Casio Ctk800 Ar
CTK800 CTK800_AR CTK-800 | آلات موسيقية إلكترونية | الدليل | CASIO
2014-07-05
: Casio Ctk800-Ar ctk800-ar casio pdf
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A CTK800AR1A CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan ! "#$ C MA0505-B Printed in China CTK800AR1A CTK-800 Mode 3 X 1 1-16 Transmitted ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Mode 3 X 1-16 1-16 Recognized Model Default Changed ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ USB MIDI Basic Channel Default Messages Altered Function ... Mode True voice ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 36 - 96 0-127 12 - 108 *1 Note Number: Version: 1.0 Remarks A-1 .-,+ *) ( :*1 X O*2 ' & % = XX X X O Bank select Modulation Data entry Volume Pan Expression Hold1 Sostenuto O 9nH v = 1-127 X 9nH v = 0, 8nH v = XX X O O*2 O*3 O O O O O Soft pedal Reverb send Chorus send RPN LSB, MSB All sound off Reset all controller O 9nH v = 1-127 X 8nH v = 64 O X X X X X O*4 O*4 O O O O*3 O O Note ON Note OFF 0, 32 1 6, 38 7 10 11 64 66 O*4 X O X X X Velocity 67 91 93 100, 101 120 121 O*5*6 O 0-127 O*5 X X X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ X X X X X O 0-127 : Song Pos : Song Sel : Tune O O ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Key's Ch's True # After Touch Pitch Bender Control Change Program Change: System Common : Clock : Commands X O O X System Exclusive System Real Time X X X X Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO O : Yes X : No [F7] [02] [09] [7F] [7E] [F0] : GM F6 [F7] [01] [09] [7F] [7E] [F0] : GM /* GM F6E/* 6* 4DC :03 ,3 DC :02 ,2 DC :01 ,1DC :vv=00 [F7] [vv] [00] [02] [01] [01] [01] [01] [05] [04] [7F] [7F] [F0] DC2 Hall2 :03 ,Hall1 :04 ,Room2 :01 ,Room1 :vv=00 [F7] [vv] [00] [01] [01] [01] [01] [01] [05] [04] [7F] [7F] [F0] B A@ 4 1 - $ 3 ) / 2 * 1 0 / ! 2 * RPN Null ,PITCH BEND SENSE 7 650 ,COARSE TUNE ,FINE TUNE 7 65 3* > = ! 1 6 < ; 9 ! 4* ? • 5* ? • : Local ON/OFF Aux : All notes OFF Messages : Active Sense : Reset Remarks Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY 706A-A-002A 706A-A-071A ( ) 0/ &'+ .(-, &'+ *() (' &% $"#" ! 4 0 ( 3* 2 1 ) : 9 ' , ( ) 8 2 ' 7 6 * 5 ' *' 2' 7> 7 :$ =(-' <* ; .('+ (' &% $"#" ! 0/ 09B3 A%"@ "? 4D"@ C(?9' &'+ *() .('+ ) : 9' , ( ) G$"' 0FE' :?)3 07*) ! H *' :$ =(-' <* &'+ *() (' &% $"#" ! <*J ?' I 4G3*2?' K-E L D 6E' K-E CASIO "(Q1 0(M7*?'R 0(E(Q" 0'P' O(+ &% CN2M 6 $ " # " Y X ( ' ! W I * V 3 6 G * E ' L 1 , , 0 ' T Q + : - S • :('' H :-E H \#*X1 Y" :1 &% [H CZH L • 1, ?' .9M ^ &%7 :('$ H , 09 ]" 03/+ \_ ?'7 ,0V(V/ 0E *F37 3 ^ L 2(M \ <]"'3 ]"*' C, a' L . X7 L *R I`R7 M$ 0Vb" *(g 0E *F3 fE-e 7 2 J d c+ Y" '+ *() *' 0i'3 0(B` 03/ 7 Y" *F h, ,0V(V/ Y" - *F &% <"k '7 0e7*) $" *2j =(-' !X + Gn 0V(V/ *(g 0E *F3 ^ :(i), d c+ 6*(Fm 03/l7 = ( - ' 03/l - *F &% <"k '7 0e7*) $" *2j =(-' c+ 8EH MX# a, $"#"' 0('X+ 2(H #" '7 $" :37 =(-' !X + Gn 0V(V/ *(g 0E *F3 ^ :(i), d AR-1 706A-A-003A 0- C "?, X(3 AC z 2 KX3 AEF rE,; 0(53*2?' 0B' *F h : H * ; ( ? H AC z 2 Q 0B'7 h *o *F h G G3 ),' 0 (3 * 2 ? ' "H :53 G"@ * G%7 < 7 0 * \b"3 rE,; 0(3*2?' 0B'7 h *o *F h G AC z 2 ● ● ● ^ @ r23*, H - S Y F-' !X Q+ G"Q + *F h < '7 ,*9, 7 ,67> G(` ' a, .% 0jW L AX5$ 1, 0(B)' 03/l7 h *o 0 (' ' Y e ( l "M"? 3 tX, ;7 AEF Y F-' C(?9, !7k; • 6*(BS 6*5$ H ' 7 0M"' &'+ AEF Y F-' * , ; • r 2 S * V 3 r 2 6 # <*3 0wS Y F3 83 AEF rE, ; • 09 D"M L Y F3 83 AEF rE, ; • Y F - ' LV ` A E F ! 7 k ; • Y F-' (–) 0-''7 (+) 0-#" y*eR L 1, • 0 V ( V / 0 E * F3 = 2 # " " M " ? 1) 0"/ .' H ^ *3 AEF rE,; *F h @ ,9M+ H - L?w C'c : H 0(B)' 03/l 7 h *o 4 )3 2) \FS : 0- *i' $"7 <*R :5"'7 ,G !"$ 0B' 7 h *o *F h ^ :$ 4 L !o H 0('' Y"Fm <*# 0(53*2?' yE l \b7 '+ 6E' : "k q L .%M+ ,6E' BX1 AC z 2 , f1 c+ v 8 5 o 3 ( ' { * CASIO "(Q1 0 E 7 /R C(1"3 :B,+ | 6 X 9 ' 8 3 7 6 5 0E *e <3 . , !7k 7 ^ C(?9, AEF !7k; 03/l ,0(53*2?' 0B' *F h C'c : H Y/"V9' :1 O*, * 0(B` 03/+ 7 ,7*o3 E 7 /R C(1"' 0M(B'7 ,0(' 83"Z'7 6X CASIO "(Q1 0 706A-A-004A L :5Q p*, c+ !o H 0('' Y"Fm <*# C((% :$ &'+ 0 "E' Y F-' G 3 r 2 9 F ` ! C ( ( % t s r E , ; q A " H C - (- F 3 : B , v <$x L?w C((% :$ <"E' 0 F-' :5Q O*, *j' EH &'+ ('! &%$ , # "! , 0V5 ,$ . - X(3 ^X' *X Ql 0(53*2?' 0B' 7 h *o *F h 6* 7 ,0- *g A"H 0('' Y"Fm yE l \b7 &'+ 6E' !" q L .%M+ ,6E' BX1 AC z 2 , f1 c+ v 85o3 (' {* CASIO "(Q1 0 E 7 }/R C(1"3 :B,+ | 6X *) Q+ G"Q ● 0(53*2?' 0B' 7 h *o ^ 2' 8EH $~ AC z 2 Q L 1, • :$ 2# "? < ' 6E' B 8EH Q+ • AC z 2 &% r ! 53*2?' (' { &% 5' :(XV'3 rE,; • 6 X O W Q R 7 L?w AC z 2X' 53*2?' C' !X Q+ G"Q ● 0B'7 h *o *F h @ ,. FE 7 .9 0(53*2?' 0 (' ' Y e ( l 0 j W L 1 L 1 A X 5 $ .Z * , 7 C' &% 0(En G(` \b"3 AEF rE,; • 6 * V ' ' &'+ .Z * , 7 C' : 3 AEF rE,; • 5' C' ` 7 3 AEF rE,; • :B, ,K-E 7 53*2?' C' a, c+ • CASIO "(Q1 0 E 7 /R C(1"3 6X *F h AC z 2X' 53*2?' C' !X AC + AR-2 * ) Q+ G"Q ● 0(53*2?' 0('' Ye(l 0jW L 1 L1 AX5$ < 7 S" L A- *S 53*2?' C' \b"3 rE, ; • 6*V' <* $B (' {* L 0%M % C' p 3 AEF rE,; • L .%M % AC z 2 L ` AX5$ 53*2?' . 3 S 0B' 7 h *o *F h AC z 2 !X Q+ G"Q ● 0(53*2?' 0('' Ye(l 0jW L 1 L1 AX5$ &'+ 85o3 (' {* :$ AC z 2 :$+ • . (' + : B < 3 85o3 (' {* L AC z 2 K-E D3 rS • 0 '+ p ' :-S 7 0 %*' a/" ' Gn 0 " e 6 * 9 ' ! L% p ( i ' 7 z 2 K3S DM ,0' H :SR &% 67 6* • 0X1* 03*, < t7 85o {* L AC $$* K 3 E ' Y G " 3 0 F (~ 0 E F & % 0B' 7 h *o *}F h AC z 2 !X AC + 1 ) D E 3 ( @ z 2 K-E D3 rS AX5$ ,^ \b" 6$%3 (E' :-S YW3?' :1 :B93 rS7 85o3 (' {* L AC 0 / " O W Q R 7 < * R ,OWQ ' a' *F h 0/" OWQR O*, 0(53*2?' 0B'7 ,h *o ' < 3 ; : .b* , 7 .e"E3 .9, 3 ^ Q+ H *XQR 0(53*2?' 0B'7 h *o *F h 0 "S 0/ &'+ !o H 0('' Y"Fm <*# yE l \b7 &'+ 6E' : "k q L .%M+ ,6E' BX1 AC z 2 , f1 c+ v 85o3 (' {* CASIO "(Q1 0 E 7 /R C(1"3 :B,+ | 6X 6$? >! = :$ 7 CQ &% 0(?(QW-' 0-(Eo \b"3 AEF rE,; R *F h C'c : H CXH !9e #", % 0-F "?, * V' 23 0/ 0 % 6*(i/ *@ CB3 1) A@ '8/ 7 .3WEM+ H -3 L?w .(% y"S"' 7 ^ h, 0-F "?, * V' 23 0/ 0 % A}9', t-B 6*(i/ !9e #", % DB) t F Q & % 7 , f 3 n * ( g : " H ^ \ b 7 J L?w f3n *(i' \S" f3n *(g * \S" < 7 ,R 03/l *F h @ ,^ pWEM+ H - 0(B)' G F AC z 2 K-E D3 rS AX5$ ,^ a(j3 (E' :-S .-E H AC z 2 O*, A;7 85o3 (' {* L 0B'7 ,h *o ,AC z 2X' a' *F h 0(53*2?' ^3 @ r23*, H -, S Y F-' !X Q+ G"Q + *F h < '7 ,*9, 7 ,67> G(` ' a, .% 0jW L 1, AX5$ 0(B)' 03/l7 h *o 0 (' ' Y e ( l \ Q' 6$~ Y F-' 8EH Q+ • ^ .Q+ ' 8F, f1 c+ ^ L Y F-' DM • 0 " e 6 * 9 ' AR-3 706A-A-005A ! I H : 3 6 S B & ' : E M 7 r 2 ' - Q L 1 , , Y F - ' Q % 0 ( ' ' Y ; o L A 0 j W % C ' c 7 6 E ' B * ` x % : ( i ) ' \ b " ' ! " V * ( g ] 2 2 , G * S B , 7 ,0 X 0 b ' * ' Y % X Q Y % X ' Y " / " ( - e * ( g 9 M ' Y "B ' . " ) , 0 9 , * Y " / 3 y ' % Y " B ' H b *% : , \ 9 , * Y " B 3 y ' % 6 E ' H z # 9 ( 2M + \ 9 , * Y " B 3 y ' % 0b ' % + 9 &% 8iZ' 2, 7 O*, 3 & *X ' Y"B' 2 , * + S & ' 0 X i ' L % # a 0 X i M Y " / / + ( - e * ( g * Ql Lo y % 7 D E l L o 8 ( - e * ( g : ? ) 3 9 " H 7 *? ( Y " / " " H 7 * ? ( : $ H " ) , " H 7 * ? ( Q + % 6 E ' B *` x % + " H 7 * ? ( Q + % 6 E ' H z # 9 9 ? K ^ YW(/"3 6$~ Y(2'7 62#R 8EH :/7 h *o *F h 6$V *(g Y(2J 7 62# :(/", 0 ( 5 3 * 2 ? ' 0 B' 7 • • • • • • • • • • • DB) : ^ 2' 0('' \S" J 0(53*2?' 0B'7 h *o L 6*(-?' 0(X?' 7 0(' ' 03"e*' 0b* he • - i ' f ' 6*3R 0b* 7 F' *(Zk he H • H7 ,0NH' 6$' &%7 ,a((?' ]2# L A- *S • 09S7 6(Q :$ ,*`- KX)' G"Z' 0b* he Y#' ^ * , * he < 7 ,KX)' H 0 (' ' 6 * o * F h , \ S " • • • • M 8 L L 0b ' 0`)' LCD 0"' &% 8iZ'3 AEF rE, ; • H - S C'c : H + 0 "S 0B' 2b* , 7 03/+ 7 *F A-- ,LCD 0"' {#] 0(B` rE,; ,LCD 0"' Y*?, 7 f*)M 7 c+ • LCD 0"' :5Q 0"' :$ :5' KX3 AEF ' ^((2, - L?w CXH :g ,CXH LCD 0"' :5Q :$7 c+ • C -( - F 3 : B , 7 G 0 F Q " 3 ! o H 7 C((% :$ LCD 0"' :5Q :$7 c+ • '" 6 a(j' G Q3 aF` ,O# &% (-F'3 :B, rn ,:SR &% 0E(S$ q < N: A# 0('% Y"/ Y " Yc E(Q" &'+ \X,; % 0-F "?, * V' 23 0/ 0 % 0 "e Y*9' 0(' ' Y"B' <" 83"b cR Y%XQ , C X Q 6 S a , L ? w 2 L ^ "H 0(En G(` \b"3 AEF rE,; H - @ ,:(En ^ % : L?w C'c : H *F h @ ,.S"H L z)' "EQ 7 ^ pWEM+ 0 ( B )' 0 3 / l *9 " Q " < D P O A-- E L?w 0V(V/ *(g 0E *F3 \X> :o L 1, 0(B)' 03/l *F h @ ^ "EQ H ' \(X' YX( , \-, ,0V(V/ 0E *F3 :o \(XJ 0V(V/ 0E *F3 :o &% ^ f(-, L 1, . ,, <(+ z)1 :o "?, S :('' 706A-A-006A * H = ^7 01*)' GXQ L * ' 0 J YW 1 0 AR-4 : ! b ! < ` P4& 500 ❐ C'c L *17 ,!"-F' 0%"X , 0E Y"/R 7 " *' "M(-' :X) YXi' L \Q7 (+ YXi' 0( X' I"m H r?V, ' 0(XS*' Y*nx :X), *R a5"' PIANO BANK R ❐ "M(-' 7$ 7 "M(-' YXiM &'+ 6*`- O , ] L 0X' I ' ) −U 3T S' IF& ❐ LV, X( CE, \-, C?w C' '7 ,A(?(,", C5$ t(,9 0"' E, C%*3 ' L Y"F−|7c ' jM C?w 6"F3 6"F fM*MR *-% 2(XV3 fXS &' SMF YM(37 t(,9 0"' :3 0- oR "?, ' G#R r , C?w T :Y"F−|7c ' jM • &E(Q" 0%*3 &'+ p"QR 9' O$`+ H O%, pS* 0`` &% *2j, ' Y$`l :(, &% :Bk & C?w E' =( 3 | 6"Fm7 v 6"Fm7 q 6"Fm 7$ Gn C5$ ! \ hH"' t(,9 0"' :(?), 7 (,*, L?w :r((E' jM • $ 0 2M % 7 =5 W1 H h *F' !W ,A(,"/ CeE' t(,9 0"' N/ 24 ❐ SMF YM(37 y% 6$%+7 t(,9 0"' :3 0- oR \ <]"'3 Gi' C?w7 "H7*?( K-Es A J "H7*?( :(/"3 rS 0'"23 & $) @ ) ? Z PY ,9 '/ X A= WVV ❐ "M(-' C-' "M(3 Lo 7 ,0(5E' 0-B \ MgR C-' Lo :=%"X &'+ :'3 0- oR rE, \ A= W[V ❐ (, E(Q" ]*e < !" 8EH7 ,] ,p"-' ,O7*' ,Fi, '7 DE l o L Y(+ 0%"X ! <) ❐ 83"b 7 0X5W *1R 0Xi' A(jo %, 0E- 6"' 0X' 83"Z' A(?(,", ,7R 7 ,I-' ,DE l Lo G# <]"'3 y y"Q7 *,7 y% 0'"23 ., < ' DE l h3F, ?' DE l 0%*Q _&# (^T 5]3 ❐ 3 X(H y ' 6$%+ :# L :'3 0- oR \ <]"'3 y ' Gn :(' C?w ' :(, \ \ fS"' H zZ, t(,9 0"' t(,9 H ,0 YM(-' y% 6$%3 "E, % E(Eo fS"' H ,0(5E' 0-B AWX) ,C5$ :(, L C?w G$R :(, <$"( LV' 7/ a` P6 A / XPB 'B A= &/ CR@ (@3 A R% ❐ :(?), h 7 25*)3 fXS ' SMF YM(3 : "V3 "E, ?' I CASIO "(Q1 : "k * 7 fH"Q Q , *,"(-X?3 C3 0/m t(,9 0"' :(/", C?w t(,9 0"' &'+ 2E3 rS rn ,CASIO "(Q1 AR-5 706A-A-007A c AR-19 dddddddddddd 9 '/ X A= CR@ AR-1 dddddddddddddddddddddddd AR-19 0(gR C3 Lo y% 6$%+ 0(9(1 AR-20 "M(-' C3 Lo y% 6$%+ 0(9(1 AR-20 DE l 0%*Q 8-b AR-20 y ' 6$%+ aS", a(1 AR-21 \ *' \(#*' 0(9(1 AR-21 \ *' E' 0(9(1 AR-21 0(E(Q" 0%"FE *?, AR-21 $"( LV' 0XiM *((i, 0(9(1 AR-22 \3, H oR :1 y% 0(9(1 AR-13 ddddddddddddddddddddddddd (' '< AR-22 PIANO BANK ' Q+ AR-13 Y F-' Q AR-14 AC $$* (' z 2 Q+ AR-14 A(5E, 6E' yE + AR-14 6*1 ' Y "V AR-23 dddddddd I') −U 3T S' AR-5 ddddddddddddddddddddd :! b!<` AR-8 ddddddddddddddddddddddddddddddddd I@ 9 AR-9 0(E(Q" 0 FE' : o AR-11 dddddddddddddddddddddddddd D $ De AR-11 t(,9 0"' &% y ' 0(9(1 AR-24 r((E' \b7 AR-24 r((E' \b77 ' a57 Q+ AR-25 f(S"' r q − rS 6"Fm AR-15 dddddddddddddddddddddddddddddd ?K AR-26 0(E(Q" Y"' r v − rS 6"Fm AR-15 Y%X'{*m y*e AR-26 0 $% 0%*3 y ' − | 6"Fm AR-15 * ]2# 7 *,"(-X?'3 :(/"' AR-27 0(E(Q" 0%"FE &% ' \b7 Q+ AR-15 r(%'r K-E y*e AR-27 0(,"B' \3/R3 y ' :('$ AR-16 "H7*?