Yamaha YC88 YC73 Owner’s Manual YC88/YC73 Owner's En Om A0

User Manual: Yamaha YC88/YC73 Owner's Manual

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STAGE KEYBOARD
CLAVIER DE SCÈNE
TECLADO DE ESCENARIO

EN
FR
ES

The model number, serial number, power requirements, etc., may be
found on or near the name plate, which is at the rear of the unit. You
should note this serial number in the space provided below and retain
this manual as a permanent record of your purchase to aid identification in the event of theft.

Model No.
Serial No.
(rear_en_01)

Le numéro de modèle, le numéro de série, l'alimentation requise, etc.,
se trouvent sur ou près de la plaque signalétique du produit, située
à l'arrière de l'unité. Notez le numéro de série dans l'espace fourni
ci-dessous et conservez ce manuel en tant que preuve permanente
de votre achat afin de faciliter l'identification du produit en cas de vol.

N° de modèle
N° de série
(rear_fr_01)

El número de modelo, el número de serie, los requisitos de alimentación,
etc. pueden encontrarse en la placa de identificación o cerca de ella.
Esta placa se encuentra en la parte posterior de la unidad. Debe tomar
nota del número de serie en el espacio proporcionado a continuación
y conservar este manual como comprobante permanente de su compra
para facilitar la identificación en caso de robo.

Nº de modelo
Nº de serie
(rear_es_01)

2

YC88/YC73 Owner’s Manual

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your
authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all
installation instructions. Failure to follow instructions could
void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your
use of this product in a residential environment will not result
in harmful interference with other electronic devices. This
equipment generates/uses radio frequencies and, if not
installed and used according to the instructions found in the
users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regula-

tions does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using one of
the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Corporation of America,
Electronic Service Division, 6600 Orangethorpe Ave, Buena
Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by Yamaha Corporation of America.

(class B)

COMPLIANCE INFORMATION STATEMENT (Supplierʼs declaration of conformity procedure)
Responsible Party:
Address:
Telephone:
Type of Equipment:
Model Name:

Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620
714-522-9011
STAGE KEYBOARD
YC88, YC73

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
* This applies only to products distributed by Yamaha Corporation of America.

(FCC SDoC)

YC88/YC73 Owner’s Manual

3

Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of electric
shock to persons.

CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.

The above warning is located on the rear of the unit.

IMPORTANT SAFETY INSTRUCTIONS
1
2
3
4
5
6
7
8

9

10

Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prong are
provided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.

11
12

13
14

Only use attachments/accessories specified by the
manufacturer.
Use only with the cart, stand,
tripod, bracket, or table
specified by the manufacturer,
or sold with the apparatus.
When a cart is used, use
caution when moving the cart/
apparatus combination to
avoid injury from tip-over.
Unplug this apparatus during lightning storms or
when unused for long periods of time.
Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.

WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(UL60065_03)

Information for users on collection and disposal of old equipment:
This symbol on the products, packaging, and/or accompanying documents means that used electrical and
electronic products should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in
accordance with your national legislation.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential
negative effects on human health and the environment which could otherwise arise from inappropriate waste
handling.
For more information about collection and recycling of old products, please contact your local municipality, your
waste disposal service or the point of sale where you purchased the items.

For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further
information.

Information on Disposal in other Countries outside the European Union:
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local
authorities or dealer and ask for the correct method of disposal.
(weee_eu_en_02)

4

YC88/YC73 Owner’s Manual

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.

WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from
electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited
to, the following:

If you notice any abnormality

• Do not place the power cord near heat sources such as heaters
or radiators. Also, do not excessively bend or otherwise damage
the cord, or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.

• When one of the following problems occur, immediately turn off
the power switch and disconnect the electric plug from the
outlet. Then have the device inspected by Yamaha service
personnel.

English

Power supply/Power cord

- The power cord or plug becomes frayed or damaged.

• Use only the supplied power cord/plug.

- It emits unusual smells or smoke.

• Check the electric plug periodically and remove any dirt or dust
which may have accumulated on it.

- Some object has been dropped into the instrument.

• Be sure to connect to an appropriate outlet with a protective
grounding connection. Improper grounding can result in
electrical shock.

- If any cracks or breakages exist on the instrument.

- There is a sudden loss of sound during use of the instrument.

Do not open
• This instrument contains no user-serviceable parts. Do not
open the instrument or attempt to disassemble or modify the
internal components in any way. If it should appear to be
malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.

Water warning
• Do not expose the instrument to rain, use it near water or in
damp or wet conditions, or place on it any containers (such as
vases, bottles or glasses) containing liquids which might spill
into any openings. If any liquid such as water seeps into the
instrument, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument
inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.

Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.

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YC88/YC73 Owner’s Manual

5

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or
damage to the instrument or other property. These precautions include, but are not limited to, the following:

Power supply/Power cord

Connections

• Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound quality,
or possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an
outlet, always hold the plug itself and not the cord. Pulling by
the cord can damage it.
• Remove the electric plug from the outlet when the instrument is
not to be used for extended periods of time, or during electrical
storms.

• Before connecting the instrument to other electronic
components, turn off the power for all components. Before
turning the power on or off for all components, set all volume
levels to minimum.
• Be sure to set the volumes of all components at their minimum
levels and gradually raise the volume controls while playing the
instrument to set the desired listening level.

Handling caution
• Do not insert a finger or hand in any gaps on the instrument.

Location
• Do not place the instrument in an unstable position where it
might accidentally fall over.
• Before moving the instrument, remove all connected cables, to
prevent damage to the cables or injury to anyone who might trip
over them.
• When setting up the product, make sure that the AC outlet you
are using is easily accessible. If some trouble or malfunction
occurs, immediately turn off the power switch and disconnect
the plug from the outlet. Even when the power switch is turned
off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make
sure to unplug the power cord from the wall AC outlet.

• Never insert or drop paper, metallic, or other objects into the
gaps on the panel or keyboard. This could cause physical injury
to you or others, damage to the instrument or other property, or
operational failure.
• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons,
switches or connectors.
• Do not use the instrument/device or headphones for a long
period of time at a high or uncomfortable volume level, since
this can cause permanent hearing loss. If you experience any
hearing loss or ringing in the ears, consult a physician.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or
destroyed.
Always turn the power off when the instrument is not in use.
Even when the [STANDBY/ON] switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.

DMI-7

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YC88/YC73 Owner’s Manual

2/2

NOTICE

Information

To avoid the possibility of malfunction/ damage to the
product, damage to data, or damage to other property,
follow the notices below.

 About copyrights

 Handling
• Do not use the instrument in the vicinity of a TV, radio,
stereo equipment, mobile phone, or other electric
devices. Otherwise, the instrument, TV, or radio may
generate noise. When you use the instrument along
with an application on your smart device such as a
smartphone or tablet, we recommend that you set
“Airplane Mode” to “ON” on that device in order to
avoid noise caused by communication.
• Do not expose the instrument to excessive dust or
vibrations, or extreme cold or heat (such as in direct
sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration, damage
to the internal components or unstable operation.
• Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or
keyboard.

 Maintenance
• When cleaning the instrument, use a soft and dry (or
slightly damp) cloth. If the panel (front, side and
bottom, excepting the controllers and the keyboard) is
dirty, wipe the dirt away using a cloth moistened with a
neutral detergent solution and tightly wrung out.
Following this, wipe away the detergent solution using
a cloth soaked in water and tightly wrung out. Do not
use paint thinners, solvents, alcohol, or chemicalimpregnated wiping cloths.
• During extreme changes in temperature or humidity,
condensation may occur and water may collect on the
surface of the instrument. If water is left, the wooden
parts may absorb the water and be damaged. Make sure
to wipe any water off immediately with a soft cloth.

• Copying of the commercially available musical data
including but not limited to MIDI data and/or audio
data is strictly prohibited except for your personal use.
• This product incorporates and bundles contents in
which Yamaha owns copyrights or with respect to
which Yamaha has license to use others’ copyrights.
Due to copyright laws and other relevant laws, you are
NOT allowed to distribute media in which these
contents are saved or recorded and remain virtually the
same or very similar to those in the product.
* The contents described above include a computer
program, Accompaniment Style data, MIDI data,
WAVE data, voice recording data, a score, score data,
etc.
* You are allowed to distribute medium in which your
performance or music production using these
contents is recorded, and the permission of Yamaha
Corporation is not required in such cases.

 About this manual
• The illustrations and LCD screens as shown in this
manual are for instructional purposes only, and may
appear somewhat different from those on your
instrument.
• iPhone and iPad are trademarks of Apple Inc.,
registered in the U.S. and other countries.
• IOS is a trademark or registered trademark of Cisco in
the U.S. and other countries and is used under license.
• The company names and product names in this
manual are the trademarks or registered trademarks of
their respective companies.

 Saving data
• Edited Live Set Sounds (including settings of the
SETTINGS screens) and settings of MENU screens are
lost when you turn off the power to the instrument.
This also occurs when the power is turned off by the
Auto Power Off function (page 23). Save the data to the
instrument, or to USB flash drive/an external device
such as a computer (page 25). However, the data saved
to the instrument may be lost due to some failure, an
operation mistake, etc. Save your important data onto
USB flash drive/an external device such as a computer
(page 25). Before using a USB flash drive, make sure to
refer to page 26.
• To protect against data loss through USB flash drive
damage, we recommend that you save your important
data onto spare USB flash drive or an external device
such as a computer as backup data.

YC88/YC73 Owner’s Manual

7

Welcome
Thank you for purchasing the Yamaha YC88/YC73.
This instrument is a Stage Keyboard designed especially for live performance.
Please read this Owner’s Manual carefully before using the instrument in order to take full advantage of its various
features. When you have finished reading the manual, keep it in a safe, accessible place, and refer to it when you need to
better understand an operation or function.

Accessories
• Owner’s Manual (this book)
• Power cord
• Foot pedal (FC3A)

Main Features
 Remarkably authentic organ sounds, piano sounds of unparalleled quality, and dynamic FM
synth sounds
YC series are equipped with a VCM Organ tone generator and VCM Rotary Speaker simulator that have been newly
developed based on Yamaha VCM (Virtual Circuitry Modeling) technology. These authentically reproduce the natural
saturation and warmth of sound that are uniquely characteristic to tonewheel organs and rotary speakers—thanks to
the meticulously accurate modeling of analog circuits. In addition, these are equipped with high-quality acoustic
piano and electric piano sounds perfected in and derived from the Yamaha CP series. It also features an FM tone
generator with 128-note polyphony for comprehensive dynamic performance.

 Weighted hammer-action keyboards suitable for playing as a piano/electric piano
The YC88’s NW-GH3 (Natural Wood Graded Hammer keyboard with synthetic ebony and ivory keytops) keyboard
reproduce a touch of grand piano by giving all keys an authentic resistance that increases from the top register to the
lower. Moreover, the YC73 features a BHS (Balanced Hammer Standard) keyboard, perfect for performing as an
electric piano.

 Design embodies high-class appearance and portability
The finely crafted design and aluminum exterior of YC series delivers both a sleek, professional appearance in a
lightweight, highly portable instrument—perfect for onstage use.

 User interface provides total intuitive control—essential for live performance
All controls required during onstage are placed in the dedicated Sections on the panel, such as Organ and Keys. This
gives you direct access to the parameters you need at any time and allows you to instantly improvise sound changes,
on the fly. In addition, the Organ Section features newly developed physical drawbars, which naturally deliver
exceptionally high playability, and even allow you to immediately check the current settings of the drawbars (with
LED indicators) when switching among different sounds (Live Set Sounds)—letting you fully concentrate on your
performance.

 Connect with other devices and expand your performance potential
Comprehensive MIDI control function and powerful Master Keyboard function make it more useful to connect and
use this instrument with software synthesizers and external MIDI devices. Moreover, the instrument has a built-in
Class Compliant USB Audio/MIDI interface, which makes for greater recording ease in home and professional
studios, as well as greater onstage performance power.

8

YC88/YC73 Owner’s Manual

Contents
PRECAUTIONS ..................................................................5
NOTICE ...............................................................................7
Information..........................................................................7
Welcome...............................................................................8
Accessories ...........................................................................8
Main Features ......................................................................8

Controls and Functions

10

Front Panel ........................................................................ 10
Settings of LCD and the lamps........................... 10
Live Set......................................................................... 12
Storing a Live Set Sound ..................................... 12
Swapping/Copying Live Set Sounds.................. 13
Initializing the Live Set Sound ........................... 13
Organ Section ............................................................. 14
Keys (Key A/Key B) Section ..................................... 16
EFFECT Section ......................................................... 17
SPEAKER/AMP Section ........................................... 18
REVERB Section ........................................................ 19
Master EQ ................................................................... 19
Rear Panel.......................................................................... 20

Setting Up

22

Power Supply .................................................................... 22
Connecting Speakers or Headphones ........................... 22
Turning On and Off......................................................... 22
Auto Power Off Function................................................ 23
Restoring the Factory Default Settings (Factory Reset)23

Basic Structure & Display Content

Using with External Devices

Setting the MIDI transmit and receive channels ... 28
Setting the internal tone generator to not produce
sound when the built-in keyboard is played .......... 28
Setting how the MIDI [IN]/[OUT] terminals are used
(MIDI Port settings) .................................................. 28
Connecting to a computer ........................................ 29
Connecting an iPhone or iPad ................................. 29
USB Audio .................................................................. 29
MIDI................................................................................... 30

Special Operations List

31

Insertion Effect Type List

32

EG/Filter Control Type List

34

MENU LIST

36

SETTINGS LIST

42

Appendix

51

Display Messages.............................................................. 51
Troubleshooting ............................................................... 52
Specifications .................................................................... 54
Index................................................................................... 55

23
DATA LIST

Top Screen Configuration............................................... 23
Selecting Voice Sections .................................................. 23
Exiting from the Current Screen.................................... 24
Editing File Names/Live Set Sound Names .................. 24

Saving / Loading Data

27

25

56

Live Set Sound List ........................................................... 56
Voice List ........................................................................... 58
Control Change Number List ......................................... 60
MIDI Data Format ........................................................... 62
MIDI Data Table .............................................................. 64
MIDI Implementation Chart.......................................... 69

Saving the settings to a USB flash drive ........................ 25
Loading the settings from a USB flash drive ................ 25

YC88/YC73 Owner’s Manual

9

Controls and Functions
Front Panel
3

2

5
4

1
6

SPEAKER/AMP Section
(page 18)

Organ Section
(page 14)

7
8
9
)

Live Set
(page 12)

1 Bend Lever

 Settings of LCD and the lamps

For using as the Pitch Bend controller or as to change the
rotation speed of the rotary speaker on the SPEAKER/
AMP Section.
Which of the two functions is used by the Bend Lever
can be set from the [SETTINGS] button → “Controllers”
→ “Bend Lever” → “Mode” (page 49). In the default
settings, this is set to “Pitch Bend.”

To make the following settings, press the [MENU]
button → “Control Panel” → “Display Lights.”
Section

For setting whether the indicator lamps of
each Section are always lit up (“On”)
regardless of the status of the corresponding
Section [ON/OFF] switch.

Ins Effect

For setting whether the lamps in the EFFECT
1 and 2 areas of the Key A/Key B Sections
are always lit up (“On”) regardless of the
status of each of the EFFECT 1/2 [ON/OFF]
buttons.

2 Modulation Lever (Assignable)

LCD SW

For applying vibrato to the sound.
Another Control Change number can be assigned to this
lever. The assignment of Control Change number can be
set from the [SETTINGS] button → “Controllers” →
“Modulation Lever” → “Assign” (page 49).

For setting whether to display (“On”) or not
display (“Off”) the Top screen of the LCD.
The various setting screens such as the
MENU screens and the SETTINGS screens
are always shown regardless of this setting.

LCD
Contrast

For adjusting the contrast of the LCD.

NOTE
The pitch bend range can be set for each Section from the
[SETTINGS] button  “Controllers”  “Bend Lever”  “Pitch
Bend Range” (page 49).

NOTE
• The vibrato depth and speed can be set for each Section from
the [SETTINGS] button  “Controllers”  “Modulation Lever”
 “P.Mod Depth”/ “P.Mod Speed” (page 49).
• The Modulation (CC#1) effect is not applied to the Organ
Section when the VCM Organ type (H1 to H3) is selected. To
apply the vibrato effect to the VCM Organ type, use the Organ
Section VIBRATO/CHORUS (page 15).

3 [MASTER VOLUME] knob
For adjusting the overall volume of the instrument.

4 LCD
Displays the system messages, parameter settings, and a
range of other information depending on the function
currently being used.

10

YC88/YC73 Owner’s Manual

5 Encoder dial/[ENTER] button
For displaying the Live Set View (page 12) on the LCD
and to edit the currently selected parameter. In the
MENU and SETTINGS screens, use this dial to move the
cursor (highlighted) up or down.
Also, pressing the Encoder dial is equivalent to pressing
the [ENTER] button. Use this button to determine the
selected parameter or to execute each operation.

Controls and Functions

Keys (Key A, Key B) Sections
(page 16)

EFFECT, SPEAKER/AMP, REVERB
Sections (pages 17–19)

Master EQ
(page 19)

6 [EXIT] button

9 [TOUCH] button

The MENU screens and the SETTINGS screens have a
hierarchical structure. Press this button to exit from the
current screen and return to the previous level. Also,
holding down this button and pressing other specific
buttons/knobs gives you access to a variety of convenient
shortcuts and quick operations (Special Operations;
page 31).

For selecting curves that determine how the actual
velocities will be generated according your playing
strength. The following five types of settings are available.
The setting can also be changed from the [MENU] button
→ “General” → “Keyboard/Pedal” → “Touch Curve”
(page 38).

7 [PANEL LOCK] button
When this is set to “On,” control panel operations are
disabled, ensuring the settings cannot be inadvertently
changed. While the panel lock is engaged,
will appear
on the top left corner of the LCD display.
NOTE
Panel lock settings can be made individually for the following
areas from the [MENU] button  “Control Panel”  “Panel Lock
Settings” (page 39).

Settings

Characteristics

Normal

This curve produces velocities in direct
proportion to the strength of your keyboard
playing. This is the most common type of curve.

Soft

This curve makes it easier to produce high
velocities across the entire keyboard.

Hard

This curve makes it more difficult to produce
high velocities across the entire keyboard.

Wide

This curve accentuates your playing strength by
producing lower velocities in response to softer
playing and louder velocities in response to
harder playing. You can use this setting to
expand the dynamic range of your performances.

Fixed

This curve produces the same amount of sound
change, regardless of how hard or soft you play
the keyboard. The fixed velocity can be set from
the [MENU] button  “General”  “Keyboard/
Pedal”  “Fixed Velocity.”

B

A
C

D

A. Live Set
B. Organ/Keys
C. Effect/Sp Amp/Reverb
D. Master EQ

8 [TUNE] button
For setting the tuning for the entire instrument (414.72–
466.78 Hz, the default value is 440.00 Hz). Press the
[TUNE] button, and then use the Encoder dial to change
the value.

NOTE
Conventionally, organs do not respond to playing strength (key
velocity). Because of this, the Organ Section only produces a
fixed-velocity sound, regardless of playing strength, and the
settings of the [TOUCH] button do not affect the Organ Section.

) [MENU] button
For calling up the screens for making overall system
settings (page 36).

YC88/YC73 Owner’s Manual

11

Controls and Functions

Live Set

Live Set View
@
#
$

!

%
^

Turn the Encoder dial when at the Top screen to open
the Live Set View. On the Live Set View, the names of the
Live Set Sounds [1]–[8] for one Live Set Page are
displayed in a screen. The
indication will appear on
the left of the currently selected Live Set Sound. To
change the Live Set Sound in Live Set View, turn the
Encoder dial to select a Live Set Sound, and then press
the [ENTER] button. Once the change is made, it will
return automatically to the Top screen. To keep the Live
Set View displayed during performances, set “Live Set
View Mode” to “Keep” (page 39).

! Live Set Sound [1]–[8] buttons
For calling up the stored Live Set Sounds.

Live Set Sound
The name “Live Set Sound” refers to sound settings that
include the Voices of the Organ Section (page 14) and
Keys Sections (Key A/Key B; page 16), the Effects of the
EFFECT Section (page 17) and SPEAKER/AMP Section
(page 18) and REVERB Section (page 19). You can freely
combine Voices and Insertion Effects to create and store
a custom Live Set Sound, and then easily call up that
sound. This instrument features an SSS (Seamless Sound
Switching) function to ensure that the sound does not
cut off even when switching the Live Set Sound, resulting
in a more natural performance.
NOTE
If you wish to mute the sound continued due to SSS, press the
currently selected Live Set Sound button again.

Live Set View Mode

# [STORE] button
For storing the edited Live Set Sound.
The following content is stored. Stored settings will be
retained when this instrument is turned off.
• Settings of the Organ Section
• Settings of the Key A and Key B Sections
• Settings of the EFFECT Section
• Settings of the SPEAKER/AMP Section
• Settings of the REVERB Section
• Settings in SETTINGS (including SPLIT POINT and
TRANSPOSE)
NOTE

@ PAGE [-]/[+] buttons

Settings of the Master EQ cannot be stored in Live Set Sound.

For switching the Live Set Page. The Live Set Sound
changes accordingly.

 Storing a Live Set Sound
1. Press the [STORE] button.

Live Set
A Live Set combines Live Set Sounds [1]–[8] into a single
Live Set Page. A total of 20 pages can be stored. With the
default settings (factory settings), the preset Live Set
Sounds have been installed in the Live Set Pages 1–10.

A screen for selecting the Live Set Sound to be stored
to appears.

Live Set Sound
Organ
Key A

20 pages

2. Press the [ENTER] button to store the data.

Key B

“Completed.” appears on the screen, and then it
returns to the Top screen.

EFFECT
SPEAKER/AMP
REVERB
SETTINGS

12

YC88/YC73 Owner’s Manual

Live Set

Controls and Functions

NOTE
If you wish to store the currently edited settings to another
Live Set Sound, use the Encoder dial to select which Live
Set Sound to store the data to. You can confirm the sound of
that has already been stored in the destination by playing the
keyboard, before step 2.

 Initializing the Live Set Sound
1. Call up the Live Set Sound you want to
initialize.

2. Open the initialization screen.
[MENU] button → “Job” → “Live Set Manager”→
“Initialize.”

3. Execute initialization.

NOTICE
• The settings will be overwritten if you change the
settings of an existing Live Set Sound (including one
of the preset Live Set Sounds) and then store those
changes. Proceed with caution, as the original
settings will be lost.
• The settings currently being edited will be lost if you
select a different Live Set Sound or turn off the power
before storing the settings.

Use the Encoder dial to select “Live Set Sound Init”
and then press the [ENTER] button. The messages
“Initializing..” → “Completed.” appears on the screen,
and then it returns automatically to the Top screen.
NOTE
If you want to reset the sound settings currently being edited
to the default state, press the [EXIT] and the [SETTINGS]
buttons simultaneously. This operation does not overwrite
the stored Live Set Sound.

NOTE

$ [SPLIT POINT] button

• If you selected a different Live Set Sound causing your
edits to be lost, you can use the “Edit Recall” function to
recall the last edited status (page 41).

For changing the Split Point. Turn the Encoder dial or
press the key you wish to assign as the Split Point. The
setting will be stored in the current Live Set Sound.

• You can download the preset Live Set Sounds from
Soundmondo. Soundmondo is a service for managing
and sharing the Sound settings on an iOS application or
by using the Google Chrome browser on a Mac or PC. For
details, refer to the website below.
http://www.yamaha.com/2/soundmondo

 Swapping/Copying Live Set Sounds
1. Call up the Live Set Sound you want to swap
from or copy.

2. Open the operating screen.
[MENU] button → “Job” → “Live Set Manager” →
“Swap”/ “Copy.”

Split
The Split function allows you play different Voices with
the right and left hands. The point on the keyboard that
separates the right hand section and the left hand section
of the keyboard is called the “Split Point.”
NOTE
• You can also set by pressing the desired key while holding the
[SPLIT POINT] button.
• The note set as the Split Point becomes the lowest note of the
right hand section.
• The Split Point can also be changed from the [SETTINGS]
button  “Function”  “Split Point” (page 44).

