Behringer Macao Commercial Offshore F09131 DIGITAL PIANO User Manual

Behringer Macao Commercial Offshore Limited DIGITAL PIANO Users Manual

Users Manual

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ENGLISH
User Manual
CONCERT
CDP2400USB
Enjoy the Sound of a Concert
Grand - Play Straight Away
with Included Piano Learning
Software and USB Interface
Thank you
Table of Contents
Thank you for choosing the CONCERT digital piano from
Thank you ..................................................................... 1
Important Safety Instructions ................................... 2
1. Before you get started ........................................... 3
2. Quick Start ............................................................... 3
3. Control elements and connections ...................... 5
4. Basic operation ....................................................... 7
5. Advanced operation............................................. 10
6. Connection to external equipment .................... 20
7. Troubleshooting ................................................... 26
8. Speciﬁcations ........................................................ 27
9. Appendix ............................................................... 28
Limited Warranty ....................................................... 33
Legal Disclaimer ........................................................ 35
BEHRINGER. This versatile instrument combines the sound and
feel of an authentic acoustic piano with the ﬂexibility of modern
technology such as RSM tone generation, digital eﬀects and
2 track sequencing. 88 full-size, weighted, hammer-action keys,
elegant ﬁnish and foot pedals give a professional look and feel for
the home or stage. The addition of USB audio/MIDI connectivity
opens up a whole new world of recording, performing and
podcasting options. The keyboard also comes with a bench, power
cable, USB cable and DVD that contains a bundle of software
such as eMedia Starter Piano and Keyboard Lessons, energyXT2.5
Compact BEHRINGER Edition and numerous podcasting programs.
The CDP2400USB is the ideal piano for home or stage use.
www.behringer.com
A50-A8230-08001
CONCERT CDP2400USB User Manual
ENGLISH
Important Safety Instructions
Caution
This symbol, wherever it appears, alerts you to the presence
of uninsulated dangerous voltage inside the enclosure voltage that may be suﬃcient to constitute a risk of shock.
{8}
Caution
This symbol, wherever it appears, alerts you to important
operating and maintenance instructions in the
accompanying literature. Please read the manual.
◊
{1}
{2}
{3}
{4}
{5}
{6}
{7}
Caution
{9}
[10]
To reduce the risk of electric shock, do not remove the top
cover (or the rear section). No user serviceable parts inside.
Refer servicing to qualiﬁed personnel.
◊
[11]
To reduce the risk of ﬁre or electric shock, do not expose
this appliance to rain and moisture. The apparatus shall not
[12]
be exposed to dripping or splashing liquids and no objects
ﬁlled with liquids, such as vases, shall be placed on the
apparatus.
◊
[13]
[14]
These service instructions are for use by qualiﬁed service
personnel only. To reduce the risk of electric shock do not
perform any servicing other than that contained in the
operation instructions. Repairs have to be performed by
qualiﬁed service personnel.
◊
[15]
[16]
Caution
The sound quality may diminish within the range of
powerful broadcasting stations and high-frequency
sources. Increase the distance between the transmitter and
the device and use shielded cables for all connections.
Caution
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
Do not install near any heat sources such as radiators, heat registers, stoves,
or other apparatus (including ampliﬁers) that produce heat.
Do not defeat the safety purpose of the polarized or grounding-type plug. A
polarized plug has two blades with one wider than the other. A groundingtype plug has two blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug does not ﬁt into
your outlet, consult an electrician for replacement of the obsolete outlet.
Place the power cord so that it is protected from being walked on and
sharp edges. Be sure that the power cord is protected particularly at plugs,
convenience receptacles and the point where it exits from the apparatus.
The apparatus shall be connected to a MAINS socket outlet with a protective
earthing connection.
Where the MAINS plug or an appliance coupler is used as the disconnect
device, the disconnect device shall remain readily operable.
Only use attachments/accessories speciﬁed by the manufacturer.
Use only with the cart, stand, tripod, bracket, or
table speciﬁed by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus combination to
avoid injury from tip-over.
Unplug this apparatus during lightning storms or when unused for long
periods of time.
Refer all servicing to qualiﬁed service personnel. Servicing is required when
the apparatus has been damaged in any way, such as power supply cord
or plug is damaged, liquid has been spilled or objects have fallen into the
apparatus, the apparatus has been exposed to rain or moisture, does not
operate normally, or has been dropped.
3
1. Before you get started
warranty claim at www.behringer.com BEFORE returning the
1.1 Shipment
Registering your purchase and equipment with us helps us process
Your CDP2400USB was carefully packed at the factory, and the
your repair claims quicker and more eﬃciently.
product.
packaging was designed to protect the unit from rough handling.
Thank you for your cooperation!
Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage that
may have occurred during transit.
◊
◊
◊
2. Quick Start
If the unit is damaged, please do NOT return it to
2.1 Power on/oﬀ
BEHRINGER. Instead, notify your dealer and the shipping
The CDP2400USB is a digital, i.e. electronic, piano. Therefore,
company immediately. Otherwise, claims for damage or
mains power is required to operate the instrument and it has to be
replacement may not be honored.
switched on or oﬀ. The following section describes how to connect
Always use the original packing carton to prevent damage
the unit to the mains.
during storage or transport.
◊
Make sure that no children are left unsupervised with the
The POWER switch to the left of the keyboard must be in the
“oﬀ ” position when you connect the unit to the mains.
CDP2400USB or its packaging.
◊
Please ensure proper disposal of all packing materials.
FUSE HOLDER / IEC RECEPTACLE
The CDP2400USB is connected to the mains using a standard IEC
1.2 Initial operation
receptacle. All required safety regulations have been adhered to. A
Be sure that there is enough space around the unit for cooling and
matching power cable is included with the unit. Blown fuses must
please do not place the CDP2400USB on high temperature devices
be replaced with a fuse of the same type and rating.
such as radiators etc. to avoid overheating.
1)
◊
Blown fuses must be replaced by fuses of the same type and
connector provided on the underside of the instrument and
rating! Please refer to the “SPECIFICATIONS” for details.
The mains connection of the CDP2400USB is made by using the
Connect the power cable supplied with the unit to the
to a wall socket
2)
Press the POWER switch to the left of the keyboard to switch
enclosed mains cable and a standard IEC receptacle. It meets all of
the instrument on or oﬀ. The LED on the front panel lights up
the international safety certiﬁcation requirements.
when the CDP2400USB is ready for operation.
◊
Please make sure that all units have a proper ground
connection. For your own safety, never remove or disable
the ground conductor from the unit or of the AC power
cord.
◊
The CDP2400USB is an electronic piano. Unlike an acoustic
piano, this instrument does not need to be tuned.
◊
The sound quality may diminish within the range of
powerful broadcasting stations and high-frequency
sources. Increase the distance between the transmitter and
the device and use shielded cables for all connections.
◊
After playing, switch oﬀ the unit with the POWER switch.
The POWER LED on the front panel will go out. Please note:
1.3 Online registration
Merely switching the unit oﬀ does not mean that it is fully
Please do remember to register your new BEHRINGER equipment
disconnected from the mains. If you do not plan to use your
right after your purchase by visiting http://www.behringer.com
piano for a prolonged period of time, please disconnect it
(alternatively www.behringer.de) and kindly read the terms and
from the mains by unplugging the power cable from the
conditions of our warranty carefully.
wall outlet.
Should your BEHRINGER dealer not be located in your vicinity, you
may contact the BEHRINGER distributor for your country listed
under “Support” at www.behringer.com. Should your country
not be listed, please check if your problem can be dealt with by
our “Online Support” which may also be found under “Support”
at www.behringer.com. Alternatively, please submit an online
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CONCERT CDP2400USB User Manual
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ENGLISH
2.2 Adjusting the volume
◊
The music sequencer (see chapter 5.5) must not be set
The volume of the built-in loudspeakers and headphones can be
to playback or record-ready mode when you switch to
adjusted as follows:
DEMO mode.
1)
Set the VOLUME control to mid-travel position, between MIN
and MAX.
2.3.2 Playing back the piano music demos
The following section describes how to play back the 15 piano
music demos. These demos show you the versatility of the GRAND
PIANO sounds.
2)
1)
Press the DEMO button.
2)
Use the -/NO and +/YES buttons in the VALUE/SONG section
Adjust the volume as desired by moving the control to the
right (up) or left (down).
◊
Caution
to select the music piece of your choice.
The CDP2400USB is capable of producing extreme volumes.
Please bear in mind that high sound pressures not only
temporarily aﬀect your sense of hearing, but can also
cause permanent damage. Be careful to select a suitable
volume at all times, particularly when you are playing
with headphones.
The display reads:
2.3 Demo playback
1 . . . 15:
The CDP2400USB oﬀers you 14 sound and 15 piano music demos.
All:
Playback of all music pieces. The pieces are played
These music pieces give you an impression of the instrument’s
versatility and range of sounds.
Number of the selected music piece.
in chronological order.
SHF:
Playback of all music pieces. The pieces are played
in random order.
2.3.1 Playing back the sound demos
3)
This section describes how to play back the 14 sound demos.
Press the
button in the SEQUENCER section to start
playback.
These demos are specially designed to highlight the various
sounds and their features and show you what can be done with
your instrument.
1)
2)
Press the DEMO button.
4)
Press the
button again to stop playback.
5)
Repeat steps 2 to 4 to play back other pieces.
◊
◊
A list of all the music pieces can be found in chapter 9.3.
Press one of the 14 buttons in the TONE section to play back
an audio demo of the selected sound color.
◊
◊
Press the DEMO button again to quit DEMO mode.
During demo playback, the CDP2400USB does not receive
or send MIDI data.
Press the DEMO button again to quit DEMO mode.
◊
◊
The music sequencer (see chapter 5.5) must not be set
The control elements of the CDP2400USB are described below. To
to playback or record-ready mode when you switch to
give you a clear overview of the control panel, its elements have
DEMO mode.
been grouped in separate sections.
You can adjust the playback tempo of the piano music
demos (see chapter 5.4).
◊
Select any sound you like to accompany the piano music
demos; you can also add the room, modulation and
brilliance eﬀects (see chapter 4.2). Select and set the sound
colour before you enter DEMO mode.
2.4 Selecting and playing sounds
The CDP2400USB comes with 14 diﬀerent sound colours covering
a wide spectrum of sounds. You can select a sound in the TONE
section.
1)
Press one of the 14 buttons in the TONE section to select the
{1}
sound of your choice.
VOLUME: Is used to adjust the volume of the built-in
loudspeakers, headphone outputs and LINE OUT jacks.
{2}
COLOR: Varies the sound character from soft (left) to bright
(right).
{3}
SPEAKERS OFF: Switches the built-in loudspeakers on
and oﬀ. The MUTE LED lights up only when the built-in
loudspeakers are switched oﬀ. When you insert your
headphones this will automatically switch oﬀ the built-in
The LED above the sound button lights up to show that the
corresponding sound has been selected. The selected sound can
loudspeakers.
{4}
DEMO: Enables/disables DEMO mode.
be played over the entire keyboard.
