SD8 Di Gi Co 24pp

User Manual: SD8

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DiGiCo UK Limited
Unit 10, Silverglade Business Park, Leatherhead Road, Chessington, Surrey KT9 2QL
Tel: +44 (0) 1372 845600 Fax :+44 (0) 1372 845656
email: info@digiconsoles.com web: www.digico.org

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The new SD8. The power, finesse and clarity of DiGiCo
digital mixing with Stealth Digital Processing™.
The new DiGiCo SD8 brings you the complete DiGiCo digital
mixing experience, from the ultimate in intuitive user interfaces
to the power and purity of Stealth Digital Processing™, at a price
point more commonly associated with midrange mixing consoles.
Whether you’re moving up from an analogue console or adding
more flexibility to your existing systems, the SD8 offers all the
major features and versatility of the acclaimed DiGiCo D Series.
It’s also the world’s first ‘affordable’ console to provide the
smoothness, accuracy and dynamic range of the latest generation
Super FPGA technology with floating point processing, the heart of
the groundbreaking DiGiCo SD7.
In its compact frame, the most affordable DiGiCo console ever
built provides a powerful array of live sound engineering tools, laid
out with the clarity you’d expect from a worksurface designed by
the award winning team at DiGiCo.
The SD8 offers an extensive specification in a complete digital
package. It has a stage MaDiRack with 48 microphone inputs as
standard, 8 analogue outputs and dual MADI connections – making
rehearsal and live show recording simple and inexpensive – a digital
MADI multicore, a full worksurface with integral I/O consisting of:8 Mic/line inputs, 8 line outputs and 8 AES/EBU (mono).
The essentials of the channel and master facilities are exactly as
you’d find on any DiGiCo console and employ identical signal paths
for exemplary sonic quality. Each one of the 60 audio channels
can be selected as mono or full stereo (thanks to the Stealth
processor’s internal 120 channels of processing) allowing you to
set up shows with large numbers of stereo inputs, each with full
EQ and dynamics.
This uncompromising solution replaces a rack full of outboard
equipment and places the key tools where you need them, in the
channel itself and – at a press of one button – at centre stage on
the touch screen. The screen is the same 15” TFT LCD specially
developed for the SD7 and is matched with motorised faders
arranged in blocks of 12 for logical operation.
You’ll also appreciate DiGiCo’s snapshot automation, making
scene store and recall a simple task, while the master section
incorporates 12 complete graphic equalisers with centre-detent
faders for fast system set-up.
Two discrete master busses, 24 mono or stereo busses and a 12
x 12 matrix complete the channel and bussing structure. But that’s
not all, since the versatile SD8 also provides dual solo busses for
greatly increased flexibility as a monitor console.
The DiGiCo SD8. A new world of performance and versatility in a
midrange console.

2

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The SD8 incorporates the highly innovative Stealth
Digital Processing™, initially designed for the pioneering
SD7. Based on a single Super FPGA combined with
Analogue Devices Tiger SHARCS for an array of effects
processing, it provides unrivalled audio quality, precision
and processing power.
The future is Super FPGA (Field Programmable Gate Array)
technology with floating-point processing.
Allied to the already powerful SHARC® processor, in use at the
heart of every DiGiCo console, is the very latest Tiger SHARC®
FX engine, all underpinned by DiGiCo’s Stealth Digital Processing™.
Super FPGA technology is literally two generations beyond the
world of DSP and is a core component of DiGiCo’s advances in
console design.
This potent combination provides a stunning level of instant
controllability over multiple functions. It supports a comprehensive
control surface with 37 motorised faders, dedicated and multifunction control knobs and electronic labelling.
It also provides an extensive range of built-in, world-class effects,
reverbs, dynamics, output matrix and more. Plus that huge, glorious
interactive touch screen makes the SD Series a pleasure to mix on
and, of course, the smoothest, cleanest and warmest digital console
sound yet devised - at any price!
These facilities are constantly available across every one of the
SD8’s 60 mono or stereo channels – the equivalent of 120 channels
of full DSP processing. Thanks to the combined power of the
SD8’s technologies, the number and quality of effects, dynamics
or other functions available to all channels simultaneously is never
compromised or reduced, no matter how you have the console
set up.
Recognising the ever growing need for many outputs to drive
multiple loudspeaker arrays, monitors and more, the SD8 provides
as standard, a 12 x 12 output matrix its 12 busses being additional
to the console’s 24 stereo, solo and master busses.