% [TRANSPOSE] button
For adjusting the pitch in semitone steps. The settings
can be stored to the Live Set Sound. The settings can also
be changed from the [SETTINGS] button → “Sound” →
“Function” → “Transpose” (page 44).

3. Select the Live Set Sound you want to swap to
or copy to.
Use the Encoder dial to select the intended Live Set
Sound. Press the [ENTER] button. The messages
“Executing..” → “Completed.” appear on the screen,
and then operation returns automatically to the Top
screen.

^ [SETTINGS] button
For calling up the screens for making detailed settings
for the currently selected Live Set Sound (page 42). You
can make various settings, including the Organ
customization and Mono/Poly settings for Key A and
Key B. Settings made here are stored in the Live Set
Sound.

YC88/YC73 Owner’s Manual

13

Controls and Functions

Organ Section
*

G

F

K

J

I

H

(

C

D

A
B

E

&
The YC88/YC73 Organ Section allows you to select an organ type from the VCM Organ tone generator that faithfully
reproduces a tonewheel-type vintage organ or an FM tone generator that reproduces a transistor-type organ, and uses
physical drawbars allowing you to perform while changing the organ sound in real time. You can also adjust the detailed
parameters to create an organ sound that includes differences between individual instruments etc.

VCM Organ tone generator

The VCM Organ tone generator was developed to
faithfully reproduce the sound of a tonewheel-type
vintage organ.
VCM stands for “Virtual Circuitry Modeling™,” and is
technology that uses DSP to emulate the functions of an
analog electric circuit. This technology enables the
instrument to reproduce sound with an analog-like
depth, which cannot be reproduced by a simple digital
sound.
By applying this technology, the VCM Organ tone
generator fully reproduces the following characteristics
of a vintage organ.
• Natural, organic harmonies when playing chords—
thanks to a matrix circuit that connects the keyboard,
tone wheels, and drawbars
• Percussion sound with remarkable presence—based on
vacuum tube circuit analysis
• Key clicks and leakage sounds—based on electrical
circuit analysis
• Natural sound distortion—simulating vintage vacuum
tube pre-amplifiers
• Vibrato/Chorus effect—from scanner-based vibrato
circuitry
• Changes in frequency characteristics and drive amount
that responds dynamically to operation of the
expression pedal
Adjustment of these detailed parameters makes it
possible to accurately recreate the distinctive
characteristics of the original instruments—including all
of their specially attractive imperfections, faults and even
deterioration.

14

YC88/YC73 Owner’s Manual

& Section [ON/OFF] switch
To enable (turn on) or disable (turn off) this Section.
When this Section is enabled (on), the lamp lights up
and pressing a key generates sound.

* Organ type selector/display
Turn the Encoder dial to select the Organ type to be
used. The selected type (H1–H3, F1–F3) is shown on the
display.
H1–H3 indicate the VCM Organ types, while F1–F3
indicate the types using the FM tone generator.
H1

This type faithfully reproduces a standard vintage
organ. It is fit for organ solos and music in which
the organ is the main instrument.

H2

This type is characterized by its deep sound with
emphasis in the mid- to low-range tones. It is
ideal for when you want to have an edge or
presence that cuts through the rest of the band or
ensemble.

H3

This type has a unique percussion sound.
This type works well with the drive effects, and is
suitable for playing fast passages.

F1

This organ generates simple sine waves.

F2

This type recreates a famous British transistor
combo organ.

F3

This type recreates a famous Italian transistor
combo organ.

The type setting is common to both LOWER and
UPPER parts.
NOTE
The organ sound characteristics (such as leakage level of the
tonewheel and volume of the key click sound) can be set from
the [SETTINGS] button  “Sound”  “Organ Settings”
(page 42). These settings are stored in the Live Set Sound.

Controls and Functions

( LOWER/UPPER [L U] button
The Organ Section is divided into two parts: LOWER
and UPPER. Use this button to select which of those two
parts you want to display/change the settings of.

A SPLIT [L U] button
For selecting the setting whether each part of the Organ
sounds or not when you play each keyboard section
relative to the Split Point. Pressing the button alternates
sequentially between the four settings.
Off

The part selected by the LOWER/UPPER [L U]
button sounds, regardless of which key you play.

L+U

The LOWER part sounds when you play the left
section of the keyboard, and the UPPER part
generates sounds when you play the right section
of the keyboard.

U

The part selected by the LOWER/UPPER [L U]
button sounds only when you play the right
section of the keyboard. The LOWER/UPPER
[L U] is automatically changed to “U.”

L

The part selected by the LOWER/UPPER [L U]
button sounds only when you play the left section
of the keyboard. The LOWER/UPPER [L U] is
automatically changed to “L.”

NOTE
For details about the Split Point, refer to page 13.

B OCTAVE [-2 -1]/[+1 +2] buttons
To change the range of the keyboard in units of one
octave.
Press the [-2 -1] button and [+1 +2] button
simultaneously to restore the value to “0.” This can be set
separately for the LOWER and UPPER parts.

C [VOLUME] knob
For adjusting the volume of this Section. For the Organ
Section, this parameter is common to both the LOWER
and UPPER parts.

button, the values for the actual positions of all the drawbars
are immediately reflected in the settings without having to
move the drawbars.
• You can change the behavior for matching the actual
positions and the LED displays when drawbars are moved,
from the [MENU] button  “Control Panel”  “Advanced
Settings”  “Drawbar Mode” (page 39).
• For organ types F1–F3, the 1' drawbar is disabled.
• You can set the color of the drawbar LEDs separately for the
LOWER and UPPER parts from the [SETTINGS] button 
“Drawbar Color”  “Upper”/ “Lower” (page 50). These
settings are stored in the Live Set Sound.

F VIBRATO/CHORUS [ON/OFF] button
Enables the vibrato/chorus effects (lamp lights when on).
These effects are only available for the VCM Organ types
(H1–H3), and can be set separately for the LOWER and
UPPER parts.

G VIBRATO/CHORUS type selection
button
For selecting the VIBRATO/CHORUS type. Pressing the
button alternates sequentially between V (vibrato) 1–3
and C (chorus) 1–3. This setting is common to both the
LOWER and UPPER parts.

H PERCUSSION [ON/OFF] button
Determines whether a percussion sound is generated or
not when a key is pressed. Percussion can be used only
with the UPPER part using the VCM Organ type (H1–
H3).
NOTE
You can set whether to link the percussion sound and the [1']
drawbar and only have one of them generate sound from the
[SETTINGS] button  “Sound”  “Organ Settings”  “Perc.
Link to 1feet” (page 42). With default settings, this is set to “On.”
These settings are stored in the Live Set Sound.

I PERCUSSION [Normal Soft] button
For switching the level of the percussion sound.

J PERCUSSION [Slow Fast] button
D [PRE DRIVE] knob
For changing the gain of the Organ pre-amplifier. It
models the changes in distortion caused by a preamplifier adjustment screw in the organ body. This
parameter is common to both the LOWER and UPPER
parts.

E Drawbars
For adjusting the composition of the Organ’s harmonics
and determine the character of the sound. When you
move a drawbar, the LED lights up to match the current
setting and the sound changes—as if you were pulling
out a drawbar on a vintage organ.

For switching the decay speed of the percussion sound.

K PERCUSSION [2nd 3rd] button
For switching the pitch (harmonic) of the percussion
sound.
• When this is set to [2nd], pressing a key generates a
percussion sound at the same pitch as the [4'] drawbar
(2nd harmonic).
• When this is set to [3rd], pressing a key generates a
percussion sound at the same pitch as the [2 2/3']
drawbar (3rd harmonic).

NOTE
• In situations like when you call up settings from the Live Set,
the actual position of the drawbars and the LED displays
(currently set values) will not match. If you move a drawbar,
that position will be reflected in the settings. Or, if you press
the LOWER/UPPER [L U] button while holding the [EXIT]

YC88/YC73 Owner’s Manual

15

Controls and Functions

P SPLIT [L R] button

Keys (Key A/Key B) Section
d

N

Determines where the currently selected Section can be
played on the keyboard, with the Split Point as the basis.
Pressing the button alternates sequentially between the
three settings.

M
O

c b

a
d

S

R
P

Q

T
c

L

The Section sounds no matter where on the
keyboard you play.

L

The Section sounds only when you play the left
section of the keyboard.

R

The Section sounds only when you play the right
section of the keyboard.

a
b

Q OCTAVE [-2 -1]/[+1 +2] buttons

The YC88/YC73 Keys Sections (Key A/Key B) allow you
to select a Voice for each Key from the four categories of
Piano, Electric Piano, Synth, and Other. Furthermore,
EG, FILTER, and two Insertion Effects (EFFECT 1,
EFFECT 2) can be set individually for each of the Key A
and Key B Sections. You can also make sound layers or
splits, using both Key A and Key B Sections
simultaneously.

Determines the octave range of the keyboard for the
currently selected Section in units of one octave.
Press the [-2 -1] button and [+1 +2] button
simultaneously to restore the value to “0.”

L Section [ON/OFF] switch

S [TONE] knob

For enabling (turning on) or disabling (turning off) the
Key A and Key B Sections, respectively.

M Keys [A B] button

For adjusting the tone of the currently selected Section.
When the knob is in the center, the tone is flat. Turn the
knob to the right to boost the higher and lower ranges,
or turn it to the left to cut them.

For selecting which of the Key A and Key B Sections you
want to display/change the settings of.

T [EG FILTER] button/knob

NOTE
• You can switch the settings of the Key A and Key B Sections
by pressing the [EXIT] + Keys [A B] buttons (page 31).
• If both the Key A and Key B Sections are off, nothing will be
displayed if this button is pressed.
You can also set so that the settings are displayed even when
these Sections are off. Set the value under the [MENU] button
 “Control Panel”  “Display Lights”  “Section” to “On”
(page 39).

R [VOLUME] knob
For adjusting the volume of the currently selected
Section.

The knob here lets you adjust (with a convenient, single
control) the EG or FILTER of the currently selected
Section, while pressing the button selects the specific
parameter for knob control (EG or FILTER).
NOTE

N Voice category selector

The EG and FILTER control types for each of the Key A and
Key B Sections can be selected from different types of changes.
Change the types by operating the [EXIT] button + [EG FILTER]
knob, or from the [SETTINGS] button  “Sound”  “Key A
Settings”/ “Key B Settings”  “EG Control”/ “Filter Control.”
For details on the EG/Filter control types, see page 34.

For selecting the Voice category to be used in the
currently selected Section.

a EFFECT 1/2 [ON/OFF] button

O Voice selection switch/display

For turning the Insertion Effects on or off. To use the
effects, set this to ON.

For selecting one of the Voices of the category selected
with the Voice category selector. The currently selected
Voice number is displayed. Operating this switch while
holding the [EXIT] button moves to the top of next/
previous Voice subcategory (page 31).
For a list of Voices available for the Key A and Key B
Sections, refer to page 58.

16

L+R

YC88/YC73 Owner’s Manual

NOTE
To check the effect settings while the Insertion Effects are set to
off, set the value under the [MENU] button  “Control Panel” 
“Display Lights”  “Ins Effect” to “On” (page 39).

Controls and Functions

b Effect type selection switch/display
Use this switch to select the type of Insertion Effects. The
type name currently selected is displayed using two
characters.
The Effect types that can be selected in EFFECT 1/2 and
the EFFECT Section are different. For a list of the
available Effect types, refer to page 32.
Operating this switch while holding the [EXIT] button,
moves to the top of next/previous Effect category
(page 31).

EFFECT Section

c
f
d

c [DEPTH] knob
For adjusting the depth or other parameters of the
Insertion Effects.

b
g

d [RATE] knob
For adjusting the speed or other parameters of the
Insertion Effects. The parameter to be adjusted differs
for each effect type. For details, see page 32.

Effect
The YC88/YC73 features Insertion Effects that can be set
individually for each of the Key A and Key B Sections,
Insertion Effects that can be set for either Voice Section,
and a reverb effect and Master EQ that can be set for all
Voice Sections simultaneously. The illustration below
shows the audio signal path.

e
The EFFECT Section allows you to apply an Insertion
Effect to either the Organ, Key A, or Key B Section.
There are also two types exclusive to this Section: Tempo
Delay and Looper Delay. For a list of the available effect
types, refer to page 32.

e Section [ON/OFF] switch
For enabling (turning on) or disabling (turning off) the
EFFECT Section. The lamp is lit up when effects are
applied.

f [SELECT] button
Organ

Key A

Key B

PRE DRIVE

EFFECT 1

EFFECT 1

EFFECT 2

EFFECT 2

Ins. Effect

EFFECT Section

Ins. Effect

SPEAKER/AMP Section

Send
level
Reverb Section

Master EQ

For selecting the Section to which the Insertion Effects
will be applied.

About Looper Delay
When the Looper Delay type (page 33) is selected, the
EFFECT Section behaves differently from normal:
• The Looper Delay effect is applied after the SPEAKER/
AMP Section. In addition, the effect of the REVERB
Section is not applied to the delay sound.
• The status of the [SELECT] button lamps have a
different meaning than normal. Pressing the
[SELECT] button alternates between the two states
(below).
All lit: The delay effect is applied to all the Organ,
Key A, and Key B Sections, and the sound you play is
added to the Looper.
All off: The delay effect is not applied to any of the
Sections, and the sound you play will not have any
Looper effect. Using this lets you effectively create a
rhythmic delay “loop” as you play, and then stop
adding to it so you can play phrases over it while the
loop continues.

YC88/YC73 Owner’s Manual

17

Controls and Functions

g [TAP] button
Use this button to control the speed (tempo) when the
“Tempo Delay” type is selected. Tap this button three
times or more to change the tempo.
You can also change the “Tempo Delay Time” (page 45)
by turning the [RATE] knob while holding the [EXIT]
button.

tune the status of the rotary speaker from [SETTINGS] button
 “Sound”  “Rotary Speaker” (page 44).
• Rtr A and Rtr B use monaural input and stereo/monaural
output. Select whether to use stereo output or monaural
output from [SETTINGS] button  “Sound”  “Rotary
Speaker”  “Stereo/Mono.”
• Lead, Crunch, Double, and Case use stereo input and stereo
output.

j [DRIVE] knob
For adjusting the amount of distortion in the speaker/
amp sound. Turn this knob to the right to increase the
distortion.

SPEAKER/AMP Section

k [TONE] knob
j
f
n

k

m
l

i
h

The SPEAKER/AMP Section allows you to apply speaker
or amp-related Insertion Effect to either the Organ,
Key A, or Key B Section. The rotary speaker type
faithfully reproduces switching between slow and fast,
and the behavior when stopping.

h Section [ON/OFF] switch
For enabling (turning on) or disabling (turning off) the
SPEAKER/AMP Section. The lamp is lit up when effects
are applied.

i Effect type switching button
Alternates between the following effects. The lamp for
the selected effect lights.
Effect

Description

Rtr A

Standard rotary speaker for organ.

Rtr B

Rotary speaker connected to a transistor
preamplifier with strong distortion.

Lead

Guitar amp that features a bass of high sound
pressure, and a sharp treble.

Crunch

Guitar amp that features a crunch sound.

Double

Guitar amp that features a bright sound.

Case

Speaker amp for a vintage electric piano.

NOTE
• If you have selected either the Rtr A or Rtr B type, you can
use the ROTARY SPEAKER [STOP]/[Slow Fast] button to
control the operation of the rotary speaker. You can also fine-

18

YC88/YC73 Owner’s Manual

For adjusting the tone of the speaker/amp sound. When
the knob is in the center, the tone is flat. Turn to the
right to boost treble and cut bass. Turn to the left to
boost bass and cut treble.

l [Slow Fast] button
For switching the rotation speed of the rotary speaker.
Pressing the [Slow Fast] button while a type other than
Rtr A or Rtr B is selected automatically selects the Rtr A
type. In addition, pressing this button will automatically
turn the SPEAKER/AMP Section on even if the Section
itself is off.

Controllers that can be used for switching the
Slow/Fast
The rotary speaker rotation speed switching function can
also be assigned to the following controllers.
• Bend Lever
• Modulation Lever
• FOOT CONTROLLER [1]
• FOOT CONTROLLER [2]
• FOOT SWITCH [SUSTAIN]
• FOOT SWITCH [ASSIGNABLE]
The function of the FOOT SWITCH [ASSIGNABLE]
can be set via the [MENU] button → “General” →
“Keyboard/Pedal” → “Foot Switch Assign” (page 38).
The function of the other controllers can be set via the
[SETTINGS] button → “Controllers” (page 49).

m [STOP] button
For stopping the rotation of the rotary speaker. Pressing
and holding the button for a few seconds immediately
stops the rotary speaker, and resets the position.

n [ROTARY SPEAKER] lamp
This lamp gives you visual indication of the rotation
speed of the rotary speaker, by flashing in time with the
speed.

Controls and Functions

REVERB Section

Master EQ

s
p
t

u

q
v

r

Master EQ adjusts the tone of the overall sound.

o
The REVERB Section applies a reverb effect to all Voice
Sections, creating a rich, special ambience as if you are
playing in a concert hall or other performance space.

o Section [ON/OFF] switch

r MASTER EQUALIZER [ON/OFF] button
To enable (turn on) or disable (turn off) the Master EQ.
The lamp is lit up when Master EQ is applied.
NOTE
The Master EQ settings cannot be stored in Live Set Sound.

For enabling (turning on) or disabling (turning off) the
REVERB Section. The lamp is lit up when effects are
applied.

s [HIGH] knob

p [SEND] button

t [MID] knob

Determines the Section for adjusting the Send level of
the reverb effect. When all three lamps are lit up, you can
equally adjust the send level for each Section.

For setting the gain (-12 to +12) of the middle range (100
to 10 kHz).

q [DEPTH] knob
For adjusting the send level (effect depth) of the reverb
effect for the Section selected with the [SEND] button.

For setting the gain (-12 to +12) of the high range
(5 kHz).

u [FREQUENCY] knob
For setting the center frequency of the middle range.

v [LOW] knob
For setting the gain (-12 to +12) of the low range
(80 Hz).

YC88/YC73 Owner’s Manual

19

Rear Panel
1

2
4

3

5

AC outlet
USB flash drive

1 [STANDBY/ON] switch

6 MIDI [IN]/[OUT] terminals

For switching the instrument to standby or turning it on.

With a standard MIDI cable (commercially available),
you can connect an external MIDI instrument, and
control it from this instrument. Likewise, you can use an
external MIDI device (such as a keyboard or sequencer)
to control the sounds on this instrument.

2 [AC IN] jack
For connecting the supplied AC power cord.

3 Music stand attachment holes
Use these two holes to attach a music stand (sold
separately).

4 USB [TO DEVICE] terminal
For connecting a USB flash drive to this instrument,
allowing you to use the device to save data you have
created and load data you want to restore.
NOTE
Only a USB flash drive can be recognized by this instrument. No
other USB devices (such as a hard disk drive, CD-ROM drive or
USB hub) can be used.

5 USB [TO HOST] terminal
For connecting this instrument to a computer, iPhone or
iPad via a USB cable, allowing you to transfer MIDI data
and audio data between the devices. Unlike the
communication via the MIDI [IN]/[OUT] terminals,
this terminal can handle two MIDI ports via a single
cable. For more information on these two MIDI ports,
see page 28.
NOTE
• Audio data sending capability for the instrument is a maximum
two channels (one stereo channel) at a sampling rate of
44.1 kHz, 24 bit.
• For details on connecting an iPhone or iPad, refer to page 29.

20

Computer

YC88/YC73 Owner’s Manual

7 FOOT SWITCH [SUSTAIN] jack
For connecting an FC3A Foot Switch (provided) for use
as a dedicated Sustain pedal.
You can also switch assignments to use the same
function as the ROTARY SPEAKER [Slow Fast] button
(page 18) instead of the Sustain function. Function
assignment can be set from the [SETTINGS] button →
“Controllers” → “Sustain Pedal.”

8 FOOT SWITCH [ASSIGNABLE] jack
For connecting a separately sold foot switch (FC4A or
FC5) in order to perform a range of freely assignable
functions such as a soft pedal, sostenuto pedal, and
switching Live Set Sounds. In the default settings, “Live
Set+” is assigned.
You can assign functions from the [MENU] button →
“General” → “Keyboard/Pedal” → “Foot Switch Assign”
(page 38). Refer to page 60 for a list of the parameters
that can be assigned to this instrument.

Controls and Functions

6

7

8

9

)

!

@

#

3

FC3A,
FC4A,
FC5

FC4A,
FC5

External MIDI keyboard, etc.

External
synthesizer,
etc.

Headphones

Mixer, etc.

FC7

Keyboard amplifier
or
Monitor speakers

9 FOOT CONTROLLER [1]/[2] jacks

# [PHONES] jack

For connecting a separately sold foot controller (FC7),
which conveniently lets you continuously control one of
various different assignable functions with your foot—
such as volume and the tone of Voice Sections. In the
default settings, “Expression” is assigned to FOOT
CONTROLLER [1], and “Pedal Wah” is assigned to
FOOT CONTROLLER [2].
You can assign functions to the foot controller from the
[SETTINGS] button → “Controllers” → “Foot Controller
1” / “Foot Controller 2” → “Assign.” Refer to page 60 for
a list of the parameters that can be assigned.

Use this 1/4" standard stereo phone jack to connect a
pair of headphones.

) INPUT [L/MONO]/[R] jacks/[GAIN] knob
These jacks allow you to connect an external audio
devices and mix the output of that device with that of
this instrument. Use the [GAIN] knob to adjust the
volume balance with this instrument.

CAUTION
• To prevent hearing loss, avoid using headphones at high
volumes for extended periods of time.
• Whenever connecting other audio equipment, ensure that
all devices are turned off.

NOTE
The sound output via the headphones is identical to that output
via the OUTPUT [L]/[R] jacks and the OUTPUT [L/MONO]/[R]
jacks. Furthermore, plugging in or disconnecting a set of
headphones has no effect on whether the sound is output via
these jacks.

! OUTPUT [L]/[R] jacks
Use these two XLR-type jacks together to output
balanced audio signals.

@ OUTPUT [L/MONO]/[R] jacks
Use these two 1/4" standard mono phone (unbalanced)
jacks together to output stereo audio signals. When
using mono output, connect only to the [L/MONO]
jack.
NOTE
• Select either jack ! or @ depending on the external audio
devices to be connected.
• In case both ! and @ jacks are connected to external audio
devices, the audio signals will be output from the both jacks
simultaneously.

YC88/YC73 Owner’s Manual

21

Setting Up

Setting Up
Power Supply
Connect the respective ends of the supplied AC power
cord in the following order. Make sure the [STANDBY/
ON] switch on the instrument is set to the STANDBY
position.

1. Connect the supplied power cord to the
[AC IN] jack on the instrument’s rear panel.

2. Connect the other end of the power cord to an
AC outlet.
Rear panel

Connecting Speakers or
Headphones
Since the instrument has no built-in speakers, you will
need to monitor the sound of the instrument by using
external equipment. Connect a set of headphones,
monitor speakers, or other playback equipment as
illustrated below. When making connections, be sure
that your cables have the appropriate ratings.
Keyboard amplifier or monitor speaker
(left)
(right)

Headphones
[AC IN] jack

OUTPUT
[L/MONO] jack

OUTPUT
[R] jack

[PHONES] jack

Power cord (included)

NOTE
Follow this procedure in reverse order when disconnecting the
power cord.

Turning On and Off
WARNING
• Use only the AC power cord supplied with your
instrument. The use of an inappropriate replacement can
lead to overheating or electric shock.
• The power cord supplied with your instrument must not
be used with other electrical equipment. Failure to
observe this precaution can result in damage to the
equipment or fire.
• Make sure your instrument the voltage requirement for
the country or region in which it is being used.

CAUTION
The instrument remains charged and draws a small amount
of power even when the [STANDBY/ON] switch is set to the
STANDBY position. If you intend not to use it for an
extended period of time, therefore, make sure to unplug the
power cord from the wall outlet.

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YC88/YC73 Owner’s Manual

Make sure the volume settings of the instrument and
external devices such as powered speakers are turned to
the minimum before turning the power on. When
connecting the instrument to monitor speakers, turn on
the power switch of each device in the following order.

