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AV-guide --to.7the :Organization '.of Library :Collection*:
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U.S. OEPARTMENT Of HEALTH.
EDUCATION & WELFARE
OFFICE OF EDUCATION
THIG, DOCUMENT HAS SEEN REPRO.
OUCED EXACTLY AS RECEIVED FROM

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RIGHTED MATERIAL BY MICROFICHE ONLY
HAS BEEN GRANTED BY

THE PERSON OR ORGANIZATION ORIG.;

Rc9SaltIond 13, Wetmore

MATING IT. POINTS OF VIEW OR OM.;
IONS STATED DO NOT NECESSARILY

TO ERIC AND ORGANIZATIONS OPERATING
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OF EDUCATION FURTHER REPRODUCTION
OUTSIDE THE ERIC SYSTEM REQUIRES PER-

REPRESENT OFFICIAL OFFICE OF EDU.
CATION POSITION OR POUCY.

MISSION! OF THE COPYRIGHT OWNER'

A GUIDE TO THE ORGANTIATICX OF

LIBRARY coucums

For the use of students of library science

at
BALL STATE iminasrry

by
Rosamond B. Wetmore

REVISED 1972

BALL STATE UNIVERSITY
MUNCIE, INDIANA

1972

V.0.1.....

TABLE OF CONTENTS

Introduction

The Catalog card

Selection of Main entry

Making the Catalog card
Body bf the card

30
33
40

IAprint

Collation

Notes on catalog cards

Added entries

Tracing

Shelf list card

Subject cross references

Anonymous classics and sacred writings

Aralytics

"Bound with" works

Supplements

Uniform titles

Serial.

Sets of books

108

Photographic reproductions

110

Microformq

112

Non-print materials
Disc recordings
Tape recordings
Filmstrips
Films
Slides
Transparencies
Maps

115
116
125
128
137
141
11th
115

Glebes
Pictures
Models
Games
Kits

247

'149
.152
153
154

Authority files

155

Appendices:
Abbreviations
Filing guide
Cataloging sources and aids
Suggested priicessing procedure

158
160

163'
.

165

INTRODUCTION

This manual for Library Science students at Ball State University
represents an.evolutionary process beginning with a work produced by the
Library Staff in 1945. A major revision was made in 1958, which this author
revised and rewrote in 1966. The publication of the Anial-American Rulee
necessitated a revision the following year. Meanwhile,7t-He scope ortg
Library Science program at Ball State has enlarged from its initial purpose
of preparing school librarians to its present graduate program in the areas
of school, public, and acadenic librarianship, making a revision necessary in
1969. The 1972 edition has undergone extensive rewriting throughout, and in
response to current developments in library collection's, has greater coverage
of multi-media materials.
The purpose of this manual is to present concisely methods and card forme
used in establishing bibliographic controls over a library collection. Generous
use is made of examples to aid the rtudent in understanding and practicing the
Anglo- American Catalo ging Rules. It is expected that this manual be used in
conjunction with a wide eelection of writings on cataloging.. Although the sample
cards used as illustrations of cataloging practice make use of classification
numbers from the abridged edition of the Dewy Decimal Classification, the manual

makes nc effort to ;Aesent any particular system of claZITIMMTSimilarly,
no effort Is mide to set forth the principles of subject cataloging.
Sample
cards, however, use subjects from the ninth edition of Sears List of Sdbect

Rosamond B. Wetmore
Associate Professor of Library
Science

November 30, 1973

c,0

THE CATALOG CARD

The card catalog, as we know it, evolved from the earliest printed
book catalogs through the experimental use of paper slips. and various sized
cards to the standardized form, we know today.
Since the card catalog is made up of an orderly arrangement of catalog
cards, Our purpose will be to equip the user of this manual with the techniques
for preparing the various kinds of entries appearing in the catalog.
The standard size of cards used for building the catalog is 7.5 x 12.5 cm.,
or approXimately 3 x 5 inches. To contribute to ease of interpretation, standard
items of information are expressed in a specified way and placed-on the card in
a definite pattern. If the cards are typed, a definite set of rules is necessary
to achieve a consistent form. Although there is likely to be variation in the
practices of different libraries,' there should be adherence to a single-fork in
a given library. It follows then'that the card style offered in this manual
may differ from practice in some libraries, but it is believed that accepting
the suggestions offered-here will result in a neat, readily understood form.
Economy of effort and ease of production have been guideposts in determining
the style.
The entry, personal or otherwise, is placed at first indention. The title
begins on the next line at second indention. The remainder of the body of the
card follows the title with each new line returning to the first indention
thus producing a paragraph-like appearance.

The collation begins on the next line following the body of the card, at
second indention. If there is a series note, it follows three typewriter
spaces after the collation. Other notes begin at second indention, doublespaced below the collation.

SAMPLE SET OF CATALOG CARDS

025.3

Akers, Susan Grey, 1889Simple library cataloging. 4th ed.
American Library Association, 1954.
250p. illus. 25cm.
Includes bibliographies.
"Definitions of technical terms":

025.3

Simple library cataloging.
Akers, Susan Grey, 1889 Simple library cataloging. 4th ed.
American Library Association, 1954.
250p. illus. 25cm.
Includes bibliographies.
"Definitions of technical terms ":

Chicago,

p.233-239.

Main entry
card

Chicago,

p.233-239.

Title added
entry card

0
025.3

CATALOGING
Akers, Susan Grey, 1889 Simple library cataloging. 4th ed.
American Library Association, 1954.
250p. illus. 25cm.
Includes bibli')graphies.
"Definitions of technical terms":

Chicago,

p.233-239.

Subject added
entry card

0
CATALC1IN0
Title.

Tracing on back'
of main entry

025.3

Akers, Susan Grey, 1889 Simple library cataloging. 4th ed.
American Library-Association, 1954.
250p. illus. 25cm.

Includes bibliographies.
"Definitions of technical termes

Chicago,

P.233-239.

Front of shelflist card

0
6/12/58 McClurg

1.30

Back of shelflist card shows
date purchased,
dealer and
price

6
INDENTIONS

Start the catalog card on the fourth line from the top.
1
2
3

12345678First indention is 8 spaces from the left edge
of card.
Second indention is 11 spaces.
Third indention is 13 spaces.

::pacing for
indentions
and entry
placement

R
Class

Author's surname, Forename, Birth date and
death date.
Title as on title page; explanatory subtitle.
Edition.
Place, Publisher, Date.
Collation. .(Series note

Note

Indentions on
a sample card

Oiler notes.
Contents note.-

750.3

A Dictionary of modern painting. Published
under the direction of Fernand Hazen.
General editors: Carlton Lake and Robert
}laniard.
New York, Tudor Pub. Co. £1956?,
328p. illus. 22cm.

Hanging
indention

SPACING

General rules*
3 typewriter spaces used:

before the imprint
between collation and the series not.
2 typewriter spaces used:

after periods closing statements
after colons

after exclamation points closing statements
after question marks closing interrogations
between paging', illustration, and size statements in the collation

between componJnts of a corporate entry
between components of an anonymous classic entry
1 typewriter space used:

after commas
after semi-colons
after dashes (not hyphens)
after abbreviations

before and after parentheses
before and after brickets
Leave one line between the collation, or series note, if any, and the first
note. Additional notes follow immediately below.

*Exceptions will be explained as they occur.

PUNCTUATION AND CAPITAIIZATION

In general, standard rules of Englith
punctuation and capitalization
are follwed. Exception is made In the title
first word, proper nouns and proper adjebtives transoaption where only the
are capitalized. in transcribing works in other languages the practice
of
tha language being copied
is Observed.

ABBREVIATIONS

For convenience end brevity, it is frequently
advisable to use abbreviations on catalog cards. A list of acceptable
abbreviations
is found on
rages 150-159 in this voltme.

MAE NUMULS
Arabic figures are 3ed in preference to
Roman numcrals, except in tit2e
tranInriptionns and in the collating. Aln a book
hat3 hotti "man nnd Arabic
paps.

PARTS CF A CATALOG CARD

The information given on a catalog card interprets the material it

represents to the user. The call number in the upper left corner of the card
enables the -user to locate the material of his_ choice. The officially acceptable-entry for the work appears on the top line of the audit-entry card. Below
:appears the title of the work as_ it if- given on the work itself, including
the author -,statement if it-differs_from the -nave as it appears in the-entry for
Next there nay =he=r103,11,14-11.*P100447--.-10,44
the work
06---tAtle- Page

this

This, in turn will belt:1340d- by the aditi*stiteriit-,: if one is

The last ite iritorpinnited- in the. =,body of the:, Card' is :the :11014i caiço.èd
of
.
the'plAce of pnblieatiOn, the pablithee ii the---date
BeloV this the user finds the description of the materiel in terms of the
of illustratiOns, and size. This description is called the

length, type
collation.

In addition to these required elements, notes may appropriately be added
describe the work more fully, or to list special features included in the
work.

SELECTION OF MAIN ENTRr
An entry on a catalog card is the word or phrase at the head of the card
under which tne card is filed. There maybe author entries, title entries,
subject entries, series entries, illustrator entries, editor entries, and so
on. The main entry foi any item is the name indicating primary responsibility
for the content of the olrk, and the catalog card headed with this entry is
called the main entry card. All other entries for a given item are known as
added entries end they head added entry cards.
The selection of the main entry, for any library material is the first
work of the cataloger. The basis for the Cataloging of any book is its title
psge. Most frequently the nein entry will be the -name of a person and would
be spoken of as a PERSONAL AUTHOR. Because of the volume of materials being
processed and the difficulty of locating information about the authors, it
has become increasingly conmon to use the author's name as it appears on the
title page as the entry form. The cataloger will, however, attenpt to determine
the accepted form of the author's name, if it has already been established.
On the occasions when authorship cannot be ascribed to a single individual,
it is the responsibility of the cataloger to determine the form of the main
entry, using the rules set forth in the Anglo-AmeriCan-Cataloging Roles.
Works resulting from the collaboration of tiro or three individuals are
usually enterei under the first person named on the title page.

Works adapted from earlier works either by alteration of vocabulary or
abridgment of text may be entered finder the original author or the adapter,
depending on the extent of original work done by the adapter.
If there is a
change of literary form the entry is under the person or persons responsible
for the new work.
Works of a variety of authors assembled and issued under editorial
supervision are commonly entered under the name of the editor, or editors,
if there are three or fewer.
If the work is the publication of a group of individuals acting as a
unit, the entry becomes the name of the group, and is known as a CORPORATE
AUTHOR.

21.

In some instances, such as the Bible and anonymous classics, the authorship
of the material has been obscured by time and circumstances. For these a
It
standardized form of the title has been generally accepted as the entry.
is called a UNIFORM TITLE.

A/work having so many contributors that responsibility cannot be assigned
to anlindividual:'is entered under TITLE if no editor is named on the title page.
Works' having many contributors, and having an editor named on the title page
It' the
may ,also be entered under title, if the publisher is named in the title.
title of the work is to be the entry, the main entry card is prepared using
hanging indention form.

PERSONAL ENTRIES

The entry for a person usually consists of his full name followed by
his 'Art", end death dates, if available.' If the author's full name is not
given on the title page of the book, the cataloger establishes the accepted
form by searching in bibliographical or biographical sources such as the
NsAonal Union .(221112g, Who's Who, or a stsnlard encyclopedia. A personal name
used for ar-7.7Tdedtry ITTOi1710 in the same way as if it were being used for
* main er.!Ty. To maintain consistency in the card catalog, all entries should
be checked nainst those alreat filed to assure accuracy and the same degree
of fullness.

MAIN ENTR/6S-PERSONAL AUTHORS

The author's name, surname first, is placed at the head of the main
entry card, beginning at first/indention. If the entry extends beyond the
first line, it continues on the net line beginning atthird.indention.
Follow the surname and the forename with commas before, adding the author's
birth and death dates. Close a completed author entry with a period. For
authoritative treatment of rules for' determining the form of a person's name

see Agas-AmeimulICAle5 p. 73-105.

1. Completed
author entry
with birth and
death date
For living authors the birth date is followed by a hyphen.
Lewis, Sinclair, 1885-1951.

Schlein, Miriam, 1926-

2. Living author
with birth date
only

Use the designation -'!d." if only the death date is available and close
the heading with a period.

Chaucer, Geoffrey, d. 1400.

3. Author with only
a death date
known

Close the author's name with a period if no dates are to be included.

Benet, Laura.

4. Personal author
with no dates
available

If the author's name extends beyond one line start the. second line at
third indention.

Dunsany, Edward John Moreton Drax
Plunkett, 18th baron, 1878-1957.

5. Long name
continuing
to second line
at third
indention

It is sometimes not possible to be certain about a date. Use a question
mark after the uncertain date to show its doubtfulness. Do this only if you
find the date so expressed in a standard bibliographic tool.

Defoe, Daniel, 1661?-1731.

6. thcartain
birth date

Incomplete entries provide space for completion later. If ohly an initial
is given for a forename, leave eight spaces after the initial, omit the period
and comma precEsding birth date.

7. Name with
-initial

Travers, Pamela L

1906-

representing
second
forename

If only initials are available leave eight spaces between them.

Liverhant, S

8. Name with
initials only

If the initial stands alone and does not represent a name, follow it with
a period and comma before the date.

Truman, Harry S., Pres. U.S., 1884-

9. Name with initial
when no second
name exists

1);

MARRIED

tiatex

Generally the entry for a married woman is under her latest name, that is,
her husband's surname, her cwn forename, ar names, and her maiden name.
In the
past the maiden name was inciceed in parentheses. Many of these entries will be
found in library catalogs., The designation Mrs. is'not used.
Cross references
should be made from any other forms of name Erwhich the author is known. Women
authors, who after marriage write under their maiden names, may continue to be
entered under their maiden names.

Wilder, Laura (Ingalls) 186?-1957.

10. Married woman's
name with birth
and death date
(old form)

Wilder, Laura Ingalls, 1867-1957.

11. Married woman's
name with birth
and death date
(current practice)

Thane, Elswyth, 1900-

12. Married woman
entered under
maiden name

Beebe, Elewyth. Thane

see

Thane, Elswyth, 1900-

13. Reference from
married name to
accepted entry
for a woman using
her own name for
authorship
purpoises

NOBILITY_

A member of the nobility is usually entered under his title unless he is
better known by his family name.

Lafayette, Marie Joseph Paul Yves Roch Gilbert
du Maier, marquis dai 1757-1834.

Armstrong-Jones, Antony, 1930-

14. Member of nobility
entered under his
title

15. Member of nobility
entered under
family name

" Snowden, Antony Charles Robert ArmstrongJones, 1st earl of,
see

16. Cross reference
from his title

Armstrong-Jones, Antony, 1930-

---.1Barrie, Sir James Matthew, bart., 1860-1937.

17. BarOnet

Beaconsfield, Benjamin Disraeli, 1st earl of,
1804-1881.

18. Earl entered under
title

Disraeli, Benjamin
see

Beaconsfield, Benjamin Disraeli, let earl of-,
1804-1881.

19. Cross reference
from family name
to title

COMPOUND NAMES;

Family names made up of more than one eleMent are known as compound names.
Compound surnames are ordinarily entered under the first part_of the name.
Cross references are made as necessary from the other parts of the name to the
accepted form.

Compton-Burnett, Ivy, 1892-

20. Hrphenated
'compound name

Burnett, Ivy Compton see

21. Cross reference
from 'last part

Compton-Burnett, Ivy, 1892-

Sarasate y Navascues, Pablo Martin
Meliton de, 1844-1908.

of compound name

22. Compound name
of Spanish origin

Navascues, Pablo Martin Meliton de Sarasate y
see

Sarasate y Navaticues, Pablo Martin Meliton de,
1844-1908.

23. Cross reference
from last part
of compound name

Lloyd George, David Lloyd George, 1st earl,
1863-1945.

214. Compound title

without hyphen

George; David Lloyd
see

Lloyd George, David Lloyd George, let earl,
1863-19145.

25. Cross
reference from
last element of
compound familY
.

name. Also shows
entry under, title

instead of feiily
name

NAMES WITH PREFIXES
In many parts of the world the surname may be preceded by a prefix. In
general, in non-English speaking countries entry is under the surnameitself.
In English speaking countries the prefix is considered as integral part of the
surname. Thus, Anglicized surnames beginning with d', de, von, or van are
au wan other parts
entered under the prefix, with cross references be
of the name to the form accepted as the entry.

De La Mare, Walter John, 1873-1956.

26. Anglicized
surname with
prefix

Mare, Walter John de la
see

De La Mare, Walter John, 1873-1956.

27. Cross reference
establishing
accepted form of
Anglicized surname
with prefix

Von Braun, Wernher, 1912-

28. Anglicized surname
with prefix

Braun, Wernher von
see

29. Cross'reference
to Anglicized
form

Von Braun, Wernher, 2912-

Enter_
the body of
prefix from
or the name

non-Anglicized surnames which contain the prefix d', de, or von under
the name, and place the prefix after the forenames. "'separate
date of birth by a comma. Make cross references from other forms
to the form used as the accepted entry.

Cervantes Saavedra, Miguel de, 1547-1616.

30. Non-Anglicized
compound name,
prefix de

De Cervantes Saavedra, Miguel
see

Cervantes Saavedra, Miguel de, 1547-1616.

31. Cross reference

Saavedra, Miguel de Cervantes
see

32. Cross reference

Cervantes Saavedra, Miguel de, 1547-1616.

33. Non - Anglicised

name having
prefix do

Aulaire, Ingri Mortenson d!, 1904-

DoAulaire, Ingri Mortenson
34. Cross reference

See

Aulaire, Ingri Mortenson d', 1904-

Beethoven, Ludwig van, 1770-3827.

.09

35. Non-Anglicized
name With
prefix van

Van Beethoven, Ludwig
see

Beethoven, Ludwig van, 1770-1827.

36. Cross reference

ORMITAL NAMES

Although it is common for the surnames of Oriental authors to precede
the forenames in print and in speech, separate them in the entry position
by a comm. Make a cross reference from the name appearing last to the
official form of entry. It the author has become a citizen of an Englishspeaking country his name then appears in the usual order with the surname
preceding the given names and separatedby a coma.

37. Chinese name, with
surname preceding
given name

Lin, Yutang, 1895-

Yutang, Lin
38. Cross reference

see

Lin, Yutang, 1895-

PSEUDONYMS

Authors sometimes write under assumed names known as pseudonyms. When
the real name is known, it is usually used for the entry on the catalog card,
even though the pseudonymous name is used on the title page of the book. If
the real name cannot be found, use the pseudonym as the entry.
Occasionally an author's identity is not known until a great amount of
material has been published under a pseudonym. In such a case, the assumed
name may continue to be used as the accepted entry.

Twain, Mark
306

39 Cross reference
from pseudonym
to real name

Clemens, Samuel Langhorne, le:5-1910.

West, Rebecca.

JO). Pseudonym used
as main entry

Fairfield, Cicely Isabel
see

41. Cross reference
from real name
to pseudonym

West, Rebecca.'

Works of two or more individuals writing together under a single pseudonym
are entered under the pseudonym. References must then be made from each author
tr) the pseudonfm they have adopted.

Coe, Douglas.

1i2. Pseudonym of two
authors working
together used as

main entry

Epstein, Beryl Williams, 1910
For works written in collaboration with
Samuel Epstein under the none Douglas Coe

43. Cross reference
from real name

to paeudoW
used by two
authors
Co., Douglas.

Epstein, Samuel, 1909-

For works written in collaboration with
Beryl Williams Epstein under the name
Douglas Coe
sea
Coe, Douglas.

44. Cross reference
from real name
to pseudonym
used by two
authors

TITLES OF HONOR

Titles of honor, such as the indication a person is a head of state, or
has been given a title of rank, are sometimes used as a part of the author's
entry. Such titles are inserted after the author's given name, and are
fonowed by a comma and the author's dates.

Eisenhower, Dwight David, Pres. U.S., 1890-1969.

Byron, George Gordon Noel Byron, 6th baron,

1&S.

President of
the U.S.
-

1i6. Baron

ir3-1924.

Elizabeth II, Queen of Great r4-ttain, 1926-

Queen

MAIN ENTRIES

WRNS ISSUED UNDER EDITORIAL DIRECTICW

Collections of writings by various authors may be assembled and issued
as a single work by an editor or compiler. Since this person is chiefly
responsible for the finished work, his name is used as the main entry on the
catalog card. The editor in this primary relationship to the book should
not be confused with the function of editor who criticizes or explains the
work of a single author. In the latter case the editor's relationship to
the book is of secondary importance, and his name becomes an added entry,
while the name of the original author is retained as the main entry.
When the name of the ,editor is to be used as the main- entry, the form
of name to be-used is established in the same way as if he were the author.
Follow the editor's name and dates, if they are known, with a comma before
adding the abbreviated designation ed. or cm.,as the case may be.

Bennett, Josephine Waters, ed.
Studies in the English Renaissance drama.

48. Editor as main
entry. No dates
known

Schweikert, Harry Christian, 1877-1937, ed.
Early English plays.

49. Editor as main
entry with dates
available

If the birth date is known and the compiler or editor is living, follow
the birth date with a hyphen, six spaces and the appropriate abbreviation.

Fenner, Phyllis Reid, 1899comp.
Brother against brother; stories of the War
Between the States.

50. Compiler as main
entry with birth
date

MAIN ENTRIES
CORPORATE AUTHORS

A group of individuals acting together as a unit is known as a corporate
body. The publications of such a body are entered under the name of the
In addition
organization. Entries of this type are called corporate authors.
cultural
to societies, religious groups, foundations, privately operated
establishments and business corporations, this type of entry also applies
to all levels of governments and thus by extension to institutions of various
sorts which are government-affiliated. The form of the entry is most often
based on the actual name of the organization as determined it its charter,
Cross references should be made
constitution, or legislative authorization.
whenever necessary to aid the catalog user in finding the.official entry.
Some typical entries are:

American Society for Microbiology. Sub-Committee on Numerical Taxonow.
Methodist Church (United States) Dept. of Research and Survey.
Rockefeller Foundation.
Northwestern University, Evanston, Ill.
Conference on Chemical and Biological Warfare, London, 1968.
Conference on American Culture, 2d, Purdue University, 1967.
Washington County, Md.
Washington, D.C.
Washington (State) Dept. of Education.
Waecinecn (State) State University, Pullman.
For comylete treatment of headings for corporate bodies see Anglo-American
Cataloging Rules, p. 106-144.

