CASIO Musical Instruments Manual L0804097
User Manual: CASIO CASIO Musical Instruments Manual CASIO Musical Instruments Owner's Manual, CASIO Musical Instruments installation guides
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WK -1800
WK -1630
WK -1600
USER'S GUIDE
P
,t9 • •
_VI'_1800-E-1
I0
GUIDELINES
areas).
LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable
to other
NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly
authority to operate the equipment.
Page 2
approved by the party responsible
for compliance
could void the user's
Welcome...
To the happy
family
out of the many
and
keep
of satisfied
features
it on hand
and
CASIO
electronic
functions
for future
musical
instrument
of the keyboard,
be sure
owners!
to carefully
To get the most
read
this manual
reference.
Important!
When
using
whenever
batteries,
be sure
you notice
any of the following
• Dim power
supply
• Instrument
does
• Display
• Occasional
• Sudden
• Flickering
• Continued
• A totally
• Abnormal
• Sudden
not turn
of sound
rhythm
sources
to read
volume
of sound
when
or dimming
different
power
output
failure
sound
to one of the alternate
on
dim, or difficult
interruption
power
or shift
symptoms.
low speaker/headphone
• Loss of power,
or MIDI
them
indicator
that is flickering,
• Abnormally
• Distortion
to replace
when
playing
of the dispaly
output
even
playing
at high
volumes
at high volumes
when
playing
after you release
at high volume
a key
tone may sound
pattern
sound
and
distortion,
demo
tune play
or low volume
when
playing
from a connected
computer
device
power
failure
while
reading
from or writing
to a diskette
CASIO ELECTRONICS
CO., LTD.
Unit 6, 1000
North Circular Road
London NW2 7JD, U.K.
This mark is valid in the EU countries only.
Please keep all information for future reference.
(WK-1800
only)
Symbols
Various
symbols
are used
in this operating
manual
and
on the product
itself to ensure
that the product
is used
safely and correctly,
and to prevent
injury to the user
and other persons
as well as damage
to property.
Those
symbols
along with their meanings
are shown below.
ff/k_
This indication
stipulates
matters
that have the risk
of causing
death or serious
injury if the product
is
operated
incorrectly
while ignoring
this indication.
CAUTION
Examples
user
careful. (_)
(The means
example thatat left
This should
triangle besymbol
the
indicates
electrical
shock caution.)
//_
This circle with a line through it (O) means
that the indicated
action must not be per-
®
formed.
Indications
within
or nearby
this
symbol are specifically
prohibited.
(The example at left indicates
that disassembly
is
prohibited.)
The black dot (_)
means
that the indicated
action must be performed.
Indications
within
this symbol are actions that are specifically
instructed
to be performed.
(The example
at
left indicates
that the power
plug must be
unplugged
from the electrical
socket.)
,d_ WARNING
Please
use caution
regarding
adaptor.
• Do not use a voltage
other
cated power supply voltage.
age other than
fire or electrical
the handling
than the indiUse of a volt-
that indicated
shock.
may
cause
• If the power cord should become damaged
(exposed
wires, disconnection,
etc.), purchase a new AC adaptor. Use of a damaged
power
shock.
cord
• Do not
subject
it to excessive
heat. Damage
to the
cord may cause fire or electrical
attempt
to shape the power cord or
it to excessive
bending,
twisting
or
This
may
cause
fire
or electrical
• Please use the adaptor
specified
for this instrument.
Use of another adaptor
may cause
fire, electrical
shock, or malfunction.
Do not locate the instrument
or unstable
surface.
or its stand
on an uneven
• Locating
the instrument
or its stand on an
uneven
or unstable
surface
can cause it to
This indication
stipulates
matters
that have the risk
of causing injury as well as matters for which there is
the likelihood
of occurrence
of physical
damage
only
if the product
is operated
incorrectly
while ignoring
this indication.
Symbol
subject
power
shock.
pulling.
shock.
WARNING
/_
• Do not cut or damage
the power cord. Also
do not place heavy objects on top of it or
may
cause
fire
of the
AC
fall, creating
the danger
Do not place containers
uids on the instrument.
of personal
containing
injury.
water
or other
• Do not place the following
objects on the
instrument
Placing such objects on the instrument
may cause fire or electrical
shock
,4N
if they spill and get inside the instrmnent
• Containers
filled with water or other liquids (including
vases, potted plants, cups,
cosmetics
and medicines)
• Small metal objects (including
hairpins,
sewing needles and coins)
• Flammable
objects
In the event a foreign object should
to get inside the instrument,
please
following
actions:
1. Turn power off.
2. Unplug
the AC adaptor
outlet.
from
3. If there are any batteries
keyboard,
remove them.
happen
take the
the wall
loaded
in the
• Do not touch the batteries
directly
your hands
when removing
them.
may be hot or battery fluid may be
ing from them.
4. Consult
with the dealer where you
chased
the keyboard
rized CASIO service
Do not disassemble
or with
provider.
or modify
with
They
leakpur-
an autho-
the instrmnent.
• Never attempt
of take apart
instrument,
its accessories,
or modify
the
or separately
sold options.
Doing so may cause fire, electrical shock or malfunction.
Consult
your
dealer concerning
all inspection,
adjustment
or repair of internal
components.
or electrical
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Do not use if there is an abnormality
or malfunction.
• Do not use the instrument
if there appear
to be abnormalities
such as the presence
of
smoke or abnormal
odor. Also do not use
the instrument
if there appear
to be malfunctions
such as the power not coming on
or sound not being produced.
Use under
such conditions
may cause fire or electrical
shock. In such cases, take the following
actions immediately.
Never attempt
to repair
the instrument
yourself.
1. Turn power off.
2. Unplug
outlet.
the
AC adaptor
from
the
wall
3. If there are any batteries
loaded
in the
keyboard,
remove them.
• Do not touch the batteries
directly
with
your hands when removing
them. They
may be hot or battery
fluid may be leaking from them.
4. Consult
with the dealer where you purchased
the keyboard
or with an authorized CASIO service provider.
When the instrument
has been dropped:
• In the case the instrument
has been dropped
or damaged,
take the following
actions.
Continued
use may cause fire or electrical
shock.
1. Turn power off.
2. Unplug
the AC adaptor
outlet.
3. If there
are any batteries
from
the
loaded
keyboard,
remove them.
• Do not touch the batteries
directly
your hands when removing
them.
may be hot or battery
fluid may be
ing from them.
4. Consult
with the dealer where you
chased
the keyboard
rized CASIO service
or with
provider.
wall
in the
with
They
leakpur-
an autho-
Be careful
of the bags around
children.
• Never allow anyone to place the plastic bags
of the instrmnent,
its accessories,
and its
separately
sold options
over their heads.
Doing so may cause suffocation.
Particular
caution
is required
in homes
with small
children.
z_
/_
CAUTION
AC Adaptor
• Do not locate the power cord in close proxhnity to heaters or other heating appliances.
This may cause the cord to melt leading to
possible
fire or electrical
shock.
• When unplugging
the AC adaptor
from an
electrical
outlet, always make sure to pull
on the adaptor
itself and not the cord. Pulling excessively
on the cord may cause it to
be damaged
or break leading
to possible
fire or electrical
shock.
• Do not touch the AC adaptor
with wet
hands when it is plugged in. This may cause
electrical
shock.
• When not using the instrument
for an extended period
such as when traveling,
always make sure to unplug
the AC adaptor
from the electrical outlet for safety reasons.
• After use turn off the power
switch of the
instrument
and unplug
the AC adaptor
from the electrical
outlet.
• At least once a year, unplug the AC adaptor
from the power outlet and clem_ tim area arotmd
the prongs of the plug. Dust build up around
the prongs can create the danger of fire.
Batteries
• Improper
battery
use may cause batteries
to rupture
and leak. This may cause injury,
malfunction
of the instrmnent
or discoloration of furniture
and other articles that come
into contact with battery fluid. Take care to
observe
the following.
• Install batteries
so their polarity
(+/-)
matches that indicated
on the instrument.
• For safety and to prevent possible leakage
of battery
fluid, always make sure to remove batteries from the instrument
when
you do not plan to use it for a king time.
• Always make sure that the batteries making up a set are all of the same type.
• Never combh_e new batteries with old ones.
• Never dispose of batteries
by incinerating
them. Never short or disassemble
batteries,
and do not expose them to excessive heat
• Replace dead batteries as soon as possible.
• Never attempt to recharge
batteries.
Transport
• When transporting
the instrument,
always
make sure to unplug
the AC adaptor
from
the electrical
outlet
and confirm
that all
other external
connections
have been disconnected.
Only then should the instrument
be transported.
If the above is not done, the
cord may be damaged
leading
to possible
fire or electrical
shock.
Care
• Whenever
caring,
make sure to first unplug the AC adaptor
from the electrical outlet. Also remove the instrmnent's
batteries
if battery
power
is being
used.
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Location
• Never locate the instrument
in areas subject to high humidity
or heavy accumulation of dust. Doing
so may cause fire or
electrical shock.
• Never locate the instrument
in areas subject to grease splatters
or steam,
a kitchen
or near a humidifier.
may cause
fire or electrical
such as in
Doing
so
shock.
Do not place keyboard
on lacquered
furniture.
• The instrument's
silicone rubber feet may
eventually
blacken
or scar lacquered
surfaces. Use felt cloth pads to insulate the feet
or preferably
use a CASIO musical instrument
stand
designed
for your
keyboard.
Do not place heavy objects on the instrument.
• Do not place heavy objects on the instrument. This may cause the instrument
to tip
over or break resulting
in injury.
Volume
• Very high volmne levels can damage
hearh_g. Avoid using the instrmnent
at very high
volume setth_gs for long perkx:ts. Consult with
a physician
immediately
if you experience
impaired
hearing
or ringing
in the ears.
Liquid
Crystal
Display
(LCD) Precautions
• Avoid
subjecting
the keyboard's
LCD to
strong
impact,
which
can crack or break
the LCD's glass creating the danger of personal injury.
• Should the LCD glass ever crack or break,
do not allow the liquid
inside the LCD to
come into contact
with your skin, which
can cause inflammation
and reddening.
*Should
the LCD liquid
get into your
mouth, immediately
wash out your mouth
with water and then consult a physician.
*Should the LCD liquid get in your eyes or
on your skin, immediately
ter for at least 15 minutes
flush with waand then consult
a physician.
,4X
\
Avoid strong impact and rough handling.
Your keyhoard is made of precision components that can malfunction when subjected to strong impact and rough handling.
A void heat, humidity or direct sunlight.
Do not overexpose the instrument to direct surqight, or place it near
an air conditioner, or in any extremely hot place.
Do not use near a TV or radio.
This instrument can cause video or audio interference with TV and
radio reception. [f this happens, move the instrument a way from the
TV or radio.
Do not use lacquer, thinner or similar chemicals for cleaning.
Clean the keyboard with a soft cloth dampened in a _a,eak solution of
water and a neutral detergent. Soak the cloth in the solution and
squeeze until it is almost dry.
Avoid use in areas subjected to temperature
extremes.
Extremely high or lo_a.tempelature can cause figures on the LCD
screen to become dim and difficult to read. This condition should
correct itself when the keyboard is brought back to nol:mal temperature.
Lithium
* CASIO COMPUTER
CO., LTD. shall not be held responsible
for
any losses to you or any thild party due to loss or corruption
of
data caused by malfunction
or repair of this keyboard,
or by batter.v replacement.
# NOTE
Do not get onto the instrument
or stand.*
• Do not crawl on top of the instrument
or its
Battery Precautions
The keyboard comes with a built-in lithium battery that supplies
power to the memory to retain Song Sequencer, Pattern Sequencer
and other data while keyboard power is turned off. If the power of
the lithimn battery is Io_a.,turning off keyboard power can result in
deletion of all data stored in its memory.
The normal life of the original battery is five years from the time it is
loaded at the factory. Due to time spent in transit and storage, the
original battery probably will not provide a full five years of service
life. It is up to you to contact your nearest CAS]O service provider
about having the lithium battery replaced periodicallF_
#
You may notice lines in the finish of the case of this keyboard.
are a result of the molding process
used to shape the plastic
These lines
of the case.
They are not cracks
for concern.
or breaks
in the plastic,
and are no cause
optional
stand.
Particular
caution
is required in homes having small children. This
may cause the instrument
or stand to tip
over and break resulting
in iljury.
Optional
Stand*
• Carefully
assemble
the stand following
the
assembly
instructions
that come with it. Securely tighten all bolts, nuts, and fasteners,
and make sure that you mount the instrument correctly
onto the stand. Incorrectly
or insufficiently
tightening
screws,
or incorrectly mounting
the instrument
onto the
stand can cause the stand to tip over or the
instrument
to fall off the stand, possibly
leading to injury.
* The stand
is available
as an option.
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L3 Song Sequencer
A built-in six-track
sequencer
gives you
combination
vxith Auto Accompaniment,
full control over the tone, volume,
pan position,
and other parameters
for each recorded
track. Use in
the Song Sequencer
provides you vxith all the tools you need to create your o_n full-fledged
ensembles.
L3 Pattern Sequencer
Alter any of the 120 huilt-in
recall
rhythm
patterns
to create your
own, original
patterns.
You can even store up to 10 of your patterns
in memory
for later
L3 130 rhythms
120 built-in rhythms include rock, pops, jazz, and other rhythms
o_an rhythm patterns
in memory
for later recall.
specially
arranged
for piano
accompaniment.
You can even stole up to 10 of your
L3 Auto Accompaniment
Simply play a chord and the corresponding
rhythm,
hass, and chords
suitabie tone and tempo settings to match the rhythm you are using,
sions so you can play ensembles
with yourself.
parts play along automatically.
while Free Session automatically
One Touch Presets instantly
produces
pre-programmed
recalls
chord
the most
progres-
L3 232 tones
Choose from among a _ ersatile collection of 200 built-in orchestra
tones, synthesized
sounds,
}our own original sound creations
in memory
for instant recall _\hen you need them.
drum
sets and more.
You can even store up to 32 of
L3 Synthesizer
Change the parameters
for later recall
of any of the built-in
sounds
to produce
your
own original
creations.
Up to 32 of original
sounds
can he stored
in memory
L3 General MIDI compatibility
General MIDI compatible
as a desktop music input
tones let you connect to a personal
dex ice or sound source.
computer
for quick and easy "desktop
music"
capabilities.
This keyboard
can he used
L3 Mixer
You can specifv tone volume
pan position
and other parameters
for each built-in Auto AccompaTdment
Pattern Sequencer
or Song Sequencer. You can also control the same parameters
for each channel during
part and each track
MIDI input.
recorded
with the
L3 Registration Memory
Keyboard
setups can be stored
stored in registration
memory.
in memory
for later recall and instant
settings
_ henever
you need them.
Up to 20 setups
(5 setups
x 4 banks)
can be
L3 DSP Effects
10 DSP effects
such
as reverb
and chorus
come
built in.
L3 Built-in floppy disk drive (WK-1800 only)
Sa_e original
tones and rhythms,
or songs you created with
standard
MIDI file (SMF) and play it back on the ke? board.
the Song Sequem'er
to disk for long-term
stolage.
You can also
load a disk _aith a
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Welcome .................................
E- 1
Using the PITCH BEND Wheel ............... E-20
Using the MODULATION Wheel .............. E-20
Safety Precautions
................ E-2
Auto Accompaniment
Care of your keyboard
.......... E-4
Main Features ........................
Contents
.................................
E-5
E-6
About the MODE Button ..........................
E-21
Selecting a Rhythm ..................................
E-21
Playing a Rhythm .....................................
E-21
Adjusting the Tempo ................................
E-22
Using Auto Accompaniment
General Guide ........................
About the Display .....................................
Connections
.........................
......... E-21
..................... E-22
E-8
Using an Intro Pattern ..............................
E-24
E-10
Using a Fill-in Pattern ..............................
E-24
E- 12
Using Variation Rhythm Patterns ............. E-25
Phones and Line Out Terminals .............. E-12
Synchro Starting Accompaniment with
Rhythm Play ............................................
Phones/Output Terminal .......................... E-12
Finishing with an Ending Pattern ............. E-25
Sustain/Assignable
Using Auto Harmonize .............................
E-25
Using One-touch Preset ..........................
E-26
Using Free Session .................................
E-26
E-27
Jack Terminal ........... E-13
Accessories and Options .........................
Power Supply .......................
E-13
E-14
Using Batteries ........................................
E-14
Turning Auto Accompaniment Parts On
and Off .....................................................
Using the AC Adaptor ..............................
E-14
Adjusting the Accompaniment
Auto Power Off .........................................
E-15
Settings and Memory Contents ............... E-15
Basic Operations
................. E- 16
Volume .... E-27
Mixer Function .....................
E-28
Mixer Features .........................................
E-28
Mixer Modes ............................................
E-28
Getting Started .........................................
E-16
Turning Channels On and Off .................. E-29
Selecting a Tone ......................................
E-16
Changing the Parameters of a Channel .. E-30
Using Layer ..............................................
E-17
Using Split ................................................
E-17
Synthesizer
Mode ................ E-32
Using Layer and Split Together ............... E-18
Synthesizer Functions .............................
E-32
Using Touch Response ............................
Creating a User Tone ...............................
E-34
Naming a User Tone and Storing It In
Memory ....................................................
E-35
E-18
Transposing the Keyboard ....................... E-19
Tuning the Keyboard ...............................
E-19
Using DSP Effects ...................................
E-19
Tuning DSP Effects On and Off ............... E-20
Registration
Memory ........... E-37
Registration Memory Features ................ E-37
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E 008A
To Save a Setup in Registration Memory... E-38
Using the Floppy Disk Drive
To Recall a Setup from Registration
Memory ....................................................
(WK-1800 Only) .......................
E-38
Using the Song Sequencer ...... E-39
Songs and Tracks ....................................
E-39
Recording .................................................
E-39
Global Settings and Operations ............... E-39
Song Sequencer Data .............................
E-39
Song Sequencer Memory Capacity ......... E-40
Song Sequencer Memory Precautions .... E-40
E-67
Floppy Disk Drive Features ..................... E-67
About Floppy Diskettes ............................
E-67
Basic Diskette Operation .........................
E-68
Playing Back an SMF ..............................
E-69
Saving and Recalling Memory Data ........ E-70
Using the Utilities .....................................
E-71
Disk Drive Error Messages ...................... E-74
Troubleshooting
.................. E- 75
Song Sequencer Modes .......................... E-40
Real-time Recording ................................
E-40
Punch-in Recording .................................
E-42
Specifica tions ......................
Appendix
To Delete the Contents of a
Specific Track ..........................................
E-44
Playing Back from Song Sequencer
Memory ....................................................
E-45
E- 77
...............................
Note Table ..................................................
A-1
A-1
Free Session Chord Progression Chart .... A-2
Drum Assignment List ................................
A-5
Fingered Chord Chart ................................
A-6
Song Sequencer and Mixer Operations ..... E-45
Global Settings and Operations ............... E-45
Pattern
Sequencer ............... E-48
Chord Conversion Table ............................ A-8
MIDI Implementation
Chart
Pattern Sequencer Basics ....................... E-48
Using the Pattern Create Mode ............... E-50
Using the Pattern Edit Mode .................... E-52
Exiting the Pattern Sequencer Mode ....... E-56
Keyboard
Settings ............... E-58
Using the Keyboard Settings Menu ......... E-58
Setting Screens .......................................
MIDI .......................................
E-59
E-60
What is MIDI? ..........................................
E-60
General MIDI ...........................................
E-60
Making MIDI Settings ...............................
E-61
MIDI Messages ........................................
E-62
MIDI Functions and Mixer Functions ....... E-64
Bulk Sending Keyboard Data .................. E-65
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Playing a Demo Tune
Pressing
play,
the
press
DEMO
either
button
the
starts
DEMO
button
demo
tune
or the
play.
There
START/STOP
are
bao
demo
tunes,
_hich
continuously
play
in sequence.
To stop
demo
tune
button.
NOTES
•
•
Pressing
the [+]/[-] keys skips to the next demo tune.
You can select a tone for the keyboard
(page E-16) before
•
•
MIDI are disabled
Auto Harmonize,
are restored
after
while a demo tune is playing.
layer, split, and Auto Accompaniment
demo
tune
starting
Mode
settings
demo
tune
play, and then
are automatically
use that tone
cancelled
whenever
to play
demo
along
tune
with
the demo
is playing.
1800/1600(E)
settings
play is complete.
E-8
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tune.
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08-_15
Page8
03.7.31, 5:20 PM
Adobe
PageMaker
6.5J/PPC
E 010A
• KeF; button,
• Illustrations
and other names are indicated
in the text of this mamlal
in this User's Guide shows the WK-1800.
Speakers
_2
Sequencer
(a) RECORD
(b) SONG
button
button
(c) PATTERN
button
_4: Rhythm
list
_5 MODE
button
MAIN
(a)
slider
(b) RHYTHM
(c) LAYER
M
button
button
button
Cursor keys
In this User's
cated as: [<],
keys)
RESPONSE
(a) DEMO
button
button
(b) SYNTH
button
(c) TUNE
button
button
(e) TOUCH
Rear Panel
• WK-1800
®
®
®
_}
Percussion
_}
Access
.WK-1800
@
®
_Zg;,o_
)$
MIDI
OUT terminal
_)
MIDI
IN terminal
_}
SUSTAIN/ASSIGNABLE
)_
DC 12V terminal
terminal
• WK-1600/1630
PHONES
_'Attaching
• WK-1600/1630
button
indicators
lamp
PHONES
MIDI OUT terminal
MIDI IN terminal
SUSTAIN/ASSIGNABLE
JACK terminal
LINE OUT R, LINE OUT L/MONO terminal
DC 12V terminal
RESPONSE
instrument
4_' Eject button
)f
.....
button
• WK-1600/1630
wheel
@
are indi-
(e) DISK button
button
@
key operations
button
(d) TOUCH
(YES/NO
(d) MIDI
)$
_)
74'
_,
_,
Guide, cursor
[1_], [A], [IF].
button
(b) SYNTH
@
button
button
(a) DEMO
name
@
(CH1 to CH16)
W: .WK-1800
BEND wheel
)4' CHORD
button
buttons
HARMONIZE
_6
keys
keys
(A to E)
button
ENTER
button
)'J) MODULATION
INTRO
SELECT
(c) TUNE/MIDI
(b) [+]/[-]
buttons
button
_,
button
)1; (a) Number
_)
button
TRANSPOSE
94' AUTO
PRESET
,10, Tone list
_z; PITCH
button
buttons
(b) CHANNEL
button
(d) SPLIT
TEMPO
_2. (a) MIXER
button
button
TOUCH
(a) TONE
_
effect)
(c) FREE SESSION
_9
button
(c) STORE
(b) CONTRAST
Display
button
_3_ SYNCHRO/ENDING
(b) REGISTRATION
VOLUME
_8
button
_7; VARIATION/FILL-IN
)1; (a) BANK
DSP (digital
(d) ONE
NORMAL/FILL-IN
)9) START/STOP
button
_3;' POWER
7;
bold type.
)e
O.
_6
using
/ OUTPUT
the
[nsert the music
board.
Score
stand
terminal
Stand
into the slot
in the top of the key-
_
JACK
terminal
E-9
733A-E-011A
WK
1800/1600(E)
08-_15
Page9
03.7.31.5:20
PM
Adobe
PageMaker
6.5J/PPC
About the Display
234
56
7
8
o
1716
f
15
o
12
12
when
a DSP effect is turned
TONE/RHYTHM
indicator
TONE
during
is shown
RHYTHM
o
1413
DSP indicator
Appears
2
o
is shown
on.
RHYTHM
rhythm.
tone
selection
rhythm
and
selection
display,
rently
while
13
and display.
Chord
tone
indicator
shows
whether
This display
area
also shows
name
or rhythm.
the number
Sequencer
other
is a tone
il_formation
or
when
names
while Auto
14
and Song Sequencer.
Accompaniment
Tone/Rh}thm
Name
the beat number
RHYTHM
6
indicator
without
VOLUME
Appears
when
whether
other
The
the name
information
Cursor
or Pattern
to indicate
flashing
/5
TONE/
or Pattern
Sequencer
channel's
is a tone
you
keys
or
rhythm
and
Auto
Accompani-
or Pattern
Sequencer
from the start of play during
play, and
is turned
on/off
rhythm
while the Song Sequencer
on. In the Mixer
Mode,
displays
status.
standby
is turned
on,
and remains
on
16
the Mixer
to change
the volume
17
area 10. Two symbols
indicate
produced
two octaves
other
Sequencer
information
play,
and
is turned
on.
in other modes.
to provide
a reference
beat for
play.
1 through
indicates
the volume
16 correspond
which
channels
to Mixer
channels.
The
are on and off, and also
level.
for the function
18
the note being
of beats per
Level meter
indicates
than the note shown
the number
Accompal_iment
or Pattern
area also shows
keyboard
level meter
1
higher
Auto
Metronome
The l_umbers
are operational
indicating
and
You can turn on the metronome
channel
that
as a value
rhythm
the Song Sequence]:
Mixer mode
Indicates
indicates
Sta ff l_otation
during
This display
is in progress.
performing.
symbol
is one octave
indicator
minute
in other modes.
Sequencer
record
while recording
are using
are those
you are currently
One symbol
Tempo
Shows the tempo
key indicators
Octave
number
Accompaniment
your
of a specific
Indicated
/0
or rhythm.
indicator
parameter
during
and Auto
while
flashes
the display
9
shows
the Song Sequencer
this indicator
8
tone
indicator
While
7
selected
This area also shows
Record
Auto
is cur-
Measure
Show s the measure
is being used.
(Layer,
Touch Response)
name
of currently
rhythm.
that a function
MIDI Mode,
in use.
the current
5
to indicate
ment play, and while the Song Sequencer
is turned on.
The TONE/
display
Shows chord
appears
Split, General
Beat number
Shows
selected
you are using the Pattern
4
Indicators
Harmonize,
during
of currently
1110
An indicator
3 Tone/Rhythm number
Number
9
19
Graphic
Notes
higher.
mode
(h_ternal,
External,
External
notes played
MIDI data _ are indicated
back from mem-
on the graphic
key-
board.
Notes
you play on the keyboard,
ory, chord
//
Octave
forms,
symbol
One symbol
notes played
back from mem-
M[DI data _ are shown
here.