 Turning on
Turn the [MASTER VOLUME] knob of this instrument
to its minimum (left-most setting) → set the [STANDBY/
ON] switch to ON → turn the amplifier or speaker power
on.

 Turning off
Turn the [MASTER VOLUME] knob of this instrument
to its minimum (left-most setting) → turn the amplifier
or speaker power off → set the [STANDBY/ON] switch
to STANDBY.

Basic Structure & Display Content

Auto Power Off Function
The Auto Power Off function automatically turns off
this instrument after 30 minutes of inactivity. By default,
this is set to “Disable.”

 Setting the Auto Power Off function
[MENU] button → “General” → “Auto Power Off” →
“Enable” (page 38).
NOTICE
• Since any unsaved data will be lost when the Auto Power
Off function turns off this instrument. Make sure to store
your work before this occurs.
• Depending on the instrument status, the power may not
turn off automatically, even after the specified period of
time elapses. Always turn off the power manually when
the instrument is not in use.

Restoring the Factory Default
Settings (Factory Reset)
The Factory Reset function allows you to restore this
instrument to its initial condition. To execute the factory
Reset function, press the [MENU] button → “Job” →
“Factory Reset.”
NOTICE
When the Factory Reset function is executed, all the Live
Set Sounds and the settings of MENU screens and
SETTINGS screens will be overwritten with their defaults. It
is wise, therefore, to regularly create backup copies of
important data on a USB flash drive or the like.

NOTE
Refer to page 56 for information on detailed settings of preset
Live Set Sounds.

Basic Structure & Display Content
Top Screen Configuration
This section explains the Top (Live Set Sound) screen
which appears when this instrument is turned on with its
default settings (factory settings).

1

3 Split
Indicates the current split status of each Voice Section/
part.
indicates that the Section/part sounds when the
keyboard is played in a range below the Split Point.
indicates that the Section/part sounds when the
keyboard is played in a range above the Split Point.
In addition, following special icons may appear on the
Top screen depending on the Live Set Sound settings.
“Organ Settings” (page 42) are customized.

3

2

1 Live Set Sound number
Displays the currently selected Live Set Sound number.
The “1-1” is selected automatically when this instrument
is turned on. You can also change which number is
automatically selected when turned on, by changing the
“Power On Sound” setting (page 40).

2 Voice Sections
Indicates the status of each Section.
The sound of this instrument is divided into three Voice
Sections: Organ, Key A, and Key B. The Organ (O) area
shows the organ type and the approximate drawbar
settings, while the Key A (A) and Key B (B) areas show
the Voice names.
Voices having “FM” in the name are those using FM
tone generation.
The Sections set to on will sound simultaneously in a
layer. The Sections set to off are not displayed on the
Top Screen and will not sound.

“FM Unison”  “Mode” (page 43) is set.
“Mono/Poly” (page 43) is set to “Mono.”
“Rotary Speaker” settings (page 44) are customized.

Selecting Voice Sections
To enable (ON) or disable (OFF) each Voice Section, use
the corresponding Section [ON/OFF] switch. When the
indicator lamp of the Section [ON/OFF] switch is lit, the
corresponding Voice Section will sound when you play
the keyboard. When multiple Sections are set to on,
those Sections will sound simultaneously in a layer.

YC88/YC73 Owner’s Manual

23

Exiting from the Current
Screen
The MENU screens and the SETTINGS screens are
arranged in a hierarchical structure. To move one step
back to the previous hierarchy, press the [EXIT] button.
Pressing the [EXIT] button several times will return you
to the Top (Live Set Sound) screen.

Editing File Names/Live Set
Sound Names
 Editing File Names
[MENU] button → “File” → “File Utility” → “Rename” →
Select the desired file for which you wish to edit the
name → Edit the name → [ENTER] button to save the
file.

 Editing Live Set Sound Names
Select the desired Live Set Sound for which you wish to
edit the name → [SETTINGS] button → “Name” → Edit
the name → [ENTER] button → Select “Store”/ “Do not
store now.”
NOTE
If “Do not store now” is selected, the Live Set Sound will not be
stored, but the edited name will remain.

 Operations During Name Edit
Desired character
Cursor

24

YC88/YC73 Owner’s Manual

Use the Live Set Sound [1]/[2] buttons to move the
cursor to the position of the character you wish to edit.
Use the Encoder dial to select characters, and then use
the following buttons to edit the name.
Button/Indication

Functions

Live Set Sound [1]

Moves the cursor to left.

Live Set Sound [2]

Moves the cursor to right.

Live Set Sound [3]

Inserts a desired character at the
cursor position.

Live Set Sound [4]

Deletes the character at the cursor
position.

Live Set Sound [5]

Changes the character at the cursor
position to the desired one.

Live Set Sound [7]

Reverts all characters to the unedited
name.

Live Set Sound [8]

Deletes all characters.

[ENTER]

Terminates the edit operation, and
then stores the data or saves the file.

[EXIT]

Terminates the edit operation.

Saving / Loading Data

Saving / Loading Data
In the File screens ([MENU] button → “File”), you can save/load the data of this instrument, including the entire system
settings, entire Live Set, or each Live Set Sound to/from a USB flash drive.
NOTE
Before using a USB flash drive, be sure to read “Precaution when using the USB [TO DEVICE] terminal” (page 26).

Saving the settings to a USB
flash drive

Loading the settings from a
USB flash drive

1. Connect a USB flash drive to the USB [TO

NOTICE

DEVICE] terminal of this instrument.

2. Call up the File screen.
Select the [MENU] button → “File.”

3. Select the contents you wish to save.
The following file types can be saved to a USB flash
drive.
File type

Description

Back Up File

All data including the system
settings.

The Load operation overwrites any data previously existing
in this instrument. Important data should always be saved
to a USB flash drive connected to the USB [TO DEVICE]
terminal.

1. Connect a USB flash drive to the USB [TO
DEVICE] terminal of this instrument.

2. Call up the File screen.
Select the [MENU] button → “File.”

3. Select the contents you wish to load from the
USB flash drive.

Live Set All File

All the Live Set Pages.

File type

Description

Live Set Page File

Currently selected Live Set
Page.

Back Up File
(Extension: .Y0A)

All data including system
settings.

Currently selected Live Set
Sound.

Live Set All File

All Live Set Pages.

Live Set Sound File

4. Perform the save operation.

(Extension: .Y0L)

Live Set Page File

Select “Save” and press the [ENTER] button to call up
the screen for selecting the destination.

(Extension: .Y0P)

 When overwriting the existing file

Live Set Sound File
(Extension: .Y0S)

Select the desired file from the displayed list.

One Live Set Page. The file will
be loaded to the currently
selected Live Set Page.
One Live Set Sound. The file
will be loaded to the currently
selected Live Set Sound.

 When saving as a new file
Select “New File.”

4. Select “Load” and press the [ENTER] button.

The “Save *** File” screen for editing file name
appears. For details on name editing operations, refer
to “Operations During Name Edit” (page 24).

5. Select the file in the USB flash drive.
To cancel the loading operation, select “Cancel” and
press the [ENTER] button.

6. Perform the load operation.
Select “Load All”/ “Load to ***” and then press the
[ENTER] button. The messages “Loading..” →
“Completed.” will appear on the screen, and then
return to the Top screen.
File name edit screen

Press the [ENTER] button to execute saving. The
messages “Saving..” → “Completed.” will appear on
the screen, and then return to the Top screen.

NOTE
For file types other than a Live Set Sound file, you can select
and load the one desired Live Set Sound included in the file.
In that case, select “Load Live Set Sound” in step 6 to call up
the screen for selecting the Live Set Sound in the file. Then
select the desired data, and execute loading. The data is
loaded into the currently selected Live Set Sound.

YC88/YC73 Owner’s Manual

25

Saving / Loading Data

Precautions when using the USB
[TO DEVICE] terminal
This instrument features a built-in USB [TO
DEVICE] terminal. When connecting a USB device
to the USB [TO DEVICE] terminal, be sure to
handle the USB device with care. Follow the
important precautions below.
NOTE
For more information about the handling of USB devices,
refer to the owner’s manual of the USB device.

 Compatible USB devices
• USB flash drive
Other USB devices such as a USB hub, computer
keyboard or mouse cannot be used.
The instrument does not necessarily support all
commercially available USB devices. Yamaha cannot
guarantee operation of USB devices that you purchase.
Before purchasing a USB device for use with this
instrument, please visit the following web page:

 Formatting a USB flash drive
You should format the USB flash drive only with this
instrument (page 41). A USB flash drive formatted on
another device may not operate properly.
NOTICE
The format operation overwrites any previously existing
data. Make sure that the drive you are formatting does
not contain important data.

 To protect your data (write-protect)
To prevent important data from being inadvertently
erased, apply the write-protect provided with each USB
flash drive. If you are saving data to the USB flash drive,
make sure to disable write-protect.

 Turning off the instrument
When turning off the instrument, make sure that the
instrument is NOT accessing the USB flash drive by file
management (such as during Save, Copy, Delete and
Format operations). Failure to do so may corrupt the
USB flash drive and the data.

https://download.yamaha.com/

Although USB devices 2.0 to 3.0 can be used on this
instrument, the amount of time for saving to or loading
from the USB device may differ depending on the type
of data or the status of the instrument.
NOTICE
The rating of the USB [TO DEVICE] terminal is a
maximum of 5V/500mA. Do not connect USB devices
having a rating above this, since this can cause damage
to the instrument itself.

 Connecting a USB device
When connecting a USB device to the USB [TO
DEVICE] terminal, make sure that the connector on
the device is appropriate and that it is connected in the
proper direction.
NOTICE
• Avoid connecting or disconnecting the USB device
during playback/recording and file management
operations (such as Save, Copy, Delete and Format),
or when accessing the USB device. Failure to
observe this may result in “freezing” of the operation
of the instrument or corruption of the USB device and
the data.
• When connecting then disconnecting the USB device
(and vice versa), make sure to wait a few seconds
between the two operations.
• Do not use an extension cable when connecting a
USB device.

 Using USB flash drives
By connecting the instrument to a USB flash drive, you
can save data you’ve created to the connected device, as
well as read data from the connected device.

• Number of USB flash drives that can be used
Only one USB flash drive can be connected to the
[USB TO DEVICE] terminal.

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YC88/YC73 Owner’s Manual

Precautions when using the USB [TO
HOST] terminal
When connecting the computer to the USB [TO
HOST] terminal, make sure to observe the following
points to avoid freezing the computer and corrupting
or losing the data.
NOTICE
• Use an AB type USB cable. USB 3.0 cables cannot be
used.
• Execute the following before turning the power to the
instrument on/off or plugging/unplugging the USB
cable to/from the USB [TO HOST] terminal.
- Quit any open application software on the
computer.
- Make sure that data is not being transmitted from
the instrument. (Data is transmitted only by playing
notes on the keyboard.)
• While the computer is connected to the instrument,
you should wait for six seconds or more between
these operations: (1) when turning the power of the
instrument off then on again, or (2) when alternately
connecting/disconnecting the USB cable.

If the computer or the instrument freezes, restart the
application software or the computer OS, or turn the
power to the instrument off then on again.

Using with External Devices

Using with External Devices
By using the MIDI [IN]/[OUT] terminals and the USB [TO HOST] terminal, you can connect various kinds of external
devices to this instrument.
• MIDI [IN]/[OUT] terminals: Connecting the instrument to an external MIDI device (synthesizer, tone generator
module, etc.), and transmit/receive MIDI data.
• USB [TO HOST] terminal: Connecting the instrument to a computer or iPhone/iPad, and transmit/receive MIDI and
audio data.
These can be combined for use with the instrument in various ways.
NOTE
Before connecting the USB [TO HOST] terminal to a computer or the like, be sure to read “Precautions when using the USB [TO HOST]
terminal” on page 26.

Controlling this instrument
from an external MIDI
keyboard or stage piano
You can use the external MIDI keyboard instead of the
keyboard of this instrument to play and control each
Section of this instrument. To specify which Section/part
will sound when you play an external MIDI keyboard,
make settings via the [SETTINGS] button → “External
Keyboard” (page 45).
You can also use these to recreate a two-manual organ,
by setting only one of the UPPER/LOWER parts in the
Organ Section to be controlled from an external MIDI
keyboard. For example, if you want to play the UPPER
part of the Organ Section with the keyboard of this
instrument and play the LOWER part with an external
MIDI keyboard, set “External Keyboard” to
“2manualLo.”
MIDI [IN] terminal

You can also use the controllers of the Sections that is
turned off to control external devices by setting the
“MIDI Control” (page 37) to “Invert.”
MIDI [IN] terminal

Synthesizer or tone generator module, etc.

MIDI [OUT] terminal

YC88

Using by connecting to a
computer or an iPhone/iPad
By connecting to a computer or an iPhone/iPad, you can
use this instrument for following usages:

YC73
MIDI [OUT] terminal

External MIDI keyboard, stage piano, etc.

Controlling a synthesizer or
tone generator module from
this instrument

 Controlling this instrument from a
computer or iPhone/iPad
You can play or control the Sections of this instrument
from a DAW software etc. on your computer or iPhone/
iPad. Audio data can also be transmitted/received.

 Controlling a synthesizer or tone
generator module from a computer or
iPhone/iPad
By using the YC88/YC73 as a USB-MIDI interface, you
can play the sound of other MIDI tone generator from a
DAW software etc. on your computer or iPhone/iPad via
this instrument. To do this, turn the setting of “MIDI
Port” → “MIDI” to “Off” (page 36).

You can play the sounds of an external MIDI tone
generator by playing on this instrument's keyboard.

YC88/YC73 Owner’s Manual

27

Using with External Devices

Setting the MIDI transmit and
receive channels
To control a device using MIDI data, you must match
the transmit channel on the controlling device and the
receive channel on the controlled device.
You can change the transmit channel (Tx) and receive
channel (Rx) on this instrument to any number. Make
changes as necessary from the [MENU] button →
“General” → “MIDI Settings” → “MIDI Channel” → “Tx”/
“Rx.”
NOTE
• For details on setting the transmit channel of an external MIDI
keyboard or the receive channel of an external MIDI tone
generator, refer to the owner’s manual of that product.
• For details about MIDI channels, refer to page 30.

Setting the internal tone generator to
not produce sound when the built-in
keyboard is played
If you want for only the external tone generator
connected to the MIDI [OUT] terminal or USB [TO
HOST] terminal to produce sound when the keyboard of
this instrument are played, you can lower the
instrument's volume, or turn off all the Sections, or set
the value for Local Control under the [MENU] button →
“General” → “Local Control” to “Off” (page 38).

NOTE
By default, “MIDI Port”  “MIDI” is set to “On.” There is no need
to change the settings except when using as Port 2 as shown
below.

On the other hand, if you want to perform MIDI
communication between this instrument and a
computer connected to the USB [TO HOST] terminal,
set the MIDI IN/OUT settings on the computer to “YC
Series” (Port 1).

 Port 2: For communication between a
computer or the like and an external
device
This Port is for using this instrument as a USB-MIDI
interface. Use this port when you want to connect an
external MIDI device without a USB terminal to a
computer via this instrument.
MIDI [IN] terminal

External MIDI device such as tone generator
MIDI [OUT] terminal

USB [TO HOST] terminal

YC73
USB cable

USB terminal

Setting how the MIDI [IN]/[OUT]
terminals are used (MIDI Port
settings)
This instrument provides two MIDI ports with different
purposes.
• Port 1: For communication between this instrument
and an external device
• Port 2: For communication between a computer or the
like and an external device
You can set whether the MIDI [IN]/[OUT] terminals are
used as Port 1 or Port 2, from the [MENU] button →
“General” → “MIDI Setting” → “MIDI Port” → “MIDI.”

 Port 1: For communication between this
instrument and an external device
Use this Port to control the tone generator of this
instrument from an external device, or to control an
external tone generator from this instrument.
If using the MIDI [IN]/[OUT] terminals as Port 1, set
the value under the [MENU] button → “General” →
“MIDI Setting” → “MIDI Port” → “MIDI” to “On.”

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YC88/YC73 Owner’s Manual

Computer

When using the MIDI [IN]/[OUT] terminals as Port 2,
set the values under the [MENU] button → “General” →
“MIDI Setting” → “MIDI Port” as follows.
• USB: On
• MIDI: Off
In addition, set the MIDI IN/OUT settings of a
computer connected to the USB [TO HOST] terminal to
the “MIDI IN 2 (YC Series)” and “MIDI OUT 2 (YC
Series)” (Port 2).

Using with External Devices

Connecting to a computer
By connecting this instrument to your computer, you
can use musical production applications such as DAW
software to expand your musical possibilities. Here are
some of the creative options you can explore.
• Using this instrument as an external tone generator or
MIDI keyboard for DAW software.
• Recording your performance on this instrument in
MIDI or audio format by DAW software on your
computer.

Connecting an iPhone or iPad
Connecting this instrument to an iPhone or iPad and
using compatible apps allows you to more conveniently
enjoy using this instrument. For details about how to
connect the devices, refer to the “Smart Device
Connection Manual,” which is available from the
Yamaha website.
NOTICE
Be sure to place your iPhone or iPad on a stable surface to
prevent it from falling over and being damaged.

NOTE

A USB cable and the Yamaha Steinberg USB Driver are
necessary to connect this instrument to the computer.
Follow the instructions below to make the connection.
NOTE
Before connecting the USB [TO HOST] terminal to a computer,
be sure to read “Precautions when using the USB [TO HOST]
terminal” on page 26.

If using this instrument with an iPhone or iPad app, we
recommend first putting the iPhone or iPad in Airplane mode
and then turning the Wi-Fi on to avoid noise due to
transmissions.

Smart Device Connection Manual

Driver from the URL below.

Access the website below and then open “Manual
Library.” Select your language, and then input “iPhone/
iPad” or the like in the “Model Name or Keyword” field
and then click “Search.”

https://download.yamaha.com/

https://download.yamaha.com/

Open “Manual Library,” select your language, and
then input the model name in the “Model Name or
Keyword” field and then click “Search.” Download
the resulting file, and then extract it.

For details about smart devices and applications
compatible with this instrument, refer to the following
website.

1. Download the latest Yamaha Steinberg USB

NOTE

https://www.yamaha.com/kbdapps/

• For details about the system requirements, refer to the
URL above.
• The Yamaha Steinberg USB Driver may be revised and
updated without prior notice. For details and the latest
information, refer to the URL above.

2. Install the Yamaha Steinberg USB Driver on
your computer.
Refer to the Installation Guide included in the
downloaded file. When connecting the USB [TO
HOST] terminal of this instrument and the computer
by USB cable, refer to the figure below.
USB terminal

USB [TO HOST] terminal

USB Audio
There are two channels (one stereo channel) capable of
handling USB audio for input and output, with a
sampling rate of 44.1 kHz, 24 bit.
The audio input signal via the USB [TO HOST] terminal
is output via the OUTPUT [L]/[R] jacks (XLR type
connector), the OUTPUT [L/MONO]/[R] jacks, and the
[PHONES] jack. The input level can be adjusted from
the [MENU] button → “General” → “I/O Volume” →
“USB Audio.”
The audio output signal via the USB [TO HOST]
terminal is identical to the audio signal output via the
OUTPUT [L]/[R] jacks (XLR type connector), the
OUTPUT [L/MONO]/[R] jacks, and the [PHONES]
jack.
NOTE

USB cable

3. Set this instrument to send and receive MIDI

The audio signal input via the INPUT [L/MONO]/[R] jacks is
output only from the OUTPUT [L]/[R] jacks (XLR type
connector), the OUTPUT [L/MONO]/[R] terminal, and the
[PHONES] jack of this instrument, and is not sent via the USB
[TO HOST] terminal.

data through the USB [TO HOST] terminal.
Set the value under the [MENU] button → “General”
→ “MIDI Settings” → “MIDI Port” → “USB” to “On.”

YC88/YC73 Owner’s Manual

29

Using with External Devices

MIDI
Musical Instrument Digital Interface (MIDI) is a global
standard designed to allow performance, Voice, and
other data to be transferred between musical
instruments. As such, reliable data communication is
assured even between musical instruments and
equipment from different manufacturers.
In addition to data generated by playing the keyboard or
selecting a Live Set Sound, a wide range of other data
types can also be exchanged via MIDI. Using the
powerful functionality provided by this technology, you
can not only play other instruments using this
instrument’s keyboard and controllers, but you can also
adjust the volume or the tone of each Section and adjust
effect settings. In fact, practically all of the parameters
that can be set using the instrument’s control panel can
also be remotely controlled from another MIDI device.

MIDI Channels
MIDI data can be transmitted and received on one of
sixteen MIDI channels. Therefore, performance data
for up to sixteen different instrument parts can be
simultaneously exchanged over a single MIDI cable.
MIDI channels are very similar in nature to TV
channels, in that each TV station transmits its
broadcasts over a specific channel. Your TV, for
example, receives many different programs at the
same time from different broadcasters, and you
select which program to watch by choosing the
corresponding channel.
Weather forecast

News

2

1

News

2

In much the same way, multiple transmitting devices
in a MIDI system can each be set to send data on a
separate channel (i.e., a MIDI transmit channel),
which link with the system’s receiving devices via
MIDI cables. If a receiving device’s MIDI channel
(i.e., a MIDI receive channel) matches a MIDI
Transmit channel, the receiving device will produce
sound in response to the data sent by the
corresponding transmitting device.

MIDI receive channel: 2

MIDI cable

MIDI transmit channel: 2

30

YC88/YC73 Owner’s Manual

Special Operations List
The Special Operations are convenient shortcuts that help you quickly set important functions and parameters, especially
for Live Set Sounds. To use them, hold down the [EXIT] button and operate the relevant controls listed below.
Location

Operation

Description

Center area
of the panel

[EXIT] + [SETTINGS] button

Resets only those sound settings being edited to their default state. This
operation does not overwrite the stored data of the Live Set Sound. You can
create a new Live Set Sound from the initial value without erasing the stored
settings.
NOTE
Unlike this special operation, the operation on [MENU] button  “Job”  “Live Set
Manager”  “Initialize” initializes both the settings of being edited and the settings
stored in the selected Live Set Sound (page 40).

Organ

Keys

EFFECT

SPEAKER/
AMP

[EXIT] + [TOUCH] button

Calls up the Fixed Velocity setting screen directly.
This is the same screen called up via the [MENU] button → “General” →
“Keyboard / Pedal” → “Fixed Velocity.”

[EXIT] + LOWER/UPPER [L U]
button

Reflects the actual position of all drawbars to the display of the LEDs (current
setting) of the selected part (UPPER or LOWER).

[EXIT] + VIBRATO/CHORUS
type selection button

Switches the VIBRATO/CHORUS type in reverse order. This is useful when
you want to return to the previous type.

[EXIT] + Keys [A B] button

Swaps the settings of the Key A and Key B Sections of the selected Live Set
Sound.
This is the same effect as [MENU] button → “Job” → “Section Manager” →
“Swap Key A & Key B.”

[EXIT] + Voice selection switch

Moves to the beginning of the next/previous subcategory, within the selected
Voice category. This is useful when you want to select desired Voice in a
category that contains many Voices, such as the “Others” category.
For details on the Voice subcategories, refer to Voice List (page 58).

[EXIT] + [EG FILTER] knob

Changes the “EG Control” or “Filter Control” of the selected Section (Key A or
Key B) directly. This operation changes the “EG Control” if the “EG” lamp is lit,
and the “Filter Control” if the “FILTER” lamp is lit.
These are the same settings as the [SETTINGS] button → “Sound” → “Key A
Settings”/“Key B Settings” → “EG Control”/“Filter Control.”

[EXIT] + Effect type selection
switch

Moves to the beginning of the next/previous category. This is useful when you
want to quickly switch to the desired type.
For details on categories of the Insertion Effects, see the “Insertion Effect Type
List” (page 32).

[EXIT] + EFFECT 1 [ON/OFF]
button, or [EXIT] + EFFECT 2
[ON/OFF] button

Swaps the settings of the EFFECT 1 and EFFECT 2 in the selected Section
(Key A or Key B). This is useful when you want to change the order in which
the two insertion effects are applied.
This is the same effect as the [MENU] button → “Job” → “Section Manager” →
“Swap EFFECT 1/2.”

