Yamaha CVP 509/505/503/501 Reference Manual English Cvp509 En Rm A0

User Manual: Yamaha CVP-509/505/503/501 Reference Manual

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CVP-509 / 505 / 503 / 501
Reference Manual
This Reference Manual explains advanced features of the CVP-509/505/503/501 that are not
explained in the Owner's Manual. Please read the Owner's Manual first, before reading this
Reference Manual.
EN
2 CVP-509/505/503/501 Reference Manual
Contents
1 Perform the piano songs by Clavinova 3
2 Voices
– Playing the Keyboard – 3
Voice Characteristics ......................................................... 3
Selecting GM/XG or Other Voices from the Panel............. 4
Selecting the Harmony/Echo type...................................... 5
Pitch-Related Settings ....................................................... 7
Editing Voices (Voice Set) ................................................. 9
Editing Organ Flutes Parameters..................................... 15
3 Styles
– Playing Rhythm and Accompaniment – 16
Selecting the Chord Fingering Type ................................ 16
Style Playback Related Settings ...................................... 18
Split Point Settings........................................................... 20
Memorizing the Original One Touch Setting .................... 21
Creating/Editing Styles (Style Creator) ............................ 22
4 Songs
– Recording Your Performances and Creating Songs –
36
Editing Music Notation Settings ....................................... 36
Editing Lyrics/Text Display Settings .......... 39
Using the Auto Accompaniment Features with the Song
Playback .......................................................................... 40
Song Playback Related Parameters (Repeat settings,
Channel settings, Guide Function)................................... 41
Creating/Editing Songs (Song Creator) ........................... 45
5 Music Finder
– Calling Up Ideal Setups (Voice, Style, etc.) for Each Song –
61
Creating a Set of Favorite Records.................................. 61
Editing Records................................................................ 62
Saving the Record as a Single File.................................. 63
Viewing Record Information on the Internet
(MUSIC FINDER Plus)..................................................... 64
6 Registration Memory
– Saving and Recalling Custom Panel Setups –
65
Disabling Recall of Specific Items (Freeze) ..................... 65
Calling Up Registration Memory Numbers in Order
(Registration Sequence) .................................................. 66
7 USB Audio (CVP-509/505/503)
– Playback and Recording Audio Files – 69
8 Mixing Console
– Editing the Volume and Tonal Balance – 69
Editing VOL/VOICE Parameters ...................................... 69
Editing FILTER Parameters ............................................. 70
Editing TUNE Parameters................................................ 71
Editing EFFECT Parameters ........................................... 72
Editing EQ Parameters .................................................... 74
9 Internet Direct Connection
– Connecting the CVP-509/505/503/501 Directly to the Internet –
76
Editing the Browser Settings............................................ 76
Registering Bookmarks of Your Favorite Pages .............. 77
10 Connections
– Using Your Instrument with Other Devices – 79
Microphone Settings .................................. 79
Footswitch/Foot Controller Settings ................................. 86
MIDI Settings ................................................................... 89
11 Utility
– Making Global Settings – 95
CONFIG1 ......................................................................... 95
CONFIG2 ......................................................................... 97
SCREEN OUT .................................................. 98
MEDIA.............................................................................. 98
OWNER ........................................................................... 99
SYSTEM RESET ........................................................... 100
Index 102
CVP-503CVP-505CVP-509
CVP-503CVP-505CVP-509
CVP-505CVP-509
* Each chapter in this Reference Manual corresponds to the relevant chapters in the Owner’s Manual.
•The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat dif-
ferent from those on your instrument.
• The displays are taken from the CVP-509, and in English.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
Using the PDF manual
•To quickly jump to items and topics of interest, click on the desired items in the “Bookmarks” index to the left
of the main display window. (Click the “Bookmarks” tab to open the index if it is not displayed.)
• Click the page numbers that appear in this manual to go directly to the corresponding page.
• Select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a keyword to locate related informa-
tion anywhere in the document.
NOTE The names and positions of menu items may vary according to the version of Adobe Reader being used.
2
CVP-509/505/503/501 Reference Manual 3
1
Perform the piano songs by
Clavinova
This function is fully explained in the Owner’s Manual. Refer to the corresponding chapter in the Owner’s Man-
ual.
Voices
– Playing the Keyboard –
Contents
Voice Characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Selecting GM/XG or Other Voices from the Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Selecting the Harmony/Echo type. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Pitch-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
• Scale Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
• Changing the Part Assignment of the TRANSPOSE Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
• Editable Parameters in the VOICE SET Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
• Disabling Automatic Selection of Voice Sets (Effects, etc.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Editing Organ Flutes Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
The Voice type and its defining characteristics are indicated above the Voice name in the Voice Selection
display.
Voice Characteristics
S. Articulation2! (CVP-509)
S.Articulation! (CVP-509/505)
MegaVoice (CVP-509/505/503)
See the Owner’s Manual, chapter 2.
Natural! These rich and luscious Voices are comprised mostly of keyboard
instrument sounds and are especially intended for playing piano and
other keyboard parts. They also take full advantage of Yamaha’s
advanced sampling technology such as Stereo Sampling, Dynamic
Sampling, Sustain Sampling, and Key-off Sampling.
Live! These acoustic instrument sounds were sampled in stereo, to produce a
truly authentic, rich sound—full of atmosphere and ambience.
Cool! These Voices capture the dynamic textures and subtle nuances of elec-
tric instruments—thanks to a huge amount of memory and some very
sophisticated programming.
Voices – Playing the Keyboard –
4 CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
The GM/XG Voices cannot be directly called up from the VOICE category selection buttons. However, they
can be called up via panel operation by following the procedure below.
1In the Main display, select a keyboard part to which you want to call up the desired
Voice.
2Press one of the VOICE category selection buttons to call up the Voice Selection
display.
3Press the [8 ▲] (UP) button to call up the Voice categories.
4Press the [2 ▲] (P2) button to display Page 2.
5Press the desired [A]–[J] button to call up the Voice Selection display of GM/XG
Voices, GM2 Voices, etc.
NOTE (CVP-509/505) You can find the “Legacy” folder in this display. This folder contains previous Yamaha Clavinova Voices (such as CVP-409, 407 etc.) for
data compatibility with other models.
6Select the desired Voice.
Sweet! These acoustic instrument sounds also benefit from Yamaha’s sophisti-
cated technology—and feature a sound so finely detailed and natural,
you’ll swear you’re playing the real thing!
Live!Drums (CVP-509) These are high-quality drum sounds taking full advantage of Stereo
Sampling and Dynamic Sampling.
Live!SFX (CVP-509) These are high-quality Latin percussion sounds taking full advantage
of Stereo Sampling and Dynamic sampling. They give you a broader
and more versatile range of Latin percussion than the normal drum
Voices.
Drums Various drum and percussion sounds are assigned to individual keys,
letting you play the sounds from the keyboard.
SFX Various special effect sounds are assigned to individual keys, letting
you play the sounds from the keyboard.
Organ Flutes! This authentic organ Voice lets you use the Voice Set to adjust the var-
ious footages and craft your own original organ sounds. See page 15
for details.
Selecting GM/XG or Other Voices from the Panel
43
CVP-509/505/503/501 Reference Manual 5
Voices – Playing the Keyboard –
2
You can select the desired Harmony/Echo effect from a variety of types.
1Press the [VOICE EFFECT] button.
2Turn the Harmony/Echo on by pressing the [I] (HARMONY/ECHO) button.
3Call up the operation display by pressing the [J] (TYPE SELECT) button.
4Use the [1 ▲▼]–[3 ▲▼] buttons to select the Harmony/Echo type.
The Harmony/Echo types are divided into the following groups, depending on the particular effect
applied.
■Harmony Types
When one of the Harmony Types is selected, the Harmony effect is applied to the note played in the right-
hand section of the keyboard according to the type selected above and the chord specified in the chord
section of the keyboard shown below.
Selecting the Harmony/Echo type
Harmony Types
These types apply the harmony effect to notes played in the right-hand sec-
tion of the keyboard according to the chord specified in the left-hand section
of the keyboard. (Note that the “1+5” and “Octave” settings are not affected
by the chord.)
Multi Assign Type
This type applies a special effect to chords played in the right-hand section
of the keyboard.
Echo Types
These types apply echo effects to notes played in the right-hand section of
the keyboard in time with the currently set tempo.
Split Point
(for the Voice)
LEFT Voice and chord section
for Harmony effect
RIGHT 1 and 2 Voices
Chord section for Style playback
and Harmony effect
Chord section for
Style playback and
Harmony effect
Split Point
Split Point
(for Style playback)
Split Point
LEFT Voice RIGHT 1 and 2
Voices
6 CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
■Multi Assign Type
The Multi Assign effect automatically assigns notes played simultaneously on the right-hand section of the
keyboard to separate parts (Voices). Both of the keyboard part [RIGHT 1] and [RIGHT 2] should be turn
on when using the Multi Assign effect. The Right 1 and Right 2 Voices are alternately assigned to the notes
in the order you play.
■Echo Types
When one of the Echo Types is selected, the corresponding effect (echo, tremolo, trill) is applied to the
note played in the right-hand section of the keyboard in time with the currently set tempo, regardless of the
[ACMP ON/OFF] and the LEFT part on/off status. Keep in mind that Trill works when you hold down two
notes on the keyboard simultaneously (last two notes if more than two notes are held), and it plays those
notes alternately.
5Use the [4 ▲▼]–[8 ▲▼] buttons to select various Harmony/Echo settings.
The available settings differ depending on the Harmony/Echo type.
[4 ▲▼]VOLUME This parameter is available for all types with the exception of “Multi
Assign.” It determines the level of the harmony/echo notes generated by
the Harmony/Echo effect.
[5 ▲▼] SPEED This parameter is only available when Echo, Tremolo, or Trill is selected
in Type above. It determines the speed of the Echo, Tremolo, and Trill
effects.
[6 ▲▼] ASSIGN This parameter is available for all types with the exception of “Multi
Assign.” This lets you determine the keyboard part via which the har-
mony/echo notes will be sounded.
[7 ▲▼] CHORD NOTE
ONLY
This parameter is available when one of the Harmony Types is selected.
When this is set to “ON,” the Harmony effect is applied only to the note
(played in the right-hand section of the keyboard) that belongs to a chord
played in the chord section of the keyboard.
[8 ▲▼]TOUCH LIMIT This parameter is available for all types with the exception of “Multi
Assign.” It determines the lowest velocity value at which the harmony
note will sound. This allows you to selectively apply the harmony by your
playing strength, letting you create harmony accents in the melody. The
harmony effect is applied when you play the key strongly (above the set
value).
CVP-509/505/503/501 Reference Manual 7
Voices – Playing the Keyboard –
2
Fine-tuning the Pitch of the Entire Instrument
You can fine-tune the pitch of the entire instrument—useful when you play the Clavinova along with other
instruments or CD music. Please note that the Tune function does not affect the Drum Kit or SFX Kit Voices
and audio files.
1Call up the operation display.
[FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [E][F] MASTER TUNE
2Use the [4 ▲▼]/[5 ▲▼] buttons to set the tuning in 0.2 Hz steps, from 414.8–466.8 Hz.
Press the both 4 or 5’s [
▲
] and [
▼
] buttons simultaneously to reset the value to the factory setting of 440.0 Hz.
Scale Tuning
You can select various scales for playing in custom tunings for specific historical periods or music genres.
1Call up the operation display.
[FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [E][F] SCALE TUNE
2Use the [A]/[B] buttons to select the desired scale.
■Preset Scale types
Pitch-Related Settings
EQUAL The pitch range of each octave is divided equally into twelve parts, with each
half-step evenly spaced in pitch. This is the most commonly used tuning in
music today.
PURE MAJOR, PURE
MINOR
These tunings preserve the pure mathematical intervals of each scale, espe-
cially for triad chords (root, third, fifth). You can hear this best in actual vocal
harmonies—such as choirs and a cappella singing.
PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created from a
series of perfect fifths, which are collapsed into a single octave. The 3rd in this
tuning are slightly unstable, but the 4th and 5th are beautiful and suitable for
some leads.
MEAN-TONE This scale was created as an improvement on the Pythagorean scale, by making
the major third interval more “in tune.” It was especially popular from the 16th
century to the 18th century. Handel, among others, used this scale.
WERCKMEISTER,
KIRNBERGER
This composite scale combines the Werckmeister and Kirnberger systems,
which were themselves improvements on the mean-tone and Pythagorean
scales. The main feature of this scale is that each key has its own unique char-
acter. The scale was used extensively during the time of Bach and Beethoven,
and even now it is often used when performing period music on the harpsi-
chord.
ARABIC1, ARABIC2 Use these tunings when playing Arabic music.
The tuning of each note for the cur-
rently selected scale is shown.
8 CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
3Change the following settings as necessary.
NOTE To register the Scale Tune settings to the Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS dis-
play.
Changing the Part Assignment of the TRANSPOSE Buttons
You can determine to which parts the TRANSPOSE [-]/[+] buttons are applied.
1Call up the operation display.
[FUNCTION] → [D] CONTROLLER → TAB [E][F] KEYBOARD/PANEL
2Use the [A]/[B] buttons to select “2. TRANSPOSE ASSIGN.”
3Press the [4 ▲▼]/[5 ▲▼] buttons to select the desired transpose type.
You can confirm the setting here by viewing the pop-up window called up via the TRANSPOSE [-]/[+]
buttons.
[2 ▲▼]BASE NOTE Determines the base note for each scale. When the base note is changed,
the pitch of the keyboard is transposed, yet maintains the original pitch
relationship between the notes.
[3 ▲▼]–
[5 ▲▼]
TUNE Select the desired note to be tuned by using the [3 ▲▼] buttons and tune
it in cents by using the [4 ▲▼]/[5 ▲▼] buttons.
NOTE In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)
[6 ▲▼]/
[7 ▲▼]
PART SELECT Select the part to which the Scale Tune setting is applied by using the [6
▲▼]/[7 ▲▼] buttons. Then press the [8 ▲] button to add a checkmark or
press the [8 ▼] button to remove the checkmark.
[8 ▲▼] MARK ON/OFF
KEYBOARD When this is selected, the TRANSPOSE [-]/[+] buttons affect the pitch of key-
board played Voices and Style playback (controlled by the performance in the
chord section of the keyboard)—but they do not affect Song playback.
SONG When this is selected, the TRANSPOSE [-]/[+] buttons affect only the pitch of
Song playback.
MASTER When this is selected, the TRANSPOSE [-]/[+] buttons affect the overall pitch
of the instrument, except audio playback.
CVP-509/505/503/501 Reference Manual 9
Voices – Playing the Keyboard –
2
The instrument has a Voice Set feature that allows you to create your own Voices by editing some parameters
of the existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER drive or
external devices for future recall.
1Select the desired Voice (other than an Organ Flutes Voice).
The editing method is different for the ORGAN FLUTES Voices compared to other Voices. For
instructions on editing the ORGAN FLUTES Voices, see page 15.
2Press the [6 ▲] (VOICE SET) button to call up the VOICE SET display.
3Use the TAB [E][F] buttons to call up the relevant setting display.
For information on the available parameters in each display, see the “Editable Parameters in the VOICE
SET Displays” on page 10.
4As necessary, use the [A]/[B] buttons to select the item (parameter) to be edited and
edit the Voice by using the [1 ▲▼]–[8 ▲▼] buttons.
By pressing the [D] (COMPARE) button, you can compare the sound of the edited Voice with the original
(unedited) Voice.
5Press the [I] (SAVE) button to save your edited Voice as a User Voice.
CAUTION
The settings will be lost if you select another Voice or turn the power to the instrument off without executing the Save operation.
Editing Voices (Voice Set)
5
3
4
10 CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
Editable Parameters in the VOICE SET Displays
The Voice Set parameters are organized into six different displays. The parameters in each display are
described separately, below.
NOTE The available parameters differ depending on the Voice.
■PIANO Page
This display is available only when the Natural! piano Voice (page
3) is selected.
■
COMMON Page
[1
▲▼
]/
[2
▲▼
]
TUNING
CURVE
Determines the tuning curve. Select “FLAT” if you feel the tuning curve
of the piano Voice does not quite match that of other instruments Voices.
STRETCH: Tuning curve particularly for pianos.
FLAT: Tuning curve in which the frequency is octave doubled over the
entire keyboard range.
[3
▲▼
]/
[4
▲▼
]
KEY OFF
SAMPLE
(CVP-509/505/503)
Adjusts the volume of the key-off sound (the subtle sound that occurs
when you release a key).
[5
▲▼
]/
[6
▲▼
]
SUSTAIN
SAMPLE
(CVP-509/505/503)
Adjusts the depth of sustain sampling for the damper pedal.
[7
▲▼
]/
[8
▲▼
]
STRING
RESONANCE
(CVP-509)
Adjusts the depth of string resonance.
[1
▲▼
]VOLUME Adjusts the volume of the current edited Voice.
[2
▲▼
]/
[3
▲▼
]
TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the vol-
ume responds to your playing strength.
DEPTH
Determines the velocity sensitivity, or how much the level of the Voice
changes in response to your playing strength (velocity).
OFFSET
Determines the amount by which received velocities are adjusted for the
actual velocity effect.
064 127
64
127
064 127
64
127
Actual Velocity for
tone generator
Depth=127 (twice)
Depth=64 (normal)
Depth=32 (half)
Depth=0
TOUCH SENSE DEPTH
Changes to velocity curve according to
VelDepth (with Offset set to 64)
Received Velocity
(Actual KeyOn speed)
TOUCH SENSE OFFSET
Changes to velocity curve according to
VelOffset (with Depth set to 64)
Actual Velocity for
tone generator
Received Velocity
(Actual KeyOn
speed)
Offset=96 (+64)
Offset=127 (+127)
Offset=64 (normal)
Offset=32 (-64)
Offset=0 (-127)
Depends
on offset
Depends
on offset
CVP-509/505/503/501 Reference Manual
11
Voices – Playing the Keyboard –
2
■
CONTROLLER Page
1 CENTER PEDAL
2 LEFT PEDAL
These allow you to select the function to be assigned to the center or left pedal.
3 MODULATION
When a pedal function is assigned to MODULATION, the pedal can be used to modulate the parameters
below as well as the pitch (vibrato). Here, you can set the degree to which the pedal modulates each of the
following parameters.
[4
▲▼
]/
[5
▲▼
]
PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When
the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 param-
eter is available; when the edited Voice is used as the LEFT part, the
LEFT parameter is available.
[6
▲▼
] MONO/POLY Determines whether the edited Voice is played monophonically or poly-
phonically.
[7
▲▼
] PORTAMENTO
TIME
Sets the portamento time (pitch transition time) when the edited Voice is
set to “MONO” above.
NOTE
The Portamento Time determines the pitch transition time. Portamento is a function that creates a
smooth transition in pitch from the first note played on the keyboard to the next.
[1
▲▼
] FUNCTION Selects the function to be assigned to the center or left pedal. For details
on the pedal functions, see page 86.
[2
▲▼
]–
[8
▲▼
]
RIGHT 1,
RIGHT 2, LEFT,
etc.
Determines whether the assigned function is effective or not for the
respective keyboard part. This also determines the depth for the function.
For details, see page 86.
[2
▲▼
]FILTER Determines the degree to which the pedal modulates the Filter Cutoff Fre-
quency. For details about the filter, see below.
[3
▲▼
] AMPLITUDE Determines the degree to which the pedal modulates the amplitude (vol-
ume).
[5
▲▼
] LFO PMOD Determines the degree to which the pedal modulates the pitch, or the
vibrato effect.
[6
▲▼
] LFO FMOD Determines the degree to which the pedal modulates the Filter modula-
tion, or the wah effect.
[7
▲▼
]LFO AMOD Determines the degree to which the pedal modulates the amplitude, or the
tremolo effect.
12
CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
■SOUND Page
FILTER
Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific
frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a
certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to
produce electronic, synthesizer-like effects.
EG
The EG (Envelope Generator) settings determine how the level of the
sound changes in time. This lets you reproduce many sound
characteristics of natural acoustic instruments—such as the quick
attack and decay of percussion sounds, or the long release of a
sustained piano tone.
VIBRATO
Vibrato is a quavering, vibrating sound effect that is produced by
regularly modulating the pitch of the Voice.
[1 ▲▼] BRIGHT.
(Brightness)
Determines the cutoff frequency or
effective frequency range of the fil-
ter (see diagram). Higher values
result in a brighter sound.
[2 ▲▼] HARMO.
(Harmonic con-
tent)
Determines the emphasis given to
the cutoff frequency (resonance),
set in BRIGHT. above (see dia-
gram). Higher values result in a
more pronounced effect.
[3 ▲▼]ATTACK Determines how quickly the sound reaches its maximum level after the
key is played. The lower the value, the quicker the attack.
[4 ▲▼] DECAY Determines how quickly the sound reaches its sustain level (a slightly
lower level than maximum). The lower the value, the quicker the decay.
[5 ▲▼] RELES.
(Release)
Determines how quickly the sound decays to silence after the key is
released. The lower the value, the quicker the decay.
[6 ▲▼] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a
more pronounced Vibrato.
[7 ▲▼] SPEED Determines the speed of the Vibrato effect.
[8 ▲▼] DELAY Determines the amount of time that elapses between the playing of a key
and the start of the Vibrato effect. Higher settings increase the delay of
the Vibrato onset.
Volume
These frequencies are
“passed” by the filter.