Any receive
data outside
the range
of E1 to G7 is not displayed.
2
indicates
is one octave
area
and received
lower
the note being
than
the note
produced
shown
by the keyboard
in the staff notation
10.
E-IO
wI< 18oo/16oo
733A-E-012A
(E)
os-ols
Page 10
/
keyboard
you play on the keyboard,
or}5 and received
area
Mixer
Solo, External/Play).
by the keyboard
in the staff notation
indicator
the current
03.7.31, 5:20 PM
Adobe
PageMaker
6.5J/PPC
I NOTES
I
•
examples
Display
tive
purposes
play
•
shown
may differ from
Backlight
The
back
which
happens,
about
of the
contact
your
the
are intended
for
that appear
in this
somewhat
User's
unstable
not indicate
illustra-
on the
dis-
Guide.
immediately
malfunction,
after
and bright-
seconds.
display
is provided
over
original
backlight
Guide
shown
on. This does
its brightness
having
such
examples
after a few
lighting
loses
User's
text and values
may appear
is turned
will stabilize
actual
the
brightness
the keyboard
ness
in this
only. The
very
long
dealer
replaced.
by a fluorescent
periods
or a CASIO
Note
light,
of use. When
service
this
provider
that you will be charged
for
replacement.
Adjusting Display Contrast
• Display
contrast
can
he adjust
to one
of lgg
levels
for
easy
view-
ing.
•
Adjusting
any
disp]ay
viewing
• Within
five
to increase
decrease
•
After
the
release
display
The
after
contrast
it (making
contrast
for
setting
with
helps
to ma ke figures
pressing
value
the
display
CONTRAST,
a few
easier
fulther
using
keys.
can
the CONTRAST
(making
to read
from
be set
the
button,
display
press
darker)
[+]
or [-] to
fighter).
the message
moments,
the number
contrast
setting
733A
seconds
the
you
value
contrast
angle.
during
[+] and
to a value
from
"Contrast"
which
[-] or by
you
can
remains
on
change
the
inputting
0 to 99. The
a contrast
initial
default
is 50.
E-11
E 013A
WK 1800/1600
(E)
08-olS
Page 11
03.7.31.5:20
PM
Adobe
PageHaker
6.5J/PPC
I NOTE
• WK-1800
I
You can also connect
Phones and Line
Before connecting
turn
down
equipment.
nections
phones
the volume
Out Terminals
or other external
settings
equipment,
of the keyboard
You can then adjust
volume
quencer.
be sure to first
and the connected
to the desired
level after con-
are complete.
See "MIDI"
down
terminal
to a computer
or se-
Terminal
phones
the volume
equipment.
Terminal
MIDI
E-60 for details.
Phones/Output
turn
PHONES
keyboard's
• WK-1600/1630
Before cont_ecting
[Front]
the
on page
or other external
settings
You can then adjust volume
nections
equipment,
of the keyboard
be sure to first
and the connected
to the desired
level after con-
are complete.
[Front]
PHONES/OUTPUT
\
Connecting
phones
(Figure
(_))
cuts off output
ers, so you can play
[Rear
?
Stereo standard plug
Phones
Connecting
Terminal
from the keyboard's
even late at night
without
built-h_ speak-
disturbing
anyone.
@
Keyboard amp,
guitar amp, etc.
! Stereo standard plug
].....
!w,,,oP<9..
P,N
plug
Panel]
,:_) Audio amplifier AUX IN, etc.
AUX IN or similar terminal
LEFT
RIGHT
of audio
amplifier
PIN plug
Connecting
Phones
Connecting
phones
(Figure
0)
cuts off output
from the keyboard's
ers, so you can play even late at night
Audio
,,_, Guitar amplifier,
J
=
Equipment
Connect
'
available
Standard plugs
v keyboard amplifier, etc.
]
really
to Audio
Use commercially
in Figure
Equipment
available
(_
the setting
to the two jacks as shown
connecting
in the illustration
for connection.
you must set the audio equipment's
that specifies
board is connected
the volume level.
the terminal
cables
like the
Normally
in this
input selector to
(such as AUX IN) that the key-
to. Use the keyboard's
VOLUME
slider
to adjust
marked
the keyboard
with your
Musical
to a Musical
Use commercially
available
Instrument
cords
Amplifier
to connect
to a musical
to the two jacks as shown
level.
jack, use an adapter
end you connect
wrong
type
equipment
similar)
nor-
where
the cord from
documentation
that
comes
(Figure
connecting
(_))
cord to connect
the keyboard
amplifier.
cord
to the keyboard,
input
to the
that
has a stereo
and a connector
amplifier
at either
to which
end can cause
standard
that provides
plug
on the
dual chan-
you are connecting.
one of the
stereo
The
chan-
like the
When connected
justments
to a musical
instrument
to a relatively
low level and
using the amplifier's
controls.
amp]ifie]
make
set the volume
output
volume
of
ad-
plug
E-12
WK 1800/1600
you
to the terminal
for full details.
Amplifier
of connector
the keyboard
j_Standard
a commercially
on one end and two
[n this configuration,
See the user
available
to use a connecting
nels to be lost.
Standard
using
plug
of the audio
equipment
instrument
UME slider
• If your amplifier
has only one input
one shown below.
speak-
anyone.
I
Be sure
(_)
channels.
selector
Instrument
nel (left and right)
the volume
equipment
a standard
AUX IN or something
audio
in Figure < . [t is up to you to purchase
connecting
cables like the
ones shown in the illustration
for connection.
Use the keyboard's
VOLto adjust
cord with
is connected.
Use a commercially
I NOTE
Connecting
built-in
disturbing
(_))
to a audio
only one of stereo
set the input
(usually
coMs to connect
< . [t is up to you to purchase
ones shown
configuration,
connecting
without
PIN plugs on the other end. Note that the standard
plug you connect
to the keyboard
must be a stereo plug, otherwise
you will be able to
i
output
Connecting
(Figure
the keyboard
]
733A-E-014A
(E)
08-o15
Page 12
03.7.31,
5:20PM
Adobe
PageMaker
6.5J/PPC
Com_ectiol_
Exantple
Accessories
and Options
PIN plug (red)
Use only the accessories
of non-authorized
/
J
and personal
/
and options
items creates
speci fled for this keyboard.
the danger
of fire, electrical
Use
shock,
injury.
............................................
::.--.--.!!..
INOTEI
You can also connect
quencer.
See
the
"MIDI"
keyboard's
on page
MIDI terminal
E-60 for
to a computer
Sustain/Assignable
Jack Terminal
You can connect
pedal
an optional
sustain
TAIN/ ASSIGN ABLE JACK
scribed below.
terminal
For details
the pedal
signable
on how to select
Jack Function"
(SP-2 or SP-]0)
to enable
to the SUS-
the capabilities
function
you _ant,
de-
see "As-
on page E-59.
SUSTAIN/ASSIGNABLE
Sustain
or se-
details,
JACK Terminal
Pedal
• With piano
tones, depressing
like a piano's
• With organ
sound
damper
tones, depressing
until the pedal
Sostenuto
Pedal
• As with
the sustain
the sostenuto
pedal
• The difference
timing.
press the pedal
when
causes
notes to ]ingel_ much
the pedal
causes
notes
to continue
to
is released.
pedal
causes
between
function
notes
described
pedal,
the pedal
pedal
you press
before you release
above,
depressing
to be sustained.
a sostenuto
With a sostenuto
sounding
the pedal
pedal.
and sustain
pedal
the keys
and then
is the
de-
the keys. Only the notes that are
is depressed
are sustained.
Soft Pedal
Depressing
Rhythm
the pedal
Start/Stop
[n this case,
softens
the sound
of the notes
being
played.
Pedal
the pedal
performs
the same
functions
as the START/
STOP button.
733A
E-13
E 015A
WK 1800/1600
(E)
08-o15
Page 13
03.7.31.5:20
PM
Adobe
PageHaker
6.5J/PPC
This keyboard
can be powered
by current
from a standard
household wa]l outlet (using the specified AC adaptor)
or by batteries.
A]ways make sure you turn the keyboard
off whenever
you are not
using it.
• Loss of powel_ sound distortion,
or low volume
when playing
from a connected
computer
or MIDI device
• Sudden
power failure while reading from or writing to a diskette (WK-1800 only)
IMPORTANT!
Using
Always
placing
Batteries
make sure
batteries.
you
turn
off the keyboard
before
loading
or re-
To load batteries
J
9
Remove
_¢.,
the
battery
compartment
Load six D-size batteries
• Make sure that the positive
ing correct]>
cover.
into the battery
(+) and negative
compartment.
(-) ellds are fac-
Improper handling of batteries can cause them to burst and leak,
which creates the danger of personal injury or damage due to contact with battery fluid. Be sure to note the following important precautions.
• Always make sure that the positive (+) and negative (-) poles are
facing correctly as indicated inside the battery compartment.
• To avoid damage caused by leaking batteries, be sure to remove
batteries from the keyboard whenever you leave it unattended for
long periods (such as when leaving on a trip).
• Never mix batteries of different types.
• Never mix old batteries with new ones.
• Never discard batteries by incinerating
them, do not allow their
poles to be shorted (connected to each other), never take batteries
apart, and do not expose batteries to direct heat.
• Replace batteries as soon as possible after any sign they are getting weak.
• Never attempt to recharge batteries.
Using the AC Adaptor
Make sure that
board.
9
Insert the tabs on the battery
the
holes
provided
and close
compartment
cover
into
}ou use only
the AC adaptor
specified
for this key-
L
the cover.
tab
AC outlet
Also note the following
using the AC adaptor.
The keyboard
may not function correctly if you load or replace batteries with power turned on. If this happens,
turning the keyboard
off and then back on again should return functions
back to normah
Important Battery Information
I
I
warnings
and precautions
>hen
of the power
Never
WARNING!
•
Take care
to avoid
place any heavy
Doing so creates
shock.
•
The following shows the approximate battery life.
Alkaline
batteries
...............................................
2 hours
The above value is standard
battery life at normal temperature,
with the keyboard
volume at medium
setting. Temperature
extremes or playing at very loud vo]ume settings can shorten battery life.
Any of the following symptoms indicate low battery power. Replace batteries as soon as possible whenever any of the following
occurs.
• Dim power supply indicator
• lnstrumel_t
does not turn on
• Display that is flickering,
dim, or difficult to read
• Abnormally
low speaker/headphone
volume
• Distortion
of sound output
• Occasional
interruption
of sound when playing at high volumes
• Sudden
power failure when playing at high volumes
• Flickering
or dimming
of the dispaly when playing at high vol-
important
any damage
to or breakage
cord.
objects on the power cord or expose
it to direct heat.
the danger of power cord damage,
fire, and electrical
Use only the specified
AC adaptor.
ates the danger of fire and electrical
Use of another
shock.
type
of adaptor
from
the wall
cre-
CAUTION!
•
For safety
sake,
be sure to unplug
whenever
leaving
the keyboard
when leaving on a trip).
•
Always turn off the keyboard
and
outlet when you are not using the
the AC
unattended
adaptor
for
a long
unplug the AC adaptor
keyboard.
time
outlet
(such
from
the
as
wall
IMPORTANT!
• Make sure that the keyboard is turned off before connecting
or
disconnecting
the AC adaptor,
• Using the AC adaptor for a long time can cause it to become warm
to the touch. This is normal and does not indicate malfunction.
tll_/e
• Contimmd
sound
• Atotally
different
• Abnormal
rhythm
output even ariel: you release
tone may sound
pattern and demo tune play
a key
E-14
wI< 1800/1600
733A
(E)
08-ols
Page 14
<>
03.7.31,
5:20
PM
Adobe
PageMakez"
6.5J/PPC
E 016A
Auto Power Off
To initialize the keyboard and delete all data
When w_u are using hattery power, keyhoard
power turns off autornatica]ly
whenever
you leave it on without performing
any operation for about 6 mimltes.
When this happens, press the POWER button to turn power back on.
You can either
only.
INOTEI
Use this procedure
to return all keyboard
settings to what they v_ere
when you purchased
it. Note that this procedure
clears all data from
Auto
Power
AC adaptor
Off is disabled
to power
the
(it does
not function)
when
you are using
Full
the
• When Auto
automatically
performed.
Settings
the keyboard
or initialize
parameters
Initialization
keyboard.
_'
To disable Auto Power Off
Hold down the TONE
able Auto Power Off.
fully initialize
hutton
while
turning
on the keyboard
to dis-
While
[
Power Off is disabled, the keyboard
does not turn off
no matter how long it is left with no operation
being
9
and Memory
The following descrihes
what happens
tents _hen power is turned off.
and memory
down
O
the
O
Press YES to initialize
ENTER
O •
the
button,
OOO0
keyboard
turn
O O
or NO
on
key-
O ]
to turn
O
on
power without
changing
any settings.
• The above procedure
restores registration
memory
to its factory default contents. Any setup data stored in registration
memory is deleted by the above procedure.
Contents
to settings
holding
board
power.
con-
Settings
Parameter
T_me, rhythm,
and other "main keyhoard settings"
in effect when the
keyboard
is turned off manually
by pressing
POWER or automatically by Auto Power Off are still in effect the next time you tutti power back on.
Use this procedure
to return all keyboard
settings to what they were
when you purchased
it. Note that this procedure
does not affect user
tones, user rhythms, registration
memory contents,
and display contrast settings.
Main
Keyboard
Settings
While keyboard po>er is on, press the [+], [-], and ENTER buttons
.................................................................................................................................................................................
the same time.
Tone numbel_ rhythm number, touch response
on/off, touch
response sensitivit55 accompaniment
mode, DSP on/off, DSP
selection,
assignable
jack setting, tempo, Mixer parameters
(tone, volume, pan, effect send, channel on/off, accompaniment volume),
keyboard
channel,
General
MIDI on/off,
Pitch Bend range, accomp MIDI out on/off, MIDI in chord
udge on/off, registration
bank, laver on/off, auto harmonize on/off,
split on/off,
split point, Song Sequencer
settings (song number, metrol_ome, quantize),
Pattern Sequencer settings (metronome,
quantize),
sound range shift on/off,
contrast
setting, SMF playback
settings (WK-1800 only)
Memory Contents
[n addition
to the above settings,
tern Sequence1, and Synthesizer
when power is turned off.
Initialization
at
i
Registration,
Song Sequence],
Patmemory
contents are also retained
Power Requirements
The keyhoard
comes with a built-in lithium
hattery
that supplies
power to the memory
to retain Song Sequence1,
Pattern Sequencer
and other data while keyboard
power is turned off. If the power of
the lithium batterx is 1o'_9 turning off ke} board povx er can result in
deletion of all data stored in its memory.
The normal life of the original battery is five _,ears from the time it is
loaded at the factory. Due to time spent in transit and storage,
the
original battery probably
will not provide a full five years of service
life. It is up to you to contact your nearest CASIO service provider
about having the lithium battery replaced periodically.
Note that you will be charged separately
for lithium battery replacement.
To protect against loss of valuable memory
data ae strongly
that you use either of the following methods to back it up.
• Perform a MID[ dump of the data to a computer
device for storage. See "Bulk Sending Keyboard
65 for details.
• Save the data to diskette (WK-1800 only).
Disk Drive" on page E-67 for details.
i[
suggest
or other external
Data" on page E-
See "Using
the Floppy
E-15
733A-E-017A
WK 1800/1600
(E)
08-olS
Page 15
03.7.31,5:20
PM
Adobe
PageHaker
6.5J/PPC
0
q
This section
erations.
provides
ilfformation
on performing
basic keyboard
op-
•
Getting
Started
Press the POWER button
to turn the keyboard
_¢
....
Use the MAIN VOLUME
relatively low level.
slider to set the volume
9_
Play something
ke} board
cedure
to select
on.
to a
the
with
tone
UUU°
TO.E /3 rl rl
2gg
you
ically clear your input after a few seconds.
You can also increment
the displayed
tone
•
decrement
it by pressing
[-].
When one of the drum sets is selected
built-in
want
oo
tones.
Use
the
following
pro-
to use.
o o o o o o o o
TEMPO=
key
is assigned
number
by pressing
(tone numbers
a different
leading zeros
will automat-
percussion
[+] and
192 through
199),
sound.
page
See
The 32 tones number 200 through
231 are for storage of original
tones
created
using the synthesizer
(page
E-32). Once original
tones are
stored, they can be recalled and used just like the built-in tones.
When the keyboard
is shipped from the factory, tones 200 through
contain the same contents
as tone number
128 to 159.
231
Names of tone numbers 128 through 199
on the keyboard.
a Tone
comes
•
•
_'
Selecting
I
Always input all three digits for the tone number,
including
(if any). If you input one or two digits and stop the display
each keyboard
A-5 for details.
To play the keyboard
This
I NOTES
_2U
MEASURE
UU
, ' BEAT
No. Tone Name
128 OCTAVE PIANO
129 BREATHY SAX
130 STEREO PIANO
131 ELEC PIANO 3
132 DETUNED EP 1
133 DETUNED EP 2
134 DETUNED EP 3
135 DETUNED CLAVl
DCO
2
1
2
1
2
2
2
2
polyphony
No. Tone Name
16
168 TOUCH STR PNO "
32
169 TOUCH STRINGS
16
170 TOUCH VIB PNO
32
171 TOUCH BASS
16
172 BRASS FALL
16
173 BASS SLIDE
16
174 FEEDBACK
16
175 PIANO = STR
DCO
2
2
2
2
2
1
2
2
polyphony
16
16
16
16
16
32
16
16
13
1_
138
139
140
141
142
143
EL CORGAN1
EL_C ORGAN 2
ELEC ORGAN 3
ELEC ORGAN 4
ELEC ORGAN 5
PIPE ORGAN
STEREO GUITAR
12 STR GUITAR
1
1
1
1
2
2
2
2
32
32
32
32
16
16
16
16
176
177
178
179
180
181
182
183
SYNTH-PAD 1
SYNTH-PAD 2
SYNTH-PAD 3
SYNTH-PAD 4
SYNTH-PAD 5
SYNTH-PAD 6
SYNTH-PAD 7
SYNTH-PAD 8
2
2
2
2
2
2
2
2
16
16
16
16
16
16
16
16
144
145
146
147
148
149
150
151
SLAP BASS 3
SYNTH-BASS 3
SYNTH-BASS 4
SYNTH-BASS 5
STRINGS 3
TRUMPET 2
BRASS SECTION
SYNTH-BRASS 3
1
1
1
1
2
1
2
2
32
32
32
32
16
32
16
16
184
185
186
187
188
189
190
191
SYNTH-LEAD 1
SYNTH-LEAD 2
SYNTH-SFX 1
SYNTH-SFX 2
SYNTH-SFX 3
SYNTH-SFX 4
SEQUENCE 1
SEQUENCE 2
2
2
2
2
2
2
2
2
16
16
16
16
16
16
16
16
152
153
154
155
156
STRINGS PIANO
STRINGS EP
STR HARPSI
STR CELESTA
STR KALIMBA
2
2
2
2
2
2
2
2
16
16
16
16
16
16
16
16
DRUM SET
192 DRUM SET
193 DRUM SET
194 DRUM SET
195 DRUM SET
196 DRUM SET
197 DRUM SET
198 DRUM SET
199 DRUM SET
2
2
2
2
2
2
2
2
16
16
16
16
16
16
16
16
To select a tone
_,, Find the tone you want to use in the keyboard's
List and note its tone number.
Tone
'_2, Press the TONE button.
]_,,
Ldse the number keys to input the three digit tone number for the tone you want to select.
E,:_:alll_.II&' To select
"032
ACOUSTIC
TONE
I
BASS",
input
O, 3 then
2.
|157 STRINGS HORN
158 STEREO STR GTR
159 SITAR AAH
160
161
162
163
164
165
166
167
HARP ENS
VOICE ENS
BRASS ENS
OCTAVE SAX
PIPE ENS
PERC ENS
VIBES ENS
REVERSE ORCH
* What
you
hear
differs
according
to ho_
1
2
3
4
5
6
7
8
strongly
STANDARDSET
ROOMBET
POWERBET
ELECTRONICSET
SYNTHSET
JAZZBET
BRUSHSET
ORCHESTRASET
you
press
the
keyboard.
E-16
WK z800/1600
793A
(s)
16-o20
Page 16
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PageHaker
6.5J/PPC
E 018A
Polyphony
The term polyphony
refers to the maximum
number of notes you can
play at the same time. The keyboard
has 32-note polyphon}5
which
includes
the notes you play as well as the rhythms and auto-accompaniment
patterns
that are played by the keyboard.
This means that
when a rhythm or auto-accompaniment
pattern is being played by
the keyboard,
the number
of notes (polyphony)
available
for keyboard play is reduced. Also note that some of the tones offer only 16note polyphony.
Using Split
With split you can assign two different tones (a main tone and a split
tone) to either end of the keyboard,
which lets you play one tone
with your left hand and anotl_el tone with your right hand. For example, you could select STRINGS as the main (high range) tone and
PIZZICATO
as the split (low range) tone, putting
an entire string
ensemble
at your fingertips.
Split point
Digital Sampling
A nuTllber of the tones that are available
with this kevhoard
have
been recorded
and processed
using a technique
called'digital
sampling. To en_ure a high level of tonal quality; samples are taken in the
low, mid, and high ranges and then combined
to provide you with
sounds that are amazingly
close to the originals. You may notice very
slight differences
in volume or sound c[uality for some tones when
you play them at different positions
on the keyboard.
This is an unavoidable
result of multiple sampling,
and it is not a sign of malfunction.
I.
Select the main tone and split tone.
• Use the Mixer to select the tones, following
the procedure
under "Changing
the Parameters
of a Channel"
on page E30. The main tone is UPPER1, while the split tone is LOWER1.
Using Layer
• If you don't want to use the Mixer, select a keyboard tone as
you normally
would (page E-16). This is the main tone. Next,
proceed
to step 2.
9
L1]211.1_11l[I] rl1Trll
,I
Main tone (UPPER1)
To split the keyboard
With layer you can assign two different tones (a main tone and a layered tone) to the keyboard,
both of which play whenever
you press a
key. For example,
you could layer the FRENCH HORN tone on the
BRASS tone to produce a rich and brassy sound.
I'
,I.
Split tone (LOWER1)
Press SPLIT.
• This causes the SPLIT indicator to appear on the display.
'1
{,"1111//
Main tone (UPPER1) + Layered tone (UPPER2)
To layer two tones
Io
9
Select the main tone and layered
tone.
• Use the Mixer to select the tones, following
the procedure
under "Changing
the Parameters
of a Channel"
on page E30. The main tone is UPPER1, while the layered tone is UPPER2.
• If you don't want to use the Mixer, select a keyboard tone as
you normally
would (page E-16). This is the main tone. Next,
proceed to step 2.
• The split tone name and number
appeal: on the display for
about five seconds. During this time you can use the number keys to input a tone number
to change the split tone if
you want. After about five seconds, the display changes to
the main tone llatlle
and
number.
Now try playing
something
on the keyboard.
• The lower range (]eft side) of the keyboard is assigned the
sp]it tone, while the upper range (right side) is assigned the
Ilia
Press LAYER to turn on tone layering.
• This causes the LAYERindicator to appear on the disp]a}<
in
tone.
• The location on the keyboard where the changeover between
the two tones occurs is called the split point. See "To change
the location of the split point" on page E-18 for details on
changing the location of the split point.
Press SPLIT again to unsplit the keyboard
it to normal.
• This causes the SPLIT indicator to disappear.
and return
• The layered tone name and number
appear on the display
fo] about five seconds. During this time you can use the mm_ber keys to input a tone nmnber to change the layerd
tone if
you want. After about five seconds, the display changes to
the main tone name and number.
Now try playing
something
on the keyboard.
• Both tones are played at the same time.
4o
Press LAYER to unlayer
board to normal.
the tones and return the key-
• This causes the LAYERindicator to disappear.
# NO TE I
Layering
is produced
and CH 2 (UPPER2)
by sounding
Mixer internal
mode CH 1 (UPPER1)
at the same time. This means you can use the Mixer
to change the volume balance and stereo pan position parameters
the main tone and layered
tone. See "Mixer Function"
on page
details.
for both
E-28 for
E-17
733A-E-019A
wK zs00/1600(E)
16-20
Page17
03.7.31,5:20
PM
Adobe
PageHaker
6.5J/PPC
I NOTE
Split
I
I NOTES
is produced
(LOWER1)
the volume
tone
by using
Mixer
internal
mode
CH 1 (UPPER1)
and CH 3
at the same time. This means you can use the Mixer to change
balance and stereo pan position
parameters
for both the main
and split tone.
See
"Mixer
Function"
on page
down
the
SPLIT
want the lowest
range)
to be.
note
(the
you
side
holding
button,
press
]eftmost
key)
tile keyhoard
•
of the upper
key
where
range
(right
can
use
layer
board.
When
you
of the
keyboard
and
the
low
and
use
split
together
layer
and
is assigned
range
two
to
split
two
tones
(split
Split
point
created
tone
(main
tone
+ layered
split
the
high
+ layered
split
by using
mode
CH 1 (UPPER1),
tones.
(layer
See
split
"Mixer
tones).
for example,
to sound a
tones in the upper range.
See
E-29 for details.
sure
range
internal
and CH 4 (LOWER2)
at the same
Mixer to change the volume
balance
This means you could turn off CH 4 (LOWER2),
single tone in the lower range and two layered
"Turning
on
keyboard
key-
Mixer
CH 3 (LOWER1),
you can use the
and stereo pan position
parameters
for each of the
Function"
on page E-28 for details.
You can use the Mixer to turn off individual
channels
Turning
a layered
in combination,
tones
is produced
Channels
On and Off" on page
Using Touch
Using Layer and Split Together
You
I
Layer-split
CH 2 (UPPER2),
time. This means
E-28 for details.
To change the location of the split point
While
•
touch
output
applied
to the
Response
response
causes
to change
in accordance
the
volume
and
_ith
sound
the
quality
amount
of
of pres-
keyboard.
tone),
To turn touch response on and off
tone).
Press the TOUCH RESPONSE button to toggle touch response on and off.
• Turning on touch response causes the TL)UCH RESPONSE indicator to appeal: on the display.
I,
+
Split
Layered
(LOWER1
tone +
split tone
+ LOWER2)
,I
Main tone + Layered tone
(UPPER1 + UPPER2)
To set the touch response sensitivity
To layer-split the keyboard
o
.jo Select
the main tone, layered tone, split tone, and layered split tone.
