Behringer Ultragraph Pro Fbq1502 Brochure FBQ6200/FBQ3102/FBQ1502
Behringer FBQ1502 Brochure FBQ6200_FBQ3102_FBQ1502_WebBrochure Behringer - FBQ1502 - Brochure
Behringer FBQ1502 Brochure fbq6200_fbq3102_fbq1502_webbrochure Behringer - FBQ1502 - Brochure
Behringer FBQ6200 Brochure FBQ6200_FBQ3102_FBQ1502_WebBrochure Behringer - FBQ6200 - Brochure
Behringer FBQ6200 Brochure fbq6200_fbq3102_fbq1502_webbrochure Behringer - FBQ6200 - Brochure
Behringer FBQ1502 Brochure fbq6200_fbq3102_fbq1502_webbrochure Behringer - FBQ1502 - Brochure
2015-06-29
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Equalizers ULTRAGRAPH PRO FBQ6200/FBQ3102/FBQ1502 Audiophile Multi-Band Stereo Graphic Equalizers with FBQ Feedback Detection System ULTRAGRAPH PRO FBQ6200 — Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Audiophile 31-band stereo graphic equalizer for live and studio applications Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion Pink noise generator provides test signals to adapt your sound system to any room acoustics Relay-controlled hard bypass with an auto-bypass function during power failure (failsafe relay) ULTRAGRAPH PRO FBQ3102 — Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Professional 31-band stereo graphic equalizer for live and studio applications Relay-controlled hard bypass with an auto-bypass function during power failure (failsafe relay) ULTRAGRAPH PRO FBQ3102 — Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Professional 15-band stereo graphic equalizer for live and studio applications Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! BEHRINGER ULTRAGRAPH PRO Series equalizers take a giant leap forward technologically, providing robust feature sets and our proprietary FBQ Feedback Detection System—at a price that makes them a must-have for anyone who records or operates a live sound system. How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. • The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums • The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals • The right-hand lanes have all the high-frequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix BEHRINGER FBQ-PRO EQs allow you to control the flow of audio traffic in each of these lanes. The more lanes (bands) you have, the more control you have over the final sound. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization. Page 2 of 6 Special Tools for Low Frequencies ULTRAGRAPH PRO FBQ6200 / FBQ3102 FBQ1502 Common features Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer Mono subwoofer output with dedicated level control and adjustable crossover frequency Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc. (low-cut switch only FBQ1502) Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting Ultra-low noise audio operational amplifiers for highest signal integrity Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors Shielded toroidal power transformer for ultra-low noise performance High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany The low-frequency sound range requires special attention. That’s why the FBQ-PRO Series features a Low Cut filter, in addition to the frequency faders, to help remove unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This filter is preset on the FBQ1502 to remove all content below 25 Hz, which can really eat into your power amp’s headroom. On the FBQ3120 and FBQ6200 models we take it a step further, including variable High- and Low-Cut filters per channel with a sweepable frequency dial for even more control. Crossover Not Required Speaking of special low-frequency tools, all three FBQ-PRO models feature a dedicated subwoofer output with an adjustable (30 – 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps, or directly to your active subwoofers, without any additional hardware—just