Behringer Eurodesk Sx4882 Brochure

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Large Format Mixers

EURODESK
SX4882
EURODESK — Ultra-low Noise Design
48/24 Input 8-Bus In-Line Mixer with
XENYX Preamps, British EQs and
Integrated Meterbridge
Ultra-low noise, high-headroom
analog mixer for studio, live, front-ofhouse, monitor, corporate and
touring audio applications
True in-line concept with
24 independent Mix-B input
channels, all with individual 2-band
EQ, Level, Pan and Mute
24 state-of-the-art XENYX Mic
Preamps with switchable
+48 V phantom power
Neo-classic “British” 4-band EQs with
2 semi-parametric mid bands for
warm and musical sound
8 subgroups with independent Solo
and routing functions simultaneously
feed up to 16 multi-track inputs
Clip and -20dB LEDs plus EQ In,
Low Cut, Mute, Solo/PFL,
Subgroup and Main routing
switches on all channels
6 Aux sends per channel: all
switchable pre/post fader
Main Aux sends with Level controls
and Solo functions
6 multi-functional stereo Aux returns
featuring Level and Balance controls,
Solo and extensive routing functions
Solo-In-Place with PFL function plus
2 independent phones sections plus
full-featured monitor and talkback
section with built-in microphone

Whether recording in the studio,
running live house sound, recording a
live show, or for use as a stage monitor
mixing board, the feature-packed
SX4882 does it all. Designed with live
performance versatility and recording
necessities built in, this console combines
years of every sound engineer’s wants
and needs into one high-performance
machine. It may not get you free beer
or groupies, but it rocks for live-sound
and recording.
What is an In-Line mixer? And why you
want one
An in-line mixer is a mixer within
a mixer. That’s the reason you will notice
this board is labeled Channels 1-24
AND Channels 25 – 48. It’s really two
24-channel mixers in one.

This “embedded mixer,” called Mix B,
is typically used in recording applications,
but it has some useful live-sound
features as well. In the studio, Mix B
allows you to return all your multi-track
tape channels back into channels on
the board without losing any of your
24 main-input channels. This provides
seamless playback and mixdown
capabilites with just a few button pushes
and no additional patching. In other
words, no visible plumber-cracks or
untimely delays. Live, Mix B can be used
to send a totally separate 2-track mix
to a recording device, separate speaker
zone or out to a broadcast feed, plus it
functions as an additional monitor or
effects bus.
Continued on next page

Page 2 of 9

EURODESK
SX4882
Comprehensive Channel, Group and
Main insert points
Built-in meterbridge with meters for
each channel, Subgroup and Main,
monitoring either the channel or
Tape return signal
Long-wearing 100-mm
logarithmic-taper faders
and sealed rotary controls
Expander port with universal jack
connectors for optimal linking to
other consoles
2 BNC connectors for 12 V
gooseneck lights
Internal autorange power supply for
maximum flexibility (100 - 240 V~),
noise-free audio, superior transient
response plus low power
consumption for energy saving

One reason you’ll really appreciate
having the in-line mixer is simple:
LIVE RECORDING. If you’ve ever tried to
make a recording off of the board during
a live show, you know how well that
works (NOT!). Often input and output
levels necessary for quality recording do
not match the requirements of the live
mix, where stage volumes factor in to
the overall room sound. Getting around
that issue used to require a splitter and
second mixer just for recording. Now that
is eliminated by having an in-line mixer in
your live board.
Va-Va-Va-Versatility! No More
“Creative Patching”
Input choices and routing options are
not overrated. In fact, they are essential
to managing technically complex
instrumentation or multiple bands all
patched into the same board. And while
you may not need every patching option
for every show, at least you know you
have every input and output option you
could ever need. You will be grateful to
have features like Insert points on every
channel input, all Subgroups and on
the Main outs. Direct Outputs on each
channel are very useful too and may even
make you a hero for about 5 minutes
when you can provide a seemingly
improbable solution by taking a direct
split off the console to feed some other
input source.
Use your creativity where it matters
most – in getting the sound and mix you
want, not on brain-twisting patching
compromises and channel routing
puzzles. Complete versatility and
accessibility is what it’s all about and the
SX4882 does not disappoint.
All Channels Are Indeed Created Equal
There’s no scrimping and saving
on this board. Every channel has every
feature of every other channel. They are
all the same! No more “if only” sighs of
frustration to utter as you try to organize
your inputs. As long as we’re talking about

