Yamaha Y S3 V2.1.0 Manual English Ys3 V210 En

User Manual: Yamaha Y-S3 V2.1.0 Manual

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Yamaha Sound System Simulator Y-S3
Owner’s Manual

Yamaha Sound System Simulator
~ Y-S3 Version 2.10 ~
Owner’s Manual

© 2009 Yamaha Corporation

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Yamaha Sound System Simulator Y-S3
Owner’s Manual

ATTENTION
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING
THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND
CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR
LEGAL ENTITY) AND YAMAHA CORPORATION (“YAMAHA”).
BY DOWNLOADING, INSTALLING, COPYING, OR OTHERWISE USING THIS SOFTWARE YOU ARE
AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS,
DO NOT DOWNLOAD, INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. IF YOU HAVE
DOWNLOADED OR INSTALLED THE SOFTWARE AND DO NOT AGREE TO THE TERMS, PROMPTLY
DELETE THE SOFTWARE.

SOFTWARE LICENSE AGREEMENT
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha hereby grants you the right to use one copy of the software program(s) and data (“SOFTWARE”)
accompanying this AGREEMENT. The term SOFTWARE shall encompass any updates to the accompanying software
and data. The SOFTWARE is owned by Yamaha and/or Yamaha’s licensor(s), and is protected by relevant copyright
laws and all applicable treaty provisions. While you are entitled to claim ownership of the data created with the use of
SOFTWARE, the SOFTWARE will continue to be protected under relevant copyrights.
•
You may use the SOFTWARE on a single computer.
•
You may make one copy of the SOFTWARE in machine-readable form for backup purposes only, if the
SOFTWARE is on media where such back up copy is permitted. On the backup copy, you must reproduce
Yamaha’s copyright notice and any other proprietary legends that were on the original copy of the
SOFTWARE.
•
You may permanently transfer to a third party all your rights in the SOFTWARE, provided that you do not
retain any copies and the recipient reads and agrees to the terms of this AGREEMENT.
2. RESTRICTIONS
•
You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code
form of the SOFTWARE by any method whatsoever.
•
You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or
create derivative works of the SOFTWARE.
•
You may not electronically transmit the SOFTWARE from one computer to another or share the
SOFTWARE in a network with other computers.
•
You may not use the SOFTWARE to distribute illegal data or data that violates public policy.
•
You may not initiate services based on the use of the SOFTWARE without permission by Yamaha.
3. TERMINATION
This AGREEMENT becomes effective on the day that you receive the SOFTWARE and remains effective until
terminated. If any copyright law or provisions of this AGREEMENT is violated, the AGREEMENT shall terminate
automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the
licensed SOFTWARE, any accompanying written documents and all copies thereof.

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Owner’s Manual

4. DISCLAIMER OF WARRANTY ON SOFTWARE
You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related
documentation are provided “AS IS” and without warranty of any kind. NOTWITHSTANDING ANY OTHER
PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE
SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT OF THIRD
PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT
WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE
SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL
BE CORRECTED.
5. LIMITATION OF LIABILITY
YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER
THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR
ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR
CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING
OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN
AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall
Yamaha’s total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise)
exceed the amount paid for the SOFTWARE.
6. GENERAL
This AGREEMENT shall be interpreted according to and governed by Japanese law without reference to principles of
conflict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a
court of competent jurisdiction finds any portion of this AGREEMENT to be unenforceable, the remainder of this
AGREEMENT shall continue in full force and effect.
7. COMPLETE AGREEMENT
This AGREEMENT constitutes the entire agreement between the parties with respect to use of the SOFTWARE and
any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written
or oral, regarding the subject matter of this AGREEMENT. No amendment or revision of this AGREEMENT will be
binding unless in writing and signed by a fully authorized representative of Yamaha.

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System Requirements
OS

Windows® XP Professional

CPU

Pentium processor 700 MHz (1 GHz or higher recommended)

RAM

256 MB (512 MB or higher recommended)

Sound Card

16-bit 44.1 kHz Stereo

Disk Space

300 MB or more (may differ according to the environment the software is used)

Display

1024 x 768, 256 colors, DirectX 9.0C supported PC, 96 dpi (Normal)*

* The images may not display properly when the screen is set at a DPI other than 96 dpi. We strongly recommend that the property
for display colors is set to 32-bit.
Precautions
Y-S3 may cause an unexpected termination of the software under these circumstances:
z
When the computer recovers from standby or hibernation mode.
z
When OS users are changed using the Fast User Switching function.
If the software terminates, please restart your computer.

Installation
1.

Double-click on the “Y-S3” folder.
An executable file “setup.exe” is shown.
2. Double-click on “setup.exe.”
A setup window for Y-S3 appears.
3. Execute the installation by following the onscreen instructions.
4. After installation is complete, the Y-S3 folder appears on your computer (“Program Files\YAMAHA\Y-S3” folder, as the default).

Uninstalling
1. Select [Start] - [Settings] - [Control Panel] - [Add/Remove Programs]. The Add/Remove Programs window appears.
2. Click [Change/Remove] of Y-S3 Yamaha Sound System Simulator.
3. Follow the onscreen instructions to uninstall the software.
NOTE: The button names or menus may differ depending on the computer OS.

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Table of Contents
1. Y-S3 General Operation ............................................................................................... 6
•
•
•

Overview ................................................................................................................................................................................... 6
Startup ....................................................................................................................................................................................... 6
Project window: display of calculation results........................................................................................................................... 8

2. Constructing the Room Shape & Audience Area.................................................... 11
•
•
•

Overview ................................................................................................................................................................................. 11
Starting a new project .............................................................................................................................................................. 11
Constructing the room shape and audience area ...................................................................................................................... 11

3. Editing Project Properties......................................................................................... 13
•
•
•
•
•

Overview ................................................................................................................................................................................. 13
Project...................................................................................................................................................................................... 13
Calculation............................................................................................................................................................................... 13
System ..................................................................................................................................................................................... 15
Others ...................................................................................................................................................................................... 16

4. Placing Speakers ....................................................................................................... 17
•
•
•
•
•

Overview ................................................................................................................................................................................. 17
Adding a new speaker (Add Speakers) .................................................................................................................................... 17
Placing the speakers manually (Enclosure type - Manual layout)............................................................................................ 18
Placing the speakers automatically (Enclosure type - Auto layout) ......................................................................................... 20
Distributed ............................................................................................................................................................................... 21

5. Adjusting Speaker Parameters................................................................................. 25
•
•

Overview ................................................................................................................................................................................. 25
Update ..................................................................................................................................................................................... 25

5-1.Array Speakers .......................................................................................................... 26
•
•
•
•
•
•

Speaker array selection, on/off, changing names/deletion, saving/loading (Speaker List) ...................................................... 26
Adjusting speaker array parameters (Speaker Property - Property) ......................................................................................... 27
Output configuration settings (Speaker Property - Config) ..................................................................................................... 29
Directivity of speaker array (Speaker Property - Balloon)....................................................................................................... 32
Picture of speaker array (Speaker Property - Picture).............................................................................................................. 33
Auto tuning.............................................................................................................................................................................. 33

5-2.Distributed Speakers................................................................................................. 36
•
•
•

Distributed speakers on/off, changing names/deletion, adding speakers to an installation plane ............................................ 36
Adjusting distributed speaker parameters (Speaker Property - Property) ................................................................................ 37
Output configuration settings (Speaker Property - Config) ..................................................................................................... 39

6. Displaying Calculation Results ................................................................................ 41
•
•
•
•

Overview ................................................................................................................................................................................. 41
Contour figure ......................................................................................................................................................................... 41
Sound pressure distribution ..................................................................................................................................................... 42
Frequency characteristics......................................................................................................................................................... 43

7. Simulation Results Report........................................................................................ 45
•
•
•
•
•
•

Overview ................................................................................................................................................................................. 45
Project report ........................................................................................................................................................................... 45
Generating and saving project reports ..................................................................................................................................... 45
Saving text data ....................................................................................................................................................................... 46
Saving images.......................................................................................................................................................................... 46
Saving product list ................................................................................................................................................................... 46

8. Exporting Configurations in DME Designer Format............................................... 47
9. Other Functions......................................................................................................... 48
•

Input Level Negotiation........................................................................................................................................................... 48

10. General Theory .......................................................................................................... 49

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Y-S3 General Operation

1.
•

Overview

Y-S3 is a software application that aids in speaker system design, using data entered by the user on room type and size, speaker
type, installation conditions, and amplifier and processor type and configuration to calculate the response from the audiences’
position. Y-S3 then presents the results as sound pressure distribution and contour figures for use in constructing appropriate
speaker systems.

