Behringer Digital Pro Mixer Ddm4000 Users Manual DIGITAL_PRO_MIXER_DDM4000

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2015-06-29

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User Manual

DIGITAL PRO MIXER DDM4000
Ultimate 5-Channel Digital DJ Mixer with Sampler,
4 FX Sections, Dual BPM Counters and MIDI

DIGITAL PRO MIXER DDM4000 User Manual

Table of Contents
Thank you........................................................................ 2
Important Safety Instructions....................................... 3
Legal Disclaimer.............................................................. 3
Limited warranty............................................................. 3
1. Introduction................................................................ 4
2. Controls and Connections......................................... 5
3. Operation.................................................................. 11
4. BPM and Effects Section.......................................... 16
5. Sampler..................................................................... 20
6. Further Settings....................................................... 22
7. The DDM4000 as MIDI Controller............................ 23
8. Installation................................................................ 24
9. Specifications............................................................ 25
10. Appendix................................................................. 26

Thank you
Herzlichen Glückwunsch! Mit dem DDM4000 besitzt Du einen DJ-Mixer, mit dem
Du Deiner Zeit weit voraus bist. Der DDM4000 ist ein erstklassiger digitaler 32-Bit
DJ Mixer mit zahlreichen kreativen Funktionen, der jedoch dank einer intuitiven
Benutzeroberfläche sofort leicht zu bedienen ist. Mit Funktionen wie Editieren,
Speichern und Aufrufen von Einstellungen bist Du sofort vertraut.

DIGITAL PRO MIXER DDM4000 User Manual

Important Safety
Instructions

Terminals marked with this symbol carry
electrical current of sufficient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. All other
installation or modification should be performed only
by qualified personnel.
This symbol, wherever it appears,
alerts you to the presence of uninsulated
dangerous voltage inside the
enclosure - voltage that may be sufficient to constitute a
risk of shock.
This symbol, wherever it appears,
alerts you to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, do not
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
qualified personnel.
Caution
To reduce the risk of fire or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects filled with liquids,
such as vases, shall be placed on the apparatus.

9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If the
provided plug does not fit into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories specified by
the manufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table specified by the
manufacturer, or sold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
been dropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.

Caution
These service instructions are for use
by qualified service personnel only.
To reduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by qualified
service personnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.

LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARK TEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM).
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERS AND RESELLERS ARE NOT AGENTS OF
MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY

TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSIC GROUP IP LTD.
ALL RIGHTS RESERVED.
© 2013 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.

DIGITAL PRO MIXER DDM4000 User Manual

1. Introduction
Hook up your turntables and CD/MP3 players to its 4 stereo channels,
each with fully programmable EQ and Kill switches. Put ultimate versatility
at your fingertips with fully programmable beat-sync’able multi-FX modules,
a pair of high-precision BPM counters and a digital crossfader with custom
curve adjustment. And the super-cool BPM-sync’d sampler with real-time pitch
control, loop and reverse functions will make your crowd go wild.
◊ Please read this manual to familiarize yourself with the control

elements of the unit and its functions. After you have carefully
read this manual, keep it for future reference.

1.1 Before you get started
1.1.1 Shipment
Your DDM4000 was carefully packed at the factory, and the packaging
was designed to protect the unit from damage caused by rough handling.
Nevertheless, we recommend that you carefully examine the packaging and its
contents for any signs of physical damage that may have occurred during transit.
◊ If the unit is damaged, please do NOT return it to us; instead,

notify your dealer and the shipping company immediately,
otherwise claims for damage or replacement may not be granted.
◊ We recommend using a case to ensure optimal protection of the device.

Caution!

◊ Before changing the fuse, switch off the device and pull the plug to

avoid electric shock or damage to the device.
The DDM4000 power connection is made by using the enclosed cable and
the amplifier’s standard IEC receptacle. It meets all of the international safety
certification requirements.
◊ Please make sure that all units have a proper earth connection. For your

own safety, never remove or disable the earth conductor from the unit
or of the AC power cord.
IMPORTANT NOTES CONCERNING INSTALLATION
◊ The sound quality may diminish within the range of powerful

broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.
1.1.3 Online registration
Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warranty carefully.

1.1.2 Initial operation

Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Should your
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in
the original equipment packaging (Global Contact Information/European
Contact Information). Should your country not be listed, please contact the
distributor nearest you. A list of distributors can be found in the support area of
our website (http://behringer.com).

Ensure adequate air supply and to avoid overheating do not place the unit
near radiators etc.

Registering your purchase and equipment with us helps us process your repair
claims more quickly and efficiently.

◊ Please always use the original packaging to avoid damage due to

storage or shipping.
◊ Never let unsupervised children play with the DDM4000 or

with its packaging.
◊ Recycle whenever possible.

◊ Before you connect your DDM4000 to the mains, please make sure

that your local voltage matches the voltage required by the unit.
Caution! The following applies only to units that can be switched between
120 V and 230 V: The fuse holder on the mains connector has 3 triangular
markings, with two of these triangles opposing each other. The DDM4000 is set
to the operating voltage printed next to these markers and can be set to another
voltage by turning the fuse holder by 180°.
◊ Please note that when operating the unit at 120 V, a higher fuse rating

is required. Please refer to the “Specifications” for details.
◊ If you set the unit to a different mains voltage, be sure to use a fuse

of the correct type and rating. Please refer to the “Specifications”
for details.
◊ Blown fuses must be replaced by fuses of the same type and rating!

Please refer to the “Specifications” for details.

Thank you for your cooperation!

Caution!

◊ Extreme output volumes may damage your hearing and/or

your loudspeakers. Turn down all volume and level controls before
you switch on the unit. Always set the volume to an appropriate level.

DIGITAL PRO MIXER DDM4000 User Manual

2. Controls and Connections
This chapter describes the various controls and connections of the DDM4000 mixer. We have divided the console into several functional sections for a better overview.

(2.1)

(2.4)

(2.2)

(2.5)

(2.1)
(2.6)

(2.3)

(2.7)
(2.9)

(2.8)

Fig. 2.0: Overview of DDM4000

2.1 Stereo channels 1 – 4

2.6 Sampler

2.2 Microphone channel

2.7 Rear panel connectors

2.3 Crossfader section

2.8 Rear panel outputs

2.4 Main and phones section0

2.9 Power section

2.5 BPM and effects section

DIGITAL PRO MIXER DDM4000 User Manual

2.1 Stereo channels 1 – 4

(2)

2.2 Microphone channel

(1)

(11)

(3)

(13)

(5)
(4)

(12)

(14)
(6)

(16)
(17)
(18)
(19)

(15)
(7)
(9)
Fig. 2.2: Microphone channel

(8)

(11) The GAIN knob adjusts the level of the microphone signal at the MIC 1 input.

(10)

Fig. 2.1: Stereo channel strips

(1) The input select switch lets you switch between two signal sources.
Select Line to hear the signal of the Line input (67). Select Phono/Line to
listen to the incoming source signal at the Phono/Line (68) input.
(2) The GAIN knob adjusts the level of the input signal. The actual level
is displayed on the level meter (3).
(3) The 7-segment LED meter indicates the level of the input signal.
(4) Each input channel features a 3-band equalizer (HIGH, MID and LOW)
with kill feature, giving you up to 12 dB of boost and a maximum cut
of -∞ dB (kill). The kill feature lets you mute the given frequency range.
When each EQ knob is turned fully left, the signal is effectively muted.
All EQ parameters can be adjusted in Channel Setup.
(5) The MODE push button changes the functionality of the preset push button
(6) from Multi to Single.
(6) The preset push buttons P1, P2 and P3 allow you to store and activate
equalizer presets. When activated in Single Mode, these push buttons
provide a maximum cut of -∞ dB (kill function).
(7) Press the PFL push button to listen in on the channel’s signal
using headphones.
(8) The fader controls the channel volume.
(9) The CURVE switch adjusts the response of the fader. In SOFT Mode, the fader
responds slower to steady fader movement in the upper range and quicker in
the lower range. In Sharp Mode, the fader adjusts the volume quicker in the
upper third and slower in the lower range. In MID Mode, the fader responds
in a linear fashion. Since a difference in volume levels is heard when
switching between modes, don’t use this switch while playing music!
(10) The CF ASSIGN push button lets you determine on which side of the
crossfader (20) (A or B the signal is to be heard.

(12) This switch determines which signal is to be displayed on the level meter (13).
IN VU shows the unprocessed input level which helps you to adjust the
microphone signal correctly. XMC VU shows the level after it has passed
the Ultramic processor.
(13) The 7-segment LED meter indicates the level of the microphone channel.
(14) The microphone channel strip features a 3-band equalizer
(HIGH, MID and LOW). The range is +/-12 dB.
(15) The ON/OFF push button turns the microphone channel on and off.
(16) The MIC SETUP push button opens the Mic Setup menu on the display.
This allows you to adjust the settings of the equalizer, the Ultramic processor
and the MIC FX (effects processor).
(17) The XMC ON push button activates the ULTRAMIC processor, which includes
a 2-band compressor and expander. Ultramic settings can be adjusted in
Mic Setup.
(18) The MIC FX ON push button activates the microphone effects processor.
Select the effect in Mic Setup.
(19) The TALK ON push button activates the Talkover function. This attenuates
the volume level of the music as soon as you speak into the microphone.
This is a very useful function to make yourself heard over the music
being played. You can adjust all the relevant settings in Talk Setup.

DIGITAL PRO MIXER DDM4000 User Manual

2.3 Crossfader section

2.4 Main and phones section

(29)
(23)

(21)

(28)
(26)

(27)
(25)
(24)

(30)
(33)

(22)

(32)

(20)
Fig. 2.3: Crossfader section

(34)

(20) The replaceable crossfader is used to fade between the signals that are
assigned to its two sides A and B. You can assign the stereo channels and
sampler using the CF Assign push buttons (10) and (65).
(21) The CF ON push button activates the crossfader. When the push button is
not pressed, the signals of the individual channels are routed straight to the
Main outputs.