channel strips, you might as well know
that this board has a big treat in store
for you: TWO bands of semi-parametric
mid range controls. This is two more than
many boards offer and at least one more
than most live sound boards. Gone is the
dilemma of EQ-ing out the honk at 600
or adding a little upper-mid crispness at
2k to bring out the clarity. Now you don’t
have to compromise.
British EQ for Bloody Excellent Sound
Expensive British consoles have
long been praised for having sweeter,
smoother channel EQ than many
other mixers provide. That’s why the
EQ circuitry on the SX4882 is designed
with British-style EQ, with wider curves
and smoother phase characteristics.
It maximizes effective frequency sculpting
without harshness or gaping holes in
the audio spectrum. This sweet feature
will benefit your mixes – both live and
in the studio. You may even start saying
“Check One, Two” with a British accent.
And it’s worth repeating that there are
two sweepable EQ bands, not just one.
That’s a must-have for many situations,
and now you have it!
Mic Pre’s – the muck stops here
The microphone preamp is one
of the most important circuits in a
mixing console. It boosts the lowlevel microphone signal to a line-level
operating level and it’s the first bit of
processing applied to any mic signal.
No doubt you’ve heard the phrase,
“garbage in equals garbage out.” This is
really true when it comes to mic preamps.
Common issues with lower quality
mic pres include noise, distortion, low
headroom, and unimpressed fans.
BEHRINGER uses high quality XENYX
pre-amps in our professional mixers.
These are ultra low noise, high headroom
preamps that can hold their own,
even against expensive stand-alone
boutique-style preamps.
Continued on next page

Page 3 of 9

PFL/SOLO capability on:

•	 Aux Send Mix B- sends Mix B input
source to Aux send

•	 Every channel, pre- or
post-fader option

EURODESK
SX4882

•	 B-channel Flip switches Mix B input
source to mirror main channel input

•	 Aux bus sends

•	 Mix B operating input level,
+4 dB or -10 db

•	 Aux returns
•	 All subgroups

Buttons, Buttons, Buttons

•	 Channel low-cut filter

•	 Headphone mixes

This baby’s got buttons. Do buttons look
cool? Yes! Is this why they are on the board?
No! They’re there because you need them all!
But many mixers don’t have all these options,
which may be why some sound technicians are
missing a lot of their hair.

•	 Phantom power On, independent
8-channel blocks

Routing Matrix buttons & more:
•	 Select switch that assigns Mix B
input OR mic/line input to Main
Channel strip

•	 Subgroup and Main Mix assignment
•	 Channel mutes - on all channels 1-48,
including all Mix B channels

•	 Mic/Line input select button

Continued on next page

One word of caution: You may have to
contend with adoring masses asking if you really
know what all those buttons do.

Recording Setup
DSP2024P

MDX4600

Bass Guitar

Acoustic Guitar

BDI 21
HA4700

Electric Guitar

ADI 21

Electric Guitar

Drums

Keyboard

V-AMP3

HPS3000

C-3
Condenser
Mics
(Horn
Section)

HA4700
Synth
Module
PX3000
HPS3000

PX3000
T-1
Condenser
Tube Mics
(Vocals)

SUB 7-8 button
pressed,PAN
channel center,
GROUP 7 & 8

SUB 5-6 button pressed, PAN channel
center, GROUP 5 & 8

DSP2024P
Tape/CD recorder

TRUTH B3031A
Studio monitor
Computer

SUB 3-4 button
pressed, PAN
channel right,
GROUP 4

SUB 3-4
button
pressed,
PAN channel
left, GROUP 3

SUB 1-2
button
pressed,
PAN channel
right,
GROUP 2

SUB 1-2
button pressed,
PAN channel
left, GROUP 1

Page 4 of 9

During a live show you could use
four of the subgroups for instrument
and vocal sub-mixing to the PA and
the other four could be for a tape submix, if you choose not to use Mix B as
your tape mix. For use with a stereo
PA you still have 4 subgroups total to
work with, and when used as a stage
monitor console, the SX4882 can provide
up to 16 independent monitor mixes by
combining the subgroups, Aux busses,
and L/R Mix B. Wicked!

