302050 2003 Catalog

MH940C 2003 Catalog

User Manual: 2003 Catalog

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2003

It’s late afternoon, and a few men in fedoras are examining blueprints
in the basement of an Indiana tire company. It’s hot. It’s dusty.
The year is 1927, and these are the humble beginnings of
Electro-Voice. While the history of EV may read like classic
“rags-to-riches” pulp fiction, it is still a real tale of American success.
Over the course of time, EV has grown into one of today’s dominant,
worldwide forces in the design and manufacturing of top-quality
products for broadcast, studio recording, touring sound, permanently installed sound reinforcement and music playback systems.
Recognized the world over as a leader in audio technology, EV is
ubiquitous in performing arts centers, sports facilities, houses of
worship, cinemas, live music and dance clubs, transportation centers and theatres.
EV’s reputation for providing superior audio product and dedication
to innovation continues today. EV, now a product brand of Telex
Communications, Inc., shares technology with other Telex product
brands: Dynacord, Klark-Teknik, Midas, RTS and TELEX.

1934 — EV invents the hum-bucking
coil for microphones (still a standard
almost 70 years later).
1940s — EV introduces noise cancellation to microphones; revolutionizes tank and aircraft communications.

1954 — EV introduces Variable-D®
microphone technology, a means of
eliminating the up-close bass boost of
conventional, single-D directional
microphones — for high vocal intelligibility under the typical varying conditions of use in churches and meeting rooms.

1963 — EV receives an award from
the Academy of Motion Picture Arts
and Sciences for the development of
a shotgun microphone — the 642
Cardiline® — which significantly
advances the quality of sound on film.

1974 — EV develops constantdirectivity (CD) horns. For the first
time, a loudspeaker maintains its
rated coverage angles over a wide
frequency range, for significantly
more uniform sound quality and
higher intelligibility throughout
the audience.

1986—EV revolutionizes concert sound
reinforcement by introducing Manifold
Technology®. In each of four bandpasses
covering the entire frequency range, the
output of four loudspeakers is flawlessly
combined – or “manifolded”– into a single
horn or low-frequency enclosure. The result
is – in a physical package a fraction of the
size of conventional concert rigs – four
times the acoustic output without the
drastically uneven coverage of multiple
acoustic sources “stacked” for more output.

1990s—EV invents
RMD™ technology
(Ring-Mode Decoupling),
a revolutionary anodyne
to sonic distortion and
coloration. Speaker
system resolution and
clarity increases by
minimizing fundamental
resonant frequencies.

2000—EV invents VOB™
technology (Vocal-Optimized Bass),
an innovative mechanical design
that significantly reduces proximity
effect, allowing for greater vocal
intelligibility and instrumental
clarity. EV also invents ClearScan™,
a revolutionary innovation
in wireless technologies that
enables automatic, frequency agile
selection of the best of ten UHF
channels.

2001 - EV introduces RACE
technology (Realtime Acoustic
Cluster Editor), a synergetic
concept of correlating digital
crossover and filter design
with realworld loudspeaker
behavior. Results are
predictability and precise
control of magnitude, phase
and directivity of complex
loudspeaker arrays.

2002 - EV launches IRIS,
Intelligent Remote & Integrated
Supervision, a system
combining remote amplifier
control and supervision with
digital signal processing built
into the amplifiers. Complex
RACE loudspeaker data is
processed for perfect match of
transducer parameters and
their electrical driving force.

CONTENTS
2- 3
4
5

EV milestones
Table of Contents
Index

Loudspeakers
6
7
8-9
10
11
12 - 13
14
15
16
17
18 - 20
21
22 - 23
24 - 27
28 - 29
30 - 33
34 - 35
36 - 37
38 - 39
40 - 41
42 - 43
44 - 45
46 - 47
48 - 51

Gladiator®
Force i®
Sx Series™
SxA Series
Eliminator i®
QRx Series
T-Series
FRi/FRi+ Series
FRX+ Systems
EVI Vari Intense®
Xi-Series™
The XLCi System
MH-Series Stadium Horns
EVID
Outdoor Speakers
Cinema Systems
X-Array™
X-Line™
The XLC System
Floor Monitors
Subwoofers
Components
HP Horns
Hardware

Electronics
52
53
54
55
56
57 - 58
59
60
61
62 - 63

Q-Series Amplifiers
Contractor Precision Series Amplifiers
Precision Series™ Linear Amplifiers
Precision Series™ Modular Amplifiers
Compact Precision Amplifier CP2200
Precision Series™ Remote Amplifiers
Signal Processors
AC One Analog Controller
Dx38 Digital Sound System Processor
RACE Controller Software

Wired Microphones
64
65
65
65 - 67
67
68 - 69

N/DYM® Series
Cobalt Series
Live Interview
RE Series
PolarChoice™ Series
Wired Microphone Accessories

Product feature symbols
Weather-resistant

Also available in white

Available with high-quality 70/100 volt transformer

Speaker can be flown. See product features
and Hardware (pages 48 - 51)

Mounting hardware available or included.
See product features and Hardware (pages 48 - 51)

Passive or biamped operation

Designed for multi-way active operation using EV®
Dx38 digital controller (page 61)

Rotatable constant-directivity horn or identical
horizontal/vertical directivity control (i.e. 65° x 65°)

Ring Mode Decoupling (RMD™) ensures high
performance and vocal clarity at any SPL.
See page 83.

Microphone polarities
Cardioid

Supercardioid

Wireless Microphones
70 - 71
72 - 73
74
75
76 - 77

RE-1
N/DYM® Series
RTM-1000 Remote Test Wireless System
Cobalt Series
Wireless Microphone Accessories

Hypercardioid

Omnidirectional

Applications
78 - 82
83 - 84
85
86
86

4

System Applications
Speaker Technologies
Speaker, Distances, and Horns
Microphone Technologies
PIN - Arrangements

INDEX
635A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
635A(B) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
635N/D-B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
AB-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
AB-32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
AB-34 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
AB-62 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
AB-64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
AC One Analog Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
ADH3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
ADH5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
ADH6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
AN-Flex . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
AN-Sflex . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
APD-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
CDR-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
Cinema Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30-33
Co11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Co4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Co5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Co7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Co9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Cobalt™ Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65, 75
Compact Precision Amplifier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
Components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44-45
Contractor Precision Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Control Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
CP2200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
CPS Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
CPS1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
CPS2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
CPS2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
CPS3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
CPS4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
CS200TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
CSB-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
CSH-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
CSR-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
CXU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
DH2010A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
DH2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
DH3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
DH7-16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
DH7-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
DL10X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
DL12BFH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
DL12ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
DL15BFH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
DL15ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
DL18MT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Dx38 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61-63
Eliminator i Amplifier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Eliminator i Sub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11, 42
Eliminator i® . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Eliminator ii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Eliminator kW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11, 42
Eliminator Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
EQ-131 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
EQ-215 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
EQ-231 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
EVI-12 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
EVI-15 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
EVI-28 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
EVID 12.1/P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-25, 42
EVID 3.2/3.2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-25, 28
EVID 4.2/4.2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-25, 28
EVID 6.2/6.2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-25, 28
EVID C10.1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27, 42
EVID C4.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
EVID C8.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
EVID C8.2HC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
EVID C8.2LP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
EVID SOS 3.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-25
EVX155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
EVX180B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
FA-500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
Floor Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Force i Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7, 41
Force i Sub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Force i . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
FRi/FRi+ Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRi+122/64/66/94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRi+152/64/66/94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRi+181S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15, 42
FRi-122/64/85 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRi-128LPM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
FRi-152/64/85 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRi-2082 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRX+ Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
FRX+181 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16, 42
FRX+640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
FRX+660 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
FRX+940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Gladiator 115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Gladiator 118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Hardware . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48-51
HM2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
HM7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
HP Horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP1240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47

HP4020 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP420 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP6040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP9040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HP940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HPT64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HPT94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46-47
HS-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Large-Format MH-Horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Live Interview Mics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
LPA-500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
M-112 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
M-115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
M-118S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
M-153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
M-218S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
MAC-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
MAC-G2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Medium-Format MH Horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
MH4020AC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
MH6040AC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
MH640C/P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
MH660C/P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
MH9040AC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
MH940C/P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
MH-Series Stadium Horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Microphone Technologies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86
MSSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
MTL-1X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
N/D267a/as . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/D367s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/D468 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/D478 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/D767a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/D868 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/D967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
N/DYM® Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64, 72-73
NBPU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
ND6-16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
ND6-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
ND6x-16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
NHTU-N2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
NHTU-N7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
NRS 90208 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
NRS 90244 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
NRS 90246 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
NRS 90247 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
NRSCU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
NRU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
OLM 10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Outdoor Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
P1200 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
P1200 RT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
P1200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
P1201 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
P1202 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
P2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
P3000 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
P3000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
P900 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
P900 RT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
PA 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
PC Plus-12 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PC Plus-18 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PC-12 XLR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PC-12FL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PC-18 XLR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PC-18FL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PIN - Arrangements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86
PolarChoice™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
PowerMax 12 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
Precision Series™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52-58
P-Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52-58
Q44 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Q66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
QRx 112/75 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13, 40
QRx 115/75 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13, 40
QRx 118S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13, 43
QRx 153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13
QRx 212/75 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13
QRx 218S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13, 43
QRx Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-13
Q-Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
RACE Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61-63
RC510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
RC767a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
RCM-24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
RE-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70-71
RE16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66
RE20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66
RE200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66
RE27 N/D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66
RE50/B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
RE50N/D-B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
RE510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
RE90 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67

RE90TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Remote Amplifiers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57-58
RE-Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66
RMD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
RS-485 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
S-40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Sb121 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9, 42
Sb180 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9, 42
SbA750 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 42
SL10-2V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
SL12-2V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
SL6.2M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
Small format horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Speaker Technologies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83-85
Stadium Horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22-23
Subwoofers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42-43
Surround Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Sx100+E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8-9, 40
Sx250 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8-9, 40
Sx300 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8-9
Sx300PI/PIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Sx500+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8-9
Sx500PI+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Sx600PI/PIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Sx80 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8-9
Sx80PI/PIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
SxA Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
SxA100+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 40
SxA180 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 42
SxA250 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 40
Sx-Series™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8-9
T-18 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
T221M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14, 41
T251+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
T252+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
TC Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
TC-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
TC-6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
TL18-1ES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
TL440 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
TL440D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
TL880D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
TL880DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32, 33
TP-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67, 71
TS550D-LX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31, 33
TS940D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31, 33
TS992E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31, 33
T-Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
UHF Transmitters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72-73
UHF Wireless . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
ULM21 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76-77
Underwater loudspeaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
UW 30 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Variplex M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30, 33
Variplex XL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30, 33
Variplex . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30, 33
VS Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Wireless Microphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70-77
WP1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
X-Array™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35
Xb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35, 43
Xcb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35, 43
Xcn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35
Xds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35, 43
Xf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35
Xfil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37
Xfil2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37
Xi-1082 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18, 20
Xi-1122/85F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18, 20
Xi-1123/106F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18, 20
Xi-1152/64F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18, 20
Xi-1152/94F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18, 20
Xi-1183/64F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18, 20
Xi-1191 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19, 20, 43
Xi-1191F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19, 20, 43
Xi-2123/106F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19, 20
Xi-2153/64F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19, 20
Xi-2181 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19, 20, 43
Xi-2181F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19, 20, 43
Xi-Series™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18-20
XLC 118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38-39, 43
XLC 127 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38-39
XLC 127+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38-39
XLC System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38-39
XLCi 118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
XLCi 127 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
XLCi 127+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
XLCi System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
X-Line™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37
Xn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35
Xsub(F) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37, 43
Xvls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37
Xvlt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37
Xw12 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35, 41
Xw15 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35, 41

5

Gladiator®

Gladiator Series 15” Two-Way
and 18” Subwoofer

Key Features
• 3-way system design using one amplifier channel allows 2-way
full-range + sub to run on one amp channel
• 131 dB Max SPL
• RoadWood™ Enclosures are rugged
and lightweight
• Steel pole included
• Steel grilles

Gladiator 115 2-Way
• High output EV-15FR 15” woofer
• 60° x 40° controlled coverage
• DH2010 compression driver for extended
HF and reliability
• High sensitivity, 99 dB
• 400 Watts continuous, 1,600 Watts
peak power rating

G115

Gladiator 118 Sub
• EVS-185 18” woofer with high power
4-layer voice coil
• Extended low-end response to 32 Hz
• Built-in crossover for use as 3-way system
• 400 Watts continuous, 1,600 peak
power rating
• Boosts LF output to 134 dB

G118
G115 / G1183

Freq. Response (-3 dB)2:
Freq. Range (-10 dB)2:
Power Handling, Continuous1:
Power Handling, Peak1:
Dispersion:
Sensitivity (SPL 1W/1m):
Impedance (Nominal, Min.):
Max Calculated SPL:
Enclosure:

6

46 Hz - 20 kHz/42 Hz - 160 Hz
35 Hz - 20 kHz/32 Hz - 600 Hz
400 W
1,600 W
60° x 40°/Omnidirectional
99 dB
8 Ω/8 Ω, 6.5 Ω
131 dB
Roadwood™ Covered in Heavy
Duty Black Carpet

G115 / G1183
Connectors:
Grille:
G115 Dimensions (H x W x D):
G118 Dimensions (H x W x D):
Net Weight:
Shipping Weight:

Speakon® NL4
Powder-Coated Steel
29.9” x 17.3” x 22.0”
(760mm x 438mm x 559mm)
29.9” x 20.0” x 23.3”
(760mm x 508mm x 591mm)
75.0 lbs. (34.1 kg)/80.0 lbs..
(36.3 kg)
80.0 lbs.. (36.3 kg)/85.0 lbs.. (38.6 kg)

EIA-RS426A
Frequency response 1/2 space
3
All specifications equal for both models, except where noted or split.
1
2

Force i®
Force i is much more than speakers and a power amp. It’s a
professional, live performance sound system with components that
were designed to play together. Consider this: Most lower-priced sound
systems depend on two-way speakers to carry the extra load of providing high,
middle, and low-end frequencies. Force i does what pro concert systems do—
delivers its bass through a dedicated subwoofer—without requiring a separate
amp and crossover. The sound is incredible; with extended, thundering bass that
no system without a sub can beat. The EV Eliminator i power amp features LPN
processing that enhances the performance of the Force i speakers. And all Force
i enclosures were designed with comfortable, ergonomic handles and a very cool
appearance. The features of the individual Force i system components are
impressive enough on their own. But imagine all these great features, all this
innovative engineering and technology, coming together to make your music
sound better than you imagined. That’s what puts Force i ahead of any other
sound “system” in its price range.
Like a compact touring system, Force i gives you concert-proven Electro-Voice
technology that’s used by bands playing stadiums and concert halls around
the world:
• EV’s exclusive Ring-Mode Decoupling (RMD®) technology ensures that Force i
speakers deliver smooth vocals and pristine mids with perfect reproduction of overtones. You
can’t see RMD (it’s part of each driver and enclosure) but you’ll hear
the sonic difference it makes with every note.
• Pure EV components — titanium compression drivers that have toured the world,
Constant-Directivity horns that maintain their coverage, woofers with four-layer voice coils.
Force i has solid-as-a-vault, precisely-tuned EV enclosures made of patented RoadWood™
that's lighter and stronger than what other systems in Force i's price range use.

Metal stand mounts built into all
Force i speakers help you
assemble an awesome-sounding
system in a small footprint.

ELIMINATOR® i
STEREO POWER
AMPLIFIER

Frequency Response (-3 dB)
Power Handling
Continuous
Peak
Max. Output Capability
Dispersion
Sensitivity
Impedance
Dimensions
Inches
Millimeters
Net Weight

Force® i Two-Way

Force® i Sub

50 Hz–20 kHz

36–210 Hz

85 Hz–17 kHz

250 watts
1,000 watts
130 dB
80° x 55°
100 dB
8Ω

350 watts
1,400 watts
131 dB
Omnidirectional
100 dB
8Ω

200 watts
800 watts
128 dB
55° x 80°
99 dB
8Ω

25.5 x 18.25 x 15.2
648 x 465 x 386
46 lbs. (20.9 kg)

25.5 x 20.4 x 23.75
648 x 518 x 597
69 lbs. (31.3 kg)

21.5 x 14.2 x 9.7
546 x 361 x 246
28 lbs. (12.7 kg)

Force® i Monitor

Eliminator® i
MAXIMUM BRIDGED OUTPUT
8Ω
4Ω
CONTINUOUS RATED POWER
Dual 4 Ω
Dual 2 Ω
Headroom
Distortion @ rated power
Weight

1,200 watts
1,700 watts
600 watts per channel
850 watts per channel
>30% in any mode
<0.03%
35.2 lbs. (16 kg)

7

Sx Series™
EV popularized the concept of lightweight high-performance speakers of
compact size, using injection-molded structural-foam enclosures with
rounded, user-friendly contours and featuring molded-in horns and
attachment/rigging points. EV´s structural-foam enclosures produce minimal
resonance. Sx systems (Sx300 and Sx500) have sensitivities as high as 100
dB/1W/1m (Sx300 limited pink noise) and the PI and PIX versions are
especially designed for outdoor use. The horn´s unique Varipath™ throat
geometry helps direct driver output to the corners of the room. The Array
brackets – and especially the Unique Mounting Hardware – allows for a

highly flexible and quick install. For a uniform array appearance Sx100,
Sx300 and Sb121 have the same dimensions and attachment points.
The Sx80 is made of injection-molded, high-impact polystyrene and is
designed for the optional stand mount adapter, Sx80 SM, to be retrofitted.
The structured black surface is paintable. The accessories SH Sx300
(Protection Cover) and F200 (Monitor Foot) fit the Sx100/300 and Sb121.
All systems are protected by a perforated powder-coated metal grille. The
front of the PI and PIX variants are covered by a powder-coated, full-face
stainless steel grille backed with foam.

Sx250

Sx80
•
•
•
•
•
•
•
•
•

2-Way Full-range
Vented LF enclosure
1” voice coil (titanium diaphragm)
PRO™ Driver protection
HF-horn features Varipath™
Trapezoidal
Compact dimensions
7 x M6 and 4 x M5 inserts
Available with Neutrik® Speakon®
connector (Sx80BE), 1/4” connector
(Sx80BP), weather-resistant (Sx80PI),
weather-resistant with transformer
(Sx80PIX), transformer only (Sx80TB), in
white with transformer (Sx80TW), in white
with Neutrik® Speakon® connector
(Sx80WE), and in white with 2/4”
connector (Sx80WP).

•
•
•
•
•
•
•
•
•
•

Sx500+
• 2-Way High-Output Full-range
• High sensitivity
• Short horn-loaded, vented LF
enclosure
• Asymmetric CD-horn aimed downward
by 10°
• 2” voice coil (titanium diaphragm)
• PRO™ Driver protection circuit
• HF-horn features Varipath™
• Multi angled array housing
• 8 x M8 x 1.25 attachment points

PI version

Sx100+E
2-Way Full-range
Vented LF enclosure
1.3” voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
Trapezoidal (25° per side)
Physical characteristics of Sx300 but
slightly lower sensitivity
• 4 x M8 x 1.25 attachment inserts
• Neutrik® Speakon® connectors

•
•
•
•
•
•
•

Sx300
•
•
•
•
•
•
•
•
•
•
•

8

2-Way Full-range
High Sensitivity
Ultra-linear frequency response
Vented LF enclosure
1.3” voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
Trapezoidal (25° per side)
4 x M8 x 1.25 attachment inserts
Overview of variants see right spread sheet
Available with Neutrik® Speakon® connector
(Sx300E), weather-resistant (Sx300PI),
weather-resistant with transformer
(Sx300PIX), in white with Neutrik® Speakon®
connector (Sx300WE).

2-Way Full-range
Extended bass response
15” DL-Woofer
1.3” titanium diaphragm
80° x 55° horn pattern
18mm plywood enclosure
Rugged Futura™ finish
Five sided, multi-angle cabinet
Built-in stand mount
Suspendible using optional SK-1 kit

Sx500+PI
• Performs like Sx500 + yet weather
proofed version for outdoor
applications
• Weather-resistant woofer (DL15SxW)
• Polyester mesh water shield
• Comes with foam part plugs for
increased water resistance

Sb121
•
•
•
•

Subwoofer
Direct radiating vented design
Trapezoidal (25° per side)
Recommended low-pass between
100 Hz - 200 Hz (12dB/Oct.)
• 4 x M8 x 1.25 attachment points

Sb180
• 18" subwoofer
• EVX-180B woofer: same as X-Array™,
with 4" voice coil and 2" peak excursion
• 31 Hz useable bass response
• Futura™ finish
• Stand mount (top)
• 34" pole included

Feature overview for Sx-Series™

Sx80B/W
Sx80BE
Sx80TB/TW

X
X
X

X
X
X

Sx80PI
Sx80PIX

X
X

X
X

Sx100+E/W
Sx300E/EW
Sx300PI
Sx300PIX

X
X
X
X

X
X
X
X

Sx250
Sx500+
Sx500PI+
Sb121
Sb180

X
X
X
X

X
X
X
X

Continuous Power Handling (low Z)
(100V resp. Biamp)
Peak Power Handling (Peak), low Z
Coverage (nominal -6 dB) H° x V°
Directivity Index (800 - 16.000 Hz)
LF Driver
HF Driver
Crossover Frequencies
(slope in Biamp mode)
Nominal Impedance (nontransformer)
Minimum Impedance (nontransformer)
Input Connections
Dimensions (H x W at front x D)
Net Weight

accessories

X
X
X

push-pins
Speakon®
covered barrier strip

Sx80 SM/UMH
Sx80 SM
Sx80 SM

X
X

X
X

covered barrier strip
covered barrier strip

Sx80 SM
Sx80 SM

X
X

X
X
X
X

2 Speakon®
2 Speakon®
2 Speakon®
2 Speakon® (100V taps
via Pin arrangement)

F200/SH Sx300
F200/SH Sx300
F200/SH Sx300
F200/SH Sx300

X
X

1.9/3.8/7.5/
15/30/60 W
1.9/3.8/7.5/
15/30/60 W

X
X
100/140/200W
(100V taps)

X
X
X
X
X

X
X

X

Sx80
Frequency Range (-10 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m (Biamp mode)
Max. SPL / 1m (calc.); full space

input connectors

51 Hz - 20 kHz
51 Hz (12 dB/Oct.)
92 dB
121 dB
(100V: 110 dB)
175 W
(60 W/100V)
700 W
90° x 65°
(CD Horn)
9.2 dB
(+2.3/-3.9 dB)
8"
1" (DH2005)
2,200 Hz
8Ω
7.2 Ω
see above
400 x 292 x 222 mm
15.75” x 11.5” x 8.75”
18 lbs.. (8.2 kg [T/PIX: 9.3 kg])

Sx100+
55 Hz - 20 kHz
55 Hz (12 dB/Oct.)
98 dB
127 dB

Sx300

Sx250

Speakon®
Speakon®
Speakon®
Speakon®

Sx600PI

Sb121

Sb180

43 Hz - 16 kHz
43 Hz (12 dB/Oct.)
100 dB (100/107 dB)
132 dB

100 Hz - 18 kHz
80 Hz
105 dB
138 dB

43 - 500 Hz
43 Hz (12 dB/Oct.)
95 dB
126 dB

31 - 250 Hz
31 Hz (12 dB/Oct.)
99 dB
126 dB

350 W

400 W

600 W

300 W

600 W

1,400 W
80° x 55°
(CD Horn)
9.6 dB
(+2.5/-3.5 dB)
15" (DLH15BFH)
1.25" (DH2010A)
1,600 Hz

1,600 W
75° x 60°
(Asym. CD Horn)
11.6 dB
(+3.0/-6.9 dB)
15" (DLX155X)
2" (DH2T)
1,600 Hz
(24 dB/Oct.)
8Ω
5.2 Ω
2 Neutrik® NL4
625 x 431 x 330 mm
33” x 26.5” x 17.63”
69 lbs.. (31.3 kg)

2,400 W
65° x 65°

1,200 W
essentially omni

2,400 W
essentially omni

11.3 dB

—

—

2 x 12”
1”
1,800 Hz

12" (DL12Sx)
—
—

18”
—
—

4Ω
3.5 Ω
SJO cable/gland nut
1163 x 429 x 312 mm
45.8” x 17” x 12.3”
80 lbs. (36.3 kg)

8Ω
6.0 Ω
2 Neutrik® NL4
586 x 429 x 312 mm
23.1” x 17” x 12.3”
32.2 lbs.. (14.6 kg)

8Ω
6.0 Ω
2 Neutrik® NL4
603 x 576 x 807 mm
23.75” x 22.5” x 31.75”
102 lbs.. (46.3 kg)

800 W
65° x 65°
(CD Horn)
11.1 dB
(+2.4/-4.1 dB)
12"
1" (DH2010A)
1,500 Hz
8Ω
5.6 Ω
see above
586 x 429 x 312 mm
23.1” x 17” x 12.3”
32 lbs.. (14.5 kg)

8Ω
6.0 Ω
2 Neutrik® NL4
586 x 429 x 312 mm
23.1” x 17” x 12.3”
39 lbs.. (17.7 kg [PIX: 21.7 kg])

8Ω
7.5 Ω
2 Neutrik® NL4
625 x 429 x 312 mm
24.6” x 17” x 12.3”
40 lbs.. (18.2 kg)

Sx500+

SH Sx300

50 Hz - 20 kHz
45 Hz (12 dB/Oct.)
99 dB
130 dB

55 Hz - 20 kHz
55 Hz (12 dB/Oct.)
100 dB
131 dB
(100V: 123 dB)
300 W
(200 W/100V)
1,200 W
65° x 65°
(CD Horn)
11.1 dB
(+2.4/-4.1 dB)
12" (DL12Sx)
1" (DH2010A)
1,500 Hz

200 W

X
X
X
X

9

SxA Series
SxA100+

SxA250

The most versatile 12” 2-way powered speaker

Compact 15” 2-way powered speaker

• Very compact, lightweight, and robust
polypropylene enclosure
• Full-range 65 Hz – 20 kHz for front-of house or
monitor (with F200 monitor adapter)
• Steel front-grille
• Biamped with 350 W + 80 W peak power for a
very dynamic “musical” response
• Mixable microphone and line inputs
• Line output to connect additional powered
speakers
• 2-band EQ for customized settings
• 65° x 65° CD horn from the famous Sx300
for an outstanding acoustic performance,
highest intelligibility even in larger or more
reverberant rooms.
• Fully compatible with Sx mounting hardware
and accessories
• Pole-mount adapter
• SxA carry bag with room for cabling and
accessories (optional)

SxA180

• 7-ply plywood enclosure with Futura™ cover,
extremely scratch resistant
• 5-side enclosure with 45° monitor angle
• Full-range 55 Hz – 20 kHz, for
front-of-house or monitor applications
• Elegant closed front grille with foam back
• Biamped with 350 W + 80 W peak power for a
very dynamic “musical” response
• Mixable microphone and line inputs
• Line output to connect additional powered
speakers
• 2-band EQ for customized settings
• EV DL15 woofer
• DH2010A 1.25” driver with 80° x 55° CD-Horn
• SK1 rigging kit can be retrofitted for handles
for easy suspension
• Pole-mount adapter

SbA750
Powered subwoofer

Powered subwoofer
• Compact direct-radiating 18-inch woofer
with extended bass response
• Includes storage compartment with
removable dolly board and casters to make
transportation easy
• 650 W dynamic power amp delivers 126 dB
maximum output capability
• Built-in crossover with variable frequency
• Separate line and high-pass outputs for
filtering output to full-range systems and
easy signal routing
• Includes 34-inch pole for elevating EV
full-range speakers without separate stands
• Rugged plywood enclosure with Futura™
polyurethane finish

Frequency Response (-10 dB)
Rated Output Power
long term
10 ms. burst
Max. Sound Pressure Level
HF Coverage (nom.)
Components
LF
HF
Inputs

Level Controls
2-Band EQ
Power Requirement
Dimensions (height x width x depth)

10

Weight (net)

• 750 W amplifier power
• Compact ergonomic size for easy
transportation
• 15” DL woofer
• Built-in stereo crossover with
PowerMax12 filter
• LPN-filter for extended bass response
• Dynamic Limiter and full protection
package
• Integrated pole mount
• Futura™ cover cabinet with four wheels

SxA100

SxA250

SxA180

SbA750

50 Hz - 20 kHz

55 Hz - 20 kHz

38 - 120 Hz

45 - 150 Hz

LF150 W/HF 50 W
LF350 W/HF 80 W
124 dB
65° x 65°

LF150 W/HF 50 W
LF350 W/HF 80 W
126 dB
80° x 55°

LF 650 W
LF 300 W
126 dB
—

750 W

12” woofer
DH2010A
Microphone Input (XLR)
Line Level Input (XLR/1/4“)
XLR out (slave)
Mic Level (-35 dBu to 0 dBu
Master Level (- ∞ to 0 dB)
LF: +/- 6 dB
HF: +/- 4 dB
110-130 VAC, 50-60 Hz
or 220-240 VAC, 50-60 Hz 600 W
23.1” x 16.9” x 12.3”
586 x 429 x 312 mm

DL15BFH
DH2010A
Microphone Input (XLR)
Line Level Input (XLR/1/4”)
XLR out (slave)
Mic Level (-35 dBu to 0 dBu
Master Level (- ∞ to 0dB)
LF: +/- 6 dB
HF: +/- 4 dB
110-130 VAC, 50-60 Hz
or 220-240 VAC, 50-60 Hz 600 W
24.6” x 17.9” x 13.1”
625 x 437 x 333 mm

18” (450 mm)
—

43 lbs.. (19.5 kg)

49 lbs.. (22.2 kg)

Line Level Input (XLR)
XLR out
- ∞ to +10 dB
—
—
110-130 VAC, 50-60 Hz
or 220-240 VAC, 50-60 Hz 700 W
31.5” x 21” x 23.5”
800 x 533 x 596 mm

88 lbs.. (44.5 kg)

128 dB
—
DL15Y
2 x XLR/jack combo input
2 x XLR slave through
2 x XLR Mid/Hi out
—
—
—
—
100 V, 120 V, 230 V, 240 V
23.7” x 16.9” x 26.2”
603 x 428 x 665 mm
23.7” x 16.9” x 26.2” (w/wheels)
(603 x 428 x 665 mm [w/wheels])
94.7 lbs. (43 kg)

Eliminator i®
Back in the late 60s, the EV Eliminator started a revolution. In 1999, the
new Eliminator i continued its success. Eliminator ii has a linear frequency
response below 50 Hz and an overlapped second LF woofer with a cut off
at 700 Hz to avoid acoustical interferences in the midrange.

Eliminator i is black carpet-covered, constructed of EV´s RoadWood. The
Eliminator i family, except Eliminator ii, have a 35 mm stand mount,
Eliminator i Sub comes with a 45 cm steel pole and contains a combined
electrical/acoustical low-pass filter designed for parallel combinations
especially with the Eliminator i. A well-designed crossover with powertracking protection provides great sound with fail-safe operation.

Eliminator i

Eliminator i Sub
• Subwoofer
• Single 18-inch high-output woofer
designed to complement Eliminator i
and ii full-range cabinets
• Integral low-pass crossover filter,
combined with unique acoustic design,
allows parallel operation with full-range
systems for tight, punchy bass

• Full-range loudspeaker
• Two-way, high-output, 350 watt
stage system
• Features a 15-inch, lowfrequency driver and constantdirectivity high-frequency horn
for clear, up-front sound that cuts
through difficult acoustic
environments
• Black carpeted enclosure
presents minimal front cross
section
• Easy to transport
• Rugged, tour-grade construction,
heavy metal grille, and corner
protection

Eliminator ii

Eliminator kW
• High-output subwoofer
• Dual 18-inch high-excursion drivers
• Designed for mobile DJs and bands
who demand high-output/SPL and
extended base response
• Features oversized vent for greater
output with less cone excursion
• Sealed pocket wheels and
rear-mounted handles make
transportation easy

• Dual full-range loudspeaker
• Two-way, high-output, 600 watt
stage system
• Dual 15-inch drivers provide very
smooth output at lower frequencies
with low distortion
• Constant-directivity
high-frequency horn
• Black carpeted enclosure presents
minimal front cross section
• Easy to transport
• Rugged, tour-grade construction,
heavy metal grille, and corner
protection

Eliminator i
Frequency Range (-10 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1 W/1 m
Max. SPL /1 m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
LF woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections

45 Hz - 20 kHz
40-50 Hz (18 dB/Oct.)
99 dB
99 dB
350 W
1,400 W
60° x 40° (CD horn)
15” (DL15BFH)
1” (DH2010A)
1,600 Hz
8Ω
5.3 Ω
Parallel 1/4” phone jacks

Dimensions (H x W x D)

30.25” x 16.9” x 24”
768 x 429 x 609 mm
76 lbs.. (34.4 kg)

Net Weight

Eliminator i Sub
38 - 100 Hz
40-50 Hz (18 dB/Oct.)
100 dB
134 dB
400 W
800 - 1,000 W
Essentially omni
18" (DL18BFH)
1” (DH2010A)
—
8Ω
5.1 Ω
1/4” phone input
1/4” phone output to Elim. i
33.8” x 17.25” x 24.13”
859 x 438 x 610 mm
95 lbs.. (43.1 kg)

Eliminator ii

Eliminator kW

45 - 20 kHz
40 Hz (18 dB/Oct.)
100 dB
100 dB
600 W
2,400 W
60° x 40° (CD Horn)
2 x 15” (DL15BFH)
—
700/1.600 Hz
4Ω
3.3 Ω
Parallel Neutrik® NL4

35 - 160 Hz
—
101 dB
137 dB
1,000 W
4,000 W
Essentially omni
2 x 18” (DL18MT)
—
160 Hz
4Ω
—
Parallel Neutrik® NL4

45.8” x 16.9” x 24.0”
1,162 x 429 x 609 mm
48.1 kg

45.7” x 22.5” x 23.7”
1160 x 572 x 602 mm
145 lbs.. (65.8 kg)

11

QRx Series
QRx Series is designed from the bottom up as an ultralinear and highly
flexible audio system controlled by P-Series controller amps which are
based on the world-famous Precision Series™. QRx Series incorporates
premium EV components, including the DH7 which uses the same 3”
diaphragm as the famous ND-6 driver used in X-Array™. There are new
special features which are well-founded. These include the ergonomical
formed safe-grip handle which make handling much more comfortable and
are much safer than standard handles. Precision™ Series controller amps
are the first choice to power QRx Series. Other high quality amplifiers can
be used to power QRx Series using an external controller such as the
Dx38. QRx Series is the first choice for professional mobile applications or
high-quality Pro Sound permanent installations.

