Arcam Fmj Avr600 Users Manual

FMJ AVR600 avr600e_manual

AVR600 to the manual f194a0ec-2db4-47a1-8a86-6c203b35af97

2015-02-05

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English

AVR600

Handbook

AVR surround amplifier

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safety
guidelines

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CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified
service personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

Class II product
This equipment is a Class II or double
insulated electrical appliance. It has been
designed in such a way that it does not
require a safety connection to electrical
earth (‘ground’ in the U.S.).

The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of
uninsulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and
maintenance (servicing) instructions in the literature accompanying the product.
CAUTION: In Canada and the USA, to prevent electric shock, match the wide blade of the plug to the wide slot in the socket
and insert the plug fully into the socket.

Many of these items are common sense precautions but, for your own safety and to ensure that you do not damage the unit, we recommend that you read them.

Important safety instructions

6. Heat

11. Power lines

This product is designed and manufactured to meet
strict quality and safety standards. However, you should
be aware of the following installation and operation
precautions.

Locate the equipment away from naked flames or heatproducing appliances such as radiators, stoves or other
appliances that produce heat.

Locate any outdoor antenna/aerial away from power
lines.

7. Climate

Any speakers must be connected to the AVR600 using
class II wire (i.e. no connection to Earth should be
made). Failure to observe this precaution may cause the
unit to become damaged.

Safety compliance

13. Non-use periods

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired
operation.

1. Take heed of warnings and instructions
You should read all the safety and operating instructions
before operating this equipment. Retain this handbook
for future reference and adhere to all warnings in the
handbook or on the equipment.

The equipment has been designed for use in moderate
climates and in domestic situations. Unplug this
equipment during lightning storms to prevent possible
damage from a strike or mains surge.
8. Cleaning

2. Water and moisture

Unplug the unit from the mains supply before cleaning.

The presence of electricity near water can be dangerous.
Do not use the equipment near water – for example next
to a bathtub, washbowl, kitchen sink, in a wet basement
or near a swimming pool, etc.

The case should normally only require a wipe with a soft,
lint-free cloth. Do not use chemical solvents for cleaning.

3. Object or liquid entry

9. Power sources

Take care that objects do not fall and liquids are not
spilled into the enclosure through any openings. Liquidfilled objects such as vases should not be placed on the
equipment.

Only connect the equipment to a power supply of
the type described in the operating instructions or as
marked on the equipment.

4. Placing the equipment
Only use a rack or shelf that is stable and strong enough
to support the weight of this equipment.

12. Speaker connections

If the equipment is not being used for an extended
period, we recommend that you unplug the power cord
of the equipment from the outlet, to save power.
14. Abnormal smell
If an abnormal smell or smoke is detected from the
equipment, turn the power off immediately and unplug
the equipment from the wall outlet. Contact your dealer
and do not reconnect the equipment.

We do not advise the use of furniture cleaning sprays or
polishes as they can cause permanent white marks.

15. Servicing
You should not attempt to service the equipment.
Contact your dealer to arrange servicing.

The primary method of isolating the equipment from
the mains supply is to remove the mains plug. The
equipment must be installed in a manner that makes
disconnection possible.

5. Ventilation

10. Power-cord protection

Do not place the equipment on a bed, sofa, rug or
similar soft surface, or in an enclosed bookcase or
cabinet, since ventilation may be impeded.

Power supply cords should be routed so that they are not
likely to be walked on or pinched by items placed upon
or against them. Pay particular attention to the point
where they exit from the equipment.

16. Damage requiring service
The equipment should be serviced by qualified service
personnel when:
A. the power-supply cord or the plug has been
damaged, or
B. objects have fallen into, or liquid has spilled into the
equipment, or
C. the equipment has been exposed to rain, or

E-2

D. the equipment does not appear to operate normally
or exhibits a marked change in performance, or
E. the equipment has been dropped or the enclosure
damaged.

This equipment has been designed to meet the IEC/EN
60065 international electrical safety standard.

consignes
de sécurité

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ATTENTION : afin de réduire les risques de choc électrique, n’ouvrez pas le boîtier de l’appareil. Les pièces internes ne sont pas réparables
par l’utilisateur. Pour tout problème matériel, contactez des techniciens qualifiés.
ATTENTION : afin de réduire les risques de choc électrique et d’incendie, veillez à ne pas exposer cet appareil à la pluie ou à
l’humidité.

Class II produit
Ce produit est un appareil électrique à
isolation double (appareil de classe II).
Il a été conçu pour ne pas nécessiter de
connexion de sécurité à la terre (ou à la
masse).

Le triangle dans lequel figure le symbole d’un éclair alerte l’utilisateur de la présence, dans le boîtier de l’appareil, d’une tension
dangereuse, non isolée et suffisamment importante pour représenter un risque de choc électrique.

ATTENTION : au Canada et aux États-Unis, afin de prévenir tout choc électrique, aligner la plus grosse broche de la prise à la fente la plus
large de la fiche et insérez entièrement la prise dans la fiche.

Bon nombre des consignes ci-dessous sont de simples précautions de bon sens. Nous vous recommandons toutefois de les lire pour votre propre sécurité et pour celle de l’appareil.

Instructions de sécurité
importantes
Cet appareil a été conçu et fabriqué conformément aux
normes de qualité et de sécurité les plus strictes. Vous
devez cependant observer les précautions qui suivent
lors de son installation et de son utilisation.
1. Avertissements et consignes
Il est impératif de lire les consignes de sécurité et
d’utilisation avant de mettre cet appareil en marche.
Conservez ce manuel pour vous y référer par la suite et
respectez scrupuleusement les avertissements figurant
dans ce manuel ou sur l’appareil lui-même.
2. Eau et humidité
L’installation d’un appareil électrique à proximité d’une
source d’eau présente de sérieux risques. Il ne faut donc
pas installer l’appareil près d’une baignoire, d’un lavabo,
d’un évier, dans un sous-sol humide, près d’une piscine,
etc.

5. Ventilation
Évitez de placer l’appareil sur un lit, un canapé, un
tapis ou une surface similaire instable ou dans une
bibliothèque ou un meuble fermé. Ceci risquerait de
nuire à la ventilation du système.
6. Exposition à la chaleur
Ne placez pas l’appareil à proximité d’une flamme nue
ou de tout dispositif produisant de la chaleur : radiateur,
poêle ou autre.
7. Conditions climatiques
L’appareil est conçu pour fonctionner dans des climats
modérés. Déconnectez cet équipement pendant un
orage pour éviter tous dommages possibles d’un impacte
de la foudre ou de surtension.
8. Nettoyage
Mettez l’appareil hors-tension avant de le nettoyer.

3. Chute d’objets ou infiltration de liquides

Pour l’entretien du boîtier, utilisez uniquement un
chiffon doux, humide et non pelucheux. N’utilisez pas
de solvant chimique.

Veillez à ne pas laisser tomber d’objets ni couler de
liquides à travers les ouvertures de l’appareil et ne placez
pas sur l’appareil d’objet contenant du liquide, tel qu’un
vase par exemple.

L’emploi d’aérosols ou de produits de nettoyage pour
meubles est déconseillé, car le passage d’un chiffon
humide risquerait de laisser des traces blanches et
indélébiles.

4. Placement de l’équipement

9. Alimentation secteur

Utilisez uniquement une étagère assez stable et solide pour
supporter le poids de cet équipement.

Branchez l’appareil uniquement sur une alimentation
secteur du type mentionné dans le manuel d’utilisation
ou indiqué sur l’appareil lui-même.

Le principal moyen d’isoler l’appareil du secteur est
d’utiliser l’interrupteur situé à l’arrière de l’appareil.
Cet appareil doit être installé de façon à pouvoir être
débranché si nécessaire.

15. Service

10. Protection des câbles d’alimentation secteur

16. Entretien par des techniciens qualifiés

Veillez à ce que les câbles d’alimentation ne se trouvent
pas dans un lieu de passage ou bloqués par d’autres
objets. Cette règle s’applique plus particulièrement aux
prises et câbles d’alimentation et à leurs points de sortie
de l’appareil.
11. Câbles haute tension
Évitez de monter l’antenne extérieure de l’appareil à
proximité de câbles haute tension.
12. Branchement des haut-parleurs
Tous les haut-parleurs doivent être connectés à
l’AVR600 avec du câble de classe II (aucune mise à la
terre nécessaire). Le non-respect de cette précaution est
susceptible d’endommager l’appareil.
13. Périodes de non-utilisation
Si l’appareil possède une fonction de mise en veille, un
courant faible continuera de circuler lorsqu’il sera réglé
sur ce mode. Débrancher le cordon secteur de la prise
murale si l’appareil doit rester inutilisé pendant une
période prolongée.
14. Odeur suspecte
Arrêtez et débranchez immédiatement l’appareil en cas
d’émission de fumée ou d’odeur anormale. Contactez
immédiatement votre revendeur.

F-1
F-2

N’essayez jamais d’effectuer d’autres opérations que celles
mentionnées dans ce manuel. Toute autre intervention
doit être effectuée par un personnel qualifié.
L’appareil doit être entretenu par du personnel qualifié
lorsque :
A. la prise ou le câble d’alimentation a été endommagé,
B. des objets sont tombés ou du liquide a coulé dans
l’appareil,
C. l’appareil a été exposé à la pluie,
D. l’appareil présente des dysfonctionnements,
E. l’appareil est tombé ou le boîtier a été endommagé.

Respect des consignes de
sécurité
Cet appareil a été conçu pour répondre à la norme
internationale de sécurité électrique EN60065.
Cet appareil est conforme à la Section 15 des règles
de la FCC. Son fonctionnement est soumis aux deux
conditions suivantes :
(1) ce produit ne risque pas de causer d’interférences
nuisibles et (2) ce produit doit accepter toutes les
interférences reçues, y compris celles qui risquent
d’entraîner un fonctionnement indésirable.

Français

Le triangle dans lequel figure un point d’exclamation alerte l’utilisateur de la présence d’instructions de fonctionnement et de
maintenance (réparation) importantes dans la documentation accompagnant le produit.

F-2

safety guidelines........................................E-2
welcome.......................................................E-3
before you begin…...................................E-4
rear panel connectors...............................E-7
audio/video connections.........................E-8
Connection guide................................................. E-12

radio connectors..................................... E-14
other connectors..................................... E-16
speakers.................................................... E-18
operation.................................................. E-20
front panel operation............................. E-22
remote control......................................... E-23
essential setup......................................... E-32
auto speaker setup................................. E-33
setup menus............................................ E-34
decoding modes..................................... E-40

Thank you and congratulations for purchasing your Arcam FMJ AVR600 Receiver.
Arcam has been producing specialist audio products of remarkable quality for over three
decades and the new AVR600 Receiver is the latest in a long line of award winning Hi-Fi. The
design of the FMJ range draws upon all of Arcam’s experience as one of the UK’s most respected
audio companies, to produce Arcam’s best performing range of products yet – designed and built
to give you years of watching and listening enjoyment.
This handbook is intended to give you a detailed guide to using the AVR600 Receiver. It starts
by giving advice on installation, moves on to describe how to use the product and finishes with
additional information on the more advanced features. Use the contents list shown on this page
to guide you to the section of interest.
We hope that your FMJ receiver will give you years of trouble-free operation. In the unlikely
event of any fault, or if you simply require further information about Arcam products, our
network of dealers will be happy to help you. Further information can also be found on the
Arcam website at www.arcam.co.uk.

The FMJ development team

Dolby volume......................................................... E-42

tuner operation....................................... E-44
network/usb operation......................... E-46
external amplifiers.................................. E-47
multi-room set up................................... E-48
Multi-room connection guide......................... E-49

customising the CR102.......................... E-50
Command summary............................................ E-53
Device codes........................................................... E-53

troubleshooting...................................... E-54
specifications........................................... E-56
product guarantee................................. E-57
device code tables......................................58

Professional Installation?
It may be that the AVR600 has been installed and set up as part of your Hi-Fi installation by a qualified Arcam
dealer. In this case, you may wish to skip the sections of this handbook dealing with installation and setting up,
and move directly to the sections dealing with using the unit. Use the Contents list to guide you to these sections.

DIY setup?
The AVR600 is a powerful and sophisticated piece of AV equipment. If you are setting the unit up yourself,
it is recommended that you read this handbook thoroughly before beginning. For instance, correct speaker
configuration and placement is a key to getting the most out of your AVR600 and making sure that all the
elements of your system work in harmony.

E-3

welcome

English

Contents

before you
begin…

as well as two digital outputs for digital recording of
digitised audio sources. DVD-Audio and SACD can
be connected via the multi-channel input. Control of
the AVR600 is either by front panel control buttons, IR
remote control or RS232 port.

The AVR600 is a high-quality and high-performance
home-cinema processor and amplifier built to Arcam’s
quality design and manufacturing standards. It
combines digital processing with high-performance
audio and video components to bring you an unrivalled
home-entertainment centre.

The AVR600 receiver is designed to produce a level of
performance that will truly bring music and movies
to life.

The CR102 remote control supplied with the AVR600
is an eight-device ‘universal’ learning remote control
which is simple to use, and once set up is able to control
a complete system. It can be programmed using its vast
internal code library to control CD and DVD players,
PVRs, TVs and other devices.

The AVR600 allows switching and control of eight
analogue and seven digital sources in addition to
internal AM, FM and DAB radio or a SiriusConnect™
Home Tuner input – as well as networked and USB
audio sources – making it an ideal hub for both homecinema and two-channel stereo systems.

The installation of the AVR600 in a listening room
is an important process which requires care at every
stage. For this reason, the installation information is
very comprehensive and should be followed carefully to
achieve an unrivalled level of performance.

Since many of these source components are also capable
of generating video signals, the AVR600 includes
broadcast-quality switching for HDMI, Composite,
S-Video, RGB and Component video signals. There are
audio and video outputs for PVR and VCR recording,

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< Place the unit on a level, firm surface, avoiding
direct sunlight and sources of heat or damp.
< Do not place the AVR600 on top of a power
amplifier or other source of heat.
< Do not place the amplifier in an enclosed space
such as a bookcase or closed cabinet unless there is
good provision for ventilation. The AVR600 will run
warm during normal operation.
< Do not place any other component or item on top of
the amplifier as this may obstruct airflow around the
heat-sink, causing the amplifier to run hot. (The unit
placed on top of the amplifier would become hot,
too.)
< Make sure the remote-control receiver on the front
panel display is unobstructed, otherwise this will
impair the use of the remote-control. If line-of-sight
is impractical, a remote-control repeater can be used
with the rear panel connector (see page 17).
< Do not place your record deck on top of this
unit. Record decks are very sensitive to the noise
generated by mains power supplies which will be
heard as a background ‘hum’ if the record deck is too
close.

Power

Interconnect cables

Radio interference

The amplifier is supplied with a moulded mains plug
already fitted to the lead. Check that the plug supplied
fits your supply – should you require a new mains lead,
please contact your Arcam dealer.

We recommend the use of high-quality screened cables
that are designed for the particular application. Other
cables will have different impedance characteristics
that will degrade the performance of your system (for
example, do not use cabling intended for video use to
carry audio signals). All cables should be kept as short
as is practically possible.

The AVR600 is an audio device containing
microprocessors and other digital electronics. It has
been designed to very high standards of electromagnetic
compatibility.

It is good practice when connecting your equipment to
make sure that the mains power-supply cabling is kept
as far away as possible from your audio cables. Failure to
do so may result in unwanted noise in the audio signals.

If the AVR600 causes interference to radio or television
reception (which can be determined by switching the
AVR600 off and on), the following measures should be
taken:
< Re-orient the receiving antenna or route the antenna
cable of the affected receiver as far as possible from
AVR600 and its cabling.
< Relocate the receiver with respect to the AVR600.
< Connect the affected device and the AVR600 to
different mains outlets.

If your mains supply voltage or mains plug is different,
please contact your Arcam dealer immediately.
The AVR600 can be switched for operation between
195–265V (switch position 230V) and 85–132V (switch
position 115V).
NOTE
Ensure that the AVR600 is switched off and the
power lead removed before changing the position of
the voltage range switch.

For information on speaker cabling, please refer to the
‘Speakers’ section, beginning on page 18.

Push the IEC plug end of the power cable into the
socket on the back of the amplifier, making sure that it
is pushed in firmly. Plug the other end of the cable into
your mains socket and, if necessary, switch the socket
on.

This is a Class A product. In a domestic environment
this product may cause radio interference, in which case
the user may be required to take adequate measures.

If the problem persists, please contact your Arcam
dealer.

The AVR600 can be turned on using the power switch
on the front panel. While switched on, the front panel
LED will glow green.

Standby power
The AVR600 can be switched into standby mode using
the 2 button on the CR102 remote control. While in
standby mode the front panel LED will glow red and
power consumption is around 3 watts.
While in Standby mode, it may be possible to hear a
slight residual hum coming from the mains transformer
inside the amplifier. This is perfectly normal. However,
if the unit is to be left unused for an extended period,
we recommend that you disconnect it from the mains
supply to save power.

E-5

English

Placing the unit

Trademark acknowledgements
Arcam is a registered trademark of A & R Cambridge Ltd.
Dolby Volume
Manufactured under license from Dolby
Laboratories. Dolby and the double-D symbol
are trademarks of Dolby Laboratories.

Dolby True HD, Digital, Digital Plus,
PL IIx
Manufactured under license from Dolby
Laboratories. Dolby, Pro Logic, and the
double-D symbol are trademarks of Dolby
Laboratories.

DTS-HD Master Audio
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,212,872; 7,333,929;
7,392,195; 7,272,567 & other U.S. and worldwide
patents issued & pending. DTS is a registered
trademark and the DTS logos, Symbol, DTS-HD
and DTS-HD Master Audio are trademarks of
DTS, Inc. © 1996-2008 DTS, Inc. All Rights
Reserved.

DTS-HD High Resolution Audio
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,212,872; 7,333,929 &
other U.S. and worldwide patents issued &
pending. DTS is a registered trademark and the
DTS logos, Symbol, DTS-HD, DTS-HD High
Resolution Audio and DTS-HD High Res Audio
are trademarks of DTS, Inc. © 1996-2008 DTS,
Inc. All Rights Reserved.

DTS Digital Surround
ES|Neo:6|96/24
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,003,467; 7,212,872 &
other U.S. and worldwide patents issued &
pending. DTS, DTS Digital Surround, ES, and
Neo:6 are registered trademarks and the DTS
logos, Symbol and DTS 96/24 are trademarks
of DTS, Inc. © 1996-2008 DTS, Inc. All Rights
Reserved.

FLAC

Ogg/Vorbis

FLAC Decoder Copyright © 2000, 2001, 2002,
2003, 2004, 2005, 2006, 2007, 2008 Josh Coalson

Ogg/Vorbis Decoder Copyright © 2002,
Xiph.org Foundation

Redistribution and use in source and binary
forms, with or without modification, are
permitted provided that the following conditions
are met:

- Redistributions of source code must retain the
above copyright notice, this list of conditions
and the following disclaimer.

- Redistributions in binary form must
reproduce the above copyright notice, this list of
conditions and the following disclaimer in the
documentation and/or other materials provided
with the distribution.

- Neither the name of the Xiph.org Foundation
nor the names of its contributors may be used
to endorse or promote products derived from
this software without specific prior written
permission.

THIS SOFTWARE IS PROVIDED BY
THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS
OR IMPLIED WARRANTIES, INCLUDING,
BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL
THE FOUNDATION OR CONTRIBUTORS
BE LIABLE FOR ANY DIRECT, INDIRECT,
INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING,
BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS
OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND
ON ANY THEORY OF LIABILITY, WHETHER
IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT
OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.

AAC/AAC Plus
aacPlus is a trademark of Coding Technologies.
See www.codingtechnologies.com for more
information.

E-6

WMA &
Microsoft
DRM10

This product is protected by certain intellectual
property rights of Microsoft Corporation. Use
or distribution of such technology outside of
this product is prohibited without a license from
Microsoft or an authorized Microsoft subsidiary
Content providers are using the digital rights
management technology for Windows Media
contained in this device (“WM-DRM”) to
protect the integrity of their content (“Secure
Content”) so that their intellectual property,
including copyright, in such content is not
misappropriated. This device uses WM-DRM
software to play Secure Content (“WM-DRM
Software”). If the security of the WM-DRM
Software in this device has been compromised,
owners of Secure Content (“Secure Content
Owners”) may request that Microsoft revoke
the WM-DRM Software’s right to acquire
new licenses to copy, display and/or play
Secure Content. Revocation does not alter the
WM-DRM Software’s ability to play unprotected
content. A list of revoked WM-DRM Software
is sent to your device whenever you download a
license for Secure Content from the Internet or
from a PC. Microsoft may, in conjunction with
such license, also download revocation lists onto
your device on behalf of Secure Content Owners.

vTuner

This product is protected by certain intellectual
property rights of NEMS and BridgeCo. Use
or distribution of such technology outside of
this product is prohibited without a license
from NEMS and BridgeCo or an authorized
subsidiary.

MP3

MPEG Layer-3 audio decoding technology
licensed from Fraunhofer IIS and Thomson
multimedia

iPod

iPod is a trademark of Apple Inc., registered in
the US and other countries.

Sirius

SiriusConnect™, channel names and logos and
related marks are trademarks of SIRIUS XM
Radio Inc.

Audio connectors
Two-channel and multichannel, see page 10.

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HDMI
For information, see page 8.

NOTE
Please read the ‘Placing the unit’, ‘Power’ and
‘Interconnect cables’ sections on page 5 before
connecting up your AVR600 integrated amplifier!

E-7

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Speaker connectors

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Connect the correct mains
cable here

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For information, see page 18.

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Power inlet

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Ensure the voltage selected
matches your local power supply

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Voltage select

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Zone 2 and 3 connectors, see
page 9.

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Sirius satellite radio, FM/AM/DAB radio, rLead/
rDock, RS232, Network/USB, IR and trigger
connectors, see page 14.

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Component, S-Video and
Composite connectors, see
page 9.

Aerials, control and communication

Optical and electrical digital
audio connectors, see page 9.

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Video connectors

Digital connectors

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rear panel
connectors

audio/video
connections

Before connecting your AVR600 to your source
components and speakers, please read through the
next few pages which will explain all the input and
output connectivity that is available. The ‘Speakers’
section explains how to connect up your speakers to
avoid damage to the amplifier and how to arrange your
speakers for best performance.

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AV, SAT, DVD, VCR, PVR
Connect the HDMI video outputs of your source equipment to these
corresponding HDMI inputs.

General

OUT 1
Connect this output to the HDMI video input of your main zone display
device.
OUT 2
Connect this output to the HDMI video input of your second display
device or to another HDMI display device in a second living space. As
the AVR600 has only one processed video path, this signal will be a copy
of the signal on Out 1.

When connecting a video source, its audio must be
connected to the corresponding sockets. For example,
if you a had a satellite decoder plugged into a SAT video
input, the audio must be connected to the SAT audio
inputs!

NOTE
All Zone 1 analogue video outputs will be disabled if
an HDMI digital video source is selected.

The hierarchy for video connections for best quality is
as follows;
< HDMI
< Component/RGB
< S-Video
< Composite.
You should connect as many of these as possible. The
AVR600 will automatically select the best quality
connection for the source available. For any video source
to be available in Zone 2 you must have an S-Video or
Composite connection between AVR600 and the source.

Making connections

< When you connect your devices to these
connectors, take care to follow the letter/colour
coding for each input. No damage will occur but
incorrectly coloured or unstable pictures will
result.
< The Component video inputs have sufficient
bandwidth for NTSC (525/60) or PAL (625/50)
video and HDTV video signals.

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HDMI connectors

The inputs are named to make it easier to reference
connected devices (e.g. ‘DVD’ or ‘VCR’). They all have the
same input circuit (with the exception of the ‘phono’
input), so there is no reason why you should not connect
a different device to any of the inputs. For example, if
you had two DVD players and the AV input was not
being used, then the second DVD player could be
connected to the AV input.

Important notes about Component/RGB
video inputs and outputs

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< Wherever possible, connect both the analogue
and digital outputs of digital sources. This enables
use of a digital input for the main zone and the
corresponding analogue input for recording onto an
analogue tape deck, VCR or PVR, or for the Zone 2
or 3 output.
< Take care to place cables as far from any power
supply cabling as is practicable, to reduce hum and
other noise problems.

E-8

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Z3 OUT
Connect these analogue audio
outputs to your Zone 3 equipment.
See ‘Multi-room Setup’ on page 48
for information.

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Zone 2 connectors
Z2 AUDIO OUT, Z2 VIDEO OUT
Connect these analogue audio
and video outputs to your
Zone 2 equipment. See ‘Multiroom Setup’ on page 48 for
information.

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If you are connecting up to an RGB source you will also
need to connect the source’s Composite output to the
AVR600 Composite input to act as a video sync. The
Composite signal should be on the same named input as
the RGB signals.
RGB video outputs on source equipment are often on
SCART connectors. You will need to use a SCART to
‘RGB+Sync on phono’ breakout cable, available from
your Arcam dealer.

AV, DVD, SAT, VCR, PVR
Connect the Component video outputs of your source
equipment to these inputs.

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S-Video and
Composite
connectors

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AV, DVD, SAT, VCR, PVR
Connect these inputs to the
S-Video and Composite outputs
of your available source equipment.

OUT
Connect this output to the Component video input of
your display device.

VCR OUT, PVR OUT,
These are recording outputs. Connect these to the
‘S-Video in’ or ‘Composite in’ sockets (usually labelled
‘RECORD’) on your recording device.

NOTE
Analogue RGB video output is not available from
the AVR600. The analogue three-wire high quality
video output is always configured as Component
video.

MAIN OUT
Connect this output to the S-Video or Composite
sockets on your primary Zone 1 display.

NOTE
When setting up the AVR600 menus (later in this
manual), you will need to select whether the threewire high quality video input is Component or RGB
for each input. This is done on the ‘HQ Video In’
line in the Input Config menu. Failure to do this can
result in a green looking picture or a picture that is
unstable.

E-9

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Component/RGB
video connectors

These inputs are suitable for
connection to source devices
which output Component (YUV
or YPbPr) or RGB high quality
analogue video signals. These
signals are usually available from DVD players, set-top
boxes or games consoles.
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Digital audio
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TAPE, CD, AV, DVD, SAT, VCR, PVR
Connect these inputs to the digital
outputs of your available source
equipment.

OPTICAL, COAX
Connect the optical or coaxial output
to your digital recording device such as
CD-R, digital VCR or Minidisc player.

When a digital source is selected,
the digital output will send an exact
copy of the incoming digital signal. For example, for a
5.1 digital source, the digital output will also be in 5.1
format.
When an analogue-only source is selected, this is
digitized by the AVR600 and routed to the digital
outputs.
These outputs are muted if a source is selected where the
HDMI connection is used and is transmitting HD audio.
The digital audio from the HDMI link will not be routed
to these outputs.

English

Zone 3 connectors

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Phono

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This input can be connected
directly to a record deck
which has a direct output
from a moving magnet (MM)
cartridge.

MCH input

This multi-channel analogue
audio input can be connected to
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a source device which outputs
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surround sound on its analogue
outputs. Such devices typically
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include DVD-Audio and SACD
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players. This input does not
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pass through any of the audio
processing in the AVR600,
therefore functions such as
speaker size and distance from
the listening position should be copied from the AVR600
Setup menus into the Setup menus of your multi-channel
source. Note however that speaker level trims are applied
to the MCH input on the AVR600. Therefore speaker level
trim settings on multichannel source equipment should be
left unset at zero.
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Analogue audio
inputs

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Front panel AUX input
The front panel AUX input can be
used as an analogue or optical
digital input.

TAPE, CD, AV, DVD, SAT, VCR,
PVR
Connect the left and right
inputs to the left and right
outputs of your source
equipment.

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For analogue sources, use a stereo
3.5mm lead; for digital sources
use a 3.5mm optical lead. The
front input is also used for the
auto-setup microphone input.

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Front panel PHONES socket

Analogue record
outputs

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VCR OUT, PVR OUT, TAPE OUT
Connect the left and right
outputs to the left and right
input sockets of your cassette
deck, PVR or VCR (usually labelled ‘RECORD’). The PVR
and VCR connectors may be used for a second and third
cassette deck. These outputs are fixed at full line level.

This socket accepts headphones with an impedance
rating between 32Ω and 600Ω, fitted with a 3.5mm
stereo jack plug. The headphone socket is always active,
except when AVR600 is muted.
When the headphone jack is inserted, the speaker
outputs and analogue pre-amplifier outputs are
automatically muted.

Analogue pre-amplifier outputs
All pre-amplifier analogue outputs are buffered, have a
low output impedance, are at line level and follow the
Zone 1 volume control setting. They are able to drive
long cables or several inputs in parallel if required.
For more information on connecting speakers or
additional power amplifiers, see page 18 and 47.

E-10

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E-11

English

Connection guide
DVD player

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The preferred audio hook-up is using the coaxial digital
connector (usually marked Digital audio out), in
addition to the coaxial analogue outputs for left and
right channels.

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In each case, connect the video inputs labelled DVD on
the AVR600.

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The preferred video hook-up, in order of preference is:
< use the HDMI connector (if HDMI output is
provided by the player), otherwise connect the three
Component or four RGB+Sync video connectors.
< use the S-Video connection if HDMI or Component
/RGB+Sync outputs are not provided by your player.
< use the Composite connection if HDMI,
Component/RGB+Sync or S-Video are not provided
by your player.

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The diagram shows how to make audio and video
connections from a typical DVD player.

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In each case, use the audio inputs labelled DVD on the
AVR600.

Satellite receiver
A satellite receiver is connected in the same way as
a DVD player, with the same order of preference
according to the outputs provided by the satellite
receiver.
In each case, use the inputs labelled SAT on the AVR600.
Note that digital audio input from a satellite receiver
sometimes requires a coaxial/TOSLINK (digital
connector) interconnect cable, as some satellite receivers
do not implement audio over HDMI properly or at all.

CD player
Connect the digital audio output (if provided by the CD
player) to the digital CD input of the AVR600, using a
high quality coaxial interconnect cable.

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Connect the right and left analogue audio outputs of
the CD player to the analogue CD inputs of the AVR600,
using a pair of high quality coaxial interconnect cables.

