Adobe Premiere Pro CC (2015) Help Guide 2015 En
User Manual: adobe Premiere Pro - CC (2015) - Help Guide Free User Guide for Adobe Premiere Software, Manual
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- Legal notices
- Contents
- Chapter 1: What's New
- New features summary
- COLOR
- MORPH CUT
- COLLABORATION
- AUDIO
- USER INTERFACE
- EDITING
- Time Tuner
- Caption burn-in
- Editing experience refinements
- Clip markers displayed on minimized Timeline tracks
- Improved four-point editing
- Logarithmic waveform scaling in the Timeline
- Hide items in the Project panel
- Sort on XMP metadata in the Project panel
- Composite preview during trim
- Create a subsequence from a sequence segment
- Disable Master Clip Effects for project items
- AAF Export and reference video track
- Sequential Field playback in Source and Program Monitors
- Improved event notifications
- Improvements to Consolidate and Transcode
- Export movies at a specific timecode
- New frame hold option
- New Appearance preferences
- OTHER FEATURES
- New features summary
- Chapter 2:
- Chapter 3: Workspace and workflows
- Workspaces
- Working with Panels
- Sync settings using Adobe Creative Cloud
- Creative Cloud Libraries in Premiere Pro
- Basic workflow
- Using the Source Monitor and Program Monitor
- Adobe Dynamic Link
- About Dynamic Link
- Dynamic Link performance
- Create and link to After Effects compositions with Dynamic Link
- Delete a dynamically linked composition or clip
- Modify a dynamically linked composition in After Effects
- Create an After Effects composition from clips in Premiere Pro
- Offline compositions and Dynamic Link
- Color grading in Premiere Pro
- Set up a Color workspace
- General color correction workflow
- Apply basic color correction
- Apply Looks
- Adjust RGB and Hue-Saturation curves
- Adjust midtones, shadows, and highlights
- Apply Vignette
- Refine and reset using Effect Controls panel
- Export Looks, LUTs, and save presets
- View Lumetri scopes
- Direct-Link workflow between Premiere Pro and SpeedGrade
- Cross-application workflows
- Edit a clip in its original application
- Copy between After Effects and Premiere Pro
- Working with Photoshop and Premiere Pro
- Working with SpeedGrade and Premiere Pro
- Working with Adobe Story and Premiere Pro
- Working with Encore and Premiere Pro
- Working with Apple Final Cut Pro and Adobe Premiere Pro
- Working with Avid Media Composer and Adobe Premiere Pro
- Cross-platform workflow
- Keyboard shortcuts in Premiere Pro CC
- Preferences
- Change preferences
- General preferences
- Appearance preferences
- Audio Preferences
- Audio Hardware preferences
- Auto Save preferences
- Capture preferences
- Control Surface preferences
- Device Control preferences
- Label Colors preferences
- Label Defaults preferences
- Media preferences
- Memory preferences
- Playback preferences
- Sync Settings preferences
- Titler preferences
- Trim preferences
- Chapter 4: Project setup
- Chapter 5: Importing footage
- Supported file formats
- Transferring and importing files
- Importing sequences, clip lists, and compositions
- Importing still images
- Importing digital audio
- Importing assets from tapeless formats
- Importing XML project files from Final Cut Pro
- Capturing and digitizing footage
- About capturing and digitizing
- System requirements for capturing
- Set capture format, preferences, and tracks
- Capture from stereo sources to mono tracks
- File size limits
- Set up device control
- Disable device control
- Capture without device control
- Capture with device control
- Determine whether your device is online
- Log clips with automatic scene detection
- Common capture issues
- Batch capturing and recapturing
- Working with timecode
- Setting up your system for HD, DV, or HDV capture
- Set up a DV or HDV system
- Set up an SD-SDI, HD-SDI, or component system
- Set up a file-based system
- Set up an S-Video or composite system
- Specify the default audio device
- Specify ASIO device settings (Windows only)
- Specify whether to render audio when rendering video
- Specify the duration for preroll and postroll pauses
- Specify scratch disks to improve system performance
- Move or clean the Media Cache Database
- Optimize rendering for available memory
- Capture HD, DV, or HDV video
- Support for growing files
- Digitizing analog video
- Create clips for offline editing
- Chapter 6: Managing assets
