Adobe InCopy CC Workflow In Copy Guide Indesign En

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Adobe InCopy CC Workflow Guide

Executive overview

Effective publishing demands tightly choreographed collaboration among editorial groups

and design groups working against ever-present, urgent deadlines. With a more efficient

workflow, editorial and design professionals can devote more time to the quality of the work

and less to the mechanics of the publishing process.

Regardless of company size, a large number of publications are created by small, tightly knit

teams of editors and designers. Publications created by fairly small workgroups need an

efficient workflow but often make do with a combination of Microsoft Word, a page layout

application, and many rounds of paper proofs. Because these tools and techniques are not

designed for tight collaboration, combining them in editorial workflows often leads to delays,

inefficient workarounds, and compromised quality.

Adobe InCopy CC software is a professional writing and editing program that integrates tightly

with Adobe InDesign CC software to deliver a complete solution for collaborative editorial

workflow for any size publishing workgroup. InCopy CC lets writers and editors simultaneously

develop their individual stories directly in the InDesign CC layout, even while the designers

are working on the same layout in InDesign. Because InCopy CC and InDesign CC use the

same technology for composing text and displaying graphics, writers, editors, and designers

can visualize exactly how copy and layout interact—throughout the workflow, rather than just

at the end.

This guide explains how using InCopy CC and InDesign CC together reduces review-and-

revision cycles between editors and designers, improves editorial control over copy, and gets

publications to market faster. It also provides a step-by-step overview of how to set up an

effective InCopy CC workflow that’s easily customized for your workgroup’s needs.

Adobe® InCopy® CC and InDesign® CC

Collaborative Editorial Workow

Table of contents

1 Executive overview

2 Bridging the gap between

editorial and design

4 Moving to an InCopy CC

workow

6 Step-by-step InCopy CC

workflow examples

14 Appendix A: InCopy CCand

InDesign CC workflow features

19 Appendix B: InCopy CC and

Microso Word integration

features

2

Adobe InCopy CC Workflow Guide

Bridging the gap between editorial and design

An ideal workflow enables everyone to focus on his or her own work without being slowed

down, rushed, or hindered by others. However, publishing teams often devise an approach to

working together that is less than ideal.

Conventional publishing workflows: Linear and iterative

Many of the challenges faced by smaller publishing workgroups stem from the lack of an

integrated workflow solution. They combine word processing and page layout applications

from different vendors instead. Although both types of applications are well suited for their

respective purposes—developing copy and designing pages—they are not conducive to

seamless collaboration. In particular, writers and editors cannot see copy in the context of a

layout until it is placed in the page layout application. Once it is, they can no longer work on it

directly. Neither editorial nor design has an easy way of assessing precisely how their work will

come together: how the copy will fit the layout or how images and other design elements will

complement the copy.

To solve this problem, various workarounds have become standard practice. These

workarounds often include numerous hard-copy proofs marked up by editors and submitted

to the designer, who then makes the required changes in the layout. This editing cycle can be

repeated multiple times, resulting in additional material costs, and more important, a

significant decrease in efficiency and job satisfaction.

Conventional linear workow

Copy

to proof

Second layout

proof

Final

copy

nth layout

proof

Final layout

for printer

Copy

to edit

First layout

proof

?

Content is developed “blind” with respect to the publication’s layout le. Only aer the layout proong rounds begin

can editors x copying problems.

Editors lose direct control of the editorial process, and designers are forced to serve as their

eyes and hands. Frustration can be high, errors are common, and quality may suffer.

If editorial and design proceed concurrently, without the right collaboration tools in place,

editorial may produce copy that’s too long, too short, or poorly suited to its visual context.

Design may produce layouts and graphics that don’t complement the copy, or they lose

precious time reformatting content when stories are updated. Also, editors may hover over

designers, making over-the-shoulder copy corrections.

The InDesign CC and InCopy CC workflow: Concurrent and collaborative

Implementing an InDesign CC and InCopy CC workflow transforms the production process by

making it easy for editors and designers to work together.

Using InDesign CC, the designer makes layout content editable by InCopy users by putting

individual spreads or the complete document on a networked file server. Using InCopy on

their local computers, one or more editors can open this file from the server at the same time,

editing their stories within the layout, without having to wait for a printout.

As editors save their changes to stories in the layout, the system keeps everyone else who’s

working on the publication up to date with their revisions. Since InCopy users are working in

the live layout file, they can “write to fit” (or edit to fit) from the start, dramatically reducing the

number of proofing rounds required.

A cross-platform solution

InCopy CC for Windows® flawlessly opens InDesign

CC files created on a Mac and vice versa.

Mac OS

Windows

Mac OS

Windows

3

Adobe InCopy CC Workflow Guide

InCopy CC and InDesign CC parallel workflow (simple overview)

Shared layout

and content

on server

INDESIGN

Designer

INCOPY

Writer

Editor

Proofreader

Final layout

for printer

e designer places the InDesign layout on a central le server. Text and image frames in the layout

are assigned for review and editing to a contributing member of the editorial workow. Multiple

InCopy users can open spreads and edit content from the same layout le concurrently while it’s on

the server, even if the designer has it open in InDesign.

However, to protect the integrity of the design, InCopy allows editors to edit only the contents

of text and image frames that the designers have designated as editable in the layout. Editors

cannot change page geometry (move or resize frames, add or delete frames or pages, apply

text wrap, and so on). While they can apply local text formatting and any text styles that are

associated with the layout to their stories, editors cannot add, delete, or modify any of the

styles. If the designer is working on the same layout concurrently and saves changes to it in

InDesign, any editor who has it open in InCopy is notified that the design is out of date.

Choosing File > Update Design in InCopy immediately refreshes the layout to reflect the latest

state of the publication, without losing any of the InCopy user’s edits.

When the editors have completed their work on the stories and the designer has updated all

the InCopy content in the layout, the file is ready for preflighting and handoff to a

commercial printer.

