Yamaha PSR330 Owner's Manual

User Manual: Yamaha PSR330 Owner's Manual

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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than
one described in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or
modify any of the specifications without notice or obligation to update
existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult
an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.

NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your
dealer before requesting service.

ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be
aware of the following:

battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery
being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery
case rupture.

Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly and
as regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.

Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe all
local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable
to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on this
plate. You should record the model number, serial number, and the
date of purchase in the spaces provided below and retain this manual
as a permanent record of your purchase.

Model
Serial No.

Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of

92-BP

Purchase Date

PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in
this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use
the product.

IMPORTANT:

When connecting this product to accessories and/or another product use
only high quality shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the
USA.

NOTE:
This product has been tested and found to comply with the requirements
listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance
that your use of this product in a residential environment will not result in
harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to
• This applies only to products distributed by Yamaha Corporation of America.

the instructions found in the users manual, may cause interference
harmful to the operation of other electronic devices. Compliance with
FCC regulations does not guarantee that interference will not occur in
all installations. If this product is found to be the source of interference,
which can be determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following measures:
• Relocate either this product or the device that is being affected by the
interference.
• Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
• In the case of radio or TV interference, relocate/reorient the antenna.
If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to
co-axial type cable.
If these corrective measures do not produce satisfactory results, please
contact the local retailer authorized to distribute this type of product. If
you can not locate the appropriate retailer, please contact Yamaha
Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.

WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts.
If it should appear to be malfunctioning, discontinue use immediately and
have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells
or smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
• Use the specified adaptor (PA-5, PA-5B, PA-5C or an equivalent recommended
by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord, place
heavy objects on it, or place it in a position where anyone could walk on,
trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• Unplug the AC power adaptor when not using the instrument, or during electrical storms.
• Always make sure all batteries are inserted in conformity with the +/– polarity
markings. Failure to do so might result in overheating, fire, or battery fluid
leakage.
• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries
with manganese batteries, or batteries from different makers, or different types
of batteries from the same maker, since this can cause overheating, fire, or
battery fluid leakage.

• Do not use the instrument near other electrical products such as televisions,
radios, or speakers, since this might cause interference which can affect proper
operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other
cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint
thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Also, do not place vinyl or plastic objects on the instrument, since this might
discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.
• Use only the stand specified for the instrument. When attaching the stand,
use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.

• Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not intended to be charged.
• If the instrument is not to be in use for a long time, remove the batteries from
it, in order to prevent possible fluid leakage from the battery.
• Keep batteries away from children.
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold
or heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal components.

■ SAVING USER DATA
• Save all data to an external device such as the Yamaha MIDI Data Filer
MDF2, in order to help prevent the loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.
Make sure to discard used batteries according to local regulations.

(4)

1

Congratulations!
You are the proud owner of a fine electronic keyboard. The Yamaha PSR-330 PortaTone
combines the most advanced tone generation technology with state-of-the-art digital electronics
and features to give you stunning sound quality with maximum musical enjoyment. A large graphic
display and easy-to-use interface also greatly enhance the operability of this advanced instrument.
In order to make the most of your PortaTone’s features and extensive performance potential,
we urge you to read the manual thoroughly while trying out the various features described. Keep
the manual in a safe place for later reference.

Important Features
Touch-sensitive 61-key keyboard for a wide
range of dynamic musical expression.

Digital effects add depth and ambience to
your sound.

An outstanding range of 126 panel voices
and 10 drum kits, plus a full set of 128 GM voices.

Minus-one and Repeat functions are ideal
for learning new songs and polishing your keyboard technique.

Voice set feature automaticaly selects the
appropriate voice parameter settings for the panel
voices.

Song recording feature lets you record
four melody tracks with an accompaniment track.
AD
TI P
MUL

Advanced auto-accompaniment technology gives you 100 fully-orchestrated accompaniment “styles” to back up what you play on the
keyboard.

One Touch Setting feature automatically
selects appropriate voice, effect, and other settings for the selected accompaniment style — all
you have to do is select a style and play.

and51Pno1

Large multi-function LCD display panel
makes it easy to select and edit parameters.

VOICE R1

VOICE R2

N
ATIO
ISTR
REG
Registration

Memory saves your favorite
panel settings for instant recall when needed.

2

Multi Pads play a number of short rhythmic
and melodic sequences that can be used to add
impact and variety to your performances.

Optional Yamaha Music Cartridges can be
plugged in for enjoyable automated performance,
keyboard practice, and extra accompaniment
styles.

Built-in amplifier and speaker system delivers top-quality sound without the need for external equipment.

A range of MIDI functions for expanded
musical enjoyment (General MIDI System Level
1 compatible).

Contents
Panel Controls

4

Included Accessories ........................................................ 5
The Music Stand .............................................................. 5

Basic Display Operation

6

The Display Icons ....................................................................... 6
The Menus .................................................................................. 8
Shortcuts ......................................................................... 9

Setting Up

10

Power Supply ............................................................................ 10
Using An Optional AC Power Adaptor.............................. 10
Using Batteries ................................................................ 10
Connections .............................................................................. 11
The PHONES Jack .......................................................... 11
SUSTAIN Jack ................................................................. 11
MIDI IN and OUT Connectors .......................................... 11

The Demonstration

12

Playing the PSR-330

14

The PSR-330 Voices ................................................................. 14
A Word About the “R1”, “R2”, and “L” Voices ................... 14
Selecting & Playing Voices ...................................................... 15
Keyboard Percussion .......................................................... 17
The Dual Voice Mode ................................................................ 17
The Split Voice Mode ................................................................ 18
Changing the SPLIT VOICE Split Point .................................. 18

Auto Accompaniment

20

Using Auto Accompaniment .................................................... 20
The Synchro Stop Function ............................................. 24
Accompaniment Track Muting ................................................ 25
Muting Individual Tracks .................................................. 25
Accompaniment Volume Control ............................................ 26
Changing the Accompaniment Split Point ............................. 27
Interaction Between the AUTO ACCOMPANIMENT
and SPLIT VOICE Split Points .................................... 28
The Auto Accompaniment Fingering Modes ......................... 28
The Stop Accompaniment Function ................................. 32
One Touch Setting .................................................................... 32

Digital Effects

34

Reverb ....................................................................................... 34
Turning the Reverb Effect On or Off ....................................... 34
Selecting a Reverb Type ........................................................ 34
Harmony .................................................................................... 35
Turning the Harmony Effect On or Off .................................... 36
Selecting a Harmony Type ..................................................... 36
Adjusting the Harmony Volume .............................................. 37

Transpose

38

Setting Transposition ............................................................... 38

Registration Memory

39

Registering the Panel Settings ................................................ 39
Recall the Registered Panel Settings ..................................... 40
The Accompaniment Freeze Function .................................... 40

The Multi Pads

41

Selecting a MULTI PAD Set ...................................................... 41
Turning the CHORD MATCH Function On/Off ........................ 42
Playing the MULTI PADs .......................................................... 43

Song Playback

44

Song Playback Procedure ....................................................... 44
Song Volume Control ............................................................... 45
Play from a Specified Measure ................................................ 46
Minus-one Practice ................................................................... 47
Minus-one Track Assignment ................................................. 47
Repeat Play ............................................................................... 49

Song Recording

50

Song Recording Procedure ..................................................... 51
Clearing Song Data .................................................................. 54
Clearing an Entire Song ......................................................... 54
Clearing Selected Melody Tracks ........................................... 54

Using Music Cartridges

55

Inserting a Music Cartridge ............................................. 55
Music Cartridge Handling Precautions ............................. 55
Cartridge Songs ........................................................................ 56
Cartridge Song Playback ....................................................... 56
Cartridge Accompaniment Styles ........................................... 57

Revoicing

58

Revoicing the R1, R2, and L Voices ........................................ 58
Revoicing a Style ...................................................................... 60
Revoicing a User Song ............................................................ 61

Overall Functions

63

Touch Sensitivity .............................................................. 64
Master Tuning .................................................................. 64
Scale Tuning .................................................................... 64
Metronome ....................................................................... 65
Split Voice Split Point ....................................................... 65
Accompaniment Split Point .............................................. 65
Fingering Mode ................................................................ 65
Voice Set .......................................................................... 65

MIDI Functions

66

The MIDI Connectors ....................................................... 66
Simple MIDI Control ......................................................... 66
MIDI Sequence Recording ............................................... 67
The PSR-330 MIDI Functions ................................................... 67
Transmit Channel & Transmit Track ................................ 68
Receive Channel & Receive Mode ................................. 69
Local Control .................................................................... 70
Clock ................................................................................ 70
Bulk Data Send ................................................................ 70
Initial Data Send .............................................................. 71

Appendix
PSR-330 Display MENU/SUB MENU Structure ...................... 72
Troubleshooting ....................................................................... 73
Voice List ................................................................................... 74
Maximum Polyphony ....................................................... 74
Drum Kit List ............................................................................. 78
Data Backup & Initialization .................................................... 80
Data Backup .................................................................... 80
Data Initialization ............................................................. 80
MIDI Implementation Chart ...................................................... 81
MIDI Data Format ...................................................................... 83
Specifications ........................................................................... 84
Index .......................................................................................... 85

3

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Panel Controls
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■ Top Panel Controls

q POWER Switch ............................................ page 12

8BEAT
1 8BEAT POP 1
2 8BEAT POP 2
3 8BT UPTEMPO
4 8BT STANDARD
5 FOLKROCK
6 POP ROCK 1
7 POP ROCK 2
8 8BEAT MEDIUM
9 8BEAT BALLAD
10 EPIC BALLAD
11 PIANO BALLAD
16BEAT
12 16BEAT POP
13 16BT SHUFFLE 1
14 16BT SHUFFLE 2
15 16BT BALLAD 1
16 16BT BALLAD 2
17 16BT BALLAD 3
18 FUNK 1
19 SOUL BALLAD
20 FUSION BALLAD

w MASTER VOLUME Control ......................... page 12
e DEMO Button ............................................... page 12
r TEMPO Buttons ........................................... page 21
t TRANSPOSE Buttons .................................. page 38

q

POWER

w

VOLUME

y ACCOMPANIMENT/SONG VOLUME

ON /

6/8 BALLAD
21 SLOW ROCK 1
22 SLOW ROCK 2
23 6/8 BALLAD
DANCE
24 DANCE POP 1
25 DANCE POP 2
26 TECHNO
27 EUROBEAT
28 EURO HOUSE
29 HIP HOP
30 SYNTH BOOGIE
DISCO
31 70S DISCO
32 DISCO TROP
33 POLKA POP
ROCK
34 8BT ROCK BLD
35 16BT ROCK BLD
36 HARD ROCK
37 ROCK SHUFFLE
38 6/8HVY ROCK

39 US ROCK
40 16BEAT ROCK
RHYTHM & BLUES
41 R&B
42 FUNK 2
43 SOUL
44 GOSPEL SHUFFLE
45 6/8 GOSPEL
46 4/4 BLUES
ROCK & ROLL
47 ROCK&ROLL 1
48 ROCK&ROLL 2
49 BOOGIE
50 TWIST
C&W
51 BLUEGRASS 1
52 BLUEGRASS 2
53 COUNTRY 2/4
54 8BT COUNTRY
55 COUNTRY ROCK
56 COWBOY BOOG
57 C BALLAD

58 C SHUFFLE
59 C WALTZ
AMERICAS
60 CAJUN
61 BANDA
62 MARIACHI
63 TEJANO
64 CUMBIA
TRAD JAZZ
65 SWING
66 B B SWING
67 B B BALLAD
68 JAZZ QUARTET
69 DIXIELAND
CONTEMP JAZZ
70 COOL JAZZ
71 JAZZ BALLAD
72 JAZZ WALTZ
73 FUSION
LATIN
74 BOSSA NOVA 1
75 BOSSA NOVA 2

76 BOSSA NOVA 3
77 SALSA
78 SAMBA
79 MAMBO
80 BEGUINE
81 MERENGUE
82 BOLERO LENTO
83 ESPAGNOLE
CARIBBEAN
84 REGGAE 12
85 POP REGGAE
BALLROOM LATIN
86 CHA CHA
87 RHUMBA
88 PASODOBLE
89 TANGO
BALLROOM STD
90 FOXTROT
91 JIVE
MARCH & WALTZ
92 MARCH 1
93 MARCH 2

P

RE
MU
RE
HA
AC
DU

SP

94
95
96
97
98
99
10

OFF

e

MASTER

r

!0

TEMPO

DIGITAL E

t

REVERB

TRANSPOSE

H

ACCOMPANIMENT/SONG VOLUME

MIN

u

Buttons ................................................. pages 26, 45

y

MAX
ON/OFF

SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

AUTO
ACCOMPANIMENT

u AUTO ACCOMPANIMENT SECTION

A

B

• AUTO ACCOMPANIMENT
ON/OFF Button ......................................... page 20
• SYNC STOP Button .................................. page 24
• SYNC START Button ................................ page 22
• INTRO Button ........................................... page 22
• MAIN/AUTO FILL A & B Buttons ............... page 22
• ENDING Button......................................... page 24

i RECORD Button .......................................... page 51
o START/STOP Button...................... pages 13, 22, 24
!0 DIGITAL EFFECT SECTION

CLICK

36

T

37

38

S

39

40

R

41

42

L

43

44

L

45

46

M

47

H

48

49

M

50

51

@0

• REVERB Button ........................................ page 34
• HARMONY Button .................................... page 36

!1 DISPLAY & RELATED CONTROLS
• DISPLAY ..................................................... page 6
• MENU Buttons ............................................ page 8
• SUB MENU Buttons .................................... page 8
• VOICE Button ..................................... pages 8, 15
• STYLE Button ..................................... pages 8, 20
• SONG Button ...................................... pages 8, 44
• CARTRIDGE Button ........................... pages 8, 56
• REVOICE Button ...................................... page 58
• TRACK Buttons..................... pages 17, 25, 47, 52

!2 REGISTRATION MEMORY SECTION
• MEMORY Button ....................................... page 40
• 1, 2, 3, 4 Buttons ............................... pages 33, 40
• FREEZE Button ........................................ page 40

!3 ONE TOUCH SETTING Button .................... page 33
!4 NUMBER Buttons ........................................ page 15
!5 + and – Buttons ............................................ page 13
!6 MUSIC CARTRIDGE Slot ............................ page 55

4

!7 KEYBOARD SECTION
• DUAL VOICE Button ................................. page 17
• SPLIT VOICE Button ................................ page 18

!8 MULTI PAD SECTION
• STOP Button ............................................. page 43
• 1, 2, 3, 4 Buttons ....................................... page 43

!9 Keyboard ...................................................... page 16
@0 PHONES Jack ............................................. page 11

H

52

L

53

54

H

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Panel Controls

!1

PRESS AND HOLD FOR A WHILE.

GIST MEMORY
ULTI PAD STOP
EVERB
ARMONY
CMP ON/OFF
UAL VOICE

PLIT VOICE

REGIST BANK
MULTI PAD SET
REVERB TYPE
HARMONY TYPE
FINGERING
REVOICE R2
REVOICE L

PIANO
1 GRAND PIANO
2 HONKY-TONK
3 FUNKY E PIANO
4 DX E PIANO
5 MIDI GRAND
6 HYPER E PIANO
7 BELL E PIANO
8 HARPSICHORD
9 HARPSI CPL
10 CLAVI
11 CELESTA
MALLETS
12 VIBRAPHONE
13 MARIMBA
14 XYLOPHONE
15 TUBE BELLS
16 TIMPANI
17 DULCIMER
18 STEEL DRUMS
19 MUSIC BOX
20 KALIMBA

001 GrandPno
46

VOICE L

REGIST
MEMORY

SHORTCUT

4 6/8 MARCH
POLKA
6 STD WALTZ
7 POP WALTZ
8 GERMAN WALTZ
VIEN WALTZ
00MUSETTE

0

A

116
MULTI PAD

HARMONY

MIDI

1

TEMPO

RHYTHM RHYTHM
1
2

1

VOICE R1

ONE TOUCH

1

SETTING
FREEZE
MEASURE
REGISTRATION
MULTI PAD

2

3

SYNC
STOP

STYLE

51

VOICE R2

B
REPEAT

REVERB TRANSPOSE

BASS

CHORD
1

4

1

2

3

STYLE

mM 7

FINGERING
CHORD
2

PAD

VOICE

4

PHRASE
1

VOICE

PHRASE
2

HARMONY

VOICE

R1

MINUS ONE

SPLIT

L

58

6

8

M
L 59

118 MELODIC TOM
119 SYNTH DRUM
120 REV CYMBAL
SOUND EFFECTS
121 SEASHORE
122 BIRD TWEET
123 TELEPHONE
124 HELICOPTER
125 APPLAUSE
126 GUNSHOT
DRUM KITS
127 STANDARD 1
128 STANDARD 2
129 ROOM
130 ROCK
131 ELECTRONIC
132 ANALOG
133 DANCE
134 JAZZ
135 BRUSH
136 CLASSIC

!7

KEYBOARD

9

NO

TRACK

REVOICE

REGISTRATION MEMORY

57

5

!5

0

2

3

FREEZE

M
H 60

C
1 61

H

62

R
1 63

64

R

65

YES

1

2

!3

66

S

67

68

C
2 69

70

R
2 71

H

SPLIT VOICE

MUTLI PAD

STOP

4

!2

56

4

7

1

55

3

100 BOTTLE
101 SHAKUHACHI
102 WHISTLE
103 OCARINA
SYNTH LEAD
104 SQUARE
105 SAWTOOTH
106 VOICE LEAD
107 CRYSTAL
108 BRIGHTNESS
109 ANALOG
SYNTH PAD
110 FANTASIA
111 BELL PAD
112 XENON PAD
113 ANGELS
114 DARK MOON
PERCUSSIVE
115 AGOGO
116 WOODBLOCK
117 TAIKO DRUM

DUAL VOICE

o

ENDING

2

DUAL

START/STOP
/

L

1

81 SY BRASS 1
82 SY BRASS 2
REED
83 SOPRANO SAX
84 ALTO SAX
85 TENOR SAX
86 BARITONE SAX
87 SAX+CLARINET
88 SAX+TRB
89 OBOE
90 ENGLISH HORN
91 BASSOON
92 CLARINET
93 HARMONICA
94 SHANAI
95 BAGPIPE
PIPE
96 PICCOLO
97 FLUTE
98 PAN FLUTE
99 RECORDER
BOTTLE

!6

!4

VOICE

R2

61 SYNTH CHOIR
62 ORCH HIT
STRINGS
63 VIOLIN
64 CELLO
65 CONTRABASS
66 BANJO
67 SHAMISEN
68 KOTO
69 HARP
70 SITAR
BRASS
71 TRUMPET
72 MUTE TRP
73 TROMBONE
74 TRB SECTION
75 FRENCH HORN
76 TUBA
77 BRASS SECT
78 BRASS+SAX
79 BRASS+TRB
80 BRASS+TRP

OVERALL

i

EFFECT

VOICE

L

41 MUTE GUITAR
42 HARMONICS
43 OVERDRIVE
44 DISTORTION
BASS
45 ACC BASS
46 FINGER BASS
47 FRETLESS
48 SLAP BASS
49 SYNTH BASS 1
50 SYNTH BASS 2
ENSEMBLE
51 STRINGS
52 CHAMBER STR
53 SYNTH STR
54 SLOW STR
55 TREMOLO STR
56 VIOLIN+STR
57 PIZZICATO STR
58 CHOIR
59 CHOIR AAHS
60 CHOIR OOHS

137~264 GM VOICE

SONG
DIGITAL
EFFECT
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

21 TINKLE BELL
ORGAN
22 JAZZ ORGAN 1
23 JAZZ ORGAN 2
24 JAZZ ORGAN 3
25 FULL ORGAN
26 ROCK ORGAN 1
27 ROCK ORGAN 2
28 16+2 ORGAN
29 16+4 ORGAN
30 CHURCH ORG
31 REED ORGAN
32 MUSETTE
33 TRAD ACCORD
34 BANDONEON
GUITAR
35 CLASSIC GTR
36 FOLK GUITAR
37 12ST GUITAR
38 JAZZ GUITAR
39 OCTAVE
40 CLEAN GUITAR

3

PSR-330

4

!8

L

72

73

H

74

75

L

76

H

77

L

H

78

79

!9

L

80

81

82

H

83

L

84

S

85

L

86

87

H

88

L

89

M

90

O

91

92

93

94

95

96

DC IN 10-12V
IN

MIDI

@1

OUT

SUSTAIN

@2

@3

■ Rear Panel Controls
@1 MIDI IN and OUT Connectors .............. pages 11, 66

◆ The Music Stand

@2 SUSTAIN Jack ............................................. page 11
@3 DC IN 10-12V Jack ...................................... page 11

◆ Included Accessories
• Music Stand
• Music Cartridge

The PSR-330 is supplied with a music stand
that can be attached to the instrument by inserting it into the slot at the rear of the control panel.

5

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Basic Display Operation
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The PSR-330 LCD panel is a large multi-function type that simultaneously displays and
provides access to a number of important parameters. Basic operation of the display as well
as the MENU and SUB MENU buttons, and the meaning of the icons which appear in the
display, are summarized briefly below.

The Display Icons
CART (Cartridge)
Appears when a Music Cartridge song or
style is selected (page 56).
GM (General MIDI)
Appears when one of the PSR-330’s GM
voices is selected (pages 14, 83).

REVERB
Appears when the PSR-330 REVERB effect is turned on (page
34).
HARMONY
Appears when the HARMONY
effect is turned on (page 36).

0

TRANSPOSE
The current transpose value
(page 38).

116

TEMPO
Shows the current tempo of accompaniment/song playback
(page 21).

VOICE L

46

VOICE R2

BASS

CHORD
1

CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

6

PAD

VOICE

L
SPLIT

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1
DUAL

1

VOICE R1

VOICE L, VOICE R2, and VOICE R1
The currently selected L (Left-hand), R2 (Right-hand
2) and R1 (Right-hand 1) voice numbers are displayed in these display locations (page 14).