◊
The volume of the sound depends on how heavily you play
the keys (not applicable to CEMBALO 1 and 2, CHURCH 1
and 2, and CLICK ORGAN).
◊
TIP: You can also select two sounds at the same time.
3. Control elements and
connections
3.1 Control panel
{5}
CLICK: Is used to start/stop the metronome click.
{6}
TRACK 1: Selects track 1 for playback or recording. The
REC LED lights up when the track has been activated for
recording. The PLAY LED lights up when the track has been
set for playback and already contains musical data.
{7}
TRACK 2: Selects track 2 for playback or recording. The
REC LED lights up when the track has been activated for
recording. The PLAY LED lights up when the track has been
set for playback and already contains musical data.
{8}
Is used to start/stop playback or recording of the music
sequencer.
{9}
Fig. 3.1: Control elements of the CDP2400USB
REC: Activates record mode.
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CONCERT CDP2400USB User Manual
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11
13
[ 16 ]
SPECIAL: Is used to select one of four modulation eﬀects
(CHORUS, FLANGER, TREMOLO, DELAY) for the selected
sound. An LED shows which eﬀect is currently active. If no
LED lights up, no modulation eﬀect is active.
[ 17 ]
KEYS: Is used to set the key velocity to SOFT, MEDIUM or
HARD. An LED shows which setting is currently active. If no
LED lights up, no key velocity has been selected and playing
a key always triggers a ﬁxed volume level, irrespective of
10
12
how hard you play the key.
[ 18 ]
[ 10 ]
MODE: Selects the TEMPO parameter and menu pages for
TRANSPOSE: Is used for setting keyboard/pitch
transposition.
EDIT mode. The EDIT MODE LED shows in EDIT mode, the
[ 11 ]
TEMPO LED in TEMPO mode.
3.2 Connectors
Down/Up: Depending on which mode you have selected
The connectors of the CDP2400USB are located on the back panel
with the MODE button, these two buttons can be used to
of the keyboard.
enter the tempo or to scroll through the EDIT mode menu
pages.
[ 12 ]
Display: Depending on the function used, the display reads
the tempo, menu numbers or parameter values.
[ 13 ]
-/NO, +/YES: Is used to raise/lower the parameter values
shown in the display. Additionally, the +/YES button
executes certain EDIT functions.
19
14
20
23
[ 14 ]
TONE: These 14 buttons are used for sound selection. In
21
24
22
25
Fig. 3.2: Connectors of the CDP2400USB
DEMO mode they are used to select individual sound
[ 19 ]
color demos.
MIC IN: Connect a dynamic or condenser microphone to
this input using a standard XLR cable. The jack automatically
supplies 15V of phantom power. Adjust the input sensitivity
with the adjacent GAIN control.
NOTE: If the microphone signal begins to distort, turn the GAIN
knob counter-clockwise.
[ 20 ]
AUX IN: Connect external sound sources such as a CD or
MP3 player using a ⁄" plug.
15
16
17
18
[ 21 ]
LINE IN: Connect external sound sources such as CD players,
mixers or drum machines using RCA cables.
[ 15 ]
REVERB: Selects one of four room eﬀects (CHAMBER,
[ 22 ]
CONCERT, CHURCH, THEATER) for the selected sound. An
LED shows which eﬀect is currently active. If no LED lights
up, no room eﬀect is active.
LINE OUT: Connect the CDP2400USB to an external sound
system or recording device using RCA cables.
[ 23 ]
PEDALS: Connect the foot pedals of the CDP2400USB to this
jack using the included 5-pin cable.
[ 24 ]
MIDI: Connect external devices such as synthesizers,
[ 29 ]
Power: Press this button to turn the CDP2400USB on and oﬀ.
sequencers, etc. to the CDP2400USB's using 5-pin DIN cables
(MIDI cables).
• MIDI IN receives data that controls the CDP2400USB's
internal sound generator.
• MIDI OUT sends controlling data from the CDP2400USB's
keys and pedals to other MIDI devices.
• MIDI THRU transmits data from the MIDI IN jack to other
MIDI devices without altering the data.
[ 25 ]
USB: Connect the CDP2400USB to a computer using a type B
30
USB connector. This connection will transmit both the audio
from the internal sound generator as well as MIDI data. You
may use this to record performances or control software on
[ 30 ]
Phones jacks: Connect headphones to these jacks using ¼"
and/or ⁄" plugs. The jacks may be used simultaneously, but
your computer via MIDI.
the volume cannot be controlled separately.
3.3 Foot pedals
The CDP2400USB has three pedals similar to those found on
acoustic grand pianos.
4. Basic operation
The following chapters describe some further basic functions which
you can use in addition to those already explained.
4.1 Using two sounds (layer mode)
Instead of a single sound you can also play two sounds
simultaneously on the CDP2400USB. These sounds are layered and
27
26
28
can be played together over the entire keyboard.
1)
In the TONE section, simultaneously press the buttons of the
sounds to be layered.
[ 26 ]
[ 27 ]
Soft/Piano pedal: Use this to reduce the volume of a
The LEDs above the buttons light up to show that the associated
particular passage.
sounds have been selected.
Sostenuto pedal: This pedal sustains notes that allow
distinct advantages:
• Play a note or chord on the keys
• While holding the note(s), press the sostenuto pedal
• Notes played before the pedal was pressed will continue
to sustain, while those played after the pedal was pressed
decay normally
[ 28 ]
Damper/Forte pedal: All notes sustain when the damper/
forte pedal is pressed, even if you release the key(s).
29
In our example the sounds “GRAND 1” and “STRINGS” are layered.
◊
To quit layer mode, press any button in the TONE section.
This will also select one single sound again.
4.2 Changing the sound character
You can change the sound character by using a room and a
modulation eﬀect as well as a brightness equalizer.
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4.2.1 Color equalizer
3)
Use the Color equalizer to change the sound character and make it
button pressed, then press -/NO and +/YES simultaneously.
If you want to restore the default settings, keep the REVERB
softer or more brilliant.
1)
Change the sound character with the COLOR control as
follows:
• Move the control to the left ( ) for a softer sound that is
darker in tone.
• Move the control to the right (
) for a more brilliant
Modulation eﬀects
sound.
The CDP2400USB provides a modulation eﬀect featuring four
diﬀerent types of eﬀect. When you select a sound, the CDP2400USB
automatically adds an appropriate eﬀect for some of the sounds.
If required, however, you can always select any other eﬀect. The
4.2.2 Room eﬀects
following modulation eﬀects are available:
The CDP2400USB provides room eﬀects simulating four reverb
CHORUS:
Chorus eﬀect. ”widens” the sound.
rooms of diﬀerent sizes. When you select a sound, the CDP2400USB
FLANGER:
Time-shifted layering of sounds. Produces a
also selects an appropriate eﬀect. If required, however, you
can always select any other eﬀect. The following reverb room
“ﬂoating” sound.
TREMOLO:
Rapid, constantly repeated changes in the volume
simulations are available:
CHAMBER:
Simulates a small room.
CONCERT:
Simulates a small concert hall.
CHURCH:
Simulates a large concert hall.
THEATER:
Simulates a typical stage ambience.
1)
of the sound.
DELAY:
Echo eﬀect. Produces time-shifted repetitions of
the sound that decay over time.
1)
Keep pressing the SPECIAL button until the eﬀect of your
choice has been selected.
Keep pressing the REVERB button until the eﬀect of your
choice has been selected.
The selected eﬀect is shown by an LED lighting up next to the
eﬀect name.
The active eﬀect is shown by an LED lighting up next to the eﬀect
◊
disabled.
name.
◊
2)
If none of the four LEDs lights up, the modulation eﬀect is
If none of the four LEDs lights up, the room eﬀect is
2)
Keep the SPECIAL button pressed while adjusting the original
disabled.
vs. eﬀect signal ratio in the VALUE/SONG section using the
Keep the REVERB button pressed while adjusting the original
-/NO and +/YES buttons.
vs. eﬀect signal ratio in the VALUE/SONG section using the
-/NO and +/YES buttons.
The display reads:
0 . . . 20:
0 . . . 20:
Eﬀect intensity
(0 = no eﬀect, 20 = maximum eﬀect)
Eﬀect intensity
(0 = no eﬀect, 20 = maximum eﬀect)
The display reads:
3)
If you want to restore the default settings, keep the SPECIAL
button pressed, then press -/NO and +/YES simultaneously
9
4.3 Using the pedals
use it very subtly, for example, by holding it down only
The CDP2400USB is equipped with three foot pedals performing
half-way.
the same functions as the pedals on an acoustic grand piano.
On the acoustic piano notes are sustained by keeping
Normally, the pedals are used in accordance with the instructions
all the damper felts in their raised position even after
given in the music, where they are marked by special symbols. It
releasing the keys. This allows the notes played to decay
quite naturally.
is useful to know how sound is produced on an acoustic piano to
better understand how the pedals work.
1)
Play the notes to be sustained.
When you strike a key, a hammer hits several strings for each note;
2)
Press the pedal to sustain the notes you just played plus all
subsequent notes.
the strings produce a tone with a deﬁned pitch. When you let go
of the key, a damper felt falls down on the strings to stop them
3)
Release the pedal for normal playing.
from vibrating any longer. As a result, the tone decays quickly.
However, if the key is held down, the tone is sustained for a while
4.4 Using headphones
before it decays completely. In this case, the tone decays only after
The CDP2400USB is equipped with two headphone jacks located
a certain time.
on the underside of the playing console (front left). Headphones
This decay characteristic can be inﬂuenced using the three
are ideal for practicing without disturbing others. The second
foot pedals.
headphone jack allows another person, for example a music
•
Soft/piano pedal (left): The soft pedal produces a soft and
teacher, to listen as well so that piano lessons can also be held using
intimate sound. Use this pedal for particularly soft musical
headphones. Both ¼" and /" inputs are available.
passages (pianissimo).
1)
On an acoustic piano this soft sound results from a smaller
Use the VOLUME control to turn the volume down (move the
slide control to the left half of its control range).
distance between hammer and strings. On a grand piano,
however, the position of the hammer changes, so that the
hammer does not hit all strings.
1)
Press the pedal to dampen all tones played afterwards with
the pedal down.
2)
Let go of the pedal for normal playing.
◊
You can adjust the eﬀect of the damper pedal
(see chapter 5.6.2).
2)
Connect your headphones to a free headphone jack on the
underside of the playing console.
3)
• Sostenuto pedal (middle): Use the sostenuto pedal to
While playing, adjust the volume as desired using the
VOLUME control.
sustain individual tones. The notes already played – as
long as they have not yet decayed – will be sustained
as soon as you press the pedal. All notes played
subsequently will be dampened as described above.
This allows you to play and sustain a certain note using
the pedal, while all subsequent tones will be played in a
4)
If required, the
button allows you to switch the built-in
loudspeakers of the CDP2400USB on or oﬀ.
staccato (detached) manner.
When you sustain single notes on an acoustic piano using
the sostenuto pedal, the damper felts of the notes already
played do not dampen the strings when you release the
keys, but are held in their position.
◊
The built-in loudspeakers of the CDP2400USB are switched
1)
Play the notes to be sustained.