(31)

(35)
(36)

(39)

(37)
(38)

(22) There are 3 Kill push buttons (HIGH, MID and LOW) on each side of the
crossfader which let you mute the given frequency range. In Crossfader
Setup (see Chapter 3.4.2), it is possible to activate a special X-OVER mode
that enhances the crossfader’s functionality in combination with the
Kill push buttons. For more information, read Chapter 3.4.1.

Fig. 2.4: Main and Phones section

(23) Press the FULL FREQ push button to remove any frequency cuts of
the KILL EQ (22).

MAIN OUTPUT:

(24) The CURVE knob lets you seamlessly adjust the response of the crossfader.

(30) The OUTPUT A knob controls the volume of output A ( (73) ).

The REVERSE function allows you to reverse the configuration of the crossfader.
This way you can toggle between Channel A and B at the flick of a switch

(31) The BALANCE knob adjusts the stereo panning of output A.

(25) REVERSE HOLD activates a permanent Reverse function. The crossfader
fades between sides A and B in the reverse direction. This means that A
is now on the right and B on the left side.
(26) REVERSE TAP activates a momentary Reverse function. This means that
A and B are interchanged as long as the TAP push button is held down.
The BOUNCE TO MIDI CLOCK function provides an automatic, quick crossfading
synchronized to the rhythm of the music (“bouncing”). The bounce speed is
determined by the MIDI Clock.

(27) Press the BOUNCE TO MIDI CLK push button to activate the bouncing.
Once the push button is pressed, the signal repeatedly jumps from A to B
and back again corresponding to the interval pre-selected by using the
BEAT push buttons (28).
(28) The BEAT push buttons let you determine the Bounce rate, which can range
between one and 16 beats.
(29) These LEDs indicate the number of beats you have chosen.
◊ Find a detailed description of this function in Chapter 3.4.3.

(40)

(32) The OUTPUT B knob controls the volume of output B ( (74) ).
(33) The high-resolution, 22-segment OUTPUT LEVEL meter indicates
the level of the output signal on OUTPUT A.
(34) ULTRAMIZE ON/OFF push button: The Ultramizer is an effect that
enhances the loudness and assertiveness by dynamic compression.
In Ultramizer Setup (see Chapter 3.5.1), you can configure the Ultramizer.
(35) The LOAD push button lets you load the user settings of the entire mixer.
The settings that are active when the device is turned off are loaded when
the device is switched back on again. Read more about saving and loading
user settings in Chapter 3.5.2.
PHONES:

(36) Connect the headphones to the PHONES jack (1/4" TRS connector).
(37) The OUTPUT knob controls the volume of the head-phones.
(38) The MIX knob adjusts the balance between PFL signal and
PGM signal (PFL = Pre Fader Listening, fader independent pre-listening
of individual channels; PGM = Program, Master signal). When the
knob is turned completely to the left, you only hear the PFL signal,
whereas when turned completely to the right the Master signal is heard.
Between these two positions, you can adjust the mix of both signals.
(39) The PUNCH EQ function helps synchronize two tracks. You can orient
yourself to the snare or the bass drum or both. Press the SNARE or
BASS push button to emphasize the selected sound in the headphones.
(40) When the SPLIT push button is pressed, the PFL signal is heard in the
left headphone and the PGM signal is only heard in the right headphone.

DIGITAL PRO MIXER DDM4000 User Manual

2.5 BPM and effects section

(41) (46) (47) (48)

2.6 Sampler

(51)
(54)

(54)

(56)

(50)
(45)
(50)

(57)
(58)
(42) (49) (43) (53) (52)

(59)

(60)

Fig. 2.5: BPM Counter and Effects section (here FX 1)

(62)

(61)

The DDM4000 has 2 identical effects units. There are 2 additional independent
effects units for the mic signal and the Sampler. All effects can be used at the
same time. The BPM Counter and MIDI Clock are also found in this section.

(63)

(64)

(65)

(66)

(41) The graphic display shows BPM values, effect names and effect parameters
as well as channel assignments. It also leads you through Console Setup.
(42) The FX ON push button activates the effects unit.
(43) Press the FX ASSIGN push button to assign an effects unit to a
signal source (push button flashes). The possible input sources are listed
on the display. Select the preferred source by turning and pressing the
PARAMETER knob (45).
(44) The DEPTH knob adjusts the effect intensity (depth). For some effects,
it also lets you adjust the mix between the original signal (dry) and
the effect signal (wet).
(45) Press the PARAM (eter) knob to select the effect parameters. By turning
the knob, you can change the parameter shown on the display.
(46) Press SELECT/LOW to access the effects list (on the display). Turn and press
the knob (45) to load a preset.
(47) Press the PARAM/MID push button to access the effect parameters.
Turn the knob (45) to change the parameter value.
(48) Press DEFAULT/HIGH to restore a preset.
◊ When the effect is activated (by pressing the FX ON push button),

the push buttons (46) (LOW), (47) (MID) and (48) (HIGH) are used as
Kill switches in the effect’s signal path.

(49) Depending on the selected effect, the BEAT push buttons can adjust
time-related parameters. However, the values entered are not in
milliseconds or similar units, but in beats.
(50) To enter the tempo manually, tap this push button (at least 2 x) in the rhythm
of the music (TAP). By keeping the AUTO BPM/TAP push button pressed a
little longer (> 1 s), the automatic tempo input (AUTO BPM) is reactivated.
(51) Turn the CONSOLE SETUP knob to adjust the tempo of the MIDI Clock
(press and turn simultaneously = coarse adjustment). A short press on
the knob confirms the entry made. A long press on the knob lets you
access Console Setup (see Chapter 3.1).
(52) The MIDI START/STOP/ESC turns on the MIDI Clock.
(53) The ADJUST push buttons let you transfer the tempo of the BPM counter
to the MIDI Clock.
◊ All functions of the BPM and Effects section are described in

detail in Chapter 4.

Fig. 2.6: Sampler section

(54) Press the INSERT push button to add the sampler signal to the channel
(Insert Mode). If the push button is not activated, the sampler is mixed to
the selected channel (Mix Mode). In both cases, playback is initiated with
the REC SOURCE push buttons. When the sampler is routed to the crossfader,
the LED of the INSERT push button goes out.
(55) The VOLUME/MIX knob controls the volume of the sampler (in Mix Mode)
as well as the volume balance between input signal and Sampler
(in Insert Mode).
(56) The REC SOURCE push buttons let you select the channel for recording
and playing back samples.
(57) Press the PFL push button to listen in on the sampler signal with the headphones.
(58) SAMPLE LENGTH adjusts the recording time (1–16 beats or endless recording ∞).
(59) RECORD/IN lets you record to the Sampler. Select a bank beforehand.
By pressing the push button a second time, the recording is stopped
(only in ∞ Mode).
(60) BANK ASSIGN is used to select a bank in which the recorded material
is stored. The selected bank is indicated by the relevant MODE push button
(61) which signalizes the readiness to record.
(61) The MODE push buttons (Bank 1 and Bank 2) are used to select the sampler’s
types of playback (Reverse and Loop). A short tap activates or deactivates
the Reverse function; pressing the push button a little longer activates or
deactivates the Loop function.
(62) Press the PLAY/OUT push button to start the playback of the
recorded sample. When the Loop function is deactivated, the sample is
only played back as long as the PLAY push button is pressed.
(63) Press SMP FX ON push button to activate the Brake effect.
(64) Press the SELECT push button to determine the length of the brake
(1, 4 or 8 Beat Brake, which is shown in the center of the display).
(65) The CF ASSIGN push button lets you determine on which side of the
crossfader the sampler signal is to be routed to.

DIGITAL PRO MIXER DDM4000 User Manual

(66) You can even trigger the sampler with the crossfader when the sampler
is assigned to it. To order to do so, simply press the CF START push button.
But beforehand, use BANK ASSIGN to select the bank that should be played
back when using the fader.

(74) The MAIN OUT connector panel consists of OUT A, OUT B and TAPE outputs:
• The signal at OUT A is the same as at the XLR outputs (73).
• You can connect an additional amplifier to output OUT B which can be

used for a DJ booth or a second club zone, for example. The volume of
the OUT B signal is (independent of OUT A) individually adjusted with
the OUTPUT B knob (32).

2.7 Rear panel connectors

• The TAPE output allows you to connect a recording device in order to

tape-record your mix. The output level is independent of OUT A and
OUT B and can be adjusted in Output Setup (see Chapter 6.2).

(75) DIGITAL OUT is the digital output of the DDM4000. This is where you find
the TAPE signal in CD quality (16 bit/44.1 kHz).

(69) (70) (67) (68) (69) (72)

◊ Use Output Setup (see Chapter 6.2) to adjust further settings of the

(71)

output section.

(76) These are the MIDI IN, MIDI OUT and MIDI THRU connectors that allow you
to connect external MIDI equipment and synchronize with their MIDI Clock.

Fig. 2.7: Rear panel connectors

(67) The LINE inputs are used to connect the Line signals
(for example, CD players, soundcards and drum machines).
(68) The PHONO inputs let you connect turntables.

◊ Read more about the MIDI functions of the DDM4000 in Chapter 7.

2.9 Power section

(69) Use the PHONO/LINE switches to set the PHONO inputs to Line level
in order for you to be able to connect a CD player to the PHONO inputs.
◊ Caution! Devices with Line output levels, such as CD players,

can cause distortion and destroy the preamplifier. Press the
PHONO/LINE switch before connecting devices with Line level
to the highly sensitive PHONO inputs.

(70) The GND connectors are used to ground the turntables.