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More information is given in the rDock quick start
guide (or rLead quick start guide) supplied with these
accessory units.

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Navigating through music and podcasts on your iPod is
simple using the CR102 remote, with text appearing on
the AVR600 display.

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Connect the rDock as shown, power on the rDock, slot
in your iPod and select iPod as the source.

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The combination of the AVR600 and Arcam’s optional
rDock or rLead accessory provides a great platform for
your iPod.

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Connecting an iPod using the Arcam rDock

(where fitted)
In strong signal areas,
the DAB ‘T’ ribbon aerial
supplied can be used with
reasonable results. Mount
the aerial as high up as
possible on a wall.

radio
connectors

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DAB

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In the UK the ‘T’‑elements
need to be positioned
vertically for DAB
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reception since broadcasts
are vertically polarised. In
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other localities, check with
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both horizontal and vertical positions for best
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reception.
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Try each usable wall of the room to see which
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gives best reception and use tacks or adhesive
tape to secure the aerial in a ‘T’ shape, but note
that no tacks should come into contact with the
internal wire of the aerial.

Your AVR600 is capable of superb radio reception, but
only if it is receiving a good quality transmission signal.
Try the aerials supplied with your unit. If you are in a
medium to strong signal area, these should be adequate
for good reception. In areas with poor signal strength,
you may require a roof or loft mounted aerial.

When installed and receiving
DAB, check the signal
strength by pressing the front
panel or remote control’s INFO
button until the signal quality
indicator is displayed.

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Contact your local Arcam dealer or aerial installation
experts for advice about local reception conditions.

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In weak signal areas, a highgain, externally-mounted
or roof-mounted aerial is
desirable in order to receive
the highest number of services.
In Band III transmission areas
(such as the UK), use a multielement Yagi aerial with the
elements mounted vertically, as
the transmissions are vertically
polarised. If you are close to
more than one transmitter, use
an omnidirectional or folded
dipole aerial.

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If the DAB services in your
area are transmitted on L-band,
then ask your dealer for advice
for the best aerial to use.

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E-14

(where fitted)
Sirius Satellite Radio is a
subscription radio service
available in North America.
For more information, visit
www.sirius.com or contact your
dealer (USA and Canada only).

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The AVR600 is fitted with an AM/FM receiver module
and Sirius connector or a DAB/FM receiver, depending
on the region where it was sold. The type of aerial you
need depends on your listening preferences and the
local conditions.

Sirius

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The AVR600 is designed for use
with the ‘SiriusConnect™ Home
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Tuner’ package which should be connected via the
supplied in that package to the Sirius socket.
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Aerial connectors

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The AVR600 provides power for the Sirius receiver,
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so an external power supply is not needed.

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FM

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In strong signal areas, the FM
ribbon aerial supplied can be
used with reasonable results.
Mount this as high up as
possible on a wall with the top
of the ‘T’‑elements positioned
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your area. Try each usable wall of the room to see which
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secure the aerial, but note that no tacks should come
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into contact with the internal wire of the aerial.
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Make sure that the aerial is
positioned well away from the
AVR600 itself, TVs, computers
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and other sources of RF ‘interference’. Rotate the aerial
to discover which position gives the best reception.
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When
and receiving FM radio, check the signal
strength by pressing the front panel or remote control’s
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INFO button until the signal indicator is displayed.

An AM aerial is required to
receive AM/medium wave radio
signals, so a simple loop aerial is
supplied with the AVR600. Follow
the assembly instructions in the
diagram below.

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Connecting an aerial
A suitable FM aerial must be
connected to the AVR600 before
FM radio can be received.

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Connecting an aerial

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In weak signal areas, or for optimal FM radio reception,
a roof- or loft-mounted aerial is advised as this will give
superior reception.
In some areas, cable radio may be available or, in an
apartment building, a distributed aerial system may
be installed. In either of these cases you should have
sockets in your home marked FM or VHF (do not use
those marked TV); these should be connected to the FM
coaxial connector on the rear of the AVR600.

1. Release the tie-wrap and unwind the
twisted lead. Fold the plastic stand
forward through the loop frame.

2. Push the tab into the open slot in the
base of the stand. Press until the tab
clicks home.

E-15

3. Connect the lead wires to the AM socket
at the rear of the AVR600 (the wires are
not polarised). Rotate the aerial’s stand
until you obtain the best reception.

rLead/rDock
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For use with an Arcam rLead or
rDock accessory. See page 13 and
the accessory documentation for
details.

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Use with control devices having
an RS232 serial port (for example,
Crestron and AMX touch screen
controllers). This connection
is also used for upgrading the
AVR600’s internal software.

Networking is a large subject and only the briefest
guidelines are presented in this handbook. Please
contact your Arcam dealer or specialist installer for
more information about introducing the AVR600 into
your computer network.

Ethernet
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If an Ethernet cable is connected, the AVR600 will
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automatically attempt
to connect to your network.
You should use CAT5 cable plugged into the RJ45 socket
labelled ETHERNET on the rear panel.
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RS232 serial connector

This section deals with installation of the unit into an
existing home network. For information on how to use
the AVR600’s network features, the USB socket, and for
a list of supported file types, refer to page 46.

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E-16

If your network uses static IP
addressing rather than DHCP,
you will need to provide any
gateway, DNS and proxy
information. See page 39 for
information on setting up the
network.

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USB connector
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Network connectors

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Data connectors

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other
connectors

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The AVR600 can play files stored
on a USB mass storage device,
typically a pen drive, but any
USB device that complies with
the ‘mass storage device‘ class is
compatible.

The AVR600 only supports the
direct connection of USB devices
and will not support devices
connected through a hub. If
regular access to the USB socket is required, you may
find it convenient to use a USB extension lead.
See page 46 for details of supported file types.

English
Trigger connectors
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The trigger connectors (Trig Z1, Trig Z2 and Trig Z3)
provide an electrical signal whenever the AVR600 is
switched on and the relevant zone enabled.
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The trigger signal can be used
to switch on and off compatible
pieces of home entertainment
equipment, for example, you
could set up a trigger to turn
on your television and DVD
player whenever the AVR600 was
switched on.

TRIG Z3
Use for remotely turning on and off power amps or
source equipment for Zone 3. On = 12V, Off = 0V.

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Infra-red (IR) connectors

NOTE

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Sockets with the prefix ‘Z2’ or ‘Z3’ refer to
connections used in multi-room installation. For
more information on these connectors, see page 48.

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There are three trigger output
sockets on the AVR600, each
capable of outputting a 12V,
70mA switching signal. The
socket is designed for mono 3.5mm jacks: tip is the
trigger output, sleeve is ground.
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The infra-red inputs (Z1 IR, Z2 IR
and Z3 IR) allow the connection
of external IR receivers, either
when the AVR600 front panel
IR receiver is fully or partially
obstructed or to allow the use
of a remote control in Zone 2 or
Zone 3.
There are three IR inputs on the
AVR600, each designed for stereo
or mono 3.5mm jacks. Tip is the
modulated signal, sleeve is ground.

tip: Modulated signal
sleeve: Ground

tip: Trigger output
sleeve: Ground
Z1 IR
This input is intended for use with a local IR receiver
when the front panel of the AVR600 is blocked.

TRIG Z1
Use for remotely turning on and off power amps or
source equipment for Zone 1. On = 12V, Off = 0V.
TRIG Z2
Use for remotely turning on and off power amps or
source equipment for Zone 2. On = 12V, Off = 0V.

Connecting an IR receiver to Z1 IR will disable to front
panel IR receiver to prevent problems with multiple
commands if the front panel IR receiver is only partially
obstructed.
Z2 IR
This input is intended for use with an IR receiver in
Zone 2 to allow remote control of AVR600 from a
second room.

E-17

Z3 IR
This input is intended for use with an IR receiver in
Zone 3 to allow remote control of AVR600 from a third
room.
IR OUT
This output is an electrical combination of the Z1 (or
front panel) + Z2 + Z3 infra-red signals above. It can be
used to drive external IR emitters or can be connected
directly to other Arcam equipment which have an IR
input. This function can be useful as an IR ‘repeater’
so that someone in any of the zones can control the
functions of a CD player in the main zone, for example.
Tip is the modulated electrical IR signal, sleeve is
ground.
A supplier of infra-red receivers and emitter accessories
and systems is Xantech. See www.xantech.com for
more information, or ask your Arcam dealer.
NOTE
The IR inputs on the AVR600 are designed for
modulated signals. If the external IR receiver
demodulates the IR signal, it will not work. Also
the AVR600 does not provide power for external
receivers on the IR jack, therefore an external power
source will be required.

speakers
The AVR600 allows you to connect up to seven speakers
and three active subwoofers in the main system. The
output channels correspond to speakers installed in the
front left, centre, front right, surround left, surround
right, surround back left, surround back right and an
active subwoofer.

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To connect each of the
speakers, unscrew the
corresponding terminals on
the back of the AVR600, insert
the speaker wires through
the hole in each post and
screw the terminals back
up. Make sure that the red
(positive/+) terminal of the
speaker is connected to the
red (positive/+) terminal on
the back panel, and the black
(negative/–) terminal of the
speaker is connected to the
black (negative/–) terminal on
the back panel.

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It is important that no stray
strands of wire from these
connections are allowed to
touch another cable or the
product casing. Failure to
ensure this can cause a short circuit and damage your
AVR600.
Do not over-tighten the loudspeaker terminals, or use a
wrench, pliers, etc., as this could damage the terminals
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and
this would
not be covered under the product’s
warranty.
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Connecting subwoofers
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E-18

The AVR600 also allows up to three
active subwoofers to be connected
to the SW1, SW2 or SW3 outputs.
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The configuration and placement of your speakers
is very important. All speakers, with the exception of
the subwoofer, should be arranged around your normal
viewing/listening position. The subwoofer should be
placed in a position which gives an even frequency
response in all listening positions. Incorrect placement
leads to bass boom in some areas. Often the only
way to find a good position for your subwoofer is by
experimentation. A good place to start experimenting
is close to a wall but at least 1m away from any corners.
You can also consult your subwoofer handbook for
placement suggestions.

Connecting speakers

See your subwoofer handbook
for the correct setting up and
connection for your particular
subwoofer.

Speaker cables
The speakers should be connected to the amplifier using
good-quality, high-purity, low impedance copper cables.
Cheap speaker cables should be avoided – they are a
false economy and can significantly degrade the sound
quality.
The cable runs to the speakers should be as short as
practicable. Connections to the speaker terminals
should always be finger tight, whether using bare wires
or spade connectors.

Subwoofer
A subwoofer will greatly improve the bass performance of
your system. This is useful for reproducing special cinema
effects, especially where a dedicated LFE (Low Frequency
Effects) channel is available, as with many discs encoded
with Dolby or DTS technologies.
More than one subwoofer unit may be required for larger
installations, particularly in rooms of a timber frame
construction. Multiple subwoofers need care in placement
because there may be cancellation effects between the
units and you may require expert advice.

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Front left and right
Position your front left and right speakers to
achieve a good stereo image for normal musical
reproduction as well as for the multichannel
modes. If they are placed too close together there
will be a lack of spaciousness; if they are placed
too far apart a stereo image will appear to have a
large ‘hole’ in the middle and will be presented in
two halves. If there is no practical alternative to
placing the speakers widely apart, this effect can
be overcome in music reproduction by using the
centre sound extraction from the left and right
speakers (see Dolby Pro Logic II Music mode).

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Surround left and right

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The surround left and right speakers reproduce
the ambient sound and effects present in a
multichannel home cinema system and should be
installed slightly higher than the listener’s ears.

Surround back left and right
The surround back left and right speakers
are used to add extra depth and better
sound localisation and should be installed
approximately one metre higher than the
listener’s ears. Place the two surround
back speakers such that there is an arc of
approximately 150 degrees between each
surround back speaker and the centre speaker.
The surround back speakers should face the front
of the room as shown in the diagram to provide
the largest ‘sweet spot’.

E-19

Single surround back centre speaker
It is also possible to use a single surround back
speaker positioned centrally behind the listening
position instead of two. In this case connect it to the
SBL speaker output. Follow the instructions in the
‘Spkr Types’ section of the Setup Menus for how to
configure the AVR600 for this setup.

English

Centre
The centre speaker allows for a more realistic
reproduction of dialogue. The centre speaker
should have a similar tonal balance to the front
left and right speakers and be positioned at a
similar height.

operation

Operating your AVR600

Selecting a source

For information display we recommend you use the
OSD (On-Screen Display) on your display device
whenever possible.

To select a particular source, press the –input or
input + buttons until that source is shown on the front
panel display, or (if available) press the corresponding
source button on the remote. The following sources are
available:

Switching on
Press the front panel power button in. The power LED
will glow orange, the front display shows the word
‘ARCAM’, followed by the volume setting and the name of
the selected input. After initialization is complete, the
power LED changes colour to green.
Please wait until the unit has finished initialising before
operating the AVR600. It is recommended that if the
unit is switched off, you should wait at least 10 seconds
before switching the unit back on.

Standby
The AVR600 has a standby mode which can be entered
by pressing Standby on the remote control. When in
standby mode, the display is blank and the power LED
glows red.
While in Standby mode, it may be possible to hear a
slight residual hum coming from the mains transformer
inside the amplifier. This is perfectly normal. However,
if the unit is to be left unused for an extended period,
we recommend that you disconnect it from the mains
supply to save power.

To switch on from standby
Press the standby button on the remote control or any
key on the front panel (other than the power button).
The AVR600 is ready for use after about four seconds.

The display window shows the currently selected source
and the last selected information view setting (this
information line can be changed using the INFO button).
The active zones (Z1, Z2 or Z3) are highlighted – the
example screen above shows that only Z1 (i.e. Zone1) is
active. The current volume setting (70.0dB in the above
example) is also displayed.

Audio-Visual input

DVD

DVD player input

VCR operation

SAT

Satellite receiver input

VCR

Video Cassette Recorder input

PVR

Personal Video Recorder input

Two outputs are provided for recording (Composite
and S-Video only), VCR and PVR Out. The selected video
input is routed to each of these outputs.

Compact Disc player input

Phono

Phono (MM cartridge) input

MCH

Selects MCH (multi-channel)
analogue input

TAPE

Audio only tape deck input

AUX

Auxiliary (front panel) input

AM/FM

Internal tuner input

DAB*

Internal tuner input

Net

Internal (Ethernet) and external USB
solid-state device (e.g. pen drive) input.

Sirius*

Requires an external receiver – see
www.sirius.com for more information

iPod

Requires an iPod® and Arcam rDock
or rLead.

Upon selecting a source, the AVR600 will normally
select an active digital input in preference to an analogue
input. If you want to override the digital input and select
the analogue input, press and hold the source button for
at least two seconds. Some inputs (AM/FM, Phono, MCH,
Sirius, iPod) do not have a digital input.
The processing mode and Stereo Direct functions are
remembered and recalled for each individual input.
The MCH input is intended for direct analogue passthrough of DVD Audio or SACD sources. Apart from
volume control and level trim, no processing modes
are possible on this input, including AVR600 bass
management and delays. Please set bass management,
speaker size and speaker delays in the source player. You
can copy the distances and relative speaker levels from
the Setup menus in the AVR600.

E-20

Three analogue audio outputs are provided for
recording, VCR, PVR and Tape out. The selected analogue
input are routed to each of these outputs.
If the VCR input is selected, the VCR Out output
is muted to prevent feedback loops in recording
equipment. Similarly the PVR Out and Tape Out outputs
are muted when their respective inputs are selected to
prevent feedback.

*These sources are market dependent and may not be
available on your AVR600

Front panel display

Tape operation

Stereo Direct
To listen to a pure analogue stereo input, press the
Direct button. The Stereo Direct mode automatically
bypasses all processing and any surround functions. In
direct mode, digital processing is shut down to improve
the sound quality and reduces digital noise with the
AVR600 to an absolute minimum.
Note: when Stereo Direct mode is selected, no
digital output is available and no bass management
is performed, meaning that bass signals will not be
redirected to a subwoofer.

Volume control
It is important to realise that the level of the volume
indicator is not an accurate indication of the power
delivered to your loudspeakers. The AVR600 often
delivers its full output power long before the volume
control reaches its maximum position, particularly when
listening to heavily recorded music. In comparison,
some movie sound tracks can appear very quiet, as
many directors like to keep maximum levels in reserve
for special effect sequences.

Headphones
To use headphones with the AVR600, plug the
headphones into the Phones socket in the centre of the
front panel.
When headphones are plugged into the front panel
phones socket, the outputs for Zone 1 are muted and
the audio will be down-mixed to two channels (2.0). The
two-channel down-mix is required so that the centre
channel and surround information can be heard via the
headphones.

Extended front panel menu

Updating firmware using a PC

Zone 2 provides the option for the occupants of the
master bedroom, conservatory, kitchen, etc. to view or
listen to a different source at a different volume level
from the main zone (Zone 1).

Pressing the menu key and holding it for longer than
four seconds will bring up the Extended Menu, allowing
you to perform the following:

Using a PC application (available on request from
Arcam), you can update the firmware in your AVR600
using the back panel RS232 port connected to your PC.

Zone 3 provides for a third living space to have a copy of
the audio signal in Zone 2 at a different volume level.

Restore to factory defaults
This option allows you to restore all settings on your
AVR600 to the defaults that it left the factory with. Note
that this also erases any secure backups stored on the
AVR600.

Change remote code
The default RC5 system code the AVR600 responds to
is 16. If required, for example due to another device in
your system also using this RC5 system code, it can be
changed to 19.

E-21

English

Using Zone 2 and 3

Direct
Stereo Direct on/off. Provides a direct analogue path from
the analogue inputs to the left and right front outputs.
Switches off any surround processing modes and shuts
down the DSP circuits for best stereo sound quality.

Mode

front panel
operation

Selects between Stereo and the available
surround modes for the current source.

Display
Info

This switches the display brightness
between off/dim/bright.

Selects the information displayed on the
lower left portion of the front panel.

Zone

Power / Standby LED

Selects between Zone 1, Zone 2 and
Zone 3 control.

Used to enter selections made in the
Setup menu. Also forces the analogue
and digital video outputs to the default
resolution: 480i (525-line NTSC) when
pressed for more than 2 seconds.

This indicates the status of the receiver. When
first turned on, the LED is orange, to indicate
the AVR600 is ‘initialising’. This changes to green
when the AVR600 is fully powered and ready.
Red indicates the AVR600 is in Standby mode.

Mute
Mutes all analogue audio outputs in the
currently selected zone.

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Input

Volume

These buttons select the source
connected to the corresponding
input (or internal input)

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Adjusts the analogue output
volume in the selected zone
(line out, speakers and
headphones).

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Unused sources can be prevented
from being selected in the setup
menu.

Power

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Switches the main power to the
AVR600 on and off.
Once the unit is switched off,
it should be left for at least ten
seconds before switching on
again.

Aux

Menu
Selects the Setup menus on the
on-screen display (OSD).

Phones

Multi purpose auxiliary
line level input,
calibration microphone
input and 3.5mm optical
digital (SPDIF) input.

This socket accepts headphones
with an impedance rating between
32Ω and 600Ω, fitted with a
3.5mm stereo jack plug.

E-22

Remote control receiver. This is positioned behind
the display window, above the MENU button on the
front panel. Ensure the receiver is in a clear line of
sight from the remote control for operation. If this is
not possible, use a separate sensor connected to the
Z1 IR input on the rear panel.

The CR102 universal remote
controller
The CR102 is a sophisticated ‘universal’ backlit remote
control that can control up to eight devices. It is preprogrammed for use with the AVR600 and many other
Arcam products (FM/DAB tuners, CD players and DVD
players).
With its extensive built-in library of codes, it can also
be used with thousands of third party audio-visual
components – TVs, satellite and set-top boxes, PVRs,
CD players, etc. See the list of codes at the back of this
handbook, beginning on page 58.

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The CR102 is a ‘learning’ remote, so you can teach it
almost any function from an old single-device remote.
You can also program the CR102 to issue a sequence of
commands (‘macros’) from a single button press.

English

remote
control

Inserting batteries into the
remote control

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1. Open the battery compartment by pressing the
button on the back of the handset.

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2. Insert four ‘AAA’ batteries into the battery
compartment – two facing the top of the unit,
and two facing the end, as in the diagram.
3. Lower the end cap onto the plastic locating plate
in the handset. This acts as a hinge, and you
can now push the end cap firmly into its locked
position with a click.

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Notes on batteries:
< Incorrect use of batteries can result in hazards such

Using the remote control
Please keep in mind the following when using the
remote control:
< Ensure there are no obstacles between the
remote control and the remote sensor on the
AVR600. The remote has a range of about 7
metres. (If the remote sensor is obscured, the Z1
IR remote control input jack on the rear panel is
available. Please consult your dealer for further
information.)
< Remote operation may become unreliable if
strong sunlight or fluorescent light is shining on
the remote sensor of the AVR600.
< Replace the batteries when you notice a
reduction in the operating range of the remote
control.

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E-23

as leakage and bursting.

< Do not mix old and new batteries together.
< Do not use non-identical batteries together –

although they may look similar, different batteries
may have different voltages.
< Ensure the plus (+) and minus (-) ends of each
battery match the indications in the battery
compartment.
< Remove batteries from equipment that is not going
to be used for a month or more.
< When disposing of used batteries, please comply
with governmental or local regulations that apply in
your country or area.

Useful information
Backlight
A blue backlight comes on for five seconds whenever
a key is pressed. This helps you use the handset in
subdued lighting conditions. It may be possible to hear a
quiet tone being emitted from the remote control when
the backlight is on. This is perfectly normal.

Power LED blinks
Short blinks indicate a valid key press.
Multiple short blinks convey information (such as a
device code) or signal the beginning and successful
completion of a programming sequence.

Device Mode / Source keys
As the CR102 can control your AVR600 as well as a
range of other equipment, many of the buttons have
more than one function depending on the ‘device mode’
selected on the remote control.

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The symbol ‘*’ is used in the manual to indicate a
power LED blink.
Time out – After 10 seconds the CR102 exits the
programming state and returns to normal operation.
Stuck key timeout – After any key is pressed
continuously for 30 seconds, the CR102 stops sending
IR transmission to conserve battery life. The CR102
remains off until all keys are released.
Unassigned keys – the CR102 ignores any unassigned
key presses for a particular Device Mode and does not
transmit IR.

Low voltage indicator
When the batteries are running down, the IR transmit
indicator on the CD102 (the LED under the Power
button) flashes five times whenever you press a button:
*****
If this happens, please fit four new AAA alkaline
batteries as soon as possible.

Navigation keys

The Device Mode keys (shown below) select the source
on the AVR600. If one of these keys is pressed briefly,
a command is transmitted to change the source on the
AVR600. Also the functionality of the remote control
changes to operate the selected source device. it’s like
having eight different remotes in your hand!

Long blinks indicate an invalid key press or entry.

Timeouts and unassigned keys

The CR102 remains in the last selected Device Mode
so it is not necessary to press a Device Mode key before
every command key if all you are doing is playing or
skipping tracks on a CD, for example.

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Volume control
By default, the CR102 is set up so that the volume
control buttons always control the volume of the
AVR600, regardless of which Device Mode the remote
is currently set for. This is known as volume ‘punch
through’.

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DVD

DVD player

SAT

Satellite set-top box

Audio-visual sound input (use with TV)

Tun

DAB, Sirius, FM or AM tuner

AMP

Controls the amplifier and setup features
of the AVR600

AUX

Auxiliary input, or an iPod® via an
Arcam rDock or rLead

PVR

Personal Video Recorder (or Digital
Video Recorder)

Compact Disc player

The Navigation keys steer the cursor in Setup
menus or on-screen menus. They also replicate
the navigation functions of original remotes
supplied with other home entertainment
devices in your system.
O confirms a setting.

For example, if you are listening to a CD, you will
probably have the CR102 in CD Device Mode to control
the CD player. You can use the volume controls on the
remote directly to adjust the volume of the AVR600
without first having to press A to put the remote
into AMP Device Mode. The volume buttons ‘punch
through’ the CD Device Mode on the remote to the AMP
Device Mode. Volume ‘punch through’ can be disabled
individually for any Device Mode if desired.

If you press and hold a Device Mode key for about four
seconds, you change the Device Mode of the CR102
without changing the signal source on the AVR600. This
can also be done by pressing S followed by a Device
Mode key (within two seconds). These two methods
allow you to change which device the CR102 controls
without also changing the AVR600 source, allowing
uninterrupted listening.
Each Device Mode changes the behaviour of many
of the CR102 keys to control the source device
appropriately. For example:
In CD mode 0 plays the previous CD track.
In AV mode 0 issues the TV ‘channel down’ command.

E-24

The CR102 complies with Part 15 of the
FCC rules
This equipment has been tested and found to
comply with the limits for a class B digital device,
pursuant to part 15 of the FCC Rules. These limits
are designed to provide a reasonable protection
against harmful interference in a residential
installation. This equipment generates, uses, and can
radiated radio frequency energy and if not installed
and used in accordance with the instructions,
may cause harmful interference to radio
communications. However, there is no guarantee
that interference will not occur in a particular
installation. If this equipment does cause harmful
interference to radio or television reception, which
can be determined by turning the equipment off
and on, the user is encouraged to try to correct
the interference by one or more of the following
measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and
receiver.
Connect the equipment into an outlet or a circuit
different from that to which the receiver is
connected.
Consult the dealer or an experienced radio/TV
technician for help.

Method 1 (Direct code setup)
This section describes the simplest (preferred) way to
program the CR102’s Device Mode keys to control the
non-Arcam devices in your system.
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< Some of the modes are locked to Arcam operation but
can be unlocked if required (see page 52).

< A mode only controls Arcam equipment.
DVD mode

Locked

SAT mode

Unlocked

AV mode

Unlocked

TUN mode

Locked

AUX mode

Locked

VCR mode

Unlocked

CD mode

Locked

Here is a specific example of how to program the a
key to control an Addison television. The principles for
controlling other devices are exactly the same.
1. Make sure your device is switched on (not just on
standby).
2. Find the correct Device Code table (e.g. TV) for the
type of device you want to control from the CR102.
3. Find the row containing the codes for the
manufacturer of your device (e.g. Addison) (page
58). The most popular code is listed first.
4. Press the appropriate Device Mode key (e.g. a) on
the CR102.
5. Press and hold S until the red Power LED blinks
twice: * * (It actually blinks once when you press
the key, then twice after about three seconds).
6. Enter the first four-digit device code using the
number keys. The power key blinks twice: * *.
7. Aim the CR102 at the device and press P. If the
device switches off, the setup is complete.
8. Turn your device back on and test all the CR102’s
functions to ensure they are working properly.
9. Important! Write your device code down on the
right hand side of the page so you can remember it if
you ever reset the CR102.

Code blink-back
What if I still can’t control my device?
< If your device doesn’t respond, repeat the above

Method 2 (Library search)
This section describes another way to program the
CR102 to control third-party equipment.

steps until one of the device codes listed for your
brand works.
< If none of the codes listed for your brand operates
your device, or if your brand is not listed at all, try
the Library Search Method described in the next
section.

Notes:
< Some codes are quite similar. If your device does not
respond or is not functioning properly with one of
the codes, try another code listed under your brand.
< If your device’s original remote control does not have
a P (POWER) key, press $ instead of P when
setting up your device.
< Remember to press the corresponding device key
before operating your device.
< Many TVs do not switch on pressing P. Please try
pressing a number key (‘channel select’) to switch
your TV back on.
< To search for the code for another device follow the
instructions above, but press the appropriate device
key instead of a during step 2.

Library Search allows you to scan through all the
codes contained in the CR102’s memory. It can take a
lot longer than the previous method, so only use this
method if:
< Your device does not respond to the CR102 after you
have tried all the codes listed for your brand.
< Your brand is not listed at all in the Device Code
tables.

Example: To search for a TV code

1. Switch your TV on (not standby) and aim the
CR102 at it.
2. Press a on your CR102.
3. Press and hold S until the power LED blinks twice.
4. Press 9 9 1. The power LED key blinks twice:
* *.
5. Press P.
6. Aim the CR102 at your Television and press [
repeatedly until your Television turns off.

Every time you press [ the CR102 sends out a
POWER signal from the next code contained in its
memory. In the worst case, you may have to press this
key up to 150 times, so patience is required! If you
skip past a code, step back by pressing ]. Remember
to keep pointing the CR102 at your Television while
pressing this key.
7. As soon as your television turns off, press S to
store the code.

Notes:
< Many TVs do not switch on by pressing P. Try

pressing a number key (‘channel select’) to switch
your TV back on.
< If you cannot control your Television properly,
please continue the Search Method: you may be
using the wrong code.
< To search for the code for another device follow the
instructions above, but press the appropriate Device
Mode key instead of a during step 2.
< If your device’s original remote control does not have
a P (STANDBY) key, press $ instead during step 5.

E-25

Once you have set up your CR102, you can blink back
your device set-up codes for future reference.

Example: To blink back your Television code

1. Press the appropriate Device Mode key (e.g. a)
once.
2. Press and hold S until the red Power LED blinks
twice * * (It actually blinks once when you press
the key, then twice after about three seconds).
3. Press 9 9 0. The P key blinks twice.
4. For the first digit of your four-digit code, press 1 and
count all the red blinks. If there are no blinks, the
digit is ‘0’.
5. For the second, third and fourth digits, repeat the
previous step, pressing 2, 3, or 4 in order.

Now you have the four-digit code.

Make a note of the codes
Write down the codes for your devices in the boxes
below for future reference.
Device
1
2
3
4
5
6
7
8

Code

English

Controlling other devices

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AMP Device Mode

The A Device Mode button configures the CR102 to
control the AVR600. Pressing this button does not affect
the currently selected input on the AVR600.
IMPORTANT: The CR102 must also be in AMP Device
Mode to control the following sources: PHONO, MCH
(multi-channel analogue), AUX, NET (optional network
audio), USB, IPOD (for use with the optional Arcam
rLead or rDock).
However to control the internal Tuner (AM/FM/DAB
or Sirius if fitted) the CR102 must first be in Tun Device
Mode (see later).
The functionality of the CR102 is context sensitive for
the internal sources and is described in the following
table.