Cutoff
range
Frequency
(pitch)
Cutoff Frequency
Volume
Frequency (pitch)
Resonance
Time
Level
Key on Key off
Sustain
Level
ATTA CK DECAY RELEASE
Pitch
DELAY
SPEED
DEPTH
Time
CVP-509/505/503/501 Reference Manual 13
Voices – Playing the Keyboard –
2
■EFFECT/EQ Page
1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH/VIB ROTOR
2 DSP
3 EQ
Determines the Frequency and Gain of the Low and High EQ bands. For information about EQ, refer to
page 74.
■HARMONY Page
Harmony sets the Right 1 and 2 parts together. Select the Right 1 part in the Main display, before you set
it. This has the same settings as the display of “Selecting the Harmony/Echo type” page 5 in step 3.
[1 ▲▼]/
[2 ▲▼]
REVERB
DEPTH
Adjusts the reverb depth.
[3 ▲▼]/
[4 ▲▼]
CHORUS
DEPTH
Adjusts the chorus depth.
[5 ▲▼] DSP ON/OFF Determines whether the DSP is on or off.
[6 ▲▼] DSP DEPTH Adjusts the DSP depth.
If you want to re-select the DSP type, you can do so in the “2 DSP”
menu explained below.
[7 ▲▼]VIBE ROTOR This will be displayed only if VIBE VIBRATE is selected for the DSP
Type parameter explained below. Determines whether VIBE
VIBRATE should be set to on or off when selecting the Voice.
[1 ▲▼]–
[4 ▲▼]
DSP TYPE Selects the DSP effect category and type. Select a type after selecting a
category.
[5 ▲▼]–
[8 ▲▼]
VARIATION Two variations are provided for each DSP type. Here, you can edit the
VARIATION on/off status and variation’s parameter value setting.
[5 ▲▼] ON/OFF The factory-programmed assignments are set to variation-off for all
Voices (standard variation of DSP is assigned). If you select VARIA-
TION ON here, a variation of the DSP effect is assigned to the Voice.
The variation parameter value can be adjusted in the VALUE menu
explained below.
PARAMETER Displays the variation parameter. (This differs depending on the effect
type and cannot be changed.)
[6 ▲▼]
–[8 ▲▼]
VALUE Adjusts the value of the DSP variation parameter.
14 CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
Disabling Automatic Selection of Voice Sets (Effects, etc.)
Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically
called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant
display as explained below.
For example, if you want to change the Voice yet keep the same Harmony effect, set the HARMONY/ECHO
parameter to OFF (in the display explained below).
1Call up the operation display.
[FUNCTION] → [E] REGIST SEQUENCE/FREEZE/VOICE SET → TAB [E][F] VOICE SET
2Use the [A]/[B] buttons to select a keyboard part.
3Use the [4 ▲▼]–[8 ▲▼] buttons to enable/disable automatic calling up of the settings
(ON or OFF) independently for each parameter group.
2
3
CVP-509/505/503/501 Reference Manual 15
Voices – Playing the Keyboard –
2
The Organ Flute Voices selected from the [ORGAN FLUTES] button can be edited by adjusting the footage
levers, adding the attack sound, applying effect and equalizer, etc.
CAUTION
After editing, go to the Voice Selection display by pressing the [I] (PRESETS) button and save the setting. The settings will be lost if you
select another Voice or turn the power to the instrument off without executing the Save operation.
■FOOTAGE Page
Refer to the Owner’s Manual, chapter 2.
■VOLUME/ATTACK Page
■EFFECT/EQ Page
Same parameters as in the VOICE SET “EFFECT/EQ” Page explained on page 13.
Editing Organ Flutes Parameters
[1 ▲▼]VOL (Volume) Adjusts the overall volume of the Organ Flutes. The longer the graphic
bar, the greater the volume.
[2 ▲▼] RESP
(Response)
Affects both the attack and release (page 12) portion of the sound,
increasing or decreasing the response time of the initial swell and release,
based on the FOOTAGE controls. The higher the value, the slower the
swell and release.
[3 ▲▼] VIBRATO
SPEED
Determines the speed of the vibrato effect controlled by the Vibrato On/
Off ([F]/[G] buttons) and Vibrato Depth ([H] button).
[4 ▲▼]MODE The MODE control selects between two modes: FIRST and EACH. In the
FIRST mode, attack (percussive sound) is applied only to the first notes
played and held simultaneously; while the first notes are held, any subse-
quently played notes have no attack applied. In the EACH mode, attack is
applied equally to all notes.
[5 ▲▼]–
[7 ▲▼]
4’, 2 2/3’, 2’ These determine the attack sound volume of the ORGAN FLUTE Voice.
The 4’, 2-2/3’ and 2’ controls increase or reduce the volume of attack
sound at the corresponding footages. The longer the graphic bar, the
greater the attack sound volume.
[8 ▲▼] LENG (Length) Affects the attack portion of the sound producing a longer or shorter
decay immediately after the initial attack. The longer the graphic bar, the
longer the decay.
Same as the
FOOTAGE
Page.
3
16 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
Styles
– Playing Rhythm and Accompaniment –
Contents
Selecting the Chord Fingering Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Style Playback Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Split Point Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Memorizing the Original One Touch Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Creating/Editing Styles (Style Creator) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
• Realtime Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
• Step Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
• Style Assembly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
• Editing the Rhythmic Feel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
• Editing Data for Each Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
• Making Style File Format Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Style playback can be controlled by the chords you play in the chord section of the keyboard. There are seven
types of fingering.
1Call up the operation display.
[FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB [E][F] CHORD
FINGERING
2Press the [1 ▲▼]–[3 ▲▼] buttons to select a fingering.
For information on each fingering type, see page 17.
Selecting the Chord Fingering Type
Chord Tutor
If you know the name of a chord but don’t know how to play, you can have the instrument show you the
notes to play. This is the Chord Tutor function.
On the CHORD FINGERING display, specify the Chord Root and Chord Type by using the [6 ▲▼]–[8
▲▼] button. The notes you need to play are shown in the display.
NOTE Depending on the chord, some notes may be omitted.
CVP-509/505/503/501 Reference Manual 17
Styles – Playing Rhythm and Accompaniment –
3
Chord Fingering Types
NOTE “AI” stands for “Artificial Intelligence.”
SINGLE FINGER Makes it simple to produce orchestrated accompaniment using major, seventh,
minor and minor-seventh chords by pressing a minimum number of keys on the
Chord section of the keyboard. This type is available only for Style playback.
The abbreviated chord fingerings described below are used:
MULTI FINGER Automatically detects Single Finger or Fingered chord fingerings, so you can
use either type of fingering without having to switch fingering types.
FINGERED Lets you finger your own chords on the chord section of the keyboard, while
the instrument supplies appropriately orchestrated rhythm, bass, and chord
accompaniment in the selected Style. The Fingered type recognizes the various
chord types which are listed on the separate Data List booklet and can be
looked up using the Chord Tutor function on page 16.
FINGERED ON BASS Accepts the same fingerings as Fingered, but the lowest note played in the
Chord section of the keyboard is used as the bass note, allowing you to play
“on bass” chords. (In the Fingered mode, the root of the chord is always used
as the bass note.)
FULL KEYBOARD Detects chords in the entire key range. Chords are detected in a way similar to
Fingered, even if you split the notes between your left and right hands—for
example, playing a bass note with your left hand and a chord with your right,
or by playing a chord with your left hand and a melody note with your right.
AI FINGERED Basically the same as Fingered, with the exception that less than three notes
can be played to indicate the chords (based on the previously played chord,
etc.).
AI FULL KEYBOARD When this advanced fingering type is engaged, the instrument will automati-
cally create appropriate accompaniment while you play just about anything,
anywhere on the keyboard using both hands. You don’t have to worry about
specifying the Style chords. Although the AI Full Keyboard type is designed to
work with many songs, some arrangements may not be suitable for use with
this feature. This type is similar to Full Keyboard, with the exception that less
than three notes can be played to indicate the chords (based on the previously
played chord, etc.). 9th, 11th and 13th chords cannot be played. This type is
available only for Style playback.
Cm
C
Cm7
C7
For a major chord, press
the root key only.
For a minor chord, simul-
taneously press the root
key and a black key to its
left.
For a seventh chord,
simultaneously press the
root key and a white key to
its left.
For a minor-seventh
chord, simultaneously
press the root key and both
a white and black key to its
left.
18 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
3
The instrument has a variety of Style playback functions which can be accessed in the display below.
1Call up the operation display.
[FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB [E][F] STYLE
SETTING
2Use the [1 ▲▼]–[8 ▲▼] buttons for each setting.
Style Playback Related Settings
[1 ▲▼]STOP ACMP When [ACMP ON/OFF] is turned on and [SYNC START] is off, you can
play chords in the chord section of the keyboard with the Style stopped,
and still hear the accompaniment chord. In this condition—called “Stop
Accompaniment”—any valid chord fingerings are recognized and the
chord root/type are shown in the display. Here, you can determine
whether the chord played in the chord section will sound or not in the
Stop Accompaniment status.
OFF
The chord played in the chord section will not sound.
STYLE
The chord played in the chord section will sound via the Voices for the
Pad part and the Bass channel of the selected Style.
FIXED
The chord played in the chord section will sound via the specified Voice,
regardless of the selected Style.
NOTE When the selected Style contains MegaVoices, unexpected sounds may result when this is set to
“STYLE.”
NOTE When you record a song, the chord detected by playing the Stop Accompaniment can be recorded
regardless of the setting here. Please note that both the Voice that is sounded and the chord data
will be recorded when set to “STYLE,” and only the chord data will be recorded when set to “OFF”
or “FIXED.”
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Styles – Playing Rhythm and Accompaniment –
3
[2 ▲▼]OTS LINK TIM-
ING
This applies to the OTS Link function. This parameter determines the
timing in which the One Touch Settings change with the MAIN VARIA-
TION [A]–[D] change. (The [OTS LINK] button must be on.)
REAL TIME
One Touch Setting is immediately called up when you press a MAIN
VARIATION button.
NEXT BAR
One Touch Setting is called up at the next measure, after you press a
MAIN VARIATION button.
[3 ▲▼] SYNCHRO
STOP WIN-
DOW
This determines how long you can hold a chord before the Synchro Stop
function is automatically cancelled. When the [SYNC STOP] button is
turned on and this is set to a value other than “OFF,” this is automatically
cancels the Synchro Stop function if you hold a chord for longer than the
time set here. This conveniently resets Style playback control to normal,
letting you release the keys and still have the Style play. In other words, if
you release the keys sooner than the time set here, the Synchro Stop func-
tion works.
[4 ▲▼] STYLE TOUCH Turns touch response for the Style playback on/off. When this is set to
“ON,” the Style volume changes in response to your playing strength in
the chord section of the keyboard.
[5 ▲▼]/
[6 ▲▼]
SECTION SET Determines the default section that is automatically called up when
selecting different Styles (when Style playback is stopped). When set to
“OFF” and Style playback is stopped, the active section is maintained
even if the different Style is selected. When any of the MAIN A–D sec-
tions is not included in the Style data, the nearest section is automatically
selected. For example, when MAIN D is not contained in the selected
Style, MAIN C will be called up.
[7 ▲▼] TEMPO This determines whether the tempo changes or not when you change
Styles during Style playback.
HOLD
The tempo setting of the previous Style is maintained.
RESET
The tempo changes to that of the initial default tempo for the selected
Style.
[8 ▲▼]PART ON/OFF This determines whether the Style Channel On/Off status changes or not
when you change Styles.
HOLD
The Style Channel On/Off status of the previous Style is maintained.
RESET
All Style Channels are set to On.
20 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
3
These are the settings (there are two Split Points) that separate the different sections of the keyboard: the
Chord section, the LEFT part section and the RIGHT 1 and 2 section. The two Split Point settings (below)
are specified as note names.
1Call up the operation display.
[FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB [E][F] SPLIT
POINT
2Set the Split Point.
Split Point Settings
[F] Split Point (S+L) Sets the Split Point (S) and Split Point (L) to the same note. Press the [F]
button and rotate the [DATA ENTRY] dial.
[G] Split Point (S) Sets each Split Point. Press one of the desired buttons and rotate the
[DATA ENTRY] dial.
NOTE Split Point (L) cannot be set lower than Split Point (S).
[H] Split Point (L)
[1 ▲▼]/
[2 ▲▼]
STYLE You can specify each Split Point by note name. “STYLE” indicates Split
Point (S) and “LEFT” indicates Split Point (L).
[3 ▲▼]/
[4 ▲▼]
LEFT
Split Point (S)
Chord section Voice RIGHT
1–2
Split Point (L)
Voice LEFT
Split Point (S+L)
Chord section
+ Voice LEFT
Voice RIGHT 1 and 2
CVP-509/505/503/501 Reference Manual 21
Styles – Playing Rhythm and Accompaniment –
3
You can create your own One Touch Setting setups.
1Select the desired Style to memorize your One Touch Setting.
2Set up the panel controls (such as Voice, effects, and so on) as desired.
3Press the [MEMORY] button.
4Press one of the ONE TOUCH SETTING [1]–[4] buttons.
A message appears in the display prompting you to save the panel settings.
5Press [F] (YES) button to call up the Style Selection display and save the panel
settings as a Style file.
CAUTION
The panel settings memorized to each OTS button will be lost if you change the Style or turn the power off without executing the Save
operation.
Memorizing the Original One Touch Setting
34
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Styles – Playing Rhythm and Accompaniment –
3
Styles are made up of fifteen different sections (Intro, Main, Ending, etc.) and each section has eight separate
channels. With the Style Creator feature, you can create a Style by separately recording the channels, or by
importing pattern data from other existing Styles.
You can use one of the three different methods described below to create a Style. The created Style can also
be edited.
• Realtime Recording This method lets you record the Style by simply playing the keyboard. See
page 23.
• Step Recording This method lets you to enter each note individually. See page 26.
• Style Assembly This method lets you create a composite Style by combining various patterns
from the internal preset Styles or Styles you have already created. See page 26.
Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [B] STYLE CREATOR
NOTE The Style files created on the CVP-509/505/503/501 can only be played back on instruments which are compatible with SFF GE.
There are six Pages (tabs) in the Style Creator display.
• BASIC Creates the basic settings of the Style. You can also record your performance in realtime
to create a new Style (Realtime Recording). See page 23.
• ASSEMBLY Mixes the various parts (channels) from preset Styles or already created Style to create a
new Style. See page 26.
• GROOVE Changes the rhythmic feel of your created Style. See page 28.
• CHANNEL Edits data for each channel—quantizing, changing velocity, etc. See page 30.
• PARAMETER Changes the settings related for Style File Format. See page 31.
• EDIT Lets you enter notes one by one to create your Style (Step Recording). See page 26.
Creating/Editing Styles (Style Creator)
Sections
Channels
CVP-509/505/503/501 Reference Manual 23
Styles – Playing Rhythm and Accompaniment –
3
Realtime Recording
In the BASIC Page, you can create a single Style by recording the individual channels one-by-one, using
realtime recording.
1When you want to create a Style based on an existing Style, select the desired Style
to serve as the basis for recording/editing before call up the Style Creator display.
2Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [B] STYLE CREATOR
The BASIC Page is shown.
3If you want to create a new Style from scratch, press the [C] (NEW STYLE) button to
delete all channel’s data.
4Select the desired section (Intro, Main, Ending, etc.) for your new Style.
First close the RECORD display by pressing the [EXIT] button. Then use the [3 ▲▼]/[4 ▲▼] buttons to
select the section to be recorded.
NOTE To call up the RECORD display again, press the [F] (REC CH) button.
NOTE You can specify the sections to be recorded by using the Section buttons on the panel. Refer to step 3 on page 26.
NOTE You cannot select INTRO 4 and ENDING 4 sections directly via the panel operation.
Realtime Recording Characteristics—Loop Recording and Overdub Recording
• Loop Recording
Style playback repeats the rhythm patterns of several measures in a “loop,” and Style recording is also
done using loops. For example, if you start recording with a two-measure MAIN section, the two
measures are repeatedly recorded. Notes that you record will play back from the next repetition (loop),
letting you record while hearing previously recorded material.
•Overdub Recording
This method records new material to a channel already containing recorded data, without deleting the
original data. In Style recording, the recorded data is not deleted, except when using functions such as
Rhythm Clear (page 25) and Delete (page 24).
For example, if you start recording with a two-measure MAIN section, the two measures are repeated
many times. Notes that you record will play back from the next repetition, letting you overdub new
material to the loop while hearing previously recorded material.
When creating a Style based on an existing internal Style, overdub recording is applied only to the
rhythm channels. For all other channels (except rhythm), you need to delete the original data before
recording.
5
-1
5
-2
4
24 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
3
5Use the [5 ▲▼]/[6 ▲▼] buttons to determine the length (number of measures) of the
selected section, then press the [D] (EXECUTE) button to actually enter the specified
length.
6Specify the channel to be recorded by simultaneously holding down the [F] (REC CH)
button and pressing the appropriate numbered button, [1 ▼]–[8 ▼].
To cancel the selection, press the corresponding [1 ▼]–[8 ▼] button again.
7Call up the Voice Selection display by using the [1 ▲]–[8 ▲] buttons and select the
desired Voice for the corresponding recording channels.
Press the [EXIT] button to close the Voice Selection display.
8If necessary, delete a channel by simultaneously holding down the [J] (DELETE)
button and pressing the appropriate numbered button, [1 ▲]–[8 ▲].
You can cancel the deletion by pressing the same numbered button again before releasing your finger from
the [J] button.
NOTE When recording channels BASS–PHR2 based on the existing Style, you have to delete the original data before recording.
Recordable Voices
• RHY1 channel
Any except your original Organ Flute, SA and SA2 Voices are recordable.
• RHY2 channel
Only drum/SFX kits are recordable.
•BASS–PHR2 channels
Any except your original Organ Flute, drum/SFX kits, SA and SA2 Voices are recordable.
NOTE Preset Organ Flute Voice can be recorded to the RHY1 and BASS–PHR2 channels.
7
6
CVP-509/505/503/501 Reference Manual 25
Styles – Playing Rhythm and Accompaniment –
3
9Start recording by pressing the STYLE CONTROL [START/STOP] button.
Playback of the specified section starts. Since the accompaniment pattern plays back repeatedly in a loop,
you can record individual sounds one by one, listening to the previous sounds as they play. For
information on recording to channels other than the rhythm channels (RHY1, 2), refer to the section
“Rules when recording non-rhythm channels” below.
NOTE You can turn off the desired channels by pressing the corresponding [1 ▼]–[8 ▼] buttons.
10
To continue recording with another channel, repeat steps 6 –9.
11
Stop recording by pressing the STYLE CONTROL [START/STOP] button.
12
Press the [EXIT] button to close the RECORD display.
13
Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The edited Style will be lost if you change to another Style or turn the power to the instrument off without executing the Save operation.
Deleting recorded notes in the rhythm channel
When you are recording the rhythm channel (RHY1 or RHY2), you can delete a specific instrument
sound by simultaneously holding down the [E] (RHY CLEAR) button and pressing the appropriate key
on the keyboard.
Rules when recording non-rhythm channels
• Use only the CM7 scale tones when recording the BASS and PHRASE channels (i.e., C, D, E, G, A,
and B).
• Use only the chord tones when recording the CHORD and PAD channels (i.e., C, E, G, and B).
Using the data recorded here, the auto accompaniment (Style playback) is appropriately converted
depending on the chord changes you make during your performance. The chord which forms the basis for
this note conversion is called the Source Chord, and is set by default to CM7 (as in the example
illustration above).
You can change the Source Chord (its root and type) from the PARAMETER display on page 31. Keep in
mind that when you change the Source Chord from the default CM7 to another chord, the chord notes
and recommended notes will also change. For details on chord notes and recommended notes, see
page 32.
NOTE For the INTRO and ENDING sections, any appropriate chord or chord progression can be used.
CRC CRC
C = Chord note
C, R = Recommended note
26 CVP-509/505/503/501 Reference Manual
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3
Step Recording
In the EDIT Page, you can record notes with absolutely precise timing. This Step Recording procedure is
essentially the same as that for Song Recording (page 45) with the exception of the points listed below:
•In the Song Creator, the End Mark position can be changed freely; in the Style Creator, it cannot be changed.
This is because the length of the Style is automatically fixed, depending on the selected section. For example,
if you create a Style based on a section of four measures length, the End Mark position is automatically set to
the end of the fourth measure, and cannot be changed in the Step Recording display.
• Recording channels can be changed in the Song Creator 1-16 tab display; however, they cannot be changed
in the Style Creator. Select the recording channel in the BASIC tab display.
• In the Style Creator, the channel data can be entered and System Exclusive data can be edited (delete, copy,
or move). You can switch between the two by pressing the [F] button. However, Chord, Lyrics, and System
Exclusive data cannot be entered.
For instructions on Step Recording, refer to pages 45–48. For information on the EDIT display (Event List
display), refer to page 58.
Style Assembly
Style Assembly allows you to create a single Style by mixing the various patterns (channels) from existing
internal Styles.
1Select the desired Style to serve as the basis for recording/editing before calling up
the Style Creator display.
2Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [B] STYLE CREATOR → TAB [E][F] ASSEMBLY
3Select the desired section (Intro, Main, Ending, etc.) for your new Style.
First call up the SECTION Selection display by pressing one of the Section buttons (INTRO, MAIN,
ENDING, etc.) on the panel. Then change the section as desired by using the [6 ▲▼]/[7 ▲▼] buttons and
actually enter the selection by pressing the [8 ▲] (OK) button.