001 GrandPno
46

VOICE L

0

A

116
HARMONY

1

VOICE R1

B
ONE TOUCH
SETTING

FREEZE
REGISTRATION

TEMPO

1

2
SYNC
STOP

RHYTHM RHYTHM
1
2

51

VOICE R2

REPEAT

REVERB TRANSPOSE

BASS

CHORD
1

3

1

MEASURE

MULTI PAD

4

1

2

3

4

mM 7

FINGERING
CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

RHYTHM RHYTHM
1
2

51

PAD

VOICE

L
SPLIT

ACCOMPANIMENT TRACKS
The top row of 8 icons light to indicate which of the 8
possible accompaniment tracks are being used for
accompaniment playback. They are also used to
specify tracks when using the REVOICE function
(pages 25, 60).

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1
DUAL

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Basic Display Operation

A

REPEAT
Indicates the “A” and “B” repeat
points when programming a repeat section, and whether REPEAT PLAY is on or off (page 49).

B

ONE TOUCH SETTING
Appears when the ONE TOUCH
SETTING feature is engaged
(page 32).

ONE TOUCH
SETTING

1

2

3

BEAT
Flashes at the current tempo and
indicates the current beat during
accompaniment and song playback.
(page 23)

1

REGISTRATION 1 … 4
(Registration Memory)
Indicates the currently selected
REGISTRATION MEMORY number (page 39).

4

SYNC STOP
Appears when the AUTO ACCOMPANIMENT SYNC STOP function
is engaged (page 24).
FINGERING
Shows the currently selected fingering mode (page 28).

FREEZE
Appears when the REGISTRATION MEMORY “FREEZE” function is on (page 40).

FREEZE

mM 7

1

2

3

MULTI PAD 1 … 4
Indicates the currently playing
MULTI PAD number (page 43).

4

MEASURE
Indicates the current measure number during song recording and playback (page 46).

CHORD
Displays the current chord name
during AUTO ACCOMPANIMENT
playback or SONG recording/playback (page 23).

VOLUME
These icons show the volume (actually velocity) of each accompaniment track during
accompaniment playback, the volume of the melody and accompaniment tracks during
song playback, and the volume of the R1, R2 and L voices (pages 26, 45, 59).

RHYTHM RHYTHM
1
2

BASS

CHORD
1

CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

PAD

VOICE

L
SPLIT

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1
DUAL

MELODY TRACKS 1 … 4, ACCOMPANIMENT TRACK
These icons indicate the playback on/off status of each song
track, and are used to specify tracks for song recording (page 52).
They are also used to specify tracks when using the REVOICE
function (page 61).
VOICE L, VOICE R2, VOICE R1
These icons indicate the on/off status of the L, R2, and R1 voices
when the DUAL VOICE and/or SPLIT VOICE functions are used
(page 14). They are also used to specify tracks when using the
REVOICE function (page 58).

7

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Basic Display Operation

The Menus

The buttons to the right of the display directly select one of the PSR-330’s
four main function menus: VOICE, STYLE, SONG, and CARTRIDGE. The
currently selected menu is indicated by a triangular indicator in the display
next to the menu list printed immediately to the right of the display panel.
In addition to the menus and functions which are available directly via the
PSR-330 panel controls, there is also a range of important “background”
functions which can be selected via the MENU and SUB MENU [▲] and
[▼] buttons.

001 GrandPno
46

VOICE L

REGIST
MEMORY

0

A

116
MULTI PAD

HARMONY

FREEZE
REGISTRATION

TEMPO

1

2
SYNC
STOP

MIDI

RHYTHM RHYTHM
1
2

1

VOICE R1

ONE TOUCH
SETTING

REPEAT

REVERB TRANSPOSE

51

VOICE R2

B

BASS

CHORD
1

3

1

MEASURE

VOICE

MULTI PAD

4

1

2

3

4

STYLE

mM 7

FINGERING
CHORD
2

PAD

PHRASE
1

PHRASE
2

SONG
DIGITAL
EFFECT
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1

OVERALL
MINUS ONE

SPLIT

DUAL

The MENU [▲] and [▼] buttons are used to select the menu: REGISTRATION MEMORY, MULTI PAD, MIDI, DIGITAL EFFECT, or OVERALL. The
currently selected MENU category is indicated by a triangular indicator in
the display next to the menu list printed immediately to the left of the
display panel. All of the listed menu categories can be selected by
pressing either the MENU [▲] or [▼] button as many times as necessary
until the triangular indicator in the display appears next to the name of the
desired category. Once a MENU has been selected, the SUB MENU [▲]
and [▼] buttons can be used to select the desired function. The SUB
MENU functions will be described in detail in the appropriate chapters
throughout this manual.

8

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Basic Display Operation

Shortcuts
To make operation as easy and as efficient as possible, the PSR-330 features a
number of “shortcuts” which allow you to jump directly to certain functions without
having to use the MENU and SUB MENU buttons. All of these shortcuts work in the
same way: press and hold a panel button for a few seconds to go to the related function.
For example, if you press and hold the [REVERB] button for a few seconds, you will
go directly to the REVERB type selection function. The shortcut buttons and the
functions they access are listed on the PSR-330 panel, near the upper left corner of the
display. The shorcuts will also be described where appropriate throughout this manual.

REVERB

Reverb

9

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Setting Up
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This section contains information about setting up your PSR-330 and preparing to play. Be
sure to go through this section carefully before using your PSR-330.

Power Supply
Although the PSR-330 will run either from an optional AC adaptor or batteries,
Yamaha recommends use of the more enviromentally safe AC adaptor. Follow the
instructions below according to the power source you intend to use.

• Never interrupt the power
supply (e.g. remove the
batteries or unplug the
AC adaptor) during any
PSR-330 record operation! Doing so can result
in a loss of data.

■ Using An Optional AC Power Adaptor
z Plug an optional Yamaha PA-5, PA-5B, or PA-5C Power Adaptor into a wall
AC outlet.
x Then plug the DC output cable from the PA-5, PA-5B, or PA-5C into the DC
IN 10-12V jack on the rear panel of the PSR-330. The internal batteries are
automatically disconnected when an AC Power Adaptor is used.
DC IN 10-12V

PA-5,
PA-5B,
or
PA-5C

When turning the power OFF, simply reverse the procedure.

• Use ONLY a Yamaha PA5, PA-5B, or PA-5C AC
Power Adaptor (or other
adaptor specifically recommended by Yamaha) to
power your instrument
from the AC mains. The
use of other adaptors may
result in irreparable damage to both the adaptor
and the PSR-330.
• Unplug the AC Power
Adaptor when not using
the PSR-330, or during
electrical storms.

■ Using Batteries
For battery operation the PSR-330 requires six 1.5V SUM-1, “D” size, R-20 or
equivalent batteries.
When the batteries need to be replaced the volume may be reduced, the sound may
be distorted, and other problems may occur. When this happens, turn the power
off and replace the batteries.
Replace the batteries as follows:
z Open the battery compartment cover located on the instrument’s bottom panel.
x Insert the six new batteries, being careful to follow the polarity markings on
the inside of the compartment.
c Replace the compartment cover, making sure that it locks firmly in place.

10

• When the batteries run
down, replace them with a
complete set of six new
batteries. NEVER mix old
and new batteries.
• Do not use different kinds
of batteries (e.g. alkaline
and manganese) at the
same time.
• If the instrument is not to
be in use for a long time,
remove the batteries from
it, in order to prevent possible fluid leakage from
the battery.

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Setting Up

Connections
■ The PHONES Jack
A standard pair of stereo headphones can be plugged in here for private practice or
late-night playing. The internal stereo speaker system is automatically shut off when
a pair of headphones is plugged into the PHONES jack.

■ SUSTAIN Jack
An optional Yamaha FC4 or FC5 footswitch can be plugged into the rear-panel
SUSTAIN jack for sustain control. The footswitch functions like the damper pedal on
a piano — press for sustain, release for normal sound.

SUSTAIN

• Be sure that you do
not press the footswitch while turning
the power on. If you
do, the ON/OFF status of the footswitch
will be reversed.

■ MIDI IN and OUT Connectors
The MIDI IN connector receives MIDI data from an external MIDI device (such
as a MIDI sequencer) which can be used to control the PSR-330. The MIDI OUT
connector transmits MIDI data generated by the PSR-330 (e.g. note and velocity data
produced by playing the keyboard). More details on MIDI are provided on page 66.
IN

MIDI

OUT

11

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The Demonstration
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Once you’ve set up your PSR-330, try listening to the pre-programmed demonstration songs.
A total of 20 demo songs are provided.

1 Switch ON
Turn the power ON by pressing the [POWER] switch.
POWER
ON /

OFF

2 Set an Initial Volume Level
Turn the [MASTER VOLUME] control up (clockwise) about a quarter-turn from
its minimum position. You can re-adjust the [MASTER VOLUME] control for the
most comfortable overall volume level after playback begins.
MASTER

VOLUME

MIN

MAX

3 Press the [DEMO] Button
Press the [DEMO] button to start demo playback. The PSR-330 SONG menu will
automatically be selected and the number and name of the first demo song will appear
on the top line of the display. The demo will begin playing automatically. The demo
songs will play in sequence, and the sequence will repeat until stopped.

01 DancePop

12

• You can play along on
the PSR-330 keyboard while the demonstration is playing.
• The volume icons will
move in response to
the data in each track
while the demonstration plays.

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The Demonstration

4 Skip to the Beginning Of a Different Demo Song

While the demonstration is playing you can select any of the demo songs by
using the [–] and [+] buttons. Playback will skip to the beginning of the selected
song.

02 WåRock

1

2

3

4

5

6

7

8

9

0
NO

YES

5 Stop When Done
Press the [DEMO] button or the [START/STOP] button to stop demo playback.

START/STOP
/

• Demo playback can be restarted after it has been
stopped by pressing the
[START/STOP] button. In
this case the selected
demo song will play
through to the end and
then playback will stop automatically.
• When a demo which uses
the PSR-330’s internal accompaniment styles is
playing, the names of the
chords being played will
appear on the display.
• Since playing the demo
automatically selects the
SONG menu, the SONG
menu will remain active
when demo playback is
stopped. To select and
play voices after stopping
the demo, for example,
you will have to press the
[VOICE] button to go to
the VOICE menu. The
same applies for other
menus.

13

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Playing the PSR-330
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The PSR-330 Voices
The PSR-330 actually includes two voice sets: the “panel” voices and drum kits
(listed on the PSR-330 panel), and the GM (General MIDI) voices. The panel voices
include 126 “pitched” voices (voice numbers 1 through 126) and 10 drum kits
(numbers 127 through 136), while the GM voice set includes 128 pitched voices
(voice numbers 137 through 264).
Panel voices

1 … 126

Panel drum kits

127 … 136

GM voices

137 … 264

■ A Word About the “R1”, “R2”, and “L” Voices
The PSR-330 allows up to three voices to be selected at the same time: “R1” (Righthand 1), “R2”, (Right-hand 2) and “L” (Left-hand). Only the “R1” voice is used when
you’re playing a single voice over the entire range of the keyboard. When you’re using
the DUAL VOICE and/or SPLIT VOICE modes (decribed on pages 17 and 18),
however, the “R2” and/or “L” voice will be used as well. The numbers of the currently
selected R1, R2, and L voices are all shown on the display panel.
VOICE L

46

VOICE R2

51

VOICE R1

1
VOICE

L

VOICE

R2

VOICE

R1

SPLIT

DUAL

R1 Voice

VOICE

L

VOICE

R2

SPLIT

VOICE

R1
DUAL

R1 Voice + R2 Voice

VOICE

L

VOICE

R2

SPLIT

L Voice

VOICE

R1
DUAL

R1 Voice

VOICE

L
SPLIT

VOICE

R2

VOICE

R1
DUAL

R1 Voice + R2 Voice
L Voice
(Split Voice Mode + Dual Voice Mode)

The R2 and L voices will be discussed in more detail in the DUAL VOICE and
SPLIT VOICE sections. For now we’ll describe how to select and play the main R1
voice.

14

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Playing the PSR-330

Selecting & Playing Voices
Here’s how you can select and play the panel voices.

1 Select the VOICE Menu
Press the [VOICE] button so that the triangular indicator appears in the display next
to “VOICE” to the right of the display. The number and name of the currently selected
“R1” voice appears on the top line of the display panel when the VOICE menu is
selected.

001 GrandPno
VOICE R1

1
VOICE

2 Select a Panel Voice
The PSR-330 voices can be selected by using the [–] and [+] buttons, the number
buttons, or the [VOICE] button. The panel voices are listed in the VOICE list printed
at the top of the instrument’s control panel.
● The [–] and [+] Buttons
When the VOICE menu is selected these buttons step up or down through the PSR330’s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the
corresponding direction.
7

8

002 HnkyTonk
VOICE R1

9

0

2

NO

YES

● The Number Buttons
The number buttons can be used to directly enter the number of the desired voice,
thereby immediately selecting that voice without having to step through a number
of other voices. To select voice number 109 (ANALOG LEAD), for example, press
the [1], [0], and [9] number buttons in sequence.

109 AnalogLd
VOICE R1

109

1

2

3

4

5

6

7

8

9

0
NO

YES

15

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Playing the PSR-330

One- or two-digit voice numbers can be entered without leading zeros. To select
voice number “23” (JAZZ ORGAN 2), for example, simply press the [2] button and
then the [3] button. The bars below the voice number on the display will flash for
a few seconds, and then disappear when the selected voice number has been
recognized by the PSR-330.

023 JazzOrg2
VOICE R1

23

1

2

3

4

5

6

7

8

9

0
NO

YES

One- or two-digit voice numbers can also be entered with leading zeroes: e.g. “23”
can be entered as “023” by pressing the [0], [2], and [3] buttons. In this case the
specified voice number will be immediately recognized by the PSR-330.
● The [VOICE] Button
Pressing the [VOICE] button increments the voice number. Press briefly to
increment by one, or hold for continuous incrementing.

VOICE

3 Play & Adjust Volume
You can now play the selected voice on the PSR-330 keyboard. Use the [MASTER
VOLUME] control to adjust the overall volume level.
If the Voice Set function (page 65) is turned “on”, whenever a panel voice is selected
appropriate “R2” and “L” voices (i.e. DUAL VOICE and SPLIT VOICE modes) as
well as digital effects, etc., will be automatically selected at the same time.
MASTER

VOLUME

• The PSR-330’s GM
voices are selected in
the same way as the
panel voices, as described above.
• When a GM voice is
selected the GM icon
will appear below the
voice number.
• Refer to page 74 for a
complete list of the
panel and GM voices.

MIN

16

MAX

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Playing the PSR-330

◆ Keyboard Percussion
When one of the 10 panel DRUM KIT voices are selected (voice numbers 127
through 136) you can play different drums and percussion instruments on the
keyboard. The drums and percussion instruments played by the various keys are
marked by symbols below the keys.

127 Std.Kit1
VOICE R1

127
VOICE

● The Drum Kits
127

Standard Kit1

132

Analog Kit

128

Standard Kit2

133

Dance Kit

129

Room Kit

134

Jazz Kit

130

Rock Kit

135

Brush Kit

131

Electronic Kit

136

Classic Kit

• The HARMONY effect
(page 35) cannot be
turned on while a
drum kit is selected
for the “R1” voice, and
will automatically be
turned off if a drum kit
is selected while
HARMONY is on.
• The TRANSPOSE parameter (page 38) has
no effect on the drum
kit voices.
• When a drum kit is
selected the OCTAVE
parameter (page 58)
is automatically set to
“–1”.
• See page 78 for a
complete listing of the
keyboard percussion
drum instrument assignments.

The Dual Voice Mode
When the DUAL VOICE mode is engaged you can play two voices (the R1 and R2
voices) simultaneously across the entire keyboard.
The DUAL VOICE mode is turned on and off by pressing the [DUAL VOICE]
button. When the DUAL VOICE mode is turned on both R1 and R2 icons in the display
will light. Press the [DUAL VOICE] button a second time to turn the DUAL VOICE
mode off: the R2 icon in the display will go out leaving only the R1 icon lit.
KEYBOARD
VOICE

L

VOICE

R2

VOICE

R1

DUAL VOICE
DUAL

The R2 TRACK button below the display can also be used to turn the R2 voice on
or off as required (when a frame appears around the voice icons).

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

VOICE

L

VOICE

R2

VOICE

R1
DUAL

• The R1/R2 voice settings can be changed
as required by using
the REVOICE function, described on
page 58.
• The R1 voice cannot
be turned off.
• The DUAL VOICE
mode can be used at
the same time as the
SPLIT VOICE mode,
described below. In
this case the L voice
is played on the lefthand section of the
keyboard while both
the R1 and R2 voices
are played on the
right-hand section of
the keyboard. See the
“The Split Voice
Mode” section, below,
for more information.

TRACK

17

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Playing the PSR-330

The Split Voice Mode
The SPLIT VOICE mode lets you play different voices with the left and right hands.
You could, for example, play bass with the left hand (the L voice) while playing piano
with the right (the R1 or R1 and R2 voices). The “split point” is initially set at B2 (note
number 59), but it can be set at any key on the keyboard.
The SPLIT VOICE mode is engaged by pressing the [SPLIT VOICE] button.
When turned on, the L icon in the display will light in addition to the R1 or R1 and R2
icons. Press the [SPLIT VOICE] button a second time to disengage the SPLIT
VOICE mode: the L icon will go out leaving only the R voice.
VOICE

L

VOICE

R2

VOICE

R1

SPLIT VOICE
SPLIT

Split Point (59)

The L TRACK button below the display can also be used to turn the L voice on or
off as required (when a frame appears around the voice icons).

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

VOICE

L

VOICE

R2

VOICE

R1

SPLIT

TRACK

Changing the SPLIT VOICE Split Point
The SPLIT VOICE split point can be set to any key on the PSR-330 keyboard to
match your individual playing requirements.

1 Select the SPLIT VOICE Split Point Function
Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular
indicator next to “OVERALL” on the left side of the display.
MIDI

DIGITAL
EFFECT
OVERALL

18

• The L/R1/R2 voice
settings can be
changed as required
by using the REVOICE function, described on page 58.
• The split point can be
changed as required
as described below.
• The SPLIT VOICE
mode can be used at
the same time as the
DUAL VOICE mode,
described above. In
this case the L voice
is played on the lefthand section of the
keyboard while both
the R1 and R2 voices
are played on the
right-hand section of
the keyboard. See the
“The Dual Voice
Mode” section, above,
for more information.

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Playing the PSR-330

Then use the SUB MENU [▲] and [▼] buttons to select the “S.Split” function
from within the OVERALL menu . The MIDI note number corresponding to the
current split point will appear to the left of “S.Split” on the top line of the display.

059 S.Split

2 Set As Required
Simply press the key you want to assign as the split point. The key number of
the key you press will appear to the left of “S.Split” on the top line of the display.
You can also use the [–] and [+] buttons or number buttons to enter the split point
key number. The lowest key on the keyboard (C1) is key number “36”, middle C
(C3) is “60”, and the highest key (C5) is 96. The split point can be set at any key
number from 0 through 127, allowing the split point to be set outside the range
of the PSR-330 keyboard for MIDI applications.
1

2

3

4

5

6

7

8

9

0
NO

YES

• The split point key becomes
the highest key in the lefthand section of the keyboard.
• The default split point (59)
can be instantly recalled by
pressing the [–] and [+] buttons at the same time.
• The SPLIT VOICE split
point and AUTO ACCOMPANIMENT split point (page
27) can be independently
specified, with the following
limitations. The SPLIT
VOICE split point cannot be
set at a lower key than the
AUTO ACCOMPANIMENT
split point (if you attempt to
do this the AUTO ACCOMPANIMENT split point will
be set to the same key as
the SPLIT VOICE split
point). Conversely, the
AUTO ACCOMPANIMENT
split point cannot be set at a
higher key than the SPLIT
VOICE split point (if you attempt to do this the SPLIT
VOICE split point will be set
to the same key as the
AUTO ACCOMPANIMENT
split point).
• The split point cannot be
set via the keyboard while
Auto Accompaniment is
playing.

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The PSR-330 has 100 different accompaniment “styles” that can be used to provide fullyorchestrated or rhythm-only accompaniment. The PSR-330’s sophisticated AUTO ACCOMPANIMENT system can provide automated bass and chord backing that is perfectly matched
to the selected accompaniment style.
When Auto-Accompaniment is turned on, the specified left-hand section of the keyboard
becomes the “auto accompaniment” section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.

AUTO ACCOMPANIMENT
split point (54)

“auto accompaniment”
section

Using Auto Accompaniment

1 Select the Style Menu
Press the [STYLE] button to select the STYLE menu (the triangular indicator will
appear next to “STYLE” to the right of the display). The number and name of the
currently selected style will appear on the top line of the display, and the accompaniment track and volume icons in the display will appear framed.

001 8BtPop1
VOICE L

0

46

51

VOICE R2

REVERB TRANSPOSE

116
HARMONY

TEMPO

BASS

1

MEASURE

REGISTRATION

VOICE

MULTI PAD

1
SYNC
STOP

RHYTHM
2

1

VOICE R1

REPEAT

CHORD
1

CHORD
2

STYLE

M7

FINGERING
PAD

PHRASE
1

PHRASE
2

SONG
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1
DUAL

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2 Select a Style

The PSR-330 has 100 styles that can be selected by using the [–] and [+] buttons,
the number buttons, or the [STYLE] button (these controls function in the same way
as for voice selection — see page 15). The styles are listed in the STYLE list printed
at the top of the instrument’s control panel.
1

2

3

4

5

6

7

8

9

• See page 57 for details on selecting cartridge styles.

STYLE

0
NO

YES

3 Turn AUTO ACCOMPANIMENT On
Press the AUTO ACCOMPANIMENT [ON/OFF] so that its indicator lights.
• If AUTO ACCOMPANIMENT is off, only
rhythm (drums and
percussion) accompaniment will be produced.

