GEM_Desktop_Publisher_Font_Merge_Utility_Feb88 GEM Desktop Publisher Font Merge Utility Feb88

GEM_Desktop_Publisher_Font_Merge_Utility_Feb88 GEM_Desktop_Publisher_Font_Merge_Utility_Feb88

User Manual: GEM_Desktop_Publisher_Font_Merge_Utility_Feb88

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GE
Font Merge Utility
User's Guide
and
Sample Documents
5143-2225-001
COPYRIGHT
Copyright © 1988 Digital Research Inc. All rights reserved.
~o
part of this publication may
be reproduced, transmitted, transcribed, stored in a retrieval system, or translated ,into any
language or computer language, in any form or by any means, electronic,
mechanic~I,
magnetic, optical, chemical, manual, or otherwise, without the prior written permission of
Digital Research Inc., 70 Garden Court, P.O. Box
DRI,
Monterey, California 93942:
DISCLAIMER
DIGITAL RESEARCH INC.
MAKES
NO REPRESENTATIONS OR WARRANTIES WITH
RESPECT
TO THE CONTENTS HEREOF AND SPECIFICALLY DISCLAIMS ANY IMPLIED
WARRANTIES OF MERCHANTABILIlY
OR
FITNESS FOR ANY PARTICULAR PURPOSE.
Further, Digital Research
Inc.
reserves the right
to
revise this publication and
to
make
changes from time
to
time in the content heteof without obligation of Digital Research Inc.
to
notify any person
of
such revision or changes. .
NOTICE
TO
USER
This manual should not be construed as any representation or warranty with respect
to
the
software named herein. Occasionally changes or variations exist
in
the software that are
not reflected in the manual. Generally, if such changes or variations are known
to
exist
and
to
affect the product significantly, a release note or README. DOC file accompanies
the manual and distribution disk(s).
In
that event, be sure
to
read the release note or
README.DOC file before using the product.
lRADEMARKS
Digital Research and GEM are registered trademarks and GEM Desktop Publisher and
GEM Desktop are trademarks of Digital Research Inc. Bitstream is a registered trademark
and Fontware is a trademark of Bitstream Inc. Brush Script, Hobo, News Gothic, and Goudy
Old Style are registered trademarks
of
Kingsley-ATF Type Corporation. Blippo
is
a
registered trademark of FotoStar International. Windsor is a registered trademark
of
Stephenson Blake Company, Ltd. Serifa is a registered trademark of Fundicion Typografica
Neufville,
S.
A.
ITC
Garamond Cond,
ITC
Zapf Chancery, and
ITC
Bookman are registered
trademarks
of
International Typeface Corporation. Other names are registered trademarks,
trademarks, or tradenames of their respective owners.
First
Edition:
February,
1988
Foreword
The
GEM®
Desktop Publisher
TIl
Font Merge Utility makes
the
fonts you
create with Fontware
Tli
or
purchase from third-party developers avail-
able for use with
GEM
Desktop Publisher.
GEM
Desktop Publisher requires font width information for printer fonts
in the form
of
a
width
table. Once your
new
fonts are in place on your
system, you
run
Font Merge and select the fonts you
want
to use in
GEM
Desktop Publisher. Font Merge generates the width table for you and
supplies it to
GEM
Desktop Publisher.
About this Guide
Section 1 provides
an
overview of the entire font installation process and
explains Font Merge's role in this process. It also explains important
printer font information and requirements.
If
you are installing fonts
purchased from other developers, see "Installing Third-Party Fonts."
Section 2 presents the steps for creating a new Font Merge width table to
make
new
Fontware fonts available in
GEM
Desktop Publisher.
Section 3 explains how to make changes to existing width tables so
that
you can use different fonts. "Adding Fonts from the
FONTS
Folder"
explains how to add third-party fonts to a width table.
Appendix A contains keys for interpreting
the
typeface codes and device
codes in Fontware-generated font fIles.
Assumptions We Make
This guide assumes
that
you have already installed the GEM®
/3
system,
GEM
Desktop Publisher, and Fontware. Font Merge
is
installed automati-
cally when you install
GEM
Desktop Publisher. It is located in the
GEMAPPS
folder (or directory, in
DOS
terminology)
of
your hard disk.
This guide also assumes
that
you are familiar with the basic concepts be-
hind the
GEM
Desktop, as well as the mouse techniques used in
GEM
ap-
plications. These are explained in the GEM/3 Desktop
User's
Guide.
Foreword Font
Merge
Terms We Use
The term
"font"
refers to a file containing a set of characters designed ac-
cording to a specific typeface for a specific model of printer
or
display
device. Each font has a typeface design, such as Swiss Italic, and a set
of
characters, such as
GEM
International. Font Merge deals with your
printer fonts only.
"Typeface" refers to the design (Swiss) and typestyle (Bold, Italic, and so
forth)
of
a font.
"Folder"
is
the
GEM
equivalent of the
DOS
term for the operating system
directory.
"Third-paw
developers" are companies other than Digital Research®and
Bitstream , Inc. who manufacture and sell digital fonts for use with
desktop publishing software.
Examples
Examples in this guide assume
that
your computer has one
hard
disk
drive designated
as
drive C and one floppy disk drive (drive
A).
When you see the symbol
..j,
it means press the Return or Enter key.
Font Merge commands appear in boldface. Some commands, when dis-
played on the Font Merge main menu, are followed by three dots. The
dots indicate
that
a dialog appears when you choose the command. Font
Merge uses dialogs to provide
or
request further information about the
command you selected.
Keep
in mind
that
unless the three dots follow a command name, when
you choose the command, it
is
performed without confirmation. You can
cancel the c-ommand only by abandoning the Font Merge session. In this
case, any other changes you made are lost.
ii
Table
of
Contents
Foreword
About this Guide .
Assumptions We
Make.
Terms We Use
Examples
...
1 Overview
Font Installation Overview. . . . . . . . .
A Closer Look
at
the Installation
Steps.
What
Is
Actually Going
On.
. . . . .
Font Considerations . . . . .
HP
SoftFonts
...
PostScript Fonts
..
Bit-Mapped Fonts
Backing
Up
Your Fonts
Installing Third-Party Fonts
Font File Requirements. . .
2
Creating
Width
Tables
A Quick Walk through Width Table Creation
Starting Font Merge . . . . . . . . .