QRx Series are black-painted 18-ply plywood with a black powder-coated
metal grille backed with foam. All subs house a hidden pole-mount in the
top handle. A threaded steel pole is available. All QRx tops and the
QRx218S subwoofer are flyable using L-Track. The L-Track is on the top
and the bottom of QRx 112/75 and QRx115/75. Two L-Tracks fit on the top
of the QRx212/75 and also on the side of the QRx218S. The new
asymmetric and fully rotatable CD horn allows the QRx to be flown
horizontally, upside down or vertically. The operation mode (passive/biamp)
of the tops is easily selected on the external input panel. The QRx112/75
and the QRx115/75 have a polemount and can also be used as
floor monitors.

QRx212/75

QRx112/75
•
•
•
•
•
•

2-Way High-Output Full-range
High Sensitivity
Ultra-linear frequency response
Solid bass below to 50 Hz (-10 dB)
Vented LF enclosure
Asymmetric CD-horn aimed
downward by 10°
• 3” voice coil (titanium diaphragm)
• Protection circuit for HF-driver
• Easy external operation mode
selection
• 5-side multi-angled housing with
monitor slant
• Comes with L-Track hardware and
single-stud Ancra fitting

•
•
•
•

2-Way Highest-Output Full-range
High Sensitivity
Ultra-linear frequency response
Extended bass response below to
43 Hz (-10 dB)
• Vented LF enclosure
• Asymmetric CD-horn aimed
downward by 10°
• 3” voice coil (titanium diaphragm)
• Protection circuit for HF-driver
• Easy external operation mode
selection
• Trapezoidal (10° per side)
• Comes with L-Track hardware and
single-stud Ancra fitting

Easy operation
mode selection

QRx115/75
• 2-Way High-Output Full-range
• High Sensitivity
• Ultra-linear frequency response
• Solid bass below to 45 Hz (-10 dB)
• Vented LF enclosure
• Asymmetric CD-horn aimed downward by 10°
• 3” voice coil (titanium diaphragm)
• Protection circuit for HF-driver
• Easy external operation mode selection
• 5-side multi-angled housing with monitor slant
• Same front width as QRx118S for unique front appearance
• Comes with L-Track hardware and single-stud Ancra fitting
QRx as monitor

12

QRx153

QRx118S
•
•
•
•
•
•

Subwoofer
Direct radiating vented design
High Sensitivity
Solid bass below to 36 Hz (-10 dB)
Rectangular
Equipped with features shown below

QRx218S
•
•
•
•

Subwoofer
Direct radiating vented design
High Sensitivity
Solid bass below to 35 Hz
(-10 dB)
• Rectangular
• Also perfect in combination
with large HP and MH horns
• Equipped with features shown
below
• Optional rigging hardware
available

• Protection circuit
for HF driver
• Trapezoidal cabinet
(15° per side) for tight-pack
situations
• Comes with L-track
hardware and single-stud
Ancra fittings

• Three-way, high-output,
full-range loudspeaker
• Biamp only
• Solid bass to 42 Hz (-10 dB)
• Vented LF enclosure
• Asymmetric CD horn aimed
downward by 10°
• 3” HF voice coil (titanium
diaphragm)

P1202 controller amp configured with QRx modules

QRx subwoofer features

Rubber feet

Safe grip handle

The dedicated amps for QRx series are the Precision Series™ controller amplifiers. They guarantee maximum performance, ultralinear
frequency response, and optimized operation safety on the strength of EV´s dynamic limiter and VCP (voice coil protection).

QRx112/75

QRx115/75

QRx153

QRx212/75

QRx118 S

QRx218S

Frequency Range (-10 dB)

52 Hz - 18 kHz

45 Hz - 15 kHz

42 Hz - 20 kHz

50 Hz - 15 kHz

38 - 250 Hz

Frequency Range (-3 dB) with controller amp

46 Hz - 18 kHz

48 Hz - 18 kHz

50 Hz - 161 Hz

43 Hz - 18 kHz

36 - 130 Hz

35 - 135 Hz

Recommended High-pass frequency

45 Hz (12 dB/Oct.)

45 Hz (12 dB/Oct.)

—

45 Hz (12 dB/Oct.)

36 Hz (12 dB/Oct.)

35 Hz (12 dB/Oct.)

Recommended controller module (P-Series amp)

M-112

M-115

M-153

M-212

M-118S

M-218S

Axial Sensitivity SPL 1W/1m
(Biamp operation)

98 dB
(100/112 dB)

98 dB
(101/112 dB)

98/105 dB
—

102 dB
(102/112 dB)

95 dB
—

102 dB
—

Max. SPL / 1m (calc.); full space

131 dB

130 dB

130 dB

136 dB

133 dB

139 dB

Continuous Power Handling

300 W (300 W/75 W)

400 W (400 W/75 W)

400 W/150 W/150 W

600 W (600 W/75 W)

600 W

1,200 W

35 - 250 Hz

Peak Power Handling (Biamp)

1,200 W (1,200/300 W)

1,600 W (1,600/300 W)

1,600 W/600 W/600 W

2,400 W (2,400/300 W)

2,400 W

4,800 W

Coverage (nominal -6 dB) H° x V°

75° x 50°
(asym. CD horn)

75° x 50°
(asym. CD horn)

75° x 50°
(asym. CD horn)

75° x 50°
(asym. CD horn)

essentially
omni

essentially
omni

LF woofer (transducer)

12” (DL12BFH)

15” (DL15ST)

15” (DL15ST)

2 x 12” (DL12BFH)

18” (EVX-180B)

2 x 18” (DL18MT)

HF throat diameter (transducer)

3” (DH7)

3” (DH7)

8” MF8 MF/ 3” DH7 HF

3” (DH7)

---

---

Crossover Frequencies (slope in Biamp mode)

1,500 Hz (24 dB/Oct.)

1,500 Hz (24 dB/Oct.)

1,200 Hz

1,500 Hz (24 dB/Oct.)

100 Hz (24 dB/Oct.)

100 Hz (24 dB/Oct.)

Nominal Impedance (Biamp mode)

8 Ω (8 Ω/8 Ω)

8 Ω (8 Ω/8 Ω)

8 Ω/12 Ω/12 Ω

4 Ω (4 Ω/8 Ω)

8Ω

4/8 Ω

Input Connections

2 Neutrik® NL4

2 Neutrik® NL4

2 Neutrik® NL4

2 Neutrik® NL4

2 Neutrik® NL4

2 Neutrik® NL4

Dimensions (H x W at front x D)

26.6” x 15.36” x 14.77”
675 x 390 x 372 mm

29.9” 17.72” x 16.02”
759 x 450 x 407 mm

41.5” x 18.4” x 19.12”
1,240 x 467 x 485 mm

38.98” x 15.47” x 14.77”
990 x 390 x 375 mm

29.9” x 17.74” x 26.63”
760 x 450 x 677 mm

40” x 22.05” x 23.6”
1,015 x 560 x 599

Net Weight (subs without wheel kit)

58 lbs.. (26.0 kg)

71 lbs.. (32.0 kg)

97 lbs.. (47 kg)

80 lbs.. (36.5 kg)

100 lbs.. (47.5 kg)

150 lbs.. (68 kg)

13

T- Series
T-Series is optimized for the best performance and price for the mobile
audio market. It uses the finest EV components: DL woofers, HP horns and
the DH2T 2” coil compression driver. All HF drivers are protected by the
famous PRO™ circuit. T221M is made of 13-ply, T251+/T252+ are made
of 7-ply. All cabinets are black-carpet covered except T221M which is
black texture-painted. T251+/T252+ are trapezoidal 10° per side. T251+
features a stand mount. T-Series is protected by a black full-face
perforated heavy-duty metal grille.

T251+
• Two-way, 15” medium-throw,
full-range system
• DL15RMD 15” woofer for great
bass and a high degree of
midrange clarity
• Integral stand-mount adapter fits
the optional 100BK stand
• RMD™
• Biampable

T18
T252+

• 18” LF system
• DL18MT 18” woofer adds more bass impact to
other T-Series™ systems
• Unique SubScoop™ enclosure combines the
low-frequency extension of a vented box with the
punch and throw of horn loading
• Includes mounting socket and 30” steel pole for
full-range satellite systems

• Two-way, dual-15”, medium-throw,
full-range system
• Dual DL15RMD woofers combine for
powerful bass output and high sensitivity
• Frequency shading (roll-off) of the lower
woofer above 400 Hz keeps midrange
output clean and free of interference
lobes
• Biampable

T221
• Two-way, 12”, medium-throw,
full-range system
• High-performance 12” woofer
• Integral stand-mount adapter
accommodates the optional 100BK stand
• Biampable
• For T221M floor monitor version,
see page 41

T18
Frequency Range (-10 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1 W/1 m
(Biamp operation)
Max. SPL /1 m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index

14

LF woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
(slope in Biamp mode)
Nominal Impedance (Biamp mode)
Minimum Impedance (Biamp mode)
Input Connections
Dimensions (H x W at front x D)
(in floor position)
Net Weight

T221

MTL-1X
• Dual-18” low-frequency system
• Unique SubScoop™ enclosure combines
the punch and directionality of a horn with
the extended response of a vented box
• EVX-180B ultrahigh-performance 600-watt
woofers for maximum output
• Optional HSMT-1 suspension kit

T251

T252+

MTL-1X

33 - 250 Hz
33 Hz (12 dB/Oct.)
99 dB

70 Hz - 16 kHz
80 Hz (12 dB/Oct.)
100 dB (100/112 dB)

45 Hz - 16 kHz
45 Hz (12 dB/Oct.)
98 dB (98/112 dB)

44 Hz - 16 kHz
44 Hz (12 dB/Oct.)
101 dB (101/112 dB)

38 - 160 Hz
38 Hz (12 dB/Oct.)
101 dB

132 dB
400 W
1,600 W
Omnidirectional

133 dB
400 W (400 W/60 W)
1,600 W
60° x 40° (CD Horn)
9.5 dB (+2.0/-1.5 dB)
800 Hz - 16 kHz
12” (---)
1” (DH2T)
2,600 Hz
(12 dB/Oct. LP, 18 dB/Oct. HP)
8 Ω (8 Ω/8 Ω)
7 Ω (7 Ω/6.3 Ω)
2 four-pin Speakon®
28.1” x 16.4” x 18.9”
714 x 417 x 480 mm
55 lbs.. (22.3 kg)

130 dB
400 W (400 W/60 W)
1,600 W
60° x 40° (CD Horn)
12.6 dB (+9.4/-9.3 dB)
500 Hz - 16 kHz
15” (DL15ST)
1” (DH2T)
1,200 Hz
(24 dB/Oct.)
8 Ω (8 Ω/8 Ω)
6 Ω(6 Ω/6.3 Ω)
2 four-pin Speakon®
32.2” x 19.2” x 23.6”
818 x 488 x 599 mm
78.1 lbs.. (35.5 kg)

136 dB
800 W (800 W/60 W)
3,200 W
60° x 40° (CD Horn)
12.6 dB (+9.4/-9.3 dB)
500 Hz - 16 kHz
2 x 15” (DL15ST)
1” (DH2T)
1,200 Hz
(24 dB/Oct.)
4 Ω (4 Ω/8 Ω)
3.2 Ω (3.2 Ω/6 Ω)
2 four-pin Speakon®
49.0” x 19.2” x 23.6”
1,245 x 488 x 599 mm
114 lbs.. (52.0 kg)

137 dB
1,200 W
4,800 W
Omnidirectional

18” (DL18MT)
—
250 Hz or below
—
8Ω
6.6 Ω
1/4”
32.8” x 24.8” x 24.5”
833 x 630 x 609 mm
109 lbs.. (49.4 kg)

2 x 18” (EVX-180B)
—
160 Hz or below
—
4Ω
3Ω
2 four-pin Speakon®
45.8” x 22.5” x 29.9”
1,160 x 572 x 758 mm
165 lbs.. (75 kg)

FRi/FRi+ Series
FRi+122/64/66/94

FRi-122/64/85

FRi-122/64/85

FRi+122/64/66/94

• Two-way, full-range
• Vented LF enclosure
• 2” voice coil (titanium
diaphragm)
• Trapezoidal (15° per side)
• Comes with 4 eyebolts
• 12 x 3/8”-16 suspension
points
• 85 pattern horn
not rotatable

• Two-way, full-range
loudspeaker
• Switchable between
full range and biamp
• Vented LF enclosure
• 3” voice coil (titanium
diaphragm)
• Trapezoidal cabinet
(15° per side)
FRi+ 152/64
• Comes with four eyebolts
• Twelve 3/8”-16
suspension points

FRi+ 152/64/66/94

FRi-152/64/85

FRi-2082

• Two-way, full-range
• Vented LF enclosure
• 1” voice coil (titanium
diaphragm)
• Low profile slant
design
• 45° angle allows
underbalcony,
on-wall and stage
monitoring
applications

• Comes with mounting
bracket
• 2 x 3/8”-16
suspension points
• For FRi-28LPM floor
monitor version,
see page 40

FRi-152/64/85

FRi+152/64/66/94

• Two-way, full-range
• Solid bass down to 42 Hz (-10 dB)
allows pure full-range performance
• Vented LF enclosure
• 2” voice coil (titanium diaphragm)
• Trapezoidal (15° per side)
• Comes with 4 eyebolts
• 12 x 3/8”-16 suspension points
• 85 pattern horn not rotatable

• Two-way, full-range loudspeaker
• Solid bass to 42 Hz (-10 dB)
allows pure full-range performance
• Switchable between full range and
biamp
• Vented LF enclosure
• 3” voice coil (titanium diaphragm)
• Trapezoidal cabinet (15° per side)
• Comes with four eyebolts
• Twelve 3/8”-16 suspension points

FRi+181S
FRi+181S
•
•
•
•
•
•

14” (356 mm)

8.75”
(222 mm)

FRi-2082
Frequency Range (-10 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
(Biamp mode)
Max. SPL /1 m (calc.); full space
Continuous Power Handling (Biamp op.)
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
LF woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance (Biamp)
Input Connections
Dimensions (H x W at front x D)
Net Weight

55 Hz - 20 kHz
50 Hz (12 dB/Oct.)
93 dB
122 dB
200 W
800 W
100° x 100° (CD Horn)
2 x 8” (---)
1” (compr. driver)
2,800 Hz
8Ω
Barrier strips
8.75” x 24.5” x 14”
222 x 620 x 356 mm
40 lbs.. (18.2 kg)

Input panel for
FRi+122/64 and
FRi+152/64

FRi-122/64/85 / FRi+122/64/66/94
50 Hz - 15 kHz
50 Hz (12 dB/Oct.)
97 dB
(97/112 dB)
128 dB
300 W (300 W/60 W)
1,200 W
60° x 40°/80° x 50° (FRi)
60° x 40°/60° x 60°/90° x 40°(FRi+)
12” (DL12BFH)
1” (DH2T)/3” (DH7) (FRi+)
1,600 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
28” x 15.9” x 17.6”
711 x 401 x 445 mm
60 lbs.. (27.3 kg)

Subwoofer
Vented slot load design
Built-in low-pass filter (switchable for biamp operation)
Trapezoidal (7.5° per side)
Comes with 4 eyebolts
16 x 3/8”-16 suspension points

FRi-152/64/85 / FRi+152/64/66/94
42 Hz - 15 kHz
40 Hz (12 dB/Oct.)
98 dB
(98/112 dB)
129.5 dB
350 W (350 W/60 W)
1,400 W
60° x 40°/80° x 50° (FRi)
60° x 40°/60° x 60°/90° x 40°(FRi+)
15” (DL15BFH)
1” (DH2T)/3” (DH7) (FRi+)
1,600 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
28” x 19” x 23.2”
711 x 483 x 589 mm
70 lbs.. (31.8 kg)

FRi+181S
36 - 160 Hz
36 Hz (12 dB/Oct.)
97 dB
129 dB
400 W
1,600 W
300° x 270°
18” (DL18BFH)
--130 Hz
8Ω
Dual barrier strips
28” x 23.5” x 30”
711 x 597 x 762 mm
100 lbs.. (45.5 kg)

15

FRX+ Systems
FRX+ Series loudspeakers are designed for applications in critical reverberant
spaces where excellent directivity control is desired. Typical small-sized
speaker systems are not able to maintain their rated coverage angles below
2000 Hz. Their wide beamwidth in the low mid-band creates serious
degradation of speech intelligibility and clarity of music.
FRX+PI cabinets are weatherized for use in outdoor areas or areas of high
humidity/high moisture. This version features a layered stainless steel grille,
water-resistant foam, treated woofer, aluminum and stainless exterior
hardware, and gasket-sealed terminal cover with gland nut.

EV´s FRX+ systems solve these problems, providing excellent wideband
directivity control.
The all horn-loaded, coaxial design supplies sufficient radiation surface to
enable narrow coverage angles down to 500 Hz with moderate cabinet sizes.
FRX+ 640/660/940 cabinets are texture-painted 7-ply plywood with powdercoated steel grille backed with foam. FRX-122 has a cloth-covered grille.
A contractor-installable transformer option is available.

FRX+181

FRX+640 (60° x 40°)

• Subwoofer
• Direct-radiating vented design
• Trapezoidal cabinet
(15° per side)
• L-Track hardware (top/bottom)
• Two single-stud Ancra®
fittings included
• 3/8”-16 suspension
point (rear)
• Same dimensions as
FRX+640/660/940 for
uniform array appearance
• Solid response to 35 Hz
(-10 dB)
• Max. crossover point of
800 Hz allows combinations
with HP horns.
• Coverage angles are greater
than 100° x 100° at 800 Hz

FRX+660 (60° x 60°)
FRX+940 (90° x 40°)
• Two-way, high-output, full-range
loudspeaker
• High sensitivity: 105 dB (passive);
109 HF/105 LF (biamp)
• Coaxial horn-loaded
• Vented LF horn enclosure
• 2” voice coil (titanium diaphragm)
• Trapezoidal cabinet (15° per side)
• L-Track hardware (top/bottom)
• Two single-stud Ancra® fittings
included
• 3/8”-16 suspension point (rear)
• Same dimensions as FRX-181
for uniform array appearance
• PRO™ Driver protection circuit
• Time Path™ phasing plug
• Pattern control to 500 Hz
• Dx38 presets for excellent
directivity control
• Available in weatherized version
(FRX+640 PI, FRX+660 PI,
FRX+940 PI)

FRX+640
Frequency range (-3 dB)
Recommended high-pass frequency
Sensitivity (SPL 1 W/1 m) (biamped)
Max. SPL/1m (calc.)
Continuous power handling (biamped)
Peak power handling
Coverage (H° x V°) (asym. CD Horn)
Directivity Index
LF driver
HF driver
Crossover frequencies (passive mode)
Nominal impedance (biamped)
Input connections
Dimensions (H x W at front x D)
Net weight

16

60 Hz - 15 kHz
—
105 dB (109 Hz/105 LF)
134 dB
400 W (400 W/60 W)
1,600 W
60° x 40°
14.1 dB (+1.9/-3.5 dB)
500 Hz–16 kHz
15” (DL15XT)
1” (DH2T)
1,350 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
31” x 28.3” 26”
787 x 719 x 660 mm
152 lbs.. (68.95 kg)

FRX+660
60 Hz - 15 kHz
—
105 dB (110 Hz/105 LF)
133 dB
400 W (400 W/60 W)
1,600 W
60° x 60°
13.7 dB (+2.5/3.3 dB)
500 Hz–16 kHz
15” (DL15XT)
1” (DH2T)
1,350 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
31” x 28.3” 26”
787 x 719 x 660 mm
152 lbs.. (68.95 kg)

FRX+940
60 Hz - 15 kHz
—
105 dB (110 Hz/105 LF)
133 dB
400 W (400 W/60 W)
1,600 W
90° x 40°
13.4 dB (+2.9/-3.2 dB)
500 Hz–16 kHz
15” (DL15XT)
1” (DH2T)
1,350 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
31” x 28.3” 26”
787 x 719 x 660 mm
152 lbs.. (68.95 kg)

FRX+181
37 Hz - 2.2 kHz
32 Hz (12 dB/Oct.)
100 dB
132 dB
400 W
1,600 W
omni
3.8 dB
50 Hz–200 Hz
18” (DL18MT)
—
80 Hz (Linkwitz-Reilly)
8Ω
Dual barrier strips
31” x 28.3” 26”
787 x 719 x 660 mm
100 lbs.. (45.5 kg)

EVI Vari Intense®
EVI-28
• Two-way, full-range loudspeaker
• Vented LF enclosure
• 1.3” voice coil (titanium
diaphragm)
• PRO™ Driver protection circuit
• Time Path™ phasing plug
• Multi-angled housing
• Stacked, frequency-shaded
woofers maintain vertical coverage
angle down to 500 Hz with 120°
(typical 180°); ideal for
reverberant rooms
• Five 3/8”-16 hanging points

Electro-Voice®’s unique EVI Vari Intense® (VI) speakers are engineered to
replace additional long-throw horns or delayed sources in many rooms. The
EVI Vari Intense® series provides an economical solution for permanent
installations that require coverage over a rectangular area. In a typical room,
the distance from the loudspeaker to the last row is two or more times that
to the front row, resulting in a substantial loss in level and intelligibility at the
rear. The VI horn delivers 6 to 8 dB more SPL to the back of the room,
overcoming the level loss without resorting to the expense and complexity of
additional speaker systems or components. The problem is old; EV®’s
solution is new. EVI is perfect for conference centers, houses of worship,
halls, and other venues where evenly distributed SPL is essential. EVI
systems are made of 18 mm 13-ply birch plywood (EVI 28: 12 mm
9-ply), texture-painted with a powder-coated metal grille.
A simple 3-2-1 rule-of-thumb applies for determining EVI coverage patterns:
The pattern’s width will equal twice the height of the room, and the pattern’s
length will equal three times the height. See the illustration below.

EVI-12
•
•
•
•
•
•
•
•

Two-way, full-range loudspeaker
High sensitivity
Vented LF enclosure
1” voice coil (titanium diaphragm)
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
Five 3/8”-16 hanging points

H

W
idt
h

H
=

2H

L eng

•
•
•
•
•
•
•
•

Two-way, full-range loudspeaker
High sensitivity
Vented LF enclosure
1” voice coil (titanium diaphragm)
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
Five 3/8”-16 hanging points

EVI-12

Net weight

3H

EVI Vari Intense® coverage pattern (3-2-1 Rule):

EVI-15

Frequency range (-10 dB)
Recommended high-pass frequency
Sensitivity (SPL 1 W/1 m)
Max. SPL/1 m (calc.)
Continuous power handling
Peak power handling
Coverage (H° x V°)
LF driver
HF driver
Crossover frequency
Nominal impedance (minimum)
Input connections
Dimensions (H x W at front x D)

th =

45 Hz – 20 kHz
—
100 dB
130 dB
250 W
1,000 W
60° x 65°
12” (SG12)
1” (DH2010A)
2,000 Hz
8Ω
screw terminal
21.8” x 14” x 27.5”
554 x 356 x 699 mm
48 lbs.. (21.8 kg)

If speaker height = H, then coverage length = 3H,
coverage width = 2H, and first row coverage = 1H

VI Horn

EVI-15
45 Hz – 20 kHz
—
100 dB
130 dB
250 W
1,000 W
60° x 65°
15” (SG12)
1” (DH2010A)
2,000 Hz
8Ω
screw terminal
23” x 16.9” x 30.2”
584 x 429 x 766 mm
53 lbs.. (24.0 kg)

EVI-28
62 Hz – 20 kHz
—
93 dB
123 dB
250 W
1,000 W
65° x 65°
2 x 8”
1 x 1” (DH2010A)
2,000 Hz
8Ω
screw terminal
13.9” x 19.5” x 20.6”
353 x 496 x 523 mm
36 lbs.. (16.3 kg)

17

Xi-Series™
Inspired by the most demanded features of EV’s acclaimed X-Array™
touring systems, the Xi-Series™ incorporates a potent combination of veryhigh-output short-, medium- and long-throw “cells,” in two- and three-way
configurations, all with EV’s unique RMD™ (Ring-Mode Decoupling). Dual Ltrack suspension hardware optimizes Xi for permanent installation and
portable applications of small-to-medium size.

unprecedented performance in a one-box system. Tripole configuration of
the dual-woofer three-way systems provides the best directivity
improvement, achieved by the vertically spaced low-frequency sources
which flank the mid-bass horn operating alone at low frequencies and by
appropriately overlapping the LF and MB sources in the mid bass, e.g., 125
to 540 Hz. The required signal processing is available in EV Dx38, EV RL
Series amplifiers, and Klark Teknik DN9848 digital processors, which
contain dual all-pass filters required for proper configuration.

The Xi-Series™ three-way systems may be “tripole” or “dipole” configured to
extend the vertical coverage-angle control to as low as 125 Hz—well below
that permitted by the mid-bass horn alone (about 800 Hz) and

The single-woofer three-way systems may be dipole configured. This is
achieved by overlapping the woofer and mid-bass sources in the
appropriate frequency ranges.

Premium touring-quality sound. Install it anywhere.

Xi-1082
Xi-1152/64F

(60° x 40°)

Xi-1152/94F

(90° x 40°)
•
•
•
•
•
•

•
•
•
•

2-Way Full-range
Vented LF enclosure
1.3” voice coil (titanium diaphragm)
Typical under-balcony slant also perfect for
front-stage and near-field use
• 2 x 3/8”-16 mounting bracket inserts
• Optional mounting bracket

2-Way Full-range
Solid bass below to 50 Hz (-3 dB)
Vented LF enclosure
3” voice coil (titanium diaphragm)
Integrated stand mount
Trapezoidal (15° per side)

Xi-1122/85F
• 2-Way Full-range
• Vented LF enclosure
• 3” voice coil
(titanium diaphragm)
• Integrated stand mount
• Trapezoidal (15° per side)

Xi-1183/64F
• 3-Way High-Output Full-range
• Vented slot load designed
LF enclosure
• Coaxial horn-loaded MB/HF section
fully rotatable
• 3” voice coil (titanium diaphragm)
• Dipole mode brings vertical
directivity
control below to 200 Hz
(Xi-1153/64)
• Excellent directivity control
• Trapezoidal (9° per side)

Xi-1123/106F
•
•
•
•
•
•

3-Way High-Output Full-range
Vented slot load designed LF enclosure
Horn-loaded MB/HF section fully rotatable
3” voice coil (titanium diaphragm)
Bypassable MB/HF passive X-over
Dipole mode brings vertical directivity
control below to 250 Hz
• Excellent directivity 500 Hz – 16 kHz
• Trapezoidal (9° per side)

18

For Xi-specs, see page 20

Xi-1191

Xi-2181

(non-flying)

Xi-1191F

Xi-2181F

(flying)

• Subwoofer
• Vented design
• Step-down tuning allows
fundamental
low-end below to 28 Hz (-3 dB)
• Superior linear excursion
capability
• Accurate transient detail
• Trapezoidal (9° per side)
• Xi-1191F includes flying
hardware
• Flying version built to order

• Subwoofer
• Manifolded, vented design
• Superior linear excursion
capability
• Accurate transient detail
• Trapezoidal (9° per side)
• Flying version built to order

Xi-2123/106F
• 3-Way High-Output Full-range
• Vented slot load designed LF
enclosure
• Horn-loaded MB/HF section
fully rotatable
• 3” voice coil (titanium
diaphragm)
• Bypass-able MB/HF
passive X-over
• Tripole™ mode brings
vertical directivity
control below to 160 Hz
• Excellent directivity
160 Hz – 16 kHz
• Trapezoidal (9° per side)

SPL radiation at 250 Hz without tripole configuration

Xi-2153/64F
• 3-Way High-Output Full-range
• Vented slot load designed LF
enclosure
• Coaxial horn-loaded MB/HF
section fully rotatable
• 3” voice coil (titanium diaphragm)
• Tripole™ mode brings vertical
directivity control below to 150 Hz
• Excellent directivity control
• Trapezoidal (9° per side)

SPL radiation at 250 Hz with tripole configuration

For Xi-specs, see page 20

19

Xi-Series™ Specifications
Xi-1082
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL /1m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight

Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL /1m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight

50 Hz - 20 kHz
60 - 80 Hz (12 dB/Oct.)
90 dB
118 dB
175 W
700 W
90° x 40° (CD Horn)
11.2 dB (+1.8/-2.7 dB)
2 - 20 kHz
8” (---)
—
1” (DH3)
3,500 Hz (passive)
8Ω
5.8 Ω
barrier strip
19.23” x 9.25” x 11.23”
235 x 488 x 285 mm
28 lbs. (13.3 kg)

60 Hz - 16 kHz
Dx 38 preset
99/110 dB
130/135 dB
300/75 W
1,200/300 W
80° x 55° (CD Horn)
10.9 dB (+1.2/-2.9 dB)
1.2 - 16 kHz
12" (DL12ST)
—
1.4" (DH7-16)
Dx 38 preset
8 Ω/16 Ω
8.5 Ω/13.4 Ω
Neutrik® NL4
23” x 14.7” x 14”
584 x 375 x 356 mm
69 lbs. (31.3 kg)

Xi-1152/64/94F

Xi-1183/64F

50 Hz - 16 kHz
Dx 38 preset
98/113 dB; 98/112 dB
132 dB
600/75 W
2,400/300 W
60° x 40° (CD Horn); 90° x 40°
13.4 dB (+1.3/-2.3 dB)
1,200 - 16,000 Hz
15” (EVX-155)
—
2” (DH7-16)
Dx 38 preset
8 Ω/16 Ω
6.3 Ω/14.0 Ω
2 Neutrik® NL4
29.88” x 17.73” x 16.28”
759 x 450 x 413 mm
90 lbs. (40.8 kg)

XI-2123/106F
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL / 1m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight

20

Xi-1122/85F

80 Hz - 16 kHz
Dx 38 preset
101/109/112 dB
135/140/137 dB
600/300/75 W
2,400/1,200/300 W
100° x 60° (CD Horn)
10.1 dB (+1.6/-3.5 dB)
800 Hz - 16 kHz
2 x 12" (DL12ST)
10" (DL10X)
1.4 (DH7-16)
Dx 38 preset
6 Ω/16 Ω/16 Ω
4.7 Ω/10.3 Ω/12.6 Ω
2 Neutrik® NL8
31.54” x 17.92” x 18.24”
1,007 x 456 x 463 mm
125 lbs. (68.0 kg)

48 Hz - 16 kHz
Dx 38 preset
94/107/112 dB
128/138/137 dB
600/300/75 W
2,400/1,200/300 W
60° x 40° (CD Horn)
13.3 dB (+1.4/-1.1dB)
800 - 16,000 Hz
18” (EVX-180B)
12” (DL12ST)
1.4” (DH7-16)
Dx 38 preset
8 Ω/16 Ω/16Ω
7.7 Ω/8.7 Ω/13.1 Ω
2 Neutrik® NL8
36” x 23.07” x 29.88”
914 x 586 x 759 mm
205 lbs. (93.0 kg)

Xi-2153/64F
45 Hz - 16 kHz
Dx 38 preset
96/107/112 dB
133/138/137 dB
1,200/300/75 W
4,800/1,200/300 W
60° x 40° (CD Horn)
13.4 dB (+1.4/-1.2 dB)
63 - 100 Hz
2 x 15” (EVX-155)
12” (DL12ST)
1.4” (ND6-16)
Dx 38 preset
4 Ω/16 Ω/16 Ω
3.8 Ω/8.9 Ω/13.1 Ω
2 Neutrik® NL8
48.54” x 23.07” x 29.88”
1,233 x 586 x 759 mm
250 lbs. (113.4 kg)

Xi-1123/106F
80 Hz - 16 kHz
Dx 38 preset
98/109/112 dB
129/140/137 dB
300/300/75 W
1,200/1,200/300 W
100° x 60° (CD Horn)
10.3 dB (+1.4/-1.2 dB)
500 Hz - 16 kHz
12” (DL12ST)
10” (DL10X)
1.4 (DH7-16)
Dx 38 preset
12 Ω/16 Ω/16Ω
8.7 Ω/9.6 Ω/12.4 Ω
Neutrik® NL8
31.54” x 17.92” x 18.24”
801 x 456 x 473 mm
125 lbs. (56.8 kg)

Xi-1191/Xi-1191F
37 - 160 Hz
Dx 38 preset
94 dB
128 dB
600 W
2,400 W
essentially omni
2.7 dB (+1.0/-0.6dB)
63 - 100 Hz
18” (EVX-180B)
—
—
Dx 38 preset
8Ω
6.7 Ω
2 Neutrik® NL8
36” x 23.07” x 29.88”
914 x 586 x 759 mm
150 lbs. (68.0 kg)

Xi-2181/Xi-2181F
37 - 200 Hz
Dx 38 preset
99 dB
136 dB
1,200 W
4,800 W
essentially omni
3.4 dB (+1.4/-0.9dB)
63 - 200 Hz
2 x 18” (EVX-180B)
—
—
Dx 38 preset
2x8Ω
2 x 6.0 Ω
2 Neutrik® NL8
36” x 23.07” x 29.88”
914 x 586 x 759 mm
184 lbs. (83.5 kg)

The XLCi System
While big brother X-Line serves all the acoustical needs of the largest venues and
arenas, EV’s compact line array XLCi was designed to match the demands for easy
setup and transportation combined with outstanding sonic results in a variety of
venue sizes.

