Roland Corporation TD 7 Owner's Manual Om.ocr
Roland Corporation TD-7 Owner's Manual td-7_om.ocr Roland Corporation - TD-7 - Owner's Manual
User Manual: Roland Corporation TD-7 Owner's Manual Roland Corporation - TD-7 - Owner's Manual
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Roland
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OWNER'S MANUAL
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IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE
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As the colours ol the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected lo the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
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Roland TE] - 7
F-‘EF'~lCILJSSll:|l\| SUUNIJ l\/llIlElLll_E
OWNER’SMANUAL
INTRODUCTION
Thank you tor purchasing the Roland TD-7 Percussion Sound Module; TheTD-7 is a superbisound
module incorporating Roland’s latest technology. To take full advantage of the TD~7's capabilities,
and to ensure years of ll'0Ub|€f-Tl'8Bj-.S8l'VlCB, please read this Owner's Manual carefully.
Copyright © 1992 by ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the permission of Roland Corporation.
Important Notes
Be sure to use only the adaptor supplied with the unit.
Use of any other power adaptor could result in damage,
malfunction, or electric shock.
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Power Supply
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OWhen making any connections with other devices,
always turn off the power toiiaglliequipment first; thisiiiwill
hell? Prevent damage or malfunction.
,
I Do not use this unit on the sarnepower circuit with any
device that will generate line noise, jsuchias a motor or
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Maintenance
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O For everyday cleaning wipe the unit with a soft, dry
cloth..(or one that has been slightly dampened with
w‘ater)."To remove stubborn dirt, use a mild neutral
detergent. Afterwards, be sure to wipe the unit
.th0r<>tl9hlviwith a.s<>tt. dry Clothg
O Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the risk of discoloration and/or
O Thepower supply required for this unit is shown on its
nameplate. Ensure that the line voltage of your
installation meets this requirement.
deformation.
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lAvoid damaging the power cord; do not step on it,
place heavy objects on it etc.
OWhen disconnecting the AC adaptor from the outlet,
grasp the plug itself; never pull on the cord.
I It the unit is to remain unused for a long period of time,
unplug the power cord.
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Additional Precautions
I
I Protect the unit from strong impact.
I Do not allow objects or liquids of any kind to penetrate
the unit. in the event of such an occurrence, discontinue
use immediately. Contact qualified service personnel
as soon as possible.
O Never strike or apply strong pressure to the display.
Placement
I A small amount of heat will radiate from the unit, and
thus should be considered normal.
I Do not subject the unit to temperature extremes (e.g.
direct sunlight in an enclosed vehicle). Avoid using or
storing the unit in dusty or humid areas or areas that
are subject to high vibration levels.
O Using the unit near power amplifiers (or other equipment
containing large transformers) may induce hum.
IThis unit may interfere with radio and television
reception. Do not use this unit in the vicinity of such
receivers.
I Should a malfunction occur (or if you suspect there is
a problem) discontinue use immediately. Contact
qualified service personnel as soon as possible.
I To prevent the risk of electric shock, do not open the
unit or its AC adaptor.
[
Memory Backup
I
IThe unit contains a battery which maintains the contents
of memory while the main power is off. The expected
life of this battery is 5 years or more. However, to avoid
the unexpected loss of memory data, it is strongly
recommended that you change the battery every 5
years.
Please be aware that the actual life of the battery will
depend on the physical environment (especially
temperature) in which the unit is used. When it is time
to change the battery, consult with qualified service
personnel.
O Please be aware that the contents of memory may at
times be lost; when the unit is sent for repairs or when
by some chance a malfunction has occurred. Important
data should be stored in another MIDI device (e.g. a
sequencer), or settings written down on paper. During
repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry
related to memory itself is out of order), we regret that
it may be impossible to restore the data.
OWhen the battery becomes weak, the following
message will appear in the display:
="+eralou
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Please change batteryas soon as possible to avoid the
loss of memory data.
Conventions in this manual
[ Name of a button ] : Represents a key or knob on the front panel of the unit.
W : This symbol is followed by a page number where relevant information can be found.
=l= : This symbol is followed by a cautionary note or important information.
If". : This symbol is followed by what you should refer to.
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TABLE OF CONTENTS
I important Notes
I Conventions in this manual
I Table of Contents
I Panel Descriptions s
I Features
t
I Installing the TD»? on a Stand
.
Chapter 1 Playing the rm
l Chapter3 Patch Setting
Connections and Precautions ............. ..'l2
Power ON./ Power OFF ...................... ..17
Adjusting the LCD Contrast ................ .. 18
Playing the Demo Songs .................... .. 19
9":P§-°i\9:" Quick Start ( Experimenting
with various performances ) .............. .. 20
it] Patch Selection ........................................ .. 20
f2] Rim Shot .................................................. .. 20
i3]
:4]
f5]
j6]
Choke Effect ............................................ ..
Playing Sequence Patterns ..................... ..
Patch Editing ............................................ ..
The Patch Chain ...................................... ..
22
23
24
25
| Chapter2 Basic Operation /Thside“theHTD-7 I
1. Basic Operation ................................. .. 30
[1] Setting Parameters .................................. .. 30
[2] The Jump Function .................................. .. 31
A [3] Main some-n..........i.............................
2. Inside the TD-7 .......
N
34
.................. ..;’.,:i..t.*36
[1] Parameters inla Patch. ......................
37
[2] Other Parameters .................................... .. 38
I
1. Setting a Patch ..................... .......... 40
[1] Naming a Patch ......................
.......
40
[2] Assigning at Note Number to a Trigger Signal
41
3] Setting Various Trigger Parameters .......... ..
j Instrument Section ....................... ..........
a. Setting Sound 1 and 2 ......................... ..
rb. Layer................................................... ...
[5] Performance Section ................................. ..
[6] Effects ....................................................... ..
a. Parameters for Effect 1 ........................ ..
48
49
49
52
56
59
62
b. Parameters for Effect 2 .....................
64
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[7] Hi-hat Control Pedal .................................. .. 65
[81 Program Change Numbers
................. ..70
2. Patch Copy ........................................ .. 71
3. Global Performance Parameters ....... .. 73
I Chapter4 Editinglnstrument Sounds
I
1. Instrument Parameters ...................... .. 78
2. Instrument Copy ................................ .. 89
[Chapter 5 Phrase Sequencer
I
1. How to Record Sequence Data ......... .. 92
2. Phrase Sequencer ............................. .. 95
[1] Recording and playback of Sequence
Patterns ................................................... .. 96
[2] Setting Beat and Measure Number
and erasing Sequence Data .................... .. 98
[3] Selecting a Performance Type .............. .. 100
g I Chapter6 System Setting
1. MIDI ................................................. .. 108
[1] MIDI Messages ....................................... .. 108
[2] The TD-7's MIDI Messages .................... .. 111
[3] Setting MIDI Parameters...............
114
2. Setting the Interface Mode ............... ..123
3. Using the Footswitch and
Sound-on-Sound .............. .... ........... .. 124
[1] How to set the Footswitch Mode ........... .. 124
[2] Using the Sound-on-Sound Function .... .. 126
4. The Sound Setup ............................. .. 129
5. Initialization .......................
[1]
[2]
[3]
[4]
Tempo Setting ....................................... ..
Setting the Metronome .......................... ..
Available Memory .............................
Synchronized Playback ......................... ..
104
104
105
105
132
[1] Hi-hat Control Pedal Initialize ................ ..132
[2] All Initialize ............................................. .. 133
[4] Copying Sequence Pattern .................... .. 101
3. Tempo, Metronome, Available I
Memory and Synchronized Playback 104
I
I Chapter7 Reference
I
.
.
.
.
.
.
Error Messages ............................... ...136
Troubleshooting ................................ ..138
Patch List .......................................... ..141
Waveform List ................................... ..144
Instrument List .................................. ..146
Initial Settings ................................... ..150
_~.to> 1-l=cor~o-» Blank Chart ....................................... .. 153
I Roland Exclusive Messages ............................. .. 156
I MIDI Implementation ................................. ...... .. 158
I MIDI Implementation Chart ............ ... ............ .."....I164
I How to read the MIDI Implementation chart ..... .. 166
I Specifications .................................................... .. 167
I Index ................................................................. .. 168
I Information ........................................................ .. 170
PANEL DESCRIPTIONS
@oATA Dial I-it P. ts)
@)sYs"rsrvt button (tr P. 34)
@PHnAsE seousrvcsn button (wt P. 34)
@voLuME Knob (er P. 131) @DispIay re P. ts)
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Jack (er P. 12) I I
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@Lefi Cursor button (w" P 18)
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@ ENTER button (Q P” 19)
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Right Cursor button (W P. 18)
® EXIT °“"°“ I“ P‘ 18)
@ JUMP button (ire P, 31)
@[\/OLUME] Knob
PHONES
Jack
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(Itittrwct l1r:*:.ttl|"1l'tt'.ir1r:.~'. tt:.g. ltolttnrl RH-1'.?.t'l ; optional) to this jttt-It.
TI1c;tppru_pri;itt: impetltincc ul‘ltt*;td|>I1uncsis 8 to 150 oltms. I-Twit
when l1L*1l(lplit.Jl1L'.*i tire r..'t'.rttt1r:i.'tc'tl. sotmtl is output tlTl't.ltlt.{ll iliff
Ol.F'l'I’t.i'I" jacks.
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This knob controls the voltrntc of the sottntl output througlt the
OUTPLIT jacks and PHONES jr.-tck._ . _
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@. Display (LCD)
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The tlisplay indicates the current operating ttondition or value of it
particular parzttnt-rtcr.
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® Left Cursor button
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This btittnn t1'tovcs the cursor l'lla.~;l1ing point) in tltc LCD to the lelt.
@ [DATA] Dial
In the I’tit<;'lt l’l:l\»' scrt':cn,'tItt: sortie button will serve to L‘;lll the
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Use this dial to select pr-trantctcrs ;.1ndr'or set part-tmetcr values.
@ [SYSTEM] button
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seqttence of littttfltes in ‘ti Ptttttlt Cltain.
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Right Cursor button
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Use this button to set p:-trarneter values wlticlt apply to the entire
This button :11t"i\rt;-is the t'.'ursor(llttsIting point) in the LCD tothe rigltt.
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system, such as those for MIDI ( W‘ P. I08ji.footswitch(_#11%I’.24 I
In the Pittclt Play st;'rct*n, the SLIIIIL’ button will sun's to call the
or Sound Sclupt A? P. 129 I.
scqtttritcc ol I3’;tt'tfl"tcs in :1 Pittclt Clilllll.
*1“ ”
Q.) [SEQUENCER] button
® [JUMP] button
Ilse this button to set or edit tltc Sequence patterns of it Pltrztsc
Use this ltutttirt to jump lii1t'.rt"c'i to Ll spt*ciI"ictl .‘iL‘IL”L'-l‘i.
Sequencer IA? P. 92) for Sync pcrtortttartce, etc.
® [EXIT] button
© IEDITI button
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Usctl1i.~;l1t|lir'1rn to lcttvt-.= (exit) the cttrrcnt st'rcen.
Use this button to set lnstrumem paranteters or paratticter values in
It Patch re-r rt. irii.
@ [ENTER] DUTIOH
Lise this button to t-'xct:tilt.= l'prr.>t'cetI with) the r'tper;ititrn.’I'irnction
you ltitvc set.
" The lSYSTEIlil, ISEQI..iEI\iCER] or IEDITI button may be ztssigncditt
different function depending on the .I’ar;tmctcr Setting l)isplay.
[POWER] Switch
® MIDI MESSAGE Indicator
This switclt turns the unit ON and OFF.
This indicator lights when MIDI ntcssrtgcs art: lacing rettcit-'ctl.
6
® Cord Hook (W P. 7)
@Au>
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the desired Function to the footswitclt, such as l’atch selector, hold
OUTPUT (L/Ft) Jacks (STEREO Outputs)
V
swiiclt <'.:|'~rec<.>rcling start so-'iIa"|1 lor 5o11ml—-on-Sounr.l (W P. 126).
5 "'-'"-"~*-I‘-ltis is":t stereo -"f::Ck--1":afid‘tlleféforé slio{ild“""lSé -"divided "-ifitt) two
'l"lw.~ic j:1Cl{'3lpr<'.>\*id£=:t +;t~@rettt>ttt'l5t1l.. 'Ft'.11'1noh:2it"l";il on tlputj fin?-éit lint‘
monuu ml inputs with 11 special c1tla|e(PCS~51 : O]7ll('}l1£ll)\\=’l1t?I'! using
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@ mo 1/2 Output Jacks (INDIVIDUAL Outputs)
@ HH CONT (Hi-hat Control) Pedal Input Jack
liaclt incl-; |n'o\'itlu.~". out put o|' t mt-' t:.~"vr~:+|1t-=<.'illml lnstrunwnt souncl.
This iztck receives control signals from the Hi-hat Control Pedal (.FD~
3-’ ; optional). This is :1 stereo jack.
t'v'-‘I*"’ 1-‘. I29)
@1/|<|ct< ZISNAHE 3/HI-HAT 4rro|v|1 srrom 2 6/
TOM 3 7/TOM 4 8/FHDE 9/CRASH (Trigger Input
Jacks)
to
'T|tc.~+c input" inrlts :'cu:i\=‘L* t:'i_q;.1c*:' .~;i_t;n:1l.~e lrom the corrti'5pon(|in_t;
Connect: tlw imrlutled AC adaptor to the TD-.7, and then plug it into an AC
tlmtn |'>;|tl.~'. l up to 9 |‘1;tcl.~:'l. "l'ltt: lt'1r+tt't:mt:nt's lt;:\-‘v lwoon |§|‘o-zissigttrrtl
out]:-st. By looping the AC ;1cl;1pl'or C1! hlc around tho Cord Hook, you_ CQD
at thc |';:ctory_ hut you can tflmngc the ztssigttltltrnts as f12‘(|l.llt'L"Ll.
|.m-:\-»'r.'n.t the plug from ;u‘cicl:'*.nt::lly being disconnected.
'l‘|1cs<: are stereo jacks and can recs-ivc Rim Shot ancl Choke EIl'lec't
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signzlls wlwn you are tlsingg optkmztl l“l)-T’ pads. ‘mt can also
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connect otlwr types ol‘p;1ds t.c:.;.;. PD-2] : optional) to tiny ol tltesc
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iztclot using at lT1t'7fit')C1ll}lt‘.
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Connect the supplied AC ztdztptor to this izlck.
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@ Cord Hook
Note: l’lc;tse use’ only the lH{.‘.|ll(lt‘(l AC adaptor. Using otltor AC
Lot tp the AC1 aalzaptor cord around this hools to |*>1"c\-1-rot tltc".-1¢l;:ptr'>r
aclzzptors can result in malfunctions or electric shock.
lrom ;1ct?iclcnt.;1l tlimattncciimt.
7
FEATURES
1. The TD-7 contains 512 percussion sounds!
I Sounds
lip to 5'12. Instrument sounds can he created using 2‘3('.$li;1sic pwcussion u-‘at-'el'onus. Para meters involvetl with sound creation are Pilrh. l')e<.';n*. I-’;it1tti:'t_u,.
i\iuanee. lirilliance. Attack l')an1p, \-"elot.'in-*, Pitcli Bend, \-‘olume and Assign 'l‘ype.
The zeta wilt-'cl'or|ns in<:|u<.le +13 kick drums, it) snare drums. 56 tozns, 8 lii~h;us, S L‘§’t11l11ll.‘~;. plus 32 additional pen;ussion lnstnnnenls. also includetl are
ll mallet Instruments (such as \'ihrapl1onel. 3-1i ellbct sounds and 5 lwass sounds.
I Sound Source
The TD»? uses a '16-hit sound sotlrci: t\'lliL‘l111CL‘L1t‘;tlti’l}’ reproduces the Ll;-'nau1ic range and hannonic content ofall the on-hozucl sounds -- depend on ll<.>\\‘
hard you play the pads t_\--'<.-lot'.'it_\'l.
I Instrument Section and Performance Sections
The 'l'D-7 contains one lnstrtm1ent' section and tltree l’erl'orm;tnce sections and t'ltei'clore can he usetl as a 4 Part multi-tiinhral sound module.
I Maximum Polyphony
The TD-7 can play up to 14 voices at the same time. A maxitnum oi two \-oices can be mixed tL.+\YlSli,l._ at which time you can use the \-"'elot'it"_i-' St\'itt'lt.
\-'elo1".'ity' i\""li.\; or \='e|ocit_5-' Cross Fade l'oni.?tii.ms.
I Dynamic Pitch Bend
The amount of pitch bend change depends on how ltard you play the pads t_\-'elocit3-" l.
2. High-speed pad response is made possible by direct trigger inputs!
I Trigger Input Jacks
The TD-T is oquippewl with 9 Trigger Inputs. Lising the specilied pads t l’l)~"--’ : optional l. l8 sounds can he controlled t_sint':e the Rim Shot signal is recognizced
as well as the standarcl center-of-pad signal).
ln the sound module section, two voices can he mixed (_l.AYERl, allovring you to conn‘ol up to i voices nitli one pad (PD-T" : optional J.
You can set MIDI Note i\iumhcr, Gate Time, \§’elo<'it'3=' Cu.r\--'e, etc, for each trigger signal. and output it as a t\-'llDl ?\£t.>teniess:1ge.
I AutomaticTrissereisnel $etti.n9,.Fvn¢ti°"
This function autontatically sets the paraoteters for the trigger signal of each pad count;-ct:-rtl to the Tl)-T’. l’;u';uneters set with this function are. Miilillltttil
Dynamic Range, Maximum l')yn:1:11it‘lt;1i"ige, i\1inimum \i'el<“1cin-'. Mask Time and Threshold l.e\-'el.
I Choke Effect
Using the specified pads (Pl)-7s : optional). you can create Choke el'l'ects 1. muting). This may he uselul lor Instruments like craslt Q-'nil.1;tls.
I Hi-hat Control Pedal Jack
By connecting the specific pedal {FD-T 1 optional} to this jack, you can control the sound llltit-llllt’ section; t‘ont.inuotts|y control the open and closed Hihat, play open and closed sounds and also control the pitch, cleouu or nuance oi a specilietl sound.
8
3. Using the Phrase Sequencer and Sound-On-Sound, you can enjoy spontaneous performances!
I Phrase Sequencer
"1"h@'1"|')-".='i~t eouippetl with a l‘lu';tsc .‘ieqtteut"'i.'|‘ that allows you to record and playh;u‘k_ up to lo measttres oldata. lt can pla_\fihattl< Z-Ii l’t'eset Patterns and
.24 liser Patterns bib’ patterns in total t.
I Performance
You can start or sto ll1t’l)ltf;lSt.*SU(.ttL’l1L‘t‘t'llfillitfili
set ht,-'. taining
I
.. tad. You can also ilav. a l’lu':tst: t' :'ecortlet.l on the set. I t1entfer.lat the tent to you
.
l l . on a
pad (Tap l“erl"orn1;|nce l.
I Synchronization
The l-’lu'a_-so .‘.~?e<|uence1'olthe TD»? can st'l‘tt‘l!l'tit"tiZt_* with an external it-lll')l tlux-"it‘e (via i\'lll.)l'1.
I Voice Click
You can use the sound ol a iluman Voice lot‘ the ‘tempo click‘ tmetroru.;mie'> wlten rectmling into the set.|uencer.
I Sound-On--Sound
You can 1':-.'et.u'tl data into the seqtteltoer and then pla it hack inuuediately. The SotmtI-on-Sound can retford up to iii tne:.tst.tres of data.
4. The On-board mixer and digital effects allow you to control the output at will!
I Effects
The Tl)-T leat'ures two sets ol e-l'l'ect.~t; ltex-'e1'li.-"Delta-' and (Ilu>1'tts--ililtt nger. You can use two t~|*t‘t~t.~s at the sanie time.
This iat:|t I‘L'L'L‘i\-’L‘h' the audio signal lrom an ixtternal plat-'l‘t;|t'k dot-‘ice and mixes it with the Tl)~7's output. The result is output tltrough the l’l~lONES jack.
I Audio Outputs
The audio outputs consist of a stereo pair tOlTTl’l..'T l..:"'l~l't and tw<.:iintlivitlt1:1loutpuIst'lNl) 1 and IND 2!.
5. Other Useful Functions
I \‘i-'ith 5.2 Patclies and H liatclt Chains {of lo steps) av'.1ilal*.tle. tlieTl)-'Fallt1it-vs you to change l’atcl1es during a |ierlor11'tano:.
Q Patch settings can he recorded into the seqttemet" using the Bulk Dump lunction.
I The screen is a 2 line. hat:'k-lit l.Cl‘) t lo t‘li1tt'1tL”l't:‘l'S per line). The Patch t\iumhers are displayed in large. easily read clairaeters.
I You can eonntrct two l‘o<.itsi\-'itrl1es to the 'l'l)~'.T-‘" and use them lor Patch selection, sustain (hold) or Sound-On-Sound control.
I The _li..it‘~-"lli ittnetion allows _\_-tort to more to an}-' specified screen lrom any other screen.
I The T117 is a ltalli-r;-tifk t l lit unit easily installed in a sy'st.e1n rack or on a drum stand l using the rack mount adaptor or stand holder).
9
Installing the TD--7 on a Stand
Use the supplied-screws (.5 x Smml to attach me MDS-7 { I1mm Smml) 10 the '|‘I)-'?- as slum-';1 hcluw;
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fill
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Playing the TD-7
1.Connection and precautions ------------~- 12
2.Power ON/Power OFF --------------17
3.Ad]usting the LCD Contrast ------------ ~18
4.PIaying the Demo Songs ------------ -~19
5.Quick Start (Experimenting with various performances) ------------ --20
1. CONNECTIONS AND PRECAUTIONS
Iidurc setting up the units, ht? sttru tin: TU»? ;ttttI ;tII t-*.\;tt't't1;tl tIc\*it.'os are rattttcltt-tl off‘. ll‘ t't.>t_t malts
conttcctions witlt any unit tut. the .~_s|w;';tI\'er.s tti‘t_1I.IiL‘i‘t_‘iii'lt]‘1Hfi{.‘l‘tIS may ht: t|;1:tt;tgt~tl.
I To play the internal sound module of the TD-7 using pads such as
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3'!-Q HAT
2,SI‘iM'IE
i.&'Mll.)lsignall The I it The default settings are
it1h?t'n;lI reottntl motlult: of the TI)~'-’ will not .~an11ntI.
I
as follows:
Midi In = ON
INTERFACE
sa ttttnt in 1111: 5}'Sit:1t1 .~t *1't.~co 11> "it-titli In = ot+1~"1
11- 11"?
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MODE = STANDARD
Sol‘ I?\i'I'ITRF.r\CI§ in the S1.-'stc'h1 srrtrctt to “.?t'ItT_)I'f)I-I='I‘IiI(} --.\-'1II'..'.II". W P. I35
To get the ntost from the TD-‘F, tt.~&1;' :1 .‘%It?t't:‘i'l output wltestet-'12:‘ |_1<1:t:~'-.il"1|t='.
13
Chapter 1 Playing the TD‘-7
:1
I When using a sequencer (such as the Roland MC-50):
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Set MIDI in the System screen to “Midi In =
Set MIDI in the System screen to “Micli Out =
"F P. I1?
=I=
The default settings are
as follows:
Midi In = ON
II‘-it" P. ll?
Midi Out = ON
Set MIDI in the Systettt screen to "Lt;>c.:tI Ctrl =()FF".l1it‘ P. 120
Tum the sequencers Soft Thru function ON.
Local Ctrl = ON
IR
Be sure to set the sound
setting of the perlorm~
To get the most from the TD~'.?, use :1 stereo output wltencvcr possilJIe.
ance data on the sequ~
encer to match the sound
setting on the TD-7.
we P. 49, 146
1. .l‘_
The TD-7 contains Drum
Sets that conform to the
GM System (General
MIDI System Level 1)
and the GS Format.
It-1'-"~"‘ P. 141
Chapter 1 Playing the TD-7
14
I When using a device with MIDI output (such as the Roland PAD» 1
80):
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H,
-
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-- L------»-u»---.¢----»-----.¢ ------~
I
MID! Sound Module
,_, _ _,, __,,_
_-.-
.r'""=_.-' .=.=' aI- ‘l-‘I"'
:4.-Hm
-
._
--. \. -
; lwl =
.11-nut
‘\‘::",/
Hm :
,-
_r-
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""" li
""“"' o
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--
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,- /._,'
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=-
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2
s
.__
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i3i TI.
i
MIDI Synthesizer
I
l-
3
it
K
TL
55
_,.~. . E
'-;;!
“I lI-E
_.
E Egg-§_
W‘ Ji
g M-1,»--~{l
_ .- _.:-. _. ._
"
it
E ---_-.-'-4'-Z l
i
St‘! Midi in the‘ SysI:'_‘111..~at'rc;?t'11 In "E\-’|it'li In = C);\‘".
-
-.--.-j[.___.._.........-I -|" " "‘*-.m" .-_.»,r.-,. -,.-_—*'-,.;
Y;
<22-- M.F=.;==!{
= t I-_:.
Mm‘ Pad cunllullef
* The default settings are
as follows:
P. .l 1?
Set Fllitli in the S\'stI:z11 SL'i't‘L’Il In "ll=’licli Out ==
I‘. l l7’
Sci ;\"litli in the S\-"stem .~?-{wen to "ll-litli Mix =
‘I-Tit" P. I I?
Midi In = ON
Midi Out = ON
Midi Mix = OFF
In lhis waft,-‘. the .=‘\-ll DI sig11;1ls sent lrum the ex.le:rn;tl clevice. :-and ll"1r:>seoI'tl1e"|"l')-?, 1lI't‘l‘I"IlXL‘£lZtl'l(;l output
Il“11'nu_t__ll'l ll--‘lllfll ('Jl.l=rl'.
=:= When the TD-7 is set to
To gt?! tl1'crn0.~:I llmm the TIT)-7?. use :1 slum: output \\-'l1c:ne\'er pr‘1ssil)|e.
the defaults, no sound is
I Note on playing the TD-7 from an external MIDI keyboard
output from IND 1 orIND
2 (the INDIVIDUAL
outputs).
i\"lll)l wceivc clmnnels in the Tl)-? are pi‘!3|1l'()I.1_f£-II1I!11I‘.“I.l l;-ll the l';1cII:1"y'} as sl10t\-'21 lwelow.
In.~""-11*tIn1t~:r1t S:-mien
: C|1:z1"mel II.)
l’e:'I'<'1r|n;|m"e Secliun l
: (Ilmnncl II
l’e:l01':11;.| nre Section 2 : Channel 12
I’erl't':r:m1m‘e Section 3 : Clmnnel I5
To play Il1eTI")~'.? using :1 a\-IIDI kc}-'|1o;1rc.l. set the tr;1n.<;mi1 clulnnel of the keylmzlrtl to 10.
ll'I|1cI'mnsmil clmnnxrl olthe lim-'ho;1rt"| is 11nt.~;eI l'o;1n§-‘of the :1l1o\=e channels, no sound will be lteard.
fie‘ P. 109
15
Chapter 1 Playing the TD-7
I About the Pad Setup
KI;-‘lawn |":<_1:s.~;il'.1lct connect ll1u§+p¢3t‘ill<:tl p;1dsIPD-75 ; ti[‘liltlI1;Ill to the ‘l'1'iggt+i" Input juttlts on tl1tr"l'l'.)_...,
"l'l1t*F)'l":'iggt*:" Input izlclts ;1z't';tll sttrzeostlllzalt{xx-1>sign1alsI_tl"1c Rim $1101 signzllalltl ccnIc:'-:1!‘-pail ;~i§.1n;:l 1
can he |1rocus.~fcal at {l'te.~+;1me1iz1w.
I Ersing nilu:r drum panda I t"u:tm;*tflt;'cl viz: mono L'1Il'llL‘.*il will not c;u1.we ;:n_\_-' |\rnl>l<:1ns. NuI-limSl1o1s<1untls
will he |m>t'_|1|<_'t-cl. ltutx-wet‘.
A
PD-7
---K
-
WW ,_w~M"”
,,-:::;T;:;
Chapter 1 Playing the TD-7
,,,,_;::~e;W
e e _,;:,"_:__,
,,,,,; _ 1,: ,;_,_,,_,;_ _ ,___T,,__
16
______
,,,,__
_;____
,_,__W___
W W
7
Bu sure all r;lt-rvices are _~"-witclterl ell lwcl'ur'r: m;rkin_;; any cor1n1:clions. \‘l"hen you ltzrws rnarcle all the l
~
.
l
|tct'r:.$:s:t1'y t.‘unrtect1ur1:~'. h\\’IlL"lI on the tlcvittcs lit the |r>llzrw1n;__; nrtlcr:
(D Turn on the Tl)-?-’.
The ill?-i|7l;l}-' will TL‘.~2|'l()lItl1lHl7('llltl\.’l’!-§. This rs the P8’[Ch Play SCl'99l"tllr: range : 1 to 15'}.
Crystal Display.
® l’:'ess [SYSTEM} lrom thc I";rtch Play screen.
rsea>n1n1r1FtIu1
Fa~i@Ee@rL¢@r5ET
® ll‘l0vr'3ll1<:‘ cursurtu l..l:l:3 using
1!llt_l
*
Thecharacters at the
.
cursor position will flash.
@ I>rc-is [ENTER].
l_I:I[Ir it
III r3 1-"; t__. §-"- .3 53. l“__.
I
m
15
@ To adjust the contrast ul the LCD, clmngc the talus witlt the [DATA] dial.
® Press [EXIT] twice tn return to the l)L'-llt'll Play screen.
[W
ea g
Chapterl Playing the TD-7
Psness
18
Playing the emSongs
You can play any o|' the rlcmonstrattion songs stored in the Tl)-T’;
@
Press [SYSTEM] from the Patch Play screen.
QETEFWID
IHI
FE Q; 51"‘? i"i'l F :____: immi- ri i""":::::= j“‘Zjs--4 *T.' . '3'"T'l 5ET
Irfiflfii
@ .\~lnre the ctu'sor' to[1‘Ei‘li:l tlsing [<1] and [P].
L-::»The characters at the
I
cursor position will llash.
(J rwsrenrear
DEWU Mu1tiFieets
STQET ? ~e EHTEE
@
Select a l)cmo Son§.1_ ttsing the [DATA] dial.
®
Pi'ess [ENTER] to start playhaclt.
r
-t- LL
oeno Mu1tiFiessc
ares s ~+Ea1r
@
Press [EXIT] to stop playhacl~:.
®
Press [EXIT] twice to return to the Patclr Play screen.
17*
l
_”_,
l
W
i
l, , ,
K
___,_,,,,,,, ,,
V
Song Title
r
W Freestyle
1
,,
, , ,
V
,.._. ._., ..
—
,
, , ’ _
,_,,,,,
:11?
-
—
if
_____________flu.
l
l
__,__,”””_;____
’_
"___
_ __ y W ,
I
l
Steven G. Fisher is currently the Percussion Product Manaiger for Roland Corporation US as well as an ac- _ \
1
1
-w
\
v
rr
v
_
-
3-
-
"
Music hy Steven G. Fisher 1 complrshed clnimmcr and percussionist. home credits include many Tl; L‘0fl"lft1€t'CltllS, film scores, as well
'
l
j Crjipv,-ight © 1992,
5 Roland US
'
[I
T
T
l
ll
as Llll"ltliTIt~} and recordings witli artists such as Maynard Ferguson, Dizzy Gilespie, T - Lavitz and the
Temptations. His contributions to Roland Corporation include the factory preset patches for the R~8M Total
Percussion Sound Module, "9tl‘s l')ance“ Rhythm Style Card for the CR-80, the factory demo songs for the I
ti
t‘ R-Zttl Human Rhythm Composer and the Dr-660 Dr Rhythm drum machines and numerous clinics and tI]il
‘ riemonstrations.
I
l
l
l
T
-
Biographies of Composers
_,,,, __,,,__,,,,,,:,,,,”_,___:;”_w_m H , W ’ _ __’
e
‘
..
TTTTTTTTT T
MultiFiesta
lkuo lialtchashi maiorer.l in l’ercussion at Tokyo College of Music and studied under Prof. Tadahiro
; Iylugigfl‘)\']]§13(j)K;1](r3l1;{_$;]1i
1 \li":.1l\'aliayaslii. He has also done extensive research on world music (especially Asian and Arabic). He is
Copyrigllt © 1992.
involved as a non-horder percussionist (Ethnic Music ~ contemporary music - electronics, pop music) in
Rt-)1-,.mrl
session and studio work. He also produces Computer Music Software and advises Roland on new musical
p
l instruments.
e
ages
‘:._
~e
»
»
~ ~~~*e~—»*»~»~»~:~*,_
a, H,
__,
W
,
,
———
~—— e — ~~ P P
— — ~;~ ¢_, W: P ;~~~~~~; ’~—~—~*~*~
~~,~;~
_ _x
_ r *~*~**<>
Atsushi l"loshilt:t is a tltt“tl1l)t‘.t' of one of Roland's engineering teams. He performed an important role in the
L} [\.-qusic by ],r[_Su5|,; HUS]-lgku
development of the It-'?tl, as well as the It-ti and the I§.)lt-55(l. He has also rlirccted his talents toward the
l Cam.-,i;g]]; @ 1991
creation of demonstrat.ion songs for the R-*3 and the R-8.
I Roland
l
Warriing 1 All rights reserved. Unauthorized use of this material is a violation of applicable laws.
19
Chapter 1 Playing the TD-7
5. Quick Start (
performances )
...I-.
"l‘l1e"I'I'.)-7* t'nnt;ttns 5.2 prepn1§_{ratn1ncc.l l)'.ll'L‘l1c‘.*~;t I-_*I2t\\'l1it'l'1t';1It he used right run-=;t_y.
I1,
A “Patch” is a collection
of sound settings (stored
I
Fir_~;t. cnnncct the Shccillietl Imtls; t |’l_')-'?-Kt and the l-Ii-hat (Inntrnl Pctlrtl E l‘I')-Y-=’_l In the 'l"l'..7-T".
\\'-"'l'rcn all the connections :.1:'ecnrr'cct and suture, turn en the 'l‘I'_)-T’.
at a numbered memory
location).
I’. I2
I’. I7
[1] Patch Selection
Tn cltztltgc I-’;tt'cl1e:s tlrnm the Prrtclt I"l-at-' st;r"cc11_§:
-:i= Depending on the patch
S\\-’itt.'l1iflg nn tl1c'l“l)~?'t\-’ill ;rulnm;ltir.';1llyslslccttltc Patch Play surccrt:
selected, what appears
in the Patch Play screen
Patch Name
l
W
llut=
:
l—
I
ll
‘an
I00.
: NIH!
I
I""‘
..
taeaneecfl"?
T
Patch Number
will be different.
"
l
Program Change Number
e For the default value of
I
each Patch, refer to
WP. -150.
Cl'1;11n;c arnynlhtlre 52 l’:.ucl\es (num|1t'-:r't'*t.l .1 {-32} using [<1] and [P].
You can 1llSit.tSt"3lt‘L‘t P:;ttcltc5 hy r'r>I:.-rting the [DATA] tllitl.
e Note on playing the TD-
llyon frat-we set a letrtswitclt properly, you can czltange I’;rIclte.~'; u.~ai|1gI.l"1cl'nol.sn"it'clr. tie’ I’. I2-l
? from an external MIDI
keyboard: ,
MIDI receive channels in
[2], Him Shot
the TD-7 are prepropl grannrned (at the factory)
as shown below .
Instrument Section :
A Rim Shot is :1 pert'orm:.1nce tecltniquc in which hcth the actual pad anal the rim at the pact are nntclr
Channel 10
sinlultanccusly. ll‘ ynu only hit the rim 01' the pad, the proper ellcct will not lac t')l}{'.-li11t;"L'l.
All 52 Patches are set so that Rim Sltots can he pl:.tyc*tl Iron] each pzrd.
Performance Section 1:
Head
Ir
;
I
at
, I Channel 11
Performance Section 2:
Channel 12
Performance Section 3:
Channel 13
To play the TD-7 using a
MIDI keyboard, set the
transmit channel of the
keyboard to 10. If the
Select Patch 1'? (Augtrst ITo create a new Se-
ttnntlter Set.tt:entfe Pattern will he plat-'et.l.
quence Pattern, follow
the procedure Ion page
I Once
Hitting it pntl will t-:11 use the twrespnntling Sequence l-‘ztttern to pltt}-' tltrnuglt once. To play the Pattern
.
92.
ttgz-tin. simply hit the ptttl again.
Select Patch 21 (Strckekitl;1st|n tr:-:;ttt1|1le.It~’-ti‘ P. Ztl
Hit the head of the Pl)-T?’ t't>nnt:‘t‘tetl to the MTOM 1, 5/TOM 2, 6/TOM 3 and 7/TOM 4 jack
to play the sottnd. in this way. ;-1 Setlttence Pattern will also he played (along with the sound).
Select Patch 22 t'_htttt.'litm kit). tltett trigger the TOM1 sound with :1 Rim Shot. By doing this, another
Set|uertce Pattern will he plttyetl.
I Tap
i
The TAP functicn allows yet: to trigger the notes in :1 sequence one at :1 time. That is, when you strike
at ptttl, the first note of the Seqttence Pattern assigned to that pad will he plttfretl. ll you strike the same
pad ttgztin, the second note in that Sequence Pattern will he played and so on. .
Select Patch 23 ti Dance kit) :.-ts an example. “*3” P. 20
Hit the head of the lit)-‘F ctmnectetl to the 4/TOMl and 5/1’OM2 jack to play the sound. The first
nti:t.enft.l1e Sequence Pattern will he playetl sirnttltttnettttsly with the sou nd. ll ytittt keep hitting the pad,
every sttt't?essi\*e note ol the seqtlenee will he plttyetl.
23
Chapter 1 Playing the TD-7
[5] Patch Editing
The iol.l0wingex;n'n]'>|e t;‘.\"|J|2liI1!-3l1(.]WI{)t3(litPitlflll l tochange l2(i:Frn7.n.S tr) l52:Ht1gt+.S. First_se.lt-.+t't
P;1tt1l1i?.II§'"‘ [K20
=fi;>“Editing" is the process
f
whereby sound pararneters or Patch settings
Be sure at PD»? is cenneetetl to the 2/SNARE luck on the rear of the 'l‘l)-?.
'
are changed. '
® "Press [EDlT] horn tl1el’;tit*lt l’l:13-'>i.t‘1‘een.
KEDITEPQTCHEIHST
F'"'33F'""H"'3F"'*"5 '3F'F"1 i
A
® Move the Cuirsor to F'l:lTl:H tnaing [-1] at ti [Pl E then press [ENTER].
[F‘1?]TlT=iIi3§FI=-=1EF*1Iit*i
HUTEEPDLEHQNEEEF
i
. .
(3) Meve the cursor to l"lL.|TE using [<1] and 17'] . then press [ENTER].
Note hiumber
HUTE€#3B}5eund1
Inet=1EE§Feezn.E
‘X-
One of the following
screens may be shown
instead of the Sound 1
Change the Note number to 58 by hitting tl1e.ri111-el't:1e pad connected to t.l1e_2_r"'SNA_RE inck.
screen. If this happens,
move the cursor to the
Or move the cursor to HEITE and select #33 win the [DATA] dial.
In the i':1r:ton' preset setting. “126:Frozn.S" is assigned to Note Number 38. Change this to 1 32:Huge.S".
far right on the first line in
the screen, then select
@ Mevethecursor to the Instrument Nt::11l)ert'_lIE¥§:~}t1sing [4] and [P].
the Sound 1 screen
(i5=:=i.n"n:l1) using the
[DATA] dial.
r
® Rotate the [DATA] dial to select "152:Huge.S”
l
Ifie-t_-=51l7;Ԥ
i:~+"t"..E
i fi jjfifrfif;
New, hit the pad connected to the 2/SNARE jack to confirm th;-"it “l26;Frezn.S"' has clmngecl to I
'132;Hug¢_S"'_
H1IiTE-=II t|=Ti’-:51 II=-Laaei-IIIFF
.
.
.
.
-
Foradetznledexplzmatton about Instmment msssgnntent, :'efert0p;1ge '_.?’-*5.
l
E"
N
t — E
E
E
V
HUTEi#38?JPTP1Q
JUMP he TRIS ?
=i=
Two different Instru-
ments can be assigned
to each Note Number,
but only one Instrument
has been pre-assigned
to Patch 17.
Chapter 1 Playing the TD-7
24
[6] The Patch Chain
l
The Patch Chain ltmetinn ;tllo\\-aw yt at tom'r1:1tgt*tl1efi2 l-‘ateltes in any ertle1'you like. You can then
.~;e|et't them In-' pt‘t*>tsit1;.t;t lhttt.<\\‘itt'lt nt'ttsi1't§__-1
atntl
.-ts Sl1n\\'n in the l’tiIlt1\\-‘tan; l*i§.z,t::'e. the l'it'.-tt l-’;|tt'h will he selected ;1l"ter the lztst Patclt (il you ztclvztttce
lllt't'tt|§3_ll at t"h:.iin one I-’:1tt‘h at :1 time).
Cl~tAiN 1
STEP 1
PATCHIT
CHAIN 2
CHAEN 3
STEP 2
PATCH1B
TCH
am- 2
Pmcme
tcn
star» 4
PATCH20
r=An;52e
ATCH__§
sttn 5
PA
gncuze
PAT‘:"i 5
A
step ta fi
STEP 7
Pd
l‘iii331
-t-1 xII
.lI
1'I5-J
ll.
l13.?\.'‘9
binu
1*|
r>4#
4ec:4Jr:44r:
STEP 9 - 3
. .HiPATCH32
we
:
STEP B
PATCH 2
‘i
PATCH 3
égtcn ’
ten.
__
T
5-"""Mm“
lPATCH__L
E: r if
PAYCHE
2ii
4,
iwqizn 3
-<3;
I l.s>Arer*§j_
"" l"*="-'-ti 5l‘ ‘
[l1iT§i"' 5
l
T
“Arch L
L7
3
l
fientif-Z
1'1
L"‘
1
‘t ;
PATCH 1'
‘
8II
II}
UU2
I
IlI
I
OO
EII
I
4#r-->4Jr:4-e:4—_we
STEP15
l\TCH1‘5
STEPTS
iEhe
tElllhe
“u1::‘P TCH
___‘ ”I
EI fil_*TmiIm ‘ca
c
NORMAL
$__“—.
P§TC§_
l t=ATtiFTi=§TN
k_
in-§c¥4T3T’
m>=rF"; =
l lITi'¥l§;‘“,‘d + 51
E
t
. __ , .5.
.
