREMOLO AUTO PAN PHASER 1 DISTORTION OVER DRIVE AMP SIMULATOR 3-BAND EQ 2-BAND EQ AUTO WAH(LFO) THRU PITCH CHANGE1 HARMONIC ENHANCER TOUCH WAH 1 COMPRESSOR NOISE GATE VOICE CANCEL 2WAY ROTARY SPEAKER ENSEMBLE DETUNE AMBIENCE THRU : THRU TALKING MODULATOR LO-FI DIST+DELAY COMP+DIST+DELAY WAH+DIST+DELAY THRU : THRU TYPE LSB 02 01 CHORUS 2 CELESTE 2 FLANGER 2 CHORUS 3 CELESTE 3 ... 08 CHORUS 4 CELESTE 4 FLANGER 3 PHASER 2 COMP+DISTORTION AUTO WAH+DIST AUTO WAH+OVERDRIVE PITCH CHANGE2 TOUCH WAH+DIST TOUCH WAH+OVERDRIVE OVERDRIVE+DELAY COMP+OVERDRIVE+DELAY WAH+OVERDRIVE+DELAY Same as basic effects (LSB = 00) THRU 49 TOUCH WAH 2 DataList-E.qx 8/4/98 4:00 PM Page 50 INSERTION TYPE TYPE MSB DEC HEX 000 0 001 1 002 2 003 3 004 4 005 5 006 6 007 7 008 8 009 9 : : 019 13 020 14 021 15 : : 063 3F 064 40 065 41 066 42 067 43 068 44 069 45 070 46 071 47 072 48 073 49 074 4A 075 4B 076 4C 077 4D 078 4E 079 4F 080 50 081 51 082 52 083 53 084 54 085 55 086 56 087 57 088 58 : : 127 7F 00 THRU HALL 1 ROOM 1 STAGE 1 PLATE DELAY L,C,R DELAY L,R ECHO CROSS DELAY THRU : THRU KARAOKE 1 THRU : THRU THRU CHORUS 1 CELESTE 1 FLANGER 1 SYMPHONIC ROTARY SPEAKER TREMOLO AUTO PAN PHASER 1 DISTORTION OVER DRIVE AMP SIMULATOR 3BAND EQ 2-BAND EQ AUTO WAH(LFO) THRU THRU HARMONIC ENHANCER TOUCH WAH 1 COMPRESSOR NOISE GATE THRU THRU ENSEMBLE DETUNE THRU : THRU TYPE LSB 02 01 HALL 2 ROOM 2 STAGE 2 ROOM 3 KARAOKE 2 KARAOKE 3 CHORUS 2 CELESTE 2 FLANGER 2 CHORUS 3 CELESTE 3 ... 08 CHORUS 4 CELESTE 4 FLANGER 3 TOUCH WAH 2 Same as basic effects (LSB = 00) THRU 50 DataList-E.qx 8/4/98 4:00 PM Page 51 Effect Parameter List n Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2. n Dry/Wet is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2. n Abbreviations used in the effect block diagrams LPF = HPF = LSF = HSF = PDF = EF = ER = Low Pass Filter High Pass Filter Low Shelving Filter High Shelving Filter Peak Dip Filter Envelope Follower Early Reflection HALL1, HALL2, ROOM1, ROOM2, ROOM3, STAGE1, STAGE2, PLATE (Reverb, Variation, Insertion1, 2 block) No. 1 2 3 4 5 6 7 8 9 10 Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Display 0.3~30.0s 0~10 0.1~99.3ms Thru~8.0kHz 1.0k~Thru Value 0-69 0-10 0-63 0-52 34-60 Dry/Wet D63>W ~ D=W ~ DR ~ E=R ~ E W ~ D=W ~ D R ~ E=R ~ E W ~ D=W ~ D W ~ D=W ~ D R Delay Feedback Level Input Select High Damp Display 0.1~743.0ms (variation block) 0.1~371.4ms (insertion1,2 block) 0.1~743.0ms (variation block) 0.1~371.4ms (insertion1,2 block) -63~+63 L,R,L&R 0.1~1.0 Value See Table 1-7430 1-3714 1-7430 1-3714 1-127 0-2 1-10 Dry/Wet D63>W ~ D=W ~ D L Delay 3 4 5 6 7 8 9 10 11 12 13 14 15 16 table#3 table#3 L L LSF dry (L) HSF + LSF HSF R dry (R) table#3 table#3 L DELAY LPF LPF DELAY LPF LPF R dry (R) L R DELAY HSF Control 1-127 D63>W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D H ~ L=H ~ L R,L->R,L<-R,Lturn,Rturn,L/R Value 0-127 0-127 0-127 0-5 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 4-40 52-76 28-58 52-76 table#3 100Hz~10.0kHz (variation block) -12~+12dB (variation block) 1.0~12.0 (variation block) 14-54 table#3 52-76 10-120 11 EQ Mid Frequency 12 EQ Mid Gain 13 EQ Mid Width 14 15 16 L L LSF HSF L + + R R 55 LSF HSF table#3 AUTO PAN R Control DataList-E.qx 8/4/98 4:00 PM Page 56 PHASER 1 (Chorus, Variation, Insertion 1, 2 block) No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level Display 0.00Hz~39.7Hz 0~127 0~127 -63~+63 Value 0-127 0-127 0-127 1-127 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D W ~ D=W ~ D R Delay Lch Delay Lch Delay1 Lch Delay2 Lch Feedback Level Lch Init Delay LFO Depth LFO Frequency Effect types in which the parameter exists TREMOLO AMP SIMULATOR COMPRESSOR type NOISE GATE LO-FI DELAY L,C,R DELAY L,C,R 2WAY ROTARY SPEAKER WAH type DIST+DELAY,OVERDRIVE+DELAY, COMP+DIST+DELAY,COMP+ODRV+DELAY, WAH+DIST+DELAY,WAH+ODRV+DELAY CHORUS type KARAOKE1,2,3 AMBIENCE ECHO REVERB type, EARLY REF type REVERB type ENSEMBLE DETUNE REVERB type, EARLY REF type, PHASER DISTORTION type HARMONIC ENHANCER TALKING MODULATION 2WAY ROTARY SPEAKER 2WAY ROTARY SPEAKER All types DISTORTION type LO-FI All types All types All types All types All types All types All types REVERB type AUTO PAN DELAY L,C,R DELAY L,R DELAY L,R REVERB type DELAY type,EARLY REF type,PITCH CHANGE type KARAOKE type CHORUS type, FLANGER type PHASER type LO-FI PITCH CHANGE type PITCH CHANGE type REVERB type VOICE CANCEL REVERB type,DELAY type,EARLY REF type REVERB type,EARLY REF type,KARAOKE type,HARMONIC ENHANCER REVERB type EARLY REF type PITCH CHANGE type All types CROSS DELAY AUTO PAN CROSS DELAY DELAY type ECHO ECHO ECHO ENSEMBLE DETUNE CHORUS type,FLANGER type,SYMPHONIC ROTARY SPEAKER PHASER type WAH type CHORUS type,FLANGER type,SYMPHONIC ROTARY SPEAKER TREMOLO AUTO PAN PHASER type WAH type Explanation of parameter Depth of volume modulation Select the type of amp to be simulated Time until the compressor effect begins to apply Time until the gate begins to open Adjust the word length of the audio data Length of the center channel delay Volume of the center channel Crossover frequency between the high-range and low-range speakers Frequency offset value that will control the wah filter Mixing amount of delay sound Offset value of delay modulation Spacing of reflections for karaoke echo Delay length Volume of second delay Density of reflections. Higher values produce closer spacing Depth of the simulated room Amount of pitch shift Control the spaciousness Depth of distortion Depth at which the exciter effect is applied Depth at which the exciter effect is applied Depth of modulation caused by rotation of the low-range speaker Depth of modulation caused by rotation of the high-range speaker Balance between dry sound and effect sound Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually) Modify the character of the high range Frequency at which the EQ will boost/cut the high range Gain amount by which the EQ will boost/cut the high range Frequency at which the EQ will boost/cut the low range Gain amount by which the EQ will boost/cut the low range Frequency at which the EQ will boost/cut the mid range Gain amount by which the EQ will boost/cut the mid range Width of the area boosted/cut by the mid-range EQ Level balance between the early reflections and the reverberation Depth of front/back panning (valid when PAN Direction=Lturn,Rturn) Length of feedback delay Length of feedback delay 1 Length of feedback delay 2 Feedback amount of initial delay Feedback amount Setting for repeated reflections Level at which delay output is again returned to the input (negative values invert the phase) Level at which phaser output is again returned to the input (negative values insert the phase) Select the type of tonal effect Fine adjustment to pitch of first sound Fine adjustment to pitch of second sound Height of simulated room Adjust the upper limit of the mid-frequency range that will be attenuated Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly) Frequency at which the high pass filter will cut the low range Delay time until the early reflections Delay length until ER (GateReverb) sounds Delay length Mono/stereo switch for input Input select Depth of left/right panning Delay time from left (input) to right (output) Length of left channel delay Length of first left channel delay Length of second left channel delay Amount of left channel feedback Length of left channel delay Depth of delay modulation Depth of modulation caused by speaker rotation Depth of phase modulation Depth at which the wah filter will be controlled Frequency of delay modulation Frequency at which the speaker will rotate Modulation frequency Autopan frequency Phase modulation frequency Frequency at which wah filter will be controlled 63 DataList-E.qx 8/4/98 Parameter name LFO Phase Difference Liveness Low Adjust Low/High LPF Cutoff LPF Resonance Mic L-R Angle Mix Level Move Speed Output Gain Output Level Output Level 1 Output Level 2 Output Phase Pan 1 Pan 2 PAN Direction Phase Shift Offset Pitch PM Depth R->L Delay Ratio Rch Delay Rch Delay1 Rch Delay2 Rch Feedback Level Rch Init Delay Release Resonance Rev Delay Reverb Time Room Size Rotor Speed Sampling Freq Control Sensitive Stage Threshold Type Vowel Wah Release Wall Vary Width Word Length 4:01 PM Page 64 Effect types in which the parameter exists PHASER type,FLANGER type EARLY REF type VOICE CANCEL 2WAY ROTARY SPEAKER All types LO-FI 2WAY ROTARY SPEAKER HARMONIC ENHANCER TALKING