( K-E AR-28 DE l !73 Q+ AR-16 Y(l7 YEV N/ 24 f36) I'%$ AR-29 ddddddddddddddddddddddddddddddddddddddddd 706A-A-008A AR-17 ddddddddddd $$ 94Y P@ AR-17 t(,9 0"' &% y ' 0(9(1 AR-17 0XiM ( AR-18 0Xi' Y*nx Q AR-6 c AR-46 MgR C37 0-B Y"/ <" 8-b AR-46 t(,9 0"' r(i, AR-47 dddddddddddddddddd P6/ 9K AR-47 *,"(-X?'3 :(/"' AR-48 MgR C3 o H Y(R \(Q", AR-49 0 ' MIDI 0XiM AR-49 83"Z' *((i, AR-51 ddddddddddddddddddddddddddddd 9` '5 AR-53 ddddddddddddddddddddddddddddd 5K) $) 7i Q5 / 8 AR-54 ddddddddddddddddddddddddddddddddddddddddd AR-31 ddddddddddddddddddddd ! <) AR-31 DE + Lo ( AR-32 DE + Lo y% AR-32 DE l 0%*Q 8-b AR-32 0(5E' 0-B Q AR-35 !$ 8 Q AR-35 ") 8 Q AR-35 DE + Lo yW Q AR-35 DE l Lo yW \ ") 8 Q AR-35 DE l Lo y% \ 0(5E' 0-B L, G3 AR-36 0 2M 8 \ G2Ml AR-36 6"' 0X'; H :I 1 2 M RHYTHM >*= ;:PO N MIC MIC VOLUME TONE ;:#- ;:PO O SONG BANK/SING ALONG POWER 3 / .-#!8765 Q-/ ;:PO P ;SR Q 7 Q-/ ;:PO R 5 U T . :I S - U ;:PO T SETTING 21 8 V K ) B D T U REVERB/CHORUS % 9 T 9 V PIANO BANK CHORD ROOT " MAIN VOLUME KP MODE WS SONG/PIANO BANK/RHYTHM '&% $ W # "! ● KEY CONTROL/TRANSPOSE $ INTRO AXU= !REPEAT 4 # " ! 5 ,+*)!(#'"& % 6 SING ALONG 0 / . - # SONG MEMORY 8765 ONE TOUCH PRESET < 0 ; : $ 3 9 2 1 A TONE #- B RHYTHM >*= C X '[!0UR WS ,REW WY Y SYSTEM '[!+]X5 ,FF \ Z SPEAK @? D VARIATION/FILL-IN SYNCHRO/ENDING .a7=!D% ,PAUSE `O_ ^O ADVANCED 3-STEP LESSON LEFT/TRACK 1 B ! 7 ! K 7 6 5 Q - / ? b _ ] > * = ? b _ _ I PRACTICE PHRASE ;I - / E * 5 % F 7 Q - / ; ; H G F * " STEP 1-3 L K) B D a SONG BANK 8765 Q-/ b DATA ACCESS 7 A ● RIGHT/TRACK 2 E !DC5% G STOP PIANO BANK − METRONOME >*= A [ START/ +*=!(#' ./ ,PLAY/STOP +*=!(#' \ TEMPO >*= ;H 7 4 3 CONTROLLER NORMAL/FILL-IN • c G J H I 3 K) 1 D SCORING % J SPLIT N%M K LAYER ;G L d , - , + * ) ( *1 K$H 8 U dY F' (XU ;I ;RdG (< (XU) i8?S I 8 j- f :4 e" ;< AR-9 706-A-011A *2 ; : O 5 e dO ddd#d mdO5 AdXU) (dY Dd i n R 2 S n R m q I p / ; A XU ) D C o sU*%$dr [+] mqI i;:O 5 ia- jo/ s($$r [–] [+]/[–] f • • , 0 . / , * . USB g- g SUSTAIN/ASSIGNABLE H!$R + DC 9V ` h i j th u : " i PHONES/OUTPUT H:!v J + t j g 123 $ 4 #"! 123 D[ +%H " 8 `O 7 8 PIANO BANK SONG BANK D*% K$H 2#1 SING ALONG ,PIANO BANK ,SONG BANK % K$H 2#1 i+%R UH= w4 j< (:R" \ K) X D 5 K) '* gf i 7!8765 Q-/ ? b_ .S) 8 F* n RI= '&% 123 i>*x w4 j< (:R" \ K) X D 5 K) '* gf i>*= ? b_ .S) 8 F* ,>*= WS (X" 8 RHYTHM % K$H 2#1 c< ] ( U 8 ; ? S ; $ y 5 D H ^ $ q " O ; S R K $ H a c " 8 8 [ z - i 2 ; ? S n 6 5 a/ U T m q ( U 8 ; ? S ; S R ; $ y im q df' ; a/ e:* 8d jt 1 * hgf e" ;d< $ ;SR D*" i;SRd D*" a{ #* DC ;d* D ;* $ ;$P ;SRd ;bb f' i k G S D C o , j / } * ; S R D * " | < o i e " ; < ;a Y 8 R K $ H $ M * z q ' 706A-A-012A • • AR-10 6& 1- 6 51 SONG BANK PIANO BANK Powerindicator 5 Obuttons Number POWER [+] / [–] STEP 2 MODE STEP 1 PLAY/STOP SONG BANK/SING ;:PO 8 k %H 8 F6 " g D?$ Y ) 3 fUH (X" 8 ;:O 5 mqI Q3 R/ ,ALONG i :O SONG 4 d/ .d-#!Kd765 Q-d/ ;:dPO ; dR A-9 ;?d dc7 • iBANK/SING ALONG i6 } 4 (XU “46 ALOHA OE” q" 8 :Ay ;:0 ,* . 98+ ,07 A l o h a Oe i(#' WS K) e" ;< A K POWER % 2#S i . 8 1 * b _ ( R M * g f iSTEP 2 STEP 1 2#S j b + % R " K < ~ c - " U R ; / S T " e " ; < i j o " a G # 1 v 8 e " i e " ; < K $ H 5 1 • B 4 A& • i ;:#- ;<T W 0 " 8 D?$ +%H ac" 8 - ,W/5/ +%R ,ed" ;< e" j +%H i ; S R K $H ;I e" ;< (#'" $d:H DH ;R* I ;$b ;* / gf ~C i G X @ ] y 3 ; X D - } < " GJ m q I p / U Y ed" ;< (U e" 1" , GdX @]y 3 ;X W i D ? $ D ; ; " - e S " K ; b ' K $ H • 6 iNORMAL WS K MODE 2S 2 iSONG BANK % 2#S 3 A l o h a Oe ,*. ;:0 ?0 >- 6 ! @ ! 98 + , - , : " = 12 3 1< : AR-11 706-A-013A 6&1- 651 G F = / E D , * 4 C ie" ;< K$H ;I - +%H • i ; I - W a O K s − N % Y r ; < T + %R " • D 0 D H c - # / ; ? ? T D ? $ ;" 7 + % R " , B G J W • i k G # 1 / ` 7 m " ; I ; < $ e " H F = / E D , * 4 C ie" ;< K$H ;??T ;I - +%H • 2#S ,j1 ;b' K$H U Y e" ;< (U * :-/ • w , 7 Q - / D [ ; < 8 i ; [ e " ; < K $ H k W / % 2 # 1 / m " - H + * = W S K ) A ? * e " ; < ( U " e" ;< (U .81* + I ,e"d ;< D K$H i; ;I ;" - +%H (Y D ;b' K$H U Y i ; I - W a O K s − N % Y r ; < T + %R " • iPLAY/STOP % 2#S ,`O 0 -H +%R ^O " 8 7 I I( ,+F J = + , 98 ,07 ,- ,.0* PIANO % 2d#S ,h]H ;* Gd D L GJ K) (Td" -H iSONG BANK % 8 BANK 1 12 3 1 < : 7d Q-/ ;:PO 8 k7%H * d" g D?$ Y i:O 3 UR (X" 8 ;:O = mqI) } PIANO BANK iPIANO BANK 7 Q-/ ;:PO ; R A-9 ;? c7 • i h ] H ; * G D V O G J D : I , Q 3 R / 706A-A-014A 2 3 AR-12 = ,& $ I ,N .+ i 8 * ; * G : H 8 " * - Q PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP 8"O" & ! 2dS W ;*URd [ ;YU -H 8dI ;d*G :dH 8f h]H ;:d ; R [ Y U i 2 I W S - H e " ; < i;*G :H D T* DC jY W" -H +%R ■ 2dP?/ v dX D 8P/ ad4 " ;GI d/ / hgf ed" ;< d DC j:PU 4w" i*G ;GI / sAC UU $ U? *a mqI/r A%- i a q " o : - < + * = W S e " ; < ( * D & $ >i*G AI (: (O +*= WS e" ;< (* D j:PU 4w" 1&RL .db ^$d" k-dH -d* ad/ " 8d Fd* dO *Gd Ad:RdI) . I ) j : P U 4 w " i ; T q ' ; / = 9 * [ G X 9 $ q * 0 g , M - " , i ; t < = ; c <] D 8 7 * w / e : " o j $ G * G Q " A o • i T O P U i a O ? / a - z $ q ; 7 q K ) j $ G * G n R " o • i * Y 0 Xw / ; C O * G / 2 $ q / j $ G " o • i ; $ q > 7 D * G / 2 $ q / j $ G " o • i * G D? b j $ G A o • aY 7 * *G$ (–) ; (+) ;Y + t5 D 4w" • i ; ? ? ; * G/ M & $ KL ,07 i;*G M< .G6 >%7 1 i ; * G M < ( X U D M [ D * G / ( : < 2 ;* G/ daY 7 d* (–) ; (+) ;dY lGO5 Dd 4w" i ; ? ? • S$": .db ^$d" k-dH -d/ ad/ " 8d Fd" dO *Gd Ad:RdI) . I ) 4 w " j : P U i ; Tq ' ; / = 9 * [ G X 9 $ q * 0 g , M - " , i ; t < = ; c <] D i - g f W m q I x U * G 2 m q I ) • k q I ) m R 2 G q " ` - 4 3 ) - D * G > % 7 • i; $* t l dy (XU ;*dG dM< .G6 K$dH U Y ;-d5 (XU i.G# 9$6 U Y 3 ; c< ] AI (d:?d/ `:O 3) ;?d? ;d* G/ ed" ;d< (:Rd" o O • w , gf @ < 3 ) i ( # ' W S K ) ; ? U Y W * G FM* X d a$#'" UH) } +*= WS K) ed" ;< (* i 8 R G W S $ ^ P { W Y " AR-13 706-A-015A = M `_.: = 9&D AC 1 T&< >-D WS j"d " A ?" e" ;< d O w ,;*G O mqd" -H i9POU 8 < (#'d" . Y) / (#' WS 8 a4 " :-< +*= i(#' WS R" 8 POWER % 2#S ,gf @?* -H ihgf e" ;< $ 2 U AC UU *a mq" Q7 D 4w" ; c< ] X , 0 . / , * . W * a m q " - H s a { / m " o r j P $ " + * ) ( : R * o i/ e" ;< : AC UU AD-5 : • DC 9V ]C Q 1K\ : [$ U AC 1 T & < AD-5 AC 1 T & < `_.: = 9&D K BaD ,07 8 (#' WS e" ;< (* .-} TONE % K$H 2#1 8 :I i j P $ " + * ) (: H K # $" c< ] A ?"o e" ;< w ,+*= WS ; ? ;{ hgf " -H 0) . Y) d/ ;1- d DH c- #/ jd" " +d*= WS i( # ' " ; $ :H (* ?/ m " -H X (:R$ ;$/O " jP$" +*) i X ( # ' WS f R " } j * * + * = WS • • =17 R & =17 & i 8 7 6 5 4 3 ; { m q I p / ; 7 % 7 K " ,_!1< = ;d) i;P/ a d/ U % e" ;d< t (c" K765 d43 7/ ;$:? 6 *G " -H T D AC UU *a /O ;< $d ;P/ da d U) WdG* ;d6 ;$d: *dG d" d-H i 4 g 8 ; 7 % 7 W : Y e C g f i e " AC 1 ^1 i Q $ ^ $ F - M ; ; a t < o | < o >- B"YJ ● i P / Q $ l g M / j $ G " o • i ( ' / Q $ l g M / j $ G " o • i ( / H O - H Q $ 8 - y / j $ G " o • 8d hU dY .-d} d?d (d'd/ jU d'd d* FdM* o dd Q$dI • im q I = # & 1 B " Y J ● gXw D AC *a d >%7 D 4w" ,e" ;< Q* ?d/ m (O • i8 / a I & 8 > B " Y J ● *a A < Qd$ ^$/ j$G "o D ,d Q$I \% ^$/ O • iAC ! N * a ( T ( " ( O + * = W S ; ? e " ; < D 4 w " iAC UU k$RM* 8 F* DC ;$* t AC UU *a mqI) i TO %MH U Y K) '* o 8Rt gf ij U • • = $. K765 43 d* ? D 4wd 8 `6 :$d4 ; td<= | %7 (O • i e " ; < (X U AdI (ddO +d*= WdS K) ;d ?d hgdf ed"d ;d< dO Dd 4wd" iAC UU *a /O >%7 *G 706A-A-016A AR-14 b@: K\ ^1/ 9 1cJ @ . j i s :<r PIN /O PIN 1 ? !v J + t K ) PHONES/ H: INPUT 1 ;< $ OUTPUT ; I e " INPUT 2 8 I O * I / O s/r PIN /O 8IO /O edd"dd ;d< ddd ; I Dd jo 4w" , X ;dYX %adY 0 H:dI ( " (dO X 5 % aY 5 ; I e " ; < $ T 2 / S X R / l 6 : $ T 2 S Q - C Q 3 R / i ; $ T i` $: 4 O ] " • X , 0 . , * W 1l k<5 J 1:$K! @ PHONES/OUTPUT H :!v ( c 7 i W / " : / ; I e " ; < ( " j 1 * Q - C i]T$ AR-47 ;?T/ " :/ J + t K" ( " .+ [$ 91c !$dR d + dt K) sSP-20 SP-3r dX HU Ad/ (d " Q-dC ;d< ' 7d5 (#'" 8 SUSTAIN/ASSIGNABLE JACK dH i h 7 U d c7 ,h* d" 0g Ad ;{ dX) ;d4 DdH ]Td D jd*% ;?dT/ SUS :Yr SUSTAIN/ASSIGNABLE JACK $Rd!H iAR-50 SUSTAIN/ASSIGNABLE JACK .+ [$ 91c 1 8 I O * I / O 3 , ; I e " ; < i ) , :< PIN /O / 2 * DC 8" T :$ ;a/' + t AUX IN f1 e d J1 K- @: , e " ; < $ ; $ X H : D v J ( T * H : I ( " ) 0 v H ) / Q 3 ( $ 8 j X w ` O 4 3 ) K < + % R Q - C g f iz qb f2 e d ,:@ 8 - D /O k t <) 8 8IO /O W j* e " ; < $ / k $ " Q - C 0g 8 I / | < o i X + G * I - O v X Q - C + o ) , * I / O * F M * ; I T/ 8" T aM$ AXU= 8- 21/ O ,(' gf 8 i2 < 0g sk/' .8b AUX IN b=/ $R * jUHr + G K) ;Rt 8 " w " 8 m q 9 P } c 7 i j ] T * e " ;< D m U ( / k ] T $ 8 " T ~ a Y W i ; $ ; ; I e " ;< ( " 8 j * ( " ( / 4 m q I i; I ; c< ] - H * I 8 I O / O K $ H 0 ? * ( " ( / 4 m q I D j 4 w D 4 ~C 0g ( ,;I ed" ;< $/ k$ d/ m " 0g + G ( > 7 ik$ / m " 0g K) sDC *r ;Y U% AXU) -/ i * 8"-O D < 8 F* O G D j* -H wGJ • ;I e" ;< d$ T 2S ,;I ; d ( -H mqdId/ v J d d 2d/ S dY jdd7 dq-d d Kd) i : 706-A-017A b@: mC1 [$ 0 d/ .-# Q-C d j* (d " Q-C m q I ) c 7 , ] T ; R i e " ; < K $ H ; % R ; I - W iAR-29 ;?T/ 0 / .-#$ % . ihgf ;dI d e"d ;< $d U dX= ?$d 2 mqdI) ;d/= ,;dP/ ad ;RdT ,9* [ dGX 9$dq* :dR d6 .b) mqdI) i; T q' 706A-A-018A AR-16 , - - a e . K SING ALONG REVERB/CHORUS TONE ;:O buttons 5 Number POWER [+] / [–] MAIN VOLUME MODE SONG BANK mO @]dy 03 ;:d#- dO (X" 8d ;:dO 5 mqdI ifq" * " 8 ;:#-$ 3 PIANO BANK i ; I e " ; < $ ; I I 5 . U 5 $ : H D H $ R g f ~ C ;:0 ,* . 98+ ,07 i6 } 0 ,1 (XU ,”106 ACOUSTIC BASS” q" 8 :Ay Acous . Bs WdS K) ;dI d e"d ;< d (* ?d POWER % 2d#S i(#' 1 iNORMAL WS K MODE 2S 2 Kd Td dd 2dd1d MAIN VOLUME 9d mdqdI i7 q- 3 i e " ; < K $H b + % H 4 c< ] 3)r ; 5 j]d:' ,;:#- O a$4 ;}]y mO5 j:PU (XU m " + d ,`dO " d:O < dO `$dXU 3p isad- jd* Y i 8 7 } W 1 / R / a $ X U 8 m O 5 e j " " ; S R kd7) [+] %d K$H 2d#1d/ n R ;d:#-d O U* jd1* Q-dC i[–] % K$H 2#1/ ,s499 K< 490 D 8765 mOr jq ;$G 2/ S < * -H i ^ $ q 9 O U R * ; I e " ; < e " D ( 4 p i]T$ A-6 ;? c7 • • • i8765 Q-/ WS f e" ;< $ ;P/5 $ 0Y= 21 000 STEREO 8f ed"d ;d< $d jdPd/ ;-dRd d" 8d ;:d#-d iGRAND PIANO • ,Ka ; : # - q ; ; * G m q I i; y ; : # 7 V W K " w " h g f e " ; < i f * " 8 ,Ka D ,07 U TONE ;:#- ;:PO K adq" * " K ;:#- Y i a : #7 O ;7%X K$H ;H dG ;:#- ;:PO K$H ac" ;<d :#- (4 ` ;d?Td/ ;:#d- ;:dPO dc7 ,;$d ;d:Pd ; Rd i ed" ;d< iA-1 1 • iTONE % 2#S 2 1 23 1 < & AR-17 706A-A-019A ,-- ae .K ;:O 5 mqI ,(#' WS h* " 0g }w (* R/ ih* " 0g }w > 7 X= [+]/[–] 5 5 ;:O 5 ;GdI / }w > 7 dX= v Q7 | * = + % R * - H • i( * `O ,Ka" 1Y3 >i " Q / ; J ; I - ( R M * : . = iQ/ ;J ;I -$ jH" y4 ^1" : }_ 2/ S A]X " 8 REVERB/CHORUS % 2#S ih7U j?S f :4 .d= b_ K) cd-/ Q3 8d[ }wd 2S UM*) Qd-C iCHORUS REVERB 1 • . = ( # ' " ( # ' " ( : R* : f ]4 ( : R* o : f ]4 706A-A-020A AR-18 SONG BANK TEMPO PIANO BANK TONE UG < = < ! 1 # 3 2 ; : ! 9 1 8 $ I H * 2 7 G F E 1 ) E 8 D 0 & M :BA1 @ '?KH J/ ' ) 0N7G& # 1 U T( $ S D R 0 2 O )Q IPO N 0 / - WA1 @ '?- '& N ,* WA-1 @ '? -V7 "*7 - $ # " ! X 1-- 0 [- W* - @,Z Y- B1-8 #-D-= WA1- @ -'?- V7 * ^C 1-= & :4 G2 ^C] 1- ?' \( ?' < 1-"( G ?