Yamaha PSR E363, EW300, YPT 360 Owner’s Manual E363 EW300 Owner's Psre363 En Om B0

User Manual: Yamaha PSR-E363 PSR-EW300 YPT-360 Owner's Manual

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Setting Up
Appendix

Reference

DIGITAL KEYBOARD

Before using the instrument, be sure to read
“PRECAUTIONS” on pages 5–7.

Owner’s Manual
EN

For this instrument

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not
recommended! If you must use an extension cord, the minimum
wire size for a 25’ cord (or less ) is 18 AWG. NOTE: The smaller
the AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended by Yamaha. If a
cart, etc., is used, please observe all safety markings and
instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right
to change or modify any of the specifications without notice or
obligation to update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound
levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level
that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches
are stable and any optional fixtures (where applicable) are well
secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No
other uses are recommended.

NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and
are therefore the owners responsibility. Please study this manual
carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:

92-BP (bottom)

Battery Notice:
This product MAY contain a small non-rechargeable battery
which (if applicable) is soldered in place. The average life span
of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended
for the battery being charged.
When installing batteries, never mix old batteries with new ones,
and never mix different types of batteries. Batteries MUST be
installed correctly. Mismatches or incorrect installation may
result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for
some reason its useful life is considered to be at an end, please
observe all local, state, and federal regulations that relate to the
disposal of products that contain lead, batteries, plastics, etc. If
your dealer is unable to assist you, please contact Yamaha
directly.

NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The
model number, serial number, power requirements, etc., are
located on this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided below
and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party :
Address :
Telephone :
Type of Equipment :
Model Name :

Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620
714-522-9011
Digital Keyboard
PSR-E363, PSR-EW300, YPT-360

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that
may cause undesired operation.
See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

2

(FCC DoC)

For AC adaptor and this instrument

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all
installation instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these requirements
provides a reasonable level of assurance that your use of this
product in a residential environment will not result in harmful
interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used
according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic
devices. Compliance with FCC regulations does not guarantee
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

that interference will not occur in all installations. If this product
is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected
by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change
the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to distribute
this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park,
CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
(class B)

3

The model number, serial number, power requirements, etc., may be found on or near the name
plate, which is at the bottom of the unit. You should
note this serial number in the space provided below
and retain this manual as a permanent record of
your purchase to aid identification in the event of
theft.

Model No.
Serial No.
(bottom_en_01)

For AC adaptor
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and (2) this device must accept any interference received, including
interference that may cause undesired operation.
CAN ICES-3 (B)/NMB-3(B)

(can_b_02)

Explanation of Graphical Symbols
CAUTIO N
RISK OF ELECTRIC SHOCK
DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS
1
2
3
4
5
6
7

Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand, tripod, bracket, or table specified
by the manufacturer, or sold with
the apparatus. When a cart is
used, use caution when moving
the cart/apparatus combination
to avoid injury from tip-over.
13 Unplug this apparatus during
lightning storms or when unused for long periods of
time.
14 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is
damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(UL60065_03)

4

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
For AC adaptor

WARNING

CAUTION

• This AC adaptor is designed for use with only Yamaha electronic
instruments. Do not use for any other purpose.
• Indoor use only. Do not use in any wet environments.

• When setting up, make sure that the AC outlet is easily
accessible. If some trouble or malfunction occurs, immediately
turn off the power switch of the instrument and disconnect the AC
adaptor from the outlet. When the AC adaptor is connected to the
AC outlet, keep in mind that electricity is flowing at the minimum
level, even if the power switch is turned off. When you are not
using the instrument for a long time, make sure to unplug the
power cord from the wall AC outlet.

For this instrument

WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or
even death from electrical shock, short-circuiting, damages, fire or other hazards. These
precautions include, but are not limited to, the following:

Power supply/AC adaptor

Water warning

• Do not place the power cord near heat sources such as heaters or
radiators. Also, do not excessively bend or otherwise damage the
cord, or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (page 77) only. Using the wrong
adaptor can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust
which may have accumulated on it.

• Do not expose the instrument to rain, use it near water or in damp
or wet conditions, or place on it any containers (such as vases,
bottles or glasses) containing liquids which might spill into any
openings. If any liquid such as water seeps into the instrument,
turn off the power immediately and unplug the power cord from
the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.

Fire warning
Do not open
• This instrument contains no user-serviceable parts. Do not open
the instrument or attempt to disassemble or modify the internal
components in any way. If it should appear to be malfunctioning,
discontinue use immediately and have it inspected by qualified
Yamaha service personnel.

• Do not put burning items, such as candles, on the unit. A burning
item may fall over and cause a fire.

Battery
• Follow the precautions below. Failure to do so might result in
explosion, fire, overheating or battery fluid leakage.
- Do not tamper with or disassemble batteries.
- Do not dispose of batteries in fire.

DMI-5

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

5

- Do not attempt to recharge batteries that are not designed to be
charged.
- Keep the batteries separate from metallic objects such as
necklaces, hairpins, coins, and keys.
- Use the specified battery type (page 77) only.
- Use new batteries, all of which are the same type, same model,
and made by the same manufacturer.
- Always make sure all batteries are inserted in conformity with
the +/- polarity markings.
- When the batteries run out, or if the instrument is not to be
used for a long time, remove the batteries from the instrument.
- When using Ni-MH batteries, follow the instructions that came
with the batteries. Use only the specified charger device when
charging.
• Keep batteries away from small children who might accidentally
swallow them.

• If the batteries do leak, avoid contact with the leaked fluid. If the
battery fluid should come in contact with your eyes, mouth, or
skin, wash immediately with water and consult a doctor. Battery
fluid is corrosive and may possibly cause loss of sight or
chemical burns.

If you notice any abnormality
• When one of the following problems occur, immediately turn off
the power switch and disconnect the electric plug from the outlet.
(If you are using batteries, remove all batteries from the
instrument.) Then have the device inspected by Yamaha service
personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you
or others, or damage to the instrument or other property. These precautions include, but are not
limited to, the following:

Power supply/AC adaptor
• Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound quality, or
possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet,
always hold the plug itself and not the cord. Pulling by the cord
can damage it.
• Remove the electric plug from the outlet when the instrument is
not to be used for extended periods of time, or during electrical
storms.

• Use only the stand specified for the instrument. When attaching it,
use the provided screws only. Failure to do so could cause
damage to the internal components or result in the instrument
falling over.

Connections
• Before connecting the instrument to other electronic components,
turn off the power for all components. Before turning the power on
or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum
levels and gradually raise the volume controls while playing the
instrument to set the desired listening level.

Location
• Do not place the instrument in an unstable position where it might
accidentally fall over.
• Before moving the instrument, remove all connected cables, to
prevent damage to the cables or injury to anyone who might trip
over them.
• When setting up the product, make sure that the AC outlet you are
using is easily accessible. If some trouble or malfunction occurs,
immediately turn off the power switch and disconnect the plug
from the outlet. Even when the power switch is turned off,
electricity is still flowing to the product at the minimum level.
When you are not using the product for a long time, make sure to
unplug the power cord from the wall AC outlet.

DMI-5

6

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps
on the panel or keyboard. This could cause physical injury to you
or others, damage to the instrument or other property, or
operational failure.
• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons,
switches or connectors.
• Do not use the instrument/device or headphones for a long period
of time at a high or uncomfortable volume level, since this can
cause permanent hearing loss. If you experience any hearing loss
or ringing in the ears, consult a physician.

2/3

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.
Even when the [

] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level.

When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
Make sure to discard used batteries according to local regulations.

NOTICE

Information

To avoid the possibility of malfunction/ damage
to the product, damage to data, or damage to
other property, follow the notices below.
 Handling
• Do not use the instrument in the vicinity of a TV, radio,
stereo equipment, mobile phone, or other electric
devices. Otherwise, the instrument, TV, or radio may
generate noise. When you use the instrument along with
an application on your iPad, iPhone or iPod touch, we
recommend that you set “Airplane Mode” to “ON” on that
device in order to avoid noise caused by communication.
• Do not expose the instrument to excessive dust or
vibrations, or extreme cold or heat (such as in direct
sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration, damage to
the internal components or unstable operation. (Verified
operating temperature range: 5° – 40°C, or 41° – 104°F.)
• Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or
keyboard.
 Maintenance
• When cleaning the instrument, use a soft cloth. Do not
use paint thinners, solvents, alcohol, cleaning fluids, or
chemical-impregnated wiping cloths.
 Saving data
• Some of the data of this instrument (page 49) are retained
when the power is turned off. However, the saved data
may be lost due to some failure, an operation mistake,
etc. Save your important data onto an external device
such as a computer (page 48).

DMI-5

 About copyrights
• Copying of the commercially available musical data
including but not limited to MIDI data and/or audio data
is strictly prohibited except for your personal use.
• This product incorporates and bundles contents in which
Yamaha owns copyrights or with respect to which
Yamaha has license to use others' copyrights. Due to
copyright laws and other relevant laws, you are NOT
allowed to distribute media in which these contents are
saved or recorded and remain virtually the same or very
similar to those in the product.
* The contents described above include a computer
program, Accompaniment Style data, MIDI data, WAVE
data, voice recording data, a score, score data, etc.
* You are allowed to distribute medium in which your
performance or music production using these contents
is recorded, and the permission of Yamaha Corporation
is not required in such cases.
 About functions/data bundled with the
instrument
• Some of the preset songs have been edited for length or
arrangement, and may not be exactly the same as the
original.
 About this manual
• The illustrations and LCD screens as shown in this
manual are for instructional purposes only, and may
appear somewhat different from those on your
instrument.
• iPhone, iPad, iPod touch are trademarks of Apple Inc.,
registered in the U.S. and other countries.
• The company names and product names in this manual
are the trademarks or registered trademarks of their
respective companies.

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

7

About the Manuals
In addition to this Owner’s Manual, the following Online materials (PDF files) are available.
MIDI Reference
Contains MIDI-related information, such as the MIDI Implementation Chart.
MIDI Basics (only in English, French, German and Spanish)
Contains basic explanations about what MIDI is and can do.
Computer-related Operations
Contains instructions about computer-related functions.
iPhone/iPad Connection Manual
Explains how to connect the instrument to smart devices, such iPhone, iPad, etc.
To obtain these materials, access the Yamaha Downloads website, then enter the model name for
searching the desired files.
Yamaha Downloads
http://download.yamaha.com/
Song Book (only in English, French, German and Spanish)
Contains music scores for the preset Songs (excluding the Demo Songs) of this instrument. After
completing the user registration at the website below, you can download this Song Book free of
charge.
Yamaha Online Member
https://member.yamaha.com/
You will need the PRODUCT ID on the sheet (“Online Member Product Registration”) packaged with this
manual in order to fill out the User Registration form.

Included Accessories
• Owner’s Manual (this book)
• AC adaptor*1
• Music rest
• Online Member Product Registration*2
*1: May not be included depending on your particular locale. Check with your Yamaha dealer.
*2: The PRODUCT ID on the sheet will be needed when you fill out the User Registration form.

Formats and functions
GM System Level 1

USB

“GM System Level 1” is an addition to the MIDI
standard which ensures that any GM-compatible music data can be accurately played by any
GM-compatible tone generator, regardless of
manufacturer. The GM mark is affixed to all
software and hardware products that support
GM System Level.

USB is an abbreviation for Universal Serial
Bus. It is a serial interface for connecting a
computer with peripheral devices. It allows
“hot swapping” (connecting peripheral
devices while the power to the computer is
on).

XGlite

The Style File Format combines all of
Yamaha’s auto accompaniment know-how
into a single unified format.

As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format. Naturally, you can play back any
XG song data using an XGlite tone generator.
However, keep in mind that some songs may
play back differently compared to the original
data, due to the reduced set of control parameters and effects.

8

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Style File Format (SFF)

Touch Response
The exceptionally natural Touch Response
feature gives you maximum expressive
control over the level of the Voices.

Setting Up

Thank you for purchasing this Yamaha Digital Keyboard!
We recommend that you read this manual carefully so that you can fully take advantage of the
advanced and convenient functions of the instrument.
We also recommend that you keep this manual in a safe and handy place for future reference.

Contents

Panel Controls and Terminals

10

Setting Up

12

Power Requirements .......................................... 12
Turning the Power On......................................... 13
Setting the Auto Power Off function.................... 13
Adjusting the Master Volume.............................. 14
Connecting Headphones or External Speaker ... 14
Using a Pedal (Sustain) ...................................... 14
Using the music rest ........................................... 14

Display Items and Basic Operations

15

Display Items ...................................................... 15
Basic Operations ................................................ 15

Reference
Playing a Variety of Instrument Voices

16

Selecting a Main Voice ....................................... 16
Playing the “Grand Piano” .................................. 16
Using the Metronome ......................................... 16
Layering a Dual Voice......................................... 17
Playing a Split Voice in the Left Hand area ........ 17
Changing the Touch Response of the Keyboard ... 18
Applying Effects to the Sound............................. 18
Adding Harmony or Arpeggio ............................. 19

Playing the keyboard with two persons
(Duo mode)
Playing Styles

21
22

Using the Music Database.................................. 23
Registering a Style File....................................... 23
Style Variations—Sections ................................. 24
Changing the Tempo .......................................... 24
Chord Types for Style Playback ......................... 25
Looking Up Chords Using the Chord Dictionary... 26

Playing Songs

27

Listening to a Demo Song .................................. 27
Selecting and Playing Back a Song.................... 27
BGM Playback .................................................... 28
Song Fast Forward, Fast Reverse, and Pause... 28
Changing the Melody Voice................................ 28
A-B Repeat ......................................................... 29
Turning Each Part On/Off ................................... 29

Playing an External Audio Device with the
Built-in Speakers
30
Lowering the volume of a melody part
(Melody Suppressor function) ........................ 31

32

Downloading the Song Book ...............................33
Keys To Success.................................................33
Phrase Repeat.....................................................35
Listening, Timing and Waiting .............................36

Learning How to Use “Touch” Control
(Touch Tutor)

38

Hearing and Experiencing the Sound of
the Chords (Chord Study)

39

Hear and experience a sound of a single chord ...39
Hear and experience basic chord progressions ...39

Playing Chords along with Chord
Progressions of a Song

Reference

Setting Up

Using the Song Lesson Feature

40

Play the chords in combination with “Waiting” of
the Lesson function.........................................40

Recording Your Performance

41

Track Structure of a Song....................................41
Quick Recording ..................................................41
Recording to a Specified Track ...........................42
Clearing a User Song ..........................................42

Memorizing Your Favorite Panel Settings

43

Memorizing Panel Settings to the Registration
Memory ...........................................................43
Recalling Panel Settings from the Registration
Memory ...........................................................43

Selecting an EQ Setting for the Best Sound 44
The Functions

45

Using with a Computer or iPhone/iPad

48

Connecting to a computer ...................................48
Connecting an iPhone/iPad .................................48

Backup and Initialization

49

Backup Parameters .............................................49
Initialization..........................................................49

Appendix
Troubleshooting .............................................50
Song Book Sample.........................................52
Voice List ........................................................62
Drum Kit List...................................................67
Song List .........................................................70
Style List .........................................................71
Music Database List.......................................72
Effect Type List...............................................73
Specifications .................................................76
Index ................................................................78
PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

9

Appendix

About the Manuals................................................ 8
Included Accessories............................................ 8
Formats and functions .......................................... 8

Setting Up

Panel Controls and Terminals
Front Panel

NOTE

Setting Up

• The illustrations and displays as shown in this manual are based on the PSR-E363.
• Please note that the PSR-EW300, PSR-E363 and YPT-360 have different numbers of keys:
the PSR-EW300 has 76 keys, and the PSR-E363 and YPT-360 have 61 keys.

q
e

u

r

t

w

o

y

!0
Style List
(page 71)

i

!1

!2

!3

Song List
(page 70)

!4

!5

Display
(page 15)

Voice List
(page 62)

Music
Database List
(page 72)

@9

C1

C2

As illustrated, each note of the keyboard
has a specific note number and name (e.g.,
036/C1), which is used in making various
settings, such as Split Point (page 22).
PSR-E363, YPT-360: 036 (C1) – 096 (C6)
PSR-EW300: 028 (E0) – 103 (G6)

C3

C4

C6

!9

!6

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!7

@7

!8

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10

C5

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

@1

@2

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Panel Controls and Terminals

[ ] (Standby/On) switch .................... page 13
[MASTER VOLUME] dial ...................... page 14
[DEMO] button ......................................page 28
[METRONOME] button ......................... page 16
[TEMPO/TAP] button ............................page 24

Rear Panel
#0

#1

#2

Setting Up

q
w
e
r
t

#3

In the Lesson mode

y PART
[L] button ..............................................page 36
[R] button ..............................................page 36

#4

In the Recording mode
y [REC TRACK 2] button.........................page 41
[REC TRACK 1] button.........................page 41

u [KEYS TO SUCCESS] button...............page 33
i [PHRASE REPEAT] button...................page 35
o [1 LISTENING 2 TIMING 3 WAITING] button
...............................................................page 36
In the Song mode
[A-B REPEAT] button ...........................page 29
[REW] button ........................................page 28
[FF] button ............................................page 28
[PAUSE] button.....................................page 28

!0
!1
!2
!3

#0
#1
#2
#3

[SUSTAIN] jack .....................................page 14
[PHONES/OUTPUT] jack......................page 14
[AUX IN] jack.........................................page 30
[USB TO HOST] terminal* ....................page 48
* For connecting to a computer. For details, refer to “Computer-related Operations” (page 8) on the website. When
connecting, use an AB type USB cable of less than 3
meters. USB 3.0 cables cannot be used.

#4 DC IN jack .............................................page 12

In the Style mode
[ACMP ON/OFF] button........................page 22
[INTRO/ENDING/rit.] button .................page 24
[MAIN/AUTO FILL] button ....................page 24
[SYNC START] button ..........................page 22

!0
!1
!2
!3
!4
!5
!6
!7
!8
!9
@0
@1
@2
@3
@4
@5
@6
@7
@8
@9

[START/STOP] button...........................page 27
[REC] button .........................................page 41
[SONG] button ......................................page 27
[VOICE] button...................................... page 16
[STYLE] button .....................................page 22
Number buttons [0]–[9], [+], [-]............ page 15
[PORTABLE GRAND] button ............... page 16
[REVERB] button.......................... pages 18, 44
[MELODY SUPPRESSOR] button........page 31
[REGIST MEMORY] button ..................page 43
[FUNCTION] button ..............................page 45
[MUSIC DATABASE] button .................page 23
[DUAL] button....................................... page 17
[SPLIT] button ...................................... page 17
[HARMONY/ARPEGGIO] button.......... page 19
Drum illustrations for the Drum Kit .... page 16

Panel Setup (Panel Settings)
By using the controls on the panel, you can make various
settings as described here. These settings of the instrument are together referred to as “panel setup” or “panel
settings” in this manual.

The “Press & Hold” Symbol
Buttons having this indication can be used to call
up an alternate function when the relevant button
is pressed and held. Hold down this button until
the function is called up.

Each of these indicates the drum or percussion instrument
assigned to the corresponding key for “Standard Kit 1.”

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

11

Setting Up

Setting Up

Power Requirements

Using Batteries

Although the instrument will run either from an AC
adaptor or batteries, Yamaha recommends use of an
AC adaptor whenever possible. An AC adaptor is
more environmentally friendly than batteries and
does not deplete resources.

This instrument requires six “AA” size, Alkaline (LR6)/
Manganese (R6) batteries, or rechargeable nickelmetal hydride batteries (rechargeable Ni-MH batteries). The Alkaline batteries or rechargeable Ni-MH
batteries are recommended for this instrument, since
other types may result in poorer battery performance.
WARNING

Using an AC Adaptor
Connect the AC adaptor in the order shown in the
illustration.

1

• When the batteries run out, or if the instrument is not to be
used for a long time, remove the batteries from the instrument.

1 Make sure that the power of the instrument is off.
2 Open the battery compartment cover located on

DC IN jack
(page 11)

the instrument’s bottom panel.

AC
adaptor

2

AC outlet

WARNING
• Use the specified AC adaptor (page 77) only. Using the
wrong AC adaptor can result in damage to the instrument
or overheating.

WARNING
• When using the AC adaptor with a removable plug, make
sure to keep the plug attached to the AC adaptor. Using the
plug alone can cause electric shock or fire.
• If the plug is accidentally removed from the AC adaptor,
slide it back in until it clicks into place, taking care to
avoid touching any internal metal parts. To avoid electric
shock, short circuit or damage, also be careful that there
is no dust between the AC adaptor and plug.

3 Insert the six new batteries, being careful to follow
the polarity markings on the inside of the compartment.

Plug

Slide the plug as
indicated.
The shape of the plug differs depending on
your area.

CAUTION
• When setting up the product, make sure that the AC outlet
you are using is easily accessible. If some trouble or malfunction occurs, immediately turn the power off and disconnect the plug from the outlet.
NOTE

• Follow the order shown above in reverse when disconnecting
the AC adaptor.

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

4 Replace the compartment cover, making sure that
it locks firmly in place.
NOTICE
• Connecting or disconnecting the AC adaptor with batteries installed may turn the power off, resulting in loss of
data being recorded or transferred at the time.
• Make sure to set the battery type correctly (page 13).
• When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens,
make sure to replace all batteries with new ones or already
recharged ones.

Setting Up

• This instrument cannot charge the batteries. Use only the
specified charger device when charging.
• Power will be automatically drawn from the AC adaptor if an
AC adaptor is connected while batteries are installed in the
instrument.

 Setting the battery type
Depending on the battery type to be used, you may
need to change the battery type setting on this instrument. Alkaline (and manganese) batteries are chosen by default. After installing new batteries and
turning the power on, make sure to set the Battery
Type appropriately (rechargeable or not) via Function
number 046 (page 47).
NOTICE
• Failure to set the battery type may shorten the amount of
the battery life. Make sure to set the battery type correctly.

Setting the Auto Power Off
function
Setting Up

NOTE

To prevent unnecessary power consumption, this
instrument features an Auto Power Off function that
automatically turns the power off if the instrument is
not operated for a specified period of time. The
amount of time that elapses before the power is
automatically turned off is 30 minutes by default;
however, you can change the setting.

 To set the time that elapses before
Auto Power Off is executed:
Press the [FUNCTION] button several times until
“AutoOff” (Function 045; page 47) appears, then use
the [+] or [-] button to select the desired value.
Settings: OFF, 5, 10, 15, 30, 60, 120 (minutes)
Default value: 30 (minutes)

 To disable the Auto Power Off function:

Turning the Power On
1 Turn down the [MASTER VOLUME] dial to “MIN.”

Turn the power on while holding down the lowest key
on the keyboard. A message “oFF AutoOff” appears
briefly, then the instrument starts up with the Auto
Power Off function disabled. The Auto Power Off
function also can be disabled by selecting Off in
Function number 045 (page 47).
PSR-E363, YPT-360

2 Press the [

] (Standby/On) switch to turn the
power on.
The Voice name appears on the display. Adjust
the volume as desired while playing the keyboard.

