ProSound_04_25_3 2006 Catalog
User Manual: 2006 Catalog
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pro sound 2006 Live For Sound Founded in 1927 as a microphone company, Electro-Voice® has grown into one of today’s dominant worldwide forces in design and manufacturing of top-quality products for broadcast, touring sound, permanently installed sound reinforcement and music playback systems. Recognized the world over as a leader in audio technology, EV® is ubiquitous in performing arts centers, sport facilities, houses of worship, cinemas, dance clubs, transportation centers, theaters, and, of course, live music. EV’s reputation for providing superior audio products and dedication to innovation continues today. Whether EV microphones, loudspeakers systems, amplifiers or signal processors, the EV solution is always step up in performance and reliability. EV, a product brand of Telex Communications, Inc., shares technology with other Telex product brands: Dynacord®, Klark-Teknik®, Midas®, RTS®, and TELEX®. 1934—EV invents the humbucking coil for microphones (still a standard almost 70 years later). 1940s—EV introduces noise cancellation to microphones; revolutionizes tank and aircraft communications. 1954—EV introduces VariableD® microphone technology, a means of eliminating the upclose bass boost of conventional, single-D directional microphones—for high vocal intelligibility under the typical varying conditions of use in churches and meeting rooms. 1963—EV receives an award from the Academy of Motion Picture Arts and Sciences for the development of a shotgun microphone—the 642 Cardiline® —which significantly advances the quality of sound on film. 1974—EV develops constantdirectivity (CD) horns. For the first time, a loudspeaker maintains its rated coverage angles over a wide frequency range, for significantly more uniform sound quality and higher intelligibility throughout the audience. 1986—EV revolutionizes concert sound reinforcement by introducing Manifold Technology®. In each of four bandpasses covering the entire frequency range, the output of four loudspeakers is flawlessly combined – or “manifolded”– into a single horn or low-frequency enclosure. The result is – in a physical package a fraction of the size of conventional concert rigs – four times the acoustic output without the drastically uneven coverage of multiple acoustic sources “stacked” for more output. 1990s—EV invents RMD™ technology (Ring-Mode Decoupling), a revolutionary anodyne to sonic distortion and coloration. Speaker system resolution and clarity increases by minimizing fundamental resonant frequencies. 2000—EV invents VOB™ technology (Vocal-Optimized Bass™), an innovative mechanical design that significantly reduces proximity effect, allowing for greater vocal intelligibility and instrumental clarity. EV also invents ClearScan™, a revolutionary innovation in wireless technologies that enables automatic, frequency agile selection of the best of ten UHF channels. 2001/2002—EV introduces RACE technology (Realtime Acoustic Cluster Editor), a synergetic concept of correlating digital crossover and filter design with real world loudspeaker behavior. 2003/2004—IRIS (Intelligent Remote & Integrated Supervision) becomes the new software platform to control & monitor complex audio systems, including signal processing, amplifiers and loudspeakers in realtime. CONTENTS 2- 3 4 5 EV milestones Table of Contents Index Loudspeakers 6- 7 8 - 11 12 - 13 14 - 15 16 17 18 -19 20 - 21 22 - 23 24 - 26 27 28 28 28 29 - 31 32 - 33 34 - 35 36 - 37 38 - 39 40 41 - 42 43 - 44 45 - 48 49 - 50 50 51 - 52 53 54 -57 EVI Vari Intense® EVID™ System FRI / FRI+ System FRX / FRX+ System MH-Series Stadium Horns PLASMA™ Series QRx Series ZX4 / ZX5 ZX1 / ZX1i Sx Series™ / SxA Series™ T-Series Gladiator Eliminator i® Force i® Xi Series™ X-Array™ X-Line™ XLC System XLVC System LAPS - Line Array Prediction Software Floor-Monitors (overview) Subwoofers Cinema Systems Outdoor Speakers S-40 Ultracompact Monitor System Components HP-Horns Flying & Mounting Hardware Electronics 58 59 60 61 62 63 64 65 66 - 67 68 69 DX 38 Digital Sound System Processor RACE Controller Software AC One Analog Controller Q-Series Amplifiers PA Series Amplifiers Contractor Precision Series Amplifiers Compact Precision Amplifiers Precision Series Linear Amplifiers IRIS-Net Precision Series Remote Amplifiers Tour Grade Amplifiers Wired Microphones 70 71 72 73 74 75 Cobalt™ Series / Live Performance RE Series N/DYM® Series Broadcast RE-Series / Live Interview Microphones EV Blue Series RE-Series Install Microphones Polar Choice™ Series Wireless Microphones 76 - 77 78 - 79 80 81 82 - 83 RE-1 Wireless System RE-2 Wireless System RE97 headworn / RE920 Instrument mic Headworn / Lavalier Wireless Accessories Applications & Glossary 4 84 - 90 91 - 94 System Applications Glossary INDEX 635A(B) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 635N/D-B . . . . . . . . . . . . . . . . . . . . . . . . . . .72 A-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 A-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 AB-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 AB-32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 AB-34 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 AB-62 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 AB-64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 AC One . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60 APD-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 CB5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 CDR-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . .77 Co11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 Co4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 Co5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 Co7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 Co9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 CP1200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 CP1800 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 CP2200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 CP3000 S . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 CP4000 S . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 CPS1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CPS2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CPS2.11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CPS2.4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CPS2.6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CPS2.8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CPS2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 CSB-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . .77 CSH-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . .77 CSR-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . .77 CXU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 DH2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 DH2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 DH3/DH2010A . . . . . . . . . . . . . . . . . . . . . . .52 DH7-8/DH7-16 . . . . . . . . . . . . . . . . . . . . . . .52 DL10X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 DL12BFH . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 DL12ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 DL15BFH . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 DL15ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 DL18MT . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 Dx 38 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58 EBK-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54 Eliminator i E . . . . . . . . . . . . . . . . . . . . . . . . .28 Eliminator i Sub . . . . . . . . . . . . . . . . . . . . .28,43 Eliminator I Sub E . . . . . . . . . . . . . . . . . . . . . .28 Eliminator ii E . . . . . . . . . . . . . . . . . . . . . . . . .28 Eliminator KW . . . . . . . . . . . . . . . . . . . . .28, 43 EVI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 EVI-12 . . . . . . . . . . . . . . . . . . . . . . . . .7, 54, 55 EVI-15 . . . . . . . . . . . . . . . . . . . . . . . . .7, 54, 55 EVI-28 . . . . . . . . . . . . . . . . . . . . . . . . . .6, 7, 55 EVID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 EVID 12.1 . . . . . . . . . . . . . . . . . . .9, 43, 54, 55 EVID 3.2/3.2T . . . . . . . . . . . . . . . . . . . . . .9, 55 EVID 4.2/4.2T . . . . . . . . . . . . . . . . . . .9, 49, 55 EVID 6.2/6.2T . . . . . . . . . . . . . . . . . . .9, 49, 55 EVID C10.1 . . . . . . . . . . . . . . . . . . . . . . .11, 43 EVID C4.2 . . . . . . . . . . . . . . . . . . . . . . . . . . .11 EVID C8.2 . . . . . . . . . . . . . . . . . . . . . . . . . . .11 EVID C8.2HC . . . . . . . . . . . . . . . . . . . . . . . . .11 EVID C8.2LP . . . . . . . . . . . . . . . . . . . . . . . . .11 EVM12L Black Label . . . . . . . . . . . . . . . . . . . .51 EVX 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 EVX 180B . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 FA-500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 Force i Monitor . . . . . . . . . . . . . . . . . . . . . . . .28 Force i Sub . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Force i Two-Way . . . . . . . . . . . . . . . . . . . . . .28 FRi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54 FRi+122/64/66/94 . . . . . . . . . . . . . . . . . .12, 13 FRi+152/64/66/94 . . . . . . . . . . . . . . . . . . . . .13 FRi+181S . . . . . . . . . . . . . . . . . . . . . . . . . . . .43 FRi+181S . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Fri-122/64/85 . . . . . . . . . . . . . . . . . . . . .12, 13 FRi-152/64/85 . . . . . . . . . . . . . . . . . . . . . . . .13 FRi-181S . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 FRi-2082 . . . . . . . . . . . . . . . . . . . . . .12, 13, 54 FRi-28LPM . . . . . . . . . . . . . . . . . . . . . . . . . . .41 FRX+181 . . . . . . . . . . . . . . . . . . . . . . . . .15, 43 FRX+640 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 FRX+660 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 FRX+940 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 G115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 G118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Gladiator System . . . . . . . . . . . . . . . . . . . . . .28 HM2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 HM7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 HP64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP1240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP4020 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP420 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP6040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP9040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HP940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HPT64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HPT94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 HS-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 HT94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 IRIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66,67 LAPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40 LPA-500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 MA-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 MB5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 MH4020AC . . . . . . . . . . . . . . . . . . . . . . . . . .16 MH6040AC . . . . . . . . . . . . . . . . . . . . . . . . . .16 MH640AC/MH640AP . . . . . . . . . . . . . . . . . .16 MH660AC/MH660AP . . . . . . . . . . . . . . . . . .16 MH9040 AC . . . . . . . . . . . . . . . . . . . . . . . . .16 MH940AC/MH940AP . . . . . . . . . . . . . . . . . .16 MTL1X . . . . . . . . . . . . . . . . . . . . . . . . . . .27,44 N/D267 a/as . . . . . . . . . . . . . . . . . . . . . . . . .71 N/D367 s . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 N/D468 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 N/D478 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 N/D767 a . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 N/D868 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 N/D967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 ND6-8/ND6-16 . . . . . . . . . . . . . . . . . . . . . . .52 OLM 10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 P1200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65 P2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65 P3000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65 P1200 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . .68 P1200 RT . . . . . . . . . . . . . . . . . . . . . . . . . . . .68 P3000 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . .68 P900 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68 P900 RT . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68 Plasma . . . . . . . . . . . . . . . . . . . . . . . . . . .17, 44 PolarChoice Desktop . . . . . . . . . . . . . . . . . . .75 PolarChoice FL . . . . . . . . . . . . . . . . . . . . . . . .75 PolarChoice PLUS . . . . . . . . . . . . . . . . . . . . . .75 PolarChoice Satellite . . . . . . . . . . . . . . . . . . . .75 PolarChoice XLR . . . . . . . . . . . . . . . . . . . . . .75 Q44 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61 Q66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61 QRx112/75 . . . . . . . . . . . . . . . . . . . .18, 19, 41 QRx115/75 . . . . . . . . . . . . . . . . . . . .18, 19, 41 QRx118 S . . . . . . . . . . . . . . . . . . . . . . . .19, 44 QRx153/75 . . . . . . . . . . . . . . . . . . . . . . . . . .19 QRx218 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44 QRx(H)212/75 . . . . . . . . . . . . . . . . . . . . . . . .19 RACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59 RE90TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 RE-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76, 77 RE-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78, 79 RE20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 RE200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 RE27 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 RE50 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 RE510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 RE90 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 RE92 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 RE92TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 RM-D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 S-40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50, 55 Sb122 . . . . . . . . . . . . . . . . . . .24, 25,43, 54, 56 SbA760 . . . . . . . . . . . . . . . . . . . . . . . . . .26, 43 Sh-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55 SL10-2V . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 SL12-2V . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 SL6.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 SL8.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 Sx100 + . . . . . . . . . . . . . . . . . . . . . . . . . .24, 25 Sx250 . . . . . . . . . . . . . . . . . . . . . .24, 25, 41, 55 Sx300 . . . . . . . . . . . . . . . . . . .24, 25, 41, 54, 56 Sx300PI/PIX . . . . . . . . . . . . . . . . . . . . . . . . . .49 Sx500 + . . . . . . . . . . . . . . . . . . . . . . .24, 54, 56 Sx500 PI + . . . . . . . . . . . . . . . . . . . . . . . .24, 49 Sx600PI . . . . . . . . . . . . . . . . . . . . . . . . . .24, 49 Sx600PIX . . . . . . . . . . . . . . . . . . . . . . . . . . . .49 Sx80 . . . . . . . . . . . . . . . . . . . . . . . . . .23, 24, 55 SxA100+ . . . . . . . . . . . . . . . . . . . . . . . . .26, 42 SxA250 . . . . . . . . . . . . . . . . . . . . . . .26, 41, 55 SxA360 . . . . . . . . . . . . . . . . . . . . . . . . . .26, 42 Sx-Series . . . . . . . . . . . . . . . . . . . . . . . . . . . .55 T18 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 T221 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 T251 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 T251+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 T252+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Terminal Covers . . . . . . . . . . . . . . . . . . . . . . .10 TL18-1ES . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 TL440 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 TL440M . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 TL880D . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 TL880DM . . . . . . . . . . . . . . . . . . . . . . . . . . .47 TP-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 TS550D-LX . . . . . . . . . . . . . . . . . . . . . . . . . .46 TS9040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 TS992-LX . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 ULM 21 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 UW 30 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 Variplex II . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Variplex II XL . . . . . . . . . . . . . . . . . . . . . . . . .45 Variplex M . . . . . . . . . . . . . . . . . . . . . . . . . . .45 X-Array . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Xb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 Xcb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 Xcn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 Xds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 Xf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 Xi-1082 . . . . . . . . . . . . . . . . . . . . . . .29, 31, 55 Xi-1122A/85F . . . . . . . . . . . . . . . . . . . . . .29,31 Xi-1122MH64 . . . . . . . . . . . . . . . . . . . . . . . .31 Xi-1122MHA/64F . . . . . . . . . . . . . . . . . . . . .30 Xi-1123A/106F . . . . . . . . . . . . . . . . . . . . .30,31 Xi-1152A/64F . . . . . . . . . . . . . . . . . . . . .29, 31 Xi-1152A/94F . . . . . . . . . . . . . . . . . . . . .29, 31 Xi-1153A/64F . . . . . . . . . . . . . . . . . . . . . . . .30 Xi-1183A/64F . . . . . . . . . . . . . . . . . . . . . .30,31 Xi-1191A . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Xi-2122MHA/42F . . . . . . . . . . . . . . . . . . .30,31 Xi-2123A/106F . . . . . . . . . . . . . . . . . . . . .30,31 Xi-2153A/64 F . . . . . . . . . . . . . . . . . . . . .30,31 Xi-2181(F) . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Xi-2181A (F) . . . . . . . . . . . . . . . . . . . . . . . . .31 XLC 118 . . . . . . . . . . . . . . . . . . . . . . .36, 37, 44 XLC 127DVX . . . . . . . . . . . . . . . . . . . . . . . . .36 XLC 215 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 XLC SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . .36 XLCi 118 . . . . . . . . . . . . . . . . . . . . . . . . .36, 37 XLCi 127DVX . . . . . . . . . . . . . . . . . . . . . . . . .36 XLD 281 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 XLE 181 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 X-Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 Xn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 XS 212 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 Xsub(F) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 XVHG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 XVHL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 Xvls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 Xvlt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 XVSD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 XVSG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 XVSL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 Xw 12A . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42 Xw 15A . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42 ZX1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 ZX1i . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23,49 ZX4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 ZX5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 ZX5 PI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49 5 EVI Vari Intense® The problem is old; EV®’s solution is new. EVI is perfect for conference centers, houses of worship, halls, and other venues where evenly distributed SPL is essential. EVI systems are made of 18 mm 13-ply birch plywood (EVI 28: 12 mm 9-ply), texture-painted with a powder-coated metal grille. Electro-Voice®’s unique EVI Vari Intense® (VI) speakers are engineered to eliminate the need for additional long-throw horns or delayed sources in many rooms. The EVI Vari Intense® series provides an economical solution for permanent installations that require coverage over a rectangular area. In a typical room, the distance from the loudspeaker to the last row is two or more times that to the front row, resulting in a substantial loss in level and intelligibility at the rear. The VI horn delivers 6 to 8 dB more SPL to the back of the room, overcoming the level loss without resorting to the expense and complexity of additional speaker systems or components. A simple 3-2-1 rule-of-thumb applies for determining EVI coverage patterns: The pattern’s width will equal twice the height of the room, and the pattern’s length will equal three times the height. See the illustration below. EVI Vari Intense® coverage pattern (3-2-1 Rule): If speaker height = H, then coverage length = 3H, coverage width = 2H, and first row coverage = 1H H H W idt h = 2H Leng th = 3H EVI-28 • • • • • • • • 6 Two-way, full-range loudspeaker Vented LF enclosure 1.25" voice coil (titanium diaphragm) HF PROTM Driver protection circuit Time PathTM phasing plug Multi-angled housing Stacked, frequency-shaded woofers maintain vertical coverage angle down to 500 Hz with 120° (typical 180°); ideal for reverberant rooms Five 3/8"-16 hanging points EVI Vari Intense® EVI-12 • • • • • • • • Two-way, full-range loudspeaker High sensitivity Vented LF enclosure 1.25" voice coil (titanium diaphragm) HF PRO™ Driver protection circuit Time Path™ phasing plug Multi-angled housing Five 3/8"-16 hanging points EVI-15 • • • • • • • • Two-way, full-range loudspeaker High sensitivity Vented LF enclosure 1.25" voice coil (titanium diaphragm) HF PRO™ Driver protection circuit Time Path™ phasing plug Multi-angled housing Five 3/8"-16 hanging points VI Horn Frequency range (-3 dB) Recommended high-pass frequency Sensitivity (SPL 1 W/1 m) Max. SPL/1m (calc.) Long-term power handling Short-term power handling Coverage (H° x V°) LF driver HF driver (exit) Crossover frequency Nominal impedance (minimum) Input connections Dimensions (H x W at front x D) Net weight EVI-12 EVI-15 EVI-28 45 Hz–20 kHz — 99.5 dB 129 dB 250 W 1,000 W 60° x 65° 12" 1” (DH2010A) 2,000 Hz 8Ω screw terminal 554 x 356 x 699 mm 21.8" x 14" x 27.5" 21.8 kg (48 lbs) 45 Hz–20 kHz — 100 dB 129.5 dB 250 W 1,000 W 60° x 65° 15" 1" (DH2010A) 2,000 Hz 8Ω screw terminal 584 x 429 x 766 mm 23" x 16.9" x 30.2" 24.0 kg (53 lbs) 62 Hz–20 kHz — 93 dB 123.5 dB 250 W 1,000 W 65° x 65° 2 x 8" 1” (DH2010A) 2,000 Hz 8Ω screw terminal 353 x 496 x 523 mm 13.9" x 19.5" x 20.6" 16.3 kg (36 lbs) 7 EV Innovative Design • • • • • • Dual Woofers for extended bass, greater power handling and output. Coherent Coverage Waveguide Horn design on models 4.2 and 6.2. Dual Low-Frequency Ports provide extended bass output. Treated Woofer Cones for added weather resistance and increased reliability. Durable Zinc-Plated Steel Grille. Cast Aluminum Strong-Arm-Mount™ (SAM™) system provides excellent strength and reliability. • Over 100 degrees of swing and 90 degrees of rotation for incredible installation flexibility. • Simple Keyed Hex Head Adjustments make installations quick and easy. • Titanium Dome Tweeters with Neodymium Magnet structures provide clean highs and added weather resistance. • One-piece ABS Cabinet provides outstanding strength and acoustic rigidity. • Smooth Lines and Innovative Cosmetic Design complement any décor or environment. • Magnetically Shielded Transducers allow placement close to sensitive equipment. Design goes audio... “EVID products are an important part of the ‘Fun Ship’ entertainment experience for our guests. In addition to being visually appealing, EVID offers great sound and dependable performance, regardless of sea conditions.” Craig Palcisko, audio supervisor, Carnival Cruse Lines. 8 EVID 3.2/3.2T • • • Two-way full range Vented LF enclosure 0.75" voice coil (titanium diaphragm) with Neodymium magnetic structure Full-bandwidth overload protection for HF and LF Three-dimensional ellipse (for compact look) Magnetically shielded for video applications Comes with Strong Arm Mount (SAM™) and a hex key Suspension insert for SAM™; safety point on rear side • • • • • EVID 4.2/4.2T • Two-way full range • Vented LF enclosure • 1" voice coil (titanium diaphragm) with Neodymium magnetic structure • HF section features Coherent Coverage Waveguide™ to minimize interference • Full bandwidth overload protection for HF and LF • Three-dimensional ellipse (for compact look) • Magnetically shielded for video applications • Comes with Strong Arm Mount (SAM™) and a hex-key • Suspension insert for SAM™, safety point on rear side EVID 6.2/6.2T • • • • • • • • • • Two-way, high-output full range Vented LF enclosure High sensitivity 1" voice coil (titanium diaphragm) with Neodymium magnetic structure HF section features Coherent Coverage Waveguide™ to minimize interference Full bandwidth overload protection for HF and LF Three-dimensional ellipse (for compact look) Magnetically shielded for video applications Comes with Strong Arm Mount (SAM™) and a hex key Suspension insert for SAM™; safety point on rear side EVID 12.1 • • • • • • • Subwoofer Slot-loaded port design Dual-voice-coil, high-excursion transducer High sensitivity Built-in stereo crossover with high-pass output Trapezoidal Comes with mounting bracket (passed EIA 636 at a safety factor of 8:1) for on-wall or corner mounting • One safety 3/8"-16 eyebolt included • Suspension inserts and 2 x 3/8" hanging inserts • Powered version (120v only) available Frequency response (-10 dB) Sensitivity (SPL 1 W/1 m) Max. SPL/1m (calc.) Long-term power handling Short-term power handling Transformer taps (transformer version only) Coverage (H° x V°) LF driver HF driver Nominal impedance (non-transformer version) Minimum impedance (non-transformer version) Input connections Dimensions (H x W at front x D) Net weight (incl. mounting bracket) Shipping weight (pair) EVID 3.2/T EVID 4.2/T EVID 6.2/T EVID 12.1 85 Hz–20 kHz 87 dB 112 dB 75 W 300 W 70V: 5 W 100V: 10 W 140° x 100° 2” x 3.5" 0.75" 8 6 spring terminal 234 x 127 x 165 mm 9.2" x 5.1" x 6.5" 1.5 kg (3.3 lbs) 3.9 kg (8.6 lbs) 65 Hz–20 kHz 89 dB 115 dB 100 W 400 W 70V: 3.75 W 70V/100V: 7.5 W, 15 W, 30 W 120° x 80° 2” x 4" 1" 8 6 spring terminal 310 x 175 x 216 mm 12.2" x 6.9" x 8.5" 3.9 kg (8.5 lbs) 8.6 kg (19 lbs) 62 Hz–20 kHz 94 dB 122 dB 150 W 600 W 70V: 7.5 W 70V/100V:15 W, 30 W, 60 W 100° x 80° 2” x 6" 1” 8 6 spring terminal 419 x 228 x 298 mm 16.5" x 9" x 11.75" 5.3 kg (12 lbs) 12.3 kg (27 lbs) 40 Hz–140 Hz 100 dB 128 dB 175/175 W 700/700 W — — — 12" — 8 6 spring terminal 412 x 584 (at front) x 305 mm 16.25" x 23" x 12" 18.1 kg (40 lbs) 20 kg (48 lbs) 9 Accessories Premium Surface-Mount Speakers Mounting Brackets AB-34 and AB-64 360-degree Kits The AB-34 and 64 series kits feature a 4-sided powder-coated steel mounting assembly that allows 4 EVID speakers to be mounted in an array to cover a 360-degree pattern. The mount offers additional flexibility in EVID system designs. The AB-34 works with the EVID 3.2 series and can be used with a threaded rod for suspension from the ceiling. The AB-64 is used with the EVID 4.2 or 6.2 series and can be used with a speaker stand tripod or hung from the ceiling using a threaded rod as shown. All necessary accessories and parts needed for use are included. AB-32 and AB-62 180-degree Kits The AB-32 and AB-62 series kits feature a 2-sided powder-coated steel mounting assembly allowing for 2 EVID speakers to be mounted in an array to cover a 180-degree pattern. The AB-32 works with the EVID 3.2 series and can be used with a threaded rod for suspension from the ceiling. The speakers can then be positioned on the bracket to cover a variety of patterns to best serve the installation requirements. The AB-62 allows the EVID 4.2 or 6.2 series speakers to be used with a speaker stand tripod or hung from the ceiling using a threaded rod as shown. All necessary accessories and parts needed for use are included. Tabletop Stands HS-3 Horizontal Tabletop Stand The HS-3 horizontal tabletop stand allows the EVID 3.2 or 4.2 orientation on a table, meter bridge, desk, bookshelf or other flat surface. Ideal for portable applications, the stands are made of steel for strength and durability and include rubber feet to protect surfaces. Sold in pairs. Other Accessories TC Series Terminal Covers The TC-4 and TC-6 terminal covers protect the input connections on the EVID speakers from the long-term effects of moisture. The covers are available for the EVID 4.2 and 6.2 series models. The covers easily attach to the rear input panel of the speaker and include a weatherproof cable connector. MA-3 Mic Stand Adapter The MA-3 is a microphone stand adapter that allows use of the EVID 3.2 with a standard boom mount microphone stand. Two adapter pieces allow a solid and secure junction between the microphone boom on one side and the microphone stand side on the other. 