Arcam Fmj Avr600 Users Manual
FMJ AVR600 avr600e_manual
AVR600 to the manual f194a0ec-2db4-47a1-8a86-6c203b35af97
2015-02-05
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AVR600
HANDBOOK AVR surround amplier
English
E-2
safety
guidelines
Important safety instructions
is product is designed and manufactured to meet
strict quality and safety standards. However, you should
be aware of the following installation and operation
precautions.
1. Take heed of warnings and instructions
You should read all the safety and operating instructions
before operating this equipment. Retain this handbook
for future reference and adhere to all warnings in the
handbook or on the equipment.
2. Water and moisture
e presence of electricity near water can be dangerous.
Do not use the equipment near water – for example next
to a bathtub, washbowl, kitchen sink, in a wet basement
or near a swimming pool, etc.
3. Object or liquid entry
Take care that objects do not fall and liquids are not
spilled into the enclosure through any openings. Liquid-
lled objects such as vases should not be placed on the
equipment.
4. Placing the equipment
Only use a rack or shelf that is stable and strong enough
to support the weight of this equipment.
5. Ventilation
Do not place the equipment on a bed, sofa, rug or
similar so surface, or in an enclosed bookcase or
cabinet, since ventilation may be impeded.
6. Heat
Locate the equipment away from naked ames or heat-
producing appliances such as radiators, stoves or other
appliances that produce heat.
7. Climate
e equipment has been designed for use in moderate
climates and in domestic situations. Unplug this
equipment during lightning storms to prevent possible
damage from a strike or mains surge.
8. Cleaning
Unplug the unit from the mains supply before cleaning.
e case should normally only require a wipe with a so,
lint-free cloth. Do not use chemical solvents for cleaning.
We do not advise the use of furniture cleaning sprays or
polishes as they can cause permanent white marks.
9. Power sources
Only connect the equipment to a power supply of
the type described in the operating instructions or as
marked on the equipment.
e primary method of isolating the equipment from
the mains supply is to remove the mains plug. e
equipment must be installed in a manner that makes
disconnection possible.
10. Power-cord protection
Power supply cords should be routed so that they are not
likely to be walked on or pinched by items placed upon
or against them. Pay particular attention to the point
where they exit from the equipment.
11. Power lines
Locate any outdoor antenna/aerial away from power
lines.
12. Speaker connections
Any speakers must be connected to the AVR600 using
class II wire (i.e. no connection to Earth should be
made). Failure to observe this precaution may cause the
unit to become damaged.
13. Non-use periods
If the equipment is not being used for an extended
period, we recommend that you unplug the power cord
of the equipment from the outlet, to save power.
14. Abnormal smell
If an abnormal smell or smoke is detected from the
equipment, turn the power o immediately and unplug
the equipment from the wall outlet. Contact your dealer
and do not reconnect the equipment.
15. Servicing
You should not attempt to service the equipment.
Contact your dealer to arrange servicing.
16. Damage requiring service
e equipment should be serviced by qualied service
personnel when:
A. the power-supply cord or the plug has been
damaged, or
B. objects have fallen into, or liquid has spilled into the
equipment, or
C. the equipment has been exposed to rain, or
D. the equipment does not appear to operate normally
or exhibits a marked change in performance, or
E. the equipment has been dropped or the enclosure
damaged.
Safety compliance
is equipment has been designed to meet the IEC/EN
60065 international electrical safety standard.
is device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) is device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired
operation.
Class II product
is equipment is a Class II or double
insulated electrical appliance. It has been
designed in such a way that it does not
require a safety connection to electrical
earth (‘ground’ in the U.S.).
Many of these items are common sense precautions but, for your own safety and to ensure that you do not damage the unit, we recommend that you read them.
CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified
service personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of
uninsulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and
maintenance (servicing) instructions in the literature accompanying the product.
CAUTION: In Canada and the USA, to prevent electric shock, match the wide blade of the plug to the wide slot in the socket
and insert the plug fully into the socket.
Français
F-1
consignes
de sécurité
Instructions de sécurité
importantes
Cet appareil a été conçu et fabriqué conformément aux
normes de qualité et de sécurité les plus strictes. Vous
devez cependant observer les précautions qui suivent
lors de son installation et de son utilisation.
1. Avertissements et consignes
Il est impératif de lire les consignes de sécurité et
d’utilisation avant de mettre cet appareil en marche.
Conservez ce manuel pour vous y référer par la suite et
respectez scrupuleusement les avertissements gurant
dans ce manuel ou sur l’appareil lui-même.
2. Eau et humidité
L’installation d’un appareil électrique à proximité d’une
source d’eau présente de sérieux risques. Il ne faut donc
pas installer l’appareil près d’une baignoire, d’un lavabo,
d’un évier, dans un sous-sol humide, près d’une piscine,
etc.
3. Chute d’objets ou inltration de liquides
Veillez à ne pas laisser tomber d’objets ni couler de
liquides à travers les ouvertures de l’appareil et ne placez
pas sur l’appareil d’objet contenant du liquide, tel qu’un
vase par exemple.
4. Placement de l’équipement
Utilisez uniquement une étagère assez stable et solide pour
supporter le poids de cet équipement.
5. Ventilation
Évitez de placer l’appareil sur un lit, un canapé, un
tapis ou une surface similaire instable ou dans une
bibliothèque ou un meuble fermé. Ceci risquerait de
nuire à la ventilation du système.
6. Exposition à la chaleur
Ne placez pas l’appareil à proximité d’une amme nue
ou de tout dispositif produisant de la chaleur : radiateur,
poêle ou autre.
7. Conditions climatiques
L’appareil est conçu pour fonctionner dans des climats
modérés. Déconnectez cet équipement pendant un
orage pour éviter tous dommages possibles d’un impacte
de la foudre ou de surtension.
8. Nettoyage
Mettez l’appareil hors-tension avant de le nettoyer.
Pour l’entretien du boîtier, utilisez uniquement un
chion doux, humide et non pelucheux. N’utilisez pas
de solvant chimique.
L’emploi d’aérosols ou de produits de nettoyage pour
meubles est déconseillé, car le passage d’un chion
humide risquerait de laisser des traces blanches et
indélébiles.
9. Alimentation secteur
Branchez l’appareil uniquement sur une alimentation
secteur du type mentionné dans le manuel d’utilisation
ou indiqué sur l’appareil lui-même.
Le principal moyen d’isoler l’appareil du secteur est
d’utiliser l’interrupteur situé à l’arrière de l’appareil.
Cet appareil doit être installé de façon à pouvoir être
débranché si nécessaire.
10. Protection des câbles d’alimentation secteur
Veillez à ce que les câbles d’alimentation ne se trouvent
pas dans un lieu de passage ou bloqués par d’autres
objets. Cette règle s’applique plus particulièrement aux
prises et câbles d’alimentation et à leurs points de sortie
de l’appareil.
11. Câbles haute tension
Évitez de monter l’antenne extérieure de l’appareil à
proximité de câbles haute tension.
12. Branchement des haut-parleurs
Tous les haut-parleurs doivent être connectés à
l’AVR600 avec du câble de classe II (aucune mise à la
terre nécessaire). Le non-respect de cette précaution est
susceptible d’endommager l’appareil.
13. Périodes de non-utilisation
Si l’appareil possède une fonction de mise en veille, un
courant faible continuera de circuler lorsqu’il sera réglé
sur ce mode. Débrancher le cordon secteur de la prise
murale si l’appareil doit rester inutilisé pendant une
période prolongée.
14. Odeur suspecte
Arrêtez et débranchez immédiatement l’appareil en cas
d’émission de fumée ou d’odeur anormale. Contactez
immédiatement votre revendeur.
15. Service
N’essayez jamais d’eectuer d’autres opérations que celles
mentionnées dans ce manuel. Toute autre intervention
doit être eectuée par un personnel qualié.
16. Entretien par des techniciens qualiés
L’appareil doit être entretenu par du personnel qualié
lorsque :
A. la prise ou le câble d’alimentation a été endommagé,
B. des objets sont tombés ou du liquide a coulé dans
l’appareil,
C. l’appareil a été exposé à la pluie,
D. l’appareil présente des dysfonctionnements,
E. l’appareil est tombé ou le boîtier a été endommagé.
Respect des consignes de
sécurité
Cet appareil a été conçu pour répondre à la norme
internationale de sécurité électrique EN60065.
Cet appareil est conforme à la Section 15 des règles
de la FCC. Son fonctionnement est soumis aux deux
conditions suivantes :
(1) ce produit ne risque pas de causer d’interférences
nuisibles et (2) ce produit doit accepter toutes les
interférences reçues, y compris celles qui risquent
d’entraîner un fonctionnement indésirable.
Class II produit
Ce produit est un appareil électrique à
isolation double (appareil de classe II).
Il a été conçu pour ne pas nécessiter de
connexion de sécurité à la terre (ou à la
masse).
Bon nombre des consignes ci-dessous sont de simples précautions de bon sens. Nous vous recommandons toutefois de les lire pour votre propre sécurité et pour celle de l’appareil.
ATTENTION : afin de réduire les risques de choc électrique, n’ouvrez pas le boîtier de l’appareil. Les pièces internes ne sont pas réparables
par l’utilisateur. Pour tout problème matériel, contactez des techniciens qualifiés.
ATTENTION : afin de réduire les risques de choc électrique et d’incendie, veillez à ne pas exposer cet appareil à la pluie ou à
l’humidité.
Le triangle dans lequel figure le symbole d’un éclair alerte l’utilisateur de la présence, dans le boîtier de l’appareil, d’une tension
dangereuse, non isolée et suffisamment importante pour représenter un risque de choc électrique.
Le triangle dans lequel figure un point d’exclamation alerte l’utilisateur de la présence d’instructions de fonctionnement et de
maintenance (réparation) importantes dans la documentation accompagnant le produit.
ATTENTION : au Canada et aux États-Unis, afin de prévenir tout choc électrique, aligner la plus grosse broche de la prise à la fente la plus
large de la fiche et insérez entièrement la prise dans la fiche.
F2
F-2
E-3
English
welcome
ank you and congratulations for purchasing your Arcam FMJ AVR600 Receiver.
Arcam has been producing specialist audio products of remarkable quality for over three
decades and the new AVR600 Receiver is the latest in a long line of award winning Hi-Fi. e
design of the FMJ range draws upon all of Arcam’s experience as one of the UK’s most respected
audio companies, to produce Arcam’s best performing range of products yet – designed and built
to give you years of watching and listening enjoyment.
is handbook is intended to give you a detailed guide to using the AVR600 Receiver. It starts
by giving advice on installation, moves on to describe how to use the product and nishes with
additional information on the more advanced features. Use the contents list shown on this page
to guide you to the section of interest.
We hope that your FMJ receiver will give you years of trouble-free operation. In the unlikely
event of any fault, or if you simply require further information about Arcam products, our
network of dealers will be happy to help you. Further information can also be found on the
Arcam website at www.arcam.co.uk.
e FMJ development team
Contents
safety guidelines .......................................E-2
welcome ......................................................E-3
before you begin… ..................................E-4
rear panel connectors ..............................E-7
audio/video connections ........................E-8
Connection guide ................................................ E-12
radio connectors .................................... E-14
other connectors .................................... E-16
speakers ................................................... E-18
operation ................................................. E-20
front panel operation ............................ E-22
remote control ........................................ E-23
essential setup ........................................ E-32
auto speaker setup ................................ E-33
setup menus ........................................... E-34
decoding modes .................................... E-40
Dolby volume ........................................................ E-42
tuner operation ...................................... E-44
network/usb operation ........................ E-46
external ampliers ................................. E-47
multi-room set up .................................. E-48
Multi-room connection guide ........................ E-49
customising the CR102 ......................... E-50
Command summary ........................................... E-53
Device codes .......................................................... E-53
trouble shooting ..................................... E-54
specications .......................................... E-56
product guarantee ................................ E-57
device code tables .....................................58
Professional Installation?
It may be that the AVR600 has been installed and set up as part of your Hi-Fi installation by a qualied Arcam
dealer. In this case, you may wish to skip the sections of this handbook dealing with installation and setting up,
and move directly to the sections dealing with using the unit. Use the Contents list to guide you to these sections.
DIY setup?
e AVR600 is a powerful and sophisticated piece of AV equipment. If you are setting the unit up yourself,
it is recommended that you read this handbook thoroughly before beginning. For instance, correct speaker
conguration and placement is a key to getting the most out of your AVR600 and making sure that all the
elements of your system work in harmony.
E-4
e AVR600 receiver is designed to produce a level of
performance that will truly bring music and movies
to life.
e AVR600 is a high-quality and high-performance
home-cinema processor and amplier built to Arcam’s
quality design and manufacturing standards. It
combines digital processing with high-performance
audio and video components to bring you an unrivalled
home-entertainment centre.
e AVR600 allows switching and control of eight
analogue and seven digital sources in addition to
internal AM, FM and DAB radio or a SiriusConnect™
Home Tuner input – as well as networked and USB
audio sources – making it an ideal hub for both home-
cinema and two-channel stereo systems.
Since many of these source components are also capable
of generating video signals, the AVR600 includes
broadcast-quality switching for HDMI, Composite,
S-Video, RGB and Component video signals. ere are
audio and video outputs for PVR and VCR recording,
as well as two digital outputs for digital recording of
digitised audio sources. DVD-Audio and SACD can
be connected via the multi-channel input. Control of
the AVR600 is either by front panel control buttons, IR
remote control or RS232 port.
e CR102 remote control supplied with the AVR600
is an eight-device ‘universal’ learning remote control
which is simple to use, and once set up is able to control
a complete system. It can be programmed using its vast
internal code library to control CD and DVD players,
PVRs, TVs and other devices.
e installation of the AVR600 in a listening room
is an important process which requires care at every
stage. For this reason, the installation information is
very comprehensive and should be followed carefully to
achieve an unrivalled level of performance.
before you
begin…
E-5
English
Placing the unit
< Place the unit on a level, rm surface, avoiding
direct sunlight and sources of heat or damp.
< Do not place the AVR600 on top of a power
amplier or other source of heat.
< Do not place the amplier in an enclosed space
such as a bookcase or closed cabinet unless there is
good provision for ventilation. e AVR600 will run
warm during normal operation.
< Do not place any other component or item on top of
the amplier as this may obstruct airow around the
heat-sink, causing the amplier to run hot. (e unit
placed on top of the amplier would become hot,
too.)
< Make sure the remote-control receiver on the front
panel display is unobstructed, otherwise this will
impair the use of the remote-control. If line-of-sight
is impractical, a remote-control repeater can be used
with the rear panel connector (see page 17).
< Do not place your record deck on top of this
unit. Record decks are very sensitive to the noise
generated by mains power supplies which will be
heard as a background ‘hum’ if the record deck is too
close.
Power
e amplier is supplied with a moulded mains plug
already tted to the lead. Check that the plug supplied
ts your supply – should you require a new mains lead,
please contact your Arcam dealer.
If your mains supply voltage or mains plug is dierent,
please contact your Arcam dealer immediately.
e AVR600 can be switched for operation between
195–265V (switch position 230V) and 85–132V (switch
position 115V).
NOTE
Ensure that the AVR600 is switched o and the
power lead removed before changing the position of
the voltage range switch.
Push the IEC plug end of the power cable into the
socket on the back of the amplier, making sure that it
is pushed in rmly. Plug the other end of the cable into
your mains socket and, if necessary, switch the socket
on.
e AVR600 can be turned on using the POWER switch
on the front panel. While switched on, the front panel
LED will glow green.
Standby power
e AVR600 can be switched into standby mode using
the 2 button on the CR102 remote control. While in
standby mode the front panel LED will glow red and
power consumption is around 3 watts.
While in Standby mode, it may be possible to hear a
slight residual hum coming from the mains transformer
inside the amplier. is is perfectly normal. However,
if the unit is to be le unused for an extended period,
we recommend that you disconnect it from the mains
supply to save power.
Interconnect cables
We recommend the use of high-quality screened cables
that are designed for the particular application. Other
cables will have dierent impedance characteristics
that will degrade the performance of your system (for
example, do not use cabling intended for video use to
carry audio signals). All cables should be kept as short
as is practically possible.
It is good practice when connecting your equipment to
make sure that the mains power-supply cabling is kept
as far away as possible from your audio cables. Failure to
do so may result in unwanted noise in the audio signals.
For information on speaker cabling, please refer to the
‘Speakers’ section, beginning on page 18.
Radio interference
e AVR600 is an audio device containing
microprocessors and other digital electronics. It has
been designed to very high standards of electromagnetic
compatibility.
is is a Class A product. In a domestic environment
this product may cause radio interference, in which case
the user may be required to take adequate measures.
If the AVR600 causes interference to radio or television
reception (which can be determined by switching the
AVR600 o and on), the following measures should be
taken:
< Re-orient the receiving antenna or route the antenna
cable of the aected receiver as far as possible from
AVR600 and its cabling.
< Relocate the receiver with respect to the AVR600.
< Connect the aected device and the AVR600 to
dierent mains outlets.
If the problem persists, please contact your Arcam
dealer.
E-6
Dolby Volume
Manufactured under license from Dolby
Laboratories. Dolby and the double-D symbol
are trademarks of Dolby Laboratories.
Dolby True HD, Digital, Digital Plus,
PL IIx
Manufactured under license from Dolby
Laboratories. Dolby, Pro Logic, and the
double-D symbol are trademarks of Dolby
Laboratories.
DTS-HD Master Audio
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,212,872; 7,333,929;
7,392,195; 7,272,567 & other U.S. and worldwide
patents issued & pending. DTS is a registered
trademark and the DTS logos, Symbol, DTS-HD
and DTS-HD Master Audio are trademarks of
DTS, Inc. © 1996-2008 DTS, Inc. All Rights
Reserved.
DTS-HD High Resolution Audio
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,212,872; 7,333,929 &
other U.S. and worldwide patents issued &
pending. DTS is a registered trademark and the
DTS logos, Symbol, DTS-HD, DTS-HD High
Resolution Audio and DTS-HD High Res Audio
are trademarks of DTS, Inc. © 1996-2008 DTS,
Inc. All Rights Reserved.
DTS Digital Surround
ES|Neo:6|96/24
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,003,467; 7,212,872 &
other U.S. and worldwide patents issued &
pending. DTS, DTS Digital Surround, ES, and
Neo:6 are registered trademarks and the DTS
logos, Symbol and DTS 96/24 are trademarks
of DTS, Inc. © 1996-2008 DTS, Inc. All Rights
Reserved.
AAC/AAC Plus
aacPlus is a trademark of Coding Technologies.
See www.codingtechnologies.com for more
information.
FLAC
FLAC Decoder Copyright © 2000, 2001, 2002,
2003, 2004, 2005, 2006, 2007, 2008 Josh Coalson
Redistribution and use in source and binary
forms, with or without modification, are
permitted provided that the following conditions
are met:
- Redistributions of source code must retain the
above copyright notice, this list of conditions
and the following disclaimer.
- Redistributions in binary form must
reproduce the above copyright notice, this list of
conditions and the following disclaimer in the
documentation and/or other materials provided
with the distribution.
- Neither the name of the Xiph.org Foundation
nor the names of its contributors may be used
to endorse or promote products derived from
this software without specific prior written
permission.
THIS SOFTWARE IS PROVIDED BY
THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS
OR IMPLIED WARRANTIES, INCLUDING,
BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL
THE FOUNDATION OR CONTRIBUTORS
BE LIABLE FOR ANY DIRECT, INDIRECT,
INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING,
BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS
OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND
ON ANY THEORY OF LIABILITY, WHETHER
IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT
OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
Ogg/Vorbis
Ogg/Vorbis Decoder Copyright © 2002,
Xiph.org Foundation
Redistribution and use in source and binary
forms, with or without modification, are
permitted provided that the following conditions
are met:
- Redistributions of source code must retain the
above copyright notice, this list of conditions
and the following disclaimer.
- Redistributions in binary form must
reproduce the above copyright notice, this list of
conditions and the following disclaimer in the
documentation and/or other materials provided
with the distribution.
- Neither the name of the Xiph.org Foundation
nor the names of its contributors may be used
to endorse or promote products derived from
this software without specific prior written
permission.
THIS SOFTWARE IS PROVIDED BY
THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS
OR IMPLIED WARRANTIES, INCLUDING,
BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL
THE FOUNDATION OR CONTRIBUTORS
BE LIABLE FOR ANY DIRECT, INDIRECT,
INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING,
BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS
OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND
ON ANY THEORY OF LIABILITY, WHETHER
IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT
OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
Trademark acknowledgements
Arcam is a registered trademark of A & R Cambridge Ltd.
WMA &
Microsoft
DRM10
This product is protected by certain intellectual
property rights of Microsoft Corporation. Use
or distribution of such technology outside of
this product is prohibited without a license from
Microsoft or an authorized Microsoft subsidiary
Content providers are using the digital rights
management technology for Windows Media
contained in this device (“WM-DRM”) to
protect the integrity of their content (“Secure
Content”) so that their intellectual property,
including copyright, in such content is not
misappropriated. This device uses WM-DRM
software to play Secure Content (“WM-DRM
Software”). If the security of the WM-DRM
Software in this device has been compromised,
owners of Secure Content (“Secure Content
Owners”) may request that Microsoft revoke
the WM-DRM Software’s right to acquire
new licenses to copy, display and/or play
Secure Content. Revocation does not alter the
WM-DRM Software’s ability to play unprotected
content. A list of revoked WM-DRM Software
is sent to your device whenever you download a
license for Secure Content from the Internet or
from a PC. Microsoft may, in conjunction with
such license, also download revocation lists onto
your device on behalf of Secure Content Owners.
vTuner
This product is protected by certain intellectual
property rights of NEMS and BridgeCo. Use
or distribution of such technology outside of
this product is prohibited without a license
from NEMS and BridgeCo or an authorized
subsidiary.
MP3
MPEG Layer-3 audio decoding technology
licensed from Fraunhofer IIS and Thomson
multimedia
iPod
iPod is a trademark of Apple Inc., registered in
the US and other countries.
Sirius
SiriusConnect™, channel names and logos and
related marks are trademarks of SIRIUS XM
Radio Inc.
E-7
English
NOTE
Please read the ‘Placing the unit’, ‘Power’ and
‘Interconnect cables’ sections on page 5 before
connecting up your AVR600 integrated amplier!
Voltage select
Ensure the voltage selected
matches your local power supply
rear panel
connectors
HDMI
For information, see page 8.
Speaker connectors
For information, see page 18.
Power inlet
Connect the correct mains
cable here
Video connectors
Component, S-Video and
Composite connectors, see
page 9.
Zone 2 and 3 connectors, see
page 9.
Digital connectors
Optical and electrical digital
audio connectors, see page 9.
Aerials, control and communication
Sirius satellite radio, FM/AM/DAB radio, rLead/
rDock, RS232, Network/USB, IR and trigger
connectors, see page 14.
Audio connectors
Two-channel and multi-
channel, see page 10.
E-8
audio/video
connections
Before connecting your AVR600 to your source
components and speakers, please read through the
next few pages which will explain all the input and
output connectivity that is available. e ‘Speakers’
section explains how to connect up your speakers to
avoid damage to the amplier and how to arrange your
speakers for best performance.
General
e inputs are named to make it easier to reference
connected devices (e.g. ‘DVD’ or ‘VCR’). ey all have the
same input circuit (with the exception of the ‘PHONO’
input), so there is no reason why you should not connect
a dierent device to any of the inputs. For example, if
you had two DVD players and the AV input was not
being used, then the second DVD player could be
connected to the AV input.
When connecting a video source, its audio must be
connected to the corresponding sockets. For example,
if you a had a satellite decoder plugged into a SAT video
input, the audio must be connected to the SAT audio
inputs!
e hierarchy for video connections for best quality is
as follows;
< HDMI
< Component/RGB
< S-Video
< Composite.
You should connect as many of these as possible. e
AVR600 will automatically select the best quality
connection for the source available. For any video source
to be available in Zone 2 you must have an S-Video or
Composite connection between AVR600 and the source.
Making connections
< Wherever possible, connect both the analogue
and digital outputs of digital sources. is enables
use of a digital input for the main zone and the
corresponding analogue input for recording onto an
analogue tape deck, VCR or PVR, or for the Zone 2
or 3 output.
< Take care to place cables as far from any power
supply cabling as is practicable, to reduce hum and
other noise problems.
HDMI connectors
AV, SAT, DVD, VCR, PVR
Connect the HDMI video outputs of your source equipment to these
corresponding HDMI inputs.
OUT 1
Connect this output to the HDMI video input of your main zone display
device.
OUT 2
Connect this output to the HDMI video input of your second display
device or to another HDMI display device in a second living space. As
the AVR600 has only one processed video path, this signal will be a copy
of the signal on OUT 1.
Important notes about Component/RGB
video inputs and outputs
< When you connect your devices to these
connectors, take care to follow the letter/colour
coding for each input. No damage will occur but
incorrectly coloured or unstable pictures will
result.
< e Component video inputs have sucient
bandwidth for NTSC (525/60) or PAL (625/50)
video and HDTV video signals.
NOTE
All Zone 1 analogue video outputs will be disabled if
an HDMI digital video source is selected.
E-9
English
Zone 3 connectors
Z3 OUT
Connect these analogue audio
outputs to your Zone 3 equipment.
See ‘Multi-room Setup’ on page 48
for information.
Zone 2 connectors
Z2 AUDIO OUT, Z2 VIDEO OUT
Connect these analogue audio
and video outputs to your
Zone 2 equipment. See ‘Multi-
room Setup’ on page 48 for
information.
S-Video and
Composite
connectors
AV, DVD, SAT, VCR, PVR
Connect these inputs to the
S-Video and Composite outputs
of your available source equipment.
VCR OUT, PVR OUT,
ese are recording outputs. Connect these to the
‘S-Video in’ or ‘Composite in’ sockets (usually labelled
‘RECORD’) on your recording device.
MAIN OUT
Connect this output to the S-Video or Composite
sockets on your primary Zone 1 display.
Component/RGB
video connectors
ese inputs are suitable for
connection to source devices
which output Component (YUV
or YPbPr) or RGB high quality
analogue video signals. ese
signals are usually available from DVD players, set-top
boxes or games consoles.
If you are connecting up to an RGB source you will also
need to connect the source’s Composite output to the
AVR600 Composite input to act as a video sync. e
Composite signal should be on the same named input as
the RGB signals.
RGB video outputs on source equipment are oen on
SCART connectors. You will need to use a SCART to
‘RGB+Sync on phono’ breakout cable, available from
your Arcam dealer.
NOTE
When setting up the AVR600 menus (later in this
manual), you will need to select whether the three-
wire high quality video input is Component or RGB
for each input. is is done on the ‘HQ Video In’
line in the Input Cong menu. Failure to do this can
result in a green looking picture or a picture that is
unstable.
AV, DVD, SAT, VCR, PVR
Connect the Component video outputs of your source
equipment to these inputs.
OUT
Connect this output to the Component video input of
your display device.
NOTE
Analogue RGB video output is not available from
the AVR600. e analogue three-wire high quality
video output is always congured as Component
video.
Digital audio
connectors
TAPE, CD, AV, DVD, SAT, VCR, PVR
Connect these inputs to the digital
outputs of your available source
equipment.
OPTICAL, COAX
Connect the optical or coaxial output
to your digital recording device such as
CD-R, digital VCR or Minidisc player.
When a digital source is selected,
the digital output will send an exact
copy of the incoming digital signal. For example, for a
5.1 digital source, the digital output will also be in 5.1
format.
When an analogue-only source is selected, this is
digitized by the AVR600 and routed to the digital
outputs.
ese outputs are muted if a source is selected where the
HDMI connection is used and is transmitting HD audio.
e digital audio from the HDMI link will not be routed
to these outputs.
E-10
Front panel AUX input
e front panel AUX input can be
used as an analogue or optical
digital input.
For analogue sources, use a stereo
3.5mm lead; for digital sources
use a 3.5mm optical lead. e
front input is also used for the
auto-setup microphone input.
Phono
is input can be connected
directly to a record deck
which has a direct output
from a moving magnet (MM)
cartridge.
MCH input
is multi-channel analogue
audio input can be connected to
a source device which outputs
surround sound on its analogue
outputs. Such devices typically
include DVD-Audio and SACD
players. is input does not
pass through any of the audio
processing in the AVR600,
therefore functions such as
speaker size and distance from
the listening position should be copied from the AVR600
Setup menus into the Setup menus of your multi-channel
source. Note however that speaker level trims are applied
to the MCH input on the AVR600. erefore speaker level
trim settings on multichannel source equipment should be
le unset at zero.
Analogue pre-amplifier outputs
All pre-amplier analogue outputs are buered, have a
low output impedance, are at line level and follow the
Zone 1 volume control setting. ey are able to drive
long cables or several inputs in parallel if required.
For more information on connecting speakers or
additional power ampliers, see page 18 and 47.
Analogue record
outputs
VCR OUT, PVR OUT, TAPE OUT
Connect the le and right
outputs to the le and right
input sockets of your cassette
deck, PVR or VCR (usually labelled ‘RECORD’). e PVR
and VCR connectors may be used for a second and third
cassette deck. ese outputs are xed at full line level.
Analogue audio
inputs
TAPE, CD, AV, DVD, SAT, VCR,
PVR
Connect the le and right
inputs to the le and right
outputs of your source
equipment.
Front panel PHONES socket
is socket accepts headphones with an impedance
rating between 32Ω and 600Ω, tted with a 3.5mm
stereo jack plug. e headphone socket is always active,
except when AVR600 is muted.
When the headphone jack is inserted, the speaker
outputs and analogue pre-amplier outputs are
automatically muted.
E-11
English
E-12
Connection guide
DVD player
e diagram shows how to make audio and video
connections from a typical DVD player.
e preferred video hook-up, in order of preference is:
< use the HDMI connector (if HDMI output is
provided by the player), otherwise connect the three
Component or four RGB+Sync video connectors.
< use the S-Video connection if HDMI or Component
/RGB+Sync outputs are not provided by your player.