NOTE You cannot select INTRO 4 and ENDING 4 sections directly via the panel operation.
CVP-509/505/503/501 Reference Manual 27
Styles – Playing Rhythm and Accompaniment –
3
4Select the channel for which you wish to replace the pattern by using the [A]–[D] and
[F]–[I] buttons. Call up the Style Selection display by pressing the same button again.
Select the Style containing the pattern you want to replace in the Style Selection
display.
To return to the previous screen, press the [EXIT] button after selecting the Style.
5Select the desired section of the newly imported Style (chosen in step 4) by using the
[2 ▲▼]/[3 ▲▼] (SECTION) buttons.
6Select the desired channel for the section (chosen in step 5) by using the [4 ▲▼]/[5
▲▼] (CHANNEL) buttons.
Repeat steps 4–6 above to replace the patterns of other channels.
7Press the [J] (SAVE) button to execute the Save operation.
CAUTION
The edited Style will be lost if you change to another Style or turn the power to the instrument off without executing the Save operation.
Playing the Style During Style Assembly
While you are assembling a Style, you can play back the Style and select the method of playback. Use the
[6 ▲▼]/[7 ▲▼] (PLAY TYPE) buttons in the Style Assembly display to select the playback method.
• SOLO
Mutes all but the selected channel in the ASSEMBLY Page. Any channels set to ON in the RECORD
display on the BASIC Page are played back simultaneously.
•ON
Plays back the selected channel in the ASSEMBLY Page. Any channels set to other than OFF in the
RECORD display on the BASIC Page are played back simultaneously.
• OFF
Mutes the selected channel in the ASSEMBLY Page.
6
4
5
[A]–[D],
[F]–[I]
buttons
28 CVP-509/505/503/501 Reference Manual
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3
Editing the Rhythmic Feel
1In the GROOVE Page, use the [A]/[B] buttons to select the edit menu, then edit the
data by using the [1 ▲▼]–[8 ▲▼] buttons.
1 GROOVE
This lets you add swing to the music or change the “feel” of the beat by making subtle shifts in the timing
(clock) of the Style. The Groove settings are applied to all channels of the selected Style.
[1 ▲▼]/
[2 ▲▼]
ORIGINAL
BEAT
Specifies the beats to which Groove timing is to be applied. In other
words, if “8 Beat” is selected, Groove timing is applied to the 8th notes; if
“12 Beat” is selected, Groove timing is applied to 8th-note triplets.
[3 ▲▼]/
[4 ▲▼]
BEAT CON-
VERTER
Actually changes the timing of the beats (specified in the ORIGINAL
BEAT parameter above) to the selected value. For example, when ORIG-
INAL BEAT is set to “8 Beat” and BEAT CONVERTER is set to “12,” all
8th notes in the section are shifted to 8th-note triplet timing. The “16A”
and “16B” Beat Converter which appear when ORIGINAL BEAT is set
to “12 Beat” are variations on a basic 16th-note setting.
[5 ▲▼]/
[6 ▲▼]
SWING Produces a “swing” feel by shifting the timing of the back beats, depend-
ing on the ORIGINAL BEAT parameter above. For example, if the speci-
fied ORIGINAL BEAT value is “8 Beat”, the Swing parameter will
selectively delay the 2nd, 4th, 6th, and 8th beats of each measure to create
a swing feel. The settings “A” through “E” produce different degrees of
swing, with “A” being the most subtle and “E” being the most pro-
nounced.
[7 ▲▼]/
[8 ▲▼]
FINE Selects a variety of Groove “templates” to be applied to the selected sec-
tion. The “PUSH” settings cause certain beats to be played early, while
“HEAVY” settings delay the timing of certain beats. The numbered set-
tings (2, 3, 4, 5) determine which beats are to be affected. All beats up to
the specified beat—but not including the first beat—will be played early
or delayed (for example, the 2nd and 3rd beats, if “3” is selected). In all
cases, “A” types produce minimum effect, “B” types produce medium
effect, and “C” types produce maximum effect.
3
1
1
2
CVP-509/505/503/501 Reference Manual 29
Styles – Playing Rhythm and Accompaniment –
3
2 DYNAMICS
This changes the velocity/volume (or accent) of certain notes in the Style playback. The Dynamics settings
are applied to each channel or all channels of the selected Style.
2Press the [D] (EXECUTE) button to actually enter the edits for each display.
After the operation is completed, this button changes to “UNDO,” letting you restore the original data if
you are not satisfied with the Groove or Dynamics results. The Undo function only has one level; only the
previous operation can be undone.
3Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The edited Style will be lost if you change to another Style or turn the power to the instrument off without executing the Save operation.
[1 ▲▼]/
[2 ▲▼]
CHANNEL Selects the desired channel (part) to which Dynamics is to be applied.
[3 ▲▼]/
[4 ▲▼]
ACCENT TYPE Determines the type of accent applied—in other words, which notes in
the part(s) are emphasized with the Dynamics settings.
[6 ▲▼] STRENGTH Determines how strongly the selected Accent Type (above) will be
applied. The higher the value, the stronger the effect.
[7 ▲▼] EXPAND/
COMP.
Expands or compresses the range of velocity values. Values higher than
100% expand the dynamic range, while values lower than 100% com-
press it.
[8 ▲▼] BOOST/CUT Boosts or cuts all velocity values in the selected section/channel. Values
above 100% boost the overall velocity, while values below 100% reduce
it.
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3
Editing Data for Each Channel
1In the CHANNEL Page, use the [A]/[B] buttons to select the edit menu.
1 QUANTIZE
Same as in the Song Creator (page 55), with the exception of the two additional available parameters
below.
2 VELOCITY CHANGE
Boosts or cuts the velocity of all notes in the specified channel, according to the percentage specified here.
3 BAR COPY
This function allows data to be copied from one measure or group of measures to another location within
the specified channel.
4 BAR CLEAR
This function clears all data from the specified range of measures within the selected channel.
5 REMOVE EVENT
This function lets you remove specific events from the selected channel.
2Use the [1 ▲▼]/[2 ▲▼] (CHANNEL) buttons to select the channel to be edited.
The selected channel is shown at the upper left of the display.
3Use the [4 ▲▼]–[8 ▲▼] buttons to edit the data.
4Press the [D] (EXECUTE) button to actually enter the edits for each display.
After the operation is completed, this button changes to “UNDO,” letting you restore the original data if
you are not satisfied with the results of the edit. The Undo function only has one level; only the previous
operation can be undone.
5Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The edited Style will be lost if you change to another Style or turn the power to the instrument off without executing the Save operation.
[4 ▲▼]TOP Specifies the first (TOP) and last (LAST) measures in the region to be
copied.
[5 ▲▼] LAST
[6 ▲▼]DEST Specifies the first measure of the destination location, to which the data is
to be copied.
5
2
1
4
3
Eighth notes with swing
Sixteenth notes with swing
CVP-509/505/503/501 Reference Manual 31
Styles – Playing Rhythm and Accompaniment –
3
Making Style File Format Settings
The Style File Format (SFF) combines all of Yamaha’s auto accompaniment (Style playback) know-how into
a single unified format. By using the Style Creator, you can take advantage of the power of the SFF format
and freely create your own Styles.
The chart shown below indicates the process by which the Style is played back. (This does not apply to the
rhythm track.) These parameters can be set via the Style Creator feature, in the PARAMETER Page.
Chord change via the chord section of the keyboard.
Output
The CVP-509/505/503/501’s Styles are compatible with SFF GE—an enhanced format of the original SFF
with especially rich, expressive guitar parts.
NOTE The Style files created on the CVP-509/505/503/501 can only be played back on instruments which are compatible with SFF GE.
1In the PARAMETER Page, use the [A]/[B] buttons to select the edit menu.
For details of the edit menu, see page 32.
Source Pattern settings—SOURCE (PLAY) ROOT/CHORD (page 32)
The Style data is appropriately converted depending on chord changes you make during your
performance. You can create the “Source Pattern” with the Style Creator, which determines how the
played chord will be converted. Here the “Source Chord” (page 32) can be set, allowing you to record
accompaniment channels.
Note Transposition settings—NTR and NTT (page 33)
This parameter group features two parameters that determine how the notes of the Source Pattern are to
be converted in response to chord changes.
Other settings—HIGH KEY, NOTE LIMIT and RTR (page 34)
Using the parameters of this group, you can fine-tune how Style playback responds to the chords you
play. For example, the Note Limit parameter allows you to have the Voices of the Style sound as realistic
as possible by shifting the pitch to an authentic range—ensuring that no notes sound outside the natural
range of the actual instrument (e.g., high bass sounds or low piccolo sounds).
4
23
1
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Styles – Playing Rhythm and Accompaniment –
3
2Use the [1 ▲▼]/[2 ▲▼] (CHANNEL) buttons to select the channel to be edited.
The selected channel is shown at the upper left of the display.
3Use the [3 ▲▼]–[8 ▲▼] buttons to edit the data.
For details on editable parameters, see pages 32–35.
4Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The edited Style will be lost if you change to another Style or turn the power to the instrument off without executing the Save operation.
1 SOURCE (PLAY) ROOT/CHORD
These settings determine the original key of the source pattern (i.e., the key used when recording the
pattern). The default setting of CM7 (with a Source Root of “C” and a Chord Type of “M7”), is
automatically selected whenever the preset data is deleted prior to recording a new Style, regardless of the
Source Root and Chord included in the preset data. When you change Source Root/Chord from the default
CM7 to another chord, the chord notes and recommended notes will also change, depending on the newly
selected chord type.
NOTE When NTR is set to “Root Fixed,” NTT is set to “Bypass” and NTT BASS is set to “OFF,” the “Source Root” and “Source Chord” parameters are changed
to “Play Root” and “Play Chord,” respectively. In this case, you can change chords and hear the resulting sound for all channels.
NOTE This is not applied when NTR is set to GUITAR.
CRC CR CRC C RCCRC C CRCRC C CR
C
CCC CR CCC C CRCCC C RC
CRC
RCR
CR CR
C
CR CCR
C
CCR
CC
CR
RRCCC
CC RC
C
CC RC
CC
CR CC
CC
CR C CR
C
CC RC C
C
CR
CCR
CR R RC
CCR
CCC
C
CCC
C
CRC
CC
CCC C
C
CRC CR
CC
CRC CC
C
CCC
CC
CCCR
RCC
CCC
RCC
CRC CRR
C
CRC
RCC
CCCCR CCCCR CR
CMaj
Cm
7
C
CM77
C(9) C(9)
6
Caug Cm6Cm7 7
7
Cm b5
7Cm (9)
Cm (11) CmM77
CmM (9) Cdim Cdim7
C(9)
7C(13)
7C(b9)
7
Csus4
C1+8 C1+5
C b5
7
CM6
Cm (9)
7
CM (#11)
C(#11)
7C(#9)
7
C aug
7
CM aug
7
C sus4
7
CM add9
C(b13)
7
Csus2
When the Source Root is C:
C = Chord notes
C, R = Recommended notes
CVP-509/505/503/501 Reference Manual 33
Styles – Playing Rhythm and Accompaniment –
3
2 NTR/NTT
NTR (Note Transposition Rule)
NTT (Note Transposition Table)
When NTR is set to ROOT TRANS or ROOT FIXED
[3 ▲▼]/
[4 ▲▼]
NTR (Note
Transposition
Rule)
Determines the relative position of the root note in the chord, when con-
verted from the Source Pattern in response to chord changes. Refer to the
list below.
[5 ▲▼]–
[7 ▲▼]
NTT (Note
Transposition
Table)
Sets the note transposition table for the source pattern. Refer to the list
below.
[8 ▲▼] NTT BASS ON/
OFF
The channel for which this is set to ON will be played back by the bass
root note, when the on-bass chord is recognized by the instrument. When
NTR is set to GUITAR and this parameter is set to ON, only the note
which is assigned to bass will be played back by the bass root note.
ROOT TRANS
(Root Transpose)
When the root note is transposed, the interval
between notes is maintained. For example, the
notes C3, E3 and G3 in the key of C become F3,
A3 and C4 when they are transposed to F. Use this
setting for channels that contain melody lines.
ROOT FIXED The note is kept as close as possible to the previ-
ous note range. For example, the notes C3, E3 and
G3 in the key of C become C3, F3 and A3 when
they are transposed to F. Use this setting for chan-
nels that contain chord parts.
GUITAR This is exclusively for transposing guitar accompaniment. Notes are trans-
posed to approximate the chords played with natural guitar fingering.
BYPASS When NTR is set to ROOT FIXED, the transposition table used does not do
any note conversion. When NTR is set to ROOT TRANS, the table used
only converts the notes by maintaining the pitch relationship between notes.
MELODY Suitable for melody line transposition. Use this for melody channels such
as Phrase 1 and Phrase 2.
CHORD Suitable for chordal parts transposition. Use this for the Chord 1 and Chord
2 channels, especially when they contain piano or guitar-like chordal parts.
MELODIC MINOR
When the played chord changes from a major to a minor chord, this table
lowers the third interval in the scale by a semitone. When the chord changes
from a minor to a major chord, the minor third interval is raised by a
semitone. Other notes are not changed. Use this for melody channels of Sec-
tions which respond only to major/minor chords, such as Intros and Endings.
MELODIC MINOR 5th In addition to the Melodic Minor transposition above, augmented and
diminished chords affect the 5th note of the Source Pattern.
HARMONIC MINOR When the played chord changes from a major to a minor chord, this table
lowers the third and sixth intervals in the scale by a semitone. When the
chord changes from a minor to a major chord, the minor third and flatted
sixth intervals are raised by a semitone. Other notes are not changed. Use
this for chord channels of Sections which respond only to major/minor
chords, such as Intros and Endings.
When playing
a C major
chord.
When playing
an F major
chord.
When playing
a C major
chord.
When playing
an F major
chord.
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Styles – Playing Rhythm and Accompaniment –
3
When NTR is set to GUITAR
3 HIGH KEY / NOTE LIMIT
HARMONIC MINOR
5th
In addition to the Harmonic Minor transposition above, augmented and
diminished chords affect the 5th note of the Source pattern.
NATURAL MINOR When the played chord changes from a major to a minor chord, this table
lowers the third, sixth and seventh intervals in the scale by a semitone.
When the chord changes from a minor to a major chord, the minor third,
flatted sixth and flatted seventh intervals are raised by a semitone. Other
notes are not changed. Use this for chord channels of Sections which
respond only to a Major/minor chord such as Intros and Endings.
NATURAL MINOR
5th
In addition to the Natural Minor transposition above, augmented and dimin-
ished chords affect the 5th note of the Source pattern.
DORIAN When the played chord changes from a major to a minor chord, this table
lowers the third and seventh intervals in the scale by a semitone. When the
chord changes from a minor to a major chord, the minor third and flatted
seventh intervals are raised by a semitone. Other notes are not changed. Use
this for chord channels of Sections which respond only to a Major/minor
chord such as Intros and Endings.
DORIAN 5th In addition to the Dorian transposition above, augmented and diminished
chords affect the 5th note of the Source pattern.
ALL-PURPOSE This table covers both strummed- and arpeggio-played sound.
STROKE Suitable for stroke-played sound of the guitar. Some notes may sound as if
it is muted—this is normal condition when the chord is played on guitar by
stroke.
ARPEGGIO Suitable for arpeggio-played sound of the guitar. Using this table, four
notes arpeggio sounds most beautiful.
[4 ▲▼]/
[5 ▲▼]
HIGH KEY This sets the highest key (upper octave limit) of the note transposition for
the chord root change. Any notes calculated to be higher than the highest
key are transposed down to the next lowest octave. This setting is avail-
able only when the NTR parameter (page 33) is set to “Root Trans.”
[6 ▲▼]NOTE LIMIT
LOW
These set the note range (highest and lowest notes) for Voices recorded to
the Style channels. By judicious setting of this range, you can ensure that
the Voices sound as realistic as possible—in other words, that no notes
outside the natural range are sounded (e.g., high bass sounds or low pic-
colo sounds).
[7 ▲▼]NOTE LIMIT
HIGH
CM
C3-E3-G3
FM
F3-A3-C4
F#M
F#2-A#2-C#3
C#M
C#3-E#3-G#3
Example—When the highest key is F.
Root changes
Notes played
CM
E3-G3-C4
FM
F3-A3-C4
C#M
E#3-G#3-C#4
Example—When the lowest note is C3 and the highest is D4.
Root changes
Notes played
High Limit
Low Limit
CVP-509/505/503/501 Reference Manual 35
Styles – Playing Rhythm and Accompaniment –
3
4 RTR (Retrigger Rule)
These settings determine whether notes stop sounding or not and how they change pitch in response to
chord changes.
STOP The notes stop sounding.
PITCH SHIFT The pitch of the note will bend without a new attack to match the type of the
new chord.
PITCH SHIFT TO
ROOT
The pitch of the note will bend without a new attack to match the root of the
new chord.
RETRIGGER The note is retriggered with a new attack at a new pitch corresponding to the
next chord.
RETRIGGER TO
ROOT
The note is retriggered with a new attack at the root note of the next chord.
However, the octave of the new note remains the same.
4
36 CVP-509/505/503/501 Reference Manual
Songs – Recording Your Performances and Creating Songs –
Songs
– Recording Your Performances and Creating Songs –
Contents
Editing Music Notation Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Editing Lyrics/Text Display Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Using the Auto Accompaniment Features with the Song Playback . . . . . . . . . . . . . . . . . . . . . .40
Song Playback Related Parameters (Repeat settings, Channel settings, Guide Function) . . .41
• Keyboard and Vocal Practice Using the Guide Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
• Playing Backing Parts with the Performance Assistant Technology . . . . . . . . . . . . . . . . . . . . . . .44
Creating/Editing Songs (Song Creator) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
• Recording Melodies (Step Recording). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
• Recording Chords (Step Recording) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
• Re-Recording a Specific Section—Punch In/Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
• Editing Channel Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
• Editing Chord Events, Notes, System Exclusive Events and Lyrics . . . . . . . . . . . . . . . . . . . . . . .58
To view the music notation of the selected Song, press the [SCORE] button. You can change the notation
display as desired to suit your personal preferences. The settings here are maintained even when the power is
turned off.
NOTE You can save the setting here as a part of a Song by accessing [FUNCTION] → [F] DIGITAL REC MENU → [A] SONG CREATOR → TAB [E][F] CHANNEL
→ [A]/[B] SETUP. See page 57.
Editing Music Notation Settings
[1 ▲▼] LEFT ON/OFF Enables/disables display of the left-hand key range. Depending on other set-
tings, this parameter may be unavailable and may appear grayed out. If this is
the case, go to the detailed setting display (on page 37) and set the LEFT CH.
parameter to any channel except “AUTO.” Or, go to the display [FUNCTION]
→ [B] SONG SETTING and set the TRACK 2 parameter to any channel except
“OFF” (page 41). RIGHT (next parameter) and LEFT cannot be turned off at the
same time.
CVP-509/505/503/501 Reference Manual 37
Songs – Recording Your Performances and Creating Songs –
4
Pressing the [8 ▲▼] (SET UP) button calls up the detailed setting display. You can set the
view type by using the [1 ▲▼]–[6 ▲▼] buttons, then press the [8 ▲] (OK) button.
[2 ▲▼] RIGHT ON/
OFF
Enables/disables display of the right-hand key range. RIGHT and LEFT (above)
cannot be turned off at the same time.
[3 ▲▼] CHORD ON/
OFF
Enables/disables display of the chords. If the selected Song does not contain
chord data, chords are not displayed.
[4 ▲▼]LYRICS ON/
OFF
Enables/disables display of the lyrics. If the selected Song does not contain lyric
data, lyrics are not displayed. When the Song contains Pedal events, pressing
these buttons can display the Pedal events, instead of displaying Lyrics.
[5 ▲▼]NOTE ON/OFF
Enables/disables display of the note name (pitch). The note name is indicated at the
left of the note. When the space between the notes is too small, the indication may be
moved to the top left of the note. When the Song contains Fingering events, pressing
these buttons can display the fingering, instead of displaying note names.
[6 ▲▼] COLOR ON/
OFF
(CVP-509/505)
When this is set to ON, the notes in the display appear in color (C: red, D: yel-
low, E: green, F: orange, G: blue, A: purple, and B: gray).
[7 ▲▼] SIZE Determines the display resolution (or zoom level) of the notation.
[8 ▲▼] SET UP See below.
[1 ▲▼]LEFT CH Determines which MIDI channel in the Song data is used for the left-hand/right-
hand part. This setting returns to AUTO when a different Song is selected.
AUTO
The MIDI channels in the Song data for the right- and left-hand parts are
assigned automatically—setting the parts to the same channel as the channel
which is specified in the [FUNCTION] → [B] SONG SETTING (page 41).
1–16
Assigns the specified MIDI channel (1–16) to each of the left- and right-hand
parts.
OFF (LEFT CH only)
No channel assignment. This disables display of the left-hand key range.
[2 ▲▼] RIGHT CH
[3 ▲▼]/
[4 ▲▼]
KEY SIGNA-
TURE
This lets you enter key signature changes in the middle of a Song, at the stopped
position. This menu is useful when the selected Song contains no key signature
settings for displaying notation.
[5 ▲▼]QUANTIZE This gives you control over the note resolution in the notation, letting you shift
or correct the timing of all displayed notes so that they line up to a particular
note value. Make sure to select the smallest note value used in the Song.