‘_§?§rc_nis;’
jaicinfiefi ‘ yfqrtfrceys. l
yj
ee;:
g
= .1;_ +-4-».4-4
5
‘tore.w
mw
QQ
wNMl
CHAIN 8
rflpl
PATCH t
PATCH 1
CH2
_
- ~ * - ~ --CHAIN T
F,.;3§_rcufy’f
4T_1T.Cj;4'\I_v-u1~ivifilt Iascalwe
at-4‘P‘‘;,.‘efl54414:» T
'l
y4~
l4Jtj4{
4i
+1;
41
--
t - ~ ~ - - -- [”r?§?E¥¥i§l
T
lr
*
6
Pntcuz 3*
$A'rcn""l
’l
j
lIf
‘i lw
*a
PATPQEE § iyzeiftjtcgg”ej‘_
sI
y‘,1
~43.__[_ ‘
Clegtcejj
‘4.~
Q--l-1- _
[_t>AtCtT|1”5]
1 iee t*ct¢tj; l
‘ll-Q4-l
(-t-.1 _‘
Enttlt-F5] ;
_ F3 l -_§_j l CF
~-»-lmtcmej * leitcmel 1 [fihfcmej l
AlA AMAA‘I4
i444
AElA
‘Al ‘
I
I
IA
IE4
II
‘
III
‘
iC1
I IIII
III
I
an
Eaelt time the lhctswitclt is pressetl. the Patch Chain will zttlvanee he one nttnther. (l.?'si1":g the eurstir
lwuttnns. }-‘ml can ntove in either cli1'eetion.)The number of at step is ti;-tlletl the Step Number. The ‘
lust Step Nt1mhe:'ul';t l’;ttch Chain isealletl the Step End Number. The Step End Ntttttltereatn vztry
ltmn 2-lfi. In the previntts l'i_t:tt:'e. the Step Entl NhmliersnfCl1;1ins 1. and 2 are 9 and 8 respecthtely.
‘tot: can select urn.’ one ollti l-‘melt C|"1;1ins(CIl-l.1'\ll\E l - 8'1. \‘i-"hen set to :'\i(.')llMAl., l‘;ttcl1es l M152 can he
=t= The Patch Chain default
setting is NORMAL.
selected in oztler.
25
Chapter 1 Playing the TD-7
I Using the Patch Chain Function
(D I’rcss [ENTER] ['11 nu the Pzslcla I’l;zy screasn. N()I'{i\-I:’\L is ;|uie:11;|titf;1lly sclccictl.
€CHfiZH EELECT3
A
I-4!j!!?.f!"1.F!!... 2 "j"" EITEF‘
® R0E;:ictI1r: [DATA]:.|i;|l iusuI:;'cl'!l1e Clmin §\EL1111l.1c:'{l-8.}. 1-Icru, sclm Cl-l:\h\? .l.
t
€EHfiIH£ELECT3 {
5HQ1H1*95TEP
*
;
Chain Number Step ndNumber
® I-’ress_ [EXIT] in return to the Palclt Pl;1_\-' screen.
Patch rlumber
'%E%
t
F?
Hugue-
ma
:It'st": 1511- i
-. -+1»- I-r'+
Chain Number Step Number
@ Chan Ie
. I-’z11cl1c*s u:sin=2» ['1]z1nd {P} erafeutswitclt. PatL'l1cswilI|)e:;e|<:cteali|1il1:;~seQ uunce 1
set in CHAIN 1.
}
The preprtilgrzzittatwni PHICII Chain (CHAIN I ) order is 1?"-**1S*>19-'"-*2l')"-~"""*.?.'l ----+23 "-"-*23"-""'->24 -*32.
Chapter 1 Playing the TD»?
26
I Changing the order of the Patch Chain
(D
5\.'$ t;?3x‘|t|uinc'L| ;i])i_.l\’t;‘. SL’?]t3LTI Hit.‘ ]"’;titT|1 Chain in hi.’ ct|ilt’t|.
>i= The
order
in
NORMAL cannot be
® 'P|‘L*ss [EX|T] In rcltlm In the l’;1tt7h Plat-' .\'LTL’L’.i1.
‘ll
ma
edited.
Queue
'%
Efik
®
Patch
KWWEE
mafi
]’rt'.~;.~;
;mt'|
kiJ*
g
F"*Q4"
t1nti]l|1c'$lep Nti:1tltct' ft-‘ml wisll iuctlit is.~;t*|r:t'it*tI. ..“ic'.lt.*t"tSitfpF\itt11t|ter
5 1111' nur cxutttplc.
5% P i i i i i i i‘P at
$3
ihnl
ill‘
U1!
@
-'
‘I.
‘Gill
8
IUC . +
ans‘
non.
‘nu.
F
-
W
U
.I:
.0
liut;1t'et|1e [DATA] tliulle selet‘lIl1el’;1lI*tl1e'l'l)~? are set. as lull: mas;
ht )\"\-' tn set the M I D1 chu n nel.
‘
If the display does not
-_ '
.
:
show the Patch Play
screen, press {EXIH until
§tJ@t;ta@ Peh# en
a-’T—,—~””::,,zf,,,, ,,
',
--' -'
-
I ;.'-L-
I-'.-'-‘;'.-.1
;'--Q.
_,
,,...,....._,,
it is selected.
,_,_;:,,,_,,,f,,
-'
. .- '-
;
'-': -?:"]~'|1\;'."I.:I. .;
'.
the System screen. A menu will he t;li.~ap|;tyet|.
l
l
l
-J
:._‘
For a detailed expla—
nation of the System
screen, refer to page 34.
£17.33
DATA
"1
[C1113
CURSOR
P’
JUMP
EXIT
ENTER
mWtuW,uumtrn
=:' 1:-r-1 tat t I F t It-lt
E=-Emit-*I=r='1¥ET
1
® Move the cursor to the item you wislt to select using [-1]:1n:.I [b] .
,4- The characters at the
cursor position will flash.
T0 cltztnge MIDI cltztnnels. mnx-'e the cursor to P] I [31 .
it
=l=
The TD-7 contains tour
@ l’ress [ENTER].
main screens: The Edit
r-11::-1
screen is selected by
pressing the [EDIT]
Tr"-1*; T :=-=: Eih ==
IE!
butt0n.The Sequence
screen is selected by
pressing the [SEQUENCER] button. The
System
screen
is
selected by pressing the
[SYSTEM] button.The
Patch Play screen is the
default. re P. 34
Chapter 2 Basic Operation/Inside the TD-7
30
® .\'int1't.|ter'tt:'snr'ispt,isitir)netl;ttTi“"‘Il.‘§ T11-II i_1l"t_yet:canselectthe|11n‘a1ttete|'t0l1e edited
hy rntttting the [DATA] dial.
5"‘?
t"~'*I3Ift»--t aiTe€h
e
18
I
©
I.
I
’te§~.s [P] tnt't"tr-wetItet.'n:'sn:‘luthevalue~* lit-lr;'l.
=r= Set Tt"i'£1 T1:-=: Ell": and
Ir"re-t_-
® Rut;ttt‘ the [DATA] rlial in c|t;1n§.:e the value l:\-‘IIDI clmnnel nurttlner l.
Tr"-
Ell": to the
same channel number.
(That channel number is
?\‘rn\'. :1 new r\-"lIl')l rltztnnel has heen set.
generally set at 10) Tr“ 1*;
T:=-=: Cl": and Ina-t. Tr"111 h have b.oth been
To return tn the p|‘e\’intt.\‘ st'|'ee|t. pr'es.~; [EXIT].
This is the hztsie p1'ncetltn‘e |hrt"l1;trt§.1ir1§.: p;|r;tn'1eter.~2. 'l'he_lunt p Funct inn texpluirtetl helew) can he used I
factory preset to channel
1 0.
to speed up the prnress.
1:1-=lf you keep pressing
[2] The Jump Function
[EXIT], the Patch Play
screen will ultimately be
The _lump |’unr_'tinn Itllt')\1-'5 yr >1: to insl;tntl_t-' jump t mere) tn any screen from any other screen.
selected.
I How to jump
@ l».-at [JUMP].
=t= liyou press [.JUMP],and
then depress the tootswitch, you can jump to
the footswitchdisplay.
[SYSTEM] [SEOUENCEF-t] [EDIT]
- I
I
Ie
.3" It F‘L§i’r’ ll i~tlItTE i I I-IET
rr@tFrtP@Ll~1eI
I T I T
[<1]
[>1
[ENTER] [EXIT]
® Press the huttnn in wlticlt tltetle.~;titt;tti0tt screen is rnsigrtetl. Fcrex;-rmple. pressing [EDIT] will
trike you in the screen lnr editing an lnst.rutnent SULIIKI.
T
-it
]'-.[ .3 p';;;_:-
# ,3. ,3, -it 3, 1 -1+ ]_ 1 ,3, ,3,
I1.“ 5
(illtztnging the sound of an
lltfitftltlttffll re" P.
Tr.) cancel tlte_|ttmp. press [J UMP] tttlztin.
31
Chapter 2 Basic Operation/Inside the TD-7
TI1c?c.I::.»'iin;11iun scsven |'<'>:'e;u:I'1 Imtlun is Pffi~ilSSI__Q,l1(-3L'I :11 {I112 I';1ct<.>:"3-'. You um. I10\\-'u\~'u:‘. cimngc this
;is.s'ignl11cn£.
E
I
I l‘)c:»"tin:1l'i<'>n .~;<;rc<:n sclccilscl by pressing__ [SYSTEM]
5‘?
"'3' -..“:-
| ’;1irI1 I’I;|\' .~.¢."mrz1
.Wnfitr
. -..
%£PfiHfi$5
*
'
"
i i‘?-"'" I’. IT
I Dcrstinzition screen selecicul Ivy |1:'@ssinj_1 [SEQUENCEFI]
HDTEi%9E?5aundi I
I~Etm@Pfi»T1@h@»fi
..
.
.
I
(..I1;m_s.::ng 1I1c.\;n:.imI ;z..~;.~a:g.11"a::aI £0 1I1c
M110 ?\EmnIw:r;~; in ihc In.»m|:11c:1t wciicm
I
wnw
I Desliniliiun SCI'E:‘L’l1 selecical by prcssillg [EDIT]
TE+H#38%51+i138
Ham§
€LQFatn5}
E¢IiIi11gtI1c.s0umI of ;m I nmume.-'-ni
I’. ?S
O [)estin;1tiun .~;c'r¢.-*c+:1 seIec£eL| by pressing I4]
H@t@#
IFEEEQEE
m@P=@#@
I~1Ii1ing tlw Triggw ]‘11ll'1lI11L‘Ii:‘f
P. ‘I1
Q [)esti:1;1ti1-ti’;-lt1tL'tt't'-H rirnltcringa Ptttclt in some tt-=35-'.
at a numbered memory
I’ressing [EDIT] from the I’atch Play screen xx-'iII .w'eIect the Edit screen. The menu incItttIt:.~s the
location).
following:
7
aaaaaaaaa777
; F'I:ITI:IHtPatcl1)
’ IH __T
7
aaaaaa I “Editing” is the process
I You can edit data in it Patch.
Betbitt
I
. “I
t_Instrumcnt)
You can change the suurrcI of an Instrument.
"
flit‘ I’. TF8
] I
‘I
You can copy the data tn :1 Pntclt to another Patch or excltatnge clzttzz
betweentwr>P;'ttches.
I’. TI
“
__,-r_
""-
1
»
] I:""'|..-F '1"
I (I-’atcI1C0py,t
_
_
_
-
_ ___,
___,
_
___
. _._____
"___
7
I M
., ., . . ‘IJ
I
I
I I"-'!:IF"'r'
1]I (Instrument Copvt
'
—t
7
You can copy the sounct ()I1'tfl Instrument to tmether tristrurnent or
e.\tch1mger.Iata I‘ret.t\=een two Instruments.
"Fir" P. Ht)
,7
777777777 77777 7777 711777 ' ' r
7 7777 _ 777 7 7
7
7
7
7777——
7—
7777777 7 7 7
7 7
‘ I
II
1
I
‘
77 77 77777 7
4,__4
I3F‘FI‘I
,
.,
I
,
4'
,
I .
5; ‘mu can set the Lrlobal Pztmmeters in the Pertormaance bectufin.
I (GlobalIlerformztnce
W‘ P .3
I, Parameters)
I
I
""7 _
___
__ __
_7________ __
Chapter 2 Basic Operationltnside the TD-7
'
7
34
_
1
‘I
1
I
A
]
whereby sound para—
meters or Patch settings
are changed.
The Sequencer screen ;tI|r nrs 3-Inn to create per|Innn;tnce patterns in the Pltrztse Seqttencer.
which records and Mays
(III IIIIF F»LIII{;'L'I'I I!ILIII.I£IL'hI IIIIL‘ IIDII(.'I\\'IYIgI
back perfarrnance data_
A I:'III“I'-I tP;tttcmt
-_
1
M Yntt can create and ptzty perthrmztnce patterns.
_ __
_
_
Ha
_
TEI*IF'iIt
I -
_
,_
t.‘-et|uence Ie:npi_r.t
II‘:
.
I
--
OIQ
.
"F P92 ‘I ;
1
.
W
hm ct-tn determine the tempo It>|'cI;tt1t plzwhzick.
'
I
1 ,._, ,t ,|_._
I ""
“I
I
"
I'.lI
I
tntltrnnrztttun
‘
. I I
fir P. 105 I
,
I
\\I""hen the 'I'I3-‘E’ is st-'ncI1rnniZetI with other MIDI tlevrces, you can I
determine whether it tmrks as ;t 'SI;|\='e‘ clevice or 1-1 ‘II-"taster" device.
I 1
W R mu..pi Il
V?
"
-- --
.
I-II-.-I I—I .I. I..
‘
,
.
_
-
_
.
,
.
i
IIIie;miutmtti| I}Itt'II1tJf}"1t\’1IIILtI1ItfIt_)i“SI.t..li‘III}{]7t‘i¥‘I'f')I"I313I1C£f(ILIIZI rsdisplztyed.
t'_~\\I;|iI;.tIwIi_-* ;\']i_-*m<):"I_t-'_l
I
=.:> A"5equ@n¢e|-" is 3 device
I’ressin;1 l.\'|ZQI,_?I‘1I\'(III-{It} Irum the Pzttch I’I;t}.--' screen will setect the Sequencer screen. The menu I
“*1? I3. IIII3
777.7.7_____a7_c_7_77__77_7_7
__ _
I‘IETFII._I
I3\-"Ieti'nn<">tnet
__
_ __
‘
I
I
I
777777777_7;7_7:7.T
7]
You can determine huts" the ntetrrmnme shnttld sound during recording It I
and pI;t'_t_-'I1;ri.'It.
K5?‘ I’. III}
I
I I The System screen ;|IIn\\*s gut: tn set the psrtrnzeters reI;tted tn the entire systerti uIIthe 'I'II)~
‘I
sucli ss A-"III")I. LCD Contrast. Atttlin Output. l')em0 song pI;r§-'I>;tt"I<, etc. Pressing [SYSTEM]
k.
I
Irwin the Patclt Play screen will select the St-'ster1t screen. The menu includes the IIl.}IIt_.)\\=’II1]_{:
I‘I I £31
‘r’nu can set IIIIIDI [31tt'1ti‘t1t‘IL‘t‘§._ such as MIDI channel.
3
1%" P. I14 I
I
II: tfiettin I the Inter-I
.
I .
I
I‘
You can cletermine the operzttionttl t'n0£Ies r>ITI)~7.
I Iztce é\'It_It.IC.II
I
. I
5%?‘ P.I2f5
I
. If-II t Ifliti;-;]i;{t;')
Witt" P. I32 1 I
Yrm can retrieve the Iltctnrj,-' preset data .set't'ing:~I.
‘
FE-1.1.? tI*t_>r_>tswitcI:)
'
I Yrrucztrtdeterminet|1eIIunetiunnIIt.heI'nutswitcI1.
I:1'EI"II...I tDentt>Sun_t;st A You cam play the tleinonstrtititm songs.
I I._I:§[3
You can ntljust the LC!) c<_mtr;rst.
I
It’-F P134 ]
1?‘ P. I9
I
W’ P. 18
.
I
; -.
.
This determines Ituw to nut ut si Inats t.Itruu IIh the rear mnel out ttl I I
j EET (ht--1tlncIhettt|*i) I _
P
‘I’
I-‘
I
P
,
I
I |;tcIts.
Q" P.I39
]
35
Chapter 2 Basic Operation/Inside the TD-7
2. Inside the TD-7
The TD»? is di\'itic*t| into .~setttions as §‘ii‘it}\\-‘I1 l)*:'it>\t‘:
PEDAL
‘;§"i14;%i”
BLOCK
CONTHYLPEDAL
TRIGGER
BLOCK
K
N01-E MAP BLQCK
\
SEQUENCER
it
BLOCK
f '"|Nsi|=tL1ivtE|§iT"]
,...,_ W W W M W M " W W ___ _
t \_co.._§FC_T'.9N--_
I PERFORMANCE --_JI
BLOCK
INSTRUMENT
t t_,1;;;;‘;;§;I;;”;f
se;IIO~_ 1 1 ; EFFECT I
I PERFORMANCE it
ii__c_iE§L‘Q"LZ__
j
Moot
MIDI
BLOCK
’----
I
w
i
i
w
i
i
Q
1
i
-_»
—
I 36.}-l.-H -_- - s -A.
PERFORMANCE
3
£1:nun
k _ _. ...§..E§BQ.N... 53. ___ nu» _...»
Miitii IN
L
j
BLOCK
|'“'“'””]
EFFECT1 ;
Q---Q-om-..._.|?
I
I
IEFFEQT git
H \decide,‘ti K -- -- -- -- --* 1
_
Tht-: Trigger BIOCK corwerts the t:'igger :si_en:zl:§ ttwutetl by hitting the patls) into z\’l[l_)i signziis.
'1 ‘he Instrument BIOCR (itf[t?l‘111iI1t.'-S the sound of an iIISiI‘tll1iL’l1l. The '|"I.)-"F t'ontain:~i 31.3 Instrument
sounds ‘I-\’|‘IiCii are mutle from the ;Z_"5t'} wait-'t.-l'oi':1is.
The N018 Map BIOCR assigns L-lH.iiiSfftIiI1ti't"1l to each MIDI Note Number. That is, {rota can
:3: .-
A "Note Number” is the
numberassigned to each
key of a keyboard.
determine the instrument to he |.1l:t_w:'t.l in-* hitting 1-1 pad or |"ihn.-'ing it t'{iIiI'it?L.‘it.‘t| ktft-=l1t>;m.i. The
Instrument section can provicle one Note Map and the three Performance sections can providt-:
one Note Map each. This Ci'L"2iitfS 11 total of Your Note ivlups.
The Pedal BIOCK detennines how to control the sound module with the i~Ii-l1;tt(Iontrol Pedal t Fli-
Ti. '
The Effect B|OCi< prtxcesses the sountl with the on-l.Jo;irtlel‘l‘ects(such ;i:.~i t'e\-'e1‘h'.tz1d i;lto1't1s). The
Effect section contziins two independent eI'l'ects ]7l't'.)L'tf.‘iStif$.
'|"he Sequencer Block records clzitzi oI'tl1c* I’lirase Scqttencirr and pliiys it lmclt. MIDI sigiiais sent
Q3.
from :1 n extemal det-‘ice can lac l”L"L‘Of'(iL‘t'.i via-1 the Note M11 p Block. Tvm el'|'ect.~'. um he tiseti simuit-.1neouslt-Y.
A “Sequencer” is a
device that records and
plays back performance
The MIDI Input / Output Block sets the p:.ir:1mi':tcrs related tol1';tnsmitting;mi;| rt;'t‘ei\'ing_ MIDI
niessaiges.
data.
1,.
_l
"MIDI" stands for Musical
Instrument Digitat Inter—
face, an international
standard for communicating performance information or sound se|ec~
tion messages, etc.
Chapter 2 Basic Operation/Inside the TD-7
36
[1] Parameters in a Patch
I 1:-:."Mem0ry“ is the place
.-'\ liatclt is 11 tTttllt't‘i.ltiti n|'sou1ttl settings tstoretl at a titltIil)t‘t‘t;?Ll iitcititin-' location ).
(memory IC) where data
can be stored and
retrieved.
\-';trinu.~; st‘t'lltt§_1s that determine ltnw the sonntl should he playetl are storetl in a Patch. A Patch is in
turn st: wctl in the internal memory olthe Tl")-7. .»\ Patch il1L'ltItlt.'5. among t"_:tltertlti1tgs_ lt1.‘~itI'tii]iC‘I'il and
cllt.-ct .wttit1§_1s, The Tl‘)-7’ can store up to 52 tlillerent I-‘atcltiss. By using a l'ootst\'itclt while a Patt'h is
ht:in_t; |1lat-ml. jrntt can in:='tantanctaisly :<.elet‘t a nun" l’att‘h. The new Pzttch may have t'om|>lete'ly
t|i|‘I"'ei'ent stttttttls t;mt.l 1.-fit-t.'ts settings '1 for each pad.
f........earsa..e.....................................................5
0 . . . . _ . . _ . . . . . . - . . . - - - - - . - - - - - - ~ . - » ~ a ~ - - - . . . . - - . . - . - . - . - - - - - - - . - - - - - - ¢ ¢ ¢ - ¢ ~ » ~ ~ 0.
_-._
K
PATCH 1
Y __._.,,.;._.:_.:;.-_.__
1 if
TRIGGER
K’ iiéisrnumsnri section {ll
‘
l= § :.
it
i; \:=
.
1
/"-~\ ....__%f::rji£i“§%
I l/- PAo'\.Ml____________ ' rats?“
W
I I
_L_ W
i
i
fix
._
t
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I
\ -- l
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t
I‘.1
- ‘P
_.._...._..........w.-..
We t “\
-'J;
' ' "-tx‘--..‘I/-'
f......._'
\-in t.
'1
l
L “““""/
" I it i I
t
K
l
'- - - ------------~---------------~“- .-*"J
*“~%-sri §
5'Iat ei=2
~
_ ._M_ ;_x
"“
1;"
r.:tt':1.m
Ciltlrltitlill-:1‘ Ill:--all
I
r
'5:
;1'i'F1I.r.'.
” ”
.
l 3l '
-
~.'t‘_tI‘I'\ \.,
I
r\.=r.t"ItI.-nt§".'t.=!'__
E
SQUND 2
1iv.tr'n't.-'.iit.~'r
LILLL
his Q; jjf*j;1jf
l-'!;-}"i'lt.-it-ll-W’:--I \'.'Iltl|":Ii.':+
‘ : j
‘
I §
l
:3
"'1
‘
: t
SOUND 2
i.'~*.t{n>'t;'rtin»-'
p
t I -
”-
-
""'*
EFFECt 2
l
ntr.-i-.-tt.m:r=t|tt'm: 1)
:
rtrwti-\' tlr.n:r'lr J
l __#":_*_'_'“ _*'*.*::_’_*._*..'.'_'_" _f:'.':T_'T'_*:_i_f_’_’__tW*::-l
/,»,. s.
l
316*’
fpERF0p{MANCE SECT|QN1l
J
-
l
' :
_
__
T _____;_:_fi___
ffT ff"”"1Yf"f* PERFORMANCEsouno 1 t.~.t=~..=ta.-1 t
EFFECT
T il (~—---?~~ll—%l-5-i¥7*T ¥ l lTi2L
‘
EFFECT 1
it
l
‘
i
1".‘-..‘:’ 3“.
l SOUND 2
‘I lat-1r'nt-"'1i.*;~‘tU
.iJ...l_ll.}_L1-
liiliffiirefivifji
l
1I_r\"-tt'ma!n1";
' LAY
}/
jl
I1
.-soiiiifi; 1- scone 1- I
tjt\\rIt's'|t!..\'!__
‘t??*"i'if;
,
"""‘"“"
i ’ ' "
\
I
5 PERFORMANCE SDUNQ 2 I-\'$Ill,=li£I\t
,~;_?___---3- -
- -
‘I.|
}fPERFQH'~;MjNCE SOUND 3 lwrwmhj ‘
C__ 1:" _ _;-"
"f"f:"",_“:";_’;’:":"'_"-1
‘~4Ae;_
‘
\rL‘~—-'1“
as yet: can see in t he l'igtire 1tl'K.)\‘L’. many t|il'l'et'ent parameters can he written into a Patelt. The following
e\'plains some important Patelt p:.tramet"en< oi the TD~?"'.
'l'wo tlil'l'erent' trigger signals are output tlepeiitling on l__1£'iVt' you strike the l’l')-I-’s; a signal creatctl
h_\_' hitting the head Of the pad and a Rim Shot signal. lRe1ne:nl_1et'. Rim Shot signals arecreatecl
ht" hitting the head and rim sections ol the pad at the same time.) Up to nine l’If‘J-"F5 can he connected
to the Tl‘)-'.?. so a maxizttuin ol 18 trigger signals can he output.
Head I-tit
@
Rim Shot
_.---"L
=11
A Ftim Shot is a per-
lin if P:.1t't"h. you can also set the lnstrttrnent assignment‘ that determines whitth Instrument should he
formance technique in
which both the actual pad
olayctl hy hitting a pad tor playing a connected keyboard). How the Instrument sounds differs in the
and the rim of the pad
instrument section and {ht-.‘ Performance section. The lttsttttmentseetitm assigns an Instrument
are struck simultane~
ously. If you only hit the
o each i\=ote Ntittilwer and titcrelore each pad t'lteyi will sound dillerenthr. In the Performance section,
hovt-‘ct-ter. the same sound is assigned to each pad (key). In the Performance sectiion. one instrument
sound is playecl with tlilTet'enl pitcltcs.
rim of the pad, the proper
effect will not be
obtained.
37
Chapter 2 Basic Operation/Inside the TD-7
_—:
_
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::j_——_
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7
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In the I I1S{I‘tlI1]t..‘fl{ suction, twu Inst.1'tt1ncnt:~' are atssigrtctl to unc putl t kt;*_\-" I. T|tt:5t;*£\\"'t.'>:+ut1nd:§;t1't3 cztlletl
Sound 1 and SOUfld 2. Thu|1;t1';tmutc2‘cullcd Layer cam he Uh'L'L|EU£|L‘{Cfll"1it'tL‘|1t.}R\-' tltcsc .~+<':ttrtr.i.'~s
should he |1l;-{vs-cl. \"rm can play two suttfltls sinttrltzlm-:t.msl§-* or cI"1;1ngt+ the t'un¢;* t'|u:-:lit§= depending on
how hard you play the: pads { keys L
Sounds can he selcctul from the Suund Group called "Instrument". The TD-'.-F’ contains 312 diffwcnt
Imtrtttnent srmnd.rm . The
two Effects (Rex-'e;‘|'|.1. Ch0ru.~a, ctr.) um he used in l'u1tht~:r c:!1;tn_t;c the mtttttl.
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The Sequencer parztzmrtersztre for mctzrclittg and pl;.1ying hack tltctlattt oftlze Phrase Sequencer.
The System pztrmttetcrs are related to settings of the entire system of the TD-?’__ such as MIDI, Output
Assign, LCD. ti-tr.
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1.Setting A Patch ------------ -- 40
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3.Grobal Performance Parameters ------------ -- 73
1.. Setting a Patch
The llollrming cltupter expl;|in.-1 Iron to'.~aet the p;tr;uuele|'.- that tun l1t.‘5lttt't*tl in :2 P;.|tt'h t H32). 'I‘|u.-we
A
p;u'umeter.~; inclutle thoée lor the Pzttclt ;'\it1ne. the€|"l'1'igger'l|1pt1ts, the lnstnnnent' .“§et'1iion, the I-li~h;|t A
Control Petlul. the lil'l'eets, the l’et'|'ot'm;tm"e h'et't'iun.~s;1t1tl l’r'r.rg|';1|t1 (.I|t;.t11‘r_-re ?\?tnnl1e1'.~a.
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Edit Instrument Edit
¢
screen, see P89817-
l Z
-iEDITlPfiTCH§IH5T
t
t
T Patch Copy
Global Performance
Instrument Copy
® Move the eursortusing ['4] and [P] ')loF'|-lT3._1l"l. then |1re."~;s [ENTER].
EPEEJTRIGEFHEPGW
“'3’TEF'*3“‘-l "'“‘"‘lElF‘F
O At this stage, you can change Patch Numbers by rotating the [DATA] dial.
up
® Move the cursor (using ['1] and [P] Ho HI-ll']E,tl1en press [ENTER].
Patch Number
l ttttttttt_
Patch Name
l
[P23]
F
Haneifiaofiee
T
@ at/lovetlteeursertusing ['1] and [P] )toll1ePutc|'1 a\Iuml1erl‘ielt|.thenselerttl1el’;1tcl1Number
you wish to name using the [DATA] tlinl.
l
® Move the cursortusing [*1] and [P] ttotl1eP:ttc|1Ntunefieltlzuulsturt creating the Pzttclt 3
name.
T
® Select the first clturacter in the new name using the [DATA] dial.
® Press [P] to move to the next clturucterspuce. Select the second t'ltunu;te:'.
Proceed in this manner until the nante is complete.
® Press [EXIT] three times to return to the P;uel1 play screen.
Chapter 3 Patch Setting
a
40
l
--.
7
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[2] Assigning a Note Number to a Trigger Signal
Signals um he t.'l 1nt'rullt'tl. l;i;tt'lt I‘l7-“.-111:1 titttptttu Rim Shut rat;-mil tie utltlition to the !~'~ltttiL'l;II'tl t?entt~r-
A “Trigger Signal" is an
electric impulse gen-
n|'-it:-:;ttl sigttttl It \\-‘lttfit the rim and htxttl nl ilk‘ ptttl 1.: re nl;tt-*etl sitmtltzmetittsly. 'l‘ltereli.>re_ wltett 9P1)-
erated by hitting a pad.
T; ;ts't: ttsctl. iii Trigger Signals (3 lrnm t:;tt'|t ptttlt are [l()S.'-'»ll§lL‘.
The TD-7 can detect the
Tlic 'l'l )3 is ut|tti|1|1t-tltvith‘.1"l'|'it:gt=i'litpiit i;t<.'lts. lisittgttlte .~;|wt'i|'iet.l ptttlsl lv‘l.)~?': option-.2] ). l$Trigger
|..'
.I
timing and strength
(velocity) of the Trigger
.
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Signal via high speed
signal processing.
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-
The l‘0llt.>vt'ittg tlt:st'til1e.< ltott" to ttssigtt 1t l\-'lll)l ;\'=otc i\ittmlw:' tn tutclt 'l'rigge:* 5ig:t;tl.
The S‘§’itil1t')lH Tl - Ti?) .~;ltot\"n in the HL‘l'L'L’li t'eprt.-watt the 'l"t'tt1ger Signttls ct'e;1tt'tlwlie1t tlte head ("ll :1 pail
is hit. ltl — R3. repmettt the 'l't'i;2,g1_t;*|' Sigtittls nutput wlten you play Rim Sltets.
.-=\ssign 11 t\=lll"ll Note Ntittilit.-=1'l_i5~‘_)_?{t tr) catch Tt'ig_ecr Signal. The snttntl moduli: til the TD-7 will he
r:>-A “Note Number” is the
p|;tt_§ct| :.|ccnt't_ling in the ttssigtttttl Mitt? ;\it.|mhet'. The srtuml or pitch that ct1t"n:.~;pnntls to the ttssigtietl
nurnberassigned to each
%\lt'tlL‘ t\'timl wurwill he llt;‘1ti(l£lL"pL’t1LliI'l§1 en wltetlter the lnstrutttent erl’erf0ni1;tnt*e st;-t'ti0n is lacing usecl.
key on a keyboard.
in the Instrument Section. at L|il'l'erent .*it_ItttI'ttlllt1Ht.t'tltl‘tL’t1l'l is 1-tssignetl tn (31-!L‘l1 Mil’)! i\*otr: t\?tttnI1er
;tnt.l tlttt-r|'c|'t tt'ct|il'|'crcttt sottntls will he lttrurtl lay plttt-'in_g ttil'l'ctc'nt putts. in the Performance S9CliOl‘t.
|1t_i\t=.--wt.-:1 the ‘st-‘l sntnttl‘ will he played at the pitch of the MIDI Note hiumher th:-it is eutpttt from the
ptttl.
I-‘l;|§-*in_q zt Ptitl will t.1ut'pttt the t1tess;t_;c nl’ the set ;\-lll")l hittte Nttt11lit:rt.ltt'uuglt lltt.’ MIDI OUT ct)ttnt:t't't>t'
For a detailed expla-
on the :'e;u'n|'tl1i: unit.
nation oi how to set the
transrnitchanneltorMlD|
messages created by
'
Cerresooedence between Note Numbers and Names
_
'
playing a pad, refer to
_ __ __
lllllllllllllllllllllllllllllllllllllllllllllll
Note Name
C8 ‘;
A0
Nora Numbgf 21 --—--—-— 35 -P ~ *
page 115.
e
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was
41
93 -------'-‘l OB ‘
Chapter 3 Patch Setting
I Setting a Note Number
A
(D Select the Pzttclt l’l;ty .~aereett. then press [EDIT].
t
l
an
-an
® Met-'e the t'ttr.sut' to l:'|—l“l‘i..1l"l. then press [ENTER].
te 'retr::er*'l¥? t=*ar=t
aereteeet-" 1§?F
l"::::::: I”T'i
" '.I" " 31%‘
I At this stage, you can change Patch Numbers by rotating the [DATA] dial.
1
‘.
i
..-
® t\='it_i\-"e the L11 rims‘ tn Tl;-1 I lit, then |1re.~as [ENTER].
3
ah
When the cursor is
positioned anywhere
Trigger SignaiNun'tber Ltivel Meter
except the Level Meters,
tE1a{T1}eeeeeeee
you can perform a Jump
To Note. (rt P. 48)
Hate #
5
*B?§D#b
Parameter Name
Note Name
Note Number
t
@ Min-tr": the ctttwr te TF1 I l.::i'=3: T1 :3‘. You can cltttnge the '['t"igger Signal i\iutnhe1'is using the
[DATA] tliztl.
~
ll eztternal pads are eonnectetl, playing Ll pad will ehitnge the Trigger Signal t\iuntl.1erul'tlt;tt pad.
l
l
The Level Meter reller;t:t yttttr pl;1_t_-‘ing strengtlt.
@ Movethe cttrsurttsing ['4] and [P].thenpre:ts[ENTEF-l].TlieLevelA-teterintliezttinnwill
eltange to Velocity value. l’i'essir1g [E NTER] itlte.-mzttrt-rly .;an1|.>le. the (latte Time set let at paid is l‘;tirl*_t-' lnn_e, t 1 nr 2 secr.mr.lsi. every time yrttt strike the pad,
yeti will titttrilll the pt'e\‘it.>tts shunt] tmtl t|'ip,_t2,et" it new tine.
Gate Time ——-W
T
V
Gate Time
l
_-1
V
._
V
V
".:'_.'
T
Time
Pad Hll
Y Note On
V Note Git
r:r~The TD-7's default
:\-"lnnt-' tlrum m;tt'ltine.~; llI1{.l |"ret't"trssit">:t anttntl I1t{tLltllt'*‘.“itf‘1il‘lfi(')l' t*et?t'tgnize l\ll.)lt.‘Ol'Tti1tf.‘€5Ll‘l:§l;?S. Tlterelnre,
setting is “Note Oit
it is ret'untntent.letl that yr )Ll set the 'l'l)-T tn ignore Note (.)l'ltttess;1ge-s.
Pleceive Switch" OFF.
ll yntt set the "Mite OIT lteceive Stt-'itt.‘lt" tr; Oi\‘* tl’. ll? i. the Tl')-7’ can recognize hitttc (.)t'l*1ttess;ages.
=4;-The Gate Time of the
\t=-‘hen the Gate Titnettltn';rtit.tn l'rt.m"t Note On to i\iot.e Ol'l')tlieTD-"F receives islnngertlt;-tntltt-r ('iat.eTinte
set lnr the internal sutmtl ntntlule. the st tttntl will strip even ltelnre i\inte Oil‘ t1tes.~;;t;._';es :1 re rerteivetl. (See
intemal sound module
ligttre ll lveltny). \lt-‘lien the ret'ei\'etl Gttte Time is slterter. the hiote Oil rttessttge=s will he retingnizetl
can be set with the Decay
of the instrument in the
wlten reeeivetl. t1§it*t.+ figure h ltelntwzi
Edit screen. er P. 83
V0
Ufl'i6
~
_
A
Gate Time
I
A
t
5'“
A
Time
A
A Note On
A N019 Q"
Gate Time
Fig. a
Fig. b
_
43
__ -~;_.L__s:;.
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Chapter 3 Patch Setting
O Cross Talk Cancel Group : CrsTlkGrp (1- 4/ OFF) =
~aII?
5""!
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-a >eemeeeee
kfivem
QFF
i---l
five {Z---3
gm»:_."'._
\\i='l1un strx-'ct':tl p;u|.~+ are .~;t-:1 clusv tt >_uctl1cr. the \'iln';|tit1ns L‘1ltlHL‘Ll ht‘ st:'il;1t|.». The '(.I1'us.~; Tull; (.I;mu.'l t'.'}rnu|\' p1'c\"u11t;~; suclt t."t'ru1's.
==\fi§ii§J,t1;tll the p-.-lcls in :1 gt"<>Ls|atl|1c |)1lLl pl;1}.-val and ll1u;~;c ;|l'lL-cm! hy the \-'i|1t".1tittnsltl1c >"-;1m¢: number
t'.(Im.~;.s Tull; C;t|tL‘L"l G1'0t|p = ON J. Tu turn all this lilnctititn. at-t to l:|Fl:.
I Velocity Sense Curve : VelCurve (NORMAL1/2/3/4/FlX32/64/96/127)
A
TREE-=I§T1 j:=-meme
Uelfiuvue m Hnvmes
The Velocity Sense CUWe1'c|1|‘esct1tst|tt: ‘stn:11;:,tl1' will: \\'lticltu=.tcl1 ptul is |1l;|jt-ul. \X-=’lte:"t.»1'tt=.> l -':' The volume of the TD~
“NC)l'{t\-'lAL" (l‘l1IIl“"'i"'t 1, tltc mltlntc will il}L'l't'Ll5L‘? by plat-’i:1§_.s, Iturtlt.-1'. There 11 re -l ;\EOR;\-lAl.. cutws. (Sec
Ts internal sound source
llgttre at helt'j>w.') \t-’l'tcn “FIX” ( F i 3-:1 1 i_~; _~;<;»lt;,~<_*tet.|. the volume will nut he ;:t'lbctecl Ivy playing slmtgtlt
depends
tie. the vuluntc rcmztins c0|1.~;t;ml). Tlttirc arc FIX t.'Lu"w.~; with tlil'lL‘rent' \'L'l0cit5-' \-';tlt1¢*s. (Sec ligutt‘ I1
received velocity value.
l.>el0w. t
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V“""°°“Y
V‘-”'°°i*Y
nu In Hr In -In -I II In I-I I-I -Iv II III In II Ir
t
FtX :27
@————
—————————————— ——1-¢_—;;;i_—;:_—__—_:___:::_;;——————;;
FIX es
t
Ftx 54
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=
96‘
54 --——---—~
-5-
\
-‘
FlX 32
32 ;
——
j—
— efiewww
JjI1iiiiliiii11i
MIN
Strength of hitting the pad
MAX
Mm
Strength of hitting the pad
Fig. a
MAX
Fig. b
O Sequence Pattern Number : 8eqF’tn # (OFF/ 1~48)
A;
TEI@{T1}meeeeeee
Id
5eePtn # e
E4
Hitting at pad will trigger the zlssigtteal Seqttenur l."'.-ttttsm. The Scqtlc11cc:l’uttc:'nwill ;tlst..1|">r:lt'iggc1'¢cl
;
by rcrctsix-'ing :1 MIDI Note On ttttsssztge. \‘€’licn set to l:lFl:, nu Seqttcnce Pzutern will he plztyetl. 1-24
}
are Lise! Patterns and 2348 are Preset l‘;ttt.<:r:1s.
l
Chapter 3% Patch Setting
44
u pon
the
0 Choke 1 Choke (om/ot=t=)
l
I.‘
~e Lt. ' ' lifleeeeeeee
efetohe
W
5%
n-I
p
up
decay will be shortened.
It can be simulated the
i---I
0 '
If you hit the pad while
grabbing hold of the rim,
I
g
0
an
Mute Triangle effect.
"the (jltt the t:l'l't*ct tlk it Qt-'tttl>;tls. cttt. t ram its ohtztinetl witch ttsittt; Pl)-‘F’ |7;t£lS. The Cltolte ellllcct ttttttes
the sotttttl ttltvtt the rim nl'tltt-' p;ttl is lt..ItlL'llL'£l tn" ;.1t';tltl\e l*lt3ti=-=1 1.33 r="i=:tt"-t-:-:= > l=lt3'ti=-=i it t=t=:::r'~e s> ‘SET Ett-=II E
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llt-'ou do not .~;ttcctretl,:"tto\'t:tltt' L'llI'.‘~;ttl'tlSll'1§.1 [4] ztntl [I-] ,.-eelectzttlil‘l'ct'untP:tt';ttttetet‘scrtwthwitlt
=l=
the [DATA] tliztl. .*+t‘lt.'L'Tl the l:li.~l'lI.-1'11 st'|'cctt 113111511. zttttl then hit the ptttls, _
It you wish to change the
maximum and minimum
levels, repeat the procedure or edit the tollowing parameters (Max
Dynamic/Minimum
This |)I't_tL'L'Lll.ti't’ itllntt-*5 you to set the mztxintum nntl minimum \-'olt:tttt.' ltrt't:l.~; {'tl7litll"lL"'£l Item the patls.
Thttt i.~;_ plat-'in_t.: lt:_t|'tlu-r than the set maxitttttnt voltittte let-'t*l will net inrreztse the v'elt.tntt:. Similztrly‘.
]"tl".t§'itt‘t_'-,1 sollttrt tltittt the set tttittitttuttt ltcwl will not tl-:t'tt';tst? the t--'t'1lutttt=.
Dynamic/Mask Time!
Threshold Level).
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I Max Dynamic I Minimum Dynamic : Max Dyna I Min Dyna (1 - 16)
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.
lé
l’l;t}'ittg tlt-'tt;ttttic.~' t-‘an-' llt't'.ittt pl;tt’t*t‘ to |>l;t}-'et'. ztntl the larval ttl"l't'tggn't‘ Sigttttlx t-11 rt-' ht mt putl ma ttt:l11t_'t'ttrtrr
r:-“Dynamic range" is the
to p:tt.;l 1t1'.tnttl';:t'turt:r. The ;\-lttx [)§'n;tthit' and ;\'linimt.tm I)yn;1mic settings t'('ttttpr.'*nS;lltf for such
difference between the
maximum and minimum
tlil'l'c1"cttt'cstttttl lltlllllllllfl -.t mitximum dynamic range.
volume levels.