< use the Composite connection if HDMI,
Component/RGB+Sync or S-Video are not provided
by your player.
In each case, connect the video inputs labelled DVD on
the AVR600.
e preferred audio hook-up is using the coaxial digital
connector (usually marked DIGITAL AUDIO OUT), in
addition to the coaxial analogue outputs for le and
right channels.
In each case, use the audio inputs labelled DVD on the
AVR600.
Satellite receiver
A satellite receiver is connected in the same way as
a DVD player, with the same order of preference
according to the outputs provided by the satellite
receiver.
In each case, use the inputs labelled SAT on the AVR600.
Note that digital audio input from a satellite receiver
sometimes requires a coaxial/TOSLINK (digital
connector) interconnect cable, as some satellite receivers
do not implement audio over HDMI properly or at all.
CD player
Connect the digital audio output (if provided by the CD
player) to the digital CD input of the AVR600, using a
high quality coaxial interconnect cable.
Connect the right and le analogue audio outputs of
the CD player to the analogue CD inputs of the AVR600,
using a pair of high quality coaxial interconnect cables.
E-13
English
Connecting an iPod using the Arcam rDock
e combination of the AVR600 and Arcam’s optional
rDock or rLead accessory provides a great platform for
your iPod.
Connect the rDock as shown, power on the rDock, slot
in your iPod and select iPod as the source.
Navigating through music and podcasts on your iPod is
simple using the CR102 remote, with text appearing on
the AVR600 display.
More information is given in the rDock quick start
guide (or rLead quick start guide) supplied with these
accessory units.
E-14
radio
connectors
NOTE
e AVR600 provides power for the Sirius receiver,
so an external power supply is not needed.
Aerial connectors
e AVR600 is tted with an AM/FM receiver module
and Sirius connector or a DAB/FM receiver, depending
on the region where it was sold. e type of aerial you
need depends on your listening preferences and the
local conditions.
Your AVR600 is capable of superb radio reception, but
only if it is receiving a good quality transmission signal.
Try the aerials supplied with your unit. If you are in a
medium to strong signal area, these should be adequate
for good reception. In areas with poor signal strength,
you may require a roof or lo mounted aerial.
Contact your local Arcam dealer or aerial installation
experts for advice about local reception conditions.
Sirius
(where tted)
Sirius Satellite Radio is a
subscription radio service
available in North America.
For more information, visit
www.sirius.com or contact your
dealer (USA and Canada only).
e AVR600 is designed for use
with the ‘SiriusConnect™ Home
Tuner’ package which should be connected via the cable
supplied in that package to the Sirius socket.
DAB
(where tted)
In strong signal areas,
the DAB ‘T’ ribbon aerial
supplied can be used with
reasonable results. Mount
the aerial as high up as
possible on a wall.
In the UK the ‘T’-elements
need to be positioned
vertically for DAB
reception since broadcasts
are vertically polarised. In
other localities, check with
your Arcam dealer or try
both horizontal and vertical positions for best
reception.
Try each usable wall of the room to see which
gives best reception and use tacks or adhesive
tape to secure the aerial in a ‘T’ shape, but note
that no tacks should come into contact with the
internal wire of the aerial.
When installed and receiving
DAB, check the signal
strength by pressing the front
panel or remote control’s INFO
button until the signal quality
indicator is displayed.
In weak signal areas, a high-
gain, externally-mounted
or roof-mounted aerial is
desirable in order to receive
the highest number of services.
In Band III transmission areas
(such as the UK), use a multi-
element Yagi aerial with the
elements mounted vertically, as
the transmissions are vertically
polarised. If you are close to
more than one transmitter, use
an omnidirectional or folded
dipole aerial.
If the DAB services in your
area are transmitted on L-band,
then ask your dealer for advice
for the best aerial to use.
E-15
English
FM
Connecting an aerial
A suitable FM aerial must be
connected to the AVR600 before
FM radio can be received.
In strong signal areas, the FM
ribbon aerial supplied can be
used with reasonable results.
Mount this as high up as
possible on a wall with the top
of the ‘T’-elements positioned
vertically or horizontally, depending on the reception in
your area. Try each usable wall of the room to see which
gives best reception and use tacks or adhesive tape to
secure the aerial, but note that no tacks should come
into contact with the internal wire of the aerial.
When installed and receiving FM radio, check the signal
strength by pressing the front panel or remote control’s
INFO button until the signal indicator is displayed.
In weak signal areas, or for optimal FM radio reception,
a roof- or lo-mounted aerial is advised as this will give
superior reception.
In some areas, cable radio may be available or, in an
apartment building, a distributed aerial system may
be installed. In either of these cases you should have
sockets in your home marked FM or VHF (do not use
those marked TV); these should be connected to the FM
coaxial connector on the rear of the AVR600.
AM
Connecting an aerial
An AM aerial is required to
receive AM/medium wave radio
signals, so a simple loop aerial is
supplied with the AVR600. Follow
the assembly instructions in the
diagram below.
Make sure that the aerial is
positioned well away from the
AVR600 itself, TVs, computers
and other sources of RF ‘interference’. Rotate the aerial
to discover which position gives the best reception.
2. Push the tab into the open slot in the
base of the stand. Press until the tab
clicks home.
3. Connect the lead wires to the AM socket
at the rear of the AVR600 (the wires are
not polarised). Rotate the aerial’s stand
until you obtain the best reception.
1. Release the tie-wrap and unwind the
twisted lead. Fold the plastic stand
forward through the loop frame.
E-16
other
connectors
Data connectors
rLead/rDock
For use with an Arcam rLead or
rDock accessory. See page 13 and
the accessory documentation for
details.
RS232 serial connector
Use with control devices having
an RS232 serial port (for example,
Crestron and AMX touch screen
controllers). is connection
is also used for upgrading the
AVR600’s internal soware.
Network connectors
is section deals with installation of the unit into an
existing home network. For information on how to use
the AVR600’s network features, the USB socket, and for
a list of supported le types, refer to page 46.
Networking is a large subject and only the briefest
guidelines are presented in this handbook. Please
contact your Arcam dealer or specialist installer for
more information about introducing the AVR600 into
your computer network.
Ethernet
If an Ethernet cable is connected, the AVR600 will
automatically attempt to connect to your network.
You should use CAT5 cable plugged into the RJ45 socket
labelled ETHERNET on the rear panel.
If your network uses static IP
addressing rather than DHCP,
you will need to provide any
gateway, DNS and proxy
information. See page 39 for
information on setting up the
network.
USB connector
e AVR600 can play les stored
on a USB mass storage device,
typically a pen drive, but any
USB device that complies with
the ‘mass storage device‘ class is
compatible.
e AVR600 only supports the
direct connection of USB devices
and will not support devices
connected through a hub. If
regular access to the USB socket is required, you may
nd it convenient to use a USB extension lead.
See page 46 for details of supported le types.
E-17
English
Trigger connectors
e trigger connectors (TRIG Z1, TRIG Z2 and TRIG Z3)
provide an electrical signal whenever the AVR600 is
switched on and the relevant zone enabled.
e trigger signal can be used
to switch on and o compatible
pieces of home entertainment
equipment, for example, you
could set up a trigger to turn
on your television and DVD
player whenever the AVR600 was
switched on.
ere are three trigger output
sockets on the AVR600, each
capable of outputting a 12V,
70mA switching signal. e
socket is designed for mono 3.5mm jacks: tip is the
trigger output, sleeve is ground.
tip: Trigger output
sleeve: Ground
TRIG Z1
Use for remotely turning on and o power amps or
source equipment for Zone 1. On = 12V, O = 0V.
TRIG Z2
Use for remotely turning on and o power amps or
source equipment for Zone 2. On = 12V, O = 0V.
Infra-red (IR) connectors
e infra-red inputs (Z1 IR, Z2 IR
and Z3 IR) allow the connection
of external IR receivers, either
when the AVR600 front panel
IR receiver is fully or partially
obstructed or to allow the use
of a remote control in Zone 2 or
Zone 3.
ere are three IR inputs on the
AVR600, each designed for stereo
or mono 3.5mm jacks. Tip is the
modulated signal, sleeve is ground.
tip: Modulated signal
sleeve: Ground
Z1 IR
is input is intended for use with a local IR receiver
when the front panel of the AVR600 is blocked.
Connecting an IR receiver to Z1 IR will disable to front
panel IR receiver to prevent problems with multiple
commands if the front panel IR receiver is only partially
obstructed.
Z2 IR
is input is intended for use with an IR receiver in
Zone 2 to allow remote control of AVR600 from a
second room.
Z3 IR
is input is intended for use with an IR receiver in
Zone 3 to allow remote control of AVR600 from a third
room.
IR OUT
is output is an electrical combination of the Z1 (or
front panel) + Z2 + Z3 infra-red signals above. It can be
used to drive external IR emitters or can be connected
directly to other Arcam equipment which have an IR
input. is function can be useful as an IR ‘repeater’
so that someone in any of the zones can control the
functions of a CD player in the main zone, for example.
Tip is the modulated electrical IR signal, sleeve is
ground.
A supplier of infra-red receivers and emitter accessories
and systems is Xantech. See www.xantech.com for
more information, or ask your Arcam dealer.
NOTE
e IR inputs on the AVR600 are designed for
modulated signals. If the external IR receiver
demodulates the IR signal, it will not work. Also
the AVR600 does not provide power for external
receivers on the IR jack, therefore an external power
source will be required.
TRIG Z3
Use for remotely turning on and o power amps or
source equipment for Zone 3. On = 12V, O = 0V.
NOTE
Sockets with the prex ‘Z2’ or ‘Z3’ refer to
connections used in multi-room installation. For
more information on these connectors, see page 48.
E-18
speakers
e AVR600 allows you to connect up to seven speakers
and three active subwoofers in the main system. e
output channels correspond to speakers installed in the
front le, centre, front right, surround le, surround
right, surround back le, surround back right and an
active subwoofer.
e conguration and placement of your speakers
is very important. All speakers, with the exception of
the subwoofer, should be arranged around your normal
viewing/listening position. e subwoofer should be
placed in a position which gives an even frequency
response in all listening positions. Incorrect placement
leads to bass boom in some areas. Oen the only
way to nd a good position for your subwoofer is by
experimentation. A good place to start experimenting
is close to a wall but at least 1m away from any corners.
You can also consult your subwoofer handbook for
placement suggestions.
Connecting speakers
To connect each of the
speakers, unscrew the
corresponding terminals on
the back of the AVR600, insert
the speaker wires through
the hole in each post and
screw the terminals back
up. Make sure that the red
(positive/+) terminal of the
speaker is connected to the
red (positive/+) terminal on
the back panel, and the black
(negative/) terminal of the
speaker is connected to the
black (negative/) terminal on
the back panel.
It is important that no stray
strands of wire from these
connections are allowed to
touch another cable or the
product casing. Failure to
ensure this can cause a short circuit and damage your
AVR600.
Do not over-tighten the loudspeaker terminals, or use a
wrench, pliers, etc., as this could damage the terminals
and this would not be covered under the product’s
warranty.
Connecting subwoofers
e AVR600 also allows up to three
active subwoofers to be connected
to the SW1, SW2 or SW3 outputs.
See your subwoofer handbook
for the correct setting up and
connection for your particular
subwoofer.
Speaker cables
e speakers should be connected to the amplier using
good-quality, high-purity, low impedance copper cables.
Cheap speaker cables should be avoided – they are a
false economy and can signicantly degrade the sound
quality.
e cable runs to the speakers should be as short as
practicable. Connections to the speaker terminals
should always be nger tight, whether using bare wires
or spade connectors.
E-19
English
Front left and right
Position your front le and right speakers to
achieve a good stereo image for normal musical
reproduction as well as for the multichannel
modes. If they are placed too close together there
will be a lack of spaciousness; if they are placed
too far apart a stereo image will appear to have a
large ‘hole’ in the middle and will be presented in
two halves. If there is no practical alternative to
placing the speakers widely apart, this eect can
be overcome in music reproduction by using the
centre sound extraction from the le and right
speakers (see Dolby Pro Logic II Music mode).
Centre
e centre speaker allows for a more realistic
reproduction of dialogue. e centre speaker
should have a similar tonal balance to the front
le and right speakers and be positioned at a
similar height.
Surround left and right
e surround le and right speakers reproduce
the ambient sound and eects present in a
multichannel home cinema system and should be
installed slightly higher than the listener’s ears.
Surround back left and right
e surround back le and right speakers
are used to add extra depth and better
sound localisation and should be installed
approximately one metre higher than the
listener’s ears. Place the two surround
back speakers such that there is an arc of
approximately 150 degrees between each
surround back speaker and the centre speaker.
e surround back speakers should face the front
of the room as shown in the diagram to provide
the largest ‘sweet spot’.
Subwoofer
A subwoofer will greatly improve the bass performance of
your system. is is useful for reproducing special cinema
eects, especially where a dedicated LFE (Low Frequency
Eects) channel is available, as with many discs encoded
with Dolby or DTS technologies.
More than one subwoofer unit may be required for larger
installations, particularly in rooms of a timber frame
construction. Multiple subwoofers need care in placement
because there may be cancellation eects between the
units and you may require expert advice.
Single surround back centre speaker
It is also possible to use a single surround back
speaker positioned centrally behind the listening
position instead of two. In this case connect it to the
SBL speaker output. Follow the instructions in the
‘Spkr Types’ section of the Setup Menus for how to
congure the AVR600 for this setup.
E-20
Operating your AVR600
For information display we recommend you use the
OSD (On-Screen Display) on your display device
whenever possible.
Switching on
Press the front panel power button in. e power LED
will glow orange, the front display shows the word
‘ARCAM’, followed by the volume setting and the name of
the selected input. Aer initialization is complete, the
power LED changes colour to green.
Please wait until the unit has nished initialising before
operating the AVR600. It is recommended that if the
unit is switched o, you should wait at least 10 seconds
before switching the unit back on.
Standby
e AVR600 has a standby mode which can be entered
by pressing STANDBY on the remote control. When in
standby mode, the display is blank and the POWER LED
glows red.
While in Standby mode, it may be possible to hear a
slight residual hum coming from the mains transformer
inside the amplier. is is perfectly normal. However,
if the unit is to be le unused for an extended period,
we recommend that you disconnect it from the mains
supply to save power.
To switch on from standby
Press the STANDBY button on the remote control or any
key on the front panel (other than the power button).
Front panel display
e AVR600 is ready for use aer about four seconds.
e display window shows the currently selected source
and the last selected information view setting (this
information line can be changed using the INFO button).
e active zones (Z1, Z2 or Z3) are highlighted – the
example screen above shows that only Z1 (i.e. Zone1) is
active. e current volume setting (70.0dB in the above
example) is also displayed.
operation
Selecting a source
To select a particular source, press the –INPUT or
INPUT + buttons until that source is shown on the front
panel display, or (if available) press the corresponding
source button on the remote. e following sources are
available:
CD Compact Disc player input
AV Audio-Visual input
DVD DVD player input
SAT Satellite receiver input
VCR Video Cassette Recorder input
PVR Personal Video Recorder input
PHONO Phono (MM cartridge) input
MCH Selects MCH (multi-channel)
analogue input
TAPE Audio only tape deck input
AUX Auxiliary (front panel) input
AM/FM Internal tuner input
DAB* Internal tuner input
NET Internal (Ethernet) and external USB
solid-state device (e.g. pen drive) input.
SIRIUS* Requires an external receiver – see
www.sirius.com for more information
IPOD Requires an iPod® and Arcam rDock
or rLead.
*ese sources are market dependent and may not be
available on your AVR600
Upon selecting a source, the AVR600 will normally
select an active digital input in preference to an analogue
input. If you want to override the digital input and select
the analogue input, press and hold the source button for
at least two seconds. Some inputs (AM/FM, PHONO, MCH,
SIRIUS, IPOD) do not have a digital input.
e processing mode and Stereo Direct functions are
remembered and recalled for each individual input.
e MCH input is intended for direct analogue pass-
through of DVD Audio or SACD sources. Apart from
volume control and level trim, no processing modes
are possible on this input, including AVR600 bass
management and delays. Please set bass management,
speaker size and speaker delays in the source player. You
can copy the distances and relative speaker levels from
the Setup menus in the AVR600.
Tape operation
ree analogue audio outputs are provided for
recording, VCR, PVR and TAPE OUT. e selected analogue
input are routed to each of these outputs.
If the VCR input is selected, the VCR OUT output
is muted to prevent feedback loops in recording
equipment. Similarly the PVR OUT and TAPE OUT outputs
are muted when their respective inputs are selected to
prevent feedback.
VCR operation
Two outputs are provided for recording (Composite
and S-Video only), VCR and PVR OUT. e selected video
input is routed to each of these outputs.
Stereo Direct
To listen to a pure analogue stereo input, press the
DIRECT button. e Stereo Direct mode automatically
bypasses all processing and any surround functions. In
direct mode, digital processing is shut down to improve
the sound quality and reduces digital noise with the
AVR600 to an absolute minimum.
Note: when Stereo Direct mode is selected, no
digital output is available and no bass management
is performed, meaning that bass signals will not be
redirected to a subwoofer.
Volume control
It is important to realise that the level of the volume
indicator is not an accurate indication of the power
delivered to your loudspeakers. e AVR600 oen
delivers its full output power long before the volume
control reaches its maximum position, particularly when
listening to heavily recorded music. In comparison,
some movie sound tracks can appear very quiet, as
many directors like to keep maximum levels in reserve
for special eect sequences.
Headphones
To use headphones with the AVR600, plug the
headphones into the PHONES socket in the centre of the
front panel.
When headphones are plugged into the front panel
PHONES socket, the outputs for Zone 1 are muted and
the audio will be down-mixed to two channels (2.0). e
two-channel down-mix is required so that the centre
channel and surround information can be heard via the
headphones.
E-21
English
Using Zone 2 and 3
Zone 2 provides the option for the occupants of the
master bedroom, conservatory, kitchen, etc. to view or
listen to a dierent source at a dierent volume level
from the main zone (Zone 1).
Zone 3 provides for a third living space to have a copy of
the audio signal in Zone 2 at a dierent volume level.
Extended front panel menu
Pressing the MENU key and holding it for longer than
four seconds will bring up the Extended Menu, allowing
you to perform the following:
Restore to factory defaults
is option allows you to restore all settings on your
AVR600 to the defaults that it le the factory with. Note
that this also erases any secure backups stored on the
AVR600.
Change remote code
e default RC5 system code the AVR600 responds to
is 16. If required, for example due to another device in
your system also using this RC5 system code, it can be
changed to 19.
Updating firmware using a PC
Using a PC application (available on request from
Arcam), you can update the rmware in your AVR600
using the back panel RS232 port connected to your PC.
E-22
Remote control receiver. is is positioned behind
the display window, above the MENU button on the
front panel. Ensure the receiver is in a clear line of
sight from the remote control for operation. If this is
not possible, use a separate sensor connected to the
Z1 IR input on the rear panel.
front panel
operation
Power
Switches the main power to the
AVR600 on and o.
Once the unit is switched o,
it should be le for at least ten
seconds before switching on
again.
Volume
Adjusts the analogue output
volume in the selected zone
(line out, speakers and
headphones).
Aux
Multi purpose auxiliary
line level input,
calibration microphone
input and 3.5mm optical
digital (SPDIF) input.
Phones
is socket accepts headphones
with an impedance rating between
32Ω and 600Ω, tted with a
3.5mm stereo jack plug.
Input
ese buttons select the source
connected to the corresponding
input (or internal input)
Unused sources can be prevented
from being selected in the setup
menu.
Menu
Selects the Setup menus on the
on-screen display (OSD).
OK
Used to enter selections made in the
Setup menu. Also forces the analogue
and digital video outputs to the default
resolution: 480i (525-line NTSC) when
pressed for more than 2 seconds.
Info
Selects the information displayed on the
lower le portion of the front panel.
Mode
Selects between Stereo and the available
surround modes for the current source.
Direct
Stereo Direct on/o. Provides a direct analogue path from
the analogue inputs to the le and right front outputs.
Switches o any surround processing modes and shuts
down the DSP circuits for best stereo sound quality.
Display
is switches the display brightness
between o/dim/bright.
Zone
Selects between Zone 1, Zone 2 and
Zone 3 control.
Mute
Mutes all analogue audio outputs in the
currently selected zone.
Power / Standby LED
is indicates the status of the receiver. When
rst turned on, the LED is orange, to indicate
the AVR600 is ‘initialising’. is changes to green
when the AVR600 is fully powered and ready.
Red indicates the AVR600 is in Standby mode.
E-23
English
Inserting batteries into the
remote control
1. Open the battery compartment by pressing the
button on the back of the handset.
2. Insert four ‘AAA’ batteries into the battery
compartment – two facing the top of the unit,
and two facing the end, as in the diagram.
3. Lower the end cap onto the plastic locating plate
in the handset. is acts as a hinge, and you
can now push the end cap rmly into its locked
position with a click.
The CR102 universal remote
controller
e CR102 is a sophisticated ‘universal’ backlit remote
control that can control up to eight devices. It is pre-
programmed for use with the AVR600 and many other
Arcam products (FM/DAB tuners, CD players and DVD
players).
With its extensive built-in library of codes, it can also
be used with thousands of third party audio-visual
components – TVs, satellite and set-top boxes, PVRs,
CD players, etc. See the list of codes at the back of this
handbook, beginning on page 58.
e CR102 is a ‘learning’ remote, so you can teach it
almost any function from an old single-device remote.
You can also program the CR102 to issue a sequence of
commands (‘macros’) from a single button press.
remote
control
Using the remote control
Please keep in mind the following when using the
remote control:
< Ensure there are no obstacles between the
remote control and the remote sensor on the
AVR600. e remote has a range of about 7
metres. (If the remote sensor is obscured, the Z1
IR remote control input jack on the rear panel is
available. Please consult your dealer for further
information.)
< Remote operation may become unreliable if
strong sunlight or uorescent light is shining on
the remote sensor of the AVR600.
< Replace the batteries when you notice a
reduction in the operating range of the remote
control.
Notes on batteries:
< Incorrect use of batteries can result in hazards such
as leakage and bursting.
< Do not mix old and new batteries together.
< Do not use non-identical batteries together –
although they may look similar, dierent batteries
may have dierent voltages.
< Ensure the plus (+) and minus (-) ends of each
battery match the indications in the battery
compartment.
< Remove batteries from equipment that is not going
to be used for a month or more.
< When disposing of used batteries, please comply
with governmental or local regulations that apply in
your country or area.
E-24
e CR102 remains in the last selected Device Mode
so it is not necessary to press a Device Mode key before
every command key if all you are doing is playing or
skipping tracks on a CD, for example.
Navigation keys
e Navigation keys steer the cursor in Setup
menus or on-screen menus. ey also replicate
the navigation functions of original remotes
supplied with other home entertainment
devices in your system.
O conrms a setting.
Volume control
By default, the CR102 is set up so that the volume
control buttons always control the volume of the
AVR600, regardless of which Device Mode the remote
is currently set for. is is known as volume ‘punch
through’.
For example, if you are listening to a CD, you will
probably have the CR102 in CD Device Mode to control
the CD player. You can use the volume controls on the
remote directly to adjust the volume of the AVR600
without rst having to press A to put the remote
into AMP Device Mode. e volume buttons ‘punch
through’ the CD Device Mode on the remote to the AMP
Device Mode. Volume ‘punch through’ can be disabled
individually for any Device Mode if desired.
Useful information
Backlight
A blue backlight comes on for ve seconds whenever
a key is pressed. is helps you use the handset in
subdued lighting conditions. It may be possible to hear a
quiet tone being emitted from the remote control when
the backlight is on. is is perfectly normal.
Power LED blinks
Short blinks indicate a valid key press.
Multiple short blinks convey information (such as a
device code) or signal the beginning and successful
completion of a programming sequence.
Long blinks indicate an invalid key press or entry.
e symbol ‘*’ is used in the manual to indicate a
power LED blink.
Timeouts and unassigned keys
Time out – Aer 10 seconds the CR102 exits the
programming state and returns to normal operation.
Stuck key timeout – Aer any key is pressed
continuously for 30 seconds, the CR102 stops sending
IR transmission to conserve battery life. e CR102
remains o until all keys are released.
Unassigned keys – the CR102 ignores any unassigned
key presses for a particular Device Mode and does not
transmit IR.
Low voltage indicator
When the batteries are running down, the IR transmit
indicator on the CD102 (the LED under the Power
button) ashes ve times whenever you press a button:
* * * * *
If this happens, please t four new AAA alkaline
batteries as soon as possible.
Device Mode / Source keys
As the CR102 can control your AVR600 as well as a
range of other equipment, many of the buttons have
more than one function depending on the ‘device mode’
selected on the remote control.
e Device Mode keys (shown below) select the source
on the AVR600. If one of these keys is pressed briey,
a command is transmitted to change the source on the
AVR600. Also the functionality of the remote control
changes to operate the selected source device. it’s like
having eight dierent remotes in your hand!
DVD DVD player
SAT Satellite set-top box
AV Audio-visual sound input (use with TV)
TUN DAB, Sirius, FM or AM tuner
AMP Controls the amplier and setup features
of the AVR600
AUX Auxiliary input, or an iPod® via an
Arcam rDock or rLead
PVR Personal Video Recorder (or Digital
Video Recorder)
CD Compact Disc player
If you press and hold a Device Mode key for about four
seconds, you change the Device Mode of the CR102
without changing the signal source on the AVR600. is
can also be done by pressing S followed by a Device
Mode key (within two seconds). ese two methods
allow you to change which device the CR102 controls
without also changing the AVR600 source, allowing
uninterrupted listening.
Each Device Mode changes the behaviour of many
of the CR102 keys to control the source device
appropriately. For example:
In CD mode 0 plays the previous CD track.
In AV mode 0 issues the TV ‘channel down’ command.
The CR102 complies with Part 15 of the
FCC rules
is equipment has been tested and found to
comply with the limits for a class B digital device,
pursuant to part 15 of the FCC Rules. ese limits
are designed to provide a reasonable protection
against harmful interference in a residential
installation. is equipment generates, uses, and can
radiated radio frequency energy and if not installed
and used in accordance with the instructions,
may cause harmful interference to radio
communications. However, there is no guarantee
that interference will not occur in a particular
installation. If this equipment does cause harmful
interference to radio or television reception, which
can be determined by turning the equipment o
and on, the user is encouraged to try to correct
the interference by one or more of the following
measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and
receiver.
Connect the equipment into an outlet or a circuit
dierent from that to which the receiver is
connected.
Consult the dealer or an experienced radio/TV
technician for help.
E-25
English
Controlling other devices
Method 1 (Direct code setup)
is section describes the simplest (preferred) way to
program the CR102’s Device Mode keys to control the
non-Arcam devices in your system.
< Some of the modes are locked to Arcam operation but
can be unlocked if required (see page 52).
< A mode only controls Arcam equipment.
DVD mode Locked
SAT mode Unlocked
AV mode Unlocked
TUN mode Locked
AUX mode Locked
VCR mode Unlocked
CD mode Locked
Here is a specic example of how to program the a
key to control an Addison television. e principles for
controlling other devices are exactly the same.
1. Make sure your device is switched on (not just on
standby).
2. Find the correct Device Code table (e.g. TV) for the
type of device you want to control from the CR102.
3. Find the row containing the codes for the
manufacturer of your device (e.g. Addison) (page
58). e most popular code is listed rst.
4. Press the appropriate Device Mode key (e.g. a) on
the CR102.
5. Press and hold S until the red Power LED blinks
twice: * * (It actually blinks once when you press
the key, then twice aer about three seconds).
6. Enter the rst four-digit device code using the
number keys. e power key blinks twice: * *.
7. Aim the CR102 at the device and press P. If the
device switches o, the setup is complete.
8. Turn your device back on and test all the CR102’s
functions to ensure they are working properly.
9. Important! Wr ite your device code down on the
right hand side of the page so you can remember it if
you ever reset the CR102.
What if I still can’t control my device?
< If your device doesn’t respond, repeat the above
steps until one of the device codes listed for your
brand works.
< If none of the codes listed for your brand operates
your device, or if your brand is not listed at all, try
the Library Search Method described in the next
section.
Notes:
< Some codes are quite similar. If your device does not
respond or is not functioning properly with one of
the codes, try another code listed under your brand.
< If your device’s original remote control does not have
a P (POWER) key, press $ instead of P when
setting up your device.
< Remember to press the corresponding device key
before operating your device.
< Many TVs do not switch on pressing P. Please try
pressing a number key (‘channel select’) to switch
your TV back on.
< To search for the code for another device follow the
instructions above, but press the appropriate device
key instead of a during step 2.
Method 2 (Library search)
is section describes another way to program the
CR102 to control third-party equipment.
Library Search allows you to scan through all the
codes contained in the CR102’s memory. It can take a
lot longer than the previous method, so only use this
method if:
< Your device does not respond to the CR102 aer you
have tried all the codes listed for your brand.
< Your brand is not listed at all in the Device Code
tables.
Example: To search for a TV code
1. Switch your TV on (not standby) and aim the
CR102 at it.
2. Press a on your CR102.
3. Press and hold S until the power LED blinks twice.
4. Press 9 9 1. e power LED key blinks twice:
* *.
5. Press P.
6. Aim the CR102 at your Television and press [
repeatedly until your Television turns o.
Every time you press [ the CR102 sends out a
POWER signal from the next code contained in its
memory. In the worst case, you may have to press this
key up to 150 times, so patience is required! If you
skip past a code, step back by pressing ]. Remember
to keep pointing the CR102 at your Television while
pressing this key.
7. As soon as your television turns o, press S to
store the code.
Notes:
< Many TVs do not switch on by pressing P. Try
pressing a number key (‘channel select’) to switch
your TV back on.
< If you cannot control your Television properly,
please continue the Search Method: you may be
using the wrong code.
< To search for the code for another device follow the
instructions above, but press the appropriate Device
Mode key instead of a during step 2.
< If your device’s original remote control does not have
a P (STANDBY) key, press $ instead during step 5.