Single press – Toggles AVR600 power
between standby and on in the current zone
(zone in which the command is received).
Press and hold – Forces all AVR600 zones
into standby, regardless of which zone the
command was received in.

0…9 The number keys can be used for source
selection (without changing the CR102
Device Mode). Alternatively the Device
Mode buttons can also be used with the
SHIFT key.
0 SAT (satellite) input
1 PHONO input
2 AV input
3 TUNER input
4 DVD input
5 TAPE input
6 VCR input
7 CD input
8 AUX (front panel) input
9 MCH (multichannel) input
PHONO

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S
AUX

H
NET

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Cycles through the available surround and
downmix modes.

Displays the AVR600 setup menu on the On
Screen Display (see page 34).

Cycles through the front panel display’s
brightness options

Toggles the mute function of the AVR600

] [ (track control for iPod and NET sources)
SHIFT + [ Follow Zone1 source.
When the command is received in Zone2
or Zone3, the source for that zone follows
whatever input source is selected in Zone1
-+
DIRECT

)

Selects Tape input on the AVR600
SHIFT + E selects Phono input on the
AVR600

$
EFFECT

(for iPod and NET sources)

Modifies many keys (see individual key
descriptions below).

(

Selects MCH (multichannel) input on the
AVR600
SHIFT + H selects AUX input on the AVR600

BASS

Trim

Selects iPOD input on the AVR600
SHIFT + e selects network (net) internal
input on the AVR600

Decrease (–) and increase (+) AVR600
volume
Stereo direct on/off. Provides a direct
analogue path from the analogue inputs to
the left and right front outputs. Switches off
any surround processing modes and shuts
down the DSP circuits for the best stereo
sound quality.
Displays the room EQ settings menu
(for iPod and NET sources)
Calls up a pop-up (and front screen) to
adjust the bass setting for a particular input.
Brings up the speaker trim menu.
Use the B, C, D and E navigation
buttons. Press TRIM again to exit the speaker
trim menu.
As this is a temporary adjustment, these
additional trim levels are reset to zero when
the unit is turned off or the selected input is
changed, but are retained if the unit is put
into standby. These temporary trim levels
are independent of the speaker levels found
in the setup menu.

Navigate menus
OK confirms a setting (equivalent to ‘Enter’
or ‘Select’ on some remote controls)
Press and hold OK to force the analogue
and digital video outputs to the default
resolution: 480i (525-line NTSC).
Shift + < decreases the picture resolution.
Shift + > increases the picture resolution.
Shift + ' turns current zone (in which
command is received) on
Shift + , turns current zone (in which
command is received) off.

E-26

sync

Delays may be introduced into the video
signal by video processing which causes
a mismatch between the audio and video
timing. You will notice this by speech sound
being out of synchronization with the lip
movements in the video.
To compensate for this, you can adjust the
lip sync delay. Press the sync button and
use the D and E navigation buttons. Press
again to exit the lip sync trim menu.

SUB

Brings up the subwoofer trim menu. Use
the D and E navigation buttons. Press Sub
again to exit the sub trim menu

Calls up a pop-up (and front screen) to
adjust the treble setting for a particular
input.

FAV+

(for iPod and NET sources)

TREBLE

u
FAV-

t
HOME

o
INFO

(for iPod and NET sources)
(for iPod and NET sources)
Cycles through the information displayed
on the lower left portion of the front panel
display.

iPod commands
The iPod interface is selected by pressing e in AMP
Device Mode on the CR102. When connected to an
iPod via an optional rLead/rDock, the keys below are
used to navigate music files in AMP Device Mode.
Navigate the files on screen.
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OK selects/play the highlighted file.

Toggles random (shuffle) play of the playlist
on and off.
SHIFT + r cycles through the repeat options

Selects the previous/next track in the
current playlist

Begins or resumes playback at the currently
highlighted track

Toggles pause and playback of the current
track

Stops playback

The AVR600 Network client is selected by pressing S +
e in AMP Device Mode on the CR102.
When using the network client, the keys below are used
to navigate music files in AMP Device Mode.
Navigate the files and menus on the screen.
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RPT

r
][
EQ

$
EFFECT

&
SYNC

#
FAV+

u
FAV-

t
HOME

o
INFO

OK selects the highlighted file or enters the
highlighted menu on the screen

Toggles random (‘shuffle’) play of the playlist
on and off
SHIFT + r cycles through the repeat options
Selects the previous/next track in the
current playlist
Begins or resumes playback at the currently
highlighted track
Toggles pause and playback of current
track
Stops playback
Adds the currently displayed file or radio
station to favourites list when using the
network client
Removes the currently displayed file or
radio station from favourites list when
using the network client
Returns navigation to the top level of the
music files structure (‘Home’)

���

TUN Device Mode

���

The T Device Mode button configures the CR102 to
control the tuner functions of the AVR600. Pressing this
button also selects TUNER as the source.
When switching to TUNER from a different source, the
AVR600 enters the last used tuner band, be it AM / FM
/ DAB (if fitted) / Sirius (if fitted). Further presses of the
TUN Device Mode button cycle through the available
tuner bands.

The d Device Mode button configures the CR102 to
control the DVD functions of Arcam DVD players,
although this can be changed (see page 25). Pressing this
button also selects DVD as the AVR600 source.
P

Toggles power between standby and on

0…9 Searches for and plays the track
corresponding to the key pressed

Further information on the tuner can be found in the
‘Tuner Operation’ section on page 44.
P

DVD Device Mode

PHONO

(not used)

0…9 Number keypad used to store and recall
presets
' , Allows selection of previously stored Tuner
presets.
< > AM/FM Tuner: allows frequency tuning.
DAB/Sirius Tuner (where fitted): scrolls
through the channel list.
Selects (tunes to) the currently displayed
O
preset, or selects the currently displayed
DAB or Sirius channel (or category) when
strolling through the channel (or genre) list.
Page up to the previous 10 presets on
u
screen
Page down to the next 10 tuner presets on
t
screen
Delete the currently highlighted preset.
o

RPT

SHIFT + E selects PHONO input on the
AVR600

)

Fast rewind.
Shift + 7 cycles through slow play
backwards speeds

Starts the playback of a DVD.
Shift + 4 cycles through the Angle options
on an Arcam DVD player.

Toggles random (‘shuffle’) play on and off.
SHIFT + r cycles through the repeat
options (track, disc, etc)

Modifies many keys (see individual key
descriptions, below)

- + Decrease (–) and increase (+) AVR600
volume

Selects Tape input on the AVR600.

AUX

English

Network commands

Selects multichannel (MCH) input on the
AVR600

Pauses DVD play-back. Press 4 to restart
playback.

(

Fast forward.

Shift + ; cycles through Zoom options.
Shift + 8 cycles through slow forward
speeds

SHIFT + H selects AUX input on the

NET

AVR600

TRIM

Selects iPod input on the AVR600.

SHIFT + e selects network (NET) internal

input on the AVR600
��

Navigate setup and DVD programme
selection menus.
OK confirms a setting (‘Enter’ or ‘Select’ on
some remotes).
Shift + B to switch on from standby

Cycles through the information displayed
on the lower left portion of the front panel
display

Shift + C to switch to standby from on.

Cycles through available surround sound
modes.
Shift + Mode changes the HDMI setting.

Activates DVD player menu, if available.

Cycles through the front panel display’s
brightness options.
SHIFT + D enables RPT A-B functionality

Toggles the mute function.
By default this key operates the AVR600 Mute

]

Press and release to skip back to the
beginning of the current/previous track.

[

E-27

Press and release to skip forwards to the
beginning of the next track.

Ejects disc.
SHIFT + ! displays speaker Trim menu on
Arcam DVD players.

Stop playback of a DVD

Start recording (on products that have this
feature).

Displays Search menu with Title, Track and
Time options.

FAV+

Displays Setup menu.

u
FAV-

HOME

Shift + SETUP displays programming screen
on Arcam DVD players

Displays Title menu.
Shift + title clears bookmark, search and
program display entries on Arcam DVD
players

Changes Audio decode format (Dolby
Digital, DTS, etc.).
Shift + o displays the ‘Memory’ function
(Bookmarks)

INFO

Cycles through DVD subtitle language
options, if available.
Shift + b displays STATUS INFO on
Arcam DVD players

���

SAT Device Mode

��

The z Device Mode button configures the CR102
to control the functions of a satellite receiver. You will
need to configure this Device Mode to work with your
equipment. Pressing this button also selects SAT as the
AVR600 source.
P

Toggles power between standby and on

0…9 Functions as original remote number key.
Selects Tape input on the AVR600.
PHONO
E

SHIFT + E selects PHONO input on the

AVR600
TV/AV

r
S
AUX

Toggles between the available inputs on
your satellite receiver
Modifies many keys (see individual key
descriptions, below)
Selects multichannel (MCH) input on the
AVR600.
SHIFT + H selects AUX input on the
AVR600.

NET

Selects iPOD input on the AVR600
SHIFT + e selects network (net) internal
input on the AVR600

AV Device Mode

The a Device Mode button configures the CR102 to
control the functions of a television or other display
device. You will need to configure this Device Mode to
work with your equipment. Pressing this button also
selects AV as the AVR600 source.
(

Fast forward

(not used)

Stop playback

Start recording

(not used)

Duplicates function of RED key for some
Satellite and Cable set-top boxes

Duplicates function of GREEN key for some
Satellite and Cable set-top boxes

Duplicates function of YELLOW key for some
Satellite and Cable set-top boxes

Duplicates function of BLUE key for some
Satellite and Cable set-top boxes

(RED)

(Green)

(Yellow)

(Blue)

Phono

E
TV/AV

r
S
AUX

Controls Backup function, if available.

Performs same function as on original
remote, if available.

On some Satellite and Cable set top boxes
this key functions as the Guide key to open
the EPG (Electronic Program Guide).

Toggles the mute function.
By default this key operates the AVR600 Mute

]

Channel down

Turns Programme-In-Programme (PIP)
on, if available

(

Activates PIP move, if available

Activates PIP swap, if available

Selects Tape input on the AVR600.

Activates PIP freeze, if available

SHIFT + E selects PHONO input on the
AVR600.

Activates PIP channel up, if available

Activates PIP channel down, if available

Duplicates function of RED key for Text TV

Duplicates function of GREEN key for Text
TV

Duplicates function of YELLOW key for Text
TV

Duplicates function of BLUE key for Text
TV

Toggles between the available inputs on
your display device (e.g. TV/AV)
Modifies many keys (see individual key
descriptions, below)
Selects multichannel (MCH) input on the
AVR600.
SHIFT + H selects AUX input on the
AVR600.

��

OK confirms a setting (equivalent to ‘Enter’
or ‘Select’ on some remotes).

0…9 Functions as original remote number key –
usually for channel selection.

Navigate menus.
��

Toggles power between standby and on.
(Some TVs require you to use a number
key to turn them on.)

Navigate setup and programme selection
menus.
OK confirms a selection (equivalent to
‘Enter’ or ‘Select’ on some remotes).

Channel up

[
- + Decrease (–) or increase (+) AVR600 volume
Fast rewind
)

EXIT function on some models.

Functions as original remote key, if
available.

Display INFO or OSD (On Screen Display)
function, if available.

Toggles the mute function.
By default this key operates the AVR600
Mute

]

Channel down

[

Channel up

Decrease (–) and increase (+) AVR600
- + volume.

Starts the playback

)

Toggles TEXT page on/off

Toggles pause of playback

TEXT page off

E-28

(RED)

(Green)

(Yellow)

(Blue)

���

PVR Device Mode

The v Device Mode button configures the CR102
to control the functions of a video recorder or similar
device. You will need to configure this Device Mode to
work with your equipment. Pressing this button also
selects PVR as the AVR600 source.
P
0…9
PHONO

E
TV/AV

r
S

AUX

Toggles pause of playback

Functions as original remote number key.

(

Fast forward

Selects Tape input on AVR600.

Operates the Favourites function if the PVR
uses this feature.

Stop playback

Starts recording

(not used)

Modifies many keys (see individual key
descriptions, below)

Duplicates function of Red key (if used)

Selects multichannel (MCH) input on
AVR600.

Duplicates function of Green key (if used)

Toggles between available inputs (e.g. AV1,
AV2)

SHIFT + H selects AUX input on the

AVR600.
NET

��

The w Device Mode button configures the CR102
to control the functions of a video recorder or similar
device. You will need to configure this Device Mode to
work with your equipment. Pressing this button also
selects VCR as the AVR600 source.

Toggles power between standby and on.

SHIFT + E selects PHONO input on the
AVR600.

Selects iPOD input on AVR600.
SHIFT + e selects network (Net) internal

VCR Device Mode

P
0…9
PHONO

E
TV/AV

r
S

(RED)

(Green)

Duplicates function of Yellow key (if used)

Duplicates function of Blue key (if used).

Toggles power between standby and on.

Toggles pause of playback

Functions as original remote number key.

(

Fast forward

Selects Tape input on AVR600.

Ejects tape

SHIFT + E selects PHONO input on the

Stop playback

Starts recording

(not used)

Duplicates function of Red key (if used)

Duplicates function of Green key (if used)

Duplicates function of Yellow key (if used)

Duplicates function of Blue key (if used).

AVR600.

Toggles between available inputs (e.g. AV1,
AV2)
Modifies many keys (see individual key
descriptions, below)

AUX

Selects multichannel (MCH) input on
AVR600.

SHIFT + H selects AUX input on the

AVR600.

(Yellow)

NET

(Blue)

input on the AVR600.

Navigate setup and programme selection
menus.
OK is equivalent to ‘Enter’ or ‘Select’ on

Selects iPOD input on AVR600.

SHIFT + e selects network (Net) internal
input on the AVR600.

��

Navigate setup and programme selection
menus.
OK is equivalent to ‘Enter’ or ‘Select’ on
some remotes.

some remotes.
M

Operates the Exit function if the PVR uses
this feature

Operates the Exit function if the VCR uses
this feature

Turns on the Menu function if the PVR
uses this feature

Turns on the Menu function if the VCR
uses this feature

Toggles display between TV and PVR

Toggles display between TV and VCR

Toggles the mute function. By default this
key operates the AMP Mute

Toggles the mute function, if available.
By default this key operates the AMP Mute

]

Channel down

]

Channel down

[

Channel up

[

Channel up

Decrease (–) and increase (+) amplifier
- + volume

Decrease (–) and increase (+) AVR600
- + volume
)

Fast rewind

)

Fast rewind

Play

E-29

English

���

(RED)

(Green)

(Yellow)

(Blue)

��

CD Device Mode

The c Device Mode button configures the CR102
to control the CD functions of Arcam CD players,
although this can be changed (see page 25). Pressing this
button also selects CD as the AVR600 source.
P
0…9
PHONO

E
RPT

r
S

AUX

NET

��

Toggles power between standby and on.
Functions as original remote number key.

Decrease (–) and increase (+) AVR600
- + volume.
)

Fast rewind

Play

AVR600.

Toggles pause of playback

Toggles random (‘shuffle’) play on and off.

(

Fast forward

SHIFT + r cycles through the repeat

Open/close disc tray

Selects Tape input on the AVR600.
SHIFT + E selects phono input on the

options (track, disc, etc.).

Modifies many keys (see individual key
descriptions, below)

Stop playback

Selects multichannel (MCH) input on
AVR600.

Start recording (on products that have this
feature)

Scans first 10 seconds of each track on CD,
if supported by the player (Audio search)

FAV+

Starts Program mode

SHIFT + H selects AUX input on the
AVR600.

Selects iPOD input on AVR600.
SHIFT + e selects network (Net) internal

u
FAV-

input on the AVR600.

Navigates track listings if supported by the
player.

OK selects the currently highlighted track if
supported by the player

Changes the time display modes on Arcam
CD player

(not used)

Cycles through the front panel display’s
brightness options.
SHIFT + D enables RPT A-B functionality if
supported by the player.

Toggles the mute function. By default this
key operates the AVR600 Mute.

]

Press and release to skip back to the
beginning of the current/previous track.

[

Press and release to skip forwards to the
beginning of the next track.

Home

Info

Clears programmed item
(not used)
(not used)

E-30

E-31

English

essential
setup

Speaker types

Before you use your AVR600 it is essential that you
enter some information into the Setup menus about
your speaker configuration. This allows the AVR600 to
process any surround sound digital source to exactly
match your system and give you the ultimate surround
sound experience.

You need to set the type of speakers that you have
connected to your AVR600:

There are three pieces of vital information which are
outlined in the sections: ‘Speaker Types’, ‘Speaker
Distances’ and ‘Speaker Levels’.
The way you enter this information manually into the
AVR600 is given later in the ‘Setup Menus’ section
on page 34. The settings can also be established
automatically using the Arcam Auto Speaker Setup
function. However it is important to understand why
these speaker settings must be entered, which is why this
section is presented first.

Large

capable of full frequency range reproduction

Small

not capable of full frequency range
reproduction at the low frequency end

None

speaker not present in your configuration

The terms ‘Large’ and ‘Small’ do not necessarily relate to
the physical size of your speakers. As a rule of thumb,
if a speaker cannot reproduce a flat frequency response
down to about 40Hz (and very few can!) it is often better
to consider them as ‘Small’ for setup purposes of home
cinema.
When a speaker is set to ‘Small’, very low frequency
sounds are redirected away from that speaker to a ‘Large’
speaker or a subwoofer, which are far better suited to
reproducing these low frequency sounds.
Note that it is not possible to set all speakers to
‘Small’ unless there is a subwoofer in your speaker
configuration. If you do not have a subwoofer, you will
be forced to set your front speakers to ‘Large’.
(Advanced users may wish to automatically override the
‘Small’ speaker setting for purely stereo music listening
when not watching movies. This can be achieved in the
‘Input Config.’ menu – see page 35.)
Single Surround Back speaker
If you have just one Surround Back speaker in your
configuration instead of two, ensure it is connected to
the SBL speaker connector and set Surr. Back L/R in
the Spkr Types menu to either ‘1 Small’ or ‘1 Large’ as
appropriate.
Crossover frequency
If you have set any speakers as being Small, then you will
be required to set a value for the crossover frequency.
This is the frequency below which signals are filtered
away from these Small speakers and redirected to Large
speakers or the subwoofer (if present). A frequency
of 80Hz is often a good starting point, however you
will probably have to experiment with different values
to find the best value for your system or consult your
speaker handbook.

E-32

MCH sub level
If a subwoofer is present, this setting allows for a 10dB
compensation on the subwoofer output when using the
MCH input as required by many DVD-A players with
audio outputs.
Use Surround Back channels
If not used in the main zone, it is possible to assign the
Surround Back channels to bi-amp the Front Left/Right
channels or to provide an amplified output to Zone 2.

Speaker Distances
It is essential for the distance from each speaker to the
listening position to be accurately measured and entered
into the ‘Setup’ menu. This ensures that the sounds from
the various speakers arrive at the listening position at
the correct time to recreate a realistic surround effect.
The distance can be entered in centimetres or inches.

Speaker Levels
Finally the levels of all the speakers in the system need
to be adjusted to match each other at the listening
position, again to create a proper surround effect. To
help with this the AVR600 can generate a test noise
for each speaker which should be measured with a
sound pressure level (SPL) meter. The meter should
be set to ‘C’ weighting and slow response. The level
of noise measured at the listening position from each
speaker should be adjusted on the Speaker Trims page
of the Setup menu so that the meter reads 75dB SPL.
It does not matter what the system volume setting of
the AVR600 is before turning the test noise on as the
volume setting is over-ridden for the duration of the
speaker noise test.
There are several basic SPL meters on the market at
reasonable prices aimed at home cinema enthusiasts.
Check your local technology store, search online or ask
your dealer.
If you do not have an SPL meter, you can try to adjust
the noise level of each speaker by ear. In this case it is
not possible to adjust the speakers to the absolute 75dB
SPL volume level, but you should aim for all speakers
sounding equally loud. Setting speaker test noise levels
by ear is not recommended as it is very difficult to do
accurately, but is often better than doing nothing at all!

When activated, a calibration tone is played through
each channel of the AVR600 in turn, including the
subwoofer channel. The calibration tone cycles round
each of the speakers twice. If you do not have a full 7.1
speaker configuration there will be periods of silence
between some speaker channels. Follow the ‘progress’
information on-screen.

Your AVR600 package is supplied with a calibration
microphone, which should be inserted into the AUX jack
socket on the front panel and positioned at the main
listening position. This microphone picks up the special
calibration tones generated by the speakers when Auto
Speaker Setup is run. The AVR600 then analyses the
signal and computes:
< which speakers are present,
< speaker type,
< speaker distance,
< speaker level,
< crossover frequency to the subwoofer (or large front
speakers if no subwoofer is present),
< problem resonant frequencies in the room which
need control by filtering.

After all the channels have been measured, a summary
of the speaker configuration will be displayed on-screen.
You can then choose to accept the settings, re-measure
your system again or cancel Auto Speaker Setup without
storing the settings.

It also warns if any of the speakers are too close to the
microphone or if the measured tone is clipped.
To help the system be as accurate as possible when
performing Auto Speaker Setup, there are a few
guidance rules that should be followed:
< Minimise any background sounds in the listening
room and other nearby rooms.
< Close all windows and doors in the listening room.
< Turn off all fans including air-conditioning systems.
< If holding the microphone in the hand rather than
mounting on a tripod or similar, keep your hand and
fingers still to avoid generating ‘handling noise’.
< Position the set up microphone pointing upwards at
roughly head height in the normal listening position.
It is not necessary to point the microphone directly
at the speaker generating the test tone. (It helps if
you are able to position the microphone exactly
where your head would normally be for listening,
with the microphone in direct unobstructed view of
all speakers.)
< If your system includes an active subwoofer, start
by setting its output level / gain control to a value
halfway between maximum and minimum.

The Auto Speaker Setup function is found within the
Setup menus, see page 37. By default, Room EQ is not
applied to any of the source inputs. You should enable
Room EQ on inputs you think benefit from this feature,
as required, by listening when playing typical source
material through each input. This is enabled from within
the Input Config menu.
While room equalisation can help to reduce problems
with listening room acoustics, it is usually far better
to try to solve these problems with the room directly.
Proper loudspeaker positioning, acoustic wall
treatments and moving the listening position away from
walls should produce far better results overall. However
it may be difficult to do this in a home environment, so
Room EQ is your next best choice.

Problems
We advise you to look over the reported measurements
on the screen following Auto Speaker Setup for any
obviously incorrect results, in particular to ensure the
reported speakers match your configuration and that the
speaker distances to the listening position appear look
roughly correct. If the results are not what you expected
re-run Auto Speaker Setup.
The Auto Speaker Setup function is normally quite
accurate but occasionally false results can be generated.
Problems may be as a result of:
< external sounds or rumbling / handling noises
picked up by the microphone
< sound reflections off hard surfaces (e.g. windows or
walls) close to the listening position,
< very strong acoustic resonances within the room.
If you are still experiencing difficulties or you wish to
have the most accurate results for ultimate surround
performance, we recommend using the manual method
of establishing speaker distances and levels.

E-33

Using a subwoofer
If your system includes an active subwoofer you may
need to re-run Auto Speaker Setup with the subwoofer
output level / gain control set to a higher or lower value,
if the summary screen reports problems setting the
subwoofer up.
Auto Speaker Setup will attempt to choose a crossover
frequency that allows the smoothest low frequency
transition from the main speakers to the subwoofer.
However if this does not produce pleasing results we
recommend manually trying other crossover frequencies
to find something more to your preference.
See the next sections for information of how to enter or
change speaker settings manually.

English

auto speaker
setup

There is a proprietary automatic loudspeaker setup
function built into your AVR600. The Arcam Auto
Speaker Setup function attempts to set all the essential
speaker settings for all the speakers in your system.
It also calculates room equalisation (Room EQ) filter
values to remove some of the worst effects of resonant
frequencies in the listening room.

setup menus

The Setup menus allow you to configure all aspects
of your AVR600. The next few pages will go through
the menu items and explain their function. The Setup
menus will probably look quite daunting if you are new
to setting up home cinema, but the majority of them
need only be configured once when you first install the
system (or if your system changes or you move house!)

Menu panel

Adjustment panel

The left-hand panel lists the setup
screens available for adjustment. The
selected menu is highlighted with a grey
band.

The upper right-hand panel lists the
parameters you can change as a user.
The selected line is highlighted with
a black band. Lines that cannot be
selected are greyed-out.

The only way to view the Setup menus is on your display
device (TV or projector) using the on-screen display
(OSD) capability of the AVR600. To view the OSD for
the initial setting up, connect any of the video outputs
to your display device. You do not need to have a video
source connected to the AVR600 video inputs.

Entering Setup mode
To enter the setup menu, press the menu button on the
remote control or font panel. The front panel display
shows ‘MENU’ and the setup menu (pictured right) is
displayed.

� � � � � �� � � � � �

� � � � � �� � � � �

� �� � �

� � � � � � � �� � � � �

� � � � � � � � �� � � � � �

� �� � � � � �� � � � � � �

� � � � �� � � � �

� � � � � � � � �� � � � � � �� � � � � �� � � � � �� � � �� �� � � � �

� � � � �� � � � �

� � � � � � � � �� � � � � � �

Scroll bars
These indicate the
position of the
displayed screen
within longer menus.

� �� � � � � � �

� � � � �� � � � � � � �

��������

� �� � � � �

� � � � �� � � � � �

� � � � � �� � � � �

� �� � �
� �� � �

� � � � � �� � � � � �

� � � � � �� � � � � � � � � � �

� � � � � �� � � � � � �

�������

���

����

���

� � � � �� � � � � � � �

Unstable OSD menu or picture display?

�������

The default AVR600 output video resolution when first
powered up out of the box is 525-line/60Hz NTSC for
analogue video and 480i/60 for digital video. This has
been chosen as most display devices can synchronise
to this automatically. This can be changed in the Video
Outputs section of the Setup Menus.

� � � � � � �� � �� � � � � � � � � � �� � � �� � �� � � � � � � � � � �� � � � � � � � �
���������

Help screen
The lower right-hand panel gives a short
help text for the feature being adjusted.

If the output resolution and frame rate is forced to a
setting your display device does not support, the picture
may become unstable or may not display at all. To reset
the output video resolution and frame rate to the default
values to restore the display, press and hold the OK
button for three seconds.

Navigating the setup menu
… using the remote control
The setup menu can be navigated by using the cursor
(arrow) keys on the remote control. This is by far the
easiest method.
1. To enter the setup menu, press the menu button
(which is located immediately under the navigation
buttons).
2. Use the B and C keys to navigate up and down
the main section headings in the left-hand panel.
3. Once you have the main section that you require
highlighted, use the E key to enter the section.
4. Use the B and C keys to navigate up and
down the section settings in the left-hand panel.
Some settings may be greyed out. These are either
for information only (e.g. incoming sampling

E-34

frequency) or are not currently selectable (e.g.
network IP address when DHCP is used). Scroll bars
on the sides of the right hand panel indicate your
position in the settings list where there are more
items than can be displayed at once.
5. Pressing OK selects a setting to change it, pressing OK
again de-selects the setting.
6. At any time, press the menu button to exit the menu.
Any changes to settings are saved.

… using the keys on the front panel
The AVR600 front panel controls can be used to
configure the unit. Follow the instructions for using the
remote control, in this case using input– for left, input+
for right, volume– for down and volume+ for up.

