Yamaha CVP98 Owner's Manual
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User Manual: Yamaha CVP98 Owner's Manual
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IMPORTANT Check Your Power Supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a “minus” screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel. SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings The exclamation point with the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469- ➀ Model _____________________________________ Serial No. __________________________________ Purchase Date _____________________________ PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: • Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in the key cover gap. • When removing the electric plug from an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. • Never insert or drop paper or metallic or other objects between the slits of the key cover and the keyboard. If this happens, immediately turn off the power and remove the electric plug from the outlet and have the instrument inspected by qualified Yamaha service personnel. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not place the instrument against a wall (allow at least 3 cm/one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating. • Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms. • Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury. • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. • Do not place the instrument in an unstable position where it might accidentally fall over. • Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. ■USING THE BENCH (if included) • Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury. • Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury. • If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool. • Before moving the instrument, remove all connected cables. ■SAVING USER DATA • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl or plastic objects on the instrument, since this might discolor the panel or keyboard. • Always save data to a floppy disk frequently, in order to help prevent the loss of important data due to a malfunction or user operating error. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. (1)B_EL/CL 1 Thank you for purchasing the Yamaha Clavinova CVP-98/96! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the CVP-98/96. We also recommend that you keep this manual in a safe and handy place for future reference. Included Accessories ● Music Software Collection Disk (+ Music Book) This disk features various recorded song samples for playing on the CVP-98/96, and MIDI driver software for computers (page 157). ● Floppy Disk Blank disk for recording your performances. ● Owner’s Manual and Reference Manual (Assembly Instructions and Lists) ● Bench (included or optional depending on locale) ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ CHAPTER Adjusting the Volume 1: Getting Ready Features of the CVP-98/96 Table of Contents 4 [MASTER VOLUME] ............................ 17 Playing Two Voices Simultaneously — Dual Mode 33 [ACMP/SONG VOLUME] ..................... 17 Selecting the Dual Voice ...................... 33 [MIXER] ................................................ 17 Setting the Volume Balance of the Two Voices ........................................... 34 17 [EXP.PEDAL] ....................................... 18 About This Manual 5 Conventions Used in This Manual ......... 5 Handling Floppy Disks 7 Setting Up the CVP-98/96 8 Music Stand ........................................... 8 Adjusting the Timbre of the Sound 19 [MASTER EQUALIZER] ....................... 19 Power Bass (CVP-98 only) .................. 21 CHAPTER Headphones ........................................... 9 Panel Controls and Terminals 10 Basic Operation 12 LCD Display and LCD Buttons ............. 12 Detuning the Pitches of the Two Voices .................................................. 35 Changing the Octave Setting of the Two Voices ........................................... 35 Playing Two Voices from Different Sides of the Keyboard — Split Mode 2: Help Mode and Demo Play Key Cover .............................................. 8 Turning on the Power ............................. 9 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 36 Selecting the Split Voice ...................... 36 Using the Help Mode 22 Changing the Split Point ....................... 37 Demo Play 24 Setting the Volume Balance of the Two Voices ........................................... 38 CHAPTER Changing the Octave Setting of the Two Voices ........................................... 38 3: Using the Dual and Split Functions Simultaneously ..................................... 39 Voices PAGE [<] [>] Buttons .......................... 14 [EXIT] Button ........................................ 15 [DISPLAY HOLD] Button ...................... 15 2 Selecting Voices 27 Using the Pedals 40 Adjusting the Contrast of the LCD Display ................................................. 15 Selecting a Voice from the VOICE SELECT Display .................................. 27 Damper Pedal (Right) .......................... 40 Selecting Voices from the Main Display.... 28 Soft Pedal (Left) ................................... 40 Memory Backup ................................... 16 Organ Combination (Organ Combi.) .... 29 Display Messages ................................ 16 Keyboard Percussion ........................... 32 Sostenuto Pedal (Center) ..................... 40 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Reverb 41 CHAPTER Pedal 5: Registrations Reverb ON/OFF ................................... 41 Pedal (PEDAL) Display — PAGE 3 ...... 133 Selecting the Reverb Type ................... 41 Setting the Total Depth ........................ 42 Setting the Depth for Each Part — Reverb Part Depth ........................... 43 Voice Effects 44 Effect ON/OFF ..................................... 44 Selecting the Effect Type ..................... 45 Registrations (Registering/ Recalling Panel Setups) Disk 83 Recalling the Registered Panel Settings ................................................ 84 Naming the Registration ....................... 85 Freeze Function ................................... 86 Setting the Effect Depth ....................... 46 CHAPTER Restoring the Basic Settings ................ 46 CHAPTER Song Control Song Playback Registration (REGISTRATION) Display — PAGE 7 ............................................. 139 Playback ............................................... 87 MIDI 2 Display — PAGE 10 .................. 144 Part Cancel .......................................... 91 MIDI 3 Display — PAGE 11 .................. 146 47 Overall Song Playback Volume Control .. 93 Selecting styles from the Main Display 48 Tempo Control and Volume Adjustment .... 49 Starting/Stopping the Accompaniment Style 50 Starting the Accompaniment Style ....... 50 Break .................................................... 53 Stopping the accompaniment style ...... 53 54 Individual Part Volume Control ............. 94 Changing Settings in the TRACK MIXER Display ..................................... 96 Repeat Functions ................................. 97 Other Playback Controls ...................... 99 Playing Other Types of Music Data ...... 99 Guide Control 100 Guide Methods and Piano Roll .......... 100 Using the Guide Function ................... 101 Other Guide-related Functions ........... 103 Playing with the Auto Accompaniment 56 Types of Auto Accompaniment ............ 56 Stopping the Auto Accompaniment ...... 59 Adjusting the Overall Auto Accompaniment Volume ...................... 60 Individual Part Volume Control ............. 60 Changing the Split Point ....................... 61 143 MIDI 1 Display — PAGE 9 .................... 143 Selecting a style from the STYLE SELECT Display .................................. 47 Song Recording 105 Recording Setup: Disk Format .......... 106 Quick Recording ................................. 107 Track Recording (Multi-track Recording) ....................... 110 Adding New Tracks ............................ 113 Punch-in/out Recording ...................... 113 Chord Sequence ................................ 116 Backup 147 Backup (BACKUP) Display — PAGE 12 ........................................... 147 Recall (RECALL) Display — PAGE 13 ... 148 Utility 149 Micro Tuning (MICRO TUNING) Display — PAGE 14 .............................. 149 Scale Tuning (SCALE TUNING) Display — PAGE 15 .............................. 150 Pop-up Time (POPUP TIME) Display — PAGE 16 ........................................... 153 Alert Sound (ALERT) Display — PAGE 17 ........................................... 153 CHAPTER 8: Others The Connectors 154 Connecting to a Personal Computer 156 Other Chord Sequence Functions ...... 119 62 Record Edit Function ........................... 120 Harmony ............................................... 62 Song Name ........................................ 121 One Touch Setting ............................... 63 Track Edit ........................................... 122 Virtual Arranger .................................... 64 Initial Edit (Changing the Initial Data) . 124 Synchronized Stop Function ................ 64 Making Settings in the INITIAL EDIT Display ............................................... 125 Small Accompaniment (SMALL ACMP) ... 65 Chord Assist ......................................... 66 Custom Style Song Delete (SONG DELETE) Display — PAGE 6 ............................................. 138 87 Assignment of Tracks to 1/RIGHT and 2/LEFT, and Voice Assignment ............ 92 Other Auto Accompaniment Functions Song Copy (SONG COPY) Display — PAGE 5 ............................................. 136 MIDI Accompaniment Styles (Rhythm and Auto Accompaniment) Using the Metronome 135 Format (FORMAT) Display — PAGE 4 ... 135 Transform (TRANSFORM) Display — PAGE 8 ............................................. 142 6: 4: Selecting Accompaniment Styles 133 Recording Without a Disk ................... 127 CHAPTER 68 Other Custom Style Functions ............. 74 Index ...................................................... 158 7: The Utility Functions Playing Back Your Custom Styles ........ 77 Custom Style Alert & Error Displays .... 78 Style File Load 80 Loading Disk Styles .............................. 80 Using Loaded Style Files ..................... 82 Keyboard 130 Keyboard 1 (KEYBOARD 1) Display — PAGE 1 ............................................. 130 Keyboard 2 (KEYBOARD 2) Display — PAGE 2 ............................................. 131 3 CHAPTER 1: Getting Ready Features of the CVP-98/96 ○○○○○○○○○○ ● Large, Easy-to-use LCD Display The large LCD (along with the dedicated buttons) provides comprehensive and easy-to-understand control of the CVP-98/96’s operations (page 12). ● Wealth of Rich, Realistic Voices The CVP-98/96 has a wide variety of authentic and dynamic voices (133 Clavinova voices + 480 XG voices + 12 Drum Kits). These include exceptionally natural-sounding piano, strings and brass voices. Moreover, you can play realistic drum and percussion sounds directly from the keyboard. (See page 32.) ● Playback of Song Disks The CVP-98/96 can play back various commercially available song disks. With the appropriate disk software, you can play the piano part of the song yourself along with playback of a full orchestra or backing band. ● Special Guide Functions for Easy Learning With the appropriate disk software, the LCD display and guide lamps help you learn songs by showing you when and where to play the proper notes. The three-step system helps you to easily and quickly master each song. (See page 100.) ● Fun, Dynamic Automatic Accompaniment The Automatic Accompaniment of the CVP-98/96 gives you full and exciting instrumental backing in your favorite music styles, according to the chords you play. There are 100 accompaniment styles (page 47), plus an additional 40 “Pianist” styles that allow you to enjoy solo piano accompaniment (page 57). ● Easy-to-use Recording Features Depending on your keyboard expertise and preference, you use a variety of different recording methods: Quick Recording, Track Recording, and Step Recording of Automatic Accompaniment (Chord Sequence Function) (page 105). ● Convenient TO HOST Terminals for Direct Connection to Computers The CVP-98/96 can be used as a high-quality sound source for playback of music software for computers. It can also be used as a master keyboard for inputting performance data and creating music with a computer. (See page 156.) 4 About This Manual ○○○○○○○○○○○○○○○○○○○○ Conventions Used in This Manual ■ Indications of Buttons and LCD Display .................................. [ ]: This indicates actual panel buttons. When this mark is used, words such as button, slider, jack (terminal) sometimes may not be used. For example, the slider for the master volume is expressed as [MASTER VOLUME] in this manual. VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN • The illustrations and LCD displays shown here are for explanation purposes only, and may be different than those that actually appear on the CVP98/96. Bold characters: Items in the LCD display and the LCD buttons corresponding to these items (directly below, or to the left or right) are indicated in bold characters in this manual. For example, the term “VOICE” shown in the LCD display is written as VOICE. Also the LCD buttons corresponding to “VOICE ▼ ▲” in the display are indicated as VOICE ▼ ▲ in the manual. PAGE EXIT DISPLAY HOLD ■ Indications of Operation Explanations ....................................... The arrows shown below are used in this manual in order to distinguish the results of the operation from the operation steps. Operation results ♥ ➔ ♠ This mark indicates that executing ♥ results in ♠. Operation steps ♥ ➾ ♣ This mark indicates that after executing ♥, then execute ♣. 5 About This Manual ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ■ Basic Settings: ...................................................................................................... The functions of the CVP-98/96 are set to certain standard values or standard conditions when the instrument is shipped. These settings and conditions are called the basic settings. The basic settings of each function can be changed according to your preferences. Depending on the settings of the Backup function (page 147), you can have the CVP-98/96 maintain your own edited settings or return to the basic settings after turning off the power. The Recall function (page 148) lets you restore the basic settings at anytime. ■ Main display: ........................................................................................................... This refers to the LCD display shown below, which appears first when turning on the power. ● Pop-up: When certain panel buttons are pressed, the relevant display appears. Some of these displays are shown temporarily before returning to the previous display. These are called “pop-up” displays. 6 Handling Floppy Disks The “Music Software Collection” disk and one blank disk are supplied with the Clavinova. ■ Taking Care of Your Floppy Disks ........... ● Do NOT eject the disk during recording or playback, or at any time when the DISK IN USE lamp is lit. Doing so may damage both the disk and the FDD. ● Do NOT turn the Clavinova on or off while the disk is in the drive. ● Always eject the disk before turning the Clavinova off. ● When ejecting a floppy disk from the disk drive: DISK IN USE DISK IN USE lamp • To eject a floppy disk, press the eject button slowly as far as it will go. Then when the disk Is fully ejected, remove it by hand. • The disk may not be ejected properly if the eject button is pressed too quickly or if it is not pressed in far enough. (The eject button may become stuck halfway with the disk extending from the slot by only a few millimeters). If this is the case, do not attempt to pull out the partially ejected disk. Doing so may damage the disk drive mechanism and/or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again or push the disk back into the slot, then repeat the eject procedure carefully. ● Never open or close the key cover while a disk is extending from the drive (i.e. in the ejected position). The key cover may contact the disk, possibly damaging the disk or even the disk drive. ● Do not insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disk. ● Use the 3.5-inch 2DD or 2HD floppy disks with the Clavinova. ○○○○○○○○○○○○○○○○○ ■ Precautions Regarding Floppy Disk Use ............................................................................................. ● Never open the disk’s shutter. Dirt or dust on the Internal magnetic surface will cause data errors. ● Never leave disks near a speaker, TV, or other device that emits a strong magnetic field. ● Do not store disks in places exposed to direct sunlight or sources of high temperature. ● Do not place heavy objects such as books on top of a disk. ● Avoid getting the disks wet. ● Be sure to store the disks in environmental conditions as specified below: • Storage temperature: 4° to 53°C (39° to 127°F). • Storage humidity: 8 to 90% relative humidity. • Store in an area free from dust, sand, smoke, etc. ● Be sure to apply the disk label at the proper position. When changing the label never cover the old label with a new label; always remove the old label first. ■ Head Cleaning ............................................................... The head of the disk drive unit will get dirty as you use it eventually causing data errors. If this occurs, clean the head with a 3.5 inch head cleaning disk (available from most computer supply stores). ■ Data Backup ..................................................................... It is recommended that you copy your recorded songs to another disk for backup (see page 136). If the original disk is damaged or your song is deleted, the backup disk can be used instead of the original. ■ Protecting Your Data (Write Protect Tab) ............................................................................................ DISK IN USE Write protect tab open (locked — write protected) Write protect tab closed (unlocked — write enabled) 7 Setting Up the CVP-98/96 ○○○○○○○○○○○○○○○ Music Stand ■ To raise the music stand: .......................................................................... Z Pull the stand up and toward yourself as far as it will go. X Flip down the two metal supports at the left and the right on the rear of the music stand. C Lower the music stand so that it rests on the metal supports. As shown in the illustration, the angle of the music stand can be set in one of three positions, according to the position of the metal supports. Set the left and right metal supports to the same position. ■ To lower the music stand: ........................................................................ Z Pull the music stand toward yourself as far as it will go. X Raise the two metal supports (at the rear of the stand). C Gently lower the music stand backward until it is all the way down. • Do not try to use the music stand in a half-raised position. Also, when lowering the stand, make sure to press it until it is all the way down. Key Cover ■ To open the key cover: ................................................................................. Z Lift the cover slightly (not too much). X Slide the cover open. Be careful to avoid catching your fingers when opening or closing the cover. ■ To close the key cover: ................................................................................ Z Slide the cover toward you. X Gently lower the cover over the keys. • Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit. • Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the main unit when the cover is opened and may not be able to be removed. This could cause electric shock, short circuit, fire or other serious damage to the instrument. 8 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Setting Up the CVP-98/96 Turning on the Power Z Connect the power cord. Insert the plugs at the ends of the cord, one into the AC INLET on the rear panel of the CVP-98/96, and the other into a standard AC outlet. X Press the [POWER] switch. The power is turned on and the main POWER display appears in the LCD display. The voice of Grand Piano 1 and the accompanimient style of 8Beat Pop1 are selected automatically at first. The power lamp whch is located at the left front of the main unit is lit up. * If the LCD is difficult to read, adjust the contrast with the [CONTRAST] button at the left of the LCD. * Adjust the volume by using [MASTER VOLUME]. Press [POWER] again when turning off the power. Both the display and the power lamp at the left of the panel will turn off. Headphones MIC. VOL. MIN MIC. PHONES MAX Standard stereo phone jack Connect a set of stereo headphones (optional) to the [PHONES] jack. When headphones are connected, the internal speaker system is automatically shut off. Since the CVP-98/96 has two PHONES jacks, two sets of headphones can be used simultaneously, allowing two people to enjoy listening to the performance. 9 Panel Controls and Terminals Mac PC-1 TO HOST L/L+R R AUX OUT n L/L+R MIDI PC-2 HOST SELECT THRU R AUX IN OUT IN MIDI EXP. PEDAL m ○○○○○○○○○○○ b , . / 6 * STYLE 3 1 2 4 5 DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL ROCK COUNTRY BALLAD JAZZ WALTZ DISK CONTRAST r BEAT TEMPO VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX POWER BASS HARMONY PIANIST 8 MAX ACMP ON VIRTUAL ARRANGER 9 ONE TOUCH SETTING CUSTOM METRONOME FADE IN/OUT TAP 7 0 AUTO ACCOMPANIMENT INTRO AUTO FILL MAIN A MAIN B A B C D RESET START /STOP ENDING SYNCHRO START/STOP PAGE ! @ # $ % ^ & CVP-98 y ) MIN MIN A-1 B-1 C0 D0 E0 F0 G0 A0 B0 ( u q w e t o C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 CVP-98 MIC. VOL. MIN MIC. PHONES MAX x c v A This is the GM (General MIDI) logo. This indicates that the CVP-98/96 can playback GM-compatible disk software. See page 8 in the Reference Manual for more information on GM. B This is the XG format logo. This indicates that the CVP-98/96 can playback XG-compatible disk software. See page 8 in the Reference Manual for more information on the XG format. C This is the Disk Orchestra Collection (DOC) format logo. This indicates that the CVP-98/96 can playback DOC format disks. See page 8 in the Reference Manual for more information on the DOC format. D This is the Style File logo. This indicates that the CVP-98/96 can use optional Yamaha Style File disks. See page 80 for more information on Style File data. Volume Section 1 [MASTER VOLUME] .................................... page 17 2 [ACMP/SONG VOLUME ] ............................ page 17 3 [DEMO] ......................................................... page 24 4 [HELP] .......................................................... page 22 5 [POWER BASS] (CVP-98) ........................... page 21 10 Accompanimient Style Section 6 STYLE buttons ............................................. page 7 [DISK/CUSTOM] ........................................... page 8 [PIANIST] ...................................................... page 9 [HARMONY] ................................................. page 0 [ONE TOUCH SETTING] ............................. page ! [ACMP ON] ................................................... page @ [VIRTUAL ARRANGER] ............................... page # [INTRO] ......................................................... page $ [MAIN A]........................................................ page % [MAIN B] ....................................................... page ^ [ENDING] ...................................................... page & [FADE IN/OUT] ............................................. page 47 68 57 62 63 57 64 51 50 50 53 52 * [BEAT] ........................................................... page 52 ( [METRONOME] ............................................ page 54 ) TEMPO [–/+] ................................................. page 49 Start/Stop Section q [TAP] ............................................................. page 51 w [SYNCHRO] .................................................. page 51 e [START/STOP] ..................................... pages 50, 53 Display Control Section r [CONTRAST] ................................................ page 15 t PAGE [<], [>] .............................................. page 14 y LCD display .................................................. page 12 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The L : z R T Y U SONG i Panel Controls MIXER MASTER EQUALIZER FUNCTION W G h VOICE PIANO DISK IN USE GUITAR CLAVI. TONE/ SYNTH ORGAN BRASS SAX / FLUTE BASS DRUMS XG SPLIT REVERB EFFECT E. PIANO VIBES STRINGS/ CHOIR DUAL H GUIDE CONTROL NEXT NOTE EASY PLAY I E EXIT o O SOUND REPEAT P REW FF PLAY/ STOP j k l ; REGISTRATION SONG CONTROL PAUSE REC 1 2 3 DISPLAY HOLD p Q a s d f g A 4 BANK MEMORY BANK FREEZE S D F K J POWER F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 u Left LCD buttons .......................................... page 12 i Right LCD buttons ........................................ page 12 o LCD buttons .................................................. page 12 p [EXIT] ............................................................ page 15 Q [DISPLAY HOLD] .......................................... page 15 W Data dial ....................................................... page 13 E [–/+] ............................................................... page 13 R [SONG] ......................................................... page 88 T [MIXER] ........................................................ page 17 Y [MASTER EQUALIZER]] .............................. page 19 U [FUNCTION] ............................................... page 128 Guide Control Section I [EASY PLAY] .............................................. page 100 O [NEXT NOTE] ............................................. page 100 P [SOUND REPEAT] ..................................... page 101 Song Control Section a [PAUSE] ........................................................ page 99 s [REW] ........................................................... page 99 d [FF] ............................................................... page 99 f [PLAY/STOP] ................................................ page 89 g [REC] ..........................................................page 108 Voice Section h VOICE buttons ............................................. page 27 j [DUAL] .......................................................... page 33 k [SPLIT] .......................................................... page 36 l [REVERB] ..................................................... page 41 ; [EFFECT] ...................................................... page 44 Registration Section A REGISTRATION [1] - [4] .............................. page S BANK [–] [+] .................................................. page D [MEMORY] .................................................... page F [FREEZE]...................................................... page 84 83 84 86 G DISK IN USE lamp ......................................... page 7 H Floppy disk drive (3.5”) .................................. page 7 J [POWER] ........................................................ page 9 K Keyboard guide lamps ............................... page 104 L Soft pedal ..................................................... page 40 : Sostenuto pedal ........................................... page 40 z Damper pedal ............................................... page 40 x [MIC.VOL.] .................................................. page 154 c [MIC.] .......................................................... page 154 v [PHONES]................................................... page 154 b [EXP.PEDAL] ................................................ page 18 n AUX OUT [R], [L/L+R] ................................ page 155 m AUX IN [R], [L/L+R] .................................... page 154 , [TO HOST] .................................................. page 155 . [HOST SELECT]......................................... page 155 / MIDI [IN], [OUT], [THRU] ........................... page 155 11 Basic Operation ○○○○○○○○○○○○○○○○○○○○○○○○○○○ Virtually all of the CVP-98/96’s operations are done from the LCD display. When you press a button on the panel once, the relevant function’s display appears. Depending on the display that appears, you can conveniently perform various functions and change values/settings by using the buttons located directly below, or to the left or right of the LCD, and the data dial and [–/+] buttons at the right of the LCD. Once you’re familiar with these operations, you can easily use other functions in the same way. LCD Display and LCD Buttons The five buttons located under the LCD display are referred to as the LCD buttons. These buttons are used either to select the corresponding items displayed in the LCD or to change the values. The five buttons located to the left and right of the LCD display are referred to as the left/ right LCD buttons. These buttons are used to directly select parameters and settings in the LCD display. PAGE EXIT DISPLAY HOLD The functions of the LCD buttons differ depending on the selected LCD. Keep in mind that functions are enclosed in two types of rectangles, one a “soft” rectangle with rounded corners, the other a “hard” rectangle with 90-degree corners. “Soft” rectangle (with rounded corners) 12 “Hard” rectangle ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Basic Operation ■ When function is within “soft” rectangle: ............................... First press the appropriate LCD button under the display (the selected item is highlighted), and use the data dial or [–/+] to set the items which are in “soft” rectangles with rounded corners. Alternately, after selecting the item, press the LCD button again. For example, when selecting a voice from the display shown below, press the LCD button below VOICE ▼ ▲ at the lower right. VOICE then is highlighted, and you can select the desired voice by using the data dial or the [–/+] buttons. PAGE EXIT EXIT When holding down a button... • In some cases, when one of the LCD buttons or [–/+] buttons is held down, the value or setting changes continuously. DISPLAY HOLD For functions or parameters that have ▼ and ▲ or < and > indications, you can reset the value to its basic value by simultaneously pressing both LCD buttons (or both [–/+] buttons). PAGE Display Highlight • When selecting an item or parameter in the display, the indication of the selected item is highlighted (appears in reverse display). • There are some functions and parameters whose settings cannot be returned to the basic value even by pressing the ▼ and ▲ buttons, or the < and > buttons simultaneously. DISPLAY HOLD 13 Basic Operation ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ■ When function is within “hard” rectangle: ............................. Items within a “hard” rectangle can be directly selected or switched ON/OFF by simply pressing the corresponding LCD button located directly below the desired item. For example , when selecting the first Demo song in the display shown below, you can immediately begin playback of the first song by pressing the LCD button under 1. Settings which can be selected by using the left and right LCD buttons are surrounded by “hard” rectangles. Select these settings directly by pressing the left or right LCD buttons. <] [> >] Buttons PAGE [< Some of the CVP-98/96’s functions are contained on successive display pages. To select the next page or previous page, press the appropriate PAGE [<] [>] button. The current page and the entire number of pages for the function are indicated at the top right of the display. PAGE 14 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Basic Operation [EXIT] Button Press [EXIT] in order to leave the current mode or return to the previous display. EXIT DISPLAY HOLD [DISPLAY HOLD] Button The [DISPLAY HOLD] button lets you keep the display from changing. For example, voices and accompaniment styles can be selected by pressing the VOICE button or STYLE button. The display of the selected voice/style appears for a few seconds, then changes to the previous display. Displays such as this that appear briefly are called pop-up displays. The [DISPLAY HOLD] lamp flashes to indicate that it is the pop-up display, and that the previous display will appear after a few seconds. By pressing the [DISPLAY HOLD] at this point, the lamp stays lit continuously and the selected display stays. Pressing [DISPLAY HOLD] again turns the lamp off and the display returns to the previous one. EXIT • If [DISPLAY HOLD] is pressed for any non pop-up display, and the lamp is lit up, the pop-up display cannot be opened. • The duration of pop-up displays can be set with the Pop-up Time parameter (page 153). DISPLAY HOLD Adjusting the Contrast of the LCD Display Turn the [CONTRAST] button in order to adjust the contrast or brightness of the display. CONTRAST 15 Basic Operation ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Memory Backup The Backup function (page 147) can be used to maintain various values and settings, even after the power has been turned off. In the Backup function display, each parameter group to be backed up can be selected individually. Values and settings which are not backed up revert to the basic settings when the power is turned off. Backup of the Last Settings • For parameters which can be set to Backup ON/OFF, the basic setting is indicated as “Backup of last settings: ON (or OFF)” in the explanation of each parameter. • Items set to Backup ON can be returned to the basic setting anytime by using the Recall function (page 148). When set to ON, the last setting of these parameters are retained in memory even after the power is turned off. For a list of the backup parameters, see page 147. If the CVP-98/96 is left unused without the power being turned on for approximately a week, the backed up data is deleted and all the settings return to the basic settings. For this reason, you should turn on the power at least once a week and keep it on for a few minutes. Display Messages For ease of operation, the CVP-98/96 shows various messages that either prompt you to the next operation, ask for confirmation, or inform you that the last operation is not effective, valid or appropriate. When such messages appear, follow the instructions as shown. For details about each message, please refer to the “Messages” section on page 2 in the Reference Manual. 16 Adjusting the Volume ○○○○○○○○○○○○○○○○○ The CVP-98/96 has two sliders on the panel for adjusting the volume. It also allows you to adjust the volume of each part of the Automatic Accompaniment or song. VOLUME MASTER VOLUME ACMP/SONG VOLUME STYLE MAX MAX DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD JAZZ WALTZ BEAT DISK SONG MIXER ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS PIANIST HARMONY CUSTOM ONE TOUCH SETTING METRONOME MIN VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME NEXT NOTE SOUND REPEAT REGISTRATION SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE MIN [MASTER VOLUME] This determines the entire volume of the CVP-98/96. VOLUME MASTER VOLUME ACMP/SONG VOLUME Louder MAX MAX Softer MIN MIN • This also determines the output level of the signal at the [PHONES] and [AUX OUT] jacks. [ACMP/SONG VOLUME] This determines the playback volume of the Automatic Accompaniment and Songs. VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX Louder MIN MIN Softer • This control has no effect on the volume of your keyboard performance. [MIXER] Call up the Mixer display by pressing [MIXER]. In the Mixer display, the volume of Automatic Accompaniment and individual parts of a song can be adjusted. Press [MIXER] again (or [EXIT]) to return to the previous display. There are three types of mixer display, as shown below. 17 Adjusting the Volume ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ● Automatic Accompaniment Volume See Automatic Accompaniment volume (page 60) for details. ● Page 1, when using disk See Song volume (page 94) for details. ● Page 2, when using disk See Song volume (page 95) for details. [EXP.PEDAL] You can control the volume of your keyboard performance with your foot, by connecting the optional Yamaha FC7 foot controller to the [EXP.PEDAL] jack of the CVP-98/96. The volume becomes louder when pressing the pedal down with your toes. EXP. PEDAL 18 Adjusting the Timbre of the Sound ○ ○ ○ ○ ○ The sound timbre can be adjusted by using the [MASTER EQUALIZER] and [POWER BASS] (CVP-98 only) controls. • Distortion could result if these effects are set to higher levels. If this is the case, reduce the overall volume with the [MASTER VOLUME] control. STYLE POWER BASS DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME FUNCTION DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT VIBES GUIDE CONTROL RESET EASY PLAY NEXT NOTE SOUND REPEAT MASTER EQUALIZER MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP MIN PAUSE PAGE EXIT REW FF REGISTRATION PLAY/ STOP REC 1 DISPLAY HOLD 2 3 4 BANK MEMORY BANK FREEZE [MASTER EQUALIZER] The lamp lights when the [MASTER EQUALIZER] button is pressed. The MASTER EQUALIZER display appears, allowing you to finely adjust the timbre of the sound with a five-band equalizer. Five preset settings are provided; use these as a basis for making your own settings. The set values affect all the parts. SONG MIXER MASTER EQUALIZER FUNCTION ■ Changing the Master Equalizer Settings Z Select the type of equalization. ......................................................... Use the left and right LCD buttons in the MASTER EQUALIZER display. Six different types are available: FLAT, JAZZ, POPS, ROCK, CLASSIC, and USER. MASTER EQUALIZER type • Basic setting: FLAT • Backup of last settings: OFF ➔ The central frequency and the gain of the selected type will appear in the LCD display. The gain becomes 0 for all frequencies when FLAT is selected. Central frequency Gain 19 Adjusting the Timbre of the Sound ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ XSelect the band (frequency range) to be adjusted. ..... Select the band you wish to adjust by pressing the BAND < or > button. ➔ The central frequency of the selected band (expressed in Hz) is shown in the BAND < > section of the display. CChange the value. ............................................................................................ Change the value of the gain either by pressing the GAIN ▼ ▲ buttons, or by using the data dial or [–/+] buttons. Since the value can be changed during playback, you can adjust the settings while listening to the changes in the sound. ➔ The value is shown in the GAIN section of the display. Gain • Range: –12 — 0 — +12 (dB) If you change the value (even slightly) when any type except USER is selected, USER will be highlighted and the newly set value will overwrite the original USER setting. ■ EQ LOCK ON/OFF ................................................................................................ When equalizer setting values are contained in the song data or when the equalizer setting data is received via MIDI, the current settings in the MASTER EQUALIZER display will overridden by the settings of the song data or MIDI data. Set the EQ LOCK to ON to prevent reception of this data, or set to OFF to enable reception. 20 EQ LOCK ON/OFF • Settings: ON/OFF • Basic setting: OFF ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Adjusting the Timbre of the Sound Power Bass (CVP-98 only) Press the [POWER BASS] button (the lamp lights) to emphasize the sounds of the lower range. The amount of the emphasis can be changed by the VOLUME ▼ ▲ buttons in the POWER BASS display. DEMO HELP POWER BASS ON/OFF... • Settings: ON/OFF • Basic setting: OFF • Backup of last settings: OFF VOLUME of POWER BASS • Range: 1 — 10 • Basic value: 6 • Backup of last settings: OFF POWER BASS To turn off the Power Bass function and return the sound to normal, press the [POWER BASS] button again so that the lamp goes out. 21 2: Help Mode and Demo CHAPTER Using the Help Mode ○○○○○○○○○○○○○○○○○○○○○○ The Help mode provides convenient explanations of the main functions of the CVP-98/96. As the explanations shown in the display automatically progress, the CVP-98/96 actually operates itself in demonstration — the CVP-98/96 sounds various voices and styles. HELP STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START /STOP ENDING FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME SOUND REPEAT NEXT NOTE SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF REGISTRATION PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE ZCall up the Help mode. ............................................................................... Press the [HELP] button. The Help menu display appears. • While the Help mode is active, no other operations can be used. DEMO HELP POWER BASS XSelect the language if necessary. ................................................... Select the desired language for help (ENGLISH, GERMAN, FRENCH, SPANISH or JAPANESE) by pressing the first LCD button at the bottom. 22 • The selected language is always backed up even after the power is turned off. Play ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Using the Help Mode C Select the desired menu. .......................................................................... Use the left/right LCD buttons to select the desired menu. You can also select the menu by pressing the SELECT ▼ ▲ buttons. The selected menu is highlighted. Ten menus (listed below) are available. Help Menus 1. 2. 3. 4. 5. Introduction Basic Operation Demo Songs Voices Styles 6. Accompaniment 7. Using ACMP 8. Song Playback 9. Song Recording 10. Function V Start the explanation. ................................................................................... Press START to begin the explanation of the selected menu. The display pages are advanced automatically. To pause the explanation, press o. Then, by pressing , you can return to the previous page and read the explanations. ➾ To resume the explanation, press o again. BStop the explanation. ................................................................................... When the explanation is finished, the display automatically returns to the Help menu display. If you wish to stop the explanation while it is playing and return to the Help menu display, press the STOP button. You can select another menu and read through other explanations, or you can exit from the Help mode and to go back to the main display by pressing [HELP] (or by pressing [EXIT]). 23 Demo Play ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The CVP-98/96 features a total of 27 demo pieces: 4 entire Demo songs, 12 special pieces showcasing the voices, and 11 showcasing the styles. Listen to them all and hear what the CVP-98/96 can do. STYLE DEMO DEMO POP HELP BALL– ROOM 16BEAT DANCE POP LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME ACMP ON EASY PLAY MIN VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP NEXT NOTE SOUND REPEAT DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT ENDING FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD Z Call up the Demo Play mode. .............................................................. Press [DEMO]. The lamps of the STYLE button and VOICE button flash continuously, and the DEMO display appears. DEMO HELP POWER BASS X Select the desired Play mode. ............................................................ Select the desired play mode by pressing the LCD button at the right. The following three modes are available: ALL All the songs play back continuously in order, starting from the selected song. Playback continues repeatedly until stopped. RANDOM All the songs play back randomly, starting from the selected song. Playback continues repeatedly until stopped. SINGLE Only the selected song plays back. When the song is finished, playback stops automatically. C Select the song and start playback. ............................................. When the song is selected, the Demo automatically plays back in the currently selected Play mode. There are three ways to play back the song(s), as described below: 24 FUNCTION VIBES GUIDE CONTROL RESET MAX AUTO ACCOMPANIMENT MIN MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME REW FF REGISTRATION PLAY/ STOP REC 1 2 3 4 BANK MEMORY BANK FREEZE ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Demo Play (A) To listen to a Demo song for voices, press the VOICE button corresponding to the desired voice. ➔ Playback starts from the Demo song of the selected voice. The lamp of the corresponding VOICE button flashes. VOICE PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG (B) To listen to a Demo song for styles, press the STYLE button corresponding to the desired style. ➔ Playback starts from the Demo song of the selected style. The lamp of the corresponding STYLE button flashes. STYLE POP 16BEAT DANCE POP BALL– ROOM LATIN POP TRADI– TIONAL ROCK COUNTRY BALLAD JAZZ WALTZ DISK CUSTOM (C) To listen to one of the entire Demo songs, press one of the LCD buttons corresponding to 1 - 4 in the display. ➔ The currently selected song number is highlighted during playback. Demo playback can also be started by pressing [START/STOP] or [PLAY/STOP]. ● Playing the keyboard with Demo playback You can play the keyboard while the demo song is playing back. You can also change the tempo (page 49) and use the [REW], [FF] and [PAUSE] buttons. The Guide function (page 100) can also be used when playing back the “4. GUIDE Demo” song. However, the voice cannot be changed. • Demo song data is not output through the [MIDI OUT] terminal; however, your keyboard performance data is output. 25 Demo Play ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ VAdjust the volume. .......................................................................................... Adjust the volume of the Demo by using [MASTER VOLUME]. • The [ACMP/SONG VOLUME] control cannot be used. BStop playback of the Demo. .................................................................. To stop playback, press either [START/STOP], or the appropriate VOICE button/STYLE button (corresponding to the selected voice or style), or the appropriate LCD button 1 - 4. • You can also stop playback by pressing [PLAY/STOP]. To exit the Demo mode, press [DEMO] again (or press [EXIT]). To change songs during song playback: • Press the VOICE button or STYLE button, or LCD button of another song; the song then changes. When the selected Play mode is ALL or RANDOM, the selected song begins playing back, and continues according to the current mode. ● Demo Songs SONG DEMO Song1 Song2 Song4 Title Piano Concerto in A minor 1st Mov. She Wore A Yellow Ribbon Red River Valley Composer Robert Alexander Schumann (Traditional) (American Folk Song) Title Etude op.10 No.5 “Gnomes” from “Pictures at an Exhibition” Fantasia and Fugue in G minor Symphony No.40 1st Mov. March and Progression of Bacchus Londonderry Air Composer Frederic Francois Chopin Modest Petrovich Mussorgsky Johann Sebastian Bach Wolfgang Amadeus Mozart Leo Clement Philibert Delibes (Traditional) VOICE DEMO Piano Clavi. Tone/Synth Organ Strings/Choir Brass Sax/Flute • Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above. All other songs are original (©1997 by Yamaha Corporation). 26 3: Voices CHAPTER Selecting Voices ○○○○○○○○○○○○○○○○○○○○○○○ The CVP-98/96 features a wealth of rich, authentic voices, including piano, strings and brass instruments. It also features a Keyboard Percussion function that lets you play the realistic drum and percussion sounds directly from the keyboard. VOICE STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS PIANIST HARMONY ONE TOUCH SETTING CUSTOM METRONOME FADE IN/OUT TAP VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FUNCTION SYNCHRO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DISK IN USE PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 GUIDE CONTROL RESET NEXT NOTE EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME PIANO SOUND REPEAT REGISTRATION SONG CONTROL START/STOP PAUSE PAGE EXIT REW FF PLAY/ STOP DISPLAY HOLD REC 3 4 BANK MEMORY BANK FREEZE ● Voice Types * For a list of the voices, see page 26 in the Reference Manual. • Clavinova Voices: 133 • XG Voices: 480 • Drum Kit: 12 kits * The voices of the CVP-98/96 are divided into twelve groups, and each voice group is assigned to the corresponding VOICE button on the panel. Selecting a Voice from the VOICE SELECT Display Z Select the voice group. .............................................................................. Select the desired voice group by pressing the appropriate VOICE button. ➔ The pop-up display of the VOICE SELECT display appears. VOICE PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG Pop-up Display • The pop-up display returns to the previous display after a few seconds. You can keep the pop-up display from changing by using the Display Hold function (page 15). Backing Up the Selected Voice • The last selected voice in each group can be retained in memory, even after turning off the power, when the Backup function (page 147) is set to ON. • When the power is turned ON, the GRAND PIANO voice is selected automatically. However, if the Backup function (page 147) is set to ON, the last selected voice will automatically be selected. 