ON/OFF

AUTO
ACCOMPANIMENT

4 Set the Tempo
When you select a different style while the accompaniment is not playing, the
“default” tempo for that style is also selected, and the tempo is displayed immediately
above “TEMPO” in the display in quarter-note beats per minute. If the accompaniment is playing and the One Touch Setting function is off (page 32), the same tempo
is maintained even if you select a different style.
You can change the tempo to any value between 32 and 280 beats per minute,
however, by using the TEMPO [▼] and [▲] buttons. Press either button briefly to
decrement or increment the tempo value by one, or hold the button for continuous
decrementing or incrementing.

TEMPO

120 Tempo
VOICE L

0

46

VOICE R2

120
TEMPO

VOICE R1

1

REPEAT

REVERB TRANSPOSE

HARMONY

51

MEASURE

REGISTRATION

MULTI PAD

1

When either of the TEMPO buttons is pressed the current tempo value will appear
on the top line of the display for a few seconds — during this time the number or
[–] and [+] buttons can also be used to set the tempo. The default tempo for the selected
style can be recalled at any time by pressing both the TEMPO [▼] and [▲] buttons
simultaneously (or by pressing the [–] and [+] buttons simultaneously while the tempo
value is showing on the top line of the display).

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5 Start the Accompaniment

There are several ways to start the accompaniment:
● Straight start
Press the [START/STOP] button. The rhythm will begin playing immediately
without bass and chord accompaniment. The currently selected MAIN [A] or
[B] section will play.
START/STOP
/

SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

ENDING

• It is possible to select the
MAIN A or B section prior to
a straight start — refer to
“7. Select the MAIN A and
B Sections as Required,”
below.

B

● Start with an introduction followed by the MAIN A variation
Press the [INTRO] button so that its indicator lights, press the MAIN/AUTO
FILL [A] button (not necessary if its indicator is already flashing), then press
[START/STOP].
SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

ENDING

START/STOP
/

B

● Start with an introduction followed by the MAIN B variation
Press the [INTRO] button so that its indicator lights, press the MAIN/AUTO
FILL [B] button (not necessary if its indicator is already flashing), then press
[START/STOP].
SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

ENDING

START/STOP
/

B

● Synchronized start
Any of the above start types can be synchronized to the first note or chord
played on the left-hand section of the keyboard (i.e. keys to the left of and
including the split-point key — normally 54) by first pressing the [SYNC
START] button.
SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

B

ENDING

• If you press the [SYNC
START] button while the
accompaniment is playing,
the accompaniment will
stop and the synchro start
mode will be engaged.
• The [INTRO] button can be
used to select the INTRO
section even while the accompaniment is playing.
• The accompaniment split
point can be changed via
the “Accompaniment Split
Point” function in the
OVERALL menu — see
page 27.

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Pressing the [SYNC START] button alone causes a straight start to occur
when the first note or chord is played. Press the [SYNC START] button and
then the appropriate [INTRO] and [MAIN/AUTO FILL] buttons for a
synchronized introduction start. The BEAT indicator will flash at the current
tempo when a synchronized start mode has been selected. The synchro start
mode can be disengaged prior to actually starting the accompaniment by
pressing the [SYNC START] button a second time.
SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

ENDING

B

• When the AUTO ACCOMPANIMENT split point and
SPLIT VOICE split point are
set at different keys, the L
voice can be played between the AUTO ACCOMPANIMENT split point and
SPLIT VOICE split point
when the AUTO ACCOMPANIMENT function is on.
• When the AUTO ACCOMPANIMENT split point and
SPLIT VOICE split point are
set to the same key, the L
voice can be played anywhere to the left of the
AUTO ACCOMPANIMENT
split point and SPLIT
VOICE split point while
AUTO ACCOMPANIMENT
is not playing.

6 Play On the Auto-accompaniment Section Of the Keyboard
As soon as you play any chord that the PSR-330 can “recognize” on the lefthand section of the keyboard, the PSR-330 will automatically begin to play the
chord along with the selected rhythm and an appropriate bass line. The name of
the current chord will appear on the display. The accompaniment will continue
playing even if you release the keys (unless the Synchro Stop function is engaged
— page 24).
RATION

FINGERING

• The PSR-330 has several
fingering modes which allow you to play chords in
different ways. See “The
Auto Accompaniment Fingering Modes” on page 28
for details.

MULTI PAD

mM 7

● The Beat Indicator
The four dots of the BEAT indicator provide a visual indication of the selected
tempo as shown below.
4/4 time

3/4 time

1st beat
2nd beat
3rd beat
4th beat

7 Select the MAIN A and B Sections as Required
The MAIN A and MAIN B sections can be selected at any time during playback
by pressing the corresponding button. Whenever you press the MAIN/AUTO
FILL [A] or [B] button during playback, the PSR-330 will generate an appropriate
“fill-in” (one of four types: AA, AB, BA, and BB) which will smoothly connect
the current section to the selected section — even if it is the same section. For

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example, if you press the MAIN/AUTO FILL [A] button while the MAIN A
section is playing, a fill-in will be produced, then the MAIN A section will
continue playing. When you select a different section, the fill-in will begin
immediately and the new section will actually begin playing from the top of the
next measure unless the MAIN/AUTO FILL [A] or [B] button is pressed during
the last beat of the measure, in which case the fill-in will begin from the first beat
of the next measure.
SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

ENDING

B

• The MAIN A section is automatically selected whenever the PSR-330 power is
initially turned on.
• The indicator of the destination section (MAIN A or B)
will flash while the corresponding fill-in is playing.
During this time you can
change the destination section by pressing the appropriate MAIN/AUTO FILL [A]
or [B] button.

8 Stop the Accompaniment
The accompaniment can be stopped at any time by pressing the [START/
STOP] button. Press the [ENDING] button if you want to go to the ending section
and then stop. The ending section will begin from the top of the next measure.

START/STOP
/

SYNC SYNC
STOP START

INTRO

MAIN/AUTO FILL

A

ENDING

B

• Some INTRO and ENDING
sections have their own
chord progressions which
play in the current accompaniment key.
• If the MAIN/AUTO FILL [A]
or [B] button is pressed
while the ENDING section
is playing, an appropriate
fill-in will be played, followed by a return to the
MAIN A or B section.
• The accompaniment volume can be adjusted independently of the keyboard
volume via the ACCOMPANIMENT/SONG VOLUME
[ ▼] and [▲ ] buttons (page
26).

◆ The Synchro Stop Function
When the Synchro Stop function is engaged, accompaniment playback will stop
completely when all keys in the auto-accompaniment section of the keyboard are
released. Accompaniment playback will start again as soon as a chord is played.
The BEAT indicators in the display will flash while the accompaneiment is
stopped.
The Synchro Stop function is engaged by pressing the [SYNC STOP] button
so that the SYNC STOP icon in the display appears. Press the [SYNC STOP]
button again so that the icon disappears to turn the Synchro Stop function off.
SYNC
STOP

REPEAT
MEASURE

EGISTRATION

SYNC
STOP

24

FINGERING

MULTI PAD

1

• The Synchro Stop
function can not be
turned on when the
FULL KEYBOARD
AUTO ACCOMPANIMENT fingering mode
is selected. The Synchro Stop function will
be automatically
turned off if the FULL
KEYBOARD fingering
mode is selected while
the Synchro Stop function is on.

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Accompaniment Track Muting
The PSR-330 has eight accompaniment tracks — RHYTHM 1, RHYTHM 2,
BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, and PHRASE 2 — that you can
control to modify the “orchestration” and therefore the overall sound of the accompaniment. When a style is selected the icons corresponding to the tracks which contain
data for any section of that style will light.

• Individual track voices, volume, and other
parameters can be
changed by using the
REVOICE function —
page 58.

● What’s in the Tracks
RHYTHM 1 & 2

These are the main rhythm tracks. The RHYTHM tracks produce the
drum and percussion sounds.

BASS

The BASS track always plays a bass line, but the voice will change to
fit the selected style … acoustic bass, synth bass, tuba, etc.

CHORD 1 & 2

These tracks provide the rhythmic chordal accompaniment required by
each style. You’ll find guitar, piano, and other chordal instruments here.

PAD

This track plays long chords where necessary, using sustained instruments such as strings, organ, choir.

PHRASE 1 & 2

This is where the musical embellishments reside. The PHRASE tracks
are used for punchy brass stabs, arpeggiated chords, and other extras
that make the accompaniment more interesting.

■ Muting Individual Tracks
Individual accompaniment tracks can be turned OFF (muted) or ON by using the
TRACK buttons corresponding to the target tracks. The track icon will disappear
when a track is muted.
RHYTHM RHYTHM
1
2

BASS

CHORD
1

CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

PAD

VOICE

L

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1
DUAL

TRACK

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Accompaniment Volume Control
When the STYLE menu is selected (i.e. the accompaniment track and volume icons
are framed) the volume of the accompaniment in relation to the keyboard can be
adjusted for the best overall balance by using the ACCOMPANIMENT/SONG
VOLUME [▼] and [▲] buttons. When either button is pressed the current accompaniment volume setting will appear on the top line of the display for a few seconds. The
accompaniment volume range is from “0” (no sound) to “127” (maximum volume).
The default setting is “100”. Press the ACCOMPANIMENT/SONG VOLUME [▼]
button to decrease the volume or the [▲] button to increase the volume. Pressing
briefly to single step, or hold for continuous decrementing/incrementing.

100 AccVol
VOICE L

0

46

51

VOICE R2

REPEAT

REVERB TRANSPOSE

ACCOMPANIMENT/SONG VOLUME

116
HARMONY

TEMPO

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1
SYNC
STOP

RHYTHM RHYTHM
1
2

1

VOICE R1

CHORD
1

FINGERING
CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

PAD

VOICE

L

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1
DUAL

While the accompaniment volume setting appears on the top line of the display the
number or [–] and [+] buttons can also be used to set the accompaniment volume.

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Changing the Accompaniment Split Point
The AUTO ACCOMPANIMENT split point can be set to any key on the PSR-330
keyboard to match your individual playing requirements.

1 Select the Accompaniment Split Point Function
Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular
indicator next to “OVERALL” on the left side of the display.
MIDI

DIGITAL
EFFECT
OVERALL

Then use the SUB MENU [▲] and [▼] buttons to select the “AccSpPnt” function
from within the OVERALL menu . The MIDI note number corresponding to the
current split point will appear to the left of “AccSpPnt” on the top line of the display.

054 AccSpPnt

2 Set As Required
Simply press the key you want to assign as the split point. The key number of the
key you press will appear to the left of “AccSpPnt” on the top line of the display. You
can also use the [–] and [+] buttons or number buttons to enter the split point key
number. The lowest key on the keyboard (C1) is key number “36”, middle C (C3) is
“60”, and the highest key (C5) is 96. The split point can be set at any key number from
0 through 127, allowing the split point to be set outside the range of the PSR-330
keyboard for MIDI applications.
1

2

3

4

5

6

7

8

9

• The split point key becomes the highest
key in the Auto Accompaniment section
of the keyboard.
• The default split point
(54) can be instantly
recalled by pressing
the [–] and [+] buttons
at the same time.
• The split point cannot
be set via the keyboard while Auto Accompaniment is playing.

0
NO

YES

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◆ Interaction Between the AUTO ACCOMPANIMENT and
SPLIT VOICE Split Points
The SPLIT VOICE split point (page 18) and AUTO ACCOMPANIMENT split point
can be independently specified, with the following limitations. The SPLIT VOICE
split point cannot be set at a lower key than the AUTO ACCOMPANIMENT split point
(if you attempt to do this the AUTO ACCOMPANIMENT split point will be set to the
same key as the SPLIT VOICE split point). Conversely, the AUTO ACCOMPANIMENT split point cannot be set at a higher key than the SPLIT VOICE split point (if
you attempt to do this the SPLIT VOICE split point will be set to the same key as the
AUTO ACCOMPANIMENT split point).
AUTO ACCOMPANIMENT
split point

Accompaniment

SPLIT VOICE
split point

R Voice

L Voice

AUTO ACCOMPANIMENT split point/
SPLIT VOICE split point

R Voice

Accompaniment/
L Voice

The Auto Accompaniment Fingering Modes
The PSR-330 AUTO ACCOMPANIMENT feature has five different fingering
modes which can be selected as follows.

1 Select the Fingering Mode Function
Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular
indicator next to “OVERALL” on the left side of the display.
MIDI

DIGITAL
EFFECT
OVERALL

28

• You can jump directly
to the “FngrngMd”
function by pressing
and holding the AUTO
ACCOMPANIMENT
[ON/OFF] button for a
few seconds.

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Then use the SUB MENU [▲] and [▼] buttons to select the “FngrngMd” function
from within the OVERALL menu. The abbreviated name of the current fingering
mode will appear to the left of “FngrngMd” on the top line of the display.

SF FngrngMd

2 Select the Required Fingering Mode
Use the [–] and [+] buttons to select the desired fingering mode:
SF

Single Finger

F1

Fingered 1

F2

Fingered 2

FuL

Full Keyboard

MuL

Multi-finger

● SF: The SINGLE FINGER Mode

SF FngrngMd
Single-finger accompaniment makes it simple to produce beautifully orchestrated
accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the AUTO ACCOMPANIMENT section of the
keyboard. The abbreviated chord fingerings described below are used:
C

■ For a major chord, press the root key only.
Cm

C7

Cm 7

■ For a minor chord, simultaneously press the root key and a
black key to its left.
■ For a seventh chord, simultaneously press the root key and a
white key to its left.
■ For a minor-seventh chord, simultaneously press the root key
and both a white and black key to its left.

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● F1: The FINGERED 1 Mode

F1 FngrngMd
The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPANIMENT section of the keyboard (i.e. all keys to the left of and including the splitpoint key — normally 54) while the PSR-330 supplies appropriately orchestrated
rhythm, bass, and chord accompaniment in the selected style.
The FINGERED 1 mode recognizes the following chords:

30

Chord Name/[Abbreviation]

Normal Voicing

Chord (C)

Display

Major [M]

1-3-5

C

C

Add ninth [(9)]

1-2-3-5

C(9)

C(9)

Sixth [6]

1 - (3) - 5 - 6

C6

C6

Sixth add ninth [6(9)]

1 - 2 - 3 - (5) - 6

C6(9)

C6(9)

Major seventh [M7]

1 - 3 - (5) - 7 or
1 - (3) - 5 - 7

CM7

CM7

Major seventh ninth [M7(9)]

1 - 2 - 3 - (5) - 7

CM7(9)

CM7(9)

Major seventh sharp eleventh [M7#11]

1 - 2 - 3 - #4 - (5) - 7 or
1 - (2) - 3 - #4 - 5 - 7

CM7#11

CM7#11

Flatted fifth [(b5)]

1 - 3 - b5

C(b5)

C(b5)

Major seventh flatted fifth [M7b5]

1 - 3 - b5 - 7

CM7b5

CM7b5

Suspended fourth [sus4]

1-4-5

Csus4

Csus4

Augmented [aug]

1 - 3 - #5

Caug

Caug

Major seventh augmented [M7aug]

1 - (3) - #5 - 7

CM7aug

CM7aug

Minor [m]

1 - b3 - 5

Cm

Cm

Minor add ninth [m(9)]

1 - 2 - b3 - 5

Cm(9)

Cm(9)

Minor sixth [m6]

1 - b3 - 5 - 6

Cm6

Cm6

Minor seventh [m7]

1 - b3 - (5) - b7

Cm7

Cm7

Minor seventh add ninth [m7(9)]

1 - 2 - b3 - (5) - b7

Cm7(9)

Cm7(9)

Minor seventh eleventh [m7_11]

1 - (2) - b3 - 4 - 5 - (b7)

Cm7_11

Cm7 11

Minor major seventh [mM7]

1 - b3 - (5) - 7

CmM7

CmM7

Minor major seventh ninth [mM7(9)]

1 - 2 - b3 - (5) - 7

CmM7(9)

CmM7(9)

Minor seventh flatted fifth [m7b5]

1 - b3 - b5 - b7

Cm7b5

Cm7b5

Minor major seventh flatted fifth [mM7b5]

1 - b3 - b5 - 7

CmM7b5

CmM7b5

Diminished [dim]

1 - b3 - b5

Cdim

Cdim

Diminished seventh [dim7]

1 - b3 - b5 - 6

Cdim7

Cdim7

Seventh [7]

1 - 3 - (5) - b7 or
1 - (3) - 5 - b7

C7

C7

Seventh flatted ninth [7(b9)]

1 - b2 - 3 - (5) - b7

C7(b9)

C7(b9)

Seventh flatted thirteenth [7b13]

1 - 3 - 5 - b6 - b7

C7b13

C7b13

Seventh ninth [7(9)]

1 - 2 - 3 - (5) - b7

C7(9)

C7(9)

Seventh sharp eleventh [7#11]

1 - 2 - 3 - #4 - (5) - b7 or
1 - (2) - 3 - #4 - 5 - b7

C7#11

C7#11

Seventh add thirteenth [7(13)]

1 - 3 - (5) - 6 - b7

C7(13)

C7(13)

Seventh sharp ninth [7(#9)]

1 - #2 - 3 - (5) - b7

C7(#9)

C7(#9)

Seventh flatted fifth [7b5]

1 - 3 - b5 - b7

C7b5

C7b5

Seventh augmented [7aug]

1 - 3 - #5 - b7

C7aug

C7aug

Seventh suspended fourth [7sus4]

1 - 4 - (5) - b7

C7sus4

C7sus4

One plus two plus five [1+2+5]

1-2-5

C1+2+5

C

• Notes in parentheses
can be omitted.
• If you play any three
adjacent keys (including black keys), the
chord sound will be
cancelled and only
the rhythm instruments will continue
playing (CHORD
CANCEL function).
• An octave produces
accompaniment
based only on the
root.
• A perfect fifth (1 + 5)
produces accompaniment based only on
the root and fifth
which can be used
with both major and
minor chords.
• The chord fingerings
listed are all in “root”
position, but other inversions can be used
— with the following
exceptions:
m7, m7b 5, 6, m6,
sus4, aug, dim7,
7 b5, 6(9), m7_11,
1+2+5.
• Inversion of the
7sus4, 7# 11 chord are
not recognized if the
5th is omitted.

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Auto Accompaniment

Example for “C” chords

CmM 7

CmM 7 (9)

(

)
(

(

CM7 b5

Cm 7 (9)

Cm 7– 11

)

CM 7 aug

C (b5)

(

Caug

CM7 #11

)

Csus 4

CM 7 (9)

CM 7

)

C6

)

C (9)

(

C 6 (9)

C

Cm (9)

Cm 6

Cm 7

Cm 7 b5

CmM 7 b5

Cdim

Cdim 7

C7

C 7 (13)

C 7 (#9)

C 7 b5

C 7 aug

C 7 sus4

)

)
(

)
(

(

)
(

C 7 b13

C 7 (b9)

C 1+2+5

)

)

(

)
(

(

)
(

)

C 7 #11

C 7 (9)

(

(

(

)

)

(

(

)

)

(

)

Cm

● F2: The FINGERED 2 Mode

F2 FngrngMd
This is essentially the same as the FINGERED 1 mode, described above, except
that the FINGERED 2 mode additionally allows you to specify the lowest note of
each chord — simply, the lowest note played in the AUTO ACCOMPANIMENT
section of the keyboard is used as the accompaniment bass note. This means you
can specify “on-bass” chords in which the main bass note for the chord is not the
root of the chord. For a C major chord, for example, you could use E (the third) or
G (the fifth) as the bass note rather than C.
C

C on E

C on G

● FuL: The FULL KEYBOARD Mode

FuL FngrngMd
In this mode the PSR-330 automatically differentiates between left-hand chords
and right-hand melody, no matter where they are played on the keyboard. Righthand chords with a left-hand bass line — single or octave — are also recognized.
In the first case left-hand chords are recognized and accompaniment is produced
in the same way as in the FINGERED 1 mode, in the latter case the right-hand
chords are recognized in the same way but the accompaniment bass line will be
based on the left-hand bass line you play. This means you can play in just about any
style anywhere on the keyboard, and the PSR-330 will automatically produce
appropriate accompaniment.

• A single note one octave lower than the
lowest note of the
chord is recognized
as a bass note, and
notes eleven notes or
more higher are recognized as melody
notes.

31

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Auto Accompaniment

● MuL: The MULTI-FINGER Mode

muL FngrngMd
This is the default accompaniment mode. The MULTI-FINGER mode automatically detects SINGLE FINGER or FINGERED 1 chord fingerings, so you can use
either type of fingering without having to switch fingering modes.

◆ The Stop Accompaniment Function
While the SINGLE FINGER, FINGERED 1, FINGERED 2, or MULTI-FINGER mode is selected chords played in the AUTO ACCOMPNIMENT section of
the keyboard are also detected and played by the PSR-330 Auto Accompaniment
system when the accompaniment is stopped (except when the FULL KEYBOARD
mode is engaged). In this case the bass note and chord voices are selected
automatically.

• When the AUTO ACCOMPANIMENT split
point and SPLIT
VOICE split point are
set to the same key,
the L voice and the
automatically selected
bass note will sound.

One Touch Setting
The PSR-330’s 100 internal styles each have four recommended “panel setups” that
can be instantly selected via the [ONE TOUCH SETTING] and REGISTRATION
MEMORY [1] … [4] buttons. The One Touch Setting feature automatically sets the
following parameters:
● One Touch Setting Parameter List
• R1 Voice
(Voice number, volume, octave, pan, reverb level)

• Auto Accompaniment=ON

• Dual Voice ON/OFF

• Accompaniment Track data
(Style parameters=default, Track ON/OFF)

• R2 Voice
(Voice number, volume, octave, pan, reverb level)

• Main A/B section

• Synchro start=ON

• Split Voice ON/OFF

• Accompaniment volume=100

• L Voice
(Voice number, volume, octave, pan, reverb level)

• Harmony ON/OFF, type, volume

• Split Point : Split Voice=59
: Auto Accompaniment=54

• Reverb type

• Tempo=Default (for the currently selected style)

• Reverb ON/OFF
• Multi Pad Set number
• Chord Match ON/OFF=Default (Multi Pad1…4)

32

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Auto Accompaniment

1 Select a Style

Select the STYLE menu and select an accompaniment style as described on page
20.

