U.S. Department Of Veterans Affairs: Graphic Standards: Tier 1 VA 508 Standards Guide 013113
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Tier 1 Graphic Standards: Foundation for Brand Maintenance and Evolution Version 1.0 August 2012 Contents 3 Introduction 4 Absolutes: Essential and Unchangeable Elements of the VA Brand 5 6 7 8 10 11 12 13 14 15 Organizational Identifiers VA Parent Signature VA Parent Signature: Color Options VA Administration & Office Identifiers VA Seals: New Scalable Vector Rendering VA Seal: Approved Seal Source File Review VA Seal: Retired Seals VA Seal: Minimum Size Usage VA Seal/Parent Signature: Minimum Clear Space VA Seal/Parent Signature: Incorrect Usage 17 18 19 20 21 22 Color Color: VA Primary Brand Colors Color: VA Secondary Brand Colors Color: VA Extended Palettes Color: Screens & Tints Color: Two-Color Printing 23 24 25 28 29 32 Typography Typography: General Body Text Typography: Title/Accent Text Typography: Non-Graphics Professionals Typography: Appropriate Color Usage Typography: Incorrect Applications 34 Design 35 Design: Incorrect Applications 37 38 41 42 Imagery: Philosophy and Guidance Imagery: Incorrect Photography Applications Imagery: Monotone Photography Usage Imagery: Appropriate Illustration Techniques 43 Design Inspirations 44 The VA Thread 45 46 47 48 49 VA Sub-Identifiers: Transition to Unison VA Sub-Identifiers: Administration Office Identifying Motif Option VA Sub-Identifiers: Design Tactics for Special Situations VA Sub-Identifiers: Design Tactics for Special Programs and Events Special VA Internal Sub-Identifier: I CARE 51 52 53 54 55 57 58 61 62 General Design Applications Stationery: Example Letterhead Stationery: Example Envelopes Stationery: Example Business Cards PowerPoint®: Primary Template PowerPoint®: Alternate Design Inspiration Example Fact Sheets Example Award Certificates Design Inspirations: Hypothetical Applications 70 Preflight Checklist Introduction The U.S. Department of Veterans Affairs (VA) Tier 1 Graphic Standards showcases major elements of the VA brand identity system and provides guidelines for their correct use in creating new components of the VA brand identity. The purpose of establishing a brand identity is to create more accessible communication products which are well designed and consistently provide clear and accurate information to Veterans about VA benefits and services. As outreach and communications efforts continue to grow, VA must project a strong, consistent identity to further shape the way Veterans, their families, and other constituents view VA. This authoritative resource has been formed accordingly, organizing the presentation of core brand attributes to improve overall confidence in VA and better assert its value in the marketplace. Careful observance and compliance with these guidelines is critical in conveying VA progress and relevance, and contributes to distinguishing VA as the primary and essential organization serving Veterans in the U.S. Employing this guidance ensures that approval processes for ongoing creative for communications and outreach are more efficient, and the output more effective. Within this document are both set requirements which cannot be altered, as well as inspirational guidelines providing creative flexibility for more original interpretations. For design ease and brand consistency, key elements such as the VA Signature are provided as accompaniments to this document as ready-to-use images in various electronic formats, (EPS, JPG, etc.) eliminating the need for font matching, color selection and Identifier construction. This document is the solely-approved standard graphic identity guide for VA, authorized by the Office of the Secretary. It is to be used to mark all programs, projects, initiatives, campaigns, activities, and public communications that require Department identification. Always use the provided files, and never attempt to recreate or modify the fixed VA Seal or VA Signature options. Absolutes: Essential and Unchangeable Elements of the VA Brand This document is intended to illustrate not only the basic brand tenets of the VA identity, but to inspire a wide range of creative design options that fit within a cohesive family. With this in mind, there are some elements that are not to be modified. Pages six through 42 delineate core brand attributes which may not be altered or rearranged (with the exception of specific name/contact information needed on stationery items). Primarily, these refer to the VA Seal and Signatures, which are provided in a number of readyto-use electronic formats, and within pre-designed templates. Neither the VA Seal, Signature, nor Administration and Office Level Identifier arrangements should ever be recreated manually (using only the provided templates), or altered in any way. On page seven, you will see the approved template options—including horizontal and stacked, as well as an array of full-color and one-color options—which represent the only approved versions of this key brand component. Organizational Identifiers The most crucial element of the VA Tier 1 Graphic Standards is the system by which VA identifies itself and its organizational components to public and Veteran audiences. This document therefore establishes required combinations of the VA Seal and accompanying naming text—called “Signatures”—in order to ensure clear communication of the VA brand across the entire Department. The following section illustrates approved Signature arrangements for use in all creative for materials where the Department seal is used. Also addressed is the important issue of legacy VA Identifiers. The stylized, illustrated VA “logo”—competing with the VA Seal for brand relevance—should no longer appear in general VA communications and should only be used for challenging sizes and surfaces such as in signage, small giveaways, etc. The newly established VA Parent Signature—which also incorporates a newly illustrated VA Seal, shown on page 10—must be the dominant Identifier of the U.S. Department of Veterans Affairs both to minimize confusion and emphasize the fact that VA is a U.S. Federal Government Cabinet-level agency. The VA Parent Signature must appear in an approved prescribed form on all VA materials. Each approved VA Parent Signature is provided in a number of ready-to-use electronic formats, and within pre-designed templates. Official Signature options are provided in the VA Brand Graphics Repository and must never be recreated manually, or altered in any way. THE VA PARENT SIGNATURE The VA Parent Signature In order to facilitate progress in the way VA presents itself, build The VA Signature is the core design element around which public confidence, and assure its relevance to both public and Veteran the brand is created. It focuses exclusively on the VA Seal, audiences, The Office of the Secretary has commissioned the new VA and introduces title text which appears in a timelessly Parent Signature to return focus to the core VA brand, with the VA Seal elegant but warm and approachable serif font. featured as the primary element and naming text for optimal readability. The horizontal VA Signature shown below is the primary version and More than just a "logo," the VA Parent Signature is a combination should be used whenever possible. However, in some instances a of elements comprising the essence of the VA brand identity. vertically-stacked VA Parent Signature option may be necessary for more narrow, vertical brochures, ads, banners, etc. As with all VA Parent The VA Signature is comprised of four elements: Identifiers, this arrangement is provided in a variety of electronic file 1 "VA" lettering, rapidly identifying VA by its well-known acronym 2 Vertical divider rule 3 The timeless, uncompromised VA Seal 4 “U.S. Department of Veterans Affairs” title typography for optimal readability at smaller sizes formats (EPS, JPG, etc.) and should not be recreated, rearranged or distorted in any way. Ready-to-use VA Signatures are available in the VA Brand Graphics Repository. Important: The designs shown at right are Anatomy of the VA Parent Signature Stacked VA Parent Signature set layouts which are not to be rearranged or re-proportioned. They are provided as ready-touse, indivisible graphics in various electronic formats, (EPS, JPG, etc.) eliminating the need for font matching and component arrangement. Always use the provided files, and never attempt to 2 recreate the VA Seal or Signature. 1 "VA" TYPOGRAPHY VERTICAL DIVIDER RULE 4 3 TITLE TYPOGRAPHY NEW VECTOR VA SEAL (SEE PAGE 8) 6 VA TIER 1 GRAPHIC STANDARDS VA Parent Signature: Color Options VA PARENT SIGNATURE: COLOR OPTIONS The options on this page show approved color applications and The approved full-color VA Parent Signature (horizontal or stacked) arrangements for both full-color and one-color versions of the VA is to be printed in all full-color printing applications, and must be Parent Signature. The one-color version is mostly to be used for one- placed on an appropriate background color or suitably solid area of a or two-color printing. In such scenarios, the one-color VA Parent given image or appropriate imagery. For consistent presentation—a Signature must be printed in either all VA Navy (see page 18) or all black. critical component of maintaining brand integrity—do not alter these In such cases where black is the only color being applied, prescribed options in any way, including color density (tints or gradients), the 100% black version of the VA Signature should be used. arrangements, etc. Full-Color Printing Special vector PDF options are supplied for one- or two-color printing, which provide sufficient Seal contrast. For such projects, the VA Signature should only be printed in black or VA Navy on white—or very light—backgrounds; or reversed as shown on this page. One- or Two-Color Printing In certain situations, it may be determined that inclusion of “VA” next to the Seal as shown right is not optimal for a given layout, and that an abbreviated Signature (shown below) would be more appropriate for the overall design. 7 VA TIER 1 GRAPHIC STANDARDS VA Administration & Office Identifiers: Distractions from Brand Clarity VA ADMINISTRATION & OFFICE IDENTIFIERS This page shows an array of past VA Sub-Identifiers that appear as creative professionals to support VA in establishing standards for individualized identities or initiatives, each with an unclear connection basic brand appropriateness. It is of utmost importance to clearly and to VA. Although the design quality and executions exhibited in many immediately identify VA affiliation in all components of Administration such marks are strong, the collective visual presence of such branding and Office level outreach and communications. Programs, initiatives, diversity does little to convey affiliation with VA. This condition creates services, and resource groups should clearly establish VA authority unnecessary obstacles for communicating VA involvement, unity, and in the minds of Veterans and their families seeking earned benefits relevance—leaving viewers to wonder how and where each fits with and services, as well as public, legislative and media constituents for VA and how much each is relevant to their future. This illustration efficient navigation of the VA organization and greater understanding demonstrates the certain need for VA communicators and participating of its strengths and accomplishments. 8 VA TIER 1 GRAPHIC STANDARDS VA Administration & Office-Level Identifiers: Format Solutions for Unison VA ADMINISTRATION & OFFICE-LEVEL IDENTIFIERS The following format solutions—appropriate alternatives to creating order to eliminate undue Veteran confusion from "logo clutter" in unnecessary departmental “logos” or “sub-brands”—show how all communications and outreach vehicles. This solution provides clear divisions of VA are to be identified using a single unified formula. and exact information on which Administration and Office is providing Below are the sole approved template-based treatments for a given message, eliminating the distraction brought on by visually both Administration and inter-office identification. These format randomly devised organizational Identifiers. settings are required for use in identifying all segments of VA in Administration Level Signatures: Horizontal and Stacked Versions Example Inter-office or Program Signatures U.S. Department VA SEAL 1 AGENCY NAME FONT: MYRIAD PRO BOLD COLOR: BLACK 2 HORIZONTAL RULE COLOR: BLACK 3 Veterans Health Administration 2 ADMINISTRATION NAME FONT: MYRIAD PRO REGULAR COLOR: BLACK U.S. Department U.S. Department Veterans Health Administration Veterans Health Administration Veterans Health Administration Information U.S. Department U.S. Department Veterans Health Administration Administration Information U.S. Department U.S. Department National Cemetery Administration National Cemetery Administration Veterans Health Administration Information See pages 46-49 on best practices for creating Sub-Identifiers for special programs, events, etc. 9 VA SEAL: NEW SCALABLE VECTOR RENDERING VA Seal: New Scalable Vector Rendering The original Official VA Seal was created in 1989 to represent the the past to address this need and has been commonly used for some newly established Department of Veterans Affairs, converted in 1988 time. However, the colorization and rendering style are not deemed from the Veterans Administration. Its regally distinguished rendering adequately similar to the official original Seal, and a new vector respectfully reflects the VA mission and esteemed Cabinet-level status rendering has been created to replace it. within the U.S. Federal Government. This symbol purely and effectively represents the core essence of the VA brand with timeless and stately This new, accurately-depicted version of the VA Seal provides all of the illustration and colorization techniques. In maintaining a proper VA image quality, visual consistency, scalability, and flexibility needed by brand image, consistent quality and appearance in all reproductions of creative