10 EVID Ceiling Speakers The Intelligible Choice The key features No matter what the installation calls for, the new EVID ceiling speaker line can fill the need. Each model is unique and designed to meet the toughest “problem” job specifications. Sonically superior and esthetically pleasing, the EVID ceiling speaker line has no match. From the compact, powerful C4.2 to the exclusive waveguide-coupled design of the C8.2HC (patent pending) for high-ceiling environments; the EVID ceiling line will solve any installation requirement. All models meet NFPA/UL requirements for air handling spaces so they will be approved for any specification including emergency notification applications. The EVID ceiling speaker line was designed with the contractor and listener in mind. Great sound, simple installation, and exceptional value are all part of every model. • EVID C4.2 EVID C8.2 Perfect for conventional rooms. Excellent bandwidth in an esthetically, unobtrusive installation profile. Its compact design fits in tight areas. Fully rated for use in air handling spaces. Its 4” woofer and waveguide coupled titanium coated dome tweeter give smooth, wide frequency response. The enclosure is ported and tuned to provide surprising bass response in such a compact package. Features an easy 3-point mounting system for quick installations. Comes complete with mounting support ring and tile rails. No additional accessories needed for most installations. Never before has a ceiling speaker system delivered such a full range punch. Its specially tuned enclosure and 8” woofer provide amazing bass response. The 1” waveguide coupled tweeter give smooth controlled coverage out to 18 kHz. Perfect for installations where a flush-mount design is desired but demand for high quality audio exists. Features a 4point mounting system which makes installations fast and easy. Comes complete with mounting support ring and tile rails. No additional accessories needed for most installations. A low-profile version (LP) is available for ceiling spaces with tight clearance. • • • • • Acoustically matched to the EVID surface mount speaker line Meets UL and NFPA regulations for air handling spaces Regardless of the acoustic and esthetic requirements there is an EVID ceiling monitor system to fit the requirements Solves any installation challenge Either 70V/100V or 8 ohm operation is standard on every model of the EVID ceiling speaker line. No need to buy or stock special versions! All installation accessories commonly needed for most jobs are included! No expensive add-ons are necessary! EVID C8.2HC EVID C10.1 The EVID C8.2HC is ideal for high ceiling and reverberant “problem” rooms. Its exclusive ported, waveguide-coupled 8” driver provides for excellent intelligibility and definition. The C8.2HC’s patent pending design provides great coverage control throughout the voice range and above. No other speaker system provides the combination of excellent pattern control, wide bandwidth, high power handling and compact design like the C8.2HC. Features a secure 4-point mounting system which makes installations fast and easy. Comes complete with mounting support ring and tile rails. No additional accessories needed for most installations. The C10.1 packs a large 10” subwoofer in a tuned high-performance enclosure to give amazing low frequency performance down to 45Hz! The C10.1 is one of the only quick-mount ceiling TRUE subwoofers available on the market. Flexible installation and powerful low-end performance make this an ideal companion to any EVID model. Features a secure 4-point mounting system which makes installations fast and easy. Comes complete with mounting support ring and tile rails. No additional accessories needed for most installations. EVID C4.2 EVID C8.2LP EVID C8.2 EVID C8.2HC EVID C10.1 LF Transducer 4” Polypropylene cone 8” Polypropylene cone 8” Polypropylene cone 10” Polypropylene cone HF Transducer 25 mm (1”) 25 mm (1”) 19 mm (0.75”) Ti Mylar Laminate Dome Ti Mylar Laminate Dome Ti Mylar Laminate Dome 65 Hz - 20 kHz 50 Hz - 20 kHz 50 Hz - 20 kHz 80 W (overload protected) 100 W (overload protected) 100 W (overload protected) 130° conical 110° conical 110° conical 86 dB 91 dB 91 dB 8 Ohms, 70 V, 100 V 8 Ohms, 70 V, 100 V 8 Ohms, 70 V, 100 V (1.88*), 3.75, 7.5, 15, 30 (1.88*), 3.75, 7.5, 15, 30 (1.88*), 3.75, 7.5, 15, 30 176 x 181mm 178 x 270 mm 255 x 270 mm 10.04” x 10.63” 7.01” x 10.65” 6.93” x 7.13” 2.7 kg (6.0 lbs.) 5.0 kg (11.0 lbs.) 5.0 kg (11.0 lbs.) Ported cabinet, internally damped Two-Way, inc. passive crossover Steel enclosure and UL94V-0 rated baffle and bezel Integrated 3-point toggle anchors Powder-coated steel White (paintable surface) 8” Polypropylene cone +Waveguide 25 mm (1”) Ti Mylar Laminate Dome 50 Hz - 20 kHz 100 W (overload protected) 75° conical (@ >1 kHz) 93 dB 8 Ohms, 70 V, 100 V (7.5*), 15, 30, 60 303 x 320 mm 11.99” x 12.60” 6.0 kg (13.2 lbs.) Frequency Response (-10 dB) Power Handling(8 Ohms) Coverage Pattern Sensitivity (1W/1m) Input Configuration Transformer Power Taps (W) Dimensions (H x Dia.) Weight Acoustic Design Cabinet Construction Mounting System Grille Construction Available Colors *70 V only 45 - 180 Hz 150 W 180° 94 dB 8 Ohms, 70 V, 100 V (7.5*), 15, 30, 60 303 x 320 mm 11.99” x 12.60” 7.0 kg (15.4 lbs.) Dual ported cabinet, internally damped 11 FRi / FRi+ Series FRi systems are finished in black acrylic with 13-ply birch plywood and have a black powder-coated metal grille. Designed from the ground up for safe, attractive installations, FRi-122/64 and FRi-152/64 have the same 28-inch (711 mm) height as FRi-181S for uniform array appearance. FRi+ adds the performance of the large-format DH7 driver and the choice of more coverage pattern. FRi Series brings premium EV components, including the DH2T compression driver and DL series woofers, to a new level of affordability. The FRi Series provides exceptional value where flexibility and performance is required in permanent installations. Suspension is achieved by using the numerous threaded mounting points. These allow flexible installation in any situation. FRi-2082/28LPM • • • • • 356 mm 222 mm 2-Way Full-range Vented LF enclosure 1” voice coil Low-profile slanted design 45° angle allows under-balcony, on-wall and stage monitoring applications • Only FRi-2082 comes with mounting bracket! • 2 x 3/8”-16 suspension points FRi-122/64/85 • 2-Way Full-range • Vented LF enclosure • 2” voice coil (titanium diaphragm) • Trapezoidal(15° per side) • Comes with 4 eyebolts • 12 x 3/8”-16 suspension points • Horn not rotatable in 85 version FRi+122/64/66/94 • • • • • • • Input-panel of a FRi-152/64 12 Two-way full-range loudspeaker Switchable between full range and biamp Vented LF enclosure 3” voice coil (titanium diaphragm) Trapezoidal cabinet (15° per side) Comes with four eye bolts Twelve 3/8”-16 suspension points FRi / FRi+ Series FRi-152/64/85 FRi+152/64/66/94 • 2-Way Full-range • Solid bass down to 42 Hz (-10 dB) allows pure full-range performance • Vented LF enclosure • 2” voice coil (titanium diaphragm) HF • Trapezoidal (15° per side) • Comes with 4 eyebolts • 12 x 3/8”-16 suspension points • Horn not rotatable in 85 version • • • • • • • • Two-way, full-range loud speaker Solid bass to 42 Hz (-10 dB) allows pure full-range performance Switchable between fullrange and biamp Vented LF enclosure 3” voice coil (titanium diaphragm) HF Trapezoidal cabinet (15° per side) Comes with four eyebolts Twelve 3/8”-16 suspension points FRi+181S • Subwoofer • Vented slot load design • Built-in low-pass filter (switchable for biamp operation) • Trapezoidal (7.5° per side) • Comes with 4 eyebolts • 16 x 3/8”-16 suspension points FRi-2082 Frequency Range (-10 dB) Recommended High-Pass Frequency Axial Sensitivity SPL 1W/1m (Biamp mode) Max. SPL /1 m (calc.); full space Continuous Power Handling (Biamp op.) Peak Power Handling (Peak) Coverage (nominal -6 dB) (H° x V°) LF woofer (transducer) HF throat diameter (transducer) Crossover Frequencies Nominal Impedance (Biamp) Input Connections Dimensions (H x W at front x D) Net Weight FRi-122/64/85 / FRi+122/64/66/94 50 Hz - 15 kHz 50 Hz (12 dB/Oct.) 97 dB (97/112 dB) 122 dB 128 dB 200 W 300 W (300 W/60 W) 800 W 1,200 W 100° x 100° (CD Horn) 60° x 40°/80° x 50° (FRi) 60° x 40°/60° x 60°/90° x 40°(FRi+) 50mm x 203 mm (2” x 8”)(---) 304mm (12”) (DL12BFH) 25 mm (1”) (compr. driver) 25 mm (1”) (DH2T)/1.4” (DH7) (FRi+) 2,800 Hz 1,600 Hz 8Ω 8 Ω (8 Ω/8 Ω) Barrier strips Dual barrier strips 222 x 620 x 356 mm 711 x 401 x 445 mm 8.75” x 24.5” x 14” 28” x 15.9” x 17.6” 27.3 kg (60 lbs.)/29.5 kg (65 lbs.) 18.2 kg (40 lbs.) 55 Hz - 20 kHz 50 Hz (12 dB/Oct.) 93 dB FRi-152/64/85 / FRi+152/64/66/94 FRi+181S 42 Hz - 15 kHz 40 Hz (12 dB/Oct.) 98 dB (98/112 dB) 129.5 dB 350 W (350 W/60 W) 1,400 W 60° x 40°/80° x 50° (FRi) 60° x 40°/60° x 60°/90° x 40°(FRi+) 1391 mm (5”) (DL15BFH) 25 mm (1”) (DH2T)/1.4” (DH7) (FRi+) 1,600 Hz 8 Ω (8 Ω/8 Ω) Dual barrier strips 711 x 483 x 589 mm 28” x 19” x 23.2” 31.8 kg (70 lbs.)/34 kg (75 lbs.) 36 - 160 Hz 36 Hz (12 dB/Oct.) 97 dB 129 dB 400 W 1,600 W 300° x 270° 457 mm (18”) (DL18MT) --130 Hz 8Ω Dual barrier strips 711 x 597 x 762 mm 28” x 23.5” x 30” 45.5 kg (100 lbs.) 13 FRX+ & FRX+PI-Systems FRX+ Series loudspeakers are designed for applications in critical reverberant spaces where excellent directivity control is mandatory. Typical small-sized speaker systems are not able to maintain their rated coverage angles below 2000 Hz. Their wide beamwidth in the low midband is accompanied by serious degradation of speech intelligibility and clarity of music signals in such hostile environments. EV´s FRX+ systems are troubleshooters concerning these problems, providing excellent wideband directivity control. The all-horn-loaded, coaxial design comes up with sufficient 14 radiation surface to enable narrow coverage angles down to 250 Hz at moderate cabinet sizes. FRX+ cabinets are texture-painted, 7-ply plywood with powder-coated steel grille backed with foam. For outdoor purposes, FRX+ PI models are equipped with weatherized woofers, powder-coated stainless-steel grilles backed with multilayer foam and covered glandnut input panels. FRX+ & FRX+PI-Systems FRX+640 (60° x 40°) FRX+660 (60° x 60°) FRX+940 (90° x 40°) • • • • • • • • • • • • • • Available as weatherresistant PI-Version Two-way, high-output, full-range loudspeaker High sensitivity: 101 dB/1W/1m (passive); 109 HF/105 LF Coaxial horn-loaded Vented LF horn enclosure 2" voice coil (titanium diaphragm) HF Trapezoidal cabinet (15° per side) L-Track hardware (top/bottom) Four single-stud Ancra® fittings included 3/8"-16 suspension point (rear) Same dimensions as FRX-181 for uniform array appearance PRO™ Driver protection circuit Time Path™ phasing plug Directivity to 500 Hz DX38 presets for excellent directivity control FRX+181 • • • • • • • • • • Subwoofer Direct-radiating vented design Trapezoidal cabinet (15° per side) L-Track hardware (top/bottom) Four single-stud Ancra® fittings included 3/8"-16 suspension point (rear) Same dimensions as FRX-640/660/940 for uniform array appearance Solid response to 35 Hz (-10 dB) Maximum crossover point of 800 Hz allows combinations with HP horns. Coverage angles are greater than 100° x 100° at 800 Hz FRX+640 FRX+660 FRX+940 FRX+181 Frequency range (-3 dB) Recommended high-pass frequency Sensitivity (SPL 1 W/1 m) Max. SPL/1m (calc.) Long-term power handling (biamped) Short-term power handling Coverage (H° x V°) 50 Hz–20 kHz — 105 dB 133 dB 400 W (400 W/60 W) 1,600 W 60° x 40° 50 Hz–20 kHz — 105 dB 133 dB 400 W (400 W/60 W) 1,600 W 60° x 60° 50 Hz–20 kHz — 105 dB 133 dB 400 W (400 W/60 W) 1,600 W 90° x 40° 43 Hz–1,000 Hz 35 Hz (12 dB/Oct.) 96 dB 128 dB 400 W 1,600 W omni Directivity Index 14.1 dB (+1.9/-3.5 dB) 500 Hz–16 kHz 15" (DL15) 1" (DH2T) 1,350 Hz 8 Ω (8 Ω/8 Ω) Dual barrier strips 787 x 719 x 660 mm 31" x 28.3" 26" 68.95 kg (152 lbs.) 13.7 dB (+2.5/3.3 dB) 500 Hz–16 kHz 15" (DL15) 1" (DH2T) 1,350 Hz 8 Ω (8 Ω/8 Ω) Dual barrier strips 787 x 719 x 660 mm 31" x 28.3" 26" 68.95 kg (152 lbs.) 13.4 dB (+2.9/-3.2 dB) 500 Hz–16 kHz 15" (DL15) 1" (DH2T) 1,350 Hz 8 Ω (8 Ω/8 Ω) Dual barrier strips 787 x 719 x 660 mm 31" x 28.3" 26" 68.95 kg (152 lbs.) 3.8 dB 50 Hz–200 Hz 18" (DL18MT) — — 8Ω Dual barrier strips 787 x 719 x 660 mm 31" x 28.3" 26" 45.5 kg (105 lbs.) LF driver HF driver (exit) Crossover frequencies (passive mode) Nominal impedance (biamped) Input connections Dimensions (H x W at front x D) Net weight 15 MH-Series Stadium Horns MH-Series stadium horns are designed for large-scale stadiums and arenas where high-fidelity sound and directivity control from low mid-bass frequencies and below are absolutely essential. In 1974, EV pioneered the concepts of constant directivity (horn angles that are constant with frequency) and Manifold® technology (which combines the MH640AC/MH640AP MH660AC/MH660AP MH940AC/MH940AP (60° x 40°) (60° x 60°) (90° x 40°) • • • • • • • • • • • Two-way, high output mid/high CD horn system High sensitivity: 107 dB/1 W/1 m Coaxial horn-loaded P version has passive crossover Water-resistant Kevlar® epoxy cone MB horn features Aperiodic Enhancer™ phase plug 2" voice coil (titanium diaphragm) HF driver protection circuit Uniform directivity control to 500 Hz All models have same dimensions for uniform-looking arrays 4 Integral hanging points MH 4020 AC MH 6040 AC MH 9040 AC (40° x 20°) (60° x 40°) (90° x 40°) • • • • • • • • • • Frequency range (-3 dB) Recommended high-pass frequency Sensitivity (AC;AP) (SPL 1 W/1 m) Max. SPL/1m (calc.) Long-term power handling (AC;AP) Short-term power handling (AC;AP) Coverage (H° x V°) Directivity Index (500 Hz–20 kHz) LF driver HF driver (voice coil) Crossover frequencies (slope in biamp mode) Nominal impedance Minimal impedance (mid-bass) Input connections Dimensions (H x W at front x D) Net weight (Large format: without HF driver) 16 outputs of multiple transducers into one source). Largeformat MH horns incorporate both in several horn/ driver systems. Medium-format MH horns are excellent for short/medium throw applications or as infills for largeformat MH-horns. 2-way coaxial horn-loaded system Very high sensitivity Very high maximum SPL Full-range down to 100 Hz (-10 dB) Mid-Bass section features Aperiodic Enhancer™ and Manifold® Technology Water resistant (incl. Kevlar® epoxy cone) HF-horn with 2-inch throat diameter (Driver is of the designer´s choice) Excellent uniform directivity control down to low frequencies Same front dimensions for uniform appearance when used in arrays 18 Integral hanging points MH640/660/940AC/AP MH 4020 AC MH 6040 AC MH 9040 AC 150 Hz–20 kHz 160 Hz (24 dB/Oct.) 100 - 20.000 Hz 130 Hz (24 dB/Oct.) 100 - 20.000 Hz 130 Hz (24 dB/Oct.) 100 - 20.000 Hz 130 Hz (24 dB/Oct.) 107/111 dB; 107 dB 138 dB 300 W/60 W; 300 W 1,200 W/240 W; 1,200 W 60° x 40°/60° x 60°/90° x 40° 13.7 dB/13.7 dB/12.6 dB 10" (DL10X) 2"(DH2T) 1,600 Hz (24 dB/Oct.) 16 /8 (AC); 8(AP) Dual barrier strips 686 x 686 x 711 mm 27" x 27" x 28" 27.2 kg (60 lbs.) 109 dB 146 dB 1.200 W 4.800 W 40° x 20° 18.0 dB 4 “x 10" (DL10X-SH) 2" (HP420A) 1.600 Hz (24 dB/Oct.) 2x8 2 x 3.1 heavy-duty copper cable 1500 x 991 x 1880 mm 59’ x 39’ x 73.9” 108 kg (237 lbs.) 107 dB 141 dB 600 W 2.400 W 60° x 40° 13.8 dB (+0.9/-1.1 dB) 2” x 10" (DL10X-SH) 2" (HP640) 1.250 Hz (24 dB/Oct.) 8 5.9 heavy-duty copper cable 1500 x 991 x 1873 mm 59” x 39” x 73.9” 75 kg (165 lbs.) 105 dB 139 dB 600 W 2.400 W 90° x 40° 10.2 dB (+0.9/-1.1 dB) 2” x 10" (DL10X-SH) 2" (HP940) 1.250 Hz (24 dB/Oct.) 8 5.9 heavy-duty copper cable 1500 x 991 x 1534 mm 59” x 39” x 60.4” 75 kg (165 lbs.) PLASMA P1 & P2 PLASMA™ P1 Plasma P1's compact, ergonomically designed enclosure houses an EVX155RMD, Kevlar™-reinforced 15” LF transducer driven by a 4” voicecoil for welldefined transients and articulate vocals at all SPLs. The EV ND-6 neodymium HF compression driver with a 3” voicecoil coupled to an EV 80° x 55° horn provides extended HF response with very low distortion. A two-channel class-H amplifier provides a total of 700 watts of power but requires NO fan, permitting quiet operation, low maintenance, and long-term reliability. Coupled with signal processing for linear acoustic response, Plasma P1 delivers dynamic linearity to very high SPLs. Equipped with three L-track attachment points, Plasma can also be used with its proprietary PSA-V™ PLASMA P1 • • • • • • • • (Plasma Strong-Arm-Mount-Vertical) mounting system for easy flying and precise aiming. The multi-angle enclosure is available in left and right versions, thus allowing a 55° monitor angle onstage and mirror-image monitoring. PLASMA™ P2 Plasma P2 represents a new generation of high-powered compact subwoofers. Designed to extend the very low frequency response of Plasma P1, it uses a class H-design amplifier driving an EVX180B 18” woofer. The patented LPN™ (Low-Pass-Notch) filter compensates for transient distortion in dynamic signals (such as kickdrums) to achieve a higher acoustic output and more punch than expected from such a compact enclosure. (80° x 55°) 15” 2 - Way Powered 80 °x 55° Speaker System Compact, ergonomically designed cabinet 550 W + 150 W dynamic output power 132 dB maximum SPL EVX155RMD 15” LF transducer ND6 HF compression driver Simple, versatile suspensions with PSA-V™ (Plasma Strong-Arm-Mount-Vertical) Frequency Response (-3 dB) Frequency Range (-10dB) Calc. Max SPL Horizontal Coverage Vertical Coverage Amplifier Design THD Input Impedance LF Amplifier Power HF Amplifier Power High Pass Crossover (switchable) Level Control Input Sensitivity LF Transducer HF Transducer Connectors: Balanced Line Inputs Balanced Output Power Requirement Enclosure Material Cabinet Finish Grille Dimensions ( H x W x D) : Net Weight PLASMA P2 • 18” powered subwoofer • Compact, ergonomically designed cabinet • 800W dynamic output power • EVX180B direct radiating 18” woofer • 132 dB maximum SPL • Extended bass response • Integrated heavy-duty casters for easy transport PLASMA P1 PLASMA P2 45 Hz - 17 kHz 38 Hz - 19 kHz 132 dB 80° 55° Class H <0.01% 20 kOhms 460W RMS (550W Peak) 140W RMS (150W Peak) 100 Hz 40 Hz - 100 Hz 30 Hz - 110 Hz 132 dB Class H <0.05% 20 kOhms 550W RMS (800W Peak) - -∞ to +6 dB + 6 dB for full output 381mm (15”) EVX155RMD 35,6 mm (1.4”) exit ND6 compression driver -∞ to +6 dB + 6 dB for full output 460mm (18”) EVX180B - XLR and 1/4” phone Combination XLR 100, 120, 230 or 240 VAC 50-60 Hz 13-ply Birch Plywood EC Coat Powder-Coated Steel with cloth 615 x 475 x 400 mm 24.2” x 18.8” x 15.7” 42,3 kg (93 lbs) XLR and 1/4” phone Combination XLR 100, 120, 230 or 240 VAC 50-60 Hz 13-ply Birch Plywood EV Coat Powder-Coated Steel with cloth 910 x 476 x 600 mm 25.8” x 18.8” x 23.6” 63,6 kg (140 lbs) 17 QRx Series where needed, while avoiding acoustic spill. EV’s powerhouse DH7 large-format driver (3” voicecoil, 1.4” exit) provides the HF engine, while a selection of EV’s DL and EVX woofers anchor the LF and sub frequencies. EV’s combination of high-level components and unique design make the QRx Series one of the best and most versatile values in the industry. EV’s compact QRx Series loudspeakers have become the go-to systems for contractors, regional sound companies, and anyone who wants to step up to high-end pro audio without blowing the budget. With integrated L-track rigging points on top and bottom, the QRx cabinets are easy to fly. The unique, asymmetrical, fully rotatable horn provides a 15-degree down angle to ensure HF coverage QRx 112/75 • • • • • • • • • • Easy operation mode selection 2-Way High-Output Full-range High Sensitivity Ultra-linear frequency response Solid bass down to 52 Hz (-10 dB) Vented LF enclosure Asymmetric CD-horn aimed downward by 10° 3” voice coil (titanium diaphragm) Protection circuits for HF-driver and LF-woofer Easy external operation mode selection 5-side multi-angled housing with monitor slant QRx 115/75 QRx as monitor • • • • • • • • • • • 2-Way High-Output Full-range High Sensitivity Ultra-linear frequency response Solid bass down to 50 Hz (-10 dB) Vented LF enclosure Asymmetric CD-horn aimed downward by 10° 3” voice coil (titanium diaphragm) Protection circuits for HF-driver and LF-woofer Easy external operation mode selection 5-side multi-angled housing with monitor slant Same front width as QRx 118 S QRx 212/75 / QRx 212H/75 • • • • • • • • • • 18 2-Way Highest-Output Full-range High Sensitivity Ultra-linear frequency response Extended bass response down to 50 Hz (-10 dB) Vented LF enclosure Asymmetric CD-horn aimed downward by 10° 3” voice coil (titanium diaphragm) Protection circuits for HF-driver and LF-woofers Easy external operation mode selection Trapezoidal (10° per side) QRx 153/75 • • • • • • • • • Three-way, high-output, full-range loudspeaker Biamp only Solid bass to 42 Hz (-10dB) Vented LF enclosure Asymmetrical CD horn aimed downward by 10° 3” HF voice coil (titanium diaphram) Protection circuit for HF driver Trapezoidal cabinet (15° per side) for tightpack situations Comes with L-track hardware and single-stud ancra fittings QRx 218 S QRx 153/75 QRx 118 S QRx 218 S • • • • • • • • • • • • Subwoofer Direct radiating vented design High Sensitivity Solid bass down to 30 Hz (-10 dB) Rectangular Equipped with shown features below Subwoofer Direct radiating vented design High Sensitivity Solid bass down to 31 Hz (-10 dB) Rectangular Also perfect in combination with large HP and MH horns Equipped with shown features below Flyable version available • • QRx subwoofer features QRx 118 S Rubber feet QRx118 QRx218S 50 Hz - 15 kHz 38 - 250 Hz 35 - 250 Hz 43 Hz - 18 kHz 36 - 130 Hz 35 - 125 Hz — 45 Hz (12 dB/Oct.) 36 Hz (12 dB/Oct.) 35 Hz (12 dB/Oct.) 98 dB (101/112 dB) 98/105 dB — 102 dB (102/112 dB) 98 dB — 99 dB — 131 dB 130 dB 130 dB 136 dB 131 dB 140 dB 300 W (300 W/75 W) 400 W (400 W/75 W) 400 W/150 W/150 W 600 W (600 W/75 W) 600 W 1,200 W 1,200 W (1,200/300 W) 1,600 W (1,600/300 W) 1,600 W/600 W/600 W 2,400 W (2,400/300 W) 75° x 50° (asym. CD horn) 75° x 50° (asym. CD horn) 75° x 50° (asym. CD horn) 75° x 50° (asym. CD horn) 2 x 12” (DL12BFH) QRx112/75 QRx115/75 QRx153 Frequency Range (-10 dB) 52 Hz - 18 kHz 45 Hz - 15 kHz 42 Hz - 20 kHz Frequency Range (-3 dB) with controller amp 46 Hz - 18 kHz 48 Hz - 18 kHz 50 Hz - 16 kHz Recommended High-pass frequency 45 Hz (12 dB/Oct.) 45 Hz (12 dB/Oct.) Axial Sensitivity SPL 1W/1m (Biamp operation) 98 dB (100/112 dB) Max. SPL / 1m (calc.) Continuous Power Handling Peak Power Handling (Biamp) Coverage (nominal -6 dB) H° x V° QRx(H) 212/75 LF woofer (transducer) 12” (DL12BFH) 15” (DL15ST) 15” (DL15ST) VC diameter 3” (DH7) 3” (DH7) 8” MF8 MF/ 3” DH7 HF 3” (DH7) 2,400 W 4,800W essentially omni essentially omni 1x18”(EVX-1808) 2 x 18” (EVX-1808) --- --- Crossover Frequencies (slope in Biamp mode) 1,500 Hz (24 dB/Oct.) 1,500 Hz (24 dB/Oct.) 1,200 Hz 1,500 Hz (24 dB/Oct.) 100 Hz (24 dB/Oct.) 100 Hz (24 dB/Oct.) Nominal Impedance (Biamp mode) 8 Ω (8 Ω/8 Ω) 8 Ω (8 Ω/8 Ω) 8 Ω/12 Ω/12 Ω 4 Ω (4 Ω/8 Ω) 8Ω 4/8 Ω Input Connections 2 Neutrik® NL4 2 Neutrik® NL4 2 Neutrik® NL4 2 Neutrik® NL4 2 Neutrik® NL4 2 Neutrik® NL4 Dimensions (H x W at front x D) 675 x 390 x 372 mm 26.6” x 15.36” x 16” 759 x 450 x 407 mm 29.9” x 17.72” x 16.02” 1,240 x 467 x 485 mm 41.5” x 18.4” x 19.12” 990 x 390 x 375 mm 38.98” x 15.47” x 14.77” 900 x 450 x 600 mm 35.5” x 17.7” x 23.6” 11,015 x 560 x 600 mm 40” x 22.05” x 23.6” Net Weight (subs without wheel kit) 26.0 kg (58 lbs.) 32.0 kg. (71 lbs.) 47 kg (97 lbs.) 36.5 kg. (80 lbs.) 47.5 kg (100 lbs.) 68 kg (150 lbs.) 19 The Advanced Generation of Versatile, High-Performance Lightweight Speakers Founded on more than 20 years of experience in building professional lightweight loudspeakers based on polypropylene enclosures and high-end components, ZX loudspeakers comprise a new family that includes all of EV’s expertise in sound reinforcement for mobile and fixed install business. Incorporating brand-new, high-power series woofers and drivers, the new elegant style molded cabinets combine mechanical solutions for all permanent installation and mobile stage application demands. ZX5 family features • DVX-3150 : New high-power 15" woofer • ND2 : New 2" voicecoil Neodymium compression driver • New asymmetrically molded polypropylene enclosure • Internal passive crossover (switchable to biamp) • 10 x metric inserts (M8) • 3 Ancra single-stud fittings (5 attachment points) • Integrated pole-mount adapter • Powder-coated full-face steel grille backed with foam • Standard floor monitor angle 45°, adjustable to 55° with integrated monitor feet ZX5 is available as 90° x 50° or 60° x 60°, in black or white finish. Both horn patterns are also for outdoor use, these black PI versions come up with powdercoated stainless steel grilles and waterproof glandnut input panels with SJO cable. Product Matrix Model Pattern (H x V) Color ZX5-90B ZX5-60B ZX5-90W ZX5-60W ZX5-90PI ZX5-60PI 90° x 50° 60° x 60° 90° x 50° 60° x 60° 90° x 50° 60° x 60° black black white white black black Weatherresistant IP44 X X * Frequency range (+/-3 dB) Recommended Hi-Pass Frequency Axial sensitivity SPL 1W/1m Maximum SPL (calc.); full space Long Term Power Handling (LF/HF) Short Term Power Handling (Peak) (LF/HF) Coverage, H° x V° (nominal -6 dB) LF transducer HF transducer Crossover Frequencies Nominal Impedance (LF/HF) Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight 20 ZX5-60 ZX5-90 (B, W & PI Versions) (B, W & PI Versions) 52-16 kHz 36 Hz 98 dB 132 dB 600 W (500W/40W) 2,400 W (2000W/160W) 60° x 60° 90° x 50° 15" DVX-3150 2" ND2 1.500 Hz 8 Ohms (8/8 Ohms) 6.5 Ohms 2 x four-pin Speakon / glandnut SJO cable (PI versions) 692 x 446 x 411 mm (27.24” x 17.56” x 16.18”) 22.5 kg (49.6 lbs.) The Advanced Generation of Versatile, High-Performance Lightweight Speakers Sharing an enclosure with it's "big brother" the ZX5, the ZX4 is designed mainly for portable applications such as performing artist, musicians and small bands. It benefits from the same large format EV horn design that provides better throw and better intelligibility then small format horn, which can only control the higher frequencies, but not the entire vocal range. ZX4 features • 15-2-Way with EVS15SF woofer • DH3 