=7 ,#"! $` G _ M : H ' ) & 1 + ! C ) _ D b 4 < * a E ) Q I P O N H 0 2 ; 8 D ' $ J ' 1 D 4 C _ U d 7 c D 4 ' -U 1 0 / .,) +* )( f e=2 '-&% ,#"! 1 0 -/ \( N V5 $cAR-48 X b HG1H5 G) : X1 G e X 1 $cAR-17 X b 8 SG YR B18 gV • A l o h a Oe SONG BANK/SING S 6 2 5 4 3 ( 8 .7 SONG BANK/ BA1 + * ) $ 'J/ ' .,) +* )( pU \& PLAY/STOP <, g?V $ ^N D = q k D \ 1 I < 1 " q U W P X G 1 8 = • 0 / ( . ! - % ! , % 2. ' (1 • 5 -U N ^N,C 02 !=G WP -X !372 $^U< ih7 ,ALONG @ '?K 'J/ S U NGC A-9 X GjH2 $SING ALONG 1 • $ 'J/ ' V7 #"! \& SONG BANK <, g?V 2 • $ # " ! AR-19 706A-A-021A ; /: ( 9, cD U! N Y Ge *!)b s D8 re =G3 D=( )G4 \) W1X= # '&-% ,X .,) @ -'m2 $ < -1"q kD -' s &- 72 ge- 17 $255 \( 30 W! N D \( D=5 )G4 gV G ? .= $^U< 07*7 ,PIANO BANK S U N ^N,) !=G WP X !372 $PIANO BANK H ' S U NGC A-9 X G jH 2 1 • $H ' ) EC & PIANO BANK <, g?V ; /: ( 9, $ D=5 )G4 ge & TEMPO < & j n @ ? Y j n [+] 72 UG < < A / k ! 9 1 4 s e = 2 ' & % , D = 5 ) G4 U u 7 @ ' m 2 < - / #"! 02 >-= ^H2 ih $k U<2 mn-m 7T U #"!- & [–] 7 $090 # #"! 90 0qN P&O7 !D1 U v H !') 7 TEMPO D=5 )G4 W J G W P 0 , ; U < o G C = 7 , V < C \ ) < G & 1 G} z u 7 N > 8 1 = P O $~ * D 4 0 , D 4 • N >JG WP- D -4 0, -V .,C +* -)( 0&= !-') +G REPEAT <,- g?V ,- -D +GS* -N <G&-1 -= :-' ^'- -C $BG"2 . ,C N 2 ! = 7 = : ' D 4 0 , D 4 0 , ; U < o G C = P O $ D < G & 1 + G S ! I= I2 $TONE <, g?V2 +B +A3 1 2 Y j n $ X . ,) p U @ ' m 2 = G 8 3 G 1 # C = h U uC P"-= 02 N >81= 02 &% #- ?F1 +* )5 ' -C .7Gj $REW AG \) g?e U !C =G8 3G1 @! #U • • +B C /3 $ # " ! 2 FF <, \) g?-e N G-14 ,s UG <U C \N :C 1=7 ,00 ;UG H J/ ' 2! .,C +* )2 $ H ' 0 1 • $PLAY/STOP <, g?V ,X .,) pU & 2 Y j n G -? & [–] 7 [+] 72 -UG < 8 1 = P O $BG"2 +G PLAY/STOP <, g?V2 , .,C +* )( pU & 706A-A-024A • 3 • • AR-22 5 / 3 ! $ . H − P ? O N % 3 2. 1 ' \( G F= & } F \) *3 # * 1 u= 02 >-= WP -/ - s -=GU V< -C \-) ;-UG G-:j= -'- ,.,-C -& $ 1 ' .,C & ^!918 # " ! 1 0 / \ ) > = < ! 1 ' & % , Y _ " { n 7 T < ! k j H s C !D ;4< s e=2 '&%7 ,HG1H5 G) : X1 U 1 SMF Y H 7 $ : X ' 1 ; D1 D ' Y C N GC AR-48 X R H J/ ' 0 2 N < 1"h 4GjH2 $HG1H5 G) : X1 U 1 SMF Y H l /(.! $. 'I= A% [= 7B7( E s j . D= 5 V 7 \ ( } F \ ) * 3 # * 1 l X 1 = D- 4 = _ 1 = ! ' ) : l H ' * $.H−P ?O N% ' 7GF +,- Y-_" {n ln-" P" Y-_"−d 7T = WP $gDN / ;U< E= .4 $V< C \) 1 / ;U< G:j= • • $.H−P ?O N% ( A% 9, ge & AR-20 X -R D=5 )G4 gV 0'C x -D=G_ k!914 $Y _ " { n 7 T < ! . , C ) G 8 3 < * N% UA1 ,BG8 ! @,3 ,\' ! @,3 \) >== -1 D 4 ' Y -C GF= $ - \) :N,C 1 Y' s e-=2 } F \) $ V < C \ ) G : j 1 /(.! 2. 'I= A% ,} F \) *3 # * N ^ ) g?e 02 >= WP 1 e= 1 / $D 4 = / ( . ! 2. Z . Y ; ) ! > = ^ H 2 r } F \ ) * 3 # * N s e 1 # j = lr +! V< -C \) / .,C-7 D 4 G 72 #&} G ?1= , ; D1 V7 N :,1 G}z $ # e N 2 ' , ' C , G / k ' $ ' , O . G C ) ! 1 $.\ ? >I 5 43( - '& .8N ,. D-=5 V shX ',- 0 v-x !') U 1 ?-' ) p19 ?-H \( :N,C 1 -D 4 Y' G -? NGC s e=2 0 8H/ Y + X Y G9= .4 ; D1 V7 N $s O< 1"q \) D B18 0&= \1 Jn YR YG m iN x $ D B18 $G ? 1 } 7 $ ) 2 c )b ! 3 ? PO ; D1 = ! 2 + ! 3 7 X c u 9' b 7 N G 1 4 D 4 ' . , C ; D ; T ( G C 1 P O k !9 1 8 = : 1 U 7 P" $ #= r U7 P ' X XR 706A-A-026A AR-24 5 /3! $.H−P ?O N% PIANO BANK SONG BANK METRONOME SPEAK LEFT/TRACK 1 RIGHT/TRACK 2 UG < = 1 1 ' 1 u= $ : N , C & G j 1 ' 7 } F \ ) * 3 } F \ ) * 3 1 0 N , ' . , C & < A W 2 g ? e !' ) $ D 4 ' . , C r s e # j = &- 1 - W2 g?e k-D \1 cBG-8 ! - @,3b -R Gj1-' $ ' . , C .,C .8N , 1 -N 1 G2 \) g?e N!R U T( $ Y ' 1 ; U G R - D -4 -' >8-X= U- v H -N 1 - G2 \-) g?-e >8X= ^HqN s r?e G" 1 0&= ' 1 \) g?e $+*G $ E 1 D 4 E1 ' 4 • • STEP 3 SCORING 2 S &.3 '7) R − '&% .HQ $!914( !=G WP X < 1"2 1 @,Z E C1 LEFT/TRACK 1 <, 72 RIGHT/TRACK 2 <, g?V $^ ) >= = < ! 1 N J < T ( #32 < 1w @,-Z O V< C \) ! l G:-j 1 YG}z $ >= < ! 1 • • • $ ;U< +_ .,) 2! & STEP 1 <, g?V / ( . ! 2 . ' I = A % PLAY/STOP <, g?V ,U7 W2 !') .,C pU & • 5 3 #" ! A l o h a Oe FL L) 62 ! 8. '/2 _ : R '/3 SR '&% .HQ $SCORING 1 <, g?V $V< C \) SCORING 1 G}z <: N >81= PO 1 8 . 7 6 2 5 4 3 ( + * ) • $ : k : 8 _ 4 : ( < F : !9 1 8 0 2 > = 1 ! #" ! 2 • $#"! $ ; D 1 O ! C 2 ! = ; m 7 G e Y < ! R = • YG"2 --7 ` UG- } } \-) -V ^ -31- s D-N7 .,) $YR _4 gDN oGC= .4 PO $PLAY/STOP <, g?V ,; D1 pU & $ j X I PO \ 1 C 1 D ' AR-25 • 2 & Gj1'7 +!C18 R .4 ,!C Y<!( !C X \ 7 / ' . , C 0 8H/ + -X Y k!918= .-4 R / .,-C # * !- - @,3 \-) >-=81= PO 1 • $V< C \) D 1H G:j .8N ,.,C :1' 02 !C ,Y/ YG m7 ; D1 >< ) Y C \) lR #32 $AR-24 X R ; D1 yS 1H GjH P& O 7 , S * 2 @ ' m 2 3 < * # U 2 4 ' = 2 G 9 . 4 > = < ! 1 V 7 k ! 9 1 4 ( G j H $ G 2 # C 1 x ' = 2 . F 1 ( ' & N $Y C s!=, AR-27 X R D 4 )_D \) #C-= PIANO BANK <, 72 SONG BANK<, \-) g?-e 0( $ X < 1 "( } } \ ( * C 3 • • • $ # " ! 2 Bravo ! S/(.! $. '7) T − '&% .HQ $ ; D 1 O ! C 2 ! = ; m 7 G e Y = = < ! 1 N J < T ( #32 < 1w @,-Z O V< C \) ! l G:-j 1 YG}z $ > = = = < ! 1 N J < T ( #32 < 1w @,-Z O V< C \) ! l G:-j 1 YG}z $ >= < ! 1 • $a ;U< +_ .,) 2! & STEP 2 <, g?V 3 # " ! • A l o h a Oe • $d ;U< +_ .,) 2! & STEP 3 <, g?V • 3 #" ! 8. 7 6 2 5 4 3 ( A l o h a Oe 8 . 7 6 2 5 4 3 ( & Gj1'7 +!C18 R .4 ,!C Y<!( !C $ X \ 7 / ' . ,C 0 8H/ + -X Y k!918= .-4 R / .,-C # * !- - @,3 \-) >-== 1 1 ' 1 u= ,' .,C & 1 W2 g?e kD !') $ :N,C & D 4 $ ' . , ) @ ' m 2 s e # j= 1 0 qN \) *3- - # -* N -e +*!C1- - H T2 g?e 02 >= H2 'C= ^H2 ,=! YT 0 / k!918 !') } F $ e # 706A-A-028A • 4 • • AR-26 5 /3! $.H−P ?O N% /(.! .H/! a% 2 \-) -D 4- )-_D- \-) >=-===81= PO $ ; D 1 V 7 N # "! : H N , !) Y < ! R 0 2 ! C $ ; D 1 s D _ 1 0 & = D = G _ I P : G P 1 2 1 • • * /(.! .H/! 07 a% 3 +,? 5 43( P&O7 ,S*2 @ '-m2 3<* #U2 4 -'=2 pF1& -& 1 D-=G_ WG3( Y -)_D- \-) \) -=-= = < ! 1 Y _ " − d 7 T < ! . , ) + * ) ( 2! = P O $^ ) g?e U WP STEP <, s C - # -! < F O - D 4 Y-' .,)2 $} F \) *3 1 010 - 014 • • 2.\ + * ) k U<2 \)!18= & 0 8H/ Y + X R / .,C # * k!918= ' T ( $ + ! − ! @ , 3 > = < ! a + _ 7 + _ @ ' m 2 / . , C - / .,C # -* 0N ,l # -4 \) , :- = ' X R 1 E= WP-7 , D 4 )_-D \) >== = < ! 1 X = ! D 4 ) _ D ` G U 2 k ! 9 1 8 oGC- .8N , -D 4- C_D- >= = & Y j n [+] 72 UG < < A / k ! 9 1 4 s e = 2 ' & % , D = 5 ) G4 U u 7 @ ' m 2 < - / #"! 02 >-= ^H2 ih $k U<2 mn-m 7T U #"!- & [–] 7 $090 # #"! 90 0qN P&O7 sh72 U v H !') 7 TEMPO D=5 )G4 W =< ! 1 + A 1 + * 2 ; /: Z? U • $ D=5 l7!' Y <!( 2! & METRONOME <, g?V ln" N a +_ BG32 $V< C \) “Beat” <: N >81= PO $“Beat” G:j 02 !C Hm v" #&- Y Ge *!) G ? & [–] 7 [+] 72 -UG <= % $ # " UPO T UP8 MT P"0 • /+.-, +*) ((' & 4U*/a O\ *I! #99T #/ ` +M XC +^ * 3 _ d + c- * b ! */O +a ^ &9 %- / +@ 8 @M ,c- / +@ @ • • 0@. e a ,#@/ `+M F. 4 */ O 10 (( 4 1g. P fK #99 ` +M P XC +^ *CB ? 1#9\ 4 f K X O - & ^ P 1 # 9 \ / + d i , Ih ` + [ + " / = [ H$ @ #"@!Z" :9 <. VOLUME 4 4“MIN” XBW </ NV < M MIC VOLUME A :9 1 3.Z!K ? YM 2 R@ H@ @C@ :@=@ P@@ MIC VOLUME A@@ 5+@>@ @O 4J %I H C <. 3 4!K &9 <. 2 +34 R H@ @C@ ,UAR-17 *@[@?@T P@C@@j @ R@V@ H@ @C@ :@@9 *[?T R H C ,UAR-46 *[?T " := </ ; - MIC VOLUME :9 +87 4 + J %I H C < . G F E F. 4 G 5+> O ,N?@ *M & L K 8 F. * 5+> @O , & G *Q N@? *M P7 4 * S K R ? & 5 # L % I ON /OFF U3. Z!KT ? MIC VOLUME A 2 ! [ ON /OFF ? 5+> O. +87 • *@O N? *@M @ V? 3@\ &9 <. 4]+> C ; +"/ 706-A-031A ED 4m^ RF *"J' E^ Y,0\ *^ $' 5+> O. 4 ,0. 46 *"J' E^ 3 P ,“ALOHA OE” ,\ :Y) 46 R _M L 4[–] 4“00” Ph %a\ [ := * ' 1+ [+] $' 5+> Op *"J' E^ m =- G"o 4[ 32/ -+ P 2 :!9 4 3 2 1 0 / . & % $ P " ! P 5 +> O . q +M@ 3L ,\ 4PBJ' G@" &9 K@ %$ #"@! &9 . H C + " / 2 / 0 % $ # " ! & 9 P %0 ( # 2 a - h #@"!@ &9 P@ *@!"@@ r@ >@ :@9 =@- 5+>@ C@ 4 O 4uJ F- , t Os P ? ! P 5 4[ 32/ r^ P 2 :!9 6 KEY CONTROL/TRANSPOSE ( 1 + M * ! B rV B + v ? & : 1 +M * ! B r V B + v ? A? , : 4 ] p 5 < M < j ] B ; K * " J ' ? B 3 2 • * _M L KEY U 706A-A-032A T 2 L 8 : ! 9 , P ' M ? < . ( + P u^ ?B P CONTROL/TRANSPOSE • AR-30 + @ + ? > ONE TOUCH PRESET INTRO TEMPO RHYTHM *^ $buttons ' Number [+] / [–] MODE NORMAL/FILL-IN VARIATION/FILL-IN START/STOP SYNCHRO/ENDING * =< ;: 5 + > O p ] " , \ G " o P ) t { z y x d + w k I h N ? * M . 4 * * b @]@Cw P@ @ ' &@ @ @ ' #2@a- |@ 32@ kI@h N@@?@ *M@ P@ R@!@" R@' 5+> @Op @ ' #2a- |@ 32@ 4G@@7 G " o B P " I h 8 4 + > C % I t \ > P - R , ,<" d+ ] 2 P @(' R" * * RMV </ YV( 4 + M > K + M # 0 ' * M B * =< ;: +34 t@\ *@@j@^ P@ @+@>@ @C@ - +@ @ %I@ t@@\ @( +@a 4 | Q t \ E ^ 1 0 RHYTHM */@b t\ *j^ P@ *[9 *@M R/\ @8 uC , * 8 * j ^ < / Y V ( a - 4 * O N ? * M * B 2 , < / 4A-8 *[?V ~t\ *j^} _B • 4RHYTHM 2 :!9 2 Pop 1 87 6 5 * 5@^- *DL@) F t@\ E@^ ,+ P@ *@^ @ $' 5+>@ O 4k ,. + %I t\ |Q 45 , 0 G F + 7 0 ,0 ”075 RHUMBA” 3 , \ : Y ) Rh umb a R _ M L : ! = t \ E ^ 1 0 $ = - G " o 4[–] </ Rq- - YS %- + ,: *MV R/\ A , . E E F . R +V ; R / \ k I h ) 4 H , ' " &98 FULL RANGE CHORD - FINGERED ,CASIO CHORD 4 X M V AR-31 [+] </ :!= • • 706-A-033A +@ + ?> +@ + ?> * =< LK. 4N? *M < *j@ *MV *, 5+> O *?8 N9 * * b */ O :9 +> C - + HI t\ @( > - ; - X ,#+ ^ 4 h + < * t \ [ t \ 4 t \ ( 3 2 / r ^ - + * * b 5 + > O * =< LK& +@ + ?> +34 4NORMAL < MODE ? :9 1 - FINGERED ,CASIO CHORD < MODE ? :9 4FULL RANGE CHORD 1 4M t\ ( 32/ -+ START/STOP 2 :!9 2 2 1 @ START/STOP 2@ :@!@9 ,t@\ @( 32@/ r@^ <@@ 4H ,- 3 4M t\ ( 32/ -+ < START/STOP 2 :!9 4 3 2/ 3 &9 </ + 32 ]+> O X < *( * b . 32/ / ? * R[?V < &a 4MODE ? P( 4 • *_ML MODE @ ? "@ U%0T *"( N@? @C ]b@= P @ t\ */ @O *^ 4255 <@ M 1 8 I !K 1 0 / . ) , * j * M V 3 2 / , R b , ` L ) 4 t \ Y + " ! K J I G H 8 Rh umb a *, +. M ( +34 4t\ */ O := P TEMPO $' 5+> O G F r > + ^ P R " m + ^ " h ] _ %I P O O ' g T A@ & 4N@@? *@M <@/ @?@ *S@!=@ @ P @ U 4 * ' Y g - + ^ , ' START/ 2 :@!9 ,*@@@ ' *@MV@ 32/ r@^ <@ 4H ,- 1 STOP A * , B 4 R _M L P@ INTRO 2 ED SYNCHRO/ENDING 2 :!=@ u^ F. Y,0. : & *MV -+ 3C ,z E^ 1bQ P START/STOP 2 Y M R L V ? a - 4 E ^ 1 b Q P * # a p 5 + " / 4AR-36 AR-35 R[?V _B- ,$' kIh START/STOP 2 P SYNCHRO/ENDING 2 :!= u^ F. 4 * M V 3 2 / # ] B - ^ # ] B \ : 3 2 3 C , E ^ 1 b Q P 4AR-36 *[? _B- ,2 Ih YM RLV? aH C@ / *@ @C 1V@ *M@V #2@a R H @C :@9 G"@o R H@ @C :@9} @_@B ,RL@V?@ @ +@24 P@C@j @ RV@ 4AR-46 *[?V ~ O = - G " o , t \ * / O * ^ A # " D @?' ,+ - X@ B- lM; 45^- *DL@D F *^ ,+@ P [–] 4090 ) ,+ 90 p Ih *+ u ^ ? B + " / TEMPO t\ */ O %$ 8 </ :!= 4 P j + ' t \ * / O & 9 < . P ( t \ + ] B p [+] • • • • AR-32 +@ + ?> 4 G *_ ML #0C - #= N? </ :!= u^ #O 3L , %- +a ; B. *@@C @ ' 32@ @+@"/ P@C@j @ @ @ ?@ mo <@@/ 10a@ 4H ! V • R#, LK& P@q @K@ 4*@?@@@ @ @ ' @ t@B { *@@@@ &@@@'@ 32@@ d+@o *?8 / d > ,~[ N? *M} ~*MV N? *M} FINGERED 4FINGERED &' 32/ 5+> Op C- IW 32/ , * ] C ' 3 2 > g % ' * " ] * b k I h ) P 3 2 / CASIO CHORD Pq K 4*C *O 1 @Q * / _" A! - 32/ *?@8 / d > ,~[ N? *M} ,~*@MV N? *M} 4CASIO CHORD O8 NG3 +? CASIO CHORD 4 ;GI + ?> NG3 +? =O N ? *M *M V [ N ? * M NG3 +? FINGERED R#I LK& + ?> NG3 +? = O N ? * M * M V [ N ? * M R _M L +V ; 3O 4: ' 32 *MV N? *M 5+> C - o 4 * M V N ? * M < / 1 0 ? * " ( R B 3 2 / u M F . R *@MV *@b" @V? P @ *b"@ Ph UAR-44 *[?