and communications professionals in achieving the highest the VA Seal is paramount. visual quality standards. It replaces the previously used version and is recommended for use in all print applications of the VA Seal. Use of Bitmap-formatted files (.JPG, .TIF, .GIF, etc.) present inherent challenges a bitmap (i.e., JPG) version of this new Seal illustration is encouraged in both enlargement, with significant image degradation, and for use in presentation formats, such as Microsoft™ Office® products, placement in certain publishing formats with surrounding white for smaller document files sizes (the complex nature of this vector boxes without proper masking. Therefore, vector-formatted files illustration adds approximately 2MB for each appearance). (.AI, .EPS and vector .PDFs) are used ubiquitously for identifier files in most major brands. Given that, a vector illustration was created in Official Primary Bitmap VA Seal Absolutely NO changes to the new vector Seal are permitted. Newly Rendered Primary Vector VA Seal ZOOM IN FOR COMPARISON Retired Vector VA Seal ZOOM IN FOR COMPARISON text Bird & Flags stars & disk 10 VA TIER 1 GRAPHIC STANDARDS VA Seal: Approved Seal Source File Review VA SEAL: APPROVED SEAL SOURCE FILES The files below are the official electronic versions of the VA Seal. Use these source files to incorporate into your artwork, scaling them These files are provided as the principle component of the complete VA as necessary. The Seal designated by asterisks below should always Signature (with “U.S. Department of Veterans Affairs” naming text) in be the first options considered for common print and web uses a variety of formats and rendering styles so one can select the version respectively. The other designs are provided for specific situations as that best fits the many varied reproduction situations that must be met described for each. with appropriate branding source files. Carefully note the differences between each available format option shown below. Primary VA Seal: Full-Color * Newly rendered version of Seal in scalable vector file format. This Seal (almost indistinguishable from the official original version as shown on the previous page) is to be used for all forms of full-color printing. Vector-formatted files are infinitely scalable without image degradation or inconsistent output and are ideal for all forms of printed materials, display panels, banners, motor vehicles, etc. on surfaces which do not detract from image quality and consistency at the size to be printed. In order to achieve minimum file sizes when using Signatures with the full-color vector Seal (i.e., for online or email dissemination of PDF or Microsoft® Office® files), it is recommended that the officially-prepared, optimized PDF versions be used. * VA Seal: One-Color Bitmap version of new Seal illustration. A bitmap (pixel-based) version of the new Seal illustration is also available in the VA brand graphics repository for use when file size, rather than scalability, is an issue. Use ONLY for printing the Seal in one solid ink color—VA Navy, black or knocked out white only, see page eight— on a high contrast background color. Although this format has very limited enlargement capabilities, it is ideal for use in web/screen uses, in internal communications programs such as Microsoft™ Office®. The vector format allows for unlimited scaling without any image deterioration, and is intended for use primarily in one-color printed materials, or in full-color materials which are flooded with color to the point where the presence and/or readability of the full-color Seal would be diminished. NOTE: Each time you re-scale a file that is in bitmap format, you lose detail and image quality in the artwork. Always start with the highest resolution source file to create newly-sized bitmap files—preferably convert the new vector Seal illustration slightly larger than the size needed. This Seal version is well suited for use on items such as signage, banners, ad specialties, screen printing, etc. or in one- or two-color printing. It is not intended for use or as any sort of background or "watermark." Image quality varies with bitmap imagery due to the amount of compression and optimization applied in order to reduce file size (the Seal shown above left was heavily optimized in the creation of this PDF). Given the small file size of these onecolor versions of the Seal, there should be no need to convert from vector to bitmap for file size reduction. 11 VA TIER 1 GRAPHIC STANDARDS VA Seal: Retired Seals & Logo VA SEAL: RETIRED VERSIONS The Official VA Seal—regal, honorable and exuding strong authority—is Appropriate, consistent reproduction of the Official VA Seal (in both deemed the core of the VA visual brand. It is lasting, well-known and full- and one-color) is critical for instant recognition, and any renderings unchangeable. It adequately and appropriately conveys VA’s status as a appearing noticeably different or unbalanced must be retired. Below Cabinet-level agency. Proper use of the new VA Parent Signature will lay are example Seal renderings, and Legacy Logotype, in circulation which a strong foundation for a timeless visual identity that more accurately are no longer approved for any sort of use. If you have these files on represents a modern and unified U.S. Department of Veterans Affairs. your computer, it is advised that you delete them and obtain the newly updated and approved files for optimal brand consistency. No further use of the Legacy Identifiers shown on this page is permitted. Retired VA Seals: Retired VA Logotype: Legacy "Vector" (scalable) Full-color Seal Legacy "Vector" (scalable) One-color Seal Options Legacy One-color VA “Logotype” The colorization and rendering style in this legacy vector version of the VA Seal is no longer deemed adequately similar to the official Seal. A new vector rendering has been created to replace it for more consistent color and composition. Please use the newly developed vector version of the Official VA Seal shown on page 10. The above one-color variations of the VA Seal have been replaced with a single, re-colorized version which has been updated to reproduce more cleanly and visually balanced at all sizes. The approved new one-color vector VA Seal required for use is shown on the previous page. The illustrated legacy VA “Logotype” shown above should no longer be used in any circumstances (except limited applications to signage, per the VA signage standards manual). Its stylized design does not incorporate the VA Seal, the core of the VA visual brand. Widely used throughout VA branding and communication design in lieu of the VA Seal, the VA “Logotype” was originally designed for use when VA was an Administration-level agency several decades ago. Its heavily distinct and dated illustration style evokes a bygone time when this graphic look was popular and ubiquitous, and it is reminiscent of an era prior to many significant advancements in VA technology, operations, status, and public perception. 12 VA SEAL: MINIMUM SIZE USAGE VA Seal: Minimum Size Usage Preferred Minimum VA Signature Size in General Usage To retain the visual integrity of the VA Parent Signature, the VA Seal should never be reduced to smaller than 0.75" x 0.75", with the title typography no smaller in relative 0.75" proportion. The illustration at left shows the preferred minimum size for the VA Parent Signature and how it is measured. The VA Parent Signature should be reduced to its minimum size only when absolutely necessary when used in the smallest 1/2" 3/4" 1" applications or formats. Detail in the VA Seal becomes lost when the Signature is greatly reduced, particularly the lettering. The Signature is provided in various electronic formats (EPS, JPG, etc.) and should not be recreated or distorted in any way. It has been designed to accommodate standard applications and page sizes, and is included in the corresponding templates for your PREFERRED ABSOLUTE MINIMUM SIZE convenience. MINIMUM SIZE IN ALL STANDARD USAGE OPTIMUM SIZE 13 VA SEAL/PARENT SIGNATURE: MINIMUM CLEAR SPACE VA Seal/Parent Signature: Minimum Clear Space A specified clear space ensures the integrity x and impact of the VA Seal and Signatures. It is important that enough space is maintained around the logo to clearly convey the identity without competition. x "X" illustrates the minimum amount of clear space that should be used around the Seal and typography at all times. A space equal to half of the height of the VA Seal should be maintained around the x entire VA Parent Signature. x x x x 14 VA Seal/PARENT SIGNATURE: INCORRECT USAGE VA Seal/Parent Signature: Incorrect Usage The following restrictions are in accordance with those originally provided for the VA Seal at http://vaww4.va.gov/6102/seals.asp. In addition, the only correct configurations of the New VA Parent Signature are as shown on pages seven, eight and ten—horizontal or stacked formats, either in full-color or one-color solid VA Navy or black (see these colors on page 18). No other color combination is allowed for the reproduction of the New VA Parent Signature under any circumstances, nor is the omission of any Parent Signature element. A few typical incorrect examples are shown below. 1 Never use the VA Seal/Parent Signature at an opacity less than 100% or use it as a faint “watermark” behind text. 2 Never overlay any graphic/element/type onto the VA Seal/Parent Signature. Text Overlay 1 2 3 4 5 6 3 Never alter or replace the text in the VA Seal/Parent Signature. 4 Never alter any element of the VA Seal/Parent Signature, such as substituting logos. 5 Never apply effects to the VA Seal/Parent Signature, such as simulated embossing or altering colors. 6 Never add drop shadows to the VA Seal/Parent Signature. 15 VA SEAL/PARENT SIGNATURE: INCORRECT USAGE VA Seal/Parent Signature: Incorrect Usage CONTINUED 7 8 9 7 Never reposition or re-proportion elements of the VA Signature. 8 Never skew, rotate, distort, or otherwise alter elements. 9 Never blur or ghost VA Signature elements, or apply any type of digital effects. U.S. Department of Veterans Affairs Veterans Affairs 10 Never place the VA Signature over a distracting photographic image. 11 Never omit elements/words from the VA Signature. 10 11 12 13 14 15 12 Never alter or substitute VA Signature fonts. 13 Never use the one-color VA Signature on a dark background without converting the type and rule to white. 14 Never use the full-color VA Signature on a dark background without converting the type and rule to white. 15 Never reverse/invert the one-color VA Signature. 16 Color Appropriate use of color is key in establishing brand identity. The established primary colors on page 18 set the tone, while a family of secondary accent colors on pages 19–20 can be applied as to divide and code information, punctuate layouts, and provide adequate diversity in the look of VA corporate communication vehicles. Used discretely and consistently, these top-level color sets will complement an array of other fixed corporate brand elements and suitable photography, provide contrast in layouts and create visual patterns necessary for VA brand recognition and unity. In all color usage for corporate-level communications, screens/tints of both blues should be used very sparingly, and reds should only be used at full saturation to avoid appearing pink. Effects such as gradients and tints should be applied sparingly, as not to overpower the layout or draw attention from the VA brand. Within VA there is substantial variation in the audiences and objectives pursued by individual stakeholders, and additional considerations have been given to facilitate creative expression which would otherwise be inappropriate for corporate-level communications. Therefore, color usage in Sub-Divisional campaigns and initiatives provides more flexibility through a broader selection of color ranges. These are for qualified creative professionals to use as a design element that allows greater individuality. When in doubt though, following the Primary and Secondary corporate-level colors is always a brand-safe option. For guidelines on appropriate color with typography, see pages 29 through 31, photography on page 38 and general design on pages 51 through 69. COLOR: VA PRIMARY BRAND COLORS Color: VA Primary Brand Colors The following Primary Brand Colors have been established to aide in These colors can be effectively used as type and/or solid fields of color— maintaining a consistent VA brand identity. They reflect the colors used see pages 29 through 31 for guidelines on appropriate color typography in the New VA Signature, provide ample contrast on the page, and usage. The main VA Brand color is VA Navy. Reds should be used leanly as engage the viewer with positivity and patriotism. accent and trim—too much red can be overly distracting. LIGHT BLUE RED DARK RED SPOT COLOR PMS 541 C PMS 541 U SPOT COLOR PMS 7461 C PMS 2995 U SPOT COLOR PMS 1797 C PMS 1797 U SPOT COLOR PMS 188 C PMS188 U 4-COLOR PROCESS DS 206-1 C C = 100 M = 60 Y = 0 K = 40 4-COLOR PROCESS DS 221-2 C C = 100 M = 30 Y = 0 K = 0 4-COLOR PROCESS DS 77-1 C C = 10 M = 100 Y = 100 K = 0 4-COLOR PROCESS DS 106-1 C C = 30 M = 100 Y = 70 K = 30 DS 209-1 U C = 100 M = 50 Y = 0 K = 20 DS 225-3 U C = 100 M = 10 Y = 0 K = 0 DS 90-1 U C = 100 M = 80 Y = 0 K = 0 DS 93-1 U C = 0 M = 100 Y = 80 K = 40 ON SCREEN R = 0 G = 63 B = 114 ON SCREEN R = 0 G = 131 B = 190 ON SCREEN R = 198 G = 38 B = 46 ON SCREEN R = 119 G = 36 B = 50 WEB Hex 003F72 WEB Hex 0083BE WEB Hex C4262E WEB Hex 772432 NAVY Using the Primary Brand Color palette helps to establish and strengthen the VA brand. Don't forget to bring them into your designs. C=Coated U=Uncoated 18 VA TIER 1 GRAPHIC STANDARDS Color: VA Secondary Brand Colors COLOR: VA SECONDARY BRAND COLORS In addition to the VA Primary Brand Colors illustrated on page 18, the following VA Secondary Brand Colors may be used sparingly for accents and tones, and are ideal in more creative applications. For an even wider range of creative colors, see page 20. GREEN GOLD ORANGE