O-the-shelf

InCopy CC and

InDesign CC

ird-party developer

solutions that add

structure and features

to the InCopy and

InDesign workow

SI enterprise-level

production and

management systems

with InCopy and

InDesign at the core

Cost of entry Low Moderate High

Workgroup size

(per publication)

2–15 5–30 15–100+

Technology

infrastructure

Folders and les on a

networked le server

File server or simple

database running on the

le server

High-end database

running on a dedicated

database server

Customizable UI Yes May be enabled May be enabled

Extensible Minimal Minimal High

Support services Standard Varies High

More information www.adobe.com/incopy www.adobe.com/

products/plugins/incopywww.adobe.com/

products/incopy/

integrated

Selecting the right implementation of InCopy

Large publishing workgroups tend to invest

in highly structured workows supported by

features such as automatic routing, user roles,

and database reporting. Because smaller

workgroups don’t need this kind of structure,

InCopy CC paired with InDesign CC provides a

simple, flexible solution that enables team

members to work in parallel without interfering

with one another’s work. The basic InCopy CC

and InDesign CC workflow is ideal for project

teams of 2 to 15 people, such as small to midsize

book publishers, weekly newspapers, corporate

communications teams, and monthly maga-

zine publishers. Consult the table at the le for

guidance on selecting the right way to integrate

InCopy based on the size and complexity of

your organization.

A powerful tool for editors

InCopy CC delivers an impressive array of power-

user tools in a user-friendly package. Here is a

brief overview:

Parallel workow—Accelerate production by

working simultaneously instead of in sequence.

Designers can work on an InDesign document

while writers edit the same document’s text

in InCopy, without fear of overwriting one

another’s work.

Page visualization—Write and edit to t the

layout precisely. View accurate feedback on the

status of copying, line endings, and hyphen-

ation, or simply view a story as it appears on

the original page layout. Writers are notied of

changes to the InDesign layout so they can copy-

t as needed to a changing design.

Productivity—Meet deadlines more eciently

using editorial features such as a powerful Find/

Change command; extensive paragraph, charac-

ter, and table styles; dynamic cross-references;

and support for rapid editing and formaing

using only the keyboard.

4

Adobe InCopy CC Workflow Guide

Moving to an InCopy CC workflow

Making the transition to an InCopy workflow is surprisingly easy and flexible. InDesign CC

contains all the tools necessary for design and production staff to participate in the workflow,

so all that’s needed is to install InCopy CC on the editorial workstations. InCopy can be flexibly

integrated with any stage of the editorial process. An editor may begin composing a story

directly in InCopy (in a standalone InCopy file or an empty placeholder text frame in the layout

file) or may choose to import finished content created in Word and use InCopy only for late-

stage copyfitting in the layout.

Publishers with a local network file server can choose to implement a layout-based workflow,

an assignment-based workflow, or a combination of the two. To accommodate off-network

InCopy users, or if no local server is available, remote workflows can be set up with email-

based assignments. These options, described in the following paragraphs, allow publishers to

customize their workflow based on the speed of the local network, the size of the layout files,

the number of editors involved in the same project, and whether users are on- or off-site.

Layout-based workflow. The most straightforward way to implement an InCopy workflow is to

place the InDesign layout (INDD) file on a local network file server and have all publication

staff work with it directly off the server. Designers open the file over the network in InDesign.

Editors and writers open the same InDesign layout over the network with the File > Open

command in InCopy, allowing them to see and edit their stories “live” in the actual layout. One

InDesign user and one or more InCopy users may open and work on the same layout file

concurrently.

Initially, an InDesign layout file is read-only when opened in InCopy. To make content editable

for InCopy users, the designer needs to export the layout’s text and image frames to InCopy

content (ICML) files, saving them on the server in a project subfolder. The layout’s content

(text and images) is now linked to the exported files. Editors can open the layout in InCopy

and edit the content in the linked frames. A built-in check-in/checkout system prevents more

than one user from editing the same content in the layout at the same time.

Layout-based workow

InDesign layout and

linked content les on

network server

INDD

ICML

C

B

A

A

B

C

Writer

Editor

Proofreader

A

B

C

A

B

C

A

B

C

INCOPY

Designer

(opens layout from

server)

A

B

C

INDESIGN

open over the network linked les

Final layout

for output

Assignment-based workflow. Assignment (ICMA) files are subsets of full InDesign layout

(INDD) files, often containing only one or two spreads from a much larger InDesign document,

and so are faster to open over the network. Even if network speed is not an issue, assignments

allow the designer to provide editors with a single document containing only the content for

which they are responsible.

Ada’s four pagesJoe’s two pagesMary’s six pages

Full InDesign layout

INCOPYINDESIGN

Multiple InCopy assignment (ICMA) les can be created and managed from a single InDesign layout le.

Here the designer has exported three assignments, one for each of the editors working on the publication.

Understanding linked content (ICML) les

Most content in an InDesign layout (INDD) le

is contained in a text or image frame. Design-

ers create these frames, position them on the

page, and ll them with text or graphics using

InDesign tools. Some frames may be empty

“placeholders,” awaiting content.

In the InCopy CC workflow, designers can export

the formatted contents of any text or image

frame, or even an empty one, to an exter-nal

InCopy (ICML) file. This creates a dynamic link

between the ICML file and the content in the

source frame in the INDD le.

Only the contents of linked frames (those that

are linked to external ICML les) are editable

by InCopy users. Other frames’ content that the

designer did not export, such as page folios and

background images, are visible in the InCopy

layout view, but are not editable.

INDD INDD

ICML

C

B

A

A

B

C

ICML

5

Adobe InCopy CC Workflow Guide

Assignments are easy to create. Using the InDesign Assignments panel, the designer sets up

assignment files by exporting to a new assignment the text and image frames for a specific

editor. InDesign automatically creates assignment and content subfolders in the layout’s

project folder on the network file server. It saves new ICMA files in the assignments subfolder,

and from the frames selected by the designer, it exports linked ICML files to the content

subfolder. Editors open their own assignment files in InCopy to edit their content. The same

check-in/checkout system prevents the designer from modifying a frame’s content while an

editor is working on it, and vice versa.

INCOPY

INDESIGN

Final layout

for printer ICML

ICMA

C

B

A

Designer

(layout may be local, as

shown, or on server)

A

Assignment-based workow

InCopy assignments and linked

content les on network server

Proofreader

Editor

A

C

C

Writer

B

B

A

open over the network linked les

Remote workflow. If an editor is off-site and cannot access the file server, or if a publishing

team doesn’t have access to a central file server, InCopy can be used remotely. This solution

requires the use of assignments for any editor who is working remotely, even if the workgroup

is using a layout-based workflow locally.