The lowest key

3 Press and hold the [

] (Standby/On) switch for
about a second to set the instrument to standby
mode.
CAUTION

• Even when the [ ] (Standby/On) switch is in standby status, electricity is still flowing to the product at the minimum level. Remove the electric plug from the outlet when
the instrument is not to be used for extended periods of
time, or during electrical storms.

NOTICE
• Press only the [ ] (Standby/On) switch when turning the
power on. Any other operations such as pressing the pedal
are not allowed. Doing so may cause the instrument to
malfunction.

PSR-EW300
NOTICE
• Depending on the instrument status, the power may not
turn off automatically, even after the elapse of the specified
period of time. Always turn off the power manually when
the instrument is not in use.
• When the instrument is not operated for a specified period
of time while connected to an external device such as an
amplifier, speaker or computer, make sure to follow the
instructions in the Owner’s Manual to turn off the power to
the instrument and the connected devices, in order to protect the devices from damage. If you do not want the
power to turn off automatically when a device is connected, disable Auto Power Off.
NOTE

• Generally, the data and settings are maintained even when
the power is turned off with the Auto Power Off function. For
details, see page 49.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

13

Setting Up

Adjusting the Master Volume

Using a Pedal (Sustain)

Setting Up

To adjust the volume of the entire keyboard sound,
use the [MASTER VOLUME] dial while playing the
keyboard.

You can produce a natural sustain as you play by
pressing a footswitch (FC5 or FC4A; sold separately)
plugged into the [SUSTAIN] jack.

CAUTION
• Do not use the instrument for a long period of time at a
high or uncomfortable volume level, since this can cause
permanent hearing loss.

Connecting Headphones or
External Speaker

NOTE

• Plug or unplug the footswitch while the power is off. Also, do
not press the footswitch when turning the power on. Doing so
changes the polarity of the footswitch, resulting in reversed
operation.
• The sustain function does not affect split voices (page 17) and
style (automatic accompaniment; page 22).

Using the music rest
Insert the music rest into the slots as shown.
Standard stereo
phone plug

Connect a pair of headphones to the [PHONES/
OUTPUT] jack. This jack also functions as an external output. By connecting to a computer, keyboard
amplifier, recorder, or other audio device, you can
output the audio signal of this instrument to that
external device. The speakers of this instrument are
automatically shut off when a plug is inserted into
this jack.
CAUTION
• Do not use the instrument or headphones for a long period
of time at a high or uncomfortable volume level, since this
can cause permanent hearing loss.
• Before connecting the instrument to other electronic components, turn off the power of all the components. Also,
before turning any components on or off, make sure to set
all volume levels to minimum. Otherwise, damage to the
components or electrical shock may occur.

NOTICE
• To avoid possible damage to the external device, first turn
on the power to the instrument, then to the external
device. When turning off the power, do so in reverse order:
first turn off the power to the external device, then to the
instrument.

14

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Display Items and Basic Operations
Display Items
Lesson Indication

On/Off status

This area indicates the Lesson
related status is on.

Notation

Each indication is shown when the
corresponding function is turned on.

Keys To Success
(page 33)

... Auto Accompaniment (page 22)

Phrase Repeat (page
35)
Chord Progression
(page 40)

... Touch Response
(page 18)
... Arpeggio (page 19)
... Duo (page 21)

Indicates the Passing
Status (page 34) of the
Keys To Success lesson.

Normally this indicates the notes you
play. When the Song Lesson function
is used, this indicates the current
notes and chord of playback. When
the Dictionary function (page 26) is
used, this indicates the notes of the
chord you specify.
NOTE

001

• Any notes occurring below or above
the staff are indicated by “8va.”
• For a few specific chords, not all
notes may be shown, due to space
limitations in the display.

Setting Up

Song/Voice/Style
These indicate the operating condition
of the instrument.

... Split (page 17)
... Dual (page 17)
... Harmony (page 19)

GrandPno
003

The illustration is of the PSR-E363.

Chord

Song Track status

Indicates the chord which is played on the Auto
Accompaniment range (page 22) of the keyboard, or
specified via Song playback.

Measure or Function
Normally indicates the current measure number of current Style or Song. When the
[FUNCTION] button (page 45) is in use, this
indicates the Function number.

Indicates the on/off status of Song playback or
target Track of Song recording (page 29, 42).
Lit: Track contains data
Unlit: Track is muted or contains no data

003 027

Flashing: Track is selected as recording track

Keyboard Display
Indicates notes currently being played. Indicates the melody and
chord notes of a Song when the Song lesson function is in use.
Also indicates the notes of a chord—either when playing a chord
or when using the Dictionary function.

Beat
Indicates the current beat of playback.

C3

Basic Operations
Before operating the instrument, it may be helpful to familiarize yourself with the basic controls below that are
used to select items and change values.

 Number buttons

 [-] and [+] buttons

Use the Number buttons to directly enter an item or
value. For numbers that start with one or two zeroes,
the first zeroes can be omitted.

Press the [+] button briefly to increase the value by 1, or
press the [-] button briefly to decrease the value by 1.
Press and hold either button to continuously increase
or decrease the value in the corresponding direction.

Example: Selecting Voice 003,
Harpsichord.

Press number buttons [0], [0], [3], or
simply press [3].

Press briefly to
decrease.

Press briefly to
increase.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

15

Playing a Variety of Instrument Voices
Reference

In addition to piano, organ, and other “standard” keyboard instruments, this instrument
has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums and
percussion, and even sound effects—giving you a wide variety of musical sounds.

Selecting a Main Voice
1 Press the [VOICE] button.

The Voice number and name will be shown.

Playing the “Grand Piano”
When you want to reset various settings to default
and simply play a Piano sound, press the [PORTABLE GRAND] button.

Voice number

001
Reference

Appears after the
[VOICE] button is
pressed.

GrandPno
Voice name
The Voice shown here
becomes the Main
Voice for the instrument.

2 Use the number buttons [0]–[9], [+], [-]
buttons to select the desired Voice.
Refer to the Voice List on page 62.

096

Flute

The Voice “001 Grand Piano” will automatically be
selected as the Main Voice.

Using the Metronome
The instrument features a built-in metronome (a
device that keeps an accurate tempo), convenient for
practicing.

1 Press the [METRONOME] button to start
the metronome.

Select the Voice you want to play

3 Play the keyboard.

2 Press the [METRONOME] button again to
stop the metronome.

To change the tempo:
Press the [TEMPO/TAP] button to call up the Tempo
value, then use the number buttons [0]–[9], [+], [-].
Preset Voice Types

090

Tempo

001–197

Instrument Voices (including sound effects).

198–215
(Drum Kit)

Various drum and percussion sounds are
assigned to individual keys, from which they
can be played. Details on the instruments and
key assignments of each Drum Kit can be
found in the Drum Kit List on page 67.

216–235

Arpeggios are automatically reproduced by
simply playing the keyboard (page 19).

236–574

XGlite Voices (page 64)

To set the Time Signature:

000

One Touch Setting
The One Touch Setting feature automatically
selects the most suitable Voice when you
select a Style or Song (excepting the Song
inputted from the [AUX IN] jack). Simply select
Voice number “000” to activate this feature.

Press and hold the [METRONOME] button to call up
“TimeSigN” (Functions 036; page 47), then use the
number buttons, [+] and [-] buttons.

Current Tempo value

Press the [+] and [-] buttons simultaneously to
instantly reset the value to the default tempo.

To set the Metronome Volume:
This can be set via Function number 038 (page 47).

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Playing a Variety of Instrument Voices

In addition to the Main Voice, you can layer a different Voice over the entire keyboard as a “Dual Voice.”

1

Press the [DUAL] button to turn Dual on.

001

GrandPno

Playing a Split Voice in the Left
Hand area
By dividing the keyboard into the two separate areas,
you can play a different Voice between the Left hand
and Right hand areas.

1 Press the [SPLIT] button to turn on Split.
The keyboard is divided into the Left hand and
Right hand areas.

Appears when Dual
is on

001

GrandPno
Reference

Layering a Dual Voice

Appears when Split
is on
Two Voices will
sound at the same
time.

Split Point ... default setting: 054 (F#2)

2 Press the [DUAL] button again to exit
from Dual.

To select a different Dual Voice:
Although turning on Dual will select a Dual Voice suitable for the current Main Voice, you can easily select
a different Dual Voice by pressing and holding the
[DUAL] button to call up “D.Voice” (Function 013; page
46), then using the number buttons [0]–[9], [+], [-].

036
(C1)

048
(C2)

Split Voice

060
(C3)

072
(C4)

084
(C5)

096
(C6)

Main Voice and
Dual Voice

You can play a “Split Voice” on the Left hand area
of the keyboard while playing a Main Voice and
Dual Voice on the Right hand area of the keyboard.
The highest key for the Left hand area is referred
to as the “Split Point” (Function 007; page 45)
which can be changed from the default F#2 key.

2 Press the [SPLIT] button again to exit
from Split.

To select a different Split Voice:
Press and hold the [SPLIT] button to call up “S.Voice”
(Function 017; page 46), then use the number buttons [0]–[9], [+], [-].

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

17

Playing a Variety of Instrument Voices

Changing the Touch Response of
the Keyboard
The keyboard of this instrument is equipped with a
Touch Response feature that lets you dynamically
and expressively control the level of the Voices
according to your playing strength.

1 Press the [FUNCTION] button several

times until “TouchRes” (Function 008)
appears.

Reference

After a few seconds, the current Touch Response
appears.

Applying Effects to the Sound
This instrument can apply various Effects as listed
below to the instrument’s sound.

 Reverb
Adds the ambience of a club or concert hall to the
sound. Although the best-suited Reverb type is called
up by selecting a Song or Style, you can select another
one by the operation below.
To select a Reverb type

1

Press the [REVERB] button.
After “Reverb” (Function 021; page 46) is shown
for a few seconds, the current type appears.

TouchRes

Reverb

008

021

Medium

2

02

008

2

Use the number buttons [1]–[4], [+], [-]
buttons to select a Touch Response setting between 1 and 4.
Touch Response
1

Soft

Produces relatively high volume even
with light playing strength. Best for
players with a light touch who want to
maintain a consistent, relatively loud
volume.

2

Medium

Produces a fairly “standard” keyboard
response.

3

Hard

The keys must be played very strongly
to generate loud volume. This setting
is best for a wide dynamic range and
optimum expressive control of the
sound, from pianissimo to fortissimo.

4

Fixed

All notes are produced at the same
volume no matter how hard the keyboard is played.

Hall2
021
Current type

2

Use the number buttons [0]–[9], [+], [-] buttons to
select the desired type.
When “Off” is selected, Reverb is off.

You can also set the Reverb depth via Function number
022 (page 46).

 Chorus
Makes the Voice sound richer, warmer and more
spacious. Although the best-suited Chorus type is
called up by selecting a Song or Style, you can
select another one via Function number 023 (page
46). You can also set the Chorus depth for Voices via
Function numbers 012, 016, 020 (page 46).
The Chorus depth cannot be applied to the Styles or
Songs.

 Panel Sustain
By turning on the Sustain parameter of Function number 024 (page 46), you can add a fixed, automatic
sustain to the Main/Dual Voices played on the keyboard. Or, you can produce a natural sustain as
desired with the footswitch (sold separately; page 14).
NOTE

• Even if you turn on Panel Sustain, there are some Voices to
which sustain is not applied.

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Playing a Variety of Instrument Voices

You can add harmony or arpeggio notes to the Voice
played on the keyboard.
By specifying the Harmony Type, you can apply harmony parts, such as duet or trio, or add tremolo or
echo effects to the played sound of the Main Voice.
Also, when the Arpeggio Type is selected, arpeggios
(broken chords) are automatically played back when
you simply play the appropriate notes on the keyboard. For example, you could play the notes of a
triad—the root, third, and fifth—and the Arpeggio
function will automatically create a variety of interesting phrases. This feature can be used creatively in
music production as well as performance.

2 Hold down the [HARMONY/ARPEGGIO]
button for longer than a second so that
“Harm/Arp” (Functions 028; page 46)
appears on the display.

After “Harm/Arp” is shown for a few seconds, the
current type appears.

Harm/Arp
028
Hold for longer
than a second.

001

Duet

Reference

Adding Harmony or Arpeggio

028

1 Press the [HARMONY/ARPEGGIO] but-

ton to turn on the Harmony or Arpeggio
function.

Current type

3 Use the number buttons [0]–[9], [+], [-]
buttons to select the desired type.

001

GrandPno
Appears when the Harmony is turned on.

or

106

Analogon
Appears when the
Arpeggio is turned on.

When the Harmony or the Arpeggio is turned on,
the most suitable one will be selected for the current Main Voice.
If you want to select a specific type, select it by
the operation steps 2 and 3 below.
NOTE

• The Harmony effect can be added to only the Main Voice.
• When selecting a Voice number between 216 and 235,
the Arpeggio function will automatically be turned on.
• When selecting a Harmony Type between 001 and 005,
the harmony effect will only be added to your right-hand
melody play if you turn on the Style (page 22) and press
chords in the auto accompaniment range of the keyboard.

When you want to specify a Harmony Type, refer
to the Harmony Type list on page 73; to specify
an Arpeggio Type, refer to the Arpeggio Type list
on page 74.
NOTE

• When playing one of the Arpeggio Types 143 to 176,
select the corresponding Voice below as the Main Voice.
143–173: Select a Drum Kit (Voice No.198–207).
174 (China): Select “StdKit1 + Chinese Perc.” (Voice
No.208).
175 (Indian): Select “Indian Kit 1” (Voice No.209) or
“Indian Kit 2” (Voice No.210).
176 (Arabic): Select “Arabic Kit” (Voice No.211).

4 Press a note or notes on the keyboard to
trigger the Harmony or Arpeggio.

When a Harmony Type is selected, a harmony
part (for example, duet or trio) or an effect (for
example, tremolo or echo) can be added to the
played sound of the Main Voice.
Also, when an Arpeggio Type is selected, arpeggios (broken chords) are automatically played
back when you simply play the appropriate notes
on the keyboard. The particular arpeggio phrase
differs depending on the number of pressed
notes and the area of the keyboard.

5 To turn the Harmony or Arpeggio off,

press the [HARMONY/ARPEGGIO] button again.
PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

19

Playing a Variety of Instrument Voices

To adjust the Harmony Volume:
How to play the various Types
The method of sounding the Harmony effect (01–26)
differs depending on the selected type. For Types 01–
05, turn the Auto Accompaniment on and play it by
pressing a chord in the auto accompaniment section of
the keyboard, then play some keys in the right-hand
side to produce the Harmony effect. For Types 06–26,
turning auto accompaniment on or off has no effect.
However, it is necessary to play two notes simultaneously for Types 06–12.

• Harmony Type 001 to 005

Reference

Press the right-hand keys while playing chords in the
auto accompaniment range of the keyboard when
Auto Accompaniment is on (page 22).

• Harmony Type 006 to 012 (Trill)

Hold down two keys.

This can be adjusted via Function number 029 (page
46).

To adjust the Arpeggio Velocity:
This can be adjusted via Function number 030 (page
46).

Holding the Arpeggio Playback via the
Footswitch (Hold)
You can set the instrument so that Arpeggio playback continues even after the note has been
released, by pressing the footswitch connected to the
[SUSTAIN] jack.

1 Press a [FUNCTION] button a number of

times until the “Pdl Func” (Function 031)
item appears on the display.
After “Pdl Func” is shown for a few seconds, the
current setting is shown.

• Harmony Type 013 to 019 (Tremolo)

Pdl Func
031
Keep holding
down the keys.

• Harmony Type 020 to 026 (Echo)

1
Play the keys.

• Arpeggio Type 027 to 176
When Split is off:

Sustain
031

2 Use the number buttons [1]–[3], [+], [-]
buttons to select “Arp Hold.”

If you want to restore the footswitch function to
sustain, select “Sustain.” If you want to use both
hold and sustain functions, select “Hold+Sus.”
Arpeggio function applies to the Main Voice
and the Dual Voice.
When Split is on:

2

Arp Hold
031

Arpeggio function applies only to the split
Voice.
NOTE

• Arpeggio cannot be applied to the Split and Main/
Dual Voices simultaneously.
• Selecting a Voice number between 226 and 235 as
the Main Voice will turn on Arpeggio and Split automatically.

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

3 Try playing the keyboard with Arpeggio
playback using the footswitch.

Press the notes to trigger the Arpeggio, then
press the footswitch. Even if you release the
notes, Arpeggio playback will continue. To stop
Arpeggio playback, release the footswitch.

Playing the keyboard with two persons (Duo mode)
When the Duo mode is activated on this instrument, two different players can play the
instrument simultaneously, with the same sound, over the same octave range—one person on the left and the other on the right. This is useful for learning applications, in
which one person (a teacher, for example) plays a model performance and the other person watches and practices while sitting at the first person’s side.

mode, simultaneously hold down the [L]
button and press the [ ] (Standby/On)
switch to turn on the power.
“DuoMode” is shown in the display for a few seconds, and the F#3 key becomes the Split Point
and the keyboard is divided into two sections:
one for the left Voice and one for the right Voice.

How sounds are output in the Duo mode
Notes played in the left Voice section sound from
the left side speaker while notes played in the
right Voice section sound from the right side
speaker, in the initial Duo mode setting. This output setting can be changed from the “VoiceOut”
setting (Function 027; page 46).

Reference

1 To start this instrument in the Duo

NOTE

• In the Duo mode, the pan, volume and tonal characteristics of the stereo sound may differ from those in the normal mode, due to the setting of VoiceOut = “Separate”
(page 46). Particularly with Drum Kits, the difference may
be more obvious, since each key of a Drum Kit features a
different stereo pan position.

Using sustain in the Duo mode

on

DuoMode

Equivalent to C3
(PSR-EW300)

Split Point:
066 (F#3)

Equivalent to C3
(PSR-E363, YPT-360)

Equivalent to C3

Sustain can be applied to the left and right Voice
sections in Duo mode just as it normally is by
using one of the following methods in the Duo
mode like the usual mode.
• Press the foot switch (page 14) connected to
the [SUSTAIN] jack.
• Set “Sustain” (Function 024; page 46) to on.
Sustain is applied to all notes.
NOTE

Left Voice

Right Voice

NOTE

• The right Voice section and the left Voice section of the
keyboard are both set to the same Voice (Main Voice).
• In the Duo mode, the Split Point cannot be changed from
F# 3.

2 One person should play the left Voice

section of the keyboard while the other
plays the right Voice section.
Selecting a Voice
Select a Voice by executing Steps 1 and 2 in
“Selecting a Main Voice” on page 16.
NOTE

• When a Dual Voice is selected from Voice numbers 162 to
188, the left Voice section sounds only the Main Voice.
• Certain functions such as Lesson, Harmony/Arpeggio
and Dual cannot be used in the Duo mode.

• Sustain cannot be applied independently to the left Voice
section and the right Voice section.
• While Panel Sustain is on, the setting of hold is maintained even when the power is turned off.

Style Playback in the Duo mode
Although full Style features (accompaniment)
cannot be used in the Duo mode, the rhythm part
of a Style can be played back while playing the
left/right Voices normally.

Recording in the Duo mode
The right Voice section and the left Voice section
are recorded on the same track.

3 To exit from the Duo mode, press the

[ ] (Standby/On) switch to turn off the
power, and turn the power back on again
normally.

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Playing Styles
This instrument includes the Auto Accompaniment feature that plays appropriate
“Styles” (rhythm + bass + chord accompaniment). You can select from a huge variety of
Styles covering a wide range of musical genres.

1 Press the [STYLE] button, then use the

number buttons [0]–[9], [+], [-] to select
the desired Style.

020

16Beat

The Style List is provided on the front panel, or in
the Style List (page 71).
Flashes when sync start is on.
Style Number

001

BritRock

Reference

Style Name
Appears when Style
mode is active.

2 Press the [ACMP ON/OFF] button to turn

4 Play a chord in the Auto Accompaniment
range to start playback.

Play a melody with the right hand and chords with
the left hand.
For information about chords, refer to “Chord
Types for Style Playback” (page 25) or use the
Chord Dictionary function (page 26).
Split Point

on the Auto Accompaniment.

020

16Beat

5 Press the [START/STOP] button to stop
This icon appears when automatic
accompaniment is on.

With this operation, the area of the keyboard to
the left of the Split Point (054: F#2) becomes the
“Auto Accompaniment range” and is used only for
specifying the chords.
Split Point ... default setting: 054 (F#2)

playback.

You can add intro, ending and rhythm variations
to Style playback by using “Sections.” For details,
refer to page 24.
To play back the rhythm part only

036
(C1)

048
(C2)

060
(C3)

072
(C4)

084
(C5)

096
(C6)

Auto
Accompaniment
range

The highest key for the Auto Accompaniment
range is referred to as the “Split Point,” which can
be changed from the default of F#2 via Function
number 007 (page 45).

3

Press the [SYNC START] button to turn
Synchro Start on.
This puts the Style playback in “standby” and
Style starts playing back when you play the keyboard.

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

If you press the [START/STOP] button (without pressing
the [ACMP ON/OFF] button in step 2), only the rhythm
part can be played back, and you can play a melody
performance using the entire keyboard range.
NOTE

• Since the Pianist category Styles (157–165) have no
rhythm parts, no sound will be produced if you start
rhythm-only playback. When playing these Styles, make
sure to carry out Steps 2–4 on this page.

Adjusting the Style Volume
To adjust the volume balance between Style playback and keyboard, you can adjust the Style Volume.
This can be set via Function number 001 (page 45).

Playing Styles

If you have difficulty finding and selecting the desired
Style and Voice, use this feature. From the Music
Database, just selecting the favorite music genre
calls up the ideal settings.

1 Press the [MUSIC DATABASE] button.

Both the Auto Accompaniment and Synchro Start
are automatically turned on.

001

Jude Hey

2 Use the number buttons [0]–[9], [+], [-] to
select the desired Music Database.

Registering a Style File
Style data created on another instrument or computer can be registered (loaded) to Style numbers
166–175, and you can play them just the same as
the internal preset Styles.

1 Transfer the Style file (***.sty) from a

computer to this instrument by using
Musicsoft Downloader.
For instructions, refer to “Computer-related Operations” (page 8) on the website.

2 Press the [FUNCTION] button several

times until “StyleReg” (Function 009;
page 46) appears.

This operation calls up the panel settings such as
Voice and Style that are registered to the
selected Music Database. The category name of
Music Database List is provided on the front
panel, or in the Music Database List (page 72).

3 Play the keyboard as described in Steps
4–5 on page 22.

Reference

Using the Music Database

StyleReg
009

After about two seconds, a registerable Style file
name will appear in the display.

3 If necessary, select the desired Style by
using the [+] or [-] button.

4 Press the [0] button.

As the Load destination, “Load To? ***” (***: 166–
175) appears on the display. If desired, select a
different number using the [+] or [-] button.

5 Press the [0] button.

A confirmation message will appear. To cancel
the operation, press the [-/NO] button.

6 Press the [+/YES] button to actually load
the file.

After a while, a message indicating completion of
the operation appears.
NOTICE
• The load operation cannot be cancelled during execution. Never turn off the power during the operation.
Doing so may result in data loss.

7 Press the [STYLE] button, use the [+] or

[-] button to select a Style from 166–175,
and then try playing it back.