BLUE GRAY LIGHT GRAY SAND OLIVE SPOT COLOR PMS 575 C PMS 575 U SPOT COLOR PMS 129 C PMS 128 U SPOT COLOR PMS 1575 C PMS 1585 U SPOT COLOR PMS 7544 C PMS 7545 U SPOT COLOR PMS Cool Gray 3 C PMS Cool Gray 3 U SPOT COLOR PMS 4525 C PMS 4525 U SPOT COLOR PMS 5777 C PMS 453 U 4-COLOR PROCESS DS 297-1 C C = 50 M= 0 Y = 100 K = 40 4-COLOR PROCESS DS 5-4 C C = 0 M = 10 Y = 100 K = 0 4-COLOR PROCESS DS 49-3 C C = 0 M = 50 Y = 70 K = 0 4-COLOR PROCESS DS 327-6 C C = 10 M= 0 Y = 0 K = 50 4-COLOR PROCESS DS 325-8 C C = 0 M= 0 Y = 0 K = 15 4-COLOR PROCESS DS 26-8 C C = 10 M = 15 Y = 35 K = 0 4-COLOR PROCESS DS 312-6 C C = 5 M= 0 Y = 50 K = 25 DS 305-3 U C = 25 M= 0 Y = 95 K = 35 DS 5-4 U C = 0 M = 10 Y = 100 K = 0 DS 49-3 U C = 0 M = 50 Y = 70 K = 0 DS 327-4 U C = 20 M= 0 Y = 0 K = 70 DS 326-8 U C = 20 M = 10 Y = 15 K = 0 DS 49-3 U C = 0 M= 7 Y = 39 K = 17 DS 312-6 U C = 5 M= 0 Y = 50 K = 25 ON SCREEN R = 89 G = 133 B = 39 ON SCREEN R = 243 G = 207 B = 69 ON SCREEN R = 247 G = 149 B = 91 ON SCREEN R = 131 G = 144 B = 151 ON SCREEN R = 220 G = 221 B = 222 ON SCREEN R = 194 G = 180 B = 143 ON SCREEN R = 163 G = 168 B = 107 WEB Hex 598527 WEB Hex f3cf45 WEB Hex f7955b WEB Hex 839097 WEB Hex dcddde WEB Hex cccc99 WEB Hex bec292 C=Coated U=Uncoated 19 VA TIER 1 GRAPHIC STANDARDS Color: VA Extended Palettes Given that VA communications reach many different audiences for a Palettes shown on the previous two pages are always good to use variety of purposes, this Extended Palette is provided for use in Sub- when in doubt. Please note the characteristic for each grouping of Divisional campaigns and initiatives. Qualified creative professionals colors, and try to use them within a single piece. In other words, stay can utilize the colors below to evoke a certain mood or distinguishing within the same color grouping. For hypothetical design examples, see colors for multiple-piece products. As well, the Primary and Secondary pages 65 through 69. VA Deep Tones Don't forget to build the Primary Brand Colors into COLOR: VA EXTENDED PALETTES VA Light Tones VA Vibrant Tones PMS 392 C PMS 132 C PMS 1405 C PMS 607 C PMS PMS1345 150 CC PMS 2725 C PMS 7406 C PMS 1265 C PMS 5835 C PMS 453 C PMS 645 C PMS 7525 C PMS 715 C PMS 7461 C PMS 549 C PMS 7535 C PMS Cool Gray 11 C PMS 2716 C PMS Warm Gray 3C PMS Gray PMSCool 550 C 8C PMS 104 C PMS 117 C PMS 5205 C PMS 5473 C PMS 570 C PMS 134 C PMS 368 C PMS Orange 021 C PMS 476 C PMS 3435 C PMS 471 C PMS 7499 C PMS 310 C PMS 312 C PMS 130 C PMS 518 C PMS 532 C PMS 466 C PMS 366 C PMS 657 C PMS 585 C PMS 1797 C your design of corporate-level publications. The Extended Palettes help to create different moods within VA-branded pieces. CHARACTERISTICS: earthy, neutral, rich, solid, robust, quiet, experienced, grounded, historic, muted CHARACTERISTICS: cool, engaging, youthful, feminine, light, airy, soft, muted, cheerful CHARACTERISTICS: dynamic, bright, energetic, warm, fresh, strong, youthful, focused 20 VA TIER 1 GRAPHIC STANDARDS Color: Screens & Tints Colors with sufficient density may COLOR: SCREENS & TINTS NAVY 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% LIGHT BLUE 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% GREEN 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% ORANGE 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% BLUE GRAY 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% SAND 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% OLIVE 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% GOLD 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% RED should only be used at 100% to avoid appearing as pink. 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% occasionally be used at lighter percentages to achieve a softer effect. This is known as screening. Darker colors offer a wider range of screens. Similarly, darkening a color is known as tinting. In some instances, you may desire to have type and/or design elements appear just a few shades darker than your background color. This effect can be achieved by using a lighter background percentage. While many colors in the VA Palette can be screened, reds—particularly Red and Dark Red within the VA Primary Brand Colors—should always be used at full saturation to avoid appearing as pink. The swatches at right illustrate various screens of some of the more common colors in the VA Palette. 21 VA TIER 1 GRAPHIC STANDARDS Color: Two-Color Printing COLOR: TWO-COLOR PRINTING Certain projects may require two-color printing only. Or, perhaps the Avoid using red in two-color applications, unless it is used at full tone of the project simply warrants a two-color treatment. Ensure that density (100%) throughout. Below are some examples of acceptable a harmonious pairing of colors is used that allows for sufficient contrast two-color combinations, as well as some to avoid. and a range of screen/tint options. Approved Two-Color Printing Combinations LIGHT BLUE + BLACK NAVY + GOLD GREEN + BLACK PMS 471 + BLACK PMS 549 + GOLD LIGHT BLUE + NAVY NAVY + OLIVE GREEN + NAVY PMS 471 + NAVY PMS 549 + PMS 1265 LIGHT BLUE + GOLD NAVY + SAND GREEN + GOLD PMS 471 + OLIVE OLIVE + PMS 1265 This is just a small example of acceptable two-color combinations. Explore the possibilities and find a set that suits your project. See page 20 for an expanded palette that includes VA Deep Tones and VA Light Tones for even more variations. Incorrect Two-Color Printing Combinations Avoid combinations that lack adequate or appropriate contrast. 22 Typography The typography of the VA brand identity can be broken down into two basic categories: general body text and title/accent text. In most instances, general body text should be set in Myriad Pro, as shown in pages 24 through 25. This typeface includes a number of different weights, including condensed fonts which will ensure clean, legible text in your documents. Title/Accent text is to be set in Georgia, as shown in pages 26 through 27. This elegant serif font provides contrast to the general sans serif body text, and conveys a modern yet traditional look and feel. Occasionally, a layout may require a serif font for body text. In these cases, Georgia can be used instead of Myriad Pro without compromising the brand. Similarly, Myriad Pro can be used occasionally for title/accent text when a more progressive tone is required. See pages 52 through 69 for example design with proper typographical applications. It is understood that many users (particularly non-creatives) may not have access to Myriad Pro. In these cases an alternate sans serif font, Calibri, (commonly available on PCs) may be used instead—or, Georgia may be used throughout. See page 28 for full information on typography for non-graphics professionals, as well as important notes on use in Microsoft® Office®. The goal of branded fonts is to maintain simple, straightforward layouts. Pages 32 through 33 provide examples of ways not to use type. Never rotate, skew, manipulate, or add dropshadows or outlines. For more layout options using color, see pages 29 through 31. For grid versatility see the Design Inspirations section, beginning on page 43. TYPOGRAPHY: GENERAL BODY TEXT Typography: General Body Text Myriad Pro Regular Proper and consistent application ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} of typography to all VA vehicles of communication is paramount in conveying both legible and clear messaging and providing brand recognition. The typographical personality inherent in the approved fonts, in their pure and unaltered forms, must be continually repeated across a span of pieces in order to preserve Myriad Pro Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} their contribution as identifiable brand characteristics. Myriad Pro is the typeface for use in all communications from VA. Examples of these fonts are shown at left. The Myriad Pro family is very versatile and provides excellent legibility in both print and digital media, and is readily available for both PCs and Macs. Myriad Pro Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} Myriad Pro Regular—with Myriad Pro Bold and Myriad Pro Italic for emphasis within text—should be used for all general body text in both print and on-screen communications in most situations. It can also be used occasionally for headlines and/or display copy when a sans serif font is more desirable than Georgia, seen on page 26. Several examples of suggested Myriad Pro headline treatments appear on pages 65 through 69. All fonts used by personnel creating communication vehicles for VA must be properly licensed. The Myriad Pro font family is bundled with Adobe® creative products but licensing limitations apply. All users are required to reference their respective Adobe licensing agreement to ensure proper usage. Any illegal or unauthorized usage of any fonts or other such intellectual property is strictly prohibited. 24 TYPOGRAPHY: GENERAL BODY TEXT Typography: General Body Text CONTINUED Myriad Pro Condensed In some instances, a condensed font is ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} necessary due to limited space, excess copy, Myriad Pro Condensed Italic Although the specific weights and ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} thicknesses shown on these two pages are and/or narrow column width. The Myriad Pro Condensed font family can be used in these cases, but should not be the first option. Whenever possible, use the standard noncondensed fonts. generally preferred, the entire Myriad Pro font family is approved for use as well. Myriad Pro Bold Condensed ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} Myriad Pro Bold Condensed Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} All fonts used by personnel creating communication vehicles for VA must be properly licensed. The Myriad Pro font family is bundled with Adobe® creative products but licensing limitations apply. All users are required to reference their respective Adobe licensing agreement to ensure proper usage. Any illegal or unauthorized usage of any fonts or other such intellectual property is strictly prohibited. 25 TYPOGRAPHY: TITLE/ACCENT TEXT Typography: Title/Accent Text Georgia Regular Georgia ABCDEFGHIJKLM NOPQRSTUVWXYZ Georgia should typically be used for titles abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} (Georgia Regular and Georgia Italic) should and accent text. This serif font includes Regular, Italic, Bold, and Bold Italic. Georgia Regular and Italic will likely be most used. In most instances, the lighter weights be used. While body copy is ideally to be set in Myriad Pro (see pages 24 through 25), there may be some instances when a serif font is simply more appropriate for certain sections of Georgia Italic body copy. When necessary, Georgia may be ABCDEFGHIJKLM NOPQRSTUVWXYZ used as well. abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} 26 VA TIER 1 GRAPHIC STANDARDS Typography: Title/Accent Text CONTINUED TYPOGRAPHY: TITLE/ACCENT TEXT Georgia Bold Georgia Bold & Bold Italic ABCDEFGHIJKLM NOPQRSTUVWXYZ Use Georgia Bold and Bold Italic sparingly for additional emphasis. In most instances, use the lighter weights shown on page 26. abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} Georgia Bold Italic ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 (~!@#$%^&*} 27 VA TIER 1 GRAPHIC STANDARDS Typography: Non-Graphics Professionals & ® Microsoft Product Usage TYPOGRAPHY: NON-GRAPHICS PROFESSIONALS Myriad Pro fonts are stipulated for use by all creative and graphics Georgia remains the preferred primary font for use in main titles and professionals in creating all offset-printed and publicly-distributed headlines (as it appears more formal and stately at larger sizes). Body text communication vehicles (pages 23 through 24). However, in light of may be rendered in either Georgia or Calibri per the document creator’s the fact that most business professionals will not have ready access to discretion—sans serifs convey a more modern or technical feel, while Myriad Pro fonts—which are more ubiquitous in the creative industry— serifs connote a more conservative and official feel. VA will require all future internal and presentation materials (i.e., Microsoft® Word® and PowerPoint® documents created by non-graphics These requirements both help to ensure that most everyone has professionals) to be created using the more universally available PC font immediate access to needed fonts, and facilitates consistent viewing family, Calibri, wherever sans serif font usage is desired. of a given piece by all recipients (i.e., text is less likely to re-flow, distort or disappear). For these reasons, Myriad Pro is NOT to be used for Calibri, like Georgia, is a font family actually built into most PC operating any presentations or internal communications which are intended systems which provides the ability for document authors to create to be distributed, viewed and/or edited in Microsoft® Word® and typographical contrasts for accent purposes such as captions, subheads, PowerPoint®, even if the original author has a licensed copy of Myriad call-outs, and so on. However, please note that in such communications Pro on their work station. Calibri Font Family ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz Georgia Bold and Regular (as well as an all-caps title option) are shown in the approved new main PowerPoint® intro slide template (right). 1234567890 (~!