1,25" titanium HF driver • 400 Watt cont. 1600W Peak • High sensitivity (100dB) • Adjustable monitor angles 45° and 55° • Large Format 90° x 50° EV horn ZX4 Frequency Response* (-3 dB) Frequency Response* (-10 dB) Power Handling (long term/Peak) Sensitivity 1W/1m Max SPL (calc.) Low Frequency Driver High Frequency driver Box Tuning Frequency X-over frequency Impedance (nom./min.) Dispersion (H x V) Input connector Suspension: Dimensions H/W/D Net Weight Shipping Weight * Half Space 60 Hz - 20 kHz 42 Hz - 20 kHz 400W/1600W 100 dB 132 dB EVS15SF, 15” woofer DH3, 1.25” voice coil compression driver 50 Hz 1500 Hz 8 Ohms / 6.5 Ohms 90° x 50° Speakon NL4 enclosure has locations for 3 single stud attachment plates and 8 forged steel eyebolts-2 on top, 2 on side, and 4 on rear of enclosure 686mm x 445mm 406mm (27.00" x 17.50" x 16.00") 20.2kg (44.5 lbs) 23.8kg (52.5 lbs) 21 Compact Flexibility - Performance - Design The ElectroVoice ZX1 family of speaker systems is truly an industry first. Never before has a single speaker design been so closely customized to a wide range of audio applications. Consisting of 8 distinct versions, a ZX1 model is available to ZX1 features • EV8L high performnace 8" woofer • Exclusive port design for extended LF response • 200W cont., 400W program power handling, • Integrated overload protection • DH2005 true compression driver (1,25" voice coil) • Rotatable 90 x 50 HF horn • Integrated monitor angle • Integrated pole-mount adapter and handle • 4 metric inserts for additional mounting options • 2 Neutik NL4 connectors • Available in black and white 22 fit the need whether it’s part of a portable PA for a local band or a large distributed sound system for a major audio installation. Delivering on this promise for fixed audio installations, the ZX1i model is the new standard of no compromise audio performance and versatility in an easy to install, lightweight and compact package. Finally, a compact high performance loudspeaker system designed exclusively for the professional contractor to use in dozens of different fixed installations. It doesn’t matter if your requirements are providing a compact sound reinforcement system in a church, a complex background music system in a sports bar or other high-energy environment or fill sound in a large auditorium, the ZX1i can solve the problem. ZX1i features • • • • • • • EV8L weatherized woofer DH2005 true compression driver 100 x 100 and 90 x 50 coverage pattern Weatherized for indoor and outdoor use "Clickn' Mount" Quick SAM mounting system for wide range of motion included 4-pin detachable Phoenix-style connector Dedicated transformer models with wide range of selectable tabs Frequency range (-10 dB) Recommended Hi-Pass Frequency Axial sensitivity SPL 1W/1m Maximum SPL (calc.); full space Long Term Power Handling (LF/HF) Short Term Power Handling (Peak) (LF/HF) Coverage, H° x V° (nominal -6 dB) LF transducer HF transducer Crossover Frequencies Nominal Impedance (LF/HF) Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight ZX1-90 ZX1i-90 ZX1i-100 ZX1i-100t (Portable Version) (Fixed Install Version) (Fixed Install Version) (70v/100v Version) 48 Hz - 20 kHz 48 Hz - 20 kHz 48 Hz - 20 kHz 48 Hz - 20 kHz 94 dB (1W/1m) 123dB 200W Continuous 400W Program 94 dB (1W/1m) 123dB 200W Continuous 400W Program 92 dB (1W/1m) 121dB 200W Continuous 400W Program 92 dB (1W/1m) 121dB 200W Continuous 400W Program 90° or 50° 90° or 50° 100° 100° EV8L, 8 in (203mm) DH2005, 1 in. (25.4mm) EV8L, 8 in (203mm) DH2005, 1 in. (25.4mm) EV8L, 8 in (203mm) DH2005, 1 in. (25.4mm) EV8L, 8 in (203mm) DH2005, 1 in. (25.4mm) 8 Ohms 8 Ohms 4-Pin detachable 17.15”x11.12”x10.35” 451mm x 282mm x 263mm 8.4kg (18.5 lbs) 4-Pin detachable 17.15”x11.12”x10.35” 451mm x 282mm x 263mm 10.4kg (23.0 lbs) 8 Ohms Two NL4 Connectors 17.15”x11.12”x10.35” 451mm x 282mm x 263mm 8.4kg (18.5 lbs) 4-Pin detachable 17.15”x11.12”x10.35” 451mm x 282mm x 263mm 8.4kg (18.5 lbs) 23 Sx-SeriesTM EV’s Sx Series loudspeakers have been the industry standard for lightweight, high-performance loudspeakers, a standard against which all others are measured. Their versatility is reinforced by their rich portfolio of accessories, from wall-mount and array brackets to monitor feet and Sx 80 Sb 122/PI/PIX • • • • • • • • • • • 2-Way Full-range Vented LF enclosure 1” voicecoil (titanium diaphragm) PRO™ Driver protection HF-horn features Varipath™ Trapezoidal Compact dimensions 7 x M6 and 4 x M5 inserts For overview of variants, see chart at right Sx 100 + Sx 300/PI/PIX • • • • • • • • • • • • • 2-Way Full-range Vented LF enclosure 1.25” voice coil (titanium diaphragm) PRO™ Driver protection circuit HF-horn features Varipath™ Trapezoidal (25° per side) Physical characteristics of Sx 300 with slightly lower sensitivity 4 x M8x1.25 attachment inserts • • • • • • • 24 transport bags. The Sx series has powered everything from local wedding bands to the clogs of “Riverdance” to football games at Notre Dame Stadium, and the new Sx600 dominated the stadiums at the 2004 Olympic Summer Games in Athens, Greece. 2-Way Full-range High Sensitivity Ultra-linear frequency response Vented LF enclosure 1.25” voice coil (titanium diaphragm) PRO™ Driver protection circuit HF-horn features Varipath™ Trapezoidal (25° per side) 4 x M8x1.25 attachment inserts Overview of variants see right spread sheet Sx300 PI outdoor version Sx300 PIX for 70V/100V • • • • • Subwoofer Direct radiating vented design Trapezoidal (25° per side) Lo-Pass Filter 4 x M8x1.25 attachment points Sb122PI outdoor version Sb122PIX fro 70V/100V Sx 250 • • • • • • • • • • 2-Way Full-range Extended bass response 15” DL-Woofer 1.25” titanium diaphragm 80 x 55 degree horn pattern 18mm plywood enclosure Rugged FUTURATM finish Five sided, multi-angle cabinet Built-in stand mount Suspendable using optional SK-1 kit Sx 500 + • • • • Sx600 PI/PIX 2-Way High-Output Fullrange High sensitivity Short horn-loaded, vented LF enclosure Asymmetric CD horn aimed downward by 10° 2” voice coil (titanium diaphragm) PRO™ Driver protection circuit HF horn features Varipath™ Operation mode by pin arrangement Multi-angled array housing 8 x M8 x 1.25 attachment points • • • • • • • • • • • • • Two-element vertical line array For highest output outdoors Very high sensitivity (105 dB/1W/1m) High intelligibility Two 12” woofers DH2T driver on 65° x 65°Varipath horn All-weather cabinet • SuperSAM mounting, 60° x 180° adjustable • Waterproof connection by SJO cable with gland nut • Internal 600 W transformer available (SX600PIX) Sx 500 PI + • Weatherproofed version of Sx 500+ for outdoor applications Weather-resistant woofer Polyester-mesh water shield Comes with foam part plugs for increased water resistance • • • Feature overview for Sx-Series™ input connectors Sx 80 B/W Sx 80 BE Sx 80 TB/TW X X X X X X X Sx 100 + E/W Sx 300 E/EW Sx 300 PI Sx 300 PIX X X X X X X X X X X Sx 500 + Sx 500 PI + Sx600(PI) SX600PIX Sb 122 X X X X X X X X X 100/140/200W (100V taps) X Sx 80 Frequency Range (-10 dB) 51 Hz - 20 kHz Recommended High-Pass Frequency --Axial Sensitivity SPL 1W/1m (Biamp mode) 92 dB Max. SPL / 1m (calc.); full space 121 dB (100V: 110 dB) Long-Term Power Handling (low Z) 175 W (100V resp. Biamp) (60 W/100V) Short-Term Power Handling (Peak), low Z 700 W Coverage (nominal -6 dB) H° x V° 90° x 60° (CD Horn) Directivity Index (800 - 16.000 Hz) 9.2 dB (+2.3/-3.9 dB) LF woofer (transducer) 8" (---) HF throat diameter (transducer) 1" (DH2005) 2,200 Hz Crossover Frequencies 8Ω Nominal Impedance (non-transformer) 7.2 Ω Minimum Impedance (non-transformer) see above Input Connections 400 x 292 x 222 mm Dimensions (H x W at front x D) Net Weight 1.9/3.8/7.5/ 15/30/60 W X PIX X X X X X X X PI X X X X X push-pins Speakon covered barrier strip X X X X 2 Speakon 2 Speakon 2 Speakon 2 Speakon (100V taps via Pin arangement) Speakon Speakon Connectors (SJO cable with gland nut) Connectors (SJO cable with gland nut) Speakon X X X X X Sx 100 + Sx 300 Sx 250 Sx 500+ Sx600PI Sb 122 60 Hz - 20 kHz --98 dB 127 dB 50 Hz - 20 kHz --99 dB 131 dB (100V: 123 dB) 300 W (200 W/100V) 1,200 W 65° x 65° (CD Horn) 11.1 dB (+2.4/-4.1 dB) 12" (DL12BFH) 1" (DH2010A) 1,500 Hz 8Ω 6.0 Ω 2 four-pin Speakon 50 Hz - 20 kHz 45 Hz (12 dB/Oct.) 99 dB 130 dB 43 Hz - 20 kHz 43 Hz (12 dB/Oct.) 100 dB 132 dB 70 Hz - 18 kHz 90 Hz 105 dB 138 dB 45 - 600 Hz 48 Hz (12 dB/Oct.) 99 dB* 131 dB* 350 W 400 W 600 W 400 W 1,400 W 80° x 55° 1,600 W 75° x 60° 2,400 W 65° x 65° 1,600 W essentially omni 11.6 dB (+3.0/-6.9 dB) 15"(DL15BFH) 1"(DH2010A) 1,600 Hz 8Ω 5.2 Ω 2 four-pin Speakon 15.2 dB (+3.0/-6.9 dB) 15"(DL15ST) 1"(DH2T) 1,600 Hz 8Ω 5.2 Ω 2 four-pin Speakon 11.3 dB --- 2 x 12” (ND12,DL12BFH) 1”(DH2T) 1,800 Hz 4Ω 3.5 Ω SJO cable/gland nut 12" (EVS12) 160 Hz 8Ω 6.0 Ω 2 four-pin Speakon 586 x 429 x 312 mm 23.07” x 16.89” x 12.28” 14.5 kg (PIX: 17.7 kg) 30 lbs. (PIX: 49.0 lbs.) 625 x 431 x 330 mm 24.6” x 16.97” x 12.99” 18.1 kg 39.9 lbs. 838 x 673 x 448 mm 32.99” x 26.5” x 17.64” 31.3 kg 69 lbs. 1163 x 429 x 312 mm 45.79” x 16.89” x 12.28” 36.3 kg 80 lbs. 586 x 429 x 312 mm 23.07” x 16.89” x 12.28” 14.6 kg 32.2 lbs. 200 W 800 W 65° x 65° (CD Horn) 11.1 dB (+2.4/-4.1 dB) 12" (---) 1" (DH2010A) 1,500 Hz 8Ω 5.6 Ω see above 586 x 429 x 312 mm 15.75” x 11.5” x 8.75” 23.07” x 16.89” x 12.28” 8.2 kg (T/PIX: 9.3 kg) 14.5 kg 18.1 lbs. (T/PIX: 20.5 lbs.) 32 lbs 25 SxA Series SxA100+ Versatile 12", 2-way powered speaker • Very compact, lightweight, robust polypropylene enclosure • Real fullrange 55 Hz – 20k Hz for front-of house or monitor (with F200 monitor adapter) • Biamped with 350 W plus 80 W peak power for a very dynamic musical response • Mixable microphone and line inputs with a 2-band EQ • 65° x 65° CD horn from the famous Sx 300 for an outstanding acoustic performance • Fully compatible with Sx mounting hardware and accessories • Pole-mount adapter SxA100+ / SXA360 SxA250 SxA360 Compact 15”, 2-way powered speaker The lightweight power package • 7-ply plywood enclosure with EV Coat cover; extremely scratch resistant • 5-side enclosure with 45° monitor angle • True fullrange (55Hz – 20kHz) for front-of-house or monitor applications • Biamped at 350W plus 80W peak power for a very dynamic musical response • Mixable microphone and line inputs and a 2-band EQ • EV DL15 woofer with cast aluminium frame • DH2010A 1.25" driver with 80° x 55° CD horn • Pole-mount adapter • 129 dB SPL max. from a 36.6-lb. powered speaker • 55 Hz - 20 kHz bandwidth for front-of-house or monitor • DH2T 2" driver on 65° x 65° CD horn • Built-in pole-mount adapter • Built-in two-way amplifier: 350 W(LF)/150 W(HF) output power • Fits all Sx300 mounting accessories • Line in and loop thru via XLR • PowerCon AC power connector SbA760 Powered subwoofer • • • • • • • • 760 W amplifier power Compact, ergonomic design for easy transportation 15” EVS15 woofer Built-in stereo crossover with PowerMax12 filter LPN filter for extended bass response Dynamic Limiter and full protection package Integrated pole mount EV Coat-covered, four-wheeled cabinet SxA250 Sb760 Frequency Response (-10dB) Rated Output Power long term 10ms burst Max. Sound Pressure Level HF Coverage (nominal) Components LF HF Inputs Level Controls 2-Band EQ Power Requirement Dimensions (heights x width x depth) Weight (net) 26 SxA100+ SxA250 SxA360 SbA760 55Hz to 20kHz 55Hz to 20kHz 60Hz to 18kHz 45 Hz - 150 Hz 760 W LF150/HF 50Watts LF350W/HF 80W 124 dB 65° x 65° LF150/HF 50Watts LF350W/HF 80W 126 dB 80° x 55° LF350W/HF 150Watts 129 dB 65° x 65° 128 dB — 12“ woofer DH 2010A Microphone Input (XLR) Line Level Input (XLR/1/4“) XLR out (slave) Mic Level (-35 dBu to 0 dBu Master Level (- infinity to 0 dB) LF: +/- 6dB HF: +/- 4dB 120V or 220-240V 50/60Hz 586 x 429 x 312 mm 23.07” x 16.89” x 12.28” 19,5 kg (43 lbs.) DL15BFH DH 2010A Microphone Input (XLR) Line Level Input (XLR/1/4“) XLR out (slave) Mic Level (-35dBu to 0dBu Master Level (- infinity to 0dB) LF: +/- 6dB HF: +/- 4dB 120V or 220-240V 50/60Hz 625 x 437 x 333 mm 24.60” x 17.20” x 13.11” 22,2 kg (48.94 lbs.) DL12BFH DH2T XLR and 1/4” phone Combination EVS 15 S XLR Line level (-infinity to +6dB) 120V or 220-240V 50/60Hz 586 x 429 x 312 mm 23.07” x 16.89” x 12.28” 16,6 kg (36.6 lbs.) 2 x XLR/jack combo input 2 x XLR slave through 2 x XLR Mid/Hi out -infinity to +10 dB — 120V or 220-240V 50/60Hz 603 x 428 x 665 mm 23.74” x 16.85” x 26.18” 43 kg (94.8 lbs.) T - Series T-Series is optimized for the best performance and price for the mobile audio market. It uses the finest EV components: DL woofers, HP horns and DH2T 2” coil compression driver. All HF drivers are protected by the famous PRO™ circuit. T221M is made of 13-ply; T251+/T252+ are made of 7-ply. All cabinets are black carpet covered except T221M which is black texture painted. T251+/T252+ are trapezoidal 10° per side. T251+ features a stand mount. T-Series is protected by a black full-face perforated heavy-duty metal grille. T251+ • Two-way, 15” medium-throw, full-range system • DL15RMD 15” woofer for great bass and a high degree of midrange clarity • Integral stand-mount adapter fits the optional 100BK stand • RMD™ • Biampable T18 • 18” LF system • DL18MT 18” woofer adds more bass impact to other T-Series™ systems • Unique SubScoop™ enclosure combines the low-frequency extension of a vented box with the punch and throw of horn loading • Includes mounting socket and 30” steel pole for full-range satellite systems T252+ • Two-way, dual-15”, mediumthrow, full-range system • Dual DL15RMD woofers combine for powerful bass output and high sensitivity • Frequency shading (roll-off) of the lower woofer above 400 Hz keeps midrange output clean and free of interference lobes • Biampable T221 • Two-way, 12”, mediumthrow, full-range system • High-performance 12” woofer • Integral stand-mount adapter accommodates the optional 100BK stand • Biampable MTL-1X • Dual-18” low-frequency system • Unique SubScoop™ enclosure combines the punch and directionality of a horn with the extended response of a vented box • EVX-180B ultrahigh-performance 600-watt woofers for maximum output T18 T221 T251+ T252+ MTL-1X Frequency Range (-10 dB) 33 - 250 Hz 70 Hz - 16 kHz 45 Hz - 16 kHz 44 Hz - 16 kHz 45 - 160 Hz Recommended High-Pass Frequency 33 Hz (12 dB/Oct.) 80 Hz (12 dB/Oct.) 45 Hz (12 dB/Oct.) 44 Hz (12 dB/Oct.) 38 Hz (12 dB/Oct.) Axial Sensitivity SPL 1 W/1 m (Biamp operation) 99 dB 100 dB (100/112 dB) 98 dB (98/112 dB) 101 dB (101/112 dB) 101 dB Max. SPL /1 m (calc.); full space 132 dB 133 dB 130 dB 136 dB 137 dB Continuous Power Handling 400 W 400 W (400 W/60 W) 400 W (400 W/60 W) 800 W (800 W/60 W) 1,200 W Peak Power Handling (Peak) 1,600 W 1,600 W 1,600 W 3,200 W 4,800 W Coverage (nominal -6 dB) H° x V° Omnidirectional Omnidirectional Directivity Index 60° x 40° (CD Horn) 60° x 40° (CD Horn) 60° x 40° (CD Horn) 9.5 dB (+2.0/-1.5 dB) 800 Hz - 16 kHz 12.6 dB (+9.4/-9.3 dB) 500 Hz - 16 kHz 12.6 dB (+9.4/-9.3 dB) 500 Hz - 16 kHz LF woofer (transducer) 18” (DL18MT) 12” (DL12ST) 15” (DL15ST) 2 x 15” (DL15ST) 2 x 18” (EVX-180B) HF throat diameter (transducer) — 1” (DH2T) 1” (DH2T) 1” (DH2T) — Crossover Frequencies (slope in Biamp mode) 250 Hz or below — 2,600 Hz 1,200 Hz (12 dB/Oct. LP, 18 dB/Oct. HP)(24 dB/Oct.) 1,200 Hz (24 dB/Oct.) 160 Hz or below — Nominal Impedance (Biamp mode) 8Ω 8 Ω (8 Ω/8 Ω) 8 Ω (8 Ω/8 Ω) 4 Ω (4 Ω/8 Ω) 4Ω Minimum Impedance (Biamp mode) 6.6 Ω 7 Ω (7 Ω/6.3 Ω) 6 Ω(6 Ω/6.3 Ω) 3.2 Ω (3.2 Ω/6 Ω) 3Ω Input Connections 1/4” 2 four-pin Speakon® 2 four-pin Speakon® 2 four-pin Speakon® 2 four-pin Speakon® Dimensions (H x W at front x D) 833 x 630 x 609 mm 714 x 417 x 480 mm 818 x 488 x 599 mm 1,245 x 488 x 599 mm 1,160 x 572 x 758 mm (in floor position) Net Weight 32.8” x 24.8” x 24.5” 28.1” x 16.4” x 18.9” 32.2” x 19.2” x 23.6” 49.0” x 19.2” x 23.6” 45.8” x 22.5” x 29.9” 49.4 kg (109 lbs.) 22.3 kg (55 lbs.) 35.5 kg (78.1 lbs.) 52.0 kg (114 lbs.) 75 kg (165 lbs.) 27 Gladiator The Electro-Voice Gladiator G115 Top and G118 Sub are a powerful combination for modern dance music reproduction. Built-in passive crossovers allow one amplifier channel to drive both the sub and the full-range speaker, forming a true 3-way system. G115 Frequency Range (-10 dB) Power Handling Continuous (EIA) Power Handling short term Sensitivity (1W/1m) Max. SPL / 1m (calc.) Coverage (nominal -6 dB) H° x V° LF woofer (transducer) HF throat diameter (transducer) Nominal Impedance Dimensions (H x W x D) Net Weight G115 G118 Gladiator System 35 Hz - 20 Hz 400 W 1,600 W 99 dB 131 dB 60° x 40° EVS-15FR 1” DH2010A 8Ω 760 x 438 x 559 mm 29.92” x 17.24” x 22” 34.1 kg (75.2 lbs.) 32 Hz - 20 kHz 400 W 1,600 W 99 dB 131 dB essentially omni EVS-18S --8Ω 760 x 508 x 591 mm 29.92” x 20” x 23.27” 36.3 kg ( 80 lbs.) 32 Hz - 20 kHz 800 W 3,200 W 100 dB 134 dB 60° x 40° EVS-15FR + EVS-18S DH2010A 4Ω 2.160 x 508 x 591 mm 85.04” x 20” x 23.27” 70.4 kg (155.2 lbs.) G118 Eliminator i Eliminator i® Eliminator i® is black carpet covered, made of EV´s Road-Wood. The Eliminator i® family, except Eliminator ii®, have a 35 mm stand mount. Eliminator i®-SE comes with a 45 cm steel pole and contains a combined electrical/acoustical low-pass filter designed for parallel combinations especially with the Eliminator i®-E. The HF section is protected by a PRO™ circuit. Eliminator KW Eliminator ii Eliminator i E Eliminator i Sub E Eliminator ii E Eliminator kW Frequency Range (-10 dB) 45 Hz - 20 kHz 38 - 100 Hz 45 - 20 kHz 35 - 160 Hz Recommended High-Pass Frequency 40-50 Hz (18 dB/Oct.) 40-50 Hz (18 dB/Oct.) 40 Hz (18 dB/Oct.) — Axial Sensitivity SPL 1 W/1 m 99 dB 98 dB 100 dB 101 dB Max. SPL /1 m (calc.); full space 99 dB 130 dB 134 dB 137 dB Continuous Power Handling 350 W 400 W 600 W 1,000 W Peak Power Handling (Peak) 1,400 W 800 - 1,000 W 2,400 W 4,000 W Coverage (nominal -6 dB) H° x V° 60° x 40° (CD horn) Essentially omni 60° x 40° (CD Horn) Essentially omni LF woofer (transducer) 15” (DL15BFH) 18" (DL18MT) 2 x 15” (DL15BFH) 2 x 18” (DL18MT) HF throat diameter (transducer) 1” (DH2010A) 1” (DH2010A) — — Crossover Frequencies 1,600 Hz — 700/1,600 Hz 160 Hz Nominal Impedance 8Ω 8Ω 4Ω 4Ω Minimum Impedance 5.3 Ω 5.1 Ω 3.3 Ω — Input Connections Parallel 1/4” phone jacks 1/4” phone input Parallel Neutrik® NL4 Parallel Neutrik® NL4 Dimensions (H x W x D) 768 x 429 x 609 mm 30.25” x 16.9” x 24” 859 x 438 x 610 mm 33.8” x 17.25” x 24.13” 1,162 x 429 x 609 mm 45.8” x 16.9” x 24.0” 1140 x 572 x 602 mm 44.9” x 22.5” x 23.7” Net Weight 34.4 kg (76 lbs.) 39.5 kg (81 lbs.) 54 kg (110 lbs.) 65.8 kg (145 lbs.) Eliminator i Sub Force i® Force i combines with EV’s Q44 power amplifiers to make a professional live-performance system with components designed to play together. Force i Two-Way Force i Sub Force i Monitor 50 Hz–20 kHz 36–210 Hz 85 Hz–17 kHz Continuous 250 watts 350 watts 200 watts Peak 1,000 watts 1,400 watts 800 watts Max. Output Capability 130 dB 131 dB 128 dB Dispersion 80° x 55° Omnidirectional 55° x 80° Sensitivity 100 dB 100 dB 99 dB Impedance 8Ω 8Ω 8Ω Dimensions (Millimeters) 648 x 465 x 386 648 x 518 x 597 546 x 361 x 246 25.5 x 18.25 x 15.2 25.5 x 20.4 x 23.75 21.5 x 14.2 x 9.7 20.9 kg (46 lbs.) 31.3 kg (69 lbs.) 12.7 kg (28 lbs.) Frequency Response (-3 dB) Power Handling Force i Sub Force i force i Monitor 28 (Inches) Net Weight Xi-Series™ Xi-Series™ brings premium touring-quality sound into installation. Inspired by the features of EV´s acclaimed X-Array™ touring systems, the Xi-Series™ incorporates a potent combination of very-high-output and ultra-linear short-, medium- and long-throw systems, in two-way, three-way and four-way configurations. Xi-Series™ incorporates the acoustical advantage of EV´s unique Ring-Mode Decoupling (RMD™) and features HP horns to secure excellent directivity control and even coverage. A unique feature of the three-way systems is Vertical Beam Shaping (VBS). The three-way systems may be in 2-element or 3-element configuration to extend the vertical coverageangle control to as low as 125 Hz, well below that permitted by the mid-bass horn alone (which typically has a band frequency of 800 Hz): Unprecedented performance in a onebox system! To achieve sound performance without compromises, XiSeries™ is designed for multi-way active operation, except Xi-1082 which contains a passive crossover network. Xi-1082 • • • • • 2-Way Full-range Vented LF enclosure 1.25” voice coil (titanium diaphragm) Typical under-balcony slant also perfect for front-stage and near-field use 2 x 3/8”-16 mounting bracket inserts Xi-1122A/85F • • • • • 2-Way Full-range Vented LF enclosure 3” voice coil (titanium diaphragm) HF Integrated 35 mm stand mount Trapezoidal (15° per side) Xi-1152A/64F Xi-1152A/94F • • • • • • (60° x 40°) (90° x 40°) 2-Way Full-range Solid bass down to 50 Hz (-3 dB) Vented LF enclosure 3” voice coil (titanium diaphragm) HF Integrated 35 mm stand mount Trapezoidal (15° per side) 29 Xi-1123A/106F • • • • • • • • Xi-2123A/106F 3-Way High-Output Full-range Vented slot load designed LF enclosure Horn-loaded MB/HF section fully rotatable 3” voice coil (titanium diaphragm) HF Bypassable MB/HF passive crossover VBS mode brings vertical directivity control down to 250 Hz Excellent directivity 500 Hz – 16 kHz Trapezoidal (9° per side) Xi 2123A Xi-1183A/64F • • • • • • • Xi-1153A/64F 3-Way High-Output Full-range Vented slot load designed LF enclosure Coaxial horn-loaded MB/HF section fully rotatable 3” voice coil (titanium diaphragm) HF VBS for vertical directivity control down to 200 Hz Excellent directivity control Trapezoidal (9° per side) Xi-2122MHA/42F Xi 1183A Xi 1153A Xi2122MHA • • • • • 2-Way output Far-field MB/HF section horn-loaded Excellent directivity control Trapezoidal (9° per side) 3” voice coil (titanium diaphragm) HF Xi-1122MHA/64F • • • • • 60° x 40° for near and mid field MB/HF section horn-loaded Excellent directivity control Trapezoidal (9° per side) 3” voice coil (titanium diaphragm) HF Xi 1122MHA Xi-2153A/64F • • • • • • • 30 Xi 2153A 3-Way High-Output Full-range Vented slot load designed LF enclosure Coaxial horn-loaded MB/HF section fully rotatable 3” voice coil (titanium diaphragm) HF VBS mode brings vertical directivity control down to 150 Hz Excellent directivity control Trapezoidal (9° per side) Xi-Series™ Xi-1191A (F) (F = flying version) Xi-2181A (F) (F = flying version) • • • • • • 1 x 18” Subwoofer 1191 (F) 2 x 18” Subwoofer 2181 (F) Vented design Superior linear excursion capability Accurate transient detail trapezoidal (9° per side) Specification overview Frequency Range (-3 dB) Recommended High-Pass Frequency Axial Sensitivity SPL 1W/1m Max. SPL / 1m (calc.); full space Long-Term Power Handling Short-Term Power Handling (Peak) Coverage (nominal -6 dB) H° x V° Directivity Index LF woofer (transducer) MB woofer (transducer) HF throat diameter (transducer) Crossover Frequencies Nominal Impedance Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight Frequency Range (-3 dB) Recommended High-Pass Frequency Axial Sensitivity SPL 1W/1m Max. SPL / 1m (calc.); full space Long-Term Power Handling Short-Term Power Handling (Peak) Coverage (nominal -6 dB) H° x V° Directivity Index LF woofer (transducer) MB woofer (transducer) HF throat diameter (transducer) Crossover Frequencies Nominal Impedance Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight Frequency Range (-3 dB) Recommended High-Pass Frequency Axial Sensitivity SPL 1W/1m Max. SPL / 1m (calc.); full space Long-Term Power Handling Short-Term Power Handling (Peak) Coverage (nominal -6 dB) H° x V° Directivity Index LF woofer (transducer) MB woofer (transducer) HF throat diameter (transducer) Crossover Frequencies Nominal Impedance Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight Xi-1082 Xi-1122A/85F Xi-1152A/64F Xi-1152A/94F 50 Hz - 20 kHz 60-80 Hz (12 dB/Oct.) 90 dB 118 dB 175 W 700 W 90° x 40° (CD Horn) 11.2 dB (+1.8/-2.7 dB) 2.000 - 20.000 Hz 8" (---) --1" (DH3) 3,500 Hz (passive) 8Ω 5.8 Ω barrier strip 235 x 488 x 285 mm 9.25” x 11.21” x 11.22” 13.3 kg (29.3 lbs.) 58 Hz - 17 kHz DX 38 preset 99/110 dB 130/135 dB 300/75 W 1.200/300 W 80° x 55° (CD Horn) 10.9 dB (+1.2/-2.9 dB) 1.200 - 16.000 Hz 12" (DL-type) --1.4" (ND6-16) DX 38 preset 8 Ω/16 Ω 8.5 Ω/13.4 Ω 2 four-pin Speakon 584 x 375 x 356 mm 22.99” x 14.76” x 14.01” 31.3 kg (69 lbs.) 50 Hz - 16 kHz DX 38 preset 98/113 dB 132/138 dB 600/75 W 2.400/300 W 60° x 40° (CD Horn) 13.4 dB (+1.3/-2.3 dB) 1.200 - 16.000 Hz 15" (EVX-155) --1.4" (ND6-16) DX 38 preset 8 Ω/16 Ω 6.3 Ω/14.0 Ω 2 four-pin Speakon 759 x 450 x 413 mm 29.88” x 17.72” x 16.26” 40.8 kg (89.9 lbs.) 50 Hz - 16 kHz DX 38 preset 98/112 dB 132/137 dB 600/75 W 2.400/300 W 90° x 40° (CD Horn) 12.3 dB (+0.7/-1.5 dB) 1.200 - 16.000 Hz 15" (EVX-155) --1.4" (ND6-16) DX 38 preset 8 Ω/16 Ω 6.3 Ω/12.2 Ω 2 four-pin Speakon 759 x 450 x 413 mm 29.88” x 17.72” x 16.26” 40.8 kg (89.9 lbs.) Xi-1123A/106F Xi-2123A/106F Xi-1183A/64F XI-1153A/64F Xi-1122MH64 75 Hz - 17 kHz DX 38 preset 96/107/112 dB 129/140/137 dB 300/300/75 W 1.200/1.200/300 W 100° x 60° (CD Horn) 10.3 dB (+1.4/-1.2 dB) 500 - 16.000 Hz 12" (DL-type) 10" (DL-type) 1.4 (ND6-16) DX 38 preset 12 Ω/16 Ω/16Ω 8.7 Ω/9.6 Ω/12.4 Ω 2 eight-pin Speakon 801 x 456 x 473 mm 31.54” x 17.95 x 18.62” 52.2 kg ( 115 lbs.) 62 Hz - 18 kHz DX 38 preset 100/107/112 dB 135/140/137 dB 600/300/75 W 2.400/1.200/300 W 100° x 60° (CD Horn) 10.1 dB (+1.6/-3.5 dB) 160 - 16.000 Hz 2 x 12" (DL-type) 10" (DL-type) 1.4 (ND6-16) DX 38 preset 6 Ω/16 Ω/16Ω 4.7 Ω/10.3 Ω/12.6 Ω 2 eight-pin Speakon 1007 x 456 x 473 mm 39.65” x 17.95” x 18.62” 68.0 kg (149.9 lbs.) 66 Hz - 17 kHz DX 38 preset 96/107/112 dB 128/138/137 dB 600/300/75 W 2.400/1.200/300 W 60° x 40° (CD Horn) 13.3 dB (+1.4/-1.1dB) 800 - 16.000 Hz 18" (EVX-180B) 12" (ND-12) 1.4" (ND6-16) DX 38 preset 8 Ω/16 Ω/16Ω 7.7 Ω/8.7 Ω/13.1 Ω 2 eight-pin Speakon. 914 x 586 x 759 mm 36” x 23.07” x 29.88” 93.0 kg (205 lbs.) 48 Hz - 17 kHz DX 38 preset 91.5/107/112 dB 125/138/137 dB 600/300/75 W 2.400/1.200/300 W 60° x 40° (CD Horn) 13.3 dB (+1.4/-1.1dB) 800 - 16.000 Hz 15" (EVX-155) 12" (DL12ST) 1.4" (ND6-16) DX 38 preset 8 Ω/16 Ω/16 7.5 Ω/8.7 Ω/13.1 2 eight-pin Speakon. 