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Songs – Recording Your Performances and Creating Songs –
4
[6 ▲▼]NOTE NAME Selects the type of the note name indicated at the left of the note in the notation
from among the following three types. The settings here are available when the
NOTE ON/OFF parameter above is set to ON.
A, B, C
Note names are indicated as letters (C, D, E, F, G, A, B).
FIXED DO
Note names are indicated in solfeggio and differ depending on the selected lan-
guage.
MOVABLE DO
Note names are indicated in solfeggio according to the scale intervals, and as
such are relative to the key. The root note is indicated as Do. For example, in the
key of G major the root note of “Sol” would be indicated as “Do.” As with
“Fixed Do,” the indication differs depending on the selected language.
CVP-509/505/503/501 Reference Manual 39
Songs – Recording Your Performances and Creating Songs –
4
To view the lyrics of the selected Song, press the [LYRICS/TEXT] button. If the selected Song contains lyric
data, you can have the lyrics shown in the display. Even if the Song does not contain lyrics data, you can
input and show the lyrics, or you can show a text file (created on a computer, .txt file less than 60KB) in the
display.
NOTE When the lyrics are garbled or unreadable, you may need to change the Lyrics Language setting from the [FUNCTION] → [B] SONG SETTING.
NOTE Line feed (or “carriage return”) is not automatically done in the instrument. If a sentence is not displayed in its entirety because of limitations in the screen
space, execute the line feed on your computer.
Editing Lyrics/Text Display Settings
[1 ▲▼] TEXT/LYRICS Switches the screen between the Lyrics display (lyrics data in the Song is
shown) and the Text display (a text file created on a computer is shown).
[2 ▲▼]
(Text display only)
CLEAR
Clears the text from the screen (the text data itself is not erased).
[3 ▲▼]/
[4 ▲▼]
(Text display only)
F-16–P-28
(CVP-509)
F-11–P-16
(CVP-505/503)
Determines the text type (fixed or proportional) and font size. Fixed is suitable
for displaying lyrics with chord names, since the positions of chord names are
“fixed” to the corresponding lyrics. Proportional is suitable for displaying lyr-
ics without chord names or explanatory notes. The numbers 9–28 indicate font
sizes. This menu appears only when a text file is selected.
[5 ▲▼]/
[6 ▲▼]
TEXT FILE Calls up the text File Selection display. After selecting, press the [EXIT] button
to return back to the Lyrics/Text display.
[7 ▲▼]/
[8 ▲▼]
BACK
GROUND
(CVP-509/505)
Allows changing of the background picture of the Lyrics/Text display. After
making the setting, press the [EXIT] button to return back to the Lyrics/Text
display.
NOTE When the background picture is specified in the Song data, the BACKGROUND setting cannot be changed.
NOTE For information on available image files, refer to the MAIN PICTURE parameter on page 99.
CVP-501CVP-503CVP-505CVP-509 CVP-505CVP-509
Press [1 ▲▼]
buttons
Lyrics display Text display
Press the [5 ▲▼]/[6 ▲▼] button
to actually call up desired text file.
40 CVP-509/505/503/501 Reference Manual
Songs – Recording Your Performances and Creating Songs –
4
When playing back a Song and a Style at the same time, channels 9-16 in the Song data are replaced with
style channels -- allowing you to play the accompaniment parts of the Song yourself. Try playing chords
along with the Song playback as shown in the instructions below. When playing back a Song and a Style at
the same time, we recommend that you use the Preset Songs in the “Sing-a-long” folder.
1Select a Song.
2Select a Style.
3Press the STYLE CONTROL [ACMP ON/OFF] button to turn on the Auto
Accompaniment function.
4Press the STYLE CONTROL [SYNC START] button to enable standby—letting you
simultaneously start the accompaniment as soon as you start playing.
5While holding down the SONG [STOP] button, press the [PLAY/PAUSE] button to
enable synchronized start.
6Press the STYLE CONTROL [START/STOP] button or play chords with your left hand.
The Song and Style starts playing. When you play chords, pressing the [SCORE] button and turning
CHORD on (page 37) allows you to see the chord information.
NOTE When playing back a Song and a Style at the same time, the tempo value set in the Song is automatically used.
When the Song playback is stopped, the Style playback is also stopped at the same time.
Using the Auto Accompaniment Features with the Song Playback
CVP-509/505/503/501 Reference Manual 41
Songs – Recording Your Performances and Creating Songs –
4
The instrument has a variety of Song playback functions—repeat playback, various guide settings, etc.—
which can be accessed in the display below.
Call up the operation display.
[FUNCTION] → [B] SONG SETTING
Song Playback Related Parameters (Repeat settings, Channel
settings, Guide Function)
[A]/[B] GUIDE MODE See page 42.
[C] GUIDE LAMP
[D] GUIDE LAMP
TIMING
[H] REPEAT MODE Determines the method of repeat playback.
OFF
Plays through the selected Song, then stops.
SINGLE
Plays through the selected Song repeatedly.
ALL
Continues playback through all the Songs in the specified folder repeat-
edly.
RANDOM
Continues playback at random through all the Songs in the specified
folder repeatedly.
NOTE The preset Songs in the “Follow Lights” folder contain the Guide settings. These Songs are inap-
propriate for use with ALL or RANDOM repeat.
[I] PHRASE
MARK REPEAT
Phrase Mark is a pre-programmed part of some Song data, which speci-
fies a certain location (set of measures) in the Song. When this is on, the
section corresponding to the specified Phrase Mark number is repeatedly
played back.
[1 ▲▼] TRACK 2
These parameters determine which MIDI channel in the Song data is
assigned to the Left- or Right-hand part of the Guide function and the Song
Score function.
[2 ▲▼] TRACK 1
42 CVP-509/505/503/501 Reference Manual
Songs – Recording Your Performances and Creating Songs –
4
Keyboard and Vocal Practice Using the Guide Function
The keyboard guide lamps indicate the notes (location and timing) for you to play. Also, when you sing along
with a Song playback using a connected microphone (CVP-509/505/503), the instrument automatically
adjusts the timing of the Song playback to match your vocal performance.
1Select the desired Song for practicing the keyboard or singing.
2Call up the setting display.
[FUNCTION] → [B] SONG SETTING
3Use the [A]/[B] buttons to select the desired Guide function type.
[3 ▲▼]AUTO CH SET When set to “ON,” this automatically sets the proper MIDI channels for
the Right- and Left hand parts pre-programmed in the commercially
available Song data. Normally, this should be set to “ON.”
[5 ▲▼]/
[6 ▲▼]
LYRICS LAN-
GUAGE
Determines the language of the displayed lyrics.
AUTO
When the language is specified in the Song data, the lyrics are displayed
accordingly. When the language is not specified in the Song data, the lyr-
ics language is regarded as INTERNATIONAL below.
INTERNATIONAL
Handles the displayed lyrics as a western language.
JAPANESE
Handles the displayed lyrics as Japanese.
[7 ▲▼]QUICK START
On some commercially available Song data, certain settings related to the
Song (such as Voice selection, volume, etc.) are recorded to the first measure,
before the actual note data. When Quick Start is set to “ON,” the instrument
reads all initial non-note data of the Song at the highest possible speed, then
automatically slows down to the appropriate tempo at the first note. This
allows you to start playback as quickly as possible, with a minimum pause for
reading of data.
[8 ▲▼]P.A.T. (Perfor-
mance Assistant)
See page 44.
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Guide menu for keyboard practice
• Follow Lights
With this function, the keyboard guide lamps indicate which notes you should play. Song playback
pauses and waits for you to play. When you play the correct notes, Song playback continues.
•Any Key
With this function, you can play the melody of a Song just by pressing a single key (any key is OK) in
time with the rhythm. Song playback pauses and waits for you to play any key. Simply play a key on the
keyboard in time with the music and Song playback continues.
Guide menu for singing
• Karao-Key
This function lets you control the Song playback timing with just one finger, while you sing along. This
is useful for singing to your own performance. Song playback pauses, waiting for you to sing. Simply
play a key on the keyboard (any key is fine) and Song playback continues.
•Vocal Cue Time (CVP-509/505/503)
This function lets you practice singing with the proper pitch. Song playback pauses, waiting for you to
sing. When you sing with proper pitch, Song playback continues.
4Turn the [GUIDE] button on.
5Call up the Score display by pressing the [SCORE] button.
6Press the SONG [PLAY/PAUSE] button to start playback.
Practice playing the keyboard or singing, along with the Guide type selected in step 3.
NOTE The guide lamps light according to Song channels recorded to Track 1 and 2 and the chord data in the Song (when such data is included). If the guide
lamps do not light as intended, you may need to assign the appropriate right- and left-hand channels to Track 1 and 2 respectively (page 41).
7Press the SONG [STOP] button to stop playback.
NOTE If you want to turn the guide lamps off, press the [C] (GUIDE LAMP) button in the SONG SETTING display (in step 3 as described above).
NOTE You can save the Guide settings as a part of the Song data (page 57). For Songs to which the Guide settings have been saved, the Guide function will be
automatically turned on and the related settings will be recalled when the Song is selected.
Determining the timing by which the keyboard guide lamps light (GUIDE LAMP TIMING)
Press the [D] button in the SONG SETTING display in step 3 to select the timing by which the keyboard
guide lamps light.
• JUST
The guide lamps light in time with the music, at the same timing you should play.
• NEXT
The guide lamps light slightly ahead of the music, indicating the notes you should play next. The guide
lamps flash if you fail to play the keys with the correct timing.
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Playing Backing Parts with the Performance Assistant Technology
This feature makes it exceptionally easy to play the backing parts along with Song playback.
NOTE To use the performance assistant technology, the Song must contain chord data. If the Song contains this data, the current chord name will be displayed in
the Main display during Song playback, letting you easily check whether the Song contains chord data or not.
1Select a Song.
In these example instructions, we recommend that you use the Songs in the “Sing-a-long” folder.
2Call up the operation display.
[FUNCTION] → [B] SONG SETTING
3Press the [8 ▲] button to turn the [P.A.T.] (performance assistant technology) on.
4Press the SONG [PLAY/PAUSE] button to start playback.
5Play the keyboard.
The instrument automatically matches your performance on the keyboard to the Song playback and
chords, no matter what keys you play. It even changes the sound according to the way you play. Try
playing in the three different ways below.
6Press the SONG [STOP] button to stop playback.
7Press the [8 ▼] button to turn the [P.A.T.] off.
Playing the left and right
hand together (method 1).
Playing the left and right
hand together (method 2).
Playing the left hand and
right hand alternately.
Play three notes at
the same time with
your right hand.
Play several notes one after
the other with different fin-
gers of your right hand.
Play three notes at
the same time with
your right hand.
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To create a Song, you can compose your performance by entering it one event at a time (called “Step
Recording”), as well as recording your performance in real time (described in the Owner’s Manual). This
section explains operations of Step Recording and re-recording or editing existing Song data.
Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [A] SONG CREATOR
There are six Pages (tabs) in the Song Creator display.
•REC MODE Re-records the Song. See page 52.
•CHANNEL Edits the Channel events. See page 54.
•CHORD Records the Chords and Sections with timing (page 49) or edits them (page 58).
•1-16 Records the melodies (Step Recording; see below) or edits the recorded melodies (page 58).
•SYS/EX. Edits the System Exclusive events (tempo, time signature, etc.). See page 58.
•LYRICS Inputs/edits the Song name and lyrics. See page 58.
Recording Melodies (Step Recording)
1Press the SONG [REC] and SONG [STOP] buttons simultaneously.
A blank Song (“New Song”) is called up for recording.
NOTE Selecting a blank Song initializes the panel settings.
2Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [A] SONG CREATOR → TAB [E][F] 1-16
Creating/Editing Songs (Song Creator)
3
4
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3Press the [F] button to select the channel for recording.
4Press the [G] (STEP REC) button to call up the STEP RECORD display.
5Start Step Recording by using the [A]–[J] buttons and [1 ▲▼]–[8 ▲▼] buttons.
Refer to the example on page 47 for specific instructions.
[A]/[B]/
[C]
Moves the cursor in the list.
[G] Determines the velocity (loudness) of the note to be entered. The velocity
value can be specified within a range from 1 to 127. The higher the velocity
value, the louder the sound becomes.
KBD.VEL: Actual resulting velocity
fff: 127
ff: 111
f: 95
mf: 79
mp: 63
p: 47
pp: 31
ppp: 15
[H] Determines the gate time (note length) of the note to be entered.
Normal: 80%
Tenuto: 99%
Staccato: 40%
Staccatissimo: 20%
Manual: The gate time can be set to any desired percentage by using the
[DATA ENTRY] dial.
[I] Determines the note type to be entered: normal, dotted or triplet.
[J] DELETE Deletes the selected data.
[1 ▲▼]BAR Sets the position of the note to be entered.
[2 ▲▼] BEAT
[3 ▲▼] CLOCK
[4 ▲▼]–
[8 ▲▼]
Determines the note length to be entered: whole-note, half-note, quarter-
note, eighth-note or sixteenth-note.
When a note is input, the location
(bar: beat: clock), note name,
velocity and length are shown as a
list.
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In this example, keep in mind that one of the steps involves holding down a key on the keyboard while
executing the operation.
Select the Voice for recording after calling up the Step Recording display.
NOTE Since the music score displayed on the instrument is generated from the recorded MIDI data, it may not appear exactly the same as shown here.
1Enter the first and second notes with a slur.
1-1 Press the [G] button to select “f.”
1-2 Press the [H] button to select “Tenuto.”
1-3 Press the [I] button to select the “dotted” note type.
1-4 Select the dotted quarter-note by using the [6 ▲▼] buttons.
1-5 Play the C3 key.
The first note is entered.
1-6 Press the [I] button to select the “normal” note type.
1-7 Press the [7 ▲▼] button to select the eight-note length.
1-8 Play the D3 key.
The second note is entered.
2Enter the next notes and apply staccato.
2-1 Press the [H] button to select “Staccato.”
2-2 Press the [6 ▲▼] button to select the quarter-note length.
2-3 Play the keys E3 and F3 in order.
The first measure has been completed.
3To enter a quarter-note rest, press the [6 ▲▼] button again.
To enter the rest, use the [4 ▲▼]–[8 ▲▼] buttons. (Press the button once to select the rest value, and once
again to actually enter it.) A rest having the specified note length will be entered.
1234
Example of Step Recording—Melodies
* The numbers shown in the illustra-
tion correspond to the following
operation step numbers.
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4Enter the next notes and apply a tie.
4-1 Press the [G] button to select “mp.”
4-2 Press the [H] button to select “Normal.”
4-3 While holding G3 key on the keyboard, press the [6 ▲▼] button.
Do not release the G3 key yet. Keep holding it while executing the following steps.
4-4 While holding the G3 key, press the C4 key.
Do not release the G3 and C4 keys yet. Keep holding the notes while executing the following step.
4-5 While holding the keys G3 and C4, press the [5 ▲▼] button.
After pressing the button, release the keys.
5Press the SONG [STOP] button (or press the [C] button) to return to the top of the
Song, then hear the newly entered Song by pressing the [PLAY/PAUSE] button.
6Press the [EXIT] button to exit from the Step Recording display.
7Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The recorded Song data will be lost if you select another Song or turn the power to the instrument off without executing the Save opera-
tion.
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Recording Chords (Step Recording)
You can record Chords and Sections (Intro, Main, Ending, and so on) one at a time with precise timing.
These instructions show how to record chord changes using the Step Record function.
1Press the SONG [REC] and SONG [STOP] buttons simultaneously.
A blank Song (“New Song”) is called up for recording.
NOTE Selecting a blank Song initializes the panel settings.
2Select the Style you want to use in the Song.
3Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [A] SONG CREATOR → TAB [E][F] CHORD
4Press the [G] (STEP REC) button to call up the STEP RECORD display.
5Start Step Recording.
About these buttons, refer to page 46.
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Before starting, make sure the [AUTO FILL IN] button is set to off.
1Enter the chords for the Main A section.
1-1 Press the STYLE CONTROL [MAIN A] button.
1-2 Press the [5 ▲▼] button to select the half-note length.
1-3 Play the chord C, F and G in the chord section of the keyboard.
2Enter the chords for the Break section.
2-1 Press the STYLE CONTROL [BREAK] button.
2-2 Press the [6 ▲▼] button to select the quarter-note length.
2-3 Play the chords F, and G7 in the chord section of the keyboard.
NOTE To enter fill-ins, turn the [AUTO FILL IN] button to ON, and simply press the desired MAIN VARIATION [A]–[D] button.
CF GFG7 C
1 2 3
* The numbers shown in the illustration corre-
spond to the following operation step numbers.
Example of Step Recording—Chords
MAIN A BREAK MAIN B
NOTE This example uses a Style in 4/4 time.
1-2
1-3
1-1
C
F
G
2-2
2-3
2-1
F
G7
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3Enter the chords for the Main B section.
3-1 Press the STYLE CONTROL [MAIN B] button.
3-2 Press the [4 ▲▼] button to select the whole-note length.
3-3 Play the chord C in the chord section of the keyboard.
4Press the SONG [STOP] button (or press the [C] button) to return to the top of the
Song, then hear the newly entered Song by pressing the [PLAY/PAUSE] button.
5Press the [EXIT] button to exit from the Step Recording display.
6Press the [F] (EXPAND) button to convert the input chord change data into the Song
data.
7Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The recorded Song data will be lost if you select another Song or turn the power to the instrument off without executing the Save opera-
tion.
3-2
3-1 3-3
C
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Re-Recording a Specific Section—Punch In/Out
When re-recording a specific section of an already-recorded Song, use the Punch IN/OUT function. In this
method, only the data between the Punch In point and the Punch Out point is overwritten with the newly
recorded data. Keep in mind that the notes before and after the Punch In/Out points are not recorded over,
although you will hear them play back normally to guide you in the Punch In/Out timing.
1Call up the operation display.
[FUNCTION] → [F] DIGITAL REC MENU → [A] SONG CREATOR → TAB [E][F] REC MODE
2Determine the settings for recording.
[1 ▲▼]–
[3 ▲▼]
REC START
(Punch In)
Determines the Punch In timing.
NORMAL
Overwrite recording starts when pressing the SONG [PLAY/PAUSE] but-
ton or when you play the keyboard in the Synchro Standby mode.
FIRST KEY ON
The Song plays back normally, then starts overwrite recording as soon as
you play the keyboard.
PUNCH IN AT
The Song plays back normally up to the beginning of the indicated Punch
In measure, then starts overwrite recording at that point. You can set the
Punch In measure by pressing the [3 ▲▼] button.
[4 ▲▼]–
[6 ▲▼]
REC END
(Punch Out)
Determines the Punch Out timing.
REPLACE ALL
This deletes all data after the point at which recording is stopped.
PUNCH OUT
The Song position at which recording is stopped is regarded as the Punch
Out point. This setting maintains all data after the point at which record-
ing is stopped.
PUNCH OUT AT
Actual overwrite recording continues until the beginning of the specified
Punch Out measure (set with the corresponding display button), at which
point recording stops and normal playback continues. This setting main-
tains all data after the point at which recording is stopped. You can set the
Punch Out measure by pressing the [6 ▲▼] buttons.
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3While holding the SONG [REC] button, press the desired track button.
4Press the SONG [PLAY/PAUSE] button to start Punch In/Out recording.
Play the keyboard at the Punch In point and stop recording at the Punch Out point.
5Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The recorded Song data will be lost if you select another Song or turn the power to the instrument off without executing the Save opera-
tion.
■Examples of re-recording with various Punch In/Out settings
This instrument features several different ways you use the Punch In/Out function. The illustrations below
indicate a variety of situations in which selected measures in an eight-measure phrase are re-recorded.
[7 ▲▼]/
[8 ▲▼]
PEDAL PUNCH
IN/OUT
When this is set to ON, you can use the center pedal to control the Punch
In and Punch Out points. While a Song is playing back, pressing (and
holding) the center pedal instantly enables Punch In recording, while
releasing the pedal stops recording (Punch Out). You can press and
release the center pedal as often as you want during playback to punch in/
out of overwrite recording. Note that the current function assignment of
the center pedal is cancelled when the Pedal Punch In/Out function is set
to ON.
NOTE Pedal Punch In/Out operation may be reversed depending on the particular pedal you’ve connected
to the instrument. If necessary, change the pedal polarity to reverse the control (page 86).
12345678
12345
12345678
12345678
12345
12345678
12345678
12345
12345678
68
12345 7
REC START setting
REC END setting
NORMAL
REPLACE ALL
NORMAL
PUNCH OUT
NORMAL
PUNCH OUT AT=006
FIRST KEY ON
REPLACE ALL
FIRST KEY ON
PUNCH OUT
FIRST KEY ON
PUNCH OUT AT=006
PUNCH IN AT=003
REPLACE ALL
PUNCH IN AT=003
PUNCH OUT
PUNCH IN AT=003
PUNCH OUT AT=006
Original data
Start overwrite
recording *1
Start overwrite
recording *1
Start overwrite
recording *1
Play back
original data
Play back
original data
Play back
original data
Play back
original data
Play back
original data
Play back
original data
Play the keyboard to start
overwrite recording
Play the keyboard to start
overwrite recording
Play the keyboard to start
overwrite recording
Start overwrite recording
Start overwrite recording
Start overwrite recording
Stop recording *2
Stop recording *2
Stop overwrite recording/
play original data
Stop recording *2
Stop recording *2
Stop overwrite recording/
play original data
Stop recording *2
Stop recording *2
Stop overwrite recording/
play original data
Deleted
Deleted
*1 To avoid overwriting measures 1–2,
start recording from measure 3.
