GNX2000 Manual V5.1 REV B Digi Tech GNX3000 Multi Effects Owner’s Manuals GNX3000REVB
User Manual: DigiTech GNX3000 Multi Effects Owner’s Manuals Troubleshoot DigiTech GNX3000 Multi Effects s |
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Warranty We at DigiTech are very proud of our products and back-up each one we sell with the following warranty: 1. The warranty registration card must be mailed within ten days after purchase date to validate this warranty. 2. DigiTech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. 3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect, provided the product is returned to DigiTech WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a period of one year. A Return Authorization number may be obtained from DigiTech by telephone. The company shall not be liable for any consequential damage as a result of the product’s use in any circuit or assembly. 4. Proof-of-purchase is considered to be the burden of the consumer. 5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this product without incurring any obligation to install the same on products previously manufactured. 6. The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and tampered with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside of the range suggested by the manufacturer. 7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this product. In no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control. NOTE: The information contained in this manual is subject to change at any time without notification. Some information contained in this manual may also be inaccurate due to undocumented changes in the product or operating system since this version of the manual was completed. The information contained in this version of the owner’s manual supersedes all previous versions. GNX3000 Owner’s Manual GNX3000 Owner’s Manual Introduction ...........................................................1 Quick Start ..................................................................... 3 Make Connections .................................................. 3 Apply Power............................................................... 3 Setups ........................................................................... 3 Single Amp .............................................................. 3 Headphones ........................................................... 4 Mixer .......................................................................... 4 Selecting Presets and Amp Models ............... 5 Presets ....................................................................... 5 Amp and Cabinet Models ............................... 5 Recording - Computer .......................................... 6 Highlights of the GNX3000 ................................... 8 The Programming Matrix ..................................... 8 The Control Panel ................................................... 8 The Expression Pedal ............................................. 9 Down/Up Footswitches ...................................... 9 Footswitches 1-5 ...................................................... 10 GNX3000 Special Features ..................................... 11 Modes ........................................................................... 11 Amp Channels 1 and 2........................................... 11 Amp Channel - Warped ....................................... 11 HyperModels ............................................................. 11 Getting Familiar with the GNX3000 ................. 12 The Front Panel ........................................................ 12 The Rear Panel .......................................................... 17 Audio Routing Setups ..........................................20 Setups Introduction ................................................... 20 Output Setups .............................................................. 20 Speaker Compensation ............................................ 24 Mic and Line Setups .................................................. 25 Optimizing the Mic and Line Input Levels ..... 26 Hooking It Up.........................................................27 Live Performance Setups ......................................... 27 Small Club Setup (Mono Amp Rig)................. 27 Medium Stage Setup (Stereo Amp Rig) ........ 28 Large Stage Setup (Stereo Amp/Cabinet Rig) .................................. 29 TalkerTM Performance Setup ............................... 30 Computer Recording Setup ................................... 31 Applying Power ............................................................ 33 About the GNX3000 ............................................34 Presets ..... ......................................................................... 34 Learn-A-Lick ................................................................... 34 Using Learn-A-Lick .................................................. 34 Bypass ............................................................................... 35 Tuner.................................................................................. 35 Footswitch Modes ...................................................... 36 Preset Mode .............................................................. 36 Stompbox Mode...................................................... 37 Record/Drum Mode ............................................. 37 Expression Pedal ......................................................... 37 GNX3000 Matrix Functions ...............................38 The GNX3000 Matrix ............................................ 38 Viewing/Editing GeNetXTM and Amp Parameter Values.......................................... 39 Viewing/Editing Effect Parameter Values ... 39 GeNetX Row.............................................................. 40 CHAN ONE EQ and CHAN TWO EQ Rows .......................................... 41 TONE Row .................................................................. 43 Amp/Cabinet Modeling......................................44 Amp Models .............................................................. 44 Cabinet Types ........................................................... 46 Editing Amps and Cabinets ................................ 46 Selecting Amps and Cabinets........................ 47 Adjusting Amp Parameters ............................. 47 Cabinet Tuning ...................................................... 48 Storing Amp Parameter Edits......................... 48 Creating HyperModelsTM .................................... 48 Saving HyperModelsTM (Amp Save) ................ 48 Effects and Parameters .......................................50 Editing a Preset’s Effects ...................................... 50 Effect Definitions .................................................... 51 Wah-Pickup ............................................................ 51 Compressor ........................................................... 52 WhammyTM/IPS/Talk ...................................... 53 Whammy ............................................................. 54 Intelligent Pitch Shifting (IPS) ................... 55 Detune ................................................................. 56 Pitch Shift .......................................................... 56 TalkerTM ................................................................. 57 GNX3000 Owner’s Manual Table of Contents Stompbox Modeling .......................................... 58 Noise Gate .............................................................. 60 Chorus/Mod Effects ......................................... 61 Chorus................................................................... 62 Flanger .................................................................. 63 Phaser .................................................................... 64 Triggered Flanger ............................................. 65 Triggered Phaser ............................................... 65 Unovibe ................................................................ 66 Tremolo ................................................................ 66 Panner ................................................................... 67 Vibrato .................................................................. 67 Rotary Speaker ................................................. 68 AutoYaTM .............................................................. 69 YaYaTM ................................................................... 70 SynthTalkTM ......................................................... 71 Envelope Filter.................................................. 71 Detune ................................................................. 72 Pitch Shift ............................................................ 72 Delay .......................................................................... 73 Reverb ...................................................................... 74 PreDelay ............................................................... 74 Expression Pedal Assignment ............................75 Expression Pedal ...................................................... 75 Expression Pedal Links 1-3 ................................... 75 Wah Pedal ................................................................... 75 Amp Channel Footswitch .................................. 76 LFOs ............................................................................... 76 LFO Links 1-2 .......................................................... 77 Expression Parameter Assignment List ......... 77 WhammyTM/IPS/TalkerTM Parameters............................................................... 78 Stompbox Parameters ....................................... 79 Noise Gate Parameters ..................................... 79 Modulation Parameters.................................... 79 Creating a Preset ...................................................81 Selecting a Preset .................................................... 81 Create a HyperModelTM ....................................... 81 Select Channel 1 Amp and Cabinet ............ 81 Select Channel 2 Amp and Cabinet ........... 82 Adjust Channel 1 Tone Controls .................. 82 Adjust Channel 2 Tone Controls.................. 83 GNX3000 Owner’s Manual Adjust EQ/Tune the Cabinets ...................... 84 Warping Amp Channels Together ............... 85 Save the HyperModelTM .................................. 85 Select Models for the Preset’s Channels ..... 86 Edit the Preset Effects ...................................... 87 Select the Pickup Type ..................................... 87 Turn the Compressor Off ................................ 88 Turn the WhammyTM/IPS/TalkerTM Off ... 88 Turn the Stompbox Modeling Off .............. 88 Adjust the Noise Gate ...................................... 88 Select and Adjust the Chorus ...................... 89 Turn the Delay Off.............................................. 89 Select and Adjust the Reverb........................ 90 Store the Preset.................................................... 91 Storing/Copying a Preset ...................................92 Storing a Preset ........................................................ 92 Copying a Preset ...................................................... 93 Preset Levels .............................................................. 93 Footswitch Functions for Modes ......................94 Preset Mode - Green ............................................. 94 Stompbox Mode - Yellow................................... 96 Record/Drum Mode - Red................................. 98 Drum Machine .......................................................99 Control Panel - Drum Machine ........................ 99 STOP/PLAY ............................................................ 99 PATTERN................................................................... 99 LEVEL ......................................................................... 99 TEMPO ...................................................................... 99 Footswitch Operation ....................................... 100 Computer Recording via USB ............................101 ASIO/Mac Mode vs. WDM Mode .................. 101 Changing USB Mode (ASIO/Mac or WDM) ............................................ 101 Installing the GNX3000’s Software Suite ............................................................................... 101 Connecting the GNX3000 to the Computer .................................................................... 102 Audio Routing for USB Recording .................. 102 Inputs and Recording Routing (4 In/2 Out USB Audio Interface) ............... 102 GNX3000 Owner’s Manual Input Sources......................................................... 102 USB 1-2 Source ...................................................... 103 USB 3-4 Source ..................................................... 104 Guitar Signal Routing......................................... 105 Mic Signal Routing .............................................. 106 Line Input Signal Routing ................................ 107 Using Pro Tracks PlusTM ........................................ 108 Hands-FreeTM Recording Capabilities ........ 108 Setting Up the GNX3000 MIDI Device .... 108 Setting up the GNX3000 for Hands-Free Recording ....................................... 108 Configuring Pro Tracks Plus for Recording in ASIO Mode................................. 109 Setting up Pro Tracks Plus for GNX3000 Audio .................................................. 109 Control Panel and Recording Setup ............... 110 Computer Recording with a Mac .................... 111 MIDI Mapping ........................................................... 121 MIDI Merge................................................................. 122 Factory Reset............................................................. 122 Troubleshooting Guide .......................................124 Appendix .................................................................128 MIDI Implementation Chart .................................. 128 General MIDI Drum Sample List .......................... 128 MIDI CC List ................................................................... 129 Specifications ................................................................ 130 Bank and Preset Names ............................................ 133 Using the GNX3000’s Footswitches for Hands-Free Computer Recording Functions.............................................112 Recording a Track or Tracks ............................... 112 Playing Back a Recorded Track ......................... 112 Recording Multiple Tracks .................................. 113 Using the UNDO Footswitch to Erase a Track ........................................................................... 113 Using the GNXFC for Hands-Free Computer Recording Functions ....................... 113 Re-Amping a Guitar Track ................................... 114 Recording the GNX3000 Drums as Audio .. 115 Recording the GNX3000 Drums and MIDI . 116 MIDI and Recording ............................................... 116 USB Playback Mix .................................................... 116 USB 1-2 Level/USB 3-4 Level ............................. 117 Utilities ....................................................................118 Volume Pedal Update ........................................... 118 Preset Bounceback.................................................. 118 Expression Pedal Calibration.............................. 119 Bank Names................................................................ 119 MIDI Channel............................................................. 120 Bulk Dump .................................................................. 120 Preset Dump .............................................................. 120 User HypermodelTM Amp Dump ...................... 121 GNX3000 Owner’s Manual Manufacturer’s Name: Manufacturer’s Address: DigiTech 8760 S. Sandy Parkway Sandy, Utah 84070, USA declares that the product: Product name: GNX3000 Product option: all (requires Class II power adapter that conforms to the requirements of EN60065, EN60742, or equivalent.) conforms to the following Product Specifications: Safety: IEC 60065 (1998) EMC: EN 55013 (2001+A1) EN 55020 (2002+A1) Supplementary Information: The product herewith complies with the requirements of the Low Voltage Directive 72/23/EEC and the EMC Directive 89/336/EEC as amended by Directive 93/68/EEC. Vice-President of Engineering-MI 8760 S. Sandy Parkway Sandy, Utah 84070, USA Date: June17, 2005 European Contact: Your local DigiTech Sales and Service Office or Harman Music Group 8760 South Sandy Parkway Sandy, Utah 84070 USA Ph: (801) 566-8800 Fax: (801) 568-7583 Introduction GNX3000 Owner’s Manual GNX3000 Owner’s Manual Introduction Congratulations on your purchase of the GNX3000 Guitar Workstation®. The GNX3000 delivers an award-winning GeNetX™ multi-modeling guitar processor, General MIDI drum machine, and USB Audio/MIDI interface in a single integrated package. Combined with the included suite of recording, editing, and production software, the GNX3000 Guitar Workstation is a complete solution for your performing and recording needs. The new GNX3000 Guitar Workstation® also features our new advanced Component Based Modeling™ for the most authentic tone you’ve ever heard. Traditionally, amp modeling has been done either by electronic measurement or A/B comparison between the physical amp and digital algorithms. These methods can create a single amplifier “tone snapshot.” But as we all know, a classic amp is a complex instrument. Component Based Modeling analyzes the signal path, individual components and acoustic behavior of an amp: preamp and tone stage topology, the type of power stage, its feedback structure and tube saturation characteristics, how the speaker and output transformer interact, cabinet size and composition, and much more. When combined with traditional electronic measurements and hundreds of hours of critical listening, the result is the first modeling that distorts, saturates, overdrives and generally behaves the way the original amp’s designers intended. The only thing more real is the amp itself! The GNX3000’s intuitive user interface makes programming as simple as turning a knob. However, your time would be well spent by reading through the Quick Start section on page 3 (as well as the rest of this Owner’s Manual) with your GNX3000 in front of you. Be sure to visit the sound community at www.digitech.com and www.guitarworkstation.com to exchange custom amps, presets and songs. Plus you can get all the latest updates and lots of cool tips and tricks. 1 GNX3000 Owner’s Manual Introduction Included Items Please check to make sure the following items have been included: • DigiTech GNX3000 Guitar Workstation • DigiTech GNX3000 Owner’s Manual • DigiTech GNX3000 Software Install CD with: • X-Edit™ Editor/Librarian, USB Drivers, and Pro Tracks Plus™ Software (Windows® XP only) • Pro Tracks Plus™ User’s Guide (.pdf) • Lexicon® Pantheon™ User’s Guide (.pdf) • DigiTech PSS3 Power Supply • DigiTech Warranty Card • USB Cable The utmost care was taken in the manufacturing and packaging of your GNX3000. Everything should be included and in perfect working condition. However, if you find anything missing, please contact the factory at once. Please take a moment to fill out the warranty card or register online at www.digitech.com. It is your safeguard in the unlikely event that the GNX3000 develops a problem. GNX3000 Owner’s Manual 2 GNX3000 Owner’s Manual Quick Start Make Connections 1. Connect your instrument to the GUITAR/INSTRUMENT INPUT on the GNX3000’s rear panel. 2. Connect either the 1/4” or XLR LEFT/RIGHT OUTPUTS to the input(s) of your amplifier(s), power amp, or mixer. Apply Power 1. Turn the OUTPUT LEVEL knobs (for both the 1/4” and XLR OUTPUTS), on the rear panel of the GNX3000, all the way down (fully counter clockwise). 2. Connect the PSS3 power supply to the Power jack on the GNX3000. 3. Connect the other end of the PSS3 power supply to an AC outlet. 4. Turn the GNX3000 POWER SWITCH on. 5. Turn your amplifier(s) on, and adjust the volume(s) to a normal playing level. Gradually turn up the GNX3000’s output level until you reach your desired listening level. Setups Here are three of the most popular setups, and one of them is probably what you’re looking for. For additional setups see page 27. Single Amp For a simple guitar-to-workstation-to-amp setup, just plug your guitar into the GUITAR INPUT (on the back panel) and plug the LEFT 1/4” BALANCED OUTPUT into your amp. Turn Speaker Compensation off for the 1/4” OUTPUTS (see page 24). Amplifier Guitar Input Left 1/4" Balanced Output 3 GNX3000 Owner’s Manual Quick Start Headphones This setup is ideal for practicing when neighbors, roommates or significant others don’t want to listen. Plug your guitar into the GUITAR INPUT and plug your headphones into the HEADPHONE OUTPUT. Note that the HEADPHONE OUTPUT is a 1/4” jack, so if your headphones have an 1/8” jack, you’ll need an adapter (available at your local electronics store). Turn Speaker Compensation on for the XLR OUTPUTS (see page 24) which also enables it for the headphones. Headphones Output Guitar Input Headphones Mixer To connect to a mixer, plug your guitar into the GUITAR INPUT, and connect the GNX3000’s LEFT and RIGHT XLR or 1/4” BALANCED OUTPUTS to your mixer’s left and right inputs. Turn Speaker Compensation on for the 1/4” and XLR OUTPUTS (see page 24). Mixer 4 4 6 0 or -2 +2 -2 +2 Pan -2 +2 Pan -2 +2 Pan -2 +2 -2 +2 0 +1 Pan -2 +2 -2 +3 +4 -5 +5 Mute Mute Mute Mute Mute Mute Mute L/R L/R L/R L/R L/R L/R L/R L/R +10 +5 +10 +5 0 +10 +5 0 +10 +5 0 +10 +5 0 +10 +5 0 +5 0 0 +10 +5 0 -5 -5 -5 -5 -5 -5 -5 -5 -10 -10 -10 -10 -10 -10 -10 -10 -20 -20 -30 - -30 - -20 -20 -30 - -20 -30 - 1 -20 -30 - 2 -20 -30 - 3 -20 -30 - 4 -30 - 5 6 +2 +3 -3 Pan Mute +10 0 +1 +4 -4 -5 +5 Aux 2 10 -1 +3 -3 +4 -4 -5 +5 6 8 0 Aux 2 10 -1 +3 -3 Pan 0 0 +1 +4 -4 -5 +5 8 Aux 1 10 4 6 8 2 Aux 2 10 -1 +3 -3 +4 -4 -5 +5 0 0 +1 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +3 -3 +4 -4 -5 +5 0 0 +1 6 8 2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +3 -3 +4 -4 -5 +5 0 0 +1 4 6 8 2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +3 -3 Pan 0 0 +1 4 6 8 2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +4 -4 -5 4 0 4 6 8 2 0 Aux 1 10 4 6 8 2 0 +1 4 6 8 2 0 Aux 1 10 4 Aux 2 10 -1 -4 GNX3000 Owner’s Manual 0 6 8 2 0 4 6 8 2 Aux 1 10 4 2 -3 Guitar Input 4 6 8 2 2 Pan +5 GNX3000 Owner’s Manual Selecting Presets and Amp Models Once you’re connected to the GNX3000, you can immediately transform the tone of your guitar with the 130 Factory presets. (There are also 65 User presets you can customize; learn how to create a custom preset on page 81.) Within each preset you can also select different amp models that will further alter your guitar’s tone. Presets Turn the DATA WHEEL to scroll through the presets. The number and name in the DISPLAYS change as you turn the DATA WHEEL. When you stop turning the DATA WHEEL, the selected preset is automatically loaded. Play your guitar to hear it. Data Wheel NAME 64 Preset Bank LEDs Look at the Preset Bank LEDs to the left of the DATA WHEEL, and notice that either the User, Factory 1 or Factory 2 LED is lit. When you get to the end of one bank, you start at the beginning of the next bank. Amp and Cabinet Models You can choose and customize a virtual amp/cabinet combo to run your guitar signal through. (In this case, “amp” refers to the head, where all the knobs and tubes or electronics reside, and “cabinet” refers to the enclosure where the speakers are mounted.) For example, you can select the 62 bman amp model, which by default uses two 12-inch speakers in a Blonde cabinet (Blnd2x12). Then, if you want to, you can change the cabinet to a British model with four 12inch speakers (Brit4x12), which would result in the sound of a Bassman® head powering British speakers. GENETX Button NAME 64 Knob 5 Knob 1 Knob 2 Knob 4 5 GNX3000 Owner’s Manual Quick Start To select an Amp and Cabinet model: 1. Push the GENETX BUTTON. 2. Turn KNOB 1 or KNOB 4 to select an amp model. 3. Turn KNOB 2 or KNOB 5 to select a cabinet model. See page 44 for more information about Amp/Cabinet modeling. Recording - Computer If you’re ready to start recording, here’s how to connect the GNX3000 to your computer. You’ll also need to install the included software; see page 101 for more information. Computer Powered Studio Monitor USB Cable Powered Studio Monitor Microphone Audio MIDI MIDI Keyboard Mic Input Guitar Input XLR Balanced Outputs Line Inputs Headphones GNXFC Foot Controller (Optional) 1. Connect your guitar (or bass guitar) to the GNX3000’s GUITAR INPUT. 2. Connect a microphone to the GNX3000’s MIC INPUT and use the MIC LEVEL control knob located next to the MIC INPUT on the GNX3000’s rear panel to adjust the microphone output level. To adjust your microphone input level for optimal use see Mic Level Optimization on page 26. 3. Connect a keyboard, line level instrument, or stereo mixer (for feeding submixes) to the GNX3000’s LEFT and RIGHT LINE INPUTS. To adjust your line input levels for optimal use see Line Level Optimization on page 26. 4. Connect XLR cables from the GNX3000’s LEFT and RIGHT XLR OUTPUTS to powered studio monitors, OR connect a pair of stereo headphones to the HEADPHONE OUTPUT. 5. Connect a GNXFC Foot Controller (optional) to the GNX3000’s FOOTSWITCH JACK. GNX3000 Owner’s Manual 6 GNX3000 Owner’s Manual 6. Connect the GNX3000 to your computer’s USB JACK using the included USB cable. ATTENTION: Refer to the “Installing the GNX3000’s Software Suite” section on page 101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks Plus. 7. Connect a MIDI keyboard to the GNX3000’s MIDI IN and OUT/THRU JACKS using 5 Pin MIDI cables. 8. Press the GNX3000’s OUTPUT SETUP button and select STEROALL as the output mode using the DATA WHEEL. 9. Turn Speaker Compensation on for the XLR OUTPUTS (see page 24). See page 24 for more information about Speaker Compensation. 