System features:
• Wide constant horizontal coverage pattern of 120°
• Bi-amped or tri-amped
• Concept ensures precise aiming
• Complimentary software aiming package

XLCi 127 / XLCi 127+
Main Cabinet
This cabinet is the main
component of an XLCi line
array. Starting with a
minimum of four cabinets, a
typical array size uses six to
eight boxes. The three-way
axis-asymmetric
design
includes a single EV DL-12
low-frequency/mid-bass
woofer optimized for this
cabinet. Two 6.5” hornloaded drivers in a vertical
array comprise the midfrequency bandpass.

Install hardware shown

The XLCi 127+ utilizes two ND6 (3” voice-coil) neodymium compression drivers
loaded on two Hydra™ plane wave generators. With a horizontal coverage of
120°, the XLCi system accurately covers wide areas while maintaining excellent
imaging and lobe-free coverage. The XLCi 127+ is equipped with an internal
crossover for mid-bass and high-frequency to allow for either biamp or triamp
operation.
The 127 is identical to the XLCi 127+, except for the 2 DH2T (2” voice-coil)
compression drivers loaded on two Hydra elements. The XLCi 127 utilizes also an
internal x-over for biamp or triamp use, although it is mainly recommended for
biamp operation. The XLCi 127 should not be combined with the XLCi 127+ in the
same hang.

XLC i 118

Touring hardware shown

Subwoofer
The XLCi 118 is a direct radiating design using the legendary
EVX180B 18-inch woofer. The XLCi 118 utilizes the same rigging
and has 1.5 times the height of the XLCi 127 main cabinet. This
allows a hang of XLCi 118s to be flown adjacent to the main hang
at a 3:2 ratio, maintaining aesthetic requirements for equal hang
heights. Flying subwoofers benefits in a more even front-to-back
SPL distribution.

Technical Specifications for XLC Cabinets

XLCi 127
Horizontal Coverage
LF Power Handling
MB Power Handling
HF Power Handling
Sensitivity (LF/MB/HF)
Max. SPL (calc.)
LF Transducer
MB Transducer
HF Transducer
Connectors
Enclosure Material
Grille
Environmental Specs
Dimensions (H x W x D)
Net Weight
Shipping Weight
*Half space environment

120°
300 W cont./1,200 W peak
200 W cont./800 W peak
120 W cont./480 W peak
95 dB/101 dB/110 dB
126/130/137 dB
1 x 12” DL 12 ST
2 x 6.5” DM 65
2 x DH2T -16
2 Neutrik® NL8
Futura®-coated plywood
Powder-coated steel
IEC 529 IP24
MIL STD 810
362 x 952.5 x 572 mm
14.25” x 37.5 “ x 22.5”
116 lbs. (52.7 kg)
121 lbs. (55.0 kg)

XLCi 127+
120°
300 W cont./1,200 W peak
200 W cont./800 W peak
150 W cont./600 W peak
95 dB/101 dB/110 dB
126/130/138 dB
1 x 12” DL 12 ST
2 x 6.5” DM 65
2 x ND6-16
2 Neutrik® NL8
Futura®-coated plywood
Powder-coated steel
IEC 529 IP24
MIL STD 810
362 x 952.5 x 572 mm
14.25” x 37.5” x 22.5”
111 lbs. (50.4 kg)
116 lbs. (63.6 kg)

XLCi 118
300°
600 W cont./2,400 W peak
—
—
96 dB/102 dB*
130/136 dB*
1 x 18” EVX180B
—
—
2 Neutrik® NL8
Futura®-coated plywood
Powder-coated steel
IEC 529 IP24
MIL STD 810
546 x 952.5 x 572 mm
21.5” x 37.5” x 22.5”
120 lbs. (54.5 kg)
140 lbs. (63.6 kg)

Technical Specifications for Four-Cabinet XLCi 127+ Array
Specification
Frequency Range (-3 dB)
Sensitivity (1 W/1 m)
Max Calculated SPL (1 W/1 m)
Horizontal Coverage
Vertical Coverage
LF Power (recommended)
MB Power (recommended)
HF Power (recommended)

4 x XLCi 127 Array
70 Hz–18 kHz
112.5 dB
135 dB cont./141 dB peak
120°
Splay dependent
EV® P2000
EV® P2000
EV® P2000

Recommended System Drive for XLCi
Cabinet:
LF:
MB:
LF:
System Controller:

XLCi 127, XLCi 127+
XLCi 118
P2000 / P1200 RL
—
P2000 / P1200 RL
—
P2000 / P1200 RL
P3000 / P3000 RL
DN9848, Dx38 or
EV Precision Series Remote Amplifiers (RL)

21

MH-Series Stadium Horns
MH-Series stadium horns are designed for large-scale stadiums and arenas where high-fidelity sound and directivity
control from low mid-bass frequencies and below are absolutely essential. In 1974, EV pioneered the concepts of
constant directivity (horn angles that are constant with frequency) and Manifold® technology (which combines
the outputs of multiple transducers into one source). Large-format MH horns incorporate both in several
horn/driver systems. Medium-format MH horns are excellent for short/medium throw applications or as infills
for large-format MH-horns.

Medium-format MH-Series horns
MH medium-format horns have a high Q and uniform directivity control down to 500 Hz. The midbass section features an Aperiodic Enhancer™ phase plug which extends the high-end output to
blend seamlessly into the coaxial high-frequency section. The HF section contains a smallformat HP horn with EV´s patented Transplanar™ design to provide exceptionally smooth frequency
response. The one-piece main horn bell is a black polyester/fiberglass laminate with composite
reinforcement. Up to three pieces can be paralleled in active or passive mode without a minimum
impedance load at the amplifier.

•
•
•
•
•
•
•
•
•
•
•

MH640C/MH640P

(60° x 40°)

MH660C/MH660P

(60° x 60°)

MH940C/MH940P

(90° x 40°)

Two-way, extraordinary output mid/high CD horn system
High sensitivity: 107 dB/1 W/1 m
Coaxial horn-loaded
P version has passive crossover
Water-resistant Kevlar® epoxy cone
MB horn features Aperiodic Enhancer™ phase plug
2” voice coil (titanium diaphragm)
HF driver protection circuit
Uniform directivity control to 500 Hz
All models have same dimensions for uniform-looking arrays
Integral 4-point hanging hardware in polyester-powder-coated steel

MH640C/P

22

Frequency range (-10 dB)
Recommended high-pass frequency
Sensitivity (SPL 1 W/1 m)
Max. SPL/1m (calc.)
Continuous power handling
Peak power handling
Coverage (H° x V°)
Directivity Index (500 Hz – 20 kHz)
LF driver
HF driver
Crossover frequencies
(slope in biamp mode)
Nominal impedance
Input connections
Dimensions
(H x W at front x D)
Net weight (Large format: without HF driver)

150 Hz – 20 kHz
160 Hz (24 dB/Oct.)
107/111 dB; 107 dB
138 dB
300 W/60 W; 300 W
1,200 W/240 W; 1,200 W
60° x 40° (CD Horn)
13.7 dB (+1.6/-2.8 dB)
10” (DL10X)
2” (DH2T-8)
1,600 Hz
(24 dB/Oct.)
16 Ω/8 Ω; 8 Ω
Dual barrier strips
27” x 27” x 28”
686 x 686 x 711 mm
60 lbs.. (27.2 kg)

MH660C/P
150 Hz – 20 kHz
160 Hz (24 dB/Oct.)
107/111 dB; 107 dB
138 dB
300 W/60 W; 300 W
1,200 W/240 W; 1,200 W
60° x 60° (CD Horn)
13.7 dB (+1.6/-2.8 dB)
10” (DL10X)
2” (DH2T-8)
1,600 Hz
(24 dB/Oct.)
16 Ω/8 Ω; 8 Ω
Dual barrier strips
27” x 27” x 28”
686 x 686 x 711 mm
60 lbs.. (27.2 kg)

MH940C/P
150 Hz – 20 kHz
160 Hz (24 dB/Oct.)
107/111 dB; 107 dB
138 dB
300 W/60 W; 300 W
1,200 W/240 W; 1,200 W
90° x 40° (CD Horn)
12.6 dB (+3.8/-4.0 dB)
10” (DL10X)
2” (DH2T-8)
1,600 Hz
(24 dB/Oct.)
16 Ω/8 Ω; 8 Ω
Dual barrier strips
27” x 27” x 28”
686 x 686 x 711 mm
60 lbs.. (27.2 kg)

Large-format MH-horns
MH large-format horns feature Manifold® technology, have a very high Q and uniform directivity control. Because
of their large mouth size, MH horns maintain their beamwidth to very low frequencies – below to 250 Hz –
reducing bass spillover and increasing intelligibility. The HF-section contains an appropriate medium-format
HP-horn that accepts EV two-inch-exit single or dual drivers of the designer´s choice, extending response to
20 kHz. HF drivers and adapters must be ordered separately (see page 45). The dual driver doubles
HF output, important for very long throws. N/DYM® drivers offer the ultimate output in the upper octaves,
important when contemporary music is to be heard over long distances. The large horn size also
provides frequency response to 100 Hz, typically eliminating the need for supplemental low-frequency
systems. The mid-bass section features Aperiodic Enhancer™ phase plug. It is responsible for the
extended high-frequency response of the mid-band section. It makes use of the fact that only the
apex of the cone (near the voice coil) is in motion at higher frequencies, and automatically adjusts
the acoustic loading to maximize acoustic output.
The main horn bell is a one-piece black polyester and fiberglass with fiberglass rib reinforcement.
An integral grille-protection screen built into the manifold chamber protects the mid-bass for
mechanical damage. To get low-frequency extension one octave lower, the recommended
subwoofer is the QRx-218S.

•
•
•
•
•
•
•
•
•
•
•

MH4020AC
Frequency Range (-10 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1 W/1 m
Max. SPL / 1m (calc.); full space
Continuous Power Handling (Mid-Bass)
Peak Power Handling (Peak) (Mid-Bass)
Coverage (nominal -6 dB) H° x V°
Directivity Index (500 - 20.000 Hz)
LF woofer (transducer)
HF throat diameter (horn type)
Crossover Frequencies (slope)
Nominal Impedance (mid-bass)
Minimum Impedance (mid-bass)
Input Connections
Dimensions (H x W at front x D)
Net Weight (without HF-driver)

100 Hz - 20 kHz
130 Hz (24 dB/Oct.)
109 dB
146 dB
1,200 W
4,800 W
40° x 20° (CD Horn)
18.0 dB (---/---)
4 x 10” (DL10X)
2” (HP420A)
1,600 Hz (24 dB/Oct.)
2x8Ω
2 x 3.1 Ω
heavy-duty copper cable
59” x 39” x 73.9”
1,500 x 991 x 1,880 mm
237 lbs.. (108 kg)

MH4020AC

(40° x 20°)

MH6040AC

(60° x 40°)

MH9040AC

(90° x 40°)

2-way extra ordinary output CD-horn
Coaxial horn-loaded
High sensitivity
High maximum SPL
Full-range down to 100 Hz (-10 dB)
Mid-Bass section features Aperiodic Enhancer™ and
Manifold® Technology
Water resistant (incl. Kevlar® epoxy cone)
HF-horn with 2-inch throat diameter (Driver is of the
designer´s choice)
Excellent uniform directivity control down to low
frequencies
Same front dimensions for uniform appearance when
used in arrays
Integral 18-point hanging hardware in polyesterpowder-coated steel for flexible mounting

MH6040AC
100 Hz - 20 kHz
130 Hz (24 dB/Oct.)
107 dB
141 dB
600 W
2,400 W
60° x 40° (CD Horn)
13.8 dB (+0.9/-1.1 dB)
2 x 10” (DL10X)
2” (HP640)
1,250 Hz (24 dB/Oct.)
8Ω
5.9 Ω
heavy-duty copper cable
59” x 39” x 73.9”
1,500 x 991 x 1,873 mm
165 lbs.. (75 kg)

MH9040AC
100 Hz - 20 kHz
130 Hz (24 dB/Oct.)
105 dB
139 dB
600 W
2,400 W
90° x 40° (CD Horn)
10.2 dB (+0.9/-1.1 dB)
2 x 10” (DL10X)
2” (HP940)
1,250 Hz (24 dB/Oct.)
8Ω
5.9 Ω
heavy-duty copper cable
59” x 39” x 60.4”
1,500 x 991 x 1,534 mm
165 lbs.. (75 kg)

23

EV Innovative Design

Design goes
audio...

•
•
•
•

Dual woofers for extended bass, greater power handling and output.
Coherent Coverage Waveguide horn design on models 4.2 and 6.2.
Dual low-frequency ports provide extended bass output.
Treated woofer cones for added weather resistance and
increased reliability.
• Durable zinc-plated steel grille.
• Cast aluminum Strong-Arm-Mount™ (SAM™) system provides
excellent strength and reliability.
• Over 100 degrees of swing and 90 degrees of rotation for
incredible installation flexibility.

EVID 3.2/T
Frequency response (-10 dB)
Sensitivity (SPL @ 1 W/1 m)
Max. SPL/1 m (calc.)
Continuous power handling
Peak power handling
Transformer taps
(transformer version only)
Coverage (H° x V°)
LF driver
HF driver
Nominal impedance (non transformer version)
Minimum impedance (non transformer version)
Input connections
Dimensions (H x W at front x D)
Net weight (incl. mounting bracket)

24 Shipping weight (pair)

85 Hz – 20 kHz
87 dB
108 dB
150 W
600 W
70V: 5 W
100V: 10 W
140° x 100°
2 x 3.5” (90 mm)
0.75” (20 mm)
8Ω
6Ω
spring terminal
9.2” x 5.1” x 6.5”
234 x 127 x 165 mm
3.3 lbs.. (1.5 kg)
8.6 lbs.. (3.9 kg)

• Simple keyed hex head adjustments make installations
quick and easy.
• Titanium dome tweeters with neodymium magnet structures
provide clean highs and added weather resistance.
• One-piece ABS cabinet provides outstanding strength and
acoustic rigidity.
• Smooth lines and innovative cosmetic design complement any
décor or environment.
• Magnetically shielded transducers allow placement close to
sensitive equipment.

EVID 4.2/T
65 Hz – 20 kHz
89 dB
113 dB
200 W
800 W
70V: 3.75 W
70V/100V: 7.5 W, 15 W, 30 W
120° x 80°
2 x 4” (100 mm)
1” (25 mm)
8Ω
6Ω
spring terminal
12.2” x 6.9” x 8.5”
310 x 175 x 216 mm
8.5 lbs.. (3.9 kg)
19 lbs.. (8.6 kg)

EVID 6.2/T

EVID 12.1/P

62 Hz – 20 kHz
94 dB
118 dB
300 W
1,200 W
70V: 7.5 W
70V/100V:15 W, 30 W, 60 W
100° x 80°
2 x 6” (100 mm)
1” (25 mm)
8Ω
6Ω
spring terminal
16.5” x 9” x 11.75”
419 x 228 x 298 mm
12 lbs.. (5.3 kg)
27 lbs.. (12.3 kg)

40 Hz – 140 Hz
100 dB
122 dB
180/180 W
720/720 W
—
—
—
12” (300 mm)
—
8 Ω (12.1)
6 Ω (12.1)
spring terminal (12.1)
16.25” x 23” x 12”
412 x 584 x 305 mm
40 lbs.. (18.1 kg)
48 lbs.. (20 kg)

EVID SOS 3.2
85 Hz – 20 kHz
87 dB
108 dB
150 W
600 W
70V: 5 W
100V: 10 W
140° x 100°
2 x 3.5” (90 mm)
0.75” (20 mm)
8Ω
6Ω
1/4” connector
9.2” x 5.1” x 6.5”
234 x 127 x 165 mm
3.3 lbs.. (1.5 kg)
8.6 lbs.. (3.9 kg)

EVID 3.2/3.2T

EVID 12.1/12.1P
• Two-way full range
• Vented LF enclosure
• 0.75” voice coil (titanium diaphragm)
with neodymium magnetic structure
• Full-bandwidth overload protection for
HF and LF
• Three-dimensional ellipse
(for compact look)
• Magnetically shielded for video
applications
• Comes with Strong Arm Mount
(SAM™) and a hex key
• Suspension insert for SAM™;
safety point on rear side
• S.O.S. version’s volume control, 1/4”
connector, and stand-mount adapters
enable use as mic-stand monitor.

EVID 4.2/4.2T
• Two-way full range
• Vented LF enclosure
• 1” voice coil (titanium diaphragm) with
neodymium magnetic structure
• HF section features Coherent Coverage
Waveguide™ to minimize interference
• Full bandwidth overload protection for
HF and LF
• Three-dimensional ellipse
(for compact look)
• Magnetically shielded for video
applications
• Comes with Strong Arm Mount (SAM™)
and a hex-key
• Suspension insert for SAM™,
safety point on rear side

EVID 6.2/6.2T
•
•
•
•
•
•
•
•
•
•

Two-way, high-output full range
Vented LF enclosure
High sensitivity
1” voice coil (titanium diaphragm) with
neodymium magnetic structure
HF section features Coherent Coverage
Waveguide™ to minimize interference
Full bandwidth overload protection
for HF and LF
Three-dimensional ellipse
(for compact look)
Magnetically shielded for video
applications
Comes with Strong Arm Mount
(SAM™) and a hex key
Suspension insert for SAM™;
safety point on rear side

• Subwoofer
• Dual-voice-coil, high-excursion
transducer
• High sensitivity
• Built-in stereo crossover with
high-pass output
• Trapezoidal

• Comes with mounting bracket
(passed EIA 636 at a safety factor of
8:1) for on-wall or corner mounting
• One safety 3/8”-16 eyebolt included
• Suspension inserts and 2 x 3/8”
hanging inserts
• Available in powered version
(EVID 12.1P) with 300 W
(continuous) internal amplifier.

EVID SOS 3.2
Mic Stand Personal
Monitor
The EVID SOS 3.2 is a new
approach to personal monitors!
Its unique design enables the use
of only one stand for the
microphone and monitor. It frees
up stage space and puts
the monitor closer to the performer
for additional clarity. The SOS 3.2
handles 75 watts of power and
features a 1/4” input connector for
easy connection to the amplifier. In
addition, the performer can
precisely adjust the speaker
volume level using the L-Pad
adjustment on the back of the unit.
The compact design of the SOS
3.2 makes it unobtrusive on stage
and easy to pack and carry. The
SOS 3.2 package includes the
EVID SOS 3.2 speaker, all stand
mounting adapters and a shock
mount mic clip ready for use
on your favorite boom-mount
mic stand.

25

Accessories
Premium Surface-Mount Speakers

Mounting Brackets
AB-34 and AB-64 360-degree Kits
The AB-34 and 64 series kits feature a 4-sided powder-coated steel
mounting assembly allowing 4 EVID speakers to be mounted in an array
to cover a 360-degree pattern. The mount offers additional flexibility in
EVID system designs. The AB-34 works with the EVID 3.2 series and can
be used with a threaded rod for suspension from the ceiling. The AB-64
is used with the EVID 4.2 or 6.2 series speakers and can be used with a
speaker stand tripod or hung from the ceiling using a threaded rod as
shown. All necessary accessories and parts needed for use are included.

AB-32 and AB-62 180-degree Kits
The AB-32 and AB-62 series kits feature a 2 sided powder coated steel
mounting assembly allowing for 2 EVID speakers to be mounted in an
array to cover a 180-degree pattern. The AB-32 works with the EVID 3.2
series and can be used with a threaded rod for suspension from the
ceiling. The speakers can then be positioned on the bracket to cover a
variety of patterns to best serve the installation requirements. The AB-62
allows the EVID 4.2 or 6.2 series speakers to be used with a speaker
stand tripod or hung from the ceiling using a threaded rod as shown.
All necessary accessories and parts needed for use are included.

Tabletop Stands
HS-3 Horizontal Tabletop Stand
The HS-3 horizontal tabletop stand allows the EVID 3.2 or 4.2
orientation on a table, meter bridge, desk, bookshelf or other flat
surface. Ideal for portable applications, the stands are made
of steel for strength and durability and include rubber feet to
protect surfaces. Sold in pairs.

VS Series Vertical Tabletop Stands
The VS series vertical tabletop stands are available for any EVID full-range
model. The stands allow the EVID speakers to be easily used on a table,
desk, bookshelf or other flat surface in a vertical configuration. Ideal for
portable applications, the stands are made of plastic-coated steel for
strength and durability. Sold in pairs.

Other Accessories
TC Series Terminal Covers
The TC-4 and TC-6 terminal covers protect the input connections on the
EVID speakers from the long-term effects of moisture. The
covers are available for the EVID 4.2 and 6.2 series models. The covers
easily attach to the rear input panel of the speaker and include a
weatherproof cable connector.

MA-3 Mic Stand Adapter
The MA-3 is a microphone stand adapter that allows use of the EVID 3.2
with a standard boom mount microphone stand. Two adapter pieces allow
a solid and secure junction between the microphone boom on one side
and the microphone stand side on the other.

26

Ceiling Speakers
EVID C8.2LP

The Intelligible Choice
No matter what the installation calls for the new EVID ceiling speaker line can fill
the need. Each model is unique and designed to meet the toughest “problem” job
specifications. Sonically superior and esthetically pleasing, the EVID ceiling
speaker line has no match. From the compact, powerful C4.2 to the exclusive
waveguide coupled design of the C8.2HC (patent pending) for high ceiling
environments; the EVID ceiling line will solve any installation requirement. The
EVID ceiling speaker line was designed with the contractor and listener in mind.
Great sound, simple installation, and exceptional value are all part of every model.

The EVID C8.2LP is the same as the C8.2, but with a
low-profile back can (3” shorter in depth) for tight-fitting
ceiling spaces.

The key features
• Acoustically matched to the EVID surface mount speaker line
• Regardless of the acoustic and esthetic requirements there is an EVID ceiling
monitor system to fit the requirements
• Solves any installation challenge
• Either 70V/100V or 8 ohm operation is standard on every model of the EVID
ceiling speaker line. No need to buy or stock special versions!
• All installation accessories commonly needed for most jobs are included!
No expensive add-ons are necessary!

EVID C8.2HC
The EVID C8.2HC is ideal for high ceiling and reverberant
“problem” rooms. It’s exclusive ported, waveguide coupled
8” driver provides for excellent intelligibility and definition.
The 8.2HC’s patent pending design provides great
coverage control throughout the voice range and above.
No other speaker system provides the combination of
excellent pattern control, wide bandwidth, high power
handling and compact design like the C8.2HC. Features a
secure 4-point mounting system which makes
installations fast and easy. Comes complete with mounting
support ring and tile rails. No additional accessories
needed for most installations.

EVID C4.2
Perfect for conventional rooms. Excellent bandwidth in an
esthetically, unobtrusive installation profile. Its compact
design fits in tight areas. Fully rated for use in air handling
spaces. Its 4” woofer and waveguide coupled titanium
coated dome tweeter give smooth, wide frequency
response. The enclosure is ported and tuned to provide
surprising bass response in such a compact package.
Features an easy 3-point mounting system for quick
installations. Comes complete with mounting support ring
and tile rails. No additional accessories needed for most
installations.

EVID C10.1
The C10.1 packs a large 150 W subwoofer in a tuned high
performance enclosure to give amazing low frequency
performance down to 45Hz. The 10.1 is one of the only
quick mount ceiling TRUE subwoofers available on the
market. Flexible installation, and powerful low-end
performance make this an ideal companion to any EVID
model. Features a secure 4-point mounting system which
makes installations fast and easy. Comes complete with
mounting support ring and tile rails. No additional
accessories needed for most installations.

EVID C8.2
Never before has a ceiling speaker system delivered such a
full range punch. Its specially tuned enclosure and 8” woofer
provide amazing bass response. The 1” waveguide coupled
tweeter give smooth controlled coverage out to 18 kHz.
Perfect for installations where a flush mount design is
desired but demand for high quality audio exists. Features a
4-point mounting system which makes installations fast and
easy. Comes complete with mounting support ring and tile
rails. No additional accessories needed for most
installations.

EVID C4.2
LF Transducer
HF Transducer
Frequency Response
Power Handling(8 Ω)
Coverage Pattern
Sensitivity (1 W/1 m)
Input Configuration
Transformer Power Taps (W)
Dimensions (H x Dia.)
Weight
Acoustic Design
Cabinet Construction
Mounting System
Grille Construction
Available Colors

4” (100 mm)”
Polypropylene cone
0.75” (19 mm)”
Ti Mylar Laminate Dome
65 Hz - 20 kHz
80 W (overload protected)
130° conical
86 dB
8 Ω, 70 V, 100 V
1.88, 3.75, 7.5, 15, 30
6.9” x 7.1” (176 x 181mm)
6 lbs.. (2.7 kg)

EVID C8.2

EVID C8.2LP

8” (200 mm)
8” (200 mm)
Polypropylene cone
Polypropylene cone
1” (25 mm)
1” (25 mm)
Ti Mylar Laminate Dome
Ti Mylar Laminate Dome
50 Hz - 20 kHz
50 Hz - 20 kHz
100 W (overload protected)
100 W (overload protected)
110° conical
110° conical
91 dB
91 dB
8 Ω, 70 V, 100 V
8 Ω, 70 V, 100 V
1.88, 3.75, 7.5, 15, 30
1.88, 3.75, 7.5, 15, 30
10” x 10.6” (178 x 270 mm)
7.0” x 10.6” (255 x 270 mm)
11 lbs.. (5.0 kg)
11 lbs.. (5.0 kg)
Ported cabinet,internally damped
Two-Way, inc. passive crossover
Steel enclosure and UL94V-0 rated baffle and bezel
Integrated 3-point toggle anchors
Powder coated steel
White (paintable surface)

EVID C8.2HC
8” (200 mm)
Polypropylene cone +Waveguide
1” (25 mm)
Ti Mylar Laminate Dome
50 Hz - 20 kHz
100 W (overload protected)
75° conical (@ >1 kHz)
93 dB
8 Ω, 70 V, 100 V
7.5, 15, 30, 60
11.9” x 12.8” (303 x 320 mm)
13.2 lbs.. (6.0 kg)

EVID C10.1
10” (254 mm)
Polypropylene cone
10” (24 mm) LF
—
45 - 180 Hz
150 W
180°
94 dB
8 Ω, 70 V, 100 V
7.5, 15, 30, 60
11.9” x 12.8” (303 x 320 mm)
15.5 lbs.. (7.0 kg)
Dual ported cabinet,
internally damped

27

Outdoor Speakers
From the EVID™ 3.2 to the Sx600PI, EV offers excellent
solutions for outdoor speaker needs. EV®’s Sx-Series (PI and
PIX) bring the sound of indoor speakers out into the fresh air,
and can be used for portable and fixed installations such as
major theme parks. The new EVID line provides visual style
and audio substance not only indoors, but also in any outdoor
environment and in humid indoor environments such as
pools and saunas. Both families include transformer options.

Sx600PI/PIX
• Two element vertical line array package
• Very high sensitivity (105 dB/1W/1m)
• High intelligibility
• Two 12” woofers
• DH2T driver on 65° x 65° Varipath horn
• All-weather cabinet
• SuperSAM™ mounting, 60° x 180° adjustable
• Waterproof connection by SJO cable with gland nut
• Internal 600 Watt transformer available (SX600PIX)
• For specifications, see page 9

Sx80PI/PIX
• Ultra-compact two-way,
8-inch, short-throw system
• Black powder-coated
full-face stainless steel
grille, with foam backing
and a polyester mesh
water shield
• Paintable, black polystyrene
enclosure
• 70.7/100-volt 60-watt
transformer option with
selectable taps (Sx80PIX)

EVID 3.2/3.2T

Sx300PI/PIX
• Two-way, 12-inch,
medium-throw, full-range
system
• Black powder-coated
full-face stainless steel grille,
with foam backing and a
polyester mesh water shield
• 500 Hz directional control
from vented LF horn
• Paintable, black polystyrene
enclosure
• 70.7/100-volt 100-watt
transformer option with
selectable taps (Sx80PIX)

EVID 4.2/4.2T

• Two-way full range
• 1” voice coil (titanium diaphragm) with
neodymium magnetic structure
• Full bandwidth overload protection for
HF and LF
• Three-dimensional elliptic
(for compact look)
• Comes with Strong Arm Mount
(SAM™) and a hex-key
• Suspension insert for SAM™,
safety point on rear side

Sx500PI+
• Two-way, 15-inch, mediumthrow, full-range system
• Paintable black, polystyrene
enclosure
• A baseball-stadium favorite
• Weather-resistant woofer
(DL15 5 x W)
• Black powder-coated
full-face stainless steel
grille, with foam backing
and a polyester mesh
water shield
• 500 Hz directional control
from vented LF horn
• Comes with foamport plugs
for increased water
resistance

28

• Two-way full range
• 0.75” voice coil (titanium diaphragm)
with neodymium magnetic structure
• Full-bandwidth overload protection for
HF and LF
• Three-dimensional ellipse
(for compact look)
• Comes with Strong Arm Mount (SAM™)
and a hex key
• Suspension insert for SAM™;
safety point on rear side

EVID 6.2/6.2T
• Two-way, high-output full range
• High sensitivity
• 1” voice coil (titanium diaphragm)
with neodymium magnetic structure
• Full bandwidth overload protection
for HF and LF
• Three-dimensional ellipse
(for compact look)
• Comes with Strong Arm Mount
(SAM™) and a hex key
• Suspension insert for SAM™;
safety point on rear side

Outdoor Speakers
Underwater Loudspeaker

Ultra-Compact Monitor System

The UW 30 represents a departure in the design of underwater
sound sources. Its unique, patented design uses the case´s structural
enclosure as the sound transducer. Underwater speakers are
required equipment for many activities in commercial, luxury resort
pools and synchronized swimming events or instructions in Olympic
pools. They are used for water ballets and similar water shows.
UW 30 has a high-fidelity sound with low distortion, and the effect of
music played underwater through it is truly enchanting.

EV®’s S-40 produces maximum frequency response with an extended bass
response. The sensitivity, therefore, is slightly less than with a regularly
tuned box. The S-40 is made of black or white high-impact polystyrene
structural foam protected with a full-size, matching front grille.
The transformer taps of the T-Version are selected externally with a switch,
as shown below.

The outer case of UW 30 is made of high-impact ABS and is
pool-blue in color. All internal components are sealed inside the
speaker through a “hot-melt” process, allowing it to be used in freshor salt-water pools or ocean environments. Sound dispersion is up to
30 x 30 feet (10 x 10 m) under water. Operating depth is up to
10 feet (3 m), with a recommended depth of 4 feet (1.2 m). Note:
For overload protection, install a 25-ohm, 20-watt resistor in parallel
with a 1.5-amp, fast-blowing fuse in series with the speaker.