Tu set the 5\-lax and t\'lll1ltlttll'll l')t*tt;tt1tit.:s, spt:t:il't" the "l'1'Egg§_§t*r .R.i§.;n.tl level oi the putl:-i that tot-rcs|*»ntttls
to the tttztximtittt ttntl tninittttitn \-ttltte.-s of the :\-"lll'.')l \-’ulocit'_t--'.
\ll='lten your playing \-“clocitt,-' is low tic. _t_*ott'rc [tl1t§-‘l£'l_t_.{ st'il"tly) or the 'l"riggn*t' Signzil level til the patls is
low. set the Max ztntl t\-‘linimum l)t=-'n;tmit" l':tirl\=' lttw.
Atty 'l"rigget Sigttttl ;tl_1t'j>vc the lcvtrl set witlt t.l1c§\-lax l)5*tt;ttttit" will he rt-gztnlctl ‘.-l.‘i \-=’='-;-locitt-' I37‘.
=The volume of the TD-
Atty Trigger Signal ltm-'ct'tl1;t1t the let-el .wct' xx-'itlt the trlinintttm l')yn;miit' will he 1'cg:tt'tlt-1| as the \-"'c*lt1t'it'y
t=-':.tltt<-.- st-rt witlt the A-linit'ttttnt \-"t;'lt_icity 1'ul'ct'rctl to in the l'ollot\'ing |t;tr'.-ttttettrr.
7‘s internal sound
module is determined by
I Minimum Velocity : Min Velo (1- 64)
the Velocity value set
here.
TR15{T1}eaaeeaae
Win UE1Q m
S4
You may at tintcs wish to ntztintain :1 minimum volunte level even wlttsn playing very sol'tly. t\*1init1tttn1
Velocity st-':ts this volttmt: lcvcl.
Any Trigger Signal lower" than the level set with the Min l)ytt;tttt.ir‘ is 1't*g:tt'tlt*tl as the \-='t+lot'itt,' tztlttt-' set
ltcrc. ‘Jclocity \-':tlue can he set o\=t—.t" .l.t.3 steps. The l'igurc s|to\'\'n in the tlispl;ty t'ept'c.
'z—W>_<—~—=<~
e
W W
V WW’
Time
nun-an-an
OThre-shold Level : Threshold (1-16)
I
M‘ -"
J '-
‘I
X?‘ ?§
I
"w
-‘
‘I
P‘ dz: ‘Ii
E l
‘nu
P
-:-':'
I‘
I.
IX
1
i
- u
":11:
:24;
:::: ti‘?
":15;
E
II : H-I
1
§
_...
an:
\\ hut tht let-ml ml the 'I'rit;qet'
Signal sent front at pa-tcl islr>wertl1:1n the set tl1reshult"l |t'=-\-'t:l. no seuntl is
= 1
1 lL’.llL- | A l ? sllllilltlfi|l;;';ll'lll'L.lf{_')til.TLll1|"tI'fif\’t?l1llllL’
.
i
\'ll1i'I-lllf_}l1Slht'('t!11{'l'l€P;l{l lveing|1l:t§'t+tll'n'm1 generating
_'-_'.
1
I
J
"I I segut \l_s.;t11t|s in 'ttli-u;e11l"p'-ttls. ln the ligurc helnw. l'rigge1‘Sigt1:-tl @ will cttuse the .~"ntmtllc'1l1t=:plztyctl
I
I
I
‘I -
‘ It
l
\
{
xx lult '~.t Time
=
l
47
Chapter 3 Patch Setting
[Useful Functions for setting Trigger Parameters]
1
'|"|tr:l"t1l|t>\\-“trig r:.~;pl;tin.~;"_lttt11|1'l'e Nuts" and "l’n-\‘icn' list-"I '1 ‘lit-su lttnutit 111$ will t1‘pt‘c‘t'l up llttf prt 1t_‘t-‘as A
. .
. .
_
_
l
ul .‘~lULll1'Ll(_‘£lIllIl}.1ElllLl :t1o|t:tonn;..: wltcn you sci the lrlggtn‘ l".tt'".ttttt:tt.'t‘.~;.
_
I Jump To Note
Wltett you ttrta setting l't'i__t;.§;.;t't' p-.tt':ttt1c'tt.=t‘:~. you can use the lump To ;\.’ntt- lltteutitm tn t'lt;ln;.;c Elli: ‘
=;= when the (;u{$Q{ lg
lnstrttmrrttt ;ts.sigttct.l to it 1\§t_>te Ntt:'ttl1t't'. lising this l'uttt."tiun. lftltl um qtticlth-' .~+ul::t."l thc .\(1lL’ r+t't*t't*tt l.;l.tttl.s t\'it'h l:-ll“ E‘ ‘xiii! L4 1:-“I-t.1tlr"'*E':5?'.
five emu euve ?
.1 Ll l=1 F‘
1;. 2::
H i:i "“"1 ll“?
ilili
® l":'t:ss [ENTER] to .~at:let'"t the .~;t'rt'ctt l't.>t';t.ssi_u;t1int1
.
. an lttst|'utttct'tt to ;t Note Ntttttlm.
M
'l"ut.*;1t1t'el t|lcjtt:1t|)"l't> New ttttltltf. |"1|‘css [EXIT].
I Preview Key
it
\.\»*'lu+n '_~.='ott 1111- in tl1c'l'1'igger Patrtttneter settirtg st'1'eet1._ [1]([SYSTEM]). [2]([SEQUENCEFl])
zmtl [3]([EDlT]) will l.)L‘L‘0ltlL‘ l"t'~;'*\.-'ie\t»-' Key-*s.'llt;1t is, ct-’t'tt ilno ptttl or MIDI tlct--'icl: is LTt)l]l1t';fClL‘Ll to the l
'l'l_?l-?,|1rc*s;~;i|1gtltesckeys will trigger llu: 'l‘l')~?‘sst1>titttls. [1 ]([SYSTEM]) trig_s;cr':s :1 s0l"t sound l. t-'cli'.>t.'it'y t
val tic 52,1, [2]([SEQU ENCE
at lllL‘(llLlll! let-"cl sou nd l\-'clt>cit)-' \-ttluc ti--'-t i. tr ml [3]([E DlT]). :1
loud souttd (\"t*l0t'it"jt= vztluc l.Z?’l.
A
ell
.l
__
_
1
V — w~~—
_
We________
Chapter 3 Patch Setting
_____
_
,,
48
_____e,________
_____._._-_.;.:.M.,______L;________
___
_
_
[4] Instrument Section
llttf Instrument Section1llllt\'\"~»§'lllllttilr-i‘rl§.1l"tllll lttstrtttttent tr_ru;tr'ltl\ir">tt.-' Nurnlver. That is_c;1r__'lt I
'i"The Instrument Section
"l":'ig.1§..tct" 5i_<.;nrtl will pl;n' ;t tlil'lL'1‘t.*r1t ln.~@tt'tttnent. ll‘ from xx-"islt to rlssigrt rt tlillltwent sntmtl to t;';l(lt pad. rm?
is similar to the “Drum
tlttr lnslt‘tttnt'nl $t't'tirrr't.
Part" (or Flhythm Part) in
pad
Mme Number
Trigger
......
~=~~\
INSTRUMENT SECTION
d 1
Sound 2
sow}......-.s.._.____...-.....-_._-
'
38
_mj§sTntrlLi.t
lNSTRUMl§l‘-ll
//
/.1’Q12
r-;‘~ 7
-.@E-lh
,.,-~».'
T8
ff
//“
£12
In-4toto."
3
E N T l *3
filnsraoiryrenr rt
rréisrnfiwsnr
ll?
ltf\t7S_"i_FtL.ll-.ztE!‘t'i' ts 1 tNSTRt._iMEm rs
iNSTFlLlMENT17 i lNSTFtt..JMi_TNTT- ta
iwstjumfirér its
r1~rstvnuMér~t 2h
I
/P
INSTRUMENT
Q
* .@@i=$ultr§*lIr r;T"l_]- rnsrnuqglhtirifij E
_/Ir
/___? 43
L.-....
\rrr..F<8. N.» rt’
\.\
W
L 36
l §""=i""‘l"~iE"lT_-__tsungi *"5TE‘
_‘1M5.'§t.T'_1’ .
lrlsrntrmfint 4*]
___ av _
E. -_ l
[Tl \ -
/'. .
a MIDI rnulti-timbral
sound module. It is also
similar in that a different
sound is heard from each
key on a MIDI keyboard.
1,.
]—-~
'
i
L--ml-“mu”."?“"‘“""'-""'-'“""""‘
|
'
7
if
‘
|
a
Wk H __ 7 fi__ Mir
U
W W
WWW
*~$rr~t
t t .'~$""M§~* 1 = 6
lN5T'HtlMFNT l 1'? : INST RUMENI 1 H3
""'“--~-----------" - - - - ------— "W
V ' W" <~>'i~
—*—*~ ~— . . _
a. Setting Sounds 1 and 2
Yul:umztssigttl\\'r1tlil"|l't't'tttlnstt'ttntt'ntstmme‘luteNttnthtrrttttrczttcvttriuttstttiXittgr;*l‘l‘t:t‘ts. Tltisirt
r--1--For a detailed expla-
t‘;tllcr;l "Layer". Tlw turn lfiSll'1.llllL'lllhT are tfztllctl SOUt'tCl 1 and Sound 2.
nation of setting Layers,
refer to page 52.
.-"\ tlil'l'c1'cnt F’ i lL- I2 l": can he set lnr hrrtlt St rtmtl l :1 ntl .‘§r_>t.1ntl 2 . The pitch is\';t1"i:tl1|c in surtti-tr.me l ll,lt')
rt-rnt 1 ratr.-‘pa. lrutn —~-ittli tt_t In +¢rt~Tt. t _'.l t'cnt's.
F - PA "Cent" is a unit of pitch.
1 cent is 1/100th of a
I Setting the instrument and Pitch
semi-tone.
@ hL‘lt‘tTl' the l’;ttt'h Plrty .s't‘n-rt.-n. then |1r"c.~ss [EDlT].
\
® it-‘lane the t't_rt".su|' tn Plzll-l_l:§l'l. than ]7l't'5H [ENTER].
tasa1TeratFareaa
entstenatnnnsras
O At this stage, you can change Patch Numbers by rotating the [DATA] dial.
49
Chapter 3 Patch Setting
® it-lo\-‘e the t'ttrsr.n' to l"-ll..l_l-E. tlton paws" [ENTER].
Select Sound, Layer or Jump
Note Number
=1: One of the following
HUTE€#3E?5ound1
screens may be shown
instead of the Sound 1
I“5tm@T5lTi9htrH
[
[ lnstrulnent Group
Instrument Name
Instrument Number
Select Instrument or Pitch
screen. lf this happens,
move the cursor to the
far right on the first line in
l,
l
llrlove the cursor to the Note r\’ttr11l"ir;-r. tltcn select :1 i\iot.c :\iumher using the [DATA] dial. ll you ])t'c.'s's
the screen, then select
the Sound 1 screen
(Eor.-tr'rr:rl1) using the
[ENTER] ltcrc. the screen sltows the 2\iotr.+
[DATA]dmL
l
mt:
ittstertrl ol .\intc r\itttnht:r. l’r‘essing [ENTE R] again -l
will rctrict-'1: the i\-‘otr: ;\lttttt|1r:t'tlispl1tt'.
norsressissdaae A
lInst=@3?i Huee.Hj
Note Name
-@»i 'l' -:j_,l,__m
»—~w»;~ii
Hose : "bound1
In*i=3 Ml"-.....l'l shuts
1:
:2‘
.
'
._. -I-I I-4
.
J.
HGTE{#3€¥LfaeP
l IIIFF
T
‘
2_l _
_ _ ________--
g ,
l l-liIIiTE-=11#iT;3E=fI=*-Jl=‘Tr"i'3
rwrs -ie. rrrar
Chapter 3 Patch Setting
l
,,- -cc - .
Keen,’ K ;_
.
e~_,
H ,..._..._
.
_ W.
.., _
__
_
__
_
__
___
_
_W
_
_
_
@ Select the lnshtttnent to he ;tssi_u,1tetl ht‘ rrat;ttin§.t the [DATA] dial.
‘rt-"lie-rt you more the tursur witlt [4] and [Pr]. Mite ;\iumher E1131.-it"tr3 1 . Ii"tE-T.-. lE.:l?5.
T i *3 l"t'l°_r and ii: will llztslt. 'l'r1tflt;tnj.tetltt.' \-':.tlue.~'. more the t.'tlI'.\'t3l'llllllL‘ relemnl pttHilirtt1,lltett rotate
the [DATA] dial.
l)epet1tling on the t't1t'.~".or position. r;lil'|'erenl p;tt‘:trtteter.~e can he etliterl.
‘=3:
:3‘ ...... .. The Note ?\'uml>er otn he etliterl.
Elot.4r"n;l1
Yr ill can set the li_>llowin_=.1 p;|r;tmeler.~;hy rnovlrrg t|iet'ursr1r'tntlris position and rotating
the [DATA] tliatl.
.
Sountll giiii.-li"tII:l1 1 You cart rrrljust the settirtgs for Shunt! l.
Srrttntl .2 Eilllii.-li't=I.‘l:;: : ‘t'rittt';tn tttljusl the wtlittgsl'r>|'F§nttnt.l .2.
lrtyer l.-3';-..-RE-*l""' ; You can rrrljust tl1esettirt§_1s lot‘ Layer. 1'1“ I‘. -32
lttmp Tr>Trig§.re*r' -.:lF"Tl""i*3 ; ‘1’rrtt't‘;t|t jt|:nptntliest‘reenlot‘setting'l‘rigger
Pztrttmeters.
P. 3'5
I i"'iE- T: .......... ..Yr Ill can select the tlesirerl lnslrtlment. ‘r"ot| can L‘l1;lI'l]__{t.‘ the pitrch nlthe lnstrtrrnent hy
seleel int; Pitch trains, the [DATA] rlirtl. The \':u'i;1hle rrtnge oi the pitclt is -=itil.il'J - +~"'ltitltj.l
rents. The pitch can he Cltttngetl in semi-tone t lt_)l_) cents) steps.
l-~-|rZi"t‘E -=11tt=Zi1r5.I:=-Eii:lr_rr-rat
sites
e ~4een
l-:i?l'§ ............. .. You can select an Irtstrttntent with the eort'espr_>nrling number. lrorn 1512.
T It. '§.3il"ti..- ...... .. You can selet:t an instrument with the corresponding name.
rt» The name and the group
name of the instrument
li: .................... .. You can st-:lr:et an lnstruntent with the c‘ttt'1'e.~apotttling group name-
can be set easily. sir P. 82
O Hitting a pad will automatically select the MIDI Note Number assigned to the l -1:» Be sure to set the receive
Trigger signal of that pad.
and transmit MlDl chan~
nelsto the same number.
OAs the TD-7 receives the MIDI Note messages, the received MIDI Note
Number will be automatically selected.
O It you select EIot.tt~"rr::ll.'§-.' in step @, you can set the parameters for Sound 2.
51
Chapter 3 Patch Setting
1
b.Layer
L;t§'L*t';lH('_)\\’!*iYOUlt)|1|L.i§'t\\’ULht.|,ti‘!'L't1I|.flS1[i't|t1‘1L'i‘ttS.Stttifltt 1;1I2d5t1tit‘tt.t2.réttlltihLit1L‘ULl§|§.-'. lt'l,;tycri.~;
st.-‘E to
* When the Layer function
is being used, two
with‘ Sutlttd l will he ]?];-.t‘_s-"’t.".‘L|.
sounds are played by
one Note ON message.
'Tl'1crc am: tire types ul‘ L;tyt:r.~;:
Although the TD~7 can
Velocity Mixtt-rt; i-.-'+§5=ltZ1 Pt ii:-=Z
play up to 14 notes at
The two shuntts ;t_~;.~;i_g:1eLl tr > 1.: pad are tnixctl in ttil‘tL*:"ur1t ])I'npt>1'ttntt.‘~» tlupu11rIirtgr.>n l'1m\' hruxl 3-1 us |w|;.1y.
1'10-.1111 wltcn yet: play at 1: t1'1uclur;ttut."r:'high Icwl. At ;| ltighur wttiztg utter: (':' tn‘ St. Senna! 2 is rtlixrmi
once. this number witl be
reduced when using the
Layer function. It this
\\'itl1$r_aumt t (ml;-'\\"l1v1'i‘§-"rru play very hiuxl. The u\'u1";r!l r-Jrutput let-"cl is rtctr-;1‘mim-tt hy huw |11t!'t| you
causesproblemstoryou.
plat}-' the pad.
set the Layer parameter
of some Instruments to
tIYtFF.
r
\‘€’i1h at h)\\-' srrttittg \-’Lt|L1tf($1l'_\’ I 0:31;, <>r1ty.'*§rn:mI 1. is |1L‘;lI'Ll \\'ltt::'1 fr-uu |t[;r_y \‘<:ry.~;t.1l'ih‘. Buth .~nt.rnr.|.s -.|ru
Sound 2
Sound 1
+
VOLUME
Ali
I
1
It IIIIII
IIIII III
IOIIIIUIC
‘
In- ‘III 0IIIUIIQII
.. IQI Iu‘IIII...
QCIvI"
thI..‘
ins III
~Q-.III.L
\-IQI
II‘vii "-‘.0'I In1-uIc_nIIlo‘-InI OI.
1 <
VELOCITY
Velocity Switch 1 tl-h‘) Ue]. 1:1
I
I
i
"Iii
'§I‘\ 1...B CQIQCI U 'lI U.I.I.Ia¢non- an u‘§‘UflI UIIII .! ! '! .*! -!-!
—~
.£
i5t
-flmm Miii
;1 |,
anon..-nun:.
er»
1
‘N-*'itl1 this Latter setting. only <'1nc=snur1ur1d 1 ishezmlt\'t'tc'1'1§-‘tat:play
suI‘tly. At the h'1tI't1t3SL*Etit1§.{.t)it|§.’§§tILlI't£.l 2 i.~;|1e;tr'rl\\-'I":t.-rtyou pl;r_\f:.rt znrrrlc-=:‘;|t"r*-01'high tut-1-rls. l1‘§_.-*t11:r.ft'1;t:1;.§t.the setting to
liar ex;11'z1|'>tt:. Sr.>unr.t Z is hu;u1l unij.-' it you play the p;.1d.s \'t.'ry ttzml.
Sound 1
Sound 2
-p
VOLUME
~»
$5
JEEEE
V€LOCITY
"I
Q:
WW7
~..~-...-H...’
N
SW
8
Velocity Switch 2 them) U»=';~*l£Ir Em
\‘t=’it'l1t".I1isL:t§-'er sett'ing. as vrith the \-*etr>r?it§' Sit-'i1r'I'1 st-ttittg, only one of the t'\\-'1': suumls is ltrmrrl at 11 time
I'l<:_1vve\-'¢rr, h»:+|'et.l1t3r>\-'<:r';||| mlumr-.-= rmtput is tixctl and is nut ;r['tL=t"t-ml l1j.'3'r>11r'|1I;ryin_r; .*4t:'un_r.:tl't. That is.
playing .».'tt'c-'ngtl1 clc-tc:':11ines \'\'hir..‘h sotttttt is lttxmtl, not the mlumrs level. \‘t*"11ct1 11 st'11;1lIcr\-';:lw: is wt
t any I tn‘l_t._t)t1h’$ntttttt 1 is l'tt.’1tt"(;| wlrn-12 you |1I:tyst'>t'tl§'. :\t at l1ig!1erset't'ing t‘? m‘-Ft}. Sr>unclZisl1r3;u‘d
only wltrsn yet: play \-‘cry ltztrtl. lfleup in rniml that the zttitttul mlumc level lwrml will he <_"ur1st-ant
1‘eg;1r‘-;llcss 0|. ht aw I1;rrrl yr m |">l;1§-'---|1layi1t_g .~;trur1f_1,tl'1 dctwmiztrrs the st ru ml hr3;tt'L|_ nut the < mt put volume.
Sound 1
Sound 2
+
2
un)-
=-:2:
E555
VOLUME
E
"'E‘*0C'TY
_ 1?: _
"___?
Chapter 3 Patch Setting
SW2
EEHEEE
7,
1
__
V
*7
,,
e,.. 8
V __ 1
_,__,
52
_
W *__ _W__w._.L_....._T_:::__ _,__,_,_@,__
W _:_
Velocity Crossfade 1 t ts: i i.-':~';= It C3 tI.It~"-r:t:§‘=-re 1
A
1~
-I
‘ s
\\-'ilh tI ti» I.,;tt’cr .wttir1;.{. thct\msutttttI.~s;t1'e tttirturl in tIiI‘IL*rcnt |‘tt'ttpot"tion.s rIt.*|tunrIin;3, 1 to hot‘: h:t:'tI you
pI:t‘_t'. Wltctt :1 lrmcr rztlttc t I urlt is set. tmIySot1ttt_| I is l1t';trd wlten yotr play \"ert' soltljt-'. As yet: play
;t little It;u"tlur_ Sottrttl I Irumnttrs .'~ttItt;ft'I.ttt1tII it t|i.~;;.tppe;t1's ;tItt>§_.t_t.-.'tIter't while .\'ottmI 2 |'wt.'tm1t.*.~t loutler
and Iottt_It‘r. \\"'Itt'rt fmtt t"Itnt_1ht‘;t Itif..§Itu1'scttirt;.1\;tIttc't* orttt. Stttttttl I ittt't't';t"~@t'.*~'. in \'t'1Itt|ttt’;.t.‘-i‘_t-'tttt play
It'.trtIt.'r. .-'~\t ;t tttotIt.'r;|tt’ ItI;t}’inf-'. Ic‘-‘cl Sotmtl I .~"t;rrt.- to I'rct*r1rrtt_* soltcr and Sottntl 3 kick irt.'l"Iwn\'t*1';tII
rt. tltltttt? ol the I;t}.-‘ut'ctI st vuntl will rI1;t1t_et* t;Iu|tt.‘tttIittj._t_ on ltow h;trtI _\'t tu play.
Sound I
Sound 2
"
aé .|..
.............
-I»
'““"
VOLUME
-'
.1==“—=='='='-
-'r“
P
~'
caosst
girl
_....-§...===ttttr=
VELOCITY
Velocity Crossfade 2 t 1+1 tie 1 o tIIIr"'oa.:=.'§The \'ttILtt1tL' It;tI;t:tt."t-.- ul‘ the two stttttttls tfltztrtges in ruI;ttiun to your pl-.t}'in§.1, st1't*t'agt|1. Witlt ;r mit.|tIIe
.-"cttitr;;_t.s;t§." ~t or =3 1, |1I;tt'itt;;sttl'tI§‘ will result in St tuntl 1 l1ein_gmttt.'|1InutlcrtlttmSountlZ..=\r+youit1t'n:;tse
yttttrpI;.tt'itt;_1stttttttltlt. Sottntlh‘ I and.Z\\-"illheItcttrtlin;.tItotttet|tr;1Ipt'opot'tit_ms.llyoupI:ty\'et1.*I1;trtI_ .
.‘~otmtl .2 I'tt.'t't't:ttt'.~+ mtrclt loutlcr th-.m Sutmtl I.
Sound t
Sound 2
_... +
~
E
is
ctr“,
Ifl- '
cur. I lb
1-",,.,.|,‘
ltooylanlnn.
I p nnnbl nan
an-nnrnalvnunvh
Inti-I_v,|,.,
auunnnnulrpnnom
-may-p--emu.
puulnnooau.
I n-|| anon
"
i
_ __
Illu(IQ;
—iIlb»
- a-rttI I e~-III -—~t
aé
VOLUv‘lE
I
__
IIIlIIIIII.IIBIUUu~
vE‘"C’C'TY
-
JIIIIII
1
sea
;
?n—||-nunluU,|;;
Q’
y|u|nuululI|nv_.,,'.-,nIQllIIIIll~
‘
' :t .
_,
__
%.:::m::::::
litnlll.
Jplnilllillbhflh
_._._.;..;;._-
4,
8
I Setting the Layer Parameters
(D
1:» Patch Play Screen
.‘~}uIct't tltt.’ I-‘atttlt I‘I;|_\' st't't;'t:tt. tlttctt |vre.~;.~', [EDIT].
® .\-"It rt-‘tr the <.it.tr'sor to I:'l:ITI:I‘I. then pt't.*ss [ENTER].
._:i
nun
2
t"""l "'3" *... . -'-..:I..
HQTE #3:L....i
er P. 17
=t= One of the following
I
sreateee
"U--tI71"? i""'
t-'-2 rt:11:r-ta t PF"
l
screens may be shown
instead of the Layer
" " um:
screen. It this happens,
move the cursor to the
O If you rotate the [DATA] dial here, you can change Patch Numbers.
® Ftlove the t‘t1|'.~sur tnI'I|:5-I-E
ttsittg I4] tttttl
[F-]_thcn |1rc.ss[ENTEFl].
far right on the first line in
Q1) Select ;t I.-.t_\_-er screen ttsitt_t{tI't1;* [DATA] dial. Fit" P. it.)
the screen, then select
the Layer screen
® Ftlm-'=: the tftrrsnr to the layer Typo licltl, then .~aeIet'.'t the layer 'l'§-tpe rising the [DATA] dial.
nqil
"'1.""~:-' ‘m-idnam
‘
if A A
"Ei#?E§LaeePfiH
g..5
.-.4
{fr:2
III
!:
L
1 ._.
.
CDC’%
I
C
(L-a'=tet"-
_..._
CDIDO
‘I I.
1) using the
[DATA] dial.
I“.
A t
7horE£#e§as5o£a1
t
Layer Type
Value
IHet=3E4=Pnd$e.PI
I
H@TE{#9E?5oundE
Ina£=152=RokeP.$i
4e—4—:t.
Q Il'yotr wislt toclmngctl1cNotv ?\ttrmIwr__ rnovctlwtft.trsortot.Itt: .‘-tote ?\tumher field using ['1] artd
[P] . then t'r_>t';ttt;* tlw [DATA] t.Ii:tI.
l ;jHoTE{#a2>JeTwia
@ 1\-‘lot-"ctltc ctzrsor to the value lttrltl. then set the \';tIu:;* with the [DATA] tli;-tl.
_______-
__
_
_ W
_
:.______..;..___:;:__T_,
___,
,
__
53
___, -_____________
f
lee r@_"HB?.
.
I
_____________._:I.____,
_____,,_
_ _ _ ,__
,
Chapter 3 Patch Setting
[Useful Functions for Editing the Instrument Section]
y
The l‘oIIo\\"ing t:.~rpI;tin.s the ‘flump Tr .1 Instr'umr-nt'"._ "jttmp to 'l"r'iggcr"' and "I-’1'ct'ic\\-"' I'ttrtt'tior1.»'. Tltcsr:
ltmctitrrts spcctl up the p1'm'c.~a.ml“ctIitirtg srittntls. t'I'tct'king the 'l'r‘iggcr Sigttrtls and rttortitoringz, in the ;
lrrstrttmcttt Section.
I Jump To Instrument
\ti="'I1et1 you are ztssigrtirtg lrtmtrmctttrr to Sritttttls I and 2,1.-'t.'rttc;trt tt.wet'I1isl't:nctir>1t to edit the .~;ot:ntIsl1y
t'|1;tngingtI'1t- p;tr;.tr1tctcrstsucltas Decay-‘t. l.I.~tir1_etItis Iunction.}-"ctr can quickly select the fitttltttl crliling
'
I
succtt twitltuttt Itztving to :'ctt'ic\-1: the Basic st‘t'ct:|t hy ptessittg [EXIT] },
\
From the Sound 1 Soatttl 2 ln:~"t.1'untcnt setting, .~scrccns, or the Pitch scttittg screen:
® l’rcss [ENTER].
The screen l‘tf.\'P(1tt(I:§ t\'itl1l:lt"'=£-' at o 1.4 stir"-e
I
Ail
I
" eoo sure 6
3
.
It
=3--1C"5II‘Ci
ho IH5T
® Press [ENTER] again to select the sound ctlitirtg screen for an lztstruttwut. Begin erliting.
II
.
To cancel the _ILlmp To lmatrumcnt mode. press [EXIT].
Chapter 3 Patch Setting
*
54
I Jump To Trigger
In the Instrument Section. you ;tssip,r"t an Instrument to :1 .\iutc .@‘~iumhcr. I lu\\'c\-’ct‘. you cannot tcll vrhich
purl sltoultl he hit lot the clcsirctl lnmtrmcnt unless you wrttch the 'l'riggt*r l~’ar;:mct.er' scrccrt (P. -42. ).
t.F.~;in5.1, thcjump to Triggcr Ittnction. you can instatntmcottsly mot--‘c to the Tri_r__1,gc|' ltrmtmcter screen from
the ln.~strumcnt Sectirin .~+crccn.
® Sclcct tltc Pzttclt l’l;t'_r .'~'c|‘cco. thctt |1!'l.‘l'i.‘l [EDIT].
'5' Patch Play screen
P. 17
@ §\‘lm-'t-:tltc L‘ttl‘St'1ft1')l:'I:IT3:I'l IFsin§.; ['4] and IP:l.tltcnprcss[EI\lTEF'I].
{P321?PIE§FH§PEh
HfiTE§PDLtHQHEEPF
I llyou morethccttrsortnt|1r:I"rI1It'I.-t~.2-' Ntttrilmttsirrp, ['1] and [I*].youc;m c‘l11trtgctl1c.__.;Notc.
numhcr using the [DATA] dial.
® .\1<>t-'ctl1c ctrrsort.oI'll:|TE using I4] and [P].thcn pr'ess[ENTER].
@ Select -.TF'Tt"'i'3 using the [DATA] dial. F-*1="‘ I’. 50
HUTE{#H£}JeTPie
JUHPto TRIE ?
() vmerewreet
'I'ltcst'rccn ft.-?.w‘|‘tc'ity value 12'.--"1.
55
Chapter 3 Patch Setting
[5] Performance Sectuons
In 11 l’ct'l1'>:':t1;tm;c .'\'c<;t'.ion. one ln.~atrumrmt sound is ztssigstetl to all the pntlr». witlt ezugh putt pI;tyin_<..{ Li
r.lil'I‘crt-nl pitch. \\"itl"1 this ;t:*:';t11ge11w:tt you can pl:-at-'1m:|t'>tlit'*.~:. Also. u:~"in_<_1 1: z\=lll')l |§t=3*l‘m;1r"tl. you um
hltt tr melt ml ics lrt mt :1 |’c1'l'onn:|nt'c Scctit an. Thztt is. 11 l’e:'l1.>|'t"n;|nccStsction is .~simiI;tr to 1: "St;md;|rr| l’:u't"
In some sound modules.
i1t;1§\'ll|“)l tltttllt-timhtztl st sttttd tllt)t|ttlL'. Tl tr TI")-7 umt;tinr~tl1|‘cc l’crl'o1'nt;tttt'cScctiumand t|1t.-'rc|‘ur:: C1111
a “Standard Part" is
called a “Normal Part"t
he usutl as 11 -it-p;u't._ multi~timh1';\l mttml zraotltalt-,
Nate
Pad
Number
T-—-~
85‘~~~~
Trigger
as
N as
Pi§RFORl'l.'1ANCE
SECt'|0r~1 :2
semen 3
lNSTFtUMENT
I
'
[ as
INSTRUMENT t
INSTRUMENT
2
3
l
r
"r//M, E r
9 '""
For a detailed expla-
l
LE
/>/
/r/
\\
‘\ i5"-In
gm
/'
PE?-?FOF¥l\,1AN(IE
secraon 1
nation of parameter
._.._m__m__._w,_...W...M,__W\
as
PERFORMANCE
.r
o
P
l 1;
t
ll
settings in the Performance Sections‘ refer
to page 73.
l
l
l
_gp
I Sound Settings in the Performance Sections
T|1crt';t1':‘tt1;tt1tTe$L*t‘tion:tll’F3-'l'l. l’Ft\-l. l’l*'.\'l_‘5.)in tltt*'l'l)~'F. Yott t;';:1t;|.ssi§.§n ;lm*<1:t=:ol"tl1u 1
l
‘S12 |n.~;trtunt*nl:-a to r:;u;'h l’ct'lot'nt;tno: Srsctirm.
Parameters related to the
entire Performance
(D Select the I’-.ttch l’l;|3=' scrcctt, than pt"c".*i.~; [EDIT].
Section should be set in
Global Performance
® t\-'Io\"t: the t.‘ursr'1r'toF'HT|...§H tttsittg [4] and [P] l.t|tt*11|')1‘sss[ENTEFl].
rPa21raretFatPen
nnreteattnanetee
O If you wish to change Patch Numbers, rotate the [DATA] dial.
Chapter 3 Patch Setting
56
Parameter (page 73 ).
I Sound Setting in Performance Section 1
® i\|l)‘t'L‘lht‘t.‘t.lf‘H1'_tl‘l{‘=fp§:: lttsim.-1 [4] ztntl [P] 3,lliL‘t1P!'L‘§lri[ENTEH].
:00
II: -III:
14:
ll: gun
i
:
:uanl :IlI. .
‘
sow.
an
‘”"3
loo
|::l1\ ‘Ion:
IM
”"§
:
I
."
“m
”
nu 000:»
. :
-war
“'3”!
{uni .
nwoor
In-in on
non‘
I
in
II ‘:01apron‘
anon
I
»-:2:
l!
!:-U.‘
'5
oz..'..' '...§.. -... :: :...'
Ii..“ E
ill
IIII£
'. O:
I
r
°...*'.-':
neon
f‘
‘Ii
‘-..:
l
l
-_ l
Depending: on ‘the patch
'an-ls
selected, what appears
{
W Instrument Group
lnstrument Name
instrument Number
in the screen will be
different. The left screen
will be shown, when you
A
Performance Section
select the Patch 25
® .\‘clt't.‘t tl"lu ln.\'trun1unl to lit" ;t.~;.~si_u_nutl using; the [DATA] t|i;l|.
Fllorc l|iL’L'lil'.\(Jt' tnF'Ft"t1 . E1132??? -it-5:!
l
IEor E? and cl1;trt§_1_ctltt: \.’1l|LlL' i|"'§'ou \\‘i.~sl.1.
(Standard kit).
‘
l
O Sound Setting in Performance Section 2
® t\‘|u\'L'l'|tL'tTllt'»t>t'lttF=F""l'l1{will} [4] and [P] l,tltt'mflt;|n§.>;t:ittuF'Fl‘1E\\*it'lithi:[DATA] l
tliztl.
it
2' I-
Ufl
OIU
I
1
""'
"Tf
t"'"a "'€"'"!"!
1.. :
==
i“--.3fit
III
PI
I
-§-4. ‘GIG.
_ _ _ _ __ __ __ __________ _______ ___, _ _
T,
gnooo .140
II‘
OI
“IX
XI.‘
IUII
Irv‘
Ufi
1-iii
lII::iI
-4-»-
t"";z
" Mania“
“J- 28¢!
IUD
I311
@ :\-luvsthet't:rso:'\\‘il.l1 [4] ttntl [P] .t1hcn editlI1r:\-';|lt|::\\'it.lttltc[DATA}t|i;|l.
O Sound Setting in Performance Section 3
® Tn .»‘u|ct.'t this Instrtnitcnt to he 1lHh1l_tJ,l'lt"Ll to l’erl‘orm;1no:Section 3. sr.'lut?tF‘Fl‘l3 in step Q5).
{F251 PFW EBB F"?
..§.=.
mtfi
PFH3*'3
Ipl
;. . .s.
2:31
"‘"'.l'*‘ -. »:- §j_i "1-
_:
i-‘-._ " "“".'*"'
57
Chapter 3 Patch Setting
[Useful Functions for Editing a Performance Section]
l
The lollott-'ing ettplains "'_lump To lnznruntent" and "l’|'e\-few liens". Tliese l'unt'lion.~s speed up the
p:'ot.'t:.~;.~; oletliting the sountl in at Perl} 1rnt;1nt'e Seetiun.
I Jump To Instrument
When you are atssigtting an instrument to at l’erl'orn1;mt'e Section. you can use tltejuntp To lns~itrt:|nenl
function for editing sountls hy cltztnging |1;tnt11'1etet‘s lstlelt as l)et';t_\_'). Using this ftmetion. yott can
i
inst'1tnt;tne0ttsl§-' tnnve to the .‘§ountl Etliting; .~;t‘t'een.
Select the lnsttttment Setting screen for ll Pe1'l"nn1t:.ince Section tmtl then:
(D Press [ENTER].
‘
The screen will reap: fl1(l witlt l:lt"tE' ‘=hIH..4 E-l.tt"E* '?
l‘-ll""t~E'
‘dt.'.'3!.-I
5 L-l l"‘E“
:"
JUMP to IHST
® l’res.s [ENTER] again to select the screen l'ot'lnstrt|n1ent ecliting. then edit‘ the lnslzument.
To leave the mode. press [EXIT].
I Preview Keys
l
Wltett you are in the Petlormztnce Section screen, the ‘l [SYSTEM]. 2 [SEQUENCER] and 3
I
[EDIT] huttons work llfi Preview Keys. That is. even if no pad or MIDI clet--‘ice is connected to the TD-
1
T’. pressing these keys will trigger the "l'D-Ts sountls. 1 [SYSTEM] triggers Ll soft souncl {velocity
;
eztlue 52'), 2 [SEQUENCEH]. tt merlium level sound (velocity \-’1lltlt."‘ (jail. and 3 [EDIT]. it loutl
sound (veloi:ity value 127').
Chapter 3 Patch Setting
l
58
[6] Effects
TheTl‘)-Wneltttlest\\"ol{l“l'et'ts: Eft°9Ct ‘l tintl Eh‘8Cl2. l,_?sinf-Itltese l_?Il'leet:s. you can enlt'.tnt'etl1e TD~
=|-= No
"R sot.tntl.~t. ll is pn.~;:~‘il1|t.' tr i apply two l{l‘l'et't'.~; to one Instrument‘ ;tt the saline time.
effects
will
be
obtained when using the
1]
Individual
Ft nu tlillerenl efl'et.'t.~'- are pn )\'ltlL’Ll in l.Zl'l'eet.»' 1 untl 1. "l"l1e.~;e 1| re the l§|'l'eet Types :
Outputs.
P I e as e re ad “S 0 U n d
Setup" on page 129
I Fteverb sintul;1te.~; the re\‘erlier;ttion lsottml rellet'tinn.<) in it lLlt‘§.1t;'L’ttL‘ll}lit;‘(l space (:1 concert hall l
lnt'ex;t:tt]1le). Tltir-' creates rich and liillttfill sottntls. Y: it! can t‘lt;|n§.;e llteqtlttlitt-' ol't'e\’e|'h .~;otintl in-filh
carefully,
A
lit-\'ei'l"i'l'.\'l1e). the xi"/.e r tl‘ I he .~'h;tee l with lteverh Time] antl the level olthe ret-*erher;ition .~;nt|ntl(t\'itl1
output l.t-tart-I 1.
I Delay cre;1te.~' an Echo like el"l'eet hy rleln}.-‘in5.-1 the st itintl output. You can set tlillerent delay times
for the ri;_=;l1t and left eltannels l Vt-’ltl'.‘f1 t1sin§._-1 zt stereo output l.
I Cl"lOl'LlSis an elleetlhrrt inultestlte .-anuntl l';tlte1‘;tntI tvnrmer. lle;|n;tlsoe1'e;tte tlislortionor\'ihr;tto
3
el'l'eet'.»‘ ht-' eli;tn_ein_t: the volume anti pittflt of the st iuntl. You t';in:ttlit1rl|1c Effect l.-'2 field. then wlccf E“§7"§'“'*I'-ffi-'3’.-1 with the [DATA] Lliatl.
@ A-1rE‘F'1C'*§II.- 11- 1 .
® €\*"lc\-‘c flu: cursm In the p;u11u1cler valufs l'iclcI_ l|1t;‘l1 sci I11:-3 xzzluc with the [DATA] <.|i;1!.
Chapter 3 Patch Setting
60
O To set Effect 2, select !Z'f" in step it? t|*;l;;t»t»t.1t.
Effect Typi of Effect 2
II
="r""'1'
-..
s 2
‘n.
"
I nu Jnew
.$.'\
.I.'f‘
III
1' :.....:: 1
."
1 "... '...' '..' .:...
:"-
OI
‘i
:'
f
P P
......§ §'§: :i"i i‘...
'...- : . '...' : '..': ....'
.-n:
§
I‘
O
"0"
=
I‘
.-.
I‘
..I
E. ====
f‘
T‘
Parameter Value
Parameter for Effect 2
f INSTRUMENT 512
‘Q-p - - u Q Q Q Q Q c Q Q » a - n » n u Q w ¢ an an
\
’q— - - - - n Q n u - a u u u - Q n - n u u ~ mu..... , ~ Q - - - » ~ n w w ~ ~ ~ - - - - - - - - - an
tn.-.aa1;.;;a+1
I
_
_ _ __
H
,_,
, _,,_ W,
f
I I s ---Sound
' A?
Generator
‘
Panning
5-P
60-5?
.
O
I
;~~.
Q-paw-nu c-nu-anon
nu--.alum-ouv
P
sendztmt
I
.
5- - - - - - ~ - --5
VOLUME
f
f
E
i
3 O\ OL
:
: ; ; _1-n|q_
reaatmstra
wk ,_-,~ pea
.
:
se>©
“=5
9
~E.“ h - I L ‘ ‘ H‘:
Flavmlfr-“D03fl‘r
OOF:F Ch-cruc =“!-'lafl9nr
Sand! Laval
i atrsrnumem
9
aria1'|||1|;<>\<»»@l|5lllIlI tl%i|@
Outputtevel
U
eeee 1 at
_____..-
0.
|
_?
;_
.
Tffs‘
-.-,- --.5t
‘ .-.1‘
§_
*::'
{--..4..
SYST EM
PARAMETER
=.-»- P129
sum“
Outvll"
firpfi Z:
l
lndwidua‘
Output 1
>©
lndividunt
_§
Output 2
PATCH
PARAMETER
er P.52_Bd
61
Chapter 3 Patch Setting
TI1t:rt' are many IiI'I'ecls l’;t:'1ttm*tt~t's. C:.tL‘Il tt|'\\"IticI1 can ht: ctlitctl in step @-@ I |1;t_t1t- t3i't).
a. Parameters for Effect 1
,t * A\'@I'ab*@ Parameters
§
EI‘I1:t't I i1tt'lttt'.It's Itt.-\-'ct'h amt] I")t'|;tyi
which
I
O Output Level : Out Level (0 - 15)
Erreett m
Fig _;-I-_
nun
upon’:
I
Type
I
I
t- =-r- -1 tf__t'i2»--I
O00
Effect
(Fteverb or Delay) is
selected.
E1=i...