Code blink-back
Once you have set up your CR102, you can blink back
your device set-up codes for future reference.
Example: To blink back your Television code
1. Press the appropriate Device Mode key (e.g. a)
once.
2. Press and hold S until the red Power LED blinks
twice * * (It actually blinks once when you press
the key, then twice aer about three seconds).
3. Press 9 9 0. e P key blinks twice.
4. For the rst digit of your four-digit code, press 1 and
count all the red blinks. If there are no blinks, the
digit is ‘0’.
5. For the second, third and fourth digits, repeat the
previous step, pressing 2, 3, or 4 in order.
Now you have the four-digit code.
Make a note of the codes
Write down the codes for your devices in the boxes
below for future reference.
Device Code
1
2
3
4
5
6
7
8
E-26
AMP Device Mode
e A Device Mode button congures the CR102 to
control the AVR600. Pressing this button does not aect
the currently selected input on the AVR600.
IMPORTANT: e CR102 must also be in AMP Device
Mode to control the following sources: PHONO, MCH
(multi-channel analogue), AUX, NET (optional network
audio), USB, IPOD (for use with the optional Arcam
rLead or rDock).
However to control the internal Tuner (AM/FM/DAB
or Sirius if tted) the CR102 must rst be in TUN Device
Mode (see later).
e functionality of the CR102 is context sensitive for
the internal sources and is described in the following
table.
P
Single press – Toggles AVR600 power
between standby and on in the current zone
(zone in which the command is received).
Press and hold – Forces all AVR600 zones
into standby, regardless of which zone the
command was received in.
0…9
e number keys can be used for source
selection (without changing the CR102
Device Mode). Alternatively the Device
Mode buttons can also be used with the
SHIFT key.
0 SAT (satellite) input
1 PHONO input
2 AV input
3 TUNER input
4 DVD input
5 TAPE input
6 VCR input
7 CD input
8 AUX (front panel) input
9 MCH (multichannel) input
PHONO
ESelects Tape input on the AVR600
SHIFT + E selects PHONO input on the
AVR600
RPT
r(for IPOD and NET sources)
SModies many keys (see individual key
descriptions below).
AUX
HSelects MCH (multichannel) input on the
AVR600
SHIFT + H selects AUX input on the AVR600
NET
eSelects IPOD input on the AVR600
SHIFT + e selects network (NET) internal
input on the AVR600
Navigate menus
OK conrms a setting (equivalent to ‘Enter’
or ‘Select’ on some remote controls)
Press and hold OK to force the analogue
and digital video outputs to the default
resolution: 480i (525-line NTSC).
SHIFT +
<
decreases the picture resolution.
SHIFT + > increases the picture resolution.
SHIFT +
'
turns current zone (in which
command is received) on
SHIFT + , turns current zone (in which
command is received) o.
MCycles through the available surround and
downmix modes.
UDisplays the AVR600 setup menu on the On
Screen Display (see page 34).
DCycles through the front panel display’s
brightness options
@
Toggles the mute function of the AVR600
] [ (track control for IPOD and NET sources)
SHIFT + [ Follow Zone1 source.
When the command is received in Zone2
or Zone3, the source for that zone follows
whatever input source is selected in Zone1
- +
Decrease () and increase (+) AVR600
volume
DIRECT
)Stereo direct on/o. Provides a direct
analogue path from the analogue inputs to
the le and right front outputs. Switches o
any surround processing modes and shuts
down the DSP circuits for the best stereo
sound quality.
EQ
$Displays the room EQ settings menu
EFFECT
&(for IPOD and NET sources)
BASS
(Calls up a pop-up (and front screen) to
adjust the bass setting for a particular input.
TRIm
!Brings up the speaker trim menu.
Use the B, C, D and E navigation
buttons. Press TRIM again to exit the speaker
trim menu.
As this is a temporary adjustment, these
additional trim levels are reset to zero when
the unit is turned o or the selected input is
changed, but are retained if the unit is put
into standby. ese temporary trim levels
are independent of the speaker levels found
in the setup menu.
SyNC
#Delays may be introduced into the video
signal by video processing which causes
a mismatch between the audio and video
timing. You will notice this by speech sound
being out of synchronization with the lip
movements in the video.
To compensate for this, you can adjust the
lip sync delay. Press the SYNC button and
use the D and E navigation buttons. Press
again to exit the lip sync trim menu.
SUB
%Brings up the subwoofer trim menu. Use
the D and E navigation buttons. Press SUB
again to exit the sub trim menu
TREBLE
hCalls up a pop-up (and front screen) to
adjust the treble setting for a particular
input.
FAV+
u(for IPOD and NET sources)
FAV-
t(for IPOD and NET sources)
HOmE
o(for IPOD and NET sources)
INFO
bCycles through the information displayed
on the lower le portion of the front panel
display.
iPod commands
e iPod interface is selected by pressing e in AMP
Device Mode on the CR102. When connected to an
iPod via an optional rLead/rDock, the keys below are
used to navigate music les in AMP Device Mode.
Navigate the files on screen.
OK selects/play the highlighted file.
RPT
r
Toggles random (shuffle) play of the playlist
on and off.
SHIFT + r cycles through the repeat options
] [ Selects the previous/next track in the
current playlist
$
Begins or resumes playback at the currently
highlighted track
&
Toggles pause and playback of the current
track
#Stops playback
E-27
English
DVD Device Mode
e d Device Mode button congures the CR102 to
control the DVD functions of Arcam DVD players,
although this can be changed (see page 25). Pressing this
button also selects DVD as the AVR600 source.
PToggles power between standby and on
0…9Searches for and plays the track
corresponding to the key pressed
PHONO
E
Selects Tape input on the AVR600.
SHIFT + E selects PHONO input on the
AVR600
RPT
r
Toggles random (‘shue’) play on and o.
SHIFT + r cycles through the repeat
options (track, disc, etc)
SModies many keys (see individual key
descriptions, below)
AUX
H
Selects multichannel (MCH) input on the
AVR600
SHIFT + H selects AUX input on the
AVR600
NET
eSelects IPOD input on the AVR600.
SHIFT + e selects network (NET) internal
input on the AVR600
Navigate setup and DVD programme
selection menus.
OK conrms a setting (‘Enter’ or ‘Select’ on
some remotes).
SHIFT + B to switch on from standby
SHIFT + C to switch to standby from on.
MCycles through available surround sound
modes.
SHIFT + MODE changes the HDMI setting.
UActivates DVD player menu, if available.
DCycles through the front panel display’s
brightness options.
SHIFT + D enables RPT AB functionality
@Toggles the mute function.
By default this key operates the AVR600 Mute
]Press and release to skip back to the
beginning of the current/previous track.
[Press and release to skip forwards to the
beginning of the next track.
- + Decrease () and increase (+) AVR600
volume
)Fast rewind.
SHIFT + 7 cycles through slow play
backwards speeds
$Starts the playback of a DVD.
SHIFT + 4 cycles through the Angle options
on an Arcam DVD player.
&Pauses DVD play-back. Press 4 to restart
playback.
SHIFT + ; cycles through Zoom options.
(Fast forward.
SHIFT + 8 cycles through slow forward
speeds
TRIm
!Ejects disc.
SHIFT + ! displays speaker Trim menu on
Arcam DVD players.
#Stop playback of a DVD
%Start recording (on products that have this
feature).
hDisplays Search menu with Title, Track and
Time options.
FAV+
uDisplays Setup menu.
SHIFT + SETUP displays programming screen
on Arcam DVD players
FAV-
tDisplays Title menu.
SHIFT + TITLE clears bookmark, search and
program display entries on Arcam DVD
players
HOmE
oChanges Audio decode format (Dolby
Digital, DTS, etc.).
SHIFT + o displays the ‘Memory’ function
(Bookmarks)
INFO
bCycles through DVD subtitle language
options, if available.
SHIFT + b displays STATUS INFO on
Arcam DVD players
Network commands
e AVR600 Network client is selected by pressing S +
e in AMP Device Mode on the CR102.
When using the network client, the keys below are used
to navigate music les in AMP Device Mode.
Navigate the files and menus on the screen.
OK selects the highlighted file or enters the
highlighted menu on the screen
RPT
r
Toggles random (‘shuffle’) play of the playlist
on and off
SHIFT + r cycles through the repeat options
] [ Selects the previous/next track in the
current playlist
EQ
$Begins or resumes playback at the currently
highlighted track
EFFECT
&Toggles pause and playback of current
track
SyNC
#Stops playback
FAV+
uAdds the currently displayed le or radio
station to favourites list when using the
network client
FAV-
tRemoves the currently displayed le or
radio station from favourites list when
using the network client
HOmE
oReturns navigation to the top level of the
music les structure (‘Home’)
INFO
bCycles through the information displayed
on the lower le portion of the front panel
display
TUN Device Mode
e T Device Mode button congures the CR102 to
control the tuner functions of the AVR600. Pressing this
button also selects TUNER as the source.
When switching to TUNER from a dierent source, the
AVR600 enters the last used tuner band, be it AM / FM
/ DAB (if tted) / Sirius (if tted). Further presses of the
TUN Device Mode button cycle through the available
tuner bands.
Further information on the tuner can be found in the
‘Tuner Operation’ section on page 44.
P(not used)
0…9
Number keypad used to store and recall
presets
' , Allows selection of previously stored Tuner
presets.
< > AM/FM Tuner: allows frequency tuning.
DAB/Sirius Tuner (where tted): scrolls
through the channel list.
OSelects (tunes to) the currently displayed
preset, or selects the currently displayed
DAB or Sirius channel (or category) when
strolling through the channel (or genre) list.
uPage up to the previous 10 presets on
screen
tPage down to the next 10 tuner presets on
screen
oDelete the currently highlighted preset.
E-28
SAT Device Mode
e z Device Mode button congures the CR102
to control the functions of a satellite receiver. You will
need to congure this Device Mode to work with your
equipment. Pressing this button also selects SAT as the
AVR600 source.
PToggles power between standby and on
0…9Functions as original remote number key.
PHONO
E
Selects Tape input on the AVR600.
SHIFT + E selects PHONO input on the
AVR600
TV/AV
r
Toggles between the available inputs on
your satellite receiver
SModies many keys (see individual key
descriptions, below)
AUX
HSelects multichannel (MCH) input on the
AVR600.
SHIFT + H selects AUX input on the
AVR600.
NET
eSelects IPOD input on the AVR600
SHIFT + e selects network (NET) internal
input on the AVR600
Navigate menus.
OK conrms a setting (equivalent to ‘Enter’
or ‘Select’ on some remotes).
MControls Backup function, if available.
UPerforms same function as on original
remote, if available.
DOn some Satellite and Cable set top boxes
this key functions as the Guide key to open
the EPG (Electronic Program Guide).
@Toggles the mute function.
By default this key operates the AVR600 Mute
]Channel down
[Channel up
- + Decrease () or increase (+) AVR600 volume
)Fast rewind
$Starts the playback
&Toggles pause of playback
(Fast forward
!(not used)
#Stop playback
%Start recording
h(not used)
u
(RED)
Duplicates function of RED key for some
Satellite and Cable set-top boxes
t
(GREEN)
Duplicates function of GREEN key for some
Satellite and Cable set-top boxes
o
(yELLOw)
Duplicates function of YELLOW key for some
Satellite and Cable set-top boxes
b
(BLUE)
Duplicates function of BLUE key for some
Satellite and Cable set-top boxes
AV Device Mode
e a Device Mode button congures the CR102 to
control the functions of a television or other display
device. You will need to congure this Device Mode to
work with your equipment. Pressing this button also
selects AV as the AVR600 source.
PToggles power between standby and on.
(Some TVs require you to use a number
key to turn them on.)
0…9Functions as original remote number key –
usually for channel selection.
PHONO
E
Selects Tape input on the AVR600.
SHIFT + E selects PHONO input on the
AVR600.
TV/AV
r
Toggles between the available inputs on
your display device (e.g. TV/AV)
SModies many keys (see individual key
descriptions, below)
AUX
HSelects multichannel (MCH) input on the
AVR600.
SHIFT + H selects AUX input on the
AVR600.
Navigate setup and programme selection
menus.
OK conrms a selection (equivalent to
‘Enter’ or ‘Select’ on some remotes).
MEXIT function on some models.
UFunctions as original remote key, if
available.
DDisplay INFO or OSD (On Screen Display)
function, if available.
@Toggles the mute function.
By default this key operates the AVR600
Mute
]Channel down
[Channel up
- + Decrease () and increase (+) AVR600
volume.
)Toggles TEXT page on/o
$TEXT page o
&Turns Programme-In-Programme (PIP)
on, if available
(Activates PIP move, if available
!Activates PIP swap, if available
#Activates PIP freeze, if available
%Activates PIP channel up, if available
hActivates PIP channel down, if available
u
(RED)
Duplicates function of RED key for Text TV
t
(GREEN)
Duplicates function of GREEN key for Text
TV
o
(yELLOw)
Duplicates function of YELLOW key for Text
TV
b
(BLUE)
Duplicates function of BLUE key for Text
TV
E-29
English
VCR Device Mode
e w Device Mode button congures the CR102
to control the functions of a video recorder or similar
device. You will need to congure this Device Mode to
work with your equipment. Pressing this button also
selects VCR as the AVR600 source.
PToggles power between standby and on.
0…9Functions as original remote number key.
PHONO
E
Selects Tape input on AVR600.
SHIFT + E selects PHONO input on the
AVR600.
TV/AV
r
Toggles between available inputs (e.g. AV1,
AV2)
SModies many keys (see individual key
descriptions, below)
AUX
H
Selects multichannel (MCH) input on
AVR600.
SHIFT + H selects AUX input on the
AVR600.
NET
e
Selects IPOD input on AVR600.
SHIFT + e selects network (NET internal
input on the AVR600.
Navigate setup and programme selection
menus.
OK is equivalent to ‘Enter’ or ‘Select’ on
some remotes.
MOperates the Exit function if the VCR uses
this feature
UTurns on the Menu function if the VCR
uses this feature
DToggles display between TV and VCR
@Toggles the mute function, if available.
By default this key operates the AMP Mute
]Channel down
[Channel up
- + Decrease () and increase (+) amplier
volume
)Fast rewind
$Play
&Toggles pause of playback
(Fast forward
!Ejects tape
#Stop playback
%Starts recording
h(not used)
u
(RED)
Duplicates function of RED key (if used)
t
(GREEN)
Duplicates function of GREEN key (if used)
o
(yELLOw)
Duplicates function of YELLOW key (if used)
b
(BLUE)
Duplicates function of BLUE key (if used).
PVR Device Mode
e v Device Mode button congures the CR102
to control the functions of a video recorder or similar
device. You will need to congure this Device Mode to
work with your equipment. Pressing this button also
selects PVR as the AVR600 source.
PToggles power between standby and on.
0…9Functions as original remote number key.
PHONO
E
Selects Tape input on AVR600.
SHIFT + E selects PHONO input on the
AVR600.
TV/AV
r
Toggles between available inputs (e.g. AV1,
AV2)
SModies many keys (see individual key
descriptions, below)
AUX
H
Selects multichannel (MCH) input on
AVR600.
SHIFT + H selects AUX input on the
AVR600.
NET
e
Selects IPOD input on AVR600.
SHIFT + e selects network (NET internal
input on the AVR600.
Navigate setup and programme selection
menus.
OK is equivalent to ‘Enter’ or ‘Select’ on
some remotes.
MOperates the Exit function if the PVR uses
this feature
UTurns on the Menu function if the PVR
uses this feature
DToggles display between TV and PVR
@Toggles the mute function. By default this
key operates the AMP Mute
]Channel down
[Channel up
- + Decrease () and increase (+) AVR600
volume
)Fast rewind
$Play
&Toggles pause of playback
(Fast forward
!Operates the Favourites function if the PVR
uses this feature.
#Stop playback
%Starts recording
h(not used)
u
(RED)
Duplicates function of RED key (if used)
t
(GREEN)
Duplicates function of GREEN key (if used)
o
(yELLOw)
Duplicates function of YELLOW key (if used)
b
(BLUE)
Duplicates function of BLUE key (if used).
E-30
CD Device Mode
e c Device Mode button congures the CR102
to control the CD functions of Arcam CD players,
although this can be changed (see page 25). Pressing this
button also selects CD as the AVR600 source.
PToggles power between standby and on.
0…9Functions as original remote number key.
PHONO
E
Selects TAPE input on the AVR600.
SHIFT + E selects PHONO input on the
AVR600.
RPT
r
Toggles random (‘shue’) play on and o.
SHIFT + r cycles through the repeat
options (track, disc, etc.).
SModies many keys (see individual key
descriptions, below)
AUX
H
Selects multichannel (MCH) input on
AVR600.
SHIFT + H selects AUX input on the
AVR600.
NET
e
Selects IPOD input on AVR600.
SHIFT + e selects network (NET) internal
input on the AVR600.
Navigates track listings if supported by the
player.
OK selects the currently highlighted track if
supported by the player
MChanges the time display modes on Arcam
CD player
U(not used)
D
Cycles through the front panel display’s
brightness options.
SHIFT + D enables RPT AB functionality if
supported by the player.
@Toggles the mute function. By default this
key operates the AVR600 Mute.
]Press and release to skip back to the
beginning of the current/previous track.
[Press and release to skip forwards to the
beginning of the next track.
- + Decrease () and increase (+) AVR600
volume.
)Fast rewind
$Play
&Toggles pause of playback
(Fast forward
!Open/close disc tray
#Stop playback
%Start recording (on products that have this
feature)
hScans rst 10 seconds of each track on CD,
if supported by the player (Audio search)
FAV+
u Starts Program mode
FAV-
t
Clears programmed item
HOmE
o
(not used)
INFO
b
(not used)
E-31
English
E-32
Before you use your AVR600 it is essential that you
enter some information into the Setup menus about
your speaker conguration. is allows the AVR600 to
process any surround sound digital source to exactly
match your system and give you the ultimate surround
sound experience.
ere are three pieces of vital information which are
outlined in the sections: ‘Speaker Types’, ‘Speaker
Distances’ and ‘Speaker Levels’.
e way you enter this information manually into the
AVR600 is given later in the ‘Setup Menus’ section
on page 34. e settings can also be established
automatically using the Arcam Auto Speaker Setup
function. However it is important to understand why
these speaker settings must be entered, which is why this
section is presented rst.
essential
setup
Speaker types
You need to set the type of speakers that you have
connected to your AVR600:
Large capable of full frequency range reproduction
Small not capable of full frequency range
reproduction at the low frequency end
None speaker not present in your configuration
e terms ‘Large’ and ‘Small’ do not necessarily relate to
the physical size of your speakers. As a rule of thumb,
if a speaker cannot reproduce a at frequency response
down to about 40Hz (and very few can!) it is oen better
to consider them as ‘Small’ for setup purposes of home
cinema.
When a speaker is set to ‘Small’, very low frequency
sounds are redirected away from that speaker to a ‘Large’
speaker or a subwoofer, which are far better suited to
reproducing these low frequency sounds.
Note that it is not possible to set all speakers to
‘Small’ unless there is a subwoofer in your speaker
conguration. If you do not have a subwoofer, you will
be forced to set your front speakers to ‘Large’.
(Advanced users may wish to automatically override the
‘Small’ speaker setting for purely stereo music listening
when not watching movies. is can be achieved in the
‘Input Cong.’ menu – see page 35.)
Single Surround Back speaker
If you have just one Surround Back speaker in your
conguration instead of two, ensure it is connected to
the SBL speaker connector and set Surr. Back L/R in
the Spkr Types menu to either ‘1 Small’ or ‘1 Large’ as
appropriate.
Crossover frequency
If you have set any speakers as being Small, then you will
be required to set a value for the crossover frequency.
is is the frequency below which signals are ltered
away from these Small speakers and redirected to Large
speakers or the subwoofer (if present). A frequency
of 80Hz is oen a good starting point, however you
will probably have to experiment with dierent values
to nd the best value for your system or consult your
speaker handbook.
MCH sub level
If a subwoofer is present, this setting allows for a 10dB
compensation on the subwoofer output when using the
MCH input as required by many DVD-A players with
audio outputs.
Use Surround Back channels
If not used in the main zone, it is possible to assign the
Surround Back channels to bi-amp the Front Le/Right
channels or to provide an amplied output to Zone 2.
Speaker Distances
It is essential for the distance from each speaker to the
listening position to be accurately measured and entered
into the ‘Setup’ menu. is ensures that the sounds from
the various speakers arrive at the listening position at
the correct time to recreate a realistic surround eect.
e distance can be entered in centimetres or inches.
Speaker Levels
Finally the levels of all the speakers in the system need
to be adjusted to match each other at the listening
position, again to create a proper surround eect. To
help with this the AVR600 can generate a test noise
for each speaker which should be measured with a
sound pressure level (SPL) meter. e meter should
be set to ‘C’ weighting and slow response. e level
of noise measured at the listening position from each
speaker should be adjusted on the Speaker Trims page
of the Setup menu so that the meter reads 75dB SPL.
It does not matter what the system volume setting of
the AVR600 is before turning the test noise on as the
volume setting is over-ridden for the duration of the
speaker noise test.
ere are several basic SPL meters on the market at
reasonable prices aimed at home cinema enthusiasts.
Check your local technology store, search online or ask
your dealer.
If you do not have an SPL meter, you can try to adjust
the noise level of each speaker by ear. In this case it is
not possible to adjust the speakers to the absolute 75dB
SPL volume level, but you should aim for all speakers
sounding equally loud. Setting speaker test noise levels
by ear is not recommended as it is very dicult to do
accurately, but is oen better than doing nothing at all!
E-33
English
auto speaker
setup
ere is a proprietary automatic loudspeaker setup
function built into your AVR600. e Arcam Auto
Speaker Setup function attempts to set all the essential
speaker settings for all the speakers in your system.
It also calculates room equalisation (Room EQ) lter
values to remove some of the worst eects of resonant
frequencies in the listening room.
Your AVR600 package is supplied with a calibration
microphone, which should be inserted into the AUX jack
socket on the front panel and positioned at the main
listening position. is microphone picks up the special
calibration tones generated by the speakers when Auto
Speaker Setup is run. e AVR600 then analyses the
signal and computes:
< which speakers are present,
< speaker type,
< speaker distance,
< speaker level,
< crossover frequency to the subwoofer (or large front
speakers if no subwoofer is present),
< problem resonant frequencies in the room which
need control by ltering.
It also warns if any of the speakers are too close to the
microphone or if the measured tone is clipped.
To help the system be as accurate as possible when
performing Auto Speaker Setup, there are a few
guidance rules that should be followed:
< Minimise any background sounds in the listening
room and other nearby rooms.
< Close all windows and doors in the listening room.
< Turn o all fans including air-conditioning systems.
< If holding the microphone in the hand rather than
mounting on a tripod or similar, keep your hand and
ngers still to avoid generating ‘handling noise’.
< Position the set up microphone pointing upwards at
roughly head height in the normal listening position.
It is not necessary to point the microphone directly
at the speaker generating the test tone. (It helps if
you are able to position the microphone exactly
where your head would normally be for listening,
with the microphone in direct unobstructed view of
all speakers.)
< If your system includes an active subwoofer, start
by setting its output level / gain control to a value
halfway between maximum and minimum.
When activated, a calibration tone is played through
each channel of the AVR600 in turn, including the
subwoofer channel. e calibration tone cycles round
each of the speakers twice. If you do not have a full 7.1
speaker conguration there will be periods of silence
between some speaker channels. Follow the ‘progress’
information on-screen.
Aer all the channels have been measured, a summary
of the speaker conguration will be displayed on-screen.
You can then choose to accept the settings, re-measure
your system again or cancel Auto Speaker Setup without
storing the settings.
e Auto Speaker Setup function is found within the
Setup menus, see page 37. By default, Room EQ is not
applied to any of the source inputs. You should enable
Room EQ on inputs you think benet from this feature,
as required, by listening when playing typical source
material through each input. is is enabled from within
the Input Cong menu.
While room equalisation can help to reduce problems
with listening room acoustics, it is usually far better
to try to solve these problems with the room directly.
Proper loudspeaker positioning, acoustic wall
treatments and moving the listening position away from
walls should produce far better results overall. However
it may be dicult to do this in a home environment, so
Room EQ is your next best choice.
Problems
We advise you to look over the reported measurements
on the screen following Auto Speaker Setup for any
obviously incorrect results, in particular to ensure the
reported speakers match your conguration and that the
speaker distances to the listening position appear look
roughly correct. If the results are not what you expected
re-run Auto Speaker Setup.
e Auto Speaker Setup function is normally quite
accurate but occasionally false results can be generated.
Problems may be as a result of:
< external sounds or rumbling / handling noises
picked up by the microphone
< sound reections o hard surfaces (e.g. windows or
walls) close to the listening position,
< very strong acoustic resonances within the room.
If you are still experiencing diculties or you wish to
have the most accurate results for ultimate surround
performance, we recommend using the manual method
of establishing speaker distances and levels.
Using a subwoofer
If your system includes an active subwoofer you may
need to re-run Auto Speaker Setup with the subwoofer
output level / gain control set to a higher or lower value,
if the summary screen reports problems setting the
subwoofer up.
Auto Speaker Setup will attempt to choose a crossover
frequency that allows the smoothest low frequency
transition from the main speakers to the subwoofer.
However if this does not produce pleasing results we
recommend manually trying other crossover frequencies
to nd something more to your preference.
See the next sections for information of how to enter or
change speaker settings manually.
E-34
setup menus
e Setup menus allow you to congure all aspects
of your AVR600. e next few pages will go through
the menu items and explain their function. e Setup
menus will probably look quite daunting if you are new
to setting up home cinema, but the majority of them
need only be congured once when you rst install the
system (or if your system changes or you move house!)
e only way to view the Setup menus is on your display
device (TV or projector) using the on-screen display
(OSD) capability of the AVR600. To view the OSD for
the initial setting up, connect any of the video outputs
to your display device. You do not need to have a video
source connected to the AVR600 video inputs.
Entering Setup mode
To enter the setup menu, press the MENU button on the
remote control or font panel. e front panel display
shows ‘MENU’ and the setup menu (pictured right) is
displayed.
Unstable OSD menu or picture display?
e default AVR600 output video resolution when rst
powered up out of the box is 525-line/60Hz NTSC for
analogue video and 480i/60 for digital video. is has
been chosen as most display devices can synchronise
to this automatically. is can be changed in the Video
Outputs section of the Setup Menus.
If the output resolution and frame rate is forced to a
setting your display device does not support, the picture
may become unstable or may not display at all. To reset
the output video resolution and frame rate to the default
values to restore the display, press and hold the OK
button for three seconds.
Navigating the setup menu
… using the remote control
e setup menu can be navigated by using the cursor
(arrow) keys on the remote control. is is by far the
easiest method.
1. To enter the setup menu, press the MENU button
(which is located immediately under the navigation
buttons).
2. Use the B and C keys to navigate up and down
the main section headings in the le-hand panel.
3. Once you have the main section that you require
highlighted, use the E key to enter the section.
4. Use the B and C keys to navigate up and
down the section settings in the le-hand panel.
Some settings may be greyed out. ese are either
for information only (e.g. incoming sampling
frequency) or are not currently selectable (e.g.
network IP address when DHCP is used). Scroll bars
on the sides of the right hand panel indicate your
position in the settings list where there are more
items than can be displayed at once.
5. Pressing OK selects a setting to change it, pressing OK
again de-selects the setting.
6. At any time, press the MENU button to exit the menu.
Any changes to settings are saved.
… using the keys on the front panel
e AVR600 front panel controls can be used to
congure the unit. Follow the instructions for using the
remote control, in this case using INPUT for le, INPUT+
for right, VOLUME for down and VOLUME+ for up.
Menu panel
e le-hand panel lists the setup
screens available for adjustment. e
selected menu is highlighted with a grey
band.
Help screen
e lower right-hand panel gives a short
help text for the feature being adjusted.
Adjustment panel
e upper right-hand panel lists the
parameters you can change as a user.
e selected line is highlighted with
a black band. Lines that cannot be
selected are greyed-out.
Scroll bars
ese indicate the
position of the
displayed screen
within longer menus.
E-35
English
Input Config.
e audio and video settings on this page of the Setup
menu can be tailored specically and independently to
the currently selected input.
When a dierent input is selected on the Input line, all
the input-specic settings for that input are displayed
below it. ese settings are applied to the named Input
only and are stored in memory and recalled each time
the unit is powered up and whenever that input is
selected.
Input – e currently selected input connectors to
which the settings below relate.
Name – e display name of the input. You can change
the name of any input to more closely match your setup.
For example, if you had two satellite receivers, you could
connect the main receiver to the Sat audio and video
input connectors and change the Name to ‘SAT 1’. You
could then connect the second satellite receiver to the
VCR audio and video input connectors, but change the
VCR Name to ‘SAT 2’. It is then clearer to users of your
AVR600 which inputs they wish to select when scrolling
though.
Lip Sync – Each input can have its own setting
to add a time delay between the audio and video
signals to compensate for the sound and picture not
being synchronised. is is normally required when
video processing is used in the system for scaling or
de-interlacing video. e range of lip sync delay is –5 to
+220 milliseconds.
e lip sync adjustment can only correct for delayed
video. If the audio is late set lip sync to its minimum.
Mode – Sets the initial audio decode mode for stereo
sources on this input.
< Last Mode recalls the last used setting for this
input when a stereo source was applied. See section
‘Multi-channel source modes’ on page 41 for more
information.
Ext. Mode – Sets the initial audio decode mode for
multi-channel digital sources on this input.
< Last Mode recalls the last used setting for this
input when a stereo source was applied. See section
‘Multi-channel source modes’ on page 41 for more
information.
Treble –
Bass –
ese allow you to alter the bass and treble tone controls
for all currently active speakers for each individual
input. For example, if your PVR source sounds a little
bass light, you can always correct for this by selecting
PVR on the Input line at the top of this menu and add
2 or 3dB to the Bass control. en, whenever the PVR
input is selected, the bass is automatically boosted for as
long as that input is selected.