Creating a New Width Table
Adding Your New Fontware Fonts . .
Adding PostScript Fonts
....
.
Adding Non-PostScript Fonts
......
.
Exiting Font Merge. . . . . . . . . . . . . . .
Managing Width Tables
and
Documents .
ii
ii
1-1
1-3
1-4
1-5
1-5
1-6
1-6
1-6
1-6
1-7
2-1
2-2
2-3
2-3
2-4
2-5
2-5
2-6
Table
of
Contents
3 Changing Width Tables
Selecting Width Tables
Adding Fonts from
the
Fonts Folder
.....
.
Adding Fonts Individually .
Adding the Entire
Folder.
. . . . . . . . .
Adding
and
Deleting Font Sizes
.......
.
Deleting Fonts . . . . . . .
..
. . . . . .
Deleting Width Tables . . . . . . . . . . . . .
A Identifying Fontware Files
Typeface
Key.
. . . . . .
Device
Key
....................
.
iv
Font
Merge
3-1
3-2
3-2
3-3
3-3
3-4
3-4
A-2
A-S
Section
1
Overview
Running
Font Merge
is
the last step in installing new fonts for use
with
GEM
Desktop Publisher. This application uses a printer font
width table for printing documents. This table
is
actually a file named
WfABLES.WID.
It tells
GEM
Desktop Publisher which fonts are available
for use and contains character width information for each character in
each font entry. You use Font Merge to add and remove font entries
from
WfABLES.WID.
This section starts with
an
overview of the entire font installation
process, which includes running Font Merge. The second
part
explains
important printer font considerations and requirements. The section
ends with a review of installing third-party fonts.
Font
Installation
Overview
The following
is
a step-by-step overview
of
the process of creating fonts
and integrating them with
GEM
Desktop Publisher documents.
1.
Run
Fontware
and
generate fonts,
or
copy
third-party fonts onto
your
hard disk.
Fontware stores the new
fonts in the FONTS folder
within
GEMAPPS.
2.
Start
the GEM Desktop and
run
Font Merge.
A
---+
A
c{>
0
FONTS
g
D
FNTMERCiE.APP
g
Font Installation Overview
3. Create a width table in
Font Merge.
4. (Optional) Copy the width
table into folders contain-
ing related documents.
5. Save and exit. This makes
your
new width table the
current width table.
LETTERS.
WID
g
o
LETTERS.
WID
g
o
c::::{>
c::::{>
Font Merge
Charter
Swiss
Zapf Calligraph
courier
etc.
EJ
LETTERS
o
r LETTERS.
WID
Font Merge width table
WTA
B L E S
WID
-
GEM Desktop Publisher width tab
6.
Start
GEM
Desktop
Publisher and verify the
availability
of
the new
fonts.
1-2
AF
..
nF"ICTOP
PURl
'''
...
FA
Style
.-:
Dody Tax" (C:\GDfJAG[S\SlYL[.STl)
Fant:
__
I Dutch I
L!!!!!!!!J
I Courier I
Style:
I Bold I I
Italic
I I Underline I
Size:
W m
[]!] [][]
lID lID
00
cru
(pointa)
Color:
I
lIhite
I~I
Red
I~
~
II
t.
111
..
",
II
y .. l1nw
II
MI!gf!nt:
...
I
C]C]
I
Cancel
I
Font
Merge
Font
Installation
Overview
A Closer Look
at
the
Installation Steps
Here are the installation steps explained in greater detail:
Step
1:
Run
Fontware
and
generate fonts,
or
copy third-party fonts onto
your
system.
Following the instructions in your
Fontware
Installation
Guide,
set
up Fontware and generate the fonts you intend to use. Fontware
stores these fonts in the
FONTS
folder on your hard disk.
Installing third-party fonts
is
explained later in this section.
Step
2:
Start the GEM Desktop
and
run
Font Merge.
You
run
Font Merge from the
GEM
Desktop. Double-click on the
FNTMERGE.APP
icon in the
GEMAPPS
window.
Step
3:
Create a
width
table
in
Font Merge.
GEM
Desktop Publisher allows a maximum of eight fonts to be
used
at
a time. Therefore, each width table you create can con-
tain up to eight font entries. You can create as many width
tables
as
you need for use with documents requiring different
fonts.
Note:
You need add only the Roman typestyle
of
a font to the
width table. The other typestyles (Bold, Italic, and Bold Italic)
will be available in
GEM
Desktop Publisher as long as they've
been generated in Fontware.
1-3
What
Is
Actually Going On Font Merge
Step
4:
Save
the
width
table
in
folders
containing
associated documents.
This
is
an
optional step,
but
one
that
you should follow if you
create many different width tables. As a matter
of
good file
management practice, copy each width table into the folder
or
onto the floppy disk you intend to use for your documents. This
places the width table in the same folder as your documents,
which makes them easier to manage.
Step
5:
Save
and
exit.
Only one width table can be in effect for a given
GEM
Desktop
Publisher session. The one in effect
is
called the current width
table. When you Save and Exit from Font Merge, the width table
you were editing becomes the current width table.
Step
6:
Verify
the
availability
of
the
new
fonts.
When you return to the
GEM
Desktop, start
GEM
Desktop
Publisher and open a document. In Paragraph mode, select a
paragraph,
then
choose the
Character
command from the Style
Menu. The fonts in the current width table should be listed.
What
Is Actually
Going
On
1-4
When you save the current width table, Font Merge transfers the informa-
tion in this table to the
GEM
Desktop Publisher font width table. This
table
is
a file named
WTABLES.WID.
There
is
only one Publisher width
table,
but
you can create numerous width tables in Font Merge to use dif-
ferent font sets with different documents.
Whenever you change the information in the current width table
or
select another width table in Font Merge,the existing information in
WTABLES.WID
is
discarded and replaced with the new. Font Merge
doesn't let you edit
WTABLES.WID
directly; instead, changes are made
to it ''behind the scenes."
Font Merge Font Considerations
Font Considerations
The
GEM
software imposes printer font requirements, which differ
ac-
cording to the font type. You need to know how to identify your printer
fonts in order to ensure
that
these requirements are met and to maintain
your font files properly. (Refer to section 4 of the Fontware Installation
Guide.)