*2 To stop recording, press the [REC]
button at the end of measure 5.
Previously recorded data
Newly recorded data
Deleted data
Deleted
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Editing Channel Events
1In the CHANNEL Page, use the [A]/[B] buttons to select the edit menu, then edit the
data by using the [1 ▲▼]–[8 ▲▼] buttons.
For details of the edit menu and available settings, see page 55.
2Press the [D] (EXECUTE) button to execute the operation for the current display.
After the operation (with the exception of the SETUP menu) is completed, this button changes to
“UNDO,” letting you restore the original data if you are not satisfied with the operation results. The Undo
function only has one level; only the previous operation can be undone.
3Press the [I] (SAVE) button to execute the Save operation.
CAUTION
The recorded Song data will be lost if you select another Song or turn the power to the instrument off without executing the Save opera-
tion.
3
1
1
2
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1 QUANTIZE
The Quantize function allows you to align the timing of all the notes in a channel. For example, if you
record the musical phrase shown at right, you may not play it with absolute precision, and your
performance may have been slightly ahead of or behind the precise timing. Quantize is a convenient way
of correcting for this.
[2 ▲▼]/
[3 ▲▼]
CHANNEL Determines which MIDI channel in the Song data is to be quantized.
[4 ▲▼]–
[6 ▲▼]
SIZE Selects the quantize size (resolution). For optimum results, you should set
the Quantize size to the shortest note value in the channel. For example, if
eighth notes are the shortest in the channel, you should use eighth note as
the Quantize size.
The three Quantize settings marked with asterisks (*) are exceptionally
convenient, since they allow you to quantize two different note values at
the same time. For example, when the straight eighth notes and eighth
notes triplet are contained in the same channel, if you quantize by the
straight eighth notes, all notes in the channel are quantized to straight
eighth notes—completely eliminating any triplet feel. However, if you
use the eighth note + eighth note triplet setting, both the straight and trip-
let notes will be quantized correctly.
[7 ▲▼]/
[8 ▲▼]
STRENGTH Determines how strongly the notes will be quantized. A setting of 100%
produces exact timing. If a value less than 100% is selected, notes will be
moved toward the specified quantization beats according to the specified
percentage. Applying less than 100% quantization lets you preserve some
of the “human” feel in the recording.
After 1/8 note quantization
1/4 note
1/4 note
triplet
1/16 note
1/16 note
triplet
1/32 note
1/8 note+
1/8 note triplet*
1/16 note+
1/8 note triplet*
1/16 note+
1/16 note triplet*
1/8 note
1/8 note
triplet
Settings:
Original data
(assuming 4/4 meter)
Quantizing
strength =100
Quantizing
strength =50
Quarter-note length
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2 DELETE
You can delete the data of the specified channel in the Song. Select the channel whose data to be deleted
by using the [1 ▲▼]–[8 ▲▼] buttons, then press the [D] (EXECUTE) button to execute the operation.
3 MIX
This function lets you mix the data of two channels and place the results in a different channel. It also lets
you copy the data from one channel to another.
4 CHANNEL TRANSPOSE
This allows you to transpose the recorded data of individual channels up or down by a maximum of two
octaves in semitone increments.
NOTE Make sure not to transpose channels 9 and 10. In general, Drum kits are assigned to these channels. If you transpose the channels of Drum kits, the
instruments assigned to each key will be changed.
[2 ▲▼]/
[3 ▲▼]
SOURCE 1 Determines the MIDI channel (1–16) to be mixed. All MIDI events of the
channel specified here are copied to the destination channel.
[4 ▲▼]/
[5 ▲▼]
SOURCE 2 Determines the MIDI channel (1–16) to be mixed. Only note events of the
channel specified here are copied to the destination channel. Besides the
values 1–16, there is a “COPY” setting that allows you to copy the data
from Source 1 to the destination channel.
[6 ▲▼]/
[7 ▲▼]
DESTINATION Determines the channel into which the mix or copy results will be placed.
[F]
CH 1–8/CH 9–16
Toggles between the two channel displays: Channels 1–8, and Channels 9–16.
[G] ALL CH To simultaneously set all channels to the same value, adjust the Channel
Transpose for one of the channels while holding down this button.
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5 SETUP
The current settings of the Mixing Console display and other panel settings can be recorded to the top
position of the Song as the Setup data. The Mixing Console and panel settings recorded here are
automatically recalled when the Song starts.
NOTE Before executing the Setup operation, move the Song position to the top of the Song by pressing the SONG [STOP] button.
[1 ▲▼]–
[7 ▲▼]
SELECT Determines which playback features and functions will be automatically
called up along with the selected Song. The items selected here can be
recorded only to the top position of the Song, except for the KEYBOARD
VOICE.
SONG
Records the tempo setting and all settings made from the Mixing Con-
sole.
KEYBOARD VOICE
Records the panel settings, including the Voice selection of the keyboard
parts (RIGHT 1, 2, and LEFT) and their on/off status. Panel settings
recorded here are same as the ones memorized to the One Touch Setting.
This can be recorded at any point in a Song.
SCORE SETTING
Records the settings in the Score display.
GUIDE SETTING
Records the settings of the Guide functions including the Guide ON/OFF
setting.
LYRICS SETTING
Records the settings in the Lyrics display.
MIC SETTING (CVP-509/505/503)
Records the microphone and the Vocal Harmony settings in the Mixing
Console display.
[8 ▲] MARK ON Add or remove a checkmark to the selected item. Checked items are
recorded to the Song.
[8 ▼] MARK OFF
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Editing Chord Events, Notes, System Exclusive Events and Lyrics
You can edit the chord events, note events, system exclusive events and lyrics in the same manner on the
corresponding display: CHORD, 1-16, SYS/EX and LYRICS. These displays are called “Event List display”
because some events are shown in a list view.
NOTE After you edit events in the CHORD tab display, press the [F] (EXPAND) button to convert the data into Song data.
NOTE Chord section data recorded with Realtime Recording cannot be indicated and edited on this display.
[A]/[B] Moves the cursor up/down and select the desired event.
[C] Moves the cursor to the top (beginning of the Song).
[D]/[E] Moves the cursor left/right and select the desired parameter of the high-
lighted event.
[H] FILTER Calls up the Filter display (page 60), letting you select only the events
you wish to be shown in the event list.
[I] SAVE Press to save the edited Song.
[J] MULTI
SELECT
Holding this button while using the [A]/[B] buttons lets you select multi-
ple events.
[1 ▲▼]BAR Determines the position (bar/beat/clock) of the data. One clock is equal to
1/1920th of a quarter note.
[2 ▲▼] BEAT
[3 ▲▼] CLOCK
[4 ▲▼]/
[5 ▲▼]
DATA ENTRY Adjusts the event value. For coarse adjustment, use the [4 ▲▼] buttons.
For fine adjustment, use the [5 ▲▼] buttons or [DATA ENTRY] dial.
[6 ▲] CUT Executes cut/copy/delete/paste operation.
[7 ▲] COPY
[7 ▼] DELETE
[8 ▲]PASTE
[6 ▼] INS (INSERT) Adds a new event.
[8 ▼] CANCEL Cancels editing and restores the original value.
Indicates the
event value.
Indicates the loca-
tion (position) of the
corresponding
event.
Indicates the event
type.
See page 59.
Event List display
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■Chord Events (CHORD Page)
■Note Events (1-16 Page)
■System Exclusive Events (SYS/EX. Page)
■Lyrics Events (LYRICS Page)
Style Style
Tempo Tempo
Chord Chord root, Chord type, On Bass Chord
Sect Style Section (Intro, Main, Fill In, Break, Ending)
OnOff On/off status for each part (channel) of the Accompaniment Style
CH.Vol Volume for each part (channel) of the Accompaniment Style
S.Vol Overall volume of the Accompaniment Style
Note An individual note within a Song. Includes the note number which corresponds
to the key which was played, plus a velocity value based on how hard the key is
played, and the gate time value (the length of a note).
Ctrl (Control Change) Settings to control the Voice, such as volume, pan, filter and effect depth
(edited via the Mixing Console described in chapter 8), etc.
Prog (Program Change) MIDI program change number for selecting a Voice.
P.Bnd (Pitch Bend) Data for changing the pitch of a Voice continuously.
A.T. (Aftertouch) This event is generated when pressure is applied to a key after the note is
played.
ScBar (Score Start Bar) Determines the top measure of a Song.
Tempo Determines the tempo value.
Time (Time signature) Determines the time signature.
Key (Key signature) Determines the key signature, as well as the major/minor setting, for the music
score shown on the display.
XGPrm (XG parame-
ters)
Allows you to make various detailed changes to the XG parameters. Refer to
the “MIDI Data Format” in the separate Data List booklet for details.
SYS/EX. (System
Exclusive)
Displays the System Exclusive data in the Song. Keep in mind that you cannot
create new data or change the contents of the data here; however, you can
delete, cut, copy, and paste the data.
Meta (Meta event) Displays the SMF meta events in the Song. Keep in mind that you cannot cre-
ate new data or change the contents of the data here; however, you can delete,
cut, copy, and paste the data.
Name Allows you to enter the Song name.
Lyrics Allows you to enter lyrics.
Code CR: Enters a line break in the lyrics text.
LF: Clears the currently displayed lyrics and displays the next set of lyrics.
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Displaying Specific Types of Events
In the Event List displays, various types of events are shown. It may sometimes be difficult to pinpoint
the ones you want to edit. This is where the Filter function comes in handy. It lets you determine which
event types will be shown in the Event List displays.
1Press the [H] (FILTER) button in the CHORD, 1-16, SYS/EX. or LYRICS displays.
2Checkmark the desired item to be displayed.
3Press the [EXIT] button to execute the settings.
[C] MAIN Displays all main types of events.
[D] CTRL. CHG Displays all specific Control Change message events.
[E] STYLE Displays all types of Style playback related events.
[H] ALL ON Checkmarks all event types.
[I]
NOTE/ALL OFF/
CHORD
“NOTE” or “CHORD” selects only NOTE/CHORD data.
“ALL OFF” removes all checkmarks.
[J] INVERT Reverses the checkmark settings for all boxes. In other
words, this enters checkmarks to all boxes that were previ-
ously unchecked and vice versa.
[2 ▲▼]–
[5 ▲▼]
Select and event type to be checked or unchecked.
[6 ▲]/
[7 ▲]
MARK ON Enters/removes the checkmark for the selected event type.
The checked event types can be shown on the CHORD, 1-16,
SYS/EX or LYRICS Page.
[6 ▼]/
[7 ▼]
MARK OFF
5
Music Finder – Calling Up Ideal Setups (Voice, Style, etc.) for Each Song –
CVP-509/505/503/501 Reference Manual 61
Music Finder
– Calling Up Ideal Setups (Voice, Style, etc.) for Each Song –
Contents
Creating a Set of Favorite Records. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Editing Records . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Saving the Record as a Single File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
• Calling Up Music Finder Records Saved to USER/USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Viewing Record Information on the Internet (MUSIC FINDER Plus) . . . . . . . . . . . . . . . . . . . . . 64
As convenient as the Search function is in exploring the depths of the Music Finder records, you may want to
create a custom “folder” of your favorite records—so you can quickly call up the panel settings and song data
you use frequently.
1Select the desired record from the MUSIC FINDER display.
2Press the [H] (ADD TO FAVORITE) button to add the selected record to the FAVORITE
display, then press the [G] (YES) button to actually add the record.
3Call up the FAVORITE display by using the TAB [E][F] buttons, and check to see if the
record has been added.
Creating a Set of Favorite Records
Deleting Records from the FAVORITE Display
1Select the record you want to delete from the FAVORITE display.
2Press the [H] (DELETE FROM FAVORITE) button, then press the [G] (YES) button to actually
delete the record.
2
3
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5
You can create a new record by editing the currently selected record. The newly created records are automati-
cally saved in the internal memory.
1Select the desired record to be edited in the MUSIC FINDER display.
2Press the [8 ▲▼] (RECORD EDIT) button to call up the EDIT display.
3Edit the record as desired.
Editing Records
[A] MUSIC Edits the song name. Pressing the [A] button calls up the pop-up window
to enter the song name.
[B] KEYWORD
Edits the keyword. Pressing the [B] button calls up the pop-up window to enter
the keyword.
[C] STYLE/SONG/
AUDIO
Changes the Style in case of STYLE record (panel settings). Pressing the
[C] button calls up the Style Selection display. After selecting the desired
Style, press the [EXIT] button to return back to the Edit display.
For SONG or AUDIO records, this field cannot be edited.
[D] BEAT Changes the beat (time signature) of the record for search purposes.
For SONG or AUDIO records, this field cannot be edited.
NOTE Keep in mind that the Beat setting made here is only for the Music Finder search function; this does
not affect the actual Beat setting of the Style itself.
[E] FAVORITE
Selects whether the edited record is entered to the FAVORITE display or not.
[1 ▲▼] TEMPO
Changes the Tempo. For SONG or AUDIO records, this field cannot be changed.
[2 ▲▼] SECTIONS Selects the section that will automatically be called up set when the
record is selected. This is useful, for example, when you want to have a
selected Style automatically be set up to start with an Intro section. For
SONG or AUDIO records, this field cannot be changed.
[4 ▲▼]
[5 ▲▼]/
[6 ▲▼]
GENRE Selects the desired genre.
[7 ▲▼] GENRE NAME Creates a new genre.
[I]
DELETE RECORD
Deletes the currently selected record.
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Music Finder – Calling Up Ideal Setups (Voice, Style, etc.) for Each Song –
5
4Enter the edits you’ve made to the record as described below.
Creating a new record
Press the [J] (NEW RECORD) button. The record is added to the ALL display. If you’ve entered the
record to the FAVORITE display in step 3, the record is added to both the ALL display and the FAVORITE
display.
Overwriting an existing record
Press the [8 ▲] (OK) button. If you set the record as a Favorite in step 3, the record is added to the
FAVORITE display. When you edit the record in the FAVORITE display, the record is overwritten.
To cancel and quit the Edit operation, press the [8 ▼] (CANCEL) button.
The Music Finder feature handles all the Records including the presets and additionally created records as a sin-
gle file. Keep in mind that individual records (panel settings and song data) cannot be handled as separate files.
1Call up the Save display.
[MUSIC FINDER] → [7 ▲▼] FILES
2Press the TAB [E][F] buttons to select the location for saving (USER/USB).
3Press the [6 ▼] (SAVE) button to save the file.
All records are saved together as a single file.
Calling Up Music Finder Records Saved to USER/USB
1Call up the File Selection display.
[MUSIC FINDER] → [7 ▲▼] FILES
2Use the TAB [E][F] buttons to select USER/USB.
3Press the [A]–[J] buttons to select the desired Music Finder file.
When the file is selected, a message is displayed according to the content of the file. Press the desired
button.
Saving the Record as a Single File
[F] REPLACE All Music Finder records currently in the instrument are deleted and
replaced with the records of the selected file.
CAUTION
Selecting “REPLACE” automatically deletes all your original records from internal mem-
ory. Make sure that all important data has been archived to another location beforehand.
[G] APPEND The records called up are added to the record currently in the instrument.
[H] CANCEL Selecting this button aborts the operation (the selected file is not called
up).
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5
NOTE The available contents of the Music Finder Plus service are subject to change.
1Make sure that your instrument is connected to the Internet, and press the [MUSIC
FINDER] button to call up the MUSIC FINDER display.
2Select the record whose information you want to view by using the [1 ▲▼]–[5 ▲▼]
buttons or the [DATA ENTRY] dial.
3Press the [J] (MUSIC FINDER +) button to open the Web page.
The information of the selected record is shown.
4Press the [EXIT] button to exit the browser screen and return to the MUSIC FINDER
display.
Viewing Record Information on the Internet (MUSIC FINDER Plus)
6
Registration Memory – Saving and Recalling Custom Panel Setups –
CVP-509/505/503/501 Reference Manual 65
Registration Memory
– Saving and Recalling Custom Panel Setups –
Contents
Disabling Recall of Specific Items (Freeze) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Calling Up Registration Memory Numbers in Order (Registration Sequence) . . . . . . . . . . . . . 66
• Confirming the Registration Sequence Setting in the Main Display. . . . . . . . . . . . . . . . . . . . . . . 68
• Saving the Registration Sequence Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Registration Memory lets you recall all the panel setups you made with a single button press. However, there
may be times that you want certain items to remain the same, even when switching Registration Memory
setups. For example, you may want to switch Voices or effect settings while keeping the same
accompaniment Style. This is where the Freeze function comes in handy. It lets you maintain the settings of
certain items and leave them unchanged, even when selecting other Registration Memory buttons.
1Call up the operation display.
[FUNCTION] → [E] REGIST SEQUENCE/FREEZE/VOICE SET → TAB [E][F] FREEZE
2Determine the items to be “frozen.”
Select the desired item by using the [2 ▲▼]–[7 ▲▼] buttons, then enter or remove the checkmark by
using the [8 ▲] (MARK ON)/[8 ▼] (MARK OFF) buttons.
3Press the [F] (REGISTRATION FREEZE) button to turn the Freeze function on.
4Press the [EXIT] button to exit from the operation display.
CAUTION
Settings in the REGISTRATION FREEZE display are automatically saved to the instrument when you exit from this display. However, if you
turn the power off without exiting from this display, the settings will be lost.
Disabling Recall of Specific Items (Freeze)
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Registration Memory – Saving and Recalling Custom Panel Setups –
6
As convenient as the Registration Memory buttons are, there may be times during a performance when you
want to quickly switch between settings—without having to take your hands from the keyboard. The
convenient Registration Sequence function lets you call up the eight setups in any order you specify, by
simply using the TAB [E][F] buttons or the pedal as you play.
1Select the desired Registration Memory bank to program a sequence.
2Call up the operation display.
[FUNCTION] → [E] REGIST SEQUENCE/FREEZE/VOICE SET → TAB [E][F] REGISTRATION
SEQUENCE
3If you intend to use a pedal to switch Registration Memory settings, specify here how
the pedal will be used—to advance or to reverse through the sequence.
Use the [C] (REGIST+ PEDAL) button to select the pedal for advancing through the sequence.
Use the [D] (REGIST- PEDAL) button to select the pedal for reversing through the sequence.
NOTE If you assign the function to a pedal here, the other function set in the PEDAL display (page 86) becomes invalid.
4Use the [E] (SEQUENCE END) button to determine how Registration Sequence
behaves when reaching the end of the sequence.
• STOP Pressing the TAB [F] button or the “advance” pedal has no effect. The sequence is
“stopped.”
• TOP The sequence starts again at the beginning.
• NEXT BANK The sequence automatically moves to the beginning of the next Registration Memory
Bank in the same folder.
Calling Up Registration Memory Numbers in Order (Registration Sequence)
3
4
6
Indicates the name of the currently
selected Registration Memory Bank.
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Registration Memory – Saving and Recalling Custom Panel Setups –
6
5Program the Sequence order, from left to right.
Press one of the REGISTRATION MEMORY [1]–[8] buttons on the panel, then press the [6 ▲▼]
(INSERT) button to input the number.
6Press the [F] button to turn the Registration Sequence function on.
7Press the [EXIT] button to exit from the operation display.
CAUTION
Settings in the REGISTRATION SEQUENCE display are automatically saved to the instrument when you exit from this display. However, if
you turn the power off without exiting from this display, the settings will be lost.
[1 ▲▼]–
[4 ▲▼]
CURSOR Moves the cursor.
[5 ▲▼] REPLACE Replaces the number at the cursor position with the currently selected Regis-
tration Memory number.
[6 ▲▼] INSERT Inserts the number of the currently selected Registration Memory number
before the cursor position.
[7 ▲▼] DELETE Deletes the number at the cursor position.
[8 ▲▼] CLEAR Deletes all numbers in the sequence.
Indicates the Registration Memory
numbers, in the order of the current
Registration Sequence.
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Registration Memory – Saving and Recalling Custom Panel Setups –
6
Confirming the Registration Sequence Setting in the Main Display
In the Main display, you can confirm whether the Registration Memory numbers are called up according to
the sequence programmed on pages 66–67.
To shift the Registration Memory numbers, use the TAB [E][F] buttons when the Main display is shown.
When pedal operation has been set in step 3 on page 66, you can also use a pedal to select the Registration
Memory numbers in order.
To return to the first Sequence, press the TAB [E] and [F] buttons simultaneously when the Main display is
shown. This cancels the currently selected Sequence number (the box indicator at the top right goes out). The
first Sequence will be selected by pressing one of the TAB [E][F] buttons or by pressing the pedal.
NOTE The pedal can be used for Registration Sequence no matter which display is called up (except for the display in step 3 on page 66).
Saving the Registration Sequence Settings
The settings for the Sequence order and how Registration Sequence behaves when reaching the end of the
sequence (SEQUENCE END) are included as part of the Registration Memory Bank file. To store your newly
programmed Registration Sequence, save the current Registration Memory Bank file.
CAUTION
Keep in mind that all Registration Sequence data is lost when changing Registration Memory Banks, unless you’ve saved it with the Regis-
tration Memory Bank file.
1Press the REGIST BANK [+] and [-] buttons simultaneously to call up the
REGISTRATION BANK Selection display.
2Press the [6 ▼] (SAVE) button to save the Bank file.