[EXIT] + Effect type selection
switch

Moves to the beginning of the next/previous category. This is useful when you
want to quickly switch to the desired type.

[EXIT] + [RATE] knob

The “Tempo Delay Time” are changed directly only when this operation is
performed while the “Tempo Delay” type is selected.
This is the same setting as the [SETTINGS] button → “Sound” → “Tempo Delay
Time.”

[EXIT] + Effect type switching
button

Switches the effect type of SPEAKER/AMP in reverse order. This is useful
when you want to return to the previous type.

YC88/YC73 Owner’s Manual

31

Insertion Effect Type List
*Keys: These effect types can only be used in the EFFECT 1 and EFFECT 2 on the Key A and Key B Sections.
*EFFECT: These effect types can only be used in the EFFECT Section.

Category Type Name

Description

Stereo/
Mono

G Chorus

Chorus effect that produces a deep sound with complex modulation. Turn the
[DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.

Stereo

SPX Chorus

Chorus effect that uses a three-phase LFO to give more complex swell and spread. Turn
the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.

Stereo

Symphonic

Chorus effect that features multiple sound modulation to give a greater sense of
spaciousness. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to
adjust the speed.

Stereo

816 Chorus

Chorus effect that reproduces the detuned chorus effect characteristic of multiple FM
tone generators on the famed TX816. Turn the [DEPTH] knob to adjust the depth, and
the [RATE] knob to adjust the speed.

Stereo

VCM Flanger

Vintage flanger featuring a warm analog sound. Turn the [DEPTH] knob to adjust the
depth and feedback amount, and the [RATE] knob to adjust the speed.

Stereo

Cross FB
Flanger

Vintage flanger featuring a complex sound by cross feedback. Turn the [DEPTH] knob
to adjust the depth and feedback amount, and the [RATE] knob to adjust the speed.

Stereo

VCM Stereo
Phaser

Vintage phaser featuring a warm analog sound. Turn the [DEPTH] knob to adjust the
depth and feedback amount, and the [RATE] knob to adjust the speed.

Stereo

Small Phaser

Vintage phaser that features a smooth and unique sweeping effect. Turn the [DEPTH]
knob to switch the modulation type—which differs depending on whether the knob is
set to the left or the right—and turn the [RATE] knob to adjust the speed.

Mono

Max90

Classic vintage phaser. Turn the [DEPTH] knob to adjust the effect strength, and the
[RATE] knob to adjust the speed.

Mono

Dual Phaser

Vintage phaser that features two phasers with different characteristics. Turn the
[DEPTH] knob to adjust the speed of the phaser 1, and the [RATE] knob to adjust the
speed of the phaser 2.

Mono

Tremolo

Effect that changes the volume cyclically. Turn the [DEPTH] knob to adjust the depth,
and the [RATE] knob to adjust the speed.

Stereo

Auto Pan

Effect that moves the sound in the stereo field cyclically left and right. Turn the
[DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.

Stereo

Simple Rotary

Simple rotary speaker. Turn the [DEPTH] knob to adjust the volume and drive level,
and the [RATE] knob to switch the rotation speed. The rotation speed is set to “Slow”
when the [RATE] knob is turned to the left from center, and set to “Fast” when the
knob is turned to the right from center.

Mono

British Combo

Crunch distortion. Turn the [DEPTH] knob to adjust the amount of distortion, and
the [RATE] knob to adjust the brightness.

Mono

British Lead

Hard rock type distortion. Use the [DEPTH] knob to adjust the amount of distortion,
and the [RATE] knob to adjust the presence.

Mono

Small Stereo

Stereo distortion. Use the [DEPTH] knob to adjust the amount of distortion, and the
[RATE] knob to adjust the presence.

Stereo

Comp

Compressor

Stereo compressor. Use the [DEPTH] knob to adjust the depth, and the [RATE] knob
to adjust the volume.

Stereo

Wah

Auto Wah

Wah that changes characteristics cyclically. Turn the [DEPTH] knob to adjust the
amount of resonance, and the [RATE] knob to adjust the speed.

Stereo

Touch Wah

Wah that changes characteristics in response to volume changes by keyboard touch.
Turn the [DEPTH] knob to adjust the strength of the effect, and the [RATE] knob to
adjust the amount of resonance.

Stereo

Chorus

Flanger

Phaser

Trem/Rtr

Dist

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YC88/YC73 Owner’s Manual

Display

Insertion Effect Type List

Category Type Name

Display

Description

Stereo/
Mono

Wah

Pedal Wah

Wah that is controlled by the pedal. Turn the [DEPTH] knob to adjust the amount of
distortion, and the [RATE] knob to adjust the amount of resonance. By default, pedal
wah control is assigned to FOOT CONTROLLER [2].

Stereo

Delay

Cross Delay

Delay that alternates the delayed repeats between the left and right sides of the stereo
image. Turn the [DEPTH] knob to adjust the depth and feedback amount, and the
[RATE] knob to adjust the speed.

Stereo

Tempo Delay
(*EFFECT)

Delay that can be applied to match the tempo of the song. Specify the Tempo and the
note length (“Tempo Delay Time”), and delay will be applied at that length. The default
setting of the Tempo Delay Time is 1/4 (quarter note). Turn the [DEPTH] knob to
adjust the feedback level, and the [RATE] knob to adjust the tempo. You can also set
the tempo by tapping the [TAP] button several times.

Stereo

NOTE
You can set the note length by [EXIT] button + [RATE] knob operation, or from the
[SETTINGS]  “Sound”  “Tempo Delay Time.”

Digital Delay
(*Keys)

Clean digital delay. Turn the [DEPTH] knob to adjust the depth and feedback amount,
and the [RATE] knob to adjust the delay time. The maximum delay time is 1,486 ms.

Stereo

Analog Delay

Delay featuring a warm analog sound. Turn the [DEPTH] knob to adjust the feedback
amount, and the [RATE] knob to adjust the delay time. The delay time is a maximum
of 800 ms.

Stereo

Looper Delay
(*EFFECT)

A special delay that provides a multiple echo/delay effect, repeating the sound for a
short time for you to improvise with, like an audio looper. Turn the [DEPTH] knob to
adjust the depth and feedback amount, and the [RATE] knob to adjust the delay time.
The maximum delay time is 1,486 ms.

Stereo

When this type is selected, the EFFECT Section behaves differently from normal.
• The “Looper Delay” effect is applied after the SPEAKER/AMP Section. In addition,
the effect of the REVERB Section is not applied to the delay sound.
• Pressing the [SELECT] button alternates between the two following states.
All lit: The delay effect is applied to all the Organ, Key A, and Key B Sections.
All off: The delay effect is not applied to any of the Sections. You can play without a
delay effect, while keeping the delay sounds you played before switching this setting.

Reverb

Room Reverb

Simulates the reverberation of a room. Turn the [DEPTH] knob to adjust the dry/wet
balance, and the [RATE] knob to adjust the duration of the reverb effect.

Stereo

Hall Reverb

Simulates the reverberation of a hall. Turn the [DEPTH] knob to adjust the dry/wet
balance, and the [RATE] knob to adjust the duration of the reverb effect.

Stereo

Reverse
Reverb

Effect that simulates reverse playback of the Gate Reverb. Turn the [DEPTH] knob to
adjust the dry/wet balance, and the [RATE] knob to adjust the duration of the effect.

Stereo

Lo-Fi

Lo-Fi

Effect that re-samples and degrades the input sound. Turn the [DEPTH] knob to adjust
the volume threshold, and the [RATE] knob to adjust the sampling frequency. Turn
each knob clockwise to make the sound more degraded and less clear.

Mono

Tech

Ring
Modulator

Effect that changes the input sound to a metallic sound. Turn the [DEPTH] knob to
adjust the depth, and the [RATE] knob to adjust the frequency.

Stereo

Slicer

Effect that slices the input sound. Turn the [DEPTH] knob to adjust the gate time
length, and the [RATE] knob to adjust the fineness of slicing.

Stereo

LP Filter

Filter that cuts sounds at frequencies higher than the cutoff frequency. Turn the
[DEPTH] knob to adjust the cutoff frequency, and the [RATE] knob to adjust the
resonance.

Stereo

Damper
Resonance
(*Keys)

Effect that reproduces the sound spread produced by open strings while the damper
pedal of a piano is pressed. Turn the [DEPTH] knob to adjust the dry/wet balance, and
the [RATE] knob to adjust the damper opening degree.

Stereo

Harmonic
Enhancer

Effect that adds harmonic overtones to the input sound to give the sound a little
“sparkle” or an airy brightness. Turn the [DEPTH] knob to adjust the cutoff frequency
of the high-pass filter, and the [RATE] knob to adjust the strength of the effect.

Stereo

Misc

YC88/YC73 Owner’s Manual

33

EG/Filter Control Type List
You can change the expression of the sound in real time by operating the [EG FILTER] knob while playing phrases.
This list explains the control types of each EG and Filter.

EG (Envelope Generator)
EG allows you to determine how the level of the sound changes in time. This lets you to reproduce a variety of sound
characteristics of natural acoustic instruments—such as the quick attack and decay of percussion sounds, or the long
release of sustained piano sound. This instrument controls the following three characteristics with a single knob.
Attack

Determines the time which the sound reaches its maximum
level after the key is played. The lower the value, the quicker
the attack.

Decay

Determines the time it takes for the sound reaches its sustain
level (a slightly lower level than maximum). The lower the
value, the quicker the decay.

Release

Determines the time it takes for the sound decays to silence
after the key is released. The lower the value, the quicker the
release.

Level

Sustain Level

Time
Attack

Decay

Key on

Release
Key off

How these three characteristics change with a single knob operation is referred to as EG control type. This instrument has
11 types. The type can be set using the [EXIT] button + [EG FILTER] knob operation, or from the “EG Control”
(page 43).
Graphs below show how the Attack, Decay, and Release change when the knob is turned from the center (= 64) to the left
and right in each type.
Atk&Dcy&Rls A/B

Attack/Decay/Release

Types which the Attack, Decay, and Release are
all changed by the knob.

Types which only one of Attack, Decay, and Release is
changed by the knob.

Atk&Dcy&Rls A

Attack

0

64

Atk&Dcy&Rls B

127 0

64

127

Decay

0

64

Release

127 0

64

127 0

64

Atk&Rls A/B/Minus
Types which the Attack and Release are changed by the knob. “B” is suitable for
making pad sounds. “Minus” enables creation of unusual sounds, since turning
the knob clockwise reduces the release time.
Atk&Rls A

Atk&Rls B

Atk&Rls Minus

Attack
Decay
Release
0

127 0

64

127 0

64

127

Dcy&Rls

Atk&Dcy A/B

A type which the Decay and Release
are changed by knob operation.

Types which the Attack and Decay are changed by the knob.
“B” has less change.

Dcy&Rls

Atk&Dcy A

0

34

64

64

127

YC88/YC73 Owner’s Manual

0

Atk&Dcy B

64

127 0

64

127

127

EG/Filter Control Type List

Filter
Filter is a function that changes the tone of a sound by passing or only a specific frequency range and cutting signals in
other frequency ranges. This instrument controls the following two characteristics with a single knob.
Cutoff
Determines the cutoff frequency of the filter (which frequency
band signal or higher is cut), adjusting the brightness of the
sound. Higher values result in a brighter sound.

Resonance
Determines the amount of the resonance which raises the
volume around the cutoff frequency. Higher values result in a
more pronounced effect.

Volume

Volume
Cutoff Frequency
Resonance

These frequencies are
“passed” by the filter.

Cutoff range

Frequency
(pitch)

Frequency
(pitch)

How these two characteristics change with a single knob operation is referred to as Filter control type. This instrument
has seven types. The type can be set using the [EXIT] button + [EG FILTER] knob operation, or from the “Filter Control”
(page 43).
Graphs below show how the two parameters change when the knob is turned from the center (= 64) to the left and right in
each type.
Flat Reso

Reso Plus

A type which uses the knob
to change only the Cutoff.

A type which increases the Resonance
by turning the knob to the right.

Flat Reso

Reso Plus

Cutoff
Resonance
0

64

127

0

64

127

Reso Minus A/B/C
Types which reduce the Resonance by turning the knob to the right. Characteristics of
the Filter function are strongly emphasized, letting you create synthesizer-like sounds.
Reso Minus A

0

64

Reso Minus B

127 0

64

Reso Minus C

127 0

64

127

Reso Boost A/B
Types which increase the Resonance regardless of whether the knob is turned left or
right. Characteristics of the Filter function are strongly emphasized, and the sound gets
brighter when turning the knob to the right compared to the Reso Minus types.
Reso Boost A

0

64

Reso Boost B

127 0

64

127

YC88/YC73 Owner’s Manual

35

MENU LIST
From the [MENU] button, you can configure various parameters and functions that affect the whole system of this
instrument. The settings will be stored in this instrument.

Operation
1. Press the [MENU] button.
2. Use the Encoder dial and the [ENTER] button to select an item and display the settings screen.
NOTE
You can also use the LIVE SET buttons [1] to [6] to select the items directly. The LIVE SET buttons [1] to [6] correspond to the items in
order from the top. The lamps for selectable buttons light up.

3. Use the Encoder dial to change and set the value or setting.
4. Press the [ENTER] button to return to the Top screen (Live Set Sound).

General
Function name

Description

Master Tune

Determines the tuning for the entire instrument.
Settings: 414.72 Hz – 466.78 Hz
Default: 440.00 Hz

MIDI Settings

MIDI Port

USB

Determines whether to use (On) the USB [TO HOST] terminal for
transmission/reception of MIDI messages, or not (Off).
Default: On

MIDI

Determines whether to use (On) the MIDI [IN]/[OUT] terminals for the
transmission/reception of MIDI messages with the tone generator of this
instrument, or not (Off).
When this is set to “On,” the terminals are used as Port 1 (message transmission/
reception with the tone generator of this instrument).
When this is set to “Off,” they are used as Port 2 (USB-MIDI interface). In this
case, MIDI messages received by the MIDI [IN] terminal are output without
alteration to USB Port 2 (MIDIOUT2 (YC Series)). MIDI messages received by
the USB Port 2 (MIDIIN2 (YC Series)) are output without alteration to the MIDI
[OUT] terminal.
Default: On

MIDI Channel

Tx

Determines the MIDI transmit channel. When this is set to “Off,” MIDI
messages are not transmitted.
Settings: 1 – 16, Off
Default: 1

Rx

Determines the MIDI receive channel. When this is set to “All,” MIDI messages
will be received over all channels.
Settings: 1 – 16, All
Default: 1

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YC88/YC73 Owner’s Manual

MENU LIST

Function name
MIDI Settings

Description
MIDI Control

Determines the transmission of MIDI control messages.
When this is set to “On,” MIDI messages corresponding to the controls on the
instrument are transmitted when a setting is changed using the controls (knobs,
etc.), allowing you to receive and record the operation information on DAW
software or an external MIDI device.
When this is set to “Invert,” MIDI messages are transmitted only when you use
the controls of a Section that has been turned off, allowing you to control DAW
software or an external MIDI device. For example, when you have created a Live
Set Sound combining this instrument’s Organ Section and a DAW software’s
strings sound, you can use the operators of the Key A/Key B Sections to control
the volume or filters of the software strings.
Default: Off
NOTE
• When MIDI messages corresponding to controls are received by DAW software or the
like, the settings of the corresponding controls are changed.
• The assignment of MIDI messages to each control is fixed. If you want to control the
parameters on DAW software from the instrument’s controls, perform configurations
on the computer side so that messages corresponding to the controls are
appropriately received. For details about the controls and their corresponding MIDI
messages, refer to page 58.
• MIDI messages for when the Modulation Lever and Bend Lever are operated are
always sent, regardless of this setting.

 MIDI Control = Off
MIDI messages are not transmitted even when this instrument is operated.

 MIDI Control = On
Corresponding MIDI messages are transmitted when parameters are changed
using the controls on this instrument.
NOTE
Even when the Section [ON/OFF] switch or EFFECT 1/2 [ON/OFF] button is off, MIDI
messages are transmitted if the control lamps are lit for enabling parameter changes, by
the settings of “Display Lights” (page 39).

 MIDI Control = Invert
Corresponding MIDI messages are transmitted only when controls in a Section
where the Section [ON/OFF] switch is off are moved.
NOTE
• When this is set to “Invert,” control lamps automatically light up regardless of the
status of the Section [ON/OFF] switch.
• When this is set to “Invert,” settings for “Display Lights” (Section, Ins Effect) cannot be
made.

Tx/Rx Pgm Change

Determines whether transmission/reception of Program Change messages
between this instrument and external MIDI devices is enabled (On) or disabled
(Off).
Default: On

Tx/Rx Bank Select

Determines whether transmission/reception of Bank Select messages between
this instrument and external MIDI devices is enabled (On) or disabled (Off).
Default: On

Controller Reset

Determines whether to keep (Hold) or initialize (Reset) the values of controllers
(Modulation Lever, Foot Controller, etc.) when switching between Live Set
Sounds.
When this is set to “Reset,” the controllers are reset to the default states (below)
when switching between Live Set Sounds.
• Pitch Bend: Center
• Modulation: Minimum
• Expression: Maximum
• Pedal Wah: Minimum
Default: Reset

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37

MENU LIST

Function name
Keyboard/
Pedal

Description
Octave

Shifts the octave range of the keyboard up or down.
Settings: -3 – +3
Default: +0

Transpose

Transposes the pitch of the keyboard up or down in semitones.
Settings: -12 – +12
Default: +0

Touch Curve

Determines how actual velocities will be generated according to the strength
with which you play notes on the keyboard (page 11).
Settings: Normal, Soft, Hard, Wide, Fixed
Default: Normal

Fixed Velocity

Set this parameter to produce the same velocity, regardless of how hard or soft
you play the keyboard. This parameter is only used when “Touch Curve” is set to
“Fixed.”
Settings: 1 – 127
Default: 64

Sustain Pedal Type

Determines which type of sustain pedal is connected to the FOOT SWITCH
[SUSTAIN] jack. Select “FC3A (HalfOn)” when you want to use a pedal with a
Half Damper function.
Settings: FC3A (HalfOn), FC3A (HalfOff), FC4A/FC5
Default: FC3A (HalfOn)

Foot Switch Assign

Determines the Control Change number generated by using the Footswitch
connected to the FOOT SWITCH [ASSIGNABLE] jack.
Default: Live Set +

Local Control

Determines whether Local Control is on or off.
When this is set to “Off,” this instrument’s tone generator is internally
disconnected from the keyboard and controllers, and no sound will be produced
when the keyboard is played. However, regardless of the setting here,
performance information from this instrument’s keyboard and controllers is
transmitted as MIDI messages, and this instrument's tone generator will
continue to produce sound in response to the MIDI messages received from
MIDI input, depending on the MIDI settings.
Default: On

I/O Volume

USB Audio

Determines the volume of USB Audio input.
Settings: 0 – 127
Default: 64

Output

Adjusts the final output sound level of the instrument.
Settings: -24 dB – +0 dB – +24 dB
Default: 0 dB

Auto Power Off

Determines whether to set the Auto Power Off function to “Enable” or “Disable.”
Default: Disable

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YC88/YC73 Owner’s Manual

MENU LIST

Control Panel
Function name
Panel Lock
Settings

Description
Live Set
Organ/Keys

Determines whether the panel lock for each of the categories listed at left are
enabled (On) or disabled (Off).
Default: On

Effect/Sp Amp/Reverb
Master EQ
Display Lights

Section

Determines whether the indicator lamps of each Section are always lit (“On”)
regardless the status of the corresponding Section [ON/OFF] switch.
Default: Off
NOTE
When “MIDI Control” is set to “On” and the parameter is changed using the operator
whose lamp is lit, the corresponding Control Change message is transmitted (page 37).

Ins Effect

Determines whether the lamps in the EFFECT 1 and 2 areas of the Key A/Key B
Sections are always lit (“On”) regardless the status of each of the EFFECT 1/2
[ON/OFF] buttons.
Default: Off
NOTE
When “MIDI Control” is set to “On” and the parameter is changed using the operator
whose lamp is lit, the corresponding Control Change message is transmitted (page 37).

LCD SW

Determines whether to display (On) or not display (Off) the Top screen in the
LCD. The various setting screens such as the MENU screens and the SETTINGS
screens are always shown regardless of this setting.
Default: On

LCD Contrast

For adjusting the contrast of the LCD.
Settings: 1 – 63
Default: 32

Advanced Settings

Drawbar Mode

Sets the conditions for a drawbar position to be reflected when the drawbar’s
actual position and the LED display (setting called up) do not match.
When this is set to “Jump,” the position of a drawbar is unconditionally reflected
when that drawbar is moved.
When this is set to “Catch,” the current setting will be held until the drawbar’s
position matches (catches) the LED display. Once they have matched, the
drawbar’s position will be reflected.
Default: Jump

Section Hold

When this is set to “Enable,” you can select another Live Set Sound and still
maintain (hold) the current settings of the desired Sections.
Push and hold the Section [ON/OFF] switch of a Section you want to maintain
the settings of until the corresponding lamp flashes to put that Section in the
Hold status. To release Section Hold, push the Section [ON/OFF] switch again.
For example, to keep reverb settings during your performance regardless of the
Live Set Sounds you change, set this item to “Enable” and then push and hold the
REVERB Section [ON/OFF] switch.
Default: Disable

Live Set View Mode

Determines whether to maintain the Live Set View (Keep) or automatically
return to the Top screen (Close) when switching between Live Set Sounds.
When this is set to “Keep,” the names of eight sets of Live Set Sounds are always
displayed.
Default: Close

Value Indication

Determines whether to show (On) or not show (Off) the values on the LCD
when the values for the knobs of each Section are changed.
Default: On

SW Direction

Determines whether to operate the Voice selection switch and the Effect type
selection switches in ascending order (Default) or in descending order (Reverse).
Default: Default

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39

MENU LIST

Function name

Description

Advanced Settings

EG/Filter Reset

Determines whether to reset (On) or maintain without resetting (Off) the
parameters of EG and FILTER when Voices are switched in the Key A/Key B
Sections.
Default: On

System Settings

Power On Sound

Determines which Live Set Sound is shown when this instrument is turned on.
Default: 1-1

MIDI Device Number

Determines the MIDI device numbers. The device number of this instrument
must match the device number of the external MIDI device when transmitting/
receiving Bulk Dump data, Parameter Changes, or other System Exclusive
messages.
Settings: 1 – 16, All, Off
Default: All

MIDI Control Delay

Adjusts the transmission timing for MIDI control messages transmitted when
switching between Live Set Sounds. You may need to make adjustments to this
when the application on your computer does not receive messages correctly.
Settings: 0 – 1500 msec
Default: 0 msec

Job
Function name
Live Set
Manager

Section
Manager

Description
Swap

Swaps the stored data of the currently selected Live Set Sound with another userspecified Live Set Sound.

Copy

Copies the stored data of the currently selected Live Set Sound to another userspecified Live Set Sound.

Initialize

Resets the stored data of the currently selected Live Set Sound to its default
status.

Copy

Paste

Organ

Copies the settings of the Organ Section of the Live Set Sound currently being
edited.

Key A

Copies the settings of the Key A Section of the Live Set Sound currently being
edited.

Key B

Copies the settings of the Key B Section of the Live Set Sound currently being
edited.

Effect

Copies the settings of the EFFECT Section of the Live Set Sound currently being
edited.

Speaker
Amp

Copies the settings of the SPEAKER/AMP Section of the Live Set Sound
currently being edited.

Organ

Pastes the copied settings. The paste function cannot be executed when nothing
has been copied.
Pastes between different Sections are only possible when pasting from Key A to
Key B, or from Key B to Key A.

Key A
Key B
Effect
Speaker
Amp
Swap Key A & Key B

Swaps the settings of the Key A Section and the Key B Section of the currently
being edited Live Set Sound.
NOTE
This job can also be executed using the [EXIT] button and the Keys [A B] button.

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YC88/YC73 Owner’s Manual

Function name
Section
Manager

Edit Recall

Description
Initialize

Organ

Initializes all the settings under [SETTINGS] → “Sound” → “Organ Settings” of
the Live Set Sound currently being edited.

Rotary
Speaker

Initializes all the settings under [SETTINGS] → “Sound” → “Rotary Speaker” of
the Live Set Sound currently being edited.