Room EQ – When the Auto Speaker Setup function is
run it also calculates Room Equalisation coecients to
remove some of the worst eects of resonant frequencies
of the room at the listening position. By default Room
EQ is not applied to any of the source inputs, however
you can enable them on a per-input basis as you wish.
< Not Calculated: (Information only) Auto Speaker
Setup has not been run or has errors so cannot be
selected.
< On: Room EQ is applied to the current source.
< O: Room EQ is not applied to the current source.
Input Trim – Sets the maximum analogue input
signal level (sensitivity) on this input before the ADC
(Analogue-to-Digital converter) signal path clips.
Options are 0.5, 1, 2 and 4 volts RMS maximum input.
e default is 2Vrms maximum.
For example, analogue sources with low output levels
may benet by choosing the 1V maximum setting,
or the 0.5V maximum setting if the source has a
very low output. is helps maximise signal-to-noise
performance of the AVR600 and also helps keep the
various analogue sources sounding about the same level
for any given AVR600 volume control setting.
Dolby Volume –Dolby Volume is an intelligent system
that improves the perceived audio frequency response
at lower listening levels and corrects for volume
inconsistencies between sources (e.g. a rock radio
station and a DVD) and between programming (e.g. a
TV show and advertisement breaks).
< O: (default) Dolby Volume is not applied to this
input.
< Cinema: enables Dolby Volume for this source and
congures the input for audio which comes mostly
from movie soundtracks.
< Music: enables Dolby Volume for this source and
congures the input for audio which comes from
other sources (CD, TV, Satellite, Tuner, etc.).
Dolby Leveller – is setting of Dolby Volume controls
how closely quiet and loud sources and programme
content are matched to each other, based on the
ear’s perception of loudness. e range of values is
0 (minimal levelling) to 10 (maximum levelling).
e default setting is 9, however we recommend
experimenting with lower values if all your source
material is more closely matched in level. If the Volume
Leveller function is set o, no level matching between
sources and programme material is performed. Note
however that turning the Dolby Leveller setting of Dolby
Volume to ‘O’ is not the same as turning the entire
function of Dolby Volume to ‘O’, as volume related
frequency response processing is still active. See Dolby
Volume on page 42 for more information.
DV Calib. Oset – e Calibration Oset parameter of
Dolby Volume allows you to compensate for speaker
eciencies and listening position. e default value
is 0 and this should normally produce a good result
when the AVR600 speaker levels are set using a sound
pressure level meter.
See the Dolby Volume section on page 42 for further
information on Calibration Oset.
Surround EX – Sets how the AVR600 should congure
its decode mode when a Dolby Digital EX bitstream
is received. Note that this setting only applies if you
have Surround Back loudspeakers. You may wish to
experiment with these two decode modes to see which
you prefer with Dolby Digital EX encoded material.
Options are Auto DD EX, Auto PLIIx and Manual.
< Auto DD EX: When a Dolby Digital EX-agged
bitstream is detected, the decode mode
automatically changes to Dolby Digital EX. is can
be temporarily overridden by pressing the MODE
button on the remote or front panel.
< Auto PLIIx: When a Dolby Digital EX-agged
bitstream is detected, the decode mode
automatically changes to Pro Logic IIx Movie. is
can be temporarily overridden by pressing the MODE
button on the remote or front panel.
< Manual: e received Dolby Digital EX is treated
as if it is an ordinary Dolby Digital stream in that it
does not automatically select the EX or PLIIx decode
modes. Instead, the previously used decode mode
for a multi-channel digital source on this input is
applied. However, either of the EX or PLIIx decode
modes can be applied manually by pressing the
MODE button.
Stereo Mode – If you have congured your system to
have a subwoofer, then you have the exibility to
choose how bass information is distributed between
the front le/right speakers and the subwoofer when
listening to stereo (two channel only) analogue and
digital sources. Choose the option which gives you
the most solid, even sounding bass. If you are using
a subwoofer for stereo, please also see Sub Stereo
below to set the level of the subwoofer. For best
results test with a set-up disc or live programme
material. is setting can be used to override your
normal speaker settings in the Spkr Types menu
whenever the AVR600 plays stereo material. It is
quite common to nd that two channel stereo music
listening is best done with a slightly dierent sub/
speaker setting than for surround movies.
< As Spkr Types: When an analogue or digital stereo
source is played, your normal speaker conguration
(as in Spkr Types menu) is used to reproduce the
signal.
< Le/Right: Full frequency stereo information. All
audio is sent to the front le and right speakers only
without any bass redirection. You can use this setting
if you consider your front le/right speakers to be
able to handle the full frequency range of music.
If you have set your front le/right speaker size as
Small in the Spkr Types setup page, you may wish
to use this option to override the setting to Large
for stereo music listening, if you have full frequency
range le/right speakers.
It can oen be benecial to set full frequency range
speakers to Small in the Spkr Types setup page for
use with movies, if you have a subwoofer in your
system. Doing so may deliver more impact on
movie soundtracks as subwoofers are designed to
handle reproduction of high bass content. However
you may nd that for stereo music a better overall
result is obtained by not using the subwoofer and
eectively treating the front le/right speakers as
Large.
< Le/Right+Sub: Full frequency range stereo is fed to
the front le and right speakers and extracted bass is
sent to the subwoofer. In this case the low frequency
information is eectively duplicated.
< Sat+Sub: Use this setting if you really do have Small
satellite front le and right speakers, or if you prefer
the overall sound of bass being handled by the
subwoofer. Full bass management is used so that
analogue and digital stereo sources are fed to the
DSP where the bass is ltered o front le and right
and redirected to the subwoofer.
NOTE
e Stereo Mode function is not available when
using an analogue source in Stereo Direct mode.
E-36
Sub Stereo – If Le/Right+Sub or Sat+Sub is selected in
Stereo Mode above, this setting adjusts the level of the
subwoofer when the source is two channel stereo.
Brightness – Sets the video brightness for this input.
is setting can be used to compensate for an overly
dark or bright source picture on this input when
compared with other video sources.
Contrast – Sets the video contrast for this input. is
setting can be used to compensate for too much or too
little contrast in the source picture on this input when
compared with other video sources.
Colour – Sets the video colour saturation for this input.
is setting can be used to compensate for too much or
too little colour in the source picture on this input when
compared with other video sources.
Picture Mode – Sets how the video processor in the
AVR600 interprets the video on this input. Normally
the video processor automatically detects the original
source type and correctly sets either Video mode or
Film mode processing. In the unlikely event that the
video processor misinterprets the video type, resulting
in subtle picture artefacts, the video processor can be
manually forced into Video mode or Film mode. is
function should normally be set to Auto.
Edge Enhancement – Sharpens the picture from a
source on this input.
Mosquito N.R. – Removes haziness that sometimes appears
around objects in a picture from a source on this input.
Noise Reduction – Removes random noise within the
picture from a source on this input.
Block N.R. – Removes block artefacts in overly
compressed digital video from a source on this input.
Component Mode – Congures the current three-wire
high quality analogue video input for component (YUV)
video signals or RGB video signals. It is important
to match the setting to the incoming video format
otherwise the colours will be incorrect and the picture
may be unstable.
Options are Normal, RGsB and RGB+Sync.
< Normal: (default) the three-wire input is congured
for normal Component (YUV / YPbPr) analogue
video.
< RGsB: the three-wire input is congured for RGB
analogue video with video ‘sync-on-green’.
< RGB+Sync: the three wire input is congured for
RGB analogue video, with the video sync signal on
the composite input for the current named source.
You should typically select RGB+Sync if you are using
a standard SCART to 4-wire phono breakout cable to
connect an RGB SCART source.
NOTE: If RGB+Sync is selected, the S-Video and
Composite inputs cannot be selected as video inputs for
the current source.
HDMI Audio – Selects whether you wish to enable or
disable audio input over HDMI for this source. is
option does not apply if you are not using this HDMI
input. If you are not using HDMI for audio input on this
source, selecting No will force the AVR600 to only use
the SPDIF digital input or analogue audio inputs.
Options are Yes and No.
< Yes: (default) the AVR600 will use audio over HDMI
if an HDMI signal is detected.
< No: the AVR600 will not use HDMI audio for this
source, it will use SPDIF digital or analogue audio
inputs instead.
Video Source – Selects whether the video signal
detection for this source is automatic or forced to a
particular signal type. When a source is selected the
AVR600 looks for the highest quality video signal type
that is connected in the order: HDMI – Component/
RGB – S-Video – Composite.
If the video input type is not HDMI, there will be a delay
in detecting the type of video that is connected, resulting
in longer switching times between sources. To speed
up source switching times you can force the AVR600 to
look at only the specic video connection type you have
for each source. Select from the list the video type you
are using on this source.
< Auto: (default) the AVR600 scans through the
various video input connectors/formats for the
current source and selects the highest quality
available for this source.
< HDMI: the AVR600 is forced to use the HDMI video
input for this source.
< Component: the AVR600 is forced to use the
COMPONENT/RGB video input for this source.
< S-Video: the AVR600 is forced to use the SVIDEO
input for this source.
< Composite: the AVR600 is forced to use the
COMPOSITE video input for this source.
General Setup
General information and system controls.
Source Input – (Information only) e currently
selected input to which the settings below relate.
Incoming Format – (Information only) e format
of the digital audio stream connected to this input, if
present.
Incoming Sample Rate – (Information only) e
sample rate of the digital audio stream connected to this
input, if present.
Incoming Bit Rate – (Information only) e bit rate
of the digital audio stream connected to this input, if
present.
Dialnorm – (Information only) If a Dolby Digital audio
stream is connected to this input, this is the Dialogue
Normalisation setting requested by the stream.
Video Input – e currently selected video input. For
inputs that have video connections (e.g. SAT, PVR etc),
audio and video inputs normally switch over together.
However, here you can temporarily select a dierent
video source for the current audio source. is feature
may be useful, for example, if you are watching a sports
game on satellite but on this occasion wish to listen to
the commentary on the radio instead. is temporary
override is reset when the input source is changed so
that the Video Input follows the Audio Input setting (or
the setting in the Video Inputs menu, if applicable).
Audio Compression – Allows selection of compression
which is ideal for late night listening. e compression
eect increases the volume of the quiet passages
and decreases the volume of the louder passages.
Compression only applies to some Dolby Digital and
DTS soundtracks that support this function.
< O: (default) no audio compression is applied.
< On: Audio compression is applied whenever a
soundtrack supporting compression is received.
< On / Auto: As for On above, except for Dolby
TrueHD soundtracks which support an additional
Auto on/o setting
is setting applies to all inputs when a relevant digital
audio stream is detected. It is stored in memory and
recalled each time the unit is powered up.
Balance – To alter the sound balance temporarily
between front le and right speakers. You can alter
the sound stage to either the le or the right by up to
6dB. Note that it is not possible to shi the audio signal
completely over to one channel. is function resets to
equal le/right balance when the input is changed.
PLII Dimension –
PLII Centre Width –
PLII Panorama –
ese allow the adjustment of the sound eld for Dolby
Pro Logic II Music mode decoding of two-channel
sources. ese setting apply to all inputs when PLII or
PLIIx Music decoding is selected. e settings are stored
in memory and recalled each time PLII or PLIIx Music
mode is selected.
< Dimension: Allows the user gradually to adjust the
sound eld either towards the front or towards the
rear. Settings range from -3 to +3. We recommend
Dimension is set to 0 for normal use.
< Centre Width: Controls the centre image width.
With Pro Logic decoding, dominant centre signals
come only from the centre speaker. If no centre
speaker is present, the decoder splits the centre
signal equally to the le and right speakers to create
a ‘phantom’ centre image. e Centre Width control
allows variable adjustment of the centre image so
it may be heard only from the centre speaker; only
from the le/right speakers as a phantom image; or
from all three front speakers to varying degrees. We
recommend Centre Width is set to 3 for normal use.
< Panorama: Extends the front centre image to
include the surround speakers for an exciting ‘wrap-
around’ eect with side-wall imaging.
Digital Output Freq. – Sets the sampling frequency of
the audio Analogue-to-Digital converter. is setting
applies to all inputs when analogue audio is being
processed (i.e. not Stereo Direct mode). It is stored in
memory and recalled each time the unit is powered up.
Volume Adjustment – Sets the step size of the volume
control.
< Normal: (default) volume control is in 1dB steps
< Fine: volume control is in 0.5dB steps
Maximum Volume – Limits the maximum volume
setting the system can be turned up to in the main zone.
is is a useful feature to prevent accidental overdriving
of low power-handling speakers (for example). It is
stored in memory and recalled each time the unit is
powered up.
Max On Volume – Limits the maximum volume the
system operates in the main zone when it is switched
on or comes out of Standby. e system comes on at
this stored volume setting if the last used (possibly very
E-37
English
loud) volume exceeds this value. It is stored in memory
and recalled each time the unit is powered up.
Audio In iPod – If you have an iPod connected to the
AVR600 using an Arcam rDock or rLead, this control
allows you to set which audio input is used.
Auto Setup
Auto Speaker Setup of your loudspeakers and subwoofer
(if present) is controlled by this menu. A full description
of how Auto Speaker Setup works is given on page
33. Remember to insert the calibration microphone
into the AUX input on the front panel and position the
microphone at the listening position before running
Auto Setup.
Run Auto Setup – Press OK (or O on the remote) to
start Auto Speaker Setup. e process will generate test
tones from the speakers and will typically take less than
two minutes. e test tone generator will cycle round
each speaker twice.
Accept Setup – When Auto Speaker Setup has
completed without errors you can choose to accept or
reject the settings
< No: e settings are not stored in memory.
< Yes : All the speaker settings (speakers present, type,
distance, level and crossover frequency) are stored
in the relevant sections of the Setup Menu and
overwrite any previous settings.
Auto Setup Progress – Gives a summary of what Auto
Speaker Setup is doing as it progresses, starting with
which speaker is being tested.
< Calculating EQ: Data gathered from each of the
speakers is being processed.
< Completed Error: A problem was detected with the
speaker setup. See the descriptions for each of the
individual speakers, below. Alternatively an invalid
speaker conguration was detected.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
If the above speakers are correctly detected as present in
your speaker conguration, their size (Small or Large),
distance from the listening position and trim level (dB)
will be displayed. Note that size does not apply to the
subwoofer. Otherwise one of the following messages will
be displayed:
< Not Present: A speaker was not detected on this
channel.
< Clipped: e test tone detected by the microphone
was distorted or clipped. is could be because
you have very sensitive speakers and they are
very close to the listening position. However it is
more likely that the detected signal was corrupted
by microphone handling noise or other external
sounds. Try running Auto Speaker Setup again.
< Mic too close: e speaker is too close to the listening
position to be able to calculate its distance. If possible,
try moving the speaker slightly further away from the
listening position and run Auto Speaker Setup again.
Crossover Freq. – e frequency at which Auto Speaker
Setup determined is the best point to lter low frequency
sounds away from Small speakers and into the subwoofer
(or Large speakers if a subwoofer is not present).
Spkr Types
Settings for the types of loudspeaker you have connected
in your conguration. ese settings are applied to all
audio inputs and are stored in memory and recalled
each time the unit is powered up.
Front Left / Right –
Centre –
Surr. Left / Right –
Surr. Back L / R –
Here you set the type of speakers that you have
connected to your AVR600:
< Large: capable of full frequency range reproduction
< Small: not capable of full frequency range
reproduction at the low frequency end
< None: speaker not present in your conguration
< Subwoofer: Set whether a subwoofer is present or not.
For Surr. Back L/R, the number before Large and Small
in the dropdown options list is the number of Surround
Back speakers in your conguration. If you only have
one Surround Back speaker connect it to the SBL output.
NOTE
It is not possible to set all speakers to Small unless
there is a subwoofer in your speaker conguration.
If you do not have a subwoofer, you will be forced to
set your front speakers to Large.
Crossover Freq – is is the frequency at which
loudspeakers set as Small start to redirect bass signals to
the Subwoofer or Large speakers in your system. Small
speakers redirect bass to the subwoofer, if present. e
exception is the Centre speaker which, if Small, redirects
its bass to front le/right provided that they themselves
are Large. is is done to help keep Centre bass directly
in front of the listening position.
MCH Sub Levels – is setting controls the subwoofer
level from an externally decoded multi-channel source
(DVD-A, SACD, etc). Most DVD players require a
+10dB compensation on the subwoofer channel to
maintain the correct balance with the main channels.
< +10dB comp.: for normal DVD players which output
the analogue subwoofer channel at the low 0dBr
level. Gain compensation of +10dB is added to the
subwoofer channel of the MCH INPUT in the AVR600.
< No comp.: for DVD players which output the
analogue subwoofer channel at the correct +10dBr
level. No subwoofer gain compensation is needed
on the subwoofer channel of the MCH INPUT in the
AVR600.
Use Channels 6+7 for – If your main zone speaker
set up does not include Surround Back Le and Right
speakers, you can choose to use the Surround Back
amplier channels to Bi-Amp the Front Le and Right
pair, or as a stereo power amplier for Zone 2.
Spkr Distance
Calibration settings for the distances between the
loudspeakers and the listening position.
NOTE
Speakers that are not present in your conguration
will be greyed out.
ese settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
Units – Select whether you wish to measure distances in
centimetres or inches.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
As described in ‘essential setup’ on page 32, measure the
distance from each loudspeaker in your system to your
ear in the main listening position and enter the values.
is allows the AVR600 to calculate the correct relative
delay for each loudspeaker.
Spkr Levels
Calibration settings for the test noise signal level
through the loudspeakers and measured at the listening
position.
NOTE
Speakers that are not present in your conguration
will be greyed out.
ese settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
Use the B and C navigation buttons on the remote
control to select the relevant speaker. Press O to
enable/disable the calibration noise and the D and E
navigation buttons to adjust the noise level from each
speaker.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
As described in ‘essential setup’ on page 32, adjust the
level of the test noise from each speaker so that an SPL
meter at the listening position measures 75dB SPL.
E-38
Video Inputs
Settings to optionally assign a video source to each of
the normally audio-only inputs.
ese settings are stored in memory and recalled each
time the unit is powered up.
Video Input Tape –
Video Input CD –
Video Input Aux –
Video Input AM / FM –
Video Input Phono –
Video Input MCH –
Video Input iPod –
Video Input Net –
Video In Digital Radio –
e default for each of the audio inputs is ‘None’,
however for example you could associate the satellite
‘Sat’ video with AM, FM and Digital Radio audio if you
wished. is way you could listen to the FM or AM or
Digital Radio commentary of a sports game but have the
pictures from the satellite coverage.
Video Outputs
e settings in this menu control the output resolution
from the video processor in the AVR600 as well as the
operation of the two HDMI outputs.
ese settings are applied to all video inputs and are
stored in memory and recalled each time the unit is
powered up.
NOTE
Important points to remember:
For analogue outputs
e analogue output resolution should be chosen
carefully; Composite and S-Video connections can
only carry 480i (525-line NTSC) or 576i (625-line
PAL) signals. If an output resolution higher than this
is chosen in Out 1 Resolution, the Composite and
S-Video main zone outputs will be disabled.
You should also set the frame rate (50Hz Interlaced
for PAL, 60Hz Interlaced for NTSC) and the
aspect ratio (4:3 standard or 16:9 widescreen) to
match your display device. Note that S-Video and
Composite can only carry Interlaced video. If you
select Progressive analogue video, Zone 1 S-Video
and Composite outputs will be disabled.
For HDMI outputs
e output resolution, frame rate and display
aspect ratio can be automatically determined by
the AVR600. Alternatively these settings can be
manually selected. If you have two HDMI display
devices connected, you can also congure which of
the two HDMI outputs takes priority.
Zone 1 OSD – Selects whether the main zone pop-up
OSD messages are On or O. It is stored in memory and
recalled each time the unit is powered up.
< When On, all user adjustments that are made
during the general use of the AVR600 are displayed
on screen as well as the front panel display. is
includes the adjustment of volume, subwoofer level,
lip sync, tone controls, etc. It is stored in memory
and recalled each time the unit is powered up.
< When O, the above user adjustments will not
appear on screen, only on the front panel display.
is leaves the picture on your display device clear
of pop-up text. However, regardless of this setting
the Setup menus are always displayed on screen.
Analogue Output – is setting controls the output
resolution of the analogue video outputs of Zone 1.
is applies to all Zone 1 analogue video outputs:
Component, S-Video and Composite. is setting is
only valid if neither of the HDMI outputs OUT 1 or OUT 2
are being used at the time. See ‘Important points to
remember’ above regarding analogue resolutions.
e dropdown list shows all the resolutions that the
AVR600 video processor can output.
Analogue Frame Rate – is setting controls the output
frame rate of the analogue video outputs of Zone 1.
is applies to all Zone 1 analogue video outputs:
Component, S-Video and Composite. is setting is
only valid if neither of the HDMI outputs OUT 1 or OUT 2
are being used at the time. See the Note ‘Important
points to remember’ regarding analogue frame rates.
Display Type – Set the aspect ratio of your display
device; 4:3 standard or 16:9 widescreen.
Output Switching – is setting controls the operation
of the two HDMI outputs.
< Auto-Priority Out 1/Out 2 senses which display
device is turned on and gives priority to the named
output (OUT 1 or OUT 2) if both display devices are on
at the same time. When both display devices are on
at the same time, the output with the highest priority
is used to congure the settings of the AVR600 video
processor.
< Output 1 or Output 2: forces only the named HDMI
output to be enabled.
< Output 1 & 2: enables both HDMI outputs
simultaneously. In order to do this however, the
settings of the AVR600 video processor are reduced
down to the highest common set that can be
supported by both display devices.
Out 1 Resolution – is setting controls the output
resolution of HDMI output OUT 1. is setting is only
valid if HDMI output OUT 1 is the only active HDMI
output at the time.
< e dropdown list shows all the resolutions that the
AVR600 video processor can output. Resolutions
that are not supported by the connected display
device are greyed out and cannot be selected.
< Preferred: sets the OUT 1 resolution to be the
preferred resolution that is requested by the display
device. is is oen the highest resolution the
display device can receive.
Out 1 Frame Rate – is setting controls the output
frame rate of HDMI output OUT 1. is setting is only
valid if HDMI output OUT 1 is the only active HDMI
output at the time.
< e dropdown list shows all the frame rates that the
AVR600 video processor can output. Frame rates
that are not supported by the connected display
device at the above resolution are greyed out and
cannot be selected.
< Auto sets the OUT 1 frame rate to be the preferred
frame rate that is requested by the display device for
the currently used resolution.
Lipsync 1 – (Information only) Displays how much lip
sync is automatically applied to HDMI output OUT 1 to
compensate for video processing delays in the attached
display device. Not all display devices support this
function.
Out 2 Resolution – is setting controls the output
resolution of HDMI output OUT 2. is setting is only
valid if HDMI output OUT 2 is the only active HDMI
output at the time.
< e dropdown list shows all the resolutions that the
AVR600 video processor can output. Resolutions
that are not supported by the connected display
device are greyed out and cannot be selected.
< Preferred: sets the OUT 2 resolution to be the
preferred resolution that is requested by the display
device. is is oen the highest resolution the
display device can receive.
Out 2 Frame Rate – is setting controls the output
frame rate of HDMI output OUT 2. is setting is only
valid if HDMI output OUT 2 is the only active HDMI
output at the time.
< e dropdown list shows all the frame rates that the
AVR600 video processor can output. Frame rates
that are not supported by the connected display
device at the above resolution are greyed out and
cannot be selected.
< Auto: sets the OUT 2 frame rate to be the preferred
frame rate that is requested by the display device for
the currently used resolution.
Lipsync 2 – (Information only) Displays how much lip
sync is automatically applied to HDMI output OUT 2 to
compensate for video processing delays in the attached
display device. Not all display devices support this
function.
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English
Out 1 & 2 Resolution – is setting controls the
output resolution when both HDMI outputs are used
simultaneously. is setting is only valid if Output
Switching is set to Output 1 & 2.
< e dropdown list shows all the resolutions that the
AVR600 video processor can output. Resolutions
that are not supported by the connected display
devices are greyed out and cannot be selected.
< Best: sets the HDMI output to be the highest
common resolution that is supported by both
display devices.
Out 1 & 2 Frame Rate – is setting controls the
output frame rate when both HDMI outputs are used
simultaneously. is setting is only valid if Output
Switching is set to Output 1 & 2.
< e dropdown list shows all the frame rates that the
AVR600 video processor can output. Frame rates
that are not supported by the connected display
devices at the above resolution are greyed out and
cannot be selected.
< Auto: sets the HDMI output to be the highest
preferred common frame rate that is supported by
both display devices for the above resolution.
Lipsync 1 & 2 – (Information only) Displays how much
lip sync is automatically applied to HDMI outputs OUT 1
and OUT 2 simultaneously to compensate for video
processing delays in the attached display devices. Not all
display devices support this function.
Mode
Lists the decode and downmix options you wish to
include when cycling through the options on the MODE
button. Settings are Yes or No. e list is divided into
two sections depending on the source audio type. See
section ‘Multi-channel source modes’ on page 41 for
more information on each processing a decoding mode.
ese settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
For Stereo sources:
Dolby ProLogic –
Dolby PLIIx Movie –
Dolby PLIIx Music –
Dolby PLIIx Matrix –
Dolby PLIIx Game –
Neo:6 Cinema –
Neo:6 Music –
e rst section, ‘Stereo sources’ is the list of processing
modes you wish to make available for stereo signals
(analogue stereo, digital PCM stereo, Dolby 2.0, DTS
2.0, etc). When a stereo signal is applied, each press of
the MODE button cycles through the processing modes
you have enabled in the ‘Stereo sources’ section. e
unprocessed Stereo option is always available for stereo
signals therefore it is not shown in the list.
For Multi-channel sources:
Stereo Downmix –
Dolby Digital EX –
Dolby PLIIx Movie –
Dolby PLIIx Music –
e second section, ‘Multi-channel sources’ is the list
of processing modes you wish to make available for
multi-channel digital signals (any Dolby or DTS digital
stream that has more channels than stereo 2.0). When a
multi-channel digital signal is applied, each press of the
MODE button cycles through the processing modes you
have enabled in the ‘Multi-channel sources’ section.
Zone Settings
Lists the volume and control settings for Zone 2 and
Zone 3. ese settings are applied to all audio inputs and
are stored in memory and recalled each time the unit is
powered up.
Z2 Audio Input – Selects the analogue audio to be
routed to Zone 2.
Z2 Video Output – Selects the analogue video to be
routed to Zone 2 for the current audio input.
Zone 2 Volume – e current volume in Zone 2.
Zone 2 Max. Vol – Limits the maximum volume setting
the system can be turned up to in the Zone 2. is is a
useful feature to prevent accidental overdriving of low
power-handling speakers, for example.
Zone 2 Fixed Vol – e Zone 2 volume control can be
locked at the current value for use with an external
amplier with its own volume control in Zone 2.
Zone 2 Max On Vol – Limits the maximum volume the
system operates in the Zone 2 when it is switched on
or comes out of Standby. e system comes on at this
volume if the last used (possibly very loud) volume
exceeds this value.
Zone 3 Volume – e current volume in Zone 3.
Zone 3 Max. Vol – Limits the maximum volume setting
the system can be turned up to in the Zone 3. is is a
useful feature to prevent accidental overdriving of low
power-handling speakers (for example).
Zone 3 Fixed Vol – e Zone 3 volume control can be
locked at the current value for use with an external
amplier with its own volume control in Zone 3.
Zone 3 Max On Vol – Limits the maximum volume the
system operates in the Zone 3 when it is switched on
or comes out of Standby. e system comes on at this
volume if the last used (possibly very loud) volume
exceeds this value.
Standby – When a Standby command is received by an
infra-red eye in Zone 2, this setting controls which parts
of the AVR600 to turn on and o:
When Local Only, the Standby IR command only aects
the zone it was received in (Zone2 or Zone3).
When All O, the Standby IR command aects the
entire AVR600 system in all zones.
Network
e AVR600 is tted with an network audio client which
is capable of playing internet radio stations as well as
stored music on a network storage device such as a PC,
or on a USB ash drive.
Use DHCP – Select if your network uses DHCP
< No: To assign a xed IP address manually.
< Yes: To use network parameters given by the DHCP
server.
MAC address – (Information only) e unique address
of the network card in your AVR600.
IP Address – If not using DHCP, enter the IP address
you have assigned to the AVR600 for your network.
Subnet Mask – If not using DHCP, enter the subnet
mask for the AVR600 on your network.
Gateway – If not using DHCP, enter the IP address of
the router the AVR600 is connected to.
Primary DNS – If not using DHCP, enter the Primary
DNS IP address of your internet service provider.
Alternate DNS – If not using DHCP, enter the Secondary
DNS IP address of your internet service provider.
Use Proxy – Select if you connect to the network via a
Proxy Server.
< No: If you connect directly onto the network.
< Yes : If you connect to the network via a Proxy
Server.
Proxy Address – If connecting via a Proxy Server, enter
its IP address.
Proxy Port – If connecting via a Proxy Server, enter the
port number to which the Proxy responds.
E-40
Introduction
Your AVR600 receiver provides all the key decoding
and processing modes for analogue and digital signals,
including the latest high denition audio formats over
HDMI.
Modes for digital sources
Digital recordings are usually encoded to include
information about their format type. e AVR600
detects automatically the relevant format in a digital
signal – such as Dolby TrueHD, Dolby Digital Plus,
DTS-HD Master Audio, Dolby Digital, or DTS – and
switches in the appropriate decoding.
Modes for analogue sources
Analogue recordings do not contain information about
their encoding formats, so the desired mode – such as
Dolby Pro Logic – needs to be selected manually.
Mode memory
Dolby Digital or DTS audio (including the high
denition formats) can be output in two mix modes,
selected using the MODE button:
< Surround (e.g., ve main channels plus a subwoofer
for a 5.1 source)
< Stereo downmix.
Two-channel audio, regardless of whether it is analogue
or digital can also be output in two mix modes, selected
using the mode button:
< Surround (e.g., Dolby Pro Logic II Movie, Neo:6
Music, etc.)
