Behringer Europower Pmp6000 Pmp4000 Pmp1680S Users Manual PMP6000/PMP4000/PMP1680S

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The new BEHRINGER PMP Powered

Mixers (2 x 800-Watt stereo, 1600-Watt

bridged mode) produce even more

power than their predecessors while

maintaining a famously low weight

and high eciency. These mixers

employ Class-D technology including

a new switch-mode power supply,

signicantly reducing weight and heat.

The 20-channel PMP6000 features 12

built-in XENYX preamps, the 16-channel

PMP4000 features 8 built-in XENYX mic

preamps, and the 10-Channel PMP1680S

features 8 high-quality built-in mic

preamps. All three models feature

24-bit FX processors, stereo 7-band

graphic EQ and our renowned

FBQ Feedback Detection System.

What is Class-D Technology?

Instead of operating relatively

continuously like Class AB circuits,

Class-D amps switch on and o

thousands of times per second,

delivering power only when needed.

In other words, the amplier is either

fully on or fully o, which signicantly

reduces power losses from the output

devices given o as heat. Less heat means

our amps don’t need massive heat sinks,

and that means we can make them lighter.

Our no-compromise design means the

new PMP mixers will deliver full power

with incredible delity all night long,

without the need for lengthy rest cycles.

When used in conjunction with

switching-mode power supplies,

which don’t require huge and heavy

transformers, our Class-D ampliers

provide tremendous dynamic punch and

superior delity. The resulting speaker

systems are much lighter, making them

easy to transport and set up.

Massive Mono or Stunning Stereo

Our latest PMP give you the choice

of 2 x 800-Watt stereo, 2 x 800-Watt dual

mono mode (giving you a mono version

1600-Watt 10/16/20-Channel Powered

Mixer with Multi-FX Processor and

FBQ Feedback Detection System

Ultra-compact 2 x 800-Watt

stereo powered mixers

(1600 Watt bridged mode)

Revolutionary Class-D amplier

technology: enormous power,

incredible sonic performance and

super-light weight

Ultra-compact design at nearly

half the weight of conventional

powered mixers

PMP6000: 20-channel mixer section

features 12 mono and 4 stereo

channels plus separate CD/Tape

input/output

PMP4000: 16-channel mixer section

features 8 mono and 4 stereo

channels plus separate CD/Tape

input/output

PMP1680S: 10-channel mixer section

features 6 mono and 2 stereo

channels plus separate CD/Tape

input/output

PMP6000, PMP1680S: Dual studio-

grade 24-bit stereo FX processors

with 100 awesome presets including

reverb, chorus, anger, delay, pitch

shifter and various multi-eects

PMP4000: Studio-grade 24-bit stereo

FX processor with 100 awesome

presets including reverb, chorus,

anger, delay, pitch shifter and

various multi-eects

Revolutionary FBQ Feedback

Detection system instantly reveals

critical frequencies for easy

feedback removal

12/8 high-quality Mic Preamps with

switchable +48 V phantom power for

condenser microphones

Continued on next page

EUROPOWER

PMP6000/PMP4000

PMP1680S

Powered Mixers

Page 2 of 8

Eective, extremely musical 3-band

EQ, switchable Low cut lter, and

Clip LEDs on all mono channels

PMP4000 and PMP6000: Stereo

7-band graphic EQ allows precise

frequency correction of monitor or

main outputs

PMP1680S: Stereo 7-band graphic EQ

allows precise frequency correction

of monitor and main outputs

Voice Canceller function removes

singer’s voice from recordings for

karaoke applications

Selectable stereo (main L/R), double

mono (main/monitor) or bridged

mono amplier operation mode

PMP6000 and PMP1680S: Speaker

Processing function adjusts

frequency response to match

professional speaker systems like

BEHRINGER EUROLIVE series, etc.