7 GNX3000 Owner’s Manual Highlights of the GNX3000 Highlights of the GNX3000 This section gives you a breakdown of the GNX3000’s main areas. The Programming Matrix Programming Matrix This panel is divided into two main sections: the Amp/Cabinet section and the Effects section. If the Amp/Cabinet section is active, you can select and adjust amp and cabinet models and configurations. If the Effects section is active, you can select and adjust effects. The knobs adjust settings for whichever section is active. The Control Panel Control Panel These buttons control several “nuts and bolts” operations of the GNX3000. You can use them to change the footswitch mode you’re in (page 36), choose output options (page 20), audio setup for recording (page 31), control the drum machine (page 99), save preset settings (page 92), and perform many other functions. GNX3000 Owner’s Manual 8 GNX3000 Owner’s Manual The Expression Pedal Expression Pedal The EXPRESSION PEDAL can control up to three parameters at a time for any preset. For example, you could assign Chorus speed, Chorus depth, and volume to the EXPRESSION PEDAL so that they all increase when you rock it forward, and decrease when you rock it backward. See page 75 for more information about assigning functions to the EXPRESSION PEDAL. You can turn the Wah pedal on or off by rocking the EXPRESSION PEDAL all the way forward (toe down), and pressing down firmly on the toe until WAH ON or WAH OFF appears in the display. Down/Up Footswitches Down/Up Footswitches Depending on the mode, these footswitches select drum patterns or navigate through presets and preset banks. See page 36 for more on modes. 9 GNX3000 Owner’s Manual Highlights of the GNX3000 Footswitches 1-5 Footswitches 1-5 Depending on the mode, these five footswitches select presets, change amp channels, turn individual effects on and off, control drum machine operations, and give you Hands-FreeTM recording operation when recording on your computer. You can also press pairs of footswitches to activate the Learn-A-LickTM feature, bypass individual effects or the entire preset, access the tuner, or change the Footswitch modes. GNX3000 Owner’s Manual 10 GNX3000 Owner’s Manual GNX3000 Special Features This section describes some of the GNX3000’s unique characteristics in simple, easyto-understand language and directs you to the pages where you can learn more about them. Modes The GNX3000 operates in one of three different modes. The active mode corresponds directly to what functions the footswitches control. The modes are called Preset, Stompbox, and Record/Drum. These modes are described in detail on page 36. The short description goes like this: Preset Mode lets you easily change between groups of presets; Stompbox Mode lets you change between individual presets and modify their settings with the FOOTSWITCHES; Record/Drum Mode gives you Hands-FreeTM control of the recording and drum machine functions. To change modes, switch amp channels, and turn effects on and off, press the MODE button (to the right of the DATA WHEEL) or step on FOOTSWITCHES 4 and 5 simultaneously. Each time the mode is changed, the name of the new mode will be displayed briefly. Amp Channels 1 and 2 Not only does the GNX3000 let you choose from a garage full of simulated amp head and cabinet combinations (page 44), you can set up two different combinations within the same preset and quickly switch back and forth between them. For example, you can set up a Mesa/Boogie® Dual RectifierTM model amp on Channel 1 and a ‘65 Fender® Deluxe Reverb® amp model on Channel 2. You can play through either amp by switching channels with the AMP CHANNEL FOOTSWITCH (FOOTSWITCH 1) when the GNX3000 is in Stompbox Mode. Amp Channel - Warped A third channel can exist in addition to Channel 1 and Channel 2; we call this the Warped channel (yellow LED). Choose the Warped channel to hear a unique amp and cabinet combination based on the amps and cabinets assigned to the Channel 1 and Channel 2. Refer to the Amp Channel Footswitch section on page 76 for more information. HyperModels A HyperModelTM is a custom user amp and cabinet model that is made by warping two different amp/cabinet combinations together. You can select a HyperModel like any other amp/cabinet model. See page 81 for details about how to create a HyperModel; see page 44 for more on amp and cabinet models. 11 GNX3000 Owner’s Manual Getting Familiar with the GNX3000 Getting Familiar with the GNX3000 The Front Panel 1. Footswitches 1-5 Depending on the selected mode, these five FOOTSWITCHES select presets, change amp channels, turn individual effects on and off, and control drum machine and recording operations. Learn-A-LickTM, Bypass, Tuner and Mode functions are accessed by pressing the labeled pair of FOOTSWITCHES. 2. Effect Select Buttons The and EFFECT SELECT buttons are used together with the Matrix LEDs to choose the effects you want to edit. GNX3000 Owner’s Manual 12 GNX3000 Owner’s Manual 3. Amp Control Buttons The four AMP CONTROL buttons are used to select one of the amp/cabinet model edit rows including: CHAN ONE EQ (Green), GENETX (Yellow), CHAN TWO EQ (Red), and TONE (Silver). 4. Status button The STATUS button has multiple functions that depend on the matrix row that is selected. For example: With the CHAN ONE EQ (Green) row selected, the STATUS button turns Channel One’s EQ on and off. With the GENETX (Yellow) amp/cabinet model row selected, the STATUS button selects which amp you are listening to: Channel One, Channel Two, or the Warped Amp (if a Warped state between both channels exists). With the CHAN TWO EQ (Red) row selected, the STATUS button turns Channel Two’s EQ on and off. With the TONE (Silver) row selected, the STATUS button selects which amp you are listening to: Channel One, Channel Two, or the Warped Amp (if a Warped state between both channels exists). The Amp Gain, Bass, Midrange, Treble, and Amp Levels alternate between editing Channel One’s (lit green) or Channel Two’s (lit red) amp settings as the STATUS button is pressed. When editing effects in the Effect Matrix, the STATUS button turns the selected effect on and off, or selects a controller type for the expression assignment. 5. Knobs 1-5 After selecting one of the rows using the AMP CONTROL or EFFECT SELECT buttons, these five knobs adjust the parameters listed in the column directly above or below each knob. 6. Matrix a. GeNetX™ Amp Controls Matrix The GeNetX Amp Controls Matrix lists the Channel One and Channel Two amp types, cabinet types, EQ/tone controls, and cabinet tuning parameters available for editing in each preset. b. Effects Matrix The Effects Matrix lists the effects and effect parameters available for editing in each preset. 13 GNX3000 Owner’s Manual Getting Familiar with the GNX3000 7. Displays The Displays give feedback of the various functions that are being used in the GNX3000, including preset name, editing functions, tuner, utility menus, and drum machine settings. 8. Preset Bank LEDs The Preset Bank LEDs indicate whether the selected preset resides in the User, Factory 1, or Factory 2 banks. 9. Data Wheel The DATA WHEEL is a multi-function control used for selecting presets and editing preset parameters. It is also used for adjusting the settings of the Drum Machine, Utilities, Output Setup, Mic/Line Routings, and Recording Setup menus. 10. Status Indicator LEDs (Clip, Wah, and USB Active) There are three Status Indicator LEDs. The CLIP LED illuminates when one of the four input signals clip (is at or above their maximum input level), The WAH PEDAL LED lights when the Wah pedal is active. The USB LED lights when the USB connection is active. 11. Control Panel Buttons The Control Panel buttons are used to select the GNX3000’s Footswitch Modes, Output Setups, and Utility functions, and to store Amp/Cabinet Model edits and Preset changes. They also access the GNX3000’s Drum Machine functions as well as mic/line routing and USB input source routing for recording. The buttons are labeled as follows: MODE - This button changes the functionality of the DOWN/UP FOOTSWITCHES and FOOTSWITCHES 1-5 (see the Footswitch Functions for Modes section on page 94). Each time the mode is changed, the name of teh new mode is displayed briefly. OUTPUT SETUP - This button selects one of the GNX3000 Audio Output Setups: Stereo All, Mono All, Mono 1/4”, Mono XLR, Split 1 and Split 2. Stereo and Mono All have all the input sources (guitar, mic, line inputs, drums, and audio playback from USB) routed to both output pairs in either stereo or mono respectively. Split 1 routes the guitar signal to just the 1/4” OUTPUTS while all other sources are routed out the XLR OUTPUTS. Split 2 is the same as Split 1 but the guitar signal is also routed out the XLR OUTPUTS. See page 24 for more information about Speaker Compensation for XLR and 1/4” OUTPUTS. UTILITY - This button accesses the GNX3000’s global functions including: Volume Pedal Update, Expression Pedal Calibration, Preset Bounceback, Bank Naming, MIDI Channel selection, Sysex Bulk Dump, MIDI Preset Dump, User GNX3000 Owner’s Manual 14 GNX3000 Owner’s Manual HyperModel™ Amp Dump, MIDI Mapping, MIDI Merge, USB Mode and Factory Reset (see the Utilities section on page 118). AMP SAVE - This button stores Amp and Cabinet changes (tone, gain, level, amp type, cabinet type, warp, EQ or cabinet tuning) as HyperModelsTM. STORE - This button is used to save Preset edits to the User Presets bank. (STOP/PLAY) DRUMS - This button is used to turn the General MIDI Drum Machine on and off. See page 99 for a list of drum patterns and page 128 for a list of samples. PATTERN - Pressing this button and using the DATA WHEEL selects Drum machine patterns. LEVEL - Pressing this button and using the DATA WHEEL adjusts the Drum Machine output level. TEMPO - Pressing this button and using the DATA WHEEL adjusts the Drum Machine. SHIFT - When this button is lit, the secondary functions labeled below each button are now active. USB 1-2 SRC - Selects what input sources are to be recorded up the USB 1-2 channels. USB 3-4 SRC - Selects what input sources are to be recorded up the USB 3-4 channels. MIC - Selects the Mic Input Routing menu and how the mic signal is routed through the GNX3000’s effects processing for both recording and live performance. LINE - Selects the Line Input Routing menu and how both LINE INPUTS are routed through the GNX3000’s effects processing for both recording and live performance. USB 1-2 LVL - A gain/attenuation control to optimize the level of sources being recorded up the USB 1-2 channels. USB 3-4 LVL - A gain/attenuation control to optimize the level of sources being recorded up the USB 3-4 channels. 15 GNX3000 Owner’s Manual Getting Familiar with the GNX3000 USB PLAY MIX - Controls the level balance between the GNX3000’s processing and the USB stream played back from your computer. This button is inactive when there is no active USB connection to a computer. The display will read NO USB if the button is pushed for this case. NOTE: When connected to the computer it is possible to lose your audio input signal levels from the GUITAR, MIC, and/or LINE INPUTS if the USB Play/Mix control is all the way down (GNX mix = 0). PREV/NEXT - Use these buttons to scroll through the active selection’s menus or values. EXIT - Exits all functions back to the preset name display. 12. Down/Up Footswitches These FOOTSWITCHES move up and down through the User preset banks (Preset Mode), navigate through presets (Stompbox Mode), and select drum patterns (Record/Drum Mode). 13. Expression Pedal The EXPRESSION PEDAL controls up to three effect parameters in real time. Most GNX3000 parameters can be assigned to the EXPRESSION PEDAL. Applying extra pressure to the toe of the EXPRESSION PEDAL changes the EXPRESSION PEDAL’s function to control the Wah. GNX3000 Owner’s Manual 16 GNX3000 Owner’s Manual The Rear Panel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1. Guitar/Instrument Input Connect your guitar/instrument to this jack. 2. Mic Level Controls the gain of the MIC INPUT preamp. 3. Microphone Input Connect a low impedance microphone to this jack for recording vocals or acoustic instruments. It can also be used for the Talker™ Vocoder effect (see Talker on page 57). The mic signal can remain dry or processed through the GNX3000’s effects for live and recording applications (see page 25 for more information). The Microphone Input is equipped with built-in phantom power (which is always on) for use with condenser or ribbon mics that require phantom power. 4. Left/Right Balanced Line Inputs Connect line level sources to these jacks for recording or live performance mixing into the GNX3000. Line signals can remain dry or be processed through the GNX3000’s effects for live and recording applications (see page 25 for more information). 5. Output Level (1/4” Outputs Only) Controls the overall volume level of the 1/4" OUTPUTS of the GNX3000. 6. Left/Right 1/4" Balanced Line Outputs Connect these outputs to your guitar amplifier(s), power amplifier(s), or to a mixing console that accepts 1/4" balanced connections. 7. Output Level (XLR and Headphone Outputs Only) Controls the overall volume level of the balanced XLR and HEADPHONE OUTPUTS of the GNX3000. 17 GNX3000 Owner’s Manual Getting Familiar with the GNX3000 8. Left/Right XLR Balanced Outputs Connect these outputs to your power amplifier/speaker system or to a mixing console that accepts XLR balanced connections. DigiTech® recommends that you do not connect these GNX3000 XLR outputs to mixer or console channels that have phantom power enabled. 9. Headphone Output Connect a pair of stereo headphones to this jack. DO NOT connect a mono plug to this jack, as it may damage the output driver. 10. Footswitch (OPTIONAL ) Connect a GNXFC footswitch to this jack for remote control of the GNX3000’s record functions. 11. USB Jack Connect this jack to your computer’s USB port for hard disk recording and computer preset editing via the X-Edit™ Editor/Librarian software. A standard USB cable is included. The GNX3000 is compatible with USB 2.0 high speed ports, however the USB 2.0 bus will switch to a USB v1.1 full speed (up to 12 Mbps) data rate to work with the GNX3000. ATTENTION: Refer to the “Installing the GNX3000’s Software Suite” section on page 101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks Plus. 12. MIDI In The MIDI In jack receives all incoming MIDI data including MIDI preset changes. MIDI preset changes and CC control messages received from external MIDI devices connected to the MIDI In jack can be used to control the GNX3000 and its preset parameters. When the GNX3000 is connected to the computer via USB, the MIDI In can be used as a MIDI interface for recording any MIDI data in Pro Tracks Plus™ or other MIDI recording software. (See page 129 for the MIDI CC table.) 13. MIDI Out/Thru The MIDI Out/Thru jack sends MIDI data from the GNX3000 MIDI preset changes. When the GNX3000 is connected to the computer via USB, it can act as a MIDI interface for sending MIDI data from Pro Tracks Plus™ or other MIDI recording software to external keyboards or sound modules. When MIDI Merge is enabled in the Utility menu, the MIDI Out acts as a MIDI Thru for any data coming into the GNX3000 from the MIDI In jack. (See page 129 for the MIDI CC table.) GNX3000 Owner’s Manual 18 GNX3000 Owner’s Manual 14. Power Switch Turns the power on and off. 15. Power Input Connect only the provided DigiTech PSS3 power supply to this jack. 19 GNX3000 Owner’s Manual Audio Routing Setups Audio Routing Setups Setups Introduction The GNX3000 is equipped with four inputs and four outputs that can be configured several different ways for both live and recording applications. These settings determine which pair of outputs the guitar processing, MIC and LINE INPUTS are routed to and how the MIC or LINE INPUTS are routed through the GNX3000’s effects processing. For example, today you may be practicing with headphones, tomorrow you may be recording on your computer, and next week you might be performing at a club, running your guitar and vocals through monitors and a PA system. The GNX3000 has different input/output options that are designed for each of those situations, and more. Output Setups The GNX3000 features both 1/4" and XLR OUTPUTS on the rear panel. These jacks let you simultaneously connect the GNX3000 to an amplifier/speaker system on stage via the 1/4" OUTPUTS and connect directly to your PA system via the XLR OUTPUTS. Press the OUTPUT SETUP button and turn the DATA WHEEL to select one of the Output Setup options. Press the EXIT button to save your selection. GNX3000 Owner’s Manual 20 GNX3000 Owner’s Manual The six OUTPUT SETUPS are as follows: Stereo All ( steroall ) All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to both output pairs in stereo. Speaker Compensation can be turned on and off independently for either the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24). line fx Line Left line rvb line dry DRUMS & USB PLAYBACK Line Right Guitar Input mic rvb mic fx Mic Input + Comp Detector Pickup Sim Wah Comp Whammy/IPS (except Talker) Stompbox Gate Detector SC CH 1 Amp Modeling/ Tone CH 1 Cabinet CH 2 Amp Modeling/ Tone CH 2 Cabinet Gate + Chorus/ Mod Whammy/IPS (Talker) + Delay mic dry + SC Reverb + SC + SC 1/4" Left Output 1/4" Right Output + SC XLR Left Output XLR Right Output = Speaker Compensation Module Mono All ( mono all) All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to both output pairs in mono. Speaker Compensation can be turned on and off independently for either the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24). line fx Line Left line rvb line dry DRUMS & USB PLAYBACK Line Right mic fx Mic Input Guitar Input + Comp Detector Pickup Sim Wah mic rvb Comp Whammy/IPS (except Talker) Stompbox Gate Detector SC CH 1 Amp Modeling/ Tone CH 1 Cabinet CH 2 Amp Modeling/ Tone CH 2 Cabinet Gate Whammy/IPS (Talker) Chorus/ Mod + + Delay Reverb mic dry + SC + SC SC SC + + + XLR Left Output XLR Right Output + 1/4" Left Output 1/4" Right Output = Speaker Compensation Module 21 GNX3000 Owner’s Manual Audio Routing Setups Mono 1/4 ( mono 1/4 ) All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to the 1/4" OUTPUTS in mono. All input sources routed to the XLR OUTPUTS maintain stereo separation. Speaker Compensation can be turned on and off independently for either the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24). line fx Line Left line rvb line dry DRUMS & USB PLAYBACK Line Right Guitar Input mic rvb mic fx Mic Input Pickup Sim + Comp Detector Wah Comp Whammy/IPS (except Talker) Stompbox Gate Detector SC CH 1 Amp Modeling/ Tone CH 1 Cabinet CH 2 Amp Modeling/ Tone CH 2 Cabinet Gate + Chorus/ Mod Whammy/IPS (Talker) + Delay mic dry XLR Left Output XLR Right Output + SC Reverb + SC + SC 1/4" Left Output 1/4" Right Output + + SC = Speaker Compensation Module Mono XLR ( mono xlr ) All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to the XLR OUTPUTS in mono. All input sources routed to the 1/4” OUTPUTS maintain stereo separation. Speaker Compensation can be turned on and off independently for either the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24). line fx Line Left line rvb line dry DRUMS & USB PLAYBACK Line Right mic fx Mic Input Guitar Input Pickup Sim + Comp Detector mic rvb Wah Comp Whammy/IPS (except Talker) Stompbox Gate Detector SC GNX3000 Owner’s Manual 22 CH 1 Amp Modeling/ Tone CH 1 Cabinet CH 2 Amp Modeling/ Tone CH 2 Cabinet Gate Whammy/IPS (Talker) Chorus/ Mod = Speaker Compensation Module + + Delay Reverb mic dry + SC + SC SC SC + + + XLR Left Output XLR Right Output 1/4" Left Output 1/4" Right Output GNX3000 Owner’s Manual Split 1 ( split1 ) Stereo guitar processing and any inputs routed through the GNX3000’s guitar processing are routed to the 1/4" OUTPUTS. Audio playback from the computer, mic dry, line dry and drums is routed to the XLR OUTPUTS. Speaker Compensation can be turned on and off independently for either the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24). line fx Line Left line rvb line dry DRUMS & USB PLAYBACK Line Right Guitar Input mic rvb mic fx Mic Input Pickup Sim + Comp Detector Wah Comp Whammy/IPS (except Talker) Stompbox Gate Detector SC CH 1 Amp Modeling/ Tone CH 1 Cabinet CH 2 Amp Modeling/ Tone CH 2 Cabinet Gate Whammy/IPS (Talker) Chorus/ Mod + + Reverb Delay + mic dry + XLR Left Output XLR Right Output 1/4" Left Output 1/4" Right Output SC SC = Speaker Compensation Module Split 2 ( split2 ) SPLIT2 is the same as SPLIT1 but the guitar processing is also routed out the XLR OUTPUTS. line fx Line Left line rvb line dry DRUMS & USB PLAYBACK Line Right mic fx Mic Input Guitar Input Pickup Sim + Comp Detector mic rvb Wah Comp Whammy/IPS (except Talker) Gate Detector SC Stompbox CH 1 Amp Modeling/ Tone CH 1 Cabinet CH 2 Amp Modeling/ Tone CH 2 Cabinet Gate Whammy/IPS (Talker) Chorus/ Mod + + Delay mic dry SC Reverb SC SC SC + + XLR Left Output XLR Right Output 1/4" Left Output 1/4" Right Output = Speaker Compensation Module 23 GNX3000 Owner’s Manual Audio Routing Setups Speaker Compensation Both the 1/4” and XLR OUTPUTS can be used in a variety of ways. They can be plugged directly into guitar combo amp inputs, XLR inputs on a power amp connected to an external speaker cabinet, into mixer channels, and directly into full range studio monitors. Depending on which application you are using them for, you can enable or disable Speaker Compensation on either output pair independently. Speaker Compensation is to be used when the outputs of the GNX3000 will be played through a full range speaker system and emulates the rolled off response that a guitar cabinet normally provides without having to use one. An example of where you would want Speaker Compensation turned on is when the outputs are connected to a mixer which is connected to your band’s PA system, or when plugging the outputs directly into powered studio monitors while recording. When running into the front end of an amp or into a power amp connected to a guitar speaker cabinet, you will most likely want Speaker Compensation disabled on the outputs that are being used. If you want to use one set of outputs for running into a guitar amp and the other pair for running direct to the PA, just enable Speaker Compensation on the outputs connected to the mixer. To enable or disable Speaker Compensation, follow these steps: 1. Press the OUTPUT SETUP button. 2. Use the NEXT button to select SC XLR in the DISPLAY and use the DATA WHEEL to turn Speaker Compensation on or off (the default factory setting is on). 3. Press the NEXT button again to select SC 1/4 in the display and use the DATA WHEEL to turn Speaker Compensation on or off (the default factory setting is off). 4. Press the EXIT button. GNX3000 Owner’s Manual 24 GNX3000 Owner’s Manual Mic and Line Setups You can configure the MIC and LINE INPUTS routing for live performance and recording applications. The GNX3000 acts as a mixing device for MIC and LINE INPUTS, and can eliminate the need for a mixer when the outputs are to be plugged directly into a full-range powered speaker system. When enabled, these inputs can be routed around or through some or all of the effects processing and then mixed directly into the GNX3000’s 1/4” and XLR OUTPUTS. Use the SHIFT>MIC and SHIFT>LINE buttons along with the DATA WHEEL to select the Mic/Line Setup options. Mic Line Button Button Shift Button Both MIC and LINE INPUTS have four settings that can be independently selected. They are as follows: MIC OFF/LINE OFF - MIC and LINE INPUTS are disabled. MIC DRY/LINe DRY - MIC and LINE INPUTS are routed directly to GNX3000’s outputs, bypassing all effects processing. MIC RVB/LINe RVB - MIC and LINE INPUTS are routed through delay and reverb effects of the current preset. MIC and LINE INPUTS are routed through all effects of the current MIC FX/LINE FX preset. For more information about how these settings are routed, refer to the charts on pages 21 through 23. 25 GNX3000 Owner’s Manual Optimizing the Mic and Line Input Levels Optimizing the Mic and Line Input Levels To properly use MIC and LINE INPUTS for recording, it is best to optimize their levels for best signal to noise performance. This can be done one of two ways on the GNX3000: Mic Level Optimization The MIC INPUT has an input level that can be used for optimizing the levels for singing live, recording tracks to the computer, and matching levels with your guitar. While singing or during an acoustic performance, adjust the MIC INPUT level on the back panel of the GNX3000 until the CLIP LED next to the CONTROL PANEL lights only occasionally during the loudest parts of the performance. Line Level Optimization When an external source such as an electronic keyboard or a submix from an external mixer is brought into the GNX3000’s LINE INPUTS, it is ideal to have enough level control to optimize these signals from the source. If the signal is weak and cannot be made strong enough from the source, you can increase the USB 1-2 level or USB 3-4 level until the CLIP LED lights only occasionally during the loudest parts of the performance. See more in the Computer Recording via USB section of this manual and your recording application’s User’s Guide for more information on proper level adjustment for recording. GNX3000 Owner’s Manual 26 GNX3000 Owner’s Manual Hooking It Up Live Performance Setups The GNX3000 was designed to be extremely flexible to meet any of your application needs. For many GNX3000 users, its primary purpose will be for use in live performances. The following diagrams show examples of how to utilize the GNX3000 in typical live performance applications. NOTE: Before making connections to the GNX3000, make sure both the GNX3000 and your amplifier(s) are turned OFF. Small Club Setup (Mono Amp Rig) This diagram demonstrates a minimum setup for using the GNX3000 in a typical, small club performance setup. All you need is your guitar, two guitar cables, and an amp. This connection scheme also applies for use with a power amp/speaker cabinet rig. Amplifier Guitar Input 1. 2. 3. 4. Left 1/4" Balanced Output Connect your guitar to the GNX3000’s GUITAR INPUT. Connect a single mono instrument cable from the LEFT 1/4" BALANCED OUTPUT of the GNX3000 to the instrument input or the effect return on your amplifier. Press the GNX3000’s OUTPUT SETUP button and select "MONO 1/4" mode using the DATA WHEEL. Turn OFF Speaker Compensation for the 1/4" BALANCED OUTPUTS in the 1/4” Speaker Compensation menu (described on page 24). NOTE: When connecting the GNX3000 to a guitar amp(s), it may be best to connect the GNX3000’s Output to your amp’s effects return to avoid coloration of the tone due to the amplifier’s tone controls. 