•

Startup

Double-click the Y-S3 icon on the desktop or select [Programs] - [YAMAHA] - [Y-S3]. The program starts and the main window
appears.
Click

in the main window to open a new project.

In Select Venue Geometry (Step 1/2), set “Venue Type” and the area of the receiving surface, etc.
(See chapter 2)

In Select Venue Geometry (Step 2/2), use your mouse to select the orange points and adjust the room size, slope etc.
(See chapter 2)

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When you have completed configuration of the settings, the Aspect View, Speaker Property, Speaker List, and Graph appear,
in Speaker List to open the Add Speakers window
with the room you configured displayed in Aspect View. Click
and configure the speakers.
(See chapter 4)

Speaker
Property

Aspect View

Speaker List

Graph

Use the Add Speakers list box to select one of the three installation types available (Enclosure type - Manual layout, Enclosure
type - Auto layout, Distributed), and enter the installation parameters.
(See chapter 4)
Enclosure type - Manual layout
Select an array type, and enter the coordinates and angle of the speaker array.
You can also place the speaker array symmetrically.

Enclosure type - Auto layout
Select a system type and Y-S3 will automatically calculate the optimum array
type and coordinates for the size and shape of the room defined. Y-S3 cannot
perform these calculations for rooms of unusual size or shape, or for circular
rooms.

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Distributed
Configure the parameters for the ceilings, walls, and other plane surfaces, and
then set the speaker layout. There are two methods available: “Coverage”,
where you set the coverage area of the receiving surface for each speaker and
then layout the speakers automatically, and “Grid”, where you set the location
for each speaker manually of a level plane.

When you have finished configuring settings, the parameters you have entered and the calculated results appear in Aspect View,
Speaker Property, Speaker List, and Graph areas on the project window.

•

Project window: display of calculation results (Chapter 6)

Tool Bar

Table: The name and function of each button on the main toolbar
Button Type

Button Name

Button Function

New

Create a new project (Chapter 2).

Open Project

Load a previously saved project file (.ses) (Chapter 1).

Save Project

Save a project file (.ses) (Chapter 1).

Export DME Configuration

Save a DME configuration file (.daf) (Chapter 8).

Export Project Report

Create and save a project report file (.html) (Chapter 7).

Project Property

Open a Project Property window (Chapter 3).

Product List

Open a Product List. You can save opened Product List in CSV (.csv)
format (Chapter 7).

Top View, Front View, Right-Side
View, 3D View

Change viewpoints between Aspect View, Balloon view, and Picture view.

Zoom In, Zoom Out

You can zoom in or out in Aspect View.

Turn Down, Turn Up, Turn Right,
Turn Left

Rotate the viewing angle. This is only available for Aspect View, Balloon
view, and Picture view when in 3D View .

Move Up, Move Down, Move Left,
Move Right

Moves the screen display when in Aspect View.

Information

Link button to the Y-S3 website.

To change the disposition of project windows when multiple projects are open, select [Cascade] or [Tile] from the [Window]
menu.

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Speaker
Property
Speaker List

Graph

Aspect View

Aspect View (Chapter 6)
Aspect View displays the layout of the speakers, along with a sound pressure distribution and contour figure based on calculation
results. To update calculation results, select the center frequency and bandwidth from the list box in the upper section of Aspect
View, then select the calculation mode icon. Change the calculation conditions and click
to reflect the new
calculation results.
Table: Names and functions of each Aspect View button.
Button Type

Button Name

Button Function

Frequency, Band Width

Select the center frequency and the bandwidth (1/1, 1/3, 1/6,
FFT) .Calculation results are reflected in Aspect View, Balloon view, and
Graph.

SPL Mode

Display a sound pressure distribution in Aspect View for all speakers
selected in the Speaker List checkbox.

Array Mode

Display a contour figure for speakers displaying target points. The contour
figure is depicted in three layers, indicating -3 dB (red), -6 dB (orange) and
-9 dB (green) drops in sound pressure from the target point. The contour
figure is not available when speakers are mounted on the floor, or when the
target point is not located on the receiving surface or in an enclosed space.
Furthermore, you cannot select speaker arrays that have been automatically
located using the symmetry function in “Enclosure type - Auto layout” and
“Enclosure type - Manual layout” (these speakers are depicted in orange).
Y-S3 does not display target points and contour figures for these speaker.

Single Mode

Display a contour figure for each speaker displaying target points. Since the
contour figures for each speaker are calculated relative to the respective
target points, the SPL for each speaker will be different even though for
contour lines of the same color.

Speaker Property (Chapter 5)
You can use the Property and Config views to set installation conditions for speaker arrays and configure output parameters for
items such as processors and amplifiers. The “Auto tuning” function calculates the optimum conditions for speaker arrays within
the defined area automatically.

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Speaker List (Chapter 5)
You can use the checkboxes to turn installed speakers on and off. Switching speakers on and off affects calculations, the results
of which are reflected in Aspect View and Graph. You can also add or remove speakers, and change names.
Table: Names and functions of each Speaker List button.
Button Type

Button Name

Button Function

Add Speakers

Click this button to open the Add Speakers window. You can add speakers
using the “Enclosure type - Manual layout”, “Enclosure type - Auto
layout”, or “Distributed” methods.

Save Array, Load Array

You can save and load array files (.spa) for each speaker array installed.
This is useful when, for example, you want to use the same speaker array
you have been using in a different project. For large-scale projects, you can
load the same speaker array file into a single project multiple times.
Distributed speakers are treated as part of a surface, and cannot be saved or
loaded.

Graph (Chapter 6)
The graph displays the current calculation results (
) for a +Position on the receiving surface. Drag the +Position
cursor with your mouse to see the calculation results for a given point on the receiving surface. At the desired receiving point,
), and click
. The graph changes color and the current results
select a graph number (e.g.
) are saved to the selected graph number. You can save calculation results for up to 8 points on the graph. Click
(
to open an Information window displaying details on the graph number selected. In this window, you can also add a dry
source to the response at the receiving points calculated and listen to the results.

Saving and Opening Projects
In order to save the whole project, click
icon on the tool bar or select [Save Project] or [Save Project As…] under the File menu.
icon or select [Open Project] under the File menu.
In order to open a project, click
You may edit and compare projects by opening multiple projects at once.

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2.

Constructing the Room Shape & Audience Area
•

Overview

Construct the room shape and set the audience area for calculation.

•

Starting a new project

Click
in the tool bar or select [New] from the [File] menu to open a new project. The Select Venue Geometry (Step 1/2)
setting window opens.

•

Constructing the room shape and audience area

Select Venue Geometry (Step1/2):
Select a room shape. The selected shape appears on the 3D view for verification. You can change the zoom, angle and position
when you have selected a shape.
for the 3D view. Click

Unit
Select “Metric” (meters) or “Imperial” (feet) for units of measurement.

Venue Type
Select a venue type from the list box (Rectangular, Fan, Cross, Polygon, or Circle), then select the room shape that most closely
matches the geometry of your project. You will see some shapes with and without a stage/performing area, which is shown in a
lighter color. Y-S3 will not estimate the SPL on the stage, but shows a contour to check for unexpected coverage spilling over to
the stage.

Venue Size
Set the size of the selected shape with the slider.

Listener’s Ear Height above the Floor
Select a height from the list box. The height is the distance from the floor to the ear of the listener. This can be set from 0 to 2.1
m (0 to 7 ft) with a default setting of 1.2 m (4 ft). You can set the height of the receiving surface, depicted in orange in the 3D
to zoom in and out in 3D View, or view the room from a specific angle by dragging with the mouse
view. You can use
on-screen.