@T #%2 *@bB *@bB &^ @! G"o 4N@? *M %0@ [ *@b" *j@ 4 N ? * M S " E M = - ! P , # %2 R _ M L + V ; 3 O 4 : ' 3 2 * M V N ? * M 5 + > C - o 4 * M V N ? * M < / 1 0 ? * " ( R B 3 2/ u M F . R *@MV *@b" @V? P @ *b"@ Ph UAR-44 *[?@T #%2 *@bB *@bB &^ @! G"o 4N@? *M %0@ [ *@b" *j@ 4 N ? * M S " E M = - ! P , # %2 • • • ;GI P ' @ tB- &- 32/ *MV CASIO CHORD @O8 - G"w 4 & ' 3 2 P B 0 ' + ( & ; G I P B Q C Major (C) CDE F GAB C DE F C minor (Cm) CD E F G A B C D E F C seventh (C7) CDE F GAB C DE F C minor seventh (Cm7) CDE F GAB C DE F AR-33 • + S @ ; G I N ? * * O O' ' # O + " / " - l M ; 4 * M V N ? * M ! 5 ; *MV N? *M </ Gb!9 %I @? / @_" A!@ ,PO@ eW 4 2 / P + > C (m) > ;GI <@/ Gb!9 </ l M , !@ 32 P N? *M ? %- :!9- T +& ST ;GI G b ! 9 < / l M , ! & O 3 2 P N ? * D L D % - < / : ! 9 - < C j < / ? mo </ *^ *MV N? *M 4 PC j 706-A-035A +@ + ?> NTGT3 +T? FULL RANGE CHORD +T ?T> NTGT3 +T? =O C Cm Cdim Caug *1 Csus4 C7 *2 Cm7 *2 Cmaj7 *2 Cm7 5 C7 5 *1 C7sus4 Cadd9 *2 Cmadd9 *2 CmM7 *2 Cdim7 *1 [ N ? * M Z * M V N ? * M < ] ) N G 3 + ? + \ + & ; G I > ; G I F E ; ; G I P UAR-33 *[?T VU FINGERED x XW *@"@8 C 5+>@ @C P@ @ *@@)- P@ @@ 4| C6 • Cm6 • C69 C D E F G A B • • • • • • C C C C C C C H ,' ' B C m Dm Fm Gm Am B m • • • • • • C C C C C C C Dm7 5 A 7 F7 Fm7 Gm7 A add9 • • • • • C C C C C C ' 32/ / ? * A-7 *[?V FINGERED x - Y +a _B4H , - I a & [C Z S @ G L K . + 3 4 :B Q 4C PCj " 3O kB0- P[9 EO P m &' 32 1 E G 4IW Ph P?C *" 4* &' 32 5+> O. o ; :*1 4Q G </ :!= + ?B 32/ o :*2 C R _M L E G C Chord C [[[[[ 1 2 C [[[[[ 2 Chord C E * &' 32 ,kL/- *1*[ P 10+ ' +/ ?B " 3O UC-E-G ;+ G-C-E - E-G-C 32/ P"vT 4 P O & ' 3 2 ) ' &"V P N@? 8 7 ,*2*[ P 0+ #") O' +/ 3 2 ; 3 O + M ? < M < / :! = P K ? 4 : ! = - X 4eJ FINGERED • • R _M L R@" 32/ G@"o ,UAR-33 *[@?T FINGERED &9@ & h @8 4(1) 0i. P *q R V p , ) 8 - - * B x * V ? " * R " + " / 4(2) | h NV PB0' O ,005 :t\ ,023 :*!" E7 A Bm G A C A A G 4 D 4 # ' t B { : ' r > t B * k I h * M V * S d + w Y,0. %- N? *M $ 4P 9. tB z <. * 9\ FINGERED & *M P@ FULL RANGE CHORD : & @ P@ )@8- - N@? *DL@D UFULL RANGE CHORD : @ ; %I 4 , Y,0. %- 4 N@V ,*V?" *MV N? *M <. *aM ; @Bp ,Ih XC 4P"( 328 $ 5 + > C - o , , q 3 b < . 3 b N ? * M p G I 4 ' [ 4 4 706A-A-036A AR-34 +@ + ?> * =< L_: B:C M^ t@. :@ <. @[@ @ =@- G"@o ,P@O@@ t@\ ( :@ <. *@ 9\@ 4r?S 3L , a- %BD ~3L ,} P t\ ( : ,0 V^ Y,0. Y,0 kIh N? *M G"w 4 * S ) 8 - * B ) 8 - * + , ; - X , * + ^ 4 Y , 0 \ * , 5 + > C r 8 * * b K 4 t \ * / O : = , + > O + % I t \ ( *, =< M^ L_: B:C +34 4t\ ( 32/ -+ < START/STOP 2 :!9 1 3L @,\ : <@. [@ @ VARIATION/FILL-IN 2 :@!9 4+> C %I t\ [ 2 *_ ML 4NORMAL/FILL-IN 2 :!9 ,PO t\ ( : <. 0 P B:C B:C +34 4 Y,0. : & t\ ( -+ P INTRO 2 :!9 *j *MV -+ 32 Y,0\ : p ,kL/- 8I := & N@@@?@ *M@ <@@/ @ ' 32@ 5@@ - 0 @@v Y,0\ :@ &@ 4 * M V 1 • • R _M L *, =< L_: R 0? M^ 4 t . [ 3 L , \ : 3 2 " K M : Y , 0 . = - G " o * L_: H: C 0? B:C +34 VARIATION/FILL- 2 :!9 , t. ( 3L ,. 32 " 1 4+> C %I t\ ( 3L , <. KM : ,+ P IN =< LK. R +@ + ?> = KG *, 3 2 %I u ^ ? B P t ' ( 3 2 / - + N ? * M : 9 G " o 4N ? * M < / * M V ; - > - X , # + ^ 4 2 @ #+ 5 + > O * ? 8 N 9 * * b O t@\ */ O :@9 ,+> @C - + HI@ t\ (NORMAL, CASIO CHORD, ]+> C - + < 32/ * S > 4FINGERED, FULL RANG CHORD) MODE @? 5+> 4Y,0\ : Y O + 32 P PO t\ ( : -+ XC Y,0. : 32/ #"D- VARIATION/FILL-IN 2 </ :!= . 4 Y , 0\ : Y O + 3 L , \ : R + P XC Y,0. : 32/ #"D- SYNCHRO/ENDING 2 </ :!= 4 Y , 0 \ : Y O + * ] " : + V P • • 0? M^ 3L ,\ A r@= P t\ ( : ! @_( K( - G"w 4 G j 0- < . K 4 K ( * , 5 +> C r 8 * * b K 0? B:C +34 4t\ ( 32/ -+ < START/STOP 2 :!9 1 [@ Y,0\ : @,+ P@ NORMAL/FILL-IN 2 :@!9 4+> C %I t\ 2 * _M L NORMAL/FILL-IN 2 </ :!= u^ F. Y,0\ : 32/ E ; 4 Y , 0 . : 32 / # " D- AR-35 • • 706-A-037A +@ + ?> c? +S" b aS M D @?O- 1@8I RS@=@ @@ - 1+M@ *C@ @C@ :=@ @ 4 + > C % I t \ ( F & N ? *M * ! B * b #2 - , 2 , * b 3 . Z ! K + " / T 2 * ! B , U ! K & 9 * [ * b + " / T * !" * S * b + " / T * b # 2 * ! B - , U ! K & 9 Y [ 2 U !K & 9 m [ 2 3 2/ c # + \ : 9 1 42 #+ *] - &9 • • • 1 4+> O + %I *MV &9 > MODE ? 5+> O 2 4ONE TOUCH PRESET 2 5+> O 3 4:= *O 1+M *C RS9 +> C RMV 32 SYNCHRO/ENDING 2 :!9 • 4 +> O + % I t \ ( , • 32@ <@ t@\ @( : #+@ X@C 3@O Ih ,@ 32@/ 4 - < N@? *M &= P@ • c? +S" a M ( := *@O 1+M *C@ :9 @ - Ih K 4 2 * + * ] , + , , % I t \ & = K ` 4 A 4 - 32 < t\ ( : -+ 3O 32/ 2 R_ML ( 32 3C ,NORMAL &9 <. MODE ?@ :9 *M P 4 * M V N ? * M < / 3 2 5 + " / U + T : t \ 3C ,N? *M </ #Pg %- 32/ ^ INTRO 2 :!= u^ F. < / g 3 2 5 + " / Y , 0 \ : & - t \ ( - + 4 * M V N ? * M *M </ #Pg %- 32/ ^ ,VARIATION/FILL-IN 2 </ :!= . # P g % - 3 2 + " / 3 L @ , \ : & 3 2 - + - P X C N ? 4 N ? *M < / 1 @ SYNCHRO/ENDING 2@ :!@9 ,2@ #+@ *@@] P@!@ P@ 4H , - • • • • • +*6 M^ R 6, < . + > C % I t \ ( : [ % I # ] B . : " G j 0 - # ] B G " o 4 P b R V * V M P ? * ] " : - l M; 4 * ] B : Y ,0 G " o r 8 K * * b 4 + > C % I t \ ( : < / + 3 2 +*6 M^ R 6, +34 4SYNCHRO/ENDING 2 :!9 ,t\ ( 32/ #"D- X@MV t@\ @[ %I@ #]@B\ : 32@/ P X@C @ Ih . 4 * ]" 1 • *_ML 2 </ :!= 5 < </ + #]@B\ : -+ +"/ u^ . *B)@ * =@ ^ 2@ </ :!@= u@^ F. 4SYNCHRO/ENDING :!= . 4Y( P 32 -+ #]B\ : p ,P( PO 2 : P * B ) * = " - + P O 2 P * b B % - + " / 2 < / 4 P P O 2 * + 3 2 # ] B \ 706A-A-038A • AR-36 SONG MEMORY INTRO SONG BANK PIANO BANK RHYTHM buttons Number [+] / [–] MODE START/STOP SYNCHRO/ENDING NORMAL/FILL-IN VARIATION/FILL-IN SONG MEMORY SONG ' & % $ # " ! /%.- %, +'*% ) %%% %%(" MEMORY +=8 <- ;: 9 987 ),6 5( 43( 2 MEMORY SONG ' 1%0% ' )( ' * ' $ % + RIGHT/TRACK 2 LEFT/TRACK 1 ` _ C# ' 987 ),6 & $# C ?> NG %$ 9% hH%0 KQ%Y ;G U%: C: cp <%k %Q ' + ` _ " * N0 i2 9 58K J8 987 ),6 10 58K i2 b, + 0 0 g : & H T , 6 1 0 / * . - , SONG MEMORY # $%& RIGHT/TRACK 2 ' LEFT/TRACK 1 ' & x *2 a G $ # , ;G 9 h ' @G , , r H 1 − ' , r H q − ' ( " + q − 1 − x *2 P ' $%& @?> 9 ,LK2H JI 9 H#G 8 FEDDD C0B A @?> 987 ),6 ; 1Q & $# C ?> S8 RQP + O: NH ,C6 T0* 6 + @%G L2 H#G 8 FEDDD + @G (X J 8 U W V U 1 0 L A ? P C G Z F D D 9 Q @G H # 5 @ G 9 H K * < K Y 2 G # `R ,L_ '^] V\G SONG MEMORY V\G A[ ,: + : a G 9 K 2 + f 0 e 9 8 7 ) , 6 T d K c 6 L ? G b 2 # • 2 K F • @% k2 # Lj%2 iN8[ ,G JH%2 hH0 %KQY & $%#g: T 6 + T ml ' * ! %N%0%% %Z H%2" ;%- <%%k %Q %2%d%: LH%0/%G iH%P 9 nK%2 # C6 *% A +987 ),6 1%0 %0 l %*# H%/ % 9%87 C% %: ( L%%Q %8'o 9%8%7 58%: ;%% m%Q +& $ AR-37 • =ml 9 +;: T#?% G sG 987 ),6 *% , ;G %$%%# C% %?%> , %%t + S 0 9 n 7 U m 9 8 7 ) , 6 G ( " & $%#g: ,=8 9d%- i%# 9 %d- 58%K %2 % + ) , m 0 @ 2 G RIGHT/TRACK 2 '% LEFT/TRACK 1 '% & E 2 N h H 0 K Q Y @ d 0 , ` , w K , J H 2 @ t _ @t 1 0 G 5 8 : % ) g: 2 C ?> ,(v @ H%G A?2 G , uQ + 5 @ G r H Q • 706A-A-039A * ' ), DE& F G2 " HI> x*%2_ '^ C0 %.z% '* ) 4 %K2 ]'%^ 10 /%.- , + ` V \ x * 2 P _ S H 2 ` ] ' ^ V \G N − 8 O − ' ) , ; - M * L K - M J * ' ), L K -J 1 − ' : , S ' *2 # q − ' A 1 z 2 = 3 : 4 s G +S ' i 2 P # $% DE& F G2 " HI> '_ <%%k Q% 10% S' 9% n7 Um% '%0 %]'^ r%.- V \ G ~ 2 # + S: w p ] ' V \ G a G 9 n K 2 m l + ` *2 # S%8 1 z%2 9? `a%G A :_ x*2 %(v '0 %]'^ + ` ) ' _ Z S ' * ' ) , LK -J $ % L P > ;- J − % ' ,'*% ) ' %l q%− ' A 1% z%2 =3 :4sG + ' l 1 +% " 6 7-& * : & H Q S K # i 2 9 8 7 ) , 6 ( L H K G A ' $ G W V U + 2 ,H2" ;- dG ) H A? 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START/STOP ' r.- ,'* ) b 9? +q( )G • 6 • 9 l(g: T 9 `'_ '0 H# 5 '*: i + < k Q 1 0 i ) / p 7 TK%s @d0 ' ) 9N% : G 8 L?%G % b2 +( : i ? d G % 0 , r . - , S H 2 y 9 # @G ' ; / H 9 ? S0: T% WV , ' *2 # ml +START/STOP ' + /H C 0 1 Q START/ ' r.- ,4t 9 S0: T Um J# 9 TK7 6 +q( )G i?d 0? STOP • • -* 10 N~2 Um `R L_ ]'^ V\} S z2 LQ o + = 8 L Q z G l , AR-39 706A-A-041A U& V; +) QW' $%& • +JH2" ;- ( 9? RHYTHM ' r.- 1 + fN (" SONG MEMORY ' & $# 2 +F (" LEFT/TRACK 1 ' r.- 3 + - * 1 0 SONG MEMORY V\ aG 9 nK2 ml • %G %l F % A 1% L%zG ,L %VE\ a%%G 9 n%K%2 m%l + • * ' ) , LK - J ' / /), // /;// - M * LK - M J +S' i2P # E : , S' *2 # F A 1 z2 =3 :4sG ' / ), / //> * LK - J $ % > LP > ; -J %G %l E % ,'%* )% %G %l F % A 1% %z2 =3% :4sG + • • 5 • 6 • • )G i?d 0? START/STOP ' r.- , b 9? + q( 706A-A-042A T • +<k Q 10 l 2 9 5 '*: i @%G % b%0$0% J0% ! C%8[ ,%G [/( %*: T% 6 +E i ) / p START/ ' r.- ,4t 9 S0: T Um J# 9 TK7 6 +q( )G i?d 0? STOP 4 • i?d 0? 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START/STOP ' r.- 3 ) Z +987 ),m 52dG ' ) K2 ml RIGHT/ ' LEFT/TRACK 1 ' 10 r.j C ?> ,'* (v % 52% J @%2 @G L%2 5?# TRACK 2 + r H + T K 7 6 , / H = ml J H 2 " # r K - C ? > • S " 9 A [ , K Q Y < k Q 1 0 % ' * H # 5 1 - " : + Z F 9 L j 2 N 2 ' $ i 2 5 8 K . i J H 2 " i NORMAL/ ' ,SYNCHRO/ENDING '% ,INTRO ' 53%%.z% VARIATION/FILL-IN ' ,FILL-IN 4 K . z 5 0 iN : c p . r: - , ' H K / r : ' / H 8 J H 2 " # r : Z[ r K- • i?d 0? START/STOP ' r.- ,'* ) b 9? +q( )G 4 5 ~ Q 3 G Q0, <k Q0 %G? q *2 , ' ) Z '%* C% ?%> +MODE %kG r%K- @% ~% a%.: , %20%G <%%kG + C 6 9 T K 7 6 , ' ) ; G U : AR- dkc 1 AR-43 dkc @G_ ' HK/ & $# Lj2 C ?> +<k Q0 ) *G 5.8 O* 9? T ml `45 b%0$0% 9/%$ ,&%G 9/%$% ,T\ %H2" 5%0% A RQP + ' ) Z N h @? >P • • • • • • • • • S $%& " 4> Y . - ( 7 @ X 9 $ % + ■ + = 3 ) , m H 2 / @ G i ) / p 9 / $ + < k Q k G r . j : & H A } J H 2 " @ t A : K 2 • 7 > 9 X 9 $ % 6 ■ ) , m H 2 / @ G i ) / p A ? G 9 +ENDING h H 0 K Q Y K # A v • + K Q Y < k Q q G SYNCHRO/ ' r.- ,=3 @ - G ' * : & H G • > $ % & $ 0 ' ; \ V , E , , > Z 0 ' , Z 0 ' ( ■ '% ,SYNCHRO/ENDING ' ,INTRO '% r%.%- ,%%% % %Z +LK0/G l , VARIATION/FILL-IN ' ,NORMAL/FILL-IN 7 > 9 ^ > > > Z 0 ' , ] ; 9 $ % 6 ■ ) , m H 2 / @ G i ) / p A ? G 9 +INTRO ' iZ ENDING 4(" r ;G hH0 KQY K # Av • + K Q Y < k Q q G @ - G SYNCHRO/ ' r.- ,=3 '*: &H G > $ % & $ 0 ' W . + 6 V a ` - _ 6 ■ ) , m H 2 / @ G i ) / p A ? G 9 +<k Q0 U0 @d0 q G @- G WV '*: i ENDING %hH0 KQY K # + KQYG U A : U0% : &H2 ml • + K Q Y < k Q q G @ - G ' *: & H G SYNCHRO/ ' r.- ,=3 AR-41 706A-A-043A ' $% $% 9 ' ' ), T " 9 i%2 % 58%K A[ ,<%k% Q 1%0 '%* H%# 5 %0 %-": + E 9 0 L j 2 N 0 . i 4 K .z 50 • • 'b> >G *1V %G @G d%G G]' mt % H2/ & $%# C ?> + ;G d2 ud: E % 9 U0G @t H2/ & $# C ?> + F 1 0 L H K G S : T Um +JH2" ;- ( 9? RHYTHM ' r.- 1 + fN (" SONG MEMORY ' & $# 2 +0 , E (" RIGHT/TRACK 2 ' r.- 3 P > P > -6 > # ' $ % & * 1 V 8 ) ■ +PIANO BANK ' SONG BANK ' r.- • ' $ % & > * 1 V 8 ) ■ +RHYTHM ' r.- • +NG $# 2 9 . ( 4 +i?d 0? START/STOP ' r.- 5 + fN ;- ( 9? SONG MEMORY ' r.- 1 LEFT/ ' 10 r.j: SmQ 9 n7% Um ]'^ ( +RIGHT/TRACK 2 ' TRACK 1 2 '* ) " C %# Z l 2 9% 20 5 % '*: i + F @ G 6 +SONG MEMORY ' r.- 9 # 3 )G i?d 0? START/STOP ' r.- , b 9? + q( 7 + -* 10 ,[ # N 9 nK2 ml + [–] (No) ' r.- ,mt 0 9.0 9? +987 ),m '* ) • • +]'^ mt [+] (Yes) ' r.- fN 1 <k Q ) 9 nK2 ml 4 • ~Q 3 G ]'^ mQ VV Z SONG MEMORY ' 10 r.j + f N 1 * 2 - * 1 0 706A-A-044A • + E 9 F ' ) K 2 m l @%G % b%0$0% J0% ! C%8[ ,%G [/( %*: T% 6 + E i ) / p START/ ' r.