PMP6000 and PMP1680S: Standby

switch mutes all mic input channels

during breaks while background

music is provided via CD/Tape input

PMP6000: Breathtaking XPQ 3D

stereo surround eect for more

vitality and enhanced stereo image

Adjustable stereo 2-Track input for

connecting external line sources

Multi-functional stereo Preamp

outputs for added exibility

Internal switch-mode power supply,

noise-free audio, superior transient

response and very low

power consumption

High-quality components and

exceptionally rugged construction

ensure long life

Conceived and designed by

BEHRINGER Germany

of the main signal through one powered

output plus a mono version of monitor

send signals through the second powered

output) or 1,600-Watt bridged mono

sound. Whether the center of attention

happens to be a folk trio, a speech, or

a synth-rock band with mind-boggling

stereo patches, PMP mixers can

accommodate. This sonic versatility also

makes it an excellent choice for churches,

where vocals and stereo recordings often

share face time.

Classic Control, State-of-the-Art Sound

Leave the mic preamps at home,

because the quality of sound that was

ON/OFF

button

GAIN knob adjusts

sensitivity of MIC

or LINE inputs

EQ adjusts

high, mid and

low frequencies

FX 1 & 2 adjusts

amount of

channel’s signal

sent to multi-FX

processors

(PMP6000 only)

PAN positions

channel in

stereo eld

MON knobs adjust

amount of channel

signal sent to MON

SEND jacks and/or

OUTPUT A (MON 1

signals only) when

driving passive

monitors

MUTE button

mutes channel

LEVEL fader

adjusts

channel

volume

CLIP LED lights

when channel

signal overloads

and when PFL

button is engaged

Continued on next page

EUROPOWER

PMP6000

PMP4000

PMP1680S

Page 3 of 8

once only available in the studio is ready to

go wherever you do. Built-in, boutique-caliber

mic preamps with switchable +48 V phantom

power make it possible to use either dynamic

or condenser mics with the PMP Series. The

PMP6000 gives you 12 mic inputs while the

PMP4000 and PMP1680S each give you 8 mic

inputs.

Built-in Digital Eects Processor

The new generation of PMP mixers come

equipped with 24-bit FX processors, giving you

100 mind-blowing digital eect presets such

as delay, chorus and reverb. Apply them to

any channel, as well as to the monitors and

main output. In case you’re pulling double

duty as sound engineer and performer, the FX

processors features a footswitch jack for remote

on/o. Of course, if you have treasured outboard

gear you’ve grown attached to, these mixers can

integrate them into the mix while leaving out

the built-in FX processor.

Changing the Channels

The PMP Series gives you excellent exibility

to accommodate whatever a performance

requires. You get 12 (PMP6000) or 8 (PMP4000

and PMP1680S) channels for mics, guitars

and other mono instruments. Stereo channels

13-20 (PMP6000), 9-16 (PMP4000) and

7-10 (PMP1680S) are designed to work in

pairs as stereo channels, or independently for

more mono instruments. All mono channels

have 3-band EQ, switchable Low cut lter for

eliminating infrasonics, and Clip LEDs to indicate

when the input signal is too hot.

A STANDBY switch (PMP6000 and PMP1680S)

mutes all mic channels during breaks, preventing

the microphones from picking up noise or

interference. You can leave all faders untouched

while you play a CD via the CD/TAPE inputs.

The FBQ Feedback Detection

system automatically shows you which

frequencies are causing feedback.

Just touch the FBQ button and watch

the red LEDs on the 7-band graphic EQ

pinpoint show you which frequencies

to adjust for optimized sound,

without the feedback.

The Ins and Outs

Use the CD/TAPE IN RCA inputs to feed

in external stereo signals from CD players

or tape decks. The VOICE CANCELLER

switch eliminates the vocals from

pre-recorded music for instant

karaoke applications.

CD/TAPE OUT RCA outputs send

line-level signals from the mixer to a

recording device. The left and right

main outputs can be used for a variety

of purposes, including connecting more

power amps. Connect monitor power

amps or active monitor speakers to the

MON SEND output. Powered outputs

on these mixers are available in

professional Speakon-compatible format

for secure operation.