2 Press the [ONE TOUCH SETTING] Button
Press the [ONE TOUCH SETTING] button. The ONE TOUCH SETTING and
REGIST [1] icons will appear in the display, and the ONE TOUCH SETTING type 1
panel settings will be recalled. At the same, AUTO ACCOMPANIMENT will
automatically be turned on if it was off, and the SYNC START mode will be engaged.

ONE TOUCH
SETTING

REPEAT

1

MEASURE

REGISTRATION

1

2

3

MULTI PAD

4

3 Select a ONE TOUCH SETTING Type, as Required
If you want to select a different REGISTRATION MEMORY, use the REGISTRATION MEMORY buttons to select the desired ONE TOUCH SETTING type. The
corresponding number will appear in the display, and all setting will change according
to the recalled data.
REGISTRATION MEMORY

1

2

3

4

ONE TOUCH
SETTING

REPEAT

MEASURE

REGISTRATION

1

2

3

1

MULTI PAD

4

4 Turn ONE TOUCH SETTING Off When Done
Press the [ONE TOUCH SETTING] button so that the ONE TOUCH SETTING
icon in the display disappears to turn the ONE TOUCH SETTING feature off.

• “No OTS” will appear
on the display if an
optional cartridge
style which has no
ONE TOUCH SETTING data is selected.

33

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Digital Effects
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The PSR-330 has digital REVERB and HARMONY effects that can be used to add extra
ambience and depth to your sound.

Reverb
The PSR-330 has 8 digital reverb effects that simulate the natural reverberation of
a range of acoustic environments. There’s also an “Off” setting:
1

Hall 1

4

Room 2

7

Delay 1

2

Hall 2

5

Plate 1

8

Delay 2

3

Room 1

6

Plate 2

9

Off

Turning the Reverb Effect On or Off
Press the [REVERB] button so that the REVERB icon appears in the display to turn
the selected REVERB effect on. Press [REVERB] a second time so that the REVERB
icon disappears to turn the REVERB effect off.
REVERB

0
REVERB TRANSPOSE

116
HARMONY

TEMPO

• When the Voice Set
function is ON (page
65), the REVERB effect will be turned on
or off according to the
selected R1 panel
voice.

The [REVERB] buttons affect the reverb applied to all PSR-330 sound: i.e. the R1,
R2, and L voices, accompaniment playback, song playback, and the MULTI PADs
(see “The Multi Pads” on page 41). Overall reverb can be turned off by selecting the
“Off” reverb type as described below.

Selecting a Reverb Type

1 Select the Digital Effect “Reverb” Function
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display
next to “DIGITAL EFFECT”.
MIDI

DIGITAL
EFFECT
OVERALL

34

• You can also jump directly to the DIGITAL
EFFECT REVERB
TYPE function by
pressing and holding
the [REVERB] button
for a few seconds.

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Digital Effects

Then use the SUB MENU [▲] and [▼] buttons to select “Reverb”. After a few
seconds the name of the currently selected REVERB type will appear on top line of
the display.

Reverb
1 Hall1

2 Select a Reverb Effect
Use the [–] and [+] buttons or number buttons to select the desired REVERB effect
(the name of the selected REVERB effect will appear on the top line of the display).
Select “OFF” if you want no REVERB effect on any part of the PSR-330 sound.
1

2

3

4

5

6

7

8

9

0
NO

YES

Harmony
When HARMONY is on and HARMONY type 1 through 4 is selected (see list
below), playing single notes or chords on the right-hand section of the keyboard
produces automatic harmony matched to the accompaniment chords (AUTO ACCOMPANIMENT must be on). HARMONY types 5 through 25 are delay-based
effects which do not depend on the AUTO ACCOMPANIMENT chords. Harmony is
applied to the R1 voice. When chords are played the harmony is based on the last note
played (i.e. last-note priority).
The PSR-330 has 25 different harmony types, as listed below.
Type

Description

Type

Description

1 Duet

An extra note is added to the melody
to produce duet type harmony.

3 Country

One note is added above the melody
for a country-style harmony feel.

2 Trio

Two notes are added below the
melody for three-part harmony.

4 Octave

One note is added an octave below
the melody.

35

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Digital Effects

Type

Description

Type

5 Trill 1/4

Description

19 Echo 1/4
3

6 Trill 1/6
7 Trill 1/8

3

8 Trill 1/12
9 Trill 1/16

20 Echo 1/6
Two notes played on the
keyboard are played alternately at the currently set
tempo.

3

10 Trill 1/24

21 Echo 1/8
22 Echo 1/12

3

23 Echo 1/16
24 Echo 1/24

11 Trill 1/32

3

An echo effect is applied to
the melody at the currently
set tempo.

3

25 Echo 1/32

12 Tremolo 1/4
13 Tremolo 1/6

3

14 Tremolo 1/8
15 Tremolo 1/12

3

16 Tremolo 1/16
17 Tremolo 1/24

A tremolo effect is applied
to the melody at the currently set tempo.

3

18 Tremolo 1/32

Turning the Harmony Effect On or Off
Press the [HARMONY] button so that the HARMONY icon appears in the display
to turn the selected HARMONY effect on. Press [HARMONY] a second time so that
the HARMONY icon disappears to turn the HARMONY effect off.
HARMONY

0
REVERB TRANSPOSE

116
HARMONY

TEMPO

• HARMONY can not
be turned on when a
drum kit is selected
for the R1 voice.
• HARMONY can not
be turned on when
the FULL KEYBOARD
AUTO ACCOMPANIMENT fingering mode
is selected even if
AUTO ACCOMPANIMENT is on. HARMONY will be automatically turned off if
the FULL KEYBOARD
fingering mode is selected while the HARMONY effect is on.
• HARMONY is automatically turned off
during song playback.

Selecting a Harmony Type

1 Select the Digital Effect “Harmony” Function
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display
next to “DIGITAL EFFECT”.
MIDI

DIGITAL
EFFECT
OVERALL

36

• When the Voice Set
function is ON (page
65), the HARMONY
effect settings may
change according to
the selected R1 panel
voice.
• When a “Trill” harmony type (7 … 12) is
selected, two notes
played on the keyboard will sound alternately at the specified
note value.

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Digital Effects

Then use the SUB MENU [▲] and [▼] buttons to select “Harmony”. After a few
seconds the name of the currently selected HARMONY type will appear on top line
of the display.

Harmony

• You can also jump directly to the DIGITAL
EFFECT HARMONY
TYPE function by
pressing and holding
the [HARMONY] button for a few seconds.

01 Duet

2 Select a Harmony Type
Use the [–] and [+] buttons or number buttons to select the desired HARMONY type
(the name of the selected HARMONY type will appear on the top line of the display).

Adjusting the Harmony Volume
The volume of the harmony sound in relation to the keyboard sound can be adjusted
for HARMONY types 1 through 4 as follows (HARMONY types 5 through 25 are not
affected):

1 Select the Digital Effect “HarmVol” Function
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display
next to “DIGITAL EFFECT”, then use the SUB MENU [▲] and [▼] buttons to select
“HarmVol”. The current harmony volume setting will appear to the left of “HarmVol”
on the display.

100 HarmVol

2 Adjust the Harmony Volume
Use the [–] and [+] buttons or number buttons to adjust the harmony volume as
required. The range is from “0” to “127” — “0” is minimum (no sound) and “127” is
maximum volume.

37

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Transpose
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This functions allow the overall pitch of the PSR-330 to be transposed up or down by a
maximum of one octave in semitone increments.

Setting Transposition
Use the TRANSPOSE [▼] and [▲] buttons to set the desired degree of transposition. Press either button briefly to decrement or increment by one, or hold for
continuous decrementing or incrementing. The current transpose value will appear on
the top line of the display for a few seconds whenever one of the TRANSPOSE buttons
is pressed — during this time the [–] and [+] buttons or number buttons can also be
used to set the transpose value (the transpose value also appears continuously above
“TRANSPOSE” in the display).

TRANSPOSE

-02 Transpos
VOICE L

-2

46

VOICE R2

51

VOICE R1

1

REPEAT

REVERB TRANSPOSE

The transpose range is from –12 to +12. Each step corresponds to one semitone,
allowing a maximum upward or downward transposition of 1-octave. A setting of “0”
produces the normal pitch.

38

• Press the TRANSPOSE [▼ ] and [▲]
buttons simultaneously to instantly
reset the transpose
value to “0”.
• The new TRANSPOSE value will take
effect from the next
key played.
• The TRANSPOSE
value cannot be
changed during song
playback or while the
record mode is engaged.

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Registration Memory
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The PSR-330 Registration Memory feature can be used to memorize 32 complete controlpanel setups (8 banks, 4 setups each) that you can recall whenever needed.

Registering the Panel Settings

1 Set Up the Controls as Required
Make the desired control settings. The following settings are memorized by the
Registration Memory function:
● Data Stored By the Registration Memory
VOICE PARAMETERS

ACCOMPANIMENT PARAMETERS

• R1 Voice (Voice number,
volume, octave, pan,
reverb send level)

• L Voice (Voice number,
volume, octave, pan,
reverb send level)

• Dual Voice ON/OFF

• Split Point (Split Voice)

• R2 Voice (Voice number,
volume, octave, pan,
reverb send level)

• Touch Sensitivity

• Split Voice ON/OFF

• Reverb ON/OFF
• Harmony ON/OFF, type,
volume
• Scale Tuning

• Auto Accompaniment
ON/OFF

• Accompaniment section
(Main A/B)

• Style number

• Multi Pad Set number

• Fingering mode

• Chord Match ON/OFF
(Multi Pad1…4)

• Tempo

• Transpose*

• Split point (Auto
Accompaniment)

• Reverb type

• Accompaniment volume
* The transpose value will not be af-

• Track data (Track ON/
OFF, voice, volume,
pan, reverb send level)

fected if a different registration
memory is selected during song
playback or while the record mode
is engaged.

2 Select a Registration Bank (if necessary)
Any of the eight Registration Memory banks can be selected via the REGISTRATION MEMORY menu. Use the MENU [▲] and [▼] buttons to move the triangular
indicator next to “REGISTRATION MEMORY “ in the menu list to the left of the
display — the currently selected registration bank number and name will appear on
the top line of the display. Then use the [–] and [+] buttons or number buttons to select
the desired bank (1 through 8).

1 Bank1

1

2

3

4

5

6

7

8

9

• Press and hold the
REGISTRATION
MEMORY [MEMORY]
button for a few seconds to go directly to
the REGISTRATION
BANK display.

REGIST
MEMORY
MULTI PAD

0
MIDI

DIGITAL
EFFECT
OVERALL

39

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Registration Memory

3 Register the Settings

While holding the [MEMORY] button, press one of the REGISTRATION
MEMORY buttons — [1] through [4]. Any data that was previously in the selected
location is erased and replaced by the new settings. The corresponding REGISTRATION MEMORY number will appear below “REGISTRATION” in the display.
REGISTRATION MEMORY

1

2

3

REPEAT

4

MEASURE

REGISTRATION

1

2

3

• The REGISTRATION
MEMORY contents
will be retained even
after turning the
power off. See page
80 for the details.

1

MULTI PAD

4

Recall the Registered Panel Settings
Simply select the appropriate bank as described above, then press the desired
REGISTRATION MEMORY button at any time to recall the memorized settings. The
corresponding Registration Memory number will appear below “REGISTRATION”
in the display, and the appropriate setting changes will appear in the display.

REGISTRATION MEMORY

1

2

3

REPEAT

4

MEASURE

REGISTRATION

1

2

3

1

MULTI PAD

4

• REGISTRATION
MEMORY data cannot be recalled when
the ONE TOUCH
SETTING feature is
on.
• No REGISTRATION
MEMORY indicator
will be showing when
the PSR-330 is initially turned on or
when a bank is selected prior to actually
selecting a REGISTRATION MEMORY
number.

The Accompaniment Freeze Function
When the FREEZE function is engaged, the accompaniment parameters listed
above will not be changed when a REGISTRATION MEMORY is recalled. This
allows you to recall different REGISTRATION MEMORY settings while using Auto
Accompaniment, without suddenly disturbing the flow of the accompaniment. The
FREEZE function is turned on and off by pressing the [FREEZE] button. The
“FREEZE” icon appears in the display when it is turned on.

GISTRATION MEMORY

3

FREEZE

4

REPEAT

FREEZE
REGISTRATION

1

40

2

3

4

MEASURE

MULTI PAD

1

• FREEZE remains on
even if a different registration bank is selected.
• FREEZE will automatically be turned on
when a demo, cartridge, or user song is
played, and when a
user song is recorded.
FREEZE will then be
automatically be
turned off when playback or recording is
finished.

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The Multi Pads
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The PSR-330 MULTI PADS can be used to play a number of short pre-recorded rhythmic and
melodic sequences that can be used to add impact and variety to your keyboard performances. Percussion type pad phrases simply play back as programmed, while the “pitched”
phrases are “chord match” types which, if the CHORD MATCH function is turned on, are
automatically transposed to match chords played using the PSR-330 Auto Accompaniment
feature.

Selecting a MULTI PAD Set
The PSR-330 has 26 multi pad sets, each containing a complete set of 4 MULTI
PAD phrases — 104 phrases in all. Before using the MULTI PADS, select the MULTI
PAD set containing the phrases you want to use as follows:

1 Select the Multi Pad Function
To select a multi pad set first use the MENU [▲] and [▼] buttons to select the
MULTI PAD function so that the triangular indicator in the display appears next to
“MULTI PAD” to the left of the display.
MULTI PAD

MIDI

DIGITAL
EFFECT
OVERALL

2 Select a Multi Pad Set Number
If necessary use the SUB MENU [▲] and [▼] buttons so that the name of the
currently selected MULTI PAD set appears on the display (see list on page 43), then
use the [–] and [+] or number buttons to select the MULTI PAD set you want to use.

01 Funky

• Press and hold the
MULTI PAD [STOP]
button for a few seconds to go directly to
the MULTI PAD SET
display.

41

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The Multi Pads

Turning the CHORD MATCH Function On/Off
The CHORD MATCH function can be individually turned on or off for each of the
MULTI PADs, as described below.

• The chord match
function has no effect
with pads that contain
percussion phrases.

1 Select the MULTI PAD Function
Use the MENU [▲] and [▼] buttons to select the MULTI PAD function so that the
triangular indicator in the display appears next to “MULTI PAD” to the left of the
display.
MULTI PAD

MIDI

DIGITAL
EFFECT
OVERALL

2 Select a CHORD MATCH Function
Use the SUB MENU [▲] and [▼] buttons to select “Pad1Chd”, “Pad2Chd”,
“Pad3Chd”, or “Pad4Chd”, depending on the pad for which you want to turn the
CHORD MATCH function on or off.

on Pad1Chd

3 Turn the CHORD MATCH Function On or Off
Use the [–] and [+] buttons to turn the CHORD MATCH function for the selected
pad “on” or “off” as required.
7

8

9

0
NO

42

YES

• The CHORD MATCH
ON/OFF setting is restored to its original
status when a new
MULTI PAD set is selected.

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The Multi Pads

Playing the MULTI PADs
Simply tap any of the MULTI PADs at any time to play back the corresponding
phrase at the currently set tempo. MULTI PAD playback begins as soon as the button
is pressed. You can even play two, three, or four MULTI PADs at the same time (only
one pad can be played during SONG playback). Also, you can create “retriggered
sample” effects by repeatedly pressing a pad before its contents are completely played
back.
MUTLI PAD

STOP

1

2

3

1

MEASURE

4

MULTI PAD

1

2

3

4

The MULTI PAD voices are indepedent from the voices you have currently selected
for keyboard performance. You could, for example, play piano on the keyboard while
a MULTI PAD plays a brass chord stab.
When the CHORD MATCH function for a pad is turned on, the corresponding
phrase will be automatically transposed to match chords played using the PSR-330
Auto-accompaniment feature.
MULTI PAD playback can be terminated by pressing the MULTI PAD [STOP]
button.
MUTLI PAD

STOP

1

2

3

4

● The Multi Pad Sets
1 Funky

10 Synth Brass

19 Techno Kit

2 Techno 1

11 Fanfare 1

20 Techno Sequence

3 Techno 2

12 Fanfare 2

21 Analog Kit

4 Guitar Play

13 Jingle 1

22 Anlaog Sequence

5 Pianist

14 Jingle 2

23 Latin Percussion 1

6 Strings

15 Sound Effect

24 Latin Percussion 2

7 Arpeggio

16 Crystal

25 Bongo Sequence

8 Twinkle

17 Rock Kit

26 Timbales

9 Brass Hit

18 Tom Flam

43

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Song Playback
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Use the following procedure to play back the PSR-330’s internal demonstration songs as well
as songs you record yourself (see “Song Recording”, page 50).

Song Playback Procedure

1 Select the Song Menu
Press the [SONG] button to select the SONG menu (the triangular indicator will
appear next to “SONG” to the right of the display). The number and name of the
currently selected song will appear on the top line of the display, and the song track
and volume icons near the bottom of the display will appear framed.

01 DancePop
VOICE L

0

46

51

VOICE R2

VOICE

REPEAT

REVERB TRANSPOSE

116
HARMONY

TEMPO

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1
SYNC
STOP

RHYTHM RHYTHM
1
2

1

VOICE R1

CHORD
1

STYLE
FINGERING
CHORD
2

PAD

PHRASE
1

PHRASE
2

SONG
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1

MINUS ONE

2 Select a SONG Number
If necessary, use the [–] and [+] or number buttons to select the SONG number you
want to play. The SONG number can also be incremented by pressing the [SONG]
button: press briefly to increment by one, or hold for continuous incrementing.

02 WåRock

1

2

3

4

5

6

7

8

9

0
NO

44

YES

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Song Playback

3 Start Playback

Playback will begin as soon as the [START/STOP] button is pressed. You can turn
the MELODY and ACCOMPANIMENT tracks on and off during playback as required
by using the TRACK buttons.
START/STOP
/

• You can also start
playback from any
specified measure
(see page 46).

4 Play Along If You Like
Play along on the keyboard if you like. You can also change the tempo during
playback.

5 Stop Playback
SONG playback will stop automatically when the entire SONG has been played
back. You can also stop playback at any time by pressing the [START/STOP] button.

Song Volume Control
When the SONG menu is selected (i.e. the song track and volume icons near the
bottom of the display are framed) the volume of SONG playback in relation to the
keyboard can be adjusted for the best overall balance by using the ACCOMPANIMENT/SONG VOLUME [▼] and [▲] buttons. When either button is pressed the
current song volume setting will appear on the top line of the display for a few seconds.
The song volume range is from “0” (no sound) to “127” (maximum volume). The
default setting is “100”. Press the ACCOMPANIMENT/SONG VOLUME [▼] button
to decrease the volume or the [▲] button to increase the volume. Pressing briefly to
single step, or hold for continuous decrementing/incrementing.
While the song volume setting appears on the top line of the display the number or
[–] and [+] buttons can also be used to set the accompaniment volume.

100 SongVol
VOICE L

0

46

51

VOICE R2

REPEAT

REVERB TRANSPOSE

ACCOMPANIMENT/SONG VOLUME

116
HARMONY

TEMPO

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1
SYNC
STOP

RHYTHM RHYTHM
1
2

1

VOICE R1

CHORD
1

FINGERING
CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

PAD

VOICE

L

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1

MINUS ONE

45

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Song Playback

Play from a Specified Measure
You can start SONG playback from any specified measure, as long as the specified
measure is within the range of measures that has already been recorded:

1 Select the Measure Parameter
While the SONG menu is selected, but no playback or recording is in progress, use
the SUB MENU [▲] and [▼] buttons to select the “Measure” parameter in the display.
The current measure number will appear to the left of “Measure” on the top line of the
display (the current measure number is also continuously displayed next to “MEASURE” in the display).

001 Measure
VOICE L

0

46

VOICE R2

51

VOICE R1

REPEAT

REVERB TRANSPOSE

MEASURE

1
1

2 Enter the Desired Measure Number
Use the [–] and [+] buttons or the number buttons to enter the desired measure
number.

009 Measure
VOICE L

0

46

VOICE R2

51

VOICE R1

REPEAT

REVERB TRANSPOSE

MEASURE

1

2

3

4

5

6

7

8

9

1
9
0
NO

YES

3 Start Playback
You can now start playback from the specified measure number by pressing the
[START/STOP] button.
START/STOP
/

46

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Song Playback

Minus-one Practice
Minus-one playback lets you turn off specific parts of a song so you can practice
them on the PSR-330 keyboard while the other parts play automatically. Any of the
PSR-330’s four MELODY tracks and/or the ACCOMPANIMENT track can be turned
on or off as required. Individual SONG tracks can be turned OFF (muted) or ON by
using the TRACK buttons corresponding to the target MELODY or ACCOMPANIMENT tracks. The track icon will disappear when a track is muted.

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

VOICE

L

VOICE

R2

SPLIT

VOICE

R1
DUAL

Minus-one Track Assignment
Many of the PSR-330 demonstration songs, and songs provided on Music Cartridges (see “Using Music Cartridges”, page 55) have more than 4 channels — as many
as 16, in fact. This function lets you assign any of the song’s channels to the PSR-330’s
MELODY tracks so they can be turned on or off for minus-one practice.

1 Select the MinusOne Parameter
While the SONG menu is selected, but no recording is in progress, use the SUB
MENU [▲] and [▼] buttons to select the “MinusOne” parameter in the display. After
a few seconds “MinusOne” will change to “MinusCh”, the number of the current
minus-one channel will appear to the left of “MinusCh”, and a frame will appear
around the MELODY 1 song track icon.

MinusOne
VOICE L

0

46

51

VOICE R2

HARMONY

TEMPO

BASS

TEMPO

PAD

VOICE

L

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1

RHYTHM RHYTHM
1
2

1

VOICE R1

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1
SYNC
STOP

FINGERING
CHORD
2

51

VOICE R2

REPEAT

116
HARMONY

CHORD
1

46

REVERB TRANSPOSE

MULTI PAD

1

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

1

MEASURE

REGISTRATION

SYNC
STOP
RHYTHM RHYTHM
1
2

VOICE L

0

REPEAT

REVERB TRANSPOSE

116

01 MinusCh

1

VOICE R1

CHORD
1

FINGERING
CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

PAD

VOICE

L

PHRASE
1

VOICE

R2

PHRASE
2

VOICE

R1

MINUS ONE

47

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Song Playback

2 Select a MELODY Track

Use the TRACK buttons to select the song MELODY track (1…4) to which a
minus-one channel is to be assigned. A frame will appear around the selected track
icon.