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Playing Styles

Style Variations—Sections
Each Style consists of “Sections” that allow you to
vary the arrangement of the accompaniment to
match the song you are playing. These instructions
cover a typical example for using the Sections.

7 After the Intro finishes, play the key-

board according to the progression of
the Song you are playing.
Play chords with your left hand while playing melodies with your right hand, and press the [MAIN/
AUTO FILL] button as necessary. The Section will
change to Fill-in then Main A or B.

FILL A≥B

1–3

Reference

Same as Steps 1–3 in page 22.

8 Press the [INTRO/ENDING/rit.] button.
ENDING

4 Press the [MAIN/AUTO FILL] button to
select Main A or Main B.

MAIN A
Current Section

5 Press the [INTRO/ENDING/rit.] button.
INTRO≥A
Now, you’re ready to start Style playback from the
Intro section.

6 Play a chord with your left hand to start
playback of the Intro.

For this example, play a C major chord (as shown
below). For information on how to enter chords,
see “Chord Types for Style Playback” on page
25.
Split Point ... default setting: 054 (F#2)

Auto Accompaniment range

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

The Section switches to the Ending. When the
Ending is finished, Style playback stops automatically. You can have the Ending gradually slow
down (ritardando) by pressing the [INTRO/ENDING/rit.] button again while the Ending is playing
back.

Changing the Tempo
Press the [TEMPO/TAP] button to call up the Tempo
value, then use the number buttons, [-] and [+] buttons to adjust the Tempo value.

090

Tempo

Current Tempo value

Press the [+] and [-] buttons simultaneously to reset
the value to the default tempo of the current Style or
Song.

Using the Tap function
While a Song or Style is playing back, press the
[TEMPO/TAP] button just twice at the desired tempo
to change the tempo. While Song or Style playback
is stopped, tap the [TEMPO/TAP] button several
times to start playback at the tapped tempo—four
times for a 4-beat Song or Style or three times for a
3-beat Song or Style.

Playing Styles

Chord Types for Style Playback
For users who are new to chords, this chart conveniently shows how to play common chords in the Auto Accompaniment range of the keyboard. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details.
 indicates the root note.

Minor

Seventh

Minor Seventh

Major Seventh

C

Cm

C7

Cm7

CM 7

D

Dm

D7

Dm7

DM 7

E

Em

E7

Em7

EM7

F

Fm

F7

Fm7

FM7

G

Gm

G7

Gm7

GM7

A

Am

A7

Am7

AM 7

B

Bm

B7

Bm 7

BM 7

Reference

Major

• Inversions can be used as well as in “root” position—with the following exceptions:
m7, m7b5, m7(11), 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2
• Inversions of the 7sus4 chords are not recognized if the notes are omitted.
• Sus2 chords are indicated by the root name only.
• When playing a chord which cannot be recognized by this instrument, nothing is shown on the display. In such a case, only a specific
part, such as the rhythm, will be played.

Easy Chords
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three fingers.
For root “C”

C

To play a major chord
Press the root note ()
of the chord.

Cm

To play a minor chord
Press the root note
together with the nearest
black key to the left of it.

C7

Cm 7

To play a seventh chord
Press the root note
together with the nearest
white key to the left of it.

To play a minor seventh chord
Press the root note together with
the nearest white and black keys
to the left of it (three keys altogether).

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Playing Styles

Looking Up Chords Using the
Chord Dictionary
The Dictionary function is useful when you know the
name of a certain chord and want to quickly learn
how to play it.

Dict.
001

2-2.

1 Press and hold the [1 LISTENING

2 TIMING 3 WAITING] button for longer
than a second to call up “Dict.”
“Dict.” will appear in the display.

Press the key labeled “M7” in the section
between “
” and “
.”
The notes you should play for the specified
chord (root note and chord type) are conveniently shown in the display, both as
notation and in the keyboard diagram.

Reference

Hold for longer
than a second.

Dict.
This operation will divide the entire keyboard into
the three ranges as illustrated below.
• The range to the right of “
”:
Lets you specify the Chord Root, but produces
no sound.
• The range between “
” and
“
”:
Lets you specify the Chord Type, but produces
no sound.
• The range to the left of “
”:
Lets you play and confirm the Chord specified
in the above two ranges.
Keyboard
playing range

Chord Type range

Root range

2 As an example, learn how to play a GM7
(G major seventh) chord.

2-1.

Press the “G” key in the section to the right
of “
” so that the “G” is shown as the
root note.

Chord name (root and type)

Dict.
001

Notation of
chord

Individual notes of chord
(keyboard)

To call up possible inversions of the chord, press
the [+]/[-] buttons.
NOTE

• About major chords: Simple major chords are usually
indicated only by the root note. For example, “C” refers to
C major. However, when specifying major chords here,
make sure to select “M” (major) after pressing the root
note.
• These chords are not shown in the Chord Dictionary function: 6(9), M7(9), M7(# 11), b 5, M7b 5, M7aug, m7(11),
mM7(9), mM7b 5, 7b 5, sus2

3 Following the notation and keyboard diagram in the display, try playing a chord
in the range to the left of “
.”
When you’ve played the chord properly, a bell
sound signals your success and the chord name
in the display flashes.

4 To exit from the Chord Dictionary mode,
press one of these buttons; [SONG],
[VOICE] or [STYLE].

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Playing Songs
You can simply enjoy listening to the internal Songs, or use them with just about any of
the functions, such as Lesson.
 Song Category
The Songs are organized by category as listed below.
These demonstration songs showcase the various sounds of the instrument.
Each of these songs has two variations: an easy one which even beginners can practice
with ease, and another more challenging version.
We’ve collected various folk songs from around the world which have been handed
down from through the generations, as well as famous classical pieces. Try playing the
melody of these songs with your right hand.
Enjoy performing a piece with Style accompaniment (automatic accompaniment data).
(Keys to Success is designed so that you master playing the melody with your right hand
first, and then learn the roots of the chords with your left hand.)

Reference

These songs feature solo instruments other than piano—letting you enjoy playing other
instrumental voices along with orchestral accompaniment.
These included famous pieces from around the world along with well-known piano
pieces. Enjoy the beautiful, resonant piano sound as you play solo or along with orchestral backing.
Learn how to use expressive “touch” control while playing the keyboard according to the
strength level displayed in the LCD.
Hear and experience the sound of chords and easy chord progressions while playing
the keyboard according to the LCD display indications.
Learn how to play chords with Songs featuring simple, fundamental chord progressions.
Songs (User Songs) you record yourself.
Songs transferred from a computer (refer to “Computer-related Operations”—page 8).

Listening to a Demo Song

Song number

Press the [DEMO] button to play the Demo
Songs in sequence.

004

Elise 1
Song name

Appears when Song
mode is active.

When Song numbers 001 to 003 are played back in
sequence and the last Song (003) is finished, playback will repeat continuously, starting again from the
first Song (001).
To stop playback, press the [DEMO] button or the
[START/STOP] button.

2 Press the [START/STOP] button to start
playback.

To stop playback, press the [START/STOP] button again.

NOTE

• You can select the next or previous Song in order by using the
[+]/[-] buttons after pressing the [DEMO] button. The selection
range is all Songs in the selected Demo Group (Function 043;
page 47).

To change the tempo:
Refer to “Changing the Tempo” on page 24.

Selecting and Playing Back a
Song
1 Press the [SONG] button, then use the

Adjusting the Song Volume
To adjust the volume balance between Song playback and keyboard, you can adjust the Song Volume.
This can be set via Function number 002 (page 45).

Number buttons to select the desired
Song.
Refer to the Song List (page 70).

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Playing Songs

BGM Playback
With the default setting, pressing the [DEMO] button
will play back only three internal Demo Songs
repeatedly. This setting can be changed so that, for
example, all internal Songs automatically play back,
letting you use the instrument as a background
music source.

Song Fast Forward, Fast
Reverse, and Pause
Like the transport controls on an audio player, this
instrument lets you fast forward (FF), rewind (REW)
and pause (PAUSE) playback of the Song.
Fast Forward

1 Hold down the [DEMO] button for longer

During playback, press this
button to rapidly skip ahead to
a later point in the Song.

than a second.

Reference

“DemoGrp” (Function 043; page 47) is shown in
the display for a few seconds, followed by the current repeat playback target.

Hold for longer than
a second.

2 Use the [+] or [-] button to select a playback group.
Demo

Preset songs (001–003)

Preset

All preset songs (001–102)

User

All User songs (155–159)

Download

All songs transferred from a computer
(160–)

NOTE

Fast Reverse

Pause

During playback, press
this button to rapidly
return to an earlier point
in the Song.

During playback, press
this button to pause playback, and press again to
start from that point.

NOTE

• When the A-B repeat is specified, the Fast Reverse and Fast
Forward will only work within the range between A and B.
• [REW], [FF] and [PAUSE] button cannot be used during Song
playback by using the [DEMO] button.

• When User songs and Download songs data do not exist,
Demo songs are played back.

3 Press the [DEMO] button to start playback.

To stop playback, press the [DEMO] button again
or press the [START/STOP] button.

Random Song Playback
When the Demo Group (above) is set to something
other than “Demo,” the playback order via the
[DEMO] button can be changed between numerical
order and random order. To do this, press the
[FUNCTION] button several times until “PlayMode”
(Function 044; page 47) is called up, then select
“Normal” or “Random.”

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Changing the Melody Voice
You can change a Song’s melody Voice to any other
desired Voice.

1 Select a Song.
2 Select the desired Voice.
3 Press and hold the [VOICE] button for
longer than a second.

“SONG MELODY VOICE” appears in the display
for a few seconds, and the selected Voice
replaces the Song’s original melody Voice.
NOTE

• Selecting another Song will cancel the changed Melody
Voice.
• You cannot change the melody Voice of a User Song.

Playing Songs

A-B Repeat

Turning Each Part On/Off

You can play back only a specific section of a Song
repeatedly by setting the A point (start point) and B
point (end point) in one-measure increments.
A

B

As indicated above the panel buttons (shown below),
Songs other than Song numbers 125 to 154 consist
of two Parts, which can be turned on or off individually by pressing the corresponding button, L or R.

Repeat playback of this section

020

2 When playback reaches to the point you

FrereJac
010

want to specify as the start point, press
the [A-B REPEAT] button to set the A
point.

Lit: Track contains data

3 When playback reaches to the point you

want to specify as the end point, press
the [A-B REPEAT] button again to set the
B point.
The specified A-B section of the song will now
play repeatedly.

Reference

1 Start playback of the Song (page 27).

Unlit: Track is
muted or contains no data

By turning the left- and right-hand parts on or off during playback, you can listen to the Part (that is turned
on), or practice the other part (that is turned off) on
the keyboard.
NOTE

• Selecting another Song will cancel the on/off status of the
Parts.

NOTE

• You can also set the A-B Repeat function when the Song is
stopped. Simply use the [REW] and [FF] buttons to select
the desired measures, pressing the [A-B REPEAT] button
for each point, then start playback.
• If you want to set the start point “A” at the top of the Song,
press the [A-B REPEAT] button before starting playback.

4 To cancel repeat playback, press the
[A-B REPEAT] button.

To stop playback, press the [START/STOP] button.
NOTE

• The A-B Repeat function will be canceled when you select
another Song.

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29

Playing an External Audio Device with the Built-in Speakers
CAUTION
• Before connecting, turn off the power of both this instrument and the external audio device. Also, before turning the power on or
off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even permanent
hearing loss may occur.

You can output the sound of an external audio device, such as a portable music player,
with the built-in speakers of this instrument by connecting it via a cable. This lets you
play the keyboard along with playback of your music player.
NOTICE
• To avoid damage to the devices, first turn on the power to
the external device, and then to the instrument. When turning off the power, first turn off the power to the instrument,
and then to the external device.

Reference

1 Turn off the power for both the external
audio device and this instrument.

2

Connect the audio device to the instrument’s [AUX IN] jack.
Use the cable which has the stereo-mini plug at
one side for connecting to this instrument and the
plug matching the output jack of the external
audio device at the other side.

5 Adjust the volume balance between the

external audio device and this instrument.
Adjust the audio playback volume on the audio
device, then adjust the entire volume by rotating
the [MASTER VOLUME] control of the instrument.
NOTE

• You can adjust the level of the input from the external
audio device by calling up “AuxInVol” via Function number 003 (page 45) and using the [0]–[9], [+], [-] buttons.

6 Play the keyboard along with the sound
of the audio device.

You can cancel or lower the volume of the melody
part of audio playback. For details, refer to page
31.

7 After finishing the performance, stop
playback of the audio device.

Stereo-mini
plug
Audio device (Portable
audio player, etc.)

NOTE

• If you are using a computer or a smart device such as an
iPhone/iPad, you can also connect it to the [USB TO
HOST] terminal (see “Connecting to a Computer” on
page 48).

3 Turn on the external audio device, then
this instrument.

4 Play back the connected external audio
device.

The sound of the audio device is output through
the speakers of this instrument.

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Playing an External Audio Device with the Built-in Speakers

Lowering the volume of a melody
part (Melody Suppressor function)
When you output the audio sound of an external
audio device or a computer connected to the [AUX
IN] jack or the [USB TO HOST] terminal through this
instrument, you can cancel or lower the volume of
the melody part of audio playback. You can use the
function to practice the melody part along with the
audio playback.

2 Adjust the pan position of the sound to

be cancelled (lowered) by using the [+],
[-] buttons.
NOTE

• Depending on the particular music content, the melody
or vocal sound may not be canceled as expected even if
the Melody Suppressor is turned on.

3 Press the [MELODY SUPPRESSOR] button again to turn it off.

1 Play back audio on the connected exterReference

nal device.

2 Press the [MELODY SUPPRESSOR] button to turn it on.

on

MelodySP
Appears when Melody
Suppressor is on

NOTE

• When the instrument is connected to the [USB TO HOST]
terminal, and Audio Loop Back (page 47, Function 035)
is set to OFF, the Melody Suppressor function cannot be
used.

3 Press the [MELODY SUPPRESSOR] button again to turn it off.

When the melody or vocal sound may not
be canceled (or lowered) as expected

1 Hold down the [MELODY SUPPRESSOR]
button for longer than a second to call
up “SupprPan” (Function 026; page 46)
while the Melody Suppressor function is
turned on.
L63 – C – R63
(Left – Center – Right)

C

SupprPan
026

Hold for longer
than a second.

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31

Using the Song Lesson Feature
Use these convenient features to practice the preset Songs and improve your playing
skills. The lessons are arranged for optimum, enjoyable learning, so select the one suitable for you, and take your keyboard skills higher, step by step.
You can refer to the music score in the Song Book (free downloadable scores). To
obtain the Song Book, complete the user registration at the following website:
https://member.yamaha.com/

Keys To Success

(Page 33)

You can select just the key phrases of the Song—the ones you like most or need to work on—and practice them
one by one. This lesson is ideal for beginning players.
Passed

Passed

✩

Reference

Select the
Song you want
to learn.

Practice Step 1

Passed

✩✩

Practice
Steps 2, 3, 4...
and so on.

✩✩✩

Practice the
last Step.

You’re
done!

Each Song consists of several Steps. Each time you play all the way through the current Step, your performance
will be evaluated. A score of “60” or more indicates that you passed this Step and you should try the next Step,
which begins automatically.
The passing status ✩ is saved, but you can go on to next Step even when you didn’t pass the Step, or you can
retry the Step later.

Phrase Repeat

(Page 35)

You can practice two or more phrases at once repeatedly by specifying them, as desired. This is ideal as a finishing practice before
you try a last (finishing) Step to pass in the Keys to Success mode,
or when you just want to practice the difficult phrase(s) repeatedly.

Phrase mark

Repeat playback of this section

Listening, Timing and Waiting

(Page 36)

You can practice the preset Songs in three steps, independently for the right or left hand, or both hands
together. This is ideal when you want to practice all the way through the Song with the selected part.
 Lesson 1 (Listening) ....... Listen to the playback part you will play. Remember it as best as you can.
 Lesson 2 (Timing) ........... Learn to play the notes with the correct timing. Even if you play wrong notes,
the correct notes will sound.
 Lesson 3 (Waiting) .......... Learn to play the correct notes at the correct timing. The Song pauses until
you play the right note.

Select the Song you
want to learn.

Select the part you
want to work on (right
hand, left hand, both
hands).

Select lesson
1, 2, or 3.

Start the
lesson!

You can combine the Keys to Success lesson (page 33) with the Listening, Timing or Waiting lesson (page 36).
If you feel it difficult to play the specific phrase in the Keys to Success lesson, use Listening, Timing or Waiting
lesson to listen to the phrase, to practice only the timing to play, or to let the phrase pause until you play the correct notes.
The passing status is not shown when the selected lesson playback starts in the Keys to Success mode.

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PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Using the Song Lesson Feature

In addition, various learning functions are provided for your enjoyable playing experience as follows:
 Touch Tutor (page 38)
Lets you learn how hard or soft to play the keys for more expressive performances.
 Chord Study (page 39)
Lets you hear and experience the sound of the chords to use styles efficiently.
 Chord Progressions (page 40)
Lets you hear and experience standard chord progressions. Mastering the typical chord progressions in specific
musical genres enables you to play a wider variety of songs with the Style function.

you have already passed several Steps, the next
Step number appears on the display.

To use the Song Lesson, you need the music score
in the Song Book (free downloadable scores). To
obtain the Song Book, complete the user registration
at the following website:
https://member.yamaha.com/

Reference

Downloading the Song Book

Appears when Keys to
Success is on

Step01

Keys To Success
In this lesson, you can practice individual phrases in
the Song (with each Step) to effectively master the
entire Song.

1 Prepare the Song Book.

Download the Song Book from the above website, or you can refer to the scores of some Songs
at the end of this manual.
The amount of Steps and lesson parts (which are
pre-programmed) will differ depending on the
Song. For details, refer to the Song Book.

Lesson part
: Right-hand lesson
: Left-hand lesson
: Both-hands lesson

Current Step number

4 Press the [START/STOP] button to start
Lesson.

After the lead-in, playback of the current Step
starts.

NOTE

• All preset Songs 004 to 102 other than 001–003 and 103–
154 can be used with this mode, especially the “LEARN
TO PLAY” category Songs.

Step01

2 Press the [SONG] button, then select a

001

Song for your lesson.

Here, select song “Für Elise (Basic)” from the
“LEARN TO PLAY” category, then open the corresponding page of the Song Book.

004

Elise 1

3 Press the [KEYS TO SUCCESS] button to

NOTE

• For your practice enjoyment, a special arrangement is
applied to each Song. This is why playback tempo may
be slower than original.

5 Practice the phrase in the current Step.

Referring to the notation in the Song Book and
the notes shown on the display, press the notes.

engage this lesson.

The keyboard icon, “Step01” and lesson part (“R”
or “L” or “LR”) appears on the display, indicating
that you are to start this lesson from scratch. If
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33

Using the Song Lesson Feature

6 Confirm the evaluation in the current
Step.

When the current Step reaches the end, your performance will be evaluated and your score (from
0–100) is shown in the display.

068

Confirming the Passing Status
You can confirm the passing status of each Song
simply by selecting a Song and each Step.
When Step is selected

Excellen

Step01
001

Displayed when you’ve
passed the Step.

✩ : Passed
No information: Not yet passed

Reference

A score between “0”–“59” indicates that you did
not pass this Step and you should try the same
Step again, which begins automatically. A score
of “60”–“100” indicates that you passed this Step
and you should try the next Step, which begins
automatically.

When Song is selected

004

Elise 1
001

NOTE

• If the specified part is both hands, you cannot pass the
Step until you play both hands, even if you play one of the
hands well. Only a message such as “L-part is Nice”
appears in the display.

✩✩✩ :
✩✩✩ :
✩✩✩ :
✩✩✩ :

7 Execute Step 2, 3, 4, and so on.

In the last Step of each Song, you will practice all
the way through the Song. When you pass all
Steps, the Keys to Success mode will automatically be turned off and playback stops.
NOTE

• Even during lesson, you can select another Step by using
the [+]/[-] buttons.

8 To stop this Lesson, press the [KEYS TO
SUCCESS] button.

There are one or more Steps not yet
passed in addition to the last Step
Only last Step passed
All Steps passed other than last Step
All Steps passed

Clearing the Passing Status
You can clear existing passing status entries for the
entire Song or a specific Step of the Song.
To clear the passing status entries of all Steps:
Select the desired Song then hold down the [KEYS
TO SUCCESS] button for longer than three seconds,
with the Keys to Success mode disabled. A “Cleared”
message will appear on the display.
To clear the passing status entry for a specific
Step:
Select the desired Song, enable Keys to Success,
select the desired Step, then hold down the [KEYS
TO SUCCESS] button for longer than three seconds.
A “Cleared” message will appear on the display.
NOTE

• This operation cannot be executed during playback.

34

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Using the Song Lesson Feature

Practicing two or more Phrases

Phrase Repeat
You can practice a difficult phrase repeatedly by
selecting a specific number of the Phrase Marks preprogrammed in the Preset Songs (excepting the
Song numbers 001–003, 103–154). You can confirm
the Phrase Mark location in the Song Book (page 8).
NOTE

• Phrase Mark is a pre-programmed marker in certain Song
data, which indicates a specific location in the Song.

Phrase mark

By setting Phrase A (as the start point) and Phrase B
(as the end point), you can practice two or more
Phrases repeatedly. During Phrase Repeat playback,
press the [A-B REPEAT] button to assign the current
Phrase to Phrase A. When playback reaches to the
desired Phrase, press the [A-B REPEAT] button again
to assign Phrase B. “A-B Rep” appears on the display,
and Repeat playback between Phrases A and B starts.
To cancel this setting, press the [A-B REPEAT] button
again.
NOTE

Reference

• You can set Phrases A and B also when playback is stopped
by selecting the Phrase number via the [+] and [-] buttons.
• Specifying only Point A results in repeat playback between
Point A and the end of the Song.

Repeat playback of this
section

Practicing only a single Phrase
During Song playback, press the [PHRASE REPEAT]
button at the phrase you want to practice. The corresponding Phrase number will appear in the display
and, after a lead-in, repeat playback will start. Turn
off the L or R part (page 29), then practice the
phrase which is turned off repeatedly until you are
satisfied.
Appears when the Phrase
Repeat function is on

P03

REPEAT

Phrase number

Even during repeat playback, you can select any
other phrase number via the [+] or [-] button, and you
can return to normal playback by pressing the
[PHRASE REPEAT] button again.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

35

Using the Song Lesson Feature

Listening, Timing and Waiting
Lesson 1—Listening
In this Lesson, you need not play the keyboard. The
model melody/chords of the part you selected will
sound. Listen to it carefully and remember it well.
Lesson 2—Timing
In this Lesson, simply concentrate on playing the
notes with the correct timing. Even if you play wrong
notes, the correct notes shown in the display will
sound.

Reference

Lesson 3—Waiting
In this Lesson, try playing the correct notes shown on
the display. The Song pauses until you play the right
note, and playback tempo will change to match the
speed at which you are playing at.
NOTE

• If you want to keep a steady playback tempo maintained during Lesson 3: Waiting, set the Your Tempo parameter to OFF
via the Function number 041 (page 47).