2)
Press the pedal to sustain the tones you just played.
oﬀ as soon as you connect a pair of headphones; the MUTE
3)
Play the next notes. These are played with normal decay.
LED above the
4)
Release the pedal for normal playing.
• Damper/Forte pedal (right): The damper pedal allows
◊
button lights up.
When you disconnect your headphone from the
headphones jack, the built-in loudspeakers of the
you to sustain the notes already played (and held) plus all
CDP2400USB are switched on again and the MUTE LED
subsequent notes, without having to hold the keys down.
above the
The damper pedal is often used to achieve a richer sound.
This is the pedal that is used most often. You can also
button goes out.
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10
5. Advanced operation
5.1.1 Quick access to layer mode functions
The following chapters provide information on advanced operating
mode menu pages.
functions of the CDP2400USB.
1)
Use the following operating procedure for direct access to the layer
Press and hold down the two sound buttons selected for layer
mode (e.g. GRAND 1 and STRINGS) and press the MODE
5.1 Using EDIT mode
button in the TEMPO/EDIT MODE section.
Many advanced operating functions of the CDP2400USB are
available in EDIT mode. The following sections describe how to
adjust these functions in EDIT mode.
◊
Whenever you are prompted to enter EDIT mode, please
follow the step-by-step instructions given below to select a
function and adjust its parameters.
1)
Keep pressing the MODE button in the TEMPO/EDIT MODE
section until the EDIT MODE LED lights up.
The EDIT LED lights up and the EDIT page E3.1 is displayed.
5.2 Transposition
2)
Scroll through the functions using the Down/Up buttons, until
The sounds produced by the CDP2400USB can be transposed up
the appropriate function (e.g. E1) has been selected.
or down by half-tones (key by key). This is useful, for example if you
want to play a piece in a key that is easier to play because it has few
or no accidentals at all (e.g. C major), but intend the piece to sound
in a diﬃcult key with lots of accidentals (e.g. D ﬂat major).
Example: D ﬂat major has ﬁve ﬂats (accidentals). In this key you
would have to play a lot of black keys. However, if you transpose
the sounds up by one half-tone, you can easily play the piece on
the white keys (C major). It can be helpful to transpose the
3)
Use the -/NO- and +/YES buttons in the VALUE/SONG section
keyboard by an octave (12 halftones), for example to play low notes
to adjust the value of your choice.
in the middle register where they can be played more comfortably.
1)
Press and hold the TRANSPOSE button and use the -/NO and
+/YES buttons in the VALUE/SONG section to adjust the
transposition value of your choice in half-tone steps.
The display reads:
0:
No transposition (default setting)
1 . 12:
Keyboard is transposed up by the number of halftones selected.
-1 . -12:
Keyboard is transposed down by the number of
half-tones selected.
2)
Release the TRANSPOSE button when the desired value has
been selected.
◊
◊
11
The LED above the TRANSPOSE button lights up when the
5.3.2 Detune
transposition feature is active, i.e. when a value other than
This function allows you to detune the selected sounds slightly
zero has been set.
against each other.
If a transposition interval has already been set, you can
◊
enable/disable the transposition function using the
Please enter EDIT mode (see chapter 5.1) and select the
following function.
TRANSPOSE button.
Function:
E3.2
Value:
-10 . . . 10
5.3 Layer mode settings
Description:
In layer mode you can eﬀect additional settings for advanced
0:
Same pitch for voice #1 and voice #2
playing with two sounds at the same time.
<0:
Voice #2 higher than voice #1
All sounds are numbered internally from 1 through 14. This order of
>0:
Voice #1 higher than voice #2
sounds determines which sound is addressed internally as voice #1,
voice #2, etc., which in turn is important for making changes to the
5.3.3 Transposition
sounds selected.
Use this function to transpose the selected sounds up or down
by one octave. Depending on which sounds are used in a
combination, the tranpose function can help make the sounds
more homogeneous.
10
11
12
13
14
Example:
In a combination of GRAND 1 and STRINGS, the STRINGS sound
too low. In this case, it helps to transpose the STRINGS up by one
In our example the two sounds GRAND 1 and STRINGS are being
octave.
used in layer mode. Internally, GRAND 1 is #1, STRINGS is #11. The
◊
(here: GRAND 1), the sound with the higher number as voice #2
Please enter EDIT mode (see chapter 5.1) and select the
following function.
sound with the lower number is addressed internally as voice #1
Function:
◊
◊
E3.3 (voice #1 transposed by an octave)
E3.4 (voice #2 transposed by an octave)
(here: STRINGS).
-1 . . . 1
Please note the order of voices used in the sound
Value:
combination selected, in order to understand which
Description:
settings apply to which voice in the examples below.
0:
No transposition
A layer combination consisting of two sounds must be set
-1:
Transposition down by one octave
up before you can adjust the following functions
1:
Transposition up by one octave
(see chapter 4.1).
5.3.4 Eﬀect intensity
5.3.1 Volume ratio
This function allows you to edit the eﬀect intensity of the
Use this function to adjust the volume ratio of the selected sounds.
modulation eﬀect for the selected sounds.
◊
◊
Please enter EDIT mode (see chapter 5.1) and select the
following function.
Function:
E3.1
Value:
0 . . . 20
Description:
Please enter EDIT mode (see chapter 5.1) and select the
following function.
Function:
E3.5 (eﬀect intensity voice #1)
E3.6 (eﬀect intensity voice #2)
Value:
0 . . . 20
10:
Same volume for voice #1 and voice #2
Description:
<10:
Voice #2 louder than voice #1
1 . . . 20:
Eﬀect intensity (default setting)
>10:
Voice #1 louder than voice #2
0:
No eﬀect
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5.3.5 Reset
4)
Press and hold the CLICK button while adjusting the number
Use this function to reset all settings in layer mode.
of beats per measure using the -/NO and +/YES button in the
◊
VALUE/SONG section.
Please enter EDIT mode (see chapter 5.1) and select the
following function.
Function:
E3.7
Value:
Description:
Press the +/YES button to execute this function.
The display reads:
04:
No stressed beats (default setting)
24, 34, 44, 54, 64, 74:
Quarter meter (e. g. 2/4)
38, 68, 78, 98, 128:
Eighth-note meter (e. g. 3/8)
5.3.6 Metronome volume
Using the metronome
Use this function to adjust the metronome volume.
The CDP2400USB features a built-in metronome which can be
◊
Please enter EDIT mode (see chapter 5.1) and select the
following function.
used for practising or to make recordings with the internal music
sequencer.
Function:
E5
To use the metronome, please proceed as follows :
Value:
1 . . . 20
1. Press the CLICK button to start or stop the metronome.
Description:
1 . . . 20:
Metronome volume (1 = low, 20 = high)
Proceed as follows for direct access to the metronome volume
menu page.
1)
The metronome beats are shown by ﬂashing dots on the display.
Press and hold the CLICK button, then hit the MODE button in
the TEMPO/EDIT MODE section.
At the beginning of a measure all dots light up simultaneously.
2)
Keep pressing the MODE button in the TEMPO/EDIT MODE
section until the TEMPO LED lights up.
3)
Use the two Down/Up buttons to adjust a tempo of your
choice.
The EDIT MODE LED lights up and the EDIT page E5 is displayed.
5.4 Music sequencer
The CDP2400USB provides a built-in 2-track sequencer which
allows you to record and play back a piece of music . For each of
the two tracks you can select one or two sounds for recording. This
means that the music sequencer can play back up to four sounds at
the same time. While playing back a music piece you can also play
on the keyboard to produce complex performances with up to six
diﬀerent sounds.
What is more, you can use the music sequencer for practicing. For
example, you could record the left and right-hand parts of a piece
separately on the two tracks. During playback, switch oﬀ one track
13
5)
(=hand) and play the muted part yourself. Thus, you can practice
Switch on the acoustic CLICK signal by pressing the CLICK
button, if you want to make a metronome backed recording.
each part individually within its musical context.
5.4.1 Recording pieces of music
This section describes how to record music pieces with the built-in
music sequencer.
1)
6)
Start recording by pressing the
button or simply start
Press the REC button. The REC LED above the TRACK-1 or
playing on the keyboard. The current meter is counted in the
TRACK-2 button lights up. The dots in the display start ﬂashing
display.
in the adjusted metronome tempo, thus indicating the beat.
Now, the CDP2400USB is set to record mode.
◊
If the display starts ﬂashing during recording and reads the
message FUL, this is to warn you that the recording memory
◊
has been used up. All data recorded up to this point will be
The memory of the music sequencer can store up to 10,000
notes. However, this number can decrease depending on
how much pedaling information is stored.
◊
You can quit record mode by pressing the REC button again.
2)
If necessary, adjust the metronome tempo and meter as
stored, but the recording process will be terminated.
7)
Once your recording is ﬁnished stop the sequencer by
pressing the
button again.
described in chapter 5.4.
3)
Keep pressing the TRACK-1 button until the REC LED above
the corresponding button lights up red. Now, track 1 is
selected for recording. If you did a recording take before, the
last track selected will be used for recording. Depending on
which track is currently used, you will have to select the other
track for recording.
◊
Recording mode will thus be canceled automatically.
8)
Repeat the whole procedure to record a second track. This
time, however, select TRACK 2 instead of TRACK 1 in step #3.
◊
TIP: If the right-hand part of a music piece you want to
practice has been recorded on track 2 and the left-hand
part on track 1 (for example, by your piano teacher), you can
mute one of the two tracks during playback to practice the
corresponding part.
◊
TIP: If the PLAY LED for one of the tracks lights up, this warns
◊
you that notes have already been recorded on this track. If
TIP: Press the CLICK button again to stop the
metronome click.
you select this track again for recording (REC LED lights up
4)
red), the previous recording will be lost.
5.4.2 Editing pieces of music
Select a sound in the TONE section. You can also use a sound
This section describes how to edit a recording by replacing a
combination (see chapter 4.1) for recording.
recorded track with a new recording. What is more, you can see
how to record a track without playing back the second track, which
can be useful when you record two diﬀerent pieces of music.
◊
You must have recorded at least one track before you can
carry out the steps described below.
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◊
If you are not sure whether a track has been recorded or not,
◊
check this by pressing the TRACK 1 and TRACK 2 button,
contains note information, all previously recorded notes on
BEFORE you enter record mode. If one of the PLAY LEDs
this track will be erased!
above the TRACK buttons light up, this shows you that
4)
something has been recorded on this track.
1)
Tip: If you select a track for recording, which already
Select a sound in the TONE section. You can also use a sound
combination (see chapter 4.1) for recording.
If you do not want to hear the previously recorded track while
you record the second one, press the TRACK button of the
track until its green PLAY LED goes out. Do this BEFORE you
enter record mode. If you want to hear the previously
recorded track, continue with step #2.
5)
Switch on the acoustic metronome signal by pressing the
CLICK button, if you want to make a metronome-backed
recording.
