C500 Setup Guide 09 12 2014
2014-11-26
: Convergent-Design C500-Setup-Guide-09-12-2014 C500-Setup-Guide-09-12-2014 Odyssey7Q Docs
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Setup Guide Odyssey7Q + C500 Updated 12-Sep-2014 | Firmware Release v2.11.110 4K RAW QHD RAW 2K 12-BIT DPX HD 12-BIT DPX 2K 10-BIT DPX HD 10-BIT DPX HD 422 DPX Apple ProRes 422 (HQ) Odyssey7Q + C500 Recording Capabilities RECORDING TIMES RECORD TIME 23.98fps REC MODE 4K RAW 62 25fps 60 29.97fps 50fps 60fps 50 30** 25** 60 50 32** 26** 43 36* 4K Half RAW QHD RAW 67 64 53 2K 12-BIT DPX 70* 67* 56* HD 12-BIT DPX 74* 71* 59* 2K 10-BIT DPX 78 75 67 HD 10-BIT DPX 83 80 72 HD 422 DPX 100fps 120fps 30** 35** 775 744 620 159 132 HD Apple ProRes Note: The Odyssey7Q does not currently support Scan and Reverse mode on the C500, or Slow and Fast, except for the maximum rates in RAW and HRAW (100/120) **4K Half Raw x 1080 is not supported at this time. *HD 120 fps is not supported at this time. FORMAT DETAILS 4K RAW 4096x2160, 10-bit linear data, recorded as Uncompressed .RMF 4K Half RAW*** 4096x2160, 10-bit linear data, where every other line is sampled by the camera sensor, for faster frame rate QHD 3840x2160, 10-bit linear data, recorded as Uncompressed .RMF 2K 12-BIT DPX* 2048x1080, 12-bit log 4:4:4 RGB video, recorded as Uncompressed .DPX HD 12-BIT DPX* 1920x1080, 12-bit log 4:4:4 RGB video, recorded as Uncompressed .DPX 2K 10-BIT DPX* 2048x1080, 10-bit log 4:4:4 RGB video, recorded as Uncompressed .DPX HD 10-BIT DPX* 1920x1080, 10-bit log 4:4:4 RGB video, recorded as Uncompressed .DPX HD 422 DPX 1920x1080, 10-bit log 4:2:2 video, recorded as Uncompressed .DPX HD Apple ProRes 1920x1080, 10-bit log video, recorded as Apple ProRes 422 (HQ) compressed HD video support, recorded as Uncompressed .RMF * HD DPX files at 60p are “packed” on SSDs due to high data rate. Use free CD Data Unpacker utility software to unpack files after transfer. ** Two SSDs are required to capture ***Note When recording 4K Half Raw 100/120 the filename is generated by the Odyssey7Q, since the camera does not record when the camera is set to max frame rates. TYPICAL DOWNLOAD TIME IN MINUTES Media USB3.0 Thunderbolt 256G SSD 20 10 512G SSD 40 20 Actual transfer rates are dependent on computer system and capture media. USB 3.0 or Thunderbolt connections are recommended by Convergent Design for efficient data rates. ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 2 Odyssey7Q Support for Canon C500 (OPTIONAL) 4K RAW FORMAT DETAILS Canon C500 Mode Resolution Bit-Depth 4K RAW 4096 x 2160 10-Bit Frame Rates 23.98p, 24p, 25p, Supported in Current Firmware 3G SDI Two SSD's Required Yes (RAW .RMF) 2 50p / 59.94p Yes (RAW .RMF) 2 50p / 59.94p Yes (RAW .RMF) 2 100p / 120p No 1 --- 2 --- 2 --- 29.97p, 50p, 59.94p 4K (QHD) RAW 3840 x 2160 10-bit 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 4K Half RAW 4096 x 2160 10-Bit 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 100p, 120p 4K RAW x 1080 4096 x 1080 10-Bit 62p up to 119.88p (by DPX 2K/HD 2 frame steps) 2K RGB 4:4:4 HD RGB 4:4:4 HD YCC 4:2:2 2048 x 1080 1920 x 1080 1920 x 1080 10-Bit 23.98p, 24p, 25p, Yes 12-Bit 29.97p (Uncompressed .DPX) 10-Bit 23.98p, 24p, 25p, Yes 12-Bit 29.97p (Uncompressed .DPX) 10-Bit 62p up to 119.88p (by No 1 --- 23.98p, 24p, 25p, Yes 1 No 29.97p, 50p, 60p (Apple ProRes .MOV) 50p, 59.94p, and 62p No 1 No .MOV HD 2 frame steps) HD MXF 4:2:2 HD YCbCr 4:2:2 1920 x 1080 1920 x 1080 10-Bit 10-Bit up to 119.88p i For the latest firmware, product manuals and other information visit Convergent-Design.com Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 3 Odyssey7Q + C500 4K RAW (4096x2160) 1 Set Time & Date MENU » Other Functions » Set Clock » Date/Time Set Time & Date so both the C500 and Odyssey7Q match. This is REQUIRED for using internal media as proxy. 