FM Unison

Initializes all the settings under “FM Unison” of the desired Section, of the Live
Set Sound currently being edited.
• Key A: [Settings] → “Sound” → “Key A Settings” → “FM Unison”
• Key B: [Settings] → “Sound” → “Key B Settings” → “FM Unison”

Recall

Recalls the last edited state of the currently selected Live Set Sound. If, while
editing a Live Set Sound you have not yet stored, you select a different Live Set
Sound and then return to the one being edited, the latest stored version will be
called up instead of the latest edited status. If this happens, execute this function
to restore the latest edited status of the Live Set Sound.
NOTICE
The latest edited status for each Live Set Sound will be lost when this instrument is
turned off.

Menu Initialize

Resets the settings of MENU screens to the default values.

Factory Reset

Restores this instrument to its default (factory) condition.

File
Function name
Back Up File

Live Set All File

Live Set Page File

Live Set Sound File

File Utility

Description
Save

Saves all the data stored in this instrument including the system settings to a USB flash
drive as a “Back Up File” (with the extension: .Y0A).

Load (*)

Loads the data saved as a “Back Up File” from a USB flash drive to this instrument.

Save

Saves all the Live Set data stored in this instrument to a USB flash drive as a “Live Set All
File” (with the extension: .Y0L).

Load (*)

Loads the data saved as a “Live Set All File” from a USB flash drive to this instrument.

Save

Saves the currently selected Live Set Page stored in this instrument to a USB flash drive
as a “Live Set Page File” (with the extension: .Y0P).

Load (*)

Loads the data saved as a “Live Set Page File” from a USB flash drive to this instrument.

Save

Saves the currently selected Live Set Sound stored in this instrument to a USB flash drive
as a “Live Set Sound File” (with the extension: .Y0S).

Load

Loads the data saved as a “Live Set Sound File” from a USB flash drive to this instrument.

Rename

Changes the name of a file in a USB flash drive.

Delete

Deletes a file in a USB flash drive.

Format

Formats (initializes) a USB flash drive. Formatting is required to use a new USB flash
drive for the File-related functions of this instrument.
NOTICE
When a USB flash drive is formatted, all of its content will be deleted. Make sure before
formatting that the USB flash drive contains no irreplaceable data.

* You can also load the desired single Live Set Sound from a file containing multiple Live Set Sounds such as the Backup file, Live Set file, and Live
Set Page file (page 25).

Version Info
Shows the versions of this instrument’s software and firmware, as well as its copyright information.

YC88/YC73 Owner’s Manual

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SETTINGS LIST

SETTINGS LIST
From the [SETTINGS] button, you can configure and store the various settings of the currently selected Live Set Sound.
The settings made here will all be stored in the Live Set Sound.

Operation
1. Press the [SETTINGS] button.
2. Use the Encoder dial and the [ENTER] button to select an item and display the settings screen.
NOTE
If there are six or fewer items displayed on the screen, you can also use the LIVE SET buttons [1] to [6] to select the items directly. The
LIVE SET buttons [1] to [6] correspond to the items in order from the top. The lamps for selectable buttons light up.

3. Use the Encoder dial to change and set the value or setting.
4. Press the [ENTER] button to return to the Top screen (Live Set Sound).

Sound
Function name

Description

Organ Settings

Determines the detailed settings for the Organ Section.
Items marked with an asterisk (*) can be configured only when the VCM
Organ type (H1–H3) is selected. If at least one of the items marked with (*) is
changed from the default, a “+” will be displayed on the upper right of “H1”–
“H3” on the Top screen.
Leak Level*

Adjusts the volume of the leakage sound (sound leaked from the tonewheel to
the electric circuit).
Settings: 0 – 127
Default: 64

KeyClick Level*

Determines the volume of the key click sound produced when you press a key.
Settings: 0 – 127
Default: 64

Perc. Link to 1feet*

Determines the operation of the [1'] (one foot) drawbar when switching the
PERCUSSION on or off.
• On: When PERCUSSION is turned on, the sound of the [1'] drawbar stops.
• Off: The [1'] drawbar generates sound regardless of whether PERCUSSION
is on or off.
Default: On

Expression Type

Determines the position in the organ’s signal path where the expression pedal
is applied.
• Drive+Vol: The pedal effect is applied to the pre-amplifier in the Organ.
Operating the pedal changes both the volume and the distortion of the
Organ sound. If the VCM Organ type is selected, this faithfully reproduces
the effect of the expression pedal on a vintage organ.
• Volume: The pedal effect is applied directly before the REVERB Section
after the Organ sound is generated. Operating the pedal changes the volume,
but not the distortion, of the Organ sound.
Default: Drive+Vol

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SETTINGS LIST

Function name
Key A Settings/
Key B Settings

Description
Mono/Poly

Selects whether to play the Section as monophonic (Mono) or polyphonic
(Poly). When set to “Mono,” the
icon is displayed to the right of the
Section name (A, B) on the Top screen.
Default: Poly

Portamento

Determines settings regarding the portamento function, which continuously
changes the sound from one played note to the next.
This can only be set when “Mono/Poly” is set to “Mono.”
Switch

Determines whether the portamento effect is applied (On) or not (Off).
Default: Off

Time

Determines the time (speed) that it takes for the portamento effect to shift in
pitch between notes.
Settings: 0 – 127
Default: 64

Mode

Determines how the portamento effect should be applied depending on how
you play the keys.
• Full-time: The portamento effect is always applied.
• Fingered: The portamento effect is applied only when you play legato
performances (playing a key while still holding the previous key).
Default: Full-time

Time Mode

Determines the time standard for portamento pitch shifts.
• Rate: The pitch shifts at a speed corresponding to the distance between
sounds (notes). The further the pitches between the two sounds, the more
time it takes.
• Time: The pitch shifts over a particular amount of time, regardless of how
far apart the pitches between the two sounds are.
Default: Rate

FM Unison

Determines the settings for creating a sense of thickness and spaciousness in
an FM tone generator Voice. This setting is available only when a Voice having
“FM” in its name is selected.
Mode

Selects whether, when one note is played, to generate one note (Off), two
notes simultaneously (2 Unison), or four notes simultaneously (4 Unison).
When set to “2 Unison” or “4 Unison,” a “+” will be displayed on the upper
right of “FM” in the Voice name on the Top screen.
Default: Off

Detune

Determines the difference in pitch between the two or four notes, which
affects the degree of thickness of to the sound.
Settings: 0 – 15
Default: 0

Spread

Determines the difference in panning between the two or four notes, which
affects the degree of widening of to the sound.
Settings: 0 – 15
Default: 0

EG Control

Selects the EG control type. For details on the types that can be selected, see
“EG/Filter Control Type List” (page 34).
Default: Atk&Dcy&Rls A

Filter Control

Selects the Filter control type. For details on the modes that can be selected,
see “EG/Filter Control Type List” (page 34).
Default: Flat Reso

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SETTINGS LIST

Function name

Description

Rotary Speaker

Determines the detailed operations of the VCM Rotary Speaker types (RtrA
and RtrB types of the SPEAKER/AMP Section).
Level

Horn

Determines the volume of the horn (treble).
Settings: 0 – 127
Default: 64

Rotor

Determines the volume of the rotor (bass).
Settings: 0 – 127
Default: 64

Background
Noise

Switch

Determines whether to include (On) or not include (Off) simulated
background noise.
Default: On

Level

Determines the volume of the background noise.
Settings: 0 – 127
Default: 64

Stereo/Mono

Determines whether to use stereo or monaural output for RtrA and RtrB.
Default: Stereo

Speed

Determines the speed for the horn (treble) and rotor (bass) for the Slow and
Fast states of the rotary speaker.
Horn Fast

Settings: 209.4 – 817.6 rpm
Default: 413.8 rpm

Rotor Fast

Settings: 189.3 – 736.8 rpm
Default: 373.5 rpm

Horn Slow

Settings: 23.0 – 89.6 rpm
Default: 45.4 rpm

Rotor Slow

Settings: 22.7 – 88.3 rpm
Default: 44.8 rpm

Acceleration

Function

Transpose

Determines the speed of acceleration and deceleration for the horn (treble)
and rotor (bass) of the rotary speaker.
Horn
Acceleration

Settings: 0.21 – 2.00
Default: 1.30

Rotor
Acceleration

Settings: 0.21 – 2.00
Default: 1.00

Horn
Deceleration

Settings: 0.21 – 2.00
Default: 1.30

Rotor
Deceleration

Settings: 0.21 – 2.00
Default: 1.00

Transposes the pitch in semitone steps.
Settings: -12 – +12
Default: +0
NOTE
This setting does not affect MIDI output data.

Split Point

Determines the key position when splitting the keyboard into left hand and
right hand sections. The set value becomes the lowest note of the right hand
section.
Settings: C#-2 – G8
Default: G2

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SETTINGS LIST

Function name

Description

Tempo Delay Time

Determines the delay time in note lengths relative to the tempo for the
“Tempo Delay” effect.
Settings: 1/32 Tri. – 1/2
Default: 1/4
NOTE
You can change the tempo used for calculating the delay time by setting it with the
[TAP] button or the [RATE] knob in the EFFECT Section.

External Keyboard
Determines the generation of sound for each Section when the YC88/YC73 receives performance information (key-on,
key-off) MIDI messages from an external MIDI device. You can make settings so that combine this instrument with an
external keyboard for a two-manual organ, or performing only the Key A and/or Key B Sections on an external keyboard,
etc.
NOTE
For Sections/parts that are set to generate sound only when playing an external keyboard, display of the Split on the Top screen changes
from
to
.

Function name

Description

Organ

• Ext+Int: Sound is generated for both key-on signals received from an external MIDI device and
performance on this instrument’s keyboard.
• ExtOnly: Sound is generated only for key-on signals received from an external MIDI device. Sound is not
generated when the keyboard on this instrument is played.
• 2ManualUp: This setting is for performances on a two-manual organ. The UPPER part generates sound
for key-on signals received from an external MIDI device, and the LOWER part generates sound when the
keyboard on this instrument is played.
• 2ManualLo: This setting is for performances on a two-manual organ. The LOWER part generates sound
for key-on signals received from an external MIDI device, and the UPPER part generates sound when the
keyboard on this instrument is played.
• Off: Sound is not generated for key-on signals received from an external MIDI device. Sound is generated
when the keyboard on this instrument is played.
Default: Ext+Int

Connection examples
2ManualUp

2ManualLo
MIDI [OUT] terminal

MIDI [IN] terminal

External MIDI device: UPPER
YC73: UPPER
MIDI [IN] terminal
MIDI [OUT] terminal

YC88: LOWER
External MIDI device such as a stage piano:
LOWER
NOTE
When “2ManualUp” or “2ManualLo” is set, the settings of the Organ Section Split become invalid, and the lamps for
the SPLIT [L U] button both automatically light.

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SETTINGS LIST

Function name

Description

Key A

• Ext+Int: Sound is generated for both key-on signals received from an external MIDI device and
performance on this instrument’s keyboard.
• ExtOnly: Sound is generated only for key-on signals received from an external MIDI device. Sound is not
generated when the keyboard on this instrument is played.
• Off: Sound is not generated for key-on signals received from an external MIDI device. Sound is generated
when the keyboard on this instrument is played.
Default: Ext+Int

Connection example
Organ = Off, Key A = Off, Key B = ExtOnly
MIDI [IN] terminal

Key B

YC73: Organ (UPPER/LOWER) + Key A
MIDI [OUT] terminal

External MIDI device such as a stage piano: Key B

46

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SETTINGS LIST

Master Keyboard
This function is for using the YC88/YC73 as a master keyboard. It allows the keyboard to be split into as many as four
different zones, each of which can control separate sounds of an external tone generator. For example, you can make a
Live Set Sound combining Voices from this instrument and the connected external tone generators, or a Live Set Sound
composed with Voices of external tone generators only.

Internal
tone generator

Organ

External
tone generator
(Zone)

Zone 1

Zone 2

Zone 3

Function name

Description

Mode SW

Switches the Master Keyboard Mode settings. When “On” is selected, the Master
Keyboard Mode is enabled, and the
indication appears on the Top screen.
Default: Off

Advanced Zone SW

Switches the setting range of Master Keyboard Mode. When “On” is selected, you
can make detailed settings.
Default: Off
NOTE
When “Off” is selected, the detailed settings items marked with asterisk (*) will not be
displayed.

Zone Settings
 Zone 1–4

Zone SW

Determines whether to enable (On) or disable (Off) the currently selected zone.
Default: Zone 1 = On, Zone 2 – 4 = Off

*: Detailed settings

Tx Channel

Determines the MIDI transmit channel for the currently selected zone.
Settings: 1 – 16
Default: Zone 1 = 1, Zone 2 = 2, Zone 3 = 3, Zone 4 = 4

Octave Shift

Shifts the pitch of the currently selected zone in units of one octave.
Settings: -3 – +3
Default: +0

Transpose

Transposes the pitch of the currently selected zone in semitone steps.
Settings: -11 – +11
Default: +0

Note Limit Low

Determines the lowest key that generates sound in the currently selected zone.
Default: C -2

Note Limit High

Determines the highest key that generates sound in the currently selected zone.
Default: G8

Bank MSB*

Determines the Bank Select MSB to be sent as a MIDI message to the external tone
generator played by the currently selected zone upon selection of a Live Set Sound.
Default: 0

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SETTINGS LIST

Function name
Zone Settings
 Zone 1–4

Description
Bank LSB*

*: Detailed settings

Determines the Bank Select LSB to be sent as a MIDI message to the external tone
generator played by the currently selected zone upon selection of a Live Set Sound.
Default: 0

Program Change*

Determines the Program Change Number to be sent as a MIDI message to the
external tone generator played by the currently selected zone upon selection of the
Live Set Sound.
Default: 1

Volume*

Determines the volume to be sent as a MIDI message to the external tone generator
played by the currently selected zone upon selection of a Live Set Sound.
Default: 100

Pan*

Determines the panning to be sent as a MIDI message to the external tone generator
played by the currently selected zone upon selection of a Live Set Sound.
Default: C

Tx SW Note*

Determines whether to transmit (On) or not transmit (Off) MIDI note messages to
the external tone generator played by the currently selected zone.
Default: On

Tx SW Bank*

Determines whether to transmit (On) or not transmit (Off) MIDI Bank Select
messages to the external tone generator played by the currently selected zone.
Default: On

Tx SW Program*

Determines whether to transmit (On) or not transmit (Off) MIDI Program Change
messages to the external tone generator played by the currently selected zone.
Default: On

Tx SW Volume*

Determines whether to transmit (On) or not transmit (Off) MIDI volume messages
to the external tone generator played by the currently selected zone.
Default: On

Tx SW Pan*

Determines whether to transmit (On) or not transmit (Off) MIDI Pan messages to
the external tone generator played by the currently selected zone.
Default: On

Tx SW PB*

Determines whether to transmit (On) or not transmit (Off) MIDI Pitch Bend
messages to the external tone generator played by the currently selected zone.
Default: On

Tx SW Mod*

Determines whether to transmit (On) or not transmit (Off) MIDI Modulation
messages to the external tone generator played by the currently selected zone.
Default: On

Tx SW Sustain*

Determines whether to transmit (On) or not transmit (Off) MIDI Sustain messages
to the external tone generator played by the currently selected zone.
Default: On

Tx SW FS*

Determines whether to transmit (On) or not transmit (Off) MIDI Footswitch
messages to the external tone generator played by the currently selected zone.
Default: On

Tx SW FC1*

Determines whether to transmit (On) or not transmit (Off) MIDI messages for
FOOT CONTROLLER [1] to the external tone generator played by the currently
selected zone.
Default: On

Tx SW FC2*

Determines whether to transmit (On) or not transmit (Off) MIDI messages for
FOOT CONTROLLER [2] to the external tone generator played by the currently
selected zone.
Default: On

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SETTINGS LIST

Controllers
Function name

Description

Bend Lever

Switches the operation mode of the Bend Lever.
• Pitch Bend: Operates as a Pitch Bend controller.
• Rotary S/F: Switches between slow and fast for the rotary speaker of the
SPEAKER/AMP Section. Moving the lever in either direction produces the same
effect as pressing the ROTARY SPEAKER [Slow Fast] button.

Mode

Default: Pitch Bend

Pitch Bend
Range

Organ
Key A
Key B

Modulation
Lever

Assign

Determines the pitch bend range in semitone steps. This can be set individually for
each Voice Section.
Settings: -24 – +0 – +24
Default: +2

Determines the function to be assigned to the Modulation Lever.
You can assign Control Change numbers 1 to 119 as well as the USB Audio volume.
Settings: Off, 1 – 63, 65, 67 – 119, USB Audio Volume
Default: 1

Limit Low

Determines the lower limit for the Modulation Lever values.
Settings: 0 – 127
Default: 0

Limit High

Determines the higher limit for the Modulation Lever values.
Settings: 0 – 127
Default: 0

P.Mod
Depth

Organ
Key A

Determines the depth of the vibrato effect applied to keyboard notes. This can be set
individually for each Voice Section.
Settings: 0 – 127
Default: 10
NOTE

P.Mod
Speed

Key B

This can be set for the Organ Section only when the FM tone generator organ type (F1 to
F3) is selected.

Organ

Determines the speed of the vibrato effect applied to keyboard notes. This can be set
individually for each Voice Section.

Key A

Settings: +64 – +0 – +63
Default: +0
NOTE

Key B
Foot
Controller 1

Assign

This can be set for the Organ Section only when the FM tone generator organ type (F1 to
F3) is selected.

Determines the Control Change number to be assigned to a foot controller (sold
separately) connected via the FOOT CONTROLLER [1] jack.
Settings: Off, 1 – 63, 65, 67 – 119, USB Audio Volume
Default: 11 (Expression)

Limit Low

Determines the lower limit value for a foot controller (sold separately) connected to
the FOOT CONTROLLER [1] jack.
Settings: 0 – 127
Default: 0

Limit High

Determines the upper limit value for a foot controller (sold separately) connected to
the FOOT CONTROLLER [1] jack.
Settings: 0 – 127
Default: 127

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49

SETTINGS LIST

Function name

Description

Foot
Controller 2

Determines the Control Change number to be assigned to a foot controller (sold
separately) connected to the FOOT CONTROLLER [2] jack.

Assign

Settings: Off, 1 – 63, 65, 67 – 119, USB Audio Volume
Default: 4 (Pedal Wah)

Limit Low

Determines the lower limit value for a foot controller (sold separately) connected to
the FOOT CONTROLLER [2] jack.
Settings: 0 – 127
Default: 0

Limit High

Determines the upper limit value for a foot controller (sold separately) connected to
the FOOT CONTROLLER [2] jack.
Settings: 0 – 127
Default: 127

Sustain
Pedal

Mode

Switches the operation mode of a sustain pedal (sold separately) connected to the
FOOT SWITCH [SUSTAIN] jack.
• Sustain: Operates as a sustain pedal.
• Rotary S/F: Switches between slow and fast for the rotary speaker of the
SPEAKER/AMP Section. Pressing the pedal produces the same effect as pressing
the ROTARY SPEAKER [Slow Fast] button.
Default: Sustain

Receive
SW

Expression

Organ
Key A
Key B

Sustain

Determines whether each Voice Section receives (On) or ignores (Off) the
corresponding MIDI messages received from external devices or the messages
generated by operating the footswitch or foot controller.
Default: On

Organ
Key A
Key B

Sostenuto

Organ
Key A
Key B

Soft

Key A
Key B

Drawbar Color
Function name

Description

Upper

Determines the color of the drawbar LEDs. This can be set individually for the UPPER and LOWER
parts.

Lower

Settings: White, Red, Yellow, Green, Cyan, Blue, Magenta
Default: Upper = White, Lower = Red

Name
Determines the names of Live Set Sounds. For details on editing Live Set Sound names, refer to “Editing File Names/Live
Set Sound Names” (page 24).
NOTE
To store the edited names, you’ll need to use the Store operation (page 12).

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Appendix
Display Messages
LCD indication

Description

Auto power off disabled.

This message appears when Auto Power Off is disabled.

Completed.

The specified load, save, format, or other Job has been completed.

Connecting to USB device…

Currently recognizing the USB flash drive connected to the USB [TO DEVICE]
terminal.

Device number is off.

Bulk data cannot be transmitted/received because the device number is off.

Device number mismatch.

Bulk data cannot be received because the device numbers do not match.

File or folder already exists.

A file/folder having the same name as the one you are about to save already exists.

File or folder path is too long.

The file or folder you tried to access cannot be accessed because the maximum amount
of characters indicating the path has been exceeded.

Illegal bulk data.

An error occurred while receiving a Bulk data or Bulk Request message.

Illegal file name.

The specified file name is invalid. Try entering a different name.

Illegal file.

The specified file is unusable by this instrument or cannot be loaded.

Incompatible USB device.

USB device which cannot be used with this instrument has been connected to the USB
[TO DEVICE] terminal.

MIDI buffer full.

Failed to process the MIDI data because too much data was received at one time.

MIDI checksum error.

An error occurred when receiving bulk data.

No device.

Device is not connected.

No read/write authority to the file.

Indicates that you do not have the authority to read/write the file.

Now receiving MIDI bulk data…

Indicates this instrument is receiving MIDI bulk data.

Now transmitting MIDI bulk data…

Indicates this synthesizer is transmitting MIDI bulk data.

Please reboot to maintain internal
memory.

Reboot this instrument to restore the internal memory.

Push [PANEL LOCK] Button.

Push the [PANEL LOCK] button to disengage panel lock.

Unsupported USB device.

This message appears if the plugged-in USB flash drive is either unformatted or
formatted in a way that this instrument does not support. Please format the USB device
using this instrument.

USB connection terminated.

Communication with the USB device has been shut down because of the overcurrent to
the USB device. Disconnect the device from the USB [TO DEVICE] terminal, and then
turn on the power of the instrument.

USB device is full.

The USB flash drive is full and no more data can be saved. Use a new USB flash drive, or
make space by erasing unwanted data from the storage device.

USB device is write-protected.

This message appears when you have attempted to write to a protected USB flash drive.

USB device read/write error.

An error occurred while reading or writing to/from a USB flash drive.

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51

Appendix

Troubleshooting
No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the
product is faulty. Many problems can be solved by executing the Factory Reset operation (page 23). If the problem
persists, consult your Yamaha dealer.

52

Issue

Suspected cause

Solution

The instrument turns off
unexpectedly.

This is normal when the Auto Power Off
function is enabled.

If necessary, you can deactivate the Auto Power
Off function to prevent it from turning off the
instrument again (page 23).

No sound is produced.

Related external equipment (e.g., amplifier,
speaker, headphones) is not properly
connected to this instrument via audio
cables.

Since this instrument has no built-in speakers,
you will need an external audio system or a set of
stereo headphones to properly monitor it
(page 22).

Power to this instrument or the connected
external audio equipment are not turned on.

Check the power to this instrument and the
connected external audio equipment are turned
on.

The volume of this instrument and the
connected external audio equipment are
turned fully down.

Adjust the volume. Use the [MASTER
VOLUME] knob to adjust the volume. If a foot
controller has been connected to the FOOT
CONTROLLER [1]/[2] jacks, try using it to
increase the volume.

All the Voice Section [ON/OFF] switches are
set to OFF.

Set the desired Voice Section [ON/OFF]
switch(es) to ON.

The volume of the Voice Sections are turned
fully down.

Use the [VOLUME] knobs of each Voice Section
to adjust the volume.

Local Control is set to “Off.”

When Local Control is set to “Off,” the internal
tone generator will not sound even if you play
the keyboard. Set Local Control to “On”
(page 38).

MIDI volume or expression has been set to a
very low level by an external MIDI
controller.

Select other Live Set Sound. If a foot controller
has been connected to the FOOT
CONTROLLER [1]/[2] jacks, try using it to
increase the volume.

A sound continues to play
indefinitely.

Effect sounds such as delay continue.

Lower the [DEPTH] knob value, or set the
EFFECT1/2 [ON/OFF] button or the Section
[ON/OFF] switch to OFF. If another Live Set
Sound is selected during a sound continues to
play, press the currently selected Live Set Sound
button once more.

Sounds are distorted.

Effect settings are not appropriate.