another example of how BEHRINGER saves you money. FBQ Feedback Detection System The FBQ Feedback Detection System is one of the most outstanding features of our graphic equalizers. This ingenious circuitry helps you recognize and eliminate feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated fader lights, so you know at a glance which fader to lower to eliminate the feedback. BEHRINGER’S proprietary FBQ Feedback Detection System makes it easy for even the novice operator to defeat live sound’s natural enemy—feedback! Stereo or Double-Duty? There are two reasons to buy a stereo EQ—to run your Front Of House (FOH) system in stereo, or to use one side for mono FOH while the other side EQs your monitors, which is usually where feedback problems start. FBQ6200’s Added Features The flagship of the series, the FBQ6200 has all the features mentioned above, plus switchable Limiters per channel with separate Threshold controls, long-throw 45 mm frequency faders for added precision, and a built-in Pink Noise generator that enables the FBQ6200 to pull double-duty as an audio spectrum analyzer. Superb Audio, Sound Value FBQ-PRO Series graphic EQs bring out the best in your sound system, and your performance, whether you use them in the studio or at your next live gig. We dare you to compare the FBQ1502, FBQ3102 or FBQ6200 against the competition. Once you do, you’ll choose BEHRINGER again and again for both audio quality and value. Test Drive one today at your authorized BEHRINGER dealer. Page 3 of 6 ULTRAGRAPH PRO FBQ6200 / FBQ3102 FBQ1502 FBQ6200 Front Panel Threshold control Limiter meter sets amount of displays amount gain reduction of gain reduction Pink Noise switch Pink Noise Meter activates/deactivates displays generator built-in signal generator signal level Noise Level control sets level of generator signal Limiter switch activates/ deactivates built-in limiter (per channel) FBQ switch activates/ deactivates built-in Feedback Detection System Input/Output Level Meter displays signal level High Cut control adjusts upper cut-off frequency between 2.5 and 30 kHz Input Level control Range switch toggles maximum EQ fader range between ±12 and ±6 dB Low Cut control adjusts lower cut-off frequency between 10 and 40 Hz 31 sliding EQ faders for boost/cut of individual frequency bands with LEDs I/O Meter In/Out switch displays either input or output signal level Audio In/Out switch engages or bypasses entire EQ function Subwoofer switch Subwoofer activates/deactivates Level control subwoofer output Sub Out Meter displays signal level at output connector on rear panel FBQ3102 Front Panel High Cut control adjusts upper cut-off frequency between 2.5 and 30 kHz Input/Output Level Meter displays signal level I/O Meter In/Out switch displays either input or output signal level FBQ switch activates/ deactivates built-in Feedback Detection System Audio In/Out switch engages or bypasses entire EQ function Range switch toggles maximum EQ fader range between ±12 and ±6 dB Input Level control 31 sliding EQ faders per channel for boost/cut of individual frequency bands with LEDs Low Cut control adjusts lower cut-off frequency between 10 and 40 Hz FBQ6200 / FBQ3102 Rear Panel Power switch Standard IEC Power socket Balanced XLR & balanced/unbalanced 1/4" TRS Inputs Sub Out XLR sends LF content to subwoofers X-Over Frequency control selects desired subwoofer frequency cut-off Balanced XLR & balanced/unbalanced 1/4" TRS Outputs Page 4 of 6 ULTRAGRAPH PRO FBQ6200 / FBQ3102 FBQ1502 FBQ1502 Front Panel FBQ switch activates/deactivates built-in Feedback Detection System Audio In/Out switch engages or bypasses entire EQ function Output Level Meter displays signal level Range switch toggles maximum EQ fader range between ±12 and ±6 dB Low Cut switch activates high-pass filter removing