@#$%^&*} Note: Myriad Pro fonts have been replaced in Microsoft®-based templates because they are not part of the fonts that come with the PC Operating System. Please use Calibri instead so that viewing/editing does not require the download of Myriad Pro. 28 TYPOGRAPHY: APPROPRIATE COLOR USAGE Typography: Appropriate Color Usage Approved colors for title/headline/call-out text on white background: This page shows preferred colors for special Title Title Title Title Title Navy Light Blue Red Dark Red Black Secondary colors should be used sparingly. Whenever possible, Navy, Light Blue, Red and Dark Red should be your first option. Title Green Title Orange sections or headlines in a number of different situations. Colors should be high-contrast to ensure readability, and should always utilize the VA color palette. Title Consistent, appropriate use of color in Blue Gray a recognizable brand across a body of typography is integral to maintaining communication vehicles. See page 20 for an expanded palette of Approved colors for title/headline/call-out text on dark background/photo: Title approved colors, including Deep Tones and Title Title Title Title Red Gold Light Gray White Light Blue Dark Blue Title Gold Follow the same basic guidelines that are illustrated here for optimal contrast: dark colors should only appear on light backgrounds, and light colors should only Approved colors for title/headline/call-out text on gray background/photo: Title Light Tones, which may be used sparingly. appear on dark backgrounds. Title White White type should be used on backgrounds of dark VA colors: Title Title Title Title Title Title Title 29 TYPOGRAPHY: APPROPRIATE COLOR USAGE Typography: Appropriate Color Usage CONTINUED Body text that is not on a color background should appear in 100% black or Navy. Examples of general body text: This page displays approved color Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volupat. Ut wisi enim ad minim veniam, quis adipiscing elit, sed diam nonummy euisolutpat. Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volupat. Ut wisi enim ad minim veniam, quis adipiscing elit, sed diam nonummy euisolutpat. Black on White (positive) White on Black (reversed) Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volupat. Ut wisi enim ad minim veniam, quis adipiscing elit, sed diam nonummy euisolutpat. Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volupat. Ut wisi enim ad minim veniam, quis adipiscing elit, sed diam nonummy euisolutpat. White on Navy White on Light Blue applications for type used as general body text on various background colors in the VA palette. Body text should typically appear in either 100% Black or Navy, or reversed to White. Because body text typically appears between 10pt. and 12pt. weights, thin strokes may not reproduce properly if the type color lacks contrast. For this reason, only Black, Navy or White type should be used for general body text to provide adequate contrast—in both hue and density—against the background on which it appears. If the background color is sufficiently dark, Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volupat. Ut wisi enim ad minim veniam, quis adipiscing elit, sed diam nonummy euisolutpat. Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volupat. Ut wisi enim ad minim veniam, quis adipiscing elit, sed diam nonummy euisolutpat. White on Red White on Dark Red (see examples at left) body text should be reversed to white. On lighter backgrounds, use Black or Navy body text. Body text should be no smaller than 10pt., particularly if reversed to White, which typically makes the type appear smaller. One- or Two-Color Printing Certain print projects may require one- or two-color printing only. In these cases, general body text color must be either Black or Navy, or reversed to white. Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore. Lorem ipsum dolar sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore. Navy on White (positive) White on Navy (reversed) POSITIVE TEXT (NON-REVERSED): One- to two-color body text color(s) should be Black or Navy. FULL-COLOR PRINTING: Body text color should be Black or reversed to White. 30 VA TIER 1 GRAPHIC STANDARDS Typography: Appropriate Color Usage CONTINUED Examples of call-out text: Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat duis aute irure dolor. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat duis aute irure dolor. TYPOGRAPHY: APPROPRIATE COLOR USAGE Call-out text may often dictate additional colors from the extended VA Palette. Because call-outs inherently consist of larger, bolder letterforms, lighter colors can safely be used. The examples at right show call-out text in Blue Gray, Light Blue, and Olive, respectively. See pages 17 through 22 for a complete range of color options and guidance. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat duis aute irure dolor. 31 TYPOGRAPHY: INCORRECT APPLICATIONS Typography: Incorrect Applications Avoid over-designing. Maintain simplicity in designs and allow the interaction between consistent typography and photography all typesetting situations all typesetting situations 1 all typesetting situations all typesetting situations AlL tYpEsEtTiNg SiTuAtion 2 usage to convey the recognizable “feel” of VA materials. The visual personality of VA is clean, graphic lines supported by strong imagery. Keep pages and spreads clean of needlessly distracting devices. "Less is more." Typography must be set without such inappropriate treatments as dropshadowing, outlining, etc., which would both disrupt brand harmony and diminish legibility. a l l t y p e s e t t i n g all typesetting situations alltypesettingsituationsalltypesetting all typesetting situations A L L T Y P E S E T T I N G all typesetting situations 3 4 1 Never set type to overlap a color/photo edge or on top of a distracting texture. Neither height nor width may ever be expanded, condensed or skewed in any way. Applied colors and color tints to typography must remain solid—without gradation, line patterns, fills, highlights, glow, color/style jumbles, rule borders, edge effects or other interfering motifs. Character spacing (space between characters) for all body text must 2 Never vary character weights or styles. always be set to zero. Only smaller heads and 3 Never expand or contract character spacing in body text. Sparingly, smaller heads or subheads may be set in all caps (non-bold, non-italic) and tracked open to a max of 30. 4 Never apply any sort of garish effect to type, such as outlines, dropshadows, or gradients. subheads, set in all caps only, may be tracked ALL T YPESET TING ALL TYPESETTING SITUATIONS ALL TYPESETTING SITUAT ALL TYPESETTING SITUATIONS 5 all typesetting situations all typesetting situations all typesetting situations 6 open to a maximum of 30—a technique to be used very sparingly. Use only the approved typefaces: Myriad Pro, Georgia and Calibri. Only the approved colors and fonts in this Graphic Standards 5 Never expand or contract character width or height, and never slant/skew type. Guide are permitted. 6 Never use any unapproved typefaces. 32 TYPOGRAPHY: INCORRECT APPLICATIONS Typography: Incorrect Applications CONTINUED all typesetting situations all typesetting situations all typesetting situations all typesetting situations all typesetting situations 7 Proper font and color usage, as well as artful employment of basic elements of typographical design, such as color/size/ weight/style contrasts and layout composition will ensure that the VA brand is always clear 8 and concise. Type may never be overlapped or connected to form an element of design for basic text setting all typesetting situations all typesetting situations all typesetting situations 9 10 9 Headlines must only be set in approved colors (see page 28) at 100%—never apply shades or tints. in creating Special Signatures for programs and initiatives (must be used sparingly, cautiously and under authoritative guidance). See the example below for an appropriate use of typography as such a rare and subtlyincorporated design configuration in a national communications initiative (suitable for such treatment). 10 Always set type horizontally. Avoid rotating words. all all TYPE TYPE 11 Do not overlap type in ways that hinder readability. 12 Never fill characters with imagery, texture, highlights, etc. ns 8 Never apply colors to type that don't provide enough contrast between the font and background color. and headlines—the exception to this rule is tio ua sit all type 7 Never apply colors to type that don't provide enough contrast between the font and paper. 11 12 Do not overlap, rotate or fill any text with a texture or photo. Ensure legibility with appropriate hue/density contrast. See page 64 for an approved example of rotating type. 33 Design Design elements consist of photos, color blocks, typography, and linear devices. The VA Graphic Standards system includes a number of ready-to-use elements that allow designers to create products that are visually appealing, strategically balanced, and brand-approved. Using unapproved design elements—such as fonts, colors, or techniques—weakens the VA brand and undermines audience perception. It is important that designers and VA staff understand these guidelines and adhere to them at all times. Conventional brand guidelines have long been proven to be highly-effective in founding organizational brand recognition and fostering public trust. VA depends on every creative and non-creative communications professional to help convey a unified VA identity and strengthen respect, confidence, and relevance among the Veteran and public audiences. The VA goals of quality and consistency will be met if all stakeholders earnestly adhere to basic standards. DESIGN: INCORRECT APPLICATIONS Design: Incorrect Applications Designs should not include gradients, 1 Do not apply prominent gradients or dropshadows to color shapes. Gradients can be subtly applied to graphics, but not occupy more than 25% of the page. See page 46 and 66 for more information. 2 Do not apply graphic patterns or textures. 3 Do not add borders or lines around color blocks or photos. dropshadows, illustrated textures or patterns, use overly decorative borders or outlines, odd shapes or die-cuts, feathered photo edges, silhouettes, photo or illustration collages, unapproved colors or typography. 1 2 Photography and illustration should not be skewed, compressed, disproportionately sized, overlapped with typography or other photos, blended, etc. Only approved colors should be applied to 4 Do not add tinted varnishes to printed pieces. 5 Contrasting colors should be next to each other, and they should be visually appealing. 6 layouts, and colors should mostly remain solid, with sparing use of tints for subtle effect, and used in conjunction with each 3 4 other appropriately. Elements of design such as typography, photography and illustration must always be set without such Do not use decorative rules or borders. inappropriate and distracting treatments as skewing, condensing, overlapping, blending, feathering, etc. which visually degrade the respectability and credibility of the materials. 5 6 35 DESIGN: INCORRECT APPLICATIONS Design: Incorrect Applications CONTINUED Common design applications should never include such unsuitable motifs and effects as patterns, jagged or curved rules, or oddlyshaped (non-rectangular or non-circular) graphics/die-cuts/ photos. 7 8 Spend time and creativity on finding excellent imagery and/or illustration. Do not use decorative borders, curved type, rotated type, special effects or commonly used 7 Never apply diagonal, rotated, stretched, condensed, or flipped design elements. 8 stock illustration as seen to the left. Focus on imagery of real people, VA employees and of course, Veterans. Only sparingly apply themed or oddly-shaped graphics, die-cuts to Imagery (subtle curves or clean straight edges are generally preferred). Never use severe zigzags or other overbearing edges. Stock illustration and photography should be high-quality, and high resolution. At full size—without being enlarged or reduced in size—the file should be at 300dpi. Select images that are sharp, well-composed, and relevant to the piece. 9 Do not use decorative lines or borders. 10 Although certain high-quality royalty-free illustration is approved (sparingly, see page 42), never apply whimsical ornamentation such as clip art or decorative fonts which only serve to diminish the importance and credibility of VA materials. 9 10 36 Imagery: Philosophy and Guidance Photography is one of the single most important devices available to the U.S. Department of Veterans Affairs to convey the humanistic and patriotic nature of our efforts. An image portrays a moment in time that is representative of VA’s work within the Veteran community, which is why it is one of the most important design elements. Emotions generated by each image should include feelings of respectful observance, quiet urgency, deep importance, exalting dedication, and ceaseless progress. Applied photography and illustration should be the highest quality obtainable within the limits of available resources, and produced by a qualified professional. Imagery should reflect quality, resolution, sharpness, contrast, brightness, composition, and relevance to the content. Imagery should be representative of the audience, show diversity, and show the scope of VA’s work. Use of photography is for education and inspiration. Applying unnecessary techniques only detracts from sincerity and authenticity. Beyond color correcting and minor Photoshop work, please limit unnecessary techniques and filters as they needlessly detract from the authenticity of photographs. PHOTOGRAPHY: INCORRECT APPLICATIONS Imagery: Incorrect Photography Applications Real is beautiful. Imagery must be as realistic as possible, with a minimal amount of retouching. Do not add heavy dropshadows, glows, fades, outline borders, overlapping images, or edge treatments that are feathered, 1 2 wavy, jagged, etc. Do not rotate or skew images, or place in unusual shapes—use square, rectangular, or circular shapes only. 1 Do not use imagery that is poorly scanned or too light (“blown-out”). 2 Do not use imagery that is too dark or offers insufficient contrast. Imagery should always be used at its original proportions—do not squeeze or stretch the image to fit within a certain size. Scaling an 3 4 3 Never incorporate or overlay graphic patterns or textures on imagery. image need to be done proportionally. Be aware of the brightness, sharpness, and contrast of an image. The image 4 Never apply any sort of filter effect to imagery. needs to "read" as clearly as possible, and without filters, blurs, textures, inverting or posterization. Blended collages should be use 5 Never apply any sort of blurring to any part of an image. sparingly, and in as natural a way as possible 5 6 6 Never apply contrast or posterization filters. Visual effects often visually compete with the rest of the layout, and appears unnatural. 