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Feature packed
All the essentials you’d expect in a DiGiCo console are here, even
if many come as a revelation at this price point.
The most striking single feature is the large (15”), super high
resolution, touch sensitive TFT LCD backlit display. This rich mine
of real-time information is the SD8’s primary command centre
and works completely intuitively with every other control of the
console, automatically displaying functions that are exactly relevant
to what you’re doing right now. Because speed of operation is
high up the SD8’s design priority list, this approach continues
throughout the worksurface. Look for menus and submenus, and
you’ll look in vain as far as all major operations are concerned.
A physical fader, knob or backlit electronically labelled button is
either provided as standard for every major mix function, or can be
programmed onto one of the user macro buttons.
The 24 main channel faders and 12 assignable aux and master
faders are smooth, top quality, 100mm long throw motorised
types, accurate, durable and long proven. Touch sensitive fader
caps put even more intuitive controllability right where you need
it. Each bank of 12 faders can be instantly assigned as channels
or masters, allowing all 36 main faders to control inputs or AUX
sends if desired, while any bank of 12 can be assigned to the touch
screen for fine tuning.
Also familiar to D Series users is the SD8’s snapshot flexibility – a
feature as vital today for smaller theatre and touring acts as it is for
the largest productions. It provides such features as global scope,
snapshot specific recall, scope and crossfade, plus the ability to
take the console offline enabling snapshot editing without affecting
audio. There are also eight, user defined Macros’ for fast access to
key parameters. For users upgrading from analogue or a budget
digital desk, the SD8’s snapshot and Macro facilities will open an
exciting new realm of possibilities.

15” Touch Screen with EQ Panel

15” Touch Screen with Dynamics Panel

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Bank Switches & Labels

Snapshot Screen

7

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A clearer picture
With the SD8 there’s no need to search for information – you
always have a clear picture of every part of the signal path.
As well as the built-in touch screen, an SVGA output allows you
to run an external overview screen, while each physical fader is
accompanied by a meter integrated into the worksurface with a
polycarbonate overlay, eliminating the need for a bulky
meter bridge.
Alongside each motorised fader is another important touch of
clarity. On the one hand, DiGiCo’s designers wanted to place as
much information as possible right where your hands normally are
– at the faders. On the other, they also wanted to keep the console
frame as low-profile as possible, so that when you’re mixing from
a position of restricted visibility, you don’t have to peer over a tall
meter bridge.
The answer:- high resolution, 20-LED bargraph meters, right
beside each channel fader.
Goodbye, outboard racks
A wealth of onboard effects, EQ and dynamics processing greatly
reduces the need for external processing. 6 onboard stereo effects
are available at all times with a choice of reverbs, delays and more.
12 graphic equalisers can be assigned across any of the busses or
channels and the power of Stealth Digital Processing™ ensures that
every channel, every buss and every matrix output is equipped
with 4 bands of parametric EQ, 24dB high and low pass filtering (as
on the SD7), along with a fully-specified single band compressor,
gate and a delay offering up to 1.3 seconds per channel.
Dual solo busses
For the first time in a mid-price console, the SD8 offers not one
but two solo busses – excellent for monitor mixing, allowing
separate soloing facilities for wedges and in-ear monitors.

Overview Screen

Each solo buss can be selected as mono, stereo, PFL, AFL or solo
in place – versatility that’s unique to the SD8 in its price range.