< Stereo.
e AVR600 stores the settings for each source (except
MCH). us the decoding mode for the following
groups of source material can be stored independently:
< Dolby Digital (multi-channel) and DTS source
material
< Two channel Dolby, PCM or Analogue source
material
Two-channel source modes
e following decoding and surround modes are
available for standard and high denition Dolby Digital
2.0, DTS 2.0, PCM or analogue sources:
Stereo
Pro Logic II Movie
Pro Logic II Music
Pro Logic II Game
Pro Logic IIx Movie
Pro Logic IIx Music
Pro Logic IIx Game
Pro Logic
Neo:6 Cinema
Neo:6 Music
NOTE
Pro Logic IIx modes are only selectable when
Surround Back speakers are present.
Stereo
In this mode the AVR600 works as a conventional high
quality audio amplier. Note that if the subwoofer is
enabled in stereo mode, then some processing of the
signal will be carried out. To achieve ultimate sound
quality with analogue sources, select the Stereo Direct
function if an analogue connection is present.
Dolby Pro Logic II
Dolby Pro Logic II decoding is designed to produce ve-
channel output from two-channel source material.
ere are three dierent modes available in Pro Logic II:
‘Movie’, ‘Music’ and ‘Game’ modes, which are intended
for use as their names suggest. Due to the dierent
recording methods used for movies, music and video
games, it is recommended that the correct decoding
mode for your source material is used to obtain best
results.
< Movie mode: is is intended for use with
‘cinematic’ material, which is mixed and monitored
in a calibrated multi-channel environment. Movie
mode is a ‘xed’ mode that is designed to give a
similar sound when listening using a home cinema
system to that obtained in a cinema.
< Music mode : Stereo music is not designed for
surround processing, although good surround
eects can be obtained through careful production.
decoding
modes
As the optimum decoding method varies according
to the recording, Music mode allows the user
adjustment of the processing characteristics.
< Game mode: Video games today are extremely
sophisticated, with dramatic 5.1 surround
audio tracks. Game mode gives augmented bass
management to capture the full eect of game
sounds panned to the surrounds, ensuring the
bass impact from purer surround eects are fully
delivered to the subwoofer.
Dolby Pro Logic IIx
Dolby Pro Logic IIx is an extension of the Dolby Pro
Logic matrix-decoding method. e decoder allows
the processor to derive seven outputs from a two or
multi-channel (up to 5.1 with EX) source to take better
advantage of all ampliers and speakers in a 7.1 setup.
As with Pro Logic, there are three dierent modes
available: Movie, Music and Game. Due to dierent
recording methods used for movies and music, you
should select the correct mode for your source material.
Dolby Pro Logic
Dolby Pro Logic is a legacy mode that is designed
to produce a ve-channel output from two-channel
source material. It should be used only when the source
material is encoded as Dolby Pro Logic; otherwise,
we recommend the use of Dolby Pro Logic II. is is
because Pro Logic processing on straight stereo sources
can sound mued and compressed.
DTS Neo:6
DTS Neo:6 provides up to six full-band channels of
decoding from stereo material. e AVR600 will derive
separate channels corresponding to the standard home
theatre layout.
< Cinema : A movie mode designed to reproduce
a movie theatre environment. Neo:6 technology
allows various sound elements within a channel or
channels to be steered separately, and in a way which
follows the original presentation naturally.
< Music : A music mode designed to produce a lively,
high-integrity surround-eect from most two-
channel music sources from all available speakers.
Neo:6 music mode expands stereo recordings into
the ve or six-channel layout without diminishing
the subtlety and integrity of the original stereo
recording.
E-41
English
High resolution audio sources
Dolby True-HD Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no
losses in the compression process. Data rates can be up to 18Mbps.
Dolby Digital Plus Provides up to 7.1 discrete channels of audio with less compression than
traditional Dolby Digital encoding. Data rates can be up to 6Mbps.
DTS-HD Master Audio Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no
losses in the compression process. Data rates can be up to 24.5Mbps.
For Dolby Digital sources
Dolby Digital 5.1 e most commonly used sound format for DVD video, and is also the
standard for US television. Dolby Digital 5.1 sources deliver sound with ve
discrete full-range channels; le, centre, right, surround le, surround right,
plus a low frequency eects (LFE) channel.
Dolby Digital 5.1 Stereo
Downmix
Provides a stereo downmix of the source material for use with headphones.
Dolby Digital EX is is an extension to Dolby Digital decoding that provides a 6-channel output
from a 5-channel input. e extra channel is the centre-surround channel (for
which the two surround back speakers are used), and is derived from the le
and right surround channel information. is decode mode should be used
only when the source material is ‘Surround EX’ encoded (which is normally
indicated on the disc packaging and should be detected automatically by the
AVR600), but may be used at other times if desired.
Dolby Digital 5.1 + Pro Logic
IIx Movie
is mode is used to derive information for the individual surround back
channels from the surround channels, using the Pro Logic IIx Movie decoder.
Dolby Digital 5.1 + Pro Logic
IIx Music
is mode is used to derive information for the individual surround back
channels from the surround channels, using the Pro Logic IIx Music decoder.
e controls for adjusting Pro Logic IIx Music in ‘General Setup’ can be used in
this mode.
For DTS sources
DTS 5.1 Less common than the Dolby Digital format, but generally recognised within
the audio industry as being of superior sound quality. DTS 5.1 delivers
surround sound with ve full range channels plus an LFE channel.
DTS 5.1 Stereo Downmix Provides a stereo downmix of the source material for use with headphones.
DTS-ES 6.1 Matrix is is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix
encoded into the surround le and surround right channels. e sixth channel
is a surround centre channel and is directed to the surround back le and
surround back right speakers.
DTS-ES 6.1 Discrete is is a true discrete 6.1 channel sound format (unlike DTS-ES Matrix).
DTS-ES discrete mode operates only on sources with DTS-ES 6.1 discrete
audio encoding.
DTS96/24 Provides up to 5.1 channels of audio at 96kHz, 24bit resolution for superior
sound quality compared to standard DTS 5.1
Multi-channel source modes
Digital multi-channel source material is normally
provided as ‘5.1 audio’. e ‘5.1 channels’ comprise
of: le, centre and right front speakers, two surround
speakers and a low frequency eects (LFE) channel.
Since the LFE channel is not a full range channel, it is
referred to as ‘.1’.
Surround systems decode and reproduce the 5.1
channels directly. Dolby Digital EX and DTS-ES matrix
enhanced decoding systems create one extra rear
channel from information buried in the two surround
signals of the 5.1 source. ese EX and ES enhanced
systems are sometimes referred to as ‘6.1’ systems. is
extra surround back channel is normally reproduced
through two separate loudspeakers, creating a ‘7.1’
system.
DTS-ES discrete is a true ‘6.1’ source, with six discretely
encoded channels, plus the ‘.1’ LFE channel.
Dolby Digital Plus, Dolby True-HD and DTS-HD are
high-resolution surround formats found on Blu-Ray and
HD-DVD discs
Decoding modes
e modes given in the following table are available for
multi-channel digital sources.
Special modes such as DTS-ES 6.1 discrete, Dolby
Digital Plus, Dolby Tru-HD and DTS-HD are only
available from the correct source material.
E-42
Dolby volume
Dolby Volume is a sophisticated new
technology that resolves the problem of
dierent volume levels between programme content
(e.g. a TV show and advert breaks) and between sources
(e.g. a rock radio station and DVD, or between two
TV stations). It lets the listener enjoy everything at the
same preferred listening level without having to reach
for the volume control to compensate for the dierent
recording/output levels. is is the Volume Leveller
function of Dolby Volume.
Dolby Volume also works in conjunction with the
AVR600 volume control setting to compensate for
the ear’s changing sensitivity at dierent frequencies
depending on how loud the audio is. It is based on
a model of how human hearing works. It properly
balances low, mid and high frequencies to maintain all
the nuances and impact of the original audio regardless
of the actual selected playback volume level. is is the
Volume Modeller function of Dolby Volume.
Dolby Volume measures, analyses and maintains volume
levels based on how people perceive sound. A variety of
audio parameters are monitored including spectral- and
time-based loudness to ensure that perceived dynamics,
timbre and bass performance remain consistent at all
volume levels.
Dolby Volume also lets the listener control a
programme’s dynamic range – the range between loud
and quiet sounds. For example, with the volume turned
down for late-night viewing, dynamic range can be
adjusted so that speech remains clear and loud eects or
music passages retain their impact without waking up
the family.
Settings
Dolby Volume can be applied to any analogue or digital
stereo source or any digital multi-channel source. It is
not available in Stereo Direct or on the analogue multi-
channel input. Dolby Volume can even be applied to
processing of stereo signals (e.g. PLII Music) or when
down-mixing a digital multi-channel source (e.g. Dolby
Digital 5.1 down to stereo).
Dolby Volume can be enabled and congured separately
for each audio input in the Input Cong menu. e
default is O for ‘audiophile’ listening to analogue or
digital stereo sources, however you may wish to enable
Dolby Volume on some or all inputs to maintain the
same perceived overall listening level between sources
and frequency response regardless of the volume setting.
ere are two modes for Dolby Volume: ‘Cinema’ and
‘Music’, which calibrate the system to match the type of
audio material generally played on each input. Movie
should be selected for sources which typically play
movie soundtracks. Music should be selected for all
other sources (CD, TV, Satellite, Tuner, etc). Most of the
controlling parameters of Dolby Volume are automatic
as they are dependent on analysis of the audio signal and
the volume setting of the AVR600. However, the Volume
Leveller and Calibration Oset controls (see below) can
be adjusted to your preference.
Volume Leveller
e Volume Leveller function of Dolby Volume controls
how closely quiet and loud sources and programme
content are matched to each other, based on the
ear’s perception of loudness. e range of values is 0
(minimal levelling) to 10 (maximum levelling). e
default setting is 9. If the Volume Leveller function
is turned o, no level matching between sources and
programme material is performed. is is not the
same as turning Dolby Volume o as volume related
frequency response processing is still active.
When Dolby Volume is being applied to the current
input, a Dolby Volume processing mode indicator is
shown on the OSD and the front panel display.
Calibration Oset
e Calibration Oset parameter of Dolby Volume
allows you to compensate for speaker eciencies and
listening position – eectively moving the reference
listening level up or down the volume scale. e default
value is 0 and this should normally produce a good
result when the AVR600 speaker levels are set using
a sound pressure level meter at the listening position
(75dB SPL, ‘C’ weighting, slow response).
E-43
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E-44
tuner
operation
e AVR600 is tted with an internal AM/FM tuner.
Depending on your location, it may also be tted with a
DAB tuner (Europe) or Sirius satellite radio connection
(Americas). Sirius requires the purchase of the
‘SiriusConnect™ Home Tuner’ kit and Sirius subscription
– please visit www.sirius.com for details.
is section deals with tuner operation, for information
on setting up the tuner and installing aerials, see page
14.
When a tuner input is selected, the OSD shows a list
of radio presets plus an information panel giving all
available information about the current frequency (for
AM and FM) or channel (for DAB or Sirius).
e front panel will also give the same information,
pressing the INFO key will cycle through the various
items of information:
AM
• Processing mode (default)
• Frequency
• Signal strength
FM
• Processing mode (default)
• Radiotext (if available; shows ‘No radiotext’ if none
present)
• Programme type (if available)
• Signal strength
DAB
• Processing mode (default)
• Radiotext (if available; shows ‘No radiotext’ if none
present)
• Programme type
• Signal quality
• Bit-rate of transmission
Sirius
• Processing mode (default)
• Artist Name: Song Title
• Composer (if available)
• Category Name
• Signal quality
Tuning/Channel Selection
When switching to the internal TUNER source, the
AVR600 enters the last used tuner band, be it AM / FM
/ DAB (if tted) / Sirius (if tted). Repeatedly pressing
T cycles through the available tuner bands on your
AVR600.
FM/AM analogue radio
Frequency tuning on FM and AM radio is done using
the < and > buttons on the CR102 remote control in
TUN device mode. Individual presses move the frequency
down and up one step. If you press and hold either of
the tuning buttons for two seconds, the tuner scans to
the next strong signal. You can stop a scan at any time by
pressing one of the tuning buttons again.
In Europe, the internal FM radio is capable of receiving
RDS (Radio Data System) radiotext signals that are
transmitted on some stations. e RDS information
typically includes the radio station name, the music or
speech genre as well as additional information related to
the current programme. On music stations this is oen
information on the currently playing track.
DAB digital radio
If your AVR600 is tted with the optional DAB tuner
you will need to scan for available stations before being
able to listen to them.
To scan for DAB stations, rst select the DAB tuner then
press and hold O until the display indicates scanning
has started. e AVR600 will then scan all the DAB
radio frequencies and compile a list of the stations that
are available.
When the scan is complete, you can scroll through the
station list using the < and > buttons on the CR102
remote control. To listen to the currently displayed
station press the O. If you do not press O within
two seconds, the display will revert to displaying the
currently playing station.
Internet radio
Please see the Network/USB Operation section on page
46 for details of internet radio operation.
Saving and selecting Presets
Preset selection uses the B and C keys on the
remote to browse and O to select the preset when the
CR102 is in TUN device mode.
Up to 99 presets can be stored and these can be from
any band, for example Preset 1 could be an AM station,
preset two a DAB station, etc. Pressing the OK key causes
the next available preset number to be displayed, then
pressing the OK key again stores the current frequency/
channel in that preset. If a dierent preset number is
required, press the B or C keys until the desired
number is displayed before pressing the OK key for a
second time.
Deleting Presets
When in tuner browse mode (using B and , to
scroll through the presets), the yellow button on the
CR102 remote is used to delete the currently highlighted
(but not playing) station or frequency.
Sirius satellite radio
In this section it is assumed that you already have
a ‘SiriusConnect™ Home Tuner’ kit and a Sirius
subscription, and that the antenna is already correctly
placed to receive Sirius broadcasts. Please visit
www.sirius.com for more information.
Add to your subscription
Before being able to receive satellite radio broadcasts
you will need to update your Sirius subscription to add
the ID number of the Sirius receiver module in your
AVR600. e Sirius ID can be found by switching to
the Sirius source and selecting channel 0. e AVR600
displays the 12-digit number on the OSD and on the
front panel display. You should make a note of this ID
number, then select Sirius channel 184 while you apply
this ID number to your account at www.sirius.com or
by calling 1.888.539.SIRIUS (7474).
Once your subscription is updated, a code is sent
over Sirius channel 184. When this code is received
the AVR600 displays ‘SUBSCRIPTION UPDATED’. is
display remains until cleared by pressing any button. e
Sirius radio module is now fully operational.
Please note that, depending on your subscription, some
channels may not be available. If a channel is not part of
your subscription package, you are invited to subscribe
to the station - ‘CALL 888-539-SIRIUS To Subscribe’
E-45
English
is displayed and audio is muted. If you have any queries
about your subscription, please contact Sirius.
Operation
In addition to the channel and preset selection,
previously mentioned, you can also cycle through the
station categories (Rock, Pop, Country, etc.) using the
] and [ keys. e rst station in each category is
displayed. You can then scroll through other stations in
that particular category using the D or E buttons on
the CR102 remote. On the OSD a star (‘ * ”) is shown
before the category name to show you are scrolling
through stations only in the current category. Press
O to select the currently displayed station to listen to
it otherwise the display times out and returns to the
currently playing station information.
Locking Channels
e Sirius module in the AVR600 has a parental lockout
feature which allows you to assign a 4-digit code to any
stations you do not wish to be generally available to
users.
Channels can be locked out individually by pressing and
holding the MODE key. ‘Lock?’ also appears on the lower
line of the On Screen Display. Pressing O conrms and
applies the parental lock to the channel and the display
returns to the channel name.
If a locked channel is selected, the audio will be muted
and the user prompted on the display to enter the
unlocking code. ‘Unlock code :____’ is displayed.
e default unlock code is 0000.
If the code is entered correctly the audio for this channel
unmutes. If the code is not entered correctly, the
previously played channel is re-selected.
To remove the parental lock from one of the locked
channels (so that the unlocking code is no longer
required to listen to them), navigate to the channel,
select it and enter the unlocking code to unmute the
channel. Press and hold the M key until the display
shows ‘Unlock ?’. Press O to remove the lock from the
channel.
NOTE
e locking code is reset to 0000 if a factory reset of
the AVR600 is performed.
Sirius errors
If an invalid channel is selected, the AVR600 displays
‘INVALID CHANNEL’ and the channel reverts to the
previous valid channel.
If there is a loss of signal, the AVR600 displays
‘ACQUIRING SIGNAL’.
If the antenna is disconnected, the AVR600 displays
‘ANTENNA ERROR’.
During the channel map update, the message ‘Updating
channels - xx%’ is displayed. Note that audio is
muted until the update is complete. When complete, the
AVR600 retunes to the original channel and restores the
audio.
E-46
network/usb
operation
e AVR600 is tted with a
network audio client which is
capable of playing internet radio
stations as well as stored music on
a network storage device such as a
PC, or from a USB ash drive.
For information on installing the AVR600 on your
network, see page 16.
e AVR600 supports the following le formats:
< MP3
< WMA (Windows Media Audio)
< WAV
< FLAC (Free Lossless Audio CODEC)
< MPEG-4 AAC (iTunes) with DRM10 support
< Ogg Vorbis
Favourites
You can store tracks or radio stations in your ‘favourites’
folder for easy access later. Once playing, pressing
the FAV+ key adds the track to the ‘favourites’ folder.
Pressing FAV removes the track from the ‘favourites’
folder (this key only has an eect if the track is in the
favourites folder).
Selecting the playback source
Selecting the network client will allow playback of
internet radio stations and stored music on a networked
storage device or USB memory device.
To select the network source the CR102 remote must
rst be in AMP device mode (press A). en press S
+ e on the remote to select the Network source. You
can also cycle to it using the INPUT / INPUT+ keys on the
front panel.
e ‘home’ page will display all available storage devices,
as well as your ‘favourites’ folder. Navigate through these
devices using the B, C, D and E keys. Folders that
may contain playable les have a symbol, playable
les have a symbol. Once you reach the track you wish
to play, press OK or the 4 key.
Once playing, pressing OK again or ; will pause the
track.
Pressing the / key skips forward one track. If the last
track is reached the key is ignored.
Pressing the 0 key skips back one track. If the rst track
is reached, the key is ignored.
Pressing and holding the OK or < key for two seconds
stops playback.
Pressing the r key on the remote plays the tracks in
the current folder in a random order.
Pressing the R key on the remote repeats the current
track, pressing it again repeats all the les in the current
folder, pressing it again cancels the repeat function.
NOTE
For playback from a network device, the network
device needs to running a universal plug and
play (uPnP) service, such as Windows Media
Player 11. is can be downloaded free of charge
from www.microsoft.com or installed via the
Windows update installer. Windows Vista™ has this
functionality built in.
Other free and paid-for uPnP services are available
for other computer operating systems. Some
network attached storage (NAS) systems include a
built-in version of a uPnP service.
USB playback
Insert a USB device into the socket on the AVR600 and
select select the network client input. e USB device
appears in the list of folders that can be navigated.
Navigate to the music le and press the OK or 4 key.
Internet radio stations
Although you can manually enter the URL of an internet
radio station, the AVR600 uses the vTuner service
to allow easy browsing of internet radio stations and
podcasts. To set up this service for your AVR600, please
visit www.arcamradio.co.uk
ere, you will be asked to enter the Media Access
Controller (MAC) address which is the unique ID of
your AVR600. is MAC address can be found in the
network section of the setup menu.
Once you have entered the MAC address, you can then
browse stations and podcasts and set up groups of
favourite stations. When you next connect your AVR600
to the internet, these groups will appear in the selection
list.
Pressing the INFO key will cycle what is shown on the
lower right portion of the front panel display between:
< Elapsed Time (default)
< Processing mode
< Album (if available)
< Artist (if available)
< File information (bitrate, type).
iPod
It is possible to connect an iPod
to your AVR600 using either the
Arcam rLead or rDock accessories
(please contact your dealer).
Connect the 9-way plug into the
socket marked ‘rLead/rDock’ and
the audio leads to the AV input. If
your iPod has video output and you
are using the rDock, connect the
composite and S-Video leads to the
AV video inputs.
To select the iPod input, press the e key on the remote
while in AMP Device Mode, or cycle to it using the
INPUT / INPUT + keys on the front panel.
E-47
English
external
ampliers
Analogue pre-amplifier outputs
All pre-amplier analogue outputs are buered, have
a low output impedance and are at line level. ey are
able to drive long cables or several inputs in parallel if
required.
R, L, C
Connect these to the equivalent (Right, Le and Centre)
front channels of your power amplier.
SW1
Main subwoofer output. Connect this to the input of
your active subwoofer, if present.
SW2, SW3
Subwoofer 2 and Subwoofer 3 auxiliary outputs. ese
are equivalent to SW1 but they allow the use of multiple
subwoofers.
SR, SL
Surround Right and Surround Le outputs. Connect
these to the Surround Right and Le power amplier
inputs.
SBR, SBL
Surround Back Right and Surround Back Le outputs
(only used in 6.1 and 7.1 channel systems). Connect
these to the Surround Back Right and Surround Back
Le power amplier inputs.
For 6.1 channel speaker congurations, connect the
single Surround Back power amplier to the SBL output.
E-48
Zone 2 and 3 control outputs
e AVR600 also allows remote control from Zones 2
and 3.
Z2 IR and Z3 IR
is allows the AVR600 to be
controlled remotely from Zone 2
or Zone 3 via Infra-red remote
control. Connect a remote IR
receiver in Zone 2 or Zone 3 to
allow control of the AVR600
from these listening/viewing
areas.
For more information on remote
IR receivers, see ‘Z1 IR’ on page
17.
TRIG Z2 and TRIG Z3
is allows the AVR600 to
remotely switch on devices
in Zone 2 or 3 when the
appropriate Zone is selected.
For example you could set your
television in Zone 2 to switch on
when ‘Zone 2’ is selected on AVR600.
For more information on triggers, see ‘Trigger
connectors’ on page 17. Please note that not all AV
devices have this feature, nor are triggers essential for
listening and viewing in a separate zone.
multi-room
set up
e AVR600 allows independent routing and control of
analogue audio, Composite and S-Video to a separate set
of equipment, typically used for a second living space,
e.g., bedroom or lounge. e AVR600 also allows a
copy of the Zone 2 analogue audio to be routed to and
controlled in a third living space, Zone 3.
e connection guide on the following page shows how
the AVR600 is normally connected in a multi-room
installation.
Zone 2
Zone 2 receives only signals obtained by the AVR600
from the analogue audio, Composite and S-Video
inputs. e analogue inputs are required because there
is no analogue-to-digital, digital-to-analogue or DSP
processing available for Zone 2 signals – the AVR600
only converts video formats for Zone 1.
For this reason, we recommend that in addition to any
digital connections, the Composite and/or S-Video
outputs from your source devices are connected to the
AVR600.
Video outputs
e Z2 S-Video and/or Composite output connectors
of the AVR600 should be connected to the analogue
video inputs (usually labelled SVIDEO IN or
COMPOSITE VIDEO IN) of the display device in Zone 2.
If you wish to make an HDMI connection to Zone 2,
you must accept the limitations of the AVR600 video
processing system.
HDMI OUT 1 and OUT 2 both carry the same signals (as
there is only one video processing engine) and are
primarily intended for use in Zone 1. Full HDMI video
functionality in Zone 2 can only be achieved if Zone 1 is
not being used at the same time.
If Zone 1 is being used at the same time as Zone 2,
Zone 2 must follow the Zone 1 source selection if you
wish to receive HDMI signals in Zone 2. Zone 2 must
also be the same video resolution as Zone 1. If you wish
to watch a dierent source in Zone 2 than is currently
showing over HDMI in Zone 1, Zone 2 will be forced to
use the analogue video connections into and out of the
AVR600.
Due to the complications of using HDMI in Zone 2
we recommend the use of analogue video connections
instead, particularly as it is not possible to apply audio
lip sync to Zone 2 audio to compensate for video
processing delays.
Audio outputs
e Z2 OUT, R and L phono sockets should be connected
to the analogue audio inputs (Usually labelled
ANALOGUE AUDIO IN) of the Zone 2 display device, or
to the inputs of an additional stereo power amplier in
Zone 2 (for example, the Arcam P38).
Zone 3
A line-level signal from the stereo analogue audio is
available for Zone 3. is is a copy of the Zone 2 audio
signal, but has its own independent volume control.
Audio outputs
e Z3 OUT, R and L phono sockets should be connected
to the inputs of an additional stereo power amplier in
Zone 3 (for example, the Arcam P38).
E-49
English
�
�
Zone 1
Multi-room connection guide
Zone 3 Zone 2
E-50
Code Learning
e CR102 comes with a complete library of
preprogrammed codes. Aer you have set up the CR102
for your device, you may nd that there are one or more
functions on your original remote which do not have a
place on the CR102 keypad. For convenience, the CR102
oers a Code Learning feature that allows you to copy
up to 16 functions from an original remote control onto
the CR102 keypad.
Before you start, make sure that:
< e original remote control is working correctly.
< e remotes are not pointing at your device.
< e remotes have new batteries.
< e remotes are not in direct sunlight or under
strong uorescent lights.
Learned functions are mode-dependent: You could
theoretically assign up to eight dierent functions
to a single key (the CR102 can handle a total of 16
learned functions).
Example: To copy the ‘text hold’ function
from a TV remote onto the ( key of your
CR102
1. Place both remotes on a at surface, 2 to 5cm apart,
with the IR ports facing each other.
2. On the CR102, press and hold S until the power
LED blinks twice: * *.
3. Press 9 7 5. e power LED blinks twice: *
*.
4. On the CR102, press the device key that matches the
‘source’ device (e.g. if you’re learning a TV function,
press a).
5. On the CR102, press the key to which you want to
assign the learned function (e.g. (). e device key
blinks rapidly.
6. On the original remote, press and hold the function
key that you want to learn (e.g. TEXT HOLD) until the
CR102 device key blinks twice: * *.
7. If you want to learn other functions from the same
source device, simply repeat steps 5 and 6 pressing
the next key you want to learn.
8. To exit Code Learning mode, press and hold S
until the device key blinks twice: * *.
9. To use the learned function on the CR102, press the
Device Mode key, followed by the function key.
In this example, you’d press
a followed by (
Shifted Learning
You can assign a learned function to a CR102 key
without sacricing its original function.
You can assign Shied Learning functions to any key
except for: Device Mode keys (e.g. a), S, or number
keys (0 to 9).
1. To assign a Shied Learning function, simply follow
Code Learning steps in the previous section. During
step 5, press S once before you press the key to
which you want to assign the learned function.
2. To access the shied function, press S and then the
target key.
Important notes
< Once you start a Code Learning session, you have
approximately 10 seconds to conduct each step. Any
longer, and a timeout means that you’ll have to start
the process again.
< e Learning feature is mode-specic – you can
copy one feature per mode onto a key.
< e CR102 can learn approximately 16 functions in
total.
< To replace a learned function, simply assign a new
one to the same key.
< Learned functions are retained when you change
batteries.
< If Code Learning fails, try altering the distance
between the two remotes; make sure that the light in
the area is not too bright.
To delete a learned function
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 6. e power LED blinks twice: .
3. Press a Device Mode key once. For example, if you
want to delete one of your learned TV functions,
press a.
4. Press twice on the key you want to deassign. e
handset blinks twice: * * to conrm.
e original function of the CR102 is restored.
To delete a Shifted Learned function:
To delete a Shied Learned function, press S before
you press the key to be deassigned (during step 4 above).
To delete ALL learned functions within a
given Device Mode
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 6 – the power LED blinks twice: *
*.
3. Press the appropriate Device Mode key twice.
customising
the CR102
E-51
English
Example: To deassign the Macro associated
with the h key
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 5.
3. Press h.
4. Press and hold S until the power LED blinks twice:
* *.
Volume punch-through
Volume punch-through means that, no matter which
Device Mode is selected, the CR102 controls the
AVR600 volume. You don’t need to press A on your
CR102; this feature is switched on by default.
ere are times, however, when you might want to
control a device’s volume directly when in a specic
Device Mode.
Example: To cancel volume punch-through
for a TV (AV mode)
1. Press a once.
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 3.
4. Press -. e power LED blinks four times.
Now, while in TV (AV) mode, you will be able to control
the volume or mute functions of your TV directly.
To completely cancel all volume punch-
through settings
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 3.
3. Press +. e power LED blinks four times * *
* *.
Now, whichever mode you’re in, you will have direct
access to that device’s volume or mute functions,
assuming they are available. You would need to switch to
AMP mode to alter the AVR600 volume.
Example: To restore default volume punch-
through settings to all Device Modes
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 3.
3. Press A. e power key LED blinks twice: * *.
Key Mover
Sometimes you might nd that a key you use a lot for
your system is in the ‘wrong’ place on the CR102 keypad
for your comfort. It’s quite easy to reassign a favourite
function to a more accessible key. It is even possible
to move a function from one Device Mode to another
Device Mode.
Example: To assign the D function to the U
key in SAT mode
1. Press z.
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 4.
4. Press the key you want to move (e.g. D)
5. Press the key you want to move the key to (e.g. U).
Now, pressing either D or U while in SAT Device
Mode makes the CR102 transmit the D function.
To completely swap over the functionality of the two
keys to put the U functionality on the D key, repeat
the above process again, but swap over the D and U
key presses in the example.
Note that the function that is copied over to the new key
is always the original function of the old key.
Restore a moved key
To restore a key to its previous function, repeat the
example above, pressing the key to be restored twice
(copy it back to itself).
Restore all moved keys for a Device Mode
To restore all keys in a Device Mode to their original
functional positions, repeat the example above, but press
the relevant Device Mode key (e.g. A) at points 1,4 and
5 in the example.
Creating Macros
You can program your CR102 to issue a sequence of
commands when you press a single key. Any sequence of
commands you regularly use can be reduced to a single
key press for your convenience.