EURODESK
SX4882
Octo-riffic Subgroups
Having eight Subgroups give you so much
flexibility you may just become a gymnast on
the side. These Subgroups can be used to send
eight individual tracks directly to your tape,
digital interface or hard disk recorder, or they
can be used as four stereo submixes. There are
two parallel outputs on each subgroup, to feed
up to 16 multi-track channels.

In the studio, the eight Subgroups
allow maximization of recording inputs
by allowing several channels to be mixed
down to a smaller number of recording
tracks. By combining channel inputs
into subgroups which go directly out
to tape, you have the ability to record
even more than 24 discreet inputs.
Also, the outputs of the subgroups
have selectable operating output levels
(+4 dB or -10 dB) to match the inputs of
your recording device.
Continued on next page

Live Performance Setup
Bass Guitar

EUROLIVE F1220A
Floor Monitor

Acoustic Guitar
DSP2024P
BDI 21

Electric Guitar

ADI 21

Electric Guitar

Drums

DCX2496

V-AMP3
Low L

Low R

Keyboard
V-AMP3

XM8500 Mics

Synth
Module

EP2000

B2520 PRO

MAIN L OUT

EP4000
Low L

Low R

SUB 7-8 button
pressed, PAN channel
center, GROUP 7 & 8

SUB 5-6 button pressed, PAN
channel center, GROUP 5 & 8

MAIN R OUT

MDX4600
Tape/CD recorder
B1800X PRO

SUB 3-4 button pressed,
PAN channel right, GROUP 4

SUB 3-4
button
pressed,
PAN channel
left, GROUP 3

SUB 1-2
button
pressed,
PAN
channel
right,
GROUP 2

SUB 1-2
button
pressed,
PAN
channel
left,
GROUP 1

Page 5 of 9

EURODESK
SX4882
The Meter Bridge – Functionality and
Stunningly Cool
Once you’ve had a meterbridge on deck,
it’s hard to go back. Essential in the studio and
amazingly cool live, the meterbridge provides
visual confirmation of what is going on with all
your signals with just a quick glance. Each input
channel, all the subgroups and the main outputs
feature 12-level LEDs organized incrementally
with traffic-light style color coding, so you can
verify input and output levels, even on the
Mix B channels.
Many console manufacturers offer a
meterbridge only as an expensive, optional addon, however, the SX4882 provides it standard.

Corporate presentations often require
sound reinforcement to a large room,
typically with several pairs of speakers
scattered throughout the auditorium.
With eight subgroup outs, you have 4 sets
of individual stereo controls, in addition
to the main L/R out. Mix B provides
an additional stereo mix, for a total of
6 separate stereo output options.
Recording Studio Features
•	 8 subgroups with dual parallel outputs
to drive 8 or 16 channels of a recording
device or digital interface
•	 Mix B mixer (chs. 25-48) returns
tape outputs from recording device
or digital interface for immediate
playback, overdub tracking, and mix
down. Mix B input can be assigned
to Aux mixes and studio headphone
mixes, and also be assigned to Main
Channel or Mix B channel with
flip of button.