• Use the JMJxer to select the tones, following
the procedure
under "Changing
the Parameters
of a Channel"
on page E30. The main tone is UPPER1, the layered tone is UPPER2,
the split tone is LOWER1, and the layered split tone is LOWER2.
Z,
Press TOUCH
• The TOUCH
RESPONSE to turn on touch
response.
RESPONSE indicator
appears on the display.
Within five seconds after pressing TOUCH RESPONSE,
use [+] and [-] or number keys [0] to [3] to select the
sensitivity setting you want to use.
"0 ExLight" : "1 Light" : "2 Normal" : "3 Heavy" : "Touch Off"
2_
Turn on both layer and split to layer split the keyboard.
• Press LAYER once to turn on laver.
• Press SPLIT once to turn on spl{t.
• The LAYER and SPLIT indicators
should be on the display
to indicate that they are turned on.
• The layered split tone name and mlmber appeal: on the display for about five seconds.
During
this time you can use
the number keys to input a tone number to change the ]ayered split tone if you want. After about five seconds, the display changes to the main tone name and mnnber.
Now try playing
4o
something
on the keyboard.
Press LAYER once and SPLIT once to unlayer
keyboard and return it to normah
• "ExLight"
outputs powerful
sound even with light key pressure, while "Heavy"
requires very heavy key pressure to output powerful
sound.
• Pressing
[+] and [-] at the same time returns sensitivity
to
the "NormaP'
setting.
• In addition
to pressing
the TOUCH RESPONSE button, you
can also turn off touch response by selecting "Touch Off" as
the sensitivity
setting.
I NOTES
I
•
Touch response
operations
as well as MIDI OUT data.
•
Touch response
settings
do not
companiment,
or MIDI note data
affect Song Sequencer
playback,
received from an external
source,
•
Touch
tones
split the
response
affects
affect
different
the keyboard's
in different
E-18
WK
1800/1600(E)
internal
sound
Page 18
03.7.31,5:20
PM
Adobe
PageMaker
ac-
ways,
733A
16-_20
source
6.5J/PPC
E 020A
Transposing
the Keyboard
Transpose
lets
and
semitone
units.
whose
sings
change
song
you
raise
[f VOU want
in a Sl2,ecific
the
lower
key
of the
in another
to
key,
the
play
for
key
of the
accompaniment
example,
keyboard
Using DSP Effects
ore]all
without
keyhoard
for
you
can
use
having
to
learn
in
DSP
a vocalist
transpose
music
to
to play
effects
make
quickly
are available.
the
produced
at a time.
ke}a
it possible
and
easily.
Try using
by the
for
The
each
keyboard.
you
to add
following
one
to find
Note
that
a variety
out
how
only
one
to your
nuances
is a list of ] 0 DSP
effects
it changes
effect
the
can
be
that
sound
applied
To transpose the keyboard
Use the TRANSPOSE buttons (A and IF) to change
pose setting of the keyboard.
E_:ampll!:
To transpose
I
the keyboard
fi_e
The keyboard
can be transposed
within
downwards)
to +12 (one octave upwards),
•
•
The default
The display
•
if you do not perform
any key operation
To return the transpose
setting its initial
screen
Deep
Medium
reverb
Reverh 3
Chores
Reverh3
Chorus
Shallow
reverb
upwards.
2
3
|
a range
of -12
(one
buttons
4 II Tre_t_l°
Tremolo
5
Phase Shifter
Phaser
6
Organ
Organ
7
Enhancer
More
depth
Slight
modulatkm
Rotary
Speaker
speaker
Flange]:
then
Loudness
effect
organ
effect
high
rotary
by
enhanc-
harmonics
effect
es the sound
(A and V) at the same
EQ Loudness
of vol-
effect
Attack
El_hancer
Flanger
breadth
speaker
Jet plane
8
and
Electronic
ing
9
setting also affects
not, however
affect
Speaker
reverb
tll_e
octave
for about three seconds.
default of 00, display the trans-
and press the TRANSPOSE
Tuning
that
caus-
to build
and
decay
Enhanced
lower
tones
the sequencer
and Auto AccompaniAuto Accompaniment
drum parts,
the Keyboard
tuning
ing
Reverhl
Reverb2
transpose
setting is 00 when keyboard
power is turned on.
changes from the transpose
screen back to its normal screen
The transpose
ment, It does
The
Reverh 1
Reverh 2
I
•
•
0
1
0s.........].
I NOTES
pose
time,
semitones
the trans-
feature
of another
lets
musical
}ou
fine
tune
the keyboard
to match
the
tun-
instrument.
To tune the keyboard
J_,
Press the TUNE/MIDI
screen.
button
•
this
With
the
WK-1600/1630,
....
9
_,
to display
button
the tuning
is named
o o o o oooo
TUNE.
o o
Use [+] and [-1 buttons to change the tuning
of the keyboard.
E_:al}lplt!:
To Ioaer
the
ttming
by
o
O
•
The default
•
The display changes from the tuning screen back to its normal
you do not perform
any key operation
for about five seconds.
•
To return the tuning setting to its initial default
of 00, display the tuning
screen and press the [+] and [-] buttons
at the same time.
The tuning setting also affects the sequencer
and Auto Accompaniment.
733A
l
I
The keyboard
can be tuned within a range
cents,).
' 100 cents is equivalent
to one semitone.
It does
l
20.
•
•
O
setting
I -e0...........]
I NOTES
O
tuning
not, however,
setting
affect
is 00 when
of-50
keyboard
Auto Accompaniment
cents
power
drum
to 50 cents
is turned
(+50
on.
screen
if
parts.
E-19
E 021A
WK Z800/1600
(E)
16-_20
Page 19
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PM
Adobe
PageHaker
6.5J/PPC
Turning DSP Effects
You can
the DSP
turn the
button.
currently
selected
On and Off
DSP effect
on
and
Using the PITCH BEND Wheel
off by
pressing
As
its name
pitch
suggests,
of a sound.
saxophone
• The current DSP effect's on/off status is indicated
on the display
by the _
indicator.
The digital effect is on while this indicator
is displayed,
and off when it is not displayed.
• Press the DSP button to toggle the currently
selected digital effect
on and off.
the
DSP
PITCH
makes
other
BEND
_ heel
it possible
lets
to add
you
a touch
"bend"
the
of realism
to
tones.
To use the PITCH BEND wheel
While holding down a keyboard key with your right hand,
use your left hand to rotate the PITCH BEND wheel up and
down.
To turn the DSP effect on and off
_,, Press
and
the
This
• Releasing
button.
the
PITCH
BEND
wheel
returns
the
note
to
its original
pitch.
• This causes one of the t_o
low to appear.
digital
effect
screens
shown
beI NO TEE;
When the current digital effect is turned on
Ij
Indicates
O
effect is turned
O
O •
on
O0_
O
number
•
wheel simultaneously.
See "Pitch Bend Range
E-59 for changing
•
the bend range of the PITCH BEND
Never turn on keyboard
power while
(Initial
Default:
02)"
O
O
'
O
"
O O ") O
1
Modulation
applies
works
with
board
violin
best
vibrato,
notes
key held down,
or other
similar
which
I
Playing
that
are
sustained
especially
tone.
when
tune
•
E-8)
automatically
to the
tune.
You cannot
changes
the effect to the
amount
of vibrato
applied
MODULATION
wheel
upwards.
a demo
position
as far
downwards
Changing
the effect setting while sound is being output by the keyboard
causes a slight break in the sound when the effect changes.
The DSP effect is applied
not only to the notes you play on the key-
# NOTEE;
one that is assigned
tune effect.
•
(page
board
effects
change
or cancel
but also to rhythms and Auto Accompaniment
patterns.
Note that
3 through
6 and effect 8 can produce a mood that is not suitable
for certain
types
of music
when
they
are applied
the pitch
(held)
playing
of a note.
It
by
keeping
a key-
the
melody
with
a
to rhythms
Wheel
While playing melody notes with your right hand, rotate
the MODULATION
wheel with your left to apply vibrato
to the notes.
• The
a demo
is rotated.
Wheel
rood@ares
To use the MODULATION
•
wheel
any operation
While a digital effect screen is on the display, use the
[+] and [-] buttons
to scroll throLigh the digital effects, until the one you want is displayed.
# NOTES
BEND
Using the MODULATION
off
• The above screens clear if you do not perform
within about five seconds.
2
on page
wheel.
the PITCH
and name
When the current digital effect is turned
O
realistic sounding
the PITCH BEND
[
Effect
I
With saxophone
and electrical
guitar tones, the most
effects can be produced
if you play notes and operate
•
(rotated
depends
Setting
on
how
the
as it can
far
you
wheel
to
go)
turns
rotate
the
its neutral
vibrato
off.
I
•
Modulation
•
notes being played
Modulation
affects
can be used
to add greater
using a violin,
different
tones
expression
to sustained
synthetic
reed, or other
in different
ways.
similar
melody
tone.
and Auto
Accompaniment.
When this happens, you can turn off application
effect to the rhythm and Auto Accompaniment
by using the Mixer
of the
to set
the effect send volume of the accompaniment
channel to zero. For details on the actual procedure
for doing this, see "Changing
the Parame•
ters of a Channel"
on page E-3O.
Setting the keyboard's
MAIN VOLUME
fect 9 (EQ Loudness)
is being applied
tones and rhythm patterns.
When this
UME
slider
to high volume
when
Ef-
can cause
distortion
for certain
happens,
lower the MAIN VOL-
setting.
E-20
WK ZSOO/1600(S)
733A-E-022A
16-o20
Page20
03.7.31,5:20
PM
Adobe
PageHaker
6.5J/PPC
This keyboard automatically
plays bass and chord parts in accordance
with the chords you finger. The bass and chord parts are played using sounds and tones that are automatical]y
selected in accordance
with the rhythm you are using. All of this means that you get full,
realistic accompaniments
for the melody notes you play with your
right hand, creating the mood of an one-person
ensemble.
I NOTES
About
•
•
•
•
Always input three digits for rhythm
numbers,
including
any leading zeros if necessary
(as in 032). The rhythm number
input display
clears
after a few seconds
if you don't input three
You can also change
the displayed
rhythm
Use
the
to use.
MODE
Each
button
press
accompaniment
Button
to select
of the
modes
the
MODE
accompaniment
button
as shown
w_t_D_
cycles
in the
mode
through
illustration
the
t
FULL RANGE
want
available
[+] and
[-].
described
above.
Simply
input
a
Rhythms
110 through
119 (FOR PIANO
II) are made up of chord accompaniments
only, without drum or other rhythm sounds.
Because
of
this, these
off (all the
rhythms
indicator
do not sound while auto accompaniment
is turned
lamps
above the MODE button
are off). You can
specify
chords by using these rhythms
while
turned on (indicated
when one of the indicator
button is lit) or with Free Session.
below.
I Auto Accompaniment
© _%%_NGE
__
you
using
The 10 rhythm numbers
120 to 129 are provided
for storage of rhythm
patterns
created by you using the Pattern
Sequencer.
You can also recall these rhythms using the procedure
rhythm number
from 000 to 119.
the MODE
digits.
number
auto accompaniment
is
lamps above the MODE
off
CHORD
Playing a Rhythm
O
FINGERED
©
_1
t
FINGERED
Press
OASIO CHORD _
t
_1
cAs_o
CHOH_
1
the
You
To stop
rhythm
I NOTE
• Only rhythm sounds are produced
when all accompaniment
mode
lamps are off.
• The currently
selected accompaniment
mode is shown by the mode
lamps above the MODE button. [nformation
on using each of these
modes starts from page E-22.
Selecting
This
ke_ board
you
can
select
STA RT/STOI
rhythm.
can
-_ button
then
pla}5
play
press
to start
along
with
play
of the
the
START/STOP
rh} thin
currently
on
the
selected
keyboard.
again.
I
Chords
will
ment mode
sound
lamps
rhythm pattern
are off.
along
above
without
with
the
chords,
the rhythm
if any of the three accompaniMODE button is lit. If you want to play the
press the MODE
button
until all of the lamps
a Rhythm
provides
using
you
the
_ith
following
] 20 exciting
built-in
rhythms
that
procedure.
To select a rhythm
_' _ Find the rhythm you want to use in the keyboard's
Rhythm List and note its rhythm number.
_
Press the RHYTHM
;_
Use the number keys to input the three-digit
number for the rhythm you want to select.
Exl_lnpll!:
ri
To select
WK
JUNGLE"
press
0, 4 then
rhythm
2.
.H --042
. .. .. .. ... .
MEASURE BEAT
•
733A
"042
button.
I'_ T_M_O=
t_',.?, _
_:
E-21
E 023A
1800/1600
(E)
21~27
Page 21
03.7.31,5:20
PM
Adobe
PageMaker
6.5J/PPC
Adjusting
the Tempo
You can adjust the tempo (number
play within a range of 30 to 255.
_'_
of beats per mh_ute) of rhythm
Press
one
[V]
of the
TEMPO
the tempo
buttons
to increase
[A]
or de-
setting.
This method of chord play makes it possible for anyone to easily play
chords, regardless
of previous
musical
knowledge
and experience.
The following describes
the CASIO CHORD "Accompaniment
keyboard" and "Melody keyboard",
and tells you how to play CASIO
CHORDs.
CASIO CHORD Accompaniment
Keyboard
# NOTES
play, press the START/
CASIO CHORD
To adjust the tempo
crease
To stop Auto Accompaniment
STOP button again.
Keyboard
and Melody
I
•
Pressing
•
tempo to the default value
The tempo value indicates
both
TEMPO
buttons
(A and
V) at the same
time
of the currently
selected
rhythm.
the number of quarter note beats
resets
the
Accompaniment
Melody keyboard
per minute.
Using Auto Accompaniment
The following
procedure
describes how to use the keyboard's
Auto
Accompaniment
feature. Before starting, you should first select the
rhythm you -aant to use and set its tempo to the xalue you want.
To use Auto Accompaniment
Use
the
MODE
CHORD,
button
FINGERED,
or
to
select
CASIO
FULL
(HORD
IMPORTANT!
The accompaniment keyboard can be used for playing chords only. No
sound will be produced if you try playing single melody notes on the accompaniment keyboard.
RANGE
as the
ac-
companiment
mode,
• The current]) selected accompaniment
mode is the one whose
lamp is lit. See "About the MODE Button" on page E-21 for
details.
2_
Press the START/STOP button to start play of the cur
rently selected rhythm.
,'_,
Play a chord to start Auto Accompaniment.
• The actual procedure you should use to play a chord depends
on the currently selected accompaniment mode. Refer to the
following pages for details on chord play.
CASIO CHORD ........................... Page E-22
FINGERED ...................................
Page E-23
FULL RANGE CHORD ............. Page E-23
r
[RHYTHM_U_
O go
I
go
O e eloo
O
TEMPO=C8_'_"
Name of chord being played
"_
I
Current measure and beat
E-22
WK
1800/1600
733A
(E)
21-27
Page 22
03.7.3L
5:20 PM
Adobe
PageMaker
6.5J/PPC
E 024A
Chord
Types
CASIO CHORD accompanime]_t
with minimal fingering.
]ets you play four
Major chords
Major chord names are marked above
the keys of the accompaniment
keyboard. Note that the chord produced
when you press an accompaniment
keyboard does not change octave, regardless of which key you use to play
it.
C Major
_EE
types
(C)
F_A_B
Minor chords (m)
To play a minor chord, keep the major chord key depressed
and press any
other accompaniment
keyboard
key
located to the right of the major chord
key.
C minor
Seventh chords (7)
To play a seventh
chord, keep the
major chord key depressed
and press
any other two accompaniment
keyboard keys located to the right of the
major chord key.
C seventh
Minor seventh
chords (m7)
To play a minor seventh chord, keep
the major chord key depressed
and
press any other three accompaniment
keyboard keys located to the right of
the major chord key.
C minor
C_
C
Cm
Cdim
Caug _
Csus4
C7 .2
Cm7,2
Cmaj7 ,,2
Cm7-S
C7-S*t
C7sus4
Cadd9 _
Cm M7 "_
Cdim7 *t
of chords
EF
(Cm)
_C'_E E F_A_B
C_E
F
(C7)
¢'_*aE E Fm_A_B C_E
F
Cmadd9
seventh
_C_EE FmaA_BC_
"_
(Cm7)
F
See the "Fingered
chords with other
Chord
roots.
Chart"
on page
A-6 for details
"1 : Inverted
fingerings
cannot be used. The lowest
_2: The same chord can be played without pressing
I NOTE
on playing
note is the root.
the 5th G.
#
It makes no difference
whether
you press black or white keys to the
of a major chord key when playing minor and seventh chords,
right
# NOTES
•
Except
#
for the chords
specified
in note
playing E-G-C or G-C-E instead
as the standard
fingering.
FINGERED
•
FINGERED provides you with a total of 15 different chord types. The
following describes the FINGERED
"Accompaniment
keyboard"
and
"Melody keyboard",
and tells you how to play a C-root chord using
FINGERED.
FINGERED
board
Accompaniment
Keyboard
and Melody
Key-
Accompaniment
Except for the exception
specified
make up a chord must be pressed.
will not play the
desired
_ above,
of C-E-G)
inverted
will produce
fingerings
the same
(i.e.
chords
in note _ above, all of the keys
Failure to press even a single
FINGERED
that
key
chord.
FULL RANGE CHORD
This accompaniment
method
makes it possible to play a total of 38
chord variations:
the 15 available
with FINGERED plus 23 additional variations.
The keyboard interprets
any input of three or more keys
that matches
a FULL RANGE CHORD pattern
to be a chord. Any
multi-key
input that is not a FULL RANGE CHORD pattern is interpreted as melody play. Because of this, there is no need for a separate
accompaniment
keyboard,
and the entire keyboard from end-to-end
can be used for both melody and chords.
FULL RANGE CHORD Accompaniment
Melody Keyboard
Keyboard
and
IMPORTANT!
The accompaniment keyboard can be used for playing chords only. No
sound will be produced if you try playing single melody notes on the accompaniment keyboard.
Accompaniment
keyboard/Melody
keyboard
_J
E-23
733A-E-O25A
_'JK
$800/1600(B)
2$-_22
Page23
03.7.31.5:20
PM
Adobe
PageHaker
6.5J/PPC
....7
rrl [q ml
_,; ¢.............
, :;:'
Chords Recognized
¢£:>
by This Keyboard
The following table identifies
by FULL RANGE CHORD.
patterns
Music Example
that are recognized
Tone: 016
as chords
Rhythm: 002
Tempo: 072
D
,,_,
The 15 chord patterns
shown under
"FINGERED"
on page E-23. See the
"Fingered
chord chart" on page A-6 for
details o14 playing
chords
with other
roots.
FINGERED
23 standard
chord fingerings.
The following are examples
of the 23 chords
availab]e
>ith C as the bass note.
c6 • Cm6 • C6g
Standard
C#
C
D
C
B
C
C#m Dm Fm Gm Am
C
C
C
C
C
Fingerings
Dm75
E
C
G
C
Ab
C
F7 Fm7 Gm7
C
C
C
Al*7
C
F
C
C
BI_
C
Bl'm
C
Ab_ad9
C
D
_
C
J
Using
Bm
A
_,,, _-
IJ
_
J
IJ
#J
A
G
IJ
J
I
an Intro Pattern
This keybom
make startup
d lets you insert a short intro into a rhythm
smoother
and more naturah
The following procedure
fore starting, you should
set the tempo.
pattern
to
describes hovx to use the Intro feature. Befirst select the rhythm you want to use, and
PREPARATION
•
•
Select
Select
a rhythm and set its tempo.
the accompaniment
mode you want to use.
To insert an intro
Example:
To p]ay the chord
Either of the fingerings
C major.
C major.
shown
in the illustration
E
G
belo>
Press
vxil] produce
the
INTRO
button
to start
the
selected
rhythm
with an intro pattern.
• With the above setup, the intro pattern is played and the auto
accompaniment
with intro pattern starts as soon as you play
chords o14 the accompaniment
keyboard.
C
I NOTE
I
The standard
rhythm
pattern
starts
to play after the
intro
pattern
is com-
plete.
G
C
(_ ........ Chord C
Using a Fill-in Pattern
(_) ........ Chord
I NOTES
Fill-in patterns
let you momer_tari]_
change
the rhythm
add some interesting
_ ariation to your performances.
I
•
As with the FINGERED
mode (page
form a chord in any combination
().
E-23),
you can play the
•
When the lowest note of a chord is separated
from
by six or more semitones
the lowest note becomes
notes
that
its neighboring
the bass note
note
(:2).
The following
procedure
describes
pattern
how to use the Fill-in feature.
To insert a fill-in
_
_%,,
Press the START/STOP
Press the
pattern
button
NORMAL/FILL-IN
for the rhythm
to start
button
you
rhythm
to insert
play
a fill-in
are using.
I NOTE I
The fill-in pattern does not play if you press the NORMAL/FILL-IN
while an intro pattern is playing.
E-24
WK
1800/1600
733A
(E)
21~27
Page 24
to
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
button
E 026A
Using
Variation
In addition
to
secondary
Rhythm
the standard
"variation"
rhythm
rhythm
pattern,
pattern
for
I NOTE
Patterns
you
a bit
can
also
switch
to a
Press tile START/STOP
button
,_%, Press the VARIATION/FILL-IN
of variety.
variation
I NOTE
to start rhythm
button
the
play.
(non-variation)
rhythm
pattern,
pattern
When
you
press
playing
from
are
using
Auto
adds
three
additional
chord
that
maticaJly
pattern for tile rhythm you= are using.
to the normal
button.
ending
the beginning
with
the
that
makes
your
Accompaniment,
is being
melody
line
notes
can
play
set
Starting
Play
up
the
the
Auto
to your
p]ayed.
The
richer
Use the MODE
CHORD
and
Accompaniment
keyboard
to start
accompaniment
result
• The
button
Select
a rhythm
•
Select
the
current]y
selected
lamp
is lit. See
details.
on
rhythm
the
play
at the
with
same
O
is a harmony
effect
©
mode.
accompaniment
"About
the
mode
MODE
Button"
is the
on
FINGERED
t
FULL RANGE
_
[
one
page
I Auto Accol_paniment
FULL RANGE
CHORD
_1
O
time
keyboard.
off
whose
E-21
for
I
CHORD
FINGERED
t
CASIO CHORD _
,_
_I
CAS,O
CNOHD
1
and set its tempo.
accompaniment
mode
you want
to use.
Press AUTO
nize.
To use synchro start
• This
the
Press the SYNCHRO/ENDING
button to put the keyboard into synchro start standby.
_,,
auto-
in accordance
to select FINGERED or CASIO
PREPARATION
•
Harmonize
melody
fuller.
as the accompaniment
lnc_/_
}ou
measure.
To use Auto Harmonize
While a variation rhythm pattern is playing, press the VARIATION/FILL-IN
button to insert a fill in pattern for the variation rhythm you are using.
You
following
the
To insert a fill in into a variation rhythm
Synchro
Rhythm
of the
Using Auto Harmonize
to switch to tile
I
To switch
back
NORMAL/FILL-IN
on when you press the
before the second beat
of the current measure, the ending pattern starts playing immediately.
Pressing the button at any point in the measure
after the second beat results in
To change to the variation rhythm pattern
J_
_;
I
The timing when the ending pattern starts depends
SYNCHRO/ENDING
button. If you press the button
causes
HARMONIZE
the AUTO
to turn on Auto
HARMONIZE
indicator
Harmo-
to appear
on
display.
,2o]
2
Play a chord on the accompaniment
keyboard.
• The r]_) thin pattern starts to p]ay automatica]ly
as soon as
you play a chord.
I NOTES
•
•
•
Start Auto Accompaniment
on the keyboard.
4o
I
Only the rhythm
button are off.
plays
(without
If you press the INTRO button
the rhythm starts automatically
thing on the keyboard.
To cancel synchro
start
one more time.
chords)
if all the lamps
above
standby,
press the
SYNCHRO/ENDING
I NOTES
•
Finishing
with an Ending
performances
the
can
rhythm
end
your
you
are
using
to
with
an
press AUTO
HARMO-
I
Auto Harmonize
play, or perform
turns off temporarily
whenever
you start demo tune
a Synthesizer
or floppy disk operation
(WK-1800
only).
It turns back on as soon
turn off is finished.
button
•
•
You
To turn off Auto Harmonize,
NIZE.
• This causes the AUTO HARMONIZE indicator to disappear.
the MODE
before playing anything
on the keyboard,
with an intro pattern when you play some-
play, and play something
as the
operation
or function
that caused
it to
Note that you cannot
use Auto Harmonize
and layer at the same time.
Auto Harmonize
is enabled
only when the Auto Accompaniment
mode
is FINGERED
or CASIO CHORD.
Pattern
ending
a natural-sounding
pattern
that
brings
conclusion.
To finish with an ending pattern
While the rhythm is playing, press the SYNCHRO/ENDIN(; button.
• This causes the ending pattern to p]a_5 which brings rhythm accompaniment to an end.
E-25
733A-E-027A
WK
1800/1600
(E)
21~27
Page 25
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
About Auto Harmonize notes and tones
The
notes
you
the
notes
added
monize
pla}
on
the keyboard
to the
by Auto
Auto
Harmonize
the melody
notes
as the
use the Mixer
nize notes.
(page
for
The
notes."
melody
ber
note
2 to the
]n addition
of other
to
tone
tone
to the
you
tone,
parameters,
Parameters
dures.
for
uses
the tone
the harmonize
notes,
a different
tone
is assigned
to Mixer
Channel
Using Free Session
notes/'
is called
specify
want
you
to use
can
such
of a Channel"
I NOTES
Harmonize
normally
tone
"melody
while
the "hat-
you
for
This keyboard
" _Mons,"which
selected
chord
but
you
selected
the
harmo-
can
also
for
use
as volume
on
page
the
the
for
notes.
to change
balance.
E-3O
on
these
The default harmonize
note tone when you first turn
is the same tone as the melody
note tone,
•
Changing
nize note
the melody
tone setting
tone to the same setting,
automatically
a melody
progression
and
Starting
other
a Free
keyboard
of the
Free
a collection
of "Free
Sesthat
automatically
match
settings
Session
for
to the
causes
play
along
currently
the entire
with
the
key-
repeat-
Session.
on Auto
changes
with the selected
is turned on.
rhythm
•
•
•
•
Harmonize
the
settings
in accordance
_\ hene_ er Free Session
the
proce-
I
•
to become
chord
tempo
pattern.