Unlike the Fontware kit, Font Merge deals only with printer fonts, and
not
screen fonts. Printer fonts fall under three major types:
Hewlett-Packard® (HP®) SoftFonts
PostScript® fonts (available from Adobe®, Bitstream®, and third-
party developers)
bit-mapped fonts
(GEM
Setup installs these automatically when you
add a printer supported by GEM/3 to your device setup)
GEM
software applications handle
HP
SoftFonts and PostScript fonts
dif-
ferently from bit-mapped fonts. For both font types, be sure to generate
each typestyle (Normal (Roman), Bold, Italic, and Bold Italic) in
Fontware
that
you need,
or
they will print as Roman characters.
HP SoftFonts
If you are installing SoftFonts, and you have installed a 300 dots per inch
(DPI)
printer, your
FONTS
folder must contain
at
least one GEM-created
bit-mapped font (having file name extension B30) to enable proper out-
put
to your
HP
laser printer. If you installed a 150
DPI
printer, make
sure
that
FONTS
contains one HPH file.
1-5
Installing Third-Party Fonts Font Merge
PostScript Fonts
If you are installing PostScript fonts, you need
not
generate the printer
fonts
that
are resident in your printer.
Also,
PostScript fonts do
not
re-
quire matching screen fonts for
GEM
Desktop Publisher. Note, however,
that
they are required in other
GEM
applications.
If
you are using Adobe
PostScript fonts, do
not
add Bitstream PostScript fonts to a width table,
as the font widths will
not
match.
Bit-Mapped Fonts
If you do
not
create all four typestyles
of
a font (Normal, Bold, Italic, and
Bold Italic) in Fontware, the
GEM
application software produces a syn-
thesized version
of
each missing typestyle for this font. For example,
bold
is
reproduced by printing a character twice, the second time slightly
offset from the first. The true typestyles are
of
higher quality
than
the
synthesized versions.
Backing
Up
Your Fonts
If you intend to change the printer in your device setup, you should back
up your fonts onto floppy disks. When you change your printer in
GEM
Setup, all fonts for the old printer are automatically deleted from the
FONTS
folder.
Installing Third-Party Fonts
1-6
You
install third-party fonts by copying them from your distribution disk
into the
FONTS
folder. You can copy them either from within the
GEM
Desktop
or
from your operating system command line.
To
copy from within the
GEM
Desktop, use one
of
the techniques
described in the GEM/3 Desktop
User's
Guide, "Selecting Multiple Icons"
in Section 3, to copy all
of
the files.
Font
Merge
To
copy from the operating system command line:
1.
Move
to the
FONTS
directory by typing:
CD
\GEMAPPS\FONTS
2. Type this command:
COPY
A:*.*
Font
File
Requirements
When copying
is
finished, you should ensure
that
your font files are set
up
correctly, as explained below.
Font File Requirements
When the font files are in place on your hard disk, make sure
that
the
FONTS
folder contains the font fues for your font type and any required
associated fues. The files are listed below by fue name extension.
Font
Type
Font
Files
Associated
File
PostScript
HP SoftFonts
GEM
bit-mapped
PFI,
PFA
SFP,SFL
Each font must have
an
associated
AFM
file.
For 300
DPI,
one B30 file
in any size.
For 150
DPI,
one HPH
fue
in
any size
Extensions depend on None
your printer type.
Refer to the Fontware
Installation
Guide,
Sec-
tion 4.
Some font developers install PostScript fonts in a directory named
PSFONTS.
If this
is
the case, use the
DOS
copy command
or
the
GEM/3 Desktop to copy them into the
FONTS
folder.
1-7
Section 2
Creating
Width
Tables
This
section describes the steps for creating a width table to make
newly-created fonts available for use with
GEM
Desktop Publisher.
If you are adding third-party fonts, all
of
the sections in this section
apply except for "Adding New Fonts." For instructions on adding new
fonts, see Section 3, "Adding Fonts from the Fonts Folder."
A
Quick
Walk
through
Width Table Creation
Font Merge provides a predefined (default) width table named
POSTSCPT.WID.
This file contains font information for the PostScript
Swiss and Dutch printer fonts. You create your fIrst width table in Font
Merge by making a copy
of
POSTSCPT.WID,
assigning the copy a new
name,
then
editing it.
Unless you create another width table,
GEM
Desktop Publisher uses
POSTSCPT.WID;
that
is, the Publisher width table
(WTABLES.WID)
con-
tains only the font information in
POSTSCPT.WID.
These are the basic
steps for creating a new table:
1. Start Font Merge.
2. In Font Merge, copy the current width table (initially
POSTSCPT.WID)
to create a new one, and give the copy another
name.
3. Add your newly-created Fontware fonts to the copy.
4. Save the copy as the new current width table.
5. Exit Font Merge.
If you make a mistake during the Font Merge session, you can correct it
simply by changing the incorrect selection
or
by choosing
Abandon,
which cancels all the changes you made during the session.
Starting Font
Merge
Font
Merge
Starting Font Merge
D
You
run
Font Merge from the
GEM
Desktop
on
your hard disk. Note
that
you cannot
run
it
from a floppy disk.
1. Start the
GEM
Desktop
and
display the
GEMAPPS
folder.
2. Double-click on the
FNTMERGE.APP
icon. After the Font Merge ban-
ner
and
a series
of
messages, you see the Font Merge main screen.
When you
start
Font Merge for the frrst time, the contents
of
the
POSTSCPT.WID width table are displayed. Your screen looks like
this:
FNTMER.(jE.~PP
2-2
Click anywhere on the title
to
display product release
information.
displays the name
of
the
current width table and its
printer type
GEM
Desktop
Publisher
Font
Merge
Utility
C:\GEMAPPS\POSTSCPT.WID
(POSTSCRIPT)
lists the fonts
defined
in
the
current width table
(POSTSCPT.WID)
displays the type-
styles available in
GEM Desktop
Publisher
shows point sizes
available for the font
and style that are
highlighted (Swiss
NormaO'
Delete
Font
Add
Size
•.•
Delete
Size
Add
Hew
Fonts
Add
All
Fonts
••••••••••••••••
displays the options
available
to
you.
Unavailable options are
dimmed.
Font Merge Creating a
New
Width Table
The Swiss font is highlighted because all width tables contain Swiss as a
minimum. The
Delete
Font
option is dimmed because Swiss cannot be
deleted.
Creating a
New
Width Table
After you start Font Merge, follow the steps below to create a
new
width
table from
POSTSCPT.WID.