27 GNX3000 Owner’s Manual Hooking It Up Medium Stage Setup (Stereo Amp Rig) Whether your gig is at a large club or a small hall, nothing beats running your guitar in stereo. This diagram demonstrates a typical setup using your GNX3000’s LINE OUTPUTS, and two guitar combo amps. Amplifier Amplifier Guitar Input 1/4" Balanced Outputs 1. Connect your guitar to the GUITAR INPUT. 2. Connect mono instrument cables from the LEFT and RIGHT 1/4” BALANCED OUTPUTS of the GNX3000 to the instrument inputs or the effect returns on your amplifiers. 3. Press the OUTPUT SETUP button and select “STEROAll” mode using the DATA WHEEL. 4. Switch the Speaker Compensation for the 1/4” BALANCED OUTPUTS to OFF in the Speaker Compensation menu described on page 24. GNX3000 Owner’s Manual 28 GNX3000 Owner’s Manual Large Stage Setup (Stereo Amp/Cabinet Rig) A large stage rig lets you really pull out all the stops since space isn’t necessarily an issue, but volume usually is. For this application, plug your guitar into the GNX3000 and connect mono instrument cables from the 1/4" OUTPUTS into a stereo power amp feeding two cabinets. Using two cabinets gives you much more dramatic stereo separation and helps widen the sweet spot for your sound when you move onstage. Another great idea is to run the XLR OUTPUTS directly into the house P.A. and have the sound engineer control your front of house volume in the overall mix. Then if you need to turn up your stage volume, you won’t upset him by trying to rebalance your guitar volume in the house mix. This diagram demonstrates a typical, large stage performance setup. PA Speaker (Left) PA Speaker (Right) Stereo Power Amp 2- Speaker Cabs Mixer 4 4 6 1/4" Balanced Outputs XLR Balanced Outputs 0 0 0 0 +1 -3 Pan Pan L/R Pan Pan Pan Pan Pan +3 +4 -5 +5 +10 +10 +10 +10 +10 +5 +5 +5 +5 +5 +5 0 0 0 0 -5 0 -5 -5 -5 -5 -5 -5 -5 -10 -10 -10 -10 -10 -10 -10 -10 -20 -20 -20 -20 -20 -20 -20 -20 -30 - -30 - 1 2 3 -30 - -30 - -30 - -30 - -30 - -30 - 4 5 +5 L/R +10 +5 0 Pan Mute +10 +5 0 +2 +3 -3 L/R +10 0 0 +1 -2 +4 -4 -5 +5 Mute L/R Aux 2 10 -1 +2 +4 -4 -5 +5 Mute L/R 0 +1 -2 +3 -3 +4 -4 -5 +5 Mute L/R 8 8 0 Aux 2 10 -1 +2 +3 -3 +4 -4 -5 +5 Mute L/R 0 0 +1 -2 6 8 2 Aux 2 10 -1 +2 +3 -3 +4 -4 -5 +5 Mute Mute 0 0 +1 -2 6 Aux 1 10 4 6 8 2 Aux 2 10 -1 +2 +3 -3 +4 -4 -5 +5 0 0 +1 -2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +2 +3 -3 +4 -4 -5 L/R 0 0 +1 -2 4 6 8 2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +2 +3 -3 -4 0 0 +1 -2 4 6 8 2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 +2 4 6 8 2 0 Aux 1 10 4 6 8 2 Aux 2 10 -1 4 6 8 2 0 Aux 1 10 4 6 8 2 -2 4 8 2 0 Aux 1 10 4 6 2 6 8 2 0 Aux 1 10 4 Mute Guitar Input 4 6 8 2 2 6 1. Connect your guitar to the GUITAR INPUT. 2. Press the GNX3000’s OUTPUT SETUP button and select “STEROALL“ as the output mode using the DATA WHEEL. 3. Connect mono instrument cables from the GNX3000’s LEFT and RIGHT 1/4" LINE OUTPUTS to a stereo power amplifier and switch the 1/4” OUTPUTS Speaker Compensation to OFF in the Speaker Compensation menu (described on page 24). 4. Connect XLR cables from the GNX3000’s Left and Right XLR OUTPUTS to the house P.A. mixer and switch the XLR OUTPUTS Speaker Compensation to ON. 29 GNX3000 Owner’s Manual Hooking It Up TalkerTM Performance Setup The built-in Talker effect creates a talk box effect. To use this effect you must plug a microphone into the GNX3000’s MIC INPUT and select one of the five Talker types in the Whammy™/IPS/Talk module of a preset. Then as you play your guitar talk into the microphone to emulate the talk box effect. The Talker can be used with any output setup, but for this diagram it will be shown in conjunction with a mono amp rig. Microphone Amplifier Microphone Input Left 1/4" Balanced Output Guitar Input 1. Connect your guitar to the GNX3000’s GUITAR INPUT. 2. Press the GNX3000’s OUTPUT SETUP button and select "MONO 1/4" as the output mode using the DATA WHEEL. 3. Connect a single mono instrument cable from the Left 1/4" LINE OUTPUT of the GNX3000 to the instrument input or the effect return on your amplifier and switch the 1/4" BALANCED OUTPUTS Speaker Compensation to OFF in the Speaker Compensation menu described on page 24. 4. Connect a microphone to the GNX3000’s MIC INPUT using an XLR cable. 5. Select one of the five Talker types in the Whammy/IPS/Talk module of a preset. 6. Use the MIC LEVEL control knob located next to the MIC INPUT on the GNX3000’s rear panel to adjust the microphone output level. To adjust your microphone input level for optimal use see Mic Level Optimization on page 26. GNX3000 Owner’s Manual 30 GNX3000 Owner’s Manual Computer Recording Setup The GNX3000 offers tremendous flexibility for recording applications. Shown below is a typical recording setup. Computer Powered Studio Monitor USB Cable Powered Studio Monitor Microphone Audio MIDI MIDI Keyboard Mic Input Guitar Input XLR Balanced Outputs Line Inputs Headphones GNXFC Foot Controller (Optional) At the heart of your recording studio, the GNX3000 serves both as your guitar processor and audio/MIDI interface. With MIC INPUT, LINE INPUTS, and MIDI I/O, you have a full featured interface for recording almost any source you can think of. Connect your guitar or bass to the GNX3000’s GUITAR INPUT and use the amp models for tracking your guitar and bass parts. Next, plug in the mic and get your vocal or acoustic performance nailed. You can even add line level instruments or feeds from submixes in and record these and all of this completely hands-free. Even your MIDI keyboard performance can be recorded so you can try the part with different synth voices later. Since the GNX3000 has professional BALANCED OUTPUTS, you can plug directly into your favorite powered monitors and get the bonus of latency free recording to boot. For more information about computer recording, see page 101. 1. Connect your guitar (or bass guitar) to the GNX3000’s GUITAR INPUT. 2. Connect a microphone to the GNX3000’s MIC INPUT and use the MIC LEVEL control knob located next to the MIC INPUT on the GNX3000’s rear panel to adjust the microphone output level. To adjust your microphone input level for optimal use see Mic Level Optimization on page 26. 3. Connect a pair of stereo headphones to the HEADPHONE OUTPUT. 31 GNX3000 Owner’s Manual Computer Recording Setup 4. Connect a keyboard, line level instrument, or stereo mixer (for feeding submixes) to the GNX3000’s LEFT and RIGHT LINE INPUTS. To adjust your line input levels for optimal use see Line Level Optimization on page 26. 5. Connect a GNXFC Foot Controller (optional) to the GNX3000’s Footswitch jack. 6. Connect a MIDI keyboard to the GNX3000’s MIDI IN and OUT/THRU jacks using 5 Pin MIDI cables. 7. Press the GNX3000’s OUTPUT SETUP button and select “STEROALL” as the output mode using the DATA WHEEL. 8. Connect XLR cables from the GNX3000’s LEFT and RIGHT XLR OUTPUTS to powered studio monitors and set XLR Speaker Compensation to ON (described on page 24). 9. Connect the GNX3000 to your computer’s USB jack using the included USB cable. ATTENTION: Refer to the “Installing the GNX3000’s Software Suite” section on page 101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks Plus. GNX3000 Owner’s Manual 32 GNX3000 Owner’s Manual Applying Power Before applying power to anything, set your amp(s) to a clean tone and set the tone controls to a flat EQ response (on most amps, this would be 0 or 5 on the tone controls). Then do the following: 1. 2. 3. 4. 5. 6. 7. 8. Turn your amp’s volume all the way down. Pull the mixer’s master faders all the way down. Turn the GNX3000’s OUTPUT LEVEL KNOBS all the way down (fully counterclockwise). Connect the plug of the PSS3 power supply to the GNX3000’s POWER JACK. Connect the other end of the PSS3 power supply to an AC outlet. Turn the GNX3000’s power on. Turn your amplifier(s) on and adjust the volume(s) to a normal playing level. Push the mixer’s master faders up to the desired listening level. Gradually increase the GNX3000’s Output Levels to the desired listening level. 33 GNX3000 Owner’s Manual About the GNX3000 About the GNX3000 Presets A preset is a named and numbered location of a programmed sound that resides in the GNX3000. Presets can be recalled with the FOOTSWITCHES or the DATA WHEEL. The GNX3000 comes with 65 Factory 1, 65 Factory 2, and 65 User presets. The Factory Presets do not let you store changes to them. The User presets let you store changes. From the factory, the 65 User presets are exact duplicates from the 65 Factory 1 and Factory 2 presets. This lets you create your own presets without worrying about losing any of the original presets. When you select a preset, the name of the preset appears in the green display and the number of the preset appears in the red numeric display. The USER LED to the left of the DATA WHEEL lights indicating the User preset is active, or the FACTORY 1 or FACTORY 2 LED lights indicating a Factory preset is active. Preset Name Preset Number NAME 64 LEDs indicate whether a User, Factory 1, or Factory 2 preset is active. Learn-A-LickTM The Learn-A-LickTM function lets you record a nine second passage of music and play it back as slowly as 1/4 the original speed with no change in pitch. This is very useful for picking out the notes of a fast guitar solo. There are five Learn-A-Lick functions. They are: • Stop (Controlled by FOOTSWITCH 1) • Rewind (Controlled by FOOTSWITCH 2) • Record (Controlled by FOOTSWITCH 3) • Play (Controlled by FOOTSWITCH 4) • Playback Speed (Controlled by the DOWN/UP FOOTSWITCHES) Using Learn-A-Lick 1. Connect the player’s headphone output to the LINE INPUTS on the rear panel of the GNX3000. Set the volume level of the player to match the level of your guitar. 2. Find the passage you want to record and pause the Tape, CD, or MP3 player. 3. Press and hold FOOTSWITCHES 1 and 2 to enter Learn-A-Lick. The display GNX3000 Owner’s Manual 34 GNX3000 Owner’s Manual reads: Lrn LICK 4. Release the pause button on your playback device and press FOOTSWITCH 3. The display reads: RECORD. The red numeric display provides a time elapsed reference while recording is in process. When recording is complete, the recorded passage is set in an auto-loop playback, indicated by play appearing in the display. 5. Press Stop or Pause on the playback device. 6. Use the DOWN FOOTSWITCH to slow the playback down, or use the UP FOOTSWITCH to increase the playback speed at 1/8 speed intervals.Your interval choices include: FULL, 7/8, 3/4, 5/8, 1/2, 3/8, and 1/4 speeds. 7. Press FOOTSWITCH 2 to step back through the loop at 1 second intervals. 8. The EXPRESSION PEDAL controls the output level of the recorded phrase. 9. To stop the playback, press FOOTSWITCH 1. 10. To resume playback, press FOOTSWITCH 4. 11. To record a new passage, press FOOTSWITCH 3. 12. To exit Learn-A-LickTM, press and hold FOOTSWITCHES 1 and 2, or press EXIT in the control panel. Bypass The GNX3000 presets can be bypassed for a clean, unprocessed guitar signal. Bypass turns off all effects and modeling. To bypass the GNX3000 in Preset Mode, press the active preset’s Footswitch (the 1-5 footswitch that is lit). To bypass the GNX3000 while in Stompbox or Record/Drum Mode, press FOOTSWITCHES 2 and 3 simultaneously. When the GNX3000 is bypassed, the display reads BYPASS and all LEDs in the Matrix turn off. Press any Footswitch to exit Bypass and return to the last preset. The Matrix and Programming buttons do not function when Bypass is activated. NOTE: If Preset Bounceback is enabled in the Utility menu, pressing the active preset’s footswitch while in Preset Mode will not bypass the GNX3000’s effects. To bypass the GNX3000’s presets while Preset Bounceback is enabled you must press FOOTSWITCHES 2 and 3 simultaneously. Tuner The Tuner in the GNX3000 lets you quickly tune or check the tuning on your guitar. Press FOOTSWITCHES 3 and 4 simultaneously to access the TUNER. The display briefly flashes tuner. To begin tuning, play a note on your guitar (a harmonic at the 12th fret also works). The red numeric display shows the note being played, and the green alpha-numeric display indicates whether the note is sharp or flat. Arrows to the left (<<<) indicate the note is sharp and should be tuned down. Arrows to the right (>>>) indicate the note is flat and should be tuned up. When your note is in tune, -><- is displayed. 35 GNX3000 Owner’s Manual About the GNX3000 While the tuner is selected, you can set your tuning reference with the DATA WHEEL. The default factory setting is A=440 Hz. The tuning references range from 427 Hz to 453 Hz (± 50 cents (1/2 semitone) from either direction of 440 Hz). Below 427 Hz, are alternate dropped tunings. The alternate tunings are REF A(A=Ab), REF G(A=G), and REF G(A=Gb). The display window briefly flashes the selected tuning preference. Footswitch Modes When you first apply power to the GNX3000, it powers up in one of three Footswitch Modes: Preset, Stompbox, or Record/Drum. The Footswitch Modes are selected in two different ways: Press the MODE button (located to the right of the DATA WHEEL) OR Press and hold FOOTSWITCHES 4 and 5 simultaneously. Depending on which mode is selected, the DOWN/UP FOOTSWITCH LEDs will light a different color. When Preset Mode is selected, these footswitches will be lit green. When Stompbox Mode is selected, these footswitches will be lit yellow. And when Record/ Drum Mode is selected, these footswitches will be lit red. In any of the modes, the display shows the selected preset’s name and number. The vertical LEDs on the Matrix indicate which effects are active for the selected preset. Preset Mode The GNX3000’s Presets are grouped into thirteen banks of five presets. When Preset Mode is active the DOWN/UP FOOTSWITCHES are used to select one of the thirteen User, thirteen Factory 1, or thirteen Factory 2 Banks. Successive presses of the DOWN/UP FOOTSWITCHES advance through all User/Factory Banks. Pressing and holding the DOWN/UP FOOTSWITCHES scrolls through the User/Factory Banks. Once a Bank is selected, FOOTSWITCHES 1-5 will flash indicating a preset within that bank can be selected. If a preset is not selected within 5 seconds, the GNX3000 returns to the currently selected bank and preset. A second press of an active Preset’s footswitch bypasses the preset. Another press reloads the preset. For a list of presets, refer to page 133. Preset Bounceback Preset Bounceback is a great live performance feature that lets you switch beween two presets with the same footswitch. For example, let’s say you select Preset 1 using FOOTSWITCH 1 as your rhythm tone. Then you select Preset 4 using FOOTSWITCH 4 as your solo tone. You can now press FOOTSWITCH 4 again and Preset 1 will be selected again. Pressing FOOTSWITCH 4 repeatedly will bounceback between Preset 4 and Preset 1. To enable the Preset Bounceback feature, do the following: GNX3000 Owner’s Manual 36 GNX3000 Owner’s Manual 1. Press the UTILITY control panel button and use the PREV/NEXT arrow buttons to locate the Bounceback feature. The display will read BOUNCBAK. 2. Rotate the DATA WHEEL to turn the BounceBack feature on. 3. When finished press the EXIT button. NOTE: The Preset Bounceback feature only works when the GNX3000 is in Preset Mode. When Preset Bounceback is enabled, a preset cannot be bypassed by pressing its footswitch repeatedly. For more information regarding the footswitch functions for Preset Mode see page 94. Stompbox Mode Stompbox Mode is another mode of operation that can be used during a performance. When Stompbox Mode is active, the DOWN/UP FOOTSWITCHES are used to select presets. FOOTSWITCHES 1-4 turn the effects on and off. FOOTSWITCH 5 is used as a Tap-Tempo switch for setting the delay time during a live performance. For more information regarding the footswitch functions for Stompbox Mode see page 96. Record/Drum Mode When Record/Drum Mode is active, the DOWN/UP FOOTSWITCHES are used for selecting drum patterns. FOOTSWITCHES 1-5 are used for Hands-FreeTM control of the Pro Tracks PlusTM software. For more information regarding the footswitch functions for Record/Drum Mode see page 98. Expression Pedal The EXPRESSION PEDAL can control three different parameters simultaneously in each preset. Rock the EXPRESSION PEDAL back and forth to change the values of the assigned parameters. Each parameter the EXPRESSION PEDAL controls has an adjustable minimum and maximum range. The EXPRESSION PEDAL also includes a toe switch that turns on the Wah effect and switches from controlling the parameters assigned to the EXPRESSION PEDAL and controls the Wah. See page 75 for more information on Expression Pedal Assignment. 37 GNX3000 Owner’s Manual GNX3000 Matrix Functions GNX3000 Matrix Functions The GNX3000 Matrix Amp Control Buttons NAME 64 AMP/CABINET SECTION Status Button Effect Select Buttons Knobs EFFECTS SECTION The main panel of the GNX3000 is the Matrix. The Matrix is comprised of two main sections, AMP/CABINET and EFFECTS. It is used to navigate through the GNX3000’s amp/cabinet modeling and effects parameters. Upon power up, the GNX3000 defaults to the TONE row in the AMP/CABINET section and any effects that are enabled within a preset will have their corresponding LEDs lit in the EFFECTS section of the Matrix. You can select one of the other three Amp Control rows, CHAN 1 EQ, GENETX, or CHAN 2 EQ using the AMP CONTROL buttons or you can select the different effects and their parameters using the EFFECT SELECT buttons. The LED to the left of each row indicates which row is active, while the STATUS button and five KNOBS control the corresponding parameter above or below each knob. GNX3000 Owner’s Manual 38 GNX3000 Owner’s Manual Amp Control Buttons NAME 64 AMP/CABINET SECTION Status Button Knobs Effect Select Buttons Data Wheel EFFECTS SECTION Viewing/Editing GeNetXTM and Amp Parameter Values To view or edit an amp parameter’s current value, you must first select the row in which the parameter resides using the AMP CONTROL buttons located to the left of the amp parameter rows. After selecting the desired row, use the STATUS button and KNOBS to adjust the parameters. Turning a knob one click position will display the current value of the selected parameter. If a KNOB is turned again within three seconds, the parameter value will be changed and the new value will be displayed. If a KNOB is not turned within three seconds, the main display returns back to the preset name. Amp Control Buttons NOTE: If NAME 64 a parameter name is shown in the display while editing both Amps and Effects, the DATA WHEEL can change the value as well as the Knobs. AMP/CABINET SECTION Status Button Knobs Effect Select Buttons Data Wheel EFFECTS SECTION Viewing/Editing Effect Parameter Values To view or edit an effect parameter’s current value, you must first select the row in which the desired parameter resides by using the EFFECT SELECT buttons. They are located to the left of the STATUS button. After selecting the desired effect, use the STATUS button and knobs to adjust the effect’s individual parameters. Parameter adjustments will show in the displays as edits are made. To exit effect editing, press the EXIT button in the Control Panel. NOTE: If a parameter name is shown in the display while editing both Amps and Effects, the DATA WHEEL can change the value as well as the Knobs. 39 GNX3000 Owner’s Manual GNX3000 Matrix Functions GENETXTM Row GENETX ROW STATUS BUTTON KNOB 1 KNOB 2 KNOB 3 KNOB 4 KNOB 5 The GENETX row is where amp and cabinet models are selected for the current preset. It is also where the Warp function resides allowing GeNetXTM warping between the two amp models. When the GENETX row is selected, the Knobs and STATUS button perform the following functions: Status button Selects between Amp Channel 1 (Green) and Amp Channel 2 (Red) and lets you hear each channel independently. If a Warped state (Yellow) between both channels exists, this button also selects it and lets you hear the warped amp. The STATUS button’s LED will light Green, Red, or Yellow depending on which channel is selected. Knob 1 Selects the Channel 1 (Green) amp model and its LED is lit green. Knob 2 Selects the Channel 1 (Green) cabinet model and its LED is lit green. Knob 3 Warps the Channel 1 and Channel 2 amp and cabinet models together. Setting this parameter to its minimum position selects Channel 1’s amp and cabinet only and its LED is lit green. Setting this parameter to its maximum position selects Channel 2’s amp and cabinet only and its LED is lit red. Setting KNOB 3 to any other position selects a warped state, a combination of Channel 1 and 2’s amp and cabinet models and the LED will be lit yellow. Knob 4 Selects the Channel 2 (Red) amp model and its LED is lit red. Knob 5 Selects the Channel 2 (Red) cabinet model and its LED is lit red. GNX3000 Owner’s Manual 40 GNX3000 Owner’s Manual CHAN ONE EQ and CHAN TWO EQ Rows CHAN ONE EQ & CHAN TWO EQ ROWS STATUS BUTTON KNOB 1 KNOB 2 KNOB 3 KNOB 4 KNOB 5 The CHAN ONE EQ and CHAN TWO EQ rows are used for modifying the center frequencies of the Bass, Midrange, and Treble controls of that reside within the TONE Row. There is also a Cabinet Tuning control for changing the tuning of a selected channel’s cabinet resonance, and a Presence control is available here for editing amp tone as well. When either the CHAN ONE EQ or CHAN TWO EQ row is selected, the knobs and STATUS button perform the following functions: Status button Turns the EQ on and off for the selected channel. Knob 1 Adjusts the Cabinet Tuning resonance of the cabinet model for the selected channel. The Cabinet Tuning ranges are from one octave below (-12.0) to one octave above (12.0). Knob 2 Selects the Bass Center Frequency for the selected channel. The Bass Center Frequency range is from 50Hz (50 hz) to 300Hz (300 hz). Knob 3 Selects the Midrange Center Frequency for the selected channel. The Midrange Center Frequency range is from 300Hz (300 HZ) to 5000Hz (5000 HZ). Knob 4 Selects the Treble Center Frequency for the selected channel. The Treble Center Frequency range is from 500Hz (500 HZ) to 8000Hz (8000 HZ). Knob 5 Boosts or cuts the Presence Level for the selected channel. The Presence Control is a shelf EQ and has a fixed frequency of 7500Hz. The Presence Level range is from -12dB (-12) to 12dB (12). 41 GNX3000 Owner’s Manual GNX3000 Matrix Functions Here is an example of how the CHAN ONE EQ row would function when its button is pressed: Warped Amp Sound being heard: If the sound being heard is a Warped sound of both amp models, pressing the CHAN ONE EQ button selects the knobs to control the CHAN ONE EQ’s row of parameters. The STATUS button LED will light yellow, indicating a Warped sound is being heard, and the knobs will all light green. You can modify the CHAN ONE EQ row parameters which will be heard as the knobs are turned. The STATUS button will turn the CHAN ONE EQ on or off and indicate this status by turning the button LED on and off. CHAN ONE amp sound being heard: If the sound being heard is the CHAN ONE amp tone, pressing the CHAN ONE EQ button selects the knobs to control CHAN ONE EQ’s row of parameters. The STATUS button and the knobs will light green. You can modify the CHAN ONE EQ row parameters, which can be heard as the knobs are turned. The STATUS button will turn the CHAN ONE EQ on or off and indicate this status by turning the button LED on and off. CHAN TWO amp sound being heard: If the sound being heard is the CHAN TWO amp tone, pressing the CHAN ONE EQ button selects the knobs to control the CHAN ONE EQ’s row of parameters. The STATUS button will be lit red indicating you are still listening to the CHAN TWO amp tone. The knobs however will be lit green and once any of them are turned, the sound will change from the CHAN TWO amp tone to the CHAN ONE amp tone. You can then modify the CHAN ONE EQ parameters and these changes can be heard as the knobs are turned. The STATUS button will also turn green at this time and can be used to turn the CHAN ONE EQ on or off as will be indicated by the button’s LED turning on and off. GNX3000 Owner’s Manual 42 GNX3000 Owner’s Manual TONE Row TONE ROW STATUS BUTTON KNOB 1 KNOB 2 KNOB 3 KNOB 4 KNOB 5 The TONE row is where the amp tone controls are located for Channel 1 or Channel 2. The sound that you hear while adjusting these parameters will depend on the channel status (see chart below). TONE control row parameters are Channel, Amp Gain, Bass, Midrange, Treble, and Amp Level. Status button Selects one of the four channel states in the following order: Ch1 amp The STATUS button LED lights green and the five control knobs light green indicating that you are listening to Channel 1 and the control knobs affect Channel 1’s tone settings. Ch1 warp - The STATUS button LED lights yellow and the five control knobs light green indicating that you are listening to a warped sound and the control knobs affect Channel 1’s tone settings. Ch2 amp The STATUS button LED lights red and the five control knobs light red indicating that you are listening to Channel 2 and the control knobs affect Channel 2’s tone settings. Ch2 warp - The STATUS button LED lights yellow and the five control knobs light red indicating that you are listening to a warped sound and the control knobs affect Channel 2’s tone settings. Knob 1 Controls the amount of Amp Gain. The Amp Gain range is from 0 to 99. Knob 2 Controls the Bass EQ Level (boost/cut). The Bass EQ Level range is from -12dB (-12) to 12dB (12). Knob 3 Controls the Midrange EQ Level (boost/cut). The Midrange EQ Level range is from -12dB (-12) to 12dB (12). Knob 4 Selects the Treble EQ Level (boost/cut). The Treble EQ Level range is from 12dB (-12) to 12dB (12). Knob 5 Controls the Amp Level. The Amp Level Range is from 0 to 99. 43 GNX3000 Owner’s Manual Amp/Cabinet Modeling Amp/Cabinet Modeling The GNX3000 was designed to make sound processing easy and intuitive. Because the GNX3000 provides both Amp Modeling and Effects Processing, the editing functions are divided into two sections: the AMP/CABINET MODELING section and the EFFECTS section. The GeNetXTM technology contained in the GNX3000 lets you go much further than mere Amp Modeling. GeNetX lets you create your own Amp/Cabinet HyperModelTM and store this custom creation to a User Amp/Cabinet location. When editing either the AMP/CABINET MODELING or the EFFECTS section, you must start with one of the User or Factory presets. The preset you begin with does not need to be in the location that you intend to save it. After selecting a preset, you can select the Amp or Cabinet models for your preset. Amp/Cabinet Modeling applies the tone of one of several vintage or modern Amp and Cabinet models to your guitar signal. The GNX3000 includes 33 guitar Amp Models, 10 Bass Amp Models, 2 Acoustic Guitar Models, and 29 Speaker Cabinet Models. Your choices include: Amp Models GNX3000 Owner’s Manual 44 GNX3000 Owner’s Manual Marshall, Vox, Fender, Matchless, HiWatt, Ashdown, Ampeg, Trace-Elliot, Sunn, Hartke and Mesa Boogie, are trademarks of their respective companies and are in no way associated with DigiTech®. 