Pre-programmed
pattern are used
a num-
See "Changing
details
tone,
rhythm
_ith
2, so change
harmonize
Mixe]
comes
pre-programmed
are Auto
Accompaniments
progression,
board
ing
harmonize
Channel
E-28)
are called
harmo-
Chord progression
Keyboard
tone and volume
Layer or Auto Harmonize
on/off
Layered tone and volume (when layel is turned on) or harmonize
tone and volume
(when harmonize
is turned on).
• Tempo
• A cconhpaniment
v o]ume
To use Free Session
Using One-touch
One-touch
accordance
preset
with
automatica]l_
the rhythm
Preset
Select the rhythm you want to use.
makes
the settings
pattern
you are using.
listed
in
below
A,
Press the START/STOP
• This
• Press
sion.
_,
Use the MODE button to select the accompaniment
mode you want to use.
A,
Press the ONE TOUCH
PRESET button.
•
the one-touch
automatically
cordance
with
makes
the
rhythm
you
preset
• The
Free
# NOTES
•
Start
rhythm
something
•
Accompaniment
and Auto
settings
in ac-
selected.
Accompaniment,
and
play
on the keyboard.
is played
the
again
one
touch
preset
lamp abo_, e the
Session
is turned
progression
of the preset
the selected
rhythm.
if you
to
want
stop
the
set-
tings.
root
note
FREE
off.
of the first
SESSION
button
chord
is C (See
keyboard
instead
of START/STOP
in the above
You can also use the INTRO,
NORMAL/FILL-IN,
is not
"Free
lit
Session
buttons
while
Free
Session
21~27
Page 26
Chord
accompaniment
in this
case
•
You must stop the Auto Accompaniment
first chord.
•
Changing
to a rhythm
change
timing.
pattern
with
unless
you stop Auto Accom-
to change
a different
the
meter
root
note of the
can affect
733A
(E)
when
procedure.
VARIATION/FILL-IN,
E-26
1800/1600
progres-
Tone and tempo settings
can be changed
while a Free Session
Auto
Accompaniment
is playing.
The rhythm
pattern can also be changed
while a Free Session
Auto Accompaniment
is playing,
but the chord
progression
does not change
paniment
and restart it.
WK
Auto
I
The default
and SYNCHRO/ENDING
is playing,
•
using
button.
chord
to match
START/STOP
that Free Ses-
Progression
Chart" on page A-2 for details). You can change to a different root by pressing
the corresponding
key within the accompaniment
•
"_
the repeating
lights to indicate
To turn off Free Session, press the FREE SESSION button again.
Select the rhythm you want to use.
This
starts
Accompaniment
To use one-touch preset
?J
button.
• The ]amp above the button
sion is tumed on.
• Keyboard
tone and vohm_e
• Layer or Auto Harmonize
on/off
• Layered tone and volume
(when layer is turned on) or harmonize
tone and volume (when harmonize
is turned on).
• T_mpo
• Accompaniment
VO]U]T/e
'_;
Press the FREE SESSION
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
chord
E 028A
Turning Auto Accompaniment
and Off
Parts On
Auto Accompaniment
patterns
are made up of five parts, named:
Chord 1, Chord 2, Chord 3, Bass, and Rhythm.
You can turn these
parts on and off to create exactly the type of accompaniment
pattern
you want Parts are turned on and off using channel buttons 6 through
10. The table below shows the relationship
between
accompaniment
parts and channel buttons.
Chord
1
CH6
Chord
2
CH7
Chord
3
CH8
Bass
CH9
Rhythm
CH10
See "Turning
Channels On and Off" on page E-29 for full details
how to turn Auto Accompaniment
parts on and off.
I NOTE
With
they
on
I
some rhythm patterns,
some parts are assigned
normally
do not play even when turned
on).
Adjusting
all rests
the Accompaniment
(which mean
Volume
The fo]lovx ing procedure
adjusts the o_ eral] _ o]ume of all the accompaniment
parts by specifying
a value in the range of OOO(minimum)
to 127 (maximum).
• Accompaniment
See "Mixer
volume
Modes"
can be changed
_' _ Press the CH5 (ACC VOL)
_%
in the Internal
on page E-28 for details
Mode only.
on the Internal
button.
Use the [A] and [V] cursor
crease the displayed
value.
keys to increase
O
IPOelIOooOOONQO
i
O
O
O
Mode.
or de-
I
New accompanimem
# NOTES
I
•
You can also use the
•
Accompaniment
part, See "Mixer Function"
The accompaniment
volume setting screen
anything
volume setting
for about
five
Mixer to adjust
the volume
for each
individual
Auto
on page E-28 for details.
is cleared if you do not input
seconds.
E-27
739A-E-O29A
WK
1800/1600
(E)
21~27
Page 27
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
Mixer Features
The Auto Accompaniment
feature and sequencers
of this keyboard
can play up to ] 6 different musical instrument
parts at the same time.
You can also play along on the keyboard,
and even use layer and
split to add even more instrument
parts.
For example,
the following
table shows the seven parts that would
play if you use layer to play two tones on the keyboard
while Auto
Accompaniment
play is in progress.
i
CH1
.
Main
tone
Layered
CH2
UPPER1
tone
UPPER2
Auto Harmonize
CH3
Split tone
CH4
Layered/split
(2)
(3)
(4)
Main tone
Keyboard
Layered
tone
Chord
l
Chord
2
(5)
Chord
3
(6)
(7)
Ba ss
Auto Accompaniment
Rhythm
The Mixer makes it possible for you to turn each of the above parts
on and off, and also speci fy the tone, volume, stereo (pan) point, and
DSP effect for each.
I NOTE I
The above explanation
applies to the Mixer's Internal Mode.
LOWER 1
•
Each part for keyboard play, Auto Accompaniment
patterns and Song
Sequencer
tunes is assigned
to one of 16 channels.
You can use the
Mixer to select a channel
and adjust various
parameters
of the assigned part. The following
table shows the parts assigned
to each
channel.
LOWER2
split tone
CH5
Main
CH6
Auto Accompaniment
chord
1
CHORD1
CH7
Auto Accompaniment
chord
2
CHORD2
CH8
Auto Accompaniment
chord
3
CHORD3
CH9
Auto Accompaniment
bass
BASS
CH1O
Auto Accompaniment
rhythm
RHYTHM
CH11
Song Sequencer
track
1
TR1
CH12
Song Sequencer
track
2
TR2
CH13
Song Sequencer
track
3
TR3
CH14
Song Sequencer
track
4
TR4
CH15
Song Sequencer
track
5
TR5
CH16
Song Secluencer
track
6
TR6
I NOTES
Parts and Channels
tone
tone
Auto Harmonize
@)
harmony
In this
channel
tons.
accompaniment
"channel"
numbers
is abbreviated
marked
The CHANNEL
•
marked on the keyboard
The part names shown
signed
ACC VOL.
I
manual,
•
spond
In the
volume
button
on the
name
in the
as "CH,"
keyboard
above
above
table
below the CHANNEL
in the "Part" column
channel
corresponds
to each
matches
the CHANNEL
corresponds
buttons.
of the above
to the parts that can be selected using the
case of the External
Mode (see following
to each
which
the
but-
to the text
table
corre-
Mixer's internal mode.
section),
the part as-
MIDI channel.
Mixer Modes
The Mixer has t_o main modes,
Mode, each of _hich is described
Internal
an Internal
mode
in detail below.
and an External
Mode
This mode lets you control
each channel (ir_ternal c]_annels)
when
using the keyboard
internal control (keyboard
play, Auto Accompaniment, Song Sequencer
playback).
This is the default Mixer mode
whenever
you turn on keyboard power.
E-28
WK
1800/1600(E)
733A
28-o31
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PageMaker
6.SJ/PPC
E 030A
To select the Mixer mode
play
play
Auto Accoipaniment
I
Song Seiuencer
I
I
I
Press the MIXER SELECT hutton to toggle between
the Mixer mode
sub-modes
as shown in the illustration
below. The currently
selected
mode is indicated
on the display.
111213141 161718191101.11211311411511GI
I
I
I
I
I
I
I
I
Internal Channel
I
I
I
I
I
I
I
I
INTERNAL
I
!
_=_
Internal
1
1
1
1
The internal mode allows independent centre[ of there 16 internal channels. ]
External
EXTERNAL
!_ _
_
rr1113£1 r.-.
External
EXTERNAL
_
_
te_
External/Solo
SOLO
ID_ _
I_.'.
Mode
The External Mode provides control of each cham_el (external channels) when the keyboard's
sound source is under control (MIDI input, SMF playbacl<')
of an external device.
I
MIDI inputor SMF plauback*
I
!
I
I
External/Play
PLAY EX31t "-_11r:_
I
I
I
I
I
I
I
I
External Channel
I
I
I
I
I
I
I
I
1
The External Mode allows independent control of there 16 external channels.
The External
External/Pla_
Mode has three sub-modes:
External,
External/Solo,
and
External
................... This is the basic External
Mode, which is used
for most external channel parameters.
External/Solo
........ This mode turns one channel
on and all other
channels
off. It is used playing
MIDI input (or
SMF playback _) that simultaneously
uses multip]e channels
of the keyboard's
sound source.
External/Play
........ This mode is a mirror of the External/Solo
Mode.
It turns one channel off and all other channels o14.
It comes in handy, for example,
when you want
to turn off a specific part of SMF playback _ and
play along on the keyboard.
I NOTES
•
The
I
internal
channels
controlled
by the
internal
mode
are completely
different
from the external
channels
controlled
by the external
mode,
This means that there are a total of 32 different
channels,
The Mixer
mode saves internal
from each other.
•
The
External
Mode
External/Play
page E-60 for
erations,
I
I
mode
is for
and
External
Mode
parameters
MIDI
(or SMF
playbackS).
separately
Operation
of the
Mode is particularly
suited to MIDI play, See "MIDI" on
information
about how the Mixer is used during MIDI op-
Turning
Channels
On and Off
Press the CHANNEL
buttons to toggle individual
chmmels
off. Indicators
on the display sho_x the current on/off status
channeh
on and
of each
WWWWWWWW_WWWWWWW
Drg_rglrw'lFg_E3ZIrvlrglE?KlK!NII[iX]Ir_IIKii]_DD
C!annelon
The
channel
_off
affected
NEL button
is pressed
described
below.
and
]
the
operation
performed
on
Mixer
depends
what
_hen
mode
you
a CHANare in, as
Internal Mode
• Each press of a CHANNEL
hutton toggles the applicahle
channel
on and off (except CHS).
• The on/off status of each channel determines
the on/off status of
the corresponding
part for keyboard
play, Auto Accompaniment,
and Song Sequencer
playback.
• Changing
to a different
rhythm
causes Mixer Settings
for CH6
through CH10 to change to t}_e default settings assigned to the new
rhythm. These settings also change to the defaults for the currently
selected rhythm pattern
whenever
you switch between
the Intro,
Normal, Variation, Fill-in, and Ending patterns.
External Mode
SMF Playback
(WK-1800 only)
The built-in
disk drive of the WK-1800 allows playback
of SMF
(standard
MIDI files) from diskette. See "Using the Floppy Disk
Drive (WK-1800 Only)" on page E-67 for details.
On/off
settings
in this mode
channels
(WK-1800 onl?).
affect MIDI
input
and SMF playback
• [n the External Mode, each press of CHANNEL button CH1 through
CH16 toggles the applicable
channel on and off.
• [n the External/Solo
Mode, pressing
a CHANNEL
button turns on
that channel and turns all the other channels off.
• [n the External/Play
Mode, pressing
a CHANNEL
button turns off
that channel and turns all the other channels on.
E-29
733A-E-031A
WK
Z8OO/16OO(E)
28-_31
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PageMaker
6.SJ/PPC
Changing
the Parameters
Use tile follov_ing
vidual cbanne].
p]ocedure
to change
of a Channel
the parameters
After making
additional
ENTER button.
of each indi-
Turn off the Synthesizer
of them are turned on.
Song
Sequencer,
or Pattern
Sequencer
I NOTES
the MIXER
SELECT
button
to select
the
Mixer
mode you want to use.
• Select the inter]hal mode to make layer, split, Auto Accompaniment, or Song Sequencer
settings.
• Select the External Mode to make MIDI settings.
• You can also make settings using the External/Solo
or External/Play
Modes,
but we recommend
using the External
Mode.
®
4, press
the
if any
To change channel parameters
Press
in step
• [f you do ]hot perform any operation
for about five seconds
while a channel number
frame is flashing,
the display returns to that in step 1 of the above procedure
automatically.
PREPARATION
•
settings
Use the [<] and [1_] cursor
keys to select the channel
whose
parameters
you want to change.
• See page E-28 for details on layer, split, Auto Accompaniment, and Song Sequencer
channel assignments.
• The frame around
the currently
selected channel
(the current channel) flashes, to indicate
that it is selected.
I
•
Internal
•
procedure
are stored separately.
You can change
the parameters
channel is on or off.
Mode
and
of a channel
•
Changing
channel
a Mixer
External
internal
sage that corresponds
terminal.
Mode
mode
to the
To make additional
settings
change
you
make
with
regardless
setting
above
of whether
causes
to be output
the
the
through
the
MIDI
mes-
the MIDI
OUT
channel parameter settings
When making
chamle] parameter
settings, press
to display the first additional
channel parameter
Use the [A] and [V] cursor keys to scroll through
shown below.
While any setting screen is on the display; use the
and [-] to change the palameter
to the value you
the ENTER button
screen.
the setting screens
number
want.
keys or [+]
[Setting Range]
v........
nn_t
UUU
J_IL/'-41_ -
to
.....
• The on/off status of the current
channel is indicated
in the
measure number area of the display (item 11 on page E-f0).
Change
rameters
off
.........
oFF
U
keys or [+] and [-] keys to change the to]he.
to change the volume. The current volume
as a value in the metronome
area of the dispage E-10), and by the level indicator.
VOLUME
_ jl_
_ L_
::
and
3-segment
level
volume level of
each channel.
indicator
shows
_
settings
for the current
The first
..........
• • • •
• • • 1•*
UU
• •
e o•••l
nn.
o•em•oo•o
*
]iii
..........
]
ooo
........
•
i
• •
• 4-t
]
i÷,_
........
...........
Channel Mode Parameof these parameters
con-
screen
is normally
screens
the
since
pan screen.
turning
If you used
on power,
the
the additional
last setting
You can use the [<] and [IJ-] cursor keys to change the current channel
while an additional
channel parameter
screen is on the display.
•
Channel
10 is reserved
199 can be selected.
for drum
sounds,
so only tone
number
733A
28-_31
Page30
you
•
E-30
WK 1800/1600(E)
......
I
channel parameter
used appears
first.
channel,
press the ENTER button while a channel
number
frame
is flashing.
• See "To make additional
cha]hnel parameter
settings"
for
details on making additional
channel parameters.
*moe
See the following
section titled "Additional
ters" on page E-31 for details on what each
trois.
•
additional
#U
UU
I NOTES
_'_;_,, To make
i
06"/' ; " ; ; ;
the current
channel's
tone and volume
pawhile
a channel
number
frame is flashing,
if
you want.
• Use the number
• Use [A] and [V]
setting is shown
play (item 15 on
oo]o*
Channel number frame
fain,
o...........
on
6•eoto
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
192 to
E 032A
Additional Channel Mode Parameters
The fo]lowing
eters.
Program
describes
each of the additional
chmmel
mode param-
Change Number
This parameter controls the tone assigned to the cham_eh
Volume
This is the parameter
neh
that controls
the volume
of the se]ected
chan-
Pan
This parameter
controls the pan pot, which is the center point of the
left and right stereo channels.
Setting 064 specifies
center, a value
less than 064 moves the point left and a value greater than 064 moves
it right.
Effect
Send
This parameter
controls the depth
channeh
Enhancer
and Loudness,
Fine
of the digital effect (DSP) for each
however, are not changed.
Tune
This parameter
in cent units.
Coarse
controls
the fine tuning
of the selected
cham_el's
pitch
Tune
This parameter
controls
pitch in semitone
units.
the coarse
tuning
of the selected
channel's
Expression
This parameter
this parameter
desktop music
controls the volume of the selected cham_eh Though
is identical
to the volume
parameter,
it is used for
applications.
E-31
733A-E-O33A
WK ZS00/1600(E)
28-o31
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PageMaker
6.SJ/PPC
Volume
The Synthesizer
of this keyboard provides
all the tools you need for
creating your own original
tones. Simply select one of the built-in
tones and change its parameters
to create your own original sound.
You can even store your sounds in memory
for later recall using the
same procedure
as that used to select a preset tone.
Synthesizer
Functions
The fo]low.ing describes
with the Synthesizer.
Synthesizer
how to use each
of the functions
available
t
Parameters
This parameter
V'olrarn e.
(3)
Tone
Pitch
m Pitch
This pa]ameter
followed
by a gradual decay.
_1_
_oAmp
controls
the overall
m Pitch Envelope Set
This parameter
provides a variety
can choose.
pitch
# NOTE
e0veiope
set
of pitch era'elopes
from _\ hich you
#
ii:,',C ente e,
parameters
01 through
17 selects
"Vibra-
_Output
(4) Volume,
Tone
m Attack Rate
@*Attack rate
@*Release rate
@oLevel
@*Touch sensitivity
eo Filter sensitivity
¢* Filter level
e* Pan
@*Transpose
These
of the tone.
affects
t
These parameters affect
pitch.
....
Parameters
Pitch envelope
00 selects "No change
(flat),"
to," and 18 through
45 selects "Other,"
[ ¢° PCM s,et.
Time
Release key
Sudden attack,
The soumts of the preset tones built into this keyboard are controlled
by settings called "parameters."
To create a user tone, you first recall
a preset tone and then change its parameters.
Note that drum set
tones (192 through
199) cannot be used as the basis of a user tone.
The figure below shows the parameters
that make zip the preset tones
and what each parameter
does. As you can see, these parameters
can
be divided into four groups, each of which is described
in detail in
the following pages.
This parameter affects
rode characteristics.
t
Press key
Quafity,
Parameters
This parameter
lets you set the speed of the attack (the period from
the point when you press a key to the point that the tone reaches its
maximum
volume). Use this parameter
to make fine adjustments
to
the tone characteristics
of the amp envelope
you are using.
Volume
affect
volume, tone quality, and
how notes are sounded.
(1) Tone
m
Characteristic
Parameter
PCM Set
This parameter
determines
the characteristk's
of a tone by switching
its digitally sampled
waveform.
You can select a piano, guitar, synthesizer, or any other of a variety of musical instrument
and digitally
sampled
waveforms.
(2)
Volume
Characteristic
Parameter
t
Time
Press key
Tone with
slow attack
::
Volume
m Amp Envelope Set
This set gives you a choice of a variety of different volume envelopes
(changes
in volume over time): slow attack when a key is pressed,
quick attack when a key is pressed, continued
sound while a key is
depressed,
etc.
Volume
a,ttack Rate
Time
Press key
Tone with quick attack b
t
t
Press key
Gradual
Time
Release key
attack,
followed
by a lingering
tone,
E-32
WK
1800/1600(E)
733A
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PageMaker
6.SJ/PPC
E 034A
ii Release
Rate
This parameter
controls the speed of a tone's release (the period from
tile point when you release a key to the point that the tone stops somxding). Use this parameter
to make fine adjustments
to the tone characteristics of the amp envelope you are using.
Volume
1DCO and 2DCO Tones
"DCO" stands "Digitally Controlled
Oscillatol;"
and it represents
the
smallest unit of sound output by this keyboard.
Some of the built-in
tones are simple tones (1DCO), and some are layered tones (2DCO).
Whenever
you select a 2DCO tone as the basis for creating
a user
tone, remember
that you mllst change the parameters
of both of the
tones (DCO1 a1_d DCO2) that make up the layered 2DCO tone.
f
• •
I'
'
l
°/: PCM s,et.
t
DC02 °
I'
DCO_ •
• •
_llb"
;.Amp
e0v_lope set
Time
@oPitch
@oPitch envelope set
Release-,,°,-°
@_Attack rate
®_Release rate
• "@°Level
@*Touch sensitivit
¢°
Pan
@*Tranlose
Tone with slow release
• "
t
Volume
Saving User Tones
Release
t
Rate
Time
Release-,,,,,,
:, Tone with quick release
The group of tone numbers
from 20g through
231 (USERgl through
USER32) is called the "user area" because they are reserved for storage of user tones. After you recall a preset tone and change its parameters
to create your own user tone, you can store it in the user
area for later recall. You can recall your tones using the same procedure that you use when selecting a preset tone.
Tone numbers
Tone
:,
== Level
This parameter
controls
the overall
vohm_e
of the tone.
== Touch Sensitivity
This parameter
controls changes in the volume of the tone in accordance with pressure
applied
to the keyboard
keys. You can specify
more volume for stronger and less volume for lighter pressure,
less
volume for stronger pressure, or the same volume regardless
of how
much pressure
is applied to the keys.
== Filter Sensitivity
This parameter
uses a digital filter to controls
of the tone in accordance
with pressure applied
== Filter Level
This parameter
controls
== Pan
This parameter
controls
board's built in speakers
put.
==Transpose
This parameter
controls
be raised orlowered.
000 - 1,27
GM Tone
change in the quality
to the keyboard keys.
Selectthe
ho_
the digital
presettone
128 - t,91
Synthesized
tone
192 - t,99
Drum Set
the stereo center point when using the keyand when otherwise
producing
stereo out-
Change parameters
[
L Saveas an originaltone J
howmuch
thekey
ofthekeyboard
should
200 - 2-_ 1
E-33
733A-E-035A
WK ZSOO/1600(E)
I
filter is applied.
32_38
Page33
03.7.31,5:21
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PageMaker
6.SJ/PPC
CZ3 o .......
J
....
E NOTES
rq:
8
.,: :. ;;."
88@888
E
•
When
•
200 to 231 ) contain the same tones as tones 128 through
159.
You cannot use a drum set tone (192 to 199) as the basis of a user tone.
the
keyboard
is shipped
from
the factory,
the
user
area
Whenever
you save a tone and assign it one of the tone numbers
in the
user area, any tone data previously
assigned to that number is replaced
with the new data.
•
The keyboard
to the memory
comes with a built-in lithium battery that
to retain memory contents while keyboard
off. See "Lithium
mation about the
•
Battery
lithium
Precautions"
battery.
on page
Use [+1 and [-1 to change
displayed
parameter.
(tones
•
•
88
of the currently
• You can also use the number keys to input a value to change
a parameter
setting. See "Parameters
and Their Settings" below for information
on setting range for each palameter.
supplies
power
power is turned
E-4 for important
the setting
If the preset tone you selected in step 1 is a 2DCO
tone, press [V] twice to display the DCO2 parameters.
infor-
You can use the keyboard's
MIDI capabilities
to save your original tones
to a computer
or other external
storage device. See "Bulk Sending
Keyboard Data" on page E-65 for details.
With the WK-1800,
you can use the built-in
tones to diskette.
See "Using
page E-67 for details.
Creating
Use
the
Floppy
disk
drive
Disk Drive
to save
(WK-1800
O
original
Only)"
to create
procedure
to
a user
toTle.
select
a preset
tone
and
change
its
oo oooo
o
o
on the keyboard.
• To save
you
the
•
This
causes
lamp
next
to the
light and displays
a screen
that shows
selected
is a DCO1
or DCO2
tone.
SYNTH
whether
button
the
tone
to
Tone
and
from
step
2.
user
tone
creation
press
perform
Storing
and
the SYNTH
the
following
under
return
the
button
tone
twice
to
(page
its original
or the TONE
describes
the
hmction
of each
pal ameter
and
also
i
PCM Set (0O0 to 288)
This parameter
switches the digitall}
sampled
IIO O0 O0 _O
• Each press of [_] or [1_] changes
"Parameters
and Their Settings"
tion about each parameter.
O O O
•
_O
O0
sho_s
O
O0 O _
over time.
whose setO
O
q) _q)
O O
O
.....
the val-
to the next parameter.
See
on this page for informa-
O
O O II
_llO
O O
O
E-34
1800/1600(E)
733A
32-_38
but-
wave form.
m Attack Rate (001 to 127)
This parameter
controls the speed of the attack. The greater
ue, the faster the attack of the selected amp envelope.
WK
E-
range.
O
_O
'
O t9
Use [_ ] and [1_1 to display the parameter
ting you want to change.
d--
procedure
[t [n Memory"
m Amp Envelope Set (000 to 288)
This parameter
controls volume characteristics
9
A,
_--Yl __/i
you
Ed . . . .......
I
O O _
Parameters and Their Settings
+2u
button.
the indicator
created,
a User
parameters,
ton ollce.
its setting
Press the SYNTH
tone
starting
• To exit
The
9
_<
O
wo ° •
,,.+
TEMPO=
O
Play something
35),
J _, First, select the preset tone you want to use as a basis
for your user tone.
o
OO
Repeat steps 3 and 4 to set the DCO2 parameters.
• Press
[A] two more times to return to the DCOI parameters.
"Naming
U
O O
on
a User Tone
following
parameters
the
Page 34
03.7.31,5:21
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Adobe
PageMaker
6.SJ/PPC
E 036A
II
Release
This
value,
Rate
parameter
the
faster
[
(001
the
the speed
release
--
II Filter Level (000 to 127)
This pa]ameter
controls the extent to which tile digital filter is applied. The greater the value, the more open the filter and the clearer
the sound produced.
A smaller value softens the sound.
to 127)
cont]ols
O
of a tone's
of the
O
selected
release.
amp
OIIOt,_O
The
greater
the
envelope.
O
O
[
O
--
O
O O
II
O+OO0
O
II Pitch Envelope Set (00 to 45)
This parameter
conhols
the pitch of a tone over time.
[ d I
--
0
User Tone Creation Hints
0
0
II
°
0
O_0
0
Tile following
hits provide
helpful advice on making
user tone creation a bit quicker and easier.
Use a preset tone that is similar to the one you are trying to create.
Whenever
you ah:eady have a rough idea of the tone you are trying
to create, it is always a good idea to start with a preset tone that is
similar. If you want to use a layered tone, start out with a 2DCO tone.