After creating an assignment for an editor, the designer chooses the Package For InCopy

command in InDesign, which creates a single, compressed ICAP file that can be emailed to the

editor or uploaded to an FTP server. The package file contains everything an InCopy user

needs to view the layout and edit content within it, including the assignment file and all the

linked content files associated with it. When the designer packages an assignment, the system

also checks out all its content from the local server on the remote editor’s behalf, preventing

local users (including the designer) from editing the content while it’s being worked on by the

off-site editor.

ICMA

INDD

A

B

C

A

B

C

Remote workow (email-based assignments)

Remote editor

1. Designer creates an assignment

and then emails an InCopy

assignment package (ICMA and

ICML les) to editor.

3. Editor creates an InDesign

assignment package with

updated content and emails it to

designer.

4. Designer opens

package; InDesign

automatically

updates layout’s

content with

editor’s changes.

2. Editor opens

package, edits

content in InCopy

assignment, and

saves changes.

Designer

ICAP

INDESIGN INCOPY

IDAP

When the remote editor opens the packaged assignment on his or her own computer, the file

automatically unpacks itself, opening the assignment file in InCopy and allowing the editor to

edit its content. When finished, the editor can use the same procedure for packaging the

assignment and modified stories into a single file and sending it off, either to another editor as

an InCopy package (ICAP) file or back to the designer as an InDesign package (IDAP) file. When

the designer receives and opens an IDAP file, it automatically unpacks itself, checks the

content back in, and allows the designer to update the layout with the editor’s changes.

About file types

The InCopy CC workflow entails working with

three main types of les (in bold) and three

others that are used in special situations. Each

type has its own filename extension to distin-

guish it in the operating system, the InCopy CC

Story bar, and InCopy CC and InDesign CC status

messages.

INDDe InDesign layout, containing

a mix of native, embedded, and

linked page elements in frames.

ICML e native format for InCopy

documents. When the content of a

text or graphics frame in InDesign

is exported from the InDesign

layout to InCopy format, the

resulting ICML le is known as a

“linked content le” because it’s

linked to the layout.

ICMA An InCopy assignment le,

containing layout previews from

a subset of the InDesign (INDD)

le and full editorial access to the

linked content (ICML) in the text

and image frames the designer

associated with it.

ICMT An InCopy template for a

standalone ICML le.

ICAP An InCopy package le used in

remote workows, containing an

assignment (ICMA) le and all its

associated ICML les.

IDAP An InDesign package le used in

remote workows, containing

an ICMA le and its associated

ICML les.

6

Adobe InCopy CC Workflow Guide

Step-by-step InCopy CC workflow examples

Chicago Wilderness magazine: Current issue

Chicago Wilderness is a 124-page, full-color, quarterly magazine offering its outdoor enthusiast

subscribers in-depth articles about Chicago-area wilderness destinations, news about nature

conservancy efforts, and colorful wildlife photography.

In this step-by-step scenario, a designer named Peter, a writer named Kate, and a copyeditor/

proofreader named Gina are working on the fall 2010 issue. Since the InDesign layout is a

single, 124-page file on the server, too large for the editors to comfortably open and work on

over their network, Chicago Wilderness uses an assignment-based workflow. Kate will write

copy for the feature on restoration efforts at nearby Wolf Lake. Peter, the designer, needs to

create an InCopy assignment for her that includes all the elements in the article.

Set up an assignment in InDesign

In InDesign, on the four pages in the layout allotted for the Wolf Lake story, Peter roughs out a

design with images and placeholder text frames and then selects frames from the first spread

and drags them on top of the New assignment icon at the bottom of the Assignments panel.

He names the assignment “Wolf Lake” and clicks OK (see sidebar at left). InDesign

automatically saves this file in the project’s assignments folder, CW_Fall10 Assignments, which

it created and named based on the name of the InDesign layout. The exported ICML files, one

for each content frame Peter included in the assignment, are automatically saved to a content

folder within the CW_Fall10 Assignments folder.

e rst spread of Kate’s feature article on Wolf Lake. e frame at the top right, and the series of threaded frames

(comprising a single story) at the boom, have been exported to  format and associated with Kate’s

assignment. You can see the names of the two linked  les in the Assignments panel in InDesign.

On the second spread reserved for Kate’s feature, Peter adds the remaining frames to Kate’s

assignment by dragging and dropping them onto the Wolf Lake entry in the Assignments

panel. He chooses Update Selected Assignment from the Assignments panel menu and alerts

Kate, the writer, that the assignment is ready for her to work on.

Write and edit content in InCopy

In InCopy, Kate opens the Wolf Lake.icma file from the CW_Fall10 Assignments folder on the

server. The assignment file is much smaller than the InDesign layout because it includes only

the two spreads containing her story frames, not the entire 124-page layout. Kate selects the

name of the assignment in the Assignments panel and clicks the Check Out icon at the

bottom of the panel to prevent others from editing the same stories while she’s working on

them. She begins writing the main feature story.

A B C

A. e Assignments panel in InCopy lists the editable content in the active le. B. Before she can begin writing, Kate

checks out the stories by selecting the name of the assignment and then clicking the Check Out icon at the boom of

the panel. C. e pencil icons conrm the checkout.

About assignment options

An assignment includes an assignment name, the

name of the InCopy user who will work on the

assignment, and a color for identifying assigned

frames in InCopy and InDesign. Additional

controls determine how much context a writer or

editor sees when working on an assignment:

•Placeholder Frames creates an assignment

that includes all spreads containing assigned

frames. However, only assigned frames display

their text or graphics content and can be

checked out; all other frames appear empty.

For writers and editors who prefer to focus

exclusively on their content, this option elimi-

nates nonessential information.

•Assigned Spreads creates an assignment

that includes all spreads containing assigned

frames. All framesnot just assigned frames

display their text or graphics content. However,

only assigned frames can be checked out. is

is the default option.

•All Spreads creates an assignment that

includes all pages and spreads regardless

of whether they contain assigned frames.

However, only assigned frames can be checked

out. is option lets writers and editors

see their work in the context of the entire

InDesign layout.

7

Adobe InCopy CC Workflow Guide

As she works, Kate switches among one of the three page views in InCopy CC: Layout, Story,

and Galley. When she just wants to get the words down on “paper,” she uses Story view. When

she wants to see line breaks and line numbers, she chooses Galley view.

Story and Galley view, easily accessible by tabs at the top of the window, show the editable text content (including

overset text) of the current InDesign layout or assignment in one scrolling window, without distracting text

formaing and surrounding page elements. Galley view (le) includes line numbers and stays true to the layout’s

line breaks. Story view (right) ows text to the edge of the window, as in Word, so less scrolling is required. Gray

story bars separate individual stories.