27 Selecting Voices ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ XSelect the voice. ................................................................................................. Select the desired voice by pressing the appropriate left/right LCD button.. The data dial and [–/+] buttons can be also used. You can also select the voice by pressing the VOICE ▼ ▲ buttons. Some of the VOICE SELECT displays have several successive pages. Use the PAGE [<] [>] buttons to call up the various pages. CPlay the selected voice. ............................................................................. Adjust the volume by using the [MASTER VOLUME] slider. Automatic Effect Settings • Selecting a voice automatically selects the best-suited effects for that particular voice. You can disable this so that effects are not automatically selected by using the Effect Setting parameter (page 131). Selecting Voices from the Main Display You can also select a voice by using VOICE ▼ ▲, even after the VOICE SELECT display has changed back to the main display. ZPress either VOICE ▼ or ▲. ................................................................... ➔ VOICE is highlighted. XSelect the voice. ................................................................................................. Select the voice by using the data dial or [–/+] buttons. You can also select voices by pressing VOICE ▼ ▲. (When selecting a voice in this way, the voice can be selected not only from a certain voice group but from all voices.) CPlay the voice. ...................................................................................................... Adjust the volume by using the [MASTER VOLUME] slider. 28 About XG Voices • Yamaha’s XG format is a major new enhancement to the GM (General MIDI) System Level 1 format. It provides for more instrument sounds and variations, as well as greater expressive control over voices and effects. XG also ensures compatibility with future instruments and software. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Selecting Voices Organ Combination (Organ Combi.) To call up the ORGAN COMBINATION display, press the [ORGAN] button and select Organ Combi. in the pop-up display. With the Organ Combination function in this display, you can select from six different kinds of organ sounds, and even create your own organ sounds by editing these voices. • The edited voices can be backed up in sets of six by setting VOICE SETTING to ON (in the Function section’s Backup parameter, page 147). ■ Selecting Organ Combination Voices ........................................ Select the desired voice by pressing the left/right LCD buttons in the pop-up ORGAN COMBINATION display. • An asterisk (*) appears next to the voice name when the selected voice has been already edited. ➔ The settings of the selected voice are shown in the display. ■ Editing Organ Combination Voices .............................................. The editing features in this function let you recreate organ voices by adjusting several footage settings, just as on conventional organs. Various organ voices can be created by the setting combinations shown below. ● FOOTAGE display • Footage volume setting (eight continuous voices corresponding to conventional organ footages) • Setting the speed of the rotary speaker effect (FAST/SLOW) • Rotary speed effect: A rich, swirling chorus effect, created by actual rotation of a speaker. • Attack sound: A sharp, percussive sound at the beginning of a note. • Attack Mode: The manner in which the attack sound is output. ● ATTACK display • Attack Footage volume setting (three decay voices used as percussive attack sounds) • Length setting (length of attack sound for decaying voices) • Response setting (speed of sound starting for continuous voices) • Attack Mode setting (EACH/FIRST) To create a percussive organ sound, adjust the volume of the decay sound and the attack length of attack sound to appropriate settings, then add them to the continuous voice. To recreate the sound of a pipe organ with a slow attack, set the Response to a large value. 29 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Selecting Voices ■ Editing the Voice ............................................................................................... Select the desired voice for editing, then set each parameter. The ORGAN COMBINATION has two display pages: [FOOTAGE] and [ATTACK]. Press the right-most LCD button to change between the displays. Press the PRESET button in each display to instantly return to the pre-edited voice. ● Making settings in the ORGAN COMBINATION [FOOTAGE] display Footage volume setting Select the footage “bar” to be adjusted by using the CURSOR buttons, then set the volume by using the data dial or [–/+] buttons. Setting the speed of the rotary speaker effect Press the middle LCD button to change between FAST/SLOW. ● Voice Type and Volume Image (About Organ Footages) The standard pitch is 8 feet. A setting of 4 feet is one octave higher than 8 feet, 2 feet is two octaves higher, and 1 foot is three octaves higher; 16 feet is one octave lower. Continuous tones 4 , Decay tones 2 , , , 8 , 1+ 1/3 , 5 +1/3 1 2+ 2/3 , 4 , , 2+ 2/3 30 , 2-foot 2+2/3-foot 4-foot 1-foot 1+1/3-foot 2-foot 2-2/3-foot 4-foot 5+1/3-foot 2 8-foot 16-foot 16 , • To call up the ATTACK display, press the CURSOR > button when the cursor is at “1.” ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Selecting Voices ● Making Settings in the ORGAN COMBINATION [ATTACK] Display Attack Footage Volume, Length, and Response settings Select the appropriate bar in the display by pressing the CURSOR buttons, then set the Volume, Length or Response by using the data dial or [–/+] buttons. • To call up the FOOTAGE display, press the CURSOR < button when the cursor is at “4.” Setting the Attack Mode Press the middle LCD button to change between the EACH/FIRST settings. When set to EACH, the attack sound is applied to all played notes. When set to FIRST, the attack sound is applied only to the first played note in a legato sequence, and is not applied to subsequent notes played in legato. ● Image of Attack Length and Response Continuous Tone Volume Decay Tone Greater response time Volume Longer attack length Time Attack length Time 31 Selecting Voices ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Keyboard Percussion The CVP-98/96 has twelve Drum Kits in the [DRUMS] voice group. When one of the Drum Kits is selected, various drum and percussion sounds are assigned individually to the keys, letting you play the sounds from the keyboard. The various drum/percussion instruments of the Standard Kit are marked by symbols above the assigned keys. See the Drum Kit list on page 32 in the Reference Manual for the types of percussion sounds in each Drum Kit. VOICE 32 PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG • When a Drum Kit is selected, only the keys with drum or percussion symbols printed above them will sound. • The Transpose (page 130), Tune (page 130) and Octave Shift (page 35, 38) functions do not affect the Drum Kits. Playing Two Voices Simultaneously — Dual Mode The Dual mode of the CVP-98/96 allows you to select and play two different voices simultaneously in a layer. This makes it easy to create exceptionally rich and thick tonal textures. The volume balance and the depth of detune* can also be set for the two voices. *Detune: This lets you finely change the pitch of the two different voices, creating a “thicker” sound. STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START /STOP ENDING FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME NEXT NOTE SOUND REPEAT SONG CONTROL START/STOP PAUSE PAGE EXIT REW FF DUAL REGISTRATION PLAY/ STOP DISPLAY HOLD REC 3 4 BANK MEMORY BANK FREEZE Selecting the Dual Voice Z Select the first voice. .................................................................................... Select a voice in the normal way. (See page 27.) X Call up the Dual mode. ............................................................................... To call up the Dual mode, press the [DUAL] button. ➔ The DUAL pop-up display appears. DUAL SPLIT REVERB EFFECT C Select the second voice. .......................................................................... The second voice can be selected from the DUAL pop-up display. Select the second voice by using the VOICE buttons, and/or the data dial or [–/+] buttons after pressing RIGHT2 VOICE (it is highlighted). Pressing RIGHT2 VOICE also advances through the available voices; holding it down advances continuously. Second Voice • Range: All voices • Basic setting: Strings Slow 1 • Backup of last settings: OFF 33 Playing Two Voices Simultaneously — Dual Mode ○○○○○○○○○○○○○○○○○○○○○○ The second voice can be selected from all available voices, including the same voice as the first one. You can also select a voice by using RIGHT1 VOICE or RIGHT2 VOICE, even after the pop-up DUAL display has changed back to the main DUAL display. After pressing RIGHT1 VOICE or RIGHT2 VOICE (it is highlighted), select the voice in the normal way. • If you select a voice with the VOICE buttons when STYLE ▼ ▲ is highlighted, selection of the RIGHT1 VOICE is automatically called up. V Exit the Dual mode. ........................................................................................ Press [DUAL] again; the lamp turns off and the Dual mode is no longer active. Setting the Volume Balance of the Two Voices Z Press BALANCE from the DUAL pop-up display. ........... ➔ It is highlighted. X Adjust the volume balance of the two voices by us- Volume Balance • Basic setting: Equal volume • Backup of last settings: OFF ing the data dial or [–/+] buttons. .................................................... Pressing BALANCE lets you increase the level of the second voice only. Equal balance can be instantly reset by simultaneously pressing the [–/+] buttons. 34 • The Volume Balance setting globally affects all voice combinations. Different settings cannot be made for each voice. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Playing Two Voices Simultaneously — Dual Mode Detuning the Pitches of the Two Voices The Detune Depth setting lets you produce an even richer sound by finely detuning the pitch of the two voices. Z Press DETUNE DEPTH from the DUAL pop-up display. .................................................................................................................................. ➔ It is highlighted. Detune Depth • Range: 0 - 10 • Basic setting: 5 • Backup of last settings: OFF • The Detune Depth setting globally affects all voice combinations. Different settings cannot be made for each voice. X Adjust the Detune Depth by using the data dial or [–/+] buttons. .......................................................................................................... You can also press DETUNE DEPTH to increase the value. The higher the value, the greater the Detune Depth. Changing the Octave Setting of the Two Voices The Octave Shift setting lets you adjust the pitch of the two voices up or down an octave. Press either RIGHT 1 or RIGHT 2 of the OCTAVE SHIFT parameter in the DUAL pop-up display. ➔ The values change each time the LCD button is pressed. Available settings are –1, 0, and +1. Octave Shift • Settings: – 1 (1 octave lower) 0 (no octave shift) + 1 (1 octave higher) • Basic setting: 0 (no octave shift) • Backup of last settings: OFF About the Sounding Range for Octave Shift • Notes below and above the original 88key range (A–1 to C7) sound one octave higher and lower, respectively. • The RIGHT1 setting is effective for normal playing with one voice, and also affects the RIGHT1 setting in the SPLIT mode (page 36). 35 Playing Two Voices from Different ○ ○ ○ ○ ○ ○ ○ ○ Sides of the Keyboard — Split Mode The Split mode of the CVP-98/96 allows you to select and play two different voices with your left and right hands — for example, play bass with the left and piano with the right. STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME FUNCTION DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES SPLIT GUIDE CONTROL RESET EASY PLAY SOUND REPEAT NEXT NOTE MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP PAUSE MIN PAGE EXIT REW FF REGISTRATION PLAY/ STOP REC DISPLAY HOLD 3 4 BANK MEMORY BANK FREEZE Selecting the Split Voice Z Select the voice for the right keyboard range. ................. Select the desired voice in the normal way. X Call up the Split mode. ............................................................................... To call up the Split mode, press the [SPLIT] button. ➔ The SPLIT pop-up display appears. DUAL SPLIT REVERB EFFECT F 2 Left-hand section C0 C1 C2 C3 C4 C5 C6 C7 Right-hand section CSelect the voice for the left keyboard range. ..................... The second voice can be selected from the SPLIT pop-up display. Select the second voice by using the VOICE buttons, and/or the data dial or [–/+] buttons after pressing LEFT VOICE (it is highlighted). Pressing LEFT VOICE also advances through the available voices; holding it down advances continuously. The second voice can be selected from all available voices. 36 Left range voices • Range: All voices • Basic setting: Acoustic Bass 1 • Backup of last settings: OFF ○○○○○○○○ Playing Two Voices from Different Sides of the Keyboard — Split Mode You can also select a voice by using LEFT VOICE or RIGHT1 VOICE, even after the pop-up SPLIT display has changed back to the main SPLIT display. • If you select a voice with the VOICE buttons when STYLE ▼ ▲ is highlighted, selection of RIGHT1 VOICE is automatically called up. After pressing LEFT VOICE or RIGHT1 VOICE (it is highlighted), select the voice in the normal way. V Exit the Split mode. ........................................................................................ Press [SPLIT] again; the lamp turns off and the Split mode is no longer active. Changing the Split Point You can set the point dividing the right and left keyboard ranges at any desired key position. The basic setting of the Split Point is F#2. To set the Split Point, press the desired key while holding down the [SPLIT] button. (The Split Point key is included in the left range.) ➔ The keyboard guide lamp corresponding to the selected Split Point lights, and the key name is displayed at SPLIT POINT in the display. DUAL SPLIT REVERB Split Point • Range: All keys • Basic setting: F#2 • Backup of last settings: OFF • The Split Point setting globally affects all voice combinations. Different settings cannot be made for each voice. EFFECT 37 Playing Two Voices from Different Sides of the Keyboard — Split Mode You can also set the Split Point by using the data dial or [–/+] buttons, after pressing SPLIT POINT in the pop-up SPLIT display. Pressing SPLIT POINT also advances the value. To reset the value to the basic setting of F#2, simultaneously press the [–/+] buttons. ○○○○○○○○ • You can use the Damper Range function (page 134) to set the damper pedal to affect one or both sides of the Split. Available settings are: Only right range Only left range Both ranges • In the basic setting, the damper pedal affects only the right range. Setting the Volume Balance of the Two Voices ZPress BALANCE from the SPLIT pop-up display. .......... ➔ It is highlighted. Volume Balance • Basic setting: Equal volume • Backup of last settings: OFF • The Volume Balance setting globally affects all voice combinations. Different settings cannot be made for each voice. X Adjust the volume balance of the two voices by using the data dial or [–/+] buttons. .................................................... Pressing BALANCE lets you increase the level of the right voice only. Equal balance can be instantly reset by simultaneously pressing the [–/+] buttons. Changing the Octave Setting of the Two Voices The Octave Shift setting lets you adjust the pitch of the two voices up or down an octave. Press either LEFT or RIGHT1 of the OCTAVE SHIFT parameter in the SPLIT pop-up display. ➔ The values change each time the LCD button is pressed. Available settings are –1, 0, and +1. 38 Octave Shift • Settings: – 1 (1 octave lower) 0 (no octave shift) + 1 (1 octave higher) • Basic setting: 0 (no octave shift) • Backup of last settings: OFF ○○○○○○○○ Playing Two Voices from Different Sides of the Keyboard — Split Mode About the Sounding Range for Octave Shift • Notes below and above the original 88key range (A–1 to C7) sound one octave higher and lower, respectively. • The RIGHT1 setting is effective for normal playing with one voice. This setting also affects the RIGHT1 setting in the DUAL mode (page 33). • You can use the Single Finger, Multi Finger, or Fingered modes (page 56) of the Automatic Accompaniment function with the Split mode. In this case, pressing the keys in the left range will sound the Automatic Accompaniment voices as well as the left range voice. Using the Dual and Split Functions Simultaneously The [DUAL] and [SPLIT] buttons can be turned on simultaneously. The right range set for the Split mode can be used with two voices (Dual) when using the Dual and Split modes simultaneously. DUAL SPLIT REVERB • The volume balance of Dual and Split can be set individually. • The Octave Shift RIGHT1 parameter is set the same for both Dual and Split. EFFECT 39 Using the Pedals ○○○○○○○○○○○○○○○○○○○○○○ The CVP-98/96 has three pedals. Damper Pedal (Right) The damper pedal performs the same function as the damper pedal on an actual acoustic piano, letting you sustain the sound of the voices even after releasing your fingers from the keys. • Certain voices in the [DRUMS] or [XG] groups may not be affected by use of the damper pedal. Sostenuto Pedal (Center) If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held, but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played staccato. • Certain voices in the [DRUMS] or [XG] groups may not be affected by use of the sostenuto pedal. • Certain voices, such as [STRINGS] or [BRASS], sustain continuously when the sostenuto pedal is pressed. Soft Pedal (Left) Pressing this pedal reduces the volume and slightly changes the timbre of the notes you play. You can also assign one of many other functions to this pedal; for example, you can use it to start/stop the Automatic Accompaniment, or use it to play Fill Ins. See page 133 for details. 40 • The effect of the soft pedal may differ slightly depending on the selected voice. Reverb ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ Reverb is an effect that recreates the decaying reflections of a sound in a performance space, and reproduces the special ambience of a concert hall. The CVP-98/96 has various Reverb effects and allows you to set the Reverb Depth to your preference. The Reverb effect here is also applied to the microphone input signal received via the [MIC.] jack. • The same Reverb Type is applied to both the sound of the CVP-98/96 and the microphone input. STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES REVERB GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME NEXT NOTE SOUND REPEAT SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF REGISTRATION PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE Reverb ON/OFF To turn on reverb, press the [REVERB] button. The lamp lights and Reverb is set to ON. ➔ The REVERB pop-up display appears, indicating the current Reverb Type and Depth settings. DUAL SPLIT REVERB Reverb ON/OFF • Basic setting: Differs depending on the voice. • Backup of last settings: OFF EFFECT • The REVERB ON/OFF panel button has no effect on the Song, Accompaniment playback and microphone sound. To turn Reverb off, press [REVERB] again. The lamp turns off and Reverb is no longer active. • The Reverb applied to the microphone signal is always on. To turn it off, set the Reverb Depth to “0”. • When Reverb is on, the Reverb icon “ ” and the Reverb Type are indicated in the main display. Selecting the Reverb Type Select the Reverb Type by pressing the left/right LCD buttons in the REVERB pop-up display. Reverb Type • Range: (Refer to the Reverb Type list.) • Basic setting: Differs depending on the accompaniment style. (The assigned type for the selected style will automatically be selected. In other words, when you select a different style, the reverb type corresponding to the new style will automatically be selected.) • Backup of last settings: OFF 41 Reverb ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ You can also select the Reverb Type by using the REVERB TYPE ▼ ▲ buttons, or by pressing REVERB TYPE (to highlight the parameter) and using the data dial or [–/+] buttons. • The Reverb Type setting globally affects all voices. Different settings cannot be made for each voice. ● Reverb Type List • The indication “XG REVERB” is displayed when receiving via MIDI a reverb type which is not on the panel. HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 STAGE1 STAGE2 STAGE3 PLATE WHITE ROOM TUNNEL BASEMENT Concert hall reverb. Small room reverb. Keep in mind... • Depending on the selected voice, the depth of the effect may sound stronger or weaker, even though the same Reverb Type is selected. • The effect cannot be applied to the sounds input through the AUX IN [R] [L/L+R] jacks. Reverb for solo instruments. Simulated steel plate reverb. Distinctive short reverb with initial delay. Simulation of long tunnel-like space. Small, highly reflective room reverb. • If the Reverb Type in Effect (page 45) is selected and both [REVERB] and [EFFECT] are set to on, both reverb effects will be applied. Setting the Total Depth The overall depth of the selected Reverb Type can be set with the Total Depth parameter (TOTAL DEPTH ▼ ▲). Total Depth • Range: 0 (no effect) — 100 (maximum) • Basic setting: 50 • Backup of last settings: OFF • The Total Depth setting globally affects all voices. Different settings cannot be made for each voice. • Different Reverb Depth settings can be made for each part. (Refer to the next section.) You can also set it by pressing TOTAL DEPTH ▼ ▲ (it is highlighted) and using the data dial or [–/+] buttons. The values can be changed in 5-unit steps. To reset the value to the basic setting of 50, simultaneously press REVERB TYPE ▼ ▲ or simultaneously press the [–/+] buttons. 42 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Reverb Setting the Depth for Each Part — Reverb Part Depth The Reverb Part Depth parameter lets you make different Reverb Depth settings for the microphone input connected to the [MIC.] jack, the rhythm, bass, and chord parts of the Automatic Accompaniment (page 47), as well as the parts you play from the keyboard. To use this, call up the REVERB PART DEPTH display in the second page of the REVERB pop-up display by using the PAGE [<] [>] buttons. Reverb Part Depth • Range: 0 (no effect) — 100 (maximum) for each part • Basic setting: 50 for each part • Backup of last settings: OFF • The actual Reverb Depth is dependent on both the Part Depth and Total Depth settings. In other words, if one of the settings is “0” (no effect), no Reverb will be produced even if the other setting is “100.” Select the desired part by using the MIC., BASS, CHORD, RHYTHM and KBD (keyboard) in the REVERB PART DEPTH display. You can also select several parts and adjust their settings simultaneously. ➾ Set the Reverb Depth of the highlighted part by using the data dial or [–/+] buttons. The values can be changed in 5-unit steps. You can also advance the Depth value by pressing MIC., BASS, CHORD, RHYTHM or KBD (keyboard). To reset the value to the basic setting of 50, simultaneously press the [–/+] buttons. 43 Voice Effects ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The CVP-98/96 has various types of effects besides Reverb that enhance the sound of the voices or create wild, special effects. You can also adjust the depth of the effect as desired. The Effect here is also applied to the microphone input signal received via the [MIC.] jack. Automatic Effect Settings • Selecting a voice automatically selects the best-suited effects for that particular voice. You can disable this so that effects are not automatically selected by using the Effect Setting parameter in the Function section (page 131). • The same Effect Type is applied to both the sound of the CVP-98/96 and the microphone input. STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES EFFECT GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME NEXT NOTE SOUND REPEAT SONG CONTROL START/STOP PAUSE PAGE EXIT REW FF REGISTRATION PLAY/ STOP REC DISPLAY HOLD 3 4 BANK MEMORY BANK FREEZE Effect ON/OFF To turn Effect on, press [EFFECT]. (The lamp lights.) ➔ The EFFECT pop-up display appears and the current Effect Type and Depth are shown. DUAL SPLIT REVERB EFFECT • If the Effect Depth is set to 0, the [EFFECT] lamp will not light. Effect ON/OFF • Basic setting: Differs depending on the voice. • Backup of last settings: OFF • When Effect is on, the Effect icon ” and the Effect Type are indi“ cated in the main display. To turn Effect off, press [EFFECT] again. (The lamp turns off.) 44 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Voice Effects Selecting the Effect Type Select the Effect Type by pressing the left/right LCD buttons in the EFFECT pop-up display. • Range: (Refer to the Effect Type list.) • Basic setting: Differs depending on the voice. • Backup of last settings: OFF • When other effect type or OFF messages are received via MIDI, XG EFFECT is indicated in the display. • The word “delay” refers to the echolike effect of delayed repeats of the sound. You can also select the Effect Type by using the EFFECT TYPE ▼ ▲ buttons, or by pressing EFFECT TYPE (to highlight the parameter) and using the data dial or [–/+] buttons. To reset the value to the basic setting, simultaneously press EFFECT TYPE ▼ ▲ or simultaneously press the [–/+] buttons. The Reverb Types in the list below can also be selected from the effect display. When Using the DUAL or SPLIT Function: • When the effects of both voices are set to ON, and the types are different, the effect for the second voice of the Dual mode or the left voice of the Split mode may be temporarily cancelled in some cases. After this point, if you subsequently increase the Effect Depth value of the second voice of Dual mode or of the left range voice of SPLIT mode, the effects will be applied to both voices. • If the Reverb Type in Effect is selected and both [REVERB] and [EFFECT] are set to on, both reverb effects will be applied. ● Effect Type List Reverb Types (selectable from the Effect display) HALL1 HALL2 HALL3 ROOM1 ROOM2 ROOM3 Concert hall reverb. STAGE1 STAGE2 STAGE3 Reverb for solo instruments. Small room reverb. Effect Types CHORUS1 CHORUS2 CHORUS3 CELESTE FLANGER SYMPHONIC AUTO PAN DELAY L,C,R Conventional chorus program with rich, warm chorusing. Three-phase LFO for richer, more pronounced chorusing. Pronounced three-phase modulation with slight metallic sound. Exceptionally rich & deep chorusing. Several panning effects that automatically shift the sound position (left, right). Three independent delays, for the left, right and center stereo positions. DELAY L,R ECHO CROSS DELAY TREMOLO ROTARY FAST ROTARY SLOW PHASER WAH Initial delay for each stereo channel, and two separate feedback delays. Stereo delay. Complex effect that sends the delayed repeats “bouncing” between the left and right channels. Rich Tremolo effect with both volume and pitch modulation. Rotary speaker simulation. Rotary speaker simulation. Pronounced, metallic modulation with periodic phase change. Repeating filter sweep “wah” effect. 45 Voice Effects ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Setting the Effect Depth The Effect Depth parameter lets you adjust the degree or depth of the currently selected effect type. To set this, press R1 DPT or MIC DPT (to highlight the corresponding parameter), and use the data dial or [–/+] buttons. Depending on the currently selected voice, the R1 DPT indication may automatically change to the R2 DPT, or L DPT. Use MIC DPT to set the Effect Depth applied to the microphone input connected to the [MIC.] jack. The following parameters can be selected by first selecting the corresponding voice from the main display of the Dual or Split modes. R1 DPT First voice of Dual mode or right voice of Split mode R2 DPT Second voice of Dual mode L DPT Left voice of Split mode Pressing R1 DPT or MIC DPT also advances the value. To reset the value to the basic setting, simultaneously press the [–/+] buttons. Restoring the Basic Settings You can easily restore the basic settings of the selected voice’s EFFECT TYPE and R1 DPT parameters by pressing RESET in the display. 46 Effect Depth • Range: 0 (no effect) — 100 (maximum) • Basic setting: Differs depending on the voice. (microphone = 0) • Backup of last settings: OFF • If the Effect Depth is set to 0, the [EFFECT] lamp will not light. 4: Accompaniment Styles CHAPTER (Rhythm and Auto Accompaniment) Selecting Accompaniment Styles ○ ○ ○ The CVP-98/96 has 100 musical “Styles” that can be used as a basis for rhythm accompaniment, or fully orchestrated rhythm, bass, and chord accompaniment (Auto Accompaniment; page 56). • The CVP-98/96 also features forty special [PIANIST] styles consisting of only piano voices, which you can use with the Auto Accompaniment feature. (These styles will not sound if Auto Accompaniment is not in use.) (See page 57.) STYLE POP 16BEAT DANCE POP BALL– ROOM LATIN POP TRADI– TIONAL PIANIST HARMONY ROCK COUNTRY BALLAD WALTZ JAZZ TEMPO DISK CUSTOM ONE TOUCH SETTING BEAT METRONOME RESET STYLE AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER ENDING FADE IN/OUT MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME SYNCHRO START/STOP ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING ● Auto Accompaniment Auto Accompaniment provides full instrumental backing, using all the parts included with the style. When not using Auto Accompaniment, only the rhythm part sounds. (For details on Auto Accompaniment, see page 50.) FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT TAP MASTER EQUALIZER TEMPO VOLUME START /STOP NEXT NOTE SOUND REPEAT SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF REGISTRATION PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE • For information on the styles, see the Style List on page 34 in the Reference manual. The 100 preset Styles of the CVP-98/96 are divided into eleven groups, and each style group is assigned to the corresponding STYLE button on the panel. Selecting a style from the STYLE SELECT Display Z Select the accompaniment style group. .................................. Select the desired style group by pressing the appropriate STYLE button. ➔ The STYLE SELECT pop-up display appears. Pop-up Display • The pop-up display returns to the previous display after a few seconds. You can keep the pop-up display from changing by using the Display Hold function (page 15). 47 Selecting Accompaniment Styles ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ STYLE POP 16BEAT DANCE POP BALL– ROOM LATIN POP TRADI– TIONAL ROCK COUNTRY BALLAD JAZZ WALTZ DISK CUSTOM • The last selected style in each group can be retained in memory, even after turning off the power, when the Backup function (page 147) is set to ON. • When the power is turned ON, the 8Beat Pop1 style is selected automatically. However, if the Backup function (page 147) is set to ON, the last selected style will automatically be selected. XSelect the Style. .................................................................................................. Select the desired style by pressing the appropriate left/right LCD button. The data dial and [–/+] buttons also can be used. You can also select the style by pressing the STYLE ▼ ▲ buttons. Selecting styles from the Main Display You can also select a style by using STYLE ▼ ▲, even after the STYLE SELECT display has changed back to the main display. 48 When Style Buttons are Inactive • Accompaniment style cannot be selected in the Song Play mode. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Selecting Accompaniment Styles [DISK/CUSTOM] • The CVP-98/96 features a [DISK/ CUSTOM] button that allows you to use styles on optional Style File Disks (page 80) or your original styles (page 68) . Z Press either STYLE ▼ or ▲. ................................................................... ➔ STYLE is highlighted. X Select the style. .................................................................................................. Select the style by using the data dial or [–/+] buttons. You can also select styles by pressing STYLE ▼ ▲. (When selecting a style in this way, the style can be selected not only from a certain style group but from all styles.) Tempo Control and Volume Adjustment Whenever you select a different style, the preset tempo for that style is also selected, and the tempo is shown at the left side in the main display. (Unless you try changing the style during playback, in which case the same tempo is maintained.) Press the TEMPO [–/+] buttons. (The tempo indication in the main display is highlighted.) ➔ Use the data dial or [–/+] buttons to set the tempo. You can also press either TEMPO [–/+] button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing. (In the STYLE SELECT pop-up display, only the TEMPO [–/+] buttons can be used.) Tempo • Range: 32 — 280 • Basic setting: Differs depending on the style. • Backup of last settings: OFF Restoring the Basic Style Tempo • You can restore the preset tempo for the selected Style at any time by simultaneously pressing both TEMPO [–/+] buttons. Tempo display Decrementing the tempo TEMPO RESET Incrementing the tempo Use [ACMP/SONG VOLUME] to control the volume of the style. 49 Starting/Stopping the Accompaniment Style ○○○○○○○○○○○○○○○○ Starting the Accompaniment Style There are several ways to start the accompaniment style, as described below: ■ Straight Start ........................................................................................................... Press the [START/STOP] button. ➔ The lamp lights up and the style starts. Each of the styles also has two main variations that can be selected by pressing the [MAIN A] or [MAIN B] buttons. The lamp of the cuurently selected pattern lights. Main A is the basic pattern of the style and Main B is a variation or rearrangement of the Main A. Judicious switching between Main A and Main B patterns within a song can add variety and make the overall rhythm more interesting. Switching during playback automatically plays a fill in (Auto Fill) before changing to the new pattern. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START /STOP ENDING FADE IN/OUT TAP ● Auto Fill Press the [MAIN A] or [MAIN B] button during playback of the style. The lamp of the button flashes and the Fill-in pattern plays automatically. AUTO ACCOMPANIMENT ACMP ON ■ VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B ENDING FADE IN/OUT After automatic playback of the Fill-in, the rhythm pattern will change as described: • • • • When Main A is playing back and [MAIN A] is pressed → Changes to [MAIN A]. When Main A is playing back and [MAIN B] is pressed → Changes to [MAIN B]. When Main B is playing back and [MAIN A] is pressed → Changes to [MAIN A]. When Main B is playing back and [MAIN B] is pressed → Changes to [MAIN B]. The Fill-in pattern keeps repeating when [MAIN A] or [MAIN B] is held down. If you press the flashing button earlier than the last eighth note of the measure while the Fill-in is playing back, the Auto Fill function will be released. If you press [MAIN A] or [MAIN B] after the last eighth note of the measure during style playback, the pattern changes to the Fill-in pattern from the next measure. 50 SYNCHRO START/STOP ○○○○○○○○○○○○○○○○○○○○○○○○○○ Starting/Stopping the Accompaniment Style ■ Synchronized Start ........................................................................................... This method lets you start the style by simply playing a note or chord on the keyboard. To use this, press the [SYNCHRO] button. (The lamp lights.) The [BEAT] lamp flashes in time with the selected tempo, indicating that Synchronized Start is in stand-by. (To cancel Synchronized Start, press the [SYNCHRO] button again so the lamp turns off.) START /STOP TAP SYNCHRO • If the [SYNCHRO] is pressed during style playback, style playback stops and Synchronized Start is automatically set to stand-by. • When the Split mode is used or when a split point is set for Auto Accompaniment, only the left-hand section of the keyboard can be used for Synchronized Start. (See page 36.) START/STOP Press one of the [INTRO], [MAIN A], or [MAIN B] buttons to select the starting pattern, then play the keyboard to start the Style. ■ Tap Start ....................................................................................................................... This function lets you set the tempo and start the style in one operation. Simply tap the [TAP] button at the desired tempo — four times for 2- and 4-beat styles, three times for 3-beat styles, and five times for 5beat styles. START /STOP TAP SYNCHRO • If you do not tap the [TAP] button the required number of times (i.e., 3 times for a 3-beat style), the Tap Start function will be canceled after a few seconds. START/STOP When playing a 4-beat song... → ...tap 4 times. The [TAP] button can also be used to change the tempo during style playback (by tapping the button twice). In this case the tap “click” will not sound. ■ Start With an Introduction ........................................................................ First press the [MAIN A] button, then the [INTRO] button. (The [INTRO] lamp lights and the [MAIN A] lamp flashes.) This indicates that the style will start with the Intro A pattern and be followed automatically by the Main A pattern. To cancel starting with an introduction, press the [INTRO] button so that the lamp turns off. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B ENDING FADE IN/OUT To start the style, press the [START/STOP] button, or press the [SYNCHRO] button and play a note or chord on the keyboard. ➔ The [INTRO] lamp turns off and the [MAIN A] lamp lights when the pattern changes from Intro A to Main A. 51 Starting/Stopping the Accompaniment Style ○○○○○○○○○○○○○○○○○○○○○○○○○○ There are two introduction patterns: Intro A and Intro B. If you press [INTRO] after pressing [MAIN B], the style starts with the Intro B pattern, followed by Main B. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B ENDING FADE IN/OUT ■ Start with Fade In ............................................................................................... This function lets you gradually fade in the volume of the Style with any of the start methods above. Press the [FADE IN/OUT] button (the lamp lights) and fade in start is set to stand-by. Press the [FADE IN/OUT] button again to turn the lamp off and cancel the fade in start. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B ENDING FADE IN/OUT To start the style, press the [START/STOP] button, or press the [SYNCHRO] button and play a note or chord on the keyboard. ➔ The lamp flashes during the fade in, and the lamp turns off when the fade in is completed. [FADE IN/OUT] can be set to on no matter which pattern ([INTRO], [MAIN A], [MAIN B], [ENDING]) is selected. ■ Starting styles with the Left Pedal .................................................. You can also use the left pedal to start the style by setting the the Left Pedal function (page 133) to Start/Stop. The pedal can also be set to control Break, Fade-in/out, Fill-in, or Ending. This setting is exceptionally convenient, since it lets you control the style with your foot while leaving both hands free to play. ■ [BEAT] ............................................................................................................................. During style playback, the left-most beat lamp (red) flashes on the first beat of each measure, and the other lamps (green) flash for each successive beat. The current tempo and measure number are shown at the left side of the LCD display. 52 • If you press the [MAIN A] button before pressing [INTRO] and then press [MAIN B], playback starts with Intro A and continues automatically with the Main B pattern. (The reverse is also true: i.e., selecting Intro B with [MAIN B] before pressing [INTRO], then pressing [MAIN A] to continue with Main A.) ○○○○○○○○○○○○○○○○○○○○○○○○○○○ Beat lamp Starting/Stopping the Accompaniment Style Tempo display Measure number BEAT Break When the Left Pedal function (page 133) is set to BREAK, you can use the left pedal to trigger a break (silence) in the accompaniment for dynamic effect. Holding down the left pedal creates the break, and playback resumes from the top of the next measure after the pedal is released. To cancel the break, press the left pedal again during the break. Stopping the accompaniment style To stop style playback, press the [START/STOP] button. To playback an ending pattern before stopping, press the [ENDING] button. Press [ENDING] a second time during playback to produce a ritardando (gradually slowing) ending. Different ending patterns are provided for the MAIN A and MAIN B variations. (The [ENDING] lamp lights during ending playback). The [MAIN A] lamp also lights when changing from the Main A pattern, and the [MAIN B] lamp lights when entering from Main B.) The ending begins from the top of the next measure if the [ENDING] button is pressed on or after the second beat of a measure. You can have the accompaniment fade out (gradually decrease in volume to silence) and automatically stop by pressing the [FADE IN/ OUT] button. Then, it automatically sets to fade in stand-by (the lamp lights) and stays in this condition for a few seconds before releasing. [FADE IN/OUT] can be set to on no matter which pattern ([INTRO], [MAIN A], [MAIN B], [ENDING]) is selected. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO START/STOP When the Left Pedal function (page 133) is set to START/STOP, you can stop the style by using the left pedal. 53 Using the Metronome ○○○○○○○○○○○○○○○○○○○○○ The CVP-98/96 features a convenient metronome that is ideal for practicing. ■ [START/STOP] of Metronome ............................................................... To start the metronome, simply press the [METRONOME] button so that its lamp lights. ➔ The metronome pop-up display appears and the currently selected beat and volume are indicated. METRONOME The metronome can be used also during playback. Press the [METRONOME] button again to stop the metronome sound. (The METRONOME lamp turns off.) ■ Adjusting the Tempo and Volume of the Metronome ......... As with the same parameter for the style, you can set the tempo over a range of 32 — 280 by using the TEMPO [–/+] buttons. Press the TEMPO [–/+] buttons. (The tempo indication in the Main Display is highlighted.) ➔ Use the data dial or [–/+] buttons to set the tempo. You can also press either TEMPO [–/+] button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing. TEMPO RESET 54 Metronome Volume • Range: 0 — 100 • Basic setting: 50 • Backup of last settings: OFF ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Using the Metronome The metronome volume can also be set from the METRONOME pop-up display. Adjust the volume by selecting VOLUME ▼ ▲ (it is highlighted) and using the data dial or [–/+] buttons. You can also adjust it by continuously pressing VOLUME ▼ or ▲. As with the volume parameter of the style, it can also be adjusted by using [ACMP/SONG VOLUME]. ■ Selecting the Beat (Time Signature) .............................................. The pop-up display that appears when the [METRONOME] button is pressed also lets you select the beat or time signature. Using Style and Metronome Together • If a style is started by pressing the [START/STOP] button while the metronome is playing, the metronome will continue to sound along with the style. • Pressing the [START/STOP] button simultaneously stops both the metronome and the Style, when both the metronome and style are playing. When Playing Back Free-tempo Disk Software • The metronome cannot be used when playing disk software that is in freetempo (see page 90). Select the Beat parameter with BEAT ▼or ▲ (it is highlighted), then change the value with the data dial or [–/+] buttons. You can also select the value by holding down BEAT ▼or ▲. When NORMAL is selected, the metronome click sounds continuously at the current tempo with no accented beats. The 2, 3, 4 and 5 selections produce a bell accent on the first beat of each measure. 55 Playing with the Auto Accompaniment The CVP-98/96 includes a sophisticated Auto Accompaniment system that can provide automated rhythm, bass and chord backing for your performance in 100 different styles. • The playback data of the Auto Accompaniment is normally not output through the MIDI [OUT]. However it can be output via MIDI by using the Auto Accompaniment/Harmony Send parameter (page 146) in the Function MIDI 3 page. STYLE POP 16BEAT DANCE POP BALL– ROOM LATIN POP TRADI– TIONAL HARMONY PIANIST ROCK COUNTRY BALLAD WALTZ JAZZ DISK CUSTOM ONE TOUCH SETTING BEAT TEMPO METRONOME RESET STYLE AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK BALLAD COUNTRY WALTZ JAZZ BEAT DISK SONG MIXER ENDING FADE IN/OUT MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME SYNCHRO START/STOP ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT FUNCTION TAP SYNCHRO DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT TAP MASTER EQUALIZER TEMPO VOLUME START /STOP NEXT NOTE SOUND REPEAT SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF REGISTRATION PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE Types of Auto Accompaniment The Auto Accompaniment function lets you produce automatic accompaniment in the selected style simply by indicating chords on the keyboard. ● Single Finger The Single Finger method makes it easy to produce accompaniment using major, seventh, minor and minor-seventh chords by pressing certain keys (according to simple rules) in the left range of the keyboard (lower than the split point indicated by the keyboard guide lamp) . (See page 58.) • Detailed explanations of the use of Single Finger, Multi Finger, Fingered, and Full Keyboard are given on pages 58 and 59. ● Fingered The Fingered method lets you produce automatic accompaniment by playing full chords in the left range of the keyboard (lower than the split point). (See page 59.) ● Multi Finger With Multi Finger, you can use either the Single Finger or Fingered method to indicate chords for the accompaniment. (See page 59.) ● Full Keyboard Full Keyboard automatically produces appropriate automatic accompaniment for virtually anything you play on the keyboard, in any range. (See page 59.) ZSelect a style. ........................................................................................................ Select the desired style. (See page 47.) 56 When Style Buttons are Inactive • Accompaniment style cannot be selected in the Song Play mode. ○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Playing with the Auto Accompaniment ● Pianist Press the [PIANIST] button to select the piano-only accompaniment styles. Forty different Pianist styles are available. When the [PIANIST] button is pressed, the STYLE SELECT [PIANO] pop-up display appears. ➔ The [PIANIST] lamp lights. Select the desired Pianist style by pressing the appropriate left/right LCD button. The data dial and [–/+] can be also used. You can also select the Pianist style by pressing the STYLE ▼ ▲ buttons. PIANIST HARMONY ONE TOUCH SETTING The STYLE SELECT [PIANO] display has several successive pages. Use the PAGE [<] [>] buttons to call up the various pages. X Set the tempo. ...................................................................................................... TEMPO RESET C Set the Auto Accompaniment function to ON. ................. To do this, press the [ACMP ON] button. (The lamp lights.) ➔ The Accompaniment Mode pop-up display appears. • When the Auto Accompaniment function is set to ON, Synchro Start is automatically set to stand-by. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B ENDING FADE IN/OUT When the [ACMP ON] Button is Inactive • The [ACMP ON] button cannot be turned on during playback of commercially available disk software. When playing back songs recorded with the recording function of the CVP-98/96, it cannot be turned on if Auto Accompaniment has been recorded to the song; however, it can be turned on if Auto Accompaniment is not used for the song. Also, it cannot be turned on if the song data was converted by use of the Transform function. Press the [ACMP ON] button again to turn off the lamp and set Auto Accompaniment to OFF. 57 Playing with the Auto Accompaniment ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ VSelect the chord indication method. ........................................... To do this, press one of the left LCD buttons — SINGLE FINGER, MULTI FINGER, FINGERED or FULL KEYBOARD — while the ACCOMPANIMENT MODE pop-up display is active. Chord Indication Method • Basic setting: Multi Finger • Backup of last settings: OFF • The SYNCHRO STOP (page 64), SMALL ACMP (page 65), SPLIT POINT (page 61), and CHORD ASSIST (page 66) functions shown in the ACCOMPANIMENT MODE display are explained later (see corresponding page references). BStart the Auto Accompaniment. ........................................................ To start Auto Accompaniment, press [START/STOP]. Alternately, press [SYNCHRO], then play the keyboard. Auto Accompaniment can also be started by using the left pedal (see page 133). ● Single Finger To play Auto Accompaniment appropriate to the selected style, press one, two, or three keys in the left range (below and including the split point), following the rules described below. Chord name ➔ Chord names appear at the left side of the LCD display. Play the melody with the keys in the right range along with the Auto Accompaniment. ■ Single Finger Chords The following four chord types can be played with Single Finger: C Cm C7 • Major Press the root note of the chord. • Minor Simultaneously press the root note of the chord and any black key to the left of it. • Seventh [7] Simultaneously press the root note of the chord and any white key to the left of it. Cm7 • Minor Seventh [m7] Simultaneously press the root note of the chord any white and black key to the left of it (three keys altogether). 