For example, you might want to turn o your TV, VCR
and Satellite at the same time.
< A key programmed with a Macro is available in all
modes; it will replace that key’s dierent functions
for all modes.
< A Macro can consist of up to eight key presses.
Example: To assign a Macro to the h key
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 5.
3. Press h (the Macro will be assigned to this key).
4. Press a, P, w, P, z, P. (ese are the Macro
steps you wish to record.)
5. To store the Macro, press and hold S until the
power LED blinks twice: * *.
Now, whenever you press h, the CR102 will toggle the
power to your TV, VCR and Satellite.
< e important word here is ‘toggle’. For example, if
the TV and Satellite devices are currently on, but
the VCR is o, pressing h will switch o the TV
and Satellite and switch on the VCR (rather than
switching all three devices on or o).
< When using Macros, remember that you may need
to change mode or use S, and that each key press
(including changing modes and pressing S) counts
as one of the Macro steps. You cannot use a Macro
key within another Macro.
< If the amount of memory storage for a particular
Macro is exceeded, the power LED comes on for ve
seconds. You can, however, save the macro steps up
to that point by pressing S, or you can cancel the
Macro recording by pressing any other key.
< e delay between key presses is recorded as part of
the Macro. A delay of up to 30 seconds is permitted.
E-52
Mode Mover
If your home entertainment setup contains devices of
the same type (e.g. two TVs, perhaps from dierent
manufacturers) you can still control both those devices
with the CR102. You simply need to reassign an unused
Device Mode key.
NOTE
Before using Mode Mover, make sure both the
source and destination Device Mode keys are
unlocked (see next section).
Example: To use the z key to control a
second TV
1. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 2.
3. Press the Device Mode key for the type of device you
want to control (e.g. for a TV, press a).
4. Press the Device Mode key you want to use (e.g. z).
5. Don’t forget to set up the CR102 to control the
second device, using one of the methods on page 25.
Note that volume punch-through is not applied to a
Device Mode that has been copied using Mode Mover.
However, AVR600 volume punch-through functionality
can be restored when you have used Mode Mover, by
copying -, + and @ from the AMP Device Mode
to the same physical buttons on the new moved Device
Mode using the last example shown in Key Mover.
To restore a moved Device Mode key to its
original state
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 2.
3. Press the Device Mode key you want to restore
twice.
Locking/Unlocking a specific
Device Mode
When you rst unpack your CR102 and insert the
batteries, for your convenience it is able to control
certain Arcam components automatically (e.g. DVD
players, Ampliers, Tuners and CD Players). We achieve
this by preprogramming specic Arcam device codes
onto the relevant Device Mode keys, then locking
the Device Modes so you don’t reprogram them
inadvertently.
If you want to override these locked default settings – to
control a third-party DVD player, for example – you will
rst need to unlock DVD Mode before setting up the
CR102 using one of the methods described at the start
of this guide.
Here are the factory default settings:
Device Mode Default status Default Arcam
codes
DVD Locked 0762
SAT Unlocked 1205
AV Unlocked 0586
TUN Locked 2009
AMP Locked 1242
PVR Unlocked 1930
VCR Unlocked 0111
CD Locked 2010
Alternative codes are available for multi-room solutions,
or in the case of code clashes with other manufacturer’s
products.
For example:
DVD (system code 12) 1655
AMP (system code 19) 1954
You will need to change the system code on the product
you wish to control, as well as the CR102.
NOTE
e AMP Device Mode can only be used to control
Arcam ampliers like the AVR600, either on its
default or alternative IR system codes.
To toggle a Device Mode lock setting:
1. Press the Device Mode key you want to unlock (e.g.
d)
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 8 2.
< e power LED blinks twice when being locked, and
blinks four times when being unlocked.
< If you enter an invalid key sequence, the power
LED gives one long blink and returns to normal
operation.
While the Device Mode key is locked, the Direct Code
Setup and Move Mode functions are not available.
Copy a key between Device Modes
It is possible to copy functions between Device Modes.
However, remember that button functions are Device
Mode specic and therefore eectively ‘punch-through’
to the original Device Mode when copied over.
e following example copies the AVR600 DIRECT
function from the CR102 AMP device mode to the
shied function of the # button on AV Device Mode.
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 4.
3. Press the Device Mode key of the function you want
to move (e.g. A).
4. Press the function key you want to move (e.g.)/
DIRECT)
5. Press the key of the Device Mode you want to copy
the function to (e.g. a)
6. Press the S button graphic
7. Press the key you want to copy the function to (e.g.
#)
If you prefer to copy the key to the main function of the
# button instead of the ‘shied’ function, omit point 6
in the above example.
E-53
English
Device codes
e tables that begin on page 58 (in the nal section of
this Handbook) list the four-gure codes for dierent
manufacturers’ devices.
Use these when setting your CR102 up to control your
devices, as described in Method 1 (see page 25).
If more than one code number is listed, try the rst
number. If the results are unsatisfactory, continue trying
the numbers for that manufacturer to get the best ‘t’
with the functionality required.
If the manufacturer of your equipment is not listed, you
can try Method 2, the Library Search (see page 25). is
allows you to scan through every set of codes contained
in the CR102’s memory.
Command summary
Direct code setup
(e.g. AV mode, NNNN=code number)
a S * * NNNN * * P
Library search
(e.g. AV mode)
a S 9 9 1 * * P [ until unit turns o
S to save
Code blink back
a S 9 9 0 **
1 count blinks for rst N
2 count blinks for second N
3 count blinks for third N
4 count blinks for fourth N
Code learning
(e.g. AV mode fast forward key)
S * * 9 7 5 * * a ( * (many
rapid blinks)
(Press key on original remote that you wish to copy)
* * S * *
Delete a learned function
(e.g. AV mode fast forward key)
S * * 9 7 5 * * a ( ( * *
Delete all learned functions with a device
(e.g. AV mode)
S * * 9 7 5 a a
Creating macros
(e.g. SRCH key)
S * * 9 9 5 h a P w P z P S
* *
Deassign macro
S * * 9 9 5 h S * *
Key mover
(e.g. SAT mode, DISP key to MENU key)
z S * * 9 9 4 D U
Mode mover
(e.g. change SAT to TV(AV))
S * * 9 9 2 a z
Restore device mode
(e.g. restore SAT)
S * * 9 9 2 z z
Locking/unlocking a mode
(e.g. DVD mode)
d S * * 9 8 2 * *
(i.e. two blinks for lock)
d S * * 9 8 2 * * * *
(i.e. four blinks for unlock)
Cancel all volume punch-through
S * * 9 9 3 + * * * *
Restore volume punch-through
S * * 9 9 3 A * *
Mode key IR punch-through
S * * 9 7 1 * * A
Cancel mode key IR punch-through
S * * 9 7 1 * * S * *
NOTE
As elsewhere in this Handbook, a single ‘blink’ of
the red LED behind the power button is indicated
by the symbol *.
Mode key IR punch-through
e Mode key IR punch-through default is ‘on’.
Example: To set the Mode key IR punch-
through to AMP
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 1. e power LED blinks twice: *
*.
3. Press A to punch through IR from it.
Now, whenever you press and release a Mode key, the
IR data assigned to AMP is transmitted, no matter what
the current mode is (i.e. it ‘punches through’ any other
device).
To cancel Mode key IR punch-through
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 1. e power LED blinks twice: *
*.
3. Press S until the power LED blinks twice: * *.
Resetting the CR102
Resetting the CR102 will erase all learned functions
across all modes, as well as some other programmed
functions like Macros. It will not reset the Device Mode
keys; these will remain programmed to your choice of
component.
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 8 0. e power LED blinks four times:
* * * *.
3. Press and hold S until the power LED blinks twice:
* *.
4. Press 9 9 3.
5. Press A. e power key LED blinks twice: * *.
6. Press and hold S until the power LED blinks twice:
* *.
7. Press 9 7 1. e power LED blinks twice: *
*.
8. Press A. e power key LED blinks twice: * *.
E-54
trouble-
shooting
Problem Check that...
ere are no lights on the unit < the power cord is plugged into the AVR600 and the mains socket it is
plugged into is switched on.
< the power button is pressed in.
If a red LED is present, the AVR600 is in standby mode. Press any button on the
front panel or remote control.
e unit responds erratically
or not at all to the remote
control
< there are fresh batteries in the remote control.
< the front panel window is visible and you are pointing the remote control
towards it.
e front panel display is
blank
< the display hasn’t been turned o. Press the DISPLAY button on the front
panel or remote control.
No picture is being produced < your viewing device is turned on and switched to display your AVR600. Test
by pressing the MENU button on the AVR600 or on the remote and look for
the main menu screen on your display device.
< the correct video input is selected on the AVR600.
< the video source is on, is operating normally, and is in ‘play’ mode if
appropriate.
< you have the AVR600 in a video resolution that is compatible with the
connection you are using and with your display device. For example,
composite video is only capable of carrying 480i and 576i resolutions. Test
this by pressing and holding the OK key for more than two seconds to force
480i / 576i output resolutions.
ere are bright edges or
‘ghosts’ on the picture
< the cables used for analogue video connections are designed to carry video
(i.e., they are 75Ω coaxial cables).
< ensure the ‘sharpness’ control on your display device is switched o or set to
near minimum.
< for HDMI connections, try using a shorter cable or alternatively a dierent
brand.
No sound is produced < the correct input has been selected.
< the source equipment is on, is operating normally and is in ‘play’ mode if
appropriate.
< the volume is turned up to a reasonable level and the AVR600 is not in mute
mode.
e sound is poor or distorted < you have not excessively increased the input sensitivity (i.e. reduced the
maximum input signal voltage) in the Input Cong. menu if an analogue
input is being used.
< you have selected the correct size of speakers to suit your system in the setup
menu.
E-55
English
Problem Check that...
Sound only comes from some
of the speakers
< you have an appropriate surround source selected and playing.
< the DVD disc is encoded in the appropriate format, and the correct format
has been selected in the disc start menu of the DVD player (if applicable).
< the DVD player has been set to output ‘bitstream’ audio on the digital
output.
< the display window indicates that the disc you are playing is a multichannel
recording (you may need to press the INFO key several times until you get to
the ‘incoming format’ display).
< all the speakers are correctly connected to the speaker terminals and are
secure.
< you have not selected ‘Stereo’ as the decoding mode.
< your speaker balance is correct.
< you have congured the AVR600 to include all the speakers in your system.
Unable to select Dolby Digital
or DTS decoding modes
e AVR600 can only apply Dolby Digital and DTS decoding to sources which
have been encoded in the same format.
Check that:
< digital source is selected and connected.
< the source is playing appropriately encoded material.
< the DVD disc is encoded in the appropriate format and that the correct
format has been selected in the disc start menu of the DVD player (if
applicable).
< the DVD player has been set to output ‘bitstream’ audio on the digital
output.
When playing a Dolby Digital
DVD, the AVR600 selects
Dolby Pro Logic
< you have a digital connection from your DVD player.
< sometimes Dolby Digital DVD discs contain material at either the beginning
or the end of the main movie that is not in full 5.1 format, but in two-
channel or Pro Logic decoding.
Hum on the analogue input < all cables are making a good connection. If necessary withdraw the cable
from the connector and plug it fully in again (turn the power o before
doing this).
< the connections inside the source cable connector are not broken or badly
soldered.
< if the hum originates only when one particular source component is
connected, that an aerial cable, or dish connection to this source is ground
isolated. Contact your installation contractor.
ere is radio or television
reception interference
< where the interference is coming from. Switch o each source component in
turn, then any other equipment. Most electronic equipment does generate
low levels of interference.
< try re-arranging cabling from the nuisance source away from other cabling.
< ensure that the cabling used is high quality, specied for its purpose, and is
properly screened.
< if the problem persists, contact your dealer.
Problem Check that...
e source switching changes
randomly or freezes on one
source
< there are no static or impulse interference problems caused by nearby power
equipment switching, e.g., heating or air conditioning control. Switch the
AVR600 o, wait ten seconds, then switch it on again to clear an operating
problem. Contact your installer if the problem returns or persists.
< there is no direct sunlight shining on the infra-red detector behind the front
panel display.
Volume is always too loud
when I turn on
< the ‘max on volume’ setting is not set too high.
When Zone 2 or 3 is put into
standby, the main zone is also
switched o
< the ‘zone standby‘ setting in the setup menu is set to LOCAL.
When a USB memory device is
connected, ‘USB’ is not shown
in the network client’s list of
folders
< a USB memory device is connected that conforms to the mass storage class.
< a USB hub is not being used.
If les on a USB memory
device cannot be played:
< the USB device is formatted in FAT16 or FAT32.
< the USB device does not have multiple partitions.
< the les are in a compatible format.
If les on a computer cannot
be played
< the les are in a compatible format.
< the computer is connected via a network and not USB – the AVR600 USB
port cannot be used for a direct connection to a computer
If you cannot connect to a
wired network
< the Ethernet cable you are using is correctly connected between the AVR600
and the network hardware.
< the network is set up for xed IP addressing and you have the AVR600 set to
use DHCP.
< the network is set up for DHCP and you have the AVR600 set to use xed IP
addressing.
If you cannot connect to a
favourite internet radio station
< the station is still broadcasting or is not congested – try again later.
If the internet radio station
sound quality is poor or
broken
< the radio station does not have a low bit rate (use the INFO key to nd this or
look on the OSD).
< the network is not slow or congested.
E-56
Continuous power output (20Hz—20kHz at 0.05% THD), per channel
2 channels driven 150W
All channels driven 120W
THD at full rated power <0.2%
Residual noise & hum <0.25mV unweighted 20Hz – 22kHz
Inputs
Phono input:
Input sensitivity at 1kHz 5mV
Input impedance 47kΩ
Signal/noise ratio (CCIR, 65W) 88dB
Overload margin 31dB
Line inputs:
Nominal sensitivity 500mV–4V (user adjustable)
Input impedance 47kΩ
Signal/noise ratio (CCIR, 65W) 100dB
Preamplier outputs
Max output level 6V RMS
Output impedance <50Ω
THD+N (20Hz—20kHz) -100dB
Video inputs
Component video signal/noise 85dB
Composite video signal/noise 70dB
Headphone output
Maximum output level into 600Ω4V p-p
Output impedance <5Ω
General
Mains voltage 110–120V or 220–240V
Power consumption (maximum) 1.5kVA (ermal dissipation approx. 2300 BTU/hour)
Power consumption (idle, typical) 120VA (ermal dissipation approx. 410 BTU/hour)
Power consumption (standby) 3VA
Dimensions W x D x H (including feet) 432 x 450 x 180mm
Weight (net) 25.0kg
Weight (packed) 28.0kg
Supplied accessories Mains lead
CR102 remote control
4 x AAA batteries
Manual
HDMI lead support bar
DAB aerial (if DAB module tted)
FM aerial
AM loop aerial
Calibration microphone
E&OE
NOTE: All specication values are typical unless otherwise stated.
Continual improvement policy
Arcam has a policy of continual improvement for its
products. is means that designs and specications
are subject to change without notice.
specications
E-57
English
product
guarantee
Worldwide Guarantee
is entitles you to have the unit repaired free of charge, during the rst two years aer
purchase, at any authorised Arcam distributor provided that it was originally purchased
from an authorised Arcam dealer or distributor. is is extended by a further three years
(ve years total) on the return of your product registration card. e manufacturer can
take no responsibility for defects arising from accident, misuse, abuse, wear and tear,
neglect or through unauthorized adjustment and/or repair, neither can they accept
responsibility for damage or loss occurring during transit to or from the person claiming
under the guarantee.
The warranty covers:
Parts and labour costs for two years (or ve years total on return of your product
registration card) from the purchase date. Aer two years (or ve years total on return
of your product registration card) you must pay for both parts and labour costs. e
warranty does not cover transportation costs at any time.
Claims under guarantee
is equipment should be packed in the original packing and returned to the dealer from
whom it was purchased, or failing this, directly to the Arcam distributor in the country of
residence.
It should be sent carriage prepaid by a reputable carrier – not by post. No responsibility
can be accepted for the unit whilst in transit to the dealer or distributor and customers are
therefore advised to insure the unit against loss or damage whilst in transit.
For further details contact Arcam at:
Arcam Customer Support Department,
Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England
or via www.arcam.co.uk.
Problems?
If your Arcam dealer is unable to answer any query regarding this or any other Arcam
product please contact Arcam Customer Support at the above address and we will do our
best to help you.
On-line registration
You can register your product on-line at www.arcam.co.uk.Correct disposal of this product
is marking indicates that this
product should not be disposed
with other household waste
throughout the EU.
To prevent possible harm to the
environment or human health from
uncontrolled waste disposal and to
conserve material resources, this product should be
recycled responsibly.
To dispose of your product, please use your local
return and collection systems or contact the retailer
where the product was purchased.
58
TV
888 0294
A.R. Systems 0067 0382 0586
0404 0485
Accent 0039 0067 0586
Acoustic Research1299
Acura 0039
Adcom 0655
Addison 0683 0138
ADL 1247
Admiral 0123 0193 0448
0294
Advent 0906
Adyson 0247 0246
AEA 0067 0586
AEG 0636 1193
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0246 0065 0463
0294 0247
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0238 0736
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0586 0067 0463
0065 0783 0193
0759 0744 0745
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0661 0246 0294
0208 0407 0636
1067 0503 1289
1278
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Akiba 0485 0067 0586
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0698 0039 0744
Alaron 0246
Alba 0039 0067 1067
0586 0744 0448
0400 0698 0246
0193 0517 0473
Alkos 0065
All-Tel 0895
Allorgan 0247
Allstar 0067 0586
Amplivision 0247 0400
Amstrad 0039 0067 0294
0463 0586 1067
Anam 0067 0586 0039
0680
Anam National 0067 0586 0680
Andersson 1193 1179
Anglo 0039 0294
Anitech 0039 0294 0067
0586
Ansonic 0400 0067 0586
0039 0698 0404
0193
AOC 0039 0090 0123
0138 0208
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Apex Digital 1247
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Arc en Ciel 0139
Arcam 0246 0247
Ardem 0516 0744 0067
0663 0586
Aristona 0586 0067
Arthur Martin 0193
ASA 0135 0376 0100
Asberg 0067 0586
Asora 0039
Astra 0067 0586
Asuka 0247 0246 0294
ATD 0728
Atlantic 0067 0586 0246
Atori 0039
Auchan 0193
Audiosonic 0039 0067 0404
0850 0139 0586
0744 0745 0247
0400 0294 0516
Audioton 0247 0516 0400
0294
Audioworld 0728
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Autovox 0247
AWA 0039 0404 0067
0586 0246 0636
0247 0138 0294
1406
Axxent 0039
Axxon 0744
B&D 1247
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Baird 0139 0373 0247
0238 1226
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BaoHuaShi 0294
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Barco 0193
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0193 0698 0586
0247 0485 1067
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Baur 0039 0067 0542
0225 0586 1535
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0294 0404 0512
0691
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0516 0745 0067
0448 1067 0586
0636 0838
Belson 1221
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Beon 0067 0586 0448
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Bestar 0067 0586 0400
0404
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Binatone 0247
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0783 1193
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0485 0200
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0744 1067 0517
0745 1939 0485
1221 0838 1393
Boots 0247 0039
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0373 0590
Brandt
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Brother 0294
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1278
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CCE 0067 0247 0586
Celestial 0850
Centrex 0810 0921
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0193
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Changfei 0039 0404
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Changhai 0039
Changhong 0850 0039 0294
0538
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Ching Tai 0039
Chun Yun 0039
Chunfeng 0039 0294
Chung Hsin 0138
Chunsun 0039
Cimline 0039
Citizen 0090
City 0039
Clarivox 0067 0448 0586
0100
Clatronic 0067 0400 0744
0294 0586 0247
0039 0636 1193
Clayton 1067
CMS 0246
CMS hightec 0247
Cobolt 0921
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Condor 0067 0400 0586
0246 0039 0448
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Conrad 0067 0586
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0783 1200
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Continental
Edison 0139 0517
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Cytronix 1328
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1939 0529 0067
0586 0039 0246
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DL 0921 0810 0067
0617 0895
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DSE 0850
DTS 0039
Dual 0247 0373 0067
0586 0382 0424
0193 1167 0661
1179 1067
Dual Tec 0247
Dumont 0100 0247
Dunai 0193
Durabrand 0067 0586 0208
Dux 0067 0586
DVX 0921
Dynatech 0247
Dynatron 0067 0586
e:max 0636
Easy Living 1278 1289
Ecco 0803 0736
ECE 0067 0586
Edison-Minerva 0517
Elbe 0400 0193 0067
0586 0640 0247
Elcit 0193
Electrograph 1785
Elekta 0039 0067 0586
0294
Elfunk 1238 1067
ELG 0067 0586
Elin 0067 0246 0578
0586 0135 0193
0039
Elite 0067 0586
Elta 0039 0294 0246
Emerson 0208 0744 0067
0586 0100 1939
0516 0400 0193
0698
Enzer 0783
Erae 1401
Erres 0067 0586
ESC 0067 0586 0247
Estèle 0193
Ether 0039
Etron 0039 0067 0586
0193 0850
Eurofeel 0294 0247
EuroLine 0067
Euroman 0246 0294 0067
0586 0247 0400
Europa 0067 0586
Europhon 0067 0193 0247
0586 0246
Evesham 1278 1289
Excel 0067 0586
Expert 0193
Exquisit 0067 0586
Fagor 0067 0586
FairTec 1221
Family Life 0067 0586
Feilang 0039
Feilu 0039
Feiyan 0294
Feiyue 0039
Fenner 0404 0039
Ferguson 0067 0139 0655
0365 0373 0590
0586 0065 0683
0138 0578 0473
1067
Fidelity 0193 0246 0542
0067 0586 0294
Filsai 0247
Finlandia 0238 0376 0578
0193 0373
Finlux 0067 0135 0100
0586 0744 0376
0247 0193 0745
0661 0522 0510
0503 0448 0636
0838
Firstar 0039
Firstline 0039 0067 0246
0586 0247 0404
0698 0744 0193
1939 0238 1067
1221 0838 1393
1193 1401
Fisher 0247 0238 0400
0193
Flint 0067 0485 0586
0640 0294
Force 1179
Formenti 0067 0193 0586
0516 0246
Formenti-Phoenix0246
Fortress 0123
Fraba 0067 0586 0400
Friac 0039 0067 0586
0400 0529 0640
Frontech 0193 0294 0247
0039
Fujimaro 0895
Fujitsu 0713 0883 0247
0193 0039 0382
0067 0586
Fujitsu General 0039 0247 0193
Fujitsu Siemens 1328 1289 1278
1193
Funai 0698 0294
Furi 0294
Furichi 0890
Futronic 0294 0890
Future 0067 0586
Galaxi 0067 0586 0193
Galaxis 0400 0448 0067
0586
Galeria 0039
Gateway 1785
device code
tables
GBC 0193 0039 0404
GE 0373 0208 0123
0590 0139 0365
0655
Geant Casino 0193
GEC 0067 0193 0247
0586
Geloso 0039 0193 0404
General 0139
General Electric 0373
General Technic 0039
Genesis 0039 0067 0586
Genexxa 0193 0067 0586
0039
Gericom 0895 1328 1247
0910
Gevalt 1401
Giant 0247
Go Video 0090
Goldfunk 0698
Goldhand 0246
GoldStar 0039 0067 0208
0400 0407 0247
0586 0246 0193
0139 0636 0744
0745 0485
Gooding 0517
Goodmans 0664 1289 1278
0067 1067 0529
0247 0586 0744
0373 0698 1939
0404 0294 0039
0517 0065 0510
0590 0365 0691
0910 0617 1406
Gorenje 0400
Gradiente 0067 0683 0200
0586
Graetz 0193 0744 0067
0586 1193
Granada 0067 0586 0238
0256 0247 0138
0503 0365 0590
0193 0373 0578
Grandin 0067 0586 0039
0193 0640 0744
0745 0698 0404
0485 1067 0895
1221 0910
Gronic 0247 0193
Grundig 0225 0538 1401
0067 0100 0517
0586 0617 0473
0736 0039 0400
0208 1406 0373
Grunkel 1193
H&B 0838
Haaz 0736
Haier 0728 0921 0294
Haihong 0039
Haiyan 0294
Halifax 0294 0246 0247
Hallmark 0208
Hammerstein 0294 0090
Hampton 0246 0247
Hankook 0208
Hanseatic 0067 0586 0529
0193 0691 0424
0664 0400 0039
0247 0407 0744
0838 0516
Hantarex 0039 0067 0586
Hantor 0067 0586
Harsper 0895
Harwa 0803 1226 1299
59
Innova 0067
Innovation 0067 0586
Innowert 0895 1328
inotech 0803 0850
Interactive 0067 0586 0542
0357 0193 0400
0139
Interbuy 0039 0067 0294
0542 0586
Interfunk 0067 0193 0586
0542 0357 0400
0139 0230
Internal 0067 0586 0529
0404 1939
International 0246
Intervision 0067 0247 0485
0294 0407 0516
0400 0424 0517
0193 0039 0586
Irradio 0039 0067 0586
IRT 0728
Isukai 0067 0586 0485
ITC 0247
ITS 0067 0294 0246
0039 0586
ITT 0193 0510 0578
0503 0376 0238
0640
ITT Nokia 0578 0193 0503
0510 0376 0238
0636 0640 0661
ITV 0294 0067 0586
0404
IX 0907
Jean 0039
JEC 0065
Jialicai 0039 0294
Jinfeng 0238 0256
Jinque 0039 0294
Jinta 0039 0294
Jinxing 0039 0586 0067
0294 0728
JMB 0067 0529 0664
0404 0586 0473
Jocel 0742
Jubilee 0586
Juhua 0294
JVC 0683 0761 0538
0636 0713 0448
0123 0680
Kaige 0039 0294
Kaisui 0039 0246 0067
0247 0586 0485
Kambrook 0407
Kamp 0246
Kanghua 0926
Kangli 0039 0294 0404
0691
Kangyi 0039 0294
Kapsch 0193
Karcher 0067 0586 0400
0640 0193 0294
0808 0744 0636
Kathrein 0586 0067
Kawasho 0246
KB Aristocrat 0193
Kendo 0067 0640 0586
0193 0542 0400
0407 1067 0516
Kennedy 0193
Kennex 1067
Kenwood 0135
Khind 0926 0736
KIC 0247
Harwood 0039 0067 0586
0517
Hauppauge 0067 0586
Havermy 0123
HCM 0039 0067 0586
0247 0448 0294
Hedzon 0586 0067
helios 0895
Hema 0247 0039
Hifivox 0139
Higashi 0246
Highline 0294 0067 0586
Hinari 0039 0238 0067
0586 0193 0473
0517 0294
Hisawa 0485 0640 0744
HISense 1393 0238 0039
0538 0783 1200
1238 0810 0586
Hitachi 0193 0208 1255
0039 0608 0135
0138 0503 0373
0247 0139 0511
0529 0067 0538
0586 0578 0664
0774 1067 1167
1200 0522 1511
0542 0510 1606
1179
Hitachi Fujian 0138
Hitsu 0039 0640 0485
Höher 0744 0895
Home Electronics 0636
Hongmei 0039 0123 0294
Hongyan 0294
Hornyphon 0067 0586
Hoshai 0485
Hua Tun 0039
Huafa 0039
Huanghaimei 0039
Huanghe 0039
Huanglong 0039
Huangshan 0039 0294
Huanyu 0246 0404 0294
Huaqiang 0294
Huari 0294
Hugoson 0920 1247
Hygashi 0247 0246
Hyper 0039 0246 0247
Hypson 0067 0294 0586
0744 0745 0247
0485 1067 0698
0516
Hyundai 0067 0895 0586
0736 0890 0783
0906
Iberia 0067 0586
ICE 0247 0294 0067
0039 0586 0246
Ices 0246
Ict 0067 1167 0586
IISonic 1406
Iiyama 1247 0920
Imperial 0067 0104 0193
0400 0448 0586
Imperial Crown 0039 0294 0404
0691
Indiana 0067 0586
InFocus 0782 1194
Ingelen 0193 0517 0640
0744
Ingersoll 0039
Inno Hit 0039 0067 0586
0247 1193
Kingsley 0246
Kioto 0736 0586
Kiton 0586 0067 0698
KLL 0067
Kneissel 0067 0400 0640
0404 0529 0586
Kolin 0138
Kolster 0067 0586
Kongque 0039 0294
Konichi 0039
Konka 0067 0586 0744
0448 0617 0784
Kontakt 0517
Korpel 0067 0586
Korting 0400
Kosmos 0067 0586
Kotron 0294
Koyoda 0039
Kreisen 0906
KTV 0247
Kuaile 0039 0294
Kuba 0193
Kuba Electronic 0193
Kulun 0039
Kunlun 0238 0256 0294
0404 0691
Kyoshu 0448 0294
Kyoto 0193 0246 0247
L&S Electronic 0895 0744
LaSAT 0516 0400
Lavis 1067 0067 0193
Leader 0039
Lecson 0067 0586
Legend 0039
Lenco 0067 0039 0193
0404 0586 0617
1067
Lenoir 0039
Levis Austria 0067 0586
Lexsor 1226
Leyco 0067 0294 0586
LG 0067 0208 0400
0039 0407 1295
0586 0247 0744
0246 0674 0193
0090 0138 0636
0139 0728 0745
1667 1221
Liesenk & Tter 0067 0357 0586
Liesenkotter 0067 0357 0586
Lifetec 0067 0039 0404
0698 0542 1067
1167 0586 0294
0713 1278 1289
0744
Lloyd’s 0039
Local Malaysia
TV 0728
Lodos 1067 1179
Loewe 0542 0663 0820
0067 0586 0400
Logik 0090 0728 0803
0039 0294 0910
1247 1067
Logix 0698
Longjiang 0294
Luma 0067 0193 0586
0404 0039
Lumatron 0067 0586 0193
0247 0294
Lux May 0067 0039 0586
Luxor 1193 0510 0522
0238 0578 0193
0376 0503 1067
0247 0661
LXI 0208
Madison 0067 0586
Magnadyne 0193
Magnafon 0246
Magnavox 0067 0586 0736
0810
Magnum 0744 0067 0586
0745 1319
Mandor 0294
Manesth 0067 0247 0586
0294 0065 0193
Manhattan 0067 0906 0586
0698 1067 0193
0808
Marantz 0067 0586
Mark 0067 0586 0247
0246 0404 0039
0744 0745
Master’s 0529 0067
Mastro 0810 0728
Masuda 0039 0294 0067
0247 0586
Matsui 0039 0067 0586
0065 0517 0238
0247 0473 0463
0485 0193 0225
0365 0744 1067
Matsushita 0680
Matsuviama 0617
Maxam 0294
Maxdorf 0803
Maxent 1785
MCE 0039
Meck 0921 0728
Mediator 0067 0586
Medion 0067 0698 0744
1067 0838 0586
0542 1167 0728
1278 1289 0910
1319
Megas 0640
Megatron 0208
MEI 1067 0067 0586
Meile 0294
Melectronic 0039 0376 0067
0542 0139 0373
0193 0135 0247
0404 0510 0522
0246 0586 0664
0225 0691 0744
Memorex 0039 1067 0208
0680 0090
Memphis 0039
Mercury 0067 0039 0586
Mermaid 0067
Merritt 0578 0193
Metronic 0655
Metz 0418 0477 0776
1193 0225 0067
0586 0617 0698
1067 1563
MGA 0208 0067 0586
Micromaxx 0067 0586 0698
1067 0838
Microstar 0838
MicroTEK 0850
Mikomi 1179
Minato 0067 0586
Minerva 0100 0517 0225
0138
Minoka 0067 0586
Mitsubishi 0138 0123 0542
0067 0208 0586
0238 1067
Mitsuri General 0193
Mivar 0246 0400 0639
0247
Monaco 0039
Morgan’s 0067 0586
Motorola 0123
MTC 0090 0400 0542
0193 0246
MTlogic 0744
Mudan 0039 0238 0256
0294
Multitec 0067 0586 0516
0698 1067
Multitech 0039 0246 0516
0067 0247 0400
0586 0294
Murphy 0246 0193
Musikland 0067 0586
MyCom 1406 0208
Myryad 0586 0067
NAD 0208 0193
Naiko 0067 0636 0586
Nakimura 0404 0067 0586
Nanbao 0039 0294
Nansheng 0294
Naonis 0193
NAT 0256
National 0256 0238 0538
NEC 0200 0617 1200
0208 0039 0485
0404 0247 0067
0586 0294 0538
1734 0529 0683
0691
Neckermann 0067 0400 0586
1535 0230 0193
0357 0448 0247
0542
NEI 0067 0586 0193
Neovia 0895 1401 0906
1406
Netsat 0067 0586
Neufunk 0067 0039 0586
0640 0744
New Tech 0067 0039 0586
0373 0247
Newave 0039 0208 0123
Nicamagic 0246
Nikkai 0065 0067 0586
0246 0247 0294
0039
Nikkei 0744
Nikko 0208
Nishi 0512
Noblex 0067 0294 0512
Nobliko 0100 0246
Nogamatic 0139
Nokia 0193 0503 0510
0578 0636 0522
0661 0238 0404
0376 0640 0139
Nordic 0247
Nordmende 0139 0744 0921
0373 0590 0225
0067 0586 0365
0193 1289 1278
Norfolk 0193
Normerel 0067 0586
Novak 0067 0586
Novatronic 0067 0135 0404
0586
NU-TEC 0485 0728
Nurnberg 0193
Oceanic 0193 0238 0503
0578 0510
Odeon 0294
Okano 0400 0067 0586
0294 0039
Olidata 1406
Omega 0294
Omni 0810 0921 0728
Onwa 0632 0463
Opera 0067 0586
Optimus 0680
Optonica 0123
Orbit 0067 0586
Orion 0067 0473 0586
0744 0039 0294
0910 1226
Orline 0067 0586
Ormond 0698 1067 0067
0586
Osaki 0247 0294 0067
0404 0586
Osio 0067 0586
Osume 0067 0586
Otto Versand 1535 0067 0247
0373 0123 0542
0586 0225 0139
0256 0039
Pacific 0067 0586 1167
0744 1067 0473
Pael 0246
Palladium 0400 0067 0448
0744 1167 1535
0230 0586 0357
0193 0247
Palsonic 0294 0803 0067
0247 0407 0728
0586 0448 0808
1226
Panama 0039 0247 0294
0246 0067 0586
Panasonic 0680 0256 0138
1340 0067 0586
0193 0238 0538
0926 0578 0883
0208 0090
Panavision 0067 0586
Panda 0039 0810 0238
0256 0294 0736
0921 0538 0728
Papouw 0067 0586
Pathe Cinema 0193 0246 0400
Pathe Marconi 0139
Pausa 0039
Peng Sheng 0921
Penney 0208 0090
Perdio 0193 0067 0246
0586
Perfekt 0067 0586
Philco 0067 0104 0448
0586 0193 0400
0511 0208
Philex 0193
Philharmonic 0247
Philips 0067 0586 0373
0208 0138 0404
0802 0039 0230
Phocus 1319 0744
Phoenix 0067 0586 0400
0516 0193 0246
Phonola 0067 0586 0246
Pilot 0586 0067 0742
0736
Pioneer 0790 0067 0139
0200 0193 0586
1290 0400 0373
0516 0542
Pionier 0400 0516
Plantron 0067 0586 0294
0039
Playsonic 0744 0067 0247
0745
Polaroid 0895
Policom 0139 0193 0100
0104
Poppy 0039
Portland 0404 1939
Powerpoint 0517 0067 0586
0728
Precision 0247
Premier 0039 0294
President 0890
Prima 0039 0294 1299
Princess 0728
Prinston 1067
Profex 0039 0193
Profi 0039
Profitronic 0067 0586
Proline 0067 0586 0655
0664 1406
Prosonic 0067 0586 0400
0404 0698 0744
0246 0247
Protech 0039 0067 0586
0247 0294 0448
0698 0193 0516
1067
Proton 0208 0039 0674
Provision 0529 0067 0586
1067 0744
PVision 1221 0906
Pye 0067 0586 0404
Pymi 0039
Qingdao 0238 0256 0294
Quasar 0680 0895 0039
Quelle 0067 1535 0100
0104 0139 0542
0247 0357 0135
0698 0586 0225
0230 0294 1067
0376 0039
R-Line 0067 0586 0193
Radialva 0139 0193 0067
0586
Radiola 0067 0586 0247
Radiomarelli 0067 0586
RadioShack 0067 0586 0208
Radiotone 0039 0067 0586
0400 0448 0698
0294 1067
Rank 0100
Rank Arena 0632 0783
RBM 0100
RCA 0090 0648 0123
0655 0208 0590
0365 0373 0783
Realistic 0208
Recor 0067 0448 0586
Rectiligne 0067 0586
Rediffusion 0578 0376
Redstar 0067 0586
Reflex 0067 0586 1067
0698
Relisys 0895 0906 0907
1328
Reoc 0744 0664 1939
Revox 0067 0586 0400
Rex 0193 0294
60
TV (cont.)