UW 30
• Full-range underwater
sound source
• Uniform sound throughout
medium-sized pools
• Very high-fidelity sound
• Salt-water resistant
• Comes with a 50-foot
(15-m), three-conductor
waterproof cable
terminated within the
internal
encapsulation material

LF driver
HF driver
Crossover frequencies
Nominal impedance (low Z version)
Minimum impedance (low Z version)
Input connections
Dimensions (H x W at front x D)
Net weight (including mounting bracket)

S-40 T/B
• Two-way, full-range ultra-compact
• Ultra-linear frequency response
• Vented LF enclosure
• Full bandwidth protection circuit for
woofer and tweeter
• Ferrofluid-cooled soft-dome tweeter
• Trapezoidal
• 2 x 1/4”–20 suspension points
• Available with transformer (S-40TB),
in white (S-40W), and in white with
transformer (S-40TW).

External tap
selector

UW 30
Frequency range
Sensitivity (SPL 1W/1 m)
Max. SPL/1 m (calc.)
Continuous power handling
Peak power handling
Transformer taps (transformer version)
Coverage (H° x V°)
Directivity Index

S-40 B

100 Hz – 10 kHz
—
—
30 W
—
—
omni (underwater)
—
special type
—
—
8Ω
—
waterproof cable
7.19” (diameter) x 2.61” (D)
183 mm [diameter] x 66 mm [D]
4 lbs.. (1.8 kg)

S-40
85 Hz – 20 kHz (+/- 3dB)
85 dB (T-version: 84 dB)
113 dB (T-version: 99 dB)
160 W (T-version: 30 W)
640 W
30/15/7.5/3.7/1.9 W (100V)
100° x 100°
9.8 dB (+3.8/-3.6 dB)
2 kHz–20 kHz
5.25”
1” Softdome
3,500 Hz
4Ω
3.7 Ω
spring terminal
9.8” x 7” x 5.9”
249 x 178 x 150 mm
5.7 lbs.. (2.6 kg [T-version: 3.3 kg])

29

Cinema Systems
Electro-Voice loudspeakers are as much a part of cinema as “going to the
movies” is part of our popular culture. For example, it would be hard to
believe Jurassic Park without those thunderous dinosaur steps, or to
imagine not hearing Judy Garland sing “Somewhere Over the Rainbow” in
the classic film The Wizard of Oz.
For decades, EV has provided theaters worldwide with properly designed
screen channel and surround loudspeakers that meet or exceed Dolby® and
THX™ standards. In the 1970s, Electro-Voice was the first to offer to the
cinema industry Constant Directivity™ horns and smaller, more efficient
low-frequency systems using Thiele-Small parameters. In the 1990s,

EV was the first to bring asymmetrical horns to 3-way systems in our
Variplex line of screen channel loudspeakers. In 2002, we proudly
introduced the first all-passive, 3-way, Variplex screen system, requiring only
one amplifier channel. Technological innovations from the EV Engineering
Group continue strongly today, just as they have since 1927.
We know cinema, from the largest theater chains, to the most prestigious
film festivals, even to being the official sound of ShoWest. Electro-Voice
Cinema Systems provide the highest quality sound to bring the movies
to life.

Variplex II XL™
• Three-way, high-output
stage system
• High-output MB and HF drivers
• ADC technology provides uniform
MF/HF front-to-back coverage
• Ring-Mode Decoupling™
improves vocal clarity
and intelligibility
• THX® approved
• Digital Dynamics Capable™
Vertical Dispersion - projection straight to the audience

CINEMA

Rectangular horizontal
coverage, with even
front-to-back
SPL distribution

Variplex M™

Variplex II™
• Three-way stage system
• ADC technology provides
uniform MF/HF front-to-back
coverage
• Ring-Mode Decoupling™ improves
vocal clarity and intelligibility
• Passive MB/HF crossover for
biamping
• THX® approved
• Digital Dynamics Capable™

• Matinee Series™
• 3-way system designed for
mid-sized rooms
• Provides all benefits of a three-way
design, including the unique
asymmetric directed coverage of all
Variplex systems
• Can be operated passive 3-way,
biamp or triamp.

CINEMA

30

© THX Ltd. & TM. All rights are reserved. THX is a registered trademark of THX Ltd.

For Cinema specs, see page 33

Two-Way Systems
Electro-Voice® two-way screen systems offer flexibility in size and highquality sound output for a variety of cinema applications. The TS9040D-LX
and the TS550D-LX, both large-format systems, feature very high efficiency
and are THX®-compatible. The medium-format TS940D includes a passive
crossover, and the small-format TS992E’s innovative flat-cabinet
design saves considerable space behind the screen. For efficiency, wideranging application solutions, and incredible sound quality, nothing beats
EV screen systems.

Two-Way Systems for Large Rooms

TS550D
TS550D-LX
• Large format two-way system
• High power handling capability for
large rooms
• THX® approved
• Biamped operation only
• Digital Dynamics Capable™
• Wide, smooth frequency response

Two-Way Systems for Small to
Medium Venues
TS940D
• Medium-format, two-way screen
system
• HP940T horn/ND6 driver
• XEQ-504 crossover for single-channel
operation
• Smooth, accurate sound
• Passive crossover for single-channel
operation

CINEMA

TS9040D-LX
• Large-format, two-way screen system
• Provides excellent acoustical
performance in large or small rooms
• THX® approved
• Digital Dynamics Capable™
• Wide, smooth frequency response

TS992E
•
•
•
•

Small-format, two-way screen system
DH2T HF driver with HP99C horn
TL15-1ESX LF system
10” depth: low-profile system
(254 mm)
• Passive crossover for single-channel
operation

CINEMA

For Cinema specs, see page 33

31

Cinema Systems
TL880D
TL880DM
• Very-low-frequency subwoofer
• Direct radiating vented design
• High acoustic output to below
20 Hz (-10 dB) allows real
low end effects (TL88OD only)
• THX® approved (TL88OD only)
• Matinee Series™: TL880DM

CINEMA

Surround Loudspeakers
TL440

SL12-2V

TL440M

SL10-2V
• Very-low-frequency subwoofer
• Direct radiating vented design
• High acoustic output featuring
single EVX180B woofer
(TL440 only)
• THX® approved (TL440 only)
• Matinee Series™: TL440M

• High-output, two-way surround
loudspeaker
• Versatile suspension and
safety options
• 15° slanted cabinet
• Exceptionally wide and smooth
frequency response
• SL12-2V has 12” woofer
• SL10-2V model has 10” woofer
• THX® compatible
• Digital Dynamics Capable™

CINEMA

CINEMA

TL18-1ES

TL6.2M
•
•
•
•

32

Low-frequency subwoofer
Direct radiating vented design
38 Hz low end for rich bass
Ultrathin depth designed for use
with TS992E system

• Full-Bandwidth overload protection
• Strong-Arm-Mount™ for easy,
flexible aiming
• Lightweight, unobtrusive plastic
enclosure
• Easy access input terminals

Cinema Systems Specifications
Variplex II XL
Frequency Range
Sensitivity, 1W/1 m (LF/MF/HF)
Max.SPL/1 m (calc.) (ave./peak)
Crossover Frequency
Continuous Power Handling (LF/MF/HF)
Peak Power Handling (LF/MF/HF)
Coverage Horizontal (long axis/short axis)
Coverage Vertical (up/down)
HF driver
MF driver
LF driver
Nominal Impedance
Dimensions (Height/Width/Depth) in mm
Weight (net)

Variplex II

34 Hz - 16 kHz
104/109/112 dB
136/141 dB
500 Hz /1,300 Hz
1,600/400/75 W
6,400/1,600/300 W
90°
20°/30°
ND6-8
2 x EVS-8HP
4 x DL15ST
2 x 4/4/8 Ω
82.3” x 23.5” x 18.4”
2,090 x 1,150 x 511 mm
306 lbs.. (139 kg)

TS550D-LX
Frequency Range
Sensitivity, 1W/1m (LF/HF)
Max.SPL/1m (calc.) (ave./peak)
Crossover Frequency
Continuous Power Handling (LF/HF)
Peak Power Handling (LF/HF)
Coverage (H x V)
HF driver
LF driver
Nominal Impedance
Dimensions (H/W/D) in mm
Weight (net)

30 Hz - 20 kHz
100/111 dB
131/137 dB
500 Hz
1,200/75 W
4,800/300 W
90° x 40°
ND6X-8
2 x EVX155
4/8 Ω
71.5” x 26.8” x 37.3”
1,816 x 681 x 947 mm
165 lbs.. (74.8 kg)

Weight (net)
* 24Hz in step-down mode

TL880DM

23 Hz - 80 Hz
99/105 dB
136/142 dB
1,200 W
4,800 W
omnidirectional
2 x EVX180B
4Ω
47.6” x 30” x 23.8”
1,210 x 762 x 605 mm
160 lbs.. (72.6 kg)

27 Hz - 80 Hz
99/105 dB
133/139 dB
700 W
2,800 W
omnidirectional
2 x EVS-18S
4Ω
47.5” x 30” x 23.8”
1,207 x 762 x 605 mm
156 lbs.. (70.8 kg)

SL12-2V
Frequency Range
Sensitivity, 1 W/1 m
Max.SPL/1 m (calc.) (ave./peak)
Continuous Power Handling
Peak Power Handling
Coverage (H x V)
LF driver
HF driver
Nominal Impedance
Dimensions (Height/Width/Depth)
Weight (net)

45 Hz - 18 kHz
104 dB
127/133 dB
500 Hz
500/300 W
2,000/1,200 W
90°
20°/30°
DH2T
2 x EVS8D
2 x EVS-15G
4/4 Ω
69.5” x 25.5” x 15.6”
1,765 x 648 x 396 mm
160 lbs.. (72.6 kg)

TS940D

TL880D
Frequency Range
Sensitivity, 1 W/1 m (full/half-space)
Max.SPL/1 m (calc.) (ave./peak)
Continuous Power Handling
Peak Power Handling
Coverage (<125 Hz)
LF driver
Nominal Impedance
Dimensions (Height/Width/Depth)

Variplex M

34 Hz - 16 kHz
101/109/112 dB
130/136 dB
500 Hz /1,300 Hz
800/400/75 W
3,200/1,600/300 W
90°
20°/30°
ND6-8
2 x EVS-8HP
2 x DL15ST
4/4/8 Ω
69.5” x 25.5” x 15.6”
1,765 x 648 x 396 mm
163 lbs.. (74 kg)

70 Hz - 20 kHz
93 dB
116/121 dB
200 W
800 W
100° x 90°
12” woofer
DH2010A
8Ω
21” x 18.7” x 13”
535 x 476 x 335 mm
47 lbs.. (21.4 kg)

TS992E

32 Hz - 20 kHz
100 dB
129/135 dB
500 Hz, internal
800 W
3,200 W
90° x 40°
ND6- X
2 x DL15ST
4Ω
53.3” x 22.5” x 17.6”
1,354 x 572 x 447 mm
133 lbs.. (60.4 kg)

TL440
33 Hz* - 80 Hz
96/102 dB
130/136 dB
600 W
2,400 W
omnidirectional
1 x EVX180B
8Ω
39.5” x 22.5” x 22”
1,003 x 572 x 559 mm
108 lbs.. (49 kg)

SL10-2V
60 Hz - 20 kHz
93 dB
113/119 dB
100 W
400 W
100° x 100°
10” woofer
1” compression dr.
8Ω
18.75” x 12.5” x 10.81”
476 x 318 x 275 mm
23.1 lbs.. (10.5 kg)

30 Hz - 20 kHz
96 dB
122/128 dB
1,200 Hz, internal
400 W
1,600 W
90° x 90°
DH2T
DL15ST
8Ω
50.8” x 26.8” x 10”
1,289 x 681 x 254 mm
97 lbs.. (43.9 kg)

TL440M

TL18-IES

27 Hz - 80 Hz
96/102 dB
127/133 dB
350 W
1,400 W
omnidirectional
1 x EVS-18S
8Ω
39.5” x 22.5” x 22”
1,003 x 572 x 559 mm
98 lbs.. (44.5 kg)

38 Hz - 2.0 kHz
96/102 dB
128/134 dB
400 W
1,600 W
omnidirectional
1 x DL18-MT
8Ω
47” x 26.7” x 10”
1,193 x 680 x 254 mm
95 lbs.. (43 kg)

SL6.2M
48 Hz - 20 kHz
90 dB
111/177 dB
125 W
500 W
100° x 100°
6” woofer
1” driver on waveguide
8Ω
16.5” x 9” c 11.7”
419 x 228 x 198 mm
10 lbs.. (4.5 kg)

33

X-Array™
X-Array™ speaker systems provide world class performance and flexibility
for concert touring systems.
The X-Array™ X-Series™ represents important advancements in concertsound reinforcement technology. The design goals called for the highest
acoustic output capability with the highest fidelity in a relatively lightweight,
compact enclosures that were easy to array. The individual systems, drivers,
horns, enclosures, rigging hardware and system configurations were
designed from the ground up specifically for this high-performance
application. For additional easier handling special speaker dollies are
available. RMD™ was another ingenious development when X-Array™ was
“born”. EV´s traditional top-down development strategy brings this essential
acoustic advantage “down” through other EV products. X-Array™ has
unprecedented acoustic output and excellent directivity control.

Neodymium magnetics: for lighter weight and maximum acoustic
output. All 12-inch mid-bass transducers are the ND12A, for a 3-dB
average increase in output. Neodymium in the ND5-16 compression driver
increases output in the upper octaves. The ND5-16 driver features a 3.5”
titanium diaphragm.
Amping and Controller: X-Array™ is powered by EV´s world famous
Precision Series™ and controlled by Klark Teknik DN 9848 digital 4-in/8-out
controller, Electro-Voice Dx38, or Precision Series Remote amplifiers for
flexible and easy configurations. Flyable amp racks are available.
X-Array™ is made of 13-ply birch plywood finished in black textured paint
and protected by a powder-coated steel front grille backed with foam.

Rigging for big hangs: unique rear-hinge rigging for fast, easy and
secure rigging. A 64-box hang goes up or down in 30 minutes. Front rigging
straps control vertical aiming, rear fixed hinge makes tilting easy. Mating
positioning recesses on cabinet tops and bottoms help to assemble and
disassemble an array on the ground, a layer at a time. A detailed 25-page
“flying manual and structural ratings” handbook is available.
The X-Array™ one-person rigging hardware is TÜV approved.

Xf
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1 W/1 m
Max. SPL/1 m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight

140 Hz - 20 kHz
125 Hz
112/116 dB
146/144 dB
600/150 W
2,400/600 W
40° x 20° (CD Horn)
17.2 dB (+2.0/-2.7 dB)
800 Hz - 16 kHz
—
2 x 12” (ND12A)
2 x 1.4” (ND6-16)
125 Hz
8 Ω/8 Ω
4.9 Ω/7.0 Ω
2 Neutrik® NL8 Speakon®
36” x 23” x 29.8”
1,067 x 584 x 759 mm
192 lbs.. (87.1 kg)

Xcb
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1 W/1 m
Max. SPL/1 m (calc.); full space
Continuous Power Handling
Peak Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight

34

37 - 200 Hz
40 Hz
95 dB
123 dB
600 W
2,400 W
300° x 270° (63-200 Hz)
2.7 dB (+1.0/-0.6 dB)
63 - 200 Hz
18” (EVX-180B)
—
—
125 Hz
8Ω
5.6 Ω
2 Neutrik® NL8 Speakon®
23.46” x 23” x 29.8”
596 x 584 x 759 mm
123 lbs.. (55.8 kg)

Xn
48 Hz - 20 kHz
50 Hz
95/110/112 dB
123/135/131 dB
600/300/75 W
2,400/1,200/300 W
60° x 40° (CD Horn)
13.7 dB (+1.4/-1.4 dB)
800 Hz - 16 kHz
18” (EVX-180B)
12” (ND12A)
1.4” (ND6-16)
125 Hz
8 Ω/16 Ω/16 Ω
6.5 Ω/9.4 Ω/14.0 Ω
2 Neutrik® NL8 Speakon®
36” x 23” x 29.8”
1,067 x 584 x 759 mm
192 lbs.. (87.1 kg)

Xds
32 - 200 Hz
40 Hz
100 dB
131 dB
1,200 W
4,800 W
180° x 200° (63-200 Hz)
4.8 dB (+2.1/-1.7 dB)
63 - 200 Hz
2 x 18” (EVX-180B)
—
—
80 Hz
2x8Ω
2 x 6.1 Ω
2 Neutrik® NL8 Speakon®
36” x 28.9” x 29.8”
914 x 1,166 x 759 mm
(in floor position)
267 lbs.. (121.0 kg)

Xcn
125 Hz - 20 kHz
125 Hz
110/112 dB
135/131 dB
300/75 W
1,200/300 W
60° x 40° (CD Horn)
13.4 dB (+2.0/-1.8 dB)
800 Hz - 16 kHz
—
12” (ND12A)
1.4” (ND6-16)
1,760 Hz
16 Ω/16 Ω
9.9 Ω/12.9 Ω
2 Neutrik® NL8 Speakon®
23.46” x 23” x 29.8”
596 x 584 x 759 mm
134 lbs.. (60.8 kg)

Xw12
60 Hz - 16 kHz
60 Hz
99/110 dB
130/135 dB
300/75 W
1,200/300 W
55° x 80° (CD Horn)
11.6 dB (+2.3/-2.1 dB)
1.2 - 16 kHz
12” (DL12ST)
—
1.4” (DH7-16)
1,250 Hz
8 Ω/16 Ω
8.2 Ω/10.5 Ω
4 Neutrik® NL8 Speakon®
14.11” x 23” x 16.1”
358 x 584 x 409 mm
(in floor position)
62 lbs.. (28.2 kg)

Xb
37 - 200 Hz
40 Hz
98.5 dB
129 dB
1.200 W
4,800 W
240° x 300° (63-200 Hz)
3.4 dB (+1.4/-0.9 dB)
63 - 200 Hz
2 x 18” (EVX-180B)
—
—
125 Hz
2x8Ω
2 x 6.4 Ω
2 Neutrik® NL8 Speakon®
36” x 23” x 29.8”
1,067 x 584 x 759 mm
184 lbs.. (83.5 kg)

Xw15
50 Hz - 16 kHz
50 Hz
99/110 dB
133/135 dB
600/75 W
2,400/300 W
55° x 80° (CD Horn)
11.6 dB (+3.0/-3.6 dB)
1.2 - 16 kHz
15” (EVX-155)
—
1.4” (DH7-16)
1,250 Hz
8 Ω/16 Ω
7.2 Ω/14.3 Ω
2 Neutrik® NL8 Speakon®
18” x 25.36” x 18.13”
389 x 644 x 461 mm
70 lbs.. (31.8 kg)

Xn

Xf
•
•
•
•
•

2-way exceptional output far-field
MB/HF section horn-loaded
Identical height as Xn, Xb
Excellent directivity control
Trapezoidal (9° per side)

• 3-way extraordinary output near-field
• MB/HF section horn-loaded
and rotatable
• Identical height as Xf, Xb
• Excellent directivity control
• Trapezoidal (9° per side)

Xb
•
•
•
•
•

High-output LF cabinet
Manifolded, vented design
Identical height as Xn, Xf
Accurate transient detail
Trapezoidal (9° per side)

Xf, Xn and Xb look
identical

Xcn

Xcb
• 2-Way high-level
output near-field
• Identical height as Xcb
• MB/HF section identical to
Xn and rotatable
• Excellent directivity control
• Trapezoidal (9° per side)

•
•
•
•
•
•

High-output subwoofer
Manifolded, vented design
Identical height as Xcn
Equivalent to half of an Xb
Accurate transient detail
Trapezoidal (9° per side)

Xcn and Xcb look
identical

Xds

Xw12/Xw15
• Extraordinary output
low-end sub
• Manifolded, vented design
• Accurate transient detail
• Trapezoidal (18° per side)
• Designed for ground
stacking

• 2-way high-output floor monitor
• Vented LF enclosure
• 3.5” voice coil (titanium
diaphragm) for low distortion
• Two symmetrical 55° angles

35

X-Line™

Development of the EV® X-Line™ system was driven by
the need for a high-level concert touring enclosure that
combines the sonic impact and vocal intelligibility of the
renowned X-Array™ system with the uniform, predictable
coverage that only a line-array configuration can deliver.
The EV engineering team set out to develop the next
generation of line-array systems, combining their years
of experience in the development of X-Array with the
absolute latest state-of-the-art technologies. As a matter
of course, X-Line features the essential acoustical
advantage of RMD™.
The X-Line system was designed to provide wide
horizontal dispersion (90°) from a single vertical line
array while providing exceptionally coherent wavefront
summing in the vertical plane. At the heart of X-Line is a
newly developed high-frequency wavefront alignment
and summation device – the Hydra™ – that provides
planar and time-coherent signal addition. The broad
bandwidth vertical planar summing provides uniform
sound field distribution throughout the listening area.
Stereo imaging is improved by the X-Line´s fullbandwidth mid-bass loading. Extended low-frequency
polar control produces more uniform power response,
further enhancing overall system intelligibility. The overall
power response of the X-Line is very uniform across a
wide frequency spectrum, making possible the system´s
very musical sonic character.

36

If every performance space conformed to the same
acoustic ideal, any linear loudspeaker array would
suffice. But every arena, concert hall, and stadium is a
unique space, and the one-box, one-dimensional design
of most linear arrays just can´t adapt. X-Line is different.
X-Line lets you match the acoustical solution to the
acoustical environment.
X-Line lets you stack Xvls enclosures at the top of an
array for long throw with a 90° horizontal included angle,
followed by Xvlt enclosures for the shorter throw and
120° horizontal coverage needed at the J-curve of the
array. Beneath the array, Xfil enclosures provide downfill
coverage that maintains the vertical integrity of the array.
Completing the X-Line system are Xsub subwoofers that
can be flown next to the main array or ground stacked.
X-Line is made of 13-ply birch plywood with structural
aluminum reinforcement finished with a rugged foambacked steel grille to protect the drivers. A user’s guide
with detailed specifications is available on request.
Electro-Voice recommends using the Klark Teknik™
DN9848 or EV’s Dx38 as the system controller, along
with EV P3000 power amplifiers, for amplification.

Xvls

• High-output, three-way line-array
component
• Rectangular cabinet designed for upper
section of linear array
• 90° horizontal coverage pattern ideal
for long-throw applications
• EV® Hydra™ time-synchronized HF
vertical plane-wave generator provides
excellent far-field summing

Xfil1/Xfil2

• Ring Mode Decoupling® (RMD®)
provides level-independent fidelity,
greater midbass clarity, and high
frequency accuracy
• Rigging allows for rapid venue load-in
and load-out (linking hardware
included)

• High-output, two-way line-array
component
• Downfill system designed to
complement a line array of Xvls and
Xvlt systems for near-field assignment
with 120º horizontal coverage
• Wide 40° vertical coverage with
voicing similar to other X-Line™ models
for smooth transition from near-field to
mid-field

Xvlt

• High-output, three-way line-array
component
• Five-degree trapezoidal cabinet design
for lower “J” section of linear array
• 120° horizontal coverage typical for
medium-throw assignment
• EV Hydra™ time-synchronized HF
vertical plane wave generator provides
excellent far-field summing

Xsub

• Ring Mode Decoupling® (RMD®)
provides level-independent fidelity,
greater midbass clarity, and high
frequency accuracy
• Rigging allows for rapid venue load-in
and load-out (linking hardware
included).

Xvls
Frequency range (-3 dB)
Recommended high-pass frequency
Sensitivity (SPL 1 W/1 m) (LF/MB/HF)
Max. SPL/1m (calc.) (LF/MB/HF)
Continuous power handling (LF/MB/HF)
Peak power handling (LF/MB/HF)
Coverage (H° x V°)
LF driver
MB driver
HF driver
Crossover frequencies
Nominal impedance
Input connections
Dimensions (H [front/rear] x W x D)
Net weight

• Ring Mode Decoupling® (RMD®)
provides level-independent
fidelity, greater midbass clarity, and
high-frequency accuracy
• Rigging allows for rapid venue load-in
and load-out (linking hardware
included)
• Mirror-imaged Xfil1 and Xfil2 models
for left and right sides.

40 Hz – 18 kHz
50 Hz
101 dB/111 dB/118 dB
132 dB/139 dB/142 dB
1,200 W/600 W/225 W
4,800 W/2,400 W/900 W
90° x 5°
2 x EVX155Plt
2 x ND08
3 x ND6-16
220 Hz/1,250 Hz
2 x 8 Ω/8 Ω/5.3 Ω
2 Neutrik® NL8
19.46”/19.46” x 49” x 29.15”
494.3/494.3 x 1244.6 x 740.4 mm
257 lbs. (117 kg)

• High-output, line-array subwoofer
component
• Rectangular cabinet with footprint
identical to other X-Line systems
• Can be flown or ground-stacked with
non-flying version

Xvlt
40 Hz – 18 kHz
50 Hz
101 dB/111 dB/117 dB
132 dB/139 dB/141 dB
1,200 W/600 W/225 W
4,800 W/2,400 W/900 W
120° x 9°
2 x EVX155Plt
2 x ND08
3 x ND6-16
220 Hz/1,250 Hz
2 x 8 Ω/8 Ω/5.3 Ω
2 Neutrik® NL8
19.46”/16.92” x 49” x 29.15”
494.3/429.7 x 1244.6 x 740.4 mm
253 lbs. (115 kg)

• Rigging allows for rapid venue load-in
and load-out (linking hardware
included)

Xfil1/Xfil2
40 Hz – 18 kHz
50 Hz
101 dB/107 dB/112 dB
132 dB/135 dB/134 dB
1,200 W/600 W/150 W
4,800 W/2,400 W/600 W
120° x 40°
2 x EVX155Plt
2 x ND08
2 x ND6-16
220 Hz/1,250 Hz
2 x 8 Ω/8 Ω/8 Ω
2 Neutrik® NL8
19.46”/16.92” x 49” x 29.15”
494.3/429.7 x 1244.6 x 740.4 mm
253 lbs. (115 kg)

Xsub
33 – 400 Hz
33 Hz
100/106 dB*
131/137 dB*
1,200 W
4,800 W
200° x 325°
2 x EVX-180B
—
—
80 Hz
2x8Ω
2 Neutrik® NL8
19.46”/19.46” x 49” x 29.15”
494.3/494.3 x 1244.6 x 740.4 mm
202 lbs. (92 kg)

* 1/2-space

37

The XLC System
While big brother X-Line serves the all acoustical
needs of the largest venues and arenas, EV’s full
bandwidth compact line array XLC was designed
to match the demands for easy setup and
transportation combined with outstanding sonic
results in a variety of venue sizes.

System features:
• Wide constant horizontal coverage pattern of 120°
• Outstanding imaging; bi- or tri-ampable
• Totally integrated rigging hardware
• Rigging concept enables precise control of vertical line
source pattern

Technical Specifications for XLC Cabinets
Xlc 127
Horizontal Coverage
LF Power Handling
MB Power Handling
HF Power Handling
Sensitivity (LF/MB/HF)
Max. SPL (calc.)
LF Transducer
MB Transducer
HF Transducer
Connectors
Enclosure Material
Grille
Environmental Specs
Dimensions (H x W x D)
Net Weight
Shipping Weight
*Half space environment

38

120°
300 W cont./1,200 W peak
200 W cont./800 W peak
120 W cont./480 W peak
95 dB/101 dB/110 dB
126/130/137 dB
1 x 12” DL12ST
2 x 6.5” DM 65
2 x DH2T -16
2 Neutrik® NL8
Futura®-coated plywood
Powder-coated steel
IEC 529 IP24
MIL STD 810
14.25” x 39 “ x 22.5”
362 x 991 x 572 mm
116 lbs.. (52,7 kg)
121 lbs.. (55,0 kg)

Xlc 127+
120°
300 W cont./1,200 W peak
200 W cont./800 W peak
150 W cont./600 W peak
95 dB/101 dB/110 dB
126/130/138 dB
1 x 12” DL12ST
2 x 6.5” DM 65
2 x ND6-16
2 Neutrik® NL8
Futura®-coated plywood
Powder-coated steel
IEC 529 IP24
MIL STD 810
14.25” x 39 “ x 22.5”
362 x 991 x 572 mm
111 lbs.. (50,4 kg)
116 lbs.. (63,6 kg)

Xlc 118
300°
600 W cont./2,400 W peak
—
—
96 dB/102 dB*
130/136 dB*
1 x 18” EVX180B
—
—
2 Neutrik® NL8
Futura®-coated plywood
Powder-coated steel
IEC 529 IP24
MIL STD 810
21.5” x 39” x 22.5”
546 x 991 x 572 mm
120 lbs.. (54.5 kg)
140 lbs.. (63,6 kg)

XLC 127+ / XLC 127

XLC 118

Main Cabinet
This cabinet is the main component of an XLC line array. Starting with a
minimum of four cabinets, a typical array size uses six to eight boxes.
The three-way axis-asymmetric design includes a single EV DL-12
low-frequency/mid-bass woofer optimized for this cabinet. Two 6.5” hornloaded drivers in a vertical array comprise the mid-frequency bandpass.
The XLC 127+ utilizes two ND6 (3” voice-coil) neodymium compression
drivers loaded on two Hydra™ plane wave generators. With a horizontal
coverage of 120°, the XLC system accurately covers wide areas while
maintaining excellent imaging and lobe-free coverage. The XLC 127+ is
equipped with an internal x-over for mid-bass and high-frequency to allow
for either biamp or triamp operation.

Subwoofer
The XLC 118 is a direct radiating design using the legendary EVX180B
18-inch woofer. The XLC 118 utilizes the same rigging and has 1.5 times the
height of the XLC 127 main cabinet. This allows a hang of XLC 118s to be
flown adjacent to the main hang at a 3:2 ratio, maintaining aesthetic
requirements for equal hang heights. Flying subwoofer benefits include in
a more even front-to-back SPL distribution.

The 127 is identical to the XLC 127+, except for the 2 DH2T (2” voice-coil)
compression drivers loaded on two Hydra elements. The XLC 127 also uses
an internal crossover for biamp or triamp use. The XLC 127 should not be
combined with the XLC 127+ in the same hang.

Technical Specifications for Four-Cabinet XLC 127+ Array
4 x XLC 127+ Array
Frequency Range (-3 dB)

70 Hz–18 kHz

Sensitivity (1 W/1 m)

112.5 dB

Max Calculated SPL (1 W/1 m)

135 dB cont./141 dB peak

Horizontal Coverage

120°

Vertical Coverage

Splay dependent

LF Power (recommended)

EV® P2000

MB Power (recommended)

EV® P2000

HF Power (recommended)

EV® P2000

Recommended System Drive for XLC

Cabinet:

XLC 127, XLC 127+

XLC 118

LF:

P2000 / P1200 RL

-

MB:

P2000 / P1200 RL

-

LF:

P2000 / P1200 RL

P3000 / P3000 RL

System Controller:

Dx38, DN9848 or DSP Controlled Precision Series Amplifiers (RL)

39

Floor Monitors
The following two pages give you an overview of EV´s professional floor
monitors. All monitors shown have optimized monitor angles and as is
typical with EV, have very low feedback properties. For technical details or
information about recommended high-pass frequencies, refer to the
pages listed below.

QRx 115/75

Sx250/SxA250
• 350 W (continuous)/
150 W + 50 W
powered
• 15” / 1”
• max. SPL 130 dB/1m
• 45° monitor angle

FRi-28LPM

75° x 50°

• Perfect for high performance
monitoring in concert sound
applications
• 15”/1.4”
• 450 W (continuous)
• Max. SPL 133 dB/1 m (calc.)
• 55° (approx.) monitor angle

Sx100 and Sx300

• Integrated stand mount allows
flexible usage
• Note: in monitor position rotate
the horn so the 35° dispersion is
pointing upwards
• Note: enable high-pass (mid/highmode) at controller amp module M-115
when used on floor

(shown with F200)

100° x 100°

•
•
•
•

2 x 8”/1”
200 W (continuous)
Max. SPL 122 dB/1 m (calc.)
45° monitor angle

65° x 65°

• Symmetrical horn allows flexible usage
with tripod for floor-monitor
• 12”/1”
• Sx300: 300 W (continuous)
Sx100+: 200W (continuous)

QRx 112/75

• Sx300: Max. SPL 132 dB/1 m (calc.)
• 50° (approx.) monitor angle
• SH SX300 black protection cover
(option)
• F200 monitor feet necessary

SxA100+

75° x 50°

40

• Perfect for high performance
monitoring in concert sound
applications
• 12”/1.4”
• 350 W (continuous)
• Max. SPL 131 dB/1m (calc.)
• 55° (approx.) monitor angle
• Integrated stand mount allows
flexible usage

• Note: in monitor position rotate
the horn so the 35° dispersion is
pointing upwards
• Note: enable high-pass (mid/highmode) at controller amp module
M-112 when used on floor

• Built-in 2-way amplifier
(150 W + 50 W cont.;
380 W + 80 W peak)
• 12” / 1”
• max. SPL 124 dB/1 m

• 50° (approx.) monitor angle
• SH SX300 black protection cover (option)
• F200 monitor feet necessary

T221M

Eliminator Monitor

55° x 80°

• Two-way, 12”, medium-throw, full-range system
• High-performance 12” woofer
• Biampable

Xw12

• 2-way, 15-Inch Speaker
• Versatile design allows for use as a
floor monitor or stand-mounted main
PA speaker
• 80° x 55° CD horn provides usable
monitor angles of 50° and 65°
• Integral stand-mount adapter

• 350-watt, continuous power rating
• HF driver protection
• Available with Neutrik® Speakon®
connector (Eliminator Monitor E)

Force i Monitor

55° x 80°

• Perfect for highest performance
monitoring in concert sound
applications
• 12”/1.4”
• 300/75 W (continuous)

• Max. SPL 130 dB/1 m (calc.)
• Two 55° angles allows symmetrical
monitor set-ups
• Dedicated digital controller is Dx38

Xw15

• Low profile and compact size for
minimum footprint; even fits on the
smallest stages
• 12-inch woofer has clean,
yet punchy sound
• 150 watts continuous, 300 watts
program, 600 watts peak power
handling
• Two projection angles — 50° and
65° — depending on orientation of
enclosure gives you extra placement
flexibility

• Built-in stand mount for front-of-house
or sidefill use
• Lightweight — only 28 pounds
(12.7 kg) — and easy to carry
• Available with Neutrik® Speakon®
connector (Force i Monitor E)

Mic Stand Personal Monitor
The EVID SOS 3.2 is a new approach to personal
monitors! Its unique design enables the use of
only one stand for the microphone and monitor. It
frees up stage space and puts the monitor closer
to the performer for additional clarity. The SOS
3.2 handles 75 watts of power and features a
1/4” input connector for easy connection to the
amplifier. In addition, the performer can precisely
adjust the speaker volume level using the L-Pad
adjustment on the back of the unit.