National Council of Teachers of English.
Perspectives on English.

51. Society as
main entry

Columbia University.
Introduction to contemporary civilization in
the West.

52. Private
institution as
main entry

New Jersey. State Dept. of Education.
Music for the classroom teacher.

New Jersey.

Dept. of Education

see

New Jersey.

54. Cross reference
to official form
of entry

State Dept. of Education.

U.S. Bureau of Labor Statistics.
Economic forces in the United States.

Bureau of Labor Statistics
see

U.S.

53. Agency of state
government as
main entry

55. Agency of
Federal government
as main entry

56. Cross reference
to official form
of entry

Bureau of Labor Statistics.

}
American Library Association. Editorial Committee.
Subject and title index to short stories for
children.

51. Name of committee
of an organization
as main entry

MIN ENTRIES
TITLE AS ENTRY

The title of a work may be used as its entry when too many individuals are
responsible for its content to warrant ascribing authorship to an individual,
and when no editor is named on the title page. If the publisher's name appears
in the title, enter under title. Encyclopedias and many dictionaries may be
examples of this type of publication. Repeated changes of editors and compilers
in different editions of works normally enured under editor or compiler make
it advisable to enter such publications under title. Occasionally a work is
issued with no indication of the author's identity; it most be entered under
its title.
Serial publications, which include periodicals, directories, biographical
dictionaries, and almanacs, are also entered under title unless the title
includes the name of the corporate body responsible for the publication. Serials
having titl's that require the name of the sponsoring body for identification
are entered under their corporate author.
If the title is selected as the main entry a special card form is used.
It is known as hanging indention. The title °tarts at first indention and
continues on subsequent lines at se -'14 indention to the close of the body of
the card. The collation and remainder of the card receive the usual treatment.
No title added entry is made since the work is entered under its title.
An explanation of circumstances warranting entry under title may be found

in Ask-American Catalo am Rules, p. 1718.

R
031

Caepton's pictured encyclopedia and fact-index.
1964 ed.
Chicago, F.E. Campton 21964,
15v. illus. (part col.), ports., maps (part
col.) 27cm.

58. Title as
entry for
encyclopedia

The Reader's companion to world literature.
Editor: Lillian Herlands Hornstein; co-editor:
G.D. Percy rand othora3 General editor:
Calvin S. Brown.
New York, Dryden Press c1956
493p. 22cm.

59. Title as entry
for a work for
which editor
is not clearly
responsible

R
803

423

Webster's seventh new collegiate dictionary.
A Merriam-Webster. Based on Webster's third
new international dictionary.
Springfield,
Mast., G. & C. Merriam Co. c19653
22a, 1223p. illus. 26cm.

811.08 The Oxford book of American verse; chosen and with
an introd. by F.O. Mitthiessen.
New York,

Word University Press, 1950.
lvi, 1132p.

19cm.

60. Title as main
entry for a work
having no editor
mentioned on
title page

61. Title as entry

for a work with
publisher's name
in the title

62. Serial entered
under title

Canadian historical readings. No.1 1967Toronto, University of Toronto Press.

1
Canadian Historical Association.
1953Booklets. 1Ottawa.

63. Serial requiring
name of sponsoring
body for
identification

SERIAI TITLES AS MAIN ENTRIES

A book made up of a collection of articles from a single periodical is
entered under the name of the periodical, if the individual parts are by
various writers, or have been produced by the periodical's editors working

conectively.
O

641.5

6I..

Sev.trteer..

65. Name of
periodical
as main entry

Stories from Seventeen, se).ected by Bryna
Ivens.
Philadelphia, Tippincott 039553
21hp. 21,:o.

593.3

Name of
periodical
as main entry

Better homes and gardens.
New York, Meredith Press 09653
Nmbecne book.
157p. illus. (part col.). 29cm.

Life (Chicago)
The wonders of life on earth, by the editors
of Life and Lincoln Barrett. LRev. ed.3
New
York, Time-Life Books L19683
illnr. (part col.) 36cm.
238p.

66. Name of

periodical
as main entry

MAKING THE CATALOG CARD
THE BODY OF THE CARD

After the main entry for a work has been determined, the cataloger proceeds
with setting down the body of the card. The title page serves as the basis in
supplying the information. Essential items to be transcribed are the full title,
and the imprint. Other items may be included depending on the nature of the
book and the text of the title page. These may include (1) the author's name,
if the title page form differs from the form selected for the main entry (2) the
names of joint authors (3) the names of editors, compilers, or illustrators and
(4) the edition statement. Additional, but irrelevant, information on the title
page is emitted. In general, the punctuation of the title page is used unless
the cataloger decides different or additional punctuation will increase clarity
of meaning. The wording and spelling of the title page are followed exactly.
Initial articles are not omitted. If an error of omission occurs on the title
page, correction may be made by supplying a missing letter or letters within
brackets if only,a single set of brackets is needed. To correct inaccuracies
the title rage form nay be copied and followed by "sic" or "i.e." in brackets
with the corrected form. If the first vord of the title is the possessive
form of tYe author's name as it appears in the entry, it is omitted.
Books written in foreign languages receive the same treatment as works in
English, with the title page being transcribed in the language in which it is
written and following the form of that language. For example, in German all
nouns are capitalized. No translation is made on the card. If the title page
is in more than one language, including English, the title is transcribed in
the language appearing first, followed by the title in English. The inclusion
of the title transcription in other languages will depend on the judgment of the
cataloger.
Non-serial works appearing in several volumes are ordinarily cataloged using
the title page of the first volume as the source of information for the catalog
card.

Works having more than one title page are cataloged from the most appropriate
page. Suitability for cataloging purposes ii determined by such considerations as
(1) amount of necessary information offered (2) location of the title page, the
one in the traditional position being preferred (3) recency of date on the title
, page, etc.

Information not appearing on the title page, but needed to complete the
body of the card, maybe obtained from elsewhere in the volume. It then is
enclosed in brackets.

Reference should be made to Auhlo-American GatalogingRules, p. 191.211,
for the full treatment of descriPti*4-46nriractices.
The examples that follow show the transcription of typical title pages as
they would appear is the bot7 of the card.

920.073 Beers, Henry Augustin, 1847-1926.
Four Americans: Roosevelt, Hawthorne, Emerson,
Whitman.

67. Series of
appositive
modifiers

833

Hesse, Herman: 1877-1962.
Self& ist die Jugend.

68. Title in
German

143

Verne, Julas, 1128-1905.
L tour du monde on quatre-vinsts fours.

69. Title In
French

863

Alegria, Ciro, 1909E1 mundo es ancho y ajeno.

70. Title in
Spanish

821

Milton, John, 1608-1674.
Complete poems. With introd. and notes.
New York, Collier c1961, 01937 3

71. Title transcription
omitting possessive
form of author's
name

978

White, William Allen, 1868-1944.
The changing West; an economic theory abbut our
golden age.

72. Explanatory
subtitle set oft
by semicolon

Masefield, John, 1878-1967.
Bird of dawning; or, The fortune of the sea.

73. Alternative title
set off by semi-

colon, coma after
or and first word
capitalized

10?
33

B(VT OF THE CARD
DESCRIPTIVE CCHHENTS

Additional descriptive comments that indicate by whom a book is edited,
compiled, translated, or illustrated follow immediately after the title or
explanatory subtitle if the author's name is not required to appear in the body
of the card. For complicated expressions, close the title with a period and
start a new statement copying the descriptive comments. Some of these descriptive
comments may be abbreviated even though they are written out in the book. A
variety of terms may be used to show that there are illustrations, as: pictures
tyj drawl s lb lithography tip or drawn j. These are copied in the form nn
iihich they appear.

Likewise, transiMM maybe indicated by various wordings,

such as, rendered tzar done into English. Copy such information in the words
of the title page, changing it only to make use of standard abbreviated forms,
such as illus. for illustrated, ed. for edited, introd. for introduction, and
so on.

Kimbrough, Emily, 1899 -

714. Drawings

Water, water everywhere; drawings by Marcos
Vasiliu.

385

Hamilton, Russell.
The first book of trains; pictures by Jeanne
Bendick.

75. Pictures

822

ShakespearevWilliam, 15661616.
Shakespeare's tragedy of Hamlet, Prince of
Denmark; ed. with notes, an introd. and outline

76. Editor, with
secondary
relationship
to the book

questions by L.A. Sherman.

314

891.51

Buckley, Helen Elizabeth.
The little boy and the birthdays, by Helen E.
Buckley. Illus. by Paul Galdone.

77. Descriptive statement follows the
author statement
name when it must
be in the body of
card

Omar, Khayyam.
Rlibatyat; rendered into English verse by Edward
Fitzgerald.

78. Translator

Turgenev, Ivan Sergesvich, 1818-1883.
Fathers and children; tr. from the Russian by
Constance Garnett.

79 Translation

BCOY OF THE CARD
ADAPTATIONS

Materials appearing in form or text different from their original
publication may indicate this relationship on the title page. Typical
situations are abridgement of the text, use of a vocabulary more familiar
to the reader, or a complete change in form, such as the dramatisation of
a work. The choice of main entry for such a work depends on the amount
of original work done by the person making the adaptation. Such a statement
should be transcribed in the body of the card, using the language of the
title page.

Melville, Herman, 1819-1891.

80. Simplified
classic

1/...oby Dick; adapted for young readers by Felix

Sutton; illus. by H.B. Vestal.

821

Chaucer, Geoffrey, d. 1400,
The Canterbury tales; translated into modern
English by Nevill Coghill.

81. Classic rendered
into more familiar
vocabulary

398.22

GGldston, Robert C
The Song of Roland, retold by Robert and
Marguerite Go1dston.

82. Main entry of
a retold classic
--I

Enter a dramatisation based on a poem, legend, novel, or any other literary
form undtir the name of the playwright.

822

Jerome, Helen Bruton, 1883 Jane Eyre; a drama of passion in three sets;

83. Dramatisation
of a novel

dramatized from Charlotte Bronte's mvel.

Lamb, Charles, 1775-1834.
Tales from Shakespeare, by (lharles and Mary

Lob.

84. Prose narrative
adapted from
drank

-.........4040.00(14Tr

BODY OF THE CARD
JOINT AUTHORS

When two or more persons are responsible for a work, the one whose name
appears first on the title page is used as the main entry and all others are
called joint authors. If there are only two authors their names are set
down as they appear on the title page immediately following the title or subtitle. Credit is usually given to all authors if there are three or fewer.
If there are more, use only the first one listed and substitute 'and others3
in brackets for the additional ones listed. Joint editor and joint compilers
,;.-_art authors.
are transcribed in the same manner
The body-_of the card fellows the wording of the title page in expressing
joint authorship. NaMes are transcribed exactly as they appear whether the
given name is in ft11 cr only Initials are used. Should the words It or and
be omitted on the title page, they are added and enclosed in brackets to -sriw
that, they have been added by the catalozer.

913.47

Quennell; Majcrie Covrtney.
Everyday life In Anglo-Saxon, Viking and Norman
times; written and Illus. by Marjorie and C.H.B
Quennell.

85. Joint authors

612

Biddle, Dorothy, 1887 Table setting for everyone Elva Dorothy Biddle
and Dorothea Blom.

86. Joint authors
Lbya in
brackets

530

Carlton, Robert Howard, 1909 Physics for the new age thy Robert H. Carleton,
Harry H. Williams cards Mahlon H. Buell, in consultation with w.e. Teeters.

87. Three joint
authors

500

Brandwein, Paul Franz, 1912 Exploring the sciences (by 3Paul F. Brandwein
Editorial collaborators: Jerome J.
and others
Notkin, Paul E. Blackwood cand 3Herbert Drapkin.
New York, Harcourt, Brace & World (196143
672p. illus. 25cm.
(Harcourt, Brace & World
science program)

88. Main entry for
work having more
than three joint
authors

Includes bibliographies .

Cavanah, Frances, 1899comp.
Treasury of dog stories, collected by Frances
Cavanah and Ruth Croner Weir.

89. Joint
compilers

Canby, Henry Seidel, 1878-1961, ed.
Book of the short $tory, edited by Henry Seidel
Canby and Robeson Bailey .

90. Joint
editors

BODY OF THE CARD
PSEUDONYMS

If the author's name on the title page is a pseudonym, and the real name
is used as the entry on the catalog card, the pseudonymous name is transcribed
in the body of the card. A "see" reference should be made from the pseudonym
to the real name used as the entry.

Masters, Kelley Ray, 1897 Bristle face c by 3 Zachary Ball.
Holiday House c 1962 3
206p. illus. 22cm.

Ball, Zachary

see
Masters, Kelley Ray, 1897-

New York,

91. Pseudonym transcribed
in the body of
the card

92. See reference
from the
pseudonym

BODY OF T}

CARD

EDITIONS

When authors change, enlarge, or revise books but retait the original
title, the edition is usually indicated on the title page. Each revision or
edition is cataloged as a separate book. The position of the edition statement
on the title page may vary, but on the catalog card it is always placed
It is a new statement and forms a unit.
immediately preceding the imprint.
Some
examples
of abbreviations approved for use on
The wording may vary.
New
ed.;
Completely
rev.; Rev. and eni.; 2d ed.; 3d ed.;
catalog cards are:
5th ed.; etc. If the edition statement is secured from elsewhere than the
title page it is enclosed in brackets.

651.5

613

Weeks, Bertha M.
How to file and index.
Ronald Press E19513

93. Rev. ed.

Rev. ed.

Diehl, Harold Sheely, 1393Heelthfv1 living. 2d ed.
Hill, 1950.

New York,

94. Numbered el.
New York, McGraw-

780.973 Howard, John Tasker, 1890 Our American music, three hundred years of it.
3d ed., rev. and reset.
New York, T.Y. Crowell
E19463

385

Lee, Norman E
Travel and transport through the ages.
E2d ed. rev.3
Cambridge cEng.3 University Press,
1956.

95. Numbered ed.,
rev.

96. Edition statement
from source other
than title page

(40

BCD1.7 OF THE CARD

IMPRINT - PLACE AND PUBLISHER

The term imprint as used by catalogers includes the place of publication,
the name of the publisher and the date of publication. The imprint begins a
new statement and is preceded by three spaces. If more than one place of
publication appears, record in the imprint the first place mentioned, unless
another is indicated by typography as the actual place of issue. The place
is followed by the name of the publisher. All important words in the name of
a publisher are capitalized.
If the name of more than one domestic publisher is given on the title page,
use only the first one and the corresponding place. If both a foreign and
Otherdomestic publisher are given, use only the American one if it appears first.
wise, use both the foreign and the domestic imprints, separated by a semicolon.
If the name of a pullishinz firm and a division of the firm are both given, omit
the firm's name if the divIt,ion is well known. For example, if Whittlesey House
of the McGraw-Hill Pullishing Co. appears on the title page, use only Whittlesey
House.

The name of the publisher is shortened and abbreviated as much as possible
without confusing its identification. Omit such phrases as, published lob
Omit the initial article The, tEi words
Published for, And the word publisher.

and sons, ana colvany, incoriTiiaTand limited, including the atSeviations
for TEKTe. Represent the given names of FrillTers by initials mly. If the
name is given in the possessive form, it is transcribed without the ending, 's.
No indication is made if a publisher is lacking.
If the publisher statement on material issued by a corporate author should
be identical with the form used for the main entry, omit the publisher from the
imprint.
For complete instructions concerning imprint transcription on catalog cards
reference should be made to Anglo-Ames rictan Cataloging Rules, p. 200-205.

Cayenne, Betty, 1909Angel an skis; illus. by Isabel Dawson.
New York, W. Morrow, 1957.

652

Lloyd, Alan C
Gregg typewriting for colleges Eby3 Alan C.
Lloyd, Jan L. Rowe tand3 Flied E. winger.
Complete oourse.
New York, Gregg Pub. Division,

97 Initials used to
represent publisher's
given name

98. Use of
division name

1957.

027.8

Wisconsin Cooperative Educational Planning Program.
Handbook of suggestions for school library
activities.
Madison, Wis.3 1955.

99. Publisher identical
in torn with main
entry is omitted
from imprint

Chrimes, Stanley Bertram, 1907Lancastrians, Yorkist. and Henry VII, by
S.B. Chrimes.
London, Macmillan; New York,
St. Martin's Press, 1964.

100. Imprint using
both foreign
and domestic
publishers

1
942.04

BODY OF THE CARD

EVRINT - DATE

Standard practice dictates that the imprint date on the title page of
a work i3 always used on the catalog card. This date indicates the year the
work was issued, whereas the copyright date (usually found on the verso of
the title page) shows the date the copyright for the material was granted
by the Library of Congress. Since works having the same copyright date may
have been printed at different times) the printing date is not a reliable
source for determining the age of the material. If printing date and copyright date are identical, use only the printing date. If no copyright date
is available and there are several printing dates, use the latest printing
date. Enclose in brackets any date not found on the title page.
Thus the
imprint will probably consist of the printing date and the copyright date,
for example: 196h V9573
If more than one copyright date is offered, select only the latest for
use on the catalog card. The fact of copyright is shown by placing the letter
c preceding the date. If the copyright date is not given on the title page,
enc',.,,=e I.t in brackets, using the form F95P:i
Scylle ways uncertainty concerning printing date :nay be expressed are as
follows!

:914% probable date
095-2
decade certain
095-?3 decade uncertain
If nc date is given, the letters 0.d., meaning no date are enclosed in brackets.
The 1Nprint date of a set e.books in its simplest form is represented by
giving the date span from the earliest to the latest issued.
Some libraries, in an effort at simplification, adopt a policy of using
the copyright date whenever it is available and using the printing date only
if it is the same as the copyright date, or, if no copyright date appears on
the work. For libraries with many duplicate copies this is sound practice.
For complete explanation of imprint date on catalog cards see An*lo-American
Cataloging Rules, p. 203-205.

143

B
Coch

Rittenhouse, Mignon.
The amazing Nellie Bly.
1956.

New York, Dutton,

371.335 Dale, Edgar, 1900Audio- visual methods in teaching.
New York, Drydenil958 1195/0

759.4

973

Rev. ed.

101. Imprint and
copyright date
the same

102. Imprint and
copyright dates
different

Hughes, Thomas, 18R2-1896.
Tom Brown's school days; illus. by Percy
Tarrant.
Philadelphia, Macrae, Smith cn.d.3

103. No date given

Duty, Raoul, 1877-1953.
Dufy.
cText by Sam Hunter.
H.N. Abrams, 195141

1%. Imprint not on
New York,

Adams, James Truslow, 1878-19119, ed.
The march of democracy.
New York, Scribner,
1932-33.
2v. illus., maps, ports. 24em.

title page of
the book and no
copyright date
available

105. Dates of set
of two or more
volumes

COLIATION

Since the user of any library material may be concerned with the length
In
of the publication, such information is included on the catalog card.
many cases the inclusion of illustrations may be of importance. The height
of the book may affect its location in specially adapted shelving. The term
collation is used to mean the physical description of a work in terms of
length, illustrations, and size. The collation will consist of informai;ion
concerning number of pages, or volumes,. in a work, the illustration statement
and the height of the book in centimeters.
The paging is indicated by recording the number on the last numbered
If the work contains more than Pe numbered section, the last numbered
page of each important section will be ecorded as the collation. If there are
many separately paged sections record lv.(various pagings). If the pages are
unnumbered, count the pages, beginning with the first page having to do with
the text and continuing to the end of the text. If the work contains fewer than
100 pages, record this number enclosed in brackets as the paging of the book.
For longer unpaged works record lv.(unpaged) as the collation. For works
containing more than one Ylune, use the number of volumes as the collation.
If the work is continuously paged, the total number of pages, inclosed in
parentheses, follows the volume statement.
page.

The illustration statement nay use the abbreviation illus. to include
all types of illustrations. When certain types of illusta7gis seem particularly important they may be mentioned in alphabetical order after the term
illus., using the following terms:
charts, facsimiles, forms, genealogical
TNUTE, maps, music, plates, portraits. Illustrations qualifying as plates
might be so described if {hey were of assorted types. To be counted as plates
an illustration must
two of the following three requirements:
(1) not be included in the paging of the volume
(2) be printed on only one side of the paper
(3) be on a different kind of paper from that used for printing the text

part

The qualifying abbreviations col. and
col. may be used to indicate the
presence of colored inustratirririaterlia7
typewriter spaces are used to
separate the illustration statement from the paging statement, and the size
from the illustration statement.

Full treatment of the collation may be found in Arglo-American Cataloging
Rules, p. 205-211.

B
Marsh

Marshall, Catherine Wood, 1911; To live again.
New York, McGraw-Hill Book Co.

0957 1
335p.

illus.

106. One volume
paged
continuously

22cm.

822

Gaisworthy, John, 1867-1933.
Plays; fifth series: A family man; Loyalties;
Windows.
New York, Scribner P19233
108, 110, 91p. illus. 19cm.

107. More than one
numbered section
within one
volume

812

Anderson, Maxwell, 1.888 -

108. Work having
many separately
numbered sections

Eleven verse plays, 1929-1939.
Harcourt, Brace t19393
lv.(various pagings) 22cm.

New York

Leaf, Munro, 1905 -

Wee Gillis; illus. by Robert Lawson.
Viking Press, 1938.
L691p.
illus. 26am.

820.9

New York,

Ward, Alfred Charles, 189) Illustrated history of English literature.

London, New York, Longmans, Green a953-553
3v.

illus.

23cm.

109. Unnumbered
paging

110. More than
one volume

973

Beard, Charles Austin, 1874-1948.
The rise of American civilization, by'Cbarles A.
Beard and Mary R. Beard; decorations by Wilfred
New York,
Jones. New ed., rev. and enl.
Macmillan, 1933.
2v. in 1(903p.) illus. 22cm.