- ,4t 9 S0: T Um J# 9 TK7 6 +q( )G i?d 0? STOP • • • ~Q 3 G @?%>P nQY % A 9 *2 Um% +rH−U0%G G %l E Q TdKc <k Q0 G? q A[ , ml nK: + l S0 MODE kG rK- @ ~ a.: ,E 2 0 G < k G + 9 t 4(g: i% ,%G G @G '%* ) A %: % 9 T%K7 6 f%%N ;%- ( i%Z ,% '% )% %$%P ,'*% ) %f%N% K%QY% JH%2" 2% C %?>P C%6 d2 % %: R%QP +%% + H 2 " ; - h H0 • • AR-42 SETTING TONE KEY CONTROL/TRANSPOSE !`=5 OO_buttons 1 Number [+] / [–] LAYER SPLIT RHYTHM ? 5 ! - = M 3 OO_1 ; ,# !- “168 FRENCH HORN” O& :T&K# ?8 G ,6 ( 1 7M [–] ( [+] OO_1 (D !`=5 A) @ # F r . Ho r n ? & % 5 ) > 0 I & # H b I T ( & ) E a ?L ` < % > W " ! - 3 # 7 *)( '&%# $# "! 7! ( ,* &%5 ) &4 3# &2 1 %0# /&! .- ,+( ?-( ,>; 5 0 = , &%5) 08 cd ( 5 • ) 0 *# !( NO ! "%0# "! .- ED 3# R-Q V R - U , T & K 5 7 ; > 0 I ? & # 2 & ) & % # 9 S & # - I & ! 4 - # 2 @ , & % 5 ?\O 4[( >-Z / Y X- BRASS !- >W FRENCH HORN !- ?N= !- =M B(D (FRENCH HORN) # ! + (BRASS) NO ! +*) 3# 7 *,e !( NO ! "%0# "! . R-U ,+ $# !( \= g8 c)( ! I 3# R-U f( , &%5 ) &4 *>&I \# NO !- STRINGS O&M R-U ,@K# ?>-! &8 \=MD I I !+# 2& ( ,*h%-# \# ,e !- PIZZICATO STRINGS ( ? R 8 & Y = i "8 0 # & # &%5 ) >W $ 5 > >( ,,+ j 3# R-U 2&S D ,+ ? " ! - " 8 = m W l k f AR-43 1 ; G TONE O 9 ,NO !- “170 BRASS” O& :T&K# [–] ( [+] OO_1 (D !`=5 OO_1 ; R^ 8( TONE O ?0 G ,7 ( 1 7M Brass ?LAYER O 9 2 St r i ngs " ! & (' & %$ # 706A-A-045A /. +*)- E 3 ? ! # # & % # ) V 0 2 & # , + ( ; R - U (D , &%5 ) 0 ,+ G 2B(D /&!-0 V L0!I H ; @M g&- , 2 & # , + ( & # - I ? / & ! - 0 V G & % 5 ) 0 , + \5( ,*,e ! + NO ! "!- #= >& &%5 ) \# EpW ? * ! # # ! + , e ! " ! h % - 5 +*, ? N = ! - = M B( D St r i ngs 0 1 23 +*) ?N= !-0 !- `O 7Md G TONE O 9 1 G TONE O 9 ,NO !- “139 STRINGS” O& :T&K# ?9 G ,3 ( ,1 7M [–] ( [+] OO_1 (D !`=5 OO_1 ; ?SPLIT O 9 1 2 Acous . Bs Brass & ( ' &% $ # ?!5 !- `O 7Md G SPLIT O 9 2 ?,+ ! =M 3 ; ,,e !- “127 PIZZICATO STRINGS” O& :T&K# ?7 G ,2 ( 1 ,7M [–] ( [+] OO_1 ( !`=5 OO_1 Pi zz .St r & ( ' &% $ # ? &%5 ) ,e >0 SPLIT O 9 ,!5 !- j 8 ?5 !- `O 7Md G LAYER O 9 G B ( 5 ! - 2 d k # , s ( r " q < E R - U m C ) B ?, + ! Pi zz .St r • 3 • 9 ,SPLIT O 9 O=!; H&-G ?,+ d) %=5 &4- \# 3# O& >o` '&%# = n) &%5) ? E E ?G3 '&%5 9 ,,e - F r . Ho r n & ( ' &% $ # 3 =bu5 3# 7 t= R( LAYER O (D SPLIT O 9 ?LAYER ( SPLIT ? 5 , + ! `O 7 M d ?,+ d) : T &K# G 3 4 ? &%5 ) >0I Hb I T(&) Ea 5 ,PIZZICATO STRINGS !- > #= 7%;D( F3 3# '&%# 7 ?STRINGS !- > >0I( G3 3# '&%# 7 #= &!-8 6 /&!-0 ,+ H&: 7[D 3# \=MD c=# SPLIT O 9 ?\d& $ > &%5 ) 08 cd ( St r i ngs = &!- D &%5 ) 9 ,SPLIT O >0I 9S O=!; H&-GD ? E E D h % - 5 & 4 - \ 5 O & > o` D ' & % # G3 dk 4 • 5 • 6 + *) (STRINGS) NO ! , e ! (PIZZICATO STRINGS) , + 706A-A-046A AR-44 >0I( 7 - [Od >0I ! ; 5 0 = 0!I =G~ E: W ; 5 0 = 0!I L ^: ?2&&) &4# !- < % & 4 0 k # 7 k W , & # ! - ' & 5 \ 5 O & M ; 5 - 7 [ ? \ 5 T @ M ; # w [ w = ` D W - ? & % 5 ) > 0I & # & v b I • >0 SPLIT O( , &%5 ) V >0 LAYER O 9 ? , + 7 • 1 +* ) 85 )7 =q - / o \ # EpW ,7| $ ( >: !; & 8 ? } & d D )( = | # 9 8 G@ G T @ M 3 # O & M x Y = % 8 : W ) 00 &%5 h%( $W= ED 3# R-U 0 = ) 3I 0# '&%# >W >- \ w=!0 )&o# E /dO ^ ?! ? & % 5 ) = 0 = ; i & 8 , @ K # , & % 5 &%5 ) >0I \ `1 9S EpW , ) SETTING O 9 1 ?SELECT ?y& x $ ( 7M RHYTHM y& x O_ 9 D W E & ! - 8 & % 5 ) 0 > ; 5 0 = R - U B m : C )B ? & R - 8 $ ( ( D & Z 1 R - 8 $ ( Touch ?9S = [1] >: [0] OO_1 (D [–] ( [+] OO_1 ; ? r < ! 0 8 & + ; : O & M x : T& K # Touch 8&+;: =bu# E -I 7| $ ( >W E W ; 5 0 = :T&K# ? > 0 I1 Tr ans . / & A) @ # & ( ' &% $ # W W AR-45 • ; # w [ –12 \# T@M >; 5 &4!0 = 3U &%5 ) ?*>0I1 )( ; # w [ +12 >) *7%;1 )( ) 0 cO Oo# T k -I “00” 7+5 >N8x 0 = 9 ?7 | $ ( > : &% 5 7 ! I E ( 8 > G < !M > J O & > 0I 0 = b &b L = ^ ?2& (D Q ; b&| EpW ,Hb \D c= 3# cd&I >0I 2&S D =Gu >; 5 0 = 9 ? ( B ) &o 5 ( }@ID cO 5 = f=[: , 0Y1 &4)&%# >: &%5 ) KEY CONTROL/TRANSPOSE * ( 3 O 3# @ 9 ( = 2&S D [–] ( [+] 3 O ;: R-U ?r c q W L` <% W ?“00” >: ; 5 0 = 9 • • • • • 706A-A-047A C D E FG5 > 94 H A) @ # % E -I Lj = \=[D G , & $ ( (D &Z1 R-8 $ ( 7MdD ? ) &o 5 / Y \ # 9 b&b E&# W -Z1 / Y \ # b&b =4A ; ,&J } W • ? ) & o 5 / Y \ # 20 ?\=MD ; # - V8& &%5 ) - & = ; 20 ?- b&b =4A >) SETTING O 9 1 Tune • SETTING !* < 3I L ^: ?9S /&b&b T@M O( SETTING O >0I 7 O >0I 9S W =!; ,&4#; W .Z= b&| ~q V =i ?\=MD c=# b&| =4A >) SETTING BA@ ?0- : > =4 / -0 7# 7|8 &Z1 R-8 E&JD( )&o5 / Y f # 9 R-U W & # / Y \ # " R - U ? & % 5 ) > 0 I & 4 W 8 f ; 5 ?*>o`D ) 127 >: *dD ) 000 3# \5 : > 94 ?- !` 9S !`=5 OO_1( [–] ( [+] OO_1 ; 2 r O z - h % : T & K # / Y \ # 9 b&b =4A >) SETTING O 9 ? ) & o 5 1 Ac ompVo l Tune / & A) @ # ?L-; +50 >)( L-; –50 3# \5 T@M &4!- 3U &%5 ) ? c ) ( ! o W & L - ; * ) 0 cO Oo# T k -I “00” 7+5 >N8x - 9 ?7 | $ ( > : & % 5 \D 7!I E(8 > G J O& >0I - b&b L = ^ ? 2 & & # ( D Q ; b & | E p W , b )&o5( >&Z1 c= ^ 3# cd&I: >0I 2&S D =Gu - 9 ? N & 0 }@ID cO 5 = f=[: ,N8x &4% # >: &%5 ) ?r c q W L` <% W [–] ( [+] 3 O 9 ( 706A-A-048A ?0I =Gu 3 ,)&o5( >&Z1 c= ^ I cd&I: • • • • • 6 ; : 9 4 \ # 9 !` = [+]/[–] OO_D (D !`=5 OO_1 ; ? > & J / o 110 2 : T &K# Ac ompVo l / & A) @ # Q c q >W =4A > &J )&o5 / Y \ # !` ? & = > G < ! M T @ M H b \ D 7 M ^ : O & 3 # & & # ( D / Y \ # & (D 9S L` <% >W [–] ( [+] OO_1 9 E: ?115 > )&o5 • • AR-46 & I > LEFT/TRACK 1 RIGHT/TRACK 2 SETTING !`=5 OO_buttons 1 Number [+] / [–] & I $ 5 6 K @ ; J $ L ,Windows® 2000 ,Windows® XP A- Lj 2&!I# E 7| ?Windows® 98 ( ,Windows® 98SE ,Windows® Me Universal ● VW # = ! (D IBM AT Windows Lj i 7| f( USB %-# *LK 7[D 3# CD-ROM X#5 {= 7|# =% 7 ! | B 7 ` 1 > 0 I L & 8 & + # 2 & O ` X # 5 { = 3 # Z O & W ) & # *Adobe Reader = ( LW 0 .05 • • • 9 = ! >0I 2 !|# ~ }O(8 f( CD-ROM X#5 {= >0I ~ f @ ? &%5 ) $# “CASIO USB =A ,USB MIDI 7|# LK T ) / 05 W=5 7 X#5 {= >0I d [ 5 MIDI Driver User’s Guide” ?“USB Manual and Driver CD-ROM” • • • • 1 • A) @ # /& k# cH=` 3# ~ ,USB MIDI 7|!0 0% LK&8 & 7` • CD- X#5 {= >0I d [ 5 “English” 0 W “readme.txt” 05 ?ROM # 7d >: T Y 0 Acrobat Reader (D Adobe Reader ; • J N M *?USB MIDI 7|# Windows XP ● = ! >0I 2&K# Acrobat Reader (D Adobe Reader g@#B &j RD “CASIO USB MIDI Driver User’s Guide” /& k# &| R8 {&q Adobe Reader >0I f k B R8 {&q = ! E& ^D ?(manual_e.pdf) ?mK }&dD = ; ,2&K# Acrobat Reader (D ?= ! V-# w&) 2# Windows XP >: T M&8 ` T ) / 05 W=5 Windows XP $# ~ VN&G =AD ?= ! V-# /&8&) 1 ?k ) =D ,Windows _(- 0 D8 !N& >0I 2 =D ,Control Panel 7Md &A- 1 c&|# $ ^: ? ; @ t = = i > : 7 • =D ,=4A f O J (-Y W ?&A- 1 >0I =D ?7| X#&=8 7+ O =D G ,_&4 E&0 3 ?VW # =D G ,7&e =M ,=4A f O J (-Y W 4 AR-47 D E USB MIDI 7|# LK ` ,m0Y Windows Me, Windows 98SE, Windows 98 ● >0ID (D = &+# 166 -8 X&# 7`1 >0I c= 3# L &8 &+# 32 USB MIDI J • • Windows 2000 ● >0ID (D = &+# 166 -8 X&# 7`1 >0I c= 3# L &8 &+# 64 LK 8 ?= !&8 7Y W 04;( =; &40+ &%5 ) 0 USB %-# CD-ROM X#5 {= 3# R8 {&q = ! 7Md USB MIDI 7|# MIDI = ( LW ;D $ ; R~W , &%5 ) $# ~ f = !( &%5 ) "8 /&& Td& R8 {&q = ! >0I &2 O&e '&5 ? R8 { & q • Windows XP ● >0ID (D = &+# 300 -8 X&# 7`1 >0I c= 3# L &8 &+# 128 & I > * (**Acrobat Reader) Adobe Reader D E X#5 {= 7|# 7Md “USB Manual and Driver CD-ROM” $ • ?R8 {&q = !0 CD-ROM 0 WD ,“Adobe” >!5 0 3I nk8 CD-ROM X#5 {= >0I • “ar601enu.exe” >0I [(d# c= =D G ,“English” >!5 {&q = ! b&b >0I =4A /&!0 $D ?(“ar505enu.exe”**) ?Adobe Reader LK R8 ?Windows 98 &A- 7|8 = ! >0I Adobe Reader LK 3U B c= =D ,Windows 98 &A- Lj 7| R8 {&q = ! E& ^: ?Acrobat Reader LK8 “ar505enu.exe” >0I [(d# ** 706A-A-049A & I > BA@ ?0 Q;L BN !C@ P R-U ? &%5 ) : R8 {&q ==! 3# -Z1 /&&8 7 R-U ?54 >: 50 3# &Z1 R-8 E&J~ *L &8 0 ) E&JD >) 3 SMF T k# ;x &j R~W ,&40 (D &4N=|8 L!` SMF /&& ? &%5 ) >: m0 7` CASIO ;& 7| >: m0 k SMF <R D E T L K 8 ` , m @ M 3 # 7 Y 0 9 f = ! > 0I 2@!|# ~ f CD-ROM X#5 {= >0I ~ f SMF ? & % 5 ) $ # 1 Windows 2000 ● VN&G =AD ?"-5 I !+# w&) 2# T M&8 ` ?"-5 I +# T ) / 05 W=5 Windows 2000 $# ~ 1 >: =bu5 m[ 8 ` ,Windows _(- 0 D8 !N& >0I ?k ) =D G ,/dI: 2 =D ,=4A f O J (-Y W ?&A- 1 >0I =D ?7| X#&=8 7+ O =D G ,_&4 E&0 3 ?VW # =D G ,7&e =M ,=4A f O J (-Y W 4 “SMFConv- >0I [(d# c= =D CD-ROM, X#5 {= >0I • A) @ # R8 {&q = ! b&b >0I =4A /&!0 $D G ,e.exe” ?SMF T LK 05 /& k# cH=` 3# ~ SMF T LK8 & 7` ?CD-ROM X#5 {= >0I d [ # 0+# 7 W “smfreadme.txt” * >0I [(d# c= =D ,SMF T ;D T ) /&# 05 W=5 LK8 L!` -I m0 f( ,[help] 0 7Md d [ 5 “index.html” _(- 0 D8 !N&` 3# 5 VN&G( >: T Y 2&S D R-U ?SMF T S[manual] - [SMF Converter] - [CASIO] - X#= >0I =-&8 Windows (D Internet Explorer 4 7K# /O&ix I f /&& t=# ?SMF T 7d c&|5 2&8 0# E * >0ID (D Netscape Navigator 4.04 * & I $ 5 6 K @ ; 7 | & A * Windows 98SE Windows Me Windows XP Y&M 0+# /& O &- #5 /&+-5( /& =| H&!;D • ?" & 5 &8 USB O0 L = !&8 &%5 ) 7Y 2& O&e '&# USB 78& H=| &j RD C)B &%5 ) "8 USB 7Y <;~8 ED d=+z ?USB %-5 2# ? 4 - 8 / & & T d & R - ! W , = ! ( USB O0 / 4 & > ?= !&8 &%5 ) 7Y 2& O&e '&# USB 78& ;D 1 USB %-# = ! 0 78 & 3 * ?HDD .0o {= W O&W E&# L &8 &+# 10 7`1 >0I USB USB - * k%Y 3# &40!k8 R^( SMF T 3# >0I T oJ 2&S D R-U = ! >0I = ( LW LK8 ` ,7!k 8 ?}&dD k 5 . ?R8 { &q • USB 7Y # &%5 ) 0 USB %-# CASIO MUSIC SITE http://music.casio.com/ ; CASIO MUSIC SITE $` # E~W ,m% = ( LW >: W& x&8 c4[D( R8 Y&q &%5 ) T ) O&M1 =MD T ) / 05 2&S D R ? R ^ 3 # = K D ( , \ = M 1 ; 5 ; & 706A-A-050B • DATA ACCESS <>- Td&8 &%5 ) &!-) DATA ACCESS /&& T Y( 5 S 78& 7o%8 2&0# B ?USB 78& 0Y =I 7o# = ! $# /&& ?vS# DATA ACCESS /&& T Y( 5 E &!-8 USB • AR-48 & I > X4 :BUV "(& "0 cb=5 c&- EpW ,} &%5 ) >0I 0 = ! 3# 7N&;O 7 -I 01 3# c)( c&-` O&M: R-U ? O& >0I &4 /&&8 =4A c&- fD >0I /&& ; 3# R-U 9S ED n) ?cb=# c&- 16 >: ,b&| >0I d [ 5 &%5 ) 7d HS &2 O&e )&5 SMF /&& c&-` ? & # . = 0 % 0 H [ 1 7 0 j R - U ?NAVIGATE CHANNEL b&b =4A >) SETTING O 9 1 Na v i . Ch `O = [9] >: [0] !`=5 OO_1( [–] ( [+] OO_1 ; ? c&- 2 r c & - " : T& K # Na v i . Ch / & A) @ # ? ( SMF 7| /&&8 I } &%5 ) ,b&| >0I $8&Y1&8 /=bu# ( , o $8&Y1&8 7d 0! ; 5 I 5 %F( ( , & 3I o E@I1 ( ?&40 (D &4N=|8 L!` SMF /&& "!I# =Z • • . MIDI / -` dI ,0 / Y `= $8& ,!- `= $ & dk ;& & MIDI 7| (D .= dj ( \=MD #&I 7# I( ,&4#;: 3U MIDI / Y Oo# >0I +-5 ; 5 /&& E~W , .8( ?/ o Oo# &! 8&# (=W( 48&|# /&! ;p8 &4WI cd&I: 3U & MIDI ? = M $ - o 5 / Y O o # > 0 I & # - I > ) , 7 Y 1 W _&4+8 7Y &4-!W R( ,& MIDI /&;&` $# VW } &%5 ) &40!j ,&4N=|8 L!` ` & MIDI /&&8 I cd&Ix ( = ! ? = M O o # 3# & 4 0 I T o J ( D , L = 1 > 0 I 3# H & ? [O & M _ & 4 + 8 7 Y - I 8 0 5 9 8 S 7 ! I % g = 4 6 FG5 Y* "KL W 0. > Y #7 \ \ " ( & " 0 J [ Y # 7 ZZ ?RIGHT/TRACK 2 O 9 ,3k0 /&&8 I H&-GD ) 7d &%# =! 3( ,cb=5 c&- / Y 7o% E: &! c&- /&& 2&W( cH& x W b&| >0I d [ 5 &%5 c=# c&- T k \=MD c=# RIGHT/TRACK 2 O 9 ?L0;: ?7 | $ \ = M D 1 ?CHANNEL \ \ " ( & " 0 F B K @ " 0 Y # 7 [ J ZZ ?LEFT/TRACK 1 O 9 ,3k0 /&&8 I H&-GD AR-49 >: } &%5 ) 3# 7N&;O T&;Ox c&-` &%5 ) c&-` ? &%5 ) 0 c&- >: 3# c)( c&-` " R-U ?= ! KEYBOARD b&b =4A >) SETTING O 9 • ,) 8 cb=5 c&- 3# 7`D &4!