FX Rack

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DiGiCo SD8 24pp FINAL.indd 9-10

12 x 12 Matrix

20 Segment Meter Strips

12 Graphic Equalisers

9

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The complete digital package from stage to FOH
The SD8 is much more than just a powerful worksurface. It
provides you with a complete digital package from stage to your
mix position.
Included with it is a dedicated SD8 stage MaDiRack, which serves
as system input, digital/analogue signal splitter and MADI digital
output, along with 100 metres of touring quality MADI digital
cable. So it’s goodbye to the heavyweight analogue multicore and
hello to 100% noise free, pure digital signal from stage to console –
a significant cost saving too, especially for installed systems.
As a further touch, the worksurface boasts full Gain Tracking™,
an advanced feature of all DiGiCo consoles. This allows FOH
and monitor consoles to share inputs, yet have independent gain
structures. The MaDiRack has 48 microphone inputs which are
complemented by 8 analogue outputs as standard. A further 16
analogue, AES/EBU or Aviom outputs can be fitted to allow for
any connection requirements, whether feeding a crossover digitally
or for IEM.
The SD8’s dual BNC MADI connections are the key to another
remarkable aspect of the package – the ability to make live
multitrack recordings of rehearsals and shows straightforward and
inexpensive.

MaDi Rack

MaDi Rack Output Card Options

While one MADI is used for the stage rack, the other is ready for
use for live recording of all 48 inputs to any MADI compatible
recording system. You’ll notice the SD8’s worksurface incorporates
a convenient flat area at top left to hold a laptop – with sturdy steel
locating pegs to keep your PC or Mac in place when the joint
is jumping.
Hook up a laptop running Logic, Cubase, Nuendo, Samplitude,
Reaper, Pro Tools or any other leading multitrack recording
software to the dedicated MADI port on the console’s left side and
you’re in business with an instant, low cost, studio quality 48 track
recording and playback set-up.

Gain Tracking™
In a complete house-and-monitor
DiGiCo system, Gain Tracking™,
a world first for DiGiCo, allows a
console operator to change any
input gain without affecting the
sound balance on either console
- Gain Tracking™ is selectable on
each channel independently on
each console.
Front of House Console

Perfect, too, for fine-tuning scenes and settings at your leisure.
The worksurface itself provides more I/O – 8 mic/ line inputs, 8
line outputs and 8 AES inputs and outputs.
Optional MiNiRack

Finally, DiGiCo will offer an optical output option as a special
order item.
Built for the road
Every inch an engineer’s console, the SD8 is designed for the
rough and tumble of the road, the pressure of corporate events
and festivals, the rehearsals and nightly changes of operator in
the theatre world as well as the unique challenges of providing
excellent, repeatable audio for houses of worship.

Monitor Console

Optional DiGiRack

Powerful as it is on the inside, the SD8 is ready for everything
the road can throw at it too. A sturdy steel chassis provides
excellent rigidity, while the laminated worksurface is highly
resistant to wear and tear. Every aspect of the worksurface and
the MaDiRack exudes DiGiCo quality, from the perfectly weighted
encoder wheels and faders to the durable silk screening and solid
construction.
In the worksurface a dual, hot-swappable, integrated switch-mode
power supply provides peace of mind and is designed for worldwide use.

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DiGiCo SD8 24pp FINAL.indd 11-12

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Hear The Future

SD8 MaDi Rack. Up to 48/24 with
100M/328ft Digital snake.
Analogue, AES/EBU, and Aviom
Output Options.
(Standard DiGiRack and MiNiRack with all I/O
configurations also available as option)

Network connection for full remote
control of SD8.

Local I/O
8 Analogue inputs and outputs.
8 AES/EBU (mono).
12

DiGiCo SD8 24pp FINAL.indd 13-14

Don˙t Listen To The Past

Only 2 connections required for open
platform 56 tracks of recording
and playback

Simple copy to MADI function allowing all
remote Mic Pre’s to be fed to recording
device via console.

One button press for instant, seamless
playback of recorded material.
13

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Laptop
Mounting
Station

100mm Touch
Sensitive
Faders

20 Segment
Meter Strips

Dual Hot-Swap
PSUs

14

DiGiCo SD8 24pp FINAL.indd 15-16

Input
Gain
Control

15” Wide
View Touch
Screen

Touch Turn
Encoder and
Button

3 Line Multi
Function LCD
Displays

Optics Upgrade

Channel
Controls

AES Word
Clock

Sync

MADI 2 for
MADI 1 for
Recording or StageRack
second
Stage Rack

USB
Snapshot
Connection Recall, Update,
Crossfade &
Offline

Fader
Bank
Assign

Master
Fader

Overview Screen

Two Solo
Busses

Per Section
Assignable
Encoders and
Buttons

Previous
and
Next

Local I/O

Screen and
Fader Assign

3 Pin Light
Connection

www.digico.org

15

6/1/09 09:31:59

SD8 TECHNICAL SPECIFICATIONS

Audio Specifications

General Specifications

Sample rate

48kHz or 44.1kHz

Faders

37 x 100mm touch-sensitive, motorised

Processing delay

2ms typ (60 stereo channels, stage input
through L-R buss to stage output)

