Adobe Using Premiere Pro CS5.5 Instruction Manual Premierepro Cs5 En
User Manual: adobe Premiere Pro - CS5.5 - Instruction Manual Free User Guide for Adobe Premiere Software, Manual
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- Legal notices
- Contents
- Chapter 1: What's new
- Chapter 2: User interface
- Workspaces
- Working with Panels
- Preferences
- Change preferences
- General preferences
- Appearance preferences
- Audio Preferences
- Audio Hardware preferences
- Audio Output Mapping preferences
- Change the Auto Save settings
- Capture preferences
- Device Control preferences
- Label Colors preferences
- Label Defaults preferences
- Media preferences
- Memory preferences
- Player Settings preferences
- Titler preferences
- Trim preferences
- Chapter 3: Workflows and setup
- Basic workflow
- Cross-platform workflow
- Cross-application workflows
- Edit a clip in its original application
- Working with Photoshop and Premiere Pro
- Copy between After Effects and Adobe Premiere Pro
- Working with Adobe Premiere Pro and Adobe Flash
- Working with Adobe Story, Adobe OnLocation, and Adobe Premiere Pro
- Working with Encore and Premiere Pro
- Working with Final Cut Pro and Adobe Premiere Pro
- Working with Avid Media Composer and Premiere Pro
- Adobe Dynamic Link
- About Dynamic Link (Production Premium or Master Collection only)
- Dynamic Link performance (Production Premium or Master Collection only)
- Create and link to After Effects compositions with Dynamic Link (Production Premium or Master Collection only)
- Delete a dynamically linked composition or clip (Production Premium or Master Collection only)
- Modify a dynamically linked composition in After Effects (Production Premium or Master Collection only)
- Create an After Effects composition from clips in Premiere Pro (Production Premium only)
- Offline compositions and Dynamic Link (Production Premium or Master Collection only)
- Setting up your system
- Premiere Pro trial versions
- Set up a DV or HDV system
- Set up an SD-SDI, HD-SDI, or component system
- Set up a file-based system
- Set up an S-Video or composite system
- Specify the default audio device
- Specify ASIO device settings (Windows only)
- Specify whether to render audio when rendering video
- Specify the duration for preroll and postroll pauses
- Specify scratch disks to improve system performance
- Move or clean the Media Cache Database
- Optimize rendering for available memory
- Chapter 4: Project setup
- Chapter 5: Importing, transferring, capturing, and digitizing
- Transferring and importing files
- Importing assets from tapeless formats
- Importing still images
- Importing digital audio
- Importing sequences, clip lists, libraries, and compositions
- Import clips from Adobe OnLocation projects using the Media Browser
- Importing earlier Premiere Pro projects
- Import selected sequences from Premiere Pro projects
- Import a Premiere Elements project (Windows only)
- Importing libraries (Windows only)
- Importing After Effects compositions
- Import CMX3600 EDL projects
- Importing XML project files from Final Cut Pro
- Import an XML file from Final Cut Pro
- Final Cut Pro clip data
- Final Cut Pro effects and transitions
- Conversion of Final Cut Pro video effects
- Conversion of Final Cut Pro video transitions
- Conversion of Final Cut Pro audio effects
- Conversion of Final Cut Pro audio transitions
- Final Cut Pro composite modes
- Final Cut Pro Multiclips
- Capturing and digitizing
- About capturing and digitizing
- System requirements for capturing
- Set capture format, preferences, and tracks
- Capture from stereo sources to mono tracks
- File size limits
- Set up device control
- Disable device control
- Capture without device control
- Capture with device control
- Determine whether your device is online
- Log clips with automatic scene detection
- Common capture issues
- Capturing DV or HDV video
- Capturing HD video
- Create clips for offline editing
- Digitizing analog video
- Capturing content for DVD
- Batch capturing and recapturing
- Working with timecode
- Chapter 6: Managing assets
- Customizing the Project panel
- Organizing assets in the Project panel
- Work with bins
- Label assets
- Rename assets
- Jump to an asset in the Project panel
- Find assets in the Project panel
- Find assets matching criteria
- Finding clips with Face Detection
- Remove assets from a project
- Define a different thumbnail for a clip
- Edit cells in the Project panel
- Viewing clip properties
- Change the frame rate of a clip
- Managing metadata
- Working with aspect ratios