I pt _t;:::=]_m
'
differ depending on
I
I
A
II INDIVIDUAL 1 0rOFF
is selected (for Send 1)
This p'.t1".tmt-_'*tc:'zttljttsts the \'0IttmeoI"t|tc t'I“I'ct.'t sotmtl. T|'ti.~t is the ct.|tti\';t|unt ulthc EI'I'ct‘t Rctum l_c\-'t:|
in “Sound setup" (page
oI';tmi3tt:|'. Higttcrt-';t|ttes \\'i|Iinct'c;tsctItc \'oItnnt:uItI1t: t:I"I1:tft f~5(ltll1(I. \\'--'I1t;=t1.~;cttozcrn.rtm-|'I't%t't'shunt! ‘
129)! Effect 1 (pgeve,-b_
if f'"*ll‘1"-
Delay) cannot be used.
O Reverb Time : Rv Time (0-5) (Available only for Fteverb)
EFFect1
Ru tlme
e
3
A
I 111
I- *~I- -4 I.Ml'l*-'
I
I
II1:.~; 15 the rc\'e1'I1ci';1ttt.tt1 tlcczty Itttttf. I~ItgI1cr\-';tIt|t*s \\':II maltc the rct-*cr|1cr;tt'tt1t1 tame lnn}_{t*r. SlI'|}tl|;tIttt§.1
I;trgct' .~tp'.-ices.
I
O Pre Low Pass Filter : Pre LPF (O - 15)
\
Erractt = Hell
F‘t""eLF‘F
A
15
This is the low-|);ts.~; Iilter for cutting the Itigllur I‘rctIttt:t1t*ic-s t.>I'tI1c' tlircct shunt! Ietl intntI'1t* I§l'I't*ct. You
can control tI'1t-:cutolTI'reqttcnc§-'olthe low’-pztss Iiltcr by cIt:tn_ging the vttlttr.-s I1 tr the Pro Low l’;|s.~ FiItt't'.
Higher \-':tItte.~; will lower the cutull‘ I'ret.|ut:m'y. cttrztting tt \\';tt11'tc1'.~eotmt|.
Chapter 3 Patch Setting
62
3
7
I
_
___;j_——:— — —— —r
_
_
7
I Delay F-light Time/Delay Left Time : FttghtTime / Left Time (2 - 450ri1s)
(Available only for Delay)
1
;Ettecti
e Delae;
Effecti
3 Delae
Pi§htTime* 453mg
LPH-"Tiif'.i5‘; ."“i5‘3f"*
Tltis setting deterinint-s the delay time for each channel t in 2:125 steps).
O Feedback : Feedback (0~15) (Available only for Delay)
Effecti m Delaa
Feedhachelfi
_
This p;t1‘;|mt+tcrtlctcrttiincstI1t';u11t_>t|nt o|“tIt:I;ty;»"ttt1mI tnhcrctttrnctltot|1eEI'I't;'ct input. fliglttirvttlttcs
will incttrztstr the numhcr cl tlt-rlzty repuztts.
I
63
Chapter 3 Patch Setting
b. Parameters for Effect 2
‘
l1lL'ltltlL’.'-illlllttfilriIlfltl I':lItI1f.__',t.‘l'.
;;~; Available paramgfefs
I
differ depending on
OOutput Level: OutLevel (0-15)
... .._ .._
_...
which
..._ if
I
httecta
“chance
..._ ,
.,
_, 2:.
UUL Lewetw
ta
Enact Type
(Chorus or Flanger) is
selected.
II
I
This ();ll'1ll‘llt?i.t.'t'tltllltifilfi the \'t..iltttnt" nltht: cl'lct't rititllitl. This is cqttivztlent to tht: til'l"cct llctmti l..t:\-*cl til
=1: If INDIVIDUAL 2 or OFF
at mixer. l"li§.1I'tci"\"ti|uc.~tt\*il| ltit't‘tI'1t.'%t.'lllft\-'t_'tltll'iit‘tlllllit‘L‘l‘I‘L‘t‘lfilllltltl. \*i"'liuiisct toll. nocl"l'ct‘t htltlittl is
is selected (IO! Send 2)
output.
in “Sound Setup" (page
129), Effect 2 (Chorus.
. Hate 3 Rate (0 “'31)
Effect?
Rate
.
mfihet
e
a
_2
LII
ti.-4
Flanger) cannot be used.
I
in-L
This p;tr;tmcit.-r :it|it:.~its thc ClI'itii'tis til’ I--'I;tii_a,tri" miitlti|;ititm .~'»pt't-tl. I--ligltci" \':iltiL‘.‘~' lilL‘t't.‘;lhl: the :»"pct*tl.
I
O Depth : Depth (0 - 15)
Effectfi
Death
mflhdrua
e
1%
I
This p;tr:ttnt:‘tct' atljtrsts the (II'tnrur~ mutlttlntion tlcptlt. I--liglicr \";tlt|c:~' inc1't';1.st: mutIttl;|tiun tlcptli.
O Feedback : Feedback (O ~ 15) (Available only for the Flanger)
E+___E:__ T
{___
1:.:‘¥:-
fg F ti‘-3* *~3't'.‘:l i;'t-313 I~=I
F“
x
P
I
I
.;. m Same devices! "Feed-
3
l
back“ is called “Rescnanceh
l"'i'... 5'13‘
g
I;
This pztrtttnctcr sets the ztinntmt of l-'I;tiig1cr |Lw:tIIi;tt"k. I-Iigltt-t‘ vtiltlcs ;it.'L'c‘illtl;lIt‘ the l*l;tii§_{ii1g t~l'lt't.'t.
I Delay Time : Dela)/Time (1 - 30ms) (Available only for the Flanger)
Effecti =Flan%e
DeieeTime* Efima
I
m some de(,;¢e5_ “[)e|ay
I
Time" is called "Manual".
I
Tltis |);li'tlliiti‘l‘L’l' ;tt'lju.~;tr~i the tlclai-' time til the el‘I't:r.'t sntint.l. I--ligltcr \"’;tltlL‘.‘~' will im‘t'c;isc tht: tlclzn" tiinc.
A longer delay time will ;tttt<.'.im;iticull}-' ltn-wt‘ the cattle!‘ l‘:'t%t|t:c-in-‘ olthc Il1tlt_t{it‘f_t.{ it-l'l*ct't. Wllilt‘ 11 Slit lt'lL.‘l' I
tlclaiy tit't1c-will f'Lllh'<".‘ it.
Chapter 3 Patch Setting
)
64
_
_
~_a:a*: ,
T,a_7T;a,a~~ at <_,1,_,;_,a:o__a____,o,J_
t
[7] Hi-hat Control Pedal
_
7
* when “She an FD”execute H:~hat Control
'I'hc'l‘l)-'-';t||o\\'s[watttut'ont:'olsoundp;1r;unctu:'rauaingtheFU~e'~ 1-Ii-|1;|t(',Iontro]I-’cd;|l.
l'-'ore.\;;1mplo.
I‘
Pedal tnitializatton.
tit" P. 132
you tan lt1ttt.]i[§'I|tt' l")c<.';i}". l‘itt*h and §\Iu;|m'c of ;1 sound using an l’I“)-
"|"l1v(jont1'o! A"lt1tlt* t'l’;1tc|t 2\7umht_'r I to 3_i'1mi'lIn: I‘t-tlnl |1;1.~'|tt*tf:1:-tut to Hi~h;tt 1 attl1cl';tcto|1=.allowing
you to control both the (_)pun amt! Elm"-etl Hi-hat sotmd.~».
lit’. atssi 3-min
can I *>|;t\_'. the tlcsirctl Instrtnm-nt.~»" Inf. I wnwsittq. the Pt.'t];l|.
» 5* :.\Eott: §\?un1ht-r to the !’ct|;tl. Vntl
.
The l_)ec;1v. is controlled ht". lmtx-' fur vou
rcss the PL'L|tl|. You can also ttsc the Pedal to 1rivqt:1'
Soc uencc
.
3.5:.
tt
1‘
|’;tttct'n>'.
I How to Set the Pedal Parameters
® Select the Pzltclt l’|;|}=st'1'ec:1,t|tett [>rt:.~".:~" [EDIT].
" H than press [EN TER ].
® i\-"loxiz.-+ the L'tIt‘.~;or zoF'HT¥...1H.
I If you wish to change Patch Numbers, rotate the [DATA] dial.
® It-"love the cursor to FT3]... then |vs"es.~" [ENTER].
teeetataatpeeat
Qeeiene TEIM 3
Parameter
Value field
@ ?:\"Io\-'0 the ct1r.~eor1ol|1e pztrzlmelerttatrttu field anti selccttlte p;|r;m1eter§-"on wish to edit with the [1
[DATA] dial.
@ Mot-‘t-.‘ the t.'ttr.~;or to the \";1lue|'iel(|. then set thc\'-';1l't1c't\'itI1 the [DATA] dial.
—-t.
-._
‘Kw.
T“"~
___“?
\
“B
fl
\
(1(0
tgi
}
FD-7
65
Chapter 3 Patch Setting
Pedal Parameters include the t'ollo\\'ing:
O Control Mode : CtrlMode
1:-1 1 l-lat... S F‘E[Iit'lti_
tilt-ii;,1t'i~¢*==i*1eH 1'-He
The (Iontrol Mode determines how the Hi-hat Control Petlal works" or \\-’l'iitl sountl pantmeter will he
=t= How tar you depress the
Hi-hat Control Pedal is
controlled.
output as a MIDI Control
ll the Control :\'lode is set to UFF, the sound will not he :il'|'eetetl hy any pedztl action. i\-"llI)I Control
Change message.
Cl range tnessttges will not he output either.
iris-1" P. 121
=t= When HiH-ail is se-
Hi-hat 1 : H i l—l.at.1
rte i\ltlllil)L‘l' in the lnstrttment Section)
lected, the Layering of
can he controlled at the same time. Depending on liow tar yoti rlepress the Hi-hut Control Pet"l;tl. the
Sounds 1 and 2 assigned
to the Note Number
Both Layer and l)ec;ty oitlte two instruments l ztssignetl to one
volume balance ol the two lnstruntenls cltanger-i. thus cltttnging the tlecttt-'.
For exatinple, il Open Hi-hat is ztssigrtetl to Sound 1 and Closetl I-Ii-hat to Sound 2 ofzt particular Note
Nunther, selecting Hi-hat mode i will autontutieally elioo.~ze Hi-hat sounds lroin Open to Closetl in
sequence l_erossl:ttle3, thereby creating ti realistic Hi-hat periormmce.
cannot be controlled by
Velocity.
'1
=':»For a detailed expla-
Hi-hat 2 I l'l I H-Bl.-IE1
nation of Note Numbers
The instalments ztssignecl to two Note l\iumher.~; in the lnstrunient Section can he Wt-'itt'l1etl hy using
assigned to Trigger
the Hi-l1;ttl‘ed;'-tl.
Signals, see page 41.
If you depress the l-ii-hat Control Pedal 11 little and hit the pad, the sound selected with "Assig11" will he
plztyetl. ll you depress the H i-hat Contra ll Pedal lartlier and hit the pad, the sound oithe Note i\iumher
wlziclr 1'34 numbers lesstltttn the Note Ntnnlner selected in "Assign" will he playetl. For instance, ii’ Note
l\lumher4(i is assignetl to the Trigger Signal selected in “Assigtf, Note Number ~'-‘i2 will he pltiyed ittstetttl.
=::= For a detailed explanation of “Assign”, refer
to page 41.
-It"--HiH-at-LE2 may be ef-
O In the H i Ha’r...1 or H i Hat.-12 mode, the TD-7 can be played simply by
pressing the Hi-hat Control Pedal even without hitting the Pads, You can
select what sound to be played by assigning the Note Number that corre-
sponds to the Instrument you wish to play. re P. 68
fectively used when
Open Hi-hat and Closed
Hi-hat are assigned to
two different Note Numbers.
IGenerally speaking, when using FD-7, select the HiHat-1 mode for t 1
playing the TD-7‘s internal sound source and select the H 1 H-at-2 mode for
e:>HiH-at.-12;‘ may be useful
when you need two MlDl
playing an external sound module.
Notes, Open Hi~hat and
Closed Hi-hat.
Chapter 3 Patch Setting
65
i’
Pitch : F‘ i t.-1::-F1
11:1 Refer to Pitch-ion page
The Pitch nl 11 statttitl cam ht*c1mt1‘11|lt-tl 113' ltmx" l';11"y1111tluprt's.~"the I--Ii-hatt C.1111t|'nl Ptrtlall.
l
83.
F’ I T¥:3l"l"l“l.=.l 1\’;11'i11hlc|';11tt:c1>|'1l1cpi11;|1iswitlu. The l'111'tl1t-111-11111 1'|epr1:.~1:~‘1l1e pctlal. tltcltigltertltc
pitrh will lwemttte.
F’ I "l“5:Tl-l'l“'l'l : \-’;11'i;1h|c 1';11t\1_-_1,c1_>l'llw |‘.1itcl1 i.»‘11;11'rmv_ The l':|rt'l11.=1'j1-‘mt tleprcss the pedal. the higltcr
the pitch will l1ct'1">m1:.
K“:
"'-
.
.
~
.
.
.
-
1'" I_l_l...-l‘l""l.1.l 1 \-‘;1rt;1hlv |‘;1ttg1.*n| il1ep1t1.'lt ts wttltr. T|11>l;11'tlt1s1't-'1>1|1_lt*prt-.=ssthep1=1l11l,tl1el1_1w1:rtl1c
pitch will |1m">1111:.
F’ I Tl: l'l""l"n_uer the 1".)1:tt:1}.-"l"im1-.* lvctrutttcs.
[3'El:3l-':li'1"'!'l'-l ; \’;11'i;1hlL* r:.1ng1: lnrtltc l'I)cc11}*Ti1hc is 1111111111-*. Tl11;*F1trt'l'1cry1..1t11lepresst'|'1e pctl:1l.tl'11.=
longer the l7ec1l_\-'T'i11tc l1ct‘1;11t1e.~?-.
Fflnu
l:'E5_:l-l"1"""'l.I.l : \-’;1ri:1hlc rzutgc lot the lf)cc:11* Time is witle. The l':1rt'l'11:r}=1.'>t1 dt;‘p11ess the pcclztl, the
slmrtct" the I)ec;11,' "lime ltecmnus.
[3El...3l—l"1"""'l'l : \-’111'i:.1hle r;111gcl'1_>rtlt1': l)ec:1_\_-*"l"in1cisnttrrow. The fztrther 3-'01: tleprcss the petlal.tl1e
slmrter the l')ec11\-' Time la1—.'1;1>1nc.~s.
NUANCE:Huance
$3.:
Refer to Nuance on page
*
You can control the Nu-
84.
The 11t1;1n1"e nl 11 .~;n11n;1nt|"R”. huthtttlt"l't'it;;;t't'Sig1t;1ls I
can he c1>nt'r1_">llctl .~;imult1tn1;+1'_>ttsly . I-1'11‘ t-.1-;;1m|_"1le._ if ‘I-Fl I I3
is .~1clcclctl._ "l':I;.11"1tl l't5;1t't.-ht1tl1 1*1:11~ »
tmlltrtl. T11 1;1"_11tt1'0l ztll [l1c'T1'iggL*tSig11;tls. .~eelt*tft I§l._l_.
O Pedal Curve : PdlCt1rve (1 - 4)
tFfi1CUPUE*
F=;2&111~1t1-1.51.. PE[I*F't .4.
11
MIDI Ct.')l1lTt')l Cltttttge 1111:‘$5:tg1;*5 will ltet;t1t|1t1t in 1'c.~1p1_1n.\1c to h11\\' l'lt1',t_-'11t1 tlcp1'cs.~1 the I-li-l1;1t (.11 mitt tl T
pctl;1l. You 131111 select cnc 1)l'l"'1.>ur Pctl;tl t'I111"1'u.»" that t'l1:tt'rmint* ltuu" the t.I1mtr1">l (Il't;111gt' valttu will
1
cltztttge
\
1ii11$\§nu1*X%nl|&nn0$
UH
‘
. J;
-mo
ContraChangeVa
Depth ot depressing the pedal
1
0 Note Number ; Note # (35 - 93/OFF)
A
EP253HiHat PEUQL
*
H*==*1~*=-=~= ti “*4= '3#1l‘f
You can play an lnstrttttwttt inst l.1yclt'pr1:ssi11g the Hi-hztt C1.1ntml P1:'tl;1l. Selct't the i‘\'11lc* \*tt1nl1c1' in
which the lttstrttment You wish 11;: hltl is ztssit-tttecl. \It--"Item it is set to QFF. 11t_>sct1111".l is l1e;11'tl.
Chapter 3 Patch Setting
53
I
K I W
Hm
i
i
,
I
Til.
O Gate Time : Gate-Time (0.1 - 4.0 sec)
EPE51HiHet eeeet
Eeteiimee
etfie
"
-
--Q
I
|
|
l
lh1.~1 p;t1';tn1eterscts tht: t'];tlt~.- Time til the H1-hat uttttrnl Petl;1| snttntl. Thts ts 1-_*qtt1t';1lt=1tt to hmt-' lung 1
the kt.--t" tin ;t kt-§,'l111;11'tl is hcltl tlhwn i lhattt .'\iht'e O;\3 tn Mute UFF1.
I Velocity Sense Curve : Ve-lCurve (NOHMAL1/2/3/4/FlX32/64/96/127)
eaelataateepat
a*.IuPuee Pixifi?
:
r""s '-2":5-E ":. . . . :
1\-Ill)! Note 11tc‘ss;1gt's um he _geeer;tt1:tl ittst l1§'tlt%prtfssin§_{tlte I-Ii-hztt tLI1'11tt1'1.:l Pctlul. I-Ieret--'1>1t can select
ht aw the velt tcity \*11lt1e.~s|11 tttltl t'l1:|ngt'11t'1ru1'tling 1.0 ltow hard 3-11111 tlepress the petlal. The value cltztnges
are the s;m1c 11$ lur the T'ri£ilt*r l’1t1':|mctc1'.~1. t‘i1-3*‘ P. -=t+t.
O Sequence Pattern Number : SeqPtn # (t~48/OFF)
teaethieeteepet
it = 14%
Y1 ttt can trigger :1 St~<;]ttencc lizzttcm hy dcprcssittg the Hi—hat C(}I1lI'[)l Petlttl. Here 3-'01: t";11t.<-electtlte
Settttcncc I’;1ttern t\it11ttla1:rtn|>c playctl. I-24' are User Patterns Ilfttl 25--=i-S are I-‘reset IE-tttertts. \\'1’ltt-.1‘:
the |'a;1r;1n1ele|' is set tn l:ll:l:. no pztttcrn tlzttzt is plttyecl.
69
Chapter 3 Patch Setting
_
_
__ —_—_—_i_
___;—_—_—_ _—_—;_
—— _——— ——:_—_—;—;—_—;——_—_—_——_———
’
7
7
1
"
I—I1Yif::'¥*:f 1
[8] Program Change Numbers
Chtmging l’11t1‘hes on the TD-T’ will scrttl .\'lll')l l’1't>g1';1t1t Clmttgc t1tt:ss11gt~'s to any cortttcctetl MIDI
>1: OFF/1-128 are valid
tlt:\'it‘t', lict‘1;'it-'ing |’t"t.1g|"11m ('llt11nge 1t1t*ss11gcs on tl1eTl')-'5’ v»"illt?lt111t_gc l’1ttcltr:s.
Program Change Num-
l-ltttretrsr. wlten IIIFF is sclectetl. tt1>tt'1ess11ges\t*ill he sent t.1rt*ct't;-it-'et'|. You c1t1t1tssigtt11 l’1'ogr11t1t
bets.
Cltztttge hittrttlacr to e;1t"l‘t l".1t't.‘l't.
(D Select the l’1ttt:h l’l1tyst't'cc1t.tltcn press [EDIT].
\
® 1\-"litre the t‘u1"s0r to l:'l-lTI..3l'l. then press [ENTER].
I If you wish to change Patch Numbers, rotate the [DATA] dial.
® Mot-'t* the t'ttt'sot' to PE l‘l_ then press [ENTER].
[P253 PEN CHPHGE
PEN Humhehm 128
I
@ 1\--love the t"t1r.~;r1r to the t-';tlt1t= lieltl, tlten set the 1-‘aloexx-'itlttl*1c[DATA] tlittl.
l
You can set 1t l’rogr1tnt hitrntlaer by sper'il*t-'ing-11 11t1ml_1et'lro1n |~ l 28, or ht‘ using tltt: grottp. httnlt. ttntl
1tt11t1l1ertGBN‘) 1ttc*tlt1"1t;l. \Vlt1:n :1 l
l
l
‘__
n-our
I
r
“ii
:
< Group A >
Number
Number
l
wlj
'
el ml
______:
ox
‘"~l
—
oz
_
l
J5— ——
1234 u1\u1
9 10111213
Kmlm
an-st
B2
B3
B4
85
B6
87
88
117
18
19
20
21
22
23
90
91
92
93
94
95 96
35
35
37
23
29
30
31
98
99tDO1O11O21O31U41~
33
34
35
35
37
33
39
Bank
105 106107108109 110 111 1121
4ml-»U,t
;p ~<w.~+ {putt to copy at Patch H11: difl'ct"e|":t location tl’:1tt'|t nt_1ml>e:'t. The Patch Cb|‘>y l‘t:m‘ti_t_."m
max-' he ul'|1:cti\"t:l\-' ttsctl wltcn \-nu want to urtzzttc l\\’(1 (orn1;i_ri‘, then si:lct‘t 1': t'_l’;ti.'tor"v I-’rc.~si:.t l‘:tlcl1i.=r="i or U ll.isui' lhultesl.
select a Factory Preset
Patch (F1 -F32) or a User
i
® it-"love the cursor totl1cSi_itti'ce Pztlclt ?\*ur11h<:1' lieltl, .»"<-:luct the l-’;1tt'li nuinliur \-tcith the [DATA] dial.
Patch (U1-U32) as the
source Patch. Only a
lfyouwisht'r">restore;1|| U5t‘I']]1ilCl1Ll1l[;tEl.)F1iCl()t'§’Pi'tfSl3l5.k5tfltfC[FF'[:‘[1 1 using the [DATA] dial.
User Patch can be used
as a destination.
® i\-love the cursor to the Di:‘SIlttLiiit)i"l Piittflt .<‘\iim1|ier lieltl. and select the l.lt".':ilti11lllt.)i1 Patclt nuattlv.-*1‘. ‘
witli the [DATA] dial.
vii
l
When you have selected
EI=-=1!IIHiZll-NEE, only User
Patches (1-32) can be
® l)ft.‘S."i [ENTER].
assigned to F‘=:-in.
T|tt?.‘i(‘t”t‘t?fl will respontl witl1l:lt“'*:"l-' ‘:.-“Iii--i E-¥..tl""E-'
A
=l=
Press [E NTE Fl] to co|"i§-'.
To cimcirl Patcl1Copy. press [EXIT].
l
If you selectFi'=~'-F41 1 step
5.53, the destination Patch
Number is selected
Ur"-titl 1. (You cannot
select the destination
Patch Number).
Chapter 3 Patch Setting
72
3. Global Performance Parameters
'l‘|ir.->l'nlIon"ir1;1t|e.Sections.
l .;_.|:o,- a detaned exp|a..
nation of sound settings
in the Performance Sec-
I How to Set the Global Performance Parameters
lions, refer to page 56.
(D Select" the I'~‘;itt:l1 I’l;n-' .~=i'1u-rt. tltcn pru:»'.»' [EDIT].
® l\=li.we. the t'11:'sr1i'tii5:til:‘i:l"]_ tltcn |1t'c.~s.~" [ENTER].
Performance Section Number
PPM Section e
L t__rE,=_t
.__;= rt___
r___t L. 2;-__-= ---
i
Ii:
:2=
1
___
"Ti
5-ct»
Parameter Value
Parameter Name
@ it-"lmfutltr.-cursor. tlicnsclcct thel’crl'ormatniicSuction i\*1.tinhi.-rt"t-3'twltei'evou wisliti'>setl'ltc ‘
tilnhttl l’;tr';.|tttt?ti;'t'.~a using [DATA] tlittl.
@ i\-lore the It;t| Pct‘t'ur1tt;tt'a<"t.= P;.tF;.lI1‘lt.'!t_.‘I'.‘i also imltldu Kt-\' Fuilnw l‘;|1';1|m'tt=r*.~'.
l\'c}‘ Ft 1| lam" |‘;| r;tmuI::rs um hr uwtl In t'It;m_t_§c the st mm: 1-‘;1r;1mctcr.~‘~ t I’itti|1.--"'I)ct";1y--"‘?~Eu;|:1cc,-"l’;:n ft as you
mt we ;m';.t}"' tn mt the selectml I'teiL*1*uz1t.'cr :\Eute Atumltcr. F<_>r<;~x:1n1plc. jmu can t|m'e;2sc*t|1e |‘.)c'c;|§-’ Time
"
_t1r:tt|u;IHt' LES you plat-' I*;t1't|tcI';1\t".t}-' [tout 1hL‘SL'|L’L‘[L‘L| |tt.'|L':‘c'1tt'c nnlc. ilttttt hztt-'0 set the Kt:jt_' Fullnw in
I )1.-watt-’.
liuv Follow I’;tr;nnctv:'s um ht: set fur vault=.l’erl‘um1;mc_e Scctiu:1..__.
.
_
_
\_
I Key Follow Reference Note Number : Kfw Note (35 : B 1 - 93 : A 6)
This p;tr;.mwtez' tlu'tcnnine.~' the |w;|.wi¢it'<1rt{el'ct'e1tt"cJ ?\*utv Number. l.?st|;tlIy it is set to i\£t_"_>t@ E\Eumhcr (10.
PPM Eeetimn K
1
we-e EH*1 it
+ 1
‘ Note Name
Note Number
O Key Follow Pitch : Kfw Pitch (-990 - +990)
This ptll‘;it1tt;'ltt!' sets the pitch for catch t\?oleNunt|1erin one cent steps. Wlten set to +100. you can play
A "Cent" is a unit of pitch.
using equal l:;~mpe:';um:nt.
One cent is tit 00th of a
PFN Eeatimn e
HFwPiiehm
semi~tone.
1
W999
“Eq ual Tempe rernent” is
the 12-tone tuning sys-
O Key Follow Decay : Ktw Decay (-7 - +7)
tem used throughout the
Western world.
PPM Eeetimn K
HFwDeesee
W "-.j1--L
0 Key Fotlow Nuance : Kfw Nuance (-2 - +2)
Pehssssisee 1
KteHMeh@="*?
O Key Follow Pan : Ktw Pan (-2 - +2)
PFW géfliififi x
HFw Fen m
1
*2
75
Chapter 3 Patch Setting
AboutKey F0llowParameters
5
"Iht-r vttluc set t1':rC:tclt Key Fulltttx‘ p;u';ttttut"cr is udtlt-.-ti to tor stt|ttt';tt.'tctl rm: the st.>tm'c vtthtc
‘ ;tstltt'Ntttt*Nttmhtfrinrrttztscstt_tt‘t|t't't"c;tsc‘s}ltttttt1l1t;*Rt:|'t:t'cttt't:Nt>tL*Ntttt1ht*t‘§'tttt '1;trust~t. The
Itigltt-r the |\'cy t-‘ulhtw mitts, the tnurc tht: tfilhtt.’ ultttngcs the l";t1'tht-ntttt get ltum the ltt.'l't"wc:1t't"'
t
i\t>tt;*.
.
t
1
3
_
HTCTGGSE
-.__
.~\ ‘\-
t
t Parameters
_
/
.-L J L
,_
“‘“~
..__
_....
.....
.....
.,..
._..
._.
_...
._.
X
‘fr I
t
;
\t
/
_....
___
1‘
*______./~
'
1......
-.
es
_
t
___ J. _.-.._L_i..-.'
/..
if
_.
'\.
..
''''/./ ./ /"I /
_
‘___
.»-
"‘-\____‘_~H\“‘H
...
,
\“‘*-\_H
.-/""/My
decrease
.
|L_.. . . . .-t.
+” Value (Key Foltew)
\
.....
s‘t
‘
t‘
/_-*"""'_ Id
/
“NR
t..._
j,_-.__.
_
_
If
t
‘
___,_ __
__/
H\\\~___\_
*
_;
Value (Key Follow)
\
1
Reference Note Number
\“ ““-.___\_\‘\‘
--._\\\_
H Wltcn at Kc}.-' Ft'.>llt)\\-' l-’;tr:ttnctct' is set to ;t pt'>siti\*c t + t \-';|luc, the st.tttt't'c vztlttc will itttmtstt as the
1 tttote Nttt'tt|tt*t's ittcrettst-:. Hnwct-'01". when it is stat to at negtttive t—-) valtte, the sottrce \='ttlttt:' will
9‘ decreatse as the Note Nttmht-rrs int'rett.sc. Fur e>:;tn"tplt-:. tvhtrn set to '4' 1
‘u
:....i. the vathttr of the
-an
t pzttzttltt-:tr:r will ittcreztsc hy I whttn the Note mmtherittttutscts |1yH. \‘t-"Itch it is svt ttt*":;;' _ tht? t'tt|ttt.drct:rc';tst:shylwhtsnthe {\‘0tc'NtttttlterincmztscsIwytatte lfyuut|t_>ttt.ttwislttutttttstt;t|t§-‘t'|t;tngc
in at suurctr pztrtttttettsr, set this puratmeter tn it
Chapter 3‘ Patch Setting
76
Editing Instrument Sounds
Hnstrumertt Parameters
......... .. 78
2.lnstrumeht Copy ............ .. 89
1. Instrument Parameters
lhttttlt Setting lpagc stlflt ;tllo\\--‘s you to t;I1;tngc the pitch cl‘ an Instrument l in sctttituttc stcpst nssigttctl
to at Ntatc .‘€utnhcr. l"Iu\\-'ct'ct‘. it you \\-'isI1 Ilttttlwr mt.1>tIiI‘ic;ttinn. sttclt as tnttking the sn;trt- sotnttl st tltt.-r.
you sltoultl ctlit the Instrument l’;tt';t1nt:tct's. Doirtg so11llt'_wrs_'_t'<.ttt tt 1 c;tsil_\_,-' t;t'c;ttc the st tuntls _\‘t tu tlcsirc.
_.._-;;1-
1.'_-'-1'-;j':.-.4"-;-.:-_;r¢-_-_ --
.-,-.1? '.j.-; '
_
-. --; .;1,'; -2
'. ,':
_
.- .
:'-
""1 ' -_- -_
'.'-. 1-
-'
;-.~_=_;-_-:.:_-:
-t .-
-
- -_ 3.;--;..'_'~_§". :;--.--.,- _1;- - .'|'_r _
-
--
-
;.' -- '.
; .-
.- -_--:2 -'_':_-i-=.P.='-'--
_~ - --;
-:-;;'1- _
:;;;.;;jI-_-_-_-,
Q t; j
.;
I -.1;_t_}\j_1§_;§._'='f.= _:" -2: : .'_-_<1;;,-_=' -.;1_=_;.';_;j._ 5 _r ;_ _
I’. Z'.=;:'.=;‘.i-IT-‘:;-'- 3 -.;i- -':::f-l'\-.-'.-=‘-:-'i-3_T-Ii:
I‘
. _
.:....___.;_;-__:=;-_-;_-r_=-__-.
I '
- - -- -
l§(l§@§fl@E§§y
. -. "- -.
'- .' ' _ I §_:
ment Parameters
:._ 1-. gg-:_-;;=_'. .—.:-\_--.'.~.--r_'.-,=;»-.:_ :.-.A-.,._-1:-.l_-.-- ;_\.
-' _
{:' ‘;'?..'_ll§_':
-
l
ILl.*iII't§.{ I4] ttntl [P] l. tltcn press [ENTER].
_
"-."i~-~;=-" _.;:'
-' _- . ; ,5-:_;'.;_:
.,
;_
;
. ."-1 ." 1-= ;.-
-=
t;._'._: _- f -_
;:t._t-
-'
Q
il
-_-__-__:1;g-J:.-_--:::'._'.;1{.:.;.Fi-'};?I.-4$'3_.1_;-_'-';;.__;
-.
_ ..
.-_
:-,-.5 . _
_
'.
- . ,; _=
-
I
=-
n¢tt=tltnttmset
L Sojnd in the Instrument Section
I as
_
lnstruilment,iNumber
TE+H#3$+51eit39
Haméli
hLmF3t"5§
Depending on the patch
® Select the Instntmrrttt Ntttttltr:1'yot| wislt to ctlit using tltc [DATA] dial.
selected, what appears
in the screen will be
Mot-'c the cursor to the 'l'riggct', Note t\iutnhct" cl" Sotmtl, _\-‘on cam also select the Inst't't|ntcnt
different. The left screen
t\’ttnther.
will be shown, when you
select the Patch 25
Olt the selected Instrument has only been assigned to the Performance
Section, the screen will respond with:
(Standard kt).
Performance Section Number is shown
_, ;t":"i
$l-E]-Ill! ....,t;1
ti
w==
Henet~»-=>
*""""I
I‘-I¥"" I’-I:.;._I:l
I It the selected Instrument has not been assigned to either the Instrument or
Performance Section, the screen will respond with:
..s.sttsussi414
HEMP
I
€MUUdH,F}
@ Movt: the cursor to the pztrttntctcr name l'ic|t'l._ then select :-t l’;tr;t|nctct' using the [DATA] tlittl.
Instrument Number
-I-.--,.
--t-,--, . ,--
. -
--t-,-,
a*H#&o*31*11&o
P 1 +-it is _
Parameter Name
I
Parameter Value
@ More the cursor to the pttrztntctt.-‘r \-':.tIue l'iclt'I. then set the Vlllllt’ using the [DATA] dial.
Chapter 4 Editing Instrument Sounds
78
t’
I How to view the Instrument Parameter Screen
O When the I.-J -at *-.-tat" =21 r'- r-t Parameter has been selected, move the cursor to the
Number and Extension, then change the value with the [DATA] dial.
Tsanssaastettse
Wa*et@P"“35~5
Extension
Number
O It you move the cursor to the Note Number and press [ENTER], the Note
Number indication will change to Note Name. Pressing [ENTER] will
alternately select Note Number and Note Name.
Note Number
"': '
"'I"|"'| ' 1"‘
'
"
"'I"'t""'|
lTa*H#¢o*21*11¢o
Heme
[ENTER]
.
I
€LfiFat.E?
[ENTER]
Note Name I
Tianb aesleliii
Heme
€LHFat.
O If an Instrument is used in more than one place (Trigger/Note Number/Sound
1/Sound 2 or Performance Section) a (*) mark will appear tothe right of the l
Instrument Number.
I
A mark is shown
lT5eH#4Se51eiE_Ti Q
ttame tfieeli.= Ts
'11:‘
t. . . . l
Chapter 4 Editing Instrument Sounds
I
ll‘ so, rota can monitor what Pttrls (or Pxiotc t\ittntht:rs) the lnstrttntcnt is assigned tn.
More lltccursor lothe Instrttnient t\ltttnl>ct'l._Il, E5 1
select the Iollowing displays in sequence:
' '
'
.
,3, then press [ENTER]. Prcssi.ng [ENTER] will
- "
'
-
' "
I
R1aH#35e52ei51Ee
Heme
rorr,Et
£_,[ENTER]
I
!_-...
T1sH#36eS2ei51Ea
Hans
Ifitt»E>
*
i,,[ENTER]
~-anseseesatatse
Hemeifiii-E?
t
.[ENTER]
I
T2eH#39e52ei512e
Hanei@tt~Er
im,[ENTER]
E5eH#39e52ei51Ee
Heme
i
UFF,E}
.
O If you hit a pad while the Instrument Parameter setting screen is displayed, it 3
will change to the screen of the pad, you hit, For example, even it the Trigger I
Signal “T5” screenls currently displayed], hitting the “T2” pad will select the I
‘T2 screen. Similarly, it the MIDI Note message of a certain Note Number is
received, the corresponding Note Number screen will be displayed.
T5+H#4Se51ei25Se
He"siRee13~Tt
ltiennaaeataiteae
hens
,
‘
Olf you depress the Hi-hat Control Pedal while the Instrument Parameter
setting screen is displayed, it will change to the screen assigned to the Pedal.
TE%H#35%51%il3E$
Heme
€LQFattS}
'
Pd+H#44e51ei3@#$
Hame€QcoPHtH}i
l
Chapter 4 Editing Instrument Sounds
80
I Jump Function
Thrqlrlrnp function allows you In instanrnncnusly |110vc from the Instrument Pam-|1"m:lc%r screcn' Ii: the
Trigger l’;1r;mwicr,-""'I’ccl:1! Pa:rzunutcfilnstrumenr Scctir1nfI’r:rFr.>rzm1nce Scrction screen.
@ E\'1m='c'* {hr cursor In the ]7ilf11l11Cl££'I' you wish to jump to.
(D
. _ .
*
®
\
r2+M#3s+51+i13a
1'"-l~3r="=#%-1*
A
"=1ILF*F-B*»~i1='
\X-*'hcnth<: L"Ll!‘S(}I' is position:-rd '.-:l@, you can more to the Trigger Prlrzuncleror Pedal Para111'cler Scm-zn. 1 fl
\Yr'it|1 the cursor :11 position @, you can l11()\-‘ClOl|'lt3 Inslrumrrnlfirictiran or Perfornlance Section screen. ._ -¢ '
Y
® \\*’l1en the cursor is ]‘JOSiIiOI1f3(|Il{ @, press [ENTER].
\
T2+H#3S+51+i1;E:__-I
JU“Ft@TEIE?
M
When the <.'urs0r is pcasirinncrl at ®._ press [ENTER].
j
T2+H#3$+51+i 35
JUMPLQ EBUHD1 ?
‘nnnlu
® Pre-rss [ENTER] again to jump.
To cancel Ihrsjump nwdc. press [EXlT].
81
Chapter 4" Editing Instrument Sounds
The following pztrztmeters can he set for each of the TD-Ts 512 Instrument sounds.
‘
O Instrument Name : Name
lT2+nsse+51+' 32
I-' 5...;
.HenetLfiFee-5*
Each lnstnrment can be named using up to 6 characters; 5 letters and one extension. You should put
rt (full-stop) between the 5 letters and the extension. The extension is at clmructer that represents the ?
category of the Instrument.
O Waveform : Waveform
Teeneseesteitse
II
tAaU@FUPW
x 35.5
Select the waveform that the Instrument is mscle from. There are 256 different weveforttts. W P. 1-‘H [
@1.H "3':ml- 1-_L
‘I
I
1
1 """I'
I‘
.
0*! n
H
59.
W;.t\-'el'omts for Snare Drums.
l_;|'I I-" ll
T ..
“'_1':-L 1--L
H - E8. H
F
I
35':
T
@1.C - E3. E
@1.P -
BI; ‘_:
5
P
‘nun alum II
@1.H - 11¢ H
"1":ml- |-L
I
E
..
Wztveforms for Kick Drums.
34. E
51.8 - Q5. B
Chapter 4 Editing Instrument Sounds
Wtwefonns l'orTon1-Torus.
Wztvelorms for Hi-hat Cyrttlr.-tls.
\‘V;weforms for Ride./‘Craslt Cymbals.
\ll’aveforms for Percussion sounds.
Wztvefonns for Mallet Instruments.
Wrwefornrs for Ellect Sounds.
Waxtefcarms for Bass Guitars.
82
l
O Pitch : Pitch (-4800 - +4800 cents; in 10 cent steps)
TEeH#35e51%i13S
Pitgh
K =
+39
This |7;ll';il1]L".i€‘t'11£iil.1S[Sil'i€ pitch olthe Instrument. The value can he changed in It) cent steps. Higher
=t= For some Instruments,
\-"ttlues rttise the pitch.
l
the pitch cannot be
changed beyond
0 Decay I Decay (-31 - +31)
B
certain point.
TE+H#3S+51+i133
Decaa
m
"31
This pitrzmieter adjusts the Decay Time of the Instrument. Higher vztloes increase the DecayTi1ne.
Level
Waveform
l Time
!
I
1
|
r
1
1
t
lo
.
S
i
'+—
S
4
Decay
es»
-
I Panning : Pan (L7 - C - R7/RND)
TE*H#33eS1+i133
Pan
m
E F
This pztrsmeter sets the panning (stereo positioning) of the lnstrttment. 15 positions are svail;1l)|e.
When set to RN D. stereo positioning will change every sounds.
Left Speaker
‘H14
Ftight Speaker
.
E l
--w
=
= --_._..,....__._..._...¢-»'' 'I_
_ —\,_.,,.._,.__----.
_.
ué-—-—i c -*---—-91%?
(Center)
83
Chapter 4 Editing Instrument Sounds
I
O Nuance : Nuance (-? -- +7)
T2+H#38+51+i138
Huance
m __ + ....__j
"
For instruments Nuance marked with “O” in the “\i/avefonn List" (page 144 ft, the sound will be subtly T -
S
altered by the Nuztnce setting.
With drum type sounds, the harmonic content will he etnphasized by lower Nuance values, sintulztting l - the sounds crested by striking :.t drum near the rim ts). When the Nottnce partmteter is set to it higher
\-'ttlue_, the sound will simulate that of tr drum being struck in the center of the head (bl.
T
;
\\
,.;.E'.°~
T*Ti’__'_*
T3
~..
TE V
’ee
.*,
ii
[ItEl]
it afi
_/
E».
1 - a —=—-r"
I
\/as
A7 ,
%
‘E
1?“
///I
EE
/
@
Ql‘ /
QQT. 3/Q\
ct:11 i+1
Witlt mallet type sounds, lower Nottnce values will sinntlate the sounds created by playing the ; viii “MaIlet"arespecial sticks
Instrument witlt 21 hsrd (wood or ruhher) mallet, while higher tr:-tlttes will sirntilztte the sounds crested
used for playing vibra-
by plsyirtg the lnstruntent with a soft (wool or felt) mallet.
phones, marimbas, etc.
Chapter 4 Editing Instrument Sounds
84
O Brilliance : Brilliance (0 - 15)
-1".--.:
|--r-*-.-'":-'"
:
.. :__|
:__
‘___.._ :__:
i _,;:."i£'r'~i¥§:._,:::__:"Ii'___: 1 .!‘ 1 1 .___::___:
Bhilliencee
‘
15
Thlh‘|‘J1ii’Zll‘l1L‘l.t‘l't3I11|T!|1;lSlZt.?$l|ltfl'l1il’l11t}l'!iCCOfllCfllUlli50£lI‘ld. Wlten set to 11 l1igl1ervalue,1tl1e higher ;
Ituquetwcit;-s will he empl1;|.=ai2t.=d. \lt'-="'l1cn set In ll, tlm-';1rc' notc|npl'1:|si20cl;"1t all.