55° x 80°

• Perfect for highest performance
monitoring in concert sound
applications
• 15”/1.4”
• 600/75 W (continuous)

• Max. SPL 133 dB/1 m (calc.)
• Two 55° angles allows symmetrical
monitor set-ups
• Dedicated digital controller is Dx38

The compact design of the SOS 3.2 makes it
unobtrusive on stage and easy to pack and carry.
The SOS 3.2 package includes the EVID SOS 3.2
speaker, all stand mounting adapters and a shock
mount mic clip ready for use on your favorite
boom-mount mic stand.

41

Subwoofers

• Available in powered version (EVID 12.1P)
with 650 W internal amplifier

EVID 12.1
Application

Installation

Woofer Type
Power Handling cont.
Sensitivity(1 W/1 m)
Max. SPL (peak)
Internal Crossover
Flying

1 x 12” slot loaded
2 x 175 W
100 dB**
125 dB **
stereo w/ hi pass out
no

EVID C10.1
Installation
Ceiling
1 x 10”
150 W
94 dB*
122 dB *
low pass
no

FRi+181S

FRX+181

Installation
Concert Sound
1 x 18”
400 W
97 dB/103 dB*
129 dB/135 dB*
low pass
eyebolts

Installation
Concert Sound
1 x 18”
400 W
100 dB/102 dB*
132 dB /134 dB*
no
L-track

Eliminator i Sub
Application

Installation Pro Music

Installation Pro Music

Woofer Type

1 x 18”

2 x 18”

Power Handling cont.

400 W

1,000 W

Sensitivity(1 W/1 m)

100 dB/104 dB*

101 dB/107 dB*

Max. SPL (peak)

98 dB/101 dB*

137 dB/143 dB*

Internal Crossover

low pass

no

Flying

no

no

Sb121

Sb180

SxA180

SbA750

Application

Installation
Pro Music

Installation
Pro Music

Installation
Pro Music

Installation
Pro Music

Woofer Type

1 x 12”

1 x 18”

1 x 18”

1 x 15”

300 W

750 W amplifier

Power Handling cont.

300 W

600 W

Sensitivity (1 W/1 m)

95 dB/101 dB*

99 dB

Max. SPL (peak)

126 dB/132 dB*

126 dB

128 dB/134 dB*

Internal Crossover

no

no

80 - 120 Hz

built-in active

Flying

Optional SX Hardware

no

eyebolts

no

* 1/2-space SPL, ** 1/4-space SPL

42

Eliminator KW

Subwoofers

QRx118S
Application
Woofer Type
Power Handling cont.
Sensitivity (1 W/1 m)
Max. SPL (peak)
Internal Crossover
Flying

Xb
Application

Installation
Concert Sound
2 x 18”
1,200 W
98.5 dB /104.5 dB*
129 dB / 141 dB*
no
X-Array rigging

Woofer Type
Power Handling cont.
Sensitivity (1 W/1 m)
Max. SPL (peak)
Internal Crossover
Flying

Xi-1191(F)
Application
Woofer Type
Power Handling cont.
Sensitivity (1 W/1 m)
Max. SPL (peak)
Internal Crossover
Flying

Installation
Concert Sound
1 x 18”
600 W
94 dB /100 dB*
128 dB /134 dB*
no
L-track in F-version
(built to order)

Xi-2181(F)
Installation
Concert Sound
2 x 18”
1,200 W
99 dB /105 dB*
136 dB /140 dB*
no
L-track in F-version
(built to order)

Installation
Pro Music, Concert Sound
1 x 18”
600 W
99 dB /104 dB*
133 dB /138 dB*
no
no

Xcb
Installation
Concert Sound
1 x 18”
600 W
95 dB /101 dB*
123 dB /135 dB*
no
X-Array rigging

Xsub(F)
Concert Sound
Installation
2 x 18”
1,200 W
103 dB /106 dB*
134 dB /143 dB*
no
X-Line rigging, F-version.

QRx218S
Installation
Pro Music, Concert Sound
2 x 18”
1,200 W
102 dB /105 dB*
139 dB /140 dB*
no
optional

Xds
Installation
Concert Sound
2 x 18”
1,200 W
100 dB /106 dB*
131 dB /143 dB*
no
no

XLC118/XLCi118
Concert Sound
Installation
1 x 18”
600 W
96 dB /102 dB*
130 dB /136 dB*
no
XLC rigging

* 1/2-space SPL

43

Components
Woofers
EV component woofers are high-efficiency designs highly refined from
years of development and field experience. They employ extended-length
voice coils for high-impact reproduction of dynamic low-frequency
program. All woofers feature proprietary heat-transfer systems for
unmatched power capacity and reliability. Kevlar®-fiber-composite cones
are used to provide structural strength to resist collapse during explosive

dynamic peaks and to provide internal mechanical damping to minimize
resonances that can change the character of the sound at high levels. DL
and EVX woofers are made of cast aluminum frames with push terminals,
and all feature Ring-Mode Decoupling™ (RMD™) except for the DL18MT and
the EVX180B.

Speaker Parts

DL10X
Cone diameter
Coil diameter
Impedance
Frequency range
Long-term power rating (EIA)
Short-term power rating
Sensitivity (1 W @ 1 m)
Maximum SPL
Efficiency
Frame front diameter
Magnet diameter
Overall depth
Mounting bolt circle diameter
Baffle cutout diameter
Net weight

10” (254 mm)
2.5” (63.5 mm)
8Ω
100 – 2,000 Hz
300 W
1,200 W
97 dB
121.8 dB
4.21%
10.22” (259.5 mm)
7.50” (190.5 mm)
4.50” (114.3 mm)
9.625” (244.5 mm)
9.063” (230.2 mm)
14.3 lbs. (6.5 kg)

DL18MT
Cone diameter
Coil diameter
Impedance
Frequency range
Long-term power rating (EIA)
Short-term power rating
Sensitivity (1 W @ 1 m)
Maximum SPL
Efficiency
Frame front diameter
Magnet diameter
Overall depth
Mounting bolt circle diameter
Baffle cutout diameter
Net weight

44

18” (457 mm)
2.5” (63.5 mm)
8Ω
35–800 Hz
400 W
1,600 W
94 dB
120 dB
4.0%
18.13” (460.5 mm)
7.50” (190.5 mm)
7.00” (177.8 mm)
17.375” (441.3 mm)
16.750” (425.5 mm)
15.8 lbs. (7.2 kg)

DL12BFH
12” (305 mm)
2.5” (63.5 mm)
8Ω
60 – 2,500 Hz
300 W
1,200 W
96 dB
120.8 dB
3.69%
12.19” (309.6 mm)
6.13” (155.6 mm)
5.25” (133.4 mm)
11.563” (293.7 mm)
11.063” (281.0 mm)
11.1 lbs. (5.0 kg)

DL12ST

DL15BFH

DL15ST

12” (305 mm)
2.5” (63.5 mm)
8Ω
60 – 2,000 Hz
300 W
1,200 W
98 dB
122.8 dB
5.60%
12.19” (309.6 mm)
7.50” (190.5 mm)
5.25” (133.4 mm)
11.563” (293.7 mm)
11.063” (281.0 mm)
14.7 lbs. (6.7 kg)

15” (381 mm)
2.5” (63.5 mm)
8Ω
45 – 2,000 Hz
900 W
1,400 W
96 dB
122.0 dB
3.93%
15.16” (305.0 mm)
6.13” (155.6 mm)
6.00” (152.4 mm)
14.563” (369.9 mm)
14.063” (357.2 mm)
12.0 lbs. (5.4 kg)

15” (381 mm)
2.5” (63.5 mm)
8Ω
45 – 2,000 Hz
400 W
1,600 W
95 dB
121.0 dB
2.66%
15.16” (305.0 mm)
7.50” (190.5 mm)
6.25” (158.8 mm)
14.563” (369.9 mm)
14.063” (357.2 mm)
15.2 lbs. (6.9 kg)

EVX155
15” (381 mm)
4” (101.6 mm)
8Ω
40–2,000 Hz
600 W
2,400 W
95 dB
122.8 dB
2.49%
15.16” (385.0 mm)
8.25” (209.6 mm)
7.25” (184.2 mm)
14.563” (369.9 mm)
14.063” (357.2 mm)
22.8 lbs. (10.3 kg)

EVX180B
18” (457 mm)
4” (101.6 mm)
8Ω
30–800 Hz
600 W
2,400 W
95 dB
122.8 dB
2.25%
18.13” (460.5 mm)
8.25” (209.6 mm)
8.00” (203.2 mm)
17.375” (441.3 mm)
16.750” (425.5 mm)
23.4 lbs. (10.6 kg)

Components
Compression Drivers
Electro-Voice is one of a handful of professional audio companies that can
design high-performance compression drivers. Compression drivers are the
most difficult audio transducers to design. Their unique requirements call
for ultra-precise tolerances, state-of-the-art modeling routines, and
exceptionally talented engineering expertise. Manufacturing techniques are
frequently pushed to process limits, and materials are formed and stabilized
with cutting-edge systems and controls. Each EV compression driver’s
parameters are tightly controlled to ensure world-class performance, thus
putting the drivers at the top of their class in every respect.

ND6-8/ND6-16
• Large-format neodymium
compression driver
• 75-watt power rating
• 3” titanium diaphragm
• 1.4” or 2” exit diameter for use on almost
any HP horn
• EV’s highest-performance compression
driver gives world-class performance in
any application
• Use above 1 kHz

DH7-8/DH7-16
•
•
•
•

Large-format ceramic compression driver
75-watt power rating
3” titanium diaphragm
1.4” or 2” exit diameter for use on almost
any high-performance horn
• Excellent for use with direct-radiator or
horn-loaded LF and MB sections

DH3/DH2010A
• One-inch exit screw-on,
small-format compression driver
• 20-watt power rating
• 1.25” titanium diaphragm
• Excellent extended-bandwidth HF driver for
multi-way loudspeaker systems

DH2T-8/DH2T-16
• One-inch exit screw-on, medium-format
compression driver
• 40-watt power rating
• 2” titanium diaphragm
• High performance on a wide variety of
thread-on horn designs

ND6X-8/ND6x-16
• Large-format neodymium
compression driver
• 75-watt power rating
• 3” titanium diaphragm
• 1.4” or 2” exit diameter for use on almost
any HP horn
• EV’s highest-performance compression
driver gives world-class performance in
any application
• Use above 500 Hz

Horn Adapters
• from 1.4” bolt-on to 2” bolt-on ADH6
• from 1” screw-on to 2” bolt-on ADH5
• from 1” screw-on to 1.4” bolt-on ADH3

DH7-8/DH7-16

ND6-8/ND6-16

Frequency response
1,000 Hz – 20 kHz
1,000 Hz – 20 kHz
Crossover frequency (minimum)
1,000 Hz
1,000 Hz
Midband sensitivity*
111 dB
112 dB
Long-term power rating (AES)
75 W
75 W
Short-term power rating
300 W
300 W
Impedance
8/16 Ω
8/16 Ω
Throat diameter
1.4”/2.0” adapter (35 mm)
1.4”/2.0” adapter (35 mm)
Diaphragm diameter
3.0” (76 mm)
3.0” (76 mm)
Overall diameter
6.5” (165 mm)
5.2” (132 mm)
Overall depth
2.7” (69 mm)
2.7” (69 mm)
Net weight
10.0 lbs.. (4.54 kg)
5.5 lbs.. (2.5 kg)
Shipping weight
11.0 lbs.. (5 kg)
6.0 lbs.. (2.72 kg)
*Average from 1,000 Hz–5 kHz on HP6040 horn (DH3 average from 1,500 Hz–5 kHz on HPT64 horn)

DH2T-8/DH2T-16
1,200 Hz – 20 kHz
1,200 Hz
112 dB
40 W
160 W
8Ω
1.0” (25 mm)
2.0” (50 mm)
5.2” (132 mm)
3.5” (89 mm)
5.0 lbs.. (2.27 kg)
5.5 lbs.. (2.5 kg)

DH3/DH2010A
1,500 Hz – 20 kHz
1,500 Hz
111 dB
20 W
80 W
8Ω
1.0” (25 mm)
1.25” (32 mm)
4.5” (107 mm)
3.5” (89 mm)
3.4 lbs.. (1.5 kg)
3.8 lbs.. (1.73 kg)

ND6X-8/ND6x-16
500 Hz - 20 kHz
500 Hz
—
75 W
300 W
16 Ω
1.38” (35 mm)
3.0” (76 mm)
5.2” (132 mm)
2.7” (69 mm)
5.5 lbs.. (2.5 kg)
6.0 lbs.. (2.72 kg)

45

HP Horns
The HP horn series is a refinement of the concept of “constant directivity,”
which, in 1974, EV was the first to introduce. For the first time, horn
coverage angles were truly uniform over a wide frequency range. In the HP
series, unique beamwidth-control vanes within the horn throat form a
waveguide that eliminates the narrowing of coverage angle – beaming –
that occurs in other 2-inch-throat horns. EV’s patented Transplanar™ design

HP4020

HP6040

HP9040
• Large-format two-inch horns
• The ultimate in dispersion
control, with control of rated
dispersion angle down to
500 Hz, both horizontally and
vertically
• Directivity control to 500 Hz
maximizes vocal intelligibility
and musical clarity in difficult
acoustic environments

HP6040

HP64

provides exceptionally smooth frequency response. HP horns or variants
thereof are used throughout the EV speaker system lines. Each HP horn
features an integral die-cast metal throat encapsulated in the fiberglass
sidewalls. This unitized construction provides very high strength and
low weight.

HP420

HP640

HP940

HP1240
• Medium-format two-inch
horns
• Vertical dimensions have been
reduced, for use when space
constraints preclude the use
of large-format horns
• Horizontal directional control
maintained to ~500 Hz
• Vertical control to ~1,500 Hz

HP640

HPT64

HP66

HPT94
• Very-small-format one-inch horns
• Use in three- and four-way
systems with DH3 driver for tweeter
and supertweeter applications
• Directional control to 3,000 Hz

HP94
• Small-format two-inch horns
• Use as primary HF horns in
compact sound systems
• Beamwidth control to ~2,000 Hz

HPT64
HP64

Note: Horns shown out of proportion to each other

Coverage (H° x V° nominal)
Directivity Factor (average)
Directivity Index (average)
Useable low-frequency limit
Throat entrance
Height
Width32.0” (813 mm)
Depth
Net weight

HP4020

HP6040

HP9040

HP420

40° x 20°
45.1 (+12.7, -18.9)
(500 Hz – 20 kHz)
16.4 dB
(+1.2, -2.2)
(500 Hz – 20 kHz)
200 Hz
2” bolt-on
33.0” (838 mm)
28.0” (711 mm)
49.3” (1,252 mm)
27.0 lbs.. (12.3 kg)

60° x 40°
25.8 (+17.9, -5.9)
(500 Hz – 20 kHz)
14.1 dB
(+2.3, -1.1)
(500 Hz – 20 kHz)
500 Hz
2” bolt-on
32.0” (813 mm)
26.75” (679 mm)
31.8” (808 mm)
20.0 lbs.. (9.1 kg)

90° x 40°
12.1 (+4.6, -3.7)
(500 Hz – 20 kHz)
10.8 dB
(+1.4, -1.6)
(500 Hz – 20 kHz)
400 Hz
2” bolt-on
32.0” (813 mm)
24.0” (610 mm)
31.8” (808 mm)
20.0 lbs.. (9.1 kg)

40° x 20°
47.7 (+25.9, -23.5)
(1,250 Hz – 20 kHz)
16.8 dB
(+1.9, -3.0)
(1,250 Hz – 20 kHz)
400 Hz
2” bolt-on
14.4” (367 mm)
28.0” (711 mm)
29.5” (749 mm)
13.0 lbs.. (5.9 kg)

HP64

HP66

60° x 40°
18.1 (+4.1, -8.8)
(1,600 Hz – 20 kHz)
12.6 dB
(+0.9, -2.9)
(1,600 Hz – 20 kHz)
650 Hz
2” bolt-on
11.0” (279 mm)
8.8” (224 mm)
8.7” (220 mm)
4.5 lbs.. (2.5 kg)

60° x 60°
17.9 (+10.5, -9.3)
(1,600 Hz – 20 kHz)
12.5 dB
(+2.0, -3.0)
(1,600 Hz – 20 kHz)
650 Hz
2” bolt-on
11.0” (279 mm)
8.8” (224 mm)
6.5” (165 mm)
4.8 lbs.. (2.2 kg)

HP1240
Coverage (H° x V° nominal)
Directivity Factor (average)
Directivity Index (average)

46

Useable low-frequency limit
Throat entrance
Height
Width
Depth
Net weight

120° x 40°
8.6 (+2.5, -2.1)
(1,250 Hz – 20 kHz)
9.34 dB
(+1.1, -1.2)
(1,250 Hz – 20 kHz)
400 Hz
2” bolt-on
13.0” (330 mm)
21.0” (533 mm)
10.4” (265 mm)
7.0 lbs.. (3.2 kg)

HP640

HP940

60° x 40°
20.6 (+11.3, -3.3)
(1,250 Hz – 20 kHz)
13.1 dB
(+1.9, -0.7)
(1,250 Hz – 20 kHz)
400 Hz
2” bolt-on
13.0” (330 mm)
21.0” (533 mm)
17.2” (437 mm)
9.5 lbs.. (4.3 kg)

90° x 40°
11.9 (+3.6, -3.0)
(1,250 Hz – 20 kHz)
10.7 dB
(+1.2, -1.2)
(1,250 Hz – 20 kHz)
400 Hz
2” bolt-on
13.0” (330 mm)

HP94

HPT64

HPT94

90° x 40°
10.1 (+5.8, -1.8)
(1,600 Hz – 20 kHz)
10.0 dB
(+2.0, -0.8)
(1,600 Hz – 20 kHz)
800 Hz
2” bolt-on
11.0” (279 mm)
8.75” (222 mm)
8.7” (220 mm)
4.5 lbs.. (2.5 kg)

60° x 40°
15.8 (+5.2, -4.9)
(3,150 Hz – 20 kHz)
12.0 dB
(+1.2, -1.6)
(3,150 Hz – 20 kHz)
1,600 Hz
1” bolt-on
5.25” (133 mm)
5.25” (133 mm)
4.1” (104 mm)
0.8 lbs.. (0.4 kg)

11.2” (285 mm)
7.0 lbs.. (3.2 kg)

90° x 40°
11.6 (+5.0, -2.5)
(3,150 Hz – 20 kHz)
10.6 dB
(+1.6, -1.0)
(3,150 Hz – 20 kHz)
1,600 Hz
1” bolt-on
5.25” (133 mm)
5.25” (133 mm)
4.0” (101 mm)
0.8 lbs.. (0.4 kg)

Small format horns
HP 64

HP 66

HPT 64

HPT 94

HP 94

Medium format horns
HP420

HP640

HP940

HP1240

47

Hardware
MUSIC INDUSTRY
Force i™
100BK

Speaker stand for EV systems with integral stand mount (or Sx80MB
stand-mount adapter for Sx80) or any system up to 110 lbs.. (1-3/8-inch
shaft diameter), black

Xi Hardware
Mb-1082

Wall/Ceiling mounting bracket for Xi-1082

LC

X i Accessories
XLCi Grid A2

Aluminum grid comprises two side arms and two spreader bars.
Supports 16 cabinets at 8:1 safety margin.

™

Sx Series
100BK

Speaker stand for EV systems with integral stand mount (or Sx80MB
stand-mount adapter for Sx80) or any system up to 110 lbs.. (1-3/8-inch
shaft diameter), black

F200

Monitor feet for Sx100, Sx300 and Sx300a (pair)

COMMERCIAL
EVID Ceiling Speaker Hardware

G500

Full-face steel grille for Sx500, black (for indoor use only)

RPK-42

Rough-in package for new construction (C4.2 only; package of 2).

Mb100

Forged eyebolt attachment kit (set of three) for single sb121, Sx100, or
Sx300

RPK-82

Rough-in package for new construction (C8.2/C8.2LP only;
package of 2).

Mb200

Wall/ceiling U-bracket kit for Sb121, Sx100, Sx300 and Sx300a, black

RPK-810

Rough-in package for new construction (C8.2HC/C10.1 only;
package of 2).

Mb200W

Wall/ceiling U-bracket kit for Sb121, Sx100, Sx300 and Sx300a, white

RR-42

Rough-in mounting plate for new construction (C4.2 only; package of 4).

Mb300

Horizontal array kit for side-by-side arraying of two Sb121, Sb121a,
Sx100+, Sx300 or Sx300a (use a second Mb300 to array three systems;
the Mb300 requires one Mb200 U-bracket kit per speaker system), black

RR-82

Rough-in mounting plate for new construction (C8.2/C8.2LP only;
package of 4).

Mb300W

Horizontal array kit for side-by-side arraying of two Sb121, Sb121a,
Sx100+, Sx300 or Sx300a (use a second Mb300 to array three systems;
the Mb300 requires one Mb200 U-bracket kit per speaker system), white

RR-810

Rough-in mounting plate for new construction (C8.2HC/C10.1 only)
(package of 4).

Mb500

Wall/ceiling U-bracket for Sx500+, black

Mb600

Horizontal array kit for side-by-side array of two Sx500+s (use more
Mb600s to array up to six systems; the Mb600 requires one Mb500 Ubracket kit per speaker system), black

Mb700

Forged eyebolt attachment kit (set of three) for a single Sx500, black

PD500

Padded case for Sx500+

PDSx

Padded case for Sx100, Sb121, Sb121a, Sx300 and Sx300a

CONCERT
X-Array™ X-Series™

Sk1

Suspension kit for SxA250

Xrhg

Sx80MBB

Wall/ceiling U-bracket for Sx80, black

Grid rigging hinge (attaches rear of top X-Array X-Series to the rear of a
compatible grid)

Sx80MBW

Wall/ceiling U-bracket for Sx80, white

Xrhl

Linking rigging hinge (attaches two X-Array X-Series systems at the rear)

Sx80SM

Stand-mount adapter for Sx80

Xrhp

Sxzb

Zippered tote bag for SxA100, Sx100+, Sx300, or two Sx80 cabinets

Pickup rigging hinge (creates custom assemblies to attach to the rear of
the top X-Array X-Series system when an ATM Fly-Ware™ grid is not
used)

VPC500

Vinyl cover for Sx500+

Xrsl

VPCSx

Vinyl cover for Sx100, Sb121, Sb121a, Sx300 and Sx300a

Long rigging strap (used at front of two X-Array X-Series systems to
adjust their relative vertical angle)

Xrss

Short rigging strap (attach the rear of the top X-Array
X-Series system to the ATM Fly-Ware grid)

S Series
S-40MBB

Wall/ceiling/stand U-bracket for S-40, black (pair)

S-40MBW

Wall/ceiling/stand U-bracket for S-40, white (pair)

T-Series™
100BK

Speaker stand for EV systems with integral stand mount (or Sx80MB
stand-mount adapter for Sx80) or any system up to 110 lbs.. (1-3/8-inch
shaft diameter), black

FIXED INSTALL
EVI Vari Intense®
EBK-1

Eyebolt kit of three 3/8-16 forged shoulder bolts

EVI-12MB-BLK

Mounting bracket for EVI-12, black

EVI-12MB-WH

Mounting bracket for EVI-12, white

EVI-15MB-BLK

Mounting bracket for EVI-15, black

EVI-15MB-WH

Mounting bracket for EVI-15, white

EVI-28MB-BLK

Wall/ceiling U-bracket for EVI-28, black

EVI-28MB-WH

Wall/ceiling U-bracket for EVI-28, white

Horns: Throat Adapters

48

ADH3

1” screw-on entrance to 1.4” bolt-on exit

ADH5

1” screw-on entrance to 2” bolt-on exit

ADH6

1.4” screw-on entrance to 2” bolt-on exit

MTA-22

Manifold horn adapter for two-driver coupling: Two 1.4” bolt-on
entrances to 2” bolt-on exit

X-Line™
Xdol/b

X-Line bottom dolly

Xdol/f

X-Line grille face dolly

Xlgd

X-Line grid (steel)

Xvhg

Rear grid rigging hinge (joins rear of top X-Line cabinet to compatible
hanging grid; use in pairs)

Xvhl

Rear linking hinge (couples two X-Line cabinets at the rear; use in pairs)

Xvsg

Front grid rigging chain (joins top X-Line cabinet to compatible hanging
grid; use in pairs)

Xvsl

Front linking chain (used to couple X-Line cabinets and adjust their
relative vertical angle; use in pairs)

XLC Hardware
XCOV 118

Weather-resistant cover fits XLC118. Sold only in pairs.

XCOV 127

Weather-resistant cover fits XLC127 or Xlc127+.
Sold only in pairs.

XFD 118

XLC118 grille-face dolly. Sold only in pairs.

XFD 127

XLC127/127+ grille-face dolly. Sold only in pairs.

LC

X Grid A1

Aluminum grid comprises two side arms and two spreader bars.
Supports 16 cabinets at 8:1 safety margin.

Hardware
Sx80

Sx250/SxA250

Stand mount

Wall or ceiling mount

RK-2 Rigging Kit
For speakers stands
with 35 mm diameter.

For cost effective
installation.

Sx 80 MBB
Sx 80 MBW

Sx 80 SM

black
white

black

S-40

FRi-2082

Xi-1082

Wall, ceiling or stand mount

Under balcony or on-wall mount

Under balcony or
on-wall mount

Note: The threat
diameter can be reduced
with a standard 5/8-inch
screw adapter for
different mic stand types.
on-wall
S-40 MB/B:
S-40 MB/W:

EVI-12

The 100° x 100° dispersion angle allows
one to install FRi-2082 vertically on the
wall as well. Mounting bracket comes with
FRi-2082.

black
white

Ceiling mount

EVI-15

Ceiling mount

EVI-28

MB-1082:
black
Optional bracket

Wall or ceiling mount

EBK-1

The radius of
action is 140°.

EVI-12MBB
EVI-12MBW

black
white

EVI-15MBB
EVI-15MBW

EVID 3.2/4.2/6.2
SAM™ comes with each
EVID™ system and
includes a hex-key-tool.
SAM™ has angle
markers to make
installation easier.

black
white

Angle markers

100°

90°

EVI-28MBB
EVI-28MBW

black
white

Optional
eyebolt kit of
three 3/8“16 forged
shoulder
eyebolts

EVID 12.1
Bracket passed EIA 636
at a safety factor of 8:1.
The Bracket for on-wall
or corner mounting and a
safety eyebolt comes
with EVID 12.1.

Note: Flying and suspending of speakers requires authorized personnel
49

Hardware
Sx100/300

1) MB 100
2) MB 100 + MB 200
Security advice:
When flown by 90° (figure 2) don’t
use eyebolts only!

1)

2)

Security advice:
Do not screw MB 100
directly into M8 thread.

MB 700 - Kit contains:

Sx500+

3 lifting eyebolts
1 mounting plate
1 pull-up mounting plate

Sb121

1) MB 100
2) MB 100 + MB 200
Security advice:
When flown by 90° (figure 2) don’t
use eyebolts only!

1)

50

FRi 122/152/181

4 Eyebolts included

FRX+Systems

2 single stud Ancra fittings included

EVI 12/15

EBK-1 (Eyebolt Kit)
(3 eyebolts)

EVID 12.1

1 bracket and 1 eyebolt is
included for safety tether.

2)

Note: One 3/8“16-thread forged steel
eyebolt is included for
safety tether.
A second eyebolt is
necessary if suspending
face-down in ceiling.

Note: Flying and suspending of speakers requires authorized personnel

Hardware
Sx100/Sx300/Sb121
Horizontal Cluster 120° (2 systems)

Horizontal Cluster 180° (3 systems)

2 x MB 200 + 1 x MB 300 necessary

Wall or ceilingmount

Vertical Cluster
3 x MB 200 + 2 x MB 300 necessary
3/8“ Quick links
necessary
Eyebolt
necessary

1 x MB 200
necessary

2 x MB 200
necessary

Sx500+
Horizontal Cluster 140° (2 systems)

Horizontal Cluster 210° (3 systems)

3/8“ Quick links
necessary

3/8“ Quick links
necessary

2 x MB 500 + 1 x MB 600 necessary

3 x MB 500 + 2 x MB 600 necessary

Vertical Cluster

Sx-Series™ hardware overview:

Wall-mount

3/8“ Quick links
necessary

Eyebolt
necessary

2 x MB 500 necessary

Sx 80

Sx80SM
Sx80 MBB
Sx80 MBW

Stand mount
U-bracket
U-bracket

black
black
white

Sx100+
Sx300
Sb121

MB 200 B
MB 300 B
MB 300 W

U-bracket
Array-kit (2 plates)
Array-kit (2 plates)

black
black
white

Sx500 +

MB 500
MB 600

U-bracket
Array-kit

black
black

1 x MB 500 necessary

Note: Flying and suspending of speakers requires authorized personnel

51

Amplifiers
The Precision Series™ (P-Series) — EV´s top line of power amplifiers —
has become a world standard in touring business. Their extreme reliability,
high-level sound and durable design made them the amp of choice for the
Rolling Stones´ world concert tour. A two-year tour is torture for any piece
of touring equipment and EV´s speakers and amplifiers did an outstanding
job, and not only from an acoustical point of view. In the two-year period,
one fuse blew in only one of the amplifiers.

All EV amps are equipped with a unrivaled and complete protection and
safety package for maximum sound performance. Their technical specs
represent the highest league of professional power amplifiers. Precision
Series™ guarantees among other things outstanding transient response
for unsophisticated sound reproduction of the original signal and extremely
low dynamic distortion ensuring excellent sound quality. Q-Series and
CPS-Series are based on Precision Series™.

All EV-Amplifiers feature:

Q44

• Dynamic audio limiters (shown right)
• Switchable limiter time constant
(P-Series)
• Peak current limiters
• Inrush current limiters
• Turn-on delay (“soft-start”)
• Excessive high frequency (RF) protection
• Excessive Back-EMF protection
• DC fault protection
• Shorted loads protection
• High temperature protection controls
thermal overload of the power
transistors and the transformer

Q66

• Low-noise 3-stage resp. 4-stage fans
with front-to-rear airflow
• Up to 30% headroom of power
capability
• Generous power-supply construction
• Flexible Input routing (mono parallel,
stereo)
• Stable and safe operation on 2 Ω load
• Bridge-mode operation on 4 Ω load
• Highest quality standard “Made in
Germany”
• High-level sound performance
• Extreme reliability

Dynamic Limiter
Limiter
in process

1 % THD

Q-Series
Q-Series is based on EV´s world famous P-Series. They contain all features
listed above and guarantee the same high quality, in cost effective packages
of 2 x 450 W and 2 x 600 W output power.
Q-Series comes with a stable 3 RU zinc plated steel housing with
rear-mounted dB-scaled level controls.

Dynamic limiters limit THD to 1% max. for input signals up to 21 dBu gain.