58 • The illustration below shows the corresponding keys for each root note. CDEFGAB ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Playing with the Auto Accompaniment ● Fingered To play Auto Accompaniment, play any chord in the left range (below and including the split point). Play the melody in the right range along with the Auto Accompaniment. If the CVP-98/96 cannot recognize the played chord, “*” will appear instead of the chord name in the display. ■ Fingered Chords The chord types below can be played with the Fingered method. For a fingering chart showing all chords in the example key of C, see page 36 in the Reference Manual. • Major • Sixth [6] • Major seventh [M7] • Major seventh flatted fifth [M7 (b5)] • Major seventh sharp eleventh [M7 (#11)] • Added ninth [add 9] • Major seventh ninth [M7 (9)] • Six ninth [6 (9)] • Flatted fifth [(b5)] • Augmented [aug] • Seventh augmented [7 (#5)] • Major seventh augmented [M7 (#5)] • Minor [m] • Minor sixth [m6] • Minor seventh [m7] • Minor seventh flatted fifth [m7 (b5)] • Minor added ninth [m add 9] • Minor seventh ninth [m7 (9)] • Minor seventh eleventh [m7 (11)] • Minor major seventh flatted fifth [mM7 (b5)] • Minor major seventh [mM7] • Minor major seventh ninth [mM7 (9)] • Minor flatted fifth [m (b5)] • Diminished seventh [dim7] • Seventh [7] • Seventh suspended fourth [7sus4] • Seventh ninth [7 (9)] • Seventh sharp eleventh [7 (#11)] • Seventh added thirteenth [7 (13)] • Seventh flatted fifth [7 (b5)] • Seventh flatted ninth [7 (b9)] • Seventh added flatted thirteenth [7 (b13)] • Seventh sharp ninth [7 (#9)] • Suspended fourth [sus4] ● Multi Finger This method allows you to produce accompaniment using either Single Finger or Fingered. However, when indicating minor, seventh or minor seventh chords, it is necessary to play the white key and/or black key nearest the root note of the chord. ● Full Keyboard When the Full Keyboard mode is selected, the CVP-98/96 will automatically create appropriate accompaniment while you play just about anything using both hands, anywhere on the keyboard. You don’t have to worry about specifying the accompaniment chords. The name of the detected chord will appear in the display. (Although Full Keyboard is designed to work with many songs, some arrangements may not be suitable for use with this feature.) • The automatic accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • The same accompaniment continues even after releasing the chord in the left range until the next chord is played. On-bass Chords • To play “on-bass” chords, press the desired bass note one octave lower than the chord. For example, in order to play F on C (F chord with a C bass), play an F chord (F, A and C) and press C +C (octave notes) in the lower range of the keyboard. (Use this function for chord sequence recording.) • Two-note fingerings will produce a chord based on the previously played chord. • “No chord” (i.e., rhythm-only accompaniment) can be produced by pressing any three consecutive keys (e.g., C, C#, D) simultaneously. This lets you create dynamic rhythm “breaks in the accompaniment. A “- - -” indication will appear instead of a chord name in the display. • Chord detection occurs at approximately 8th-note intervals. Extremely short chords — less than an 8th note in length — may not be detected. Keep in mind... • The DUAL or SPLIT mode can be used with the Auto Accompaniment. Stopping the Auto Accompaniment Press [START/STOP], [ENDING] or [FADE IN/OUT] to stop the Auto Accompaniment. You can also turn off the Auto Accompaniment by pressing the [ACMP ON] button (the lamp turns off). • The [INTRO], [MAIN A], [MAIN B], [ENDING], and [FADE IN/OUT] buttons can be used to play different style sections, as explained on page 50. 59 Playing with the Auto Accompaniment ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO START/STOP The [MAIN A], [MAIN B], [ENDING] and [FADE IN/OUT] operation can be done by using the left pedal (see page 133), conveniently allowing you to change sections without taking your hands from the keyboard. Adjusting the Overall Auto Accompaniment Volume Use the [ACMP/SONG VOLUME] control to adjust the overall volume of the Auto Accompaniment. (This does not affect the volume of parts played from the keyboard.) This control lets you adjust the level balance of the accompaniment and the voices played from the keyboard. Use the [MASTER VOLUME] to control the entire volume of the CVP-98/96. VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN Individual Part Volume Control The CVP-98/96 has five accompaniment parts: Bass, Chord, Pad, Phrase, and Rhythm. BASS The Bass part uses voices appropriate to each style, including acoustic bass and synth bass. CHORD The Chord part provides appropriate rhythmic chordal accompaniment for each style. You’ll find guitar, piano, and other chordal instruments here. PAD The Pad part plays long chords where necessary, using sustained instruments such as strings, organ, and choir. PHRASE The Phrase part is used for embellishments such as punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting. RHYTHM This is the main rhythm part. The Rhythm part usually plays one of the drum kits. Each volume setting of the five accompaniment parts can be adjusted individually by using the mixer function. Press the [MIXER] button (the lamp lights) and the MIXER display appears. 60 • By adjusting the volume balance of the various parts and setting some parts’ volume to 0, you can create different types of accompaniment and make changes to the basic style accompaniment. • Some styles may not use all five accompaniment parts. Volume of Each Part • Range: 0 — 100 (maximum) • Basic setting: KBD (keyboard volume): 100; other parts: 90 • Backup of last settings: OFF ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ SONG Playing with the Auto Accompaniment MIXER MASTER EQUALIZER Part Volume Relation • [ACMP/SONG VOLUME] is relative to the [MASTER VOLUME]. FUNCTION • Each part volume of the Auto Accompaniment is relative to the [ACMP/ SONG VOLUME]. • KBD (keyboard volume) is relative to the [MATER VOLUME]. • The Harmony part volume is relative to the KBD part volume. Select the desired part by pressing BASS, CHORD, PAD, PHRASE, or RHYTHM and set the value by using the data dial or [–/+] buttons. The value changes in units of two. You can also select several parts and adjust their volume settings simultaneously. To reset the value to the basic setting of 90, simultaneously press the [–/+] buttons. To exit the function, press the [MIXER] button again (the lamp turns off) and the previous display appears. Reverb Depth of Each Part • For details on setting the Reverb Depth for each part, see page 43. You can also press the [EXIT] button to return to the previous display. Use the PAGE [<] [>] buttons to call up the second page of the MIXER display. On this page you can adjust the volumes of your own keyboard performance and the Harmony sound (see page 62). Press KBD (keyboard volume) or HARMONY to select the part and use the data dial or [–/+] buttons to set the value. Press PRESET to return the volume values of all parts to the basic setttings. Changing the Split Point The right range and left range for Auto Accompaniment can be divided at any key. Press the desired key while holding the [ACMP ON] to set the split point. (The split point key is included in the left range.) • The split point set here for the Auto Accompaniment is the same parameter as set in the Split function (page 37). ➔ The keyboard guide lamp of the set split point lights. AUT ACMP ON VIRTUAL ARRANGER INTRO The split point also can be set by pressing the SPLIT POINT ▼ or ▲ button, or by using the data dial or [–/+] buttons. To reset the value to the basic setting of “F#2,” simultaneously press both SPLIT POINT ▼ ▲ buttons or the [–/+] buttons. Split Point • Range: All keys • Basic setting: F#2 • Backup of last settings: OFF • The split point cannot be set when FULL KEYBOARD is selected. 61 Other Auto Accompaniment Functions ○○○○○ The CVP-98/96 has many other features and functions that make the use of the Auto Accompaniment even more convenient and enjoyable. Harmony This feature adds harmony or embellishment notes to the melody you play in the right range of the keyboard. The harmony notes are produced automatically to match chords played with Auto Accompaniment. Z Set the Harmony function to ON. .................................................... To do this, press the [HARMONY] button (the lamp lights). ➔ The ACCOMPANIMENT HARMONY pop-up display appears. PIANIST HARMONY • The Harmony feature cannot be turned on when Full Keyboard is selected for the Auto Accompaniment. ONE TOUCH SETTING ➾ Use the the left/right LCD buttons to select the Harmony types in the ACCOMPANIMENT HARMONY pop-up display. The data dial and the [–/+] buttons can also be used. You can also select the Harmony type by using the HARMONY ▼ ▲ buttons. XPlay the keyboard. ........................................................................................... Play the keyboard along with the Auto Accompaniment. CTurn Harmony off. ............................................................................................ To turn Harmony off, press the [HARMONY] button again (the lamp turns off). Since the Harmony function can be turned on and off while playing, you can add “spice” and professional polish to your performance by applying harmony to selected phrases as you play. 62 • With some Harmony types the voice used for the Harmony will be different from the currently selected voice. • The Harmony feature can be used while playing back the intro or ending or while the Auto Accompaniment is off, but only octaves (no intermediate harmonies) will be produced. • When chords are played in the righthand section of the keyboard, the harmony will be applied to the last note played. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Other Auto Accompaniment Functions ● Left Pedal and Harmony If the Left Pedal Function is set to HARMONY ON/OFF (see page 133), harmonization of notes played on the right-hand section of the keyboard only occurs while the left pedal is pressed. This allows you to add harmony only to certain phrases in the middle of the song as you play, without having to take your hands from the keyboard. • The Left Pedal HARMONY ON/OFF function is not effective when the Harmony feature is off (i.e. the [HARMONY] lamp is not lit). One Touch Setting Each style has programmed panel setups of voices and effects that can be recalled easily and instantly via the One Touch Setting function. Each style has four different One Touch Settings. For a list of the One Touch Setting parameters, refer to page 35 of the Reference Manual. • There are no One Touch Settings for the accompaniment styles of the [PIANIST] or [DISK/CUSTOM] groups. ■ Using the One Touch Setting Function ...................................... Z Select the desired style in the normal way, then press the [ONE TOUCH SETTING] button. ➔ The lamp lights and the One Touch Setting pop-up display appears. PIANIST HARMONY ONE TOUCH SETTING • When using the ONE TOUCH SETTING function, the Auto Accompaniment turns on automatically. If the [ONE TOUCH SETTING] button is turned on before starting the style, Synchronized Start is set to stand-by. • If you change the One Touch Setting during style playback, the tempo setting remains the same. • Harmony will not be turned on if the Full Keyboard mode is selected, even if the selected One Touch Setting setup includes “Harmony On.” X Select the desired setting by using the left/right LCD buttons. The data dial, [–/+] buttons, and PAGE [] buttons can also be used. You can also select the setting by using the SELECT ▼ ▲ buttons. Press the SET button to actually change the panel setup to that of the selected setting. The menu for the selected style is shown at first in the display; however, the menus for all other styles can be selected in this display. 63 Other Auto Accompaniment Functions ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The panel setup called up here can be freely changed according to your preferences. You can also save it to memory by using the Registraiton function (page 83). To exit One Touch Setting, press the [ONE TOUCH SETTING] button again (the lamp turns off), and the previous panel setup before using One Touch Setting is recalled. Virtual Arranger To use this, press the [VIRTUAL ARRANGER] button (the lamp lights). The lamp automatically lights when the power is turned on. With Virtual Arranger, you can play simple chords, and the CVP-98/96 automatically embellishes them and provides melodic Auto Accompaniment. Virtual Arranger is effective only when Auto Accompaniment is set to ON and the Full Keyboard mode is not selected. AUTO ACCOMPANIMENT ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B ENDING FADE IN/OUT Synchronized Stop Function This function lets you have the Auto Accompaniment sound only when you hold down keys in the left-hand range (below and including the split point). Auto Accompaniment automatically stops when you release your left hand from the keyboard, and starts again when you play the keys again. This is useful for beginning players who have difficulty playing in precise time. It is also effective for creating accompaniment “breaks” during the performance. This function can only be used when Auto Accompaniment is set to on. However, it cannot be used when Full Keyboard is selected. 64 • The melodic Auto Accompaniment may sometimes not match with the melody or chord progression of the song being played. • When a [DISK/CUSTOM] style is selected, the Virtual Arranger function has no effect, even if set to on. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Other Auto Accompaniment Functions Press the [ACMP ON] button to call up the ACCOMPANIMENT MODE pop-up display. ➾ Press SYNCHRO STOP so that it is highlighted. ➔ The [SYNCHRO START] lamp lights. To turn Synchronized Stop off, press SYNCHRO STOP again. Small Accompaniment (SMALL ACMP) The Small Accompaniment function lets you mute some of the selected Auto Accompaniment parts, creating a simpler and smaller orchestration and accompaniment. Press [ACMP ON] to call up the ACCOMPANIMENT MODE popup display. • SMALL ACMP can be set to ON when a [PIANIST] style is selected; however, the Auto Accompaniment sounds are not changed. ➾ To turn Small Accompaniment on, press the SMALL ACMP button so that it is highlighted. To turn Small Accompaniment off, press the SMALL ACMP button again. 65 Other Auto Accompaniment Functions ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Chord Assist This function uses the keyboard guide lamps to show you appropriate fingerings for chords. (See page 104.) The Chord Assist feature is essentially an electronic “chord book” that shows you appropiate fingerings for chords, and is ideal when you want to quickly learn how to play certain chords. Simply specify the desired chord via the display, and the fingerings of the Fingered method are indicated by the keyboard guide lamps. ZSet the Chord Assist function to ON. ......................................... To do this, first press the [ACMP ON] button to call up the ACCOMPANIMENT MODE pop-up display. ➾ Press CHORD ASSIST to set the Chord Assist function to on. The CHORD ASSIST display appears and the chord indication automatically changes to Fingered. XStart the Auto Accompaniment. ....................................................... Press [START/STOP] or use Synchronized Start (see page 50) to start the Auto Accompaniment. CEnter the chord root. ..................................................................................... Press ROOT (it is highlighted), then use the data dial or [–/+] buttons to select the desired root note of the chord. You can also select the root note by pressing ROOT. 66 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Other Auto Accompaniment Functions V Enter the chord type. .................................................................................... Press TYPE ▼ or ▲ (it is highlighted), then use the data dial or [–/+] buttons to select the desired chord type. You can also select the chord type by pressing TYPE. B Enter the chord. .................................................................................................. The fingering for the selected chord appears on the keyboard guide lamps. And the selected chord is also indicated in notation form in the center of the LCD display. At this point you can either play the indicated chord on the keyboard or press ENTER to actually enter the specified chord, at which the specified chord accompaniment will sound. The following chord types can be specified from the LCD display. Major [Maj] Minor [m] Seventh [7] Minor seventh [m7] Minor seventh flatted fifth [m7 (b5)] Sixth [6] Minor sixth [m6] Major seventh [M7] Suspended fourth [sus4] Augmented [aug] Minor flatted fifth [m (b5)] Seventh suspended fourth [7sus4] Seventh augmented [7 (#5)] Diminished seventh [dim7] Flatted fifth [(b5)] Seventh flatted fifth [7 (b5)] Minor major seventh [mM7] • All the Fingered chords can be entered from the keyboard. • The root and type of the chord name entered from the LCD appears in the ROOT and TYPE parameter locations, while the chord name recognized from the keyboard (or entered by the ENTER button) appears at the side of the keyboard icon located at the left of the LCD. • A flashing keyboard guide lamp indicates a note which may be omitted. N Rotate the fingering as desired. ....................................................... Press INVERT in the LCD to shift the fingering down the keyboard. Each time the INVERT button is pressed the next viable fingering for the chord appears. The inversion number appears in the INVERT section of the display. M Stop the Auto Accompaniment. ........................................................ Use [START/STOP] or [ENDING] to stop the accompaniment. < Turn Chord Assist off. ................................................................................. To turn Chord Assist off, press the [ACMP ON] button (the lamp turns off). Auto Accompaniment also is turned off at the same time. • The split point is not shown on the guide lamps when the Chord Assist function is engaged. • If the split point is set below F#2 it will automatically be reset to F#2. 67 Custom Style ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ The CVP-98/96 Custom Style feature allows you to create original accompaniment styles that can be later recalled and played at any time, just like the presets. Up to 12 custom styles can be maintained in internal memory at the same time, and any number can be saved to disk for later reloading and use. The basic custom style recording procedure is outlined below. • Custom style data is not retained in memory when the power is turned off, so be sure to save your custom styles to disk before turning the power off. • One pre-programmed temporary style is automatically loaded into the [DISK/ CUSTOM] memory whenever the power is turned on. (Memory is common to the Custom Styles and the loaded styles from the optional Style File disks — page 80.) DISK STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER CUSTOM ACMP/SONG VOLUME MAX MAX MIN MIN POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO PAUSE PAGE EXIT DISPLAY HOLD Press the [DISK/CUSTOM] style selector so that its indicator lights, then press the CUSTOM STYLE LCD button. The “Please select a source style.” message will appear on the display for a few seconds before going to the CUSTOM STYLE display page 1 and the current [DISK/ CUSTOM] style will begin playing. STYLE POP 16BEAT BALL– ROOM LATIN POP TRADI– TIONAL ROCK COUNTRY BALLAD JAZZ WALTZ DISK CUSTOM 68 NEXT NOTE SOUND REPEAT DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 SONG CONTROL START/STOP Z Engage the Custom Style feature. ................................................. DANCE POP FUNCTION VIBES GUIDE CONTROL RESET EASY PLAY AUTO ACCOMPANIMENT ACMP ON MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME REW FF REGISTRATION PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Custom Style X Select a source style. ................................................................................... Select a preset style that is close to the style you want to create. Preset style selection is carried out in the normal way (page 47). If you want to select a [DISK/CUSTOM] style, press the [DISK/ CUSTOM] style button once again and use the STYLE ▲ and ▼ buttons, or the data dial or [–/+] buttons to select a [DISK/CUSTOM] style. C Select the section you want to record. ..................................... In the CUSTOM STYLE display page 1, press the first LCD button as many times as necessary to select the section you want to program first: MAIN A, MAIN B, INTRO, FILL IN, or ENDING. The MAIN A section is initially selected. Beat of the selected style Current measure number of the selected section Total measure number of the selected section • In the CUSTOM STYLE, MAIN A, MAIN B, INTRO, FILL IN or ENDING are referred to as “section”, and RHYTHM 1/2, BASS, CHORD 1/2, PAD or PHRASE 1/2 are referred to as “part”. • Only one pattern can be created for each INTRO, FILL IN and ENDING section. • Whether the “A” or “B” variations of the INTRO, FILL IN and ENDING sections are used as the source pattern depends on whether the MAIN A or MAIN B section was selected when the Custom Style function was engaged. (As for FILL IN, “FILL IN from A to A”, or “FILL IN from B to B” is used.) V Change the time signature and number of measures, if required. ................................................................................................. If you want to create a style in a different time signature than the current style, or change the number of measures in the selected section, Press the PAGE [>] button to go to CUSTOM STYLE display page 2. Current recording section and part 69 Custom Style ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ Use the BEAT LCD button to select a different time signature, or the data dial or [–/+] buttons once the BEAT parameter has been selected. As soon as you choose to change the beat value, the “Clear style ?” prompt will appear, since you will have to completely clear all sections and parts of the style and start recording from scratch if you change the time signature. Press OK to clear the style, or CANCEL to abort. Once the style has been cleared you can select a new time signature as required: 2, 3, 4, or 5. Use the MEASURE LCD button to select a different number of measures for the selected section, or the data dial or [–/+] buttons once the MEASURE parameter has been selected. As soon as you choose to change the number of measures in the section, the “Clear section ?” prompt will appear, since you will have to clear all parts of the currently selected section and start recording from scratch if you change the number of measures. Press OK to clear the section, or CANCEL to abort. Once the section has been cleared you can select a new number of measures as required: 1 through 8. The FILL IN section has only 1 measure and the number of measures cannot be changed although the FILL IN section can be cleared using this operation. Once the BEAT and/or MEASURE parameters have been set as required, press the PAGE [<] button to go back to the first Custom Style page. 70 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Custom Style B Select the part and voice you want to record. .................. Use the PART LCD button, the data dial, or [–/+] buttons to select the part you want to record: R1 Rhythm 1 R2 Rhythm 2 Bs Bass C1 Chord 1 C2 Chord 2 Pd Pad P1 Phrase 1 P2 Phrase 2 Recording part Playback part Part containing no data OFF The R1 part is initially selected and set to the record mode. Any part you select can be set to the record mode by using the rightmost LCD button to select “RECORD” after selecting the part (the part number will be highlighted). Since parts other than R1 and R2 must be cleared before they can be recorded (if the source style is a preset style or a style loaded from the optional Style File disk) the “Clear part ?” confirmation will appear if you select a part that contains data: press OK to clear the part and continue, or CANCEL to abort. Only one part can be set to the record mode. All other parts will be set to “PLAY” (part number surrounded by box) or turned “OFF” (part number only — no box). No indication appears for the parts that contain no data. At this point you can also select the voice you want to record with (the preset voice for that part will initially be selected). For the R1 part, only [DRUMS] voices can be used. For the R2 part, all voices except Organ Combi. voice can be used. For the remaining parts, all voices except [DRUMS] and Organ Combi. voice can be used. 71 Custom Style ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ N Record the selected part. ......................................................................... You can now add new parts to the selected part by playing the keyboard at the appropriate timing (play in C Major seventh since the Custom Style is recorded as a C Major seventh pattern). If you want to create a totally new part from scratch, press the CLEAR LCD button to clear the selected part before beginning to record. If both the R1 and R2 parts are cleared the metronome will sound to provide a timing guide (the metronome sound is not recorded). When a drum kit voice is used, a single drum instrument sound can be cleared from the R1 or R2 part by pressing the key corresponding to the instrument to be cleared while holding the keyboard “C1” key. The metronome timing guide can also be cleared in this way. • Playback can be started and stopped via the [START/STOP] button as required while in the Custom Style mode — data cannot be recorded while playback is stopped. • The timing guide will stop as soon as the Custom Style is stored. • The sound of all parts is automatically stopped at the end of the style — i.e. at the point between repeats when recording. It is therefore not advisable to record over this point. Another useful recording aid is the SOLO LCD button: when this button is pressed and highlighted, only the selected part will sound. Press the SOLO button again to turn the solo function off and hear the entire style. M Quantize the recorded part, if necessary. .............................. You can “tighten up” the timing of a recorded part by aligning all notes to specified beats via the PART QUANTIZE function in CUSTOM STYLE display page 2 (press the PAGE [>] button). Press the LCD button below the note symbol to select “quantize size” — i.e. the beats to which the notes in the current part will be aligned: 3 32nd notes 16th note triplets 3 16th notes 8th note triplets 8th notes 3 quarter-note triplets quarter notes 72 • Quantization can also be applied to the already recorded part. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Custom Style Once the required quantize size has been selected press the START LCD button to actually quantize the current part. Playback will stop for an instant while the data is being quantized, then the START LCD button will change to UNDO, allowing you to undo the quantize operation and return to the pre-quantized data if the results are not as you expected. You will not be able to UNDO once another button has been pressed. < Repeat until the custom style is complete. .......................... Repeat steps 3 through 7 until all parts or all sections have been recorded as required. • During Custom Style recording, no MIXER display is available. > Name the custom style ............................................................................... When your custom style is complete, use the PAGE buttons to select CUSTOM STYLE display page 3, and press the STYLE NAME LCD button to go to the style naming page. The current style name appears in the upper right corner of the display. Use the CHAR LCD button to position the underline cursor at the character you want to change (style names can be up to 12 characters in length). Use the data dial and/or the [–/+] buttons to select the character you want to enter from the list in the center of the display, then press the CHAR SET LCD button to enter the character at the current cursor position. Repeat this procedure until your name is complete. The BACK SPACE LCD button can be used to back up one space and delete a character. When the name is complete press the OK LCD button to register the name for the current custom style, or CANCEL to abort. 73 Custom Style ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ? Store the custom style. .............................................................................. Press the STORE LCD button in CUSTOM STYLE display page 3 to store the current custom style in the internal memory. The “Store XXXXXXXX?” confirmation prompt and MEMORY No. parameter will appear (“XXXXXXXX” is the style name). Use the MEMORY No. ▲ and ▼ LCD buttons to select the memory number — 1 through 12 — to which you want to store the custom style, then press OK to store or CANCEL to abort. • The tempo setting at the time the Custom Style is stored becomes the preset tempo for that style. • If the selected memory number already contains a style, the style name will appear next to the memory number. The existing style will be overwritten when a new style is stored. [Exit when done. .................................................................................................. Press the [EXIT] button to exit from the Custom Style mode and return to the normal play mode. EXIT DISPLAY HOLD • Custom style data is not retained in memory when the power is turned off, so be sure to save your custom style before turning the power off — see “Save to disk” on page 76. Other Custom Style Functions In addition to the various functions described in the basic custom style recording procedure, above, the CUSTOM STYLE display pages include several other functions that you may find useful when creating custom styles. ■ Recall Section ...................................................................................................... This function makes it possible to recall the last-stored version of the currently selected section (all parts of the section are recalled). Simply press the RECALL SECTION LCD button in CUSTOM STYLE display page 2. If the recall operation can’t be carried out (i.e. The time signature has been changed), the “Can’t recall!” alert display will appear. If this happens press OK to return to the previous display. 74 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Custom Style ■ Style Clear ................................................................................................................ Press the STYLE CLEAR LCD button in CUSTOM STYLE display page 3 to entirely clear the current custom style. The “Are you sure?” confirmation prompt will appear. Press YES to clear the style or NO to abort. ■ Volume & Effects ............................................................................................... CUSTOM STYLE display page 4 includes a range of parameters that let you individually set the volume, reverb, effect, and pan for each part of each custom style section. Use the SECTION parameter to select the section (or “ALL” sections), and the PART parameter to select the part (or “ALL” parts). The third LCD button selects VOLUME, REVERB, EFFECT or PAN, and the VALUE (or DEPTH) parameter sets the amount or depth. When VOLUME is selected the SECTION parameter is fixed at “ALL” and the VALUE range is from –50 to +50, relative to the preset volume of the source style. The REVERB and EFFECT DEPTH ranges are from 0 to 100. The PAN VALUE settings are L10 (full left) … C (center) … R10 (full right). When EFFECT is selected the TYPE parameter appears and you can also select the effect type via the TYPE LCD button. The available effect types are listed below. • Normally the preset VALUE and EFFECT TYPE are initially selected. If PART is set to “ALL”, the R1 part preset values are displayed. If SECTION is set to “ALL”, the MAIN A preset values are displayed. • Effect type “OTHERS” may appear if the preset effect type is other than that of what is in the list. The “OTHERS” selection cannot be re-selected once you change to a different type. Effect Type List • CHORUS 1 • CHORUS 2 • CHORUS 3 • CELESTE 1 • CELESTE 2 • CELESTE 3 • FLANGER 1 • FLANGER 2 • OFF 75 Custom Style ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ Save to Disk ............................................................................................................ A complete set of 12 custom styles or individual custom styles can be saved to disk via CUSTOM STYLE page 5. After making sure that a properly formatted disk is inserted in the Clavinova disk drive (page 7), use the MEMORY No. ▲ and ▼ buttons to select the memory number of the custom style you want to save to disk, or “ALL” if you want to save a complete set of 12 custom styles. When this is done, press the SAVE LCD button to start saving the data to disk. At this point the name entry display will appear and you can enter a name for the Custom Style disk file in the same way as you entered a name for the Custom Style itself (page 73). Press SAVE when the name has been entered. If a file with the same name already exists the “Same name! Overwrite?” confirmation prompt will appear. Press OK to overwrite the existing file or CANCEL to abort. Your custom styles must be stored to internal memory before they can be saved to disk (see step 10 of the basic custom style recording procedure). If a custom style has not been stored and you attempt to save it to 76 • Saved Custom Style files can be loaded via the “STYLE FILE LOAD” function described in the “Style File Load” section (page 80). ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Custom Style disk, the “Please store to memory before saving to disk” alert display will appear. If this happens press OK to return to the previous display (CUSTOM STYLE display page 3), store the custom style, then try saving again. ■ Delete from Disk ................................................................................................ Saved custom styles can also be deleted from disk via CUSTOM STYLE page 5. After making sure that the disk containing the custom style files is inserted in the Clavinova disk drive, press the DELETE LCD button. Use the FILE ▲ ▼ LCD buttons to select the custom style file you want to delete from disk. The “Are you sure?” confirmation prompt will appear. Press YES to delete the custom style file or NO to abort. Press the [EXIT] button to exit from the Custom Style mode and return to the normal play mode. Playing Back Your Custom Styles Once created, your original custom styles can be selected for playback by pressing the [DISK/CUSTOM] button (its LED will light), and then using the STYLE ▲ and ▼ LCD buttons — or the data dial or [–/+] buttons — to select the custom style you want to play. The selected style can then be played and used with ABC auto accompaniment in exactly the same way as the preset styles (page 47). • Since only one type of INTRO, FILL IN, and ENDING section can be recorded for each Custom Style, no “A/B” variations are produced during playback. 77 Custom Style ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ Custom Style Alert & Error Displays The following alert and error displays may appear in the corresponding situations. ■ Insufficient Memory To Store .............................................................. This alert message will appear if there is not enough memory to perform a store operation. In this case it will be necessary to either delete a style you don’t need or simplify the style you are currently recording. Press CANCEL to return to CUSTOM STYLE display page 1, at which point you can simplify the current style (by clearing a part, etc.), or DELETE to go to the “Delete style ?” display: Use the MEMORY No. ▲ and ▼ buttons to select the number of the style you want to delete, then press OK to delete the style, or CANCEL to abort. ■ Memory Full During Recording .......................................................... This alert message will appear if the memory becomes full during recording or editing. 78 • The amount of memory being used for the selected style is also shown on the display (in approximate kilobytes) so as to set up the approximate standard which style to delete in relation to the total 300 KB memory space. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Custom Style Press OK to return to CUSTOM STYLE display page 1 and simplify the style by clearing a part, etc. ■ Exit Before Store ........................................................................................................ If you press [EXIT] button to exit from the Custom Style function before storing the style the following display will appear. Select a memory number and press YES to store the style and then exit, press NO to exit without storing the style, or press CANCEL to return to the Custom Style mode. ■ Style Change Before Store .............................................................................. If you attempt to select a different source style before storing the current style you recorded, the following display will appear. • If you want to select a different source style without storing the current style, exit from the CUSTOM STYLE mode without storing the style (see “Exit Before Store” above), and then re-enter the CUSTOM STYLE mode. Select a memory number and press OK to store the style and then select the new source style, or press CANCEL to return to the Custom Style mode. 79 Style File Load ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ Style files from optional Yamaha “Style File” disks, or disks containing custom style files you’ve created yourself, can be loaded into the CVP-98/96 and played as required. About the Yamaha Style File Format • The Style File Format is Yamaha’s original auto-accompaniment format which has evolved through years of development and refinement. Style File Format allows you to use exceptionally high quality accompaniments with a variety of chord types through its unique conversion system. In addition to the internal styles, the optional style disks let you use different sophisticated styles created with the Style File Format. • Loaded disk styles will be retained in memory only until the power is turned off. • One pre-programmed temporary style is automatically loaded into the [DISK/ CUSTOM] memory whenever the power is turned on. DISK STYLE DEMO POP HELP BALL– ROOM 16BEAT DANCE POP LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME FUNCTION DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY NEXT NOTE SOUND REPEAT MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME CUSTOM MIN VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF REGISTRATION PLAY/ STOP REC 3 4 BANK MEMORY BANK FREEZE Loading Disk Styles Z Insert the Style Disk ....................................................................................... Insert the Style File Disk into the disk drive with the sliding door on the disk facing the drive slot and the label side facing upward. The disk should click into place and the DISK IN USE lamp will light briefly while the Clavinova reads and identifies the disk. When an appropriate Style File disk is inserted, the STYLE FILE LOAD display (see step 2 below) will appear automatically. If the disk is already inserted and the STYLE FILE LOAD display is not showing, press the [DISK/CUSTOM] selector to call the DISK/CUSTOM STYLE display and press the LOAD SINGLE button. DISK IN USE 80 • If a disk containing both song and style files is loaded, the SONG PLAY mode will automatically be selected. In this case press the SONG [PLAY] button so that its indicator goes out to exit from the SONG PLAY mode, then press the [DISK/CUSTOM] button. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Style File Load A set of 12 files saved by using the Custom Style save “ALL” function (page 76) can be loaded by pressing the ALL LOAD LCD button rather than the LOAD SINGLE button. The rest of the ALL LOAD procedure is essentially the same as the LOAD SINGLE procedure, as follows. X Select a Style File ............................................................................................. To select the desired style, use the left/right LCD buttons. You can also use the STYLE ▲ ▼ buttons, data dial, or [–/+] buttons. You can “preview” the selected style by pressing the LISTEN LCD button (the “LISTEN” function is not available in the ALL LOAD display). • If a tempo is set prior to loading the style, that tempo becomes the default for the loaded style. • Some styles are too large for the LISTEN function. In this case the “Too much data for LISTEN function! Please load data.” alert display will appear. In this case load the style directly as in step 3. • ABC is automatically turned on when the LOAD SINGLE button is pressed and the style is played back automatically with the ABC accompaniment in C Major when the LISTEN LCD button is pressed. You can also change the chord or try playing on the keyboard if you like. Press the LISTEN LCD button again or the [START/STOP] button to stop listening. C Select a Memory Number & Load the Style ......................... Use the MEMORY LCD button to select the memory number to which the selected style file is to be loaded (1 through 12), then press the LOAD LCD button to load the style file. Repeat Step 2 and 3 to select and load more style files as you like. • If the selected memory number already contains a style, the style name will appear at the lower right in the display. The existing style will be overwritten when a new style is loaded. 81 Style File Load ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ It is not necessary to select a memory number when ALL LOAD is selected in step 1. Simply press OK to load or CANCEL to abort. If there is not enough memory to load the specified file the “Not enough memory! Delete an unneeded style ?” alert display will appear. In this case it will be necessary to delete a style you don’t need before loading the new style. Use the MEMORY No. ▲ and ▼ buttons to select the number of the style you want to delete, then press DELETE to delete the style, or CANCEL to abort. • The ALL LOAD display is as follows: When ALL LOAD is executed, all data in the 12 memories will be replaced by new data. • The amount of memory being used for the selected style is also shown on the display (in approximate kilobytes) so as to set up the approximate standard which style to delete in relation to the total 300 KB memory space. V Eject the Disk When Done ...................................................................... When you’ve finished with the Style File disk, press the disk drive EJECT button to remove it and return to the normal play mode display. You can return to the normal play mode without removing the disk by pressing the [EXIT] button or a STYLE selector. Using Loaded Style Files Once loaded, style files can be selected for playback by pressing the [DISK/CUSTOM] button (its LED will light), and then using the STYLE ▲ and ▼ LCD buttons — or the data dial or [–/+] buttons — to select the style you want to play. The selected style can then be played and used with ABC auto accompaniment in exactly the same way as the preset styles (page 47). STYLE POP 16BEAT DANCE POP BALL– ROOM LATIN POP TRADI– TIONAL ROCK COUNTRY BALLAD JAZZ WALTZ DISK CUSTOM 82 • The DISK IN USE lamp will light while the style is being loaded. NEVER attempt to remove a disk while the DISK IN USE lamp is lit. • The LISTEN, LOAD, [EXIT] and style buttons will not function while the style data is being loaded (i.e. while the DISK IN USE lamp is lit). 5: Registrations CHAPTER Registrations ○○○○○○○○○○○ (Registering/Recalling Panel Setups) The Registration feature can be used to memorize a number of complete panel setups that you can recall whenever needed. A total of 20 setups (5 banks x 4 memories) can be registered. REGISTRATION STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD JAZZ WALTZ DISK BEAT SONG MIXER MASTER VOLUME MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST ONE TOUCH SETTING FUNCTION CUSTOM METRONOME FADE IN/OUT TAP DISK IN USE PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 1 2 3 4 BANK MEMORY BANK FREEZE GUIDE CONTROL RESET EASY PLAY NEXT NOTE SOUND REPEAT MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VOLUME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING SYNCHRO SONG CONTROL START/STOP MIN PAUSE PAGE EXIT REW FF REGISTRATION PLAY/ STOP REC DISPLAY HOLD 3 4 BANK MEMORY BANK FREEZE Z Set up the controls as required. ....................................................... For a list of the parameter settings memorized by the Registration function, refer to page 35 of the Reference Manual. X Select a Registration bank. .................................................................... Press the BANK [–] [+] buttons to display the banks below and to the right of the style name in the main display. Select one of the five banks: A — E. REGISTRATION 1 2 3 4 BANK MEMORY BANK FREEZE 83 Registrations (Registering/Recalling Panel Setups) ○○○○○○○○○○○○○○○○○○○○○○○○○○○ CRegister the panel setup. ......................................................................... While holding the [MEMORY] button, simultaneously press one of the REGISTRATION [1] — [4] buttons. Any data that was previously in the selected location is erased and replaced by the new settings. The corresponding Registration number (bank/button number) and the Registration name will appear below and to the right of the style name in the main display. “A-1 (number 1 of bank A)” and “REGIST A-1” (temporary Registration name) will appear next to the RE mark. REGISTRATION 1 2 3 4 BANK MEMORY BANK FREEZE Registration • Range: Bank: A— E, Button: 1 — 4 • Basic setting: Pre-programmed settings are registered in all Registration numbers. • Backup of last settings: ON • The REGISTRATION [NAME] pop-up display appears when pressing the [MEMORY] button; however, this display is not necessary in registering the panel setup. • The data for each Registration or a group of 20 Registrations can be saved to floppy disk, for future recall. (See page 139.) Registered Registration number and name Recalling the Registered Panel Settings Press the BANK [–] [+] buttons as described above (in step #2) to select the bank corresponding to the desired Registration. Then, simply press the corresponding REGISTRATION [1] — [4] button to recall the desired Registration. The recalled Registration number (bank/button number) and the Registration name will appear below and to the right of the style name in the LCD display. A pencil icon appears at the right of the Registration name in the display as soon as any change is made to the panel buttons or settings. In other words, if the pencil icon is displayed, the current panel settings are different from those stored in memory. Edit Symbol 84 • Only selecting a different bank will not change the Registration settings. • The Registration settings are recalled only when one of the REGISTRATION [1] — [4] buttons is pressed. • If the Left Pedal function is set to “Registration” (see page 133), the left pedal can be used to step through the Registrations, letting you recall a different Registration each time the pedal is pressed. However, other left pedal settings assigned to each Registration cannot be recalled in this case. ○○○○○○○○○○○○○○○○○○○○○○○○○○○ Registrations (Registering/Recalling Panel Setups) Naming the Registration A temporary name is given to the Registration setup when you register the panel settings; however, you can change this name freely with this function. Z Press the [MEMORY] button to call up the REGISTRATION [NAME] pop-up display. .................................................. ➾ Select the number of the Registration whose name you wish to change by using the left/right LCD buttons. The data dial and [–/+] buttons also can be used. BANK MEMORY BANK FREEZE You can also select the Registration number by using the BANK ▼ ▲ or REGIST ▼ ▲ buttons. X Press the NAME button to call up the display for entering the name. ................................................................................................. Use the CHAR> button to move the underline cursor to the desired character position in the file name display. (File names can be up to 12 characters in length). ➾ Use the data dial or [–/+] buttons to select and highlight the character or mark you wish to enter. Press the CHAR SET button to enter the selected character to the current cursor position in the file name. Continue entering other characters or marks in this way until you complete the name. To delete the character at the previous position, press the BACK SPACE button. The character before the underline cursor is deleted and the cursor moves back to the deleted position. To abort the Registration naming operation and return to the main display, press the CANCEL button. When the Registraion name is complete, press the OK button to register it. The display will return to the main display and the Registration name is indicated below and to the right of the style name. 85 Registrations (Registering/Recalling Panel Setups) ○○○○○○○○○○○○○○○○○○○○○○○ Freeze Function When the Registration Freeze function is set to on, the parameters set in the FREEZE display will not be changed when a Registration is recalled. This allows you to recall different Registrations while using the Auto Accompaniment, without suddenly changing the styles or volume settings. ZPress [FREEZE] (the lamp lights), and the REGISTRATION FREEZE pop-up display appears. ....................... • For a list of the Freeze parameters, see page 35 in the Reference Manual. REGISTRATION 1 2 3 4 BANK MEMORY BANK FREEZE Freeze parameters Parameters set to Freeze ON appear with an asterisk (*), and “ON” (in the ON/OFF section) is highlighted. XSelect the desired parameter. ............................................................. Select the desired parameter by using the left LCD buttons, then set Freeze to ON or OFF by pressing the ON/OFF button. You can also select the parameter by using the CATEGORY ▼ ▲ buttons, data dial, or [–/+] buttons. • The Registration Freeze function remains on even if the banks are changed. Freeze Parameters • Basic setting: ACMP SETTING Freeze ON (other parameters: OFF) • Backup of last settings: ON To cancel the Registration Freeze function, press [FREEZE] again (the lamp turns off). 