The audio and video settings on this page of the Setup
menu can be tailored specifically and independently to
the currently selected input.
When a different input is selected on the Input line, all
the input-specific settings for that input are displayed
below it. These settings are applied to the named Input
only and are stored in memory and recalled each time
the unit is powered up and whenever that input is
selected.
Input – The currently selected input connectors to
which the settings below relate.
Name – The display name of the input. You can change
the name of any input to more closely match your setup.
For example, if you had two satellite receivers, you could
connect the main receiver to the Sat audio and video
input connectors and change the Name to ‘SAT 1’. You
could then connect the second satellite receiver to the
VCR audio and video input connectors, but change the
VCR Name to ‘SAT 2’. It is then clearer to users of your
AVR600 which inputs they wish to select when scrolling
though.
Lip Sync – Each input can have its own setting
to add a time delay between the audio and video
signals to compensate for the sound and picture not
being synchronised. This is normally required when
video processing is used in the system for scaling or
de-interlacing video. The range of lip sync delay is –5 to
+220 milliseconds.
The lip sync adjustment can only correct for delayed
video. If the audio is late set lip sync to its minimum.
Mode – Sets the initial audio decode mode for stereo
sources on this input.
< Last Mode recalls the last used setting for this
input when a stereo source was applied. See section
‘Multi-channel source modes’ on page 41 for more
information.
Ext. Mode – Sets the initial audio decode mode for
multi-channel digital sources on this input.
< Last Mode recalls the last used setting for this
input when a stereo source was applied. See section
‘Multi-channel source modes’ on page 41 for more
information.
Treble –
Bass –
These allow you to alter the bass and treble tone controls
for all currently active speakers for each individual

input. For example, if your PVR source sounds a little
bass light, you can always correct for this by selecting
PVR on the Input line at the top of this menu and add
2 or 3dB to the Bass control. Then, whenever the PVR
input is selected, the bass is automatically boosted for as
long as that input is selected.
Room EQ – When the Auto Speaker Setup function is
run it also calculates Room Equalisation coefficients to
remove some of the worst effects of resonant frequencies
of the room at the listening position. By default Room
EQ is not applied to any of the source inputs, however
you can enable them on a per-input basis as you wish.
< Not Calculated: (Information only) Auto Speaker
Setup has not been run or has errors so cannot be
selected.
< On: Room EQ is applied to the current source.
< Off: Room EQ is not applied to the current source.
Input Trim – Sets the maximum analogue input
signal level (sensitivity) on this input before the ADC
(Analogue-to-Digital converter) signal path clips.
Options are 0.5, 1, 2 and 4 volts RMS maximum input.
The default is 2Vrms maximum.
For example, analogue sources with low output levels
may benefit by choosing the 1V maximum setting,
or the 0.5V maximum setting if the source has a
very low output. This helps maximise signal-to-noise
performance of the AVR600 and also helps keep the
various analogue sources sounding about the same level
for any given AVR600 volume control setting.
Dolby Volume –Dolby Volume is an intelligent system
that improves the perceived audio frequency response
at lower listening levels and corrects for volume
inconsistencies between sources (e.g. a rock radio
station and a DVD) and between programming (e.g. a
TV show and advertisement breaks).
< Off: (default) Dolby Volume is not applied to this
input.
< Cinema: enables Dolby Volume for this source and
configures the input for audio which comes mostly
from movie soundtracks.
< Music: enables Dolby Volume for this source and
configures the input for audio which comes from
other sources (CD, TV, Satellite, Tuner, etc.).
Dolby Leveller – This setting of Dolby Volume controls
how closely quiet and loud sources and programme
content are matched to each other, based on the
ear’s perception of loudness. The range of values is
0 (minimal levelling) to 10 (maximum levelling).
The default setting is 9, however we recommend

experimenting with lower values if all your source
material is more closely matched in level. If the Volume
Leveller function is set off, no level matching between
sources and programme material is performed. Note
however that turning the Dolby Leveller setting of Dolby
Volume to ‘Off ’ is not the same as turning the entire
function of Dolby Volume to ‘Off ’, as volume related
frequency response processing is still active. See Dolby
Volume on page 42 for more information.
DV Calib. Offset – The Calibration Offset parameter of
Dolby Volume allows you to compensate for speaker
efficiencies and listening position. The default value
is 0 and this should normally produce a good result
when the AVR600 speaker levels are set using a sound
pressure level meter.
See the Dolby Volume section on page 42 for further
information on Calibration Offset.
Surround EX – Sets how the AVR600 should configure
its decode mode when a Dolby Digital EX bitstream
is received. Note that this setting only applies if you
have Surround Back loudspeakers. You may wish to
experiment with these two decode modes to see which
you prefer with Dolby Digital EX encoded material.
Options are Auto DD EX, Auto PLIIx and Manual.
< Auto DD EX: When a Dolby Digital EX-flagged
bitstream is detected, the decode mode
automatically changes to Dolby Digital EX. This can
be temporarily overridden by pressing the MODE
button on the remote or front panel.
< Auto PLIIx: When a Dolby Digital EX-flagged
bitstream is detected, the decode mode
automatically changes to Pro Logic IIx Movie. This
can be temporarily overridden by pressing the MODE
button on the remote or front panel.
< Manual: The received Dolby Digital EX is treated
as if it is an ordinary Dolby Digital stream in that it
does not automatically select the EX or PLIIx decode
modes. Instead, the previously used decode mode
for a multi-channel digital source on this input is
applied. However, either of the EX or PLIIx decode
modes can be applied manually by pressing the
MODE button.
Stereo Mode – If you have configured your system to
have a subwoofer, then you have the flexibility to
choose how bass information is distributed between
the front left/right speakers and the subwoofer when
listening to stereo (two channel only) analogue and
digital sources. Choose the option which gives you
the most solid, even sounding bass. If you are using
a subwoofer for stereo, please also see Sub Stereo

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below to set the level of the subwoofer. For best
results test with a set-up disc or live programme
material. This setting can be used to override your
normal speaker settings in the Spkr Types menu
whenever the AVR600 plays stereo material. It is
quite common to find that two channel stereo music
listening is best done with a slightly different sub/
speaker setting than for surround movies.
< As Spkr Types: When an analogue or digital stereo
source is played, your normal speaker configuration
(as in Spkr Types menu) is used to reproduce the
signal.
< Left/Right: Full frequency stereo information. All
audio is sent to the front left and right speakers only
without any bass redirection. You can use this setting
if you consider your front left/right speakers to be
able to handle the full frequency range of music.
If you have set your front left/right speaker size as
Small in the Spkr Types setup page, you may wish
to use this option to override the setting to Large
for stereo music listening, if you have full frequency
range left/right speakers.
It can often be beneficial to set full frequency range
speakers to Small in the Spkr Types setup page for
use with movies, if you have a subwoofer in your
system. Doing so may deliver more impact on
movie soundtracks as subwoofers are designed to
handle reproduction of high bass content. However
you may find that for stereo music a better overall
result is obtained by not using the subwoofer and
effectively treating the front left/right speakers as
Large.
< Left/Right+Sub: Full frequency range stereo is fed to
the front left and right speakers and extracted bass is
sent to the subwoofer. In this case the low frequency
information is effectively duplicated.
< Sat+Sub: Use this setting if you really do have Small
satellite front left and right speakers, or if you prefer
the overall sound of bass being handled by the
subwoofer. Full bass management is used so that
analogue and digital stereo sources are fed to the
DSP where the bass is filtered off front left and right
and redirected to the subwoofer.
NOTE
The Stereo Mode function is not available when
using an analogue source in Stereo Direct mode.

English

Input Config.

Sub Stereo – If Left/Right+Sub or Sat+Sub is selected in
Stereo Mode above, this setting adjusts the level of the
subwoofer when the source is two channel stereo.

You should typically select RGB+Sync if you are using
a standard SCART to 4-wire phono breakout cable to
connect an RGB SCART source.

General Setup

completely over to one channel. This function resets to
equal left/right balance when the input is changed.

Brightness – Sets the video brightness for this input.
This setting can be used to compensate for an overly
dark or bright source picture on this input when
compared with other video sources.

NOTE: If RGB+Sync is selected, the S-Video and
Composite inputs cannot be selected as video inputs for
the current source.

General information and system controls.
Source Input – (Information only) The currently
selected input to which the settings below relate.

PLII Dimension –
PLII Centre Width –
PLII Panorama –

Contrast – Sets the video contrast for this input. This
setting can be used to compensate for too much or too
little contrast in the source picture on this input when
compared with other video sources.
Colour – Sets the video colour saturation for this input.
This setting can be used to compensate for too much or
too little colour in the source picture on this input when
compared with other video sources.
Picture Mode – Sets how the video processor in the
AVR600 interprets the video on this input. Normally
the video processor automatically detects the original
source type and correctly sets either Video mode or
Film mode processing. In the unlikely event that the
video processor misinterprets the video type, resulting
in subtle picture artefacts, the video processor can be
manually forced into Video mode or Film mode. This
function should normally be set to Auto.
Edge Enhancement – Sharpens the picture from a
source on this input.
Mosquito N.R. – Removes haziness that sometimes appears
around objects in a picture from a source on this input.
Noise Reduction – Removes random noise within the
picture from a source on this input.
Block N.R. – Removes block artefacts in overly
compressed digital video from a source on this input.
Component Mode – Configures the current three-wire
high quality analogue video input for component (YUV)
video signals or RGB video signals. It is important
to match the setting to the incoming video format
otherwise the colours will be incorrect and the picture
may be unstable.
Options are Normal, RGsB and RGB+Sync.
< Normal: (default) the three-wire input is configured
for normal Component (YUV / YPbPr) analogue
video.
< RGsB: the three-wire input is configured for RGB
analogue video with video ‘sync-on-green’.
< RGB+Sync: the three wire input is configured for
RGB analogue video, with the video sync signal on
the composite input for the current named source.

HDMI Audio – Selects whether you wish to enable or
disable audio input over HDMI for this source. This
option does not apply if you are not using this HDMI
input. If you are not using HDMI for audio input on this
source, selecting No will force the AVR600 to only use
the SPDIF digital input or analogue audio inputs.
Options are Yes and No.
< Yes: (default) the AVR600 will use audio over HDMI
if an HDMI signal is detected.
< No: the AVR600 will not use HDMI audio for this
source, it will use SPDIF digital or analogue audio
inputs instead.
Video Source – Selects whether the video signal
detection for this source is automatic or forced to a
particular signal type. When a source is selected the
AVR600 looks for the highest quality video signal type
that is connected in the order: HDMI – Component/
RGB – S-Video – Composite.
If the video input type is not HDMI, there will be a delay
in detecting the type of video that is connected, resulting
in longer switching times between sources. To speed
up source switching times you can force the AVR600 to
look at only the specific video connection type you have
for each source. Select from the list the video type you
are using on this source.
< Auto: (default) the AVR600 scans through the
various video input connectors/formats for the
current source and selects the highest quality
available for this source.
< HDMI: the AVR600 is forced to use the HDMI video
input for this source.
< Component: the AVR600 is forced to use the
Component/RGB video input for this source.
< S-Video: the AVR600 is forced to use the S-Video
input for this source.
< Composite: the AVR600 is forced to use the
Composite video input for this source.

Incoming Format – (Information only) The format
of the digital audio stream connected to this input, if
present.
Incoming Sample Rate – (Information only) The
sample rate of the digital audio stream connected to this
input, if present.
Incoming Bit Rate – (Information only) The bit rate
of the digital audio stream connected to this input, if
present.
Dialnorm – (Information only) If a Dolby Digital audio
stream is connected to this input, this is the Dialogue
Normalisation setting requested by the stream.
Video Input – The currently selected video input. For
inputs that have video connections (e.g. SAT, PVR etc),
audio and video inputs normally switch over together.
However, here you can temporarily select a different
video source for the current audio source. This feature
may be useful, for example, if you are watching a sports
game on satellite but on this occasion wish to listen to
the commentary on the radio instead. This temporary
override is reset when the input source is changed so
that the Video Input follows the Audio Input setting (or
the setting in the Video Inputs menu, if applicable).
Audio Compression – Allows selection of compression
which is ideal for late night listening. The compression
effect increases the volume of the quiet passages
and decreases the volume of the louder passages.
Compression only applies to some Dolby Digital and
DTS soundtracks that support this function.
< Off: (default) no audio compression is applied.
< On: Audio compression is applied whenever a
soundtrack supporting compression is received.
< On / Auto: As for On above, except for Dolby
TrueHD soundtracks which support an additional
Auto on/off setting

These allow the adjustment of the sound field for Dolby
Pro Logic II Music mode decoding of two-channel
sources. These setting apply to all inputs when PLII or
PLIIx Music decoding is selected. The settings are stored
in memory and recalled each time PLII or PLIIx Music
mode is selected.
< Dimension: Allows the user gradually to adjust the
sound field either towards the front or towards the
rear. Settings range from -3 to +3. We recommend
Dimension is set to 0 for normal use.
< Centre Width: Controls the centre image width.
With Pro Logic decoding, dominant centre signals
come only from the centre speaker. If no centre
speaker is present, the decoder splits the centre
signal equally to the left and right speakers to create
a ‘phantom’ centre image. The Centre Width control
allows variable adjustment of the centre image so
it may be heard only from the centre speaker; only
from the left/right speakers as a phantom image; or
from all three front speakers to varying degrees. We
recommend Centre Width is set to 3 for normal use.
< Panorama: Extends the front centre image to
include the surround speakers for an exciting ‘wraparound’ effect with side-wall imaging.
Digital Output Freq. – Sets the sampling frequency of
the audio Analogue-to-Digital converter. This setting
applies to all inputs when analogue audio is being
processed (i.e. not Stereo Direct mode). It is stored in
memory and recalled each time the unit is powered up.
Volume Adjustment – Sets the step size of the volume
control.
< Normal: (default) volume control is in 1dB steps
< Fine: volume control is in 0.5dB steps

This setting applies to all inputs when a relevant digital
audio stream is detected. It is stored in memory and
recalled each time the unit is powered up.

Maximum Volume – Limits the maximum volume
setting the system can be turned up to in the main zone.
This is a useful feature to prevent accidental overdriving
of low power-handling speakers (for example). It is
stored in memory and recalled each time the unit is
powered up.

Balance – To alter the sound balance temporarily
between front left and right speakers. You can alter
the sound stage to either the left or the right by up to
6dB. Note that it is not possible to shift the audio signal

Max On Volume – Limits the maximum volume the
system operates in the main zone when it is switched
on or comes out of Standby. The system comes on at
this stored volume setting if the last used (possibly very

E-36

Audio In iPod – If you have an iPod connected to the
AVR600 using an Arcam rDock or rLead, this control
allows you to set which audio input is used.

Auto Setup
Auto Speaker Setup of your loudspeakers and subwoofer
(if present) is controlled by this menu. A full description
of how Auto Speaker Setup works is given on page
33. Remember to insert the calibration microphone
into the AUX input on the front panel and position the
microphone at the listening position before running
Auto Setup.
Run Auto Setup – Press OK (or O on the remote) to
start Auto Speaker Setup. The process will generate test
tones from the speakers and will typically take less than
two minutes. The test tone generator will cycle round
each speaker twice.
Accept Setup – When Auto Speaker Setup has
completed without errors you can choose to accept or
reject the settings
< No: The settings are not stored in memory.
< Yes: All the speaker settings (speakers present, type,
distance, level and crossover frequency) are stored
in the relevant sections of the Setup Menu and
overwrite any previous settings.
Auto Setup Progress – Gives a summary of what Auto
Speaker Setup is doing as it progresses, starting with
which speaker is being tested.
< Calculating EQ: Data gathered from each of the
speakers is being processed.
< Completed Error: A problem was detected with the
speaker setup. See the descriptions for each of the
individual speakers, below. Alternatively an invalid
speaker configuration was detected.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
If the above speakers are correctly detected as present in
your speaker configuration, their size (Small or Large),
distance from the listening position and trim level (dB)

will be displayed. Note that size does not apply to the
subwoofer. Otherwise one of the following messages will
be displayed:
< Not Present: A speaker was not detected on this
channel.
< Clipped: The test tone detected by the microphone
was distorted or clipped. This could be because
you have very sensitive speakers and they are
very close to the listening position. However it is
more likely that the detected signal was corrupted
by microphone handling noise or other external
sounds. Try running Auto Speaker Setup again.
< Mic too close: The speaker is too close to the listening
position to be able to calculate its distance. If possible,
try moving the speaker slightly further away from the
listening position and run Auto Speaker Setup again.
Crossover Freq. – The frequency at which Auto Speaker
Setup determined is the best point to filter low frequency
sounds away from Small speakers and into the subwoofer
(or Large speakers if a subwoofer is not present).

Spkr Types
Settings for the types of loudspeaker you have connected
in your configuration. These settings are applied to all
audio inputs and are stored in memory and recalled
each time the unit is powered up.
Front Left / Right –
Centre –
Surr. Left / Right –
Surr. Back L / R –

Surr. Left –
Subwoofer –

MCH Sub Levels – This setting controls the subwoofer
level from an externally decoded multi-channel source
(DVD-A, SACD, etc). Most DVD players require a
+10dB compensation on the subwoofer channel to
maintain the correct balance with the main channels.
< +10dB comp.: for normal DVD players which output
the analogue subwoofer channel at the low 0dBr
level. Gain compensation of +10dB is added to the
subwoofer channel of the MCH input in the AVR600.
< No comp.: for DVD players which output the
analogue subwoofer channel at the correct +10dBr
level. No subwoofer gain compensation is needed
on the subwoofer channel of the MCH input in the
AVR600.

Spkr Levels

Use Channels 6+7 for – If your main zone speaker
set up does not include Surround Back Left and Right
speakers, you can choose to use the Surround Back
amplifier channels to Bi-Amp the Front Left and Right
pair, or as a stereo power amplifier for Zone 2.

Spkr Distance

Here you set the type of speakers that you have
connected to your AVR600:
< Large: capable of full frequency range reproduction
< Small: not capable of full frequency range
reproduction at the low frequency end
< None: speaker not present in your configuration
< Subwoofer: Set whether a subwoofer is present or not.
For Surr. Back L/R, the number before Large and Small
in the dropdown options list is the number of Surround
Back speakers in your configuration. If you only have
one Surround Back speaker connect it to the SBL output.
NOTE
It is not possible to set all speakers to Small unless
there is a subwoofer in your speaker configuration.
If you do not have a subwoofer, you will be forced to
set your front speakers to Large.

Crossover Freq – This is the frequency at which
loudspeakers set as Small start to redirect bass signals to
the Subwoofer or Large speakers in your system. Small
speakers redirect bass to the subwoofer, if present. The
exception is the Centre speaker which, if Small, redirects
its bass to front left/right provided that they themselves
are Large. This is done to help keep Centre bass directly
in front of the listening position.

Calibration settings for the distances between the
loudspeakers and the listening position.
NOTE
Speakers that are not present in your configuration
will be greyed out.
These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
Units – Select whether you wish to measure distances in
centimetres or inches.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –

E-37

As described in ‘essential setup’ on page 32, measure the
distance from each loudspeaker in your system to your
ear in the main listening position and enter the values.
This allows the AVR600 to calculate the correct relative
delay for each loudspeaker.

Calibration settings for the test noise signal level
through the loudspeakers and measured at the listening
position.
NOTE
Speakers that are not present in your configuration
will be greyed out.
These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
Use the B and C navigation buttons on the remote
control to select the relevant speaker. Press O to
enable/disable the calibration noise and the D and E
navigation buttons to adjust the noise level from each
speaker.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
As described in ‘essential setup’ on page 32, adjust the
level of the test noise from each speaker so that an SPL
meter at the listening position measures 75dB SPL.

English

loud) volume exceeds this value. It is stored in memory
and recalled each time the unit is powered up.

Video Inputs

Video Outputs

Settings to optionally assign a video source to each of
the normally audio-only inputs.

The settings in this menu control the output resolution
from the video processor in the AVR600 as well as the
operation of the two HDMI outputs.

These settings are stored in memory and recalled each
time the unit is powered up.
Video Input Tape –
Video Input CD –
Video Input Aux –
Video Input AM / FM –
Video Input Phono –
Video Input MCH –
Video Input iPod –
Video Input Net –
Video In Digital Radio –
The default for each of the audio inputs is ‘None’,
however for example you could associate the satellite
‘Sat’ video with AM, FM and Digital Radio audio if you
wished. This way you could listen to the FM or AM or
Digital Radio commentary of a sports game but have the
pictures from the satellite coverage.

Analogue Output – This setting controls the output
resolution of the analogue video outputs of Zone 1.
This applies to all Zone 1 analogue video outputs:
Component, S-Video and Composite. This setting is
only valid if neither of the HDMI outputs Out 1 or Out 2
are being used at the time. See ‘Important points to
remember’ above regarding analogue resolutions.

These settings are applied to all video inputs and are
stored in memory and recalled each time the unit is
powered up.

The dropdown list shows all the resolutions that the
AVR600 video processor can output.
Analogue Frame Rate – This setting controls the output
frame rate of the analogue video outputs of Zone 1.
This applies to all Zone 1 analogue video outputs:
Component, S-Video and Composite. This setting is
only valid if neither of the HDMI outputs Out 1 or Out 2
are being used at the time. See the Note ‘Important
points to remember’ regarding analogue frame rates.

NOTE

Important points to remember:
For analogue outputs
The analogue output resolution should be chosen
carefully; Composite and S-Video connections can
only carry 480i (525-line NTSC) or 576i (625-line
PAL) signals. If an output resolution higher than this
is chosen in Out 1 Resolution, the Composite and
S-Video main zone outputs will be disabled.
You should also set the frame rate (50Hz Interlaced
for PAL, 60Hz Interlaced for NTSC) and the
aspect ratio (4:3 standard or 16:9 widescreen) to
match your display device. Note that S-Video and
Composite can only carry Interlaced video. If you
select Progressive analogue video, Zone 1 S-Video
and Composite outputs will be disabled.

Display Type – Set the aspect ratio of your display
device; 4:3 standard or 16:9 widescreen.
Output Switching – This setting controls the operation
of the two HDMI outputs.
< Auto-Priority Out 1/Out 2 senses which display
device is turned on and gives priority to the named
output (Out 1 or Out 2) if both display devices are on
at the same time. When both display devices are on
at the same time, the output with the highest priority
is used to configure the settings of the AVR600 video
processor.
< Output 1 or Output 2: forces only the named HDMI
output to be enabled.
< Output 1 & 2: enables both HDMI outputs
simultaneously. In order to do this however, the
settings of the AVR600 video processor are reduced
down to the highest common set that can be
supported by both display devices.

For HDMI outputs
The output resolution, frame rate and display
aspect ratio can be automatically determined by
the AVR600. Alternatively these settings can be
manually selected. If you have two HDMI display
devices connected, you can also configure which of
the two HDMI outputs takes priority.
Zone 1 OSD – Selects whether the main zone pop-up
OSD messages are On or Off. It is stored in memory and
recalled each time the unit is powered up.
< When On, all user adjustments that are made
during the general use of the AVR600 are displayed
on screen as well as the front panel display. This
includes the adjustment of volume, subwoofer level,
lip sync, tone controls, etc. It is stored in memory
and recalled each time the unit is powered up.
< When Off, the above user adjustments will not
appear on screen, only on the front panel display.
This leaves the picture on your display device clear
of pop-up text. However, regardless of this setting
the Setup menus are always displayed on screen.

Out 1 Resolution – This setting controls the output
resolution of HDMI output Out 1. This setting is only
valid if HDMI output Out 1 is the only active HDMI
output at the time.
< The dropdown list shows all the resolutions that the
AVR600 video processor can output. Resolutions
that are not supported by the connected display
device are greyed out and cannot be selected.
< Preferred: sets the Out 1 resolution to be the
preferred resolution that is requested by the display
device. This is often the highest resolution the
display device can receive.
Out 1 Frame Rate – This setting controls the output
frame rate of HDMI output Out 1. This setting is only

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valid if HDMI output Out 1 is the only active HDMI
output at the time.
< The dropdown list shows all the frame rates that the
AVR600 video processor can output. Frame rates
that are not supported by the connected display
device at the above resolution are greyed out and
cannot be selected.
< Auto sets the Out 1 frame rate to be the preferred
frame rate that is requested by the display device for
the currently used resolution.
Lipsync 1 – (Information only) Displays how much lip
sync is automatically applied to HDMI output Out 1 to
compensate for video processing delays in the attached
display device. Not all display devices support this
function.
Out 2 Resolution – This setting controls the output
resolution of HDMI output Out 2. This setting is only
valid if HDMI output Out 2 is the only active HDMI
output at the time.
< The dropdown list shows all the resolutions that the
AVR600 video processor can output. Resolutions
that are not supported by the connected display
device are greyed out and cannot be selected.
< Preferred: sets the Out 2 resolution to be the
preferred resolution that is requested by the display
device. This is often the highest resolution the
display device can receive.
Out 2 Frame Rate – This setting controls the output
frame rate of HDMI output Out 2. This setting is only
valid if HDMI output Out 2 is the only active HDMI
output at the time.
< The dropdown list shows all the frame rates that the
AVR600 video processor can output. Frame rates
that are not supported by the connected display
device at the above resolution are greyed out and
cannot be selected.
< Auto: sets the Out 2 frame rate to be the preferred
frame rate that is requested by the display device for
the currently used resolution.
Lipsync 2 – (Information only) Displays how much lip
sync is automatically applied to HDMI output Out 2 to
compensate for video processing delays in the attached
display device. Not all display devices support this
function.

Out 1 & 2 Frame Rate – This setting controls the
output frame rate when both HDMI outputs are used
simultaneously. This setting is only valid if Output
Switching is set to Output 1 & 2.
< The dropdown list shows all the frame rates that the
AVR600 video processor can output. Frame rates
that are not supported by the connected display
devices at the above resolution are greyed out and
cannot be selected.
< Auto: sets the HDMI output to be the highest
preferred common frame rate that is supported by
both display devices for the above resolution.
Lipsync 1 & 2 – (Information only) Displays how much
lip sync is automatically applied to HDMI outputs Out 1
and Out 2 simultaneously to compensate for video
processing delays in the attached display devices. Not all
display devices support this function.

Mode

Zone Settings

Network

Lists the decode and downmix options you wish to
include when cycling through the options on the MODE
button. Settings are Yes or No. The list is divided into
two sections depending on the source audio type. See
section ‘Multi-channel source modes’ on page 41 for
more information on each processing a decoding mode.

Lists the volume and control settings for Zone 2 and
Zone 3. These settings are applied to all audio inputs and
are stored in memory and recalled each time the unit is
powered up.

The AVR600 is fitted with an network audio client which
is capable of playing internet radio stations as well as
stored music on a network storage device such as a PC,
or on a USB flash drive.

These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.

Z2 Audio Input – Selects the analogue audio to be
routed to Zone 2.
Z2 Video Output – Selects the analogue video to be
routed to Zone 2 for the current audio input.

Use DHCP – Select if your network uses DHCP
< No: To assign a fixed IP address manually.
< Yes: To use network parameters given by the DHCP
server.

For Stereo sources:

Dolby ProLogic –
Dolby PLIIx Movie –
Dolby PLIIx Music –
Dolby PLIIx Matrix –
Dolby PLIIx Game –
Neo:6 Cinema –
Neo:6 Music –
The first section, ‘Stereo sources’ is the list of processing
modes you wish to make available for stereo signals
(analogue stereo, digital PCM stereo, Dolby 2.0, DTS
2.0, etc). When a stereo signal is applied, each press of
the MODE button cycles through the processing modes
you have enabled in the ‘Stereo sources’ section. The
unprocessed Stereo option is always available for stereo
signals therefore it is not shown in the list.

For Multi-channel sources:
Stereo Downmix –
Dolby Digital EX –
Dolby PLIIx Movie –
Dolby PLIIx Music –
The second section, ‘Multi-channel sources’ is the list
of processing modes you wish to make available for
multi-channel digital signals (any Dolby or DTS digital
stream that has more channels than stereo 2.0). When a
multi-channel digital signal is applied, each press of the
MODE button cycles through the processing modes you
have enabled in the ‘Multi-channel sources’ section.

Zone 2 Volume – The current volume in Zone 2.
Zone 2 Max. Vol – Limits the maximum volume setting
the system can be turned up to in the Zone 2. This is a
useful feature to prevent accidental overdriving of low
power-handling speakers, for example.
Zone 2 Fixed Vol – The Zone 2 volume control can be
locked at the current value for use with an external
amplifier with its own volume control in Zone 2.
Zone 2 Max On Vol – Limits the maximum volume the
system operates in the Zone 2 when it is switched on
or comes out of Standby. The system comes on at this
volume if the last used (possibly very loud) volume
exceeds this value.
Zone 3 Volume – The current volume in Zone 3.
Zone 3 Max. Vol – Limits the maximum volume setting
the system can be turned up to in the Zone 3. This is a
useful feature to prevent accidental overdriving of low
power-handling speakers (for example).
Zone 3 Fixed Vol – The Zone 3 volume control can be
locked at the current value for use with an external
amplifier with its own volume control in Zone 3.
Zone 3 Max On Vol – Limits the maximum volume the
system operates in the Zone 3 when it is switched on
or comes out of Standby. The system comes on at this
volume if the last used (possibly very loud) volume
exceeds this value.
Standby – When a Standby command is received by an
infra-red eye in Zone 2, this setting controls which parts
of the AVR600 to turn on and off:
When Local Only, the Standby IR command only affects
the zone it was received in (Zone2 or Zone3).
When All Off, the Standby IR command affects the
entire AVR600 system in all zones.

E-39

MAC address – (Information only) The unique address
of the network card in your AVR600.
IP Address – If not using DHCP, enter the IP address
you have assigned to the AVR600 for your network.
Subnet Mask – If not using DHCP, enter the subnet
mask for the AVR600 on your network.
Gateway – If not using DHCP, enter the IP address of
the router the AVR600 is connected to.
Primary DNS – If not using DHCP, enter the Primary
DNS IP address of your internet service provider.
Alternate DNS – If not using DHCP, enter the Secondary
DNS IP address of your internet service provider.
Use Proxy – Select if you connect to the network via a
Proxy Server.
< No: If you connect directly onto the network.
< Yes: If you connect to the network via a Proxy
Server.
Proxy Address – If connecting via a Proxy Server, enter
its IP address.
Proxy Port – If connecting via a Proxy Server, enter the
port number to which the Proxy responds.

English

Out 1 & 2 Resolution – This setting controls the
output resolution when both HDMI outputs are used
simultaneously. This setting is only valid if Output
Switching is set to Output 1 & 2.
< The dropdown list shows all the resolutions that the
AVR600 video processor can output. Resolutions
that are not supported by the connected display
devices are greyed out and cannot be selected.
< Best: sets the HDMI output to be the highest
common resolution that is supported by both
display devices.

decoding
modes

Introduction

Two-channel source modes

Your AVR600 receiver provides all the key decoding
and processing modes for analogue and digital signals,
including the latest high definition audio formats over
HDMI.

The following decoding and surround modes are
available for standard and high definition Dolby Digital
2.0, DTS 2.0, PCM or analogue sources:
Stereo
Pro Logic II Movie
Pro Logic II Music
Pro Logic II Game
Pro Logic IIx Movie
Pro Logic IIx Music
Pro Logic IIx Game
Pro Logic
Neo:6 Cinema
Neo:6 Music

Modes for digital sources
Digital recordings are usually encoded to include
information about their format type. The AVR600
detects automatically the relevant format in a digital
signal – such as Dolby TrueHD, Dolby Digital Plus,
DTS-HD Master Audio, Dolby Digital, or DTS – and
switches in the appropriate decoding.

Modes for analogue sources
Analogue recordings do not contain information about
their encoding formats, so the desired mode – such as
Dolby Pro Logic – needs to be selected manually.

NOTE
Pro Logic IIx modes are only selectable when
Surround Back speakers are present.

Mode memory
Dolby Digital or DTS audio (including the high
definition formats) can be output in two mix modes,
selected using the mode button:
< Surround (e.g., five main channels plus a subwoofer
for a 5.1 source)
< Stereo downmix.
Two-channel audio, regardless of whether it is analogue
or digital can also be output in two mix modes, selected
using the mode button:
< Surround (e.g., Dolby Pro Logic II Movie, Neo:6
Music, etc.)
< Stereo.
The AVR600 stores the settings for each source (except
MCH). Thus the decoding mode for the following
groups of source material can be stored independently:
< Dolby Digital (multi-channel) and DTS source
material
< Two channel Dolby, PCM or Analogue source
material

Stereo

As the optimum decoding method varies according
to the recording, Music mode allows the user
adjustment of the processing characteristics.
< Game mode: Video games today are extremely
sophisticated, with dramatic 5.1 surround
audio tracks. Game mode gives augmented bass
management to capture the full effect of game
sounds panned to the surrounds, ensuring the
bass impact from purer surround effects are fully
delivered to the subwoofer.