Continuous rated power (1 kHz, THD 1 %)
2Ω
4Ω
8Ω
Continuous rated power (20 - 20 kHz, THD < 0,2%)
2Ω
4Ω
8Ω
Max. bridged output
4Ω
8Ω
Slew rate
Total Harmonic Distortion
Intermodulation Distortion (SMPTE)
DIM 30
Damping factor 100 Hz / 1000 Hz
Crosstalk (at 1.000 Hz)
Signal-to-noise ratio (dB A-weighted)
Input Impedance (balanced)
Input Sensitivity (0 dBu factory setting)
Input connectors, parallel out
Output connectors
Dimensions (H x W x D)

52

Net weight

Q 44

Q 66

650 watts
450 watts
280 watts

850 watts
600 watts
380 watts

450 watts
350 watts
230 watts

650 watts
550 watts
300 watts

1,300 watts
900 watts
> 25 V / µs
< 0.05 %
< 0.08 %
< 0.03 %
> 300 / > 200
< 80 dB
> 105 dB
20 kΩ
0 dBu / +6 dBu
XLR in/out
Speakon® (Pin 1)
5.25” x 19” x 15.17”
133 x 483 x 386 mm
35.2 lbs.. (15 kg)

1,700 watts
1,200 watts
> 30 V / µs
< 0.05 %
< 0.08 %
< 0.03 %
> 300 / > 200
< 80 dB
> 105 dB
20 kΩ
0 dBu / +6 dBu
XLR in/out
Speakon® (Pin 1)
5.25” x 19” x 15.17”
133 x 483 x 386 mm
35.2 lbs.. (15 kg)

Contractor Precision Series (CPS) Amplifiers
The CPS Series are high-performance amplifiers with unmatched dynamic range capability, ensuring the
most reliable operation favored by sound contractors in all sound reinforcement applications.
The CPS Series achieves its outstanding dynamic range through the use of our unique nonlinear signal
monitor. This feature limits amplifier distortion to less than 1 percent, eliminating the “hard-edged”
clipping which can destroy most speaker systems. The amplifier’s power supply is specifically designed
to deliver high peak signals, proving a burst signal output capability headroom more than 30% over their
average continuous rating.

CPS2T

• High-quality, high-Z output amplifier
• Unique TSP protection circuit, which secures against low-frequency distortion
by measuring the transformer saturation at each power level
• Brings CPS quality and performance to 100/70-volt applications

CPS 1
• Rear-mounted, dB-scaled level controls
• Retrofit kits available (crossover cards)
• THX® approved

CPS 1 Back

CPS 2
CPS 2 Back
• Rear-mounted, dB-scaled level controls
• Retrofit kits available (crossover cards)
• THX® approved

•
•
•
•

CPS 3

CPS 3 Back

Front-mounted, dB-scaled level controls
Comes with cover knobs for control trims
Dual power supply
THX® approved

CPS 4 Back

CPS 4
•
•
•
•

Front-mounted, dB-scaled level controls
Comes with cover knobs for control trims
Dual power supply
THX® approved

CPS 2T Back

CPS1
Maximum power (1k Hz; THD <1%)
2Ω
4Ω
8Ω
Rated power (20 Hz–20 kHz; THD <0.2%)
2Ω
4Ω
8Ω
Maximum bridged output (1,000 Hz; <1% THD)
4Ω
8Ω
Slew rate
Total harmonic distortion
Intermodulation distortion (SMPTE)
Crosstalk (at 1,000 Hz)
Input impedance (balanced)
Input Connectors
Output Connectors
Signal-to-noise ratio (dB A-weighted)
Dimensions (H x W x D)
Net weight

CPS2

CPS3

CPS4

CPS2T

650 W
450 W
280 W

850 W
600 W
350 W

1,200 W
900 W
560 W

1,800 W
1,300 W
850 W

850 W
600 W (70V: 500)
380 W

450 W
350 W
230 W

650 W
500 W
300 W

1,000 W
800 W
500 W

1,500
1,200 W
750 W

650 W
500 W (70V: 580)
33 W

1,300 W
900 W
25 V/µs
<0.05%
<0.08%
<-80 dB
20 kΩ
XLR parallel in/out
phoenix type
4-pole barrier strip

1,700 W
1,200 W
30 V/µs
<0.05%
<0.08%
<-80 dB
20 kΩ
XLR parallel in/out
phoenix type
4-pole barrier strip

2,400 W
1,800 W
35 V/µs
<0.05%
<0.01%
<-70 dB
20 kΩ
XLR parallel in/out

3,600 W
2,600 W
40 V/µs
<0.05%
<0.01%
<-80 dB
20 kΩ
XLR parallel in/out

Neutrik® Speakon® (Pin 1)

Neutrik® Speakon® (Pin 1)

>105 dB
5.2” x 19” x 15.2”
133 x 483 x 386 mm
33.1 lbs. (15 kg)

>105 dB
5.2” x 19” x 15.2”
133 x 483 x 386 mm
35.3 lbs. (16 kg)

>105 dB
5.2” x 19” x 15.4”
133 x 483 x 390 mm
59.5 lbs. (27 kg)

>105 dB
5.2” x 19” x 15.4”
133 x 483 x 390 mm
63.9 lbs. (29 kg)

1,700 W
1,200 W (100V: 1,160)
30 V/µs
<0.05% (100V: <0.2%)
<0.08% (100V: <0.3%)
<-80 dB
20 kΩ
XLR parallel in/out
phoenix type
12-pole terminal block
(inc. 12-pole removable plug)
>105 dB
5.2” x 19” x 15.2”
133 x 483 x 386 mm
49.6 lbs. (22.5 kg)

53

Precision Series™ Linear Amplifiers
The Precision Series™ (P-Series) is EV´s top line of linear power amplifiers.
Their extreme reliability, high-level sound and durability make them the
professional’s choice among rental companies and musicians.

P 2000 / P 3000

For flown applications in the touring market, rear rack mount kits are
available to help stabilize the rack frame and ensure safe transportation.

P 1200

•
•
•
•
•

Compact, 2 RU chassis
Switchable limiter constant (fast/slow)
Switchable Lo- and Hi-cut filter
Input transformer optional (NRS 90176)
Selectable input sensitivity with 26 dB constant gain option (internal)

•
•
•
•
•

Dual power-supply
Switchable limiter constant (fast/slow)
Switchable Lo- and Hi-cut filter
Input transformer optional (NRS 90176)
Selectable input sensitivity with 26 dB constant gain option (internal)

THD + N versus power output of a P 3000.

P 1200
Continuous rated power (1 kHz, THD 1 %)
2Ω
4Ω
8Ω
Continuous rated power (20 - 20 kHz, THD < 0,1%)
2Ω
4Ω
8Ω
Max. bridged output
4Ω
8Ω
Slew rate
Total Harmonic Distortion
Intermodulation Distortion (SMPTE)
DIM 30
Damping factor 100 Hz / 1000 Hz
Crosstalk (at 1,000 Hz)
Signal-to-noise ratio (dB A-weighted)
Input Impedance (20-20 kHz, balanced)
Input Sensitivity (0 dBu factory setting)
Input connectors, parallel out
Output connectors
Dimensions (H x W x D)
Net weight

54

P 2000

P 3000

800 watts
550 watts
370 watts

1,200 watts
900 watts
560 watts

1,800 watts
1,300 watts
850 watts

600 watts
500 watts
350 watts

1,000 watts
800 watts
500 watts

1,500 watts
1,200 watt
750 watts

1,600 watts
1,100 watts
> 30 V / µs
< 0.05 %
< 0.01 %
< 0.01 %
> 400/ > 300
< -70 dB
> 105 dB
20 kΩ
0 dBu / +6 dBu / +26 dB
constant gain
XLR in/out
Neutrik® Speakon® (Pin 1)
3.5” x 18” x 16.8”
88 x 483 x 390 mm
35.2 lbs.. (17 kg)

2,400 watts
1,800 watts
> 35 V / µs
< 0.05 %
< 0.01 %
< 0.01 %
> 400/ > 300
< -70 dB
> 105 dB
20 kΩ
0 dBu / +6 dBu / +26 dB
constant gain
XLR in/out
Neutrik® NL4MP Speakon®
5.2” x 19” x 16.8”
133 x 483 x 390 mm
57.3 lbs.. (27 kg)

3,600 watts
2,600 watts
> 35 V / µs
< 0.05 %
< 0.01 %
< 0.01 %
> 400/ > 300
< -70 dB
> 105 dB
20 kΩ
0 dBu / +6 dBu / +26 dB
constant gain
XLR in/out
Neutrik® NL4MP Speakon®
5.2” x 19” x 16.8”
133 x 483 x 390 mm
61.7 lbs.. (29 kg)

Precision Series™ Modular Amplifiers
P 1202
•
•
•
•

Dual channel
Modular controller amp concept
Input transformer optional (NRS 90208)
Without controller cards, useable as linear amp with fixed +6 dBu input sensitivity

P 1201
•
•
•
•

Single channel
Modular controller amp concept
Input transformer optional (NRS 90208)
Without controller cards, useable as linear amp with fixed +6 dBu input sensitivity

Control Modules

The modular P-Series guarantees the same quality and performance
standards as the linear P-Series but they are designed for dedicated EV
systems, e.g. QRx Series. They combine the highest quality signal control,
maximum speaker/operation safety and the extreme reliability of “linear”
Precision-Series™ but all in a modular-controlled amplifier concept.
All this adds up to maximum flexibility and an economic alternative to
digitally controlled amp racks. Rear rack mount kits are available in a
15.5-inch version (NRS 90235) or 18-inch version (NRS 90223) to help
stabilize the rack frame and ensure safe transportation.

P 1201
Continuous rated power (1 kHz, THD 1 %)
2Ω
4Ω
8Ω
Continuous rated power (20 - 20 kHz, THD < 0.2%)
2Ω
4Ω
8Ω
Max. bridged output
4Ω
8Ω
Slew rate
Total Harmonic Distortion
Intermodulation Distortion (SMPTE)
DIM 30
Damping factor 100 Hz /1,000 Hz
Crosstalk (at 1,000 Hz)
Signal-to-noise ratio (dB A-weighted)
Input Impedance (20-20 kHz, balanced)
Input Sensitivity (without module)
Input connectors, parallel out
Output connectors
Dimensions (H x W x D)
Net weight (without modules)

M-115

These controller cards provide customized system
equalization, crossover design, and EV´s unique
voice-coil protection circuit (VCP) for use with EV
loudspeakers (modules for QRx speakers are
currently available). Cards for full-range systems
feature a switchable 3,000 Hz (Q = 1, -3 dB) DIPEQ and a flush-mounted operation mode switch.
Each module also includes a “1-in-2” switch on the
PCB board, allowing it to drive both channels of a
P1202 independently while using only one
controller card. Note that when a module is used,
the amplifier’s input sensitivity changes to 0 dBu.

P 1202

1,600 watts
1,200 watts
750 watts

850 watts
600 watts
380 watts

1,300 watts
1,000 watts
500 watts

650 watts
500 watts
300 watts

N/A
(single channel)
> 40 V / µs
< 0.05 %
< 0.08 %
< 0.03 %
> 300/ > 200
--> 106 dB
20 kΩ
6 dBu fix
XLR in/out
Neutrik® NLMP Speakon®
5.2” x 19” x 16.8”
133 x 483 x 390 mm
37.5 lbs.. (17 kg)

1700 watts
1200 watts
> 30 V / µs
< 0.05 %
< 0.08 %
< 0.03 %
> 300/ > 200
--> 106 dB
20 kΩ
6 dBu fix
XLR in/out
Neutrik® NLMP Speakon®
5.2” x 19” x 16.8”
133 x 483 x 390 mm
37.5 lbs.. (17 kg)

M-112

M-115

M-212

Dedicated for

QRx-112/75

QRx-115/75

QRx-212/75

Operation function

Full-range / Mid-High

Full-range / Mid-High

Full-range / Mid-High

Frequency Response (-6 dB)
Full-range mode

27 Hz - 50 kHz

25 Hz - 50 kHz

27 Hz - 50 kHz

Frequency Response (-6 dB)
Mid-High mode

75 Hz - 50 kHz

75 Hz - 50 kHz

75 Hz - 50 kHz

Adjustable gain-range

-85 dB to + 6 dB

-85 dB to + 6 dB

-85 dB to + 6 dB

S/N Ratio

< 105 dB

< 105 dB

< 105 dB

THD + N

< 0.05 %

< 0.05 %

< 0.05 %

Dedicated for
Operation function
Frequency Response (-6 dB)
Full-range mode
Frequency Response (-6 dB)
Mid-High mode
Adjustable gain-range
S/N Ratio
THD + N

M-118S

M-218S

M-153

QRx-118S
Subwoofer
25 Hz - 90 kHz

QRx-218S
Subwoofer
25 Hz - 90 kHz

QRx-153
Bi-amp
27 Hz - 50 kHz

---

---

40 Hz - 50 kHz

-85 dB to + 6 dB
< 108 dB
< 0.05 %

-85 dB to + 6 dB
< 108 dB
< 0.05 %

-85 dB to + 6 dB
< 105 dB
< 0.05 %

55

Compact Precision Amplifier CP2200
CP2200

Available
May 2003

Introducing the CP2200, EV enters a new era of compact and lightweight
professional amplifiers. Similar to the famous P-Series, the CP2200’s electrical
reliability and mechanical ruggedness are only surpassed by its sonic qualities.
•
•
•
•

2 x 1100 W/2 Ω
Class H design
Lightweight: 15 kg
2 rack units high (3-1/2”)

CP2200
Load Impedance
Maximum Midband Output Power THD = 1%, 1 kHz, Dual Channel
Rated Output Power THD < 0.1%, 20 Hz ... 20 kHz
Maximum Single Channel Output Power Dynamic-Headroom, IHF-A
Maximum Single Channel Output Power Continuous, 1 kHz
Maximum Bridged Output Power THD = 1%, 1 kHz
Maximum RMS Voltage Swing THD = 1%, 1 kHz
Power Bandwidth THD = 1%, ref. 1 kHz, half power @ 4 W
Voltage Gain, ref.1 kHz
Input Sensitivity at rated power @ 8W, 1 kHz
THD at rated output power, MBW = 80 kHz, 1 kHz
IMD-SMPTE 60Hz, 7 kHz
DIM30 3.15 kHz, 15 kHz
Maximum Input Level
Crosstalk ref. 1 kHz, at rated output power
Frequency Response ±1 dB, ref. 1 kHz
Input Impedance active balanced
Damping Factor 1 kHz
Slew Rate
Signal to Noise Ratio Amplifier A-weighted, input sensitivity +4 dBu
Power Requirements
Power Consumption at 1/8 maximum output power @ 4 W, +10%
Protection
Cooling
Dimensions (W x H x D)
Weight

56

8Ω
500 W
350 W
625 W
550 W
1,600 W

4Ω
2Ω
800 W
1,100 W
700 W
–
1,200 W
2,200 W
950 W
1,500 W
2,200 W
–
72 V
10 Hz - 60 kHz
32.8 dB
+ 4 dBu (1.23 Vrms)
< 0.05%
< 0.02%
< 0.01%
+22dBu (9.76 Vrms)
< -80dB
15 Hz - 40 kHz
20 kΩ
> 300
35 V/µs
105 dB
240, 230 V,120 V or 100 V; 50 Hz ... 60 Hz ( factory configured )
660 W
Audio limiters, High temperature, DC, HF, Back-EMF,
Peak current limiters, Inrush current limiters, Turn-on delay
Front-to-rear, 4-stage-fans
3.5” x 18” x 15.7”
483 x 88.1 x 386.8 mm
35.2 lbs.. (15 kg)

Precision Series Remote Amplifiers
DSP Controlled Precision Series Amplifiers
•
•
•
•
•
•

Remote control and supervision of up to 250 amplifiers via one or multiple PCs.
Central supervision of all amplifiers and connected loudspeakers (system check)
State-of-the-art signal processing (Filter, Delay, Level, Dynamics)
Display of the acoustical response of EV speakers in real-time (RACE)
Integration with life-safety systems and control of external equipment
Exceptional audio performance and extreme reliability

RCM-24:
The Digital Engine with more than 115 dB Dynamics
Remote Control
•
•
•
•

Remote control of all amplifier parameters
Centralized system configuration
Preset and program change for different applications
Control via one or multiple PC's with discretionary access control

Signal Processing
Electro-Voice has 75 years of experience in the design and manufacturing
of loudspeakers and microphones. But many are not aware that
Electro-Voice has 50 years of design experience in power amplifiers and
more than 20 years in digital audio processing.

• 12 filters, 2 delays, compressor and limiter per channel
• RACE Processed Presets for EV speakers available

An unwavering commitment to satisfying customer needs made
Electro-Voice become a leading manufacturer of sound reinforcement
systems for stadiums, arenas, multi-purpose venues, theaters and cinemas
around the globe. Due to their sonic purity and extreme reliability EV's
amplifiers became established with top concert-sound and professional
installation projects worldwide. The Precision Series is the flagship of EV's
amplifier product line. An uncompromising design for the highest level of
demand.

•
•
•
•

Total Supervision
All amplifier operation modes are controlled and monitored
Automated action procedures on critical operation modes are programmable
Full time supervision of loudspeaker lines for short-circuit and interrupt
Full frequency bandwidth measurement of speaker impedance and display of
impedance curve showing tolerances

The new DSP Controlled P Series amplifiers combine legendary performance
with an uncompromised remote control and system supervision capability.
Utilizing state-of-the-art technologies from our signal processor
developments (dynamics >114 dB) we guarantee to provide superior audio
performance.

In and out jacks for CAN bus on RJ45 connectors - CAT-5 cabling (includes
audio monitoring signal) RS-232 interface to connect to media control
systems
Control port with GP in and out termination (0 to 5V) for external control,
free programmable functionality (i.e. integration into life-safety and
evacuation systems). Audio signal input on XLR connector, parallel out and
DSP out on Phoenix connector.

AD/DA-conversion in 24 bit resolution and 128-times oversampling (linear
phase); internal word length 48 bit. This allows the RCM-24 to offer a total
dynamic in exceed of 115 dB, an unequalled value for digital signal
processing in power amplifiers.

57

Precision Series Remote Amplifiers
Range of Amplifiers for High and Low Impedance Applications

P3000 RL
The flagship, with 2 x 1300 watts into 4 and 2 x 1800 watts into 2 ohms, the
digital controlled version of the legendary P3000 amplifier. Speaker outputs on
Speakon® NL4 connectors.

P1200 RL
The universal with 2 x 600 watts into 4 and 2 x 850 watts into 2 Ohms.
Speaker outputs on barrier strip.

R900 RL
Featuring 2 x 450 watts into 4 and 2 x 650 watts into 2 ohms the P900RL is
dedicated for HF drive in multi-way systems. Speaker outputs on barrier strip.

P1200 RT
High impedance output for 100/70V-lines with 2 x 590 watts.
The dynamic limiter circuit includes the output transformer and limits THD to
1% maximum. Speaker outputs on barrier strip.

R900 RT
High impedance output for 100/70V-lines with 2 x 410 watts.
Speaker output on barrier strip.

IRIS Software

UCCI
USB to CAN bus interface for remote controlled amps.

I.R.I.S. (Intelligent Remote Integrated Supervision) software
allows configuration, control, and monitoring or up to 250 EV
Remote Amplifiers from one central location

P900 RL

P1200 RL

P3000 RL

P900 RT

P1200 RT

8Ω

4Ω

2Ω

8Ω

4Ω

2Ω

8Ω

4Ω

2Ω

100 V

70V

100 V

70V

Continuous Output Power (1 kHz, THD 1%)

280 W

450 W

650 W

380 W

600 W

850 W

850 W

1,300 W

1,800 W

410 W

400 W

590 W

580 W

Rated Output Power (20 Hz-20 kHz, THD <0,2%)

230 W

350 W

450 W

300 W

550 W

650 W

750 W

1,200 W

1,500 W

350 W

350 W

500 W

500 W

Maximum Bridged Output (1 kHz, THD 1%)

900 W

1,300 W

-

1,200 w

1,700 W

-

2,600 W

3,600 W

-

-

-

-

-

THD @ Rated Output Power

< 0.05%

DIM 30

<0.03%

Intermodulation (SMPTE)

<0.08%

Signal to Noise Ratio
Frequency Response (-1 dB)
Dynamic Audio Limiter

<0.1%

<0.2%

<0.1%

<0.2%

<0.01%

<0.2%

<0.3%

<0.2%

<0.3%

<0.001%

<0.1%

<0.3%

<0.1%

<0.3%

> 105 dB

>100 dB

20 Hz - 20 kHz

45 Hz - 20 kHz

THD < /= 1% (Input signal < /= + 20 dBu

Protections

Hi-Temperature, DC, HF, Back EMF, Peak Current Limiter, Inrush Current Limiter, Power On Delay

Cooling

3(4)-stage fan, front-to-rear cooling

Input Sensitivity and Impedance

1.55 V (+6 dBu), 20 kΩ, XLR Input

Maximum Input Level

8.7 V (+21 dBu)

Serial Interface

Network: CAN, 2 RJ45 (CAT-5 Cabling), RS-232 for media control systems

Control Logic in and Outputs

2 x 0V 5V free configurable, Easy-Remote

Loudspeaker Connectors

Barrier Strip

Neutrik® Speakon® NL4

Dimensions (Width x Height x Depth)
Net Weight

35.3 lbs.. (16 kg)

All measurements both channels driven into 8 ohms unless other specified.

58

Barrier Strip

52” x 19” x 15.4” (483 x 132,5 x 390 mm) (3Ru)
37.5 lbs.. (17 kg)

66.2 lbs.. (30 kg)

53 lbs.. (24 kg)

55.1 lbs. (25 kg)

Signal Processors
EV supplies the full spectrum of equipment for complete sound reinforcement reliability and performance.
To ensure the best sound possible in your application, consider EV’s innovative signal processing.

EQ-131
• Boost and cut 1/3-octave graphic EQ
• Variable-Q active filter sets allow effective equalization
• Each of the 31 1/3-octave filters provides 12 dB of
boost or cut at ISO frequencies 20-20,000 Hz
• Excellent signal-to-noise ratio
• IEC connector allows compatibility with AC
connections anywhere
• Integral fuseholder doubles as the voltage
selector to for use anywhere

EQ-215

EQ-231

• Boost and cut 1/3-octave graphic EQ
• Variable-Q active filter sets allow effective equalization
• Each of the 15 2/3-octave filters provides 12 dB of
boost or cut at ISO frequencies 25-16,000 Hz
• Excellent signal-to-noise ratio
• IEC connector allows compatibility with
AC connections anywhere
• Integral fuseholder doubles as the voltage
selector for use anywhere

• Boost and cut 1/3-octave graphic EQ
• Variable-Q active filter sets allow effective equalization
• Each of the 31 1/3-octave filters provides 12 dB of
boost or cut at ISO frequencies 20 -20,000 Hz
• Excellent signal-to-noise ratio
• IEC connector allows compatibility with
AC connections anywhere
• Integral fuseholder doubles as the voltage
selector for use anywhere

EQ-131

EQ-215

EQ-231

EQ-131

EQ-215

EQ-231

Functions

Graphic EQ

Graphic EQ

Graphic EQ

Input/Outputs

1 in/1 out

2 in/2 out

2 in/2 out

Signal-to-Noise

>97 dB

>97 dB

>97 dB

Filter Slope

Variable Q

Variable Q

Variable Q

Connectors

Balanced XLR & 1/4-inch

Balanced XLR & 1/4-inch

Balanced XLR & 1/4-inch

Features

Low-cut filter

Low-cut filter

Low-cut filter

Height

1.73” (44 mm)

1.73” (44 mm)

3.46” (88 mm)

Width

19.0” (483 mm)

19.0” (483 mm)

19.0” (483 mm)

Depth

9.24” (235 mm)

9.24” (235 mm)

9.24” (235 mm)

Net Weight

7.48 lbs.. (3.4 kg)

6.0 lbs.. (2.7 kg)

8.8 lbs.. (4.0 kg)

59

AC One Analog Audio Controller
AC One Analog Audio Controller

The AC One analog audio controller has been designed for use in highperformance applications that employ small- to medium-size full-range
systems with subwoofers. Its excellent audio performance, dynamic
range of 117 dB, extremely low noise level, and outstanding priceperformance ratio make the AC One an advantageous alternative to
conventional crossover and controller solutions. It is possible to meet
the tough demands of modern audio applications – such as high sound
pressure level, coverage, and sound quality – only by using a biamped
loudspeaker system which can fully separate, amplify, and reproduce
the audio signal´s frequency ranges. The PowerMax 12 crossover
function brings the low-frequency performance of bigger systems to
compact systems. The AC One guarantees highly economical system
applications without loss of performance, and helps to save on
application space.
Inputs and outputs are active balanced. The inputs can be fitted with
optional high-quality input transformers (NRS 90208). The outputs
feature output relays which protect against unwanted noise in case of
power failure.

The PowerMax 12 Advantage and its Unique EQ Section
The new PowerMax 12 crossover function (patents pending) makes the best
possible use of amplifier output power and loudspeaker transmission
capacities. Compared to other regular crossover designs on the market,
PowerMax 12 delivers an extra 3 dB SPL at the crossover point, something
which cannot be achieved by normal equalization alone. In addition, speaker
overload and amplifier clipping are dramatically reduced. The PowerMax 12
crossover function silences the oft-heard complaint: “It needs more punch
and definition.” In addition, a 12-dB (Q: 1.0) lo-cut filter and a unique
3-band equalizer featuring the patented LPN filter allows for flexible, easy,
and quick system adjustments.

PowerMax 12 advantage
PowerMax 12 crossover curve

Accessories
Part number

Option/accessory

PA 1

Clear acrylic cover

NRS 90208

Input transformer

24 dB Linkwitz-Riley crossover curve

AC One

AC One
Crossover type
Crossover frequency (sweepable)
Crossover filter type
Filter options (adjustable)
Frequency response (-3 dB @ 1 kHz)
Nominal gain
Maximum gain
Dynamic range (+20 dBu, a-weighted)
THD + N (20 Hz–20 kHz, +6 dBu)
THD + N (typical, +6 dBu)
Crosstalk attenuation
Mute switch rejection
Level control attenuation
Input impedance

60

2-way stereo + sub mono
45 –160 Hz
PowerMax 12
Lo-cut/3-band EQ
16 Hz–150 kHz
0 dB
+12 dB
117 dB
<0.02%
0.003%
>80 dB
>90 dB
>80 dB
20 k Ω

Maximum level (inputs: A, B)
Rated level (inputs: A, B)
Gain range (inputs: A, B)
Output impedance (HI, LO, SUB)
Maximum level (outputs: HI, LO, SUB)
Rated level (outputs: HI, LO, SUB)
Gain range (outputs: HI, LO, SUB)
Input/output connectors
Power consumption
Power requirements 50-60 Hz (switchable)
Dimensions (H x W x D)
Net weight

+20 dBu
+6 dBu
-∞ to +6 dB
75 Ω
+20 dBu
+6 dBu
-∞ to +6 dB
XLR (active balanced)/
Inputs with parallel out
17 W
100–120 V/220–240 V
1.72” x 19” x 8.92”
43.6 x 483 x 226.5 mm (1 RU)
7.07 lbs (3.2 kg)

Dx38 (Digital Sound System Processor)
Digital Sound System Processor
Dx 38 sets standards for digital loudspeaker controllers and processors,
providing 48-bit filter algorithms, 24-bit AD/DA conversion and a dynamic
range of 115 dB. Dx38 can be used in networks of up to 31 controllers with
a maximum networking distance of 1,000 meters. Real-time controlling
and configuration is either via the front panel or PC via RS-232, MIDI or
RS-485 bus for networking.

The Dx38 comes with a detailed manual plus RACE software including
current EV speaker and amp data.

NRS 90246

RS-232 realtime controlling

RS-485

up to 1000 meters

Dx38 is a 2 in / 4 out controller with a virtual third input source. It has a
mono sum of both input channels to maximize flexibility. Two configuration
modes allow clearer handling for different qualified users. 30 user
memories and 50 factory presets can be managed.

Dx 38
Controller type
Data format

Remote panel

D/A conversion

Dx Network
(up to 32 Controllers)
WWW
Software update
download

RS-485
RS-485 Remote Interface for Dx38

DCN 485

A/D conversion

Sampling rate
DSP type
Frequency response
Dynamic Range (typical)
THD (without input transformer)
THD (with input transformer)
Input connectors
Input voltage (nominal)
Maximum input voltage
Input impedance
Common mode rejection
Output connectors
Output voltage (nominal)
Maximum output voltage
Output impedance
Minimum load impedance
Frequency crossovers (slopes)
Frequency crossovers (designs)
Filters (In- and Outputs)

DCN 485 PC Converter (RS-485 to RS-232)

Accessories
Available Options and Accessories:
PA 1
NRS 90244
NRS 90247
NRS 90246

Acrylic glass cover 19”/1 RU
Input transformer
RS-485 network interface
Contact Closure interface for external
“User preset” selection; 8 contacts
(pin 1-8: activation, pin 9: common)

Digital Compressor
Digital Limiter
Delay3 master delays (2 ms - 900 ms)
Delay-increment
MIDI in/out/thru
Graphic LCD with LED-background light
Locking function
Dimensions (WxHxD)
Weight net

2 (+1) in / 4 out
24-bit linear AD/DA conversion
48-bit processing
24-bit / sigma-delta (linear phase)
128 times oversampling
24-bit / sigma-delta
128 times oversampling
48 kHz
2 x 24-bit Motorola
20 - 20 kHz (- 0.5 dB)
115 dB
< 0,01 %
< 0,05 %
2 XLR (elec. balanced), parallel out
1.55 V / + 6 dBu
24.5 V / + 30 dBu
20k Ω
> 40 dB
4 XLR (elec. balanced)
1.55 V / + 6 dBu
8.7 V / + 21 dBu
< 100 Ω
600 Ω
6, 12, 18, 24 dB/oct.
Butterworth, Bessel, Linkwitz-Riley
26 (full) parametric Equalizers,
Low-Shelving EQ (6, 12 dB slope),
LPN (Lowpass-Notch) switchable,
Hi-Shelving EQ (6, 12 dB slope),
Lo-Cut filter (6 or 12 dB slope),
B6 alignment, Hi-Cut filter
(6 or 12 dB slope), All-Pass filter
(1 st or 2 nd order), Phase invert (180°)
4 (1 each output) with graph
4 (1 each output) with graph
4 channel delays (0 ms - 900 ms)
21 µsec.
Data dump, Master / Slave
operation, Remote Control
122 x 32 dots
via key-lock
1.72” x 19” x 14.75”
483.0 x 43.6 x 374.0 mm
17.03 lbs. (5.0 kg)

61

RACE Software
RACE
Software for Dx38
RACE is a professional audio tool to generate presets for speaker systems.
In addition to the clear display of all used filters, delay and level settings,
each output can be assigned with the acoustic data (phase and frequency
response) of the individual speaker component.
This pure speaker data has been measured in free space. RACE then
calculates the complex summation of all used filters, level and delay
settings applied to these components. Thus the display on the screen is not
only the electrical filter response but, for the first time, the actual true
acoustic response of the component. Any change of parameter values is
visible and audible in real time.

Signal Flow Diagram

An additional tool is the SPL dispersion window for lower frequencies.
Presets can even be prepared off-line in advance and need only a little
tweaking once speakers are in place. RACE enables engineers to
seamlessly integrate room influence, speaker positioning and parameter
settings and a RACE Processed Preset is a guarantee for a solid, accurate
basis from which to begin system tuning. EV supplies these presets for all
current EV speaker systems, even if the needed combination is not part of
the 50-factory preset of the Dx38.

Frequency Response

The signal flow diagram provides a clear overview of all available
parameters. Immediately after the input metering there are five master
equalizers per input available. Each of these filters can be set as hi- or
lo-pass (6 dB/12 dB-Peaking), hi- or lo-shelf (6/12 dB) or as a fully
parametric eq. Each activated filter is signaled by a green LED symbol.
Each input, or the sum of both inputs, can be delayed separately up to
900ms with the master delay. The fully flexible routing allows each input as
well as the sum to be routed to any of the four outputs. Four filters per
output are available with same filter functions as the master eq. In addition,
an all-pass filter for phase corrections can be selected. The
crossover section provides a hi- and a lo-pass-filter per channel and an
output delay for alignment. The dynamics sections with independent
compressor and limiter can be used for speaker protection.

Overall Frequency Response
This example shows the acoustical response of Xi-1183/64 plus Xi-2181
(4-way) using the big Bode-Plot. Any change of parameters like level, filter
or delays is displayed immediately. Even very complex array settings can be
tuned simply and accurately.

The output meter display works like the whole editor in real-time.
Level control and mute are available per channel.
All of these parameters on the Dx38 can easily be edited via the front
control panel without using a pc. Once you try RACE however, you may
never want to work without it!

Download RACE software for the Dx38 for free from www.electro-voice.de

62

Real-Time Acoustical Cluster Editor
Speaker Assignment
In order to display the acoustical response of the complete system, the
acoustical data of each speaker component (phase and magnitude) is
assigned to the appropriate output. The data is measured in a free field.
All influences of filter functions, levels and delay settings are then
calculated. Thus RACE displays the acoustical response of a speaker
system including all parameters used on the Dx38, but without any
room influence – in real-time. This display is exclusive for EV speaker
systems and helps to determine how to optimize the use of all digital
parameter functions.