31
O Attack Damp : AttackDamp (0 -» 15)
\
leehhemepleziee
Qtteckfiemeelfi
II
‘Ills
'
'
“
II? glfi‘
.
gfilll
I‘
Q
KT
This 11;-1 r1: tnrster vl1;1ngt-rs the ;1l't:.1c|<. ml the scwttnal. Higltcr \-"tl|LiL’.‘.% sefttzn the ilI'l'3L‘l\'.
l
Level
decrease
Attack Damp Value
increase
;
l
@1111!’
*@
.-_‘
n
In‘"In
1'...
pa-Q0
‘Q
"s
an
U
‘I
‘n
I.’-
I
In.-.
-,-pun
unu-
—“_
19"-“--_.
'0
.,
.0
I
"1:
=-
I ‘U
‘In
I
\
I
\- I
.
-
_
-
l
nme;
-an 1|“
\
Uu_‘--
\¢I""'-I
H--—‘
:’_.,,-inn
O Dynamic Pitch Bend : DynaPtBend (-7 ~ +7)
I
t2+H#3e+e1+i13e
DehePtBehfi* "?
l
T|'1i.s |1;1rmnc:cr dc*tc'1'111incs the amount of pitch <:lmngel_pitcl1bend range) czlumcdhy hit__tingtl1e pads; \ 3
The pitch itwczzses wlten Dynamic Pitch Bend is set to :1 positive: value, hut clecrcascs when the value
"Q
is mjgzttix-=e. Hlgl1e:"\-';1|ueswill<:zm:+c=more drastic pitclt rzhztnge. \ll-’l1t=.n set In U. the pitch docs not cl1ahge-
5
mfl.
_»
-l
l
—
—
—
—
85
—
——
___ _ __ _
'
:' ’* :f*f'J __; ——
_____________ W ——
__:_ ta '''' Y7
4'1’ ti" W ' ;_
Chapter 4-. Editing lnstrument-Sounds
O Dynamic Pitch Bend Time : Bend Time (0 ~ 31)
i
TL"?-it-l-l=l=l=-'I":?B~5*-i';-"3-“I1"5*~i1T.Y.*?i:i
E=et"~'flT1T‘?
Iii‘ 1
Bend Time sets the duration of the l)§-inamic Pitch Bend. Higher values increase the Bend Time.
1
I Polyphony : (Poly! Mono)
TI.'Z';‘-:tl~li=iT.:'£itE:-:1-'E.'I1~%=~i1§.'i.’I‘E
Fe 1 'fl'=het?t'att F'*I*1'fl
II
t
Kill
This selects either Poly or Mono mode for playing one Instrument.
Poly
t
In the poly mode, the sounds oi one Instrument overiztp with one zmotlter. For example, if you play ti
ride cymbal sound, which has at long decay, the decay of individual strokes overlztp with one zinother,
creating :1 realistic effect.
V0ume
‘lime
it
Sounds are mixed
MONO
.
_
..
_
In the mono mode, the sound ol an lnstmment 15 cutoll whenever another sound IS plztyecl.
l
3
8
V0um
‘lime
_
l
Sounds are not mtxed
:_::___ _
_n-nu-at
_
'
pnunnnunn-mnnni
'
'
'
'
";;:::: __
1-out
_
_'
Chapter 4 Editing Instrument Sounds
__7 _____ __
7
\
__
SW ——
86
e
*;'_*
1* ";::::;__ __ __
—
_—~
—7
,,-t
—
O Assign Group : AsignGroup (Exct - 31/OFF)
T2%H#3Be§1ei13B
.
iQsiQnBeoueeEno31
5
The Inst rumentx assigned to the same Assign Group cannot play at the same time. For example, when -
tron are plityiitg an ;iC(.'tL!$ll(‘ drum set, the open Hi~hat and closed Hi-hat sonntls cannot occur l
.‘iil't‘lt.tliLlI'if;‘t')\_iSl‘_t,-’. Thztt is, you can assign Instruments that do not normally sound together to the same
Assigzt Group.
lnstrttntents that sltottld he 1-tssignetl to the some Assign Group are: Short Wltistle and Long Whistle,
Short Guiro and Long Guiro. Mute Cuictt and Open Cuiczt, Mute Triangle and Open Triangle, Mttte Surdo \
and Open Surtlo. Mute Pandiero and Open Ptmdiero. etc.
’
ll you wish" to play an Instrument at the some time with the others, set the Assign Group to OFF.
EXC1
EXC1
- l
"
EXBC2
V0ume
"5
Time
Sounds are not mixed Sounds are mixed
87
5;
Chapter4 Editing Instrument Sounds
O Output Level : Out Level (0 - 15)
T2eH#3B+51ei13B
Uut Levels
15
This psrstneter sets the volume ofan Instrument output through the Stereo Outs. Higher vztlues increase
the volume. At 0, no sound is output.
'
'
O Send 1 Level : Send1Level (O - 15)
=t< Signals to be sent to
Send 1 should be selectedfrom:
Tzsnssesslsitse
5snd1Lees1=
15
Q") lnput to Eflect 1
This pttrsrneter sets the level of an Instrument signal sent to El'l*e-ct I and Indit-'iduttl. Output. .1. Higlter l
l
'
l
values increase the signal level. At 0, no sigitnl is output.
Qt Output from lndi-»
vidual Output 1
Either can be selected in
Sound Setup. or P. 129
OSend 2 Level : Send2Level (O - 15)
T2sH#3S+51+i13S
5end2Leue1=
=t= Signals to be sent to
15
Send 2 should be se~
I lectedfrom:
ti) input to Effect 2
This parztmeter sets the level of an Instrument signal sent to Effect .7V§V;.-V:,tnd..InVVcVli\='idu:1lOutput 2. Higher
V1llU€'S increase the signal level. At 0, no signal isVVoVuVtput. VV V
I V V
V_ V
V
®VVOutput from Individual2
Either can be selected in
Sound Setup. rs" P. 129
"**"*
I
'
' "
s
' ~
Chapter 4 Editing Instrument Sounds
—
—
————_———_—— ——_—— —— ———~~
B8
_
~A
__
—e ~
—
_
_
2. Instrument Copy
'l'htr Instrument Cr rpy |“un<:ti: >11 ;tlh.>\-rs 3-'01: tn mpy the (lain t Htrztmrrter settings) nl‘ an l|t.St_t_'t1;1_tL_'.t1t,t_t1.;g . i_
tliI"'lL*rent In.~‘t1'umt*nI. lt'yutt\-*~'isl1 lt_:L*t;|iL;tI1 I:t_s"t1'11m:mt. but ;1l.sn|'ct;1m the miginztl tlulu. you can first
mpy it to ;t diflbrcnl pl;-we Itelhrc‘ cditingg.
'l'he|'t: an: two w;t}.-‘s to t‘t>|)§-"' am lnst:'L|mt:ni':
I Copy I COPY T]1islttl'1LTti:'1flcupicsitll!|1t:'£l1ll;1n|‘;ln111$-lt‘tlmt’t1!In:1nt'tih(?t'lnfitflltlttflt €\"um~ ;
her.
Ieetenmewtfinev
5mF5l1 ""5" [Im1‘.§i1'-.:f"§‘
,
_
\
The destination Instrument Number ’ t
The source Instrument Number
Q Exchange I EXCHANGE
;
This function exclt;1ngcs all the data <'1l'0i'§e]nStrt'it11'£'nt wi'tlt"'t|1:1't--' "
<_>l'-.1n.0t|1e1' Instrument.
It~t5T H
A
EI=-=::IIHF1tt~t|3E
Ine5iie“%Ins512?
T
T
Instrument Numbers to be exchanged
A
=5-
\
89
Chapter 4 Editing Instrument Smtnds
I Instrument Copy Procedure
(D
Select the Ptttelt Plny screen. then press [EDIT].
It =:1Et:~ IT 1:~ F‘l3lTt'jIH ttt-415T
F‘""‘--"'F"t'H
7' '7 !"'F“=‘l“'
APP" ll
an
® Move the cursor to I "L3 F‘ "1". then press [ENTER].
Select COPY¢or EXCHANGE
It-lets:ul=IEt-IT :::ot=~
s=Fs11
IT ~+o=s12?
Instrument Number
Select Preset or User Instruments
=t=
When you have setected
® Move the cursor to "COPY or EXCHANGE", then select either with the [DATA] clittl.
COPY, you can select a
Factory Preset Instru-
@ Move the cursor, then select F (Factory Preset Instruments) or l..| t User Instrttntents)
ment (F1 -F512) or User
Instruments (U1~U512)
as the source Instrument.
@ Move the cursor to the source number field, then select the source Instrument Number with the
Only a User Instrument
[DATA] dial.
can be used as a
destination.
If you wish to restore ttll User Instnttnent data to Fttctoty Presets, select FF'I:I1 1 using the [DATA]
dial
@ Move the cursor to the destination number field. then select the tlestimttinn Instrument Number
=l=
When you have selected
EI='=IiIIHt3tI-II3E, only User
with the [DATA] dittl.
Instruments can be
assigned to Ins.
® Press [ENTER].
The screen responds with l:lt"'*E' ‘-31211.4 25- t.It"1E' '5'
=I=
If you select Fe-Fill tn
step <5), the destination
lnstru-ment Number is
Press [ENTER] to copy.
To cancel copying, press [EXIT].
selected; l_lr"~|3l11. (You
cannot select the desti~
nation Instrument Number).
'
'
_?:
_
1-at
__ ___ _ ;: 1;’;
;;_—_:;——
7; ____:____
_
—
— _— ———— ___
Chapter ‘4 Editing Instrument Sounds
_
__—7_
7
_
_
—
_
____
___
WW7’ 7: ~i::_
__
_—
___
___ ___ _____
7
___
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Phrase Sequencer
1.How to Record Sequence Data .............. 92
P 2.PhraseSequencer .............. 95
3.Tempo, Metronome, Available Memory and Synchonized Playback ........... 103
1. How to Record Sequence Data
The 'I"l)-Ts recortling tnetltotl is Loop I'tecot'tlin_tr in Iteiil-time. That is, as l_t't)tt pltty. t1t_‘\\'Ll1Illi is ;ttlt.let|
to your set|ttence u-'hich is plztying over and tn-"er ttgttin. You'll lintl it very-' east-'!
Before l]L"1il11ttt"l 1, 5 Jettil -’ the Set uence Pattern ?\luntl"ter tutti the nunther<.1I'nte;tsttres rt an are at tine to
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Patch Play Screen
P- 17
‘I
ll
5 til’--{FIE LrltllETl*-T5
.;-
I-in -. »
-.1 ,2:
;_-,t_.;_@
® Using [*1] and [P] , more the cursor to F’-ll‘-l and then press [ENTER].
PTHI
ecu PLne
¢LEPRt T?PEtE@P*
.
I
.
::_:.
_
2
-
.
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-up
-
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® More the cursor to L1 L E I-I l;-1, then press [ENTER].
l
Sequence liattern Number
r:l_t=_l-'1:l-?:t==‘t'l-ltI n1 Ill] a I
'3I1earFl11=' tilts
l*
@ Using the [DATA] dial, spttcily the Sequence Pttttern t\Et|mher to he t‘econ;|etl.
l
Please note that pressing [ENTER] in this
screen will erase the
sequence data.
ti<
Sequence Pattern Num~
bers 25 - 48 are Preset
Patterns and cannot be
used for recording.
Chapter 5 The Phrase Sequencer
92
® ?vln\'L‘l|1t;’L‘tlt':+t_1rtt)l:1*?-3i‘“' I:-t1 1 ,{|1L‘I1 seIet't]']1§'-3'-.2-t.-it"'*-E‘ L1si11gll'1c[DATA] dial. More 1
the r:t|rsnrt'ol|rt3 s\-='Ic;|.~;urc Nu|n|1cl'._rqltztrtguthe\-’;r|uctulhr: t'lt*sin:d nu mhcr with the [DATA] dial
and tlten |)ress [ENTER].
= r ~,
‘ -elf any data exists in the
l
Sequence Pattern you
have selected rt Wt" be
played back here.
WLEQR FTH[?33
Hereure
-i
‘I2 UII
II
“
III
U
T--..
X...
Number of measures
\
[ENTER]
Oil
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n
no
nu
can
Heeeune
‘I
an
W
4
II
an
OIOI
III
nun
It you change the meas-
O.’
ure number or beat
previously set, ’? will be
displayed to" the right of
the new value.
. _ @ __Tl1t=:disp]ay r'c.s|1('1ndst\-'itl1 Flt"-e ‘fill-':l.,-I :§.r._4r‘-+3 '?-It'yo1.1wishreeniertlle new=va'l11c,prcss
- .
[ENTER]. l’rcss [EXIT] l't')LT1ll1L't.’].
I 599]" "9¢°"d]"91
‘
t.:;-1 lt
Pl'css[ENTER]toselecu-cr::en@intltc pn-:\-'ious|v|'noctltrt'<:.
l
F‘ta
PF
eeceetea
[ENTER], follow steps (D
T ‘TI FEECUF
'
:._ “':'!
no
_
screen ® does not
appear when you press
and ®) in the previous
no
_E\-=l0tf§'_t]tc u1r.sortoEfE|..1-"‘F'LH"="._thsnprsss[ENTER].
I
procedure “I Specifying
the Sequence Pattern
Number and the number
g t Sequlence Pattern Number for recording
Measure number
Tempo
Quantlze
of measures”.
t
PTH@l~fiiJ12@:@1e
EREF EPLQVEEEQET
]
Fleturn to the first measure
Start playback
Start recording
93
Chapter 5 The Phrase Sequencer
___
..___;_,,,
__
.. -____,,__T_ ______;__.____,..
_
M ___.___Ae_:
M
on
l
_____
® Move the cursor to Jf.-*2-'T*'tl='t'.3, then set the tempo with the [DATA] tlittl.
@ Move the cursor to i;ii.l8t”tl.- i E19. then set the Qtttmtize vttlue with the [DATA] dial.
11> “Qu3nfiZe" means Coyrecting timing inaccuracy
@' Press [1]( [SYSTEM] fl to select the record stand-by mode.
in performance,
eEera1~e11l=12e
QPP4 @ER“5E55T@P
The LED of the [SEQUENCER] button tlttsltes at the current tempo. Play the pttds (or at lteyhottrtll
in time with the llttslting LED or the unit's metrononte. Wltttt you pluy will he recorded in real-time.
During Loop recording, the ntettsures in your sequence (or Loop) will play over and over again. For
=i=
To change tempo or
extttttple, if you are recording Lt two bar sequence, those two hers will he played repeatedly. During
quantize values during
recording, wltttt you play is immediately tttldetl to what you played previously. in this way. you can
recording, move the
build up your sequence until it's complete.
cursor to the relevant
parameter, then change
® When you finish, press [3] t[El)lTl) to stop recording.
the value using the
To playback the sequence data, press [2] (lSEQtEENCERl).
[DATA] dial. However,
when the Sync Mode
(er P. 105) is set to
You “can also play hack the sequence data by playing the pads. The parameters for this function are
shown on page 4*~i.
'
l*lI[I*I, you cannot
change tempo values. In
this mode, the display will
tvttett the TD-‘}"receives :1 MIDI Note On ntessage from an external device, it starts playing hack the
show»! =r=t i el and the TD-
sequence data. The Note On messttge is sent on the MlDl channel set in the Trigger (Trigger Trunstttit
7 starts recording only
Channel). W P. 115
when it receives MlDl
timing clocks from an
You can start playing :.t sequence pattern by pressing the Hi-hat Control Pedal (FD-Yzoptionl. How to
set the sequence Pattern to be played is explained on page 69.
Chapter 5 The Phrase Sequencer
94
external MlDl device.
2. Phrase Sequencer
The 'l'D-‘.-’ is equipped witlt___;t__seqne_t1eer_tlt:;tt allows ygu to tfrertte q_r__iginztl___rl1ytltnjsanti l}z_1ss_pa_tt:ern_s.
=l=
The amount of data that
can be recorded in the
The SBQUGHCBF is the unit that ret'ort"ls purl fer lie}.-'l)n;1rtl"l 'p'er'for1'h:tn'te' tlatzt tint! plli-tiysliitiléztlelt. The
'
TD-7's sequencer is
limited. That is, when you
O The TD-7 contains 24 different Preset Patterns and can store up to 24 User
Patterns. Original Sequence Patterns are stored in User Patterns; the
contents of the Preset Patterns cannot be changed.
have created Sequence
Set]uent't.=r rztn ;-tlsri he s_\_='neltrt;tt‘ti?'.e(l to zmnt her MlDl c.levit.'.e.
Patterns with a lot of data,
you may not have room
tor 24 different patterns.
I Pattern Numbers 1 - 24 are User Patterns, and Pattern Numbers 25 - 48 are
Preset Patterns.
Check the amount of
memory remaining using
The 'TD—T's Tour Seetiotts can he pluyetl. The lour settitms are: the |fiSti't.tI’fl8M SBCUOFI,
Available Memory (+ P.
Performance Section 1, Performance Section 2 and Performance Section 3.
105)
Eztelt of the it Sections is assigned its own .\-'ll[)l cltrtnnel. Therefore. wltat can he recortled/'played hztck
must he d;tt;t that uses one of these same +i channels. and it will he recorded./plztyed back as helonging
[_-:,\
to the Ser.'tion that is ztssignecl the same clutnnel as the that nnel the performance data tnwelecl on. This
is true whetherit is perlonnztntie data generated by ltittirtg the pads. orthat :tn"ivingoverMfDl'lN. However.
The MIDI channel is not recorrletl in the Pltntse Sequencer. Sequence data is distinguished by the
settion rt:-tine.
»;:. ’
'
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jg
f
Ql%_
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uses
PHRASE
stzouaucat=|"'i
1y
l
fit?
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W
Pei" ~ W is
,s___.._-__.
—*e ———— ————— —— —— — —— — — — —¥——
l
l
*2‘
s§f_|Eé';‘;5 ‘F » CH':mEl_.;l mg-égt_:_:;NT INSTURUMENTSJ
I
x
For a detailed explanation about MIDI chart»
nel settings. refer to page
115. 116.-P
1
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:=
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e
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)
2'4
A ENSTURUMENT
1
_
~
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Ti
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Q
25 ‘oi--*'+p ghMDt_ eenaontrititcéi
* PRESETE= ,¢‘.~P3L'.é.t_~lE. E.l.~.» sacnonz
A
‘“ST“““'“E'“
' *""""*""* * "WT "
J
‘I
_. t ,
y
’ 1"r""t."rr;r*PEHFORMATNTCGT AINST
I Q
..e*-eta-»
R
I
‘
ENT
,.
O Only Note On and Control Change (of the Hi-hat Control Pedal), messages
are recorded in the Phrase Sequencer. No other messages are recorded.
That is, onlythe data set with the "SYSTEM" parameters (er P. 1 21 ) is recorded.
I Though the MIDI channel is not recorded in the Phrase Sequencer, sequence
data can be distinguished by the section name. MIDI messages are output
to external devices on the MIDI channel set in the Instrument or Performance
section. For example, if channel 2 is set in Performance section 1, sequence
data of Performance section 1 will be tranmitted on channel 2.
=i=
l
l
The Phrase Sequencer
does not record Note Oh‘
messages (=1? P. 111).
When the seeuencer is
playing back data, a Note
O11 message is output
immediately after a Note
On.
95
T
Chapter 5 The Phrase Sequencer
7
__
___
_
"___
_
_ -
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__;_
7
_
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—
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[1] Flefiording and playback of Sequence Patterns
l 1:: Sequencer Screen
_'l'o_rt;;=corr.lorpl;tyl"1:ick kieqttence Pzttterns, select F'Tl'l in the iiet|uencet‘ screen.
t-ePo4
II*F‘Tt*lits-it-1;.
q¥HFEflUHILiHETRfi
‘IQ
__
OK
-D
.,
~
Ill
Wl1en__F‘:Tl'l is selectetl. the l'ollo'vring;; menu tttu he rlisplztyetl. This is tjztlled the Pattern Creating
_ _Screen._
t==rt~t
i~?iEtI:,.+"F‘LFl
§_ ‘I
i
: !_ _!
5LEQEiT*PEi5@F
I
. I " To record or play hack, select F1El:I-"'F‘Ll3l"r' in the Pattertt Cre-.tting screen...
I
Sequence Pattern Number
Measure number in the Sequence Pattern
iv
Tetipo Quzitntize
;
PTHe1~etJ1Ee:e1e
I
ii ..
___.
'1‘
.._
::
IPEP
@PLQҤPErET
1
I
Return to thefirstmeasure“
T
Start playback
Start recording
Pressing [1] (lSYSTEMll will select the record stztnrl-by anode.
Pressing [2] t.lSEQLlENCERl.l will start playltztck.
I
Pressing [3] (ll-Il')l'l']'I will reset to the first nteusure of dzttzt.
Move the cursor to the appropriate pittmiiteteri -'tliencl1ttnge tlié yaltte with the [DATA] dial.“ "
T
.0 Sequence. Pattern .Numb,er (1 - 24).
y =r._ For recording, Preset
Select tltetliattern l\it1It1l)t'ftfIQ.be-t‘eCQrd¢Cl.(I_fPl¥1YQd@
‘I g Patternsq(25-48) cannot
v
QqMea_sure.Number(1+i1.6)
1%
N
1
~
.
1
it Pbe used.
*1.
This indicates the mettsure number in a Sequence Pattlern. You can select the measure nuniher from 1
which to start recortling or pl;tyh'.-tt:k.
I Tempo (24 - 260 bpm)
This sets the tempo of the sequencer".
Chapter 5 The Phrase Sequencer
96
0 Quamize <1/8,
'l_l1t‘(§|LI;ll1lll?’.L’l‘llfiCllUl1(‘UI‘l't?t‘lSl'lI‘l1ll1glI1ll£‘£'iil'1ICl(:‘Slll1ll{)L‘Cll|‘(ll.i¥'ll"2gTL‘L‘l)1'£llI1}l. Fnrinst:mci:. il'y0i1scl
ii in 1 1
l
all lllt-.' .~:i.~ilee1itl"i mics in 3-1 )i!!' Hfi;'(]llt‘fl£‘L’ will lull precisely on the sixlecntli nun: clivisinns
lfi.L'."I-.!L‘ll niL';1siirc=. lz\'ntc.~m|' l()fl§.1L’i' iliimiimi will l;ill oh {lieirrespcc1i\'e (ll\‘l$l{)!'lS as well] Nriiriiially. this
.scltin;_; sliiiulil rcllccl the siiizillirsi l1HiC\';2lLIt' in 3-‘nus’ St’(|lit‘I'I£‘L?. \\i~"’lien scl in H I El-l. n<'>qu;mtiz1i!ir.>11
will l1c;1pplic'il tn wlml yuu play.
_
Example:1/16 resolution
i
Resolution
'7
Actual note date
i
0
n
Q
0
Q_uantiza___at_sixteenth
note I'8SOlUUOI'\
Ncjtel date after
quantization
iii 7
I
"W15
W:
i
I
0
.
‘B
_?»-
iifi f
_
Z
1*******»;Ll~~~:
I
I
_ W
u
1 1
|
r
._
a
l
-j jg ?_
l
l‘
l
.
I To edit the recorded data
ll you WA-‘ifill. yr,-:21 can crass your work and re-record the scquirncc-. You can also erase in£li\'iclu:1l '
lflSiI'LI!11CfilS or l\i0tc Nilniliers lI'l.'*illi';lLl ml“ re-recoriling the entire scqiicnccr.
\
REE £@1~@12i=12@
A
'?=1=1*f-@EFfF*5E§‘5T'I*F‘
‘
ln ihi: ;il‘>(.}\'('_‘ recimling screen, pflzssing [2] ilSEQLiENCER]) will cz-1 use EEIFIEE in ll21Sl1.
an
vnw
l
ll you pl1l§-"'1! pad (or 3 nuts on the kcyl)<">arnll\x-'l1ile El:=fl-l".:-E is llasliing. the sequence data of the
lnstrumirnl zissigried £0 the l‘C'lt‘\'3fli Pad ((_)1'l‘l()I€ l\lUI11lT1l‘.’f) will he eralscd.
l
\
ll you [)!'L‘.‘.i.Hf [2] l_'lSEQl.FENCER]);1g;iin while E553:-IEE is ll:lSl1ifig, the‘ seqursncrsr will return to the ;
RZ‘C{)FLl fi}(_}Llt'.
_ 7________ _ _; :_—_~___ 7
———— ~
7
—
— — —— —————7—— ———
7'; —_; 1, ,7 ———————————
97
_
"*—
7" "*7 ' '1 "
___ _
_
__ :_ ———— 4&4 +7“
7 _ __ _ _ ____
_____77_ 7::_;___ ' _ __ —————
Chapter 5 The Phrase Sequencer
4 ‘l
[2] Setting Beat and Number of Measureand Erasing Sequence Data
L111 Sequencer Screen
® ln the Sequencer screen, move the cursor to l:'Ti'l zmcl then press‘ [ENTER].
er P. 34
This will select the Pztttcm Creating screen.
eta
REC Pchw
CLEQEiT¥PEECUF¥
® it-"love the curs01'tul:ILEl:lFi, tlien prc.~;.~s [ENTER].
Sequence Pattem Number to be edited t
i
Lwhetrer sequence data existstor not
=:‘<»If data exists in the
Sequence Pattern Number,fl is displayed. It no
CLEQR PTHEEE] E
We¢1eeea1v=te1?
T it it t
data exists, E1 is dis~
played.
Name of the function to be used
® Move the cursor using
and [IF], then set the Sequence Pttttern i\’umhcr tn he ctlitccl ;tnr'c editing
it. ”|"hemp3' lmcliun ;1]5r>;l||m\-'5}'utI tu:~'|1ift the pitch ul‘cl;.:t;r 1 in .~"r:mi-tone steps) to 1n:rkclr:msp0sirim1 r
c;.z.~;ir?|'.
_ _-
.
.
A
You um use nflt‘ u|' um mp}-'ir1g mt.‘l'|}n£].~s:
I COPY
Thismrsihud copies s<;*que:1ce+uc_|r|r::1cc.~. Fr >1‘ cxumplrr 1. 2+}let-'ul:+.i‘:"nn1-1210+I2.;1rc;|\-*;1il;1hle._A setting nf+12_rai_ses
the pitch by l ucl;2w:. A1E').lhcpilr'l1ni'rl;aI;r isunc|1;:nger.I.
"1:= TH
W
--4:':=".:= 3'"
..
-"
‘
:"::n==
5*l4 i@*P*E3?
T
Destination Sequence Pattern Number
S
The amount of pitch shift
Source Sequence Pattern Number
I EXCHANGE
‘
'|I1:.~'meI|wrlexrflrrangrwlarlar 0| one .\cquence PilH'l:‘I‘fl \\-'|l.h timer‘.-1|10t.l1@:'.
1
PQTTEEHEHCHQHEE
PrH1§ +-errefifie
r
1
SeSquencSe"Pattern Numbers to be exchanged
101
Chapter 5 ThePhrase Sequencer
I Procedure for copying Sequence Pattern
r
@ Move the ctlrsur to F'T|"], then prcrss [ENTER].
P 11--i - Sequencer Screen
The Pattern Crr:;1t'ing St't'een is selected.
It-s" P. 34
Prhescwetne
?LEHR§
Qfi
TPPEBFWPN
IIOO
1
l
® r\tlm-':' the ('ur.s0r In |::]:|F'I't'I, then press [ENTER .
COPY or EXCHANGE
era TRHH5 seer
5x14
ifi
-no-at
U
-+
.
l
I -.. I...‘ “':'. vi“:
I mun U.
.: 0.
'
Jul ‘nun
u
an-u
nu
-an
I-an
(‘D :\-‘Irma the tttttsor to |..1l..|1:"'|", then select i..Ii_¥F"'r‘ t'1rE:='=:|..§HH|"]l;iE using the [DATA] dial.
@ l\"lrwcthccursortasing
] =t= When iZ1IIlF"-1-' is seIecte\d,
and [P-].thr-an setthePatter11Nu:nhr:r;1ndl’itcl1usin_gtl1e[DATA] l
dial.
Sequence Patterns 1 48 are available as
source patterns, while
only User Patterns 1 ~ 24
() vasrewreat
are
The .~.;creen responds witl1l:|t""€= ‘H1211.-I 5!.-ll“"'t£-' '?'
destination patterns.
OThe Sequence Pattern that is flashing in the screen is played back.
available
as
N =t= When EI=—=IlIIHfii»ltE'E is
selected, only User
@ lire.“-5 [ENTER] to Copy-'.
Patterns 1 - 24 are
Press [EXIT] tor.‘:111c?el.
available as both source
and destination patterns.
Chapter 5 The Phrase Sequencer
3. Tempo, Metronome, Available Memory and Synchronized Playback
[1 1 Ten-I po
ng
er "Tempo" is the speed at
which performance data
1
"__
(D in the St:t.|ttent;er sereett, mt‘>\'e the ettr.-tt_tr to TE["|F 1.1 and then press [ENTER].
The screen t*lt:tngt,es to the Pttttern Creating screett.
l
P
EEQUEHCER
Ter='tt=-=:=
T
.5 -e
T
it
r
is played. The value
shown in the screen
represents the number
'i of. quarter.tnotes played
Zti-II=E.t
'“ °"@"""“ 8'
® Set the tempo by misting the [DATA] dial.
Er -Sequencer Screen
Hr P. 34
[2] Setting the Metronome
This cletertnines how the metrttnntne sltuttltl sottntl dttring: recording or plat-'l_t;tck.
(D in the Sequencer sereert. ntnve the cttrs0t‘tt1[‘]ETFT\:l and then press [ENTER].
=t= When the Sync Mode is
set to P1 I DI . you can not
[']ETEf1:l]"-[|:Y[’]E
T
[']*II1j1~E~' [W *7]
3 El"'|F"]I.-‘:!
V
changetempo values. In
this rnode,thedisplaywill
T
.
show J ertt i ti
Paramete!’ Value
*
I
® Select ;t prtrztmeter by rtttttting the [DATA] dial.
cluding the metronome
Sound
® Mm-‘e the cursor ttsing [<1] and [P] . then set the vztlue with the
103
diai_._
Chapter 5 The Phrase Sequencer
— —
_
es
_
_ _.+<._,_W,__.
_ _.
-_ .
."<_#
- .
[ ,
Metrt_tnttme' parameters it re:
\
Ilnten1al(1/4.1/8,1/12)
_
_ ..
.
_
.
_!
H
..._
. ___
_
__
Tlttspttr:.1tt1eter sets the tnten-';tl tlaetttlfttrtlte tnetrnntttne. \\=hen the 1‘: l-’l: is scttt:t|._-1 11..-l=. .thel|t‘st
;
‘l
note of the meastt-re will srtttml ltigher in pitch. \\'-‘lien set ti t l-.-lit i II-E“. the mice chttnges tlttpentlittg,
[
on the ntettononte setting.
»
O Mode (OFF/Rec/Empty/Play)
This psrttmeter Lletermittes l1r_t\\' the melronntttt.-' slttitttltl he pl;tt‘etl:
OFF: U.l:_-F
_
l i‘\t'ttntetrot'1ottte sottntlislieztrtl.
__ ___
****"
l
r
u
“Q
~" 1"
-1»
___
rr '
_
'
""
1
Recording; l:-ft:.-'I...-
_
_
4
_ _
i
is
7
" "
v
~—
_
—
.____
___
_
J
The tttetrttnutne is ltettrrl <;lttrtng retwtltttg.
. ____if
.;
-
l. .
1-. ;.
“:._
-
5; "
'.
C
.
l
ml
-:'I..
':_
._
' ll
‘
-
E .. _l
Et1tpty~;Ef"tF-t_.*£ 3 The tttetruneme is hettt't.l only t\'lit:n nu pt-t'l't.'tt-tttttnce tlttttt exists in the .
Tt selected Sequence Pattern.
l ~
Tj
7" _ W _ W ; re __—; 1
l
I
-
——
— —
—~
_:‘.‘
_:__
—— —— ——————' —— —— ——~
—————t
___. ' ""'~~
———— —————1—:: ___ : :7 *7 ’ re
**’* ——————~
l’lztv:lf'3‘.1-5.‘?-=i . l The tnett't'>not"_ne is heard tluring rect".tt'tling_t-incl playlatttfk. This nttttle ntttr. l
I
.
_
A .
;
1
-
l
I
I
1
1. tltetelure. he ttsetl lttr practice. For instance. you cttttltl mslte at ltlttflh
l
l
Sequence liatttern (witl'1 netltttttl. then play it hack hy |:tl;tyingtlic ptttls. By"
‘
.1.
doing sti). rtnl}-' the tttetrtmttme will he heztrtl. Ytttt ct-in then practice plttt-tin '12
\ along witlt the met rnrtttme.
I'Count in (OFF/1, 2)
y
V
l
Atnetrononte“cot1nt-irfnccers he-lore rectitnling hegins t -.tt'terthe Recortl htttlttn l ll l t is pressed l. \\i=’ltett
sat t0'l:|l:l:',lrec0rtlitig starts immetlitttely wlten the Record htttton is presset'l. \‘i-iltep set tel t.tt'IZI.
recording begins after 1-1 one or twtt met.-tsure ctittnt—in.
I Type (Click/Voice/CowBlfWdBlk/8DMrc)
This pttrttrneter cletermines which sound ~ click. ltttman voice. cmchell. ts-'ttntlltlttt'k. ttr TR-tttlh mttr;t- l
czts - will he heurcl during the metrnnttme count-in.
OLevel(1 - 16)
This p:tr;tmete|' sets the volttnte of the tnetrrtnttrne. Higher t-'ttlttes inct't=:;tse the rttlttme.
1 —~
if
use
E,E,___.._.._,,
_..-
Chapter"5 The Phrase Sequencer
'f .7
104
. ...,.;:,,___.;_
1
_
_
_
_
giiyi
[3] Available Memory
The Tl)-" >121 arcs .~;ut.|m-tut.“ purl} ll'll1;1D(.'L' data in intctml ;m'|t1n:"_»--'. 'l'l1ut1tp;u;ii3-’ ultlte Memory IC is
limitctl. zmtl the 'l"I')-".7 um imlitzttc hmx" murh tncmnry is still ;t».-=lt|;tl*»lt+rtIin§.: is pt1.'4.~'-il1|L’.
Sequencer Screen
W P. 34
(D In the Seqtlct1cc|' .~+t"t'u'|1. ntuvu the t'ur.~;ur in 1:1;-.-“:1 I L. tmtl than pt'c.~»"s [ENTER].
"*3
eeaileeleetee
1
Available Memory
[4] Synchrcmzed Playback
The Tl‘)-T"'.~a l’l1r;1.~ie f~}ct_|ttt:ttu-.'rc;1:1 s§'nc|t|"u|1izt: tn an vxtcntnl A-Ill)! tlt:\'it'c.
=l=
® In the Set|ltcttt.'t:t' .H‘L'l't’t.’l1. tnmt: tht: L'tll‘_\i(1rl{1:.:?‘s'i|"'!3:: and then pt‘c.ss [ENTER].
seeueeeee
tit?-'1~
When set to l*1I[I*I, you
can not change tempo
values. In this mode, the
display will show .l=
J‘
r=': i 1:l .
1HTEFTt*‘F*L
Synchrcntzed Playback Mode
® Select at S§'nc|tm|1i2ctl l’l;1yh;tcl\' t\-lodet|sin§gtl1r:[DATA] dial.
IHTERHIZIL
An t‘Klt‘t‘ll;ll MID] t.|c\'iuc synclttnttizes In the ll)-7""s ;\Elll'.)l duck signatls.
Pl I [3 I
The Tl')-7’ $3-*:1t‘|1|-t mixes tn an extetml dl:\*ice'.-' fl-llDl clutgk sigttuls.
xvlltm set In I H TEE:t~lt1tL . the Tn-'¢ semis; mm Timing Cltadis ta F81 lllrtlttgll A-l1l)l om". but docs
not send .‘it';1t‘l (FA .1. Continue IFBI tn‘ Slop (F-C} xignzllfi.
xx-*|lt~n set tn Pl I [1 I . the 't|">_'# tit».-.~» not aiencl MIDI Timing C|tlL"lr.r.-art!) 0;" rw:i\'ing M1131 ‘N-cute
will start
plat-'lt;tt‘k. St;trt {l’.+\t_ lflontinuc {Flt} 01' Stop ll-"(ll si_<.-malls will he igntwretl.
105
Chapter 5 The Phrase Sequencer
SystemSetting
1.MlDl .......... .. 108
2.Set"tlng the Interface Mode
3.Using the Footswitch
...... .. 123
Sound§_yon~Scundy;c;’............124
"’*4.The Sound Setup t.......... ..129
5.lnltializati0n .......... .. 132
System parameters include those related to the entire system of the TD-7, such as MID]. Fcotswitches,
Sound-on-Sound, Effects Output, Individual Output. Initialization, etc.
»
1. MIDI
i\‘III)I t'|"1ronottnt'ctI tttitltlt-‘.1 sttmtls Ior §\-Ittsiutl lI‘th'll‘l.lII'lL‘itI I)i;._z,it-,tl ltitt-:*l';|t"c. :\-III)I is Ll tmrltl-witlc
sttttttlattl that ;tlIt_m's IIi{l.“.iIL‘lll i{1.‘iiI't.liiIL’IIIS anti tit.>tnputcr.~s to t:.~tt'li;tt1_<,.{c 1nt:.~;ic;t Ll',lll.l. s\"lt>5I cIut'tmnit"
mttsicztl ins"tt'tt11tc*rtts stiltl totlzty ztre fI=III')I t'omp;itihIc. SIIIDI t'untp;:tihIc tle\‘it'cs lt;t\'c MIIII t"tit11tct"t-.>::~;
t_'t-'__I_t___i§_I_t___f.:t_tf|;'__tts__cYtI_lo pin-'si_c;1II_}!f link ittstnttncttts I usIn;;~__; spccitil :.‘;tltle.~; I. §‘\lII")I tlot-.~» nt Ii tnznsntit the st iuntl
I
in t_Ii3t,it;tI Iurnt that tall tht; n_~t'ci\'itt;.; itt.\'t:'umunt in “tln
tw
-f‘
..
.>._-,_
I --
.-»_t._-.-
-\-.-
-~
¢,,--- . _--.|_,.,.,,,,.. .
.
.--
l\
I
.
_\
.. ... ,r-., .~|. -_-“._.”.._--.-\:..
. -_-.5"---_»__
.'_1. 1.":-.;n?_:_:_-.: K,
= ':i
":1-' - "
.-="i‘-.
?;'-f'
1'-I :
' '<
mi»
-Int:
_-I: .\:'-_'-'--'-:-C::;-.'_.
.~
.
.
-
--
=>t-?;;'.-'»- --I-_-.; ;-.- ?;--.;-.-r-..'..
,.-. -.~,-.‘
-:.~|I__._--f
. .
»'
:; '=| '=';i.'-1--'.'-e"-'
:>\.=L»|¢'.i--Ir
'_-_|'",1;?¢?=’-=--iv‘.-".-;.-=;~-'2.\
‘J;-,'--.§".';:?'?
' --‘.-1:19.-'2,-2:1"-'.-.>- - -r-r 1.‘---_'-It;
.: ‘z-I-i. .- .- '- - .-y¢::=*..-.
___
-.:-‘.l1_:_‘;_,;._;_;:;
-_'.|I"-'!.!‘,',.-'_:i
:11
‘I
_-.\,_'_;
._
: \_,
_
"._'_-
‘
1.-_._-|,--;;;|,_=_-.-;_:;_..____ -.
.I-_.._|_'_\|_._..§_';'\_'i-_
._
.
|.,'
:1‘._
.'_,_||!
T"
.
e.
I
ammwma@wwmm%mmmm@
|
___,_ _ _MlDi,, ____ _
THHU T.
OUT
I
I
o _or;
coo
"-"I
______
IN
I
o< o
coo
$
z IDIT device
tltftttli-Eli tltrcc t\-‘hes
til" ti-"IIDI t"oit:1cctot's.
‘
-
'
o-co;_
coo
-
From a MIDI device
MIDI Ii\’ :This connector t'ccci\-es It-~III)I ittcssttges innit an external Mil")! tlct-inc.
MIDI OUT :" This connector ti",-tnsniits outgoing MIDI ittess,-ages to other tlct-‘ices.
MIDI TI-IIIL? : MIDI iiicssages receiwd at MIDI
are 1'c-transmittctl In-' the It-IIITI TI-IItI.* connt+t'tnr. I 'l“hi.~". l 4, Technically speaking,
connector does not In-tttstttil iiicssttgcs that originate insitlc the unit itscllli
any number of MIDI
devices can be con-
O The TD»? does not feature the MIDI THFIU connector.
4‘
nected using MIDI THRU
I
connectors. The practical
limit, however, is 5 units.
This is because delay or
deterioration of the MIDI
signals will occur as the
signal path becomes
longer and longer.
Chapter 6 System Setting
108
I MIDI Channels
MIDI :tIIo\\-*st_t-'01! to trztttsmil and 1'ct.'ci\-‘c mztny tIil"|"ct'cnt i\iIDI tttcssttgcs ttsing_tonI_t-'t_1ne cahlc. This is
!tt;ttIt_-' |nt.H.*iil1It' lTL‘L‘1ItI.‘~it‘ ;'\-‘IIDI int‘-Iutlcs II: tliIIcrcnt' chitnncls.
MIIIII chatnnels are trust-' to untlet'st;ingy 0l"lt:lc\-'ision hroatlcatstittg. I\="l;1nytcIct'isioti
prt.:_tgt:tt1ts art: lirozttlcttst Irom ll"t;ill‘_t-' Di stations. and your "I"\F ;tnlt*nn;t t'ccei\'cstI1ctit all.
Iiy setting your television to :t specific cltanncl, you can watclt only the (It?.\jIl't:‘t;l program. The S1-ltllt.‘ iclrrzt
;tp|iIit:.~‘» to MIDI t‘It;tnnc|s. Thu ti1:tstt:rItrztnsmittingtt|c\"it't: is sotncwltztt like the ltrotttlcztst station. ztntl
the slavt: Irccci\'in_o;I tIc\'it‘c is like it ttricvision t'ccci\-ct‘. The .\-"IIDI tttessztgcs cttrrictl hy Illt.‘ MIDI cable
an: like tlic prt"igt‘:1ttts that arc trattstiiittctl Irom the I‘Il'O1lLIL"LlSl stations.
-
TV messages from various TV station are sent
through the antennas cable.
I'T'V s'ta't"i'o"n'A" ‘
X
I
TV SIaI'°n B I
x, '
I
‘I
_
Z
TV station C
-
I
.
.
Select the channel of the
TV station you wish "to" watch.
-
.