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Select Venue Geometry(Step2/2):
Edit the selected shape with the Top View and Right-Side View. Use your mouse to select an orange point on a view (selected
point turns black), then drag the point to the desired position. You may also select a point, and enter the desired
three-dimensional coordinates. The range for each dimension is as follows: -45 m < x 0 m (-150 ft < x < 0 ft), -90 m < y < 90 m
(-300 ft < y < 300 ft), 0 m < z < 45 m (0 ft < z < 45 ft) and 0 m < z < 2 m (0 ft < z < 7 ft)). You can change the zoom for Top
.
View and Right-Side View by clicking

when you have configured the parameters. The configured room shape appears on the project window. The
Click
project window includes Aspect View, Speaker Property, Speaker List, and Graph.

Speaker
Property

Aspect View

Speaker List

Graph

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3.

Editing Project Properties
•

Overview

You can edit parameters such as the environment and processor selection, amplifier voltage, and text in the Project Properties
in the tool bar or select [Project Properties] from the [File] menu, open the Project Properties window, and
window. Click
edit the contents of the Project, Calculation, System, and Others views. These parameters may be saved as a user default setting
by clicking the
button. When you click the button, all parameters in every tab sheet within the Project Properties
icon. When you create a new project,
window are saved as the default setting. In order to apply the saved setting, click
the software default setting is applied.

•

Project

Enter the details of your project. Note that when exporting the results as a Project Report, the following characters are
automatically replaced with “_” (underscore) in order to prevent false representation in HTML format.
Characters: < > & “

•

Calculation

Atmospheric Condition
Enter “Humidity” and “Temperature”. These parameters affect the speed of sound and the air absorption coefficient. The default
settings are 50% for humidity and 20°C for temperature. Check the “Air Absorption” checkbox to take attenuation of high
frequency components due air absorption into account in calculations.

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Precision
Select the degree of precision used in the SPL calculation and contour calculation respectively. When a lower precision is
selected, Y-S3 uses an interpolation for faster processing. You may use a lower precision in the design stage for faster processing
and the highest precision in the final stage for checking the detailed results.

Phase Consideration
Check the “Interference Sum” checkbox to take phase interference into account when calculating the frequency characteristics
and sound pressure distribution. Energy summing calculations are performed if you do NOT check this box.

Sound Source for Calculation
Select “Swept Band Noise” or “Full Band Noise” for use as the sound source in the calculation. When “Swept Band Noise” is
selected, band pass noise assumed to be used. The bandwidth corresponds to the frequency selected in Aspect View. In this mode,
the overall level in Graph is the average energy of each band response. When “Full Band Noise” is selected, full band noise is
assumed to be used. The overall level in Graph is the summation of each band response. The “Swept Band Noise” mode is
convenient when you want to see the frequency characteristic while referring to the required SPL. You may easily deduce the
overall SPL by averaging the SPL results at several frequencies in this “Swept Band Noise” mode. The “Full Band Noise” mode
is more reasonable for a comparison of the calculated SPL with the value measured by using full band pink noise and real time
spectrum analysis.
Fig: Level difference between “Sound Source for Calculation” settings
Swept Band Noise

Full Band Noise
Average

SPL

SPL

Summation

Frequency

Frequency

Graph Overall
Select the frequency range of overall level displayed in Graph. The default range is 20 Hz to 20 kHz. For “Swept Band Nose” (cf.
previous section), the overall level denotes the average level of the response in the selected range. For “Full Band Noise”, the
overall level equals the summation of the response in the selected range. Check “A Weighted” checkbox to process the sound in a
similar manner to that of the human ear, using “A” characteristics. The Overall figures in Graph are displayed in dBA units.

Peak Factor of Source Signal
Select the source type from “Sine (Peak-to-RMS 3dB)”, “Pink (Peak-to-RMS 6dB)”, or “Music (Peak-to-RMS 10dB)”. “Sine”
has a 3 dB difference between the peak signal and RMS, “Pink” has 6 dB and “Music” has 10 dB. In this list, you select a
peak-to-RMS level in a practical sense. These levels are used by the clip level indicator and for auto tuning. “Output
configuration settings (Speaker Property - Config)” and “Auto tuning” in chapter 5.

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•

System

Signal Processor
Select the output processor type. The selected processor is used in [Export DME Configuration] (selected from the [File] menu)
and [Product List] (selected from the [Option] menu). Each processor has different processing powers and number of outputs.
The specifications are available in http://www.yamahaproaudio.com/. If you select “SP2060”, you can then select a processor
that sets EQ and Delay values for all outputs, or one which sets values for each amplifier. The configuration used in “SP2060” is
shown in the following table.
Table: Configurations applied to each speaker type in SP2060
Speaker Type

Configuration

Tri-amp (IF3115t)

2 x 3-way

Bi-amp (IF2112b, IF2115b, …)

3 x 2-way

Passive (IF2112p, IF2115p, …)

Multi Zone

Combination (IH2115 + IL1115)

2 x 2-way + 2 x Aux

AC for Amplifier
Select the amplifier voltage. This figure is used to determine how clipping is displayed. You can check on the specifications of
each amplifier at http://www.yamahaproaudio.com/. The default setting is “120 V”.

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•

Others

Unit
Select “Imperial” (feet and Fahrenheit) or “Metric” (meter and Celsius) for units of length and temperature.

Listen
Enter the coordinates of the principal performer or person speaking. These figures should be absolute coordinates. You should
take height into account if you are using the equipment on a stage. For example, using a sound source 1.5 m for the stage floor,
when the height of the stage floor is 0.8 m from the ground gives a total height of 2.3 m. Y-S3 refers to the origin point when
creating auralization data. The auralization data is calculated using head-related transfer functions (HRTF) by assuming that the
listener is facing the Origin Point. See chapter 6 for how to create auralization data.

Contour Display
Check the “Wall” checkbox to show the walls in Aspect View. The height of the wall is fixed at 5 m. You may check any
unnecessary radiation onto the walls by checking the contour shown on the walls. Note that Y-S3 does not calculate the
reflections from the walls even if this option is selected.

Report Page Size
Set the size of the page to print. You can select letter size or A4 paper.

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4.

Placing Speakers
•

Overview

Place the speakers in the room. You can add positions for each speaker array on a conventional proscenium or stage, and place
speakers on flat surfaces within the room such as ceilings and walls.

•

Adding a new speaker (Add Speakers)

Click
in Speaker List or select [Add New Array] from the [Array] menu to open the Add Speakers window. You
can select the installation method (Enclosure type - Manual layout, Enclosure type - Auto layout, Distributed) from the list box.
Place each speaker array for which you have entered details. Installed speakers will be appear in Aspect View, and are available
for selection in Speaker List. See chapter 6 for details on calculation results.

Array Speakers
This is a very flexible installation method compatible with all Installation series speakers. You can save installation data for each
speaker array.
(See chapter 5)
Enclosure type - Manual layout:
The method allows a great deal of freedom in speaker layout, allowing the “Array Type” selection, mirroring, and direct entry of
coordinates.
Enclosure type - Auto layout:
Y-S3 will select an appropriate speaker array for your room and arrange them automatically, based on your “System Type”
selection.

Distributed Speakers
You can arrange speakers with a fixed spacing on a level surface (e.g. wall or ceiling). The compatible speakers for distributed
designing are the following Installation series speakers: IF2108, IF2208, IF2205, and S5, S15, S55 speakers. Since the speakers
will be treated as part of the flat surface, you cannot save this arrangement.
(See chapter 5)
Distributed:
Sets the parameters for the level surface in which speakers are placed, depending on your speaker and the “Plane Type”
selections.
Coverage:
Y-S3 automatically places speakers in the coverage area on the receiving surface, depending on your selections for placement
pattern and degree of consolidation of the receiving surface.
Grid:
You can place speakers at any intervals on a grid, based on your selections for placement pattern and the distance between
speakers.