1. Choose
Copy
to
New
in the options box. Font Merge displays the
ITEM
SELECTOR
dialog.
2. Type a name for your width table
on
the
Selection line (you need
not
type ".WID").
3. Click on the
OK
button
or
press
.J.
The main screen subtitle displays
the
name
of
the
width table you have
created. You can now add and delete fonts and font sizes.
Adding Your
New
Fontware Fonts
The
Add
New
Fonts
option adds all
of
the fonts, typestyles, and sizes
you created the
last
time you
ran
Fontware. The following pages
describe the procedure for adding PostScript fonts and for adding non-
PostScript fonts.
Each time you
run
Fontware,
it
creates
ajob
file, called
FWARE.JOB,
which records the fonts created in
that
Fontware session. With each ses-
sion, the old job file is replaced by a
new
job file. When you select
Add
New
Fonts,
Font Merge reads this file
and
adds the fonts
it
contains to
the width table.
Note:
You need add only the Roman typeface
of
a font to
the
width
table. The other typestyles will be available in
GEM
Desktop Publisher
as long as they are contained in the
FONTS
folder.
2-3
Adding Your New Fontware Fonts Font Merge
2-4
Adding PostScript Fonts
Click on
Add
New
Fonts.
A window appears, displaying the names of
the files containing the font information being added to the width table.
When the width table is complete, the fonts you created with Fontware
and their sizes are displayed in the Fonts and Sizes boxes of the Font
Merge main screen. Font Merge automatically generates 16 point sizes
ranging from 6 to 72.
You
can add and delete sizes as needed, and you
can specify PostScript point sizes above 72. The large fonts will
not
dis-
play correctly on-screen,
but
they will print correctly.
You
should
try
printing various large fonts to determine which looks the best when
printed.
If Font Merge encounters a font
that
you've created
that
matches one al-
ready in the width table,
it
displays this dialog:
Font
(Swiss)
already
exists
in
width
table.
I Replace
it
I
Cancel
To
replace the existing font information with the new, choose
Replace
It.
Otherwise, click on the Cancel button.
After you create your width table, you can delete files with the
AFM
ex-
tension from your hard disk. These are
not
required for printing.
However, they will be required if you create another width table later on.
Font
Merge
Exiting
Font
Merge
Adding Non-PostScript Fonts
To
start, follow the instructions above for adding PostScript fonts. When
you click on
Add
New
Fonts,
you see this
alert:
The
current
printer
type
in
the
width
table (PostScript)
does
not
.atch
the
printer
type
specified
by
this
font
(HP
laserJet
+).
Choose the
Change
Table
option.
I
Change
table
I
Cancel
Exiting Font Merge
When you fmish making changes, click on the Done button in the lower
right comer of the main screen. Font Merge displays this dialog:
Save
Table
and
Exit Font
Mer'Q8
ft»andon
Table
and
Exit
Font
Herve
Cancel
To
save your width table and exit Font Merge, click on
Save
Table
and
Exit
Font
Merge
or press
.J.
To
cancel all changes you've made, click on
Abandon
Table
and
Exit
Font
Merge.
To
return and continue editing your width table, click on the Cancel
button.
2-5
Managing Width
Tables
and Documents Font
Merge
Managing Width Tables
and
Documents
2-6
Every document you edit in
GEM
Desktop Publisher uses the current
width table until you reenter Font Merge and select another table. If you
create many width tables, you must keep track
of
which table is used for
which documents, in order to select the right one.
The best way to manage your width table
is
to keep each width table in
the folder or on the floppy disk used to create documents
that
use
that
width table.
You
can also give the table the same name as the folder. In
tum, you should save documents
of
the same type in the same folder.
For example, your company's monthly newsletter uses the Swiss, Charter,
and Cooper Black® fonts. You save your newsletter documents
in
a
folder named NEWSLTIR. In this case, you create a width table
n~med
NEWSL
TIR.
WID
and save it
in
the
NEWSL
TIR
folder. Here's how:
1. Start Font Merge and select
POSTSCPT.WID
(or the table you use to
create new width tables).
2. Click on the
Copy
To
New
option. The
ITEM
SELECTOR
appears.
3. In the
ITEM
SELECTOR,
display the directory
NEWSL
TIR.
4. Type
NEWSLTTR.
WID
on the Selection line, then click on the
OK
but-
ton
or
press ..J.
5. Add the fonts you need to the width table
then
save it. It becomes
the current width table.
Before exiting Font Merge, you can select another current width table
using the
Select
Table
option.
Now, whenever you need to edit a newsletter in Publisher, enter Font
Merge, choose
Select
Table,
then display the contents
of
the
NEWSLTIR folder to locate the width table.
Whenever you copy a document with the
GEM
Desktop Publisher
Copy
Document
command, enter Font Merge and copy
the
width table to the
same destination, as described above.
Section 3
Changing
Width
Tables
you
can alter your width tables
at
any time, to change the fonts or font
sizes it contains. Every time you start Font Merge, the current width
table,
that
is,
the width table you saved last,
is
displayed. You can make
changes to this width table
or
select another to edit.
This section explains how to:
select a different width table
add fonts from the fonts directory
add and delete font sizes
delete fonts
delete width tables
Selecting Width Tables
To
select another width table:
1. Choose
Select
Table
in the options box. Font Merge displays the
ITEM
SELECTOR.
2. Either click on the width table name or type it on the Selection line.
3. Click on the
OK
button or press
.J.
Now you can make changes to the selected width table.
To
make
it
the
current width table without editing it, simply click on the Done button
then choose
Save
Table
and
Exit
from the dialog
that
appears.
Adding
Fonts
from
the Fonts Folder Font Merge
Adding
Fonts from
the
Fonts Folder
3-2
Whenever you create fonts with Fontware, they are stored in the
FONTS
folder. If you are adding fonts from a third party, you must have pre-
viously copied them into the
FONTS
folder either from within the
GEM
Desktop or from your operating system command line.
See
''Installing
Third-Party Fonts" in Section 1.
You
can add the fonts to your width table one
at
a time,
or
you can add
the .entire contents of the
FONTS
folder
at
once.
Adding Fonts Individually
Follow the steps below to add individual fonts to your width table.
1. Click on
Add
One
Font
in the options box.
The
ITEM
SELECTOR
dialog
is
displayed;
it
lists all the font files con-
tained in the
FONTS
folder.