Sound will be distorted depending on the effect
types and the settings. Change the effect types
and the settings.

Volume is set too high.

Adjust the volume. To adjust the overall volume,
adjust the “I/O Volume” → “Output” (page 38).

Volume of this instrument and the
connected external audio source are set too
high.

Adjust the volume of the connected external
audio device, or use the INPUT [GAIN] knob of
this instrument. You can also adjust the volume
from the “I/O Volume” → “USB Audio”
(page 38).

Sound output is intermittent and
stuttered.

The entire sound has exceeded the
maximum polyphony (128 notes).

Be careful not to exceed the maximum
polyphony.

No effect is applied.

The depth is turned to the minimum level.

Use the [DEPTH] knob to adjust the effect
depth.

YC88/YC73 Owner’s Manual

Appendix

Issue

Suspected cause

Solution

Data communication between
the computer and this
instrument does not work
properly.

The Port settings on the computer are not
appropriate.

Check the port settings on the computer.

MIDI bulk data transmission
does not work properly.

Use of the wrong terminals (MIDI, USB).

Check the connections.

Wrong MIDI device number.

Check the MIDI device number.

Cannot save data to the external
USB flash drive.

The USB flash drive is write protected.

Unlock the write protect.

The USB flash drive is not formatted
properly.

Format again.

A pedal has no effect.

The pedal is not correctly connected.

Make sure that the pedal’s plug is fully and
firmly inserted.

Nothing is displayed on the
LCD, even the instrument’s
power is on.

“Display Lights” → “LCD SW” is set to “Off”.

Set the “LCD SW” to “On” (page 39).

“Display Lights” → “LCD Contrast” value is
set too low.

Adjust the contrast from “LCD Contrast”
(page 39).

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53

Appendix

Specifications
Item

Details
YC88
88-key NW-GH3 (Natural Wood Graded
Hammer) keyboard: synthetic ebony and
ivory keytops

Keyboard

Tone
Generation

YC73
73-key BHS (Balanced Hammer Standard)
keyboard: matte black keytops

Tone Generation
Technology

VCM Organ, AWM2, FM

Polyphony (max.)

VCM Organ + AWM2: 128*, FM: 128
*Total of VCM Organ and AWM2

Voices

Number of Live Set
Sounds

160 (Preset Live Set Sounds: 80)

Number of Voices
Effects

Display

Type

Insertion Effect:
Organ 1 system (pre drive)
Key A 2 systems (1: 32 types, 2: 32 types)
Key B 2 systems (1: 32 types, 2: 32 types)
Effect: 32 types
Speaker/Amp: 6 types (Rotary Speaker: 2 types, Amp: 4 types)
Reverb
Master Equalizer: 3-band (with sweepable mid)
Full Dot LCD (128 × 64 dots)
OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED)
OUTPUT [L]/[R] (XLR jacks, BALANCED)
[PHONES] (6.3 mm, standard stereo phone jack)
INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
FOOT CONTROLLER [1]/[2]
FOOT SWITCH [SUSTAIN]/[ASSIGNABLE]
MIDI [IN]/[OUT]
USB [TO HOST]/[TO DEVICE]
[AC IN]

Connectors

Size/Weight

145 (Organ: 6 / Keys: 139)

Dimensions
(W × D × H)
Weight

Included Accessories

1298 mm × 364 mm × 142 mm
(51-1/8" × 14-5/16" × 5-9/16")

1086 mm × 355 mm × 145 mm
(42-3/4" × 14" × 5-11/16")

18.6 kg (41 lb, 0 oz)

13.4 kg (29 lb, 9 oz)

Owner’s Manual (this book) × 1
Power cord × 1
Foot pedal (FC3A) × 1

The contents of this manual apply to the latest specifications as of the printing date.
Since Yamaha makes continuous improvements to the product, this manual may not completely apply to the specifications of your
particular product. To obtain the latest manual, access the Yamaha website then download the manual file.

54

YC88/YC73 Owner’s Manual

Appendix

Index
A

R

Auto Power Off ..................................................................23

REVERB Section ................................................................19
Rotary Speaker ............................................................ 18, 44

C
Computer .................................................................... 27, 29

E
Effect ...................................................................................17
EFFECT Section ................................................................17
EG ................................................................................. 16, 34
External Keyboard ...................................................... 27, 45
External MIDI keyboard ..................................................27

F
Factory Reset ......................................................................23
File type ...............................................................................25
Filter ............................................................................. 16, 35

S
Save ......................................................................................25
Section .................................................................................10
SETTINGS ..........................................................................42
SPEAKER/AMP Section ...................................................18
Split ............................................................................... 13, 23
Split (Key A, Key B) ..........................................................16
Split (Organ) ......................................................................15
Split Point ...........................................................................13
SSS (Seamless Sound Switching) .....................................12

U

iPad ............................................................................... 27, 29
iPhone .......................................................................... 27, 29

UPPER ................................................................................15
USB Audio ..........................................................................29
USB flash drive ..................................................................25
USB [TO DEVICE] ...........................................................26
USB [TO HOST] ...............................................................26

K

V

Key A Section .....................................................................16
Key B Section .....................................................................16

VCM Organ .......................................................................14
VIBRATO/CHORUS ........................................................15
Voice Section ......................................................................23

I

L
Live Set ................................................................................12
Live Set Sound ............................................................. 12, 23
Live Set View ......................................................................12
Load .....................................................................................25
LOWER ...............................................................................15

Y
Yamaha Steinberg USB Driver ........................................29

M
Master EQ ...........................................................................19
Master Keyboard ...............................................................47
MENU .................................................................................36
MIDI channel .....................................................................30
MIDI Port ...........................................................................28
MIDI receive channel .......................................................28
MIDI transmit channel .....................................................28

O
Organ Section ....................................................................14

P
PERCUSSION ....................................................................15
PRE DRIVE ........................................................................15

YC88/YC73 Owner’s Manual

55

DATA LIST
Live Set Sound List
YC88

56

Name

Split
Section
Point

Bank

No

1

1

Natural CFX

G2

1

2

Soulful Rd

G2

1

3

FM EP 1

G2

1

4

FM Lead

G2

1

5

Jazz Lead

G2

1

6

Rock Organ 1

G2

1

7

Gospel Shout!

G2

1

8

Rex Direct

G2

2

1

One Ear Upright

G2

2

2

67 Trem EP

G2

2

3

80s Piano Layer

G2

2

4

Fat OB Brass

G2

2

5

Jazz Swish

G2

2

6

Prog 1

G2

2

7

Gospel Worship

G2

2

8

Italian Organ 1

G2

3

1

C7 w/Pad

G2

3

2

Wr Trem

G2

3

3

FM EP+Pad 1

G2

3

4

Motion Pad

G2

3

5

Squabble

G2

3

6

Casino Fire

G2

Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B

YC88/YC73 Owner’s Manual

Voice Name

MSB

LSB

PC

CFX
78Rd
FM Piano DA
FM Syn Lead 2
H1
H2
H1
F2
U1
67Rd Dark
CFX
FM The EP
OB Brass 1
OB Brass 2
H1
H2
H1
F3
C7
Analog Pad
Wr Bright
FM The EP
Lite Strings
Mystic Pad
Analog Pad
H1
H2
-

63

0

1

63

0

2

63

0

3

63

0

4

63

0

5

63

0

6

63

0

7

63

0

8

63

1

1

63

1

2

63

1

3

63

1

4

63

1

5

63

1

6

63

1

7

63

1

8

63

2

1

63

2

2

63

2

3

63

2

4

63

2

5

63

2

6

Name

Split
Section
Point

Bank

No

3

7

H Split Ld/Ba

G2

3

8

Church

G2

Organ
Key A
Key B
Organ
Key A
Key B

Voice Name
H1
F1
-

MSB

LSB

PC

63

2

7

63

2

8

YC73
Name

Split
Section
Point

Bank

No

1

1

Soulful Rd

G2

1

2

Natural CFX

G2

1

3

FM EP 1

G2

1

4

FM Lead

G2

1

5

Jazz Lead

G2

1

6

Rock Organ 1

G2

1

7

Gospel Shout!

G2

1

8

Rex Direct

G2

2

1

67 Trem EP

G2

2

2

One Ear Upright

G2

2

3

80s Piano Layer

G2

2

4

Fat OB Brass

G2

2

5

Jazz Swish

G2

2

6

Prog 1

G2

2

7

Gospel Worship

G2

2

8

Italian Organ 1

G2

3

1

Wr Trem

G2

3

2

C7 w/Pad

G2

3

3

FM EP+Pad 1

G2

3

4

Motion Pad

G2

Voice Name

MSB

LSB

PC

Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A

78Rd
CFX
FM Piano DA
FM Syn Lead 2
H1
H2
H1
F2
67Rd Dark
U1
CFX
FM The EP
OB Brass 1
OB Brass 2
H1
H2
H1
F3
Wr Bright
C7

63

0

1

63

0

2

63

0

3

63

0

4

63

0

5

63

0

6

63

0

7

63

0

8

63

1

1

63

1

2

63

1

3

63

1

4

63

1

5

63

1

6

63

1

7

63

1

8

63

2

1

63

2

2

Key B
Organ
Key A
Key B
Organ
Key A
Key B

Analog Pad
FM The EP
Lite Strings
Mystic Pad
Analog Pad

63

2

3

63

2

4

DATA LIST

Name

Split
Section
Point

Bank

No

3

5

Squabble

G2

3

6

Casino Fire

G2

3

7

H Split Ld/Ba

G2

3

8

Church

G2

Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B

Voice Name
H1
H2
H1
F1
-

LSB

PC

Bank

No

63

2

5

6

5

FM EP 5

G2

63

2

6

6

6

Magic Piano

G2

63

2

7

6

7

80s Soundtrack

G2

63

2

8

6

8

FM EP+Pad 2

G2

7

1

Swell Backgrnd

C3

7

2

Bass and 73Rd

G2

YC88/YC73
Name

Split
Section
Point

Bank

No

4

1

Clean Amp

G2

4

2

H Split Ld/Chd

C3

4

3

F1 Jazz

G2

4

4

Rex Rotary

G2

4

5

Rex Amp

G2

4

6

Italian Organ 2

G2

4

7

Italian Organ 3

G2

4

8

F2 / RdBa

G2

5

1

CFX Bright

G2

5

2

C7

G2

5

3

70's C7

G2

5

4

Showbiz Upright

G2

5

5

AP+Strings

G2

5

6

Bass Stays Home

G2

5

7

78Rd Chorus

G2

5

8

67Rd Overdrive

G2

6

1

Wr Dist

G2

6

2

FM EP 2

G2

6

3

FM EP 3

G2

6

4

FM EP 4

G2

Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B

Name

Split
Section
Point

MSB

Voice Name

MSB

LSB

PC

H3
H1
F1
F2
F2
F3
F3
F2
78Rd
CFX
C7
C7
U1
CFX
Fast Strings
Upright Bass
C7
78Rd
67Rd Bright
Wr Warm
FM The EP
FM Pf's Heart
FM Urban EP
FM DX EP

63

3

1

7

3

Analog Pad

G2

63

3

2

7

4

Fat Pad

G2

63

3

3

7

5

Massive FM

G2

63

3

4

7

6

Smooth Strings

G2

63

3

5

7

7

Stringy Octaves

G2

63

3

6

7

8

Synth Brass

G2

63

3

7

8

1

Analog Lead

G2

63

3

8

8

2

Expressive Lead

G2

63

4

1

8

3

Monster Lead

G2

63

4

2

8

4

Ep/Lead Split 1

G2

63

4

3

8

5

Ep/Lead Split 2

G2

63

4

4

8

6

Pad/Lead

G2

63

4

5

8

7

Icy Split

C3

63

4

6

8

8

Sticky Bass

G2

63

4

7

9

1

Aggressive Bass

G2

63

4

8

9

2

Dual Bass

G2

63

5

1

9

3

FM Harmonic Ba

G2

63

5

2

9

4

Syn Bell 1

G2

63

5

3

9

5

Syn Bell 2

G2

63

5

4

9

6

Concerto Goldo

G2

Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B

Voice Name

MSB

LSB

PC

FM The EP
FM DX Road
67Rd Dark
FM Pf's Heart
78Rd
Analog Pad
FM Pf's Heart
Analog Pad
FM Saw Pad
67Rd Dark
Finger Bass
73Rd
Analog Pad
Noble Pad
JP Strings
Analog Pad
FM Saw Pad
FM BellSquare
FM Syn Str
JP Strings
Oct Syn Str
Unison Str
Synth Brass 1
Synth Brass 4
Classic Mini
Sine Lead
Classic Mini
FM Syn Lead 1
FM Syn Lead 2
73Rd
Soft Square
FM DX EP
Mini Lead
Analog Pad
Funky Mini
Digi Pad
Mini Lead
1o1 Bass
Analog Bass
1o1 Bass
Analog Bass
FM Saw Pad
Unison Bass
Mini Sub Bass
FM Tear Bass
Heaven Bell
Far Away FM
Slow Strings
Violin

63

5

5

63

5

6

63

5

7

63

5

8

63

6

1

63

6

2

63

6

3

63

6

4

63

6

5

63

6

6

63

6

7

63

6

8

63

7

1

63

7

2

63

7

3

63

7

4

63

7

5

63

7

6

63

7

7

63

7

8

63

8

1

63

8

2

63

8

3

63

8

4

63

8

5

63

8

6

YC88/YC73 Owner’s Manual

57

DATA LIST

Split
Section
Point

Bank

No

Name

9

7

String Ensemble

G2

9

8

Big Fanfare

G2

10

10

10

10

10

10

10

10

1

2

3

4

5

6

7

8

Classic Gt.

Steel Gt.

Clean Gt.

Brass Section

Brass w/Sax

Upright Bass

Fingered Bass

Slap Bass

G2

G2

G2

G2

G2

G2

G2

G2

Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B
Organ
Key A
Key B

Voice Name
Fast Strings
Violin
Marcato Str
Brass 3
Classic Gt
Steel Gt
Clean Gt 1
Brass 1
Brass 1
Brass 2
Upright Bass
Finger Bass
Slap Bass
-

MSB

LSB

PC

63

8

7

63

8

8

Voice List
Section

Category

Sub
Category

-

-

Organ
63

63

9

9

63

63

9

9

H1

0

H2

1

-

H3

2

-

F1

3

-

F2

4

-

F3

5

01

CFX

6

02

S700

7

03

C7

8

Upright

04

U1

9

CP

05

CP80 1

10

06

CP80 2

11

07

Piano Strings

12

08

Piano Synth

13

01

78Rd

14

02

75Rd Funky

15

03

73Rd

16

04

67Rd Dark

17

05

67Rd Bright

18

Grand

3

4

Layer
63

9

5
E.Piano

63

63

9

9

Rd

6

7
Wr

63

9

8
Clavi

FM

Synth

Pad

Strings

Brass

Lead

58

YC88/YC73 Owner’s Manual

Parameter
Value(*)

-

2
Piano

Name

1

Keys A/B

No.

06

Wr Warm

19

07

Wr Bright

20

08

Wr Wide

21

09

Clavi B

22

10

Clavi S

23

11

Harpsichord

24

12

FM Piano DA

25

13

FM DX Road

26

14

FM The EP

27

15

FM DX EP

28

16

FM Pf's Heart

29

17

FM Urban EP

30

18

FM PowerClavi

31

01

FM Saw Pad

32

02

Analog Pad

33

03

Dark Light

34

04

Digi Pad

35

05

Noble Pad

36

06

Pop Pad

37

07

Fat Saw

38

08

Angel Pad

39

09

FM BellSquare

40

10

FM Cloud Pad

41

11

FM Bow RM Pad

42

12

Itopia

43

13

Mystic Pad

44

14

Nowhere

45

15

FM Choir

46

16

Lite Strings

47

17

JP Strings

48

18

FM Syn Str

49

19

Pop Syn Str

50

20

Unison Str

51

21

Oct Syn Str

52

22

Synth Brass 1

53

23

Synth Brass 2

54

24

Synth Brass 3

55

25

Synth Brass 4

56

26

OB Brass 1

57

27

OB Brass 2

58

28

OB Brass 3

59

29

FM Brass

60

30

FM Brass Ens

61
62

31

FM Syn Lead 1

32

FM Syn Lead 2

63

33

Classic Mini

64

34

Mini Lead

65

35

Funky Mini

66

DATA LIST

Section
Keys A/B

Category
Synth

Sub
Category
Lead

Bass

ChromPerc

Others

Strings

Guitar

Brass

Sax / Winds

Bass

No.

Name

Parameter
Value(*)

Section

Name

Parameter
Value(*)

Sine Lead

67

47

Glocken

Square Lead

68

48

Jazz Vibes

138

38

Soft Square

69

49

Marimba

139

39

Dirty Hook

70

50

Xylophone

140

40

Sync Saw Lead

71

51

Tubular Bell

141

41

Nu Mini

72

52

Kalimba

142

42

5th Lead

73

53

Accordion

143

43

Calliope Lead

74

54

Musette

144

Mini Sub Bass

75

Analog Bass

76

46

1o1 Bass

77

47

Synth Bass

78

48

FM Tear Bass

79

49

FM DX E.Bass

80

50

FM BoogieBass

81

51

FM SuperBass

82

52

Unison Bass

83

53

FM Owl Bass

84
85

54

FM Glocken

55

FM Far Away

86

56

Digi Bell

87

57

FM Brite Comp

88

58

Heaven Bell

89

59

FM Tblr Bells

90

01

Slow Strings

91

02

Marcato Str

92

03

Fast Strings

93

04

Tremolo Str

94

05

Pizzicato

95

06

Tape Strings

96

07

Violin

97
98

08

Cello

09

Classic Gt

99

10

Steel Gt

100

11

12Strings Gt

101

12

FM Jazz Gt

102

13

Clean Gt 1

103

14

Clean Gt 2

104

15

Clean Gt 3

105

16

Banjo

106

17

Sitar

107

18

Shamisen

108

19

Koto

109

20

Brass 1

110

21

Brass 2

111

22

Brass 3

112

23

Sf. Brass

113

24

Trumpet

114

25

Trombone

115

26

Horn 1

116

27

Horn 2

117

28

Sax Section 1

118

29

Sax Section 2

119

30

Soprano Sax

120

31

Alto Sax

121

32

Tenor Sax

122

33

Baritone Sax

123

34

Jazz Flute

124

35

Alto Flute

125

36

Tape Flute

126

37

Harmonica

127

38

FM Harmonica

128

39

Pan Flute

129

40

Bag Pipe

130

41

Shakuhachi

131

42

Upright Bass

132

43

Finger Bass

133

44

Pick Bass

134

45

Fretless Bass

135

46

Slap Bass

136

ChromPerc

No.

36

44

Others

Sub
Category

37

45

Keys A/B

Category

Others

137

*This is the number used for the “Voice Number” parameters (pages 67, 68).

YC88/YC73 Owner’s Manual

59

DATA LIST

Control Change Number List
O: = Organ, U: = Organ UPPER, L: = Organ LOWER, A: = Key A, B: = Key B, E: = EFFECT, S: = SPEAKER/AMP
*1: Parameter Value/Controller Value Correspondence Table (page 61)
*2: Assignable only to the foot switch.
*3: Assignable only to the foot controller 1/2 and modulation lever.
Parameters shown within parentheses do not affect the sound of this instrument.

CC No. (LCD indication)
Organ

Key A

Key B

EFFECT
SPEAKER/
AMP

REVERB

MASTER
EQUALIZER

60

Panel controls

Table
(*1)

13

O: Volume

C

[VOLUME] knob

A

14

O: Pre Drive

D

[PRE DRIVE] knob

A

102

U: Drawbar 16'

E

Drawbar

A

103

U: Drawbar 5 1/3'

E

Drawbar

A

104

U: Drawbar 8'

E

Drawbar

A

105

U: Drawbar 4'

E

Drawbar

106

U: Drawbar 2 2/3'

E

107

U: Drawbar 2'

E

108

U: Drawbar 1 3/5'

109
110
111

Panel controls

CC No. (LCD indication)
Foot Switch,
Foot
Controller 1,
Foot
Controller 2,
Modulation
Lever

1

Modulation

4

Pedal Wah

5

(Portamento Time)

6

(Data Entry MSB)

Table
(*1)

7

All Volume

A

10

(Pan)

Drawbar

A

11

Expression

Drawbar

A

13

O: Volume

C

[VOLUME] knob

A

E

Drawbar

A

14

O: Pre Drive

D

[PRE DRIVE] knob

A

U: Drawbar 1 1/5'

E

Drawbar

A

18

A: Volume

C

[VOLUME] knob

A

U: Drawbar 1'

E

Drawbar

A

19

A: Tone

S

[TONE] knob

A

L: Drawbar 16'

E

Drawbar

A

20

A: EG

T

[EG FILTER] knob

A

112

L: Drawbar 5 1/3'

E

Drawbar

A

21

A: Filter

T

[EG FILTER] knob

A

113

L: Drawbar 8'

E

Drawbar

A

22

A: Effect 1 Depth

c

[DEPTH] knob

A

114

L: Drawbar 4'

E

Drawbar

A

23

A: Effect 1 Rate

d

[RATE] knob

A

115

L: Drawbar 2 2/3'

E

Drawbar

A

24

A: Effect 2 Depth

c

[DEPTH] knob

A

116

L: Drawbar 2'

E

Drawbar

A

25

A: Effect 2 Rate

d

[RATE] knob

A

117

L: Drawbar 1 3/5'

E

Drawbar

A

27

B: Volume

C

[VOLUME] knob

A

118

L: Drawbar 1 1/5'

E

Drawbar

A

28

B: Tone

S

[TONE] knob

A

119

L: Drawbar 1'

E

Drawbar

A

29

B: EG

T

[EG FILTER] knob

A

18

A: Volume

C

[VOLUME] knob

A

30

B: Filter

T

[EG FILTER] knob

A

19

A: Tone

S

[TONE] knob

A

31

B: Effect 1 Depth

c

[DEPTH] knob

A

20

A: EG

T

[EG FILTER] knob

A

32

(Bank LSB)

21

A: Filter

T

[EG FILTER] knob

A

38

(Data Entry LSB)

22

A: Effect 1 Depth

c

[DEPTH] knob

A

64

Sustain

23

A: Effect 1 Rate

d

[RATE] knob

A

65

(Portamento)

24

A: Effect 2 Depth

c

[DEPTH] knob

A

66

Sostenuto

25

A: Effect 2 Rate

d

[RATE] knob

A

67

Soft

27

B: Volume

C

[VOLUME] knob

A

68

B: Effect 1 Rate

d

[RATE] knob

A

28

B: Tone

S

[TONE] knob

A

69

B: Effect 2 Depth

c

[DEPTH] knob

A

29

B: EG

T

[EG FILTER] knob

A

70

B: Effect 2 Rate

d

[RATE] knob

A

30

B: Filter

T

[EG FILTER] knob

A

71

(Resonance)

31

B: Effect 1 Depth

c

[DEPTH] knob

A

72

(Release)

68

B: Effect 1 Rate

d

[RATE] knob

A

73

(Attack)

69

B: Effect 2 Depth

c

[DEPTH] knob

A

74

(Cutoff)

70

B: Effect 2 Rate

d

[RATE] knob

A

79

E: Rate

d

[RATE] knob

A

94

E: Depth

c

[DEPTH] knob

A

80

S: Tone

k

[TONE] knob

A

79

E: Rate

d

[RATE] knob

A

81

O: Reverb Depth

q

[DEPTH] knob

A

93

S: Drive

j

[DRIVE] knob

A

82

A: Reverb Depth

q

[DEPTH] knob

A

80

S: Tone

k

[TONE] knob

A

83

B: Reverb Depth

q

[DEPTH] knob

A

m

[STOP] button

D

84

(Portamento Ctrl)

85

Rotary Slow/Fast

m

[STOP] button

D

l

[Slow Fast] button

D

(*2)
(*2)