The Registration Sequence is indicated at
the top right of the Main display, letting you
confirm the currently selected number.
8
CVP-509/505/503/501 Reference Manual 69
7
USB Audio (CVP-509/505/503)
– Playback and Recording Audio Files –
This function is fully explained in the Owner’s Manual. Refer to the corresponding chapter in the Owner’s Man-
ual.
Mixing Console
– Editing the Volume and Tonal Balance –
Contents
Editing VOL/VOICE Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
• Song Auto Revoice. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Editing FILTER Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Editing TUNE Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Editing EFFECT Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
• Selecting an Effect type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
• Editing and Saving the effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Editing EQ Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
• Editing and Saving the Selected Master EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Song Auto Revoice
This feature lets you use the high-quality sounds of the instrument to full advantage with XG-compatible
song data. When you play back any commercially available XG song data or that created on other
instruments, you can use Auto Revoice to automatically assign the specially created Voices of the instrument
(Live!, Cool!, etc.) instead of the conventional XG Voices of the same type.
NOTE Depending on the particular Song data, there are some instances where Song Auto Revoice has no effect.
1Press the [G] (SETUP) button in the VOL/VOICE Page of the Mixing Console display.
The Auto Revoice Setup display is called up. On this display, you can specify the Voice which you wish to
replace with the CVP-509/505/503/501 Voice.
Editing VOL/VOICE Parameters
Mixing Console – Editing the Volume and Tonal Balance –
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Mixing Console – Editing the Volume and Tonal Balance –
8
2Press the [8 ▲] (OK) button to apply your Revoice settings.
NOTE To cancel the Revoice operation, press the [8 ▼] (CANCEL) button.
3In the VOL/VOICE Page, press the [F] button to set the SONG AUTO REVOICE to ON.
[1 ▲▼]–
[3 ▲▼]
VOICE NAME Selects the XG Voices to be replaced (Voices usually used when play-
ing back).
[4 ▲▼]–
[6 ▲▼]
REVOICE TO Selects the Voices used to replace the XG Voices (when SONG AUTO
REVOICE is set to ON).
[F] ALL REVOICE Replaces all of the replaceable XG Voices with the rich and authentic
Voices of the instrument.
[G] PIANO REVOICE Replaces only the piano Voices.
[I] BASIC REVOICE Replaces only the recommended Voices that are suitable for playing
back the song.
[J] ALL NO REVOICE All the Voices are returned to the original XG Voices.
Editing FILTER Parameters
[D]/[I] HARMONIC
CONTENT
Allows you to adjust the resonance effect (page 12) for each part.
[E]/[J] BRIGHTNESS Determines the brightness of the sound for each part by adjusting the cut-
off frequency (page 12).
2
1
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Mixing Console – Editing the Volume and Tonal Balance –
8
Editing TUNE Parameters
[A]/[B]/
[F]/[G]
PORTAMENTO
TIME
Portamento is a function that creates a smooth transition in pitch from the
first note played on the keyboard to the next. The Portamento Time deter-
mines the pitch transition time. Higher values result in a longer pitch
change time. Setting this to “0” results in no effect. This parameter is
available when the selected keyboard part is set to Mono.
[C]/[H] PITCH BEND
RANGE
Determines the range of the PITCH BEND for each keyboard part (when
a pedal is assigned to this function; page 86). The range is from “0” to
“12” with each step corresponding to one semitone.
[D]/[I] OCTAVE Determines the range of the pitch change in octaves, over two octaves up
or down for each keyboard part.
[E]/[J] TUNING Determines the pitch of each keyboard part.
[1 ▲▼]–
[3 ▲▼]
TRANSPOSE Allows you to set transposition for overall sound of the instrument
(MASTER), Song playback (SONG), or the keyboard pitch (KEY-
BOARD), respectively.
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8
Selecting an Effect type
1Press the [F] (TYPE) button in the EFFECT Page of the Mixing Console display.
The Effect Type Selection display is called up.
2Use the [1 ▲▼]/[2 ▲▼] buttons to select the effect BLOCK.
NOTE When the “Connection” parameter of the DSP1 (selected on step 3 of “Editing and Saving the effect” section on page 73) is set to “System,” the DSP1
effect will be applied overall to the Style and Song. When it is set to “Insertion,” the DSP1 effect will behave as same as other DSP blocks and be applied
to only the part(s) selected in step 3.
3Use the [3 ▲▼]/[4 ▲▼] buttons to select the part to which you want to apply the
effect.
Please note that a part cannot be selected if the selected block is REVERB, CHORUS or DSP1.
4Use the [5 ▲▼]/[6 ▲▼] buttons to select the effect CATEGORY.
Editing EFFECT Parameters
Effect Block Effect-applicable
parts
Effect characteristics
REVERB All parts Reproduces the warm ambience of playing in a concert hall or
jazz club.
CHORUS All parts Produces a rich, “fat” sound as if several parts are being played
simultaneously. In addition, other type effects (such as reverb,
delay, etc.) can also be selected in this effect block.
DSP1 STYLE PART,
SONG CHANNEL
1–16
This effect is applied only to Style/Song parts.
DSP2–4
(CVP-505/
503/501)
DSP2–6
(CVP-509)
RIGHT 1, RIGHT 2,
LEFT, SONG
CHANNEL 1–16,
Microphone sound*
(CVP-505/503)
Any unused DSP blocks are automatically assigned to the appro-
priate parts (channels) as needed. One DSP block is available only
for one of the keyboard parts or Song parts.
* Handled only by DSP4.
DSP7
(CVP-509)
Microphone sound This effect is applied to the MIC input, in addition to the Vocal
Harmony effect.
DSP8–9
(CVP-509)
STYLE PART These effects are applied only to Style parts.
2 3 4 5
CVP-509/505/503/501 Reference Manual 73
Mixing Console – Editing the Volume and Tonal Balance –
8
5Use the [7 ▲▼]/[8 ▲▼] buttons to select the effect TYPE.
If you want to edit the effect parameters, go on to the next operation.
Editing and Saving the effect
1Press the [F] button to call up the display for editing the effect parameters.
2If you have selected one of the DSP2–5 (CVP-509)/DSP2–4 (CVP-505/503/501) effect
blocks in step 2:
You can edit its standard parameters as well as its variation parameter.
To select the standard type of parameters, press the [B] button. To select its variation parameter, press the
[E] button.
NOTE “Variation parameter” is the one which can be turned on/off by pressing the [VOICE EFFECT] → [5▲▼] (DSP VARIATION).
3Select one of the parameters you want to edit by using the [4 ▲▼]/[5 ▲▼] buttons,
then adjust the value by using the [6 ▲▼]/[7 ▲▼] buttons.
If you have selected the REVERB, CHORUS or DSP1 effect block in step 2, you can adjust the Effect
Return Level by pressing [8 ▲▼] button.
To re-select the Effect block, category and type, use the [1 ▲▼]–[3 ▲▼] buttons. The re-selected effect
configuration is displayed at the upper left side box in the display.
NOTE Keep in mind that in some cases noise may result if you adjust the effect parameters while playing the instrument.
3
2
4
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Mixing Console – Editing the Volume and Tonal Balance –
8
4Press the [I] (SAVE) button to call up the display for saving your original effect.
5Use the [3 ▲▼]–[6 ▲▼] buttons to select the destination for saving the effect.
The maximum number for effects that can be saved differs depending on the effect block.
6Press the [I] (SAVE) button to save the effect.
When recalling the saved effect, use the same procedure as in steps 4–5 of “Selecting an Effect Type.”
Equalizer (also called “EQ”) is a sound processor that divides the frequency spectrum into multiple bands
that can be boosted or cut as required to tailor the overall frequency response. Usually an equalizer is used to
correct the sound from speakers to match the special character of the room. For example, you can cut some of
the low range frequencies when playing in large spaces where the sound is too “boomy,” or boost the high
frequencies in rooms and close spaces where the sound is relatively “dead” and free of echoes.
Editing EQ Parameters
[A]/[B] TYPE Selects the desired Master EQ type. This affects the overall sound of the
instrument.
[F] EDIT For editing the Master EQ. See page 75.
[D]/[I] EQ HIGH Boosts or attenuates the high EQ band for each part.
[E]/[J] EQ LOW Boosts or attenuates the low EQ band for each part.
5
6
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8
The instrument possesses a high grade five-band digital EQ. With this function, a final effect—tone control—
can be added to the output of your instrument. You can select one of the five preset EQ settings in the EQ
display. You can even create your own custom EQ settings by adjusting the frequency bands, and save the
settings to one of two User Master EQ types.
Editing and Saving the Selected Master EQ
1Press the [F] (EDIT) button in the EQ Page of the Mixing Console display.
The MASTER EQ EDIT display is called up.
2Use the [A]/[B] buttons to select a preset EQ type.
The set parameters of the selected EQ type are automatically shown at the bottom of the display.
3Use the [3 ▲▼]–[7 ▲▼] buttons to boost or cut each of the five bands.
Use the [8 ▲▼] buttons to boost or cut all the five bands at the same time.
4Adjust the Q (bandwidth) and the FREQ (center frequency) of the band selected in
step 3.
To adjust the bandwidth (also called “Shape” or “Q”), use the [1 ▲▼] buttons. The higher the value of Q,
the narrower the band width.
To adjust the FREQ (center frequency), use the [2 ▲▼] buttons. The available FREQ range is different for
each band.
5Press the [H] or [I] (STORE 1 or 2) button to save the edited EQ type.
Up to two types of EQ can be created and saved. The saved EQ can be recalled from the EQ tab display by
using the [A]/[B] buttons.
0
Bandwidth (also called “Shape” or “Q”)
Gain
Freq
(Frequency)
5 bands →LOW
EQ1
LOWMID
EQ2
MID
EQ3
HIGHMID
EQ4
HIGH
EQ5
3
5
2
4
9
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Internet Direct Connection – Connecting the CVP-509/505/503/501 Directly to the Internet –
Internet Direct Connection
– Connecting the CVP-509/505/503/501 Directly to the Internet –
Contents
Editing the Browser Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Registering Bookmarks of Your Favorite Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
• Editing Bookmarks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78
You can change the home page and delete cookies in the Browser setting display.
1Call up the operation display.
[INTERNET] → [5 ▼] SETTING → [D] BROWSER SETTINGS
2Press the [7 ▲▼] (OK) button to close the display.
To cancel, press the [8 ▲▼] (CANCEL) button.
Editing the Browser Settings
[E] DELETE
COOKIES
Deletes the cookies.
[G] REGISTER Register the currently selected page as the Home page.
[H] EXECUTE Restores the home page setting.
2
Shows the title of the web page
registered as the Home page.
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Internet Direct Connection – Connecting the CVP-509/505/503/501 Directly to the Internet –
9
You can “bookmark” the page you’re viewing, and set up a custom link so the page can be instantly called up
in the future.
1With the desired page currently selected, press the [4 ▲▼] (BOOKMARK) button.
The Bookmark display appears, showing a list of the currently saved bookmarks.
NOTE For information on Bookmark display, see page 78.
2Call up the display for registering bookmarks by pressing the [3 ▲▼] (ADD) button.
3Select the position of the new bookmark by pressing the [1 ▲▼] button.
4To save the bookmark, press the [7 ▲▼] (EXECUTE) button, or press the [8 ▲▼]
(CANCEL) button to cancel.
5Press the [8 ▲▼] (CLOSE) button to return to the browser.
The bookmarked page can be opened by pressing the [2 ▲▼] (VIEW) button in the Bookmark display.
Registering Bookmarks of Your Favorite Pages
2
The title of the currently
selected web page registered
to the selected bookmark is
shown below the list.
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Editing Bookmarks
From the Bookmark display, you can change the names and rearrange the order of your bookmarks, as well
as delete unnecessary bookmarks from the list.
[1 ▲▼] (UP/DOWN) Moves the selection position in the Bookmark list.
[2 ▲▼] VIEW Opens the web page of the selected bookmark.
[3 ▲▼] ADD Used when saving a bookmark (page 77).
[4 ▲▼]MOVE Changes the order of the bookmarks.
1Select the bookmark you wish to move, then press the [4 ▲▼]
(MOVE) button.
The lower part of the display changes, letting you select the new
position for the bookmark.
2Select the intended position by pressing the [1 ▲▼] button.
3Move the bookmark to the selected position by pressing the [7
▲▼] (EXECUTE) button.
[5 ▲▼]CHANGE Changes the name of the selected bookmark. Pressing this button calls up
the display for entering characters.
[6 ▲▼] DELETE Deletes the selected bookmark from the Bookmark list.
[8 ▲▼] CLOSE Closes the Bookmark display and returns to the browser display.
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Connections
– Using Your Instrument with Other Devices –
Contents
Microphone Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
• Microphone Overall Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
• Talk Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
• Editing Vocal Harmony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Footswitch/Foot Controller Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
• Assigning Specific Functions to Each Foot Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
• MIDI System Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
• MIDI Transmit Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
• MIDI Receive Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
• Setting the Bass Note for Style Playback via MIDI Receive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
• Setting the Chord Type for Style Playback via MIDI Receive . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Microphone Overall Settings
1Call up the operation display.
[FUNCTION] → [G] MIC SETTING/VOCAL HARMONY → [I] MIC SETTING → TAB [E][F]
OVERALL SETTING
2Use the [A], [C] and [E] (or [F], [H] and [J]) buttons to select the parameter to be
adjusted, then set the value by using the [1 ▲▼]–[8 ▲▼] buttons.
For information on each parameter, see pages 80–81.
CAUTION
Settings in the OVERALL SETTING Page are automatically saved to the instrument when you exit from the display. However, if you turn
the power off without exiting from this display, the settings will be lost.
Microphone Settings
CVP-501CVP-503CVP-505CVP-509 CVP-505CVP-509
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■3BAND EQ (selected by [A] or [F] button)
EQ (Equalizer) is a processor that divides the frequency spectrum into multiple bands which can be
boosted or cut as required to tailor the overall frequency response. The instrument features a high-grade
three-band (LOW, MID and HIGH) digital equalizer function for the microphone sound.
■NOISE GATE (selected by [C] or [H] button)
This effect mutes the input signal when the input from the microphone falls below a specified level. This
effectively cuts off extraneous noise, allowing the desired signal (vocal, etc.) to pass.
■COMPRESSOR (selected by [C] or [H] button)
This effect holds down the output when the input signal from the microphone exceeds a specified level.
This is especially useful for smoothing out vocals that have widely varying dynamics. It effectively
“compresses” the signal, making soft parts louder and loud parts softer.
■MIC MUTE (selected by [C] or [H] button)
■MIC VOLUME (selected by [E] or [J] buttons)
■VOCAL HARMONY CONTROL (selected by [E] or [J] button)
The following parameters determine how the Vocal Harmony is controlled.
[1 ▲▼]/
[3 ▲▼]/
[5 ▲▼]
Hz Adjusts the center frequency of the corresponding band.
[2 ▲▼]/
[4 ▲▼]/
[6 ▲▼]
dB Boosts or cuts the level of the corresponding band by up to 12 dB.
[1 ▲▼] SW (Switch) This turns Noise Gate on or off.
[2 ▲▼]TH. (Threshold) This adjusts the input level at which the gate begins to open.
[3 ▲▼] SW (Switch) This turns Compressor on or off.
[4 ▲▼] TH. (Threshold) This adjusts the input level at which compression begins to be applied.
[5 ▲▼]RATIO This adjusts the compression ratio.
[6 ▲▼] OUT Adjusts the final output level.
[8 ▲▼] MIC MUTE When set to ON, the microphone sound is turned off.
[8 ▲▼] MIC VOLUME Adjusts the output volume of the microphone sound.
[1 ▲▼]–
[3 ▲▼]
VOCODER
CONTROL
The Vocal Harmony effect in Vocoder mode (page 81) is controlled by
note data—the notes you play on the keyboard and/or the notes of the
song data. This parameter lets you determine which notes are used to con-
trol the harmony.
MUTE/PLAY
When set to “MUTE,” the channel selected below (to control Harmony) is
muted (turned off) during keyboard performance or song playback.
OFF/1–16
When set to “OFF,” song data control over harmony is turned off. When
set to one of the values 1–16, note data (played from a Song on the Clavi-
nova or external MIDI sequencer) contained on the corresponding chan-
nel is used to control the harmony.
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KBD (Keyboard):
OFF
Keyboard control over harmony is turned off.
UPPER
Notes played to the right of the split point control the harmony.
LOWER
Notes played to the left of the split point control the harmony.
[4 ▲▼]BAL. (Balance) This lets you set the balance between the lead vocal (your own voice) and
Vocal Harmony. Raising this value increases the volume of the Vocal Har-
mony and decreases that of the lead vocal. When this is set to L<H63 (L:
Lead Vocal, H: Vocal Harmony), only the Vocal Harmony is output; when
it is set to L63>H, only the lead vocal is output.
[5 ▲▼]MODE (Vocal
Harmony mode)
All of the Vocal Harmony types fall into one of three modes, which pro-
duce harmony in different ways. The harmony effect is dependent on the
selected Vocal Harmony mode, and this parameter determines how the
harmony is applied to your voice. The three modes are described below.
AUTO
When the [ACMP ON/OFF] or [LEFT] is set to ON and if chord data
exists in the Song, the mode is automatically set to CHORDAL. In all
other cases, the mode is set to VOCODER.
VOCOD (Vocoder)
The harmony notes are determined by the notes you play on the keyboard
and/or Song data. You can specify whether the Vocoder effect is con-
trolled by your keyboard performance or by the Song data (VOCODER
CONTROL parameter above).
CHORD (Chordal)
The harmony notes are determined by the following three types of chord:
chords played in the chord section of the keyboard (with the [ACMP ON/
OFF] turned on), chords played in the LEFT Voice section of the key-
board (with the [ACMP ON/OFF] turned off and the [LEFT] turned on),
and chords contained in Song data for controlling the harmony. (Not
available if the Song does not contain any chord data.)
[6 ▲▼] CHORD The following parameters determine which data in a recorded Song is
used for chord detection.
OFF
Chords are not detected from the Song data.
XF
Chords of XF format are used for the Vocal Harmony.
1–16
Chords are detected from note data in the specified Song channel.
[7 ▲▼]VOCAL
RANGE
Set this to obtain the most natural vocal harmony, depending on your
voice.
NORM.
Normal setting.
LOW
Setting for lower voice. This setting is also appropriate for growling and
shouting.
HIGH
Setting for higher voice. This setting is also appropriate for singing close
to the microphone.
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Talk Settings
This function gives you special settings for making announcements between songs, separate from the settings
for your singing performance.
1Call up the operation display.
[FUNCTION] → [G] MIC SETTING/VOCAL HARMONY → [I] MIC SETTING → TAB [E][F]
TALK SETTING
2Use the [A]/[B] buttons to select the parameter to be adjusted, then set the value by
using the [1 ▲▼]–[7 ▲▼] buttons.
CAUTION
Settings in the TALK SETTING Page are automatically saved to the instrument when you exit from the display. However, if you turn the
power off without exiting from this display, the settings will be lost.
NOTE The settings here can be saved to USER or USB as a System Setup file: [FUNCTION] → [J] UTILITY → TAB [E][F] SYSTEM RESET. See page 101.
1 Talk Setting Parameters
2 DSP Parameters
[1 ▲▼]VOLUME This determines the output volume of the microphone sound.
[2 ▲▼]PAN This sets the stereo pan position of the microphone sound.
[4 ▲▼] REVERB
DEPTH
These set the depth of the reverb effects applied to the microphone sound.
[5 ▲▼] CHORUS
DEPTH
This sets the depth of the chorus effects applied to the microphone sound.
[6 ▲▼]/
[7 ▲▼]
TOTAL
VOLUME
ATTENUATOR
This determines the amount of attenuation to be applied to the overall
sound (excepting the microphone input)—allowing you to effectively
adjust the balance between your voice and the overall instrument sound.
[3 ▲▼] DSP MIC ON/
OFF
This turns the DSP effect applied to the microphone sound ON or OFF.
[4 ▲▼]/
[5 ▲▼]
DSP MIC TYPE This selects the type of DSP effect to be applied to the microphone sound.
[6 ▲▼] DSP MIC
DEPTH
This sets the depth of the DSP effect applied to the microphone sound.
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Editing Vocal Harmony
This section explains briefly how to create your own Vocal Harmony types, and lists the detailed parameters
for editing. Up to ten Vocal Harmony types can be created and saved.
1Call up the operation display.
[FUNCTION] → [G] MIC SETTING/VOCAL HARMONY
2Press the [H] (VOCAL HARMONY TYPE) button to call up the VOCAL HARMONY TYPE
selection display.
3Select a Vocal Harmony type to be edited by using the [A]–[J] buttons.
4Press the [8 ▼] (EDIT) button to call up the VOCAL HARMONY EDIT display.
3
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5Edit the Vocal Harmony.
6Press the [I] (SAVE) button to save your edited Vocal Harmony type.
CAUTION
The settings here will be lost if you change to another Vocal Harmony type or you turn the power off without executing the save operation.
Vocal Harmony Edit parameters
[1 ▲▼]/
[2 ▲▼]
EFFECT TYPE Re-selects the Vocal Harmony Type.
[3 ▲▼]–
[5 ▲▼]
PARAMETER Selects the parameter you want to edit. See below.
[6 ▲▼]/
[7 ▲▼]
VALUE Sets the value of the selected parameter.
[8 ▲▼] RETURN Returns to the VOCAL HARMONY TYPE Selection display.