- Organize assets in the Project panel
- Use bins
- Label assets
- Rename assets
- Jump to an asset in the Project panel
- Remove assets from a project
- Define a different thumbnail for clips
- Edit cells in the Project panel
- View clip properties
- View field order for clips
- Determine if a clip has interlaced or progressive scanning
- Change the frame rate of clips
- Customizing the Project panel
- Managing metadata
- Working with aspect ratios
- Find assets
- Render and replace media
- Monitor overlays
- Organize assets in the Project panel
- Chapter 7: Monitoring assets
- Chapter 8: Editing
- Create and change sequences
- Timeline panels
- Navigate in a sequence
- Work with tracks
- Set track display
- Create a sequence
- Create a custom sequence preset
- Change sequence settings
- Change sequence preview resolution settings
- Create a widescreen sequence
- Create an HDV or HD sequence
- Create a sequence with uncompressed video playback
- Create a sequence for RED camera footage
- 24p sequences
- Start a mobile device sequence
- Using multiple sequences
- Nest sequences
- Attach closed caption files
- Add clips to sequences
- Add a clip to a sequence
- Open a sequence
- Target tracks
- Drag video and audio to a sequence
- Drag video only or audio only to a sequence
- Add a track while adding a clip
- Insert a clip into a sequence
- Overwrite a clip into a sequence
- Insert or Overwrite by dragging a clip to the Program panel
- Make three-point and four-point edits
- Add clips to a sequence automatically
- Mixing clip types in a sequence
- Replace one clip with another in a Timeline
- Replace the source footage for a clip
- Set or remove sequence In and Out points
- Set sequence start time
- Edit from sequences loaded into the Source monitor
- Rearrange clips in a sequence
- Move clips
- Split or cut one or more clips with the Razor tool
- Lift and paste frames
- Extract and paste frames
- Delete clips and close gaps simultaneously
- Delete gaps between clips
- Find gaps in sequences and tracks
- Copy and paste at the playhead
- Copy and paste clips by dragging in the Timeline
- Delete all clips on one track
- Find, select, and group clips in a sequence
- Rendering and previewing sequences
- Define the work area for rendering
- Define the area for rendering using In and Out points
- Render a preview file for a section of a sequence
- Render audio when rendering video
- Work with preview files
- Play a sequence from start to finish
- Scroll a sequence during preview
- Previewing on a television monitor
- Ensure that Adobe video applications use the same cached files
- Multi-camera editing workflow
- Working with markers
- Create and play clips
- Trimming clips
- Working with In and Out points
- Working with audio clips in the Source Monitor
- Working with clips in the Source Monitor
- Open a clip in the Source Monitor
- Open and view recent clips from the Source Monitor
- Set In points and Out points in the Source Monitor
- Move In point and Out point together
- Adjusting edit points in the Source Monitor
- Cue to an In point or Out point
- Cue to the previous or next edit
- Remove source clip In point or Out point
- Timeline trimming
- Selecting edit points
- Selecting edit points with the mouse
- Using modifier keys with trim tools
- Trimming in Timeline gaps
- Trim type context menu
- Select multiple edit points
- Keyboard shortcuts for edit point selection
- Performing a Timeline trim
- Trim by dragging with the mouse
- Trim with keyboard shortcuts
- Trim with numeric keypad entry
- Trim with the selection tool
- Trim with the playhead
- Making ripple and rolling edits in the Timeline
- Make slip and slide edits
- Work in trim mode
- Trim mode interface
- Entering trim mode
- Reviewing trims
- J-K-L dynamic trim
- Refining Trims in trim mode
- Trim tools in trim mode
- Exit trim mode
- Keyboard shortcuts for trim mode
- Trimming and the History panel
- Slip and slide edits in trim mode
- Slip edit in trim mode
- Slide edit in trim mode
- Asymmetrical trimming
- Specifying Primary Direction for Asymmetrical Trims in the Timeline
- Work in the Trim Monitor
- Create special clips (synthetics)
- Working with offline clips
- Relinking offline media
- Working with captions
- Source patching and track targeting
- Synchronizing audio and video with Merge Clips
- Modifying clip properties with Interpret Footage
- Remove alerts with the Events panel