85

Rotary Slow/Fast

l

[Slow Fast] button

D

91

All Reverb Depth

q

[DEPTH] knob

A

81

O: Reverb Depth

q

[DEPTH] knob

A

87

Master EQ High

s

[HIGH] knob

B

82

A: Reverb Depth

q

[DEPTH] knob

A

88

Master EQ Mid

t

[MID] knob

B

83

B: Reverb Depth

q

[DEPTH] knob

A

89

Master EQ Freq

u

[FREQUENCY] knob

C

87

Master EQ High

s

[HIGH] knob

B

90

Master EQ Low

v

[LOW] knob

B

88

Master EQ Mid

t

[MID] knob

B

91

All Reverb Depth

q

[DEPTH] knob

A

89

Master EQ Freq

u

[FREQUENCY] knob

C

92

(Effect 2 Depth)

90

Master EQ Low

v

[LOW] knob

B

93

S: Drive

j

[DRIVE] knob

A

94

E: Depth

c

[DEPTH] knob

A

YC88/YC73 Owner’s Manual

95

(Effect 5 Depth)

96

(Data Increment)

97

(Data Decrement)

98

(NRPN LSB)

99

(NRPN MSB)

100

(RPN LSB)

101

(RPN MSB)

102

U: Drawbar 16'

E

Drawbar

A

103

U: Drawbar 5 1/3'

E

Drawbar

A

104

U: Drawbar 8'

E

Drawbar

A

105

U: Drawbar 4'

E

Drawbar

A

DATA LIST

Foot Switch,
Foot
Controller 1,
Foot
Controller 2,
Modulation
Lever

Table
(*1)

Panel controls

CC No. (LCD indication)
106

U: Drawbar 2 2/3'

E

Drawbar

A

107

U: Drawbar 2'

E

Drawbar

A

108

U: Drawbar 1 3/5'

E

Drawbar

A

109

U: Drawbar 1 1/3'

E

Drawbar

A

110

U: Drawbar 1'

E

Drawbar

A

111

L: Drawbar 16'

E

Drawbar

A

112

L: Drawbar 5 1/3'

E

Drawbar

A

113

L: Drawbar 8'

E

Drawbar

A

114

L: Drawbar 4'

E

Drawbar

A

115

L: Drawbar 2 2/3'

E

Drawbar

A

116

L: Drawbar 2'

E

Drawbar

A

117

L: Drawbar 1 3/5'

E

Drawbar

A

118

L: Drawbar 1 1/3'

E

Drawbar

A

119

L: Drawbar 1'

E

Drawbar

A

---

Live Set Sound +

(*2)

---

Live Set Sound -

(*2)

---

USB Audio Volume

(*3)

C

Parameter Value/Controller Value
Correspondence Table
A
Controller

Parameter
0-127

Transmitted

Recognized

100Hz

14

0-3

0-3

110Hz

15

4-6

4-6

125Hz

16

7-9

7-9

140Hz

17

10-12

10-12

160Hz

18

13-15

13-15

180Hz

19

16-18

16-18

200Hz

20

19-21

19-21

225Hz

21

22-24

22-24

250Hz

22

25-28

25-28

280Hz

23

29-31

29-31

315Hz

24

32-34

32-34

355Hz

25

35-37

35-37

400Hz

26

38-40

38-40

450Hz

27

41-43

41-43

500Hz

28

44-46

44-46

560Hz

29

47-49

47-49

630Hz

30

50-53

50-53

700Hz

31

54-56

54-56

800Hz

32

57-59

57-59

900Hz

33

60-62

60-62

1.0kHz

34

63-65

63-65

1.1kHz

35

66-68

66-68

1.2kHz

36

69-71

69-71

1.4kHz

37

72-74

72-74

1.6kHz

38

75-78

75-78

1.8kHz

39

79-81

79-81

Transmitted

Recognized

2.0kHz

40

82-84

82-84

0-127

0-127

2.2kHz

41

85-87

85-87

2.5kHz

42

88-90

88-90

2.8kHz

43

91-93

91-93

3.2kHz

44

94-96

94-96

3.6kHz

45

97-99

97-99

4.0kHz

46

100-102

100-102

B
Controller

Parameter

Controller

Parameter

Transmitted

Recognized

-12dB

52

0-5

0-5

4.5kHz

47

103-106

103-106

-11dB

53

6-10

6-10

5.0kHz

48

107-109

107-109

-10dB

54

11-15

11-15

5.6kHz

49

110-112

110-112

-9dB

55

16-20

16-20

6.3kHz

50

113-115

113-115

-8dB

56

21-25

21-25

7.0kHz

51

116-118

116-118

-7dB

57

26-30

26-30

8.0kHz

52

119-121

119-121

-6dB

58

31-35

31-35

9.0kHz

53

122-124

122-124

-5dB

59

36-40

36-40

10kHz

54

125-127

125-127

-4dB

60

41-46

41-46

-3dB

61

47-51

47-51

-2dB

62

52-56

52-56

-1dB

63

57-61

57-61

0dB

64

62-66

62-66

1dB

65

67-71

67-71

2dB

66

72-76

3dB

67

4dB
5dB

D
Parameter

Controller
Transmitted

Recognized

Slow

0

0-63

72-76

Stop

64

64

77-81

77-81

Fast

127

65-127

68

82-87

82-87

69

88-92

88-92

6dB

70

93-97

93-97

7dB

71

98-102

98-102

8dB

72

103-107

103-107

9dB

73

108-112

108-112

10dB

74

113-117

113-117

11dB

75

118-122

118-122

12dB

76

123-127

123-127

YC88/YC73 Owner’s Manual

61

DATA LIST

MIDI Data Format
(1) TRANSMIT FLOW
MIDI <-+--[SW1]--+---------NOTE OFF
8nH
OUT
|
|
+---------NOTE ON
9nH
|
|
|
+---------CONTROL CHANGE
|
|
SUSTAIN
BnH,40H
|
|
ASSIGNABLE CONTROLLER BnH,(01H...76H)
|
|
|
+--[SW3]--BANK SELECT MSB
BnH,00H
|
|
BANK SELECT LSB
BnH,20H
|
|
|
+--[SW4]--PROGRAM CHANGE
CnH
|
|
|
+---------PITCH BEND CHANGE
EnH
|
+-------------------SYSTEM REALTIME MESSAGE
|
ACTIVE SENSING
FEH
|
+--[SW2]--+---------SYSTEM EXCLUSIVE MESSAGE
|
|
|
+---------
|
|
F0H 43H 0nH 7FH 1CH bhH blH 09H ahH amH
|
|
alH ddH....ddH ccH F7H
|
|
|
+---------
|
F0H 43H 1nH 7FH 1CH 09H ahH amH alH
|
ddH...ddH F7H
|
+-------------------SYSTEM EXCLUSIVE MESSAGE
IDENTITY REPLY
F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH
mmH 00H 00H 7FH F7H
dd: Device family number/code
YC73: 5FH 06H
YC88: 60H 06H

[SW1]
[SW2]
[SW3]
[SW4]

Complies with MIDI Receive Channel.
SYSTEM MIDI Device Number
SYSTEM Bank Select Switch
SYSTEM Program Change Switch

(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) NOTE OFF
STATUS
NOTE No.
VELOCITY

1000nnnn(9nH)
0kkkkkkk
0vvvvvvv

n=0-15 CHANNEL NUMBER
k=0(C-2)-127(G8)
v=64 Transmit

1000nnnn(8nH)
0kkkkkkk
0vvvvvvv(v≠0)
0vvvvvvv(v=0)

n=0-15 CHANNEL NUMBER
k=0(C-2)-127(G8)

1011nnnn(BnH)
0ccccccc
0vvvvvvv

n=0-15 CHANNEL NUMBER

(3-1-2) NOTE ON/OFF
STATUS
NOTE No.
VELOCITY NOTE ON
NOTE OFF

(3-1-3) CONTROL CHANGE
STATUS
CONTROL NUMBER
CONTROL VALUE

*TRANSMITTED CONTROL NUMBER
c=0
BANK SELECT MSB
c=32
BANK SELECT LSB
c=64
SUSTAIN
c=1...119 ASSIGNABLE CONTROLLER

;v=0-127
;v=0-127
;v=0-127
;v=0-127

*1
*1
*3
*2

[SW1] MIDI Transmit Channel
Complies with Zone Transmit Channel when the Master Keyboard Mode SW is set to
on.
Complies with MIDI Transmit Channel in any other case.
[SW2] SYSTEM MIDI Device Number
When set to “all,” transmitted via “1.”
[SW3] SYSTEM Bank Select Switch
[SW4] SYSTEM Program Change Switch

*RECEIVED CONTROL NUMBER
c=0
BANK SELECT MSB
c=32
BANK SELECT LSB
c=1
MODULATION
c=4
PEDAL WAH
c=7
CHANNEL VOLUME
c=11
EXPRESSION
c=64
SUSTAIN
c=66
SOSTENUTO
c=67
SOFT
c=84
PORTAMENTO CONTROL

;v=0-127
;v=0-127
;v=0-127
;v=0-127
;v=0-127
;v=0-127
;v=0-127
;v=0-63:OFF, 64-127:ON
;v=0-127
;v=0-127

*1
*1

(2) RECEIVE FLOW

*1 Relation between BANK SELECT and PROGRAM is as follows:

mm: version
mm=(version no.-1.0)*10
e.g.)version 1.0 mm=(1.0-1.0)*10=0
version 1.5 mm=(1.5-1.0)*10=5

MIDI >-+--[SW1]--+---------NOTE OFF
8nH
|
|
|
|---------NOTE ON/OFF
9nH
|
|
|
+---------CONTROL CHANGE
|
|
MODULATION
BnH,01H
|
|
PEDAL WAH
BnH,04H
|
|
CHANNEL VOLUME
BnH,07H
|
|
EXPRESSION
BnH,0BH
|
|
SUSTAIN
BnH,40H
|
|
SOSTENUTO
BnH,42H
|
|
SOFT
BnH,43H
|
|
PORTAMENTO CONTROL
BnH,54H
|
|
|
+--[SW3]--BANK SELECT MSB
BnH,00H
|
|
BANK SELECT LSB
BnH,20H
|
|
|
+---------CHANNEL MODE MESSAGE
|
|
ALL SOUND OFF
BnH,78H
|
|
RESET ALL CONTROLLERS BnH,79H
|
|
ALL NOTE OFF
BnH,7BH
|
|
OMNI MODE OFF
BnH,7CH
|
|
OMNI MODE ON
BnH,7DH
|
|
|
+--[SW4]--PROGRAM CHANGE
CnH
|
|
|
+---------PITCH BEND CHANGE
EnH
|
+-------------------SYSTEM REALTIME MESSAGE
|
ACTIVE SENSING
FEH
|
+--[SW2]--+---------SYSTEM EXCLUSIVE MESSAGE
|
|
|
+---------
|
|
F0H 43H 0nH 7FH 1CH bhH blH 09H ahH amH
|
|
alH ddH...ddH ccH F7H
|
|
|
+---------
|
|
F0H 43H 1nH 7FH 1CH 09H ahH amH alH
|
|
ddH...ddH F7H
|
|

62

|
+---------
|
|
F0H 43H 2nH 7FH 1CH 09H ahH amH alH F7H
|
|
|
+---------
|
F0H 43H 3nH 7FH 1CH 09H ahH amH alH F7H
|
+-------------------SYSTEM EXCLUSIVE MESSAGE
IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H

YC88/YC73 Owner’s Manual

CATEGORY

MSB

LSB

Live Set Page 1

63

0

:
Live Set Page 20

PROGRAM No.
0..7

:

:

63

19

0..7

*2 The default CONTROL NUMBERs of ASSIGNABLE CONTROLLER are as
follows:
MODULATION
1
FOOT CONTROLLER 1
11
FOOT CONTROLLER 2
4
FOOT SWITCH
Live Set Inc
*3 When Sustain is set to something other than “FC3A (HalfOn),”
operating the foot switch transmits only values of 0 (off) or
127 (on).
Bank Select will be actually executed when a Program Change message is received.
Bank Select and Program Change numbers that are not supported by this instrument
will be ignored.

(3-1-4) PROGRAM CHANGE
STATUS
PROGRAM NUMBER

1100nnnn(CnH)
00000ppp

n=0-15 CHANNEL NUMBER
p=0-7

(3-1-5) PITCH BEND CHANGE
STATUS
1110nnnn(EnH)
LSB
0vvvvvvv
MSB
0vvvvvvv
Transmitted with a resolution of 7 bits.

n=0-15 CHANNEL NUMBER
PITCH BEND CHANGE LSB
PITCH BEND CHANGE MSB

(3-2) CHANNEL MODE MESSAGES
STATUS
CONTROL NUMBER
CONTROL VALUE

1011nnnn(BnH)
0ccccccc
0vvvvvvv

n=0-15 CHANNEL NUMBER
c=CONTROL NUMBER
v=DATA VALUE

(3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H, DATA VALUE = 0)
All the sounds currently being played, including channel messages such as note-on
of a certain channel, are muted this message is received.

DATA LIST

(3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H, DATA VALUE = 0)

(3-4-5) DUMP REQUEST

Resets the values set for the following controllers.
PITCH BEND CHANGE
0 (center)
MODULATION
0 (minimum)
PEDAL WAH
0 (minimum)
EXPRESSION
127 (maximum)
SUSTAIN
0 (off)
SOSTENUTO
0 (off)
SOFT
0 (off)
PORTAMENTO CONTROL
Clear the reserved note number

11110000
01000011
0010nnnn
01111111
00011100
00001001
0aaaaaaa
0aaaaaaa
0aaaaaaa
11110111

Doesn’t reset the following data:
PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME

(3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0)

F0
43
2n
7F
1C
09
aaaaaaa
aaaaaaa
aaaaaaa
F7

Exclusive status
YAMAHA ID
Device Number
Group ID High
Group ID Low
Model ID
Address High
Address Mid
Address Low
End of Exclusive

See the following MIDI Data Table for Address.

(3-4-6) PARAMETER REQUEST

All the notes currently set to on in certain channel(s) are muted when receiving this
message. However, if Sustain or Sostenuto is on, notes will continue sounding until
these are turned off.

11110000
01000011
0011nnnn
01111111
00011100
00001001
0aaaaaaa
0aaaaaaa
0aaaaaaa
11110111

(3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.

(3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.

(3-3) SYSTEM REAL TIME MESSAGES

F0
43
3n
7F
1C
09
aaaaaaa
aaaaaaa
aaaaaaa
F7

Exclusive status
YAMAHA ID
Device Number
Group ID High
Group ID Low
Model ID
Address High
Address Mid
Address Low
End of Exclusive

See the following MIDI Data Table for Address.

(3-3-1) ACTIVE SENSING
STATUS

11111110(FEH)

Transmitted every 200 msec.
Once this code is received, the instrument starts sensing. When neither status
messages nor data are received for more than approximately 350 ms, the MIDI
receive buffer will be cleared, and the sounds currently being played are forcibly
turned off.

(4) SYSTEM OVERVIEW (Keyboard and Tone Generator)
MIDI Port
MIDI SW

Zone Mode SW

MIDI Out

(3-4) SYSTEM EXCLUSIVE MESSAGE
(3-4-1) UNIVERSAL NON REALTIME MESSAGE

Keyboard

Zone Settings

MIDI Port
USB SW
USB Port 1

(3-4-1-1) IDENTITY REQUEST (Receive only)
F0H 7EH 0nH 06H 01H F7H (“n” = Device No. However, this
instrument receives under “omni.”)

Local Control

Organ
External Keyboard SW
Organ
Upper
Section

(3-4-1-2) IDENTITY REPLY (Transmit only)
F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH mmH 00H 00H 7FH
F7H
dd: Device family number/code
YC73: 5FH 06H
YC88: 60H 06H
mm: version
mm=(version no.-1.0)*10
e.g.) version 1.0 mm=(1.0-1.0)*10=0
version 1.5 mm=(1.5-1.0)*10=5

MIDI Port
MIDI SW

Organ
Lower
Section

MIDI IN

USB Port 1
MIDI Port
USB SW

(3-4-2) UNIVERSAL REALTIME MESSAGE

Keyboard A
External Keyboard SW
Keyboard A
Section
Keyboard B
External Keyboard SW

(3-4-3)PARAMETER CHANGE

Keyboard B
Section

(3-4-3-1) NATIVE PARAMETER CHANGE, MODE CHANGE
11110000
01000011
0001nnnn
01111111
00011100
00001001
0aaaaaaa
0aaaaaaa
0aaaaaaa
0ddddddd
|
11110111

F0
43
1n
7F
1C
09
aaaaaaa
aaaaaaa
aaaaaaa
ddddddd
|
F7

Exclusive status
YAMAHA ID
Device Number
Group ID High
Group ID Low
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive

USB Port 2
USB Port 2
USB Port 2 is enabled when ‘MIDI Port MIDI SW = OFF’
and ‘MIDI Port USB SW = ON’
ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard
and the data via MIDI.
ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via
MIDI.

For parameters with data size of 2 or more, the appropriate number of data
bytes will be transmitted.
See the following MIDI Data Table for Address.

(3-4-4) BULK DUMP
11110000
01000011
0000nnnn
01111111
00011100
0bbbbbbb
0bbbbbbb
00001001
0aaaaaaa
0aaaaaaa
0aaaaaaa
0
|
0ccccccc
11110111

F0
43
0n
7F
1C
bbbbbbb
bbbbbbb
09
aaaaaaa
aaaaaaa
aaaaaaa
0
|
ccccccc
F7

Exclusive status
YAMAHA ID
Device Number
Group ID High
Group ID Low
Byte Count
Byte Count
Model ID
Address High
Address Mid
Address Low
Data
Check-sum
End of Exclusive

See the following MIDI Data Table for Address and Byte Count.
Checksum is the value that results in a value of 0 for the lower 7 bits when
the Byte Count, Start Address, Data and Checksum itself are added.

YC88/YC73 Owner’s Manual

63

DATA LIST

MIDI Data Table
Bank Select
MSB

Bulk Dump Block

LSB

Program
No.

Type

Memory

Live Set
Sound

User

Live Set Page 1

User

Live Set Page 2

0–7

User

Live Set Page 3

0–7

User

Live Set Page 4

04

0–7

User

Live Set Page 5

5

05

0–7

User

Live Set Page 6

6

06

0–7

User

Live Set Page 7

7

07

0–7

User

Live Set Page 8

8

08

0–7

User

Live Set Page 9

9

09

0–7

User

Live Set Page 10

10

0A

0–7

User

Live Set Page 11

11

0B

0–7

User

Live Set Page 12

12

0C

0–7

User

Live Set Page 13

13

0D

0–7

User

Live Set Page 14

14

0E

0–7

User

Live Set Page 15

DEC

HEX

DEC

HEX

63

3F

0

00

0–7

1

01

0–7

2

02

3

03

4

Description

15

0F

0–7

User

Live Set Page 16

16

10

0–7

User

Live Set Page 17

17

11

0–7

User

Live Set Page 18

18

12

0–7

User

Live Set Page 19

19

13

0–7

User

Live Set Page 20

“Top Address” indicates the top address of each block designated by the bulk dump operation.
“Byte Count” indicates the data size contained in each block designated by the bulk dump
operation.
The block from the Bulk Header to the Bulk Footer of the Live Set Sound can be received
regardless of their order; however, they cannot be received if an irrelevant Block is included.
To execute 1 Live Set Sound bulk dump request, designate its corresponding Bulk Header
address.
For information about “mm” and “nn” shown in the following list, refer to the MIDI PARAMETER
CHANGE TABLE (BULK CONTROL).
Group Number = 7F 1C, Model ID = 09

Parameter Block
System
Live Set Sound

Description

Group Number = 7F 1C, Model ID = 09

Parameter Block
Top Address
High

Mid

Low

20

00

00

System

20

40

00

Master EQ

00

7F

00

Soundmondo Format Version

0E

00

00

Header

0F

00

00

Footer

0D

00

00

Store To Flash

Live Set Sound

46

00

00

Common

Zone

4A

zz

00

Zone (zz: 00 – 03)

System

BULK CONTROL
STORE TO FLASH

Organ Section
Keys Sections

64

Description

50

00

00

Common

50

1p

00

Part (p: 0 – 1 (0: UPPER, 1: LOWER))

60

0s

00

Section (s: 0 – 1 (0: A, 1: B))

YC88/YC73 Owner’s Manual

Top Address

DEC

HEX

High

Mid

Low

System

48

30

20

00

00

Master EQ

20

14

20

40

00

Bulk Header

0

00

0E

pp

0n

Soundmondo Format Version

4

04

00

7F

00

1

01

46

00

00

16

10

4A

00

00

Common
Zone Zone 1
:

:

Zone 4

03

Organ Organ Section Common
Section Organ Section Part Upper
Organ Section Part Lower
Keys Key A Section
Sections Key B Section
Bulk Footer

Parameter Base Address

Byte Count

Message Type
Parameter Change

36

24

50

00

20

14

50

10

20

14

50

11

58

3A

60

00

58

3A

0

00

0F

Data

Parameter Request

F0, 43, 3n, gh, gl, id, ah, am, al F7

Bulk Dump

F0, 43, 0n, gh, gl, bh, bl, id, ah, am, al, dt, …, cc, F7

Bulk Request

F0, 43, 2n, gh, gl, id, ah, am, al, F7
Device Number
Group Number High
Group Number Low
Byte Count High
Byte Count Low
Model ID
Parameter Address High
Parameter Address Middle
Parameter Address Low
Data
Data Checksum

00

01

F0, 43, 1n, gh, gl, id, ah, am, al, dt, … F7

n:
gh:
gl:
bh:
bl:
id:
ah:
am:
al:
dt:
cc:

00

pp

0n

DATA LIST

MIDI PARAMETER CHANGE TABLE
(BULK CONTROL)

Address
High Mid Low

Data
Size Range
High Mid Low
(HEX)
0E

0F

pp

0n

1

-

7F

00

1

-

pp

0n

1

-

7F

00

1

-

Parameter
Name
Bulk Header

Bulk Footer

Description

-

Current Sound Buffer

-

Live Set Sound User
(pp = 0 – 19, n = 0 – 7)

-

Current Sound Buffer

-

SYSTEM

High Mid Low
20

00

00

1

01

1

02

4

06

1

Data
Range

1

00 – 01 Section Hold

reserved
Disable, Enable

00

29

1

00 – 01 Live Set View
Mode

Close, Keep

00

2A

1

00 – 13 Power On Page

1 – 20

00

2B

1

00 – 07 Power On Sound

1–8

00

2C

1

00 – 79 FS Control
Number

Off, 1 – 119,
120 (Live Set +),
121 (Live Set -)

78

2D

1

00 – 01 EG/Filter Reset

Off, On

01

2E

1

2F

1

00 – 7F USB Audio
Volume

0 – 127

40

30

1

00 – 02 Sustain Pedal
Select

FC3A (Half On),
FC3A (Half Off),
FC4A/5

00

reserved

31 (HEX)

Parameter
Name

Description

Default
Notes
(HEX)

Address
High Mid Low
20

40

reserved
reserved
00 – 00 Master Tune
00 – 07
00 – 0F
00 – 0F

414.72 – 466.78
[Hz]
1st bit3-0: bit15-12
2nd bit3-0: bit11-8
3rd bit3-0: bit 7-4
4th bit3-0: bit 3-0

3D – 43 Keyboard Octave
Shift

-3 – 0 – +3

00
04
00
00

40

Size

Data
Range

Parameter
Name

34 – 4C High Gain

1
1

reserved

02

1

reserved

03

1

reserved

04

1

reserved

05

1

reserved

06

1

reserved

07

1

reserved

08

1

34 – 4C Mid Gain

-12dB – +12dB

40

09

1

0E – 36 Mid Frequency

100Hz – 10kHz

1C

-12dB – +12dB

40

Off, On

01

34 – 4C Keyboard
Transpose

-12 – +12
[semitones]

40

0A

1

reserved

08

1

00 – 01 Controller Reset

Hold, Reset

01

0B

1

reserved

09

1

00 – 01 Local Control

Off, On

01

0C

1

reserved

0A

1

00 – 0F, Tx Channel
7F

1 – 16, Off

00

0D

1

reserved

0B

1

00 – 10 Rx Channel

1 – 16, All

00

0E

1

reserved

0C

1

00 – 03 MIDI Control

Off, On, Invert

00

0F

1

reserved

0D

1

10

1

34 – 4C Low Gain

11

1

reserved

12

1

13

1

1

0F

1

10

1

38 – 48 Output Gain

-24 – 0 – +24 [dB]