Screens

1 x 15” (38cm) LCD high - resolution
touch screen

Internal processing

Up to 40-bit, floating point

Meters

38 x 20-segment LED bargraph

A>D & D>A

24-bit Converter Bit Depth

Input Channels

60 Mono or Stereo channels

Frequency response

+/- 0.6dB (20Hz – 20kHz)

Busses

24 Mono or Stereo busses + LR master

THD

<0.05% @ unity gain, 10dB input @ 1kHz

Solo busses

2 stereo busses

Channel Seperation

Matrix

12 x 12 matrix (additional to busses above)

Control Groups

12, selectable for VCA-style,
Moving fader, Mute Group

EQ/Dyn order

EQ/Dyn or Dyn/EQ

Mute

Channel mute / hard mute

Solo

Solo Buss 1 / Solo Buss 2 / Both,
Auto solo

Channel Safe

Input, eq, dyn, aux, pan, fade/mute,
inserts, buss, directs, full safe

Output Routing

Buss, Insert A, Insert B, FX
Direct: on/off, pre-mute / pre-fade /
post-fade, level +/- 18dB

Better than 90dB (40Hz – 15kHz)

Fader

100mm motorised fader -∞ to +10dB

Residual output noise

<90dBu typ (20Hz - 20kHz)

Microphone Input

Better than -126dB Equivalent Noise

Processing Channel Specifications
Aux / Group / Matrix Output

Maximum Output Level +22dBu

Phase

Normal / Reverse

Digital Trim

-20 to +60dB

Delay

<1.3 sec (coarse & fine control)

12 x 32-band, Gain +/- 12dB

Internal FX

6 Stereo FX processors

Local I/O

8 x mic/line I/O, 8 x AES/EBU I/O
(mono)

Name

User-defined / Presets

LPF

20 – 20kHz, 24dB / Oct

MADI interface

2 redundant interfaces,
75 ohm BNC connectivity

Channel Selection

Mono / Stereo

HPF

20 – 20kHz, 24dB / Oct

Optic interface

Optocore (Optional factory fit only)

Input Routing

Main & Alternate Input

Insert A

(pre eq/dyn) On/Off

MIDI interface

In / Out / Through

Analogue Gain

-20 to +60dB

Insert B

(post eq/dyn) On/Off

VGA port

DB-15 mini-female (1024 x 768 resolution)

Phase

Normal / Reverse

Equalisation

USB ports (3)

USB 2

Digital Trim

-40 to +40dB

Light connection (2)

XLR3 1.2 – 12V

Delay

<1.3 sec (coarse & fine control)

4 band PEQ
(hi & lo bands switchable shelving or bell)
Freq; 20 – 20kHz
Gain; +/- 18dB
Q; 0.1 – 20 (parametric) / 0.10 – 0.85 (shelf)

Ext Sync

Word clock, AES, MADI, Optics

LPF

20 – 20kHz, 24dB / Oct

Compressor

Headphone

TRS unbalanced / 8-600 ohms
1/4 inch Jack

HPF

20 – 20kHz, 24dB / Oct

Insert A

(pre eq/dyn) On/Off

Dimensions

1347mm (w) x 811mm (d) x 254mm (h)

Insert B

(post eq/dyn) On/Off

on / off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 – 40dB with Autogain option
Link; any channel / buss

Weight

71.3Kg (149.3Kg with optional flightcase)

Equalisation

1517mm (w) x 1133mm (h) x 452mm (d)

Power Requirements

90-264 VAC, 47-63Hz Auto Sensing.
230VA typical, 295VA peak (meters full,
faders moving)

4 band PEQ
(hi & lo bands switchable shelving or bell)
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (parametric) / 0.10-0.85 (shelf )

Gate

Flightcase (Optional)