0
II Pitch (-64 to 63)
This parameter
controls the overall pitch of the tone. A greater positive value raises the pitch from standard,
while a negative value lowers the pitch. A setting of zero sets the pitch to the standard
setting
for the selected tone.
[
O
--
O
O
•
m
_O
Determine
O
Experiment
m Transpose (-12 to 12)
This parameter
raises and lowers o_ erall tuning b} semitone units. A
setting of -12 is one octa_ e lo_ el_ while 12 is 1 octave higher.
[ d I
O
--
+
110141@1
the most
important
with
various
different
++
O
+;
_Le
+
Tone Name [ Strings+ S.Sax ]
Baset ........
N+am+t_
0
II Touch Sensitivity
(-64 to 63)
This parameter
controls changes in the volume of the tone in accordance with the pressure
applied to the keyboard
keys. A greater positive value increases
the volmne of the output as pressure
increases,
while a negative
value decreases
volume
with increased
keyboard
pressure.
A setting of zero specifies
no change in output volume in
accordance
with keyboard pressure.
000 288
244
245
2
3
4
Amp EnvelopeSet
Attack Rate
ReleaseRate
000 288
001 ~ 127
001 + 127
244
245
087
087
027
027
5
6
Fitch EnvelopeSet
Fitch
O0 45
-64 + O0 63
O0
O0
O0
O0
7
8
Transpose
Level
-12 O0 12
000 127
O0
O0
087
090
9
Touch Sense
-64
O0 63
-09
59
10
Pan
-64
O0 63
-63
63
11
12
Filter Sense
Filter Level
000
118
079
087
Tone Name [ LFO Bell + Saw]
II Pan (-64 to 63)
This palameter
controls the stereo center point when using the keyboard's built-in speakers
and when otherwise
producing
stereo output+ A large]: value moves the center point to the right, while a smaller value moves it to the left.
i
PCM Set
000 ~ 288
112
113
000 ~ 288
112
113
001 ~ 127
089
115
ReleaseRate
001 ~ 127
028
028
O0 ~ 45
O0
O0
-64 ~ O0 ~ 63
-04
04
Transpose
Level
Touch Sense
-12 ~ O0 ~ 12
O0
O0
000 ~ 127
087
095
=64 ~ O0 ~ 63
63
63
9
10
11
Pan
Filter ,_ense
-64 ~ O0 ~ 63
O0
O0
000 ~ 127
019
019
12
Filter Level
000 ~ 127
075
095
[
d
l
........
_11
O
O ,,,
Pitch EnvelopeSet
Pitch
eHold down keys
II Filter Sensitivity (000 to 127)
This parametel
controls changes in the quality of the tone in accordance with pressure
applied
to the keyboard
keys. A greater value
increases
the change in tone quality as pressure
increases,
while a
smaller value decreases
the change in tone quality. A setting of zero
specifies no change.
O
Base tone number
Amp EnvelopeSet
Attack Rate
6
7
8
d- I o oooo.=.
O
000 127
000 127
ePress keys hard/soft
4
O
++++++++an+
+f i :
PCM Set
d-/...°
O
;: + ++:+++
t
ber
1
[ d- I ooo.<.oo +H o+
--
settings.
There are no leal rules a}xmt what a tone should sound like. ]Let your
imagination
run free and experiment
_ith different
combinations.
You may be surprised
at xahat you can achiex e.
II Level (000 to 127)
This parameter controls the overall volume of the tone. The greater
the value, the greater the volume, getting a ]eve] of zero means that
the tone does not sound at all.
I
parameter.
The PCM Set and Amp Envelope
Set parameters
are the major factors that determine
the overall personality
of a tone. Start out with
these two parameters
to get the general sound you want, and then
use the other parameters
to add the finishing touches.
Naming a User Tone and Storing
Memory
O
The following procedlare shows how to assign a name to a user tone
and store the tone in memory. Once a tone is stored, you can call it up
just as you do >ith a preset tone.
E-35
733A+E+O37A
wK
zsoo/16oo(s)
It In
32+38
Page35
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PageMaker
6.SJ/PPC
To name a user tone and store it in memory
Select
a preset
tone
to use as the
basis
for the
user
change
the
tone. Next, press the SYNTH
button and
parameter
settings
to create your tone.
2+
After
press
making
parameter
the SYNTH
• This causes
settings
to create
Use [+] and [-] and the number
first character of the name.
• [+] and [-] input alpha characters,
input mm_erals.
[
the user tone,
button.
the message
to appear
"Save?"
on the display<
/+
_O
O
O
•
•
O
O
O
O
Press
play
YES in response
the destination
[
_;;_
to the "Save?"
user
area tone
message
[
Use the number
keys to change
[
#'_
Press
[
olo
[
O
O
O
II
II
O_O
_
O
the user area tone
ONOO0
_o
o e,qJo o
o
o o
• Press YES to save the new tone and replace any tone data
already assigned
to the tone number you selected. Pressing
NO does not save the tone and returns to the screen in step
2, above.
• To cancel the save operation
and exit the Synthesize]_
press
SYNTH or TONE. Pressing the SYNTH button again (before
selecting another tone) returns to the Synthesizer
with all of
your parameter
settings still in place.
O
I
Auto Harmonize,
layer, split,
Sequencer,
Pattern Sequencer,
Auto Accompaniment,
MIDI, and floppy disk
erations
you are using
are all disabled
while
the
demo tunes,
Song
(WK-1800
only) op-
Synthesizer.
Letters and Numerals
ENTER.
• This displays
first character
cates that you
• If you do not
OOOO0
@+ Press ENTER to save the user tone.
I NOTE
O
while the m]mber keys
to dis-
number on the display until the one where you want
to store the tone is shown.
• You can select any tone m]mber from 200 to 231.
O
_O
O
number.
o . o.o.o
O
the user tone input screen to appear, _ith the
of the default tone name flashing, which indican input letters.
want to assign a name, skip steps 6 and 7.
o ..
o _ ...
The table below
for a tone name.
sho_s
the letters
and
numerals
that you
can input
!
•
J
BS
oo
oo
• °S
oo
-o---
oo
_
oo
oo
w
oo
_
•
o
o$
oo
E-36
WK
1800/1600(E)
the
Press [1_] to move to the next character. Repeat step 6
Itto ir_ut the rest of the characters of the name.
0
• To abort the save operation
without saving anything,
press
NO, which causes the message
"Delete?"
to appear on the
display. Press NO to return to the parameter
setting screen
without deleting the tone.
• Pressing YES while the "Delete?"
message
is on the screen
deletes the tone and exits the Synthesizer.
_%,,
keys to display
•
oo
oo_
733A+E-038A
32-_38
Page 36
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
Registration
Registration
memory
board
for
ing
setups
Memory
lets
instant
is a list of settings
you
recall
that
are
up
whenever
saved
Setup Names
Features
store
to 20
you
(5 sets
need
x 4 banks)
them.
in registration
The
ke_-
Set ups
Each
follow-
a letter
shown
memory.
are stored
setup
into
name
registration
consists
memory
of a bank
from A to E. The
below.
20 setup
by assigning
mm_ber
names
from
range
from
them
names.
O to 3, followed
0A through
by
3E as
Registration Memory Settings
• Tone
• Rhythm
• Tempo
• Split
on/off
• Split
point
• Layer
• Auto
on/off
Harmonize
• Mixer
settings
• Keyboard
channel
(digital
effect)
• DSP
(digital
effect)
Accompaniment
• Touch
•
Response
Assignable
jack
I _2:
on/off
• DSP
•
.
o
[ "'b
Use [+]
of the accompaniment
dEL o oo ,..oo.o o . o lo
•
specifies
"
L/L_
the initial tempo
value
for the accompaniment
0
o o o_
Use [+] and [-] to set the initial tempo value within the range of
030 to 255.
[f the accompaniment
pattern is playing when you change this setting, the tempo of the pattern
does not change
immediately.
The
value you specify becomes the current pattern's
default tempo value, so you need to press both TEMPO buttons at the same time to
have the newly set tempo take effect for an ongoing pattern.
I NOTE I
When you turn on the Pattern Sequencer,
the initial default tempo
value of the accompaniment
pattern you are using as a base is applied first,
E-54
WK
1800/1600(E)
733A
48-_57
Page 54
03.7.31,5:21
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Adobe
PageMaker
6.5J/PPC
E 056A
0
Element Sub-menus
Part Sub-menus
After displaying
the Element metal in the Pattern Edit Mode, use the
[41] and ['] cursor keys to scroll through
the Element sub-menus.
After displayb_g
the Part menu in the Pattern
Edit Mode, use
[41] and [1_] cursor keys to scroll through
the Part sub-menus.
the
Part Settings
Setting
the Number
of Measures
for Each
You can specify the mmg_er of measures
the fill-in element)
of an accompaniment
cording it.
Element
ELE' '
'
IMPORTANT!
You can specify the number of measures for each element only in the
following cases.
• Immediately after clearing Pattern Sequencer work area contents
(page E-54).
• After all the parts of the element whose number of measures you
want to change have been deleted using the Pattern Create Mode,
In all other cases, the number
of measures
for the base accompaniment
pattern cannot
Use [+] and
sures.
Setting
The fol-
ChoM Conversion Table
[
•
All Part menu settings can be made separately
for each part.
lowing shows which parameters
can be set for each part.
for each element
(except for
pattern before you start re-
[-]
to input
the Original
a value
Key
that is pre-programmed
be changed.
of 01 to 16 for
for Each
the number
of mea-
Element
Break Point
Quantize
Setting
Quantize
Execute
See "To play back elements of the accompaniment
pattern in the work
area" on page E-50 for details on how to select elements and parts to
make settings.
Accompaniment
Pattern
Playback
During
Part
Setting
Pressing the START/STOP
button while setting Part menu parameters sta]ts playback
of the Auto Accompaniment
pattern, so you can
immediately
hear how a change in a parameter
affects the accompaniment. You can perform
the fo]lowb3g operations
while Auto Accompaniment
is playing.
• You can specify
chords
using the chord play method
(CASIO
CHORD, F[NGERED,
FULL RANGE CHORD)
that suits the accompaniment
mode selected with the MODE button.
• You can change
sub-metal
settings,
and immediately
hear how
changes affect the accompaniment
pattern.
You can set the basic key for each element when recording an accompaniment pattern. The default setting for the original key is C.
Chord
[
ELE
O
O O
......... 1
•OeOO_O
@
O
When you play the chord that is set as the element's
original
key
while playing back an accompaniment
pattern, all notes recorded on
the element are played
back exactly as they are recored (and are not
affected by chord conversion
table).
I NOTES
•
I
You can change
the Original
ing cases only.
• Immediately
after clearing
See "Work Area
clear operation.
•
After
have
Clear"
on
for each
the Pattern
Sequencer
page
E-54
for
all parts of the element whose Original
been deleted
using the Pattern Create
In all other cases
the Original
tern used as the base pattern
•
Key setting
element
work
details
in the followarea.
on the
work
Key setting of the accompaniment
is used, and cannot be changed.
case the display does not flash.
Set the original
key to C if you want
built-in patterns.
your
area
Key you want to change
Mode (page E-52).
pattern
to be compatible
patIn this
with
F_
c_
G
D
A_
Eb
A
E
B_
F
B
• Use [+] and [-] to change
793A
WK
Table
Sub-menu
table
[
'1'
Point
point
of the accompaniment
[
l
settings.
Page 55
l
Sub-menu
Use this sub-metal
to specify the break
pattern for each pa]t of an element.
E-55
48-_57
l
• Select the part of an element
whose setting you want to change,
and then use [+] and H to specify a value in the range of 00 to 18,
which specifies the chord conversion
table mmlber.
• See "Chord Conversion
Table" on page A-8 for details on chord
conversion
table mmg_ers and contents.
E 057A
1800/1600(E)
of the ac-
Accompaniment
patterns
are normally recorded in the key of C. When
you select an accompaniment
pattern and specify a key by with the
accompaniment
keyboa]d,
the pattern is transposed
from the key of
C to the specified
key. Simply transposing
chords on a one-to-one
basis, however,
can result in mechanical,
unnatural
sounding
patterns. To compensate
for this, the keyboard has 19 built-in chord conversion tables that make chord progressions
in different keys sound
more natural.
Break
c
Conversion
Use this sub-menu
to specify the chord conversion
companiment
pattern for each part of an element.
03.7.31,5:21
PM
Adobe
PageMaker
6.SJ/PPC
l
¢¢ Break
Quantize
Point
• Once you specify a break point, any chord above the break point is
played in the next lower octave when playing
back chords using
CASIO CHORD, FINGERED, and FULL RANGE CHORD.
[
C
FI
CI
G
D
Ab
Eb
A
E
Bb
F
B
• Use [+] and [-] to change
Quantize
9
i}l
I NOTE
O
O
O
O
........ ]
_O
_
O
ii!
• *
Quantize
quarternotes
• *
Quantize
8th notes
....
Quantize
8th trip]icate
....
Quantize
16 th notes
......
Quantize
16 th triplicate
....
Quantize
32 nd notes
......
Quantize
32nd
....
Quantize
64 th notes
in ac-
,,,,..,,,
Press the YES key to execute
the quantize
operation
or NO to abort the operation.
• Pressing YES causes the "qt PIs Wait" message to appear and
remain on the display until the quantize
operation
is complete. The message shown below appears for about I second
after the quantize operation
is complete.
Then the keyboard
returns to the part metal
settings.
Setting
O
Pr .,
operation
In the Global menu, use the [4] and [1_] cursor keys
to display the message "Prt Qtz Exe?'.
This setting determines
the quantize
value after recording.
The timing of notes previously
recorded
from the keyboard
can be matched
with the note timing made with this setting.
[
Execute
Use the following procedure
to execute the quantize
cordance with current quantize settings.
(initial
[
' " "-'"'
Exiting the Pattern
Sequencer
' '1'
Mode
Use the follo_aing
procedures
to exit the Pattern
Sequencer
The procedure
)ou should use depends
on whether you want
or discard the contents
of the >ork area.
Mode.
to save
To exit the Pattern Sequencer Mode and save
work area contents
value)
I NOTE I
Perform this operation only after you have finished creating the pattern
you want to save,
notes
triplicate
notes
Press the PATTERN button.
• This causes the message shown below to appeal_ _hich asks
if you _aant to save work area contents.
_'
notes
[
:_o o ooo_o
1
mr_
I
The length of the last note of the accompaniment
be altered
by the quantize
setting.
pattern
you create
may
Press the YES key to save the pattern.
• See "To exit the Pattern Sequencer Mode without saving work
area contents" on page E-57 for details on what how to exit
without saving.
E-56
WK
1800/1600(E)
793A
48~57
Page56
03.7.31,5:22
PM
Adobe
PageHaker
6.5J/PPC
E 058A
/_%,, Use the number
[+]
keys or
and [-]
to specify
the user
rhythm
number
where
you want to save
and then press the ENTER button.
the pattern,
•
to
You
can
input
a]_]y
nu]_lber
O
+'+_+, Press the [4]
the rhythm
O
or [_]
name
rhythm.
• Use [+] and
location.
• Use the [4]
right.
in
the
of
OUO_O
cursor
input
ra]_lge
O
and input
[-] to scroll through
letters
]29.
O _-
key to move
area,
and [1_] cursor
]20
O
the cursor
a name
O
O
to
for the
at the current
keys to move
O
the cursor
cursor
]eft and
J
After
you
are finished
inputting
the
name,
press
the
ENTER bullon
to save the rhythm
pattern
under
the
name you specified.
• The message "Complete"
appears
o11 the display for about
one second, and then the Pattern
Sequencer
turns off. The
currently
selected
rhythm
at this time is the one you just
saved.
• [f the rhythm
number
you specified
already
contains
a
rhythm,
the message
"Replace?"
appears
when you press
ENTER in step 5 above, to ask whether you want to replace
the existing rhythm with the new one. Press YES to replace
or NO to return to step 1 of the above procedure
so you can
specify a different rhythm mmxber.
To exit the Pattern Sequencer
saving work area contents
Press the PATTERN
Mode without
button.
• This causes the message shown below to appear,
if you want to save work area contents.
which
asks
2o
..... o o oe o
_%,
Press
the
NO
key.
......
_O
O
OIIOOOO
O
• The above message asks if you really
area
/_%,, Press
O
WK
O
O
O
want to delete work
('ol_tents+
the
YES key
to exit
without
saving
contents,
or NO to abort this operation
the Pattern
Sequencer
Mode.
733A
_
work
area
and return
to
E-57
E 05gA
1800/1600(E)
48~B7
Page57
03.7.31,5:22
PM
Adobe
PageMaker
6.5J/PPC
Using the Keyboard
The following
describes
change the bend range,
range shift setting.
Settings
Menu
WK-1600/1630
how to use the keyboard
settings menu to
the assignable
jack function, and the sound
To use the keyboard
settings menu
MIDI settings
_' _
Press the TUNE/MIDI
With the WK-1600/1630,
>
,/ ....
button.
this
button
is named
(page
E-62)
MIDI.
Use the [A] and [Y] cursor keys to display
the screen
for the setting you want to make, as shown
below.
[
WK-1800
UU
°
°
o oo
o
_
Tuning
"Yt_
screens
(page E-19)
02 ....
[ sus
Pitch Bend range
4
Assignable
Sound
,'v
-
,t
-
[
jack function
range
shift setting
.Bulk send, receive
MIDI settings
,'v
-
(page E-62)
,i1 -
Use [+] and [-] or the number
keys to change
the
setting.
• Settings you make are applied
even if you do ]hot press the
ENTER button.
,i1-
oFF'
•
,°
0£.
5U5.
(page E-65)
Pitch Bend range
° • °° °
Assignable
_<#_1
jack function
• Pressing [+] and [-] at the same time returns the display value to its initial default.
• See the fo]]owing section titled "Setting Screens" for detai]s
on each setting.
,t.°
oFF '
Sound
range
shift setting
]
"_ -
°1 Bulk send, receive
(page E-65)
After making the settings you want, press the TUNE/
MIDI button (MIDI button on the WK-1600/1630)
to
clear the setting screen.
• The setting screen also clears automatically if you do ]hotperform any operation for about five seconds.
E-58
WK
1800/1600(E)
733A
58-_59
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03.7.31, 5:22 PM
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PageMaker
6.5J/PPC
E 060A
Setting
Pitch
Bend
Screens
Sound
Range
This setting shifts the range of a specific tone one octave up or down.
This makes it possible to shift the piccolo tone range so you can play
it within the keyboard
range. You can also shift bass and other lowrange tones so they can be played within the keyboard
range.
(Initial
Default:
02)
This setting specifies the change in pitch caused whell the pitch bender
is at its maximum
position. You can set a value in the range of O0 (no
change) to 12 (12 semitones).
02....-.
[
[
<<{>]
Range
Shift
(Initial
Default:
oFF........
Sound Range Shift Off
• Sound _ithin range specified
Assignable
Jack
This setting specifies
nuto, soft, or rhythm
Sustain
Applies
Function
(Initial
the hmction
pedah
Pedal (SUS)
a sustain effect .1 then
Default:
of the foot pedal
as: sustain,
soste-
is pressed.
Applies
Pedal
(SOS)
a sostenuto
effect .2 when
the pedal
is pressed.
[ SOS.......
Soft Pedal
Softens
Sound
Range
Shift
MIDI.
On
072
I 5U5.......
Sostenuto
b) General
SUS)
1 octave
the pedal
oFF)
I
up
Piccolo
1 octave
down
032
Acoustic
033
034
Fingered Bass
Picked Bass
035
Fret]ess
036
Slap Bass 1
037
Slap Bass 2
038
Synth Bass 1
039
043
Synth Bass 2
Contrabass
Bass
Bass
(SFt)
notes
played
>hile
pedal
is depressed.
l
Rhythm Pedal
Pedal performs
(rHy)
same operations
as the START/STOP
button.
[
"1 Sustain Effect
With piano tones and other sounds that decay, the pedal acts as a
damper pedal, with sounds being sustained longer when the pedal
is depressed.
With organ tones and other continuous
sounds, notes
played on the keyboard
continue
to sound until the pedal is released. In either case, the sustain effect is also applied to any notes
that are played while the pedal is depressed.
*2 Sostenuto
Effect
This effect performs
the same way as sustain, except that it is applied only to notes that are sounding
already when the pedal is
depressed.
It does not affect notes that are p]ayed after the pedal
is depressed.
733A
E-59
E 061A
WK 1800/1600(E)
58-°59
Page59
03.7.31,5:22
PM
Adobe
PageHaker
6.5J/PPC
What is MIDI?
General MIDI
The letters MIDI stand for Musical [nstrument
Digital Interface, whk'h
is the name of a worldwide
standard
for digital signals and connectors that makes it possible
to exchange
musical data between
musical instruments
and computers
(machines)
produced
by different
manufacturers.
MIDI compatible
equipment
can exchange
keyboard
key press, key release, tone change, and other data as messages.
Though you do not need any special knowledge
about MID1 to use
this keyboard as a stand-alone
unit, MIDI operations
require a bit of
specialized
knowledge.
This section provides you with an overview
of MIDI that will help to get you going.
MIDI Connections
MIDI messages
are send out through
the MIDI OUT terminal
of one
machine
to the MIDI IN terminal
of another
machine
over a MIDI
cable. To send a message from this keyhoard
to another machine, for
example, you must use a MIDI cable to connect the MIDI OUT terminal of this keyboard to the MIDI IN terminal of the other machine. To
send MIDI messages
back to this keyboard,
you need to use a MIDI
cable to connect the other machine's
MIDI OUT terminal to the MIDI
IN terminal
of this keyboard.
To use a computer
or other MID1 device to record and playback the
MIDI data produced
by this keyboard,
you must connect the MIDI
IN and MIDI OUT terminals of both machines
in order send and receive data.
MIDI OUT
Computer
As we have already seen, MIDI makes is possihle to exchange musi• %al data between
devices produced
by different mamlfacturers.
This
musical data does not consist of the notes themselves,
but rather information
on whether a keyboard key is pressed or released, and the
tone rlumber.
If tone mmg_er I on a keyboard
produced
by Company
A is PIANO
while tone number 1 on a Company
B's keyboard is BASS, fol exampie, sending data from Company
A's keyboard to Company
B's keyboard produces
a result entirely different from the original. If a computer, sequencer
or other device with auto accompaniment
capabilities is used to produce music data for the Company A keyboard which
has 16 parts (16 channels)
and then that data is sent to the Company
B keyboard
which can receive only 10 parts (10 channels),
the parts
that cannot be played
will not be heard.
The standard for the tone numbering
sequence,
the number of parts,
and other general factors that determine
the sound source configuration, which was arrived
at by mutual consultations
by manufacturers, is called General MIDL
The General MID1 standard
defines the tone numbering
sequence,
the drum sound numbering
sequence, the number of MID1 channels
that can be used, and other general factors that determine
the sound
source configuration.
Because
of this, musical data produced
on a
General MIDI sound source can be played back using similar tones
and identical nuances as the original_ even when played on another
marlufacturers
sound
source.
This keyboald
conforms
with Genelal MIDI standards,
so it can be
connected
to a computer
or other device and used to play back General MIDI data that has been purchased,
downloaded
from the Internet, or obtained
from any other source.
etc.
MIDI Channels
MIDI allows you to send the data for multiple parts at the same time,
with each part being sent over a separate MIDI cham_el. There are 16
MIDI channels,
mlmbered
1 through
16, and MIDI channel data is
always included
whenever
you exchange data (key press, pedal operation, etc.).
This keyboard
is equipped
with multi-timbre
capabilities,
which
means it can receive messages
over all 16 MIDI channels
and play up
to 16 parts at the same time.
Keyboard
and pedal operations
performed
on this keyboard are sent
out by selecting a MIDI channel (1 to 16) and then sending the appropriate message.
E-60
WK 1800/1600
733A
(E)
60-66
Page 60
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PageHaker
6.5J/PPC
E 062A
L OCAL
Making MIDI Settings
This section describes tile MIDI settings }rot] need to make when connecting this keyboard
to a sequencer,
synthesize]5
or other external
device. Once connected,
you can send and receive data, and even
play back commercially
available General
MIDI data.
CONTROL
On
MIDI Settings
GM SYSTEM
ON/OFF
(Default:
The parameters
of the executable
ever the GM SYSTEM ON/OFF
[
on:
_f'/
within
)O)OO
the range
KEYBOARD
up
072
Piccolo
J
prescribed
1 octave
down
032
Acoustic
033
034
Fingered Bass
Picked Bass
035
Fretless
036
Slap Bass 1
037
Slap Bass 2
038
Synth Bass 1
039
043
Synth Bass 2
Contrabass
CHANNEL
initialized
when-
O'(d'l
hy General
oFF: Causes the range of "072 Piccolo" to be raised
the range of "032 Acoustic Bass" to be lowered
1 octave
MIDI.
one octave,
one octave.
and
on:
Anything
pla}ed on the ke}board
is sounded
by the internal
sound source and simultaneously
output as a MIDI message from
the MIDI OUT terminah
oFF: Anything
played on the keyboard
is output as a MIDI message
from the MIDI OUT terminal,
without being sounded
by the internal sound source. Turn LOCAL CONTROL off whenever _/ou
are using the MID1 THRU function of a computer
or other external device. Also note that no sound is produced
by the keyboard
if LOCAL CONTROL is turned off and no external device is connected.
MIDIOUT
(Default:
LOCAL
01)
o (
•
CONTROL
ON/OFF
(Default:
Off
oFF)
1
MIDI
OUT
(Default:
oFF)
[ oFF..........I
on:
Auto Accompaniment
is played b} the keyboard
and the corresponding
MIDI message
is output
from the MID] OUT terminal.
MIDI messages
are not output
from the
Turns MIDI IN CHORD JUDGE on, which allows chord settings
to be made using keyboard
channel note data input through the
MIDI IN terminal
_a.hen the chord fingering
method
is selected
by the MODE button.
oFF: Turns
733A
CONTROL
Notes played on the keyboard are
output
as MID[ messages
from
the M[DI OUT terminal,
but not
sounded
directly by the internal
sound source. The MIDI THRU
terminal
of the connected
device
can be used to return the MID1
message and sound it on this keyboard's sound source.
oFF: Auto Accompaniment
MIDI OUT terminah
on:
MIDi OUT
LOCAL
o i_ a
Use MIDI [N CHORD JUDGE when you want to use note data received from an external device through
MID{ IN to play chords. It
comes in handy
when you want to control Auto Accompaniment
chord progressions
from a computer
or other external device.