3 Press the [1 LISTENING 2 TIMING

3 WAITING] button to start playback of
the Song Lesson.
Pressing this button repeatedly will change the
Lesson number from 1: LISTENING  2: TIMING
 3: WAITING  off  1…. Press this button
until the desired number is shown on the display.

NOTE

• During playback, you can change the Lesson mode by
pressing this button, and you can stop the Lesson at any
time by pressing the [START/STOP] button.
• The Main Voice changes to “000” (One Touch Setting;
page 16) during the Lesson.

4 When Lesson playback reaches to the

end, check your evaluation Grade on the
display.
“2 Timing” and “3 Waiting” will evaluate your performance in four levels.

1 Press the [SONG] button then select a

Excellent! ~~~~~~~~
Very Good! ~~~~~~
Good
~~~~
OK
~~

Song for your lesson.
NOTE

• The Song Lesson can be applied also to the Songs (SMF
format 0 only) transferred from a computer (page 48), but
cannot be applied to the User Songs.
NOTE

• Songs 125 to 154 are not compatible with the Listening,
Timing and Waiting Lessons.

2 Press either or both the [R] and [L] but-

tons to select the part you want to practice.
Left-hand
lesson

Right-hand
lesson

Left

Right

Both-hands
lesson

BothHand
NOTE

• In this step, “No LPart” may appear, indicating that the
current Song does not contain a left-hand part.

36

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

After the evaluation display has appeared, the
lesson will start again from the beginning.
NOTE

• When the melody Voice of the Song is changed, the key
position shown in the display may be shifted (in octave
units), depending on the selected Voice.
NOTE

• The Dual or Split mode cannot be engaged during lessons.

5 Stop the Lesson mode.

You can stop the Lesson mode at any time by
pressing the [START/STOP] button.

Using the Song Lesson Feature

When the “Guide” function is on, you can hear the
Guide note while you are practicing with Lesson 3
(Waiting), and this is ideal when you are not sure of
which keys to play next. The Guide note will sound
slightly behind the timing to indicate the correct note,
when you fail to play the correct note with the correct
timing. When you play the correct note with the correct timing, the Guide note will not sound and the
playback continues.
If you don’t want to hear the Guide note, turn the
function to off in the following steps.

1 Press the [FUNCTION] button several
times until “Guide” (Function 042)
appears.

Guide

Keys to Success with Listening, Timing
or Waiting
You can combine the Keys to Success lesson (page
33) with the Listening, Timing or Waiting lesson
(page 36).

1 Enable the Keys to Success lesson.
Refer to Steps 1–3 on page 33.

2 Select the desired Step via the [+]/[-] buttons, then press the [1 LISTENING
2 TIMING 3 WAITING] button repeatedly
to select the desired lesson.

Reference

Turning the Guide note off

The selected lesson playback starts under the
Keys to Success mode. Practice the phrase of
the current Step via the selected Lesson. As evaluation for each Step, just “Timing is Nice” or “Play
key is Nice” appears, and the passing status is
not available.

042

3 To return to only the Keys to Success
2 Use the [+] and [-] buttons to select the
value “oFF.”

The default value of this function is “on” (Guide
note will sound.)
NOTE

• The Guide setting cannot be changed during the Lesson
mode.

The Guide function can be used for all preset Songs,
except Songs in categories “FAVORITE WITH
STYLE” (left-hand part) and “CHORD PROGRESSION,” and No.79.

mode, press the [1 LISTENING 2 TIMING
3 WAITING] button repeatedly until
“StepXX” (XX: number) appears in the
display.

4 To exit from the Lesson mode, press the
[KEYS TO SUCCESS] button.

Phrase Repeat with Listening, Timing
or Waiting
With Phrase Repeat set to On, press the [1 LISTENING 2 TIMING 3 WAITING] button once, twice or
three times to start and use Lesson playback with
Phrase Repeat. Pressing the same button again several times to exit from the Lesson mode stops playback and allows use of just the Phrase Repeat
mode.
NOTE

• In this status, the evaluation function is not available.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

37

Learning How to Use “Touch” Control
(Touch Tutor)
This learning feature lets you practice how hard or soft to play the keys for musical
expression, referred to as “Touch” in this chapter, by playing back Song numbers 103 to
112 (in the “Touch Tutor” category). Playing back Songs from this category shows indications for the appropriate playing strength. Try playing according to the level displayed in the LCD as the Song progresses.
NOTE

• Be sure to set the Touch Response parameter (page 18) to a
value other than “Fixed.” When set to “Fixed,” the Touch Tutor
function is inactive.

Try playing so that the indications below appear
(as target values) while you play.

00
: Soft
00000
: Medium
00000000 : Hard

1 Select a Song from Song numbers 103 to

Reference

112 in the “Touch Tutor” category by
executing Step 1 in “Selecting and Playing Back a Song” on page 27.

To play with the same Voice that is used in a performance data, select Voice number “000” (OTS;
page 16). After this operation, please make sure
to go back to the Touch Tutor display by pressing
the [SONG] button.

103

“/” remains or “~” will be shown when your touch
is softer or harder than the target value.

Your touch is harder than the target value
(Target value: medium, your touch: hard)
Target value: medium

TTutor01

00000~~~

2 Press the [START/STOP] button to play

Your touch: hard

back the selected Song.

3 When the following display appears,

play the notes shown in the display with
the strength level displayed in the LCD.

Your touch is softer than the target value
(Target value: medium, your touch: soft)
Target value: medium

Play while the strength level is shown.

00///
Strength level (Target value)

//
: Soft
/////
: Medium
//////// : Hard

103

////////
003

Your touch: soft

4 To stop the playback, press the [START/
STOP] button.

To exit from the Touch Tutor mode, select a Song
from any other category, except “Touch Tutor.”
NOTE

The notes to play are indicated in the
graphic keyboard in the display.

Your actual playing “Touch” is indicated by “0.”

38

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

• This function cannot be used with Keys To Success.

Hearing and Experiencing the Sound of
the Chords (Chord Study)
You can hear and experience the sound of the chords used in a typical performance by
playing back Song numbers 113 to 124 (in the “Chord Study” category). Song numbers
113 to 119 are very simple songs consisting of a single chord (C, Dm, Em, F, G, Am, Bm;
respectively) played in various positions, letting you listen to and master the chords
one by one. On the other hand, Song numbers 120 to 124 consist of several chords
strung together in a pattern, for experiencing and understanding basic chord progressions. Hear and experience the sound of simple chords and progressions by playing
back these Songs, and play the keyboard while following along with the music notation
and key/chord indications shown in the display.

1 Select a Song from Song numbers 113 to
119 in the “CHORD STUDY” category by
executing Step 1 in “Selecting and Playing Back a Song” on page 27.

2 Press the [START/STOP] button to play
back the selected Song.

3

Hear and experience basic
chord progressions

Reference

Hear and experience a sound of
a single chord

1 Select a Song from Song numbers 120 to
124 by pressing the [+]/[-] buttons.

2 Press the [START/STOP] button to play
back the selected Song.

3 Play the keyboard while looking at the
notes shown on the display.

Play the keyboard while looking at the
notes shown on the display.

113

ChdStd01
003

NOTE

• When playing the keyboard while playing back a Song,
you should turn off any parts you don’t intend to have
played back (page 29), to avoid exceeding the maximum
number of simultaneous notes.

If you feel it difficult to play the notes, use the
Waiting function (page 36) to have the Song
automatically pause until you play the correct
notes. Press the [1 LISTENING 2 TIMING 3
WAITING] button repeatedly until “WAITING”
appears in the display. To exit from the Waiting
function, press the same button again.

Listen to the basic chord progression, and play
along with the Song repeatedly until you can
smoothly perform and play along with the chord
changes.
If you feel it difficult to play the notes, use the
Waiting function (page 36) to have the Song
automatically pause until you play the correct
notes. Press the [1 LISTENING 2 TIMING 3
WAITING] button repeatedly until “WAITING”
appears in the display. To exit from the Waiting
function, press the same button again.

4 To stop the playback, press the [START/
STOP] button.

4 To stop the playback, press the [START/
STOP] button.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

39

Playing Chords along with Chord Progressions of a Song
Song numbers 125 to 154 in the “Chord Progression” category are constructed from typical chord progressions. You can listen to and get a feel for the chord progressions by
playing back the Song and playing the keyboard while looking at the notes shown on the
display. The number of keys that are indicated for you to play progress in sequence—
from a single root note, to two notes, then three and four—getting you to gradually and
naturally memorize the chords. Also, you can change the key of the Song, allowing you to
practice the progressions in all keys for full mastery of the chords.

1 Select a Song from Song numbers 125 to
154 in the “Chord Progression” category
by executing Step 1 in “Selecting and
Playing Back a Song” on page 27.

the [PHRASE REPEAT] button.
2 Press
After “CHORD PROGRESSION” scrolls across the

To change the key of a Song:
When Chord Progression is on, press one of the
keys in the top octave (C5–B5; indicated to the right
of “ROOT” on the panel, just above the keys) to
change the tonic pitch of the Song.
Root range

Reference

display, the tonic pitch of the selected Song and
the number of the keys to be pressed are shown.
Db Eb F# Ab Bb

The tonic pitch of the selected Song: C

C D E F G A B

CPg
Appears when Chord
Progression is on.

C 1Note
The number of the keys
to press: 1

For example, if you press the key D5 in the Song
of C major, the key changes to D major.
NOTE

• The key of a Song cannot be changed during playback.

NOTE

• The initial key setting is C major or A minor.

3

Press the [+]/[-] buttons to select the number of the keys to be played.
Each time the [+] button is pressed, the number
of the keys to press is increased from just one
root note (1Note) to two notes (2Notes), three
notes (3Notes) and four notes (All).

CPg

C 2Notes

NOTE

• The number of the keys to press can also be set by using
the number buttons [1]–[4].

4 Press the [START/STOP] button to play

The number of the keys to be played
 Only one root note (1Note)
Press only the root note of the chord.

 Two notes (2Notes)
Press the 3rd interval of a chord along with the root
note, and understand the difference between major
chords and minor chords.
 Three notes (3Notes)
Press the 5th interval of a chord along with the root
note and the 3rd.
 Four notes (All)
Press all the notes that make up the chord. Very
often, chords are played with just three notes; however, another interval (such as a 7th) is sometimes
added. Keep in mind that depending on the chord,
there may be no 4th note.

back the selected Song.

5 Play the keyboard looking at the notes
shown on the display.

CPg

C 1Note
001

NOTE

• When you play the keyboard within the range of C5–B5,
the notes will not sound.

the [PHRASE REPEAT] button
6 Press
again to turn the Chord Progression
function off.
40

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Play the chords in combination
with “Waiting” of the Lesson
function
You can practice the playing the chords in combination with “Waiting” (page 36) of the Lesson function
by simply pressing the [1 LISTENING 2 TIMING
3 WAITING] button once.
NOTE

• Even if you play notes in octaves outside of the notes shown on
the display (excluding the range of C5–B5, which are used to
change the key of a Song), as well as different inversions of the
chords, the playback will progress.

Recording Your Performance
You can record up to 5 of your performances as User Songs (User 1–5: Song numbers
155–159). The recorded User Songs can be played back on the instrument. The
recorded User Song can be played back in the same way as the preset Songs.
To exit from the Record mode, press the [REC]
button again to stop flashing on the display.

You can record your performance to the following two
tracks of a User Song individually or simultaneously.
Track 1:
Your melody performance is recorded to this track.
Track 2:
Your melody performance, or Style playback (Chord
changes and Section changes), is recorded to this
track.

NOTICE
• If all User Songs contain recorded data, “User 1 (Song
Number 155)” will automatically be selected. In this
case, since you will record over and erase any previous data in “User 1,” we recommend that you save
your important data to a computer (see page 48).
NOTE

• ACMP cannot be turned on or off in this status while you
can select another Style in this status by using the
[STYLE] and Number buttons.

Reference

Track Structure of a Song

3 Play the keyboard to start recording.
Recording Data Capacity:
A total of approximately 10,000 notes or 5,500 chord
changes can be recorded to the five User Songs.

If ACMP is turned on, you can independently
record just the rhythm sound of Style playback by
pressing the [START/STOP] button then changing the Section (page 24).
Split Point ... default setting: 054 (F#2)
36

Quick Recording

48

60

72

The operation is convenient for recording a new
Song without having to specify a track.

1 Make the desired settings such as Voice
and Style settings.

If you want to record only the melody performance, turn ACMP off (page 22). If you want to
record Style playback or Rhythm playback as well
as melody performance, turn ACMP on (page 22).

2 Press the [REC] button to enter the
Record Ready mode.

This operation selects the lowest-numbered unrecorded User Song (“User 1”–“User 5”) as the
recording target, if a User Song has not been
specified in advance or if Record Ready mode has
been entered from the Style mode. If you want to
select another Song, use the [+] and [-] buttons.

Auto Accompaniment range

4 Press the [START/STOP] button to stop
recording.

When using a Style, you can stop recording also
by pressing the [INTRO/ENDING/rit.] button then
waiting until playback ends.
NOTICE
• After Recording stops, a “Writing!” message is shown
on the display for a while. Never attempt to turn the
power off while this is shown in the display. Doing so
can damage the internal memory and result in a loss
of data.

5 To play back the recorded Song, press
the [START/STOP] button.

Limitations while Recording
• You cannot record the Reverb Level, metronome
click, or the Transpose and Tuning settings.
• The following settings and buttons are not available,
or if operated, the new settings cannot be recorded:
ACMP ON/OFF, Split Point, Reverb Type, Chorus
Type, Harmony/Arpeggio Type, [FUNCTION] button, [PORTABLE GRAND] button.

User Song Number

EC

User 1
001
Flashes

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

41

Recording Your Performance

Recording to a Specified Track
1 Make the desired settings, such as those
of Voice or Style.

If you want to record the melody performance,
turn ACMP off (page 22). If you want to record
Style playback, turn ACMP on (page 22).

2 While holding down the [REC] button,

press the desired Track button 1 or 2 to
engage the Record mode.

Reference

If you want to record Style playback, make sure to
select the Track 2. If you want to record melody
performance, select either Track 1 or Track 2 as
desired. The illustration below is the example
when selecting Track 2.

Clearing a User Song
1 Press the [SONG] button then select the

desired User Song by using the Number
buttons.

2 Press and hold the [REC] button for longer than a second.

A confirmation message appears.

YES

ClrUser1

Hold for longer
than a second.

To cancel the operation, press the [-/NO] button.

3 Press the [+/YES] button.

A confirmation message appears again.

The User Song appears on the display.
User Song

EC

User 1

YES

Sure?

001

To cancel the operation, press the [-/NO] button.
If Track 2 is selected as Recording target for
example and Track 1 contains already recorded
data, L flashes and R lights in the display. Turning
on or off R via the [TRACK 1] button will determine whether you listen to a previously recorded
Track or not while recording a new Track.

3 Press the [+], [-] buttons to select the
User Song you want to record.

4 Same as in Steps 3 to 5 (page 41) in
“Quick Recording.”

42

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

4 Press the [+/YES] button to clear the
Song.

A “Writing!” message appears while the track is
being cleared.

Memorizing Your Favorite Panel Settings
This instrument has a Registration Memory feature that lets you memorize your favorite
settings for easy recall whenever they’re needed. Up to nine complete setups can be
memorized and assigned to each number button 1–9.

Recalling Panel Settings from
the Registration Memory

1 Make the desired settings such as those

1 Press the [REGIST MEMORY] button.

2 Press and hold down the [REGIST MEM-

LoadNo.?

for Voice and Style.

“LoadNo.?” appears on the display.

ORY] button for longer than a second.

Reference

Memorizing Panel Settings to
the Registration Memory

“MemNo.?” appears on the display.

MemNo.?
Hold for longer
than a second.

2 Press one of the [1]–[9] buttons to call
up the panel settings you memorized.

The recalled REGIST MEMORY number appears
in the display.

3 Press one of the [1]–[9] buttons to memorize the current panel settings.

If you select a Registration Memory number that
already contains data, an “Overwr?” message
appears in the display. To overwrite, press the
[+/YES] button; to cancel, press [-/NO].

01

REGIST 1

The REGIST MEMORY number can be changed
by pressing one of the other [1]–[9] buttons.
NOTICE
• If you select a Registration Memory number that
already contains data, the previous data is deleted and
overwritten by the new data.
• Do not turn off the power while memorizing settings to
the Registration Memory, otherwise the data may be
damaged or lost.

Parameters that can be memorized to Registration Memory
 Style settings*
Style number, ACMP on/off, Style volume, Tempo,
Main A/B
 Voice settings
Main Voice settings: Voice number and all settings
of the related Functions
Dual Voice settings: Dual on/off and all settings of
the related Functions
Split Voice settings: Split on/off and all settings of
the related Functions
 Effect settings: Reverb Type, Reverb level, Chorus
Type, Voice output, Panel Sustain on/off
 Harmony/Arpeggio settings: Harmony/Arpeggio
on/off and all settings of the related Functions
 Other settings: Transpose, Split Point
* When a Song is selected, the Style settings cannot be
recorded or called up. Also, in the Duo mode, only Style
settings can be recorded or called up.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

43

Selecting an EQ Setting for the Best Sound
Six different master equalizer (EQ) settings give you the best possible sound when listening through different reproduction systems—the instrument’s internal speakers,
headphones, or an external speaker system.

1 Hold down the [REVERB] button for lon-

ger than a second to call up “MasterEQ”
(Function 025; page 46).
“MasterEQ” is shown in the display for a few seconds, and the current Master EQ type appears.

MasterEQ
025

Reference

Hold for longer
than a second.

1

Speaker
025
Current Master
EQ type

2 Use the [+] or [-] button to select the
desired Master EQ type.
Master EQ types

44

1

Speaker

Optimum for listening via the instrument’s built-in speakers.

2

Headphone

Optimum for headphones, or for listening via external speakers.

3

Boost

Features more powerful sound.

4

Piano

Optimum for piano solo performance.

5

Bright

Lowers the mid range for a brighter
sound.

6

Mild

Lowers the high range for a softer
sound.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

The Functions
The Functions settings provide access to a range of detailed instrument parameters
such as Tuning, Split Point, Voices and Effects.

1 Press the [FUNCTION] button several

2 Set the value by using the number but-

times until the desired item appears.

tons [0]–[9], [+], [-].

Each time the [FUNCTION] button is pressed, the
Function number increases one by one. To
decrease the Function number by one, simultaneously hold down the [FUNCTION] button and
press the [-] button briefly. Simply pressing only
the [+] or [-] button does not change the Function
number.

Direct
numeric entry.

Press several
times as
necessary

00

• Increment
value by 1.
• Yes
• On

NOTE

Function name

Current value

Press simultaneously
to recall the default
setting.

Reference

• Decrement
value by 1.
• No