7 Never blend images into collages with other images in an unnatural manner. 8 Never distort, skew, condense, or expand the original proportions of an image. 7 8 38 PHOTOGRAPHY: INCORRECT APPLICATIONS Imagery: Incorrect Photography Applications Images should always be used at sufficient CONTINUED resolution in both printed materials and on-screen. Images at 72dpi are only usable 9 Apply gradients to imagery sparingly. 10 Silhouettes must have clean, natural edges, and not appear hastily rendered or cut out with scissors. for online purposes, and should never be enlarged. Printed images must be 300dpi at 9 10 Wherever possible, crop images to show as much as possible—unless intentionally 11 Do not use images that are of insufficient (low) resolution at the desired size. cropping in on a specific element within the composition. Cropping an image should 12 Do not use images that appear grainy, dirty, dust-speckled, or low-quality. 13 Never apply colored borders, dropshadows, or background glow to images. enhance the photo, not reduce readability. Do not use distracting borders, feathered edges, 11 12 dropshadow or glow, unusual shapes or duotoning, or unapproved duotones. Silhouettes are permitted, but must be executed by a professional graphic designer to ensure the edges are smooth and not choppy. 13 14 Needless ornamentation creates distraction, dilutes brand presence, and errantly promotes 16 Never apply duotone or tritone filters to imagery. Only full-color or monotone images are permitted.* *In two-color printing situations, monotone images may be overlaid on a solid field (or solid area of tint) of another color, provided there is enough contrast for the image to be fully distinguishable. jagged or wavy edges, gradients, textures, silhouettes, overlapping images, inverting, 14 Never apply feathered, jagged, or ornamental edges to imagery. 15 Don't significantly alter image quality, invert, posterize, or distort color profile. With the exception of minor retouching and color correction, image quality and content need to be maintained. full size. showy designer tricks, rather than VA integrity, maturity, and global importance. 15 16 39 VA TIER 1 GRAPHIC STANDARDS Imagery: Incorrect Photography Applications PHOTOGRAPHY: INCORRECT APPLICATIONS Respect our flag. American flag imagery will surely often be used in layouts. It is important to remember how the American flag should be represented. Avoid placing text or any other design elements over a photo of the American flag. Instead, allow the full beauty and reverence of our flag to show through in the photo itself. CONTINUED This type directly overlays an image of the flag, and is an example of inappropriate usage. 17 Avoid placing type or design elements over images of the American flag. The example below illustrates how type can be effectively and respectfully used in the open sky area, without covering the flag. 17 40 IMAGERY: MONOTONE PHOTOGRAPHY USAGE Imagery: Monotone Photography Usage Lorem Ipsum Dolar Sit Amet Title Text Overlay Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit est laborum. Full-color photography is preferred in all pieces produced for uses online or in full-color printing. Monotone imagery is required in all other (one- and two-color) printing scenarios. Duotones, tritones and color-filtering for effect are prohibited. Monotone images should be used sparingly, and use to provide visual contrast for special graphic call-outs, such as sidebars, profiles, etc. Correct uses of monotone imagery: Monotone imagery may also be sparingly When applied tastefully and sparingly, monotone imagery can provide a subtle, used as backgrounds behind text for special Monotone photo in Navy with White background elegant and respectful contrasting accent to layouts. pages, announcements, and collateral. Backgrounds can be darkened or lightened ("ghosted") providing there is sufficient contrast to ensure that the type is legible. 25% See pages 18 through 20 for a complete range of color options. Monotone photo in Navy with 50% Navy background, for overlaying text elements. Ghosting of monotone imagery (without any 40% gradation or feathering) is permitted for use 35% sparingly in sidebars, call-out boxes, etc. Only images which offer sufficient contrast, texture and composition may be employed for such techniques. Composition of monotone photo sections in Navy, Light Blue, and Red (optionally use this technique for charts and graphs). 41 VA TIER 1 GRAPHIC STANDARDS Imagery: Appropriate Illustration Techniques Illustration can help to communicate complex concepts or emotion Selected illustrations should be carefully scrutinized for quality, more quickly than photography in certain situations. When using sharpness, contrast, brightness, composition, and relevance to illustration, each image must be high-quality stock or original artwork the communication. The style should be respectful and dignified, produced by a qualified professional illustrator. As well, illustration and avoid overly technical, dramatic, whimsical, or otherwise should be used only when absolutely necessary to best communicate inappropriate. an idea and where photography cannot capture the desired feel. Example Suitable Illustration Techniques Never apply whimsical ornamentation such as clip art or decorative fonts which only serve to diminish the importance and credibility of VA materials. IMAGERY: APPROPRIATE ILLUSTRATION TECHNIQUES Example Prohibited Illustration Techniques 42 Design Inspirations A Collection of Both Hypothetical Designs and Approved Templates to Help Get You Started Design needs to emphasize the VA brand , as well as convey organizational sophistication and harmony. Clean, elegant compositions are encouraged for all VA communications materials. Make use of empty of negative space as it is a distinctive part of the VA identity system. Intrinsic design methods employed across various media must remain consistent in order to convey a cohesive visual identity. Layouts should be simple, clean, elegant, and free from needless ornamentation, effects and shapes which detract from the essence of the brand and purity of its presentation and message. Designs can be enhanced by artful use of approved typography, color and New VA Parent Signature as well as other basic elements of design such as proportion, contrast and compositional arrangement. Although the graphic standards are fairly specific, there is still ample room for creativity and exploration. The layouts on the following pages show applications the approved palette, typography and imagery characteristics detailed throughout this guide. Many of the designs shown are hypothetical examples simply for inspiration, but others are actual templates provided in the VA Brand Graphics Repository online, which are available as approved, ready-to-use digital design files. Use them as the starting point for any new project, as they contain the correct design elements and typography, or follow the guidelines to create new brand appropriate design solutions. The VA Thread Designed and applied to subtly symbolize the weaving influence VA has in the lives of U.S. Veterans, their families, communities and key areas of federal government innovation, this imagery quietly adds depth and identifiable texture to layouts whenever deemed appropriate. Not always visibly present, never loud or boastful, the VA Thread is always there when VA communicators need it, reminding them that they, too, are part of the collective fabric of responsibility that covers, comforts and rewards our finest citizens. Sub-Identifiers: Transition to Unison From the three main Administrations to a legion of Sub-Divisions, Offices and Programs, there is currently an overwhelming number of individualized Sub-Identifiers—or “sub-brands”— being used across VA to represent and differentiate its various parts. Having to distinguish one VA sub-brand from another, figure out why they appear independent, or where they fit in the organization, creates undue confusion and frustration for Veterans. Given that the majority of these existing identifiers needlessly detract from the VA brand, the majority must be replaced with clear, brand-appropriate and template-based solutions (see pages eight and nine). Sub-Identifiers require standards compliance as much as any other VA brand component as they represent VA to their respective audience. Each will need to be updated to appropriately convey VA brand allegiance. The first phase of corporate-level VA brand refresh has been outlined in this Version 1.0 document, however, Leadership will devote significant attention to the existing VA Sub-Identifiers and creating new ones. There will always be special, or short-term Identifiers, and creation of those elements should be crafted by experienced branding professionals to ensure clarity and adherence to brand standards. This guide attempts to lay the groundwork for a larger review of Sub-Identifiers. Typical for large-scale brand metamorphosis, this guide is a “living document” that will evolve over time to incorporate ongoing discoveries. The key takeaway should be basic rules and recommendations for how to best communicate with the Veteran population, and groups associated with them. VA TIER 1 GRAPHIC STANDARDS VA Sub-Identifiers: Administration Office Identifying Motif Option VA SUB-IDENTIFIERS: OFFICE-SPECIFIC MOTIF The use of “logos” or “sub-brands” is not necessary for distinguishing distinction without detracting from instant VA brand recognition. Note one department, group, or program from another within an the careful and subtle application of gradients and support shapes organization. Unique methods applied in layout, color, typography (recommended for sparing use only), which provide just enough and composition techniques alone can visually separate a given entity. texture to give the design a touch of dimension and dynamism without An appropriately customized motif—as shown below—can provide overpowering the other more important branding elements. Example of Appropriate VA Sub-Divisional Identification Support Motif This type of “masthead” solution could be be provided to those responsible for producing a given Office's creative products as a ready-to-use image in various electronic formats such as PDF, EPS, JPG, etc. As with Identifiers, users are instructed to always use the provided graphics files to eliminate the continual need for 1 VA OFFICE-LEVEL SIGNATURE 2 "VHA/OHI WAVE" OFFICE-SPECIFIC GRAPHIC MOTIF font matching, color selection, and logo alignment—there should be no need to recreate or alter such motif for every use. 46 VA TIER 1 GRAPHIC STANDARDS VA Sub-Identifiers: Design Tactics for Special Situations VA SUB-IDENTIFIERS: SPECIAL DESIGN TACTICS Under certain circumstances, some special programs may call for It is required that all such VA Sub-Identifiers be created or updated more visual distinction and recognizable visual characteristics than is according to the techniques shown. Any designs currently in review provided for in the standardized VA Sub-Identifier template shown on must be scrutinized against these standards and updated accordingly page nine. In these situations, brand-safe executions for such VA Sub- prior to appearance in any new communication vehicles. Identifiers can be achieved without creating unnecessarily distracting “logos” or “sub-brands”. The example below shows how new or existing Although it is recommended that all existing VA Sub-Identifiers (and Sub-Identifiers could be created to adequately convey allegiance to VA. the materials on which they appear) be updated, it is understood that Simply applying approved typography and colorization techniques, VA is a vast organization and this evolution will take place over time as well as apt juxtaposition and proportion in relation to the VA governed by scheduling and budgetary constraints. Ongoing study, Seal provides a solid connection. Respectful, sparing application of patience and collaboration will be required in order to effect positive illustrative motif as shown may also acceptable. changes VA-wide in this area. Example Sub-Identifier Evolved for Brand Appropriateness: Note how appropriate color, typography and juxtaposition with GIVEN THAT THE VA SIGNATURE APPEARS AT BOTTOM, THERE IS NO NEED TO REPEAT THE VA SEAL NEXT TO THE SUB-IDENTIFIER VA Seal all work together to create brand clarity and consistency. Artful type arrangements in these such rare Sub-Identifiers are recommended, rather than indulgent extraneous icons that 1 VA SEAL MUST APPEAR TO THE LEFT OR ABOVE ALL SUB-ID'S UNLESS IN LAYOUT 2 ARTFUL COMPOSITION OF APPROVED COLORS/FONTS; CLEVER MOTIF WORKED IN FOR SUBTLE DISTINCTION needlessly conflict and compete with the VA Seal. See page nine for standardized templates required for most VA VA AFFILIATION AND AUTHORITY MUST ALWAYS BE PROMINENTLY VISIBLE IN EVERY APPEARANCE OF VA SUB-IDENTIFIERS Ever-preferred Option: Standardized VA Sub-Identifier Format Office Identifiers. Human Resources and Administration VA Learning University 47 VA TIER 1 GRAPHIC STANDARDS VA Sub-Identifiers: Design Tactics for Campaigns, Events, Programs and Initiatives VA SUB-IDENTIFIERS: SPECIAL DESIGN TACTICS Campaigns, events, programs, and initiatives identified to public As with any other VA Identifiers, these mostly typographical designs and Veteran audiences also often call for more visual distinction must be created by qualified branding specialists, as not every and recognizable visual characteristics than is provided for in the participant working on VA creative products has the necessary standardized VA Sub-Identifier template shown on page nine. In experience or ability to meet VA brand development requirements. producing such Identifiers, the same overall branding principles However, ideas and comments