Behringer Europower Pmp6000 Pmp4000 Pmp1680S Users Manual PMP6000/PMP4000/PMP1680S
Behringer-Europower-Pmp1680S-Brochure-752205 behringer-europower-pmp1680s-brochure-752205
PMP6000PMP4000PMP1680S to the manual 4456c50a-d84c-40d1-b530-1551c9da5d83
2015-02-04
: Behringer Behringer-Europower-Pmp6000-Pmp4000-Pmp1680S-Users-Manual-362805 behringer-europower-pmp6000-pmp4000-pmp1680s-users-manual-362805 behringer pdf
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Powered Mixers EUROPOWER PMP6000/PMP4000 PMP1680S 1600-Watt 10/16/20-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System Ultra-compact 2 x 800-Watt stereo powered mixers (1600 Watt bridged mode) Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight Ultra-compact design at nearly half the weight of conventional powered mixers PMP6000: 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output PMP4000: 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output PMP1680S: 10-channel mixer section features 6 mono and 2 stereo channels plus separate CD/Tape input/output PMP6000, PMP1680S: Dual studiograde 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects PMP4000: Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal 12/8 high-quality Mic Preamps with switchable +48 V phantom power for condenser microphones The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors, stereo 7-band graphic EQ and our renowned FBQ Feedback Detection System. What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles. When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up. Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version Continued on next page Page 2 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels of the main signal through one powered output plus a mono version of monitor send signals through the second powered output) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time. Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was Continued on next page PMP4000 and PMP6000: Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs PMP1680S: Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs Voice Canceller function removes singer’s voice from recordings for karaoke applications Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode PMP6000 and PMP1680S: Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc. PMP6000 and PMP1680S: Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input PMP6000: Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image GAIN knob adjusts sensitivity of MIC or LINE inputs EQ adjusts high, mid and low frequencies MON knobs adjust amount of channel signal sent to MON SEND jacks and/or OUTPUT A (MON 1 signals only) when driving passive monitors FX 1 & 2 adjusts amount of channel’s signal sent to multi-FX processors (PMP6000 only) PAN positions channel in stereo field CLIP LED lights when channel signal overloads and when PFL button is engaged MUTE button mutes channel LEVEL fader adjusts channel volume Adjustable stereo 2-Track input for connecting external line sources Multi-functional stereo Preamp outputs for added flexibility Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany ON/OFF button Page 3 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs. The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback. The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications. CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right main outputs can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SEND output. Powered outputs on these mixers are available in professional Speakon-compatible format for secure operation. Continued on next page Built-in Digital Effects Processor The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off. Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor. Changing the Channels The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot. A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs. PHANTOM Switch provides 48V to the XLR inputs for use with condenser mics POWER AMP switch selects operation mode of power amp SPEAKER PROCESSING switch allows mixer to compensate for speakers with limited low end frequency response STANDBY button mutes all mic channels (PMP6000) VU METERS display main and monitor output signal levels GRAPHIC EQ adjusts specific frequencies CD/TAPE adjusts volume of CD/TAPE IN signal in main or monitor mix MULTI-FX PROCESSOR adds selected sound effect to any channel whose FX knob is turned up MAIN 2 knob (PMP4000/6000) adjusts output of MAIN 2 jacks PHONES/CTRL ROOM knob adjusts headphone and control room output volume SURROUND knob adjusts the amount of stereo enhancement on the mix. Press the XPQ TO MAIN button to activate the effect FX TO MON and FX TO MAIN knobs adjust amount of signal from internal multi-FX processor included in main or monitor mix FX (SEND) fader(s) adjust signal sent to internal FX processor and FX SEND jack(s) MON (SEND) fader(s) adjust output of MON SEND jacks and OUTPUT A when using MON 1/ MONO mode MAIN fader(s) adjust the output of main signal MONO fader adjusts output of MONO OUT jack Page 4 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S MON knob adjusts amount of channel’s signal sent to MONITOR output jack and/ or OUTPUT A when driving passive monitors Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, EQ knobs adjust high, mid and low frequencies of channel MULTI-FX Processor adds selected sound effect to channels whose FX knob is turned up PHANTOM switch provides 48V to the XLR inputs for use with condenser mics affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances. METERS display main and monitor output signal levels FX 1 & 2 knobs adjust amount of signal sent to respective multi-FX processors POWER AMP switch selects operating mode of power amp PAN knob positions channel in stereo field SPEAKER PROCESSING switch allows mixer to compensate for speakers with limited low end frequency response LEVEL knob adjusts channel volume STANDBY button mutes all input channels except CD/TAPE inputs FX RET 1 & 2 knobs adjust amount of signal from internal multi-FX processor in main or monitor mix ON/OFF button GRAPHIC EQ adjusts specific frequencies CD/TAPE IN knobs adjust volume of CD/TAPE IN signal in main or monitor mix MAIN MASTER knob adjusts output of main signal MONITOR MASTER knob adjusts output of monitor signal and OUTPUT A when using MON/MONO mode Page 5 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S Setup in Stereo Mode XM8500 BEHRINGER C-4 PMP1680S F1220A active floor monitors Bass Guitar PMP6000/PMP4000 PMP6000/PMP4000/PMP1680S Rear Panel OUTPUTs (on rear panel) A (Left mains) B ( Right mains) PMP4000 Electric Guitar USB In/Out B212XL UMA25S VT15FX XENYX1204USB Laptop Setup in Bridge Mode B815NEO active loudspeakers Bass Guitar XM8500 USB In/Out DI400P direct box PMP6000/PMP4000 UMA25S Laptop L Main 1 Out PMP1680S Mon 1 Out B1800X PRO Subwoofer OUTPUTS A 8 Ohms minimum B mono bridge signal Warning: Do not connect a loudspeaker to OUTPUT A in Bridge Mode VT15FX PMP6000 XM8500 Electric Guitar F1220A active floor monitors R Page 6 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S Setup in Mon/Mono