{ oFF.....,,.
On
Notes played o14 the keyboard are
sounded
by the inteHlal sound
source andoutput
as MIDI ruessages from the M[DI OUT termihal.
A CCOMP
JUDGE
J
(
Bass
, o o e_
IN CHORD
oooo,,
Bass
This parameter
sets the channel
for MIDI messages
to an external
device. You can set any MIDI channel in the range of 01 to 16 as the
keyboard
channel.
MIDI
on)
on)
channel are always
setting is changed.
OO
Tones sound
(Default:
This setting determines
whether or not the keyboard and sound source
of this keyboard are connected
internall?,_ When recording
to a computer or other external device connected to this keyboard's
MIDI IN /
OUT terminal,
it helps if you turn LOCAL CONTROL off.
MIDI IN CHORD
JUDGE
off.
E-61
E 068A
WK 1800/1600
(E)
60-66
Page 61
03.7.31,5:22
PM
Adobe
PageHaker
6.5J/PPC
|
[{%'
" " _"_'/
k>r,
......
;,.,_o¢%o,p%._:,- '._,@-
@@!3!:{IN
8 8@8
.....................
To make MIDI settings on the WK-1800
,,_
Press the TUNE/MIDI
i}
*'....
button.
Use the [A] and [V] cursor keys to display
screen
for the setting
you want
to make,
below.
Tuning
•-!
screens
the MIDI
as shown
M[DI settings
.-4
(page E-19)
! ....
ZI
i ....
"1,
_
][
_
1 "_"
z
_"
See
/
/
page
J
MIDI settings
"Keyboard
E-58
FF .......
....
_,,
_i,_
I "_"
J
See "Ke}board
page
E-58 for
Settings"
details
on
on
set-
_'¢_, Press the TUNE/MIDI
button
to clear
the setting
screen. The setting screen also clears automatically
if
you do not perform any operation for about five seconds.
J
$2
_
Press the MIDI
button.
Use the [A] and [Y] cursor
screen
for the setting
you
below.
keys to display
want to make,
the MIDI
as shown
receive
(page E-66)
MIDI Messages
There is a wkfe variety of messages
defined under the MIDI standard. This section details the particular
messages
that can be sent
and receix ed by this ke) board. An asterisk (_) is used to mark messages that affect the entire keyboard,
while messages _ithout
an asterisk are those that affect only a particular
channeh
NOTE
To make MIDI settings on the WK-1600/1630
ON/OFF
This message sends data when a key is pressed
(NOTE C)N) or released (NOTE OFF).
A NOTE ON/OFF
message includes
a note number (to indicate the
note whose key is being pressed or released) and velocity (keyboard
pressure as a value from 1 to 127). NOTE ON velocity is always used
to determine
the relative strength of the note. This keyboard does not
receive NOTE OFF velocity data.
Pressing a keyboard
key sends the corresponding
NOTE ON message from the MIDI OUT terminal,
while releasing
the key sends the
corresponding
NOTE OFF message.
E-62
WK
1800/1600
793A
(_)
60~66
Page 62
set-
Press the MIDI button to clear the setting screen. The
setting screen also clears automatically
if you do not
perform any operation for about five seconds.
receix e (page E-65)
Use [+] and [-] or the number keys to change
the
setting.
• Settings you make are applied even if you do not press the
ENTER button.
on
on
Use [+] and [-] or the number
keys to change
the
setting.
• Settings you make ale applied
e_en if you do not press the
ENTER button.
tings.
I Bulk send,
details
tings.
Bulk send,
!
Settings"
for
03.7.31,5:22
PM
Adobe
PageMaker
6.5J/PPC
E 064A
Immediately
prior to sending tile PROGRAM CHANGE
message,
send two successive
CONTROL
CHANGE
messages
containing
the following data.
CONTROL
N UMBER=O CONTROL
VALUE=
CONTROL
N UMBER=32 CONTROL
VA LUE= O
Press the key
MIDI OUT Terminal
(_*
NOTE ON
number
(tone)
• Note
Velocity
(volume)
I
I
I NO TEI
Release
\.
_
Data
the key
MIDI OUT Terminal
<:_
(_11_
• Note
number
• Velocity
(tone)
(00)
I
pitch
of a note
depends
on the tone
that
is being
used,
as shown
the "Note Table" on page A-1. Whenever
this keyboard
receives
number that is outside its range for that tone, the same tone in the
available
octave is substituted.
PROGRAM
in
a note
nearest
Tfiis message carries pitch bend information
for sliding pitch upwards
or downwards
during keyboard
play.
Performing
a pitch bend operation
on this keyboard
simultaneously
changes the pitch of the built-in
sound source and sends a PITCH
BEND message out through
the M[DI OUT temlina].
when
of this keyboard
PROGRAM
over MIDI
Channel
10
CHANGE
is received
over
channel
10.
I
Sustain (CONTROL
NUMBER
and soft (CONTROL
NUMBER
can also be sent and received.
ALL
SOUND
This message
nel to stop.
BEND
CONTROL
source
*2 "RPN" stands fro: "Registered
Parameter
Number",
which is a special control change number used when combining
multiple
control changes.
The parameter
being controlled is selected using the
control values of control nmnbers
100 and 101, and then settings
are made using the control values of DATA ENTRY (control mm_bers 6 and 38).
This keyboard
supports
pitch bend sense, coarse tune, and fine
tune RPNs sent from other MIDI machines.
I NOTE
CHANGE
This is the tone select message.
PROGRAM
CHANGE
can contain
tone data within the range of 0 to 127.
A PROGRAM
CHANGE message is sent out through the keyboard's
MIDI OUT terminal
whenever
you manually
change its tone number. Receipt
of a PROGRAM
CHANGE
message
from all external
device changes the tone setting of this keyboard.
PITCH
by the sound
is not necessary
INOTEI
The
received
is always treated
as drum set data, and can be sounded
using one of the
eight drum set sounds
only. Because
of this,
PROGRAM
CHANGE
0
through
7 always corresponds
to drum set tones, so BANK SELECT
data
NOTE OFF
ALL
NUMBER
66)
the foot pedal
OFF
forces
NOTES
64) sostenuto
(CONTROL
67) effects applied
using
all somxt
being
produced
over the current
chan-
OFF
This message causes all notes being producd
over the current channel due to NOTE ON messages to stop. This message is valid only for
MIDI data notes.
CHANGE
RESET
This message adds effects such as vibrato and volmne cfianges.
TROL CHANGE
data includes
a control number
(to identify
fect type) and a control value (to specify' the on/off status and
of the effect).
The following is a list of data that can be send or received using
TROL CHANGE.
CONthe efdepth
CON-
ALL
This messages
SYSTEM
CONTROLLERS
initializes
pitch
bend and
all other
contro]
changes.
EXCLUSIVE*
This message is used to control system exclusives,
which are fine adjustments
that are unique to a particular
MIDI device. Originally, system exclusives
were unique to a particular
model, but now there are
also tmiversal system exclusives
that are applicable
to machines
that
are different models and even produced
by different mamlfacturers.
The following
are the system exclusive messages
supported
by this
keyboard.
iiiilliiiillliiiiiiiiiiiiiiiiiiiiiiiiiii;
iiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiii iiii i iiii iiii i iYii i iiYiiii iiiiiii;
BANK
SELECT *_
0/32
Modulation
1
Volume
7
Pan
10
GM SYSTEM
Expression
11
Hold1
64
Sostenuto
66
• GM SYSTEM ON takes more time to process than other messages,
so it can take more than 100 tllsec until the next message is processed.
Soft Pedal
67
GM SYSTEM
Effect
91
GM SYSTEM OFF is used
board's GM system.
depth
RPN .2
100 / 101
Data Entry
6 / 38
"1 The BANK SELECT setting of PROGRAM CHANGE
can be used
to access any of this keyboard's
232 tones when selecting tones on
this keyboard
from an external device. The 232 tones are divided
between
four banks, as described
below.
Bank
Bank
Bank
Bank
733A
WK
ON (IF0] [7El [7F] [09] [011 IF7])
GM SYSTEM ON is used by an external machine to turn on this keyboard's GM system. "GM" stands for "Genelal MIDP'.
EFFECT
OFF (IF0] [7El [7F] [09] [02] IF7])
CHANGE
by all external
device
to turn off this key-
(IF0] [44] [0B] [09] [XX] [F71)
EFFECT CHANGE
switches between the keyboard's
internal digital
effects. The "XX" parameter
in the syntax shown above stands for a
hexadecimal
value that represents
an effect number sent from an external machine. A list of the hexadecimal
values that can be specified
and thefi: meanings
is shown below.
O: 128 General MIDI tones (PROGRAM
CHANGE
O to 127)
1:64 variation
tones (PROGRAM
CHANGE
0 to 63)
2:8 dram sets (PROGRAM
CHANGE
0 to 7)
3:32 user tones (PROGRAM
CHANGE
O to 31)
E-63
E 065A
1800/1600(E)
60-_66
Page63
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PageHaker
6.5J/PPC
Internal Mode
i iii}iili}iii,!i,i,iiiiNi N ii i! iiiiiiiiiiiii!}i,iiiiN
iiiN !;il
O
REVERB
1
00
MIDHNch
1
REVERB
2
01
2
REVERB
3
02
3
CHORUS
03
External Channels
4
TREMOLO
04
I
5
PHASE
6
ORGAN
7
ENHANCER
07
8
FLANGER
08
9
EQ LOUDNESS
09
OFF
OF
oFF
MIDI Functions
SHIFTER
hal channel settings
External/Play)
The
explanation
It does
Channels
MIDI data
Keyboard
In the
other
input
er can
ternal
06
I
play
External Mode
and Mixer Functions
have no affect on M[DI receive
data.
Internal Mode, Mixer settings
(channel on/off,
volume, and
settings)
are affected by internal
channel settings only. MIDI
can be controlled
using the external channels
onl}6 so the Mixbe used without affecting MIDI input. Because of this, the InMode is best for the following type of application.
• When you want to use the multi-timbre
capabilities
of the keyboard's sound source to play along on the keyboard
with playback
of external MIDI data, and make separate settings for the keyboard
notes. You can use the Internal Mode to change the tone, layer, split
and other settings
for keyboard
play, without affecting MIDI input.
Operations
are different
nal/Play
Modes.
External
MIDHNch
(Excluding
applies
to the
not apply
to the
sounded
by received
External/Solo
External/Play
in the External,
ExternaI/Solo,
and
MIDI-OUTch
12345678910111213141516
12345678910111213141516
and
Internal
Modes
Ch 1 through
16 can be
turned
on and off.
I(,%v"oqav,%,o.,
I[' eyb°ard
p,ay
Channels
l
In the External Mode, Mixer functions
affect the external channels,
so they also have a direct affect on the corresponding
MIDI input
channels. Because of this, the External Mode is best for the following
types of applications.
2 3 4 5 6 7 8 910111213141516'
External
Channels
1
Channels sounded by keyboard
play or other internal operation
The Mixer can be used in combi]_ation
with MIDI functions
to perform a variety of operations.
The following
examples
show how to
use each Mixer mode for controlling
MIDI send and receive operations.
I NO TE I
The following
examples
operations,
especially
aren't,
see "Mixer
assume that you are already
familiar
with
how to change
and use the Mixer modes.
Function"
on page
E-28 for details.
Mixer
If you
• To control MIDI input channel on/off settings.
The CH] through
CH16 CHANNEL
buttons correspond
to MIDI channels
1 through
16, so channels
can be toggled
on and off by pressing
the corresponding
button.
• You can use the Mixer to change the tone and volume fol each channel, and to make a variety of other settings. See "Changing
the Parameters
of a Channel"
on page E-3O.
I NOTES
I
•
All settings
except
for Channel
on/off are changed
message
receive after the setting is made.
•
Though
you can play on the keyboard
without affecting
MIDI
with the Internal
Mode, you cannot change
keyboard
settings.
at the
18oo/16oo
next
MIDI
input as
Except
for when a channel other than the current channel
is selected,
you can
change
the main tone setting
using the standard
tone selection
procedure shown
under
"Selecting
a Tone"
on page
E-16.
E-64
wK
Exter-
Mode
Mode.
Internal
'1
......Ch
1 throughdoff•
16 can be turned
II
I
above
only.
/1
05
SPEAKER
As explained
trader "Mixer Modes" on page E-28, this keyboard
has
a total of 32 channels:
16 internal channels and 16 external channels.
Of these, you can use the external channels
to play notes on the keyboard in accordance
with received MIDI data and select tones. Inter-
I NOTE
MIDI-OUTch
I1I_lsl4II 517191911011111_1131141151151
II 2131415M7
Iq9110111112119114115116
733A-E-066A
(s)
60-66
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PageMaker
6.5J/PPC
External/Solo
Mode
MIDI-INch
12345678910111213141516
To bulk send data from the keyboard
external device with the WK-1800
MIDI-OUTch
12345678910111213141516
Set up the other device
by mode.
• See the documentation
details.
Ch
1 through
16 can be t
turned
on and off.
9
Mixer
(tone, functions
volume, etc.)
I
eyb°ard play
J
In this mode, only the channel
on/off method
is different
from the
Extema] Mode. Pressing a CHANNEL
button turns on only the channel assigned to that button and turns all other channels
off.
This mode is normally
used for checking the contents
of a specific
cham_el during
MIni receive. You can change settings,
play on the
keyboard,
and perform other operations
just as you do in the External Mode.
with the other
button.
Press the [V]
screen.
key to display
cursor
standdevice
the bulk
for
send
to start
the
bulk
send
operation.
• The bulk send screen is automatica]l_
cleared from the display of the keyboard
after the operation
is complete.
MIDI-OUTch
12345678910111213141516
that comes
Press the TUNE/MIni
Press the YES key
Mode
MIDI-INch
it in its receive
[
_;;_
External/Play
by putting
to an
12345678910111213141516
To bulk import data from another device with
the WK-1800
turned oil and off.
Lo,xe,funct,ons
j
l
h 1 through 16 can be _K
(tone, volume, etc.)
eyboard play
J
This mode is the opposite of the External/Solo
Mode in that pressing
a CHANNEL
button turns off only the channel assigned
to that button and turns all other channels
on. This capability
comes in handy
when you want to cut out a part of the MIDI receive data and play
that part on the keyboard.
This is different from the play along capability of the [nternal Mode, where you play along as all the parts of
the MIni receive data play.
For example, let's say the keyboard
is receiving a tune that uses MIni
Channels 1 through 10, and you want to play the horn section part on
Channel
5 on the keyboard.
Simply enter the External/Play
Mode
and press the CH5 CHANNEL
button. This turns off CH5 and copies
its Mixer settings (tone, contro] changes, and other data) to interna]
channel CH], which is the channel that controls the keyboard
tone
(main tone). Now you can use the keyboard
to play the horn section
part on the keyboard,
using the appropriate
MIDI data settings.
Bulk Sending
Keyboard
J,_
Press the TUNE/MIni
ZJ
_.,
Press the
screen.
cursor
key
to display
the
bulk
receive
Press the YES key to enter bulk receive standby.
4o
Perform
the bLiIk send operation
• See the documentation
that comes
details.
on the other device.
with the other device for
• The bulk receive screen is automatically
cleared from the display of the keyboard
after the operation
is complete.
_¢Li]
nn
UUOOOe_e
Data
This keyboard
stores a variety
of ir_temal data, including
data recorded with the sequencers
and synthesizer.
This data can be sent
and received in bulk as M[DI exclusive data through the MIni terminals. This capability makes it possible for you use a computer
or other MIni machine as an external storage device for your data.
Before performing
the following
procedures,
you must first connect
this keyboard's
MIDI IN and MID] OUT terminals
to an external
machine using MIni cables.
[V]
button.
ON
,,
,.
o
screens
(page
E-19)
° ° °, ,=_j_.
. ....
• _
o
Tuning
=_:#_%
0
M[DI settings
(page
E-623
e
I NOTE I
Some software does not support MIDI exclusive data.
111
q
page
E-58 for details
See "Keyboard
Settings"on seton
j
°v
"
"z
o o..
733A
wK
tings.
-
o o o (;_,o
, Bulksend
E-65
E 067A
18oo/16oo
(E)
60-66
Page 65
03.7.31,5:22
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PageHaker
6.5J/PPC
To bulk send data from the keyboard
external device with the WK-1600/1630
to an
's_+ Set up the other device by putting it in its receive standby mode.
• See the documentation that comes _ith the other device for
details.
s
9
9+,
Press the MIDI
Press the [V]
screen.
To bulk import data from another device with
the WK-1600/1630
J,_
Press the MIDI
2+
Press the [V]
screen.
key to display
the bulk
send
t_
" "" "'
_'_;_
Press the YES key to start the
bulk
send
4o
operation.
• The bulk send screen is automatic, all} cleared from
play of the keyboard
after the operation
is complete.
cursor
key to display
the bulk
receive
[
button.
cursor
button.
Press the YES key to enter bulk receive standby.
Perform
the bLIIk send operation
• See the documentation
that comes
details.
on the other device.
with the other device for
• The bulk receive screen is automatically
cleared from the display of the keyboard
after the operation
is complete.
the dis-
°z"
M[DI settings
t
0
(page
E-62)
Q
,,'.Z E
3
See "Keyboard
page
E-58 for details
Settings"on seton
j
tings.
° i Bulk send
[--
° °_!
° ° °
0 Bu]kreceive
E-66
WK
1800/1600
733A-E-068A
(E)
60_66
Page 66
03731,5:22
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Adobe
PageMaker
6.5J/PPC
Floppy Disk Drive Features
About
The WK-1800 comes with ;I built-in disk drive, which provides
you
with the capabilities
described
below.
• You can save sequencer
and synthesizer
data on a floppy diskette
for long-term
storage.
Wben you need the data again, simply insert the diskette into the disk drive and load it.
• You can play back SMF (standard MIDI file) data created on a personal computer
and saved to diskette.
• You can convert rhythm data saved to diskette from another make
of electronic
musical instrument
(Roland, Technics) and save it as
user rhythm data.
This section contains important
Be sure to read it before going
Floppy Diskettes
information
any further.
about hamtling
diskettes.
Diskette Types
The WK-] 800 supports
2DD (720KB formatted)
ities is not supported.
Diskette
use of both 3.5" 2HD (1.44MB formatted)
and
diskettes.
Use of other disk sizes and capac-
Type Indicators
2HD
..... A 2HD diskette is marked
with the letters "HD" in the upper right corner of the front side. Also, there is a square hole
in the lower right corner.
2DD...... This type of diskette does not have a hole in the ]ower right
comer.
Floppy Diskette Precautions
IMPORTANT!
• Avokt the following
locations
when storing and using diskettes.
Any of the conditions
noted be]ow can cause data stored on the
diskette to become corrupted.
• Near TVs, on top of audio equipment,
or in any area exposed to
magnetism.
Take special care to keep diskettes
away from any
source of magnetism.
• Areas exposed to direct sunlight,
or subject to high humidity
or
temperature
extrelnes.
• Failure to observe any of the following precautions
can cause data
stored on the diskette
to become corrupted.
• Never try to take a diskette apart.
• Never open the shutter of the diskette or touch the film inside
with your fingers.
• Never bend a diskette or otherwise subject it to rough handling.
• Affix labels in the spaces provided
only, and do not affix labels
on top of previous
ones.
)
Write Protection
IMPORTANT!
• You can write protect a diskette so data on it canm}t be deleted and
no new data can be stored on the diskette. Also, a write protected
diskette
camlot be formatted.
You can read data from a diskette
regardless
of whether or not it is write protected.
• Do not eject the diskette from the drive while the access lamp is lit
or flashing or turn off keyboard power with a diskette in the drive.
Doing either can cause data on the diskette
to become corrupted
and can even cause malfunction
of the disk drive.
• Never insert any foreign objects into the disk drive. Doing so can
cause it to malhmction.
• The disk drive uses a magnetic head. A dirty head cannot read data
from a diskette properly and can corrupt existing data on the diskette. To avoid this, be sure to use a commercially
available
head
cleaning diskette to periodically
clean the head.
• Do not use a computer,
another e]ectronic
musical instrument,
or
any other device to change a fib name or file contents
created with
this keyboard.
Doing so can make the data m_usable by this keyboard and even cause malfunction
of the keyboard.
Note that CASIO COMPUTER
CO., LTD. shall not be held liable
for any loss to you or any thild part} due to corruption
or accidental erasure of data on a diskette.
Write
Write protect {hole open)
enabled
(hole blocked with tab)
Data save, data delete,
disk formatting
are all
enabled.
I, S
.....
Write
i
protect
tab
you can read the contents of the diskette, but you cannot write data
to or delete data from the diskette. After saving important
data to
• aWhen
the write
is openprotect
as shown
the illustration,
diskette,
be sureprotect
to openholeits >rite
hole in
to protect
the data
against accidental
changes or deletion.
• The diskette
that comes with the keyboard
contains
sample data
and programs.
It is write protected
to avoid accidental
erasure or
formatting.
Make sure you handle this diskette carefully to avoid
damaging
or erasing its data.
733A
WK
E-67
E 089A
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(g)
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PageMaker
6.5J/PPC
Inserting and Ejecting a Diskette
The following
describes
and how to eject it.
ho_ to insert
a diskette
Basic Diskette
into the disk drive
To insert a diskette into the floppy disk drive
+,
Operation
The fol]o_ ing is the hasic procedure
j+
Insert a diskette
?+
Press the
With the label area of the diskette facing up, insert
the diskette shutter first into the disk drive, as shown
in tile illustration.
DISK
_hen
using
a diskette.
into the keyboards
disk drive.
button.
• This causes the indicator ]amp above the DISK button to light,
which indicates the SMF Play Mode• See "Playing
Back an
SMF" on page E-69 for details on using this mode.
t_
Press the
DISK
button
again
to display
operation
screen.
• The indicator lamp above the DISK button
the first
gashes at this time.
Scroll through
the disk operation
screens.
• Use the [A] and IV] cursor ke_s to scroll through
available screens•
[
r
+,.1
[ F r
F_
I
•
ell
I
I
Slide the diskette
until
into the drive as far as it will
[
Before ejecting a diskette, always check to make sure that the access lamp is not lit or flashing. A lit or flashing access lamp means
that the keyboard is performing a data read or write operation. Ejecting a diskette while it is being accessed can cause its data to become
corrupted.
to be partia]]_
ejected
Remove
the
diskette
from
the drive
I'--"
","{
t ",.-"
F13 E =
= ="==
=
-" _+'+]
WK-1800. See "To load keyboard
data from a diskette"
page E-71.
• DiskSave
... Use this screen to save data created with
WK-1800.
E-70.
See "Tt_ save keyboard
data
to diskette"
on
the
on page
• Utility ... Use this screen to access utilities that let you convert 1;hythm data, delete data from a diskette, and format a
diskette• See "Using the Utilities"
on page E-71.
from the disk
+
_¢....
• Option
... Use this screen to set SMF playback
options• See
"Playing Back an SMF" on page E-69.
• DiskLoad
... Use this screen to load a file created with the
IMPORTANT!
Press the Eject button.
• This causes the diskette
drive.
I
Fnr...,**..
go,
it clicks into place.
To eject a diskette from the floppy disk drive
_' +
I
the four
It..
+"1
2
I
disk
by hand.
Perform
the
tion screen.
operation
for the
displayed
• Use the [_] and [_] cursor keys to make
• See the sections that follow this procedure
performing
disk operations•
After you are finished,
• This causes the indicator
disk
opera-
settings.
for full details
press the DISK button.
lamp abo_e the DISK button
on
to go
out.
I NOTE
I
You will be able to start
kette in the disk drive.
the above
procedure
even
when
E-68
WK
1800/1600(E)
there
is no dis-
793A
67+74
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PageMakez"
6 • 5J/PPC
E 070A
Playing
SMF
(standard
port
MIDI
and
brand.
1, and
MID{
data
There
The
with
are
actually
three
synthesizers,
in disk
different
SMF
MIDI
files
of the WK-1800
computer
that
or other
makes
bynthesizers
formats,
0, which
and
to
SMF
lets
you
play
Format
and
saved
Insert
the diskette
named
O,
most
•
available
The diskette
that
for this procedure.
i?
_....
The
diskette
comes
with
proced
ure.
labeled
the
"WK]80O
keyboard
files
ACCESSORY
files
This
•
which
indicates
the SMF Play Mode.
At this time
the name
of one of the
diskette
the indicator
appears
]amp
on the
can
use
for
above
the DISK
files
causes
button
contained
Press the START/STOP
you can
use
disk
operation
indicator
lamp
above
screen
on
to appear
the DISK
button
flashes
keys to select
the play-
_pL_
e
e
e
q°leeee
e
[ oPL-...-....
1-,
to start play of the file
• Single
• Chain
I
t_
o oo mllmeeIimm
m
o
To stop file play, press START/STOP
... Plays the currently
selected file only.
... Plays back all files on the diskette.
While "Chain" is on the display, press the ENTER button to start playback.
t_ame
• The
automatically
files
twice.
o,.[
File name
also stops
contains
the display.
The
at this time.
I
whose name is flashing on the display.
File play
reached.
keyboard
"Option"
on the
_;;_
•
dri_ e.
to ]ighb
Use [+] and [-] to select the file you want to play.
?
the
the
display.
button
disk
this
9_
UL
with
Use the [<1 and [1_1 cursor
back type.
•
the keyboard's
[ FnE. ,.ooooo o
that
Press the DISK button.
causes
comes
Press the DISK button
DISK"
you
into
created
to diskette.
the file into the key-
contains
the files
0.
back
To play a specific file from diskette
•
contains
PREPARATION
• This
_' _ Insert the diskette that contains
board's disk drive.
that
type
is the
commercially
use
device
it possible
of different
SMF
Format
sequencers,
and
drive
a personal
format
and
supports
software
built
is a data
sequencers
keyboard
Most
pre-recorded
file)
between
2. This
common.