Dolby Pro Logic IIx
Dolby Pro Logic IIx is an extension of the Dolby Pro
Logic matrix-decoding method. The decoder allows
the processor to derive seven outputs from a two or
multi-channel (up to 5.1 with EX) source to take better
advantage of all amplifiers and speakers in a 7.1 setup.
As with Pro Logic, there are three different modes
available: Movie, Music and Game. Due to different
recording methods used for movies and music, you
should select the correct mode for your source material.

Dolby Pro Logic

In this mode the AVR600 works as a conventional high
quality audio amplifier. Note that if the subwoofer is
enabled in stereo mode, then some processing of the
signal will be carried out. To achieve ultimate sound
quality with analogue sources, select the Stereo Direct
function if an analogue connection is present.

Dolby Pro Logic is a legacy mode that is designed
to produce a five-channel output from two-channel
source material. It should be used only when the source
material is encoded as Dolby Pro Logic; otherwise,
we recommend the use of Dolby Pro Logic II. This is
because Pro Logic processing on straight stereo sources
can sound muffled and compressed.

Dolby Pro Logic II

DTS Neo:6

Dolby Pro Logic II decoding is designed to produce fivechannel output from two-channel source material.
There are three different modes available in Pro Logic II:
‘Movie’, ‘Music’ and ‘Game’ modes, which are intended
for use as their names suggest. Due to the different
recording methods used for movies, music and video
games, it is recommended that the correct decoding
mode for your source material is used to obtain best
results.
< Movie mode: This is intended for use with
‘cinematic’ material, which is mixed and monitored
in a calibrated multi-channel environment. Movie
mode is a ‘fixed’ mode that is designed to give a
similar sound when listening using a home cinema
system to that obtained in a cinema.
< Music mode : Stereo music is not designed for
surround processing, although good surround
effects can be obtained through careful production.

E-40

DTS Neo:6 provides up to six full-band channels of
decoding from stereo material. The AVR600 will derive
separate channels corresponding to the standard home
theatre layout.
< Cinema : A movie mode designed to reproduce
a movie theatre environment. Neo:6 technology
allows various sound elements within a channel or
channels to be steered separately, and in a way which
follows the original presentation naturally.
< Music : A music mode designed to produce a lively,
high-integrity surround-effect from most twochannel music sources from all available speakers.
Neo:6 music mode expands stereo recordings into
the five or six-channel layout without diminishing
the subtlety and integrity of the original stereo
recording.

Digital multi-channel source material is normally
provided as ‘5.1 audio’. The ‘5.1 channels’ comprise
of: left, centre and right front speakers, two surround
speakers and a low frequency effects (LFE) channel.
Since the LFE channel is not a full range channel, it is
referred to as ‘.1’.
Surround systems decode and reproduce the 5.1
channels directly. Dolby Digital EX and DTS-ES matrix
enhanced decoding systems create one extra rear
channel from information buried in the two surround
signals of the 5.1 source. These EX and ES enhanced
systems are sometimes referred to as ‘6.1’ systems. This
extra surround back channel is normally reproduced
through two separate loudspeakers, creating a ‘7.1’
system.

High resolution audio sources
Dolby True-HD

Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no
losses in the compression process. Data rates can be up to 18Mbps.

Dolby Digital Plus

Provides up to 7.1 discrete channels of audio with less compression than
traditional Dolby Digital encoding. Data rates can be up to 6Mbps.

DTS-HD Master Audio

Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no
losses in the compression process. Data rates can be up to 24.5Mbps.

For Dolby Digital sources
Dolby Digital 5.1

The most commonly used sound format for DVD video, and is also the
standard for US television. Dolby Digital 5.1 sources deliver sound with five
discrete full-range channels; left, centre, right, surround left, surround right,
plus a low frequency effects (LFE) channel.

Dolby Digital 5.1 Stereo
Downmix

Provides a stereo downmix of the source material for use with headphones.

Dolby Digital EX

This is an extension to Dolby Digital decoding that provides a 6-channel output
from a 5-channel input. The extra channel is the centre-surround channel (for
which the two surround back speakers are used), and is derived from the left
and right surround channel information. This decode mode should be used
only when the source material is ‘Surround EX’ encoded (which is normally
indicated on the disc packaging and should be detected automatically by the
AVR600), but may be used at other times if desired.

The modes given in the following table are available for
multi-channel digital sources.

Dolby Digital 5.1 + Pro Logic
IIx Movie

This mode is used to derive information for the individual surround back
channels from the surround channels, using the Pro Logic IIx Movie decoder.

Special modes such as DTS-ES 6.1 discrete, Dolby
Digital Plus, Dolby Tru-HD and DTS-HD are only
available from the correct source material.

Dolby Digital 5.1 + Pro Logic
IIx Music

This mode is used to derive information for the individual surround back
channels from the surround channels, using the Pro Logic IIx Music decoder.
The controls for adjusting Pro Logic IIx Music in ‘General Setup’ can be used in
this mode.

DTS-ES discrete is a true ‘6.1’ source, with six discretely
encoded channels, plus the ‘.1’ LFE channel.
Dolby Digital Plus, Dolby True-HD and DTS-HD are
high-resolution surround formats found on Blu-Ray and
HD-DVD discs

Decoding modes

For DTS sources
DTS 5.1

Less common than the Dolby Digital format, but generally recognised within
the audio industry as being of superior sound quality. DTS 5.1 delivers
surround sound with five full range channels plus an LFE channel.

DTS 5.1 Stereo Downmix

Provides a stereo downmix of the source material for use with headphones.

DTS-ES 6.1 Matrix

This is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix
encoded into the surround left and surround right channels. The sixth channel
is a surround centre channel and is directed to the surround back left and
surround back right speakers.

DTS-ES 6.1 Discrete

This is a true discrete 6.1 channel sound format (unlike DTS-ES Matrix).
DTS-ES discrete mode operates only on sources with DTS-ES 6.1 discrete
audio encoding.

DTS96/24

Provides up to 5.1 channels of audio at 96kHz, 24bit resolution for superior
sound quality compared to standard DTS 5.1

E-41

English

Multi-channel source modes

Dolby volume
Dolby Volume is a sophisticated new
technology that resolves the problem of
different volume levels between programme content
(e.g. a TV show and advert breaks) and between sources
(e.g. a rock radio station and DVD, or between two
TV stations). It lets the listener enjoy everything at the
same preferred listening level without having to reach
for the volume control to compensate for the different
recording/output levels. This is the Volume Leveller
function of Dolby Volume.
Dolby Volume also works in conjunction with the
AVR600 volume control setting to compensate for
the ear’s changing sensitivity at different frequencies
depending on how loud the audio is. It is based on
a model of how human hearing works. It properly
balances low, mid and high frequencies to maintain all
the nuances and impact of the original audio regardless
of the actual selected playback volume level. This is the
Volume Modeller function of Dolby Volume.
Dolby Volume measures, analyses and maintains volume
levels based on how people perceive sound. A variety of
audio parameters are monitored including spectral- and
time-based loudness to ensure that perceived dynamics,
timbre and bass performance remain consistent at all
volume levels.
Dolby Volume also lets the listener control a
programme’s dynamic range – the range between loud
and quiet sounds. For example, with the volume turned
down for late-night viewing, dynamic range can be
adjusted so that speech remains clear and loud effects or
music passages retain their impact without waking up
the family.

Settings
Dolby Volume can be applied to any analogue or digital
stereo source or any digital multi-channel source. It is
not available in Stereo Direct or on the analogue multichannel input. Dolby Volume can even be applied to
processing of stereo signals (e.g. PLII Music) or when
down-mixing a digital multi-channel source (e.g. Dolby
Digital 5.1 down to stereo).

same perceived overall listening level between sources
and frequency response regardless of the volume setting.
There are two modes for Dolby Volume: ‘Cinema’ and
‘Music’, which calibrate the system to match the type of
audio material generally played on each input. Movie
should be selected for sources which typically play
movie soundtracks. Music should be selected for all
other sources (CD, TV, Satellite, Tuner, etc). Most of the
controlling parameters of Dolby Volume are automatic
as they are dependent on analysis of the audio signal and
the volume setting of the AVR600. However, the Volume
Leveller and Calibration Offset controls (see below) can
be adjusted to your preference.

Volume Leveller
The Volume Leveller function of Dolby Volume controls
how closely quiet and loud sources and programme
content are matched to each other, based on the
ear’s perception of loudness. The range of values is 0
(minimal levelling) to 10 (maximum levelling). The
default setting is 9. If the Volume Leveller function
is turned off, no level matching between sources and
programme material is performed. This is not the
same as turning Dolby Volume off as volume related
frequency response processing is still active.
When Dolby Volume is being applied to the current
input, a Dolby Volume processing mode indicator is
shown on the OSD and the front panel display.

Calibration Offset
The Calibration Offset parameter of Dolby Volume
allows you to compensate for speaker efficiencies and
listening position – effectively moving the reference
listening level up or down the volume scale. The default
value is 0 and this should normally produce a good
result when the AVR600 speaker levels are set using
a sound pressure level meter at the listening position
(75dB SPL, ‘C’ weighting, slow response).

Dolby Volume can be enabled and configured separately
for each audio input in the Input Config menu. The
default is Off for ‘audiophile’ listening to analogue or
digital stereo sources, however you may wish to enable
Dolby Volume on some or all inputs to maintain the

E-42

E-43

English

tuner
operation

The AVR600 is fitted with an internal AM/FM tuner.
Depending on your location, it may also be fitted with a
DAB tuner (Europe) or Sirius satellite radio connection
(Americas). Sirius requires the purchase of the
‘SiriusConnect™ Home Tuner’ kit and Sirius subscription
– please visit www.sirius.com for details.
This section deals with tuner operation, for information
on setting up the tuner and installing aerials, see page
14.
When a tuner input is selected, the OSD shows a list
of radio presets plus an information panel giving all
available information about the current frequency (for
AM and FM) or channel (for DAB or Sirius).
The front panel will also give the same information,
pressing the INFO key will cycle through the various
items of information:
AM
• Processing mode (default)
• Frequency
• Signal strength
FM
• Processing mode (default)
• Radiotext (if available; shows ‘No radiotext’ if none
present)
• Programme type (if available)
• Signal strength
DAB
• Processing mode (default)
• Radiotext (if available; shows ‘No radiotext’ if none
present)
• Programme type
• Signal quality
• Bit-rate of transmission
Sirius
• Processing mode (default)
• Artist Name: Song Title
• Composer (if available)
• Category Name
• Signal quality

Tuning/Channel Selection

Saving and selecting Presets

When switching to the internal TUNER source, the
AVR600 enters the last used tuner band, be it AM / FM
/ DAB (if fitted) / Sirius (if fitted). Repeatedly pressing
T cycles through the available tuner bands on your
AVR600.

Preset selection uses the B and C keys on the
remote to browse and O to select the preset when the
CR102 is in TUN device mode.

FM/AM analogue radio
Frequency tuning on FM and AM radio is done using
the < and > buttons on the CR102 remote control in
TUN device mode. Individual presses move the frequency
down and up one step. If you press and hold either of
the tuning buttons for two seconds, the tuner scans to
the next strong signal. You can stop a scan at any time by
pressing one of the tuning buttons again.
In Europe, the internal FM radio is capable of receiving
RDS (Radio Data System) radiotext signals that are
transmitted on some stations. The RDS information
typically includes the radio station name, the music or
speech genre as well as additional information related to
the current programme. On music stations this is often
information on the currently playing track.

DAB digital radio
If your AVR600 is fitted with the optional DAB tuner
you will need to scan for available stations before being
able to listen to them.
To scan for DAB stations, first select the DAB tuner then
press and hold O until the display indicates scanning
has started. The AVR600 will then scan all the DAB
radio frequencies and compile a list of the stations that
are available.
When the scan is complete, you can scroll through the
station list using the < and > buttons on the CR102
remote control. To listen to the currently displayed
station press the O. If you do not press O within
two seconds, the display will revert to displaying the
currently playing station.

Internet radio
Please see the Network/USB Operation section on page
46 for details of internet radio operation.

Up to 99 presets can be stored and these can be from
any band, for example Preset 1 could be an AM station,
preset two a DAB station, etc. Pressing the OK key causes
the next available preset number to be displayed, then
pressing the OK key again stores the current frequency/
channel in that preset. If a different preset number is
required, press the B or C keys until the desired
number is displayed before pressing the OK key for a
second time.

Deleting Presets
When in tuner browse mode (using B and , to
scroll through the presets), the yellow button on the
CR102 remote is used to delete the currently highlighted
(but not playing) station or frequency.

Sirius satellite radio
In this section it is assumed that you already have
a ‘SiriusConnect™ Home Tuner’ kit and a Sirius
subscription, and that the antenna is already correctly
placed to receive Sirius broadcasts. Please visit
www.sirius.com for more information.

Add to your subscription
Before being able to receive satellite radio broadcasts
you will need to update your Sirius subscription to add
the ID number of the Sirius receiver module in your
AVR600. The Sirius ID can be found by switching to
the Sirius source and selecting channel 0. The AVR600
displays the 12-digit number on the OSD and on the
front panel display. You should make a note of this ID
number, then select Sirius channel 184 while you apply
this ID number to your account at www.sirius.com or
by calling 1.888.539.SIRIUS (7474).
Once your subscription is updated, a code is sent
over Sirius channel 184. When this code is received
the AVR600 displays ‘SUBSCRIPTION UPDATED’. This
display remains until cleared by pressing any button. The
Sirius radio module is now fully operational.
Please note that, depending on your subscription, some
channels may not be available. If a channel is not part of
your subscription package, you are invited to subscribe
to the station - ‘CALL 888-539-SIRIUS To Subscribe’

E-44

Operation
In addition to the channel and preset selection,
previously mentioned, you can also cycle through the
station categories (Rock, Pop, Country, etc.) using the
] and [ keys. The first station in each category is
displayed. You can then scroll through other stations in
that particular category using the D or E buttons on
the CR102 remote. On the OSD a star (‘ * ”) is shown
before the category name to show you are scrolling
through stations only in the current category. Press
O to select the currently displayed station to listen to
it otherwise the display times out and returns to the
currently playing station information.

Sirius errors
If an invalid channel is selected, the AVR600 displays
‘INVALID CHANNEL’ and the channel reverts to the
previous valid channel.

English

is displayed and audio is muted. If you have any queries
about your subscription, please contact Sirius.

If there is a loss of signal, the AVR600 displays
‘ACQUIRING SIGNAL’.
If the antenna is disconnected, the AVR600 displays
‘ANTENNA ERROR’.
During the channel map update, the message ‘Updating
channels - xx%’ is displayed. Note that audio is
muted until the update is complete. When complete, the
AVR600 retunes to the original channel and restores the
audio.

Locking Channels
The Sirius module in the AVR600 has a parental lockout
feature which allows you to assign a 4-digit code to any
stations you do not wish to be generally available to
users.
Channels can be locked out individually by pressing and
holding the MODE key. ‘Lock?’ also appears on the lower
line of the On Screen Display. Pressing O confirms and
applies the parental lock to the channel and the display
returns to the channel name.
If a locked channel is selected, the audio will be muted
and the user prompted on the display to enter the
unlocking code. ‘Unlock code :____’ is displayed.
The default unlock code is 0000.
If the code is entered correctly the audio for this channel
unmutes. If the code is not entered correctly, the
previously played channel is re-selected.
To remove the parental lock from one of the locked
channels (so that the unlocking code is no longer
required to listen to them), navigate to the channel,
select it and enter the unlocking code to unmute the
channel. Press and hold the M key until the display
shows ‘Unlock ?’. Press O to remove the lock from the
channel.
NOTE
The locking code is reset to 0000 if a factory reset of
the AVR600 is performed.

E-45

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network/usb
operation

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The AVR600 is fitted with a
network audio client which is
capable of playing internet radio
stations as well as stored music on
a network storage device such as a
PC, or from a USB flash drive.

For information on installing the AVR600 on your
network, see page 16.

Selecting the playback source

USB playback

Selecting the network client will allow playback of
internet radio stations and stored music on a networked
storage device or USB memory device.

Insert a USB device into the socket on the AVR600 and
select select the network client input. The USB device
appears in the list of folders that can be navigated.
Navigate to the music file and press the OK or 4 key.

To select the network source the CR102 remote must
first be in AMP device mode (press A). Then press S
+ e on the remote to select the Network source. You
can also cycle to it using the –INPUT / INPUT+ keys on the
front panel.
The ‘home’ page will display all available storage devices,
as well as your ‘favourites’ folder. Navigate through these
devices using the B, C, D and E keys. Folders that
may contain playable files have a
symbol, playable
files have a symbol. Once you reach the track you wish
to play, press OK or the 4 key.

The AVR600 supports the following file formats:
< MP3
< WMA (Windows Media Audio)
< WAV
< FLAC (Free Lossless Audio CODEC)
< MPEG-4 AAC (iTunes) with DRM10 support
< Ogg Vorbis

Once playing, pressing OK again or ; will pause the
track.
Pressing the / key skips forward one track. If the last
track is reached the key is ignored.

Favourites
You can store tracks or radio stations in your ‘favourites’
folder for easy access later. Once playing, pressing
the FAV+ key adds the track to the ‘favourites’ folder.
Pressing FAV- removes the track from the ‘favourites’
folder (this key only has an effect if the track is in the
favourites folder).

Pressing the 0 key skips back one track. If the first track
is reached, the key is ignored.
Pressing and holding the OK or < key for two seconds
stops playback.
Pressing the r key on the remote plays the tracks in
the current folder in a random order.
Pressing the R key on the remote repeats the current
track, pressing it again repeats all the files in the current
folder, pressing it again cancels the repeat function.
NOTE
For playback from a network device, the network
device needs to running a universal plug and
play (uPnP) service, such as Windows Media
Player 11. This can be downloaded free of charge
from www.microsoft.com or installed via the
Windows update installer. Windows Vista™ has this
functionality built in.
Other free and paid-for uPnP services are available
for other computer operating systems. Some
network attached storage (NAS) systems include a
built-in version of a uPnP service.

Internet radio stations
Although you can manually enter the URL of an internet
radio station, the AVR600 uses the vTuner service
to allow easy browsing of internet radio stations and
podcasts. To set up this service for your AVR600, please
visit www.arcamradio.co.uk
There, you will be asked to enter the Media Access
Controller (MAC) address which is the unique ID of
your AVR600. This MAC address can be found in the
network section of the setup menu.
Once you have entered the MAC address, you can then
browse stations and podcasts and set up groups of
favourite stations. When you next connect your AVR600
to the internet, these groups will appear in the selection
list.
Pressing the INFO key will cycle what is shown on the
lower right portion of the front panel display between:
< Elapsed Time (default)
< Processing mode
< Album (if available)
< Artist (if available)
< File information (bitrate, type).

iPod
It is possible to connect an iPod
to your AVR600 using either the
Arcam rLead or rDock accessories
(please contact your dealer).
Connect the 9-way plug into the
socket marked ‘rLead/rDock’ and
the audio leads to the AV input. If
your iPod has video output and you
are using the rDock, connect the
composite and S-Video leads to the
AV video inputs.

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E-46

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English

external
amplifiers
Analogue pre-amplifier outputs
All pre-amplifier analogue outputs are buffered, have
a low output impedance and are at line level. They are
able to drive long cables or several inputs in parallel if
required.
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R, L, C
Connect these to the equivalent (Right, Left and Centre)
front channels of your power amplifier.

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SW1
Main subwoofer output. Connect this to the input of
your active subwoofer, if present.
SW2, SW3
Subwoofer 2 and Subwoofer 3 auxiliary outputs. These
are equivalent to SW1 but they allow the use of multiple
subwoofers.
SR, SL
Surround Right and Surround Left outputs. Connect
these to the Surround Right and Left power amplifier
inputs.
SBR, SBL
Surround Back Right and Surround Back Left outputs
(only used in 6.1 and 7.1 channel systems). Connect
these to the Surround Back Right and Surround Back
Left power amplifier inputs.
For 6.1 channel speaker configurations, connect the
single Surround Back power amplifier to the SBL output.

E-47

The connection guide on the following page shows how
the AVR600 is normally connected in a multi-room
installation.
The Z2 Out, R and L phono sockets should be connected
to the analogue audio inputs (Usually labelled
Analogue Audio in) of the Zone 2 display device, or
to the inputs of an additional stereo power amplifier in
Zone 2 (for example, the Arcam P38).

Zone 2 receives only signals obtained by the AVR600
from the analogue audio, Composite and S-Video
inputs. The analogue inputs are required because there
is no analogue-to-digital, digital-to-analogue or DSP
processing available for Zone 2 signals – the AVR600
only converts video formats for Zone 1.

Zone 2 and 3 control outputs
The AVR600 also allows remote control from Zones 2
and 3.

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Audio outputs

Zone 2

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Zone 3

For this reason, we recommend that in addition to any
digital connections, the Composite and/or S-Video
outputs from your source devices are connected to the
AVR600.

A line-level signal from the stereo analogue audio is
available for Zone 3. This is a copy of the Zone 2 audio
signal, but has its own independent volume control.

Audio outputs

Video outputs

The Z3 Out, R and L phono sockets should be connected
to the inputs of an additional stereo power amplifier in
Zone 3 (for example, the Arcam P38).

The Z2 S-Video and/or Composite output connectors
of the AVR600 should be connected to the analogue
video inputs (usually labelled S-Video In or
Composite Video in) of the display device in Zone 2.
If you wish to make an HDMI connection to Zone 2,
you must accept the limitations of the AVR600 video
processing system.

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multi-room
set up

The AVR600 allows independent routing and control of
analogue audio, Composite and S-Video to a separate set
of equipment, typically used for a second living space,
e.g., bedroom or lounge. The AVR600 also allows a
copy of the Zone 2 analogue audio to be routed to and
controlled in a third living space, Zone 3.

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Z2 IR and Z3 IR
This allows the AVR600 to be
controlled remotely from Zone 2
or Zone 3 via Infra-red remote
control. Connect a remote IR
receiver in Zone 2 or Zone 3 to
allow control of the AVR600
from these listening/viewing
areas.
For more information on remote
IR receivers, see ‘Z1 IR’ on page
17.

TRIG Z2 and TRIG Z3
This allows the AVR600 to
remotely switch on devices
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in Zone 2 or 3 when the
appropriate Zone is selected.
For example you could set your
television in Zone 2 to switch on
when ‘Zone 2’ is selected on AVR600.
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HDMI OUT 1 and OUT 2 both carry the same signals (as
there is only one video processing engine) and are
primarily intended for use in Zone 1. Full HDMI video
functionality in Zone 2 can only be achieved if Zone 1 is
not being used at the same time.

If Zone 1 is being used at the same time as Zone 2,
Zone 2 must follow the Zone 1 source selection if you
wish to receive HDMI signals in Zone 2. Zone 2 must
also be the same video resolution as Zone 1. If you wish
to watch a different source in Zone 2 than is currently
showing over HDMI in Zone 1, Zone 2 will be forced to
use the analogue video connections into and out of the
AVR600.
Due to the complications of using HDMI in Zone 2
we recommend the use of analogue video connections
instead, particularly as it is not possible to apply audio
lip sync to Zone 2 audio to compensate for video
processing delays.

E-48

For more information on triggers, see ‘Trigger
connectors’ on page 17. Please note that not all AV
devices have this feature, nor are triggers essential for
listening and viewing in a separate zone.

Zone 1

Zone 3

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E-49

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English

Multi-room connection guide

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Code Learning

customising
the CR102

The CR102 comes with a complete library of
preprogrammed codes. After you have set up the CR102
for your device, you may find that there are one or more
functions on your original remote which do not have a
place on the CR102 keypad. For convenience, the CR102
offers a Code Learning feature that allows you to copy
up to 16 functions from an original remote control onto
the CR102 keypad.
Before you start, make sure that:
< The original remote control is working correctly.
< The remotes are not pointing at your device.
< The remotes have new batteries.
< The remotes are not in direct sunlight or under
strong fluorescent lights.
Learned functions are mode-dependent: You could
theoretically assign up to eight different functions
to a single key (the CR102 can handle a total of 16
learned functions).

9. To use the learned function on the CR102, press the
Device Mode key, followed by the function key.
In this example, you’d press
a followed by (

Shifted Learning

To delete a Shifted Learned function, press S before
you press the key to be deassigned (during step 4 above).

To delete ALL learned functions within a
given Device Mode

You can assign a learned function to a CR102 key
without sacrificing its original function.

1. Press and hold S until the power LED blinks twice:
* *.

You can assign Shifted Learning functions to any key
except for: Device Mode keys (e.g. a), S, or number
keys (0 to 9).
1. To assign a Shifted Learning function, simply follow
Code Learning steps in the previous section. During
step 5, press S once before you press the key to
which you want to assign the learned function.
2. To access the shifted function, press S and then the
target key.

2. Press 9 7 6 – the power LED blinks twice: *
*.
3. Press the appropriate Device Mode key twice.

Important notes
< Once you start a Code Learning session, you have

approximately 10 seconds to conduct each step. Any
longer, and a timeout means that you’ll have to start
the process again.
< The Learning feature is mode-specific – you can
copy one feature per mode onto a key.
< The CR102 can learn approximately 16 functions in
total.
< To replace a learned function, simply assign a new
one to the same key.
< Learned functions are retained when you change
batteries.
< If Code Learning fails, try altering the distance
between the two remotes; make sure that the light in
the area is not too bright.

Example: To copy the ‘text hold’ function
from a TV remote onto the ( key of your
CR102

1. Place both remotes on a flat surface, 2 to 5cm apart,
with the IR ports facing each other.
2. On the CR102, press and hold S until the power
LED blinks twice: * *.
3. Press 9 7 5. The power LED blinks twice: *
*.
4. On the CR102, press the device key that matches the
‘source’ device (e.g. if you’re learning a TV function,
press a).
5. On the CR102, press the key to which you want to
assign the learned function (e.g. (). The device key
blinks rapidly.
6. On the original remote, press and hold the function
key that you want to learn (e.g. Text Hold) until the
CR102 device key blinks twice: * *.
7. If you want to learn other functions from the same
source device, simply repeat steps 5 and 6 pressing
the next key you want to learn.
8. To exit Code Learning mode, press and hold S
until the device key blinks twice: * *.

To delete a Shifted Learned function:

To delete a learned function
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 6. The power LED blinks twice: .
3. Press a Device Mode key once. For example, if you
want to delete one of your learned TV functions,
press a.
4. Press twice on the key you want to deassign. The
handset blinks twice: * * to confirm.
The original function of the CR102 is restored.

E-50

You can program your CR102 to issue a sequence of
commands when you press a single key. Any sequence of
commands you regularly use can be reduced to a single
key press for your convenience.
For example, you might want to turn off your TV, VCR
and Satellite at the same time.
< A key programmed with a Macro is available in all
modes; it will replace that key’s different functions
for all modes.
< A Macro can consist of up to eight key presses.

Example: To deassign the Macro associated
with the h key
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 5.
3. Press h.
4. Press and hold S until the power LED blinks twice:
* *.

Volume punch-through

Key Mover

Volume punch-through means that, no matter which
Device Mode is selected, the CR102 controls the
AVR600 volume. You don’t need to press A on your
CR102; this feature is switched on by default.

Sometimes you might find that a key you use a lot for
your system is in the ‘wrong’ place on the CR102 keypad
for your comfort. It’s quite easy to reassign a favourite
function to a more accessible key. It is even possible
to move a function from one Device Mode to another
Device Mode.

There are times, however, when you might want to
control a device’s volume directly when in a specific
Device Mode.

Example: To cancel volume punch-through
for a TV (AV mode)
1. Press a once.

Example: To assign a Macro to the h key
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 5.
3. Press h (the Macro will be assigned to this key).
4. Press a, P, w, P, z, P. (These are the Macro
steps you wish to record.)
5. To store the Macro, press and hold S until the
power LED blinks twice: * *.
Now, whenever you press h, the CR102 will toggle the
power to your TV, VCR and Satellite.
< The important word here is ‘toggle’. For example, if
the TV and Satellite devices are currently on, but
the VCR is off, pressing h will switch off the TV
and Satellite and switch on the VCR (rather than
switching all three devices on or off).
< When using Macros, remember that you may need
to change mode or use S, and that each key press
(including changing modes and pressing S) counts
as one of the Macro steps. You cannot use a Macro
key within another Macro.
< If the amount of memory storage for a particular
Macro is exceeded, the power LED comes on for five
seconds. You can, however, save the macro steps up
to that point by pressing S, or you can cancel the
Macro recording by pressing any other key.
< The delay between key presses is recorded as part of
the Macro. A delay of up to 30 seconds is permitted.

2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 3.
4. Press -. The power LED blinks four times.
Now, while in TV (AV) mode, you will be able to control
the volume or mute functions of your TV directly.

To completely cancel all volume punchthrough settings
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 3.
3. Press +. The power LED blinks four times * *
* *.
Now, whichever mode you’re in, you will have direct
access to that device’s volume or mute functions,
assuming they are available. You would need to switch to
AMP mode to alter the AVR600 volume.

Example: To restore default volume punchthrough settings to all Device Modes
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 3.
3. Press A. The power key LED blinks twice: * *.

E-51

Example: To assign the D function to the U
key in SAT mode

1. Press z.
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 4.
4. Press the key you want to move (e.g. D)
5. Press the key you want to move the key to (e.g. U).

Now, pressing either D or U while in SAT Device
Mode makes the CR102 transmit the D function.
To completely swap over the functionality of the two
keys to put the U functionality on the D key, repeat
the above process again, but swap over the D and U
key presses in the example.
Note that the function that is copied over to the new key
is always the original function of the old key.

Restore a moved key
To restore a key to its previous function, repeat the
example above, pressing the key to be restored twice
(copy it back to itself).

Restore all moved keys for a Device Mode
To restore all keys in a Device Mode to their original
functional positions, repeat the example above, but press
the relevant Device Mode key (e.g. A) at points 1,4 and
5 in the example.

English

Creating Macros

Copy a key between Device Modes
It is possible to copy functions between Device Modes.
However, remember that button functions are Device
Mode specific and therefore effectively ‘punch-through’
to the original Device Mode when copied over.
The following example copies the AVR600 Direct
function from the CR102 AMP device mode to the
shifted function of the # button on AV Device Mode.
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 4.
3. Press the Device Mode key of the function you want
to move (e.g. A).
4. Press the function key you want to move (e.g.)/
DIRECT)
5. Press the key of the Device Mode you want to copy
the function to (e.g. a)
6. Press the S button graphic
7. Press the key you want to copy the function to (e.g.
#)
If you prefer to copy the key to the main function of the
# button instead of the ‘shifted’ function, omit point 6
in the above example.