When she wants to see her words in context with the design, Kate works in Layout view. Text

formatting, image wraps, footnotes, page jumps, folios, background colors, and other page

elements appear exactly as they do in InDesign. Kate can zoom in (up to 4,000%) for close-up

work of text set in small type sizes or zoom out for an overall look at multiple spreads at once.

The InCopy CC Layout view in normal mode (left) shows nonprinting frame edges, ruler guides, bleeds, the

pasteboard, and content status icons. Page elements that are not editable are screened back as a visual cue.

Switch to Preview mode (right) to hide the pasteboard and see an accurate print preview of all content in the

layout. Content can be edited in either mode.

Regardless of which view Kate’s working in, the Copyfit Info panel keeps her up to date with

her progress. If her text exceeds the amount of space allotted to the story in the layout, she

can access the overset copy in Galley or Story view and edit to fit.

e Copyt Info panel provides continuously updated statistics on the current story’s word, line, and character

count and its column depth. A visual and numeric indicator also tracks underset or overset status.

Format text in InCopy

Since InCopy has the same text engine and styling options as InDesign, Kate can be confident

that the formatting she applies to text in InCopy will carry through to the InDesign layout. All

the paragraph and character styles that the designer created and saved in the InDesign layout

are available to InCopy users working on the same layout, helping to ensure that the

Icon Name Location

Available

Assignments panel, text

frames, and graphic

frames

In Use by (name)

Assignments panel, text

frames, and graphics

frames

Editing

Assignments panel, text

frames, and graphics

frames

Available and

Out of Date

Text frames and graphic

frames

In Use by (name)

and Out of Date

Text frames and graphic

frames

Assignment or

Layout

Out of Date

Assignments panel

Text Content

Out of Date Assignments panel

Text Content

Up to Date Assignments panel

Graphics Content

Out of Date Assignments panel

Graphics Content

Up to Date Assignments panel

Simple access control and synchronization

Straightforward check-in and checkout of linked

content frames prevents a co-worker from

editing a story you’re currently working on and

keeps everyone informed as to who is working

on which content at any given time. Easy-to-

spot visual indicators (such as the Out Of Date

symbol) in InCopy and InDesign alert you when

a colleague working concurrently on the same

document has modied content or page geome-

try or checked out a content item. Modied items

can be brought up to date with a simple click.

Workow status icons

8

Adobe InCopy CC Workflow Guide

formatting applied by individual editors in InCopy remains consistent with the designer’s

intent throughout the publication.

Complicated text formaing is easily applied in InCopy

by selecting the desired styles, which were created by

the designer, from the panels (le). Editors can also

use the Quick Apply feature (above) to locate and

apply the styles from the keyboard.

Kate would like a long subhead to extend across both columns in the story. Since she cannot

create new text frames, she chooses to manually apply the Span Columns paragraph format (a

new feature in InCopy CC) to the subhead.

Editors don’t need additional text frames to change the number of columns a paragraph spans in a multicolumn

text frame. As with all the text formaing aributes, the Span Columns seing can be included in a paragraph

style and applied to text by applying the style. If editors need to apply some formaing that isn’t available in a

style, they can apply it as a manual override.

Update design in InCopy

While Kate is working on the Wolf Lake feature story, Peter (the designer) continues to work

on the magazine layout in InDesign, creating and designing other pages. He has just learned

that there will be one more image in Kate’s feature, so he has to modify other elements to

make room. While he cannot edit the contents of the frames Kate has checked out, he still has

full control over the page geometry and can add, remove, and resize elements. He places an

image on top of the main body of her story and turns on Text Wrap so it pushes Kate’s text to

either side of the image instead of overlapping it. Peter chooses Update Out-of-Date

Assignments to alert Kate to the change.

In InDesign, the crossed-out pencil icons on text frames (and their equivalents in the Assignments panel) tell Peter

that someone has checked out the content to work on it. If he hovers his cursor over any workow icon, a tool tip

appears with the name of the user who checked it out and other details. Peter cannot edit the contents of a frame

another user has checked out, but he is always able to change its page geometry in InDesign.

Using Track Changes

Turn on Enable Tracking in InCopy or InDesign to

record edits made by every user to a story. You

can view the tracked-changes markup in Galley

or Story view (InCopy) or the Story Editor (InDe-

sign). Use the Changes menu or toolbar to hide,

show, navigate, and accept or reject changes. You

can also track changes across multiple stories,

customize the way tracked changes are displayed

onscreen, and (from InCopy) print out the

tracked-changes markup.

Story or Galley view shows tracked-changes markup

(top), and the Change Info panel reveals details of each

specic change (boom).

Copy and paste formaing with the

Eyedropper Tool

Instead of using menus and panels, some editors

may prefer a more visual approach to formaing

text. e Eyedropper tool lets users “pick up” text

formaing from sample text in Layout

view and then apply it to text elsewhere

in the document by simply clicking

or dragging over it with the “loaded”

Eyedropper tool.

9

Adobe InCopy CC Workflow Guide

In InCopy, Kate notices the alert in her Assignments panel that the assignment itself is out

of date. She chooses Update Design from the panel menu to see Peter’s latest changes to the

page geometry. Fortunately, the copy she has written for the main story still fits, even with the

new image forcing the text to wrap around it. She continues working until she is finished with

the main body, saves her changes, and turns her attention to the pull quote on the last page.

Update copy in InDesign

In InDesign, Peter sees an Out Of Date icon appear on the Wolf Lake text frames and next

to the entry for the story in his Assignments panel, alerting him that Kate saved her edits, and

now the content he sees in her feature is out of date. Peter selects the story’s entry in his

Assignments panel and then clicks the Update Content button at the bottom of the panel

to review Kate’s finished copy. He is glad to see she was able to accommodate the

last-minute change.

When Kate has completed all the copy for the feature story, she closes the assignment file.

InCopy alerts her that she still has some content checked out and offers to check it in for her.

Kate clicks OK to have InCopy save any unsaved changes and check all the content back into

the workflow in one step.

Peter now has all of Kate’s updated content, and he completes the layout for the Wolf Lake

feature story. Next, it’s Gina’s turn to copyedit and proofread. Using the assignment Options

dialog box in InDesign, Peter reassigns the Wolf Lake assignment to Gina and notifies her that

it’s ready.