VOCODER TYPE Determines how the harmony notes are applied to the microphone sound when
the Harmony mode (page 81) is set to “VOCODER.”
CHORDAL TYPE Determines how the harmony notes are applied to the microphone sound when
the Harmony mode (page 81) is set to “CHORDAL.”
HARMONY GEN-
DER TYPE
Determines whether the gender of the harmony sound is changed or not.
Off
The gender of the harmony sound is not changed.
Auto
The gender of the harmony sound is changed automatically.
LEAD GENDER
TYPE
Determines whether and how the gender of the lead vocal sound (i.e., the direct
microphone sound) will be changed. Please note that the number of harmony
notes differs depending on the selected type. When set to Off, three harmony
notes are produced. Other settings produce two harmony notes.
Off
No gender change occurs.
Unison
No gender change occurs. You can adjust the LEAD GENDER DEPTH on
page 85.
Male
The corresponding gender change is applied to the lead vocal.
Female
The corresponding gender change is applied to the lead vocal.
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LEAD GENDER
DEPTH
Adjusts the degree of lead vocal gender change. This is available when the
LEAD GENDER TYPE on page 84 is set to other than Off. The higher the
value, the more “feminine” the harmony voice becomes. The lower the value,
the more “masculine” the voice.
LEAD PITCH COR-
RECT
This parameter is only effective when the LEAD GENDER TYPE on page 84
is set to other than Off. When Smooth or Hard is selected, the pitch of the lead
vocal is shifted in precise semitone steps.
UPPER GENDER
THRESHOLD
Gender change will occur when the harmony pitch reaches or exceeds the spec-
ified number of semitones above the lead vocal pitch.
LOWER GENDER
THRESHOLD
Gender change will occur when the harmony pitch reaches or exceeds the spec-
ified number of semitones below the lead vocal pitch.
UPPER GENDER
DEPTH
Adjusts the degree of gender change applied to harmony notes higher than the
UPPER GENDER THRESHOLD. The higher the value, the more “feminine”
the harmony voice becomes. The lower the value, the more “masculine” the
voice.
LOWER GENDER
DEPTH
Adjusts the degree of gender change applied to harmony notes lower than the
LOWER GENDER THRESHOLD. The higher the value, the more “feminine”
the harmony voice becomes. The lower the value, the more “masculine” the
voice.
VIBRATO DEPTH Sets the depth of vibrato applied to the harmony sound. Also affects the lead
vocal sound when the LEAD GENDER TYPE on page 84 is set to other than
Off.
VIBRATO RATE Sets the speed of the vibrato effect. Also affects the lead vocal sound when the
LEAD GENDER TYPE on page 84 is set to other than Off.
VIBRATO DELAY Specifies the length of the delay before the vibrato effect begins when a note is
produced. Higher values result in a longer delay.
HARMONY 1/2/3
VOLUME
Sets the volume of the first (lowest), second, and third (highest) harmony note.
HARMONY 1/2/3 PAN Specifies the stereo (pan) position of the first (lowest), second, and third (high-
est) harmony note.
Random
The stereo position of the sound will change randomly whenever the keyboard
is played. This is effective when the Harmony mode (page 81) is set to
“VOCODER” or “CHORDAL.”
L63>R–C–L<R63
A setting of L63>R pans the sound hard left, while C is at center, and L<R63 is
at hard right.
HARMONY 1/2/3
DETUNE
Detunes the first (lowest), second, and third (highest) harmony note by the
specified number of cents.
PITCH TO NOTE When this is set to “ON,” you can “play” the Voices of the instrument with
your voice. (The instrument tracks the pitch of your voice and converts it to
note data for the tone generator. Keep in mind, however, that dynamic changes
in your voice do not affect the volume of the tone generator.)
PITCH TO NOTE
PART
Determines which of the instrument parts will be controlled by the lead vocal
when the PITCH TO NOTE parameter above is “ON.”
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Assigning Specific Functions to Each Foot Pedal
In addition to the footswitch or foot controller, the three piano pedals installed to the instrument (Right,
Center and Left pedals) can also be assigned to various functions here. The following explanations cover the
related operations and assignable functions (parameters).
NOTE For information on how to connect a foot pedal or what kinds of pedals can be connected, refer to the Owner’s Manual, chapter 10.
1Call up the operation display.
[FUNCTION] → [D] CONTROLLER → TAB [E][F] PEDAL
2Use the [A]/[B] buttons to select one of the three pedals or the AUX-connected pedal,
to which the function is to be assigned.
3Use the [1 ▲▼] buttons to select the function to be assigned to the pedal specified in
step 2.
For information on available parameters, see pages 86–89.
NOTE You can also assign the other functions to the pedal—punch in/out of Song (page 52) and Registration Sequence (page 66). If you assign multiple func-
tions to the pedal, the priority is: Punch in/out of Song → Registration Sequence → Functions assigned here.
4Use the [2 ▲▼]–[8 ▲▼] buttons to set the details of the selected functions (the part
for which the function is applied, etc.).
The available parameters differ depending on the function selected in step 3.
5When you have selected the left or center pedal in step 2, press the [H] (DEPEND ON
R1 VOICE) button to turn this parameter OFF.
This setting locks the pedal function so that it does not change automatically when you change the Right 1
Voice.
6If necessary, set the polarity of the pedal by using the [I] button.
Pedal on/off operation may differ depending on the particular pedal you’ve connected to the instrument.
For example, pressing down on one pedal may turn the selected function on, while pressing a different
make/brand of pedal may turn the function off. If necessary, use this setting to reverse the operation.
■Assignable Pedal Functions
For functions indicated with “*”, use only the foot controller; proper operation cannot be done with a
footswitch.
Footswitch/Foot Controller Settings
ARTICULATION 1/2
(CVP-509/505)
When you use a Super Articulation Voice that has an effect assigned to the
pedal/footswitch, you can enable the effect by pressing the pedal/footswitch.
You can turn this function on or off for each keyboard part on this display.
2
3
6
5
4
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VOLUME* Allows you to use a foot controller to control the volume. This function is
available only for the pedal connected to the instrument’s AUX PEDAL jack.
SUSTAIN Allows you to use a pedal to control the sustain. When you press and hold the
pedal, all notes played on the keyboard have a longer sustain. Releasing the
pedal immediately stops (damps) any sustained notes. If you are using the right
pedal or connected foot controller, the “HALF PEDAL POINT” parameter
allows you to specify how far down you should press on the pedal until the
damper effect starts working.
SOSTENUTO Allows you to use a pedal to control the Sostenuto effect. If you play a note or
chord on the keyboard and press the pedal while holding the note(s), the notes
will sustain as long as the pedal is held. However, all subsequent notes will not
sustain. This makes it possible to sustain a chord, for example, while other
notes are played staccato.
NOTE This function will not affect any of the Organ Flutes and only some of the Super Articulation Voices, even if
this has been assigned to the Foot Pedals.
SOFT Allows you to use a pedal to control the Soft effect. Pressing this pedal reduces
the volume and changes the timbre of the notes you play. This is effective only
for certain appropriate Voices. You can turn this pedal function on or off for
each keyboard part on this display. If you are using the right pedal or connected
foot controller, the “HALF PEDAL POINT” parameter allows you to specify
how far down you should press on the pedal until the soft effect starts working.
GLIDE When the pedal is pressed, the pitch changes, and then returns to normal pitch
when the pedal is released. The following parameters can be set for this func-
tion on this display.
UP/DOWN
Determines whether the pitch change goes up (is raised) or down (is lowered).
RANGE
Determines the range of the pitch change, in semitones.
ON SPEED
Determines the speed of the pitch change when the pedal is pressed.
OFF SPEED
Determines the speed of the pitch change when the pedal is released.
LEFT, RIGHT 1, 2
Turns this pedal function on or off for each keyboard part.
PORTAMENTO The portamento effect (a smooth slide between notes) can be produced while
the pedal is pressed. Portamento is produced when notes are played legato style
(i.e., a note is played while the preceding note is still held). The portamento
time can also be adjusted form the Mixing Console display (page 71). This
function does not affect certain Natural Voices, which would not sound appro-
priately with this function.
NOTE This function will not affect any of the Organ Flutes, Super Articulation 2 Voices and only some of the Super
Articulation Voices, even if this has been assigned to the Foot Pedals.
PITCHBEND* Allows you to bend the pitch of notes up or down by using the pedal. This
function can be assigned to the right pedal or connected foot controller. The
following parameters can be set for this function on this display.
UP/DOWN
Determines whether the pitch change goes up (is raised) or down (is lowered).
RANGE
Determines the range of the pitch change, in semitones.
LEFT, RIGHT 1, 2
Turns this pedal function on or off for each keyboard part.
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MODULATION* Applies a vibrato effect to notes played on the keyboard. Moreover, various
effects can be added to the S. Articulation Voice. The effect becomes deeper
when pressing down the foot controller. You can turn this pedal function on or
off for each keyboard part on this display.
MODULATION (ALT)
(CVP-509/505)
As a variation on MODULATION, the effects (waveform) can be switched on/
off by the pedal/footswitch. The effects (waveform) is alternately turned on and
off each time the pedal/footswitch is pressed. You can turn this function on or
off for each keyboard part on this display.
DSP VARIATION Switches Voice Effect DSP VARIATION on and off.
VIBE ROTOR ON/OFF Switches the VIBRATE SW parameter on and off when the VIBE VIBRATE
effect type is selected.
HARMONY/ECHO Switches the HARMONY/ECHO Voice Effect on and off.
VOCAL HARMONY
(CVP-509/505/503)
Switches the Vocal Harmony function on and off.
TALK
(CVP-509/505/503)
Switches the MIC SETTING Talk function on and off.
SCORE PAGE +/- While the Song is stopped, you can turn to the next/previous score page (one
page at a time).
LYRICS PAGE +/- While the Song is stopped, you can turn to the next/previous lyrics page (one
page at a time).
TEXT PAGE +/-
(CVP-509/505/503)
You can turn to the next/previous text page (one page at a time).
SONG PLAY/PAUSE Same as the SONG [PLAY/PAUSE] button.
STYLE START/STOP Same as the STYLE CONTROL [START/STOP] button.
TAP TEMPO Same as the [TAP TEMPO] button.
SYNCHRO START Same as the [SYNC START] button.
SYNCHRO STOP Same as the [SYNC STOP] button.
INTRO 1–3 Same as the INTRO [I]–[III] buttons.
MAIN A–D Same as the MAIN VARIATION [A]–[D] buttons.
FILL DOWN Plays a fill-in, which is automatically followed by the Main section of the but-
ton on the immediate left.
FILL SELF Plays a fill-in.
FILL BREAK Plays a break.
FILL UP Plays a fill-in, which is automatically followed by the Main section of the but-
ton on the immediate right.
ENDING1–3 Same as the ENDING/rit. [I]–[III] buttons.
FADE IN/OUT Switches Fade In /Fade Out function on and off.
FINGERD/FING ON
BASS
The pedal alternately switches between the Fingered and On Bass modes
(page 17).
BASS HOLD While the pedal is pressed, the Accompaniment Style bass note will be held
even if the chord is changed during Style playback. If the fingering is set to “AI
FULL KEYBOARD,” the function does not work.
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In this section, you can make MIDI-related settings for the instrument. The CVP-509/505/503/501 gives you
a set of ten pre-programmed templates that let you instantly and easily reconfigure the instrument to match
your particular MIDI application or external device. Also, you can edit the pre-programmed templates and
save up to ten of your original templates to the USER display.
NOTE You can save all your original templates as a single file to a USB storage device: [FUNCTION] → [J] UTILITY → TAB [E][F] SYSTEM RESET → [G]
MIDI SETUP FILES. See page 101.
1Call up the operation display.
[FUNCTION] → [I] MIDI
2Select a pre-programmed template from the PRESET Page (page 90).
If you have already created your original template and saved it to the USER Page, you can also select the
template from the USER Page.
3Press the [8 ▼] (EDIT) button to call up the MIDI display to edit the selected template.
4Use the TAB [E][F] buttons to call up the relevant setting display.
• SYSTEM MIDI System Settings (page 91)
• TRANSMIT MIDI Transmission Settings (page 92)
• RECEIVE MIDI Reception Settings (page 93)
• BASS Settings for the bass note of chord for Style playback via MIDI reception data
(page 94)
• CHORD DETECT Settings for the chord type for Style playback via MIDI reception data (page 94)
PERCUSSION The pedal plays a percussion instrument selected by the [4 ▲▼]–[8 ▲▼] but-
tons. You can use the keyboard to select the desired percussion instrument.
NOTE When you select the percussion instrument by pressing a key on the keyboard, the velocity with which you
press the key determines the percussion volume.
RIGHT 1 ON/OFF Same as the PART ON/OFF [RIGHT 1] button.
RIGHT 2 ON/OFF Same as the PART ON/OFF [RIGHT 2] button.
LEFT ON/OFF Same as the PART ON/OFF [LEFT] button.
OTS +/- Calls up the next/previous One Touch Setting.
MIDI Settings
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5When you’ve finished editing, press the [EXIT] button to return to the MIDI template
Selection display.
6Select USER tab display by using the TAB [E][F] buttons, then press the [6 ▼] (SAVE)
button to save the edited template.
■Pre-programmed MIDI Templates
ALL PARTS Transmits all parts including the keyboard parts (RIGHT 1, 2, and LEFT), with
the exception of Song parts.
KBD & STYLE Basically the same as “ALL PARTS” with the exception of how keyboard parts
are managed. The right-hand parts are handled as a “UPPER” instead of
RIGHT 1 and 2 and the left-hand part is handled as a “LOWER.”
Master KBD In this setting, the instrument functions as a “master” keyboard, playing and
controlling one or more connected tone generators or other devices (such as a
computer/sequencer).
Song All transmit channels are set to correspond to Song channels 1–16. This is used
to play Song data with an external tone generator and to record Song data to an
external sequencer.
Clock Ext. Playback or recording (Song, Style, etc.) synchronizes with an external MIDI
clock instead of the instrument’s internal clock. This template should be used
when you wish to set the tempo on the MIDI device connected to the instru-
ment.
MIDI Accord 1 MIDI accordions allow you to transmit MIDI data and play connected tone
generators from the keyboard and bass/chord buttons of the accordion. This
template lets you play melodies from the keyboard and control Style playback
on the instrument with the left-hand buttons.
MIDI Accord 2 Basically the same as “MIDI Accord1” above, with the exception that the
chord/bass notes you play with your left hand on the MIDI Accordion are rec-
ognized also as MIDI note events.
MIDI Pedal 1 MIDI pedal units allow you play connected tone generators with your feet
(especially convenient for playing single note bass parts). This template lets
you play/control the chord root in Style playback with a MIDI pedal unit.
MIDI Pedal 2 This template lets you play the bass part for Style playback by using a MIDI
pedal unit.
MIDI OFF No MIDI signals are sent or received.
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Connections – Using Your Instrument with Other Devices –
10
MIDI System Settings
The explanations here apply to the SYSTEM Page in step 4 on page 89.
Use the [A]/[B] buttons to select the parameters (below), then set the ON/OFF status by using the [1 ▲▼]–[8
▲▼] buttons.
1 Local Control
Turns the Local Control for each part on or off. When Local Control is set to “ON,” the keyboard of the
instrument controls its own (local) internal tone generator, allowing the internal Voices to be played
directly from the keyboard. If you set Local to “OFF,” the keyboard and controllers are internally
disconnected from the instrument’s tone generator section so that no sound is output when you play the
keyboard or use the controllers. For example, this allows you to use an external MIDI sequencer to play
the instrument’s internal Voices, and use the instrument keyboard to record notes to the external sequencer
and/or play an external tone generator.
2 Clock setting, etc.
■CLOCK
Determines whether the instrument is controlled by its own internal clock or a MIDI clock signal received
from an external device. INTERNAL is the normal Clock setting when the instrument is being used alone
or as a master keyboard to control external devices. If you are using the instrument with an external
sequencer, MIDI computer, or other MIDI device, and you want to synchronize it to that device, set this
parameter to the appropriate setting: MIDI, USB 1, or USB 2. In this case, make sure that the external
device is connected properly (e.g., to the instrument’s MIDI IN terminal), and that it is properly
transmitting a MIDI clock signal. When this is set for control by an external device (MIDI, USB 1 or USB
2), the Tempo is indicated as “Ext.” in the Main display.
NOTE If the Clock is set other than INTERNAL, the Style or Song cannot be played from the panel buttons.
■TRANSMIT CLOCK
Turns MIDI clock (F8) transmission on or off. When set to OFF, no MIDI clock or Start/Stop data is
transmitted even if a Song or Style is played back.
■RECEIVE TRANSPOSE
Determines whether or not the instrument’s transpose setting is applied to the note events received by the
instrument via MIDI.
■START/STOP
Determines whether incoming FA (start) and FC (stop) messages affect Song or Style playback.
3 MESSAGE SW (Message Switch)
■SYS/EX.
The “Tx” setting turns MIDI transmission of MIDI System Exclusive messages on or off. The “Rx” setting
turns MIDI reception and recognition of MIDI System Exclusive messages generated by external
equipment on or off.
■CHORD SYS/EX.
The “Tx” setting turns MIDI transmission of MIDI chord exclusive data (chord detect. root and type) on or
off. The “Rx” setting turns MIDI reception and recognition of MIDI chord exclusive data generated by
external equipment on or off.
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MIDI Transmit Settings
The explanations here apply to the TRANSMIT Page in step 4 on page 89. This determines which parts will
be sent as MIDI data and over which MIDI channel the data will be sent.
1Use the [A]/[B] buttons or [1 ▲▼]/[2 ▲▼] buttons to select the part for changing
transmit settings.
With the exception of the two parts below, the configuration of the parts is the same as those already
explained elsewhere in the Owner’s Manual.
UPPER
A keyboard part played on the right side of the keyboard from the Split Point for the Voices (RIGHT 1 and/
or 2).
LOWER
A keyboard part played on the left side of the keyboard from the Split Point for the Voices. This is not
affected by the on/off status of the [ACMP ON/OFF] button.
2Use the [3 ▲▼] buttons to select a channel via which the selected part will be
transmitted.
NOTE If the same transmit channel is assigned to several different parts, the transmitted MIDI messages are merged to a single channel—resulting in unex-
pected sounds and possible glitches in the connected MIDI device.
NOTE Protected Songs cannot be transmitted even if the proper Song channels 1–16 are set to be transmitted.
3Use the [4 ▲▼]–[8 ▲▼] button to determine the types of data to be sent.
The following MIDI messages can be set on the TRANSMIT/RECEIVE display.
NOTE (Note events) ............................... page 59
CC (Control Change)............................. page 59
PC (Program Change) ........................... page 59
PB (Pitch Bend) ...................................... page 59
AT (Aftertouch) ...................................... page 59
1
1 2 3
The dots corresponding to each
channel (1–16) flash briefly
whenever any data is transmitted
on the channel(s).
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10
MIDI Receive Settings
The explanations here apply to the RECEIVE Page in step 4 on page 89. This determines which parts will
receive MIDI data and over which MIDI channels the data will be received.
1Use the [A]/[B] buttons or [1 ▲▼]/[2 ▲▼] buttons to select the channel to be received.
The instrument can receive MIDI messages over 32 channels (16 channels x 2 ports) by USB connection.
2Use the [3 ▲▼] buttons to select the part via which the selected channel will be
received.
With the exception of the two parts below, the configuration of the parts is the same as those already
explained elsewhere in the Owner’s Manual.
KEYBOARD
The received note messages control the instrument’s keyboard performance.
EXTRA PART 1–5
There are five parts specially reserved for receiving and playing MIDI data. Normally, these parts are not
used by the instrument itself. The instrument can be used as a 32-channel multi-timbral tone generator by
using these five parts in addition to the parts (except for the microphone sound).
3Use the [4 ▲▼]–[8 ▲▼] button to determine the types of data to be received.
MIDI transmission/reception via the USB terminal and MIDI terminals
The relationship between the [MIDI] terminals and the [USB] terminal which can be used for
transmitting/receiving 32 channels (16 channels x 2 ports) of the MIDI messages is as follows:
1
1 2 3
The dots corresponding to each
channel (1–16) flash briefly
whenever any data is received on
the channel(s).
● MIDI reception ● MIDI transmission
[MIDI IN] jack [USB TO HOST] jack [MIDI OUT] jack [USB TO HOST] jack
Port handling
USB2USB1
Merge
MIDI/USB1
01–16
USB2
01–16 MIDI/USB 01–16
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Setting the Bass Note for Style Playback via MIDI Receive
The explanations here apply to the BASS Page in step 4 on page 89. These settings let you determine the bass
note for Style playback, based on the note messages received via MIDI. The note on/off messages received at
the channel(s) set to “ON” are recognized as the bass note of the chord of Style playback. The bass note will
be detected regardless of the [ACMP ON/OFF] or split point settings. When several channels are
simultaneously set to “ON,” the bass note is detected from merged MIDI data received over the channels.
1Use the [A]/[B] buttons to select the channel.
2Use the [1 ▲▼]–[8 ▲▼] buttons to set the desired channel to ON or OFF.
You can also set all channels to OFF by pressing the [I] (ALL OFF) button.
Setting the Chord Type for Style Playback via MIDI Receive
The explanations here apply to the CHORD DETECT Page in step 4 on page 89. These settings let you
determine the chord type for Style playback, based on the note messages received via MIDI. The note on/off
messages received at the channel(s) set to “ON” are recognized as the notes for detecting chords in Style
playback. The chords to be detected depend on the fingering type. The chord types will be detected regardless
of the [ACMP ON/OFF] or split point settings. When several channels are simultaneously set to “ON,” the
chord type is detected from merged MIDI data received over the channels.