86 6: Song Control CHAPTER Song Playback ○○○○○○○○○○○○○○○○○○○○○○○○○ In this manual, the recorded music data of your performance, and the song data of various disk software are all referred to as “songs.” The CVP-98/96 can play back songs you’ve recorded yourself using the Song Record function (page 105), and other songs of various musical styles. You can also play along on the keyboard with the songs as they play back. Moreover, with song data software that includes lyrics, you can view the lyrics in the display during playback. • Consult your Yamaha dealer for information on song data that is compatible with the Lyric Display function of the CVP-98/96. • See the section “Handling Floppy Disks” (page 7) for information on using floppy disks. • Playback data cannot be output via MIDI. Playback of Different Disks • In addition to songs you’ve recorded yourself, the CVP-98/96 can play back commercially available disks of Yamaha DOC software, XG software, and Disklavier PianoSoft as well as GM software. See the section “Playing Other Types of Music Data” on page 99. SONG CONTROL STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD JAZZ WALTZ DISK BEAT SONG MIXER MASTER VOLUME MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING FUNCTION METRONOME DISK IN USE PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT PAUSE REW FF PLAY/ STOP REC GUIDE CONTROL RESET EASY PLAY NEXT NOTE SOUND REPEAT MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VOLUME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING MIN FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP PAUSE PAGE EXIT REW DISPLAY HOLD FF REGISTRATION PLAY/ STOP REC 1 2 3 4 BANK MEMORY BANK FREEZE Playback Z Enter the Song Play mode. .................................................................... Gently insert the included “Music Software Collection” disk or a disk containing songs you’ve recorded yourself into the disk drive. Make sure to insert the disk face up in correct direction, as shown in the illustration, until it clicks into place. The Song Play mode is automatically called up when a song disk is inserted in the disk drive. • The Song Play mode is not automatically engaged from the disk-related FUNCTION displays, or the CUSTOM STYLE display — even when inserting the disk. DISK IN USE Sliding shutter Label 87 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Playback ➔ The DISK IN USE lamp lights while the CVP-98/96 reads and identifies the disk. Once the disk has been identified, the SONG PLAY [MAIN] display (display page 1) appears in the display and the [SONG] lamp lights. If a song disk is already inserted but the Song Play mode is not engaged, press the [SONG] button. ➔ The [SONG] lamp lights. Press the PAGE [<] [>] buttons to select the first page, if the SONG PLAY [MAIN] display is not shown. XSelect a song number. ................................................................................ Select the desired song number for playback by using the SONG ▼ or ▲ buttons, data dial or [–/+] buttons. ➔ The selected song number, name, current tempo and the file icon which indicates the type of the file are displayed. • Song numbers 1 - 60 are displayed, including song numbers that contain no song data. However, no song names are displayed for song numbers that contain no data. Select “ALL” if you want all songs on the disk to be played in order. Select “RANDOM” if you want all songs on the disk to be played at random. For either selection “ALL” or “RANDOM” the songs will be repeated until playback is stopped. Current voice for the keyboard Tempo Selected song number/name File icon ● File Icons There are four icons (shown below) that indicate the type of the file. / XG/SMF format file / DOC/ESEQ format file / / 88 Yamaha Disklavier PianoSoft or XG/ESEQ file Song data recorded with the CVP-98/96 • Refer to the section “MIDI and Data Compatibility” (page 8 in the Reference Manual) for information on file formats. • Icons are not shown for song data file recorded with other CVP models, excepting the CVP-98/96 and CVP94/92. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Use the PAGE [<] [>] buttons to call up the SONG PLAY [LIST] display (display page 3), to view the entire list of the song names in the disk. The desired song can be selected easily by using the left/right LCD buttons, data dial, or [–/+] buttons. You can also select the song by pressing the SONG ▼ ▲ buttons. Up to ten song titles are shown in the display at a time. If more songs are on the disk, the next ten titles will appear when you scroll past the last title shown in the display. Playback When nothing appears in the song name location... • This indicates that there is no song data for this song number. Repeat Playback from Specific Songs • If you first select ALL in the SONG PLAY [MAIN] display, and then select a song in the SONG PLAY [LIST] display (display page 3), all songs will be repeatedly played back starting from the selected song. Repeat Playback of a Single Song • If you select a song in the SONG PLAY [MAIN] display or in the SONG PLAY [LIST] display (display page 3), and then select the 1 SONG in the SONG PLAY REPEAT display (display page 4), only the selected song will be played back repeatedly until stopped. C Start and stop playback. ........................................................................ Start playback of the selected song by pressing the panel [PLAY/ STOP] button. ➔ Playback of the selected song starts. Unless ALL or RANDOM is selected, the selected song will play through to the end and playback will stop automatically. The current measure number and tempo will be shown in the display during playback. You can also start playback of the selected song by pressing the [START/STOP] button. SONG CONTROL PAUSE REW FF PLAY/ STOP REC Press the panel [PLAY/STOP] button to stop playback. ➔ Song playback stops. You can also stop playback by pressing the [START/STOP] button. You can exit from the song play mode by pressing the [SONG] button. The lamp turns off and the previous display appears. Voice Selection During Playback • The voice you play from the keyboard can be changed during song playback by selecting a voice in the normal way (page 27). The voices of the 1/RIGHT & 2/ LEFT part being played back can be changed in the SONG PLAY [PART] display (page 92). • Please note that the song may not start immediately after pressing [PLAY/STOP]. Turning off the Keyboard Guide Lamp • The keyboard guide lamps corresponding to the keys being played by the 1/ RIGHT and 2/LEFT part will light in real time. These guide lamps can be turned off in the SONG PLAY [GUIDE MODE] display (display page 5). (See page 103.) Turning Off the Lyric Display • The lyrics are shown in the display when playing back software which contains lyric data. If you want to stop the lyrics from appearing, you can disable the function from display page 5 of the SONG PLAY [GUIDE MODE] display. Using the Pedal to Start/Stop Playback • By setting the Left Pedal Function to START/STOP in the FUNCTION [PEDAL] display (display page 3), the left pedal can function the same as the [START/ STOP] button. (See page 133.) 89 Song Playback ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ● Adjusting the Tempo The playback tempo of the song can be changed freely as desired. (See page 49.) The preset tempo for the selected song can be restored at any time by simultaneously pressing the TEMPO [–/+] buttons. Usually the tempo is indicated by numbers. However in case of the free tempo software, “- - -” will appear in place of the tempo on the display, and the measure numbers shown on the display will not correspond to the actual measure; this only serves as a reference as to much of the song has been played back. The increase or decrease of the tempo based on the basic tempo is indicated by a percentage figure in the display when the tempo is changed (from -99 to +99 at maximum; the range differs depending on the software). • The beat lamp may not flash for songs not having rhythm. • With some songs, the displayed measure numbers may not match those marked on the score. TEMPO RESET VEject the disk ......................................................................................................... When you’ve finished with the currently loaded disk, simply press the disk drive’s EJECT button to remove it. ➔ The LCD display returns to the main display. DISK IN USE • Make sure not to take out the disk while the DISK IN USE lamp is lit or while a song is being played back. Volume Adjustment for Each Part • The volume of each Part can be adjusted in the MIXER display. Adjusting the Level Balance of Song Playback and the Keyboard Voices • Use the [ACMP/SONG VOLUME] control (page 17) to adjust the volume. • When playing back a song recorded with the Auto Accompaniment function, Auto Accompaniment cannot be turned on by pressing the [ACMP ON] button. 90 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Playback Part Cancel The 1/RIGHT (right hand), 2/LEFT (left hand) and ORCH (accompaniment) buttons in the SONG PLAY [MAIN] display can be used to turn playback of the corresponding parts on or off. The buttons are highlighted when the parts are turned on. For example, you can turn off the right- and/or left-hand parts so you can practice them on the keyboard. In this example, 1/RIGHT is cancelled. • Part ON/OFF can be switched during playback. • Parts not having any data cannot be turned on. [This applies when there is actually no data in the assigned track (page 92), or when the assigned track is set to “TRK - - (OFF).”] • In the case of Yamaha Disklavier PianoSoft files, DOC files and XG/ ESEQ files, the part indication does not appear for the parts without data. The track assignment for each button can be changed in display page 6 of the SONG PLAY [PART] display (page 92). ■ Turning Individual Accompaniment Parts On or Off Normally, pressing the ORCH (accompaniment) LCD button turns all orchestra parts (tracks 3 — 16) — or all parts other than 1/RIGHT and 2/ LEFT — on or off at once. You can, however, turn these parts on or off individually from the SONG PLAY [TRACK PLAY] display (display page 2). Z Select the SONG PLAY TRACK PLAY page. ......................... Use the PAGE [<] [>] buttons to select the SONG PLAY [TRACK PLAY] display (display page 2). ➔ Tracks which contain data are indicated above TRACK < / >. Tracks enabled for playback are indicated by a box surrounding the track number. Tracks which do not contain data are not displayed. • All track numbers appear whether the tracks contain data or not when a Standard MIDI file song is selected (excepting songs recorded on the CVP-98/96/94/92). 91 Song Playback ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ XSelect the desired track for playback (PLAY/OFF, SOLO). ......................................................................................... Select the track by using TRACK < or >, or the data dial, or the [–/ +] buttons. ➔ The selected track is indicated by an underline mark. Select playback or off for the selected track by pressing one of the far right LCD buttons PLAY (playback) or OFF. When a track is muted, the track number is “ghosted” (shown in lighter indication) in the display. The voice used by the currently selected track is shown above PLAY/OFF. Select a track, then press and highlight the SOLO LCD button to hear only the selected track. Press the SOLO LCD button again to cancel the Solo function. Assignment of Tracks to 1/RIGHT and 2/LEFT, and Voice Assignment ■ Assigning Tracks to 1/RIGHT and 2/LEFT ............................ Specific tracks can be assigned to the 1/RIGHT and 2/LEFT in the SONG PLAY [MAIN] display, allowing you to selectively turn playback of assigned tracks on or off. TRACK - - (OFF) can be assigned to 2/ LEFT. The same track cannot be assigned to both parts. • The track assignments of DOC files and Yamaha Disklavier PianoSoft files are fixed, and therefore cannot be changed. Select the SONG PLAY [PART] display (display page 6) by using the PAGE [<] [>] buttons. • Tracks cannot be assigned during playback. ➾ Press the 1/RIGHT or 2/LEFT button to highlight the section in the display, then use the data dial or [–/+] buttons to assign the desired track. You can also select the track by pressing the 1/RIGHT or 2/LEFT button. 92 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Playback About Track Assignments • Basic setting: Differs depending on the file type (The [2/LEFT] parameter may sometimes be set to “TRK - (OFF).”) • The playback voice cannot be assigned during playback. ■ Selecting Voices for 1/RIGHT and 2/LEFT Parts .............. The playback voices for the 1/RIGHT and 2/LEFT parts can be selected in the SONG PLAY [PART] display. Press PART1,2 VOICE ▼ or ▲ to highlight the corresponding section of the display, then select the playback voice for 1/RIGHT and 2/ LEFT parts by using the data dial or [–/+] buttons. Or you can also select it by using the PART1,2 VOICE ▼ or ▲. Overall Song Playback Volume Control The [ACMP/SONG VOLUME] button can be used to control the overall volume of song playback. VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN • If Auto Accompaniment is turned on during the playback of an original song that was recorded without Auto Accompaniment, the [ACMP/SONG VOLUME] control will affect the level of the Auto Accompaniment rather than that of song playback. However, Auto Accompaniment cannot be turned on when playing back data transformed with the Transform function (page 142). • The Auto Accompaniment function cannot be used when playing back commercially available disk software or songs recorded with Auto Accompaniment. 93 Song Playback ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Individual Part Volume Control To adjust the playback volume of individual parts, press the [MIXER] button while in the Song Play mode to call up the MIXER display. The display corresponding to the software being played back appears in display page 1, and you can control the volume balance of the keyboard sound and the orchestra accompaniment. Each track can be adjusted in display page 2. SONG MIXER MASTER EQUALIZER FUNCTION ■ Page 1 ............................................................................................................................ Press one of the LCD buttons to highlight the desired parameter, then use the data dial or [–/+] buttons to adjust the volume of each part. Several parts can be selected at once by simultaneously pressing the corresponding LCD buttons. The volume of all selected parts can then be adjusted together. Values can be adjusted in two-unit steps. ● When Playing Back XG/SMF Files or Original Song Data PART1 Part 1 PART2 Part 2 OTHER Parts 3 — 8, 11 — 16 RHYTHM Parts 9 and 10 KBD Volume of your keyboard performance L&R Right- and left-hand parts (piano part) BASS Bass part ORCH Orchestra part RHYTHM Rhythm part KBD Volume of your keyboard performance ● When Playing Back DOC Files 94 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Playback ● When Playing Back XG/ESEQ Files L&R Right- and left-hand parts (piano part) ORCH Accompaniment part KBD Volume of your keyboard performance ● When Playing Back Yamaha Disklavier PianoSoft Files L&R Right- and left-hand parts (piano part) KBD Volume of your keyboard performance ■ Page 2 ............................................................................................................................ Use the PAGE [<] [>] buttons to call up display page 2 of the TRACK MIXER display so that all sixteen tracks appear. From this page you can change the volume, voice, Reverb Depth, etc. The parameters below can be changed. See the indicated reference pages for each parameter. Available parameters in the TRACK MIXER display ● When track 1 — 16 is selected: • VOLUME (See page 94.) • VOICE (See page 27.) • PAN (See page 132.) • REVERB DEPTH (See page 43.) • EFFECT DEPTH (See page 46.) ● When TTL (Total) is selected: • TEMPO (See page 49.) • REVERB TYPE (See page 41.) • REVERB DEPTH (See page 42.) • EFFECT TYPE (See page 46.) • The parameters Program Change Number (PRG#), Bank LSB (BNK LSB), and Bank MSB (BNK MSB), which are used to select voices via MIDI, are displayed when VOICE is selected. • Depending on the file type, some parameters cannot be changed. For such parameters, a “Fixed” indication is shown. 95 Song Playback ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Changing Settings in the TRACK MIXER Display ZSelect the track to be changed. ........................................................ Select the desired track by pressing TRACK < or >. Selecting TTL (Total) will change the overall settings of the song rather than the settings of individual tracks. Press the far right LCD button to select PLAY (playback), OFF, or SOLO for the selected track. Select SOLO if you want to play only the selected track. XSelect the parameter to be edited. ................................................. Press SELECT ▼ or ▲ to select the desired parameter. Current value of the selected track Selected parameter to be edited Selected track is highlighted. CEdit the value or setting. .......................................................................... Use the data dial or [–/+] buttons to change the value or setting. You can make changes to the parameters while the song is playing back, letting you immediately hear the results of your edits. 96 • Depending on the file type, voice changes may only be possible for tracks 1 and 2. • Selecting TTL and changing the REVERB DEPTH value will also affect the sound of your keyboard performance. • The voices of tracks to which data of Auto Accompaniment, rhythm and/or harmony have been recorded can also be changed. • Volume range: 0 — 100 • One EFFECT TYPE can be set to a single song. If another song is selected, all settings will return to the basic settings for the song (or the settings used for recording the song). • If Auto Accompaniment is turned on during playback of an original song that was recorded without the Auto Accompaniment function, the MIXER display will function as Auto Accompaniment Part Volume Control instead of Song Track Volume Control. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Playback Repeat Functions The CVP-98/96 has convenient repeat functions that let you repeated play back the same song or sections within the song. This function is useful if you want to practice a difficult phrase repeatedly. Select the desired mode from the available four Repeat modes from the SONG PLAY [REPEAT] display (display page 4). • The ALL or RANDOM playback mode (in the SONG PLAY [MAIN] display) will be disengaged when any of the Repeat modes are selected. • Any previously set Repeat mode will be reset to OFF when a different song is selected. Four Repeat modes • OFF (Repeat function is turned off) • PHRASE (Phrase Repeat) • 1 SONG (1 Song Repeat) • AB mode (AB Repeat) ■ Phrase Repeat (DOC files only) ........................................................ For commercially available DOC files, you can select specific phrase numbers (as indicated on the accompanying sheet music) and repeatedly practice only the selected phrase. (Phrase Repeat can be used for the four songs for which notation is provided in the included Music Book.) If you select PHRASE by using the REPEAT MODE ▼ or ▲ buttons, the PHRASE display for selection of the phrase number will appear at the right of the button. Press PHRASE ▼ or ▲ to highlight the corresponding section of the display, then select the phrase number by using the data dial or [–/+] buttons. You can also select the phrase number by pressing PHRASE ▼ or ▲. Once song playback is started, the selected phrase will be played back repeatedly until playback is stoppped. • Parts can be turned on/off even during the performance. • The Guide function can also be used simultaneously with Phrase Repeat. • When Phrase Repeat is started, a lead-in count automatically plays before the phrase. However, for freetempo songs, a lead-in count is not available. 97 Song Playback ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ■ 1 Song Repeat ...................................................................................................... When 1 SONG is selected by pressing the REPEAT MODE ▼ or ▲ button, any song selected and played as described above will play repeatedly until stopped. • Lead-in count is not played. ■ AB Repeat ................................................................................................................. This function allows you to specify any section (between point A and point B) of a song, letting you repeatedly play back the selected section for practice. When AB mode is selected by the REPEAT MODE ▼ or ▲ buttons, A ➔ and B will appear at the right of the buttons in the display to specify points A and B. • The specified A — B points will be erased when a new song number or another Repeat mode is selected. • A lead-in count automatically plays before the specified section A — B Repeat playback is started. However, for free-tempo songs, a lead-in count is not available. • To specify the A point as the beginning of the song, press A ➔ before playback starts. In this case a lead-in count is not available. • When both the A and B points are specified, pressing the B button clears only the B point, resulting in repeat playback between the A point and the end of the song. • When both the A and B points are specified, pressing the A ➔ button clears both A and B points, allowing you to specify other A and B points within the song. While the song is playing back, press the A ➔ button once at the beginning of the section to be repeated. ➾ Then, press the B button at the end of the section to be repeated. Repeat playback of the specified section (from point A to point B) will begin automatically. The programmed A and B points are retained until a different song or a different Repeat mode is selected. The same section can be played back repeatedly as many times as you desire by using the [PLAY/STOP] button. 98 • The B point cannot be selected unless an A point is selected. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Playback Other Playback Controls SONG CONTROL PAUSE REW FF PLAY/ STOP REC Pause Press the [PAUSE] button during song playback to temporarily stop song playback. Press [PAUSE] again or the [PLAY/STOP] button to resume playback from the same point. • Using the [REW] button may cause the voice, tempo, and/or volume to change. Rewind and Fast Forward Use the [REW] and [FF] buttons to rewind or fast forward to the playback point of the song. • While playback is stopped or paused, the [REW] and [FF] buttons can be used to step backward or forward through the song a measure at a time. Holding down either button continuously moves through the song in the corresponding direction. • During playback, the [REW] and [FF] buttons allow you to move the playback point of the song rapidly as long as the button is held. No sound is produced during [REW] operation. Playing Other Types of Music Data ■ About Compatible Software .................................................................. The CVP-98/96 can playback the following types of software. • Sequence formats: SMF (format 0 and 1), ESEQ • Voice allocation formats: GM System Level 1, XG, DOC Refer to the section “MIDI and Data Compatibility” (page 8 in the Reference Manual) for information on the voice allocation formats and sequence formats. The internal tone generator of the CVP-98/96 automatically resets for compatibility with song data of the Yamaha XG format (including GM System Level 1) (page 8 in the Reference Manual) or of Yamaha DOC voice allocation (page 8 in the Reference Manual), depending on the playback data. (However, the selected voice allocation on the panel will not change.) ■ Song Data Recorded on Other Instruments ........................ Song data recorded on other Clavinovas (CVP-50/70/55/65/75/83S/85A/ 87A/59S/69A/69/79A/89/92/94 and CLP-705) will normally be played back with the correct voices even though the volume balance may be slightly different. However, data recorded using the Auto Accompaniment function of the CVP-50/70 cannot be played back properly. Song data recorded on the Yamaha Disklavier can also be played back. • Regardless of the type of software, only the following disk formats can be used: 3.5” 2DD 720 kilobyte format and 3.5” 2HD 1.44 megabyte format. 99 Guide Control ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ The CVP-98/96 has a special Guide function which allows you to practice by using the appropriate disk software. The “piano roll” display and the keyboard guide lamp indicate which keys you should play, and when you should play them. You can even practice at your own pace since the CVP-98/96 pauses playback of the accompaniment until you play the correct keys. The Guide function can also be used during playback of the “4. GUIDE Demo” song in the Demo mode. Press one of the GUIDE CONTROL buttons during playback of the “4. GUIDE Demo” song in the Demo mode, and use the Guide function to play the melody part. GUIDE CONTROL STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD WALTZ JAZZ BEAT DISK SONG MIXER MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING METRONOME FUNCTION DISK IN USE PIANO E. PIANO GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT 1 2 VIBES GUIDE CONTROL RESET EASY PLAY NEXT NOTE SOUND REPEAT EASY PLAY NEXT NOTE SOUND REPEAT MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VOLUME MASTER VOLUME VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B START/STOP ENDING FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP MIN PAUSE PAGE EXIT REW FF REGISTRATION PLAY/ STOP REC DISPLAY HOLD 3 4 BANK MEMORY BANK FREEZE Guide Methods and Piano Roll The CVP-98/96 has three different Guide methods that can be selected depending on your playing experience or preferences. Beginning players should practice first with Easy Play, then go on to Next Note, then Sound Repeat. GUIDE CONTROL EASY PLAY NEXT NOTE SOUND REPEAT ■ Practicing the Timing: Easy Play .................................................... Since the Easy Play method lets you practice only the timing of the notes, you can play anywhere on the keyboard. The melody will play back smoothly when you play with the correct timing. (The accompaniment plays back normally in tempo.) ■ Practicing the Notes: Next Note ....................................................... The Next Note method lets you check which notes to play by looking at the piano roll display and the keyboard guide lamps. Since the CVP98/96 waits to play the accompaniment until you play the correct note, you can practice at your own pace. The keyboard guide lamps indicate the timing in which to play, by changing from lit-up to flashing. 100 When the keyboard guide lamps do not flash... • The guide lamps may not flash in the case of a few songs because of a special guide system. In case of such songs, however, you can switch to the Next Note method so that the lamps flash, if you like. See the “Other Guide-related Functions” on page 103. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Guide ■ Practicing Phrase-by-phrase with the Playback: Sound Repeat ....................................................................................................... In the Sound Repeat method, the CVP-98/96 plays back a short phrase. Listen to the phrase and practice. Playback of one phrase repeats three times, then is followed automatically by the next phrase. ● Piano Roll To show the piano roll in the display, press any GUIDE CONTROL button, then press the [PLAY/STOP] button to start playback. A bar of the same length as the note to be played scrolls down from the top of the display toward the bottom. You should play the note at the time the bar reaches the bottom of the display. In order to play the note with the correct duration, hold the note for as long as the bar remains in the display. Control Number of Repeats • You can set the number of times the phrase will be repeated from the SONG PLAY [GUIDE MODE] display (display page 5). (See page 104.) • The keyboard guide lamps can be turned on or off as desired. Piano Roll On/Off • The piano roll display can be turned on or off from the SONG PLAY [GUIDE MODE] display (display page 5). (See page 104.) Using the Guide Function Z Set up the desired song for practicing. .................................... Check that the disk is properly inserted in the disk drive before calling up the Guide function. ➾ Select the song and cancel the part that you wish to practice yourself from the SONG PLAY [MAIN] display (display page 1). Before Practicing • Before starting to practice, playback the entire song without cancelling the part to be practiced and listen to it carefully. This will give you a clear idea of how the song should be played, and will make your practice sessions progress more smoothly. Auto Part Cancel • If you turn on the Guide function without cancelling playback of the part to be practiced, 1/RIGHT part is guided (or the 2/LEFT part is guided when the 1/RIGHT part contains no data). However, when you cancel the part before turning on Guide, the setting will be kept until the song is changed. 101 Guide Control ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ XSelect the Guide method. ........................................................................ Press one of the GUIDE CONTROL buttons: [EASY PLAY], [NEXT NOTE] or [SOUND REPEAT]. ➔ The lamp of the corresponding button lights. Turning Off the Keyboard Guide Lamps • The keyboard guide lamp can be turned on and off in the SONG PLAY [GUIDE MODE] display. (See page 104.) GUIDE CONTROL EASY PLAY NEXT NOTE SOUND REPEAT When the GUIDE CONTROL buttons cannot be turned on... • The GUIDE CONTROL buttons can be used only in the Song Play mode or when the “4. GUIDE Demo” song is selected in the Demo mode. Only one Guide mode can be selected at a time. CPractice the part. ............................................................................................... Press the [PLAY/STOP] button to start playback. ➔ The piano roll will appear. Practice along with the accompaniment. Piano Roll On/Off • The piano roll display can be turned on or off from the SONG PLAY [GUIDE MODE] display (display page 5). (See page 104.) • The correct melody plays back no matter which note you play in the EASY PLAY mode. The Guide method can be changed during playback. • (However, the Guide mode cannot be changed for songs in which SPECIAL is indicated in the GUIDE MODE location in SONG PLAY [GUIDE MODE] display page 5.) • The [PAUSE] button cannot be used in the Next Note or Sound Repeat methods. VStop your practice session. .................................................................. The Guide function stops automatically when playback reaches the end of the song. You can also stop song playback by pressing the [PLAY/STOP] button. To turn off the Guide function, press the appropriate button — [EASY PLAY], [NEXT NOTE] or [SOUND REPEAT] — so that the lamp turns off. • The keyboard guide lamps light corresponding to the notes played by the 1/ RIGHT and 2/LEFT parts during song playback, even when Guide is set to off — unless the LAMP button is turned off in the SONG PLAY [GUIDE MODE] display. The guide lamps indicate the notes to be played by both the 1/RIGHT and 2/LEFT parts when both are turned on or off; when only one of the parts is turned off, the lamps indicate the notes to be played by the part that is turned off. • The guide part can be selected, the guide lamps can be turned on and off, and the Guide function itself can be turned on or off during playback. 102 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Guide Control • Playback tempo can be set to any desired value after a song has been selected by using the TEMPO [–/+] buttons. • The positions of the guide lamps will not change, even if the Transpose function (page 130) is used to transpose the pitch of the keyboard. • The Guide function may not work properly with software which was not produced for independent left- and right-hand playback. • Since the Guide phrases used in the Sound Repeat method are automatically determined by the CVP-98/96, they may not precisely match the actual musical phrases. Also, the phrases may become shorter when the Guide function is used for both the leftand right-hand parts. Other Guide-related Functions Various settings related to the Guide functions can be made in the SONG PLAY [GUIDE MODE] display (display page 5). • The settings made in this display will also be effective in the Guide function during playback of the “4. GUIDE Demo” song in the Demo mode. ■ GUIDE MODE .......................................................................................................... NORMAL is ususally displayed in the location of the GUIDE MODE. Change the indication to ENSEMBLE by pressing the GUIDE MODE button; the part which was set to Part Cancel in the SONG PLAY [MAIN] display (display page 1) can then be played with the regular Part Cancel function and the other part (not set to Part Cancel) can be played with the Easy Play function. When Next Note is selected and SPECIAL is indicated in the GUIDE MODE display, a special Guide method is engaged for the selected song. To return the normal Next Note mode, press the GUIDE MODE button so that the indication chages to NORMAL. • The ENSEMBLE mode is effective only for songs which have data in both the [1/RIGHT] and [2/LEFT] parts. • The ENSEMBLE mode cannot be used when Next Note or Sound Repeat is selected. • The SPECIAL indication appears automatically depending on the song being played back. The SPECIAL indication will not appear, even when pressing the GUIDE MODE button, when playing back songs that do not feature the special method. • When using the Easy Play or Sound Repeat method, the respective method is still active, even if the SPECIAL indication is shown. Guide Modes • Settings: NORMAL/ENSEMBLE/ (SPECIAL) • Basic setting: Auto indication of NORMAL/(SPECIAL) • Backup of last settings: OFF 103 Guide Control ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ■ Setting the Sound Repeat Number ................................................ To set the number of times the phrase is repeated in the Sound Repeat mode, press the SOUND REPEAT button. When AUTO is selected, only the notes which have not been played correctly are repeated; the Guide function will automatically go on to the next phrase once the previous one has been played properly. Sound Repeat Number • Settings: AUTO, 2 - 10 • Basic setting: 3 • Backup of last settings: OFF ■ Lyric Display ON/OFF .................................................................................. To turn lyric display off, press the LYRICS button to set the function to OFF. Lyric Display • Setting: ON/OFF • Basic setting: ON • Backup of last settings: OFF ■ Setting the Piano Roll Indication ..................................................... The piano roll settings AUTO/ON/OFF can be changed by pressing the PIANO ROLL button. When AUTO is selected, the piano roll will appear by turning on one of the GUIDE CONTROL buttons. When this is set to ON, the piano roll is always shown during playback; when set to OFF, the piano roll is not displayed. ■ Keyboard Guide Lamp ON/OFF ........................................................ To turn off the keyboard guide lamps, press the LAMP button to set the function to OFF. 104 Piano Roll • Settings: AUTO/ON/OFF • Basic setting: AUTO • Backup of last settings: OFF Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○ The CVP-98/96 features comprehensive song recording functions that allow you to record your own performances to floppy disks. Three recording methods are available: Quick Recording (page 107), which lets you record quickly and easily; Track Recording (page 110), with which you can record multiple instrumental parts; and Chord Sequence (page 116), which lets you step-record Auto Accompaniment chords. The music you create by recording is called a song. Up to approximately 60 songs can be recorded on a single disk, depending on the amount of data contained in each song. Before you can record, however, you must “format” a new disk. (See page 106). SONG CONTROL STYLE DEMO POP 16BEAT DANCE POP HELP BALL– ROOM LATIN POP TRADI– TIONAL VOICE CONTRAST ROCK COUNTRY BALLAD JAZZ WALTZ DISK BEAT SONG MIXER VOLUME MASTER VOLUME MAX ACMP/SONG VOLUME POWER BASS HARMONY PIANIST CUSTOM ONE TOUCH SETTING FUNCTION METRONOME DISK IN USE PIANO E. PIANO VIBES GUITAR CLAVI. TONE/ SYNTH ORGAN STRINGS/ CHOIR BRASS SAX / FLUTE BASS DRUMS XG DUAL SPLIT REVERB EFFECT PAUSE REW FF PLAY/ STOP REC GUIDE CONTROL RESET EASY PLAY NEXT NOTE SOUND REPEAT MAX AUTO ACCOMPANIMENT ACMP ON MIN MASTER EQUALIZER TEMPO VIRTUAL ARRANGER INTRO AUTO FILL MAIN A MAIN B MIN START/STOP ENDING FADE IN/OUT TAP SYNCHRO SONG CONTROL START/STOP PAUSE PAGE EXIT DISPLAY HOLD REW FF REGISTRATION PLAY/ STOP REC 1 2 3 4 BANK MEMORY BANK FREEZE ● Structure of a Song A song can be made up of several instrumental parts, each assigned to a different track, as shown in the example below. Song Recording track chart Track 1 Piano Part (right-hand) Track 2 Piano Part (left-hand) Track 3 Bass Part Track 4 : 9 Strings Part : Rhythm Part Track 10 : Track 16 Rhythm Part : Organ Part Track • Refer to “Handling Floppy Disks” (page 7) for information on using floppy disks. • Songs recorded by the CVP-98/96 are saved as XG/SMF (format 0) files. See page 8 in the Reference Manual for information on the XG/ SMF (format 0) format. • Recorded song data is not output through the MIDI OUT terminal when played back. (Up to a maximum of 16 tracks.) Various confirmation, alert, and error messages may appear in the display during operation. Refer to the “Messages” section (page 2 in the Reference Manual) for information on the messages. 105 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Recording Setup: Disk Format Before you can record to the included blank disk, you will have to format it. Commercially available blank disks must also be formatted before using. Refer to Format in the Function section (page 135) to reformat floppy disks that have already been used for recording. ZInsert a disk. ........................................................................................................... Gently insert the included blank disk for recording into the disk drive face up as shown in the illustration until it clicks into place. ➔ A few seconds after inserting the disk into the disk drive, a “Start disk format?” message appears in the display. To start formatting, press the OK button. To cancel the format operation, press CANCEL. DISK IN USE Shutter Label side of disk XExecute the format operation. ............................................................ An “Are you sure?” message appears in the LCD display; press YES to execute the operation, or NO button to cancel it. A bar graph appears in the LCD display during formatting to indicate progress of the operation. The display automatically returns to the previous display when formatting is completed. 106 • The same display appears when inserting blank unformatted disks, or disks of different formats. Format Types • 2DD disks are formatted to 720 KB, while 2HD disks are formatted to 1.44 MB. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording Quick Recording Z Insert a formatted disk. .............................................................................. Make sure that the disk’s write protect tab is set to the “write” position, then insert the disk face up with the shutter forward until it clicks into place. • The SONG PLAY mode will not automatically be called up, even after inserting the disk, in disk-related Function operations and the CUSTOM STYLE display. DISK IN USE Shutter Label side of disk Write protect tab closed (unlocked — write enabled) Using Style File Disks • When using Style File disks, first load the desired data from the Style File disk (page 80), then insert the recording disk. ➔ The DISK IN USE lamp stays lit until the CVP-98/96 reads and recognizes the disk. If the Song Play mode is not automatically called up, press the [SONG] button. ➔ The lamp lights and the SONG PLAY MAIN display appears. If the SONG PLAY MAIN display is not shown, use the PAGE [<] [>] buttons to select display page 1. X Select the song number to be recorded. ................................ Select the desired song number for recording by using the SONG ▼ or ▲ buttons, data dial or [–/+] buttons. The song number can be selected from between 1 and 60. The selected number becomes the location that the song will be recorded. If a song name appears beside the song number, the selected song already contains data, and another song number must be selected. 107 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CSelect the record mode. ............................................................... • The song number for recording can be changed in the QUICK RECORD display. Press the [REC] button. ➔ The [REC] lamp lights and the QUICK RECORD display of record mode page 1 appears. Call up page 1 by using the PAGE [<] [>] buttons if the lamp is lit but the QUICK RECORD display is not shown. • If Auto Accompaniment is turned on when entering the record mode, the ACMP&RHY track will automatically change to the REC display. SONG CONTROL PAUSE REW FF PLAY/ STOP REC • Both 1/RIGHT and 2/LEFT cannot be set to REC at the same time. VSelect the part for recording. ................................................. In Quick Recording, three parts can be recorded: the right hand part (1/RIGHT), the left hand part (2/LEFT) and the Auto Accompaniment & rhythm part (ACMP &RHY). Press the appropriate button — 1/RIGHT, 2/LEFT or ACMP&RHY — to set the part to REC (record enable) or OFF (record/playback disabled). The PLAY (playback) setting can be selected only for parts which already contain data. The ACMP&RHY part can automatically be set to REC by pressing the panel [ACMP ON] button. To record only the rhythm, leave ACMP&RHY set to REC, then press the [ACMP ON] button so that the lamp goes out. Tracks Recorded with Harmony, Dual or Split Functions • You can record your performance with harmony parts using the Harmony function, or record two different parts by using the Dual or Split functions. Harmony is recorded to tracks 6, 7 and 8. When using Dual with recording of the 1/RIGHT part, data is recorded to tracks 1 and 3; when using Split with recording of the 1/ RIGHT part, data is recorded to tracks 1 and 5. When using Dual with the 2/LEFT part, data is recorded to tracks 2 and 4; when using Split with the 2/LEFT part, data is recorded to tracks 2 and 5. Tracks Recorded Using Auto Accompaniment • When recording Auto Accompaniment, the rhythm is recorded to tracks 9 - 10, bass to track 11, and chordal backing to tracks 12 - 16. • When any part is displayed in REC, the remaining memory capacity of the disk (in kilobytes) will appear directly below the measure indication in the display. Empty 2DD and 2HD disks should have about 690KB and 1400KB, respectively. This is room enough for about 50,000/100,000 notes if no other data is recorded. • When the ACMP&RHY part is set to REC, the metronome will sound to provide a timing guide in the Synchronized Start mode before recording is started. (The metronome doesn’t sound when Synchronized Start is released.) • The Chord Sequence recording method (page 116) lets you record Auto Accompaniment without having to play chord parts in tempo. When a part is set to REC (record enable), recording is set to stand-by and automatically starts when you play the keyboard. 108 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording B Select the desired voices and accompaniment style, etc. ....................................................................................................... Select the voices and accompaniment style and set the tempo in the normal way, and other settings needed. (If you want to try out the selected voices, style and tempo, etc., make sure to do so before entering the SONG PLAY mode, since the recording will start as soon as you play the keyboard or press the [START/STOP] button.) N Start recording. ...................................................................................... There are several ways to start recording, as described below. • Recording your keyboard performance (1/RIGHT or 2/LEFT) Start playing the keyboard or press the [PLAY/STOP] button. When Using Style File Disks • When using Style File disks, make sure to load the data from the Style File disk (page 80) before inserting the disk for recording. • The Auto Accompaniment functions — INTRO, AUTO FILL, ENDING, and FADE IN/OUT — can be also recorded. Press the INTRO button before starting to record, press the AUTO FILL button during recording, press the ENDING button at the end of recording, and press the FADE IN/OUT button at the beginning or ending of the recording. When the ENDING button or the FADE IN/OUT button is pressed at the ending, recording stops automatically after playing the ending pattern or fade out. Recording Along with the Metronome 1. After selecting the voice, press the [METRONOME] button, and set the Beat parameter in the METRONOME display. → The metronome will start sounding. 2. The recording starts as soon as you play the keyboard. The metronome sound is not recorded. When a disk is not inserted... • A song can be recorded to internal memory if it is short enough. A maximum of approximately 2500 notes 25KB can be recorded; however, this amount may be less if other functions are used. The internally recorded song will be deleted when the power is turned off or when another song is loaded. See “Recording Without a Disk” (page 127) for more information. • Recording the Auto Accompaniment or rhythm (ACMP&RHY) Start playing the keyboard (in the left range when the keyboard is split) with the Synchronized Start function or press the [START/STOP] button. • Recording your keyboard performance together with the Auto Accompaniment or rhythm Start recording in the same way as described in “Recording the Auto Accompaniment or rhythm (ACMP&RHY)” above to start recording your keyboard performance together with the Auto Accompaniment or rhythm. • Recording the Auto Accompaniment or rhythm in the middle of recording your keyboard performance Start recording your keyboard performance as in “Recording your keyboard performance (1/RIGHT or 2/LEFT)” above, then start recording the Auto Accompaniment or rhythm while you play as described in “Recording the Auto Accompaniment or rhythm (ACMP&RHY)” above. Adjusting the Volume During Recording • During recording, you can adjust the volume of the recorded Auto Accompaniment and/or keyboard part from the [ACMP/SONG VOLUME] control and the MIXER display. When entering the record mode, [ACMP/SONG VOLUME] is automatically reset to the default value (MAX), regardless of the current slider position. Turning Harmony or Split On/Off During Recording • When recording the 1/RIGHT part, [HARMONY] or [SPLIT] can be set to on and recorded for only this part. When the 2/LEFT part is selected, the Harmony sound and the left range of the split cannot be recorded. When the recording part is changed, [HARMONY] and [SPLIT] are automatically turned off. • The keyboard guide lamps do not light up during recording. 109 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ MStop recording. ................................................................................................... Press the [PLAY/STOP] button. ➔ Recording stops. When the recorded data has been written to disk, the [REC] lamp goes out and the song play display appears. You can also stop recording by pressing the [REC] button. When pressing the [START/STOP] button, only the recording of the Auto Accompaniment or rhythm will stop. You can continue recording your keyboard performance, without the Auto Accompaniment and rhythm. Press either the [PLAY/STOP] or [REC] button in order to actually stop recording.] buttons to select the TRACK RECORD page (RECORD display page 2). Each track will be displayed in the TRACK < > section. Tracks which are enabled for playback are indicated by a box surrounding the track number, and tracks which are record-enabled are indicated by highlighted number. Tracks which do not contain data are not displayed. 110 • When the Rhythm track(s) contain data, an “ ” indication appears at the right below “RHYTHM” in the display. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording C Select the desired track for recording. ..................................... Press the TRACK < or > buttons or use the data dial or [–/+] buttons to select the track. ➔ The selected track is indicated by an underline mark. Use the LCD button at the far right to set the selected tracks to RECORD (record enable) or OFF (record/playback disable). PLAY can only be selected for tracks which contain data. When a track is muted, the track number is “ghosted” (shown in lighter indication) in the display. Three separate tracks can be set to record simultaneously when recording keyboard parts. If you intend to record using the Dual or Split functions, two tracks must be record-enabled. If you intend to use both the Dual and Split functions simultaneously, three tracks must be selected. If Auto Accompaniment and/or Harmony are turned on, the recording track numbers are automatically fixed, as described below. * If Auto Accomapniment is turned on, tracks 9 through 16 are automatically record-enabled for recording the Auto Accompaniment data. If the Harmony function is turned on, tracks 6 through 8 are automatically record-enabled for recording the Harmony data. • Track 10 (and 9, in some cases) can only be used to record the rhythm sound of the accompaniment style and cannot be used to record keyboard part. Also, the keyboard part should be recorded on a track other than those used for Harmony or Auto Accompaniment. • When Auto Accompaniment is turned on, Synchronized Start recording is automatically set to stand-by. • When the RHYTHM tracks (9 and 10) are set to RECORD, the metronome will sound to provide a timing guide in the Synchronized Start mode. When the RHYTHM button is pressed, tracks 9 and 10 are automatically selected for the rhythm data. Set tracks 9 and 10 to RECORD, PLAY, or OFF by using the LCD button at the far right. 111 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ VSet all performance features as required. ............................. After setting the tracks to be recorded, set up all necessary performance features as required: voice, accompaniment style, tempo, reverb, etc. BStart recording. ................................................................................................... There are several ways to start recording, as described below. • Recording your keyboard performance Start playing the keyboard or press the [PLAY/STOP] button. • Recording the Auto Accompaniment or rhythm Start playing the keyboard (in the left range when the keyboard is split) with the Synchronized Start function or press the [START/ STOP] button. • Recording your keyboard performance together with the Auto Accompaniment or rhythm Start recording in the same way as described in “Recording the Auto Accompaniment or rhythm“ above to start recording your keyboard performance together with the Auto Accompaniment or rhythm. • Recording the Auto Accompaniment or rhythm in the middle of recording your keyboard performance Start recording your keyboard performance as in “Recording your keyboard performance” above, then start recording the Auto Accompaniment or rhythm while you play as described in “Recording the Auto Accompaniment or rhythm” above. • If Auto Accompaniment and/or Harmony are already on when the Track Recording page is selected, the corresponding tracks are automatically record-enabled and the Synchronized Start mode is automatically turned on. • If you want to re-record part of the song (for example, if you’ve made a mistake in the recording), you can easily do so with the Punch-in /out Recording function (page 113). Backing Up Your Data • Any time you have recorded some amount of data, you should copy the data to another song number for backup purposes (see page 136 for information on the Copy operation). Doing this prevents accidental loss of important data, should you inadvertently delete the data during recording. The current measure number is shown in the display as you record. The parameters listed below will be recorded in addition to notes you play. (Recorded parameters differ depending on the play styles and settings.) Parameters Recorded for Each Track Parameters Recorded for the Entire Song • Notes • Voice • Volume (initially maximum) • Pan • Damper pedal • Soft pedal • Sostenuto pedal • Reverb depth • Effect depth • Individual part volume • Fade-in/out (converted into volume data) • Tempo • Reverb type • Reverb depth • Effect type* • Accompaniment style • Intro • Main A/B • Fill-in • Ending * The last recorded track effect takes priority. Other Recorded Parameters Accompaniment style data which is recorded but not listed above includes: • Individual part volume 112 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording N Stop recording. ................................................................................................... Press the [PLAY/STOP] button. ➔ Recording stops. The [REC] lamp goes out when the data has been written to the disk, and the song play display appears. • When recording is finished, [ACMP/ SONG VOLUME] is automatically reset to the default setting (MAX), regardless of the current slider position. You can also stop recording by pressing the [REC] button. When pressing the [START/STOP] button, only the recording of the Auto Accompaniment or rhythm will stop. You can continue recording your keyboard performance without the Auto Accompaniment or rhythm. Press either the [PLAY/STOP] or [REC] button in order to actually stop recording. Adding New Tracks You can add a new track to your song by selecting a new record track(s) and voice(s) for recording as described above. You can record while playing back and monitoring the previously recorded tracks, letting you assemble a complete song by repeating this process. • If you record on a track that has already been recorded, the previous material will be erased and the new material will be recorded in its place. Punch-in/out Recording With the Punch-in/out Recording function, you can selectively rerecord specified sections of the song. Punch-in/out recording allows you to start recording from any “Punch-in” point within a previously recorded track and stop recording at any “Punch-out” point, leaving intact all recorded material up to the Punch-in point and following the Punchout point. • Punch-in/out recording cannot be used on tracks to which Auto Accompaniment, rhythm and/or Harmony are recorded. Z Play back the song. ........................................................................................ Play back the song in order to locate the point you want to Punch-in (re-record) from . SONG CONTROL PAUSE REW FF PLAY/ STOP REC 113 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ XPause before the Punch-in point. ................................................... Press the [PAUSE] button to pause play back a bit before the point at which you want to start recording. Leave a measure or more before the Punch-in point so you’ll be able to grasp the timing for the Punch in. SONG CONTROL PAUSE REW FF PLAY/ STOP REC CTurn on the Punch-in/out function. ............................................... Press the [REC] button. ➔ The PUNCH IN/OUT display appears. SONG CONTROL PAUSE REW FF PLAY/ STOP REC VSelect a track. ....................................................................................................... Press the TRACK < or > buttons or use the data dial or [–/+] buttons to select the track. ➔ The selected track is indicated by an underline mark. Use the LCD button at the far right to set the selected track to RECORD (record enable) or OFF (record/playback disable). PLAY can only be selected for tracks which contain data. When a track is muted, the track number is “ghosted” (shown in lighter indication) in the display. 114 • Only tracks which allow Punch-in/out Recording will appear and can be selected. The rhythm, Auto Accompaniment and Harmony tracks cannot be selected. Auto Setting of Punch-in/out • If no other track is selected, the last recorded track is automatically selected for Punch-in/out. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording B Select the Punch-in mode. ..................................................................... Select the desired Punch-in mode by using the LCD button located second from the right. Two modes are available, as described below. 1ST KEY Recording begins as soon as the first key is played, after Punch-in playback is started in step 7 (below). PEDAL Recording begins as soon as the left pedal is pressed, after Punch-in playback is started in step 7 (below). • When the PEDAL Punch-in mode is selected, the left pedal is automatically assigned for this function only (the normal pedal function is canceled). N Select the Punch-out mode. ................................................................. Select the desired Punch-out mode by using the center LCD button. Two modes are available, as described below. REPLACE When recording is stopped, all data following the stopped point will be erased. PNCH.OUT When recording is stopped, all data following the stopped point will remain intact. M Start playback and recording. ............................................................ Press the [PLAY/STOP] or [PAUSE] button to start playback from the current paused location. To start Punch-in record when the 1ST KEY mode is selected, simply begin playing at the point from which you want to record. To start Punch-in record when the PEDAL mode is selected, press the left pedal at the point from which you want to record. • When the PEDAL Punch-in mode is selected, recording can be started directly by pressing the left pedal, without having to start playback by pressing the [PLAY/STOP] or [PAUSE] button. 115 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ] buttons. SONG CONTROL PAUSE REW FF PLAY/ STOP REC ● Set Up for Step Recording of the Data You can enter the chords with the SINGLE FINGER, MULTI FINGER, or FINGERED Auto Accompaniment modes, or by specifying the chord name manually from the LCD display. If you wish to enter chords with one of the Auto Accompaniment modes, select the desired mode at this point. 116 • When the PEDAL mode is selected, recording can also be stopped by pressing the left pedal. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording X Turn on the Chord Sequence function. ....................... Press the CHORD SEQ. button in the RECORD [EDIT] display. ➔ The CHORD SEQUENCE display appears and Auto Accompaniment is turned on. If the Full Keyboard mode is currently active, the Fingered Chord mode will be selected instead. Changing the Auto Accompaniment Mode • Auto Accompaniment cannot be turned off while the Chord Sequence function is active. However, you can select from among the Multi Finger, Fingered, and Single Finger Auto Accompaniment modes from the pop-up display by pressing the [ACMP ON] button. The split point can also be changed. When Chord Sequence cannot be turned on... • The chord sequence function cannot be used when no disk has been inserted in the disk drive. • The Chord Sequence data will automatically replace any previous data in the Auto Accompaniment and rhythm tracks that was recorded in the Quick Record or Track Record modes. • Up to 999 measures can be recorded using the Chord Sequence function. • The chord input resolution will be automatically selected according to the current style. For styles of 2/4, 3/4, 4/4, 5/4, 6/8, 9/8 and 12/8 time signatures, one chord can be entered on every 8th note or 8th-note triplet. For other time signatures, one chord can be entered for each measure. C Move the cursor to the entry point. ................................. The display shows measures as a horizontal line with 8th-note divisions. To move the triangular cursor along the measure indication to the point at which you want to enter a chord or style change, press one of the CURSOR < > buttons (the section is highlighted), then use the data dial or [–/+] buttons. You can also move the triangular cursor by pressing the CURSOR < > buttons. Entering Accompaniment Style and Section Changes • One style change or section change (page 118) can be made at the beginning of each measure (The Intro pattern can only be entered at the beginning of a song.). However, Auto Fill data can be entered anywhere you desire. Adjusting the Volume of Auto Accompaniment • You can also enter volume changes for the Auto Accompaniment. Used judiciously, these can help you create professional-sounding dynamic changes in the Auto Accompaniment of your song. To do this, first enter the Auto Accompaniment part volume data from the MIXER display; the volume event symbol ( ) will appear in the box in the middle of the display. To actually record the volume data at the current position, press the SET button in the CHORD SEQUENCE display. (An initial volume event is automatically entered at the beginning of a song.) 117 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ VEnter and set the chords and/or style changes. ............ To enter a chord, either play the chord with appropriate fingering on the left range of the Auto Accompaniment section of the keyboard (lower than the split point), or highlight ROOT or TYPE in the LCD display and use the data dial or [–/+] buttons. You can also select the chord by pressing the ROOT or TYPE button. • The input chord name also appears in the ROOT and TYPE sections of the display when a chord is entered via the keyboard. ➾ To enter a style change (style, section and tempo) simply make the appropriate selections in the normal way. ➾ Once the chord and/or style has been selected, press the SET button. The data is recorded to the current location, and a black box and the recorded chord name appear in the measure indication. The cursor automatically moves to the next position. The entered data of the recorded style will be shown in the display: the time signature, the style name and section appear at the top of the display, and the chord name and tempo in the box at the middle of the display. • The chord name is indicated only at the first beat of the measure line, with the exception of 4/4 and 12/8 time signatures, for which indications appear at the first and third beats. • Fade-out cannot be entered during Fade-in. Entering Rhythm-only Sections • You can also record the rhythm alone (without accompaniment) to your song. To do this, record a blank chord in the desired measure by leaving the TYPE parameter set to “ - - -”. Continue moving the cursor to other positions and enter chords and style changes in this manner. You can always check the entered data during the operation by playing back the sequence using the [PLAY/ STOP] button. The data recorded by the Chord Sequence function is listed below. Data Recorded By the Chord Sequence Function • Accompaniment style • Section (MAIN A/B, Intro, Ending, Auto-fill, Fade-in/out, Break) • Chord name • Auto accompaniment part volume (MIXER settings) • Tempo • Rhythm on/off • ACMP/SONG volume (as an initial setting only) • SMALL ACMP • VIRTUAL ARRANGER (one ON/OFF setting for an entire song only) 118 Entering a Break • A complete break can be created by setting the chord type to “ - - -” and setting rhythm sound to “OFF” (see “RHYTHM ON/OFF” below). • The types of chords that can be entered are the same as those listed for the fingered mode (page 59). Onbass chords can be entered via the keyboard. • The measure number is indicated at the left of the measure indication. • For information on other useful editing features, see the section “Chord Sequence Page 2 Functions” below. • The same chord, as set previously (i.e., the same chord shown in the box at the middle of the display), cannot be entered even if the SET button is pressed. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording B Stop recording. ................................................................................................... When all recording has been finished, select page 2 of the CHORD SEQUENCE display, then press the END MARK and SET buttons and input an “end mark” which determines the location of the ending. The end mark will be displayed in the box at the middle of the display. End mark Finally, press the [REC] button and a “Save recorded data?” message will appear. Press YES to store the recorded data and automatically leave the Chord Sequence function; the display returns to the SONG PLAY display. To leave without saving the data, press NO. To continue editing the sequence without saving the data, press CANCEL. • The chord sequence data now resides in tracks 9 through 16, and can be played back in the normal way. Add other tracks as desired by using the standard track selection and recording procedure. You can also record over the Auto Accompaniment parts and replace them with original material if you like by using the standard track selection and record procedure. • The song recorded via the Chord Sequence function can be modified later by re-entering the Chord Sequence mode and making the desired changes. However, keep in mind that any data recorded over the Auto Accompaniment parts (with normal track recording) will be replaced by the preset accompaniment style data. (For example, even if you’ve recorded your own bass part, it will be erased and replaced by the original bass pattern if you correct the data in the Chord Sequence display.) Other Chord Sequence Functions Page 2 of the CHORD SEQUENCE display contains a number of versatile functions that help you enter chords more efficiently. ALL DELETE To delete all sequence data, press the ALL DELETE button. An “Are you sure?” confirmation prompt appears. Press YES to execute the operation, or NO to cancel. DELETE To delete the data at the current cursor location, press the DELETE button. An “Are you sure?” confirmation prompt appears. Press YES to execute the operation, or NO to cancel. 119 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ END MARK To enter an “end mark” at the current cursor location, press the END MARK button followed by the SET button. An end mark signifies the end of the song, and should always be entered to properly end each song. (An end mark is unnecessary when ending with an Ending pattern or Fade-out.) The cursor cannot be moved past an end mark. You can delete an end mark by using the DELETE button, just as with other normal data. RHYTHM ON/OFF To turn the rhythm sound on or off, press the RHYTHM ON/OFF button followed by the SET button. No rhythm sound is produced following the location to which a “rhythm off” event is entered; the rhythm starts sounding again from the location to which a “rhythm on” event is entered. End Mark • Unless an end mark is entered, the song will end one measure after the last entered data. If an Ending pattern or Fade-out is input, the song will end at the last measure of the Ending or Fade-out. • The rhythm on/off status can be mark in the box at the checked by middle of the display. Record Edit Function The Record mode also features a number of convenient edit functions that provide even greater control over the song data. The Record Edit functions include: Song Name, which lets you name a recorded song file; Track Edit, which gives you a variety of track-related editing controls, such as Track Mix and Track Delete; and Initial Edit, which lets you change the data at the beginning of a song, such as voice, reverb, and effect settings. To select the Record Edit function, call up the RECORD [EDIT] display (Record display page 3) after selecting the song you wish to edit. 120 • The Record Edit functions can only be used for song data recorded with the CVP-98/96 (or 94/92). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording Song Name This function is used to name song files recorded with the CVP-98/96 or to change existing names. To call up the Song Name function, press the SONG NAME button in the RECORD [EDIT] display. • The Song Name function cannot be used when a disk has not been inserted in the disk drive. Z Enter the desired name. ............................................................................ Use the CHAR > button to move the underline cursor to the desired character position in the file name display. (File names can be up to 12 characters in length). ➾ Use the data dial or [–/+] buttons to select and highlight the character or mark you wish to enter. Press the CHAR SET button to enter the selected character to the current cursor position and move to the next position. Continue entering other characters or marks in this way. To delete the character at the previous position, press the BACK SPACE button. The character before the underline cursor is deleted and the cursor moves back to the deleted position. To abort the Song Name operation and return to the RECORD EDIT display, press the CANCEL button. X Register the name. .......................................................................................... When the song file name is complete, press the OK button to register it. The new name is registered as the current song file name. To cancel the operation, press the CANCEL button. To exit from the Song Name function, press the [REC] button (the lamp goes out). 121 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Track Edit Press the TRACK EDIT button in the RECORD [EDIT] display to call up the TRACK EDIT display. There are three pages in the TRACK EDIT display: TRACK EDIT [MIX], TRACK EDIT [DELETE], and TRACK EDIT [QUANTIZE]. ■ Track Mix — Track Edit Page 1 The Track Mix function combines the data from two specified tracks and copies the result to a third specified track. Track Copy • Only tracks containing data will appear and can be selected for TRACK A and TRACK B. In addition, “- - -” (no track) can also be selected for TRACK B. In this case, the data of TRACK A will simply be copied to TRACK C. • For the Track Mix function, the selected track voice and volume data, etc. (i.e., all data except note data) of TRACK A will be effective for the track after the mix operation. ZSpecify the two tracks to be mixed. ............................................. Press the TRACK A and TRACK B buttons to highlight the parameters, and use the data dial or [–/+] buttons to select the two track numbers to be mixed. The voices which are used for the selected tracks are indicated at the side of A:/B:, located at the left of the LCD display. XSpecify the destination track. ............................................................. Use the TRACK C parameter to specify the track to which you want to record the mixed data. You can also specify the track for the mixed data by highlighting the appropriate section using the TRACK C button, then using the data dial or [–/+] buttons. Any previous data in the destination track will be erased. CExecute the Track Mix operation. ................................................... Press the MIX button to begin execution of the Track Mix operation. An “Are you sure?” confirmation prompt will appear. Press YES to execute the Track Mix operation or press NO to cancel. When this is completed, the MIX button will change to UNDO, allowing you to undo the Track Mix operation and restore the previous data (before mixing). Press the [REC] button (the lamp goes out) to exit the Track Mix function. You can also exit the Track Mix function by pressing the [EXIT] button. 122 • The previous data of the mixed track will remain even after executing Track Mix. If the old data is not needed, you should delete it. (See “Track Delete” below.) • A bar graph indicating the progress of the Track Mix operation will appear while the data is being processed. • You can check if the results are as you expected or not, by starting and stopping playback with the [PLAY/STOP] button before performing the UNDO operation. • The Undo function cannot be used if you’ve selected another track or exited from this mode. • The Undo feature cannot be used for data recorded to internal RAM (see page 127). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording ■ Track Delete — Track Edit, Page 2 The Track Delete function can be used to delete the data from any specified track. Z Specify the track to be deleted. ........................................................ • Only tracks containing data will appear and can be selected. Use the TRACK ▼ or ▲ button to highlight the Track parameter, then use the data dial or [–/+] buttons to select the track to be deleted. XExecute the Delete operation. ............................................................. Press the DELETE button. At the “Are You Sure?” confirmation prompt, press YES to execute the Delete operation or NO to cancel. The DELETE display will change to the UNDO display after the Delete operation is executed. If the result is not what you expected, press the UNDO button to restore the data of the deleted track to what it was before performing the Delete operation. To exit the Track Delete function, press the [REC] button (the lamp goes out). You can also press the [EXIT] button to exit the Track Delete function. • A bar graph indicating the progress of the Track Delete operation will appear while the data is being processed. • You can check if the results are as you expected or not, by starting and stopping playback with the [PLAY/STOP] button before performing the UNDO operation. • The Undo function cannot be used if you’ve selected another track or exited from this mode. • The Undo feature cannot be used for data recorded to internal RAM (see page 127). ■ Track Quantize You can “tighten up” the timing of a recorded part by aligning all notes to specified beats with the Track Quantize function. For example, you can accurately align the recorded notes to 8th- or 16th-note resolution. 123 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ZSpecify the track to be quantized. ................................................. Use the TRACK ▼ or ▲ button to highlight the Track parameter, then use the data dial or [–/+] buttons to select the track to be quantized. • Only tracks containing data will appear and can be selected. XSpecify the quantize “size.” .................................................................. Press the LCD button below the note symbol to select the desired quantize “size” as shown below. 32nd notes 3 16th note triplets 16th notes 3 8th note triplets 8th notes 3 quarter-note triplets quarter notes CExecute the Quantize operation. ..................................................... Press the QUANTIZE button. At the “Are you sure?” confirmation prompt, press the YES button to execute the Quantize operation or NO button to cancel. The QUANTIZE display will be changed to the UNDO display after the Quantize operation is executed. If the result is not what you expected, press the UNDO button to restore the data of the quantized track to what it was before performing the Quantize operation. To exit the Track Quantize function, press the [REC] button (the lamp goes out). You can also press the [EXIT] button to exit the Track Quantize function. • Only the note data and voice data are quantized. • A bar graph indicating the progress of the Quantize operation will appear while the data is being processed. • You can check if the results are as you expected or not, by starting and stopping playback with the [PLAY/STOP] button before performing the UNDO operation. • The Undo function cannot be used if you’ve changed the quantize “size,” selected another track, or exited from this mode. • The Undo feature cannot be used for data recorded to internal RAM (see page 127). Initial Edit (Changing the Initial Data) The Initial Edit function allows you to change the volume level of each track or the initial data set for the entire song after you’ve finished recording. The INITIAL EDIT display appears when you press the INITIAL EDIT button in the RECORD [EDIT] display. All sixteen tracks are displayed simultaneously in this display and the settings such as volume, voices and reverb depth can be changed. • Any voice changes entered in the middle of the original song will be erased when the voice parameter is changed in the Initial Edit mode. • Depending on the data type, some parameters cannot be changed. For such parameters, a “Fixed” indication is shown. • For songs recorded to 1/RIGHT or 2/ LEFT of the copied DOC files, voice changes can only be made to track 1 or 2. 124 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording The following parameters can be changed in the Initial Edit display. Refer to the indicated page for details on each parameter. Parameters which can be changed with Initial Edit: ● When one of tracks 1 - 16 is selected • Volume (page 94) • Voice (page 27) • Pan (page 132) • Reverb Depth (page 43) • Effect Depth (page 46) ● When [TTL] (Total) is selected • Tempo (page 49) • Reverb Type (page 41) • Reverb Depth (page 42) • Effect Type (page 46) • The parameters Program Change Number (PRG#), Bank LSB (BNK LSB), and Bank MSB (BNK MSB), which are used to select voices via MIDI, are also displayed when VOICE is selected. Making Settings in the INITIAL EDIT Display Z Select the track to be edited. ............................................................... Select the track whose parameters you wish to change by pressing the TRACK < or > button. If TTL (Total) is selected, the setting change will be made not for each track but for the entire song. X Select the parameters to be changed. ....................................... Select the parameters to be changed by pressing the SELECT ▼ or ▲ button. The current parameter value of the selected track. The selected parameters to be changed. The selected track is highlighted. 125 Song Recording ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CChange the settings. ..................................................................................... Use the data dial or [–/+] buttons to change the settings. You can instantly check the effect of the changes, since the settings can be changed during playback. • If [TTL] is selected and the value of the reverb depth is changed, the new setting will also affect the keyboard sound. • The voices of the tracks to which Auto Accompaniment, rhythm and/or Harmony data have been recorded, can also be changed. • The volume parameter’s initial default value is 100 for each track. The value can only be decreased. • Only one effect type can be set for each song. • The data may not be played back accurately if you use the [REW] button while editing the data. VWrite the changes. ........................................................................................... When all the Initial Data changes have been made as desired, press the WRITE button. At the “Are you sure?” confirmation prompt, press the YES button to actually make the specified changes, or NO to cancel. When this is completed, the WRITE button will change to UNDO, allowing you to undo the Write operation and restore the data of the edited track to what it was before you made any edits. • All edited data for any number of tracks within a single song can be written in a one-time Write operation, by pressing the WRITE button. • You can check if the results of the Initial Edit are as you expected or not, by starting and stopping playback with the [PLAY/STOP] button before performing the UNDO operation. • The Undo function cannot be used if you’ve selected another track or exited from the Initial Edit mode. • The Undo feature cannot be used for data recorded to internal RAM (see page 127). BExit the Initial Edit function. .................................................................. To do this, press the [REC] button. ➔ The [REC] lamp goes out and the Initial Edit operation is completed. You can also exit the Initial Edit function by pressing the [EXIT] button. If you do this after making any edits that you have not yet written to disk, a “Write edited data?” confirmation prompt will appear. Press YES to write the edited data and exit from the Initial Edit mode, NO to exit without writing the data, or CANCEL to return to the Initial Edit mode and continue editing. 126 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Song Recording Recording Without a Disk The CVP-98/96 has internal RAM memory (about 25KB) that allows a limited amount of recording — even if a disk is not loaded — up to approximately 2,500 notes, if no other data is recorded. If you enter the Song Record mode without inserting a disk, CVP MEMORY will be indicated in the SONG display as shown below, and the Quick Recording, Track Recording and Punch-in/out Recording functions will become available. • Chord Sequence data cannot be recorded to internal RAM memory. • The Song Name function cannot be engaged for data recorded to internal RAM. However, the Track Edit function (page 122) and the Initial Edit function (page 124) can be engaged for data recorded to internal RAM. Quick Record display when using the internal RAM. When entering the Song Play mode after recording the song to internal RAM, the CVP indication is shown in the SONG section of the display, allowing you to playback normally. Song PLAY MAIN display when playing back the internal RAM song. If you insert a song disk (and select a song number) when the internal RAM contains recorded song data, a “Delete CVP MEMORY?” confirmation prompt will appear. Press YES to delete the song data recorded to the internal RAM. The song data recorded to internal RAM also can be erased by turning the power off. If you wish to keep the recorded data, use the Song Copy function (page 136) to copy the recorded data to disk. • Song data recorded to internal RAM is deleted when entering the Demo mode or Custom Style mode, or when loading Style Files. In such cases, a confirmation prompt does not appear. ■ Playback ....................................................................................................................... The recorded song can be played back in the normal way. 127 CHAPTER 7: The Utility Functions The Function mode provides various advanced functions that, for example, let you make various MIDI settings, or give you greater, more convenient control over disk-related operations. These sophisticated functions let you customize the CVP-98/96 to your own musical needs and preferences. The following functions are available: Keyboard Group Pedal Group Disk Group MIDI Group Backup Group Utility Group 128 Tune Page 130 Transpose Page 130 Effect Setting Page 131 Key Touch Page 131 Pan Page 132 Left Pedal Page 133 Damper Range Page 134 Damper Mode Page 134 Soundboard (CVP-98 only) Page 134 Format Page 135 Song Copy Page 136 Song Delete Page 138 Registration Page 139 Transform Page 142 Send Channel Page 143 Local Control Page 144 Sync Page 144 MIDI Filter Page 144 MIDI Transpose Page 146 Auto Accompaniment & Harmony Transmission Page 146 Remote Keyboard Page 146 Backup Page 147 Recall Page 148 Micro Tuning Page 149 Scale Tuning Page 150 Pop-up Time Page 153 Alert Sound Page 153 ■ Selecting and Operating the Functions ..................................... All functions in this mode can be selected and set by using the following procedure. Z Press the [FUNCTION] button. ➔ The lamp lights and the Function mode display appears. SONG MIXER MASTER EQUALIZER FUNCTION X Select the group by using the left/right LCD buttons, and call up the page of the desired function by using the PAGE [<] [>] buttons. You can also select the page from all the display pages by using the PAGE [<] [>]. PAGE C For the round-edged parameter box, press the appropriate LCD button to highlight the desired section of the display, then use the data dial or [–/+] button to change the settings. For the sharp-edged parameter box, you can use the appropriate LCD button to select and execute the functions. V Press the [FUNCTION] button when finished. ➔ The [FUNCTION] lamp will go out. You can also exit by pressing the [EXIT] button. 129 Keyboard ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ Keyboard 1 (KEYBOARD 1) Display — PAGE 1 ■ Tune ........................................................................................................................... The Tune function lets you make fine adjustments to the pitch, allowing you to accurately match the tuning with that of other instruments. The frequency (in Hz) of A3 is displayed in the TUNE section. It can be set in approximately 0.2-Hz steps over a range of +/– approximately 26 Hz (+/– approximately 100 cents). Tune • Range: 414.8 Hz (–102.1 cent) — 466.6Hz (+101.62 cents) Initial value : 440 Hz Backup of last settings: OFF Restoring the Basic Setting • To restore the basic setting, simultaneously press both the TUNE ▼ ▲ buttons or both the [–/+] buttons. Hz (Hertz) • Pitch is measured in units of Hertz (abbreviated Hz), which represents the number of times the sound wave vibrates in a second. Cent • Cent is a unit of pitch, equal to 1/100 of a semitone. (100 cents = 1 semitone) • Tune has no effect on the Drum Kit voices. • The XG Master Tune setting is effective when playing back songs containing XG Master Tune data. The corresponding value is indicated in the Keyboard 1 display (Function display page 1). ■ Transpose ............................................................................................................ The Transpose function makes it possible to shift the pitch of the keyboard in semitone units, allowing you to match the pitch of the keyboard to the range of other instruments or singers, or letting you easily play in a different key without having to change your fingering. For example, if the Transpose amount is set to “+5” semitones, playing C results in a pitch of F, or in other words, you can play in the key of C major on the keyboard and automatically have the pitch transposed to F major. Transpose • Range: – 24 semitone (–2 octaves) — + 24 semitone (+ 2 octaves) • Initial Value: 0 • Backup of last settings: OFF Restoring the Basic Setting • To restore the basic setting, simultaneously press both the TRANSPOSE ▼ ▲ buttons or both the [–/+] buttons. Soundable Range of Transpose • Notes below and above the original 88-key range (A-1 to C7) sound one or two octave(s) higher and lower, respectively. • The Transpose function does not affect the Drum Kit voices. • When playing back songs containing XG Transpose data, the XG Transpose data is effective only for the data playback sound. The value set on the panel affects the keyboard sound. • The value set here affects the play data transmitted via MIDI. 130 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Keyboard ■ Effect Setting .......................................................................................................... This feature determines whether the basic effect setting (page 44) for each voice is automatically selected or not, when the voice is selected. To change the setting, press the EFFECT SETTING button. When set to AUTO, the basic effect setting for each voice is automatically selected when the voice is selected; when set to MANUAL, effect settings are not changed when voices are selected. Effect Setting • Settings: AUTO, MANUAL • Basic Setting: AUTO • Backup of last setting: OFF Effect Setting • The effect type, effect depth and effect ON/OFF parameters are set for each voice. Keyboard 2 (KEYBOARD 2) Display — PAGE 2 ■ Key Touch ................................................................................................................... Key Touch determines how your playing strength (velocity) affects the volume of the voices. Four types are available for tailoring the keyboard response to the selected voice, type of song, or your own playing preferences. Select the type by pressing the KEY TOUCH button. The data dial and [–/+] buttons cannot be used. • This function does not affect the actual weight of the keys. Key Touch • Basic setting: NORMAL • Basic setting (of FIXED VELOCITY): 76 • Backup of last settings: OFF Settings HARD This setting requires you to play the keys quite strongly to produce maximum loudness. NORMAL This is the standard keyboard response and is used as the basic setting. SOFT This setting lets you produce a relatively loud sound even when playing the keys softly. FIXED This setting produces the same degree of loudness, no matter how strongly or softly you play the keys. You can set the fixed loudness by pressing the FIXED VELOCITY button to highlight the parameter, then using the data dial or [–/+] buttons to set the level (range: 1 — 127, basic setting: 76). 131 Keyboard ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ Pan ..................................................................................................................................... Pan determines the stereo image of the voices, or in other words, where the sound of the voice appears to come from — left, center, or right. The Pan position can be set individually for the following three voice assignments: LEFT Left voice in the Split mode RIGHT1 Right voice in the Split mode/1st voice in the Dual mode/voice for normal keyboard performance RIGHT2 2nd voice in the Dual mode Pan • Settings: L (left) — Center — R (right) (21 steps) • Basic setting: Settings for each voice (center, key scale pan, drum kit pan) * However, the basic settings of each voice is displayed in the center position in the LCD display. • Backup of last settings: OFF Restoring the Basic Setting • To restore the basic setting, simultaneously press both [–/+] buttons. Center Relatively left Relatively right The default Pan position for some voices features keyboard scaling. This shifts the Pan position depending on what keys you play. The lower you play on the keyboard, the more the sound shifts to the left; the higher you play, the more the sound shifts to the right. The Drum Kit voices have special pan settings for each individual instrument. The Pan setting in this function moves the sound relatively left or right of the special pan setting for each sound. 132 • The Pan setting affects all voices globally. • The Pan setting affects the keyboardplayed voices only. • In the normal play mode (single voice mode) only the RIGHT1 (right range/ 1st voice) setting is effective. Pedal ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Pedal (PEDAL) Display — PAGE 3 ■ Left Pedal .................................................................................................................... This function conveniently lets you set the left pedal to control one of various functions. Left Pedal • Basic setting: SOFT • Backup of the last settings: OFF • If the left pedal is set to REGISTRATION, the setting of the left pedal function in Registration memory is not recalled. CVP-96 Controllable Functions and Data SOFT The left pedal functions as the soft pedal (basic setting). (See page 40.) START/STOP The left pedal functions the same as the [START/STOP] button. (See page 89.) HARMONY When the Harmony function is set to on, Harmony is applied only while the left pedal is held down. (See page 62.) REGISTRATION The panel settings registered to the next Registration number are recalled each time the left pedal is pressed. (See page 84.) MAIN A The left pedal performs the same function as the [MAIN A] button. (See page 50.) MAIN B The left pedal performs the same function as the [MAIN B] button. (See page 50.) ENDING/RIT. The left pedal performs the function same as the ENDING button. You can have the song end ritardando (slow down gradually) by pressing the left pedal twice in succession. (See page 53.) BREAK Pressing the left pedal during the style playback produces a break in the accompaniment and rhythm for as long as the pedal is held. When the pedal is released, normal playback resumes from the next measure. (See page 53.) If you press the left pedal a second time within one measure, normal playback resumes immediately. FADE IN/OUT The left pedal performs the function same as the [FADE IN/OUT] button. (See pages 52 and 53.) 133 Pedal ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ Damper Range ....................................................................................................... This determines whether the damper pedal affects the right-hand, lefthand, or both voices in a Split setup. Press the DAMPER RANGE button to set. The data dial and the [–/+] buttons cannot be used. Damper Range • Settings: R (the damper pedal affects only the right-hand voice), L (the damper pedal affects only the left-hand voice), R&L (the damper affects both the left-and right-hand voices) • Basic setting: R • Backup of last settings: OFF CVP-96 ■ Damper Mode ......................................................................................................... This function lets you set how the damper pedal affects the sustain sound. Pedal-controlled sustain can be done as a simple on/off switch, or as a continuously changing sustain (in eight-step gradations) in which the further down you press the pedal the longer the sound sustains. To set the function, press the DAMPER MODE button. In this case, the data dial and the [–/+] buttons cannot be used. Damper Mode • Settings: CONT. (continous changing system)/SW (ON/OFF switch system) • Basic Setting: CONT. • Backup of the last settings: OFF CVP-96 ■ Soundboard Depth (CVP-98 only) .................................................... Certain piano voices (Grand Piano, Bright Piano, Mellow Piano, and Mono Piano) feature a special effect which recreates the soundboard resonance of an actual acoustic piano. A string resonance effect can also be applied when pressing the damper pedal. This function lets you adjust the depth of these effects. 134 Soundboard Depth • Value: 0 — 100 • Basic value: 50 • Backup of last settings: OFF Disk ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ When using the disk-related function, make sure to first set the [FUNCTION] button to on and call up the appropriate page before inserting the floppy disk. Disk functions cannot be used — even when pressing the [FUNCTION] button — if a floppy disk has been inserted and the [SONG] button is set to on. In this case, press the [SONG] button again so that the lamp goes out, then use the Disk functions. Format (FORMAT) Display — PAGE 4 Format the floppy disk for the use with the CVP-98/96. Refer to page 106 for information on formatting a new, blank disk or disks of different formats. The operation explained here is for re-formatting a disk that has already been used with the CVP-98/96 and deleting all data on the disk. Z Insert the disk to be formatted. ......................................................... Make sure that the disk’s write protect tab is set to the “write” position, and insert the disk into the disk drive face up with the shutter forward until it clicks into place. • Formatting a disk erases all the data on the disk. Types of Format • 2DD disks are formatted into 720 KB, while 2HD disks are formatted into 1.44 MB. DISK IN USE Shutter Label Write protect tab closed (unlocked — write enabled) X Execute the format operation. ............................................................ Press the START button. ➔ An “Are you sure” confirmation prompt will appear. Press YES to execute the format or NO to cancel. A bar graph appears in the LCD display during format to indiate the process of format. Once a disk has been formatted, song data and other data can be recorded, saved, or copied to it. 135 Disk ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Song Copy (SONG COPY) Display — PAGE 5 This function allows you to copy song data (data files on disk) recorded by the CVP-98/96 to a different song number on the same disk, or to a different disk. ZSet up the disk(s). ............................................................................................ Insert the disk containing the source song. ➾ Press either of the left-most two LCD buttons to select the copy type. Two copy types are available. DISK 1 – 1 This function allows you to copy the song to a different song number on the same disk. DISK 1 – 2 This function allows you to copy the song to a different disk. XSelect the source song. ............................................................................. Press the SONG ➔ button to highlight the parameter, then use the data dial or [–/+] buttons to select the source song. ➔ The selected song name will appear in the upper section of the LCD display. CSelect the destination song number (DISK1 – 1 only) ................................................................................................. This step is only for the DISK1 – 1 copy type. If you have selected the DISK1 – 2 type copy, go on to step 4. Press the SONG button to highlight the parameter, then use the data dial or [–/+] buttons to select the destination song number. ➔ If the destination song number already contains data, the name of the song file will appear in the middle section of the LCD display. In this case, the original data of the destination song number will be erased and overwritten by the source song data when executing the copy operation. 136 • If the CVP-98/96’s internal memory contains song data recorded without a disk, the CVP mode will be automatically selected for copying the internal memory data to disk (see page 138), and the DISK1 – 1 or DISK1 – 2 copy mode cannot be selected. In this case if you want to keep the data of internal memory, copy it to disk first, and delete the internal memory data by using the Song Delete function (page 138). Then, attempt the DISK1 – 1 or DISK1 – 2 copy operation again. • When using the Copy function within the same disk, the operation cannot be performed if the destination song is set to the same number as the source song. In this case, a “Select a different number!” message appears. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Disk V Execute the Copy operation. ............................................................... Press the COPY button. ➔ The Copy operation begins. If you are copying to the same disk, an “Are you sure?” confirmation prompt will appear. Press the YES button to continue or the NO button to cancel. • The copy operation is not effective if the same song numbers are selected as the source song and the destination song in the DISK1 – 1 type copy. In this case, a “Select a different number!” message will appear. If you are copying the data to a different disk, a “Number of disk exchange (**)” message appears to indicate the number of times the disk will have to be changed. Press the OK button to continue, or the CANCEL button to abort the operation. When copying to a different disk, follow the instructions in the LCD display, changing the source and destination disks as necessary. The first time the destination disk is inserted, the following LCD display will appear. Use the data dial or [–/+] buttons to select the destination song number. ➾ If the destination song number already contains data, the song name will appear in the LCD display. In this case, the original data of the destination song number will be erased and overwritten by the source song data when executing the copy operation. Press the OK button to continue, or CANCEL to abort. Caution on Copying Commercial Software • Copying of commercially available software is strictly prohibited, except for your personal use. • Data files (other than those made with the CVP-98/96/94/92) that have been copied once cannot be copied a second time to another disk. Also, additional data can be recorded only to the right-hand/left-hand parts of the copied DOC files. • Song data of the CVP-94/92/79A/69/ 69A/59S can be copied by the CVP98/96. 137 Disk ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● Copying Data Recorded Without a Disk If you’ve recorded a song without inserting a disk, the song data is automatically recorded to the CVP-98/96’s internal RAM. To copy the data to the disk, first select the Song Copy display and insert a formatted disk. ➾ Select the destination song number, then copy to disk in the normal way. The CVP - DISK parameter is automatically selected, with the internal RAM data as the source data for copying. Song Delete (SONG DELETE) Display — PAGE 6 You can delete unneeded song data from the disk in this display. Be careful not to delete any important data on the disk; once the Delete operation is performed, it cannot be undone. ZSet up the disk. ................................................................................................... Insert the disk containing the song data to be deleted into the disk drive. XSelect the song to be deleted. ............................................................ Use the data dial or [–/+] buttons to select the song to be deleted. The song data in the CVP-98/96’s internal RAM can be also deleted with this operation. To do this, select the CVP MEMORY parameter instead of the song number (CVP MEMORY appears only when the internal RAM contains song data). CExecute the Delete operation. ............................................................. Press the DELETE button. ➔ An “Are you sure?” confirmation prompt will appear. Press the YES button to delete the selected song, or press the NO button to cancel the operation. 138 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Disk Registration (REGISTRATION) Display — PAGE 7 This function allows you to save the panel settings registered using the Registration function to disk, load Registration data from disk, delete Registration data from a disk, or name Registration files. Before executing the Registration function, make sure that the disk you want to use for this operation is inserted in the disk drive. Refer to page 35 in the Reference Manual for a list of settings registered by the Registration function. Z Select the file type. ......................................................................................... Press either of the two left-most LCD buttons to select the file type to be loaded, saved, deleted or named. REGISTRATION Contains each or all Registration file(s) in 20 Registration memory locations. ALL SETUP An All Setup file contains all panel setting data in the list on page 35 in the Reference Manual. To save or load the data of REGISTRATION, first set the REGIST (Registration number) parameter. When saving, press the REGIST button to select the desired Registration file number from ALL or A-1 — E-4 to save to disk. When loading, select the internal destination location from ALL or A-1 — E-4. X Select the file operation. ........................................................................... Use the second LCD button from the right to select the desired file operation: LOAD, SAVE, DELETE or NAME. C Press the START button. ............................................................................ ➔ Operation begins. The subsequent steps for each file operation depend on the operation you’ve selected. Refer to the corresponding instructions for each operation below. 139 Disk ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ SAVE ................................................................................................................................ When you select SAVE, the name entry function display for the file to be saved will appear. Press the CHAR > button to move the underline cursor, and select the character position of the file name. (File names can contain up to twelve characters.) ➾ Use the data dial or [–/+] buttons to highlight the characters to be input. Press the CHAR SET button to input the selected characters at the current underline position of the file name. Continue moving the cursor to other characters or marks and entering them in this way. To delete the character at the previous position, press the BACK SPACE button. The character before the underline cursor is deleted and the cursor moves back to the deleted position. To abort the name entry operation and return to the FUNCTION [REGISTRATION] display, press the CANCEL button. When the file name has been completely entered, press the SAVE button to execute the Save operation. If you enter a name that already exists on the disk, a “Same name! Overwrite?” message will appear. Press the OK button to overwrite the original file with the new file, or CANCEL to abort the Save operation. ■ NAME ............................................................................................................................... When you select NAME, the Name function display will appear. 140 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Disk First, select the desired file to be named. Press either of the two leftmost LCD buttons to select the file, then press the OK button. ➾ The name entry display will appear. Enter a new file name in the same way as described above for the Save function. ➾ Pressing the OK button changes the current name to the newly entered name. Press the CANCEL button to abort. If you enter a name that already exists on the disk, a “Same name! Overwrite?” message will appear. In this case, press the OK button to overwrite the original file with the renamed file, or CANCEL to abort the Name operation. ■ LOAD ............................................................................................................................... When you select LOAD, the Load function display will appear. The original internal data will be erased and overwritten when executing the Load operation. Make sure to save all important data to disk (see page 140) before using the Load operation. First, select the desired file to be loaded. Press either of the two left-most LCD buttons to select the file, then press the OK button. ➔ An “Are you sure?” confirmation prompt will appear. Press the YES button to load the selected file, or the NO button to abort the Load operation. ■ DELETE ......................................................................................................................... When you select DELETE, the Delete function display will appear. First, select the desired file to be deleted. Press either of the two left-most LCD buttons to select the file, then press the OK button. ➔ An “Are you sure?” confirmation prompt will appear. Press the YES button to delete the selected file, or the NO button to abort the Delete operation. 141 Disk ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ Transform (TRANSFORM) Display — PAGE 8 This function allows you to convert song data recorded on the CVP98/96 so that the data can be played back on other Clavinova models or a Disklavier. Make sure to insert a proper disk (2DD disk containing the data to be converted) in the disk drive. ZSelect the conversion type. ................................................................... Use either of the two left-most LCD buttons to select the target format of the file (the instrument for which the converted data is to be used). The following three types are available. CVP PERFORMANCE This type converts the selected data for playback on the CVP-50/70/55/65/75/83S/85A/87A/89, CLP-705, DOM-30, and DOU-10. PIANO FORMAT 1 PIANO FORMAT 2 This type converts the data for playback on the Disklavier, excepting the MX100A and MX100B. This type converts the data for playback on the Disklavier MX100A or MX100B. Compatible Disk Types for Data Conversion • Only 2DD type disks can be used for this operation. If a 2HD disk is used a “2HD disk is not valid! Please copy to 2DD disk.” message will appear. In this case, first copy the song you wish to convert to a 2DD disk by using the Song Copy function (page 136), then attempt the conversion again. • Data in the Clavinova’s internal memory cannot be converted until it is saved to disk. About the CVP-94/92/59S/69A/69/79A Clavinovas • The CVP-94/92/59S/69A/69/79A Clavinovas can play back the song data recorded on the CVP-98/96 without conversion. • The original pre-converted data remains intact even after the conversion has been executed. • If data converted to PIANO FORMAT 1/2 is played back on the CVP series, DOM-30 or DOU-10 instruments, tracks 1 and 2 will not sound. XSelect the song to be converted by using the data dial or [–/+] buttons. ...................................................................................... CPress the TRANSFORM button. ......................................................... An “Are you sure?” confirmation prompt will appear. Press the YES button to start data conversion of the selected song, or the NO button to cancel the operation. When the conversion process is finished, a “Completed! SONG No.**” message appears to indicate the song number to which the data was saved. If the conversion was executed by using CVP PERFORMANCE, “C)” is added to the beginning of the original name, and if the conversion was executed by the PIANO FORMAT 1/2, “P)” is added to the beginning of the original name. 142 • Recording or editing cannot be performed on the converted songs. MIDI ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ Functions related to MIDI (Musical Instrument Digital Interface) can be called up from pages 9 through 11. • If you are using the MIDI terminals, set the HOST SELECT switch to “MIDI”. MIDI 1 Display — PAGE 9 ■ Set the Send Channel SEND CH .......................................................... In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer (channels 1 through 16). This function sets the MIDI transmit channels of the CVP-98/96 . Independent MIDI channels can be set for the following three different types of play data. LEFT Left voice in the Split mode RIGHT1 Right voice in the Split mode/1st voice in the Dual mode/voice for normal keyboard performance RIGHT2 2nd voice in the Dual mode Transmission Channel • LEFT setting: OFF (no transmission), channels 1 — 16 • Basic setting: 3 • Backup of last settings: OFF • RIGHT 1 setting: OFF (no transmission), channels 1 — 16 • Basic setting: 1 • Backup of last settings: OFF • RIGHT 2 setting: OFF (no transmission), channels 1 — 16 • Basic setting: 2 • Backup of last settings: OFF ● MIDI Reception The CVP-98/96 always receives MIDI data in the “Multi Timbre” mode. This is a mode in which the CVP-98/96 voices can be independently controlled on different MIDI channel numbers (1 through 16) by an external MIDI device. This means that you can produce the sound of a full band or ensemble on the CVP-98/96 by using a computer or MIDI sequencer. 143 MIDI ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ Local Control ON/OFF LOCAL ............................................................. “Local Control” refers to the fact that, normally, the CVP-98/96 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is called “Local Control ON”. When the local control is set to off, the “keyboard” and “sound source” are separated and no sound is output through the CVP98/96 when playing the keyboard. However, the data of the keyboard performance is output through MIDI. By setting Local Control to off, you can play an external MIDI tone generator from the keyboard of the CVP-98/96 without sounding the internal voices. To set this, press the LOCAL button. The data dial and [–/+] buttons cannot be used. ■ Sync .................................................................................................................................. Playback of songs and Auto Accompaniment is normally controlled by the internal clock (INT.) of the CVP-98/96 at a specific tempo. By setting this clock to “EXT.”, the CVP-98/96’s tempo can be controlled by an external sequencer or rhythm machine. For example, this lets you play the Auto Accompaniment of the CVP-98/96 in perfect synchronization with an external sequencer. To set this, press the SYNC. button. The data dial and the [–/+] buttons cannot be used. Local Control • Settings: ON/OFF • Basic setting: ON • Backup of last settings: OFF Sync • Settings: INT. (internal clock)/EXT. (external clock) • Basic setting: INT. • Backup of last settings: OFF • If the clock mode is set to EXT. and a MIDI clock signal is not being received from an external source, features related to the Auto Accompaniment and the accompaniment styles cannot be used. MIDI 2 Display — PAGE 10 The MIDI 2 function display contains the MIDI filter settings which can be used to turn transmission and reception of certain types of MIDI data on or off. ■ Program ON/OFF ................................................................................................ Normally the CVP-98/96 will respond to MIDI program change numbers received from an external keyboard or another MIDI device. For example, the CVP-98/96 can change voices in response to MIDI program change messages received from a connected MIDI sequencer. (These messages do not affect the keyboard-played voices.) The voices of connected external MIDI devices can also be changed by program change messages transmitted from the CVP-98/96. (Program change messages are transmitted when changing voices on the panel of the CVP98/96.) Depending on your particular MIDI setup, you may find that this feature is convenient in some cases and not in others. Set PROGRAM to off if you wish to disable the program change transmission/reception. Set PROGRAM to “Tx&Rx” to turn on transmission/reception of program change messages. 144 Program • Settings: Tx&Rx (transmitted/received), OFF (not transmitted/received) • Basic setting: Tx&Rx • Backup of last settings: OFF • Bank MSB and LSB messages can be transmitted and received even when Program is set to off. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI The program numbers of the CVP-98/96’s voices are standarized according to the XG voice allocation. See the Voice List on page 26 in the Reference Manual for details. ■ Control ON/OFF ................................................................................................... Control change messages are used for various non-keyboard performance controls, such as the damper pedal, or for expressive control of the sound of a connected MIDI device, such as effects and volume. For example, the CVP-98/96 can respond to control change messages transmitted from an external MIDI sequencer. (These messages do not affect the keyboard-played voices.) Similarly, an external MIDI device can be controlled by sending control change messages from the CVP-98/96 to that device. (Control change messages are transmitted when operating the damper pedal, etc. on the CVP-98/96.) Set CONTROL to off if you want control change messages not to be transmitted or received. Control change data recognized by the CVP-98/96 is listed in detail on page 10 in the Reference Manual. Control • Settings: Tx&Rx (transmitted/received), OFF (not transmitted/received) • Basic setting: Tx&Rx • Backup of last settings: OFF ■ System Exclusive ON/OFF ....................................................................... System exclusive messages are used for more advanced or detailed MIDI control, or for controls related to specific manufacturer’s devices. Set SYS EX. to off if you desire not to transmit/receive the system exclusive messages. Set SYS EX. to “Tx&Rx” enable transmission and reception of these messages. System exclusive data recognized by the CVP-98/96 is listed in detail on page 12 in the Reference Manual. System Exclusive • Settings: Tx&Rx (transmitted/received), OFF (not transmitted/received) • Basic setting: Tx&Rx • Backup of last settings: OFF ■ Start/Stop ON/OFF ............................................................................................ By using the Start/Stop command, the rhythm and performance of the receiving device can be started/stopped from the sending device via MIDI. For example, you can transmit the start/stop command from an external MIDI sequencer to start and stop the Auto Accompaniment or song playback on the CVP-98/96. Also, the playback of an external MIDI sequencer or rhythm machine can be started/stopped by starting/ stopping the Auto Accompaniment on the CVP-98/96. Set START/ STOP to off if you want to disable transmission/reception of start/stop. Set it to on to enable transmission/reception. Start/Stop • Settings: Tx&Rx (transmitted/received), OFF (not transmitted/received) • Basic setting: Tx&Rx • Backup of last settings: OFF 145 MIDI ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI 3 Display — PAGE 11 From the MIDI 3 display you can set whether or not MIDI data received from an external device is affected by the Transpose setting (page 130) or not, whether or not the Auto Accompaniment, rhythm and Harmony data is transmitted, and whether or not the MIDI data received from an external device affects the keyboard-played voices. Transpose Receive • Settings: ON (enabled), OFF (disabled) • Basic setting: ON • Backup of last settings: OFF ■ MIDI Transpose Receive ............................................................................. When MIDI TRANSPOSE is set to on, the Transpose setting (page 130) will affect the MIDI data received by the CVP-98/96. • The Transpose setting made in the KEYBOARD 1 Page 1 in the Function section is effective for data transmitted via MIDI. Auto Accompaniment/ Harmony Transmission • Setting of ACMP&RHY: OFF (not transmitted), 9 - 16 ch (transmitted) • Basic setting: OFF (not transmitted) • Backup of last settings: OFF ■ Transmitting Auto Accompaniment /Harmony Data .... When the ACMP&RHY parameter is set to on, accompaniment data is transmitted via the MIDI [OUT] terminal when playing back the Auto Accompaniment. The data is transmitted over MIDI channels 9 - 16. If the HARMONY parameter is set to on, Harmony data is transmitted via the MIDI [OUT] terminal when using the Harmony function. The data is transmitted over MIDI channels 6 - 8. The Auto Accompaniment or Harmony can be recorded to a computer or external sequencer by using these functions. ■ Remote Keyboard .............................................................................................. MIDI data received over the channel set in the REMOTE KBD parameter will affect your keyboard performance. The received data also can be recorded. Select OFF to prevent external MIDI data from affecting your keyboard performance. The following four data types can be received. • Key ON/OFF • Control Change (performance expression data; only those listed below) #1 #7 #11 #64 #65 Modulation Volume Expression Sustain Pedal Sostenuto Pedal • Program Change (voice change data) • Pitch Bend 146 #66 Soft Pedal #123 All notes off BANK Select MSB BANK Select LSB • Setting of HARMONY: OFF (not trasmit), 6 - 8 ch (transmit) • Basic setting: OFF (not transmit) • Backup of last settings: OFF • When transmitting the Auto Accompaniment or Harmony data via MIDI, do not select the Auto Accompaniment/ Harmony MIDI channels 6 - 8 or 9 - 16 for transmitting the data of your keyboard performance. Doing so may result in your keyboard performance data being mixed with the Auto Accompaniment or Harmony data. • If either the ACMP&RHY or HARMONY is turned on, the Auto Accompaniment or Harmony playback data is transmitted via MIDI, even if the RIGHT 1 transmission channel (page 143) is turned off. Remote Keyboard • Settings: OFF (not received), 1 - 16 (received over the specified channel) • Basic setting: OFF • Backup of last settings: OFF • MIDI data received by the remote keyboard function cannot be output via the MIDI [OUT] terminal. Backup ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ Backup (BACKUP) Display — PAGE 12 This function allows you to set the backup of various parameter groups on or off. When set to on, the corresponding settings will not be reset to the basic settings (default settings) when power is turned off. Press the ▼ or ▲ button or use the data dial or [–/+] buttons to select the desired group, then use the right-most LCD button to set the selected group to backup on/off. The (“*”) mark at the beginning of the group name indicates that the backup setting of the group is turned on. The settings of groups whose backup settings are set to off will return to the basic settings (default settings) when the power is turned off. • The basic settings (default settings) for the BACKUP function are as follows: REGISTRATION and UTILITY are set to ON, all other parameter groups are set to OFF. • The Help language and backup on/off setting itself are always backed up. Backup is used for the following groups on the CVP-98/96. • VOICE SETTING • REVERB/EFFECT • TUNE (master tuning, micro tuning, scale tuning) • PEDAL • ACMP SETTING (Auto Accompaniment-related settings) • SONG SETTING • REGISTRATION • MIDI SETTING • UTILITY (pop-up time, alert sound) Refer to the list on page 35 in the Reference Manual for the specific parameters of each group. Parameters that are backed up will be retained in memory for about a week if the Clavinova is not turned on during this time. All parameters will be reset to their default values if the power remains off for longer than about a week. To ensure that your backed-up settings are maintained, turn the power on for a few munutes at least once a week. 147 Backup ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Recall (RECALL) Display — PAGE 13 This funciton can be used to recall the initial factory settings (basic settings) for a range of parameters — individually or all at once. Press the ▼ or ▲ buttons or use the data dial or [–/+] buttons to select the group you want to recall, then press the START button. ➔ An “Are you sure?” confirmation prompt will appear. Press the YES button to recall or NO to cancel. The following parameter groups of the CVP-98/96 can be recalled. • VOICE SETTING • REVERB/EFFECT • TUNE (master tuning, micro tuning, scale tuning) • PEDAL • ACMP SETTING (Auto Accompaniment-related settings) • SONG SETTING • REGISTRATION • MIDI SETTING • UTILITY (pop-up time, alert sound) • ALL (all the above settings) Refer to the list on page 35 in the Reference Manual for the specific parameters of each group. 148 • The initial settings (basic settings) for the Help language and the above backup on/off settings are not recalled by this function. However, these and all other settings can be reset to the initial factory values by turning the power on while holding the right-most key on the keyboard (C7). When this is done, a “Back up data erased and replaced by Factory data” message appears to indicate that all backed up data is erased and all factory setttings are recalled. After this message, the main display will appear. Utility ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Micro Tuning (MICRO TUNING) Display — PAGE 14 The Micro Tuning Feature makes it possible to individually tune each key of the keyboard. The created tuning can be saved to a disk and loaded whenever necessary. The set tuning can be turned on or off at anytime by using the left-most LCD button in this display. Z Select the desired key. ................................................................................ Press any desired key to be tuned. ➔ The note name and the current tuning value of the pressed key will appear in the display. X Set the tuning. ...................................................................................................... Press the TUNE ▼ or ▲ buttons or use the data dial or [–/+] to tune the pitch of the selected key. If you set the parameter at the left-most LCD button to ON, you can play the key being tuned in order to check the sound during this operation. The normal tuning of ±0 cents for the selected key can be instantly recalled by simultaneously pressing both the TUNE ▼ or ▲ buttons. • Range: –100 cents (– 1 semitone) — +100 cents (+ 1 semitone) • Basic Value: 0 (for all keys) • Backup of last settings: OFF C Repeat steps 1 and 2. ................................................................................... Repeat steps 1 and 2 until all the required keys have been tuned. ...................................................................................................................................................... The completed tuning can be named as a tuning file and saved to disk. It can also be loaded whenever necessary or deleted if not needed. Make sure that a proper disk (either containing the micro tuning data or set up for saving) is inserted in the disk drive before executing these file operations. 149 Utility ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ZSelect the desired file operation. .................................................... Use the LCD button located second from right to select the desired file operation: LOAD, SAVE, DELETE or NAME. XPress the START button. ............................................................................ After the START button is pressed, the display corresponding to the selected file operation appears. The subsequent steps are the same as those explained on pages 140 and 141. Refer to the pages below, depending on the selected file operation. SAVE See page 140. NAME See page 140. LOAD See page 141. DELETE See page 141. Scale Tuning (SCALE TUNING) Display — PAGE 15 This feature allows you to select from various tuning (temperament) configurations, when selecting PRESET in this display. By selecting USER, you can create your own user scale, in which the tuning you set for a single octave takes effect for the entire keyboard. The created tuning can be saved to disk for future recall. ■ Preset Scale ............................................................................................................. This function lets you select from various pre-programmed tunings or temperaments. Until equal temperament — the most commonly used tuning at present — was accepted, various tunings have been created over the years for use with the particular music and instruments of the era. This feature lets you play in historically authentic tunings, and get a better feeling for the music of the corresponding eras. The CVP-98/96 contains the following seven temperaments. • EQUAL • PURE(MAJOR) • PURE(MINOR) • MEANTONE 150 • PYTHAGOREAN • WERCKMEISTER • KIRNBERGER ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Utility Z Select PRESET with the left-most LCD button, and the following display appears. X Press the SCALE ▼ or ▲ to highlight the parameter, then use the data dial or [–/+] buttons to select the temperament type. When selecting temperaments other than equal (EQUAL) temperament, the central key (reference pitch for the temperament) must be set. This allows you to produce the proper temperament in the desired key. C Press the KEY button to highlight the parameter, then use the data dial or [–/+] buttons to select the central key. Central Key • Settings: C, C#, D, D#, E, F, F#, G, G#, A, A#, B • Basic setting: C ■ User Scale .................................................................................................................. This function allows you to individually tune each key within an octave. The setting made for one key is automatically assigned to the same key in all other octaves. Z Select USER with the left-most LCD button left; the following display will appear. 151 Utility ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X Press the desired key to be tuned. ➔ The note name and the current tuning value of the pressed key appears. C Set the pitch by pressing the TUNE ▼ or ▲ buttons, or by using the data dial or [–/+] buttons. You can play the key being tuned to check the sound during this operation. The default tuning of ±0 cents can be instantly recalled for the selected key by simultaneously pressing the TUNE ▼ and ▲ buttons. V Repeat steps 2 and 3 until all the required keys have been tuned. ................................................................................................................................................ The completed tuning can be named as a tuning file and saved to disk. It can also be loaded whenever necessary or deleted if not needed. Make sure that a proper disk (either containing the scale tuning data or set up for saving) is inserted in the disk drive before executing these file operations. Z Select the desired file operation. Use the LCD button located second from right to select the desired file operation: LOAD, SAVE, DELETE or NAME. X Press the START button. After the START button is pressed, the display corresponding to the selected file operation appears. The subsequent steps are the same as those explained on pages 140 and 141. Refer to the pages below, depending on the selected file operation. 152 SAVE See page 140. NAME See page 140. LOAD See page 141. DELETE See page 141. Scale Tuning — User • Range: –64 cents — +63 cents • Basic Value: 0 (for all keys) • Backup of last settings: OFF ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Utility Pop-up Time (POPUP TIME) Display — PAGE 16 This determines the amount of time the pop-up displays remain on the display screen before disappearing. The pop-up time of the voice/accompaniment style displays can be set independently from all other popup displays. To set the pop-up time of voice/accompaniment style, first press the VOICE/STYLE button to highlight the parameter, then use the data dial or [–/+] buttons. To set the pop-up time for the other displays, use the same method as above, pressing the OTHERS button instead of the VOICE/STYLE button. The default pop-up time can be recalled by pressing the corresponding ▼ and ▲ buttons simultaneously. Pop-up Time • Range: 0sec (0 second) — 30sec (30 seconds), ∞sec (remains indefinitely) • Basic settings: 15 seconds for voice/ accompaniment style, 8 seconds for others • Backup of last settings: ON • When 0sec (0 seconds) is selected, the the popup display will be displayed only while the operating button is held. If ∞sec is selected, the [DISPLAY HOLD] lamp will not flash and the popup display will not close automatically. In this case, press the [EXIT] button to close the display. Alert Sound (ALERT) Display — PAGE 17 This function allows you to select one of six “Alert Voices” which will sound when an error is encountered, and set the alert volume. Press the VOICE ▼ or ▲ button to highlight the parameter, then use the data dial or [–/+] buttons to select the desired alert sound. The alert sound automatically plays when it is selected, allowing you to check the sound during the operation. The default alert sound can be recalled instantly by pressing the [–/+] buttons simultaneously. To set the alert volume, press the VOLUME button to highlight the parameter, then use the data dial or [–/+] buttons . The default volume level of 50 can be recalled instantly by pressing the [–/+] buttons simultaneously. Alert Sound • Settings: STEEL DRUMS, AGOGO, WOOD BLOCK, TIMPANI, CELESTA 4FT, KALIMBA • Basic setting: STEEL DRUMS • Backup of last settings: ON • Volume range: 0 — 100 • Basic setting: 50 • Backup of last setting: ON 153 CHAPTER 8: Others The Connectors ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○○ ■ [MIC.VOL.] Dial and [MIC.] Jack ......................................................... MIC. VOL. MIN MIC. By connecting a microphone to the [MIC.] jack (standard 1/4” phone), you can enjoy singing along with your own performace or with song playback. The sound input from the microphone is output through the CVP-98/96’s speakers. The microphone volume can be adjusted with the [MIC.VOL.] dial. PHONES MAX ■ [PHONES] Jacks .................................................................................................. MIC. VOL. MIN MIC. PHONES MAX To use headphones, connect them to one of the [PHONES] jacks (standard 1/4" phone jacks). The internal speaker system of the CVP-98/96 is automatically shut off when a pair of headphones are connected. Two people can enjoy the sound together by connecting two pairs of headphones to the two available terminals. ■ AUX IN [L/L+R] Jacks ..................................................................................... L/L+R R AUX IN Tone Generator The sounds of other instruments or tone generator modules can be output through the speaker system of the CVP-98/96 by connecting audio cables to the jacks as shown below. Recommended Headphones: • Yamaha HPE-160 headphones • Do not return the sound output through AUX OUT [L/L+R] [R] jacks to the AUX IN [L/L+R] [R] jacks. Also, when connecting the AUX OUT [L/L+R] [R] jacks to external audio equipment, do not connect these devices back into the CVP-98/ 96’s AUX IN [L/L+R] [R] jacks. Since the input sound from the CVP-98/96’s AUX IN [L/L+R] [R] is output through the CVP-98/96’s AUX OUT [L/L+R] [R] as is, connecting as described above may result in feedback, making normal playback impossible and even resulting in damage to the instrument. • Internal [MASTER VOLUME] and [REVERB] settings cannot be applied to the input sound received at the AUX IN [L/L+R] [R] jacks. • Use the AUX IN [L/L+R] and AUX OUT [L/L+R] jacks for mono input and mono output, respectively. 154 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Connectors ■ AUX OUT [L/L+R] [R] Jacks .................................................................... L/L+R By connecting audio cables to the jacks as shown below, output the sound of the CVP-98/96 to a stereo system, amplifier, mixing console, or recording equipment. Set the [MASTER VOLUME] of the CVP98/96 to around the middle position and adjust the volume level from the connected equipment. R AUX OUT Stereo System ■ [EXP.PEDAL] Terminal .................................................................................. An optional Yamaha FC7 Foot Controller can be connected to this terminal for controlling the volume of your keyboard performance with your foot. EXP. PEDAL ■ MIDI [IN] [OUT] [THRU] Terminals .................................................... THRU OUT IN MIDI Tone Generator Connect the CVP-98/96 to external MIDI devices by using MIDI connecting cables. Set the HOST SELECT switch below to “MIDI” when using the MIDI terminals. MIDI Sequencer ■ HOST SELECT switch and [TO HOST] terminals ............ Mac PC-1 TO HOST MIDI PC-2 HOST SELECT Personal Computer [TO HOST] terminal is connected directly to the personal computer. Set the HOST SELECT switch to match the corresponding computer or connected MIDI device. See the section “Connecting to a Personal Computer” for details. 155 Connecting to a Personal Computer Although the CVP-98/96 can be connected to a personal computer via the MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple Macintosh, IBM-PC/AT, or NEC PC-9801/9821 series personal computers for sequencing and other music applications without the need for a separate MIDI interface. ■ Connecting to an Apple Macintosh Series Computer ....... Connect the TO HOST connector of the Clavinova to the modem or printer port on your Macintosh, depending on which port your MIDI software is using for MIDI data communication, using a standard Macintosh 8-pin system peripheral cable. Set the HOST SELECT switch to the “Mac” position. You may also have to make other MIDI interface settings on the computer side, depending on the type of software you use (refer to your software owner’s manual). In any case the clock speed should be set to 1 MHz. Set to the “Mac” position. Mac PC-1 TO HOST ● “Mac” Cable Connections MIDI PC-2 HOST SELECT MINI DIN 8-PIN Apple Macintosh Series Computer 1 2 3 4 5 6 7 8 2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+) MINI DIN 8-PIN • 8-pin system peripheral cable. • Data transfer rate: 31,250 bps. ■ Connecting to an IBM-PC/AT Series Computer ................ Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB cross cable. Set the HOST SELECT switch to the “PC-2” position. Refer to your software owner’s manual for information on any settings you might have to make on the computer side. Set to the “PC-2” position. Mac PC-1 TO HOST ● “PC-2” Cable Connections MIDI PC-2 HOST SELECT IBM-PC/AT Series Computer MINI DIN 8-PIN 1 2 3 4 8 5 D-SUB 9-PIN 3 (TxD) • 8-pin mini DIN → 9-pin D-SUB cable. Use a “PC-1” type cable if your computer uses a 25-pin serial port. • Data transfer rate: 38,400 bps. 156 8 (CTS) 7 (RST) 2 (RxD) 5 (GND) • When using the [TO HOST] terminal of the CVP-98/96, first turn the power off on both the CVP-98/96 and the computer before connecting the cable. After connecting the cable, turn the power of the computer on first, then the CVP-98/96. • When not using the [TO HOST] terminal of the CVP98/96, make sure the cable is disconnected from the [TO HOST] terminal. If the cable is left connected, the CVP-98/ 96 may not function properly. • When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors. To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”. • If your system doesn’t work properly with the connections and settings listed above, your software may require different settings. Check your software operation manual and set the HOST SELECT switch to the position that provides the appropriate data transfer rate. ○○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ Connecting to a Personal Computer ■ Connecting to an NEC PC-9801/9821 Series Computer ....................................................................................................................................... The NEC PC-9801/9821 computers are widely used in Japan. Connect the TO HOST connector of the Clavinova to the RS-232C port on your NEC computer, using a standard 8-pin MINI DIN → 25-pin D-SUB cross cable. Set the HOST SELECT switch to the “PC-1” position. Refer to your software owner’s manual for information on any settings you might have to make on the computer side. Set to the “PC-1” position. Mac PC-1 TO HOST ● “PC-1” Cable Connections MIDI PC-2 HOST SELECT MINI DIN 8-PIN NEC PC-9801/9821 Series Computer 1 2 3 4 8 5 5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) D-SUB 25-PIN 2 (TxD) • 8-pin mini DIN → 25-pin D-SUB cable. Use a “PC-2” type cable if your computer uses a 9-pin serial port. • Data transfer rate: 31,250 bps. ● Connector Pin Numbers MINI DIN 8-PIN 6 7 8 3 4 5 1 2 ● MIDI Driver The included Music Software Collection disk also contains special MIDI Driver software, which may be necessary when using computer software with the CVP-98/96. Install the MIDI driver from the disk to your computer if necessary. Refer to the text files on the disks listed below for installation instructions. D-SUB 25-PIN 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 D-SUB 9-PIN Windows 95: A:\driver\win95\readme.txt A:\driver\win95\license.txt 5 4 3 2 1 9 8 7 6 Windows 3.1 (IBM PC Series): A:\driver\win31\ibmpc\cbxt3.txt “A:” is the disk directory. Trademarks • • • • Apple and Macintosh are trademarks of Apple Computer, Inc. IBM-PC/AT is a trademark of International Business Machines Corporation. PC-9801/9821 is a trademark of NEC Corporation. Windows is the registered trademark of Microsoft® Corporation. • All other trademarks are the property of their respective holders. 157 Index ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ A K R Accompaniment style ........................... 47 Alert Sound ........................................ 153 Auto Accompaniment ..................... 47, 56 Auto Accompaniment/Song Volume .... 17 Recall ................................................. 148 Record Edit functions ......................... 120 Registration .................................. 83, 139 Reverb Type List .................................. 42 Reverb .................................................. 41 B key cover ................................................ 8 Key Touch .......................................... 131 Keyboard 1 ......................................... 130 Keyboard 2 ......................................... 131 keyboard guide lamps ........................ 104 Keyboard Percussion ........................... 32 Backup ......................................... 16, 147 Break .................................................... 53 L S Scale Tuning ...................................... 150 sections ................................................ 69 Send Channel .................................... 143 setting up ................................................ 8 Single Finger .................................. 56, 58 Small Accompaniment (SMALL ACMP) .............................. 65 Song Copy ......................................... 136 Song Delete ....................................... 138 Song Name ........................................ 121 Song Number ....................................... 88 Song Play (Guide mode) .................... 103 Song Play (Main) .................................. 87 Song Play (Part) ................................... 92 Song Play (Repeat) .............................. 97 Song Play (Track Play) ........................ 91 Song playback ...................................... 87 Song recording ................................... 105 Soundboard Depth (CVP-98) ............. 134 Sound Repeat .................................... 101 Split Point ....................................... 37, 61 Split ...................................................... 36 Start ...................................... 50, 112, 115 Start/Stop ............................................. 89 Stop ...................................... 53, 113, 116 Style File disk ....................................... 80 O One Touch Setting ............................... 63 Style File .............................................. 80 Organ Combination .............................. 29 Style Name ........................................... 73 Styles, selecting ................................... 47 Sync ................................................... 144 P Synchro Stop ........................................ 64 Pan ..................................................... 132 Part Cancel .......................................... 91 T Part ....................................................... 71 Tempo ...................................... 49, 54, 90 pedals ........................................... 40, 133 terminals/jacks ................................... 154 Pianist .................................................. 57 Track Delete ....................................... 123 Piano Roll ........................................... 101 Track Edit ........................................... 122 Pop-up Time ....................................... 153 power ..................................................... 9 Track Mix ............................................ 122 Power Bass (CVP-98) .......................... 21 Track Recording ................................. 110 Punch In/Out recording ...................... 113 Transform ........................................... 142 Transpose .......................................... 130 Tune ................................................... 130 LCD buttons ......................................... 12 LCD display .......................................... 12 C left pedal ............................................. 133 Chord Assist ......................................... 66 Local Control ...................................... 144 Chord Sequence ................................ 116 Lyrics .................................................. 104 computer, connecting to a .................. 156 contrast ................................................ 15 M Custom Style ........................................ 68 Master Equalizer .................................. 19 messages .. 16, 78; 2 (Reference Manual) D metronome ........................................... 54 Damper Range ................................... 134 Microphone ........................................ 154 Damper Mode .................................... 134 Demo play ............................................ 24 Micro Tuning ...................................... 149 MIDI 1 ................................................. 143 Demo Song List .................................... 26 MIDI 2 ................................................. 144 Dual ...................................................... 33 MIDI 3 ................................................. 146 MIDI filter settings .............................. 144 E Mixer ........................................ 17, 60, 94 Easy Play ........................................... 100 Multi Finger .................................... 56, 59 Effect Setting ...................................... 131 music stand ............................................ 8 Effect Type List .................................... 45 Effects .................................................. 44 N English Help ......................................... 22 Next Note ........................................... 100 Expression Pedal ......................... 18, 155 F File Icons .............................................. 88 Fingered ......................................... 56, 59 floppy disks ............................................ 7 Format ........................................ 106, 135 free tempo software ............................. 90 Freeze .................................................. 86 Full Keyboard (FULL KEYBOARD) .. 56, 59 Function mode ................................... 128 G Guide .................................................. 100 H Harmony ............................................... 62 headphones ................................... 9, 154 Help ...................................................... 22 I Initial Edit ............................................ 124 158 Q Quantize ....................................... 72, 123 Quick Recording ................................. 107 V Virtual Arranger .................................... 64 Voices, selecting .................................. 27 Volume ................... 17, 49, 54, 60, 93, 94 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product does not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America, Keyboard Division 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 MIDDLE & SOUTH AMERICA Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ASIA ITALY Yamaha Musica Italia S.P.A., Home Keyboard Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN Yamaha-Hazen Electronica Musical, S.A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270 PORTUGAL Valentim de Carvalho CI SA Estrada de Porto Salvo, Paço de Arcos 2780 Oeiras, Portugal Tel: 01-443-3398/4030/1823 GREECE MEXICO Yamaha De Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 BRASIL Yamaha Musical Do Brasil LTDA. Ave. Reboucas 2636, São Paulo, Brasil Tel: 011-853-1377 PANAMA Yamaha De Panama S.A. Edificio Interseco, Calle Elvira Mendez no.10, Piso 3, Oficina #105, Ciudad de Panama, Panama Tel: 507-69-5311 OTHER LATIN AMERICAN COUNTRIES AND CARIBBEAN COUNTRIES Yamaha Music Latin America Corp. 6101 Blue Lagoon Drive, Miami, Florida 33126, U.S.A. Tel: 305-261-4111 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY/SWITZERLAND Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 AUSTRIA Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900 Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111 SWEDEN BELGIUM Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220 FRANCE Yamaha Musique France, Division Claviers BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 730-1098 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. 16-28, Jalan SS 2/72, Petaling Jaya, Selangor, Malaysia Tel: 3-717-8977 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 SINGAPORE Yamaha Music Asia Pte., Ltd. Blk 17A Toa Payoh #01-190 Lorong 7 Singapore 1231 Tel: 354-0133 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 TAIWAN FINLAND Warner Music Finland OY/Fazer Music Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011 Kung Hsue She Trading Co., Ltd. No. 322, Section 1, Fu Hsing S. Road, Taipei 106, Taiwan. R.O.C. Tel: 02-709-1266 THAILAND Siam Music Yamaha Co., Ltd. 865 Phornprapha Building, Rama I Road, Patumwan, Bangkok 10330, Thailand Tel: 2-215-3443 NORWAY Narud Yamaha AS Grini Næringspark 17 N-1345 Østerås, Norway Tel: 67 14 47 90 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES ICELAND Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317 Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 OTHER EUROPEAN COUNTRIES Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388 AFRICA Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312 THE NETHERLANDS Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411 HONG KONG NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN MIDDLE EAST TURKEY/CYPRUS Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317 Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312 HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division [CL] 11 Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-3273 M.D.G., EMI Division © 1997 Yamaha Corporation VY68800 709POCP15.2-03C0 Printed in Japan Table of Contents Messages .................................................................. 