45 GNX3000 Owner’s Manual Amp/Cabinet Modeling Cabinet Types Fender, Ampeg, Ashdown, Sunn, Fane, Acoustic, Hartke, Eden, and SWR are trademarks of their respective companies and are in no way associated with DigiTech®. Editing Amps and Cabinets Each GNX3000 preset has three channels, Channel 1 (green), Channel 2 (red), and Warp (yellow). Amp channels 1 and 2 have selectable amps and cabinets. Each channel has independent controls for gain, level, EQ, and cabinet tuning. The Warp channel is effectively a mixture of the Channel 1 and 2 amps and cabinets using the Warp knob in the AMP CONTROLS section of the matrix. When parameter values have changed, the Store LED lights indicating the preset has been modified and needs to be stored (see page 92 for more on the storing procedure). Once you have selected your amps for Channel 1 and 2, you can switch between these, as well as the Warp channel, using the Amp Channel footswitch (Stompbox Mode only) or the STATUS button (GeNetX row is active) when the preset name is displayed. The following sections guide you through the process of selecting amps and cabinets, adjusting amp parameters, performing cabinet tuning, and creating then saving a HypermodelTM Amp. GNX3000 Owner’s Manual 46 GNX3000 Owner’s Manual Selecting Amps and Cabinets The first step to editing an Amp/Cabinet model, or creating your own HyperModelTM is to select the Amp and Cabinet model for Channel 1 and Channel 2 in your preset. The procedure for selecting Amps or Cabinets is as follows: 1. Press the GENETX AMP CONTROL button. 2. Use KNOB 1 to select the Amp for Channel 1. The Amp name appears in the display. (See page 44 for a complete list of Amp Models.) 4. Use KNOB 2 to select the Cabinet for Channel 1. The Cabinet name appears in the display. See page 46 for a complete list of Cabinet Types.) 5. Use KNOB 4 to select the Amp for Channel 2. The Amp name appears in the display. 6. Use KNOB 5 to select the Cabinet for Channel 2. The Cabinet name appears in the display. Adjusting Amp Parameters The Gain, EQ, and Level Parameters can be adjusted individually for Channel 1 and Channel 2. This is accomplished by pressing the TONE Amp Control button. The sound that you hear while adjusting the knobs depends on the state of the STATUS button and the KNOBS (see chart below). When the TONE row is selected, the STATUS button steps through four states in the following order: Ch1 amp - Ch1 warp - Ch2 amp - Ch2 warp - The STATUS button LED lights green and the five control knobs light green indicating that you are listening to Channel 1 and the control knobs affect Channel 1’s tone settings. The STATUS button LED lights yellow and the five control knobs light green indicating that you are listening to a warped sound and the control knobs affect Channel 1’s tone settings. The STATUS button LED lights red and the five control knobs light red indicating that you are listening to Channel 2 and the control knobs affect Channel 2’s tone settings. The STATUS button LED lights yellow and the five control knobs light red indicating that you are listening to a warped sound and the control knobs affect Channel 2’s tone settings. The Gain ranges from 0 (0) to 99 (99). The Bass, Midrange, and Treble EQ range from -12 dB (-12) to +12dB (12). The Level ranges from 0 (0) to 99 (99). The procedure for adjusting these parameters is as follows: 1. Press the TONE Amp Control button. 2. Press the STATUS button to select either Channel 1 Amp (Green) or Channel 2 Amp (Red). 3. Use Knobs 1 through 5 to adjust the Gain, Tone, and Level of the selected amp channel. 47 GNX3000 Owner’s Manual Amp/Cabinet Modeling Cabinet Tuning Cabinet tuning actually changes the resonant frequency of the selected cabinet. This is useful for changing the tonality of your sound without having to touch the EQ parameters. Tuning down gives the sound more bottom end while tuning up enhances higher frequencies. The procedure for tuning the cabinets is as follows: 1. Press the CHAN ONE EQ or the CHAN TWO EQ Amp Control button to access the Cabinet Tuning parameters. 2. Use KNOB 1 to adjust the Cabinet Tuning resonance. The Cabinet Tuning ranges are from -12.0 (one octave below) to 12.0 (one octave above) the cabinet’s standard resonance. Storing Amp Parameter Edits Once you are satisfied with your amp edits, these changes need to be stored so that they can be recalled later. See page 92 for more information on storing changes to a preset. Creating HyperModelsTM Creating new, unique HyperModels is what Digitech’s GeNetXTM technology is all about. Once both channels Amps and Cabinets are selected and the Amp Parameters and Cabinet Tunings have been adjusted, GeNetX technology lets you do something amazing. The characteristics of each Amp and Cabinet can be combined or “Warped” to create a completely new custom HyperModel Amp. The procedure for Warping the Channel 1 and Channel 2 Amps together is as follows: 1. Press the GENETX amp control button. 2. Rotate KNOB 3 to Warp the Channel 1 and Channel 2 Amps and Cabinets together. Rotating it counter-clockwise emphasizes the Channel 1 characteristics while rotating it clockwise emphasizes the Channel 2 characteristics. A warp value of 1 produces the amp tone of only the Channel 1 (Green) Amp. A warp value of 99 produces the amp tone of only the Channel 2 (Red) Amp. Saving HyperModelsTM (Amp Save) When you have found your ideal warp setting for Channel 1’s and Channel 2’s Amp Models, you can save this sound as a HyperModel for future use. This HyperModel can be saved in one of 9 User locations. After it has been saved, it can now be selected by either Amp Channel as the starting point for a new HyperModel. The Amp Save procedure is as follows: 1. Press the AMP SAVE button. The AMP SAVE button will begin flashing and the display will read NEWAMP. The N of NEWAMP is flashing indicating that you can name your HyperModel. 2. Use the DATA WHEEL to change the alpha-numeric character. GNX3000 Owner’s Manual 48 GNX3000 Owner’s Manual 3. Use the NEXT button to move to the next character (to the right), or the PREV button to select the previous character (to the left). 4. Repeat steps 2 and 3 you have finished naming the new HyperModelTM. 5. Press the AMP SAVE button again to select one of the 9 User HyperModel locations. If all HyperModel locations in the GNX3000 are available, the display will read U1. The U1 flashes, indicating that this is the first available location for storing a HyperModel. If one or more HyperModels have already been stored, the number displayed will be the first empty HyperModel location. If all 9 HyperModel locations are full, the GNX3000 defaults to the first HyperModel location and displays U1 and the name of the HyperModel stored in the first location. 6. Use the DATA WHEEL to select a User location to save the HyperModel. If all locations have been used, the display shows the name of the HyperModel about to be overwritten. 7. Press the AMP SAVE button again to complete the Amp Save procedure. Press the EXIT button at any time during the Amp Save procedure to abort the process. NOTE: The Amp Save procedure only saves Amp/Cabinet combinations to the User HyperModel locations. It does not store changes or the new HyperModel to the selected preset. See page 92 for information on storing changes to a preset. 49 GNX3000 Owner’s Manual Effects and Parameters Effects and Parameters The GNX3000 features a comprehensive set of effects for creating just the sound you need for any musical application. These effects are connected in a standard effects chain with pickup simulator, wah, compressor, WhammyTM/IPS, and distortion stompbox effects placed before the amps. Effects placed post amp are those that typically sound best when heard in stereo like modulation effects, delay and reverb. The following diagram show the signal path through the effects of the GNX3000: (IPS, PITCH, DETUNE) (WHAMMY, TALKER) PRESET LEVEL SPEAKER COMPENSATION GNX3000 OUTPUTS Editing a Preset’s Effects The EFFECTS section is accessed with the EFFECT SELECT UP/DOWN buttons. The Matrix LEDs light one at a time to identify the selected row of effects. Each effect has up to 5 Parameters that can be edited. Pressing the STATUS button turns the effect row on and off. The 5 knobs control the Parameters listed directly beneath the corresponding knob. Each effect’s parameter is labeled in the Matrix. When a knob is turned, the corresponding parameter name and value appear in the displays. Parameter name and value are shown in display Edit Use Effect Select buttons to select Effect row LEDs indicate the selected row Status button turns selected effect on or off Each knob adjusts the column of parameters directly below knob for the selected Effect row Rotating the knobs increases or decreases the value of the parameter (except for Type which selects different effect types) and you hear the change in real time. Changing presets, or turning the power off before storing any changes will erase your changes and revert to the stored values. When the preset has been edited, the STORE BUTTON LED turns on indicating that a change has been made. GNX3000 Owner’s Manual 50 GNX3000 Owner’s Manual Effect Definitions Each Effect within the GNX3000 is fully programmable. Understanding how these effects modify the sound, and how each parameter alters the effect will help you achieve the sound you are looking for. The following overview outlines how each effect and parameter in the GNX3000 works. Wah-Pickup A Wah is an effect controlled by the EXPRESSION PEDAL. A Wah applies a boost in gain to a narrow band of frequencies. As the EXPRESSION PEDAL is rocked back and forth, the center frequency receiving the boost is swept up and down making the guitar sound as if it is saying “Wah”. The Wah is engaged and disengaged by applying pressure to the toe of the EXPRESSION PEDAL. The Pickup Simulator applies the warmth and thickness of a double coil humbucker pickup to a single coil guitar, or the unique, crisp sound of a single coil pickup to a guitar with a humbucker. This allows you to have the best of both worlds without ever changing guitars. Wah On/Off The STATUS button (or the EXPRESSION PEDAL toe switch) turns the Wah (Wah) on and off. Wah Type KNOB 1 selects the type of Wah. Values include: Cry Wah (CRY) is a traditional sounding Wah, Boutique Wah (BOuTIQUe) is a wide sweeping Wah with a more modern sound and Full Range Wah (fullrang) sweeps the entire spectrum of audible frequencies. Wah Pedal KNOB 2 controls the pedal (wah pdl) parameter that adjusts the wah sweep when the wah is active. The wah sweep range is from 0-99. The EXPRESSION PEDAL is automatically linked to this parameter when the wah is activated. To adjust the minimum and maximum range, see the Wah Pedal section on page 75. Pickup Type/Off KNOB 3 selects the type of Pickup to be simulated. Values include: Pickup Simulator Off (pick off), Single Coil>Humbucker (SC>humb) gives a single coil pick up the warm tone of a humbucker, and Humbucker>Single Coil (humb>SC) gives a humbucker the unique sound of a single coil. Knob 4 No function when the Wah-Pickup is selected. Preset Level KNOB 5 adjusts the overall preset level. Ranges from 0-99. 51 GNX3000 Owner’s Manual Effects and Parameters Compressor A compressor is used to increase sustain, and even out the volume dynamics in guitar signal. A compressor sets boundaries for a signal’s strength. When a signal exceeds the set boundary, it is forced back into the set boundary. As the signal fades to a point where it no longer exceeds the boundary, the compressor expands the signal strength and increases sustain. The compression parameters are as follows: Comp On/Off The STATUS button turns the Compressor (Compress) on and off. Attack KNOB 1 adjusts the length of time it takes for the Compressor to respond to a signal exceeding the Threshold. Values include: fast, meDIUM, and slOw. Ratio KNOB 2 adjusts the input to output ratio once the Threshold has been exceeded. For instance, a Ratio of 4 to 1 means that a signal exceeding the Threshold by 4 dB will only be allowed 1 dB of increased output. Higher settings yield a tighter sound and increase sustain. Lower settings allow better dynamics. Ratio settings are: 1.2:1 (¡2-1), 1.5:1 (¡5-1), 1.8:1 (¡8-1), 2:1 (2-1), 2.5:1 (2.5-1), 3:1 (£01), 4:1 (¢0-1), 5:1 (∞0-1), 8:1 (•0-1), 10:1 (10-1), 20:1 (20-1), and Infinity:1 (INFnty-1). Threshold KNOB 3 selects the Threshold (threshld). The Threshold is the level a signal must reach before the compressor begins to work. Low Threshold settings activate the compressor with weaker signals. Higher settings require a stronger signal to activate compression. Ranges from 0 to 99. Gain KNOB 4 adjusts the Output Gain (CMP Gain) from the Compressor. This parameter is used to balance the level of the Compressor to reach unity gain. Other effects can clip if the Compressor Gain too high. Ranges from 0 to 20 (dB). Knob 5 No function when the Compressor is selected. GNX3000 Owner’s Manual 52 GNX3000 Owner’s Manual WhammyTM/IPS/Talk This module includes four types of pitch altering effects: Whammy, IPS, Detune, Pitch Shift, and the TalkerTM effect. Only one of the effects in this row can be used at a time. After selecting the type of effect in this module, the Knobs 2-5 can then be used to adjust the individual parameters associated with the selected effect. The following pages describe each effect and their parameters in more detail. Whammy/IPS/Talk On/Off When the Whammy/IPS/Talk effects module is selected the STATUS button turns the Whammy/IPS/Talk effects on and off. Whammy/IPS/Talk Select KNOB 1 selects whether the module is a Whammy (WHAMMY), Intelligent Pitch Shifting (IPS), Detuner (DETUNE), Pitch Shift (PITCH), or Talker (Talker 1-5). 53 GNX3000 Owner’s Manual Effects and Parameters Whammy Whammy is an effect that uses the EXPRESSION PEDAL to bend the pitch of the incoming signal, or add a bendable harmony with the original signal. As the Pedal is moved, the note bends either up or down. When Whammy is selected, it is automatically placed before the Amp Modeling as shown in the block diagram (see page 50). The Whammy effect must be linked to the Expression Pedal in order to function. See page 75 for more information on linking the EXPRESSION PEDAL. Parameter 1 KNOB 2 selects the interval and direction of the pitch bend. Choices are as follows: Whammy (no Dry Signal) Harmony Bends (Dry Signal Added) 1 oct up (one octave up) m3->maj3 h oct up (a m3rd to a Maj3rd) (a 2nd above to a Maj3rd up) (a Maj3rd above to a 4th up) (a 4th above to a 5th up) (a 5th above to an octave up) (one octave up) 2 oct up (two octaves up) 2nd->maj3 2nddown (2nd down) 3rd->4th rev2nddn 4th->5th 4th down (2nd down reversed pedal action) (one 4th down) 1 oct dn (one octave down) 2 oct dn (two octaves down) h oct dn (one octave down) divebomb (Dive Bomb) octup->Dn (one octave up to one octave down) 5th->oct Parameter 2 KNOB 3 provides a manual control of the Whammy Pedal (wham pdl) position. Ranges from 0 to 99. Knob 4 No function when the Whammy is selected. Level KNOB 5 adjusts the Whammy Mix (Wham mix) of all of the pitch-altering effects in this module. Ranges from 0 to 99. GNX3000 Owner’s Manual 54 GNX3000 Owner’s Manual Intelligent Pitch Shifting (IPS) Intelligent Pitch Shifting makes a copy of the incoming signal, and then changes the pitch of the copied note to a diatonically correct interval specified by the Amount parameter. An Intelligent Pitch Shifter sharpens or flattens the shifted pitch in order to keep the specified interval within the selected key and scale creating a true harmony. Parameter 1 KNOB 2 selects the Amount or harmony interval for the Intelligent Pitch Shifter. Interval choices include: OCT 7TH 6tH 5tH 4tH 3RD 2ND DowN DowN DowN DowN DowN DowN DowN (octave down) (a seventh below) (a sixth below) (a fifth below) (a fourth below) (a third below) (a second below) 2ND 3RD 4TH 5TH 6TH 7TH OCT UP UP UP UP UP UP UP (a second above) (a third above) (a fourth above) (a fifth above) (a sixth above) (a seventh above) (an octave above) Parameter 2 KNOB 3 selects the Scale the IPS will use. Scale choices include: Major (MAJOR), Minor (MINOR), Dorian (DORIAN), Mixolydian (MIXoLYDn), Lydian (LYDIAN), Harmonic Minor (HARMINor). Parameter 3 KNOB 4 selects the musical Key the IPS uses. Key choices range from the Key of E (KEY E) through the Key of Eb (KEY E∫). Level KNOB 5 adjusts the IPS Level (IPS LEVL) of all the pitch-altering effects in this module. Ranges from 0 to 99. 55 GNX3000 Owner’s Manual Effects and Parameters Detune A Detuner makes a copy of your incoming signal, takes the copied signal slightly out of tune from the original, and mixes the two signals together. The result is a doubling type of effect as if two guitars were playing the same part together. Parameter 1 KNOB 2 selects the Amount (AMouNT) of detuning applied to the copied pitch in cents (100 cents equals 1 semitone). Ranges are from 24 cents below (-24) to 24 cents above (24). Knob 3 No function when Detune is selected. Knob 4 No function when Detune is selected. Level KNOB 5 adjusts the Detune Level (dtn LeVL) of all pitch-altering effects in this module. Ranges from 0 to 99. Pitch Shift A Pitch Shifter copies the incoming signal, then shifts the pitch of the copied note to a different note. The shifted note is then mixed back with the original signal sounding as if two guitars were playing parallel notes. Parameter 1 KNOB 2 selects the Shift (SHIFT) of the pitch in semitone intervals. Ranges from two octaves below (-24) to two octaves above (24). Knob 3 No function when Pitch Shift is selected. Knob 4 No function when Pitch Shift is selected. Level KNOB 5 adjusts the Pitch Level (pch LeVL) of all pitch-altering effects in this module. Ranges from 0 to 99. GNX3000 Owner’s Manual 56 GNX3000 Owner’s Manual TalkerTM The Talker is an effect that lets your instrument’s signal be manipulated by your voice. The Talker requires a microphone be connected to the MIC INPUT on the rear panel of the GNX3000. As you speak into the microphone, your instrument mimics what you say. There are five Talker types. Type KNOB 1 is used to select one of the 5 Talker types. Talker Types range from talker 1 (deep tonal characteristics), to talker 5 (bright tonal characteristics). Parameter 1 KNOB 2 adjusts the Sensitivity of the microphone level (MIC LEVL). The input level from your microphone must be loud enough for the Talker to work properly. If the microphone input is too weak, the Talker will have trouble tracking. If the input is too strong, the Talker will clip making the words unintelligible. Adjust the mic level on the GNX3000’s rear panel so that the LEDs light, but stay below the clip level. (See Mic Level Optimization on page 26 for more information regarding mic level adjustment.) The mic level sensitivity ranges are from 0 (least sensitive) to 99 (most sensitive). Knob 3 No function when Talker is selected. Knob 4 No function when Talker is selected. Knob 5 No function when Talker is selected. 57 GNX3000 Owner’s Manual Effects and Parameters Stompbox Modeling The GNX3000 Modeling emulates the tones of the most popular distortion boxes ever used including the DOD® OD250TM, Boss® DS-1TM, Arbiter® Fuzz FaceTM, Electro Harmonix® Big MuffTM, ProCo® RATTM, DOD® GrungeTM, Boss® Metal ZoneTM, Ibanez® TS-9TM, Voodoo Labs® Sparkle DriveTM, and the Guyatone® OD-2TM* and the Roger® Mayer OctaviaTM*. Stompbox On/Off The STATUS button turns the Stompbox Modeling on and off. Type KNOB 1 selects the type of Stompbox to be used. Choices include: Screamer RODENT DS Dist DOD 250 BIG MP Guy OD SpArkDrV Grunge Fuzzy Zone 8tavia Based on an Ibanez® TS-9TM Based on a ProCo® Rat DistortionTM Based on a Boss® DS-1TM Based on a DOD® Overdrive 250TM Based on the Electro® Harmonix Big Muff PiTM Based on a GuyaTone® OD-2TM Based on a Voodoo Labs® SparkleDriveTM Based on a DigiTech® Grunge® Based on an Arbiter® Fuzz FaceTM Based on a Boss® Metal ZoneTM Based on a Roger Mayer® OctaviaTM Type Gain Param1 Screamer drive tone Param2 Param3** Param4** Level level Rodent dist filter volume DS Dist dist tone level DOD 250 gain Big MP sustain Guy OD drive Sparkdrv gain tone clean volume Grunge grnggain butt face loud Fuzzy fuzz Zone dist mid freq mid lvl 8tavia drive level tone volume level volume low high level volume * Arbiter, Boss, Electro-Harmonix, ProCo, Ibanez, Voodoo Labs, Guyatone, DS-1, Fuzz Face, Big Muff, RAT, Metal Zone, TS-9, Sparkle Drive, Roger Mayer Octavia and OD-2 are trademarks of their respective companies and are in no way associated with DigiTech. ** These Parameters are only available using the X-EditTM Editor/Librarian software. GNX3000 Owner’s Manual 58 GNX3000 Owner’s Manual Gain KNOB 2 controls the amount of Gain or Distortion in the Stompbox model. Range is from 0 to 99. Parameter 1 KNOB 3 acts as a Tone control for each Stompbox (no function on DOD 250, Big MP, Guy OD, Fuzzy and 8tavia models) and controls the Mid Frequency of the Zone model. Range is from 0 to 99. Parameter 2 KNOB 4 acts as a wet/dry control for the SparkleDriveTM and tone control for the Grunge Stompbox models and controls the Mid Level of the Zone model. Range is from 0 to 99. *Parameter 3 Controls the Low Frequency of the Zone model. Range is from 0 to 99. *Parameter 4 Controls the High Level of the Zone model. Range is from 0 to 99. Level KNOB 5 controls the output level of the Stompbox model. Range is from 0 to 99. *These Parameters are only available using the X-EditTM Editor/Librarian software. 59 GNX3000 Owner’s Manual Effects and Parameters Noise Gate A Noise Gate is designed to eliminate hiss and ambient noise while you are not playing. A Noise Gate can also be used to create an automatic swell in volume. The GNX3000 includes two different types of Noise Gates: Silencer and Pluck. The Silencer operates as a standard Noise Gate. The Pluck feature is designed to close after every note (depending on the Pluck Sensitivity). This allows automatic volume swells to occur on a note by note basis. Gate On/Off The STATUS button turns the Noise Gate (gate) on and off. Gate Type KNOB 1 selects between the Silencer (Silencer) or Pluck (PLUCK) type of Noise Gates. Gate Threshold KNOB 2 sets the signal strength required to open or close the Noise Gate. The Gate Threshold (Threshld) parameter ranges from 0 (opens easily) to 99 (requires strong signals to open). Gate Attack KNOB 3 adjusts the length of time it takes the gate to open (ATTACK) and the signal to become audible once the Threshold has been exceeded. Ranges from 0 (immediate signal), to 9 (This setting will gradually ramp up the volume). Pluck Sensitivity KNOB 4 selects the threshold (PLUCKSNS) where the Gate re-triggers when using the Pluck type Noise Gate. This parameter is only available when Pluck is the selected type of Noise Gate. Ranges from 0 (requires strong signals) to 99 (retriggers with weak signals). Knob 5 No function when the Noise Gate is selected. GNX3000 Owner’s Manual 60 GNX3000 Owner’s Manual Chorus/Mod Effects The Modulation Effects group is a multi-function module allowing you to select effects such as: Chorus, Flanger, Phaser, Triggered Flanger, Triggered Phaser, UnivibeTM, Tremolo, Panner, Vibrato, Rotary Speaker, AutoYaTM, YaYaTM, SynthTalkTM, Envelope Filter (auto wah), Detune, and Pitch Shift. Only one of the effects in this row can be used at a time. After selecting the type of effect in this module, the Knobs 2-5 can then be used to adjust the individual parameters associated with the selected effect. The following pages describe each effect and their parameters in more detail. Chorus/Mod Effects On/Off When the Chorus/Mod group is selected, the STATUS button turns the Chorus/ Mod Effects module on and off. Chorus/Mod Effects Select KNOB 1 selects whether the module is: Chorus Flanger Phaser Triggered Flanger Triggered Phaser UnivibeTM Tremolo Panner Vibrato Rotary AutoYa YaYa SynthTalk Envelope Filter Detune Pitch Shift (Chorus) (Flanger) (Phaser) (trigflng) (trigphas) (unovibe) (TREMOLO) (PANNER) (VIBRATO) (ROTARY) (AUTOYA) (YAYA) (SYNTHTLK) (ENVELOPE) (DETUNE) (PITCH) 61 GNX3000 Owner’s Manual Effects and Parameters Chorus A Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker sound. Parameter 1 KNOB 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the modulation. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the PreDelay (PREDeLaY) or length of time before the Chorus effect is applied to the input signal. Ranges from 1 to 20. *Parameter 4 Selects the waveform used by the Chorus. Waveforms include: Triangle, Sine, and Square. *Parameter 5 Adjusts the left to right balance of the wet signal, Ranges from mod left 99 to mod rght 99. Mod Level KNOB 5 controls the level (mod levl) of the Chorus. Ranges from 0 to 99. *These Parameters are only available using the X-EditTM Editor/Librarian software. GNX3000 Owner’s Manual 62 GNX3000 Owner’s Manual Flanger A Flanger uses the same principle as a Chorus but has a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. Parameter 1 KNOB 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the Modulation. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the amount of feedback (Regen) added to the Flanger delay. Ranges from 0 to 99. *Parameter 4 Selects the waveform used by the Chorus. Waveforms include: Triangle, Sine, and Square. *Parameter 5 Adjusts the left to right balance of the wet signal, Ranges from mod left 99 to mod rght 99. Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). *These Parameters are only available using the X-EditTM Editor/Librarian software. 63 GNX3000 Owner’s Manual Effects and Parameters Phaser A Phaser splits the incoming signal, takes the split signal in and out of phase and mixes it back in with the original signal. As the phasing changes, different frequencies are canceled resulting in a warm sort of twisting sound. Parameter 1 KNOB 2 adjusts the rate (Speed) of the modulating phase. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the modulation. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the amount of effected signal returned to the input of the Phaser (Regen). Ranges from 0 to 99. *Parameter 4 Selects the waveform used by the Phaser. Waveforms include: Triangle, Sine, and Square. *Parameter 5 Adjusts the left to right balance of the wet signal, Ranges from mod left 99 to mod rght 99. Mod Level KNOB 5 controls the level (mod levl) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). *These Parameters are only available using the X-EditTM Editor/Librarian software. GNX3000 Owner’s Manual 64 GNX3000 Owner’s Manual Triggered Flanger A Triggered Flanger is the same sound as a regular Flanger but it lets you choose the starting point of the Flanger sweep. With a regular Flanger, the low frequency oscillator (LFO) is continually sweeping up and down. Therefore, when you begin to play, the flanger may be at the top, bottom, or any random point of the sweep. With a Triggered Flanger, every time the signal exceeds the Sensitivity level setting, the Flanger begins at the LFO Start Parameter. Parameter 1 KNOB 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the strength the signal must be (senstvty) in order to trigger the Flanger. Ranges from 0 (strong signals) to 99 (weak signals). Parameter 3 KNOB 4 selects the Flanger sweep starting point (LFO STrt). Ranges from 0 (bottom of the sweep point) to 99 (top of the sweep point). Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). Triggered Phaser A Triggered Phaser is the same sound as a regular Phaser but it lets you choose the starting point of the Phaser sweep. In a regular Phaser, the low frequency oscillator (LFO) is continually changing the phase of the signal. Therefore, when you begin to play, the phaser may be at any random point of the phase. With a Triggered Phaser, every time the signal exceeds the Sensitivity level setting, the Phaser begins at the LFO Start Parameter. Parameter 1 KNOB 2 adjusts the rate (Speed) of the modulating phase. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the strength the signal must be (senstvty) in order to trigger the Phaser. Ranges from 0 (strong signals) to 99 (weak signals). Parameter 3 KNOB 4 selects the Phaser sweep starting point (LFO STrt). Ranges from 0 (bottom of the sweep point) to 99 (top of the sweep point). Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). 65 GNX3000 Owner’s Manual Effects and Parameters Unovibe Based on the Unicord® UnivibeTM pedal, Unovibe adds a lush chorus or rotary speaker effect to your tone. Parameter 1 KNOB 2 selects either the chorus or vibrato effect. Parameter 2 KNOB 3 adjusts the intensity of the effect. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the pedalposition. Knob 5 No function when the Unovibe is selected. Tremolo A Tremolo effect modulates the volume of the signal at an even rate. Parameter 1 KNOB 2 adjusts the rate (Speed) at which the volume modulates. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the modulating volume. Ranges from 0 to 99. Parameter 3 KNOB 4 selects the type of wave form the modulation uses. Choices include: Triangle, Sine, and Square. Knob 5 No function when the Tremolo is selected. GNX3000 Owner’s Manual 66 GNX3000 Owner’s Manual Panner An Auto Panner modulates the sound from left to right at an even rate. Parameter 1 KNOB 2 adjusts the rate (Speed) at which the signal pans from side to side. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the changing pan. Ranges from 0 to 99. Parameter 3 KNOB 4 selects the type of wave form the modulation uses. Choices include: Triangle, Sine, and Square. Knob 5 No function when the Panner is selected. Vibrato A Vibrato effect modulates the pitch of the incoming signal at an even rate. Parameter 1 KNOB 2 adjusts the rate (Speed) at which the pitch modulates. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the modulating pitch. Ranges from 0 to 99. Parameter 3 KNOB 4 selects the type of wave form the modulation uses. Choices include: Triangle, Sine, and Square. Knob 5 KNOB 5 does not function when the Vibrato is selected. 67 GNX3000 Owner’s Manual Effects and Parameters Rotary Speaker Rotary Speaker is an emulation of a device that includes a spinning horn and rotor (woofer). The rotation of these two speakers produces an interesting combination of sound panning from side to side, as well as a slight pitch change due to the speed of the sound coming towards, and then going away from the listener. Parameter 1 KNOB 2 adjusts the rate (Speed) of the spinning speakers. Ranges from 0 to 99. Parameter 2 KNOB 3 controls the intensity (Depth) of the Effect. Ranges from 0 to 99. Parameter 3 KNOB 4 controls the Pitch Shift (doppler) effect that is the ratio between the horn and the rotor positions. Ranges from 0 to 99. *Parameter 4 Selects the crossover frequency between the horn and rotor. Ranges from 200Hz to 1500Hz. Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). *This Parameter is only available using the X-EditTM Editor/Librarian software. GNX3000 Owner’s Manual 68 GNX3000 Owner’s Manual AutoYaTM An AutoYa combines the characteristics of a Wah and a Flanger together creating an almost human vowel sound as if the guitar were saying “Yah.” The AutoYa automatically provides this animation by modulating the sound at an even rate. Parameter 1 KNOB 2 adjusts the rate (Speed) of the AutoYa. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the AutoYa effect. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the throaty quality (Range) of the AutoYa effect. Ranges from 1 to 50. *Parameter 4 Adjusts the left to right balance of the wet signal, Ranges from mod left 99 to mod rght 99. Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). *This Parameter is only available using the X-EditTM Editor/Librarian software. 69 GNX3000 Owner’s Manual Effects and Parameters YaYaTM The YaYa is an effect exclusive to DigiTech® products. The YaYa is controlled by the EXPRESSION PEDAL and combines the characteristics of a wah and a flanger together providing a unique talk box type of effect. As the EXPRESSION PEDAL is rocked back and forth, the guitar appears to say “Yah.” The YaYa effect must be linked to the EXPRESSION PEDAL in order to function. See page 75 for more information on linking the EXPRESSION PEDAL. Parameter 1 KNOB 2 adjusts the Ya Pedal position (YA PeDaL). Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the intensity (Depth) of the YaYa effect. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the throaty quality (Range) of the YaYa effect. Ranges from 1 to 50. *Parameter 4 Adjusts the left to right balance of the wet signal, Ranges from mod left 99 to mod rght 99. Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). *This Parameter is only available using the X-EditTM Editor/Librarian software. GNX3000 Owner’s Manual 70 GNX3000 Owner’s Manual SynthTalkTM SynthTalk is another effect exclusive to DigiTech®. It makes your guitar appear to speak based upon the dynamics of your playing style. Parameter 1 KNOB 2 adjusts the Attack (attack) of the synthesized voice. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the Release (release) of the synthesized voice. Ranges from 0 to 99, and oo (infinity). Parameter 3 KNOB 4 changes the characteristics of the various synth voices (VOX). Ranges from 0 to 99. *Parameter 4 Adjusts the left to right balance of the wet signal, Ranges from mod left 99 to mod rght 99. Sensitivity KNOB 5 knob adjusts the sensitivity (senstvty) of the input signal required to trigger the SynthTalk effect. Ranges from 0 to 99. Envelope Filter The Envelope Filter is an automatic Wah effect that alters your sound according to how hard the strings are struck. Parameter 1 KNOB 2 adjusts the sensitivity (Senstvty) of the input signal required to trigger the Wah effect. Ranges from 0 to 99. Parameter 2 KNOB 3 adjusts the frequency range (Range) of the Wah effect. Ranges from 0 to 99. Parameter 3 KNOB 4 adjusts the left/right balance of the Wah signal. Ranges from left 99 (mod left 99) to right 99 (mod rght 99). Mod Mix KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). *This Parameter is only available using the X-EditTM Editor/Librarian software. 71 GNX3000 Owner’s Manual Effects and Parameters Detune A Detuner makes a copy of your incoming signal, takes the copied signal slightly out of tune from the original, and mixes the two signals together. The result is a doubling type of effect as if two guitars were playing the same part together. Parameter 1 KNOB 2 selects the Amount (AMouNT) of detuning applied to the copied pitch in cents (100 cents equals 1 semitone). Ranges are from 24 cents below (-24) to 24 cents above (24). Parameter 2 KNOB 3 adjusts the left/right balance of the detuned signal. Ranges from left 99 (mod left 99) to right 99 (mod rght 99). Knob 4 No function when Detune is selected. Mod Level KNOB 5 controls the level (mod levl) of the detuned note. Ranges from 0 to 99. Pitch Shift A Pitch Shifter copies the incoming signal, then shifts the pitch of the copied note to a different note. The shifted note is then mixed back with the original signal sounding as if two guitars were playing parallel notes. Parameter 1 KNOB 2 adjusts the Amount of Pitch Shift (SHIFT) in intervals of one semi-tone. Ranges from 12 semitones below (-12) to 24 semitones above (24). Parameter 2 KNOB 3 adjusts the left/right balance of the shifted pitch. Ranges from left 99 (mod left 99) to right 99 (mod rght 99). Knob 4 No function when Pitch Shift is selected. Mod Level KNOB 5 controls the level (mod levl) of the shifted pitch. Ranges from 0 to 99. GNX3000 Owner’s Manual 72 GNX3000 Owner’s Manual Delay Delay records a portion of the incoming signal, and plays it back a short time later. The recorded segment can repeat just once, several times, or infinitely (that turns off the input to the Delay and lets you play over the top of a passage in the Delay loop). The Delay in the GNX3000 also includes a Ducker Threshold that lets you set the signal strength required before the Delay records. This feature lets you control the Delay with your playing. Delay On/Off The STATUS button turns the Delay (delay) on and off. Delay Type KNOB 1 selects one of the five different types of Delay. The Delay choices include: MONO (clear concise repeats), pingpong (bounces from side to side), ANALOG (deteriorates with each repeat), anlgpong (side to side with deterioration), Spread (clear concise repeats with stereo imaging) Time KNOB 2 adjusts the length of time between repeats. Ranges from 0 through 2000 milliseconds (2 seconds) (0 MS through 2000 MS) in 1 ms increments. Use the DATA WHEEL while the Delay Time appears in the Display to adjust the Delay Time in 100 ms increments. Feedback KNOB 3 adjusts the number of times the delayed signal will repeat (feedback). Ranges from 0 to 99 and rpt hold (infinite repeat). Ducker Threshold KNOB 4 adjusts the level (threshld) the input signal must reach before the Delay signal is attenuated. Ranges from 1 to 99 and off (oF). *Ducker Attenuation The Ducker Level selects the amount of attenuation applied to the Delay signal when the Ducker Threshold has been exceeded. Ranges from 0 to 99. *Delay Balance The Delay Balance adjusts the left/right balance of the Delay signal. Ranges from dly left 99 to dly rght 99. Spread This parameter increases or decreases the stereo imaging for the Spread Delay. Range is 1 to 30. Delay Level KNOB 5 adjusts the volume (dly levl) of the Delay signal. Ranges from 0 to 99. *These Parameters are only available using the X-EditTM Editor/Librarian software. 73 GNX3000 Owner’s Manual Effects and Parameters Reverb Reverb gives the listener a sense that the music is being performed in various acoustical environments. It can provide the tight acoustics of a small room, or the ambience of a huge arena. Reverb On/Off The STATUS button turns the Reverb (reverb) on and off. Reverb Type KNOB 1 selects the type of Reverb or acoustic environment. The GNX3000 provides ten different environments to choose from including: studio room club plate hall theater church garage arena spring = Studio = Wood Room = Club = Plate = Hall = Amphitheater = Church = Parking Garage = Arena = Spring PreDelay KNOB 2 adjusts the amount of time (PREDeLaY) it takes for the initial sound to reach the first reflective surface in the simulated environment. Ranges from 0 to 15. Decay KNOB 3 adjusts the length of time the Reverb is audible (DECAY). Ranges from 0 to 99. Damping KNOB 4 controls the amount of sound which is absorbed (damping) in the simulated environment. Ranges from 0 to 99. *Reverb Balance The Reverb Balance adjusts the left/right balance of the Reverb signal. Ranges from rvb left 99 to Rvb rght 99. Reverb Level KNOB 5 adjusts the level (rvb levl) of the Reverb. Ranges from 0 to 99. *This Parameter is only available using the X-EditTM Editor/Librarian software. GNX3000 Owner’s Manual 74 GNX3000 Owner’s Manual Expression Pedal Assignment The GNX3000 has several options for real-time control over effects parameters in each of its presets. Parameters can be modified during performance both manually and automatically by several methods. These are referred to as expression controllers and include the built-in EXPRESSION PEDAL and the Internal LFOs (low frequency oscillators) Each of these controllers can be programmed specifically for each preset, giving you many options for manipulating parameters in different ways. Expression Pedal The EXPRESSION PEDAL on the GNX3000 can control up to 3 parameters in real time. Each parameter assigned to the EXPRESSION PEDAL can have specific ranges of how much the parameter is controlled by using the minimum and maximum controls. Apply extra pressure to the toe of the EXPRESSION PEDAL to activate the toe switch, and the EXPRESSION PEDAL switches between the assigned parameters and the Wah. Expression Pedal Links 1-3 Each preset can have up to 3 parameters assignments to the EXPRESSION PEDAL. Each assignment has the following assignment options: 1. Parameter Type (see parameter list on page 77) 2. Min Value 3. Max Value The procedure for assigning a parameter to the EXPRESSION PEDAL is as follows: 1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN row is selected. 2. Press the STATUS button until the display reads exp pdl1 (Expression Pedal Link 1), exp pdl2 (Expression Pedal Link 2), or exp pdl3 (Expression Pedal Link 3), depending upon which assignment you want to use or the number of parameters you intend to assign. 3. Rotate KNOB 1 until the parameter appears in the display. See the Expression Parameter Assignment List on page 77 for a complete list of assignable parameters. 4. Rotate KNOB 2 to select the minimum value the parameter reaches with the Expression Pedal in the toe up position. 5. Rotate KNOB 3 to select the maximum value the parameter reaches with the Expression Pedal in the toe down position. 6. Store your Expression Pedal assignment to your preset. See page 92 for more information on storing presets. Wah Pedal The wah effect can be programmed to have specific heel and toe ranges in each preset. These settings are configured in the EXPRESSION ASSIGN row of the matrix. To customize the heel/toe range for the wah effect, follow these steps: 75 GNX3000 Owner’s Manual Expression Pedal Assignment 1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN row is selected. 2. Press the STATUS button multiple times until WAH PDL appears in the display. 3. Rotate KNOB 2 to set the heel position of the wah effect. Ranges from 0 to 99. 4. Rotate KNOB 3 to set the toe position of the wah effect. Ranges from 0 to 99. 5. Press EXIT when finished. Amp Channel Footswitch From the factory, the AMP CHANNEL FOOTSWITCH selects between the Channel 1 Amp, Channel 2 Amp, and the Warped Amp state when the GNX3000 is in Stompbox Mode. However, you can configure the function of the AMP CHANNEL FOOTSWITCH within a preset. The procedure for assigning the function of the AMP CHANNEL FOOTSWITCH is as follows: 1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN row is selected. 2. Press the STATUS button until the display reads AMP FS (Amp Footswitch). 3. Rotate KNOB 1 to select the Amp Footswitch function. Your choices include: CH1-CH2 CH1-Warp CH2-Warp C1-c2-wp - Switches between the Channel 1 (Green) and the Channel 2 (Red) Amp Channels. Switches between the Channel 1 (Green) and the Warped Amp (Yellow) Channels. Switches between the Channel 2 (Red) and the Warped Amp (Yellow) Channels. Switches between the Channel 1(Green), the Warped (Yellow) Channel, and the Channel 2 (Red) Channels. 4. Store your Amp Footswitch assignment to your preset. See page 92 for more information on storing presets. LFOs The GNX3000 includes two low frequency oscillators (LFO1 and LFO2) that can each be assigned to a single parameter. A low frequency oscillator automatically varies the value of the assigned parameter at a steady rate. A minimum and maximum value can be assigned. For instance: if the Amp Gain was assigned to LFO1, and the minimum value was set at 1 and the maximum value was set at 99, the GNX3000 would automatically sweep the amount of distortion from clean to distorted and back to clean. Individual LFO speeds can also be assigned. In the previous example, the LFO speed would determine the length of time it took the LFO to sweep from the clean to the distorted sound. GNX3000 Owner’s Manual 76 GNX3000 Owner’s Manual LFO Links 1-2 Each preset has two LFOs that can each be assigned to a single parameter. Each LFO has the following assignment options: 1. Parameter Type (see attached parameter list) 2. Min Value 3. Max Value 4. LFO Waveform 5. LFO Speed The procedure for assigning a parameter to the LFO 1 or LFO 2 is as follows: 1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN row is selected. 2. Press the STATUS button to assign LFO1 (LFO 1) or LFO2 (LFO 2). 3. Rotate KNOB 1 until the Parameter is displayed. See the Expression Parameter Assignment List on page 77 for a complete list of assignable Parameters. 4. Rotate KNOB 2 to select the minimum value the assigned parameter reaches at the bottom turn around point for the LFO. 5. Rotate KNOB 3 to select the maximum value the assigned parameter reaches at the top turn around point for the LFO. 6. Rotate KNOB 4 to select the speed that the LFO oscillates from the minimum to the maximum values. LFO speed ranges from (.O5 Hz) to 10 Hz (1o HZ). 7. Rotate KNOB 5 to select the waveform the LFO oscillates on. Your choices include: Triangle - a smooth rise and fall, but abrupt turn around in oscillation. SINE a smooth rise, fall, and turn around in oscillation. SQUARE an abrupt rise, fall, and turn around in oscillation. 8. Store your LFO assignment to your preset. See page 92 for more information on the storing procedure. Expression Parameter Assignment List The following parameters can be assigned to the EXPRESSION PEDAL Links or LFO 1 and LFO 2. NO LINK (No Link) AMP CHaN (Amp Channel) Amp WARP (Amp Warp) Cab WARP (Cabinet Warp) WARP (Warp) ch1 GAIN (Channel 1 Gain) No Parameter is assigned Switches Amp Channels Warps the Channel 1 and Channel 2 Amp Models Warps the Channel 1 and Channel 2 Cabinet types Warps Channel 1 and Channel 2 Amp and Cabinet Models simultaneously Controls the Gain for Channel 1 Amp Model 77 GNX3000 Owner’s Manual Expression Pedal Assignment ch1 LeVL (Channel 1 Level) ch2 GAIN ch2 LeVL wahonoff wah pdl pckonoff pck type cmponoff cmpattak cmpratio cmpthres CMP GAiN ipsonoff Controls the Volume of Channel 1 Amp Model (Channel 2 Gain) Controls the Gain for Channel 2 Amp Model (Channel 2 Level) Controls the Volume of Channel 2 Amp Model (Wah On/Off) Turns the Wah on and off (Wah Pedal) Adjusts the Wah sweep (Pickup Simulator On/Off) Turns the Pickup Simulator on and off (Pickup Type) Selects the Pickup type (Compressor On/Off) Turns the Compressor effect on and off (Compressor Attack) Controls the Compressor’s Attack time (Compressor Ratio) Controls the Compressor’s Ratio (Compressor Threshold) Controls the Compressor’s Threshold (Compressor Gain) Controls the Compressor’s Gain (WhammyTM/IPS/TalkerTM On/Off) Turns the Whammy/IPS/Talker module on and off WhammyTM/IPS/TalkerTM Parameters Active Effect WHAMMY IPS DETUNE PITCH TALKER TALKER TALKER TALKER TALKER GNX3000 Owner’s Manual 78 1 2 3 4 5 SHIFTAMT SHIFTAMT sHIFTAMT SHIFTAMT MIC LEVL MIC LEVL MIC LEVL MIC LEVL MIC LEVL WHAM PDL SCALE KEY DTN LEVL PCH LEVL WHAM MIX IPS LEVL GNX3000 Owner’s Manual sboxonof (Stompbox On/Off) Turns the Stompbox module on and off Stompbox Parameters Active Stompbox Screamer rodent ds dist dod 250 Big mp guy od sparkdrv grunge fuzzy zone 8tavia drive dist dist gain sustain drive gain grnggain fuzz dist drive tone filter tone tone tone butt clean face mid freq volume mid levl level volume level level volume level volume loud volume level Noise Gate Parameters gatonoff (Noise Gate On/Off) gatthres (Noise Gate Threshold) gatattak (Noise Gate Attack) PLucksNS (Noise Gate Pluck) fx onoff (Chorus/Mod On/Off) Turns the Noise Gate on and off Controls the Noise Gate’s Threshold Controls the Noise Gate’s Attack time Controls the Noise Gate’s Pluck Sensitivity Turns the Chorus/Mod module on and off Modulation Parameters Active Effect Chorus Flanger Phaser Trigflng Trigphas unovibe Tremolo panner vibrato rotary autoya yaya Speed Speed Speed Speed Speed chorus/ vibrato Speed Speed Speed Speed Speed yAya PDL Mod MOD Mod MOD MOD levl MOD wave* mod bal* mix MOD wave* mod bal* levl mOD wave* mod bal* MIX MIX Depth Depth Depth Senstvty SenstvtY Intensty predelay Regen Regen LFO Strt LFO Strt Pedal Depth Depth Depth Depth Depth Depth waveform waveform waveform Doppler mod mix RANGE MOD mix RANGE MOD mix xover* MOD bal* MOD bal* MOD bal* *These Parameters are only available using the X-EditTM Editor/Librarian software. 79 GNX3000 Owner’s Manual Expression Pedal Assignment synthtlk Envelope DETUNe pitch Attack Senstvty Amount SHIFT dlyonoff (Delay On/Off) DLY fdbk (Delay Feedback) threshld (Delay Threshold) duckattn (Ducker Attenuation) Dly levl (Delay Level) DLY BAL (Delay Balance) **DLY sprd (Delay Spread) rvbonoff (Reverb On/Off) RVB PRE (Reverb Predelay) rvbdecay (Reverb Decay) RVB levl (Reverb Level) RVB BAL (Reverb Balance) VOL PRE (Volume Pre) VOL PoST (Volume Post) LFo1 SPD (LFO 1 Speed) LFo2 SPD (LFO 2 Speed) Release Range MOD Bal MOD Bal Vox Senstvty mod bal* MOD Bal MOD MIX Mod levl Mod levl Turns the Delay module on and off Controls the amount of Delay Feedback Controls the Ducker Threshold for the Delay Controls the attenuation level applied to the Delay signal when the Ducker Threshold is exceeded Controls the Mix Level of the selected Delay Type Controls the left/right balance of the selected Delay Type Controls the left/right balance of the selected Delay Type Turns the Reverb effect on and off Controls the Reverbs Predelay time Controls the Reverbs Decay time Controls the Reverbs Mix Level Controls the left/right balance of the selected Reverb Type Controls the Volume after the Amp Modeling, but before the Effects Controls the Volume at the end of the Effects chain Controls the modulation speed of Expression LFO 1 Controls the modulation speed of Expression LFO 2 * This Parameter is only available using the X-EditTM Editor/Librarian software. **Delay Balance is replaced by Delay Spread when Spread Delay is selected. GNX3000 Owner’s Manual 80 GNX3000 Owner’s Manual Creating a Preset Suppose you wanted to create your own HyperModelTM that incorporates the sweet tones of a vintage Tweed using an British 1x12 cabinet, and the ripping distortion of a Rectified Amp with a British 4x12 cabinet. Let’s also suppose that you want to be able to toggle between an acoustic guitar simulation and this new HyperModel with a preset that gives your single coil pickup a humbucker sound, uses no Compression, has a Noise Gate that opens quickly, a subtle Chorus effect, no Delay, and a little bit of a Hall reverb. The following guide steps you through the process of creating just that preset in the GNX3000. Start by selecting Stompbox Mode (yellow), using the MODE button. Selecting a Preset The first step to create a custom preset of your own is to select a starting point. You can start with any existing preset, but for this example let’s start with Factory 1 Preset 40. Use the DATA WHEEL or FOOTSWITCHES (when the GNX3000 is in either Preset or Stompbox Mode) to select Factory 1 Preset 40. Create a HyperModelTM For this example, we are going to use a vintage Tweed amp with an British 1x12 Cabinet, and warp it with a Rectified Amp using a British 4x12 cabinet. Select Channel 1 Amp and Cabinet To assign the vintage Tweed amp to Channel 1 do the following: 1. Press the GENETX Amp Control button to access each channel’s amp and cabinet models. 2. Rotate KNOB 1 until the display reads 57 dlux (Tweed). 3. Rotate KNOB 2 until the display reads brit1X12 (VoxTM). 1. Press the GENETX Amp Control button 2. Rotate Parameter 1 knob until Display reads 57 dlux 3. Rotate parameter 2 knob until Display reads brit1x12 81 GNX3000 Owner’s Manual Creating a Preset Select Channel 2 Amp and Cabinet To assign the Rectified amp to the Channel 2 do the following: 1. Rotate KNOB 4 until the display reads DualRect (Rectified). 2. Rotate KNOB 5 until the display reads brit4x12 (British 4x12). 1. Rotate Parameter 4 knob until Display reads dualrect 2. Rotate Parameter 5 knob until Display reads brit4x12 Adjust Channel 1 Tone Controls The Tweed amp that we selected for our Channel 1 assignment uses the factory default settings for the Gain, EQ, and Level Parameters. Therefore, you may want to change the settings. To access the tone controls for Channel 1, do the following: 1. Press the TONE Amp Control button. 2. Press the STATUS button until the display reads ch1 amp and all the horizontal LEDs will light green indicating that all 5 knobs will adjust Channel 1’s tone controls. 3. Rotate KNOB 1 to adjust the Tweed Amp’s Gain. The range is from 0 to 99. 1. Press the Tone Amp Control button 2. Press the Status button until Display reads CH1 AMP and all LEDs light green 3.-7. Rotate Parameter knobs to adjust Channel 1’s Gain, EQ Level, and Amp Level 4. Rotate KNOB 2 to adjust the Tweed Amp’s Bass EQ Level (boost/cut). The range is from -12 dB (-12) to +12 dB (12). 5. Rotate KNOB 3 to adjust the Tweed Amp’s Midrange EQ Level(boost/cut). The range is from -12 dB (-12) to +12 dB (12). 6. Rotate KNOB 4 to adjust the Tweed Amp’s Treble EQ Level(boost/cut). The range is from -12 dB (-12) to +12 dB (12). 7. Rotate KNOB 5 to adjust the Tweed Amp’s Level. The range is from 0 to 99. GNX3000 Owner’s Manual 82 GNX3000 Owner’s Manual Adjust Channel 2 Tone Controls Like the Tweed amp in Channel 1, the Rectified amp in Channel 2 may need to be adjusted to suit your personal taste. To access the tone controls for Channel 2, do the following: 1. Press the STATUS button until the display reads ch2 amp and all the horizontal LEDs will light red indicating that all 5 knobs will adjust Channel 2’s tone controls. 