(79)
(78)
(77)

(71) The balanced XLR connectors provide a connection for dynamic microphones.
(72) This is the LEVEL control for the MIC 2 input.

Fig. 2.9: The POWER section

2.8 Rear panel outputs

(73)

(74)

(77) Power is supplied via an IEC connector. The matching cable is provided
with the unit.

(75)

(76)

Fig. 2.8: Rear panel connectors

(73) These are the OUT A outputs (XLR) allowing you to connect to
an amplifier. Use the OUTPUT A control (30) to adjust the volume level.
Additionally, the SUBWOOFER output lets you hook up a subwoofer.
A crossover is integrated into the DDM4000. The crossover frequency
is adjusted in Output Setup (see Chapter 6.2).
◊ When powering up the system, turn on the connected amplifier

last to prevent spikes that can easily damage your loudspeakers.
Before turning on the amplifier, make sure that no signal is
going through the DDM4000 in order to avoid sudden and
unpleasant surprises. We recommend turning down all faders
and knobs beforehand.

(78) FUSE RETAINER/VOLTAGE SELECTOR. Please make sure that the voltage
indicated by the voltage selector matches the local voltage before you
connect the unit to the main power supply. Always replace blown fuses
with fuses of the same type and rating. Some units feature a fuse retainer
in which a selection between 230 V and 120 V is possible. Please be aware:
When using your unit outside of Europe with 120 V, a fuse with a higher
rating is required.
(79) Use the POWER switch to turn on the DDM4000. Before connecting the
unit to the power mains, ensure that the POWER switch is in OFF position.
When the unit is in operation, ensure that the mains plug is accessible.
◊ Attention: The POWER switch does not fully disconnect the unit

from the mains. To disconnect the unit from the mains, pull out the
main cable plug or appliance coupler. When installing the product,
ensure the plug or appliance coupler is readily operable. Unplug the
power cord completely when the unit is not used for long periods
of time.
The serial number of the DDM4000 is found on the bottom side of the device.

DIGITAL PRO MIXER DDM4000 User Manual

2.10 Hookup example
CD player

Turntable

Microphone

Digital Recorder

Drum Machine

DJ Booth

Dance floor
Fig. 2.10: Application example of hooking up the DDM4000

DIGITAL PRO MIXER DDM4000 User Manual

3. Operation
3.1 Console setup
Console Setup allows you to make all standard settings for the DDM4000.
1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
The setup list appears in the center of the display.:

SINGLE Mode:
In Single Mode, the push buttons P1, P2 and P3 (6) are each permanently
assigned to a frequency band (P1 = HIGH, P2 = MID, P3 = LOW). This means that
a Preset can be assigned to each EQ control. When activated, the Preset push
buttons provide a Kill function with maximum attenuation (-∞ dB).
Preset settings in SINGLE Mode
P1
P2
P3

HIGH Kill -∞ dB
MID Kill -∞ dB
LOW Kill -∞ dB

Suppresses high frequencies
Suppresses mid frequencies
Suppresses low frequencies

Tab. 3.1: Functionality of Preset push buttons in Single Mode

The degree of cut can, however, be modified. Alternatively, a frequency boost
can also be stored. In case you want to boost instead of cutting the bass
(Punch function), proceed as follows:
2) Turn the CONSOLE SETUP knob to select the setup you want to edit.
3) Press the CONSOLE SETUP knob to confirm the selection.

1) Turn the LOW knob (4) to the right until you have reached the
boost you want.
2) Press and hold the MODE push button (5) while pressing P3 (6).

Exit Console Setup:

3) Press P3 to load the Preset. The bass frequencies are now boosted.
P3 flashes blue.

• Press the ESC push button (52) to exit Console Setup.

This way you can also program the mids and highs with P2 and P1 respectively.

Some of the setup pages can be accessed in different ways. This is the case
for Mic Setup and User Settings:

Reset:

Open Mic Setup:

The Preset push buttons can be restored to their initial states at all times
(Reset function):

1) Press the MIC SETUP push button (16) to access Mic Setup.

• Press MODE (5) for approximately 2 seconds. The MULTI LED briefly lights up

2) Press the MIC SETUP push button (16) again to exit Mic Setup.
Open User Settings:
1) Press the LOAD push button (35) to access User Settings.
2) Press the LOAD push button (35) again to exit User Settings.
3.1.1 Selection lists on screen
The individual setup pages contain further selection lists, which appear either
on the left or right side of the display, in addition to the Console Setup list.
Left:
1) Turn the left PARAMETER knob (45) (in the FX 1 section) to select the
preferred function from the list.
2) Press the left PARAMETER knob to confirm the selection.
Right:
1) Turn the right PARAMETER knob (45) (in the FX 2 section) to select the
preferred function from the list.

to confirm the reset.

MULTI Mode:
In Multi Mode, the Preset push buttons are not assigned to individual EQ bands,
but are assigned to the 3-band equalizer as a whole. This way you can create
three EQ presets and assign these to the Preset push buttons. When activated,
the Preset push buttons are assigned as follows:
Preset settings in MULTI Mode
P1
P2
P3

High pass
Band pass
Low pass

Suppresses MID and LOW
Suppresses HIGH and LOW
Suppresses HIGH and MID

Tab. 3.2: Functionality of Preset push buttons in Multi Mode

• To activate Multi Mode, press the MODE push button (5) .

The MULTI LED lights up.

To create your own EQ presets, proceed as follows:
1) Adjust the equalizer as needed by turning the LOW, MID and HIGH knobs.
2) Press and hold the MODE push button (5) while pressing P1 (6).

2) Press the right PARAMETER knob to confirm the selection.

3) Press P1 to load the EQ Preset. P1 flashes yellow.

3.2 Using stereo channels

Two more EQ Presets can be stored with P2 and P3.

3.2.1 EQ modes: SINGLE and MULTI
The equalizer provides Preset push buttons, labeled P1, P2 and P3, with which
preset configurations are stored. The behavior of the push buttons depend on
the selected EQ mode: Single Mode or Multi Mode. After switching on the device,
Single Mode is active.

Reset:
The Preset push buttons can be restored at all times:
• Press MODE for approximately 2 seconds. The SINGLE LED briefly lights

up to confirm the reset.

DIGITAL PRO MIXER DDM4000 User Manual

3.2.2 Channel setup
In Channel Setup, you can fine-tune the characteristics of the stereo
channels’ equalizer. It is also possible to adjust a Subsonic Filter (low-cut
filter) for all four channels. For example, this filter can be used to suppress
low-frequency noise from turntables.
1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
2) Select “Channel Setup” by turning and pressing the CONSOLE SETUP knob.
Channel Setup appears on the display.

3.3 Operating the microphone channel
3.3.1 Mic setup
You can make adjustments to the sound settings of the Microphone channel,
the Ultramic processor and the Mic effects by using Mic Setup. This is how to
access Mic Setup:
1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
2) Select “Mic Setup” by turning and pressing the CONSOLE SETUP knob.
Alternatively, you can access Mic Setup as follows:
• Press the MIC SETUP push button (16) on the microphone channel.

The MIC SETUP push button lights up as long as you are using Mic Setup.

The equalizer of the stereo channels has 3 bands with different characteristics.
The Mid band is a peak filter whose center fre-quency and bandwidth
(Q factor) can be modified. Both outer bands Low and High are shelving filters.
In Channel Setup, following settings are available for each of the 4 channels:

Mic Setup appears on the display containing several submenus. On the
left-hand side of the display you see a list from which the following submenus
can be selected:

Channel Xover (Crossover):
LOW: Cutoff frequency of the Low filter. All frequencies below the adjusted
value are cut or boosted.
MID: Center frequency of the Mid band. All frequencies around this value
are boosted or cut. The bandwidth is determined by the parameter Mid Q
(see below).
HIGH: Cutoff frequency of the High filter. All frequencies above the adjusted
value are boosted or cut.

• Turn the left PARAMETER knob (45) to select the submenu you want to edit:

EQ Freq/Pan page:

1) Press the left PARAMETER knob (45) to select the parameter
(LOW, MID or HIGH).
2) Turn the PARAMETER knob to change the cutoff frequency and center
frequency of the selected band.

This page shows level meters for both microphone signals. In addition, you can
make sound settings for the equalizer on the Microphone channel. Here you can
adjust the stereo image of the microphone signal as well as the signal relation
of both microphones to each other. The individual parameters are as follows:
MIC 1: Level meter for Microphone 1
MIC 2: Level meter for Microphone 2
LOW: Cutoff frequency of the LOW control knob
MID:

Center frequency of the MID control knob

HIGH: Cutoff frequency of the HIGH control knob
Q MID: Q factor of the mids band
Mid Q:
The Q factor determines the behavior of the filter. The higher the value,
the narrower the bandwidth. Mid Q affects the mids band.
• Turn the CONSOLE SETUP knob (51) to change the value of the Q factor.

Subsonic frequency:
You can adjust the cutoff frequency of the low-cut filter on each stereo channel.
All frequencies below the cutoff frequency are attenuated.
1) Press the right PARAMETER knob (45) to select the channel.
2) Turn the PARAMETER knob to change the cutoff frequency.
Exiting Channel Setup:
• Press the ESC push button (52) to exit Channel Setup.

1) Press the CONSOLE SETUP knob (51) to select the parameter
(LOW, MID, HIGH, Q MID).
2) Turn the CONSOLE SETUP knob to change the value of the selected parameter.
PAN1: Position of Microphone 1 in the stereo image
PAN 2: Position of Microphone 2 in the stereo image
OUT B: Volume of the microphone channel at Output B
1) Press the right PARAMETER knob (45) to select the parameter
(PAN 1, PAN 2, OUT B).
2) Turn the PARAMETER knob to change the value of the parameter.