Filter Functions
This example shows 4-way set-up with Xi-1183 (3-way) plus Xi-2181
(Sub). Clearly displayed are the filter functions of each output including
the master and channel eq settings. The resolution can be switched
between ±12 dB, ±24 dB, or ±48 dB. It’s also possible to change
between frequency or phase response. Outputs of non-relevant
speakers for this system can be removed from view. This example uses
all four outputs. This preset is slightly complex as it uses, in addition
to conventional x-overs, a wide overlap of Sub (Xi-2181) and Lo
(Xi-1183LF).

Summation
This example shows for a 4-way set-up with Xi-1183 (3-way) plus Xi2181 (Sub). Clearly displayed are the filter functions of each output
including the master and channel eq settings. The resolution can be
switched between ±12 dB, ±24 dB, or ±48 dB. It’s also possible to
change between frequency or phase response. Outputs of non-relevant
speakers for this system can be removed from view. This example uses
all four outputs. This preset is slightly complex as it uses, in addition to
conventional crossovers, a wide overlap of Sub (Xi-2181) and Lo
(Xi-1183LF).

Acoustical Response
However, adding the acoustical data of the raw components and
amplifiers to this file, the display shows the real acoustical response
caused by the actual parameter settings. Any change of a parameter is
visible and audible immediately. The big advantage of this view is the
independence of any room influence.
RACE is an industry first and unique in that the software shows the true
frequency response of EV components in real-time as they behave in a
free field.

63

Wired Microphones
N/DYM® Series
N/DYM® Series is different from other microphones. Excellent and clear sound,
comfortable and safe handling, N/DYM® magnetic structure, EV’s unique VOB™
technology and studio sound performance mark EV´s N/DYM® Series.

N/D468

As part of a fixed installation, in studios, or on the road, EV N/DYM®
microphones outperform any other microphone in their class.

N/D267a

• Top-class vocal
microphone
• Multi-stage shock mount
for unmatched lowhandling noise
• Condenser mic
performance
• Includes accessories

• Vocal and speech
microphone
• Entry into the world of
high-performance mics
• Includes accessories
• On/off-Switch (as
version)

N/D367s

64

N/D478
• Universal microphone
• Ideal to mic drums,
percussion or guitars,
also as vocal “spare” mic
• Smooth response
• Includes accessories

N/D967

• Premium vocal
microphone
• Strong low-frequency
response
• Great for female vocals
• On/off-Switch
• Includes accessories

N/D267a/as

Instrument microphone
Unique “moving head”
Extreme low self-noise
Accurate response,
even in high SPLs
• Includes accessories

N/D767a

N/D267as

Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB),
close response
Frequency Response (-3 dB),
far response
Output Level(0 dB = 1 m W/Pascal)
at 1,000 Hz
Open Circuit Voltage (at 1,000 Hz)
Equivalent Noise (0 dB=20 micropascal)
A-weighted
Magnetic Circuit
Case Material
Finish
Included accessories
soft zippered
carrying pouch
Connector type
Dimension (Length x max. Diameter)
Weight net

•
•
•
•

N/D367s

N/D868
• Designed specifically for
kickdrums
• RE20 capsule type
• Extended “lows” to tighten
mixes
• Frequency response
typically eliminates the
need of an EQ
• Extreme low self-noise
• Includes accessories

• Concert sound vocal mic
• Highest gain before
feedback
• Ultra low handling noise
• Includes accessories

N/D468

N/D478

Dynamic
Cardioid
300 Ω

Dynamic
Supercardioid
300 Ω

Dynamic
Supercardioid
300 Ω

N/D767a

Dynamic
Cardioid
—

N/D967

Dynamic
Supercardioid
150 Ω

Dynamic
Cardioid variant
300 Ω

Dynamic
Supercardioid
150 Ω

N/D868

45 Hz - 15 kHz

25 Hz - 20 kHz

35 Hz - 22 kHz

50 Hz - 13 kHz

30 Hz - 22 kHz

45 Hz - 15 kHz

20 Hz - 10 kHz

100 Hz - 15 kHz

55 Hz - 20 kHz

70 Hz - 22 kHz

120 Hz - 13 kz

60 Hz - 22 kHz

100 Hz - 15 kHz

—

- 52 dB
2.9 mV/Pascal

- 53 dB
2.2 mV/Pascal

51 dB
3.1 mV/Pascal

- 52 dB
4.0 mV/Pascal

- 51 dB
3.1 mV/Pascal

- 52 dB
2.9 mV/Pascal

- 52 dB
1.0 mV/Pascal

—
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
238 g

< 17 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
200 g

—
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
260 g

< 16 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
173 x 52 mm
205 g

< 14 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
115 x 52 mm
190 g

—
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
247 g

< 17 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
133 x 60 mm
295 g

Wired Microphones
Cobalt™ Series

Co4
Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Open Circuit Voltage (at 1,000 Hz)
Magnetic Circuit
Power requirement (Phantom power)
Specials

Dynamic
Cardioid
600 Ω
50 Hz - 18 kHz
2.2 mV/Pascal
N/DYM®
N/A
—
On/off-Switch
Die cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
148 x 23 mm
340 g

Case Material
Finish
Included accessories

Optional accessories
Connector type
Dimension (Length x max. Diameter)
Weight net

Co5

Co7

Co9

Co11

Dynamic
Cardioid
600 Ω
50 Hz - 18 kHz
2.8 mV/Pascal
N/DYM®
N/A
Low-noise

Dynamic
Cardioid
600 Ω
50 Hz - 18 kHz
3.2 mV/Pascal
N/DYM®
N/A
—

Dynamic
Cardioid
600 Ω
50 Hz - 18 kHz
3.2 mV/Pascal
N/DYM®
N/A
—

Self-biased condenser
Cardioid
Low-Z’balanced (250 Ω)
50 Hz - 20 kHz
4 mV/Pascal
N/A
24 to 48 Vdc
—

Die cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
170 x 53 mm
306 g

Die cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
170 x 53 mm
332 g

Die cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
170 x 53 mm
335 g

Die cast zinc
cobalt
Stand adapter (black)
gig bag

3-pin XLR
173 x 53 mm
292 g

Live Interview Mics
EV´s 635 and RE50 microphones are famous in broadcast, television, and
radio OBs (outside broadcasts). These microphones set world standards
especially for ENG (electronic news production) and EFP (electronic field

production). They are extremely rugged, can withstand high humidity,
temperature extremes and corrosive effects such as salt-air yet provide
excellent sound performance.

RE50/B, RE50N/D

635A (beige) 635A/B (black)

• N/DYM® for greater output
(RE50 N/D)
• No muddy lows when used near lips
• Dyna-Damp™ for extremely effective
handling noise isolation
• On-camera use with 422 A desk stand
• Acoustalloy® diaphragm material for
very smooth response over a wide
frequency range

• Withstands high humidity;
temperature extremes, corrosive
salt air
• Integrated four-stage pop-filter
• Integral windscreen and blast filter
• Comes with accessories

• Linear frequency response
• Completely pop-free
performance
• Four-stage pop and dust filter
• Internal effective shock
absorber
• Comes with accessories

• Uniform 80 - 13,000 Hz frequency
response
• N/DYM® magnetic for greater output
• Acoustalloy® diaphragm material for
very smooth response over a wide
frequency range
• Integral windscreen and blast filter
• Comes with accessories

635A(B)

635N/D-B

Dynamic
Omnidirectional
150 Ω
80 Hz - 13 kHz
- 55 dB

Dynamic
Omnidirectional
150 Ω
80 Hz - 13 kHz
- 51 dB

Dynamic
Omnidirectional
150 Ω
80 Hz - 13 kHz
- 55 dB

Dynamic
Omnidirectional
150 Ω
80 Hz - 13 kHz
- 51 dB

—
Alnico
—

2.0 mV/Pascal
N/DYM®
Acoustalloy®

2.0 mV/Pascal
N/DYM®
Dyna-Damp™

Included accessories

—
Steel
Fawn beige (A)
Semi-gloss black (A/B)
Stand adapter

Connector type
Dimension (Length x max. Diameter)
Weight net

3-pin XLR
151 x 36 mm
170 g

—
Steel
Semi-gloss
camera black
Stand adapter
zippered vinyl
carrying pouch
hard-shell case
3-pin XLR
148 x 36 mm
170 g

—
Alnico
Dyna-Damp
Memraflex
—
Aluminum
Semi-gloss
camera black
Stand adapter
zippered vinyl
carrying pouch
hard-shell case
197 x 49 mm
269 g

197 x 49 mm
269 g

Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Power Level (0 dB = 1 mW/Pascal)
at 1,000 Hz
Open Circuit Voltage (at 1,000 Hz)
Magnetic Circuit
Specials
Filters
Case Material
Finish

RE50/B

635N/D-B

RE50N/D-B

—
Aluminum
Semi-gloss
camera black
Stand adapter

65

Wired Microphones
RE-Series
RE Series is the first choice of microphones for smooth and accurate
reproduction. Its unique and famous sound performance makes it a favorite
in the broadcast, studio and touring business. EV´s Variable-D® design used
in the RE20 and RE27 N/D broadcast studio products was developed to

ensure true and accurate response across all frequencies without the upclose boominess associated with “proximity effect”. As a result, these
microphones have become the industry standard for radio studios
worldwide.

RE510

RE20
• Variable-D® for minimal proximity effect
• True cardioid with no coloration at 180° off-axis
• Ultra-flat frequency response
• Studio condenser response
• Large diaphragm
• Hum-bucking coil
• Integral wind and blast filter
• Switchable EQ (-4.5 dB, 400-100 Hz)
• Comes with accessories

• Large diaphragm self-biased condenser microphone
• Clear, natural sound
• Great for vocals or instrument
• Live and studio use
• Selectable low-end roll-off
• Supercardioid pattern
• Excellent off-axis rejection
• Wide dynamic range

RE16
• Variable-D Dynamic Supercardioid handheld
• Great for podium or handheld use
• Unique blast filter makes close-up use possible
without popping
• Uniform response independent of angle
• Humbucking coil reduces electromagnetic hum pickup
• Bass roll-off switch
• Memraflex grille means screen keeps its shape

RE27 N/D
• Variable-D® for minimal proximity effect
• N/DYM magnetic circuit brings 6 dB more
sensitivity
• Ultra-flat frequency response
• Studio condenser performance
• Large diaphragm
• 3 selectable filters: -6 dB, 250-100 Hz / gentle
roll-off 12 dB, 1000-100 Hz and a -3 dB high
frequency roll-off
• Integral wind and blast filter
• Comes with accessories

RE20

66

RE27N/D

Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Power Level (0 dB = 1 m W/Pascal) at 1,000 Hz
Open Circuit Voltage (at 1,000 Hz)
Equivalent Noise (0 dB=20 micropascal)
Maximum SPL (1% distortion, 1,000 Hz)
Power requirement (Phantom power)
Current Consumption
Magnetic Circuit
Specials

Dynamic
Cardioid
150 Ω
45 Hz - 18 kHz
- 57 dB
1.5 mV/Pascal
—
—
N/A
N/A
—
Variable-D®

Dynamic
Cardioid
150 Ω
45 Hz - 20 kHz
- 51 dB
3.1 mV/Pascal
—
—
N/A
N/A
N/DYM®
Variable-D®

Filters
Case Material
Finish

Tilt-down EQ
Steel
Fawn beige

Included accessories

Stand adapter,
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
217 x 54 mm
737 g

3 selectable EQs
Steel
Satin nickel
black handle
Stand adapter,
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
217 x 54 mm
709 g

Connector type
Dimension (Length x max. Diameter)
Weight net

RE200
• High-end transducer based on world
standard studio microphone RE2000
• Very low self-noise
• AcoustiDYM™ shock-mount system
• Ultralow-mass, gold-laminated diaphragm
• Transformerless output device
• Rear response 15 dB below the front axis at
1,000 Hz
• Comes with accessories

RE510
Condenser (self-biased)
Supercardioid
150 Ω
50 Hz - 20 kHz
-41 dB
5.6 mV/Pascal
18 dB SPL
140 dB SPL
12 - 52 VDC
N/A
N/A
transformerless
output device
switchable low-freq roll-off
Metal
Warm-Grip

RE16
Dynamic
Supercardioid
150 Ω
80 Hz - 15 kHz
-56 dB
1.4 mV/Pascal
—
150 dB
—
N/A
N/A

Stand adapter,
zippered vinyl
carrying pouch

—
—
Steel
Fawn beige
micomatte
Stand adapter,
zippered vinyl pouch
Model 310A

3-pin XLR
180 x 50 mm
215 g

3-pin XLR
187 x 45.2 x 19.1 mm
227 g

RE200
True condenser
Cardioid
200 Ω
50 Hz - 18 kHz
- 39 dB
10 mV/Pascal
21 dB SPL
130 dB
12 - 52 VDC
3.5 mA
N/A
AcousticDYM™, transformerless output device
—
Metal
Semi-gloss
camera black
Stand adapter
windscreen
3-pin XLR
137 x 28 mm
185 g

Wired Microphones
The RE90 series brings the famous sound performance of EV´s legendary RE
series to fixed installations. EV´s RE90 microphones are the most naturalsounding microphones on the market for public speaking, etc. and as a
matter of course for professional theatrical productions. Ergonomically and
architecturally designed, EV has married functionality with aesthetics making
RE series the traditional favorite among sound contractors, architects and
sound engineers. RE90 microphones are designed for the highest-quality
applications with linear frequency response and excellent, high gain-before-

feedback. All microphones guarantee a uniform polar pattern across the
range, high sensitivity, low self-noise and provide a transformerless output
device. The high-quality pre-amps are highly-resistant to electrical noise and
radio frequency interference (RFI). RE90 L and RE90 H have a external preamp housing into the XLR connector. Gooseneck microphones have an all
metal construction to substantially reduce noise from stray magnetic fields
and RFI.

RE90B (Black)

RE90P-12 (281mm)

RE90BW (White)

RE90P-18 (443mm)
• Boundary layer
• Ultra-thin profile (16 mm) housing with
rubber nonslip bottom pad and strong
steel screen
• Internal terminal block for disconnecting
cable to insert thru holes
• Integrated pop filter
• Ideal working angle 60° off-axis
• Comes with accessories

60°

• Gooseneck podium microphone
• Also perfect for instruments on-stage i.e.
acoustic guitar or choir
• Uniform frequency response and polar pattern
• Strutted (yet flexible) ultra-thin gooseneck
• Integrated two-stage pop-filter
• Comes with accessories

RE90H (Black)
RE90HW (White)

PolarChoice™ Series
• Hanging microphone
• External Pre-amp
• Very uniform polar pattern
• Includes an installation guide
• Comes with accessories

PC Plus-18
PC-12/FL

RE90L

Actual size

PC-12/XLR

• Lavaliere microphone
• Sub-miniature capsule design
• Capsule provides superior EMI/RFI shielding
• Very light-weight yet extremely reliable
• External pre-amp with very low current
consumption
• Comes with accessories

RE90B

RE90H

RE90L

• Four selectable polar patterns
• Gooseneck podium microphone
• Consistent on-axis response
• Includes accessories
• Mounting options:
— XLR (PC-12/18 XLR); flange
mount (PC-12/18FL); XLR or
flush mount (PC Plus-12/18)
— PC Plus-12/18 includes
programmable mute on/off
switch. Can be either XLR or
flush mounted.

RE90P

Element
Polar pattern

Back electret condenser
(Half-) Cardioid

Back electret condenser
Cardioid

Back electret condenser
Omnidirectional

Back electret condenser
Cardioid

Impedance, Low-Z balanced
Frequency Response (-3 dB)
Power Level (0 dB=1 m W/Pascal) at 1,000 Hz
Open Circuit Voltage (at 1,000 Hz)
Equivalent Noise (0 dB=20 micropascal)
A-weighted
Maximum SPL (1% distortion, 1,000 Hz)
Power requirement (Phantom power)
Current Consumption
Specials
output device
Case Material
Finish

200 Ω
80 Hz - 15 kHz
- 33 dB
25 mV/Pascal
< 25 dB SPL

200 Ω
75 Hz - 15 kHz
- 30 dB
27 mV/Pascal
< 25 dB SPL

100 Ω
50 Hz - 18 kHz
- 34 dB
12.6 mV/Pascal
< 29 dB SPL

200 Ω
70 Hz - 15 kHz
- 43 dB
4.5 mV/Pascal
< 28 dB SPL

127 dB
9 - 52 VDC
2.5 mA
transformerless

120 dB
9 - 52 VDC
2.0 mA
external pre-amp

Heavy-duty zinc diecast
Nonreflecting black

130 dB
9 - 52 VDC
2.5 mA
transformerless
output device
Steel
Nonreflecting black

Included accessories

Weight net

358 g

Gig bag
shock mount CPSM-Kit
3-pin XLR
6 L x 5 D mm
18: 461 x 6.4 mm
(gooseneck)
34 g

Windscreen, double-sided

Connector type
Dimension

180 cm thin
flexible cable
3-pin XLR
128 L x 94 W x 16 H mm

Steel
Low-gloss black
or white
760 cm braided cable
tape
3-pin XLR
37 L x 13 D mm
18: 443 x 6.4 mm

130 dB
9 - 52 VDC
1.0 mA
external pre-amp
output device
Polycarbonate resin
Nonreflecting black

157 g

PolarChoice™
Back electret condenser
Omni, Cardioid,
Super, or Hypercardioid
200 Ω
50 Hz - 15 kHz
- 44 dB
5.6 mV/Pascal
< 26 dB SPL
135 dB
9 - 52 VDC
2.8 mA
transformerless
Steel
Nonreflecting black

3-pin XLR
12: 281 x 6.4 mm

Windscreen, and
mounting hardware
3-pin XLR or hardwired
12: 299 x 6.4 mm

(gooseneck)
400 g/528 g

411 g/539 g

67

Wired Microphone Accessories
309A

422A

323S

MSA-NDV/COV

311

MSA-COI

320

379-1
(black)
376
(grey)
379-2
(red)

CPSM

FMK

368

EV Wired Microphone Accessories
422A

Desk stand with rubber shock mount - accepts mic stand clamps, black

309A

Suspension shock mount for RE20, RE27, black

323S

Mic stand clip for 1.0 inch diameter microphones (RE50, BK-1), black

MSA-NDV

Mic stand clip for tapered microphones (N/DYM®), black. Same as MSA-COV
mic stand clamp for Cobalt® microphones (Co5, Co7, Co9. Co11)

311

Mic stand clamp for all EV 3/4-inch diameter microphones
(635A, RE16, RE200, N/D468), black

MSA-COI

Stand clamp for Cobalt® Co4 instrument microphone, black

320

Stand clamp for RE20, RE27, N/D868

376/379

Windscreen pop filter, 376 - gray, 379-1 - black, 379-2 - red.

CPSM

Shock mount for RE90P and PolarChoiceTM gooseneck mics, black

FMK

Flange mount for RE90P and PolarChoiceTM gooseneck mics, black

368

Drum mic mounting clamp (N/D468, N/D478), black

314E

(not pictured)
Windscreen pop filter for use with 635 series mics, gray

68

Wired Microphone Accessories

309A

Suspension shock mount for
RE20, RE27N/D, black

311

Stand clamp for all EV 3/4-inch
diameter microphones (635A,
RE16, RE200, N/D468), black

313

Shock-mount for stand clamp
for EV 3/4-inch diameter
microphones (635A, RE16,
RE200)

320

Stand clamp for the RE20,
RE27N/D, black

368

Mic clip for N/D468

422A

CPSM

Desk stand with rubber shock
mount that accepts microphone
stand clamps, black
Shock mount for RE90P-12,
RE90P-18, PolarChoice™12,
PolarChoice™18

FMK

Flange mount for RE90P-12,
RE90P-18, PolarChoice™12,
PolarChoice™18

MSA-COI

Stand clamp for Cobalt Co4
instrument microphone

MSA-COV

Stand clamp for Cobalt vocal
microphones (Co5, Co7 and
Co9)

MSA-NDV

Stand clamp for 1-inch diameter
microphones (BK-1, RE50) and
tapered microphones (N/DYM
series vocal mics), gray

314E

Windscreen for 635A, gray

376

Windscreen pop filter for MC
series, RE16, RE50, N/D167B,
N/D267, N/D367, N/D767

379-1

Black windscreen pop filter for
MC series, RE16, RE50,
N/D167B, N/D267, N/D367,
N/D767

379-2

Red windscreen pop filter for
MC series, RE16, RE50,
N/D167B, N/D267, N/D367,
N/D767

MBS-CO5

Replacement ball screen for
Cobalt Co5

MBS-CO7

Replacement ball screen for
Cobalt Co7

MBS-CO9

Replacement ball screen for
Cobalt Co9

69

Professional Wireless Microphones
Receiver

• Optimized channel groups allow up to 16 systems to operate simultaneously in one
frequency band. For groups larger than 16, EV can help with the coordination and
custom groups are easily programmed.
• Programmable in 25 kHz steps across 24 MHz operating bandwidth, there are over
950 possible channels so you can always find a clear channel.
• Advanced ClearScan™, automatic group and channel selections, allows quick,
simple setup.
• Backlit LCD Display shows the Sound Engineer the Group/Channel, transmitter battery
status, diversity operation, RF and Audio level meters, and space for a custom name
(2 lines, 10 characters each).
• Specially designed “Sound Check” mode provides the ability for one person to walk
test the microphone in the performance space with tangible results.

• Patented DSP Secure-Phase™ Diversity System for maximum range and
audio quality.
• Balanced XLR microphone output and 1/4-inch unbalanced adjustable line-level output
to match the application.
• CDR-1000 Dual Receiver includes internal power supply, headphone monitoring jack,
balanced line-level output, antenna pass through, DC power on antenna jacks for
optional RF amplifier, and RE-OneLink™ PC software for remote monitoring and
control.
• Rackmount hardware included.
• Three-Year Limited Warranty.

Transmitter

Transmitter Features

Bodypack Features

• Unique “smart” battery circuit in the transmitters means there is no way to put the
battery in wrong.
• LCD display and the same four control buttons as the receiver so programming a
channel or frequency is quick and easy.
• Low battery LED will light when the battery needs a replacement.
• One on/off switch that also acts as a mute, great for pauses in presentations and
worship services.
• On/off button can be disabled to prevent accidental turnoffs
during a performance.
• Normal and High power transmit means you use just enough power for the application,
which maximizes the number of simultaneous systems and limits RF spill over into
adjacent buildings/theaters.

• Cast magnesium housing weighs only ounces but is durable enough to take the
pounding on tour.
• Detachable 1/4-wave antenna allows for easy replacement or using different antenna
options.
• Cell phone style beltclip included for quick and easy attachment. Optional pouches also
available for wearing under costumes or for more vigorous applications.
• EV has a wide selection of lapel and headworn microphones and microphone
accessories to go with the RE-1 bodypack transmitter.

Handheld Features

70

• Interchangeable microphone head allows a choice of elements to fit the vocalist’s style
and environment.
• N/DYM® 767a premium dynamic vocal microphone with VOB™ (Vocal-Optimized Bass),
excellent gain-before-feedback for high SPL stages.
• The new RE510 premium condenser vocal microphone for experienced vocalists,
spoken word and quieter stages.
• Internal 1/2-wave antenna for excellent range; stays out of harm’s way.
• An over-molded Warm-Grip™ handle reduces handling noise and encourages proper
microphone technique for better performances.

Unique Guitar Bodypack Features
• Dual band compander circuit provides the audio bandwidth required to cover the lows of
a bass guitar to the highs of a solid body.
• Mic/Instrument switch adds a 20 dB pad in the transmit path so the standard bodypack
can be used for microphone and guitars.
• Guitar patch cord featuring George L’s® cable with right angle and straight plugs included
to fit your guitar.

CSR-1000
Controls
Front Panel:
Rear Panel:
Indicators LCD
Backlit Display:
Connectors
Back Panel:

Antennas:
RF Specifications
Frequency Range:
Number of Channels:
Diversity:
Squelch:
Receiver Type:
RF Sensitivity:
FCC Type Acceptance:
Audio Specifications
Frequency Response:
Audio Output Level:
Line Level
Balanced
Distortion:
Signal to Noise Ratio:
Dynamic Range:
General Specifications
Power Supply:
Size:

Receiver
On/Off, Menu, Set, Up, Down Buttons
1/4 in. output level
Group, Channel, Diversity, Label, Set-up
Transmitter Battery Level, Audio Signal
Amplitude and RF Signal Strength, Squelch
1/4 in. unbalanced adjustable line level output
XLR balanced mic level output
USB programming port
Detachable 1/4 wave
D Band 798.1 – 821.9 MHz
E Band 841.1 – 864.9 MHz
950 possible (programmable in 25 kHz steps) per band
DSP SecurePhase True Diversity
Tone Code plus Adjustable Amplitude
Synthesized PLL Agile UHF
<0.8uV for 12 dB SINAD
Approved under Part 15
100 Hz – 15 kHz +/- 2 dB Microphone
30 Hz – 15 kHz +/- 2 dB Instrument

Features
Adjustable Balance Line Level at XLR/Mic
1/4 in. Headset Jack with Selector and Volume Control
TNC
12Vdc,15mA
Internal, Universal Cord
RE-OneLink Software
1.72” H x 16” W x 12” D
43.69 H x 406.4 W x 304.8 D mm

CSB-1000

Bodypack Transmitter

Controls:

Power On/Off, Audio Gain Adjustment with 40 dB range,
Transmit Power Switch, Microphone/Instrument Switch
(0,-20 dB), Menu, Set, Up, Down Buttons
Red LED Low Battery Indicator, LCD displays one of the
following: Channel/Group, Frequency, or Battery Level
8 hours with 9V alkaline typical
External 1/4 wave detachable
TA4F input for microphone Pin 1 ground, Pin 2 Mic input
Pin 3 +5V Bias, Pin 4 +5V through 3 kΩ

RF Output:
Normal:
High:
Case Material:
Size:

CSH-1000
Controls:
Displays:
Battery Life:
Antenna:
Microphone Elements:
RF Output:
Normal:
High:
Size:

Back

CSR-1000 Receiver
Front

Back

CSB-1000 Bodypack Transmitter

External 12 VAC 750mA in-line with cord
1.72” H x 7.50” W x 8.38” D
43.69 H x 190.50 W x 212.85 D mm

CDR-1000

Battery Life:
Antenna:
Connector:

Front

8 mV - 0.775V RMS @ 100 k ohm load
-10 dBV max (@ 40 kHz deviation)
Less that 0.5% (@ 1 kHz, 40 kHz deviation)
> 110 dB (A)
>100 dB

Additional Audio Output:
Additional Controls:
Antenna Output:
Powered Antenna Inputs:
Power Supply:
USB Monitoring & Control:
Size:

Indicators:

CDR-1000 Receiver

5 mW typical
50 mW typical
Cast Magnesium
3.75” H x 2.6” W x 0.9” D
94 H x 66 W x 23 D mm

Under
Battery
Cover

Front

Panel

Top

CSH-1000 Handheld Transmitter

Back

Panel

RE-1

Front

Accessories and Parts
Model #

Omnidirectional MicroMini™ Lapel Mic:

RE90TX

Headworn Cardioid Condenser Mic:

HM7

1/2 Wave Rx Antenna

FA-500

1/2 Wave Antenna Bracket:

AB-2

UHF Antenna Amplifier

UAA-500

Antenna /Pwr Distribution

APD- 4

Handheld Transmitter

Termination Plug For APD-4:

TP-2

Power On/Off, Audio Gain Adjustment with 40 dB range
Transmit Power Switch, Menu, Set, Up, Down Buttons
Red LED Low Battery Indicator, LCD displays one of the
following: Channel/Group, Frequency, or Battery Level
8 hours with 9V alkaline typical
Internal 1/2 wave
EV N/D767a Dynamic or RE510 Condenser

Directional Rx Antenna (450-900 MHz):

LPA-500

Low Loss Coaxial Antenna Cable:

CXU-25 ft
CXU-50 ft

5 mW typical
50 mW typical
10.5” (26.8 cm) long

1/4 Wave Super-Flex Tx Antenna:

AN-Sflex

Bodypack Pouch:

WP-1000

Guitar Cord:

MAC-G2

767a Dynamic Head for CSH-1000:

RC767A

RE510 Condenser Head for CSH-1000:

RC510

Mic Stand Adapter for CSH-1000:

MSA-1000

71

Wireless Microphones
N/DYM® Series

The N/DYM® Series UHF Wireless is a 10-channel frequency-agile system that
provides professional quality performance at affordable price levels! N/DYM
wireless also features the latest in wireless technical innovations — ClearScan™
auto channel select. ClearScan greatly simplifies system set-up by automatically
scanning and selecting a clear channel for trouble-free operation. The handheld
systems feature EV’s famous N/DYM elements for great sound and
performance.

Transmitters
N/DYM® wireless transmitters feature adjustable audio gain control, on/off and
mute switches, up to ten hours of battery life on a single 9-volt battery, rotary
channel-select switch and low-battery indicator. Bodypack transmitters feature
a flexible 1/4-wave whip antenna, while the handheld transmitters contain an
internal high efficiency antenna.

Receiver
The N/DYM® wireless receiver is housed in a half-rack-wide metal housing and
features Secure-Phase™ diversity for clear, drop-out-free audio. Fixed,
front-mount antennas for quick system set-up; balanced, mic-level XLR output;
level adjustable, unbalanced, 1/4” output; a seven-segment, LED channel
display; adjustable squelch control; Transmit and Diversity LED indicators and
channel-change lockout. Single or double rack-mount kits are also available
(RM-S and RM-D).

UHF Transmitters:
NBPU, NHTU-N7, NHTU-N2
Radiated RF Output
Adjustments and Controls

Receiver: NRU
Controls
Front Panel

Rear Panel
Antennas
Displays/Indicators
Diversity LED’s:
Tx On LED:
RF Signal Strength:
Audio Signal Strength:
Receiver Type
Size (receiver housing)

72

Displays/Indicators

Channel-set button: increments
channel setting by one; also used
to activate ClearScan™ and
channel-change lockout
Squelch adjust
1/4 -wave, fixed front mount
Channel set: seven-segment LCD
A or B lights to indicate when
diversity circuitry switches from
one antenna to the other.
lights when carrier signal is present.
4 segment LED lights to show
strength of received RF signal.
4 segment LED lights to show
audio signal amplitude
Synthesized PLL
190 mm (7.5”) x 145 mm (5.75”)
x 43 mm (1.7”)

Battery Life
Bodypack Antenna
Handheld Microphone Antenna
TA4 Connector Wiring
(on bodypack only)

Size (handheld transmitter)
Size (bodypack transmitter) (hwd)

10-15 mW typical
On/off switch, Audio mute switch
Audio gain pot with 40-dB adjustment
range, Rotary channel switch
Power on/low battery LED (red LED
flashes upon turn on;) LED stays lit
when low-battery voltage impacts
system performance.
8-10 hours with 9-Volt alkaline
Flexible external 1/4 -wave
Internal 1/2 -wave
Pin 1: ground; Pin 2: mic input; Pin 3:
+5-Volt bias;
Pin 4: +5-Volt bias fed through a
3,000-ohm resistor for two-wire
electret mics
273 mm (10.75”) long
114 mm (4.5”) x 66 mm (2.6”) x 32 mm
(1.25”) (no antenna)

Handheld Transmitter Microphone Elements:
NHTU-N7
N/D 767a dynamic cardioid
NHTU-N2
N/D 267a dynamic cardioid
Bodypack Transmitter Microphone Elements: Can be used with any compatible microphone elements.
See above for TA4F Pin-out wiring.

Wireless Microphones
N/DYM® NRSCU System
The SCU Receiver features detachable rear-panel mount antennas, front
panel RF and Audio level displays, an all metal case, and rack mount
hardware is included.