MODULATOR LO-FI All types PITCH CHANGE type PITCH CHANGE type AMBIENCE PITCH CHANGE type PITCH CHANGE type AUTO PAN PHASER type PITCH CHANGE type TREMOLO CROSS DELAY COMPRESSOR type DELAY type ECHO ECHO ECHO ENSEMBLE DETUNE COMPRESSOR type NOISE GATE TOUCH WAH2, TOUCH WAH+ODRV WAH type REVERB type REVERB type EARLY REF type 2WAY ROTARY SPEAKER LO-FI WAH type PHASER type COMPRESSOR type NOISE GATE EARLY REF type TALKING MODULATOR WAH+DIST+DELAY,WAH+ODRV+DELAY REVERB type REVERB type LO-FI Explanation of parameter L/R phase difference for modulation waveform (0 deg (=64) is no phase difference) ER decay. Lower values cause faster decay. Adjust the lower frequency limit of the mid-range that will be attenuated Volume balance between the high-range and low-range speakers Frequency at which the low pass filter will cut the high frequency range Add character to the low pass filter of the input L/R angle of the mic that picks up the output Level of the effect sound that is mixed into the dry sound Time over which the sound specified by Vowel is reached Output gain Output level Output level for first unit Output level for second unit Swap phase of the effect sound between L/R Pan of first unit Pan of second unit Autopan type (L<->R is sine wave, L/R is square wave) Offset value for phase modulation Pitch setting in semitones Depth of delay modulation Delay time from right (input) to left (output) Compression ratio of the compressor Length of right channel delay Length of first right channel delay Length of second right channel delay Amount of right channel feedback Length of right channel delay Time until the sound is released from the compressor effect Time until the gate closes Time until the center frequency of the wah filter returns to normal Bandwidth of the wah filter Delay time between the early reflections and the reverberation Length of reverb Size of room. Increasing this value will lengthen ER. Frequency at which the speaker rotates Sampling frequency control Sensitivity with which the wah filter will change in response to changes in the input Number of steps for the phase shifter Input level at which compression will begin Input level at which the gate will begin to open Type selection Vowel selection Time until the center frequency of the wah filter returns to normal Condition of the walls of the simulated room (higher values produce more random reflections) Width of the simulated room Specify the roughness of the sound Additional note: In the preceding pages, indication of effect types such as REVERB-type respectively include the following effect types. CHORUS type COMPRESSOR type DELAY type DISTORTION type EARLY REF type FLANGER type KARAOKE type PHASER type PITCH CHANGE type REVERB type WAH type CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4 COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV, COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE FLANGER1,FLANGER2, FLANGER3 KARAOKE1, KARAOKE2, KARAOKE3 PHASER1, PHASER2 PITCH CHANGE1, PITCH CHANGE2 HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE, WHITE ROOM,TUNNEL,CANYON,BASEMENT AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY 64 DataList-E.qx 8/4/98 4:01 PM Page 65 Effect Data Assign Table Table#1 LFO Frequency Data Value 0 0.00 1 0.08 2 0.08 3 0.16 4 0.16 5 0.25 6 0.25 7 0.33 8 0.33 9 0.42 10 0.42 11 0.50 12 0.50 13 0.58 14 0.58 15 0.67 16 0.67 17 0.75 18 0.75 19 0.84 20 0.84 21 0.92 22 0.92 23 1.00 24 1.00 25 1.09 26 1.09 27 1.17 28 1.17 29 1.26 30 1.26 31 1.34 Table#2 Modulation Delay Offset Data Value 32 1.34 33 1.43 34 1.43 35 1.51 36 1.51 37 1.59 38 1.59 39 1.68 40 1.68 41 1.76 42 1.76 43 1.85 44 1.85 45 1.93 46 1.93 47 2.01 48 2.01 49 2.10 50 2.10 51 2.18 52 2.18 53 2.27 54 2.27 55 2.35 56 2.35 57 2.43 58 2.43 59 2.52 60 2.52 61 2.60 62 2.60 63 2.69 Data Value 64 2.69 65 2.77 66 2.86 67 2.94 68 3.02 69 3.11 70 3.19 71 3.28 72 3.36 73 3.44 74 3.53 75 3.61 76 3.70 77 3.86 78 4.03 79 4.20 80 4.37 81 4.54 82 4.71 83 4.87 84 5.04 85 5.21 86 5.38 87 5.55 88 5.72 89 6.05 90 6.39 91 6.72 92 7.06 93 7.40 94 7.73 95 8.07 Data Value 96 8.41 97 8.74 98 9.08 99 9.42 100 9.75 101 10.0 102 10.7 103 11.4 104 12.1 105 12.7 106 13.4 107 14.1 108 14.8 109 15.4 110 16.1 111 16.8 112 17.4 113 18.1 114 19.5 115 20.8 116 22.2 117 23.5 118 24.8 119 26.2 120 27.5 121 28.9 122 30.2 123 31.6 124 32.9 125 34.3 126 37.0 127 39.7 Data Value 0 0.0 1 0.1 2 0.2 3 0.3 4 0.4 5 0.5 6 0.6 7 0.7 8 0.8 9 0.9 10 1.0 11 1.1 12 1.2 13 1.3 14 1.4 15 1.5 16 1.6 17 1.7 18 1.8 19 1.9 20 2.0 21 2.1 22 2.2 23 2.3 24 2.4 25 2.5 26 2.6 27 2.7 28 2.8 29 2.9 30 3.0 31 3.1 65 Data Value 32 3.2 33 3.3 34 3.4 35 3.5 36 3.6 37 3.7 38 3.8 39 3.9 40 4.0 41 4.1 42 4.2 43 4.3 44 4.4 45 4.5 46 4.6 47 4.7 48 4.8 49 4.9 50 5.0 51 5.1 52 5.2 53 5.3 54 5.4 55 5.5 56 5.6 57 5.7 58 5.8 59 5.9 60 6.0 61 6.1 62 6.2 63 6.3 Data Value 64 6.4 65 6.5 66 6.6 67 6.7 68 6.8 69 6.9 70 7.0 71 7.1 72 7.2 73 7.3 74 7.4 75 7.5 76 7.6 77 7.7 78 7.8 79 7.9 80 8.0 81 8.1 82 8.2 83 8.3 84 8.4 85 8.5 86 8.6 87 8.7 88 8.8 89 8.9 90 9.0 91 9.1 92 9.2 93 9.3 94 9.4 95 9.5 Data Value 96 9.6 97 9.7 98 9.8 99 9.9 100 10.0 101 11.1 102 12.2 103 13.3 104 14.4 105 15.5 106 17.1 107 18.6 108 20.2 109 21.8 110 23.3 111 24.9 112 26.5 113 28.0 114 29.6 115 31.2 116 32.8 117 34.3 118 35.9 119 37.5 120 39.0 121 40.6 122 42.2 123 43.7 124 45.3 125 46.9 126 48.4 127 50.0 DataList-E.qx 8/4/98 4:01 PM Page 66 Table#3 EQ Frequency Table#4 Reverb time Data Value 0 THRU(20) 1 22 2 25 3 28 4 32 5 36 6 40 7 45 8 50 9 56 10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 Data Value 32 800 33 900 34 1.0k 35 1.1k 36 1.2k 37 1.4k 38 1.6k 39 1.8k 40 2.0k 41 2.2k 42 2.5k 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k 58 16.0k 59 18.0k 60 THRU(20.0k) Data Value 0 0.3 1 0.4 2 0.5 3 0.6 4 0.7 5 0.8 6 0.9 7 1.0 8 1.1 9 1.2 10 1.3 11 1.4 12 1.5 13 1.6 14 1.7 15 1.8 16 1.9 17 2.0 18 2.1 19 2.2 20 2.3 21 2.4 22 2.5 23 2.6 24 2.7 25 2.8 26 2.9 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4 Table#5 Delay Time(200.0ms) Data Value 0 0.1 1 1.7 2 3.2 3 4.8 4 6.4 5 8.0 6 9.5 7 11.1 8 12.7 9 14.3 10 15.8 11 17.4 12 19.0 13 20.6 14 22.1 15 23.7 16 25.3 17 26.9 18 28.4 19 30.0 20 31.6 21 33.2 22 34.7 23 36.3 24 37.9 25 39.5 26 41.0 27 42.6 28 44.2 29 45.7 30 47.3 31 48.9 Data Value 32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 43 4.6 44 4.7 45 4.8 46 4.9 47 5.0 48 5.5 49 6.0 50 6.5 51 7.0 52 7.5 53 8.0 54 8.5 55 9.0 56 9.5 57 10.0 58 11.0 59 12.0 60 13.0 61 14.0 62 15.0 63 16.0 Table#6 Room Size Data Value 32 50.5 33 52.0 34 53.6 35 55.2 36 56.8 37 58.3 38 59.9 39 61.5 40 63.1 41 64.6 42 66.2 43 67.8 44 69.4 45 70.9 46 72.5 47 74.1 48 75.7 49 77.2 50 78.8 51 80.4 52 81.9 53 83.5 54 85.1 55 86.7 56 88.2 57 89.8 58 91.4 59 93.0 60 94.5 61 96.1 62 97.7 63 99.3 Data Value 0 0.1 1 0.3 2 0.4 3 0.6 4 0.7 5 0.9 6 1.0 7 1.2 8 1.4 9 1.5 10 1.7 11 1.8 12 2.0 13 2.1 14 2.3 15 2.5 16 2.6 17 2.8 18 2.9 19 3.1 20 3.2 21 3.4 22 3.5 23 3.7 24 3.9 25 4.0 26 4.2 27 4.3 28 4.5 29 4.6 30 4.8 31 5.0 66 Data Value 32 5.1 33 5.3 34 5.4 35 5.6 36 5.7 37 5.9 38 6.1 39 6.2 40 6.4 41 6.5 42 6.7 43 6.8 44 7.0 Data Value 64 17.0 65 18.0 66 19.0 67 20.0 68 25.0 69 30.0 DataList-E.qx 8/4/98 4:01 PM Page 67 Table#7 Delay Time (400.0ms) Data Value 0 0.1 1 3.2 2 6.4 3 9.5 4 12.7 5 15.8 6 19.0 7 22.1 8 25.3 9 28.4 10 31.6 11 34.7 12 37.9 13 41.0 14 44.2 15 47.3 16 50.5 17 53.6 18 56.8 19 59.9 20 63.1 21 66.2 22 69.4 23 72.5 24 75.7 25 78.8 26 82.0 27 85.1 28 88.3 29 91.4 30 94.6 31 97.7 Data 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Table#8 Compressor Attack Time Value 100.9 104.0 107.2 110.3 113.5 116.6 119.8 122.9 126.1 129.2 132.4 135.5 138.6 141.8 144.9 148.1 151.2 154.4 157.5 160.7 163.8 167.0 170.1 173.3 176.4 179.6 182.7 185.9 189.0 192.2 195.3 198.5 Data 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 Value 201.6 204.8 207.9 211.1 214.2 217.4 220.5 223.7 226.8 230.0 233.1 236.3 239.4 242.6 245.7 248.9 252.0 255.2 258.3 261.5 264.6 267.7 270.9 274.0 277.2 280.3 283.5 286.6 289.8 292.9 296.1 299.2 Data 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 Value 302.4 305.5 308.7 311.8 315.0 318.1 321.3 324.4 327.6 330.7 333.9 337.0 340.2 343.3 346.5 349.6 352.8 355.9 359.1 362.2 365.4 368.5 371.7 374.8 378.0 381.1 384.3 387.4 390.6 393.7 396.9 400.0 Data Value 0 1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8 9 9 10 10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40 Data Value 32 8.8 33 9.1 34 