•	 6 Stereo Aux returns - two aux returns
assignable to subgroups and main mix
enable Aux return signal be assigned
directly to a record track. The other
four returns are designed to facilitate
monitoring of aux return signals and
do not assign to subgroups.
•	 Separate control room and studio
outputs, additional external 2-track
monitoring, dual independent
headphone outputs, capability for
four headphone mixes.
•	 Built in talkback mic with volume
control knob. Assign talkback
mic to Aux 1, Aux 2, Studio, and
Headphone mixes.
•	 Tons of soloing capability all through
the master output section
Continued on next page

APPLICATIONS
Church Services
Running live sound in houses of worship has
become a truly professional pastime with the
advent of affordable, quality sound gear and
the rise of congregations that require bigger
and more capable sound systems. The multiple
input and auxiliary send options of the SX4882
are designed to accommodate a wide variety of
performance needs, large and small.
Worship services, choir, and music ensembles
are easily mixed and recorded live. Go directly
into your digital interface from the subgroup
outs, Mix B or Main Out, right into your tracking
software. CD’s or DVDs can then be distributed
to members of the congregation who may have
trouble attending services. Caution: your status
may be elevated in the church from sound grunt
to near-savior.
Corporate A/V
Corporate AV is a truly multi-media
experience, where there may be many different
input sources - from a laptop, MP3, CD, DVD,
television, projector, or camera. The SX4882 has
RCA tape in and two external ¼" 2-track inputs,
plus each channel has the choice of balanced
or unbalanced, +4 dB or -10dB input levels. Mix
B provides additional input options for routing
audio sources into the console. With 48 total
channels and 82 total inputs, even the largest
conventions can be accommodated.

Back Panel Channel Inputs
Main Mixer
channel
identifier
Mic/Line
source
select
Bal./unbal.
line-level
input jack
Channel Insert
sends/returns,
post trim and
pre-EQ
Mix B
Channel bal./
unbal. input

20dB pad
attenuates
overly hot
inputs
Bal.
microphone
XLR input
jack

Direct
output

Mix B operating
level switch, +4
or -10 dB
+48 V Phantom
Power Switch
to chs. 1-24 in
blocks of 8

Parallel
subgroup
outputs

Page 6 of 9

EURODESK
SX4882
Live Features
•	 Mix B offers separate stereo mix control for
recording or broadcast feeds independent
from main board mix and also provides an
additional Aux bus.
•	 8 mono subgroups or 4 stereo pairs for
enhanced mixing control.
•	 Full LED meterbridge for enhanced
monitoring capabilities and additional
“wow” factor.

•	 6 Auxiliary sends for monitors and
effects, all with pre-post switches and
selectable between main channel or
Mix B inputs. Also, 6 stereo Aux returns.
•	 Insert points on all channels,
subgroups, and main out.
•	 Multiple input capability to
accommodate a variety of sources,
including three individual Tape/2-track
inputs for Tape, CDs, DVDs, and
MP3 players.
•	 Console doubles as a discreet
monitor desk capable of driving
16 independent mixes.
•	 Mute buttons on every channel.

But wait, there’s more
•	 100 mm logarithmic faders and
sealed rotary pots provide smooth,
responsive control action and keep the
snap-crackle-and-pop out your mix
and out of your mixer.
•	 An internal autorange variable power
supply allows the console to run on
voltages ranging from 100 V to 240 V
which is very handy for cross-Atlantic
tours or funky grange halls that
typically have fluctuating power.
•	 2 BNC connectors for 12 V
gooseneck lights
•	 Rugged, road-ready all-steel chassis

•	 Full Solo/PFL capability throughout the
console, including subgroups and Aux sends.

Master I/O Section
Subgroups
1-8 expander
inputs

Aux Sends
1-6

Aux 1-6
expander
inputs
Stereo Aux
Returns
1-6
Subgroup
Inserts 1-8

Mix B L/R
expander
inputs
Main Mix L/R
expander
inputs
Mix B
OUT L/R
Main Out
INSERTS
L/R
Main Mix
OUT L/R

CD/TAPE
In/Out
RCA
Control
Room OUT
CD/TAPE In
–unbalanced
¼"
External
2-track IN
Studio
OUT
Meter/
Analyzer OUT
Headphones
1 & 2 OUT