• Off

• To exit the Function settings, press one of these buttons;
[SONG], [VOICE] or [STYLE].

Transpos
005
Function number

After a few seconds, the Function name may be
replaced with the setting value depending on the
selected Function.
NOTE

• The Function number does not appear in the display during Song, Style or metronome playback. The beat value
appears instead.

Function List
Function
Number

Function name

Display

Range/Settings

Default
Value

Descriptions

Volume
001

Style Volume

StyleVol

000–127

100

Determines the volume of the Style while a Style is selected.
(page 22)

002

Song Volume

SongVol

000–127

100

Determines the volume of the Song while a Song is selected.
(page 27)

003

[AUX IN] Audio
Volume

AuxInVol

000–127

50

Adjusts the volume of audio playback, input from the [AUX IN]
jack (page 30).

004

[USB TO HOST]
Audio Volume

USBINVol

000–127

100

Adjusts the volume of audio playback, input from the [USB TO
HOST] terminal (page 48).

005

Transpose

Transpos

-12–12

006

Tuning

Tuning

427.0Hz–453.0Hz

440.0Hz

Determines the fine tuning of the pitch of the entire instrument in
approx. 0.2Hz increments.

007

Split Point

SplitPnt

036–096 (C1–C6;
PSR-E363, YPT-360)/
028–103 (E0–G6;
PSR-EW300)

54 (F#2)

Determines the highest key for the Split Voice and sets the Split
“point”—in other words, the key that separates the Split (lower)
and Main (upper) Voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value.

008

Touch Response

TouchRes

1 (Soft),
2 (Medium),
3 (Hard),
4 (Fixed)

Overall
0

2 (Medium)

Determines the pitch of the instrument in semitone increments.

Refer to the page 18.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

45

The Functions

Function
Number

Function name

Display

Range/Settings

Default
Value

Descriptions

Style file
009

Style Register

StyleReg

001–nnn

–

Select and register a Style file from flash files that are loaded
from computer (page 23).

*

Adjusts the volume of keyboard performance when performing
along with a Song or a Style.

Main Voice (page 16)
010

Volume

M.Volume

000–127

011

Octave

M.Octave

-2 – +2

*

Determines the octave range for the Main Voice.

012

Chorus Depth

M.Chorus

000–127

*

Determines how much of the Main Voice’s signal is sent to the
Chorus effect.

Dual Voice (page 17)

Reference

013

Dual Voice

D.Voice

001–574

*

Selects a Dual Voice.

014

Volume

D.Volume

000–127

*

Determines the volume of the Dual Voice.

015

Octave

D.Octave

-2 – +2

*

Determines the octave range for the Dual Voice.

016

Chorus Depth

D.Chorus

000–127

*

Determines how much of the Dual Voice’s signal is sent to the
Chorus effect.

Split Voice (page 17)
017

Split Voice

S.Voice

001–574

*

Selects a Split Voice.

018

Volume

S.Volume

000–127

*

Determines the volume of the Split Voice.

019

Octave

S.Octave

-2 – +2

*

Determines the octave range for the Split Voice.

020

Chorus Depth

S.Chorus

000–127

*

Determines how much of the Split Voice’s signal is sent to the
Chorus effect.

021

Reverb Type

Reverb

1–4 (Hall 1–4)
5 (Cathedral)
6–8 (Room 1–3)
9–10 (Stage 1–2)
11–12 (Plate 1–2)
13 (Off)

**

Determines the Reverb type, including off (13). (page 75)

022

Reverb Level

RevLevel

000–127

64

Determines how much of the Voice’s signal is sent to the Reverb
effect.

023

Chorus Type

Chorus

1 (Chorus1)
2 (Chorus2)
3 (Chorus3)
4 (Flanger1)
5 (Flanger2)
6 (off)

**

Determines the Chorus type, including off (6). (page 75)

024

Panel Sustain

Sustain

ON/OFF

025

Master EQ Type

MasterEQ

1 (Speaker)
2 (Headphone)
3 (Boost)
4 (Piano)
5 (Bright)
6 (Mild)

026

Suppressor Pan

SupprPan

L63 – C – R63

Effects

027

Voice Output

VoiceOut

1 (Normal)
2 (Separate)

OFF

Determines whether the Panel Sustain function is on or off.
(page 18)

Sets the equalizer applied to the speaker output or headphone
1 (Speaker) output for optimum sound in different listening situations.
(page 44)

C

Adjusts the position of the playback sound of the external audio
device to be canceled or lowered (page 31).

When a Split Voice (page 17) is turned on or Duo mode (page 21)
is on, this function is effective. If “Normal” is selected, the performance sounds of the left Voice and the right Voice will sound from
both the left and right speakers. If “Separate” is selected, the perDuo mode: formance sound of the left Voice will sound from the left speaker,
2 (Separate) and the performance sound of the right Voice will sound from the
right speaker.
Split Mode:
1 (Normal)

Harmony/Arpeggio (page 19)

46

028

Harmony/
Arpeggio Type

Harm/Arp

001–026 (Harmony)
027–176 (Arpeggio)

*

Determines whether the Harmony type or Arpeggio type is
selected.

029

Harmony Volume

HarmVol

000–127

*

Determines the volume of the Harmony effect.

030

Arpeggio Velocity

Arp Velo

1 (Original)
2 (Thru)

**

Determines the Arpeggio velocity. If “Thru” is selected, arpeggios
will be played back at a volume matching the strength at which
you play the keyboard. If “Original” is selected, arpeggios will be
played back at their original volume regardless of your playing
strength.

031

Pedal Function

Pdl Func

1 (Sustain)
2 (Arp Hold)
3 (Hold+Sus)

*

Refer to the page 20.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

The Functions

Function
Number

Function name

Display

Range/Settings

Default
Value

Descriptions

MIDI

032

Local Control

Local

ON/OFF

ON

Determines whether the instrument’s keyboard controls the internal tone generator (ON) or not (OFF). When you record your keyboard performance to the application software on the computer
via MIDI, set this parameter to OFF.

033

External Clock

ExtClock

ON/OFF

OFF

Determines whether the instrument synchronizes to the internal
clock (OFF) or an external clock (ON). When you record your keyboard performance to the application software on the computer
via MIDI, set this parameter to ON.

034

Initial Send

InitSend

YES/NO

–

Lets you send the data of the panel settings to a computer. Press
[+/YES] to send, or press [-/NO] to cancel. This operation should
be done immediately after starting the Recording operation on
the computer.

ON

Determines whether Audio sound input from the [USB TO HOST]
terminal is returned to the computer or not with the performance
played on the instrument. If you want to output only the sound
played on this instrument to the computer, set this parameter to
OFF.

035

Audio Loop Back

LoopBack

ON/OFF

TimeSigN

00–60

**

Determines the time signature of the Metronome.

**

Determines the length of each metronome beat.

Reference

Audio (page 30)

Metronome (page 16)
036

Time Signature
Numerator

037

Time Signature
Denominator

TimeSigD

Half note, Quarter
note, Eighth note,
Sixteenth note

038

Metronome
Volume

MetroVol

000–127

100

Determines the volume of the Metronome.

01

Determines the guide track number for your right hand lesson.
The setting is only effective for Songs in SMF format 0 transferred
from a computer.
Select a Song you want to use for the lessons, select the “RPart,” then use the number buttons [0]–[9], [+] and [-] to select the
channel you want to play back as the specified right-hand part.
We recommend that you select channel 1 for the right-hand part.

Lesson (page 32)

039

Lesson Track (R)

R-Part

01–16

040

Lesson Track (L)

L-Part

01–16

02

Determines the guide track number for your left hand lesson. The
setting is only effective for Songs in SMF format 0 transferred
from a computer.
Select a Song you want to use for the lessons, select the “L-Part,”
then use the number buttons [0]–[9], [+] and [-] to select the channel you want to play back as the specified left-hand part. We recommend that you select channel 2 for the left part.

041

Your Tempo

YourTemp

ON/OFF

ON

This parameter is for the Lesson 3 “Waiting.” When set to ON,
playback tempo will change for matching the speed you are playing at. When set to OFF, playback tempo will be maintained
regardless of the speed you are playing at.

042

Guide

Guide

ON/OFF

ON

Determines whether the Guide note sounds (ON) or not (OFF)
during the “Waiting” lesson.

Demo (page 27)
043

Demo Group

DemoGrp

1 (Demo)
2 (Preset)
3 (User)
4 (Download)

1 (Demo)

Determines the repeat playback group.

044

Demo Play Mode

PlayMode

1 (Normal)
2 (Random)

1 (Normal)

Determines the repeat playback mode.

AutoOff

OFF, 5/10/15/30/60/
120 (minutes)

30 minutes

Specifies the time that will elapse before the instrument’s power
is automatically turned off.

Battery

1 (Alkaline)
2 (Ni-MH)

1 (Alkaline)

Selects the type of batteries you have installed to this instrument.
Alkaline: Alkaline battery/manganese battery
Ni-MH: Rechargeable battery

Auto Power Off (page 13)
045

Auto Power Off
Time

Battery (page 13)
046

Battery Type

* The appropriate value is automatically set for each Voice combination.
** The appropriate value is automatically set for each Song, Style or Arpeggio.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

47

Using with a Computer or iPhone/iPad
Connecting to a computer
Connecting the [USB TO HOST] terminal of this
instrument and the computer via a USB cable allows
you to transmit/receive MIDI and Audio data (USB
Audio) to/from the computer. For details on using a
computer with this instrument, refer to the online PDF
manual (page 8) “Computer-related Operations.”
The [MASTER VOLUME] dial setting on this instrument does not affect the signal output to USB Audio.
USB
terminal

[USB TO HOST]
terminal

Reference

computer

instrument
USB cable

NOTICE
• Use an AB type USB cable of less than 3 meters. USB 3.0
cables cannot be used.
• If you are using a DAW (digital audio workstation) with this
instrument, set the Audio Loop Back (page 47) to OFF. Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.

Files that can be transferred from a computer to
this instrument (and vice versa).
• Song: (.mid) SMF format 0/1
Song files created on an external device such as other
instrument or a computer can be transferred between
the computer and this instrument. User Song
recorded on this instrument cannot be transferred to a
computer as a single file, but can be stored as a part
of backup file.
• Style: (.sty)
This instrument doesn’t have a function for creating
Styles. However, Style files created on another instrument or a computer can be transferred to this instrument from the computer. 50KB is the maximum
capacity for one Style file. Style files over this limit are
not shown in the display.
• Backup File*: PSR-E363.BUP (PSR-E363)/
PSREW300.BUP (PSR-EW300)/
YPT-360.BUP (YPT-360)
* Backup parameters (as described in next chapter) other
than “Passing Status of Keys to Success” can be transferred and saved to a computer via Musicsoft Downloader as a single Backup file.

For details on using a computer with this instrument,
refer to the online PDF manual (page 8) “Computerrelated Operations.”
NOTE

• Files that can be transferred to this instrument is up to
approx. 1.3MB total for Songs and Styles.

NOTE

• If you transfer the Style file from the computer to this instrument, you need to register it to this instrument for Style playback. For details, refer to the “Registering a Style File” on
page 23.
NOTE

• Song, Style and keyboard performance data are transmitted
to an external device via MIDI by playing the Song or Style, or
by playing the keyboard. As for Songs, only User Song data
can be transmitted to an external device via MIDI by playing
back the Song.

Connecting an iPhone/iPad
By connecting your iPhone/iPad to the instrument,
you can take advantage of various functions. For
details on connections, refer to the online PDF manual (page 8) “iPhone/iPad Connection Manual.” For
information about the compatible smart devices and
application tools, access the following page:
https://www.yamaha.com/kbdapps/
NOTICE
• If you are using a DAW (digital audio workstation) with this
instrument, set the Audio Loop Back (page 47) to OFF. Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.

48

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Backup and Initialization
Backup Parameters
The following Backup parameters will be maintained
even if the power is turned off.
Backup parameters other than “Passing Status of
Keys to Success” can be transferred and saved to a
computer as a single Backup file (with the extension:
.BUP). This backup file can be loaded to the instrument for future.
For details on using a computer with this instrument,
refer to the online PDF manual (page 8) “Computerrelated Operations.”

Initialization
You can initialize your original data via the following
two methods.

Backup Clear
This operation initializes the backup parameters.
While holding down the highest white key, press the
[ ] (Standby/On) switch to turn the power on.
PSR-E363, YPT-360

Reference

The highest white key

Backup parameters
•
•
•
•
•

User Songs (page 41)
Style Number 166–175 (page 23)
Registration Memory (page 43)
Passing Status of Keys to Success (page 34)
FUNCTION Settings: (page 45)
Tuning, Split Point, Touch Response, Style Volume,
Song Volume, Metronome Volume, Your Tempo,
Demo Group, Demo Play Mode, Master EQ type,
Panel Sustain, Auto Power Off, Battery Type,
Guide, Audio Loop Back

In addition to the Backup parameters above, all the
data (including Style data that have not been loaded)
transferred from the connected computer will be
maintained even if you turn off the power.

PSR-EW300

Flash Clear
This operation deletes all the Songs and Styles that
have been transferred from a computer. Note that
Style data registered to Style numbers 166–175 will
be maintained. While simultaneously holding the
highest white key and the three highest black keys,
press the [ ] (Standby/On) switch to turn the power
on.
PSR-E363, YPT-360

The highest white key
and the three highest
black keys

PSR-EW300

NOTICE
• Keep in mind that Backup Clear and Flash Clear also
delete the data you have purchased. Be sure to save the
important data to a computer via Musicsoft Downloader
(MSD) software.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

49

Troubleshooting
Appendix

Problem

Possible Cause and Solution

When the instrument is turned on or off, a popping
sound is temporarily produced.

This is normal and indicates that the instrument is receiving electrical
power.

When using a mobile phone, noise is produced.

Using a mobile phone in close proximity to the instrument may produce
interference. To prevent this, turn off the mobile phone or use it further away
from the instrument.

Noise is heard from the instrument’s speakers or
headphones when using the instrument with the
application on iPhone/iPad/iPod touch.

When you use the instrument along with the application on your iPhone/iPad/
iPod touch, we recommend that you set “Airplane Mode” to “ON” on your
iPhone/iPad/iPod touch in order to avoid noise caused by communication.

There is no sound even when the keyboard is played
or when a song or style is being played back.

Check that nothing is connected to the [PHONES/OUTPUT] jack on the rear
panel. When a set of headphones is plugged into this jack, no sound is output.
Check the Local Control on/off setting. (See page 47 Function 032.)

Appendix

Playing keys in the right hand area of the keyboard
does not produce any sound.

When using the Dictionary function (page 26), the keys in the right hand
area are used only for entering the chord root and type.

Not all of the voices seem to sound, or the sound
seems to be cut off.

The instrument is polyphonic up to a maximum of 48 notes—including Dual
voice, Split Voice, auto accompaniment, song, and Metronome.
Notes exceeding this limit will not sound.

The harmony doesn’t sound.

The method of sounding the Harmony effect (01–26) differs depending on the
selected type. For Types 01–05, turn the Auto Accompaniment on and play it
by pressing a chord in the auto accompaniment section of the keyboard, then
play some keys in the right-hand side to produce the Harmony effect. For
Types 06–26, turning auto accompaniment on or off has no effect. However,
it is necessary to play two notes simultaneously for Types 06–12.

The Style or Song does not play back when the
[START/STOP] button is pressed.

Is External Clock set to ON? Make sure External Clock is set to OFF; refer
to “Function Settings” on page 47 (Function 033).

The ACMP ON indicator does not appear when the
[ACMP ON/OFF] button is pressed.

• Always press the [STYLE] button first when you are going to use any
Style-related function.
• The ACMP ON indicator does not appear when the Duo mode is on.

The Style does not sound properly.

Make sure that the Style Volume (page 45 Function 001) is set to an appropriate level.
Is the Split Point set to an appropriate key for the chords you are playing?
Set the Split Point to an appropriate key (page 45 Function 007).
Is the “ACMP” indicator showing in the display? If it is not showing, press
the [ACMP ON/OFF] button so that it does show.

The Style does not sound as you play a chord.

• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g., some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
• Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.

The footswitch (for sustain) seems to produce the
The polarity of the footswitch is reversed. Make sure that the footswitch plug
opposite effect. For example, pressing the footswitch
is properly connected to the [SUSTAIN] jack before turning on the power.
cuts off the sound and releasing it sustains the sounds.

50

The sound of the voice changes from note to note.

This is normal. The AWM tone generation method uses multiple recordings
(samples) of an instrument across the range of the keyboard; thus, the
actual sound of the voice may be slightly different from note to note.

•
•
•
•

The volume is too soft.
The sound quality is poor.
The rhythm stops unexpectedly or will not play.
The recorded data of the song, etc. does not play
correctly.
• The LCD display suddenly goes dark, and all panel
settings are reset.

The batteries are low or dead. Replace all six batteries with completely new
ones, or use the included AC adaptor.

Power suddenly and unexpectedly turns off.

This is normal and the Auto Power Off function may have been activated
(page 13). If you need to disable the Auto Power Off function, select “Off” in
the Function settings (Function 045; page 47).

When the instrument is turned on, power is turned off
suddenly and unexpectedly.

The protection circuit has been activated due to over current. This may
occur when an AC adaptor other than the one specified is used, or an AC
adaptor is damaged. Use the specified adaptor (page 77) only. If it should
appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

MEMO

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

51

Song Book Sample
This score is provided with the part of the song book (free downloadable scores).
The song book contains not only the scores for all internal songs (excepting Songs 1–3) but also music terms and important
points for your practice. To obtain the Song Book, complete the user registration at the following website.
Yamaha Online Member

https://member.yamaha.com/

* The Song book is provided in English, French, German and Spanish.
This example introduces part of the English song book.

Für Elise

L. v. Beethoven

Basic
Song No.004

Für Elise

With Step Map

.......................................................................12

Für Elise is an all-time classical favorite.
The beautiful, well-known melody is repeated a number of times.
In each step you won’t be practicing alone. You have a wonderful orchestra to back you up!

Appendix

First, listen to the example a few times. It won’t be long before you’ll want to start playing it yourself!

Warm-up Exercise - “The Semitone Mystery” .................................... 14
Diligent Practice Time ................................................................ 15
Warm-up Exercise - “Basic Accompaniment”..................................... 16
Diligent Practice Time ................................................................ 16
First Half Review ...................................................................... 17
Diligent Practice Time ................................................................ 17
Warm-up Exercise - “The Jump Competition” .................................... 18
“EEEEE!” ................................................................................ 18
“Left! Right! Left! Right!” ............................................................ 19
Second Half Review ................................................................... 19
Play the Whole Song! ................................................................. 19

52

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Song Book Sample

Before Playing...
Sit Correctly

Finger Numbering
3

2

4

3

2

4

5

5
1

1

Left

Right

Sit near the middle of the keyboard.

Reading the Score
The Keyboard, Staff Lines, and Clef
1 octave
2 black keys

D

E

F

G

A

B

C

D

E

F

G

A

B

M
i
d
d
l
e
C

D

E

F

G

A

B

C

D

E

F

G

A

B

C

D

E

F

G

A

B

C

Appendix

C

3 black keys