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•

Placing the speakers manually (Enclosure type - Manual layout)

Click
in Speaker List or select [Add New Array] from the [Array] menu to open the Add Speakers window.
Select “Enclosure type - Manual layout” from the list box. Select a speaker array type and enter the coordinates and conditions
for the area to calculate the results.

Name
Input a name for the new array (e.g. Center, Left, Right, Delays, etc). Y-S3 automatically assigns names for single speakers that
compose the array like ***sp1, ***sp2 (*** is the array name). You can change these names also in Speaker List after placing
the speaker array. To change them, select the speaker array or single speaker in Speaker List, right-click and select [Rename],
then enter the new name.

Array Type
Select the speaker array type from the list box. When you would like to use an array type which is not shown in the list box, you
need to import a speaker array template (“.ysd” file) from “ARRAY_LIBRARY” folder to the “Array Type” list. Select “Import
Array Type” from the list box and Y-S3 imports the data to the “Array Type” list so that you may select the array type in the list
box. The imported array type will remain on the list until you delete it, even after you restart the program. To delete the imported
data from the list, delete the “.ysd” file from the “data_folder∴template_folder∴SPA_DATA” folder in the program folder. Y-S3
requires at least one template to be present in the “Array Type” list. Placing an imported array template (.ysd) in the room will
convert it to array data (.spa) containing the conditions for the speaker array, which you can save and load. (See chapter 5)
The suffixes in the speaker array template have the following meanings.
p: Passive, b: Bi-amp, t: Tri-amp, r: rotate (horn-rotated), floor: +3dB (adding reverberations from the floor)
You can check the specifications for each speaker on the website at http://www.yamahaproaudio.com/.
Fig: File types related to the speaker arrays used in Y-S3

Speaker array data(*.spa)
Load & save with
arrangement parameters
Import

Locate

ARRAY_LIBRARY(*.ysd)
Array type template

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Symmetry
Check this checkbox to place a mirror image of the speaker array with respect to the y-z plane. For a stereo system, when the left
side speaker is entered, the right side “mirrored” speaker will appear automatically. Speakers will overlap if Position x in “Array
Geometry” is set to the default (0.00). Please enter an appropriate figure. Note that since speaker figures are also mirrored, the
mirrored figure is different from the actual picture in some cases for some asymmetric models like IS2112AS or IF2115AS. This
will not affect calculation results. An asterisk (*) appears beside the array names of mirrored speakers, to help distinguish them
from the original speakers.

Array Geometry
Enter positional data for the speakers such as the splay, angle and coordinates of the speaker array. The contour diagram does not
display if the target point is not located on the receiving surface in Aspect View after you have positioned the speaker. Further,
the contour figure will not display if the target point is in an area obstructed by walls. In both cases, the sound pressure
distribution that is displayed is based on calculations made for those areas that sound can travel to unobstructed. Placing a
speaker array outside the receiving surface or stage excludes it from calculations, and its output does not appear on contour
figure and sound pressure distribution.

Position
Enter the position coordinates of the speaker array. Defaults (x, y, z) = (0.00, 0.00, 8.00), with height set to 8 meters. The
to place a speaker on the floor automatically. Enter the angle
coordinates are at the center rear point of the array. Click
you want. Floor-mounted speakers not facing the receiving surface and speakers with the same z-coordinates as the height of the
receiving surface will not have target points displayed on the receiving surface, and are thus not displayed in the contour figure.

Angle
Enter the angle of the speaker. Enter the Pan (default: 00.0), Tilt (default: 30.0), Rot (default: 00.0) angles.

Splay Angle
Select the splay angle of the speaker array from the list box.

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•

Placing the speakers automatically (Enclosure type - Auto layout)

Y-S3 can automatically place speakers in the room. The appropriate speaker types for the configuration of the room, such as the
in
surface area of the audience area, and the ratio of its width and length, can be selected automatically. Click
Speaker List or select [Add New Array] from the [Array] menu to open the Add Speakers window. Select “Enclosure type - Auto
to begin calculations and configure the
layout” from the list box. Select “System Type” and ceiling height and click
system composition. When calculations are complete, Y-S3 displays a message prompting you to carry out auto tuning. Click
to begin auto tuning. Click
to finish without auto tuning. See chapter 5 for details about auto tuning.
You cannot use “Auto layout” in “SPL Mode” when Y-S3 displaying a sound pressure distribution. Always switch to “Array
Mode” or “Single Mode” before using this function. Additionally, “Auto layout” deletes any existing speaker arrays that have
already been placed and places new speaker arrays. Speakers placed suing the “Distributed” function are not deleted. This is
useful in instances such as when you want to replace speakers on a stage or proscenium but retain speakers installed in the
ceiling. The “Enclosure type - Auto layout” function does not execute for circular rooms or rooms that are too large, small, wide,
or narrow. In such cases Y-S3 displays an error message. Please use the “Enclosure type - Manual layout” function to position
speakers.

System Type
Select the speaker system type from the list box (Center, Center, LR, LCR, Side, Center + Side).

Ceiling Height
Enter the estimated ceiling height of the room. Y-S3 decides the array height referring to this parameter. The speaker arrays are
always set below the ceiling height. Note that Y-S3 does not estimate the reflection from the ceiling in the calculation.

Setting methods
The “Auto layout” function selects speakers that are appropriate for the shape, floor area, and proportions of the room. It also
takes the ceiling height you have entered into account when positioning speakers (Center, Center + Side, Side).The default angle
settings are; Pan and Rot: 0°, Tilt: 30, Splay Angle: minimum.

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•

Distributed

You can arrange speakers with a fixed spacing on a level surface. Click
in Speaker List or select [Add New
Array] from the [Array] menu to open the Add Speakers window. Select “Distributed” from the list box. Select speakers, ceiling,
walls, and plane types from the list boxes, and enter the appropriate settings. You can select “Coverage”, which automatically
calculates positioning based on the coverage area of the receiving surface, or “Grid”, which places speakers on a plane surface at
any interval you wish.

Name
Enter the names you want to use for plane surfaces (e.g.: Ceiling, Front, Back, Wall etc). Names for the individual speakers that
make up a plane are generated automatically (***sp1, ***sp2 etc, where *** is the name of the plane). You can change these
names in Speaker List. To change a name, select a flat surface or an individual speaker from Speaker List. Right-click the item
you have selected, select [Rename] from the menu that appears, and enter the new name.

Speakers Type
Select the type of speaker you want to place from the list box. Note that the suffix ‘r’ on a type name indicates a horn-rotated
speaker. S5, S15, and S55 speakers can be chosen from either High Impedance connection (shown as “_High”) or Low
Impedance connection (shown as “_Low”).

Table: Connections of S5, S15, S55 speakers when Distributed
Name

Connection Type

Low Impedance Serial

Low Impedance Serial Connection

Low Impedance Parallel

Low Impedance Parallel Connection

Low Impedance Equal

Low Impedance Serial & Parallel Connection *

1

High Impedance 70V

70V line High Impedance Connection

High Impedance 100V

100V line High Impedance Connection

*1 2 pairs of 2 serially connected speakers are parallel connected.
The total impedance becomes the same as 1 speaker.
Only up to 4 speakers can be connected per amplifier channel.
You can check the specifications for each speaker on the website at http://www.yamahaproaudio.com/.

Plane Geometry
Enter the defining parameters for the plane you want to place. Although you can set planes to be larger than the size of the room,
be aware that speakers placed outside the room area will not be included in any calculations.

Plane Type
Select from the plane type from the list box (Ceiling, Front Wall, Back Wall, Side Wall 1, Side Wall 2).

Position
Enter the coordinates of the center of the plane. Default settings are x = 0.00, y = a figure determined by room shape, z =

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receiving surface + 8.00.

Plane Size
Enter the size of the plane. Default settings are L = 10 m, W = 10 m.

Plane condition
Select the reflectance of the wall surface (Hard: 100%, Medium: 50%, Transparent: 0%). You can set this parameter to “Hard” or
“Medium” to take the effects of rising acoustic pressure into consideration when placing speakers close to a plane However, this
calculation will not take sound from speakers in installed on this plane into effect.