APD-4
Antenna Distribution System
• Drives up to four NRSCU or MS3000 diversity receivers using a single pair of antennas
to conserve rack space and eliminate the “antenna farm.” (8 TNC output and 2 front
mount TNC cables included, 1/2 wave antennas sold separately.)
• Supports “cascade” arrangement of multiple APD-4 splitters to allow you to drive up to
16 receivers using just 2 antennas.
• Power outputs for up to four receivers help conserve power strip space.
(4 cables included)

ClearScan™ is the latest
in wireless technical
innovations from EV.
With the simple touch of
a button, ClearScan
automatically scans the
airwaves and quickly
selects the best of 10
UHF channels.

press
here

Wireless Receiver
Operating Frequencies
Number of Selectable Channels
Diversity
RF Sensitivity
Audio
Frequency Response
Audio Output, Balanced (XLR)
Distortion
Signal/Noise Ratio
Dynamic Range

D Band: 800.3 – 813.9 MHz
E Band: 854.9 – 861.75 MHz
10
True diversity with Secure-Phase™
<0.8 µV for 12 dB SINAD
50-15,000 Hz ±2 dB
–20 dBV (600-ohm load)
Less than 0.5%
94 dB
100 dB

Receiver: NRSCU
Controls
Front Panel

Rear Panel

Channel-set button: increments
channel setting by one; also used
to activate ClearScan™ and
channel-change lockout
Squelch adjust

Antennas

1/4 -wave, detachable on rear
panel. Note: (remote antennas and
antenna splitters can be used with
this product)

Displays/Indicators
Diversity LED’s:

Channel set: seven-segment LCD
A or B lights to indicate when
diversity circuitry switches from
one antenna to the other.
lights when carrier signal is present.
4 segment LED lights to show
strength of received RF signal.
4 segment LED lights to show
audio signal amplitude

Tx On LED:
RF Signal Strength:
Audio Signal Strength:
Receiver Type

Synthesized PLL

Size (receiver housing)

190 mm (7.5”) x 145 mm (5.75”)
x 43 mm (1.7”)

73

RTM-1000 Remote Test Wireless System
Reduce the hassle and improve the results of your pre-concert
soundchecks with the Electro-Voice® RTM-1000 Remote Test Wireless
System. The RTM-1000 provides a wireless link between your calibrated
measurement microphone and audio analyzer. That means you can quickly
test multiple locations from the front row to the nosebleed seats in the time
it would take to haul long mic cables to just one spot.
• Wireless link between test microphone and audio analyzer allows faster, easier
measurement of large performance spaces
• Optional 48V phantom power supply works with any measurement microphone
• Non-companded transmission does not affect audio quality

The key feature of the RTM-1000 is that it defeats the compander on both
the receiver and bodypack transmitter. Wireless mic systems normally use
companding (compressing/expanding) to stuff more dynamic range
through narrow wireless channels. But companding can also add
coloration or distortion to the signal. The RTM-1000 defeats the
compander circuit, leaving the signal from mic to analyzer unchanged.
The RTM-1000 system includes a bodypack transmitter in a rugged cast
magnesium case with a mic stand mounting strap and a TA4F-to-XLR
adapter cable to accommodate most calibrated microphones. The
RTM-1000 receiver includes two detachable 1/4-wave antennas, and can
be rack-mounted with optional hardware.

RTM-1000 System
• Mounting strap
• TA4F-to-XLR adapter cable
• AC Adapter (as pictured at right)

RTM-1000
Receiver

RTM-1000 Transmitter
RTM-1000 Transmitter is shown with the mounting strap and
cable adapter. (Microphone and mic stand not included)

Controls
Front Panel:
Rear Panel:
Indicators
Diversity Lights:
Audio Meter:
RF Meter:
Connectors
Antennas
RF Specifications
Frequency:
Diversity:
RF Sensitivity:
FCC type acceptance:
Audio Specifications
Frequency Response:
Audio Output Level:
Distortion:
Dynamic Range:
Audio Specifications
Signal to Noise Ratio:

Power On/Off
Group, Channel, Frequency
Indicates antenna phase relationship
Shows audio signal level from the transmitter
Shows the RF signal strength
XLR balanced output
Detachable 1/4- wave ground independent
722-746 mHz
Full True Diversity
<0.5uV for 12 dB SINAD
Approved under Part 15
(compander active)
30 Hz – 15 kHz ± 1 dB
-50 dBm to –10 dBm into 200 Ω
Less that 0.5%
100 dB
(compander inactive)
57 dB typical

Transmitters
Controls

Indicators
Battery Life
Antenna
Connector

RF Output
Size

Optional 48V phantom power supply.

74

Power on/off switch
Transmit Power
Audio gain adjustment with 40 dB range
Red LED low battery indicator, Group, Channel, Frequency
7 hours with 9-volt alkaline
1/4-wave detachable
Microphone input 4-Pin TA4F
Pin 1: ground;
Pin 2: Mic input;
Pin 3: +5V bias; Pin 4: +5V through 3k Ω
5 mW or 50 mW max
3.75” x 2.6” x .09” (96 mm x 66 mm x 23 mm)

Cobalt Wireless Microphones

VHF

Cobalt® Handheld Transmitters

VHF Cobalt® Wireless Systems
The R100 VHF systems operate in the frequency band between 174.100 and 185.350 MHz (channels
7-8 in the TV band). With the R100 Series, having EV wireless freedom has never been more
affordable, cost-effective or practical. The R100’s rock-solid RF performance is the result of superior
design and state-of-the-art manufacturing. The R100 receiver can also be rack mounted with the
optional RMR accessory kit.

UHF

Cobalt handheld systems combine EV’s
classically styled, ergonomically contoured
transmitter with famous EV microphone
transducers. Separate on/off and mute
switches give you operational flexibility and
eliminate popping common in single switch
transmitters. The R100 and R200 systems
feature the Co7 dynamic and Co11
condenser microphones.

Cobalt® Bodypack Transmitters
Cobalt bodypacks have options to fit virtually
any wireless application. Each system
features an oversized switch for easy, silent
muting and a separate on/off switch. R100
systems offer hardwired lavaliere (lapel)
condenser microphones and a 1/4-inch
instrument plug. R100 headworn and all
R200 bodypacks come with TA4 connectors
to allow easy interchangeability of mics. There
is a collection of lavaliere and headworn
microphones for R200 systems to perfectly
meet any requirement.

Cobalt® Instrument Systems
Most wireless guitar systems are just a
microphone bodypack with a 1/4-inch
connector. The Cobalt instrument systems are
designed specifically to bring out the transient
detail and wide dynamics of a guitar. The
companding circuit provides wide dynamic
range and accurately captures the “plugged
in” essence of the instrument's sound.

R200 XTU Universal Plug-On
UHF Transmitter

UHF Cobalt® Wireless Systems
The R200 UHF systems operate in the 710.000-721.350 MHz band (channels 54-55 in the TV band).
The chief advantage of the UHF band is that there are far fewer chances of interference problems since
the frequency range is less crowded. With the R200U systems, there is a wider selection of premium
high-performance microphones for better audio performance plus the receivers have 1/4-inch
unbalanced and balanced mic-level 3-pin XLR-type output connectors. The R200 receiver can also be
rack mounted with the optional RMR accessory kit.

R100
RF Frequency Range:
Audio Frequency Response:
Harmonic Distortion:
Radiated RF Output:
Audio Output Level:
Battery Life:
Available Systems:

174.100-203.200 MHz (11 stock frequencies)
20 Hz-15 kHz +/- 2 dB
<0.5%
35-45 mW typical,
50 mW maximum
.775 V rms into 100 kΩ load
8-12 hours typical
R100VHC7 Electro-Voice Co7 Handheld Dynamic
R100VHC11 Electro-Voice Co11 Handheld Condenser
R100VL Electro-Voice OLM10 Lavaliere Condenser
R100VE Electro-Voice HM2 Headworn Condenser
R100VG Electro-Voice Guitar System

With EV’s XTU UHF transmitter, you can turn
most any dynamic or electret microphone into
a wireless by simply plugging it into the XLR
connector. The XTU has a gain adjustment
control with wide range to allow optimum
level matching to your microphone.

R200
710.100-721.350 MHz (8 stock frequencies)
20-15 kHz +/- 2 dB
<0.5%
35-45 mW typical,
50 mW maximum
.775 V rms into 100 kΩ load
8-12 hours typical
R200UHC7 Electro-Voice Co7 Handheld Dynamic
R200UHC11 Electro-Voice Co11 Handheld Condenser
R200UL Electro-Voice ULM20 Lavaliere Condenser
R200UE Electro-Voice HM2 Headworn Condenser
R200UG Electro-Voice Guitar System
R200UT Electro-Voice Plug-On System

75

Wireless Microphone Accessories
OLM 10

RC767a

RC510

RCSA

HM2

MSSA

AN-Flex

WP1000

AN-Sflex

BC1000

HM7
MAC-2
HM311

MAC-G2
CS200TEX

RE90TEX

MAC-G

RM-D
APD-4

RM-S
AB-2

LPA-500

TP-2
ULM21
ANU-14

76

CXU

Wireless Microphone Accessories

OLM 10
• Lavaliere mic
• Includes shown
accessories

ULM 21
• Lavaliere mic
• Includes shown
accessories

CS 200TX
• Lavaliere mic
• Hi-Performance
• Includes shown
accessories

OLM10

Omnidirectional lavaliere condenser mic with
TA4F wired for R200, N/DYM and MS3000 wireless

ULM21

Unidirectional lavaliere condenser mic with TA4F
wired for R200, N/DYM and MS3000 wireless

RE90TX

MicroMiniTM omnidirectional condenser lavaliere mic
with TA4F wired for R200, N/DYM, MS3000, and RE1 wireless

RE 90 TX
• Lavaliere mic
• Top-class
• Ultra-miniature
• Includes shown
accessories

HM 2
• Headset mic
• Includes shown
accessories

HM 7
• Headset mic
• Top-class
• Super light
weight
and comfortable
• Includes shown
accessories

BC-1000

Beltclip with tab and screw for the WT-1000

AN-Flex A

1/4-wave RE-1 bodypack transmitter antenna 'A' band

AN-Flex B

1/4-wave RE-1 bodypack transmitter antenna 'B' band

AN-Sflex A

1/4-wave RE-1 bodypack transmit antenna super flex
- 'A' band

Cardioid condenser lavaliere mic with TA4F wired for
R200, N/DYM and MS3000 wireless

AN-Sflex B

1/4-wave RE-1 bodypack transmit antenna super flex
- 'B' band

Headworn condenser cardioid mic with TA4F wired
for R200, N/DYM and MS3000 wireless

APD4

Antenna/power distribution system (supplies 4 units)
for use with NRSCU, MS3000, and RE-1 wireless

Headworn condenser cardioid mic with TA4F wired
for R200, N/DYM, MS3000, and RE-1 wireless

TP-2

TNC 50 ohm termination plug for APD4

Crown® model CM-311 touring level headworn
condenser cardioid mic with TA4F for R200, N/DYM,
MS3000, and RE-1 wireless

TNC

TNC connector for Antenna Cable Connections

FA-500

1/2-wave antenna (300-900 MHz)

RC767a

RC767a dynamic microphone cartridge for the RE-1
series CSH-1000 handheld

AB-2

Universal mounting bracket for 1/2 wave antenna
with 10' coax cable for MS3000 wireless

RC510

RC510 electret condenser microphone cartridge for
the RE-1 series CSH-1000 handheld

LPA500

Log periodic antenna with hardware

CXU-25

25-foot volt-loss cable with TNC connector

MAC-2

XLR to TA4F adapter cord
CXU-50

MAC-G

3-feet guitar cord, TA4F to 1/4-inch N/DYM NBPU-G

50-foot (15.24m) volt-loss coax cable with TNC
connector

MAC-G2

George L™ guitar cable for the RE-1 bodypack
transmitter

CXU-75

75-foot volt-loss cable with TNC connector

CXU-100
WP-1000

Leather pouch for RE-1 bodypack transmitter

100-foot (30.4m) volt-loss coax cable with TNC
connector

RCSA

Stand adapter for handheld transmitter models
N/DYM, MS-3000, R100, and R200 Series

RM-D

Rack-mount kit - double (works with N/DYM, RTM-1,
and MS3000 receivers)

MSSA

Deluxe stand adapter for handheld transmitters

RM-S

Rack-mount kit - single (works with N/DYM, RTM-1
and MS3000 receivers)

MSA-1000

Mic stand adapter for the RE-1 series CSH-1000
handheld

RMR

Rack-mount adapter kit for R100 and R200 receiver

CS200TEX

HM2

HM7

HM311

77

2-Way Stereo (Mono Sub)

Pop Band, or Disco in smaller room

Cabinets
Amplifiers
Controllers
Cabling

2 x QRx212/75, 3 x QRx118S
1 x P1201, 1 x P1202
2 x M-212 & 1 x M-118 Module
3 x NL4 long, 2 x NL4 short

Horizontal Coverage
Typical Distance
Total Amp Power
Options

2 x 75°
15 m to 20 m
2 x 600 W + 1,500 W = 2,700 W

Accessories

2 x QRx Rigging Kit, 3 x QRx Wheel Kit

Comments

System could be doubled for larger rooms

2-Way Stereo

78

Standard PA for Concert & Disco

Cabinets
Amplifiers
Controllers
Cabling

4 x QRx115/75, 4 x QRx218S
4 x P1202
2 x M-115 & 2 x M-218 Module
8 x NL4 long

Horizontal Coverage
Typical Distance
Total Amp Power
Options

Accessories

4 x QRx Rigging Kit, 4 x QRx Wheel Kit

Comments

2 x 100° to 150°, or 4 x 75°
15 m to 20 m
2 x 1,900 W = 3,800 W
add 2 M-115 & M-218 Modules to split
system into two separate systems

2-Way Stereo

Pop/Rock-Band, Medium Dance Floor

Cabinets
Amplifiers
Controllers
Cabling

4 x QRx212/75, 6 x QRx118S
2 x P2000, 1 x P3000
1 x Dx38
6 x NL4 long, 4 x NL4 short

Horizontal Coverage
Typical Distance
Total Amp Power
Options

Accessories

4 x QRx Rigging Kit, 6 x QRx Wheel Kit

Comments

4-Way Stereo

2 x 100° to 150°, or 4 x 75°
20 m to 25 m
2 x 3,100 W = 6,200 W

Compact Hi-Resolution System

Cabinets
Amplifiers
Controllers
Cabling

2 x Xi2123/106, 6 x QRx118S
2 x P2000, 2 x P3000
2 x Dx38
2 x NL4 long, 4 x NL4 short, 2 NL8 long

Horizontal Coverage
Typical Distance
Total Amp Power
Options

Accessories

4 x Xi-DSK, 6 x QRx Wheel Kit

Comments

2 x 100° (single source no interference!)
25 m to 30 m
2 x 3,000 W = 6,000 W
Second Xi2123 per side could be added
for wider or higher coverage

79

3-Way Stereo

Cabinets
Amplifiers
Controllers
Cabling
& Accessories

12 XLC127+, 6 Xsub
4 P2000 (or CP2200), 2 P3000
2 Dx38
6 NL8 long, 12 NL8 short, 2 XLC grids,
12 dollies 127 (or 2 bottom dollies), 2 Xline dollies

4-Way Stereo+Sub

80

Compact Line-Array for mid-sized venues

Horizontal Coverage
Typical Distance
Total Amp Power
Options&Comments

2 x 120°
30 m to 50 m
2 x 7,000 W = 14,000 W
XLC127+ could be triamped using three
CP2200 per side for more headroom

Compact Line-Array for mid sized venues, higher SPL’s

Cabinets

12 XLC127+, 8 XLC118, 4 Xsub

Horizontal Coverage

2 x 120°

Amplifiers

10 P3000 (or 4 P3000, 6 CP2200)

Typical Distance

30 m to 50 m

Controllers

3 Dx38

Total Amp Power

2 x 12,000 W = 24,000 W

Cabling

6 NL8 long, 10 NL8 short, 4 XLC grids, 12 dollies 127

Options&Comments

For rock ’n’ roll add more subs

& Accessories

8 dollies 118 (or 6 bottom dollies), 1 Xline dolly

5-Way = Sub + In-Fill

Arena up to 6000 people, wide

Cabinets:

12 xf, 8 xb, 4 Xcn, 4 Xcb, 8 Xds

Horizontal Coverage:

2 x 100° to 120°

Amplifiers:

14 x P3000 (= 4 X-Array System Racks)

Typical Distance:

60m to 70m

Controllers:

4 x Dx-38 / 2 DN9848

Total Amp Power:

2 x 16.950W = 33.900W

Cabling:

10 x NL8 long, 24 NL8 short

Options:

x subs could be used instead of xds

Accessories:

10 Grids, 20 Xrhg & Xess, 40 Xrhl & Xesl, 14 Dollies

81

8-Way Stereo, Line Array

82

Large Venue, Concert Sound

Cabinets:

12 Xvls, 8 Xvlt, 12 Xsub, Xfill 1 & 2

Horizontal Coverage:

Amplifiers:

12 P3000 (= 6 X-Line Amp Racks)

Typical Distance:

2 x 90° (120° nearfield)
50m to 100m (depending on the rigging heights)

Controllers:

4 Dx38, or 2 DN9848

Total Amp Power:

2 x 28,800 W = 57,600 W

Cabling:

16 NL8 long, 16 NL8 short

Options:

Number of Xsubs depending on music style

Comments:

Use of Xfil depending on array heights

Speaker Technologies
Ring Mode Decoupling® (RMD®)

Power handling ratings

Electro-Voice pioneered Ring Mode Decoupling (RMD®) as a result of experience
gained through years of high-level concert system design. The acclaimed EV XArray™ was the “test bed” for RMD® research. Just as automotive companies use
Formula One racing to develop new technologies, Electro-Voice uses its work in the
concert sound and touring industries to develop new technologies. The goal of that
basic research is to bring those new technologies into all aspects of the sound
reinforcement industry.

Accurately specifying power handling ratings presents a challenge with odds
typically worse than those in a game of chance. Each manufacturer rates its
components in its own particular way. While responsible manufacturers
always qualify their testing methods, this offers little help to users not familiar
with the different test methods.

All loudspeaker components display unwanted vibrational modes – or resonances –
that produce both frequency and time-domain distortions. A time-domain distortion
is most often described by loudspeaker users as a “ringing” in the system. This
ringing is usually most audible through the vocal fundamental range, and users
commonly attempt to “cure” the ringing mode through equalization. Unfortunately
such attempts remove not only the time-domain distortion, or ringing, but also parts
of the musical signal as well. The net result is that musical information is lost.
RMD® is a series of techniques developed by Electro-Voice engineers to deal with
the time-domain distortion at its source. The basic problem is mechanical in nature.
As a result, the only really effective solution is also mechanical. When acoustic
resonances are encountered, the only effective solution is an acoustic remedy.
The same applies to electrical resonances: The solution must be electrical.

Electro-Voice has used an EIA-based rating for many years. It offers a
reasonably good combination of mechanical (excursion) and thermal (heat)
stress measurements. The ratings supplied with EV components are very
conservative, and require a full eight-hour test cycle to generate.
However, Electro-Voice does not limit its power testing to EIA methods. Long
term continuous musical testing of rated program limits is typically performed
for 200-hour durations. EV engineers also perform mixed-signal testing, a
combination of continuous noise (EIA- or AES-based shaped spectrum
signals) and low-frequency impulsive signals (such as kick drums). Mixed
signal tests often represent typical program material, and the resulting
measurements relate better to real-world conditions.
The most useful power handling rating is that of the program material
specification. This rating relates well to “in the field” situations for most
musical programs. It should always be remembered that no test method or
rating spec will universally describe every situation. Extreme power levels can
produce either mechanical or thermal failures with any manufacturer’s
components.

Manifold Technology®

RMD® treatment produces an acoustic signal that is much more free of mechanical
and acoustical ringing modes. The result is a level of fidelity – particularly through
the critical vocal range – that is more coherent and “in your face.” Another benefit
of RMD® technology is a much higher degree of level independence. Many front-ofhouse engineers have noted that system equalization needs to change with system
output levels. The louder the system is driven, the more EQ changes become
necessary to maintain system voicing (that is, the system sounds different at higher
power levels). RMD® greatly minimizes the changes in system voicing that occur with
level changes. Systems with RMD®, therefore, display a high degree of levelindependent fidelity and a very audible improvement in vocal clarity as well.

In 1986, Electro-Voice revolutionized concert sound reinforcement by
introducing Manifold Technology®. In each of the four bandpasses covering
the entire frequency range, the output of four loudspeakers was flawlessly
combined – or “manifolded” – into a single horn (such as a large-format MH
horn) or low-frequency enclosure. The result was a physical package, a
fraction of the size of conventional concert rigs but with four times the
acoustic output. This eliminated the drastically uneven coverage that occurs
when multiple acoustic sources are stacked to gain more output. Manifold
Technology® came into its own particularly in smaller-sized locations or
installations, where low-frequency output was limited by the space available.

83

Speaker Technologies
Dipole and Tripole™ Technology

Vari Intense®

(2- or 3-element line array)
Tripole configuration of the dual-woofer three-way systems of Xi-Series™ provides
the best directivity improvement, achieved by the vertically spaced low-frequency
sources which flank the mid-bass horn operating alone at low frequencies and by
appropriately overlapping the LF and MB sources in the mid bass, e.g., 125 to 540
Hz. The single-woofer three-way systems may be dipole configured, achieved by
overlapping the (single) woofer and mid-bass source in the appropriate frequency
ranges. This physical orientation of three sources, together with appropriate
amplitude shading and filter combinations, produces vertical directivity control to
below 125 Hz.
The resulting interferences of normal overlapped speakers are completely
minimized. The sonic advantages of this combination are significant. Precisely
controlled radiation patterns at low frequencies prevent reverberant energy in the
125- to 600-Hz range from degrading vocal fundamentals. The pattern control
achieved by this three-source, single-enclosure “array” prevents the critical distance
from moving “forward” (toward the source) as wavelengths become significant in
size with respect to the radiation device, and pattern control is lost. This is the case
with conventional system designs. The other primary advantage is that down to 125
Hz, acoustic output under the enclosure is a full 12 dB or more below on-axis levels.
This results in greatly improved gain-before-feedback levels on stage especially in
theaters where lavaliere microphones are traditionally used under center speakers.
In conventional systems where “under enclosure” levels are comparable to on-axis
levels, system intelligibility is even compromised at the source (microphone) because
of poor loudspeaker directivity control and subsequent “spill over”.

EV´s unique Vari Intense® (VI) technology has a lot of advantages in most applications
of “typical sized” rooms. Vari Intense® provides a rectangular coverage pattern. The
unique, patented throat and flare structure of the VI horn delivers a 6 to 10 dB hotter
signal to the rear of the room. The resulting even front-to-back SPL eliminates earstrain at the back of the sitting area and painful ears at the front. One VI horn
replaces two standard systems that reduce costs and eliminates destructive
interference which occurs between long and short throw horns or multi-sourced
horizontal arrays. The downward aimed horn delivers sound only to the floor plan
where the audience is and provides uniform direct-field SPL and significantly
reduces the amount of sound reverberating off the ceiling. This provides an increase
in mid- to high-frequency intelligibility of 6 dB in most applications.
To plan with Vari Intense® systems is very easy. The height of the room defines the
size of the floor plan covered with one speaker. The area covered would be a width
coverage of two times the height of the ceiling and depth, or throw, three times the
height of the ceiling. Therefore a Vari Intense® speaker mounted centrally, parallel to
the floor, at a height of 3 meters, would cover a room with equal SPL, 6 meters wide
by 9 meters long. Aiming the speaker down by 15 degrees at the same 3 meter
height will produce an even floor plan SPL that is 3 meters wide by 6 meters long
and tilting it back by 15 degrees, at the same height, produces a floor plan SPL of
6 meters wide by 15 meters long. Normally the loudspeaker is mounted
approximately 0.6 to 0.8 times the height back from the first row and has a nominal
angle of the top of the enclosure parallel to the floor or slightly (2 to 3 degrees)
tilted back.

2 times height

Dipole

Tripole™

3 times height

floor coverage plan of a VI horn

84

Speaker, Distances, and Horns
This graph should help you to get a feeling of coverage angles, loss in SPL and covered areas.
The following questions can be answered:
1.

Question: “What coverage angle is needed to cover a width of X meters by the maximum possible distance to the audience
of Y meters?” Helpful when the install position of the speakers and the area to cover are predetermined.
Solution: Possible distance to the audience is a maximum of 12 meters. Covered width should be approx.
36 meters (2 x 18 meters). A system that provides 120 degrees coverage is needed.

2.

Question: “Which system is needed when the distance to the audience and the target SPL is known?”
Helpful when the install position of the speakers is known and a pre-defined SPL is required.
Solution: Inverse square law of a point source (-6 dB when doubling the distance) helps to define the loss in SPL at a distance
of X meters. The pre-determined SPL at listening level (the audience) should be 100 dB. Distance to the speaker is approx. 50
meters (i.e. open-air, arena etc). The loss in SPL after 50 meters is approx. 33 dB, therefore the system has to provide a
continuous SPL of 133 dB/1 m.

3.

Question: “At what distance is a (i.e.) 75 meters width reached, using different loudspeakers with different coverage angles?
Solution: A 120 degrees system provides a covered width of 75 meters after approx. 22 meters. A 40 degree system provides
same width after approx. 100 meters.

4.

Furthermore (based on point 3): “What´s the loss of SPL in both cases?”
Solution: Approx. 25 dB for the 120 degrees and approx. 40 dB for the 40 degrees system. To achieve a pre-determined SPL of
105 dB, when an area of 75 meters needs to be covered, the 120 degrees system has to deliver > 130 dB and the 40 degrees
system > 145 dB. In explanation: A job for MH 4020 which provides 146 dB maximum.

5.

And others…

Dispersion angle versus distance for same coverage
12.5 M

25 m

50 m

75 m

100 m

0m

75 m

9m

18 m

27 m

-1

-2

-3

-33

-36 dB

-39 dB
Inverse square law (point source)

85

Microphone Technologies
In 1934, Electro-Voice invented the hum-bucking coil for microphones, still an
industry standard almost 70 years later. The invention was the beginning of EV’s
success in building microphones, but not the end. Electro-Voice continues to set
new standards for microphone design today. Electro-Voice was the first
manufacturer to use neodymium-based magnet structures (N/DYM®) in its
microphones, thus achieving higher output and condenser-like qualities such as
crystal clarity and reliable performance. Electro-Voice’s goals in developing
microphone technologies have always been the same: providing highest sound
quality, achieving better and more comfortable handling for the user, and
continuing the company’s tradition of legendary reliability and warranty support.
Its long list of patents attests to its success in meeting these goals.

Normal mic

Variable-D® mic

VOB™

Variable-D®
Normal microphones generate increased bottom end when used close up. This is
typically called the “proximity effect.” While some lead vocalists like this effect and
use it to enhance their performance, it is attainable only in closeup situations.
When the distance between the microphone and the source is extended, the
sound quality changes dramatically. Electro-Voice’s patented Variable-D®
eliminates this disadvantage. On the rear side of the diaphragm there is a
perforated pipe (interference duct) with precise sonic slots at set distances. The
duct provides maximum damping which is completely uncolored and undistorted
at 180-degree off-axis, ensuring the same frequency response as if the source
was nearly on-axis.
Variable-D® designed microphones can be used very close to other sound sources
with no loss in clarity or definition. This makes them the preferred choice for tight
vocals and challenging instruments such as brass. Variable-D® microphones like
the RE20 and RE27 are favorites with broadcast show hosts, vocal booths, voiceover studios, and professional touring or rental companies.

Electro-Voice’s unique VOB™ technology (Vocal-Optimized Bass) reduces lowfrequency distortion in the microphone’s output. Critical damping of the lowfrequency resonant peak results in a microphone that replaces the “muddiness”
found in competitive models with greater warmth and increased vocal intelligibility.
With a wider range of working distances than other microphones, this intelligibility
ensures a clean, clear, consistent sound that “cuts through the mix.” VOB™
counteracts proximity effect, sibilance, and P-popping, thus assuring maximum
vocal intelligibility and musical clarity.

with VOB™
without VOB™

PIN - Arrangements
Balanced (XLR)
Pin 1: Shield
Pin 2: Hot
Pin 3: Cold

Electronic
male

Microphones

PC interface
(RS 232)

female

Balanced (XLR)
Pin 1: Shield
Pin 2: Signal +
Pin 3: Signal -

Pin 1: parallel to 4 + 6
Pin 2: TxD
Pin 3: RxD
Pin 4: parallel to 1 + 6

Pin 1: Common
Pin 2: Audio
Pin 3: Bias
Pin 4: Not used

Pin 5: common
Pin 6: parallel to 1 + 4
Pin 7: parallel to 8
Pin 8: parallel to 7

Full-range

Pin 1: LF/HF +/Pin 2: Not connected

Biamp

Pin 1: LF Section +/Pin 2: HF Section +/-

Subwoofer

Pin 1: LF input +/-

Speakers

86

TA4F (not shown)
used in N/DYM
wireless

System
Pin 1 in:
Pin 2 in:
Pin 3 in:
Pin 4 in:

LF +/- Pin 2! out
LF +/- Pin 1! out
MB+/- Pin 3 out
HF +/- Pin 4 out

Cobalt Co7

Cobalt Co5

+

+

+

+

+

+

+

+

+

+

+

+

+

+

+

+
+
+
+

Speech

+

Choir

A

P

Speech

VOICE
STUDIO
Vocal

+

P

L

Kick
Drum

++

A

Toms

C

Snare

+

I

+

T

I

HiHat/
Overhead

+

O

N

S

+

+

Saxophone/
Woodwinds

+

Trumpet/
Brass

INSTRUMENT
Guitar
Amp
+

++

+

++

Accordeon

+

Guitar/
Strings

+

+

+

++

++

++

+

++

+

++

++

+
++

+

++

+

++

++

++
++

++

++
+

++

+

+

+

+

++

+

++

+

+

+

+
++

Piano

++

++

ENG

BROAD
CAST

E V M I C R O P H O N E A P P L I C AT I O N TA B L E
M I C S

Cobalt Co9
++
++

Jazz

VOICE SOUND
REINFORCEMENT

Cobalt Co11
+

Rock

N/DYM 367s
++
++

Male

N/DYM 267a(s)
+

Female

N/DYM 767a
+

Cobalt Co4

N/DYM 967
N/DYM 468
N/DYM 868
N/DYM 478

++

+
++

++

+
++

++

RE 200B
RE 20

++

+

+

++

+

++
+

++

+

RE 27
++

+

++

+

++

RE 90L

++

+

RE 510
RE 1000RE 90B

RE 90P-12/-18

++

RE 90H

Polarchoice-12/-18
RE 50B/NDB
635

+ recommended
++ optimal

PRINTED IN U.S.A. SUBJECT TO CHANGE WITHOUT PRIOR NOTICE. PA20623
© TELEX COMMUNICATIONS, INC. PRO AUDIO GROUP 03/2003

America
USA:

Telex Communications Inc. 12000 Portland Ave South, Burnsville, MN 55337, USA, Phone: 1-800-392-3497, Fax: 1-800-955-6831

Canada (East):

Acoustik GE Inc. 5715 Kincourt, Montréal, PQ H4W 1Y7, Canada, Phone: 866-369-2864, 514-369-2864, Fax: 514-487-9525

Canada (Ontario):

HEK Marketing Inc. 27 Fearn Crescent, Ajax, ON L1S 5L7, Canada. Phone: 800-494 6770, Fax 905-619-0366

Canada (West):

KMT Pro Audio. 04-301 Nassau Street North, Winnipeg, MB R3L-2J5, Canada, Phone: 888-850-8811, Fax: 204-489-7614

Mexico:

Telex de Mexico S.A. de C.V., Av. Parque Chapultepec 66-202, Col. El Parque, Edo. de Mexico, Phone:+52 (55) 5358-5434, Fax:+52 (55) 5358-5588

Latin America:

Telex Communications Inc. 12000 Portland Ave South, Burnsville, MN 55337, USA, Phone: 952-887-5532, Fax: 952-736-4212

Europe, Africa & Middle-East
Germany:

Telex EVI Audio GmbH. Hirschberger Ring 45, D 94315, Straubing, Germany, Phone: +49 9421-706 0, Fax: +49 9421-706 265

France:

EVI Audio France S.A. Parc de Courcerin, Allée Lech Walesa, F 77185 Lognes, France, Phone: +33 1-6480-0090, Fax: +33 1-6006-5103

UK:

Telex Communications Ltd. 4, The Willows Centre, Willow Lane, Mitcham, Surrey CR4 4NX, UK, Phone: +44 208 646 7114, Fax: +44 208 640 7583

Africa & Middle-East:

Telex EVI Audio GmbH. Hirschberger Ring 45, D 94315, Straubing, Germany, Phone: +49 9421-706 0, Fax: +49 9421-706 265

Asia & Pacific Rim
Japan:

EVI Audio Japan Ltd. 5-3-8 Funabashi, Setagaya-Ku, Tokyo, Japan 156-0055, Phone: +81 3-5316-5020, Fax: +81 3-5316-5031

Australia:

EVI Audio (Aust) Pty Ltd. Slough Business Estate, Unit 23, Silverwater, N.S.W. 2128, Australia, Phone: +61 2-9648-3455, Fax: +61 2-9648-5585

China:

EVI Audio (HK) Ltd. 7th Floor China Minmetals Tower, No. 79 Chatham Road South, Tsim Sha Tsui, Kowloon, HK, Phone: +852 2351-3628, Fax: +852 2351-3329

Singapore:

Telex Pte. Ltd. 3015A Ubi Road 1, 05-10 Kampong Ubi Industrial Estate, Singapore 408705, Phone: +65 6746-8760, Fax: +65 6746-1206



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Create Date                     : 2003:03:11 17:43:25Z
Modify Date                     : 2003:03:11 13:59:18-06:00
Page Count                      : 88
Creation Date                   : 2003:03:11 17:43:25Z
Mod Date                        : 2003:03:11 13:59:18-06:00
Producer                        : Acrobat Distiller 5.0.5 for Macintosh
Author                          : Rick Whitcomb
Metadata Date                   : 2003:03:11 13:59:18-06:00
Creator                         : Rick Whitcomb
Title                           : 302050
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