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1

MINUS ONE

3 Assign a Channel to the Selected Track
Use the [–] and [+] buttons to assign the desired minus-one channel (1…16) to the
selected MELODY track. The number of the assigned channel will appear to the left
of “MinusCh” on the top line of the display.

05 MinusCh

1

2

3

4

5

6

7

8

9

0
NO

48

YES

• Press the [+] and [–]
buttons simultaneously to recall the
song’s initial channel
assignment for the selected track.
• Minus-one channel
assignments do not
apply to songs you
record yourself.
• If a selected song includes minus-one
channel settings,
those channels will
automatically be assigned to the appropriate tracks.

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Song Playback

Repeat Play
This function allows you to specify any section of a song — internal or cartridge
— for continuous repeat playback.

1 Select the A-b Repeat Parameter
While the SONG menu is selected, but no recording is in progress, use the SUB
MENU [▲] and [▼] buttons to select the “A-b Repeat” parameter in the display. The
MAIN/AUTO FILL [A] and [B] button indicators will flash.

A-b Repeat

A

B

2 Start Playback
Press the [START/STOP] button to start song playback.
START/STOP
/

3 Specify the Repeat “A” and “B” Points
While the song is playing, press the MAIN/AUTO FILL [A] button at the beginning
of the section to be repeated (the [A] button indicator will light continuously, and the
“A” repeat icon will appear in the display), then press the MAIN/AUTO FILL [B]
button at the end of the section to be repeated (the [B] button indicator will light
continuously, and the “B” repeat icon will appear in the display). Repeat playback will
begin automatically from the A point as soon as the B point has been specified, and
will continue until either the MAIN/AUTO FILL [A] button is pressed again to cancel
the repeat function, or until song playback is stopped.
MAIN/AUTO FILL

A

B

A

B
REPEAT

FREEZE

ONE TOUCH
SETTING
MEASURE

1

MAIN/AUTO FILL

A

B

A

B
REPEAT

FREEZE

ONE TOUCH
SETTING
MEASURE

1

• A-B repeat points are
automatically placed
at the nearest measure lines.
• If only the “A” repeat
point is specified, repeat playback will occur between the “A”
point and the end of
the song.
• If the MAIN/AUTO
FILL [B] button is
pressed during repeat
playback, the previously specified “B”
point will be cancelled
and a new “B” point
can be specified as
required.
• Repeat playback will
continue even if a different menu is selected during repeat
playback.
• Repeat playback will
be cancelled if a different SONG number
selected or the record
mode is engaged.

49

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Song Recording
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The PSR-330 SONG tracks allows you to record and play back complete songs including
chord sequences created using the AUTO ACCOMPANIMENT feature and a melody lines
you play on the keyboard. The SONG tracks include one ACCOMPANIMENT track and four
MELODY tracks.
The PSR-330 can retain up to 2 complete songs in internal memory, and these can be
selected and played back as described in the preceding section.
• Material recorded on the SONG tracks will be retained even after turning the power
off. See page 80 for the details.
• The recorded data will be lost if the power is turned off, the AC adaptor is unplugged,
or the batteries fail during recording.

● The SONG MELODY tracks record the following operations and
data:
•
•
•
•
•
•
•

Note on/off.
Velocity.
R1 and R2 voice number, volume, octave*, pan, reverb send level.
Dual voice on/off.
Harmony on/off, type.**
Sustain pedal on/off.
Scale Tuning.***

• Up to approximately
1000 notes can be recorded in the PSR330 MELODY tracks.
• Only harmony applied
to the last track recorded will be included in the recorded
song data (see page
35 for details on the
HARMONY effect).

● The SONG ACCOMPANIMENT track records the following operations and data:
• Section changes.
• Style number.*
• Accompaniment track changes*
(8 tracks: track on/off, voice number, volume, pan, reverb send level).
• Accompaniment volume.*
• Chord changes, timing.
• Reverb on/off.
• Reverb type.
• Tempo and time signature
(common to the ACCOMPANIMENT and MELODY tracks).*
*
**

Recorded only at the beginning of a song; changes cannot be made during recording.
Recorded only at the beginning of a song; changes cannot be made during recording. Only one
melody track can be recorded with harmony. The harmony data for the last track recorded with
harmony will be retained (last priority).

*** Recorded only at the beginning of a song; changes cannot be made during recording. Only recorded
once for all melody tracks (last priority).

50

• Up to approximately
1400 chords can be
recorded in the ACCOMPANIMENT
track.

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Song Recording

Song Recording Procedure

1 Set Up to Record
Before recording set up the PSR-330 as required: e.g. select the required voice(s),
effects, accompaniment style, accompaniment fingering mode, etc.

2 Engage the Record Ready Mode
Press the [RECORD] button to engage the record-ready mode. The [RECORD]
button indicator will light, the SONG menu will automatically be selected, and a
SONG number will appear on the top line of the display. The beat indicator dots will
flash at the currently set tempo, indicating that the record ready (synchro-start) mode
is engaged. Also, the frame surrounding the song MELODY and ACCOMPANIMENT track icons will flash, indicating that a MELODY and/or ACCOMPANIMENT
track must be selected before recording can begin.

21 UserSng1
VOICE L

0

46

51

VOICE R2

VOICE

REPEAT

REVERB TRANSPOSE

116
HARMONY

TEMPO

SYNC
STOP
RHYTHM RHYTHM
1
2

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1

CHORD
1

STYLE
PAD

PHRASE
1

PHRASE
2

SONG
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

• The following panel
setting changes will
occur when the record
ready mode is engaged:
• The measure number
will be reset to “1”.

FINGERING
CHORD
2

• If the [RECORD] button is pressed while a
demonstration song
or cartridge song is
selected, the lowestnumbered user song
which does not contain any recorded
data will automatically
be selected. If other
user songs already
contain data, however, user song number 21 will be selected.

VOICE

R1

MINUS ONE

• If the Metronome
function is on (page
65), the metronome
will sound at the current tempo.
• The REGISTRATION
MEMORY FREEZE
function will be turned
on (it cannot be turned
off while the record
mode is engaged).
• The SYNCHRO STOP
function wil be turned
off.

3 If Necessary, Select a User Song Number
If the desired user song is not already selected, use the [+] and [–] or number
buttons to select as required.

51

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Song Recording

4 Select the Track(s) to be Recorded

Use the TRACK buttons to select a SONG MELODY track to record (only one
MELODY track can be recorded at a time). A frame appears continuously around the
icon of the MELODY track selected for recording.

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

• If you start recording
without selecting a specific track, the MELODY
1 and ACCOMP tracks
will automatically be selected for recording.

VOICE

R1

MINUS ONE

The ACCOMPANIMENT track can be recorded alone or at the same time as one
MELODY track. If you intend to record accompaniment use the appropriate
TRACK button to select the ACCOMPANIMENT track (a frame will appear
continuously around the ACCOMPANIMENT track icon).

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

• The R1 and R2 voices
can be simultaneously
recorded on a single
track. The L voice cannot be recorded.

• The panel AUTO ACCOMPANIMENT [ON/
OFF] button is automatically turned off when the
ACCOMPANIMENT
track is turned off.
• AUTO ACCOMPANIMENT will automatically
be turned on if it is off
when the ACCOMPANIMENT track is selected
for recording. Conversely, the ACCOMPANIMENT track will automatically be selected for
recording if the AUTO
ACCOMPANIMENT
[ON/OFF] button is
turned on.

VOICE

R1

MINUS ONE

• AUTO ACCOMPANIMENT cannot be turned
on or off during recording.

5 Record
Recording will begin as soon as you play a note on the keyboard or press the
[START/STOP] button, and the BEAT indicator dots will begin to indicate the
current beat as in the Auto Accompaniment mode. The MEASURE parameter will
also show the current measure number during recording.
START/STOP
/
ONE TOUCH
SETTING
MEASURE

ATION

• Before actually starting to record you can try playing the
PSR-330 the way it is set up by using the “Rehearsal Mode”:
press the [SYNC START] button to temporarily disengage
the record ready mode, rehearse as necessary, then press
the [SYNC START] button again to return to the record ready
mode.

52

9

MULTI PAD

• Whenever you record using a SONG, any previously recorded material in the same track will be erased.
• If the SONG memory becomes full while recording, “FULL”
will appear on the display and recording will stop (the “Rehearsal Mode” will be engaged).

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Song Recording

• Recording is carried out in 1-measure increments. If you stop
recording in the middle of a measure, rests will automatically
be recorded until the end of that measure.

• During recording you can use the TRACK buttons to turn
playback of previously-recorded MELODY tracks or the ACCOMPANIMENT track on or off as required.

• If you start recording by pressing the [START/STOP] button,
nothing will be recording on a MELODY track until you begin
playing on the keyboard. Only rhythm accompaniment will be
recorded on the ACCOMPANIMENT track until you play a
chord in the auto accompaniment section of the keyboard.

6 Stop Recording
Stop recording by pressing the [START/STOP] button. If you press the [ENDING]
button while recording the ACCOMPANIMENT track, recording will stop automatically after the ending section has finished. When recording is stopped the MEASURE
number on the display will return to “001” and the record-ready mode will be engaged.
START/STOP
/

• You can also press
the [SYNC START]
button to stop recording and return to the
record ready mode.

ENDING

7 Record Additional Tracks as Required
By repeating steps 4 through 6, above, you can select and record additional tracks
as required.

• While the record
ready mode is engaged you can press
the [VOICE] button to
go to the VOICE
menu and change the
R1 voice as required.
The R2 voice, however, cannot be
changed (If the Voice
Set function is on —
page 65 — the R2
voice will automatically be changed
when an R1 panel
voice is selected).
The record-ready
mode must be disengaged in order to
change the R2 voice
and other settings.

8 Exit From the Record Mode
When you’re finished recording a song, press the [RECORD] button so that its
indicator goes out to exit from the record mode. The recorded user song can now be
played back in the same way as the demonstration songs (page 44).

• Many types of data recorded in user songs
can be re-written
(“revoiced”) as described on page 61.

53

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Song Recording

Clearing Song Data
This function makes it possible to clear unneeded data from the PSR-330 SONG
memory.

Clearing an Entire Song
While the SONG record-ready or rehearsal mode is engaged use the SUB MENU
[▲] and [▼] buttons to select the “SongClr?” function, then press the [+] (YES)
button: “Sure?” will appear on the display. Press the [+] (YES) button a second time
to actually clear the currently selected user song (the demonstration songs and
cartridge songs cannot be cleared). Press [–] (NO) if you want to abort the clear
operation.

YEs SongClr?

Sure?
7

8

9

0

Clearing Selected Melody Tracks
While the SONG record-ready or rehearsal mode is engaged use the SUB MENU
[▲] and [▼] buttons to select the “TrkClr?” function. The SONG tracks icons
corresponding to MELODY tracks which contain data will flash (the ACCOMPANIMENT track cannot be cleared — neither can tracks in demonstration or cartridge
songs). Use the TRACK buttons to select track(s) you want to clear (frames will
appear continuously around the selected tracks). Once the desired tracks have been
selected, press the [+] (YES) button: “Sure?” will appear on the display. Press the [+]
(YES) button a second time to actually clear the currently selected track(s). Press
[–] (NO) if you want to abort the clear operation.

YEs TrkClr?
VOICE L

REGIST
MEMORY

0
REVERB TRANSPOSE

HARMONY

TEMPO

RHYTHM RHYTHM
1
2

1

VOICE R1

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1
SYNC
STOP

MIDI

51

VOICE R2

REPEAT

116
MULTI PAD

46

CHORD
1

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

FINGERING
CHORD
2

PAD

PHRASE
1

PHRASE
2

DIGITAL
EFFECT
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

OVERALL
MINUS ONE

54

VOICE

L

VOICE

R2

VOICE

R1

MINUS ONE

VOICE

L

VOICE

R2

VOICE

R1

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Using Music Cartridges
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The PSR-330 features a catridge slot which accepts pre-programmed Yamaha Music
Cartridges containing style and/or song data. One sample Music Cartridge containing song
data is supplied with the PSR-330. Others are available from your Yamaha dealer.

◆ Inserting a Music Cartridge
With the power OFF, insert the Music Cartridge into the cartridge slot as shown,
and press down firmly until the Cartridge is seated properly (as shown in the
illustration). The Cartridge is shaped so that it will only fit in the slot one way don’t try to force it in the wrong way. Turn the power back ON again after inserting.

For Cartridges without the mark, the
bottom of the serrated edges of the
Cartridge should be even with the panel
edge (not above it).

The triangular mark on the front of the Cartridge
should be completely below the panel edge when
the Cartridge is properly seated.

◆ Music Cartridge Handling Precautions
• Do not leave Music Cartridges in locations which are subject to excessive heat or humidity.
• Do not drop Music Cartridges or subject them to strong shock.
• Do not disassemble Music Cartridges.
• Do not directly touch the Music
Cartridge’s electrical contacts. Persistently touching it may cause to
break electrical contacts or generate
static electricity. Static electric
charges can cause loss of data and
unreliable operation.
• Do not insert objects or cartridges
other than Yamaha Music Cartridges
in the PortaTone cartridge slot. Doing
so can result in serious damage to the
instrument.

• Never attempt to insert or remove a
cartridge when the power switch is
ON. Doing so can result in loss of the
PSR-330 memory data (song data/
registration memory data) or complete lack of control.
• The Music Cartridge data may not be
selected or played back correctly, if
the electrical contacts on the Music
Cartridge are affected with dust. If
this happens, insert and remove the
Music Cartridge several times. This
may solve the problem. If the problem still happens, wipe and clean the
electrical contacts on the Music Cartridge with a dry soft cloth.

• Be sure to insert the
Music Cartridge when
you recall the registration settings based on
the cartridge data or
playback the song
based on the cartridge
data. Otherwise, “No
Cart (Cartridge)” will
appear on the display.

55

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Using Music Cartridges

Cartridge Songs
Using Yamaha Music Cartridges (the one supplied with the PSR-330 includes 7
songs, others are available from your Yamaha dealer), the PSR-330 will let you enjoy
listening to automated performances, or function as your “private music tutor,”
allowing you to practice various parts of a piece while the others are played
automatically.

Cartridge Song Playback

1 Select the Cartridge Menu
Press the [CARTRIDGE] button to select the CARTRIDGE menu (the triangular
indicator will appear next to “CARTRIDGE” to the right of the display). The number
and name of the currently selected cartridge song will appear on the top line of the
display, the CART icon will appear in the upper left corner of the display, and the song
track and volume icons near the bottom of the display will appear framed. The
[START/STOP] indicator will flash.

01 StåLife
VOICE L

46

VOICE R2

51

VOICE R1

1
VOICE

STYLE

START/STOP
/

SONG

2 Select a Cartridge Song Number
Use the [–] and [+] or number buttons to select the cartridge song number you want
to play. The song number can also be incremented by pressing the [CARTRIDGE]
button: press briefly to increment by one, or hold for continuous incrementing.
1

2

3

4

5

6

7

8

9

0
NO

56

YES

• Cartridge song numbers can also be selected from the SONG
menu as follows:
press and hold the
number [3] button until the cartridge icon
appears in the display, then enter the
number of the cartridge song you want
to select via the number buttons in the normal way.
• The cartridge songs
can also be selected
from the SONG menu
by using the [–] and
[+] buttons to go beyond the highest or
lowest internal song
numbers — e.g.
pressing the [+] button while internal
song number 22 is selected will select cartridge song number 1
(the cartridge icon will
appear).

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Using Music Cartridges

3 Start Playback

Playback will begin as soon as the [START/STOP] button is pressed. You can turn
the MELODY and ACCOMPANIMENT tracks on and off during playback as required
by using the TRACK buttons.

• Playback can be
started from any measure — page 46.
• The playback tempo
can be changed freely
as required.

START/STOP
/

• Cartridge song data
cannot be revoiced.

Cartridge Accompaniment Styles
Optional Style Music Cartridges provides extra accompaniment styles that can be
used in the same way as the internal accompaniment styles after pressing the [STYLE]
button to select the STYLE menu.
Cartridges which contain both song and style data require a slightly different style
selection procedure: Press and hold the number [3] button until the cartridge icon
appears to the left of the style name in the display, then enter the number of the
cartridge style you want to select via the number buttons in the normal way. The
cartridge styles can also be selected by using the [–] and [+] buttons to go beyond the
highest or lowest internal style numbers — e.g. pressing the [+] button while internal
style number 100 is selected will select cartridge style number 01 (the cartridge icon
will appear).
The cartridge styles are used in exactly the same way as the internal accompaniment
styles (page 20).

VOICE

1

2

3

4

5

6

7

8

9

STYLE

SONG

0
NO

YES

57

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Revoicing
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The PSR-330 REVOICE function lets you change the following parameters for the R1, R2 and
L voices, the AUTO ACCOMPANIMENT tracks, and the user SONG tracks.

● Revoice Parameters
Parameter

Display

Range

Comments

Voice

Voice Name

1 … 264

Assigns a voice number to the specified PSR330 voice or track.

Volume

Volume

0 … 127

Sets the volume of the specified PSR-330
voice or track.

Octave

Octave

–2 … 2

Shifts the pitch of the specified voice or track
up or down by one or two octaves. A setting of
“0” produces normal pitch.

Pan

Pan

–7 … 7

Positions the sound of the specified voice or
track from left to right in the stereo sound field.
“–7” is full left, “7” is full right, “0” is center, and
all other settings are corresponding positions
in between.

Reverb Send Level

RevSndLv

0 … 127

Sets the reverb send level for the specified
voice or track, and thus the amount of reverb
effect applied to that voice or track.

Revoicing the R1, R2, and L Voices

1 Select the VOICE REVOICE Mode
While the VOICE menu is selected, press the [REVOICE] button (actually, the
order here is not important: you can also press the [VOICE] button after pressing the
[REVOICE] button). The [REVOICE] button indicator will light and a frame will
appear around the R1 voice icon in the display (i.e. the R1 voice is initially selected
for revoicing).

001 GrandPno
VOICE L

0

46

51

VOICE R2

VOICE

REPEAT

REVERB TRANSPOSE

116
HARMONY

TEMPO

BASS

1

MEASURE

REGISTRATION

MULTI PAD

1
SYNC
STOP

RHYTHM RHYTHM
1
2

1

VOICE R1

CHORD
1

STYLE
FINGERING
CHORD
2

PAD

PHRASE
1

PHRASE
2

SONG
REVOICE
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

58

VOICE

L

VOICE

R2

VOICE

R1

• The VOICE REVOICE
mode cannot be selected while the song
record mode is engaged.

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Revoicing

2 If Necessary Select a Voice to Revoice

Use the three rightmost TRACK buttons to select the voice you want to
revoice: L, R2, or R1. A frame will appear around the icon of the selected voice.

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1

• The TRACK button below
the selected voice can be
used to turn the voice on or
off. Make sure that the
voice is turned on if you
want to monitor the sound
while revoicing (the R1
voice cannot be turned off).

TRACK

3 Select and Edit the Revoice Parameters
Use the SUB MENU [▲] and [▼] buttons to select the desired parameter. The
name of the selected parameter will appear on the top line of the display to the
right of the parameter’s current value. Use the [+] and [–] or number buttons to
set the parameter’s value as required. Refer to the “Revoice Parameters” chart on
page 58.

001 GrandPno
100 Volume
0 Octave
0 Pan
100 RevSndLv

• You can jump directly to the
REVOICE R2 VOICE display by pressing and holding the [DUAL VOICE] button for a few seconds.
• You can jump directly to the
REVOICE L VOICE display
by pressing and holding the
[SPLIT VOICE] button for a
few seconds.

• If the Voice Set function is
turned on (page 65) the R1,
R2, and L voice parameter
settings may be changed
when a different R1 panel
voice is selected, thus the
REVOICE settings will be
lost. Turn off the Voice Set
function if you do not want
this to occur.
• Minus settings for the Octave and Pan parameters
can be directly entered by
pressing the appropriate
number button while holding the [–] button.

4 Repeat as Required and Exit When Done
Repeat steps 2 and 3, above, to revoice the voices as required, then press the
[REVOICE] button so that its indicator goes out to exit from the REVOICE
mode.

REVOICE

• The REVOICE mode will
automatically be exited if
the MENU [▲ ] and [▼ ] buttons are used to select any
of the menus to the left of
the display, or if the [CARTRIDGE] button is pressed.
• Save any revoice settings
you want to keep to the
PSR-330 REGISTRATION
MEMORY (page 39). The
revoice setting are temporary and will be lost if the
power is turned off, a different R1 panel voice is selected while the Voice Set
function is on, or a REGISTRATION MEMORY is recalled.

59

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Revoicing

Revoicing a Style

1 Select the STYLE REVOICE Mode
While the STYLE menu and the style you want to revoice are selected, press the
[REVOICE] button (actually, the order here is not important: you can also press the
[STYLE] button after pressing the [REVOICE] button). The [REVOICE] button
indicator will light and a frame will appear around the RHYTHM 1 track icon in the
display (i.e. the RHYTHM 1 track is initially selected for revoicing).

127 Std.Kit1
VOICE L

0

46

51

VOICE R2

116
TEMPO

BASS

MULTI PAD

1
SYNC
STOP

RHYTHM RHYTHM
1
2

1

MEASURE

REGISTRATION

CHORD
1

STYLE
FINGERING
CHORD
2

PAD

PHRASE
1

PHRASE
2

SONG
REVOICE
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1

2 If Necessary Select a Track to Revoice
Use the TRACK buttons to select the accompaniment track you want to revoice:
RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, or
PHRASE 2. A frame will appear around the icon of the selected track.
RHYTHM RHYTHM
1
2

BASS

CHORD
1

CHORD
2

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

PAD

VOICE

L

PHRASE
1

VOICE

R2

• The STYLE REVOICE
mode cannot be selected while the song
record mode is engaged.
• The STYLE REVOICE
mode cannot be selected while a song or
voice is being
revoiced during song
playback.