RFT 0400 0294 0067
0586 0516
Rhapsody 0246
Ricoh 0067 0586
Rinex 0803 0448
Roadstar 0039 1067 0294
0448 0067 0586
0744 0698 1219
Rodex 0067 0586
Rover 0907
Rowa 0067 0294 0728
0039 0247 0742
0246 0617 0586
Royal Lux 0400 0365
Rukopir 0586 0067
Saba 0139 0655 0193
0590 0365 0373
0578 0680 0744
Sagem 0640 0485 0860
1343 0648
Saige 0039
Saisho 0039 0294 0247
0193
Saivod 0067 0586 1193
0698 0742 1067
Sakaï 0193
Sakyno 0485
Salora 0193 0578 0238
0510
Salsa 0365
Sampo 1785 0039 0123
0208 0680
Samsung 0090 0648 0674
0512 0617 0796
0067 0208 0586
1279 0039 0123
1265 0247 0400
0294 0246 0238
0193 0256 0655
Sandra 0246 0247
Sanjian 0294
Sansui 0067 0759 0586
0736 0632 0485
0783 1401
Santon 0039
Sanyo 0238 1238 0400
0246 0247 0039
0538 0193 0067
0138 0586 0516
0200
Sanyuan 0039 0123
Save 0067 0586
SBR 0067 0586
Schaub Lorenz 0578 0744 0636
0516 0404 1221
Schneider 0067 1167 0586
0698 0424 0382
0373 0247 1067
0193 0744 1939
0100
Scotch 0208
Scotland 0193
Scott 1219 0208
Sears 0208
Seaway 0664
Seelver 0586 1067 0067
SEG 0067 0247 0586
0294 1067 0698
0517 0039 0193
0664 0246 1193
1939 0744
SEI 1535 0193 0067
0586
Sei-Sinudyne 1535 0067 0586
Seitech 1247
Seleco 0193 0294 0376
Sencora 0039
Sentra 0065 0039
Serie Dorada 0208
Serino 0640 0485 0246
0123
Shancha 0294
Shanghai 0039 0238 0256
0294
Sharp 0123 0039 1223
1423 0683 0680
0230 0790 1193
Shen Ying 0039
Shencai 0039 0294
Sheng Chai 0039
Sheng Chia 0039 0123
Shenyang 0039 0294 0783
Sherwood 0039
Shintoshi 0067 0586
Shivaki 0067 0586 0473
0404 0208
Show 0448 0039
Siam 0067 0586
Siarem 0193
Siemens 0067 0225 0230
0357 0586
Siera 0067 0586 0617
Siesta 0400
Silva 0067 0586 0246
Silver 0067 0485 0586
0745 0193
SilverCrest 1067 0067 0586
Singer 0039 0067 0586
0365 0193
Sinotec 0803
Sinudyne 0193 1535 0067
0586
Sky 0067 0910 0208
0586
SKY Brasil 0910
Skymaster 0135
Skysonic 0783
Skyworth 0067 0586 0039
0294 0728 0783
Sliding 0895 0910
SLX 0698
Smaragd 0517
Soemtron 0895 1328
Solavox 0193 0578 0067
0586
Songba 0039
Soniko 0067 0586
Sonitron 0238 0400 0247
Sonneclair 0067 0586
Sonoko 0039 0067 0586
0294 0247
Sonolor 0193 0238 1535
0578
Sontec 0067 0586 0400
0039
Sony 1535 0104 1681
0680 0683 1781
0383 0067 0586
0123 0200
Sound & Vision 0404 0067 0586
Soundesign 0208
Soundwave 0067 0448 0586
0745
Sowa 0090 0256 0208
Soyea 0803
Spectra 0039
Ssangyong 0039
Staksonic 0039
Standard 0039 0067 0247
0586 1067 0404
Starlite 0039 0193 0067
0586 0294
Stern 0193 0294
Strato 0067 0586 0294
0039
Strong 1193 1179 1067
0067 0586
Stylandia 0247
Sunic Line 0067 0586
Sunkai 0485 0640 0067
0586 0517 0895
Sunstar 0067 0586 0039
0294
Sunwatt 0485
Sunwood 0067 0586 0039
Superla 0246 0247
SuperScan 0123
Supersonic 0238 0586 0728
0294 0485
SuperTech 0039 0246 0067
0586
Supra 0208 0404 0039
Susumu 0365
Sutron 0039
SVA 0617 0895
Swisstec 0910
Sydney 0246 0247
Synco 0090 0123 0208
Sysline 0067 0586
Sytong 0246
T+A 0477
Tacico 0208 0039
Tai Yi 0039
Taishan 0039 0404
Tandberg 0139 0193
Tandy 0123 0247 0193
Targa 1401
Tashiko 0247 0680 0200
0246 0193
Tatung 0039 0067 0586
0090 0247 1401
1289 1278 1221
TCL 0736 0728
TCM 0744 1319 0838
Teac 0039 0728 0067
0542 0294 1067
0448 0586 0485
0742 0698 0247
0736 1939 0208
0200 0744 1179
1785
TEC 0247 0039 0365
0067 0586 0193
Tech Line 0067 0586 0698
1193
Tech Lux 1219
Technics 0680
TechniSat 0067 0586 0193
Technisson 0744 1319
Technosonic 0067 0586
Techwood 1193
Tecnimagen 0586
Teco 0039 0123 0208
0294 0683
Tedelex 0247 0448 0636
0039 0736 0238
0728 0617 0921
0067 0586
Teiron 0039
Teknika 0090
Tele System 0906
Teleavia 0139 0373
Telecor 0067 0586 0193
0247 0424
Telefunken 0655 0104 0590
0139 0617 0365
0728 0373 0742
0850 0926 0784
0067 0586 0516
0744 0376
Telefusion 0067 0586
Telegazi 0067 0193 0294
0586
Telemeister 0067 0586
Telesonic 0067 0586
Telestar 0039 0067 0586
Teletech 0039 0067 0586
0698 1067
Teleton 0247 0193
Televideon 0193 0246
Teleview 0067 0586
Tempest 0039 0067 0586
0294
Tennessee 0067 0586
Tensai 0067 0586 0247
0039 0135 0404
0407 0745 0193
1067
Tenson 0039
Tesla 0067
Tevion 1278 1328 0067
1289 0586 0838
0698 1167 0744
1067 1319
Texet 0246 0247 0404
0039
Thomson 0139 0655 0590
0373 0365 0067
0586 0246
Thorn 0065 0138 0067
0139 0104 0373
1535 0529 0542
0586 0365 0404
0100
Thorn-Ferguson 0138 0373 0139
0365 0529 0065
Tiane 0123
Tiny 1226 1299
TMK 0208
Tob o 0039 0294
Tok ai 0067 0586 0698
0193 0247 0404
0039 1067
Tokaido 1067
Tokyo 0246 0065
Tongguang 0294
Tongtel 0810 0617
Topline 1067 0698
Toshiba 0538 0090 0680
1538 0039 0065
0123 1734 1194
1319 0100 1295
0744 0294 0247
0139 0225 0648
0674 0728 0067
1193
Towada 0247
Toyoda 0039 0294
Trakton 0039 0294 0247
Trans Continens 0698 0247 1067
0067 0586 0516
TRANS-
continents 0895
Transonic 0067 0728 0586
0742 0485 0617
0542 0294 0448
0039
Transtec 0246
Triad 0067 0586
Trident 0247
Tristar 0294
Triumph 0376 0586 0067
Tuntex 0039
TVTEXT 95 0586
Uher 0067 0586 0404
0448 0516 0400
0510
Ultravox 0404 0246 0193
0067 0586
Unic Line 0067 0586 0503
0485
United 0744 0067 0745
0586 1067 0617
Universal 0744 0067 0586
Universum 0067 0376 0104
0135 0225 0294
0503 0400 0522
0510 0230 0448
0542 0100 0193
0586 0357 1535
0698 0247 0139
0661 0039 1067
0200 1193 1179
0648
Univox 0067 0586 0193
Utax 0193
V7 Videoseven 1785 0208 0910
1406 1247
Vestel 0067 0193 0247
0586 0698 1067
1193
Vexa 0039 0067 0586
Victor 0683 0680
Videocon 0538
Videologic 0246
Videologique 0246 0247
VideoSystem 0067 0586
Videotechnic 0246 0247 0404
Videoton 0193
Vidtech 0208
Viewpia 0906
ViewSonic 1785
Visiola 0246
Vision 0067 0294 0586
0247
Vor tec 0067 0586
Voxson 0193 0208 0067
0586 0448
Waltham 0247 0448 0067
0586 0698 0139
1067 0193 0473
Wards 0208
Warumaia 0404 0691
Watson 0067 1067 1278
1289 0586 0193
0039 0698 0424
1406 0357
Watt Radio 0193 0246
Wega 0067 0586
Wegavox 0039 0067 0586
Weipai 0039
Welltech 0744
Weltblick 0067 0586 0247
Westinghouse 0920
Weston 0067 0586
Wharfedale 0067 0926 0586
White
Westinghouse 0067 0246 0586
1939
Windsor 0698 1067
Windy Sam 0586
Wintel 0744
World-of-Vision 0910 0920 0895
1319 1328 0907
1247
Worldview 0485
X-View 1221
Xenius 0664 0691
Xiahua 0039 0294 0728
0803
Xianghai 0039
Xiangyang 0294
Xihu 0294
Xingfu 0039
Xinghai 0294
Xingyu 0039
XLogic 0728 0890
Xoro 1226 1247
Xrypton 0067 0586
Yamaha 0680 1606
Yamishi 0485 0067 0586
0247
Yingge 0039
Yokan 0067 0586
Yoko 0067 0247 0294
0586 0039 0400
0246
Yongg u 0039
Yousida 0039
Yuhang 0039
Zanussi 0247
Zenith 1939 0208 1295
Zhuhai 0039 0404
Zonda 0728
61
VCR
Accent 0102
Admiral 0078
Adventura 0030
Adyson 0102
Aiko 0308
Aim 0308 0672 0378
Aiwa 0030 0378 0382
0067 0772 1167
0062
Akai 0067 0136 0345
0672 0382 0270
0378
Akashi 0102
Akiba 0102
Akura 0102
Alba 0308 0102 0382
0030 0345 0378
0111
Allorgan 0270
Allstar 0111
America Action 0308
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Anam 0067 0256 0270
0308
Anitech 0102
Ansonic 0030
Aristona 0111
ASA 0067 0111
Asha 0270
Asuka 0102 0067 0111
0030
Audiosonic 0308
Audiovox 0067 0308
AVP 0382 0030
AWA 0067 0308 0672
0073
Baird 0136 0308 0134
0030
Basic Line 0308 0102 0134
Beaumark 0270
Beko 0134
Bell & Howell 0134
Bestar 0308
Black Diamond 0672 0308
Black Panther 0308
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0382 0308 0030
0510 0672 1167
Bondstec 0102
Brandt 0350
Brinkmann 0378
Broksonic 0378
Bush 0102 0308 0345
0382 0030 0378
0111 0672 0772
Calix 0067
Carena 0111
Carrefour 0075
Carver 0111
Casio 0030
Cathay 0308
CCE 0102 0308
CGE 0030
Cimline 0102
Cineral 0308
CineVision 1167
Citizen 0067 0308
Clatronic 0102 0030
Colt 0102
Combitech 0382
Condor 0308
Craig 0067 0102 0270
Crown 0067 0308 0102
0510
Cybernex 0270
Cyrus 0111
Daewoo 0308 0672 0667
1167 0075 0378
0382
Dansai 0102 0308
Dantax 0382
Daytron 0308
de Graaf 0072 0196 0111
0134 0078
Decca 0030 0111 0097
0378 0382
Deitron 0308
Denko 0102
Denon 0072
Diamant 0067
Diamond 0308
Digitor 0672
DSE 0672
Dual 0111 0308 0030
0378
Dumont 0030 0111 0134
Durabrand 0672
Dynatech 0030
Elbe 0308
Elcatech 0102
Electrohome 0067
Electrophonic 0067
Elin 0270
Elsay 0102
Elta 0102 0308
Emerex 0062
Emerson 0030 0102 0067
0075 0073 1167
0308
ESC 0308 0270
EuroLine 0378
Ferguson 0350 0030 0308
Fidelity 0030 0102 0270
0462 0382
Finlandia 0134 0111 0072
0196 0030 0078
0067 0073 0136
0256
Finlux 0030 0111 0134
0072
Firstline 0102 0378 0073
0067 0075 0072
0308 1167
Fisher 0134
Flint 0378
Frontech 0102
Fujitsu 0030
Fujitsu General 0067
Funai 0030
Galaxi 0030
Galaxis 0308
Garrard 0030
GE 0350 0078 0270
GEC 0111
General Electric 0067
General Technic 0378
Genexxa 0134
Go Video 0462 1167
Goldhand 0102
GoldStar 0067 0510 0030
1167
Goodmans 0030 0102 0270
0308 0067 0111
0378 0667 0382
0672
GPX 0067
Gradiente 0030
Graetz 0134 0270
Granada 0134 0078 0111
0270 0067 0256
0072 0030
Grandin 0102 0067 0030
0308
Grundig 0270 0377 0111
0256 0350 0378
0102 0382 0772
Haaz 0378
Hanimex 0382
Hanseatic 0067 0308 0111
Harley Davidson 0030
Harman/Kardon 0111
Harwood 0102
HCM 0102
Hinari 0102 0382 0308
0270
Hisawa 0382
Hischito 0075
Hitachi 0072 0196 0030
0270 0111 0134
Höher 0308 0672
Hornyphon 0111
Hughes Network
Systems 0072
Hypson 0102 0308 0382
0030 0067 0510
Imperial 0030 0270
Ingersoll 0270
Inno Hit 0270 0308 0102
Interbuy 0067 0102
Interfunk 0111 0134
Internal 0308 0667
International 0308 0067
Intervision 0030 0308 0067
0378
Irradio 0102 0067 0111
1167
ITT 0136 0134 0270
ITT Nokia 0078
ITV 0308 0067
JMB 0382 0378
Joyce 0030
JVC 0097
Kaisui 0102
Kambrook 0067
Karcher 0308
KEC 0067 0308
Kendo 0136 0345 0378
0102 0067 0308
Kenwood 0097
KIC 0030
Kioto 0378
KLH 0102
Kneissel 0382 0378 0067
0308
Kodak 0067
Kolster 0378
Korpel 0102
Kyoto 0102
Lenco 0308
Leyco 0102
LG 0067 0510 0030
0308 1167
Lifetec 0378
Lloyd’s 0030
Loewe 0111 1592 0256
0067
Logik 0270 0102 0136
Lumatron 0308
Lux May 0102
Luxor 0136 0073 0102
0134 0078 0345
LXI 0067
Magnasonic 0308
Magnavox 0111 0030 0672
Magnin 0270
Magnum 0672
Manesth 0102 0075 0111
Marantz 0111
Mark 0308 0030
Marta 0067
Mastec 0672
Master’s 0308
Matsui 0378 0067 0270
0382 0030 0772
Mediator 0111
Medion 0378 0382
Melectronic 0030 0067
Memorex 0134 0030 0067
0078 0378 0270
Memphis 0102
Metronic 0111
Metz 1592 0377 0866
0111 0256 0067
MGA 0073 0270
MGN Technology0270
Micormay 0378
Micromaxx 0378
Migros 0030
Minolta 0072
Mitsubishi 0073 0097 0078
0111 0510 0030
0672
Motorola 0078
MTC 0270 0030
Multitec 0067
Multitech 0030 0102 0134
Murphy 0030
Myryad 0111
NAD 0134
Naiko 0672 0378
National 0256 1592
NEC 0097 0070 0134
0067 0308 1167
Neckermann 0111
Nesco 0102 0030 0382
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Nikkai 0102 0308
Nikko 0067
Noblex 0270
Nokia 0134 0136 0345
0308 0270 0078
0072 0111
Nordmende 0350 0097
NU-TEC 0378
Oceanic 0030 0078 0136
0111 0134
Okano 0345 0378 0102
0308
Olympus 0256
Onimax 0672
Optimus 0067 0078 0134
0462
Orbit 0102
Orion 0382 0378 0772
Orson 0030
Osaki 0030 0067 0102
Osume 0102
Otto Versand 0111
Pace 0382
Pacific 0030
Palladium 0102 0345 0067
0270 0378 0462
Palsonic 0102 0030 0672
Panasonic 0256 1592 0866
Pathe Cinema 0073
Penney 0067 0070 0072
0270
Pentax 0072
Perdio 0030
Philco 0102
Philips 0111
Phoenix 0308
Phonola 0111
Pilot 0067
Pioneer 0097 0111 0072
Portland 0308 0667
Prinz 0030
Profitronic 0111 0270
Proline 0030 0308 0350
0672
Prosco 0308
Prosonic 0308 0030
Protech 0102 0111 0308
Provision 0308
Pye 0111 0030
Quasar 0308
Quelle 0111
Radialva 0067 0102 0111
0078
Radiola 0111
Radionette 1167 0067
RadioShack 0030
Radix 0067
Randex 0067
RCA 0136 0072 0078
0350 0270
Realistic 0030 0067 0078
0134
Reoc 0378 0667 0308
RFT 0102
Roadstar 0270 0102 0067
0308 0772 0111
Royal 0102
Saba 0350 0308
Saisho 0378
Salora 0073 0136 0134
Samsung 0270 0462 0075
Sanky 0078
Sansei 0078
Sansui 0097 0030 0136
0102 0378
Sanyo 0134 0270 0078
0097 0378
Saville 0382 0308 0270
SBR 0111
ScanSonic 0270
Schaub Lorenz 0134 0030 0136
0345
Schneider 0102 0030 0067
0111 0308 0270
1167 0072 0382
0672
Scott 0073 0075
Sears 0030 0067 0072
0134
Seaway 0308
SEG 0102 0270 0308
0672 0111 0667
SEI 0111
Sei-Sinudyne 0111
Seleco 0067
Semivox 0075
Semp 0075
Sentra 0102
Setron 0102
Sharp 0078 0067 0599
Shintom 0102 0134
Shivaki 0067
Shogun 0270
Siemens 0067 0134 0111
0350 0377
Siera 0111
Silva 0067
Silver 0308
SilverCrest 0672
Singer 0378 0075 0102
Sinudyne 0111 0382
Smaragd 0378
Sonneclair 0102
Sonoko 0308
Sonolor 0078
Sontec 0067 0308
Sonwa 0672
Sony 0062 0030 0136
Soundwave 0067 0378
Ssangyong 0102
Standard 0308
Starlite 0067 0134
Stern 0308
STS 0072
Sunkai 0378 0308
Sunstar 0030
Suntronic 0030
Sunwood 0102
Supra 0067 0270 0378
0308
Sylvania 0030 0073 0111
Symphonic 0030 0102
T+A 0256
Tandberg 0308
Tandy 0030 0134
Tashiko 0030 0078 0270
0111 0067
Tatung 0030 0111 0078
0073 0378 0382
Tch ibo 0378
TCM 0378
Teac 0102 0030 0308
0672 0067 0111
0667
TEC 0308 0102
Tech Line 0102
Technics 0256
TechniSat 0378
Tedelex 0067 0378 0672
Teknika 0030 0067
Telefunken 0672 0350 0308
Telestar 0067
Teletech 0102 0308 0030
Tenosal 0102
Tensai 0030 0067 0102
0308
Tevion 0378 0672
Texet 0308
Thomas 0030
Thomson 0350 0097 0308
Thorn 0134 0067
Thorn-Ferguson 0350
TMK 0270
Tok ai 0102 0067 0134
Tokiwa 0102
Topline 0378
Toshiba 0073 0075 0111
0772 0382
Totevision 0067 0270
Towada 0102
Tradex 0111
Tredex 0308
Triad 0308
Uher 0067 0270
Ultravox 0308
Unitech 0270
United 0378 0772
United Quick Star0308
Universum 0030 0111 0270
0067 0136 0378
0134
Vector 0075
Vector Research 0070
Victor 0097
Video Concepts 0070 0075
Video Technic 0030
Videosonic 0270
Wards 0030 0072 0078
0102 0111 0270
Watson 0111 0382 0308
0672
Weltblick 0067
Wharfedale 0672
White
Westinghouse 0102 0308
World 0378
XR-1000 0030 0102
Yamishi 0102 0308
Yokan 0102
Yoko 0067 0102 0270
Yoshita 0102
Zenith 0030 0667 1167
ZX 0378 0382
62
Tandy 0062
Teac 0423
Technics 0333 0059
Thorens 0187
Thule Audio 0187
Traxdata 0656
Universum 0187
Victor 0102
Wards 0187
Yamaha 0066 0520 0062
Zonda 0187
TUNER
AEG 1420
AFK 1419
Aiwa 0151 0219 1088
1188 1288 1652
Akai 0639 1250 1420
All-Tel 1420
Anam 0639
Arcam 0219 1119 1219
1299 1319 2009
ASCOMTEC 1419
Audiolab 1119 1219 1299
1319 0219
Audiosonic 1419
Audiovox 1420
Audioworld 1420
Balanced Audio
Technology 1119 1219 1299
1319 0219
Bang & Olufsen 0829
Basic Line 1584
Belson 1419
Blue Sky 1420
Bose 1259 1385
Bush 1119 1219 1299
1319
Cairn 0219
Cambridge Audio 0219 1219
Carver 0219 1119 1219
CCE 1382
Centrum 1250 1584 1419
Classic 1382
Clatronic 1250
Copland 1119 1219 1299
1319
Denon 1390 1134
Denver 1419
Diamond 1420
DK digital 1450
DMTECH 1420
Dual 1250 1420 1450
Electro com paniet 1219
Elta 1420
Fisher 1831
Genexxa 0216
Goldmund 0219 1119 1219
1299 1319
Goodmans 0639 1229 1450
1641 1419
Grundig 1119 1219 1299
1319 0219
Hanseatic 1420
Harman/Kardon 1334 1119 1219
1299 1319 0219
HCM 1420
HE 1419
Hitachi 1831 1250 1584
Hiteker 1419
Integra 0165 1350
JVC 0104 1404 1229
1525
Kenwood 1057 1343 1599
0216
KLH 1420
KXD 1419
Lenoxx 1641
Lenoxx Sound 1641
LG 1323
Linn 0219 1119 1219
1299 1319
Loewe 1119 1219 1299
1319 0219
Magnavox 0219 1119 1219
1299
Magnum 1641
Marantz 0219 1119 1219
1299 1319
Mark 1119 1219 1299
1319
MBO 1382
Medion 1450
MEI 1420
Melectronic 0639
Meridian 1119 1219 1299
1319
Metz 1584
Micromaxx 1450
Micromega 1119 1219 1299
1319 0219
Mitsubishi 0206
Mustek 1382
Myryad 1219 1119 1299
1319 0219
NAD 0350 0639
Naim 1119 1219 1299
1319
Nikkai 1419
Nikko 0639
Norcent 1419
Okano 0639
Onkyo 0165 1350
Optimus 0216 1053
Palladium 1250
Panasonic 1548 1338 1339
1793 1809 1795
Philco 1420
Philips 0219 1219 1299
1119 1319
Pioneer 1053 0216 1119
1219 1299 1319
1489
Polk Audio 1319
Proline 1420
Proson 0639
Provision 1419
QONIX 1450
Quad 1119 1219 1299
1319
Radiola 1119 1219 1299
1319 0219
Radionette 1664 1323
RCA 1184 1420 1489
Red Star 1419
Restek 0219
Revox 1119 1219 1299
1319 0219 0216
Revoy 1119 1219 1299
1319
Roadstar 1641
Rotel 0823
Saba 1184
Samsung 1325 1229
Sansui 0219 1119 0639
Sanyo 1831
Schneider 1420 1229 1250
SEG 1584
Sharp 0216 1664 1644
Sherwood 0683
Siemens 0639
Silva Schneider 1323
Sony 1188 1288 1888
1789 1088 1688
1752 1652 1142
Soundwave 0639
Sunfire 1343
Sunstech 1450
Tag McLaren 1219
Teac 1229 0639 1420
Technics 1338 1339 1793
1548 1795
Techwood 0639 1584
Telefunken 1419
Tevion 1641
Thomson 1184 1384
Thorens 1219 1119 1299
1319 0219
Toshiba 1602
United 1420
Universum 1250 0639 1420
1119 1219 1299
1319 0219
Venturer 1420
Victor 0104
Voxson 1450
Waitec 1382
Wards 0219
Wharfedale 0639 1420
Yamaha 0206 1361 1306
0216 0742
Yukai 1382
DVD
3D LAB 0569
4Kus 1188
A-Trend 0744
Acoustic Solutions 0760 0743 1258
AEG 0818 0800 0820
AFK 1258 1182
Aim 0808 0702
Airis 1254 1351 0702
1035 1375
Aiwa 0725 0899 0563
Akai 0820 0809 0800
0818 0725 1145
0928 0746 0743
0882 0735 1725
1263
Akashi 0868
AKI 1035
Akira 0808 1351
Akura 1201 0928 1081
1170
Alba 0747 0743 0753
0725 0760 0569
0702 1170 1081
1560 1725
Alize 1181
All-Tel 0820 1481 0865
Amitech 0800 0880
Amoi 0882
Amoisonic 0865
Amstrad 0743 1145 1181
1601
AMW 0902
Ansonic 0789 0861
Apex Digital 0702 0747 1034
Arcam 0762
Arena 0882
Asono 1254
ATACOM 1254
Audiovox 0820 0747
Audioworld 0820
Audix 1134 1182
Autovox 0743
Auvio 0873
Avious 1195
AWA 0760 0902
Axion 0760
Base 1481
Basic Line 0743
Baze 1195 0928 0702
BBK 0892 1254
Bel Canto Design 1601
Bellagio 0902
Best Buy 0887
Black Diamond 0743 0863
Blaupunkt 0747
Blu:sens 1263
Blue Parade 0601
Blue Sky 0743 0725 0702
0873 0808 0681
0820
BNI 1351
Boghe 1034
Boman 0818 0928 1035
Brainwave 0800 1145
Brandt 0681 0581 0533
Broksonic 0725 1449
CD
Advantage 0062
Aiwa 0187
Arcam 0187 2010
Audio Research 0187
Audiolab 0187
Audiomeca 0187