Continued on next page

MULTI-FX

PROCESSOR adds

selected sound

eect to any

channel whose FX

knob is turned up

GRAPHIC EQ

adjusts specic

frequencies

FX TO MON and

FX TO MAIN knobs

adjust amount of

signal from internal

multi-FX processor

included in main or

monitor mix

PHONES/CTRL

ROOM knob

adjusts headphone

and control room

output volume

VU METERS

display main and

monitor output

signal levels

CD/TAPE adjusts

volume of CD/TAPE

IN signal in main or

monitor mix

MAIN 2 knob

(PMP4000/6000)

adjusts output of

MAIN 2 jacks

SURROUND

knob adjusts the

amount of stereo

enhancement on

the mix. Press the

XPQ TO MAIN

button to activate

the eect

STANDBY

button mutes

all mic channels

(PMP6000)

FX (SEND)

fader(s) adjust

signal sent to

internal FX

processor and FX

SEND jack(s)

MON (SEND)

fader(s) adjust

output of MON

SEND jacks and

OUTPUT A when

using MON 1/

MONO mode

MONO fader

adjusts output

of MONO OUT

jack

MAIN fader(s)

adjust the

output of

main signal

PHANTOM Switch

provides 48V to

the XLR inputs

for use with

condenser mics

POWER AMP

switch selects

operation mode of

power amp

SPEAKER

PROCESSING

switch allows mixer

to compensate

for speakers

with limited low

end frequency

response

EUROPOWER

PMP6000

PMP4000

PMP1680S

Page 4 of 8

PHANTOM switch

provides 48V to

the XLR inputs

for use with

condenser mics

METERS

display main

and monitor

output

signal levels

MULTI-FX

Processor adds

selected sound

eect to channels

whose FX knob is

turned up

POWER AMP

switch selects

operating mode

of power amp

EQ knobs adjust

high, mid and

low frequencies

of channel

MON knob

adjusts amount

of channel’s signal

sent to MONITOR

output jack and/

or OUTPUT A

when driving

passive monitors

FX 1 & 2 knobs

adjust amount

of signal sent to

respective

multi-FX

processors

FX RET 1 & 2 knobs

adjust amount

of signal from

internal multi-FX

processor in main

or monitor mix

GRAPHIC

EQ adjusts

specic

frequencies

SPEAKER PROCESSING

switch allows mixer to

compensate for speakers

with limited low end

frequency response

STANDBY

button

mutes all

input channels

except CD/TAPE

inputs

ON/OFF

button

MONITOR MASTER

knob adjusts

output of monitor

signal and OUTPUT

A when using

MON/MONO mode

CD/TAPE IN

knobs adjust

volume

of CD/TAPE IN

signal in main

or monitor mix

LEVEL knob

adjusts channel

volume

PAN knob

positions

channel in

stereo eld

MAIN MASTER

knob adjusts

output of main

signal

Small, Simple, Superb

Medium-sized events call for a

lightweight (PMP6000: 13.1 kg/28.9 lbs;

PMP4000: 0.4 kg/22.9 lbs; PMP1680S:

9.9 kg/28.8 lbs), easy-to-use

powered mixer. BEHRINGER powered

mixers are the most ecient,

aordable mixers for the job, and are even

suitable for use as pure analog mixers

or as pure power amplers. With new

technological advantages and incredible

built-in features, it’s easier than ever to

lend exceptional sound quality to all kinds

of public performances.