3E

reserved
00 – 04 Keyboard Touch
Curve

Normal, Soft, Hard,
Wide, Fixed

00

TOTAL SIZE = 20

11

1

01 – 7F Keyboard Fixed
Velocity

1 – 127

40

12

1

00 – 01 Transmit/Receive
Bank Select

Off, On

01

13

1

00 – 01 Transmit/Receive
Program Change

Off, On

01

14

1

15

1

00 – 01 MIDI In/Out

Off, On

01

16

1

00 – 01 USB In/Out

Off, On

01

17

1

reserved

18

1

reserved

19

1

00 – 01 Display Lights
Section

Off, On

01

1A

1

00 – 01 Display Lights
Ins Effect

Off, On

01

1B

1

00 – 01 Display Lights
LCD

Off, On

01

01

High Mid Low
00

7F

1C

1
1

1E

1

00 – 01 Value Indication

Off, On

1F

1

00 – 01 Drawbar Mode

Jump, Catch

00

20

1

00 – 01 SW Direction

Default, Reverse

00

21

1

22

1

00 – 3F LCD Contrast

1 – 63

20

23

1

00 – 01 Panel Lock
Live Set

Off, On

01

24

1

00 – 01 Panel Lock Organ/ Off, On
Keys

01

25

1

00 – 01 Panel Lock Effect/ Off, On
Sp Amp/Reverb

01

26

1

00 – 01 Panel Lock
Master EQ

01

reserved
00 – 01 EQ On/Off
14 (HEX)

00

Size

Data
Range

Parameter Name

Description

Default
Notes
(HEX)

1

00 – 7F Soundmondo Format
Version Major

01

1

00 – 7F Soundmondo Format
Version Minor

00

1

00 – 7F Soundmondo Format
Version Bugfix

00

1
TOTAL SIZE = 4

1D

40

Soundmondo Format Version
Address

reserved

-12dB – +12dB

Default
Notes
(HEX)

01

1

reserved

Description

00

07

0E

Default
Notes
(HEX)

System MEQ
Group Number = 7F 1C, Model ID = 09

Size

Description

1

TOTAL SIZE = 49

System Common
Address

Parameter
Name

28

Default
Notes
(HEX)

Live Set Sound User
(pp = 0 – 19, n = 0 – 7)

Data
Range

27

Group Number = 7F 1C, Model ID = 09

Address

Size

reserved

00

4 (HEX)

reserved
reserved

reserved

Off, On

YC88/YC73 Owner’s Manual

65

DATA LIST

LIVE SET SOUND

Address
High Mid Low

Common
Group Number = 7F 1C, Model ID = 09

Address
High Mid Low
46

66

00

Size

Data
Parameter Name
Range

Description

Default
(HEX)

Size

1

20 – 7F Live Set Sound
Name 1

32 – 127
(ASCII)

40

'I'

01

1

20 – 7F Live Set Sound
Name 2

32 – 127
(ASCII)

6E

'n'

02

1

20 – 7F Live Set Sound
Name 3

32 – 127
(ASCII)

69

'i'

03

1

20 – 7F Live Set Sound
Name 4

32 – 127
(ASCII)

74

't'

Description

Default
(HEX)

29

1

2A

1

00 – 01 Effect Switch

Off, On

00

2B

1

00 – 15, Effect Type
17 – 1F,
21

*1

00

2C

1

00 – 02 Effect Section
Select

Organ, Keys A,
Keys B

00

2D

1

00 – 7F Effect Depth

0 – 127

40

2E

1

00 – 7F Effect Rate

0 – 127

2F

1

00 – 0E Effect Tempo Delay 1/32 Tri.,
Time
1/64 Dot.,
1/32, 1/16 Tri.,
1/32 Dot.,
1/16, 1/8 Tri.,
1/16 Dot.,
1/8, 1/4 Tri.,
1/8 Dot., 1/4,
1/2 Tri.,
1/4 Dot., 1/2

0B

Notes

00

Data
Parameter Name
Range
reserved

1

20 – 7F Live Set Sound
Name 5

32 – 127
(ASCII)

20

''

05

1

20 – 7F Live Set Sound
Name 6

32 – 127
(ASCII)

53

'S'

06

1

20 – 7F Live Set Sound
Name 7

32 – 127
(ASCII)

6F

'o'

07

1

20 – 7F Live Set Sound
Name 8

32 – 127
(ASCII)

75

'u'

08

1

20 – 7F Live Set Sound
Name 9

32 – 127
(ASCII)

6E

'n'

30

1

00 – 01 Effect Looper Delay Off, On
Rec Switch

01

09

1

20 – 7F Live Set Sound
Name 10

32 – 127
(ASCII)

64

'd'

31

1

00 – 01 Speaker/Amp
Switch

Off, On

01

0A

1

20 – 7F Live Set Sound
Name 11

32 – 127
(ASCII)

20

32

1

00 – 05 Speaker/Amp Type

00

0B

1

20 – 7F Live Set Sound
Name 12

32 – 127
(ASCII)

20

0C

1

20 – 7F Live Set Sound
Name 13

32 – 127
(ASCII)

20

0D

1

20 – 7F Live Set Sound
Name 14

32 – 127
(ASCII)

20

Rotary
Speaker A,
Rotary
Speaker B,
UK Lead,
UK Crunch,
US Double,
US Case

33

1

1

20 – 7F Live Set Sound
Name 15

32 – 127
(ASCII)

20

00 – 02 Speaker/Amp
Section Select

Organ, Keys A,
Keys B

00

0E

34

1

00 – 7F Speaker/Amp Drive 0 – 127

40

0F

1

35

1

00 – 7F Speaker/Amp Tone

0 – 127

40

10

1

reserved

36

1

00

1

00 – 01 Zone Mode Switch

Off, On

00

00 – 01 Rotary Speaker
Slow/Fast

Slow, Fast

11
12

1

00 – 01 Advanced Zone
Mode Switch

Off, On

00

37

1

00 – 01 Rotary Speaker
Rotation Switch

Off, On

01

13

2

00 – 12 Tempo
00 – 60

42.0 – 240.0

38

1

00 – 7F Rotary Speaker
Horn Level

0 – 127

40

15

1

34 – 4C Sound Transpose

-12 – +12

40

39

1

00 – 7F Rotary Speaker
Rotor Level

0 – 127

40

16

1

01 – 7F Split Point

C#-2 – G8

37

3A

1

1

reserved

01 – 7F Rotary Speaker
Horn Speed Fast

209.4 – 817.6
[rpm]

40

17
18

1

00 – 01 Bend Lever Mode

Pitch Bend,
Rotary S/F

00

3B

1

01 – 7F Rotary Speaker
Rotor Speed Fast

189.3 – 736.8
[rpm]

40

19

1

00 – 3F, Modulation Lever
41,
Assign
43 – 77

Off, 1 – 63, 65,
67 – 119, 120
(USB Audio
Volume)

01

3C

1

01 – 7F Rotary Speaker
Horn Speed Slow

23.0 – 89.6
[rpm]

40

3D

1

01 – 7F Rotary Speaker
Rotor Speed Slow

22.7 – 88.3
[rpm]

40

3E

1

0E – 7F Rotary Speaker
Horn Acceleration

0.21 – 1.00 –
2.00

53

3F

1

0E – 7F Rotary Speaker
Rotor Acceleration

0.21 – 1.00 –
2.00

40

40

1

0E – 7F Rotary Speaker
Horn Deceleration

0.21 – 1.00 –
2.00

53

41

1

0E – 7F Rotary Speaker
Rotor Deceleration

0.21 – 1.00 –
2.00

40

42

1

00 – 01 Rotary Speaker
Stereo/Mono

Stereo, Mono

00

43

1

00 – 01 Background Noise
Switch

Off, On

01

44

1

00 – 7F Background Noise
Level

0 – 127

40

45

1

reserved

46

1

reserved

47

1

0704

1A

1

00 – 7F Modulation Lever
Limit Low

0 – 127

00

1B

1

00 – 7F Modulation Lever
Limit High

0 – 127

7F

1C

1

00 – 3F, FC1 Assign
41,
43 – 78

Off, 1 – 63, 65,
67 – 119, 120
(USB Audio
Volume)

0B

00 – 7F FC1 Limit Low

0 – 127

00

1D

1

1E

1

00 – 7F FC1 Limit High

0 – 127

7F

1F

1

00 – 3F, FC2 Assign
41,
43 – 78

Off, 1 – 63, 65,
67 – 119, 120
(USB Audio
Volume)

04

20

1

00 – 7F FC2 Limit Low

0 – 127

21

1

00 – 7F FC2 Limit High

0 – 127

00

22

1

00 – 01 Sustain Pedal Mode Sustain,
Rotary S/F

23

1

24

1

25

1

00 – 01 Keys A/B Select

A, B

00

26

1

00 – 01 Reverb Switch

Off, On

00

27

1

00 – 03 Reverb Depth Knob All, Organ,
Section Select
Keys A, Keys B

28

1

7F
00

reserved
reserved

reserved

YC88/YC73 Owner’s Manual

01

Sustain (=
64), and
Sostenuto
(= 66)
cannot be
assigned.

Sustain (=
64), and
Sostenuto
(= 66)
cannot be
assigned.

Sustain (=
64), and
Sostenuto
(= 66)
cannot be
assigned.

TOTAL SIZE = 72

For LED
display,
see
“Insertion
Effect
Type List”
(page 32).

40

04

reserved

Notes

reserved
48 (HEX)

*1: G Chorus, SPX Chorus, Symphonic, 816 Chorus, VCM Flanger, Cross FB Flanger, VCM Stereo
Phaser, Small Phaser, Max90, Dual Phaser, Tremolo, Auto Pan, Simple Rotary, British Combo,
British Lead, Small Stereo, Compressor, Auto Wah, Touch Wah, Pedal Wah, Cross Delay, Tempo
Delay, Analog Delay, Looper Delay, Room Reverb, Hall Reverb, Reverse Reverb, Lo-Fi, Ring
Modulator, Slicer, LP Filter, Harmonic Enhancer

DATA LIST

ZONE

Address
High Mid Low

Zone 1-4
zz: Zone Number, 00 – 03 (HEX)

Group Number = 7F 1C, Model ID = 09

Address

Data
Size
Range
High Mid Low
4A

zz

Parameter
Name

Description

Default
(HEX)

Notes

Size

Data
Range

Parameter
Name

Default
Notes
(HEX)

Description

0C

1

00 – 01 Receive
Expression

Off, On

01

0D

1

00 – 01 Receive Sustain

Off, On

01

0E

1

00 – 01 Receive Sostenuto Off, On

01

0F

1

00

1

00 – 01 Zone Switch

Off, On

00 – 01 With the
default
settings,
only the
Zone 1 is
set to “on.”

10

1

reserved

11

1

01

1

00 – 0F Transmit
Channel

1 – 16

00 – 03 Default
settings:
Zone 1 (0),
Zone 2 (1),
Zone 3 (2),
Zone 4 (3)

12

1

13

1

00 – 01 Percussion Switch Off, On

00

14

1

00 – 01 Percussion Type

3rd, 2nd

00

*2

15

1

00 – 01 Percussion Decay

Slow, Fast

00

*2

Soft, Normal

01

*2

01

*2

05

*2

00 – 04 External Keyboard External + Internal,
External Only,
2 manual (Upper),
2 manual (Lower),
Off
reserved
reserved

1

3D – 43 Transpose
(Octave)

-3 – +3

40

16

1

00 – 01 Percussion
Volume

03

1

35 – 4B Transpose
(Semitone)

-11 – +11

40

17

1

00 – 01 Percussion Link to Off, On
1feet

04

1

00 – 7F Note Limit Low

C-2 – G8

00

18

1

19

1

1A

1

1B

1

1C

1

00 – 7F Leak Level

0 – 127

40

*2

1D

1

00 – 7F Key Click Level

0 – 127

40

*2

1E

1

1F

1

Drive+Volume,
Volume

00

*2

20

1

reserved

21

1

reserved

22

1

23

1

0 – 127

00

1

00 – 7F Note Limit High

C-2 – G8

1

07

1

00 – 7F MIDI Volume

0 – 127

7F

08

1

00 – 7F MIDI Pan

L64 – C – R63

40

09

1

00 – 7F MIDI Bank MSB

0 – 127

00

0A

1

00 – 7F MIDI Bank LSB

0 – 127

00

0B

1

00 – 7F MIDI Program
Number

1 – 128

00

00 – 1F Transmit Bank
Select
Transmit
Program Change
Transmit Volume
Transmit Pan
Transmit Note

bit0: Off, On
Bank Select
bit1: Off, On
Program Change
bit2: Off, On
Volume
bit3: Off, On Pan
bit4: Off, On Note

1F

00 – 3F Transmit PB
Transmit Mod
Transmit FC1
Transmit FC2
Transmit FS
Transmit Sus

bit0: Off, On PB
bit1: Off, On Mod
bit2: Off, On FC1
bit3: Off, On FC2
bit4: Off, On FS
bit5: Off, On Sus

3F

0D

0E
0F

1

1

The lower
limit will be
determined
with “Note
Limit Low.”

reserved

1

TOTAL SIZE = 36
CC#11
(Expression) will
not be
transmitted
when the
Volume is
set to “off.”

Organ Section
Organ Section Common

V1, C1, V2, C2, V3,
C3

reserved

reserved
00 – 01 Expression Type

reserved
00 – 7F Reverb Depth
24 (HEX)

p: Part number, 0-1 (0: Upper, 1: Lower)

50

reserved

reserved
00 – 05 Vibrato/Chorus
Type

Organ Section Part Upper/Lower
Address

10 (HEX)

reserved

* 1: Effective only when the FM organ type (F1-F3) is selected.
* 2: Effective only when the VCM organ type (H1-H3) is selected.

High Mid Low

reserved

1

TOTAL SIZE = 16

The upper
limit will be
determined
with “Note
Limit High.”

7F

06

0C

1p

Size

Data
Range

Parameter
Name

Description

Default
(HEX)

00

1

01

1

02

1

03

1

04

1

00 – 7F Drawbar 16'

0 – 127

7F

05

1

00 – 7F Drawbar 5 1/3'

0 – 127

7F

06

1

00 – 7F Drawbar 8'

0 – 127

7F

07

1

00 – 7F Drawbar 4'

0 – 127

00

08

1

00 – 7F Drawbar 2 2/3'

0 – 127

00

09

1

00 – 7F Drawbar 2'

0 – 127

00

0A

1

00 – 7F Drawbar 1 3/5'

0 – 127

00

0B

1

00 – 7F Drawbar 1 1/3'

0 – 127

00

0C

1

00 – 7F Drawbar 1'

0 – 127

00

Address
High Mid Low
00

Size
2

Data
Range

Parameter
Name

00 – 00 Voice Number
00 – 05

Description
H1, H2, H3, F1, F2, F3
1st bit6-0  bit13-7
2nd bit6-0  bit6-0

Default
Notes
(HEX)

0D

1

00 – 06 Drawbar Color

1: White,
2: Red,
3: Yellow,
4: Green,
5: Cyan,
6: Blue,
7: Magenta

06

0E

1

0F

1

reserved
reserved
Off, On

00

reserved
3E – 42 Octave Shift

-2 – 0 – +2

40

reserved

00 00

02

1

00 – 01 Section Switch

Off, On

01

03

1

00 – 01 Part Select

Upper, Lower

00

04

1

00 – 03 Split Mode

Off, L&U, Upper,
Lower

00

05

1

00 – 7F Section Volume

0 – 127

7F

10

1

06

1

00 – 7F Pre Drive

0 – 127

00

11

1

07

1

reserved

12

1

08

1

28 – 58 Pitch Bend Range

-24 – 0 – +24

42

13

1

09

1

00 – 7F Pitch Modulation
Depth

0 – 127

0A

-64 – +63

0A

1

00 – 7F Pitch Modulation
Speed

0B

1

reserved

Correspondence between
drawbar position and
parameter
value
0: 0
1: 1 - 18
2: 19 - 36
3: 37 - 54
4: 55 - 72
5: 73 - 90
6: 91 - 108
7: 109 - 126
8: 127

reserved

reserved
00 – 01 Vibrato/Chorus
Switch
reserved

*1
TOTAL SIZE = 20

40

Note

reserved

Group Number = 7F 1C, Model ID = 09

00

*2

02

05

50

00

14 (HEX)

*1

YC88/YC73 Owner’s Manual

67

DATA LIST

Keys Sections

Address
High Mid Low

Key A/Key B Section
s: Section number, 0-1 (0: A, 1: B)

Data
Size
Range
High Mid Low

68

0s

Parameter
Name

Description

Data
Range

Parameter
Name

Description

Default
Notes
(HEX)

2E

1

00 – 14, Effect 1 Type
16 – 17,
19 – 21

*3

00

40

Group Number = 7F 1C, Model ID = 09

Address

60

Size

Default
Notes
(HEX)

00

1

00 – 03 Current Category

Piano, E.Piano,
Synth, Others

A: 00,
B: 02

01

2

00 – 00 Category 1 Voice
06 – 0D Number

6 – 13
1st bit6-0  bit13-7
2nd bit6-0  bit6-0

00 06

03

2

00 – 00 Category 2 Voice
0E – 1F Number

14 – 31
1st bit6-0  bit13-7
2nd bit6-0  bit6-0

00 0E

05

2

00 – 00 Category 3 Voice
20 – 5A Number

32 – 90
1st bit6-0  bit13-7
2nd bit6-0  bit6-0

00 20

07

2

00 – 01 Category 4 Voice
00 – 7F Number

90 – 144
1st bit6-0  bit13-7
2nd bit6-0  bit6-0

00 5B

2F

1

00 – 7F Effect 1 Depth

0 – 127

30

1

00 – 7F Effect 1 Rate

0 – 127

40

31

1

00 – 01 Effect 2 Switch

Off, On

00

32

1

00 – 14, Effect 2 Type
16 – 17,
19 – 21

*3

00

09

1

0A

1

00 – 01 Section Switch

Off, On

00

0B

1

00 – 02 Split Mode

L&R, L, R

00

3E – 42 Octave Shift

-2 – 0 – +2

40
33

1

00 – 7F Effect 2 Depth

0 – 127

40

0 – 127

7F

34

1

00 – 7F Effect 2 Speed

0 – 127

40

0 – 127

00

0C

1

0D

1

0E

1

reserved

reserved
00 – 7F Section Volume

0F

1

00 – 7F Tone

0 – 127

40

35

1

reserved

10

1

00 – 01 EG/Filter Select

EG, Filter

00

36

1

reserved

11

1

00 – 7F EG

0 – 127

40

37

1

reserved

12

1

00 – 0A EG Control

Atk&Dcy&Rls A,
Atk&Dcy&Rls B,
Attack, Decay,
Release, Atk&Rls A,
Atk&Rls B,
Atk&Rls Minus,
Dcy&Rls,
Atk&Dcy A,
Atk&Dcy B

00

38

1

39

1

TOTAL SIZE = 58

13

1

00 – 7F Filter

0 – 127

40

14

1

00 – 06 Filter Control

Flat Reso,
Reso Plus,
Reso Minus A,
Reso Minus B,
Reso Minus C,
Reso Boost A,
Reso Boost B

00

15

1

16

1

17

1

00 – 02 FM Unison

Off, 2 Unison,
4 Unison

00

reserved
*1

18

1

00 – 0F FM Detune

0 – 15

00

*1

19

1

00 – 0F FM Spread

0 – 15

00

*1

1A

1
1

1C

1

00 – 01 Mono/Poly

Mono, Poly

01

1D

1

00 – 01 Portamento
Switch

Off, On

00

0 – 127

reserved
reserved
*2

1E

1

00 – 7F Portamento Time

40

*2

1F

1

00 – 01 Portamento Mode Fingered, Full-time

01

*2

20

1

00 – 01 Portamento Time
Mode

00

*2

21

1

28 – 58 Pitch Bend Range

-24 – 0 – +24

42

22

1

00 – 7F Pitch Modulation
Depth

0 – 127

0A

23

1

00 – 7F Pitch Modulation
Speed

-64 – +63

40

24

1

reserved

25

1

26

1

00 – 01 Receive
Expression

Off, On

01

27

1

00 – 01 Receive Sustain

Off, On

01

28

1

00 – 01 Receive Sostenuto Off, On

01
01

Rate, Time

reserved

29

1

00 – 01 Receive Soft

2A

1

00 – 02 External Keyboard External + Internal,
External Only, Off

2B

1

2C

1

2D

1

Off, On

00

reserved
reserved
00 – 01 Effect 1 Switch

YC88/YC73 Owner’s Manual

Off, On

00

For
LED
display,
see
“Insertion
Effect
Type
List”
(page
32).

reserved
00 – 7F Reverb Depth
3A (HEX)

*1: Effective only when the FM organ type (F1-F3) is selected.
*2: Effective only when the VCM organ type (H1-H3) is selected.
*3: G Chorus, SPX Chorus, Symphonic, 816 Chorus, VCM Flanger, Cross FB Flanger, VCM Stereo
Phaser, Small Phaser, Max90, Dual Phaser, Tremolo, Auto Pan, Simple Rotary, British Combo,
British Lead, Small Stereo, Compressor, Auto Wah, Touch Wah, Pedal Wah, Cross Delay, Digital
Delay, Analog Delay, Room Reverb, Hall Reverb, Reverse Reverb, Lo-Fi, Ring Modulator, Slicer, LP
Filter, Damper Resonance, Harmonic Enhancer

reserved

1B

For
LED
display,
see
“Insertion
Effect
Type
List”
(page
32).

DATA LIST

YAMAHA

[Stage Keyboard]
MIDI Implementation
Model YC88/YC73Chart
MIDI Implementation
Function...

Transmitted

Date :25-SEP-2019
Version : 1.0

Chart

Recognized

Remarks

Basic
Channel

Default
Changed

1 - 16
1 - 16

1 - 16
1 - 16

Memorized

Default
Messages
Altered

3
X
**************

3
X
X

Memorized

Mode

0 - 127
**************

0 - 127
0 - 127

Note
Number : True voice
Velocity

Note On O 9nH,v=1-127
Note Off X 8nH,v=64

O 9nH,v=1-127
O 9nH,v=0 or 8nH

After
Touch

Key's
Ch's

X
X

X
X

O

O

Pitch Bend

Control
Change

Prog
Change

0,32
1
7,11,67,84
64
66
13,14
18-25,27-31
68-70
79-83
85-91
93,94
102-119
1-119
:

*2

Bank Select

*2
*2
*1
*1
*1
*1
*1
*1
*1

Sustain Sw
Sostenuto

*1
*1
*1
*1
*1
*1
*1
*3

O
O
O
O
O
O
O
O
O
O
O
O
X

*2

O 0 - 7

*2

O
O
X
O
X
O
O
O
O
O
O
O
O

*2

O 0 - 127
True #
O

O

: Song Pos. X
: Song Sel. X
X
: Tune

X
X
X

System
: Clock
Real Time : Commands

X
X

X
X

:
:
:
Mes- :
sages:
:

X
X
X
X
O
X

O (120)
O (121)
X
O (123-125)
O
X

System Exclusive
Common

Aux

All Sound Off
Reset All Cntrls
Local On/Off
All Notes Off
Active Sense
Reset

Notes: *1 receive/transmit if MIDI control mode is on.
*2 receive/transmit if switch is on.
*3 transmit if assigned to controllers.

Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO

O : Yes
X : No
YC88/YC73 Owner’s Manual

69

MEMO

70

YC88/YC73 Owner’s Manual

MEMO

YC88/YC73 Owner’s Manual

71

MEMO

72

YC88/YC73 Owner’s Manual

Important Notice:
U.S. LIMITED WARRANTY for Customers in the United States
For detailed information about this Yamaha product and warranty service, please either
visit the following website address (printable file is available at our website) or contact
Customer Service at the address or telephone number identified below.

Website Address:
Yamaha.io/SynthAndStageWarranty

Customer Service:
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620-1273
Telephone: 800-854-1569

YC88/YC73 Owner’s Manual

73

Manual Development Group
© 2020 Yamaha Corporation
Published 07/2020 MWMA*.*-**A0

76

YC88/YC73 Owner’s Manual

VDJ8720



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