914 x 586 x 759 mm 36” x 23.07” x 29.88” 93.0 kg (205 lbs.) 125 Hz - 20 kHz Dx38 preset 110/112 dB 141/137 dB 300/75 W 1.200/300 W 60° x 40° (CD Horn) 13.4 dB (+2.0/-1.8 dB) 800 - 16.000 Hz --12" (ND-12) 1.4" (ND6-16) Dx38 preset 16 Ω/16 9.9 Ω/12.9 2 eight-pin Speakon 596 x 584 x 759 mm 23.47” x 22.99” x 29.88” 61 kg (136 lbs.) Xi-2153A/64 F Xi-1191A Xi-2181A (F) 55 Hz - 18 kHz DX 38 preset 100/107/112 dB 133/138/137 dB 1.200/300/75 W 4.800/1.200/300 W 60° x 40° (CD Horn) 13.4 dB (+1.4/-1.2 dB) 800 - 16.000 Hz 2 x 15" (EVX-155) 12" (DL-type) 1.4” (ND6-16) DX 38 preset 4 Ω/16 Ω/16Ω 3.8 Ω/8.9 Ω/13.1 Ω 2 eight-pin Speakon 1.233 x 586 x 759 mm 48.54” x 23.07” x 29.88” 109 kg (240 lbs.) 37 Hz - 160 Hz DX 38 preset 94 dB 128 dB 600 W 2.400 W essentially omni 2.7 dB (+1.0/-0.6dB) 63 - 100 Hz 18" (EVX-180B) ----DX 38 preset 8Ω 6.7 Ω 2 eight-pin Speakon 914 x 586 x 759 mm 35.98” x 23.07” x 29.88” 68.0 kg (149.9 lbs.) 38 Hz - 160 Hz DX 38 preset 99 dB 136 dB 1.200 W 4.800 W essentially omni 3.4 dB (+1.4/-0.9dB) 63 - 200 Hz 2 x 18" (EVX-180B) ----DX 38 preset 2x8Ω 2 x 6.0 Ω 2 eight-pin Speakon 914 x 586 x 759 mm 35.98” x 23.07” x 29.88” 83.5 kg (184 lbs) Xi-2122MHA/42F 120 Hz - 16 kHz Dx38 preset 112/116 dB 146/144 dB 600/150 W 2.400/600 W 40° x 20°(CD Horn) 17.2 dB (+2.0/-2.7 dB) 800 - 16.000 Hz --2 x 12" (ND12) 2 X 1.4” (ND6-16) Dx38 preset 8 Ω/8Ω 4.9 /7.0 2 eight-pin Speakon 914 x 584 x 759 mm 35.98” x 22.99” x 29.88” 86.3 kg (190 lbs.) 31 X-Array™ X-Array™ speaker systems provide world-class performance and flexibility for the ultimate in concert touring systems. It incorporates unique “one-man“ rigging and neodymium magnets for very large arrays. The X-Array™ X-Series™ represents important advancements in concert-sound reinforcement technology. Design goals called for the highest acoustic output capability with the highest fidelity in relatively lightweight, compact enclosures that were easy to array. The individual systems, drivers, horns, enclosures, rigging hardware and system configurations were designed from the ground up specifically for this high-performance application. For easier handling, special speaker dollies are available. RMD™ X-Array™’s design process also resulted in the development of EV’s most ingenious acoustic technologies, RMD™. RMD™ gives X-Array™ unprecedented acoustic output and excellent directivity control.EV´s traditional topdown development strategy ensured the incorporation of this essential acoustic advantage into other EV products. Rigging for Large Arrays: unique rear-hinge system for fast, easy and secure rigging. A 64-box hang goes up or 32 down in 30 minutes. Front rigging straps control vertical aiming, rear fixed hinge makes tilting easy. Mating positioning recesses on cabinet tops and bottoms help to assemble and disassemble an array on the ground, a layer at a time. A detailed flying manual and structural ratings handbook is available. The X-Array™ one-person rigging hardware has earned German TÜV approval. Neodymium magnetics: for lighter weight and maximum acoustic output. All 12-inch mid-bass transducers are the ND12A, for a 3-dB average increase in output. Neodymium in the ND6-16 compression driver increases output in the upper octaves. The ND6-16 driver features a 3” titanium diaphragm. Amping and Controller: X-Array™ is powered by EV´s world-famous Precision Series™ amplifiers and controlled by Klark Teknik DN9848 digital 4-in/8-out controller, DSP controlled Precision Series amplifiers, or the Electro-Voice Dx38 for flexible and easy configurations. X-Array™ is constructed from 13-ply birch plywood finished in black textured paint and protected by a powdercoated steel front grille backed with foam. Xf • • • • • Xn 2-way output far-field MB/HF section horn-loaded Height same as Xn, Xb Excellent directivity control Trapezoidal (9° per side) Xb • 3-way output near-field • MB/HF section horn-loaded and rotatable • Height same as Xf, Xb • Excellent directivity control • Trapezoidal (9° per side) • • • • • High-output LF cabinet Manifolded, vented design Height same as Xn, Xf Accurate transient detail Trapezoidal (9° per side) Xf, Xn and Xb look identical Xcn Xcb Sketch of a Xf • 2-way output near-field • Height same as Xcb • MB/HF section identical to Xn and rotatable • Excellent directivity control • Trapezoidal (9° per side) • • • • • • High-output LF cabinet Vented design Height same as Xcn Equivalent to half of an Xb Accurate transient detail Trapezoidal (9° per side) Xcn and Xcb look identical Frequency Range (-3 dB) Recommended High-Pass Frequency Axial Sensitivity SPL 1W/1m Max. SPL / 1m (calc.); full space Long-Term Power Handling Short-Term Power Handling (Peak) Coverage (nominal -6 dB) H° x V° Directivity Index LF woofer (transducer) MB woofer (transducer) HF throat diameter (transducer) Crossover Frequencies Nominal Impedance Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight Frequency Range (-3 dB) Recommended High-Pass Frequency Axial Sensitivity SPL 1W/1m Max. SPL / 1m (calc.); full space Long-Term Power Handling Short-Term Power Handling (Peak) Coverage (nominal -6 dB) H° x V° Directivity Index LF woofer (transducer) MB woofer (transducer) HF throat diameter (transducer) Crossover Frequencies Nominal Impedance Minimum Impedance Input Connections Dimensions (H x W at front x D) Net Weight Xds Xw 12A / Xw 15A • Extraordinary output low-end sub • Manifolded, vented design • Accurate transient detail • Trapezoidal (18° per side) • Designed for ground stacking • 2-way high-output Floor monitor • Vented LF enclosure • 3” voice coil (titanium diaphragm) for low distortion • Two symmetrical 55° angles Xf Xn Xcn Xb 125 Hz - 20 KHz Systemcontroller 112/116 dB 146/144 dB 600/150 W 2.400/600 W 40° x 20° (CD Horn) 17.2 dB (+2.0/-2.7 dB) 800 Hz - 16 KHz 125 Hz - 20 KHz Systemcontroller 110/112 dB 141/137 dB 300/75 W 1.200/300 W 60° x 40° (CD Horn) 13.4 dB (+2.0/-1.8 dB) 800 Hz - 16 KHz 2 x 12" (ND12A) 2 x 1.4" (ND6-16) Dx38 preset 8 Ω/8 Ω 4.9 Ω/7.0 Ω 2 eight-pin Speakon 914 x 584 x 759 mm 36” x 22.99” x 29.88” 87.1 kg (192 lbs.) 48 Hz - 20 KHz Systemcontroller 95/110/112 dB 129/141/137 dB 600/300/75 W 2.400/1.200/300 W 60° x 40° (CD Horn) 13.7 dB (+1.4/-1.4 dB) 800 Hz - 16 KHz 18" (EVX-180B) 12" (ND12A) 1.4" (ND6-16) Dx38 preset 8 Ω/16 Ω/16 Ω 6.5 Ω/9.4 Ω/14.0 Ω 2 eight-pin Speakon 914 x 584 x 759 mm 36” x 22.99” x 29.88” 87.1 kg (192 lbs.) 12" (ND12A) 1.4" (ND6-16) Dx38 preset 16 Ω/16 Ω 9.9 Ω/12.9 Ω 2 eight-pin Speakon 596 x 584 x 759 mm 23.47” x 22.99” x 29.88” 60.8 kg (134 lbs.) 37 Hz - 200 Hz Systemcontroller 98.5 dB 135 dB 1.200 W 4.800 W 240° x 300° (63-200 Hz) 3.4 dB (+1.4/-0.9 dB) 63 - 200 Hz 2 x 18" (EVX-180B) ----Dx38 preset 2x8Ω 2 x 6.4 Ω 2 eight-pin Speakon 914 x 584 x 759 mm 36” x 22.99” x 29.88” 83.5 kg (184 lbs.) Xcb Xds Xw12A Xw15A 37 Hz - 200 Hz Systemcontroller 95 dB 129 dB 600 W 2.400 W 300° x 270° (63-200 Hz) 2.7 dB (+1.0/-0.6 dB) 63 - 200 Hz 18" (EVX-180B) ----Dx38 preset 8Ω 5.6 Ω 2 eight-pin Speakon 596 x 584 x 759 mm 23.47” x 22.99” x 29.88” 32 Hz - 200 Hz Systemcontroller 100 dB 137 dB 1.200 W 4.800 W 180° x 200° (63-200 Hz) 4.8 dB (+2.1/-1.7 dB) 63 - 200 Hz 2 x 18" (EVX-180B) ----Dx38 preset 2x8Ω 2 x 6.1 Ω 2 eight-pin Speakon 914 x 1.166 x 759 mm 35.98” x 45.91” x 29.88” 55.8 kg (123 lbs.) 121.0 kg (266.8 lbs.) 65 Hz - 16 KHz Systemcontroller 98/110 dB 129/135 dB 300/75 W 1.200/300 W 55° x 80° (CD Horn) 11.6 dB (+2.3/-2.1dB) 1,200 Hz - 16 KHz 12" (DL-type) DL12ST 1.4" (ND6-16) Dx38 preset 8 Ω/16 Ω 8.2 Ω/10.5 Ω 2 four-pin Speakon 534 x 449 x 313 mm 23” x 17.2” x 12.2” (in floor position) 21.9 kg (48 lbs.) 55 Hz - 18 KHz Systemcontroller 99/110 dB 133/135 dB 600/75 W 2.400/300 W 55° x 80° (CD Horn) 11.6 dB (+3.0/-3.6dB) 1,200 Hz - 16 KHz 15" (EVX-155) --1.4" (ND6-16) Dx38 preset 8 Ω/16 Ω 7.2 Ω/14.3 Ω 2 four-pin Speakon 644 x 452 x 340 mm 25.4” x 18” x 13.4” (in floor position) 28.4 kg (62.5 lbs.) 33 X-Line™ Development of the new EV® X-Line™ system was driven by the need for a high-level concert touring enclosure that combines the sonic impact and vocal intelligibility of the renowned X-Array™ system with the uniform, predictable coverage that only a line-array configuration can deliver. The EV engineering team set out to develop the next generation of line-array systems, combining their years of experience in the development of X-Array™ with the absolute latest stateof-the-art technologies. As a matter of course, X-Line™ features the essential acoustical advantage of RMD™. The X-Line™ system was designed to provide wide horizontal dispersion (90 degrees) from a single vertical line array while providing exceptionally coherent wavefront summing in the vertical plane. At the heart of X-Line™ is a proprietary high-frequency wavefront alignment and summation device – the Hydra™ – that provides planar and time-coherent signal addition. The broad bandwidth vertical planar summing provides uniform sound field distribution throughout the listening area. Stereo imaging is improved by the X-Line™´s full-bandwidth mid-bass loading. Extended low-frequency polar control produces more uniform power response, further enhancing overall system intelligibility. The overall power response of the XLine™ is very uniform across a wide frequency spectrum, thus enabling the system´s very musical sonic character. If every performance space conformed to the same acoustic ideal, any linear loudspeaker array would suffice. But every arena, concert hall, and stadium is a unique space, and the one-box, one-dimensional design of most linear arrays just can´t adapt. X-Line™ is different. X-Line™ combines the power and vocal clarity of the X-Array™ with a versatile, fully configurable linear array design, plus the efficiency of one-person rigging. X-Line™ lets you stack Xvls enclosures at the top of an array for long throw with a 90° horizontal included angle, followed by Xvlt enclosures for the shorter throw and 120° horizontal coverage needed at the J-curve of the array. Completing the X-Line™ system are Xsub subwoofers that can be flown next to the main array or ground stacked. X-Line™ is made of 13-ply birch plywood with structural aluminum reinforcement and is finished with a rugged foam-backed steel grille to protect the drivers. A user guide with detailed specifications is available on request. ElectroVoice recommends using the Klark Teknik DN9848 or EV’s Dx38 as the system controller, along with EV® P3000 power amplifiers. P3000RL or TourGrade DSP-controlled amplifiers provide the ultimate solution in control throught IRIS-Net™. 34 Xvlt Xvls • • • • • • High-output, three-way line-array system Rectangular cabinet designed for upper section of linear array 90° horizontal coverage pattern ideal for long-throw applications New EV® Hydra™ time-synchronized HF vertical plane-wave generator provides excellent far-field summing Ring Mode Decoupling® (RMD®) provides levelindependent fidelity, greater midbass clarity, and high frequency accuracy Proprietary rigging allows for rapid venue load-in and load-out • • • • • • High-output, three-way line-array system Five-degree trapezoidal cabinet design for lower "J" section of linear array 120° horizontal coverage typical for medium-throw assignment New EV Hydra™ time-synchronized HF vertical plane wave generator provides excellent far-field summing Ring Mode Decoupling® (RMD®) provides level-independent fidelity, greater midbass clarity, and high frequency accuracy Proprietary rigging allows for rapid venue load-in and load-out Xsub/f • • • • Xvls Xvlt High-output, line-array subwoofer system Rectangular cabinet with footprint identical to other X-Line systems Can be flown or ground-stacked with non-flying version Proprietary rigging allows for rapid venue load-in and load-out Xsub/f Frequency range (-3 dB) 40 Hz–16 kHz 40 Hz–16 kHz 33–400 Hz Recommended high-pass frequency 50 Hz 50 Hz 33 Hz Sensitivity (SPL 1 W/1 m) (LF/MB/HF) 101 dB/111 dB/118 dB 101 dB/111 dB/117 dB 100/106 dB* Max. SPL/1m (calc.) (LF/MB/HF) 132 dB/139 dB/142 dB 132 dB/139 dB/141 dB 131/137 dB* Long-term power handling (LF/MB/HF) 1,200 W/600 W/225 W 1,200 W/600 W/225 W 1,200 W Short-term power handling (LF/MB/HF) 4,800 W/2,400 W/900 W 4,800 W/2,400 W/900 W 4,800 W Coverage (H° x V°) 90° x 5° 120° x 9° 200° x 325° LF driver 2 x EVX-155 Plate 2 x EVX-155 Plate 2 x EVX-180B MB driver 2 x ND08 2 x ND08 — HF driver 3 x ND6 3 x ND6 — Crossover frequencies 220 Hz/1,250 Hz 220 Hz/1,250 Hz 80 Hz Nominal impedance 2 x 8 Ω/8 Ω/5.3 Ω 2 x 8 Ω/8 Ω/5.3 Ω 2x8Ω ® ® Input connections 2 Neutrik NL8 2 Neutrik NL8 2 Neutrik® NL8 Dimensions (H [front/rear] x W x D) 494.3/494.3 x 1244.6 x 740.4 mm 494.3/429.7 x 1244.6 x 740.4 mm 494.3/494.3 x 1244.6 x 740.4 mm 19.46"/19.46" x 49" x 29.15" 19.46"/16.92" x 49" x 29.15" 19.46"/19.46" x 49" x 29.15" 92 kg (202 lbs.) 115 kg (253 lbs.) 117 kg (257 lbs.) Net weight * 1/2-space 35 The XLC SYSTEM While the flagship X-Line meets the acoustical needs of the largest venues and arenas, EV’s compact line-array, XLC, was designed to match the demands for easy setup and transportation combined with outstanding sonic results in a large variety of venue sizes. SYSTEM FEATURES: • Wide, constant horizontal coverage pattern of 120° • Four-way system; bi- or tri-ampable fullrange cabinets • Rigging hardware totally integrated into cabinets • Front rigging/rear aiming concept enables precise control of vertical line source pattern XLC 127DVX / XLCi 127DVX Main Cabinet This cabinet is the main component in a XLC line array. Starting with a minimum of four cabinets, a reasonable array size uses six to eight boxes, up to a maximum of 16 for larger arenas. The three-way axis-asymmetric design includes a single EV DL-12 low-frequency/mid-bass woofer optimized for this cabinet. Two 6.5” DVN2065 horn-loaded drivers in a vertical array cover the mid-frequency bandpass. The XLC127DVX utilizes two ND6 (3” voice-coil) neodymium compression drivers loaded on two Hydra™ plane wave generators. With a horizontal coverage of 120°, the XLC system accurately covers wide areas while maintaining excellent imaging and lobe-free coverage. This cabinet is also available with dedicated rigging for fixed installations as XLCi 127DVX. XLC 118 / XLCi 118 XLC 215 / XLCi 215 Subwoofer If subwoofers shall be integrated in the array, or flown separately, XLC offers two options. The XLC118 is a direct radiating 18" sub using the EVX180B woofer. The XLC215 has the exact same dimensions, but utilizes two of EV's latest15-inch DVXwoofers, the DVX3150. Flying subwoofers benefits in a more even front-to- back SPL distribution. Both cabinets are also available as i-versions for installations. 36 Specifications Tecnical Specifications for XLC Cabinets Specification Xlc 127DVX / Xlci 127DVX Xlc 118 / Xlci 118 Xlci215 Horizontal Coverage 120° 300° 300° LF Power Handling 500 W cont./2000 W peak 600 W cont./2400 W peak 1000W/4800W MB Power Handling 300 W cont./1200 W peak — — HF Power Handling 150 W cont./600 W peak — — Sensitivity (LF/MB/HF) 95 dB/101 dB/110 dB 102 dB* 103 dB* Max. SPL (calc.) 126/130/138 dB 130/136 dB* 139 dB LF Transducer 1 x 12” DVX3121 EVX180B 2xDVX3150 MB Transducer 2x DVN 2065 HF Transducer 2 x ND6-16 — — Connectors 2 Neutrik® NL8 2 Neutrik® NL8 2 Neutrik® NL8 Enclosure Material EV®-coated plywood EV®-coated plywood EV®-coated plywood Grille Powder-coated steel Powder-coated steel Powder-coated steel Environmental Specs IEC 529 IP24 MIL STD 810 IEC 529 IP24 MIL STD 810 Dimensions (H x W x D) 362 x 991 x 572 mm 14.25” x 39 ” x 22.5” 546 x 991 x 572 mm 21.5” x 39” x 22.5” 546 x 991 x 572 mm 21.5” x 39” x 22.5” Net Weight 50,4 kg (111 lbs) 54.5 kg (120 lbs) 54.5 kg (120 lbs) *Half space environment Xlc 127DVX shown Perfect System Control using RACE-processed presets for DX38 and P-Series RL Remote Amplifiers Recommended System Drive for XLC (in triamp mode) Cabinet: XLC 127DVX XLC 118 XLC215 HF: CP3000S / P3000 RL / TG5 - - MB: CP3000S / P3000 RL / TG5 - - LF: CP3000S / P3000 RL / TG5 CP4000 S / P3000 RL CP4000S/P3000RL/TG5 System Controller: Dx38 or DSP Controlled Precision Series Amplifiers (RL) or Tour Grade 37 X–Line Very Compact Designed for most demanding audio applications that require the most compact format, X-Line Very Compact offers a unrivaled combination of output capability, sonic performance and size. Combined with the large amount of accessories like coupler-grids, ground-stack kit and even adapter grid to the bigger XLC, XLVC is a preferred choice for concert applications as well as installations. While expectations of audio performance in terms of SPL, natu- ral response and uniform coverage have expanded, demand for smaller and lighter sound systems has increased. X-Line Very compact offers the best of both worlds: XLD systems are capable of producing concert SPL levels on full bandwidth in small to medium sized venues. Smaller XLE-systems are ideal for critical audio requirements where overall cluster size is highest priority. X-Line Very Compact Two options of size and performance: XLD or XLE • Two ND2HF drivers for maximum output & headroom • Unrivaled even front-to-back and side-to-side coverage • Easy to set-up, transport and operate • Complete system including DSP, amplification, and rigging 38 X–Line Very Compact EV’s Hydra™ used in X-Line and XLC has an overall height of 7-inches (17.5cm). In order to maintain the extraordinary HF response, a new 4-inch (10cm) Hydra was developed to match the DVN2080 8-inch woofer. Each of the two Hydras is driven by the new ND2S, a 2” neodymium compression driver. A single waveguide is fed with the plane wave from the hydras resulting in wide bandwidth, even horizontal coverage, and predictable vertical coverage. XLD281 • Full Bandwidth 3-way Element (60Hz-20kHz) • Very Compact, Lightweight • CCT ™ (Coverage Control Technology) • 120° Horizontal Coverage to 250 Hz • Simple, Quick Integrated Rigging • Versatile Subwoofer Integration • Bi-Amp or Tri-Amp Operation • Neodymium Transducers • LAPS Aiming and Flying Software XLD281 XS212 • 2 x 12” DVX3120 Woofer • Same Footprint & Compatible Rigging to XLD281 can be flown behind the array with optional C-Beam XLE181(not shown) • Full Bandwidth 2-Way Element (75Hz-20kHz) • Most Compact, Very Lightweight • Simple, Quick Integrated Rigging • Bi-Amp or Fullrange Operation • Neodymium Transducers • LAPS Aiming and Flying Software XS212 XLD281 XLE181 XS212 75 Hz - 18 kHz 90 Hz - 18 kHz Hz - 100Hz Max SPL (Calc.) Peak 141 dB * 138 dB* 136 dB** Horizontal Coverage: 120 ° 120 ° – Power Handling cont. 200/200/80W 200/80W 1000W Power Handling Peak 800/800/320W 800/320W 4000W 2 x DVN2080 DVN2080 2 x DVX3120 HFrequency Range (-3dB) LF Transducer HF Transducer Nominal Impedance Dimensions Weight 2 x ND2-8 2 x ND2-8 – 16/16/16 Ohms 16/16 Ohms 4 Ohms 726 x 251 x 369mm 516 x 251 x 369 mm 726 x 508 x 378 mm 28.58” x 9.9” x 14.52” 20.3” x 9.9” x 14.52” 28.58” x 20” x 14.9” 21.8 kg (48 lbs) 17.2 kg (38 lbs) 38.5 kg (85 lbs) *array for 4 cabinets **half space 39 Line Array Prediction Software: LAPS Line Array Prediction Software (LAPS) for EV XLC and X-Line systems makes system behavior predictable. Entire hang setups, including motor loads, cabinet aiming, and resulting sound pressure distribution, can be calculated before physical hang setup. Available for free at www.electrovoice.com. (A) Set up your environmental parameters (B) Trim your hang for optimum SPL distribution (C) Set up your line array according to calculated parameters and enjoy excellent sound quality. 40 Floor Monitors The following two pages give you an overview about of EV´s professional floor monitors. All monitors shown have optimized monitor angles and, as is typical with EV, have very low feedback properties. For technical details or information about recommended high-pass frequencies, refer to the appropriate product pages. Sx250/SxA250 • • • • 350 W (longterm) / 150W + 50W powered 15” / 1” exit max. SPL 130 dB/1m 45° monitor angle FRi-28LPM • • • • • Low profile ideal for theater front stage 2x8”/1” voicecoil 200 W (long-term) Max. SPL 122 dB/1m (calc.) 45° monitor angle 100° x 100° QRx 112/75 • • • • • • • 75° x 50° • Perfect for high performance monitoring in concert sound applications 12”/1.4” exit 300 W (long-term) Max. SPL 131 dB/1m (calc.) 55° (approx.) monitor angle Integrated stand mount and optional L-Track rigging allows flexible usage Note: in monitor position rotate the horn with so the 35° dispersion is pointing upwards. Note: press high-pass (mid/high-mode) at controller amp module M-112 when used on floor QRx 115/75 • • • • • • • 75° x 50° • Perfect for high -performance monitoring in concert-sound applications 15”/1.4” exit 400 W (long-term) Max. SPL 110 dB/1m (calc.) 55° (approx.) monitor angle Integrated stand mount and optional L-Track rigging allows flexible usage Note: in monitor position rotate the horn with so the 35° dispersion is pointing upwards. Note: press high-pass (mid/high-mode) at controller amp module M-115 when used on floor 41 Sx 100 and Sx 300 • • • • • (shown with F200) Symmetrical horn 65° x 65° 12”/1” exit Sx 300: 300 W (long-term) Sx 100+: 200W (longterm) 50° (approx.) monitor angle F200 necessary (monitor feet, black) 65° x 65° SxA100+ • Built-in 2-way amplifier (150W+50W cont.; 380W+80W peak) • 12” / 1”exit • max. SPL 124 dB/1 m • 50° (approx.) monitor angle • F200 included (monitor feet, black) SxA360 • 350 W LF + 150 W HF Output Power • Only 16.6 kg (43 lbs) • 2” Voice Coil DH2T Compression Driver • Dynamic Filters provide Overload Protection & Linear Response T 221 M • • • • Perfect for high-performance monitoring in budget-limited productions 12”/1” voicecoil DH2T CD 400 W (long-term) Two 55° angles allows symmetrical monitor set-ups 55° x 80° Xw 12A • • • • • • Perfect for highest-performance monitoring in concert-sound applications 12”/1.4” exit 300/75 W (long-term) Max. SPL 130 dB/1m (calc.) Two 55° angles allows symmetrical monitor set-ups Dedicated digital controller is Dx38 55° x 80° Xw 15A • • • • • • 55° x 80° 42 Perfect for highest-performance monitoring in concert-sound applications 15”/1.4” exit 600/75 W (long-term) Max. SPL 133 dB/1m (calc.) Two 55° angles allows symmetrical monitor set-ups Dedicated digital controller is Dx38 Subwoofers EVID 12.1 Application Woofer Type Power Handling cont. Sensitivity(1W1m) Max. SPL (peak) Internal X-Over Flying Dimensions H/W/D (mm) Weight Installation 1 x 12” slot loaded 2 x 175 W 100 dB** 125 dB ** stereo w/ hi-pass out no 412 x 584 x 305 mm 16.22” x 23” x 12” 18.1 kg (39.9 lbs.) EVID C10.1 Ceiling Installation 1 x 10” 150 W 94 dB* 122 dB * lowpass no 320 mm diameter 12.6” diameter 7 kg (15.4 lbs.) FRi + 181S FRX+181 Installation 1 x 18” 400 W 97 dB/103 dB* 129 dB/135 dB* no eyebolts 711 x 597 x 762 mm 28” x 23.5” x 30” 45.5 kg (100.3 lbs.) Installation 1 x 18” 400 W 96 dB/102 dB* 128 dB /134 dB* no L-track 787 x 719 x 660 mm 31” x 28.3” x 26” 45.5 kg (100.3 lbs.) Eliminator i Sub Eliminator KW Application Pro Music Pro Music Woofer Type Power Handling cont. Sensitivity(1W1m) Max. SPL (peak) Internal X-Over Flying Dimension H/W/D (mm) 1 x 18” 400 W 98 dB/104 dB* 130 dB/136 dB* lowpass no 2 x 18” 1000 W AES 101 dB/107 dB* 137 dB/143 dB* no no 856 x 435 x 609 33.7” x 17.25” x 24” 1140 x 569 x 597 586 x 429 x 312 44.9” x 22.4” x 23.5” 23.1” x 16.9” x 12.3” 603 x 428 x 665 23.7” x 16.9” x 26.2” 39.5 kg (89 lbs.) 65.8 kg (145 lbs.) 43 kg (94.8 lbs.) Weight Sb 122 Pro Music, Installation 1 x 12” 400 W 99 dB* 131 dB* lowpass optional SX Hardware 15.0 kg (33 lbs.) SbA 760 Pro Music, Installation 1 x 15” 760 W amplifier 128 dB/134 dB* built-in active X-Over no * 1/2-space SPL, ** 1/4-space SPL 43 Subwoofers Application Woofer Type Power Handling cont. Sensitivity(1W1m) Max. SPL (peak) Internal X-Over Flying Dimensions H/W/D Weight QRx118S MTL1X QRx218S Pro Music Concert Sound 1 x 18” 600 W 98 dB /104 dB* 131 dB /137 dB* no no 900 x 450 x 600 mm 35.4” x 17.7” x 23.6” 47.5 kg (104.7lbs.) Pro Music Concert Sound 2 x 18” 1200 W 101 dB /107 dB* 137 dB / 141 dB* no no 1160 x 572 x 758 mm 45.8” x 22.5” x 29.9” 75 kg (165 lbs.) Pro Music Concert Sound 2 x 18” 1200 W 99 dB /105 dB* 134 dB /140 dB* no optional 1015 x 560 x 600 mm 40” x 22.05” x 23.6” 68 kg (150 lbs.) Xi-1191(F) Application Woofer Type Power Handling cont. Sensitivity(1W1m) Max. SPL (peak) Internal X-Over Flying Dimension H/W/D Weight * 1/2-space SPL 44 Installation Concert Sound 1 x 18” 600 W 94 dB /100 dB* 128 dB /134 dB* no L-track (F-version) 914 x 586 x 759 mm 36” x 23.1” x 29.9” 68 kg (150 lbs.) Xsub(F) Concert Sound Installation 2 x 18” 1200 W 100 dB /106 dB* 137 dB /143 dB* no X-Line rigging, (F-vers.) 494.3 x 1245 x 740 mm 19.5” x 49” 29.1” 92 kg (202.8 lbs.) XLC215 Concert Sound Installation 2 x 15” 1000 W 97 dB /103 dB* 133 dB /139 dB* no XLC rigging 546 x 991 x 572 mm 21.5” x 39” x 22.5” 54.5 kg (120 lbs.) XLC 118 Plasma P2 Concert Sound Installation 1 x 18” 600 W 96 dB /102 dB* 130 dB /136 dB* no XLC rigging 546 x 991 x 572 mm 21.5” x 39” x 22.5” 54.5 kg (120.2 lbs.) Concert Sound Installation 1 x 18” 600 W built in Amplifier 800W 126 dB /132 dB* Lowpass 100 Hz 910 x 476 x 600 mm 35.8” x 18.7 x 23.6” 63.6 kg (140.2 lbs.) Cinema Systems Cinema. In a medium generally thought of as visual, the quality of a cinema´s sound system is often what determines the “cinema experience” for the paying customer. For years Electro-Voice® has supplied loudspeaker systems to the cinema industry which meet or exceed standards set by THX® and Dolby® Laboratories. Every summer, with the release of the latest blockbuster action film, new benchmarks for acoustic performance are set, and EV continues to meet these demands with new innovations. At Electro-Voice we offer the engineering knowledge and expertise to design and manufacture products “from the ground up.” EV loudspeakers are conceived at the component level and integrated into high-performance screen channel, surround and subwoofer systems. We are committed to developing new technologies and achieving new levels of performance for cinema loudspeaker systems. Variplex II™ Systems The Variplex™ is one example of the many EV systems which are THX® approved. They join the large, diverse family of Electro-Voice cinema products developed for cinemas both large and small. This wide range of products and timeproven acoustic excellence means that you can design systems that “fit” any room, and more importantly, that the “cinema experience” will be the best your customers have ever heard. And take note: The THX®-approved, high-quality CPS Series amplifiers are part of this formula for success. Variplex II™ XL • • • Variplex II™ • • • • • • Three-way stage system Vari-Intense® technology provides uniform front-to-back coverage Ring-Mode Decoupling™ improves vocal clarity and intelligibility Variplex™ B model features passive MB/HF crossover for biamping THX® approved Digital Dynamics Capable™ • • • Three-way, high-output stage system High-output MB and HF drivers Vari-Intense® technology provides uniform front-to-back coverage Ring-Mode Decoupling™ improves vocal clarity and intelligibility THX® approved Digital Dynamics Capable™ CINEMA CINEMA THX and Lucasfilm are copyright © Lucasfilm Ltd. & trademarked ™. All rights are reserved. Used under authorization. (not shown) Frequency Range Sensitivity, 1W/1m (LF/MF/HF) Max.SPL/1m (calc.) (ave./peak) Crossover Frequency Long-term Power Handling (LF/MF/HF) Short-term Power Handling (LF/MF/HF) Coverage Horizontal (long axis/short axis) Coverage Vertical (up/down) HF driver MF driver LF driver Nominal Impedance Dimensions (Height/Width/Depth) Weight (net) Variplex II XL Variplex II Variplex M 34 Hz - 16 kHz 104/109/112 dB 130 / 136 dB 500Hz / 1300 Hz 1600/400/75 W 6400/1600/300 W 90° 20°/30° ND 6-8 2 x EV8DH 4 x DL15ST 2 x 4 / 4 / 8 Ohms 1924 x 1296 x 396 mm 75.8” x 51” x 15.6” 139 kg (306.4 lbs.) 34 Hz - 16 kHz 101/109/112 dB 130 / 136 dB 500Hz / 1300 Hz 800/400/75 W 3200/1600/300 W 90° 20°/30° ND6-8 2 x EV8DH 2 x DL15ST 4 / 4 / 8 Ohms 1924 x 648 x 396 mm 75.8” x 25.5” x 15.6” 74 kg (163.1 lbs.) 45 Hz - 18 kHz 104 dB 127 / 133 dB 500 Hz 500 / 300 W 2000 / 1200 W 90° 20°/30° DH2T 2 x EV8D 2 x EV15G 4 / 4 Ohms 1924 x 648 x 396 mm 75.8” x 25.5” x 15.6” 72,6 kg (160.1 lbs.) 45 Two-Way Systems TS9040D-LX Electro-Voice® two-way screen systems offer flexibility in size and high-quality sound output for a variety of cinema applications. The TS9040D-LX and the TS550D-LX, both largeformat systems, feature very high efficiency and are THX®-compatible. The medium-format TS940D includes a passive crossover, and the small-format TS992E’s innovative flat-cabinet design saves considerable space behind the screen. For efficiency, wide-ranging application solutions, and incredible sound quality, nothing beats EV screen systems. • • • • • Large-format, two-way screen system Provides excellent acoustical performance in large or small rooms. THX® approved Digital Dynamics Capable™ Wide, smooth frequency response TS940D • • • • • TS992M Medium-format, two-way screen system HP940T horn/ND6 driver XEQ-504 crossover for single-channel operation Smooth, accurate sound Passive crossover for single-channel operation • • • • Small-format, two-way screen system DH2T HF on 90 x 50 horn EV15G LF system 10" depth: low-profile system (254 mm) (not shown) Frequency Range Sensitivity, 1W/1m (LF/HF) Max.SPL/1m (calc.) (ave./peak) Crossover Frequency Long-term Power Handling (LF/HF) Short-term Power Handling (LF/HF) Coverage (H x V) HF driver LF driver Nominal Impedance Dimensions (Height/Width/Depth) Weight (net) 46 TS550D-LX TS9040D-LX TS940D TS992M 30 Hz - 20 kHz 100 / 111 dB 131 / 137 dB 500 Hz 1.200 / 75 W 4.800 / 300 W 90° x 40° ND6X-8 2 x EVX155 4 / 8 Ohms 1816 x 681 x 947 mm 71.5” x 26.8” x 37.3” 74,8 kg (164.9 lbs.) 32 Hz - 20 kHz 100 / 111 dB 129 / 135 dB 500 Hz 800 / 75 W 3.200 / 300 W 90° x 40° ND6X-8 2 x DL15ST 4 / 8 Ohms 1816 x 681 x 947 mm 71.5” x 26.8” x 37.3” 74,8 kg (164.9 lbs.) 32 Hz - 20 kHz 100 dB 129 / 135 dB 500 Hz, internal 800 W 3.200 W 90° x 40° ND6-X 2 x DL15ST 4 Ohms 1354 x 572 x 447 mm 53.3” x 22.5” x 17.6” 60.4 kg ( 133.1 lbs.) 38 Hz - 18 kHz 100dB 130 dB 1300 Hz, internal 300 W 1.200 W 90° x 50° DH2T EV15-G 8 Ohms 1200 x 660 x 254 mm 47.2” x 26” x 10” 35 kg (77.2) Cinema Systems Subwoofers Subwoofers offer a variety of low-frequency solutions for general fixed installation or additional LF supplementation in existing installations. Low-frequency systems have f3s (the point at which response is -3 dB down) as low as 40 Hz. In general, response below 40 Hz is required for theatrical effects, full reproduction of pipe organs, and some special effects in contemporary music such as synthesizers and down-tuned bass guitars. The TL 880D is especially suited for this special type of application. Note: TL subwoofers have unprotected fronts and woofers, and should be used in inaccessible areas only. TL440 TL880D • • • • • • • Very-low-frequency subwoofer Direct radiating vented design High acoustic output to below 20 Hz (-10 dB) allows real low end effects THX® approved • Very-low-frequency subwoofer Direct radiating vented design High acoustic output featuring single EVX180B woofer THX® approved TL18-1ES TL440M • • Very-low-frequency subwoofer Direct radiating vented design • • • • Low-frequency subwoofer Direct radiating vented design 38 Hz low end for rich bass Ultrathin depth (not shown) Frequency Range Sensitivity, 1W/1m (full/half-space) Max.SPL/1m (calc.) (ave./peak) Long-term Power Handling Short-term Power Handling Coverage (<125 Hz) LF driver Nominal Impedance Dimensions (Height/Width/Depth) in mm Weight (net) •) 24Hz in step-down mode TL880D TL880DM TL440 TL440M TL18-1ES 23 Hz - 1.8 kHz 99 / 105 dB 136 / 162 dB 1.200 W 4.800 W omnidirectional 2 x EVX180B 4 Ohms 1210 / 762 / 605 47.5"x30"x23.8" 72,6kg (160 lbs) 27 Hz - 1.8 kHz 99 / 105 dB 133 / 137 dB 800 W 3.200 W omnidirectional 2 x EVS-18S 4 Ohms 1207 / 762 / 605 47.5"x30"x23.8" 70,8kg (156 lbs) 33 Hz• - 3.2 kHz 96 / 102 dB 130 / 136 dB 600 W 2.400 W omnidirectional 1 x EVX 180B 8 Ohms 1003 / 572 / 559 39.5"x22.5"x22" 49 kg (108 lbs) 38 Hz• - 3.2 kHz 96 / 102 dB 128 / 133 dB 350 W 1.500 W omnidirectional EV518S 8 Ohms 1003 / 572 / 559 39.5"x22.5"x22" 49 kg (98 lbs) 38 Hz - 2.0kHz 96 / 102 dB 128 / 134 dB 400W 1.600 W omnidirectional 1 x DL18-MT 8 Ohms 1193 / 680 / 254 47" x 26.75" x 10" 43kg (95 lbs) 47 Cinema Systems Surround Loudspeakers SL12-2V SL10-2V • High-output, two-way surround loudspeaker Versatile suspension and safety options 15° slanted cabinet Exceptionally wide and smooth frequency response SL10-2V model has 10" woofer SL10-2V includes wall mounting brackets THX® compatible Digital Dynamics Capable™ • • • • • • • SL8.2 • • • • • Full-Bandwidth overload protection Strong-Arm-Mount™ for easy, flexible aiming Lightweight, unobtrusive plastic enclosure Easy-access input terminals 8-2way with 1,25" compression driver SL6.2 • • • • Frequency Range Sensitivity, 1W/1m Max.SPL/1m (calc.) (ave./peak) Long-term Power Handling Short-term Power Handling Coverage (H x V) LF driver HF driver Nominal Impedance Dimensions (Height/Width/Depth) in mm Weight (net) 48 Full-Bandwidth overload protection Strong-Arm-Mount™ for easy, flexible aiming Lightweight, unobtrusive plastic enclosure Easy-access input terminals SL12-2V SL10-2V SL8.2 SL6.2 70Hz - 20 kHz 93 dB 116 / 121 dB 200W 800 W 100° x 90° 12" woofer DH2010A 8 Ohms 535 x 476 x 335 21” x 18.7” x 13” 21,4 kg (47 lbs.) 60Hz - 20kHz 93 dB 113 / 119 dB 100 W 400 W 100° x 100° 10" woofer 1" compression driver 8 Ohms 476 x 318 x 275 18.75” x 12.5” x 10.8” 10,5 kg (23.1 lbs.) 60 - 20kHz 48Hz - 20 kHz 90 dB 111 / 177 dB 115/121 dB 200 W 800 W 100° x 100° EV8L DH2005 8 Ohms 451 x 282 x 263 17.75” x 11.12” x 10.35” 8.4 kg (18.5 lbs) 100° x 100° 2x6" woofer 1" driver on waveguide 8 Ohms 419 x 228 x 198 mm 61.5” x 9” x 11.7” 4.5 kg (10 lbs.) Outdoor Speakers From the EVID™ 3.2 to the Sx600, EV offers excellent solutions for outdoor speaker needs. EV®’s Sx and ZX1 Series bring the sound of indoor speakers out into the fresh air, and can be used for portable and fixed installations such as major theme parks. The new EVID line provides visual style and audio substance not only indoors, but also in any outdoor environment and in humid indoor environments such as pools and saunas. Both families include transformer options. ZX1i • • • • ZX1i 8"-2-way with DH2005 1,25" compression driver Integrated Quick SAM foeasy install and aiming 2 pattern 90x50 or 100 x 100 Transformer version availavle (-T) Sx300PI/PIX • • • Compact two-way, 12-inch, medium-throw full-range system Full-face, black powder-coated stainless steel grille, backed by a foam water shield, gives smooth appearance and a high degree of weather resistance 70.7/100-volt 100-watt transformer option with selectable taps (Sx300PIX) Sx500PI+ Sx300PI/PIX • • Two-way, 15-inch, medium-throw, full-range system 500 Hz directional control from vented LF horn ZX5PI • • • 15"-2 way with ND2, 2" compression driver & DVX3150 woofer 600W cont. power handlig Sx600PI/Sx600PIX • • ZX5PI • • • Tw- element vertical line array Very high sensitivity (105 dB/1W/1m) High intelligibility Two 12” woofers DH2T driver on 65x65 degree Varipath horn • • • • All weather cabinet Super SAM mounting, 60° x 180° adjustable Waterproof connection by SJO cable with glandnut Internal 600 Watt transformer available (SX600PIX) EVID 4.2/4.2T • • • • • • Sx600PI Two-way full range 1" voice coil (titanium diaphragm) with Neodymium magnetic structure Full bandwidth overload protection for HF and LF Three-dimensional elliptic (for compact look) Comes with Strong Arm Mount (SAM™) and a hex-key Suspension insert for SAM™, safety point on rear side EVID 6.2/6.2T • • • • • • • Two-way, high-output full range High sensitivity 1" voice coil (titanium diaphragm) with Neodymium magnetic structure Full bandwidth overload protection for HF and LF Three-dimensional ellipse (for compact look) Comes with Strong Arm Mount (SAM™) and a hex key Suspension insert for SAM™; safety point on rear side 49 Underwater loudspeaker The UW 30 represents a departure from conventional designs of underwater sound sources. Its unique, patented design uses the case´s structural enclosure as the sound transducer. Underwater speakers are required equipment for many activities in commercial, luxury resort pools and synchronized swimming events or instructions in Olympic pools. They are used for water ballets and similar water shows. UW 30 has a highfidelity sound with low distortion, and the effect of music played underwater through it is truly enchanting. The outer case of UW 30 is made of high-impact ABS and is pool-blue in color. All internal components are sealed inside the speaker through a “hot-melt” process, allowing it to be used in fresh- or salt-water pools or ocean enviroments. Sound dispersion is up to 30 x 30 feet (10 x 10 m) under water. Operating depth is up to 10 feet (3 m), with a recommended depth of 4 feet (1.2 m). Note: For overload protection, install a 25-ohm, 20-watt resistor in parallel with a 1.5amp, fast-blowing fuse in series with the speaker. UW 30 • • • • • Full-range underwater sound source Uniform sound throughout medium-sized pools Very high-fidelity sound Salt-water resistant Comes with a 50-foot (15-m), three-conductor waterproof cable terminated within the internal encapsulation material Ultracompact monitor system EV®’s S-40 produces maximum frequency response with an extended bass response. The sensitivity, therefore, is slightly less than with a regularly tuned box. The S-40 is made of black or white high-impact polystyrene structural foam protected with a full-size, matching front grille. S-40 B • • • • • • • Frequency range Sensitivity (SPL 1W/1m) Max. SPL/1m (calc.) Long-term power handling Short-term power handling Coverage (H° x V°) Directivity Index LF driver HF driver Crossover frequencies Nominal impedance (low Z version) Minimum impedance (low Z version) Input connections Dimensions (H x W at front x D) Net weight (including mounting bracket) 50 Two-way, full-range ultracompact Ultra-linear frequency response Vented LF enclosure Full bandwidth protection circuit for woofer and tweeter Ferrofluid-cooled soft-dome tweeter Trapezoidal 2 x 1/4"–20 suspension points UW 30 S-40 100 Hz–10 kHz — — 30 W — omni (underwater) 85 Hz–20 kHz (+/- 3dB) 85 dB 113 dB 160 W 640 W 100° x 100° 9.8 dB (+3.8/-3.6 dB) 2 kHz–20 kHz 5.25" 1" Softdome 3,500 Hz 4Ω 3.7 Ω spring terminal 249 x 178 x 150 mm (9.8" x 7" x 5.9") 2.6 kg (5.7 lbs.) — special type — — 8Ω — waterproof cable 183 mm [diameter] x 66 mm [D] (7.19" [diameter] x 2.61" [D] ) 1.8 kg (4 lbs.) Components Woofers EV component woofers are high-efficiency designs highly refined from years of development and field experience. They employ extended-length voice coils for high-impact reproduction of dynamic low-frequency program. All woofers feature proprietary heat-transfer systems for unmatched power capacity and reliability. Kevlar®-fibercomposite cones are used to provide structural strength to resist collapse during explosive dynamic peaks and to provide internal mechanical damping to minimize resonances that can change the character of the sound at high levels. DL and EVX woofers are made of cast aluminium frames with push terminals, and all feature Ring-Mode Decoupling™ (RMD™) except for the DL18MT and the EVX180B. Speaker Parts EVM 12L Black Label: The official guitar loudspeaker of Zakk Wylde Cone diameter Coil diameter Impedance Frequency range Long-term power rating (EIA) Short-term power rating Sensitivity (1 W @ 1 m) Maximum SPL Efficiency Frame front diameter Magnet diameter Overall depth Mounting bolt circle diameter Baffle cutout diameter Net weight DL10X DL12BFH DL12ST DL15BFH DL15ST 10" (254 mm) 2.5" (63.5 mm) 8Ω 100–2,000 Hz 300 W 1,200 W 98 dB 122.8 dB 5.92% 259.5 mm (10.22") 190.5 mm (7.50") 114.3 mm (4.50") 244.5 mm (9.625") 230.2 mm (9.063") 6.5 kg (14.3 lbs.) 12" (305 mm) 2.5" (63.5 mm) 8Ω 60–2,500 Hz 300 W 1,200 W 96 dB 120.8 dB 3.69% 309.6 mm (12.19") 155.6 mm (6.13") 133.4 mm (5.25") 293.7 mm (11.563") 281.0 mm (11.063") 5.0 kg (11.1 lbs.) 12" (305 mm) 2.5" (63.5 mm) 8Ω 60–2,000 Hz 300 W 1,200 W 98 dB 122.8 dB 5.60% 309.6 mm (12.19") 190.5 mm (7.50") 133.4 mm (5.25") 293.7 mm (11.563") 281.0 mm (11.063") 6.7 kg (14.7 lbs.) 15" (381 mm) 2.5" (63.5 mm) 8Ω 45–2,000 Hz 350 W 1,400 W 96 dB 121.4 dB 3.93% 305.0 mm (15.16") 155.6 mm (6.13") 152.4 mm (6.00") 369.9 mm (14.563") 357.2 mm (14.063") 5.4 kg (12.0 lbs.) 15" (381 mm) 2.5" (63.5 mm) 8Ω 45–2,000 Hz 400 W 1,600 W 95 dB 121.0 dB 2.66% 305.0 mm (15.16") 190.5 mm (7.50") 158.8 mm (6.25") 369.9 mm (14.563") 357.2 mm (14.063") 6.9 kg (15.2 lbs.) DL18MT EVX155 EVX180B EVM12L Black Label Cone diameter Coil diameter Impedance Frequency range Long-term power rating (EIA) Short-term power rating Sensitivity (1 W @ 1 m) Maximum SPL Efficiency Frame front diameter Magnet diameter Overall depth Mounting bolt circle diameter Baffle cutout diameter Net weight 18" (457 mm) 2.5" (63.5 mm) 8Ω 35–800 Hz 400 W 1,600 W 96 dB 122.0 dB 2.9% 460.5 mm (18.13") 190.5 mm (7.50") 177.8 mm (7.00") 441.3 mm (17.375") 425.5 mm (16.750") 7.2 kg (15.8 lbs.) 15" (381 mm) 4" (101.6 mm) 8Ω 40–2,000 Hz 600 W 2,400 W 98 dB 125.8 dB 4.32% 385.0 mm (15.16") 209.6 mm (8.25") 184.2 mm (7.25") 369.9 mm (14.563") 357.2 mm (14.063") 10.3 kg (22.8 lbs.) 18" (457 mm) 4" (101.6 mm) 8Ω 30–800 Hz 600 W 2,400 W 98 dB 125.8 dB 3.4% 460.5 mm (18.13") 8.25" (209.6 mm) 203.2 mm (8.00") 441.3 mm (17.375") 425.5 mm (16.750") 10.6 kg (23.4 lbs.) 12” (305mm) 2.5” (63.5 mm) 8 or 16 Ohms 80Hz–7kHz 300 W 1200 W 100 dB 125 dB 5.9% 309.6 mm (12.19”) 190.5 mm (7.5”) 133.4 mm (5.25”) 293.7 mm (11.563”) 281.0 mm (11.063”) 8.6 kg (19 lbs.) 51 Components Compression Drivers Electro-Voice is one of a handful of professional audio companies that can design high-performance compression drivers. Compression drivers are the most difficult audio transducers to design. Their unique requirements call for ultraprecise tolerances, state-of-the-art modeling routines, and exceptionally talented engineering expertise. Manufac- turing techniques are frequently pushed to process limits, and materials are formed and stabilized with cutting-edge systems and controls. Each EV compression driver’s parameters are tightly controlled to ensure world-class performance, thus putting the drivers at the top of their class in every respect. DH7-8/DH7-16 ND6-8/ND6-16/ND6X • • • • • • Large-format ceramic compression driver 300-watt power rating 3" titanium diaphragm 1.4" or 2" exit diameter for use on almost any highperformance horn Excellent for use with directradiator or horn-loaded LF and MB sections • • • • • Large-format neodymium compression driver 300-watt power rating 3" titanium diaphragm 1.4" or 2" exit diameter for use on almost any HP horn EV’s highest-performance compression driver gives world-class performance in any application ND6X from > 500Hz DH2T • • • • DH3/DH2010A One-inch exit screw-on, medium-format compression driver 160-watt power rating 2" titanium diaphragm High performance on a wide variety of thread-on horn designs Horn Adaptors DH7-8/DH7-16 • • • • from 1.4” bolt-on to 2” bolt-on ADH6 from 1” screw-on to 2” bolt-on ADH5 from 1” screw-on to 1.4” bolt-on ADH3 ND6-8/ND6-16 Frequency response 1,000 Hz–20 kHz 1,000 Hz–20 kHz / 500Hz-16kHz (ND6X) Crossover frequency (minimum) 1,000 Hz 1,000 Hz Midband sensitivity* 111 dB 112 dB Long-term power rating (AES) 75 W 75 W Short-term power rating 300 W 300 W Impedance 8/16 Ohms 8/16 Ohms Throat diameter 35 mm adapter (1.4"/2.0") 35 mm adapter (1.4"/2.0") Diaphragm diameter 76 mm (3.0") 76 mm (3.0") Overall diameter 165 mm (6.5") 132 mm (5.2") Overall depth 69 mm (2.7") 69 mm (2.7") Net weight 4.54 kg (10.0 lbs) 2.5 kg (5.5 lbs) *Average from 1,000 Hz–5 kHz on HP6040 horn (DH3 average from 1,500 Hz–5 kHz on HPT64 horn) 52 One-inch exit screw-on, small-format compression driver 80-watt power rating 1.25" titanium diaphragm Excellent extended-bandwidth HF driver for multi-way loudspeaker systems DH2T DH3/DH2010A 1,200 Hz–20 kHz 1,200 Hz 112 dB 40 W 160 W 8 Ohms 25 mm () 50 mm (2.0") 132 mm (5.2") 89 mm (3.5") 2.27 kg (5.0 lbs) 1,500 Hz–20 kHz 1,500 Hz 111 dB 20 W 80 W 8 Ohms 1.0" (25 mm) 32 mm (1.25") 107 mm (4.5") 89 mm (3.5") 1.5 kg (3.4 lbs) HP Horns horns. EV’s patented Transplanar™ design provides exceptionally smooth frequency response. HP horns or variants thereof are used throughout the EV speaker system lines. Each HP horn features an integral die-cast metal throat encapsulated in the fiberglass sidewalls. This unitized construction provides very high strength and low weight. The HP horn series is a refinement of the concept of “constant directivity,” which, in 1974, EV was the first to introduce. For the first time, horn coverage angles were truly uniform over a wide frequency range. In the HP series, unique beamwidth-control vanes within the horn throat form a waveguide that eliminates the narrowing of coverage angle – beaming – that occurs in other 2-inch-throat Note: Horns shown out of proportion to each other HPT64 HP640 HP6040 HP4020 HP6040 HP9040 • Large-format two-inch horns • The ultimate in dispersion control, with control of rated dispersion angle down to 500 Hz, both horizontally and vertically • Directivity control to 500 Hz maximizes vocal intelligibility and musical clarity in difficult acoustic environments Coverage (H° x V° nominal) Directivity Factor (average) Directivity Index (average) Useable low-frequency limit Throat entrance Height Width Depth Net weight Coverage (H° x V° nominal) Directivity Factor (average) Directivity Index (average) Useable low-frequency limit Throat entrance Height Width Depth Net weight HP420 HP640 HP940 HP1240 HP64 HP66 HP94 • Medium-format two-inch horns • Vertical dimensions have been reduced, for use when space constraints preclude the use of large-format horns • Horizontal directional control maintained to ~500 Hz • Vertical control to ~1,500 Hz HPT64 HPT94 • Small-format two-inch horns • Use as primary HF horns in compact sound systems • Beamwidth control to ~2,000 Hz HP64 • Very-small-format one-inch horns • Use in three- and four-way systems with DH3 driver for tweeter and supertweeter applications • Directional control to 3,000 Hz HP4020 HP6040 HP9040 HP420 HP640 HP940 40° x 20° 45.1 (+12.7, -18.9) (500 Hz–20 kHz) 16.4 dB (+1.2, -2.2) (500 Hz–20 kHz) 200 Hz 2" bolt-on 838 mm (33.0") 813 mm (32.0") 1,252 mm (49.3") 12.3 kg (27.0 lbs) 60° x 40° 25.8 (+17.9, -5.9) (500 Hz–20 kHz) 14.1 dB (+2.3, -1.1) (500 Hz–20 kHz) 500 Hz 2" bolt-on 813 mm (32.0") 711 mm (28.0") 808 mm (31.8") 9.1 kg (20.0 lbs) 90° x 40° 12.1 (+4.6, -3.7) (500 Hz–20 kHz) 10.8 dB (+1.4, -1.6) (500 Hz–20 kHz) 400 Hz 2" bolt-on 813 mm (32.0") 679 mm (26.75") 808 mm (31.8") 9.1 kg (20.0 lbs) 40° x 20° 47.7 (+25.9, -23.5) (1,250 Hz–20 kHz) 16.8 dB (+1.9, -3.0) (1,250 Hz–20 kHz) 400 Hz 2" bolt-on 367 mm (14.4") 610 mm (24.0") 749 mm (29.5") 5.9 kg (13.0 lbs) 60° x 40° 20.6 (+11.3, -3.3) (1,250 Hz–20 kHz) 13.1 dB (+1.9, -0.7) (1,250 Hz–20 kHz) 400 Hz 2" bolt-on 330 mm (13.0") 711 mm (28.0") 437 mm (17.2") 4.3 kg (9.5 lbs) 90° x 40° 11.9 (+3.6, -3.0) (1,250 Hz–20 kHz) 10.7 dB (+1.2, -1.2) (1,250 Hz–20 kHz) 400 Hz 2" bolt-on 330 mm (13.0") 533 mm (21.0") 285 mm (11.2") 3.2 kg (7.0 lbs) HP1240 HP64 HP66 HP94 HPT64 HPT94 120° x 40° 8.6 (+2.5, -2.1) (1,250 Hz–20 kHz) 9.34 dB (+1.1, -1.2) (1,250 Hz–20 kHz) 400 Hz 2" bolt-on 330 mm (13.0") 533 mm (21.0") 265 mm (10.4") 3.2 kg (7.0 lbs) 60° x 40° 18.1 (+4.1, -8.8) (1,600 Hz–20 kHz) 12.6 dB (+0.9, -2.9) (1,600 Hz–20 kHz) 650 Hz 2" bolt-on 279 mm (11.0") 224 mm (8.8") 220 mm (8.7") 2.5 kg (4.5 lbs) 60° x 60° 17.9 (+10.5, -9.3) (1,600 Hz–20 kHz) 12.5 dB (+2.0, -3.0) (1,600 Hz–20 kHz) 650 Hz 2" bolt-on 279 mm (11.0") 224 mm (8.8") 165 mm (6.5") 2.2 kg (4.8 lbs) 90° x 40° 10.1 (+5.8, -1.8) (1,600 Hz–20 kHz) 10.0 dB (+2.0, -0.8) (1,600 Hz–20 kHz) 800 Hz 2" bolt-on 279 mm (11.0") 222 mm (8.75") 220 mm (8.7") 2.5 kg (4.5 lbs) 60° x 40° 15.8 (+5.2, -4.9) (3,150 Hz–20 kHz) 12.0 dB (+1.2, -1.6) (3,150 Hz–20 kHz) 1,600 Hz 1" bolt-on 133 mm (5.25") 133 mm (5.25") 104 mm (4.1") 0.4 kg (0.8 lbs) 90° x 40° 11.6 (+5.0, -2.5) (3,150 Hz–20 kHz) 10.6 dB (+1.6, -1.0) (3,150 Hz–20 kHz) 1,600 Hz 1" bolt-on 133 mm (5.25") 133 mm (5.25") 101 mm (4.0") 0.4 kg (0.8 lbs) 53 Flying Hardware EVI 12/15 EBK-1 (Eyebolt-Kit) EVID 12.1 1 Eyebolt is included. FRi 4 Eyebolts included FRX Systems Single stud kit included Note: One 3/8“-16thread forged steel eyebolt is included. A second is necessary! (Except FRX-122) Sx 100/300 Sb 122 1) MB 100 2) MB 100 + MB 200 Security advice: When flown by 90° (figure 2) don’t use eyebolts only! Sx 500 + MB 700 - Kit contains: 3 lifting eyebolts 1 mounting plate 1 pull-up mounting plate 1) 2) Security advice: Do not screw MB 100 directly into M8 thread! Note: Flying and suspending of speakers requires authorized personnel 54 Mounting hardware EVI-15 Ceiling mount EVI-12 Ceiling mount EVI-28 Wall or ceiling mount The radius of action is 140°. EVI-12MBB EVI-12MBW black white EVI-15MBB EVI-15MBW EVID 3.2 / 4.2 / 6.2 black white Angle markers SAM™ comes with each EVID™ system and includes a hex-key-tool. SAM™ has angle markers to make installation easier. 100° 90° EVI-28MBB EVI-28MBW black white EVID 12.1 Bracket passes EIA 636 at a safety factor of 8:1. The bracket for on-wall or corner mounting and a safety eyebolt comes with EVID 12.1. S-40 FRi-2082 Xi- 1082 Wall, ceiling or stand mount Under balcony or on-wall mount Under balcony or on-wall mount Note: The threat diameter can be reduced with a standard 5/8-inch screw adapter for different mic stands. S-40 MB/B: S-40 MB/W: black white on-wall The 100° x 100° dispersion angle allows one to install FRi-2082 vertically on the wall as well. Mounting bracket comes with FRi-2082. MB-1082: black Sx 80 Wall or ceiling mount Sx 250/SxA250 Stand mount Sk-1 Rigging Kit For speakers stands with 35 mm diameter. For cost effective installation. Sx 80 MBB Sx 80 MBW black white Sx 80 SM black Note: Flying and suspending of speakers requires authorized personnel 55 Sx 100 / Sx 300 / Sb 122 Horizontal Cluster 120° (2 systems) Horizontal Cluster 180° (3 systems) 2 x MB 200 + 1 x MB 300 neccessary 3 x MB 200 + 2 x MB 300 neccessary Wall or ceiling-mount Vertical Cluster 3/8“ Quick links neccessary Eyebolt neccessary 1 x MB 200 neccessary 2 x MB 200 neccessary Sx 500 + Horizontal Cluster 140° (2 systems) Horizontal Cluster 210° (3 systems) 3/8“ Quick links neccessary 3/8“ Quick links neccessary 2 x MB 500 + 1 x MB 600 neccessary 3 x MB 500 + 2 x MB 600 neccessary Vertical Cluster Sx-Series™ hardware-overview: Wall-mount 3/8“ Quick links neccessary Eyebolt neccessary Sx 80 Sx 80 SM Sx 80 MBB Sx 80 MBW Stand mount U-bracket U-bracket black black white Sx 100+ MB 200 B MB 200 W MB 300 B MB 300 W U-bracket U-bracket Array-kit (2 plates) Array-kit (2 plates) black white black white MB 500 MB 600 U-bracket Array-kit black black Sx 300 Sb 122 Sx 500 + 2 x MB 500 neccessary 1 x MB 500 neccessary Note: Flying and suspending of speakers requires authorized personnel 56 ZX5 MB5 Wall/Ceiling mounting bracket CB5 cluster bracket kit PSA-V using HA-5 XLC Rigging A-1 Grid for XLC (other rigging hardware included with speaker) XLC Bottom Dolly XLCi Rigging A-2 Grid for XLCi (other rigging hardware included with speaker) X-Line Rigging Accessories XVSL XVSG XVHL XVHG XVSD 57 Dx38 (Digital Sound System Processor) Digital Sound System Processor Dx38 sets standards for digital loudspeaker controllers and processors, providing 48-bit filter algorithms, 24-bit AD/DA conversion and a dynamic range of 115 dB. Dx38 can be used in networks of up to 31 controllers with a maximum networking distance of 1.000 meters. Real-time controlling and configuration is either via the front panel or PC via RS232, MIDI or RS-485 bus for networking. NRS 90246 Dx Network (up to 31 Controllers) RS-232 realtime controlling RS-485 up to 1000 meters Dx38 is a 2-in/4-out controller with a “virtual” third input source. It has a mono sum of both input channels to maximize flexibility. Two configuration modes allow clearer handling for different qualified users. 30 user memories and 50 factory presets can be managed. The Dx38 comes with a detailed manual plus RACE software which includes current EV speaker and amp data. Dx 38 Controller type Data format Remote panel D/A conversion WWW Software update download RS-485 Remote Interface for Dx38 Available Options and Accessories: NRS 90244 NRS 90247 NRS 90246 58 Input transformer RS-485 network interface Contact Closure interface for external “User preset” selection; 8 contacts (pin 1-8: activation, pin 9: common) A/D conversion Sampling rate DSP type Frequency response Dynamic Range (typical) THD (without input transformer) THD (with input transformer) Input connectors Input voltage (nominal) Maximum input voltage Input impedance Common mode rejection Output connectors Output voltage (nominal) Maximum output voltage Output impedance Minimum load impedance Frequency crossovers (slopes) Frequency crossovers (designs) Filters (In- and Outputs) Digital Compressor Digital Limiter Delay Delay increment MIDI in/out/thru Graphic LCD with LED-background light Locking function Dimensions mm (WxHxD) Weight net 2 (+1) in/4 out 24-bit linear AD/DA conversion 48-bit processing 24-bit/sigma-delta (linear phase) 128 times oversampling 24-bit/sigma-delta 128 times oversampling 48 kHz 2 x 24-bit Motorola 20 - 20 kHz (- 0.5 dB) 115 dB < 0.01% < 0.05% 2 XLR (elec. balanced), parallel out 1.55V/+ 6 dBu 24.5V/+30 dBu 20k ohms > 40 dB 4 XLR (elec. balanced) 1.55 V/+ 6 dBu 8.7V/+ 21 dBu < 100 ohms 600 ohms 6, 12, 18, 24 dB/oct. Butterworth, Bessel, Linkwitz-Riley 26 (full) parametric equalizers, Low-Shelving EQ (6, 12 dB slope), LPN (Lowpass-Notch) switchable, Hi-Shelving EQ (6, 12 dB slope), Lo-Cut filter (6 or 12 dB slope), B6 alignment, Hi-Cut filter (6 or 12 dB slope), All-Pass filter (1st or 2nd order), Phase invert (180°) 4 (1 each output) with graph 4 (1 each output) with graph 3 master delays (2 ms - 900 ms) 4 channel delays (0 ms - 900 ms) 21 µsec. Data dump, Master/Slave operation, Remote Control 122 x 32 dots via key-lock 483.0 x 43.6 x 374.0 mm 1.72” x 19” x 14.75” 5.0 kg (17.03 lbs.) RACE Software RACE Software for Dx38 RACE is a professional audio tool to generate presets for speaker systems. In addition to the clear display of all used filters, delay and level settings, each output can be assigned with the acoustic data (phase and frequency response) of the individual speaker component. This pure speaker data has been measured in free space. RACE then calculates the complex summation of all used filters, level and delay settings applied to these components. Thus the display on the screen is not only the electrical filter response but, for the first time, the actual true acoustic response of the component! Any change of parameter values is visible and audible in real time. An additional tool is the SPL dispersion window for lower frequencies. Presets can even be prepared off-line in advance and need only a little tweaking once speakers are in place. RACE enables engineers to seamlessly integrate room influence, speaker positioning and parameter settings and a RACE Processed Preset is a guarantee for a solid, accurate basis from which to begin system tuning. EV is supplying these presets for all current EV speaker systems, even if the needed combination is not part of the 50-factory preset of the Dx38. Signal Flow Diagram The signal flow diagram provides a clear overview of all available parameters. Immediately after the input metering there are five master equalizers per input available. Each of these filters can be set as hi- or lo-pass (6dB/12dB-Peaking), hi- or lo-shelf (6/12dB) or as a fully parametric eq. Each activated filter is signaled by a green LED symbol. Each input, or the sum of both inputs, can be delayed separately up to 900ms with the master delay. The fully flexible routing allows each input as well as the sum to be routed to any of the four outputs. Four filters per output are available with same filter functions as the master eq. In addition, an all-pass filter for phase corrections can be selected. The x-over section provides a hi- and a lo-pass-filter per channel and an output delay for alignment. The dynamics sections with independent compressor and limiter can be used for speaker protection. The output meter display works like the whole editor in realtime. Level control and mute are available for each channel. All of these parameters on the Dx38 can easily be edited via the front control panel without using a PC. Once you try RACE however, you may never want to work without it! Overall Frequency Response The acoustical response of Xi1183/64 plus Xi2181 (4-way) using the big Bode-Plot. Any change of parameters like level, filter or delays is displayed immediately. Even very complex array settings can be tuned simply and accurately. Download RACE software for the Dx38 for free from