DIGITAL PRO MIXER DDM4000 User Manual

EQ GAIN page:

Adjustable parameters
THRSH Threshold specifies the cutoff frequency of the Ultramic processor

This page lets you make user default sound settings, which affect the microphone
channel in relation to the equalizer. For example, storing a boost of 5 dB in these
settings affects the signal even when the HIGH rotary knob is set to 0, that is the
center position. The high frequencies can additionally be boost or cut with the
HIGH knob. This function helps to remove problematic frequencies of your voice
or to improve speech comprehensibility.
MIC 1 LOW CUT:

Cutoff frequency of the high-pass filter
(Microphone 1)

MIC 1 LOW, MID, HIGH:

EQ default settings for Microphone 1

FREQ Adjusts the crossover frequency between the upper
and lower frequency band
EFFIC

Efficiency: Adjusts the level of compression

1) Press the CONSOLE SETUP knob (51) to select the parameter
(THRSH, FREQ, EFFIC).
2) Turn the CONSOLE SETUP knob to change the value of the
selected parameter.
Ultramic presets:
The following default settings can be loaded:

1) Press the CONSOLE SETUP knob (51) to select the parameter
(LOW, MID, HIGH).
2) Turn the CONSOLE SETUP knob to change the value of the selected parameter.
MIC 2 LOW CUT:

Cutoff frequency of the high-pass filter
(Microphone 2)

MIC 2 LOW, MID, HIGH:

EQ default settings for Microphone 2

1) Press the right PARAMETER knob (45) to select the parameter
(LOW, MID, HIGH).
2) Turn the PARAMETER knob to change the value of the selected parameter.

1) Turn the right PARAMETER knob (45) to select the preset.
2) Press the PARAMETER knob to load the preset.
MIC FX page:

ULTRA MIC 1 and 2:

The Ultramic processor is a 2-band compressor that reduces the dynamic range of
speech. The level of loud sounds is reduced and the level of quiet sounds is raised.
This decreases the difference between the loudest and quietest passages.
By splitting the signal into two frequency bands, a thicker, more powerful
sound is achieved without the typical artifacts, such as pumping sound or a
loss of clarity.
The settings for both microphone signals are made separately. That’s the reason
for having two Ultramic pages. For Mic 1, select the page “Ultramic 1” and choose
“Ultramic 2” for Mic 2. The parameters on both pages are identical so that they
only have to be described once.
You can see several level meters on the display. Three parameters of the
compressor are adjustable plus you can also load presets.
The meters:
MIC I

Shows the input level

MIC 0 Shows the output level
COM Shows the compression ratio for the low (L) and
high (H) frequency band
EXP Shows the attenuation of the expander for the low (L) or
high (H) frequency band

On the Mic FX page, you can select the type of effect you want to use
for the microphone signal. The following effects are available:

1) Turn the right PARAMETER knob (45) to select the preset.
2) Press the PARAMETER knob to load the preset.
Each effect can be modified in order to suit your individual taste. Two parameters
are available for this reason. The second parameter always adjusts the effect
Dry/Wet Mix—this applies to all effects.
Effect descriptions:
FLANGER: A flanger effect occurs through frequency modulation. You can adjust
the speed of the LFO (Low Frequency Oscillator).
PHASER is similar to a flanger. Only this time around, modulation is
achieved through phase-shifting. You can adjust the speed of the LFO.
DELAY is a signal delay. You can change the delay time (Time).
ECHO is similar to the delay effect, with the difference that the delayed signal is
repeated several times.
PITCH changes the pitch of the signal and therefore the pitch of the vocalist’s and
speaker’s voice. Shift is used to adjust the pitch.

DIGITAL PRO MIXER DDM4000 User Manual

BITCRUSHER reduce the digital resolution. The bit depth is adjustable.

3.4.1 Crossfader modes: KILL and X-OVER

REVERB is a reverberation effect. Eight different types of reverberation
are available. These are described in detail in Chapter 4.1.4.

There are three push buttons labeled HIGH, MID and LOW ( (22) ) on the left-hand
side and on the right-hand side of the Crossfader. When activated, they function
as Kill switches, that is they can suppress specific frequency bands.

1) Press the CONSOLE SETUP knob (51) to select a parameter.
2) Turn the CONSOLE SETUP knob to change the value of this parameter.
You can match the time parameter of the flanger, phaser, delay and echo effects
to the beat by tapping the tempo with the left TAP push button (50) as long as
Mic Setup is displayed (MIC SETUP push button (16) shines when active).
Exiting Mic Setup:
• Press the ESC push button (52) to exit Mic Setup.

3.3.2 Talk setup
The Talkover function is useful when making announcements while the music
is playing. The level of the music, is attenuated as soon as you speak into
the microphone. All necessary settings of this function are made in Talk Setup.
This is how you access Talk Setup:

X-Over (Crosssover) Mode lets you realize completely new, breathtaking effects.
In this mode, it is possible to assign specific frequency bands to Side A and B
that can then be crossfaded.Here’s an example to make the functionality clear:
1) Move the crossfader (20) to the left (A).
2) Press the FULL FREQ push button (23) in Section A.
3) Press the Kill push button (22) “MID” in Section B.
In the left crossfader position, the A signal is played back in its complete
frequency range. By moving the crossfader to the right, only the mid frequencies
of the B signal are faded in while the mids of the A signal are faded out.
The low and high frequencies of the A signal remain audible. As a result,
the low and high frequencies of the A signal together with the mid frequencies
of the B signal are audible at the output of the mixer.

1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
2) Select “Talk Setup” by turning and pressing the CONSOLE SETUP knob.
The Talk Setup page appears on the display.

This page displays level meters for both microphones. On the left-hand side
of the screen, there is a list from which you can select a Talkover preset.
Loading presets:
1) Turn the left PARAMETER knob (45) to select the preset.
2) Press the PARAMETER knob to load the preset.

X-Over Mode keeps your mixing style fresh and unique. You can activate
X-Over Mode in Crossfader Setup.
3.4.2 Crossfader setup
This is how you access Crossfader Setup:

Editing talkovers:

1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.

The following parameters of the Talkover function are adjustable:

2) Select “Crossfader Setup” by turning and pressing the CONSOLE SETUP knob.

THRSH

Threshold. The music signal is attenuated as soon as the
microphone signal exceeds this value.

The Crossfader Setup page appears on the display:

MAX. ATT Maximum Attenuation. This lets you adjust the music’s maximum

attenuation while speaking into the microphone.
SPEED

Adjusts the speed at which the signal’s volume level is reduced.

1) Press the right PARAMETER knob (45) to select the parameter
(THRSH, MAX. ATT, SPEED)
2) Turn the PARAMETER knob to change the value of the parameter.
Exiting Talk Setup:
• Press the ESC push button (52) to exit Talk Setup.

3.4 Operating the crossfader
The use of the Crossfader is easy to understand, even for a DJ novice.
But the DDM4000 wouldn’t be a digital mixer if it hadn’t a couple of special
functions to offer that cannot be easily realized with an analog DJ Mixer.

On the display’s left side, you can adjust the frequency crossfade of the
Kill push buttons. On the right side, you can select Cross-fader Mode.
XOVER CF (Crossover Center Frequency):
LOW:

Crossover frequency between LOW and MID

HIGH: Crossover frequency between MID and HIGH
1) Press the left PARAMETER knob (45) to select the parameter (LOW, HIGH).
2) Turn the PARAMETER knob to change the value fo the selected parameter.
Crossfader Mode:
1) Turn the right PARAMETER knob (45) to select the mode (KILL, X-OVER).
2) Press the PARAMETER knob to confirm.

DIGITAL PRO MIXER DDM4000 User Manual

Exiting Crossfader Setup:
• Press the ESC push button (52) to exit Crossfader Setup.

3.4.3 Bounce to MIDI clock
This function automates bouncing. Bouncing is hard crossfading with the
crossfader in the rhythm of the music. The internal MIDI Clock needs to be
active for this function to work. The clock is a reference for the bounce speed
that ranges between one and 16 beats.
Before pressing the BOUNCE TO MIDI CLK push button to start the bounce,
you should specify a the Bounce speed:
1) Start the MIDI Clock by pressing MIDI START-STOP push button (52).
2) Select the bounce speed by using the BEAT push buttons (28).
The LEDs (29) indicate the beats.
3) Now press the BOUNCE TO MIDI CLK push button (27) to start the bounce.
When the crossfader is on Side A, the bounce starts with the A signal,
whereas when the crossfader is on B, the bounce starts with the B signal.

3.5 Operating the main section
There are also several functions in the Main section that surpass the functional
capacity of an analog mixer. This way complete mixer settings can be stored
and loaded. And the Ultramizer makes sure that your beats sound even fatter.
3.5.1 Ultramizer
The Ultramizer is a multiband processor that compresses the audio signal in
order to achieve a better perception of volume without having to increase
the level. As a result, the performance of an amplifier is optimally used and your
music feels louder than it really is. The processing takes place in two individual
frequency bands in order to achieve a more powerful sound without the
unwanted side effects, such as the pumping effect and loss of high frequencies.
1) Press the ULTRAMIZE ON/OFF push button (34) to activate the Ultramizer.
2) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
3) Select “Ultramize” by turning and pressing the CONSOLE SETUP knob.
The display switches to the Ultramizer page. Here you can change settings
plus load and edit presets:
Loading presets:

1) Turn the left PARAMETER knob (45) to select the preset.

2) Press the PARAMETER knob to load the preset.
Ultramizer presets
Gentle Boost
Boost
Pump
Full
Full Pump

Gentle volume boost
Noticeable volume boost
Strong volume boost with pumping effect
Maximum volume boost
Maximum volume boost with pumping effect

Editing the Ultramizer:
RANGE Describes the adjustable dynamic range. A value of 10 dB results in

a maximum level boost of 10 dB.
TIME

Changes the adjustable speed of the Ultramizer.