- Undo, history, and events
- Freeze and hold frames
- Create and change sequences
- Chapter 9: Audio
- Overview of audio and the Audio Track Mixer
- Working with clips, channels, and tracks
- Editing audio in a Timeline panel
- Adjusting volume levels
- Monitor volume level from Timeline, or Program Monitor
- Monitor volume level while capturing
- Specify whether to play audio while scrubbing
- Adjusting gain and volume
- Normalize one or more clips
- Normalize the Master track
- Adjust track volume with keyframes
- Apply a volume level to several clips
- Adjust volume in Effect Controls
- Set track volume in the Audio Track Mixer
- Mute a track in the Audio Track Mixer
- Mix tracks in the Audio Track Mixer
- Monitor clip volume and pan using Audio Clip Mixer
- Panning and balancing
- Recording audio
- Recording audio mixes
- Multiple stereo assignments for tracks to multichannel masters
- Control surface support
- Editing audio in Adobe Audition
- Advanced mixing
- Chapter 10: Titles
- Creating and editing titles
- Creating and formatting text in titles
- Live Text templates
- Titler text styles
- Working with text and objects in titles
- Add images to titles
- Drawing shapes in titles
- Fills, strokes, and shadows in titles
- Rolling and crawling titles
- Chapter 11: Effects and transitions
- About effects
- Applying, removing, finding, and organizing effects
- Viewing and adjusting effects and keyframes
- Effect presets
- Master Clip Effects
- Masking and Tracking
- Stabilize motion with the Warp Stabilizer effect
- Transition overview: applying transitions
- Overview
- Learn tutorial
- Clip handles and transitions
- Single- and double-sided transitions
- Applying transitions
- Apply a transition between two clips
- Apply a single-sided transition
- Specify and apply default transitions
- Copy and paste a transition
- Copy and paste a transition to multiple edit points
- Replace a transition
- Modifying and customizing transitions
- Change duration and speed of clips
- Motion: position, scale, and rotate clips
- Adjustment layers
- Color correction effects
- About Color Correction effects
- Apply the Color Correction effects
- Primary color correction using Fast Color Corrector and Three-Way Color Corrector
- Adjust color balance and saturation
- Adjust color and luminance using curves
- Adjust luminance using levels
- Select a color with the Adobe Color Picker
- Define the tonal ranges in a clip
- Specify a color or range of colors to adjust
- Replace a color
- Remove color in a clip
- Mix color channels in a clip
- Isolate a single color using Color Pass
- Adjust edges, blurs and brightness using Convolution presets
- Add Lighting Effects
- Apply Lighting Effects textures
- Three-Way Color Corrector
- Audio effects and transitions
- Audio effects
- Balance effect
- Bandpass effect
- Bass effect
- Channel Volume effect
- Chorus effect
- DeClicker effect
- DeCrackler effect
- DeEsser effect
- DeHummer effect
- Delay effect
- DeNoiser effect
- Dynamics effect
- EQ effect
- Fill Left effect, Fill Right effect
- Flanger effect
- Highpass and Lowpass effects
- Invert (audio) effect
- MultibandCompressor effect
- Multitap Delay effect
- Notch effect
- Parametric EQ effect
- Phaser effect
- PitchShifter effect
- Reverb effect
- Spectral Noise Reduction effect
- Swap Channels effect
- Treble effect
- Volume effect
- Audio crossfade transitions
- Audio effects
- Working with audio transitions
- Applying effects to audio
- Applying audio effects in the Audio Mixer
- Apply a track effect in the Audio Mixer
- Adjust audio track effects in a Timeline
- Copy and paste track effects
- Designate a track effect as pre-fader or post-fader
- Remove or bypass a track effect in the Audio Mixer
- Working with VST effects
- Adjust a VST effect in a VST Editor panel
- Select a preset for a VST effect
- The rolling shutter repair effect
- Interlacing and field order
- Eliminate flicker
- Creating common results
- Chapter 12: Animation and keyframes
- Chapter 13: Compositing
- Chapter 14: Exporting
- Workflow and overview for exporting
- Exporting projects for other applications
- Export a still image
- Export to Panasonic P2 format
- Exporting to DVD or Blu-ray Disc
- Exporting to videotape
- Exporting for the Web and mobile devices
- Exporting OMF files for Pro Tools
- Smart rendering
- Working with Adobe SpeedGrade
- Working with Adobe Prelude
- Chapter 15: System Requirements