2)
Press the REC button. The REC LED above the TRACK 1 or
TRACK 2 button lights up. The dots on the display start
6)
Start recording by pressing the
button or simply start
ﬂashing in the metronome tempo that has been set, thus
playing on the keyboard. The current meter is constantly
indicating the beat. Now, the CDP2400USB is set to record
shown in the display.
mode.
◊
◊
If the display starts ﬂashing during recording and reads the
The memory of the music sequencer can store up to 10,000
message FUL, this is to warn you that the recording memory
notes. However, this number can decrease depending on
has been used up. All data recorded up to this point will be
how much pedaling information is stored.
◊
You can quit record mode by pressing the REC button again.
3)
Press the TRACK button of the track you want to record until
stored, however, but recording process will be terminated.
7)
Once your recording is ﬁnished stop the sequencer by
pressing the
button again.
the REC LED above the button lights up red. Now the selected
track is record-ready. If you did a recording take before, the last
track selected will be used for recording. Depending on which
track is currently used, you will have to select the other track
for recording.
◊
Recording mode will thus be canceled automatically.
5.4.3 Playing back pieces of music
15
◊
TIP: If the right-hand part has been recorded on track 2 and
This section describes how to play back the music piece you have
the left-hand part on track 1, you can switch oﬀ either of the
just recorded.
tracks and practice its part live during playback. The volume
1)
Press the TRACK 1 and TRACK 2 buttons until the green PLAY
of the muted track is adjustable. If necessary you can play it
LED above the buttons lights up. This is to activate the tracks
back in the background at low volume for support
for playback.
(see chapter 5.5.5).
5)
◊
button
You can only activate those tracks for playback which
If you want to have a metronome-backed playback, press the
5.4.4 Repeating musical passages for
practicing
CLICK button to switch on the metronome.
The following section describes how to play back a speciﬁc
actually contain note information.
2)
To stop the playback, press the
passage of a recorded music piece repeatedly. This function is
ideal for practicing a speciﬁc diﬃcult passage recorded by your
piano teacher.
◊
3)
To make the best use of this function, the left and righthand
Press the MODE button in the TEMPO/EDIT MODE section
parts should be recorded separately on tracks 1 and 2. In
until the TEMPO LED lights up, then use the two Down/Up
this case, you can play back one part only with the music
sequencer, while you practice the other part.
buttons to adjust the playback tempo.
1)
Select the track to be played back, so that the PLAY LED above
the corresponding TRACK button lights up.
◊
You can play back a recording at its original tempo by
pressing the two Down/Up buttons at the same time.
4)
Press the
button to play back the recording. The
◊
2)
◊
During playback the two tracks can be switched on/oﬀ at
any time.
◊
You can accompany the music sequencer playback with the
currently selected sound.
The volume of a muted track is adjustable (see chapter
5.5.5).
current meter is constantly shown in the display.
Press the
button to play back the selected track.
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3)
Press the MODE button in the TEMPO/EDIT MODE section
5.4.6 Editing the music sequencer settings
when the playback has reached the point from which you
The following paragraphs explain how to edit the playback settings
want to start repeating a passage.
of recordings made with the music sequencer.
The following settings can be edited separately for each of the
two tracks:
•
•
•
•
Sound (see chapter 2.4)
Room eﬀect intensity (see chapter 4.2.2)
Modulation eﬀect intensity (see chapter 4.2.3)
Layered sounds (see chapters 4.1 and 5.3)
The following global settings can be made for the whole music
The display reads:
piece:
A-:
•
•
•
•
Tempo (see chapter 5.4)
1)
Press the REC button in the SEQUENCER section to enter
4)
Starting point of the loop is set.
Press the MODE button again when the playback reaches the
point where you want to end the repetition of a passage.
Meter (see chapter 5.4)
Type of room eﬀect (see chapter 4.2.2)
Type of modulation eﬀect (see chapter 4.2.3)
record mode. The REC LED above the TRACK 1 or TRACK 2
buttons lights up and the dots in the display start ﬂashing in
the rhythm of the selected metronome tempo, thus indicating
the beat.
The display reads:
A-b:
Ending point of the loop is set.
The musical passage is now repeated continuously, so that you can
practice it to perfection
5)
When you want to stop practicing, press the
button
again to stop the playback.
◊
Be sure not to press the
button during the following
steps. Otherwise, a new recording would be made on the
selected track erasing all the data recorded before.
2)
Use the TRACK button to select the track whose settings you
wish to edit. If you want to edit global settings (e.g. tempo,
measure, etc.) you can select either one of the two tracks.
◊
◊
Press the MODE button again to quit repetition mode.
The passage marked as a loop for repetition is automatically
erased when you quit music sequencer mode.
5.4.5 Setting the volume of muted tracks
1)
This function allows you to set the volume of muted tracks.
◊
Please enter EDIT mode (see chapter 5.1) and select the
following function.
Function:
E6
Value:
0 . . . 20
Description:
1 . . . 20:
Volume of muted track
0:
Muted tracks are not audible
3)
17
Edit the settings as described in the chapters mentioned
A dot in the lower right-hand corner of the display starts ﬂashing in
above.
the tempo of the metronome, thus signaling that the instrument
4)
If necessary, repeat step 2 for the second track.
is set to sync start mode. The sequencer starts playback as soon as
5)
Press the REC button to quit record mode.
you play a key on the keyboard.
◊
If you want to quit sync start mode, simply repeat step 2.
5.4.8 Start the music sequencer with foot pedal
This function allows you to reprogram the left soft pedal, so that it
can be used to start/stop the music sequencer. This is useful when
you are playing a music piece live and want to start a sequencer
accompaniment at a later point during the piece. When the pedal
The changes made have now been stored in the music sequencer.
has been set accordingly, you can also use it to start/stop playback
When you play back the music piece, the new settings will be
in DEMO mode.
eﬀective. All previous settings are deleted.
◊
Please enter EDIT mode (see chapter 5.1) and select the
following function.
5.4.7 Sync start
Function:
E4.1
You can set the music sequencer playback-ready, so that it will start
Value:
1, 2
playback as soon as you play a key on the keyboard. This function
Description:
can be very helpful when the music sequencer is used as an
1:
Soft pedal function (default setting)
“accompanist”. The function is also available in DEMO mode.
2:
Music sequencer
1)
Make sure that the playback tracks are active (PLAY LED above
the corresponding TRACK button lights up green). If necessary,
5.5 System settings
activate the tracks by pressing their TRACK buttons in the
The CDP2400USB provides several setting options to control
SEQUENCER section.
the global functions of the instrument. Please read below which
options are available and how you can edit their settings.
5.5.1 Key velocity
This parameter determines the volume of the sounds with
reference to the key velocity applied, i.e. you can set here how hard
you have to strike a key to achieve maximum volume.
The following section describes how to change the key velocity.
2)
Press and hold one of the active TRACK buttons, then press
the
button in the SEQUENCER section.
1)
Press the KEYS button to select one of the following settings:
HARD:
The keys must be played very hard to achieve
maximum volume.
MEDIUM:
The keys must be played with medium velocity to
achieve maximum volume (default setting).
SOFT:
The keys must be played only lightly to achieve
maximum volume.
OFF:
If none of the LEDs lights up, each key stroke will
produce a deﬁned volume, irrespective of how hard
you play the keys.
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An LED above the button lights up to show the current setting. If all
5.5.3 Fine tuning
LEDs are out, key velocity is switched oﬀ. In this case you can adjust
The CDP2400USB can be detuned slightly to adapt it to other
a ﬁxed volume level as follows:
instruments or tunings. The setting made here aﬀects the pitch
2)
Press and hold the KEYS button, then use the -/NO and +/YES
of all keys.
buttons to set the volume level to be produced when you play
The following section describes how to adjust the ﬁne tuning of
a key on the keyboard, irrespective of the key velocity applied.
the CDP2400USB. The tuning shown in the display is referenced
to the concert pitch “A” in Hertz (Hz).
◊
Please enter EDIT mode (see chapter 5.1) and select the
following function.
Function:
E1
Value:
427 . . . 453
Description:
The display reads:
440:
Western European equal tuning (default setting)
1 . . . 127:
Fixed volume level produced when you play a key
453:
Maximum detuning upwards
on the keyboard (default setting: 64)
427:
Maximum detuning downwards
3)
◊
◊
Keep the KEYS button pressed, then press the -/NO and +/YES
1/5-Hz steps are shown as follows (ﬁgures separated by one or
buttons simultaneously to recall the standard setting.
two dots):
440:
440 Hz
4.40:
440,2 Hz
44.0:
440,4 Hz
440.:
440,6 Hz
4.40.:
440,8 Hz
The key velocity setting has no eﬀect on the following
5.5.4 Tunings
sounds: CEMBALO 1 and 2, CHURCH 1 and 2, and CLICK
The CDP2400USB provides diﬀerent tunings developed during
ORGAN.
the past few centuries. The tuning used most often today is called
TIP: young pianists might ﬁnd it easier to use a SOFT key
equal tuning and has been a characteristic element of the music
velocity setting.
composed from the 19th century up to the present. However, for
some baroque pieces (e.g. by J. S. Bach) it can be interesting to use
5.5.2 Soft pedal intensity
an older tuning system.
Use this function to adjust the intensity of the soft pedal eﬀect.
In the history of music, the development of the individual tunings
◊
Please enter EDIT mode (see chapter 5.1) and select the
can be traced back to the development of scales and polyphony
following function.
and the resulting adaptation of instruments and their tuning.
Function:
E4.2
Apart from these historical reasons, the limited tuning aids
Value:
1 . . . 5
available in former times played an important role for the practical
Description:
implementation of tunings.
3:
Normal soft pedal intensity (default setting)
The CDP2400USB provides the following tunings:
1:
Low soft pedal intensity
•
5:
High soft pedal intensity
Equal tuning divides one octave into twelve intervals of equal size
◊
Equal tuning (default setting)
The function will be eﬀective only if the left pedal is used as
or spacing. Thus, each half-tone is detuned slightly to the same
a soft pedal, but NOT to start/stop the music sequencer (see
extent, with the octave being the only perfect interval. This has
chapter 5.5.8).
been the most common tuning since the 19th century, as it makes
it possible to play all twelve major/minor keys.
•
Pure major/minor intonation
19
With the exception of equal tuning, all tunings must be marked by
This tuning is based on the perfect tuning of the seven notes of one
a basic note.
scale (e.g. C major). Triads played one ﬁfth above or below are also
Here’s how to set the basic note:
perfect, since they use the notes of the basic key. However, all other
Function:
E2.2
keys are not playable, since their frequency relationships change
Value:
C . . . B
depending on the basic note.
Description:
This tuning can only be used for music that strictly follows a
Altered notes are marked by dashes above or below the note name.
classical cadence comprising tonic, dominant and subdominant.
A dash above the note name raises a note, a dash below the note
•
lowers it.
Pythagorean tuning
The Pythagorean tuning is based on perfect ﬁfths. As a
The display shows:
consequence, all thirds are impure.
c-:
c sharp (C#)
This tuning was used for early music up to the late Middle Ages. The
e-:
e ﬂat (Eb)
homophonic or two-part polyphonic music of the time did not use
any thirds, but only perfect unison, fourth, ﬁfth and octave intervals.