VOICE

REPEAT

REVERB TRANSPOSE

HARMONY

1

VOICE R1

• The STYLE REVOICE
mode can even be selected by pressing the
[REVOICE] button
while an accompaniment is playing.

PHRASE
2

VOICE

• The TRACK button
below the selected
track can be used to
turn the track on or
off. Make sure that
the track is turned on
if you want to monitor
the sound while
revoicing.
• Only drum kits (voice
numbers 127 … 136)
can be selected for
the RHYTHM 1 track.
• Any voice can be selected for the
RHYTHM 2 track, but
please note that the
RHYTHM 2 track is
not affected by the
AUTO ACCOMPANIMENT feature.

R1

• The OCTAVE parameter cannot be edited
in the STYLE REVOICE mode.
• Style revoicing affects
all sections of the selected style.
TRACK

3 Select and Edit the Revoice Parameters
Use the SUB MENU [▲] and [▼] buttons to select the desired parameter. The name
of the selected parameter will appear on the top line of the display to the right of the
parameter’s current value. Use the [+] and [–] or number buttons to set the parameter’s
value as required. Refer to the “Revoice Parameters” chart on page 58.

60

• “- - -” will appear on
the top line of the display if you select an
accompaniment track
which contains no
data for revoicing, and
revoicing will not be
possible.
• Minus settings for the
Octave and Pan parameters can be directly entered by
pressing the appropriate number button
while holding the [–]
button.

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Revoicing

4 Repeat as Required and Exit When Done

Repeat steps 2 and 3, above, to revoice the tracks as required, then press the
[REVOICE] button so that its indicator goes out to exit from the REVOICE mode.

REVOICE

• The REVOICE mode
will automatically be
exited if the MENU
[ ▲] and [ ▼] buttons
are used to select any
of the menus to the
left of the display, or if
the [CARTRIDGE]
button is pressed.
• Save any revoice settings you want to
keep to the PSR-330
REGISTRATION
MEMORY (page 39).
The revoice setting
are temporary and will
be lost if the power is
turned off, a different
style is selected, or a
REGISTRATION
MEMORY is recalled.

Revoicing a User Song

1 Select the SONG REVOICE Mode
While the SONG menu and the user song you want to revoice are selected, press the
[REVOICE] button (actually, the order here is not important: you can also press the
[SONG] button after pressing the [REVOICE] button). The [REVOICE] button
indicator will light and a frame will appear around the MELODY 1 track icon in the
display (i.e. the MELODY 1 track is initially selected for revoicing).
SONG
MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

VOICE

L

VOICE

R2

VOICE

R1

MINUS ONE

REVOICE

• Revoicing a user song
actually rewrites the
recorded song data,
so the original data
will be lost.
• The pre-programmed
internal songs and
cartridge songs cannot be revoiced.
• The SONG REVOICE
mode cannot be selected while the song
record mode is engaged.
• The SONG REVOICE
mode cannot be selected while a style or
voice is being
revoiced during accompaniment style
playback.

2 If Necessary Select a Track to Revoice
Use the TRACK buttons to select the SONG track you want to revoice: MELODY
1 … MELODY 4, or ACCOMP. A frame will appear around the icon of the selected
track.

MELODY MELODY MELODY MELODY ACCOM1
2
3
4 PANIMENT

MINUS ONE

VOICE

L

VOICE

R2

VOICE

R1

• The TRACK button
below the selected
track can be used to
turn the track on or
off. Make sure that
the track is turned on
if you want to monitor
the sound while
revoicing.

61

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Revoicing

3 Select and Edit the Revoice Parameters

Use the SUB MENU [▲] and [▼] buttons to select the desired parameter. The
name of the selected parameter will appear on the top line of the display to the right
of the parameter’s current value.

100 RevSndLv
Use the [+] and [–] or number buttons to set the parameter’s value as required.
Refer to the “Revoice Parameters” chart on page 58.

70 RevSndLv

1

2

3

4

5

6

7

8

9

0
NO

YES

• “- - -” will appear on the top
line of the display if you select a song track which
contains no data for revoicing, and revoicing will not
be possible.
• Only the Volume parameter can be revoiced for
the ACCOMPANIMENT
track. If you attempt to
change any other parameter “- - -” will appear on
the top line of the display
and revoicing will not be
possible.
• If the R1 and R2 voices
have been recorded to a
single track, only the R1
voice can be revoiced.
• Minus settings for the Octave and Pan paraneters
can be directly entered by
pressing the appropriate
number button while holding the [–] button.
• Only one song revoice parameter can be recorded
per track. If you revoice a
song while playing back
the song, only the last-entered data will be recorded.

4 Repeat as Required and Exit When Done
Repeat steps 2 and 3, above, to revoice the tracks as required, then press the
[REVOICE] button so that its indicator goes out to exit from the REVOICE mode.

REVOICE

• The REVOICE mode will
automatically be exited if
the MENU [▲ ] and [▼ ] buttons are used to select any
of the menus to the left of
the display, or if the [CARTRIDGE] button is
pressed.
• Since revoicing a user
song actually rewrites the
song data, the revoiced
song will remain in memory
as long as a working set of
batteries is installed in the
PSR-330, or the AC
adapter is connected.

62

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Overall Functions
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Some of the functions in the OVERALL function group have already been described in
appropriate sections of this manual. Others will be introduced for the first time in this section.
Refer to the chart below for the page numbers on which each function is described. The chart
also lists the full name of each function, the abbreviated name which appears on the display,
and the available settings or range of settings. Ranges are indicated by two or more values
separated by ellipsis (…).

Display

Settings

Page

Touch Sensitivity

Function

TouchSns

0 … 127

64

Master Tuning

Tuning~~

–50 … +50

64

Scale Tuning Note

SC.Note~

C…b

64

Scale Tuning

SC.Tune~

–64 … 63

64

Metronome

Metronom

oFF, on

65

Split Voice Split Point

S.Split~

0 … 127

18

Accompaniment Split Point

AccSpPnt

0 … 127

27

Fingering Mode

FngrngMd

SF, F1, F2, FuL, MuL

28

Voice Set

VoiceSet

oFF, on

65

To access an OVERALL function first use the MENU [▲] and [▼] buttons to move
the triangular indicator in the display next to “OVERALL”.
MIDI

DIGITAL
EFFECT
OVERALL

Then use the SUB MENU [▲] and [▼] buttons to select the desired function from
within the OVERALL menu. When a function is selected the current setting will
appear to the left of the function name on the top line of the display. Once the function
has been selected, use the [–] and [+] buttons (or number buttons, where applicable)
to set the function as required.

100 TouchSns

1

2

3

4

5

6

7

8

9

0

63

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Overall Functions

■ Touch Sensitivity

This function sets the keyboard touch sensitivity. The range is from “0” to “127”.
The higher the value the higher the sensitivity. When the touch sensitivity value is set
to “0”, “oFF” appears in the display and the same volume is produced no matter how
hard you play the keys. — this setting can produce a more realistic effect with voices
that normally do not have touch response: e.g. organ and harpsichord.

100 TouchSns

■ Master Tuning
The Tuning function sets the overall pitch of the PSR-330 over a ±50 cent range
(from –50 to +50) in 1-cent increments. Since 1 cent is 1/100th of a semitone, the total
tuning range is from a semitone below normal pitch to a semitone above normal pitch.

00 Tuning

• The “normal” tuning
value (“0”) can be recalled by simultaneously pressing the
[–] and [+] buttons.
• Minus values can be
entered by using the
number buttons while
holding the [–] button.

■ Scale Tuning
Scale tuning allows each individual note of the octave to be tuned over range from
–64 to +63 cents in 1-cent increments (1 cent = 1/100th of a semitone). This makes it
possible to produce subtle tuning variations, or tune the instrument to totally different
scales (e.g. classic or Arabic scales).
First use the SC.Note function to select the note to be tuned. The range is from C
to b: C, db, d, Eb, E, F, Gb, G, Ab, A, bb, b.

C SC.Note
note

db Eb Gb Ab bb
Db Eb
C# D#
C

note

D

Gb Ab Bb
F# G# A#
E

F

G

A

B

C d E F G A b

Then use the SC.Tune function to tune the selected note as required.

-50 SC.Tune
64

• The scale tuning settings are common to
each octave on the
keyboard.
• The Accompaniment
and Multi Pad sound
is affected by Scale
Tuning.
• The “normal” tuning
value (“0”) can be recalled by simultaneously pressing the
[–] and [+] buttons.
• Minus values can be
entered by using the
number buttons while
holding the [–] button.

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Overall Functions

■ Metronome

When turned “on” the PSR-330 metronome will sound during AUTO ACCOMPANIMENT playback as well as SONG playback and recording.

on Metronom

■ Split Voice Split Point
See page 18.

■ Accompaniment Split Point
See page 27.

■ Fingering Mode
See page 28.

■ Voice Set
The VOICE SET feature brings out the best in each individual voice by automatically setting a range of important voice-related parameters whenever an R1 panel
voice (voice numbers 1 … 136) is selected. The parameters that may be set by the
VOICE SET feature are listed below. This function lets you turn VOICE SET on or off,
as required.

• The Voice Set function is on by default
when the power is initially turned on.

on VoiceSet
● Voice Set parameter list
• R1 Voice (Volume, octave, pan, reverb send level)
• R2 Voice (Voice number, volume, octave, pan, reverb send level)
• L Voice (Voice number, volume, octave, pan, reverb level)
• Reverb ON/OFF
• Harmony type, volume

65

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MIDI Functions
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MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface
that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments
and equipment that offer far greater versatility and control than is available with isolated
instruments.

■ The MIDI Connectors
The MIDI IN connector receives MIDI data from an external MIDI device which
can be used to control the PSR-330. The MIDI OUT connector transmits MIDI data
generated by the PSR-330 (e.g. note and velocity data produced by playing the
keyboard).
IN

MIDI

OUT

■ Simple MIDI Control
Most MIDI keyboards (including the PSR-330, of course) transmit note and
velocity (touch response) information via the MIDI OUT connector whenever a note
is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN
connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a
synthesizer with no keyboard), the second keyboard or tone generator will respond
precisely to notes played on the original transmitting keyboard. The result is that you
can effectively play two instruments at once, providing thick multi-instrument sounds.
The PSR-330 also transmits “program change” data when one of its voices is selected.
Depending on how the receiving device is set up, the corresponding voice will be
automatically selected on the receiving keyboard or tone generator whenever a voice
is selected on the PSR-330.
PSR-330

MIDI OUT

MIDI IN

Tone Generator

The PSR-330 is capable of receiving the same MIDI data, so a second MIDI
keyboard connected to the PSR-330 MIDI IN connector can be used to remotely play
the PSR-330 and select voices as required.
PSR-330

66

MIDI IN

MIDI OUT

MIDI Keyboard

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MIDI Functions

■ MIDI Sequence Recording

Although the PSR-330 features a built-in “sequencer” (the SONG recorder is a type
of sequencer), the same type of musical information transfer described above can be
used for more sophisticated MIDI sequence recording using an external sequencer or
music computer. A MIDI sequence recorder or music computer can be used to
“record” MIDI data received from a PSR-330, for example. When the recorded data
is played back, the PSR-330 automatically “plays” the recorded performance in
precise detail.
MIDI OUT

Computer
(Sequencer)

MIDI IN

PSR-330
MIDI IN

• Never use MIDI
cables longer than
about 15 meters.
Cables longer than
this can pick up noise
which can cause data
errors.

MIDI OUT

The PSR-330 MIDI Functions
The PSR-330 has the following MIDI functions.
Function

Display

Settings

Page

Transmit Channel

Tr.Ch~~~

1 … 16

68

Transmit Track

Tr.Trk~~

r1, r2, L, rH1, rH2, bAS, CH1,
CH2, PAd, PH1, PH2, oFF

68

Receive Channel

Rcv.Ch~~

1 … 16

69

Receive Mode

Rcv.Mod~

nor, oFF, rE

69

Local Control

Local~~~

oFF, on

70

External Clock

ExtClock

oFF, on

70

Bulk Data Send

BlkSnd?~

None

70

Initial Data Send

InitSnd?

None

71

• No MIDI transmission
or reception occurs
while the song track
icons in the display
are active (i.e. when
they are framed). In
other words, no MIDI
transmission or reception occurs during
song playback, song
stop, song recording,
song record standby,
or the song rehearsal
mode.

To access a MIDI function first use the MENU [▲] and [▼] buttons to move the
triangular indicator in the display next to “MIDI”, then use the SUB MENU [▲] and
[▼] buttons to select the desired function from within the MIDI menu. When a
function is selected the current setting will appear on the top line of the display. Once
the function has been selected, use the [–] and [+] buttons (or number buttons, where
applicable) to set the function as required.

MIDI

01 Tr.Ch

DIGITAL
EFFECT
OVERALL

67

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MIDI Functions

■ Transmit Channel & Transmit Track

The PSR-330 can simultaneously transmit data on all 16 MIDI channels. The
Transmit Channel and Transmit Track functions determine what PSR-330 data is
transmitted via which MIDI channels.

● Transmit Channel
The “Tr.Ch” function selects a MIDI channel to which a PSR-330 track can be
assigned via the Transmit Track function, below. First select a transmit channel,
then the transmit track for that channel. Different tracks can be assigned to each of
the 16 MIDI channels. Any of the standard MIDI channels - 1 through 16 — can
be specified.

01 Tr.Ch
● Transmit Track
The “Tr.Trk” function selects the track to be transmitted via the transmit channel
specified by the Transmit Channel function, above. The available settings are as
follows:

r1 Tr.Trk
~r1

68

R1 keyboard voice.

~r2

R2 keyboard voice

~~L

L keyboard voice.

rH1

Auto accompaniment rhythm 1 track data.

rH2

Auto accompaniment rhythm 2 track data.

bAS

Auto accompaniment bass track data.

CH1

Auto accompaniment chord 1 track data.

CH2

Auto accompaniment chord 2 track data.

PAd

Auto accompaniment pad track data.

PH1

Auto accompaniment phrase 1 track data.

PH2

Auto accompaniment phrase 2 track data.

oFF

No data transmitted.

• The initial default
channel/track settings
are:
Channel 1: R1 voice.
Channel 2: L voice
Channel 11: R2 voice.
All other channels:
OFF.
• When a track is assigned to more than
one MIDI channel, the
data from that track is
transmitted via the
lowest-numbered
channel.
• To avoid MIDI loops
which can cause operational errors, check
the PSR-330 Local
Control setting (page
70), and the MIDI
THRU settings of any
external MIDI devices.
• MIDI transmit track
settings will be retained even after turning the power off. See
page 80 for the details.

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MIDI Functions

■ Receive Channel & Receive Mode

The PSR-330 can simultaneously receive data on all 16 MIDI channels, allowing
it to function as a 16-channel multi-timbral tone generator. The Receive Channel and
Receive Mode functions determine how each channel will respond to received MIDI
data.

● Receive Channel
The “Rcv.Ch” function selects a MIDI channel to which a receive mode is to be
assigned via the Receive Mode function, below. First select a receive channel, then
the receive mode for that channel. Any of the standard MIDI channels — 1 through
16 — can be specified.

01 Rcv.Ch
● Receive Mode
The “Rcv.Mod” function specifies the receive mode for the channel selected via the
Receive Channel function, above. The receive mode settings are as follows:

nor Rcv.Mod
nor

“Normal”. Received MIDI data is sent directly to the PSR-330 tone
generator. If all channels are set to “nor”, the PSR-330 functions as a 16channel multi-timbral tone generator.

oFF

No MIDI data is received on channels set to “oFF”.

~rE

“Remote”. Received MIDI data is handled in the same way as data
generated by the PSR-330’s own keyboard. In other words, a remote
keyboard could be used to control the PSR-330 AUTO ACCOMPANIMENT functions, etc.

• MIDI receive mode
settings will be retained even after turning the power off. See
page 80 for the details.

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MIDI Functions

■ Local Control

“Local Control” refers to the fact that, normally, the PSR-330 keyboard controls the
internal tone generator, allowing the internal voices to be played directly from the
keyboard. This situation is “Local Control on” since the internal tone generator is
controlled locally by its own keyboard. Local control can be turned off, however, so
that the keyboard does not play the internal voices, but the appropriate MIDI
information is still transmitted via the MIDI OUT connector when notes are played on
the keyboard. At the same time, the internal tone generator can respond to MIDI
information received on channels set to the “nor” (normal) mode via the MIDI IN
connector. This means that while an external MIDI sequencer, for example, plays the
PSR-330 internal voices, an external tone generator can be played from the PSR-330
keyboard. The default Local Control setting is “on”.

on Local
■ Clock
Reception of an external MIDI clock signal can be enabled or disabled as required.
When disabled (“off”), all of the time-based functions (Auto Accompaniment, SONG
recording and playback, etc.) are controlled by its own internal clock. When MIDI
clock reception is enabled (“on”), however, all timing is controlled by an external
MIDI clock signal received via the MIDI IN terminal (in this case the PSR-330
TEMPO setting has no effect). The default setting is “off”.

oFF ExtClock

• Clock is “off” be default when the power
is initially turnd on.
• When Clock is turned
“on”, AUTO ACCOMPANIMENT playback
cannot be started or
stopped via the panel
[START/STOP] button, or started via the
synchro start function.
Also, the MULTI PAD
playback cannot be
initiated by pressing
the MULT PADs.

■ Bulk Data Send
This function causes the contents of the registration and song memories to be
transmitted via the MIDI OUT connector. This data can be saved to memory or disk
via a MIDI sequence recorder or MIDI data recorder, and then reloaded when required.
The bulk data can also be sent directly to a second PSR-330.
To send the bulk data select the “BlkSnd?” function, then press the [+] (YES)
button. “Sure?” will appear on the display. Press [+] (YES) again to begin transmission of the bulk data. “BkSnd:Rg” (registration data) and then “BkSnd:Sg” (song data)
will appear on the display during transmission. “End” will appear on the display
briefly when the transmission has finished.

YES BlkSnd?

Sure?
7

8

0

70

9

• A bulk dump transmission can be
stopped at any time
by pressing the [–]
(NO) button.
• No other operations
can be performed during bulk dump transmission.

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MIDI Functions

● Receiving Bulk Data

The PSR-330 will automatically receive compatible bulk data from an external
MIDI device as long as no auto accompaniment, multi pad, or song recording/
playback operation is in progress. “BkRcv” will appear on the display during
reception, then “End” will appear briefly when all data has been received.

BkRcv
End

• No other operations
can be performed during bulk dump reception.
• If an error is encountered during bulk data
reception, “Blk Err”
will appear on the display, and song and
registration memory
will be cleared.
• When a bulk dump is
received, the received
data replaces any
data that was previously in the PSR-330
memory.

■ Initial Data Send
Transmits all current panel settings to a second PSR-330 or a MIDI data storage
device. To send the initial data select the “InitSnd?” function, then press the [+] (YES)
button. “Sure?” will appear on the display. Press the [+] (YES) again to begin
transmission of the initial data.

YES InitSnd?

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Appendix
MENU
VOICE
STYLE
SONG

PSR-330 Display MENU/SUB MENU Structure

SUB MENU
FUNCTION
PAGE
ex
GrandPno (R1 voice name) ...................................... R1 voice selection. ................................... 15, 58
ex
8BtPop1 (Style name) ............................................... Accompaniment style selection. ............... 20, 60
ex
DancePop (Song name) ............................................ Song selection. ......................................... 12, 44

Measure ✩ ................................................................. Measure from which to start playback. ........... 46
MinusCh [MinusOne] ✩ .............................................. Minus-one channel setting. ............................ 47
A-b: Repeat

✩

.......................................................... Repeat playback setting. ................................ 49

SongClr? * ............................................................... Song clear. ..................................................... 54

CARTRIDGE
REGISTRATION MEMORY

MULTI PAD

TrkClr? * .................................................................. Track clear. ..................................................... 54
ex
StåLife (Song name) .............................................. Cartridge song selection. ................................ 56
Bank1 (Bank name) .................................................... Registration bank selection. ........................... 39
REGISTRATION MEMORY Button
ex
Funky (Multi Pad set name) ........................................ Multi Pad set selection. .................................. 41
MULTI PAD STOP Button

Pad1Chd .................................................................... Chord match on/off selection (pad 1) ............. 42
Pad2Chd .................................................................... Chord match on/off selection (pad 2) ............. 42
Pad3Chd .................................................................... Chord match on/off selection (pad 3) ............. 42
Pad4Chd .................................................................... Chord match on/off selection (pad 4) ............. 42
MIDI

Tr.Ch .......................................................................... Transmit channel selection. ............................ 68
Tr.Trk ....................................................................... Transmit track selection. ................................ 68
Rcv.Ch ....................................................................... Receive channel selection. ............................. 69
Rcv.Mod .................................................................... Receive mode selection. ................................ 69
Local .......................................................................... Local on/off selection. ..................................... 70
ExtClock ................................................................. External/internal clock selection. .................... 70
BlkSnd? .................................................................... Bulk dump transmission. ................................ 70

DIGITAL EFFECT

InitSnd? ................................................................. Initial panel setting transmission. ................... 71
ex
Hall1 [Reverb] (Reverb type name) .......................... Reverb type selection. .................................... 34
REVERB Button
ex
Duet [Harmony] (Harmony type name) ....................... Harmony type selection. ................................. 36
HARMONY Button
HarmVol .................................................................... Harmony volume setting. ................................ 37

OVERALL

TouchSns ................................................................. Touch sensitivity setting. ................................ 64
Tuning ....................................................................... Overall tuning. ................................................ 64
SC.Note .................................................................... Scale tuning (note) setting. ............................. 64
SC.Tune .................................................................... Scale tuning (tune) setting. ............................. 64
Metronom ................................................................. Metronome on/off selection. ........................... 65
S.Split .................................................................... Split mode split point selection. ...................... 18
AccSpPnt ................................................................. Auto accompaniment split point selection. ..... 27
FngrngMd

AUTO ACCOMPANIMENT ......... Fingering mode selection. .............................. 28
ON/OFF Button

VoiceSet ................................................................. Voice set on/off selection. .............................. 65

• Sub-menu items with a “

* ” appear only when the record mode is engaged.