Fuse
I/O
Power
Switch

Main L/R
Balanced
OUT

Page 7 of 9

EURODESK
SX4882
Main Mix
and Mix B
channel ID

Uppermidrange ±
15 dB cut or
boost
Lower-mid
±15 dB cut
or boost
Bass shelving
EQ ± 15dB at
80 Hz

Aux Returns
Section*

Aux Send
Solo button

Solos signal
of Aux 1 Ret

Selects Source
to Aux bus-Main
Channel or Mix B

Mix B master
section

Aux 1 Ret.
Level control
Assigns Aux 1 Ret.
to Subgroups or
Main mix

Aux Returns 3-6
controls: Level, to
HP1, to HP2, to
Main Mix, and Solo

Mix B level
control
Mix B input
level control

Pan knob
Main
Channel
MUTE button

Assigns Mix B
to Main Mix

Main L/R Mix
assign. buttons

Solo Light
indicators for
Aux Returns

Subgroup
Solo buttons

Subgroup Mono
Select – for 8
indep. subgroup
channels

Subgroup
assign
buttons

Aux Returns 1 & 2 control sections are identical and
designed to facilitate recording while Aux Rets. 3/4 and 5/6
are identical and designed to facilitate monitoring.
** 	 PFL = pre-fader level and looks at input signal. Solo is postfader and looks at output levels.

Aux Sends
section (1-6
identical)

Aux send 3 or 5,
selectable with
Shift button

Bass EQ, ±
15dB, 80 Hz

*	

Power
supply status
indicators

Aux 1 Ret. L/R
image control

Aux Send 2

Flip Switch changes
Mix B source
to mirror Main
Channel input

Indicates meter
bridge assign

Aux Send
Master level
Low Cut
Filter

Shift button
selects
aux sends
routing

Assigns
Chs.1-24 or
Mix B 25-48 to
meter bridge

Button selects
mic/line OR Mix
B input as main
channel source

Subgroup
Stereo Select
– for 4 stereo
groups

Page 8 of 9

EURODESK
SX4882
Trim Knob
adjusts input
signal level
Treble shelving
EQ cut or boost
± 15 dB at 12 kHz
Upper-mid
parametric
frequency
sweep 400 –
8k Hz

EQ In/Out

Headphone1
section – identical
to HP2
Lower-mid
parametric
frequency
sweep 100 –
2k Hz

Two separate
headphone
jacks/mixes

Aux Send 1

Solos
headphone
mix

Aux 1/2
Pre/Post
Switch
Aux send 4 or 6,
selectable with
Shift button
Aux 3-6 Pre/
Post Switch
Treble EQ,
± 15dB, 12
kHz
Pan knob
Mute
Button for
Mix B input
Signal Clip LED
SOLO/PFL
100 mm
tapered
logarithmic
fader

Signal
Present LED

Studio
Monitoring
Section
Studio level
control to
main room
Assign. buttons
to studio
monitor mix:
Main, Mix B,
2-track/tape,
other External
Control room
volume level to
monitors
Mono Buttoncombines
stereo image
to check phase
correlation
between L/R in
control room

Subgroup
and Main Mix
master output
faders

*	

Aux Returns 1 & 2 control sections are identical and
designed to facilitate recording while Aux Rets. 3/4 and 5/6
are identical and designed to facilitate monitoring.
** 	 PFL = pre-fader level and looks at input signal. Solo is postfader and looks at output levels.

Headphone 2
section

Assigns Mix B, Aux
3/4, Aux 5/6, Control
Room or External
input to HPs
Main
PFL/Solo
section
PFL/Solo level
PFL/Solo indicator
light
PFL/Solo Selector
switch**
Sends Talkback
mic to Aux 1, Aux
2, Subgroups, and
HP/Studio.
TB volume level
control