- Chapter 7: Monitoring assets
- Using the Source Monitor and Program Monitor
- Playing assets
- Using the Waveform monitors and vectorscope
- Using the Reference Monitor
- Chapter 8: Editing sequences and clips
- Creating and changing sequences
- Timeline panels
- Navigate in a sequence
- Work with tracks
- Set track display
- Create a sequence
- Create a custom sequence preset
- Change sequence settings
- Change sequence preview resolution settings
- Create a widescreen sequence
- Create an HDV or HD sequence
- Create a sequence with uncompressed video playback
- Create a sequence for RED camera footage
- 24p sequences
- Start a mobile device sequence
- Using multiple sequences
- Nest sequences
- Attach closed caption files (CS5.5 and later)
- Editing multi-camera sequences
- About multi-camera editing
- About the Multi-Camera Monitor
- Display the Multi-Camera Monitor
- Add clips for multi-camera editing
- Synchronize clips with markers
- Create a multi-camera target sequence
- Record multi-camera edits
- Play nested multi-camera clips in the Program Monitor
- Play clips in the Multi-Camera Monitor
- Rerecord multi-camera edits
- Adjust multi-camera edits in a Timeline panel
- Insert or overwrite clips in a multi-camera sequence
- Creating and playing clips
- Synchronizing audio and video with Merge Clips (CS5.5 and later)
- Working with offline clips
- Modifying clip properties with Interpret Footage
- Creating special clips (synthetics)
- Adding clips to sequences
- Adding clips to a sequence
- Open a sequence
- Targeting tracks
- Drag video and audio to a sequence
- Drag video only or audio only to a sequence
- Add a track while adding a clip
- Insert a clip into a sequence
- Overwrite a clip into a sequence
- Insert or Overwrite by dragging a clip to the Program panel
- Make three-point and four-point edits
- Add clips to a sequence automatically
- Mixing clip types in a sequence
- Replace one clip with another in a Timeline
- Replace the source footage for a clip
- Set or remove sequence In and Out points
- Set sequence start time
- Trimming clips
- Working with In and Out points
- Scrub the waveform in the Source Monitor
- Zoom in or out on a waveform in the Source Monitor
- Trim in the Source Monitor
- Trim with Trim-in and Trim-out tools
- Trim with the current-time indicator
- Trim with Speech Analysis
- Making rolling and ripple edits
- Make slip and slide edits
- Making split edits
- Work in the Trim Monitor
- Working with clips in a sequence
- Rearranging clips in a sequence
- Move clips
- Split or cut one or more clips with the Razor tool
- Remove clips from a sequence
- Lift and paste frames
- Extract and paste frames
- Delete clips and close gaps simultaneously
- Delete gaps between clips
- Find gaps in sequences and tracks
- Copy and paste at the current-time indicator
- Delete all clips on one track
- Rendering and previewing sequences
- Define the work area for rendering
- Render a preview file for a section of a sequence
- Render audio when rendering video
- Work with preview files
- Play a sequence from start to finish
- Scroll a sequence during preview
- Previewing on a television monitor
- Ensure that Adobe video applications use the same cached files
- Correcting mistakes
- Remove alerts with the Events panel
- Working with markers
- Creating and changing sequences
- Chapter 9: Editing Audio
- Overview of audio and the Audio Mixer
- Working with clips, channels, and tracks
- Mapping source and output audio channels
- Audio channel icons
- Extract audio from clips
- Render and replace audio
- Break a stereo track into mono tracks
- Use a mono clip as stereo
- Placing sound from one channel of a stereo clip into both channels
- Linking multiple audio clips
- Link audio clips
- Edit a multi-clip link in the Source Monitor
- Editing audio in a Timeline panel
- Recording audio
- Adjusting volume levels
- Monitor volume level from Timeline, or Program Monitor
- Monitor volume level while capturing
- Specify whether to play audio while scrubbing
- Adjusting gain and volume
- Normalize one or more clips
- Normalize the Master track
- Adjust volume with keyframes
- Apply a volume level to several clips
- Adjust volume in Effect Controls
- Set track volume in the Audio Mixer
- Mute a track in the Audio Mixer
- Mix tracks in the Audio Mixer
- Recording audio mixes
- Panning and balancing
- Advanced mixing
- Editing audio in Adobe Soundbooth
- Editing and mixing audio in Adobe Audition
- Chapter 10: Titling and the Titler
- Creating and editing titles
- Creating and formatting text in titles