Copyedit and proofread in InCopy

In InCopy, Gina opens the Wolf Lake assignment and checks out all its content by clicking the

Assignments panel’s Check Out icon . She reviews the stories for poor hyphenation, bad

line breaks, and widows and orphans, confident that what she sees in InCopy precisely

matches the InDesign layout.

Working with tracked changes

Before she makes any edits to the file, Gina chooses Enable Tracking In All Stories from the

Changes menu in InCopy. This will allow Kate to review Gina’s (and any other user’s) changes

to the copy before accepting or rejecting them. When Kate checks out the story, she can

review Gina’s edits and accept or reject them singly or all at once, leaving other user’s tracked

changes intact.

Finish up in InDesign

By this time, all the writers have checked in all the stories from the assignments they had open,

Gina has copyedited them all, and Kate has accepted or rejected everyone’s changes. In

InDesign, Peter updates all content, makes a few last-minute refinements, and then proceeds

with his normal preflighting routine in preparation for creating a press-ready PDF file from the

InDesign layout.

The results: With the InCopy/InDesign workflow enabling them to work concurrently in tight

collaboration, the Chicago Wilderness team has shaved considerable time off their magazine

production schedule.

InCopy CC for web, EPUB, and XML workflows In

addition to print publications, InCopy CC can

streamline content creation for websites and

other distribution methods involving XML. Both

InDesign CC and InCopy CC allow users to create

XML tags and apply them to text selec-tions. Tags

are maintained in the text flow during all check-in

and checkout procedures as a file is being

collaboratively produced. The current XML

structure of a le can be previewed and edited in

either program’s Structure pane.

InCopy CC can open XML files and convert them

to standalone InCopy (ICML) files, as well as

export a story to XML format.

Click a tag in the Tags panel (top) to apply it to selected

text. In Layout view (middle), tagged text is surrounded

by nonprinting brackets. Tags are easier to see in Story

or Galley view (boom) and may be hidden

for readability.

Adobe InCopy CC Workflow Guide 10

Chicago Wilderness magazine: Upcoming issue

This example demonstrates how editors can benefit from the InCopy workflow at any point in

the process, even before an InDesign layout is ready for them. In this scenario, Robert, the

managing editor for Chicago Wilderness, wants to begin working on a two-page review of

Goose Lake Prairie, a popular regional destination. Goose Lake Prairie is one of the four places

slated to be reviewed in an upcoming issue’s periodic reviews section, “Into the Wild.” By

specifying a few basic settings in a standalone InCopy file, Robert can get a head start on his

review and be confident that it will fit the InDesign layout that Peter will create in a few weeks.

Set copyfitting parameters in InCopy

Robert creates a new InCopy document. In the New Document dialog box, from the Document

Preset menu he chooses the Into the Wild preset that Peter helped him prepare earlier. The

preset specifies the page size and the main content area’s width and target word count. If he

preferred, he could enter a target line count, page count, or column depth using any available

measuring unit.

e New Document dialog box in InCopy lets you dene a target story length. Writers may prefer to set a

target column depth in any unit of measurement, including agates for newspapers.

Because styles affect copyfit, Robert uses commands in InCopy to import selected paragraph,

character, and table styles from the InDesign layout of the most recent “Into the Wild” section,

helping to ensure his InCopy text formatting will be consistent.

Because InCopy and InDesign

share a text composition

engine, writers are assured

that the formaing and styles

they apply to text in InCopy

will be honored in the

InDesign layout le.

Now Robert is ready to write. He prefers to start in Story view, putting words down quickly as

they come to him. Since the InCopy file is not linked to any InDesign layout yet, he

understands that the Layout view won’t show him his story in the context of other elements

on the final designed page, but it is still useful for checking formatting and line breaks.

While the Info column in Galley or Story view (le) lists the names of the styles applied to paragraphs, only

Layout view (right) shows text in its formaed state.

Printing and exporting to PDF

Some InCopy users nd it dicult to edit

on screen, preferring to review paper proofs and

mark them up as in a traditional workflow. This is

easy to do in InCopy CC. In this workflow, it’s

usually the InCopy users themselves who then

apply their handwritten edits to the actual text

onscreen.

Editors are oered a lot of choices in the Print

dialog box. ey can print the full layout as single

pages or as spreads, with images or without.

ey can also print out either galleys (with accu-

rate line breaks) or text content as seen in Story

view and choose the typeface, font size, and line

spacing they prefer, even if it’s not what they use

onscreen. Story and Galley printouts can option-

ally include inline notes and tracked changes.

You don’t need to use Adobe Acrobat® soware

to create a PDF le from InCopy; a custom PDF

engine is part of the program. To make a PDF

le of a layout or an assignment, choose File >

Export, and then choose Adobe PDF from the

Format menu. PDF export options are nearly

identical to Print options (for example, PDF les

can be made from the Layout, Story, or Galley

view), with a few additional features. One of

these is the ability to convert inline notes to

annotations (“comments”) when exporting

the Layout view to PDFsomething not even

InDesign CC can do.

Adobe InCopy CC Workflow Guide 11

As Robert writes, he keeps his eye on the Copyfit Info toolbar, which provides a word count

and other indications of how well his copy will fit its eventual hole in the layout.

Since Robert specied a target word count of 1,250 in the New Document dialog box, the Copyt Info toolbar

informs him that he’s 330 words short at this point (note the current word count of 920 on the le).

Working with notes

From time to time, Robert wants to keep alternative text close at hand until he decides which

version he prefers. He selects the alternative text and presses the F8 key to convert it into an

inline note. Occasionally he inserts a new note from the Notes menu and enters comments or

questions for Peter or Gina. He can use the Notes panel to show or hide notes and quickly skip

from one note to the next.

Inline editorial notes let designers and editors communicate with one another in the context of the copy.

In Layout view, notes appear as nonprinting icons (top right) that can be revealed in the Notes panel

(boom right).

Working with hyperlinks

As he’s writing, Robert uses the Hyperlinks panel in InCopy to embed hyperlinks into the

website and email addresses he spells out. This way, readers of the PDF version of the

magazine will be able to click the hyperlinks and gain immediate access to those resources.

Hyperlinks created in InCopy (le) are included in PDF les (top)

exported from InDesign if the designer turns on the seing.