2. See Appendix A, which contains keys to the typeface and device iden-
tifiers in font file names. Identify the font you created and either
click on the file name or type it on the Selection line.
3. Click on the
OK
button or press
.J.
The font(s) and font sizes are now displayed in the main screen.
If you're adding PostScript fonts, Font Merge automatically generates 16
point sizes ranging from 6 to 72. You can add more sizes and delete
sizes as needed. You can specify PostScript sizes above 72 points. The
large fonts won't display correctly on-screen
but
they will print correctly.
Note:
If you
hear
a beep when you display the
ITEM
SELECTOR,
this
means
that
the
number
of
files in the directory shown exceeds the limit
imposed by the GEM/3 system software. In this case, list only files with
identical file name characters. For example, to list all files in the direc-
tory having the
EPS
extension, change the Directory line file specification
from
*.
* to *
.EPS.
Only files having the
EPS
extension are listed.
Font Merge Adding
and
Deleting Font Sizes
Adding the Entire Folder
If you've created several new fues or
if
you're adding non-Fontware fonts,
you may save time by adding the entire contents
of
the
FONTS
folder,
rather
than
adding the fonts one-by-one
or
using the
Add
New
Fonts
option. The latter option
is
available for Fontware fonts only.
Click
on
the
Add
All
Fonts
option. A window appears and displays the
names
of
the fues containing font information being added to the width
table.
If Font Merge encounters a font file
that
already exists in the width table,
it
displays
an
alert asking whether to replace the existing font file. If you
click on
OK,
any changes you've made to this font in the width table
(added sizes, deleted sizes, and
so
forth) are lost. If you click on the Can-
cel button, Font Merge skips copying the font file and retains the version
in the width table.
Adding and Deleting Font Sizes
To
add a font size, choose the
Add
Size
option. Then type the size you
want
in the "Add size" dialog which appears.
Note
that
certain limitations apply to the point sizes you select. These
limitations depend on the printer type specified in the width table. If
you specify
an
invalid point size, Font Merge will tell you and reject the
spe~ification.
To
delete a font size, click on the size you
want
to delete in the Size box,
then choose the
Delete
Size
option. The size
is
removed.
3-3
Deleting
Fonts
Font
Merge
Deleting Fonts
To
delete a font:
1. Click on the font name
in
the Fonts box. The name becomes high-
lighted.
2. Click on
Delete
Font
in the options box.
Ail
sizes and all styles of the selected font are deleted from the width
table.
Deleting Width Tables
3-4
You delete width tables by deleting their fue icons on the
GEM
Desktop.
1. Click on the icon
in
question so
that
it
becomes highlighted.
2. Either choose the
Delete
command in the File Menu or press the
AIt
key and type D
at
the same time.
Appendix A
Identifying Fontware Files
When the Fontware installation kit assigns names to the font files
it
generates, it encodes the typeface and device type in the file
names.
The frrst part of this appendix contains a key for interpreting the
typeface codes and the second
part
contains a key to the device type
codes.
The Fontware typeface collection
is
constantly expanding. Your package
may included a brochure listing additional typefaces, which are available
from your local computer dealer
or
from Bitstream, Inc. directly.
Typeface Key Font Merge
Typeface Key
Code
aa
ab
ac
ad
ae
af
ag
ah
ai
aj
ak
al
am
an
ao
ap
aq
ar
as
at
au
av
aw
ax
A-2
This section lists
the
the two-character codes
that
represent the
Fontware typefaces
in
font fue names. The typeface code appears as the
first two characters
in
a font file name.
Typeface
Code
Typeface
Swiss Roman ay Swiss Condensed Roman
Swiss Italic az Swiss Condensed Italic
Swiss Bold
ba
Swiss Condensed Bold
Swiss Bold Italic bb Swiss Condensed Black
Century Schoolbook® be Futura Book
Roman
bd
Futura Book Italic
Century Schoolbook Italic be Futura Heavy
Century Schoolbook Bold
bf
Futura Heavy Italic
Century Schoolbook Bold
bg
Futura Medium
Italic
bh
Futura Medium Italic
Dutch Roman bi Futura Bold
Dutch Italic bj Futura Bold Italic
Dutch Bold
bk
Courier
10
Roman
Dutch Bold Italic bl Courier
10
Italic
Zapf Calligraphic Roman bm Courier
10
Bold
Zapf Calligraphic. Italic
bn
Courier
10
Bold Italic
Zapf Calligraphic Bold bo Letter Gothic
12.
Roman
Zapf Calligraphic Bold bp Letter Gothic 12 Italic
Italic
bq
Letter Gothic 12 Bold
Futura
TN
Light
br
Letter Gothic
12
Bold Italic
Futura Light Italic bs Prestige 12 Roman
Futura Condensed Medium
bt
Prestige 12 Italic
Futura Extra Black
bu
Prestige 12 Bold
Swiss Light bv Prestige 12 Bold Italic
Swiss Light Italic
Swiss Black
Swiss Black Italic
Font
Merge
Typeface
Key
Code
Typeface
Code
Typeface
bw
ITC
Avant Garde Gothic® cy
ITC
Garamond®
Book
Book cz
ITC
Garamond Book Italic
bx
ITC
Avant Garde Gothic
da
ITC
Garamond Bold
Medium db
ITC
Garamond Bold Italic
by
ITC
Avant Garde Gothic Demi dc Brush Script@ Italic
bz
ITC
Avant Garde Gothic Bold
dd
Blippo ® Black
ca
Zapf Humanist Roman de
Hobo®~man
cb Zapf Humanist Italic
df
Windsor Roman
cc Zapf Humanist Bold
dg
Swiss Compressed Roman
cd Zapf Humanist Bold Italic
dh
Swiss Extra Compressed
ce Bitstream Cooper Black® Roman
cf
University
ROian
di Exotic Demi
cg Cloister Black
dj
Exotic Bold
ch
Broadway Roman
elk
Baskerville Roman
ci
·ITC
Souvenir Light®
ell
Baskerville Italic
cj
ITC
Souvenir Light Italic dm Baskerville Bold
ck
ITC
Souvenir Demi
dn
Baskerville Bold Italic
c1
ITC
Souvenir Demi Italic do Bitstream Cooper Light
cm
ITC
Korinna® Regular
dp
Bitstream Cooper Light Italic
cn
ITC
Korinna Kursiv Regular
dq
Bitstream Cooper Bold
co
ITC
Korinna Extra Bold
dr
Bitstream Cooper Bold Italic
cq
Bitstream Charter Roman ds Serifa
® Roman
cr
Bitstream Charter Italic
dt
Serifa Italic
cs Bitstream Charter Black
du
Serifa Bold
ct
Bitstream Charter Black dv Serifa Black
Italic
dw
ITC
Garamond Cond® Book
cu
ITC
Galliard® Roman dx
ITC
Garamond Cond Book
cv
ITC
Galliard Italic Italic
cw
ITC
Galliard Bold
dy
ITC
Garamond Cond Bold
cx
ITC
Galliard Bold Italic dz
ITC
Garamond Cond Bold
italic
A-3
Typeface
Key
Font
Merge
Code
Typeface
ea
News Gothic® Roman
eb News Gothic Italic
ec News Gothic Bold
ed
News Gothic Bold Italic
ee Goudy Old Style ® Roman
ef
Goudy Old Style Italic
eg Goudy Old Style Bold
eh
Goudy Old Style Extra Bold
ei Coronet Bold
ej
ITC
Zapf Chancery® Medium
Italic
ek Clarendon Roman
el Clarendon Bold
ep
ITC
Bookman ® Light
eq
ITC
Bookman Light Italic
er
ITC
Bookman Demi
es
ITC
Bookman Demi Italic
A-4
Font
Merge
Device
Key
Device Key
This section lists the device code contained in font file names. This
codes identify the type of device
that
the font
is
used with. The device
code appears as the seventh character in a font file name.