9.4 35 9.6 36 9.9 37 10.2 38 10.4 39 10.7 40 11.0 41 11.2 42 11.5 43 11.8 44 12.1 45 12.3 46 12.6 47 12.9 48 13.1 49 13.4 50 13.7 51 14.0 52 14.2 53 14.5 54 14.8 55 15.1 56 15.4 57 15.6 58 15.9 59 16.2 60 16.5 61 16.8 62 17.1 63 17.3 Data Value 64 17.6 65 17.9 66 18.2 67 18.5 68 18.8 69 19.1 70 19.4 71 19.7 72 20.0 73 20.2 74 20.5 75 20.8 76 21.1 77 21.4 78 21.7 79 22.0 80 22.4 81 22.7 82 23.0 83 23.3 84 23.6 85 23.9 86 24.2 87 24.5 88 24.9 89 25.2 90 25.5 91 25.8 92 26.1 93 26.5 94 26.8 95 27.1 Data Value 0 10 1 15 2 25 3 35 4 45 5 55 6 65 7 75 8 85 9 100 10 115 11 140 12 170 13 230 14 340 15 680 Table#10 Compressor Ratio Data 0 1 2 3 4 5 6 7 Table#11 Reverb Width; Depth; Height Data Value 0 0.5 1 0.8 2 1.0 3 1.3 4 1.5 5 1.8 6 2.0 7 2.3 8 2.6 9 2.8 10 3.1 11 3.3 12 3.6 13 3.9 14 4.1 15 4.4 16 4.6 17 4.9 18 5.2 19 5.4 20 5.7 21 5.9 22 6.2 23 6.5 24 6.7 25 7.0 26 7.2 27 7.5 28 7.8 29 8.0 30 8.3 31 8.6 Table#9 Compressor Release Time Data Value 96 27.5 97 27.8 98 28.1 99 28.5 100 28.8 101 29.2 102 29.5 103 29.9 104 30.2 67 Value 1.0 1.5 2.0 3.0 5.0 7.0 10.0 20.0 DataList-E.qx 8/4/98 4:01 PM Page 68 MIDI Data Format 1.2.3 Portamento Time This message controls the degree of Portamento (refer to 1.2.9). Control# 5 1. Channel messages Parameter Portamento Time Data Range 0...127 When Portamento (control number 065) is ON, this regulates the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time. If the receive channel is a drum part, Portamento Time is not received. 1.1 Note on / Note off These messages convey keyboard performance data. Note-on is transmitted when a note is pressed, and note-off is transmitted when a note is released. These messages contain a “note number” which indicates the key that was played, and a “velocity” which indicates how strongly it was played. When a note-on of velocity “0” is received, it has the same effect as a noteoff. 1.2.4 Data Entry This message sets the value of the parameter which was specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21). Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8) Velocity range = 1...127 (Velocity is received only for note-on) Control# 6 38 When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF, that part will not receive these messages. For a drum part*, key-off is not received if the DrumSetup parameter Rcv NOTE OFF = OFF. For a drum part, key-on is not received if the DrumSetup parameter Rcv NOTE ON = OFF. Parameter Data Entry MSB Data Entry LSB Data Range 0...127 0...127 1.2.5 Main Volume This message controls the volume of each part. This is used to adjust the volume balance between parts. * Drum Part indicates that the Multi Part parameter PART MODE is “set to DRUM or DRUMS1...4.” Control# 7 Parameter Main Volume Data Range 0...127 When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. With a value of 0 there will be no sound, and a value of 127 will be the maximum volume. 1.2 Control changes These messages control volume or pan etc. Their functions are differentiated by the control number (Ctrl#). If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes. 1.2.6 Panpot This message control the panning (stereo location) of each part. This will be the location of the sound when heard in stereo. 1.2.1 Bank Select This message selects the voice bank. The voice bank is selected by the combination of two control change messages: MSB and LSB. The function of the MSB and LSB will differ depending on the sound module mode. In the case of “XG,” the MSB value will specify the major division of voices, and the LSB value will specify the detailed division. In the case of “TG300B,” the LSB value is fixed, and only the MSB value will specify the detailed voice division. Control# 0 32 Parameter Bank Select MSB Bank Select LSB Control# 10 Parameter Pan Data Range 0...64...127 When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, and 127 is right. 1.2.7 Expression This message controls expression (dynamics within a musical line) for each part. It is used to create volume changes during a song. Data Range 0...127 0...127 The Bank Select data will be processed only after a Program Change is received, and then voice bank will change at that time. If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the order of Bank Select MSB, LSB, and Program Change. Control# 11 Parameter Expression Data Range 0...127 If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression. With a value of 0 there will be no sound, and with a value of 127 the volume will be maximum. 1.2.2 Modulation This message is used primarily to control the depth of vibrato, but the depth of the following 7 types of effect can be controlled. The effect of this message can be changed by the following parameters. 1.2.8 Hold1 This message controls sustain pedal on/off. The notes that are sounding while the pedal is pressed will be sustained. • Multi Part Parameter 1. MW PITCH CONTROL 2. MW FILTER CONTROL 3. MW AMPLITUDE CONTROL 4. MW LFO PMOD DEPTH 5. MW LFO FMOD DEPTH 6. MW LFO AMOD DEPTH • Effect1 Parameter 7. MW VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) Control# 64 Parameter Modulation Data Range 0...63,64...127 (OFF, ON) For data of 0...63 the sustain pedal will be OFF (released), and for data of 64...127 it will be on (pressed). When this is ON, currently-sounding notes will continue to sound even if note-off messages are received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1. By default, an LFO Pitch Modulation (PMOD) effect will apply. Control# 1 Parameter Hold1 Data Range 0...127 If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation. If the receive channel is a drum part, effects 5 and 6 will not apply. 68 DataList-E.qx 8/4/98 4:01 PM Page 69 1.2.9 Portamento 1.2.14 Attack Time This message controls portamento pedal on/off. When the pedal is pressed, a portamento effect will be applied. This message adjusts the EG attack time that was specified by the sound data. The value of 0...127 is taken as -64...+63, and added to the original sound data as an offset value to modify the attack time. Control# 65 Parameter Portamento Data Range 0...63,64...127 (OFF, ON) Control# 73 For data of 0...63 the portamento pedal will be OFF (released), and for 64...127 it will be ON (pressed). When this is ON, the pitch will change smoothly between notes. The time over which the pitch changes is adjusted by Portamento Time (see 1.2.3). Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if Portamento = ON. If any of the following Multi Part parameter settings apply, that part will not receive Portamento. • Rcv PORTAMENTO = OFF • PART MODE = DRUM, DRUMS1...4 1.2.15 Brightness This message adjusts the cutoff frequency of the low pass filter specified by the sound data. The value of 0...127 is taken as -64...+63, and added to the original sound data as an offset value to modify the cutoff frequency. This message controls sostenuto pedal on/off. Notes which were already pressed when the pedal was pressed will be sustained. Parameter Sostenuto Control# 74 Data Range 0...63,64...127 (OFF, ON) Data Range 0...64...127 (-64...0...+63) 1.2.16 Portamento Control This message specifies the portamento source key number (the key number at which portamento will begin). Data of 0...127 specifies the portamento source key. When Portamento Control is received, the currently-sounding pitch will change at a Portamento Time of 0 to the key of the next-received note-on of the same channel. 1.2.11 Soft Pedal This message controls soft pedal on/off. The sound will become more mellow while the pedal is pressed. Parameter Soft Pedal Parameter Brightness Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Lower values will produce a more mellow sound. For some sounds, the effective range may be less than the possible range of settings. For data of 0...63, the sostenuto pedal will be OFF (released), and for 64...127 it will be ON (pressed). If sostenuto is turned on while a note is sounding, that note will be sustained until sostenuto is turned OFF. If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive Sostenuto. Control# 67 Data Range 0...64...127 (-64...0...+63) Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will make the attack more gradual, and decreasing this value will make the attack sharper. 