`O c&- 3# / o 7o% E: • cH& x W b&| >0I cd [ 5 &%5 ) 7d &%# =! 3( c=# LEFT/TRACK 1 O 9 ?L0;: &! c&- /&& 2&W( ? 7 | $ \= M D c = # c & - T k \ = M D T j } @ I D c O 5 0 ! E p W , c & - c b = 5 c & - L & ^ : : T & K # ? & x $ s c & - X1 :6UV "0W 1 1 Ke y b d Ch ?c&- `O = !`=5 OO_1( [–] ( [+] OO_1 ; 2 c & - " : T &K # Ke y b d Ch 706A-A-051A & I > SUSTAIN/ASSIGNABLE 25.[2 8 XSUS :9! ]LV JACK ?7%;1 2&i S# T E -I *I =G~ " :X2V SUS ?7%;1 2&i S# T E -I r* -; ; =G~ " :X0V SoS 2&i S# T E -I / o \ # W TMx " :X2V SFt ? 7 % ;1 T E -I START/STOP O 7| 0!I " :X^ # F;V rHy ? 7 % ;1 2 & i S# SUSTAIN/ASSIGNABLE b&b =4A >) SETTING O 9 ?JACK 1 ,USB = 3# &;= = &%5 ) >0I Hb fD :XY #V oFF ? 0 M / o O o # ; 8 m Y O o E D E ( 8 LOCAL E& ^: &%5 ) ; 8 / Y X- B mD 2&S D C)B ?7o# [O&M _&4[ [ B( & x $ 2B k# CONTROL ?LOCAL CONTROL b&b =4A >) SETTING O 9 • 1 7| $ ( >W LOCAL CONTROL E -I :T&K# Loca l 2&&) 2&i S# I E -I :T&K# Jack = [3]( [2] ,[1] ,[0] OO_1 (D [–] ( [+] OO_1 ; ? 9 S :6UaV LOCAL CONTROL B5R 2IG XOn 9S 7 k [1] >: [0] OO_1 (D [–] ( [+] OO_1 ; ?& x( 7| $ ( >: 2 y& : 3J O&Mx :T&K# Jack 2 _* ,%# T 7! T E~W ,70k \=M1 / Y1( & /&! $# O(1 /&! $# ?2&i S# T E &#-I / Y1 T iD I $# W =! &%5 ) >0I / - ,\=M1 c=!5 / Y1( 2&S D V I =G~ ,"&J &0 W ?T = =j >) &4 Y OY: ? 2 & i S # T d [ ( H& - G D ( / f 1 0 `* / -0 9W V I &!W ,I 7K# V = <% =G~ fdu / - >0I =Gu B mD ?2&i S# T E -I 7%&8 &4 Y Oo ? T > 0 I 9 S 8 L W I 2 & x $ ( >: LOCAL CONTROL 7 k :T&K# Loca l XOff :6UaV ACCOMP OUT 8& &;=( &%5 ) ; 8 N&0 )&o5 :XJV on ?USB = 3# = ?USB = 3# N&0 )&o5 7N&;O = B :XY #V oFF ?ACCOMP OUT b&b =4A >) SETTING O 9 1 & x $ ( W ACCOMP OUT E -I :T&K# Ac ompOu t 9S 7 k [1] >: [0] OO_1 (D [–] ( [+] OO_1 ; ?& x( 7| $ ( >: 2 7| $ ( >: ACCOMP OUT 7 k :T&K# Ac ompOu t 706A-A-052A AR-50 AR-13,14 AR- 17 AR- 17 AR- 32 AR- 50 AR-13,14 ] _b , -3(B AC `# a)" 'O -3(B # (+/–) () c(+ () ] _b d?= , '!: Q? 3Q 6 *- e f >M POWER G 01< 'P '81: ;<= *7G MAIN VOLUME A G 'R ' . T L# # 6 !Mg 3Q h7% FG% 'U 6? MODE 5/ ] M [!B ) ./ 'FINGERED = CASIO CHORD ;< / 'NORMAL 6 MODE 5/ 0)<3Q ;<= 6 LOCAL CONTROL e 'V '81: = * T3D [Ki () e) 'AC `# '*- .# 6? M:# 'O '8 # 3Q *- .# 'P ' S!# . T L# 0)< 'R FINGERED ;< / 6? MODE 5/ 'U 'CASIO CHORD = 'F-J ;<= >? LOCAL CONTROL 'V () *+ WX !" #$% '() *+ *- .# 3@p# '8[% q 3+ r%. = ,[%# <% s3 [t [L T L/ >%)u 3Q WX 4! . j : % 3# bB FG% ! . >? ><3 8D % 3# bB FG% ! *- >? `# X ; 3# .B FG% ! <% < # 5# 6 012 >! = v3 ] %B 6 3[L# 4! . w x# [1X '>%)u 3Q W 3%J &m FG = I-J &m 0y '>%)u 3Q 8M:B S!# ] ?=3M/ T L# '] ?=3M/ 8D7 >? z : '] ?=3M/ ! *- .# 3@p# '] ?=3M/ ! *- >? `# {D AR- 46 AR- 45 AR-25,26 AR-25,26 AR- 45,46 AR- 40 AR-51 • • • • • • • • • • • • • • • T L# G >M SETTING G ' . '000 6 Y )2# ,- ) ./ ',- ) ./ . ;<= 6 j SETTING G 01< '81: 'F-J ;<= 6 # Z[ BK 012 31 #! 4! . 31 '5/ 6 FG ;# 3[L >M >2/ 5/ 01< 'O 'P * (\ = O * (\ &# k3 >M PLAY/STOP G 01< 'P 'P * (\ = O * (\ FG !" . ! FG% 39! / 'P * (\ = O * (\ FG 6 *7 / / 87 # 89 '81: ;<= >? @: @@ W3% >M SETTING G H1! = 8-! 8_ 0)2 = -)(/ 0)2 '00 6 3Q T3D [+ 6 Y )2# H1! = 8-! '00 = / AB( ,3D E ;# FG% ! 'H1! O L/ >M L/ D E 'l>!m L# n P L/ o L[_ # ] M O L/ 3Q 3D^ L# '8KL 'I-J = ,- ) ./ 8KL &MN 706A-A-053A AR- '81: ;< ACCOMP OUT e 50 AR- ;< # ] M ACCOMP OUT 'F-J 6 3 ) .# X 8KL &MN '# 3 )# _ =} ] X_ I ! &# ] ?=3M# 'O 8#_ h + B 7=G/ HL~ '| : .# & %B ] ?=3M/ v3 'P I ! & x # ] ?=3M# 'O 'jB 6 / *< &# c3-B ] ?=3M/ 'P 'a! ? '# ] ?=3M# 8 ! | : < < ] ?=3M/ T L# 0)< 7E 'O S!# ] ?=3M/ T L# 0)< 'O ' Y )2# ] ?=3M/ F-t81: 5# 'P 'OFF F-J ;<= 6 ] ?=3M[ ' .+ = GK 7 = 6 3: = *,>[+3 % ~%# B Q3# 3Q KX >n zwn r)LB '> >- / EK >% T/ = ,0 / T/ ,S!/ T[ wDp *7%/ [+3 !% * '!% # B . T L#= [1! *7 ~ >? 8< F$D + , wn $+ . T L# = [1! *7 ' / 6 FG% & 6 7[ 29 AR- 29 AR- 29 AR- 29 706A-A-054A ] ?=3M/ F-t81: 5# 0)< 3Q 'P 'ON 81: ;<= 6 AR-52 CTK-800 : l Z [ B K F - t 8 1 : ; # o > - # c V , 6 + − H K 5 # O : " ! G K = - )( ;# ; l )( [ K# O + % MIDI [1X OP + [ 1X RPo V : $ # l * 7 # [1 ! O o 6 . + [1 X R P : * ( ) ( ' & % OP l PVV 6 R = ,* ( D PPo 3 1 # (CASIO CHORD, FINGERED, FULL RANGE CHORD) ;BB FG% {3u R ! ! . - , + :I - & m Y y :I - J 3 : = : I - & m HM # START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/VARIATION FILL-IN, SYNCHRO/ENDING l* (D OPo OP 6 ' GK = - ) ( , I - J 3 , [ 1 ! 0 B 2 l R = , P , O ( \ o s = 7 R 7 3 # & F G% * 7 - / % ( - r , R I [ K # , P I [ K # , O I [ K # F - t 8 1 : V 6 : [ > X Q ,V : X ) ! B ,V :T E B ! 1 t > X Q ! B PLAY/STOP, PAUSE, FF, REW, LEFT/RIGHT ,>- / k/ #$ ;TE B !1 , X) !B >XQ !B [= + ,,- ) ./ ,[1! FG% ,3 H ,* (\ s7 < ,B32 7 = >- / ] G/ ,I-J e=!B ,I-J 3 ,h E B ! 1 X - , X ) ! B X - ,> X Q ! B X - , / ,e ) 8 1 : [ ,; B B >XQ *3_ } 3@p# ,H- ;<= , . ;BB FG% 87 : ) . / T L # L [ = } A )L / 0 )2 < / 54−3 -2 10 /> : 5 4 8 7 6 - 2 1 0 : F G % * 7 : H - ; < = : . ; B B F G % 8 7 ! 9 # ' , ( ; % 9# ' : ] m 7 : [M : ! ! > . ! = - l a B _ ) 3 - o V 6 : [ > X Q ,V :T E B ! 1 t > X Q ! B l[1X x.X OP+ 6 [1X x.X OP− ,* (D PVo PLAY/STOP, KEY CONTROL C B ' A # $ @ ? : ] m 7 : [M F - t 8 1 : 6 P , & # : * / - ! & ( ! > D - # : B 32 # l 7 8 K L = , s 8 K L = o ! " & _ > , G , T 3 L G , > ! [ G : s 8 K L l h7 / o P L / , l3 ) . # o O L / : 7 8 K L 6 - - m −a + l ! Q 6 M I [ o - # X O P ) 3 l[1X x.XOP+ 6 [1X x.X OP− o * (D PV la! V± G 3n UU )3- = A4o * (D OO lI- &m F-tB ,H X , ! ,H o 6 + Z )- # 6 + 3 Z )- # Ω = O 6.+ (RMS) a ? U l ] ? = 3 M / T L # S) - # ; # o > + Z ) - # KΩ = _ R :8D #=-# mV a ? 6# O :8D L AR-53 :* ( ; % F E 2 : > X Q 7 : KL / X ) :8 K L - 3 u : * 3_ w % J 4 I H G = :6- / H L 3 : H 1 ! ! L K I USB w!# : H t H % # Z ) - # : s 3 [ t k 3 \ F 3 u :k3 \ #= - # : 4 ! ~ {3 ? : ] ? = 3M / 8 D 7 706A-A-055B DC 3[L# a ? : F 0 O . 6 , ! " D HK (B G ! K ! / ( ) ) L ! B 8 / 8 1 : & # ) 3 - :F0 0+. : ( ) : ( ) 3 [ :AC `/ :6, - * - 8. ? AD-5 ( % & M N , 0 - ? ( ) + u > ? ! M g ' ) 3 - A , + 7 a L B 5 # 3 D ^ 8 1 : [ % B 8 . ' = = P V + = PV = : ^ ] 4 a ? : F 0 _ 7 R > H OU x R V x : ' % l() ]=Bo )3- HK_ VU : V B '%@ ]=B 31 <3%# / = H[. • ! ! > 9 \ " ! . ' # QP O A? -I ,'K-I ,N #M ' X L @ ] M# h > ? = , x M # & # c 3 - B % 2 = , 3 @ ) / Z [ : 2 - / q S 3 % > ? Y 3 Q0 -I VU T. S' R.N , ' 7 3 = ] G & % B - / q % B , } } ' 7 3 = ] G e ) - ; # > = > X G 8 D q z w n r ) L + QH!# ZI T. YX !G!!E . CI -I *HN. D.& #! -I W!E7 /N , ' # ? ] M 6 n 3 . = / > ? | [ - % ( + Z [ Q ' e 7 % # x 9 ! # = / & # x % < e # > ? [ 1# [ X @ [ + % ( + L B / x 9X QK. F0 Z0 ?. [K#. () R.N > #M 8 [ f # ! j L X . ] r K F 3 9 w n ' r % . = [ % # ) . LCD @: 6 39 > ;B 8% + *7=3) = X L u3/ * 3m 7 ] '* 7 % / * 3 m 7 6 = , $ ) > ? = 3 @ = - - : ' 9 ? m $ B 8 M @ 8 [ > ? # L / ) - [ % K X > n Y ( \ z w n ' 706A-A-056A 9 $ # z w n 9 ? r ( : > ? Y ( D 7 = $ + ' ) J > ? w D p > @ • AR-54 C C C C C C C C C C C C C C A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 6 32 32 16 32 16 32 16 32 32 32 16 16 16 16 16 16 16 16 16 16 16 16 16 16 32 16 16 16 16 32 16 16 16 16 16 16 16 16 16 16 16 16 32 32 32 16 16 32 16 16 16 5 2 2 8 2 8 2 1 2 2 2 5 3 4 8 2 1 3 2 3 8 4 4 2 2 8 2 2 8 2 2 6 3 8 5 6 1 6 7 1 5 3 4 9 1 3 4 5 3 1 4 7 4 24 25 25 26 26 27 27 28 29 30 30 30 30 31 16 16 16 17 17 16 16 17 18 19 19 20 21 21 23 22 19 23 22 16 17 18 16 16 17 17 18 18 16 19 19 19 19 21 23 23 17 3 :3 :6 2 ORGAN DRAWBAR ORGAN 1 DRAWBAR ORGAN 2 DRAWBAR ORGAN 3 PERC.ORGAN 1 PERC.ORGAN 2 ELEC.ORGAN 1 ELEC.ORGAN 2 JAZZ ORGAN 1 ROCK ORGAN 1 CHURCH ORGAN CHAPEL ORGAN REED ORGAN ACCORDION 1 OCTAVE ACCORDION BANDONEON HARMONICA 1 THEATER OCTAVE BANDONEON HARMONICA 2 DRAWBAR ORGAN 4 JAZZ ORGAN 2 ROCK ORGAN 2 DRAWBAR ORGAN 5 DRAWBAR ORGAN 6 PERC.ORGAN 3 8’ORGAN ROCK ORGAN 3 ROCK ORGAN 4 FULL DRAWBAR PIPE ORGAN 1 PIPE ORGAN 2 ORGAN & HARPSICHORD PIPE ORGAN PAD ACCORDION 2 BANDONEON SOLO BANDONEON & VIOLIN ORGAN PAD GUITAR NYLON STR.GUITAR STEEL STR.GUITAR 12 STR.GUITAR JAZZ GUITAR OCT JAZZ GUITAR CLEAN GUITAR ELEC.GUITAR MUTE GUITAR OVERDRIVE GT DISTORTION GT POWER DIST. GT HARMONIZED DIST. GT RHYTHM DIST. GT FEEDBACK GT 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 1 A B A A A A A A A A A A B A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 6 32 32 16 32 32 16 16 16 16 16 32 16 16 16 16 32 16 16 16 32 16 16 16 16 16 16 16 32 16 16 16 16 16 16 16 16 16 16 32 16 32 16 32 16 16 16 32 16 16 16 16 5 2 2 2 2 2 3 3 3 2 2 1 8 8 8 2 1 2 3 3 1 8 5 2 9 8 2 3 2 9 6 2 8 8 4 9 5 3 1 2 8 2 4 4 3 5 5 1 3 8 1 7 4 8 9 10 11 12 9 11 12 14 15 8 8 9 11 0 0 1 0 1 1 0 1 3 3 3 2 2 4 4 4 5 4 5 0 0 0 4 4 6 6 7 5 4 5 5 4 7 7 7 6 4 3 :2 ( ' &%$ #"! :5 88 89 90 91 92 93 94 95 96 97 98 99 100 101 MSB - 2 37 38 39 40 41 42 43 44 45 46 47 48 49 50 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 1 !) :1 , )$+* :4 PIANO STEREO GRAND PIANO GRAND PIANO BRIGHT PIANO MELLOW PIANO MODERN PIANO DANCE PIANO STRINGS PIANO BRIGHT PIANO PAD HONKY-TONK 1 OCTAVE PIANO 2 OCTAVE PIANO ELEC.GRAND PIANO MODERN E.G.PIANO ELEC.PIANO CHORUS EP 1 CHORUS EP 2 MODERN E.PIANO SOFT E.PIANO E.PIANO PAD 1 STEREO PIANO STEREO PIANO WIDE PIANO PAD SYNTH-STR. E.PIANO E.PIANO PAD 2 HARPSICHORD COUPLED HARPSICHORD CLAVI HARPSICHORD E.PIANO CLEAN E.PIANO KOTO E.PIANO DETUNE E.PIANO OLD E.PIANO SOFT CLAVI CLAVI & DRAWBAR DETUNE CLAVI HARPSICHORD PAD CRYSTAL E.PIANO CHROMATIC PERC CELESTA GLOCKENSPIEL MUSIC BOX VIBRAPHONE MARIMBA GLOCKENSPIEL PAD SYNTH-VIBRAPHONE SYNTH-MARIMBA TUBULAR BELL DULCIMER BRIGHT CELESTA CHORUS CELESTA CHORUS GLOCKENSPIEL CHORUS VIBRAPHONE 706A-A-057A A-1 B A A A C C C C C C C C C C A A A C C C C C C C A A A C C A C C A A A A A A A A A A A C C C C A A A A A A A A A 6 32 32 16 32 16 32 16 16 16 16 32 16 16 32 32 32 16 32 32 16 16 16 32 32 32 32 32 32 32 32 16 16 32 16 16 16 16 16 16 32 16 32 32 16 32 32 32 32 16 16 32 16 16 32 32 16 5 2 2 1 2 1 2 8 3 6 1 2 8 9 2 2 2 8 5 4 9 7 3 5 4 4 4 2 2 2 2 2 16 2 3 8 4 5 6 8 2 2 8 4 4 1 3 8 1 9 3 9 3 4 3 1 9 4 72 73 73 64 65 65 65 65 65 66 66 66 66 67 68 71 64 65 65 65 65 66 66 66 68 71 56 57 58 59 60 60 61 61 61 61 61 61 62 62 63 56 56 57 57 58 60 61 62 63 52 52 52 53 54 54 3 2 SLOW CHOIR CHOIR STRINGS CHOIRS 2 VOICE UUH SYNTH-VOICE 2 CHORUS SYNTH-VOICE BRASS TRUMPET TROMBONE TUBA 1 MUTE TRUMPET FRENCH HORN HORN ORCHESTRA BRASS BRASS SECTION 1 BRASS SFZ BRASS & STRINGS HARD BRASS BRASS SECTION 2 ANALOG SYNTH-BRASS 1 SYNTH-BRASS 1 SYNTH-BRASS 2 MELLOW TRUMPET VELO.TRUMPET VELO.TROMBONE MELLOW TROMBONE TUBA 2 FRENCH HORN SOLO MELLOW BRASS ANALOG SYNTH-BRASS 2 SYNTH-BRASS PAD REED SOPRANO SAX ALTO SAX 1 ALTO SAX 2 BREATHY A.SAX HARD A.SAX RICH A.SAX TENOR SAX 1 TENOR SAX 2 BREATHY T.SAX T.SAXYS BARITONE SAX OBOE CLARINET BREATHY S.SAX SOFT A.SAX VELO.A.SAX SAX SECTION SAX SECTION SFZ DETUNE T.SAX SOFT T.SAX VELO.T.SAX VELO.OBOE