EUROPOWER

PMP6000

PMP4000

PMP1680S

Page 5 of 8

BEHRINGER C-4

F1220A active

oor monitors

XENYX1204USB

PMP4000

UMA25S

VT15FX

Electric Guitar

Bass Guitar

XM8500

Laptop

USB In/Out

PMP6000/PMP4000/PMP1680S

Rear Panel

OUTPUTs (on rear panel)

A

(Left mains)

B

( Right mains)

B212XL

PMP6000/PMP4000

PMP1680S

PMP6000

DI400P

direct box

F1220A active

oor monitors

Electric Guitar

VT15FX

Laptop

USB

In/Out

Main 1 Out

RL

Mon 1 Out

UMA25S

XM8500

XM8500

B815NEO active

loudspeakers

Warning: Do not connect

a loudspeaker to OUTPUT A

in Bridge Mode8 Ohms minimum

B1800X PRO

Subwoofer

OUTPUTS

B

mono

bridge signal

A

PMP6000/PMP4000 PMP1680S

Bass Guitar

Setup in Stereo Mode

Setup in Bridge Mode

EUROPOWER

PMP6000

PMP4000

PMP1680S

Page 6 of 8

FX OUT

1

2

FX OUTAUX IN

REC

OUT

(STEREO)(STEREO)

MAIN

MONITOR



SEE REAR PANEL CAUTION

LOW

–

ZLOW

–

Z

HI

–

Z

LOW

–

Z

HI

–

Z

LOW

–

Z

HI

–

Z

LOW

–

Z

HI

–

Z

LOW

–

Z

CLIP

PAD

CLIP

PAD

CLIP

PAD

CLIP

PAD

010

FOOTSW

ON

/

OFF

LINE

L

R

MIC

LINE

L

R

MIC

L

R

L

R

L

R

L

R

VOICE

CANCELLER

OUTPUTFX INPUT TO MAIN

CD

/

TAPE

IN

CLIP

PAD

HI

–

ZHI

–

Z

CLIP

PAD

XENXYX1204USB

PMP1680S

XM8500

ULTRA-DI DI400P

Electric Guitar

BEHRINGER C-4

XM8500

BEHRINGER C-4

VT15FX

Amplier OUTPUTs (on rear panel)

A

(monitors)

B

(mains)

VP1520

passive loudspeakers

VP1220F

passive monitors

Bass Guitar

PMP6000/PMP4000 PMP1680S

Setup in Mon/Mono Mode

EUROPOWER

PMP6000

PMP4000

PMP1680S

Page 7 of 8

MICROPHONE INPUTS

PMP6000/PMP4000

Type XLR, electronically balanced

input circuit

Mic E.I.N. (20 Hz - 20 kHz)

PMP6000/PMP4000

@ 0 Ohm source resistance -134 dB/136 dB A-weighted

@ 50 Ohm source resistance -131.5 dB/134 dB A-weighted

@ 150 Ohm source resistance -129 dB/155 dB A-weighted

Frequency response < 10 Hz - 200 kHz (-1 dB)

< 10 Hz - > 200 kHz (-3 dB)

Gain +10 dB, +60 dB

Max. input level +12 dBu @ +10 dB gain

Impedance approx. 2.6 k Ohm balanced/

1.3 k Ohm unbalanced

Signal-to-noise ratio 109 dB/112 dB A-weighted

(0 dBu In @ +10 dB gain)