Treble clef

Bass clef

Accidentals


B
N

(Sharp)

Raise a semitone

(Flat)

Lower a semitone

(Natural)

Return to normal pitch

1

2

3

4

Whole note



Whole note rest

Dotted half note



Dotted half note rest

Half note



Half note rest

Dotted quarter note



Dotted quarter note rest

Quarter note



Time signature

Notes and Rests



Key signature

Clef

Quarter note rest

Eighth note



Eighth note rest

Sixteenth note



Sixteenth note rest

Time Signatures and Counting Time
4/4 time

2/2 time

2/4 time

3/4 time

6/8 time

9/8 time





PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

53

Song Book Sample

Song No.004

Song No.004

Basic

Für Elise
With Step Map
Play with both hands as if gently telling a story. It might help to sing or hum the melody as you play.
Similar melody lines and rhythms are repeated in this song, so there aren’t as many sections to practice as
you might think. Enjoy learning each section as you build proficiency.

Appendix

From here...

54

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Song Book Sample

Song No.004

Song No.004

Für Elise

Basic

From here...

Appendix

...to here

Für Elise Basic

...to here

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

55

Song Book Sample

Für Elise Basic

Song No.004

Für Elise

Basic

Let’s start with a warm-up exercise using three fingers of the right hand.

ise

Warm-up Exercise - “The Semitone Mystery”

ed for this
us

erc
ex

Finge
rs

Song No.004

Right

We’ll start by ascending and descending the white and black keys. Check out the
illustrations until you understand how the fingers are supposed to move, then get
started!
You’ll find it easier to play if you bend your fingers slightly.

M
i
d
d
l
e
C

M
i
d
d
l
e

E

C

A

E

Appendix
M
i
d
d
l
e
C

A

B

C

D

Tip-toe

Go back to the beginning and play it again.

56

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Song Book Sample

Song No.004

Song No.004

Für Elise Basic
Für Elise

Basic

Diligent Practice Time
Right! Now that we’re warmed up let’s try playing along with the orchestra in 3/4 time.
The melody will be built up little by little.

Appendix

Compare each line... notice that many of the shapes formed by the notes are very similar.

Short break

Almost done E

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

57

Song Book Sample

Song No.004

Für Elise Basic

Song No.004

Für Elise

Basic

M
i
d
d
l
e

Left hand

Warm-up Exercise - “Basic Accompaniment”
E

A

E

A

And now a warm-up exercise for the left hand.
It’s important to spread your fingers widely from the start.
Don’t play the black keys too strongly.

Appendix

Diligent Practice Time
Connect the notes smoothly, as if the left hand were passing them to the right hand. You’ll be able to play
smoothly if you move the left hand into position for the next phrase as soon as it finishes playing the first
phrase.

58

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

C

Song Book Sample

Song No.004

Song No.004

Für Elise Basic
Für Elise

Basic

First Half Review
You’ve reached the halfway step! Have you learned all the material provided in the preceding steps?
Now let’s go back and play through all the first-half exercises. If you find that you’re having trouble

Appendix

playing any of the material, go back and review the steps using the Step Map as a guide.

Diligent Practice Time
OK, let’s begin the second half!
You’ll be able to play the melody nicely if you lift your fingers from the keyboard between the slurs.
It might be easier to grasp the key release timing if you sing along with the melody.
Don’t panic and play too strongly where the left hand has to play short notes.

Always have left-hand finger 5 ready to play the next note!

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

59

Song Book Sample

Song No.004

Für Elise Basic

Song No.004

Für Elise

Basic

Left hand

Jump to the
next E!
And again!

Warm-up Exercise - “The Jump Competition”
The first note has a staccato dot.
Spread your fingers wide and jump quickly to the next note!

M
i
d
d
l
e

E

ngers!
se fi

You can play

t

with only
the

his

Appendix

“EEEEE!”
The only note in this step is E!
Make the connection between the left and right hands as smooth as possible.

60

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

E

C

E

Song Book Sample

Song No.004

Song No.004

Für Elise Basic
Für Elise

Basic

“Left! Right! Left! Right!”

Play “D E” repeatedly, alternating the left and right hands.

Have the next hand ready in position to play D so you won’t have to rush.

Right

Appendix

Left

Second Half Review
Try playing all the way through the second half.
As we did after the first half, if there are places you can’t play with confidence go back and review the steps.

Play the Whole Song!
This is the finishing step!
Don’t be afraid of making mistakes. Just concentrate on playing the entire song from start to finish.
Practice this with the lessons learned in each step in mind, and gradually you’ll master the whole song.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

61

Voice List
Maximum Polyphony
The instrument has 48-note maximum polyphony. This means
that it can play a maximum of up to 48 notes at once,
regardless of what functions are used. Auto accompaniment
uses a number of the available notes, so when auto
accompaniment is used the total number of available notes for
playing on the keyboard is correspondingly reduced. The same
applies to the Split Voice and Song functions. If the maximum
polyphony is exceeded, earlier played notes will be cut off and
the most recent notes have priority (last note priority).

NOTE

• The Voice List includes MIDI program change numbers for each
voice. Use these program change numbers when playing the
instrument via MIDI from an external device.
• Program change numbers are often specified as numbers “0–127. ”
For these cases, it is necessary to subtract 1 from the intended program change number to select the appropriate sound, because this
list uses a “1–128” numbering system. For example, to select program change number 38 in the list below, transmit program change
number 37.
• Some voices may sound continuously or have a long decay after
the notes have been released while the sustain pedal (footswitch) is
held.

Panel Voice List
Voice
No.

1
2
3
4
5
6
7
8
9
10
11
12

Appendix

13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48

62

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
PIANO
0
112
1
Grand Piano
0
112
2
Bright Piano
0
112
7
Harpsichord
0
112
4
Honky Tonk Piano
0
112
3
MIDI Grand Piano
0
113
3
CP80
E.PIANO
0
114
5
Cool! Galaxy Electric Piano
0
113
6
Hyper Tines
0
112
5
Funky Electric Piano
0
112
6
DX Modern Electric Piano
0
114
6
Venus Electric Piano
0
112
8
Clavi
ORGAN
0
118
19
Cool! Organ
0
117
19
Cool! Rotor Organ
0
112
17
Jazz Organ 1
0
113
17
Jazz Organ 2
0
112
19
Rock Organ
0
114
19
Purple Organ
0
112
18
Click Organ
0
116
17
Bright Organ
0
127
19
Theater Organ
0
121
20
16'+2' Organ
0
120
20
16'+4' Organ
0
113
20
Chapel Organ
0
112
20
Pipe Organ
0
112
21
Reed Organ
ACCORDION
0
112
22
Musette Accordion
0
113
22
Traditional Accordion
0
113
24
Bandoneon
0
113
23
Modern Harp
0
115
23
Harmonica
GUITAR
0
116
25
Dynamic Nylon Guitar
0
118
30
Dynamic Overdriven
0
112
25
Classical Guitar
0
112
26
Folk Guitar
0
112
27
Jazz Guitar
0
117
28
60s Clean Guitar
0
113
26
12Strings Guitar
0
112
28
Clean Guitar
0
113
27
Octave Guitar
0
112
29
Muted Guitar
0
112
30
Overdriven Guitar
0
112
31
Distortion Guitar
BASS
0
116
34
Dynamic Electric Bass
0
112
34
Finger Bass
0
112
33
Acoustic Bass
0
112
35
Pick Bass
0
112
36
Fretless Bass

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Voice
No.
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
0
112
37
Slap Bass
0
121
40
Funk Bass
0
112
39
Synth Bass
0
113
39
Hi-Q Bass
0
113
40
Dance Bass
STRINGS
0
112
49
Strings
0
112
50
Chamber Strings
0
115
50
Marcato Strings
0
113
50
Slow Strings
0
112
45
Tremolo Strings
0
112
51
Synth Strings
0
112
46
Pizzicato Strings
0
112
41
Violin
0
112
43
Cello
0
112
44
Contrabass
0
112
47
Harp
0
112
56
Orchestra Hit
CHOIR
0
112
53
Choir
0
113
53
Vocal Ensemble
0
112
55
Air Choir
0
112
54
Vox Humana
SAXOPHONE
0
117
67
Sweet! Tenor Sax
0
112
67
Tenor Sax
0
112
66
Alto Sax
0
112
65
Soprano Sax
0
112
68
Baritone Sax
0
114
67
Breathy Tenor Sax
0
116
66
Sax Section
0
112
72
Clarinet
0
112
69
Oboe
0
112
70
English Horn
0
112
71
Bassoon
TRUMPET
0
112
57
Trumpet
0
112
58
Trombone
0
113
58
Trombone Section
0
112
60
Muted Trumpet
0
112
61
French Horn
0
112
59
Tuba
BRASS
0
112
62
Brass Section
0
113
62
Big Band Brass
0
116
62
Octave Brass
0
113
63
80s Brass
0
119
62
Mellow Horns
0
115
63
Funky Brass
0
114
63
Techno Brass
0
112
63
Synth Brass
FLUTE
0
114
74
Sweet! Flute
0
112
74
Flute

Voice List

97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
0
112
73
Piccolo
0
112
76
Pan Flute
0
112
75
Recorder
0
112
80
Ocarina
SYNTH
0
112
81
Square Lead
0
112
82
Sawtooth Lead
0
108
82
RS Tech Saw
0
112
88
Under Heim
0
112
85
Portatone
0
115
82
Analogon
0
119
82
Fargo
0
112
86
Voice Lead
0
121
82
Funky Lead
0
118
89
Sweet Heaven
0
121
89
Dream Heaven
0
113
89
Symbiont
0
112
99
Stardust
0
112
101
Brightness
0
112
92
Xenon Pad
0
112
95
Equinox
0
112
89
Fantasia
0
113
90
Dark Moon
0
113
101
Bell Pad
0
126
90
RS Analog Pad
0
116
91
RS Short Resonance
PERCUSSION
0
112
12
Vibraphone
0
112
13
Marimba
0
112
14
Xylophone
0
112
115
Steel Drums
0
112
9
Celesta
0
112
11
Music Box
0
112
15
Tubular Bells
0
112
48
Timpani
WORLD
0
112
106
Banjo
0
0
111
Fiddle
0
0
110
Bagpipe
0
0
16
Dulcimer 1
0
35
16
Dulcimer 2
0
96
16
Cimbalom
0
97
16
Santur
0
97
108
Kanoon
0
98
106
Oud
0
96
106
Rabab
0
0
109
Kalimba
0
113
21
Harmonium 1 (Single Reed)
0
114
21
Harmonium 2 (Double Reed)
0
115
21
Harmonium 3 (Triple Reed)
0
114
105
Tanpura
0
96
112
Pungi
0
117
74
Bansuri
0
0
105
Sitar 1
0
32
105
Detuned Sitar
0
35
105
Sitar 2
0
0
112
Shehnai
0
97
106
Gopichant
0
116
117
Tabla
0
115
111
Er Hu
0
118
74
Di Zi
0
116
106
Pi Pa
0
113
108
Gu Zheng
0
40
47
Yang Qin
0
120
111
Morin Khuur
0
0
107
Shamisen
0
0
108
Koto
0
96
108
Taisho-kin
DUAL*
–
–
–
Octave Piano
–
–
–
Piano & Strings

Voice
No.
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
–
–
–
Piano Pad
–
–
–
Octave Harpsichord
–
–
–
Tiny Electric Piano
–
–
–
Electric Piano Pad
–
–
–
Full Organ
–
–
–
Octave Jazz Guitar
–
–
–
Octave Strings
–
–
–
Orchestra Section
–
–
–
Octave Pizzicato Strings
–
–
–
Strings Session
–
–
–
Brass Tutti
–
–
–
Orchestra Tutti
–
–
–
Octave French Horns
–
–
–
Octave Harp
–
–
–
Orchestra Hit & Timpani
–
–
–
Octave Choir
–
–
–
Jazz Brass Section
–
–
–
Jazz Section
–
–
–
Ballroom Sax Ensemble
–
–
–
Ballroom Brass
–
–
–
Flute & Clarinet
–
–
–
Trumpet & Trombone
–
–
–
Fat Synth Brass
–
–
–
Octave Lead
–
–
–
Super 5th Lead
SOUND EFFECTS
0
0
121
Fret Noise
0
0
122
Breath Noise
0
0
123
Seashore
0
0
124
Bird Tweet
0
0
125
Telephone Ring
0
0
126
Helicopter
0
0
127
Applause
0
113
116
Hand Clap
0
0
128
Gunshot
DRUM KITS
127
0
1
Standard Kit 1
127
0
2
Standard Kit 2
127
0
9
Room Kit
127
0
17
Rock Kit
127
0
25
Electronic Kit
127
0
26
Analog Kit
127
0
113
Dance Kit
127
0
33
Jazz Kit
127
0
41
Brush Kit
127
0
49
Symphony Kit
126
0
128
StdKit 1 + Chinese Perc.
126
0
40
Indian Kit 1
126
0
115
Indian Kit 2
126
0
37
Arabic Kit
126
0
41
Cuban Kit
126
0
1
SFX Kit 1
126
0
2
SFX Kit 2
126
0
113
Sound Effect Kit
ARPEGGIO**
–
–
–
Concerto
–
–
–
Latin Rock
–
–
–
Brass Section
–
–
–
Piano Ballad
–
–
–
Synth Sequence
–
–
–
Guitarist
–
–
–
Pickin'
–
–
–
Spanish
–
–
–
Funky Clavi
–
–
–
Harpeggio
–
–
–
Finger Bass Left
–
–
–
Combo Jazz Left
–
–
–
Paul's Bass Left
–
–
–
Trance Bass Left
–
–
–
Acid Bass Left
–
–
–
Piano Ballad Left

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Voice
No.

63

Voice List

Voice
No.
232
233
234
235

Bank Select
MIDI
Program
MSB
LSB
Change#
(0–127) (0–127) (1–128)
–
–
–
–
–
–
–
–
–
–
–
–

Voice Name
Salsa Piano Left
Piano Arpeggio Left
Guitar Arpeggio Left
Strum Left

* When you select a Voice of the DUAL category, two voices
sound at the same time.
** Selecting a Voice number between 216 and 235 will turn on
Arpeggio.

XGlite Voice List
Voice
No.

Appendix

236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286

64

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
XG PIANO
0
0
1
Grand Piano
0
1
1
Grand Piano KSP
0
40
1
Piano Strings
0
41
1
Dream
0
0
2
Bright Piano
0
1
2
Bright Piano KSP
0
0
3
Electric Grand Piano
0
1
3
Electric Grand Piano KSP
0
32
3
Detuned CP80
0
0
4
Honky Tonk Piano
0
1
4
Honky Tonk Piano KSP
0
0
5
Electric Piano 1
0
1
5
Electric Piano 1 KSP
0
32
5
Chorus Electric Piano 1
0
0
6
Electric Piano 2
0
1
6
Electric Piano 2 KSP
0
32
6
Chorus Electric Piano 2
0
41
6
DX + Analog Electric Piano
0
0
7
Harpsichord 1
0
1
7
Harpsichord KSP
0
35
7
Harpsichord 2
0
0
8
Clavi
0
1
8
Clavi KSP
XG CHROMATIC
0
0
9
Celesta
0
0
10
Glockenspiel
0
0
11
Music Box 1
0
64
11
Music Box 2
0
0
12
Vibraphone
0
1
12
Vibraphone KSP
0
0
13
Marimba
0
1
13
Marimba KSP
0
64
13
Sine Marimba
0
97
13
Balimba
0
98
13
Log Drums
0
0
14
Xylophone
0
0
15
Tubular Bells
0
96
15
Church Bells
0
97
15
Carillon
XG ORGAN
0
0
17
Drawbar Organ 1
0
32
17
Detuned Drawbar Organ
0
33
17
60s Drawbar Organ 1
0
34
17
60s Drawbar Organ 2
0
35
17
70s Drawbar Organ 1
0
37
17
60s Drawbar Organ 3
0
40
17
16+2'2/3 Organ
0
64
17
Organ Bass
0
65
17
70s Drawbar Organ 2
0
66
17
Cheezy Organ
0
67
17
Drawbar Organ 2
0
0
18
Percussive Organ 1
0
24
18
70s Percussive Organ

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Voice
No.
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
0
32
18
Detuned Percussive Organ
0
33
18
Light Organ
0
37
18
Percussive Organ 2
0
0
19
Rock Organ
0
64
19
Rotary Organ
0
65
19
Slow Rotary Organ
0
66
19
Fast Rotary Organ
0
0
20
Church Organ 1
0
32
20
Church Organ 3
0
35
20
Church Organ 2
0
40
20
Notre Dame
0
64
20
Organ Flute
0
65
20
Tremolo Organ Flute
0
0
21
Reed Organ
0
40
21
Puff Organ
0
0
22
Accordion
0
0
23
Harmonica 1
0
32
23
Harmonica 2
0
0
24
Tango Accordion 1
0
64
24
Tango Accordion 2
XG GUITAR
0
0
25
Nylon Guitar 1
0
25
25
Nylon Guitar 3
0
43
25
Velocity Guitar Harmonics
0
96
25
Ukulele
0
0
26
Steel Guitar
0
35
26
12-string Guitar
0
40
26
Nylon & Steel Guitar
0
41
26
Steel Guitar with Body Sound
0
96
26
Mandolin
0
0
27
Jazz Guitar
0
32
27
Jazz Amp
0
0
28
Clean Guitar
0
32
28
Chorus Guitar
0
0
29
Muted Guitar
0
40
29
Funk Guitar
0
41
29
Muted Steel Guitar
0
45
29
Jazz Man
0
0
30
Overdriven Guitar
0
43
30
Guitar Pinch
0
0
31
Distortion Guitar
0
40
31
Feedback Guitar 1
0
41
31
Feedback Guitar 2
0
0
32
Guitar Harmonics 1
0
65
32
Guitar Feedback
0
66
32
Guitar Harmonics 2
XG BASS
0
0
33
Acoustic Bass
0
40
33
Jazz Rhythm
0
45
33
Velocity Crossfade Upright Bass
0
0
34
Finger Bass 1
0
18
34
Finger Bass Dark
0
40
34
Bass & Distorted Electric Guitar
0
43
34
Finger Slap Bass
0
45
34
Finger Bass 2
0
65
34
Modulated Bass
0
0
35
Pick Bass
0
28
35
Muted Pick Bass
0
0
36
Fretless Bass 1
0
32
36
Fretless Bass 2
0
33
36
Fretless Bass 3
0
34
36
Fretless Bass 4
0
0
37
Slap Bass 1
0
32
37
Punch Thumb Bass
0
0
38
Slap Bass 2
0
43
38
Velocity Switch Slap
0
0
39
Synth Bass 1
0
40
39
Techno Synth Bass
0
0
40
Synth Bass 2
0
6
40
Mellow Synth Bass
0
12
40
Sequenced Bass

Voice List

356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
0
18
40
Click Synth Bass
0
19
40
Synth Bass 2 Dark
0
40
40
Modular Synth Bass
0
41
40
DX Bass
XG STRINGS
0
0
41
Violin
0
8
41
Slow Violin
0
0
42
Viola
0
0
43
Cello
0
0
44
Contrabass
0
0
45
Tremolo Strings
0
8
45
Slow Tremolo Strings
0
40
45
Suspense Strings
0
0
46
Pizzicato Strings
0
0
47
Orchestral Harp
0
0
48
Timpani
XG ENSEMBLE
0
0
49
Strings 1
0
3
49
Stereo Strings
0
8
49
Slow Strings
0
35
49
60s Strings
0
40
49
Orchestra 1
0
41
49
Orchestra 2
0
42
49
Tremolo Orchestra
0
45
49
Velocity Strings
0
0
50
Strings 2
0
3
50
Stereo Slow Strings
0
8
50
Legato Strings
0
40
50
Warm Strings
0
41
50
Kingdom
0
0
51
Synth Strings 1
0
64
51
Synth Strings 4
0
0
52
Synth Strings 2
0
0
53
Choir Aahs
0
3
53
Stereo Choir
0
32
53
Mellow Choir
0
40
53
Choir Strings
0
0
54
Voice Oohs
0
0
55
Synth Voice 1
0
40
55
Synth Voice 2
0
41
55
Choral
0
64
55
Analog Voice
0
0
56
Orchestra Hit 1
0
35
56
Orchestra Hit 2
0
64
56
Impact
XG BRASS
0
0
57
Trumpet
0
32
57
Warm Trumpet
0
0
58
Trombone 1
0
18
58
Trombone 2
0
0
59
Tuba
0
0
60
Muted Trumpet
0
0
61
French Horn 1
0
6
61
French Horn Solo
0
32
61
French Horn 2
0
37
61
Horn Orchestra
0
0
62
Brass Section
0
35
62
Trumpet & Trombone Section
0
0
63
Synth Brass 1
0
20
63
Resonant Synth Brass
0
0
64
Synth Brass 2
0
18
64
Soft Brass
0
41
64
Choir Brass
XG REED
0
0
65
Soprano Sax
0
0
66
Alto Sax
0
40
66
Sax Section
0
0
67
Tenor Sax
0
40
67
Breathy Tenor Sax
0
0
68
Baritone Sax
0
0
69
Oboe

Voice
No.
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
0
0
70
English Horn
0
0
71
Bassoon
0
0
72
Clarinet
XG PIPE
0
0
73
Piccolo
0
0
74
Flute
0
0
75
Recorder
0
0
76
Pan Flute
0
0
77
Blown Bottle
0
0
79
Whistle
0
0
80
Ocarina
XG SYNTH LEAD
0
0
81
Square Lead 1
0
6
81
Square Lead 2
0
8
81
LM Square
0
18
81
Hollow
0
19
81
Shroud
0
64
81
Mellow
0
65
81
Solo Sine
0
66
81
Sine Lead
0
0
82
Sawtooth Lead 1
0
6
82
Sawtooth Lead 2
0
8
82
Thick Sawtooth
0
18
82
Dynamic Sawtooth
0
19
82
Digital Sawtooth
0
20
82
Big Lead
0
24
82
Heavy Synth
0
96
82
Sequenced Analog
0
0
83
Calliope Lead
0
65
83
Pure Lead
0
0
84
Chiff Lead
0
0
85
Charang Lead
0
64
85
Distorted Lead
0
0
86
Voice Lead
0
0
87
Fifths Lead
0
35
87
Big Five
0
0
88
Bass & Lead
0
16
88
Big & Low
0
64
88
Fat & Perky
0
65
88
Soft Whirl
XG SYNTH PAD
0
0
89
New Age Pad
0
64
89
Fantasy
0
0
90
Warm Pad
0
0
91
Poly Synth Pad
0
0
92
Choir Pad
0
66
92
Itopia
0
0
93
Bowed Pad
0
0
94
Metallic Pad
0
0
95
Halo Pad
0
0
96
Sweep Pad
XG SYNTH EFFECTS
0
0
97
Rain
0
64
97
Harmo Rain
0
65
97
African Wind
0
66
97
Carib
0
0
98
Sound Track
0
27
98
Prologue
0
0
99
Crystal
0
12
99
Synth Drum Comp
0
14
99
Popcorn
0
18
99
Tiny Bells
0
35
99
Round Glockenspiel
0
40
99
Glockenspiel Chimes
0
41
99
Clear Bells
0
42
99
Chorus Bells
0
65
99
Soft Crystal
0
70
99
Air Bells
0
71
99
Bell Harp
0
72
99
Gamelimba
0
0
100
Atmosphere

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Voice
No.

65

Voice List

Voice
No.
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511

Appendix

512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557

66

Bank Select
MIDI
Program
Voice Name
MSB
LSB
Change#
(0–127) (0–127) (1–128)
0
18
100
Warm Atmosphere
0
19
100
Hollow Release
0
40
100
Nylon Electric Piano
0
64
100
Nylon Harp
0
65
100
Harp Vox
0
66
100
Atmosphere Pad
0
0
101
Brightness
0
0
102
Goblins
0
64
102
Goblins Synth
0
65
102
Creeper
0
67
102
Ritual
0
68
102
To Heaven
0
70
102
Night
0
71
102
Glisten
0
96
102
Bell Choir
0
0
103
Echoes
0
65
103
Big Pan
0
0
104
Sci-Fi
XG WORLD
0
0
78
Shakuhachi
0
97
105
Tamboura
0
0
106
Banjo
0
28
106
Muted Banjo
XG PERCUSSIVE
0
0
113
Tinkle Bell
0
96
113
Bonang
0
97
113
Altair
0
98
113
Gamelan Gongs
0
99
113
Stereo Gamelan Gongs
0
100
113
Rama Cymbal
0
0
114
Agogo
0
0
115
Steel Drums
0
97
115
Glass Percussion
0
98
115
Thai Bells
0
0
116
Woodblock
0
96
116
Castanets
0
0
117
Taiko Drum
0
96
117
Gran Cassa
0
0
118
Melodic Tom 1
0
64
118
Melodic Tom 2
0
65
118
Real Tom
0
66
118
Rock Tom
0
0
119
Synth Drum
0
64
119
Analog Tom
0
65
119
Electronic Percussion
0
0
120
Reverse Cymbal
XG SOUND EFFECTS
64
0
1
Cutting Noise 1
64
0
2
Cutting Noise 2
64
0
4
String Slap
64
0
17
Flute Key Click
64
0
33
Shower
64
0
34
Thunder
64
0
35
Wind
64
0
36
Stream
64
0
37
Bubble
64
0
38
Feed
64
0
49
Dog
64
0
50
Horse
64
0
51
Bird Tweet 2
64
0
56
Maou
64
0
65
Phone Call
64
0
66
Door Squeak
64
0
67
Door Slam
64
0
68
Scratch Cut
64
0
69
Scratch Split
64
0
70
Wind Chime
64
0
71
Telephone Ring 2
64
0
81
Car Engine Ignition
64
0
82
Car Tires Squeal
64
0
83
Car Passing

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Voice
No.
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574

Bank Select
MIDI
Program
MSB
LSB
Change#
(0–127) (0–127) (1–128)
64
0
84
64
0
85
64
0
86
64
0
87
64
0
88
64
0
89
64
0
90
64
0
91
64
0
97
64
0
98
64
0
99
64
0
100
64
0
101
64
0
113
64
0
114
64
0
115
64
0
116

Voice Name
Car Crash
Siren
Train
Jet Plane
Starship
Burst
Roller Coaster
Submarine
Laugh
Scream
Punch
Heartbeat
Footsteps
Machine Gun
Laser Gun
Explosion
Firework

Drum Kit List
•“
” indicates that the drum sound is the same as “Standard Kit 1.”
• Each percussion voice uses one-note polyphony.
• The MIDI Note # and Note are actually one octave lower than
keyboard Note # and Note. For example, in “Standard Kit 1,” the “Seq
Click H” (Note #36/Note C1) corresponds to MIDI (Note #24/Note C0).

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

A#5

198
127/000/001

199
127/000/002

200
127/000/009

201
127/000/017

202
127/000/025

203
127/000/026

Standard Kit 1

Standard Kit 2

Room Kit

Rock Kit

Electronic Kit

Analog Kit

Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare Soft
Sticks
Bass Drum Soft
Open Rim Shot
Bass Drum Hard
Bass Drum
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bells
Bell Tree

Snare Soft 2

Reverse Cymbal

Reverse Cymbal

Snare Noisy

Hi Q 2
Snare Snappy Electronic

Hi Q 2
Snare Noisy 4

Bass Drum H

Bass Drum H

Bass Drum H
Bass Drum Rock

Bass Drum Rock
Bass Drum Gate

Bass Drum Analog L
Bass Drum Analog H