VELO.CLARINET PIPE PICCOLO 1 FLUTE 1 FLUTE 2 158 159 160 161 162 163 1 A A C A A A C A A A C A A A A C C C C C C C C C C C C C C C C C C C C C C 6 32 32 16 16 16 32 32 32 32 32 32 32 16 16 16 32 16 16 32 32 32 32 32 32 16 32 16 16 16 16 16 16 32 16 32 16 32 32 32 32 16 32 32 32 32 32 16 16 32 32 32 32 16 16 16 16 5 2 2 16 32 3 8 2 2 2 8 2 2 8 2 4 3 4 1 3 2 8 2 2 2 1 8 4 9 1 4 3 2 1 8 2 32 2 2 2 2 3 2 2 3 1 3 3 4 3 4 6 5 8 9 6 3 4 48 49 48 48 48 48 50 51 52 52 53 54 54 55 48 49 49 48 50 40 40 42 45 46 40 42 40 40 45 42 45 41 46 46 32 32 33 34 35 37 37 38 39 38 39 33 39 39 34 33 39 39 24 25 30 25 3 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 A A A A A A A A A A A A A A A A A A A 211 212 213 2 CHORUS NYLON GT CHORUS STEEL GT DIST.GT & BASS STEEL GT HARMONICS BASS ACOUSTIC BASS RIDE BASS FINGERED BASS PICKED BASS FRETLESS BASS SLAP BASS DOUBLED STRINGS BASS SAW SYNTH-BASS SQR SYNTH-BASS VOCODER BASS SYNTH-BASS MELLOW FINGERED BASS BASS & KICK CLAVI BASS RHYTHM PICKED BASS RHYTHM FINGERED BASS SINE BASS ORGAN BASS STR/ORCHESTRA VIOLIN SLOW VIOLIN CELLO PIZZICATO STRINGS HARP 1 DOUBLE VIOLIN SLOW CELLO VIOLIN SECTION SLOW VIOLIN SECTION PIZZICATO ENSEMBLE CELLO SECTION OCTAVE PIZZICATO DOUBLE VIOLA HARP 2 CHORUS HARP ENSEMBLE STRINGS SLOW STRINGS 1 WIDE STRINGS OCTAVE STRINGS 1 CHAMBER STRINGS SFZ SYNTH-STRINGS 1 SYNTH-STRINGS 2 CHOIR AAHS CHOIRS 1 VOICE DOO SYNTH-VOICE 1 SYNTH-VOICE PAD ORCHESTRA HIT ORCHESTRA STRINGS SLOW STRINGS 2 STRINGS VOICE OCTAVE STRINGS 2 FAST SYNTH STRINGS 1 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 A-2 706A-A-058A 16 5 3 4 87 3 2 88 88 89 89 89 90 90 90 91 92 92 93 94 94 96 97 97 98 98 99 100 101 102 103 103 88 89 89 89 90 89 90 91 91 92 93 93 93 94 94 95 95 96 96 97 97 98 98 98 98 99 99 99 100 100 102 102 A 2 3 2 8 3 2 8 5 3 2 3 2 2 3 2 2 8 2 1 2 2 2 2 2 8 1 4 1 5 1 6 4 2 1 1 3 4 1 1 4 2 1 1 3 3 1 16 5 3 8 3 5 1 1 3 1 3 6 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 32 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 SYNTH-BASS+LEAD SYNTH-PAD FANTASY 1 FANTASY 2 WARM PAD WARM VOX SINE PAD POLYSYNTH 1 POLY SAW POLYSYNTH PAD 1 SPACE STRINGS PAD BOWED PAD GLASS PAD ETHNIC PAD HALO PAD 1 HALO PAD 2 RAIN DROP 1 SOUND TRACK 1 RAVE CRYSTAL SOFT CRYSTAL ATMOSPHERE BRIGHTNESS 1 GOBLIN ECHO PAD STAR THEME 1 SPACE PAD NEW AGE PAD SOFT PAD THICK PAD HORN PAD POLYSYNTH 2 OLD TAPE PAD POLYSYNTH PAD 2 HEAVEN UTOPIA SQUARE PAD SOFT METAL PAD HARD METAL PAD TINE PAD CHORUS PAD ORGAN CHOIR PAD SWEEP PAD SWEEP CHOIR CLAVI PAD RAIN DROP 2 SOUND TRACK 2 SPACE VOICE CHORAL BELL GLOCKENSPIEL CHIME CHRISTMAS BELL VIBRAPHONE BELL HARP VOX NYLON+EP CELESTA PAD BRIGHT BELL PAD BRIGHTNESS 2 ECHO VOICE ECHO DROP A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 5 4 1 6 2 1 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 3 272 8 4 2 2 2 2 2 2 3 4 5 3 3 80 80 83 81 81 81 80 80 81 82 82 83 83 83 85 87 80 80 80 80 80 80 80 81 81 81 81 86 81 81 82 82 82 83 84 84 85 85 85 85 85 85 86 86 87 214 215 216 217 218 219 220 221 222 223 224 225 226 16 16 32 32 16 16 32 32 16 16 32 32 16 2 5 5 2 8 32 8 9 3 2 5 2 4 1 2 2 3 4 6 7 16 1 32 1 4 5 6 1 9 16 3 1 4 3 8 2 3 4 8 5 6 7 2 3 1 73 72 74 75 76 77 78 79 72 73 73 78 75 A A A A A A A A B A A A A 16 16 16 16 16 16 32 32 16 16 16 16 16 16 16 16 16 16 16 16 16 32 16 32 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 MELLOW FLUTE PIPE SECTION 1 RECORDER PAN FLUTE 1 BOTTLE BLOW SHAKUHACHI WHISTLE 1 OCARINA PICCOLO 2 PIPE SECTION 2 SOFT FLUTE WHISTLE 2 PAN FLUTE 2 SYNTH-LEAD SQUARE LEAD 1 SQUARE PULSE LEAD SEQUENCE LEAD SAWTOOTH LEAD 1 MELLOW SAW LEAD SEQUENCE SAW 1 SINE LEAD VELO.SINE LEAD SS LEAD CALLIOPE 1 CALLIOPE 2 CHIFF LEAD 1 DROP LEAD EP LEAD VOICE LEAD 1 BASS+LEAD SQUARE LEAD 2 SLOW SQUARE LEAD SLOW SQUARE PULSE SEQUENCE SQUARE SEQUENCE PULSE 1 SQUARE LEAD 3 SQUARE LEAD 4 SAWTOOTH LEAD 2 SLOW SAW LEAD PULSE SAW LEAD SLOW SAW PULSE FIFTH SEQUENCE SEQUENCE PULSE 2 SEQUENCE SAW 2 CALLIOPE 3 VENT SYNTH PURE LEAD CHIFF LEAD 2 DISTORTION LEAD OCTAVE CHARANG VOICE LEAD 2 CHURCH LEAD DOUBLE VOICE LEAD VOICE CHOIR LEAD EP & VOICE LEAD SYNTH-VOICE LEAD FIFTH SAW LEAD FIFTH SQUARE LEAD BASS+SAW LEAD A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 706A-A-059A A-3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 6 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 16 32 32 32 32 16 32 32 16 32 32 32 32 32 32 32 32 32 32 32 32 16 16 32 32 16 16 16 16 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 3 GM STEEL STR.GUITAR GM JAZZ GUITAR GM CLEAN GUITAR GM MUTE GUITAR GM OVERDRIVE GT GM DISTORTION GT GM GT HARMONICS GM ACOUSTIC BASS GM FINGERED BASS GM PICKED BASS GM FRETLESS BASS GM SLAP BASS 1 GM SLAP BASS 2 GM SYNTH-BASS 1 GM SYNTH-BASS 2 GM VIOLIN GM VIOLA GM CELLO GM CONTRABASS GM TREMOLO STRINGS GM PIZZICATO GM HARP GM TIMPANI GM STRINGS 1 GM STRINGS 2 GM SYNTH-STRINGS 1 GM SYNTH-STRINGS 2 GM CHOIR AAHS GM VOICE DOO GM SYNTH-VOICE GM ORCHESTRA HIT GM TRUMPET GM TROMBONE GM TUBA GM MUTE TRUMPET GM FRENCH HORN GM BRASS GM SYNTH-BRASS 1 GM SYNTH-BRASS 2 GM SOPRANO SAX GM ALTO SAX GM TENOR SAX GM BARITONE SAX GM OBOE GM ENGLISH HORN GM BASSOON GM CLARINET GM PICCOLO GM FLUTE GM RECORDER GM PAN FLUTE GM BOTTLE BLOW GM SHAKUHACHI GM WHISTLE GM OCARINA GM SQUARE LEAD GM SAWTOOTH LEAD GM CALLIOPE GM CHIFF LEAD 2 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 1 1 4 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 2 5 4 1 104 104 105 105 106 106 107 108 111 114 110 110 15 15 72 107 111 105 109 107 104 104 104 105 105 106 107 107 77 15 3 6 16 16 2 1 2 1 2 1 2 2 2 2 8 9 8 9 16 1 32 32 8 5 3 8 4 8 4 3 4 3 32 16 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 330 331 A A 16 16 32 32 32 32 32 32 32 16 32 32 32 16 32 32 32 32 32 16 32 16 32 16 16 16 16 16 16 32 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 102 103 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 32 32 32 16 32 16 32 32 32 32 16 32 32 32 32 16 16 16 16 16 32 16 32 16 32 POLY DROP STAR THEME 2 ETHNIC/CHINESE SITAR 1 ELECTRIC SITAR BANJO MUTE BANJO SHAMISEN 1 TSUGARU KOTO THUMB PIANO SHANAI STEEL DRUMS ER HU 1 ER HU 2 YANG QIN 1 YANG QIN 2 DI ZI ZHENG SUO NA PI PA 1 SHENG KOTO PAD SITAR 2 TAMBRA SITAR PAD RABAB PI PA 2 SHAMISEN 2 DETUNE KOTO SYNTH-KOTO XIAO SANTUR GM TONES GM PIANO 1 GM PIANO 2 GM PIANO 3 GM HONKY-TONK GM E.PIANO 1 GM E.PIANO 2 GM HARPSICHORD GM CLAVI GM CELESTA GM GLOCKENSPIEL GM MUSIC BOX GM VIBRAPHONE GM MARIMBA GM XYLOPHONE GM TUBULAR BELL GM DULCIMER GM ORGAN 1 GM ORGAN 2 GM ORGAN 3 GM PIPE ORGAN GM REED ORGAN GM ACCORDION GM HARMONICA GM BANDONEON GM NYLON STR.GUITAR A A A A A A A A A A A A A A A A A A A A A A A A A A-4 706A-A-060A a b c © . A ! "#$ % B “211 PICCOLO 1”/ “222 PICCOLO 2” C &'( )* © +, ./ ® D ® C-1 C0 C1 C2 C3 4# 3 , & !0 #123% ........ !& " ; : 9 5 " 9 8 - 5 7 % 6 5 C6 • C9 G9 C7 G7 C8 C5 A=440Hz C4 D b < CBA &>"@ ?5 3 $> =3 < #" H " ; : 9 5 " 9 # & G # 5 F 9 # " E ' E $ < ........ ........ 1 4 2 5 490 491 492 493 494 495 496 497 498 499 3 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 8 16 24 25 30 32 40 48 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 32 32 32 32 16 32 32 32 32 16 32 32 32 32 32 32 32 16 16 32 32 16 32 120 120 120 120 120 120 120 120 120 120 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A D D D D D A A D D D D D D – – – – – – – – – – GM CHARANG GM VOICE LEAD GM FIFTH LEAD GM BASS+LEAD GM FANTASY GM WARM PAD GM POLYSYNTH GM SPACE CHOIR GM BOWED GLASS GM METAL PAD GM HALO PAD GM SWEEP PAD GM RAIN DROP GM SOUND TRACK GM CRYSTAL GM ATMOSPHERE GM BRIGHTNESS GM GOBLINS GM ECHOES GM SF GM SITAR GM BANJO GM SHAMISEN GM KOTO GM THUMB PIANO GM BAGPIPE GM FIDDLE GM SHANAI GM TINKLE BELL GM AGOGO GM STEEL DRUMS GM WOOD BLOCK GM TAIKO GM MELODIC TOM GM SYNTH-DRUM GM REVERSE CYMBAL GM GT FRET NOISE GM BREATH NOISE GM SEASHORE GM BIRD GM TELEPHONE GM HELICOPTER GM APPLAUSE GM GUNSHOT DRUM SET STANDARD SET 1 STANDARD SET 2 ROOM SET POWER SET ELECTRONIC SET SYNTH SET 1 SYNTH SET 2 JAZZ SET BRUSH SET ORCHESTRA SET D D D D D D D D D D 706A-A-061A A-5 1 0% /! D-1 2 E-1 4 F-1 5 G-1 7 A-1 9 B-1 11 C0 12 D0 14 E0 16 F0 17 C#-1 1 E -1 3 F#-1 6 A -1 8 B -1 10 C#0 13 E 0 15 F#0 18 G0 19 A 0 20 A0 21 B 0 22 B0 23 C1 24 D1 26 E1 28 F1 29 G1 31 A1 33 B1 35 C2 36 D2 38 E2 40 F2 41 G2 43 A2 45 B2 47 C3 48 D3 50 E3 52 F3 53 C#1 25 E 1 27 F#1 30 A 1 32 B 1 34 C#2 37 E 2 39 F#2 42 A2 44 B2 46 C#3 49 E 3 51 F#3 54 G3 55 A3 56 A3 57 B 3 58 B3 59 C4 60 D4 62 E4 64 F4 65 C#4 61 E 4 63 F#4 66 G4 67 A4 68 A4 69 B 4 70 B4 71 C5 72 D5 74 E5 76 F5 77 G5 79 A5 81 B5 83 C6 84 D6 86 E6 88 F6 89 G6 91 A6 93 B6 95 C7 96 D7 98 E7 100 F7 101 G7 103 A7 105 B7 107 C8 108 D8 110 E8 112 F8 113 G8 115 A8 117 B8 119 C9 120 D9 122 E9 124 F9 125 G9 127 C#5 73 E 5 75 F#5 78 A 5 80 B 5 82 C#6 85 E 6 87 F#6 90 A6 92 B 6 94 C#7 97 E 7 99 F#7 102 A7 104 B 7 106 C#8 109 E 8 111 F#8 114 A8 116 B 8 118 C#9 121 E 9 123 F#9 126 — — — — — — — — — — — — — — — — — — — — — — — — — — — HIGH Q SLAP SCRATCH PUSH SCRATCH PULL STICKS SQUARE CLICK METRONOME CLICK METRONOME BELL STANDARD1 KICK 2 STANDARD1 KICK 1 SIDE STICK STANDARD1 SNARE 1 HAND CLAP 1 STANDARD1 SNARE 2 LOW TOM 2 CLOSED HI-HAT LOW TOM 1 PEDAL HI-HAT MID TOM 2 OPEN HI-HAT MID TOM 1 HIGH TOM 2 CRASH CYMBAL 1 HIGH TOM 1 RIDE CYMBAL 1 CHINESE CYMBAL RIDE BELL TAMBOURINE SPLASH CYMBAL COWBELL CRASH CYMBAL 2 VIBRASLAP RIDE CYMBAL 2 HIGH BONGO LOW BONGO MUTE HIGH CONGA OPEN HIGH CONGA OPEN LOW CONGA HIGH TIMBALE LOW TIMBALE HIGH AGOGO LOW AGOGO CABASA MARACAS SHORT HI WHISTLE LONG LOW WHISTLE SHORT GUIRO LONG GUIRO CLAVES HIGH WOOD BLOCK LOW WOOD BLOCK MUTE CUICA OPEN CUICA MUTE TRIANGLE OPEN TRIANGLE SHAKER JINGLE BELL BELL TREE CASTANETS MUTE SURDO OPEN SURDO APPLAUSE 1 APPLAUSE 2 FANFARE — ONE TOW THREE FOUR FIVE BRAVO GREAT NOT BAD TRY AGAIN GOOD THAT'S CLOSE NICE TRY KEEP TRYING TAKE YOUR TIME RANK UP RANK DOWU PIKO PIKO — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 STANDARD2 KICK 2 STANDARD2 KICK 1 씯 STANDARD2 SNARE 1 HAND CLAP 2 STANDARD2 SNARE 2 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — DRUMS SET LIST ROOM SET — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 ROOM KICK 2 ROOM KICK 1 씯 ROOM SNARE 1 씯 ROOM SNARE 2 ROOM LOW TOM 2 씯 ROOM LOW TOM 1 씯 ROOM MID TOM 2 씯 ROOM MID TOM 1 ROOM HIGH TOM 2 씯 ROOM HIGH TOM 1 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — POWER SET — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 POWER KICK 2 POWER KICK 1 씯 POWER SNARE 1 씯 POWER SNARE 2 POWER LOW TOM 2 씯 POWER LOW TOM 1 씯 POWER MID TOM 2 씯 POWER MID TOM 1 POWER HIGH TOM 2 