To play back all files on a diskette
Back an SMF
of the
file
the
end
is shown
is playing
on the
disp]a_
File name
again.
when
that
of the
I
file is
: 14.., . ......,,
. ,
INOTEI
After
you stop
button,
file play
you can exit the
part
way
file play
through
mode
by pressing
by pressing
the
the
DISK
START/STOP
button
Press the START/STOP
twice,
button to start playback.
TO stop SMF play, press START/STOP
• If you
after
I NOTE
do not
press
other
the
START/STOP,
in an endless
SMF
again.
play
plays
one
file
loop.
I
After you stop SMF play part way through
by pressing
the START/STOP
button, you can exit the disk operation
screen by pressing the DISK button
twice.
Operations
You can change
diskette.
During Playback
the
following
settings
• Mixer settings (See "Mixer
• T_mpo settings
I NOTES
•
•
733A
WK
1800/1600
Even
Function"
a file
while
is playing
from
on page E-28.)
I
after
you make
they may
settings.
change
File data
is played
Mixer
to other
over
and tempo
settings
External
settings
if the
data
during
in the
SMF
playback,
file contains
such
Channels.
E-69
E 071A
(E)
67~74
Page 69
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PageHaker
6.5J/PPC
+ -o°,_---
_
+_,=_ _,u+_,_
"---_L2_>1
......
Saving and Recalling
Memory
The built-in disk drive lets you save sequencer,
er data from the keyboard's
memory to diskette
you need it.
Savable
is a list of keyboard
data
that can be saved
to diskette.
the Pattern Sequencer
the Song Sequencer
Synthesizer
memory
•
_;;_+ Press the [V]
Save" screen.
+, Use the [<]
for the type
ENTER.
cursor
key twice
to display
and [1_] cursor
keys to display
the screen
of data you want to save, and then press
Name
save
individual
banks
U
I
°b- "
or setups.
I
I IIII
I
EPt
Pattern
Pattern
"I_ "
make
Song
Sequencer
Cs3
3
Use]; Tones
4
Registration
5
Save All
keyboard
Song
Single user song created with the Song
Sequencer
Ct3
Tone
Single user tone
Cr3
Regist
CA3
All
20 setups
4 banks)
(5 setups
x
File produced
by a
save all operation
remainder
in the
above
Specify
the
I
IIIII
of this
I
I
II
1
I
I
I
1
J
II
example
is based
(tone
number)
on
selecting
"Tone"
step•
location
of the
data
Input the name of the file.
• Use [+] and [-] to scroll through
location•
keys
letters
at the current
to move the cursor
E-70
cursor
left and
733A
67+74
Page70
you
want to save, and then press ENTER.
• Use the number keys to input a two-digit number, or use [+]
and [-] to increase and decrease the displayed
number.
• Inputting
a use_ tone mimber displays the name assigned to
the tone. You can leave this as the name of the file you are
saving, or you can assign a different name.
• Skip this step if you are saving registration
memory
data or
all data•
• Use the [_] and [1_] cursor
right.
1800/1600(E)
I
"_I "
I
• The
_
-'_I ,-
Single user
rhythm
created _xith the Pattern Sequencer
Single user
rhythm
converted
from data
created
on another
I
-'_I "
°I_ "
CPt
I
"< "
"b- "
I
Pattern
Sequencer
I
......
Extensions
A three-letter
extension
is automatically
added to file names to identify the type of data the file contains• The keyboard
does not display
extensions,
but they will appeal: if you view the file names on a computer•
WK
the "Disk
I
You cannot
2
note its
Press the DISK button twice.
You can save individual
tones, rhythms and songs in separate
files only.
You cannot save all tones, or all rhythms,
or both songs in a single file.
All registration
memory
data can be batch saved in a single file only.
File
the way
Insert the diskette to which you want to save the data
into the keyboard's disk drive. At this time close the
diskette's write protect tab to enable writing.
,3+
• Saving tone, rhythm,
or song data only causes each tone, rhythm,
or song to be saved as a separate
file•
• Saving registration
memory
data only causes all 20 setups (5 setups x 4 banks) in registration
memory
to be saved as a single file•
• Using the save all operation
causes all the data currently
in keyboard memory
to be saved as a single file•
•
the data you want
to save.
• Make sure that everything
is set up and configured
you want to save it.
• If you want to save a user tone, rhythm,
or song,
nu]T_be]'•
User rhythms
created using
User song data created using
User tones created using the
Setups saved in registration
I NOTES
data to diskette
.j+ Check
Data
The following
(1)
(2)
(3)
(4)
To save keyboard
Data
synthesizer,
and othfor later recall when
+
I
03.7.31,
5:22
PM
Adobe
PageMakez"
6 • 5J/PPC
E 072A
_
After
inputting
the file
name,
press tile
ENTER
[
button
to start the save operation.
• ]f the diskette already contains a file with the name you specified in step 7, the message "Replace?"
appears, asking if you
want to replace the existing file with the new one. Press the
YES button to replace the existing file, or NO to return to
step 7 of this procedure.
• The message
"Pls Wait" remains
on the display
while the
file save operation
is being performed.
Ld
I
I
I
eql
I
I
I
I
IN
I
1
I
,1_ o,
,_1 ,,
I
IMPORTANT!
• Do not perform any key operation while the message "PIs Wait" is
on the display. In particular, never turn off keyboard power. Doing
so can cause all data on the disk to become corrupted and unusable.
• Sudden power loss due to low battery power during the data save
operation can corrupt the data on a diskette. Because of this, use
of the specified AC adaptor is recommended
whenever you are
saving data to diskette.
!!_
The
message
"Complete"
appears
on the
display
•
See "Letters
and Numerals"
input for the file name.
•
We recommend
that you make a separate
record of the names of files
and their contents to make it easier to find the data you need when you
need it.
•
To exit the
•
dure, press the DISK
When saving
Pattern
button so the indicator
type data (single user
a maximum
of about
has more than 5,000
5,000
notes,
disk
memory
operation
data
or all data,
on page E-36 for the
screens
at any time
notes.
select
simply
skip
characters
during
step
Specify
to store
to save all keyboard
data. See "File
details
on the extensions
appended
Name Extensions"
to file names.
on page
Press the
DISK
9_
Press the [V]
Load" screen.
button
cursor
(tone
number)
where
you
want
Q
you
want
message
"Complete"
appears
about one second
when the
complete.
• The keyboard
returns to step 4
the "Complete"
message clears
• Repeat steps 4 through 8 if you
• You can quit diskette operations
operation by p]:essing the DISK
above it goes out
data
of the
from
want
at any
button
on the
load
display
for
operation
is
above procedure
after
the display.
to load more data.
time during the above
so the indicator lamp
to
I NOTES
the "Disk
_'<_,, Use the [_] and [1_] cursor keys to display the screen
for the type of data you want to load, and then press
ENTER.
I
•
When loading registration
the above procedure.
•
To exit the disk
dure, press the
•
If an error occurs while data saved
is being loaded back into keyboard
twice.
key once to display
1
E-70 for
The following procedure describes how to load a user tone as an example
of the load operation. The procedures for loading other types of data is
identical, except where noted.
_¢
IIII
IMPORTANT!
INOTEI
contains
the data
disk drive.
I
Do not perform any key operation while the message "PIs Wait" is on
the display. In particular, never turn off keyboard power. Doing so
can cause all data on the disk to become corrupted and unusable.
To load keyboard data from a diskette
Insert the diskette
that
load into the keyboard's
1
Press the ENTER button
to start the load operation.
• The message
"Replace?"
appears,
asking if you w.ant to replace the existing data with the loaded data. Press the YES
button to replace the existing data, or NO to return to step 4
of this procedure.
• The message
"Pls Wait" remains
on the display
while the
file save operation
is being performed.
The
_' _
the location
the data.
proce-
To save a user rhythm
pattern that
All in step 5 of the above procedure
I
• Use the number keys to input a two-digit number, or use [+]
and [-] to increase and decrease the displayed
mlmber.
• Skip this step if you are saving registration
memory
data or
all data.
that can be
the above
I
Use [+] and [-] to display the name of the file you
want to load, and then press ENTER.
6 of
lamp above it goes out.
rhythm),
each file can hold
I
• Pressing ENTER causes the name of the first file of the type
you specify to appear on the display.
• The remainder
of this example is based on selecting "Tone"
in the above step.
#
When saving
registration
the above procedure.
I
,_1 ,,
I
for
•
eqMIl
,1_ o,
about
one second
when
the data save operation
is
complete.
• The keyboard
returns
to step 5 of this procedure
after the
"Complete"
message clears from the display.
• Repeat steps 5 through q if you want to save more data.
• After you finish your diskette
operations,
press the DISK
button so the indicator
lamp above it goes out. Next, press
the eject button to eject the diskette,
and then remove it by
hand.
I NOTES
I
Song Sequencer
ry when the load
memory
data
or all data, simply
skip step 6 of
operation
screens at any time during the above proceDISK button so the indicator
lamp above it goes out.
to a diskette
by a Save All operation
memory,
user tones, user rhythms,
data, and registration
operation
started will
memory data
all be deleted.
that was in memo-
Using the Utilities
This section describes the utilities that are provided
to com'ert rhythm
pattern data from another
keyboard,
to delete data from a diskette,
and to format a diskette.
733A
WK
E-71
E 073A
1800/1600
(E)
67~74
Page 71
03.7.31,5:22
PM
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PageMaker
6.5J/PPC
.... ._,(.VES/NO)
72 _B
3
1
Converting Rhythm Pattern Data From Another Keyboard
Use
Use the procedure
described here to convert H_ythm pattern data created on a Technics, or Roland brand keyboard
so it can be used on
the WK-1800.
• The following
• The data conversion capabilities of this keyboard are intended for
personal, non-commercial
purposes only.
• The sound source and accompaniment
system of this keyboard is
different from those used by other manufacturers,
so converted
data played on this keyboard may sound different from what it
sounds like when played on its equipment.
• You may not be able to convert some accompaniment
patterns
created on other keyboards.
• Please direct all inquiries concerning accompaniment
pattern conversion to CASIO COMPUTER CO., LTD.
_
Press
Ut
.
_,,
_'_,
[T]
the
' Ity
'
button
[
cursor
key
three
Use the
[_]
nConv"
(pattern
Press the
ENTER
• This causes
play.
a data
and
remove
the
@
times
to display
appears,
followed
oo
"WK1800
by the message
o o o o o
ACCESSORY
DISK"
Use [+] and [-] to display the name of the file you
want to convert, and then press the ENTER button.
Specify
the user rhythm
number
store the converted
data.
the
££
the "Pt-
screen to appear
Press the ENTER
button
where
you
want
to
in the range of 120 to 129.
to load
the converted
data.
• If the rhythm number you specify ah:eady contains data, the
message "Replace?"
appears,
asking if you want to replace
the existing data with the converted
data. Press the YES button to replace the existing data, or NO to return to step 10 of
this procedure.
on the dis-
J9
o
The
message
"Complete"
appears
when
the
conver-
sion is complete.
Next, the message
"Continu?"
appears to ask if you want to convert
more data.
• Press the YES button if you want to convert more data from
the same manufacturer,
or NO to return to step 3 of this procedure.
• To exit the procedure,
press the DISK button so the indicator
lamp above it goes out.
If NOTE
If
To exit the above procedure
indicator
lamp above it goes
at any time,
out.
press
the
E-72
1800/1600(E)
but-
the file characteristics.
• File characteristic
depend on the type of data you are converting.
See "File Characteristics"
on page E-73 fol details
on how to set file characteristics
for each type of data.
• The conversion
starts as soon as you specify the file characteristics. The message "PIs Wait" indicates
that conversion
is being performed.
screen.
• + o,o o o o o
WK
the disk
9o Specify
button.
t}pe selection
into
press the ENTER
screen.
keys to display
conversion)
of
EN-
for each data type.
DISK"
and then
• Use [+] and [-] to specify a number
and [1_] cursor
press the
and insert the diskette
that contains
the data you want
to convert.
Next, press the ENTER button.
• Inserting
the data disk causes the message
"Select" to appear on the display for about one second. Next the name of
one of the files on the disk appears.
S
_creen.
t
indicator
o
Eject
twice.
the first disk operation
for the type
and then
ACCESSORY
of the WK-1800,
• The message "P]s Wait"
shown below.
data
DISK
• This displays
indicator
the display
the "WK1800
drive
ton.
Before getting started...
• Prepare the diskette labeled "WK1800 ACCESSORY DISK", which
comes with the WK-] 800.
• Prepare the diskette that contains the rhythm pattern data you want
to convert.
• Eject and remove any diskette currently
in the WK-1800 disk drive.
• Make sure there is a user rhythm
number
available
to store the
converted
data.
_.. Press the
shows
the
from,
oo oooooooo o o o o
Insert
If NOTE,.£ If
• Data can be converted one files at a time,
• Converted data is stored in the user rhythm area of this keyboard's memory.
rhythm
and [-] to display
[
IMPORTANT!
To convert
[+]
data you are converting
TER button.
DISK
button
so the
733A_DO74A
67~74
Page72
03.7.31,
5:22
PM
Adobe
DageNIakez-
6.5J/PDC
File Characteristics
Use [4] and [1_] to display
the "FileDel"
(file delete)
screen,
and then press tile ENTER button.
• This causes a file name to appear
on the screen as shown
belovx.
Use tile following procedures to specify the file characteristics for
each type of data during the rhythm data conversion procedure. These
steps should be performed for step 9 of the procedure under "Convetting Rhythm Pattern Data From Another Keyboard" on page E72.
File name
def..
(,4) To specify Technics file characteristics
Use [+] and [-] to specify
e
e
[
Bank A, B, orC,
e
eeeeeee
[59
T
and then
File name extension
press ENTER.
I LOn
r
1
o o o o o o o o o
1
Use [+] and [-] to display the name of the file you
want to delete, and then press the ENTER button.
• The
message
"Sure?"
appears
on
the
display
to
confirm
whether or not you really want to delete the file.
?
_<
Use [+] and [-] to specify Area 0 or 1, and then press
ENTER.
[ Lon
r
o oo
o..o
o o
Press YES to delete
1
I NOTES
(B) To specify Roland file characteristics
Use [+] and [-] to select either basic (B) or
(A) and the chord type (M, m, 7th). Various
tions are available, so scroll through tile
until you find the one you want, and then
TER.
[ LOn
r
2
•
indicator
lamp
This keyboard
1
Press the
out.
an SMF
press
from
the
DISK
button
so the
a disk.
DISK
button
twice.
disk operation
screen to appear on
lamp above the DISK button flashes
Press [V] three times to display
the "Utility"
Use [4] and [l'q to display the "Format"
then press the ENTER button.
• This
causes
the
message
"Insert
FD"
screen.
screen,
to appeal,
and
prompting
you to insert the diskette you want to format into the disk
drive.
IMPORTANT!
The file delete operation cannot be undone. Make sure you no longer
need a file before you delete it.
Insert the diskette that you want to format into the
keyboard's disk drive, and then press the ENTER button.
the file you want to
• The
delete into the keyboard's disk drive. At this time close
the diskette's write protect tat) to enable writing.
Press
"Sure?"
appears
on
the
display
to
confirm
YES to format
the
diskette
or NO
to abort
the
operation.
• The message
"P]s Wait" remains
on the display
while the
format operation
is being performed.
• After the diskette is formatted,
the message "Complete"
appears o14 the display for about one second. Then the keyboard returns to step 3 of the above procedure.
• This causes the "Option" disk operation screen to appear on
the display. The indicator lamp above the DISK button flashes
at this time.
the "Utility"
message
whether or not you really want to format the diskette.
Press the DISK button twice.
Press [Y] three times to display
at any time,
• This causes the "Option"
the display. The indicator
at this time.
To delete a file from a diskette
_,
procedure
above it goes
cannot delete
Formatting a diskettethat contains data deletes the data. Make sure
you no longer need any data that may be on a diskette before you
format it.
o ,oooo o o o
Insert tile diskette that contains
the opera-
IMPORTANT!
o o o =oooo Loooo
oo
to abort
To format a floppy diskette
Use [+] and [-] to specify one of the three available
conversion processes, and then press ENTER.
[ LrOrfo
or NO
I
• To exit the above
advanced
combinaselections
press EN-
the file
tion without
deleting
anything.
• After the file is deleted_ the message "Complete"
appears o14
the display for about one second. Then the keyboard
returns
to step 4 of the above procedure.
screen.
I NOTES
I
• To exit the above procedure
indicator
lamp above it goes
•
A diskette
WK-1800.
formatted
Diskettes
at any time,
out.
press
the
DISK
button
so the
by MS-DOS
or Windows
can be used as it is on
formatted
for other types of computers
are not com-
patible.
E-73
733A-E-075A
WK
1800/1600
(E)
67~74
Page 73
03.7.31.5:22 PM
Adobe
PageMaker
6.5J/PPC
Disk Drive Error Messages
Message
Cause
Action
Err ReadOnly
Attempt to save a file using the same
name as an existing file that is read
only.
Err Format
1. The format of the diskette
is not
1. Change to a diskette that has the proper format.
compatible with this kevboard .................................................................................
E-67
2. The diskette is not formatted.
2. Format the diskette ..............................................
E-73
3. The diskette
is damaged.
Err Disk R/W
The diskette
is damaged.
Err DiskFull
The diskette
is full.
Save the new file to a different
name.
3. Use a different
Use a different
diskette
or use another
diskette.
diskette.
1. Use a different
diskette.
2. Delete any files you no longer need in order to make
room for the data you want to save .................. E-73
Err Mem Full
Keyboard
importing
memory became full while
data from diskette.
1. If you have user patterns stored in Pattern Sequencer rnemoD; use the following procedure
to delete
user patterns you no longer need from the user area
(patterns 120 to 129).
i Clear the work area using the procedure
under
"Work Area Clear" on page E-54.
_2)While the work area empty (cleared), use the procedure under "To exit the Pattern Sequencer
Mode and save work area contents" on page E56 to save the work area to the accompaniment
pattern user area accompaniment
numbers that
contain patterns you no longer need. Saving the
empty work area effectively deletes data currently
stored in memor_
2. If you have song data stored in Song Sequencer
memory (SG0, SG1), delete the song data you no
longer need ...........................................................
E-46
Err Not SMFO
The file you are reading
0 format file.
is not an SMF
Err No Disk
1. The diskette
is not loaded in the
drive correctl_
2. No diskette is loaded in the drive.
1. Eject the diskette front the drive and reload
................................................................................
2. Load a diskette into the drive.
Err No File
The keyboard cmmot find any file it can
read on the diskette,
Use a diskette that contains data stored by this keyboard or conrpatible
data from another device.
Err Protect
The diskette
1. Use a different diskette.
2. Close the diskette's write protect hole to enable data
is write protected.
Use SMF 0 format
files onl_c ...................................
E-69
it.
E-68
storage ................................................................... E-67
Err Convert
The acconrpaniment
pattern data you
are trying to convert is of a type that
cannot be converted by this keyboard.
Try converting
Err WrongDat
The data on the diskette
Use other data or another
is corrupted.
other accompaniment
pattern
diskette.
E-74
WK
1800/1600(E)
data.
733A
67~74
Page74
03.7.31, 5:22 PM
Adobe
PageMakez"
6.5J/PPC
E 076A
Problem
Possible
No sound when keyboard
are pressed.
key's
1. Batteries
2. Power
Cause
are not loaded
is not turned
Action
1. Check to make sure tire AC adaptor
is connected correctly, and that the
+/-ends
of tire batteries are facing
correctly. Check for dead batteries.
2. Press the POWER button to turn on
correctl)<
on.
power.
3. MAIN VOLUME
setting is too low.
4. Playing in the accompaniment
keyboard area while the MODE button
setting is CASIO CHORD
GERE'D.
5. LOCAL CONTROL is off.
6. Mixer Channel 1 is off.
7. Mixer Channel i volume
sion setting is too low.
Any of the following symptoms
while using battery power.
• Dim power supply indicator
• Instrmnent
does not turn on
Low battery
or F1N-
or expres-
3. Use the MAIN VOLUME slider to
increase x olume.
4. None of tire accompaniment
mode
indicators are lit, which means Auto
Accompaniment
is turned off.
5. Turn LOCAL CONTROL on.
6. Turn on Mixer Channel 1.
7. Use the Mixer to raise the volume
or expression
power
setting
for channel
1.
Replace tire batteries with a set of new
ones or use the AC adaptor.
• Display
that is flickering,
dim, or difficult to read
• Abnormally
low speaker/
headphone
volume
• Distortion of sound output
• Occasional
interruption
of
sound when playing at high
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
volunres
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii'
• Sudden power failure when
playing at high volumes
• Flickering or dimming of the
dispaly when playing at high
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
voluIne
• Continued
sound
output
even after you release a key
• A totally different tone may
sound
• Abnormal
rhythm
pattern
and demo tune play
• Loss of powel, sound distortion, or low volume
when
playing
from a connected
computer or MIDI device
• Sudden power failure while
reading from or writing to a
diskette (WK-1800 only)
Auto Accompaniment
does not
sound,
1. Accompaniment
000.
volume
is set
to
2. Auto
Accompaniment
part Channels 6 through
10 are turned
off.
3. Auto
Accompaniment
part Channels 6 through
10 volmne
or expression setting
is too low.
Sound output does not change
when key pressure is x aried,
Touch response
is turned
The key or tuning
does not
match when playing along with
another M1D1 machine.
The tuning or transpose
parameter
set to a value other than 00.
1. Use the CH5 (ACC VOL) button to
increase the volume.
2. Use the Mixer to turn the channels
Oil.
3. Use the Mixer
to raise the volume
or expression setting
cable channel.
off.
Press tire TOUCH
to turn it on.
is
for the appli-
RESPONSE
Change the transpose
eter xalue to 00.
button
or tuning param-
E-75
733A-E-077A
WK
1800/1600(E)
75-_78
Page 75
03.7.31,5:22
PM
Adobe
PageMaker
6.5J/PPC
Problem
Possible
Cause
Action
Some parts stop playing at some
point during Sequencer
playback.
Playback exceeds the maximum
lyphony of the keyboard,
po-
Some parts don't play at all during Sequencer playback,
1. The Mixer mode setting for the corresponding
channel is off or Exterhal/Solo.
2. Vblume or expression setting is too
low.
Use the Song Sequencer to decrease the
number of parts playing at the same
time by turning off channels.
1. Use the Mixer to make
channels are turned on.
sure
that
2. Use the Mixer to check the volume
or expression setting.
Cannot record Auto Accompaniment or rhythm,
Track other than Track 1 is selected as
the recording track. Tracks 2 through
6 are melody tracks.
Use the track
Track 1.
Nothing
LAYER
pressed.
the
is
1. One or more of the melody channels
(2 through 4) is turned o{f.
2. The volume or expression setting of
one or more of the melody channels
(2 through 4) is too low.
1. Use the Mixer to turn on Channels
2 through 4.
2. Use the Mixer to raise the volume
or expression setting of Channels 2
through 4.
No sound is produced
when
playing MIDI data from a cornpurer.
1. MIDI cables are not connected properl_<
2. Channelis
turned off, or volume or
expression setting is too low.
1. Connect
The bass notes of General
GM SYSTEM is turned
happens
or SPLIT
data being played
computer
are one
when
button
M1DI
off.
select buttons
to select
MIDI cables properly.
2. Use the Mixer to turn the channel
on, or raise the volume or expression setting.
Turn on the GM SYSTEM.
back bv a
octax e too
lo'vv,
Playing on the keyboard
produces an unnatural sound when
connected
to a computer.
The computer's
is t urned on.
Cannot
niment
ACCOMP
record chord accompadata on a computer.
MIDI THRU function
MIDI OUT is turned
off.
Turn off the MIDI THRU function on
the computer or turn off LOCAL CONTROL on the kevboard.
Turn on ACCOMP
MIDI OUT.
E-76
WK
1800/1600(E)
733A
?5~78
Page76
03.7.31, 5:22 PM
Adobe
PageMakez"
6.5J/PPC
E 078A
Model:
WK-1800/WK-1600/WK-1630
Keyboard:
76 standard-size
keys, 6 1/4 octaves
(with touch
response
on/off;
ExLight/Light/Normal/Heavy
touch)
Tones:
232 (128 General
Rhythm
Instrument
Tones:
MIDI, 64 variation,
Polyphony:
32 notes maximum
Digital
10 (REVERB
Effects:
(16 for certain
1, 2, 3; CHORUS;
FLANGER;
Auto
8 drum,
32 user);
with layer and split
61
tones)
TREMOLO;
PHASE
SHIFTER; ORGAN
SPEAKER;
ENHANCER;
EQ LOUDNESS)
Accompaniment
Rhythm
Patterns:
130 (120 + 10 user rhythms)
T_mpo:
Variable
Chords:
3 fingering
(226 steps,
methods
lntro,
Rhythm
Controller:
Start/Stop,
Accomp
Volume:
0 to 127 (128 steps)
One Touch Presets:
Recalls
Auto Harmonize:
Automatic
settings
(CASIO CHORD,
Normal/Normal
for tone, tempo,
addition
Accompaniment
_ = 30 to 255)
FINGERED,
FULL RANGE
Fill-In, Variation/Variation
layer, and Auto Harmonize
of notes that harmonize
with melody
CHORD)
Fill-[n,
Sy]_chro/Ending
in accordance
with rhythm.
note in accordance
with specified
Auto
chords.
Free Session
Number
of Patterns:
120 (Auto
Accompaniment
function
based
on preset
chord progressions.)
Song Sequencer
2
Songs:
Recording
Tracks:
6 (2 through
Recording
Method:
Real-time
Memory
Punch
Pattern
Capacity
(total for tv\o songs):
In:
6 are melody
Approximately
8,000 notes (WK-1800)
Approximately
4,900 notes (WK-1600/1630)
Supported
Sequencer
Number
of Patterns:
10 (Rhythm
Memory
Capacity:
Approximately
l_umbers
Approximately
5,800 notes (WK-1600/1630)
[ntro, Normal,
Parts:
Chord
Recording
Registration
120 to 129)
6,800 notes (WK-1800)
Elements:
Variation,
Normal
Fill-[n,
Variation
Fill-[n, Ending
1,2, 3; Bass; Rhythm
Real-time
Method:
Memory
Number
of Setups:
20 (5 setups
Memory
Contents:
Tone, Rhythm,
x 4 banks)
tings, Keyboard
niment
range,
Demo
tracks)
Tunes:
mode,
Sound
Tempo,
Split on/off,
channel
Touch
range
on/off,
Split point,
DSP (digital
Response
settings,
Layer on/off,
effect) on/off,
Assignable
Auto Harmonize
DSP (digital
jack setting,
on/off,
effect) settings,
Transpose,
Mixer setAccompa-
Tul_ing, Pitch Bend
shift on/off
2
Tune Number
1
2
Title
Over
Night
The Edge
Breeze
Composer
TECH-NOTE
Time
INTERNATIONAL
LTD.