Side Stick Analog
Snare Analog 1

Open Rim Shot 2
Bass Drum 2
Snare 2

Snare Room L

Snare Rock

Snare Noisy 2

Snare Tight 2

Snare Room H
Tom Room 1

Snare Rock Rim
Tom Rock 1

Snare Noisy 3
Tom Electronic 1

Tom Room 2

Tom Rock 2

Tom Electronic 2

Tom Room 3

Tom Rock 3

Tom Electronic 3

Tom Room 4
Tom Room 5

Tom Rock 4
Tom Rock 5

Tom Electronic 4
Tom Electronic 5

Tom Room 6

Tom Rock 6

Tom Electronic 6

Snare Analog 2
Tom Analog 1
Hi-Hat Closed Analog 1
Tom Analog 2
Hi-Hat Closed Analog 2
Tom Analog 3
Hi-Hat Open Analog
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6

Appendix

C1

Voice No.
MSB (0–127) / LSB (0–127) / PC (1–128)
Keyboard
MIDI
Note #
Note
Note #
Note
25
C# 0
13
C# -1
26
D 0
14
D -1
27
D# 0
15
D# -1
28
E
0
16
E -1
29
F
0
17
F
-1
30
F# 0
18
F# -1
31
G 0
19
G -1
32
G# 0
20
G# -1
33
A
0
21
A -1
34
A# 0
22
A# -1
35
B
0
23
B -1
36
C 1
24
C 0
37
C# 1
25
C# 0
38
D 1
26
D 0
39
D# 1
27
D# 0
40
E
1
28
E 0
41
F
1
29
F
0
42
F# 1
30
F# 0
43
G 1
31
G 0
44
G# 1
32
G# 0
45
A
1
33
A 0
46
A# 1
34
A# 0
47
B
1
35
B 0
48
C 2
36
C 1
49
C# 2
37
C# 1
50
D 2
38
D 1
51
D# 2
39
D# 1
52
E
2
40
E 1
53
F
2
41
F
1
54
F# 2
42
F# 1
55
G 2
43
G 1
56
G# 2
44
G# 1
57
A
2
45
A 1
58
A# 2
46
A# 1
59
B
2
47
B 1
60
C 3
48
C 2
61
C# 3
49
C# 2
62
D 3
50
D 2
63
D# 3
51
D# 2
64
E
3
52
E 2
65
F
3
53
F
2
66
F# 3
54
F# 2
67
G 3
55
G 2
68
G# 3
56
G# 2
69
A
3
57
A 2
70
A# 3
58
A# 2
71
B
3
59
B 2
72
C 4
60
C 3
73
C# 4
61
C# 3
74
D 4
62
D 3
75
D# 4
63
D# 3
76
E
4
64
E 3
77
F
4
65
F
3
78
F# 4
66
F# 3
79
G 4
67
G 3
80
G# 4
68
G# 3
81
A
4
69
A 3
82
A# 4
70
A# 3
83
B
4
71
B 3
84
C 5
72
C 4
85
C# 5
73
C# 4
86
D 5
74
D 4
87
D# 5
75
D# 4
88
E
5
76
E 4
89
F
5
77
F
4
90
F# 5
78
F# 4
91
G 5
79
G 4
92
G# 5
80
G# 4
93
A
5
81
A 4
94
A# 5
82
A# 4
95
B
5
83
B 4
96
C 6
84
C 5
97
C# 6
85
C# 5
98
D 6
86
D 5
99
D# 6
87
D# 5
100
E
6
88
E 5
101
F
6
89
F
5
102
F# 6
90
F# 5
103
G 6
91
G 5

Cowbell Analog

Conga Analog H
Conga Analog M
Conga Analog L

Maracas 2

Claves 2

Scratch H
Scratch L

Scratch H
Scratch L

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

67

Drum Kit List

C1

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2

Appendix

F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

68

A#5

Voice No.
MSB (0–127) / LSB (0–127) / PC (1–128)
Keyboard
MIDI
Note #
Note
Note #
Note
25
C# 0
13
C# -1
26
D 0
14
D -1
27
D# 0
15
D# -1
28
E 0
16
E -1
29
F
0
17
F
-1
30
F# 0
18
F# -1
31
G 0
19
G -1
32
G# 0
20
G# -1
33
A 0
21
A -1
34
A# 0
22
A# -1
35
B 0
23
B -1
36
C 1
24
C 0
37
C# 1
25
C# 0
38
D 1
26
D 0
39
D# 1
27
D# 0
40
E 1
28
E 0
41
F
1
29
F
0
42
F# 1
30
F# 0
43
G 1
31
G 0
44
G# 1
32
G# 0
45
A 1
33
A 0
46
A# 1
34
A# 0
47
B 1
35
B 0
48
C 2
36
C 1
49
C# 2
37
C# 1
50
D 2
38
D 1
51
D# 2
39
D# 1
52
E 2
40
E 1
53
F
2
41
F
1
54
F# 2
42
F# 1
55
G 2
43
G 1
56
G# 2
44
G# 1
57
A 2
45
A 1
58
A# 2
46
A# 1
59
B 2
47
B 1
60
C 3
48
C 2
61
C# 3
49
C# 2
62
D 3
50
D 2
63
D# 3
51
D# 2
64
E 3
52
E 2
65
F
3
53
F
2
66
F# 3
54
F# 2
67
G 3
55
G 2
68
G# 3
56
G# 2
69
A 3
57
A 2
70
A# 3
58
A# 2
71
B 3
59
B 2
72
C 4
60
C 3
73
C# 4
61
C# 3
74
D 4
62
D 3
75
D# 4
63
D# 3
76
E 4
64
E 3
77
F
4
65
F
3
78
F# 4
66
F# 3
79
G 4
67
G 3
80
G# 4
68
G# 3
81
A 4
69
A 3
82
A# 4
70
A# 3
83
B 4
71
B 3
84
C 5
72
C 4
85
C# 5
73
C# 4
86
D 5
74
D 4
87
D# 5
75
D# 4
88
E 5
76
E 4
89
F
5
77
F
4
90
F# 5
78
F# 4
91
G 5
79
G 4
92
G# 5
80
G# 4
93
A 5
81
A 4
94
A# 5
82
A# 4
95
B 5
83
B 4
96
C 6
84
C 5
97
C# 6
85
C# 5
98
D 6
86
D 5
99
D# 6
87
D# 5
100
E 6
88
E 5
101
F
6
89
F
5
102
F# 6
90
F# 5
103
G 6
91
G 5

198
127/000/001

204
127/000/113

205
127/000/033

206
127/000/041

207
127/000/049

208
126/000/128

Standard Kit 1

Dance Kit

Jazz Kit

Brush Kit

Symphony Kit

StdKit 1 +
Chinese Perc.

Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare Soft
Sticks
Bass Drum Soft
Open Rim Shot
Bass Drum Hard
Bass Drum
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bells
Bell Tree

Reverse Cymbal
Hi Q 2
Snare Techno
Kick Techno Q
Rim Gate
Kick Techno L
Kick Techno
Side Stick Analog
Snare Clap
Snare Dry
Tom Analog 1
Hi-Hat Closed Analog 3
Tom Analog 2
Hi-Hat Closed Analog 4
Tom Analog 3
Hi-Hat Open Analog 2
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6

Brush Slap 2
Bass Drum Soft L

Bass Drum Jazz

Bass Drum Jazz

Gran Cassa
Gran Cassa Mute

Snare Jazz L

Brush Slap 3

Band Snare 1

Snare Jazz M
Tom Jazz 1

Brush Tap
Tom Brush 1

Band Snare 2
Tom Jazz 1

Tom Jazz 2

Tom Brush 2

Tom Jazz 2

Tom Jazz 3

Tom Brush 3

Tom Jazz 3

Tom Jazz 4
Tom Jazz 5

Tom Brush 4
Tom Brush 5

Tom Jazz 6

Tom Brush 6

Tom Jazz 4
Tom Jazz 5
Hand Cymbal 1
Tom Jazz 6
Hand Cymbal 1 Short

Cowbell Analog
Hand Cymbal 2
Hand Cymbal 2 Short

Conga Analog H
Conga Analog M
Conga Analog L

Maracas 2

Claves 2

Scratch H
Scratch L

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Dagu Mute
Zhongcha Mute
Dagu Heavy
Zhongcha Open
Paigu Middle
Paigu Low
Xiaocha Mute
Bangu
Xiaocha Open
Bangzi
Muyu Low
Zhongluo Mute
Muyu Mid-Low
Zhongluo Open
Muyu Middle
Xiaoluo Open
Triangle Mute
Triangle Open

Drum Kit List

* Actual keyboard notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the list.

C#1

D1
E1
F1

D#1

F#1

G1
G#1
A1
B1
C2

A#1

C#2

D2
E2
F2

D#2

F#2

G2
G#2
A2
B2
C3

A#2

C#3

D3
E3
F3

D#3

F#3

G3
G#3
A3
B3
C4

A#3

C#4

D4
E4
F4

D#4

F#4

G4
G#4
A4
B4
C5

A#4

C#5

D5
E5
F5

D#5

F#5

G5
G#5
A5
B5
C6

A#5

210
126/000/115

Indian Kit 1

Indian Kit 2

Indian Hand Clap
Dafli Open
Dafli Slap
Dafli Rim
Duff Open
Duff Slap
Duff Rim
Hateli Long
Hatheli Long
Hateli Short
Hatheli Short
Baya ge
Baya ge
Baya ke
Baya ke
Baya ghe
Baya ghe
Baya ka
Baya ka
Tabla na
Tabla na
Tabla tin
Tabla tin
Tablabaya dha
Tablabaya dha
Tabla tun
Dhol 1 Open
Tablabaya dhin
Dhol 1 Slap
Tabla di
Dhol 1 Mute
Tablabaya dhe
Dhol 1 Open Slap
Tabla ti
Dhol 1 Roll
Tabla ne
Dandia Short
Tabla taran
Dandia Long
Tabla tak
Chutki
Chipri
Chipri
Kanjira Open
Khanjira Open
Kanjira Slap
Khanjira Slap
Kanjira Mute
Khanjira Mute
Kanjira Bend up
Khanjira Bendup
Kanjira Bend down Khanjira Benddown
Dholak Open
Dholak 1 Open
Dholak Mute
Dholak 1 Mute
Dholak Slap
Dholak 1 Slap
Dhol Open
Dhol 2 Open
Dhol Mute
Dhol 2 Slap
Dhol Slap
Dhol 2 Rim
Dhol Slide
Mridangam na
Mridangam Normal Mridangam din
Mridangam Open
Mridangam ki
Mridangam Mute
Mridangam ta
Mridangam Slap
Mridangam Chapu
Mridangam Rim
Mridangam Lo Closed
Chimta Open
Mridangam Lo Open
Chimta Normal
Chimta Normal
Chimta Ring
Chimta Ring
Dholki Open
Dholki Hi Open
Dholki Mute
Dholki Hi Mute
Dholki Slap
Dholki Lo Open
Dholki Slide
Dholki Hi Slap
Dholki Rim
Dholki Lo Slide
Khol Open
Khol Open
Khol Slide
Khol Slide
Khol Mute
Khol Mute
Manjira Open
Manjira Open
Manjira Close
Manjira Close
Jhanji Open
Jhanji Open
Jhanji Close
Jhanji Close
Mondira Open
Mondira Open
Mondira Close
Mondira Close
Mridang Open
Indian Bhangra Scat 1
Mridang Mute
Indian Bhangra Scat 2
Mridang Rim
Indian Bhangra Scat 3
Mridang Slide
Indian Bhangra Scat 4
Khomokh Normal
Khomokh Normal
Khomokh Mute
Khomokh Mute
Khomokh Mltatk
Khomokh Mltatk
Madal-A2
Thavil Open
Madal-A#2
Thavil Slap
Madal-B2
Thavil Mute
Madal-C3
Khartaal
Madal-C#3
Dholak 2 Open
Madal-D3
Dholak 2 Slide
Madal-D#3
Dholak 2 Rim 1
Madal-E3
Dholak 2 Rim 2
Madal-F3
Dholak 2 Ring
Madal-F#3
Dholak 2 Slap
Madal-G3

211
126/000/037

212
126/000/041

213
126/000/001

214
126/000/002

215
126/000/113

Arabic Kit

Cuban Kit

SFX Kit 1 *

SFX Kit 2 *

Sound Effect Kit

Zarb Back mf
Zarb Tom f
Zarb Eshareh
Zarb Whipping
Tombak Tom f
Neghareh Tom f
Tombak Back f
Neghareh Back f
Tombak Snap f
Neghareh Pelang f
Tombak Trill
Khaligi Clap 1
Arabic Zalgouta Open
Khaligi Clap 2
Arabic Zalgouta Close
Arabic Hand Clap
Tabel Tak 1
Sagat 1
Tabel Dom
Sagat 2
Tabel Tak 2
Sagat 3
Riq Tik 3
Riq Tik 2
Riq Tik Hard 1
Riq Tik 1
Riq Tik Hard 2
Riq Tik Hard 3
Riq Tish
Riq Snouj 2
Riq Roll
Riq Snouj 1
Riq Sak
Riq Snouj 3
Riq Snouj 4
Riq Tak 1
Riq Brass 1
Riq Tak 2
Riq Brass 2
Riq Dom
Katem Tak Doff
Katem Dom
Katem Sak 1
Katem Tak 1
Katem Sak 2
Katem Tak 2
Daholla Sak 2
Daholla Sak 1
Daholla Tak 1
Daholla Dom
Daholla Tak 2
Tablah Prok
Tablah Dom 2
Tablah Roll of Edge
Tablah Tak Finger 4
Tablah Tak Trill 1
Tablah Tak Finger 3
Tablah Tak Trill 2
Tablah Tak Finger 2
Tablah Tak Finger 1
Tablah Tik 2
Tablah Tik 4
Tablah Tik 3
Tablah Tik 1
Tablah Tak 3
Tablah Tak 1
Tablah Tak 4
Tablah Tak 2
Tablah Sak 2
Tablah Tremolo
Tablah Sak 1
Tablah Dom 1

Conga H Tip
Conga H Heel
Conga H Open
Conga H Mute
Conga H Slap Open
Conga H Slap
Conga H Slap Mute
Conga L Tip
Conga L Heel
Conga L Open
Conga L Mute
Conga L Slap Open
Conga L Slap
Conga L Slide
Bongo H Open 1 finger
Bongo H Open 3 finger
Bongo H Rim
Bongo H Tip
Bongo H Heel
Bongo H Slap
Bongo L Open 1 finger
Bongo L Open 3 finger
Bongo L Rim
Bongo L Tip
Bongo L Heel
Bongo L Slap
Timbale L Open

Drum Loop

Cutting Noise 1
Cutting Noise 2
String Slap

Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch
Wind Chime
Telephone Ring

Flute Key Click

Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Train
Jet Plane
Starship
Burst
Roller Coaster
Submarine

Shower
Thunder
Wind
Stream
Bubble
Feed

Laugh
Scream
Punch
Heartbeat
Footsteps

Paila L
Timbale H Open

Paila H
Cowbell Top

Guiro Short
Guiro Long

Tambourine

Maracas
Shaker
Cabasa

Heartbeat
Footsteps
Door Squeak
Door Slam
Applause
Camera
Horn
Hiccup
Cuckoo Clock
Stream
Frog
Rooster
Dog
Cat
Owl
Horse Gallop
Horse Neigh
Cow
Lion
Scratch
Yo!
Go!
Get up!
Whoow!

Appendix

C1

209
126/000/040

Huuaah!

Uh!+Hit

Dog
Horse
Bird Tweet

Machine Gun
Laser Gun
Explosion
Firework

Applause 1
Applause 2
Applause 3
Applause 4

Maou

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

69

Song List
Song No.
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019

Appendix

020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060

70

Song Name
Top Picks
Demo 1 (Yamaha Original)
Demo 2 (Yamaha Original)
Demo 3 (Yamaha Original)
Learn to Play
Für Elise (Basic) (L. v. Beethoven)
Für Elise (Advanced) (L. v. Beethoven)
Twinkle Twinkle Little Star (Basic) (Traditional)
Twinkle Twinkle Little Star (Advanced) (Traditional)
Turkish March (Basic) (W.A. Mozart)
Turkish March (Advanced) (W.A. Mozart)
Ode to Joy (Basic) (L. v. Beethoven)
Ode to Joy (Advanced) (L. v. Beethoven)
The Entertainer (Basic) (S. Joplin)
The Entertainer (Advanced) (S. Joplin)
Londonderry Air (Basic) (Traditional)
Londonderry Air (Advanced) (Traditional)
The Last Rose of Summer (Basic) (Traditional)
The Last Rose of Summer (Advanced) (Traditional)
Amazing Grace (Basic) (Traditional)
Amazing Grace (Advanced) (Traditional)
Favorite
Frère Jacques (Traditional)
Der Froschgesang (Traditional)
Aura Lee (Traditional)
London Bridge (Traditional)
Sur le pont d'Avignon (Traditional)
Nedelka (Traditional)
Aloha Oe (Q. Liliuokalani)
Sippin’ Cider Through a Straw (Traditional)
Old Folks at Home (S. C. Foster)
Bury Me Not on the Lone Prairie (Traditional)
Cielito Lindo (Traditional)
Santa Lucia (A. Longo)
If You’re Happy and You Know It (Traditional)
Beautiful Dreamer (S. C. Foster)
Greensleeves (Traditional)
Kalinka (Traditional)
Holdilia Cook (Traditional)
Ring de Banjo (S. C. Foster)
La Cucaracha (Traditional)
Funiculi Funicula (L. Denza)
Largo (from the New World) (A. Dvořák)
Brahms’ Lullaby (J. Brahms)
Liebesträume Nr.3 (F. Liszt)
Pomp and Circumstance (E. Elgar)
Chanson du Toreador (G. Bizet)
Jupiter, the Bringer of Jollity (G. Holst)
The Polovetsian Dances (A. Borodin)
Die Moldau (B. Smetana)
Salut d'Amour op.12 (E. Elgar)
Humoresques (A. Dvořák)
Symphony No.9 (from the New World - 4th movement)
(A. Dvořák)
Favorite with Style
O du lieber Augustin (Traditional)
Mary Had a Little Lamb (Traditional)
When Irish Eyes Are Smiling (E. R. Ball)
Little Brown Jug (Traditional)
Ten Little Indians (Traditional)
On Top of Old Smoky (Traditional)
My Darling Clementine (Traditional)
Oh! Susanna (S. C. Foster)
Red River Valley (Traditional)
Turkey in the Straw (Traditional)

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Song No.
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
098
099
100
101
102
Song No.
103–112
113–124
125–154

Song Name
Muffin Man (R. A. King)
Pop Goes the Weasel (Traditional)
Grandfather’s Clock (H. C. Work)
Camptown Races (S. C. Foster)
When the Saints Go Marching In (Traditional)
Yankee Doodle (Traditional)
Battle Hymn of the Republic (Traditional)
I’ve Been Working on the Railroad (Traditional)
American Patrol (F. W. Meacham)
Down by the Riverside (Traditional)
Instrument Master
Sicilienne/Fauré (G. Fauré)
Swan Lake (P. I. Tchaikovsky)
Grand March (Aida) (G. Verdi)
Serenade for Strings in C major, op.48 (P. I. Tchaikovsky)
Pizzicato Polka (J. Strauss II)
Romance de Amor (Traditional)
Menuett BWV. Anh.114 (J. S. Bach)
Ave Verum Corpus (W. A. Mozart)
Radetzky Marsch (J. Strauss I)
Piano Repertoire
Wenn ich ein Vöglein wär (Traditional)
Die Lorelei (F. Silcher)
Home Sweet Home (H. R. Bishop)
Scarborough Fair (Traditional)
My Old Kentucky Home (Traditional)
Loch Lomond (Traditional)
Silent Night (F. Gruber)
Deck the Halls (Traditional)
O Christmas Tree (Traditional)
Sonata Pathétique 2nd Adagio Cantabile (L. v. Beethoven)
Ave Maria/J. S. Bach - Gounod (J. S. Bach / C. F. Gounod)
Jesus bleibet meine Freude (J. S. Bach)
Prelude op.28-15 “Raindrop” (F. Chopin)
Nocturne op.9-2 (F. Chopin)
Etude op.10-3 “Chanson de L'adieu” (F. Chopin)
Romanze (Serenade K.525) (W. A. Mozart)
Arabesque (J. F. Burgmüller)
La Chevaleresque (J. F. Burgmüller)
Für Elise (L. v. Beethoven)
Turkish March (W.A. Mozart)
24 Preludes op.28-7 (F. Chopin)
Annie Laurie (Traditional)
Jeanie with the Light Brown Hair (S. C. Foster)
Special Appendix
Touch Tutor
TTutor01–TTutor10
Chord Study
ChdStd01–ChdStd12
Chord Progression
Maj1234–min1476

• Some songs have been edited for length or for ease in learning, and
may not be exactly the same as the original.
• A song book (free downloadable scores) is available that includes
scores for all internal songs (excepting Songs 1–3). To obtain the Song
Book, complete the user registration at the following website.
https://member.yamaha.com/

Style List

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55

Style Name
8BEAT
BritPopRock
8BeatModern
Cool8Beat
Happy8Beat
Shake8Beat
ContemporaryRock
StadiumRock
70sRock
HardRock 1
60sGuitarPop
8BeatAdria
60s8Beat
8Beat
OffBeat
Folkrock
60sRock
HardRock 2
RockShuffle
8BeatRock
16BEAT
16Beat
PopShuffle
GuitarPop
16BeatUptempo
KoolShuffle
HipHopLight
BALLAD
70sGlamPiano
PianoBallad
LoveSong
6/8ModernEP
6/8SlowRock
OrganBallad
PopBallad
16BeatBallad
DANCE
ClubBeat
Electronica
FunkyHouse
RetroClub
USHipHop
MellowHipHop
Chillout
EuroTrance
Ibiza
SwingHouse
Clubdance
ClubLatin
Garage 1
Garage 2
TechnoParty
UKPop
HipHopGroove
HipShuffle
HipHopPop
DISCO
ModernDisco
70sDisco
LatinDisco

Style No.
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110

Style Name
SaturdayNight
DiscoHands
SWING&JAZZ
BigBandFast
BigBandBallad
AcousticJazz
AcidJazz
JazzClub
Swing 1
Swing 2
Five/Four
Dixieland
Ragtime
R&B
BluesRock
Soul
DetroitPop
60sRock&Roll
6/8Soul
CrocoTwist
Rock&Roll
ComboBoogie
6/8Blues
COUNTRY
CountryPop
CountrySwing
Country2/4
Bluegrass
LATIN
BrazilianSamba
BossaNova
Forro
Sertanejo 1
Sertanejo 2
Baião
Vallenato
Joropo
Parranda
Merengue
Reggaeton
Tijuana
PasoDuranguense
CumbiaGrupera
BaladaBanda
MexicanMambo
Mambo
Salsa
Beguine
Reggae
WORLD
ScottishReel
4/4Standart
Rumba2/4
Saeidy
WehdaSaghira
IranianElec
Emarati
AfricanGospelReggae
HighLife
AfricanGospel

Style No.
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165

Style Name
IndianPop
Bhangra
Bhajan
BollyMix
Tamil
Kerala
GoanPop
Rajasthan
Dandiya
Qawwali
FolkHills
ModernDangdut
Keroncong
XiQingLuoGu
YiZuMinGe
JingJuJieZou
BALLROOM
VienneseWaltz
EnglishWaltz
Slowfox
Foxtrot
Quickstep
Tango
Pasodoble
Samba
ChaChaCha
Rumba
Jive
TRADITIONAL
US March
6/8March
GermanMarch
PolkaPop
OberkrainerPolka
Tarantella
Showtune
ChristmasSwing
ChristmasWaltz
WALTZ
ItalianWaltz
SwingWaltz
JazzWaltz
ValsMexicano
CountryWaltz
OberkrainerWalzer
Musette
CHILDREN
Learning2/4
Learning4/4
Learning6/8
PIANIST
Stride
PianoSwing
PianoBoogie
Arpeggio
Habanera
SlowRock
8BeatPianoBallad
6/8PianoMarch
PianoWaltz

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Style No.

71

Music Database List
MDB No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22

Appendix

23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55

72

MDB Name
ALL TIME HITS
Jude Hey
Jumping
WrldRock
All OK
YourTune
USASurf
JustCall
Get home
GtrWheel
IWasBorn
Sailing
BluJeans
Holiday
Imagine
Marriage
WiteShde
NowNever
Hard Day
USA Pie
Norway
YesterBd
A Magic
POP & ROCK
Cheerful
SwftShke
Watches
PrtTmLvr
S Party
MoonShdw
NikitSng
GirlsMne
Radio
Attempt
OnAStrng
WhatWant
ThankFor
Tmbourin
RubyGirl
TopWorld
TeachSng
EachMin
ShakenUp
CrocRock
HurryLov
Champion
Jailhous
Rock&Rll
HonkyTnk
JustU&Me
LveSmile
Wish I
BALLAD
Red Lady
IvoryAnd
TheWorld
Paradise
Whisper

MDB No.
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

MDB Name
Woman
CndleWnd
FlyAway
LoveYou
SavingAl
InTheDrk
SayYou
ThisWay
Inspirng
OLDIES
Diana’s
Tonight
SandLter
NoRain
Ghetto
PrettyWm
Sherry
Sally’s
DANCE & DISCO
FevrNite
StyAlive
Westerly
Run Free
DISCO
JoelLife
Coupled
SingBack
Janeiro
BoomRoom
DontHide
RewCraig
LondonRU
WerUBeen
MkeMusic
10,2 Sun
Believe
MarieClb
SWING & JAZZ
MoonOf
Patrol
Rhythm
CatSwing
Misbehav
Safari
SoWhatIs
TimeGone
TasteHny
TwoFoot
Blk&Whte
EnterRag
TakeFour
Birdland
MistyFln
COUNTRY
OnTheRd
BlueSong
InMyMind
ContryHw

MDB No.
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158

MDB Name
GreenGrs
EverNeed
Lucille
Tennesse
LATIN
Brasil
ChryPink
MyShadow
BosaWave
DntWorry
JelsTngo
I'mPola
MamboJm
OneNote
PasoCani
Beguine
Tijuana
Puntuali
Cielito
The Liar
Unfrgivn
ENTERTAINMENT
Raindrop
Califrag
CatMemry
MyPrince
NoBuiz
JinglBel
SilentNt
Christms
Favorite
RedRdolf
MoonWlz
AroundWd
WALTZ & TRAD
DadClock
RockBaby
SomeLara
Doodah!
Dreamer
Birthday
Sunshine
TexRose
ThePolka
Yankee’s
DanubeWz
D'amor
Reine de
MnchHaus
Comrades
VanMass
ClariPka

Effect Type List
Harmony Types
No.

Harmony Type

001

Duet

002

Trio

003

Block

004

Country

005

Octave

006

Trill 1/4 note

007

Trill 1/6 note

Description

If you want to sound one of the harmony types 01–05, play keys to the right side of the Split Point
while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two
or three notes of harmony are automatically added to the note you play. When playing back a Song

Trill 1/8 note

009

Trill 1/12 note

010

Trill 1/16 note

011

Trill 1/24 note

012

Trill 1/32 note

013

Tremolo 1/4 note

014

Tremolo 1/6 note

015

Tremolo 1/8 note

016

Tremolo 1/12 note

017

Tremolo 1/16 note

018

Tremolo 1/24 note

019

Tremolo 1/32 note

020

Echo 1/4 note

021

Echo 1/6 note

022

Echo 1/8 note

023

Echo 1/12 note

024

Echo 1/16 note

025

Echo 1/24 note

026

Echo 1/32 note

If you keep holding down two different notes, the notes alternate (in a trill)
continuously.
(The trill speed differs depending on the selected type.)

If you keep holding down a note, the note is repeated continuously.

Appendix

008

that includes chord data, harmony is applied whichever keys are played.

(The repeat speed differs depending on the selected type.)

If you play a note, echo is applied to the note played.
(The echo speed differs depending on the selected type.)

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

73

Effect Type List

Arpeggio Type List

Appendix

Arpeggio No.
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090

74

Arpeggio Name
UpOct
DownOct
UpDwnOct
SynArp1
SynArp2
SynArp3
SynArp4
SyncEcho
PulsLine
StepLine
Random
Down&Up
SuperArp
AcidLine
TekEcho
VelGruv
Planet
Trance1
Trance2
Trance3
ChordAlt
SynChrd1
SynChrd2
Syncopa
Hybrid1
Hybrid2
Hybrid3
Hybrid4
Hybrid5
PfArp1
PfArp2
PfArp3
PfArp4
PfClub1
PfClub2
PfBallad
PfChd8th
EPArp
PfShufle
PfRock
Clavi1
Clavi2
RocknPf
70RockPf
SlowflPf
SoulPf
ChordUp
ChdDance
LatinRck
Salsa1
Salsa2
Reggae1
Reggae2
Reggae3
6/8R&B
Gospel
BalladEP
Strum1
Strum2
Strum3
Strum4
Pickin1
Pickin2
Funky

Arpeggio No.
091
092
093
094
095
096
097
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Arpeggio Name
GtrChrd1
GtrChrd2
GtrChrd3
GtrArp
FngrPck1
FngrPck2
CleanGtr
Slowfl
Samba1
Samba2
Spanish1
Spanish2
Harp1
Harp2
FngrBas1
FngrBas2
FngrBas3
CoolFunk
SlapBass
AcidBas1
AcidBas2
FunkyBas
CmbJazB1
CmbJazB2
CmbJazB3
NewR&BBs
HipHopBs
SmoothBs
DreamBas
TranceBs
LatinBas
Strings1
Strings2
Strings3
Strings4
StrngDwn
StrngUp
OrcheStr
Jupiter
Pizz1
Pizz2
BrasSec1
BrasSec2
BrasSec3
FunkBras
SoulReed
DiscoLd
SmoothPd
PercArp
Ethnic
Cresendo
DiscoCP
Perc1
Perc2
R&B
Funk1
Funk2
Funk3
Soul
ClscHip
Smooth
NewGospl
CmbJazz1
CmbJazz2

Arpeggio No.
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176

Arpeggio Name
Bebop
JazzHop
FolkRock
Unpluggd
HipHop
Trance
Dream
2 Step
ClubHs1
ClubHs2
EuroTek
House
Ibiza1
Ibiza2
Ibiza3
Garage
Samba
African
Latin
China
Indian
Arabic

• When playing one of the Arpeggio Types 143
to 176, select the corresponding Voice below
as the Main Voice.
143–173: Select a Drum Kit (Voice No.198–
207).
174 (China): Select “StdKit1 + Chinese
Perc.” (Voice No.208).
175 (Indian): Select “Indian Kit 1” (Voice
No.209) or “Indian Kit 2” (Voice No.210).
176 (Arabic): Select “Arabic Kit” (Voice
No.211).

Effect Type List

Reverb Types
No.
01–04

Reverb Type
Hall 1–4

Description
Concert hall reverb.