2 Name the Clip MENU » 4K/2K/MXF » Clip Name » Title Prefix (or NUMBER SETTING) Name the clip so that C500 and Odyssey7Q match. 3 Enable 3G-SDI Output & Rec Command MENU » 4K/2K/MXF » 3G-SDI Output » ON (BACK) » REC Command » ON ( Continued on Next Page » ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 4 Odyssey7Q + C500 4K RAW (4096x2160) 4 Set 4K RAW Mode MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Mode » RAW 5 Set System Frequency (Hz) MENU » 4K/2K/MXF Setup » System Frequency » (Selection) 59.94p selected you will have the options 59.94,29.97,23.98 50p selected you will have the options 50p and 25p 24p this is the only option under frame rate 6 Set Resolution MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Resolution » 4096x2160 ( Continued on Next Page » ) Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 5 Odyssey7Q + C500 4K RAW (4096x2160) 7 Set Frame Rate MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Frame Rate » (Selection) You will have the options 59.94p,29.97p,23.98p ( Next Step: Configure Recorder ) i ? Notes QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 6 Odyssey7Q + C500 4K Half RAW (4096x2160) 1 Set Time & Date MENU » Other Functions » Set Clock » Date/Time Set Time & Date so both the C500 and Odyssey7Q match. This is REQUIRED for using internal media as proxy. 2 Name the Clip MENU » 4K/2K/MXF » Clip Name » Title Prefix (or NUMBER SETTING) Name the clip so that C500 and Odyssey7Q match. 3 Enable 3G-SDI Output & Rec Command MENU » 4K/2K/MXF » 3G-SDI Output » ON (BACK) » REC Command » ON ( Continued on Next Page » ) Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 7 Odyssey7Q + C500 4K Half RAW (4096x2160) 4 Set 4K RAW Mode MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Mode » HRAW 5 Set System Frequency (Hz) MENU » 4K/2K/MXF Setup » System Frequency » (Selection) 59.94p selected you will have the options 59.94,29.97,23.98 50p selected you will have the options 50p and 25p 24p this is the only option under frame rate 6 Set Resolution MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Resolution » 4096x2160 *Note 3840x2160 is not currently supported in HRAW (Firmware v2.11.110) ( Continued on Next Page » ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 8 Odyssey7Q + C500 4K RAW (4096x2160) 7 Set Frame Rate MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Frame Rate » (Selection) You will have the options 59.94p,29.97p,23.98p 8 Set Special Rec MENU » 4K/2K/MXF Setup » 4K (4096/3840) » Special Rec » Slow & Fast Motion 9 Set S&F Frame Rate MENU » 4K/2K/MXF Setup » 4K (4096/3840) » S&F Frame Rate XX » (Selection) Select and navigate up to the max frame rate 100/120p. **Only Maximum frame rates are allowed in Half Raw. 100/120p * 4K Half Raw x 1080 is not supported. ( Next Step: Configure Recorder ) Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 9 Configure Odyssey7Q 4K RAW Recording 1 Set Odyssey7Q to Canon RAW Mode MENU » SETUP » MONITOR --> RECORD » CANON RAW ODYSSEY SETUP RECORD INPUTS OUTPUTS MONITOR --> RECORD C500 RAW -> RAW (.DNG) Odyssey7Q will show a prompt to read Canon RAW into memory. Click OK and the unit will reboot. 