111. Different nuriber
of bibliographical
from physical
volumes

782

Kobbel Gustav, 1857-1918.
Complete opera book; ed. and rev. by the Earl of
New York, Putnam, 1954.
Harewood.
1262p. illus., music. 22cm.

112. Illustrations
and music

978

Riegel, Robert Edgar) 1897 America moves west Ory3 Robert E. Riegel Land3
Robert G. Athearn. 4th ed.
New York, Holt,
Rinehart and Winston F19643
651p.
illus., maps. 24cm.

113. Illustrations
and maps

Gipson, 14,-,rrell, 192n-

214. Colored illustrations and
width of book
exceeds height

Hello Peter; pictures by Clement Hurd.
Garden
City, N.Y., Doubleday P7948;
E313p.
col. illus. 20m22m.
(Junior books)

Garrett, Helen, 1895 -

Mr. Flip Flop; illus. by Gary MacKenzie.
New York, Viking Press, 7948.
!41p.
illus. (part col.) 26cm.

115. Illustrations
partly
colored

NOTES ON CATALOG CARDS

Additional information describing the item being cataloged, but not
appropriately included in the body of the card, may be added in notes. Such
notes may show that the work belongs to a series of similar works, that
bibliographies on the subject of the book are included, and that related
documents or other special features are present. The contents note listing
the items contained in a collection of plays or short stories is of great aid
in locating a work too slight to be published alone. Notes appear on catalog
cards in a specified order:
(1)
(2)
(3)
(h)

series note, immediately following the size statement in the collation
notes relating to bibliographic description
notes relating to bibliographic history
notes relating to content of the work

SERIES NOTES

A series is composed of a number of works having same relationship to
each other and issued by the same publisher usually in similar format. The
series usually has a short title, such as Landmark books, Portrait of the
nation series, Chronicles of America, or Rivers of America, to mention a few.
The word series need not be a part of the series title. A series may have an
aPthor, ass gTT as a title, as in the case of serial publications of corporate
bodies. The name of the series may appear on the title page, half-title pate,
or on
cover of the book. Books belonging to a pliblisherls series such as
the Beacon Hill bookshelf or Macmillan ocket classics have in common only
their appearance. This is 14;77171Fan.
7erliseaving a subject relationship.
The series title is recorded on the catalog card folloWing the collation.
The cataloger leaves three spaces and copies the series title and volume number,
enclosing it in parentheses. If the note extends beyond one line, the succeeding
line continues at first. indentioq. The name of the editor of the serier: is not
included as a part of the series no4o. Capitalization of the series title
follows the rules for recording other titles.

355

Walmsley, Harold, 1907 Your future in the Army.
New York, Richards
Poser. Press, 1960.
159p. 20cm.
(Cereers in depth)

116. Series note

148

X325

Tyler, Poyntz, ed.
Immigration and the United States.
New York,
H.W. Wilson Co., 1956.
201p. 20cm.
(The Reference shelf, v.28, no.1)

371.911 MackievRomaine Prior, 1899Education of visually handicapped children, the
blind, the partially seeing, ty Romaine Mackie,
with collaboration of Edith ichce tend others.
Washincton3 Federal Sem-'.iy Agency, Office of
Education L1951;
/16p.
illus. 23cm.
(7.S. Office of Education.
Bulletin 1951. No.20)

".S.

117. Series note with

volume and numer

118. Series note OM
series having
author and

Office of Edl:nattnr.

131)110-A r. 1951.

Nn.20.
173.911 Mackie, lomnine Prior, 1199 Education of visually handi.:arped children, the
blind, t'h.1 portion:. seetre,
Romaine Mackie,
with collaboration Qf Edith Coheir Land others.
Washington3 Federal Secur-Ii: Agency, Office of
Eduea+icn cl9513
illus. 23cm.
146r.
(7.S. Office of Education.
nulletin 1957. No.20)

Harvard Middle Eastern studies, 2.
330.956 Meyer, Albert Julius.
Middle Eastern capitalism, nine essays.
Cambridge, Mass., Harvard 7hiversity Press, 1959.
161p. map. 22cm.
(Harvard Middle Eastern
studies, 2)
Includes bibliography.

119. Series added
entry for
having author
and title

120. Series added
entry for series
entered under
title

149

NOTES RELAT/NG TO BIBLIOGRAPHIC DESCRIPTION

OR
BIBLIOGRAPHIC HISTORY

The cataloger is responsible for deciding what information in addition
to that in the body of the card needs to be recorded in notes. Judgment as
to what is important will be guided by the type of material, the size of the
library, and the needs of the library's users. Such items as the inclusion
of the U.S. Constitution in a history of the United States, or an important
glossary of terms in a scientific work might be brought out in a note.
Variations in the publisher of the volumes in a set would certainly be indicated
in a note.

611

Kiss, Ferenc, )889 Atlas of human anatomy, by ierenc Kiss cand3
Janos 3zent.agothai. 17th ed.
New York,
Macmillan, 1964.
3v.
illus. (part col.) 30cm.

121. Note concerning
physical
description

Added title pages in Latin; legends and tables
in Latin and English.

977.2

Esarey, Logan, 1874-1942.
A history of Indiana.
Stewart, 1915-18.
2v. maps. 25cm.

Indianapoli

Vol.2 published by B.F. Bowen.

122. Note concerning
bibliographic
history

821

Lindsay, Sir David, fl. 1490-1555.
Squyer Meldrum. Ed. by James Kinsley.

London, T. Nelson 0593
v,121p. facsim. 19cm.
and Renaissance library)

(Nelson's medieval

Imprint on label: New York, Barnes & Noble.
Includes bibliography.

123. Notes relating to
physical
description,
bibliographic
history, and
contents

NOTES RELATING TO CONTEITS
BIBLIOGRAPHIES

Except for the first or only series note on a catalog card, other notes
begin at second indention, that is, one double spaced line below tha close
of the collation, or the series note. If it extends to the succeeding line,
continue at first indention.
Each successive note begins on the line immediately below the last,
starting at second indention. One of the most frequently used notes indicates
the presence of bibliographies. The form Includes bibliography is generally
used to indicate that there is one bibliography, or that there may be several
bibliographies scattered through the book. It is unnecessary to show the
exact paging or the exact title of the bibliography unless the length of the
bibliography is impressive, or its title denotes coverage tco distinctive to
ignore.

960

Hall-Quest, Olga Wilbourne.
With Stanley in Africa.

New York, Dutton

10613
157p.

map.

21cm.

Includes bibliograplly.

124. Note showing
work contains
several
bibliographies

NOTES ON CATALOG CARDS

CONTENTS NOTES

When books and other materials contain a variety of parts it is sometimes
useful to make a note giving the contents. Appropriate materials for using
contents notes are volumes containing short stories, plays and essays. In a
set of books the title page of each volume may indicate that it covers a definite
phase of a sUb;:ect or a span of time.
Contents notes are not made for volumes
of poetry or wc,ks on a single broad subject by one author.
The contents note is always the last note on a catalog card. Listing
is done in paragraph form to save space. The word Contents begins at second
indention and the succeeding lines begin at first. indention.
The source of information recorded in a contents note may be the title
page, table of contents, or headings introduning the various components to be
recrded. Initials are used to represent the authors' given names. Items are
separated by a period, followed by a dash and one space, before recording the
next item. If the wort 12z must be supplied to complete the authorship statement in a contents note, it is not necessary to enclose it in brackets.
If the note is too long to be concluded on one card the listing is stopped
abme the hole, leaving space tc type (Continued on next card) and a second (or
eersnsion) card carrier; o' vith the transcription. The heading of the second
card consists of the call -limber, the author, title, and imprint date, followed
by the designation (Card 2). After leaving a blank line below this heading,
the cataloger continnes typing t'ne material to appear on the card.
To save time, when the ecntents note is long, the cataloger may prefer tc
Give the canplete contents on only the main entry and shelf card and to use
a shorter form for the added entry cards. In that case the contents note is
replaced with the directive Fr.r contents, see main entry.

822

Barrie, Sir James Matthew, bart., 1860-1937.
Half hours, by J.14. Barrie.
New York, Scribner,
c]9114.

207p.

125. Contents of a
book of plays
by one author

20cm.

Contents.- Pantaloon.- The twelve-pound look. Rosalind.- The will.
1*

914.2

Sharman, M
An African in EnglArd.
London Press, 1961.
4v.
illus. 23cm.

London, University of

Contents.- v.]. Peter does to London.- v.2.
Peter loses his scarf.- v.3. Peter goes into the
country.- v.L. Peter goes to the seaside.

126. Contents note
showing the titles
of volumes in
a set

514

ed.
Haycraft, Howard, 1905Fourteen great detective stories. Rev. ed..
New YorY., Modern Library (19493
(The Modern library of the
464p. 19cm.
world's best books)

127. Main entry for
work with
contents by
various authors

Contents.- The purloined letter, by E.A. Poe.The red-headed league, by A.C. Doyle.- The problem
of cell 13, by J. Futrelle.- The case of Oscar
Brodski, by R.A. Freeman.- The blue cross, by O.K.
Chesterton.- The age of miracles, by M.D. Post. (Continued on next card)

Haycraft, Howard, 1905 -

Fourteen great detective stories.

(191493

(Card 2)

The little mystery, by E.C. Bentley.- The thirdfloor flat, by A. Christie.- The yellow slugs, by
B.C. Bailey.- The bone of contention, by D.L.
Sayers.- The adventure of the African traveler,
by E. Queen.- Instead of evidence, by R. Stout. The house in Gnblin Wood, by C. Dickson.- The
dancing detective, by C. Woolrich.

128. Main entry
extension
card

Fourteen great detective stories.
Haycraft, Howard, 1905ed.
Fourteen great detective stories. Rev. ed.
New York, Modern Library L19493
(The Modern library of the
464p. 19cm.
world's best books)

129. Title added
entry card

Contents.- The purloined letter, by E.A. Poe. The red-headed league, by A.C. Doyle.- The problem
of cell 13, by J. Futrell.- The case of Oscar
Brodski, by R.A. Freeman.- The blue cross, by G.K.
Chesterton.- The age of miracles, by M.D. Post.(Continued on next card)

(:)

Fourteen great detective stories.
ed.
Hayeraft, Howard, 1905Fourteen great detective stories.
(Card 2)

(19493

130. Title added
entry extension
card

The little mystery, by E.C. Bentley.- The thirdfloor flat, by A. Christie.- The yellow slugs, by
H.C. Bailey.- The bone of contention, by D.L.
Sayers.- The adventure of the African traveler, by
E. Queen.- Instead of evidence, by R. Stout.- The
house in Goblin Wood, by C. Dickson.- The dancing
detective, by C. Woolrich.

Fourteen great detective stories.
Hayeraft, Howard, 1905ed.
Fourteen. great detective stories. Rev. ed.
New York, Modern Library L19493
(The Modern library of the
19cm.
464p.
world's best books)
For contents, see main entry.

131. Shortened form
for title added
entry

MYSTERY AND DETECTIVE STORIES
ed.
Haycraft, Howard, 1905Fourteen great detective stories. Rev. ed.
New York, Modern Library c19493
(The Modern library of the
464p. 19cm.
world's best books)

132. Subject added
entry card

Contents.- The purloined letter, by E.A. Poe. The red-headed league, by A.C. Doyle.- The problem
of cell 13, by J. Futrelle.- The case of Oscar
l!rodski, by R.A. Freeman.- The blue cross, by O.K.
Chesterton.- The age of miracleb, by M.D. Post. (2)(Continuer on next card)

MYSTERY AND DETECTIVE STORIES
Haycraft, Howard, 1905ed.
Fourteen great detective stories.
(Card 2)

019143

133. Subject added
entry extension
card

The little mystery, by E.C. Bentley.- The third floor flat, by A. Christie.- The yellow slugs, by
H.C. Bailey.- The bone of contention, by D.L.
Sayers. 4., The adventure of the African traveler, by
E. Queen.- Instead of evidence, by R. Stout.- The
house in Goblin Wood, by C. Dickson.- The dancing
detective, by C. Woolrich.

MYSTERY AND DETECTIVE STORIES
Haycraft, Howard, 1905ed.
Fourteen great detective stories. Rev. ed.
New York, Modern Library E19103
(The Modern library of the
464p. 19cm.
world's best books)
For contents, see main entry.

1314. Shortened form
omitting contents
note for subject
added entry card

Aram ENTRIES

The catalog card headed with the entry denoting chief responsibility for
the content of the work is called the main entry card. All other entries for
the work made by putting additional headings above the material on the main
entry card are called added entries.
The purpose of making added entries is to aid the user of the catalog
imfinding the material for which he may be searching by providing additional
points of access. To achieve this end, therefore, added entries may be made
for the titles of the materials; the subjects with which materials deal; and
for the names of illustrators, translators, joint authors, joint compilers and
editors that have a secondary relationship with the work.
The added entry heading is placed in the space above the main entry,
beginning at second indention. If more than one line is needed for the entry,
continue it on the next line at third indention.
The usual practice is to make title cards for all books of fiction and
non-fiction books which have distinctive titles. When alternative titles exist,
added entries are made for both. Title added entries are not usually made for
titles beginning with such common phrases as The life of, The history of, or
An introduction to. Subject added entries airrhOriFtTo repreiier=u75 works
ade771757Trtle added entries are not usually made for biographies beginning
with the biographee's first name. Subject added entries are always made for
the person under consideration: in a biography.
However, some libraries have a divided catalog with subject cards in a
separate alphabetical arrangerient. In such a case each work should have a
card made for i ± and riled in the author/title alphabet.

642

Setting your table.
Sprackling, Helen, 1896 Setting your table, a complete guide to china,
glass, silver, linens, flower arrangements, and
New York, M. Barrows, 1951.
etiquette.
223p. illus. 24cm.

Johnny Tremain.
Forbes, Esther, 1894-1967.
Johnny Tremain; a novel for old and young; with
Boston, Houghton Mifflin,
tilts. by Lynd Ward.

190.
296p.

illus.

21cm.

135. Title card for
non-fiction

136. Title card for
work of fiction

B
Stra

Tales from the Vienna Woods.
Ewen, David, 1907Tales from the Vienna Woods; the story of
Johann Strauss; illus. Ly Edgard Ctrlin.
New
York, H. Holt, 1944.
216p. illus. 22cm.

'137. Explanatory
subtitle omitted
in title heading

Moldy Dick.

Hernan, 1819-1891.
May Dicle; or, The white whale; illus. by Head
Sohaef:er.
New York, Dodd, .11,1d, 1942.
r! Op.

illus.

138. Title card

24c,,:.

The whi!..e whale.

Melvrle, Herman, 1R19-1893.
Moly Dicl:.; or, The white whale; illus. by Mead
Schaeffer.
New York, Dodd, Mead, 1942.
540p. illus. 24cm.

139. Title card for
an alternative
title

For such classics as Shakespeare's Macbeth, the title page may read The
tragedy of Macbeth or some variant such as Shakespeare's Tragedy, of Macberr
In orderThiriTrof the editions of such a work may file togetner, a common
practice is to make the title card for a standardized form of the title, and
not for the varying titles. The same principle may be applied to any standard
work that is published under many slightly varying titles. Such a title entry
should be traced using the word Title followed by a colon and the actual wording
of the chosen title.

822

Macbeth.
Shakespeare, William, 1564-1616.
The tragedy of Macbeth; ed, by E.K. Chambers.
Rost,on, D.C. Heath, 1906.
17cm.
1J38p.

140. Title added entry
using distinctive
part within a
title

0
Title:

Macbeth.

241. Tracing for a
title added entry
not identical
with the title
on the face of
the card

ADDED ENTRIES
SUBJECT HEADINGS

From the standpoint of many users of the library, the subjsct added entry
for a work is possibly the most important added entry. Sears List of Subject

Headings for Small Libraries is the prime source for deaRSIEEEhrform o
the subject halWinFICTiool libraries. For new subjects too recent to appear
in the Sears list the Readers Guide to Periodical Literature is helpful. A
comprehensive source fOrTilie7iniariee is StiEject Headings Used in the
Dictionary Catalogues of the Library of comes!.

After a subject heading is selected for a work, it is typed in the space
above the main entry beginning at second indention. It may be typed in black
capital lette s, or in red using upper and lower case letters. In a new library
the cataloger has an opportunity to make a choice as to form.
In an established
library it is probably advisable to continue the form already in use. If the
form using upper and lower ca,: red letters is chosen, capitals should be used
for the first word of the heading, the first word of a subeivision of the rabject,
a qualifying word in parentheses, and proper nouns and adje:tives. Use no mark
of punctuation at the end of a subject heading. Within the heading use a comma
to separate the parts of an inverted heading. Separate the subdivisions of a
subject heading by a space, a dash, and a space, as AMER/CAN POETRY - COLLECTIONS.

Form of subject headings vary. They may be a single word as BASEBALL or
CHRISTMAS; A compound heading as NURSES AND NURSING, or 11.1MIGRATION'AND EMIGRATION;
a phrase, as BIBLE AS LITEPATURE; an adjective followed by a noun, as PUBLIC
'HEALTH, or NATIONAL CHARACTERISTICS; an inverted heading as POETS, AMERICAN; or
EDUCATION, ELEMENTARY; a subject followed by a qualifying phrase in parentheses,
as DISCOVERIES (IN GEOGRAPHY); or a subdivided heading as U,S. - HISTORY - CIVIL
WAR - FICTION; BOOKS AND READING - BEST BOOKS.

BASEhALL
796.357 Di Maggio, Joseph Paul, 1914 Baseball for everyone; a treasury of baseball
lore and instruction for fans and players.
New York, Whittiesey House, McGraw-Hill, 1948.
224p.
21cm.

142. Single word
subject
heading

NURSES AND NURS/NO
610.73 Deming, Dorothy, 1893 Careers for nurses. 2d ed.
New York,
McGraw-Hill, 1952.
351p. 24cm.
(McGraw -Hill aeries in nursing)

143. Compound
subject
heading

Includes bibliography.

591

821

ANIMALS - HABITS AND BEHAVIOR
Heinold, George, 19127Burglar in the treetops.
New York, Holt,
1952.
242p. illus. 22cm.

BIBLE IN LITERATURE
Sims, James H
The Bible in Milton's epics, by James H. Sims.
Gainesville, Univ. of Florida Press, 1962.
283p. 24cm.

144. Subdivided
subject
heading

145. Phrase
subject
heading

614

927.8

910

PITBIX HEALTH
Grant, Madeleine Parker, 1895 Biology and world health; drawings by Bunji
New York, Abelard-Schuman, 1955.
Tagawa.
21cm.
202p. illus., maps.

COMPOSERS, AMERICAN
comp.
Ewen, David, 1907American composerE, today, a biographical and
critical guide.
New York, H.W. Wilson, 1949.
265p. illus. 26cm.

DISCOVERIES (IN GEOGRAPHY)
Lucas, Mary Seymour.
Vast horizons; illus. and maps by O.B. Falls.
New York, Viking, 1 9143.
291p. illus., maps.

24cm.

146. Adjective
followed by
a noun

147. Inverted
heading

148. Subject followed
by qualifying
phrase

614

U.S. - HISTORY - CIVIL WAR - FICTION
Allen, Merritt Parmelee, 1892-1954.
Blow, bugles, blow; decorations by Alan Meyler.
New York, Longmana, Green, 1956.
217p. illus. 21cm.

149. Subdivided
heading

PERSONAL NAMES USED AS S1TBJE6M HEADINGS

Personal names are used 83 subject headings when the person is the subject
of the work as in a biography, or in a critical estimate of an author's work.
The form of the name is the same as for an author entry, except that the heading
is capitalized or typed in red and is not closed with a punctuation mark.

B
'Thor

Eise

THOREAU, HENRY DAVID, 1817-1862
Norman, Charles, 1904To a different drum; the story of Henry David
Thoreau; pictures by Margaret Bloy Graham.
New York, Harper, 2954.
113p.
illus. 22cm.

EISENHOWER, DW11HT DAVID, PRES. U.S., 1890-1969
Gunther, John, 1901-1970.
Eisenhower, the man and the symbol.
New York,
Harper, 1952.
180p. illus. 22cm.
Includes bibliography.

150. Name of person
as subject

151. President of
the U.S. as
subject

91a2

822

ELIZABETH II, QUERN OF GREAT BRITAIN, 1926 Bocca, Geoffrey.
Elizabeth and Philip; profusely illus. with
New York, Holt, 1953.
photographs.
248p. illus. 22cm.

152. Royal personage
as subject
entry

LINCOLN, ABRAHAM, PRES. 'U.S. 1809-1866 - DRAMA
Drimkwater, John, 1882-1937.
Abraham Lincoln; a play. New ed. with introduction and study helps.
Boston, Houghton, 1927.
130p. 20cm.
(Riverside literature series)

153. Personal
name with
subdivision

SHAKESPEARE, WILLIAM, 1564-1616 - CRITICISM,
INTERPRETATION, ETC.
Neilson:
Allan, 1869-1946.
Facts about Shakespeare, by William Allan
Neilson and Ashley Horace Thornlike. Rev. ed.
New York, Macmillan, 2931.
275p. illus. 17cm.

154. Personal
name with
subdivision

ADM ENTRIES
JOINT AUTHORS

When a book has two or more authors, the one whose name appears first on
the title-page is used as the main entry. All other authors are known as joint
authors. To make a joint author added entry, type the name of the joint author
in the space above the main entry beginning at second indention. The joint
author's name is established in the same way as if he were a main entry.' If
the r!oint author should already be entered in the catalog, the new entry is
identical in form with that already in the catalog. The designation
author is added to the name following a comma and one space. Close the joint
author heading with a period.
Translator, joint translator, uditor, joint editor, illustrator and(ther similar headings are made in the same way as joint author added entries,
using
abbreviated designations as tr., lt.tr. ed., jt.ed., illus.,
Ate.