- Drawing shapes in titles
- Add images to titles
- Working with text and objects in titles
- Fills, strokes, and shadows in titles
- Titler text styles
- Rolling and crawling titles
- Chapter 11: Effects and transitions
- About effects
- Applying, removing, finding, and organizing effects
- Viewing and adjusting effects and keyframes
- Applying effects to audio
- Applying audio effects in the Audio Mixer
- Apply a track effect in the Audio Mixer
- Adjust audio track effects in a Timeline
- Copy and paste track effects
- Designate a track effect as pre-fader or post-fader
- Remove or bypass a track effect in the Audio Mixer
- Working with VST effects
- Adjust a VST effect in a VST Editor panel
- Select a preset for a VST effect
- Working with audio transitions
- Effect presets
- Creating common results
- Motion: position, scale, and rotate a clip
- Eliminate flicker
- Duration and speed
- Interlacing and field order
- Color correction and adjustment
- Adjusting color and luminance
- Set up a Color Correction workspace
- Apply the Color Correction effects
- Quickly remove a color cast
- Make quick luminance corrections
- Color balance, angle, and saturation controls
- Adjust color balance and saturation
- Adjust color and luminance using curves
- Adjust luminance using levels
- Select a color with the Adobe Color Picker
- Define the tonal ranges in a clip
- Specify a color or range of colors to adjust
- Replace a color
- Remove color in a clip
- Mix color channels in a clip
- Isolate a single color using Color Pass
- Adjust edges, blurs and brightness using Convolution presets
- Add Lighting Effects
- Apply Lighting Effects textures
- Transition overview: applying transitions
- Modifying and customizing transitions
- Effects and transitions reference
- Effects and transitions list
- Adjust effects
- Blur and sharpen effects
- Channel effects
- Color correction effects
- Distort effects
- Generate effects
- Image control effects
- Keying effects
- Noise and grain effects
- Perspective effects
- Stylize effects
- Time effects
- Transform effects
- Transition effects
- Utility effects
- Video effects
- Video dissolve transitions
- Adjust effects
- Blur and Sharpen effects
- Channel effects
- Color Correction effects
- Brightness & Contrast effect
- Broadcast Colors effect
- Change Color effect
- Change To Color effect
- Channel Mixer effect
- Color Balance effect
- Color Balance (HLS) effect
- Equalize effect
- Fast Color Corrector effect
- Leave Color effect
- Luma Corrector effect
- Luma Curve effect
- RGB Color Corrector effect
- RGB Curves effect
- Three-Way Color Corrector effect
- Tint effect
- Video Limiter effect
- Distort effects
- Generate effects
- Image Control effects
- Keying effects
- Alpha Adjust effect
- Blue Screen Key effect (Windows only)
- Chroma Key effect (Windows only)
- Chromakey with the Ultra Key effect
- Color Key effect
- Difference Matte effect
- Eight-Point, Four-Point, and Sixteen-Point Garbage Matte effects
- Image Matte Key effect
- Luma Key effect
- Non Red Key effect
- RGB Difference Key effect (Windows only)
- Remove Matte effect
- Track Matte Key effect
- Noise & Grain effects
- Perspective effects
- Stylize effects
- Time effects
- Transform effects
- Transition effects
- Utility effects
- Video effects
- Video dissolve transitions
- Effects and transitions list
- Audio effects and transitions reference
- Audio effects and transitions list
- Audio effects
- Balance effect
- Bandpass effect
- Bass effect
- Channel Volume effect
- Chorus effect
- DeClicker effect
- DeCrackler effect
- DeEsser effect
- DeHummer effect
- Delay effect
- DeNoiser effect
- Dynamics effect
- EQ effect
- Fill Left effect, Fill Right effect
- Flanger effect
- Highpass and Lowpass effects
- Invert (audio) effect
- MultibandCompressor effect
- Multitap Delay effect
- Notch effect
- Parametric EQ effect
- Phaser effect
- PitchShifter effect
- Reverb effect
- Spectral Noise Reduction effect
- Swap Channels effect
- Treble effect
- Volume effect
- Audio crossfade transitions
- Chapter 12: Animation and keyframes
- Chapter 13: Compositing
- Chapter 14: Exporting
- Chapter 15: Keyboard shortcuts
- Finding and customizing keyboard shortcuts
- Default keyboard shortcuts
- Selecting tools (keyboard shortcuts)
- Viewing panels (keyboard shortcuts)
- Capture panel (keyboard shortcuts)
- Multi-Camera Monitor (keyboard shortcuts)
- Project panel (keyboard shortcuts)
- Timeline panel (keyboard shortcuts)
- Titler (keyboard shortcuts)
- Trim panel (keyboard shortcuts)
- Effect Controls panel (keyboard shortcuts)