1.2.10 Sostenuto Control# 66 Parameter Attack Time Data Range 0...63,64...127 (OFF, ON) Control# 84 For data of 0...63, the soft pedal is OFF (released), and for 64...127 it is ON (pressed). If any of the following Multi Part parameter settings apply, that part will not receive the Soft Pedal. • Rcv SOFT PEDAL = OFF • PART MODE = DRUM, DRUMS1...4 Parameter Portamento Control Data Range 0...127 (C-2...G8) This is received even if Rcv PORTAMENTO = OFF. 1.2.17 Effect1 Depth (Reverb Send Level) This message specifies the send level for the reverb effect. Control# 91 Parameter Effect1 Depth Data Range 0...127 1.2.12 Harmonic Content Increasing this value will produce a richer reverb. The effect of the value will depend on the state of the reverb effect. This message adjusts the resonance of the filter that is specified for the sound. The value of 0...127 is taken as -64...+63, and added as an offset value to the original sound data to modify the resonance. 1.2.18 Effect3 Depth (Chorus Send Level) Control# 71 Parameter Harmonic Content This message specifies the send level for the chorus effect. Data Range 0...64...127 (-64...0...+63) Control# 93 Since this is a relative change parameter, it specifies a boost or cut relative to 64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be less than the possible range of settings. Parameter Effect3 Depth Data Range 0...127 Raising this value will increase the modulation or spaciousness. The effect of the value will depend on the state of the chorus effect. 1.2.19 Effect4 Depth (Variation Effect Send Level) This message specifies the send level for the variation effect. 1.2.13 Release Time This message adjusts the EG release time that was specified by the sound data. The value of 0...127 is taken as -64...+63, and added to the original sound data as an offset value to modify the release time. Control# 72 Parameter Release Time Control# 94 Parameter Effect4 Depth Data Range 0...127 However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion). Data Range 0...64...127 (-64...0...+63) Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will lengthen the release that follows a note-off. 69 DataList-E.qx 8/5/98 5:04 PM Page 70 1.2.20 Data Increment / Decrement (for RPN) 22 rr mm — Drum EG attack rate rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) 23 rr mm — Drum EG decay rate rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) The effect will apply both to Decay1 and 2. 24 rr mm — Drum instrument pitch coarse rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) 25 rr mm — Drum instrument pitch fine rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) 26 rr mm — Drum instrument level rr: drum instrument note number mm: 00 - 127 (0...maximum) 28 rr mm — Drum instrument panpot rr: drum instrument note number mm: 00, 01-64-127 (RND, L63...C...R63) 29 rr mm — Drum instrument reverb send level rr: drum instrument note number mm: 00 - 127 (0...maximum) 30 rr mm — Drum instrument chorus send level rr: drum instrument note number mm: 00 - 127 (0...maximum) 31 rr mm — Drum instrument variation send level rr: drum instrument note number mm: 00 - 127(0...maximum) (when Variation Connection = SYSTEM) mm: 00, 01-127 (OFF,ON) (when Variation Connection = INSERTION) 36 rr mm — Drum high pass filter cutoff frequency mm: 00 - 64 - 127 (-64...0...+63) After RPN (see 1.2.22) is used to specify a parameter such as Pitch Bend Sensitivity, Fine Tune, or Coarse Tune, this message is used to increment or decrement the respective parameter value in steps of 1. Control# 96 97 Parameter RPN Increment RPN Decrement Data Range — — The data byte is ignored. 1.2.21 NRPN (Non-registered parameter number) This message is used to specify a sound parameter (such as vibrato, filter, EG, drum setup etc.) as an offset value. Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value for the specified parameter. Control# 98 99 Parameter NRPN LSB NRPN MSB Data Range 0...127 0...127 If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN. The following NRPN messages can be received. NRPN MSB LSB Data Entry*1 MSB LSB Parameter name and value range 01 08 mm — *2 Vibrato rate mm: 00 - 64 - 127 (-64...0...+63) 01 09 mm — Vibrato depth mm: 00 - 64 - 127 (-64...0...+63) 01 10 mm — *3 Vibrato delay mm: 00 - 64 - 127 (-64...0...+63) 01 32 mm — Low pass filter cutoff frequency mm: 00 - 64 - 127 (-64...0...+63) 01 33 mm — Low pass filter resonance mm : 00 - 64 - 127 (-64...0...+63) 01 36 mm — High pass filter cutoff frequency mm: 00 - 64 - 127 (-64...0...+63) 01 48 mm — *4 EQ bass gain mm: 00 - 64 - 127 (-64...0...+63) 48 rr mm — Drum EQ bass gain mm: 00 - 64 - 127 (-64...0... +63) 01 49 mm — *4 EQ treble gain mm: 00 - 64 - 127 (-64...0...+63) 49 rr mm — Drum EQ treble gain mm: 00 - 64 - 127 (-64...0...+63) 01 52 mm — *4 EQ bass frequency mm: 04 - 40 (32...2.0k [Hz]) 52 rr mm — Drum EQ bass frequency mm: 04 - 40 (32...2.0k [Hz]) 01 53 mm — *4 EQ treble frequency mm: 28 - 58 (500...16.0k [Hz]) 53 rr mm — Drum EQ treble frequency mm: 28 - 58 (500...16.0k [Hz]) 01 99 mm — EG attack time mm: 00 - 64 - 127 (-64...0...+63) 01 100 mm — EG decay time mm: 00 - 64 - 127 (-64...0...+63) 01 102 mm — EG release time mm: 00 - 64 - 127 (-64...0...+63) 20 rr mm — Drum low pass filter cutoff frequency rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) 21 rr mm — Drum low pass filter resonance rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) MSB 20-53 (for drums) is received when Multi Part parameter PART MODE = DRUMS1...4. *1 Refer to 1.2.4 *2 ‘—’ indicates that the setting value is ignored. *3 Adjusts the time after the note is played until vibrato begins to take effect. The effect will begin more quickly for lower values, and more slowly for higher values. No effect if Bank Select MSB=127 is selected. *4 No effect if Multi Part parameter PART MODE = DRUM, DRUMS1...4. 70 DataList-E.qx 8/5/98 5:04 PM Page 71 1.2.22 RPN (Registered parameter number) 1.3.2 Reset All Controllers This message is used to specify part parameters such as Pitch Bend Sensitivity or Tuning etc. as an offset value. Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the specified parameter. This message resets the following controllers to their default values. Control# 100 101 Parameter RPN LSB RPN MSB Data Range 0...127 0...127 If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message. Controller Value Pitch bend change Channel pressure Polyphonic key pressure Modulation Expression Hold Portamento Sostenuto Soft pedal Portamento control +/-0 (center) 0 (off) 0 (off) 0 (off) 127 (maximum) 0 (off) 0 (off) 0 (off) 0 (off) Reset the portamento source note number that was received Number unset, internal data is not affected. Number unset, internal data is not affected. The following RPN messages can be received. RPN RPN MSB LSB Data Entry*1 MSB LSB Parameter name and value range 00 00 mm 00 01 mm — *2 ll NRPN Pitch bend sensitivity mm: 00-24 (0...+24 semitones) Specify up to 2 octaves in semitone steps The following data is not changed Parameter values specified by program change, bank select MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and NRPN. Control# 121 Fine tuning mm ll: 00 00 (=-100) cents : : mm ll: 64 00 (=0) cents : : mm ll: 127 127 (=+100) cents [Note] mm ll: 00 127 (=-87.5) cents is followed by 01 00 (=-87.4) cents. 00 02 mm — Coarse tuning mm: 40 - 64 - 88 (-24...0...+24 semitones) 127 127 — — RPN Null This sets RPN and NRPN numbers to an unset state. Internal data is not affected. Parameter Data Range Reset All Controllers 0 1.3.3 All Note Off This message turns off all notes which are currently on for the corresponding part. However, if Hold 1 or Sostenuto are on, notes will continue to sound until these are turned off. Control# 123 Parameter All Note Off Data Range 0 1.3.4 Omni Off Perform the same processing as when All Note Off is received. Control# 124 *1 Refer to 1.2.4 *2 ‘—’ indicates that the setting value is ignored. Parameter Omni Off Data Range 0 1.3.5 Omni On Perform the same processing as when All Note Off is received. 1.2.23 Assignable controller Control# 125 By assigning a control change number of 0...95 to a part, the specified effect can be controlled. This device allows two control change numbers (AC1 and AC2) to be specified for each part. The following parameters specify the effect of AC1 and AC2. Parameter Omni On Data Range 0 1.3.6 Mono Perform the same processing as when All Sound Off is received, and if the value (mono number) is in the range of 0...16, set the corresponding channel to Mode4* (m = 1). • Multi Part Parameter 1. AC1, AC2 PITCH CONTROL 2. AC1, AC2 FILTER CONTROL 3. AC1, AC2 AMPLITUDE CONTROL 4. AC1, AC2 LFO PMOD DEPTH 5. AC1, AC2 LFO FMOD DEPTH 6. AC1, AC2 LFO AMOD DEPTH • Effect1 Parameter 7. AC1, AC2 VARIATION CONTROL DEPTH (Valid if Variation Effect is assigned to a part as Insertion) Control# 126 Parameter Mono Data Range 0...16 * Mode4 is a state in which only channel messages on the specified channel will be received, and notes will be sounded individually (monophonically). 