Krusch, Werner, jt. author.

wohIrabe, Raymond A

The land and peop7e of Austria, Ity Raymond A.
W-Allrabe and Werner Krusch.
Philadelphia,
IlccIror.tt 119563
117p. -lilts. 22cri.

155. Added entry for
joint author,
:late:. not

known

Wtren onll the birth date is given for a person used as an added entry, six
z7paco: Are left after the hyphen fllnwing the birth date before adding the
a;:propriate designation and closing the heeding.

Farje, Herbert, 1887-

it. author.

Farjeor, Fleanor, 188?-1.965.

Sings and queens, by Eleanor and Herbert
Farjeon; with 40 coloured plates by Rosaline
Thornycroft. Rev. ed.
London, Dent;
Philadelphia, Lippincott, 1953.
86p. co. illus. 26cm.

156. Added entry for
joint abthor,
Lirth date
or'y

Hall, James Norman, 1887-1951, jt. author.
Nordhoff, Charles Bernard, 1887-1947.
The Bounty trilogy, comprising the three volumes:
Mutiny on the Bounty, Men against the sea, and
Pitcairn's Island, by Charles Nordhoff & James
Norman Hall. Illus. by N.C. Wyeth.
Boston,
Little, Brown, 1940:
903p. illus. 22cm.

157. Joint author
with birth
date and
death date

TRACING FOR JOINT AUTHORS

The tracing for a joint author added entry is identical with the heading
to be used on the joint author card.
It is placed after the tracing for the
subject headings and before the tracing for
title entry.

0
Hall: James Uorman, 1987-Z952, jt. author

158. Tracing for
joint author
added entry

AUSTRIA - DESCRIPTION AND TRAVEL
AUSTRIA - SOCIAL LIFE AND CUSTOMS
Krusch, Werner, jt. author.
Title.

159. Tracing for
joint author
added entry

ADDED ENTRIES
JOINT EDITORS MID

counERs

When more than one person as editor is responsible for a work, the first
one is the main editor and the second one is the joint editor. Joint-editor
and joint compiler added entry cards are made in the same fashion as joint
author cards.

jt. ed.
Davis, Ruth, 1913ed.
Shaw, Harry, 1905Americans one and all, ed. by Harry Shaw and
New York, Harper, 1947.
Ruth Davis.
31(V. 22cm.

jt. comp.
Weir, Ruth Cromer, 1912comp.
Cavanah, Frances, 1889Treasury of dog stories, collected by Frances
Cavanah and Ruth Cromer Weir; illus. by Wesley
ChiPago, Rand McNally, 1947.
Dennis.
256p. illus. 21cm.

DOGS - STORIES
Weir, Ruth Cromer, 1912 Title.

jt. comp.

160. Joint editor
added entry

161. Joint compiler
added entry

162. Tracing for joint
compiler added
entry is placed
after subject
tracing

ADDED ENTRIES
ILL1TSTRATORS

Hader, Berta Hoerner, illus.
Mason, Miriam Evangeline, 1899 Timothy has ideas; illus. by Berta and Elmer
New York, Macmillan, 2943.
Hader.
illus. 21cm.
127p.

163. Illustrator
added entry,
no dates
available

jt. illus.
Hader, Elmer, V199Mason, Miriam Evangeline, 1899 Timothy has ideas; illus. by Berta and Elmer
Hader.
New York, Macmillan, 1943
127p. illus.
21cm.

164. Joint illustrator
added entry
birth date
available

Wyeth, Newell Conyers, 1882-1945, illus.
Nordhoff, Charles Bernard, 1887-1947.
165. Illustrator
The Bounty trilogy, comprising the three
with birth
volumes: Mutiny on the Bounty, Men against the
and death
sea, & Pitcairn's Island, by Charles Nordhoff &
date
James Norman Hall. Illus. by N.C. Wyeth.
Boston,
Little, Brown, 1940.
903p. illus. 22cm.

ADDED ENTRY
TRANSLATORS

Wheen, Arthur Wesley, tr.
Remarque, Erich Marie, 1898-1970.
All quiet on the western front: tr. from the
German by A.W. Wheen.
Bnstcn, Little, Brown,
1929.
291p.
20cm.

166. Translator
of a book

188. First card of
see also subject

SPORTS

reference card

see also
ICE CREAN, ICES, ETC.

FROZEN FOOD

191. See reference

see

FOOD, FROZEN

FOOD - PRESERVATION
see also
,FOOD, FROZEN

192. See also cross
reference

04,

ANONYMOUS CLASSICS AND SACRED WRITINGS

In almost every library are found anonymous classical, which are old
writings of acknowledged excellence whose authors are unknown. ftemples of
such writings are the epic Beowulf, national folk tales, and Arabian Nights.
These have been published in many languages and versions by eiii756lishers
under a variety of titles. For example, Arabianft*Lhas been published
also with the English titles Tales fram the Arabic, The Thousand and One Nights,
Arabian Nights Entertainments, and others, not to mention many viFirons in other
languages with other titles.

Books containing the sacred writings of any religion maybe classics
but are not necessarily anonymoue, because the authorship of at least parts
of them are known. They are, however, handled in the same way as other classics
of unknown origin.
In order that the main entries for all versions of an anonymous classic
or a sacred writing, may be the sane, a short title, usually in the English
language, has been established for use as the slain entry. This title brings
the different versions and editions of a work together in the catalog under a
uniform main entry, regardless of individual title.

The following is a list of titles which have been established for use as
certain well-known anonymous classics and sacred writings:
Arabian nights; Beowulf; Bible; Mabinogion; Mother Goose; Nibelungenlied;
Reynard the fox; Chanson de Roland. In libraries for children and young people
it might be advisable to use Em of Roland instead of the French form of the
name used in scholarly bibliographies.
entries f-

Enter an anonymous classic or sacred writing under the established uniform
title, putting that title in the entry position on the carddend closing it with a
period. Complete the unit card following the customary form. Trace for, and make
the necessary added entry cards. Should the title of the book be the same as the
established title, no title added entry card is needed.

398

Mother Goose.
The real Mother Goose; illus. by Blanche Fisher
Chicago, Rand McNally, 1916.
Wright.
134p. illus. 30an.

The real Mother Goose.
Mother Goose.
The real Mother Goose; illus. by Blanche Fisher
Chicago, Rand McNally, 1916.
4right.
134p. illus. 30am.

398.22 Nibelungenlied.
The Song of the Nibelungs. A verse translation
from the Middle High German Nibelungenlied by
Detroit, Wayne State University
Frank G. Ryder.

193. Main entry
for an
anonymous
classic

194. Title added
entry card
for an
anonymous
classic

195. Main entry
for an
anonymous
classic

Press, 1962.
421p. 21cm.

398.2

Arabian nights.
Scheherezade; tales from The thousand and one
nights. Translated by A.J.Arberry; with illus.
London, Allen & Unwin :19533
Asgeir Scott.
221p. illus. 23cm.

196. Main entry
for an
al10/1577130118

classic

83
Enter the Bible, either complete or partial form under Bible with the
language of the test indicated in the entry. For magpies ale. French.
or Bible: Patin. In small collections the entry might be stigIfied by omitting
the langnagiraeiignation for editions in English. The year of printing is used
to distinguish the various issues in the same language. The different versions
or translations of the Bible may have that feature indicated in the entry also.
For incomplete editions or abridgments in English use the entry: Bible. English.
Selections. For complete coverage of the rules for formulating Bairintries
Rules, p. 156-163.
see Anglo7American
a..1...

220.5

Bible.

English. 1952. Revised standard.
The Holy Bible. Revised standard version containing the Old and New Testaments; tr. from the
oricinal tongues, being the version set forth
A.D. 1611, rev. A.D. 1881-1885 and A.D. 1901;
compared with the most ancient authorities and
rev. A.D. 1952.
New York, Nelson, 1952.
997, 294p. 22cm.

197. Bible entry with
year of publication
and name of version

220.5

Bible. English. Selections. 1951. Authorised.
The condensed Bible; all Bible gems; Genesis

198. Bible entry.
Selected
passages

through Revelation. A guide for inspirational
reading, selected with commentary by William A.
Cocks.
New York Eapositicn Press, 1951.
'2ca.
517p. maps.

220.5

Bible. English (Basic English)
1950.
The Basic Bible, containing the Old and New
Testaments in Baia.: English.
New York, Dutton:
1950.
910p. 21cm.

199. Bible entry with
special vocabulary
indicated

220.5

Bible. English. Selections. 193?. Authorized.
Animals of the Bible; a picture book by
P. Lathrop; with text selected by Helen Dean Fish
from the King James Bible.
Philadelphia, J.B.
Lippincott 219373
66p. 26cm.

Fish, Helen Dean, ed.
Bible. English. Selections. 1937. Authorized.
Animals of the Bible; a picture book by Dorothy
P. Lathrop; with text selected by Helen Dean Fish
from the King James Bible.
Philadelphia, J.B.
Lippincott p19373
66p. 26cm.

200. Bible entry
indicating
selected passages,
publication date
and version

201. Editor added
entry for
selections
from the Bible

Enter stories retold from the Bible and books about anonymous classics and
sacred writings under the name of the author. Make added entry cards in the usual
way.

220

Van Loon, Hendrik Willem, 3882-1944.
The story of the Bible, written and drawn by
Hendrik Van Loon.
Garden City, N.Y., Garden City
Pub. Co. 219363
452p. illus. 24cm.

BIBLE - STORIES
Van Loon, Hendrik Willem, 1882-1944.
The story of the Bible, written and drawn by
Hendrik Van Loon.
Garden City, N.Y., Garden City
Pub. Co. 11936 3
illus.
452p.

202. Author card
for retold version
of the Bible

203. Subject card
for adaptation
of the Bible

24cm.

220.93 Aharoni, Jochanan.
The! Macmillan Bible atlas, by Yohanan Aharoni
and Michael Avi-Yonah.
cNew York 3 Macmillan. Co.
11968
184p. illus., col. maps.
30cm.

204. Author card
for book about
the Bible

examples below, William Shakespeare and John Milton are responsible for the works
originally. Therefore their names are used as the main entries while the editors'
names are used as added entries.
Works entered under title may also require editor added entries.

822

821

Boas, Frederick Samuel, 1862-1957, ed.
Shakespeare, William, 1564-1616.
The tempest; ed. by Frederick S. Boas.
D.C. Heath, 1906.
127p.
17cm.
(Heath English classics)

Boston,

Bullough, Geoffrey, 1901ed.
Milton, John, 1608-1674.
Dramatic poems; ed. by Geoffrey and Margaret
Bullough.
atAvbla Athlone Pres, 1958.
224p. 19cm.

Bullough, Margaret, jt. ed.
Milton, John, 1608-1674.
Dramatic poems; ed. by Geoffrey and Margaret
Bull ough.
Elondon3 Athlone Press, 1958.
224p.
19cm.

167. Editor
added entry

168. Editor
added entry
death date
lacking

169. Joint editor
added entry

9r,

ANAIITICS

Library materials frequently contain separate parts or sections that have
previously been published independently. One author or publisher may be
responsible for all of the parts, or different individuals may be responsible
for the separate parts. Entries made for each of the separate sections, whether
they be stories, plays, essays, reports, or biographical sketches are known as
analytics. There may be author analytics, subject analytical or title analytics.
Plays and short stories in collections seem to call for author and title
analytics. Collected biographies and secions of factual books may need subject
analytics.
Since many libraries
There is more than one accepted form for analytics.
use printed cards, the unit card is commonly used. Those who type analytic
cards may prefer to use the partial contents form, or another shortened form.
Zxamples will follog, using the partial contents form.
When a work needs to be analyzed, the cataloger should first catalog it
as a whole, listing the parts in the contents note.
When the parts of a book are all by one author, only title analyLies need
to be made. The separate parts may be listed on the title page, or in t table
of contents. Some libraries follow the practice of omitting the listing of titles
of plays, etc., on the title page, if so given, but list them in a contents note.

811.08

"0?

Matthiessen, Francis Otto, 1902-1950, comp.
The Oxford book of American verse; chosen and with
New York,
an introd. by F.O.Mbtthiessen.
xford rniversity Press, 3950.
1132p. 19cm.

Hornstein, 1,113iAn lerlands, 1909The Reader's comp nion to world literature.
Editor:
lierlands Hornstein; co-editor:

C.D. Pry Land other% General editor:
Cnlvth S. Brown.
423p. 22c11.

New York, Dryden Press L19563

170.

Compiler added
entry for work
entered under
title

171. Editor added
entry fol- work

entered under
title

0
Title analytics for contents.

206. Tracing
for title
analytics

I--

822

The forest.
Galsworthy, John, 1867-1933.
Plays. Sixth series.
New York, Scribner,
1926.
115, 112, 97p. 20cm.

207. Title analytic
using unit
card

Contents.- The forest.- Old English.- The
show.

822

The forest.
Galsworthy, John, 1867-1933.
Plays. Sixth series.
New York, Scribner,
1926.
115, 112, 97p. 20cm.

208. Title analytic,
using partial
contents note

Allen; Walter Ern,:st; 1911 -

Square cg.

2"-.

New York; W. Morrow 219503

21(m.

172. Main entry
for a work
issued under mere
than one title

virat publishtid in London in 195n under title
Deni man ovel all.

Sclare fe6.
Allen; Walter Tree t, 1911Squaro pelz.
New York; W. Morrow ?19503
271r.

2)cm.

173. Title added
entry for
changed title

First published in London in 1950 under title
Dead man over al].

Dead man over all.
Allen, Walter Ernest; 1911Square peg.
New York, W. Morrow El9501
271p. 21cm.

174. Title added
entry for
original title

First published in London in 1950 under title
Dead man over all.

0
Title.
Title:

Dead man over all.

175. Tracing on back
of main entry
for both titles

It often happens in a collection of plays or stories by one author that
the first play in the book is used as the title of the whole book. Even so,
the tracing for all items can be indicated by the phrase Title analytics for
contents.

822

Gregory, Isabella Augusta (Persse) Lady, 1859-1932.
The image and other plays.
New York, Putnam,
1922.
253p.

20cm.

210. Main entry
for book with
first play as
title of book

221. Tracing for
title analytics
Title analytics for contents.

tianrAhanIct nmih_

removed from the card catalog in Order to remove all records of the work.

The listing of all the added entry cards made for any work is called the
tracing. Printed cards have the tracing on the face of the card near the bottom.
Since, often there is not room on the face of a typed card, it is placed on the
back of the main entry. When more than one card is necessary to complete the
main entry, the tracing is typed on the back of the first card. To place the
tracing, turn the author card face down with the hole at the top and record the
tracing in the upper left corner two lines below the hole and indented two spaces
from the left edge. Arrange the tracing items in the following order: subject
headings, other added entries, title, or titles, and series. Within any category
of headings it is not necessary to adhere to any special order in listing them.
The form of the traing is to match exactly the heading to be used on the added
entry card as to cOitalization, and spacing. If a decision has been made to
type subject headings in red, they will be typed in black in the tracing.

B
Fran

Frank, Anne, 1929-1945.
The diary of a young girl; tr. from the Dutch
by B.M. Mooyart-Doubleday; with an introd. by
Garden City, N.Y., Doubleday,
Eleanor Roosevelt.
1952.
285p. illus. 20cm.

176. Main entry

0
NETHERLANDS - HISTORY
WORLD WAR, 1939-1945 - JEWS
M
Mooyart-Doubleday, B
Title.

177. Tracing on back
of main entry
tr.

When parts of books or materials are by different authors, entries are
made for both authors and titles. For non-fiction, author and subject andlytics
may be made. The judgment of the cataloger should determine the value and need
for making such entries.

812.08

Clark, Barrett Harper, 1890-1953, ed.
Nine modern American plays, by Barrett H.
New York,
Clark and William H. Davenport.
Appleton-Century-Crofts, 1951.
43?p. 25cm.

213. Mein entry
for book
containing
,

plAtys by

various
authors

Contents.- The hairy ape, by E.G. O'Neill. Street scene, by E.L. Rice.- Green grow the lilacs,
by L. Riggs.- High Tor, by M. Anderson.- Stage
door, by E. Ferber.- You can't take it with you, by
(Continued on next card)

812.08

Clark, Barrett Harper, 1890-1953, ed.

214. Extension

B
Fran

Frank, Anne, 19291945.
The diary of a young firl; tr. from the Dutch by
B.M. Mooyart-Doubleday; with an introd. by Eleanor
Roosevelt.
Garden City, N.Y., Doubleday, 1952.
285p.

B
Fran

Fran

illus.

179. Subject added
entry

20cm.

tr.
M
Mooyart-Doubleday, B
Frank, Anne, 1929-1945.
The diary of a young girl; tr. from the Dutch by
B.M. Mooyart-Doubleday; with an introd. by Eleanor
Garden City, N.Y., Doubleday, 1952.
Roosevelt.
285p. illus. 20cm.

The diary of a young girl.
Anne, 1929-1945.
Frat
diary of a young girl; tr. from the Dutch by
Ti.

180. Translator
added entry

181. Title added
entry

B.M.Mboyart-Doubleday; with an introd. by Eleanor
Garden City, N.Y., Doubleday, 1952.
Roosevelt.
20cm.
285p. illus.

0
215. Tracing showing
AMERICAN DRAMA - COLLECTIONS
author and title
jt.
ed.
Davenport, William Henry, 1908analytics for
Title.
contents
The
hairy
ape.
1888-1953.
O'Neill, Eugene Gladstone,
Street
scene.
1892-1967.
Rice, Elmer L
Green grow the lilacs.
Riggs, Lynn 1899High Tor.
Anderson, Maxwell, 1888Stage
door.
Ferber, Edna, 1887-1968.
You
can't
take it with you.
Hart, Moss, 1904Sherwood, Robert Emmet, 1896-1955. Abe Lincoln in Illinois
Glass menagerie.
Williams, Tennessee, 1914Command decision.
Haines, William Ulster, 1908Title analytics for content's.
Hart, Moss, 1904 -

12.0R

You can't
Clark, Barrett
Nine modern
and William H.
1951.
432p.

take it with you.
Harper, 1890-1953, ed.
American plays, by Barrett H. Clark
New York, Appleton,
Davenport.

25cm.

Partial contents.- You can't take it with you,
by M. Hart.

216. Card form for
author-title
analytic with
partial contents
note

author. Books of biography are filed under the designation for biography, and
alphabetically by the name of the biographee. Biographies about the same person
are then sub-filed by the main entry.

The number of copies of a given title owned by the library is indicated
in pencil in the left margin near the collation. The number of copies also
appears on the face of the main entry in the same position as on the shelf card.
It is the custom in many libraries to record on the back of the shelf list
card the source from which the material has been received, the date, and the
price of each copy. If such a record is kept, an accession book and accession
numbers for books are seldom necessary. If an accurate accession record has been
kept and accession numbers have been used, the librarian may or may not continue
with the practice as she sees fit. If accession numbers are used, they are
entered on the title page of the book and on the shelf card.

To type the order information, place the shelf list card, face down with
the hole at the top, and record the order information two lines below the hole,
beginning two spaces from the left edge of the card. Leave two spaces between the
date and the dealer, and two between the dealer and the price.
If additional
copies are received, record them in the same way. The same form is used for all
material cataloged.

0
1/5/54 McClurg 2.50
4/12/63 Baker 2.69 c.2

182. Order
information
on back of
shelf card

920

Acker, Helen.
Five sons of Italy; jacket by Richard Floethe.
Nev York, Nelson, 1950.
191p. 21cm.

218. Main entry
card for book
needing subject
analytics

Contents.- Leonerdo da Vinci.- Michelangelo
Buonarroti.- Galileo Galelei.- Nicol() Paganini.Giuseppe Verd'..

0
ITALY - BIOGRAPHY
Title.
LEONARDO DA VINCI, 1452-1519
BUONARRCTI, MICHEL ANGELO, 1475-1564
ALILEI, GALILEO, 1564-1642
PAGANINI, NICCOLO, 1782-1840
VERDI, GIUSEPPE,.1813-1901

219. Tracing for book
needing subject
analytics

LEONARDO DA VINCI, 1452-15)9
owl

A^1,0,,,,

ui..."

00^

owe,. ..-&Ay vaaw
r
VW. am.. WV
raVVJOAG
.3(21Vio. Wi
been adopted for a given subject. Cards indicating such references are called
cross reference cards. Since these cards do not represent books or materials,
they do not bear a call number. There are two kinds of cross reference cards,
namely, see references and see also references.

The see reference card directs the inquirer from an entry under which
material has not been listed to an entry under which it has been listed. See
references are made for synonymous terms for subject headings, for the second
part of a compound heading, for the direct form of an inverted heading, and
for variations of spelling.
On the fourth line of the card at second indention in capital letters,
write the heading under which the material it not listed. On the sixth line
at third indention write the word see in lower case letters. On the eighth
line at first indention write the heading under which the material has been
listed. Those who prefer subject readings in red, will follow the capitalization and form given in Sears List of Sdbiect Headings for Small Libraries.
The words see and see also are always typed in small black letters.
Cross references for personal names were treated in this guide under
Personal. Authors.

"See"
IMEO Cards

183. Cross reference
from synonym
for the entry
adopted

MAGAZINES
see

PERIODICALS

184. Reference from
the second part
of a compound
heading

WATCHES
see

CLOCKS AND WATCHES.

"BOUND-WITH" WCRKS

It happens occasionally that two or more books by the same or by different
authors, each book with a separate title page and with separate paging, are
bound together. Such a publication is known as a "bound-with." Each part is
cataloged as an independent book in the usral way. Obviously the book can be
assigned only one classification number even though the parts deal with entirely
different subjects. The classification number for the first part determines the
book's call number. Notes are made on the card showing the author and title of
the other work or works with which it is bound. The note reads Bound with followed
by the author's name in inverted order, using initials to represent given names;
two spaces after this the title of the other work; then three spaces later, tie
place and date of publication.

353

Thorpe, Francis Newton.
The government of the nation; a course in civil
government, based on The government of the people
of the United States. Rev. ed.
New York, Hinds,
Noble and Eldridge q19003
221&p.
illus., maps. 19cm.