Noise (THD + N) 0.002%/0.0018% A-weighted

MONO LINE INPUTS

PMP6000/PMP4000

Type ¼" TS connectors, balanced

Impedance approx. 20 k Ohm

Max. input level +21 dBu

STEREO LINE INPUTS

PMP6000/PMP4000

Type ¼" TRS connectors, unbalanced

Impedance > 3.6 k Ohm

Max. input level +22 dBu

EQUALIZER

PMP6000/PMP4000

Low 80 Hz/+/-15 dB

PMP4000

Mid 2.5 kHz/+/-15 dB

PMP6000

Mid 100 Hz - 8 kHz/+/-15 dB

PMP6000/PMP4000

High 12 kHz/+/-15 dB

2 TRACK INPUT

PMP6000/PMP4000

Type RCA

Impedance approx. 3.6 k Ohm

PREAMP OUTPUTS

PMP6000/PMP4000

MAIN

Type ¼" TRS connectors, unbalanced

Impedance approx. 150 Ohm, unbalanced

Max. output level +21 dBu

MONITOR

PMP6000/PMP4000

Type ¼" TRS connectors, unbalanced

Impedance approx. 150 Ohm, unbalanced

Max. output level +21 dBu

STEREO OUTPUTS

PMP6000/PMP4000

Type ¼" TRS connectors, unbalanced

Impedance approx. 150 Ohm, unbalanced

Max. input level +21 dBu

Type RCA

Impedance approx. 1 kOhm

Max. input level +21 dBu

LOUDSPEAKER OUTPUTS

PMP6000/PMP4000

Type Professional locking connector

Load impedance:

MAIN L/R 4 - 8 Ohm

MONITOR/MAIN MONO 4 - 8 Ohm

MAIN MONO/MAIN MONO 4 - 8 Ohm

BRIDGE 8 - 16 Ohm

DSP

PMP6000/PMP4000

Converter 24-bit Delta-Sigma,

64/128-times oversampling

Dynamics D/A 90 dB

Sampling rate 46.875 kHz

Delay Time max. 5 secs

Signal run time approx. 1.5 ms

(Line In > Line Out)

DISPLAY

PMP4000

Type 2-digit, 7-segment LED

PMP6000

Type 2 x 2-digit, 7-segment LED

OUTPUT POWER

RMS @ 1% THD, both channels driven:

PMP6000

8 Ohm per channel 300 W

4 Ohm per channel 600 W

RMS @ 1% THD, bridged mode:

PMP6000/PMP4000

8 Ohm 1,200 W

Peak Power, both channels driven:

PMP6000/PMP4000/PMP1680S

8 Ohm per channel 400 W

4 Ohm per channel 800 W

Peak Power, bridged mode:

PMP6000/PMP4000

8 Ohm 1,600 W

POWER SUPPLY

Mains voltage

PMP6000/PMP4000

USA/Canada 120 V~, 60 Hz

China/Korea 220 V~, 50/60 Hz

Europe/Australia 230 V~, 50 Hz

Japan 100 V~, 50 - 60 Hz

Fuse 100 - 120 V~ T 10 A H 250 V

Fuse 220 - 240 V~ T 6.3 A H 250 V

POWER CONSUMPTION

PMP6000/PMP4000

Power consumption 1,050 W

Mains connector IEC standard receptacle

DIMENSIONS/WEIGHT

PMP4000

Dimensions (H x W x D) 4 / x 18 / x 18 /"

122 x 476 x 460 mm

PMP6000

Dimensions (H x W x D) 4 / x 23 / x 19 /"

122 x 596 x 496 mm

PMP4000

Weight 22.9 lbs/10.38 kg

PMP6000

Weight 28.9 lbs/13.1 kg

EUROPOWER

PMP6000

PMP4000

PMP1680S

Page 8 of 8

For service, support or more information contact the BEHRINGER location nearest you:

Europe

MUSIC Group Services UK

Tel: +44 156 273 2290

Email: CARE@music-group.com

USA/Canada

MUSIC Group Services NV Inc.

Tel: +1 702 800 8290

Email: CARE@music-group.com

Japan

MUSIC Group Services JP K.K.

Tel.: +81 3 6231 0454

Email: CARE@music-group.com

Technical specifications and appearances are subject to change without notice and accuracy is not guaranteed. BEHRINGER is part of the MUSIC Group (music-group.com). All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss

which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary from actual product. MUSIC Group products are sold through authorized fullfillers and resellers only.