5.5.5 Saving parameter settings
•
The CDP2400USB allows you to save the changes made to the
Meantone tuning
Meantone tuning resulted from the change in the perception of
instrument’s settings, so that they won’t get lost when the unit is
dissonant intervals during the Renaissance period and from the
powered down. When the save function is not active, all changes
beginnings of chromaticism and polyphony. Polyphony made the
made to the settings – except for the music sequencer data – will
third the most important interval in music. Therefore, meantone
be lost when you switch the piano oﬀ. When switched back on, the
tuning is based on perfect thirds rather than perfect ﬁfths to tune
CDP2400USB recalls the factory default settings.
the twelve notes of a scale. However, this also means that some
The save function can be activated separately for the following
scales are unplayable.
groups of functions: sounds, MIDI, tuning and damper pedal.
Today, the meantone tuning can still be used for works from the
◊
following function.
early 16th and 17th centuries (e.g. G. F. Handel).
•
Werckmeister/Kirnberger tuning
The Werkmeister and Kirnberger tunings result from ﬁrst attempts
Please enter EDIT mode (see chapter 5.1) and select the
•
Sounds
You can save the following settings for this group of functions:
•
•
•
•
•
•
•
to realize a well-tempered tuning which – unlike the Pythagorean
and meantone tunings – allows for playing in all twelve keys. The
advantages of the Pythagorean and meantone tunings, i.e. the
slight detuning of some ﬁfth intervals, have also been included in
the Werkmeister/Kirnberger tunings.
Both tunings are interesting to use for works from the baroque
period (e.g. J. S. Bach). Werkmeister is a popular tuning for
Sounds (see chapter 2.4)
Layer mode settings (see chapters 4.1 and 5.3)
Type of room eﬀect and intensity (see chapter 4.2.2)
Type of modulation eﬀect and intensity (see chapter 4.2.3)
Key velocity (see chapter 5.6.1)
Metronome meter and tempo (see chapter 5.4)
Dimmed volume (see chapter 5.5.5)
organ works.
Function:
E8.1
The following section describes how to change the tuning of the
Value:
On, Off
CDP2400USB.
Description:
◊
Off:
Please enter EDIT mode (see chapter 5.1) and select the
Save function for sounds is disabled
following function.
(default setting)
Function:
E2.1
On:
Value:
1 . . . 7
•
Save function for sounds is enabled
MIDI
You can save the following settings for this group of functions:
Description:
• All MIDI settings (see chapter 6.3.3)
1:
Equal tuning (default setting)
2:
Pure major tuning
Function:
E8.2
3:
Pure minor tuning
Value:
On, Off
4:
Pythagorean tuning
Description:
5:
Meantone tuning
Off:
6:
Werckmeister tuning
7:
Kirnberger tuning
Save function for MIDI settings is disabled
(default setting)
On:
Save function for MIDI settings is enabled
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•
Tuning
2)
You can save the following settings for this group of functions:
Press and hold down the TRACK 1 and TRACK 2 buttons, then
switch the CDP2400USB back on.
• Transposition (see chapter 5.2)
• Fine tuning (see chapter 5.6.3)
• Tuning (see chapter 5.6.4)
Function:
E8.3
Value:
On, Off
Description:
Off:
Save function for tuning settings is disabled
(default setting)
On:
•
Save function for tuning settings is enabled
Soft pedal
You can save the following settings for this group of functions:
• Soft pedal function (see chapter 5.5.8)
• Soft pedal intensity (see chapter 5.6.2)
Function:
E8.4
Value:
On, Off
Description:
Off:
Save function for soft pedal settings is disabled
(default setting)
On:
3)
Let go of the TRACK buttons after about 5 seconds.
Save function for soft pedal settings is enabled
Use the following procedure to recall the factory default settings.
6. Connection to external
equipment
◊
Tip: All saved parameters as well as the music sequencer
The CDP2400USB provides a variety of connectors for connecting
data will be lost during either one of the following
the instrument to external devices.
procedures.
5.5.6 Restoring the factory default settings
1)
Use the POWER switch to switch the instrument oﬀ (if not
already done).
2)
Play and hold down the top C key on the keyboard, then
◊
Caution
Be sure that all devices are switched oﬀ before you make
any connection.
switch the CDP2400USB back on.
◊
NEVER connect the LINE IN connectors of the CDP2400USB
to its LINE OUT connectors. This will cause a feedback loop
producing high volume levels which could damage both
the instrument and your hearing!
6.1 Connecting external sound sources
The CDP2400USB is equipped with a stereo LINE IN connector
for connecting external sound sources to your digital piano.
These signals are reproduced through the internal loudspeakers
An alternative procedure is described below:
and connected headphones. If you wish to practice with musical
1)
Use the POWER switch to switch the instrument oﬀ (if not
accompaniment, you can use this input to connect a CD player or
already done).
drum computer. In the same way, you could connect an external
synthesizer or sound module and use its sound generator with your
instrument. An additional MIDI connection enables you to play an
external sound generator from the keyboard of the CDP2400USB
(see chapter 6.3.1). The keyboard also has a MIC input for the
connection of dynamic or condenser microphones, and an AUX IN
jack for sound sources that use /" plugs.
21
6.1.1 LINE IN jacks
computer, cassette recorder, MD recorder). Unlike the built-in music
The LINE IN jacks can be used to connect external sound sources
sequencer, recording on external audio equipment gives you the
such as CD players, DVD players, or external sound modules that
advantage that you can play back your music completely
are being controlled by the CONCERT’s MIDI function (see ﬁg. 6.3).
independently of the CDP2400USB. For example, you can give your
The following diagram shows a wiring example comprising the
friends a recorded CD or MP3 or archive music pieces on any
CDP2400USB and a CD player. You need one or two cables ﬁtted
recording medium.
with RCA plugs (see chapter 9.1.3). As an alternative, you can also
use a ¼" cable with an appropriate adapter plug.
Microphone
MP3 Player
MD recorder
Keyboard ampliﬁer
CD Player
MIC IN
LINE IN
AUX IN
LINE OUT
Digital Piano
Digital Piano
Fig. 6.1: Connecting external signal sources
Fig. 6.2: Connecting ampliﬁers and recording equipment
1)
1)
Connect the outputs of the CD player to the LINE IN jacks of
the CDP2400USB.
6.1.2 AUX IN jack
This /" jack is ideal for the connection of MP3 players, portable
CD players, MD players, etc. Most applications will require a /" TRS
cable, but adaptors may also be used.
Connect the LINE OUT jacks to the inputs of an external
ampliﬁer or recording device.
◊
Caution
Be sure to switch the CDP2400USB on BEFORE you switch
on the external ampliﬁer, so as to avoid switch-on thumps
being ampliﬁed. Such signals could damage the ampliﬁer
and the loudspeakers. Switch oﬀ the equipment in
6.1.3 MIC IN jack
reverse order.
Connect a microphone to the MIC IN jack using a standard XLR
cable. You may use dynamic (handheld) or condenser microphones.
6.3 MIDI functions
The jack always supplies 15V of phantom power to enable the use
MIDI is an interface and protocol for transmitting of playing data to
of most condenser mics.
other MIDI equipment. The most important playing data are pitch
Adjust the input signal of the microphone with the GAIN knob. If
and length of notes, key velocity and channel volume, program
your voice begins to distort, turn the GAIN knob down.
changes and various controller data generated, for example, by
NOTE: The internal eﬀects do not aﬀect the microphone input.
controllers such as the pedals.
The MIDI interface does not transmit electrical audio signals but
6.2 Connection to ampliﬁers and
recording equipment
control data only . The MIDI protocol provides for the transmission
The CDP2400USB is equipped with LINE OUT connectors for
channel-speciﬁc data.
connecting the digital piano to external keyboard ampliﬁers, P.A.
The CDP2400USB is equipped with three MIDI jacks for connecting
systems or home stereo systems. For performances in larger rooms
additional MIDI sound modules or software/hardware sequencers:
(e.g. stages, hall) it can be necessary to use external ampliﬁers.
You can also use the outputs to connect recording equipment (e.g.
of data on 16 independent channels. Playing data are always
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22
•
•
•
music computer receiving MIDI data from the CDP2400USB
6.3.2 USB connection to a computer with
sequencing software
Use the MIDI IN to send playing data from other MIDI
You can operate the CDP2400USB in combination with a
controller keyboards or a music computer to the sound
sequencing program such as “Cubase”, “Logic” or the included
generator of the CDP2400USB.
“energyXT2.5 Compact BEHRINGER Edition.” Sequencing software
The MIDI THRU jacks passes on the MIDI data received via
gives you a wealth of powerful functions to record and process
the MIDI IN jack without modiﬁcation. In combination with a
MIDI data. For example, you can record several tracks to create
music computer you can thus integrate another keyboard or
complex music pieces. Additional options are the production of
sound module into the MIDI chain comprising CDP2400USB
sheet music or playback of music pieces. What is more, you can
and music computer.
transfer the data of the built-in music sequencer to your computer
Use the MIDI OUT to connect additional synthesizers or a
for permanent archiving.
6.3.1 MIDI connection to other sound modules
The following illustration shows a set-up comprising the
You can use the CDP2400USB to control external sound modules
CDP2400USB and a music computer. The connection of an
via MIDI. This allows you to use the keyboard and pedals of the
external sound module is optional.
digital piano to control the sound generators of other synthesizers
or sound modules not equipped with a keyboard. When you also
Audio
connect the audio signal of the external sound module to the
MIDI
CDP2400USB, as described in chapter 6.1, all sounds played in
addition to the sounds of the CDP2400USB can be heard through
the internal loudspeakers.
The following illustration shows a set-up comprising the
CDP2400USB and an external sound module.
Sound module
Sound module
MIDI OUT
Audio
LINE IN
USB
MIDI
MIDI OUT
LINE IN
Digital Piano
Fig. 6.4: USB connection with an external sound module.
Digital Piano
1)
2)
1)
Connect the MIDI OUT jack of the CONCERT to the MIDI IN jack
of the external sound module.
2)
3)
Connect the piano's USB jack on the CONCERT to a free USB
port on your computer.
Fig. 6.3: Controlling external MIDI sound modules
Connect the MIDI IN jack of the sound module to the MIDI
OUT jack of the CONCERT.
3)
Connect the audio outputs of the sound module to the LINE
Be sure to set the MIDI transmit/receive channels of both
IN jacks of the CONCERT if you want to play back the sounds of
instruments to the same number (see chapter 6.3.3).
the external device through the digital piano loudspeakers.
Connect the audio outputs of the sound module to the
LINE IN jacks of the CDP2400USB, if you want to play back
6.3.3 MIDI settings
the sounds of the external device through the digital piano
The CDP2400USB provides eight diﬀerent functions to determine
loudspeakers.
how the instrument processes MIDI information.
◊
Please enter EDIT mode (see chapter 5.1) and select the
following functions.