221. Main entry

a "bound- with"

186. Reference from
variant
spelling

AEROPLANES
see

AIRPLANES

"See also" Cards

A see also reference card directs the user from an entry under which
material is listed to another entry under which related material is to be
found. The card begins on the fourth line at first indention followed two
spaces below by see also beginning at second indention. Two lines below this
the additional subjects are listed in tabular form beginning at first indention
and single-spaced.

187. See also
reference

CATALOGING
see Elso

BIBLIOGRAPHY
CLASSIFICATION - BOOKS
INDEXING
SUBJECT HEADINGS

353

Rawles, William A
1863 The government of the people of the state of
Indiana.
New York, Hinds, Noble and Eldridge
c1906
180p.
illus., maps. 19cm.
Boum: with Thorpe, P.N.
nation.
New York ?19003

223. Main entry for
subsequent part
in a "bound-

with"

The government of the

The call number given on the set of cards for a subsequent part of a
"bound - with" must be the same as the number that the book itself bearb. The
call number of the whole volume is determined by the first work in the volume.

2214. Tracing on back

of main entry
for subsequent
part of a

INDIANA - POLITICS AND GOVERNMENT
Title.

"bound -with"

"BOUND-WITH" WORKS HAVING THE SAME AUTHOR

The note indicating the presenco of other independent works in the same
volume by the same author uses the form belows

o.--...,...
93

Dodgson, Charles Lutwidge, 1832-1898.

Through the looking glass, by Lewis Carroll;

with fifty illus. by John Tennis'.

New York,

Macmillan, 1929.
2214p..

illue.

23cm.

227. Main entry for
a subsequent

part of

'bound-with"

Bound with the author's Alice in Wonderland.
New York, 1929.

O
Title

Tri
,back
of iiin entry totthe itiii-Eibteie-

SUPPLEMENTS

Supplements should not always be treated as independent ,entries because they
Are too closely related. to the-original work to stand,alone. The entry for
the supplement may be added-to the-card forthe original Work Using the form
known-as.the Mashed-on-entry."
,Begin,--the-entry at .first. indention two lined.belor the entry for the
_0,thdereCOrelairk0O:ei-that-tWauthor
main,Itet on the card:: Use

of-thipPlementia,thesitne4e-A*,410f-.0f:iii*4r-

the-4444einent 40,7:eleo;*b0::ei*:',Se4hiit:,
eiscareqnarks---to4eprireent,

leave
Leave one
spatiCahiii continue anthe-4iialineAhe-traniariptibicofAhd=title=tOge
interietion for the supplement according to the rules for making the body of
title of

one-sSiinCe-.0ai=then,7:three,-,-:

the Card.

016

Winchell, Constance Mabel, 3896Guide to reference books. 7th ed.
American Library Association, 1951.
645p. 28cm.

Chicago,

'229. Main entry
for work
having a
supplement

"Based on the Guide to reference books, sixth
edition by Isadore Mudge."
(Continued on next card)

R
016

Winchell, Constance Mabel, 1896Guide to reference books. 1951.

230.D/t8iled on

(Card 2)

Supplement, 1950-1952, by Constance M.
Winchell and Olive A. Johnson.
Chicago, American
Library Association, 1954.
117p.

28cm.

(Continued on next card)

entry for
supplement

016

Winchell, Constance Mabel, 1896.
Guide to reference books. 1951.

(Card i)

016

Second supplement, 1953-1955.
American Library Association, 1956.
134p. 28cm.

031

The New international encyclopaedia. 2d ed.
New York, Dodd Mead F1922-29,
24v. illus., plates, maps. 26cm.

R
031

Chicago,

Supplement.
New York, Dodd, Mead, 1930.
2v. illus. 26cm.

231.-Dashed on
entry for
spoond
supplement

232. Dashed on
entry for
work entered
under title

UNIFORM TITLES

Uniform titles are used to bring together all editions of a compoder's
or writer's works and to estiblibh'an orderly arrangement-of a composer's or
writer's works. A musical composition may be=known under variant titles in
differentcountries. For eXeMple,lhe,MagieFltte by Mozart id called Die
ZauberflOte.in Germany. To the mUi perforMer'or record lever this M4keZ
very little differendei and the-eard-catalog must make provision for bringing
together all forms s-of e-gi*On work.. Th4Z-itvdone*esSigning the.-work a uniform
title, usual -ly the:titletinder-Which the-Work;Wietirit,tuhliihp4ind Making
references,. from other-knotif-iitlbeto=theUniferi-titie.Compositions having titles bailed on-;thenaMite-of musical forms Such-as
symphonies, sonatas, string quartets, and 4tude8,may alSo be-it:fated in varying
degrees of completeness and in varying instrumental arrangements. ,Music publishers
frequently issue a composer's works in collected forms for study and, individually
for performance. To achieve bibliographic control of-the many possible
publications the principle of uniform title entry has been established.

Cataloging Rules,
For full treatment of uniform titles see An
p. 145-172. For the application of uniform tifleTto mitirral works see 7709-314
in the same source.
The uniform title, enclosed in brackets, 'Ls typed on the line below the
main entry beginning at second indention. On the next line at second indention,
copy the title as it appears in the work in hand. Continue the card in the usual
form.

782:1

Straus, Oscar, 1870-1954.
cDer tapfere Soldat3
The chocolate soldier, an opera bouffe in three
acts; libretto by Rudolf Bernauer & Leopold
Jacobson. English version by Stanislaus Stange.
New York, Witmark 219093
197p. 29cm.

233. Main entry
for musical
work with
uniform title

Make cross references from all titles under which the work has been issued
to the Uniform title. It then becomes unnecessary ever to trace for or make a
title added entry for a musical work.

Der tapfere Soldat.
Straus, Oscar, 1870-1954.
Der tapfere Soldat.
For editions of the above work

234. Cross reference
from known title
to uniform, title

under which all
editions of this
work are entered

see

Straus, Oscar, 1870-1954.
cDer tapfere Soldat3

The chocolate soldier.
Straus, Oscar, 1870-1954.
The chocolate soldier.

For editions of the above work
see

Straus, Oscar, 1870-1954.
cDer tapfere Soldat)

235. Cross reference
from variant title
to uniform title
under which all
editions of this
work are entered

As has been stated, musical works having titles embodying names of musical
forms such as concertos, sonatas, or symphonies, may have variant forms and
popular titles.. Cross references are made froth-variant titles to the uniform
title as set forth in bibliographic Sources and music reference works. The
uniform title seeks to identify the composition aeto form, using such additional
elements as medium, key and the composer's or musicologist's numbering to assign
it a unique entry. As a rule cross references need notbe made for'uniform
titles of compositions 'based on the name of a musical form unless the composition
has cometo be well-known also by a popular title.
4tP

Moonlight sonata.
Beethoven, Ludwig van, 1770-1827.
Moonlight sonata.

236. Cross reference
from popular to
uniform title

Foreditions of the above work
see

Beethoven, Ludwig van,'1770-1827.-----Sonata, piano, no.14, op.27, no.2, C# minor)
A few examples of the means used to bring together the complete or partial'
collections of an author's works under uniform titles follow:
For
For
For
For
For

724.3

786.4

complete works:
eNorks)
miscellaneous selected works: cWorks. §elections)
works in one medium:
eWorks, piano).
complete works in one form:
LSymphonies)
selections of the works in one forms
cSymphonies. Selections)
cSongs. Selections)

Foster, Stephen Collins, 1826-1864.
cSongs.
Selections)
Songs. Prepared for schools and general use,
edited and arranged by Will Earhart and Edward B.
Binge.
6Pittsburgh) University of Pittsburgh
Press 11938)
110p. 26cm.

237. Main entry with
uniform title
showing partial
collection of
works in one form

Beethoven, Ludwig van, 1770-1827.
cSonatas)
32 sonatas for the pianoforte. Edited by
Arthur Schnabel. Memorial ed.
New York, Simon
and Schuster, 1935.
2v. (862p.) 31em.

238. Main entry with
uniform title
showing complete
collection of
works in one form

SERIALS

A, serial is a publication which is issued at:more or less regular
intervals and in the same or similar format. Single issues of serials may
be monographs, or they may be such pUblications as-newspapers, magazines,
yearbooks, almanacs, annual or biennial reports, and directories.
In
most libraries magazines and newspapers will not be cataloged, but such
serials as the World Almanac and Who's Who in America Will be cataloged.
A serial composed of many monographs may have each unit treated individually,
but non - monographic serials must be treated together as a Set.
.

In handling serials the small, popular library may-dispense With much
of the detail that is necessary in a scholarly collection. SUggeitions offered
here will be intended to serve only-as a brief introduction to the subject.
A complete treatment of serial cataloging practice may be found in
Anglo-American CELalora..... Rules, p. 231 -2).6.
Briefly stated, principles governing the cataloging of serials are:
1.

Entry is under title unless the title includes the name of the
corporate body responsible for publication. A serial requiring
the name of its sponsoring body for identifiCation is entered
under its corporate author.

The source of information for the preparation of the catalog card
is the latest volume. This policy contrasts with the practice of
preparing the catalog entry for a monographic set from the first
volume issued.

Since serials frequently change subtitles, a short title is usually
used in order to avoid constant revision of the catalog entry.

Libraries may have many incomplete serial sets in their collections. Cards
for these sets are so made that the issues in the collection are clearly indicated
and that an indefinite number of issues can be recorded as they are acquired.
.

A set composed of every issue of a serial which has ceased publication
is a closed set. One that is still being published is obviously incomplete
and is called an "open" set. It is cataloged using the "open" entry form in
setting down, the holdings, the imprint and the collation, thus allowing for
revision as new volumes are added..

'or
The library's holdings may be indicated in the body of the card. An
acceptable alternate practice is to record in-a "Library has" note the number
of volumes the library owns. Leave one line between the "Library has" note
and whatever precedes it on' the card. If the volumes are numbered, use the
abbreviation v. for the volUMe, followed by the number inAriOic numeralsva
comma and the date of the volume. If the library has more than one copy of a
volume, record in pencil following the date of the volume the number of copies
using Arabic numerals for numbers, followed by the abbreviation c. for copies.
Editors of Aerials change frequently and are not necessarily always recorded.
Consequently added. entries may not be made for them.
.

Such items as dates in the imprint, the number of volumes in the collation,
and the
unber of copies if more than one, all of which are subject to change as
new acqt_sitions are made are recorded in pencil on the card. Should the library
not have acquired yearbooks for successive years, space is left in the "Library
has" note so that the year and volume may-be filled in as the yearbooks are
acquired.

After making the main entry card, added entry cards may be made for serials
in the usual way, except that the library's holdings are not given. on them and
the catalog user is instructed to see the main entry. This eliminates the recurring
necessity of altering the holdings statement or the 'library has" note on all
cards except the main entry and shelf list card.

101

Some libraries use commercially printed cards and simply Check the
volume numbers or years that the library.owns. The imprint and collation
may be left open on both the main entry and shelf card. The printed holdings
card is filed immediately behind the shelf list card and the instruction:
For volumes in library see shelf lidt card. is put on the main entry.

11
12
13
14
15

21
22
23
24
25

33
34
35
36

7
8

28
29
30

38
3
49
0

48
49
5o

1 fr-

2 e"

3,*

1961.0'

1951
1952
1953
1954
1955
1956
19570/

1962

1963---

1958./
1959e'
1960

Re.

1964
1965
1966
1967
1968
1969
1970

31
32

1971
1972
1973
1974
1975
1976
1977
1978
1979
1980

41
42
43
,41.!

1981
1982
1983
1984
1985
1986
1987
1988
1989
1990

51
52
53
54
55
56
57
58
59
60

239. Printed card
showing library's
holdings indicated
by checking volume
nuMbers

1991
1992
1993
1994
1995
1996
1997
1998
1999
2000

240. Printed holdings
card ,showing

volumes in
library indicated
by checking years
received

102

317

The World almanac and book of facts.
New York, New York World Telegram, 19.f.9 n
20cm.
6.v.

241. Main entry
for serial.
Title entry

Library has:

v.68,
v.69,
v.70;
v.71,
v.72,
v.73,

813.08

1953
1954
1955
1956
1957
1958

Best American short stories and the yearbook of
the American short story.
Boston, Houghton, 19.6-/-.1/:
9v. 20cm.

242. Main entry
for serial.
Title entry

Library has:
1951

1953
1955
1956

920

Who's who in America; a biographical dictionaryof
notable men and women.
Chicago, A.N. Marquis, 19-42-.,17

3v. 21cm.
Library has:
v.27, 1952-53
v.28, 1954-55
v.29, 1956-57

243. Main entry
for a serial
published
bienially.
Title entry

103

U.S. Bureau of the Census.
The statistical abstract of the United States.
Washington, U.S. Govt. Print. Off., 19.519-.40-Z
Gr..

317;1

244. Main entry
for a serial
entered under
author

--Library has:

v.74,
v.75,
v.76,
v.77,
v.78,
v.79:

912.73
.

1953
1954
1955
1956
1957
1958

Hammond Incorporated.
Hammond American history atlas.
Maplewood, N.J.
/v.

1948- 44,3

245. Main entry for
serial entered
under corporate
author, holdings

indicated

1920

U.S. - BIOGRAPHY
Who's who in America; a biographical dictionary
of notable men and women.
Chicago, A.N. Marquis, 19
v.

21cm.

For volumes in library, see main entry.

246. Subject added
entry for serial
without holdings
statement

1014

IMP

AGRICULTURAL CREDIT - U.S.
HG 2051 U.S. Farm Credit Administration.
Annual report.
U5 A57
Washington, U.S. Govt. Print. Off., 1934-

217. Subject added
entry for serial
entered under

author
For vo3gmes in library, see main entry.

CUPCRATIONS, AMERICAN - DIRECTCRIES
HG 14538 Directory of American firms operating in foreign
countries.
D5
New York, World Trade Ac.adersy Press, 1966-

For volumes in library, see main entry.

2148. Subject added

entry for serial
entered under
title

105

ANALYZED SERIALS

Occasionally the individual volumes of a serial would be more useful to
the library if they were represented by subject and title cards as well as
being represented as volumes in a serial. Ekamples are the individual volumes
of the Reference shelf and the various volumes of the Yearbook of the U.S.
Dept. of Agriculture. A serial card is made for the whole set following the
pattern already set forth. A notation Analyzed is put on the back of the main
',Ientry and 'the shelf card.

30.61

U.S. Dept. of Agriculture.
The yearbook of agriculture:
Washington, D.C., U.S. Govt. Print. Off., 1.3.1v-.1V

Or. 26m.

249. Main entry for
serial having
each volume
devoted to a
single topic

Library has:
1954
1955
1956
1957

250. Tracing for a
Analyzed.

serial set with
each volume
having also. its

own set of cards

A main entry and set of cards is made for each volume in an-analyzed aerial
set, just as if it were being cataloged as a separate item. The call number of
the volume will be determined by the classification of the whole set instead of
the subject matter of the individual volume. The card for the volume being
analyzed will carry as it:: series note the name and volume number of the set
to which it belongs.
The tracing will be made just as for any separate work, except that a
series-added entry will never be made. The shelf card for the various volumes
of an analyzed serial set will be filed in volume number order immediately
following the shelf card for the complei... set.

106

630.61 U.S. Dept. of Agriculture.
Unit
1954

Marketing; the yearbook of agriculture.
jiashington, D.0.3 U.S. Govt. Print. Off. 119542
(Its Yearbook,
506p. illus., maps. 24cm.
1954)

251. Main entry for
an individual
volume of an
analyzed aerial

0
7ARM PRODUCE - MARKETDIG

252. Tracing for
above volume
of an analyzed
serial

FARM PRODUCE - MARKETING

M0.61 U.S. Dept. of Agriculture.
Unit
1954

Marketing; the yearbook of agriculture.
Orashington, D.0.3 U.S. Govt. Print. Off. t19543
506p. illus., maps. acm.
(Its Yearbook,
1954)

253. Subject card
for individual
volume of a
serial

......1,001.00%.

107

808.5

The Reference shelf.
New York, H.W. Wilson, 19,4'7-.6'0
3v. 20cm.
Library has:

254. Main entry for
serial having
volumes dealing
with specific
subjects

v.29, no.5
v.29, no.6
v.30, no.1

808.5
Refev.29
no.5

McClellan, Grant S
U.S. foreign aid, edited by Grant S. ..cuiellan.
New York, H.W. Wilson, 1957.
216p.' 20cm.
(Reference shelf, v.29, no.5)
Includes bibliography.

ECONOMIC ASSISTANCE, AMERICAN
TECHNICAL ASSISTANCE, AMERICAN
MILITARY ASSISTANCE, AMERICAN
Title.

255.

Main entry for
an individual
volume of
analyzed serial
entered under
its editor

256. Tracing for
individual
volume of
analyzed
serial

SETS,OF BOOKS

A set of books is composed of two or more volumes which have a title in
common and'are bound in uniform or similar binding. The volumes of a set may
be published at the same time or at different times; they may be unified by
sharing the same authorship or they may be written by different authors. They
are usually issued by the same publisher.
If a set has a distinctive title
likely to be well known,, and a general index, the cataloger will catalog the
set as a whole to keep. all of the voltmestogether on. he shelf. If each
,volume has-also a distinctive title, in addition to the common title, title
analytics- may be made for each. Itprint,diteS, and=the,nuMber of volumes in
the collation of a.set in the process -of publiostion:areltTeh in Penal so that
it may be easily changed. When the set is Completed these items may be typed
on the card.

808.8

Eberhart, Wilfred,,ed.
Reading-literature, by Wilfred Eberhart, Irma
Dick Swearingen cand3 Bernice E. Leary. Rev.
Evanston, 111., Row, Peterson c19553
3v. illus. 26cm.

257. Main card for
-a completed
set of books

Contents.- v.1. Your world.- v.2. Your
country.- v.3. Your life.

800.8

Your world.
Eberhart, Wilfred, ed.
Reading-literature, by Wilfred Eberhart, lrma
Dick Swearingen cand3 Bernice E. Leary. Rev.
Evanston, 111., Row, Peterson c19553
3v. illus.
26cm.

Contents.- v.l. Your world.- v.2. Your
country.- v.3. Your life.

258. Title analytic
for the title
of single volume
of a set of books

109

428.6

ed.
Johnson, Eleanor Murdoch, 1892Treasury of literature: read-text Aeries;
selected and ed. by Eleanor M. Johnson and Leland
B. Jacobs.
Columbus, Ohio, C.E. Merrill c1954+'v.
illus. 24cm.

259. Main card for
set of books
not yet complete

Contents.- cgrade 33 Treat shop.- grade 43
Magic carpet.- (grade 53 Enchanted isles.(grade 63 Adventure lands.
(Continued on next card)

0
428.6

428.6

Johnson, Eleanor Murdoch, 1892 Treasury of literature.
0954-

Teacher's manual.

Trerifff ei994-

yv.

Cover title.
Includes bibliographies.

ed.

3 (Card 2)

Columbus, Ohio, C.E.

260. Extension card.
Dashed on entry
for supplementary
title

110

PHOTOGRAPHIC REPRODUCTIONS

With increasing frequency works are being produced by photographic means,
both in microform and microform. This is significant for the book cataloger
when the chief purpose of the reproduction is to make the work available in
its original appearance. Instructions for cataloging microforngrwill be
offered in a Section dealing with non-book materials. Simple. reprints, with
or without identical title pages, do not require special handling.
However,
.works issued by a new publisher for the purpose of producing a duplicate of
an earlier edition are cataloged in such a way as to make thivrelationehip
clear.

If there is a new title page, it is used-to supply material for the body
of the card; otherwise the reproduction of the original title page is used.
In this case the original imprint id followed by the new imprint, inclosed
in brackets, if it does not appear on the title page. No special_treatment
is required in construction the collation. Information concerning the
reproduction is given in a note.

92
_Cibb

398.8

Cibber, Colley, 1671-1757.
An apology for the life of Mr. Colley Gibber,
written by himself. A new ed., by Robert W. Lowe.
London, J.C. Nimmo, 1889.
New York, AMS Press,
1966.
2v. illus., ports. 22cm.

261. Main entry for
photographic
reprint having
new imprint on
title page

Lovechild, Nurse.
Tommy Thumb's song book, for all little
masters and misses, to be sung to-them until they
can sing themselves. 1st Worcester ed.
Worcester, Mass.
I. Thomas, 1788.
cNew York,
F.G. Melchor, 19463
59p. illus.
10cm.

262. Main entry for
facsimile
reproduction.
New imprint not
on title page

113

Macroform photographic reproductions not ptimarily_intended as facsimile
editions are treated as if the cataloger were Working with the original. Since
the size of the reproduction may vary significantly from the original, it is
usually not included in the imprint.
A note is added stating the form of reproduction, imprint of the reproduction,
and its physical description.

828

Taylor, John, 100-1653.
The great eater of Kent; or, Part of the
admirable teeth and stomacks'exploits of Nicholas
Wood.
London, Printed Exy E. Aide for H. Gasion,
1630.
c25zp.

Reproduced by microfilm-xerography.
Mich. , University' Microfilms t196-? 3

Ann Arbor,

19011.

263. Main entry for
print-out _from

microfilm of the
original

112

PHOTOGRAPHIC

tR.1PRODUCT IONS

MICROFORM, - MICROFILMS, MICROCARDS, MICROFICHE

Since microfilms, microcards, and microfiche are photoreproductions of
previously issued printed material, they are entered and described in terms of
the original appearance of the material. This means the entry is determined,
the body of the card is compleded, and the collation is set down as if one were
handling a book form publication. The type of reproduction is set for?) in a
note giving also any relevant data concerning circumstances of reproduction, such
as the lucatiOn of the copy from which the film was made and the imprint of the
reproduction. A physical description of the reproduction follows. For microfilm
this will be the number of reels and a size indication will be given in millimeters.
For microcards the physical description consists of the number of cards followed
their.dimensions in centimeters. For microfiche the form used indicates the
number of sheet and their dimensions in centimeters.
TIvt completion of the set or cards by making the shelf card and any
nac.1s$17 added entries proceeds in accordance to the general principles for
cataloging.
A !-elillot deziignation should be used above the call number of each item.