Mode PMP6000/PMP4000 PMP1680S Amplifier OUTPUTs (on rear panel) A (monitors) B (mains) Electric Guitar Bass Guitar VP1220F passive monitors VT15FX ULTRA-DI DI400P VP1520 passive loudspeakers PMP1680S CLIP CLIP PAD CLIP PAD HI – Z LOW – Z CLIP PAD HI – Z LOW – Z CLIP PAD HI – Z LOW – Z PAD HI – Z LOW – Z LINE CLIP PAD HI – Z LOW – Z LINE L L R R FX OUT 1 HI – Z LOW – Z VOICE CANCELLER 0 FX OUT MIC MIC MAIN CD / TAPE IN L FOOTSW REC OUT L L L R R MONITOR (STEREO) R FX OFF ON / 10 AUX IN 2 INPUT TO MAIN BEHRINGER C-4 R OUTPUT SEE REAR PANEL CAUTION BEHRINGER C-4 XENXYX1204USB XM8500 XM8500 Page 7 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S MICROPHONE INPUTS PREAMP OUTPUTS OUTPUT POWER PMP6000/PMP4000 PMP6000/PMP4000 RMS @ 1% THD, both channels driven: Type XLR, electronically balanced input circuit MAIN Type Impedance Max. output level Mic E.I.N. (20 Hz - 20 kHz) PMP6000/PMP4000 @ 0 Ohm source resistance @ 50 Ohm source resistance @ 150 Ohm source resistance Frequency response Gain Max. input level Impedance Signal-to-noise ratio Noise (THD + N) -134 dB/136 dB A-weighted -131.5 dB/134 dB A-weighted -129 dB/155 dB A-weighted < 10 Hz - 200 kHz (-1 dB) < 10 Hz - > 200 kHz (-3 dB) +10 dB, +60 dB +12 dBu @ +10 dB gain approx. 2.6 k Ohm balanced/ 1.3 k Ohm unbalanced 109 dB/112 dB A-weighted (0 dBu In @ +10 dB gain) 0.002%/0.0018% A-weighted MONO LINE INPUTS PMP6000/PMP4000 Type Impedance Max. input level ¼" TS connectors, balanced approx. 20 k Ohm +21 dBu STEREO LINE INPUTS PMP6000/PMP4000 Type Impedance Max. input level ¼" TRS connectors, unbalanced > 3.6 k Ohm +22 dBu EQUALIZER 80 Hz/+/-15 dB PMP4000 Mid 2.5 kHz/+/-15 dB PMP6000 Mid 100 Hz - 8 kHz/+/-15 dB PMP6000/PMP4000 High MONITOR Type Impedance Max. output level 12 kHz/+/-15 dB 2 TRACK INPUT PMP6000/PMP4000 Type RCA Impedance approx. 3.6 k Ohm 8 Ohm per channel 4 Ohm per channel RMS @ 1% THD, bridged mode: 8 Ohm ¼" TRS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu PMP6000/PMP4000/PMP1680S STEREO OUTPUTS PMP6000/PMP4000 Peak Power, bridged mode: Type ¼" TRS connectors, unbalanced Impedance approx. 150 Ohm, unbalanced Max. input level +21 dBu Type RCA Impedance approx. 1 kOhm Max. input level +21 dBu LOUDSPEAKER OUTPUTS PMP6000/PMP4000 Type Professional locking connector Load impedance: MAIN L/R MONITOR/MAIN MONO MAIN MONO/MAIN MONO BRIDGE 4 - 8 Ohm 4 - 8 Ohm 4 - 8 Ohm 8 - 16 Ohm PMP6000/PMP4000 DISPLAY 1,600 W POWER SUPPLY Mains voltage PMP6000/PMP4000 USA/Canada China/Korea Europe/Australia Japan Fuse 100 - 120 V~ Fuse 220 - 240 V~ 120 V~, 60 Hz 220 V~, 50/60 Hz 230 V~, 50 Hz 100 V~, 50 - 60 Hz T 10 A H 250 V T 6.3 A H 250 V POWER CONSUMPTION PMP6000/PMP4000 1,050 W IEC standard receptacle DIMENSIONS/WEIGHT PMP4000 Dimensions (H x W x D) 4 7/8 x 18 3/4 x 18 1/8" 122 x 476 x 460 mm PMP6000 Dimensions (H x W x D) 4 7/8 x 23 1/2 x 19 1/2" 122 x 596 x 496 mm PMP4000 PMP4000 2-digit, 7-segment LED PMP6000 Type 400 W 800 W PMP6000/PMP4000 8 Ohm Power consumption Mains connector Converter 24-bit Delta-Sigma, 64/128-times oversampling Dynamics D/A 90 dB Sampling rate 46.875 kHz Delay Time max. 5 secs Signal run time approx. 