Angle
Enter the angle of the plane. There are 3 types: Pan (default: depends on plane type), Tilt (default: depends on plane type) and
Rot (default: 0.00).

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Coverage (Distributed Speaker Layout Pattern)
Speakers are placed automatically based on the coverage area of the receiving surface. This function is useful when evaluating
the speaker placement necessary to obtain direct distribution of sound.

Layout Judgment
Set the defining parameters for “Pattern”, “Bandwidth” and “Center Frequency” from the list boxes and choose a density.
Pattern:
Select either “Rectangular” or “Hexagonal” as a layout pattern for speakers on a flat surface.
Band Width, Center Frequency:
Set the bandwidth and frequency used to calculate the coverage area. Although the narrower bandwidths allow closer
distributions to the desired frequencies, they are also subject to more extreme distribution changes caused by interference and
other factors. The default setting is 2 Oct. Band, 1 kHz, which should cope with most vocal bandwidths
Density:
Set the density of the coverage area on the receiving surface. Take the distance between the receiving surface and the plane
where the speakers are located (the height, for speakers installed in the ceiling) when setting this parameter. Generally, higher
ceilings mean increased distances between speakers, so you should select high density to achieve sound pressure above a
constant level.

Speaker Arrangement
Angle (Relative):
Set the angle of the speaker when seen from the plane. Default settings are Pan (0.0), Tilt (90.0), and Rot (0.0), indicating that
the speaker’s rear is flat against the plane.
Offset from plane:
Set the offset of the speaker from the wall. The default setting is (0.00), indicating that the speaker’s rear is flat against the plane.

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Grid (Distributed Speaker Layout Pattern)
You can place speakers at intervals on your choosing on a plane. This function is useful when evaluating the sound pressure
distribution resulting from a particular placement.

Layout Judgment
Select a “Pattern” from the list box, and enter a “Pitch” (the interval between speakers).
Pattern:
Select either “Rectangular” or “Hexagonal” as a layout pattern for speakers on a plane.
Pitch:
Set the intervals at which you want to place speakers.

Speaker Arrangement
Angle (Relative):
Set the angle of the speaker when seen from the plane. Default settings are Pan (0.0), Tilt (90.0), and Rot (0.0).
Offset from plane:
Set the offset of the speaker from the wall. The default setting is (0.00), indicating that the speaker’s rear is flat against the plane.

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5.

Adjusting Speaker Parameters
•

Overview

Set all the parameters for the distributed and array speakers you have placed, and perform calculations.

•

Update

The periphery of

changes to red when you change any speaker parameters. Click this button to apply your settings.

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5-1. Array Speakers
•

Speaker array selection, on/off, changing names/deletion, saving/loading (Speaker List)

Speaker array selection
To display a speaker array, click a speaker array of a speaker name in Speaker List. The background of the array now changes to
yellow, indicating that it has been selected. Speaker Property displays all the parameters for the speaker. The selected speaker
arrays and array names are displayed in blue in Aspect View. You can also click speakers in Aspect View to select them. Mirrored
speakers placed using the “Auto layout” or symmetrical layout functions appear in orange with an asterisk (*) beside their array
names. You cannot select these speakers.

Speaker array on/off
Check the checkbox for a speaker array in Speaker List so that the checked speaker arrays are estimated in the calculation.
Speaker arrays for which checkboxes have been set to “on” appear in black in Aspect View. Speaker arrays and array names for
which checkboxes have been set to “off” appear in grey. However, the speakers you select always appear in blue regardless of
their “on/off” status, while speakers placed using the symmetrical layout function will always appear in orange. Thus, you can
always tell whether speakers are targeted for calculation by looking at the checkboxes in the Speaker list. To reflect the speaker
.
array checkbox settings in calculation results, click

Renaming and deleting the speaker array
To change the name of speaker arrays appearing in Speaker List, select a speaker array, right-click it, select [Rename] from the
menu that appears, and enter the new name. To delete the placed speaker array, select the speaker array in Speaker List, then
right-click and select [Delete] or select [Delete Array] from the [Array] menu.

Saving and loading the speaker array data
You may save the condition of the currently selected speaker array such as Array Name, Speaker Property, and Configuration.
The data is saved in a dedicated format with the “.spa” extension. This function is useful, for example, when you want to place
speaker arrays with the same condition in different project. When you load and place the same array data multiple times, Y-S3
creates multiple speaker arrays with identical array names in Speaker List. Change these names after you have finished loading
the arrays.

Click to save speaker array data (.spa) (or select [Save Array] from the [Array] menu).
Click to load saved speaker array data (.spa) (or select [Load Array] from the [Array] menu).

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•

Adjusting speaker array parameters (Speaker Property - Property)

Adjust the parameters for the currently selected speaker array. To reflect the settings in calculation results, click
You can change the “Array Name” text box at the top of Speaker Property.

.

Array Type
You may change the type of speaker array by selecting an array type in the list box. For arrays not displayed in the list box, select
“Import Array Type” from the list box and import the necessary speaker array template (.ysd) from the “ARRAY_LIBRARY”
folder. See chapter 4 for details.

Symmetry
When the selected speaker has a mirrored speaker array, this checkbox is checked. You cannot edit the symmetry condition here
in the Property view, but only when editing the Add Speakers window. See chapter 4 for details.

Array Geometry
Enter speaker array positional parameters. You cannot create contour figures if the target points you enter coordinates for do not
appear in the receiving surface of the room. The sound pressure levels are displayed.

Position
Enter the position coordinates of the speaker array. See chapter 4 for details.

Angle
Enter the angle of the speaker. See chapter 4 for details.

Splay Angle
Select the splay angle of the speaker array from the list box. See chapter 4 for details.

Previous/Next Array Geometry
Click
or select [Previous Array Geometry] or [Next Array Geometry] from the [Edit] menu to undo/redo the adjusting of
the “Array Geometry” parameters (Position, Angle, Spray Angle) up to 20 times. However depending on the conditions you have
set, you may not be able to return the software to its previous settings.

On Axis
Displays the positional axes and the position in relation to target points.Y-S3 does not display figures for target points outside the
receiving surface.

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Target Point
Displays the intersection coordinates of the axis of the speaker array and the audience area. The target point is displayed as a
black square on the audience area. You may move the target point using the mouse by dragging the target point on the Aspect
View. Target points for each speaker appear in black when viewed in “Single Mode”, and cannot be moved. The target point is
not displayed when the axis of the speaker array does not hit the audience area. This may be due to the speaker not facing the
receiving surface, or being placed so that its z-coordinates are the same as those of the receiving surface.

Distance to Array
Displays the distance between the speaker array position and the target point.

Propagation Time
This parameter denotes the propagation time from the speaker array position to the target point. You can refer to this information
when deciding the delay time for each speaker.

Single SP Property

This parameter denotes the properties of the single speakers which construct a speaker array. You can check each individual
speaker’s information such as model number, location, angle, target point coordinates, distance between target point and speaker,
etc.

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•

Output configuration settings (Speaker Property - Config)

Y-S3 automatically generates the output system configuration to suit each speaker array type and displays them in the Config
view in Speaker Property You may adjust the input signal level, source type, delay, EQ, speaker processor and amp model. To
.
reflect the settings in calculation results, click

Input Level
Input the input signal level in dBu. This level denotes the signal level at the input of the processor. The maximum is 24 dBu and
the minimum is -10 dBu.

Source
Display the type of sound source used. You can select “Sine (Peak-to-RMS 3dB)”, “Pink (Peak-to-RMS 6dB)”, or “Music
(Peak-to-RMS 10dB)”. To change your selection, click
to open the Project Properties window, then select a type from the
“Peak Factor of Source Signal” list box. “Sine” has a 3 dB difference between the peak signal and RMS, “Pink” has 6 dB and
“Music” has 10 dB. Select the peak-to-RMS level setting you want to use in your design. These levels are used by the clip level
indicator and for auto tuning. See “Clip indicator” and “Auto tuning” in this chapter.