content below 25 Hz FBQ1502 Rear Panel Standard IEC Power socket 15 sliding EQ faders per channel for boost/cut of individual frequency bands with LEDs Power switch Input Level control Balanced XLR & balanced/ unbalanced 1/4" TRS Outputs Balanced XLR & balanced/ unbalanced 1/4" TRS Inputs X-Over Frequency control selects desired subwoofer frequency cut-off Sub Out XLR sends LF content to subwoofers Stereo PA with Two Monitor Mixes CH 1/2 OUT ULTRAGRAPH PRO FBQ1502 F1320D Active Floor Monitors ULTRAGRAPH PRO FBQ3102 AUX 1/2 OUT XENYX X2442USB Main OUT R/L CH 1/2 OUT B1800D-PRO Active Subwoofers B815NEO Active Loudspeakers Page 5 of 6 ULTRAGRAPH PRO FBQ6200 / FBQ3102 FBQ1502 Specifications FBQ6200 Pink Noise Subwoofer Audio Inputs Inputs RF-filtered, servo-balanced XLR and ¼" TRS connectors Impedance 40 kW balanced and unbalanced Maximum input level +21 dBu balanced and unbalanced CMRR typ. 40 dB, >55 dB @ 1 kHz Indicators Input/output level Subwoofer Audio Outputs Mains Voltage USA / Canada Europe / U.K. / Australia Japan general export model Power consumption Fuse System Specifications 10 Hz to 30 kHz, ±3 dB 22 Hz to 22 kHz >94 dB @ +4 dBu typ. 0.006% @ +4 dBu, 1 kHz, Gain 1 typ. -65 dB @ 1 kHz Roll-Off Filter Section Type Input Low Cut High Cut 12 dB/oct., Butterworth variable (-15 dB to +15 dB) variable (10 Hz to 400 Hz) variable (2.5 kHz to 30 kHz) Graphic Equalizer Type Frequency range Bandwidth Control range analog 31-band equalizer 20 Hz to 20 kHz in 31 1/3-octave bands (ISO frequencies) 1/3 octave ±6 dB or ±12 dB (switchable) 20 msec / 90 msec variable, -6 dB to +22 dB (off) Gain reduction 20/10/3/1 dB Noise Generator Type LED level meter Pink noise, level variable, off to 0 dBu, -24/-12/-6/0 dB Function Switches FBQ Audio In/Out I/O Meter In/Out Range Low Cut Limiter Audio Inputs Inputs RF-filtered, servo-balanced XLR and ¼" TRS connectors Impedance 40 kW balanced and unbalanced Maximum input level +21 dBu balanced and unbalanced CMRR typ. 40 dB, >55 dB @ 1 kHz Attack/Release — Threshold — LED meter — Noise Generator Type — LED level meter — Function Switches FBQ Dimensions (H x W x D) approx. 5.90 x 5.23 x 18.97" approx. 150 x 133 x 482.0 mm Weight approx. 6.70 lbs approx. 3.04 kg activates the FBQ Feedback Detection System Audio In/Out switch to bypass the equalizer functions I/O Meter In/Out switches the meter display from input to output Range shift of the maximum cut/boost range for all 31/15 bands Low Cut — Limiter — Pink Noise — Subwoofer — Indicators Input/output level 12-segment LED display: -30/-24/-18/12/-6/-3/0/+3/+6/+9/+12 dB/CLIP Subwoofer — Audio Outputs Power Supply Outputs servo-balanced XLR and ¼" TRS connectors Subwoofer Out balanced XLR connector Crossover frequency variable, 30 - 200 Hz Mains Voltage USA / Canada Europe / U.K. / Australia Japan general export model Power consumption Fuse Frequency response S/N ratio Distortion (THD) Crosstalk 10 Hz to 30 kHz, ±3 dB 22 Hz to 22 kHz >94 dB @ +4 dBu typ. 0.006% @ +4 dBu, 1 kHz, Gain 1 typ. -65 dB @ 1 kHz Mains connection 120 V~, 60 Hz 230 V~, 50 Hz 100 V~, 50 - 60 H 120/230 V~, 50 - 60 Hz 22 W 100 - 120 V~: T 630 mA H / 200 - 240 V~: T 315 mA H standard IEC receptacle Dimensions / Weight Roll-Off Filter Section Type Input Low Cut High Cut analog 31-band equalizer 20 Hz to 20 kHz in 31 1/3-octave bands (ISO frequencies) 1/3 octave ±6 dB or ±12 dB (switchable) Limiter Section 120 V~, 60 Hz 230 V~, 50 Hz 100 V~, 50 - 60 Hz 120/230 V~, 50 - 60 Hz 22 W 100 - 120 V~: T 630 mA H / 200 - 240 V~: T 315 mA H standard IEC receptacle Dimensions / Weight Type Frequency range Bandwidth Control range System Specifications activates the FBQ Feedback Detection System switch to bypass the equalizer functions switches the meter display from input to output shift of the maximum cut/boost range