• Sub-menu items with a “

✩

” appear only when the record mode is not engaged.

• Sub-menu items with “
” have shortcut access (press and hold the specified button for a few seconds to
jump directly to the associated sub-menu function). In addition to the shortuts listed above, the [DUAL VOICE]
button can be held to jump to the R2 voice revoice function, and the [SPLIT VOICE] button can be held to jump
to the L voice revoice function.

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Troubleshooting

Something not working as it should? In many cases what appears to be a malfunction can
be traced to a simple error that can be remedied immediately. Before assuming that your PSR330 is faulty, please check the following points.
PROBLEM
The speakers produce a “pop” sound whenever the power is
turned ON or OFF.

POSSIBLE CAUSE/SOLUTION
This is normal and is no cause for alarm.

The volume is reduced or the sound is distorted.
The registration memory doesn’t work properly.
Recorded song data will not play back properly.

The batteries probably need to be replaced. Either replace all six
batteries, or use an AC power adaptor.

The display goes bland and all panel controls are reset.

No sound when the keyboard is played.

Not all simultaneously-played notes sound.
Auto Accompaniment seems to “skip” when the keyboard is
played.
Auto Accompaniment doesn’t sound when started.

The R1/R2/L voice volume settings could be set too low. Make
sure the voice volumes are set at appropriate levels (page 58).
The Local Control function could be turned off. Make sure Local
Control is turned on (page 70).
You are probably exceeding the maximum polyphony of the
PSR-330. The PSR-330 can play up to 31 notes at the same
time — including split, dual, auto-accompaniment, song, and
multi pad notes. Notes exceeding this limit will not sound.
The MIDI Clock mode may be set to “on”. Make sure it is turned
“off” (page 70).
Make sure that all accompaniment tracks are turned on, and that
the they are all set to appropriate volume levels.

Auto accompaniment won’t function properly. No lower keyboard sound.

Make sure you are using fingerings recognized by the selected
fingering mode, and are playing in the Auto Accompaniment
section of the keyboard.
Are you sure you’re playing in the Auto-Accompaniment section
of the keyboard? Make sure that the Auto Accompaniment split
point is set appropriately (page 27).
Are you playing chords that the PSR-330 can recognize (see
chord types on page 29~)?

The Harmony function will not turn on.

Harmony cannot be turned on when the FULL KEYBOARD
fingering mode is selected or if a percussion kit voice is selected.
Select an appropriate fingering mode or voice.

Certain notes sound at the wrong pitch.

Make sure that the scale tuning value for those notes is set to “0”
(page 64).

A cartridge style or song cannot be selected or will not play
properly.

Make sure that an appropriate Yamaha Music Cartridge is
properly plugged into the cartridge slot (page 55), or the cartridge contacts are dirty. Try re-inserting the cartridge. If the
contacts are dirty removing and inserting the cartridge several
times will sometimes solve the problem. If this doesn’t work, try
wiping the cartridge connectors carefully with a soft, dry cloth.

Operation of the sustain pedal is reversed.

Sustain pedal operation will be reversed if you turn on the power
or plug in the pedal while pressing the pedal. For normal
operation turn off the power then turn it back on while the pedal
is not pressed.

Individual registration or song memory data transmitted via bulk
dump from an external sequencer or other device is not received
by the PSR-330.

Transmit the data with no more than a 2-second break between
blocks, or transmit as entirely separate data.

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Voice List

■ Maximum Polyphony

The PSR-330 has 31-note maximum polyphony. This means that it play a
maximum of up to 31 notes at once, regardless of what functions are used.
Auto Accompaniment uses a number of the available notes, so when Auto
Accompaniment is used the total number of notes that can be played on the
keyboard is correspondingly reduced. The same applies to the Dual Voice,
Split Voice, Multi Pad, and Song functions. Furthermore, some of the PSR330 voices actually use two notes, thus reducing the total number of notes that
can be played. The number of notes used by each voice are listed in the voice
list, below.
When the maximum 31-note polyphony of the PSR-330 is exceeded, notes
are played using last-note priority.

• The Voice List includes MIDI program numbers for each voice. Use
these program numbers when playing the PSR-330 via MIDI from an
external device.
• The following voices use only one
note outside the specified ranges:
95, 246 (Bagpipe) : above A# 2.
182 (Pizzicato strings) :
below C# 2 and above F5.

• When a voice number between 127
and 264 is selected using the corresponding bank select (MSB No./LSB
No.) and MIDI program number, the
PSR-330’s GM voice set is selected.

Panel Voice List
MIDI
Voice Bank Select
Number MSB LSB Program
Number

74

001
002
003
004
005
006
007
008
009
010
011

0
0
0
0
0
0
0
0
0
0
0

112
112
112
112
112
113
114
112
113
112
112

0
3
4
5
2
5
5
6
6
7
8

012
013
014
015
016
017
018
019
020
021

0
0
0
0
0
0
0
0
0
0

112
112
112
112
112
112
112
112
112
112

11
12
13
14
47
15
114
10
108
112

022
023
024
025
026
027
028
029
030
031
032
033
034

0
0
0
0
0
0
0
0
0
0
0
0
0

112
113
112
113
112
113
114
115
112
112
112
113
112

17
17
16
16
18
18
16
16
19
20
21
21
23

Voice Name

PIANO
Grand Piano
Honky-tonk Piano
Funky Electric Piano
DX Electric Piano
MIDI Grand Piano
Hyper Electric Piano
Bell Electric Piano
Harpsichord
Harpsichord Coupled
Clavi
Celesta
MALLETS
Vibraphone
Marimba
Xylophone
Tubular Bells
Timpani
Dulcimer
Steel Drums
Music Box
Kalimba
Tinkle Bell
ORGAN
Jazz Organ 1
Jazz Organ 2
Jazz Organ 3
Full Organ
Rock Organ 1
Rock Organ 2
16'+2' Organ
16'+4' Organ
Church Organ
Reed Organ
Musette Accordion
Traditional Accordion
Bandoneon

Number
of Notes
Used
1
2
2
2
2
2
2
1
2
1
1
1
1
1
1
1
2
2
2
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2

MIDI
Voice Bank Select
Voice Name
Number MSB LSB Program
Number
GUITAR
035
0
112
24
Classical Guitar
036
0
112
25
Folk Guitar
037
0
113
25
12Strings Guitar
038
0
112
26
Jazz Guitar
039
0
113
26
Octave Guitar
040
0
112
27
Clean Guitar
041
0
112
28
Muted Guitar
042
0
112
31
Guitar Harmonics
043
0
112
29
Overdriven Guitar
044
0
112
30
Distortion Guitar
BASS
045
0
112
32
Acoustic Bass
046
0
112
33
Finger Bass
047
0
112
35
Fretless Bass
048
0
112
36
Slap Bass
049
0
112
38
Synth Bass 1
050
0
112
39
Synth Bass 2
ENSEMBLE
051
0
112
48
Strings
052
0
112
49
Chamber Strings
053
0
112
51
Synth Strings
054
0
113
49
Slow Strings
055
0
112
44
Tremolo Strings
056
0
114
49
Violin+Strings
057
0
112
45
Pizzicato Strings
058
0
113
52
Choir
059
0
112
52
Choir Aahs
060
0
112
53
Choir Oohs
061
0
112
54
Synth Choir
062
0
112
55
Orchestra Hit
STRINGS
063
0
112
40
Violin
064
0
112
42
Cello
065
0
112
43
Contrabass
066
0
112
105
Banjo
067
0
112
106
Shamisen

Number
of Notes
Used
1
1
2
2
2
2
1
1
2
2
1
1
1
1
2
2
2
2
2
2
2
2
1
2
2
2
2
2
1
1
1
1
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Voice List

MIDI
Voice Bank Select
Voice Name
Number MSB LSB Program
Number
068
0
112
107
Koto
069
0
112
46
Harp
070
0
112
104
Sitar
BRASS
071
0
112
56
Trumpet
072
0
112
59
Muted Trumpet
073
0
112
57
Trombone
074
0
113
57
Trombone Section
075
0
112
60
French Horn
076
0
112
58
Tuba
077
0
112
61
Brass Section
078
0
113
61
Brass+Sax
079
0
114
61
Brass+Trombone
080
0
115
61
Brass+Trumpet
081
0
112
62
Synth Brass 1
082
0
113
63
Synth Brass 2
REED
083
084
085
086
087
088
089
090
091
092
093
094
095

0
0
0
0
0
0
0
0
0
0
0
0
0

112
112
112
112
113
114
112
112
112
112
112
112
112

096
097
098
099
100
101
102
103

0
0
0
0
0
0
0
0

112
112
112
112
112
112
112
112

104
105
106
107
108
109

0
0
0
0
0
0

112
112
112
112
112
113

110
111
112
113
114

0
0
0
0
0

112
113
112
112
114

64
65
66
67
66
66
68
69
70
71
22
111
109

Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Sax+Clarinet
Sax+Trombone
Oboe
English Horn
Bassoon
Clarinet
Harmonica
Shanai
Bagpipe
PIPE
72
Piccolo
73
Flute
75
Pan Flute
74
Recorder
76
Blown Bottle
77
Shakuhachi
78
Whistle
79
Ocarina
SYNTH LEAD
80
Square Lead
81
Sawtooth Lead
85
Voice Lead
98
Crystal
100
Brightness
81
Analog Lead
SYNTH PAD
88
Fantasia
100
Bell Pad
89
Xenon Pad
91
Angels
81
Dark Moon

Number
of Notes
Used
1
2
2
1
1
1
2
1
1
2
2
2
2
2
2
1
1
1
1
2
2
1
1
1
1
1
1
2

MIDI
Voice Bank Select
Voice Name
Number MSB LSB Program
Number
PERCUSSIVE
115
0
112
113
Agogo
116
0
112
115
Woodblock
117
0
112
116
Taiko Drum
118
0
112
117
Melodic Tom
119
0
112
118
Synth Drum
120
0
112
119
Reverse Cymbal
SOUND EFFECTS
121
0
112
122
Seashore
122
0
112
123
Bird Tweet
123
0
112
124
Telephone Ring
124
0
112
125
Helicopter
125
0
112
126
Applause
126
0
112
127
Gunshot
DRUM KITS
127
127
0
0
Standard Kit 1
128
127
0
1
Standard Kit 2
129
130
131
132
133
134
135
136

127
127
127
127
127
127
127
127

0
0
0
0
0
0
0
0

8
16
24
25
27
32
40
48

Room Kit
Rock Kit
Electronic Kit
Analog Kit
Dance Kit
Jazz Kit
Brush Kit
Classic Kit

Number
of Notes
Used
1
1
1
1
1
1
2
2
1
2
2
1
1
1
1
1
1
1
1
1
1
1

1
1
1
1
2
1
1
1
2
2
2
2
2
2
2
2
2
2
2

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Voice List

MIDI
Voice Bank Select
Number MSB LSB Program
Number

76

Voice Name

Piano
0
Acoustic Grand Piano
1
Bright Acoustic Piano
2
Electric Grand Piano
3
Honky-tonk Piano
4
Electric Piano 1
5
Electric Piano 2
6
Harpsichord
7
Clavi
Chromatic Percussion
8
Celesta
9
Glockenspiel
10
Music Box
11
Vibraphone
12
Marimba
13
Xylophone
14
Tubular Bells

137
138
139
140
141
142
143
144

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

145
146
147
148
149
150
151

0
0
0
0
0
0
0

0
0
0
0
0
0
0

152

0

0

15

153
154
155
156
157
158
159
160

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

16
17
18
19
20
21
22
23

161
162
163
164
165
166
167
168

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

24
25
26
27
28
29
30
31

169
170
171
172
173
174
175
176

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

32
33
34
35
36
37
38
39

177
178
179
180
181
182
183
184

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

40
41
42
43
44
45
46
47

Dulcimer
Organ
Drawbar Organ
Percussive Organ
Rock Organ
Church Organ
Reed Organ
Accordion
Harmonica
Bandoneon
Guitar
Acoustic Guitar (nylon)
Acoustic Guitar (steel)
Electric Guitar (jazz)
Electric Guitar (clean)
Electric Guitar (muted)
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Bass
Acoustic Bass
Electric Bass (finger)
Electric Bass (pick)
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Strings
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani

Number
of Notes
Used
1
1
2
2
2
2
1
1
1
1
2
1
1
1
1

MIDI
Voice Bank Select
Voice Name
Number MSB LSB Program
Number
Ensemble
185
0
0
48
Strings Ensemble 1
186
0
0
49
Strings Ensemble 2
187
0
0
50
Synth Strings 1
188
0
0
51
Synth Strings 2
189
0
0
52
Choir Aahs
190
0
0
53
Voice Oohs
191
0
0
54
Synth Voice
192
0
0
55
Orchestra Hit
Brass
193
0
0
56
Trumpet
194
0
0
57
Trombone
195
0
0
58
Tuba
196
0
0
59
Muted Trumpet
197
0
0
60
French Horn
198
0
0
61
Brass Section
199
0
0
62
Synth Brass 1

2

200

0

0

63

2
2
2
2
1
2
1
2

201
202
203
204
205
206

0
0
0
0
0
0

0
0
0
0
0
0

64
65
66
67
68
69

207
208

0
0

0
0

70
71

1
1
1
2
1
1
1
1

209
210
211
212
213
214
215
216

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

72
73
74
75
76
77
78
79

1
1
1
1
1
1
1
1

217
218
219
220
221
222
223
224

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

80
81
82
83
84
85
86
87

1
1
1
1
2
2
1
1

225
226
227
228
229
230
231
232

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

88
89
90
91
92
93
94
95

Synth Brass 2
Reed
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Pipe
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Synth Lead
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (chiff)
Lead 5 (charang)
Lead 6 (voice)
Lead 7 (fifth)
Lead 8 (bass+Lead )
Synth Pad
Pad 1 (new age)
Pad 2 (warm)
Pad 3 (polysynth)
Pad 4 (choir)
Pad 5 (bowed)
Pad 6 (metallic)
Pad 7 (halo)
Pad 8 (sweep)

Number
of Notes
Used
1
1
2
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2

¢¢¢¢¢¢¢¢¢¢¢¢¢¢
QQQQQQQQQQQQQQ
,,,,,,,,,,,,,,
Voice List

MIDI
Voice Bank Select
Voice Name
Number MSB LSB Program
Number
Synth Effects
233
0
0
96
FX 1 (rain)
234
0
0
97
FX 2 (soundtrack)
235
0
0
98
FX 3 (crystal)
236
0
0
99
FX 4 (atmosphere)
237
0
0
100
FX 5 (brightness)
238
0
0
101
FX 6 (goblins)
239
0
0
102
FX 7 (echoes)
240
0
0
103
FX 8 (sci-fi)
Ethnic
241
0
0
104
Sitar
242
0
0
105
Banjo
243
0
0
106
Shamisen
244
0
0
107
Koto
245
0
0
108
Kalimba
246
0
0
109
Bagpipe
247
0
0
110
Fiddle
248

0

0

249
250
251
252
253
254

0
0
0
0
0
0

0
0
0
0
0
0

255
256

0
0

0
0

257
258
259
260
261
262
263
264

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

111

Shanai
Percussive
112
Tinkle Bell
113
Agogo
114
Steel Drums
115
Woodblock
116
Taiko Drum
117
Melodic Tom
118
Synth Drum
119
Reverse Cymbal
Sound Effects
120
Guitar Fret Noise
121
Breath Noise
122
Seashore
123
Bird Tweet
124
Telephone Ring
125
Helicopter
126
Applause
127
Gunshot

Number
of Notes
Used
2
2
2
2
2
2
2
2
1
1
1
1
1
2
1
1
2
1
2
1
1
1
1
1
1
1
2
2
1
2
2
1

77

¢¢¢¢¢¢¢¢¢¢¢¢¢¢
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Drum Kit List

• “<——” indicates that the drum kit is the same as “127: Standard Kit”.
• Each percussion voice uses one note.
• The MIDI Note # and Note actually sound one octave lower than listed.
For example, in “127: Standard kit”, the “Seq Click” (Note# 36/Note C1)
corresponds to (Note# 24/Note C0).
• Voices with the same Alternate Note Number (*1 … 2) cannot be played
simultaneously.

Voice#
Bank MSB#
Bank LSB#
Program#
Keyboard
Note#
Note
36
C1
37
C#1
38
D1
39
D#1
40
E1
41
F1
42
F#1
43
G1
44
G#1
45
A1
46
A#1
47
B1
48
C2
49
C#2
50
D2
51
D#2
52
E2
53
F2
54
F#2 *1
55
G2
56
G#2 *1
57
A2
58
A#2 *1
59
B2
60
C3
61
C#3
62
D3
63
D#3
64
E3
65
F3
66
F#3
67
G3
68
G#3
69
A3
70
A#3
71
B3
72
C4
73
C#4
74
D4
75
D#4
76
E4
77
F4
78
F#4
79
G4
80
G#4
81
A4
82
A#4
83
B4
84
C5
85
C#5
86
D5
87
D#5
88
E5
89
F5
90
F#5
91
G5
92
G#5 *2
93
A5 *2
94
A#5
95
B5
96
C6

78

127
127
0
0
Standard Kit 1
Seq Click
Brush Tap
Brush Swirl
Brush Slap
Brush Swirl W/Attack
Snare Roll
Castanet
Snare L
Sticks
Bass Drum L
Open Rim Shot
Bass Drum M
Bass Drum H
Side Stick
Snare M
Hand Clap
Snare H
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bell
Bell Tree

128
127
0
1
Standard Kit 2
<——
<——
<——
<——
<——
<——
<——
Snare L 2
<——
Bass Drum L2
<——
<——
Bass Drum H 2
<——
Snare M 2
<——
Snare H 2
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——

129
127
0
8
Room Kit
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Room Tom 1
<——
Room Tom 2
<——
Room Tom 3
<——
Room Tom 4
Room Tom 5
<——
Room Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——

130
127
0
16
Rock Kit
<——
<——
<——
<——
<——
<——
<——
SD Rock M
<——
Bass Drum L3
<——
Bass Drum H 3
BD Rock
<——
SD Rock L
<——
SD Rock Rim
Room Tom 1
<——
Room Tom 2
<——
Room Tom 3
<——
Room Tom 4
Room Tom 5
<——
Room Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——

131
127
0
24
Electronic Kit
<——
<——
<——
<——
Reverse Cymbal
<——
Hi Q
Snare M 3
<——
Bass Drum H 4
<——
BD Rock 2
BD Rock 3
<——
SD Rock M
<——
SD Rock H
E Tom 1
<——
E Tom 2
<——
E Tom 3
<——
E Tom 4
E Tom 5
<——
E Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Scratch Push
Scratch Pull
<——
<——
<——
<——
<——

¢¢¢¢¢¢¢¢¢¢¢¢¢¢
QQQQQQQQQQQQQQ
,,,,,,,,,,,,,,
Drum Kit List

Voice#
Bank MSB#
Bank LSB#
Program#
Keyboard
Note#
Note
36
C1
37
C#1
38
D1
39
D#1
40
E1
41
F1
42
F#1
43
G1
44
G#1
45
A1
46
A#1
47
B1
48
C2
49
C#2
50
D2
51
D#2
52
E2
53
F2
54
F#2 *1
55
G2
56
G#2 *1
57
A2
58
A#2 *1
59
B2
60
C3
61
C#3
62
D3
63
D#3
64
E3
65
F3
66
F#3
67
G3
68
G#3
69
A3
70
A#3
71
B3
72
C4
73
C#4
74
D4
75
D#4
76
E4
77
F4
78
F#4
79
G4
80
G#4
81
A4
82
A#4
83
B4
84
C5
85
C#5
86
D5
87
D#5
88
E5
89
F5
90
F#5
91
G5
92
G#5 *2
93
A5 *2
94
A#5
95
B5
96
C6

132
127
0
25

133
127
0
27

Analog Kit

Dance Kit

<——
<——
<——
<——
Reverse Cymbal
<——
Hi Q
SD Rock H
<——
Bass Drum H 5
<——
BD Analog 1 L
BD Analog 1 H
Analog Side Stick
SD Analog 1 H
<——
SD Analog 1 L
Analog Tom 1
Analog HH 1 Closed
Analog Tom 2
Analog HH 2 Closed
Analog Tom 3
Analog HH 1 Open
Analog Tom 4
Analog Tom 5
Analog Cymbal
Analog Tom 6
<——
<——
<——
<——
<——
Analog Cowbell
<——
<——
<——
<——
<——
Analog Conga H
Analog Conga M
Analog Conga L
<——
<——
<——
<——
<——
Analog Maracas
<——
<——
<——
<——
Analog Claves
<——
<——
Scratch Push
Scratch Pull
<——
<——
<——
<——
<——

<——
<——
<——
<——
Reverse Cymbal
<——
Hi Q
SD Analog 2
<——
BD Analog 2
SD Analog Open Rim
BD Analog 3
BD Analog 4
Analog Side Stick
SD Analog 3
<——
SD Analog 4
Analog Tom 1
Analog HH 3 Closed
Analog Tom 2
Analog HH 4 Closed
Analog Tom 3
Analog HH 3 Open
Analog Tom 4
Analog Tom 5
Analog Cymbal
Analog Tom 6
<——
<——
<——
<——
<——
Analog Cowbell
<——
<——
<——
<——
<——
Analog Conga H
Analog Conga M
Analog Conga L
<——
<——
<——
<——
<——
Analog Maracas
<——
<——
<——
<——
Analog Claves
<——
<——
Scratch Push
Scratch Pull
<——
<——
<——
<——
<——

134
127
0
32
Jazz Kit
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
SD Jazz Open Rim
<——
BD Jazz
<——
SD Jazz L
<——
SD Jazz H
Jazz Tom 1
<——
Jazz Tom 2
<——
Jazz Tom 3
<——
Jazz Tom 4
Jazz Tom 5
<——
Jazz Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——

135
127
0
40
Brush Kit
<——
<——
<——
<——
<——
<——
<——
Brush Slap L
<——
<——
SD Jazz Open Rim
<——
BD Jazz
<——
Brush Slap H
<——
Brush Tap
Brush Tom 1
<——
Brush Tom 2
<——
Brush Tom 3
<——
Brush Tom 4
Brush Tom 5
<——
Brush Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——

136
127
0
48
Classic Kit
<——
<——
<——
<——
<——
<——
<——
<——
<——
Bass Drum L2
<——
Gran Casa
Gran Casa Mute
<——
Marching SD M
<——
Marching SD H
Jazz Tom 1
<——
Jazz Tom 2
<——
Jazz Tom 3
<——
Jazz Tom 4
Jazz Tom 5
Hand Cym.L Open
Jazz Tom 6
Hand Cym. L Closed
<——
<——
<——
<——
<——
Hand Cym. H Open
<——
Hand Cym. H Closed
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——

79

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Data Backup & Initialization

■ Data Backup

Except for the data listed below, all PSR-330 panel settings are reset to their initial
settings whenever the power is turned on.
• Registration Memory
• User Song Data
• MIDI Transmit Settings
• MIDI Receive Settings

The data listed above can be backed up — i.e. retained in memory — as long as a
working set of batteries is installed and you keep the following Off/On procedure.
z Turn the power OFF by pressing the [STAND BY/ON] switch.
x Unplug the DC output cable of the PA-5, PA-5B, or PA-5C from the DC IN 10-12V
jack on the rear panel of the PSR-330.
c Then unplug the PA-5, PA-5B, or PA-5C Power Adaptor from the wall AC outlet.
When turning the power ON, simply reverse the procedure.