• Turn the CONSOLE SETUP knob (51) to change the TIME parameter.
• Turn the PARAMETER knob (45) to change the RANGE parameter.

Exiting the Ultramizer setup:
• Press the ESC push button (52) to exit the Ultramizer setup.

3.5.2 Loading and saving user settings
A great advantage of a digital mixer is the possibility to store entire mixer
settings in order to recall them later on at the flick of a switch. Big studio
consoles refer to this function as “Snapshot” because all settings are captured
(as with a snapshot). This lets you adjust the mixer to your way of working and
recall settings you made at any time.
Just imagine, a club has the DDM4000 which is being used by several DJs.
Each DJ has stored personal EQ settings, kill frequencies, Ultramizer and
Effect settings, so that when it is his or her turn, the preferred settings can be
recalled immediately. The other way around, a guest DJ, who is not accustomed
to the DDM4000, is able to take off without having to adjust any settings
in advance.
◊ After switching on the device, the last selected preset is loaded.

Loading user settings:
1) Press the LOAD push button (35). The LOAD push button flashes.
“User Setup” appears on the screen, displaying the preset list:

2) Turn the left PARAMETER knob (45) to select a user setting
(or the factory preset).
3) Press the PARAMETER knob again to load the user setting.
Storing user settings:
1) Press the LOAD push button (35) to access User Setup with its preset list.
2) Turn the CONSOLE SETUP knob (51) to select a memory location.
3) Press the CONSOLE SETUP knob to store the user setting.
◊ It is not possible to overwrite the factory preset.

DIGITAL PRO MIXER DDM4000 User Manual

Exiting User Setup:
• Press the LOAD push button (35) or the ESC push button (52)

to exit User Setup.

3.6 Operating the phones section
You can use the headphones to listen to two different signals: 1. The PGM
signal (=Program): This is the signal at the MAIN output. 2. The PFL signal
(=Pre Fader Listen): This is the signal which can be routed to the PFL bus by using
the PFL push buttons (7). The PFL signal is fader-independent, which means it
can even be heard when the faders are pulled down.
When the SPLIT push button (40) is not pressed, both the PGM and PFL signal are
played back in stereo in the headphones. The mix of both signals is adjusted with
the MIX knob (38). When the knob is turned completely to the left, the PFL signal
is heard, whereas when turned completely to the right, the PGM signal is heard in
both headphones.

The display shows the following information:
A

Shows the effect type and the parameter values.

Shows the calculated speed in BPM (Beats Per Minute). It Also gives
information on the signal assignment and the Tap function.

This section shows the BPM-synchronized effect parameters as beats
on the right side. On the left, you see the activity of the Kill function in
the effect path.

This information refers to the Sampler and/or the MIDI Clock
(see Chapter 5).

4.1 Effects section
(41) (46) (47) (48)

(51)

Working in Split Mode:
• Press the SPLIT push button (40) to activate Split Mode.

When using Split Mode, the PFL signal is played back on the left headphone
while the PGM signal is played back on the right headphone (both mono signals).

(50)
(45)
(44)

4. BPM and Effects Section

(43) (49) (42) (53) (52)
Fig. 4.2: Effects section (here FX 1)

4.1.1 Selecting the signal source
To use an effect, you first have to assign the effect to a signal source.
This assignment also applies to the BPM Counter. Possible input sources
are as follows:
Fig. 4.1: BPM and Effects section

The BPM and Effects section in the middle of the mixer can either be used for
the stereo channels or the master signal. Both processors can also be combined
to be used as dual effect for individual channels. What’s more, both Microphone
channel and Sampler feature their own effect processors, which are described in
individual chapters (Chapter 3.3.1 and Chapter 5.4).
Display:

INPUT 1 – INPUT 4:

Stereo channels 1 – 4.

MUSIC:

Stereo sum signal (main signal).

CHAIN:

CHAIN assigns the effect to the signal of the other effects section,
so that 2 effects are triggered consecutively.

Selecting a signal for FX 1:
1) Press the FX 1 ASSIGN push button (43).
2) Turn the left PARAMETER knob (45) to select a signal source from the list.
3) Press the left PARAMETER knob to confirm the selection.

DIGITAL PRO MIXER DDM4000 User Manual

Selecting a signal for FX 2:

FLANGER, PHASER, PAN:

1) Press the FX 2 ASSIGN push button (43).

FLANGER: The flanger effect is achieved by frequency modula-tion. You are able
to adjust the speed of the LFO (Low Frequency Oscillator), the amount of the
effect signal that is fed back to the input (Feedback), the effect depth (Depth)
and the degree of phase shifting represented in rhythmical units (Phase).
Use Fade in case you want the flanger to complete its period of oscillation
after the effect has been turned off, to avoid an abrupt truncation of the effect.

2) Turn the right PARAMETER knob (45) to select a signal source from the list.
3) Press the right PARAMETER knob to confirm the selection.
4.1.2 Activating an effect
1) Press the FX ON push button (42) to activate the effect. Both the FX ON
push button and the EFFECT/BAND push button (46) – (48) flash.
2) Turn the DEPTH knob slowly to the right until you hear the effect
as is intended.
Kill function on the effect path:
A specially effective way of alienation is to remove individual frequency bands
from the effect processing. There are three additional Kill switches that are found
on the signal path leading to the effects unit. The EFFECT/BAND push buttons
of the activated effect flash blue corresponding to the frequency bands that are
active. By pressing the push buttons you are able to “kill” the frequency bands.
And the display shows the Kill function’s status.

PHASER is similar to the flanger. In this case the modulation is achieved through
phase shifting. You can adjust the speed of the LFO and the effect depth (Depth).
Use Fade to determine if the effect is to end abruptly or softly fade out.
PAN specified an effect which lets the signal move from the right to the left side
of the stereo image. This effect sounds the most intensive when the DEPTH knob
is turned right up. LFO adjusts the speed of the panning and Depth adjusts the
effect depth.
1/5

2/5

3/5

LFO Speed

Feedback

Depth

4/5

5/5

• Press one of the EFFECT/BAND push buttons ( (46), (47), (48) ) while the effect

is active. The push-button LED of the deactivated band goes out.

4.1.3 Selecting an effect
Nine effect types are available. The effect table in Chapter 4.1.4 gives an
overview of the possible effects and their adjustable parameters.
1) Press the SELECT push button (46). The display shows a list of all
types of effects.

FLANGER
Phase

Fade

Dry/Wet Mix

—

Dry/Wet Mix

—

Dry/Wet Mix

PHASER
LFO Speed

Depth

Fade

LFO Speed

Depth

—

PAN
Tab. 4.1: Effect parameters for Flanger, Phaser and Panning

DELAY, ECHO:
DELAY is a signal delay. The delay time (Time) can by synchronized with
the BPM Counter. A simple delay (Simple) and the 3-Pong Delay, which spreads
the delays across the whole stereo image, are available.

2) Turn the PARAMETER knob (45) to select the effect type.
3) Press the PARAMETER knob to load the effect type.
4.1.4 Effect descriptions

ECHO is similar to the delay. The only difference is that the delayed signal is
repeated several times. Use Feedback to specify the number of times that the
delay is to be repeated. Fade determines if the echo is to fade out (On) or not
(Off) when the effect is turned off.
1/5
TIME

2/5
MODE

10...
5930 ms

Simple
3Pong

10...
5930 ms

Simple
3Pong

3/5
FDBK

4/5
FADE

The following gives you a description of the available effects and
adjustable parameters. (BPM-synchronized parameters are printed in italic.) The
tables show you which controls are used to adjust the parameters. Chapter 4.1.5
describes effect processing. Chapter 4.1.6 gives you the information you need
to know about BPM-synchronized parameters.
DELAY
—

—

Dry/Wet Mix

ECHO
0 - 100%

Tab. 4.2: Effect parameters for Delay and Echo

Dry/Wet Mix

DIGITAL PRO MIXER DDM4000 User Manual

PITCHER, BITCRUSHER:

FILTER:

PITCHER changes the pitch of the music without changing the tempo.
Shift adjusts the pitch.

FILTER is an effect which is typically associated with synthesizer music.
Three types of filters are available: Band Pass, Low Pass and High Pass.
Resonance is used to increase the level of the filter frequency which makes
the effect sound more intensive. In LFO Mode, the filter frequency is controlled
by an LFO. Manual Mode lets you control the filter frequency with the
DEPTH knob (44).

BITCRUSHER simulates a decrease in the digital resolution.
From soft lo-fi settings to toy sounds, everything is possible.
1/1

1/1
FILTER

2/4
RESO

3/4
MODE

4/4
LFO

PITCH
Shift: -100 ... +100%

FILTER

—

BITCRUSHER
Dry/Wet Mix

Depth: 0 ... +100%
Tab. 4.3: Effect parameters for Pitch and Bitcrusher

LFO
Lowpass
Bandpass
Highpass

REVERB:
REVERB is a reverberation effect. Eight different reverb room simulations
are available. When Fade is activated, the reverberation decays and is not
truncated in case the effect is turned off.

Manual
Frequency

Ambient is a very short reverb which lets you virtually hear the walls of the room.
Box delivers a spatial impression without long reflections.
Cathedral: The long and dense reverb of a big cathedral, ideal for slow tracks.
Cavern: An intensive, high-frequency-dominant reverb based on a cave
with rocky walls.
Chamber produces the short reverb of a small room.
Chorus: A thick, warm reverberation which is shorter than that of Cathedral.
Concert simulates the well-defined reverb of a big concert hall.
Echo: A thick, short reverb with a longer pre-delay.
1/4
MODE

LFO Speed

0 ... 100%

Tab. 4.5: Effect parameters for Filter

4.1.5 Editing effects
As already mentioned in the previous chapter, each effect has up to five
parameters (depending on the effect type) with which you can adjust
the effect. In each case it is possible to adjust one parameter by using the
BEAT push buttons. In most cases, this is the BPM-synchronized parameter.
Effect parameters:
1) Press the PARAMETER push button (47) to select a parameter. This only
works when the effect is deactivated (the FX ON push button does not flash).