2 4:2:2 -> PRORES HD (.MOV) CANON RAW -> RAW (.RMF) ARRIRAW -> RAW (.ARI) 4:2:2/4:4:4 -> 4:4:4 (.DPX) C500 4K RAW -> PRORES HD (.MOV) Set Date & Time to match C500 MENU » ODYSSEY » SET » TIME ODYSSEY SET SETUP RECORD ACTIVATION ▲ SSD’S TIME ABOUT DATE MFG INPUTS OUTPUTS 07:30:11 OK X ▼ RESET Click on the month, year, etc. to highlight the field, then use the + and - buttons on screen to change the values of the field. Click OK when you are done. MENU » ODYSSEY » SET » DATE ODYSSEY SETUP RECORD INPUTS SET ACTIVATION SSD’S TIME ABOUT DATE MFG RESET ▲ 2014 MAR 19 ▼ ( Continued on Next Page » ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 10 Configure Odyssey7Q 4K RAW Recording 3 Set Clip Name and MetaData TAP ON CLIP NAME IN TOOLBAR » TAP ON FIELD » (ENTER DATA) 4 Make C500 the Record Trigger MENU » RECORD » TRIGGER » CAMERA ODYSSEY SETUP RECORD INPUTS OUTPUTS TRIGGER REC BUTTON CLIP CAMERA PROJECT 5 REC BUTTON Connect Odyssey7Q to C500 Connect C500 3G-SDI output to Odyssey7Q SDIA input For 4K p100/120 Half RAW, and 4K p50/59 RAW & QuadHD RAW, two 3G-SDI cables are required. 6 Set Timecode Source MENU » INPUTS » TIMECODE » SOURCE » SDI ODYSSEY SETUP RECORD INPUTS OUTPUTS AUDIO TIMECODE SOURCE SDI LTC SEED/REC RUN ( Next Step: SSD RAID Configuration ) Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 11 Odyssey7Q + C500 2K/HD 10-Bit/12-Bit (DPX) 1 Set Time & Date MENU » Other Functions » Set Clock » Date/Time Set Time & Date so both the C500 and Odyssey7Q match. This is REQUIRED for using internal media as proxy. 2 Name the Clip MENU » 4K/2K/MXF Setup » Clip Name » Title Prefix (or Number Setting) Name the clip so that C500 and Odyssey7Q match. 3 Enable 3G-SDI Output & Rec Command MENU » 4K/2K/MXF Setup » 3G-SDI Output » On (BACK) » REC Command » On ( Continued on Next Page » ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 12 Odyssey7Q + C500 2K/HD 10-Bit/12-Bit (DPX) 4 Set System Priority MENU » 4K/2K/MXF Setup » System Priority » 2K 5 Set System Frequency (Hz) MENU » 4K/2K/MXF Setup » System Frequency » (Selection) 59.94p selected you will have the options 59.94,29.97,23.98 50p selected you will have the options 50p and 25p 24p this is the only option under frame rate 6 Set Mode and Resolution MENU » 4K/2K/MXF Setup » 2K (2048/1920) » Mode » YCC42210·bit (BACK) » Resolution » 2048x1080 (2K) -OR » Resolution » 1920x1080 (HD) ( Continued on Next Page » ) Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 13 Odyssey7Q + C500 2K/HD 10-Bit/12-Bit (DPX) 7 Set Frame Rate MENU » 4K/2K/MXF Setup» 2K (2048/1920) » Frame Rate » (Selection) You will have the options 59.94p,29.97p,23.98p 8 Set User Bit MENU » TCB/UB Setup » Type » Setting Note: Time currently not supported ( Next Step: Configure Recorder ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 14 Configure Odyssey7Q Recording Uncompressed DPX 1 Set Odyssey7Q to Uncompressed DPX Mode MENU » SETUP » MONITOR --> RECORD » 4:2:2/4:4:4 -> 4:4:4 (.DPX) ODYSSEY SETUP RECORD INPUTS OUTPUTS MONITOR --> RECORD 4:2:2 -> PRORES HD (.MOV) FS700 RAW -> RAW (.DNG) CANON RAW -> RAW (.RMF) ARRIRAW -> RAW (.ARI) 4:2:2/4:4:4 -> 4:4:4 (.DPX) FS700 4K RAW -> PRORES HD (.MOV) Click OK The unit will restart. 2 Set up Odyssey7Q for your C500 MENU » SETUP » 4:2:2/4:4:4 SOURCE » CANON ODYSSEY SETUP RECORD INPUTS OUTPUTS MONITOR --> RECORD 4:2:2/4:4:4 SOURCE ARRI ARRI (LOG-C) CANON CANON (C-LOG) 3 Make C500 the Record Trigger MENU » RECORD » TRIGGER » CAMERA ODYSSEY SETUP RECORD INPUTS OUTPUTS TRIGGER CLIP PROJECT 4 REC BUTTON CAMERA REMOTE Set Timecode Source MENU » INPUTS » TIMECODE » SOURCE » SDI ODYSSEY SETUP RECORD INPUTS OUTPUTS AUDIO TIMECODE ( Continued on Next Page » ) SOURCE SDI LTC Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 15 Configure Odyssey7Q Recording Uncompressed DPX 5 Format SSDs MENU » ODYSSEY » SSD’S » FORMAT BOTH (or FORMAT SSD1 if you do not have a second SSD drive installed.) 