www.electro-voice.com 59 AC One Analog Controller AC One Analog Audio Controller The AC One analog audio controller has been designed to be used in high-performance applications that employ smallto medium-size full-range systems with subwoofers. Its excellent audio performance, dynamic range of 117 dB, extremely low noise level, and outstanding price-performance ratio make the AC One an advantageous alternative to conventional crossover and controller solutions. It is possible to meet the tough demands of modern audio applications – such as high sound pressure level, coverage, and sound quality – only by using a biamped loudspeaker system which can fully separate, amplify, and reproduce the audio signal´s frequency ranges. The PowerMax 12 crossover function brings the low-frequency performance of bigger systems to compact systems. The AC One guarantees highly economical system applications without loss of performance, and helps to save on application space. Inputs and outputs are active balanced. The inputs can be fitted with optional high-quality input transformers (NRS 90208). The outputs feature output relays which protect against unwanted noise in case of power failure. The PowerMax 12 Advantage and its Unique EQ Section The new PowerMax 12 crossover function (patents pending) makes the best possible use of amplifier output power and loudspeaker transmission capacities. Compared to other regular crossover designs on the market, PowerMax 12 delivers an extra 3 dB SPL at the crossover point, something which cannot be achieved by normal EQ´ing alone. In addition, speaker overload and amplifier clipping are dramatically reduced. The PowerMax 12 crossover function silences the oft-heard complaint: “It needs more punch and definition.” In addition, a 12-dB (Q: 1.0) lo-cut filter and a unique 3-band equalizer featuring the patented LPN filter allows for flexible, easy, and quick system adjustments. PowerMax 12 advantage PowerMax 12 crossover curve 24 dB Linkwitz-Riley crossover curve AC One Options and Accessories: Part number PA 1 NRS 90208 Option/accessory Clear acrylic cover Input transformer AC One Crossover type Crossover frequency (sweepable) Crossover filter type Filter options (adjustable) Frequency response (-3 dB @ 1 kHz) Nominal gain Maximum gain Dynamic range (+20 dBu, a-weighted) THD + N (20 Hz–20 kHz, +6 dBu) THD + N (typical, +6 dBu) Crosstalk attenuation Mute switch rejection Level control attenuation Input impedance 60 2-way stereo + sub mono 45–160 Hz PowerMax 12 Lo-cut / 3-band EQ 16 Hz–150 kHz 0 dB +12 dB 117 dB <0.02% 0.003% >80 dB >90 dB >80 dB 20 kΩ AC One Maximum level (Inputs: A, B) Rated level (inputs: A, B) Gain range (inputs: A, B) Output impedance (HI, LO, SUB) Maximum level (outputs: HI, LO, SUB) Rated level (outputs: HI, LO, SUB) Gain range (outputs: HI, LO, SUB) Input/output connectors Power consumption Power requirements 50-60 Hz (switchable) Dimensions (H x W x D) Net weight +20 dBu +6 dBu -∞ to +6 dB 75 Ω +20 dBu +6 dBu -∞ to +6 dB XLR (active balanced)/ Inputs with parallel out 17 W 100–120V/220–240V 1.72" x 19" x 8.92" 43.6 x 483 x 226.5 mm (1 RU) 7.07 lbs (3.2 kg) Amplifiers The Precision Series™ (P-Series), EV´s top line of power amplifiers, has become a world standard in touring business. Their extreme reliability, high-level sound and durable design make them the amp of choice for the Rolling Stones´ world concert tours. A two-year tour is torture for any piece of touring equipment and EV´s speakers and amplifiers did an outstanding job, not only from an acoustical point of view. During the two-year period, only one fuse blew on one of the amplifiers! All EV Amplifiers feature: • • • • • • • • • • • • • • • • • • • Dynamic audio limiters (shown right) Switchable limiter time constant (P-Series) Peak current limiters Inrush current limiters Turn-on delay (“soft-start“) Excessive high frequency (RF) protection Excessive Back-EMF protection DC fault protection Shorted loads protection High temperature protection controls thermal overload of the power transistors and the transformer Low-noise 3-stage resp. 4-stage fans with front-to-rear airflow Up to 30 % headroom of power capability Generous power-supply construction Flexible Input routing (mono parallel, stereo) Stable and safe operation on 2 ohms load Bridge-mode operation on 4 ohms load High-level sound performance Extreme reliability Highest quality standards: German engineering All EV amps are equipped with a unrivalled and complete protection and safety package for maximum sound performance. Their technical specifications represent the highest league of professional power amplifiers. Precision Series™ guarantees, among other things, outstanding transient response for uncomplicated sonic reproduction of the original signal, and extremely low dynamic distortion to ensure excellent sound quality. Q-Series and CPS-Series are based on Precision Series™. Dynamic Headroom 600W 1 % THD 780W 30% Dynamic headroom of a Q66 amplifier Q-Series Q-Series is based on EV´s world famous P-Series. They contain all features listed above and guarantee the same high quality, in cost-effective packages of 2 x 450 W and 2 x 600 W output power. Q-Series comes up in a stable 3-RU zinc-plated steel housing with rear-mounted dB-scaled level controls. Q 44 Continuous rated power (1k Hz, THD 1 %) 2 ohms 650 watts 4 ohmsΩ 450 watts 280 watts 8 ohms Continuous rated power (20 - 20k Hz, THD < 0,2%) 350 watts 4 ohms 8 ohms 230 watts Max. bridged output 4 ohms 1,300 watts 900 watts 8 ohms > 25 V / µs Slew rate Total Harmonic Distortion < 0.05 % Intermodulation Distortion (SMPTE) < 0.08 % DIM 30 < 0.03 % Damping factor 100 Hz / 1000 Hz > 300 / > 200 < 80 dB Crosstalk (at 1.000 Hz) > 105 dB Signal-to-noise ratio (dB A-weighted) Input Impedance (balanced) 20k Ω Input Sensitivity (0 dBu factory setting) 0 dBu / +6 dBu Input connectors, parallel out XLR in/out Output connectors Speakon (Pin 1) Dimensions (H x W x D) 133 x 483 x 386 mm 5.25” x 19”x 15.7” Net weight 15 kg (35.2 lbs.) Q 66 850 watts 600 watts 380 watts 500 watts 300 watts 1,700 watts 1,200 watts > 30 V / µs < 0.05 % < 0.08 % < 0.03 % > 300 / > 200 < 80 dB > 105 dB 20k Ω 0 dBu / +6 dBu XLR in/out Speakon (Pin 1) 133 x 483 x 386 mm 5.25” x 19” x 15.7” 16 kg (35.2 lbs.) 61 PA Series Amplifiers The PA series of compact commercial rack mount power amplifiers are designed for demanding sound reinforcement, background music/paging and public address system installations where long term reliability and flexibility is the ticket. These units are exceptional values, loaded with features and are easy to install in a variety of system designs. The models in the PA series range from 160 to 450 watts of power per channel in a compact 2RU package. All models have a variety of features which enables them to be customized to a wide range of demanding commercial sound and audio reinforcement applications. The PA1250T, PA2250T and PA2400T all provide 70/100V output capability using low distortion output transformers for wide bandwidth and minimal saturation. • Balanced phoenix style input connectors – makes installation easy. • A phoenix style connector block for all output modes. • Models available from 160 to 450 watts per channel into 4 ohms or 70/100V. • Bridge mode operation on all multi channel models provide power flexibility. • Switch selectable hi-pass filter at either 50Hz or 300Hz meets any installation requirement. • Independent rear panel level controls provided for each channel • All models provide multi-voltage operation from 110-240vac. • Integrated “rack ears” allow for rack mounting without additional accessories. PA2450L Number of Channels 2 Load Impedance 8/4 Ohms Rated output power 220W/450W (*rated load) THD<1%, 1kHz Rated output power 200W/400W (*rated load) THD<0.2%, 20Hz – 20kHz Slew rate at 1kHz V/µs 28 Frequency response -1dB, ref. 1kHz <10Hz -40kHz Input impedance 20Hz – 20kHz, >20kohm balanced Input sensitivity @ rated output 0dBu (775mV) power or voltage, 1kHz THD @ rated output <0.1% power MBW=80kHz, 1kHz <0.1% IMD-SMPTE 60Hz, 7kHz DIM30 3.15kHz, 15kHz <0.1% <-75dB Crosstalk ref. 1kHz, @ 10% rated output power 483mm x 88mm x 406mm Dimensions (W x H x D) (19”x 3.5”x16”) Weight 16.5kg (36.34lbs) 62 PA4150L PA2400T PA2250T PA1250T 4 8/4 Ohms 100W/160W 2 8/4 Ohms/100V/70V 215W/430W/430W/430W 2 8/4 Ohms/100V/70V 135W/270W/270W/270W 1 100V/70V 270W/270W 75W/150W 200W/400W/400W/400W 125W/250W/250W/250W 250W/250W 16 <10Hz -40kHz >20kohm 25/25/65/46 65Hz -40kHz/65Hz -20kHz >20kohm 18/18/61/41 65Hz -40kHz/65Hz -20kHz >20kohm 61/41 65Hz -20kHz >20kohm 0dBu (775mV) 0dBu (775mV) 0dBu (775mV) 0dBu (775mV) <0.1% <0.1% <0.1% <0.1% <0.1% <0.1% <-75dB <0.1% <0.1% <-75dB <0.1% <0.1% <-75dB <0.1% <0.1% <-75dB 483mm x 88mm x 406mm (19”x 3.5”x16”) 18kg(39.65lbs) 483mm x 88mm x 406mm (19”x 3.5”x16”) 26kg(57.27lbs) 483mm x 88mm x 406mm (19”x 3.5”x16”) 23.5kg(51.76lbs ) 483mm x 88mm x 406mm (19”x 3.5”x16”) 16.5kg(36.34lbs) Contractor Precision Series (CPS) Amplifiers The CPS Series are high-performance amplifiers with unmatched dynamic range capability, ensuring the most reliable operation favored by sound contractors in all sound reinforcement applications. The CPS Series achieves its outstanding dynamic range through the use of our unique nonlinear signal monitor. This feature limits amplifier distortion to less than 1 percent, eliminating the "hard-edged" clipping which can destroy most speaker systems. The amplifier’s power supply is specifically designed to deliver high peak signals, proving a burst signal output capability headroom more than 30% over their average continuous rating. CPS 1 (not shown) The CPS1 can deliver up to 450 watts of power at 1kHz into 4 ohms. The CPS 1 has been extremely popular in smaller venues such as houses of worship, retail spaces, and entertainment venues where background or foreground music is needed. (not shown) CPS 2 The CPS2 incorporates all the advanced features of the CPS1 but can deliver up to 600 watts of power at 1kHz into 4 ohms. CPS 2.4 The CPS2.4 is ideal for smaller full-range systems or larger mid/high frequency amplification in larger installations. The CPS2.4 is an ideal companion to the popular EVID line of premium surface-mount and ceiling speaker systems. CPS2T CPS 2.6 The CPS2T offers all the performance of the CPS2 and adds the capability of 70v/100v constant voltage operation. It also features Transformer Saturation Protection (TSP), which monitors the current demands of the 70v/100v matching transformer and can protect against overload and distortion. The exceptional reliability and performance of the CPS2T has made it the amplifier of choice for a wide variety of distributed audio installations such as convention centers, factories, warehouses, stadiums, office buildings, and the like. Anywhere large amounts of reliable 70v amplifier power is needed, the CPS2T can meet the spec easily. The workhorse of the line. Its 600 watts of compact power is perfect for mid-level full range installs. CPS 2.8 At 800 watts per channel the CPS2.8 is the best value in the line. It can power a wide range of speaker cabinets either in multi-way or full-range modes for a large range of fixed installation jobs. CPS 2.11 No power amplifier on the market can offer such a high level of power performance and reliability. At 1100 watts/channel the CPS2.11 can power large stadium, theater, and auditorium type installations with ease. CPS1 Maximum power (1k Hz; THD <1%) 2Ω 650 W 450 W 4Ω 8Ω 280 W Rated power (20 Hz–20 kHz; THD <0.2%) 4Ω 350 W 8Ω 230 W Maximum bridged output (1,000 Hz; <1% THD) 1,300 W 4Ω 8Ω 900 W Slew rate 25 V/µs Total harmonic distortion <0.05% Intermodulation distortion (SMPTE) <0.08% <-80 dB Crosstalk (at 1,000 Hz) Input impedance (balanced) 20 kΩ Signal-to-noise ratio (dB A-weighted) >105 dB Dimensions (W x H x D) 483 x 132.5 x 368.8 mm 19" x 5.22" x 15.22" Net weight 15 kg (33.1 lbs.) CPS2 CPS2.4 CPS2.6 CPS2.8 CPS2.11 CPS2T 850 W 600 W 350 W 600 W 400 W 240 W 900 W 600 W 350 W 1,100 W 800 W 500 W 1,600 W 1,100 W 600 W 850 W 600 W (100V: 500W) 380 W 500 W 300 W 300 W 150 W 500 W 250 W 700 W 350 W 900W 450 W 500 W (100V: 580W) 330 W 1,700 W 1,200 W 30 V/µs <0.05% <0.08% <-80 dB 20 kΩ >105 dB 483 x 132.5 x 368.8 mm 19" x 5.22" x 15.22" 16 kg (35.3 lbs.) 1,240 W 800 W 35 V/µs <0.05% <0.02% <-80 dB 20 kΩ 103,5 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 13.5 kg (30.8 lbs.) 1,800 W 1,200 W 35 V/µs <0.05% <0.02% <-80 dB 20 kΩ 105.5 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 15 kg (33 lbs.) 2,200 W 1,600 W 35 V/µs <0.05% <0.02% <-80 dB 20 kΩ 107 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 16 kg (35.2 lbs) 3,200 W 1,700 W 2,200 W 1,200 W (100V: 1,160) 35 V/µs 30 V/µs <0.05% <0.05% (100V: <0.2%) <0.02% <0.08% (100V: <0.3%) <-80 dB <-80 dB 20 kΩ 20 kΩ 107 dB >100 dB 483 x 88.1 x 368.8 mm 483 x 132.5 x 368.8 mm 19" x 3.5" x 15.22" 19" x 5.22" x 15.22" 8.15 kg (17.96 lbs.) 22.5 kg (49.6 lbs.) 63 Compact Precision Amplifiers • Four models ranging from 2 x 600 W to 2 x 2000 W • EV’s legendary Precision Series sound • 30% dynamic headroom • Class-H design for less heat dissipation • Very light and compact format • High-precision detent front controls • Dynamic audio limiter • Robust construction & reliable design • Unique protection package including Back-EMF protection CP1200 With up to 2 x 600 watts into 2 Ohms and 2 x 400 watts into 4 Ohms dedicated for small fullrange cabinets and individual hi-frequency components in multiway systems. The CP1200 employs a conventional transformer power supply. CP1800 Supplies up to 2 x 900 watts into 2 Ohms and 2 x 600 watts into 4 Ohms. Dedicated for smaller size full range speaker systems and hi-frequency components in multiway systems. The CP 1800 uses a conventional transformer power supply. CP2200 CP3000 S/ CP4000 S With up to 2 x 1100 watts into 2 Ohms and 2 x 800 watts into 4 Ohms, the CP 2200 is not only a perfect complement to many fullrange speaker cabinets, but also mid- and hi-frequency components in larger concert-sound systems. The CP 2200 employs a conventional transformer power supply. Maximum power (1k Hz; THD <1%) 2 ohms 4 ohms 8 ohms Rated power (20 Hz–20 kHz; THD <0.2%) 4 ohms 8 ohms Maximum bridged output (1,000 Hz; <1% THD) 4 ohms 8 ohms Slew rate Total harmonic distortion Intermodulation distortion (SMPTE) Crosstalk (at 1,000 Hz) Input impedance (balanced) Signal-to-noise ratio (dB A-weighted) Dimensions (W x H x D) Net weight 64 TheCP3000 S & CP4000 S are not only the first Precision Series amplifier to use a switch-mode power supply, but they are also the first switch-mode amplifier with EV’s Precision Series sound. With up to 2 x 2100 watts into 2 Ohms and 2 x 1500 watts into 4 Ohms, they are not only the most powerful in the line, but also the lightest model at only 17.96 lbs (8.15 kg). CP4000S CP3000S CP2200 CP1800 CP1200 2100 W 1500 W 900 W 1600 W 1100 W 600 W 1100 W 800 W 500 W 900 W 600 W 350 W 600 W 400 W 240 W 1200 W 600 W 900 W 450 W 700 W 350 W 500 W 250 W 300 W 150 W 4200 W 3000 W 35 V/µs <0.05% <0.02% <-80 dB 20 kΩ 108 dB 483 x 88.1 x 384 mm 19" x 3.5" x 15.5" 8.70 kg (19.2 lbs) 3200 W 2200 W 35 V/µs <0.05% <0.02% <-80 dB 20 kΩ 107 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 8.15 kg (17.96 lbs.) 2200 W 1600 W 35 V/µs <0.05% <0.02% <-80 dB 20 kΩ 107 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 16 kg (35.2 lbs.) 1800 W 1200 W 30 V/µs <0.05% <0.02% <-80 dB 20 kΩ 105,5 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 15 kg (33 lbs.) 1200 W 800 W 25 V/µs <0.05% <0.02% <-80 dB 20 kΩ 103,5 dB 483 x 88.1 x 368.8 mm 19" x 3.5" x 15.22" 13.5 kg (30.8 lbs.) Precision Series™ Linear Amplifiers The Precision Series™ (P-Series) is EV´s most popular series of power amplifiers. Their extreme reliability, high-level sound, and durability make them the professional’s choice among rental companies and musicians. For flown applications in the touring market, rear-rack mount kits are available to help stabilize the rack frame and ensure safe transportation. P 1200 • • • • • Compact, 2 RU chassis Switchable limiter constant (fast/slow) Switchable Lo- and Hi-cut filter Input transformer optional (NRS 90176) Selectable input sensitivity with 26 dB constant gain option (internal) P 2000 / P 3000 • • • • • Dual power-supply Switchable limiter constant (fast/slow) Switchable Lo- and Hi-Cut filter Input transformer optional (NRS 90176) Selectable input sensitivity with 26 dB constant gain option (internal) THD + N versus power output of a P 3000. Continous rated power (1k Hz, THD 1 %) 2 ohms 4 ohms 8 ohms Continous rated power (20 - 20k Hz, THD < 0,1%) 4 ohms 8 ohms Max. bridged output 4 ohms 8 ohms Slew rate Total Harmonic Distortion Intermodulation Distortion (SMPTE) DIM 30 Damping factor 100 Hz / 1000 Hz Crosstalk (at 1.000 Hz) Signal-to-noise ratio (dB A-weighted) Input Impedance (20-20k Hz, balanced) Input Sensitivity (0 dBu factory setting) Input connectors, parallel out Output connectors Dimensions mm (H x W x D) Net weight P1200 P 2000 P 3000 800 watts 550 watts 370 watts 1200 watts 900 watts 560 watts 1800 watts 1300 watts 850 watts 500 watts 350 watts 800 watts 500 watts 1200 watts 750 watts 1600 watts 1100 watts > 30 V / µs < 0.05% < 0.01% < 0.01% > 400 / > 300 < -70 dB > 105 dB 20k ohms 0 dBu / +6 dBu / +26 dB constant gain XLR in/out Speakon (Pin 1) 88 x 483 x 390 mm 3.5” x 18” x 16.8” 17 kg (35.2 lbs.) 2400 watts 1800 watts > 35 V / µs < 0.05% < 0.01% < 0.01% > 400 / > 300 < -70 dB > 105 dB 20k ohms 0 dBu / +6 dBu / +26 dB constant gain XLR in/out Speakon (Pin 1) 133 x 483 x 390 mm 5.2” x 19” x 16.8” 27 kg ( 57.3 lbs.) 3600 watts 2600 watts > 40 V / µs < 0.05% < 0.01% < 0.01% > 400 / > 300 < -70 dB > 105 dB 20k ohms 0 dBu / +6 dBu / +26 dB constant gain XLR in/out Speakon (Pin 1) 133 x 483 x 390 mm 5.2” x 19” x 16.8” 29 kg (61.7 lbs.) 65 IRIS-Net From the introduction of the first IRIS (Intelligent Remote Integrated Supervision) software platform for amplifiers in 2002, EV has been developing a robust audio control protocol and new innovative audio hardware. The first was the RL line of remote controlled amplifier products. These amplifiers offered an amazing level of user control and monitoring, which brought reliability and ease of use to a wide range of users. Now EV is introducing the Net- Max™ N8000, a comprehensive digital audio system controller — the next link in the IRIS-Net audio processing chain. IRIS-Net is EV’s answer to the ever-increasing complexity of audio system designs. It is a comprehensive software platform, which encompasses a huge array of control options. All aspects of the audio chain are under its supervision and control. The key areas of signal processing, supervision and signal routing are all manipulated under its shell. • IRIS (Intelligent Remote & Integrated Supervision) software for user-programmable, password-protectable control pages • Remote control and supervision of up to 250 amplifiers over CAN network • Built-in state-of-the-art digital signal processing (Filter, Crossover, Delay, Compressor,Limiter) • Dynamic Range 115 dB • RACE-processed presets for EV speakers available • Realtime supervision of amplifier operation and loudspeaker load • Automated system checks including full bandwidth measurement of connected loudspeakers • Automated action procedures on critical operation modes are programmable Typical user-accessable control pages Unrivalled System Supervision Impedance measurement of individual speaker component allows for comprehensive supervision of all speakers using system check function. 66 IRIS-Net / NetMax The new NetMax N8000 is the central player in the IRIS-Net solution. It offers an extremely flexible hardware platform that allows for field level customization of the unit to nearly any application. This customization goes far beyond what is available today from other platforms. Everything from the matrix size and configuration to the processing power can be customized in the field, making it easy to design the best solution value for the customer. Distributed vs. Central processing – The N8000 and IRIS-Net gives you both! Open Architecture – Now you don’t have to make the choice as to where your processing power resides. IRIS-Net gives you the ability to choose BOTH! IRIS-Net enables you to process all or part of the audio signal in a central component like the NetMax N8000 or to conduct the processing and supervision remotely at the amplifier. This gives the system designer incredible flexibility in designing the system. You can now design the system for the ultimate in reliability or design for efficiency and value. The IRIS-Net solution gives you all the hardware and software pieces to accomplish both objectives. The IRIS-Net software platform has been extensively tested in a variety of venues. Even prior to its introduction the system hardware and software underwent extensive testing and scrutiny. The software interface and hardware component design were made with the user and designer in mind. The open architecture of the hardware and IRIS-Net user protocol allow for the seamless functioning of external devices within IRIS-Net and its hardware components. Extensively Tested N8000 Audio Networking Safety / Redundancy Audio Inputs Audio Outputs Signal to Noise Ratio (A-weighted) Sample Rate Data Format INTERFACES Power Supply Power Consumption Cooling Operating Temperature Range Dimensions (W x H x D) Modules: AI-1 Analog Input Module AO-1 Analog Output Module DI-1 Digital Input Module DO01 Digital OUtput Module DSP-1 DSP Extension Module MI-1 Microphone Input Module 32 Audio Channels 4 Audio Slots, modular 8-Channel Input and Output cards, analog or digital Module Slot for optional CobraNet™ Interface 32 I/O Audio and Control Internal Supervision, System Monitoring, Watchdog, Fault Output, Redundant Audio Network possible 8 analog audio inputs per module, line level, electronically symmetric 8 analog audio outputs per module, line level, electronically symmetric AI-1: 117 dB typical AO-1: 118 dB typical N8000 analog In to analog Out: 114 dB typical 48 kHz internal, 32 kHz - 192 kHz external 24 Bit linear A/D and D/A conversion, 48 Bit processing Ethernet ,CAN , RS-232 ,USB ,GPIO Control Port 100 - 240 V AC, 50/60 Hz 90 W max. (incl. 2 x AI-1, 2 x AO-1, 1 x CM-1 modules) Left-to-right, 3-stage fan 32°F – 104°F (0 °C – 40 °C) 19“ x 3.5” x 15” (483 x 88.1 x 381 mm) 2 RU 8 analogue audio inputs, line level, balanced 20kOhms 8 analogue audio outputs, line level, balanced, 100 Ohms 8 digital audio inputs (AES/EBU) 8 digital audio outputs (AES/EBU) DSP Extension Module (300 MIPS) 8 analogue audio mic/line inputs with phantom power 67 Precision Series Remote Amplifiers Range of Amplifiers for High and Low Impedance Applications P3000 RL The flagship, with 2 x 1300 watts into 4 ohms and 2 x 1800 watts into 2 ohms: the digitally controlled version of the legendary P3000 amplifier. Speaker outputs on Speakon NL4 connectors. P1200 RL The universal, with 2 x 600 watts into 4 ohms and 2 x 850 watts into 2 Ohms. Speaker ouputs on barrier strip. P1200 RT High-impedance output for 100/70V-lines with 2 x 590 watts. The dynamic limiter circuit includes the output transformer and limits THD to 1% maximum. Speaker outputs on barrier strip. P900 RL Featuring 2 x 450 watts into 4 and 2 x 650 watts into 2 ohms the P900RL is dedicated for HF drive in multi-way systems. Speaker outputs on barrier strip. P900 RT High-impedance output for 100/70V-lines with 2 x 410 watts. Speaker output on barrier strip. P900 RL P1200 RL P3000 RL 8Ω 4Ω 2Ω 8Ω 4Ω 2Ω 280 W 450 W 650 W 380 W 600 W 850 W Rated Output Power (20 Hz-20 kHz, THD <0,2%) 230 W 350 W - 300 W 500 W Maximum Bridged Output (1 kHz, THD 1%) 900 W 1300 W - 1200 w 1700 W Continous Output Power (1 kHz, THD 1%) 8Ω 4Ω P900 RT 2Ω 70 V 100V 70 V 850 W 1300 W 1800 W 410 W 400 W 590 W 580 W - 750 W 1200 W - 350 W 350 W 500 W 500 W - 2600 W 3600 W - - - < 0.05% THD @ Rated Output Power 100V P1200 RT - - <0.1% <0.2% <0.1% <0.2% DIM 30 <0.03% <0.01% <0.2% <0.3% <0.2% <0.3% Intermodulation (SMPTE) <0.08% <0.001% <0.1% <0.3% <0.1% <0.3% Signal-to-Noise Ratio Frequency Response (-1 dB) Dynamic Audio Limiter Protections > 105 dB >100 dB 20 Hz - 20 kHz 45 Hz - 20 kHz THD = 1% (Inputsignal = + 20 dBu Hi-Temperature, DC, HF, Back EMF, Peak Current Limiter, Inrush Current Liminter, Power On Delay Cooling 3(4)-stage fan, front-to-rear cooling Input Sensivity and Impedance 1.55 V (+6dBu), 20 kOhm, XLR Input Maximum Input Level 8.7 V (+21 dBu) Serial Interface Network: CAN, 2 RJ45 (CAT-5 Cabling), RS-232 for media control systems Control Logic In- and Outputs 2 x 0V 5V free configurable, Easy-Remote Loudspeaker Connectors Barrier Strip Dimensions (Width x Height x Depth) Net Weight 16 kg (35.3 lbs.) All measurements both channels driven into 8 ohms unless other specified. 