2/4
FADE

2) Alternatively, press the PARAMETER knob (45) to select a parameter.
3) Change the parameter value by turning the PARAMETER knob (45).
4) To switch to the next parameter, press PARAMETER (45) or (47) again.

Ambient, Box, Cathedral,
Cavern, Chamber, Chorus,
Concert, Echo
Tab. 4.4: Effect parameters for Reverb

On/Off

Dry/Wet Mix

Dry/Wet mix:
• Turn the MIX knob (44) slowly to the right to mix the effect (Wet) to the

original signal (Dry).

DIGITAL PRO MIXER DDM4000 User Manual

4.1.6 BPM-synchronized effect parameters

The following picture results from the musical context:

Some of the effect sound especially interesting when time-related parameters
respond to the rhythm of the music. The DDM4000 supports editable,
BPM-synchronized parameters.
Editing BPM-synchronized parameters:
1) Make sure that the BPM Counter calculates the correct value
(if applicable, enter manually with TAP, see Chapter 4.2).
2) Change the parameter step-by-step with the BEAT push buttons (49).
The selected value appears on the display.
DELAY, ECHO:
For the delay and echo effect, you can edit the delay time in musical units.
The number of beats is displayed:

Fig. 4.6: LFO parameter, represented in beats and bars

4.1.7 FX setup
FX Setup lets you specify the crossover frequencies between the individual bands
of the EFFECT/BAND push buttons (46) – (48) (Kill function on the effect path,
see Chapter 4.1.2). This is individually done for both effect devices.
Fig. 4.3: Beats and note values for delay and echo

A rhythmical representation of the whole looks like this
(showing a selection of several beats):

Adjustable parameters:
FX 1 LOW / FX 2 LOW:

Crossover frequency between LOW and MID.

FX 1 HIGH / FX 2 HIGH:

Crossover frequency between MID and HIGH.

1) Press the left or right PARAMETER knob (45) to select the parameter for
FX 1 and FX 2.
2) Turn the left or right PARAMETER knob to change the value of
the selected value.

4.2 BPM counter

Fig. 4.4: Rhythmically represented delay parameter

FLANGER, PHASER, PAN, FILTER:
For the filter effect, the BPM synchronization is only possible in LFO Mode.
You can adjust the speed of the modulation (LFO speed). The values 1–32
correspond to the number of beats that are needed for one oscillation period:

Fig. 4.5: Beats and note values for modulation effects

The Auto BPM Counter is automatically able to convert the tempo of the track
being played into BPM (Beats Per Minute). The detected BPM values are the
basis for all time-related effect parameters and for the recording duration
of the sampler. The BPM can be detected in two different ways: manually
and automatically. In both cases, the current BPM is shown in Section B of
the display.

DIGITAL PRO MIXER DDM4000 User Manual

Automatically detecting beats with AUTO BPM:

MIDI BPM:

The BPM Counter detects the tempo of the signal source assigned to
the Effect section. The signal source is shown in the BPM section of the
display. (Assigning the signal source to the BPM/Effect section is described
in Chapter 4.1.1.)

When in MIDI BPM Mode, “MIDI BPM” appears in the middle of the display
below the BPM indicator of the MIDI Clock. Adjust the tempo by turning the
CONSOLE SETUP knob (51). It is possible to make bigger value jumps by pressing
and simultaneously turning the knob.

1) Make sure that “Auto BPM” is activated. When active, the AUTO BPM
push button (50) shines yellow and the BPM indicator flashes on the display.

FX 1/FX 2 BPM:

◊ Should Tap Mode be active (AUTO BPM push button shines blue),

press the AUTO BPM push button longer than one second to
activate Auto BPM.
2) Now the BPM Counter determines the BPM value of the played signal.
It is constantly brought up to date to be able to respond immediately to
any tempo changes.
Manually detecting beats with TAP:
1) Make sure that Tap Mode is activated. When active, the AUTO BPM/TAP
push button (50) shines blue and the BPM indicator shows “Manual.”
2) Tap the TAP push button (50) (at least 2x) in the rhythm of the music,
which results in a constant BPM value. Here’s a tip: while tapping,
listen in on the signal using the headphones.
◊ Should Auto BPM be active (AUTO BPM push button

To transmit the detected tempo of the BPM Counter to the MIDI Clock,
press one of the ADJUST push buttons (53). By pressing the left BEAT push button,
the MIDI Clock adopts the tempo of the left BPM Counter. By pressing the right
BEAT push button, the MIDI Clock adopts the tempo of the right BPM Counter.
The assignment is indicated by displaying “FX 1 BPM” or “FX 2 BPM.”
Cancel the assignment by turning the CONSOLE SETUP knob to specify
your own tempo.
The tempo of the MIDI BPM can also be transmitted to the BPM Counter. Hold the
left or right ADJUST push button (53) (or both at the same time) while selecting
the tempo with the CONSOLE SETUP knob (51). This function is useful when
assigning effects to a channel which is configured as MIDI controller so that the
Auto BPM function does not work.

5. Sampler

shines yellow), go to Step 2. When tapping the tempo, Manual Mode
is automatically activated.
3) The BPM value can always be readjusted by tapping over and over again.
◊ The Auto BPM is always active when the device is turned on.

(55)

(54)

◊ Without a music signal (or one which is too quiet), the BPM value

flashes on the display. In addition, the message “Low Level” appears on
the display. The BPM value also flashes when the beat cannot be clearly
identified (message “Uncertain”).

4.3 MIDI clock
The MIDI Clock is used as a time reference for the Bounce function. In addition,
the MIDI Clock is given out at the MIDI output. This allows you to synchronize
external devices, which are able to receive MIDI Clock (such as drum machines
and grooveboxes) with the DDM4000.

(51)

(56)
(57)
(58)
(59)

(60)

(62)

(61)

(63)

(64)

(65)

(66)

Fig. 5.1: Sampler section

(52)
(53)
Fig. 4.7: BPM section

• Press the push button (52) to start and stop the MIDI Clock.

You can adjust the tempo of the MIDI Clock. Alternatively, the MIDI Clock can also
be synchronized with one of the two BPM Counters:

A sampler is a device used to record and play back audio signals.
The DDM4000’s sampler lets you record two tracks which then can be
played back. These tracks are single short sequences, vocal phrases, rhythmic
loops or even longer song passages. Any audio signal fed to the mixer can be
used as signal source, usually found on the stereo channels, the Microphone
channel and the stereo sum. The maximum recording duration is 32 seconds.
The samples can be played back in various ways (as infinite loop/loop, one time,
forward, reverse).

DIGITAL PRO MIXER DDM4000 User Manual

5.1 Recording samples

5.2.1 Insert function

1) Select a signal source with the REC SOURCE push buttons (56).
The signal source is indicated above the REC SOURCE LEDs:

The sample playback is carried out in Mix Mode or Insert Mode. In both cases
the sample is played back on the channel selected with REC SOURCE push
buttons (56). This can also be the stereo sum. When playing back in Mix Mode,
the sample is mixed to the specific channel or is routed to the crossfader.
When playing back the sample in Insert Mode, the sample is crossfaded to the
assigned channel.
• When playing back in Mix Mode, the INSERT push button (54) is not allowed

Signal sources:
1, 2, 3, 4: Stereo channel 1, 2, 3 or 4
MIC:

Microphone channel

MST:

Master (stereo sum)

2) Use the SAMPLE LENGTH push buttons (58) to specify the recording
duration you want. The length ranges between 1 and 16 beats or “∞”
(infinite recording).
◊ The actual recording time depends either on the detected BPM tempo

or the MIDI Clock. The Sampler synchronizes with the BPM Counter
provided that the BPM Counter is assigned to Channel 1, Channel 2 or
Master. When this is not the case, the Sampler is synchronized with
the MIDI Clock.
3) Use BANK ASSIGN (60) to select the memory bank. The MODE push button
(61) of the selected bank lights up yellow to indicate its readiness to record.
4) Start the recording by using the RECORD/IN push button (59).
5) The recording stops after the number of beats specified beforehand.
6) Alternatively, stop the infinite recording (∞) by pressing the PLAY/OUT
push button (45) or by pressing the REC push button again.
◊ The recoding duration of infinite recording (∞) is specified by pressing

the RECORD/IN push button (59) and the PLAY/OUT push button (62).
In case Loop Mode is activated at the same time, the sampler
immediately switches to playback by pressing the PLAY/OUT
push button.

Memory:
The maximum recording time is 32 seconds for both banks. The recording stops
when the memory is full.

to be pressed (push-button LED is off). The VOLUME/MIX knob (55) is used
as a channel fader (volume) with which the sampler signal is mixed to the
signal source. The sampler signal is assigned to the crossfader by pressing
the CF ASSIGN push button (65)

• Press the INSERT push button (54) to play back the sample in

Insert Mode. The VOLUME/MIX knob (55) can now be used as crossfading
control (Mix). Turn the knob completely to the right to hear only the sample
during playback. When turning the knob to the left, the sample fades into
the signal source of the selected channel.

◊ Assigning the crossfader to the Sampler is only possible in Mix Mode.