The operation procedure is basically the same as that of the BASS display above.
1
2
11
Utility – Making Global Settings –
CVP-509/505/503/501 Reference Manual 95
Utility
– Making Global Settings –
Contents
CONFIG1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
CONFIG2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
SCREEN OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
MEDIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
OWNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
SYSTEM RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
• Factory Reset—Restoring the Factory Programmed Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 100
• Custom Reset—Saving and Recalling Your Original Settings as a Single File . . . . . . . . . . . . . 101
1 Fade In/Out
These parameters determine the behavior when the Style or Song playback is faded in/out.
CONFIG1
[3 ▲▼]FADE IN TIME Determines the time it takes for the volume to fade in, or go from mini-
mum to maximum (range of 0–20.0 seconds).
[4 ▲▼]FADE OUT
TIME
Determines the time it takes for the volume to fade out, or go from maxi-
mum to minimum (range of 0–20.0 seconds).
[5 ▲▼]FADE OUT
HOLD TIME
Determines the time the volume is held at 0 following the fade out (range
of 0–5.0 seconds).
Select the desired parameter:
1Fade In/Out
2Metronome
3Parameter Lock
4Tap
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2 Metronome
3 Parameter Lock
This function is used to “lock” specific parameters (effect, split point, etc.) to make them selectable only
via the panel control—in other words, instead of being changed via Registration Memory, One Touch
Setting, Music Finder, or Song and sequence data.
Use the [1 ▲▼]–[7 ▲▼] buttons to select the desired parameter, then lock it with the [8 ▲] (MARK ON)
button.
4 Tap
This allows you to set the drum sound and the velocity which will sound when the Tap function is used.
[2 ▲▼]VOLUME Determines the level of the metronome sound.
[3 ▲▼]–
[5 ▲▼]
SOUND Determines which sound is used for the metronome.
BELL OFF ................. Conventional metronome sound, with no bell.
BELL ON................... Conventional metronome sound, with bell.
ENGLISH VOICE...... Count in English
GERMAN VOICE ..... Count in German
JAPANESE VOICE.... Count in Japanese
FRENCH VOICE ....... Count in French
SPANISH VOICE ...... Count in Spanish
[6 ▲▼]/
[7 ▲▼]
TIME SIGNA-
TURE
Determines the time signature of the metronome sound.
[2 ▲▼]–
[4 ▲▼]
PERCUSSION Selects the instrument.
[5 ▲▼]/
[6 ▲▼]
VELOCITY Sets the velocity.
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11
1 SPEAKER
Determines whether or not the speaker will sound.
2 Voice Category Button Options/Display-related settings
CONFIG2
[3▲▼]/
[4▲▼]
SPEAKER HEADPHONE SW
Speaker sounds normally, but is cut off when headphones are inserted to
the PHONES jack.
ON
Speaker sound is always on.
OFF
Speaker sound is off. You can only hear the instrument sound via the
headphones.
[1 ▲▼]/
[2 ▲▼]
VOICE CATE-
GORY BUT-
TON OPTIONS
Determines how the Voice Selection display is opened when one of the
VOICE buttons is pressed.
OPEN & SELECT
Opens the Voice Selection display with the previously selected Voice in
the Voice category automatically selected (when one of the VOICE but-
tons is pressed).
OPEN ONLY
Opens the Voice Selection display with the currently selected Voice
(when one of the VOICE buttons is pressed).
[3 ▲▼]/
[4 ▲▼]
DISPLAY
VOICE NUM-
BER
Determines whether or not the Voice bank and number are shown in the
Voice Selection display. This is useful when you want to check which
bank select MSB/LSB values and program change number you need to
specify when selecting the Voice from an external MIDI device.
NOTE The numbers displayed here start from “1.” Accordingly the actual MIDI program change numbers
are one lower, since that number system starts from “0.”
NOTE For the GS Voices, the Display Voice Number is not available (the program change numbers are not
shown).
[5 ▲▼]/
[6 ▲▼]
DISPLAY
STYLE TEMPO
Selects whether the default tempo of each Style is displayed above the
Style name or not in the Style Selection display.
[7 ▲▼]/
[8 ▲▼]
POPUP DIS-
PLAY TIME
Determines the time in which the pop-up windows close. (Pop-up win-
dows are displayed when you press buttons such as TEMPO, TRANS-
POSE, etc.)
Select the desired parameter:
1Speaker
2Voice Category Button
Options/Display-related Set-
tings
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Refer to the Owner’s Manual, chapter 10.
You can set or execute important media-related operations for the instrument. The word “media” refers to the
connected USB storage device.
SCREEN OUT
MEDIA
[A]/[B] DEVICE LIST Selects the desired media which you want to check the remaining mem-
ory (see “PROPERTY” below) or format the media (see the Owner’s
Manual).
[F] PROPERTY Opens the Property display of the media selected by [A]/[B] buttons. You
can check the amount of remaining memory on the media.
NOTE The displayed remaining memory value is an approximate value.
[H] FORMAT Formats the media selected by [A]/[B] buttons. Refer to the Owner’s
Manual, chapter 10.
[3 ▲▼]/
[4 ▲▼]
SONG AUTO
OPEN
Turns the Song Auto Open function on or off. When this is set to “ON”
and the media selected in the Device List above is inserted, the instrument
automatically calls up the first Song in the media.
CVP-501CVP-503CVP-505CVP-509 CVP-505CVP-509
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Utility – Making Global Settings –
11
OWNER
[D] BACKUP Lets you backup all data on the instrument to a USB storage device. Refer
to the Owner’s Manual.
[E] RESTORE Loads the backup file from the USB storage device.
[I] OWNER NAME Lets you enter your name as the owner. The Owner name is indicated on
the opening display when you turn the power on. Refer to the Owner’s
Manual.
[J] MAIN PIC-
TURE
(CVP-509/505)
Lets you select background picture for the Main display. You can select a
picture from among various pictures provided on the Preset Page. After
selecting, press the [EXIT] button to close the Selection display.
You can also use your original picture in the USB storage device. Make
sure the image file is bitmap file (.BMP) and no greater than 640 x 480
pixels (CVP-509)/320 x 240 pixels (CVP-505). First copy the desired file
from USB to USER Page, then select it on the USER Page.
NOTE The explanation about picture compatibility above applies also to the background of the Song Lyric
display (page 39).
[4 ▲▼]/
[5 ▲▼]
LANGUAGE Determines the language used for the display messages. Once you change
this setting, all messages will be shown in the selected language.
[7 ▲▼]/
[8 ▲▼]
VERSION Displays the version number of this instrument.
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There are two reset methods in the SYSTEM RESET display: Factory Reset and Custom Reset.
Factory Reset—Restoring the Factory Programmed Settings
This function lets you restore the status of the instrument to the original factory settings.
1Select the desired item to be restored by using [1 ▲▼]–[3 ▲▼] buttons and add a
checkmark to it by pressing the [4 ▲] (MARK ON) button.
To remove the checkmark, press the [4 ▼] (MARK OFF) button.
2Press the [D] (FACTORY RESET) button to execute the Factory Reset operation for all
checkmarked items.
SYSTEM RESET
SYSTEM SETUP Restores the System Setup parameters to the original factory settings. Refer to
the Data List for details about which parameters belong to the System Setup.
MIDI SETUP Restores the MIDI settings including the MIDI templates on the USER tab dis-
play to the original factory status.
USER EFFECT Restores the User Effect settings including the user effect types, user master
EQ types, user master compressor types (CVP-509), and user vocal harmony
types (CVP-509/505/503) created via the Mixing Console display to the origi-
nal factory settings.
MUSIC FINDER Restores the Music Finder data (all records) to the original factory settings.
FILES & FOLDERS Deletes all files and folders stored in the USER tab display.
REGIST Temporarily deletes the current Registration Memory settings of the selected
Bank. The same can be done also by turning the power button ON while hold-
ing the B6 key (right-most B key on the keyboard).
Factory Reset
(see below)
Custom Reset
(see page 101)
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Utility – Making Global Settings –
11
Custom Reset—Saving and Recalling Your Original Settings as a Single File
For the items below, you can save your Original Settings as a Single File for future recall.
1Make all desired settings on the instrument.
2Call up the operation display.
[FUNCTION] → [J] UTILITY → TAB [E][F] SYSTEM RESET
3Press one of the [F]–[I] buttons to call up the relevant display for saving your data.
4Use the TAB [E][F] buttons to select one of the tabs (other than the PRESET) to
which your settings will be saved.
5Press the [6 ▼] (SAVE) button to save your file.
6To recall your file, press the desired [F]–[I] buttons in the SYSTEM RESET display,
then select the desired file.
[F] SYSTEM
SETUP FILES
Parameters set on the various displays such as the [FUNCTION] → [J]
UTILITY and microphone setting display (CVP-509/505/503) are han-
dled as a single System Setup file. Refer to the Data List for details on
which parameters belong to the System Setup.
[G] MIDI SETUP
FILES
The MIDI settings including the MIDI templates on the USER tab dis-
play are handled as a single file.
[H] USER EFFECT
FILES
The User Effect settings including the user effect types, user master EQ
types, user master compressor types (CVP-509), and user vocal harmony
types (CVP-509/505/503) created via the Mixing Console displays are
managed as a single file.
[I] MUSIC
FINDER FILES
All the preset and created records of the Music Finder are handled as a
single file.
102 CVP-509/505/503/501 Reference Manual
Index
Numerics
1-16 .................................................. 45
3BAND EQ ....................................... 80
A
ACCENT TYPE ................................ 29
AI FINGERED .................................. 17
AI FULL KEYBOARD ....................... 17
ALL-PURPOSE ................................ 34
AMPLITUDE .................................... 11
Any Key ............................................ 43
APPEND .......................................... 63
ARABIC .............................................. 7
ARPEGGIO ...................................... 34
ARTICULATION ............................... 86
ASSEMBLY ................................ 22, 26
ASSIGN (Harmony/Echo) .................. 6
ATTACK ............................................ 12
AUTO CH SET ................................. 42
B
BAR CLEAR ..................................... 30
BAR COPY ...................................... 30
BASIC ........................................ 22–23
BASS ......................................... 89, 94
BEAT CONVERTER ......................... 28
Bookmark ......................................... 77
BOOST/CUT .................................... 29
BRIGHT. (Brightness) ....................... 12
BRIGHTNESS .................................. 70
BROWSER SETTINGS .................... 76
BYPASS ........................................... 33
C
CENTER PEDAL (Voice Set) ........... 11
CHANNEL (Song Creator) ......... 45, 54
CHANNEL (Style Creator) .......... 22, 30
CHANNEL TRANSPOSE ................. 56
CHORD (Song Creator) ............. 45, 49
CHORD (Style Creator) .............. 32–33
CHORD DETECT ....................... 89, 94
Chord Events .................................... 59
CHORD FINGERING ....................... 16
CHORD NOTE ONLY .........................6
CHORD SYS/EX. .............................. 91
Chord Tutor ....................................... 16
CHORUS .................................... 13, 72
CHORUS DEPTH (Talk) ................... 82
CHORUS DEPTH (Voice Set) .......... 13
CLOCK ............................................. 91
COMMON ......................................... 10
COMPARE .......................................... 9
COMPRESSOR ................................ 80
CONFIG1 .......................................... 95
CONFIG2 .......................................... 97
CONTROLLER .............................8, 86
CONTROLLER (Voice Set) .............. 11
COOKIE ............................................ 76
Cool! ................................................... 3
Custom Reset ................................. 101
D
DECAY ............................................. 12
DELETE (Song Creator) ................... 56
DELETE (Style Creator) ................... 24
DIGITAL REC MENU .................. 22, 45
DORIAN ............................................ 34
Drums ................................................. 4
DSP ............................................ 13, 72
DSP MIC ........................................... 82
DYNAMICS ....................................... 29
E
Echo Type ........................................... 5
EDIT ................................................. 22
EFFECT ............................................ 72
EFFECT/EQ ..................................... 13
EG .................................................... 12
Envelope Generator .......................... 12
EQ .............................................. 13, 74
EQUAL ............................................... 7
Equalizer ...........................................74
Event List display ........................ 26, 58
EXPAND/COMP. ................................29
F
Factory Reset ..................................100
Fade In/Out .......................................95
Favorite .............................................61
FILTER (Mixing Console) ..................70
FILTER (Song/Style Creator) ............60
FILTER (Voice Set) ...........................12
FINE ..................................................28
Fine-tuning ..........................................7
FINGERED .......................................17
FINGERED ON BASS ......................17
FIXED DO .........................................38
Follow Lights .....................................43
Foot Controller ..................................86
FOOTAGE .........................................15
Footswitch .........................................86
Freeze ...............................................65
Frequency .........................................75
FULL KEYBOARD ............................17
G
Gain ..................................................75
GLIDE ...............................................87
GM ......................................................4
GROOVE ....................................22, 28
Guide ................................................42
Guide lamp ........................................42
GUIDE LAMP TIMING ......................43
GUITAR .............................................33
H
HARMO. (Harmonic content) ............12
HARMONIC CONTENT ....................70
HARMONIC MINOR .........................33
HARMONY ........................................13
Harmony Type .....................................5
HARMONY/ECHO ..............................5
HIGH KEY .........................................34
Home page setting ............................76
CVP-509/505/503/501 Reference Manual 103
I
Internet Direct Connection ................ 76
K
Karao-Key ......................................... 43
KEY OFF SAMPLE .......................... 10
KEY SIGNATURE ............................. 37
KEYBOARD (Transpose) .................... 8
KEYBOARD/PANEL ........................... 8
KIRNBERGER .................................... 7
L
LEFT PEDAL (Voice Set) .................. 11
Legacy ................................................ 4
LENG (Length) ................................. 15
LFO .................................................. 11
Live! ....................................................3
Live!Drums ......................................... 4
Live!SFX .............................................4
Local Control .................................... 91
Loop Recording ................................ 23
Lyrics ................................................ 39
LYRICS (Song Creator) .................... 45
Lyrics Events .................................... 59
LYRICS LANGUAGE ........................ 42
M
MAIN PICTURE ................................ 99
MASTER (Transpose) ......................... 8
Master EQ ........................................ 74
MASTER TUNE ..................................7
MEAN-TONE ...................................... 7
MEDIA .............................................. 98
MELODIC MINOR ............................ 33
MELODY ........................................... 33
MEMORY (OTS) ............................... 21
MESSAGE SW (Message Switch) ...91
Metronome ....................................... 96
MIC SETTING ............................ 79, 82
Microphone ....................................... 79
MIDI Settings .................................... 89
MIDI SETUP FILES ........................ 101
MIDI Templates ................................. 90
MIX ................................................... 56
Mixing Console ................................. 69
MODE (Organ Flutes) ....................... 15
MODE (Vocal Harmony mode) ......... 81
MODULATION (Pedal) ...................... 88
MODULATION (Voice Set) ................11
MONO/POLY .....................................11
MOVABLE DO ...................................38
Multi Assign Type ................................5
MULTI FINGER .................................17
Music Finder .....................................61
MUSIC FINDER + .............................64
MUSIC FINDER FILES ...................101
Music Notation ..................................36
MUTE (Mic) .......................................80
N
NATURAL MINOR .............................34
Natural! ...............................................3
NEW RECORD .................................63
NEW STYLE .....................................23
NOISE GATE ....................................80
Note Events ......................................59
NOTE LIMIT ......................................34
NOTE NAME .....................................38
Note Transposition ............................33
NTR ...................................................33
NTT ...................................................33
O
OCTAVE ............................................71
ON BASS ..........................................17
One Touch Setting .............................21
Organ Flutes .....................................15
Organ Flutes! ......................................4
ORIGINAL BEAT ...............................28
OTS LINK TIMING ............................19
OVERALL SETTING .........................79
Overdub Recording ...........................23
OWNER ............................................99
OWNER NAME .................................99
P
P.A.T. .................................................44
PAN (Talk) .........................................82
PARAMETER (Style Creator) ......22, 31
Parameter Lock .................................96
PART OCTAVE ..................................11
PART ON/OFF (Style Setting) ...........19
PEDAL ..............................................86
PEDAL POLARITY ...........................86
PEDAL PUNCH IN/OUT ...................53
Performance Assistant ......................44
PHRASE MARK REPEAT ................ 41
PIANO (Voice Set) ............................ 10
PITCH BEND RANGE ...................... 71
PITCH SHIFT ................................... 35
PITCH SHIFT TO ROOT .................. 35
PITCHBEND (Pedal) ........................ 87
PLAY ROOT ..................................... 32
PORTAMENTO (Pedal) .................... 87
PORTAMENTO TIME ................. 11, 71
Punch In/Out .................................... 52
PURE MAJOR .................................... 7
PURE MINOR .................................... 7
PYTHAGOREAN ................................ 7
Q
QUANTIZE ................................. 30, 55
QUANTIZE (Score) ........................... 37
QUICK START .................................. 42
R
Realtime Recording (Style) .............. 23
REC END ......................................... 52
REC MODE ................................ 45, 52
REC START ..................................... 52
RECEIVE .................................... 89, 93
RECEIVE TRANSPOSE ................... 91
RECORD display .............................. 23
REGIST SEQUENCE/
FREEZE/VOICE SET ........ 14, 65–66
Registration Memory ........................ 65
Registration Sequence ..................... 66
RELES. (Release) ............................ 12
REMOVE EVENT ............................. 30
REPEAT MODE ................................ 41
REPLACE ......................................... 63
RESP (Response) ............................ 15
RETRIGGER .................................... 35
RETRIGGER TO ROOT ................... 35
REVERB ........................................... 72
REVERB DEPTH (Talk) .................... 82
REVERB DEPTH (Voice Set) ........... 13
RHY CLEAR ..................................... 25
ROOT FIXED .................................... 33
ROOT TRANS .................................. 33
RTR .................................................. 35
104 CVP-509/505/503/501 Reference Manual
S
SCALE TUNE ..................................... 7
SCORE ............................................ 36
SECTION SET ................................. 19
SEQUENCE END ............................ 66
SET UP (Score) ............................... 37
SETUP (Mixing Console) ................. 69
SETUP (Song Creator) .................... 57
SFF GE ............................................ 31
SFX .................................................... 4
SINGLE FINGER ............................. 17
SOFT ............................................... 87
Song ................................................. 36
SONG (Transpose) ............................. 8
Song Auto Revoice ........................... 69
SONG CREATOR ............................ 45
SONG SETTING .............................. 41
SOSTENUTO ................................... 87
SOUND ............................................ 12
SOURCE ROOT ............................... 32
SPEED (Harmony/Echo) .................... 6
SPLIT POINT ................................... 20
START/STOP (MIDI) ........................ 91
Step Recording (Song) .............. 45, 49
Step Recording (Style) ..................... 26
STOP (RTR) ..................................... 35
STOP ACMP .................................... 18
STRENGTH ..................................... 29
STRING RESONANCE .................... 10
STROKE .......................................... 34
Style ................................................. 16
Style Assembly ................................. 26
STYLE CREATOR ............................ 22
Style File Format .............................. 31
STYLE SETTING ............................. 18
STYLE SETTING/SPLIT POINT/
CHORD FINGERING ........ 16, 18, 20
STYLE TOUCH ................................ 19
SUSTAIN SAMPLE .......................... 10
Sweet! ................................................ 4
SWING ............................................. 28
SYNCHRO STOP WINDOW ............ 19
SYS/EX. (MIDI) ................................ 91
SYS/EX. (Song Creator) ................... 45
SYSTEM .................................... 89, 91
System Exclusive Events ................. 59
SYSTEM RESET ........................... 100
SYSTEM SETUP FILES ................ 101
T
TALK SETTING ................................82
Tap .................................................... 96
TEMPO (Style Setting) ..................... 19
Text display ....................................... 39
TOTAL VOLUME ATTENUATOR ....... 82
TOUCH LIMIT .....................................6
Touch response ................................ 19
TOUCH SENSE (Voice Set) ............. 10
Touch sensitivity ...............................10
TRANSMIT ................................. 89, 92
TRANSMIT CLOCK .......................... 91
TRANSPOSE ................................... 71
TRANSPOSE ASSIGN ....................... 8
TUNE ................................................ 71
TUNING ............................................ 71
Tuning ................................................. 7
TUNING CURVE .............................. 10
U
USER EFFECT FILES .................... 101
Utility ................................................. 95
V
VARIATION (DSP) ............................ 13
VELOCITY CHANGE ....................... 30
VIBE ROTOR ....................................13
VIBRATO ..........................................12
VIBRATO SPEED ............................. 15
Vocal Cue Time ................................ 43
Vocal Harmony ................................. 83
VOCAL HARMONY CONTROL ........ 80
VOCODER CONTROL ..................... 80
Voice ...................................................3
VOICE EFFECT ................................. 5
VOICE SET ...................................... 14
Voice Set ............................................ 9
VOL (Organ Flutes) .......................... 15
VOL/VOICE ......................................69
VOLUME (Harmony/Echo) ................. 6
VOLUME (Mic) ................................. 80
VOLUME (Talk) ................................. 82
VOLUME (Voice Set) ........................ 10
VOLUME/ATTACK ............................ 15
W
WERCKMEISTER .............................. 7
X
XG .......................................................4

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