Classiricslion numbers can be assigned from Dewey.
artnngir6 41 e materials in accession order.

Some libraries prefer

III cr ofilm

372.h25 Whites Alvin Merritt, 1923Vocational education needs of the people of
Dent County, Missouri. 1958.
1121.
illus.
Thesis - University of Missouri.
Microfilm copy of ivvescript.
Ann Arbor,
7.4-,h., University MA,Ircrilms, 3958.
) reel.
35,,rn

264 Main entry
for microfilm
copy of
previously
unpublished
material

113

Microfilm

Lino

Lincoln, Abraham, Pres. 'U.S., 1809-1865.
Abraham Lincoln papers cseries 1-3.
n.d.3
194v.

Ilicrofilm copies of originals in the Library
of Congress.
Washington, D.C., Library of
Congress, 1959. 97 reels. 35mm.
(Presidential
papers ricrofilm)

265. Main entry
for microfilm
showing location
of original work,
number of reels
end series note

Microcard

808.1

Beattie, James, 2735-1803.
Essays: on poetry and music, ss they effect
ttte l^ind; on laughter, and ludicrous composition;
cn the usefulness of elaesca] learning. 3d ed.,
corr.
London, 13. ant; C.
7779.
rus

266. Main entry
;Or microcerd
rerroduction
of single
Jultalt;

Eicroopaque.
Rochester, N.Y., University of
Rochester Press, 1957. 30 cards. 7.5x12.5cm.

:!icrof:ard

97(

nYennly, Thorn:: IcTaine, 1785-1e59.
Hisinr,y of the Indian tribes of North America
wi4h biographical sketches end anecdotes of the
chief:), by Thomas I. Maenney and James
Hall.
Philadelphia, D. Rice, 1842-44.
3v.

;11; ::3

1A1.8 .

:!icro-o; q,e.
Louisville,
';cause3 Pcress, 3956, 17 cards.

Icost3
7.5x12.5cm.
Nineteenth century American llte7sture on
microcard?)

267. Main entry
for microcard
reproduction of
severs) volume::

having partiAry
supplied impr4.W.
and serf es nc'.e

114
I Microfiche

373.1

3hling, William Philip, 1920 Development of a computer model of the factors
which influence high school students to continue
or discontinue their education.
New Dok, 1966.
iii, 102/. illus.

268. Main entry,
,

microfiche of
typed material,
having personal
author

"Research ... supported by the Cooperative
Research Program of the U.S. Office of Education."

"CRP4-242."
Microfilm (negative) of typescript.
c-Bethesda? Md., ERIC cDoeument Reproduction
(Continued on next card)

Microfiche

373.1

Ehling, William Philip, 1920,
DeveloPment of a. computer model of the factors
which influence high school students. 1966.
(Card 2)
Service, 19267.

2 shots.

269. Extension card
of above
example

10x5x150a.

Microfiche

025.3

Genesee Valley School Development AssOciation.
Design for cataloging non-book materials
adaptable to computer use.
Rochester, 114.,

196.
28p.

Microfilm (negative)
gistbeeda, Md., ERIC
Document Reproduction Service, 1971. 1 sheet.
10.5x15cm.
(ED 045 153)

270. Main entry for
microfiche having
corporate author

115

NON-PRINT MATERIALS

Since the present day library has developed from a book center to a
media center, it is inevitable that the librarian will be responsible for
organizing many forms of materials. The filmed materials may include motion
pictures, filmstrips, microfilm, microfiche, transparencies, and slides.
There may be recorded materials such as disc recordings, taps recordings, and
cassettes. Printed materials, in addition to books, may include music, maps,
charts, pictures, and microcarde. In addition to these, there may be globes,
games, roans, and kits calbining so many items t407 sometime defy description.
No one can predict with certainty and limits to thitinde or types of materials
to be found in the libraries of the future. The principles gemming the
organization of all materials remain the sae; the challenge is to make a
satisfactory adaptation of conventional cataloging practices to satisfy the
organization demands of the librarian while meeting the expanding and unforeseen
needs of the library's clientele.

Rules for cataloging non-print materials have.not kept WO' with the
rapid growth in the variety of the materials themselves. Although the AngloAmerican Catalo.* .. Rules offer clear policies for the older forms of nii;book
materials, no
. CO is available for some types of media that are commonly
found in today's media centers. For this reason some of the suggestions offered
in this work have been drawn from other sources in the belief that they answer
felt needs. The chief reference used has been Riddle's Non-Book Materials.
1

In addition to describing non-print materials on catalog cards, the
librarian must decide on a plan for organizing and housing the collection. The
method may be by order of aoquisition for each category of material, but
increasingly for media centers, the trend is to classify the material following
the same scheme as that chosen for the book collection. This organization
facilitates the integration of the collection and allows library users to choose
the most appropriate material for their purposes.
If it is decided to classify materials using the Dewey Decimal Classification,
a symbol representing the type of material should be placed above the call number
such as the following:

Recording of an English drama

822

Filmstrip about trees

582

An alternative procedure wild be to place the name of the type of material
above the Dewey number on all cute in a set ass Filmstrip ; Disc recording
822
582

DISC RECORDINGS

The material presented here is, except for a minor variation in punctuation,
a summary of the instructions for cataloging recordings as given in AshAmerican Catalot
Rules, p. 321-328.

Main entries for recorded materials are established in the same way as
for printed materials. In other words, the recorded words of an author are
entered under the author; recorded music of a composer, under the name of the
composer; recorded works of two individuals without a collective title, under
the name of the person responsible for the first work; recorded works from many
sources and having a collective title, under the title. For disc recordings
the source of information used on the catalog card is the disc label, although
it is frequently necessary to take information from the album cover. The labels
on both sides of a record are considered in the same way as the double spread of
a title page. The card form is the same for recordings as for a book, except
that following the complete title, the word Phonodisc is inserted, enclosed in
parentheses. Recordings may also be in the "ir-"Tar-Fornsapes, cylinders or rolls.
In these instances the terms Phonotam, Phonocylinder, and Ph_ onoroll are used
in thersame way as the term PEonolisc.
People having an author relationship with a recording are usually mentioned
in the body of the card, while performers are cited in a note.
The imprint for a record consists of the trade name of the record or the
producer followed by the album number. If the records have also disc numbers,
these are recorded in parentheses after the album number.
The collation of a phonodisc consists of the number of aides, the size
(diameter in inches) and the playing speed, represented by the number of
revolutions per minute. Two typewriter spaces are left after the first and
second components. If there is more than one album, this is indicated in
addition to the number of sides in the following form: 3 albums (12s.).
Stereophonic recordings may be so designated by adding stereo. after the
playing speed if it appears on record label or album cover.
As for books, the complete set of cards will consist of the main entry,
shelf card and any added entry cards. Added entry cards are traced and made
in the same way as for books:- -

Records may be either classified by Dewey or arranged by order of accession
depending on the kind of use to be made of them. Some collections have used
broad categories by type of content, as dramas, symphonies, vocal music, children's
stories, dance music, etc.

-.--,....--

117

Disc recording

r
Shakespeare, William, 1564-1616.
Troilui and Cressida (Phonodiac)
(X5440-5443)
2 albums (8s.) 12in. 33 1/3rpm.

822

London A4413

271. Recording of a
play entered
under author

so rec

500

Teller, Edward, 190P.
The size and nature of the universe. The
theory of relativity (Phonodisc) Directed by
Arthur Luce Klein.
Spoken Arts 735 (10-01)78240-

272. Main entry.
Title taken
from both sides.

HS-W-8241)
21.

12in.

33 1/3rpm

"Presented in collaboration with General
Dynamics Corporation."

Disc recording

831

Goethe, Johann Wolfgang von, 1749-1832.
Jugendlyrik and Balladen (Phonodiso)
Deutsche
Grammophon Gesellschaft ISMS43008.
2s. 12in. 33 1/3rpm.
(Literarisches Archly)

273. Main entry
for recording
in German

Disc recording

371.33 Dale, Edgar, 1900 The improvement of teaching through audiovisual
materials (Phonodisc) 3y Edgar Dale and James D.
Educational Record ing Services.
Finn.
(Educational growth
2s. i2in. 33 1/3rpi.
series)

274. Main entry
for recording
with joint
authorship

Disc recording

784.4

Anglo-American folk songs (Phonodisc)
Records FP37.
2s. 10in. 33 1/3rpm.

Folkways

275. Main entry
under title

Cover title: Anglo-American ballads.
Hermes Nye, with guitar.

Disc recording

283.3

Dukas, Paul Abraham, 1865-1935.
iLlapp'renti sorcieri (Phonodisc)
The sorcerer's apprentice, L'apprenti Bonier.
Scherzo d'apres une ballade de Goethe.
Victor
LM1118.
is. 12in. 33 1/3rpt.

276. Math entry
for musical
recording showing
uniform title
devisod from
distinctive title

119

Disc recording

785.1

Sibelius, Jean, 1865-1957.
LSymphony, no.2, op.43, D major3 (Phonodisc)
Symphony no.2 in D major, op.43.
Columbia
ML5207.
2s. 12in. 33 1/3rpm.
(Columbia masterworks)

277. Main entry for
a musical
recording,
using uniform
title devised
from title based
on a musical form

Philadelphia Orchestra; Eugene Ormandy,
conductor.

Disc recording

782.6

278. Main entry for
Loewe, Frederick, 1904EMY fair lady. Selections3 (Phonodisc)
recording involving
Hy fair lady. Book and lyrics; Alan Jay Lerner.
words and music.
Columbia OL5090.
Entry under composer
2s. 12in. -33 1/3rpm.
(Columbia masterworks)
of music. Uniform
title indicates
Starring Rex Harrison and Julie Andrews.
selections from
"Adapted from Bernard Shaw's Pygmalion."
complete work

Disc recording

Fiction Wilde, Oscar, 1854-1900.
The happy prince (Phonodisc) Adapted and
directed by Orson Welles; musical score camposed
by Bernard Hermann and directed by Victor Young.
Decca DA-420 (DA40007-DA40008)
(Specialty series)
4s. 10in. 78rpm.

Sing Crosby and Orson Welles, narrators, with
supporting cast.

279. Main entry
showing authors
in body of card;
performers in a
note

120

Disc recording

Fiction Andersen, Hans Christian, 1805-1875.
Stories (Phonodisc) Tr. and told by Paul
Bluebird BC10
Leysaac with sound effects.
(B515-B517)
6s. 10in. 78rpin.

280. Main entry
showing
translator in
body of card

Contents.- The emperor's new clothes.- The
steadfast tin soldier.

Disc recording

220

Bible stories for children (Phonodisc)
Capitol
DB-94 (25019-25020)
(Children's series)
4s. 10in. 78rpm.
Claude Rains, narrator.
Contents.- Noah and the ark.- Moses in the
bulrushes.

281. Title main
entry for
recording.
Performer
mentioned
in note

Disc recording

782.1

Webber, Andrew Lloyd.
cJesus Christ superstars (Phonodisc)
Jesus Christ superstar, a rock opera.
Tim Rice.
Decca DXA7206.
4s. 12in. 33 1/3rpm. stereo.

Music by

282. Main entry,
musical recording,
stereophonic
sound

121

Disc recording

785.3

Kodalx, Zoltan, 1882airy
Suit") (Phonodisc)
Suite from Hary Janos (and) Variations on a
Hungarian folk song, The peacock.
RCA Victor
LSC2859. c1966)
2s. 12in. 33 1/3rpm. stereo.

283. Main entry,
stereophonic
musical recording,
title from both
sides

Boston Symphony Orchestra; Erich Leinsdorfs
conductor.

Disc recording

811

Frost, Robert, 1874-1963.
The runaway tend other poems) (Phonodisc)
Library of Congress Recording Laboratory P29.
gs. 12in. 33 1/3rpm.
(Twentieth century
poetry in English)

284. Series note
on recording
card

Disc recording

973

Sing-a-song of presidents (Phonodisc)
Written by Bob Well and Dick Morros; arrangements by Arnold Holop.
Records of Knowledge
2001-2C04.
2 albums (89.) 10in. 78rpm.
Contents.- v.l. George Washington. John Adams. Thomas Jefferson. James Madison.- James Monroe.
John Quincy Adams.- Andrew Jackson. Martin Van
Buren.- v.2. William H. Harrison. John Tyler. (Continued on next card)

285. Phonodisc card
with contents
note

122

Disc recording

973

Sing-a-song of presidents (Phonodisc)

(Card 2)

James Polk, Zachary Taylor.- Millard Fillmore.
Franklin Pierce.- James Buchanan. Abe Lincoln.

286. Extension card
for phonodisc
card with
contents note

Disc recording

813

Welty, Eudora, 1909 -

Eudora Welty reading from her works (Phonodisc)
Caedmon TC1010.
2s. 12in. 33 1/3rpm.

287. Phonodisc
contents
note

Contents.- Why I live at the P.O.- A worn path.
A memory.

Disc recording
jt. author.
Finn, James D
372.33 Dale, Edgar, 1900 The improvement of teaching through audiovisual materials (Phonodisc) By Edgar Dale and
Educational Recording Services.
James D. Finn.
(Educational growth
2s. 12in. 33 1/3rpm.
series)

288. Joint author
added entry

123

Disc recording

822

The importance of being Earnest.
Wilde, Oscar, 18511-1900.
The importance of being Earnest (Phonodiso)
Theatre Masterworks GRC-2566.
he. 12in. 33 1/3rpm.

.11

Disc recording

891.73

Doctor Zhivago.
Pasternak, Boris Leonidovich, 3890-1960.
Poems from Doctor Zhivago (Phonodisc)
Arts 756.
2n.

289. Title added
entry

12in.

'Spoken

33 V3rpm.

290. Title added
entry for title
different from
label title

Read in Russian by Tatiana Probers.

C.)
Title:

Doctor Zhivago.

291. Tracing for title
heading differing
from title on
record label

Disc recording
Leyssac, Paul.
Fiction Andersen, Hens Christian, 1805-1875.
Stories (Phonodisc) Tr. and told by Paul
Leyssac.
Bluebird BC10 (B515 -B517)
Gs. 30in. 78rpm.

292. Added entry for
translator and
narrator

1214

Disc recording

220

BIBLE - STORIES
Capitol
Bible stories for children (Phonodiac)
DB-94 (25019-25020)
(Children's series)
10. 10in. 78rpm.

293. Subject
added entry

Claude Rains, narrator with orchestra.

Disc recording

973

PRESIDENTS - U.S.
Sing-a-song of presidents (Phonodisc)
Written by Bob Well and Dick Morros; arrangeRecords of Knowledge
ments by Arnold Holop.
2001-2004.
2 albums (8s.) ]Ain. 78rpm.

294. Subject added
entry using
short form of
unit card

For contents, see main entry.

Disc recording

782.8

Lerner, Alan Jay, 1918 Loewe, Frederick, 1904cltr fair lady. Selections3 (Phonodisc)
My fair lady. Book and lyrics: Alan Jay
Columbia OL5090.
Lerner.
(Columbia masterworks
2s. 12in. 33 1/3rpm.

Starring Rex Harrison and Julie Andr' I.
"Adapted from Bernard Shaw's Pygmal ion."

295. Librettist added
entry for
recording of a
musical comedy

125

TAPE RECORDINGS

Tape recordings are handled in the same way as disc recordings with respect
to entry. Since. there is no label, and frequently no permanent container; from
which to transcribe the title, it is usually taken from the introduction heard
on the tape.
In some cases the cataloger must supply a title, which is then
enclosed in brackets. The term Phonotlee in parentheses is added after the
title. The imprint consists of the name of the producer, and serial number of
the tape if the producer is known primarily as a producer of recordings.
Otherwise the imprint includes the place of publication, publisher, date of issue,
and the serial number or numbers of the recordings. Since tapes 'are often
records of addresses, public occasions, and actual happenings, the.date may be
specific as to month and day, in addition to the year.
The collation is made up of the number of reels, followed by the size
(diameter in inches) in parentheses and the playing speed, represented by the
number of inches of tape played per second. A typical collation reads:
1 reel (5in.) 3 3 /gips. The collation for cassette tape recordings consists
of the number of units and the designation stereo. if applicable. For example:
1 cassette. stereo. It is not necessary tringrcate speed since all cassettes
are the same, but if the playing time is available it is given in a note having
the following form: Duration: 18 min.
Notes may be used following the pattern for disc recordings.
Sets of cards will consist of the main entry, shelf card and the necessary
entry cards.
Call numbers for tape recordings may be assigned in the same way as for
disc recordings.

126

Tape recording

80?

Jacobs, Leland Blair, .1907-

Expanding horizons through literature (PhonoMuncie, Ind., Bail State Teachers College,
tape)
Apr. 17, 1953.
1 reel (5in.) 3 3/hips.

296. Main entry
for tape
recording.
Note indicates
occasion

Single track.
Recorded at the-spring conference of the
Indiana School Librarians.Aesociation.

Tape recording

100

Frankel, Charles, 191?New York,
What ic philosophy? (Phonotape)
Academic Recording Institute, 01959
1 reel (5in.) 3 3/hips
Dual track.
Interview of Charles Frankel by John Fischer.

297 Main entry
for tape
recording.
Notes indicate
number of tracks
and type of
content

Tape recording

371.623 What about planning new industrial arts facilities
Washington,
Panel presentation (Phonotapo)
D.C., American Industrial Arts Association,
Aug., 1968.
1 reel (7in.) 71stps.
Single track.
Recorded at the Washington Symposium, Aug.
17 -18, 1968.

298. Tape recording
entered under
title. Note
indicates
occasion

127

Cassette

Cunningham, Luvern L
The administrator and change (Phonotape)
212.
Chicago, Instructional Dynamics 19707
1 cassette.
(Educational research and policy

371.2

299. Main entry for
cassette entered
under author

Dual track.
Duration: 26 min.

Cassette

The Civil War as it happened (Phonotape)
Holyoke, Mass., Tecnifax Education Division,
c1970. 70019-219, 70019-229, 70019-239,
70019-249, 70019-259, 70019 -269.
6 cassettes.

973.7

300. Main'entry under
title. Nonconsecutive serial
numbers separated
by commas

Dual track.
Duration: 10 to 20 min. each.

Cassette

613.8

The Drug threat; your community's response
(Phonotape)
Pleasantville, N.Y., Guidance
Associates, c1970. 100-915.
2 cassettes.
Double track.
Side 1, manual projector; -ide 2, automatic
projector.
Duration: 15 min. each.

301. Entry under title.
Note indicates
accompanying
visual material

128

FILMSTRIPS

Anglo-American CataloginK Rules call for both filmstrips and motion
picturesto be entered under title since both are ordinarily made by production
organizations and represent the work of many individuals working together.
Cards are always in hanging indention form, with the title beginning at first
indention and the second line and successive lines of the body of the card
beginning at second indention. The term FiImstri in parentheses follows the
title. Thg imprint of both films and filmstr ps usually consists of the producer
and the date. Occasionally different firms may be responsible for editorial
supervision, for production, or for distribution. In such a case both may appear
on the catalog card. No information in the body of the card will be bracketed
if it is secured from the container, or the accompanying text or user's manual.
The collation of a single filmstrip will show the number of frames, followed by
the abbreviation fr. The collation will also indicate the presence of color by
the appropriate term, the abbrbviatnn b&w or color. For a set of filmstrips the
collation will show the number of the set. The nuMber of frames in each strip of
a set may be shown in the contents note Immediately following each title in the
set.

Filmstrips may be classified by Dewey or assigned accession numbers.
A
designation above the classification number on all cards is used to show the
form of material as Filmstrip for a filmstrip about animals. An alternative is
591

FIlmstrip, Filmstrip, Filmstrip, etc. for accession Trubered filmstrips.
1
2
3
Guides and other material accompanying filmstrips may be assigned the call
number of.the strip and, if it is not possible to package all related items together,
stored by classification =fiber in a standard legal size filing cabinet..
Added entries are made as necessary in the usual pattern.

129

ilmstrip

X21.11.

Eye
The Wonder of the steam engine (Filmstrip)
Gate House, 1952.
(The wonderland of science, 1)
25fr. color.

302. Color filmstrip
main entry

Filmstrip

425

Young America
Nouns and their uses (Filmstrip)
Films, 1952.
(Fundamentals of English
58fr. color.
series, no. 1)

303. Color filMstrip
main entry with
series note

;13nstr it

738

Encyclov!edia
We wvrk with clay (Filmstrip)
Sritannica Films, c1953. Made by W.F. Oottlieb
Cc.

h7fr.

796

color.

(Art in our classroom)

Yale
The story of American sport (Filmstrip)
University Press Film Service, 1956.
(Pageant of America filmitrips
40fr. b&w.
(11.22)

dtth :chers guide.
Correlated with the Pageant of America.

304. Filmstrip
produced and
distributed by
different firms

305. Main entry black
and white filmstrip showing notes
indicating accompanying guide and
related publication

130
Filmstrip

724.9

The Architecture of Frank Lloyd Wright (Filmstrip)
Museum of MOdernArt.
Released by H.E. Dudek
Co., 1954.
5 filmstrips. blow.

306. Main entry for
filmstrip Showing
both producer and
distributor in
body of the card

Filmstrip

551.5

Earth science series; weather and climate (Filmstrip)
Ward's Natural Science Establishment,
1964.
6 filmstrips.

307. Main entry
for set of
filmstrips

color.

Contents.- 1. Atmosphere and its interpretation.
64fr.- 2. Our air conditioned earth. 60rr.- 3. our
changing weather. 66fr.- 4. Our stormy planet.
62fr.- 5. Castles in the air. 61fr.- 6. Climates
of the world, 58fr.
(Continued on next card)

Filmstrip

553.5

Earth science series; weather and climate (Filmstrip) 1964.
(Card 2)
Container title for pt.5:

Ath teaching guide.

Castles in the sky.