Mode Mover

Locking/Unlocking a specific
Device Mode

If your home entertainment setup contains devices of
the same type (e.g. two TVs, perhaps from different
manufacturers) you can still control both those devices
with the CR102. You simply need to reassign an unused
Device Mode key.

When you first unpack your CR102 and insert the
batteries, for your convenience it is able to control
certain Arcam components automatically (e.g. DVD
players, Amplifiers, Tuners and CD Players). We achieve
this by preprogramming specific Arcam device codes
onto the relevant Device Mode keys, then locking
the Device Modes so you don’t reprogram them
inadvertently.

NOTE
Before using Mode Mover, make sure both the
source and destination Device Mode keys are
unlocked (see next section).

Example: To use the z key to control a
second TV
1. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 2.
3. Press the Device Mode key for the type of device you
want to control (e.g. for a TV, press a).
4. Press the Device Mode key you want to use (e.g. z).
5. Don’t forget to set up the CR102 to control the
second device, using one of the methods on page 25.

If you want to override these locked default settings – to
control a third-party DVD player, for example – you will
first need to unlock DVD Mode before setting up the
CR102 using one of the methods described at the start
of this guide.
Here are the factory default settings:
Device Mode

Note that volume punch-through is not applied to a
Device Mode that has been copied using Mode Mover.
However, AVR600 volume punch-through functionality
can be restored when you have used Mode Mover, by
copying -, + and @ from the AMP Device Mode
to the same physical buttons on the new moved Device
Mode using the last example shown in Key Mover.

To restore a moved Device Mode key to its
original state
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 2.
3. Press the Device Mode key you want to restore
twice.

Default status

Default Arcam
codes

DVD

Locked

0762

SAT

Unlocked

1205

Unlocked

0586

TUN

Locked

2009

AMP

Locked

1242

PVR

Unlocked

1930

VCR

Unlocked

0111

Locked

2010

Alternative codes are available for multi-room solutions,
or in the case of code clashes with other manufacturer’s
products.
For example:
DVD (system code 12)

AMP (system code 19)

1655
1954

You will need to change the system code on the product
you wish to control, as well as the CR102.
NOTE
The AMP Device Mode can only be used to control
Arcam amplifiers like the AVR600, either on its
default or alternative IR system codes.

E-52

To toggle a Device Mode lock setting:
1. Press the Device Mode key you want to unlock (e.g.
d)
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 8 2.
< The power LED blinks twice when being locked, and
blinks four times when being unlocked.
< If you enter an invalid key sequence, the power
LED gives one long blink and returns to normal
operation.
While the Device Mode key is locked, the Direct Code
Setup and Move Mode functions are not available.

The Mode key IR punch-through default is ‘on’.

Example: To set the Mode key IR punchthrough to AMP

Device codes

Command summary
Direct code setup

Key mover

(e.g. AV mode, NNNN=code number)

(e.g. SAT mode, DISP key to MENU key)

a S * * NNNN * * P

zS**994DU

Library search

Mode mover

(e.g. AV mode)

(e.g. change SAT to TV(AV))

a S 9 9 1 * * P [ until unit turns off
S to save

S**992az

Code blink back

(e.g. restore SAT)

a S 9 9 0 **
1 count blinks for first N

S**992zz

1. Press and hold S until the power LED blinks twice:
* *.

2 count blinks for second N
3 count blinks for third N

(e.g. DVD mode)

2. Press 9 7 1. The power LED blinks twice: *
*.

4 count blinks for fourth N

1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 1. The power LED blinks twice: *
*.
3. Press A to punch through IR from it.
Now, whenever you press and release a Mode key, the
IR data assigned to AMP is transmitted, no matter what
the current mode is (i.e. it ‘punches through’ any other
device).

To cancel Mode key IR punch-through

3. Press S until the power LED blinks twice: * *.

Resetting the CR102
Resetting the CR102 will erase all learned functions
across all modes, as well as some other programmed
functions like Macros. It will not reset the Device Mode
keys; these will remain programmed to your choice of
component.

Restore device mode

Locking/unlocking a mode
dS**982**
(i.e. two blinks for lock)

Code learning

dS**982****

(e.g. AV mode fast forward key)

(i.e. four blinks for unlock)

S * * 9 7 5 * * a ( * (many
rapid blinks)

Cancel all volume punch-through

(Press key on original remote that you wish to copy)
**S**

Delete a learned function

S**993+****

Restore volume punch-through
S**993A**

(e.g. AV mode fast forward key)

Mode key IR punch-through

S**975**a((**

S**971**A

2. Press 9 8 0. The power LED blinks four times:
* * * *.

Delete all learned functions with a device

Cancel mode key IR punch-through

3. Press and hold S until the power LED blinks twice:
* *.
4. Press 9 9 3.

S**975aa

1. Press and hold S until the power LED blinks twice:
* *.

5. Press A. The power key LED blinks twice: * *.
6. Press and hold S until the power LED blinks twice:
* *.
7. Press 9 7 1. The power LED blinks twice: *
*.

(e.g. AV mode)

S**971**S**

Creating macros
(e.g. SRCH key)
S**995haPwPzPS
**

NOTE
As elsewhere in this Handbook, a single ‘blink’ of
the red LED behind the power button is indicated
by the symbol *.

Deassign macro
S**995hS**

8. Press A. The power key LED blinks twice: * *.

E-53

The tables that begin on page 58 (in the final section of
this Handbook) list the four-figure codes for different
manufacturers’ devices.
Use these when setting your CR102 up to control your
devices, as described in Method 1 (see page 25).
If more than one code number is listed, try the first
number. If the results are unsatisfactory, continue trying
the numbers for that manufacturer to get the best ‘fit’
with the functionality required.
If the manufacturer of your equipment is not listed, you
can try Method 2, the Library Search (see page 25). This
allows you to scan through every set of codes contained
in the CR102’s memory.

English

Mode key IR punch-through

Problem
There are no lights on the unit

Check that...
< the power cord is plugged into the AVR600 and the mains socket it is
plugged into is switched on.

trouble
shooting

< the power button is pressed in.
If a red LED is present, the AVR600 is in standby mode. Press any button on the
front panel or remote control.
The unit responds erratically
or not at all to the remote
control

< there are fresh batteries in the remote control.
< the front panel window is visible and you are pointing the remote control

The front panel display is
blank

< the display hasn’t been turned off. Press the DISPLAY button on the front

No picture is being produced

< your viewing device is turned on and switched to display your AVR600. Test

towards it.

panel or remote control.

by pressing the MENU button on the AVR600 or on the remote and look for
the main menu screen on your display device.
< the correct video input is selected on the AVR600.
< the video source is on, is operating normally, and is in ‘play’ mode if
appropriate.
< you have the AVR600 in a video resolution that is compatible with the
connection you are using and with your display device. For example,
composite video is only capable of carrying 480i and 576i resolutions. Test
this by pressing and holding the OK key for more than two seconds to force
480i / 576i output resolutions.
There are bright edges or
‘ghosts’ on the picture

< the cables used for analogue video connections are designed to carry video
(i.e., they are 75Ω coaxial cables).

< ensure the ‘sharpness’ control on your display device is switched off or set to
near minimum.

< for HDMI connections, try using a shorter cable or alternatively a different
brand.

No sound is produced

< the correct input has been selected.
< the source equipment is on, is operating normally and is in ‘play’ mode if
appropriate.

< the volume is turned up to a reasonable level and the AVR600 is not in mute
mode.

The sound is poor or distorted

E-54

< you have not excessively increased the input sensitivity (i.e. reduced the
maximum input signal voltage) in the Input Config. menu if an analogue
input is being used.
< you have selected the correct size of speakers to suit your system in the setup
menu.

Sound only comes from some
of the speakers

Check that...

Problem

< you have an appropriate surround source selected and playing.
< the DVD disc is encoded in the appropriate format, and the correct format

has been selected in the disc start menu of the DVD player (if applicable).
< the DVD player has been set to output ‘bitstream’ audio on the digital
output.
< the display window indicates that the disc you are playing is a multichannel
recording (you may need to press the INFO key several times until you get to
the ‘incoming format’ display).
< all the speakers are correctly connected to the speaker terminals and are
secure.
< you have not selected ‘Stereo’ as the decoding mode.
< your speaker balance is correct.
< you have configured the AVR600 to include all the speakers in your system.
Unable to select Dolby Digital
or DTS decoding modes

The AVR600 can only apply Dolby Digital and DTS decoding to sources which
have been encoded in the same format.
Check that:
< digital source is selected and connected.
< the source is playing appropriately encoded material.
< the DVD disc is encoded in the appropriate format and that the correct
format has been selected in the disc start menu of the DVD player (if
applicable).
< the DVD player has been set to output ‘bitstream’ audio on the digital
output.

When playing a Dolby Digital
DVD, the AVR600 selects
Dolby Pro Logic

< you have a digital connection from your DVD player.
< sometimes Dolby Digital DVD discs contain material at either the beginning

Hum on the analogue input

< all cables are making a good connection. If necessary withdraw the cable

< there are no static or impulse interference problems caused by nearby power

Volume is always too loud
when I turn on

< the ‘max on volume’ setting is not set too high.

When Zone 2 or 3 is put into
standby, the main zone is also
switched off

< the ‘zone standby‘ setting in the setup menu is set to LOCAL.

When a USB memory device is
connected, ‘USB’ is not shown
in the network client’s list of
folders

< a USB memory device is connected that conforms to the mass storage class.
< a USB hub is not being used.

If files on a USB memory
device cannot be played:

< the USB device is formatted in FAT16 or FAT32.
< the USB device does not have multiple partitions.
< the files are in a compatible format.

If files on a computer cannot
be played

< the files are in a compatible format.
< the computer is connected via a network and not USB – the AVR600 USB

If you cannot connect to a
wired network

< the Ethernet cable you are using is correctly connected between the AVR600
and the network hardware.
< the network is set up for fixed IP addressing and you have the AVR600 set to
use DHCP.
< the network is set up for DHCP and you have the AVR600 set to use fixed IP
addressing.

If you cannot connect to a
favourite internet radio station

< the station is still broadcasting or is not congested – try again later.

If the internet radio station
sound quality is poor or
broken

< the radio station does not have a low bit rate (use the INFO key to find this or

equipment switching, e.g., heating or air conditioning control. Switch the
AVR600 off, wait ten seconds, then switch it on again to clear an operating
problem. Contact your installer if the problem returns or persists.
< there is no direct sunlight shining on the infra-red detector behind the front
panel display.

port cannot be used for a direct connection to a computer

or the end of the main movie that is not in full 5.1 format, but in twochannel or Pro Logic decoding.

from the connector and plug it fully in again (turn the power off before
doing this).
< the connections inside the source cable connector are not broken or badly
soldered.
< if the hum originates only when one particular source component is
connected, that an aerial cable, or dish connection to this source is ground
isolated. Contact your installation contractor.
There is radio or television
reception interference

Check that...

The source switching changes
randomly or freezes on one
source

< where the interference is coming from. Switch off each source component in
turn, then any other equipment. Most electronic equipment does generate
low levels of interference.
< try re-arranging cabling from the nuisance source away from other cabling.
< ensure that the cabling used is high quality, specified for its purpose, and is
properly screened.
< if the problem persists, contact your dealer.

E-55

look on the OSD).

< the network is not slow or congested.

English

Problem

specifications

Continuous power output (20Hz—20kHz at 0.05% THD), per channel
2 channels driven
150W
All channels driven
120W
THD at full rated power
<0.2%
Residual noise & hum
<0.25mV unweighted 20Hz – 22kHz
Inputs
Phono input:
Input sensitivity at 1kHz
Input impedance
Signal/noise ratio (CCIR, 65W)
Overload margin
Line inputs:
Nominal sensitivity
Input impedance
Signal/noise ratio (CCIR, 65W)

5mV
47kΩ
88dB
31dB
500mV–4V (user adjustable)
47kΩ
100dB

Preamplifier outputs
Max output level
Output impedance
THD+N (20Hz—20kHz)

6V RMS
<50Ω
-100dB

Video inputs
Component video signal/noise
Composite video signal/noise

85dB
70dB

Headphone output
Maximum output level into 600Ω
Output impedance
General
Mains voltage
Power consumption (maximum)
Power consumption (idle, typical)
Power consumption (standby)
Dimensions W x D x H (including feet)
Weight (net)
Weight (packed)
Supplied accessories

Continual improvement policy
Arcam has a policy of continual improvement for its
products. This means that designs and specifications
are subject to change without notice.

4V p-p
<5Ω
110–120V or 220–240V
1.5kVA (Thermal dissipation approx. 2300 BTU/hour)
120VA (Thermal dissipation approx. 410 BTU/hour)
3VA
432 x 450 x 180mm
25.0kg
28.0kg
Mains lead
CR102 remote control
4 x AAA batteries
Manual
HDMI lead support bar
DAB aerial (if DAB module fitted)
FM aerial
AM loop aerial
Calibration microphone

E&OE
NOTE: All specification values are typical unless otherwise stated.

E-56

Worldwide Guarantee
English

product
guarantee

This entitles you to have the unit repaired free of charge, during the first two years after
purchase, at any authorised Arcam distributor provided that it was originally purchased
from an authorised Arcam dealer or distributor. This is extended by a further three years
(five years total) on the return of your product registration card. The manufacturer can
take no responsibility for defects arising from accident, misuse, abuse, wear and tear,
neglect or through unauthorized adjustment and/or repair, neither can they accept
responsibility for damage or loss occurring during transit to or from the person claiming
under the guarantee.

The warranty covers:
Parts and labour costs for two years (or five years total on return of your product
registration card) from the purchase date. After two years (or five years total on return
of your product registration card) you must pay for both parts and labour costs. The
warranty does not cover transportation costs at any time.

Claims under guarantee
This equipment should be packed in the original packing and returned to the dealer from
whom it was purchased, or failing this, directly to the Arcam distributor in the country of
residence.
It should be sent carriage prepaid by a reputable carrier – not by post. No responsibility
can be accepted for the unit whilst in transit to the dealer or distributor and customers are
therefore advised to insure the unit against loss or damage whilst in transit.
For further details contact Arcam at:
Arcam Customer Support Department,
Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England
or via www.arcam.co.uk.

Problems?
If your Arcam dealer is unable to answer any query regarding this or any other Arcam
product please contact Arcam Customer Support at the above address and we will do our
best to help you.

On-line registration
You can register your product on-line at www.arcam.co.uk.

Correct disposal of this product
This marking indicates that this
product should not be disposed
with other household waste
throughout the EU.
To prevent possible harm to the
environment or human health from
uncontrolled waste disposal and to
conserve material resources, this product should be
recycled responsibly.
To dispose of your product, please use your local
return and collection systems or contact the retailer
where the product was purchased.

E-57

Bang & Olufsen
BaoHuaShi
Baosheng
Barco
Basic Line

device code
tables

Bastide
Bauer
Baur
Bazin
Beaumark
Beijing
Beko

TV
888
A.R. Systems

0294
0067 0382 0586
0404 0485
Accent
0039 0067 0586
Acoustic Research 1299
Acura
0039
Adcom
0655
Addison
0683 0138
ADL
1247
Admiral
0123 0193 0448
0294
Advent
0906
Adyson
0247 0246
AEA
0067 0586
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0636 1193
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0246 0294 0247
Aiko
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Aim
0067 0586 0783
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1535
Akai
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0065 0783 0193
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1067 0503 1289
1278
Akashi
0890 0039
Akiba
0485 0067 0586
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0448
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0067 0586
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Alaron
0246
Alba
0039 0067 1067
0586 0744 0448
0400 0698 0246
0193 0517 0473
Alkos
0065
All-Tel
0895
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0247
Allstar
0067 0586
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0247 0400
Amstrad
0039 0067 0294
0463 0586 1067

Anam
Anam National
Andersson
Anglo
Anitech
Ansonic
AOC
Aolingpike
Apex Digital
Apollo
Arc en Ciel
Arcam
Ardem
Aristona
Arthur Martin
ASA
Asberg
Asora
Astra
Asuka
ATD
Atlantic
Atori
Auchan
Audiosonic

Audioton
Audioworld
Aumark
Autovox
AWA

Axxent
Axxon
B&D
Baier
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Baird

0067 0586 0039
0680
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1193 1179
0039 0294
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0039 0698 0404
0193
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0294
1247
0503
0139
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0663 0586
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0193
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0067 0586
0039
0067 0586
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0728
0067 0586 0246
0039
0193
0039 0067 0404
0850 0139 0586
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0294
0728
0090
0247
0039 0404 0067
0586 0246 0636
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1406
0039
0744
1247
0906
0039 0294
0039 0404 0691
0139 0373 0247
0238 1226

Belson
Bennett
Beon
Berthen
Best
Bestar
Bestar-Daewoo
Binatone
Black Diamond
Black Strip
Blaupunkt
Blue Sky

Boots
Bosch
BPL
Brandt
Brandt
Electronique
Brinkmann
Brionvega
Britannia
Brother
Bruns
BSR
Bush

C-Tech
Caihong
Caishi
Capsonic
Carad
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Carrefour
Carver
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Cathay
CCE
Celestial
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0595
0294
0039
0193
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0039
0039 0067 0542
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0208
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0691
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0636 0838
1221
0586 0067
0067 0586 0448
0698
0400
0067 0586 0400
0404
0404
0247
0850 1067 0586
0783 1193
0065
0225 0230 0357
0485 0200
0067 0586 0698
0744 1067 0517
0745 1939 0485
1221 0838 1393
0247 0039
0357
0067 0586 0926
0139 0655 0365
0373 0590
0365
0067 0586 0698
0448 0516
0067 0586
0246 0247
0294
0516
0193
0039 1067 0067
0744 0698 0193
0404 0728 0294
0517 0238 0247
0586 0808 1289
1278
0926 0921
0039
0921
0294
0640 0067 0586
0698 1067
0485 0067 0586
0100 0067 0586
0200
0039 0067 0586
0067 0586 0193
0067 0586
0067 0247 0586
0850
0810 0921
1067

Centurion
CGE
Changcheng
Changfei
Changfeng
Changhai
Changhong
Chengdu
Ching Tai
Chun Yun
Chunfeng
Chung Hsin
Chunsun
Cimline
Citizen
City
Clarivox
Clatronic
Clayton
CMS
CMS hightec
Cobolt
Concorde
Condor
Conia
Conrac
Conrad
Conrowa
Contec
Continental
Edison
Cosmel
Crosley
Crown

CS Electronics
Curtis Mathes
Cytronix
D-Vision
Daewoo

Dainichi
Dansai
Dantax
Datsura
Dawa
Daytek
Dayton
Daytron
Dayu
de Graaf
DEC

0067 0586
0104 0448 0400
0193
0039 0294 0404
0691
0039 0404
0294 0783
0039
0850 0039 0294
0538
0039
0039
0039
0039 0294
0138
0039
0039
0090
0039
0067 0448 0586
0100
0067 0400 0744
0294 0586 0247
0039 0636 1193
1067
0246
0247
0921
0039
0067 0400 0586
0246 0039 0448
0193 0294
0784 0850
0838
0067 0586
0039 0294 0728
0783 1200
0039 0246 0294
0067 0586
0139 0517
0039 0067 0586
0104 0193
0039 0742 0067
0400 0516 0586
0448 0517 0744
0636 0745 0238
0683 1067
0246
0090 0123
1328
0067 0586
0664 0691 0404
1939 0529 0067
0586 0039 0246
0247 1167 0208
0200 0910 0138
0906 0895
0246
0067 0586 0294
0065 0246 0039
0247 0238
0400 0516 0744
0636 0745
0238
0039 0067 0586
0728 0736 1406
0039
0039 0404 0067
0586
0404 0691
0238 0578 0193
0890 0921

Decca

0067 0586 0247
1167
0067 0586 0404
0294
0067 0586 0636
1219 0617
Desmet
0067 0586 0039
Diamant
0067 0586
Diamond
0294 0728 0039
0855 0246 0890
0850
Digatron
0067 0586
Digihome
1179
Digiline
0067 0586 0135
0698
DigiLogic
0067 0586
Digitex
0850
Digitor
0067 0586
DigiX
0910
DiK
0067 0586
Dixi
0039 0067 0586
0247
DL
0921 0810 0067
0617 0895
Domeos
0698
Domland
0424
Dongda
0039
Donghai
0039
Dream Vision
1734
Drean
0067
DSE
0850
DTS
0039
Dual
0247 0373 0067
0586 0382 0424
0193 1167 0661
1179 1067
Dual Tec
0247
Dumont
0100 0247
Dunai
0193
Durabrand
0067 0586 0208
Dux
0067 0586
DVX
0921
Dynatech
0247
Dynatron
0067 0586
e:max
0636
Easy Living
1278 1289
Ecco
0803 0736
ECE
0067 0586
Edison-Minerva 0517
Elbe
0400 0193 0067
0586 0640 0247
Elcit
0193
Electrograph
1785
Elekta
0039 0067 0586
0294
Elfunk
1238 1067
ELG
0067 0586
Elin
0067 0246 0578
0586 0135 0193
0039
Elite
0067 0586
Elta
0039 0294 0246
Emerson
0208 0744 0067
0586 0100 1939
0516 0400 0193
0698
Enzer
0783
Erae
1401
Erres
0067 0586
ESC
0067 0586 0247
Estèle
0193
Ether
0039
Deitron
Denko
Denver

Etron

0039 0067 0586
0193 0850
0294 0247
0067
0246 0294 0067
0586 0247 0400
Europa
0067 0586
Europhon
0067 0193 0247
0586 0246
Evesham
1278 1289
Excel
0067 0586
Expert
0193
Exquisit
0067 0586
Fagor
0067 0586
FairTec
1221
Family Life
0067 0586
Feilang
0039
Feilu
0039
Feiyan
0294
Feiyue
0039
Fenner
0404 0039
Ferguson
0067 0139 0655
0365 0373 0590
0586 0065 0683
0138 0578 0473
1067
Fidelity
0193 0246 0542
0067 0586 0294
Filsai
0247
Finlandia
0238 0376 0578
0193 0373
Finlux
0067 0135 0100
0586 0744 0376
0247 0193 0745
0661 0522 0510
0503 0448 0636
0838
Firstar
0039
Firstline
0039 0067 0246
0586 0247 0404
0698 0744 0193
1939 0238 1067
1221 0838 1393
1193 1401
Fisher
0247 0238 0400
0193
Flint
0067 0485 0586
0640 0294
Force
1179
Formenti
0067 0193 0586
0516 0246
Formenti-Phoenix0246
Fortress
0123
Fraba
0067 0586 0400
Friac
0039 0067 0586
0400 0529 0640
Frontech
0193 0294 0247
0039
Fujimaro
0895
Fujitsu
0713 0883 0247
0193 0039 0382
0067 0586
Fujitsu General 0039 0247 0193
Fujitsu Siemens 1328 1289 1278
1193
Funai
0698 0294
Furi
0294
Furichi
0890
Futronic
0294 0890
Future
0067 0586
Galaxi
0067 0586 0193
Galaxis
0400 0448 0067
0586
Galeria
0039
Gateway
1785
Eurofeel
EuroLine
Euroman

GBC
GE

0193 0039 0404
0373 0208 0123
0590 0139 0365
0655
Geant Casino
0193
GEC
0067 0193 0247
0586
Geloso
0039 0193 0404
General
0139
General Electric 0373
General Technic 0039
Genesis
0039 0067 0586
Genexxa
0193 0067 0586
0039
Gericom
0895 1328 1247
0910
Gevalt
1401
Giant
0247
Go Video
0090
Goldfunk
0698
Goldhand
0246
GoldStar
0039 0067 0208
0400 0407 0247
0586 0246 0193
0139 0636 0744
0745 0485
Gooding
0517
Goodmans
0664 1289 1278
0067 1067 0529
0247 0586 0744
0373 0698 1939
0404 0294 0039
0517 0065 0510
0590 0365 0691
0910 0617 1406
Gorenje
0400
Gradiente
0067 0683 0200
0586
Graetz
0193 0744 0067
0586 1193
Granada
0067 0586 0238
0256 0247 0138
0503 0365 0590
0193 0373 0578
Grandin
0067 0586 0039
0193 0640 0744
0745 0698 0404
0485 1067 0895
1221 0910
Gronic
0247 0193
Grundig
0225 0538 1401
0067 0100 0517
0586 0617 0473
0736 0039 0400
0208 1406 0373
Grunkel
1193
H&B
0838
Haaz
0736
Haier
0728 0921 0294
Haihong
0039
Haiyan
0294
Halifax
0294 0246 0247
Hallmark
0208
Hammerstein
0294 0090
Hampton
0246 0247
Hankook
0208
Hanseatic
0067 0586 0529
0193 0691 0424
0664 0400 0039
0247 0407 0744
0838 0516
Hantarex
0039 0067 0586
Hantor
0067 0586
Harsper
0895
Harwa
0803 1226 1299

Harwood

0039 0067 0586
0517
0067 0586
0123
0039 0067 0586
0247 0448 0294
Hedzon
0586 0067
helios
0895
Hema
0247 0039
Hifivox
0139
Higashi
0246
Highline
0294 0067 0586
Hinari
0039 0238 0067
0586 0193 0473
0517 0294
Hisawa
0485 0640 0744
HISense
1393 0238 0039
0538 0783 1200
1238 0810 0586
Hitachi
0193 0208 1255
0039 0608 0135
0138 0503 0373
0247 0139 0511
0529 0067 0538
0586 0578 0664
0774 1067 1167
1200 0522 1511
0542 0510 1606
1179
Hitachi Fujian
0138
Hitsu
0039 0640 0485
Höher
0744 0895
Home Electronics 0636
Hongmei
0039 0123 0294
Hongyan
0294
Hornyphon
0067 0586
Hoshai
0485
Hua Tun
0039
Huafa
0039
Huanghaimei
0039
Huanghe
0039
Huanglong
0039
Huangshan
0039 0294
Huanyu
0246 0404 0294
Huaqiang
0294
Huari
0294
Hugoson
0920 1247
Hygashi
0247 0246
Hyper
0039 0246 0247
Hypson
0067 0294 0586
0744 0745 0247
0485 1067 0698
0516
Hyundai
0067 0895 0586
0736 0890 0783
0906
Iberia
0067 0586
ICE
0247 0294 0067
0039 0586 0246
Ices
0246
Ict
0067 1167 0586
IISonic
1406
Iiyama
1247 0920
Imperial
0067 0104 0193
0400 0448 0586
Imperial Crown 0039 0294 0404
0691
Indiana
0067 0586
InFocus
0782 1194
Ingelen
0193 0517 0640
0744
Ingersoll
0039
Inno Hit
0039 0067 0586
0247 1193
Hauppauge
Havermy
HCM

Innova
Innovation
Innowert
inotech
Interactive
Interbuy
Interfunk
Internal
International
Intervision

Irradio
IRT
Isukai
ITC
ITS
ITT
ITT Nokia
ITV
IX
Jean
JEC
Jialicai
Jinfeng
Jinque
Jinta
Jinxing
JMB
Jocel
Jubilee
Juhua
JVC
Kaige
Kaisui
Kambrook
Kamp
Kanghua
Kangli
Kangyi
Kapsch
Karcher
Kathrein
Kawasho
KB Aristocrat
Kendo
Kennedy
Kennex
Kenwood
Khind
KIC

0067
0067 0586
0895 1328
0803 0850
0067 0586 0542
0357 0193 0400
0139
0039 0067 0294
0542 0586
0067 0193 0586
0542 0357 0400
0139 0230
0067 0586 0529
0404 1939
0246
0067 0247 0485
0294 0407 0516
0400 0424 0517
0193 0039 0586
0039 0067 0586
0728
0067 0586 0485
0247
0067 0294 0246
0039 0586
0193 0510 0578
0503 0376 0238
0640
0578 0193 0503
0510 0376 0238
0636 0640 0661
0294 0067 0586
0404
0907
0039
0065
0039 0294
0238 0256
0039 0294
0039 0294
0039 0586 0067
0294 0728
0067 0529 0664
0404 0586 0473
0742
0586
0294
0683 0761 0538
0636 0713 0448
0123 0680
0039 0294
0039 0246 0067
0247 0586 0485
0407
0246
0926
0039 0294 0404
0691
0039 0294
0193
0067 0586 0400
0640 0193 0294
0808 0744 0636
0586 0067
0246
0193
0067 0640 0586
0193 0542 0400
0407 1067 0516
0193
1067
0135
0926 0736
0247

Kingsley
Kioto
Kiton
KLL
Kneissel
Kolin
Kolster
Kongque
Konichi
Konka
Kontakt
Korpel
Korting
Kosmos
Kotron
Koyoda
Kreisen
KTV
Kuaile
Kuba
Kuba Electronic
Kulun
Kunlun
Kyoshu
Kyoto
L&S Electronic
LaSAT
Lavis
Leader
Lecson
Legend
Lenco
Lenoir
Levis Austria
Lexsor
Leyco
LG

Liesenk & Tter
Liesenkotter
Lifetec

Lloyd’s
Local Malaysia
TV
Lodos
Loewe
Logik
Logix
Longjiang
Luma
Lumatron
Lux May

0246
0736 0586
0586 0067 0698
0067
0067 0400 0640
0404 0529 0586
0138
0067 0586
0039 0294
0039
0067 0586 0744
0448 0617 0784
0517
0067 0586
0400
0067 0586
0294
0039
0906
0247
0039 0294
0193
0193
0039
0238 0256 0294
0404 0691
0448 0294
0193 0246 0247
0895 0744
0516 0400
1067 0067 0193
0039
0067 0586
0039
0067 0039 0193
0404 0586 0617
1067
0039
0067 0586
1226
0067 0294 0586
0067 0208 0400
0039 0407 1295
0586 0247 0744
0246 0674 0193
0090 0138 0636
0139 0728 0745
1667 1221
0067 0357 0586
0067 0357 0586
0067 0039 0404
0698 0542 1067
1167 0586 0294
0713 1278 1289
0744
0039
0728
1067 1179
0542 0663 0820
0067 0586 0400
0090 0728 0803
0039 0294 0910
1247 1067
0698
0294
0067 0193 0586
0404 0039
0067 0586 0193
0247 0294
0067 0039 0586