Built-in Talkback
mic

Page 9 of 9

EURODESK
SX4882
MAIN CHANNEL STRIP
Mic input
Type 	

electronically balanced, discrete input circuit

Mic E.I.N. (22 Hz - 22 kHz)
@ 150 Ω source 	
-129.0 dBu / -117.3 dBqp
Input shorted 	
-132.0 dBu / -122.0 dBqp
Distortion (THD+N) 	 0.007 % @ +4 dBu, 1 kHz, bandwidth 80 kHz
Gain range 	
+10 dB to +50 dB
Max. input level 	
+12 dBu (+32 dBu @ PAD)
1

Line input
Type 	
Gain range	
Max. input level	
Channel fader range 	
Aux send gain range 	

electronically balanced
0 dB to +40 dB (-20 dB to +20 dB @ PAD)
+22 dBu
+10 dB to -85 dB / off
0 dB to +15 dB / off

Equalizer
Hi shelving	
Hi mid sweep	
Lo mid sweep	
Lo shelving	
Lo cut (HPF)	

12 kHz, ±15 dB
300 Hz to 20 kHz, ±15 dB
50 Hz to 3 kHz, ±15 dB
80 Hz, ±15 dB
75 Hz, 12 dB/oct.

Channel direct out
Max. output level	
Noise @ 0 dB gain	
Output impedance	
Tape returns 	
	

+22 dBu
-94 dBu
120 Ω
¼" jacks, balanced / unbalanced,
globally switchable from +4 dBu to ‑10 dBV

Channel inserts
Max. in/out	
Channel to 	
channel crosstalk 	

+22 dBu
-95 dB @ 1 kHz

Mix B channel strip
Gain range 	
0 dB to +15 dB / off
Hi shelving 	
12 kHz, ±15 dB
Lo shelving 	
80 Hz, ±15 dB

System data
Distortion (THD+N) 	
	
	
	

SUBGROUP SECTION

Frequency response
20 Hz to 40 kHz 	
±1 dB (any input to any output)
10 Hz to 120 kHz 	
±3 dB

Noise
bus noise @	‑102.5 dBr
fader 0 dB 	
24 chs. assigned 	‑92.5 dBr
(input B) & set @
0 dB gain
16 chs. assigned 	‑94.5 dBr
(input B) & set @
0 dB gain 	
Submaster output	 +22 dBu, balanced / unbalanced
max. output level
Submaster insert 	 +22 dBu
max. output level 	
Submaster insert 	 +22 dBu
max. input level 	
Fader range 	
+10 dB to ‑85 dB / off
2

MAIN MIX SECTION
Noise2
bus noise 	‑101.0 dBr
@fader 0 dB
24 chs. assigned 	‑92.5 dBr
(input B) & set @
0 dB gain
16 chs. assigned 	‑94.5 dBr
(input B) & set @
0 dB gain 	
Max. output level 	 +28 dBu, XLR connector, balanced / 	
	
+22 dBu, ¼" jacks, unbalanced
Aux returns 	
0 dB to +20 dB / off
gain range 	
Aux sends 	
+22 dBu
max. output level 	

0.007 % @ +4 dBu, 1 kHz, bandwidth 	
80 kHz; < 0.02 %, 22 Hz to 22 kHz at 	
normal operating levels, any input to 	
any output, bandwidth 80 kHz

Noise2
@ fader 0 dB 	‑102.5 dBr
24 chs. assigned 	‑92.5 dBr
(input B) & set @
0 dB gain
16 chs. assigned 	‑94.5 dBr
(input B) & set @
0 dB gain
Power supply
Power consumption 	
Mains voltage 	
Fuse 	
Mains connector 	

250 W
100 - 240 V~ (50/60 Hz)
T 3,15 A H 250 V
standard IEC receptacle

Physical/weight
Dimensions 	
(H x W x D) 	
Weight 	

approx. 2.8" / 8.7 x 37 x 29.5"
approx. 72 mm / 220 x 940 x 750 mm
approx. 61.2 lbs / approx. 27.72 kg

1 Equivalent Input Noise
2 ref. +4 dBu
Please note these specifications are preliminary and conceptual in nature,
and as such are subject to change as product development progresses.
This information is supplied for market research purposes only and is not
to be made public in any manner. This document is solely the property of
The MUSIC Group, or one of its subsidiaries, and must be surrendered upon
request of the owner.