The resolution
of
the device
is
listed in column two
of
the key
on
page
A-6.
It's
the
main characteristic in common among
the
devices in each
group. Resolution
is
the number
of
dots the device prints
or
displays in a
square inch. It
is
indicated by both the horizontal dots per inch (the
hdpi) and vertical dots per inch (the vdpi).
A-S
Device
Key
Font
Merge
Code
Resolution
Device
(hdp~vdpi)
a
91,72
-
AT&T®
6300 personal computer
-Hercules
TM
graphics adaptor
(mo~chrome)
-
IBM
EGA
TM
graphics adaptor
(monochrome
or
color)
-
IBM
VGA
TM
graphics adaptor
-Micro
D~lay
Systems The
GENIUS
graphics
adaptor
b
300,300
Epson ® GQ3500
c
91,48
-Compaq® personal computer
-
IBM
eGA
TM
graphics adaptor
d 180, 180 Epson LQ-Series printers
e 120, 144 -Epson
MX-80
or
FX-80™
Graftrax®printer
-
IBM
Graphics
™or
Proprinter™
printer
f 120, 120 Xerox®
4020™
Inkjet printer
h
300,300
HP
LaserJet Plus@,
HP
LaserJet n@
j
240,240
IBM
Quietwriter™
q
300,300
-Apple ®
LaserWri~r®
or
Apple
Laser Writer Plus
-PostScript-compatible printers
v
91,91
-
WYSE
700®
graphics adaptor
-
IBM
VGA
TM,
and
other
high-
resolution displays
Sample Documents
August
1988 5134-1069-001
Copyright © Digital Research Inc. All rights reseNed. GEM is a registered trademark and GEM
Desktop Publisher is a trademark
of
Digital Research Inc.
Sample Documents
This booklet describes the three sample documents included
with
Gem®
Desktop
PublisherTM.
These sample documents
and
their associated files
were
copied
to
the GEMPAGES folder
when
you installed Gem Desktop Publisher
on
your
hard
disk. The three sample documents are:
Filename
SAMPLE1.GWD
SAMPLE2.GWD
SAMPLE3.GWD
Document
Artichoke Sales Boom
Easton Area Real Estate News
Presentations Unlimited
This booklet also includes an explanatory page for each sample document. These
pages list the text
and
art files used in each document
and
summarize
the
formatting information of each paragraph type.
To
print
the
sample documents, you must first save them in GEM Desktop
Publisher
by
taking these steps:
1.
Open
a sample document using the
Open
command in
the
File menu.
2.
Choose the Save as command from
the
File menu. When
the
Item Selector
appears, click
on
the document's name
and
then
click
on
OK.
3.
Publisher displays a message
that
a document
by
this name already exists
and
asks if
you
want
to replace it. Click
on
OK
4.
Repeat these steps for the
other
two
sample documents.
Saving
the
documents in this manner creates the .GMP files
that
are
needed
to
print
the documents. Once you've
done
this,
you
can print the sample
documents. Consult
your
GEM
Desktop
Publisher
User's
Guide
for information
on
printing documents.
ARTICHOKE SALES BOOM
Text File:
Graphics File:
Style Sheet:
Publisher File:
ARTICHOK.ASC
CALMAP.GEM
SAMPLE1.STL
SAMPLE1.GWD
Paragraph Style: TITLE
Character: Swiss, Bold, 14pt
Paragraph:
Left Indent:
.000
Line Space:
.028
Right Indent:
.000
Space Above:
.058
1st Line Indent:
.000
Space Below:
.058
Alignment: Center
First
Example in Document:
ARTICHOKE SALES BOOM
Paragraph Style: Body Text
Character: Swiss, Normal, 7pt
Paragraph:
Left Indent:
.000
Line Space:
.030
Right Indent:
.000
Space Above:
.058
1st Line Indent:
.000
Space Below:
.058
Alignment: Left
First
Example in Document:
The artichoke industry has recently reported a
significant increase in the sales
of
California's
favorite vegetable. Despite increasing costs
associated with producing artichokes, the volume
being consumed continues
to
increase.
(Main Article)
(Map of California)
Pages: 1 Rectangles: 2
Paragraph Style: HEADING
Character: Swiss, Bold, IOpt
Paragraph:
Left Indent:
.000
Line Space:
.028
Right Indent:
.000
Space Above: .084
1st Line Indent:
.000
Space Below:
.035
Alignment: Center
First Example in Document:
Vive la France
ARTICHOKE SALES BOOM
The
artichoke industry has recently reported a significant
increase in the sales
of
California's favorite vegetable.
Despite increasing costs associated with producing
artichokes, the
volume being consumed continues
to
increase.
Californians are
not
the only fans
of
the gustatory globe as
much
of
the
crop
is exported
to
the Eastern United States as
well as
to
South America. Many varieties
of
the artichoke also
thrive in Europe and Asia. The plant was CUltivated in
California
by
Italian immigrants.