Fullfillers and resellers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any

means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of MUSIC Group IP Ltd. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town,

Tortola, British Virgin Islands. 985-10000-00448

PMP1680S

MICROPHONE INPUTS

Type XLR, electronically

balanced input circuit

Mic E.I.N. (20 Hz - 20 kHz)

@ 0 Ohm source resistance -112 dB/114 dB A-weighted

@ 50 Ohm source resistance -112 dB/114 dB A-weighted

@ 150 Ohm source resistance -112 dB/114 dB A-weighted

Frequency response < 10 Hz - 200 kHz (-1 dB)

< 10 Hz - > 200 kHz (-3 dB)

Gain +30 dB, +10 dB with pad

Max. input level +12 dBu @ +10 dB gain

Impedance approx. 2.2 kOhm balanced/

1.1 k Ohm unbalanced

Signal-to-noise ratio 110 dB/114 dB A-weighted

(0 dBu In @ +10 dB gain)

Noise (THD + N) 0.001%/0.0007% A-weighted

MONO LINE INPUTS

Type ¼" TS connectors, balanced

Impedance approx. 20 kOhm, balanced

Max. input level +21 dBu

STEREO LINE INPUTS

Type ¼" TRS connectors, unbalanced

Impedance approx. 100 kOhm,

unbalanced

Max. input level +21 dBu

EQUALIZER

Low 80 Hz/+/-15 dB

Mid 2.5 kHz/+/-15 dB

High 12 kHz/+/-15 dB

CD/TAPE INPUT

Type RCA

Impedance approx. 10 k Ohm

PREAMP OUTPUTS

MAIN

Type ¼" TS connectors, unbalanced

Impedance approx. 150 Ohm, unbalanced

Max. output level +21 dBu

MONITOR

Type ¼" TS connectors, unbalanced

Impedance approx. 150 Ohm, unbalanced

Max. output level +21 dBu

STEREO OUTPUTS

Type ¼" TRS connectors,

unbalanced

Impedance approx. 150 Ohm, unbalanced

Max. input level +21 dBu

Type RCA

Impedance approx. 1 kOhm

Max. input level +21 dBu

LOUDSPEAKER OUTPUTS

Type Twist-lock professional

speaker connector

Load impedance:

MAIN L/R 4 - 8 Ohm

MONITOR/MAIN MONO 4 - 8 Ohm

MAIN MONO/MAIN MONO 4 - 8 Ohm

BRIDGE 8 - 16 Ohm

DSP

Converter 24-bit Delta-Sigma,

64/128-times oversampling

Dynamics D/A 90 dB

Sampling rate 40 kHz

Delay Time max. 5 secs

Signal run time approx. 1.5 ms

(Line In > Line Out)

DISPLAY

Type 2 x 2-digit, 7-segment LED

OUTPUT POWER

RMS @ 1% THD, both channels driven:

8 Ohm per channel 300 W

4 Ohm per channel 600 W

RMS @ 1% THD, bridged mode:

8 Ohm 1200 W

Peak Power, both channels driven:

8 Ohm per channel 400 W

4 Ohm per channel 800 W

Peak Power, bridged mode:

8 Ohm 1600 W

POWER SUPPLY

Mains voltage

USA/Canada 120 V~, 60 Hz

China/Korea 220 V~, 50/60 Hz

Europe/Australia 230 V~, 50 Hz

Japan 100 V~, 50 - 60 Hz

Fuse 100 - 120 V~ T 10 A H 250 V

Fuse 220 - 240 V~ T 6.3 A H 250 V

POWER CONSUMPTION

Power consumption 1050 W

Mains connector IEC standard receptacle

DIMENSIONS/WEIGHT

Dimensions (H x W x D) 12 / x 18 / x 8 /"

315 x 460 x 220 mm

Weight 21.8 lbs/9.9 kg

Please note these specications are preliminary and conceptual in nature,

and as such are subject to change as product development progresses.

This information is supplied for market research purposes only and is not

to be made public in any manner. This document is solely the property of

The MUSIC Group, or one of its subsidiaries, and must be surrendered upon

request of the owner.

EUROPOWER

PMP6000

PMP4000

PMP1680S