05

Cathedral

Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds.

06–08

Room 1–3

Small room reverb.

09–10

Stage 1–2

Reverb for solo instruments.

11–12

Plate 1–2

Simulated steel plate reverb.

Off

No effect.

13

Chorus Types
No.

Chorus Type

Description

Chorus 1–3

4–5

Flanger 1–2

This produces a rich, animated wavering effect in the sound.

Off

No effect.

6

Conventional chorus program with rich, warm chorusing.

Appendix

1–3

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

75

Specifications
Product Name
Dimensions (W x D x H)
Size/Weight
Weight
Keyboard
Control Interface

Display
Panel
Tone Generation

Number of Keys
Touch Response
Type
Backlight
Language
Language
Tone Generation
Technology

Polyphony (max.)
Voices
Preset

Number of Voices

Compatibility
Types

Effects
Functions

Preset

Reverb
Chorus
Master EQ
Dual
Split
Panel Sustain
Harmony
Arpeggio
Melody Suppressor
Number of Styles
Fingering
Style Control

Appendix

Accompaniment
Styles

External Styles
Other Features

Music Database
One Touch Setting
(OTS)

Compatibility
Preset
Songs (MIDI)

Recording
Format

Number of Preset Songs
Number of Songs
Number of Tracks
Data Capacity
Playback
Recording

Lesson

Functions

Storage and
Connectivity

Sound System

76

USB Audio (USB TO HOST)
Registration
Number of Buttons
Memory
Metronome
Tempo Range
Overall Controls
Transpose
Tuning
Duo
Miscellaneous
PIANO Button
Storage
Internal Memory
DC IN
Headphones/Output
Connectivity
Sustain Pedal
AUX IN
USB TO HOST
Amplifiers
Speakers

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

PSR-E363, YPT-360
PSR-EW300
Digital Keyboard
945mm x 369mm x 118mm
1152mm x 369mm x 118mm
(37-3/16” x 14-1/2” x 4-5/8”)
(45-3/8” x 14-1/2” x 4-5/8”)
4.6kg (10 lbs 2 oz.)
6.2kg (13 lbs 11 oz.)
(not including batteries)
(not including batteries)
61
76
Soft, Medium, Hard, Fixed
LCD
Yes
English
English
AWM Stereo Sampling
48
574
(197 Panel Voices + 18 Drum/SFX kits + 20 Arpeggio +
339 XGlite Voices)
GM/XGlite
12 types
5 types
6 types
Yes
Yes
Yes
26 types
150 types
Yes
165
Multi finger
ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit.,
MAIN/AUTO FILL
10
158
Yes
Style File Format (SFF)
154
(including Touch Tutor: 10, Chord Study: 12, Chord Progression: 30)
5
2
Approx. 10,000 notes
SMF Formats 0 & 1
Original File Format
KEYS TO SUCCESS, Lesson 1–3 (Listening, Timing, Waiting),
Phrase Repeat, A-B Repeat, Chord Dictionary, Touch Tutor,
Chord Study, Chord Progression
44.1kHz, 16bit, stereo
9
Yes
11–280
-12 to 0, 0 to +12
427.0–440.0–453.0 Hz (approx. 0.2Hz increments)
Yes
Yes (Portable Grand Button)
Approx. 1.3MB
12V
Standard stereo phone jack (PHONES/OUTPUT)
Yes
Yes (Stereo mini jack)
Yes
2.5W + 2.5W
12cm x 2

Specifications

AC Adaptor
Power Supply
Power Supply

Batteries
Power Consumption
Auto Power Off

Included Accessories

Users within U.S or Europe: PA-130 or an equivalent recommended
by Yamaha
Others: PA-3C,PA-130 or an equivalent recommended by Yamaha
Six 1.5V “AA” size alkaline (LR6), manganese (R6) or
six 1.2V “AA” size Ni-MH rechargeable batteries (HR6)
5W (When using PA-130 AC adaptor)
Yes
• Music rest
• Owner’s Manual
• AC adaptor *1 (PA-130 or an equivalent recommended by Yamaha)
• Online Member Product Registration
*1: May not be included depending on your particular area. Please check
with your Yamaha dealer.

• AC adaptor:
Separately Sold Accessories
(May not be available depending on your area.)

Users within U.S or Europe: PA-130 or an equivalent recommended by
Yamaha
Others: PA-3C, PA-130 or an equivalent recommended by Yamaha

• Keyboard stand: L-2C
• Headphones: HPH-50/HPH-100/HPH-150
• Footswitch: FC4A/FC5
• Wireless MIDI adaptor: UD-BT01

Appendix

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha
website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale,
please check with your Yamaha dealer.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

77

Index
A

H

A-B Repeat .............................29
AC Adaptor ............................. 12
Accessories ............................77
ACMP .....................................22
Arpeggio ................................. 19
Arpeggio Type ........................ 74
Arpeggio Velocity ....................46
audio .......................................30
Audio Device ..........................30
Auto Accompaniment ..............22
Auto Accompaniment range ...22
AUTO FILL ..............................24
Auto Power Off .................. 13, 47
AUX IN ....................................30

Harmony ................................ 19
Harmony Type .................. 20, 73
Headphones ........................... 14

B
Backup Parameters ................49
Batteries .................................. 12
Battery Type ...................... 13, 47
Beat ........................................ 15
BGM .......................................28

C

Appendix

Chord ................................ 15, 25
Chord Dictionary .....................26
Chord Progressions ................40
Chord Study ............................39
Chorus .................................... 18
Chorus Type .....................46, 75
Clear (Backup parameters) .....49
Clear (User Song) ..................42
computer .................................48
Computer-related Operations ...8

D
Demo ................................ 27, 47
Display .................................... 15
Drum Kit List ...........................67
Dual Voice .........................17, 46
Duo .........................................21

Initial Send ............................. 47
Initialization ............................ 49
INTRO .................................... 24
iPad ........................................ 48
iPhone .................................... 48
iPhone/iPad Connection
Manual .................................. 8

K
Key  Transpose ................... 45
Keyboard Display ................... 15
Keys To Success .................... 33

L
Lesson .................................... 32
Listening ................................. 36
Local Control .......................... 47

M
MAIN ...................................... 24
Main Voice .............................. 16
Master EQ .............................. 44
Measure ................................. 15
Melody Suppressor ................ 31
Metronome ............................. 16
MIDI Basics .............................. 8
MIDI Reference ........................ 8
Music Database ..................... 23
Music Database List ............... 72
music rest ............................... 14
Musicsoft Downloader ............ 23

N
Notation .................................. 15

O

E

One Touch Setting .................. 16

Effect Type List .......................73
Effects .....................................18
ENDING .................................24
External Clock ........................47

P

F
Fast Forward ...........................28
Fast Reverse ...........................28
Footswitch ......................... 14, 20
Function List ...........................45
Functions ................................45

G
GM System Level 1 ...................8
Grade ......................................36
Guide Note .............................37

78

I

Panel Sustain ......................... 18
Part ......................................... 29
Passing Status ....................... 34
Pause ..................................... 28
Pedal ...................................... 14
Phrase Repeat ....................... 35
Pitch  Transpose ................. 45
Pitch  Tuning ....................... 45
Playback ................................. 28
Portable Grand ....................... 16
Power Requirements .............. 12

R
Random playback ................... 28
Recording ............................... 41
Recording (track) .................... 42
Registration Memory .............. 43

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Reverb ....................................18
Reverb Level .......................... 46
Reverb Type ..................... 46, 75
rhythm .................................... 22
rit. ........................................... 24

S
Sections ................................. 24
Song ...................................... 27
Song Book ............................... 8
Song Book Sample ................ 52
Song Category ....................... 27
Song List ................................ 70
Specifications ..........................76
Split Point .................... 17, 22, 45
Split Voice ......................... 17, 46
Style ....................................... 22
Style File ............................ 8, 23
Style List ................................ 71
Sustain ....................................14
Synchro Start ......................... 22

T
Tap function ........................... 24
Tempo .........................16, 24, 27
Time Signature ........................16
Timing .................................... 36
Touch Response .....................18
Touch Tutor ............................ 38
Track ...................................... 41
Transpose .............................. 45
Troubleshooting ...................... 50
Tuning .................................... 45

U
USB Audio ............................. 48
USB TO HOST ....................... 48
User Songs ............................ 41

V
Voice .......................................16
Voice List ............................... 62
Volume ..............................14, 45
Volume (AUX IN) .................... 45
Volume (Harmony) ................. 46
Volume (Metronome) ............. 47
Volume (Style, Song) ............. 45
Volume (USB TO HOST) ....... 45
Volume (Voice) ....................... 46

W
Waiting ................................... 36

X
XGlite ....................................... 8

Y
Your Tempo ............................ 47

Information for users on collection and disposal of old equipment and used batteries:
These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries
should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in
accordance with your national legislation.
By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on
human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal
service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
Information on Disposal in other Countries outside the European Union:
These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask
for the correct method of disposal.
Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set by the EU Battery
Directive for the chemical involved.
(weee_battery_eu_en_02)

79

LIMITED 1-YEAR WARRANTY ON
PORTABLE KEYBOARDS
(NP, PSRE, PSREW, PSRF, EZ, DGX230, DGX530, YPG AND YPT SERIES)
Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free
performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and every
Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the
Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from Yamaha’s
authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in the Warranted
Area. Yamaha suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized Yamaha dealer or
Yamaha Customer Service if you have any questions.

Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or
otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or
materials. Repairs may be performed using new or refurbished parts that meet or exceed Yamaha specifications for new parts. If Yamaha
elects to replace the product, the replacement may be a reconditioned unit. You will be responsible for any installation or removal charges
and for any initial shipping charges if the product(s) must be shipped for warranty service. However, Yamaha will pay the return shipping
charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not cover (a) damage,
deterioration or malfunction resulting from accident, negligence, misuse, abuse, improper installation or operation or failure to follow
instructions according to the Owner’s Manual for this product; any shipment of the product (claims must be presented to the carrier); repair
or attempted repair by anyone other than Yamaha or an authorized Yamaha Service Center; (b) any unit which has been altered or on
which the serial number has been defaced, modified or removed; (c) normal wear and any periodic maintenance; (d) deterioration due to
perspiration, corrosive atmosphere or other external causes such as extremes in temperature or humidity; (e) damages attributable to
power line surge or related electrical abnormalities, lightning damage or acts of God; or (f) RFI/EMI (Interference/noise) caused by
improper grounding or the improper use of either certified or uncertified equipment, if applicable. Any evidence of alteration, erasing or
forgery of proof-of-purchase documents will cause this warranty to be void. This warranty covers only the Original Owner and is not
transferable.
In Order to Obtain Warranty Service:

Warranty service will only be provided for defective products within the Warranted Area.
Contact your local authorized Yamaha dealer who will advise you of the procedures to be followed. If this is not successful, contact
Yamaha at the address, telephone number or website shown below. Yamaha may request that you send the defective product to a local
authorized Yamaha Servicer or authorize return of the defective product to Yamaha for repair. If you are uncertain as to whether a dealer
has been authorized by Yamaha, please contact Yamaha’s Service Department at the number shown below, or check Yamaha’s website at
www.Yamaha.com. Product(s) shipped for service should be packed securely and must be accompanied by a detailed explanation of the
problem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase
document describing the product, as evidence of warranty coverage. Should any product submitted for warranty service be found
ineligible therefore, an estimate of repair cost will be furnished and the repair will be accomplished only if requested by you and upon
receipt of payment or acceptable arrangement for payment.

Limitation of Implied Warranties and Exclusion of Damages: ANY IMPLIED WARRANTIES, INCLUDING
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE
APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR
CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER
EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES.
YAMAHA’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT
YAMAHA’S OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE
EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY
NOT APPLY TO YOU. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. This
is the only express warranty applicable to the product specified herein; Yamaha neither assumes nor authorizes anyone to assume for it
any other express warranty.
If you have any questions about service received or if you need assistance in locating an authorized Yamaha Servicer, please contact:

CUSTOMER SERVICE
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, California 90620-1373
Telephone: 800-854-1569
www.yamaha.com
Do not return any product to the above address without a written Return Authorization issued by YAMAHA.
© 2015 Yamaha Corporation of America.

MEMO

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

FRANCE

NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Toronto, Ontario M1S 3R1,
Canada
Tel: +1-416-298-1311

U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620,
U.S.A.
Tel: +1-714-522-9011

CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México, S.A. de C.V.
Av. Insurgentes Sur 1647 Piso 9, Col. San José
Insurgentes, Delegación Benito Juárez, México,
D.F., C.P. 03900, México
Tel: +52-55-5804-0600

BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B –
Vila Olímpia – CEP 04551-010 – São Paulo/SP,
Brazil
Tel: +55-11-3704-1377

OTHER COUNTRIES

Yamaha Music Europe
7 rue Ambroise Croizat, Zone d'activités de Pariest,
77183 Croissy-Beaubourg, France
Tel: +33-1-6461-4000

ITALY
Yamaha Music Europe GmbH, Branch Italy
Via Tinelli N.67/69 20855 Gerno di Lesmo (MB),
Italy
Tel: +39-039-9065-1

SPAIN/PORTUGAL
Yamaha Music Europe GmbH Ibérica, Sucursal
en España
Ctra. de la Coruna km. 17,200, 28231
Las Rozas de Madrid, Spain
Tel: +34-91-639-88-88

GREECE
Philippos Nakas S.A. The Music House
19th klm. Leof. Lavriou 190 02 Peania – Attiki,
Greece
Tel: +30-210-6686260

SWEDEN
Yamaha Music Europe GmbH Germany filial
Scandinavia
JA Wettergrensgata 1, 400 43 Göteborg, Sweden
Tel: +46-31-89-34-00

DENMARK

ARGENTINA

Yamaha Music Denmark,
Fillial of Yamaha Music Europe GmbH, Tyskland
Generatorvej 8C, ST. TH., 2860 Søborg, Denmark
Tel: +45-44-92-49-00

Yamaha Music Latin America, S.A.,
Sucursal Argentina
Olga Cossettini 1553, Piso 4 Norte,
Madero Este-C1107CEK,
Buenos Aires, Argentina
Tel: +54-11-4119-7000

FINLAND
F-Musiikki Oy
Antaksentie 4
FI-01510 Vantaa, Finland
Tel: +358 (0)96185111

PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Edif. Torre Banco General, F7, Urb. Marbella,
Calle 47 y Aquilino de la Guardia, Panama,
P.O.Box 0823-05863, Panama, Rep.de Panama
Tel: +507-269-5311

NORWAY
Yamaha Music Europe GmbH Germany Norwegian Branch
Grini Næringspark 1, 1332 Østerås, Norway
Tel: +47-6716-7800

ICELAND

EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music Europe GmbH (UK)
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, U.K.
Tel: +44-1908-366700

GERMANY
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany
Tel: +49-4101-303-0

SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH, Branch
Switzerland in Thalwil
Seestrasse 18a, 8800 Thalwil, Switzerland
Tel: +41-44-3878080

AUSTRIA/CZECH REPUBLIC/
HUNGARY/ROMANIA/SLOVAKIA/
SLOVENIA
Yamaha Music Europe GmbH, Branch Austria
Schleiergasse 20, 1100 Wien, Austria
Tel: +43-1-60203900

POLAND
Yamaha Music Europe GmbH
Sp.z o.o. Oddział w Polsce
ul. Wielicka 52, 02-657 Warszawa, Poland
Tel: +48-22-880-08-88
Dinacord Bulgaria LTD.
Bul.Iskarsko Schose 7 Targowski Zentar Ewropa
1528 Sofia, Bulgaria
Tel: +359-2-978-20-25

MALTA

CROATIA
Euro Unit D.O.O.
Slakovec 73
40305 Nedelisce
Tel: +38540829400

RUSSIA
Yamaha Music (Russia) LLC.
Room 37, entrance 7, bld. 7, Kievskaya street,
Moscow, 121059, Russia
Tel: +7-495-626-5005

OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany
Tel: +49-4101-303-0

AFRICA
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328,
Jebel Ali FZE, Dubai, UAE
Tel: +971-4-801-1500

MIDDLE EAST
Yamaha Music Europe GmbH
Merkezi Almanya Türkiye İstanbul Şubesi
Maslak Meydan Sodak, Spring Giz Plaza Bagimsiz
Böl. No:3, Sariyer Istanbul, Turkey
Tel: +90-212-999-8010

CYPRUS

Olimpus Music Ltd.
Valletta Road, Mosta MST9010, Malta
Tel: +356-2133-2093

NETHERLANDS/BELGIUM/
LUXEMBOURG
Yamaha Music Europe, Branch Benelux
Clarissenhof 5b, 4133 AB Vianen, The Netherlands
Tel: +31-347-358040

DMI20

Hljodfaerahusid Ehf.
Sidumula 20
IS-108 Reykjavik, Iceland
Tel: +354-525-5050

TURKEY

BULGARIA

Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328,
Jebel Ali FZE, Dubai, UAE
Tel: +971-4-801-1500

Nakas Music Cyprus Ltd.
Nikis Ave 2k
1086 Nicosia
Tel: + 357-22-511080
Major Music Center
21 Ali Riza Ave. Ortakoy
P.O.Box 475 Nicosia, Cyprus
Tel: (392) 227 9213

ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co., Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: +86-400-051-7700

HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: +852-2737-7688

INDIA
Yamaha Music India Private Limited
P-401, JMD Megapolis, Sector-48, Sohna Road,
Gurgaon-122018, Haryana, India
Tel: +91-124-485-3300

INDONESIA
PT. Yamaha Musik Indonesia (Distributor)
Yamaha Music Center Bldg. Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: +62-21-520-2577

KOREA
Yamaha Music Korea Ltd.
8F, Dongsung Bldg. 21, Teheran-ro 87-gil,
Gangnam-gu, Seoul, 06169, Korea
Tel: +82-2-3467-3300

MALAYSIA
Yamaha Music (Malaysia) Sdn. Bhd.
No.8, Jalan Perbandaran, Kelana Jaya, 47301
Petaling Jaya, Selangor, Malaysia
Tel: +60-3-78030900

SINGAPORE
Yamaha Music (Asia) Private Limited
Block 202 Hougang Street 21, #02-00,
Singapore 530202, Singapore
Tel: +65-6740-9200

TAIWAN
Yamaha Music & Electronics Taiwan Co., Ltd.
2F., No.1, Yuandong Rd., Banqiao Dist.,
New Taipei City 22063, Taiwan (R.O.C.)
Tel: +886-2-7741-8888

THAILAND
Siam Music Yamaha Co., Ltd.
3, 4, 15, 16th Fl., Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: +66-2215-2622

VIETNAM
Yamaha Music Vietnam Company Limited
15th Floor, Nam A Bank Tower, 201-203 Cach
Mang Thang Tam St., Ward 4, Dist.3,
Ho Chi Minh City, Vietnam
Tel: +84-8-3818-1122

OTHER ASIAN COUNTRIES
http://asia.yamaha.com

OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
VIC 3006, Australia
Tel: +61-3-9693-5111

NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: +64-9-634-0099

COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
http://asia.yamaha.com

Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan
(For European Countries) Importer: Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany

Yamaha Global Site
https://www.yamaha.com/
Yamaha Downloads
http://download.yamaha.com/

Manual Development Group
© 2017 Yamaha Corporation
Published 04/2017 PO##*.*-**B0
Printed in China

ZY73930



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