•
Setting the MIDI transmit channel
23
When the CDP2400USB is set to Local Oﬀ, the MIDI data is only sent
Use this function to set the transmit channel on which the
to the sequencer. The notes are played only once when the MIDI
CDP2400USB is to send MIDI data. MIDI devices must send and
signals come back from the sequencer.
receive on the same MIDI channels to ensure successful MIDI
Function:
E7.3
communication.
Value:
On, Off
Function:
E7.1
Description:
Value:
1 . 16, Off
On:
The CDP2400USB transmits MIDI data on the
Off:
Sound generator responds to keyboard and MIDI
Description:
1 . . . 16:
notes (default setting)
Sound generator does not respond to the keyboard
speciﬁed MIDI channel. (Default setting: 1)
Off:
◊
◊
•
The CDP2400USB transmits no MIDI data
but to MIDI notes only
•
Accept/ignore program changes
In layer mode voice #1 transmits MIDI data on the speciﬁed
Use this function to determine how the CDP2400USB responds
MIDI channel, while voice #2 transmits on the next higher
to MIDI program change commands. These commands are
channel.
used, for example, to select sounds of the CDP2400USB using
Demo song and music sequencer data are not transmitted
MIDI commands sent from a sequencing program. Conversely,
via the MIDI output. However, you can transmit a music
program change commands can be sent via the MIDI output of the
piece recorded with the built-in music sequencer using the
CDP2400USB whenever you select a sound in the TONE section
MIDI dump feature (see “Sending music sequencer data”
(see chapter 9.2).
below).
Function:
E7.4
Setting the MIDI receive channel
Value:
On, Off
Use this function to set the receive channel on which the
Description:
CDP2400USB is to receive MIDI data. MIDI devices must transmit
On:
Program change commands are sent and received
and receive on the same MIDI channels to ensure successful MIDI
communication. Select the default setting ALL for proper operation
(default setting)
Off:
Program change commands are neither sent nor
in combination with a music computer.
received
Function:
E7.2
•
Value:
All, 1-2, 1 . . . 16
Use this function to determine how the CDP2400USB responds to
MIDI controller data. MIDI uses a variety of controller informaiton to
Description:
All:
Accept/ignore MIDI controller information
Simultaneous multi-timbral reception of MIDI data
control sound changes (e.g. pedal status, volume, eﬀect intensity).
on all 16 MIDI channels. Also known as "Omni"
Function:
E7.5
mode. (Default setting)
Value:
On, Off
1-2:
Reception of MIDI data on channels 1 and 2
Description:
1 . . . 16:
Reception of MIDI data on the speciﬁed MIDI
On:
setting)
channel
◊
•
Controller data are sent and received (default
The multi-timbral reception of MIDI data allows you to
Off:
use the CDP2400USB in combination with a sequencing
◊
Controller data are neither sent nor received
The CDP2400USB only responds to the commands listed
program as a sound generator for multi-track recordings
in the MIDI implementation chart if controller data are
(see chapter 6.3.2).
enabled (see chapter 9.4).
Enable/disable sound generator (Local on/oﬀ )
This function allows you to determine whether the built-in sound
generator directly plays the notes you play on the keyboard or
whether it only responds to MIDI note information received via
the MIDI IN jack. The latter setting is quite useful, for example, in
sequencer mode. A closed MIDI chain may cause the CDP2400USB
to play the same sound twice, before and after it is sent to an
external device.
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•
MIDI transposition
•
Sending music sequencer data
This function determines whether outgoing MIDI data are
Use this function to send music sequencer data via the MIDI output
transposed independently of the built-in sound generator. This
of the CONCERT. This allows you to archive recorded music pieces
can be useful to play the sounds of an external sound module
on your music computer or hardware MIDI sequencer. This type
whose sound generator is controlled from the keyboard of the
of transmission is only for system-exclusive data packages (MIDI
CDP2400USB in a diﬀerent pitch than the internal sounds of the
dump), but not for MIDI playing data.
CDP2400USB.
Function:
E7.8
Function:
E7.6
Value:
Value:
-12 . 12
Description:
1)
Description:
0:
1 . 12:
-1 . -12:
Connect the CDP2400USB to a computer or hardware
sequencer as described in chapter 6.3.2.
No transposition of the pitch at the MIDI output
(default setting)
2)
Set the MIDI sequencer to reception-ready mode.
Pitch is transposed up by the number of halftones
3)
Select the function E7.8 in EDIT mode.
selected
4)
Press the +/YES button to execute the transmission.
Pitch is transposed down by the number of
halftones selected
◊
This setting has no eﬀect on the sound generator of the
CONCERT.
•
Send control panel settings (snapshot)
Use this function to transmit the current settings of the CONCERT
(e.g. sounds and eﬀects, channel volume) via the MIDI output. This
When the transmission is complete, the display shows End.
type of transmission only includes systemexclusive data packages
◊
You can send the data back to the CDP2400USB at a
later date. To do this, use the MIDI IN jack to connect the
(MIDI dump).
Function:
E7.7
CDP2400USB to the device that received the data before. As
Value:
soon as you start the transmission from the MIDI sequencer,
Description:
the CDP2400USB will automatically receive the data. Make
1)
Connect the CONCERT to a computer or hardware sequencer
sure that neither DEMO, EDIT or music sequencer mode is
as described in chapter 6.3.2.
active!
2)
Set the MIDI sequencer to reception-ready mode.
3)
Select the function E7.7 in EDIT mode.
6.4 USB connection
4)
Press the +/YES button to execute the transmission.
The CDP2400USB features a built-in USB audio/MIDI interface to
open up a world of computer software compatibility. The audio
portion allows you to record your performances using studio
software such as the included energyXT2.5 Compact BEHRINGER
Edition, as well as play back audio from your computer through the
keyboard’s speakers. You can also send MIDI data to a sequencer
software program on your computer to trigger synth tones, drum
When the transmission is complete, the display shows End.
beats, transport functions, etc. The USB connection can also receive
◊
You can send the data back to the CONCERT at a later date.
MIDI data from the computer, allowing your sequencer software to
To do this, use the MIDI IN jack to connect the CONCERT
utilize the CDP2400USB's sound generator and speakers.
to the device that received the data before. As soon as
you start the transmission from the MIDI sequencer, the
6.4.1 Audio routing
CONCERT will automatically receive the data. Make sure
The USB audio output of the CDP2400USB includes the tones
that neither DEMO, EDIT or music sequencer mode is active!
generated by the keys and internal sound generator, as well as
the signals connected to the LINE IN, AUX IN and MIC IN jacks.
However, the VOLUME control and SPEAKERS OFF button do not
aﬀect this signal.
25
The USB audio input returning from the computer is not aﬀected
Follow these steps to set up the MIDI connection for the CONCERT.
by the CDP2400USB's sound generator or eﬀects engine, and goes
1. Repeat steps 1 and 2 above.
directly to the LINE OUT jacks, PHONES jacks and internal speakers.
2. Once the Setup window appears, click the ‘MIDI’ tab.
The VOLUME control and SPEAKERS OFF button only aﬀect the
3. For both MIDI inputs and MIDI outputs, select ‘USB AUDIO
PHONES and speakers.
DEVICE.’
NOTE: When USB MIDI is connected to the CDP2400USB, it
6.4.2 USB audio and MIDI settings
overrides the MIDI IN and THRU jacks. Only the MIDI OUT jack can
When you connect the CDP2400USB to your computer for the ﬁrst
be used in conjunction with USB MIDI.
time, you will likely need to perform certain setup procedures in
your software to ensure proper audio and MIDI interface. Once
the USB cable is connected, the computer will recognize two
diﬀerent USB devices: Audio and MIDI. This example will use the
included energyXT2.5 Compact software, but most recording and
sequencing programs use a similar procedure.
NOTE: PC users are encouraged to install the ASIO driver for lowlatency USB connection. The driver is included on the DVD. Mac
computers do not require any additional drivers to achieve lowlatency operation.
Follow these steps to connect the CDP2400USB to your computer.
1. Connect the included USB cable to the CDP2400USB and to a
free USB port on your computer.
2. Your computer should automatically recognize the USB audio
and MIDI connection. If so, you may continue to the software
setup. If not, you must manually select the audio and MIDI
connections.
3. If using a PC, click on the Start menu and select Control Panel.
4. When the new window opens, select Sounds and Audio
Devices.
5. In the next window, click the Audio tab.
6. Select USB AUDIO DEVICE in the Sound playback, Sound
recording and MIDI music playback menus. Your computer is
now set to send and receive audio and MIDI signals from the
CDP2400USB.
Follow these steps to set up the audio connection in your music
software.
1. Open energyXT2.5 Compact BEHRINGER Edition.
2. Click the ‘File’ tab and select ‘Setup.’
3. A window will pop up with several options. Click the ‘Audio’ tab.
4. Select ‘ASIO’ in the ‘Device’ pull down menu. In the next menu,
select the ‘BEHRINGER USB Audio’ driver.
5. In the ‘Sample Rate’ menu, we recommend selecting ‘44100.’
6. In the ‘Record’ menu, select ‘16-bit.’
7. In the ‘Audio inputs’ menu, select ‘USB AUDIO DEVICE.’
8. In the ‘Audio outputs’ menu, select ‘USB AUDIO DEVICE.’
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7. Troubleshooting
Problem
Remedy
The instrument cannot be switched on
• Check the connection between mains plug and wall outlet (see chapter 2.1).
No sound
• Check the position of the VOLUME control (see chapter 2.2).
• Check the SPEAKER OFF button status (see chapter 4.4).
• Check that the sound generator is switched on (see chapter 6.3.3).
The foot pedals do not work properly
• Check that the pedal cable is properly connected to the PEDAL jack on the underside of the piano
(see chapter 3.3).
The left foot pedal has no eﬀect
• Check in EDIT menu E4.1 that the soft pedal function is enabled (see chapter 5.4.8).
Audio signal is distorted
• Cut back the volume using the VOLUME control.
Sound is too low/high
• Check whether the LED above the TRANSPOSE switch is lit. If so, transposition is active. Press the button to
switch if oﬀ.
Eﬀect is not audible
• Perhaps no eﬀect has been selected or its intensity is too low. Check that the REVERB and SPECIAL LEDs are lit
and select an appropriate eﬀect intensity (see chapters 4.2.2).
Music sequencer/DEMO mode cannot be selected
• DEMO mode must not be active when you switch to music sequencer mode. Conversely, the music sequencer
must be oﬀ before you can switch to DEMO mode.
The music recorded with the music sequencer has been lost
• When you re-record a track,this will automatically erase the previously recorded data on this track.
Music sequencer playback cannot be started
• Playback can only be started when the memory of the music sequencer contains data.
• Perhaps no data has been recorded.
• Perhaps no tracks have been activated for playback. Proceed as described in chapter 5.4.3.
The music sequencer has not stored the entire recording
• The music sequencer is limited in its capacity (approx. 10,000 notes). When the memory is full, all further
data will be lost. Play only as many notes as the sequencer can store before the display starts ﬂashing, thus
signaling that the memory is full.
The display shows FUL
• The memory of the music sequencer is full. If you do not want to erase/re-record your recording, be sure
to save the recorded song via MIDI to a music computer (see chapters 6.3.2 and 6.3.3) before you start a
new recording.