for all 31/15 bands — activates the limiter 8-segment LED display: -24/-18/-12/-6/0/+6/+12 dB/CLIP 4-segment LED display: -18/-12/0/+12 dB FBQ6200 Limiter Section Attack/Release Threshold LED meter Mains connection Graphic Equalizer Power Supply Outputs servo-balanced XLR and ¼" TRS connectors Subwoofer Out balanced XLR connector, level variable off to 0 dB Crossover frequency variable, 30 - 200 Hz Frequency response S/N ratio Distortion (THD) Crosstalk activates the noise generator activates the subwoofer output 12 dB/oct., Butterworth variable (-15 dB to +15 dB) variable (10 Hz to 400 Hz) variable (2.5 kHz to 30 kHz) Dimensions (H x W x D) approx. 5.90 x 3.50 x 18.99" approx. 150 x 89 x 482.6 mm Weight approx. 5.82 lbs approx. 2.64 kg Page 6 of 6 ULTRAGRAPH PRO FBQ6200 / FBQ3102 FBQ1502 FBQ1502 Audio Inputs Graphic Equalizer Inputs RF-filtered, servo-balanced XLR and ¼" TRS connectors Impedance 40 kW balanced and unbalanced Maximum input level +21 dBu balanced and unbalanced CMRR typ. 40 dB, >55 dB @ 1 kHz Type Frequency range Audio Outputs Limiter Section Outputs servo-balanced XLR and ¼" TRS connectors Attack/Release — Subwoofer Out Crossover frequency balanced XLR connector variable, 30 - 200 Hz 10 Hz to 30 kHz, ±3 dB 22 Hz to 22 kHz >94 dB @ +4 dBu typ. 0.006% @ +4 dBu, 1 kHz, Gain 1 typ. -65 dB @ 1 kHz Roll-Off Filter Section Type Input Low Cut High Cut Threshold — LED meter — Noise Generator System Specifications Frequency response S/N ratio Distortion (THD) Crosstalk Bandwidth Control range Indicators analog 15-band equalizer 20 Hz to 16 kHz in 15 bands (ISO frequencies) 2/3 octave ±6 dB or ±12 dB (switchable) 12 dB/oct., Butterworth variable (-15 dB to +15 dB) switchable, Cutoff @ 25 Hz — Type — LED level meter — Input/output level 4-segment LED display: -20/0/+6 dB/CLIP (output only) Subwoofer — Power Supply Mains Voltage USA / Canada 120 V~, 60 Hz Europe / U.K. / Australia 230 V~, 50 Hz Japan general export model Power consumption Fuse Mains connection 100 V~, 50 - 60 Hz 120/230 V~, 50 - 60 Hz 22 W 100 - 120 V~: T 630 mA H / 200 - 240 V~: T 315 mA H standard IEC receptacle Function Switches Dimensions / Weight FBQ Dimensions (H x W x D) approx. 8.46 x 1.75 x 18.99" approx. 215 x 44.5 x 482.6 mm Weight approx. 5.15 lbs approx. 2.34 kg activates the FBQ Feedback Detection System Audio In/Out switch to bypass the equalizer functions I/O Meter In/Out — Range shift of the maximum cut/boost range for all 31/15 bands Low Cut activates the high pass filter Limiter — Pink Noise — Subwoofer — Please note these specifications are preliminary and conceptual in nature, and as such are subject to change as product development progresses. This information is supplied for market research purposes only and is not to be made public in any manner. This document is solely the property of The MUSIC Group, or one of its subsidiaries, and must be surrendered upon request of the owner. For service, support or more information contact the BEHRINGER location nearest you: Europe MUSIC Group Services UK Tel: +44 156 273 2290 Email: CARE@music-group.com USA/Canada MUSIC Group Services NV Inc. Tel: +1 702 800 8290 Email: CARE@music-group.com Japan MUSIC Group Services JP K.K. Tel.: +81 3 6231 0454 Email: CARE@music-group.com Technical specifications and appearances are subject to change without notice and accuracy is not guaranteed. BEHRINGER is part of the MUSIC Group (music-group.com). All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary from actual product. MUSIC Group products are sold through authorized fullfillers and resellers only. Fullfillers and resellers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of MUSIC Group IP Ltd. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands. 985-10000-00498
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