2. Rotate KNOB 1 to adjust the Rectified Amp’s Gain. The range is from 0 to 99. 3. Rotate KNOB 2 to adjust the Rectified Amp’s Bass EQ Level (boost/cut). The range is from -12 dB (-12) to +12 dB (12). 4. Rotate KNOB 3 to adjust the Rectified Amp’s Midrange EQ Level (boost/cut). The range is from -12 dB (-12) to +12 dB (12). 5. Rotate KNOB 4 to adjust the Rectified Amp’s Treble EQ Level (boost/cut). The range is from -12 dB (-12) to +12 dB (12). 6. Rotate KNOB 5 to adjust the Rectified Amp’s Level. The range is from 0 to 99. 1. Press the Status button to turn the EQ on and off 2.-6. Rotate Parameter knobs to adjust Channel 2’s Gain, EQ levels, and Amp levels. 83 GNX3000 Owner’s Manual Creating a Preset Adjust EQ/Tune the Cabinets As an option, you may also want to modify each channel’s EQ center frequencies (Bass, Midrange, and Treble found in the TONE row) and adjust the resonance for the British 1x12 and the British 4x12 Cabinets. To access the EQ center frequency settings and Cabinet tuning, do the following: 1. Select the amp channel that you would like to edit by pressing either the CHAN ONE EQ AMP CONTROL button or the CHAN TWO EQ AMP CONTROL button. 2. Press the STATUS button to turn the EQ on and off. 3. Rotate KNOB 1 to adjust the Cabinet Tuning resonance. The Cabinet Tuning ranges are from -12.0 (one octave below) to 12.0 (one octave above). 4. Rotate KNOB 2 to select the Bass center frequency. The range is from 50 Hz (50 HZ) to 300 Hz (300 HZ). 5. Rotate KNOB 3 to select the Midrange center frequency. The range is from 300 Hz (300 HZ) to 5000 Hz (5000 HZ). 6. Rotate KNOB 4 to select the Treble center frequency. The range is from 500 Hz (500 HZ) to 8000 Hz (8000 HZ). 7. Rotate KNOB 5 boosts or cuts the Presence Level. The range is from -12 dB (-12) to +12 dB (12). 1. Press either the Chan One EQ or Chan Two EQ Amp Control button 2. Press the Status button to turn the EQ on and off 3.-7. Rotate Parameter knobs to adjust cabinet Tuning, EQ Center Frequencies, and Presence Level GNX3000 Owner’s Manual 84 GNX3000 Owner’s Manual Warping Amp Channels Together When the Amps and Cabinets in Channel 1 and Channel 2 are dialed in to suit your taste, we can Warp their characteristics together to create a new HyperModel. To warp the amps do the following: 1. Press the GENETX Amp Control button. 2. Rotate KNOB 3 (Warp) knob to blend the Amps and Cabinets together to create a new unique amp. 1. Press the GENETX Amp Control button 2. Rotate Parameter 3 knob to warp amp and cabinet models together Save the HyperModelTM Now that we have designed our own Amp/Cabinet HyperModel, we need to save it to one of the 9 User HyperModel locations. This allows us to use it in presets. To save the HyperModel, do the following: 1. Press the AMP SAVE button until the display reads NEW AMP and the first letter (N) is flashing. For this example, let’s name the HyperModel “Rectwed” (Rectified Tweed). 2. Rotate the DATA WHEEL to select R as the first letter. 3. Press the NEXT ARROW button to select the next character in the display. Continue using the DATA WHEEL and NEXT ARROW button until the display reads RECTWED. 4. When the display reads RECTWeD, press the AMP SAVE button again. 3. Use the Next arrow button to select character locations NEW AMP 2. Use the Data Wheel to change characters 1., 4. Press the Amp Save button 85 GNX3000 Owner’s Manual Creating a Preset 5. Now we need to choose one of the 9 User HyperModel locations. Use the DATA WHEEL to select a an empty user location. The display should read EMPTY (Empty) and the red numeric display should read U1 if this is the first HyperModel stored to your GNX3000. 6. Press the AMP SAVE button again to save to this Amp location. The display briefly reads AMP SaVeD (Amp Saved) and then returns to the name of the selected preset. empty u1 5. Use the Data Wheel to select an empty User Amp location 6. Press the Amp Save button Select Models for the Preset’s Channels In the previous steps, we selected a Tweed amp model for the Channel 1 amp and a Rectified amp model for the Channel 2 amp. Then we warped the two together to create our HyperModelTM. This HyperModel is saved as an amp type that we named Rectwed, but it is not currently part of our preset. In this example preset, we need to be able to toggle between an acoustic guitar simulation and our new HyperModel. To do this we need to now select the Dreadnaught acoustic guitar model for Channel 1’s amp and our custom Rectwed for Channel 2’s amp in our preset. This procedure is as follows: 1. Press the GENETX Amp Control button. 2. Rotate KNOB 1 until the display reads AC dread. This is Channel 1’s Model for the preset. 3. Rotate KNOB 4 until the display reads RECTWeD (our new HyperModel). This is Channel 2’s Model for the preset. This lets us toggle between these two sounds using the Amp Footswitch (when Preset Mode is active). 1. Press the GENETX Amp Control button 2. Rotate the Knob 1 until Display reads ac dread GNX3000 Owner’s Manual 86 3. Rotate Knob 4 until Display reads rectwed GNX3000 Owner’s Manual Edit the Preset Effects The next step to creating our example preset involves editing the effects. To edit the preset, do the following: 1. Press the EFFECT SELECT DOWN button. The display will briefly read EDIT and the Matrix LED in the Wah-Pickup row will light. 2. If the display reads WAH On, press the STATUS button once to turn the Wah off (since our example does not use a Wah). OF wah 1. Press the Effect Select Down button; the LED lights on the Wah-Pickup effect row 2. If necessary, press the Status button to turn the Wah effect off Select the Pickup Type In our example preset we use a single coil pickup, but want it to sound like a double coil humbucker. 1. With the Wah-Pickup LED lit, rotate KNOB 3 until the display reads SC>Humb. This makes a single coil pickup sound like a humbucker. SC>HUMB OF 1. Rotate Knob 3 until Display reads sc>humb 87 GNX3000 Owner’s Manual Creating a Preset Turn the Compressor Off We don’t use compression in our preset so, we need to turn the Compressor off. To turn the Compressor off, do the following: 1. Press the EFFECT SELECT DOWN button. The Compression LED lights and the display shows the current status of the Compressor. 2. If the Compressor is on, press the STATUS button until the red display reads off (Of). Turn the WhammyTM/IPS/TalkerTM Off We don’t want Whammy, IPS, or Talker effects in this preset. To turn these effects off, do the following: 1. Press the EFFECT SELECT DOWN button, and the Whammy/IPS/Talker LED is lit. 2. If the display indicates that one of these effects is active, press the STATUS button until the display reads off (Of). Turn the Stompbox Modeling Off To turn the Stompbox Modeling off for this preset, do the following 1. Press the EFFECT SELECT DOWN button until the Stompbox LED is lit. 2. If the display indicates that it is active, press the STATUS button until the display reads off (Of). Adjust the Noise Gate For our example, we want our Noise Gate to open quickly with a relatively weak signal. This type of gate uses the SilencerTM with a low threshold and short attack time. To create this type of Noise Gate, do the following: 1. Press the AMP FOOTSWITCH to select the Channel 2 Amp (CH2 AMP), our high gain model. 2. Press the EFFECT SELECT DOWN button and the Noise Gate’s LED lights. 3. If the display reads off (Of), press the STATUS button until the display reads on (On). 4. Rotate KNOB 1 until the display reads SILeNCeR for the type of gate. 5. Rotate KNOB 2 to set the Threshold to 37 (this may need to be adjusted depending upon your guitar). 6. Rotate KNOB 3 to set the Attack Time to 0 (fast attack). GNX3000 Owner’s Manual 88 GNX3000 Owner’s Manual Select and Adjust the Chorus Next we want to thicken up the sound, by adding a subtle Chorus effect, in the following manner: 1. Press the EFFECT SELECT DOWN button again and the LED in the Chorus/Mod row lights. 2. If the display reads off (Of), press the STATUS button until the display reads on (On). 3. Rotate KNOB 1 until the display reads Chorus (Chorus) for the effect type. 4. Rotate KNOB 2 to set the Chorus Speed to 5. 5. Rotate KNOB 3 to set the Chorus Depth to 30. 6. Rotate KNOB 4 to set the PreDelay to 1. 7. Rotate KNOB 5 to set the Chorus Level to 50. 2. Press the Status button to turn on the Chorus/Mod effect chorus 1. Press Effect Select Down again until the Chorus/Mod LED lights 7. Rotate Knob 5 to set the Chorus Level to 50 6. Rotate Knob 4 to set the PreDelay to 1 3. Rotate Knob 1 4. Rotate Knob 2 to select Chorus to set the Chorus speed to 5 5. Rotate Knob 3 to set the Chorus Depth to 30 Turn the Delay Off To bypass the Delay, do the following: 1. Press the EFFECT SELECT DOWN button until the LED in the Delay row lights. 2. If the display reads on (On), press the STATUS button until the display reads off (Of). 89 GNX3000 Owner’s Manual Creating a Preset Select and Adjust the Reverb In our example preset we wanted a little bit of Hall Reverb to provide some ambience. To add the reverb, do the following: 1. Press the EFFECT SELECT DOWN button until the LED in the Reverb row lights. 2. If the display reads off (Of), press the STATUS button until the display reads on (On). 3. Rotate KNOB 1 to select Hall (Hall) for the Reverb Type. 4. Rotate KNOB 2 to set the Reverb Predelay to 2. 5. Rotate KNOB 3 to set the Reverb Decay to 15. 6. Rotate KNOB 4 to set the Reverb Damping to 40. 7. Rotate KNOB 5 to set the Reverb Level to 30. 2. Press the Status button to turn on the Reverb hall 1. Press Effect Select Down again until the Reverb LED lights 7. Rotate Knob 5 to set the Reverb Level to 30 6. Rotate Knob 4 to set the Reverb Damping to 40 3. Rotate Knob 1 to select Hall as the Reverb type GNX3000 Owner’s Manual 90 4. Rotate Knob 2 to set the Reverb PreDelay to 2 5. Rotate Knob 3 to set the Reverb Decay to 15 GNX3000 Owner’s Manual Store the Preset The last step is to store our changes to a User Preset. If we changed presets or turned the GNX3000 off without storing these settings, it would forget what we had done and revert back to the original preset. To store the preset, do the following: 1. Press the STORE button. The first letter in the display begins to flash. Since this is an example preset, let’s name the preset examplE. 2. Rotate the DATA WHEEL until the flashing character in the display is an E. 3. Press the NEXT button once and the second character begins to flash. 4. Rotate the DATA WHEEL again until the flashing character is an X. Continue using the NEXT button to select the character location and the DATA WHEEL to change the characters. 3. Use the Next arrow button to select character locations store 2., 4., 6. Use the Data Wheel to change characters 1., 5., 7. Press the Store button 5. Once the Display reads exampLE, press the STORE button again. The numbers in the red numeric display are flashing. 6. Rotate the DATA WHEEL to select User Preset 48 as the destination. 7. Press the STORE button once more to save the preset. Congratulations! You have successfully created a Preset. 91 GNX3000 Owner’s Manual Storing/Copying a Preset Storing/Copying a Preset Storing a Preset Once you have modified the Amp Models, Cabinet Types, and Effect Parameters, the Store button LED flashes indicating you have changed a parameter and need to store the changes to a User Preset location in order to recall them later. The following steps outline the procedure for storing a preset: 1. Press the STORE button. The first letter of the preset name begins flashing. 2. Use the DATA WHEEL to select the alpha-numeric character. 3. Press the NEXT button to select the next character to the right, and the PREV button to select the previous character to the left. 2. Use the Data Wheel to select an alpha-numeric character Name 1. Press Store 64 3. Use the Next button to select the next character 4. Repeat steps 2 and 3 until you are finished naming the new preset. 5. Press the STORE button again. The current preset location will then flash in the red display. 6. Select the User Preset location using the DATA WHEEL. 7. Press the STORE button again to finish. 5. Press Store again number 64 6. Select a User preset using the Data Wheel GNX3000 Owner’s Manual 92 7. Press Store again GNX3000 Owner’s Manual Copying a Preset To copy one preset to another preset location, begin by selecting the preset you want to copy, then follow the steps listed above. Press EXIT at any time during the procedure to abort the store process. The FOOTSWITCHES perform different functions specific to the mode that has been selected. Listed below are descriptions of each footswitch’s function within each of the three Modes. Preset Levels The GNX3000 presets each have an independent level control for quick balancing of the levels between presets. Preset Level is accessed by selecting the WAH – PICKUP row of the Matrix using the EFFECT SELECT buttons and then adjusting KNOB 5. The Preset Level adjusts the overall output level of the active Preset and the range is from 0 to 99. Preset Level changes need to be saved and stored to a user preset location just as any other effect changes. See page 92 for more information on Storing a Preset. 93 GNX3000 Owner’s Manual Footswitch Functions for Modes Footswitch Functions for Modes Preset Mode - Green Bank Up Footswitch - Selects the next bank of presets. Pressing and holding this footswitch scrolls up through banks. When a new bank is selected the FOOTSWITCH 1-5 LEDs will strobe left to right prompting the user to select a preset. If a preset is not selected within 5 seconds, the GNX3000 returns to the currently selected bank and preset. Bank Down Footswitch - Selects the previous bank of presets. Pressing and holding this footswitch scrolls down through banks. When a new bank is selected the FOOTSWITCH 1-5 LEDs will strobe left to right prompting the user to select a preset. If a preset is not selected within 5 seconds, the GNX3000 returns to the currently selected bank and preset. Footswitch 1 - Selects the first preset in the active bank. A second press puts the GNX3000 into Bypass or selects the previous preset if Preset Bounceback is enabled (see page 36 for more instructions on the Preset Bounceback function). Pressing and holding FOOTSWITCHES 1 and 2 together will activate the Learn-A-LickTM feature (see page 34). Footswitch 2 - Selects the second preset within the active bank. A second press puts the GNX3000 into Bypass or selects the previous preset if Preset Bounceback is enabled (see page 36 for more instructions on the Preset Bounceback function). Pressing and holding FOOTSWITCHES 1 and 2 together will enable the LearnA-LickTM feature. Pressing and holding FOOTSWITCHES 2 and 3 together will bypass the preset. GNX3000 Owner’s Manual 94 GNX3000 Owner’s Manual Footswitch 3 - Selects the third preset in the active bank. A second press puts the GNX3000 into Bypass or selects the previous preset if Preset Bounceback is enabled (see page 36 for more instructions on the Preset Bounceback function). Pressing and holding FOOTSWITCHES 2 and 3 together will bypass the preset. Pressing and holding FOOTSWITCHES 3 and 4 together accesses the Tuner. Footswitch 4 - Selects the fourth preset in the active Bank. A second press puts the GNX3000 into Bypass or selects the previous preset if Preset Bounceback is enabled (see page 36 for more instructions on the Preset Bounceback function). Pressing and holding FOOTSWITCHES 3 and 4 together accesses the Tuner. Pressing and holding FOOTSWITCHES 4 and 5 together will change the Footswitch Modes. Footswitch 5 - Selects the fifth preset in the active Bank. A second press puts the GNX3000 into Bypass or selects the previous preset if Preset Bounceback is enabled (see page 36 for more instructions on the Preset Bounceback function). Pressing and holding FOOTSWITCHES 4 and 5 together will change the Footswitch Modes. 95 GNX3000 Owner’s Manual Footswitch Functions for Modes Stompbox Mode - Yellow Preset Up Footswitch - Selects the next preset. Pressing and holding this footswitch scrolls up through presets. After releasing, the preset that is landed on is loaded and becomes active. Preset Down Footswitch - Selects the previous preset. Pressing and holding this footswitch scrolls down through presets. After releasing, the preset that is landed on is loaded and becomes active. Amp Channel Footswitch selects a preset’s amp channel (Ch1 amp, Ch2 amp, or Warp amp). This footswitch’s function can be changed in the Expression Assign menu. (See page 75 for more information regarding Expression Pedal Assignment.) Pressing and holding FOOTSWITCHES 1 and 2 together will enable the Learn-A-LickTM feature (see page 34). Stompbox Footswitch turns the Stompbox Modeling on and off. Pressing and holding FOOTSWITCHES 1 and 2 together will activate the Learn-A-Lick feature. Pressing and holding FOOTSWITCHES 2 and 3 together will bypass the preset. GNX3000 Owner’s Manual 96 GNX3000 Owner’s Manual Chorus/Mod Footswitch turns the Chorus/Mod Effects on and off. Pressing and holding FOOTSWITCHES 2 and 3 together will bypass the preset. Pressing and holding FOOTSWITCHES 3 and 4 together accesses the Tuner. Delay Footswitch turns the Delay on and off. Pressing and holding FOOTSWITCHES 3 and 4 together accesses the Tuner. Pressing and holding FOOTSWITCHES 4 and 5 together will change the Footswitch Modes. Tap Tempo Footswitch is used for setting the repeat time of the Delay effect. By tapping this switch repeatedly, you can set the delay to repeat in time with your music. Pressing and holding FOOTSWITCHES 4 and 5 together will change the Footswitch Modes. 97 GNX3000 Owner’s Manual Footswitch Functions for Modes Record/Drum Mode - Red The Record footswitch functions are listed here. See page 100 for the Drums footswitch functions. Stop/Undo Footswitch - Stops recording in the included ProTracksTM Plus software. Pressing and holding this footswitch deletes the last track recorded. Pressing and holding FOOTSWITCHES 1 and 2 together will enable the Learn-A-LickTM feature. Pressing and holding FOOTSWITCHES 2 and 3 together will bypass the preset. Record Footswitch - Inserts tracks for recording and starts recording in the included ProTracksTM Plus software. Pressing and holding FOOTSWITCHES 2 and 3 together will bypass the effects and amp models. Pressing and holding FOOTSWITCHES 3 and 4 together accesses the tuner. Playback Footswitch - Starts playback of the included ProTracksTM Plus software. Pressing and holding FOOTSWITCHES 3 and 4 together accesses the Tuner. Pressing and holding FOOTSWITCHES 4 and 5 together will change the Footswitch Modes. GNX3000 Owner’s Manual 98 GNX3000 Owner’s Manual Drum Machine The GNX3000 is equipped with a built-in General MIDI Drum Machine. You can select from a variety of Factory-created drum patterns to play along with. The GNX3000’s Drum Machine can be set up in different ways as shown below: Control Panel - Drum Machine STOP/PLAY Press this button to start or stop the drum machine. PATTERN Press this button to select the Pattern library. Use the DATA WHEEL or PREV and NEXT buttons to select one of the GNX3000’s internal drum patterns. There are 79 different drum patterns and 5 metronome settings available including: Internal Drum Pattern List 8th Beat 1-8 Country 1-4 16thBeat 1-4 Jazz 1-4 Rock 1-8 HipHop 1-3 HardRock 1-8 dance 1-3 Metal 1-8 Latin 1-3 prog 1-2 Reggae 1-3 1-3 prog 6/8 3 Percusn prog 7/8 4 METR 4/4 1 Blues 1-4 METR 3/4 2 R and B 1-4 METR 5/8 3 Funk 1-4 METR 7/8 4 groove 1-4 metronom 5 LEVEL Press this button to select the drum machine playback level. Using the DATA WHEEL or PREV and NEXT buttons to adjust the volume level of the drum machine playback. TEMPO Press this button to select the Drum Machine tempo setting. Use the DATA WHEEL or PREV and NEXT buttons to adjust the playback speed of the drum or pattern being played back. Tempo range is 40-240 BPM (beats per minute). 99 GNX3000 Owner’s Manual Footswitch Functions for Modes Footswitch Operation When the GNX3000 is in Record/Drum Mode, four footswitches control drum machine operations. Drums Stop/Play Footswitch - Starts and stops playback of drum patterns. Drum Tempo Footswitch - Tapping this footswitch while the drum machine is on or off sets the playback tempo. It must be tapped at least 2 times within 3 seconds to set a tempo. The Tempo can range from 40 to 240 beats per minute. RED: PATTERN GREEN: BANK YELLOW: PRESET GNX3000 Owner’s Manual 100 Pattern Footswitches - Press the DOWN/UP FOOTSWITCHES to access all drum patterns. You can audition these while the drums are turned on. GNX3000 Owner’s Manual Computer Recording via USB The GNX3000’s USB connection provides 4 channels of audio streaming into the computer and 2 channels of playback from the computer simultaneously. Recording has never been easier thanks to the Hands-FreeTM tracking environment that the GNX3000 and the Pro Tracks PlusTM software provide. The GNX3000’s FOOTSWITCHES and Pro Tracks Plus software work seamlessly together to automatically insert, arm, record, play, and delete tracks on the fly without ever having to take your hands off the guitar. Multiple recording configurations can be selected to best optimize your recording needs. For more information please refer to the Audio Routing for USB Recording section starting on page 102. ASIO/Mac Mode vs. WDM Mode Recording applications run in a number of different modes; two of the most common modes are WDM and ASIO/Mac. WDM and ASIO/Mac offer the least amount of latency for the audio signal between the GNX3000 and the computer it’s connected to. When the GNX3000 ships from the factory, it is configured to record in ASIO/Mac mode. In ASIO/Mac mode, Windows® sees the GNX3000 as a 4-in, 2-out audio device. In WDM mode, Windows sees the GNX3000 as a 2-in, 2-out device and an additional 2-in 0-out device. Changing USB Mode (ASIO/Mac or WDM) The GNX3000 supports two USB driver modes: ASIO/Mac and WDM. ASIO/Mac is the default mode, and is for use with Macintosh computers and applications that support ASIO drivers. WDM is for use with all other applications. To change the USB mode: 1. Turn off the GNX3000. 2. Press and hold the MODE button. 3. While holding the MODE button, turn the GNX3000 on. 3. Use the DATA WHEEL to change the USB mode. Choose asio/mac if you’re using a Mac or ASIO compatible application, or wdm if you’re using a WDM compatible application. 4. Turn off the GNX3000. 5. Turn on the GNX3000. The selected USB mode is now active. Installing the GNX3000’s Software Suite The GNX3000 USB drivers must first be installed before using either the Pro Tracks Plus recording software or the X-EditTM Editor/Librarian. These drivers are found on the GNX3000 Software Install CD that came packaged with the GNX3000. To install the software suite, insert the disc into your computer’s CD-ROM drive and follow the on-screen prompts. Please review the Pro Tracks Plus documentation (located 101 GNX3000 Owner’s Manual Computer Recording via USB on the Software Install CD) to ensure your computer system meets the necessary requirements prior to installation. Once installed and configured, the GNX3000 can then control Pro Tracks Plus and its recording functions. Connecting the GNX3000 to the Computer The GNX3000 comes equipped with a USB cable that is to be connected to your computer whenever you will be recording or using the X-Edit Editor/Librarian. We recommend that you only use the USB cable that is shipped with the GNX3000 since it has been tested and approved for this specific use. To connect the GNX3000 to the computer, follow these steps: 1. Install the GNX3000’s software suite (described above). 2. Begin with the GNX3000’s power turned off. 3. Plug the small end of the USB cable in to the USB jack on the back of the GNX3000. 4. Plug the large flat end of the USB cable into an available USB port on your computer. 5. Turn on the power to the GNX3000. NOTE: DigiTech recommends that you do not use the GNX3000 as your default sound playback device. This is configured in Windows in the Control Panel under the Sounds and Audio Devices Properties. Windows Audio Samples are generally recorded at full scale level and if played back through the GNX3000 may be very loud in comparison with the configuration of audio level in the GNX3000. Audio Routing for USB Recording This section will cover the GNX3000’s inputs and how they are routed for recording on your computer via USB. Inputs and Recording Routing (4 In/2 Out USB Audio Interface) The GNX3000 has four audio inputs, the GUITAR INPUT, MIC INPUT, and LEFT/ RIGHT LINE INPUTS. Each of these inputs can be used to record audio and each has multiple routing configurations available. For instance, in a given recording session you may want to record guitar with effects, a dry guitar only, vocal with or without effects, or both the guitar processing and the LINE INPUTS. The GNX3000’s flexible routing lets you record each of these inputs in different combinations and even lets you utilize the GNX3000’s effects processing if desired, giving you a wide variety of options for your particular recording application. Having an understanding of how the GNX3000’s inputs and routing options function is the best way to optimize your recording experience. Input Sources The GNX3000 has two recording input selections called Input Sources. Each of these Input Sources offer several routing configurations for a variety of recording options. The Input Sources are selected by first pressing the SHIFT button to enable the Shift function and then using the USB 1-2 SRC and USB 3-4 SRC buttons GNX3000 Owner’s Manual 102 GNX3000 Owner’s Manual in the Control Panel and the DATA WHEEL. Up to four channels of audio can be recorded on the computer via USB. Each Input Source routes a pair of signals (except MONO FX, MONO ALL, DRY GUITAR, DRY MIC, and DRUMS MN which are mono signals) to the computer. The Input Sources signal combinations are as follows: USB 1-2 Source stereofx All input sources that are routed through the GNX3000’s effects are sent as a stereo pair up USB 1 and 2 channels. Drums, Dry Mic, and Dry Line are not recorded. steroall All input sources that are routed through the GNX3000’s effects, Drums, Dry Mic, and Dry Line are sent as a stereo pair up USB 1 and 2 Channels. mono fx All input sources that are routed through the GNX3000’s effects are summed to mono and sent up the USB 1 channel. Nothing is sent up USB 2 Channel. Drums, Dry Mic, and Dry Line are not recorded. mono all All input sources that are routed through the GNX3000’s effects, Drums, Dry Mic, and Dry Line are summed to mono and sent up the USB 1 Channel. Nothing is sent up USB 2 channel. sum+dGTR All input sources that are routed through the GNX3000’s effects are summed to mono and sent up the USB 1 channel. Dry guitar is sent up the USB 2 channel. sum+mic All input sources that are routed through the GNX3000’s effects are summed to mono and sent up the USB 1 channel. Dry mic signal is sent up the USB 2 channel. dgtr+mic Dry guitar signal is sent up the USB 1 channel. Dry mic is sent up the USB 2 channel. dry line Dry Line Left Input signal is sent up the USB 1 channel. Dry Line Right Input is sent up the USB 2 channel. 