Compressor

Redundancy

Internal PSU x 2

on/off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50: 1
Gain; 0 to +40dB with Autogain option
Link; any channel / buss

on/off
Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 - 90dB
Key; Any source
Key listen
Freq/width; 20 – 20kHz

EQ/Dyn order

EQ/Dyn or Dyn/EQ

Mute

Channel mute / hard mute

Solo

Solo Buss 1 / Solo Buss 2 / Both, Auto solo

Channel Safe

trim, eq, dyn, fade/mute, inserts, outputs,
full safe

Output Routing

Outputs, Insert A, Insert B, FX

Fader

100mm motorised fader -∞ to + 10dB

DiGiCo UK Limited reserves the right to make any changes at any time, without notice, in prices, colours, materials,
specifications and models, and also to discontinued models. E&OE

DiGiCo SD8 24pp FINAL.indd 17-18

User-defined / Presets

Graphic Eq

Maximum Input Level +22dBu
Processing Channel Specifications
Input Channel

Gate

16

Name

on/off
Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 - 90dB
Key; Any source
Key listen
Freq/width; 20 – 20kHz

17

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1.22”/31mm

1.22”/31mm
53.03”/1347mm

14.45”/367mm

19.00”/482.7mm

0.47”/12mm

0.47”/12mm
14.09”/358mm

Ÿ

Ÿ

headphones

dynamic automation

snapshot

solo 1

update

solo 2

monitoring

5.86”/
149.0

13.97”/354.8mm

channel
processing

C
L

R

S

S

speaker select

macros

talk-back

Ÿ

touch-n-turn

screen assign

Card Options
1. Analogue output card
with 24-bit D/A on XLR connectors
2. AES/EBU output card
with sample rate conversion
3. Aviom D-16c A-Net Card
ultra-fast A-Net™
Pro16 protocol connectivity

snapshot

31.94”/811.3mm

2

3

99.1”/251.7mm

1

1.52”/38.7mm

2.125”/
54mm

13.49”/342mm

DiGiCo
OPTICAL LOOP

1

2

3

4

5

6

7

8

1

2

3

4

5

6

7

8

DiGiCo SD8 Notes

1.75”/
44.5mm

18

DiGiCo SD8 24pp FINAL.indd 19-20

13.48”/342.5mm

1. SD8 WEIGHT
2. SINGLE PSU
3. PSU CHASSIS COMPLETE WITH 2 PSUs
4. RACK WEIGHT (CONFIGURATION DEPENDANT)
5. FLIGHT CASE
6. FLIGHT CASE (PACKED)

71.3Kg/157.18Ib
1.6Kg/3.52Ib
6Kg/13.22Ib
25Kg/55.11lb
78Kg/171.96Ib
149.3Kg/329.15Ib

19

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1 2

3 4

5

6 7

8

9 10 11 12 13 14

19.05”/484mm

13.70”/348mm

15.75”/400mm

Options

1.49”/38mm

DiGiRACK
9U 19” Rack Mount Weight (Unpacked) 36kg/80lb Weight (Packed) 56kg/124lb
Optional Configurations (1-7 Inputs 8-14 Outputs)

MADI Only
MADI pod

MiNi DiGiRACK
4U 19” Rack Mount Weight (Unpacked) 14kg/30.86lb Weight (Packed) 20kg/44.09lb
Optional Configurations (1-4 Inputs 8-11 Outputs)

19.05”/484mm

IN

MADI MAIN

OUT

MADI AUXILIARY
OUT
IN

IN

SYNC

16.10”/409mm

OUT

DATA

PAGE

RESET

RS232

6.96”/177mm

OPTICAL

B

A

Class 1 Laser Product
Complies with 21 CFR
1040.10 and 1040.11

Card Options
DiGiRack and MiNiRack

G14745-B

MAINS INPUT

MAINS INPUT

PSU B

PSU A

100-120V / 200-240V
2A MAX 50-60Hz

DO NOT
RESTRICT AIRFLOW

100-120V / 200-240V
2A MAX 50-60Hz

G016-001-2-3

Unit 10, Silverglade Business Park, Leatherhead Road,
Chessington, Surrey KT9 2QL. UK
Tel + 44 (0) 1372 845 600 Fax + 44 (0) 1372 845656
www.digiconsoles.com.
DiGiCo and Soundtracs
are a registered trademarks of DiGiCo UK Ltd.