Audioton 0187
Balanced Audio
Technology 0187
Cairn 0187
California Audio
Labs 0059 0333
Cambridge
Audio 0187
Carver 0187
CCE 0187
Copland 0423
Cyrus 0187
Denon 0033 0796 0656
DKK 0030
Dual 0033
Dynaco 0187
Elektra 0423
Garrard 0423
Genexxa 0030 0062
Goldmund 0187
Grundig 0187
Harman/Kardon 0187
Hitachi 0062
JVC 0102
Kenwood 0220 0656 0066
Krell 0187
Linn 0187
Loewe 0187
Magnavox 0187
Marantz 0187 0656 0059
Matsui 0187
MCS 0059
Memorex 0062
Meridian 0187
Micromega 0187
Mission 0187
Musical Fidelity 0423
Myryad 0187
NAD 0751 0030
Naim 0187
NSM 0187
Onkyo 0131
Optimus 0030 0062
Orion 0423
Panasonic 0333 0059
Philips 0187 0656
Pioneer 0062
Primare 0187
Proton 0187
QED 0187
Quad 0187
Quasar 0059
Radiola 0187
Restek 0187
Revox 0187
Rotel 0187
SAE 0187
Sansui 0187
Siemens 0187
Simaudio 0187
Sony 0030 0520 0187
Tag McLaren 0187
CBL
ADB 1260 1299
Amstrad 1252
Auna 1299 1260
Austar 0306
Canal Plus 0473
Comcrypt 0473
Comtec 0049
Contec 0049
Daeryung 0507
Fastweb 1660
Filmnet 0473
Foxtel 1252
France Telecom 0847 1764
freebox 1512
Funai 0049
General
Instrument 0306
Jerrold 0306 0049
Macab 0847
Madritel 1260
MNet 0473 0049
Motorola 0306 1136 1513
Multichoice 0049 0473
Nokia 1599
Noos 0847 1654
NTL 1090 1098
Oak 0049
Ono 1098
Optus 0306 1090
Pace 1098 1607 1090
Philips 0847
Sagem 0847 1654
Samsung 1696
Scientific Atlanta 0507
Tele+1 0473
Telepiu 0473
Telewest 1098 1090
Telsey 1660
Thomson 1764 1612
Trans PX 0306
UPC 1612
US Electronics 0306
Visiopass 0847
VIDAC
Gateway 1302
Hewlett Packard 1302
Microsoft 1302
Pinnacle Systems 1477
Sony 1302
63
Bush 0743 0725 0863
1725 0760 0861
0747 0808 0546
0848 0753 1195
1466 1449 1513
1170
C-Tech 0798 1182
Cambridge Audio 1139 0781
Campomatic
Digital 1081
CAT 0819
Celestial 0702
cello 1760
Centrex 0702 1034
Centrum 0743 0819 0809
1035
CGV 0800 0781
Cinea 0871
Cineral 0760
Cinetec 0743 0902
CineVision 0899 0863
Classic 0760 1760
Clatronic 0818 0809 0848
0702 1195 0705
Clayton 0743
Coby 0808 1137 0760
1195 0882
Codex 1263
Conia 0702 0882 0546
0865 1351
Contel 0818
Continental
Edison 0902 0861
Craig 0861
Crown 0800 0681
Crypto 1258
Cybercom 0861
CyberHome 0744 0846
Cytron 0746 0681 0735
0861 1377
D-Vision 1145
Daenyx 0902
Daewoo 0800 0863 0899
1513 0735 0744
1466 0902 0808
Dalton 1066
Dansai 0800 1145 1725
Dantax 0753 0725
Daytek 0902 1035
Dayton 0902
DCE 0861
DEC 0808 0848
Decca 0800
Denon 0520 0664 1664
Denver 0808 0818 0928
0848 1137 1351
0702
Denzel 0695
Diamond 0681 0798 0781
0808 0753 0820
Digihome 0743
DigiLogic 0743
digiRED 0747
Digitor 1035
Digitrex 0702 1034
DiK 0861
Dinamic 0818
DiViDo 0735
DK digital 0861
DMTECH 0820 1301
Dragon 0861
DSE 1760 0863 1182
Dual 0861 0743 0695
0681 0760 0809
0820
Durabrand 0861 0743
DVX 0798
E-Boda 0753
E-Dem 1254
e:max 1263 1351
EagleTec 0744
eBench 1182
Eclipse 0753 0781
Electrohome 0800
Elfunk 0880 0743
Elin 0800
Ellion 0880 1451
Elta 0800 0818 0820
1145 1181 1263
1081
Eltax 1351
Emerson 0621 0705 0735
0899
ENG 1601
Enterprise 0621
Enzer 0695
EuroLine 0818 1145 1263
0705
Ferguson 0681 1760 0928
0743
Finlux 0771 0800 0621
0702 0781 1195
Fintec 0743
Firstline 0899 0681 1560
Fisher 0700
Funai 0725 0705
Gateway 1188
GE 0747
General Electric 0747
Germatic 1081
Global Link 1254
Global Solutions 0798
Global Sphère 0798
Go Video 0774 1188 0899
0863
GoldStar 0621 0771
Goodmans 0743 1034 0753
0781 0760 0681
0820 0848 0863
1170 1760
GP Audio 1170
GPX 0681 0771
Gradiente 0681
Graetz 0695
Gran Prix 0861
Grandin 0746 0702
Greenhill 0747
Grundig 0725 0735 0805
0569 0681 0820
0743 0700 0753
1725 1034 1760
1466 1513
Grunkel 0800 0861
H&B 0848 0743 0871
0880 1263 1451
Haaz 0798 0781
Haier 0873
Hanseatic 0771 0820
Harman/Kardon 0732
HCM 0818
HDT 0735
HE 0760
Henß 0743
HiMAX 0887 0873
Hitachi 0694 0725 0809
0695 0603 0887
0743
Hiteker 0702
Höher 0861 1034 1254
Home Electronics 0760 0800
Home Tech
Industries 1254
Hyundai 0880 1258
Iekei 1137
Ingelen 0818
Inno Hit 0743
Integra 0657
Irradio 0771 1145 1254
1263 0899 0800
ISP 0725
Jaton 0695
JBL 0732
JDB 0760
JDV 1258
Jeken 0808
Jepssen 1213
JMB 0725
JNC 0702 1301
JVC 0653 0588 1194
0569 0533 0897
jWIN 1081
Kansai 1137
Kansas
Technologies 1263 1560
Kendo 0743 0861 0702
1377
Kennex 0800 0743 0928
Kenwood 0564 0520
KeyPlug 0800
Kiiro 0800
Kingavon 0848
Kiss 0871 0695
KLH 0820
KLH Digital 0747
Kodak 0848
Koss 0681
Kreisen 1451
KXD 0887 1137 1351
Lawson 0735 0746 0798
Leiker 0902
Lenco 0681 0800 0808
0848 0743 0861
1195
Lenoir 1258
Lenoxx 0868
LG 0771 0601 0621
1936 0899
Lifetec 0681 0861 1377
Limit 0746 0798
LiteOn 1188
Lodos 0743
Loewe 0569 0771
LogicLab 0798
Logik 0743
Logix 0735
Lumatron 0735 1145 0771
0863 1351 0743
0760 0928
Luxman 0603
Luxor 1034 0743 1760
0760
Magnasonic 0681
Magnavox 0533 0705 0848
1170 0569 0743
Magnex 0753 1195
Magnum 1466
Majestic 1137 1375
Manhattan 0735 0743
Marantz 0569
Mark 0743 0725 1725
Marquant 0800 1481
Mastec 1036
Matsui 0681 0743 0702
0725 1760
Maxdorf 0818
Maxent 1377
Maxim 0743
Maya 1375
MBO 0760
MDS 0808
Mecotek 0800
Medion 0861 1377 0681
0746 1375 0660
1195 1036
MEI 0820
Memorex 0861
Memory 0760 1081
Metz 0601 0555 0743
MiCO 0753 0781 1253
Micromaxx 1725 0725 1377
Micromedia 0533 0569
Micromega 0569
Microsoft 0552
Microstar 0861
Minax 0743
Minerva 0735
Minoka 0800 1145
Minowa 1195
Mintek 0747
Mitsubishi 0743
Mizuda 0848 0887 1481
Monyka 0695
MPX 0873
Mustek 0760 1760
Mx Onda 0681 0781 0753
1253
Mystral 0861
NAD 0771
Naiko 0800 1034
NEC 0899 0621 0771
Neovia 1301
Nesa 0747
Neufunk 0695
Nevir 0861 0800
Nintaus 1081
Nordmende 0861
Nowa 0873
NU-TEC 0546 1258
Omni 0808 0863 1134
1258
Onix 0868
Onkyo 0657 0533
Oopla 1188
Oppo 1254
Optim 0873
Optimus 0601 0555
Orava 0848
Orbit 0902
Orion 0725 1725 1036
1263 1449 0928
Oritron 0681
P&B 0848 1481
Pacific 0798 0820 0789
0743 0861
Packard Bell 0861
Palladium 0725 0809
Palsonic 0865 0702 0882
Panasonic 0520 1864 1938
Panda 0747 1137
Papouw 0563
peeKTON 1254 0928
Philco 0753 0892 0818
0820
Philips 0569 0676 1370
0705 0533 1188
Philo 1375
Phonotrend 1195
Pioneer 0601 0661 1995
0555 1601
Plu2 0880
Pointer 0800
Polk Audio 0569
Portland 0800
Powerpoint 0902 1035
Presidian 0705
Prima 1258
Prinz 0861
Prism 1036 0861
Pro2 1375
ProCaster 1034
Proline 0681 0702 0820
1034 1513 0863
Proscan 0552
Proson 0743
Prosonic 1137
Provision 0848 1351 1137
0760
Pye 0676 0569
QONIX 0808 1081
Qwestar 0681
Radionette 0771 0899 1936
Raite 0695
RCA 0552 0681 0820
1995
REC 0520
Red Star 0789 0793 0800
0818 0928 1137
1375
Relisys 1377
Reoc 0798
Revoy 0871
Rex 0868
Richmond 1263
Rimax 1181
Rio Audio 0899
Roadstar 0743 0848 0760
1081 0928 0863
1257
Rocksonic 0819
Ronin 0902
Rotel 0653 0588
Rowa 0789 1034 0546
0555 0747
Rownsonic 0819 0753
Saba 0681 0581
Sabaki 0798
Saivod 0789 0861 0800
Salora 0771
Sampo 1377
Samsung 0603 0774 1962
0520
Sansui 0725 0746 0798
0753 0800 0781
1258 1725
Sanyo 0700 0903 0725
0820 0743
Scan 0735 0865 0880
ScanMagic 0760 1760
ScanSonic 0887
SCE 0819
Schaub Lorenz 0818 1195 0800
Schneider 0861 0809 0569
0735 0818 0743
0681 0899 0820
0676
Scientific Labs 0798 1182
Scott 0681 0702 1066
1263
Seeltech 1254 1481
SEG 0743 0695 0798
0902 0793 1560
Semp 0533
Shanghai 0702
Sharp 0660 1286 0743
0725 1449
Sherwood 0747 0771
Shinco 0747
Siemssen 1412
Sigmatek 0887 1254
Silva 0818 0928 0861
Silva Schneider 0861 1936
SilverCrest 1182
Singer 0746 0753 0781
0798
Sinudyne 1170
Sistemas 0702
Skymaster 0760 0798
Skyworth 0928
Sliding 1145
Slim Art 0800
Slim Devices 0653 0563
SM Electronic 0760 0798
Smart 0735 0743
Sonashi 0746 0861
Sonic Blue 0899
Soniko 0818
Sony 0563 0894 1663
0802 1100 2011
1463 0603
Sound Color 1263
Soundmaster 0798
Soundmax 0798
Spectra 0902
Standard 0681 0798 0818
0861 0928
Star Clusters 0798 1257 1182
StarLogic 1035
Starmedia 0848 1254 1035
Strong 0743
Sunfly 0887
Sunkai 0800 0880
Sunstech 0861
Sunwood 0818
SuperDigital 1217
Supervision 0760 0798
SVA 0702 0747
Sylvania 0705 0660
Symphonic 0705
Synn 0798
Tandberg 0743 1725
Tangent 1351
Targa 0771 1188 1257
Tatung 0800
Tch ibo 0771
TCM 0771
Teac 0747 0771 0546
0601 0798 0621
0789 1036 0820
1227 0863 1257
1195 0705
TEC 0928
Technics 0520 1938
Technika 0800 1145 0861
1195
Technosonic 1081 1145
Techwood 0743 1560 0569
Tedelex 1258
Telefunken 0820 0819 0818
1258
Teletech 0743
Tensai 0681 0800
Tevion 0681 1066 1412
0798 1257 0863
1377 1760
Theta Digital 0601
Thomson 0581 0552
Tok ai 0695 0928 0818
Tokiwa 0735 0746
Tom-Tec 0819
Top Suxess 1254
Toshiba 0533 0725 1075
1540
TRANS-
continents 0902 0861 1195
Transonic 0702 1195
Tredex 0873
Trio 0800
TruVision 0887 1481
TSM 1254
TYT 0735
Umax 1181
United 0818 0760 0820
1258 0702 1195
0725 1145 0798
1263 0743 1182
0705
Universal
Multimedia 0798
Universum 0771 0743 0621
0809 1257 0820
1560
Uptek 0793
upXus 1375
Urban Concepts 0533
Venturer 0820
Vestel 0743 1560
Vieta 0735
Viewmaster 0892 1254
Voxson 0760 0861
VTrek 1258
Waitec 1254
Walkvision 0747
Waltham 1560
Wel kin 0861
Wellington 0743
Weltst ar 0743
Wharfedale 0798 0753 0781
Wilson 0861 1263
Windy Sam 0603
Wintech 1217
Woxter 1181 1254
XBox 0552
XLogic 0800 0798 1258
XMS 0818 0800
Xoro 1213
Yakumo 1034
Yamada 1034 0902 1181
1188
Yamaha 0569 0520 0676
Yamakawa 0695 0902 1134
Yukai 0760
Zenith 0533 0899 0621
0771
64
SAT
@sat 1330
@Sky 1364
ABsat 1353 0743
ADB 0672 0917 1289
1397 1503 1521
Adcom 0230
Akai 0230
Alba 0743 1314
Allsat 0230 1047
Allsonic 0399
Alltech 0743
Allvision 1262
Alpha 0230
Amitronica 0743
Ampere 0162
Amstrad 0877 1205 0743
0162 1143
Anglo 0743
Ankaro 0399 0743 1309
AntSat 1047
Arcon 1309 0162 1105
Armstrong 0230
Arnion 1330
ASA 0329
Asat 0230
ASCI 1364
ASLF 0743
AssCom 0883
Aston 1159 1291
Astra 0743
Astratec 1773
Astro 0163 0203 0399
0688 1143 1129
1130 0230
Audioline 1459
Aurora 0909 0672 1463
Austar 1289 0672 0909
1206
Axil 1487
Axis 1141 0399
B@ytronic 1442
Bentley Walker 1047
Best 0399
Big Sat 1487
Black Diamond 1314
Blaupunkt 0203
Blue Sky 0743
Blue Star 1309
Boca 0162 1396 0743
1262
Boston 0162
Brainwave 1244 0688 1702
British Sky
Broadcasting 0877 1205
Broco 0743
BSkyB 0877 1205
BT 1326
Bubu Sat 0743
Bush 1501 1702 1675
1773
Canal Digital 1883 0883 0197
1076
Canal+ 0883 1883
CanalSatellite 0883 1369 1883
Centrex 1577
CGV 1443
Cherokee 1353
Chesley 1577
Chess 1364 0743 1656
CityCom 1206 1262 0329
0848 0534 1105
Clatronic 1443
CNS 1397
Colombia 0162
Columbia 0162
Comag 0162 1396 1443
1262 1442
Condor 0399
Connexions 0399
Conrad 0399 0162
Coship 1487
Crown 1314
Cyrus 0230
D-box 1144 0753
Daewoo 1326 0743 1773
1141
Deltasat 1105
DGTEC 1272 1572
Digatron 1324
Digenius 0329 1191
DigiFusion 1675 1773
Diginet 1577
DigiQuest 1487 1330
DigiSat 1262
Digisky 1487
Digital+ 1883
DigitAll World 1257
DiPro 1577 1503 1397
DirecTV 0129 0886
Distratel 1313
Distrisat 0230
DMT 1105
DNT 0230
Dream Multimedia 1267
DStv 0672 0909
Dune 0399
Durabrand 1314
Echostar 1230 0640 0197
0883 0743 1353
1503 1439 1797
Einhell 0162 0743
Elap 0743 1159 1597
Elsat 0743
Elta 0230 0399
Emme Esse 0399
eMTech 1244
Engel 1047 0743 1281
EuroLine 1281
Europa 0230
Europhon 0329 0162
Eurosat 1597
Eurosky 0162 0329 0399
Eurostar 0848
Eutelsat 0743
Eycos 1309
Fenner 0743 0399
Ferguson 1321 0741 1773
Flair Mate 0743
FMD 1281 1487 1443
Force 1224
Fortec Star 1047
Foxtel 1386 0909 0750
1206 1192
Fracarro 0155
Freecom 0203
FTEmaximal 0399 0743
Fuba 1831 0399 0203
1191 0329 1281
Fugionkyo 0155
Galaxis 1141 1206 0883
0399 0909
Gardiner 0848
Garnet 1105
GbSAT 1244
Gecco 1442 1303
General Satellite 1206
Globo 1281 1656 1442
1459 1364
GOD Digital 0230
Gold Box 0883
Gold Vision 1047
Golden Interstar 1313
Goodmans 1314
Gradiente 0917
Grundig 0203 0877 1321
0909 0883
H&B 1577
Hanseatic 1129 1130
Hänsel & Gretel 0162
Hauppauge 1324 1702
HB 1244
HDT 1189
HE@D 1309
Hills 1262
Hirschmann 1141 1143 0203
0329 1262 0399
0155 1442
Hitachi 1314
HNE 1262 0162
Homecast 1244
Humax 1206 1457 1705
1255 1773
Huth 0162 1047 1105
Hyundai 1189 1105
iCan 1397
ID Digital 1206
Imperial 1459 1364 1129
1130 1225 1227
0230 1702
International 0162
Interstar 1047 1244
iotronic 0162
ITT Nokia 0753
Jadeworld 0672
Jaeger 1364
Jepssen 1244
K-SAT 0743
Kamm 0743
Kaon 1330
KaTelco 1141
Kathrein 0534 1597 0510
1591 0688 0203
0230 0743 0848
1353 1446
Kennex 0155
Kenwood 0883
Key West 0162
Kongque 1330
Kreiling 0688
Kreiselmeyer 0203
Kyostar 0162
L&S Electronic 0399 0162 1364
Labgear 1326
LaSAT 0399 0162 0329
Lenco 0743 0399
Lennox 0399
Lenoxx 1641
Lexus 0230
LG 1444 1105
Lifesat 0162 0399 0329
0743
Lodos 1314
Logik 1314
Logix 1047 1105
Lorenzen 0329 1324 1191
0162
Lupus 0399
Macab 0883
Madritel 0672
Manata 0743 0162
Manhattan 1047
Marantz 0230
Maspro 0743 0203
Matsui 0203 1773
Maximum 1105 1364
MDS 1255
Mediabox 0883
Mediacom 1236
MediaSat 0883
Medion 1262 0329 0743
0162 1105 1442
1656 1364 0399
Medison 0743
Mega 0230
Melectronic 0848
Metronic 0743 1309 1313
0848 0162
Metz 0203
Micro 0743 1324
Micro electronic 0743
Micro Technology 0743
Micromaxx 0329 0399
Microstar 1105
Microtec 0743
Morgan’s 0230 0743 0162
1439
Motorola 0886
Multichoice 0672 0909 1463
Myryad 0230
Mysat 0743
Neotion 1364
Netgem 1352
Netsat 0917 0129
Neuf TV 1352
Neuhaus 0743
Neuling 1262
Neusat 0743 1309
Neveling 1191
NextWave 1047
Nikko 0743 0753 0230
Nokia 1144 1253 1053
0753 0883 1753
Nordmende 1641
Nova 0909
OctalTV 1324
Opentel 1262 1442
Optex 1313 0743 1641
Optus 0909 0883
Orbis 1364 1442
Orbitech 1129 1130 0230
P/Sat 1262
Pace 0877 0917 1205
1386 1880 0271
1353 0821 0750
0230 0883 1453
Pacific 1314
Packard Bell 1141
Palcom 0329 1191 1439
Panasat 0909
Panasonic 0877 1334 1434
Panda 0203
Patriot 0162
peeKTON 1487
Philips 0230 1144 0883
0129 0163 0848
1702 0203 1459
Phoenix 1303
Phonotrend 1047 1230
Pilotime 1369
Pino 1364
Pioneer 0883 1338 0382
Portland 1326
Power Sky 1309
Preisner 0162 1143 1396
Premiere 0883 1144 0753
1141 1206 1225
1130 0688
Primacom 1141
QNS 1397 1434
Quadral 0399 1353
Quelle 0329
Radiola 0230
Radix 1143
RCA 1321
Rebox 1244
Red Star 0399
Regal 1281
RFT 0230
Roadstar 0743 0883
Rover 0743 0399
Rownsonic 1597
S-ZWO 1237
SAB 1281
Sagem 1144 1283 1720
Samsung 1273 1600 1488
1047 1236 0883
Sat Control 1330
Sat Team 0743
SAT+ 1439
Satec 0743
Satelco 0399
Satplus 1130
Schaub Lorenz 1244
Schneider 1281 1236
Schwaiger 0534 1364 1487
1442 1141 0162
1105
SCS 0329
Sedea Electronique 0155 0162 1313
1656 1309
SEG 1281 0399 1656
1105
Serino 0640
Servimat 1641
ServiSat 1281 0743
Sherwood 1641
Siemens 0203 1459 1364
Silva 0329
Skantin 0743
SKR 0743
Sky 0129 0877 0886
0917 1205 0741
SKY Brasil 0672 0917
SKY Italia 1878 1880
Sky XL 1442 1281
SKY+ 1205
Skymaster 0743 1439 1230
1105 1641 1364
Skymax 0230
skyplus 1262 1364 1442
SkySat 0743
SL 0162 1702
SM Electronic 0743 1230 1105
Sky XL 1442
SKY+ 1205
Skymaster 1364
skyplus 1364 1442
Stream 1878
Strong 1189 1330
Sunny 1330
Systec 1364
TechniSat 1130
Technosat 1236
Telestar 1130 1364
Televes 1244 1330 1364
Tevion 1364
Thomson 1205 1930
Topfield 1236 1575 1813
TPS 1283
UEC 1386
Worldsat 1244
XSat 1244
Xtreme 1330
Zehnder 1364 1442
Zinwell 1206
PVR
@sat 1330
@Sky 1364
Amstrad 1205
Arnion 1330
ASCI 1364
Astro 1130
Aurora 1463
Austar 1206
B@ytronic 1442
Brainwave 1244
British Sky
Broadcasting 1205
BSkyB 1205
Bush 1675
CanalSatellite 1369
Chess 1364
CityCom 1206
Comag 1442
DigiFusion 1675
DigiQuest 1330
Dream Multimedia1267
eMTech 1244
Foxtel 1206 1386
Galaxis 1206
GbSAT 1244
Gecco 1442
General Satellite 1206
Globo 1364 1442
Hanseatic 1130
HB 1244
HDT 1189
Hirschmann 1442
Homecast 1244
Humax 1206 1457 1705
Hyundai 1189
ID Digital 1206
Imperial 1130 1364
Interstar 1244
Jaeger 1364
Jepssen 1244
Kathrein 1591
Kongque 1330
L&S Electronic 1364
Maximum 1364
Mediacom 1236
Medion 1364 1442
Multichoice 1463
Neotion 1364
Opentel 1442
Orbis 1364 1442
Orbitech 1130
Pace 1205 1386 1453
1880
Panasonic 1334
Pilotime 1369
Pino 1364
Premiere 1130 1206
Rebox 1244
Sagem 1283
Samsung 1236
Sat Control 1330
Satplus 1130
Schaub Lorenz 1244
Schneider 1236
Schwaiger 1364 1442
Siemens 1364
Sky 1205
SKY Italia 1878 1880
65
Smart 1303 0162 0329
1143 1262 0743
1443
Soniq 1597
Sony 0877 1588 0312
0883
SR 0162
Star Sat 0162
Starland 0743
Stream 1878
Strong 0155 1397 1439
1656 0399 0909
0883 1189 1330
1503 1314
Sunny 1330
Sunny Sound 0399
Sunsat 0743
Sunstar 0399 0162 0672
Supermax 1313
Systec 0162 1364
Tarbs 1255
TBoston 1487
Teac 1257 1255 1352
Tecatel 1230
TechniSat 1129 1130 1225
1227 0230 1352
Technomate 1313
Technosat 1236
Technosonic 1702
Technotrend 1459
Technowelt 0162
Techsan 1047
Techwood 1314 1656
tekComm 1047
Tele System 1281 1439 1641
1831
Tele System
Electronic 1641
TeleClub 1397
Telecom 0743
Telestar 1129 1130 0230
1281 1364 1656
Televes 0162 1244 1330
1364 1439
Tel e visa 0917
Telewire 1262
Tevion 1364 1702 0743
1439 1597
Thomson 0741 0877 1321
1930 0743 1205
0883 1076
Tiny 1702
Tioko 0162
Tok ai 0230
Tonna 1641 0743
Topfield 1236 1237 1575
1813
TPS 1283
Triax 0230 0743 0883
1281 1326 1321
0162 1129 1143
1257 1656
Trio 1105
TT-micro 1459
Turnsat 0743
Twinner 0162 0743
UEC 0909 1192 1386
Unimax 1577
Unisat 0230 0162
United 1281
Universum 0203 0329 1129
Van Hunen 1191 0329
Variosat 0203
Vega 0399
Ventana 0230
Vestel 1281
VH-Sat 1191 0329
Viasat 1353 1053
Visionic 0155 1309
Visiosat 0743 1159 1487
Vivid 1192
VTech 0848
Wavelength 1262 1443
Wharfedale 1314
Winbox 1831
Wisi 0203 0329 0162
Worldsat 1503 1244 1281
XMS 1105
Xrypton 0399
XSat 0743 1244 0877
1353
Xtreme 1330
YES 0917
Yess 1577
Zehnder 1281 1262 1364
1442 1105 1443
0534 0848 0399
Zenith 0886
Zeta Technology 0230
Zinwell 1206
Zodiac 1831
A&R CAMBRIDGE LTD, PEMBROKE AVENUE, WATERBEACH, CAMBRIDGE CB25 9QR, ENGLAND
SH215E Issue 2 P/N: 4301-7333+0