1.5 ms (Line In > Line Out) 1,200 W Peak Power, both channels driven: 8 Ohm per channel 4 Ohm per channel Type 300 W 600 W PMP6000/PMP4000 PMP6000/PMP4000 DSP PMP6000/PMP4000 Low PMP6000 ¼" TRS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu 2 x 2-digit, 7-segment LED Weight 22.9 lbs/10.38 kg PMP6000 Weight 28.9 lbs/13.1 kg Page 8 of 8 EUROPOWER PMP6000 PMP4000 PMP1680S PMP1680S PREAMP OUTPUTS MICROPHONE INPUTS Type XLR, electronically balanced input circuit Mic E.I.N. (20 Hz - 20 kHz) @ 0 Ohm source resistance @ 50 Ohm source resistance @ 150 Ohm source resistance Frequency response Gain Max. input level Impedance Signal-to-noise ratio Noise (THD + N) MAIN Type Impedance Max. output level -112 dB/114 dB A-weighted -112 dB/114 dB A-weighted -112 dB/114 dB A-weighted < 10 Hz - 200 kHz (-1 dB) < 10 Hz - > 200 kHz (-3 dB) +30 dB, +10 dB with pad +12 dBu @ +10 dB gain approx. 2.2 kOhm balanced/ 1.1 k Ohm unbalanced 110 dB/114 dB A-weighted (0 dBu In @ +10 dB gain) 0.001%/0.0007% A-weighted MONO LINE INPUTS Type Impedance Max. input level STEREO LINE INPUTS Type Impedance unbalanced Max. input level EQUALIZER Low Mid High ¼" TS connectors, balanced approx. 20 kOhm, balanced +21 dBu ¼" TRS connectors, unbalanced approx. 100 kOhm, +21 dBu 80 Hz/+/-15 dB 2.5 kHz/+/-15 dB 12 kHz/+/-15 dB CD/TAPE INPUT Type RCA Impedance approx. 10 k Ohm DISPLAY Type ¼" TS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu MONITOR Type ¼" TS connectors, unbalanced Impedance approx. 150 Ohm, unbalanced Max. output level +21 dBu STEREO OUTPUTS Type ¼" TRS connectors, unbalanced Impedance approx. 150 Ohm, unbalanced Max. input level +21 dBu Type RCA Impedance approx. 1 kOhm Max. input level +21 dBu LOUDSPEAKER OUTPUTS Type Twist-lock professional speaker connector Load impedance: MAIN L/R MONITOR/MAIN MONO MAIN MONO/MAIN MONO BRIDGE 4 - 8 Ohm 4 - 8 Ohm 4 - 8 Ohm 8 - 16 Ohm DSP Converter 24-bit Delta-Sigma, 64/128-times oversampling Dynamics D/A 90 dB Sampling rate 40 kHz Delay Time max. 5 secs Signal run time approx. 1.5 ms (Line In > Line Out) 2 x 2-digit, 7-segment LED OUTPUT POWER RMS @ 1% THD, both channels driven: 8 Ohm per channel 300 W 4 Ohm per channel 600 W RMS @ 1% THD, bridged mode: 8 Ohm 1200 W Peak Power, both channels driven: 8 Ohm per channel 400 W 4 Ohm per channel 800 W Peak Power, bridged mode: 8 Ohm 1600 W POWER SUPPLY Mains voltage USA/Canada China/Korea Europe/Australia Japan Fuse 100 - 120 V~ Fuse 220 - 240 V~ 120 V~, 60 Hz 220 V~, 50/60 Hz 230 V~, 50 Hz 100 V~, 50 - 60 Hz T 10 A H 250 V T 6.3 A H 250 V POWER CONSUMPTION Power consumption Mains connector 1050 W IEC standard receptacle DIMENSIONS/WEIGHT Dimensions (H x W x D) Weight 12 2/5 x 18 1/10 x 8 3/5" 315 x 460 x 220 mm 21.8 lbs/9.9 kg Please note these specifications are preliminary and conceptual in nature, and as such are subject to change as product development progresses. This information is supplied for market research purposes only and is not to be made public in any manner. This document is solely the property of The MUSIC Group, or one of its subsidiaries, and must be surrendered upon request of the owner. For service, support or more information contact the BEHRINGER location nearest you: Europe MUSIC Group Services UK Tel: +44 156 273 2290 Email: CARE@music-group.com USA/Canada MUSIC Group Services NV Inc. Tel: +1 702 800 8290 Email: CARE@music-group.com Japan MUSIC Group Services JP K.K. Tel.: +81 3 6231 0454 Email: CARE@music-group.com Technical specifications and appearances are subject to change without notice and accuracy is not guaranteed. BEHRINGER is part of the MUSIC Group (music-group.com). All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary from actual product. MUSIC Group products are sold through authorized fullfillers and resellers only. Fullfillers and resellers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of MUSIC Group IP Ltd. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands. 985-10000-00448
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