It-"'IIl'.)I pct'Iot'tn:tnt'tf int'or1n:ttion.' “tt':.t;'=t_'_1_stt1ittQ9I_.-,?;.ItI1n_t the tttastet device tti"tIt'c'sI1tt'e \\flt_t.~,t_=t___t=Iit;_f_
chzmnt-.-ls on hoth tlerices inzttch t'-i.ci--pztrcrset to_t_he sztitte numhet'_I. WI1e'h"tIte MIDI
Inllnn-s. tmlt‘ snunrl tnotlttlc Ii will rcspontl IX-'l‘tt_’fl the keyliottrtl is played '_(_sottnd- tnt".">tIt1I_e-ft-does_;;.not
.
-
:-.---.»
t't:spontll. This Imppcns liccttttsii-'"otiIy" sotiiitlitnotltilc I3 is set to tlte__;§_;1nte cltannel nutnhcr--as the
kt’}'|1o;trtI. while that 0|‘ sountl tttocltilc It i5"'5'Eit"'.I0 at dillcrcnt I'ItlI'I1l)f:ff.
MIDI ouT
Transrrtit channei*§W1fOl
I
EH HIE EB
' '
'
'
I
NllDl__IFlN '
§eoeiva;channeIi;*‘I'
in
Itvuot THRU
if
iii?
Sk
IIIIIIIIIIIIIIIII ttt§ttr,.Bca:t
MIDI Keyboard
The Tl“.)-Ti can i't‘.‘L"U_l{lTIZt3 It-IIDI incss;-.1gesoI'motct|1:.tn one chzmnel at 11 time. It has four cltannels for
the Pci"Iornt:1nCc I";'trts (sections) and one for Program Ch;-tngcs I :1 channel for rct.‘ci\'ing and transmitting
I‘;tlt'h Control Ifii‘ P. Ilh
Iiecttttse the TD-T can rccogttize MII)l inessnges on four clmnnels :11 once, it can he used as :1 4-part
multi-timhrttl sound ntotlulc. That is, I13: setting tlillercnt chatnncls Iorthc Instrument Section and
Performance SBCIIOFIS (1 , 2 and 3), you can create It-IttIti~p;trt' pcrfonnances using MIDI data.
I09
Chapter 6 System Setting
The Instrument S8Cti0n ultlte TD-?"’ is t.‘L|tlt\'1ttL’t1t tethc Drum Part in ;t 1-’\-"IIIJI multi»tim|>r;|l sutlml
It-sln some models, the
“Drum Part” may be
ntudttlc. In this section. t|il'|L*rr:t1t .~;uunt'|s will he pluyccl by ct >t'rc'n'|)u11t|it1g Mate t\Zt|:n|">t-rm. You can
called the “Rhythm Part".
atssigtt ti drum \--*0icc or :1 pcrt'tlssit)t1st1ttnt| to cuclt New Ntnnhcr. Channel ll} is ltequently set fur this
section.
A Performance Section in the TD-'_? is equit-';1Icnt to at Standard Part in ;t MIDI mulli~timhr:tl
1.‘ <-In
..-I
same models, a
:~:ountlm<..1tlt1le. A I’:-.-rl'u|'m:tncc Section is used for playing rt1r:|0tlyor Ives.-4 parts. Herc. ;’\?etc Nttmltt-'|'s
“Standard Part" may be
c(.antr('>lunlytI1c pitch of 11 sound. TI at: TD-T-’ l1tt.~st|t|‘ce l’t+r|'t':rm;tncc Sect ions amt! one In.~;t:'u|ncnt Scctimt.
called a “Normal Part".
and tlterclbre ;1IIt'>\vsy't>t| to play tout parts sinttllttmeouslyz ntclutly. cltnrtls, buss zmtl drums.
The Trigger Transmit Section converts operation infotmation of the Pad,F0otswitch and Pedal
into MIDI ntessages then transmits them to the Instrument Section and Performance Sections. MIDI
zttcssagcs sent from the Trigger Tmnsmit Section are used for recording data into the Pltrast-2 Sec; uencer
or transmitted through MIDI OUT.
MD
"°°"s“"'°"‘
@
INSTRUMENT
TRIGGER
TRANSMIT
SECTION
PERFQRMANCE
§°“API‘fEE?ttt,_ttt,T_§§°T'°"I1 _
MD
PERFORMANCE
CHANNEL
sscrton 2
MD
CHANNEL
PHRASE
$E°"E"°E"
Chapter 6 System Setting
be properly recreated.
t°*“**‘*"‘E‘-Salem”,”$Et¢T!OIL__t
"" ********"
Mil)! OUT
_
_ 1
notes atonce (Maximum
Polyphony).
It the
number of notes used
the performance cannot
i¢Hjd;{t1'r§1'EL€&
menu
The TD-7 can play 14
exceeds 14, some
sounds will be cut oh‘ and
TD-7 MIDI Flow diagram
PEDAL
Y-is
,_7__7:_7_
I
I
-
PERFORMANCE
SECTION 3
Iii"
I 5Mplaprttr;§-I PATCH cournéfi
110
T
lI
F
[2] The TD-7’s MIDI Messages
.\-I'll DI ittclutles II‘t;lI1§I' tlilIlIet'ent ttte'ss;tge+s lot‘ cunt-Ieying \I;I tit ms |_7L*t'lt)l‘Il1;1l1L't’ ;ts|)et't.wI. I1-IIIDI tt1e.~I.sI;t_t;es are
tlit-Iitletl intn Clittnnel tTtL'.'w'.H'Llf.-'.?,t..’h'1ll1tl Systettt 1ttess;.t_ee.s. Clntnttel tttessztges are sent t--Iizt the intlivitlttul
t\-IIll)I eliitnnels. while S}-'h'l"L’I1'l ntessztges can he reeeit-Ietl regztrtlless of the rchunnel settings.
I Chan nel Messages
Cltztnnel Ittessztges int'httle petlltttntztnce tIt_InttInlling inlhnnzttinn; lnr lI1.'ilI.lIlL'tf. "\\-'lllL'lI p:-ttl is hit and
l1t'}\\-' ltztttl". l"lnw at tlex-Iice will respnzttl to teceit-Ietl I\-Illl)l Ines.~;;tgesl_'l10w it sltottltl snuntl I is tleterminetl
ht‘ the .tIzIetI>t|te kt-\I>Iol';t
.
¢
.
.
. polt--IplttInitI kex-I'_ |t1It:.~;.st' l I'L‘
alter‘ the tttttes. ltttre heen
plztt-‘eel . ,=\l'tt:rtot|tIlt ittcltttles two kinds til It1t‘.‘$.*i;.l§1L".‘$'
tttemattgesfi VI-'lItt‘lI send inlonnzttiott lot‘ t;'Llt.‘ll key pl;n-Ied, and eltztnnel key |1l'L‘fih'Lil'L‘ tttess;tges_ \\I|titIh
I
sends inl‘omIt;1tiotIt for the entire elmnnel.
The TD-'1’ sends pol}-Ipltonit: key pre.~t.sIt1tIe tltessiges trltezt the rim of Ll pad is held and t'ele;.I.~t_Ietl.
Wltett receiving polypltonie key pre.~;stI re l1It‘.H‘5;l_t{c’h' Iro|tI1e.\tten1;tl It-lll)l tle\Iitfes, the _Tl.)—'.? will re.~;pond
as il’ _\_-‘oh ’t\-’t;’l'L‘ holding the rim ol‘ 11. ptttl.
I Program Change
Generally’. Progt';tn1ClIt;inge Ittessttges are ttsetl for tIlt;IttgiItg sountls. I - l.28;tft'I.’\’11llLl l’ro_eII;I.i1i(IlII;t I1gt'
1":
I\iumhetIs.
How the Patch Numbers
in the TD-7 correspond
to Program Change
The TD-7 ttllttws I-'ou to change l)1l{t.'l]L‘h' tising, l’rogI';tttI Cltztnge ttte-sstiges.
Numbersis explained on
page 70.
I Control Change
Control Cltztnge ntesetges control severttl |'ttntI'tion.s. sttelt as ntotlttlzttion. Piiti. etc. Funetion.I~I
E1111‘
speeil'ieI;l hy Control Ntttttlvers.
The TD3? st-Isteiti um send Hi-hut Control Petlztl inl'orm;ttion ttsing (._"Iontrol Clt:-Inge tttessztgcs.
The TI.)-'? can ttend Hold ittessitges \\-‘hen the FO(}[.5'Vt'llCl1 motle is set to mode Z. t_fi-it I’. I 2-ail
§
'*I—— ——II "* *"
———
Chapter 6 System Setting
7*
*7
—
K
— —
————— ——::—S
S
—
1 12
— _—::_S—:S—:_<—~— — T _
S _
SS4»
~
SS_~_
SS
S
_,,~_,
a
_ ,__ W _
__ _
_
__ __
_
W _W__f_j__:_:_,__, g
g
T
g
__
:___
_____
_
I System Messages
S§*.~"ten1 A-It-ssttges can he sent nu mutter ltnw the A-'IlI)I ehttnnels are set, System messztges inelutle
e-xelt|.~;i\~e tttess:|_etrs. ztte.s.~:;tge:~' int .e|<.~@.
I Active Sensing
.-tctive sensing-,=-_ ttte.~t:+;t§;e~; !ttt>ttitt'tt' the integeitt" of it-llI“)l mnnet?ti<.>n.~;. Once the TI")-7 t‘et.'ei\'e.s' Aelit-'e
st=t1sittgtt1t-ssztees via It-'lll‘)l I;\£. it will ;ttttt>|n;ttie::|l§' Innk Int" further tttessatges. In this mutle, ilthe TD‘ tlt.ter~' nut re'eci\'e :1 in-' t\="llI_'JI tttL':-;.s;t_t:t.’r-z til‘ .-;\.t'l%\'e sensing tttessttges (hr ether MIDI ntessttgesl withi n
5l.'Il')tn§~‘et" (Tl)-"F l, it will itttlge that the t\lII)I ezthle is tli.~smttnet.*tetl t'll‘tI;tt1lLl§{t:‘Ll. The unit will cttt eIl';tll
sttumls and take ex;tetI_\_-' the matte action us when ret?ei\‘in_e Reset All Llttntrttllers tttessages. Active
Settsine, tttt=ss;t_e,t.*s' will no ltm_t1t".‘l' he mnnitrwetl. The Tl)-Ti can ztlsh ttttnsntit .-"tt'ti\'e sensing tt"tes5ttges.
O Exclusive Messages
I‘
W
I
‘...,
When the TD-7 receives
a Reset All Controllers
message, it will reset
some of the parameters
lr.".xt."lt:.s"i\-‘e nte.~;s;tges :1 re unique in ;t p;trliettl;t1' model and m;tnu|';tctt:rer I e.g. Patch til:-ttzt 1. |*m' :1 cletatiletl
e.\;pI;:n;ttiun. see A-lll)I Implementation ti’. I-SH)
I About MIDI implementation Chart
to the power ON values,
e.g. pitch bend, aftertouch, etc. Fora detailed
explanation about the
.\-lI DI h;1.~"- tnzttle it |m.s:siltIel'nr;1\\'itle \-';tt'iety t >I’t.le\-'it:e.-< In ezteltatnge i1tl'c._>rttt-.tti0n, hut it is net ul\\=';t}-'s
Fteset All Controllers
true thztt ztll types uI':’\-'lll)l t"t"te.~+.~+;tge.<. can he emltztttgetl hetweett all types <1l'tle\'iee's. Fur exztntple.
message, see page 159.
I il yntt use at at-’nllte.~:i.?.er as :1 ttt;t.stet* device tn etmtml :1 digital pianu, the pitch hetttlet' l the level"
I hr xvlteel that tttutliltes the pitch) ulthe syntltesizer will ltzne nu elleel on the snuntl el the piann,
I
.
.
.
.
3, The tmphrtztnt tlttng to keep tn mtntl when ttstttg it-lll.)l ts that the slztve clevtce must he zthle to
I
't|ntlet'st';tm|' wlutt the tnztster is 's;t}’ing'. In ntlter wnrtl.~4. the t\=’Ill')l t1tes.~;:tge.~t must he etttntnun to
I hntlt muster atntl sl;l\-‘L’.
I
.
I Th help you quieltly determine whztt types oi t'vllI)l tttessztges can he ext'lt:tngetI hetween tttztster
1: ntl sl;t\'e. the Operzttinn A-tlztttttttl of ettelt MIDI device ineltttles at MIDI Implementation eltatrt (P.
Ih—t' l. By-'Ir>t">l:t cttlttmn ul the ntuster and the Reception
; eulumn of the slut-'e dex-‘ice. MIDI itttplementztttnn clmrts 1-tre st";1ntl;-tttlizetl. so vttu can lhlcl the
I
t'h:ttt.s irnm two ttt;tm|;tls tr_>getltet' tn see at zt _t-tlztnee ltttw the two devices will chnttttttnieatte.
For at tletztilecl L’K['!l1I!'I2tIlt'tl't hi the Tl)-‘?'s Mil)! implementtttion, 1'e|"e.rth p;.tge I 58.
‘I13
Chapter 6 System Setting
[3] Setting MIDI Parameters
The Ittlluttittgg tlt'su'iltes ltow to set the MIDI p;tr;ttt'teter.~+ lsuelt as tt":tttstttitfreceit-"e t'lt;tnnels. channel I
tttessttge tt';tn:»'tt'tit.--"'t'et'ei\'e .s\\‘Itt.'l'te>s. etc}.
I How to set MIDI Parameters
®
Select the l";tteh I-‘laj.-';~;t"rt-.*ett, then pre.»-.~; [5YSTElVl].'l'he St-'.~;tettt Sereett menu \\"ill;tppe;t1'.
{:3-Patch Flqay Scrgen
I
Hr P. 17
MIDI
MIDI Interface
1 Initialize
I
I
t='l tntttF-‘til-it
~ tietet wr1t1=tsEtI
e_F"":' I"! It
_ I
1
I
I
Sotlnd Setup
LCD Contrast
Demo Song
Footswitch
® Move the t'Ltrsot' to I‘l I I3‘ I . then |3I't'.H'."i [E NTEFI].
77 7
7
_
I
l‘l I [It I
I
TPi§ TH EH :
I
IE
Parameter Value
‘
Name
@ Select the pttnttneter to he etlitecl ttsing the [DATA] dial.
@ l\=In\-‘etl"teeursorusing [<1] ztntpl lPl.tlten set the \-':tlueol'tlte prtmmeter ttsingtlte [DATA] \
tliul.
I
I
Chapter 6 System Setting
114
MIDI I’".tt';tntelet's intiltttie the I'ttlirm'itt;.1_;
O Trigger Transmit Channel : Trig Tx Ch (1 - 16)
IIIDI
Tr"-i=1 T11-=1 til": x
bit
nu
st--T3:-:1 in the LCD represents
II3
the Transmitter.
fin-an
Set the eltztnnei to ntstclt that set in the instrutnent or I’et'iorttt;tnce Sections. I-titling ;t pzttl will pl;t_t;' the
=t= When Midi Out is set to
st 'liIiii..l oi‘ the sect ittlt that is set to the sattte ehatnnel nttntl"1er;ts the Trigger Tntnstnit (Iltsnnel. \‘t’-"lien the
OFF, no messages are
tfhztnnel is set to at tliiierent nttmher. the internal sottntl sottrce oi‘ the TD-T will not play.
transmitted.
Note tttess;tge*s ;tt'e sent via MIDI OITT on the eh;tnnei set here. Messztges tfrettteti usin_i; the. I'll-l'l;li
Control I’eti:tl anti Foots\\'it't'It will also he sent on the szttne ehttnnel.
Ft tr ti ruin pert} irntttnees. you man-= set the 'i‘rig,ger'Ir;1tts1t1it Channel atnti the instntment Section Tntnstnit.
anti Receive Channel I espittinetl in the ioiiovt-*itt§.t section) to III.
I Instrument Section Transmit and Receive Channel : Inst Tr Ch (1 - 16)
" 2" t»- t *1“? I- - I
m
t---I ""1
2. '4'- Tr" III I-"I =
IE1
rt- Tr" in the LCD represents
the Transceiver.
Tn play the 'i"I‘J-T-‘"'s internal sound sotnte. set this channel to the same nttnther as the Trigger Transmit
(lhztnnei. To hint‘ the TD~?" usinti snot her MIDI tieviee. set this to the same nunther as the tr;-tnsmit
elntnnei oi‘ that t.ie\-"ire.
The lnstrtttnent set'l'ion's seqttenee tlattt treeortleti in the Pltratse Seqttencer) is output tltrottgit MIDI
OUT on the channel set here.
115
Chapter 6 System Setting
O Performance Section Transmit and Receive Channel : PFM1 Tr Ch I
PFM2 Tr Ch / PFM3 Tr Ch (OFF/1 - 16)
MIDI
_PFW1TP Ch 5
F,_:,_,c_s_c______
_
as
11
C
N
ntnt
PFHE Tn an m 12
ntpt
{PFH3 Th Eh e tar
To play the internal .~tet1ntl sntiree lay hitting the pztcls. set this chttnnel to the $11 me ntltnher as the Trigger
Trztnsntit tlltanitel. To play the TDJ ttsing ttnotltet" MIDI tlevice. set it tn the sattte numher us the transmit
channel oi" that tlevice. At CIFF _ the Perl'onn;tnce Sectiott net .~;ot.mt|.s.
The Perfomtttnttr set'tit1n‘.-; sequence dttitt lteettrtletl in the l’ltt';tst;' Sct|ttettce|‘) istttttpttt'tlttuttgl1 MIDI
OUT on the eltannel set ht-.rt'tr.
I Patch Control Transmit and Receive Channel : Ctrl Tr Ch (1 - 16)
ntpt
ctette cnete
Tc trhttnge Ptttcltes? use Program Change tnessatges. \‘i/hen the TD-T’ receit-'e.~a at l’i'ngr;tni Cltttnge
fie
tttessttge on the Cltttnnel set here. the mrrcspondittg Pzttch will he seleetetl. On the other httntl. wltett
to OFF, the TD-7 does
not respond to Program
you change PZitL"l1t‘S on the TD~7 using panel controls. the conespontlittg Prognutt Chatnge tttessztge will
he sent to the external dettice on the channel set here.
Change
messages
(Patches do not change).
O Device ID : Device ID (1 - 32)
1.‘ -The
HIDE
Device ID
I
=
relationship be-
tween Patch Numbers
1?
and Program Change
This sets the Device ll) for Rolzlntl Ext'|tt.sive zttessttges. Extflttsit'e-tttessztges can he sent or receit-'etl, no
matter tvltztt cltttnnel is ettrnrntly selected, as long as the l)e\--‘ice Ills oi’ twe tlevices are the 5;-tnte.
Chapter 6 System Setting
When Prg Chg Fix is set
1 16
Numbers is shown on
page 70.
’
c
i ’—~~e—:—T—=1
~ --
I
O Midi In Switch I Midi In (ON/OFF)
-
" 12""':'? 1-ht»- t [*1“?!
j,'5__ t- =-:--t
M
fiflih
L_
S
t--t "*1
II‘:
U”
\‘t'=’hen it is set to OFF. no MIDI ittessttges tire retognized. To control the TD-? VILI it-IIDI. set it to ON.
I Midi Out Switch : Midi Out (ON/OFF)
slot
Widifiuh
m an
\\-’hen this pantmeter is set to OFF. no it-IIDI tttL'ss';tgL*.-;tt'L*tl';tt1stttiliL‘LI. To send MIDI mess;tgesI'1'o1n
=i=Bulk Dump data is
the 'l'l")-'7’. he sure to set it to ON.
transmitted regardless of
O Midi Mix Switch : Midi Mix (ON/OFF)
setting.
the Midi Out Switch
stat
Mifiihie
*@FF
\‘i-’Iten set to O.\'=. ;t t.'opji' oltlie ittessttges reteit-=etI tlttottgh FVIIDI IN will he sent from MIDI OLT This
is cttlletl St iii Thru. ltlessatges gettenttetl h_t_-' the TI')-T will he mixed witli the ret:ei\'ed messztges and then
sent through MIDI OUT. \l¢'Iten set to OFF. the Soli Tltiu ellect does not Iunetion.
MIDI OUT
MIDI {N
Q
/CI‘
I I
DoI Po
O
O
U
MIDI QLOCK
I Note Ofi Receive Switch : NoteOi1 Rx (ON / OFF)
etet
Heiefiii he *@FF
=::»E::-=: in the LCD represents
the Receiver.
\‘i-‘lien this p;-trzimeter is set it t OFF. Nttte OII ntessztges are not recognized. When Note Oil ittessages are 1
reeeivetl. the sottntl cttrrenlly heing pI;t§-'etI will he cut oil‘. i\iorm;tII§-'. this pztranteter should he set to
on-1
117
Chapter 6 System Setting
I Aitertouch Transmit and Receive Switch : Aftertouch (ON/OFF)
MIDI
13'-H"’r.t-"== tr"-i;.t;t tgi"; m
[ii-igg
\\=-’Iten this pziniineter is set to ON. the Tl)-Ti sends PoIt.'|'>Itonic Key Pi'esstire tttessztges when the rim oi‘ I
it Pl‘)-I? pad i5I]t.‘It.I1£l1(.II'CIl.’1ltiiJLI. Wlten tIieTI.)-T?‘ t‘et‘ei\'es I-’ol‘_t'pIionie Key Pressttre inessitges, the sountl i
ctirrentl_t-' heing pI:t§-‘etl will I1estttItIL‘ttIt't‘ttt oil. \\='Iten set to OFF. the TI)~'? does not send or recognize
I’oIt*pI1onic Key l’resstti'e ittesssges.
I System Exclusive Receive Switch : Sys Exc Rx (ON/OFF)
MIDI
Sea Ewe Ra e
DH
Wltett this p:tt':.tnteter is set to ON. the TD—'..T t'1tnt'et'ei\'e Extflusit-‘e tlztttt. Set it to ON to transI'er Bull; Dump
tlttttt Itont ttnother TD-T? or to t'I1;tti_t.te Pzttch tlttttt. \‘i-‘lien set to OFF. Exclusit-'e tttessztges will he ignored. I
I Program Change Transmit Switch : Pig Chg Tx (ON/OFF)
Program Change Receive Switch : Prg Chg Rx (ON/OFF)
f—___1__ _:;:_ 1 ———
— :—— —
ntat
F‘ 1-"'-‘El
__ _
— ——
——
————:—__—_____ _
_
_
;
i:II~";'§
T1:-:1
2
IMIDI
I
-j F'1-”-‘Q LI-"|'§
Eff:-:1
fi
—
____
I
__ NWT
I
i:iI-E
if
I
I
I___iI'-I
it-T:=-=:intheLCDrepresents
1
the Transmitter.
I
I
.
gt -;rFf::-::|nthe LCD represents
I
the Receiver.
I
Set hoth pztrtnneters to ON to send or reteive lirrigrz-am ijlltztnge inessages.
O Hold Receive Switch : Hold Rx (ON/OFF)
PI I D I
Hold Ra
I
I
e OFF
I
When set to ON. Hold ntess;-tges in Control Cltttnges iCotttroI ;\itttt1l>et't}+'i'i will he t'et'ogttized. The TD~
7 can control the decay time of an Instrument by eltanging the vztltie oltlte Control Cltange. \‘t"’Iten'OFF.
the TD-7 ignores Hold messages.
Chapter 6 System Setting
I
1 18
O Pan Receive Switch : Pan Rx (ON/OFF)
ODDS‘!
. .:=.t---t iI"'Ii t--4
ii‘ rt 2'91? 1:-:1
\\‘.-=’Iiet1 set to
m i.'IiF'F'
Pun inessttges in (Loni rt 1| CIt;t1t_qesttlontrol t\t1n1het Iii) are ret‘ogni2etI. Wlien set to
OFF. the TI“)-T i_t{ttoi‘es Pztn messages.
I Volume Receive Switch : Volume Rx (ON/OFF)
1-- t
E-IItjt1»-£1?
t--i~t HMS RR
R L “Ti
Wlteit set to OK the Tl)-'7 i'et‘ttgiiizes the it-"'I;tin Voltnne t'I[§tirit.rt>I i\ittnther Ti in Control Cliztnge
niesstiiges. Tlitti is, the t-‘t_JItiiiiL‘ oi the section ithttt is set to the SLIIIIL‘ MIDI cltatnnei ntimliieri can he
t'oittt'oIIetI viii MIDI. \t-‘lien set to OFF. the 'I'I')~'F i_t.{not'es \-iolttme tttessttges.
I Instrument Section Level : Inst Level (0 - 15)
“':l" --L
i"""i
II"?
Ins-2:-i-t- hassle iiI.
L
I
I
This p;ti':nnt:ter sets the level oithe lnstn.tntent Section. It can tIiereI'ore he used It tr tttlittsting the voltttne
h;tI;int'e with the I’erI"'oi*tn:tnt.'e Sectiotts. .=-"\t
no sound is ntttput'.
‘I19
-
Chapter 6 System Setting
O Local Control : Local Ctrl (ON/OFF)
MIDI
Local Ctrl H
I
UH
On lI1cTl'.)-"F. the MIDI r:I1;mnc|sol'lI1<: Triggm Bl<_>r.'I< and Sound Block are sci lo the saunc numlu:'r I =1: When Midi Out and Midi
lcc.>|1nm?Ir:£.Il so than the internal sound .~;rm:'c@ can he p|Ll}'t'.‘LI. "'I.o<;;1| Control" I();*\?."'()I3‘F} £.It".'{CI‘l11I!1L*S I
In are OFF, no MIDI
xx-'l1eII1o1* the 'l'riggcr Block anal Sound §l*l<.>dul(-: Blucl< an-.~ co:‘1nr:cIc:'Ll or non. \\l-"hen "Locl Control" is not I
messages will be sent or
sci IUUFF. lII'1vScqucncc1' Block and Sound Block are L|ih'L'Ul1l1{;‘Cit‘LI.
received. =-<1‘ P. 117
\l¢"Iwn ON, the Sound Module Block is ;1c1i\-1:. uml the internal souml .~aourcrc can he [7I;l§'L"{I using the
pzltls or pedals. \‘1I=-='I1::n OFF. no raounnl is |'l!'{lLIllf.'t‘LI.
Normally, set this to ON
Rcgzzralless of lhc selling, the lIlIL"I‘ll1lIhIl'}lI!'l£|S(')Ill'(Tt?IS]7I1IYt?£| by :11oss;1gcs !'t‘(‘L‘I\'t’(I via MIDI
and
;
pvrlormzlnce inl'o:'m;:lion of {ho |‘J;i(I.";;ll1(| p¢+c.I;:ls is sent Ihmugll :\'"lII‘)l (.')l?"l".
n
MIDI OUT
n
oo
MIDI IN
I
oo
I
I
Local Control
ON
0 u
souuo BLOCK
II
_
___
_
____
__%:*;f:*_ ________ _ _
=
'
1
* " "' '7'
~11-mnr*’* ""
{TRIGGER BLOCK ] It ssouancsn
BLOCK
‘I
II
]
TD -~ 7
Set the Local Control to OFF in the following situations:
To (‘()fiI1(fC[ 11 MIDI clevica-(sc'L]uo11cr;*r_ pczrsonul mmpnter. ctr.) that usually \\'o|'I<."~s in lhc Soil 'l"hru
‘
mode, set the "Loc;:| Control" to OFF.
A MIDI <.Ie\-’iu:£l1;1I usuzilly \\'ork.~; in the SoI£Tl1r1| mods will return {I113 .\=lII')I :11c.~:.~;;:_s;os sum lrum {he I
TD-"J. If “Local Control" is
,
the llll:fS5ilgt.‘.‘.-I generzltecl in {I10 'l'rigga'*r Illork. and ilrosc that Il;l\-‘t’ I1:-am
.
'. _ VHII
returned fromIl1c<:xu:rnnIdc\'ioc
" Ldllht
" ‘* pl"oI1|c'm.s.
' "
0
I
mo: m
I
mo: our
mo: an
I
.
/Q0
Local Control
OFF
[ TRIGGER BLOCI-(J L
MWWU I
0
Sofl Thru
e;¢r;¢;¢~¢¢¢=.r or
BLOCK
WWTQiToo
Chapter 6 System Setting
Q01
I
Other MIDI Device
]
1
_oWZ”
K
120
I 7
I
jefi
J" _,
_ _ __
__::, W; t "1, _,
_ __,____ ,_ _:,:_””_ ,_,
:_,_ ::;;~~ t W
L _
W__,_;__,
______
I
0 Pitch Bend ; Pitch Bend (OFF/1 - 12)
|“-13531 it I
it
F‘ i t..=:.l"i Eiemi == iIiFF
This ]1LiI';IlI}t’lL"l' sets the m:t\'imt|m ;li'ltl mitt ol pitch clizmgc L1-tLlh'L‘tl ht‘ ruociwtl liitclt Bend tttessztgos in
.-+uttii-toms. I ligl1c'1'\";tlt2t-s will cttttsc :1 §.trt':tlt;'r pittlt t'l1;mt:t'. \‘\"-"'licn set IUOFF, tltt: Tl)-'.? will ignore Pitch
Bend iiii-.*.~;.~;;:;;i-.-.~e.
I Control Change : Ctrl Chg (FOOT/MODU/HOLD/GNL1/GNL2)
Pi 1 D I
l:1’€.-l"" 1 iIIi"i'3
mFiIi¥I§T
'I'lttcTl.)-T? trimsmits Control (il|t;t1tgc ll1L’Sh;l}_1,L’.\ that tlL‘h'(‘l'll'lt.‘ Iiow the Hi-hut Control l’et|;t| I Fl)-?) is living
llSt*l.l1
mm
I l:l_lt__ll
-
'
~
——
—
at
l:.lt'}ttIl't‘lli\ltI¥Ill1L’l'4(Filth(.:t)l'tli'tlllt3fllSll'1lt‘llil11lll€Ll.
—_—;—;—4r:_—;——'—— —
l‘ll..ll.I'l..|
—
— —
——— —
—
——i:<—_——7+—_—_——
_ _
__
—_———
_ _____
_
_
******** W’
" Wok’?
Control t~iu:11w:'ltl_Motlul;1tion[lismttnsmittetl.
l"'l-I-~
l-ll...lt...[-* I ('.ontrol l\itltt1l3t‘f ti--ll (Hold) is tntnsittittctl.
J
a
l§il"ll...l.
I
_________,
|3l'll..I:.'
H "L
W; ,,,_,,,,, ,,_,_ ,
,,,,,,
,,__,,,__,__ ,,W_, _,,,,, ,,,___
_ , ,
,__,_,,,___
K —
__,,
, ‘
l Contro l\_*tl!Tll'lt.'l' ;(1l_Gt:net1tl1’t|r|1osc Controller ll is [I‘2tI"ltSI'I‘tll[ti'Ll.
_‘I
_
_
’__
i
_
___ ____
__
__
______________
___________
____
___
___________
____
_
____
_____
___
Centre]Ntliiilicrlilficncrall’urposo Controller!)istrzmsmitted.
_
I
litm-:x;t|1tplt'. ill:l:| UT is .\‘t;'lt’t'It'tl. tl1t*l'l.)-T tr;tnsmit.~s at Control Clliztnge vztluc that intliczitt;-rs how liir I r::lFor a detailed explanation about how the TD-
the I---Ii-hat" (Iontrol l’otl:|l has lwett Pl'ti'.‘iSt3{l.
7 responds when the Hihat Control Pedal is used,
lltht: TD-F receix-'estl1c Control Clltt ngi-3 ttaessttges set Lilli“-‘t’, it will respond as if the l‘ll—l'l'.il Control Pedal] I
I
wort: living osctl.
refer to page 65.
\‘t-*’I1t+n l‘l l:![3* U is sclcctctl. it Hi-hut. pcrlormitnce can he siztttilatetl by playing :1 key-'l)r;>;1rd. Play the key I
set to the i\iott: Nit !'l1l.lL"t' that is ztssignotl to the Hi-hat Control Peclatl (P. 68') and use the it-loclulution Wheel
on the l{t?§-’l‘)O1li't.l. liy tloing so. 3-‘nit can obtain an ellect similar to that wlten using the Hi-hat Control
=t=
A
Control Change messages that the TD-7 can
transmit and receive are
limited to one of those
Pet'l;1l.
shown above.
121
Chapter 6 System Setting
O Bulk Dump : Bulk Dump
A ‘Bulk Dulttp' is the lr;lnsl'ert'ing ol‘ l’;tteh or l’l1t';|st' 5et|ttettt'et‘ tl;tt;t to no external tlt:i'i<..'e trite it-lll)l
=l=
Dump data is large. Be
sure to check the
(')li'l"}. Tlti.~;ltt1tl\'es itpossihletotr;tnsl'ertlte'I'l')-7">~t|;tt;t to;iset_1ttent"ei'ot'person;tlcontpotez'. ll'§"ou
wish to set two'l'l")-‘.=-".~a to exactly the statue h'L‘lllll§.{.H. you can tloso .-impli-' In-' 11 hulk-tlu mp tlll tl;1t;t In mt
available memory in the
receiving MIDI device
one lo the otlter.
\'i-"lien yott select E1 Ll 1 li
before you proceed. If
there is insufficient
l:‘i.il'*'tF'. the .-'t':'een will respontl with;
l=l I o I
memory space in the
E“-~*3~ ii l3"~‘""‘*”'
receiving device. the
"“:lLl--
transfer of data cannot
take place.
Data to be transferred
Alter selecting E51.-I 1 l-=1
=l=
l:3l..-l l"tl='. follow the p1'ut'L'tltl1't: elites‘ step @ on page I It-I.
@ ilzlove the L'lll'.“it‘lf usiiig [<1 ztntl l>l. then select one ol the tl;tt;t types. to he toms l"erretl ttsing the
ll)AI'.»"\] tliul.
;
__
___
___
_ _
l—ll_l_
_
Z I
~—~— __ 7—_— __
_
———_——_—————_— —— :1
_
—;_——::—;————__
—;_—_—:::____
; 7— _— ;— ———— ——;_—— ::_
_
7 _.
All lliL"l'D—T"".~itl1tIi-lWilll‘lt‘lI'1tl‘llilltfl'l‘t;‘Lll1lt‘l[)l'tlXlll'lLlit;’l§'ii‘-'i lthytel.
I
Set the System Exclusive
F-leceive Switch on the
receiving device to ON.
If it is set to OFF, the unit
will not receive the Bulk
— ————
gll
I
The amount of Bulk
E E Z
E
I
E
*1
Dump data.
ta" P. 118
l:'|..§l'l l l";ttt'h tlatztll’. fl“ lis lt':tn.»"l'et't'etl Ittpprilxitmttely 3;3 kltytel.
I
Il"lf:=
I lttstrtlmenl tl:.tt;1(l-’. Tl-ills tr;tnsle|'t'etlt:tppi'oxit1t;ltely I8 khytel.
444:
I
I-I-If
E
.
.
.*
.
I it-El;-i I Dtlltl in thePltrttsehequeneertl-’. ‘)2.Iisti';tnslerretl.l;tpp1'or-ttm;tt'elyljk byte).
l
1
i:-‘tlb
- -
_.
’
.-_
\
-
O
.Sy.~;temll’_ 53), Ltlohal l’erlorm;|nce Pzirzmtetersll’. T=’_-t Lttntl l‘ittcltCl1;tin ll’. 2'3) clntzt is
i
y
I
I
Ififl
I"!
msrttittetl I ttpproxinttttely [I5 khyte I.
@ Press [ENTER].
The screen respt.intlswitlIl:lt"'=~.“£' ‘.~.4tIti.i :5-i..4l"'€-"-::'.
@ Press [ENTER].
The sttreen clispl:.-tys the i1tess;tgel'lIIIl.=.l :2-t-E*t"ttj Il. I'"tԤ.
Wlten the Bulk Dump is complete. the screen will tli.~;|3~l-try the 1t1ess;tgel:tI1t"tF' 1 *1: t.-ed.
I Wlten the tmnsntitting tlet--ice starts trzttlsltwring data. the tlisplttj,-' ol the TD-'1’ ft-_'*Sl'1{')t1L'l.*i with
Reoeiuine 5aeEa.
* Donothitthe Padorplay
the Sequencer while the
TD-7 is receiving data.
Chapter 6 System Setting
122
the
InterfaceM0de
-:tr> At the factory default
The TI )7 pm }\’l(l{;’S :| choice of operzttiorittl modes. These are the Stztntlttrtl, Tritgger MIDI Interface. :-1 nd
settings, the unit is set to
use the Standard mode.
ZIIIDI Sound .\ltILli.!lL’ modes. Ortlin;tt‘ily. the unit can he lelt set st the Stzznclsrcl tuode
I How to Set the Interface Mode
r:I\ Patch Play screen
(D l'~‘rom the Ptttch I’l1ty screen. press [SYSTEM]. 1-mtl conlirm that you h;u"e the Fiystem screen's
Ire" p. 17
menu in \-'ie\\'.
-':'!!: "'
l *-. .Z= 't‘ ....
ICI
lFsw
112332
® I'sih§.,;
I I
IAI
‘-...
ore *""'i. .: =2"":.-""'"
"“""I“
:€..‘
O...’
EH35
M
!""'”
arm:
"
if”:s--t
8""’I""8"!
“Yr'‘"r3"‘=
'at-‘Illa
3333521fill!!!
.I.'.I‘i!
i‘-ill
[P].moretlwcursorto IF.tlienpt‘ess[ENTER].
TE
F
:3 E
II
Stundzt rd ;\-It ide
iWQfiEm 5TQHfiQRD
® lit-' mi _i\'itt;.: the [DATA] dial. in )Lt can select lichwen the screens sliowh helot\‘. thus nt'sl§id'g t-;rl’it'ir
tfltriitfc lot‘ the tnnde.
T _ -E _,
"'
Q. --.
fil
I
*""E*FH;""E
?'iE‘l3‘5*l‘l 1 I31 "5513 i- ~='~e_§~"~ I1":
i
A-illll .‘iouttd Module Mode
.4.-. .
‘J "
l Ill:
"""
3
1"‘
""5 8"-"
F H L‘ t _,,
’HUDE~ TRIEWWIQI
Trigger :\-ll l)l Intei'l';zce :\-locle
~
The writ ius mt ides and the luncliotts they |‘tt‘o\'it.le ;|rc as I"ullo\\'s:
Standard Mode; f:"§Tl:Il'l[I*l:ll:-f[I'
l
(.f)rrlin:.n"i_I the unit. can he left set to this mode. Wlieii you strike the pads. the internal sound sources
will produce suuml. At the stthte time. A-III')I |iie=ss;1ges that mire from an external unit will also result
in the protlttctiutt ullsuutttl. l"-Iuwe\'ert while in this mode, pi'ioz"ity is given to the pads trigger s5}.-gm-tls
and the suttntls tltey protlttce.
MIDI Sound Module Mode 1 I*II[I*I-5tItI..!l-III?
\‘i’lien set to this mode, sound will not he produced when the parls are struclt. I"loweve:'._ sound will he
produced wit h respect to all MI DI §\iote On ti1i3Sh'1l_L§t;‘Si'l11ii are receivecl. Since the TD-T-"’ does not perloriii
the ct 1!1\'{"fl'5l{)!'i < il'ti‘ip,ger signals to it-ll DI messages in this mode, there is an increase in !l’1t-‘5|)t"L".L'l3I which
it produces the notes after they have eurivetl us MIDI messages. This mode can he conveniently used
when you u-‘islt to use the Tl)? as at ;\"IlDl sound module.
Trigger MIDI Interface Mode ; TI?-1113-I'IIlII'I
Since the Tl)-T’ is cupzthle ml transmitting MID] messages tltzlt correspond witli the trigger signals thztt
1t!'L' _e,ener;1tetl hy the pads, it cu n he thougltt I il 11$ II device wltich converts trigger signals to MIDI signals.
=t= Note that while in the
Trigger MIDI Interface
Such at device is called Li Trigger MlDl Interface
Mode, the TD—7‘s internal
This ntor.'le should he selcctecl when 3-You wish tr '1 use the unit as at Tt'iggL*r .=\=llDl lnterlsce. \\-‘lien
sound sources will no
longer generate any
connected with at MIDI sound generutiue, unit such as it sampler‘. Wliile in this mode, the "I'[)-T-"s internal
sound sources are (.lC£1Cll\’l!lt.‘£l. so the speed st wliicli trigger signals are con\-'erted to MIIJI signals
sound.
increttscs. As :1 result. the i\-IIDI sotintl generating unit can produce the sound tttuc.lt luster. with :1
minimum oldelzty occurring after the ittstunt :1 pad is struck.
llovrcx-'e.r. the 'l'D-"F's internal sottntl sources will not sountl.
123
Chapter 6 System Setting
3. Using theFootswitch and Soun-on-Sound
The TI)-T-’ is equipped ii-‘I-‘tilt at jack for connection of l'ootswitcltes. This stereo jack ztllows connection
;
oi two tootswitcltcs ti.-‘hen using ;t special czthle tl’(lS-5.1zoptionttlt. ljse BOSS FS~ ‘iti lot'>ts\\'itt.'l1t.*s
I
(optional t.
The lot.>tswitcl1 side oi the connection ctthle has two tttottztttrnl plugs. The iootst\'ittth connected to the
1
plug with the wltite line is Fttotstt-'itt‘lt I and the other is F'oots\\=itclt 2.
Footswitch t
White hr?
PCS-31
FOOT SW
F$.5U
->
F-tad ling
i
3°55
Footswitch 2
Wlten at l)l’~Z l'ootsn'itclt (optional l is cottnectetl to the Ft.)(t[S\\-’llL'll_lLlt.'l§, Ft iotst\'itclt 3 will lt;t\-'e no el'l'ect'.
[1] How to set the Footswitch Mode
(D Select the Ptttch Play screen, then press [SYSTEM] to select the St-"steztt screen menu.
ts it r-1 ttiitttstt it t
F-"1.-.1 E lII*EI*i Eli Li"I[i*i SE T
1
X
K
® Move the cursor to FE-I.-.t. then press [ENTER].
Foot Em = Model
t ll 1 UP
4* EEK‘ 2"”;
® Select one of the three modes using the [DATA] dial.
l"lCu'.':lt'-3 1 Model
This rnotle 1Illt')\\'$ you to cliztnge P-tttcltes ttsittg the
m-q-J
.7“Mi
t'1tswitcltes.
__\__
ll'ltIHfl1'l*
This mode ;tllot\'s you to use the lootsvritc'ltes to sttstsin
Modei
sounds and cltztnge Pzttcltes.
I-In
an
...= t...tt't '...= Sooncl-on~sottntl Mode
0»
.'
I»
iv
This mode allows you to use the Sound-on-Sottnrl
ll: nctiz H1.
ls
Chapter 6 System Setting
We e
7 '7
_ _
124
_
‘
O Mode 1
Feei Em e Made 1
#1:,_;;== *1“ __ #13;5::1
\‘§-'|tunl"l*IHI'.l1-‘.E‘
IIIII
l
IIQIUQ‘I2 _l:‘Il than
1 is scla't"l'ucl.ll1cl'\\-":1l'unts\\‘itr|1cs;:rc .~e:.-'lIu.\-ludt: l.