■ Data Initialization
All data can be initialized and restored to the factory preset condition by turning on the
power while holding the highest (rightmost) white key on the keyboard. “CLr BackUp”
will appear briefly on the display.
POWER
ON /

OFF

CLr Backup

80

• All registration and
song memory data,
plus the other settings listed above,
will be erased and/or
changed when the
data initialization
procedure is carried
out.
• Carrying out the
data initialization
procedure will usually restore normal
operation if the PSR330 freezes or begins to act erratically for any reason.

¢¢¢¢¢¢¢¢¢¢¢¢¢
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MIDI Implementation Chart

[Portable Keyboard]
Model: PSR-330

MIDI Implementation Chart

Function

Basic
Default
Channel Changed

Transmitted

Recognized

1~16 CH
1~16 CH

1~16 CH (*0)
1~16 CH (*0)

Default
Messages
Altered

Mode 3
X
*****

(*0)
X
X

: True voice

0~127
*****

0~127
0~127

Velocity

Note on
Note off

O 9nH, v=1~127
X 9nH, v=0

O 9nH, v=1~127
X 9nH, v=0 or 8nH

After
Touch

key’s
Ch’s

X
X

X
X

O

O

O (*1)
O
O
O
O
O
O
X
O
O
X
X
O (*2)
O
X

O (*1)
O
O
O
O
O
O
O
O
O
O
O
O (*2)
O
O (*3)

Program
Change : True #

O 0~127
*****

O 0~127
0~127

System Exclusive

O (*4)

O (*4)

System

: Song Position
: Song Select
Common : Tune

X
X
X

X
X
X

System : Clock
Real Time : Commands

O
O (*6)

O (*5)
O (*6)

Aux

X
X
O
X

X
O
O
X

Mode

Note
Number

Pitch Bender
Control Change

0, 32
1
6, 38
7
10
11
64
66
84
91
96
97
100, 101
120
121

: Local ON/OFF
: All Notes Off
Messages : Active Sense
: Reset
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO

Date: 1997. 1. 31
Version: 1.0

Remarks

Bank select MSB, LSB
Modulation depth
Data entry MSB, LSB
Volume
Pan
Expression
Sustain
Sostenuto
Portamento control
Reverb depth
RPN Data increment
RPN Data decrement
RPN LSB, MSB
All sound off
Reset all controllers

O : Yes
X : No

81

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MIDI Implementation Chart
*0

By default (factory settings) the PSR-330 ordinarily functions as a
16 channel multi-timbral tone generator. The Remote Channel can
be designated with the panel settings. The designated channel can
be controlled in the same manner as the PSR-330’s keyboard ON/
OFF control. The following messages can be received by the
designated channel in this mode. All other messages will be
ignored.


Resist Memory
F0H, 43H, 73H, 4CH, 06H, 09H, 0nH, 0nH, 0nH, 0nH, [DATA],
sum, F7H
0nH, 0nH, 0nH, 0nH : Data length (nnnnH Byte)
sum
: Check Sum

• Note ON
• Note OFF
• Control change : Bank select MSB, LSB
Volume
Pan
Sustain
Reverb depth
All sound off
Reset all controller
• Program change
• Exclusive

*1

BANK SELECT
• The bank select MSB is used for melody and rhythm voice
switching.
(MSB 00H: Melody Voice/MSB 7FH: Rhythm Voice)
• Refer to the Voice List for details on LSB.

*2

RPN transmission/reception
Pitch bend Sensitivity
Fine Tune
Course Tune
Null

*3

*4

User Song Data
F0H, 43H, 73H, 4CH, 06H, 0AH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH,
[DATA], sum, F7H
0nH, 0nH, 0nH, 0nH, 0nH, 0nH : Data length (nnnnnnH Byte)
sum
: Check Sum
 F0H, 43H, 7EH, 00H, ss, dd, F7H
• This message is related to the SW section operation.
ss : 00H-07H
INTRO
08H
MAIN A
09H-0FH
MAIN B
10H
FILL IN AA
11H-17H
FILL IN BB
18H
FILL IN AB
19H-1FH
FILL IN BA
20H-27H
ENDING
dd : Switch ON/OFF
7FH (ON)/ 00H (OFF)
 F0H, 43H, 6nH, xx, F7H
• This message controls the Start/Stop for the Style. (received
only)

BnH, 64H, 00H, 65, 00H
BnH, 64H, 01H, 65, 00H
BnH, 64H, 02H, 65, 00H
BnH, 64H, 7FH, 65, 00H

n : Ignores the Device Number.
xx : 7A= Reset Start, 7D= Stop & Rewind
 F0H, 43H, 7EH, 01H, tt, tt, tt, tt, F7H
• This message is used to change the Tempo Value.
tt, tt, tt, tt : Tempo Data

Pitch Bend, modulation, expression, sustain, sostenuto and RPN
are returned to their default values. Also, resets the portamento
control.

 (Received Only)
F0H, 43H, 73H, 01H, 02H, F7H (Internal Clock)
F0H, 43H, 73H, 01H, 03H, F7H (External Clock)
• This message controls the Clock Mode of the Style.

EXCLUSIVE
 F0H, 7EH, 7FH, 09H, 01H, F7H
• All parameters except MIDI Master Tuning settings are reset to
their default values.

 (Received Only)
F0H, 43H, 1nH, 4CH, 00H, 00H, 7EH, 00H, F7H
n : ignores the Device Number.
• All parameters except MIDI Master Tuning are reset to their
default values.
• Remote Channel setting is canceled.
• This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.

 F0H, 43H, 73H, 01H, 14H, F7H
 F0H, 43H, 73H, 01H, 13H, F7H
 F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
• Allows the volume of all channels to be changed simultaneously. (Universal System Exclusive)
• “mm” is used as the MIDI Master Volume value (“ll” is ignored).
• The relationship between the MIDI Master Volume value and
the real volume is the same as the Control Change Master
Volume.
• The default value for “mm” is 7FH.


F0H, 43H, 1nH, 4CH, aaH, bbH, ccH, ddH, ..., F7H
n:
Device number is ignored.
aa, bb, cc: address High, Mid, Low
dd:
data (successive transmission and reception are
possible within the amount of data shown in the
following Table-1)


F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H
• Simultaneously changes the tuning of all channels.
• “mm, ll” is used as the MIDI Master Tuning Value. The tuning
value is represented as follows:
T=M-128 (28<=M<=228)
T: Tuning Value (in cents)
M: is decimal value represented by 1-byte using bits 0..3 of
“mm” as the MSB and bits 0..3 of “ll” as the LSB.
• The default values for “mm” and “ll” are 08H, 00H. Also, n and
cc are recognized.
• This value is not reset by a GM System ON or Reset All
Controllers message.

82

• For more details refer to Table-1.
Caution: The PSR-330 corresponds to the XG parameters in
Table-1, but this is only a portion of XG parameters.
The PSR-330 does not completely correspond to the
XG format.

*5

It is possible to switch between the External and Internal Clocks.

*6

Start/Stop commands for the style can only be received when
External Clock is ON.

*7

All MIDI messages will be ignored when in the Song Mode.

¢¢¢¢¢¢¢¢¢¢¢¢¢
QQQQQQQQQQQQQ
,,,,,,,,,,,,,
MIDI Data Format

 Parameter Change
Address
(H)

Size
(H)

Data
(H)

SYSTEM

00 00 7E

1

00

EFFECT

02 01 00

2

00 — 7F
00 — 7F

REVERB TYPE MSB
REVERB TYPE LSB

MULTI PART

08
08
08
08
08
08
08
08
08
08
08
08

1
1
1
1
1
1
1
1
1
1
1
1

00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F
00 — 7F

SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING

nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn

41
42
43
44
45
46
47
48
49
4A
4B
4C

Parameter

Description

Default Value
(H)

Refer Table-2
Refer Table-2

01 (=HALL1)
00

XG SYSTEM ON

C
C#
D
D#
E
F
F#
G
G#
A
A#
B

–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent
–64 — +63 cent

40
40
40
40
40
40
40
40
40
40
40
40

 Effect map
LSB
MSB

00H

01H

00H

NO EFFECT

NO EFFECT

01H

HALL1

HALL2

02H

ROOM1

ROOM2

03H

HALL1

HALL2

04H

PLATE1

PLATE2

05H

DELAY1

DELAY2

06H

NO EFFECT

NO EFFECT

....

....

....

7FH

NO EFFECT

NO EFFECT

02H

......

7FH

Other than 00H, any LSB effect type that has no effect name in its corresponding part,
will be directed to the corresponding effect type of the MSB value and LSB 00H.

◆ GM System Level 1
The existing MIDI protocol allows performance and other data to be transferred between different
instruments, even if they are from different manufacturers. This means, for example, that sequence data that
was originally created to control a tone generator from manufacturer A can also be used to control a different
tone generator from manufacturer B. Since the voice allocation in different devices from different
manufacturers is usually different, however, appropriate program change data must be transmitted to select
the right voices.
The General MIDI protocol was developed to minimize confusion and the need for re-programming
when playing software created by one MIDI device on another. This has been achieved by defining a
standard voice allocation in which the same or similar voices are accessed by the same program change
numbers or MIDI channels. The current standard recognized by the International MIDI Association is
known as “GM System Level 1.” The PSR-330 voice allocation complies with the GM System Level 1
standard.

83

¢¢¢¢¢¢¢¢¢¢¢¢¢
QQQQQQQQQQQQQ
,,,,,,,,,,,,,
Specifications

Keyboards
• 61 standard-size keys (C1 — C6) with touch response.

Multi Pads
• 26 Multi Pad Sets
• 4 Pads + STOP

Display
• Large multi-function LCD display

Setup
• Power : ON/OFF
• Master Volume : MIN — MAX

Control & Number Buttons
• MENU ▲▼, VOICE, STYLE, SONG, CARTRIDGE,
SUB MENU ▲▼, [1] — [0], [+] (YES), [–] (NO)

Cartridge Slot
Demo
• 20 Songs

User Song
•
•
•
•
•
•
•

User Song : 2 Songs
Recording Tracks : ACCOMPANIMENT, MELODY 1 — 4
Song Clear, Track Clear
Song Volume
Minus One Practice (Minus One Channel Setting)
Repeat Play
Revoice : Volume, Octave, Pan, Reverb Send Level

MIDI
•
•
•
•
•
•

Transmit Settings
Receive Settings
Local Control
Clock
Bulk Data Send/Receive
Initial Data Send

Voice
• 126 Panel Voices +10 Drum Kits + 128 GM Voices
• Polyphony : 31
• Voice Set

Auxiliary Jacks

• R1/R2/L Voices
• Revoice : Volume, Octave, Pan, Reverb Send Level

Amplifiers

• Split Voice Mode
• Dual Voice Mode

Auto Accompaniment
• 100 Styles
• Auto Accompaniment ON/OFF
• Accompaniment Track : RHYTHM1/2, BASS, CHORD1/2,
PAD, PHRASE1/2
• Accompaniment Track Settings : ON/OFF
• Accompaniment Control : SYNC START, SYNC STOP,
START/STOP, INTRO,
MAIN A/B (AUTO FILL), ENDING
• Beat Indicator
• Accompaniment Volume
• Revoice : Volume, Pan, Reverb Send Level

• DC IN 10-12V, PHONES, SUSTAIN, MIDI IN/OUT

• 6.0W + 6.0W (when using PA-5B power adaptor)
• 5.5W + 5.5W (when using batteries)

Speakers
• 12cm (4-3/4”) x 2

Power Consumption
• 19 W (when using PA-5B AC power adaptor)

Batteries
• Six SUM-1, “D” size, R-20 or equivalent batteries

Rated Voltage
• DC 10-12V

Dimensions (W x D x H)
One Touch Setting
Overall Controls
•
•
•
•
•
•
•
•
•

Tempo : 32 — 280
Transpose
Touch Sensitivity
Master Tuning
Scale Tuning
Metronome
Split Voice Split Point
Accompaniment Split Point
Fingering Mode : SINGLE FINGER/FINGERED 1/FINGERED 2/
FULL KEYBOARD/MULTI-FINGER
• Voice Set

Digital Effect
• Reverb : 9 types
• Harmony : 25 types

Registration Memory
• 8 Regist Bank : 1 — 4
• Accompaniment Freeze

84

• 933 x 372 x 128 mm (36-3/4” x 14-2/3” x 5-1/16”)

Weight
• 5.9 kg (13 lbs.) excluding batteries

Supplied Accessories
• Music Cartridge
• Music Stand
• Owner’s Manual

Optional Accessories
•
•
•
•
•

Headphones
: HPE-150
AC Power Adaptor : PA-5, PA-5B, PA-5C
Foot Switch
: FC4, FC5
Keyboard Stand : L-6
Music Cartridge

* Specifications subject to change without notice.

¢¢¢¢¢¢¢¢¢¢¢¢¢
QQQQQQQQQQQQQ
,,,,,,,,,,,,,
Index

A

AC power adaptor ............................................................ 10
Accompaniment styles, cartridge ..................................... 57
Accompaniment tracks, song ........................................... 50
Auto accompaniment ....................................................... 20
Auto accompaniment on/off ............................................. 20
Auto Fill ............................................................................ 23

B

Bank, registration ............................................................. 39
Batteries ........................................................................... 10
Beat indicator ................................................................... 23
Bulk data receive ............................................................. 71
Bulk data send ................................................................. 70

C

Cartridge accompaniment styles ..................................... 57
Cartridge song playback .................................................. 56
Chord Match function ....................................................... 42
Chord types, auto accompaniment .................................. 30
Clock ................................................................................ 70
Connectors ...................................................................... 11
Contents ............................................................................ 3

D

Demonstration playback .................................................. 12
Digital Effect ..................................................................... 34
Display operation ............................................................... 6
Drum kit list ...................................................................... 78
Dual voice mode .............................................................. 17

E

Effects .............................................................................. 34
Ending, accompaniment .................................................. 24

F

Features ............................................................................. 2
Freeze (Accompaniment Freeze function) ....................... 40
Fill-in ................................................................................ 23
Fingered 1 fingering mode ............................................... 30
Fingered 2 fingering mode ............................................... 31
Fingering modes, accompaniment ................................... 28
Full Keyboard fingering mode .......................................... 31

G

GM System Level 1 ................................................... 14, 83

H

Harmony .......................................................................... 35

I

Icons .................................................................................. 6
Initial data send ................................................................ 71
Initialization (data backup) ............................................... 80
Intro, accompaniment ...................................................... 22

K

Keyboard percussion ....................................................... 17

L

Local control .................................................................... 70

M

Main A & Main B sections ................................................ 23
Master tuning ................................................................... 64
Measure, song play from specified .................................. 46
Melody tracks, clearing .................................................... 54
Melody tracks, song ......................................................... 50
Menu structure ................................................................. 72
Menus ................................................................................ 8
Metronome ....................................................................... 65
MIDI connectors ......................................................... 11, 66
MIDI data format .............................................................. 83
MIDI functions .................................................................. 66
MIDI implementation chart ............................................... 81

MIDI sequence recording ................................................. 67
Minus-one practice .......................................................... 47
Multi pad set selection ..................................................... 41
Multi Pads, playing ........................................................... 43
Multi-finger fingering mode .............................................. 32
Music cartridges, handling ............................................... 55
Music stand ........................................................................ 5

O

One touch setting ............................................................. 32
Overall functions .............................................................. 63

P

Panel controls .................................................................... 4
Phones jack ..................................................................... 11
Polyphony ........................................................................ 74
Power supply ................................................................... 10
Precautions ........................................................................ 1

R

R1, R2, & L voices ........................................................... 14
Receive channel & mode ................................................. 69
Record Ready Mode ........................................................ 51
Registration memory ........................................................ 39
Rehearsal mode .............................................................. 52
Repeat play ...................................................................... 49
Reverb ............................................................................. 34
Revoicing ......................................................................... 58

S

Scale tuning ..................................................................... 64
Shortcuts ............................................................................ 9
Single Finger fingering mode ........................................... 29
Song clear ........................................................................ 54
Song playback ................................................................. 44
Song playback, cartridge ................................................. 56
Song recording ................................................................ 50
Song, revoice ................................................................... 61
Specifications ................................................................... 84
Split point, auto accompaniment ................................ 23, 27
Split point, split voice ....................................................... 18
Split voice mode .............................................................. 18
Start modes, accompaniment .......................................... 22
Stop Accompaniment function ......................................... 32
Style selection .................................................................. 20
Style, revoice ................................................................... 60
Sustain jack ..................................................................... 11
Synchro Stop function ...................................................... 24
Synchronized start ........................................................... 22

T

Tempo, accompaniment ................................................... 21
Touch sensitivity ............................................................... 64
Track assignment, minus-one .......................................... 47
Track muting, accompaniment ......................................... 25
Transmit channel & track ................................................. 68
Transposition ................................................................... 38
Troubleshooting ............................................................... 73

V

Voice list ........................................................................... 74
Voice set .......................................................................... 65
Voice, revoice .................................................................. 58
Voices, about the ............................................................. 14
Voices, selecting & playing .............................................. 15
Volume control, accompaniment ...................................... 26
Volume control, song ....................................................... 45
Volume, harmony ............................................................. 37

85

Limited Warranty
90 DAYS LABOR

1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below,
that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in
the following series of products:

PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in
material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to
the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers
responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty
replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS.
ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS
LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY
EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance.
You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of
the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under
warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a
tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to
follow all safety precautions.

EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures
and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and
Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________

Serial #________________________________

Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________
(Retailer)

YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

For details of products, please contact your nearest Yamaha or the
authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha
ou au distributeur le plus proche de vous figurant dans la liste suivante.

NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311

U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011

CENTRAL & SOUTH AMERICA

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.

ASIA

ITALY
Yamaha Musica Italia S.P.A.,
Home Keyboard Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771

SPAIN
Yamaha-Hazen Electronica Musical, S.A.
Jorge Juan 30, 28001, Madrid, Spain
Tel: 91-577-7270

PORTUGAL
Valentim de Carvalho CI SA
Estrada de Porto Salvo, Paço de Arcos 2780 Oeiras,
Portugal
Tel: 01-443-3398/4030/1823

GREECE

MEXICO
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33

BRASIL
Yamaha Musical do Brasil LTDA.
Ave. Reboucas 2636, São Paulo, Brasil
Tel: 011-853-1377

Philippe Nakas S.A.
Navarinou Street 13, P.Code 10680, Athens, Greece
Tel: 01-364-7111

SWEDEN

Yamaha Music Argentina S.A.
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-371-7021

PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha de Panama S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: 507-269-5311

EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700

IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177

GERMANY/SWITZERLAND
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030

AUSTRIA
Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria
Tel: 01-60203900

THE NETHERLANDS
Yamaha Music Nederland
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands
Tel: 030-2828411

BELGIUM
Yamaha Music Belgium
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium
Tel: 02-7258220

FRANCE
Yamaha Musique France,
Division Claviers
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000

Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 730-1098

INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577

KOREA
Cosmos Corporation
#131-31, Neung-Dong, Sungdong-Ku, Seoul
Korea
Tel: 02-466-0021~5

MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
16-28, Jalan SS 2/72, Petaling Jaya, Selangor,
Malaysia
Tel: 3-717-8977

Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00

PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551

DENMARK

ARGENTINA

HONG KONG

YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00

SINGAPORE

FINLAND
Warner Music Finland OY/Fazer Music
Aleksanterinkatu 11, P.O. Box 260
SF-00101 Helsinki, Finland
Tel: 0435 011

NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70

Yamaha Music Asia Pte., Ltd.
Blk 202 Hougang, Street 21 #02-01,
Singapore 530202
Tel: 382-1922

TAIWAN
Yamaha KHS Music Co., Ltd.
10F, 150, Tun-Hwa Northroad,
Taipei, Taiwan, R.O.C.
Tel: 02-717-3812

THAILAND
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951

ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000

OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of
Germany
Tel: 04101-3030

THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2317

AFRICA

OCEANIA

Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2312

MIDDLE EAST

AUSTRALIA
Yamaha Music Australia Pty. Ltd.
17-33 Market Street, South Melbourne, Vic. 3205,
Australia
Tel: 3-699-2388

NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099

TURKEY/CYPRUS
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030

COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN

OTHER COUNTRIES
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2312

Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2317

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
[PK] 10

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-3273

M.D.G., EMI Division © 1997 Yamaha Corporation
VV67430 704PO?????-01A0 Printed in China



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