68 Speakon NL4 Barrier Strip 483 x 132.5 x 390 mm (52” x 19” x 15.4”) ( 3 U) 17 kg (37.5 lbs.) 30 kg (66.2 lbs.) 24 kg (53 lbs.) 25 kg (55.1 lbs.) Tour Grade Amplifiers • Up to 2 x 3500W max. cont. output • High Efficiency and Sonic Excellence through Grounded-Bridge Class-H • Design Microprocessor Controlled - Compound Thermal Protection - Auto Mains Input Voltage Select - Mains Circuit Breaker Supervision • Front LCD-Panel for Operation Mode • Set-up and Monitoring • Slot for optional IRIS-Net™ Module - complete PC control (CAN, Ethernet) - state-of the art real time DSP (RCM26/28) - unique system diagnostics and supervision - compatible with all other IRIS-Net units Tour Grade amplifiers are designed for today’s most demanding audio applications. They offer a unique combination of high output power, sonic excellence, high efficiency, as well as state-of the art, optional signal processing and system supervision via the IRIS-Net software suite, in a compact lightweight format. The switch-mode power supply has lots of headroom to ensure high dynamic outputs and reliable operation on extreme low loads. Optional IRIS-Net™ (Intelligent Remote & Integrated Supervi- • Complete Protection Package • Only 14.5 kg (32 lbs) for TG-7 • Designed and Made in Germany sion-Network ™ ) Modules available for the Tour Grade amplifiers open up a whole world of state-of-the-art DSP, remote control, networking and unique system supervision – down to an individual loudspeaker component. There will be several modules available: RCM-26 (DSP, AES/EBU input, GPIO, CAN-Bus), RCM-28 (DSP, GPIO, COBRA-Net™), RCM-20 (no DSP, CAN-Bus) to allow any combination of central control and supervision with central or decentralized signal processing. TG5 8Ω 4Ω TG7 2Ω 8Ω 4Ω 2Ω Continous Output Power (1 kHz, THD 1%) 850 W 1450 W 1900 W 1500 W 2500 W 3500 W Rated Output Power (20 Hz-20 kHz, THD <0.2%) 600 W 1200 W - 1050 W 2100 W THD @ Rated Output Power < 0.05% < 0.05% DIM 30 <0.02% <0.02% Signal-to-Noise Ratio 109 dB 111 dB Protections - Dynamic Audio Limiter, Hi-Temperature, DC, HF, Short Circuit, Back EMF, Mains circuit breaker, Mains overvoltage Power Requirements: 100-240V, 50/60Hz (mains auto detection) Dimensions (Width x Height x Depth) 483 x 88.1 x 512 mm (19” x 3.46” x 20.9”) Net Weight 14.4 kg (31.3 lbs.) 14.5 kg (32 lbs.) 69 Wired Microphones Cobalt™ Series Co4 Co5 Co7 Co9 Co11 Element Polar pattern Impedance, Low-Z balanced Frequency Response (-3 dB) Open Circuit Voltage (at 1,000 Hz) Magnetic Circuit Power requirement (Phantom power) Specials Dynamic Cardioid 600 ohms 50 - 18,000 Hz 2.2 mV/Pascal N/DYM® N/A — Dynamic Cardioid 600 ohms 50 - 18,000 Hz 3.2 mV/Pascal N/DYM® N/A — Dynamic Cardioid 600 ohms 50 - 18,000 Hz 3.2 mV/Pascal N/DYM® N/A — Self-biased condenser Cardioid Low-Z’balanced (250 Ohms) 50 - 20,000 Hz 4 mV/Pascal N/A 24 to 48 Vdc — Case Material Finish Included accessories Die-cast zinc cobalt Stand adapter, zippered vinyl carrying pouch hard-shell case — 3-pin XLR 148 x 23 mm (5.8” x 0.9”) 340 g (0.75 lbs.) Dynamic Cardioid 600 ohms 50 - 18,000 Hz 2.8 mV/Pascal N/DYM® N/A Low-noise On/off-Switch Die-cast zinc cobalt Stand adapter, zippered vinyl carrying pouch hard-shell case — 3-pin XLR 170 x 53 mm (6.7” x 2.1”) 306 g (0.67lbs.) Die-cast zinc cobalt Stand adapter, zippered vinyl carrying pouch hard-shell case — 3-pin XLR 170 x 53 mm (6.7” x 2.1”) 332 g (0.73 lbs.) Die-cast zinc cobalt Stand adapter, zippered vinyl carrying pouch hard-shell case — 3-pin XLR 170 x 53 mm (6.7” x 2.1”) 335 g (0.74 lbs.) Die-cast zinc cobalt Stand adapter (black) gig bag Optional accessories Connector type Dimension (Length x max. Diameter) Weight net RE510 RE410 • Professional self-biased condenser vocal microphone • Selectable low-end roll-off • Supercardioid pattern • Excellent off-axis rejection • Wide dynamic range • Versatile handheld condenser microphone • Ideal for both vocals and spoken word use • Cardioid pattern for excellent feedback rejection and acoustic isolation • Warm-Grip™ handle for comfortable feel • High-compliance shock mount effectively eliminates handling noise RE200 • High-end transducer based on world standard studio microphone RE2000 • Very low self-noise • AcoustiDYM™ shockmount system • Ultralow-mass, goldlaminated diaphragma • Transformerless output device • Rear response 15 dB below the front axis at 1,000 Hz • Comes with accessories RE510 Element Polar pattern Impedance, Low-Z balanced Frequency Response (-3 dB) Power Level (0dB = 1 m W/Pascal) at 1.000 Hz Open Circuit Voltage (at 1,000 Hz) Equivalent Noise (0 dB=20 micropascal) Maximum SPL (1% distortion, 1,000 Hz) Power requirement (Phantom power) Current Consumption Magnetic Circuit Specials Filters Case Material Finish Included accessories Connector type Dimension (Length x max. Diameter) Weight net 70 RE410 3-pin XLR 173 x 53 mm (6.7” x 2.1”) 292 g (0.64 lbs) RE200 Condenser (self-biased) Condenser (self-biased) True condenser Supercardioid Cardioid Cardioid 150 ohms 250 Ohms 200 ohms 50 - 20,000 Hz 50 - 20,000 Hz 50 - 18,000 Hz -41 dB - 39 dB 5.6 mV/Pascal 3.2 mV/Pascal 10 mV/Pascal 18 dB SPL 26 dB SPL 21 dB SPL 140 dB SPL 140 dB SPL 130 dB 12 - 52 VDC 24 - 48 VDC 12 - 52 VDC N/A N/A 3.5 mA N/A N/A N/A transformerless AcousticDYM, transformerless output device output device — switchable low-freq roll-offswitchable low-freq roll-off Metal Metal Metal Warm-Grip Warm-Grip Semi-gloss black handle black handle camera black Stand adapter, Stand adapter, Stand adapter, windscreen zippered vinyl zippered vinyl carrying pouch carrying pouch 3-pin XLR 180 x 50 mm 7.09” x 1.97” 215 g (0.47lbs.) 3-pin XLR 182 x 51 mm 7.10” x 1.99” 260 g (0.57lbs.) 3-pin XLR 137 x 28 mm 5.39” x 1.10” 185 g (0.41 lbs.) Wired Microphones N/DYM® Series As part of a fixed installation, in studios, or on the road, EV N/DYM® microphones outperform any other microphone in their class. N/DYM® Series is different to other microphones. Excellent and clear sound, comfortable and safe handling, N/DYM® magnetic structure, EV’s unique VOB™ technology and studio sound performance mark EV´s N/DYM® Series. N/D367 s N/D267 a/as • Dedicated for female voices • On/off-switch (as version) • Includes accessories • Vocal and speech microphone • Entry into the world of high-performance mics • Includes accessories • On/off-Switch (as version) N/D478 N/D468 • Universal microphone • Ideal to mic drums, percussion or guitars, also as vocal “spare” mic • Smooth response • Includes accessories • • • • N/D868 • Designed specifically for kickdrums • RE20 capsule type • Extended “lows” to tighten mixes • Frequency response typically eliminating the need of an EQ • Extremely low self-noise • Includes accessories • Top-class vocal microphone • Multi-stage shock mount for unmatched low-handling noise • Condenser mic performance • Includes accessories Dynamic Element Cardioid Polar pattern Impedance, Low-Z balanced 300 ohms Frequency Response (-3 dB), 45 - 15,000 Hz close response Frequency Response (-3 dB), 100 - 15,000 Hz far response Output Level(0dB = 1 m W/Pascal) at 1,000 Hz - 52 dB Open Circuit Voltage (at 1,000 Hz) 2.9 mV/Pascal Equivalent Noise (0 dB=20 micropascal) — A-weighted N/DYM® Magnetic Circuit Case Material Metal Finish Nonreflecting black Stand adapter, Included accessories soft zippered carrying pouch Connector type 3-pin XLR Dimension (Length x max. Diameter) 181 x 52 mm 7.13” x 2.05 238 g (0.52 lbs.) Weight net Instrument microphone Unique “moving head” Extreme low self-noise Accurate response, even in high SPLs • Includes accessories Concert sound vocal mic Highest gain before feedback Ultra-low handling noise Includes accessories N/D767 a N/D267 a/as • • • • N/D967 N/D468 N/D478 N/D767 a N/D868 N/D967 Dynamic Cardioid 300 ohms Dynamic Supercardioid 150 ohms Dynamic Cardioid 300 ohms Dynamic Supercardioid 300 ohms Dynamic Cardioid variant 150 ohms Dynamic Supercardioid 25 - 20,000 Hz 30 - 22,000 Hz 45 - 15,000 Hz 35 - 22,000 Hz 20 - 10,000 Hz 50 - 13,000 Hz 55 - 20,000 Hz 60 - 22,000 Hz 100 - 15,000 Hz 70 - 22,000 Hz — 120 - 13,000 Hz - 53 dB 2.2 mV/Pascal - 51 dB 3.1 mV/Pascal - 52 dB 2.9 mV/Pascal - 51 dB 3.1 mV/Pascal - 52 dB 1.0 mV/Pascal - 52 dB 4.0 mV/Pascal < 17 dB SPL N/DYM® Metal Nonreflecting black Stand adapter, soft zippered carrying pouch 3-pin XLR 181 x 52 mm 7.13” x 2.05 200 g (0.44 lbs.) < 14 dB SPL N/DYM® Metal Nonreflecting black Stand adapter, soft zippered carrying pouch 3-pin XLR 115 x 52 mm 4.53” x 2.05” 190 g (0.42 lbs) — N/DYM® Metal Nonreflecting black Stand adapter, soft zippered carrying pouch 3-pin XLR 181 x 52 mm 7.13” x 2.05” 247 g (0.54 lbs.) — N/DYM® Metal Nonreflecting black Stand adapter, soft zippered carrying pouch 3-pin XLR 181 x 52 mm 7.13” x 2.05 260 g (0.57 lbs.) < 17 dB SPL N/DYM® Metal Nonreflecting black Stand adapter, soft zippered carrying pouch 3-pin XLR 133 x 60 mm 5.24” x 2.36” 295 g (0.65 lbs.) < 16 dB SPL N/DYM® Metal Nonreflecting black Stand adapter, soft zippered carrying pouch 3-pin XLR 173 x 52 mm 6.81” x 2.05” 205 g (0.45 lbs.) N/D367 s 71 Wired Microphones Live Interview Mics RE-Series RE Series is the first choice of microphones for smooth and accurate reproduction. Its unique and famous sound performance makes it a favorite in the broadcast, studio and touring business. EV´s Variable-D® design used in the RE20 and RE27 N/D broadcast studio products was developed to ensure true and accurate response across all frequencies without the up-close boominess associated with proximity effect. As a result, these microphones have become the industry standard for radio studios worldwide. EV´s 635 and RE50 microphones are famous in broadcast, television, and radio OBs (outside broadcasts). These microphones set world standards especially for ENG (electronic news production) and EFP (electronic field production). They are extremely rugged, can withstand high humidity, temperature extremes and corrosive effects such as salt-air yet provide excellent sound performance. RE50/B, RE50 N/D-B (N/DYM® version) • N/DYM® for greater output (RE50 N/D) • No muddy lows when used near lips • Dyna-Damp™ for extremely effective handling noise isolation • On-camera use with 422 A desk stand • Acoustalloy® diaphragm material for very smooth response over a wide frequency range • Withstands high humidity; temperature extremes, corrosive salt air • Integrated four-stage pop-filter • Integral windscreen and blast filter • Comes with accessories RE20 • Variable-D® for minimal proximity effect • True cardioid with no coloration at 180° off-axis • Ultra-flat frequency response • Studio condenser response • Large diaphragm • Hum-bucking coil • Integral wind and blast filter • Switchable EQ (-4.5 dB, 400-100 Hz) • Comes with accessories 635A (beige) 635A/B (black) • Linear frequency response • Completely pop-free performance • Four-stage pop and dust filter • Internal effective shock absorber • Comes with accessories RE27 N/D • Variable-D® for minimal proximity effect • N/DYM magnetic circuit brings 6 dB more sensitivity • Ultra-flat frequency response • Studio condenser performance • Large diaphragm • 3 selectable filters: -6 dB, 250-100 Hz / gentle roll-off 12 dB, 1000-100 Hz and a -3 dB high frequency roll-off • Integral wind and blast filter • Comes with accessories Element Polar pattern Impedance, Low-Z balanced Frequency Response (-3 dB) Power Level (0dB = 1 m W/Pascal) at 1.000 Hz Open Circuit Voltage (at 1,000 Hz) Magnetic Circuit Specials Filters Case Material Finish Included accessories Connector type Dimension (Length x max. Diameter) Weight net 72 635N/D-B • Uniform 80 - 13,000 Hz frequency response • N/DYM® magnetic for greater output • Acoustalloy® diaphragm material for very smooth response over a wide frequency range • Integral windscreen and blast filter • Comes with accessories RE20 RE27 635A(N/D) RE50/B RE50N/D-B Dynamic Cardioid 150 ohms 45 - 18,000 Hz - 57 dB 1.5 mV/Pascal — Variable-D® Dynamic Cardioid 150 ohms 45 - 20,000 Hz - 51 dB 3.1 mV/Pascal N/DYM® Variable-D® Dynamic Omnidirectional 150 ohms 80 - 13,000 Hz - 55 dB (- 51 dB) — (2.0 mV/Pascal) Alnico(N/DYM®) — (Acoustalloy®) Dynamic Omnidirectional 150 ohms 80 - 13,000 Hz - 55 dB — Alnico Dyna-Damp Dynamic Omnidirectional 150 ohms 80 - 13,000 Hz - 51 dB 2.0 mV/Pascal N/DYM® Dyna-Damp™ Tilt-down EQ Steel Fawn beige 3 selectable EQs Steel Satin nickel Stand adapter, zippered vinyl carrying pouch, hard-shell case 3-pin XLR 217 x 54 mm 8.54” x 2.13” 737 g (1.62 lbs.) Stand adapter, zippered vinyl carrying pouch, hard-shell case 3-pin XLR 217 x 54 mm 8.54” x 2.13” 709 g (1.56 lbs.) Steel Fawn beige (A) Semi-gloss black (A/B) Stand adapter zippered vinyl carrying pouch, hard-shell case 3-pin XLR 151 x 36 mm 5.94” x 1.41” 170 g (0.37 lbs.) Aluminum Semi-gloss camera black Stand adapter zippered vinyl carrying pouch, hard-shell case 3-pin XLR 197 x 49 mm 7.76” x 1.92” 269 g (0.59 lbs.) Aluminum Semi-gloss camera black Stand adapter zippered vinyl carrying pouch, hard-shell case 3-pin XLR 197 x 49 mm 7.76” x 1.92” 269 g (0.59 lbs.) EV® Blue Series Raven™ The EV® Blue Series Raven™ is a stylish dynamic microphone designed to capture the character of live and studio vocals. It is also the perfect microphone for live and studio instruments. The Raven incorporates the collaborative design work from the top industry microphone engineers to provide unparalleled performance in a stunning package. • Dynamic mic with studio detail and clarity • Cardioid pattern with excellent off-axis rejection • Unique double swivel-mounted design for ideal positioning • Great for voice or instrument • Innovative visual design Cardinal™ The EV® Blue Series Cardinal™ is a cardioid condenser designed to capture the detail of both voice and instrument in live sound or studio applications. Employing Class A, discrete ultra-low noise amplifier circuitry, the Cardinal’s smooth and detailed performance is sure to please even the most discerning artists and engineers. • Pressure gradient cardioid condenser • Class-A discrete ultra-low noise circuitry • Unique double swivel-mounted design for ideal positioning • Innovative visual design with cherry finish • Great for voice or instruments Element Polar pattern Impedance, Low-Z balanced Frequency Response (-3 dB) Open Circuit Voltage (at 1,000 Hz) Equivalent Noise (0 dB=20 micropascal) Maximum SPL (1% distortion, 1,000 Hz) Power requirement (Phantom power) Current Consumption Finish Connector type Raven Cardinal Dynamic Cardioid 335 ohms 45 - 16,000 Hz 3.2 mV/Pascal N/A 162 dB SPL N/A N/A Black 3-pin XLR Condenser (self-biased) Cardioid 50 Ohms 35 - 20,000 Hz 10 mV/Pascal -25 dB SPL 148 dB SPL 48 VDC 1.8mA Cherry Wood 3-pin XLR 73 Wired Microphones The RE90 series brings the famous sound performance of EV´s legendary RE series to fixed installations. EV´s RE90 microphones are the most natural-sounding microphones on the market for public speaking, etc. and as a matter of course for professional theatrical productions. Ergonomically and architecturally designed, EV has married functionality with aesthetics making RE series the traditional favorite among sound contractors, architects and sound engineers. RE90 microphones are designed for the highest-quality applications with linear frequency response and excellent, high gain-beforefeedback. All microphones guarantee a uniform polar pattern across the range, high sensitivity, low self-noise and provide a transformerless output device. The high-quality pre-amps are highly-resistant to electrical noise and radio frequency interference (RFI). RE90 L and RE90 H have a external pre-amp housing into the XLR connector. Gooseneck microphones have an all-metal construction to substantially reduce noise from stray magnetic fields and RFI. RE90 H (Black) RE90 HW (White) RE90 B (Black) RE90 BW (White) • Boundary layer • Ultra-thin profile (16 mm) housing with rubber nonslip bottom pad and strong steel screen • Internal terminal block for disconnecting cable to insert thru holes • Integrated pop filter • Ideal working angle 60° off-axis • Comes with accessories • Hanging microphone • External Pre-amp • Very uniform polar pattern • Includes an installation guide • Comes with accessories RE90 L • Lavalier microphone • Sub-miniature capsule design • Capsule provides superior EMI/RFI shielding • Very light-weight yet extremely reliable • External pre-amp with very low current consumption • Comes with accessories RE92 H (Black) RE92 HW (White) • Hanging microphone • External Pre-amp • Very uniform polar pattern • Includes an installation guide • Comes with accessories Actual size RE92 L RE90 P-12 (281mm) RE90 P-18 (443mm) • Premium quality lavalier cardioid microphone • Sub-miniature capsule design • Capsule provides superior EMI/RFI shielding • Very light-weight yet extremely reliable • External pre-amp with very low current consumption • Comes with accessories • Gooseneck podium microphone • Also perfect for instruments on-stage, such as acoustic guitar or choir • Uniform frequency response and polar pattern • Strutted (yet flexible) ultra-thin gooseneck • Integrated two-stage pop-filter • Comes with accessories RE90 L RE90 P RE92 H RE92 L Back electret condenserBack electret condenser (Half-) Cardioid Cardioid 200 ohms 200 ohms 80 - 15,000 Hz 75 - 15,000 Hz - 33 dB - 30 dB 25 mV/Pascal 27 mV/Pascal < 25 dB SPL < 25 dB SPL Back electret condenser Omnidirectional 100 ohms 50 - 18,000 Hz - 34 dB 12.6 mV/Pascal < 29 dB SPL Back electret condenser Cardioid 200 ohms 70 - 15,000 Hz - 43 dB 4.5 mV/Pascal < 28 dB SPL Back electret condenser Cardioid 250 ohms 40 - 20,000 Hz Back electret condenser Cardioid 250 ohms 40 - 20,000 Hz 5,6mV < 30 dB SPL 5,6mV < 30 dB SPL 127 dB 120 dB 9 - 52 VDC 9 - 52 VDC 2.5 mA 2.0 mA transformerless external pre-amp output device Heavy-duty zinc diecast Steel Nonreflecting black Low-gloss black or white or white 180 cm thin and 760 cm braided cable 130 dB 9 - 52 VDC 1.0 mA external pre-amp 130 dB 9 - 52 VDC 2.5 mA transformerless output device Steel Nonreflecting black >135 dB 24 to 52 Volt Phantom 6 mA external preamp >135 dB 24 to 52 Volt Phantom 6 mA external preamp nonreflective black or white mounting hardware nonreflective black or white mounting hardware 3-pin XLR 32.1 x 10.5mm 1.26” x 0.41” 3-pin XLR 24.1 x 10.5mm 0.95” x 0.41” 240 g (0.53lbs.) total 160 g (0.35 lbs.) total RE90 B Element Polar pattern Impedance, Low-Z balanced Frequency Response (-3 dB) Power Level (0dB=1 m W/Pascal) at 1kHz Open Circuit Voltage (at 1,000 Hz) Equivalent Noise (0 dB=20 micropascal)A-weighted Maximum SPL (1% distortion, 1kHz) Power requirement (Phantom power) Current Consumption Specials Case Material Finish Included accessories Connector type Dimension (length x diameter) Weight net 74 RE90 H 3-pin XLR 128 L x 94 W x 16 H mm 5.04” x 3.70” x 6.30” 3-pin XLR 37 x 13 mm 1.46” x 0.51” 358 g (0.79 lbs.) 157 g (0.35 lbs.) Polycarbonate resin Nonreflecting black Gig bag flexible cable 3-pin XLR 6 x 5 mm 0.24” x 0.20” (gooseneck) 34 g (0.07 lbs) Windscreen, double-sided tape 3-pin XLR P-12: 281 x 6.4 mm P-12: 11.06” x 0.25” P-18: 443 x 6.4 mmP-18: 17.44” x 0.25”(mic only) P-12: 400 g (0.88 lbs.) P-18: 528 g (1.16 lbs.) PolarChoiceTM All PolarChoice microphones feature dual capsule design for user-selectable polar pattern: omnidirectional, cardioid, supercardioid and hypercardioid - all in one mic! The PolarChoice Desktop is a free-standing podium style microphone, firmly anchored in place by its elegantly designed base. Select one of four polar patterns (omni, cardioid, super-cardiod or hyper-cardioid), via the easy to access switch. All patterns feature identical voicing, eliminating the need to retune the sound system. The PC-Desktop can also be interfaced to an auto-mixer for use in those large and difficult, multiple microphone installations. The free standing and movable PolarChoice Desktop can be used anywhere a gooseneck or podium style mic is needed, but a permanent installation is not possible, required or desired. Whether it’s a boardroom conference table, videoconference facility, training room, house-ofworship altar, or even on a podium - with the PolarChoice Desktop, anything is possible. Desktop The PolarChoice satellite brings the benefits of wireless to the boardroom, conference center, or podium. The PolarChoice Satellite is a free-standing gooseneck-style microphone, firmly anchored in place by its elegantly designed base. This low-profile foundation hides PolarChoice Satellite’s most powerful feature: space for a wireless transmitter. Turn the base over to reveal the specially designed compartment for housing a Telex or Electro-Voice bodypack transmitter. Connect the microphone to the bodypack, set up the wireless channel, and place PC Satellite anywhere an easyto-use microphone is required. No longer do you have to cut holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Satellite, anything is possible. XLR • 3-pin XLR, available with 12" & 18" gooseneck • Integrated deskstand and configurable switch, for use with standard XLR cables 5", 12" & 18" gooseneck versions PLUS • Shipped with both XLR and flange mount accessory plus configurable ON/OFF switch, 5”, 12" & 18" gooseneck versions Satellite • Integrated deskstand and configurable switch for use with plug-in EV wireless beltpacks, 5", 12" & 18" gooseneck versions FL • Flange mounting, available with 12" & 18" gooseneck XLR-12 | PLUS-12 | PLUS-18 | FL-12 Element type Selectable Polar Patterns Impedance Frequency Response Open Circuit Voltage Equivalent Noise Max. SPL Power requirement Current Consumption Finish Included Accessories Connector Type Dimensions Weight PolarChoice Desktop PolarChoice Satellite PolarChoice ™ Back electret condenser Omni,Cardioid,Supercardioid,Hypercardioid 200 Ohms 50 Hz - 20 kHz(mic system) 5,6 mV/Pascal < 26 dB SPL(A-weighted) >135 dB 24 to 52 Volt Phantom Power 3 mA Nonreflective Black Multiport Windscreen 3-pin XLR 45 x 114 x 178 mm(HWD) excl.gooseneck 1.77” x 4.49” x 7.01”(HWD) excl.gooseneck 690 g (1.52 lbs.) Back electret condenser Omni,Cardioid,Supercardioid,Hypercardioid 200 Ohms 50 Hz - 20 kHz(mic system) 5,6 mV/Pascal(mic system) < 26 dB SPL(A-weighted, mic system) >135 dB(mic system) 5 V DC from Beltpack 3 mA Nonreflective Black Multiport Windscreen TA4F 45 x 114 x 178 mm(HWD) excl.gooseneck 1.77” x 4.49” x 7.01”(HWD) excl.gooseneck 690 g (1.52 lbs.) + beltpack Back electret condenser Omni, Super-, Hyper, Cardioid 200 ohms 75 - 15,000 Hz 5.6 mV/Pascal < 28 dB SPL 130 dB 9 - 52 VDC 2.8 mA Steel-Nonreflecting black Windscreen, two-piece shock mount CPSM-Kit depends on version PC-12: 299 x 6.4 mm (11.77” x 0.25”) PC-18: 461 x 6.4 mm (18.15” x 0.25”)(gooseneck) PC-12: 411 g (0.91 lbs.) PC-18: 539 g (1.19 lbs.) 75 Professional Wireless Microphones Receiver • Optimized channel groups allow up to 16 systems to operate simultaneously in one frequency band. For groups larger than 16, EV can help with the coordination and custom groups are easily programmed. • Programmable in 25 kHz steps across 24 MHz operating bandwidth, there are over 950 possible channels so you can always find a clear channel. • Advanced ClearScan™, automatic group and channel selections, allows quick, simple setup. • Backlit LCD Display shows the Sound Engineer the Group/ Channel, transmitter battery status, diversity operation, RF and Audio level meters, and space for a custom name (2 lines, 10 characters each). • Specially designed “Sound Check” mode provides the ability for one person to walk-test the microphone in the performance space with tangible results. Transmitter Transmitter Features • Unique “smart” battery circuit in the transmitters means there is no way to put the battery in wrong. • LCD display and the same four control buttons as the receiver so programming a channel or frequency is quick and easy. • Low battery LED lights when the battery needs a replacement. • One on/off switch that also acts as a mute (great for pauses in presentations and worship services). • On/off button can be disabled to prevent accidental turnoffs during a performance. • Normal and High power transmit means you use just enough power for the application, which maximizes the number of simultaneous systems and limits RF spill over into adjacent buildings/theaters. Handheld Features • Interchangeable microphone head allows a choice of elements to fit the vocalist’s style and environment. • N/DYM® 767a premium dynamic vocal microphone with VOB™ (Vocal-Optimized Bass), excellent gain-before-feedback for high SPL stages. • The new RE510 premium condenser vocal microphone for experienced vocalists, spoken word and quieter stages. • Internal 1/2-wave antenna for excellent range; stays out of harm’s way. • An over-molded Warm-Grip™ handle reduces handling noise and encourages proper microphone technique for better performances. 76 • Patented DSP Secure-Phase™ Diversity System for maximum range and audio quality. • Balanced XLR microphone output and 1/4-inch unbalanced adjustable line-level output to match the application. • CDR-1000 Dual Receiver includes internal power supply, headphone monitoring jack, balanced line-level output, antenna pass through, DC power on antenna jacks for optional RF amplifier, and RE-OneLink™ PC software for remote monitoring and control. • Rackmount hardware included. • Three-Year Limited Warranty. Professional Wireless Microphones CSR-1000 Receiver Controls Front Panel: Rear Panel: On/Off, Menu, Set, Up, Down Buttons 1/4 in. output level Indicators LCD Backlit Display: Group, Channel, Diversity, Label, Set-up Transmitter Battery Level, Audio Signal Amplitude and RF Signal Strength, Squelch Connectors Back Panel: CSR-1000 Receiver 1/4 in. unbalanced adjustable line level output XLR balanced mic level output USB programming port Antennas: Detachable 1/4 wave RF Specifications Frequency Range: A Band 680 - 709 MHz B Band 722 - 746 MHz 950 possible (programmable in 25kHz steps) per band Diversity: DSP SecurePhase True Diversity Squelch: Tone Code plus Adjustable Amplitude Receiver Type: Synthesized PLL Agile UHF RF Sensitivity: <0.8uV for 12 dB SINAD FCC Type Acceptance: Approved under Part 15 Audio Specifications Frequency Response: 100 – 15 kHz +/- 2 dB Microphone 30 – 15 kHz +/- 2 dB Instrument Audio Output Level: Line Level Balanced 8 mV - 0.775V RMS @ 100 kohm load -10 dBV max (@ 40kHz deviation) Distortion: Less that 0.5% (@ 1kHz, 40 kHz deviation) > 110 dB (A) Dynamic Range: >100 dB General Specifications Power Supply: External 12 VAC 750mA in-line with cord Size: 1.72 in. H x 7.50 in. W x 8.38 in. D 43.69 mm H x 190.50 mm W x 212.85 mm D CDR-1000 Features Additional Audio Output: Adjustable Balance Line Level at XLR Additional Controls: 1/4 in. Headset Jack with Selector and Volume Control Antenna Output: TNC Powerered Antenna Inputs: 12Vdc,15mA Power Supply: Internal, Universal Cord USB Monitoring & Contol: RE-OneLink Software Size: 1.72 in. H x 16 in. W x 12 in. D 43.69 mm H x 406.4 mm W x 304.8 mm D CSB-1000 Bodypack Transmitter Controls: Power On/Off, Audio Gain Adjustment with 40 dB range, Transmit Power Switch, Microphone/Instrument Switch (0,-20 dB), Menu, Set, Up, Down Buttons Indicators: Red LED Low Battery Indicator, LCD displays one of the following: Channel/Group, Frequency, or Battery Level Battery Life: 8 hours with 9V alkaline typical Antenna: External 1/4 wave detachable Connector: TA4F input for microphone Pin 1 ground, Pin 2 Mic input Pin 3 +5V Bias, Pin 4 +5V through 3k ohm RF Output: Normal: High: 5 mW typical 50 mW typical Case Material: Cast Magnesium Size: 3.75 in. H x 2.6 in. W x 0.9 in. D 94 mm H x 66 mm W x 23 mm D CSH-1000 Back D Band 798.1 – 821.9 MHz E Band 841.1 – 864.9 MHz Number of Channels: Signal to Noise Ratio: Front Handheld Transmitter Controls: Power On/Off, Audio Gain Adjustment with 40 dB range Transmit Power Switch, Menu, Set, Up, Down Buttons Displays: Red LED Low Battery Indicator, LCD displays one of the following: Channel/Group, Frequency, or Battery Level Battery Life: 8 hours with 9V alkaline typical Antenna: Internal 1/2 wave Microphone Elements: EV N/D 767a Dynamic or RE-510 Condenser RF Output: Normal: High: 5 mW typical 50 mW typical Size: 10.5 in. (26.8 cm) long CSB-1000 Bodypack Transmitter Under Battery Cover Front Panel Top CSH-1000 Handheld Transmitter Back Panel Gain Front RE-1 Accessories and Parts Model # Omnidirectional MicroMini™ Lapel Mic: Unidirectional Lapel Mic: Headworn Cardiod Condenser Mic: 1/2 Wave Rx Antenna: 1/2 Wave Antenna Bracket: UHF Antenna Amplifier: Antenna /Pwr Distribution: Termination Plug For APD-4: Directional Rx Antenna (450-900 MHz): Low Loss Coaxial Antenna Cable: 1/4 Wave Super-Flex Tx Antenna: Bodypack Pouch: Guitar Cord: 767a Dynamic Head for CSH-1000: RE510 Condenser Head for CSH-1000: Mic Stand Adapter for CSH-1000: RE90TX RE92TX HM7 FA-1 AB-2 UAA-500 APD- 4+ TP-2 LPA-500 CXU-25 ft CXU-50 ft AN-Sflex WP-1000 MAC-G2 RC767A RC510 MSA-1000 77 UHF Wireless Microphone System RE-2 UHF systems provide groups of up to 10 simultanous, harmonized channels per frequency bands. Besides individual components, following complete sets, including transmitter and receiver are available : RE2-N2 RE2-N7 RE2-410 RE2-G RE2-BP RE2-L10 RE2-L21 RE2 Combo Receiver + N/D267a handheld transmitter Receiver + N/D767a handheld transmitter Receiver + RE410 handheld transmitter Receiver + bodypack transmitter + MAC-G3 guitar cord Receiver + bodypack transmitter Receiver + bodypack transmitter + OLM10 lavalier mic Receiver + bodypack transmitter + ULM21 lavalier mic Receiver + N/D267a handheld +bodypack transmitter + ULM21 lav.mic RE-2 Receiver • One-touch Auto-ClearScan • Programmable in 25kHz steps across 28 MHz operating bandwidth • Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters • Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack • Fourth-generation Posi-phase™ diversity and advanced audio circuits • Unique “Guitar” setting • Detachable 1/4 wave antennas RE-2 UHF Transmitter • Unique “smart” battery • LCD Displays Group and Channel, Frequency, or Battery Level • Low battery LED • One On/Off button that also acts as a mute • On/Off button can be disabled RE-2 UHF Handheld • Available with four different microphone elements • Cell phone style beltclip • N/DYM 267a Dynamic element • Optional pouches available • RE 410 Condenser • A wide selection of lapel and headworn microphone accessories are available • RE 410 Condenser • NDYM® 767a Dynamic premium vocal microphone with VOB™ (Vocal-Optimized-Bass) • Internal 1/2-wave antenna 78 RE-2 UHF Bodypack UHF Wireless Microphone System RE-2 Receiver Receiver Type Synthesized PLL Frequency Range (RF) A Band 648 – 676 MHz D Band 798 – 822 MHz Number of Channels 1112 possible channels Programmable in 25 kHz steps B Band 696 – 724 MHz E Band 841 – 865 MHz Modulation +/- 40 kHz Diversity Digital Posi-Phase™ True Diversity RF Sensitivity < 1.0 mV for 12 dB SINAD Image Rejection > 60 dB Squelch Tone Code plus Amplitude Ultimate Quieting > 100 dB FCC Certification Approved under Part 15 Power Requirements 12 V AC/DC 300 mA Antennas Detachable 1/4 wave Dimensions 43.69 cm H x 190.50 mm W x 150 mm D Front Back RECEIVER 1.72” H x 7.50” W x 5.9” D Audio Parameters Frequency Response 50 – 15 kHz +/- 2 dB Balanced Output (max @ 40 kHz deviation) Mic Position Line Position -10 dBV Adjustable 10 mV-2V RMS Unbalanced Output Adjustable 10 mV-1V RMS Distortion <1.0%, 0.5% typical (ref 1 kHz, 40 kHz deviat) Signal-to-Noise Ratio >100 dB A Weighted Dynamic Range >100 dB Transmitters, Bodypack (BPU-2) and handheld (HTU-2) Radiated Output 30 mW typical Microphone Head Electro-Voice 767a N/D 767a Supercardioid N/DYM Dynamic Microphone Head Electro-Voice 267a N/D 267a Versatile Cardioid Dynamic Microphone Head Electro-Voice RE 410 RE 410 Classic Cardioid condenser Microphone Head Electro-Voice RE 510 RE 410 Supercardioid condenser Standard Lavalier Microphone EV RE 90Tx MicroMini™ Omni-Directional Condenser TA4 Connector Wiring Pin 1: Ground; Pin 2 Mic Input; Pin 3: +5V bias; Pin 4: +5V bias through a 3kW resistor Audio Gain Adjustment 40 dB (handheld 26 dB) Power Requirements 9 Volt Alkaline Battery Battery Life (Typical) > 8 hours with 9-Volt Alkaline Typical Bodypack Antenna Flexible external 1/4 wave Handheld Antenna Internal 1/2 wave Dimensions (Handheld) 24.0 cm (9.4 in.) Long Dimensions (Bodypack) Side Front HANDHELD 96.5 mm H x 66 mm W x 23.4 mm D 3.8 in. H x 2.6 in. W x 0.92 in. D Top Transmitters, Bodypack Radiated Output Normal 5 mW typical High 50 mW typical Interchangeable Microphone Heads Bodypack Antenna 767a Supercardioid N/DYM Dynamic RE 510 Supercardioid Condenser Detachable Flexible external 1/4 wave Handheld Antenna Internal 1/2 wave Dimensions (Handheld) 26.8 cm (10.5 in.) Long Dimensions (Bodypack) Cast Magnesium 96.5 mm H x 66 mm W x 23.4 mm D3.8 in. H x 2.6 in. W x 0.92 in. D Front BODYPACK 79 RE97Tx & RE920Tx RE97 Tx Mini Mic • Extremely lightweight earworn microphone • Almost invisible • Available in beige, brown and black • Wear on left or right ear • Omnidirectional for smooth, natural sound RE920Tx Horn Mic 80 • Unidirectional horn mic • High SPL handling • Custom clip for mounting Lavalier & Headset Mics OLM 10 ULM 21 RE 90 TX • Lavalier mic • Includes shown accessories • Lavalier mic • Includes shown accessories • Lavalier mic • Top-class • Ultra-miniature • Includes shown accessories RE92 TX HM 2 HM 7 • Lavalier mic • Hi-Performance • Includes shown accessories • Headset mic • Includes shown accessories • Headset mic • Top-class • Super lightweight and comfortable • Includes shown accessories OLM 10 Back electret condenser Polar pattern Omnidirectional Impedance, Low-Z balanced --Frequency Response (-3 dB) t.b.a. --Output Level (0dB = 1mW/Pascal) 1.000 Hz) Open Circuit Voltage (at 1.000 Hz) t.b.a. Maximum SPL (THD) t.b.a. Power requirement from Bodypack (Phantom power) t.b.a. Current Consumption Specials --Case Material Plastic (Capsule enclosure) Finish Nonreflecting black approx. 