Luxor

LXI
Madison
Magnadyne
Magnafon
Magnavox
Magnum
Mandor
Manesth
Manhattan
Marantz
Mark
Master’s
Mastro
Masuda
Matsui

Matsushita
Matsuviama
Maxam
Maxdorf
Maxent
MCE
Meck
Mediator
Medion

Megas
Megatron
MEI
Meile
Melectronic

Memorex
Memphis
Mercury
Mermaid
Merritt
Metronic
Metz

MGA
Micromaxx
Microstar
MicroTEK
Mikomi
Minato
Minerva
Minoka

1193 0510 0522
0238 0578 0193
0376 0503 1067
0247 0661
0208
0067 0586
0193
0246
0067 0586 0736
0810
0744 0067 0586
0745 1319
0294
0067 0247 0586
0294 0065 0193
0067 0906 0586
0698 1067 0193
0808
0067 0586
0067 0586 0247
0246 0404 0039
0744 0745
0529 0067
0810 0728
0039 0294 0067
0247 0586
0039 0067 0586
0065 0517 0238
0247 0473 0463
0485 0193 0225
0365 0744 1067
0680
0617
0294
0803
1785
0039
0921 0728
0067 0586
0067 0698 0744
1067 0838 0586
0542 1167 0728
1278 1289 0910
1319
0640
0208
1067 0067 0586
0294
0039 0376 0067
0542 0139 0373
0193 0135 0247
0404 0510 0522
0246 0586 0664
0225 0691 0744
0039 1067 0208
0680 0090
0039
0067 0039 0586
0067
0578 0193
0655
0418 0477 0776
1193 0225 0067
0586 0617 0698
1067 1563
0208 0067 0586
0067 0586 0698
1067 0838
0838
0850
1179
0067 0586
0100 0517 0225
0138
0067 0586

Mitsubishi
Mitsuri General
Mivar
Monaco
Morgan’s
Motorola
MTC
MTlogic
Mudan
Multitec
Multitech
Murphy
Musikland
MyCom
Myryad
NAD
Naiko
Nakimura
Nanbao
Nansheng
Naonis
NAT
National
NEC

Neckermann

NEI
Neovia
Netsat
Neufunk
New Tech
Newave
Nicamagic
Nikkai
Nikkei
Nikko
Nishi
Noblex
Nobliko
Nogamatic
Nokia

Nordic
Nordmende

Norfolk
Normerel
Novak
Novatronic
NU-TEC

0138 0123 0542
0067 0208 0586
0238 1067
0193
0246 0400 0639
0247
0039
0067 0586
0123
0090 0400 0542
0193 0246
0744
0039 0238 0256
0294
0067 0586 0516
0698 1067
0039 0246 0516
0067 0247 0400
0586 0294
0246 0193
0067 0586
1406 0208
0586 0067
0208 0193
0067 0636 0586
0404 0067 0586
0039 0294
0294
0193
0256
0256 0238 0538
0200 0617 1200
0208 0039 0485
0404 0247 0067
0586 0294 0538
1734 0529 0683
0691
0067 0400 0586
1535 0230 0193
0357 0448 0247
0542
0067 0586 0193
0895 1401 0906
1406
0067 0586
0067 0039 0586
0640 0744
0067 0039 0586
0373 0247
0039 0208 0123
0246
0065 0067 0586
0246 0247 0294
0039
0744
0208
0512
0067 0294 0512
0100 0246
0139
0193 0503 0510
0578 0636 0522
0661 0238 0404
0376 0640 0139
0247
0139 0744 0921
0373 0590 0225
0067 0586 0365
0193 1289 1278
0193
0067 0586
0067 0586
0067 0135 0404
0586
0485 0728

Nurnberg
Oceanic
Odeon
Okano
Olidata
Omega
Omni
Onwa
Opera
Optimus
Optonica
Orbit
Orion
Orline
Ormond
Osaki
Osio
Osume
Otto Versand

Pacific
Pael
Palladium

Palsonic

Panama
Panasonic

Panavision
Panda
Papouw
Pathe Cinema
Pathe Marconi
Pausa
Peng Sheng
Penney
Perdio
Perfekt
Philco
Philex
Philharmonic
Philips
Phocus
Phoenix
Phonola
Pilot

0193
0193 0238 0503
0578 0510
0294
0400 0067 0586
0294 0039
1406
0294
0810 0921 0728
0632 0463
0067 0586
0680
0123
0067 0586
0067 0473 0586
0744 0039 0294
0910 1226
0067 0586
0698 1067 0067
0586
0247 0294 0067
0404 0586
0067 0586
0067 0586
1535 0067 0247
0373 0123 0542
0586 0225 0139
0256 0039
0067 0586 1167
0744 1067 0473
0246
0400 0067 0448
0744 1167 1535
0230 0586 0357
0193 0247
0294 0803 0067
0247 0407 0728
0586 0448 0808
1226
0039 0247 0294
0246 0067 0586
0680 0256 0138
1340 0067 0586
0193 0238 0538
0926 0578 0883
0208 0090
0067 0586
0039 0810 0238
0256 0294 0736
0921 0538 0728
0067 0586
0193 0246 0400
0139
0039
0921
0208 0090
0193 0067 0246
0586
0067 0586
0067 0104 0448
0586 0193 0400
0511 0208
0193
0247
0067 0586 0373
0208 0138 0404
0802 0039 0230
1319 0744
0067 0586 0400
0516 0193 0246
0067 0586 0246
0586 0067 0742
0736

Pioneer

Pionier
Plantron
Playsonic
Polaroid
Policom
Poppy
Portland
Powerpoint
Precision
Premier
President
Prima
Princess
Prinston
Profex
Profi
Profitronic
Proline
Prosonic
Protech

Proton
Provision
PVision
Pye
Pymi
Qingdao
Quasar
Quelle

R-Line
Radialva
Radiola
Radiomarelli
RadioShack
Radiotone
Rank
Rank Arena
RBM
RCA
Realistic
Recor
Rectiligne
Rediffusion
Redstar
Reflex
Relisys
Reoc
Revox
Rex

0790 0067 0139
0200 0193 0586
1290 0400 0373
0516 0542
0400 0516
0067 0586 0294
0039
0744 0067 0247
0745
0895
0139 0193 0100
0104
0039
0404 1939
0517 0067 0586
0728
0247
0039 0294
0890
0039 0294 1299
0728
1067
0039 0193
0039
0067 0586
0067 0586 0655
0664 1406
0067 0586 0400
0404 0698 0744
0246 0247
0039 0067 0586
0247 0294 0448
0698 0193 0516
1067
0208 0039 0674
0529 0067 0586
1067 0744
1221 0906
0067 0586 0404
0039
0238 0256 0294
0680 0895 0039
0067 1535 0100
0104 0139 0542
0247 0357 0135
0698 0586 0225
0230 0294 1067
0376 0039
0067 0586 0193
0139 0193 0067
0586
0067 0586 0247
0067 0586
0067 0586 0208
0039 0067 0586
0400 0448 0698
0294 1067
0100
0632 0783
0100
0090 0648 0123
0655 0208 0590
0365 0373 0783
0208
0067 0448 0586
0067 0586
0578 0376
0067 0586
0067 0586 1067
0698
0895 0906 0907
1328
0744 0664 1939
0067 0586 0400
0193 0294

TV (cont.)
RFT
Rhapsody
Ricoh
Rinex
Roadstar
Rodex
Rover
Rowa
Royal Lux
Rukopir
Saba
Sagem
Saige
Saisho
Saivod
Sakaï
Sakyno
Salora
Salsa
Sampo
Samsung

Sandra
Sanjian
Sansui
Santon
Sanyo

Sanyuan
Save
SBR
Schaub Lorenz
Schneider

Scotch
Scotland
Scott
Sears
Seaway
Seelver
SEG

SEI
Sei-Sinudyne

0400 0294 0067
0586 0516
0246
0067 0586
0803 0448
0039 1067 0294
0448 0067 0586
0744 0698 1219
0067 0586
0907
0067 0294 0728
0039 0247 0742
0246 0617 0586
0400 0365
0586 0067
0139 0655 0193
0590 0365 0373
0578 0680 0744
0640 0485 0860
1343 0648
0039
0039 0294 0247
0193
0067 0586 1193
0698 0742 1067
0193
0485
0193 0578 0238
0510
0365
1785 0039 0123
0208 0680
0090 0648 0674
0512 0617 0796
0067 0208 0586
1279 0039 0123
1265 0247 0400
0294 0246 0238
0193 0256 0655
0246 0247
0294
0067 0759 0586
0736 0632 0485
0783 1401
0039
0238 1238 0400
0246 0247 0039
0538 0193 0067
0138 0586 0516
0200
0039 0123
0067 0586
0067 0586
0578 0744 0636
0516 0404 1221
0067 1167 0586
0698 0424 0382
0373 0247 1067
0193 0744 1939
0100
0208
0193
1219 0208
0208
0664
0586 1067 0067
0067 0247 0586
0294 1067 0698
0517 0039 0193
0664 0246 1193
1939 0744
1535 0193 0067
0586
1535 0067 0586

Seitech
Seleco
Sencora
Sentra
Serie Dorada
Serino
Shancha
Shanghai
Sharp
Shen Ying
Shencai
Sheng Chai
Sheng Chia
Shenyang
Sherwood
Shintoshi
Shivaki
Show
Siam
Siarem
Siemens
Siera
Siesta
Silva
Silver
SilverCrest
Singer
Sinotec
Sinudyne
Sky
SKY Brasil
Skymaster
Skysonic
Skyworth
Sliding
SLX
Smaragd
Soemtron
Solavox
Songba
Soniko
Sonitron
Sonneclair
Sonoko
Sonolor
Sontec
Sony

Sound & Vision
Soundesign
Soundwave
Sowa
Soyea
Spectra
Ssangyong

1247
0193 0294 0376
0039
0065 0039
0208
0640 0485 0246
0123
0294
0039 0238 0256
0294
0123 0039 1223
1423 0683 0680
0230 0790 1193
0039
0039 0294
0039
0039 0123
0039 0294 0783
0039
0067 0586
0067 0586 0473
0404 0208
0448 0039
0067 0586
0193
0067 0225 0230
0357 0586
0067 0586 0617
0400
0067 0586 0246
0067 0485 0586
0745 0193
1067 0067 0586
0039 0067 0586
0365 0193
0803
0193 1535 0067
0586
0067 0910 0208
0586
0910
0135
0783
0067 0586 0039
0294 0728 0783
0895 0910
0698
0517
0895 1328
0193 0578 0067
0586
0039
0067 0586
0238 0400 0247
0067 0586
0039 0067 0586
0294 0247
0193 0238 1535
0578
0067 0586 0400
0039
1535 0104 1681
0680 0683 1781
0383 0067 0586
0123 0200
0404 0067 0586
0208
0067 0448 0586
0745
0090 0256 0208
0803
0039
0039

Staksonic
Standard
Starlite
Stern
Strato
Strong
Stylandia
Sunic Line
Sunkai
Sunstar
Sunwatt
Sunwood
Superla
SuperScan
Supersonic
SuperTech
Supra
Susumu
Sutron
SVA
Swisstec
Sydney
Synco
Sysline
Sytong
T+A
Tacico
Tai Yi
Taishan
Tandberg
Tandy
Targa
Tashiko
Tatung
TCL
TCM
Teac

TEC
Tech Line
Tech Lux
Technics
TechniSat
Technisson
Technosonic
Techwood
Tecnimagen
Teco
Tedelex

Teiron
Teknika
Tele System

0039
0039 0067 0247
0586 1067 0404
0039 0193 0067
0586 0294
0193 0294
0067 0586 0294
0039
1193 1179 1067
0067 0586
0247
0067 0586
0485 0640 0067
0586 0517 0895
0067 0586 0039
0294
0485
0067 0586 0039
0246 0247
0123
0238 0586 0728
0294 0485
0039 0246 0067
0586
0208 0404 0039
0365
0039
0617 0895
0910
0246 0247
0090 0123 0208
0067 0586
0246
0477
0208 0039
0039
0039 0404
0139 0193
0123 0247 0193
1401
0247 0680 0200
0246 0193
0039 0067 0586
0090 0247 1401
1289 1278 1221
0736 0728
0744 1319 0838
0039 0728 0067
0542 0294 1067
0448 0586 0485
0742 0698 0247
0736 1939 0208
0200 0744 1179
1785
0247 0039 0365
0067 0586 0193
0067 0586 0698
1193
1219
0680
0067 0586 0193
0744 1319
0067 0586
1193
0586
0039 0123 0208
0294 0683
0247 0448 0636
0039 0736 0238
0728 0617 0921
0067 0586
0039
0090
0906

Teleavia
Telecor

0139 0373
0067 0586 0193
0247 0424
Telefunken
0655 0104 0590
0139 0617 0365
0728 0373 0742
0850 0926 0784
0067 0586 0516
0744 0376
Telefusion
0067 0586
Telegazi
0067 0193 0294
0586
Telemeister
0067 0586
Telesonic
0067 0586
Telestar
0039 0067 0586
Teletech
0039 0067 0586
0698 1067
Teleton
0247 0193
Televideon
0193 0246
Teleview
0067 0586
Tempest
0039 0067 0586
0294
Tennessee
0067 0586
Tensai
0067 0586 0247
0039 0135 0404
0407 0745 0193
1067
Tenson
0039
Tesla
0067
Tevion
1278 1328 0067
1289 0586 0838
0698 1167 0744
1067 1319
Texet
0246 0247 0404
0039
Thomson
0139 0655 0590
0373 0365 0067
0586 0246
Thorn
0065 0138 0067
0139 0104 0373
1535 0529 0542
0586 0365 0404
0100
Thorn-Ferguson 0138 0373 0139
0365 0529 0065
Tiane
0123
Tiny
1226 1299
TMK
0208
Tobo
0039 0294
Tokai
0067 0586 0698
0193 0247 0404
0039 1067
Tokaido
1067
Tokyo
0246 0065
Tongguang
0294
Tongtel
0810 0617
Topline
1067 0698
Toshiba
0538 0090 0680
1538 0039 0065
0123 1734 1194
1319 0100 1295
0744 0294 0247
0139 0225 0648
0674 0728 0067
1193
Towada
0247
Toyoda
0039 0294
Trakton
0039 0294 0247
Trans Continens 0698 0247 1067
0067 0586 0516
TRANS0895
continents
Transonic
0067 0728 0586
0742 0485 0617
0542 0294 0448
0039

Transtec
Triad
Trident
Tristar
Triumph
Tuntex
TVTEXT 95
Uher
Ultravox
Unic Line
United
Universal
Universum

Univox
Utax
V7 Videoseven
Vestel
Vexa
Victor
Videocon
Videologic
Videologique
VideoSystem
Videotechnic
Videoton
Vidtech
Viewpia
ViewSonic
Visiola
Vision
Vortec
Voxson
Waltham
Wards
Warumaia
Watson

Watt Radio
Wega
Wegavox
Weipai
Welltech
Weltblick
Westinghouse
Weston
Wharfedale
White
Westinghouse
Windsor
Windy Sam
Wintel

0246
0067 0586
0247
0294
0376 0586 0067
0039
0586
0067 0586 0404
0448 0516 0400
0510
0404 0246 0193
0067 0586
0067 0586 0503
0485
0744 0067 0745
0586 1067 0617
0744 0067 0586
0067 0376 0104
0135 0225 0294
0503 0400 0522
0510 0230 0448
0542 0100 0193
0586 0357 1535
0698 0247 0139
0661 0039 1067
0200 1193 1179
0648
0067 0586 0193
0193
1785 0208 0910
1406 1247
0067 0193 0247
0586 0698 1067
1193
0039 0067 0586
0683 0680
0538
0246
0246 0247
0067 0586
0246 0247 0404
0193
0208
0906
1785
0246
0067 0294 0586
0247
0067 0586
0193 0208 0067
0586 0448
0247 0448 0067
0586 0698 0139
1067 0193 0473
0208
0404 0691
0067 1067 1278
1289 0586 0193
0039 0698 0424
1406 0357
0193 0246
0067 0586
0039 0067 0586
0039
0744
0067 0586 0247
0920
0067 0586
0067 0926 0586
0067 0246 0586
1939
0698 1067
0586
0744

World-of-Vision 0910 0920 0895
1319 1328 0907
1247
Worldview
0485
X-View
1221
Xenius
0664 0691
Xiahua
0039 0294 0728
0803
Xianghai
0039
Xiangyang
0294
Xihu
0294
Xingfu
0039
Xinghai
0294
Xingyu
0039
XLogic
0728 0890
Xoro
1226 1247
Xrypton
0067 0586
Yamaha
0680 1606
Yamishi
0485 0067 0586
0247
Yingge
0039
Yokan
0067 0586
Yoko
0067 0247 0294
0586 0039 0400
0246
Yonggu
0039
Yousida
0039
Yuhang
0039
Zanussi
0247
Zenith
1939 0208 1295
Zhuhai
0039 0404
Zonda
0728

VCR
Accent
Admiral
Adventura
Adyson
Aiko
Aim
Aiwa

0102
0078
0030
0102
0308
0308 0672 0378
0030 0378 0382
0067 0772 1167
0062
Akai
0067 0136 0345
0672 0382 0270
0378
Akashi
0102
Akiba
0102
Akura
0102
Alba
0308 0102 0382
0030 0345 0378
0111
Allorgan
0270
Allstar
0111
America Action 0308
Amstrad
0030 0308 0102
Anam
0067 0256 0270
0308
Anitech
0102
Ansonic
0030
Aristona
0111
ASA
0067 0111
Asha
0270
Asuka
0102 0067 0111
0030
Audiosonic
0308
Audiovox
0067 0308
AVP
0382 0030
AWA
0067 0308 0672
0073
Baird
0136 0308 0134
0030
Basic Line
0308 0102 0134
Beaumark
0270
Beko
0134
Bell & Howell
0134
Bestar
0308
Black Diamond 0672 0308
Black Panther
0308
Blaupunkt
0256 1592 0111
Blue Sky
0067 0378 0102
0382 0308 0030
0510 0672 1167
Bondstec
0102
Brandt
0350
Brinkmann
0378
Broksonic
0378
Bush
0102 0308 0345
0382 0030 0378
0111 0672 0772
Calix
0067
Carena
0111
Carrefour
0075
Carver
0111
Casio
0030
Cathay
0308
CCE
0102 0308
CGE
0030
Cimline
0102
Cineral
0308
CineVision
1167
Citizen
0067 0308
Clatronic
0102 0030
Colt
0102

Combitech
Condor
Craig
Crown

0382
0308
0067 0102 0270
0067 0308 0102
0510
Cybernex
0270
Cyrus
0111
Daewoo
0308 0672 0667
1167 0075 0378
0382
Dansai
0102 0308
Dantax
0382
Daytron
0308
de Graaf
0072 0196 0111
0134 0078
Decca
0030 0111 0097
0378 0382
Deitron
0308
Denko
0102
Denon
0072
Diamant
0067
Diamond
0308
Digitor
0672
DSE
0672
Dual
0111 0308 0030
0378
Dumont
0030 0111 0134
Durabrand
0672
Dynatech
0030
Elbe
0308
Elcatech
0102
Electrohome
0067
Electrophonic
0067
Elin
0270
Elsay
0102
Elta
0102 0308
Emerex
0062
Emerson
0030 0102 0067
0075 0073 1167
0308
ESC
0308 0270
EuroLine
0378
Ferguson
0350 0030 0308
Fidelity
0030 0102 0270
0462 0382
Finlandia
0134 0111 0072
0196 0030 0078
0067 0073 0136
0256
Finlux
0030 0111 0134
0072
Firstline
0102 0378 0073
0067 0075 0072
0308 1167
Fisher
0134
Flint
0378
Frontech
0102
Fujitsu
0030
Fujitsu General 0067
Funai
0030
Galaxi
0030
Galaxis
0308
Garrard
0030
GE
0350 0078 0270
GEC
0111
General Electric 0067
General Technic 0378
Genexxa
0134
Go Video
0462 1167
Goldhand
0102
GoldStar
0067 0510 0030
1167

Goodmans

0030 0102 0270
0308 0067 0111
0378 0667 0382
0672
GPX
0067
Gradiente
0030
Graetz
0134 0270
Granada
0134 0078 0111
0270 0067 0256
0072 0030
Grandin
0102 0067 0030
0308
Grundig
0270 0377 0111
0256 0350 0378
0102 0382 0772
Haaz
0378
Hanimex
0382
Hanseatic
0067 0308 0111
Harley Davidson 0030
Harman/Kardon 0111
Harwood
0102
HCM
0102
Hinari
0102 0382 0308
0270
Hisawa
0382
Hischito
0075
Hitachi
0072 0196 0030
0270 0111 0134
Höher
0308 0672
Hornyphon
0111
Hughes Network 0072
Systems
Hypson
0102 0308 0382
0030 0067 0510
Imperial
0030 0270
Ingersoll
0270
Inno Hit
0270 0308 0102
Interbuy
0067 0102
Interfunk
0111 0134
Internal
0308 0667
International
0308 0067
Intervision
0030 0308 0067
0378
Irradio
0102 0067 0111
1167
ITT
0136 0134 0270
ITT Nokia
0078
ITV
0308 0067
JMB
0382 0378
Joyce
0030
JVC
0097
Kaisui
0102
Kambrook
0067
Karcher
0308
KEC
0067 0308
Kendo
0136 0345 0378
0102 0067 0308
Kenwood
0097
KIC
0030
Kioto
0378
KLH
0102
Kneissel
0382 0378 0067
0308
Kodak
0067
Kolster
0378
Korpel
0102
Kyoto
0102
Lenco
0308
Leyco
0102
LG
0067 0510 0030
0308 1167
Lifetec
0378
Lloyd’s
0030

Loewe

0111 1592 0256
0067
0270 0102 0136
0308
0102
0136 0073 0102
0134 0078 0345
LXI
0067
Magnasonic
0308
Magnavox
0111 0030 0672
Magnin
0270
Magnum
0672
Manesth
0102 0075 0111
Marantz
0111
Mark
0308 0030
Marta
0067
Mastec
0672
Master’s
0308
Matsui
0378 0067 0270
0382 0030 0772
Mediator
0111
Medion
0378 0382
Melectronic
0030 0067
Memorex
0134 0030 0067
0078 0378 0270
Memphis
0102
Metronic
0111
Metz
1592 0377 0866
0111 0256 0067
MGA
0073 0270
MGN Technology0270
Micormay
0378
Micromaxx
0378
Migros
0030
Minolta
0072
Mitsubishi
0073 0097 0078
0111 0510 0030
0672
Motorola
0078
MTC
0270 0030
Multitec
0067
Multitech
0030 0102 0134
Murphy
0030
Myryad
0111
NAD
0134
Naiko
0672 0378
National
0256 1592
NEC
0097 0070 0134
0067 0308 1167
Neckermann
0111
Nesco
0102 0030 0382
Neufunk
0067
Nikkai
0102 0308
Nikko
0067
Noblex
0270
Nokia
0134 0136 0345
0308 0270 0078
0072 0111
Nordmende
0350 0097
NU-TEC
0378
Oceanic
0030 0078 0136
0111 0134
Okano
0345 0378 0102
0308
Olympus
0256
Onimax
0672
Optimus
0067 0078 0134
0462
Orbit
0102
Orion
0382 0378 0772
Orson
0030
Osaki
0030 0067 0102
Logik
Lumatron
Lux May
Luxor

Osume
Otto Versand
Pace
Pacific
Palladium
Palsonic
Panasonic
Pathe Cinema
Penney
Pentax
Perdio
Philco
Philips
Phoenix
Phonola
Pilot
Pioneer
Portland
Prinz
Profitronic
Proline
Prosco
Prosonic
Protech
Provision
Pye
Quasar
Quelle
Radialva
Radiola
Radionette
RadioShack
Radix
Randex
RCA
Realistic
Reoc
RFT
Roadstar
Royal
Saba
Saisho
Salora
Samsung
Sanky
Sansei
Sansui
Sanyo
Saville
SBR
ScanSonic
Schaub Lorenz
Schneider

Scott
Sears
Seaway
SEG
SEI

0102
0111
0382
0030
0102 0345 0067
0270 0378 0462
0102 0030 0672
0256 1592 0866
0073
0067 0070 0072
0270
0072
0030
0102
0111
0308
0111
0067
0097 0111 0072
0308 0667
0030
0111 0270
0030 0308 0350
0672
0308
0308 0030
0102 0111 0308
0308
0111 0030
0308
0111
0067 0102 0111
0078
0111
1167 0067
0030
0067
0067
0136 0072 0078
0350 0270
0030 0067 0078
0134
0378 0667 0308
0102
0270 0102 0067
0308 0772 0111
0102
0350 0308
0378
0073 0136 0134
0270 0462 0075
0078
0078
0097 0030 0136
0102 0378
0134 0270 0078
0097 0378
0382 0308 0270
0111
0270
0134 0030 0136
0345
0102 0030 0067
0111 0308 0270
1167 0072 0382
0672
0073 0075
0030 0067 0072
0134
0308
0102 0270 0308
0672 0111 0667
0111

Sei-Sinudyne
Seleco
Semivox
Semp
Sentra
Setron
Sharp
Shintom
Shivaki
Shogun
Siemens

0111
0067
0075
0075
0102
0102
0078 0067 0599
0102 0134
0067
0270
0067 0134 0111
0350 0377
Siera
0111
Silva
0067
Silver
0308
SilverCrest
0672
Singer
0378 0075 0102
Sinudyne
0111 0382
Smaragd
0378
Sonneclair
0102
Sonoko
0308
Sonolor
0078
Sontec
0067 0308
Sonwa
0672
Sony
0062 0030 0136
Soundwave
0067 0378
Ssangyong
0102
Standard
0308
Starlite
0067 0134
Stern
0308
STS
0072
Sunkai
0378 0308
Sunstar
0030
Suntronic
0030
Sunwood
0102
Supra
0067 0270 0378
0308
Sylvania
0030 0073 0111
Symphonic
0030 0102
T+A
0256
Tandberg
0308
Tandy
0030 0134
Tashiko
0030 0078 0270
0111 0067
Tatung
0030 0111 0078
0073 0378 0382
Tchibo
0378
TCM
0378
Teac
0102 0030 0308
0672 0067 0111
0667
TEC
0308 0102
Tech Line
0102
Technics
0256
TechniSat
0378
Tedelex
0067 0378 0672
Teknika
0030 0067
Telefunken
0672 0350 0308
Telestar
0067
Teletech
0102 0308 0030
Tenosal
0102
Tensai
0030 0067 0102
0308
Tevion
0378 0672
Texet
0308
Thomas
0030
Thomson
0350 0097 0308
Thorn
0134 0067
Thorn-Ferguson 0350
TMK
0270
Tokai
0102 0067 0134

Tokiwa
Topline
Toshiba

0102
0378
0073 0075 0111
0772 0382
Totevision
0067 0270
Towada
0102
Tradex
0111
Tredex
0308
Triad
0308
Uher
0067 0270
Ultravox
0308
Unitech
0270
United
0378 0772
United Quick Star0308
Universum
0030 0111 0270
0067 0136 0378
0134
Vector
0075
Vector Research 0070
Victor
0097
Video Concepts 0070 0075
Video Technic
0030
Videosonic
0270
Wards
0030 0072 0078
0102 0111 0270
Watson
0111 0382 0308
0672
Weltblick
0067
Wharfedale
0672
White
0102 0308
Westinghouse
World
0378
XR-1000
0030 0102
Yamishi
0102 0308
Yokan
0102
Yoko
0067 0102 0270
Yoshita
0102
Zenith
0030 0667 1167
ZX
0378 0382

CBL
ADB
1260 1299
Amstrad
1252
Auna
1299 1260
Austar
0306
Canal Plus
0473
Comcrypt
0473
Comtec
0049
Contec
0049
Daeryung
0507
Fastweb
1660
Filmnet
0473
Foxtel
1252
France Telecom 0847 1764
freebox
1512
Funai
0049
General
0306
Instrument
Jerrold
0306 0049
Macab
0847
Madritel
1260
MNet
0473 0049
Motorola
0306 1136 1513
Multichoice
0049 0473
Nokia
1599
Noos
0847 1654
NTL
1090 1098
Oak
0049
Ono
1098
Optus
0306 1090
Pace
1098 1607 1090
Philips
0847
Sagem
0847 1654
Samsung
1696
Scientific Atlanta 0507
Tele+1
0473
Telepiu
0473
Telewest
1098 1090
Telsey
1660
Thomson
1764 1612
Trans PX
0306
UPC
1612
US Electronics 0306
Visiopass
0847

VIDAC
Gateway
1302
Hewlett Packard 1302
Microsoft
1302
Pinnacle Systems 1477
Sony
1302

CD
Advantage
0062
Aiwa
0187
Arcam
0187 2010
Audio Research 0187
Audiolab
0187
Audiomeca
0187
Audioton
0187
Balanced Audio 0187
Technology
Cairn
0187
California Audio 0059 0333
Labs
Cambridge
0187
Audio
Carver
0187
CCE
0187
Copland
0423
Cyrus
0187
Denon
0033 0796 0656
DKK
0030
Dual
0033
Dynaco
0187
Elektra
0423
Garrard
0423
Genexxa
0030 0062
Goldmund
0187
Grundig
0187
Harman/Kardon 0187
Hitachi
0062
JVC
0102
Kenwood
0220 0656 0066
Krell
0187
Linn
0187
Loewe
0187
Magnavox
0187
Marantz
0187 0656 0059
Matsui
0187
MCS
0059
Memorex
0062
Meridian
0187
Micromega
0187
Mission
0187
Musical Fidelity 0423
Myryad
0187
NAD
0751 0030
Naim
0187
NSM
0187
Onkyo
0131
Optimus
0030 0062
Orion
0423
Panasonic
0333 0059
Philips
0187 0656
Pioneer
0062
Primare
0187
Proton
0187
QED
0187
Quad
0187
Quasar
0059
Radiola
0187
Restek
0187
Revox
0187
Rotel
0187
SAE
0187
Sansui
0187
Siemens
0187
Simaudio
0187
Sony
0030 0520 0187
Tag McLaren
0187