As soon as the CF ASSIGN push button (65) is pressed, the Insert function
is automatically deactivated.
5.2.2 Reverse and loop playback
Use the MODE push buttons (61) for Bank 1/2 to determine the type of playback.
Select the playback mode for each bank:
REVERSE:
1) Tap the MODE push button to switch to Reverse Mode. The REVERSE LED
lights up. By pressing PLAY, the sample is played back in the reverse direction.
2) Tap the MODE push button again. The REVERSE LED goes out. The sample is
played back in the forward direction.
LOOP (infinite loop):
1) Press the MODE push button for approximately 1 second to deactivate
Loop Mode. The LOOP LED goes out. The sample is played back as long
the PLAY push button is pressed. This type of playback is ideal for short
inserts/samples.
2) Press the MODE push button again for approximately 1 second to
activate Loop Mode. The LOOP LED lights up. The sample is played back
as infinite loop by pressing PLAY.
5.2.3 Crossfader start
The Crossfader Start function lets you start the Sampler playback with
the crossfader. To be able to use this function, the Sampler needs to be
assigned to the crossfader.

The length of a sample and the time left are shown on the Sampler Mix display.

1) Press the CF ASSIGN push button to route the Sampler to one side of the
crossfader (A or B).

5.2 Playing back samples

2) Press CF START to activate Crossfader Start.

1) Turn the VOLUME/MIX knob (55) to the center position.

3) Press the BANK ASSIGN push button to select the bank that is to be
triggered by the crossfader.

2) Press the PLAY push button to start playback.
3) Press PLAY a second time to stop playback.

Playback starts as soon as you move the crossfader to the side assigned
to the Sampler.

DIGITAL PRO MIXER DDM4000 User Manual

5.2.4 Pitch bend

In Output Setup, you make the following settings:

The Pitch Bend function lets you change the speed of the sampler playback so
that it can be aligned to the tracks being played. There are two options:

Mono:

1) Turn the BPM Adjust knob to permanently change the playback speed of the
sampler. Turn the knob to the right to speed up the tempo and turn the knob
to the left to slow down the tempo.

1) Turn the left PARAMETER knob (45) to select OFF or ON.

2) The ADJUST push buttons correspond to “Bend +” and “Bend –.”
Pressing one of these push buttons changes the speed for a short while,
in order for you to easily match the beat of the playing track.

5.3 Sampler effect
The sampler features a brake effect which simulates the braking of the rotating
platter until it comes to a halt. The length of the brakes are available as 1-beat-,
4-beat- und 8-beat brakes.

1) Press the BANK ASSIGN push button to select the memory bank that is
to be processed with the effect.
2) Select the length of the brake by continuously pressing the SELECT
push button (64). This is shown on the display.
3) Press the SMP FX ON push button (63) to activate the effect.
The push button flashes.
When the sampler comes to an end (SMP FX ON push button and PLAY/OUT push
button of the selected bank flash), the sampler-effect needs to be deactivated
by pressing SMP FX ON again in order to restart playback.
4) Press the SMP FX ON push button to restart playback.

2) Select the factory preset by turning and pressing the left
PARAMETER knob (45).

FULL-FREQ:

MAIN OUT A (73) emits the entire frequency spectrum
(including the bass signal). The Subwoofer output gives
out the subwoofer signal.

CROSSOVER:

The Subwoofer output gives out the subwoofer signal.
MAIN OUT A emits frequencies that are above the
crossover frequency.

1) Turn the CONSOLE SETUP knob (51) to select the mode
(FULL-FREQ, CROSSOVER).
2) Press the CONSOLE SETUP knob to confirm.
SUB OUT:
The following are used to adjust the crossover frequency and output level
of the subwoofer output.
FREQ: Crossover frequency between SUB OUT and MAIN OUT
GAIN: Output level of SUB OUT

2) Turn the right PARAMETER knob (45) to change the con-trast.
3) Press the LOAD push button to exit User Setup.

6.2 Output setup
1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
2) Select “Output Setup” by turning and pressing the CONSOLE SETUP knob.
Output Setup appears on the display:
SUB-OUT
GAIN
-3.0dB

3) Press the ESC push button to exit Output Setup.

1) Press the LOAD push button (35). User Setup appears on the display.

4) Press the LOAD push button (35) or the ESC push button (52)
to exit User Setup.

FREQ
55Hz

2) Turn the PARAMETER knob to change the value.

6.3 Adjusting display contrast

3) Press the left PARAMETER knob to confirm the selection.

MODE
FULL-FREQ
CROSSOVER

You can use Output A (73) together with the Subwoofer output, in which case
the bass frequencies are separated from the Main output (crossover function).

1) Press the right PARAMETER knob to select the parameter
(FREQ, GAIN or TAPE/ S/PDIF GAIN).

1) Press the LOAD push button (35). The display switches to “User Setup”.
The LOAD push button lights up.

OUTPUT
SETUP

MODE:

The levels of both Tape and S/PDIF outputs can be adjusted individually.

6.1 Loading factory settings

MONO
OFF
ON

2) Press the left PARAMETER knob to confirm.

TAPE / S/PDIF:

6. Further Settings

OUT B

Use this function to switch the OUT B outputs (74) to mono.

TAPE/
S/PDIF
GAIN
-6.0dB

DIGITAL PRO MIXER DDM4000 User Manual

7. The DDM4000 as MIDI Controller

7.2 Common MIDI settings

The DDM4000 can be used to control DJ or sequencer software
applications by converting individual mixer sections on the mixer to MIDI
controllers and assigning these to defined software functions. The MIDI
interface (76) is used to transmit the data. To connect to the mixer, the computer
requires a MIDI interface, which can be purchased as USB alternative for a
very reasonable price.

The MIDI settings are made on the MIDI Setup page.
1) Press the CONSOLE SETUP knob (51) for approximately 2 seconds.
2) Select “MIDI Settings” by turning and pressing the CONSOLE SETUP knob.
The MIDI Setup page appears on the display:

This page allows you to make the following settings:
USB-MIDI Interface*

• Adjusting the MIDI channel (7.2.1)
• Sending a MIDI dump (7.2.2)

Laptop

• Configuring the Microphone channel, Sampler and crossfader as

MIDI controller (7.3)

• Configuring stereo channels as MIDI controllers (7.4)

3) Press the ESC push button (52) to exit MIDI Setup.
◊ Save the settings you made in a user preset (see Chapter 3.5.2

“Storing user settings”) in case you want the settings to be active
the next time you switch on the device.
7.2.1 Setting the MIDI channel
MIDI IN/OUT/THRU

The following describe how to specify the MIDI channel on which the DDM4000 is
to send controller data. The receiving device needs to be set to the same channel.

* not included

1) Open MIDI Setup (see Chapter 7.2).

Fig. 7.1: Connecting the DDM4000 to a computer

2) Turn the left PARAMETER knob (45) to select the MIDI channel.

7.1 MIDI protocol
The MIDI format is used for the data transmission. Knobs and faders send
Control Change messages (CC), and push buttons send Note messages
(see Table 10.2). Access the software settings to assign mixer controls to
software functions. Most software applications offer a learn function to
make the assigning even easier.
The MIDI transmission also works in the opposite direction. Basically, it is
confined to controlling the LEDs, so that a switching status in the software
application can also be shown on the DDM4000. In this case the DDM4000
receives CC messages from the computer. Each LED of the DDM4000 is assigned
to a CC number (see Table 10.3). Sending the value 0 makes the LED go out,
but sending the value 1 (or any higher value) turns on the LED.

3) Press the ESC push button (52) to exit MIDI Setup.
7.2.2 Sending a MIDI dump
A MIDI dump sends the values of current controller positions. As a result,
the DDM4000’s settings are aligned with the connected computer.
1) Open MIDI Setup (see Chapter 7.2).
2) Press the left PARAMETER knob (45) to start the MIDI dump.
After sending the dump, the DDM4000 returns to MIDI Setup.
3) Press the ESC push button (52) to exit MIDI Setup.

DIGITAL PRO MIXER DDM4000 User Manual

7.3 Configuring microphone channel,
sampler and crossfader as MIDI controller

8. Installation

The Microphone channel, the Sampler and the crossfader section can individually
be converted to MIDI controllers.

The inputs and outputs of the BEHRINGER DDM4000 are RCA connectors.
The Headphone output is a stereo jack. The Microphone inputs are
XLR connectors.

1) Open MIDI Setup (see Chapter 7.2).

◊ Make sure that only competent people install your DDM4000.

2) Turn the CONSOLE SETUP knob (51) to select the mixer section
(MIC, SAMPLER, CROSSFADER) you want to use.
3) Press the CONSOLE SETUP knob to confirm the selection.
The LEDs of the selected section go out.

They must be sufficiently earthed during and after the
installation process. Otherwise, electrostatic discharges may
negatively affect the operating characteristics of your equipment.
Balanced use with XLR connectors

4) Press the ESC push button (52) to exit MIDI Setup.
2 1
3

Particularities of the crossfader:
It is not possible to assign the stereo channels to the crossfader when the
crossfader section is defined as controller. The Assign push buttons are
inoperative. The routing behaves as if the crossfader is deactivated: the signals
are directly fed to the mixer’s sum. As for the Sampler, the CF Assign function and
CF Start function are also inoperative. As usual, the routing of the Sampler signal
is realized with the REC SOURCE push button.

7.4 Configuring stereo channels as
MIDI controller
Using the channel fader (8), the EQ knobs (4) and the kill push buttons (5)
and (6) generates MIDI data when one of the 4 stereo channels is configured
as MIDI controller. The configured channel is still able to play back music,
however, the equalizer, the channel fader and the CF Assign function are
not active. In case an audio signal is being fed to the selected channel, it is routed
to the mixer’s sum without being processed and at full volume level. Simply mute
the signal in case the audio function is not required.

input
1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)
1

2
3

output
For unbalanced use, pin 1 and pin 3
have to be bridged

Fig. 8.1: XLR connector

¼" TRS headphones connector
strain relief clamp
sleeve
ring
tip

1) Open MIDI Setup (see Chapter 7.2).
2) Turn the right PARAMETER knob (45) to select the stereo channel you want
(and, if required, the Mute function).

sleeve
ground/shield

3) Press the PARAMETER knob to confirm the selection. The push-button LEDs
of the selected channel go out.

ring
right signal

4) Press the ESC push button (52) to exit MIDI Setup.

tip
left signal

◊ Level jumps can occur when activating or deactivating the MIDI

controller function in a stereo channel depending on the position of
the equalizer and fader! Turn the OUTPUT knob in the Main and Phones
section completely to the left before activating this function.