1.3.7 Poly Perform the same processing as when All Sound Off is received, and set the corresponding channel to Mode3*. The AC1 control change number is specified by the Multi Part or AudioPart parameter AC1 CONTROLLER NUMBER, and the AC2 control change number is specified by the Multi Part or Audio Part parameter AC2 CONTROLLER NUMBER. Control# 127 These messages specify the basic operation of a part. 1.4 Program change 1.3.1 All Sound Off This message is used to select voices. When this is transmitted in conjunction with Bank Select (see 1.2.1), voices can be selected not only from the basic voice bank but also from the extended voice bank. If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive program changes. This message silences all currently-sounding notes on the corresponding channel. However, the state of channel messages such as Note-on and Hold-on will be maintained. Parameter All Sound Off Data Range 0 * Mode3 is when channel messages will be received only on the specified channel, and will be sounded polyphonically. 1.3 Channel mode messages Control# 120 Parameter Poly Data Range 0 71 DataList-E.qx 8/5/98 5:04 PM Page 72 1.5 Pitch bend 2. System exclusive messages This message conveys movements of the pitch bender. This message is generally used to modify the pitch of a part, but the depth of the following seven effects can be controlled. The effect of this message can be modified by the following parameters. 2.1 Parameter changes This device uses the following parameter changes. [UNIVERSAL REALTIME MESSAGE] 1) Master Volume • Multi Part Parameter 1. BEND PITCH CONTROL 2. BEND FILTER CONTROL 3. BEND AMPLITUDE CONTROL 4. BEND LFO PMOD DEPTH 5. BEND LFO FMOD DEPTH 6. BEND LFO AMOD DEPTH • Effect1 Parameter 7. BEND VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) [UNIVERSAL NON REALTIME MESSAGE] 1) General MIDI System On [XG 1) 2) 3) 4) 5) 6) 7) 8) 9) By default, the Pitch Control effect is applied. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive pitch bend messages. PARAMETER CHANGE] XG System on XG System parameter change Multi Effect1 parameter change Multi EQ parameter change Multi Effect2 parameter change Multi Part parameter change Audio Part parameter change Audio Part Configuration parameter change Drums Setup parameter change [SW1000XG NATIVE PARAMETER CHANGE] 1) System parameter change 1.6 Channel aftertouch [Others] 1) Master tuning 2) TG300 System parameter change 3) TG300 Multi Effect parameter change 4) TG300 Multi Part parameter change This message conveys the pressure which is applied to the keyboard after playing a note in order to create tonal changes (for an entire MIDI channel). The pressure can be controlled for each part. This message will affect the currently-sounding notes. The effect of this message will be determined by the settings of the following parameters. 2.1.1 Universal realtime messages • Multi Part Parameter 1. CAT PITCH CONTROL 2. CAT FILTER CONTROL 3. CAT AMPLITUDE CONTROL 4. CAT LFO PMOD DEPTH 5. CAT LFO FMOD DEPTH 6. CAT LFO AMOD DEPTH • Effect1 Parameter 7. CAT VARIATION CONTROL DEPTH (Valid when the Variation Effect is assigned to a part as Insertion) 2.1.1.1 Master Volume By default, there will be no effect. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch. 1.7 Polyphonic aftertouch This message conveys the pressure that is applied to the keyboard after playing a note (for individual note numbers). The pressure can be controlled independently for each note. This message will affect currently-sounding notes. The effect of this message is determined by the following Multi Part parameters. 1. 2. 3. 4. 5. 6. PAT PAT PAT PAT PAT PAT 11110000 01111111 01111111 00000100 00000001 * 0sssssss 0ttttttt 11110111 F0H 7FH 7FH 04H 01H SSH TTH F7H Exclusive status Universal Real Time ID of target device Sub-ID #1 = Device Control Message Sub-ID #2 = Master Volume Volume LSB Volume MSB End of Exclusive or, 11110000 01111111 0xxxnnnn 00000100 00000001 0sssssss 0ttttttt 11110111 F0H 7FH XNH 04H 01H SSH TTH F7H Exclusive status Universal Real Time Device Number, xxx = don’t care Sub-ID #1 = Device Control Message Sub-ID #2 = Master Volume Volume LSB Volume MSB End of Exclusive When this is received, the Volume MSB will be reflected by the System parameter MASTER VOLUME. * The binary expression 0sssssss is expressed in hexadecimal as SSH. The same applies elsewhere. PITCH CONTROL FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH 2.1.2 Universal non-realtime messages 2.1.2.1 General MIDI System On By default, there will be no effect. The effect will apply to note numbers 36...97. In the case of either of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch. Rcv CHANNEL AFTER TOUCH = OFF PART MODE = DRUM, DRUMS1...4 11110000 01111110 01111111 00001001 00000001 11110111 F0H 7EH 7FH 09H 01H F7H Exclusive status Universal Non-Real Time ID of target device Sub-ID #1 = General MIDI Message Sub-ID #2 = General MIDI On End of Exclusive or, 11110000 01111110 0xxxnnnn 00001001 00000001 11110111 F0H 7EH XNH 09H 01H F7H Exclusive status Universal Non-Real Time N:Device Number, X:don’t care Sub-ID #1 = General MIDI Message Sub-ID #2 = General MIDI On End of Exclusive When this message is received, the SOUND MODULE MODE is set to XG, and all MIDI messages defined by GM will be received. All data except for MIDI Master Tuning will be restored to the default value. However this message will not be received in any of the following cases. • XG Model System Parameter (see table 2-2) Rcv SYSTEM ON MESSAGE= OFF Since approximately 50[ms] is required in order to process this message, be sure to allow an appropriate interval before sending the next message. 72 DataList-E.qx 8/5/98 5:04 PM Page 73 2.1.3 XG parameter change 2.1.4 SW1000XG native parameter change This message sets XG-related parameters. Each message can set a single parameter. The message format is as follows. This message sets parameters unique to the SW1000XG. Each message sets a single parameter. As indicated below, the message format is in common with the MU50, MU80, and MU90. 11110000 01000011 0001nnnn 01001100 0ggggggg 0mmmmmmm 0lllllll 0sssssss : 11110111 F0H 43H 1NH 4CH GGH MMH LLH SSH : F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data 11110000 01000011 0001nnnn 01001001 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 11110111 End of Exclusive For parameters whose Data Size is 2 or 4, the appropriate amount of data will be transmitted as indicated by Size. F0H 43H 1NH 49H GGH MMH LLH VVH : F7H Exclusive status YAMAHA ID N:Device Number Model ID Address High Address Mid Address Low Data End of Exclusive For parameters whose Data Size is 2 or 4, the number of data bytes indicated by Size are transmitted. 2.1.3.1 XG System On 2.1.4.1 System parameter change This system exclusive message causes the SW1000XG to function as an “XG”-compatible tone generator. 11110000 01000011 0001nnnn 01001100 00000000 00000000 01111110 00000000 11110111 F0H 43H 1NH 4CH 00H 00H 7EH 00H F7H This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>). Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data End of Exclusive 2.1.5 Other parameter changes 2.1.5.1 Master tuning This message simultaneously modifies the tuning of all channels. 11110000 01000011 0001nnnn 00100111 00110000 00000000 00000000 0000mmmm 0000llll 0xxxxxxx 11110111 When On is received, the SOUND MODULE MODE will be set to XG, and all MIDI messages defined by XG such as NRPN or bank select etc. can be received. Since approximately 50[ms] are required in order to execute this message, please allow an appropriate interval before transmitting the next message. 2.1.3.2 XG System parameter change This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>). F0H 43H 1NH 27H 30H 00H 00H 0MH 0LH XXH F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Master Tune MSB Master Tune LSB don’t care End of Exclusive Normally, the XG SYSTEM message MASTER TUNE should be used (refer to table <1-2>). 