6 Connect to Camera and Verify Status Input Connect C500 3G-SDI output to Odyssey7Q SDIA input Note: Use only 3G-SDI rated cables from C500 to Odyssey 7Q. Using a 1.5G SDI cable in not recommended and may cause issues. The status on your Odyssey7Q will display your camera’s output. Example: 1080p29.97 422 CANON PRORES HQ Note: The recorded file will be 1920x1080 @ 23.98/25/29.97 fps. i ? Notes QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 16 Odyssey7Q + C500 Record Apple ProRes 422 1 Set Time & Date MENU » Other Functions » Set Clock » Date/Time Set Time & Date so both the C500 and Odyssey7Q match. This is REQUIRED for using internal media as proxy. 2 Name the Clip MENU » 4K/2K/MXF Setup » Clip Name » Title Prefix (or Number Setting) Name the clip so that C500 and Odyssey7Q match. 3 Enable 3G-SDI Output & Rec Command MENU » 4K/2K/MXF Setup » HD-SDI Output » On* (BACK) » REC Command » On (Make sure OSD is OFF) ( Continued on Next Page » ) *NOTE: For 1080p 50 or 50 use 3G-SDI Output & camera set to YCC 10bit. (See Recording Uncompressed DPX section of this guide.) Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 17 Odyssey7Q + C500 Record Apple ProRes 422 5 Set System Priority MENU » 4K/2K/MXF Setup » System Priority » MXF 4 Set System Frequency (Hz) MENU » 4K/2K/MXF Setup » System Frequency » (Selection) 59.94p selected you will have the options 59.94,29.97,23.98 50p selected you will have the options 50p and 25p 24p this is the only option under frame rate 6 Set Mode and Resolution MENU » 4K/2K/MXF Setup » 2K (2048/1920) » Mode » YCC42210·bit (BACK) » Resolution » 2048x1080 (2K) -OR » Resolution » 1920x1080 (HD) ( Continued on Next Page » ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 18 Odyssey7Q + C500 Record Apple ProRes 422 7 Set Frame Rate MENU » 4K/2K/MXF Setup» 2K (2048/1920) » Frame Rate » (Selection) You will have the options 59.94p,29.97p,23.98p 8 Set User Bit MENU » TCB/UB Setup » Type » Setting Note: Time currently not supported. ( Next Step: Configure Recorder ) i Notes Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 19 Configure Odyssey7Q C500 to Record Apple ProRes 422 1 Set Odyssey7Q to C500 to Apple ProRes 422 Mode MENU » SETUP » MONITOR --> RECORD » 4:2:2->PRORES HD (.MOV) ODYSSEY SETUP RECORD INPUTS OUTPUTS MONITOR --> RECORD 4:2:2 -> PRORES HD (.MOV) 4:2:2/4:4:4 SOURCE 2 Note: When recording Apple ProRes 422 (HQ) it is typically best to use the 4:2:2 output of the C500 Set up Odyssey7Q for your C500 MENU » SETUP » 4:2:2/4:4:4 SOURCE » CANON ODYSSEY SETUP RECORD INPUTS OUTPUTS MONITOR --> RECORD 4:2:2/4:4:4 SOURCE ARRI ARRI (LOG-C) NOTE: If recording Canon LOG use CANON (C-LOG) CANON CANON (C-LOG) 3 Make C500 the Record Trigger MENU » RECORD » TRIGGER » CAMERA ODYSSEY SETUP RECORD TRIGGER CLIP PROJECT 4 INPUTS OUTPUTS REC BUTTON CAMERA REMOTE Set Timecode Source MENU » INPUTS » TIMECODE » SOURCE » SDI ODYSSEY SETUP RECORD INPUTS OUTPUTS AUDIO TIMECODE SOURCE SDI LTC 5 Format SSDs MENU » ODYSSEY » SSD’S » FORMAT BOTH (or FORMAT SSD1 if you do not have a second SSD drive installed.) ( Continued on Next Page » ) ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 20 Configure Odyssey7Q C500 to Record Apple ProRes 422 5 Connect to Camera and Verify Status Input Connect C500 3G-SDI output to Odyssey7Q SDIA input Note: Use only 3G-SDI rated cables from C500 to Odyssey 7Q. Using a 1.5G SDI cable in not recommended and may cause issues. The status on your Odyssey7Q will display your camera’s output. Example: 4K 29.97p S-LOG2 4K->HD PRORES Note: The recorded file will be 1920x1080 @ 23.98/25/29.97 fps. Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 21 Odyssey7Q + C500 SSD RAID Configuration i Recording Across Two SSDs SSD1 SSD2 1, 3, 5, 7… 0, 2, 4, 6… 4K 50/59p and 100/120p = RAID (two drives) Note: You can use any Convergent Design media; they need not be matching (ie, one 256GB card and one 512GB card). Data recorded will be equal to the lower capacity SSD. ( Next Step: Off-loading Data ) i ? Notes QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 22 Odyssey7Q + C500 Off-Loading Data 1 Connect SSD Drive to Adapter Connect the Convergent Design 2.5” Premium SSD Media to any off-the-shelf 2.5” SATA adaptor (example: Seagate GoFlex Thunderbolt Adaptor or USB 3.0 Adaptor) 2 Connect Adapter to Computer The SSD will mount within 10-20 Seconds. (You will see this mount on the desktop or within finder on MAC, or within My Computer on Windows machines). 3 Copy Files for Playback/Editing All Clips or Takes are located within the “Clips” directory, navigate to this and copy all of your files to a local or external drive or RAID for playback and/or editing. i Free Software Utilities CD Clip Merger (Free Download from Website) Use the Clip Merger for any Raided Record (ie if your recorded clip required more than one SSD). See the At A Glance Chart, “No. of SSD’s Req” column, on page 2. CD Apple ProRes 422 File Transfer Tool (Free Download from Website) Use to combine each clip into a single file CD Data Unpacker (Free Download from Website) Use CD Data Unpacker to convert “packed” files to “unpacked” data. DOWNLOAD HERE: http://convergent-design.com/support/firmware-downloads.html ! ATTENTION MAC OSX USERS Before installing Convergent Design Software on Mac OSX You must first change the following settings. 1) Navigate to Applications » Utilities » System Preferences 2) Select Security and privacy 3) Under General » Allow applications downloaded from: Select Anywhere. 4) Now you will be able to run the installer for installing any Convergent Design Applications. Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 23 C500 File Support UNCOMPRESSED SUPPORT (DPX SEQUENCE) All Uncompressed recording on the Odyssey 7Q is recorded as 10 bit RGB 4:4:4 DPX. This is for all sources regardless if the source is 8 bit, 10 bit, 4:2:2, 4:4:4. With 12 bit cameras, files are recorded as a 16 bit DPX for more universal compatibility. Also note that with DPX files timecode, and Clip Metadata is stored in every frame, as well as in the XML file within each clip. All audio is recorded 48Hz 16 bit Uncompressed Wav audio. Also Note 1080p59.94/60p, 1080p119/120 and 12 bit files are recorded as Packed, so our CD Unpacker Utility will need to be used before the files can be used in any editor. Native 10-bit / 16-bit DPX Support Adobe CS6 / Adobe CSCC Black Magic DaVinci Resolve Grass Valley Eduis (Does not support 16-Bit) Apple Color Cineform Studio The Foundry Nuke AutoDesk Smoke ColorFront OnSet Dailies Xnview(Does not support 16-Bit) Assimilate Scratch Lab DJViewer Avid DS Eyeon Fusion Plugins for DPX Support Glue Tools Apple FCP Pro Apple FCP Pro X Meta Fuse Avid Media Composer 2K / 1080P 