103 GNX3000 Owner’s Manual Computer Recording via USB dryguitr Dry Guitar signal is sent up the USB 1 channel. Nothing is sent up the USB 2 channel. dry mic Dry Mic signal is sent up the USB 1 channel. Nothing is sent up the USB 2 channel. drums st The GNX3000 drums playback is sent in stereo up the USB 1 and 2 channels. drums mn The GNX3000 drums playback (summed to mono) is sent up the USB 1 channel. Nothing is sent up the USB 2 channel. reamp Playback of a pre-recorded, dry guitar track can be routed back through the GNX3000’s effects processing and recorded back up the USB 1 and 2 channels. See Re-Amping a Guitar Track on page 114 for more information how this feature works. USB 3-4 Source USB OFF USB 3 and 4 are disabled. DGTR+Mic Dry guitar signal is sent up the USB 3 channel. Dry mic signal is sent up the USB 4 channel. dry line Dry Line Left Input signal is sent up the USB 3 channel and Dry Line Right Input signal is sent up the USB 4 channel. DRYGuiTR Dry guitar signal is sent up the USB 3 channel. Nothing is sent up the USB 4 channel. DRY MIC Dry mic signal is sent up the USB 3 channel. Nothing is sent up the USB 4 channel. DRUMS st GNX3000 drum playback is sent in stereo up the USB 3 and 4 channels. GNX3000 Owner’s Manual 104 GNX3000 Owner’s Manual DRUMS mn GNX3000 drum playback (summed to mono) up the USB 3 channel. Nothing is sent up the USB 4 channel. The following diagrams outline how the different input signals are routed through the GNX3000 and out to computer (USB) for recording: Guitar Signal Routing The guitar signal is routed from the input through the GNX3000’s effects processing and then to the pairs of analog outputs. There are two paths in which the guitar signal can be routed up the USB port to the computer. Path A taps the guitar signal off at the input and sends unprocessed signal up the USB port. Path C taps the guitar signal at the output of the GNX3000 and includes any effects processing that may be used. Signals recorded from USB Send Path A can be played back later through the GNX3000 for re-amping. See Re-Amping a Guitar Track on page 114 for more information on how this feature works. USB Dry A Send Path B USB Re-Amp Return Path Guitar Input PICKUP SIM WAH USB Send C Path WHAMMY/IPS (except TALKER) COMP SC STOMPBOX CH 1 AMP MODELING/ TONE CH 1 AMP CABINET CH 2 AMP MODELING/ TONE CH 2 AMP CABINET GATE WHAMMY/IPS (except TALKER) CHORUS/ MOD DELAY D USB Playback Return Path XLR Left Output XLR Right Output SC REVERB SC 1/4" Left Output 1/4" Right Output (1/4" USB Playback disabled in Split Modes) SC SC = Speaker Compensation Module Below is a matrix to show where the signal is tapped based on how the USB 1-2 Source and the USB 3-4 Source settings are configured. Routing of Guitar Input to USB USB 3-4 Source Guitar C C C C C, A C A • A • • • • usb dgt off r+m ic dry lin e dry gui tr dry mic dru ms st dru ms Mn ste reo fx ste roa ll mon o f x mon o a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui TR DRY MIC DRU MS st dru ms mn rea mp USB 1-2 Source Guitar • A • A • • • • = not recorded Note: Speaker Compensation should be enabled on the XLR outputs when recording guitar. Routing of Mic Inputs to USB USB 1-2 Source USB 3-4 Source GNX3000 Owner’s Manual b o ff tr+ mic y l ine ygu itr y m ic ums s ums t mn all NO fx NO all M+D Gtr M+M IC TR+ Mic y l ine YGu iTR Y M IC UMS st ums mn amp ero ere ofx 105 Computer Recording via USB Mic Signal Routing The mic signal can be routed in different ways through the GNX3000. mic off disables the MIC INPUT from being heard out the analog outputs, but it still may be recorded using steroall, Mono all, suM+MIC, DGTR+MIC, or DRY MIC as the input source. mic dry routes the mic signal around the GNX3000’s effects processing and mixes it in at the outputs. mic rvb routes the mic signal only through the GNX3000’s Delay and Reverb modules. mic fx routes the mic signal through all of the GNX3000’s effects. USB Dry E Send Path D USB Playback Return Path USB Send C Path mic off mic rvb mic fx Mic Input Routing of Guitar Input to USB PICKUP SIM WAH COMP WHAMMY/IPS (except TALKER) CH 1 AMP MODELING/ TONE STOMPBOX CH 1 AMP CABINET + CHORUS/ MOD WHAMMY/IPS (except TALKER) GATE mic dry DELAY REVERB SC CH 2 AMP CABINET USB 3-4 Source SC XLR Left Output XLR Right Output 1/4" Left Output 1/4" Right Output (1/4" USB Playback disabled in Split Modes) off dgt r+m ic dry lin e dry gui t r dry mic dru ms st dru ms Mn = Speaker Compensation Module reo fx ste roa ll mon o f x mon o a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui T R DRY MIC DRU MS st dru ms mn rea mp SC + SC USB 1-2 Source CH 2 AMP MODELING/ TONE + SC + ste usb The mic signal, as can be seen in the Mic Signal Routing diagram, has two paths in which it is routed up the USB port to the computer. Path E taps the mic signal off Guitar C C C C Guitar • up A to • the A USB • • port. • C A • Aand • sends • • unprocessed • at C, theA MIC INPUT signal Path C taps the signal at the output of the GNX3000 and can include any effects processing that may be used. Below is a matrix to show where the signal is tapped based on how the Mic, USB 1-2 Source, and USB 3-4 Source settings are configured. Routing of Mic Inputs to USB USB 1-2 Source • • C C • E • E C C, E C C, E E E C, E C, E • E • E C C, E C C, E E E E E • • • • • • • • E E E E • • • • • • • • off dgt r+m ic dry lin e dry gui t r dry mic dru ms st dru ms mn Mic mic off mic dry mic RVB MIC FX • • • • usb ste reo fx ste roa ll MON O f x MON O a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui T R DRY MIC DRU MS st Dru ms mn rea mp Mic mic off mic dry mic RVB MIC FX USB 3-4 Source • • • • E E E E • • • • • • • • E E E E • • • • • • • • • = not recorded Routing of Line Inputs to USB USB 1-2 Source off r+m ic dry lin e dry gui t r dry mic dru ms st dru ms mn 106 • F • line dry • F • F • Line RVB C C, F C C, F C, F line FX C C, F C C, F C, F • • C C • • • • F F F F • • • • • • • • • • • • • • • • • • • • Line LINe off LINe dry LINe RVB LINe FX dgt GNX3000 Owner’ lines Manual off • F usb ste Line ste reo fx roa ll MON O f x MON O a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui T R DRY MIC DRU MS st Dru ms mn rea mp 1-8 / usb USB 3-4 Source • • • • • • • • F F F F • • • • • • • • • • • • • • • • GNX3000 Owner’s Manual Routing of Guitar Input to USB Line Input Signal Routing ste ste usb off dgt r+m ic dry lin e dry gui tr dry mic dru ms st dru ms Mn reo fx roa l l mon o f x mon o a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui T R DRY MIC DRU MS st dru ms m n rea mp The Line signals, like the micUSB signal, be routed in different ways through 1-2 can Source USB 3-4 Source the GNX3000. Line OFF disables the LINE INPUTS from being heard out the analog outputs, but they still may be recorded using steroall, Mono all, and dry line as the input source. LINE DRY routes the left and right line signals around the GNX3000’s effects processing and mixes them in at the left and right outputs respectively. line rvb routes the line signal only through the GNX3000’s Reverb the left• and Guitar CDelay Guitar C C and A C Amodules. • A • LINE • • FX A right • A input • • • • sums C C, signals together and then routes this signal through all the GNX3000’s effects. Routing of Mic Inputs to USB USB 1-2 Source reo fx usb off dgt r+m ic dry lin e dry gui tr dry mic dru ms st dru ms mn roa ll MON O f x MON O a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui T R DRY MIC DRU MS st Dru ms m n rea mp USB 3-4 Source ste ste The line input signals, as can be seen in the previous Line Signal Routing diagram, Mic Mic have two paths in which they are routed up the USB port to the computer. Path mic off • E • E • E E • • E • • • mic off • E • • E F mic taps dry the LINE unprocessed • sendsmic • line • Einput • •and • EINPUT • Eoff at E the • • up E dry • E signal • Esignals C C,Path C, E E • • atEthe• output • • of the • E E CC C,taps E C these the USB signals GNX3000 and• can mic RVBport. mic RVB • E C, E Cprocessing • E E may • •be Eused. • •Below E • where • E C, E C C,that MIC FX FX to• show include anyCeffects is aMIC matrix the signal is tapped based on how the Line, USB 1-2 Source, and USB 3-4 Source settings are configured. • • • • • • • • Routing of Line Inputs to USB USB 1-2 Source • • C C F F C, F C, F • F • • F • C C, F C, F C C, F C, F • • C C • • • • F F F F • • • • • • • • • • • • • • • • • • • • Line LINe off LINe dry LINe RVB LINe FX usb off dgt r+m ic dry lin e dry gui t r dry mic dru ms st dru ms mn ste Line line off line dry Line RVB line FX ste reo fx roa ll MON O f x MON O a ll SUM +DG tr SUM +MI C DGT R+M ic dry lin e DRY Gui TR DRY MIC DRU MS st Dru ms mn rea mp 1-8 / usb USB 3-4 Source • • • • • • • • F F F F • • • • • • • • • • • • • • • • • = not recorded 107 GNX3000 Owner’s Manual Computer Recording via USB Using Pro Tracks PlusTM When Pro Tracks Plus is first launched after installation, you will have to configure the MIDI device and Audio settings to recognize the GNX3000 as the hardware you want to use. These procedures must be followed to ensure you will be able to record audio through all of the GNX3000’s inputs and to enable the Hands-FreeTM recording capabilities the GNX3000 offers. NOTE: Refer to the “Installing the GNX3000’s Software Suite” section on page 101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks Plus. Hands-FreeTM Recording Capabilities Pro Tracks Plus software must be installed on your computer in order to use the recording capabilities of the GNX3000. To install Pro Tracks Plus, insert the Software Install CD into your computer’s CD-ROM drive and follow the onscreen prompts. Note: If Autorun is disabled on your computer, double-click on My Computer, then double-click on your CD-ROM drive. When the installation program starts, follow the on-screen prompts. Setting Up the GNX3000 MIDI Device The GNX3000 uses MIDI commands to communicate with Pro Tracks Plus. These commands are used to determine which USB 1-2 Source and USB 3-4 Source settings have been selected so that Pro Tracks Plus can function properly when using the GNX3000’s Hands-FreeTM recording features. To configure Pro Tracks Plus’ MIDI settings for use with the GNX3000 follow the steps outlined below: 1. Start the Pro Tracks Plus application on your computer. 2. If the Tip of the Day window appears, click the Close button. 3. If no previous MIDI outputs have been selected, the No MIDI Outputs Selected window will appear. Click the Choose MIDI Outputs Now button. The MIDI Devices window will open. 4. Under both Input and Output Selections, choose DigiTech USB MIDI. Do not select DigiTech USB X-Edit or any other available selections. Click the Move Selected Devices to Top button. 5. Click the OK button and the window will close. 6. If the Quick Start window appears, click the Close button. Setting up the GNX3000 for Hands-Free Recording 1. From the Pro Tracks Plus menu bar, select Options>Control Surfaces. The Control Surfaces window will appear. GNX3000 Owner’s Manual 108 GNX3000 Owner’s Manual 2. Click the + button to add a new control surface. The Control Surface Settings window will open. 3. In the Control Surface pull-down menu, select DigiTech Hands-Free. Verify that the Input and Output port settings still have DigiTech USB MIDI selected. If they do not, do this now. 4. Click the OK button. DigiTech Hands-Free should now be displayed as the Connected Surface in the Control Surfaces Window. 5. Click the Close button. 6. Pro Tracks Plus can now respond to the GNX3000 for automated recording functions. Configuring Pro Tracks PlusTM for Recording in ASIO Mode 1. From the Pro Tracks Plus menu bar, select Options>Audio. 2. Click the Advanced tab. 3. Under Playback and Record, select ASIO from the Driver Mode pull-down menu. 4. Click the OK button. 5. If you are prompted to restart Pro Tracks Plus, click Yes. 6. From the Pro Tracks Plus menu bar, select Options>Audio. 7. Click the Drivers tab. 8. Under Input Drivers, select DigiTech USB 1-2 In/Out and DigiTech USB 3-4 In Only. Deselect all other options. 9. Under Output Drivers, select DigiTech USB 1-2 In/Out. Deselect all other options. 10. Click the OK button. 11. If you are prompted to restart Pro Tracks Plus, click Yes. 12. You can now select your inputs and begin recording. Setting up Pro Tracks PlusTM for GNX3000 Audio 1. From the Pro Tracks Plus menu bar, select Options>Audio. The Audio Options window will appear. Click the Drivers tab. 2. Under the Input Drivers settings, select DigiTech USB 1-2 In/Out and DigiTech USB 3-4 In Only and deselect all other options. 3. Under the Output Drivers settings, select DigiTech USB 1-2 In/Out and deselect all other options. 4. Click the OK button. 109 GNX3000 Owner’s Manual Computer Recording via USB 5. Click the OK button when the window stating changes will be saved upon restart appears. 6. Close the Pro Tracks Plus application. When you are prompted to save changes, click No. 7. Re-start the Pro Tracks Plus application again. 8. Close the Tip of the Day and Quick Start windows if they appear. 9. From the Pro Tracks Plus menu bar, select Options>Audio. 10. Verify that the Playback and Record Timing Master settings have DigiTech USB 1-2 In/Out selected. If not, select these now. 11. Click the Wave Profiler button at the bottom. 12. Click the Yes button to continue performing the tests. 13. When the profiling operation is successfully completed, click the OK button. 14. Click the OK button to close the Audio Options window if it is still open. You are now ready to use the GNX3000 with Pro Tracks PlusTM recording software. CAUTION: Do not disconnect power or disconnect the USB cable from the GNX3000 or the computer while the Pro Tracks Plus software is running. Doing so can result in unpredictable behavior from your computer’s operating system. Control Panel and Recording Setup The CONTROL PANEL is where the routing of all audio signals, both internal and those connected to the GNX3000’s audio inputs, are handled for both processing and recording. Here is where you can route audio from the MIC and LINE INPUTS through the GNX3000 effects as well as specify what signals are sent up USB to be recorded. SHIFT When this button is lit, the secondary functions labeled below specific buttons are now active when these buttons are pressed. USB 1-2 SOURCE Selects what Input Sources are to be recorded up the USB 1-2 channels. GNX3000 Owner’s Manual 110 GNX3000 Owner’s Manual USB 3-4 SOURCE Selects what Input Sources are to be recorded up the USB 3-4 channels. MIC Selects how the mic input is routed through the GNX3000’s effects processing for both recording an performance. LINE Selects how both LINE INPUTS are routed through the GNX3000’s effects processing for both recording an performance. USB 1-2 LVL A gain/attenuation control to optimize the level of sources being recorded up the USB 1-2 channels. USB 3-4 LVL A gain/attenuation control to optimize the level of sources being recorded up the USB 3-4 channels. USB PLAY MIX Controls the level balance between the GNX3000’s processing and the USB stream played back from your computer. Computer Recording with a Mac Out of the box, the GNX3000 is core audio and core MIDI compatible. No drivers need to be installed. Just plug in the USB cable. An installer is provided for X-Edit, the Editor/Librarian application. Just insert the disc and follow the on-screen prompts. If you’re using a Mac, use the GNX3000 in ASIO/MAC USB mode (this is the default USB mode from the factory). To verify Audio MIDI connection, use Apple’s Audio MIDI Setup application found in the Applications/Utilities folder. If properly connected, “GNX3000” should appear in the Input/Output Audio Device list and the MIDI Devices tab, an icon labeled “GNX3K” should be present. Refer to Audio MIDI Setup help files for additional information on their use. 111 GNX3000 Owner’s Manual Using the GNX3000’s Footswitches for Hands-FreeTM Computer Recording Functions Using the GNX3000’s Footswitches for Hands-FreeTM Computer Recording Functions The GNX3000’s FOOTSWITCHES are capable of controlling the Pro Tracks PlusTM recording software, creating a Hands-Free recording interface. To do this, the GNX3000 must be connected to the computer via the included USB cable and the Pro Tracks PlusTM application must be installed and open. Hands-FreeTM Footswitch Controls Stop/Undo Record Play Recording a Track or Tracks To begin recording a track using the FOOTSWITCHES, follow these steps: 1. Start the Pro Tracks Plus application. 2. From the Pro Tracks Plus menu bar, select File>New. The New Project File window will appear. 3. From the New Project File window, select Normal - Hands-Free Session. 4. Put the GNX3000 into Record/Drum Mode by pressing the MODE button located on the Control Panel or by pressing FOOTSWITCHES 4 and 5 simultaneously until the display flashes rec/drum. 5. Press the SHIFT and USB 1-2 SRC buttons, then use the DATA WHEEL to select the sources you’d like to record. (Additional sources can be selected by pressing the USB 3-4 SRC button and using the DATA WHEEL.) 6. Press the RECORD footswitch (FOOTSWITCH 3). The GNX3000’s display reads record. A track or tracks are automatically inserted in the current session of the Pro Tracks Plus software and recording on these tracks begins. 7. To stop recording, press the STOP/UNDO footswitch (FOOTSWITCH 2). The GNX3000’s display reads stop and Pro Tracks Plus stops recording. The wave data for the track(s) can now be viewed on your computer monitor. Playing Back a Recorded Track After a track or tracks have been recorded, playing them back is easy. If you want to start playback at the beginning of a track or song but are someplace other than the end of the song, follow these steps: 1. Press the STOP/UNDO footswitch (FOOTSWITCH 2) once. The GNX3000 display will read rewind. Pro Tracks Plus will rewind to the beginning of the current song. 2. Press the PLAY footswitch (FOOTSWITCH 4). The recorded track(s) will begin playing back. GNX3000 Owner’s Manual 112 GNX3000 Owner’s Manual Recording Multiple Tracks After tracks have been recorded, you may want to record other tracks that play along with them. To record a new track or tracks with previously recorded tracks, follow these steps: 1. (Optional) Press the SHIFT and USB 1-2 SRC buttons, then use the DATA WHEEL to select the sources you’d like to record. (Additional sources can be selected by pressing the USB 3-4 SRC button and using the DATA WHEEL.) 2. Press the STOP/UNDO footswitch (FOOTSWITCH 2) twice. This will rewind to the beginning of the current song. 3. Press the RECORD footswitch (FOOTSWITCH 3). The GNX3000’s display reads record. A track or tracks are automatically inserted in the current session of the Pro Tracks Plus software and recording on these tracks begins. 4. To stop recording, press the STOP/UNDO footswitch (FOOTSWITCH 2). Using the UNDO Footswitch to Erase a Track You can undo the last take or previous tracks using the GNX3000’s FOOTSWITCHES. To undo tracks, follow these steps: 1. Press and hold the STOP/UNDO footswitch (FOOTSWITCH 2). The GNX3000’s display reads undo, indicating the last recorded track(s) are being deleted. Using the GNXFC for Hands-Free Computer Recording Functions The GNX3000 is equipped with a footswitch jack that lets you connect an optional GNXFC for controlling the GNX3000’s record functions This 3-button footswitch features functions for STOP/UNDO, RECORD, and PLAY. The GNXFC is an ideal companion for recording as it lets you leave your GNX3000 FOOTSWITCHES setup for changing presets and switching amp channels while the GNXFC is used specifically for controlling the Pro Tracks Plus recording software. Use only a TRS stereo 1/4” cable when connecting the GNXFC to the GNX3000. The GNXFC functions are exactly the same as the GNX3000 FOOTSWITCHES when it is in Record/Drum Mode. Refer to the previous section Using the GNX3000’s Footswitches for Hands-Free Computer Recording for operating instructions. 113 GNX3000 Owner’s Manual Using the GNX3000’s Footswitches for Hands-FreeTM Computer Recording Functions Re-Amping a Guitar Track Using one of the Dry Guitar configurations for recording gives you the opportunity of playing a dry take back into the GNX3000 for re-processing. The advantages of having this feature are you can experiment playing the dry guitar take back through different amp models, effects, or entirely new presets once you have your other tracks recorded. This helps when trying to fit a guitar sound into a mix after the song is assembled rather than relying on tricky EQ settings that can tarnish the tone you originally recorded. To re-amp a track back through the GNX3000, follow these steps: 1. Put the GNX3000 into Record/Drum Mode by pressing the MODE button located on the Control Panel or by pressing FOOTSWITCHES 4 and 5 simultaneously until the display flashes rec/drum. 2. From the Pro Tracks Plus menu bar, select File>New. The New Project File window will open. 3. Select the Normal-Hands Free Session project template. 4. Press the SHIFT and USB 1-2 SRC buttons, then use the DATA WHEEL to select dryguitr. Then press the USB 3-4 SRC button and use the DATA WHEEL to select usb off. 5. Press the RECORD footswitch (FOOTSWITCH 3). The GNX3000’s display reads record. A track is automatically inserted in the current session of the Pro Tracks Plus software and recording on this track begins. 6. To stop recording, press the STOP/UNDO footswitch (FOOTSWITCH 2). The GNX3000’s display reads stop and recording will stop. Press Stop again to rewind to the beginning of the track. 7. In the Out box of the track you just recorded, select B(Digitech USB 1-2 In/Out). 8. In the tool bar press the Console View button to see the mixing console. GNX3000 Owner’s Manual 114 GNX3000 Owner’s Manual 9. Pan the B - Mains Output hard left and the A - Mains Output hard right. 10. Press the SHIFT and USB 1-2 SRC buttons, then use the DATA WHEEL to select reamP. This configures the recording software to playback audio through the GNX3000’s effects processing. 11. Press the PLAY footswitch (FOOTSWITCH 4) then put the GNX3000 into to Preset Mode by pressing the MODE button located on the Control Panel or by pressing FOOTSWITCHES 4 and 5 simultaneously until the display flashes Preset. You can now audition presets until you find one you like. Once you have done so, return to Record/Drum Mode. 12. Press the STOP/UNDO footswitch (FOOTSWITCH 2) twice to rewind to the beginning of the track. 13. Press the RECORD footswitch (FOOTSWITCH 3) and the recorder will now insert and record a stereo track of processed guitar. 14. To stop recording, press the stop/undo footswitch. Recording the GNX3000 Drums as Audio The GNX3000’s drum machine can be recorded using Pro Tracks Plus. To record the GNX3000 drums, follow these steps: 1. From the Pro Tracks Plus menu bar, select File>New. The New Project File window will appear. 2. Select one of the templates and click the OK button. This will open up a new recording session. 3. On the GNX3000, use the either the USB 1-2 SRC or USB 3-4 SRC buttons to select drums stereo or drums Mono. 4. Press the record footswitch. The GNX3000’s display reads record. A new track is automatically inserted in the current session of the Pro Tracks PlusTM software and recording on these tracks begins. 5. To stop recording, press the STOP/UNDO footswitch. 115 GNX3000 Owner’s Manual Using the GNX3000’s Footswitches for Hands-FreeTM Computer Recording Functions Recording the GNX3000 Drums and MIDI You can use MIDI drum files for playing the GNX3000 drum samples as long as the events are mapped to the MIDI notes shown on page 128. The drum samples of the GNX3000 only respond to MIDI messages transmitted on MIDI channel 10, which is the default channel for General MIDI drums. For a complete list of the General MIDI Drum Samples see page 128. MIDI and Recording The GNX3000 features MIDI IN and OUT JACKS which serve several purposes: 1. MIDI IN can be used for remote control of the GNX3000 from external MIDI devices such as MIDI sequencers and MIDI controller pedals (GNX3000 receives program changes, CC parameter control). 2. MIDI IN can be used as your MIDI interface to the computer allowing recording of MIDI events to Pro Tracks Plus or other recording software applications via USB. 3. MIDI OUT can be used as the MIDI out of your computer recording and sequencer application for controlling external MIDI devices such as keyboards or sound modules. USB Playback Mix The DATA WHEEL is an easy way to balance the GNX3000’s processing with playback from the Pro Tracks PlusTM software using a single control. This function is only available when the GNX3000 is connected to the computer via USB and Pro Tracks Plus is up and running. To change the USB Playback mix, follow these steps: 1. Start playback of a session from Pro Tracks Plus. 2. Press the SHIFT button then press the USB PLAY MIX button (both are located in the Control Panel). 