Tandy
Teac
Technics
Thorens
Thule Audio
Traxdata
Universum
Victor
Wards
Yamaha
Zonda

0062
0423
0333 0059
0187
0187
0656
0187
0102
0187
0066 0520 0062
0187

Magnavox

TUNER
AEG
AFK
Aiwa

1420
1419
0151 0219 1088
1188 1288 1652
Akai
0639 1250 1420
All-Tel
1420
Anam
0639
Arcam
0219 1119 1219
1299 1319 2009
ASCOMTEC
1419
Audiolab
1119 1219 1299
1319 0219
Audiosonic
1419
Audiovox
1420
Audioworld
1420
Balanced Audio
1119 1219 1299
Technology
1319 0219
Bang & Olufsen
0829
Basic Line
1584
Belson
1419
Blue Sky
1420
Bose
1259 1385
Bush
1119 1219 1299
1319
Cairn
0219
Cambridge Audio 0219 1219
Carver
0219 1119 1219
CCE
1382
Centrum
1250 1584 1419
Classic
1382
Clatronic
1250
Copland
1119 1219 1299
1319
Denon
1390 1134
Denver
1419
Diamond
1420
DK digital
1450
DMTECH
1420
Dual
1250 1420 1450
Electrocompaniet 1219
Elta
1420
Fisher
1831
Genexxa
0216
Goldmund
0219 1119 1219
1299 1319
Goodmans
0639 1229 1450
1641 1419
Grundig
1119 1219 1299
1319 0219
Hanseatic
1420
Harman/Kardon 1334 1119 1219
1299 1319 0219
HCM
1420
HE
1419
Hitachi
1831 1250 1584
Hiteker
1419
Integra
0165 1350
JVC
0104 1404 1229
1525
Kenwood
1057 1343 1599
0216
KLH
1420
KXD
1419
Lenoxx
1641
Lenoxx Sound
1641
LG
1323
Linn
0219 1119 1219
1299 1319
Loewe
1119 1219 1299
1319 0219

Magnum
Marantz
Mark
MBO
Medion
MEI
Melectronic
Meridian
Metz
Micromaxx
Micromega
Mitsubishi
Mustek
Myryad
NAD
Naim
Nikkai
Nikko
Norcent
Okano
Onkyo
Optimus
Palladium
Panasonic
Philco
Philips
Pioneer
Polk Audio
Proline
Proson
Provision
QONIX
Quad
Radiola
Radionette
RCA
Red Star
Restek
Revox
Revoy
Roadstar
Rotel
Saba
Samsung
Sansui
Sanyo
Schneider
SEG
Sharp
Sherwood
Siemens
Silva Schneider
Sony
Soundwave
Sunfire

0219 1119 1219
1299
1641
0219 1119 1219
1299 1319
1119 1219 1299
1319
1382
1450
1420
0639
1119 1219 1299
1319
1584
1450
1119 1219 1299
1319 0219
0206
1382
1219 1119 1299
1319 0219
0350 0639
1119 1219 1299
1319
1419
0639
1419
0639
0165 1350
0216 1053
1250
1548 1338 1339
1793 1809 1795
1420
0219 1219 1299
1119 1319
1053 0216 1119
1219 1299 1319
1489
1319
1420
0639
1419
1450
1119 1219 1299
1319
1119 1219 1299
1319 0219
1664 1323
1184 1420 1489
1419
0219
1119 1219 1299
1319 0219 0216
1119 1219 1299
1319
1641
0823
1184
1325 1229
0219 1119 0639
1831
1420 1229 1250
1584
0216 1664 1644
0683
0639
1323
1188 1288 1888
1789 1088 1688
1752 1652 1142
0639
1343

Sunstech
Tag McLaren
Teac
Technics
Techwood
Telefunken
Tevion
Thomson
Thorens
Toshiba
United
Universum
Venturer
Victor
Voxson
Waitec
Wards
Wharfedale
Yamaha
Yukai

1450
1219
1229 0639 1420
1338 1339 1793
1548 1795
0639 1584
1419
1641
1184 1384
1219 1119 1299
1319 0219
1602
1420
1250 0639 1420
1119 1219 1299
1319 0219
1420
0104
1450
1382
0219
0639 1420
0206 1361 1306
0216 0742
1382

DVD
3D LAB
0569
4Kus
1188
A-Trend
0744
Acoustic Solutions 0760 0743 1258
AEG
0818 0800 0820
AFK
1258 1182
Aim
0808 0702
Airis
1254 1351 0702
1035 1375
Aiwa
0725 0899 0563
Akai
0820 0809 0800
0818 0725 1145
0928 0746 0743
0882 0735 1725
1263
Akashi
0868
AKI
1035
Akira
0808 1351
Akura
1201 0928 1081
1170
Alba
0747 0743 0753
0725 0760 0569
0702 1170 1081
1560 1725
Alize
1181
All-Tel
0820 1481 0865
Amitech
0800 0880
Amoi
0882
Amoisonic
0865
Amstrad
0743 1145 1181
1601
AMW
0902
Ansonic
0789 0861
Apex Digital
0702 0747 1034
Arcam
0762
Arena
0882
Asono
1254
ATACOM
1254
Audiovox
0820 0747
Audioworld
0820
Audix
1134 1182
Autovox
0743
Auvio
0873
Avious
1195
AWA
0760 0902
Axion
0760
Base
1481
Basic Line
0743
Baze
1195 0928 0702
BBK
0892 1254
Bel Canto Design 1601
Bellagio
0902
Best Buy
0887
Black Diamond 0743 0863
Blaupunkt
0747
Blu:sens
1263
Blue Parade
0601
Blue Sky
0743 0725 0702
0873 0808 0681
0820
BNI
1351
Boghe
1034
Boman
0818 0928 1035
Brainwave
0800 1145
Brandt
0681 0581 0533
Broksonic
0725 1449

Bush

0743 0725 0863
1725 0760 0861
0747 0808 0546
0848 0753 1195
1466 1449 1513
1170
C-Tech
0798 1182
Cambridge Audio 1139 0781
Campomatic
1081
Digital
CAT
0819
Celestial
0702
cello
1760
Centrex
0702 1034
Centrum
0743 0819 0809
1035
CGV
0800 0781
Cinea
0871
Cineral
0760
Cinetec
0743 0902
CineVision
0899 0863
Classic
0760 1760
Clatronic
0818 0809 0848
0702 1195 0705
Clayton
0743
Coby
0808 1137 0760
1195 0882
Codex
1263
Conia
0702 0882 0546
0865 1351
Contel
0818
Continental
0902 0861
Edison
Craig
0861
Crown
0800 0681
Crypto
1258
Cybercom
0861
CyberHome
0744 0846
Cytron
0746 0681 0735
0861 1377
D-Vision
1145
Daenyx
0902
Daewoo
0800 0863 0899
1513 0735 0744
1466 0902 0808
Dalton
1066
Dansai
0800 1145 1725
Dantax
0753 0725
Daytek
0902 1035
Dayton
0902
DCE
0861
DEC
0808 0848
Decca
0800
Denon
0520 0664 1664
Denver
0808 0818 0928
0848 1137 1351
0702
Denzel
0695
Diamond
0681 0798 0781
0808 0753 0820
Digihome
0743
DigiLogic
0743
digiRED
0747
Digitor
1035
Digitrex
0702 1034
DiK
0861
Dinamic
0818
DiViDo
0735
DK digital
0861
DMTECH
0820 1301
Dragon
0861
DSE
1760 0863 1182

Dual

0861 0743 0695
0681 0760 0809
0820
Durabrand
0861 0743
DVX
0798
E-Boda
0753
E-Dem
1254
e:max
1263 1351
EagleTec
0744
eBench
1182
Eclipse
0753 0781
Electrohome
0800
Elfunk
0880 0743
Elin
0800
Ellion
0880 1451
Elta
0800 0818 0820
1145 1181 1263
1081
Eltax
1351
Emerson
0621 0705 0735
0899
ENG
1601
Enterprise
0621
Enzer
0695
EuroLine
0818 1145 1263
0705
Ferguson
0681 1760 0928
0743
Finlux
0771 0800 0621
0702 0781 1195
Fintec
0743
Firstline
0899 0681 1560
Fisher
0700
Funai
0725 0705
Gateway
1188
GE
0747
General Electric 0747
Germatic
1081
Global Link
1254
Global Solutions 0798
Global Sphère
0798
Go Video
0774 1188 0899
0863
GoldStar
0621 0771
Goodmans
0743 1034 0753
0781 0760 0681
0820 0848 0863
1170 1760
GP Audio
1170
GPX
0681 0771
Gradiente
0681
Graetz
0695
Gran Prix
0861
Grandin
0746 0702
Greenhill
0747
Grundig
0725 0735 0805
0569 0681 0820
0743 0700 0753
1725 1034 1760
1466 1513
Grunkel
0800 0861
H&B
0848 0743 0871
0880 1263 1451
Haaz
0798 0781
Haier
0873
Hanseatic
0771 0820
Harman/Kardon 0732
HCM
0818
HDT
0735
HE
0760
Henß
0743
HiMAX
0887 0873

Hitachi

0694 0725 0809
0695 0603 0887
0743
Hiteker
0702
Höher
0861 1034 1254
Home Electronics 0760 0800
Home Tech
1254
Industries
Hyundai
0880 1258
Iekei
1137
Ingelen
0818
Inno Hit
0743
Integra
0657
Irradio
0771 1145 1254
1263 0899 0800
ISP
0725
Jaton
0695
JBL
0732
JDB
0760
JDV
1258
Jeken
0808
Jepssen
1213
JMB
0725
JNC
0702 1301
JVC
0653 0588 1194
0569 0533 0897
jWIN
1081
Kansai
1137
Kansas
1263 1560
Technologies
Kendo
0743 0861 0702
1377
Kennex
0800 0743 0928
Kenwood
0564 0520
KeyPlug
0800
Kiiro
0800
Kingavon
0848
Kiss
0871 0695
KLH
0820
KLH Digital
0747
Kodak
0848
Koss
0681
Kreisen
1451
KXD
0887 1137 1351
Lawson
0735 0746 0798
Leiker
0902
Lenco
0681 0800 0808
0848 0743 0861
1195
Lenoir
1258
Lenoxx
0868
LG
0771 0601 0621
1936 0899
Lifetec
0681 0861 1377
Limit
0746 0798
LiteOn
1188
Lodos
0743
Loewe
0569 0771
LogicLab
0798
Logik
0743
Logix
0735
Lumatron
0735 1145 0771
0863 1351 0743
0760 0928
Luxman
0603
Luxor
1034 0743 1760
0760
Magnasonic
0681
Magnavox
0533 0705 0848
1170 0569 0743
Magnex
0753 1195
Magnum
1466
Majestic
1137 1375

Manhattan
Marantz
Mark
Marquant
Mastec
Matsui
Maxdorf
Maxent
Maxim
Maya
MBO
MDS
Mecotek
Medion
MEI
Memorex
Memory
Metz
MiCO
Micromaxx
Micromedia
Micromega
Microsoft
Microstar
Minax
Minerva
Minoka
Minowa
Mintek
Mitsubishi
Mizuda
Monyka
MPX
Mustek
Mx Onda
Mystral
NAD
Naiko
NEC
Neovia
Nesa
Neufunk
Nevir
Nintaus
Nordmende
Nowa
NU-TEC
Omni
Onix
Onkyo
Oopla
Oppo
Optim
Optimus
Orava
Orbit
Orion
Oritron
P&B
Pacific
Packard Bell
Palladium
Palsonic
Panasonic

0735 0743
0569
0743 0725 1725
0800 1481
1036
0681 0743 0702
0725 1760
0818
1377
0743
1375
0760
0808
0800
0861 1377 0681
0746 1375 0660
1195 1036
0820
0861
0760 1081
0601 0555 0743
0753 0781 1253
1725 0725 1377
0533 0569
0569
0552
0861
0743
0735
0800 1145
1195
0747
0743
0848 0887 1481
0695
0873
0760 1760
0681 0781 0753
1253
0861
0771
0800 1034
0899 0621 0771
1301
0747
0695
0861 0800
1081
0861
0873
0546 1258
0808 0863 1134
1258
0868
0657 0533
1188
1254
0873
0601 0555
0848
0902
0725 1725 1036
1263 1449 0928
0681
0848 1481
0798 0820 0789
0743 0861
0861
0725 0809
0865 0702 0882
0520 1864 1938

Panda
Papouw
peeKTON
Philco
Philips
Philo
Phonotrend
Pioneer
Plu2
Pointer
Polk Audio
Portland
Powerpoint
Presidian
Prima
Prinz
Prism
Pro2
ProCaster
Proline
Proscan
Proson
Prosonic
Provision
Pye
QONIX
Qwestar
Radionette
Raite
RCA
REC
Red Star
Relisys
Reoc
Revoy
Rex
Richmond
Rimax
Rio Audio
Roadstar
Rocksonic
Ronin
Rotel
Rowa
Rownsonic
Saba
Sabaki
Saivod
Salora
Sampo
Samsung
Sansui
Sanyo
Scan
ScanMagic
ScanSonic
SCE
Schaub Lorenz

0747 1137
0563
1254 0928
0753 0892 0818
0820
0569 0676 1370
0705 0533 1188
1375
1195
0601 0661 1995
0555 1601
0880
0800
0569
0800
0902 1035
0705
1258
0861
1036 0861
1375
1034
0681 0702 0820
1034 1513 0863
0552
0743
1137
0848 1351 1137
0760
0676 0569
0808 1081
0681
0771 0899 1936
0695
0552 0681 0820
1995
0520
0789 0793 0800
0818 0928 1137
1375
1377
0798
0871
0868
1263
1181
0899
0743 0848 0760
1081 0928 0863
1257
0819
0902
0653 0588
0789 1034 0546
0555 0747
0819 0753
0681 0581
0798
0789 0861 0800
0771
1377
0603 0774 1962
0520
0725 0746 0798
0753 0800 0781
1258 1725
0700 0903 0725
0820 0743
0735 0865 0880
0760 1760
0887
0819
0818 1195 0800

Schneider

Scientific Labs
Scott
Seeltech
SEG
Semp
Shanghai
Sharp
Sherwood
Shinco
Siemssen
Sigmatek
Silva
Silva Schneider
SilverCrest
Singer
Sinudyne
Sistemas
Skymaster
Skyworth
Sliding
Slim Art
Slim Devices
SM Electronic
Smart
Sonashi
Sonic Blue
Soniko
Sony
Sound Color
Soundmaster
Soundmax
Spectra
Standard
Star Clusters
StarLogic
Starmedia
Strong
Sunfly
Sunkai
Sunstech
Sunwood
SuperDigital
Supervision
SVA
Sylvania
Symphonic
Synn
Tandberg
Tangent
Targa
Tatung
Tchibo
TCM
Teac

TEC
Technics
Technika

0861 0809 0569
0735 0818 0743
0681 0899 0820
0676
0798 1182
0681 0702 1066
1263
1254 1481
0743 0695 0798
0902 0793 1560
0533
0702
0660 1286 0743
0725 1449
0747 0771
0747
1412
0887 1254
0818 0928 0861
0861 1936
1182
0746 0753 0781
0798
1170
0702
0760 0798
0928
1145
0800
0653 0563
0760 0798
0735 0743
0746 0861
0899
0818
0563 0894 1663
0802 1100 2011
1463 0603
1263
0798
0798
0902
0681 0798 0818
0861 0928
0798 1257 1182
1035
0848 1254 1035
0743
0887
0800 0880
0861
0818
1217
0760 0798
0702 0747
0705 0660
0705
0798
0743 1725
1351
0771 1188 1257
0800
0771
0771
0747 0771 0546
0601 0798 0621
0789 1036 0820
1227 0863 1257
1195 0705
0928
0520 1938
0800 1145 0861
1195

Technosonic
Techwood
Tedelex
Telefunken
Teletech
Tensai
Tevion
Theta Digital
Thomson
Tokai
Tokiwa
Tom-Tec
Top Suxess
Toshiba
TRANScontinents
Transonic
Tredex
Trio
TruVision
TSM
TYT
Umax
United

Universal
Multimedia
Universum
Uptek
upXus
Urban Concepts
Venturer
Vestel
Vieta
Viewmaster
Voxson
VTrek
Waitec
Walkvision
Waltham
Welkin
Wellington
Weltstar
Wharfedale
Wilson
Windy Sam
Wintech
Woxter
XBox
XLogic
XMS
Xoro
Yakumo
Yamada
Yamaha
Yamakawa
Yukai
Zenith

1081 1145
0743 1560 0569
1258
0820 0819 0818
1258
0743
0681 0800
0681 1066 1412
0798 1257 0863
1377 1760
0601
0581 0552
0695 0928 0818
0735 0746
0819
1254
0533 0725 1075
1540
0902 0861 1195
0702 1195
0873
0800
0887 1481
1254
0735
1181
0818 0760 0820
1258 0702 1195
0725 1145 0798
1263 0743 1182
0705
0798
0771 0743 0621
0809 1257 0820
1560
0793
1375
0533
0820
0743 1560
0735
0892 1254
0760 0861
1258
1254
0747
1560
0861
0743
0743
0798 0753 0781
0861 1263
0603
1217
1181 1254
0552
0800 0798 1258
0818 0800
1213
1034
1034 0902 1181
1188
0569 0520 0676
0695 0902 1134
0760
0533 0899 0621
0771

PVR
@sat
1330
@Sky
1364
Amstrad
1205
Arnion
1330
ASCI
1364
Astro
1130
Aurora
1463
Austar
1206
B@ytronic
1442
Brainwave
1244
British Sky
1205
Broadcasting
BSkyB
1205
Bush
1675
CanalSatellite
1369
Chess
1364
CityCom
1206
Comag
1442
DigiFusion
1675
DigiQuest
1330
Dream Multimedia1267
eMTech
1244
Foxtel
1206 1386
Galaxis
1206
GbSAT
1244
Gecco
1442
General Satellite 1206
Globo
1364 1442
Hanseatic
1130
HB
1244
HDT
1189
Hirschmann
1442
Homecast
1244
Humax
1206 1457 1705
Hyundai
1189
ID Digital
1206
Imperial
1130 1364
Interstar
1244
Jaeger
1364
Jepssen
1244
Kathrein
1591
Kongque
1330
L&S Electronic
1364
Maximum
1364
Mediacom
1236
Medion
1364 1442
Multichoice
1463
Neotion
1364
Opentel
1442
Orbis
1364 1442
Orbitech
1130
Pace
1205 1386 1453
1880
Panasonic
1334
Pilotime
1369
Pino
1364
Premiere
1130 1206
Rebox
1244
Sagem
1283
Samsung
1236
Sat Control
1330
Satplus
1130
Schaub Lorenz
1244
Schneider
1236
Schwaiger
1364 1442
Siemens
1364
Sky
1205
SKY Italia
1878 1880

Sky XL
SKY+
Skymaster
skyplus
Stream
Strong
Sunny
Systec
TechniSat
Technosat
Telestar
Televes
Tevion
Thomson
Topfield
TPS
UEC
Worldsat
XSat
Xtreme
Zehnder
Zinwell

1442
1205
1364
1364 1442
1878
1189 1330
1330
1364
1130
1236
1130 1364
1244 1330 1364
1364
1205 1930
1236 1575 1813
1283
1386
1244
1244
1330
1364 1442
1206

CityCom

SAT
@sat
@Sky
ABsat
ADB
Adcom
Akai
Alba
Allsat
Allsonic
Alltech
Allvision
Alpha
Amitronica
Ampere
Amstrad
Anglo
Ankaro
AntSat
Arcon
Armstrong
Arnion
ASA
Asat
ASCI
ASLF
AssCom
Aston
Astra
Astratec
Astro
Audioline
Aurora
Austar
Axil
Axis
B@ytronic
Bentley Walker
Best
Big Sat
Black Diamond
Blaupunkt
Blue Sky
Blue Star
Boca
Boston
Brainwave
British Sky
Broadcasting
Broco
BSkyB
BT
Bubu Sat
Bush
Canal Digital
Canal+
CanalSatellite
Centrex
CGV
Cherokee
Chesley
Chess

1330
1364
1353 0743
0672 0917 1289
1397 1503 1521
0230
0230
0743 1314
0230 1047
0399
0743
1262
0230
0743
0162
0877 1205 0743
0162 1143
0743
0399 0743 1309
1047
1309 0162 1105
0230
1330
0329
0230
1364
0743
0883
1159 1291
0743
1773
0163 0203 0399
0688 1143 1129
1130 0230
1459
0909 0672 1463
1289 0672 0909
1206
1487
1141 0399
1442
1047
0399
1487
1314
0203
0743
1309
0162 1396 0743
1262
0162
1244 0688 1702
0877 1205
0743
0877 1205
1326
0743
1501 1702 1675
1773
1883 0883 0197
1076
0883 1883
0883 1369 1883
1577
1443
1353
1577
1364 0743 1656

1206 1262 0329
0848 0534 1105
1443
1397
0162
0162
0162 1396 1443
1262 1442
Condor
0399
Connexions
0399
Conrad
0399 0162
Coship
1487
Crown
1314
Cyrus
0230
D-box
1144 0753
Daewoo
1326 0743 1773
1141
Deltasat
1105
DGTEC
1272 1572
Digatron
1324
Digenius
0329 1191
DigiFusion
1675 1773
Diginet
1577
DigiQuest
1487 1330
DigiSat
1262
Digisky
1487
Digital+
1883
DigitAll World
1257
DiPro
1577 1503 1397
DirecTV
0129 0886
Distratel
1313
Distrisat
0230
DMT
1105
DNT
0230
Dream Multimedia 1267
DStv
0672 0909
Dune
0399
Durabrand
1314
Echostar
1230 0640 0197
0883 0743 1353
1503 1439 1797
Einhell
0162 0743
Elap
0743 1159 1597
Elsat
0743
Elta
0230 0399
Emme Esse
0399
eMTech
1244
Engel
1047 0743 1281
EuroLine
1281
Europa
0230
Europhon
0329 0162
Eurosat
1597
Eurosky
0162 0329 0399
Eurostar
0848
Eutelsat
0743
Eycos
1309
Fenner
0743 0399
Ferguson
1321 0741 1773
Flair Mate
0743
FMD
1281 1487 1443
Force
1224
Fortec Star
1047
Foxtel
1386 0909 0750
1206 1192
Fracarro
0155
Freecom
0203
FTEmaximal
0399 0743
Fuba
1831 0399 0203
1191 0329 1281
Fugionkyo
0155
Galaxis
1141 1206 0883
0399 0909
Clatronic
CNS
Colombia
Columbia
Comag

Gardiner
Garnet
GbSAT
Gecco
General Satellite
Globo
GOD Digital
Gold Box
Gold Vision
Golden Interstar
Goodmans
Gradiente
Grundig
H&B
Hanseatic
Hänsel & Gretel
Hauppauge
HB
HDT
HE@D
Hills
Hirschmann
Hitachi
HNE
Homecast
Humax
Huth
Hyundai
iCan
ID Digital
Imperial
International
Interstar
iotronic
ITT Nokia
Jadeworld
Jaeger
Jepssen
K-SAT
Kamm
Kaon
KaTelco
Kathrein

Kennex
Kenwood
Key West
Kongque
Kreiling
Kreiselmeyer
Kyostar
L&S Electronic
Labgear
LaSAT
Lenco
Lennox
Lenoxx
Lexus
LG
Lifesat
Lodos
Logik

0848
1105
1244
1442 1303
1206
1281 1656 1442
1459 1364
0230
0883
1047
1313
1314
0917
0203 0877 1321
0909 0883
1577
1129 1130
0162
1324 1702
1244
1189
1309
1262
1141 1143 0203
0329 1262 0399
0155 1442
1314
1262 0162
1244
1206 1457 1705
1255 1773
0162 1047 1105
1189 1105
1397
1206
1459 1364 1129
1130 1225 1227
0230 1702
0162
1047 1244
0162
0753
0672
1364
1244
0743
0743
1330
1141
0534 1597 0510
1591 0688 0203
0230 0743 0848
1353 1446
0155
0883
0162
1330
0688
0203
0162
0399 0162 1364
1326
0399 0162 0329
0743 0399
0399
1641
0230
1444 1105
0162 0399 0329
0743
1314
1314

Logix
Lorenzen

1047 1105
0329 1324 1191
0162
Lupus
0399
Macab
0883
Madritel
0672
Manata
0743 0162
Manhattan
1047
Marantz
0230
Maspro
0743 0203
Matsui
0203 1773
Maximum
1105 1364
MDS
1255
Mediabox
0883
Mediacom
1236
MediaSat
0883
Medion
1262 0329 0743
0162 1105 1442
1656 1364 0399
Medison
0743
Mega
0230
Melectronic
0848
Metronic
0743 1309 1313
0848 0162
Metz
0203
Micro
0743 1324
Micro electronic 0743
Micro Technology 0743
Micromaxx
0329 0399
Microstar
1105
Microtec
0743
Morgan’s
0230 0743 0162
1439
Motorola
0886
Multichoice
0672 0909 1463
Myryad
0230
Mysat
0743
Neotion
1364
Netgem
1352
Netsat
0917 0129
Neuf TV
1352
Neuhaus
0743
Neuling
1262
Neusat
0743 1309
Neveling
1191
NextWave
1047
Nikko
0743 0753 0230
Nokia
1144 1253 1053
0753 0883 1753
Nordmende
1641
Nova
0909
OctalTV
1324
Opentel
1262 1442
Optex
1313 0743 1641
Optus
0909 0883
Orbis
1364 1442
Orbitech
1129 1130 0230
P/Sat
1262
Pace
0877 0917 1205
1386 1880 0271
1353 0821 0750
0230 0883 1453
Pacific
1314
Packard Bell
1141
Palcom
0329 1191 1439
Panasat
0909
Panasonic
0877 1334 1434
Panda
0203
Patriot
0162
peeKTON
1487

Philips

0230 1144 0883
0129 0163 0848
1702 0203 1459
Phoenix
1303
Phonotrend
1047 1230
Pilotime
1369
Pino
1364
Pioneer
0883 1338 0382
Portland
1326
Power Sky
1309
Preisner
0162 1143 1396
Premiere
0883 1144 0753
1141 1206 1225
1130 0688
Primacom
1141
QNS
1397 1434
Quadral
0399 1353
Quelle
0329
Radiola
0230
Radix
1143
RCA
1321
Rebox
1244
Red Star
0399
Regal
1281
RFT
0230
Roadstar
0743 0883
Rover
0743 0399
Rownsonic
1597
S-ZWO
1237
SAB
1281
Sagem
1144 1283 1720
Samsung
1273 1600 1488
1047 1236 0883
Sat Control
1330
Sat Team
0743
SAT+
1439
Satec
0743
Satelco
0399
Satplus
1130
Schaub Lorenz
1244
Schneider
1281 1236
Schwaiger
0534 1364 1487
1442 1141 0162
1105
SCS
0329
Sedea Electronique 0155 0162 1313
1656 1309
SEG
1281 0399 1656
1105
Serino
0640
Servimat
1641
ServiSat
1281 0743
Sherwood
1641
Siemens
0203 1459 1364
Silva
0329
Skantin
0743
SKR
0743
Sky
0129 0877 0886
0917 1205 0741
SKY Brasil
0672 0917
SKY Italia
1878 1880
Sky XL
1442 1281
SKY+
1205
Skymaster
0743 1439 1230
1105 1641 1364
Skymax
0230
skyplus
1262 1364 1442
SkySat
0743
SL
0162 1702
SM Electronic
0743 1230 1105

Smart
Soniq
Sony
SR
Star Sat
Starland
Stream
Strong

Sunny
Sunny Sound
Sunsat
Sunstar
Supermax
Systec
Tarbs
TBoston
Teac
Tecatel
TechniSat
Technomate
Technosat
Technosonic
Technotrend
Technowelt
Techsan
Techwood
tekComm
Tele System
Tele System
Electronic
TeleClub
Telecom
Telestar
Televes
Televisa
Telewire
Tevion
Thomson
Tiny
Tioko
Tokai
Tonna
Topfield
TPS
Triax

Trio
TT-micro
Turnsat
Twinner
UEC
Unimax
Unisat
United
Universum
Van Hunen
Variosat

1303 0162 0329
1143 1262 0743
1443
1597
0877 1588 0312
0883
0162
0162
0743
1878
0155 1397 1439
1656 0399 0909
0883 1189 1330
1503 1314
1330
0399
0743
0399 0162 0672
1313
0162 1364
1255
1487
1257 1255 1352
1230
1129 1130 1225
1227 0230 1352
1313
1236
1702
1459
0162
1047
1314 1656
1047
1281 1439 1641
1831
1641

Vega
Ventana
Vestel
VH-Sat
Viasat
Visionic
Visiosat
Vivid
VTech
Wavelength
Wharfedale
Winbox
Wisi
Worldsat
XMS
Xrypton
XSat
Xtreme
YES
Yess
Zehnder
Zenith
Zeta Technology
Zinwell
Zodiac

0399
0230
1281
1191 0329
1353 1053
0155 1309
0743 1159 1487
1192
0848
1262 1443
1314
1831
0203 0329 0162
1503 1244 1281
1105
0399
0743 1244 0877
1353
1330
0917
1577
1281 1262 1364
1442 1105 1443
0534 0848 0399
0886
0230
1206
1831

1397
0743
1129 1130 0230
1281 1364 1656
0162 1244 1330
1364 1439
0917
1262
1364 1702 0743
1439 1597
0741 0877 1321
1930 0743 1205
0883 1076
1702
0162
0230
1641 0743
1236 1237 1575
1813
1283
0230 0743 0883
1281 1326 1321
0162 1129 1143
1257 1656
1105
1459
0743
0162 0743
0909 1192 1386
1577
0230 0162
1281
0203 0329 1129
1191 0329
0203

SH215E Issue 2

A&R Cambridge Ltd, Pembroke Avenue, Waterbeach, CAMBRIDGE CB25 9QR, England

P/N: 4301-7333+0

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