Help for icons
Click

to open the Help for icons window, which explains the meanings of the buttons in the Config view.

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Delay Component
Double-click
window.

to display the delay setting window. Refer to the end of this chapter for information on the delay setting

EQ Component
Double-click

to display the EQ setting window. Refer to the end of this chapter for information on the EQ setting window.

Speaker Processing Component

Click
to turn phase-rotation on/off.
to turn the 90 Hz cut-off frequency high-pass filter on/off. Use this when combining full-range speakers with
Click
subwoofers.

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Power Amplifier

Select a power amplifier from the list box. The specifications of compatible types appear, as follows.
Mode display: Stereo and bridge details for the selected amplifier are displayed.
Output channels
The value shows the maximum output power of the amplifier. The value is under the conditions of 120 V and 1% distortion
for a 20 Hz to 20 kHz input. This value is used by the clip level indicator. SPL distribution or frequency response does not
depend on the power voltage. The specifications of amplifiers are available at http://www.yamahaproaudio.com/. The level
at which the clip indicator lights depends on the power voltage of the amplifier. You can set the power voltage under System
in the Project Properties window.
Clip indicator (circle above power amplifier list box): The indicator turns red when the peak output signal exceeds the
maximum output power of the amplifier. When “Sine” is selected in the “Source” list box, the peak output signal is 3 dB
(two times) higher that the actual output value. When “Pink” is selected, the peak is 6 dB (four times) higher. The peak
output capacity of the amplifier is 3 dB (two times) higher than the actual power value. Comparing these values, the
indicator shows whether the output signal is within the capacity.
Input an attenuation level for the power amplifier in dB. Maximum is 0 dB and the minimum is -60 dB.
The value shows the gain of the selected amplifier with the entered attenuation value.

Amplifier - Speaker Combination
Click

to open the Amplifier - Speaker Combination window.

Amplifier Setting
The amplifier gain settings appear, and you can change between stereo and bridge connection modes.

Amplifier - Speaker
Display RMS values and speaker specifications for the amplifier.

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Speaker

The value shows the maximum input power of the speaker with the program signal.
The value shows the current output power of the amplifier (HF/LF). This power is fed to the speaker.
Speaker clip indicator: The indicator turns yellow when the peak current output power exceeds the maximum input power of
the speaker. When “Sine” is selected in the “Source” list box, the peak current output power is 3 dB (two times) higher than
the actual output value. When “Pink” is selected, the peak is 6 dB (four times) higher and the peak is 10 dB (ten times)
higher for “Music”. The peak input capacity of the speaker is 3 dB (two times) higher than the power rating program value.
Comparing these values, the indicator shows whether the current output power is within the capacity of the speaker.

•

Directivity of speaker array (Speaker Property - Balloon)

You may check the directional pattern (balloon data) of the speaker array selected in Speaker List for each of the frequencies
selected. The data is displayed in the Balloon view in Speaker Property. These figures are normalized to the on-axis response.
Each of the contour figures for -3 dB, -6 dB and -9 dB for on-axis characteristics are displayed in red, yellow and green
respectively. The view angle of the Balloon view is synchronized with Aspect View.

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•

Picture of speaker array (Speaker Property - Picture)

You may check the 3D diagram of the speaker array selected in the Speaker List in the current settings. When you open the
and
in Aspect View to check
Picture view, the view angle is synchronized with Aspect View. Click
speaker placement visually.

•

Auto tuning

Set the service area on the receiving surface for each installed speaker array, and to automatically adjust the angle, splay angle,
EQ, and other figures you have entered, while leaving the speaker arrays in the position you assigned them. This is applied to
those speakers that are selected in Speaker List and appear in Speaker Property. Although you cannot select mirrored speaker
arrays, they will be moved and their EQ settings changed to match those of their mirror originals.
Click

in Speaker Property to open the Service Area Selection window.

Service Area Selection

Select the area to be served by the currently selected speaker array by dragging on the audience area with the mouse. The
selected area turns to a lighter color even when outside of the audience area is selected, but only the area within the audience
area will be used for the calculation. Stage, wall or outside of the floor will not be used. This diagram shows an example of a
configuration which has been made taking account of the service area of mirrored speaker arrays installed in the y-z plane. Click
to open the Auto Tuning Parameters window.

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Auto Tuning Parameters

You can enter the coordinates of the area you want to service. An error message appears if the area you designate is too small or
does not match the conditions of the speaker array.

Required SPL
Enter the overall sound pressure level necessary at the target point of each single speaker. Where the sound pressure required is
too large for the system, you may not be able to meet the required sound pressure levels.

EQ Tuning
Check this checkbox to adjust EQ.

Fixed Input Signal Level
Place a check in this checkbox to lock the input level for the selected speaker array outputs (Input Levels in the Config view),
and input a setting.
to calculate the results and update the Property and Config views in Speaker
Enter the calculation conditions, and press
Property.
The following diagrams depict the differences before and after auto-tuning speaker arrays (included mirrored speaker arrays) in
area setting above.
Before Auto Tuning

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After Auto Tuning

Setting methods
•
•
•
•

•

Y-S3 sets speaker parameters for each speaker array.
Y-S3 decides the speaker angles (Pan, Tilt and Splay Angle) to minimize the standard deviation of the sound pressure level
within the area that is selected by the user as the coverage of the speaker array.
When computing angles, the proper setting is selected from among the conditions in which all of the target points of the
speaker composing the speaker array are within the selected cover area.
Y-S3 decides the EQ and gain for each speaker so that the frequency responses are flat and their levels match the required
SPL set by the user at the target points of each speaker that composes the speaker array. (Note 1: In auto tuning, since sound
pressure level calculations at axis points are computed based on the summing of energy, peaks/dips from interference are not
corrected. Note 2: Delay is not tuned automatically. All the delays are set to 0 ms after auto tuning.)
In the level adjusting, Y-S3 first decides the necessary output power for each speaker referring to the required SPL. Then,
Y-S3 decides the attenuation level to adjust the necessary power difference between the speakers in one speaker array. Finally,
Y-S3 decides the input signal level from the necessary output power and amplifier gain.

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5-2. Distributed Speakers
•

Distributed speakers on/off, changing names/deletion, adding speakers to an installation plane

Distributed speakers on/off
Click the name of a plane in Speaker List to select it. The background of the name changes to color to blue. Speakers assigned to
this speaker group on the selected plane are displayed. Planes selected in Aspect View are displayed in blue. Additionally, the
properties are displayed in Speaker Property. To designate all speakers on each plane, or individual speakers as targets for
calculation, select the desired plans in Speaker List, or select each speaker individually, place a check in the appropriate
checkbox, and turn them on. All selected speakers appear in blue regardless of the on/off status of their checkboxes. Speakers in
the same output series appear in light blue. Speaker arrays with checkboxes set to “on” appear in black in Aspect View. Speaker
to apply your
arrays with checkboxes set to “off” appear in grey, and are not targeted for calculation. Click
settings.
Additionally, you can also select click individual speakers, or the central coordinates of planes in Aspect View, to select them.

Changing names/deletion, adding speakers to installation planes
Right-click a plane. This menu allows you to change names plane names (Rename), delete planes (Delete), and add speakers to
planes (Add Speaker). Alternatively, right-click on each speaker to open a menu. You can use this menu to rename or delete
speakers. You can also select [Change Amp] to open the Amplifier - Speaker Combination window. For more information, refer
to “Adjusting distributed speakers property (Speaker Property - Property)” in this chapter.
Distributed speakers located on a plane are treated as part of a plane, and cannot be saved in the manner of array speakers.

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•

Adjusting distributed speaker parameters (Speaker Property - Property)

Adjust the parameters for the currently selected distributed speaker. To reflect the settings in calculation results, click
.
You can change the name of the installation plane in the “Speaker Name” text box in the upper area of Speaker Property.
Installation plane properties

Speakers
Click
Click

to add a speaker at the center of a plane. Enter the coordinates and other parameters as necessary.
to display the Add Speakers window and replace all speakers and planes.