3. Turn the DATA WHEEL to balance the level of GNX3000 guitar processing and playback level. When the display reads USB MIX 0 it indicates that only GNX3000 GUITAR, MIC, and LINE INPUT signals will be heard. Rotating this knob clockwise, you will begin to hear the playback level increase. GNX mix 50 indicates the GNX3000/computer playback mix is a 50/50 mix of both signals. Continuing to rotate the knob clockwise will decrease GNX3000 level. GNX MIX 0 indicates that only playback from the computer will be heard. When the GNX3000 is not connected to your computer via USB, the USB Playback Mix parameter is hidden and returned to normal operating levels independent of USB. If your GNX3000 is not connected to your computer and you press the SHIFT button and then the USB PLAY MIX button, the GNX3000 will display NO USB. GNX3000 Owner’s Manual 116 GNX3000 Owner’s Manual USB 1-2 Level/USB 3-4 Level The USB 1-2 LVL and USB 3-4 LVL knobs are used for boosting or cutting the amount of signal sent out the USB port to the computer. These controls are to be used if the signal level of the input source (mic, line input, guitar) isn’t optimized into your recording software (consult the Pro Tracks Plus User’s Guide for information on proper recording levels). If the signal is too hot to Pro Tracks Plus, use these controls to decrease the level. The USB 1-2 LVL and USB 3-4 LVL parameters control the level for each USB pair of outputs so for example, if sum+mic is the selected USB 1-2 Source, increasing the level for the mic 6dB going up USB 2 will also increase the summed signal by 6dB going up USB 1. To increase or decrease the level of audio going up to the computer, follow these steps. 1. Play/sing through the GNX3000 and check the level of signal reaching the recording software (consult the Pro Tracks PlusTM User’s Guide for information on how to view recording signal levels). 2. Use whichever USB Level knob to boost or cut the signal level going to the recording software. The boost/cut range is from -12dB (usb 1-2 -12) to +24dB (usb 1-2 24). The DATA WHEEL may also be used to change the selected USB level. 117 GNX3000 Owner’s Manual Utilities Utilities The Utility section contains all of the menus for assigning global functions to the GNX3000. Global functions affect the GNX3000 in its entirety rather than on a per preset basis. The Utility menus include: Volume Pedal Update, Expression Pedal Calibration, Bounce-Back, Bank Naming, MIDI Channel, MIDI Sysex Dumps, Amp Dumps, MIDI Mapping, MIDI Merge, and Factory Reset. To enter the Utility section, press the UTILITY button. Once in the Utility menu, the NEXT button selects the next menu (scrolls to the right), and the PREV button selects the previous menu (scrolls to the left). Each of these Utility menus is described in more detail in the following pages. Volume Pedal Update The GNX3000 lets you select the EXPRESSION PEDAL’s position to be updated, after changing presets, when it is linked to the Volume Parameter. This feature lets you change presets and keep the volume level from the previous preset, if the EXPRESSION PEDAL controls the volume for both presets. If this feature is disabled, new presets are set to the volume level value stored with the preset. The procedure for enabling or disabling the Volume Pedal Update is as follows: 1. Press the UTILITY button. The button will light indicating you are in the Utility menu. 2. Use the PREV or NEXT buttons to select volumpdl (Volume Pedal Update) is displayed. 3. Rotate the DATA WHEEL to select On (enabled), or OF (disabled). 4. When finished, press EXIT. Preset Bounceback If you would rather not bypass individual presets in Preset Mode by pressing their FOOTSWITCHES repeatedly, you can enable the Preset Bounceback function in the Utility menu. For example, let’s say you select Preset 1 using FOOTSWITCH 1 as your rhythm tone. Then you select Preset 4 using FOOTSWITCH 4 as your solo tone. You can now press FOOTSWITCH 4 again and Preset 1 will be selected again. Pressing FOOTSWITCH 4 repeatedly will bounceback between Preset 4 and Preset 1. To enable the Preset Bounceback feature, do the following: 1. Press the UTILITY control panel button and use the PREV/NEXT arrow buttons to locate the Bounceback feature. The display will read BOUNCBAK. 2. Rotate the DATA WHEEL to turn the BounceBack feature on. 3. When finished, press EXIT. NOTE: The Preset Bounceback feature only works when the GNX3000 is in Preset Mode. For more information regarding the footswitch functions for Preset Mode see page 94. GNX3000 Owner’s Manual 118 GNX3000 Owner’s Manual Expression Pedal Calibration The EXPRESSION PEDAL on the GNX3000 needs to be recalibrated for use after a factory reset has been performed. This calibration procedure is automatically activated after a factory reset procedure. In the event the pedal’s calibration fails, or if the pedal does not function properly, it can be re-calibrated using the Pedal Calibration menu. The procedure for calibrating the EXPRESSION PEDAL is as follows: 1. Press the UTILITY button. The button will light indicating you are in the Utility menu. 2. Use the PREV or NEXT buttons to select pedalcal (Expression Pedal Calibration). 3. Press the flashing STORE button to enter the Pedal Calibration Menu. The display will read TOE DowN (Toe Down). 4. Rock the EXPRESSION PEDAL all the way forward to the toe down position and press the blinking FOOTSWITCH 3. The display changes to read TOE UP (toe up). 5. Rock the EXPRESSION PEDAL all the way back to the toe up position and press the blinking number FOOTSWITCH 4. NOTE: If the Display shows cal eRR, a calibration error has occurred and steps 2 through 5 need to be repeated. 6. When finished, press EXIT. Bank Names The GNX3000 lets you customize the names of the 13 User Banks where the 65 User Presets reside. Customized Bank names aids in quickly identifying the User Bank containing the presets you may need for a particular song or set. The procedure for naming the User Banks is as follows: 1. Press the UTILITY button. The button will light indicating you are in the Utility menu. 2. Use the PREV or NEXT buttons to select bankname (Bank Names). 3. Use the DATA WHEEL to select the User Bank you want to rename. The Preset Bank LEDs to the left of the DATA WHEEL indicate when a User Bank is selected. 4. Press STORE to access the Naming menu. The far left character of the Bank name begins to blink. 5. Use the DATA WHEEL to select the desired alpha-numeric character. 6. Press the NEXT button to select the next character to the right, and the PREV button to select the previous character to the left. 7. Repeat steps 5 and 6 until the Bank name appears in the display. 8. Once the Bank name appears correctly in the display, press STORE again. 9. When finished, press EXIT. See page 133 for a list of Banks and Presets. 119 GNX3000 Owner’s Manual Utilities MIDI Channel The GNX3000 MIDI channel is only used for receiving incoming MIDI data (both program change and CC data). The GNX3000 does send MIDI program change commands but will not send CC data. The procedure for selecting the MIDI channel is as follows: 1. Press the UTILITY button. The button will light indicating you are in the Utility menu. 2. Use the PREV or NEXT buttons to select the midichnl (MIDI Channel). The numeric display shows the selected MIDI channel. 3. Rotate the DATA WHEEL to select the MIDI channel. Your choices include 1 through 16, AL (all), and of (off). 4. When finished, press EXIT. Bulk Dump This operation performs a System Exclusive (SysEx) MIDI Bulk Dump that uploads all the GNX3000 presets and utility data to a SysEx librarian. This is useful for making a backup copy of all your customized settings. The procedure for performing a Bulk Dump is as follows: 1. Connect a USB cable from the GNX3000 to your computer. 2. On the GNX3000 press the UTILITY button. The button will light indicating you are in the Utility menu. 3. Use the PREV or NEXT buttons to select Bulkdump (Bulk Dump). The STORE button will flash indicating it must be pressed to begin the bulk dump. 4. Open the application on your computer that you will be using to receive the Bulk Dump and set it to record. 5. On the GNX3000 press the STORE button to begin the dump. The display reads SEND BLK, then PRESET 1 and counts up to PRESET65, FSW BANK, USER AMP, and USER CAB. When the dump is complete the display returns to BULKDUMP. 6. When finished, press EXIT. NOTE: Bulk Dump sends information on the MIDI channel defined in the MIDI Channel Menu. Bulk Dump can only be sent and received via USB MIDI. Preset Dump This operation performs a System Exclusive (SysEx) MIDI Preset Dump that uploads individual GNX3000 presets to a SysEx librarian or MIDI recording device. This is useful for making a backup copy of customized presets. The procedure for performing a SysEx Preset Dump is as follows: GNX3000 Owner’s Manual 120 GNX3000 Owner’s Manual 1. Connect a MIDI cable from the GNX3000 MIDI Out to the MIDI In of a MIDI recording device. 2. Press the UTILITY button. The Utility button’s LED will light. 3. Use the PREV or NEXT buttons to select PrSTDuMP (Preset Dump). 4. Use the DATA WHEEL to select the preset number you want to dump. 5. Press the STORE button. The Display will read SeND TO. 6. Press the STORE button again. The display will read send pst until the dump is complete at which time the display returns to PrSTDuMP. 7. When finished, press EXIT. NOTE: MIDI Preset Dump sends information on the MIDI channel defined in the MIDI Channel Menu. User HyperModelTM Amp Dump This operation performs a System Exclusive (SysEx) User HypermodelTM Amp Dump that uploads the GNX3000 Amp HyperModels to a SysEx librarian or MIDI recording device. This is useful for making a backup copy of your customized Amp HyperModels. The procedure for performing a User Amp Dump is as follows: 1. Connect a USB cable to your computer or a MIDI cable from the GNX3000 MIDI Out to the MIDI In of a MIDI recording device. 2. Press the UTILITY button. The Utility button’s LED will light. 3. Use the PREV or NEXT buttons to select AMP DuMP (Amp Dump). 4. Use the DATA WHEEL to select the Amp number you want to dump. 5. Press the STORE button. The display will read SND TO. 6. Set the MIDI recording device to record. 7. Press the STORE button again. The display will read send amp until the dump is complete at which time the display returns to AMP DuMP. 8. When finished, press EXIT. NOTE: Amp Dump sends information on the MIDI channel defined in the MIDI Channel Menu. MIDI Mapping MIDI Mapping provides access to all factory and user presets from external MIDI program change commands that may not correspond to the GNX3000 preset. This is useful when multiple MIDI devices are chained together and controlled by one central unit. For example, the main MIDI controller can send out a program change command telling a particular MIDI unit to change to Program 10, but you may want the GNX3000 to change to User Preset 27. You can remap the GNX3000 so when it receives MIDI Program change 10, it calls up User Preset 27. The Procedure for mapping MIDI program changes is as follows: 121 GNX3000 Owner’s Manual Utilities 1. Press the Utility button. The UTILITY button’s LED lights. 2. Use the prev or next buttons to select M 1>U 1 (MIDI Mapping). 3. Use the DATA WHEEL to select the incoming MIDI program number you want to remap. The flashing number to the right of the M increases and decreases as you turn the DATA WHEEL. 4. Press the NEXT button. The number in the red numeric display begins flashing. This number represents the GNX3000 preset number that is selected when the GNX3000 receives the MIDI program number shown to the right of the M in the alpha-numeric display. 5. Rotate the DATA WHEEL to select the preset number the GNX3000 will use when it receives the selected MIDI program change. 6. When finished, press EXIT. MIDI Merge The MIDI Merge function echoes the incoming MIDI data to the MIDI Out port of the GNX3000. This is useful when multiple MIDI devices are chained together, and you want to pass incoming MIDI Data on to MIDI devices downstream from the GNX3000. The procedure for enabling or disabling the MIDI Merge function is as follows: 1. Press the UTILITY button located in the Control Panel. The Utility button’s LED lights. 2. Use the PREV or NEXT buttons to select midimrge (MIDI Merge). The red numeric display reflects the current MIDI Merge status On or OF. 3. Use the DATA WHEEL to select the status. 4. When finished, press EXIT. NOTE: Sysex information cannot be merged through the GNX3000. Factory Reset This function resets the GNX3000 to its original factory settings. This procedure erases ALL custom user presets, utility settings, and re-calibration of the EXPRESSION PEDAL. The procedure for performing a Factory Reset is as follows: NOTE: Performing this function will erase all user-programmed data. Be sure you want to erase the memory and start fresh before continuing with this procedure. 1. Press the UTILITY button. The Utility button’s LED lights. 2. Use the next button to select RESET ? (Reset) and the STORE button will begin to flash. NOTE: This procedure resets ALL user settings. Press the EXIT button now to abort the factory reset function. 3. Press the STORE button once and the display will show CONFIRM?. GNX3000 Owner’s Manual 122 GNX3000 Owner’s Manual 4. Press the STORE button again and the display will display FACt rsT and then TOE DowN. You must recalibrate the EXPRESSION PEDAL at this time. 5. While the display reads TOE DowN, rock the EXPRESSION PEDAL forward (toe down) and then press the flashing FOOTSWITCH 3. 6. When the display reads TOE UP, rock the EXPRESSION PEDAL back (toe up) and press the flashing FOOTSWITCH 4. 7. The GNX3000 will then restart. 123 GNX3000 Owner’s Manual Troubleshooting Guide Troubleshooting Guide My computer does not recognize my GNX3000. • If after turning on and initializing the GNX3000 the USB Active led does not stay lit, the computer may not have correctly enumerated the GNX3000 USB connection. The computer may give you a message stating that a USB Device is not recognized. If this happens reboot your computer. Audio playback from Pro Tracks PlusTM has pops and clicks. 1. From the Pro Tracks Plus menu bar, select Options->Audio. 2. Click the General tab. 3. Slide the ASIO Stream Reliability slider right (toward the Less CPU marker). 4. Click the Ok button. Hands-Free recording on GNX3000 doesn’t work or has stopped working. • If it was working at one point but has stopped working, try exiting Pro Tracks Plus and then restarting it (make sure to save your project). • Cycle power to the GNX3000 before entering Pro Tracks Plus or X-EditTM. • If it has never worked at all, there is a problem with USB MIDI The most probable causes are using incorrect or incorrectly installed drivers and/or .dll or a bad USB cable. • See the section on driver installation. • Make sure DigiTech USB MIDI is highlighted for MIDI Input under Options>MIDI devices. • Make sure ‘Hands-Free’ is set as the default setting in the Utility menu. • Check the Utility menu handfree is set to US for recording to Pro Tracks. I can’t hear audio playback from Pro Tracks Plus. • If the ‘Reamp’ mode in the GNX3000 is active try switching to a different mode like ’STEROALL’. • Make sure the faders in Pro Tracks Plus are turned up. • Check that the tracks you want to playback are un-muted. • Go to Options->Audio->Drivers and under output drivers, select ‘DigiTech USB 1-2 In/Out’ and de-select everything else. • See the section on driver installation. • Make sure your speakers are connected properly and the volume is turned up. My GNX3000 doesn’t record to Pro Tracks Plus. • Go to Options->Audio->Drivers and under input drivers, select ‘DigiTech USB 1-2 In/Out’ and ‘DigiTech USB 3-4 In Only’ De-select everything else. • Make sure the proper drivers are installed. • See the section on driver installation. • For an initial track, make sure ’Reamp’ mode in the GNX3000 is not selected in the GNX3000 Owner’s Manual 124 GNX3000 Owner’s Manual USB 1-2 Source menu. • Make sure the track that you are recording on has the correct input assignment and that it is armed. I can’t get Re-Amping to work. • See the Re-Amping a Guitar Track section of this Owner’s Manual. Where did my wave files go? • Wave files all get saved to the folder specified in Options->Global, Audio Data. My waves are low/too high in level. • The recording signal level can be boosted or reduced using the USB 1-2 and USB 3-4 Level controls. Pro Tracks Plus intermittently locks up. • Close any other open programs besides Pro Tracks Plus check “task manager” to make sure there are no hidden programs running. • Try reducing the number of plug-ins and soft-synths. • Increase the amount of memory in your system. • Get a faster hard drive. • Put your audio data on a different hard drive from your OS and applications. • Get a faster computer. • Please refer to the system requirements section. • Run chkdisk on your drive. • Run msconfig (Windows XP), choose “selective start” and uncheck “load startup items”. • Reinstall Pro Tracks Plus. Pro Tracks Plus playback is louder than my guitar. • You can adjust the mix of playback versus guitar by adjusting the USB Playback mix parameter. I get audio dropout while I’m recording. • Try increasing the latency slider in the Option>Audio Settings menu window. • Try reducing the number of tracks in your project (mute won’t help, you either have to “archive” the tracks, or delete them) • Close any other open programs besides Pro Tracks Plus check Windows Task Manager to make sure there are no hidden programs running. • Try reducing the number of plug-ins and soft-synths. • Increase the amount of memory in your system. • Get a faster computer or faster hard drive. • Put your audio data on a different hard drive from your OS and applications. 125 GNX3000 Owner’s Manual Troubleshooting Guide • The hardware has been profiled incorrectly. Run Wave Profiler and delete the aud.ini file then reprofile the hardware. • Verify the driver setup on the driver tab. • Make sure the GNX3000 is set as the timing master for recording and playback. • Make sure Service Pack 1A or later (Windows XP®) has been installed. Click on the Advanced Tab and set the Buffer Size to 256. • Choose Start>Run and type MSCONFIG, click “OK” then click on the Startup Tab at the upper right of the window that opens. Uncheck all items listed, click “OK”. Then restart your computer. You can go back and choose those items again at a later time if necessary. When I launch X-Edit, it can’t find the GNX3000. • Make sure your drivers are loaded correctly and that the USB cable is inserted securely. • See the section on USB Driver installation. I hear doubling of the playback. • Input monitoring is probably active. Go to Options->Audio->Input Monitoring to disable. • Make sure the GNX3000 is the playback device, not your internal sound card. My mic didn’t record. • Make sure mic signal routing is set to mic dry, mic rvb, or mic fx and that USB 1-2 or USB 3-4 sources are set to one of the following : steroall, mono all, sum+dgtr, sum+mic, dgtr+mic, or dry mic. My drums didn’t record. • Make sure steroall, mono all, drums st or drums mn is selected as source for USB 1-2 or USB 3-4. My line inputs didn’t record. • Make sure line signal routing is set to line dry, line rvb, or line fx and that USB 1-2 or USB 3-4 sources are set to one of the following : steroall, mono all, sum+dgtr, sum+mic or dry line. Pro Tracks Plus won’t launch. • This was probably caused by interrupting the USB connection while in a previous Pro Tracks Plus session. You must reboot your system to fix this problem. • There is a conflict with your computer’s video card. By disabling the theater audio driver in the video card, the software should work. GNX3000 Owner’s Manual 126 GNX3000 Owner’s Manual I don’t hear playback from USB 3-4. • Playback is only available on USB 1-2. USB 3-4 is used for additional track recording – like dry guitar, mic, drums, etc. I only get sound on one side of the recording. • Locate the Mono/Stereo box at the bottom of each track and make sure the mono tracks are set to mono and the stereo tracks are set to stereo. When I export my song to a Wave file my CD burning program says the file type is not recognized as a Wave file. • Make sure when you export the audio that you choose 16 bit not 24. Using a Mac to receive audio stream from the GNX3000, the Mac USB input and output is visible, but so is the PC selection. Can these be removed? • The PC audio will work on a Mac. However some Mac applications can’t select more than one audio device and thus those applications must use the Mac device to record all 4 channels. 127 GNX3000 Owner’s Manual Appendix Appendix MIDI Implementation Chart General MIDI Drum Sample List Sample Name Acoustic Bass Drum Bass Drum 1 Side Stick Acoustic Snare Hand Clap Electric Snare Low Floor Tom Closed Hi-Hat High Floor Tom Pedal Hi-Hat Low Tom Open Hi-Hat Low-Mid Tom Hi-Mid Tom Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap GNX3000 Owner’s Manual # 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 128 Sample Name Ride Cymbal 2 Hi Bongo Low Bongo Mute Hi Conga Open Hi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short Whistle Long Whistle Short Guiro Long Guiro Claves Hi Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle # 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 GNX3000 Owner’s Manual MIDI CC List Parameter CC# Parameter CC# Pickup Type/On/Off Pickup Type/Type Expression Pedal Volume Post Volume Pre Wah On/Off Wah Type Wah Pedal Compressor On/Off Compressor Attack Compressor Ratio Compressor Threshold Compressor Gain Whammy/IPS On/Off Whammy/IPS Type Whammy/IPS Level Whammy/IPS Parameter 1 Whammy/IPS Parameter 2 Whammy/IPS Parameter 3 Stompbox On/Off Stompbox Type Stompbox Gain Stompbox Level Stompbox Param1 Stompbox Param2 Stompbox Param3 Stompbox Param4 Amp Channel Ch 1 Amp Type Ch 1 Amp Gain Ch 1 Amp Level Ch 1 Cabinet Ch 1 Cabinet Tuning Ch 1 EQ On/Off Ch 1 Bass Frequency Ch 1 Bass Ch 1 Midrange Frequency Ch 1 Midrange Ch 1 Treble Frequency Ch 1 Treble Ch 1 Presence Ch 2 Amp Type Ch 2 Amp Gain Ch 2 Amp Level Ch 2 Cabinet CC2 CC3 CC4 CC6 CC7 CC8 CC9 CC10 CC11 CC12 CC13 CC14 CC15 CC16 CC17 CC18 CC19 CC20 CC21 CC22 CC23 CC24 CC25 CC26 CC27 CC28 CC29 CC30 CC31 CC33 CC34 CC35 CC36 CC37 CC38 CC39 CC40 CC41 CC42 CC43 CC44 CC45 CC46 CC47 CC48 Ch 2 Cabinet Tuning Ch 2 EQ On/Off Ch 2 Bass Frequency Ch 2 Bass Ch 2 Midrange Frequency Ch 2 Midrange Ch 2 Treble Frequency Ch 2 Treble Ch 2 Presence Noise Gate On/Off Noise Gate Type Noise Gate Threshold Noise Gate Attack Noise Gate Pluck Sensitivity Chorus/Mod On/Off Chorus/Mod Type Chorus/Mod Level Chorus/Mod Param1 Chorus/Mod Param2 Chorus/Mod Param3 Chorus/Mod Param4 Chorus/Mod Param5 Delay On/Off Delay Type Delay Level Delay Time Delay Feedback Delay Ducker Threshold Delay Ducker Attenuation Delay Balance GeNetX Warp Amp GeNetX Warp Cabinet GeNetX Amp/Cabinet Warp Reverb On/Off Reverb Type Reverb Level Reverb Decay Reverb Damping Reverb PreDelay Reverb Balance LFO1 Speed LFO1 Waveform LFO2 Speed LFO2 Waveform CC49 CC50 CC51 CC52 CC53 CC54 CC55 CC56 CC57 CC58 CC59 CC60 CC61 CC62 CC65 CC66 CC67 CC68 CC69 CC70 CC71 CC72 CC73 CC74 CC75 CC76 CC77 CC78 CC79 CC80 CC83 CC84 CC85 CC89 CC90 CC91 CC92 CC93 CC94 CC95 CC105 CC106 CC110 CC111 129 GNX3000 Owner’s Manual Specifications Specifications General Specifications A/D Converter: D/A Converter: Sampling Frequency: DSP Section: Preset Memory: 24-bit high performance audio 24-bit high performance audio 44.1 kHz throughout 4 Audio DNATM DSP Processors 65 User Presets 65 Factory 1 Presets 65 Factory 2 Presets Analog Input Connections: 1/4” Unbalanced (Tip-Sleeve) Guitar Input: Input Impedance: 475 kOhms Mic Preamp Input: XLR Balanced (Female XLR, pin 2 Hot) +15V 600 Ohms balanced -22 dBu with mic input level set to max, or -2 dBu with mic input level set to max 1/4” Balanced (Tip-Ring-Sleeve) or Unbalanced 20 kOhms Balanced, 10kOhms Unbalanced +22 dBu Phantom Power: Input Impedance: Maximum Input Level: Line Inputs: Input Impedance: Maximum Input Level: Analog Output Connections: LINE OUTPUTS: Output Impedance: Maximum Output Level: 1/4 Impedance Balanced or Unbalanced 1 kOhm per side +22 dBu BALANCED OUTPUTS: Output Impedance: Maximum Output Level: Headphones: Male XLR 120 Ohms +22 dBu 1/4” Stereo (Tip = Left, Ring = Right, Sleeve = Ground) 100 mW per channel at 50 Ohms Digital Connections: Footswitch: 1/4” jack (compatible with optional GNXFC) MIDI In: 5-pin Din MIDI Out/Thru: 5-pin Din Universal Serial Bus (USB): Type B, supports USB1.1 Full Speed (12 Mbps Bandwidth USB 2.0 compatible) GNX3000 Owner’s Manual 130 GNX3000 Owner’s Manual Analog Inputs to Analog Outputs: Guitar Input to 1/4” Outputs S/N ratio: Frequency Response: THD+N: > 108 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth 20 Hz - 17 kHz (+0 / - 3 dB) < 0.0018% typical at -4 dBu, 1 kHz, 0 dB input gain Guitar Input to XLR OUTPUTS S/N ratio: Frequency Response: THD+N: > 108 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth 20 Hz - 17 kHz (+0 / - 3 dB) < 0.0018% typical at -4 dBu, 1 kHz, 0 dB input gain Mic Input to 1/4” Outputs (Mic Dry selected) S/N ratio: Frequency Response: THD+N: > 108 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth 20 Hz - 17 kHz (+0 / - 1 dB) < 0.0015% typical at -10 dBu, 1 kHz, 0 dB input gain Mic Input to XLR OUTPUTS S/N ratio: Frequency Response: THD+N: > 108 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth 20 Hz - 20 kHz (+0 / - 1 dB) < 0.0018% typical at -18.4 dBu, 1 kHz, 0 dB input gain Line Inputs to 1/4” Outputs (Line Dry selected) S/N ratio: Frequency Response: THD+N: > 104 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth 20 Hz - 20 kHz (+0 / - 1 dB) < 0.0023% typical at +10 dBu, 1 kHz, 0 dB input gain Line Inputs to XLR OUTPUTS S/N ratio: Frequency Response: THD+N: > 104 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth 20 Hz - 20 kHz (+0 / - 1 dB) < 0.0025% typical at +10 dBu, 1 kHz, 0 dB input gain GNX3000 USB Recording Specifications: Bit depth: Sample Rate: supports 16-bit or 24-bit (depends on setup in Recording Software) 44.1 kHz 131 GNX3000 Owner’s Manual Specifications Power Requirements: US and Canada: Japan: Europe: UK: Power Consumption: Dimensions: Unit Weight: 120 VAC, 60 Hz Adapter: PSS3-120 100 VAC, 50/60 Hz Adapter: PSS3-100 230 VAC, 50 Hz Adapter: PSS3-230 240 VAC, 50 Hz Adapter: PSS3-240 21.0 Watts 18.5” Length x 10.5” Width x 3” Height 10 lbs. Minimum PC Computer System Requirements: Windows® XP 500 MHz processor speed (1.2 GHz recommended) 128 MB RAM (512MB recommended) 100 MB hard disk space for full install EIDE/Ultra DMA 7200 RPM hard disk or better Minimum Mac Computer System Requirements OS 10.3 or higher GNX3000 Owner’s Manual 132 GNX3000 Owner’s Manual Bank and Preset Names 133 GNX3000 Owner’s Manual 8760 S. Sandy Parkway Sandy, Utah 84070 PH (801) 566-8800 FAX (801) 566-7005 International Distribution 8760 S. Sandy Parkway Sandy, Utah 84070 USA PH (801) 566-8800 FAX (801) 566-7005 DigiTech, GeNetX, Audio DNA, Guitar Workstation, and GNX3000 are trademarks of Harman Music Group Inc. GNX3000 Owner’s Manual 18-6288-B www.digitech.com www.guitarworkstation.com
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