For service, support or more information contact the BEHRINGER location nearest you:
Europe
MUSIC Group Services UK

Tel: +44 156 273 2290
Email: CARE@music-group.com

USA/Canada
MUSIC Group Services NV Inc.
Tel: +1 702 800 8290
Email: CARE@music-group.com

Japan
MUSIC Group Services JP K.K.
Tel.: +81 3 6231 0454
Email: CARE@music-group.com

Technical specifications and appearances are subject to change without notice and accuracy is not guaranteed. BEHRINGER is part of the MUSIC Group (music-group.com). All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss
which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary from actual product. MUSIC Group products are sold through authorized fullfillers and resellers only.
Fullfillers and resellers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any
means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of MUSIC Group IP Ltd. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town,
Tortola, British Virgin Islands. 985-10000-00384



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Rendition Class                 : proof:pdf
Derived From Instance ID        : 08ae1d9f-368e-11e0-beb6-fb6ff3f834ee
Derived From Document ID        : adobe:docid:indd:c679854e-3219-11e0-9671-98f5335d191b
History Action                  : saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved, saved
History Instance ID             : xmp.iid:B9FEF1F61A20681188C6920D69FBD62E, xmp.iid:BAFEF1F61A20681188C6920D69FBD62E, xmp.iid:3CCD892D292068118C14BBEB4C397E3D, xmp.iid:1B0D86C8382068118083F798F981B674, xmp.iid:E271752C392068118083F798F981B674, xmp.iid:7B4B9942392068118083F798F981B674, xmp.iid:7C4B9942392068118083F798F981B674, xmp.iid:3A39AE57392068118083F798F981B674, xmp.iid:71BC26DB392068118083F798F981B674, xmp.iid:5C5322EC392068118083F798F981B674, xmp.iid:5D5322EC392068118083F798F981B674, xmp.iid:5E5322EC392068118083F798F981B674, xmp.iid:3FC9D92A3A2068118083F798F981B674, xmp.iid:40C9D92A3A2068118083F798F981B674, xmp.iid:41C9D92A3A2068118083F798F981B674, xmp.iid:7CE5DF923A2068118083F798F981B674, xmp.iid:6C5EDFE919206811871FAACC8C33C295, xmp.iid:307449071C2068118C14D874622F085F
History When                    : 2012:10:09 16:30:43+08:00, 2012:10:09 16:30:43+08:00, 2012:10:10 17:52:24+08:00, 2012:10:11 15:08:43+08:00, 2012:10:11 15:11:30+08:00, 2012:10:11 15:12:07+08:00, 2012:10:11 15:12:37+08:00, 2012:10:11 15:12:43+08:00, 2012:10:11 15:16:23+08:00, 2012:10:11 15:16:52+08:00, 2012:10:11 15:17:21+08:00, 2012:10:11 15:17:59+08:00, 2012:10:11 15:18:37+08:00, 2012:10:11 15:18:42+08:00, 2012:10:11 15:20:11+08:00, 2012:10:11 15:21:32+08:00, 2012:10:15 11:23:25+08:00, 2012:11:05 14:51:42+08:00
History Software Agent          : Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0, Adobe InDesign 7.0
History Changed                 : /;/metadata, /metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata
Metadata Date                   : 2012:11:05 15:02:43+08:00
Creator Tool                    : Adobe InDesign CS5 (7.0.4)
Page Image Page Number          : 1, 2
Page Image Format               : JPEG, JPEG
Page Image Width                : 256, 256
Page Image Height               : 256, 256
Page Image                      : (Binary data 11021 bytes, use -b option to extract), (Binary data 10657 bytes, use -b option to extract)
Doc Change Count                : 33
Format                          : application/pdf
Title                           : EURODESK SX4882
Creator                         : BEHRINGER
Producer                        : Adobe PDF Library 9.9
Trapped                         : False
Page Layout                     : SinglePage
Page Count                      : 9

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