,1, when P1,;-_,.;{,;.
1
is
selected, the S0und~on—
gmmd fungfign cannog
:\-lualc1.isl}>1't‘l1:l11gi11gl’;ll'clwswit'l1thel'onts\vil=;"|1us. lhessirlgllmiswilcltlinctwstsstl1eP;1icl1Number
vclxilu l'u<>ts\\-'i1c|‘: .2clv.-'t'1'c:|.~'c.~a it. ll'3'<.mtll:|1t'c*ss;1mllmlcltlmmeither|'onlsvri1cl"1.tlw]’;1tc‘l1Numhcrs
be uSed_ To use that
will rlnmge ce11linu<_1t1s|'_t_-'.
‘lung-flgn, 5e|e¢¢ 35; .3;-,
C
ruin‘ b
In z\ludc I. the l'u¢_'1ls\\-"ilcltcs llmcii¢"1n in the sarm: w;:};;1.< the [Q] and [P] huilnns in the l’;1tcl1l’l;:y l K-I» Patch Play Screen W P.
.-wrven. l'*nnts\\’itvl2 1 cm'rus|?mm|.~: in the [P] lmrlnn. while l’nuls\\-*itcl1 2 cnrrcspnncls to llte
i
lmttun.
l
. Mgde 2
1
F0et5w W Wade E
A
1% 1 Ll?‘ [Irt:!i_:_lH fl-1?j,'jfl-—ii:il_[I1
‘
\l£"’l1rc11l‘l*IHI:l*§‘
17
is sclc'ctcLl.l|1c'l\\'0l'nnls\\-'ilc|leszlresultnMuL|c .2.
=i= When l'l*IHZ:lE
is
selected, the Sound~onIn l\-lutlc .2. l1ml"s\\*ilcl1 l cltztztges l’;m*lu:s;1ml l'unts\\*it'c|1 .2s1:sl:zi:1stl1c seuml.
Sound function cannot be
1
used. To use that func-
E;IL'll time you |1l'L‘HS l'u0t.~;x\'itcl1 1 the l’ulch ;\%:ml1e1" will incnaase. l’ressingl‘0els\\-'itcl1ltvvicequickly-' l
llfifl. S8480! '-= *3t'1 1-.
__.,,,,,._‘
.
‘
'__.
‘
‘___
..'
J),
._
_
I,‘
'
,
,_.
l
'
\\2|l tlcczmwt. lh<.. numhu. ll you £lL|3I'L.‘wh and hold luuls\\1l£h l. {ht um Pxumlnlrrs» ml] 1I'lL1't‘dh€‘
* To usethe HO|dfunCtmn|
t.‘()i1l!I'lt2(1ll.=§l}-"'.
Set the How Receive
ll you alapms and l1eltllnnt.-\\sltl1 _ shalt 301.1pl.r§.!l1u1|r:Lnll3 .\LlLL.lL£l.5{)LiTl{lY\lllllt. hllS[JlI1(:‘Ll. Thls
Switch (P. 118 ) to ON K
is l.'1llll.’(.l the lluld c|'|'c-..'(‘t.
it is OFF‘ the How effect
'1'
.4
>.:|--1
Y
‘
_"
'
‘
I
u_'
-
'
1‘
*1
_"..\1"..1
“
_*'
'1‘
(I
'
-‘
l
~
cannot be obtained.
1="-i»When P1121 fir?‘
selected,
;
l$
pressing
foetswitch 2 will send a
Hold message (Control
»
____ _ ___
_
____ ____ _ _
__ _
___
__
_
__
_
_
_
125
l
l _
Number 64).
7
_
Chapter 6 System Setting
[2] Using the Sound-on-Sound Function
Stat: tttl-<_:tt-fit'_>tt:.ttl is Li l'umitit:>ntl1;:t ;tl|o\\'.»' yr vu it 1 rm ml the pltrttsc L'£it'l'L'i"t[]}-’ living plztytrtl um! then |tl;t'_t' 1
it huclt itntttistlizitt.-'h-'. lt was [|‘tL‘ Lot ip ltcumliitgmctl1tu,ltlt;|| ullt >\\‘.~+ yeti tot'et‘o:1lstntntlsztstttztnji-"times t
as you like tljwy |;1m'i|1g tltctm l:tec:1u.se l't1otswitcl1cs can he li.‘iL‘L| fo|'qt1it.'k t1'coi'tliz1g tmtl pl;.t§-'lw;u;k
p
during 11:11!-time pc*rl'<>:'t11;tt1ce.s. one pt;'t'.s'ttt1 can |ftl;ty.~;c\-'r;=i':1l p11rt.s at tlt'tt_‘t".
I How to use Sound-on-Sound
® Select the P:|tcl1 l’l;ty _~;ct'r.-‘ext. then pI't.;‘$S [SYSTEM].
j =1“ Patch Play screen
if-it P. 17
|V||[)l
\
Trigger MlDl interface
l
l lnitiiilize
tewetete
i“'"i man
l"""§
"T1
::::
P-"4
l”'-l
1
':Hl@EHfi C."“"‘T SET
i
2333
Sound Setup
LCD Contrast
Demo Song
Footswitch
l
‘l
l
® l\’lt1\-1-rtltc sumo!‘ to F1.-1'-1.=.t, then prcs.~: [ENTER].
it F.~.;..:t1;. EIt.=.t
#1‘-‘F’ t it
‘
t-tt;:tt:.tt-:1-1
#73ii3?*t1“-*-‘l
® Selectg tilt‘: Ettsing the [DATA] dial.
Ft} 1:: l‘_.
1'-3
1:! §""|
:5
#15P~wP~@w#2eE¢
Chapter 6 System Setting
125
@
tl=
l’rus.-" l'r-trrts.-witr."l1 .2. trod the 'l"l")-‘T is ru;rtl§' lot" rt'wrrlin§.: |turl‘r>rtt't;|rtt"c ir'tl'ontt;.ttior1. This is the
rt‘tfot'tl .\:t:1ntl-lit motlu.
'
The Sound-on-Sound
function cannot record a
long phrase (refer to
page 126).
® l’l;t§-' tr purl to stztrt t'mtr‘tlitt_=.1. then |tl;rf.'tl1u pltrttse you \\'i.~rt.lin3.1. The t‘r.-‘tit trtlutl tlzttzt will he ittttnct.littl't;'l}-* ]'llLl§’l.7L] l7L1t.‘l\'.
=f=
®
l.’1‘cs.sitt_t.{ l'oot>;t\'itt‘l1 3tlur'irt_t:, pl:t§t'l1;tt'lt will .=2t;trt :'ccortlih§_1again. Yott can rct'ortl (Loop liccortl)
orcr the cxistint: tl;tt;r ;t.s t'n;tn\_-' titncs as 't't'ttl \\'i.~tl"t.
I.‘
»
-
Patch Number. Each
time you press footswitch
1 the Patch Number will
® l’rc.s.~tin_e, loot.~t\\-‘itrlt l \\-hilu :1 pltrztscisl1t'itt;_§pl:t§--‘ct! hatch {or t‘umt'tlctl) will stop |tl;tylr.tt'l< (or
r"<:ro1‘tlin;.1 1. t-'r;.t.-".in_s: the |"tt'e\'iottsl~_t' recot'tler;| plti";tse.
increase; twice quickly
will decrease
number.
I Setting the Interval and Quantize
.-'\lit't‘ ;'~ilt.‘]'l
the
:thn\'t.*. l~ttllu\\' tlttrs prr1t't‘t.lttt't_.':
=l=
(Q) l’|‘e.~;.s' [ENTER].
@ .\-lr_t\‘t* tl1et'trr-"ot'to the I t"!?L_-t:'E*t“'*-.-*-B
Pmmi
I
Pressing footswitch 1
(while the phrase is
stopped) will change the
on
no
.
\';.tlutr. then set the vztlttc with the [DATA] tliatl.
QM m S we
all
I.i
Inhenwale
MIG:
‘Ill. :
E
5
uni:
]
ififi
T
Value
Parameter
P
The Sound-on-Sound
and Phrase Sequencer
(P. 92) data are recorded
in the common memory
area. If the Phrase Sequencer data tstoo large.
the Sound-on-Sound
-S data cannot be recorded.
lf this hap-pens, check
the available memory
with
@ .\-It )\'L' the cttr.-:ot' to It"ti'..-1:-?t""*-.-*-$1 . thtsn .~tt:-'let't1;?i..t-&l"'t‘l‘..- It XE‘ using the [DATA] dial.
the
Available
Memory function (P. 105)
and reduce the amount
of data you want to
record.
III
Font PM M S
H
Qoantiaza
wt
twee
3-.‘ I
M‘:
“':-III"-3
® i\‘ln\’t‘ the rtttsor to the 5;il.t-E':tl'"t'iI.- i Zr:-"L-= vrtlttc{resolutiont.t|1t:nsettltt=\':2lt1e with the [DATA]
tlittl.
127
Chapter 6 System Setting
The lolltmvirtg explains the Internal and Quztntizc.
* ll the lmewal is mo longi
the phrase cannot be
0 Interval
;'eCQ|'de|j_
This p:.tr;tn1eter sets the pluyh;.tclt tempoul' Stitttttl—otl~Sotttttl data. mt start iceortlirtg ht’ tlepressing.1_ [
~
.
..
..
.
.
.
-
l
lootsouch 2 then htttmg ll ptttl. lhe time mterrttl lltfl\\'L‘L‘ll tltcse two crents tletermines the hztsrt" tetltpo. [
Youcztnselcct
1.»-"t-l. 1.--"’.llot'Ol’F. Thetiininf-1 tztluc‘ You select. here is set ;tstl'te'lte;tt"ollhe selectctl
>t= When OFF is selected.
note.
the basic tempo is not
set and no quantization
1
T
. if
‘
A 1
4-L
:3ET
‘
A qututcr note
__
_
_
1
— _i,
An eighth note
l 1.-"'IlI:-3
|...|l:l:
is applied.
__________
ti1'7. . -Mr
Quzuter note triplets
i No quttntizzttion
;
l
IQuanttze [1/8, 1/12, 1/16, 1/24, 1/32, 1/48, 1/64, HIGH (1/96)]
i
The quantize function corrects timing inaccttntcies that occur during recording. For instance, ifyou sct i
it (resolution) to 1 1 I5, all the sixteenth notes in your sequence will fall precisely on the sixteenth note .
divisions in each measure. [Notes of longer duration will fall on their respective dit-risions as well.l [T
Normally, this setting should reflect the smallest note value in your sequence. When set to H I EH,
.
no quantization will he applied to what you play.
Example:1/16 resolution
t
Actual note date
Ouantize at sixteenth
we resolution
Note date after
quantization
t
it
.......
fi
t*'
_
_ _
-B
"2
--
"t
go
t
$
;
6*"
1
6
____-
.
Recorded data
Q
The maximum length ol'dat'.-1 that can he recorded when using Sottntl-on-Sottrtcl is 112 hezits l with the
quarter note setting). That is. 2.8 measures in
or fl? tneztsures in 3.-‘ll.
A
]l
l
The Sound-on-Sound and Pltrase Sequencer (P. 92)dat'.-1 are recorded in the common memory ztrczt. ll
l
the Phrase Sequencer data is too large. the Sound-on-Sound data cannot he recorded. ll this happens. t
check the available memory area with the Available Memon,-' function (P. 1073) and reduce the ttnrount l
of data you want to record.
Chapter 6 System Setting
123
4. The Sound Setup
'l“l1e'l"l')~"*'s |llHl'.l'tIlW3fi{H can he ;:ssigm*tl In one ullhu ilm-unu1|.wis; .\'I<:ren Output. Send _] or .“~}<:n¢.| 2
{M I’. H:-I! The Send I signal can lweserti In eiIl1erl~”.l'|‘et.'i I urlm|i\‘itlu:1lOulpul l. Similarly.tl1cSeml 3
signztl um he sun! In I:iI'l1L'r l{l'l'ccI 3 ur lm.|i\'idu;:l (fmlpul Z.'l"l1esettingul’1l1c Sullml Setup tleierminc.»'
\\"l1it.‘h ulllw l€l'lL'c! er lndi\'it|u;i| Output will he u.~SenLl2;1re senuuEIl'ect 2,mixed,zmtltltenuutptlt
l
through the Stereo Outputs.
~WW_
T”
I|"l[I' I l-.-'__IZ
“I
I
""1JFF
l
_11111 r__
'~W__1___r__ We
___
______ "C
ff
_ ___,,_W
___” 3»
\ All Instruments assigned to Send 2 are output thruuglt Inclividunl Output 2.
CI.I
l
p All Instruments 1l3SIgI1t’£|[(.}§t‘l'i(.l 2 are muted.
I4
Chapter 6 System Setting
130
I
I Audio Output and Effects
l..e\"el~; Iur three p;tr;tmett.'rs can he set lur the 'l"l'J-"Ts ln.~'lrtuut*nI.~t. W‘ I‘. SH
Output l.e\*e|
Sentl l l.e\‘el
Send 1 l.e\'e|
'l"he .‘~iounrl Setup tletermines the output mode of Send I and Sentl 2.
The sigrtrtl nl'.‘éentl I tun he seleeletl as either:
@ Input to l§|'let't I I Retterli.’l")el;n-‘I
(Q Output lnrnt lntlivitlurtl Output I
The signztl cl Send 3 can he selectetl us either:
(D Input to Effect" 2 (Chirrtu.-"'I’|;trtgerI
@ Otitput from lIitll\-'it|tI;il Output 2
msrnuustrr 512
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FINSTHUMENT 1
f
I,
M
I
I
l
S
;
Output Level
Sound
5
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INSTRUMENT
I PARAMETER
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i
Bend? Level
6
o
o to
Fievmb./Delay
PATCH
PARAMETER
er P.62.64
Individual
°""'“"
O What is set in Send 1 and Send 2 is common to all the Instruments, that is, if
you select “Output through Individual Output 1”, Effect I cannot be used.
Therefore, it is not possible to “apply reverb to a certain Instrument and output
a different Instrument through Individual Output 1”.
I If you wish to output a specific Instrument through an Individual Output, set
the Send Levels of the other Instruments to zero.
O The level of the Stereo Out for each Instrument can be set with the Output
Level (P. 87) of each Instrument.
OThe Send Level (P. 88) of each Instrument works as an Individual Output
Level, when Individual (I t-ID I I-.1) is selected in the Sound Setup. If, however,
Effect (EFFECT) is selected, it works as an Effect Send Level.
131
Chapter 6 System Setting
5. Initialization
The T[)- Ierttures lit-’t1tt-='t‘te:~‘o| tnrt1;tln'.;tt|un:_ one is initializing llll the p;|r;tmeters to the lnetun-' preset
t-=';tlues (P. l"iI]_I and the other is oplirnizing the Hl~l'I;lI' Control Pedttl lunetion to the most ;tppt'r'>pri:tte
vnltre,
,
[1] Hi-hat Control Pedal Initialize
I
This lunetion zillrjnt-"s you to set the FD-‘.7’ Hi-hut Control Pedal (optional) lor the hest possihle I
periormztrtee results. Once you ltzu--'e irtitiulizetl the TI)-ii for the FD-Ti. the vrtlues will he 1'et;tinet'l even l
t1l‘teFfrott so-*itcl1et'l off the 'l'l'.)-"F.
CD
‘
Connect the FD-"F Hi-hat Control l’e<.l;tl to the Hi-hut Control _I;telt tl--IH COr\'-T‘) on the Tl.)~'?.
Do not tlep1'ess the Hi~h;tt Control Petlrtl.
p
® Select the l’:|tel'1 Play screen. then press [SYSTEM].
raesrnrerlrrirur
FsetPEH@tL@@i5Ei
®
,
.
Move the ettrsor to IHI using [4] and. [P], then press [ENTER].
1uITtnL12s HiHaL
A
HiHst1n1T?* 14
The value to he set
Pressing [E NTE Fl] will execute the Inititrlizrttitrn procedure, setting the H i-hat pztrztmeters to the most
appropriate values. Ilyou wish to eltange values, more the cursor to the vztlue lield, then rot‘.-tte the Y
[DATA] dial.
Chapter 6 System Setting
I
132
[2] All Initialize
,
The .-\ll Initialize l'unt‘tiun i'L’ll.lI'fi."i all the tlula in l.l1e"l'l')-'.-" to the l';lt‘to|"§' |‘in:sets. This will ;tutu|n;1tic;-|ll'_i=' l
crust.-' any pre\"iou.»" Ll;lt1t in the inlcrnrtl n1crn:.n"y cl the Tl)-7?. So. if you wisli in retain the original tl;1l'a.
§~;l\'L‘ it onto ;t!1t}lllCt‘i\-"lll)lLlC\'iCL’LlSlt‘tt1il1t3 Bulk Dump lunction (W P. L22) or mztlte :1 inemu as to the
st-rttirtgs,
(D Scletft the Pzttch l’l;iy screen. then press [SYSTEM].
l
ll
® 1\’lt}\'L’lliL’ t'ur.~eur lolNT ttsiiig [<1] and [P]. tl1<:n|1ress
[ENTER]
IH1T1eL1EEHiHaa
HiH5t1H1T?“14
® a\-=lu\-‘e the t't|i'sorto H i l'l-file ttsing
and [P] . then select ALL by rotating the [DATA] dial.
IHITIQLIZEQLL
3
TD“? QLL tart e
;
l
@ l’r'cs'.s[ENTER].;1ntlthe .scrcer1willrcs|>ontlt\-'itlilqr"'E= ‘:.*IZ1*.4 2-1.4:"-e‘?
l
l
@ l’rcss [E NTE Ft] again. and the All Initialize will he |ficrft')1"mi:‘(l.
To C1l!‘lL"t‘l tl1eAll lniti;1li'zi.'. press [EXIT] instczttl of [ENTER].
'
l
=i=
Copying factory preset
data into the USer
Patches, Instruments
I lf you wish to reset only the Patch data, copy the factory preset Patch data
into the User area using the Patch Copy function (P. 71).
l
and Sequence Patterns
will automatically overwrite (replace) any data
O If you wish to reset only the Instrument data, copy the factory preset data into ?
stored there.
the User area using the Instrument Copy function (P. 89).
‘I33
Chapter 6 System Setting
Reference
t.Error Messages ..............136
2.Troubleshooting ..............138
3.Patch List ..............141
s 4.Wavetorm List ..............144
5_lnstrument List ............ ..146
6.lnitial Setting ..............1 50
7.Blank Chart ..............153
1. Error Messages
When any operational error or problem occurs, the screen will display an error message. If this happens, refer to the following section for
help.
5erial-srrnr-
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-_-.:-_=;_¥'_-|;-_'5=j--13;. '1 -=.-. r;,-[.§z--__- ‘tr,-5.-;_l_'.-_5r»E,'1_{"!'..‘- -; ;:j
-75'.‘-I-': '31~'
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'-' :31;-1?. TI-‘ti L‘ "--"U31:
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.' ' -51-;.‘.'f-|;:_.-.-'..'-.l'-’<‘€;--_-.--; .-.
.=-.:-.-\u_;-.--__-j,-_-1”):-y-,
. \
.. ,,_._ .
=,,- .. .. .._.._;‘._,\._.._.._
,.._i_~... -
consult your Roland retailer or the local Roland service center.
Will retrieve the previous screen.
-_-_;_,;j__-._i_\-.;;‘.-_--- ..
.'_-'(_:"I;";_iF\I_-'.
.1'-ii‘-'?‘.l"i-lE:i'.=;~‘
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;,-.:::.:.'._;.'.-.;,'.'.-;,,.-'. r;._-_-,1;i
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'.’,t1'-';i;$§=i=.r_",Y.-Ir,-_<'-.-"- -_1._.:'
2:‘ ,-Q
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'.;;=,=‘e'.-;.-i-' r_:; ;5".-.-_=_-;=,=.-'"'3-:1‘“-?;::-‘
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-"’..;- '= ;5 -.'1;:.' t_:'_-'_-__'
5 .=,i ;=_'r. E 1:;
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The unit received an excessive amount of MlDl data from an external MlDl device.
Reduce the._.atnoitn_t--.-_o.f'1‘_MlDl data transmitted from the extemal MIDI device. Alternatively, send data over a longer interval so that the
ialniiititini are dai'ii"'si§ri=t"'each time will be reduced.
Pressing any button on the panel of the unit will retrieve the previous screen.
ifiot aenaine one
PPE55 ana bee
A connecting MlDl cable may be-damaged or disconnected.
-t» Check the MlDl cable and all connection.
Pressing any button onithc panel of the unit will retrieve the previous screen.
"
r '*****i1_
_
_
__ _
: _ __
_
_
_
_
_ in-1
_
7;; _;:r:1T_ T," __
Check sum error
PPPEEEPQHH hoe
The unit could not receive Exclusive data properly.
-0 Check the MlDl cable and data to be transmitted, then send the data again.
Pressing any button on the panel of the unit will retrcive the previous screen.
DC-UULT abnormal
Press one hoe
The signal fed into the Trigger Input section is of abnormally high voltage. Be sure to use pads with the proper output voltage.
Pressing any button on the panel of the unit will retrieve the previous screen.
if the previous screen cannot be retrieved , contact your local Roland Service Center.
lrt addition, if you hit the pads when power is turned on, this error rrtessagge could appear in the display. ln this case, torn the power on
again.
In -H1 1 *1 it'=r.*~t*-
-
This message appears when the same number has been assigned to the source and the destination number in Patch Copy/Pattem
Copy/Instrument Copy, etc.
-t>Select differrent numbers for source and destination.
The previous screen will be recalled in several seconds.
136
7
:74’
_
_
_
:._ *"__ _:____ ___ Mike
7
7
_
_
;_;;:_:7:_'_;:__ *;"'i _;__7
_
__ in-an-an-t
_
I-at
'
If '77?’ 1’
77
7
7 7
Pin momoca Pull
No more sequence pattems can be written into memory.
-P lfyou wish to continue to record, erase some unnecessary sequence patterns.
The previous screen will be recalled in several seconds.
Emnta nattorn
You are trying to erase a Sequence Pattern in which no data exists.
--r Select a Sequence Pattern that contains data.
The previous screen will be recalled in several seconds.
Hot cocnesaond
The Trigger Transmit Channel ( fir P. ll5) is not set to the same number as the Instrument Section’s Transmit and Receive channel
(Ii? P.l 15) ,or the Performance Section's Transmit and Receive channel ( KY‘ P.l I6). Therefore, you cannot select an Instrument.
-tr Set the Trigger Transmit Channel to the same number as the Instrument Seetion's Transmit and Receive channel or the Performance
Section's Transmit and Receive channel.
The previous screen will be recalled in several seconds.
Happens low
Pnoss ans new
no
O
.
Own
.
IIIO
-can
I
III
The battery that supports the backup system of the internal memory is nearly exhausted.
-+ All data stored in the internal memory may be lost. Have the local Roland Service Center replace the battery as soon as possible.
Ii
£3‘
IQ
T».
"'
t-MI? Iii H.“ -|:'-"st" 1--12: IT!
I "3 E -"3
I100
I
I-n
I
-
The internal data of the TD - 7 is damaged.
--0 Data cannot be restored unless it is initialized. Follow this Initialization procedure:
Q) Press |El\lTER_].
"ea sou suns?
t---1]: "*:='" 1"
M
trtnctzea
UU_
@ Pressing [ENTER] again will recall the Patch Play screen.
* The above initialization procedure will set all the data in the TD - T’ to the factory preset values.
__
' __
—’
_
::'_::: f7__i;i%'Tr":_
_
7
77'
_
Jun-1
nu
in '" 7'"::r;::"uuQni\c_
137
"
' "'
' ' innlnnnnlnt
tumour _____ "e
WW7 *’"* Y"? W
'
2. Troubleshooting
Instrument
I No sound is heard.
Make sure that the TD - 7 is connected securely and correctly to the amplifier.
-P Connect the TD - 7 to the amplifier securely and correctly.
Make sure that the signal is not output to Individual Output l or 2.
-P Connect the amplifier to Individual Output Jack I or 2.
Make sure that the Instn.tment's Output Level is not set to zero.
--0 Set the Output Level to an appropriate level. (ET P. 8'7)
Make sure the Midi In Switch in the System screen is not set to OFF.
-0 Set the Midi In Switch to ON.(r-'1' P.l I6)
Make sure that the Local Control Switch in the System screen is not set to OFF.
--9 Set the Local Control Switch to ON. (fr P.l20)
Make sure that the Trigger Interface Mode in the System screen is not set to the Trigger MIDI Interface Mode or MIDI Sound Module
mode.
-0 If so, change it to the Standard mode.( sit" P. I23)
If you are going to play the Instrument Section, make sure that the Instrument Section Transmit and Receive channel is set to the same
number as the Trigger Transmit channel. Or make sure that Instrument Section Level is not set to O.
-0 Set the Instrument Section Transmit and Receive channel to the same number as the Trigger Transmit channel. (-11? P. I IS)
'0 Set the Instrument Section Level to an appropriate level.( I‘-T P. I I9)
lfyou are going to play a Performance Section, make sure that the Performance Section Transmit and Receive channel is set to the same
number as the Trigger Transmit channel. Or make sure that the Global Performance Level is not set to 0.
-0 Set the Performance Section Transmit and Receive channel to the same number as the Trigger Transmit channel. (fir P. 116)
-t» Set the Global Performances Level to an appropriate level.( til’ P. '74)
O The sound level is too low.
Cheek if the volume of the amplifier is set too low.
-b llso, raise the volume of the amplifier.
Check if the volume of the TD - '7 is set too low.
-0 If so, raise the volume of the TD ~ 7.
Q The sound of an Instrument is strange.
Check if the lnstntrnent Parameters are set properly.
-b If not, set the Instrument Parameters properly. (Cr P. 78)
Q Playing a pad with the Choke function set to ON will produce the sound with a short decay.
Check if a pad other than a PD ~ 7 is connected to a Trigger Input Jack.
--b lf so, set the Choke function to OFF. (Hf P. 45)
‘I38
Q The volume doesn’t change with different playing dynamics.
Check if the Velocity Sense Curve is set to Fix.
-r lfso, change the Velocity Sense Curve to Normal. (_ 1;‘-it" P.44)
,.
The volume you expect cannot be obtained if the Max Dynamic and Minimum Dynamic are set improperly.
'-+ Change the settings of the Max Dynamic and Minimum Dynamic. (-'»-‘-Ir PI46)
Q When you play the pads quickly in sequence, some pads do not sound.
Check if the Mask Time is set too long.
--t If so, lower the Mask Time value. ( fir P. 47)
Q No sound is produced if you play softly.
Check if the Threshold Level is set too high.
--tr If so, lower the Threshold Level.
Q Effect 1 (or Effect 2) does not work.
Check if the OFF or lNDl\/__l (or lNDlVlD____2) is set in the Sound Setup.
-0 If so, change the settings of the Sound Setup.( 1:1‘ P. I29)
'
Phrase Sequencer
Q No sound is produced even by playing back a Sequence Pattern.
Check if you are playing back a blank Sequence Pattern (where no data exists).
-P lf so, select a Sequence Pattern where data is recorded.
Check if you are playing hack a Sequence Pattern where only the Control Change messages are recorded.
-r If so, select a different Sequence Pattern.
Q Indicators flash in the Patch Play screen.
Check if you are playing back a blank Sequence -Pattern (where no data exists).
_
-0 lfso, stop playback by playing the pad that caused the blank Sequence Pattern to play or by moving to the Pattern Play in the Sequencer
SCFCEII.
Q None of the Pattern Numbers 25 — 48 can be selected in the Sequence Pattern creation mode.
-P Remember that Pattern Numbers 25 — 48 are preset patterns and therefore cannot be recorded. (fr P. 96)
QThe Tempo cannot be edited while a Sequence Pattern is being recorded.
Check ifthe Sync Mode is set to MlDl.
~+ lfso, change it to INTERNAL. (sir P. I05)
Q When you start the Phrase Sequencer via MIDI, a pattern different from what is selected is played.
Check if the same Note Number is assigned to more than one Trigger Signal. When the same number is assigned to more thanone Trigger
Signal, one Sequence Pattern Number is selected in the priority sequence ofTRlG1, RIMI , TRIGZ, RlM2
RlM9 and PEDAL.
--1» lf so, change the Note Numbers. (_ =1? P. 42)
77
—————
__7
_
r**"::_ __
139
_
__ __ __ _____ mi;
_
_ _. __ _
_________ Iv-lI.:;f ___ _
_
nu
In-1"" ";___ I-Ilfivnlh-11
' '
System
Q The sound is cut when the TD - 7 is played in the Multi - timbral mode.
Check if the number of voices used exceeds the maximum of 14.
-ti lf so, lower the number of voices to be played simultaneously.
Q Patches on the unit are not changed even when it receives Program Change messages.
Check if the Program Change Receive Switch in the System screen is set to OFF.
--0 If so, set the Program Change Receive Switch to ON. (KT P. l I8)
Q The unit does not receive System Exclusive Messages.
Check if the System Exclusive Switch is set to OFF.
--I» If so, change the System Exclusive Switch to ON. (r-T P. l 18)
O Bulk dump data cannot be transferred completely.
Check if the amount of available memory in the receiving MlDl device is sufficient.
--I» Be sure that there is sufficient memory available in the receiving MID! device.
Q Sound - on - sound recording is not possible.
Check if there is sufficient memory available. (if-Y‘ P. I27)
--ti If not, erase some unnecessary data, then repeat the recording. (II? P.l05)
Determine if the interval between pressing footswitch 2 and hitting a pad was too long.
-1+ if so, repeat recording using a shorter interval.
Q The screen on the TD - 7 is difficult to read.
Check if the LCD Contrast is set properly.
-P If not, change the LCD Contrast so that you can read the screen easily.
Q You cannot holdlsustainl a sound.
When “CtrlMode" in the Pedal Parameters (CT P67) or Global Performance Parameters ( t-‘it’ P.74) is set to “Decay”. the Hold function
cannot be obtained in that section.
Q You cannot play back the Hi-hat Control Pedal information recorded in the Phrase Sequencer.
When the System Parameter is set to “Ctrl Chg = HOLD" (U P.l2l) and “Hold Rx = OFF" (KT P.l18), the Hi-hat Control Pedal operation
information is converted to Hold messages, and therefore cannot be sent to the internal sound source.
-+ Set the “Ctrl Chg" to a status other than "HOLD", or set it to “Hold Rx = ON".
O Unexpected sounds are heard when you play the TD-7 with an external MlDl sequencer.
Check if the TD-7's Phrase Sequencer is playing.
-+ Set the Sequence Pattern Number set at the Trigger signal to “OFF”. ( =11’ P44)
Q The sensitivity of pads seems weak, and appropriate sound is difficult to obtain.
Did you hit the pads immediately after turning the power on‘?
-tiwhen power is turned on, you should never attempt to hit the pads until after the Patch Play screen (1? P.l7) has appeared. lf you hit the
pads when power is turned on, a "DC~\/OLT abnormal" error rnessagge could appear in the display. In this case, tum the power on again.
Q On occasion, no sound is heard when a pad is struck; or, the tempo slows down when the Phrase Sequencer is
playing back something.
Check if other devices are sending System Exclusive data to the TD-7.
-t» Do not hit the Pads or play the Sequencer while the TD~7 is receiving System Exclusive data.
Q The setting for the Threshold Level, a Trigger parameter, tends to get altered.
lf set to use the Automatic Parameter Setting ( tit‘ P.45), the Threshold Level for pads which are not hit is set automatically. This is an
intelligent feature which is designed to eliminate the crosstalk that might occur between pads. lf you wish to have the Threshold Level at a
different setting, follow the procedure on page 42, 47' to make the setting again.
140
3.Patch List
Program“ it *
I
Patch
Number Change‘
Numberf.I‘ "Display 3i
_ g
I
I It "_tPatch‘tName
I
M_onstr _ Morjeter lot
ouowCD?UT
__ _
Sm
co co~1
Dry/Drs
Reverb
t
_ Pry Drufjs krt
_J 90s
7
71
3 X fade A
‘ H:Hat1*
;Oldies
i
Rocker
H
‘
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I
I "I
___
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I \H3__t1
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Crossfade kit
I
Oldies kit
77
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3-r-r
__ _ __
f
f
¥ -r-vi-r-I-r
Hatt
Hatl
Rocker kit
Hobo
Robo kit
Leno
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I_[-lat1
6
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Orches
A
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Crash?Flio1i§éq._patte rn 34 L”: j W
Tom1 Rim
pa 1 . 31 Tom2Rim : Seq. pat. 32
Tom1Rim : Seq. pat. 44
' I Crashfairtiigeqi D31. 56
-Seq. pat. 28
Seq pattern 43
I iHqt2
GM System. _. __
GS Format-.-
GMS
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Tom1-4 Ftjnj sound as theit same as Head sound
Q
.Mai? ‘
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27
26
29
36
31
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34
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55
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59
60
61
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13.K
14.K
15.K
16.K
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18.K
19.K
20.K
21 .K
22.K
23.K
24.K
25.K
26.K
27.K
28.K
29.K
30.K
31.K
32.K
33.K
34.K
35.K
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Roland Exclusive Messages
niDataFormatior
= One way transfer procedure
Roland's MIDI implementation uses the following data format for all
exclusive messages (type ll.-'):
:
'
' ' r i;r ::T_t;:_ __ 77. 7 ——
Byte
. _,____ W ~_~__
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. ~
......
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:;,.:,_:__ , ___<____,__,._
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diH
1: Manufacturer if) (Ftoiand)
1
DEV
1 Device ID
MDL
= Mode! lD
CMD
Command ID
[BODY]
Main data
rrn
End of eicciusive
“-~"" "
r-~ -—
Connection Diagram
Device (A)
.
‘
1l
1‘
FOH
.
(See Section 3 for details.)
This procedure I5 suited for the transfer oi a small amount of data.
it sends out an exclusive message completely independent of a receiving
device status.
Device (B)
l
Mini out
U
MlDl IN
l
no lhl
"5"" M151 OU1
Connecliort at point 1-.’ is essential For “itequesl tilaia” tJrot':ci'.lu|'t:s. (Sec
Section 3.)
=Har_idshak_e transfer procedure _
"Tr ~ r*""<~
.1 MIDI status : FOH, F7H
An exclusive message must be flanked by a pair of status codes, starting
with a Manufacturer-ID immediately after FOH (MIDI versionl.O).
.1 Manufacturer-ID : 41H
{This device does not cover this procedure)
This procedure initiates a predetermined transfer sequence (handshakingfl
across the interface be-lore data transfer tal-tes place. llandshaking ensures
that reliability and transfer speed are high enough to handle a large
arnount of data.
Connection Diagram
The Manufacturer-ID identities the manufacturer of a Mini instrument
that triggers an exclusive message.
Manufacturer~llJ.
Device (A)
Value 4lli represents Roiand's
.'-: Device~lD : DEV
The Device-ID contains a unique value that identifies the individual device
in the multiple implementation of MIDI instruments. it is usuaily set to
OOH - DFH. a value smaller by one than that of a basic channel. but
value OOH — ll“-‘it may be used tor a device with multiple basic channels.
e Model-ID : MDL
The Model-ID contains a value that uniquely identities one tnodei from
another. Different models. however, may share an identical Mocleilfi if
‘
snot iN
MlDl in
2
mics our
Connection at points I and 2 is essential.
Notes on the above two procedures
=l=
*
There are separate Command-li.)s lor diilercnt transit-r procedures.
Devices A and li cannot exchange data unless they use the same
lranslcr procedure. share identical Device-ll.') and Model ll), and are
ready for cornniunication.
they handle similar data.
The Model-H) format may contain can in one or more places to pmvidc
an extended data lit".-id. The lnilowing are examples of valid Model H35.
each representing a unique model:
Oltl
02H
()3!-I
OOH. 011-l
OOH. 02H
OOH, OOH. Olil
Device (E3)
MlDl our
filransfer Procedure]
This procedure sends out data all the way until it stops and is used
when the messages an: so short that answcrbactts need not --he checked.
For lone messages. however. the receiving device must acquire each
message in time with the transfer sequence. which inserts intervais oi
at least 20 miiliscconds in between.
Typos of Messages
:..-Command.lD; CMD
The Command-ID indicates the function of an exclusive message. The
i.i;......i.i i
Command-ID format may contain OOH in one or more places to provide
Request data l
R0! (ill-l]
Data set l
OT! (l2l-1)
an extended data field. The loiiowing are examples oi valid Command
IDs. each representing a unique function:
O i I-I
02H
U3]-I
0914,0114
OOH. 02H
OOH, OOH. Oil-I
.~=Main data: BODY
This field contains a message to be exchanged across an interface.
The exact data size and contents will vary with the Model-ID and
Command-It).
lAddre=»r~=m=@dPm T'=~=ferl
*
.-=Request data =1 ; R01 (HH)
This message is sent out when there is a need to acquire data from
a device at the other end of the interface. it contains data for the address
and size that specii)-'-designation and length. respectively. ol data required.
On receiving an RE)! message. the remote device checks its l'llL‘lli{.!f}’ lo!
the data address and size that satisly the request.
it it linds thcrn and is ready tor communication. the device will transmit
a “Data set 1 ti}'l'I)" message. which contains the requested data.
Otherwise. the device vviil send out nothing.
i
Address mapping is a technique lor translerring messages conforming
to the data Iormat given in Section l. ll assigns a series of memory-
resident records-waveform and tone data. switch status, and parameters.
} ca§i§}{{.Y=-la 15" f W
Byte
Deseriotion
FOH
Exclusive status
41H
Manufacturer ID (Fioiand)
tor example-to specific locations in a machine-dependent address space.
thereby atiowing access to data residing at the address a message
DEV
Device iD
specifies.
MDL
Model ID
HH
Commend ID
ca I.
Address lvlSB
, ,4, . . n4
Address-mapped data transfer is therefore independent of models and
data categories. This technique allows use of two different transfer
procedures: one-way transfer and handshake transfer.
in. .
3
*
so.....
‘
sum
»
FT}-l
LSB
Size
oi I
M55
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~
1
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Check sum
End of exclusive
‘
Roland Exclusive Messages
*
=t=
=i=
=l=
‘Device It requesting data from Device A
Device B sends an RQI message to Device A. Checking the
message, Device A sends a UT! message hack to Device B.
The size oi the requested dale does not tndicztte the numher of bytes
that wiil make up at i)Tt message, hut represents the address fields
where the requested data resides.
Sonic mndels are subject tn limitations in data format used fur a
singte transaction. Requested data. for exempte, may have a limit
in length or must he divided intn predetermined address fields before
it is exchanged across the interface.
The same number et bytes comprises address and size data. which.
however. vary with the It-tndel-ll).
The error elteekintt process uses a checl-tsum that provides a hit
pattern where the tees! significant T bits are zero when values for
an address. size. and that eheeksum are sttmtneti.
[Data sat 1}
.~=Data set 1 ; DT1 (1 2H1
This message cnrrespends to the actual data transfer process.
Because every byte in the data is assigned a unique address. Z1 DT1
message can convey ti"-‘ Siflflifltl address nt nne or more data as weil
as at series of dale forrnzttted in an arltlress dependent order.
The X-Ill)! stzmdartts inhibit non-reel time messages {rem interrupting an
ertelusive one. This feet is inconvenient for the devices that support a
"soft lhrout_:h" tne<:hanism. To maintain ct1m1.::1tii)ilit1t' with such devices,
Roland has timited the HT! to 2513 hyles so that an exc.essi\"e|3r tong
message i 5 SUI’?! till! lfi SCIJEIFHIL‘ 5CR¥'ii£‘I1l5.
fl77___;:_:_____
X
_ :_7_ :7 7, 7, ;7_7_7_ :_7__;:7;_::7;77 :7
Byte
7
7
;
i
'
F0!-I
t
it
i
Ail-t
est»
~
MDL
t 2t~t
1
D
_71-at
_
7;7: 77 77:7" _;:77 7 7_7:;:_ _ :__
‘
Description
7
7 7
7 77_ 7:7 7 <77 777 77_77 7 777 7 7 77777 77 777 77; 7,,
_
_7_*-
Exclusive
;
Marn.1far:turer ti") (Roland)
‘i
Device ID
Modei ID
Commend IO
Address MSB
I
\
- . .r.>
LS8
Q. I
-ct.
Data
SUP“
Check sum
X
no‘
0
F"?t--I
*
*
M
End of exclusive
A DTI message is capable of providing only the vaiid data among
those specified by an RQI message.
Same modets are subject to limitations in data format used for a
single transattdion. lteqtzesletl data. for example. may have a limit
in length or must be divided into predetermined address fields eefere
=t=
it is exchanged across the interface.
The number oi bytes comprising: address data varies fmm one Medel-
tt) to another,
*
The error checking process uses a checksurn that nrovides at bit
pattern where the least signitieant 7 hits are zero when vutues for
an utttlress. size. and that cheekstim are summed.
=¢ Example of Massage Transactions
I Device A sending data to Device it
Transfer of 21 I11‘! message is all that takes place.
Device cs)
{Data set 1] --------—-----—--IF
=t= More than 20m se e ttrne
'
'tnternat.
[Data set 11
-
[Data set i]
-—-—--------------------I>-
fieuuest data]
{Data set 1] ---------------------be
=t= More than 20m sec time internai.
b_bQ—flfi
7
[Data set 1]
--—--------—---—-----------D-
{Data set I]
--———-—-—-—--------Iv
Date : Aug. 4, ‘I992
PERCUSSION SOUND MODULE
Model TD-?
; *;;:;—'—7
MlDl lmplementatlon
_ .;:; _::_;_;__::_;*: :_" ' '
1
’
*
Version I 1.00
{'3 Hold 1
1-1? ___ .1
l1, TRANSMITTED DATA]
Status
Second
-Channel Voice Message
linil
=1t"iH
INote Off
n It-lit)!channel
\'\-' "Partlmeter vaiue
'l'hirt'I
zu-nu-—u—n~»p-Q--»-tq-i-»-n--u—-u
Stat us
tinii
Second
kit}-i
Third
Utili
rt: Mil)? tfihtlnnel
:01!
kit == Nttte ttumhcr
:23li ~" SUI!
-
Fl!
(£11.!
Chili)
The TD 7 transmits a vaim: mrrespnnriing to the position of a lli-hat Contra!
Perla! hy one at the above centrni niessattes set at the "Ctrl Chg" oi the kliiii
{)i.1i'Zll¥iL‘lL‘I‘.