on concepts and executions from and elements (proper colors and typography, quality execution, and governing participants are always welcome and observed. alignment with the VA brand) must be observed. Such specially arranged, repeatable graphic arrangements must all be visually As with any VA Sub-Identifier, such special marks must be produced consistent with VA brand standards. Each situation will be different, only by highly-skilled and experienced logo design specialists. but each should be simple in composition, not over-designed and free from any overt effects, textures, icons, overly-ornamental illustrations or elements incompatible with VA brand character. Example Appropriate Design Tactics for Campaigns, Event, Program and Initiative Identifiers: 48 VA TIER 1 GRAPHIC STANDARDS Special VA Internal Initiative Identifier: I CARE SPECIAL VA INTERNAL IDENTIFIER: I CARE On June 20, 2011 the Secretary of Veterans Affairs approved a set of In recognition of the principles stated in The Core Values, the Office Core Values and Characteristics which apply universally across all of VA. of the Secretary is enlisting VA communicators for continued support The Core Values are collectively the foundation of how we go about in the effort to clarify the VA brand and provide outreach vehicles our work, define “who we are,” and form the underlying principles we which always stand together through Integrity in creative purpose, use in our daily service to Veterans. The Core Characteristics define Commitment to participation, Advocacy for visual harmony, Respect “what we stand for” and what we strive to be as an organization. for the VA brand, and Excellence in the execution of duties. VA Core Values and Characteristics Quick Reference Because I CARE, I will... Created prior to the establishment of Integrity: Act with high moral principle. Adhere to the highest professional standards. Maintain the trust and confidence of all with whom I engage. Commitment: Work diligently to serve Veterans and other beneficiaries. Be driven by an earnest belief in VA’s mission. Fulfill my individual responsibilities and organizational responsibilities. Advocacy: Be truly Veteran-centric by identifying, fully considering, and appropriately advancing the interests of Veterans and other beneficiaries. Respect: Treat all those I serve and with whom I work with dignity and respect. Show respect to earn it. Excellence: Strive for the highest quality and continuous improvement. Be thoughtful and decisive in leadership, accountable for my actions, willing to admit mistakes, and rigorous in correcting them. this document, the “I CARE” acronym and legacy Program Identifier design shown above was developed to express VA Core Values and Characteristics. These unique typographic and color techniques remain exclusive to the I CARE Identifier, and cannot be used in any other VA Identifiers. VA Core Characteristics: Trustworthy: VA earns the trust of those it serves—every day—through the actions of all employees. They provide care, benefits, and services with compassion, dependability, effectiveness, and transparency. Accessible: VA engages and welcomes Veterans and other beneficiaries, facilitating their use of the entire array of its services. Each interaction will be positive and productive. Quality: VA provides the highest standard of care and services to Veterans and beneficiaries while managing the cost of its programs and being efficient stewards of all resources entrusted to it by the American people. VA is a model of unrivalled excellence due to employees who are empowered, trusted by their leaders, and respected for their competence and dedication. Innovative: VA prizes curiosity and initiative, encourages creative contributions from all employees, seeks continuous improvement, and adapts to remain at the forefront in knowledge, proficiency, and capability to deliver the highest standard of care and services to all of the people it serves. Agile: VA anticipates and adapts quickly to current challenges and new requirements by continuously assessing the environment in which it operates and devising solutions to better serve Veterans, other beneficiaries, and Service members. Integrated: VA links care and services across the Department; other federal, state, and local agencies; partners; and Veterans Services Organizations to provide useful and understandable programs to Veterans and other beneficiaries. VA’s relationship with the Department of Defense is unique, and VA will nurture it for the benefit of Veterans and Service members.. 49 VA TIER 1 GRAPHIC STANDARDS Special VA Internal Initiative Identifier: I CARE CONTINUED I CARE APPLICATIONS Below are hypothetical examples of how the I CARE Sub-Identifier could be applied to various internal communication vehicles. Given the visual weight and level of detail in the I CARE Sub-Identifier, it should not be closely juxtaposed with the VA Seal or Parent Signature, allowing ample white space. The I CARE logo should be separated from the VA Signature and featured somewhat larger in pieces promoting the initiative. Avoid using the I CARE Sub-Identifier in close proximity to the VA Signature (shown right). PowerPoint® Poster Brochure 50 VA TIER 1 GRAPHIC STANDARDS General Design Applications SIGNATURE: AN INTRODUCTION The following sample layouts are representative of the approved palette, typography, design, and imagery detailed throughout this guide. Many of the examples shown are available as ready-to-use Adobe® InDesign® templates, complete with correctly applied design elements, color, and typography. Use them as a starting point, but do not feel limited by them—they are intended to help set the tone for future design expansion. Other purely hypothetical layouts are provided for further inspiration and guidance on how simplicity, discipline and careful observance of standards can maintain brand quality. As well, there are layouts that are purely hypothetical that are intended to provide inspiration and guidance for creating brand quality through artful simplicity, discipline, and observance of standards. VA TIER 1 GRAPHIC STANDARDS Stationery: Example Letterhead STATIONERY: LETTERHEAD Clearly identified and cohesively designed corporate and divisional Avoid adding any other elements, such as imagery, motif, watermarks, or stationery is vital for communicating the VA brand in all correspondence. unnecessary information. Since this is the official look for VA letterhead, Each component should present the appropriate VA corporate or all VA offices must follow this template. The following pages will show divisional Signature, as well as key address and contact information. more examples of the VA stationary suite. 810 Vermont Ave NW Ste 905 Washington DC 20420 www.va.gov Assistant Secretary for Public and Intergovernmental Affairs 810 Vermont Ave NW Ste 905 Washington DC 20420 www.va.gov In Reply Refer To: In Reply Refer To: Note: Per federal regulations, pre-printed second sheets are not allowed—only the front page of any given correspondence letter is allowed to display a pre-printed masthead. 52 VA TIER 1 GRAPHIC STANDARDS Stationery: Example Envelopes STATIONERY: ENVELOPES Medical Center/Vancouver Division 3710 SW US Veterans Hospital Road PO Box 1035 Portland OR 97207-1035 OFFICIAL BUSINESS Medical Center Hampton VA 23667 OFFICIAL BUSINESS Use Standard Left Window This is Illustration only (Use Standard Left Window This is Illustration only) 4.125" x 9.5" #10 Window Envelope (Must be printed in 100% PMS 541u) NO POSTAGE NECESSARY IF MAILED IN THE UNITED STATES VA Northern Indiana Health Care System 2600 W White River Blvd Ste 1 Muncie IN 47303-9906 OFFICIAL BUSINESS 9.5” x 12” Brown Kraft Envelope BUSINESS REPLY MAIL FIRST-CLASS MAIL PERMIT NO. 1456 (Must be printed in 100% black) DENVER CO POSTAGE WILL BE PAID BY DEPARTMENT OF VETERANS AFFAIRS Department of Veterans Affairs Louis Stokes Cleveland Medical Center 10000 Brecksville Road Brecksville OH 44141-9905 #9 Business Reply Envelope (BRE) (Can be printed in either 100% PMS 541u or 100% black) 53 VA TIER 1 GRAPHIC STANDARDS Stationery: Example Business Card Options STATIONERY: BUSINESS CARDS Different levels within VA are eligible to obtain corresponding business obtain either the one-color black, PMS 541u or 2-color options. GS levels card varieties shown below. GS levels one through seven may only 13 and higher may obtain either of those, as well as the highest level of receive the one-color black version. GS levels eight through 12 may business card displaying the VA Seal in gold foil stamp (recommended). 1 LEVELS 13+: SEAL IN GOLD FOIL STAMP, BLACK TEXTTelephone: Fax: Cell: Email: @va.gov 100lb. plain white 25% cotton cover stock must be used for all business cards to convey the appropriate quality and formality. 2 3 LEVELS 8-12: 2-COLOR SIGNATURE, BLACK TEXT LEVELS 1-7: ONE COLOR SEAL AND TEXT (ALL NAVY OR ALL BLACK) Telephone: Fax: Cell: Email: @va.gov Telephone: Fax: Cell: Email: @va.gov 54 POWERPOINT®: PRIMARY TEMPLATE PowerPoint : Primary Template ® When developing PowerPoint® presentations, follow the format All type should be set in Georgia and Calibri fonts as these and layout formula shown, applying similar photo usage, typography are more commonly installed on most computers. Myriad Pro is styles and simple layout technique as indicated. Always apply NOT to be used for any presentations and internal communications the full-color New VA Parent Signature and only use colors from the which are intended to be distributed, viewed and/or edited in VA Color Palette. Microsoft® Word® and PowerPoint®, even if the original author has a licensed copy of Myriad Pro on their work station. Use the templates to your advantage The examples shown at right and on (Not actual size) the following pages are available as ready-to-use electronic templates. Use them as the starting point for any project, as they contain the correct design elements and typography. See page 44 for information on the VA Thread graphic illustrated here. Sample title page Sample interior transition slide Other sample interior slide options 55 VA TIER 1 GRAPHIC STANDARDS PowerPoint POWERPOINT®: ALTERNATE DESIGN INSPIRATION ® CONTINUED Alternate layout options The modular layout illustrated on this page shows how multiple images can be incorporated into a clean presentation that enhances the VA brand. The position and proportion of elements can be varied while maintaining a cohesive look. Images on the cover page are changeable and the grid provides additional versatility. Experiment with photo usage and vary the mosaic as needed, utilizing the recommended space. Photos should not break out of the designated grid, or crowd the title area. 56 VA TIER 1 GRAPHIC STANDARDS POWERPOINT®: ALTERNATE DESIGN INSPIRATION Example PowerPoint : Sub-Divisional Applications ® Administration Office Examples 1 Shown here are actual examples of PowerPoint® templates developed for an Administration Office 2 THE "VHA/OHI WAVE" This identifying element is used exclusively by this Administration Office utilizing the design principles outlined in their own innovative Design Guidelines. Note that the Wave motif—a key graphic element used to distinguish their Office within the Administration (see page 46)—is unique to that office. Specific Sub-Identification strategies such as this must be vetted by appropriate authorities before being implemented, but the example clearly illustrates how different offices can affect their Sub-Identities within the VA brand using special techniques such as gradients and unconventional shapes. Reserving special visual devices for specific, carefully/universally-applied purposes— and prohibiting them for all other common design purposes uses—they become useful in creating usefully distinctive Sub-Identities rather than distracting indulgences. 3 REPEATED ELEMENTS OF VHA/OHI WAVE Elements from the VHA/OHI Wave are repeated— in some cases enlarged and/or screened—to continue the motif throughout the design. 57 COLOR ALTERNATIVES Designers may opt for different background and panel colors within the VA Color Palette VA TIER 1 GRAPHIC STANDARDS Example Fact Sheets: Small Photos FACT SHEETS—SMALL PHOTOS A simple, yet effective graphic element for any 8.5" x 11" fact sheet (or similar document) is a combination color bar utilizing the VA Color Georgia Regular, 35 pt. Georgia Regular, 26/32 pt. Lorem Ipsum Georgia Headline Subhead Option Lorem ipsum Sit Amet Dolar Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec lacinia, justo eu sodales ultrices, urna lectus elementum lectus, sed scelerisque nibh elit semper purus. Nullam ac tortor ac risus sollicitudin aliquam quis ut lacus. In eu ligula eget velit pulvinar lacinia. Vestibulum iaculis tincidunt nunc, consequat elementum odio posuere tincidunt. Ut eget arcu felis. Sed aliquet, sapien sed elementum luctus, dui sapien faucibus turpis, et semper odio enim a arcu. Nunc iaculis tristique libero nec vestibulum. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Nunc convallis mauris et dolor molestie consequat. Etiam tincidunt, ipsum non mollis aliquam, nisl tortor aliquam neque, eget mollis sem ipsum eu elit. small photo Georgia Italic, 18/28 pt. Callout text and quotes are given prominent placement and ample white space. Lorem ipsum sit amet dolar tempor incididunt ut labore. it, the layout options are versatile. In this example, a small photo is used in the narrow left column, which allows greater emphasis on the headline—particularly useful with lengthier titles and subheads. Always be sure to include the “Created/ Revised” date, along with the stocking/catalog number in a lower corner. Integer quis neque vitae enim ultrices dictum at sit amet nisl. Pellentesque pellentesque varius libero, vitae luctus lacus lacinia nec. Proin imperdiet fermentum purus, sit amet luctus risus rutrum ac. Curabitur et mi ac nisl adipiscing dictum. Mauris luctus imperdiet nunc. Cras augue est, luctus lobortis accumsan ac, laoreet sit amet ipsum. Donec tincidunt dapibus ipsum, quis porttitor dui fringilla at. Suspendisse interdum magna et metus suscipit ac adipiscing metus porta. Maecenas metus tellus, luctus eu mattis non, iaculis ac lacus. Ut sollicitudin placerat sem, quis cursus neque porttitor id. Donec sollicitudin condimentum justo sit amet imperdiet. Donec eleifend eros sed tellus pulvinar consequat. Maecenas turpis enim, mattis non convallis at, vestibulum eu lectus. Aliquam et mattis nulla. Phasellus commodo orci eget lorem gravida commodo. Ut eget nibh magna, quis feugiat mauris. Duis malesuada massa eget ipsum convallis condimentum. Aenean tristique arcu aliquam felis lacinia et rutrum neque faucibus. Aliquam bibendum nulla non ipsum pretium nec tincidunt quam mattis. Vivamus felis turpis, placerat tincidunt lobortis eu, luctus vitae leo. Sed elementum mi et enim facilisis placerat. Nunc id libero ante, eget convallis purus. Sed eget est tortor. Etiam at leo eget neque lobortis vulputate sit amet in sem. Vivamus ultrices porttitor lacus. Nullam adipiscing fringilla ligula nec semper. In hac habitasse platea dictumst. Mauris tellus orci, consequat sed varius in, euismod nec velit. Proin lacinia dolor eu nulla dapibuslacinia. Myriad Pro Regular, 10/14 pt. Myriad Pro Regular, 7 pt. Palette and New VA Parent Signature. Beneath Created 1/11 58 FACT SHEETS—MULTIPLE PHOTOS Example Fact Sheets: Multiple Photos photo Georgia Regular, 35 pt. Georgia Regular, 26/32 pt. Lorem Ipsum Georgia Headline Subhead Option Lorem ipsum Sit Amet Dolar Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec lacinia, justo eu sodales ultrices, urna lectus elementum lectus, sed scelerisque nibh elit semper purus. Nullam ac tortor ac risus sollicitudin aliquam quis ut lacus. In eu ligula eget velit pulvinar lacinia. Vestibulum iaculis tincidunt nunc, consequat elementum odio posuere tincidunt. Ut eget arcu felis. Sed aliquet, sapien sed elementum luctus, dui sapien faucibus turpis, et semper odio enim a arcu. Nunc iaculis tristique libero nec vestibulum. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Nunc convallis mauris et dolor molestie consequat. Etiam tincidunt, ipsum non mollis aliquam, nisl tortor aliquam neque, eget mollis sem ipsum eu elit. photo Callout text and quotes are given prominent placement and ample white space. Lorem ipsum sit amet dolar labore. Duis malesuada massa eget ipsum convallis condimentum. Aenean tristique arcu aliquam felis lacinia et rutrum neque faucibus. Aliquam bibendum nulla non ipsum pretium nec tincidunt quam mattis. Vivamus felis turpis, placerat tincidunt lobortis eu, luctus vitae leo. Sed elementum mi et enim facilisis placerat. Nunc id libero ante, eget convallis purus. Sed eget est tortor. Etiam at leo eget neque lobortis vulputate sit amet in sem. Vivamus ultrices porttitor lacus. Myriad Pro Regular, 10/14 pt. Myriad Pro Regular, 7 pt. Integer quis neque vitae enim ultrices dictum at sit amet nisl. Pellentesque pellentesque varius libero, vitae luctus lacus lacinia nec. Proin imperdiet fermentum purus, sit amet luctus risus rutrum ac. Curabitur et mi ac nisl adipiscing dictum. Mauris luctus imperdiet nunc. Cras augue est, luctus lobortis accumsan ac, laoreet sit amet ipsum. Donec tincidunt dapibus ipsum, quis porttitor dui fringilla at. Suspendisse interdum magna et metus suscipit ac adipiscing metus porta. Maecenas metus tellus, luctus eu mattis non, iaculis ac lacus. Ut sollicitudin placerat sem, quis cursus neque porttitor id. Donec sollicitudin condimentum justo sit amet imperdiet. Donec eleifend eros sed tellus pulvinar consequat. Maecenas turpis enim, mattis non convallis at, vestibulum eu lectus. Aliquam et mattis nulla. Phasellus commodo orci eget lorem gravida commodo. Ut eget nibh magna, quis feugiat mauris. Created 1/11 59 VA TIER 1 GRAPHIC STANDARDS Example Fact Sheets: Large Photos FACT SHEETS—LARGE PHOTOS For a visually bolder fact sheet, you may wish to feature a large photo. Images can be used at full-width bleed directly below the masthead color bars. large photo When choosing a photo, care should be taken to ensure that critical elements within the photo aren’t covered by the Thread or by the Georgia Bold, 35 pt. Lorem Ipsum Headline Georgia Regular, 18/30 pt. Subhead Blue Lorem Ipsum VA Parent Signature, and that ample clear space exists for your headline title. The title can also be used outside (below) the photo if the image is too busy for text. Georgia Italic, 14/24 pt. Callout text and quotes are given prominent placement and ample white space. Lorem ipsum sit amet dolar ut labore. Myriad Pro Regular, 10/14 pt. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec lacinia, justo eu sodales ultrices, urna lectus elementum lectus, sed scelerisque nibh elit semper purus. Nullam ac tortor ac risus sollicitudin aliquam quis ut lacus. In eu ligula eget velit pulvinar lacinia. Vestibulum iaculis tincidunt nunc, consequat elementum odio posuere tincidunt. Ut eget arcu felis. Sed aliquet, sapien sed elementum luctus, dui sapien faucibus turpis, et semper odio enim a arcu. Nunc iaculis tristique libero nec vestibulum. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Nunc convallis mauris et dolor molestie consequat. Etiam tincidunt, ipsum non mollis aliquam, nisl tortor aliquam neque, eget mollis sem ipsum eu elit. Integer quis neque vitae enim ultrices dictum at sit amet nisl. Pellentesque pellentesque varius libero, vitae luctus lacus lacinia nec. Proin imperdiet fermentum purus, sit amet luctus risus rutrum ac. Curabitur et mi ac nisl adipiscing dictum. Mauris luctus imperdiet nunc. Cras augue est, luctus lobortis accumsan ac, laoreet sit amet ipsum. Donec tincidunt dapibus ipsum, quis porttitor dui fringilla at. Suspendisse interdum magna et metus suscipit ac adipiscing metus porta. Maecenas metus tellus, luctus eu mattis non, iaculis ac lacus. Ut sollicitudin placerat sem, quis cursus neque porttitor id. Donec sollicitudin condimentum justo sit amet imperdiet. Donec eleifend eros sed tellus pulvinar consequat. Maecenas turpis enim, mattis non convallis at, vestibulum eu lectus. Aliquam et mattis nulla. Phasellus commodo orci eget lorem gravida commodo. Ut eget nibh magna, quis feugiat mauris. For certain internal pieces, the I CARE logo may be used in a manner which provides adequate distance from the VA Signature. Always be sure to include the “Created/ Revised” date, along with the stocking/ catalogue number in a lower corner. Duis malesuada massa eget ipsum convallis condimentum. Aenean tristique arcu aliquam felis lacinia et rutrum neque faucibus. Aliquam bibendum nulla non ipsum pretium nec tincidunt quam mattis. Vivamus felis turpis, placerat tincidunt lobortis eu. Myriad Pro Regular, 7 pt. Created 11/09 60 VA TIER 1 GRAPHIC STANDARDS EXAMPLE AWARD CERTIFICATES Example Award Certificate The example at right illustrates Lorem Ipsum Certificate Title Goes Here a potential visual treatment for award certificates. Sample Name Lorem Ipsum Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec condimentum eros neque. Nullam elementum tellus vel sapien pretium eget venenatis dui pulvinar. Sed eu dolor mauris. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Ut nulla urna, vestibulum sed consectetur eget, ultricies et augue. Suspendisse ornare consectetur erat vitae venenatis. Firstname Lastname, Employee Title, U.S. Department of Veterans Affairs 61 VA TIER 1 GRAPHIC STANDARDS Hypothetical Applications DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS COLOR BANDS Use bands of color from the VA Palette in various positions over photos. This device works well as a top anchor (left). Additional swatches of contrasting color can be used, such as this vertical stripe of red along the edge of the blue band (below). PHOTOS Photos can be cropped to split layouts with color fields (below) and can be placed at either top or bottom. You can also use large, single images full frame (right), or feature multiple images in a modular grid (lower right). At right is a variety of possible design solutions for hypothetical applications. These can be adapted to suite everything from a publication to a large exhibition display panel. Using color, typography, and other basic principles outlined in this document can help guide designers as they explore alternate layouts that support the overall brand. THE VA THREAD GRAPHIC An abstract wave graphic designed specifically for VA use can be a strong visual element that links color fields to photos, or holds its own as a linear texture. 62 VA TIER 1 GRAPHIC STANDARDS Hypothetical Applications SCALE CONTRAST Not all photos have to be large. Sometimes a small band of images contrasted against a rich background color provides a nice alternative. DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS MONOTONES, DUOTONES, ETC. Some projects may require less than full-color printing (below left). Or, the tone of a piece may suggest a softer, warmer color scheme than that of the primary VA Palette (below right). Layouts can be clean and dynamic without going full-color, and in some instances, you may opt to use duotone photography in your full-color piece to set a particular mood and consistency. CONTINUED SUBTLE GRADIENTS Color fields can be given a subtle gradient to create depth—a device particularly effective when overlaying additional elements. TYPE ON THE EDGE Some layouts may benefit from a slightly more progressive type treatment. Instead of centering the title in your color band, place the baseline of the text on the edge for an alternative approach. 63 SANS SERIF While not recommended for frequent use, Myriad Pro can occasionally be used as a title font when the subject matter warrants. VA TIER 1 GRAPHIC STANDARDS Hypothetical Applications CONTINUED DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS OVERLAPPING THE SEAL Another visual technique to consider is allowing the VA Seal to overlap a photo (below right) or color bar (below left). This can be done without compromising the integrity of the Seal, and can be an effective way of adding dimension to your layouts. VERTICAL TITLES Some layouts may require vertical titles. A simple way to maximize your space without affecting the photo is to position the text vertically in a color band. 64 VA TIER 1 GRAPHIC STANDARDS Hypothetical Applications MULTICOLORED TYPE Using the Extended VA Palette, each word features a different color. DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS NON-TRADITIONAL SHAPES Not everything has to be a rectangle, square, or 8.5" x 11". When appropriate, try an interesting new size or format. CONTINUED The examples here and on the following pages show less conservative layouts— designs which employ the extended color palette and more progressive use of typography, but remain safely within brand guidelines. LARGE TYPE Consider using type as image, by using scale contrast. Here, a large "50", artistically kerned and cropped, becomes the primary design element on this cover. COMBINE DUOTONES & FULL-COLOR This cropped full-color image adds focus and depth to the larger duotone, creating a unique mood for this piece. ADDITIONAL MOTIFS Simple design motifs such as this arrow (a character in the Meta Plus Black font) can be used when appropriate. Other geometrical elements such as squares (see page 66) can be used as subtle design elements throughout. 65 VA TIER 1 GRAPHIC STANDARDS DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS Hypothetical Applications CONTINUED GEOMETRICAL MOTIF A grouping of colored squares (below) is used here as a subtle design motif, which can be carried throughout a publication. At right, squares are used to “frame” a cover photo. SOFT TONES In some instances, a softer palette may be required. For this purpose, a set of pastel colors has been developed. See the VA Light Tones on page 20. 66 VA TIER 1 GRAPHIC STANDARDS DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS COLOR TYPE / BLACK & WHITE IMAGERY Below is a sample campaign featuring strong black and white photos paired with large title typography set in all caps and various tints/screens of colors. Hypothetical Applications CONTINUED COLOR FIELDS / THE VA THREAD GRAPHIC Focusing on a singular message can be achieved by using a strong background color. STARK BLACK & WHITE Above, a black and white image is used full frame, (and with a white border) and paired with simple, white typography. In some cases, large, dramatic type may be appropriate, while in others, a more subtle, centered approach can be successful. COLOR FIELDS / BLACK & WHITE IMAGERY An alternate solution that still makes use of strong black and white photography is shown above, as large fields of color serve as backgrounds for the photo, with the title text smaller and reversed out to white. 67 VA TIER 1 GRAPHIC STANDARDS DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS Hypothetical Applications CONTINUED TRANSPARENCY / TYPE OVERLAY Oversized type can be used effectively as a transparent overlay in some instances, creating a bold effect. Introduction The VHA Signature Signature: Minimum Size Usage Signature: Minimum Clear Space Signature: Colors: Full + 2-color Signature: Colors: 1-color Signature: Colors: Other Usage Signature: VHA Seal Usage Signature: Incorrect Usage Signature: Incorrect Usage, cont’d Color: Palettes Color: Approved 2-color combinations Color: Incorrect 2-color combinations Typography: General/Body Text Typography: Title/Accent Text Typography: Appropriate Color Usage Typography: Appropriate Color, cont’d Typography: Incorrect Usage Typography: Incorrect Usage, cont’d Design: Incorrect Applications Design: Incorrect Applications, cont’d Photography: Appropriate Usage Photography: Appropriate Usage, cont’d Photography: Incorrect Applications Photography: Incorrect Applications, cont’d GRAPHIC LABELS / BADGES A simple rectangle of color becomes a clean setting for a title treatment. Centered on the design, this label effect is a strong graphic device that works successfully. 68 VA TIER 1 GRAPHIC STANDARDS Hypothetical Applications CONTINUED DESIGN INSPIRATIONS: HYPOTHETICAL APPLICATIONS SAMPLE POSTCARDS / MAILERS These horizontal pieces show how small fields of color (with a subtle gradient applied) can be used to create a bold campaign. Color field width can be adjusted as necessary—use your discretion. SAMPLE NEWSLETTER This sample newsletter shows a simple grid and photo usage. 69 PRINT PREFLIGHT CHECKLIST Print Preflight Checklist Before sending files to a printer, always be sure to carefully review the following production guidelines—not only to ensure printing quality, but also to ensure that specific VA criteria has been met (i.e., internet/intranet URLs, creation/revision dates, etc.). Design Element Checklist o Are you using the correct New VA Parent Signature and/or Seal? o Are all of the colors and typography used in the design approved by these guidelines? o Are all of the images properly treated/styled, cropped, and arranged in the layout? o Is the VA internet URL “www.va.gov” (required on any material to be used for external audiences). o Is there a creation/revision date (i.e. "Created 6/12" or Revised 6/12) included and formatted according to standards (see page 58)? Type should be 7pt. Myriad Pro Regular, bottom left or right corner (back panel for brochures and double-sided fact sheets). Production Checklist o Has the design been approved by the author and/or supervisor? o Are all high-resolution (300 dpi) images included, and non-300 dpi images identified? o Are all font files (screen and printer) included? o Have the latest PDFs of your project been included? o Has text been checked to ensure against overflow? o Is there is a 1/8" bleed on the outside edge of bleed areas? o Have crop and registration marks been included? o Are the correct CMYK or PMS colors being used? 70