12 BIT RECORDINGS IN DAVINCI RESOLVE 11* Generating a LUT and applying it as an input lut should help fix the issue. Here is how it can be done: 1. Add a single DPX sequence to a new project and create a timeline 2. In the color page, go to the RGB Mixer and swap the red and blue channels 3. Right click on the VSR of the Clip and generate a LUT. Save the LUT in the default location or in a sub folder then open the project with the DPX files that exhibit the issue. Apply the saved LUT as an input LUT. * If using Resolve 10 or older, or other NLE’s such as Adobe, Scratch Lab, or Autodesk Smoke, then you can simply import the DPX files after running through the data unpacker. ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 24 C500 File Support (Continued) Apple ProRes 422 (HQ) The Odyssey7Q records in Apple ProRes 422 (HQ) which is a 10 bit 4:2:2 220Mb compressed codec. This will allow for high quality recording while avoiding high data rates of working with uncompressed video. (DPX) Native Apple ProRes 422 Support Adobe CC 2014* Final Cut Pro 7 Autodesk Smoke Apple FCP X, Aperture Black Magic DaVinci Resolve Sony Vegas Cineform Studio The Foundry Nuke To playback Apple ProRes 422 (HQ) files in QuickTime Player X, the files must be first run through our Apple ProRes 422 (HQ) Utility to be optimized for the recently released Apple ProRes 422 (HQ) Codec update. If files are not optimized, then they will play the first second of audio only. This is not an issue when playing in FCPX. Convergent Design, Inc. 4525 Northpark Dr. | Colorado Springs, CO 80918 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 6)] EMAIL: CDSupport@Convergent-Design.com | WEBSITE: www.Convergent-Design.com 25 Importing C500 RAW Files FCP X IMPORT SETTINGS Once you have created a new project be sure to check the following Settings: 1. Under Final Cut Pro select Preferences 2. Be sure the Still Images editing duration is set to 0.0.1 Seconds 3. Select navigate to File and select Import Media 4. Navigate to the Clips directory, and select the Clip Folder contain your RAW files. 5. At this point you can start correcting the files to a 2.2 Gamma. using the Color Board. * Note if you are recording the the internal media you can import the matching Slog2 file, and select Match Color for a close approximation of Slog2, but will most likely need additional tweaking. CANON C500 4K RAW SUPPORT All Canon C500 4K recording on the Odyssey 7Q is recorded as 10 bit Cinema RAW file. Also note that with RMF files timecode, and Clip Metadata is stored in every frame, as well as in the XML file within each clip. All audio is recorded 48Hz 32 bit Uncompressed Wav audio. It is important to correctly set the white balance of the camera, as this is baked into the RAW file. Native Cinema RAW Support Assimilate Scratch Lab Black Magic DaVinci Resolve Canon Cinema RAW Development Adobe CC 2014 ? QUESTIONS or FEEDBACK? We’re always available to help! CDSupport@Convergent-Design.com © 2014 Convergent Design, Inc. - All Rights Reserved. 26 © 2014 Convergent Design, Inc. - All Rights Reserved. All copyrights and trademarks remain the property of their respective owners. 12-Sep-2014 Convergent Design, Inc. 4465 Northpark Dr, Suite 400 | Colorado Springs, CO 80907 | USA TEL: ++ (720) 221-3861 | FAX: ++ (720) 227-9296 | Office Hours: 8:00 A.M. to 5:30 P.M., Monday – Friday [Mountain Time (GMT – 7)] EMAIL: Support@Convergent-Design.com | WEBSITE: www.Convergent-Design.com
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