The first
shipmentto
the East Coast was in 1907. The traffic
has been brisk ever since. Most
of
the trade is in the fresh
vegetable,
but
a small percentage
of
the crop is canned.
Vive
la
France
The
globe
or
French artichoke (Cynara
Scolymus) is a member
of
the family
Compositae, having a resemblance
to
a large thistle. It grows three
to
four
feet tall with large flower heads that
resemble a large green pine cone. This
is the part eaten, while
young
and
tender.
The conditions necessary
for
this plant
to
thrive exist in very few places in the
United States. In California,
most
of
the
crop
comes from a strip
of
land along
the coast between San Francisco
and
Monterey
and
stretching a mile
or
two
inland. The cool foggy climate is ideal;
they can stand neither heat
nor
frost.
Commercially, the globe artichoke is
propagated
by
sprouts
at
the rate
of
about
900
plants per acre.
They are usually placed six feet apart in rows six feet apart.
Rich, well-drained land with plenty
of
water
and
fertilizer is
required
for
good
growth.
The buds
must
be
cut
before they open, lest they become
woody. The small compact buds are usually the more
flavorful
but
tend
to
be sold locally
at
roadside stands.
Ironically, the commercial demand is
for
the larger, less tasty,
buds.
An Acquired
Taste
The taste
for
the
vegetable is usually acquired through
someone else's urgings. The artichoke is beneficial in that
it
is high in iron, minerals, and iodine. In California,
it
is
primarily eaten in salads
or
steamed and
dipped
in butter. In
Europe, however,
it
is also baked, boiled, fried
and
stuffed. It
makes a unique and flavorful appetizer when served hot,
whole
or
in segments; with mayonnaise, butter,
or
salad
dressing, each bract (leaf) pulled off separately and
dipped
in the sauce.
The
heart is then
cut
up
and
eaten as well,
once the hairy "choke" has been removed.
The artichoke has long been valued as a culinary vegetable.
The earliest records
of
its use are in Asia;
it
then spread
to
Italy and Southern France. Many different ways
to
prepare
them have flourished
over
the years. For instance, in Italy,
the dried hearts
of
both the cultivated and wild varieties are
used in soup.
\
~\
\\
A
'Choke
of a Different
Color
The Jerusalem artichoke (Helianthus
tuberosus) is a quite different plant
grown
primarily .for its tubers. It is
not
related
to
the globe-type artichoke
at
all. It is native
to the Eastern United States. Each six- to
ten- foot tall plant can bear 30
to
50
potato-like tubers that can be boiled
and
eaten. They range in
color
from reddish
purple
to
yellowish white. The tops can be
harvested for silage
if
cut
while tender,
but this stunts the growth
of
the tubers. It
acquired the name Jerusalem because
it's
foliage resembles that
of
the sunflower
and Jerusalem is a corruption
of
the
Italian word "girasole", which means
sunflower.
\\
\:
The Jerusalem artichoke is occasionally
grown in home gardens as a vegetable
and is often used
for
pickling. It enjoyed a brief renaissance
during the 1960's "back
to
the earth" movement. It is now,
alas, principally used for livestock feed in the Northwest. It is
easy
to
cultivate, thrives in
poor
soil and is
not
injured
by
frost. This accounts for the gigantic yields that can
be
achieved.
In
temperate climes, they can spread
so
far as
to
be considered a weed. However
once
harvested, the tubers
do
not
keep very well.
Two different plants, and both relatively unknown, that
is,
until recently. The current sales boom will bring
more
people
than ever
to
savor the gustatory globe. But the tuber, like the
turnip will probably have few fans and achieve its greatest
fame as an object
of
humor
and
its greatest shame the
ignominy
of
being called a weed.
EASTON AREA REAL ESTATE NEWS
Text Files:
Graphics Files:
Style Sheet:
Publisher File:
REALl.ASC
NEWS2.ASC
NEWS3.ASC
S2HEADER.ASC
NEWSGRAF.GEM
S2HEADER.GEM
SAMPLE2.STL
SAMPLE2.GWD
Paragraph Style: HEADER
Character: Swiss, Bold, 20pt
Paragraph:
Left Indent:
.000
Line Space:
.028
Right Indent:
.000
Space Above:
.100
1st Line Indent:
.000
Space Below:
.058
Alignment: Center
(Message from President)
(Housing Trends)
(Waterfront Property Ruling)
(First Page Headline)
(Line Graph on First Page)
(Second Page Headline)
Pages: 2 Rectangles:
Paragraph Style: Body Text
9
Character: Dutch, Normal, IOpt
Paragraph:
Left Indent:
.000
Line Space:
.015
Right Indent:
.000
Space Above:
.058
1st Line Indent:
.000
Space Below:
.058
Alignment: Justified
First
example in Document: First Example in Document:
Easton Area Real Estate News The housing frenzy of
1988
continued into
...
Paragraph Style: TITLE Paragraph Style: CONTINUED
Character: Swiss, Bold Italic, IOpt
Paragraph:
Left Indent:
.000
Line Space:
.028
Right Indent:
.000
Space Above:
.041
1st Line Indent:
.000
Space Below:
.041
Alignment: Left
First Example in Document:
Housing Trends Continue
Character: Dutch, Bold Italic, 7pt
Paragraph:
Left Indent
.000
Line Space:
.015
Right Indent:
.000
Space Above:
.058
1st Line Indent:
.000
Space Below:
.058
Alignment: Left
First Example in Document:
Continued on page 2
(Style sheet description continued following
document sample.)
Easton Area Real Estate News
Houslng
Trends
Continue
The housing frenzy
of
1988 continued into the third
quarter in the Easton Area. More homes were listed
and sold this quarter than any previous three month
period. Market analysts predict that this trend will
continue for the rest
of
this year.
Real estate offices all over the greater Easton area
are reporting record-breaking figures in listings, sales,
and prices. Many homes are sold before the listing
is
entered into the Multiple Listing Service, resulting in
happy sellers and frustrated buyers. Sellers are asking
for, and receiving, top dollar for their homes,
especially homes in waterfront communities.
Median
Sales
Price
of
Single
Family
Homes
200K
r
150K
r-
100K
r-
50K r-
1984
1985
1986 1987 1988
Rullog
on
Watedront
Properties
In their September meeting, the Easton Area
Housing Control Board decided to accept a ruling
that requires all new waterfront homes be built on
lots no smaller than two acres. The ruling, which
passed
by
a 7 to 2 vote, restricts all new construction
after October 1
of
this year. Construction already in
process
by
that date
is
not affected.