2 Troubleshooting .......................................................... 6 MIDI and Data Compatibility ...................................... 8 MIDI Data Format ...................................................... 9 MIDI Implementation Chart ...................................... 25 Voice List .................................................................. 26 Drum/key Assignment List ....................................... 32 Style List .................................................................. 34 Parameter Chart ...................................................... 35 Fingering Chart ........................................................36 Specifications ........................................................... 37 CVP-98/96: Assembly .............................................. 38 1 Messages ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ● Common Messages This prompt appears when there is no disk in the disk drive. ➾ Put the proper disk in the drive and attempt the operation again. When renaming the original song or converting the data this prompt will warn you in the event that there is no song data. ➾ Select a data-containing song, or insert a disk with song data into the floppy disk drive. This message appears if there is no Registration Memory, Micro Tuning, or related data on the currently inserted disk when you attempt a file-related operation. ➾ Create a file or insert a disk with a proper file. This message appears when a new disk or a non-Clavinova formatted disk has been inserted into the disk drive. (See page 106 in the Owner’s Manual.) ➾ Press OK if you want to format the disk. Press CANCEL if you want to abort the formatting process. This message appears when you attempt to record or perform other file operations to a disk whose write-protect tab is set to “write protect.” ➾ Set the write-protect tab to the recordable position (page 7 in the Owner’s Manual) then try the operation again. If the operation still cannot be performed, the disk itself has internal write protection, making it impossible to perform recording or file operations on the disk. This message appears when you attempt to record over parts or perform other operations on files that are incompatible or do not allow such operations. Depending on the file type, operations such as additional recording, copying, deleting, etc. may not be possible on the CVP-98/96. An error occurred while writing to (as in recording or storing files) or reading from the disk. ➾ Try the operation again after pressing the OK button. If the error occurs a second time, the disk or the disk drive unit may be faulty. If you suspect the drive to be at fault, refer the problem to your Yamaha dealer. This appears for a few seconds when a time consuming operation such as format, song copy, etc. is finished. This message appears when data is being transfered between the Clavinova and the disk. ➾ The message disappears automatically when the operation is finished. When operations such as Song Delete or Format are selected, this prompts you to confirm whether you want to go ahead with the operation or not. ➾ Press YES to execute the operation. Press NO to return to the previous display. The currently loaded disk is full and cannot hold any more data. ➾ Press the OK button, then delete any unnecessary data in the disk (page 138 in the Owner’s Manual), or use a disk that has more available space. If this appears during song recording, recording will stop and recorded data up to that point will be saved automatically. 2 Messages ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ A 2DD and a 2HD disk can hold up to 60 song files each. A 2DD disk can hold about 110 files (of various types), and a 2HD disk can hold up to about 220 files. This message appears when you try to produce more files than the disk is capable of storing. ➾ Press the OK button, then delete any unnecessary files in the disk (page 138 in the Owner’s Manual), or use a disk that has more available space. A file with the same name exists. ➾ Press the OK button if you wish to overwrite the original file with new data, or press CANCEL to abort the operation. This message appears when you try to perform operations which cannot be done during recording or playback, such as data conversion, etc. ➾ Stop song recording or playback, or exit from the recording/playback mode, then perform the operation again. This appears when you try to execute operations that cannot be performed during playback, such as changing the number of repeats of the Guide function. ➾ Stop song playback, or exit from the playback mode, then perform the operation again. A button that does not have a function in the current mode has been pressed. This message appears when you try to execute other operations while reading data from the disk or saving data. ➾ Wait until the data read/write operation is completed, then perform the operation again. This message appears when you attempt to execute another operation while writing edited data of a song recorded to internal RAM. ➾ Complete the data write operation, then perform the other operation. This message appears when executing an operation that results in deleting data recorded to the internal RAM, such as playback of disk software. ➾ Press YES to delete the data recorded to the internal RAM, then perform the desired operation. Press the NO button if you want to keep the data. This message appears when you attempt to record over or edit data of commercially available software or data recorded on Clavinovas other than the CVP-94/92/98/96. ➾ Press YES to convert the data for recording/editing on the CVP-94/92/98/96. Press NO if you don’t want to convert the data. ● Song Copy Related Messages This message informs you of the number of times the disks must be exchanged when copying a song to a different disk before starting the song copy operation. (See page 137 in the Owner’s Manual.) Insert the destination disk to be copied. (See page 137 in the Owner’s Manual.) When copying a song from the source disk to another disk, this message prompts you to specify the song number in the destination disk to which the song is to be copied, when the disk is first inserted. (See page 137 in the Owner’s Manual.) 3 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Messages This message prompts you to insert the source disk when copying songs to a second disk. (See page 137 in the Owner’s Manual.) This appears when the same song number is selected for both source and destination in the song copy operation. ➾ Change the destination song number. ● Custom Style Related Messages This message appears for a few seconds when the Custom Style mode is engaged. (See page 68 in the Owner’s Manual.) This confirmation prompt appears when you attempt to change the beat parameter in the Custom Style mode. (See page 70 in the Owner’s Manual.) This confirmation prompt appears when you attempt to change the number of measures in the Custom Style mode. (See page 70 in the Owner’s Manual.) This confirmation prompt appears when you attempt to perform operations which can only be done after deleting the part of the original style in the Custom Style mode. (See page 71 in the Owner’s Manual.) This confirmation prompt appears when you attempt a store operation in the Custom Style mode. (See page 74 in the Owner’s Manual.) This also appears when you attempt to change styles before storing. (See page 79 in the Owner’s Manual.) This confirmation prompt appears when you attempt to exit from the Custom Style mode before storing data. (See page 79 in the Owner’s Manual.) ➾ Select YES to store. Press NO to exit without storing data. Press CANCEL to return to the previous display without storing data. (See page 79 in the Owner’s Manual.) This message appears when the Recall Section operation in the Custom Style mode cannot be performed, due to changes in the time signature (beat). (See page 74 in the Owner’s Manual.) If the data has not been stored to memory before saving to disk in the Custom Style mode, this message prompts you to store the data before proceeding. (See page 76 in the Owner’s Manual.) This message appears if there is not enough internal memory space left when storing data in the Custom Style mode. (See page 78 in the Owner’s Manual.) This message appears when DELETE is selected from the display shown above. ➾ Select the style to be deleted and press the OK button. Press CANCEL if you do not want to delete the style. This message appears when memory capacity has become full during recording in the Custom Style mode (page 78 in the Owner’s Manual). This also appears when memory has become full during recording of a song to internal RAM. In this case, recording will stop and data recorded up to that point will be saved automatically. 4 Messages ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ● Recorded Data Conversion Related Messages This message appears if a 2HD disk is used when performing conversion of the recorded data. ➾ Press OK and copy the song data to be converted to a 2DD disk, then perform the data conversion using the disk. Following conversion of the song data, this message displays the song number to which the data was saved. ● Initial Data Change Related Messages This confirmation message appears if you attempt to exit the Initial Edit function without writing the data. ➾ Press YES to write the changed data. Press NO to exit without writing. Press CANCEL to return to the Initial Edit display without writing. ● Chord Sequence Related Messages This confirmation message appears if you attempt to exit the Chord Sequence function during recording. ➾ Press YES to store the recorded data. Press NO to exit without storing. Press CANCEL to return to the Chord Sequence display without storing. This message appears during Chord Sequence recording when you attempt to enter an accompaniment style or section change at a position other than the beginning of a measure. ➾ Record changes of accompaniment style or section only at the beginning of the measure. (See page 118 in the Owner’s Manual.) ● Style File Load Related Messages This message appears when you attempt to load a Style file without there being enough memory to hold the specified file. (See page 82 in the Owner’s Manual.) Some Style Files are too large to be handled by the LISTEN feature in the Style File Load function. (See page 81 in the Owner’s Manual.) ● Other Messages This message appears when the host computer is not turned on, the connecting cable is not properly connected, or the sequencing software is not active. In this case, turn the power off on both the CVP-98/96 and the computer, and check the cable connection. Once the connection is secure, turn the power of the computer on first, then the CVP-98/ 96, to check if the driver and MIDI application function properly. As long as the Clavinova is regularly used, data is retained in memory. If the instrument is left unused for a week or longer before being turned on again, the data is erased and this message appears. This message also appears when you recall all factory data. (See page 147 in the Owner’s Manual.) A problem has been detected in the hardware system during power on. ➾ Refer the problem to your Yamaha dealer. The disk head is dirty. Clean the disk head using a commercially available head cleaning disk. 5 Troubleshooting Problem ○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Cause Solution The power of the CVP-98/96 does not turn on. The power cable plugs are not inserted either in the CVP-98/96 or a proper AC outlet. Securely insert one of the cable plugs into the instrument itself, and the other plug into a proper AC outlet. A click or pop sound is produced when turning on/off the power. Electrical current is flowing into the instrument. This is normal, and is no cause for concern. The LCD display is too bright or too dark to read. The brightness may be changed by the surrounding temperature. Adjust the contrast of the display by using the [CONTRAST] control. (See page 15 in the Owner’s Manual.) The pop-up display does not open. The [DISPLAY HOLD] lamp is lit. Press the [DISPLAY HOLD] button so that the lamp goes out. (See page 15 in the Owner’s Manual.) The keyboard sound volume is low compared to that of the Auto Accompaniment or disk playback. The independent volume level of the keyboard performance sound is too low. Raise the volume of the keyboard performance in the Mixer display. (See page 94 in the Owner’s Manual.) The sound of the Auto Accompaniment or disk playback is low compared to that of the keyboard. The [ACMP/SONG VOLUME] is low. Raise the [ACMP/SONG VOLUME] level. The entire sound is low or no sound comes out. The [MASTER VOLUME] is low. Raise the [MASTER VOLUME]. Headphones are connected. Unplug the headphones. Local Control is set to off. Set Local Control to on. (See page 144 in the Owner’s Manual.) The damper pedal has no effect, or the sound continuously sustains even when the damper pedal is not pressed. The pedal cord plug is not connected. Securely insert the pedal cord plug into the proper jack. (See page 40 in this Manual.) Auto Accompaniment or disk playback does not start. MIDI Sync is set to “EXT.”. Set MIDI Sync to “INT.”. (See page 144 in the Owner’s Manual.) When the keyboard is played, not all of the notes sound. Notes have been played beyond the total simultaneous polyphonic capacity (maximum number of notes). The tone generation system is configured such that later notes have priority, occasionally resulting in previous notes being cut off. See the “Specifications” section on page 37 in this Manual for information on the simultaneous polyphonic capacity. Auto Accompaniment does not play back. Auto Accompaniment is not turned on. Press the [ACMP ON] button to turn on Auto Accompaniment. 6 Troubleshooting ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Problem Cause Solution The desired chord cannot be recognized or output by the Auto Accompaniment. The keys are not being played correctly. Refer to the “Fingering Chart” (page 36 in this Manual). The keys are not being played according to the selected Auto Accompaniment type. Check the Auto Accompaniment type, and play the keys according to the selected type. (See page 56 in the Owner’s Manual.) The maximum of 60 songs cannot be recorded. The memory capacity is full because the playing time of one or more songs is long, or many functions were used. Delete unnecessary songs (page 138 in the Owner’s Manual) or record to a new disk. Some tracks do not played back when playing back data. Playback of the track(s) is set to off. Set playback for the non-sounding tracks to on. (See pages 91 and 94 in the Owner’s Manual.) * If a “Hardware Error!” message appears in the display when turning on the power, contact your local Yamaha dealer immediately, since this indicates some sort of internal damage to the instrument. 7 MIDI and Data Compatibility ■ MIDI ● Sequence Format MIDI (Musical Instrument Digital Interface) is a worldwide standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. • Depending on the MIDI device, the transmittable/receivable data differs, and only data which is commonly recognized among the connected MIDI devices can be transmitted or received. You can check whether your instrument supports certain data types by referring to the MIDI Implementation Chart in the owner’s manual for that instrument. The MIDI Implementation Chart for the CVP-98/96 is found on page 25 in this Manual. MIDI Terminals Data received via the MIDI IN terminal is retransmitted unchanged through this terminal. ○○○○○○○○○○○○○○○○○○○ This terminal transmits the MIDI data. This terminal receives the MIDI data. THRU OUT IN MIDI MIDI Cable Connect MIDI devices with special MIDI cables. • The various MIDI settings can be made from the Function section’s MIDI 1 - 3 pages. • Further information on MIDI and its applications is available in various music books and magazines. ■ Data Compatibility The system which records song data is called “sequence format.” • Playback is only possible when the sequence format of the disk matches that of the MIDI device. [Common Sequence Formats] SMF (Standard MIDI File) This is the most common sequence format. • Standard MIDI Files are generally available as one of two types: Format 0 or Format 1. • Many MIDI devices are compatible with Format 0, and most commercially available software is recorded as Format 0. • The CVP-98/96 is compatible with both Format 0 and Format 1 (for Format 1, up to a maximum of 17 chunks). • Song data recorded on the CVP-98/96 is automatically recorded as SMF Format 0. ESEQ This sequence format is compatible with many of Yamaha’s MIDI devices, including the Clavinova series instruments. This is a common format used with various Yamaha software. • The CVP-98/96 is compatible with ESEQ. ● Voice Allocation Format With MIDI, voices are assigned to specific numbers, called “program numbers.” The numbering standard (order of voice allocation) is referred to as the “voice allocation format.” This section covers basic information on data compatibility: whether or not other MIDI devices can playback the data recorded by CVP-98/96, and whether or not the CVP-98/96 can playback commercially available song data or song data created for other instruments or on a computer. Depending on the MIDI device or data characteristics, you may be able to play back the data without any problem, or you may have to perform some special operations before the data can be played back. If you run into problems playing back data, please refer to the information below. • ● Basic Check Points XG XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specifically to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure compatibility of data well into the future. • The CVP-98/96 is compatible with XG. • Song data recorded on the CVP-98/96 is automatically given XG voice allocation. The data and the MIDI device must match in regards to the items below. • Disk Format • Sequence format • Voice allocation format ● Disk format Floppy disks are the main storage medium for data used with various devices, including computers. Different devices have different systems of storing data, therefore it is necessary to first configure the floppy disk to the system of the device being used. This operation is called “formatting.” • There are two types of floppy disks: MF2DD (double sided, double density) and MF2HD (double sided, high density), and each type has different formatting systems. • CVP-98/96 can record and playback with both types of floppy disks. • When formatted by the CVP-98/96, a 2DD disk stores up to 720 KB (kilobytes) and a 2HD disk stores up to 1.44 MB (megabytes). (The figures “720 KB” and “1.44 MB” indicate the data memory capacity. They are also used to indicate the format type of disk.) • Playback is only possible when the MIDI device to be used is compatible with the format of the disk. Voices may not play back as expected unless the voice allocation format of the song data matches that of the compatible MIDI device used for playback. [Main Voice Allocation Formats] GM System Level 1 This is one of the most common voice allocation formats. • Many MIDI devices are compatible with GM System Level 1, as is most commercially available software. • The CVP-98/96 is compatible with GM System Level 1. DOC This voice allocation format is compaible with many of Yamaha’s MIDI devices, including the Clavinova series instruments. This is also a common format used with various Yamaha software. • The CVP-98/96 is compatible with DOC. Even if the devices and data used satisfy all the conditions above, the data may still not be completely compatible, depending on the specifications of the devices and particular data recording methods. 8 MIDI Data Format ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter “H” as a suffix. Also, “n” can freely be defined as any whole number. To enter data/values, refer to the table below. Decimal 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Hexadecimal 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E 2F 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F Binary 0000 0000 0000 0001 0000 0010 0000 0011 0000 0100 0000 0101 0000 0110 0000 0111 0000 1000 0000 1001 0000 1010 0000 1011 0000 1100 0000 1101 0000 1110 0000 1111 0001 0000 0001 0001 0001 0010 0001 0011 0001 0100 0001 0101 0001 0110 0001 0111 0001 1000 0001 1001 0001 1010 0001 1011 0001 1100 0001 1101 0001 1110 0001 1111 0010 0000 0010 0001 0010 0010 0010 0011 0010 0100 0010 0101 0010 0110 0010 0111 0010 1000 0010 1001 0010 1010 0010 1011 0010 1100 0010 1101 0010 1110 0010 1111 0011 0000 0011 0001 0011 0010 0011 0011 0011 0100 0011 0101 0011 0110 0011 0111 0011 1000 0011 1001 0011 1010 0011 1011 0011 1100 0011 1101 0011 1110 0011 1111 Decimal 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 Hexadecimal 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5E 5F 60 61 62 63 64 65 66 67 68 69 6A 6B 6C 6D 6E 6F 70 71 72 73 74 75 76 77 78 79 7A 7B 7C 7D 7E 7F Binary 0100 0000 0100 0001 0100 0010 0100 0011 0100 0100 0100 0101 0100 0110 0100 0111 0100 1000 0100 1001 0100 1010 0100 1011 0100 1100 0100 1101 0100 1110 0100 1111 0101 0000 0101 0001 0101 0010 0101 0011 0101 0100 0101 0101 0101 0110 0101 0111 0101 1000 0101 1001 0101 1010 0101 1011 0101 1100 0101 1101 0101 1110 0101 1111 0110 0000 0110 0001 0110 0010 0110 0011 0110 0100 0110 0101 0110 0110 0110 0111 0110 1000 0110 1001 0110 1010 0110 1011 0110 1100 0110 1101 0110 1110 0110 1111 0111 0000 0111 0001 0111 0010 0111 0011 0111 0100 0111 0101 0111 0110 0111 0111 0111 1000 0111 1001 0111 1010 0111 1011 0111 1100 0111 1101 0111 1110 0111 1111 • Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) displays the Note On Message for each channel (1-16). 176-191/ BnH/1011 0000-1011 1111 displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program Change Message for each channel (1-16). 240/FOH/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message. • aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low. • bbH/0bbbbbbb denotes the byte count. • ccH/0ccccccc denotes the check sum. • ddH/0ddddddd denotes the data/value. (1) TRANSMIT FLOW MIDI←KEY ON/OFF OUT CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN SOSTENUTE SOFT PEDAL REVERB SEND LEVEL VARIATION SEND LEVEL PROGRAM CHANGE 9nH BnH BnH,00H BnH,20H BnH,06H BnH,26H BnH,07H BnH,0AH BnH,0BH BnH,40H BnH,42H BnH,43H BnH,5BH BnH,5EH CnH SYSTEM EXCLUSIVE MESSAGE UNIVERSAL REALTIME F0H 7FH.....F7H UNIVERSAL NON-REALTIME F0H 7EH.....F7H XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH .....ddH F7H XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH aaH ddH.....ddH ccH F7H SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING F8H FAH FCH FEH (2) RECEIVE FLOW MIDI→KEY OFF IN KEY ON/OFF CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENTO CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL DATA INCREMENT DATA DECREMENT NRPN LSB NRPN MSB VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQ. FILTER RESONANCE AEG ATTACK TIME AEG DECAY TIME AEG RELEASE DRUM INST CUTOFF FREQ. FILTER RESONANCE 8nH 9nH BnH,00H BnH,20H BnH,01H BnH,05H BnH,06H BnH,26H BnH,07H BnH,0AH BnH,0BH BnH,40H BnH,41H BnH,42H BnH,43H BnH,47H BnH,48H BnH,49H BnH,4AH BnH,54H BnH,5BH BnH,5DH BnH,5EH BnH,60H BnH,61H BnH,62H BnH,63H BnH,63H,01H,62H,08H,06H,mmH BnH,63H,01H,62H,09H,06H,mmH BnH,63H,01H,62H,0AH,06H,mmH BnH,63H,01H,62H,20H,06H,mmH BnH,63H,01H,62H,21H,06H,mmH BnH,63H,01H,62H,63H,06H,mmH BnH,63H,01H,62H,64H,06H,mmH BnH,63H,01H,62H,66H,06H,mmH *1 BnH,63H,14H,62H,rrH,06H,mmH BnH,63H,15H,62H,rrH,06H,mmH 9 MIDI Data Format ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ AEG ATTACK RATE AEG DECAY RATE PITCH COARSE PITCH FINE LEVEL PANPOT REVERB SEND CHORUS SEND VARIATION SEND RPN LSB RPN MSB PITCH BEND SENS. FINE TUNING BnH,63H,16H,62H,rrH,06H,mmH BnH,63H,17H,62H,rrH,06H,mmH BnH,63H,18H,62H,rrH,06H,mmH BnH,63H,19H,62H,rrH,06H,mmH BnH,63H,1AH,62H,rrH,06H,mmH BnH,63H,1CH,62H,rrH,06H,mmH BnH,63H,1DH,62H,rrH,06H,mmH BnH,63H,1EH,62H,rrH,06H,mmH BnH,63H,1FH,62H,rrH,06H,mmH BnH,64H BnH,65H BnH,65H,00H,64H,00H,06H,mmH BnH,65H,00H,64H,01H,06H,mmH, 26H,llH BnH,65H,00H,64H,02H,06H,mmH BnH,65H,7FH,64H,7FH BnH,78H,00H BnH,79H,00H BnH,7BH,00H BnH,7CH,00H BnH,7DH,00H BnH,7EH BnH,7FH COARSE TUNING NULL ALL SOUND OFF RESET ALL CONTROLLERS ALL NOTES OFF OMNI OFF OMNI ON MONO POLY PROGRAM CHANGE CnH CHANNEL AFTER TOUCH DnH PITCH BEND CHANGE EnH SYSTEM EXCLUSIVE MESSAGE UNIVERSAL REALTIME F0H 7FH.....F7H UNIVERSAL NON-REALTIME F0H 7EH.....F7H XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH .....ddH F7H XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH aaH ddH.....ddH ccH F7H PARAMETER REQUEST F0H 43H 3nH 4CH aaH aaH aaH F7H DUMP REQUEST F0H 43H 2nH 4CH aaH aaH aaH F7H SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING F8H FAH FCH FEH (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VOICE MESSAGES (3-1-1) KEY OFF(Recive only) STATUS NOTE NUMBER VELOCITY 1000nnnn(8nH) 0kkkkkkk 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) v: ignored 1001nnnn(9nH) 0kkkkkkk 0vvvvvvv 00000000 n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) (v ≠ 0) NOTE ON (v = 0) NOTE OFF (3-1-2) KEY ON/OFF STATUS NOTE NUMBER VELOCITY (3-1-3) PROGRAM CHANGE STATUS 1100nnnn(CnH) PROGRAM NUMBER 0ppppppp n = 0 - 15 VOICE CHANNEL NUMBER p = 0 - 127 * PROGRAM NUMBER: XG DRUM VOICE number correspondence P=0 Standard Kit P=1 Standard2 Kit P=8 Room Kit P = 16 Rock Kit P = 24 Elctrnic Kit P = 25 Analog Kit P = 27 Dance Kit P = 32 Jazz Kit P = 40 Brush Kit P = 48 Classic Kit 10 * PROGRAM NUMBER: XG SFX KIT number correspondence P=1 SFX1 Kit P=2 SFX2 Kit When DRUM VOICE is selected and program change data for a different DRUM VOICE is received, the currently selected DRUM VOICE will be replaced with the new DRUM VOICE. (3-1-4) CHANNEL AFTER TOUCH (Recive only) STATUS VALUE 1101nnnn(DnH) 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER v = 0 - 127 AFTER TOUCH VALUE (3-1-5) PITCH BEND CHANGE STATUS LSB MSB 1110nnnn(EnH) 0vvvvvvv 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER PITCH BEND CHANGE LSB PITCH BEND CHANGE MSB (3-1-6) CONTROL CHANGE STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn(BnH) 0ccccccc 0vvvvvvv * Transmit CONTROL NUMBER. c=0 BANK SELECT MSB c = 32 c= 6 c = 38 c= 7 c = 10 c = 11 c = 64 c = 66 c = 67 c = 91 c = 94 n = 0 - 15 VOICE CHANNEL NUMBER 0:XG NORMAL, 64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM BANK SELECT LSB ; v = 0 - 127 *3 DATA ENTRY MSB ; v = 0 - 127 *1 DATA ENTRY LSB ; v = 0 - 127 *1 MAIN VOLUME ; v = 0 - 127 PANPOT ; v = 0 - 127 EXPRESSION ; v = 0 - 127 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2 REVERB SEND LEVEL ; v = 0 - 127 VARIATION SEND LEVEL ; v = 0 - 127 (When only Connection = 1[System]) * Receive CONTROL NUMBER. c= 0 BANK SELECT MSB c = 32 c= 1 c= 5 c= 6 c = 38 c= 7 c = 10 c = 11 c = 64 c = 65 c = 66 c = 67 c = 71 c = 72 c = 73 c = 74 c = 84 c = 91 c = 93 c = 94 BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENT CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL c = 96 c = 97 DATA INCREMENT DATA DECREMENT ;v= ;v= 0:XG NORMAL, 64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM ; v = 0 - 127 *3 ; v = 0 - 127 *2 ; v = 0 - 127 *2 ; v = 0 - 127 *1 ; v = 0 - 127 *1 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0 - 127 *2 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 (When only Connection = 1[System]) ; v = 127 *1 ; v = 127 *1 *1 Only when setting the appointed parameter with RPN, NRPN. *2 Does not effect Rhythm Voice. *3 MSB=0, anything other than 63 is 0. • Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE. • MODULATION controls the Vibrato Depth. • PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ • PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value. First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. • Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used. RPN LSB MSB 00H 00H 01H 00H • HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range. • RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. • ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. • BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range. (3-2) CHANNEL MODE MESSAGES STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn(BnH) 0ccccccc 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER c = CONTROL NUMBER v = DATA VALUE (3-2-1) ALL SOUND OFF (Recive only) (CONTROL NUMBER = 78H , DATA VALUE = 0) Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (3-2-2) RESET ALL CONTROLLERS (Recive only) (CONTROL NUMBER = 79H , DATA VALUE = 0) Resets controllers as follows. PITCH BEND CHANGE AFTER TOUCH MODULATION EXPRESSION SUSTAIN SOSTENUTO SOFT PEDAL NRPN RPN PORTAMENT CONTROL PORTAMENTO 0 (Center) 0 (min.) 0 (min.) 127 (max.) 0 (off) 0 (off) 0 (off) Sets number to null. (Internal data remains unchanged) Sets number to null. (Internal data remains unchanged) Resets portamento source note number 0 (off) (3-2-3) ALL NOTES OFF (Recive only) (CONTROL NUMBER = 7BH , DATA VALUE = 0) Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off. (3-2-4) OMNI OFF (Recive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0) Same processing as for All Notes Off. (3-2-5) OMNI ON (Recive only) (CONTROL NUMBER = 7DH , DATA VALUE = 0) Same processing as for All Notes Off. Omni On is not executed. (3-2-6) MONO (Recive only) (CONTROL NUMBER = 7EH , DATA VALUE = 0) Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding channel will be changed to Mode 4 (m=1). (3-2-7) POLY (Recive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0) Same processing as for All Sounds Off and the corresponding channel will be changed to Mode 3. (3-3) REGISTERED PARAMETER NUMBER(RPN) STATUS RPN LSB RPN LSB NUMBER RPN MSB RPN MSB NUMBER DATA ENTRY MSB DATA VALUE DATA ENTRY LSB DATA VALUE 1011nnnn(BnH) 01100100(64H) 0ppppppp 01100101(65H) 0qqqqqqq 00000110(06H) 0mmmmmmm 00100110(26H) 0lllllll D.ENTRY MSB LSB PARAMETER NAME DATA RANGE mmH — PITCH BEND SENSITIVITY 00H - 18H (0 - 24 semitones) mmH llH FINE TUNE {mmH,llH} = {00H,00H} - {40H,00H} - {7FH,7FH} (-8192*100/8192) - 0 - (+8192*100/8192) 02H 00H mmH — COARSE TUNE 28H - 40H - 58H (-24 - 0 - +24 semitones) 7FH 7FH — — NULL Clears the current RPN number setting. Does not change the internal parameter settings. (3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Recive only) STATUS NRPN LSB NRPN LSB NUMBER NRPN MSB NRPN MSB NUMBER DATA ENTRY MSB DATA VALUE 1011nnnn(BnH) 01100010(62H) 0ppppppp 01100011(63H) 0qqqqqqq 00000110(06H) 0mmmmmmm n = 0 - 15 VOICE CHANNEL NUMBER p = NRPN LSB(refer to the list below) q = NRPN MSB(refer to the list below) m = Data Value First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. NRPN MSB LSB 01H 08H 01H 09H 01H 0AH 01H 20H 01H 21H 01H 63H 01H 64H 01H 66H 14H rrH 15H rrH 16H rrH 17H rrH 18H rrH 19H rrH 1AH rrH 1CH rrH D.ENTRY MSB LSB mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — mmH — 1DH rrH 1EH rrH 1FH rrH mmH — mmH — mmH — PARAMETER NAME VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE DRUM FILTER CUTOFF FREQ. DRUM FILTER RESONANCE DRUM AEG ATTACK RATE DRUM AEG DECAY RATE DRUM PITCH COARSE DRUM PITCH FINE DRUM LEVEL DRUM PANPOT DATA RANGE 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 7FH (0 - max.) 00H ,01H - 40H - 7FH (random,left - center - right) DRUM REVERB SEND LEVEL 00H - 7FH (0 - max.) DRUM CHORUS SEND LEVEL 00H - 7FH (0 - max.) DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.) The MSG14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice. rrH : drum instrument note number (3-5) SYSTEM REALTIME MESSAGES (3-5-1) MIDI CLOCK STATUS 11111000 (F8H) Transmission: 96 clocks per measure are transmitted. Reception: If the instrument’s clock is set to external, after FAH is received from the external device the instrument’s clock will sync with the 96 beats per measure received from the external device. Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used. (3-5-2) START STATUS 11111010 (FAH) Transmission: Transmitted when instrument’s Rhythm or Song playback is started. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start. (3-5-3) STOP STATUS 11111100 (FCH) Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop. n = 0 - 15 VOICE CHANNEL NUMBER (3-5-4) ACTIVE SENSING p = RPN LSB(refer to the list below) q = RPN MSB(refer to the list below) m = Data Value l = Data Value STATUS 11111110 (FEH) Transmission: Transmitted approximately once every 200msec. Reception: Sensing is started once this Code is received. If Status or Data is not received within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being sustained, will be cut OFF. Also, all control values will be reset to their factory defaults. 11 MIDI Data Format ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ (3-6) SYSTEM EXCLUSIVE MESSAGE (3-6-1) YAMAHA MIDI FORMAT (3-6-1-1) SECTION CONTROL binary 11110000 01000011 01111110 00000000 0sssssss 0ddddddd 11110111 hexadecimal F0 43 7E 00 SS DD F7 Exclusive status YAMAHA ID Style Switch No. 00H : INTRO A 01H~07H : INTRO B 08H : MAIN A 09H~0FH : MAIN B 10H : FILL IN AA 11H~17H : FILL IN BB 18H : FILL IN AB 19H~1FH : FILL IN BA 20H : ENDING A 21H~27H : ENDING B Switch On/Off: 00H(Off),7FH(On) End of Exclusive When an ON code is received, the appointed section will be changed. (3-6-1-2) TEMPO CONTROL binary 11110000 01000011 01111110 00000000 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111 hexadecimal F0 43 7E 01 TT TT TT TT F7 Exclusive status YAMAHA ID Style Tempo4 Tempo3 Tempo2 Tempo1 End of Exclusive 11110000 01111110 0xxxnnnn F0 7E XN 00001001 00000001 11110111 09 01 F7 Exclusive status Universal Non-Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (3-6-3) XG STANDARD (3-6-3-1) XG PARAMETER CHANGE (3-6-3-1-1) XG SYSTEM ON binary 11110000 01000011 0001nnnn 01001100 00000000 00000000 01111110 00000000 11110111 hexadecimal F0 43 1N 4C 00 00 7E 00 F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive Depending upon the received ON message, the SYSTEM MODE will be changed to XG.Controllers will be reset, all values of Multi Part and Effect, and All System values denoted by “XG” data within All System will be reset to default values in the table. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (3-6-3-1-2) XG PARMETER CHANGE The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits). (3-6-2) UNIVERSAL SYSTEM EXCLUSIVE (3-6-2-1) UNIVERSAL REALTIME MESSAGE (3-6-2-1-1) MIDI MASTER VOLUME (Recive only) binary 11110000 01111110 01111111 00001001 00000001 0sssssss 0ttttttt 11110111 or 11110000 01111110 0xxxnnnn hexadecimal F0 7F 7F 04 01 SS TT F7 00001001 00000001 0sssssss 0ttttttt 11110111 04 01 SS TT F7 F0 7F XN Exclusive status Universal Realtime ID of target Device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive Exclusive status Universal Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the ss value is ignored.) (3-6-2-2) UNIVERSAL NON REALTIME MESSAGE (3-6-2-2-1) GENERAL MIDI SYSTEM ON binary 11110000 01111110 01111111 00001001 00000001 11110111 or 12 hexadecimal F0 7E 7F 09 01 F7 Exclusive status Universal Non-Realtime ID of target Device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive binary 11110000 01000011 0001nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 11110111 hexadecimal F0 43 1N 4C AA AA AA DD | F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > (page 14) and < Table 1-4 > ~ < Table 1-8 > (pages 15-19). The 4 data types listed below are transmitted and received. (These are transmitted only after a Parameter change request is received.) XG System Data Multi Effect Data Multi EQ Data Multi Part Data Drums Setup Data (3-6-3-2) XG BULK DUMP binary 11110000 01000011 0000nnnn 01001100 0bbbbbbb 0bbbbbbb 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 0ccccccc 11110111 hexadecimal F0 43 0N 4C BB BB AA AA AA DD | CC F7 Exclusive status YAMAHA ID Device Number Model ID ByteCount ByteCount Address High Address Mid Address Low Data Check sum End of Exclusive For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-8 > (pages 14-19). The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The 5 data types listed below are transmitted and received. (These are transmitted only after a Bulk Dump request is received.) System Data Multi Effect Data(Individual effect unit) Multi EQ Data Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information(Individual only) (3-6-3-3) XG PARAMETER REQUEST (Recive only) binary 11110000 01000011 0011nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 hexadecimal F0 43 3n 4C AA AA AA F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > (page 14) and < Table 1-4 > ~ < Table 1-8 > (pages 15-19). The 4 data types listed below are received. System Data Multi Effect Data Multi EQ Data Multi Part Data Drums Setup Data (3-6-3-4) XG DUMP REQUEST (Recive only) binary 11110000 01000011 0010nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 hexadecimal F0 43 2n 4C AA AA AA F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > ~ < Table 1-8 > (pages 14-19). The 5 data types listed below are received. System Data Multi Effect Data(Individual module unit) Multi EQ Data Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information (3-6-4-4) STYLE NUMBER binary 11110000 01000011 01110011 01000101 00011101 00000000 0ccccccc 0ddddddd 11110111 hexadecimal F0 43 73 45 1D 00 CC DD F7 Exclusive status YAMAHA ID Clavinova ID CVP-98/96/94/92 Style No. Style No. MSB Style No. LSB End of Exclusive (3-6-4-5) MIDI FA CANCEL (Recive only) binary 11110000 01000011 01110011 01000101 01100001 11110111 hexadecimal F0 43 73 01 61 F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID MIDI FA Cancel End of Exclusive If this message is received, even if FAH is received the Rhythm will not start. (3-6-5) SPECIAL OPERATORS (3-6-5-1) SPLIT POINT binary 11110000 01000011 01110011 01000101 00010001 00000000 00010100 0ddddddd 11110111 hexadecimal F0 43 73 01 11 00 14 DD F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID Split Point Split Key No. End of Exclusive (3-6-5-2) FINGERING binary 11110000 01000011 01110011 01000101 00010001 00000000 01000000 0000dddd hexadecimal F0 43 73 01 11 00 40 0D 11110111 F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID Fingering 0D: 00H(Off),01H(Single Finger),02H(Fingered), 04H(Full Keyboard),07H(Multi Finger) End of Exclusive (3-6-4) CLAVINOVA MIDI COMPLIANCE (3-6-5-3) ACCOMP VOLUME (3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Recive only) binary 11110000 01000011 01110011 00000001 0000001n 11110111 hexadecimal F0 43 73 01 0N F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID N: 2(Internal Clock),3(External Clock) End of Exclusive (3-6-4-2) DOC MULTI TIMBRE ON / OFF (Recive only) binary 11110000 01000011 01110011 00000001 00000110 11110111 hexadecimal F0 43 73 01 1N F7 Exclusive status YAMAHA ID Clavinova ID Clavinova commmon ID N: 3(DOC Multi Timbre Off),4(DOC Multi Timbre On) End of Exclusive (3-6-4-3) PANEL LED ON / OFF (Recive only) binary 11110000 01000011 01110011 01000101 00011010 0mmmmmmm hexadecimal F0 43 73 45 1A MM Exclusive status YAMAHA ID Clavinova ID CVP-98/96/94/92 PANEL LED On/Off binary 11110000 01000011 01110011 01000101 00010001 0000nnnn hexadecimal F0 43 73 01 11 0N 01000000 0ddddddd 11110111 42 DD F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID Part: 00H(All Part),05H(Rhythm),0AH(Bass), 06H(Chord),0DH(Pad),07H(Phrase) Accomp Volume Volume Data: 00H~7FH End of Exclusive (3-6-5-4) CHANNEL DETUNE binary 11110000 01000011 01110011 01000101 00010001 0000nnnn 01000011 0vvvvvvv 11110111 hexadecimal F0 43 73 45 11 0N 43 VV F7 Exclusive status YAMAHA ID Clavinova ID CVP-98/96/94/92 ID Sub ID N = MIDI Channel Dual Detune Value VV: 00H - 40H - 7FH (-64 - 0 - +63) End of Exclusive The Channel Detune message only affects the specified channel. MM: 00H(LED Off),01H(LED On),02H(The LED flashes) 03H (LED All off), 04H (Panel LED returns to normal operation) 00000000 0nnnnnnn 11110111 00 NN F7 LED No. End of Exclusive Remotely switches the Panel LED On/Off. 13 MIDI Data Format ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ (3-6-5-5) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF binary 11110000 01000011 01110011 01000101 00010001 0000nnnn 01001001 0vvvvvvv 11110111 hexadecimal F0 43 73 45 11 0N 45 VV F7 Exclusive status YAMAHA ID Clavinova ID CVP-98/96/94/92 ID Sub ID N = MIDI Channel Volume and Expression Realtime Control Off Value VV: off=7FH, on=00H End of Exclusive (3-6-6-1) MIDI MASTER TUNING (Recive only) When “On” is received, subsequent volume, expression, and PAN changes are only valid after the reception of the next key on. Normal operation resumes when “Off” is received. (3-6-5-6) MIDI KEY LED MODE ON / OFF (Recive only) binary 11110000 01000011 01110011 01000101 00010001 0000nnnn 01000111 0ddddddd hexadecimal F0 43 73 01 11 0N 47 DD 11110111 F7 (3-6-6) Others binary 11110000 01000011 0001nnnn 00100111 00110000 00000000 00000000 0mmmmmmm 0lllllll 0ccccccc 11110111 hexadecimal F0 43 1N 27 30 00 00 MM LL CC F7 Exclusive status YAMAHA ID When N is received N=0-F, whichever is received. Model ID Sub ID Master Tune MSB Master Tune LSB don’t care End of Exclusive Changes tuning of all channels. MM, LL values are used to define the MIDI Master Tuning value. Exclusive status YAMAHA ID Clavinova ID T = M-128 T : Tuning value (-99cent - +99cent) M : A single byte value (28-228) consists of bytes 0-3 of MM = MSB, bytes 0-3 of LL = LSB. Sub ID N = MIDI Channel MIDI Key LED Mode On / Off In this setting, GM System ON, XG System ON will not be reset. DD: 00H(Key LED Mode Off),01H(Key LED Mode On + no tone), 02H(Key LED Mode On + tone) End of Exclusive < Table 1-1> Parmeter Basic Address SYSTEM Parameter Change Address (H) (M) (L) 00 00 00 00 00 7D 00 00 7E 00 00 7F Description System Drum Setup Reset XG System On All Parameter Reset INFORMATION 01 00 00 System Information EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation ) MULTI PART 08 00 Multi Part 1 08 0F 00 : 00 Multi Part 16 08 10 : : 00 : Reserved : DRUM 30 0D 00 31 0D 00 32 0D 00 : : : 3F nn nn Drum Setup 1 → Address Drum Setup 2 : : 3n 0D 00 Reserved 3n 0E 00 : : : Reserved 3n 5B 00 Parameter note number 13 note number 14 note number 91 < Table 1-2 > MIDI Parameter Change table ( SYSTEM ) Address Size Data Parameter Name Description (H) (H) (H) 00 00 00 4 0000 Master Tune 01 ..07FF 02 03 04 05 06 7D 7E 7F TOTAL SIZE 6 14 1 1 1 00..7F 28..58 n 00 00 Master Volume Not Used Transpose Drum Setup Reset XG System On All Parameter Reset Default -102.4..+102.3[cent] 1st bit3-0 -> bit15-12 2nd bit3-0 -> bit11-8 3rd bit3-0 -> bit7-4 4th bit3-0 -> bit3-0 0..127 -24..+24[semitones] n=Drum Setup Number 00=XG Sytem on 00=on (receive only) Value(H) 00 04 00 00 (0400) (With XG, GM On, it will not reset.) 7F 40 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ < Table 1-3 > MIDI Parameter table ( System information ) Address Size Data Parameter Name Description (H) (H) (H) 01 00 00 E 20..7F Model Name : 0D 0E 1 00 0F 1 00 TOTAL SIZE 10 (Transmitted by Dump Request. Not received. Bulk Dump Only) 32..127(ASCII) < Table 1-4 > MIDI Parameter Change table ( EFFECT 1) Address Size Data Parameter Name Description (H) (H) (H) 02 01 00 2 00..7F Reverb Type MSB 00..7F Reverb Type LSB 02 1 00..7F Reverb Parameter 1 03 1 00..7F Reverb Parameter 2 04 1 00..7F Reverb Parameter 3 05 1 00..7F Reverb Parameter 4 06 1 00..7F Reverb Parameter 5 07 1 00..7F Reverb Parameter 6 08 1 00..7F Reverb Parameter 7 09 1 00..7F Reverb Parameter 8 0A 1 00..7F Reverb Parameter 9 0B 1 00..7F Reverb Parameter 10 0C 1 00..7F Reverb Return 0D 1 01..7F Reverb Pan TOTAL SIZE 0E 02 01 10 11 12 13 14 15 TOTAL SIZE 6 02 01 01 02 01 Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -∞..0..+6dB(0..96..127) L63..C..R63(1..64..127) Value(H) 01(=HALL1) 00 Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type 60 40 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Reverb Parameter 11 Reverb Parameter 12 Reverb Parameter 13 Reverb Parameter 14 Reverb Parameter 15 Reverb Parameter 16 Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type 2 1 1 1 1 1 1 1 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 01..7F 00..7F Chorus Type MSB Chorus Type LSB Chorus Parameter 1 Chorus Parameter 2 Chorus Parameter 3 Chorus Parameter 4 Chorus Parameter 5 Chorus Parameter 6 Chorus Parameter 7 Chorus Parameter 8 Chorus Parameter 9 Chorus Parameter 10 Chorus Return Chorus Pan Send Chorus To Reverb Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -∞..0..+6dB(0..96..127) L63..C..R63(1..64..127) -∞..0..+6dB(0..96..127) 41(=Chorus1) 00 Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type 60 40 00 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Chorus Parameter 11 Chorus Parameter 12 Chorus Parameter 13 Chorus Parameter 14 Chorus Parameter 15 Chorus Parameter 16 Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type 40 2 42 2 44 2 46 2 48 2 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Variation Type MSB Variation Type LSB Vari. Param. 1 MSB Vari. Param. 1 LSB Vari. Param. 2 MSB Vari. Param. 2 LSB Vari. Param. 3 MSB Vari. Param. 3 LSB Vari. Param. 4 MSB Vari. Param. 4 LSB Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List “05(=DELAY L,C,R)” 00 Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type 20 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E TOTAL SIZE 0F 02 Default 30 31 32 33 34 35 TOTAL SIZE 6 15 MIDI Data Format 4A 2 4C 2 4E 2 50 2 52 2 54 2 56 57 58 59 5A 5B 5C 5D 5E 5F 60 TOTAL SIZE 21 02 01 70 71 72 73 74 75 TOTAL SIZE 6 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ 1 1 1 1 1 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 01..7F 00..7F 00..7F 00..01 00..1F 01..7F 01..7F 01..7F 01..7F 01..7F Vari. Param. 5 MSB Vari. Param. 5 LSB Vari. Param. 6 MSB Vari. Param. 6 LSB Vari. Param. 7 MSB Vari. Param. 7 LSB Vari. Param. 8 MSB Vari. Param. 8 LSB Vari. Param. 9 MSB Vari. Param. 9 LSB Vari. Param. 10 MSB Vari. Param. 10 LSB Variation Return Variation Pan Send Vari. To Reverb Send Vari. To Chorus Variation Connection Variation Part MW Vari. Ctrl Depth PB Vari. Ctrl Depth CAT Vari. Ctrl Depth Not Used Not Used Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -∞..0..+6dB(0..96..127) L63..C..R63(1..64..127) -∞..0..+6dB(0..96..127) -∞..0..+6dB(0..96..127) 0:insertion,1:system part1..32(0..31),off(127) -63..+63 -63..+63 -63..+63 Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type 60 40 00 00 00 7F 40 40 40 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Variation Parameter 11 Variation Parameter 12 Variation Parameter 13 Variation Parameter 14 Variation Parameter 15 Variation Parameter 16 option Parameter option Parameter option Parameter option Parameter option Parameter option Parameter Depend on Variation Type Depend on Variation Type Depend on Variation Type Depend on Variation Type Depend on Variation Type Depend on Variation Type < Table 1-5 > MIDI Parameter Change table ( MULTI EQ ) Address Size Data Parameter Name Description (H) (H) (H) 02 40 00 1 34..4C EQ Type 1:JAZZ 2:POPS 3:ROCK 4:CLASSIC 01 1 34..4C EQ Gain1 02 1 04..28 EQ Frequency1 03 1 01..78 EQ Q1 04 1 00..01 EQ Shape1 05 1 34..4C EQ Gain2 06 1 0E..36 EQ Frequency2 07 1 01..78 EQ Q2 08 1 Not Used 09 1 34..4C EQ Gain3 0A 1 0E..36 EQ Frequency3 0B 1 01..78 EQ Q3 0C 1 Not Used 0D 1 34..4C EQ Gain4 0E 1 0E..36 EQ Frequency4 0F 1 01..78 EQ Q4 10 1 Not Used 11 1 34..4C EQ Gain5 12 1 1C..3A EQ Frequency5 13 1 01..78 EQ Q5 14 1 00..01 EQ Shape5 TOTAL SIZE 15 Default 0:FLAT Value(H) 0 -12..+12[dB] 32..2000[Hz] 0.1..12.0 00:Shelving,01:Peaking -12..+12[dB] 0.1..10[KHz] 0.1..12.0 40 0C 07 00 40 1C 07 -12..+12[dB] 0.1..10[KHz] 0.1..12.0 40 22 07 -12..+12[dB] 0.1..10[KHz] 0.1..12.0 40 2E 07 -12..+12[dB] 0.5..16.0[KHz] 0.1..12.0 00:Shelving,01:Peaking 40 3C 07 00 < Table 1-6 > MIDI Parameter Change table ( EFFECT 2 ) Address Size Data Parameter Name Description (H) (H) (H) 03 00 00 2 00..7F Insertion Type MSB 00..7F Insertion Type LSB 02 1 00..7F Insertion Parameter1 03 1 00..7F Insertion Parameter2 04 1 00..7F Insertion Parameter3 16 Default Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Value(H) “49(=DISTORTION)” 00 Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 TOTAL SIZE 12 1 1 1 1 1 1 1 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Insertion Parameter4 Insertion Parameter5 Insertion Parameter6 Insertion Parameter7 Insertion Parameter8 Insertion Parameter9 Insertion Parameter10 Insertion Part MW INS CTRL DPT BEND INS CTRL DPT CAT INS CTRL DPT Not Used Not Used Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Part1..16,OFF Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type 7F 03 00 20 21 22 23 24 25 TOTAL SIZE 06 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Insertion Parameter11 Insertion Parameter12 Insertion Parameter13 Insertion Parameter14 Insertion Parameter15 Insertion Parameter16 Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type 03 00 30 2 03 00 32 2 03 00 34 2 03 00 36 2 03 00 38 2 03 00 3A 2 03 00 3C 2 03 00 3E 2 03 00 40 2 03 00 42 2 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Ins. Param.1 MSB Ins. Param.1 LSB Ins. Param.2 MSB Ins. Param.2 LSB Ins. Param.3 MSB Ins. Param.3 LSB Ins. Param.4 MSB Ins. Param.4 LSB Ins. Param.5 MSB Ins. Param.5 LSB Ins. Param.6 MSB Ins. Param.6 LSB Ins. Param.7 MSB Ins. Param.7 LSB Ins. Param.8 MSB Ins. Param.8 LSB Ins. Param.9 MSB Ins. Param.9 LSB Ins. Param.10 MSB Ins. Param.10 LSB Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type Depend on Ins. Type TOTAL SIZE 14 For effect types that do not require MSB, the Parameters for Address 02-0B will be received. Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received. Address 02-0B will not be received. When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02 - 0B will always be transmitted. But, effects that require MSB, when the bulk dump is received the Parameters for Address 02 - 0B will not be received. < Table 1-7 > MIDI Parameter Change table ( MULTI PART ) Address Size Data Parameter Name Description (H) (H) (H) 08 nn 00 1 00..20 Element Reserve nn 01 1 00..7F Bank Select MSB nn 02 1 00..7F Bank Select LSB nn 03 1 00..7F Program Number nn 04 1 00..0F, Rcv Channel 7F nn 05 1 00..01 Mono/Poly Mode nn 06 1 00..02 Same Note Number Key On Assign nn 07 1 00..02 Part Mode nn nn nn 08 09 0A 1 2 28..58 00..FF Note Shift Detune nn nn nn nn 0B 0C 0D 0E 1 1 1 1 00..7F 00..7F 00..7F 00..7F Volume Velocity Sense Depth Velocity Sense Offset Pan Default 0..32 0..127 0..127 1..128 0..16;1..16,127;off 0:mono,1:poly 0:single 1:multi 2:inst (for DRUM) 0:normal 1..3:drum thru,drum1..2 -24..+24[semitones] -12.8..+12.7[Hz] 1st bit3..0 -> bit7..4 2nd bit3..0 -> bit3..0 0..127 0..127 0..127 0:random L63..C..R63(1..64..127) Value(H) 0(Part10),2(Others) 7F(Part10),00(Others) 00 00 Part No. 01 00 00 (Except Part10) 01 (Part10) 40 08 00 (80) 64 40 40 40 17 MIDI Data Format ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ nn nn nn nn nn nn 0F 10 11 12 13 14 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Note Limit Low Note Limit High Dry Level Chorus Send Reverb Send Variation Send C-2..G8 C-2..G8 0..127 0..127 0..127 0..127 00 7F 7F 00 28 00 nn nn nn nn nn nn nn nn 15 16 17 18 19 1A 1B 1C 1 1 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Vibrato Rate Vibrato Depth Vibrato Delay Filter Cutoff Freq. Filter Resonance EG Attack Time EG Decay Time EG Release Time -64..+63 -64..+63 -64..+63 -64..+63 -64..+63 -64..+63 -64..+63 -64..+63 40 40 40 40 40 40 40 40 nn nn nn nn nn nn 1D 1E 1F 20 21 22 1 1 1 1 1 1 28..58 00..7F 00..7F 00..7F 00..7F 00..7F MW Pitch Control MW Filter Control MW Amp. Control MW LFO PMod Depth MW LFO FMod Depth MW LFO AMod Depth -24..+24[semitones] -9600..+9450[cent] -100..+100[%] 0..127 0..127 0..127 40 40 40 0A 00 00 1 1 1 1 1 1 28..58 00..7F 00..7F 00..7F 00..7F 00..7F Bend Pitch Control Bend Filter Control Bend Amp. Control Bend LFO PMod Depth Bend LFO FMod Depth Bend LFO AMod Depth -24..+24[semitones] -9600..+9450[cent] -100..+100[%] 0..127 0..127 0..127 42 40 40 00 00 00 nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE 29 nn nn 30 : 40 nn nn nn nn nn nn nn nn nn nn nn nn 41 42 43 44 45 46 47 48 49 4A 4B 4C 1 1 1 1 1 1 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F 00..7F Scale Tuning C Scale Tuning C# Scale Tuning D Scale Tuning D# Scale Tuning E Scale Tuning F Scale Tuning F# Scale Tuning G Scale Tuning G# Scale Tuning A Scale Tuning A# Scale Tuning B -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] -64..+63[cent] 40 40 40 40 40 40 40 40 40 40 40 40 nn nn nn nn nn nn 4D 4E 4F 50 51 52 1 1 1 1 1 1 28..58 00..7F 00..7F 00..7F 00..7F 00..7F CAT Pitch Control CAT Filter Control CAT Amplitude Control CAT LFO PMod Depth CAT LFO FMod Depth CAT LFO AMod Depth -24..+24[semitones] -9600..+9450[cent] -100..+100[%] 0..127 0..127 0..127 40 40 40 00 00 00 nn 53 : 66 nn nn 67 68 off/on 0..127 00 00 nn 69 : 6E TOTAL SIZE 3F Not Used : Not Used Not Used : Not Used 1 1 00..01 00..7F Portamento Switch Portamento Time Not Used : Not Used nn = PartNumber If there is a Drum Voice assigned to the Part, the following parameters are ineffective. • Bank Select LSB • Amp EG • Portamento • Soft Pedal • Mono/Poly • Scale Tuning 18 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI Parameter Change table ( DRUM SETUP ) Address Size Data Parameter Name Description (H) (H) (H) 3n rr 00 1 00..7F Pitch Coarse 3n rr 01 1 00..7F Pitch Fine 3n rr 02 1 00..7F Level 3n rr 03 1 00..7F Alternate Group 3n rr 04 1 00..7F Pan 3n rr 05 3n rr 06 3n rr 07 3n rr 08 3n rr 09 3n rr 0A 3n rr 0B 3n rr 0C 3n rr 0D 3n rr 0E 3n rr 0F TOTAL SIZE 10 1 1 1 1 1 1 1 1 1 1 1 00..7F 00..7F 00..7F 00..01 00..01 00..01 00..7F 00..7F 00..7F 00..7F 00..7F Default Value(H) 40 40 Depend on the Note Depend on the Note Depend on the Note -64..+63 -64..+63[cent] 0..127 0:off,1..127 0:random L63..C..R63(1..64..127) 0..127 0..127 0..127 0:single,1:multi off/on off/on -64..63 -64..63 -64..63 -64..63 -64..63 Reverb Send Level Chorus Send Level Variation Send Level Key Assign Rcv Note Off Rcv Note On Filter Cutoff Freq. Filter Resonance EG Attack Rate EG Decay1 Rate EG Decay2 Rate Depend on the Note Depend on the Note 7F 00 Depend on the Note 01 40 40 40 40 40 n:Drum Setup Number(0 - 1) rr:note number(0DH - 54H) If XG SYSTEM ON and/or GM On message is received, all Drum Setup Parameter will be reset to default values. According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values. < Table 1-9 > Effect Type List XG ESSENTIAL EFFECT Same as LSB=0 XG OPTION EFFECT * If the received value does not contain an effect type in the TYPE LSB, The LSB will be directed to TYPE 0. * Panel Effects are based on the “[Number] Effect Name”. REVERB TYPE TYPE MSB 000 001 002 003 004 005..015 016 017 018 019 020..127 TYPE LSB 00 NO EFFECT [1]HALL1 [6]ROOM1 [10]STAGE1 [13]PLATE NO EFFECT [14]WHITE ROOM [15]TUNNEL CANYON [16]BASEMENT NO EFFECT 01 02 [2]HALL2 ROOM2 [11]STAGE2 [7]ROOM2 01 02 CHORUS2 CELESTE2 FLANGER2 CHORUS3 CELESTE3 03..07 08 09..15 16 17 18 19 [3]HALL3 [8]ROOM3 STAGE PLATE [4]HALL4 ROOM [12]STAGE3 PLATE [5]HALL5 ROOM [9]ROOM4 16 17 18 19 CELESTE FLANGER CELESTE FLANGER 20 21.. 20 21.. CHORUS TYPE TYPE MSB 000 001..064 065 066 067 068 069..071 072 073..086 087 088..127 TYPE LSB 00 NO EFFECT NO EFFECT CHORUS1 CELESTE1 FLANGER 1 SYMPHONIC NO EFFECT PHASER 1 NO EFFECT ENSEMBLE DETUNE NO EFFECT 03..07 08 CHORUS4 CELESTE4 FLANGER3 09..15 19 MIDI Data Format ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ VARIATION EFFECT TYPE TYPE MSB 000 001 002 003 004 005 006 007 008 009 010 011 012..015 016 017 018 019 020 021..063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 TYPE LSB 00 NO EFFECT [1]HALL1 [4]ROOM1 [7]STAGE1 PLATE DELAY L,C,R [18]DELAY L,R [19]ECHO [20]CROSS DELAY ER1 GATE REVERB REVERS GATE NO EFFECT WHITE ROOM TUNNEL CANYON BASEMENT KARAOKE 1 NO EFFECT THRU CHORUS1 [13]CELESTE FLANGER 1 SYMPHONIC ROTARY SP. TREMOLO AUTO PAN [24]PHASER DISTORTION OVER DRIVE AMP SIM. 3BAND EQ 2BAND EQ AUTO WAH 079 080 081 082 THRU PITCH CHANGE THRU TOUCH WAH 1 083 084 085 086 087 088 089..127 COMPRESSOR NOISE GATE VOICE CANCEL 2WAY ROTARY SP ENSEMBLE DETUNE AMBIENCE THRU 01 02 [2]HALL2 ROOM2 [8]STAGE2 [5]ROOM2 03..07 08 09..15 16 17 18 19 [3]HALL3 [6]ROOM3 STAGE PLATE [17]DELAY LCR HALL ROOM [9]STAGE3 PLATE HALL ROOM ROOM 20 21.. ER2 KARAOKE 2 KARAOKE 3 CHORUS2 [12]CHORUS3 FLANGER CHORUS CELESTE3 CHORUS [11]CHORUS2 FLANGER CHORUS [10]CHORUS1 [14]FLANGER FLANGER [15]SYMPHONIC Rotary Sp [21]TREMOLO Rotary Sp [16]AUTO PAN Rotary Sp [22] [23]ROTARY Rotary Sp Tremolo Gtr Tremolo 20 PHASER COMP+DISTORTION DIST.HARD EQ DISCO AUTO WAH+DIST AUTO WAH+ OVERDRIVE DIST.SOFT EQ TEL [25]WAH PITCH CHANGE2 TOUCH WAH+DIST TOUCH WAH+ OVERDRIVE TOUCH WAH 2 INSERTION EFFECT TYPE TYPE MSB 000 001 002 003 004 005 006 007 008 009..019 020 021..064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079..081 082 083 084 085..086 087 088..127 20 TYPE LSB 00 THRU HALL 1 ROOM 1 STAGE 1 PLATE DELAY L,C,R DELAY L,R ECHO CROSS DELAY THRU KARAOKE 1 THRU CHORUS 1 CELESTE 1 FLANGER 1 SYMPHONIC ROTARY SPEAKER 1 TREMOLO AUTO PAN PHASER 1 DISTORTION OVER DRIVE AMP SIMULATOR 3BAND EQ 2-BAND EQ AUTO WAH(LFO) THRU TOUCH WAH 1 COMPRESSOR NOISE GATE THRU ENSEMBLE DETUNE THRU 01 02 HALL 2 ROOM 2 STAGE 2 ROOM 3 KARAOKE 2 KARAOKE 3 CHORUS 2 CELESTE 2 FLANGER 2 CHORUS 3 CELESTE 3 03..07 08 CHORUS 4 CELESTE 4 FLANGER 3 09..15 16 17 18 19 HALL ROOM STAGE PLATE Delay LCR HALL ROOM STAGE PLATE HALL ROOM ROOM CHORUS FLANGER Symphonic Rotary Sp Tremolo AutoPan CHORUS FLANGER Rotary Sp Rotary Sp Rotary Sp DIST.HARD EQ DISCO DIST.SOFT EQ TEL Auto Wah TOUCH WAH 2 Rotary Sp Tremolo Gtr Tremolo 21.. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ < Table 1-10 > Effect Parameter List HALL1,HALL2, ROOM1,ROOM2,ROOM3, STAGE1,STAGE2 PLATE (reverb, variation, insertion block) CROSS DELAY (variation, insertion block) No. 1 2 3 4 5 6 7 8 9 10 Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff 0.3–30.0s 0–10 0–63 Thru–8.0kHz 1.0k–Thru Value 0–69 0–10 0–63 0–52 34–60 Dry/Wet D63>W – D=W – D
R – E=R – E W – D=W – D R – E=R – E W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D L Delay block) block) block) block) GATE REVERB, REVERSE GATE (variation block) 0.1–1486.0ms (variation block) 0.1–742.9ms (insertion block) 0.1–1486.0ms (variation block) 0.1–742.9ms (insertion block) 0.1–1486.0ms (variation block) 0.1–742.9ms (insertion block) 0.1–1486.0ms (variation block) 0.1–742.9ms (insertion block) -63–+63 0–127 0.1–1.0 2 Low Frequency Low Gain High Frequency High Gain 2 (variation (insertion (variation (insertion Value 1–7430 1–3714 1–7430 1–3714 1–127 0–2 1–10 0.1–743.0ms 0.1–371.4ms 0.1–743.0ms 0.1–371.4ms -63–+63 L,R,L&R 0.1–1.0 EARLY REF1,EARLY REF2(variation block) Value 0–69 0–10 0–63 0–52 34–60 0–37 0–73 0–104 0–30 1–127 DELAY L,C,R (variation, insertion block) No. 1 Parameter L->R Delay table#5 WHITE ROOM, TUNNEL, CANYON, BASEMENT (reverb, variation block) No. 1 2 3 4 5 6 7 8 9 10 No. 1 See Table Control No. 1 2 3 4 5 6 7 8 9 10 Parameter Delay Time Feedback Level HPF Cutoff LPF Cutoff 0–127 -63–+63 Thru–8.0kHz 1.0k–Thru Value 0–127 1–127 0–52 34–60 Dry/Wet D63>W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D R,L->R,L<-R,Lturn,Rturn,L/R Value 0–127 0–127 0–127 0–5 EQ EQ EQ EQ 32Hz–2.0kHz -12–+12dB 500Hz–16.0kHz -12–+12dB 4–40 52–76 28–58 52–76 11 12 13 14 15 16 EQ Mid Frequency EQ Mid Gain EQ Mid Width 100Hz–10.0kHz (variation block) -12–+12dB (variation block) 1.0–12.0 (variation block) 14–54 52–76 10–120 Low Frequency Low Gain High Frequency High Gain 0.00Hz–39.7Hz 0–127 0–127 -63–+63 Value 0–127 0–127 0–127 1–127 0–127 normal/invers 32Hz–2.0kHz -12–+12dB 500Hz–16.0kHz -12–+12dB D63>W – D=W – D W – D=W – D W – D=W – D W – D=W – D H – L=H – L W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D W – D=W – D Effect Data Value Assign Table Table#1 LFO Frequency Table#4 Reverb time Table#7 Delay Time(400.0ms) Table#11 Reverb Width;Depth;Height Data Data Data Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Value Data Value Data Value 0.3 32 3.5 64 17.0 0.4 33 3.6 65 18.0 0.5 34 3.7 66 19.0 0.6 35 3.8 67 20.0 0.7 36 3.9 68 25.0 0.8 37 4.0 69 30.0 0.9 38 4.1 1.0 39 4.2 1.1 40 4.3 1.2 41 4.4 1.3 42 4.5 1.4 43 4.6 1.5 44 4.7 1.6 45 4.8 1.7 46 4.9 1.8 47 5.0 1.9 48 5.5 2.0 49 6.0 2.1 50 6.5 2.2 51 7.0 2.3 52 7.5 2.4 53 8.0 2.5 54 8.5 2.6 55 9.0 2.7 56 9.5 2.8 57 10.0 2.9 58 11.0 3.0 59 12.0 3.1 60 13.0 3.2 61 14.0 3.3 62 15.0 3.4 63 16.0 Table#2 Modulation Delay Offset Table#5 Delay Time(200.0ms) Data Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Value Data Value Data Value Data Value 0.0 32 3.2 64 6.4 96 9.6 0.1 33 3.3 65 6.5 97 9.7 0.2 34 3.4 66 6.6 98 9.8 0.3 35 3.5 67 6.7 99 9.9 0.4 36 3.6 68 6.8 100 10.0 0.5 37 3.7 69 6.9 101 11.1 0.6 38 3.8 70 7.0 102 12.2 0.7 39 3.9 71 7.1 103 13.3 0.8 40 4.0 72 7.2 104 14.4 0.9 41 4.1 73 7.3 105 15.5 1.0 42 4.2 74 7.4 106 17.1 1.1 43 4.3 75 7.5 107 18.6 1.2 44 4.4 76 7.6 108 20.2 1.3 45 4.5 77 7.7 109 21.8 1.4 46 4.6 78 7.8 110 23.3 1.5 47 4.7 79 7.9 111 24.9 1.6 48 4.8 80 8.0 112 26.5 1.7 49 4.9 81 8.1 113 28.0 1.8 50 5.0 82 8.2 114 29.6 1.9 51 5.1 83 8.3 115 31.2 2.0 52 5.2 84 8.4 116 32.8 2.1 53 5.3 85 8.5 117 34.3 2.2 54 5.4 86 8.6 118 35.9 2.3 55 5.5 87 8.7 119 37.5 2.4 56 5.6 88 8.8 120 39.0 2.5 57 5.7 89 8.9 121 40.6 2.6 58 5.8 90 9.0 122 42.2 2.7 59 5.9 91 9.1 123 43.7 2.8 60 6.0 92 9.2 124 45.3 2.9 61 6.1 93 9.3 125 46.9 3.0 62 6.2 94 9.4 126 48.4 3.1 63 6.3 95 9.5 127 50.0 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Value Data Value Data 0.1 32 50.5 64 1.7 33 52.0 65 3.2 34 53.6 66 4.8 35 55.2 67 6.4 36 56.8 68 8.0 37 58.3 69 9.5 38 59.9 70 11.1 39 61.5 71 12.7 40 63.1 72 14.3 41 64.6 73 15.8 42 66.2 74 17.4 43 67.8 75 19.0 44 69.4 76 20.6 45 70.9 77 22.1 46 72.5 78 23.7 47 74.1 79 25.3 48 75.7 80 26.9 49 77.2 81 28.4 50 78.8 82 30.0 51 80.4 83 31.6 52 81.9 84 33.2 53 83.5 85 34.7 54 85.1 86 36.3 55 86.7 87 37.9 56 88.2 88 39.5 57 89.8 89 41.0 58 91.4 90 42.6 59 93.0 91 44.2 60 94.5 92 45.7 61 96.1 93 47.3 62 97.7 94 48.9 63 99.3 95 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Value Data Value Data Value Data Value 0.1 32 100.9 64 201.6 96 302.4 3.2 33 104.0 65 204.8 97 305.5 6.4 34 107.2 66 207.9 98 308.7 9.5 35 110.3 67 211.1 99 311.8 12.7 36 113.5 68 214.2 100 315.0 15.8 37 116.6 69 217.4 101 318.1 19.0 38 119.8 70 220.5 102 321.3 22.1 39 122.9 71 223.7 103 324.4 25.3 40 126.1 72 226.8 104 327.6 28.4 41 129.2 73 230.0 105 330.7 31.6 42 132.4 74 233.1 106 333.9 34.7 43 135.5 75 236.3 107 337.0 37.9 44 138.6 76 239.4 108 340.2 41.0 45 141.8 77 242.6 109 343.3 44.2 46 144.9 78 245.7 110 346.5 47.3 47 148.1 79 248.9 111 349.6 50.5 48 151.2 80 252.0 112 352.8 53.6 49 154.4 81 255.2 113 355.9 56.8 50 157.5 82 258.3 114 359.1 59.9 51 160.7 83 261.5 115 362.2 63.1 52 163.8 84 264.6 116 365.4 66.2 53 167.0 85 267.7 117 368.5 69.4 54 170.1 86 270.9 118 371.7 72.5 55 173.3 87 274.0 119 374.8 75.7 56 176.4 88 277.2 120 378.0 78.8 57 179.6 89 280.3 121 381.1 82.0 58 182.7 90 283.5 122 384.3 85.1 59 185.9 91 286.6 123 387.4 88.3 60 189.0 92 289.8 124 390.6 91.4 61 192.2 93 292.9 125 393.7 94.6 62 195.3 94 296.1 126 396.9 97.7 63 198.5 95 299.2 127 400.0 Table#8 Compressor Attack Time Value Data Value 100.8 96 151.2 102.4 97 152.8 104.0 98 154.4 105.6 99 155.9 107.1 100 157.5 108.7 101 159.1 110.3 102 160.6 111.9 103 162.2 113.4 104 163.8 115.0 105 165.4 116.6 106 166.9 118.2 107 168.5 119.7 108 170.1 121.3 109 171.7 122.9 110 173.2 124.4 111 174.8 126.0 112 176.4 127.6 113 178.0 129.2 114 179.5 130.7 115 181.1 132.3 116 182.7 133.9 117 184.3 135.5 118 185.8 137.0 119 187.4 138.6 120 189.0 140.2 121 190.6 141.8 122 192.1 143.3 123 193.7 144.9 124 195.3 146.5 125 196.9 148.1 126 198.4 149.6 127 200.0 Data Value 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 1 2 3 4 5 6 7 8 9 10 12 14 16 18 20 23 26 30 35 40 Table#3 EQ Frequency Table#6 Room Size Table#9 Compressor Release Time Data Data Data 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 24 Value Data Value Data Value Data Value 0.00 32 1.35 64 2.69 96 8.41 0.04 33 1.39 65 2.78 97 8.75 0.08 34 1.43 66 2.86 98 9.08 0.13 35 1.47 67 2.94 99 9.42 0.17 36 1.51 68 3.03 100 9.76 0.21 37 1.56 69 3.11 101 10.1 0.25 38 1.60 70 3.20 102 10.8 0.29 39 1.64 71 3.28 103 11.4 0.34 40 1.68 72 3.37 104 12.1 0.38 41 1.72 73 3.45 105 12.8 0.42 42 1.77 74 3.53 106 13.5 0.46 43 1.81 75 3.62 107 14.1 0.51 44 1.85 76 3.70 108 14.8 0.55 45 1.89 77 3.87 109 15.5 0.59 46 1.94 78 4.04 110 16.2 0.63 47 1.98 79 4.21 111 16.8 0.67 48 2.02 80 4.37 112 17.5 0.72 49 2.06 81 4.54 113 18.2 0.76 50 2.10 82 4.71 114 19.5 0.80 51 2.15 83 4.88 115 20.9 0.84 52 2.19 84 5.05 116 22.2 0.88 53 2.23 85 5.22 117 23.6 0.93 54 2.27 86 5.38 118 24.9 0.97 55 2.31 87 5.55 119 26.2 1.01 56 2.36 88 5.72 120 27.6 1.05 57 2.40 89 6.06 121 28.9 1.09 58 2.44 90 6.39 122 30.3 1.14 59 2.48 91 6.73 123 31.6 1.18 60 2.52 92 7.07 124 33.0 1.22 61 2.57 93 7.40 125 34.3 1.26 62 2.61 94 7.74 126 37.0 1.30 63 2.65 95 8.08 127 39.7 Value Data Value 50 40 2.0k 56 41 2.2k 63 42 2.5k 70 43 2.8k 80 44 3.2k 90 45 3.6k 100 46 4.0k 110 47 4.5k 125 48 5.0k 140 49 5.6k 160 50 6.3k 180 51 7.0k 200 52 8.0k 225 53 9.0k 250 54 10.0k 280 55 11.0k 315 56 12.0k 355 57 14.0k 400 58 16.0k 450 59 18.0k 500 60 THRU(20.0k) 560 630 700 800 900 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Value Data Value 0.1 32 5.1 0.3 33 5.3 0.4 34 5.4 0.6 35 5.6 0.7 36 5.7 0.9 37 5.9 1.0 38 6.1 1.2 39 6.2 1.4 40 6.4 1.5 41 6.5 1.7 42 6.7 1.8 43 6.8 2.0 44 7.0 2.1 2.3 2.5 2.6 2.8 2.9 3.1 3.2 3.4 3.5 3.7 3.9 4.0 4.2 4.3 4.5 4.6 4.8 5.0 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Value 10 15 25 35 45 55 65 75 85 100 115 140 170 230 340 680 Table#10 Compressor Ratio Data 0 1 2 3 4 5 6 7 Value 1.0 1.5 2.0 3.0 5.0 7.0 10.0 20.0 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Value Data Value Data Value Data Value 0.5 32 8.8 64 17.6 96 27.5 0.8 33 9.1 65 17.9 98 28.1 1.0 34 9.4 66 18.2 99 28.5 1.3 35 9.6 67 18.5 100 28.8 1.5 36 9.9 68 18.8 101 29.2 1.8 37 10.2 69 19.1 102 29.5 2.0 38 10.4 70 19.4 103 29.9 2.3 39 10.7 71 19.7 104 30.2 2.6 40 11.0 72 20.0 2.8 41 11.2 73 20.2 3.1 42 11.5 74 20.5 3.3 43 11.8 75 20.8 3.6 44 12.1 76 21.1 3.9 45 12.3 77 21.4 4.1 46 12.6 78 21.7 4.4 47 12.9 79 22.0 4.6 48 13.1 80 22.4 4.9 49 13.4 81 22.7 5.2 50 13.7 82 23.0 5.4 51 14.0 83 23.3 5.7 52 14.2 84 23.6 5.9 53 14.5 85 23.9 6.2 54 14.8 86 24.2 6.5 55 15.1 87 24.5 6.7 56 15.4 88 24.9 7.0 57 15.6 89 25.2 7.2 58 15.9 90 25.5 7.5 59 16.2 91 25.8 7.8 60 16.5 92 26.1 8.0 61 16.8 93 26.5 8.3 62 17.1 94 26.8 8.6 63 17.3 95 27.1 YAMAHA [Clavinova] Model: CVP-98/96 Function Transmitted Recognized Basic Channel Default Changed 1 1~16 1~16 1~16 Mode Default Messages Altered 3 X ***************** 1 X X : True voice 21~108 ***************** 0~127 21~108 Velocity Note ON Note OFF O 9nH, v=1~127 X O 9nH, v=1~127 X After Touch Key’s Ch’s X X O O X O 0~24 semi Note Number Pitch Bender Control Change 0, 32 1, 5, 7, 10, 11 6, 38 64~67 71~74 84 91, 93, 94 96~97 98~99 100~101 120 121 O X O O X X O X X O X X *2 *2 *2 (#93 X *2) *2 O O O O O O O O O O O O Program Change : True # O 0~127 ***************** O 0~127 System Exclusive O O System : Song Position : Song Select Common : Tune X X X X O X System : Clock Real Time : Commands O O O O Aux X O O X X O (123~127) O X : Local ON/OFF : All Notes OFF Messages : Active Sense : Reset Date: 2/18, 1997 Version: 1.0 MIDI Implementation Chart Remarks *1 Poly Mode only Bank Select Data Entry Sound Controller Portamento Controller Effect Depth RPN Inc, Dec NRPN LSB, MSB RPN LSB, MSB All Sounds off Reset All Controllers Notes : *1 ; Recieve Mode is always multi timbre and Poly mode. *2 ; Transmitted when “ACMP&RHY” or “HARMONY” MIDI send SW is ON. Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO O: Yes X: No 25 Voice List ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Voice # Category Piano Voice Name Grand Piano Bright Piano E.Piano Vibes Guitar 26 MSB # LSB # 0 112 0 112 Voice # Program Change # 0 1 Category Voice Name Clavi. Tone / Strings Pad 0 112 Program Change # 51 Synth Atmosphere 0 112 99 MSB # LSB # Mellow Piano 0 114 0 Brass Bells 0 112 93 Rock Piano 0 113 1 SynthCrystal 0 112 96 Mono Piano 0 113 0 Synth Bell 0 116 88 Piano EP 0 115 2 Brass Pad 0 112 90 Honky Tonk 0 112 3 Choir Pad 0 112 91 Harpsichord1 0 112 6 Cosmic Pad 0 112 101 Quack Lead 0 112 87 Pipe Organ 0 112 19 Harpsichord2 0 113 6 Grand Harpsi 0 115 6 Elec. Piano 0 113 4 Class. Organ 0 113 19 DX EP 0 112 5 Chapel Organ 0 115 19 CP80 0 116 2 Jazz Organ 0 112 16 Jazz EP 1 0 116 4 Accordion 0 115 21 DX EP Modern 0 115 5 Perc. Organ 0 112 17 Stage EP 0 117 4 Trem. Organ 0 112 18 Galaxy EP 0 113 5 Rock Organ 0 113 18 Funky EP 0 114 4 Theatre Org. 0 114 16 Hyper EP 0 115 4 Organ Combi. 0 116 16 Dream EP 0 114 5 Elec. Organ 0 113 16 Jazz EP 2 0 112 4 French Accrd 0 112 21 Wire EP 0 113 5 23 Tremolo EP 0 118 4 Clavi. 0 112 7 Organ Strings / Choir Tango Accrd. 0 112 Orch.Strings 0 115 48 Strings 0 112 48 Vibes 0 112 11 Violin 0 112 40 Jazz Vibes 0 113 11 Pizzicato 0 112 45 Celesta 0 112 8 Choir 0 115 52 Marimba 0 112 12 Class. Strs. 0 114 48 Glockenspiel 0 112 9 PopularStrs. 0 116 48 Xylophone 0 112 13 StringsSlow1 0 112 49 TubularBells 0 112 14 StringsSlow2 0 112 49 Music Box 0 112 10 Choir Oohs 0 112 53 Steel Drums 0 112 114 ChamberStrs. 0 113 48 Gut Guitar 0 112 24 Cello 0 112 42 Folk Guitar 0 112 25 Syn. Strings 0 112 50 Jazz Guitar1 0 112 26 Synth Choir 0 112 52 Banjo 0 112 105 OrchestraHit 0 112 55 Harp 0 112 46 BigBnd Brass 0 115 61 Nylon Guitar 0 113 24 Brass Small Brass 0 113 61 Steel Guitar 0 113 25 Trumpet 0 112 56 Jazz Guitar2 0 113 26 Trombone 0 112 57 Clean Guitar 0 112 27 French Horn 0 112 60 Dist. Guitar 0 112 30 BrassSection 0 112 61 12Str.Guitar 0 115 25 Octave Brass 0 114 61 Mute Guitar 0 112 28 MuteTrumpet1 0 113 59 HawaiianGtr. 0 114 26 MuteTrumpet2 0 112 59 OctaveGuitar 0 115 26 Tuba 0 112 58 Clavi. Tone / Clavinova T. 0 112 88 Synth Brass1 0 112 62 Synth NewAge Pad1 0 113 88 Synth Brass2 0 112 63 0 112 56 NewAge Pad2 0 115 88 Soft Trumpet Square Lead 0 112 80 Flugel Horn 0 113 56 Saw. Lead 0 112 81 Brass&Sax 0 116 61 Synth Pf 0 114 88 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Voice # Category Sax / Flute Bass Drums XG Voice Name Voice List Voice # MSB # LSB # Tenor Sax 0 112 Program Change # 66 Alto Sax 0 112 65 Flute 0 112 73 El.Pno1K 0 1 4 Oboe 0 112 68 MelloEP1 0 18 4 Clarinet 0 112 71 Chor.EP1 0 32 4 Soprano Sax 0 112 64 HardEl.P 0 40 4 Baritone Sax 0 112 67 VX El.P1 0 45 4 Pan Flute 0 112 75 60sEl.P1 0 64 4 Bassoon 0 112 70 E.Piano2 0 0 5 5 Category XG Voice Name MSB # LSB # HnkyTnkK 0 1 Program Change # 3 E.Piano1 0 0 4 Harmonica 0 112 22 El.Pno2K 0 1 Piccolo 0 112 72 Chor.EP2 0 32 5 Recorder 0 112 74 DX Hard 0 33 5 5 Sax&Clarinet 0 113 65 DXLegend 0 34 Sax Section 0 114 65 DX Phase 0 40 5 WindEnsemble 0 113 73 DX+Analg 0 41 5 Acous.Bass 1 0 112 32 DXKotoEP 0 42 5 Acous.Bass 2 0 113 32 VX El.P2 0 45 5 E. Bass Slap 0 112 33 Harpsi. 0 0 6 Finger Bass 0 114 33 Harpsi.K 0 1 6 Timpani 0 112 47 Harpsi.2 0 25 6 Elec. Bass 0 113 33 Harpsi.3 0 35 6 FretlessBass 0 112 35 Clavi 0 0 7 Slap Bass 0 112 36 Clavi K 0 1 7 Synth Bass 1 0 112 38 ClaviWah 0 27 7 Synth Bass 2 0 112 39 PulseClv 0 64 7 Pick Bass 0 112 34 PierceCl 0 65 7 Organ Bass 0 117 16 Celesta 0 0 8 Bass&Cymbal 0 114 32 Glocken 0 0 9 Standard Kit 127 0 0 MusicBox 0 0 10 Standard2Kit 127 0 1 Orgel 0 64 10 Room Kit 127 0 8 Vibes 0 0 11 Rock Kit 127 0 16 Vibes K 0 1 11 Electro Kit 127 0 24 HardVibe 0 45 11 Analog Kit 127 0 25 Marimba 0 0 12 Dance Kit 127 0 27 MarimbaK 0 1 12 Jazz Kit 127 0 32 SineMrmb 0 64 12 Brush Kit 127 0 40 Balimba 0 97 12 Classic Kit 127 0 48 Log Drum 0 98 12 SFX1 Kit 126 0 0 Xylophon 0 0 13 SFX2 Kit 126 0 1 TubulBel 0 0 14 0 0 0 ChrchBel 0 96 14 GrandPno GrndPnoK 0 1 0 Carillon 0 97 14 MelloGrP 0 18 0 Dulcimer 0 0 15 PianoStr 0 40 0 Dulcimr2 0 35 15 Dream 0 41 0 Cimbalom 0 96 15 BritePno 0 0 1 Santur 0 97 15 BritPnoK 0 1 1 DrawOrgn 0 0 16 El.Grand 0 0 2 DetDrwOr 0 32 16 ElGrPnoK 0 1 2 60sDrOr1 0 33 16 Det.CP80 0 32 2 60sDrOr2 0 34 16 LayerCP1 0 40 2 70sDrOr1 0 35 16 LayerCP2 0 41 2 DrawOrg2 0 36 16 HnkyTonk 0 0 3 60sDrOr3 0 37 16 27 Voice List ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ Voice # Category XG 28 Voice Name Voice # EvenBar 0 38 Program Change # 16 FeedbkGt 0 40 Program Change # 30 16+2’2/3 0 40 16 FeedbGt2 0 41 30 Organ Ba 0 64 16 GtrHarmo 0 0 31 70sDrOr2 0 65 16 GtFeedbk 0 65 31 CheezOrg 0 66 16 GtrHrmo2 0 66 31 DrawOrg3 0 67 16 Aco.Bass 0 0 32 PercOrgn 0 0 17 JazzRthm 0 40 32 70sPcOr1 0 24 17 VXUprght 0 45 32 DetPrcOr 0 32 17 FngrBass 0 0 33 Lite Org 0 33 17 FingrDrk 0 18 33 PercOrg2 0 37 17 FlangeBa 0 27 33 MSB # LSB # Category XG Voice Name MSB # LSB # RockOrgn 0 0 18 Ba&DstEG 0 40 33 RotaryOr 0 64 18 FngrSlap 0 43 33 SloRotar 0 65 18 FngBass2 0 45 33 FstRotar 0 66 18 Mod.Bass 0 65 33 ChrchOrg 0 0 19 PickBass 0 0 34 ChurOrg3 0 32 19 MutePkBa 0 28 34 ChurOrg2 0 35 19 Fretless 0 0 35 NotreDam 0 40 19 Fretles2 0 32 35 OrgFlute 0 64 19 Fretles3 0 33 35 TrmOrgFl 0 65 19 Fretles4 0 34 35 ReedOrgn 0 0 20 SynFretl 0 96 35 Puff Org 0 40 20 SmthFrt1 0 97 35 Acordion 0 0 21 SlapBas1 0 0 36 AccordIt 0 32 21 ResoSlap 0 27 36 Harmnica 0 0 22 PunchThm 0 32 36 Harmo. 2 0 32 22 SlapBas2 0 0 37 TangoAcd 0 0 23 VeloSlap 0 43 37 TngoAcd2 0 64 23 SynBass1 0 0 38 NylonGtr 0 0 24 SynBa1Dk 0 18 38 NylonGt2 0 16 24 FastResB 0 20 38 NylonGt3 0 25 24 AcidBass 0 24 38 VelGtHrm 0 43 24 Clv Bass 0 35 38 Ukulele 0 96 24 TechnoBa 0 40 38 SteelGtr 0 0 25 Orbiter 0 64 38 SteelGt2 0 16 25 Sqr.Bass 0 65 38 12StrGtr 0 35 25 RubberBa 0 66 38 Nyln&Stl 0 40 25 Hammer 0 96 38 Stl&Body 0 41 25 SynBass2 0 0 39 Mandolin 0 96 25 MelloSBa 0 6 39 Jazz Gtr 0 0 26 Seq Bass 0 12 39 MelloGtr 0 18 26 ClkSynBa 0 18 39 Jazz Amp 0 32 26 SynBa2Dk 0 19 39 CleanGtr 0 0 27 SmthSynB 0 32 39 ChorusGt 0 32 27 ModulrBa 0 40 39 Mute Gtr 0 0 28 DX Bass 0 41 39 FunkGtr1 0 40 28 X WireBa 0 64 39 MuteStlG 0 41 28 Violin 0 0 40 FunkGtr2 0 43 28 Slow Vln 0 8 40 Jazz Man 0 45 28 Viola 0 0 41 Ovrdrive 0 0 29 Cello 0 0 42 Gt.Pinch 0 43 29 Contrabs 0 0 43 Dist.Gtr 0 0 30 Trem.Str 0 0 44 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Voice # Category XG Voice Name Voice List Voice # SlwTrStr 0 8 Program Change # 44 BrssSect 0 0 Program Change # 61 Susp. Str 0 40 44 Tp&TbSec 0 35 61 Pizz.Str 0 0 45 BrssSec2 0 40 61 Harp 0 0 46 HiBrass 0 41 61 YangChin 0 40 46 MelloBrs 0 42 61 Timpani 0 0 47 SynBrss1 0 0 62 Strings1 0 0 48 Quack Br 0 12 62 S.Strngs 0 3 48 RezSynBr 0 20 62 Slow Str 0 8 48 PolyBrss 0 24 62 Arco Str 0 24 48 SynBrss3 0 27 62 60sStrng 0 35 48 JumpBrss 0 32 62 Orchestr 0 40 48 AnVelBr1 0 45 62 MSB # LSB # Category XG Voice Name MSB # LSB # Orchstr2 0 41 48 AnVelBr2 0 64 62 TremOrch 0 42 48 SynBrss2 0 0 63 Velo.Str 0 45 48 Soft Brs 0 18 63 Strings2 0 0 49 SynBrss4 0 40 63 S.SlwStr 0 3 49 ChoirBrs 0 41 63 LegatoSt 0 8 49 VelBrss2 0 45 63 Warm Str 0 40 49 AnaBrss2 0 64 63 Kingdom 0 41 49 SprnoSax 0 0 64 70s Str 0 64 49 Alto Sax 0 0 65 Strings3 0 65 49 Sax Sect 0 40 65 Syn Str1 0 0 50 HyprAlto 0 43 65 Reso Str 0 27 50 TenorSax 0 0 66 Syn Str4 0 64 50 BrthTnSx 0 40 66 Syn Str5 0 65 50 SoftTenr 0 41 66 Syn Str2 0 0 51 TnrSax 2 0 64 66 ChoirAah 0 0 52 Bari.Sax 0 0 67 S.Choir 0 3 52 Oboe 0 0 68 Ch.Aahs2 0 16 52 Eng.Horn 0 0 69 70 MelChoir 0 32 52 Bassoon 0 0 ChoirStr 0 40 52 Clarinet 0 0 71 VoiceOoh 0 0 53 Piccolo 0 0 72 SynVoice 0 0 54 Flute 0 0 73 SyVoice2 0 40 54 Recorder 0 0 74 Choral 0 41 54 PanFlute 0 0 75 AnaVoice 0 64 54 Bottle 0 0 76 Orch.Hit 0 0 55 Shakhchi 0 0 77 OrchHit2 0 35 55 Whistle 0 0 78 Impact 0 64 55 Ocarina 0 0 79 Trumpet 0 0 56 SquareLd 0 0 80 Trumpet2 0 16 56 SquarLd2 0 6 80 BriteTrp 0 17 56 LMSquare 0 8 80 Warm Trp 0 32 56 Hollow 0 18 80 Trombone 0 0 57 Shroud 0 19 80 Trmbone2 0 18 57 Mellow 0 64 80 Tuba 0 0 58 SoloSine 0 65 80 Tuba 2 0 16 58 SineLead 0 66 80 Mute Trp 0 0 59 Saw Lead 0 0 81 Fr.Horn 0 0 60 Saw Ld 2 0 6 81 FrHrSolo 0 6 60 ThickSaw 0 8 81 FrHorn 2 0 32 60 Dyna Saw 0 18 81 HornOrch 0 37 60 Digi Saw 0 19 81 29 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ Voice List Voice # Category XG 30 Voice Name Voice # Big Lead 0 20 Program Change # 81 ClaviPad 0 45 Program Change # 96 HeavySyn 0 24 81 HrmoRain 0 64 96 WaspySyn 0 25 81 AfrcnWnd 0 65 96 PulseSaw 0 40 81 Carib 0 66 96 MSB # LSB # Category XG Voice Name MSB # LSB # Dr. Lead 0 41 81 SoundTrk 0 0 97 VeloLead 0 45 81 Prologue 0 27 97 Seq Ana. 0 96 81 Ancestrl 0 64 97 CaliopLd 0 0 82 Crystal 0 0 98 PureLead 0 65 82 SynDrCmp 0 12 98 Chiff Ld 0 0 83 Popcorn 0 14 98 Rubby 0 64 83 TinyBell 0 18 98 CharanLd 0 0 84 RndGlock 0 35 98 DistLead 0 64 84 GlockChi 0 40 98 WireLead 0 65 84 ClearBel 0 41 98 Voice Ld 0 0 85 ChorBell 0 42 98 SynthAah 0 24 85 SynMalet 0 64 98 Vox Lead 0 64 85 SftCryst 0 65 98 98 Fifth Ld 0 0 86 LoudGlok 0 66 Big Five 0 35 86 ChrstBel 0 67 98 Bass&Ld 0 0 87 VibeBell 0 68 98 Big&Low 0 16 87 DigiBell 0 69 98 Fat&Prky 0 64 87 AirBells 0 70 98 Soft Wrl 0 65 87 BellHarp 0 71 98 NewAgePd 0 0 88 Gamelmba 0 72 98 Fantasy 0 64 88 Atmosphr 0 0 99 Warm Pad 0 0 89 WarmAtms 0 18 99 ThickPad 0 16 89 HollwRls 0 19 99 Soft Pad 0 17 89 Nylon EP 0 40 99 Sine Pad 0 18 89 NylnHarp 0 64 99 Horn Pad 0 64 89 Harp Vox 0 65 99 RotarStr 0 65 89 AtmosPad 0 66 99 PolySyPd 0 0 90 Planet 0 67 99 PolyPd80 0 64 90 Bright 0 0 100 ClickPad 0 65 90 FantaBel 0 64 100 Ana. Pad 0 66 90 Smokey 0 96 100 SquarPad 0 67 90 Goblins 0 0 101 ChoirPad 0 0 91 GobSynth 0 64 101 Heaven 0 64 91 Creeper 0 65 101 Itopia 0 66 91 Ring Pad 0 66 101 CC Pad 0 67 91 Ritual 0 67 101 101 BowedPad 0 0 92 ToHeaven 0 68 Glacier 0 64 92 Night 0 70 101 GlassPad 0 65 92 Glisten 0 71 101 MetalPad 0 0 93 BelChoir 0 96 101 Tine Pad 0 64 93 Echoes 0 0 102 Pan Pad 0 65 93 Echoes 2 0 8 102 102 Halo Pad 0 0 94 Echo Pan 0 14 SweepPad 0 0 95 EchoBell 0 64 102 Shwimmer 0 20 95 Big Pan 0 65 102 Converge 0 27 95 SynPiano 0 66 102 PolarPad 0 64 95 Creation 0 67 102 Celstial 0 66 95 StarDust 0 68 102 Rain 0 0 96 Reso&Pan 0 69 102 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Voice # Category XG Voice Name Voice List Voice # Sci-Fi 0 0 Program Change # 103 Gunshot 0 0 Program Change # 127 Starz 0 64 103 CuttngNz 64 0 0 1 MSB # LSB # Category XG Voice Name MSB # LSB # Sitar 0 0 104 CttngNz2 64 0 DetSitar 0 32 104 Str Slap 64 0 3 Sitar 2 0 35 104 Fl.KClik 64 0 16 Tambra 0 96 104 Shower 64 0 32 Tamboura 0 97 104 Thunder 64 0 33 34 Banjo 0 0 105 Wind 64 0 MuteBnjo 0 28 105 Stream 64 0 35 Rabab 0 96 105 Bubble 64 0 36 Gopichnt 0 97 105 Feed 64 0 37 Oud 0 98 105 Dog 64 0 48 Shamisen 0 0 106 Horse 64 0 49 Koto 0 0 107 Tweet 2 64 0 50 Taisho-k 0 96 107 Ghost 64 0 54 Kanoon 0 97 107 Maou 64 0 55 Kalimba 0 0 108 Tel.Dial 64 0 64 Bagpipe 0 0 109 DoorSqek 64 0 65 Fiddle 0 0 110 DoorSlam 64 0 66 Shanai 0 0 111 ScratchC 64 0 67 Shanai 2 0 64 111 ScratchS 64 0 68 Pungi 0 96 111 WindChim 64 0 69 Hichriki 0 97 111 Telphon2 64 0 70 TnklBell 0 0 112 CarEIgnt 64 0 80 Bonang 0 96 112 CarTSqel 64 0 81 Altair 0 97 112 Car Pass 64 0 82 Gamelan 0 98 112 CarCrash 64 0 83 S.Gamlan 0 99 112 Siren 64 0 84 Rama Cym 0 100 112 Train 64 0 85 AsianBel 0 101 112 JetPlane 64 0 86 Agogo 0 0 113 Starship 64 0 87 SteelDrm 0 0 114 Burst 64 0 88 GlasPerc 0 97 114 Coaster 64 0 89 ThaiBell 0 98 114 Submarin 64 0 90 WoodBlok 0 0 115 Laugh 64 0 96 Castanet 0 96 115 Scream 64 0 97 TaikoDrm 0 0 116 Punch 64 0 98 Gr.Cassa 0 96 116 Heart 64 0 99 MelodTom 0 0 117 Footstep 64 0 100 Mel Tom2 0 64 117 MchinGun 64 0 112 Real Tom 0 65 117 LaserGun 64 0 113 Rock Tom 0 66 117 Xplosion 64 0 114 Syn Drum 0 0 118 Firework 64 0 115 Ana Tom 0 64 118 ElecPerc 0 65 118 RevCymbl 0 0 119 FretNoiz 0 0 120 BrthNoiz 0 0 121 Seashore 0 0 122 Tweet 0 0 123 Telphone 0 0 124 Helicptr 0 0 125 Applause 0 0 126 31 Drum/key Assignment List Bank Select MSB Bank Select LSB Program # (1-128) Keyboard MIDI Note Note # Note C# 1 13 C# D 1 14 D D# 1 15 D# E 1 16 E F 1 17 F F# 1 18 F# G 1 19 G G# 1 20 G# A 1 21 A A# 1 22 A# B 1 23 B C 2 24 C C# 2 25 C# D 2 26 D D# 2 27 D# E 2 28 E F 2 29 F F# 2 30 F# G 2 31 G G# 2 32 G# A 2 33 A A# 2 34 A# B 2 35 B C 3 36 C C# 3 37 C# D 3 38 D D# 3 39 D# E 3 40 E F 3 41 F F# 3 42 F# G 3 43 G G# 3 44 G# A 3 45 A A# 3 46 A# B 3 47 B C 4 48 C C# 4 49 C# D 4 50 D D# 4 51 D# E 4 52 E F 4 53 F F# 4 54 F# G 4 55 G G# 4 56 G# A 4 57 A A# 4 58 A# B 4 59 B C 5 60 C C# 5 61 C# D 5 62 D D# 5 63 D# E 5 64 E F 5 65 F F# 5 66 F# G 5 67 G G# 5 68 G# A 5 69 A A# 5 70 A# B 5 71 B C 6 72 C C# 6 73 C# D 6 74 D D# 6 75 D# E 6 76 E F 6 77 F F# 6 78 F# G 6 79 G G# 6 80 G# A 6 81 A A# 6 82 A# B 6 83 B C 7 84 C – 85 C# – 86 D – 87 D# – 88 E – 89 F – 90 F# – 91 G Key off -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 Alternate assign 3 3 4 4 O O O 1 1 1 O O O 2 2 127 0 1 Standard Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 127 0 2 Standard Kit 2 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll 2 Castanet Snare Soft 2 Sticks Kick Soft RimShotHShrt KickTghtShrt Kick Short Side Stick Snare Short Hand Clap SnareTight H Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree • Key Off: Keys marked “ O” stop sounding the instant they are released. • Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number. 32 ○○○○○○○○○○○○○○○○○○○○○○○○ 127 0 9 Room Kit 127 0 17 Rock Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Snappy Hand Clap SnrTightSnpy Tom Room 1 Hi-HatClosed Tom Room 2 Hi-Hat Pedal Tom Room 3 Hi-Hat Open Tom Room 4 Tom Room 5 CrashCymbal1 Tom Room 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Noisy Sticks Kick Tight 2 OpenRimShot Kick 2 Kick Gate Side Stick Snare Rock Hand Clap SnareRockRim Tom Rock 1 Hi-HatClosed Tom Rock 2 Hi-Hat Pedal Tom Rock 3 Hi-Hat Open Tom Rock 4 Tom Rock 5 CrashCymbal1 Tom Rock 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 127 0 25 Electronic Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnrSnpyElctr Sticks Kick 3 OpenRimShot Kick Gate KckGateHeavy Side Stick SnareNoisy 2 Hand Clap SnareNoisy 3 TomElectro 1 Hi-HatClosed TomElectro 2 Hi-Hat Pedal TomElectro 3 Hi-Hat Open TomElectro 4 TomElectro 5 CrashCymbal1 TomElectro 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Scratch H 2 Scratch L 2 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 127 0 26 Analog Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareNoisy 4 Sticks Kick Tight 2 OpenRimShot KickAnlgShrt Kick Analog SideStickAn SnareAnalog Hand Clap SnareAnalog2 Tom Analog 1 HatCloseAnlg Tom Analog 2 HatCloseAn 2 Tom Analog 3 HatOpen Anlg Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Bank Select MSB Bank Select LSB Program # (1-128) Keyboard MIDI Note Note # Note C# 1 13 C# D 1 14 D D# 1 15 D# E 1 16 E F 1 17 F F# 1 18 F# G 1 19 G G# 1 20 G# A 1 21 A A# 1 22 A# B 1 23 B C 2 24 C C# 2 25 C# D 2 26 D D# 2 27 D# E 2 28 E F 2 29 F F# 2 30 F# G 2 31 G G# 2 32 G# A 2 33 A A# 2 34 A# B 2 35 B C 3 36 C C# 3 37 C# D 3 38 D D# 3 39 D# E 3 40 E F 3 41 F F# 3 42 F# G 3 43 G G# 3 44 G# A 3 45 A A# 3 46 A# B 3 47 B C 4 48 C C# 4 49 C# D 4 50 D D# 4 51 D# E 4 52 E F 4 53 F F# 4 54 F# G 4 55 G G# 4 56 G# A 4 57 A A# 4 58 A# B 4 59 B C 5 60 C C# 5 61 C# D 5 62 D D# 5 63 D# E 5 64 E F 5 65 F F# 5 66 F# G 5 67 G G# 5 68 G# A 5 69 A A# 5 70 A# B 5 71 B C 6 72 C C# 6 73 C# D 6 74 D D# 6 75 D# E 6 76 E F 6 77 F F# 6 78 F# G 6 79 G G# 6 80 G# A 6 81 A A# 6 82 A# B 6 83 B C 7 84 C – 85 C# – 86 D – 87 D# – 88 E – 89 F – 90 F# – 91 G Key off -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 Alternate assign 3 3 4 4 O O O 1 1 1 O O O 2 2 127 0 28 Dance Kit 127 0 33 Jazz Kit 127 0 41 Brush Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareTechno3 Sticks KickTechno Q Rim Gate KickTechno L KickTechno 2 SideStickAn Snare Clap Hand Clap Snare Dry 2 Tom Analog 1 HiHatClose 3 Tom Analog 2 HatCloseAn 2 Tom Analog 3 HiHat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Jazz Side Stick Snare Hand Clap Snare Tight Tom Jazz 1 Hi-HatClosed Tom Jazz 2 Hi-Hat Pedal Tom Jazz 3 Hi-Hat Open Tom Jazz 4 Tom Jazz 5 CrashCymbal1 Tom Jazz 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Brush Slap 2 Sticks Kick Soft OpenRimShot Kick Tight Kick Small Side Stick Brush Slap 3 Hand Clap Brush Tap 2 Tom Brush 1 Hi-HatClosed Tom Brush 2 Hi-Hat Pedal Tom Brush 3 Hi-Hat Open Tom Brush 4 Tom Brush 5 CrashCymbal1 Tom Brush 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree Drum/key Assignment List 127 0 49 Symphony Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Brush Slap 2 Sticks Kick Soft 2 OpenRimShot Gran Cassa GranCassa Mu Side Stick Band Snare Hand Clap Band Snare 2 Tom Jazz 1 Hi-HatClosed Tom Jazz 2 Hi-Hat Pedal Tom Jazz 3 Hi-Hat Open Tom Jazz 4 Tom Jazz 5 Hand Cymbal Tom Jazz 6 HandCymShort Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell HandCymbal 2 Vibraslap HandCym2Shrt Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 126 0 1 SFX Kit 1 126 0 2 SFX Kit 2 CuttingNoiz CuttingNoiz2 DstCuttingNz String Slap Bass Slide Pick Scrape Phone Call Door Squeak Door Slam Scratch Cut Scratch H 3 Wind Chime Telephone 2 Fl.Key Click Ignition Squeal Exhaust Crash Siren Train Jet Plane Starship Burst Coaster Submarine Shower Thunder Wind Stream Bubble Feed Laugh Scream Punch Heartbeat Footsteps Applause 2 Dog Horse Bird Tweet 2 Kitty Growl Haunted Ghost Maou Machine Gun Laser Gun Explosion Firework 33 Style List Category POP Style Name 8Beat Pop 1 8Beat Standard Big Band Ballad 8Beat Medium Jazz Quartet 8Beat Ballad Cool Jazz Piano Ballad Dixieland Pop Ballad 1 Boogie Pop Ballad 2 Bebop Organ Ballad Jazz Rock Foxtrot Jive 16Beat Shuffle 1 Big Band Quickstep 16Beat Shuffle 2 Cha Cha 16Beat Ballad 1 Rhumba 16Beat Ballad 2 Tango Continental 16Beat Ballad 3 Mambo Fusion Beguine LATIN POP Bossa Nova 1 Funk 1 Bossa Nova 2 Funk 2 Bossa Nova 3 Dance Pop 1 Salsa Dance Pop 2 Samba Techno Jazz Samba Eurobeat Reggae Synth Boogie Pop Reggae TRADITIONAL March 1 Tropical March 2 Party Pop 6/8 March Jungle Polka US Rock Ragtime 16Beat Rock Showtune 8Beat Uptempo Showtime Rock Shuffle BALLAD BALLROOM 16Beat Pop 70s Disco ROCK Style Name Swing Big Band Swing Fusion Ballad DANCE POP Category JAZZ 8Beat Pop 2 New Age 16BEAT ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ COUNTRY Bluegrass 1 Pop Shuffle Bluegrass 2 Rhythm & Blues Country Rock Soul Country Shuffle Gospel Shuffle 8Beat Country Rock & Roll Light Pop Twist Folkrock Slow Rock 1 Country Ballad Slow Rock 2 Cowboy Boogie 6/8 Ballad Jazz Ballad Country 2Step WALTZ Standard Waltz Orchestral Jazz Ballad Traditional Waltz Rock Ballad Pop Waltz Soul Ballad Jazz Waltz 6/8 Gospel Big Band Waltz Blues Viennese Waltz Enka Musette Waltz Country T. Waltz Country Waltz 34 ● Pianist Style List / Piano Ballad Swing1 March Arpeggio1 Samba Rock & Roll 80’s Pop 6/8 March Pop Ballad Petit Waltz Jazz Ballad Swing2 Ragtime1 Arpeggio2 Bossa Nova Honky Tonk Tight Rock Ragtime2 Rock Piano Jazz Waltz 16beatBallad 2beat Musical Arpeggio3 Rhumba BoogieWoogie Dance Pop Fanfare Arpeggio4 Minuet Rocca Ballad Old Jazz Galop Like Harp Beguine 16beat Rock 8beat Cha Cha Like Swan Birthday Parameter Chart ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Group Parameters Basic Setting VOICE First voice name *2 Octave Shift of first voice Voice selected on each group Dual ON/OFF Second voice name Octave Shift of second voice Detune Depth Dual Volume Balance Split ON/OFF Left range voice name Octave Shift of left range voice Split Volume Balance Split Point Six types of Organ settings. Grand Piano 0 First voice of a voice group OFF Strings Slow 1 0 5 Equal level OFF Acous.Bass 1 0 Equal level F#2 Initial data DUAL SPLIT ORGAN COMBINATION REVERB Reverb ON/OFF Reverb Type Reverb Total Depth Reverb Part Depth (BASS, CHORD, RHYTHM, KBD, MIC.) EFFECT Effect ON/OFF Effect Type Effect Depth (R1,R2, L) Effect Depth (MIC.) MASTER EQUALIZER Equalizer Type POWER BASS Power Bass ON/OFF (CVP-98 only) Power Bass Volume REGISTRATION Regist Freeze ON/OFF Freeze Parameters ON/OFF (VOICE SETTING, REVERB/EFFECT, TUNE, PEDAL) Freeze Parameters ON/OFF (ACMP SETTING) Memorized Parameters of all 20 Registrations Registration Name MIXER Mixer Part Volume (BASS, CHORD, PAD, PHRASE, RHYTHM) Mixer Part Volume (HARMONY) Mixer Part Volume (KBD) STYLE Style Name Style selected on each group MAIN A/B setting Auto Accompaniment ON/OFF Auto Accompaniment type SMALL ACMP ON/OFF Virtual Arranger ON/OFF Harmony ON/OFF Harmony type METRONOME Metronome type Metronome volume SONG Guide mode Guide Repeat number Piano Roll display Lyric Display ON/OFF HELP Help language FUNCTION Tune Transpose Effect setting Key Touch Volume when [FIXED] is selected Pan (LEFT, RIGHT1, RIGHT2) settings Left pedal setting Damper range Damper mode Soundboard depth (CVP-98 only) Transmission channel of left range voice Transmission channel of first voice Transmission channel of second voice Local Control ON/OFF Sync. setting Program receive/send ON/OFF Control receive/send ON/OFF System Exclusive receive/send ON/OFF Start/Stop receive/send ON/OFF MIDI transpose receive ON/OFF Auto Accompaniment and rhythm send ON/OFF Harmony send ON/OFF Remote Keyboard Micro Tuning ON/OFF Micro Tuning parameter settings Scale Tuning setting Preset Scale setting Basic key of Preset Scale User Scale parameter setting Backup parameter ON/OFF settings Pop-up Time (VOICE/STYLE) Pop-up Time (OTHERS) Alert Voice Alert Volume One Touch Setting Parameters O O O — O O O O O O O O — — Registration Parameters (Freeze Parameters) VOICE SETTING VOICE SETTING VOICE SETTING — VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING — Registration All Setup (*1) O O O O O O O O O O O O O — Backup Group Recall Group VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICES ETTING VOICE SETTING Differs depending on the voice Differs depending on the style 50 50 Differs depending on the voice Differs depending on the voice Differs depending on the voice 0 FLAT OFF 6 OFF OFF O O O O O O O O O — — — — REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT VOICE SETTING — — — — O O O O O O O O O O O — — REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT VOICE SETTING VOICE SETTING VOICE SETTING REGISTRATION REGISTRATION REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT REVERB/EFFECT VOICES ETTING VOICES ETTING VOICES ETTING REGISTRATION REGISTRATION ON Initial data REGIST A-1 — E-4 90 — — — O — — — ACMP SETTING — — — O REGISTRATION REGISTRATION REGISTRATION ACMP SETTING REGISTRATION REGISTRATION REGISTRATION ACMP SETTING 90 100 8 Beat Pop 1 First style of a style group MAIN A OFF MULTI FINGER OFF ON OFF Trio NORMAL 50 NORMAL 3 AUTO ON ENGLISH 440.0 Hz 0 AUTO NORMAL 76 CENTER SOFT R CONT. 50 3 1 2 ON INT. Tx&Rx Tx&Rx Tx&Rx Tx&Rx ON OFF OFF OFF OFF 0 PRESET EQUAL C 0 Differs depending on each parameter (*3) 15 8 STEEL DRUMS 50 O O O — O O — O O O O — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — ACMP SETTING VOICE SETTING ACMP SETTING — ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING — — — — — — — — VOICE SETTING — VOICE SETTING VOICE SETTING VOICE SETTING PEDAL PEDAL PEDAL — — — — — — — — — — — — — — — — TUNE TUNE TUNE TUNE O O O O O O O O O O O O O O O O O — O O O O O O O O O O O O O O O O O O O O O O O O O O O O O ACMP SETTING VOICE SETTING ACMP SETTING ACMP SETTING — ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING SONG SETTING SONG SETTING SONG SETTING SONG SETTING — TUNE VOICE SETTING REVERB/EFFECT VOICE SETTING VOICE SETTING VOICE SETTING PEDAL PEDAL PEDAL VOICE SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING TUNE TUNE TUNE TUNE TUNE TUNE — — — — — — — — O O O O ACMP SETTING VOICE SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING ACMP SETTING SONG SETTING SONG SETTING SONG SETTING SONG SETTING Always set to BACKUP TUNE VOICE SETTING REVERB/EFFECT VOICE SETTING VOICE SETTING VOICE SETTING PEDAL PEDAL PEDAL VOICE SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING MIDI SETTING TUNE TUNE TUNE TUNE TUNE TUNE Always set to BACKUP UTILITY UTILITY UTILITY UTILITY UTILITY UTILITY UTILITY UTILITY *1 These are the [ALL SETUP] parameters in the FUNCTION [REGISTRATION] page (display page 7). *2 When an Organ Combination voice is selected, the edited settings are also included. *3 REGISTRATION, UTILITY are set to ON, and others are set to OFF. 35 Fingering Chart ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ * All fingerings shown are simple root-position types. Example for “C” chords CM 7 (b5) CM 7 (#11) C(b5) Caug Cm Cm 6 Cm 7 Cmadd 9 Cm 7 (9) Cm 7 (11) CmM 7 (b5) CmM 7 (9) Cm (b5) Cdim 7 C7 C 7 (#11) C 7 (13) C 7(b5) C C6 Cadd 9 CM 7 (9) C 7(#5) CM 7 (#5) Cm 7 (b5) CmM 7 ) ) ) 36 ) ) ( ( ) ) ( ) ( ) ( C 7(#9) ) C 7 (b13) ( C 7(b9) C 7 (9) ( ( ) C7 sus 4 ( ( ) ) ( ) ( ) ( ( ) ) ( ( ) C 6 (9) ( ( ( ) CM 7 Csus 4 Specifications ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ CVP-98 CVP-96 KEYBOARD 88 keys (A–1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) MAXIMUM SIMULTANEOUS POLYPHONY 128 VOICES Clavinova voices: 133 ; XG voices: 480 ; Drum Kits: 12 sets Voice Groups: Piano, Electric Piano, Vibraphone, Guitar, Clavinova Tone/Synth, Organ, Strings/Choir, Brass, Sax/Flute, Bass, Drums, XG 64 Organ Combination, Dual/Split EFFECTS Effect (25 types), Reverb (16 types) TONE CONTROLS Master Equalizer, Power Bass (CVP-98 only) ACCOMPANIMENT STYLES Accompaniment Styles: 100; Pianist Styles: 40 Style Groups: Pop, 16 Beat, Dance Pop, Rock, Ballad, Jazz, Ballroom, Latin Pop, Traditional, Country, Waltz Disk/Custom Pianist Controls: Start/Stop, Syncro, Tap, Intro, Main A, Main B, Auto-fill, Ending, Fade in/out buttons Metronome, Tempo –/+ buttons AUTO ACCOMPANIMENT Single Finger, Multi Finger, Fingered, Full Keybaord Harmony, Pianist, One Touch Setting, Virtual Arranger, Synchro Stop, Small ACMP, Chord Assist, Individual Part Volume Control (Mixer) REGISTRATION Bank A - E x 4 memory locations (20), Freeze SONG PLAY MODE Song Playback, Repeat, Volume control of individual Parts (Mixer) Controls: Song, Play/Stop, Rewind, Fast forward, Pause Guide Control: Easy Play, Next Note, Sound Repeat Lyric Disply SONG RECORD MODE Quick Recording, Track Recording, Chord Sequence, Song Name, Track Edit, Initial Edit LCD/CONTROLS 320 x 240 dot liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button, Page < > buttons, Display hold button, LCD buttons, data dial, –/+ buttons, Exit button VOLUME CONTROLS Master volume, ACMP/Song volume DEMO/HELP 27 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish) DISK DRIVE 3.5-inch micro floppy disk drive PEDAL CONTROLS Damper CENTER Sostenuto LEFT Soft, Start/Stop, Harmony On/Off, Registration+, Main A, Main B, Ending/Rit, Break, Fade In/Out JACKS AND TERMINALS Headphone jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), EXP.PEDAL jack, MIC. jack, TO HOST terminal, MIDI terminals (IN, OUT, THRU) INPUT/OUTPUT SPECIFICATIONS AUX OUT: Output Impedance: 600 Ω AUX IN: Input Impedance: 10 kΩ; Input Sensitivity: –10 dBm MAIN AMPLIFIERS 240 W (60 W x 4) 120 W (60 W x 2) SPEAKERS 16 cm x 2, 14 cm x 2, 2.5 cm x 2, 5 cm x 2 16 cm x 2, 5 cm x 4 Music stand down 1415 mm x 603 mm x 890 mm (55-3/4" x 23-3/4" x 35") 1415 mm x 603 mm x 890 mm (55-3/4" x 23-3/4" x 35") Music stand up 1415 mm x 603 mm x 1055 mm (55-3/4" x 23-3/4" x 41-1/2") 1415 mm x 603 mm x 1050 mm (55-3/4" x 23-3/4" x 41-3/8") 69.5 kg (153 lbs., 4 oz.) 66.0 kg (145 lbs., 8 oz.) DIMENSIONS (W x D x H) WEIGHT • RIGHT Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. 37 1 • AC power cord • Phone jacks • Cardboard packing cushions • 5 x 18 mm screws x 30 CVP-98/96: Assembly ○○○○○○○○○○○○○○○○○○○○○○○○○ • Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. • Be sure to tighten up all screws upon completing assembly of each unit. • To disassemble, reverse the assembly sequence given below. Z Open the box and remove all the parts. Take out the two cardboard packing cushions and place them on the floor. Then take out main unit and place it on top of the packing cushions. Position the cushions so as to protect the phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided. • When you lift the pedal box assembly, make sure that you lift by both legs. 38 2 3 • Blanket, etc. • Three screws on each side X Carefully lean the main unit against a wall. To make it easier to install the legs, place a soft blanket or similar material on the floor near a wall, close the Clavinova keyboard cover, place the front panel of the Clavinova (the side with the keyboard) on the blanket and gently lean the unit against the wall — MAKING SURE THAT IT CAN NOT FALL — as shown in the illustration. • Do not lay the main unit upside-down on the floor. C Attach the front legs. Securely attach the two front legs using three screws for each leg (use a Philips “+” screwdriver) as shown in the illustration. Make sure that the screws are firmly tightened. 39 4 CVP-98 • Four screws on each side V Attach the speaker box. Remove the speaker box cover (attached to the speaker box in 6 places with plastic plugs) from the speaker box. Gently rest the speaker box onto the corresponding brackets on the front legs. (Be careful not to touch the speakers when handling the speaker box. Damage may result.) Make sure the speaker cord is extending out from the rear of the speaker box. Secure the speaker box to the main keyboard unit using four screws on each side. Insert the speaker cord connector into the corresponding socket on the main keyboard unit, making sure that the protruding clip on the connector is facing up. 40 5 • Six screws on each side B Attach the pedal box assembly. Before attaching the rear leg and pedal box assembly, insert the pedal cord plug extending from the rear leg into the corresponding socket in the main unit. Make sure that the protruding clip on the connector is facing up. Put the excess cord into the leg and loosely secure the rear leg and pedal assembly using 6 screws for each leg (four screws per leg and two screws on each leg bracket). Once the rear leg and pedal assembly has been loosely attached, go back and tighten all 12 of the screws on the rear leg and pedal assembly. 41 6 CVP-98 • Make sure the plugs are fully inserted and there is no space left around the plugs and holes. • Two screws on each side N Secure the speaker box. Stand the main unit on its legs and securely attach the speaker box to the bracket on the front legs using two screws for each bracket. If it is impossible to align the bracket holes with the speaker box holes, slightly loosen the three screws on each of the front legs, align the holes, and secure the speaker box. After the speaker box is firmly attached, retighten the screws on the front legs firmly. Put the speaker box cover back in place with the rounded edge of the cover at the bottom, insert the plugs on the cover into their corresponding holes on the speaker box. • When attaching the cover, make sure you push where the plugs are. The speaker cover is made of a soft material so pushing in a place where there are no plugs may cause damage to the speaker. 42 7 8 240 220 110 127 • A voltage selector is provided in some areas. M Voltage Selector Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected connect the AC power cord. < Set the adjuster. For stability, an adjuster is provided on the bottom of the pedal box. Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. 43 • When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury. ■ After completing the assembly, please check the following. • Are there any parts left over? ➔ Review the assembly procedure and correct any errors. • Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location. • Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws. • Does the pedal box rattle or give way when you step on the pedals? ➔ Turn the adjuster so that it is set firmly against the floor. • Are the pedal and power cords inserted securely into the sockets? ➔ Check the connection. • If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws. 44
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