2.1.3.3 Multi Effect1 parameter change This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 3>). 2.2 Bulk dump This device uses the following bulk dump messages. 2.1.3.4 Multi EQ parameter change This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 4>). [XG 1) 2) 3) 4) 5) 6) 7) 2.1.3.5 Multi Effect2 parameter change This message sets the MULTI EFFECT2 block (refer to tables <1 - 1>, <1 5>). 2.1.3.6 Multi Part parameter change BULK DUMP] XG System bulk dump Multi Effect1 bulk dump Multi EQ bulk dump Multi Effect2 bulk dump Multi Part bulk dump Audio Part bulk dump Drums Setup bulk dump [SW1000XG NATIVE BULK DUMP] 1) System bulk dump This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>). 2.1.3.7 Audio Part parameter change 2.2.1 XG bulk dump This message sets the AUDIO PART block (refer to tables <1 - 1> , <1 - 7>). This message sets XG-related parameters. Unlike parameter change messages, a single message can modify multiple parameters. The message format is as follows. 2.1.3.8 Audio Part Configuration parameter change 11110000 01000011 0000nnnn 01001100 0sssssss 0ttttttt 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 0kkkkkkk 11110111 This message sets the AUDIO PART CONFIGURATION block (refer to tables <1 - 1>, <1 - 8>). 2.1.3.9 Drums Setup parameter change This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 9>). F0H 43H 0NH 4CH SSH TTH GGH MMH LLH VVH : KKH F7H Exclusive status YAMAHA ID N:Device Number Model ID ByteCountMSB ByteCountLSB Address High Address Mid Address Low Data Check-sum End of Exclusive Address and Byte Count are given in tables 1-n. Byte Count is indicated by the total size of the Data in tables 1-n. Bulk dump and dump request messages are received when the beginning of the block is specified as the ‘Address’. ‘Block’ indicates the unit of the data string that is indicated in tables 1-n as ‘Total size’. Check sum is the value that produces a lower 7 bits of 0 when the Start Address, Byte Count, Data, and the Check-sum itself are added. 73 DataList-E.qx 8/5/98 5:04 PM Page 74 2.2.1.1 XG System bulk dump This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>). 2.2.1.2 Multi Effect1 bulk dump This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 3>). 2.2.1.3 Multi EQ bulk dump This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 4>). 2.2.1.4 Multi Effect2 bulk dump This message sets the MULTI EFFECT2 block (refer to tables <1 - 1>, <1 5>). 2.2.1.5 Multi Part bulk dump This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>). 2.2.1.6 Audio Part bulk dump This message sets the Audio PART block (refer to tables <1 - 1>, <1 - 7>). 2.2.1.7 Drums Setup bulk dump This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 9>). 2.2.2 SW1000XG native bulk dump This message modifies parameters unique to the SW1000XG. Unlike parameter change messages, a single message will modify multiple parameters. 11110000 01000011 0000nnnn 01001001 0sssssss 0ttttttt 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 0kkkkkkk 11110111 F0H 43H 0NH 49H SSH TTH GGH MMH LLH VVH : KKH F7H Exclusive status YAMAHA ID N:Device Number Model ID ByteCountMSB ByteCountLSB Address High Address Mid Address Low Data Check-sum End of Exclusive Details are the same as for 2.2.1 XG Bulk Dump. However, refer to table 2-n for the address, byte count, and block. 2.2.2.1 System bulk dump This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>). 3. Realtime messages 3.1 Active sensing a) Transmission not transmitted. b) Reception Once FE has been received, failure to receive any MIDI message for an interval longer than approximately 300 msec will cause processing to be performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS messages were received, and the unit will reset to a condition in which FE was never received. 74 DataList-E.qx 8/5/98 5:04 PM Page 75 < Table 1 - 1 > Parameter Bass Addres Model ID = 4C Parameter Description Address (H) (M) (L) 00 00 00 00 00 7D 00 00 7E 00 00 7F 02 01 00 02 40 00 03 00 00 03 01 00 08 00 00 XG SYSTEM EFFECT 1 EFFECT 2 MULTI PART 08 08 0F 10 00 00 08 0A 1F 00 00 00 0A 0A 0F 10 00 00 Audio PART 0A 10 1F 00 00 00 Audio Config 10 11 0D 00 00 00 11 30 31 32 33 0D 0D 0D 0D 0D 00 00 00 00 00 MULTI PART (additional) DRUM System Drum setup Reset XG System On All Parameter Reset Effect1(Reverb,Chorus,Variation ) Multi EQ Insertion Effect 1 Insertion Effect 2 Multi Part 1 : Multi Part 16 Multi Part 17 : Multi Part 32 Multi Part 1 : Multi Part 16 Multi Part 17 : Multi Part 32 Audio Part 1 : Audio Part 14 Audio Config 1 : Audio Config 14 Drum Setup 1 Drum Setup 2 Drum Setup 3 Drum Setup 4 Address 0D 00 0E 00 : 3n 5B 00 3n 3n Parameter note number 13 note number 14 : note number 91 < Table 1 - 2 > MIDI Parameter Change table ( XG SYSTEM ) Address (H) 00 00 00 01 02 03 TOTAL 04 05 06 7D 7E 7F SIZE Size (H) 40 Data (H) 00 00 00 00 - 1 1 1 1 1 1 07 00 - 7F 00 - 7F 28 - 58 N 00 00 0F 0F 0F 0F Parameter Description MASTER -102.4...0...+102.3[cent] 1st bit3-0→bit15-12 2nd bit3-0→bit11-8 3rd bit3-0→bit7-4 4th bit3-0→bit3-0 0...127 0...127 -24...0...+24[semitones] N:Drum setup number(receive only) 00=XG system ON (receive only) 00=ON (receive only) TUNE MASTER VOLUME MASTER ATTENUATOR TRANSPOSE DRUM SETUP RESET XG SYSTEM ON ALL PARAMETER RESET Default value (H) 00 04 00 00 7F 00 40 — — — < Table 1 - 3 > MIDI Parameter Change table ( EFFECT 1) Address (H) 02 01 00 TOTAL 02 01 TOTAL Size (H) 2 02 03 04 05 06 07 08 09 0A 0B 0C 0D SIZE 1 1 1 1 1 1 1 1 1 1 1 1 0E 10 11 12 13 14 15 SIZE 1 1 1 1 1 1 06 Data (H) 00 00 00 00 00 00 00 00 00 00 00 00 00 01 - Parameter Description 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB TYPE MSB TYPE LSB PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER RETURN PAN 1 2 3 4 5 6 7 8 9 10 refer to Effect Program List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ -∞dB...0dB...+6dB(0...96...127) L63...C...R63 Default value (H) 01(=HALL1) 00 12(depends on reverb type) 0A(″) 08(″) 0D(″) 31(″) 00(″) 00(″) 00(″) 00(″) 00(″) 40 40 00 00 00 00 00 00 7F 7F 7F 7F 7F 7F REVERB REVERB REVERB REVERB REVERB REVERB PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER 11 12 13 14 15 16 refer to Effect Parameter List ″ ″ ″ ″ ″ 00(depends on reverb type) 04(″) 32(″) 08(″) 40(″) 00(″) - 75 DataList-E.qx 02 01 8/5/98 20 2 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 0F TOTAL 30 31 32 33 34 35 SIZE 02 TOTAL 02 01 01 TOTAL 02 01 TOTAL 5:04 PM Page 76 00 00 00 00 00 00 00 00 00 00 00 00 00 01 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB refer to Effect Program List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ -∞dB...0dB...+6dB(0...96...127) L63...C...R63(1...64...127) -∞dB...0dB...+6dB(0...96...127) 41(=CHORUS1) 00 06(depends on chorus type) 36(″) 4D(″) 6A(″) 00(″) 1C(″) 40(″) 2E(″) 40(″) 40(″) 40 40 00 1 1 1 1 1 1 06 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F CHORUS CHORUS CHORUS CHORUS CHORUS CHORUS refer to Effect Parameter List ″ ″ ″ ″ ″ 2E(depends on chorus type) 40(″) 0A(″) 00(″) 00(″) 00(″) 40 2 42 2 44 2 46 2 48 2 4A 2 4C 2 4E 2 50 2 52 2 54 2 56 57 58 59 5A 5B 1 1 1 1 1 1 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 01 00 00 00 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 01 7F VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARAMETER 1 MSB VARIATION PARAMETER 1 LSB VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB VARIATION PARAMETER 5 MSB VARIATION PARAMETER 5 LSB VARIATION PARAMETER 6 MSB VARIATION PARAMETER 6 LSB VARIATION PARAMETER 7 MSB VARIATION PARAMETER 7 LSB VARIATION PARAMETER 8 MSB VARIATION PARAMETER 8 LSB VARIATION PARAMETER 9 MSB VARIATION PARAMETER 9 LSB VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS VARIATION CONNECTION VARIATION PART NUMBER 05(=DELAY L,C,R) 00 1A(depends on variation type) 05(″) 0D(″) 03(″) 27(″) 08(″) 27(″) 08(″) 00(″) 4A(″) 00(″) 64(″) 00(″) 0A(″) 00(″) 00(″) 00(″) 00(″) 00(″) 20(″) 40 40 00 00 00 7F 5C 5D 5E 5F 60 SIZE 1 1 1 1 1 21 00 00 00 00 00 - 7F 7F 7F 7F 7F MW VARIATION CONTROL DEPTH BEND VARIATION CONTROL DEPTH CAT VARIATION CONTROL DEPTH AC1 VARIATION CONTROL DEPTH AC2 VARIATION CONTROL DEPTH refer to Effect Program List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ -∞dB...0dB...+6dB(0...96...127) L63...C...R63(1...64...127) -∞dB...0dB...+6dB(0...96...127) -∞dB...0dB...