Working with Buzzword®

In the “Into the Wild” section, every review of an area destination includes a small table listing

the area’s contact information, activities, web address, and other information. To streamline

the workflow and ensure Chicago Wilderness can access the most up-to-date information from

these local attractions, Robert uses Buzzword, the web-based collaborative word processor

that’s part of Acrobat.com. He has already created a table in the Buzzword document he

shared with the Goose Lake staff for them to update as necessary. Now he imports that table

Advanced word processing tools

Editors working in InCopy enjoy the same power-

ful toolset for working with long or complex

documents as InDesign users do, including:

•Cross-references—Insert, track, and modify

cross-references that automatically update as

content changes or is moved in the document.

•Footnotes—Add auto-numbered footnotes

or import a Word le with footnotes intact,

and then edit them on the page in Layout view

or inline, next to their references, in Story and

Galley view.

•Conditional text—Easily create multiple

versions or editions of the same InCopy story

by tagging text with version-specic conditions

from a convenient panel.

•GREP Find/Change—Search and replace

text and formaing not just by matching literal

text strings, but by nding “wildcard” paern

matches. Save frequently used queries that you

can reuse in other InCopy les.

•Language dictionaries—Ensure foreign

language text is properly spell-checked and

hyphenated by choosing the appropriate

language dictionary (over 30 choices) from a

menu or as part of a text style.

Adobe InCopy CC Workflow Guide 12

directly into the layout and then uses the InCopy table features and table styles to format the

plain table.

Easy access to shared Buzzword les (le) allows InCopy users to collaborate online and then bring the data into

the local workow. Powerful table features help users convert raw data into elegantly formaed tables (center).

Seings for stroke color, alternating background lls, and text styles can be specied in a table style (right) and

applied with a single click.

Finally, when he has completed his review of the Goose Lake Prairie nature reserve, he saves

the InCopy document into a folder, called “Incoming Copy,” that Peter (the designer) created

on the server. It holds new stories that are ready to be placed into the InDesign layout.

Placing a standalone InCopy file in an InDesign layout

Peter begins working on the layout of the upcoming issue. He adds pages for the “Into the

Wild” section and places Robert’s ICML file into text frames on the Goose Lake Prairie review

spread, which automatically links the frame to the ICML file. Peter continues to flow the story,

threading the text from one frame to the next. Robert had already formatted the text with the

styles he’d imported and matched the column width, so it fits perfectly. Peter cuts the table

from the story flow and pastes it into a new text frame so he can position it elsewhere on the

spread. He then adds images and illustrations to the article.

Robert’s text, owed into the InDesign layout, ts perfectly. While it’s not required that writers apply formaing

to InCopy textthey can leave that task to the designerdoing so helps them accurately gauge copyt and

streamlines the production workow.

Peter knows Robert will need to review the complete article, so he creates an InCopy

assignment that includes the main story as well as the title, table, images, and captions. After

InDesign saves the assignment and the new linked content files to the project folder on the

server, Peter notifies Robert that the layout is ready for him to review.

Robert opens the new assignment, checks out the content, and makes minor line-break

adjustments to smooth the rag of the text that wraps around the images.

InCopy or “InPhoto”?

Even with the restriction of not being able to

reposition or resize image frames, InCopy users

have a number of options when editing the

contents of those frames, assuming the designer

exported them to InCopy format (otherwise, all

images are read-only in InCopy).

Aer checking out an image frame in the layout,

InCopy users can scale the image contents to

adjust the crop. ey can rotate, shear, and ip

the image inside the frame, and if it’s a layered

PSD, PDF, or AI le, they can change which image

layers are visible. Editors can modify the image

itself if they have the right soware installed or

even import a dierent image, replacing the one

in the frame, using the File > Place command.

Some publishers have found it helpful to install

InCopy CC on their photo editors’ workstations.

Designers create InCopy assignments composed

of placeholder image frames, allowing photo

editors to work with images in the layout, just as

editors work with text.

Adobe InCopy CC Workflow Guide 13

Working with images in InCopy

At Chicago Wilderness, writers and editors have some control over the images that accompany

their stories. Knowing this, Peter made sure to export the inline images he had placed to

InCopy format and include them in the assignment so that Robert could make minor

adjustments to them. InCopy users cannot modify image frames, just image contents.

Aer checking out the content, Robert uses the Position tool in InCopy to select the inline graphic and move it

around in its frame. He uses the Transform commands for more control or to quickly ip the image’s horizontal

orientation, as shown here.

When Robert is satisfied with the Goose Lake Prairie spread, he checks the files back in so that

Peter can assign them to Gina for copyediting and proofreading.

The results: By using InCopy CC, writers and editors can work ahead of the publication

schedule. Robert’s preparatory work in styling and copyfitting his standalone Goose Lake

Prairie review enabled the team to skip a number of proofing rounds that would normally be

required in a traditional, linear workflow.

Summary

For thousands of small to midsize editorial workgroups, the basic InCopy CC / InDesign CC

workflow enables tight collaboration, accurate page visualization, and significantly enhanced

productivity. It provides many of the efficiencies of high-end editorial systems at a fraction of

the cost and without imposing the strict procedures they demand.

Whether you work on the editorial, design, or business side of publishing, and whether you

publish books, magazines, newspapers, catalogs, brochures, or nearly anything else, if you’re

looking for a flexible, streamlined workflow solution for your publishing team, we encourage

you to learn more about integrating InCopy with your workflow. Visit www.adobe.com/

products/incopy for detailed product information or to download a 30-day trial version of

InCopy CC and InDesign CC.

FOR MORE INFORMATION

•InCopy CC free trial and documentation

—Download a free trial of InCopy CC for

Mac or Windows from the Adobe website.

Free trials are fully enabled for 30 days and

come with full documenta-tion built into

the program’s Help files.

•InDesign CC: Collaborative Workflows

with InCopy CC—Purchase on DVD or

view online this comprehensive video tuto-

rial series (over eight hours) authored by

independent InCopy trainer and consultant

Anne-Marie Concepción, at www.lynda.com.

•InCopyFlow—View a free monthly e-zine

of InCopy workow tips, techniques, news,

and reviews for editors and designers who

collaborate in the workow. Sign up at

www.incopysecrets.com/incopyow.

Contact us for your InDesign and InCopy training:

Adobe InCopy CC Workflow Guide 14

Appendix A: InCopy CC and InDesign CC workflow features

Parallel collaborative workow

Feature Description

Email-based assignments Easily assign stories and graphics as a single assignment

package to send to any external contributor via email.

e package contains all information needed to update

the layout with the added or edited content.