Plane Geometry
Enter the defining parameters for the plane you want to place.

Position
Enter the coordinates of the center of the plane. Default settings are x = 0.00, y = a figure determined by room shape, z =
receiving surface + 8.00.

Plane Size
Enter the size of the plane. Default settings are L = 10 m, W = 10 m.

Plane condition
Select the reflectance of the wall surface (Hard: 100%, Medium: 50%, Transparent: 0%). You can set this parameter to “Hard” or
“Medium” to take the effects of rising acoustic pressure into consideration when placing speakers close to a plane However, this
calculation will not take sound from speakers in installed on this plane into effect.

Angle
Enter the angle of the plane. You can set Pan, Tilt and Rot.

Speaker Layout
Displays the speaker installation method and layout.

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Properties of individual speakers installed on a plane

Speaker Type
Displays the type of speaker installed.

Amplifier - Speaker Combination
Click
to open the Amplifier - Speaker Combination window. For details please see the next section in this chapter, “Output
Configuration Settings (Speaker Property - Config)”.

Speakers Geometry
Enter data related to speaker positioning, such as speaker coordinates.

Position
Adjust the coordinates of the speaker array. See chapter 4 for details.

Angle
Enter the angle at which the speaker is installed. See chapter 4 for details.
You can select “Link All” to link all selected speakers with all speakers on the installation plane, and change the installation
angle of all speakers simultaneously. This function is not available in Aspect View when moving target points with the mouse
and changing angles

Absolute/Relative

Click the [Absolute] button to display absolute coordinates, or the [Relative] button to display coordinates relative to the
installation plane.
Absolute:
The absolute location and angle of the speaker
Relative:
The location and angle of the speaker relative to the installation plane

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•

Output configuration settings (Speaker Property - Config)

Y-S3 automatically generates the output system configuration to suit each speaker array type and displays them in the Config
view in Speaker Property You may adjust the input signal level, source type, delay, EQ, speaker processor and amp model. To
. For details, see “Output configuration settings (Speaker Property reflect the settings in calculation results, click
Config)” in the “5-1. Array Speakers” section.
Installation plane configuration

Configuration of individual speakers installed on a plane

Amplifier - Speaker Combination
Click
to open the Amplifier - Speaker Combination window. You can use the list boxes to select and change
amplifier type and gain, mode settings, connection method, and speakers. You can also select the amplifier number of a selected
speaker to combine it with a particular amplifier. To prevent erroneous connections, when you press
, Y-S3 checks that
3
speakers and amplifiers are connected appropriately. If Y-S deems a configuration incorrect, it displays a warning dialog.

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Chapter 5 closing material: Speaker Config

Delay Component
Drag the dial or type in a number to specify the necessary delay time (ms). The delay parameter in this window is used in the
calculation. Click
at the top right of the delay setting window to reflect the settings in calculation results.

EQ Component
Drag the dial or type in a number to specify the necessary Q value, frequency and gain. You can select EQ types for two of the
at the top right of the EQ setting
eight settings. The EQ parameter in this window is used in the calculation. Click
window to reflect the settings in calculation results.

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6.

Displaying Calculation Results
•

Overview

Y-S3 calculates responses on the audience area considering the arrangement of each speaker array, EQ, delay, system attenuation
and other related parameters. The results are displayed in Aspect View or Graph.

Aspect View
Aspect View displays the layout of the speakers, along with sound pressure distributions and contour figures based on calculation
results. To update calculation results, select the center frequency and bandwidth (1/1, 1/3, 1/6, FFT) from the list box in the upper
section of Aspect View, then select the calculation mode icon. If you set bandwidth to “FFT”, you must enter the bandwidth you
after changing calculation conditions applies the new conditions to the calculation
want in the list box. Clicking
results and updates Aspect View, Balloon view and Graph.

•

Contour figure

Y-S3 displays the contour figure for -3 dB, -6 dB and -9 dB for the target point of the speaker array or component speaker
currently selected in Aspect View. The contour figure displays three lines indicating -3 dB (red), -6 dB(orange) and -9 dB(green)
drops in sound pressure from the target point. You can turn the display for each line on and off in from the [View] menu. These
figures are the bandwidth and center frequency figures selected in the list boxes in the upper area of Aspect View. When speakers
are mounted on the floor, the contour figure is not available when the target point is not located on the receiving surface or in an
enclosed space. Additionally, Y-S3 does not display target points or contours of speaker arrays placed using the “Symmetry”
function in “Enclosure type - Auto layout” and “Enclosure type - Manual layout”. To display contour figures for walls, open the
Project Properties window from the [File] menu, and place a check in the “Contour Display” checkbox in Others. Y-S3 does not
display a sound pressure distribution for walls. This wall is used for display the contour figure only, and is treated as being
acoustically transparent. Thus calculations to do take reflections from this wall into account.

Array Mode
Displays a contour figure for speakers displaying target points. A speaker array made up of a single speaker will have the same
display as “Single Mode”. Speakers distributed on a plane are treated as individual speakers, and thus have the same display as
“Single Mode”.

Single Mode
Displays a contour figure for each speaker displaying target points. When you have placed multiple speakers, you can use the
checkboxes in Speaker List to turn each speaker on/off. Since the contour figures for each speaker are calculated relative to the
respective target points, the SPL for each speaker will be different even for contour lines of the same color.
Array Mode (1000Hz, 1/6Oct Band)

Single Mode (1000Hz, 1/6Oct Band)

For installation on a plane

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•

Sound pressure distribution

Displays sound pressure distribution for receiving surfaces with speaker arrays selected from the checkboxes in Speaker List,
and displays the range (dynamic range) using a Sound Pressure Level (SPL) legend. The display range for the SPL legend is
automatically applied through calculation. After display, you can select the minimum and maximum figures in the display range
from the list boxes. The average SPL (speaker pressure level) for the receiving surface is displayed at the top left of the Aspect
View.

SPL Mode
Displays a sound pressure distribution in Aspect View for all speakers selected in the Speaker List checkbox.
Sound pressure distribution for a speaker array (1000Hz, 1/6 Oct Band, Average Value: 87.0dB)

Sound pressure distribution for speakers distributed on a plane (1000Hz, 1/6 Oct Band. Average Value: 79.0dB)

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•

Frequency characteristics

The graph displays the current calculation results (
) for a +Position on receiving surface. You can use the list box
to change the bandwidth of the graph displayed. In “Array Mode” and “Single Mode”, the Graph displays only the response of
the speaker selected in Speaker List. However, the “on/off” staff of the speaker (based on the “on/off” status of the checkbox) is
also displayed. In “SPL Mode”, the graph displays combined responses of all speakers set to on. To move the cursor, drag the
+Position cursor in Aspect View using the mouse. The current position of the +Position cursor is displayed at the bottom right of
Aspect View. Click the right-mouse button to open an Information window with detailed information related to the current
position of the cursor.

Graph (1000Hz, 1/6 Oct Band)

) for a +Position on the receiving surface. Drag the +Position
The graph displays the current calculation results (
cursor with your mouse to see the calculation results for a given point on the receiving surface. At the desired receiving point,
), and click
. The graph changes color and the current results
select a graph number (e.g.
) are saved to the selected graph number. You can save calculation results for up to 8 points on the graph. Right
(
clicking a graph number opens a menu from which you can change names, save and delete data, and display and information
window. Select a graph number to display the appropriate graph in Graph. You can also use the on/off checkboxes to hide or
display each graph. You can use the list boxes to select the maximum display figure and range and change the display range of
the graph.
Graph (1000Hz, FFT)

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to open an Information window displaying details on the graph number selected.

Click
Information

Click a graph number in the list box to change the graph number for which information is being displayed. You cannot select
graph numbers for which no data has been saved.

Receiving Point Property
The distance display displays the distance between the location of the targeted speaker and the console. You can enter comments
in the “Comment” box.