308. Extension card
for main entry
showing note
indicating
variant title

131

SOUND FILIISTRIPS

Sound filmstrips are cataloged from the standpoint of the filmstrip, with
the disc appearing as part of the.collation, for example: 60fr. blew. and
phonodisc: ls. 12in. 33 1/3rpm. For a color filmstrip use the following forma
52fr. color and phonodisc: ls. 12in. 33 1/3rpm. The location of the
recording is indicated in a note, if it is not possible to store the strip and
recording together. In this case, a complete set of cards is made for the
filmstrip. A shelf card only is made for the disc or tape supplying the sound.
The preferable practice in media centers is to catalog and store interdependent
media together.

Sound
Filmstrip

595.7

Introduction to the insects (Filmstrip)
U.S.
Public Health Saryice c19533
67fr. color and phonodisc: ls. 16in.
33 1/3rpm.

309. Main entry of
sound filmstrip
showing collation
of strip and diet

Accompanying disc.

Disc recording

595.7

Introduction to the insects (Phonodisc)
Allied
Record Manufacturing Co. Lfor U.S. Public Health
Service P17348.
(Public health records)
is. 16in. 33 1/3rpm.
Call number of accompanying filmstrip:

595.7

310. Shelf card
for'disc
accompanying
filmstrip if
strip and disc
are not stored
together

332

3°1130

Mlstrip
949.61 Exploring Turkey (Filmstrip)
International
Communications Foundation 019593
7 filmstrips. color and 4 phonodiscs: 7s.
32in. 33 1/3rpm.

Contents.- pt.1-2. History of Asia Mawr. 72,
(Arr.- 0..3-4. City life. 56,51fr.- pt.5-6. Village
life. 53,58fr.- pt.?. Art of Asia Manor. 85fr.

311. Main entry for
sound filmstrip
with more than
one disc.
All are stored
together

-gma
Filmstrip
371.2

A New look at the superintendency of education
(Filmstrip)
Made by Center cfor3 Improving
Group Procedures, Teachers College, Columbia
University. Released by Council for Administration Leadership, 01955.
color and phonotape: I reel (5in.)
53fr.

312. Main entry for
sound filmstrip
with tape

Tape recoraing

37-,.2

An Analysis of the role of the (tie school administrator (Phonotape)
Council for Administrative
Leadership j9617,

I me) (51n.) 7?ps.
Call number of accompanying filmstrip:

37) .2

313. Shelf card for
tape accompanyidt
above filmstrip.
To be used If they
cannot be stored
together

133

ADDED ENTRIES FOR FILMSTRIPS

Filmstrip

.83

ODYSSEUS
Ulysses and Circe (Filmstrip)
Society for
Visual Education C19563
44fr. color.
(Hero legends of many lands)

314. Subject
added entry
for filmstrip

zfilmstrip

Bradfield, Margaret, illus.
Fiction Cinderella (Filmstrip) Story adapted and illustrated by Margaret Bradfield.
Young America
Films, cl947.
Ofr. color.

315. Illustrator
added entry
for filmstrip

Filmstrip
Cooper, Robert Holiday, 1901-

M.72 Bringing Indiana lac the classroaa (Filmstrip)
Produced by Robert H. Cooper and Earl A.
Johnson.
Released by Science Education Film

Service 09563
6 filmstrips.

color.

316. Added entry
for person
as producer
_of filmstrip

134

Filmstrip
Atkinson, Eleanor Stackhouse, 1863-1942.
Greyfriar's Bobby.
Fiction Greyfriar's Bobby finds a home (Filmstrip)
Encyclopaedia Britannica Films, c1961.
55fr. color.
(Walt Disney dog stories)
Based on E.S. Atkinson's Greyfriar's Bobby.

DOGS - STORIES
Atkinson, Eleanor Stackhouse, 1863-1942.
Greyfriar's Bobby.

317. Author-title
added entry for
literary work
on which filmstrip is based

318. Tracing on back
of main entry
for above
filmstrip

Filmstrip
Bible.
221

Bible.

Noah and the ark (Filmstrip) Story adapted by
Edith Thacher Hurd; illus. by Clement Hurd.
Young America Films, c1947.
45fr. color.'

319. Anonymous classic
added entry,for
work on which a
filmstrip is based

320. Tracing on back
of main entry
for above
filmstrip

135

Filmstrip
Filmstrip on current affairs, Jan., 1961.
New York
China: communism in Asia (Filmstrip)
Times, Office of Educational Activities, c1961.
(Filmstrip on current affairs, January,
59fr.
1961)

951

321. Series added
entry for
filmstrip

If the word Filmstrip is not a part of the name of a filmstrip series,
it is added in parentheses after the name of the series. It is followed by
the number of the filmstrip in the series.

Filmstrip
Fundamentals of English series (Filmstrip) no.1.
Young America
Nouns and their uses (Filmstrip)
Films, c1952
(Fundamentals of English series,
58fr.
color
no.1)

425

322. Series added
entry for series
not having the
word filmstrip
in its title

Analytic subject and title entries may be made for individual strips
within a set.
Filmstrip

425

Using good English (Filmstrip)
Visual Education, 1956.
4 filmstrips. color.

Society for

323. Main entry
for set of
filmstrips

Contents.- pt.l. Building good sentences. 40fr.pt.2. Using plurals correctly. 39fr.- pt.3. Possessives, contractions and abbreviations. 40fr.- pt.4.
Using capital letters and abbreviations. h3fr.

0
ENGLISH LANGUAGE - GRAMMAR
Title analytics for contents.

324. Tracing for set
of filmstrips
needing title
analytics

136

Filmstrip

425
pt.1

Building good sentences.
Using good English (Filmstrip)
Visual Education, 1956.
4 filmstrips. color.

325. Title analytic
for single part
of set showing
partial contents
note

Society for

Partial contents.- pt.l. Building good
sentences. 40fr.

Filmstrip

523

The Story of the universe, unit 2: The solar
system (Filmstrip)
Films for Education, c1959
6 filmstrips. color.

326. Main entry for
set of filmstrips

Contents.- 1. Introduction to the solar system.
6lfr.- 2. Mercury and Venus. 44fr.- 3. Mars. 49fr.4. The giant planets: Jupiter, Saturn, Uranus and
Neptune. 80fr.- 5. Between the planets. 63fr.- 6.
Our sun. 48fr.

Filmstrip

'523

pt.6

SUN
The story of the universe, unit 2: The solar
system (Filmstrip)
Films for Education, c1959.
6 filmstrips. color.

Partial contents.- 6. Our sun. 48fr.

327. Subject analytic
for single strip
in set using
partial contents
note

Filmstrip

523
pt.4

The giant planets.
The story of the universe, unit 2: The solar
system (Filmstrip)
Films for Education, °1959.
6 filmstrips. color.
Partial contents.- 4. The giant planets:
ter, Saturn, Uranus and Neptune. 80fr.

Jupi-

328. Title analytic
for single strip
in set using
partial contents
note

137

Fnms
The cataloging of films and filmstrips is similar with respect to determination of entry and the content of the body of the card. The term Motion
picture in parentheses follows the title. The imprint consists of the producer
and the date. The collation consists of the running time in minutes, followed
by the sound indication, the color indication, and the width of the film in
millimeters. Black and white films are indicated by using the abbreviation
b&w; others are designated as color. Sample collations follow:
14min.
13min.

sd.
sd.

color. 16mm.
b&w. 16mm.

Films may be organized by Dewey classification or in accession order:
The same principles and possibilities hold for films as for filmstrips as
far as making sets of cards, tracings and added entries.

ilm

7142

Discovering perspective (Motion picture)
Associates of California, e1962.
16mm.
sd. color.
14min.

Film

329. Main entry for
a sound color
motion picture

Film

655.7,

BritPrinting through the ages (Motion picture)
ish Ministry of Education. Released in U.S. by
Encyclopaedia Britannica Films, c1950.
sd. b&w. 16mm.
13min.

330. Main entry for
black and white
sound film

Film

808.3

FICTION - HISTORY AND CRITICISM
The Novel: What it is, what it's about, what it
Encyclopaedia &'itandoes (Motion picture)
nica Films, °1962.
(The humanities,
35min. sd. color. 16mm.
series 2)

331. Subject added
entry for
film

138

Film

822

SHAKESPEARE, WILLIAM, 1564-1616
HAMLET
EncycloWhat happens in Hamlet (Motion picture)
paedia Britannic* Films, °1559.
(The humanities:
29min. color. 16mm.
Hamlet)

332. Subject added
entry for literary

work

Film

420.9

New York. State University, Buffalo.
History of the English language (Motion picture)
University of Buffalo 0_9573
(Language and
30min. sd. bdcw. 16mm.
linguistics, no.10)

333. Added entry for
institution
responsible for
the film

In making a series added entry the term (Motion picture) follows the name
of the series in the heading. The number of the individual film within the series
follows the media designation.

oop 3

The humanities, series 2 (Motion picture)
The novel: Early Victorian England and Charles
Dickens (Motion picture)
Encyclopaedia
Britanniea Films, c1962.
(The humanities,
34min. sd. color. 16mm.
series 2)

334. Series added
entry for
film

File
1120.9

language and linguistics (Motion picture) no.10
4Istory of the English language (Motion picture)
Thiversity of Buffalo c19573
30min.
sd. lAw. 16mm.
(Language and

Unguistics, no.10)

335. Series added
entry

139

CARTRIDGE FILMS

As cartridge loop films are increasingly used in independent study, the
rules for cataloging given in the Anglo-American Cataloging Rulesdo not seem
adequate for their organization iniidia centers. Riddle's suggestion of a
special medium category (Motion icturelom) and the use of the term cartridge
ihti manual, however, the AACR directives
in the corlation have their merits.
are followed except for the width designation of the film. In this case the
description, super 8mm. is used if it is appropriate.
Entry is made and cataloging done in the same way as other items with the
medium designation (Motion picture) following the title. The collation consists
of the running time, designation indicating silent, si., Bound, sd., b&w. or
color, and the width in millimeters. A super 8 film is so indicated:17r examples
SW. si. color. super 8mm.
J

For a set of caAridge films use the number of cartridges before completing
the collation in the standard form. For example; 3 cartridges (4min. each) si.
color. super 8mm.
Fill loops may be classified by Dewey or arranged in accession order but it
is suggested they hsve their own storage category separate from longer films.
Added entries may be male in the same way as for films and filmstrips.

140

Film cartridge

746.1

Weaving: box loan (Motion picture)
Hester and
Associates c1966?3
4min. si. color. super 8mni.
(Arts concepts
series)

336. Main entry,
cartridge film

With film guide.

Film cartridge

7p6.32

Power volleyball (Motion picture)
Athletic
Institute, cl968.
5 cartridges (3-4min. each) si. color.
super 8mm.
(Educational sports techniques)
Contents.- 2. The serve.- 2. The underhand
pass.- 3. The set.- h. The spike.- 5. The
Japanese roll. The 1,--)ck.

337. Main entry,
set of loop
films in
cartridges

SLIDES

Slides may be cataloged by applying the principles for organizing other
filmed materials. As a rule, slides are produced in sets and will serve the
purposes of the user if they are cataloged as sets unless the set is so large
and diverse that breaking it into subsets covering detailed topics would be
more advisable.
In a few cases it might even be useful to catalog slides individually.
Entry is usually under title except that slides of an artist's work will
be entered under the artist's name. If no getieral title for the set is on the
slides, it may be taken from a dealer's catalog, or supplied by the cataloger.
The imprint consists of the prodimer'and date. The collation consists of the
number of slides in the set, the color indication, and the dimensions of the
slides. Indication that a set is partly colored may be made thus:
12 slides (part col.) The complettcn of the main entry and making of the set
of cards follow the usual cataloging principles. Persona] added entries are
seldom made, but subject added entries are of great importance.
Slides can be classified by the Dewey Decimal Classification scheme or
Added in accession order.

Slide

rq,

Insect homes (Slide)
n.d.
f2 slides. color.

West Coast Visual Service
2x2in.

Contents.- 1. Potter wasp.- 2. Almost mature
wasp.- 3. Como:, dauber wasr.- h. Open ce11a._
5. Related mud dauber wasps.- 6. Butterfly home. 7. Butterfly home, split home.- 8. Case bearer
worms,- 9. Plant lice.- 10. Aphid reproduction. 11. Aphid shells.- 12. Thread waisted wasp.

338. Main entry for
set of slides,
date unknown

1142

Slide

591

Animal kingdom (Slide)
House c1957 3
8 slides. color.

General Biological Supply
2x2in.

339. Main entry
for set of
slides with
guide

With guide.
Contents.- 1. Protozoa.- 2. Porifera.3. Coelenterata.- 4. Worms.- 5. Arthropods.Molluscs.- 7. Echtnodermata.- 8. Chordate.
.

Slide

751.1414

DECORATION AND ORNAMENT, YVOOSLAV/AN
Yugoslavia: mediaeval frescoes (Slide)
c1959.
30 slides.
series no.2)

color.

2x2in.

With guide.
For contents, see main entry.

UNESCO,

(uNrsco art slides,

3140. Subject

added entry
for slide

1143

Slide

759.6

Picasso, Pablo, 1881 McGraw-Hill c1969?3
Picasso (Slide)
20 slides. color. 2x2in.
(McGraw-Hill great
masters series)

3141.

Slides of
artist's work
entered under
artist's name

With guide.
Contents.- 1. Portrait of A woman.- 2. The blind
man.- 3. La vie.- 14. Acrobat's family with an ape. 5. Three Dutch girls.- 6. Gertrude Stein.- 7. Still
life.- 8. Woman in green.- 9. The accordiantst.10. Bottle, glasc, and violin.- 11. Glass of
absinthe.- 12. Guitarist.- 13. Mother and child by
(Continued on next card)

tide

759.6

Picasso, Pablo, 1881Picasso (Slide)
t1969?)

3142. Card 2 of above

(Card 2)

the sea.- 1l1. Three musicians.- 15. Mandolin and
guitar.- 36. Bather playing with a ball.- 17.
Seated woman with v book.- 18. L'Aubade.- 19. The
woman of Algiers.- 20. Woman's profile on red
background.

main entry

TRANSPARENCIES

TFansparencies may be handled similarly to slides. They are entered
under title unless an author or artist is clearly indicated. Occasionally
the cataloger may need to supply a title. If so, it is enclosed in brackets
and follomed by the medium designaticn (Transparency). The producer and date
comprise the imprint.

Fnr collation use the number of pieces, color designation and the
dimensions of the piece in inches. For example: 1 piece. colnr. HX12in.
Transparencies having attached overlays eve considered as 3 piece. Notes may
indicate the presence of overlays.
The making of a complete set of Cards and determination of the necessary
added entries foncus the usuel cataloging principles. Personal entries are
seldom needed, 'cut Tlbjcct entries are of primar5, importance.

Transparencies may he classified by Dewey or stored in accession order.

'"rem:; nr,-.!wy

591.

Animal eel)

strw:ture (Transparency)

C. Beseler

343. Main entry for
transparency with
overlay

Scott

344. Main entry for
set of
transparencies

c 1963? 3

1 piece.

eQlor.

Ax10In.

overltv

Tray :pare:

001

visual cor mnication:; (Transparency)
Educati on Division. E1966? 3
8x3Oin.
13 pieces. ccl cr

With teacher's guide.

1145

MAPS

Because of their form and function maps require epecial consideration in
applying cataloging principles. The complete map is considered is a title
page and any available information on it may be used. Only informat!on taken
frorl witside sources must be bracketed.
Maps are entered under the person or body responsible for them. The title
the cataloger if none appears on the face of the map. The
may be supplied
imprint consists of the place, publisher end date, in the usual form.

'he collation for a single map will consist of the word mu followed by

Ithe

set will
it:. dimensions in centimeters. For a set of maps the lumber
preoeee the term mars. For colered maps the abbreviated qua?ification col. is
L*,;(1 ;receding the word am. Typical collations are:

,;(-1 .map 2)0:30Cin

7 .:0'.maps 25x3Scm.

Large mars may need to be folded for storage.

Typical collations for them

would 1,e:

map alx67cm. fold. to 33cm.
? ma,;s 75x90cm. fold. to 25x28cm.

(For item wi,h folded width exceeding height)

If it is available the soale of the map should be given as the first note,
Scale: 1:1,000,000.

1:::irc; the form:

71w designation gap above the classification number will readily identify
the tn,. of nnt.zrial i indicate its location to the user.

917.72

Indiana Council of Teachers of English.
A literary map of Indiana, prepared by Indiana
Council of Teachers of English cand3 the Indiana
cIndianapolis?3
College English Association.
c1956.
col.map 17x28cm.

345. Main entry
for single
colored map

146

Added entries may be traced and made to represent maps in the same way as
for books.

AMICAN LITERATURE - INDIANA - HAFS
Indiana College English Association.
Title.

346. Tracing on bet*
of main entry

The subdivision MAPS may be added to a subject heading.

AMMAN LITERATURE - ]DIANA - MAPS
917.72

2;37.72

Indiana Council of Teachers of English.
A literary map of Indiana, prepared by Indiana
Council of Teachers of English cand3 the Indiana
College English Association.
c/nlianapoliO3
01955.
crl.map 17x2&:m.

Indiana College English Association.
Indiana Council of Teachers of English.
A ?itctrAry mar of Indiana) prepared by Indiana
Cflutoil of Teachers of English cand3 the Indiana
College End1ish AssociOlon.
indianapolis?
c1256.

347. Subject added
entry for map

AS. Added entry
for assisting
organization

col.map 17yVoN.

557.69 Maarlan, Arthur Crane, 1897
Geologic map of Lincoln County, Kentucky.
Frankfort, Kentucky Geological Survey, 1929.
map 81x67cm. foll. to'31cm.
(Kentucky
Geoloejoal Survey. Series 6, 1925)

349. Nein entry
for map,
personal entry
with series
note

147

GLOBES

Globes, which are merely maps mounted-on a sphere, should be entered
imprint
under the author, usually a corporate body, responsible for them.
consists of place, publisher and date, unless the entry and publisher are the
same. In such a case use only place and date. Necessary cataloging data may
be taken from the container or accompanying material without indicating source
and following the rules for handling maps as given in the La2-American Cataloging
Rules, p. 272-281. Typical collations would then be:
globe 24cm. in diameter.
col. globe 30am. in diameter.
col. celestial globe 26em. in diameter.
A globe in hemispheres would then be so indicated:
co'. globe (2 pieces) 30cm. in diameter.
Classification or accession nulihers can be used for organizing globes,
making certain all accompanying material are labeled to correspond with the
globe.

Added entries can be made and set of cards comp7eted according to usual
cataloging ::racti.ces.

148

Globe

525

Hubbard (Tag.) Scientific Company.
Physiographic relief globe.
eNorthbrook,
111., 19643
globe (2 pieces) 26cm. in diameter.

350. Main entry
for globe

Free globe in plastic cradle.

Globe

523.8

Huboard (T.N.) Scientific Company.
Transparent celestial globe.
cNorthbrook,
111., 19663
col. celestial globe 31cm. in diameter.

351. Main entry
celestial
globe

Edmund Scientific Company.
Edmund mini-moon.
Barrington, !1.J., c1970.
globe 30cm. in diameter.

352. Main entry for
lunar globe

Globe

523.3

Free globe in wooden cradle with measurement

149

PICTURES - STUDY PRINTS, ART PRINTS, PHOTOGRAPHS, CHARTS

It will often be possible to organize pictorial materials according to a
subject scheme such as is used for pamphlets and other materials not of sufficient importance to justify cataloging. There are times, however, when the
subject scheme is not adequate; or, when the importance of the artist, or designer, make separate cataloging desirable. These materials are covered in the
Anglo- American Cataloginu Rules, p. 329-342, and in Riddle's Non-Book Materials.
The pictorial representation should be entered under the name of the individual
or body responsible for it if such information can be determined. Works of
individual artists are entered under the artist; works of a corporate body,
under the name of the body, and works resulting from efforts of many individuals,
under title. Reproductions of originals are entered in the same way as originals.
If no title appears on the wick, the cataloger may supply an appropriate title.
The imprint consists of the place and publisher, if it appears on the work, and
a date. Me date may be the date of execution, or publication. In the absence
of a dcte on the l'iece the cataloger may supply an approximate date or use the
abbreviation n.d. The supplied date will he enclosed in brackets.
The examrles in this manual use Riddle's practice of placing medium desig-

notion (Std print), (Art =Lao, (Chart), or (Picture) following the title
tr, indicate specific categories of mare-Ras.

The conaqon nonsist9 of the term describinc the item, preceded by the
one, and the dimensions in centimeters, height given
numb :r of items if rocr
Color will be
first, exce;'t for photographs, which are measured in inches.
deiznated b;,, col. preceding the descriptive term applied to the material.
Media collections cmtaining few original works will not need an extended list
of terms d,.:ncribi,7, the proch1cti2n medium.

0,/1aiinn ro.atelfmts are:
phrsto. l0x8in.
6 co] . 2ho.4.,os. 10xclin.

chart 401x60cm.

col. prints 27x33cm.

Added entries may be made for the names of persons or corporate bodies
connected with the work, for subjects, and for titles as necessary.

Items can be asegned by Dewey in the various categories.

150

Picture

917.755

VicOnia.

Dedf. of Conservation and Economic

Devel opment
1.4out 'lemon (riot-arr.)

cilichmond? 1962?3

353. Photo having
corporate author
entry

photo. Px101n.

Chart

rr"..0

rniversity. 13ueau of Economic Itel e:-^r.
section of Permian and Pennsylvsnip.t,
Nrrth-Central. Texas (Chart)
nrristiens

'711xas.

cAtstirt, 19153
chor". '.' 01,x 30e n .

"No. 360."

cnr1 entered
under .orporate
author

Two.

lAS1:1.e (Art 1:1 :')
Pub. no. cn.l.
print /45x60cm.
cca
"Pri''

.714. Main entry

51witzerland."

355. Main entry
rtw Ycrl.:, Artistic

for art print.
No date
avail rbl e

'Si

Art.