MiNi-DiGiRack
REDUCE THE RISK OF FIRE OR ELETRICAL SHOCK, DO
WARNING:TO
NOT EXPOSE THE EQUIPMENT TO RAIN OR MOISTURE.
CAUTION:RISK OF ELECTRIC SHOCK DO NOT OPEN. NO USER

SERVICEABLE PARTS, REFER TO QUALIFIED SERVICE PERSONNEL.

A
MIC

B
MIC

LINE

C

MIC

LINE

1

D

E

F

G

H

LINE
1

1

1

IN

MODULE
2

2

1
3

1

1

2

2
3

3

2

2

1

4

2

2

2

1

RX
OUT

1

1

4

2

2

IN

2

2
3

3
4

1
3

5

3

1
2

1
3

3

5

3

2

TX

3-4

1

2
3

5

1

3

D-16 c

1
3

4

1

1
3

2

IN

2

2
3

4

2

1
3

2

AVIOM

3

3

1

LINE OUTPUTS

3

OUT

2
3

3

2

1
3

1

2
3

3

2

1

1
3

1
3

2

2

2

1
3

2

1
3

1-2

5

OUT

2

1
3

1
3

A-NET OUT

5
6

5-6
6

2

2

1
3

DiGiCo SD8 24pp FINAL.indd 21-22

G14684-A

1

1

2
3

8 CHANNEL
LINES OUTPUT

G13985-A

ANALOGUE

G14548-B

7

2

1

IN

OUT

8

2

2
3

AES / EBU
INPUT / OUTPUT

G14685-B

7
8

1
3

7-8

8

1
3

ANALOGUE

G14684-A

20

2

3

1
3

3

8

ANALOGUE

2

RX
IN

2

2
3

8

6

TX

2
3

7

1

1
3

1

1

2
3

7

2

1
3

2

1

1
3

7

2

OUT

6

6

A. Mic input card
with 24-bit A/D on XLR connectors
B. Line input card
with 24-bit A/D on XLR connectors
C. Analogue input card
EDAC connector with 24-bit A/D, mic & line inputs
D. Analogue output card
with 24-bit D/A on XLR connectors
E. AES/EBU input/output card
with Bi-directional sample rate conversion
F. Aviom D-16c A-Net Card
ultra-fast A-Net™ Pro16 protocol connectivity
G. Ethersound I/O Card
8 channel input/output and control card
H. DiGiCo D-TuBe
Remote controlable tube Mic pre amp

A-NET

1
3

PRO

16

ES8 MODULE

015002-2

MICROPHONE

DiGiTuBe

003002-A

21

6/1/09 09:32:23

Options

37.99 ”/965mm

61.02”/1550mm

CARTON
(NOT TO SCALE)

25.27 ”/642mm

THE TOTAL PACKAGING WEIGHT FOR THE SD8 CONSOLE IS 36.73KG / 80.97LB

PALLET FOR ILLUSTRATION PURPOSES ONLY

59.72”/1517mm

44.60 ”/1133mm

17.80 ”/452mm

FLIGHTCASE
(NOT TO SCALE)

22

DiGiCo SD8 24pp FINAL.indd 23-24

23

6/1/09 09:32:26

DiGiCo UK Limited
Unit 10, Silverglade Business Park, Leatherhead Road, Chessington, Surrey KT9 2QL
Tel: +44 (0) 1372 845600 Fax :+44 (0) 1372 845656
email: info@digiconsoles.com web: www.digico.org

DiGiCo SD8 24pp FINAL.indd 1-2

6/1/09 09:31:02



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Metadata Date                   : 2009:04:23 12:42:52+01:00
Creator Tool                    : Adobe InDesign CS3 (5.0.4)
Thumbnail Format                : JPEG
Thumbnail Width                 : 256
Thumbnail Height                : 256
Thumbnail Image                 : (Binary data 13589 bytes, use -b option to extract)
Format                          : application/pdf
Producer                        : Adobe PDF Library 8.0
Trapped                         : False
Page Count                      : 13
EXIF Metadata provided by EXIF.tools

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