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xmp.iid:1E1D05B63420681188C69B6912DD99C4, xmp.iid:BD4154B93420681188C69B6912DD99C4, xmp.iid:62F59C254220681188C69B6912DD99C4, xmp.iid:DD409BF74320681188C69B6912DD99C4, xmp.iid:6FC925374F20681188C69B6912DD99C4, xmp.iid:263B0E615020681188C69B6912DD99C4, xmp.iid:52292F115120681188C69B6912DD99C4, xmp.iid:53292F115120681188C69B6912DD99C4, xmp.iid:2678FF7D5120681188C69B6912DD99C4, xmp.iid:D8DA76D25120681188C69B6912DD99C4, xmp.iid:84F4D8575320681188C69B6912DD99C4, xmp.iid:CAFED4CD5320681188C69B6912DD99C4, xmp.iid:EDBA48145420681188C69B6912DD99C4, xmp.iid:FB4065535420681188C69B6912DD99C4, xmp.iid:6741E8855420681188C69B6912DD99C4, xmp.iid:6E65635A5520681188C69B6912DD99C4, xmp.iid:EA52D4655520681188C69B6912DD99C4, xmp.iid:0CD885BB5520681188C69B6912DD99C4, xmp.iid:BF3BC5395720681188C69B6912DD99C4, xmp.iid:E5D6976D5720681188C69B6912DD99C4, xmp.iid:6672F88E5720681188C69B6912DD99C4, xmp.iid:7C0903265820681188C69B6912DD99C4, xmp.iid:762DA2495820681188C69B6912DD99C4, xmp.iid:772DA2495820681188C69B6912DD99C4, xmp.iid:16BB60975920681188C69B6912DD99C4, xmp.iid:96AA8C315A20681188C69B6912DD99C4, xmp.iid:36FEC0675A20681188C69B6912DD99C4, xmp.iid:8102CCC45A20681188C69B6912DD99C4, xmp.iid:DA8F6CA4B42468118083C198DA672BE1, xmp.iid:50FA3369B52468118083C198DA672BE1 History When : 2010:01:11 14:12:48-05:00, 2010:01:11 14:12:48-05:00, 2010:01:11 14:39:44-05:00, 2010:01:11 14:42:10-05:00, 2010:01:11 15:24:11-05:00, 2010:02:16 16:49:57-05:00, 2010:02:17 10:34:48-05:00, 2010:02:17 10:34:49-05:00, 2010:02:17 10:35:51-05:00, 2010:02:17 10:37:06-05:00, 2010:02:17 10:39:45-05:00, 2010:03:15 14:13:48-04:00, 2010:03:15 14:13:48-04:00, 2010:03:15 14:16:52-04:00, 2010:06:16 13:26:15-04:00, 2010:06:16 13:26:15-04:00, 2010:10:26 17:27:50-04:00, 2010:10:26 17:27:50-04:00, 2010:10:26 22:35:30-04:00, 2010:10:26 23:40:19-04:00, 2010:10:26 23:44:44-04:00, 2010:10:27 13:46:17-04:00, 2010:10:27 13:50:13-04:00, 2010:10:27 14:00:51-04:00, 2010:10:27 14:14:32-04:00, 2010:10:27 14:29:25-04:00, 2010:10:27 14:32:04-04:00, 2010:10:27 14:36:54-04:00, 2010:10:27 14:46:02-04:00, 2010:10:27 15:16:51-04:00, 2010:10:27 15:18:56-04:00, 2010:10:27 15:22:17-04:00, 2010:10:27 15:24:36-04:00, 2010:10:27 15:37:20-04:00, 2011:01:20 15:25:14-05:00, 2011:01:20 15:25:14-05:00, 2011:01:20 15:28:56-05:00, 2011:01:20 15:51:30-05:00, 2011:01:20 16:30:19-05:00, 2011:01:20 16:57:42-05:00, 2011:01:20 17:02:47-05:00, 2011:01:20 17:09:39-05:00, 2011:01:20 17:12:21-05:00, 2011:01:20 17:16:13-05:00, 2011:01:20 23:37:23-05:00, 2011:01:20 23:58:14-05:00, 2011:01:21 15:14:02-05:00, 2011:01:21 15:14:02-05:00, 2011:01:25 19:33:42-05:00, 2011:01:25 19:33:43-05:00, 2011:01:25 21:18:18-05:00, 2011:01:25 22:03:53-05:00, 2011:01:25 22:04:54-05:00, 2011:01:25 23:37:16-05:00, 2011:01:25 23:39:41-05:00, 2011:01:26 12:41:28-05:00, 2011:01:26 12:46:19-05:00, 2011:01:26 13:02:35-05:00, 2011:01:26 13:18:44-05:00, 2011:01:26 14:20:52-05:00, 2011:01:26 15:02:03-05:00, 2011:01:26 16:06:48-05:00, 2011:01:26 16:22:05-05:00, 2011:01:26 17:54:20-05:00, 2011:01:27 16:12:26-05:00, 2011:01:27 16:46:42-05:00, 2011:01:27 17:15:49-05:00, 2011:01:27 17:18-05:00, 2011:01:27 18:57:11-05:00, 2011:01:27 20:15:01-05:00, 2011:01:27 20:26:26-05:00, 2011:01:27 20:34:56-05:00, 2011:01:27 20:41:37-05:00, 2011:01:27 20:48:18-05:00, 2011:01:27 20:51:21-05:00, 2011:01:27 20:54:05-05:00, 2011:01:27 21:29:28-05:00, 2011:01:27 22:04:29-05:00, 2011:01:27 22:09:28-05:00, 2011:01:27 23:05:37-05:00, 2011:01:28 12:25:31-05:00, 2011:01:28 13:02:54-05:00, 2011:01:28 13:06:42-05:00, 2011:01:28 13:09:30-05:00, 2011:01:28 13:32:58-05:00, 2011:01:28 14:40:28-05:00, 2011:01:28 14:46-05:00, 2011:01:28 14:47:09-05:00, 2011:01:28 15:13:43-05:00, 2011:01:28 15:33-05:00, 2011:01:28 15:40:19-05:00, 2011:01:28 15:43:10-05:00, 2011:01:28 16:23:42-05:00, 2011:01:28 16:24:38-05:00, 2011:01:28 16:25:48-05:00, 2011:01:28 16:28:05-05:00, 2011:01:28 16:31:11-05:00, 2011:01:28 16:58:34-05:00, 2011:01:28 17:01:17-05:00, 2011:01:28 17:03:50-05:00, 2011:01:28 17:07:42-05:00, 2011:01:28 17:22:54-05:00, 2011:01:28 17:25:28-05:00, 2011:01:28 17:33:46-05:00, 2011:01:28 17:40:56-05:00, 2011:01:31 16:38:19-05:00, 2011:01:31 16:38:31-05:00, 2011:01:31 16:49:32-05:00, 2011:01:31 17:27:33-05:00, 2011:01:31 17:32:57-05:00, 2011:01:31 17:50:47-05:00, 2011:01:31 23:49:20-05:00, 2011:02:01 02:09:03-05:00, 2011:02:01 02:11:22-05:00, 2011:02:01 09:32:16-05:00, 2011:02:01 09:42:03-05:00, 2011:02:01 10:06:01-05:00, 2011:02:01 12:11:03-05:00, 2011:02:01 12:11:03-05:00, 2011:02:01 12:13:58-05:00, 2011:02:01 12:50:33-05:00, 2011:02:01 13:12:56-05:00, 2011:02:01 13:20:13-05:00, 2011:02:01 13:29:44-05:00, 2011:02:01 13:34:33-05:00, 2011:02:01 13:35:48-05:00, 2011:02:01 13:43:35-05:00, 2011:02:01 14:45:41-05:00, 2011:02:01 14:48:51-05:00, 2011:02:01 14:55:33-05:00, 2011:02:01 14:59:26-05:00, 2011:02:01 15:13:12-05:00, 2011:02:01 15:24:55-05:00, 2011:02:01 15:26:02-05:00, 2011:02:01 15:29:30-05:00, 2011:02:01 15:33:30-05:00, 2011:02:01 15:34:23-05:00, 2011:02:01 15:44:04-05:00, 2011:02:01 15:47:53-05:00, 2011:02:01 15:52:51-05:00, 2011:02:01 16:07:31-05:00, 2011:02:01 16:07:31-05:00, 2011:02:01 17:47:19-05:00, 2011:02:01 17:52:06-05:00, 2011:02:01 17:54:16-05:00, 2011:02:01 17:55:27-05:00, 2011:02:01 17:55:54-05:00, 2011:02:01 18:13:09-05:00, 2011:02:01 18:47:51-05:00, 2011:02:01 18:55:18-05:00, 2011:02:01 21:26:49-05:00, 2011:02:01 21:29:32-05:00, 2011:02:01 21:30:33-05:00, 2011:02:01 21:47:56-05:00, 2011:02:01 21:51:58-05:00, 2011:02:01 21:53:06-05:00, 2011:02:01 21:56:38-05:00, 2011:02:01 21:57:57-05:00, 2011:02:01 22:04:22-05:00, 2011:02:01 22:19:51-05:00, 2011:02:01 22:21:36-05:00, 2011:02:01 22:22:43-05:00, 2011:02:01 22:23:15-05:00, 2011:02:01 22:24:27-05:00, 2011:02:01 22:25:58-05:00, 2011:02:01 22:32:27-05:00, 2011:02:01 22:37:18-05:00, 2011:02:01 22:45:25-05:00, 2011:02:01 22:50:50-05:00, 2011:02:01 22:56:15-05:00, 2011:02:01 22:57:27-05:00, 2011:02:01 23:00:45-05:00, 2011:02:01 23:01:19-05:00, 2011:02:01 23:03:36-05:00, 2011:02:01 23:04:31-05:00, 2011:02:01 23:08:21-05:00, 2011:02:01 23:09:47-05:00, 2011:02:01 23:11:28-05:00, 2011:02:01 23:12:06-05:00, 2011:02:01 23:14:13-05:00, 2011:02:01 23:14:50-05:00, 2011:02:01 23:20:30-05:00, 2011:02:01 23:24:17-05:00, 2011:02:01 23:29:01-05:00, 2011:02:01 23:31:25-05:00, 2011:02:01 23:37:31-05:00, 2011:02:01 23:41:02-05:00, 2011:02:01 23:47:40-05:00, 2011:02:01 23:50:57-05:00, 2011:02:02 00:23:25-05:00, 2011:02:02 00:26:40-05:00, 2011:02:02 00:34:12-05:00, 2011:02:02 00:36:09-05:00, 2011:02:02 00:40:05-05:00, 2011:02:02 00:41:36-05:00, 2011:02:02 00:45:05-05:00, 2011:02:02 00:47:28-05:00, 2011:02:02 00:52:31-05:00, 2011:02:02 00:57:09-05:00, 2011:02:02 01:04:25-05:00, 2011:02:02 01:05:44-05:00, 2011:02:02 01:06:53-05:00, 2011:02:02 01:09:45-05:00, 2011:02:02 01:11:04-05:00, 2011:02:02 01:14:56-05:00, 2011:02:02 01:23:38-05:00, 2011:02:02 01:43:35-05:00, 2011:02:02 01:45:43-05:00, 2011:02:02 01:49:18-05:00, 2011:02:02 01:50:23-05:00, 2011:02:02 01:51:44-05:00, 2011:02:02 01:52:53-05:00, 2011:02:02 01:57:10-05:00, 2011:02:02 01:59:49-05:00, 2011:02:02 02:04:55-05:00, 2011:02:02 02:06:56-05:00, 2011:02:02 02:10:01-05:00, 2011:02:02 02:12-05:00, 2011:02:02 02:20:26-05:00, 2011:02:02 02:23:15-05:00, 2011:02:02 02:30:06-05:00, 2011:02:02 02:33:07-05:00, 2011:02:02 02:38:56-05:00, 2011:02:02 02:41:27-05:00, 2011:02:02 02:44:19-05:00, 2011:02:02 02:45:40-05:00, 2011:02:02 02:45:40-05:00, 2011:02:02 02:55:48-05:00, 2011:02:02 03:05:42-05:00, 2011:02:02 03:10:18-05:00, 2011:02:02 03:23-05:00, 2011:02:02 03:24:45-05:00, 2011:02:02 15:45:17-05:00, 2011:02:02 15:45:18-05:00, 2011:02:02 15:47:30-05:00, 2011:02:02 15:47:49-05:00, 2011:02:02 15:52:48-05:00, 2011:02:02 15:53:06-05:00, 2011:02:02 15:53:20-05:00, 2011:02:02 15:58:27-05:00, 2011:02:02 15:58:54-05:00, 2011:02:02 16:01:40-05:00, 2011:02:02 16:04:58-05:00, 2011:02:02 16:05:52-05:00, 2011:02:02 16:06:50-05:00, 2011:02:02 16:07:10-05:00, 2011:02:02 16:07:53-05:00, 2011:02:02 16:08:33-05:00, 2011:02:02 16:12:01-05:00, 2011:02:02 16:12:38-05:00, 2011:02:02 16:14:02-05:00, 2011:02:02 16:15-05:00, 2011:02:02 16:15:26-05:00, 2011:02:02 16:16:50-05:00, 2011:02:02 16:17:15-05:00, 2011:02:02 16:19:11-05:00, 2011:02:02 16:24:20-05:00, 2011:02:02 16:28:08-05:00, 2011:02:02 16:28:35-05:00, 2011:02:02 16:31:28-05:00, 2011:02:02 16:32:01-05:00, 2011:02:02 16:33:45-05:00, 2011:02:02 16:35:14-05:00, 2011:02:02 16:36:53-05:00, 2011:02:02 16:38:51-05:00, 2011:02:02 16:42:03-05:00, 2011:02:02 17:45:18-05:00, 2011:02:02 17:45:18-05:00, 2011:02:02 17:51:03-05:00, 2011:02:02 17:52:42-05:00, 2011:02:10 18:49:52-05:00, 2011:02:10 18:49:58-05:00, 2011:02:10 19:01:09-05:00, 2011:02:10 19:06:15-05:00, 2011:02:10 20:16:48-05:00, 2011:02:10 20:31:57-05:00, 2011:02:10 20:38:02-05:00, 2011:02:10 20:39:38-05:00, 2011:02:10 20:47:06-05:00, 2011:02:10 20:59:28-05:00, 2011:02:10 21:02:55-05:00, 2011:02:10 21:19:12-05:00, 2011:02:11 01:06:48-05:00, 2011:02:11 10:12:17-05:00, 2011:02:11 10:28:32-05:00, 2011:02:11 10:37:59-05:00, 2011:02:11 10:46:50-05:00, 2011:02:11 11:38:49-05:00, 2011:02:11 11:39:30-05:00, 2011:02:11 11:39:30-05:00, 2011:03:04 14:05:42-05:00, 2011:03:04 14:05:45-05:00, 2011:03:04 15:43:20-05:00, 2011:03:04 15:57:10-05:00, 2011:03:04 15:59:20-05:00, 2011:03:04 16:30:06-05:00, 2011:03:04 16:39:55-05:00, 2011:03:04 16:51:05-05:00, 2011:03:04 16:53:39-05:00, 2011:03:04 16:55:50-05:00, 2011:03:04 17:07:22-05:00, 2011:03:04 17:14:34-05:00, 2011:03:04 17:22:39-05:00, 2011:03:04 17:27:02-05:00, 2011:03:04 17:32:56-05:00, 2011:03:08 14:10:39-05:00, 2011:03:08 14:10:40-05:00, 2011:03:08 14:23:04-05:00, 2011:03:08 14:30:19-05:00, 2011:03:08 14:37:06-05:00, 2011:03:08 14:41:39-05:00, 2011:03:08 14:48:58-05:00, 2011:03:08 15:12:22-05:00, 2011:03:08 15:14:14-05:00, 2011:03:08 15:17:44-05:00, 2011:03:08 15:40:37-05:00, 2011:03:08 15:50:42-05:00, 2011:03:08 15:53:41-05:00, 2011:03:08 15:55:59-05:00, 2011:03:08 16:02:42-05:00, 2011:03:08 16:36:24-05:00, 2011:03:08 16:41:32-05:00, 2011:03:08 16:42:51-05:00, 2011:03:08 16:45:14-05:00, 2011:03:08 16:46:11-05:00, 2011:03:08 16:51:49-05:00, 2011:03:08 16:52:54-05:00, 2011:03:08 17:02:40-05:00, 2011:03:08 17:04:35-05:00, 2011:03:08 17:06:09-05:00, 2011:03:08 17:19:31-05:00, 2011:03:08 17:23:48-05:00, 2011:03:08 23:32:23-05:00, 2011:03:08 23:32:23-05:00, 2011:03:08 23:47:18-05:00, 2011:03:08 23:51:17-05:00, 2011:03:09 01:18:14-05:00, 2011:03:09 01:19:05-05:00, 2011:03:09 01:21:14-05:00, 2011:03:09 01:26:04-05:00, 2011:03:09 01:43:12-05:00, 2011:03:09 01:47:44-05:00, 2011:03:09 01:52:53-05:00, 2011:03:09 02:04:22-05:00, 2011:03:09 02:08:35-05:00, 2011:03:09 02:52:28-05:00, 2011:03:09 02:54:13-05:00, 2011:03:09 02:54:17-05:00, 2011:03:09 02:56:18-05:00, 2011:03:09 03:02:57-05:00, 2011:03:09 11:34:39-05:00, 2011:03:09 11:34:40-05:00, 2011:03:09 11:37:18-05:00, 2011:03:09 13:09:08-05:00, 2011:03:24 12:51:18-04:00, 2011:03:24 12:51:20-04:00, 2011:03:24 13:34:59-04:00, 2011:03:24 13:54:25-04:00, 2011:03:24 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7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 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7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5, Adobe InDesign 7.5 History Changed : /, /metadata, /, /, /, /, /metadata, /;/metadata, /, /, /, /metadata, /;/metadata, /, /metadata, /, /metadata, /;/metadata, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /metadata, /;/metadata, /, /, /, /, /, /, /, /, /, /, /metadata, /, /metadata, /;/metadata, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /metadata, /;/metadata, /, /, /, /, /, /, /, /, /, /, /metadata, /;/metadata, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /metadata, /;/metadata, /, /, /, /, /, /, /, /, 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Ignore minor errors to extract all Metadata Date : 2013:01:31 02:31:03-05:00 Creator Tool : Adobe InDesign CS5.5 (7.5.3) Page Image Page Number : 1, 2 Page Image Format : JPEG, JPEG Page Image Width : 256, 256 Page Image Height : 256, 256 Page Image : (Binary data 6277 bytes, use -b option to extract), (Binary data 7961 bytes, use -b option to extract) Format : application/pdf Title : U.S. Department of Veterans Affairs: Graphic Standards: Tier 1 Creator : OPIA Subject : Graphic Standards, VA Seal, VA Fonts, Graphics, logo, seal, VA, Style, Style Guide, VA Colors Doc Change Count : 104033 Producer : Adobe PDF Library 9.9 Trapped : False Page Layout : SinglePage Page Count : 71EXIF Metadata provided by EXIF.tools