Fig. 8.2: 1/4" headphones connector

tip

tip
sleeve

Fig. 8.3: RCA cable

shield

sleeve

DIGITAL PRO MIXER DDM4000 User Manual

9. Specifications
Audio Inputs

System Specifications

Mic 1/2 (XLR, electronically balanced)

Frequency response

Max. input level

-14 dBu

Mic

25 Hz – 20 kHz, +0/-3 dB

Input impedance

2 kΩ

Phono

20 Hz – 20 kHz, +0/-3 dB

Line

20 Hz – 20 kHz, +0/-3 dB

Phono (RCA)
Max. input level

-18 dBu

Input impedance

47 kΩ

Line (RCA)

Signal-to-noise ratio
Mic

> 87 dB

Phono

> 83 dB

Max. input level

+30 dBu

Line

> 102 dB

Input impedance

15 kΩ

Distortion (THD)

< 0,009% (Line – OUT A)

Crosstalk

< -80 dB / 1 kHz (Line)

Audio Outputs

Power Supply

OUT A (XLR, balanced)
Max. output level

+21 dBu

Mains voltage/fuse

Output impedance

200 Ω

100 – 240 V~, 50/60 Hz
Power consumption
Mains connector

OUT A/OUT B/TAPE (RCA)
Max. output level
Output impedance
Phones Out
S/PDIF

+21 dBu
100 Ω
max. 260 mW @ 100 Ω / 1% THD
(coaxial, 16 bit, 44.1 kHz)

Equalizer

Stereo Low

-∞ dB/+12 dB

Stereo Mid

-∞ dB/+12 dB

Stereo High

-∞ dB/+12 dB

Mic Low

-12 dB/+12 dB, Shelving

Mic Mid

-12 dB/+12 dB, Peak

Mic High

-12 dB/+12 dB, Shelving

Digital Effects Processor

DSP

2x Analog Devices Black Fin

AD/DA converter

24-bit Sigma-Delta
128-times oversampling/Cirrus

Sampling rate

44.1 kHz

LCD display
MIDI interface

320 x 40 pixel
5-pin DIN jacks In/Out/Thru

T 1 A H 250 V
max. 20 W
standard IEC receptacle

Dimensions/Weight

Dimensions (H x W x D)

approx. 4 1/3 x 12 3/5 x 15 1/2"
approx. 110 x 320 x 392 mm

Weight

approx. 12.2 lbs / 5.6 kg

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts,
modifications may be made from time to time to existing products without prior notice. Specifications and
appearance may differ from those listed or illustrated.

DIGITAL PRO MIXER DDM4000 User Manual

10. Appendix

Parameter 1

Parameter 2

Parameter 3

Parameter 4

Mix

FLANGER

LFO Speed*

Feedback

Depth

Phase

Fade

Dry/Wet Mix

PHASER

LFO Speed*

Depth

Fade

—

Dry/Wet Mix

DELAY

Time*

Mode:
Simple 3Pong

—

Dry/Wet Mix

ECHO

Time*

Mode:
Simple 3Pong

Feedback

Fade

—

Dry/Wet Mix

PITCH

Shift

—

Dry/Wet Mix

BITCRUSHER

Depth

—

Dry/Wet Mix

Mode:
Ambient, Box, Cathedral, Cavern,
Chamber, Chorus, Concert, Echo

Fade

—

Dry/Wet Mix

LFO Speed*

Depth

—

Dry/Wet Mix

REVERB
PAN

LFO:

FILTER

Filter:
Lowpass
Bandpass
Highpass

/
LFO Speed*

—

Resonance
—

Manual:
Depth

*These parameters can be synchronized with BPM
Fig. 10.1: Overview of effect parameters

—

DIGITAL PRO MIXER DDM4000 User Manual

MIC

CH-1

CH-2

CH-3

CH-4

Sampler

MIC

CH-1

CH-2

CH-3

CH-4

Sampler

L R

MASTER

Fig. 10.2: Mixer routings

MASTER

DIGITAL PRO MIXER DDM4000 User Manual

FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION

DIGITAL PRO MIXER DDM4000
Responsible Party Name:

MUSIC Group Services US Inc.

Address:

18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA

Phone/Fax No.:

Phone: +1 425 672 0816
Fax: +1 425 673 7647

DIGITAL PRO MIXER DDM4000
complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.
Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.

DIGITAL PRO MIXER DDM4000 User Manual

We Hear You

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History Instance ID             : xmp.iid:4C4CB7A94620681188C6B55A9195E590, xmp.iid:4D4CB7A94620681188C6B55A9195E590, xmp.iid:45EF7402082068118083BC379147CE7A, xmp.iid:B4ECFF65192068118083A015CFDE6BC4, xmp.iid:2E3A96F24C2068118083A015CFDE6BC4, xmp.iid:C469A99F4A2068118EF19D55A2DABA9D, xmp.iid:B5F74FF02F20681180838EA8B7A438AD, xmp.iid:94B2D8693020681180838EA8B7A438AD, xmp.iid:42BDEF81142068118083F9617A357E73, xmp.iid:C5A16299142068118083F9617A357E73, xmp.iid:4EE39FDC192068118083B0A3E132DCEB, xmp.iid:6E3285E5242068118083B0A3E132DCEB, xmp.iid:EA463E31302068118083B0A3E132DCEB, xmp.iid:97A1FD38302068118083B0A3E132DCEB, xmp.iid:F04F4946302068118083B0A3E132DCEB, xmp.iid:F14F4946302068118083B0A3E132DCEB, xmp.iid:F24F4946302068118083B0A3E132DCEB, xmp.iid:F34F4946302068118083B0A3E132DCEB, xmp.iid:F44F4946302068118083B0A3E132DCEB, xmp.iid:1E84607C3C2068118083B0A3E132DCEB, xmp.iid:F93F0A833C2068118083B0A3E132DCEB, xmp.iid:1CEDA62F372068118083E0F1855C43CC, xmp.iid:1DEDA62F372068118083E0F1855C43CC, 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History When                    : 2011:05:30 17:21:44+08:00, 2011:05:30 17:21:44+08:00, 2011:06:01 11:21:03+08:00, 2011:06:02 11:18:07+08:00, 2011:06:02 17:27:08+08:00, 2011:06:10 17:01:17+08:00, 2011:07:04 15:15:45+08:00, 2011:07:04 15:15:45+08:00, 2011:07:04 17:47:33+08:00, 2011:07:04 17:48:12+08:00, 2011:07:05 11:02:37+08:00, 2011:07:05 12:21:38+08:00, 2011:07:05 13:42:30+08:00, 2011:07:05 13:42:43+08:00, 2011:07:05 13:43:05+08:00, 2011:07:05 13:43:08+08:00, 2011:07:05 13:43:15+08:00, 2011:07:05 13:45:01+08:00, 2011:07:05 13:47:07+08:00, 2011:07:05 15:10:41+08:00, 2011:07:05 15:10:41+08:00, 2011:07:05 15:30:22+08:00, 2011:07:05 15:30:22+08:00, 2011:07:05 15:30:54+08:00, 2011:07:05 15:30:54+08:00, 2011:07:06 08:52:54+08:00, 2011:07:06 08:52:54+08:00, 2011:08:16 17:48:40+08:00, 2011:08:16 17:48:40+08:00, 2011:08:19 15:52:23+08:00, 2011:08:19 15:52:23+08:00, 2011:08:22 10:44:44+08:00, 2011:08:22 10:44:44+08:00, 2011:09:07 14:57:45+08:00, 2011:09:07 14:57:45+08:00, 2011:10:27 10:10:22+08:00, 2011:10:27 10:10:22+08:00, 2012:01:02 15:10:29+08:00, 2012:01:02 17:49:42+08:00, 2012:05:17 14:42:19+08:00, 2012:09:05 11:59:10+08:00, 2012:09:05 11:59:10+08:00, 2012:09:05 12:06+08:00, 2012:09:05 12:07:02+08:00, 2012:09:05 12:17+08:00, 2012:09:05 12:17:36+08:00, 2012:09:05 12:25:55+08:00, 2012:09:05 13:43:43+08:00, 2012:09:05 14:57:02+08:00, 2012:09:06 14:34:22+08:00, 2012:09:06 14:54:46+08:00, 2012:09:06 14:59:56+08:00, 2012:09:06 15:02:37+08:00, 2012:09:06 15:51:29+08:00, 2012:09:06 15:54:28+08:00, 2012:09:06 15:54:28+08:00, 2012:09:06 17:46:54+08:00, 2012:09:07 09:39:34+08:00, 2012:09:07 09:50:50+08:00, 2012:09:07 11:01:03+08:00, 2012:09:07 12:08:02+08:00, 2012:09:07 12:57:48+08:00, 2012:09:10 11:50:55+08:00, 2012:09:10 11:52:19+08:00, 2012:09:11 13:53:50+08:00, 2012:09:11 16:50:02+08:00, 2012:09:11 16:59:29+08:00, 2012:09:11 17:03:58+08:00, 2012:09:13 10:48:30+08:00, 2012:09:13 10:48:30+08:00, 2012:09:14 14:51:19+08:00, 2012:09:19 13:51:41+08:00, 2012:09:19 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Title                           : DIGITAL_PRO_MIXER_DDM4000
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Behringer Digital Pro Mixer Ddm4000 Users Manual DIGITAL_PRO_MIXER_DDM4000

Behringer-Digital-Pro-Mixer-Ddm4000-Owners-Manual behringer-digital-pro-mixer-ddm4000-owners-manual

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