+6dB(0...96...127) INSERTION , SYSTEM Part1...32(0...31) Audio1~14(64~67) OFF(127) -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 70 71 72 73 74 75 SIZE 1 1 1 1 1 1 06 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F VARIATION VARIATION VARIATION VARIATION VARIATION VARIATION refer to Effect Parameter List ″ ″ ″ ″ ″ 00(depends on variation type) 3C(″) 1C(″) 40(″) 2E(″) 40(″) PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER 11 12 13 14 15 16 PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER 11 12 13 14 15 16 76 40 40 40 40 40 DataList-E.qx 8/5/98 5:04 PM Page 77 < Table 1 - 4 > MIDI Parameter Change table ( MULTI EQ ) Address (H) 02 40 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 15 Data (H) 00 34 04 01 00 34 0E 01 - 04 4C 28 78 01 4C 36 78 34 - 4C 0E - 36 01 - 78 34 - 4C 0E - 36 01 - 78 34 1C 01 00 - 4C 3A 78 01 Parameter Description EQ TYPE EQ GAIN1 EQ FREQUENCY1 EQ Q1 EQ SHAPE1 EQ GAIN2 EQ FREQUENCY2 EQ Q2 NOT USED EQ GAIN3 EQ FREQUENCY3 EQ Q3 NOT USED EQ GAIN4 EQ FREQUENCY4 EQ Q4 NOT USED EQ GAIN5 EQ FREQUENCY5 EQ Q5 EQ SHAPE5 flat, jazz, pops, rock, classic -12...0...+12[dB] 32...2.0k[Hz] 0.1...12.0 shelving , peaking -12...0...+12[dB] 100...10.0k[Hz] 0.1...12.0 -12...0...+12[dB] 100...10.0k[Hz] 0.1...12.0 -12...0...+12[dB] 100...10.0k[Hz] 0.1...12.0 -12...0...+12[dB] 0.5k...16.0k[Hz] 0.1...12.0 shelving , peaking Default value (H) 00 40(depends on EQ type) 0C(″) 07(″) 00(″) 40(″) 1C(″) 07(″) — 40(″) 22(″) 07(″) — 40(″) 2E(″) 07(″) — 40(″) 34(″) 07(″) 00(″) < Table 1 - 5 > MIDI Parameter Change table ( EFFECT 2) Address (H) 03 00 00 Size (H) 2 Data (H) 00 00 00 00 00 00 00 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION Parameter Description 02 03 04 05 06 07 08 09 0A 0B 0C 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 12 00 00 00 00 00 - 7F 7F 7F 7F 7F MW INSERTION CONTROL DEPTH BEND INSERTION CONTROL DEPTH CAT INSERTION CONTROL DEPTH AC1 INSERTION CONTROL DEPTH AC2 INSERTION CONTROL DEPTH TOTAL 0D 0E 0F 10 11 SIZE 1 1 1 1 1 1 06 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 PARAMETER11 PARAMETER12 PARAMETER13 PARAMETER14 PARAMETER15 PARAMETER16 refer to Effect Parameter List ″ ″ ″ ″ ″ 78(depends on insertion effect1 type) 00(″) 00(″) 00(″) 00(″) 00(″) TOTAL 20 21 22 23 24 25 SIZE 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 PARAMETER1 MSB PARAMETER1 LSB PARAMETER2 MSB PARAMETER2 LSB PARAMETER3 MSB PARAMETER3 LSB PARAMETER4 MSB PARAMETER4 LSB PARAMETER5 MSB PARAMETER5 LSB PARAMETER6 MSB PARAMETER6 LSB PARAMETER7 MSB PARAMETER7 LSB PARAMETER8 MSB PARAMETER8 LSB PARAMETER9 MSB PARAMETER9 LSB PARAMETER10 MSB PARAMETER10 LSB refer to Effect Parameter List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ 00(depends on insertion effect1 type) 28(″) 00(″) 14(″) 00(″) 48(″) 00(″) 35(″) 00(″) 40(″) 00(″) 00(″) 00(″) 2B(″) 00(″) 4A(″) 00(″) 0A(″) 00(″) 7F(″) TOTAL 30 2 2 34 2 36 2 38 2 3A 2 3C 2 3E 2 40 2 42 2 SIZE 14 TYPE MSB TYPE LSB PARAMETER1 PARAMETER2 PARAMETER3 PARAMETER4 PARAMETER5 PARAMETER6 PARAMETER7 PARAMETER8 PARAMETER9 PARAMETER10 PART NUMBER Default value (H) 49(=DISTORTION) 00 28(depends on insertion effect1 type) 14(″) 48(″) 35(″) 40(″) 00(″) 2B(″) 4A(″) 0A(″) 7F(″) 7F refer to Effect Program List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ Part1...32(0...31) Audio1~14(64~67) OFF(127) -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 32 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 EFFECT1 40 40 40 40 40 When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02...0B are received, and parameters of addresses 30...42 are not received. When using an EFFECT TYPE which requires the MSB, parameters of addresses 30...42 are received, and parameters of addresses 02...0B are not received. Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02...0B, but in the case of an EFFECT TYPE which requires the MSB, parameters of addresses 02...0B are not received even for bulk reception. 77 DataList-E.qx 03 01 8/5/98 00 2 02 03 04 05 06 07 08 09 0A 0B 0C 1 1 1 1 1 1 1 1 1 1 1 TOTAL 0D 0E 0F 10 11 SIZE TOTAL TOTAL 5:04 PM Page 78 00 00 00 00 00 00 00 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION 1 1 1 1 1 12 00 00 00 00 00 - 7F 7F 7F 7F 7F 20 21 22 23 24 25 SIZE 1 1 1 1 1 1 06 00 00 00 00 00 00 - 30 2 32 2 34 2 36 2 38 2 3A 2 3C 2 3E 2 40 2 42 1 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - SIZE 14 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 TYPE MSB TYPE LSB PARAMETER1 PARAMETER2 PARAMETER3 PARAMETER4 PARAMETER5 PARAMETER6 PARAMETER7 PARAMETER8 PARAMETER9 PARAMETER10 PART NUMBER 49(=DISTORTION) 00 28(depends on insertion effect2 type) 14(″) 48(″) 35(″) 40(″) 00(″) 2B(″) 4A(″) 0A(″) 7F(″) 7F MW INSERTION CONTROL DEPTH BEND INSERTION CONTROL DEPTH CAT INSERTION CONTROL DEPTH AC1 INSERTION CONTROL DEPTH AC2 INSERTION CONTROL DEPTH refer to Effect Program List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ Part1...32(0...31) Audio1~14(64~67) OFF(127) -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 7F 7F 7F 7F 7F 7F INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 PARAMETER11 PARAMETER12 PARAMETER13 PARAMETER14 PARAMETER15 PARAMETER16 refer to Effect Parameter List ″ ″ ″ ″ ″ 78(depends on insertion effect2 type) 00(″) 00(″) 00(″) 00(″) 00(″) 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION INSERTION EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 EFFECT2 PARAMETER1 MSB PARAMETER1 LSB PARAMETER2 MSB PARAMETER2 LSB PARAMETER3 MSB PARAMETER3 LSB PARAMETER4 MSB PARAMETER4 LSB PARAMETER5 MSB PARAMETER5 LSB PARAMETER6 MSB PARAMETER6 LSB PARAMETER7 MSB PARAMETER7 LSB PARAMETER8 MSB PARAMETER8 LSB PARAMETER9 MSB PARAMETER9 LSB PARAMETER10 MSB PARAMETER10 LSB refer to Effect Parameter List ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ ″ 00(depends on insertion effect2 type) 28(″) 00(″) 14(″) 00(″) 48(″) 00(″) 35(″) 00(″) 40(″) 00(″) 00(″) 00(″) 2B(″) 00(″) 4A(″) 00(″) 0A(″) 00(″) 7F(″) 40 40 40 40 40 When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02...0B are received, and parameters of addresses 30...42 are not received. When using an EFFECT TYPE which requires the MSB, parameters of addresses 30...42 are received, and parameters of addresses 02...0B are not received. Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02...0B, but in the case of an EFFECT TYPE which requires the MSB, parameters of addresses 02...0B are not received even for bulk reception. < Table 1 - 6 > MIDI Parameter Change table ( MULTI PART ) Address (H) 08 nn 00 Size (H) 1 Data (H) 00 - 40 ELEMENT nn 01 1 00 - 7F BANK nn nn nn 02 03 04 1 1 1 00 - 7F 00 - 7F 00-1F,7F BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL 0...127 1...128 A1...A16, B1...B16, OFF Default value (H) part10, 26=0 other parts =2 part10,26=7F other parts=0 00 00 Part No. nn nn 05 06 1 1 00 - 01 00 - 02 MONO , POLY SINGLE, MULTI, INST(for DRUM) 01 01 nn 07 1 00 - 05 MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN PART MODE NORMAL, DRUM, DRUMS1...4 nn nn nn 08 09 0A 1 2 28 - 58 00 - 0F 00 - 0F NOTE SHIFT DETUNE Part10=2, Part26=4 other parts=0 40 08 00 nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 28 00 00 00 00 00 VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH DRY LEVEL CHORUS SEND REVERB SEND VARIATION SEND VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW PITCH CONTROL MW LOW PASS FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH MW LFO AMOD DEPTH -24...0...+24[semitones] -12.8...0...