씯 POWER HIGH TOM 1 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — ELEC. SET — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 ELEC. KICK 2 ELEC. KICK 1 씯 ELEC. SNARE 1 씯 ELEC. SNARE 2 ELEC. LOW TOM 2 씯 ELEC. LOW TOM 1 씯 ELEC. MID TOM 2 씯 ELEC. MID TOM 1 ELEC. HIGH TOM 2 씯 ELEC. HIGH TOM 1 씯 REVERSE CYMBAL 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — SYNTH SET 1 — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 SYNTH 1 KICK 2 SYNTH 1 KICK 1 SYNTH 1 RIM SHOT SYNTH 1 SNARE 1 HAND CLAP 2 SYNTH 1 SNARE 2 SYNTH 1 LOW TOM 2 SYNTH 1 CLOSED HH 1 SYNTH 1 LOW TOM 1 SYNTH 1 CLOSED HH 2 SYNTH 1 MID TOM 2 SYNTH 1 OPEN HH SYNTH 1 MID TOM 1 SYNTH 1 HIGH TOM 2 SYNTH 1 CRASH CYMBAL SYNTH 1 HIGH TOM 1 SYNTH 1 RIDE CYMBAL 씯 씯 SYNTH 1 TOMBOURINE 씯 SYNTH 1 COWBELL 씯 씯 씯 SYNTH 1 HIGH BONGO SYNTH 1 LOW BONGO SYNTH 1 MUTE HI CONGA SYNTH 1 OPEN HI CONGA SYNTH 1 OPEN LOW CONGA 씯 씯 씯 씯 씯 SYNTH 1 MARACAS 씯 씯 씯 씯 SYNTH 1 CLAVES 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — SYNTH SET 2 — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 SYNTH 2 KICK 2 SYNTH 2 KICK 1 씯 SYNTH 2 SNARE 1 씯 SYNTH 2 SNARE 2 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 SYNTH 1 COWBELL 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 SYNTH 1 MARACAS 씯 씯 씯 씯 SYNTH 1 CLAVES 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — JAZZ SET — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 JAZZ KICK 2 JAZZ KICK 1 씯 JAZZ SNARE 1 씯 JAZZ SNARE 2 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — BRUSH SET — — — — — — — — — — — — — — — — — — — — — — — — — — — 씯 씯 씯 씯 씯 씯 씯 씯 BRUSH KICK 2 BRUSH KICK 1 씯 BRUSH SNARE 1 BRUSH SLAP BRUSH SNARE 2 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — ORCHESTRA SET — — — — — — — — — — — — — — — — — — — — — — — — — — — CLOSED HI-HAT PEDAL HI-HAT OPEN HI-HAT RIDE CYMBAL 1 씯 씯 씯 씯 JAZZ KICK 1 CONCERT BD 1 씯 CONCERT SD CASTANETS CONCERT SD TIMPANI F TIMPANI F TIMPANI G TIMPANI G TIMPANI A TIMPANI A TIMPANI B TIMPANI c TIMPANI c TIMPANI d TIMPANI d TIMPANI e TIMPANI f 씯 씯 씯 CONCERT CYMBAL 2 씯 CONCERT CYMBAL 1 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 씯 — — — — — — — — — — — — — — — — — — — STANDARD SET1 L 0 K, J I #“ 706A-A-062A & ➝ Key/ Note number STANDARD SET 1 STANDARD SET 2 C-1 0 ” • A-6 Chord Type Root C C (D ) D E (D ) E F F (G ) G A (G ) A B (A ) B [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 2, 1] M [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 3, 1] [5, 2, 1] m [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] 7 m7 [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] dim7 [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] * * * M7 [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] m7 5 [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] [5, 3, 2] dim Chord Type Root C C (D ) D E (D ) E F F (G ) G A (G ) A 4,', 32% [5, 3, 1] [5, 2, 1] [5, 2, 1] [5, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] add9 [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] 75 [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] m M7 [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] m add9 [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] 7 sus4 [5, 3, 1] [5, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] sus4 [5, 3, 1] [5, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] [4, 3, 2, 1] aug [5, 3, 1] [5, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] * [5, 3, 2, 1] B (A ) * [5, 2, 1] B • & AR-43 &X,0@ WUBG5 8-5"V ,#0,5 UBG5 &>9 ##/5@ = S #" 4#3, & &:0 &7 R#"5@ T$ SI R@QP@ (3P DO CB 3 N M 706A-A-063A A-7 65 /! FOR PIANO 100 PIANO BALLAD 1 101 PIANO BALLAD 2 102 PIANO BALLAD 3 103 EP BALLAD 1 104 EP BALLAD 2 105 BLUES BALLAD 106 MELLOW JAZZ 107 JAZZ COMBO 3 108 RAGTIME 109 BOOGIE-WOOGIE 110 ARPEGGIO 1 111 ARPEGGIO 2 112 ARPEGGIO 3 113 PIANO BALLAD 4 114 6/8 MARCH 115 MARCH 3 116 2 BEAT 117 WALTZ 2 118 WALTZ 3 119 WALTZ 4 706A-A-064A JAZZ 050 BIG BAND 1 051 BIG BAND 2 052 BIG BAND 3 053 SWING 054 SLOW SWING 055 FOX TROT 056 JAZZ COMBO 1 057 JAZZ COMBO 2 058 JAZZ VOICE 059 JAZZ WALTZ EUROPEAN 060 POLKA 061 POP POLKA 062 MARCH 1 063 MARCH 2 064 WALTZ 1 065 SLOW WALTZ 066 VIENNESE WALTZ 067 FRENCH WALTZ1 068 SERENADE 069 TANGO LATIN/VARIOUS 070 BOSSA NOVA 1 071 BOSSA NOVA 2 072 BEGUINE 073 SAMBA 074 MAMBO 075 RHUMBA 076 CHA-CHA-CHA 077 MERENGUE 078 BOLERO 079 SALSA 080 REGGAE 081 PUNTA 082 CUMBIA 083 PASODOBLE 084 SKA 085 BLUEGRASS 086 DIXIE 087 TEX-MEX 088 COUNTRY 1 089 COUNTRY 2 090 FOLKLORE 091 FAST GOSPEL 092 SLOW GOSPEL 093 SIRTAKI 094 HAWAIIAN 095 ADANI 096 BALADI 097 ENKA 098 SYMPHONY 099 STR QUARTET POPS 000 POP 1 001 WORLD POP 002 8 BEAT POP 003 SOUL BALLAD 004 POP SHUFFLE 1 005 8 BEAT DANCE 006 POP BALLAD 1 007 POP BALLAD 2 008 BALLAD 009 FUSION SHUFFLE 010 8 BEAT 1 011 8 BEAT 2 012 8 BEAT 013 16 BEAT 1 014 16 BEAT 2 015 16 BEAT SHUFFLE 016 GUITAR POP 017 POP 2 018 6/8 BALLAD 019 POP WALTZ DANCE/FUNK 020 DANCE 021 DISCO 022 MODERN R&B 023 LATIN DISCO 024 DANCE POP 025 GROOVE SOUL 026 TECHNO 027 TRANCE 028 HIP-HOP 029 FUNK ROCK 030 POP ROCK 1 031 POP ROCK 2 032 FOLKIE POP 033 POP SHUFFLE 2 034 ROCK BALLAD 1 035 ROCK BALLAD 2 036 SOFT ROCK 037 ROCK 1 038 ROCK 2 039 HEAVY METAL 040 60’S SOUL 041 60’S ROCK 042 SLOW ROCK 043 SHUFFLE ROCK 044 50’S ROCK 045 BLUES 046 NEWORLNS R&R 047 TWIST 048 R&B 049 ROCK WALTZ A-8 #7 /! SONG BANK/SING ALONG 8 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 ANNIE LAURIE MY BONNIE MY DARLING CLEMENTINE HOME SWEET HOME ON TOP OF OLD SMOKEY I’VE BEEN WORKING ON THE RAILROAD LITTLE BROWN JUG AURA LEE OH! SUSANNA HOUSE OF THE RISING SUN SHE WORE A YELLOW RIBBON CAMPTOWN RACES SWANEE RIVER (OLD FOLKS AT HOME) JEANNIE WITH THE LIGHT BROWN HAIR YANKEE DOODLE RED RIVER VALLEY TURKEY IN THE STRAW MY OLD KENTUCKY HOME HOME ON THE RANGE JAMAICA FAREWELL ALOHA OE SAKURA SAKURA SANTA LUCIA WALTZING MATILDA 50-54 8-57 JY 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 $ , 9 ;#7 - , /! CAN YOU FEEL THE LOVE TONIGHT (“LION KING” THEME) DON’T KNOW WHY WE WISH YOU A MERRY CHRISTMAS JINGLE BELLS SILENT NIGHT JOY TO THE WORLD O CHRISTMAS TREE WHEN THE SAINTS GO MARCHING IN GREENSLEEVES SWING LOW, SWEET CHARIOT JOSHUA FOUGHT THE BATTLE OF JERICHO AMAZING GRACE AULD LANG SYNE TWINKLE TWINKLE LITTLE STAR LIGHTLY ROW UNDER THE SPREADING CHESTNUT TREE COME BIRDS THE MUFFIN MAN LONG LONG AGO DID YOU EVER SEE A LASSIE? LONDON BRIDGE THE FARMER IN THE DELL ON THE BRIDGE OF AVIGNON SIPPIN’ CIDER THROUGH A STRAW GRANDFATHER’S CLOCK MICHAEL ROW THE BOAT ASHORE PIANO BANK 24 TURKISH MARCH (BEETHOVEN) 25 NOCTURNE op.9 no.2 (CHOPIN) 26 LIEBESTRÄUME no.3 27 MARCHE MILITAIRE no.1 28 BLUMENLIED 29 GRANDE VALSE BRILLANTE op.18 no.1 ETUDES 30 MINUET (J.S.BACH) 31 GAVOTTE (GOSSEC) 32 ARABESQUE (BURGMÜLLER) 33 CHOPSTICKS 34 FRÖHLICHER LANDMANN 35 INVENTIONEN no.1 36 AVE MARIA (GOUNOD) 37 JESUS BLEIBET MEINE FREUDE 38 CANON (PACHELBEL) 39 SONATINA op.36 no.1 1st Mov. 40 SONATA op.13 “PATHÉTIQUE” 2nd Mov. 41 PRELUDE op.28 no.7 (CHOPIN) 42 JE TE VEUX 43 RÊVERIE 44 ODE TO JOY 45 SERENADE FROM “EINE KLEINE NACHTMUSIK” 46 MARCH FROM “THE NUTCRACKER” 47 GOING HOME FROM “FROM THE NEW WORLD” 48 BEAUTIFUL DREAMER 49 DANNY BOY A-9 - , /! CONCERT PIECES 00 FÜR ELISE 01 TURKISH MARCH (MOZART) 02 SONATA op.27 no.2 “MOONLIGHT” 1st Mov. 03 ETUDE op.10 no.3 “CHANSON DE L’ADIEU” 04 GYMNOPÉDIES no.1 05 THE ENTERTAINER 06 MAPLE LEAF RAG 07 HUNGARIAN DANCES no.5 08 TRÄUMEREI 09 LA FILLE AUX CHEVEUX DE LIN 10 HUMORESKE (DVO ÁK) 11 PROMENADE FROM “TABLEAUX D’UNE EXPOSITION” 12 MOMENTS MUSICAUX op.94 no.3 13 LE CYGNE FROM “LE CARNAVAL DES ANIMAUX” 14 VALSE op.64 no.1 “PETIT CHIEN” 15 CHANSON DU TOREADOR FROM “CARMEN” 16 LARGO (HÄNDEL) 17 WEDDING MARCH FROM “MIDSUMMER NIGHT’S DREAM” 18 AMERICAN PATROL 19 CSIKOS POST 20 DOLLY’S DREAMING AND AWAKENING 21 LA CHEVALERESQUE 22 SONATA K.545 1st Mov. 23 LA PRIÈRE D’UNE VIERGE 706A-A-065A 706A-A-066A 706A-A-067A 706A-A-068A 706A-A-069A CTK-800 1 1-16 Transmitted ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Mode 3 X 1-16 1-16 Recognized Model Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 36 - 96 0-127 12 - 108 *1 = XX :*1 Version: 1.0 Remarks Bank select Modulation Data entry Volume Pan Expression Hold1 Sostenuto A-1 MIDI Default Changed ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ USB Basic Channel Default Messages Altered Function ... Mode True voice O 9nH v = 1-127 X 9nH v = 0, 8nH v = XX Note Number: O 9nH v = 1-127 X 8nH v = 64 X O*2 Note ON Note OFF X X O Velocity X O O*2 O*3 O O O O O Key's Ch's O X X X X X O*4 O*4 After Touch Pitch Bender Control Change 0, 32 1 6, 38 7 10 11 64 66 706A-A-070A CTK-800 Mode 3 X 1 1-16 Transmitted ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Mode 3 X 1-16 1-16 Recognized Model Default Changed ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ USB MIDI Basic Channel Default Messages Altered Function ... Mode True voice ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 36 - 96 0-127 12 - 108 *1 Note Number: Version: 1.0 Remarks A-1 .-,+ *) ( :*1 X O*2 ' & % = XX X X O Bank select Modulation Data entry Volume Pan Expression Hold1 Sostenuto O 9nH v = 1-127 X 9nH v = 0, 8nH v = XX X O O*2 O*3 O O O O O Soft pedal Reverb send Chorus send RPN LSB, MSB All sound off Reset all controller O 9nH v = 1-127 X 8nH v = 64 O X X X X X O*4 O*4 O O O O*3 O O Note ON Note OFF 0, 32 1 6, 38 7 10 11 64 66 O*4 X O X X X Velocity 67 91 93 100, 101 120 121 O*5*6 O 0-127 O*5 X X X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ X X X X X O 0-127 : Song Pos : Song Sel : Tune O O ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Key's Ch's True # After Touch Pitch Bender Control Change Program Change: System Common : Clock : Commands X O O X System Exclusive System Real Time X X X X Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO O : Yes X : No [F7] [02] [09] [7F] [7E] [F0] : GM F6 [F7] [01] [09] [7F] [7E] [F0] : GM /* GM F6E/* 6* 4DC :03 ,3 DC :02 ,2 DC :01 ,1DC :vv=00 [F7] [vv] [00] [02] [01] [01] [01] [01] [05] [04] [7F] [7F] [F0] DC2 Hall2 :03 ,Hall1 :04 ,Room2 :01 ,Room1 :vv=00 [F7] [vv] [00] [01] [01] [01] [01] [01] [05] [04] [7F] [7F] [F0] B A@ 4 1 - $ 3 ) / 2 * 1 0 / ! 2 * RPN Null ,PITCH BEND SENSE 7 650 ,COARSE TUNE ,FINE TUNE 7 65 3* > = ! 1 6 < ; 9 ! 4* ? • 5* ? • : Local ON/OFF Aux : All notes OFF Messages : Active Sense : Reset Remarks Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY 706A-A-002A 706A-A-071A A CTK800AR1A CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan ! "#$ C MA0505-B Printed in China CTK800AR1A