Automated le management Create and edit assignments without worrying about

the location of the les in the assignment. Creating an

assignment auto-creates a folder that holds the assign-

ment’s stories and graphics. Moving an article to a

dierent assignment automatically moves the article’s

le to the appropriate folder.

Assignments panel e Assignments panel is the hub of the InDesign and

InCopy workow. View and manage the status of assign-

ments, arrange story order, select multiple items, and

unlink stories in one central location. Update assign-

ments to make sure the assignments represent the latest

changes not only to text but to the layout as well.

Save story order Change the sequence of stories in an assignment to

match an organization’s working style.

Track Changes

(ENHANCED)

Track changes to text for improved editorial control and

collaboration. View all edits made to a story by an InDe-

sign or InCopy user, and accept or reject any edit as you

review the text, individually or by user. Print the tracked-

changes markup.

Inline editorial notes Improve collaboration with inline notes that maintain

their position within the text and are visible in both

InCopy and InDesign.

Flexible graphics placement Easily place, scale, crop, and rotate images and art-

work, including inline graphics, in frames assigned to

editorial sta.

Adobe Mini Bridge

(NEW)

Navigate your system and preview page thumbnails of

InDesign layout les. Drag and drop les from Adobe

Bridge into Layout view easily and eciently.

Integration with

Adobe Bridge CC

Browse, organize, label, and preview InCopy documents.

Search for les using metadata and keywords.

Output to print or

Adobe PDF

Print from InCopy CC to edit hard copy or export one

or more stories at a time to Adobe PDF, setting options

such as font subseing or including accurate line end-

ings, inline notes, tracked-changes markup, and styles.

Page visualization

Layout, Story, and Galley

views

Edit copy in the view that best ts the current task. Lay-

out view shows you exactly how stories appear in the

InDesign layout and allows you to edit or write in con-

text. Story view displays text in a pure word processing

view. Galley view includes line numbers and provides

accurate story and line breaks.

Instant layout refresh Refresh the Layout view whenever your designer sends

you design changes for reference as you edit.

Adobe InCopy CC Workflow Guide 15

Standalone copyt Begin assigning or writing copyed text as soon

as available space is known, even before pages are

designed. Dene a copyt area by specifying a column

width, column depth, and available styles.

Copyt status indicator Color-coded feedback via the Copyt Info toolbar

provides up-to-the-minute feedback on copy length.

Multiple measurement units Multiple measurement units include agates for

newspaper publishing.

Vertical depth ruler Budget space for stories more accurately with the verti-

cal depth ruler, located in the margin of the Story and

Galley views, which reports a story’s depth using the

active unit of measure.

Power zoom Use the Hand tool in “patient user mode” to zoom out

by simply holding down your mouse buon. Continue to

hold, and you can move the zoom-area indicator across

pages. Release, and the view returns to your original

zoom level in the new location. Increase or decrease the

zoom percentage using the Up and Down Arrow keys.

Editorial productivity

Task-based workspaces Work quickly with established task-based workspaces

that uncluer your screen and present only the keyboard

shortcuts, menu commands, and panel arrangements

that are best for the job at hand. You can also easily

customize your own menus and workspaces that can be

shared and saved.

Customizable menus Hide and colorize menu items to streamline workows

and simplify menus for more direct access to the com-

mands you use most. Save these seings as part of a

custom workspace.

Text import/export from

Buzzword (NEW)

Import and optionally link to the les on Buzzword, the

web-based collaborative word processor that is part of

Acrobat.com. Export to a new Buzzword le to share

InCopy stories with online collaboraters.

Text import from Word and

Excel

Adapt the formaing of diverse Word and Excel docu-

ments as you import. Map Word styles to InCopy styles,

and import or paste Excel spreadsheets as tables.

Text variables Simplify and automate the use of repeating elements

such as running headers, footers, product names, and

date stamps. Modifying a text variable updates all

instances of the variable throughout a document.

Conditional text Take advantage of conditional text to easily deliver

multiple versions of a document from a single InCopy

CC file. Build student/teacher textbook editions, multi-

language publications, or documents customized for

print, web, and mobile viewing by creating conditions,

applying them to text, and quickly hiding content with-

out relying on layers.

Cross-references Simplify the writing and production of long documents

with the ability to create cross-references that update as

content changes or moves within a document.

Object-level Layers panel

(ENHANCED)

Make complex layouts easier to edit in Layout view with

the redesigned Layers panel. Temporarily hide and show

individual stories and objects with a simple click, even if

they’re on the same layer.

Adobe InCopy CC Workflow Guide 16

Customizable Links panel Use the Links panel to find, sort, manage, and orga-

nize all placed files in your InCopy CC documents and

assignments. Click on thumbnail images of les to view

detailed information such as date created, date modi-

ed, and who edited last. Choose which aributes and

metadata you would like listed in the panel.

GREP styles Automatically apply character styles to text that matches

a paern by using a GREP expression specied in the

paragraph style.

Nested styles Use nested styles to dynamically apply complex char-

acter formaing to ranges of text within a paragraph,

including individual lines of text. Formaing remains

unchanged when text is edited.

Support for spread rotation Easily edit content that appears in a nonhorizontal

alignment thanks to support for rotation of spreads in

90-degree increments. Spread rotation established in

InDesign CC is maintained in InCopy CC.

Support for mixed page

sizes (NEW)

View and edit content in layouts with mixed page sizes.

Mixed-page-size documents are set up by the InDesign

CC user and are fully accessible by InCopy CC users.

Single-page spreads Create documents that include single-page spreads for

greater time savings and more workow exibility when

composing and editing content.

Edit Original Choose which application to use to edit a placed item

instead of relying on the operating system to default to

the appropriate program.

Ruler origin on the spine Correctly place the ruler’s zero position of X at the spine

of your document so that the X values are positive for

right-sided pages and negative for le-sided pages when

Facing Pages is enabled.

Support for anchored

objects

Anchored objects travel intelligently with a story as text

ow changes. Edit content such as sidebars and callouts

that maintain position relative to a line or block of text.

Text macros Accelerate the entry of boilerplate text and other

frequently used words and phrases. Type a short combi-

nation of leers, and the shortcut automatically expands

to the entire word or phrase.