/Tint
Ren,,ir, Al..sast?., 'P41-1979.
l'aitters (Art print)
Deux bPigneesee.

Pariuj F. Hazan.)

:4.56. Art print.

Tit1P in Um
7anguages

friqt 211.7.22em.

1179,c. It

Stuey
(Ftldy

411

o--19 ttual Enterpri.seq.,

o.;

cS1 .

F.52

(11c.,stway.(1

,.r..1 r

357. Main entr.1,
rcr eet r.r

pelts
vith contents
note

vr7, bvar
CkLe).-

can %Aeon .
dAAr.- 5.
- 7
6. North Arierir..FIZI )(I

. "ri

enf

^.0If!...r,rin
P

ANDIAIS - U.S.
Tit:e Anal

.- 2. A

Alrericarl

358. Tracing for
set of study

hints

MOMS
Models are entered under title as given on the model itself, container,
or accompanying rmterio? unless responsibility for it is clearly assigned to a
person. The cataloger supplies a title if none has been given by the producer.
The term (Model) follows the title. The imprint will consist of place, producer
and date. 77ecollation indicates the number of pieces, dimensions in inches
wh,n.e significant, and a color indiention. If there are more than ten pieces,
the term "various pieces" is used.

Notes may be used to supply any relevant information not appropriately
placed in the body of the card or in the collation.
The set of cards can be completed following the usual cataloging principles.
Moeels '.my be assigned Dewey numbers or accession numbers.

!odel

57h.P.

Generalized animal cell (Model)
Rochester, Na.,
Ward's Natural Science Establtshment, c1949.
2 pieces. color.

359. Main entry for
model having
parts of differing
sizes

Pt.l. A tetrakaidecahedron or 14-bedron.
in diameter.- pt.2. A generalized cell. 13in.
With guide.

Model

523.3

Lunar terrain model (.Model)
Northbrook, Ill.,
'lubhard Scientific lo. F19673
1 piece. 18x24in.

With guide.

360. Main entry for
model

15.3

GAZES

Games of many sorts are now finding their way into the library collection
as instruments for teaching and learning. Since traditional and well-known
games may be issued in varying forms, and new games are likely to be the
creation of many individuals working together, they are entered under title,
as found on the box or accompanying material, followed by the designation (Game).
The imprint consists of the place, producer and date. For collation use the
number of pieces, enumerating various types of pieces when significant. For a
game with many kinds of different pieces use "various pieces." The cataloger
should devise any notes necessary to offer relevant information not appropriately
included elsewhere on the card.
Games may be classified and stored by Dewey classification number.

AdW cririt<3

0,ade to

of cards in sccord with usual

calmlr:ging procedures.
Ga,ne

Springfield, Mass.,
Tinited States lotto (Game)
'a? ton Bradley, c1558.
60 loon cards 2h buttons, 48 cover cards.
(Lotto series, 63)

361. Main entry
for game

Smog, the air pollution game (Game)
Mass., Urban Systems, c3970.
playing board, various pieces.

362. Main entry
for game

Game

614.7

Cambridge,

154

KITS

A kit is a collection of materials intended to be used as a unit. The
items have been brought together or processed to contribute to the realisation
of a specific objective. It is not necessary that the items in a kit be used
simultaneously; same components may be suitable for independent use. It is
usually advisable to catalog as a unit those materials so issued and marketed.
If no author, either personal or corporate, is indicated, the kit is entered
under title and followed by the medium designation (Kit). Imprint consists of
place, producer and date. Information for making the catalog card may be taken
from any source in the kit without being bracketed on the card. The collation
enumerates the kind and number of items included. Descriptions of individual
items in the kit are not necessary.
Notes may be added to convey any relevant information not appropriately
included in the body of the card, or collation.
The set of cards will be made in accordance with the accepted principles
of cataloging. Kits may be classified and stored by Dewey number or by accession
number.
Kit

372.1

Developing understanding of self aid others (Kit)
gimlet Pines, Minn
American Guidance Service,
1970.
2 storybooks, manual, 69 role cards, 33 posters
6 rules cards, 21 records, 10 props (in envelope),
8 puppets.
(Duso kit, D-1)

363. Main entry
for kit

History as culture chem.: an overview (Kit)
New York, Macmillan, '1968.
2 filmstrips, 2 transparencies, record,
manual, 4 work sheets, student materials (in

36h. Main entry
for kit

Kit

901

envelope), 14 artifacts.

AUTHORITY FILES
AUTHOR FILE

Libraries may set up and maintain authority files to record the latest
acceptable forms for author entries. They may also have authority files for
subject headings appearing in the catalogs and the reference cards made to
aid the library's public in using the subject headings. Small libraries may
consider their card catalog to be the authority for the form of an author's
name, but they will wish, in any case, to keep a record of the cross references
they have made. This record becomes, then, an authority file for entries needing
cross references. The file will include duplicates of the cross references made
for the public catalog, as well as a card clearly indicating the references made.
For example:

365. Cross reference
made for both
catalog and
authority file

De Cervantes Saavedra, Miguel
see

Cervantes Saavedra, Mieuel de, 1547-1616.

,ns,11

Saavedra, Miguel de Cervantes
see

366. Cross reference
made for both
catalog and
authority file

Cervantes Saavedra, Miguel de, 1547-1616.

Cervantes Saavedra, Miguel de, 1547-1616.
x:
x:

De Cervantes Saavedra, Miguel
Saavedra, Miguel de Cervantes

367. Author authority
file card
showing cross
references made

156

AUTHORITY FILES
STTRJECT FLT .E

Some libraries keep a record of the subjects used in the catalog by
puttth pencil checl.yarks by the subject in the published list of hea"ngs.
The advantage of irch simplicity is questioned, however, whon n new edition
of the sul)ject heading list demands complete compaeson with the earlier list
efnre 4.4. car be used. Very mnall libraries may be able to use their catalog
withol_t maintairing an authority file, but most libraries 1,111 Irish to record
subject m a cti47 'O'er it first occurs. Duplicates of "see" and
"SOP tiSn"
ra4e for the public catalog, Pt well .t1S cards showing the
rni.,rerces'thal 107e l_een qsde, all go together to retake up the subject
authority file. This in especially helpfl in keeping "see also" references
?gip 4n lni.e4 since the cA0,:)1vger h,ould refer ,sers at any ono time only to those
w;1,,;,.7t o wl'ich the libcv
-n!er'al. Al the library grows the new subjects ulli
tr.
Added to the "see also" cards already in the catalog.
crldttinns are evay.3 made In conformity 4ith directions in the subject
heading 'ist being u,,e0
the library.

3M. Saject cross

STC(T.DARY EDT:ATM!

reference made
for catalog
and authority

see

EDTICAtnter.$ SW:MARY

file

EDUCATION, sro(imAny

x SECONDARY EDUCATION
x SECONDARY SC! OOTS

xx MU SCHOOLS

369. Card for subject
authority file
showing see
references and
see also references

MaeTOthe same
subject

157

ATJT4O1?,ITY FILES

UNIFORM TITLE FILE

As musical works are added to the library the cataloger will find need
for a record of cros:; references already made. The composer and the uniform
title appear at the top of the card. On the second line belnw this list, the
various titles under which the composition has been published.
The form below would serve AS an authority card for the cross references
shown on p. 97.

4=1".
Straus, Oscar, 1870-19n.
cAer taprere Solda',3
x:

Per iapfere Soldat.

The choonlal.,e scldier.

370. Card for uniform
title authority
file showing
variant titles
from which cross
references have
been made

158

APPENDICES

STANDARD ABBREVIATIONS

The following abbreviations may be used on catalog cards except in transcribing a title or in quoted notes. An abbreviation consisting of a single
letter is not used to represent the first word of a note. For a comprehensive
list of acceptable abbreviations reference should be made to Angle-American
Cataloging Rules, Appendix III, p. 358.

Term

accompaniment - - - acc.
arr
arranged
augur.
augmented
Before Christ - - - B.C.
Bros.
Brothers
bull.
bulletin
centimeter - - - - cm.
ca.
circa
col.
colored
Co.
Company
cf.
compare
c.
copyright
Corporation - - - - Corp.
corr.
corrected
Co.
County
department - - - - dept.
ed.
edited
ed.
edition
enl.
enlarged
fold.
folded
frontispiece, -s - - front., fronts.
government - - - - govt.
Government Printing
Office - - - - - Govt. Print. Off.
i.e.
IA est
illustrationl-s - - illus.
including
incl.
.

Abbreviation

Term

Abbreviation

incorporated - - - introduction - - - Junior
leaf, leaves - - - limited
manuscript, -s - - miscellaneous - - no date (of
publication) - - -

inc.
introd.
Jr.
1.
ltd.
ms., mss.
misc.

number, -s

no.

numbered

nuMb.

page, -s

parts-a
photograph, -s - - plate number - - - portrait, -s - - - preface
printing
pseudonym
publishing
revised
Senior
series
supplement
title page

pt., pts.
photo., photos.
pl. no.
port., ports.
pref.
print.
pseud.
pub.
rev.

volume, -s

v., vol., vols.

n.d.

Sr.
ser.
suppl.
t.p.

159

Abbreviations of the names of states of the United States and names
not abbreviated

Ala.
Alaska
Ariz.
Ark.
Calif.
Colo.
Conn.
Del.
Fla.
Ga.
Hawaii
Idaho
Ill.
Ind.
Iowa

Kan.

Ky.
La.
Me.
Md.
Mess.
Mich.
Minn.
Miss.
Mo.
Mont.
Neb.
Nev.
N.H.
N.J.
N.M.
N.Y.

N.C.
N.D.
Ohio
Okla.
Or.
Pa.
R.I.
S.C.
S.D.
Tenn.
Tex.
Utah
Vt.
Va.
Wash.
W.Va.

Wis.
Wyo.

FILING GUIDE

II.

Basic rule.
1. Arrange all entries, English and foreign, alphabetically according
to the English alphabet.
2. Arrange word by word, alphabeting letter by letter to the end of
the word. (This is the rule "nothing precedes something."
Example: New York precedes Newark.)

Items which are disregarded in filing.
he artagi a, an and t
Ernt.ntial positions are disregarded,
but when they appear elsewhere, they are given the same treatment
accorded any other word. Articles in all languages are treated in
the same manner.
2. Designations such as compi, ed., illus., fit. author, yeeud., and tr.

'I.

when they appear in entr es, areMiNgaFaid.
3.

Designations such as Sir and Gen., when they appear in inverted

personal names are disregarda7
Camas, periods, parentheses, apostrophes and other marks of
punctuation.

Abbreviations.
Arrange abbreviations as if spelled in full.
Examples: Mc or M' as if Mac
St. as if Saint
Dr. as if Doctor
Mlle. as if Mademoiselle
Mr. as if Mister
Mfrs. as if Mistress
IV.

Elisions.
Arrange elisions in English as they are printed and not as if
spelled in full. Example: O'mine not of mine. Treat as one word
the contraction of two words resultIKE from an elision. Examples
Who's is filed Whos, not Who is.
Numerals.

Arrange numerals in the titles of books as if spelled out in the
language of the title. Spell numerals and dates as they are spoken,
omitting the "and" except at a decimal paint between two digits and
in mixed numbers.
Examples: 101 as one hundred one
1812 as eighteen twelve, if a date;,otherwise as eighteen
hundred twelve
61 as six and one-half

161

VI.

Signs and symbols.
Alphabet the ampersand (&) as "and", "et", "und", etc. according
to the language used in the title.

VII.

Hyphened and compound words.
Arrange hyphened words as separate words if each word is a word
in itself. If the first part is a prefix such as anti-, co-,
etc., arrange as one word.

VIII.

Compound names.
Arrange names consisting of two or more words, with or without a
hyphen, as separate words, after the simple surname, interfiled
in alphabetical order with titles and other headings beginning
with the same word.
Examples: Hall, William
Hall & Patterson
HALL FAMILY
HALL OF FAME
Hall-Quest, Alfred
Hall -Wood, Mary

Hallam, Arthur
IX.

XI.

Names with a prefix.
Arrange a name with a prefix as one -,cord. This includes such names as
D'Arcy, Du Challu, Van Dyke, Van Loon, etc.

Forename entries.
Arrange a forename entry after the surname entries of the same name,
interfiling with titles and other headings beginning with the same
word. Include compound forename entries. Alphabet with regard to
al] words, articles and prepositions included.
Examples: Charles, David
Charles, William
Charles. a title
Charles Alexander, duke of Lorraine
Charles, archduke of Austria
Charles City, Iowa
Charles-Roux, Francois
Author entries.
1. Under an author's name, personal or corporate, arrange the items
in two categories.
a. Hain entries for works by the author, subarranged by title.
Literary works may then be subarranged by publisher alphabetically.
b. Secondary entries for the author, subarranged by the main
entry of the work.
c. Works about the author (subject entries), subarranged by the
main entry of the work.
2. The entries for two or more persons who have identical names are
arranged chronologically by birth date.

162
XII.

Subject entries.
1. Arrange a subject, its subdivisions, etc. in the following order:
a. Subject without subdivision.
b. Form, subject and geographical subdivisions, inverted subject
headings, subject followed by a parenthetical term, and phrase
subject headings interfiled in one alphabet, disregarding
punctuation.
c.
Period divisions under such subheads as History, Politics and
Eovernment, and Foreio relations arranged chrono3ogically.

XIII.

Order of entries.
When the same word, or combination of words is used as the heading
of different kinds cf entries, arrange the entries alphabetically
by the word following the entry word. Disregard kind of entry and
form of heading, except as follows:
a. Arrange personal surnames before the other entries beginning
with the same word.
b. Subject entries under a personal or corporate name are to be
filed immediately after the author entries for the same name.

Examples: Love, John L
LOVE, JOEN L
Love.
Smith, John..

Love.
Taylor, Rcbert.

LOVE
Williams, Thaws.
Love and beauty.
LOVE (Ili THEOLOGY)
Love-letters.
L love match.
LOVE POETRY

LOVE - QUOTATIOUS, HAMS, ETC.
Love songs, old and new.
XIV.

Editions.
Cards which are the same except for an edition number, i.e., 2d ed.,
2d ed., or a notation such as rev. are filed in chronological order

by publication date, with the ntest first.
XV.

The Bible.
1. Arrange all editions of tae whole Bible (language, form, and subject)
in one alphabet. Under each language, sdbarrange'texts by date and
then by version or editor.
2.
Bible. Old Testament.
Arrange all divisions including the parts, in one alphabet; subarranging texts as above.
3.
Bible. New Testament.
Arrange like Old Testament.
1,.
Bible. Titles, etc.

163

CATALWING SOPPCTES AND AIDS

Akers, S.C. Simp3e Library Cataloging.
As,zoniaion,

4th ed.

Chicago, American Library

for Filing
Anerivni T.-P.racy Asscnialion. Subcommittee on the A.L.A.
2d ed. Chicagp,
Ca',alog Cards. A.L.A. Rules fn Filing Catalog Cards.
Ameri:n!

CaWloging Rules.
C;D.

An introdu.:tion tr, the Dewei Decimal Classification.

7..E.

Mioago, Amer :can Library Association, 1967.

Typewritten Catalog lard:3.
7070.

jol!0 T.

Tair,-.11.

2d ed.

London,

Ann Arbcr, lamrns

1970.

46 CatF."-giug.

School cf Library Servi-.e. Sample Catalog Cards for
;:ith Course3 in Technical Service in Libraries an.i
Orfini.:atic-: -X Haterials for 7se. 14th e:3. New York, 1967.
Universitz:.

7.C. Cataloging Sampler: A Comparative and Interpretive Snide.
Har.len, Conn., Archon
1963.
Dewqy, Harry.
A'Aitsun,

An Introft-:tion to Library Cataloging and Classification.
Cap t:411 Presa, 157.

Dewey Decime Classification and Relative Index.
?-"rest Press., 1977

ed.

Cateoging U.S

10th abridged

Chicago, American Library Association, 1969.

Eaten, F."...
Cataloging and Classification.
Eciwirds 717-co., 1967.

Imroth, J.P.

Ed. 18.

3v.

De:imal Classification and Relative Index.
Albany, r.Y., Forest Press, 1.971.
r.s.

hth

Library Catal oging.

4th ed.

Ann Arbor, ich.,

!Yew York, Scarecrow Press, 1971.

Lehnus, D.J. A hanual of Form and Procedure for Typewritten Catalog Cards.
KalaNazoo, :doh., 1969.

164
Mann, Margaret. Introduction to Cataloging and the Classification of Books.
Chicago, American Library Association, 1943.
2d ed.
2d ed.

Merrill, W.S. Code for Classifiers.
Association, 1939.

Miller, L.C.

Chicago, American Library

Program Learning, Library Science.

Cleveland, 1964.

Norris, D.M. A History of Cataloguing and Cataloguing Methods.
Grafton, 1969.
Olding, R.K. Readings in Library Cataloguing.

New York, H.W. Wilson, 1965.

Commonsense Cataloging.

Problems in Library Classification.
Iescoe, A.S.

Cataloging Made Easy.

Riddle, Jean.

Non-book. Materials.

Hamden, Conn., Archcn Books, 1966.

Pittsburgh, University of Pittsburgh, 1963.

Osborn, A.D. Descriptive Cataloging.
Piercy, E.J.

London,

New York, Bowker, 3968.

New York, Scarecrow Press, 1962.
Ottawa, Canadian Library Association, 1970.

Rue, Eloise. Subject Headings for Children's Materials.
Library Association, 3952.

Chicago, American

Rufsvold, M.I. Audio-Visual School Library Service; a Handbook for Librarians.
Chicago, American Library Association, 1949.

Sample Catalogue Cards Exemplifying the Anglo-American Cataloging Rules.

3d ed.

Toronto, Univ. of Toronto Press, 1968.

Scholz, D.D. A Manual for the Cataloging of Recordings in Public Libraries.
Baton Rouge, Louisiana State Library, 1964.
Sears, M.E. -List of Subject Headings.

9th ed.

Tauber, M.F. Technical Services in Libraries.
Press, 3954.

New York, H.W. Wilson, 1965.

New York, Columbia University

U.S. Library of Congress. Subject Headings for Children's Literature.
Washington, D.C., Library of Congress, 1969.
U.S. Library'of Congress. Subject Cataloging Division. List of Subject
7th ed.
Headings Used in the Dictionary Catalogs of the Library of Congress.
Washington, D.C., U.S. Govt. Print. Off., 1966.

Wynar, B.S. Introduction to Cataloging and Classification.
N.Y., Libraries Unlimited, 1967.

3d ed.

Rochester,

165

SUGGESTED PROCESSING PROCEDURE

1.
2.
J.

4.
5.

Arrange order cards alphabetically behind guide card, Outstanding Orders.
Arrange printed cards (if available) by sets alphabetically by entry behind
guide card, Printed Cards.
On arrival of books, add date received, and price to the order card.
Shelve books alphabetically by entry.
Cataloging procedure:
Remove order card from file. Put in front of book.
a.
b. Remove printed cards from file. Put in front of book.
Compare description of book on printed card with book. If cards
c.
Are not available, make a unit card using standard cataloging rules.
Correct any differences on printed cards by changing such items
(1)
as ds%es, editions, publishers, pages, etc.
d.

Select tlic. classification nuMber.

Scan the preface of the book and the table of contents.
Confirm your selection by rlecldng the shelf-list for type of
book to which the sams number has previously been assigned.
Check other classifying aids when necessary.
(3)
(4) Write it in the book in pencil on the page after the title page.
C11-20. from of subjec headings with Sears, List of Subject Headinv.
Prepare cards.
(l) Type the call ntuler, subject headings, and any other added
entry headings on the printed cards.
Type source, date, al:d price, from order slip on the back of the
(2)
(1)
(2)

(3)
(4)

7Ype boo card amp .1-_ocket.
.14' anp1L-tics are to be typed, trace on bawl of main entry, and

ra=ce the analytios.
Revise '.yping on all cards.
Rem9ft cataloz cards and order 3li,1 from the book.
g.

Arrange stir cards by number in one pile.
Place catalr,g cards in'enother pile to be arranged alphabetically.
c. File order slips by department requesting book in tray used for
budget apportionment.
Place ownership markings on book and paste in pocket.
Inspect number to insure accuracy.
Pn+ call nuiiber on spine of book.
Recorls. Use shelf cards for basis in compiling stattstics.
a. Record the number of new titles.
b: Record the number cf volumes (other than the first volume).
c. Record the number of duplicates.
d. Record the number of replacements.
If needed, count and record the number of new catalog cards and the
e.
number of new shelf cards.
a.

7.
8.
9.

166

(Arrange alphabetically
Make a list of the new books from the shelf cards.
or by classification number)
11. Shelve books on the new-book shelf.
12. Arrange shelf cards by classification number. File above rod in shelflist. Revise. Drop cards said replace rod.
13. Arrange catalog cards alphabetically according to your accepted rules.
File above rod. Revise. Drop cards and replace rod.
10.

fl DEX

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51-13
71-72

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Subject
Translator
Analytics
Author
Zu.-;ject,

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Authnr on'riel

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Author
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90
b6-j;
31-34
10-23
155-1,1
155
15o
157

71
30-43
91-33
8

1252 127
3
4-5
73
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25-26
39
10-23
25-2o
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61-65

69-70
40-43
66-67
71
154
145
112-113
112-113
112 -1114

152

133

Notes
Bibliographic history
Bibliography

47-56
49
51
52-56
47-48

Contents
Series

Numerals, Roman
Periodicals see Serials
Photographic reprints
pictures
Pseudonyms
Punctuation
Recordings, Disc
Recordings, Tape
"See" references
"See also" references
Serials
Series notes
Seta of books
Shelf list card
Slides
Spacing
Subject analytics
Supplements
Title added eaury
Title analytiCs
Title main entry
Tracing
rausparem:iez
Translator added entrT
Uniform titles

110-114
149
20-22, 38
8

116-124
125-127
77-78, OU
78-80
29, 99 -107

47-48
108-105
76

141443
_,

90
94-95
56-60
b6-89
27-25
74-75
11414

7U
96-90

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