Listen
You can test-listen to how a dry source would sound when heard at the receiving point, based on the results of your calculations.
Click
to select the dry audio source to be convolved with the calculated response. The dry source must be in 44.1
kHz, 16-bit WAV (PCM) and stereo format. The maximum data size is 5 minutes (about 50 MB) in this format.
to play the calculated audio sound. Click
to stop playing,
to pause playing. You can also set the
Click
playback volume with the slider. You can adjust a level difference when comparing responses from different calculation
conditions.
Click
format.

to save the sound as heard at the receiving point. Y-S3 stores audio data in 44.1 kHz, 16-bit WAV (PCM) and stereo

You can set the “HRTF” checkbox to “on” to listen to the sound with HRTF (head-related transfer functions) applied. You can
apply a directional effect to so that the sound appears to be coming from a predefined direction.

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7.

Simulation Results Report
•

Overview

Y-S3 can save calculation results as reports and data for use as reference material. Select [Export] from the [File] menu. You can
save data in a variety of formats. Select [Product List] from the [Option] menu to save a list of the equipment used in the project.

•

Project report

You can save a project report which outputs a variety of data (including the following), in HTML format.
• Project Summary:
An overview of the project
• Project Geometry:
Room type and size
• Product List:
A list of equipment used
• System Diagram:
Signal processor, amplifiers, and speaker composition
• Frequency Responses:
Coordinates for each receiving point and frequency response graphs
• Contour Map:
A contour figure for the specified frequencies
• SPL Color Map:
A sound pressure layer map for the specified frequencies
• Array Properties:
The properties of installed speaker arrays and distributed speaker

•

Generating and saving project reports

Click
in the tool bar to generate and save a project report file in HTML format. Select [Export] from the [File] menu, these
select [Project Report] to open the Export Project Report window.
Export Project Report

Place a check in the checkboxes of those fields you want to export. Use the Frequency Selection window to change the
to save
frequencies and bandwidths of the contour and sound pressure distributions if desired. You can click
these as the default settings for exporting project reports. Click
and enter a file name to initiate generation and saving of
the project file report. Push the Esc key to cancel creation of the report.
Note that the following characters and “space” cannot be used for file names.
;/?:@&=+$,<>#%" }|¥^[]`*

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•

Saving text data

You may save speaker conditions and calculation results as text data in CSV format. CSV format can be imported into
spreadsheet applications such as Microsoft Excel®.

SPA Property
You may save all the information for the speaker arrays as text data (in CSV format). Select [SPA Property] from [Export] in the
[File] menu to save SPA property.

SPL Data
You may save currently displayed sound pressure distribution results in Aspect View as text data (in CSV format). Select [SPL
Data] from [Export] in the [File] menu to save the data.

Graph Data
You may save current and stored frequency characteristic results in Graph as text data (in CSV format). Select [Graph Data] from
[Export] in the [File] menu to save the data.

•

Saving images

You may save results of calculations displayed in Aspect View and Graph as image data (in JPEG format).

Image of Aspect View
You may save the currently displayed sound pressure distribution or contour figure in Aspect View as image data in JPEG format.
Select [Image of Aspect View] from [Export] in the [File] menu to save the data.

Image of Graph View
You may save the currently displayed frequency characteristic in Graph as image data in JPEG format. Select [ Image of Graph
View] from [Export] in the [File] menu to save the data.

•

Saving product list

Y-S3 creates a product list including all placed speaker arrays and accompanying devices such as amplifiers, DME and array
frames. Click
in the tool bar or select [Product List] from the [Option] menu to display the product list. You may also save
the contents of this list as text data (in CSV format). To save the file, click
in the “Product List” window and enter a
.
file name. To copy the text of the product list to the clipboard, click

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Owner’s Manual

8.

Exporting Configurations in DME Designer Format
Y-S3 can automatically generate an output system configuration for all placed speaker arrays and save them in DME Designer
in the tool bar or select [DME Configuration… (*.daf)] from [Export] in the [File] menu and enter a
Project format. Click
file name; the configuration is saved in DME Designer Project format (.daf). You may open the .daf file from DME designer
software. The .daf file includes the necessary number of processors and configurations for the placed speaker arrays. You may
also export the configuration as Device Configuration file. Select [DME Configuration… (*.ddf)] from [Export] in the [File]
menu and enter a file name; the configuration is saved in Device configuration file format (*.ddf). To load the file into DME
Designer software, start DME Designer, select [Create New Group] from [Import Device Configuration] in the [File] menu on
the main screen, and load the saved file. You may also import the configuration to the matched DME in your system
configuration made in DME designer. In DME Designer, select the processor from [Import Device Configuration] in the [File]
menu on the main screen, and load the saved file. You may download DME Designer from http://www.yamahaproaudio.com/.

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9.

Other Functions
•

Input Level Negotiation

Adjust input levels (Speaker Property - Config - Input Level) from all installed speaker arrays to a fixed level.
Select [Input Level Negotiation] from the [Option] menu to open the Y-S3: Input Level Negotiation window. The current input
level (Input Level (dBu)) for each array and the attenuator settings for each amplifier connected to the speakers in the array are
to standardize all
displayed in the Current column. The highest level of those displayed appears in bold. Click
related figures to this level. Y-S3 adjusts the amplifier attenuators at the same time so that the output to all speakers remains the
same. This is useful when working with smaller mixers that are not equipped with multiple output busses.
Before adjusting the input level

After adjusting the input level

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10. General Theory
General calculation methods
•
•
•

•
•
•
•
•

Y-S3 computes the speaker array response at the receiving point or audience area.
The responses are computed by combining the responses from each speaker based on a geometrical simulation.
Each speaker response is computed using measured directional impulse responses. First by selecting the impulse response
for the corresponding direction based on the relationship between the receiver point and the speaker position, and then
considering the effects of attenuation by distance, air absorption, amplifier type, system attenuation, and processor settings
(EQ, delay).
There are two methods of combining responses: a method that considers the interference and a method that is based on the
summing of energy and not taking the interference into account.
The response is limited to direct sound. Calculations are performed as for a free sound field without any reflections.
The sound pressure level is calculated assuming sine wave or pink noise input to the system.
There are two types of pink noise: band-pass filtered noise for the “Swept Band Noise” option or overall noise for the “Full
Band Noise” option.
The response for the two channels used in auralization is computed by first convolving the head-related transfer function
(HRTF) of the directions corresponding to each speaker’s response, and then combining these responses.

Auto setting methods
•
•

There are two auto setting functions. “Auto layout” selects the appropriate speakers for the current room configuration, and
“Auto tuning” determines the parameters (Angle, EQ, Amp type, Input Level and Attenuation) for each speaker.
The results for each function are only rough estimates, and adjustments or modifications will be necessary for either method.
Calculations are made based on the following theory.

1. Auto layout
• Y-S3 selects the speaker type that is appropriate for the configuration of the room, its area, and the dimensions of the floor.
• Speaker positioning is conducted in accordance with the speaker arrangement methods (Center, Center + Side, Side) while
considering the ceiling height of the room.
• Angles are set to default: Pan and Rot = 0 degrees, Tilt = 30 degrees and Splay Angle = minimum.
2. Auto tuning
• Y-S3 sets speaker parameters for each speaker array.
• Y-S3 decides the speaker angles (Pan, Tilt and Splay Angle) to minimize the standard deviation of the sound pressure level
within the area that is selected by the user as the coverage of the speaker array.
• When computing angles, the proper setting is selected from among the conditions in which all of the target points of the
speaker composing the speaker array are within the selected cover area.
• Y-S3 decides the EQ and gain for each speaker so that the frequency responses are flat and their levels match the required
SPL set by the user at the target points of each speaker that composes the speaker array. (Note 1: In auto tuning, since sound
pressure level calculations at axis points are computed based on the summing of energy, peaks/dips from interference are not
corrected. Note 2: Delay is not tuned automatically. All the delays are set to 0 ms after auto tuning.)
• In the level adjusting, Y-S3 first decides the necessary output power for each speaker referring to the required SPL. Then,
Y-S3 decides the attenuation level to adjust the necessary power difference between the speakers in one speaker array. Finally,
Y-S3 decides the input signal level from the necessary output power and amplifier gain.

49



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