Powerful Find/Change Quickly change text, text formaing, and object ari-

butes in documents of any length. Customize the scope

of a search to include master pages, footnotes, and

locked or hidden layers. Save nd/change queries for

sharing and instant reuse. Speed up complex searches by

running one search using GREP, instead of running mul-

tiple conventional searches.

Dynamic spelling Flag misspellings, repeated words, and capitalization

errors with inline markup as you type. Link specic text

or styles to one of over 30 language dictionaries for for-

eign language spell-checking and hyphenation rules.

Built-in thesaurus Use the esaurus panel to quickly look up synonyms,

antonyms, and related words. A selected word is auto-

matically loaded when the esaurus panel is open to

help you nd related words and phrases without delay.

Adobe InCopy CC Workflow Guide 17

Advanced bullets and

numbering

Make quick work of lists and numbered sequences,

including gure numbers and advanced hierarchical

sequences. Include bullet and number formaing in

styles for easy global updates. Import bullets or number-

ing from Word documents. Use advanced hierarchical

numbering, and continue the sequence over paragraphs

that you don’t want to number.

All-language user

dictionaries

Add custom words, names, or phrases to a user diction-

ary; all languages will treat the terms as correctly spelled.

Robust footnotes Create footnotes or import Word text with footnotes

preserved. In Story and Galley view, footnotes appear

inline, adjacent to the footnote reference, for easy

editing.

Robust table creation and

formaing

Quickly create tables from scratch, import styled Word

and Excel tables directly, or turn tab-delimited text les

into tables. Format tables eciently and consistently

with table styles.

Table editing in Story and

Galley views

Edit table content directly within the text ow in both

Story and Galley views so you can seamlessly correct

overset text without impacting table design.

Change tracking in tables Speed up document reviews with the ability to track

changes in tables. View changes to table content directly

within your InCopy CC document without relying on

hard-copy proofs.

Notes in tables Add inline notes directly to table cells. Notes may con-

tain alternate text, writer-editor communications, and

other annotations. Easily add, delete, hide, show, and

navigate among notes in tables using the Notes panel.

Easy hyperlink creation Create compelling interactive documents with hyper-

links that navigate to external URLs, link to les with

more information, jump to a section of a page within the

same document, and more. Use the Hyperlinks panel

to quickly insert hyperlinks directly into text, and verify

your hyperlinks directly within InCopy CC.

Multiple undo/redo Step through your edits backward or forward in time.

Undo/redo steps are unlimited within the current

session.

Position markers Use position markers to quickly jump back and forth

between specic positions in your story without tedious

scrolling and searching.

Professional typography Apply a wide range of precise typographic adjustments

such as leading, leer spacing, and paragraph spacing.

Use OpenType® fonts and Unicode character encoding,

and easily insert glyphs by using the Glyphs panel.

Powerful styles Create and easily update paragraphs, characters, objects,

tables, and table cell styles for improved graphic and

typographical consistency. Use style groups to simplify

and organize long style lists.

Selective style import Selectively choose which paragraph and character styles

to import from other documents, and easily specify how

InCopy CC handles style-name conflicts.

Text import from Word

and Excel

Adapt the formaing of diverse Word and Excel docu-

ments as you import. Map Word styles to InCopy styles,

and import or paste Excel spreadsheets as tables.

Copy and paste formaing

(NEW)

Format text easily and intuitively by picking up aributes

from source text and applying the same to target text

with the Eyedropper tool. Customize how the tool works

with simple checkboxes for each formaing aribute.

Adobe InCopy CC Workflow Guide 18

Quick Apply Gain instant access to menu commands, styles, scripts,

and text variables without leaving the keyboard for

faster text formaing and editing.

Glyphs panel Create typographically sophisticated documents with

the help of the Glyphs panel. Use lters and the Recently

Used area to streamline browsing and inserting glyphs

from any font. Build and share glyph sets tailored to your

workgroup’s needs.

Expanded scripting support Use scripts to automate tedious work. Scripts can be

created with JavaScript, AppleScript, or VBScript. Aach

scripts to menu commands that run when the command

is selected, or launch a script from the Scripts panel. Sup-

port for compiled JavaScript protects your investment in

building scripts.

Robust XML support Open, create, and modify structured XML text and tables

within your publishing workow.

ICML ICML (InCopy Markup Language), an XML-based le for-

mat, allows developers to programmatically assemble

and disassemble InCopy documents using standard XML

tools and without having to open binary InCopy les.

Apple Multi-Touch gesture

support

Take advantage of support for Multi-Touch trackpad ges-

tures on Apple MacBook Pro and MacBook Air laptops.

Pinch to zoom in on objects and pages, swipe to turn

pages, and rotate to change the orientation of objects

and spreads.

Adobe Systems Incorporated

345 Park Avenue

San Jose, CA 95110-2704

USA

www.adobe.com

Appendix B: InCopy CC and MS Word integration features

Import word processing documents into InCopy— Import plain text, Rich Text Format (RTF), or

Microsoft Word files into checked-out frames in the layout. Use controls in the Import Options

dialog box to customize the conversion of text formatting, tables, and page breaks. Save

settings in a preset for future use.

To facilitate working with outside contributors, InCopy CC makes it easy to import and convert the

formatting in Word documents.

Share InCopy stories with Word users—Export any story in a layout or assignment to RTF,

which is compatible with Word, to share with outside authors who aren’t part of the workflow.

Place incoming RTF files into checked-out layout stories.

Open text files directly in InCopy—Open Microsoft Word (DOC and DOCX) files, ASCII (TXT)

files, and RTF files using the File > Open command in InCopy. When a file is opened, a

conversion dialog box appears with options dependent on the file type. After you choose

options and click OK, files are converted to standalone InCopy (ICML) files.

Import selected text from Word—Drag and drop or copy and paste text selections from a

Microsoft Word document directly into an InCopy story. Choose whether or not InCopy should

retain the original formatting (via the Preferences dialog box in InCopy).

Adobe Systems Incorporated • 345 Park Avenue,

San Jose, CA 95110-2704 USA • www.adobe.com

Adobe, the Adobe logo, Acrobat, Buzzword, InCopy, and InDesign are either registered trademarks or trademarks of Adobe Systems Incorporated in the

United States and/or other countries. Apple, Mac, and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries. OpenType and

Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. All other trademarks are

the property of their respective owners.

© 2012 Adobe Systems Incorporated. All rights reserved. Printed in the USA. 9/12