The music piece recorded on the music sequencer plays back
too slow/fast
• The playback tempo of the music sequencer follows the current tempo setting. Press the MODE button until
the TEMPO LED lights up, then simultaneously press the DOWN and UP buttons to play back the recording at
its original tempo.
The tuning of the instrument does not match the tuning of
other instruments
• Check the settings in the EDIT menus E1 and E2.1 and adjust them if necessary, as described in chapter 5.5.3
and 5.5.4. Standard setting: 440 Hz, equal tuning.
Key velocity does not work properly
• Check whether one of the LEDs above the KEYS button is lit. If necessary activate the dynamic response of your
choice by pressing the KEYS button (see chapter 5.5.1).
• Some sounds do not respond to key velocity (see chapter 9.2).
When the instrument is switched oﬀ all settings are lost
• When ﬁrst switched on, the piano always uses the default settings. To save your personal settings please set
the memory function as described in chapter 5.5.5.
The piano does not play back notes received via MIDI IN
• Set the receive channel on which the piano is to receive MIDI data in the EDIT menu E7.2, as described in
chapter 6.3.3.
The piano does not transmit MIDI data via MIDI OUT
• Set the transmit channel, on which the piano is to send MIDI data, in the EDIT menu E7.1, as described in
chapter 6.3.3. Demo and music sequencer data are not transmitted via MIDI.
The piano does not respond to all MIDI commands
• The piano supports only those commands listed in the MIDI Implementation Chart.
• Be sure that the device sending MIDI data and the piano do not have a MIDI ﬁlter activated (see chapter 6.3.3).
The piano sounds strange
• Check whether one of the LEDs above the SPECIAL button is lit, i.e. whether a modulation eﬀect is active. If so,
press the button until all LEDs are oﬀ, i.e. no eﬀect is active.
• Perhaps you have selected two sounds at the same time. Press one of the sound buttons in the TONE section to
select a single sound.
The display shows ERR
• An internal error has occurred. Switch the instrument oﬀ, wait for about 30 seconds, then switch it back on.
If the error message shows again, please contact your BEHRINGER support desk. Further information can be
found at: www. behringer. com.
27
8. Speciﬁcations
Keyboard
Ampliﬁer
88 weighted keys with hammer action (A-1 to C7)
Sound generation
Output power
Power supply
RSM (Real Sound Modeling) dynamic stereo sampling, 16 MB ROM
Mains voltages and fuse values
Polyphony
64 notes max.
Dimensions (H x W x D)
14
Weight
Eﬀects
Modulation eﬀects
4 types
(CHAMBER, CONCERT, CHURCH, THEATER)
4 types (CHORUS, FLANGER, TREMOLO, DELAY)
Sequencer
Type
Memory
2-track
1 Song, approx. 10,000 notes
Pedals
3 (soft-, sostenuto-, damper)
MIC IN
Connector
Phantom Power
XLR, balanced
15V
AUX IN
Connector
/" TRS jack
LINE IN
Connectors
Impedance
RCA jacks, unbalanced
approx. 10 kΩ
LINE OUT
Connectors
Impedance
Max. output level
RCA, unbalanced
approx. 100 Ω, unbalanced
+7 dBu
Phones
Connectors
Max. output level
¼" TRS jack, /" TRS jack
+13 dBu/120mW @ 100 Ω load
MIDI
Connectors
100 - 120 V~, 50/60 Hz T 2,50 A H 250 V
220 - 230 V~, 50/60 Hz T 1,25 A H 250 V
Power consumption approx. 135 W
Dimensions/Weight
Sounds
Room eﬀects
2 x 40 W
IN, OUT, THRU
USB
Connector
Converter
Sample Rate
Type B
16-bit
48 kHz
MIDI
Audio
IN, OUT
Stereo In/Out
approx. 880 x 1,405 x 525 mm
approx. 34.65" x 55.31" x 20.67"
approx. 68.8 kg
approx. 151.7 lbs
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9. Appendix
9.1.2 RCA cables
9.1 Cables
players, MD recorders and other devices to home stereo systems.
Below you will ﬁnd an overview of all cables you need to connect
You will need this type of cable to connect the CDP2400USB to hi-ﬁ
your digital piano. The cables are not supplied with the piano.
recording equipment. Usually, these cables are supplied in pairs to
Depending on the intended use, adapter cables will be necessary
form one stereo cable. The plugs are in most cases red (right) and
to interface the various connectors. You can use adapter cables or
white (left). Make sure that the wiring between recording device
plugs (e.g. ¼" to RCA). Cable adapters are better than adapter plugs,
and CDP2400USB follows this color code, so as not to mix up the
as the latter may aﬀect the signal quality due to insuﬃcient contact
left/right signals.
RCA cables are often used for hi-ﬁ applications to connect CD
of the plugs with each other.
9.1.1 Unbalanced ¼" cable
tip
tip
sleeve
Unbalanced ¼" cables are equipped with a ¼" TS plugs at each end.
They are used to connect external keyboard amps and devices with
¼" outputs (e.g. synthesizers, drum computers) to the CDP2400USB.
shield
sleeve
Fig. 9.2: Hi-ﬁ RCA cable
9.1.3 ¼" to RCA cable
tip
signal
¼" to RCA cables are required for connecting a hi-ﬁ playback device
(e.g. CD player) to the CDP2400USB. As an alternative, you can also
use an unbalanced ¼" cable with an appropriate RCA adapter.
sleeve
ground/shield
Sleeve
Sleeve
Tip
tip
Tip
Fig. 9.3: ¼" to RCA cable
sleeve
strain relief clamp
9.1.4 MIDI cables
MIDI cables are required for connecting MIDI equipment. These
cables have a 5-pin DIN plug at each end. Be sure to use cables
marked as MIDI cables (wiring as shown), since there are also similar
cables with a diﬀerent wiring available for hi-ﬁ equipment. MIDI
strain relief clamp
sleeve
cable lengths should be as short as possible. Avoid cable lengths
exceeding 10 m, as these could lead to errors during the
transmission of signals.
tip
Unused
Pin 3
sleeve
ground/shield
tip
signal
Fig. 9.1: Unbalanced ¼" cable with ¼" TS plugs
Unused
Pin 2
Pin 1
(ground)
Fig. 9.4: MIDI plug pin assignment
9.1.5 /" TRS cable
A /" to /" TRS cable is necessary to connect a CD or MP3 player to
the CDP2400USB AUX IN jack. This carries a stereo signal in a single
cable.
tip left signal
ring right signal
sleeve ground/shield
tip
sleeve
strain relief clamp
strain relief clamp
sleeve
tip
sleeve ground/shield
ring right signal
tip left signal
9.1.6 Headphones
The PHONES inputs of the CDP2400USB accept both /" and /"
plugs. To use both jacks simultaneously, you may need an adapter.
29
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9.2 Presets on the CDP2400USB
MIDI commands
Sound
Description
Stereo
samples
Key
velocity
Dynamic
samples
Release
samples
0/122
0/112
0/122
0/122
0/122
0/123
0/122
11
Program
change
commands
MSB/LSB
GRAND 1
Classic sound of a concert grand
piano with a soft tonal character
GRAND 2
Brilliant sound of a concert grand
piano, particularly suited to pop
and rock music
FM PIANO
Typical bell-like
FM electric piano
of the 80's
VINTAGE PIANO
Nostalgic retro sound of a classic
electric piano
CEMBALO 1
Typical sound of a baroque
harpsichord
CEMBALO 2
Full dual-octave harpsichord
sound
VIBES
Extremely dynamic vibraphone
sound
CHURCH 1
Soft wooden pipe sound of a small
baroque organ
0/123
19
CHURCH 2
Sound of full-size church organ
with all registers
0/122
19
CLICK ORGAN
Sound of a typical jazz organ with
percussive attack
0/122
16
STRINGS
Natural sound of a big string
orchestra
0/122
48
PAD
Soft sound of a string ensemble
with slow attack
0/122
49
CHOIR
Mixed choir with pitch-dependent
combination of voices
0/122
52
NYLON GUITAR
Sound of a classical concert guitar
with a warm character
0/122
24
31
9.3 List of demo music pieces included
No.
Piece
Composer
Invention no. 1, C major, BWV 772
Piano sonata no. 16, 1st movement, C major, KV 545
Piano sonata, op. 13, no. 8 "Pathétique", 2nd mvt., A ﬂat major
Johann Sebastian Bach
Wolfgang Amadeus Mozart
Ludwig van Beethoven
10
11
12
13
14
15
Piano sonata, op. 49, no. 2, 1st movement, G major
Impromptu, op. 90, no.. 2, E ﬂat major
Frühlingslied ("Spring Song"), op. 62, no. 6, A major
Fantasie Impromptu, op. 66, c sharp minor
Prelude, op.28, no. 15 "Raindrop", D ﬂat major
Etude, op. 10, no. 12 "Revolution", c minor
Waltz, op. 64, no. 1 "Minute Waltz/Petit chien", D ﬂat major
Waltz, op. 64, no. 2, c sharp minor
Liebestraum no. 3, A ﬂat major
Arabesque no. 1, E major
Children´s Corner: Golliwog´s Cakewalk, E ﬂat major
Maple Leaf Rag, A ﬂat major
Ludwig van Beethoven
Franz Schubert
Felix Mendelssohn Bartholdy
Frédéric Chopin
Frédéric Chopin
Frédéric Chopin
Frédéric Chopin
Frédéric Chopin
Franz Liszt
Claude Debussy
Claude Debussy
Scott Joplin
9.4 MIDI implementation chart
Function
Basic Channel
Mode
Note Number
Velocity
After Touch
Default
Changed
Default
Messages
Altered
True Voice
Note ON
Note OFF
Keys
Channels
Pitch Bend
Control Change
0.32
11
64
66
67
91
94
Program Change
System Exclusive
System Common
System
Real Time
Aux Messages
Notes
O = YES, X = NO
Mode 1:
Mode 3:
Transmitted
Song Pos.
Song Sel.