President's
Message
I would like
to
thank all
of
you for
the warm welcome you gave me
when I arrived on the job a
few
short months ago. I had heard that
the Easton area agents were the
most people-oriented in the
business. You certainly showed that
to be true in making me feel at
home from
my
first
day.
I
was
surprised and pleased to find
that so many
of
you use computers
when conducting business. Too
often, real estate agents overlook
the advantages
of
using a computer
-either because they are too busy to
learn some computer skills
or
because the mere thought
of
using a
machine more complicated than a
typewriter makes them break
out
in
a cold sweat.
Unfortunately, it seems that most
of
you use your computer only for
access to the Multiple Listing
Service information. Lately, listings
come and
go
so quickly that most
of
us
could not survive without this
service.
Of
course, that
is
the main
focus
of
our
business, but it
is
certainly not the only area where
computers can help
us
professionally.
Personal computers can be used for
word processing, bookkeeping,
financial
analysis,
client
information, and just about
anything else you can envision!
CoJlIiJlllca
OJI
p.lgc
2
Easton Area Real Estate News
President's
Message
(Conlinuedhompage
1)
Almost any repetitive
or
time consuming task can be
made easier with a computer. Some applications, such
as mailing lists, may take a while to set up, but the time
spent now will be saved ten-fold in the future.
Computers can also make your work more accurate.
We all know how difficult it
is
to perform at our peak
24 hours a
day.
Often we must do
our
paperwork late
at
night, long after
our
clients have gone home.
Prepared computer applications can help
us
make sure
our
work
is
accurate and complete.
Finally, computers can help us improve the quality and
appearance
of
our printed material. Every
day,
we
prepare advertisements, flyers, and brochures in an
effort to sell more real estate. But if our materials
look unprofessional, customers may assume WE are
unprofessional. Personal computers and desktop
publishing software can help
us
prepare quality
presentation material with very little time and financial
investment. In fact, this newsletter
was
produced very
quickly and easily using Gem Desktop Publisher from
Digital Research in Monterey, California.
Computers will play a large role in the real estate
business
of
the future. They will save you time and
money while helping to further your career in real
estate.
If
you are not using a computer now, you owe it
to yourself and your clients
to
try. I think you will be
pleased with the bottom line results.
Watedront
Ruling
(Conlinuedlrom
page
1)
Page 2
Housing
Trends
The average price for a single
family home has increased 12.5%
in the last twelve months. The
following neighborhoods have
experienced the most significant
pricing
Changes:
Bloomsville
St. Andrew's Glen
Avalon Park
Hentley-on-the-Sea
James Harbour
22.6%
20.2%
18.0%
17.8%
15.6%
Condominiums and improved
properties are also selling quickly,
although their trend
is
less
impressive than that
of
single
family homes. Condominiums have
always been popular as second
homes, although the increased
industry in Easton and Warwick
have brought many first time
buyers to the area.
Waterfront properties boomed
briefly following the ruling that
limits the size
of
waterfront lots to
a minimum
of
two acres (See
related article on page 1).
The ruling cames as a surprise to many area residents, especially those who have purchased
waterfront lots smaller than two acres. The Planning Commission has been flooded with calls
from builders who are waiting for the necessary permits to begin construction.
Waterfront residents are pleased
by
the ruling. Most
of
the older waterfront homes are
on
several acres and residents have been concerned that unchecked housing growth would
compromise these dignified communities. The Avalon Park area has been struggling with this
problem for the last two years.
Easton Area Real Estate News
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Bloomsville 22.6%
PRESENTATIONS UNLIMITED
Text File:
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LOCUSMAP.GEM
SAMPLE3.STL
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Announcing a seminar offering insight
and practical examples of how effective
presentations can dramatically increase
audience attention and retention.
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Four respected speakers
will
present...
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09:00
Registration and Coffee
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Announcing a seminar offering insight
and practical examples
of
how effective
presentations can dramatically increase
audience attention and retention.
Introduction
Four
respected speakers will present this unique two-day seminar that will
arm you with
the
tools and techniques needed to structure, prepare, and
execute stunning presentations.
We will cover
ALL
related subjects including audience analysis, targeting
your audience, and positioning your presentation. After attending
our
seminar, you will have an in-depth understanding
of
graphic tools, best
effect techniques, material design, and result analysis.
HllIIi~iIiI~Iii~liIlliiJ
About
the
speakers
Ms. Amy Silvester
is
an eminent lecturer in Learning and Instructional
Psychology. She will discuss how different presentation mediums affect
short
and long term retention.
Dr. Barry Gleb, formerly Director
of
Publications for a
Fortune
25
corporation, will lecture
on
both
days
of
the seminar.
He
will concentrate
on
artistic design concepts.
We are honored to include Mr. David Green in
our
program. Mr. Green's
seminars are richly rewarding, primarily because
of
his presentation skills
and his ability to captivate an audience.
He
will be focusing
on
which
hardware and software tools are required
to
achieve top results.
Dr. Patrice Hanes
is
a guest from
the
University
of
New South Wales and
will be lecturing
on
the
ethnic aspects
of
presentation success and the best
ways
to meet the needs
of
mixed audiences.
09:00
10:00
10:30
11:30
13:00
14:30
16:00
17:30
09:30
10:00
11:30
13:00
14:30
16:00
17:30
Registration and Coffee
Introduction and Overview
Presentation Techniques
Graphics versus Text
Lunch
Tools for
the
Job
Example Media
Use
Close
Coffee
Successful Presentations
Corporate Presentations
Lunch
Hands-on Session
Open
Forum
Close
David
Green
Amy Silvester
Barry Gleb
David
Green
Amy Silvester
Agenda:
Day
2
Patrice Hanes
Barry Gleb
Staff
David
Green
(chair)
111111111111111111
......
1111111111
Registration
Course fee
is
$495, which includes all materials.
Your
place may
be
assured by calling Presentations Unlimited
at
(408) 555-9753.
The
seminar will be'held in
the
Locus Conference
Center, 135 Main Street.
From
Hiway 82, take
the
Main Street Exit and go
north
for 2 miles.
Spruce
S1.
Main
S1.
5134-1069-001
5143-2225-001

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