180 cm Included accessories permanently attached cable, windscreen, universal tie clip Optional Accessories --Connector type 4-pin TA4F t.b.a. Dimension (Length x Diameter) Weight net t.b.a. Element ULM 21 RE 90 TX RE92 TX HM 2 HM 7 Back electret condenser Cardioid 80 - 16.000 Hz t.b.a. --- Back electret condenser Omnidirectional --50 - 18.000 Hz --- Back electret condenser Cardioid --t.b.a. --- Back electret condenser Cardioid --30 - 18.000 Hz (12mm) --- Back electret condenser Supercardioid --100 - 15.000 Hz --- 2.5 mV/Pascal 120 dB (1% THD) from Bodypack 12.6 mV/Pascal 130 dB (1% THD) from Bodypack t.b.a. t.b.a. from Bodypack 4.0 mV/Pascal 120 dB (1% THD) from Bodypack 7.0 mV/Pascal 120 dB (3% THD) from Bodypack t.b.a. --Plastic --Sub-miniature Polycarbonate resin t.b.a. --Metal max. 0.5 mA @ 9 VDC --Plastic --Ultra-lightweight Plastic Nonreflecting black approx. 180 cm permanently attached cable, windscreen, universal tie clip --4-pin TA4F 0.71 in. x 0.29 in. t.b.a. Nonreflecting black approx. 180 cm permanently attached cable, windscreen, universal tie clip, tie tac --4-pin TA4F .025 in. x 0.19 in. 34 g Nonreflecting black approx. 180 cm permanently attached cable, windscreen, universal tie clip --4-pin TA4F 0.948 in. x 0.412 in. t.b.a. Nonreflecting black approx. 120 cm permanently attached cable, windscreen, cable clip --4-pin TA4F --25 g Nonreflecting black approx. 120 cm permanently attached cable, windscreen, cable clip --4-pin TA4F --70 g 81 81 Accessories RC767a RC510 BC1000 WP1000 MSSA AN-Flex MAC-2 82 AN-Sflex MAC-G2/G3 Accessories APD-4 RM-D AB-2 LPA-500 FA-500 CXU TP-2 Electro-Voice Wireless Accessories - Antennas etc. APD-4 UHF Antenna/power distribution system (provides power and RF signals for 4 units) for use with RE-2 & RE-1 RM-D Rack-mount kit - double (for two receivers) works with RE-2, RTM-1000 and RE-1 receivers AB-2 Universal mounting bracket for 1/2-wave antennas, with 10-foot coax cable LPA-500 Directional log periodic antenna with mounting hardware and 10-foot coax FA-500 1/2-wave UHF antenna TP-2 50 ohm TNC termination plug for use with APD-4 CXU-X Low-loss coax cable (X designates length, 25ft = 8 m, 50ft = 16 m) 83 Single-Amp Drive – Stereo Cabinets Amplifiers Controllers Cabling 8 EVID 4.2, 2 EVID 12.1 1 Q44 or CPS1 – 10 2-wire long, 4 2-wire short Horizontal Coverage Typical Distance Total Amp Power Options Accessories (AB-62 for 180°, or AB64 for 360° Array) Comments Full Range with sub 84 Music Pub, Cafe (Foreground Music) Cabinets Amplifiers Controllers Cabling 4 x ZX1i, 2 x Sb122 1 x CP1800 (or Q66/CPS2) none 6x 2-wire Accessories none (bracket included in ZX1i) 8 x 90°, or 4 x 180°, or 2 x 360° 8 to 15 m 900 W could also be used with only two 4.2’s per side for smaller rooms, but high sub level requirement inputs on 12.1 in parallel Music Bar, Cafe, Small Disco Horizontal Coverage 4 x 90° or 4x 100° Typical Distance 10 m to 15 m Total Amp Power 2 x 800W = 1600W Options Comments available in black or white, SB122 can be mounted with MN-200 bracket 3-Way Stereo Cabinets Amplifiers Controllers Cabling Accessories 2 x SxA360, 2 SbA760 none (included in cabinets) none (included in cabinets) 2 x XLR-XLR 2 x 100BK, 2 x MB200 + TC04 Ultracompact Hi-Power System Horizontal Coverage Typical Distance Total Amp Power Options Comments Fullrange Cluster Cabinets Amplifiers Controllers Cabling 4 x ZX5-60 1 x P3000RL internal (RCM24) with IRIS-Net™ Remote 2 x NL4 long, 2 x NL2 short Accessories 2x CV-5 2 x 65° 15 m to 20 m 2 x 150W + 350W + 760W = 2520W Expandable with 2 SbA760 for more Sub-Bass, and/or 2 SxA360 for wider coverage most compact, very powerful system Small to Medium Club Horizontal Coverage Typical Distance Total Amp Power Options &P3000RL) Comments 2 x 120° 20 m to 25 m 2 x 1,200W = 2,400W Add-on Subwoofer(P2, QRx218 Full remote & Supervision through IRIS-Net 85 2-Way Stereo •• Cabinets Amplifiers Controllers Cabling 2 x QRxH212/75, 4 x QRx118S 1 x CP2200, 1 x CP3000S 1 x Dx38 4 x NL4 long, 2x NL4 short Horizontal Coverage Typical Distance Total Amp Power Options Accessories 2 x QRx Rigging Kit Comments 3-Way Stereo 86 Club, Disco Dance Floor- lower ceiling Cabinets Amplifiers Controllers Cabling 4 x QRx115/75, 4 x QRx218S 4 x P3000RL/TG5 internal (RCM24) 8 x NL4 long Accessories 4 x QRx Rigging Kit, 4 x QRx Wheel Kit 2 x 75° 15 m to 20 m 2 x 1,900W = 3,800W 3-Way stereo operation with 2 P3000RL & 1 P1200RL Double up amps and cabinets for larger rooms Standard PA for Concert & Disco Horizontal Coverage Typical Distance Total Amp Power Options Comments 2 x 100° to 150°, or 4 x 75° 15 m to 20 m 2 x 4,200W = 8,400W 2 way stereo operation with 3 P3000RL Full Remote & Supervision with IRIS-Net 2-Way Stereo Line Array Medium Size Venues for Music and Speech Cabinets Amplifiers Controllers Cabling 16 x XLE181, 2 x X-Sub 3 x P3000RL internal (PCM24) 6 x NL4 long, 4 x NL4 short Horizontal Coverage Typical Distance Total Amp Power Options Accessories 2 x XLE-Grid, UCC-1 Comments 4-Way Stereo + Sub 2 x 120° 25 m to 30 m (see LAPS for details) 2 x 14,400W = 28,800W 12 TG5 or TG7 amps, 12 CP3000S/4000S + 4 Dx38 very powerful, compact system, expandable Very Compact Line Array System Cabinets Amplifiers Controllers Cabling 16 x XLD281, 2 x XLC215, 4 x X-Sub 12 x P3000RL Internal (RCM24) IRIS-Net™ 12 x NL4 short, 8 x NL8 long Horizontal Coverage Typical Distance Total Amp Power Options Accessories 2 x Xi-DSK, 6 x QRx Wheel Kit Comments 2 x 120° 25 m to 30 m 2 x 14,400W = 28,800W 12 TG5 or TG7 amps, 12 CP3000S/4000S +4 Dx38 Very powerful, compact system, expandable 87 4-Way Stereo Cabinets Amplifiers Controllers Cabling & Accessories 12 XLC127+, 6 Xsub 6 CP2200, 2 P3000 2 Dx38 6 NL8 long, 12 NL8 short, 2 XLC grids, 12 dollies 127 (or 2 bottom dollies), 2 Xline dollies 4-Way Stereo + Sub Cabinets Amplifiers Controllers Cabling 88 Compact Line-Array for mid-sized venues Horizontal Coverage Typical Distance Total Amp Power Options&Comments 2 x 120° 30 m to 50 m 2 x 7,000W = 14,000W - Compact Line-Array for mid sized venues, higher SPL’s 16 XLC127+/DVX, 6 XLC215, 4 Xsub 10 CP3000S, 4 CP4000S 3 Dx38 6 NL8 long, 14 NL8 short, 4 XLC grids, 6 XLC bottom dollies, 1 Xline dolly Horizontal Coverage Typical Distance Total Amp Power Options&Comments 2 x 120° 30 m to 50 m 2 x 17,100W = 34,200W XLC127+ can be driven also with P1200RL Xsub with P3000RL could use 14 CP4000S or 14 P3000RL or 14 TG5/7 5-Way + Sub + In-Fill Cabinets Amplifiers Controllers Cabling 12 Xf, 8 Xb, 4 Xcn, 4 Xcb, 8 Xds 14 x P3000 (= 4 X-Array System Racks) 4 x Dx-38 / 2 DN9848 10 x NL8 long, 24 NL8 short Accessories 10 grids, 20 Xrhg & Xess, 40 Xrhl & Xesl, 14 dollies Arena up to 6000 people, wide Horizontal Coverage Typical Distance Total Amp Power Options 2 x 100° to 120° 60 m to 70 m 2 x 16.950W = 33.900W Xsubs can be used instead of Xds 89 8-Way Stereo, Line Array Cabinets: Amplifiers: Controllers: Cabling: Accessories: 12 Xvls, 8 Xvlt, 12 Xsub 24 P3000 (= 6 X-Line Amp Racks) 4 DX38, or 2 DN9848(or RCM24/26-IRIS-Net™) 16 NL8 long, 16 NL8 short Large Venue, Concert Sound Horizontal Coverage: Typical Distance: Total Amp Power: Options: Comments: 90 2 x 90° (120° nearfield) 50m to 100m (depending on the rigging heights) 2 x 28,800 W = 57,600 W Full Remote & Supervision through IRIS-Net™ with 24 P3000RL or TG7 amplifiers Number of subs depending on music style Speaker Technologies Ring Mode Decoupling® (RMD®) Power handling ratings Electro-Voice pioneered Ring Mode Decoupling (RMD®) as a result of experience gained through years of high-level concert system design. The acclaimed EV X-Array™ was the “test bed” for RMD® research. Just as automotive companies use Formula 1 racing to develop new technologies, Electro-Voice uses its work in the concert sound and touring industries to do the same. The goal of that basic research is to bring those new technologies into all aspects of the sound reinforcement industry. Accurately specifying power handling ratings presents a challenge with odds typically worse than those in a game of chance. Each manufacturer rates its components in its own particular way. While responsible manufacturers always qualify their testing methods, this offers little help to users not familiar with the different test methods. All loudspeaker components display unwanted vibrational modes – or resonances – that produce both frequency and time-domain distortions. A time-domain distortion is most often described by loudspeaker users as a “ringing” in the system. This ringing is usually most audible through the vocal fundamental range, and users commonly attempt to “cure” the ringing mode through equalization. Unfortunately such attempts remove not only the timedomain distortion, or ringing, but also parts of the musical signal as well. The net result is that musical information is lost. Electro-Voice has used an EIA-based rating for many years. It offers a reasonably good combination of mechanical (excursion) and thermal (heat) stress measurements. The ratings supplied with EV components are very conservative, and require a full eight-hour test cycle to generate. However, Electro-Voice does not limit its power testing to EIA methods. Long term continuous musical testing of rated program limits is typically performed for 200-hour durations. EV engineers also perform mixed-signal testing, a combination of continuous noise (EIA- or AES-based shaped spectrum signals) and low-frequency impulsive signals (such as kick drums). Mixed signal tests often represent typical program material, and the resulting measurements relate better to real-world conditions. The most useful power handling rating is that of the program material specification. This rating relates well to “in the field” situations for most musical programs. It should always be remembered that no test method or rating spec will universally describe every situation. Extreme power levels can produce either mechanical or thermal failures with any manufacturer’s components. RMD® is a series of techniques developed by Electro-Voice engineers to deal with the time-domain distortion at its source. The basic problem is mechanical in nature. As a result, the only really effective solution is also mechanical. When acoustic resonances are encountered, the only effective solution is an acoustic remedy. The same applies to electrical resonances: The solution must be electrical. RMD® treatment produces an acoustic signal that is much freer of mechanical and acoustical ringing modes. The result is a level of fidelity – particularly through the critical vocal range – that is more coherent and “in your face.” Another benefit of RMD® technology is a much higher degree of level independence. Many front-ofhouse engineers have noted that system equalization needs to change with system output levels. The louder the system is driven, the more EQ changes become necessary to maintain system voicing (that is, the system sounds different at higher power levels). RMD® greatly minimizes the changes in system voicing that occur with level changes. Systems with RMD®, therefore, display a high degree of level-independent fidelity and a very audible improvement in vocal clarity as well. Manifold Technology® In 1986, Electro-Voice revolutionized concert sound reinforcement by introducing Manifold Technology®. In each of the four bandpasses covering the entire frequency range, the output of four loudspeakers was flawlessly combined – or “manifolded” – into a single horn (such as a large-format MH horn) or low-frequency enclosure. The result was a physical package, a fraction of the size of conventional concert rigs but with four times the acoustic output. This eliminated the drastically uneven coverage that occurs when multiple acoustic sources are stacked to gain more output. Manifold Technology® came into its own particularly in smaller-sized locations or installations, where low-frequency output was limited by the space available. 91 Speaker Technologies Vertical Beam Shaping Vari Intense® (2- or 3-element line array) Verticl Beam Shaping (VBS) is a frequency overlap configuration of the dual-woofer three-way systems of Xi-Series™. It provides the best directivity improvement, achieved by the vertically spaced lowfrequency sources which flank the mid-bass horn operating alone at low frequencies and by appropriately overlapping the LF and MB sources in the mid bass, e.g., 125 to 540 Hz. The single-woofer three-way systems may be configured for VBS, achieved by overlapping the (single) woofer and mid-bass source in the appropriate frequency ranges. This physical orientation of three sources, together with appropriate amplitude shading and filter comibinations, produces vertical directivity control to below 125 Hz. The resulting interferences of normal overlapped speakers are completely minimised. The sonic advantages of this combination are significant. Precisely controlled radiation patterns at low frequencies prevent reverberant energy in the 125- to 600-Hz range from degrading vocal fundamentals. The pattern control achieved by this three-source, single-enclosure “array” prevents the critical distance from moving “forward” (toward the source) as wavelengths become significant in size with respect to the radiation device, and pattern control is lost. This is the case with conventional system designs. The other primary advantage is that down to 125 Hz, acoustic output under the enclosure is a full 12 dB or more below on-axis levels. This results in greatly improved gain-before-feedback levels on stage especially in theatres where lavalier microphones are traditionally used under centre speakers. In conventional systems where “under enclosure” levels are comparable to on-axis levels, system intelligibility is even compromised at the source (microphone) because of poor loudspeaker directivity control and subsequent “spill over”. EV´s unique Vari Intense® (VI) technology has a lot of advantages in most applications of “typical sized” rooms. Vari Intense® provides a rectangular coverage pattern. The unique, patented throat and flare structure of the VI horn delivers a 6 to 10 dB hotter signal to the rear of the room. The resulting even front-to-back SPL eliminates ear strain at the back of the sitting area and ear pain at the front. One VI horn replaces two standard systems that reduce costs and eliminates destructive interference which occurs between long- and shortthrow horns or multi-sourced horizontal arrays. The downward-aimed horn delivers sound only to the floor plan where the audience is and provides uniform direct-field SPL and significantly reduces the amount of sound reverberating off the ceiling. This provides an increase in mid- to high-frequency intelligibility of 6 dB in most applications. To plan with Vari Intense® systems is very easy. The height of the room defines the size of the floor plan covered with one speaker. The area covered would be a width coverage of two times the height of the ceiling and depth, or throw, three times the height of the ceiling. Therefore a Vari Intese® speaker mounted centrally, parallel to the floor, at a height of 3 meters, would cover a room with equal SPL, 6 meters wide by 9 meters long. Aiming the speaker down by 15 degrees at the same 3 meter height will produce an even floor plan SPL that is 3 meters wide by 6 meters long and tilting it back by 15 degrees, at the same height, produces a floor plan SPL of 6 meters wide by 15 meters long. Normally the loudspeaker is mounted approximately 0.6 to 0.8 times the height back from the first row and has a nominal angle of the top of the enclosure parallel to the floor or slightly (2 to 3 degrees) tilted back. Overlap Zone For VBS MB - SOURCE 2 LF - SOURCE 1 + 3 50 100 hz F 200 400 hz 2 times height 2-ELEMENT 3-ELEMENT 2 3 times height 1 covered floor plan of a VI horn 92 Speaker, Distances and Horns This graph should help you to get a feeling of coverage angles, loss in SPL and covered areas. The following questions can be answered: 1. Question: “What coverage angle is needed to cover a width of X meters by the maximum possible distance to the audience of Y meters?” Helpful when the install position of the speakers and the area to cover are predetermined. Solution: Possible distance to the audience is a maximum of 12 meters. Covered width should be approx. 36 meters (2 x 18 meters). A system that provides 120 degrees coverage is needed. 2. Question: “Which system is needed when the distance to the audience and the target SPL is known?” Helpful when the install position of the speakers is known and a pre-defined SPL is required. Solution: Inverse square law of a point source (-6dB when doubling the distance) helps to define the loss in SPL at a distance of X meters. The pre-determined SPL at listening level (the audience) should be 100 dB. Distance to the speaker is approx. 50 meters (I.E. open-air, arena etc). The loss in SPL after 50 meters is approx. 33 dB, therefore the system has to provide a continuous SPL of 133 dB/1m. 3. Question: “At what distance is a (i.e.) 75 meters width reached, using different loudspeakers with different coverage angles? Solution: A 120 degrees system provides a covered width of 75 meters after approx. 22 meters. A 40 degree system provides same width after approx. 100 meters. 4. Furthermore (based on point 3): “What´s the loss of SPL in both cases?” Solution: Approx. 25 dB for the 120 degrees and approx. 40 dB for the 40 degrees system. To achieve a pre-determined SPL of 105 dB, when an area of 75 meters needs to be covered, the 120 degrees system has to deliver > 130 dB and the 40 degrees system > 145 dB. In explanation: A job for MH 4020 which provides 146 dB maximum. 5. And others… Dispersion Angle distance for same coverage Dispersion angle versus distance for same coverage 12.5m (41.01’) 25m (82.02’) 75m (246.1’) 50m (164’) 100m (328.1’) (246.1 ft) - 22 db B - 28 dB - 34 dB - 37.5 dB Inverse Square law (point source) - 40 dB Inverse square law (point source) 93 Microphone Technologies In 1934, Electro-Voice invented the hum-bucking coil for microphones, still an industry standard almost 70 years later. The invention was the beginning of EV’s success in building microphones, but not the end. Electro-Voice continues to set new standards for microphone design today. Electro-Voice was the first manufacturer to use neodymium-based magnet structures (N/DYM®) in its microphones, thus achieving higher output and condenser-like qualities such as crystal clarity and reliable performance. ElectroVoice’s goals in developing microphone technologies have always been the same: providing highest sound quality, achieving better and more comfortable handling for the user, and continuing the company’s tradition of legendary reliability and warranty support. Its long list of patents attests to its success in meeting these goals. ® Variable-D Normal microphones generate increased bottom end when used close up. This is typically called the “proximity effect.” While some lead vocalists like this effect and use it to enhance their performance, it is attainable only in closeup situations. When the distance between the microphone and the source is extended, the sound quality changes dramatically. Electro-Voice’s patented Variable-D® eliminates this disadvantage. On the rear side of the diaphragm there is a perforated pipe (interference duct) with precise sonic slots at set distances. The duct provides maximum damping which is completely uncoloured and undistorted at 180-degree off-axis, ensuring the same frequency response as if the source was nearly on-axis. Variable-D® designed microphones can be used very close to other sound sources with no loss in clarity or definition. This makes them the preferred choice for tight vocals and challenging instruments such as brass. Variable-D® microphones like the RE20 and RE27 are favorites with broadcast show hosts, vocal booths, voice-over studios, and professional touring or rental companies. Normal mic Variable-D® mic VOB™ Electro-Voice’s unique VOB™ technology (Vocal-Optimized Bass) reduces low-frequency distortion in the microphone’s output. Critical damping of the low-frequency resonant peak results in a microphone that replaces the “muddiness” found in competitive models with greater warmth and increased vocal intelligibility. With a wider range of working distances than other microphones, this intelligibility ensures a clean, clear, consistent sound that “cuts through the mix.” VOB™ counteracts proximity effect, sibilance, and P-popping, thus assuring maximum vocal intelligibility and musical clarity. with VOB™ without VOB™ PIN - Arrangements Balanced (XLR) Pin 1: Shield Pin 2: Hot Pin 3: Cold Electronic male Microphones PC interface (RS 232) female Balanced (XLR) Pin 1: Shield Pin 2: Signal + Pin 3: Signal - Pin 1: parallel to 4 + 6 Pin 2: TxD Pin 3: RxD Pin 4: parallel to 1 + 6 TA4F (not shown) used in N/DYM wireless Pin 5: common Pin 6: parallel to 1 + 4 Pin 7: parallel to 8 Pin 8: parallel to 7 Fullrange Pin 1: LF/HF +/Pin 2: Not connected Biamp Pin 1: LF Section +/Pin 2: HF Section +/- Speakers Subwoofer Pin 1: LF input +/- 94 Pin 1: Common Pin 2: Audio Pin 3: Bias Pin 4: Not used System Pin 1 in: Pin 2 in: Pin 3 in: Pin 4 in: LF +/- Pin 2! out LF +/- Pin 1! out MB+/- Pin 3 out HF +/- Pin 4 out Product Feature Symbols E V M I C R O P H O N E A P P L I C AT I O N TA B L E M I C S Female Male Rock Cobalt Co5 + + Cobalt Co7 + + + Cobalt Co9 + + + Cobalt Co11 + + N/D 367s ++ + + + + + N/D 767a ++ ++ + N/D 967 + + ++ + + ++ + ++ Speech L Choir Vocal Speech Kick Drum Snare + + + ++ + + ++ RE 200 + RE 20 RE 27 ++ ++ N Also available in white S BROAD CAST HiHat/ Overhead Guitar Amp Saxophone/ Woodwinds Trumpet/ Brass Piano Accordion Guitar/ Strings ENG Available with high-quality 70/100 volt transformer Speaker can be flown. See product features and Speaker Hardware/Accessories + Passive or biamped operation + + + + + ++ + Designed for multi-way active operation using EV® Dx38 digital controller ++ + + + ++ ++ + + + + + + + + + + + + ++ ++ ++ + ++ + ++ ++ ++ + + + + RE 50B/NDB + ++ + + ++ + + + Ring Mode Decoupling (RMD™) ensures high performance and vocal clarity at any SPL. + ++ ++ ++ ++ ++ ++ ++ ++ ++ ++ ++ + ++ + + Rotatable constant-directivity horn or identical horizontal/vertical directivity control (i.e. 65° x 65°) + ++ + + ++ + ++ ++ + ++ ++ ++ Cobalt Co4 RE 510 O + N/D 478 + I + + ++ ++ Toms + + ++ ++ T Mounting hardware available or included. See product features and Speaker Hardware/ Accessories N/D 868 RE410 A C INSTRUMENT N/D 468 + Unfinished version available + + + ++ 635A (B) / NDB RE16 I + + N/D 267a(s) Raven Jazz P VOICE STUDIO VOICE SOUND REINFORCEMENT Cardinal P A Weather-resistant ++ ++ + + + Microphone Polar Patterns Cardioid Supercardioid + recommended ++ optimal Hypercardioid Omnidirectional Americas Telex Communications Inc. 12000 Portland Ave South, Burnsville, MN 55337, USA USA-Phone: 1-800-392-3497, Fax: 1-800-955-6831 Canada-Phone: 1-866-505-5551, Fax: 1-866-336-8467 Latin America-Phone: 1-952-887-5532, Fax: 1-952-736-4212 Europe, Africa & Middle-East EVI Audio GmbH, Hirschberger Ring 45, D-94315, Straubing, Germany Phone: +49 9421-706 0, Fax: +49 9421-706 265 France: EVI Audio France S.A. Parc de Courcerin, Allée Lech Walesa, F 77185 Lognes, France Phone: +33 1-6480-0090, Fax: +33 1-6006-5103 UK: Shuttlesound Ltd., The Willows Centre, Willow Lane, Mitcham, Surrey CR4 4NX, UK Phone: +44 208 646 7114, Fax: +44 208 254 5666 Asia & Pacific Rim Japan: EVI Audio Japan Ltd. 5-3-8 Funabashi, Setagaya-Ku, Tokyo, Japan 156-0055 Phone: +81 3-5316-5020, Fax: +81 3-5316-5031 China: Telex EVI Audio (Shanghai) Ltd. Rm 2210-2215, Tower B, Far East International Plaza, No.317, Xianxia Road, Shanghai, China PC:200051 Phone: +86 216235-1677, Fax: +86 21-6235-1676 Hong Kong: Telex EVI Audio (HK) Ltd. Unit 5,1/F, Topsail Plaza, 11 on Shum Street, Shek Mun, Shatin HK Phone: +852 2351-3628, Fax: +852 2351-3329 Singapore: Telex Pte. Ltd. 3015A Ubi Road 1, 05-10 Kampong Ubi Industrial Estate, Singapore 408705 Phone: +65 6746-8760, Fax: +65 6746-1206 © 2006 EVI Audio GmbH · Internet: www.electrovoice.com · SUBJECT TO CHANGE WITHOUT PRIOR NOTICE · Art. Nr. 150276 PA 20649 v3.1
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