Tune
Clock
Commands
Local ON/OFF
All notes OFF
Active Sense
Reset
All sound oﬀ
Reset all ctrl
OMNI ON, POLY
OMNI OFF, POLY
1 - 16
9-120, v=1-127
Recognized
1 - 16
0-127, v=1-127
0-127
O (122)
O (123-125)
OX
O (120, 126, 127)
O (121)
Remarks
Poly mode only
Bank select
Volume
Expression
Damper
Sostenuto
Soft pedal
Reverb depth
Eﬀect depth
ENGLISH
CONCERT CDP2400USB User Manual
CONCERT CDP2400USB User Manual
ENGLISH
32
9.5 EDIT parameter
Category
Abbreviated name
Description
Function
Values
Default setting
E1
427 - 453
440
Selection of temperament (scale)
E2.1
1 .. 7
(equal temper)
Basic note
Selection of basic note of temperament
E2.2
C .. B
Volume
Volume ratio of voice #1 vs. voice #2
E3.1
0 . . 20
Detune
Detuning of voice #1 vs. voice #2
E3.2
-10 . . 10
Octave transposition voice #1
Octave position of voice #1
E3.3
-1, 0, 1
Octave transposition voice #2
Octave position of voice #2
E3.4
-1, 0, 1
Eﬀect intensity voice #1
Portion of voice #1 volume channeled
to the eﬀect
Portion of voice #2 volume channeled
to the eﬀect
Reset of layer mode settings
E3.5
0 . . 20
E3.6
0 . . 20
E3.7
E4.1
1, 2
Tuning
Fine tuning
General ﬁne tuning in 1/5-Hz steps
Tuning
Tuning
Layer mode
Eﬀect intensity voice #2
Reset
Soft pedal
Function
Eﬀect
Function of soft pedal:1) soft pedal, 2)
music sequencer
Intensity of soft pedal on sound
Metronome
Volume
Volume of metronome click
Sequencer
Dimmed volume
MIDI
Transmit channel
Sounds
Volume of the muted track in music
sequencer mode
MIDI channel on which MIDI data are
transmitted
MIDI channel on which MIDI data are
received
Enables/disables the built-in sound
generator for keyboard data
Accept or ignore program change data
(send/receive)
Accept or ignore controller commands
(send/receive)
Transposition of notes during MIDI
transmission
MIDI transmission of all current settings
(dump)
MIDI transmission of music sequencer
data (dump)
Permanent saving of sound settings
MIDI
Permanent saving of MIDI settings
Tuning
Permanent saving of transposition and
tunings
Permanent saving of soft pedal settings
Receive channel
Sound generator
(Local on/oﬀ )
Program change
Controller commands
Transposition
Control panel settings
Music sequencer data
Save
Soft pedal
*Default settings depend on the selected sound combination
E4.2
1 .. 5
E5
1 . . 20
10
E6
0 . . 20
E7.1
1 . . 16, OFF
E7.2
All, 1-2, 1 . . 16
All
E7.3
On, Off
On
E7.4
On, Off
On
E7.5
On, Off
On
E7.6
-12 . . 12
E7.7
E7.8
E8.1
On, Off
Off
E8.2
On, Off
Off
E8.3
On, Off
Off
E8.4
On, Off
Off
33
Limited Warranty
§ 1 Warranty
[1]
This limited warranty is valid only if you purchased the product
[2]
from a BEHRINGER authorized dealer in the country of purchase.
A list of authorized dealers can be found on BEHRINGER’s website
www.behringer.com under “Where to Buy”, or you can contact the
Subsequently, the product must be returned in its original shipping
carton, together with the return authorization number to the address
indicated by BEHRINGER.
[3]
Shipments without freight prepaid will not be accepted.
BEHRINGER oﬃce closest to you.
[2]
BEHRINGER* warrants the mechanical and electronic components of this
§ 4 Warranty Exclusions
product to be free of defects in material and workmanship if used under
[1]
limited to, fuses and batteries. Where applicable, BEHRINGER warrants
date of purchase (see the Limited Warranty terms in § 4 below), unless a
the valves or meters contained in the product to be free from defects
longer minimum warranty period is mandated by applicable local laws. If
in material and workmanship for a period of ninety (90) days from date
of purchase.
the product shows any defects within the speciﬁed warranty period and
that defect is not excluded under § 4, BEHRINGER shall, at its discretion,
[3]
[4]
This limited warranty does not cover consumable parts including, but not
normal operating conditions for a period of one (1) year from the original
[2]
This limited warranty does not cover the product if it has been
either replace or repair the product using suitable new or reconditioned
electronically or mechanically modiﬁed in any way. If the product needs
product or parts. In case BEHRINGER decides to replace the entire
to be modiﬁed or adapted in order to comply with applicable technical
product, this limited warranty shall apply to the replacement product
or safety standards on a national or local level, in any country which is
for the remaining initial warranty period, i.e., one (1) year (or otherwise
not the country for which the product was originally developed and
applicable minimum warranty period) from the date of purchase of the
manufactured, this modiﬁcation/adaptation shall not be considered
original product.
a defect in materials or workmanship. This limited warranty does not
Upon validation of the warranty claim, the repaired or replacement
cover any such modiﬁcation/adaptation, regardless of whether it was
product will be returned to the user freight prepaid by BEHRINGER.
carried out properly or not. Under the terms of this limited warranty,
Warranty claims other than those indicated above are expressly excluded.
BEHRINGER shall not be held responsible for any cost resulting from such
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF OF PURCHASE
COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID
a modiﬁcation/adaptation.
[3]
This limited warranty covers only the product hardware. It does not cover
technical assistance for hardware or software usage and it does not cover
WITHOUT SUCH PROOF OF PURCHASE.
any software products whether or not contained in the product. Any such
§ 2 Online registration
software is provided “AS IS” unless expressly provided for in any enclosed
Please do remember to register your new BEHRINGER equipment right after
your purchase at www.behringer.com under “Support” and kindly read the
software limited warranty.
[4]
has been altered or removed from the product.
terms and conditions of our limited warranty carefully. Registering your
purchase and equipment with us helps us process your repair claims quicker
This limited warranty is invalid if the factory-applied serial number
[5]
Free inspections and maintenance/repair work are expressly excluded
from this limited warranty, in particular, if caused by improper handling
and more eﬃciently. Thank you for your cooperation!
of the product by the user. This also applies to defects caused by normal
§ 3 Return authorization number
wear and tear, in particular, of faders, crossfaders, potentiometers, keys/
[1]
buttons, tubes, guitar strings, illuminants and similar parts.
To obtain warranty service, please contact the retailer from whom the
equipment was purchased. Should your BEHRINGER dealer not be
[6]
Damage/defects caused by the following conditions are not covered by
located in your vicinity, you may contact the BEHRINGER distributor
this limited warranty:
for your country listed under “Support” at www.behringer.com If your
•
by our “Online Support” which may also be found under “Support” at
•
where the product is used;
claim at www.behringer.com BEFORE returning the product. All inquiries
•
Materials Authorization (“RMA”) number.
damage/defects caused by acts of God/Nature (accident, ﬁre, ﬂood,
etc) or any other condition that is beyond the control of BEHRINGER.
number of the product. After verifying the product’s warranty eligibility
with the original sales receipt, BEHRINGER will then issue a Return
connection or operation of the unit in any way that does not comply
with the technical or safety regulations applicable in the country
www.behringer.com. Alternatively, please submit an online warranty
must be accompanied by a description of the problem and the serial
improper handling, neglect or failure to operate the unit in compliance
with the instructions given in BEHRINGER user or service manuals;
country is not listed, please check if your problem can be dealt with
•
Any repair or opening of the unit carried out by unauthorized
personnel (user included) will void the limited warranty.
ENGLISH
CONCERT CDP2400USB User Manual
CONCERT CDP2400USB User Manual
ENGLISH
34
[7]
[8]
[9]
Any repair or opening of the unit carried out by unauthorized personnel
§ 9 Amendment
(user included) will void the limited warranty.
Warranty service conditions are subject to change without notice. For the
If an inspection of the product by BEHRINGER shows that the defect in
latest warranty terms and conditions and additional information regarding
question is not covered by the limited warranty, the inspection costs are
BEHRINGER’s limited warranty, please see complete details online at
payable by the customer.
www.behringer.com.
Products which do not meet the terms of this limited warranty will be
repaired exclusively at the buyer’s expense. BEHRINGER or its authorized
service center will inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after notiﬁcation,
BEHRINGER will return the unit C.O.D. with a separate invoice for freight
and packing. Such costs will also be invoiced separately when the buyer
has sent in a written repair order.
{10}
Authorized BEHRINGER dealers do not sell new products directly in
online auctions. Purchases made through an online auction are on a
“buyer beware” basis. Online auction conﬁrmations or sales receipts are
not accepted for warranty veriﬁcation and BEHRINGER will not repair or
replace any product purchased through an online auction.
§ 5 Warranty transferability
This limited warranty is extended exclusively to the original buyer (customer
of authorized retail dealer) and is not transferable to anyone who may
subsequently purchase this product. No other person (retail dealer, etc.) shall
be entitled to give any warranty promise on behalf of BEHRINGER.
§ 6 Claim for damage
Subject only to the operation of mandatory applicable local laws, BEHRINGER
shall have no liability to the buyer under this warranty for any consequential or
indirect loss or damage of any kind. In no event shall the liability of BEHRINGER
under this limited warranty exceed the invoiced value of the product.
§ 7 Limitation of liability
This limited warranty is the complete and exclusive warranty between you and
BEHRINGER. It supersedes all other written or oral communications related to
this product. BEHRINGER provides no other warranties for this product.
§ 8 Other warranty rights and national law
[1]
This limited warranty does not exclude or limit the buyer’s statutory rights
as a consumer in any way.
[2]
The limited warranty regulations mentioned herein are applicable unless
they constitute an infringement of applicable mandatory local laws.
[3]
This warranty does not detract from the seller’s obligations in regard to
any lack of conformity of the product and any hidden defect.
BEHRINGER Macao Commercial Oﬀshore Limited of Rue de Pequim No. 202-A, Macau Finance
Centre 9/J, Macau, including all BEHRINGER group companies
Legal Disclaimer
Technical speciﬁcations and appearance are subject to change
without notice. The information contained herein is correct at the
time of printing. All trademarks (except BEHRINGER, the BEHRINGER
logo, JUST LISTEN, CONCERT and RSM) mentioned belong to their
respective owners, and such use neither constitutes a claim of the
trademarks by BEHRINGER nor aﬃliation of the trademark owners
with BEHRINGER. BEHRINGER accepts no liability for any loss which
may be suﬀered by any person who relies either wholly or in part
upon any description, photograph or statement contained herein.
Colors and speciﬁcations may vary slightly from product. Our
Products are sold through authorized dealers only. Distributors
and dealers are not agents of BEHRINGER and have absolutely
no authority to bind BEHRINGER by any express or implied
undertaking or representation. This manual is copyrighted. No part
of this manual may be reproduced or transmitted in any form or by
any means, electronic or mechanical, including photocopying and
recording of any kind, for any purpose, without the express written
permission of Red Chip Company Ltd.
ALL RIGHTS RESERVED. © 2009 Red Chip Company Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
35
ENGLISH
CONCERT CDP2400USB User Manual
CONCERT CDP2400USB User Manual
ENGLISH
www.behringer.com
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
CONCERT
CDP2400USB
Responsible party name:
BEHRINGER USA, Inc.
Address:
18912 North Creek Parkway, Suite 200
Bothell, WA 98011, USA
Phone/Fax No.:
Phone: +1 425 672 0816,
Fax: +1 425 763 7647
hereby declares that the product(s)
CONCERT CDP2400USB
complies/comply with the FCC rules as mentioned in the following paragraph:
This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this
device may not cause harmful interference, and (2) this device must accept any interference received, including
interference that may cause undesired operation.
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment oﬀ
and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit diﬀerent from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
Important information:
Changes or modiﬁcations to the equipment not expressly approved by BEHRINGER USA can void
the user’s authority to use the equipment.
www.behringer.com
A57 A8204 17001

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Behringer Macao Commercial Offshore F09131 DIGITAL PIANO User Manual

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