+12.7[Hz] 1st bit3-0→bit7-4 2nd bit3-0→bit3-0 0...127 0...127 0...127 RND, L63...C...R63 C-2...G8 C-2...G8 0...127 0...127 0...127 0...127 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 58 7F 7F 7F 7F 7F Parameter Description RESERVE SELECT MSB 0...64 0...127 78 64 40 40 40 00 7F 7F 00 28 00 40 40 40 40 40 40 40 40 40 40 40 0A 00 00 DataList-E.qx 8/5/98 5:04 PM Page 79 PITCH CONTROL LOW PASS FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE 1 1 1 1 1 1 29 28 00 00 00 00 00 - 58 7F 7F 7F 7F 7F BEND BEND BEND BEND BEND BEND nn 30 nn 31 nn 32 nn 33 nn 34 nn 35 nn 36 nn 37 nn 38 nn 39 nn 3A nn 3B nn 3C nn 3D nn 3E nn 3F nn 40 nn 41 nn 42 nn 43 nn 44 nn 45 nn 46 nn 47 nn 48 nn 49 nn 4A nn 4B nn 4C nn 4D nn 4E nn 4F nn 50 nn 51 nn 52 nn 53 nn 54 nn 55 nn 56 nn 57 nn 58 nn 59 nn 5A nn 5B nn 5C nn 5D nn 5E nn 5F nn 60 nn 61 nn 62 nn 63 nn 64 nn 65 nn 66 nn 67 nn 68 nn 69 nn 6A nn 6B nn 6C nn 6D nn 6E TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3F 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 28 00 00 00 00 00 28 00 00 00 00 00 00 28 00 00 00 00 00 00 28 00 00 00 00 00 00 00 00 00 00 00 01 01 - 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 58 7F 7F 7F 7F 7F 58 7F 7F 7F 7F 7F 5F 58 7F 7F 7F 7F 7F 5F 58 7F 7F 7F 7F 7F 01 7F 7F 7F 7F 7F 7F 7F nn 70 nn 71 nn 72 nn 73 TOTAL SIZE 1 1 1 1 04 nn 74 nn 75 nn 76 nn 77 nn 78 nn 79 nn 7A nn 7B nn 7C nn 7D nn 7E nn 7F TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 0C 0A 10 1 SIZE 01 nn TOTAL 00 - 7F 00 - 7F 04 - 28 1C - 3A 00,08,09,0A 28,29,2A,2B, 2C,2D -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 42 40 40 00 00 00 Rcv PITCH BEND Rcv CH AFTER TOUCH(CAT) Rcv PROGRAM CHANGE Rcv CONTROL CHANGE Rcv POLY AFTER TOUCH(PAT) Rcv NOTE MESSAGE Rcv RPN Rcv NRPN Rcv MODULATION Rcv VOLUME Rcv PAN Rcv EXPRESSION Rcv HOLD1 Rcv PORTAMENTO Rcv SOSTENUTO Rcv SOFT PEDAL Rcv BANK SELECT SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B CAT PITCH CONTROL CAT LOW PASS FILTER CONTROL CAT AMPLITUDE CONTROL CAT LFO PMOD DEPTH CAT LFO FMOD DEPTH CAT LFO AMOD DEPTH PAT PITCH CONTROL PAT LOW PASS FILTER CONTROL PAT AMPLITUDE CONTROL PAT LFO PMOD DEPTH PAT LFO FMOD DEPTH PAT LFO AMOD DEPTH AC1 CONTROLLER NUMBER AC1 PITCH CONTROL AC1 LOW PASS FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH AC1 LFO FMOD DEPTH AC1 LFO AMOD DEPTH AC2 CONTROLLER NUMBER AC2 PITCH CONTROL AC2 LOW PASS FILTER CONTROL AC2 AMPLITUDE CONTROL AC2 LFO PMOD DEPTH AC2 LFO FMOD DEPTH AC2 LFO AMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME VELOCITY LIMIT LOW VELOCITY LIMIT HIGH OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 0...95 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 0...95 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 OFF, ON 0...127 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 1...127 1...127 01 01 01 01 01 01 01 XGmode=01, GMmode=00 01 01 01 01 01 01 01 01 XGmode=01, GMmode=00 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 00 00 00 40 40 40 00 00 00 10 40 40 40 00 00 00 11 40 40 40 00 00 00 00 00 40 40 40 40 01 7F NOT USED NOT USED EQ BASS GAIN EQ TREBLE GAIN -12 - +12[dB] -12 - +12[dB] — — 40 40 NOT USED NOT USED EQ BASS FREQUENCY EQ TREBLE FREQUENCY NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED OUTPUT SELECT 32...2.0k[Hz] 500...16.0k[Hz] — — 0C 36 — — — — — — — — 0:stereo out, 8:indiv1+2, 9:indiv3+4, 00 10:indiv5+6,40:indiv1,41:indiv2,42:indiv3, 43:indiv4, 44:indiv5,45:indiv6 If data other than the above is received, 0:stereo out will be selected. Note: In the case of OUTPUT SELECT, if the received value exceeds the number that can be supported, the parameter value will be 0. 79 DataList-E.qx 8/5/98 0A nn 20 nn 21 TOTAL SIZE 1 1 02 5:04 PM 00 - 7F Page 80 HIGH PASS FILTER CUTOFF FREQUENCY NOT USED -64...0...+63 40 — Parameter Description Default value (H) INPUT GAIN MIC , LINE (Effective only for Analog Device) 0...127 0...127 1...128 A1...A16,B1...B16, OFF nn = PART NUMBER In the case of a DRUM PART, the following parameters will have no effect. • BANK SELECT LSB • MONO/POLY MODE • SCALE TUNING • PORTAMENTO • PITCH EG • FILTER MODULATION DEPTH (FMOD DEPTH) • AMPLITUDE MODULATION DEPTH (AMOD DEPTH) • OUTPUT SELECT < Table 1 - 7 > MIDI Parameter Change table ( Audio PART ) Address (H) 10 0n 00 TOTAL 10 0n TOTAL Size (H) 1 Data (H) 00 - 01 01 02 03 04 05 06 07 08 09 0A 0B 1 1 1 1 1 1 1 1 1 1 1 00 - 7F 00 - 7F 00 - 7F 00-1F, 7F 0C 0D 0E 0F 10 11 12 13 14 SIZE 1 1 1 1 1 1 1 1 1 15 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5E 5F 60 SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 31 00 - 7F 01 - 7F 00 00 00 00 - 7F 7F 7F 7F 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 5F 00 - 5F BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED VOLUME NOT USED NOT USED PAN NOT USED NOT USED DRY LEVEL CHORUS SEND REVERB SEND VARIATION SEND NOT USED NOT USED Rcv PROGRAM CHANGE Rcv CONTROL CHANGE NOT USED MUTE NOT USED NOT USED NOT USED Rcv VOLUME Rcv PAN Rcv EXPRESSION NOT USED NOT USED NOT USED NOT USED Rcv BANK SELECT NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED AC1 CONTROLLER NUMBER NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED AC2 CONTROLLER NUMBER 0...127 (Default value for Analog Device is 0) L63...C...R63 0...127 0...127 0...127 0...127 OFF , ON OFF , ON ON, OFF OFF , ON OFF , ON OFF , ON OFF , ON 0...95 0...95 80 00 00 00 00 7F — — — — — — 64 — — 40 — — 7F 00 00 00 — — 00 01 — 01 — — — 01 01 01 — — — — 00 — — — — — — — — — — — — — — — — — — — — — — — — 10 — — — — — — 11 DataList-E.qx 12 nn TOTAL 8/5/98 10 1 SIZE 01 5:04 PM 00,08,09,0A 28,29,2A,2B, 2C,2D Page 81 OUTPUT SELECT 0:stereo out, 8:indiv1+2, 9:indiv3+4, 00 10:indiv5+6,40:indiv1,41:indiv2,42:indiv3, 43:indiv4, 44:indiv5,45:indiv6 If data other than the above is received, 0:stereo out will be selected. Note: In the case of OUTPUT SELECT, if the received value exceeds the number that can be supported, the parameter value will be 0. n:Audio Part number( 0 - D ) < Table 1 - 8 > MIDI Parameter Change table ( Audio Part Configuration ) Address (H) 11 0n 00 Size (H) 1 TOTAL SIZE 01 11 01 3 0n TOTAL SIZE Data (H) 00 - 01 Stereo/Monaural Parameter 00 - Input Category 00 - Input Sub Category 00 - Input Serial Number Description Default value (H) Switch between Stereo and Monaural 00 (Effective only for even numbered parts) Indicate input type, 00 depending on the shape of the connector. 0:No Connection 1∼63:Connection to external device 1:Analog,others: Reserve 64∼126:Connection to internal Bus 64:PCI,others: Reserve 127:Reserve Indicate input sub-type. 00 Not used at present. Set to 0. Serial number in the same 00 input category. 03 n:Audio Part number( 0 - D ) < Table 1 - 9 > MIDI Parameter Change table ( DRUM SETUP ) Address (H) 3n rr 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 10 Data (H) 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - 3n 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0E 00 - 7F 00 - 7F TOTAL 20 21 22 23 24 25 26 27 28 29 2A 2B 2C 2D SIZE 3n 40 1 00,08,09,0A 28,29,2A,2B, 2C,2D SIZE 01 rr rr TOTAL 7F 7F 7F 7F 7F 7F 7F 7F 01 01 01 7F 7F 7F 7F 7F 04 - 28 1C - 3A Parameter Description PITCH COARSE PITCH FINE LEVEL ALTERNATE GROUP PAN REVERB SEND CHORUS SEND VARIATION SEND KEY ASSIGN Rcv NOTE OFF Rcv NOTE ON LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK RATE EG DECAY1 RATE EG DECAY2 RATE -64...0...+63 -64...0...+63[cent] 0...127 OFF,1...127 RND,L63...C...R63 0...127 0...127 0...127 SINGLE , MULTI OFF , ON OFF , ON -64...0...63 -64...0...63 -64...0...63 -64...0...63 -64...0...63 EQ BASS GAIN EQ TREBLE GAIN NOT USED NOT USED EQ BASS FREQUENCY EQ TREBLE FREQUENCY NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED -12 - +12[dB] -12 - +12[dB] OUTPUT SELECT 0:stereo out, 8:indiv1+2, 9:indiv3+4, 00 10:indiv5+6,40:indiv1,41:indiv2,42:indiv3, 43:indiv4, 44:indiv5,45:indiv6 32...2.0k[Hz] 500...16.0k[Hz] Default value (H) 40 40 depend on the note ″ ″ ″ ″ 7F 00 depend on the note 01 40 40 40 40 40 40 40 — — 0C 36 — — — — — — — — When data other than the above is received, 0:stereo out will be selected. 3n rr TOTAL 3n 50 51 SIZE rr 60 61 TOTAL SIZE 1 1 02 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY NOT USED -64...0...63 40 — 1 1 02 30 - 50 30 - 50 VELOCITY SENSE PITCH VELOCITY SENSE LPF CUTOFF -16...0...16 -16...0...16 depend on the note ″ n:Drum Setup Number(0 - 3) rr:note number(0D - 5B) In the following cases, the SW1000XG will initialize all Drum Setups. XG SYSTEM ON received GM SYSTEM ON received DRUM SETUP RESET received (when in XG mode) 81 DataList-E.qx 8/4/98 4:01 PM Page 82 [Note] When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized. If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned. < Table 2 - 1 > Parmeter Bass Address Model ID = 49 Parameter Description Address (H) (M) (L) 00 00 00 System SW1000XG SYSTEM < Table 2 - 2 > MIDI Parameter Change table ( SYSTEM ) Address (H) 00 00 00 01 02 03 04 05 06 07 08 09 TOTAL SIZE Size (H) 1 1 1 1 1 00 00 10 TOTAL SIZE 1 01 00 00 11 TOTAL SIZE 00 00 12 TOTAL SIZE Data (H) 00 00 00 00 00 - Parameter Description MUTE LOCK Audio LOCK EQ LOCK Rcv SYSTEM ON MESSAGE Rcv BANK SELECT Not Used Not Used Not Used Not Used Not Used OFF OFF OFF OFF OFF 00 - 01 DRUM EDIT Rcv NOTE OFF , ON 01 1 01 00 - 01 OUTPUT SELECT LOCK OFF , ON 00 1 01 00 - 01 Voice Map MU Basic/SW1000XG Native Voice 00 01 01 01 01 01 , , , , , ON ON ON ON ON Default value (H) 00 00 00 01 01 0A 82 DataList-E.qx 8/4/98 4:01 PM Page 83
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