Hage Software
2'20"
1'56"
E-77
733A-E-O79A
WK
1800/1600(E)
75-_78
Page 77
03.7.3L5:22PM
Adobe
PageMaker
6.5J/PPC
Synthesizer
Parameters:
PCM set, amp envelope
set, attack
it},, pan, filter sensitivity,
rate, release
rate, pitch envelope
set, pitch,
pan, coarse tuning,
fine tuning,
level, touch sensifiv-
filter level, transpose
Mixer
Cham_els:
16
Modes:
Internal,
External,
Parameters:
Program
change
MIDI:
External/Solo,
number,
16-cham_el
multi-timbre
Pitch Bend Range:
Adjustable
(12 semitones
Modulation:
Equipped
Transpose:
25 steps
Tul_ing:
Adjustable
Other
External/Play
volume,
receh'e,
expression,
General
Effect Send
MIDI Level 1
Functions
(-12 semitones
upwards
and downwards)
to +12 semitones)
(A4 = appl:oximately
440Hz
+-50 cents)
Terminals
M[DI Terminah
IN, OUT
Sustain/Assignable
Jack:
Standard
jack (sustain,
sostenuto,
soft, rhythm
start/stop)
• WK-1800
Headphones:
Stereo standard
Line ()tit (R, L/MONO):
jack
Output
Impedance
Output
Voltage
Standard
: 200_
: 220mV
(RMS)MAX
jack x 2
Output
Impedance
Output
Voltage
: 3k_l
: 1.5V (RMS) MAX
• WK-1600/1630
Headphones/Output:
Stereo standard
Power:
Floppy
jack
Output
Impedance:
Output
Voltage: 5.5V (RMS) MAX
20092
12V DC
Disk Drive
(WKq800
only)
Type:
3.5" FDD
Formats:
2DD (720KB MS-DOS
format)
2HD (1.44MB MS-DOS
Functions:
formatting;
Power
Supply:
Six [)-size
Life:
supply
Power
Off:
Turns power
and registration
data; playback
system
2 hours
contimlous
operation
on alkaline
batteries
off approximately
six minutes
after last key operation.
Enabled
tinder
1800/1600(E)
battery
power
manually.
12V _
18W
122.5 x 42.3 x 16.7 cm (48 l/4 x 16 l l /16 x 6 9/16 inch)
(without
batteries):
Approximately
9.Skg (21.6 lbs) (WK-1800)
Approximately
9.3kg (20.5 lbs) (WK-1600/1630)
E-78
WK
of SMF; disk
style conversion
5W + 5W
Output:
Consumption:
Dimensions:
Weight
sequencer,
pattern
AD-12
only5 can be disabled
Speaker
accompaniment
batteries
Approximately
AC Adapter:
Auto Power
file delete;
Dual power
Batteries:
Battery
format)
Save and load of user tone_, user rhythms,
733A-E-080A
75-_78
Page 78
03.7.31,
5:22PM
Adobe
PageMaker
6.5J/PPC
8
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7_3A
WK
A-1
E 081A
1800/1600(E)
Appendix
Page 1
03.7.3h5:22PM
Adobe
PageMaker
6.5J/PPC
Free Session
Chord
16 BEAT
i
POPSI
i_[M_R__ ..........
i031
POP
i_ i_Si_
_i:i__ .........
i_i_0E_ ...........
i_i_o_ R_........
o
Progression
Chart:
Key of C
g
o
o_
POPS II
rn
g
i040 70'SDISCO
C
iEm7i
Din71
G
i
i643[TECi_N6
.................
irCM7i_
i044
i
i045
RAP
il Crnl
DANCEFLOOR
i046 HOUSE
i047
i049 OLDIES
_mii _
i&_m7_
_ r _ i ; li .....................................................................................................................................................................................
Grn
Crn
CM7
_
Am
_
I C
I _
IICml
_
_
_
I B,
I
_
C
I B_
F
G
I C
I
B_ I
C
lAin
F
G
II
C
I _
_
DANCE
i048 OLDIESPOP
#n_I Em[Dm7iGsu_8 ]i
II
SHUFFLE
Grn I Frn ] Grn [ Crn i
CMT IDmTI
_
ii
I Eml
_
I
F
I _
IGsus
I Cm I
_
I N
I _
I
G
I Am I G
F
I
G7 I DmTI
G7 I
C
I i_
B,
G
I _
I Am I
I
i_
F
II
I
C
I
I CMTIDmTI
B_
IOsusl c II
G7 I C
I ;4
F,/G
II
2
co
i051
i
BIGBAND2
IICM71Am71CM71Am71CM71Am71Dm71
i052 SWING1
IlCaTI
FMTI Dm71 G7
IEm71
G7 IDm7
A7 I D7 I D_7
IDmU71Dm71
IOaTI
_
i6_%Wi_ .................................
i055 SLOWSWING
356 ORCH SWING
C
C
Am7 I Dm7
ICM71Am71
357 JAZZCOMBO1
_58 JAZZWALTZ1
C
C
C_diml Dm
I _ IBdiml
C
I Bm7_5
359 JAZZ WALTZ
EUROPEAN
2
_
I F/GI
IFM71Fm71Em7
C6
A7
G7 ICM71Dm7
Din7
g
k4
_o
22
361 POLKA 2
II
C
G7
C
I C
Am7 I Dm7
G7 I C
IDm71Em71FM71Dm7
G7
D_diml Em
E7 lAin71
E7 JAm7
i062
MARCH1
C
i064
MARCH3
C
i067
BALLWALTZ
369TANGO
07 I
I _
I
IICM71Em7
II
C7 [ FM7
D7 IGm71
A_7 I Gm7
B7 [
C7 I
C
F
Em7_l
F6
Fm6 I Em7
E_7 I Dm7
G7 I
F
F
G7
C
F
_
C
I
G
ICM71Am71Dm71
E_m71Dm71
II Cm ICmM71 Ore7 IAm7_l
[
C
i
G7 I
_
Free I _
Am7 I Dm7
G7 I
E_7 I Dm7
G7 II
C
Am7 I Dm7
G7 I
C
Em7_51 F6
Fm6 I C/G
G7
I c II
•
A7 [ Dm7 G7 [ C
A7 [ Dm7 G7 II
I Fm I Em I A7 I D7 I G7 I C I G7 II
07 I FM7IFm7I
C
C
II
B_7 IE_m71E_m7
A_7 ID_M7 I Dm7_5 G7 I Em7
i
[ Dm [ 87
G7
_7_,_715_7[_ i _ i _ ii....................................................................................................................................................................
'_ i_6_i ....................
i
II
G7 ION71
........................................................................................................................................................
D7 ] G7 _
07
I
F
I G7 I
C
II
_
I
C
I C7 I
F
I Fm I C
G7
II
G7 I Cm I G7
II
C
I G
I
I
G
I C
I G7
II
LATIN I
370 ....................................................
BOSSANOVA1
'IICM71
372 RHUMBA1
'_73[RI4LIMBA2
'5_, MAMB5...........
375 SAMBA1
i078 CHA-CHA-CHA
I
IFM71
I
G7II
IEm71Em71Dm71_
......................................................................................................................................................................................................................................................................................................................................................................................................................................
[ _ [ F [ _ [ C [ _ [Dm7[
G7 II
C [CM71Drn7i87 ]Drn7] 87 i_M7] _ [ C ]CM71Dmzi 87 iDrn718_us787 ]_M71 C_ ii
IlCm CmMTI
Cm7,_m7_i#m7 #m&[G7 II ...........................................................................................................................................................................................................
C
ilOMTICrnTIBm7i
C
I _
I
G
E7
I _
[Am7i
I C
I
[)7
IGM7iArn7
[)7
Ii
_
I G
C
I
I
_
F
I B,7 I Em I A7 IDrn71
_
I G7 I _
Gaugll
o
&
LATIN
II VARIOUS
I
_85_,
.........
081 PASODOBLE
_' R_
085
SKA
087
BALLROOM
089
_: I D_
C II
i .............
]J_
083 REGGAE2
088
_7 A_ E;_ _7_ _ii ........
ill C
FOX
UICKSTEP
FOX TROT
VARIOUS
II
090
FASTGOSPEL
092
CHICAGO
093
BLUEGRASS
J
iii C
BLUES
i
III
..................................................................................................................................................................................................................
DrnI Em Drn I C I Dm I Em I DmI C
C
Din7 I G7
C
07
I
F
C
II
C
I
_
I Am
C
F/G
C
_
F7 I
_
I C7 I _:
G
C
I
F
I
c
*
F
I
*
I
C
III 07 I _ I _ I
II C I F I c I
D7 IGsus7
664 655iiYR_
....... ]JJ8
095
50'SBALLAD
65d HAWAiiAN
........
0gT_6_wXv
ill
C
I G7 I Gin7 I C7 I FM7 I B,7 I C/G
G71
G
Ic
I
*
I
*
I
JJJ8J_ I[
j_
#ijB
j[_ _]JBm7 67[_mz 87i_]
66;ADXNi ............. ]iJ C J _ J F I _
099 BALADI
ill C I _ I G I _
Em
F/G
I C
C
II
O
II
DmI Em Dm I C
Dm I
Em
F/G
II
II
G I O II
G7 I C I F I C
G7 I C IC_diml
Drn7
C
Dm I
Am7 I D7 I G7
C
F I C
C C_dimlDm
F/GI
DmI Em Dm I C
I *
C
I C_/EI F
I G7 I F7
C
DmF_Sl c/G
I C7 I _:
I GM71G7
D7
I
G71
II
II
#
GiC
#ic
G71Cli ..................................................................................................................................................................
I F I C I * II
G7II .....................................................................................................................................................................................................................
G
V _ _iB7
JC I _ J G J_
I C I _ I D_ I G
] _
F[ _
V i
_187
JF I _ j C
_ Ji.........................................................................................................................................................
_
.... i:6Ri:'iANO
i.........
i .............................................................................................................................................................................................................................................................................
PIANO BALLAD1
ill C I E7 lAin Am
G I F
G I Em7
A7 I Dm7
G7 IOsusl C II
16i#iANBi_,[_[_,521JJ C
J F J #;
............................................................................................................................................................
102 PANOBALLAD3ill C IOm71Dm71G7 I C IOm71Dm7 Era71Fro7 G7 II
i03 E#BAL[ADi .... ]JJc CM7
FM_ Era7J6
G7
CM_
m71Dm7Em71#m7 E
m7 Era7I #
m7j #M_ E
G7 I C i _ IJ...................
104 EPBALLAD2
J[cM7]Am7JDrn7[D_7[CivbJAm71Bm7JG7]Em7[Am71Dm7 Ern71Fa7 G7]Em7[ A7 IDm7 Ern7]Frn7 G7 JJ
OSBEOESi_A[M5 iilcMFJ#M_iCM
J#MTI _ 18M_J _ JDm71B7 18M [ _ /i.............................................................................................................................................................................
100
107 JAZZCOMBO2 ill 07 I F7 I C7 I _ I F7 I FdinI 07 I _ I Din7 G7 I 07 I _ II
lO8 R_,GTiM
E...................
]iJ_ _ J # _i_}_[i_7 _7 J _ I _ _ I F F_I 67 i
:'4
109 BOOGIE-WOOGIE
II C I _ I _ I _
........FSi_IABBii
]
112
ARPEGGIO3
I F I _ I C I _ I Dm I G I C I _
II c I F I C I G I C I F I Dm7 G7 I C II
iJcM7 E I F
Fm
/
116 2BEAT
_ i _
_Fi F #@_1i_7_7] _ _ i #
F_]B_7 _71 _ i................................................................................................
II
M7/;?li ...........................................................................................................................................................................................................................................
ill C I F7 I C I 07 I F7 I Fro7I Era7I A7 I Din7I _ I DP7I _
I C I _ I _ I _ II
__'WAi::f2
_..........................
118 WALTZ3
jlICM71
_
I G7 I _
IAm71
_:
I E7 I _
IFM71
_:
IFm71
_:
IEm71
_:
IDm71
119 WALTZ4
..............
.................................................................................................................................
]CM; _
15_7iB7IE_7I_7 i 6_7J_ r_
IVM_
r_
G7
II
JB7ii........................................................................................................................................................
s
_
Drum Assignment
rn
%
" indicates
Key/Note Number
G1 31
A1 33
2
On
D2 38
G2 43
A2 45
D3 50
the
same
sound
List
as STANDAP.D
STANDARD SET
SLAP
_ t
......
STICKS
SQUARE CLICK
METRONOME CLICK
M
ko
G4 67
POWER SET
ELECTRONIC
SET
t •
_ t
z t
t t
....
t t
t z
z t
t
M#RoNOME
BELL
STANDARD KICK 2
i i
POWER KICK 2
POWER KICK 2
POWER KICK 2
STANDARD
SIDE
STICK KICK I
STANDARD SNARE 1
pOWEB K!CK !
....
ROOM SNARE 1
POWER K!CK 1
POWER SNARE 1
KI#K
-ELEC
ELEC SNARE
HAND CLAP
STANDARD SNARE 2
LOW TOM 2
......
ROOM SNARE 2
ROOM LOW TOM 2
POWER SNARE 2
ROOM LOW TOM 2
DANCE SNARE
ELEC LOW TOM 2
Key!Note Number
G1 31
A1 33
LOWTOM 1
PEpAL_iHAT
MIDTOM 2
ROOM LOW TOM 1
I i+
ROOM MIDTOM 2
MIDTOM 1
HIGH TOM 2
HIGH TOM 1
TAN_LIR!N_
D4 62
ROOM SET
SCRATCH PUSH
RIDE CYMBAL 1
CHINESE CYMBAL
RIDE BELL
A3 57
SET.
B2 38
ELEC LOWTOM 1
G2 43
ELEC MID TOM 2
A2 45
ROOM MIDTOM 1
ROOM MIDTOM 1
ELEC MID TOM 1
ROOM HI TOM 2
ROOM HI TOM 1
ROOM HI TOM 2
ROOM HI TGM 1
ELEC HI TOM 2
ELEC HI TOM 1
t
_
REVERSE CYMBAL
li i
SPLASH CYMBAL
CRASH CYMBAL 2
ViBRAZSLAP
RIDECYMBAL2
......
......
; ;
_ t
HIGH BONGO
MUTE HIGH CONGA
......
......
LOW CONGA
HIGH TIMBALE
[OWTIMBALE
HIGH AGOGO
i
t
ili i
i
li+
D3 50
JAZZ SET
;
; ;
t _
tt
............
BRUSH SET
; ;
; ;
_ T
tt
ii
SYNTH KICK
ROOM MIDTOM 2
z "
....
......
ROOM LOWTOM 1
Ii4
SYNTH SET
]'i
JAZZ KICK 2
; ; ; ; ;
t t
t_
Iii
JAZZ KICK 2
ORCHESTRA SET
PEDAL HbHAT
OPEN HbHAT
RIDE CVMBAL
t 1
t_
]ii
JAZZ KICK 1
BYNTH KICK
SYNTH SNARE
JAZZ KICK 1
JAZZ SNARE 1
JAZZ KICK 1
BRUSH TAP
CONCERT BASS DRUM
CONCERT SNARE
....
BYNTH SNARE
JAZZ SNARE 2
BRUSH SLAP
BRUSH SWIRL
CASTANETS
CONCERT SNARE
SYNTH LOW TOM 1
SYNTRCRR2
BYNTH MID TOM 2
....
....
TIMPANI G
]TIMPANiA_
TIMPANI A
SYNTH MID TOM 1
....
TIMPANI B
SYNTH HI TOM 2
SYNTH HI TOM 1
....
....
TIMPANI c
TIMPANI d
......
_
_ T
];
;
[:
;
TIMPANI O,
TIMPANI e
t t
i li i
; ;
t t
; ;
_ t
_ t
t t
_
;......;
....
. .
; ;
G3 55
........
A3 57
......
D4 62
CONCERT CYMBAL 2
T !
_ T
BYNTH HIGH CONGA
......
SYNTH LOW CONGA
......
G4 67
........
_
ii
CONCERT CYMBAL 1
_ *
22
B#B###_
Ii.... i
SHORT HI WHISTLE
LONG LOW
WHISTLE li
......+
_B°BT
_tJl
D5 74
LONG GUIRO
" t
_
CLAVES
HIGH WOOD BLOCK
......
....
......
G5 79
LOW WOOD BLOCK
OPEN CUICA
A5 81
OPEN TR!ANGLE
SHAKER
JINGLE BELL
BELLTREE
D6 86
MUTE SURDO
OPEN SURDO
_h
1_4
Z
Zli4
- -
_" _ " _
............
_ t t "
t t t t
I
....
........
Z
Zli
1 ....
I ........
Iiilil
[ii
Z
Iii
ii
t t
BYNTH CLAVER
" "
_t * " _
i ....
I i- i-
....
G5 79
..........
A581
T _*
Y
......
_ t Y _
t _ T _
T _ T _
_ T _
"
"
"
"
D6 86
......
APPLAUSE • •
Fingered
\\.
Root
Chord
Chart
Chore
\-_°_
M
m
7
m7
dim7
M7
dim
m7-5
C
D
(D_)/E _
E
F
F_/(Gb)
G
(G_)/A_
A
(A_)/B l
B
INOTEI
You can use the above fingerings to finger chords within the accompaniment
keyboard range,
A-6
WK
1800/1600(E)
733A
Appendix
Page6
03.7.31, 5:22 PM
Adobe
PageMaker
6.5J/PPC
E 086A
"-_
Chord
\ _°÷
aug
sus4
7sus4
m add9
mM7
7-5
add9
C
Ct/(D )
D
(S_)/E _
E
F
Ft/(G_)
G
(G_)/A _
A
(A_)/B_
B
733A
WK
A-7
E 087A
1800/1600(E)
Appendix
Adobe
Page 7
Q
03.7.3h
5:22 PM
PageMaker
6.SJ/PPC
Chord Conversion Table
• The applicable
below indicates
• The explanations
Root:
Major
chord conversion
table depends
that a chord
table is applicable,
in the "Description"
column
chords,
unless
specified
O in the
accompaniment
describe
from
table
pattern.
otherwise.
Element
No.
Names
lntro,
Ending
00
Basic Bass
01
7th Bass
X
Basic Chord
X
03
The svmbol
C
• The explanations
in the "Description"
column
when
an accompaniment
chord
is specified.
• The shaded
rows are the default
numbers
for
¸¸¸02 k
on the particular
combination
of elements
and parts.
while
x indicates
that a chord
table is not applicable.
all assume
the following
conditions
for the recorded
'
Names
element
the recorded
and
accompaniment
(12 notes
part.
Xlormal,V,/fiafion, Bass
X!ormal/Fi]I-in,
Variation/Fill-in
Chord 1
Chord 2
Chord 3
Description
Normally
O
O
X
X
0
X
used
Used for a bass part
Normally
0
for the bass part.
used
recorded
for the chord
A variation
of Number
is specified
during
Specifying
by a 7th chord.
part.
02 with different
a 7th chord
during
play transforms
Variation
Chord1
X
O
X
O
scale to the 7th note of the scale.
becomes
Bb.
05
Variation
Chord2
X
O
×
O
Variation
of number
06
7th
Chord
×
O
X
O
Used
the chord
07
Minor Chord
X
O
x
O
Used for the chord
for
part
when
Major Phrase
×
O
0
Used for the chord
09
Minor Bass Phrase
×
O
O
X
Used for the bass part when
10
Penta
X
0
x
O
Used for the chord
(CDEGA).
1i
Natural
Minor
O
X
12
Melodic
Minor
O
X
O
O
O
Chord
Gm7/C
a minor
part when
a phrase
to natural
Transforms
to melodic
minor
when
minor
is recorded.
is recorded
a phrase
G
is recorded.
chord
is recorded
part _ahen a phrase
Transforms
the 5th note of the
1)
a 7th chord
part when
08
'
when
In the case of C7, for example,
04 (Variation
x
'
conversion
accompaniment.
04
Phrase
C to B) are modified
Part Names
X'
X
Basic Chord2
each
how
in a major
scale.
in a minor
scale.
is recorded
a minor
(ascending)
in a penta
chord
scale
is played.
"zhen
a minor
chord
is
played.
13
Harmonic
Minor
14
No Change
15
Melodic
O
×
O
O
Transforms
O
X
O
O
Original
without
2
0
×
0
O
minor
"zhen
a minor
chord
chord as recorded
in response
to chord
transformation
to minor or major.
Variation
Minor
to harmonic
of number
causes
recorded
minor
chord
12 (Melodic
Bb notes
plays
Minor).
to be transformed
Pla?ing
that
is played,
a major
chord
to B, "z hile playing
a
_ as it is.
16
Dorian
Scale
0
×
0
O
Play of a minor chord is transfol reed to the Dorian scale. The Dorian
scale lowers the major scab E and B one semitone.
17
Minor
_ Major
O
X
O
0
Used for intro and ending
18
T_'nsion chord
X
O
X
0
Used for the tension
chord
recorded
_ith
part used
minor
chords.
in jazz, bossa nova,
A-8
WK
is played.
1800/1600(E)
etc.
783A
Appendix
Page 8
03.7.31,
5:22PM
Adobe
PageMaker
6.5J/PPC
E 088A
733A-E-OSgA
WK
1800/1600(E)
Appendix
Page 9
03.7.3h5:22PM
Adobe
PageMaker
6.5J/PPC
733A
WK
1800/1600(E)
Appendix
PagelO
03.7.31,
5:22PM
Adobe
PageMaker
6.5J/PPC
E 090A
733A
WK
E 091A
1800/1600(E)
Appendix
Page 11
03.7.31,5:22
PM
Adobe
PageMaker
6.5J/PPC
793A-E-O92A
WK
1800/1600(E)
Appendix
Page12
03.7.31,
5:22PM
Adobe
PageMaker
6.5J/PPC
793A-E-O93A
WK
1800/1600(E)
Appendix
Page 13
03.7.3h5:22PM
Adobe
PageMaker
6.5J/PPC
Z
MIDI Implementation Chart
u
H
Model WK-1800/WK-1600/WK-1630
Function
Transmitted
Default
Changed
1 - 16 .1
1 - 16
1 - 16
1 - 16
Mode
Default
Messages
Altered
Mode 3
X
_ _,_
_ _,_,_
_ _,_
_ _,_
_ _ _,_
_
Mode 3
X
_ _,_
_,_
True voice
28- 103
0- 127
_'_,'-_'_,'-_,'-_'_,'-_'_'_,'-_'_'_,'-_"12 - 108 *_
Note ON
Note OFF
O 9nil v = 1 - 127
X 9nHv=0
O 9nHv = 1 - 127
X 9nHv=0,8nHv=XX
Key's
Ch's
X
X
X
©*_
O
O
0, 32
1
O
O
0
6, 38
7
10
11
64
66
67
91
0*4
Velocity
After
Touch
Pitch Bender
Control
Change
m
Recognized
Basic
Channel
Note
Number:
S
Version: 1.0
1111"11111
O
O
O
0*5
0*5
0*5
0
C-}_4
0*3
0*4
0
0
O
0
0
O
0
Remarks
*1Hold in memory as long as
the power is supplied
_,_,_
_,_
_,_
*_See page A-1.
XX= no relation
Bank select
Modulation
Data entry
Volume
Pan
Expression
Hold1
Sostenuto
Soft pedal
Effect send
RPNIRR
MSR
91
O
O
Effect send
100, 101
120
121
0*4
0*4
X
X
O
O
RPN LSB, MSB
All sound off
Reset all controller
O 0-127
_"_"_"_"_"_"_"_"_"_"_
O 0-127
_"_"_"_"_"_"_"_"_"_"_
System Exclusive
O .6
O .6
System
Common
: Song Pos
: Song Sel
: Tune
×
X
X
×
X
X
System
Real Time
: Clock
O
: Commands O
X
X
o
o_
r_
o
U
H
2
¢o
Program
Change:
True #
Aux
: Local ON/OFF
: All notes OFF
Messages : Active Sense
: Reset
X
X
X
X
X
O
O
X
Remarks
*3 Modulation
and after touch for each channel are the same effect.
*4 Pitch bend sense, fine tune, coarse tune send/receive, and RPN Null receive
*5 In accordance with assignable jack setting
*6 GM on/off
GM ON :[F0] [7E] [7F] [09] [01] [F7]
GM OFF :[F0] [7E] [7F] [09] [02] [F7]
Effect change
[F0] [44] [0B] [09] [XX] [F7]
XX=00 : Reverb1, 01 : Reverb2, 02 : Reverb3, 03 : Chorus, 04 : Tremolo, 05 : Phaser,
06 : Organ Sp, 07 : Enhancer, 08 : Flanger, 09 : Loudness, OF : OFF
Bulk dump
[F0] [44][YY][YY] [0Lj[0Hj [0L_][0H_]...[0L_][0Hj [0L_] [0H_] [0Lc_]
[0H_] [F7]X1070:WK-1800
:q
_o
22
[F0][44][YY][YY] [0L0][0Ho]
[0L_][0BJ...[0Lj [0Hj [0L_] [0H_] [0Lj [0Hj [F7]X014:WK-1600/1630
ID No.
[YY][YY]=[0F][06]: WK-1800
Mode 1 OMNI ON, POLY
Mode 3 • OMNI OFF, POLY
Data (128 x 2 = 256 bytes)
Checksum
Block
[OF][05]: WK-1600iWK-1630
Mode 2 OMNI ON, MONO
Mode 4 •OMNI OFF, MONO
O " Yes
X No
This recycle mark indicates that the packaging conforms
the environmental
protection legislation in Germany.
CASIO
COMPUTER
6-2, Hon-machi
Shibuya-ku,
WKIS00
E
Cov4.p65
Tokyo
to
P
CO.,LTD.
1-chome
151-8543,
MA0003-A
\° _,Primed in Malaysia
WK1800-E-1
Japan
Page1
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PM
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6.5J/PPC
Source Exif Data:
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