(35 ~- 93'}
Transmit vv = "II-“ti when inetswitch 2 is pressed anti vv tltlli ttlieit itintswitt.-it
2 is prtrsseti it "matte" of i-‘ontstxitch motto of System is set to "1-!otit-
INote On
Status
9n I--l
vvll
:t}ll W UFII tch.t - ch.lti,i
:UttH
i'l-‘ii (U - I27}
Secunti
It it H
Thirtl
vv I I
n -~ MID! channel
kit Note number
W = Velocity
ztlli
Fl--l (611.1 -- ch.ltil
:25-iii
5I.)l-i ['35 -- 93}
:0!!! — TF1! ii * 12?)
IProgram Change
Status
Col!
Second
npti
n Mil)! channel
:tiIt
p;.i~=~"l’rt‘igram number :0(iil
Fll tch.l - t:h.l{3i
Tl-‘ii tprt)g.i
prug.i28_}
The TD-‘F transmits at channel of each section.
The period l}Gl\\'0£‘fl a i\*ute On and the subsenuctnt .\'nte Oil’ is about lt)inS
at the Phrase sequencer and is the time set tu “Gate Time" of the TRIG section.
if another note is made on the TRIG section before the Note Off for the IR‘t)\'t0U5
note is issued. a Note Off for the previous note precedes the new Note Uri.
'l‘r;msmitteil if the "Prg Chit Ts" of the MID! parameter is set at t').\I. This Ti)
7 transmits this message on the channel sot at "Ctrl Ch" when the patch is
changed.
ISystem Exclusive Message
Q Polyphonic Key Pressure
Status
Aztil
Second
kkil
n'"~" Mil)! channel
kit 1 Note number
W = Value
Third
wit
:t}!~i ~ I-‘H £ch.l ~- ch.t6)
:23l'l ~- 5!)!-I (35 — 93}
:Dt}lI. Ti-‘ii (O, 12?}
Status
FOII
: Systc-in 1-I.\tt:lusivc:
I-"ill
: tit)?-C t' {incl Oi i-Ii-:c.lusi\*t- 3
With the '1'!)-ii. the Systirni l'ixi:ltxsive 3-iessages can be used tn transmit Hulk
Dttntp of patch data. instrumertl data. system data. chain data and sequence ttata.
For detaits reter to "3. l':."ICll.lSl\’L‘ Co|itmtinicati0ns" ant! "Rotanrt l?lxcIt:si\'t:
massages."
Transmitted if the "choke" of the TRiG paranzeter assigned to heart,-/rint of
each pact is set at t)i\'.
This message is transmitted with vaiue TFII when the rim of the patl is grtthheti
or with vaiue not-t when the rim is released.
ISvstem Real Time Message
‘Timing clock
Note number to be transierreti is contained in the head/"rim of the grabbed
pad. when TRIO is set tn the same number as Assign of the Pedal parameter
and "Ctrii\=lode" is set at Hit-latt, the note number of the Hi-hat Control Pedal
can be transferred.
when "CtrlMnde" is set to Iliiiat2 instead of I-iiiiatt, the note number of the
head, rim, and note number of head minus 4, note number of rim minus it and
note number of the Hi-hat Control Pedat are transferred.
Status
F8 H
nun-nun-nu-n-nun
When the sync mode is set at I.\iTi3R!\’Al.., the TD“? always transmits timing
clocks and when the sync motto is set at MIDI. the TD - 7 never transmits tinting
clocks.
IActive Sensing
OControl Change
Status
Clfilodulation Depth
Fiiil
Status
Second
Thirrt
Bn H
Oi H
wit
Second
{NH
Third
vvil
Q Foot Type
Status
l3nH
n
Transmitted for checking .\iiDi ciinnectitms l3L’{\\i;!L‘I'i the ‘I'D-7' and £"XlL‘i'l'lill
equipmt:nt..
l2-RH-=06~'ZEDRE<=E'vE..°ATAl
2.1 Instrument section and Performance section 1 - 3
GGanarai Purpose Controller — 1
IChannel Voice Message
Status
Second
Third
ONote Off
E-int-l
IOH
wt-I
CJGeneral Purpose Controiler - 2
Status
Dill!
Second
IIH
rt == MIDI channel
vv = Parameter vatue
Thi d
__....!L._
wt-l
: (J1-l — OF it £ch.i
cimtfii
:00l~t — 7!’!-I ( D -- l2?
Stains
9n H
Hnll
Secnntl
it it H
ltltli
n .\-ill}! channel
kl-t .\'nte nunlber
vv Velnt'.it)'
Third
{Jt}ll
twll
: tilt
I-‘ii tch.l - ch.lt-it
:23!-i ' Eiljtli (35 - 93)
2 tl0li - TF1! ((1
-- I2?)
The TI)-7 receives the messages on the channel oi each section.
The TD-7 transmits a vaiue corresponding to the position of the Hi hat C‘-ontroi
Pedai by one of above control messages set at the "Ctr! Chg” of the Mil?!
Di] I'd meter.
Note Elf! messages are ignored if the "I\'otet)t‘f Rx" nf it-iii)! ziaranteter is set
at OFF. Note OH’ messattes are not recorder! in the Phrase Sequencer.
The \"elncit}' is always ignored.
I INSTRUMENT
—
e_Wflyef<>I'me
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“Our Level“
H
Qyaamic Pitch efiengfi
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{{
II---=-val e
Send 2 Level
N?"1'+‘?m i
_
j{{{{
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Pitch
___
e
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j
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*
_NuanceW H
Brilliance
e
Pitch Bend Time
éfevp
{Z559-’¢v@'
Send1 Level
;_
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e
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????????
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ee777;,?????if
j
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W 7W
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H
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V
Mfijkiiémig Pitchiéjndw U
TP*di3!§b9§1v _
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ZZZZZZZW
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e51T39FeeP?,fJ_P _
7%
j
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W
W _W
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_
7' ff
71 W
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__
W
_ ___ _ __
Pflflflifig
e
W
N; _
{{{_
*_D€§§){_e_e_e
—_ — ~ '; ————;————
_ _____ee
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WW W
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Hééiiifi Lévél”
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M
J
I SYSTEM
_ Trisser Taaflgmietegbggneei
’
__
‘ Instrument Section
Transmit rmiflceseellvflf
<=*~m'
.e~w~<=Fseetiq»a
A
j H i_?Patch_§__o?ntrp?[?
M19! IN
M101 0UTeee_ff”
MIDIZIWIT
EE
_ _
A
j K
_@H<>ld Bqeeeivee
e
3 Pan Receive
fvowmeheceive j
Lee-BlQqmrel
e
é
el@§9éféfi1{{{EiEIbs!ve¢ Fiéiiéliie
elnsrfiiiiiénr Seetleyn L-=->v€I”‘
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T:ContFo?i*lEE*an - e
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WH
A
I
1
Squad
Send1
_ Sew» (Se-d=
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‘
eeaiterteeceh Trmm" 829$"?
I
l Program Change Transmit
J
?S“'“°h i*PQ=>Q'am°hanseHe¢@Iv@ %
A
j
_?
1-i_+
1-1-I
_!!=>!e 0fiB9¢_=¢*v@
Footswitch Mode
1
Receive 1PerfoF§§a_§hce?Sectlog1_2
j
H elnteeiaiegilfleée
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__ _
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_ _
_
‘
‘j
Roland Exclusive Messages
D_a_t_a Format fofrfigxcglugsiive Messages‘
= One way transfer procedure
Roland's Mil}! implementation uses the following data furntatt for all
exclusive messages (type it’):
i
i
Byte
‘ Deserietion
' ":*;:if;_._ _:_:__ _ ;:_:::_:
I
FOH
_____ __ _ _
' in ' 7"
* ';i’1I_T1 ______i'
77' 7?
Exclusive status
Connection Diagram
Device (A)
41H
‘
DEM‘
3 Manufacturer 3D (Roland)
Device ID
‘
'
MDL
Model |D
I
‘
CMD
T
[BODY]
‘ Command ID
End of exclusive
~
--e
-~
1
1 = ~*
MIDI status: FOH FTH
An exclusive message must be flanked by a pair of status codes. starting
with a Manufacturer-ID immediately after F0!--l (Mil)! versinnl.{)).
Manufacturer-ID : 41H
MlDl FN
MlDl IN
"é*""' MID! OUT
:Handshake--transfer procedure
(This device does not cover this procedure;
This procedure initiates a prodeterrnined transfer sequence (handshal-tinlt)
across the interface before data transfer takes place. llandshal-tint! ensures
that reliability and transfer speed are high enough to handle a large
arnount of tiala.
Connection Diagram
The Manufacturer-lD identifies the manufacturer of a MlDl instrument
that triggers an exclusive message.
Manufacturer~lD.
MID! DUI
Connection at point 2 is essential for "l'-it.-out-st data" p|'tx:t:dures. (See
Section 3.)
Main data
‘
Device (B)
I
~
l
l F7H
is
e
(See Section 3 for details.)
This procedure is suited for the transfer of a small amount of"data.
it sends out an exclusive ntcssuee cornpictely independent of 21 receiving
device status.
Device (A)
Value dill represents Roland's
MIDI IN
- Device-ID : DEV
The [}evice»ID contains a unique value that identifies the individual device
in the multiple implementation of MIDI instruments. lt is usually set to
OOH - OFH. a value smaller by one than that of a basic channel. out
value U0!-I - IF!-i only be used for a device with multiple basic channels.
::Model-ID ; MDL
The Model-ll) contains a value that uniquely identifies one model from
another. Different models. however, may share an identical Model-ll‘) if
they handle similar data.
The lvlodel~llJ format may contain OOH in one or more places to provide
an extended data field. The following are examples of valid Model-ills.
each representing a unique model:
Dill
02H
03H
IJDH. (Jill
ODH. 02!-I
OOH. OOH. Dill
Device (E1)
t
MlDl out‘
mot IN
2
mot our
(.‘onnectiun at points l and 2 is essential.
Notes on the above two procedures
=l=
*
There are separate Command ills {or different transit.-r procedures.
Devices A and ll cannot exchange data unless they use the same
transfer procedure. share identical l)evicc-ll) and .\ltx'lt-:l ll). and are
ready for communication.
lonewav
Transfer Procedure]
This procedure sends out data all the way until it stops and is used
when the messages are so short that anstvertiacks need not“-be checked.
For long rncssastcs. however. the receiving device must acquire each
message in time with the transfer sequence. which inserts intervals of
at least 20 millisetmnds in tic-tween.
"
Typos of Massage:
.-= Command-ID = CMD
Y
_ 7*; 4: __ Jirrflf :;::*
: 7%
:7:
if’ 7 s" T :
Message
Command ID
Cotnmand-ID format may contain 0011 in one or more places to provide
an extended data field. The following are examples of valid Command-
Request data l
RQI (ill-i)
lI)s. each representing a unique function:
Data set I
DTI (l2Hl
The Command-ll) indicates the function of an exclusive message. The
0IH
02H
03H
Q{)H_ gift
OOH, 02H
OOH. OOH. Oil!
:M8lfl data: BODY
This field contains a message to be exchanged across an interface.
The exact data size and contents will vary with the Model-If) and
Command-1D.
.A=ld's==~'»'"=PP"=' Peta Ttrmlstl
1;;
and size that specify designation and length. respectively, of data required.
On receiving an Rt}! message. the remote device checks its memory for
the data address and size that satisfy the request.
if it finds them and is read)’ for communication. the device will transmit
ti "Data set l {l)'l'll" message. which contains the requested data.
Otherwise. the device will send out nothing.
F
l
—*"
Byte
it
'
"W
"*;("" *~—*——=_ "—_— "*1
”
Description
1-unuiir
"
in-an-1
_
__
__
*1’ * =
__
1
FOH
~
rill-l
=
Manufacturer ID (Finland)
.1
DEV
l
Device ID
specifics.
Exclusive status
MDL "
Address mapped data transfer is therefore independent of models and
l
data categories. This technique allows use of ttvo different transfer
i
procedures: one-was’ transfer and handshake transfer.
in-1' '
:HBql.l8S‘l data ;:1 : RQ1 t1lH)
This message is sent out when there is a need lo acquire dam from
a device at the other end of the interface. it contains data for the address
9
Address mapping is a technique for transferring messages conforming
to the data format given in Section 1. it assigns a series of memoryresident records»-waveform and tone data, switch status. and parameters.
for example-to specific locations in a machinedeoendent address space,
thereby allowing access to data residing at the address a message
"*’*’
l if-I
‘
l
Model tD
.[
Command it)
1
Address MSB
tnco I
3
DU”!anon-uni
l
‘
Size
1
tse
o
M55
l
I
I
on
‘UhflfiSU
i
.
sum
~
FYH
-4'' ” ' 247*" "s *' 4'
tsa
Check sum
End of exclusive
_
_ — : ;:;____
'
——
_ i
Roland Exclusive Messages
>t=
The size of the requested data does not ifltiitfitlt? the numher oi hytes
that will mat-te an a l}'i‘t message, hut represents the address fields
where the requested data resides.
Some models are subject tn limitations in data format used for a
single transaction. Requested data. lnr example, may have a limit
in tength or must he divittett into predetermined address fields before
it is exchanged across the interface.
The same number of bytes comprises address and size data, which.
ht]W0\'l?F.,\'ll1'_\_' with the .\-lode!-it).
The error checking process uses a checksurn that provides a hit
pattern where the least significant T hits are zero when values for
an address. size. and that checltsum are summed.
=4“
at
=t=
=Data set 1 : DT1
t12H.l
This message correstmnrls to the actual data transfer process.
Because every byte in the data is assigned a unique address. a DTI
message can cenve_v the starting address of one or more data as welt
as a series of data formatted in an artdress- dependent order.
The .‘\-tit)! stanttarrts inhibit non-real time messages from interrupting an
e.‘;ternul
equipment.
l2-RE<-=<>G~'ZEDRE¢E~EDATA]
'
Second
{)4 H
Third
vvt-i
'
"*nnnnr"""
"7
'
-Channel Voice Message
Status
Bn H
INote Off
Third
vvll
C)GermraI Purpose Controller 2
St't s
Second
Third
.....9‘...§!....:............................._...
Bnl-I
l1H
vvll
n-= A-1IDi channei
vv = Parameter vatue
:01! ~- OFH (ch.t - ch.l6)
:{}tll'| - TF1--I (O
127)
' .._r.
2.1 Instrument section and Performance section 1 - 3
C)Gonural Purpose Controller -- 1
Second
IOH
'
Stat us
Quit
Bnli
Second
kltti
kkf-I
rt .\tll)i channel
kl»: Note number
vv --- Veiocity
'!‘hirct
OOH
vvi-l
:0!-l -- I-‘ll tch.l - ch.lti>
:23iI
51)}! I135
93)
: tlttll
?l-“it tn
12?}
The 'I‘IJ' t receives the messages on the channel of each section.
The TD-7 transmits :1 value corresponding to the position of the I-li hut Control
Pedal by one of above control messages set at the "Ctrt Chg” of the MIDI
parameter.
Note Oil messages are ignored it the ".\'<1teOlf l'<<='v$i\£.s°°mm“"isa*i°"$l
03 tltl 80 tit}
system set up
IGenera|
fit Dtl B0 00
chain setup
M-5
05 09 G0 00
sequence data
Hi-ti
Parameter.
System Exclusive messages are not recorded in the Phrase Sequencer.
-
'i‘D~T can do one» way communications to send and receive parameters for
sequence and setup.
Model ll) inciudod in the exclusive message should be 5531!. The device ID code
should be MIDI parameter Device ID of System. Note that the actual value that
set in the device ID field is smaller by one than the value set at parameter
Device ii) oi System.
0
til--l
Table -1 s I Patch parameters
pp: Patch i\2o.(0 31>
nn : Note l\Zo.(35 -~ 93)
tt :TRlG Noll 2 Tl 2:Rl ~ l’? : T9 l8:R9)
Offset
Add ress
HH
#4"-'3
0
IOne Way Communications
Request data RQ1
H~L‘
Desert pt ion
Bvte
FOH
Description
Exclusive status
411-!
DEV
Manufacturer ID
Device ID (OOH
illt
Command ll) (RQH
on at
vast ASCII
- 121
aaH
aall
Address M58
Address
Address
Address LSB
some .=\St".lt
{tame ASCII
Name A5Cii(rlght)
.-,.
aall
aall
no 05
{iii lili
till GT
58H
Model to (Ti)-7)“
ssH
size MSB
ssH
size
sslt
size
55!"!
size LS8
sum
Check sum
F7!-i
BOX
._____ s _
(Roland)
Hill)
(End oi Exciusivel
pp U6
00
OB
tltl
U0
Bl
B2
tilt
PROGRAM CHANGE No.
PROGRAM CHANGE So.
fiame A5CIl(leiti
" Nettie ASCH
00 08
00 B9
PFMI SUUNU (1-5!?) E996? Zbits
?FHi SOEND ti 512) Loser Tbits
D9 BA
00 BB
PFH2 SOEND (1~5l2l U098? Zbits
PFM2 SOHND (I 512) Lower Ybits
00 BC
OD GD
PFH3 SOUND (1-532) U090? Zbits
FFM3 SUUNU (i-512} Lower Tbils
3 --.1
i{l:UFFl
I2?
12?
l‘.-;&Jr.-:b3I-2 .-3: 1;: {wt-'I -fir-crab-3r.:
~
I2?
I2?
I2?
3
12?
3
I2?
l:IZCDl=3Z
1:-it
3
12?
'
G9 GE
Elfivfli TYPE
GU UF
Hull
Hall
llall
Room
Room
D0
no
U0
UH
I0
ll
12
13
UH 14
GU
fifi
fifi
80
15
Ifi
IT
13
U0 I9
on IA
fifi IE
00 lfi
GU lfi
fifi l£
90
BU
00
GU
ll
20
2!
E2
OH 23
GU
123192‘-J
H
?latc Out love!
Plato Rv Time
0
G
Plato Pro LPF
0
0
PilCh l“4fiU - Q
UR
Pllfih {"48fi
lfi
15
BC
llixtfii)’ *1 ' 3 l
l5
l5
GB
OE
0 " 1S{L? ~- R?.RND}
Not 2'5 complement
HUB - UYH - GEN
0 " 15
Brilliance
Attackbamp
0 - 15
U ~ 31
Bend Time
flynaPtBend (-T ~ U — ~?l 2's complement Lower dbits
04H ~ OOH - 033
Delay Dtil i.t.'vol
Hoiayloft Timoll~22éltopor4bits B
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2 2 ll
t-‘I-FEB
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Iill -
I Us 24.
ll you want to send Data Request to the ‘FD-7 in this anoa, set the aclctrcss
and the size as follows.
B-*l
155
513
E?
Dllll 5
Dlll E
6
Data included in the area are: Phrztse sequencer parameters and User patterns
..
5
i
'
-
_.
ll
ll
ll
ii
ii
it
ii
it
it
'
I
'
E
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1 Inst =5i1 '
D2 Dfi 00 00
+..........,
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....-.-9
Parana.
1 GPFMI
l
l 4-3
-
+~—-——~~¢
‘--.. . _ ¢ . _ ~ ..._.. _ ‘ M ~. -4
So the signed number "aail" in 7 — nit iluxarlecimal is "aa * 64".
: (il‘F\l3
.Y_...<...-__
03 llll £10 DU
1-——-—-—---'--- ---—— e
__
Q - - o u o o o a »
r-—---—-+
It
= System setup
l
EM {ll} U0 DD
r....._....
4'4
:
i 4'5
l
_...,
. Chain -‘ll
i Chain setup
Le. The number "aa out!" in 7 ~- bit Hexadecimal is "aa x I28 -i ho" in Decintal
Iurm.
=t=A signed number is indicator! as 00!] I-T ~61-l, 40!-I s :0, ‘FF!-I == * titl.
i GI‘l".'tl'.2
1
=t=To indicate a decimal number for the .\-lit)! channel and Program number. mitt
l to the Decimal number in the table.
=l='I‘he resolution of '7 bit lloxadecimal numbers is l2!-1. Use several bytes lor
values which ra:-quire more resolution.
;
5 . . . _ _ . _ _ . _. _ _ _ “ »_,
9-... _ ~ » » _9
A signed number using two bytes is indicated as {ti} OOH 1 8192. -I0 OOH
= 1; 0. ‘IF TFH -= + B191.
So the signer! number "aa boll" in T ~ bit I-lexadocimal is "eta boll
40 {loll
aa x128 + bb - 64 24128"
=l=Thc data indicated as "nibbled" is :1 4 -- bit l-lcxadocintal nunilior.
i.c. "(la (lbl-i" is "a x I6 -- ii".
' Chain =2
<1 tZXA".\-1l‘LE 1 >Convort "5.»\l~l" in Hexadecimal to a Decimal fllifl'llJ{.'l".
(By using the table) 5.-"ill
90
1-..-_-___..._--.-1
<1 EX:\.\lPl.E 2 >-Convert "I2 3-ill" in 7 ~~ bit Hexadecimal to at l)ecima| number.
{By using the table) lldli = t8. 34!-l = 52
Chain =15 *
l
Chain 1'15 *-
+,,-,_--*__.w.-_,,
. . ~ » _ __w“--_g
l
B5 00 80 Q0
I Seq data
internal
I
S0.
q _ . » ~ ~ -_§
1l“5
* """ "
18 X
I28 -*- 52 -="- 235$
<; EX.A.\iPl.E 3 3>(_Zunverl "0.-X 03 O9 OD” in nibblized form to a Decimal number.
(BY using lht‘ table) OM-l =* Z0, 03H T 3, 09H
SD.
((10 lt lfi ~'- 3)
X
16 ~ 9}
X
Hi ~
9. ODH
I3
-H885
-
I3
OExarnple of actual MIDI messages
=1 1-1&1-\.\1i‘i.1Z 2*--Ci-) =19
"Cn" is at status of :1 I‘rn;.=:ram chamzu message, and "n" is a
.\-IIDI channel numhur.
‘Hit: .~;vt.'t'mti I1}-‘tn is 21 Pmgrant I‘ttIt¥I|'JC?f‘.
9!! = 9, -1911
?3
So. this is a Prngram chanm: message of MIDI channel
l'mp;ram nt:n1t.10r=-* "M.
in,
OExampIe and Checksum of Roland System Exclusive
messages
Rnlanct Systt-.\m I-Ixc|usi\'u messages €RQl and DTI) have a Checksum at the
end nf the data (before 15024) tn check tnr cnmmunicatinn errors.
The Chccksunt results from address and data (ur size) inuiudcd in the message.
(5)
address
(1) i$.\ct:lusi\'e Status
(2) ii”) (Roman!)
{3) Device II) {I7}
size
'3?
FT
chccksumtfi)
(4) Model ID (TI)-7)
(5) Cnmmanrl ID (UT!!(G) I-Ind act {Exclusive
The Chucksum is :
U01!
OIH - 281%
03!] - OOH -- 00!-I -- t'1t}H -t 02H
= n - I - -1!! - 3 - t) -~O -~ U - + 2
46 (sum)
46 (sum) 1% 328 - 0 (quotient)
46 {remainder}
chccksnm
I28 - -iii {remainder}
B2
52!!
Thurufnre. the m£‘SSiltl'.lJ In send is : Ft? -1t tfi 53 I! U0 (H 28 03 00 00 O0
02 52 I-‘?.
PERCUSSION SOUND MODULE (Trigger Transmit section)
Mode. 113-7
WW W : W
___ _ n-amp _ _ _ pt
Date : Aug. 4 1992
MIDI Implementation Chart
“mg WWW: W; WWW
W
W___ __
W iu|n|WWW
I
gg
_i-mmnnunnr WW WWW
Transmitted
Function - - -
_ ____________ _ Wui-Iuulr WW1-IWWWW -
Recognized
T
W W WW WW:_W_W_WW_W
_
Y;
WWWWWW W ;‘¢WW WWWW::::t_ _ _
yuan-|-1
W
WW___ _1 _
___
WW
WW
W
ll
Basic
Channel
Default
1-16
1~»-is
1 -— 16
l -~ 16
WW;_::WW_ _
___W :;WWW_W_
ii-an-1
W W W _W7W
W
may
W
W
W_;W_:_ :WW_;_W_
Default
Mode 3
Messages
Altered
"4
Mode
_;;;W_:_ _W_W;; WW_WWW _
Note
Number
_
W
‘;‘___W W WWW
_
__WW
W W W 1: __
_ _
_
____ __ W __
W
W
Velocity
_
__W_WWW~
_W_:t__:_:W‘_W1-in-1W
Pkch Bend
IW
W
WW W WWW__ _
' WW“
1-at
>4
WWW :__W_W_;
W
W
WWWW_W___W____
IW WW
WW
W
T
_WW:WWW
_ _ Junuuvnunnwuvunn-1
~l
W
WWW
_
t
WW _W_;_:;W W
W
7
1
W
WWW W
W
W
l
W WW,-i WW
WWWW W W WW—’—’
_
W
_
~~_~~7_~
W
_
7
,..-...-t W W
;;_ _
7
\><
___jF4_
TX
C
W W
WWWWW
W
WWW W
WW WW
1
_:W_W:W_WW_W
put
W
_
1-our
_
>l= 2
><>c
5
*2
T
-x-
__
1
pr
W
__
yr
_WW;W:_W_WW
__ ____ __
Modulation
3} Foot
Controllers I -- 2
*2
16-17
6
WW W;W_W_W_WW:W_W__ _ _ it WW W WW_:;:_W_W_WW_W_W___
1
W
O*10,127
><
OD D e.....~
W WW
I
5 X
:
X
W...
W
*1 9l"!V=1"127 §><
ix
O
Key's
Ch's
After
Touch
W WW
in
-<
Note ON
Note OFF
___
(Norwolatile)
___ nu _
W W W WW W WWW WWW W_:WW
W
mw
__
ji Stored
7*
2
C) *1 35—~93
*********
True Voice
pin-umr W W iin||nnW
Mode 3
*********
W W_W_W WW W7W_W_W_::;::_W
W W‘-r;_W; _:_ :__W_W_WW_WW~n1
‘i
Changed
W
Remarks
l
1
Jun
\,.m,, I mo
Hold 1
><><><><
Conflol
Change
‘
i;:WW WWWj;_:_i _
__
_
WWW
PF09
Change
—_____ _ WWWW—
_______ _W
_W_W _WWWW
: __: _W___ __W__
“(W
__ 1
_ ___ ___
WW_W______i-ii-i
_
WWW _ __ _
System Exclusive
W WW__ ___ J‘;-rWW::: W W _
H
.., ...... _
System
Real Time
_ _
I W
WWWWWWW;_;;_
I
W_;W_W_ _
_
pm
W
W WW_WW__W_
_
__;W_,,_, D
_
WW WWW WW
W
W W_W:W} W_W_:W_
_
inn-awn-A
W::_
__ __
__
__ W
WW WW WWWW
....
_W;W
W~w
W 7”
_
Notes
_ _ :WWWWW WW
WW
i
W
;W;W___
__
_ :
W
D7
_ _
__1W_W_W__7W:_ ___ "___ _ _
W
__ __i-i-um W WW WWW 7::
_
in
Program Number l - I28
in-1
W
______
X
W _W_W>WW WWWW W W.W
W WW
W WW WWWW
W_;e WW WWW_WW:_
WW _
_ _
_
_
in-fir W W;-up-_p1W_W___ __
l
T
_
_
1?
TX
XXXX
___
__
X
X
_
7
XXX
T
..._~i.w ~~»~_:e_ ___W_ 1 r__;_~__~W __,_,_,,_
~
X
_WW W__
W W W_::_WW_W_WW
W
W WW W
><
W W”
..e~-___
Local ON/OFF
All Notes OFF
Active Sense
Reset
W
WW
XXX
e_e;______
Clock
Commands
__1mnn|WWW W WWWWWW
Aux
Messages
_
__ _ _WW 1»:-u|—t,,_”:WWW_ _
Song Pos
Song Sel
Tune
_..
W
X
p-1-nun-WWWW_:______W_:_ ____
System
Common
W W
Q *1
O *- 127
True it
___“-L______ _
WWW: WW
1
I
XXXX
_________________WW_
_
____;
_:W
_ at
W
W
W
W W _WW
_ WWWWW
W
W
:;W:W;
W _:_:_:__W___;W___ ;_W:W_W
*1 Can be set to O or X.
* 2 Can select one of these controllers for the Hi~hat Control Pedal.
Mode 11 OMNI ow, Pom?
Mode 2; OMNI ow. MONO
0 1 Yes
Mode 3: OMNI OFF, POLY
Mode 4: OMNI OFF, MONO
>< : No
164
_
PERCUSSION SOUND MODULE (Instrument/Performance section) Date : Aug. 4 I992
MQde|TD-7
MIDI Implementation Chart
’
"r:_;;;;;;;
_:_4' _
7 taunt '
_
7
7
ml 7 777777 lnlnnul
rut
'
an-nuunnul
inn-uulnnlu-at
_ nu-ant
Inn
1-vannpr
_
Transmitted
FUHCUOH ~ - ___ __
_
_
numunnnu-nu
7 7 ' 7 77:1
_ _Juv|1
_____ _ __ _
_
___ ____ ____
___ ___ _
o1=1=, 1 ~16 e 5
01=1=. 1 -1e * 5
Channel
Changed
OFF, I W I6 >l< 5
OFF, I —— l6 >l= 5
Default
Messages
Mode 3
y Mode 3
Mode
X
11X
Altered
=I<>l<>l=>I<=l<=I<=l<>l=>I<
_
_ __
T7
—— ———
_________ _
Number
Velocity
r
_7;____ ____ _;;:;;_ :;:_ ;;"r **::r;r<—*i:"_’i_7_
*7
_
r
r 1
7"_iFFi:r::*:*:_:;:":;1;;:T;';: r r
L
O
><
r
_
Key's
X
Ch's
X
Pitch Bend
r
’
7
: ::::"
System
Real Time
"7;
Aux
Messages
mo
Notes
Remarks
nu-1 ____ ___1¢7’
Stored
7
'_ ::_
7
(Non-volatile)
_ __p[
:;i;;:’_ _
_ ___
_ _ _
1
Cl
1
_ _
__
_ _
_"T"_'Tl__I' :14’
__
’—
—
_:rr:i’;:—:i’:+_ _
_
f _ __ e’
1-1
* I O - I27
X
X
=l'= I
><
*2
=l< 2
=l»= I
=l< I
=l< I
resolution : 8bit
IO
II
I6--I7
6
*2
x><><><>< *2
>4:-<><><><() >l=2*I
lHo|dI
><
O
i Reset All Controllers
Song Pos
Song Sel
Tune
W W CC Modulation C
I Foot
Volume
l Panpot
l Expression
=l< 2
:41;,L
C) =l< I
O - I27
O0
O
O
><
1
Ix
_
Controllers I — 2
nuuunnunnunvuvnu-1
mu _
nuuuvnunnur
'
>1= 1
- I27
7
Q
1-lnnunllnnuulnllrfl
_
77 7'7 7 7 7 7
77 7 7 7 77 7
77
77 '77"
7
1117'
__
_
nunvuuuuvnnuunnnnuni
numuunul
"nIuul77'7'77'7777
7
T 7
l_
7 7
>l-= I
1
1... - A ,1... 1 ,.........,, _,..
____ _,_
,4.
I
O *4
*3
X
,...................
e
~
A
, , ,:,-_ ii” ~ _
I
X
_,.......q
____ ____—
_
_
_
___:_ _
_ ____________
——
7
_
___ _
1‘L1—
—
—
X
><
><()>'l=I
=l< 2
*3
*4
*5
Mode I : OMNI ON, POLY
Mode 3: OMNI OFF, POLY
'777
X
_;___~__—_ ;~_ ’_’__~_:_;_:_—:_:_:;_— 1;; A
Local ON/OFF
All Notes OFF
Active Sense
Reset
so
L so
_J7
1
X
(310014
Commands
' 7 '
1 Program Number I - 128
1
I
X
~~~~~— 77777771777 1: —__<;§
P fir" 7
..
-x- no
*2
True it
__
J-an-1
4
System Exclusive
——’-—~ W --A —-~ A e
_
__Jnnnunr' 7
.
nun-1
-A
nap _ __________:7;
=l-=lv=I*I27
_ 1r:::r:*_r<:T_:_:_7:’7ffli __
X
121
System
Common
'
I
;
1 r r
1
*1 9n v=l-I27;O
jx
r
After
Prog
Change
___ __
_____|uuu»-I
1
lO >1<135-~93
_
Touch
Control
Change
__ ___
=l<=l<>I<>l<=I=*>l<>I<>I<
_,o__ __,
Note ON
Note OFF
r
f
O =1=13s--93
True VOICE
,____
" "
_ _ ::__
_
‘nan
_
Lqnununu __ Janna-uu1__7__ ___ ___ _ _ flew? ___ 7_
Default
Note
nu
Recognized
1
;nnlnIr7 "
__ _ _______
Basic
_
"
_ ___ ___
_
1
I
\/grgion; 100
,
l
1 Q
1 X
1
L
L
1__.._....... ,1 c_.,..,_.....2o__L
L, _ _,_,1L,,,,,_::::ooooooooL,
L,
Can be set to O or ><
Can select one of these controllers for the Hi-hat Control Pedal.
Sync mode is INTERNAL.
Sync mode is MIDI
Can only set the channnel of Performance section to OFF.
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
165
C) : Yes
>< : No
IHow to read a MIDI Implementation Chart
ff;-:MlDI messages that can be transmitted or received.
X :MlDl messages that cannot be transmitted or received.
. Basic Channel
The MIDI channel for transmitting (or receiving) MIDI messages can be specified over this range. The MIDI channel setting
is retained even when the power is turned off.
Q Mode
Most recent keyboards use mode 3 (ornni off; poly).
Reception: MIDI messages are received only on the specified channels. and played polyphonically.
Transmission: All MIDI messages are transmitted on the specified MIDI channel.
>t=“l\/lode" refers to MIDI Mode messages.
Q Note Number
This is the range of note numbers that can be transmitted (or received). Note number 60 is middle C (C4).
Ivelocity
This is the range over which velocity can be transmitted (or received)
by Note On and Note Off messages.
I Aftertouch
Key's : Polyphonic Aftertouch
Ch's : Channel Aftertouch
.F’itCl'l Bend
The bend range setting of System Parameters determines the range of pitch change caused by Pitch Bend messages.
When set to OFF, Pitch Bend messages will be ignored.
‘Control Change
This indicates the control numbers that can be transmitted (or received). and what they will control. For details, refer to
the MIDI Implementation.
QProgram Change
The program numbers in the chart indicate the actual data.(This is one less than the Patch program numbers.)
Q Exclusive
Exclusive message reception can be turned On/’Off.
ICommon, Real time
These MIDI messages are used to synchronize sequencers and rhythm machines.
.Aux messages
These messages are mainly used to keep a MIDI system running correctly.
Active sensing transmission can be turned on/oft.
166
Specifications
TD - 7 PERCUSSION SOUND MODULE
.Maximum Poiyphony
‘Connectors
14 voices
Stereo Output Jacks (L,R)
Individual Output Jacks (1,2)
Headphone Jack
MIDI Connectors (lN.OUT)
Footswitch Jack (Stereo)
Hi - hat Control Jack (Stereo)
‘Instruments
Wavefomts r256
Instruments :5l2
.PE1lC|'l
32
Trigger Input Jacks (Stereo) (with Rim Shot) : 9
AUX IN Jack (Stereo)
IPatch Chain
QPower Supply
' Strack ( I6 steps/ltrack)
AC1 2V :AC Adaptor
IEffects
‘Current Draw
Effect]
Rcvcrb
650mA
-
Delay
QDimensions
218 (W) >< 234(0) >< 44 (H) mm
errwz
s - 5/8 (w) >< 9 » 1/4 (:3) >< 1 ~ 3x4 (H) “inches
Chorus
Flanger
.Weight
1.35 kg (without AC Adaptor)
QF-‘hrase Sequence Pattern
3 lbs
User's Patterns :24
Preset Patterns :24
QAccessories
Owncr’s Manual
Cfiesolution
AC Adaptor
Phrase Sequencer per quarter note. :96
Sound - on - Sound per quarter note :96
.OptiOI1S
Pad (PD - 7)
QTempo(bpm)
Kick Trigger Unit (KD - 7)
J = 24--260
Hi - hat Control Pedal (FD - 7‘)
Compact Drum Stand (MDS - 7)
IDisp|ay
Symbol Holder Set (MDY - 7)
16 characters >1 2 lines (backlit LCD)
Pad Holder (MDH - 7)
Rack Mount Adaptor(RAD~50)
.|fldiCE.ltOI'S
MIDI Message Indicator
System Indicator
Sequencer Indicator
Edit Indicator
Jump Indicator
Footswitch (FS - 5U)
Footswitch Cable (PCS - 3])
Stereo Headphone (RH - I20)
_
*The specifications for this product are subject to change without
prior notice.
QData Input Method
Phrase Sequencer" :Realtimc
Sound - on - Sound :ReaItime
— —_—~1
'
W WWWW __nuununuu W "W " WW
W Wcfin-1|-\__; ________ ___ ___
_ mm ' '1_W'W
'
" ' iiiT7i"ii'i'i;11_':_
167
_
W
W
7
7
__W
_
__ _
mun-n-nun
n-nun-an-1
an
AC[i\rc Sensing . . . . . . . . . . . . . . . . . . . . . . . . . . ¢ . . . . ¢ . . Q . . . . I
Glgbal Paforfnancc Par-amcIcr . . . . . . . . . . . . . . . . . . . . . . . . . . .
Aftgrtauch
Group
. . . . . . . . . . . . . . . . . . . . . . . . . . . . » - = . . . = . . . . . . ..
I
. . - - . - . . - . - . . . . - - .
. - . . . . = . - - - . - . . .
Aftenouch Transmit/Receive Switch - - ~ - - ‘ * - = ~ ' » - ~ ' ~ ~ = - ~ - 118
AII IBIIIBIIZC . . . . . . . . . . . . . . . . . . ~ . . . . . . o . . . . . . . . . . , . . .. I33
Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Q . . . . . . . ¢ . . . . . 63
H
.
H539 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2|
Assign GI»-Dup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . .
.. hat Can“-D] Pcda! lnitiafizc . . . . . . . . . . . . . . . . . . . . . . . .. .
Aflack Damp
__ hat C91-III~Q| P8931 - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
AUIQI-natic Parameter Stating . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Hitting the I-mad of I]-IE pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Avaimblfi Mamet)1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Recciyc Swigch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I
How . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. I25
B
Bea; . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
BI-Hliance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
|
__
Individum Dutpm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5'9
Bum Damp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . I22
II-IdivIdua| Qmpm I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I3]
Indivgdum Quip,“ 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I3I
C
In;;;aI;Zat;On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I32
Channel Iyicssagc . . . . . . . .
Choke . . . . . . . . . . . . .
choke Effeci . . . . . . .
Cmmmst . . . . . . . . . . .
C0,-MOI Change IvIode
Com]-OI Change . . . . .
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 l I
lnsffumcnt
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Insmlmem
Ins“-umcm
Instl-umm;
Ins“-umcm
[I-I59-um¢m
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. . . 45
...
.9. I3
. . . 74
I I2’ IZI
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Copy . . . . . . .
Namc . . . . . . .
pammcmr . . .
Section . . . . . .
Sccfion LCVCI
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...
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37_
...
. . . . 39
. . . . 32
. . . . 73
49’ I99
. . . I I9
Con“-0| Modfi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .-
instalment Section Transmit/Rcccivc CI-Iannd . . . . . . . . . . . . .
Conn-0| Numbcr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Intcrfacc Modc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I
Cross Talk QMCCI Gmup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Cw-SO; . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I3‘ 39
Imci-vaI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I28
D
Jump Io Ins“-“mam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
. . .
J
DP _ 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I24
jump I9 Non: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Decay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Jump Io
Dewy Left Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Dewy Right Timc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
jump Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8]
. . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . . . . . . . . .
Dam, Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
K
Dewy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
D¢n-In Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I9
Dcpm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Kc}, FOIIOW Dccay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Kay FOIIO“, Nuance; . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . '75
Kc), FOIIOW pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
De_yicc
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Key Follow Parameter » - - ‘ - . . . . - . . . . . . . . - . - . . . . . . . . - . . - -
Drum Pal-I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Kay Fgllgw
D;-um Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I9
Dynamic pitch Band Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
KW FOIIOW R,:f¢I-mac Now Numb“ . . . . . . . . . . . . . . . . . . . . . . 74
--
. . . . . . . . . . . . . . . . . . . . . . . - . . . . . . . . . . . . . .
Dynamic pitch Bcnd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
|_
Dynamic Rangc . . . . . . . . . . . . . . . . . . . . . . . . o . . . . . . . . . . . . . . 45
IJCD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I8
Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
E
LCVBI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 74
Echo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . t . . . . . . . . . . 59
Liquid (jrysm [)I5p|ay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I3
Edi; . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24, 34
Lm-:3] Cum-DI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I29
Effect
Law P355 Finer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . - . - - - .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . - .
Effccfl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . 59’ I31
Effect; . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 59, I31
M
E,-35¢ Sfiquencc Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
EXCIUSIVE Mcssaga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . II3
MC _ 59 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I4
MD5 _ 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I9
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. I97
F
MIDI Chm-m¢| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I99
FD _ 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 55
MIDI connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I93
F5_5U . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “I24
MIDIIN.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “I93
Fccdback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63’ 64
MlDl Implcmcmation . . . . . . . . . . . . . .
Fm-‘gar . . . . . . .
Irhmging Effcct
Foot switch . . . .
I300; SWIICM . . .
Foot Swhchz . . .
MIDI
MIDI
MIDI
MIDI
MIDI
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. 59
. 59
I24
I24
I24
Imp|cm¢maII0n CI-Ian
Mcssagc . . . . . . . . . . .
DUI“ . . . . . . . . . . . . . .
parameters . . . . . . . . .
THRU . . . . . . . . . . . . .
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. . . . . . . . . . . . . . . . . . I58
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I13,
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I64
I93
I98
II4
I98
Main SCI-cans . . . . . . . . . . . . R . . . . . . . . . . ¢ . . . , . . . . . . . . . . . . . 34
G
GEN memod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Dam Timc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 43' 69
ii_
__ WWWW
——_——
——
—
——
—_
—
WWW
W
WW
;W
;—;;—__
___
_ W,
1-QWWWWWWW
W
7
_
Manmfl . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . , . . . . . . . . . . . . . Z . 64
Mask Time . . . . . . . . . . . . . . . . . . . . . = . . . . , . . . . . . . . . . . . . ‘ . . 47
Max Dynamic . . . . . . . . . . . . . . . O . . . , . . r . . . . . ,. . n . L . . . . . . . . 45
1-;-n1WWW:_W7W_____;:W___ WW
168
_ ________ __
_____
___
_
_
___‘
_______7____
7
_
Maximum polyphony
. . . . . ‘. . . . B , ~ . . . . . . . . . . . . . . . . . . . . .
I
Memory . . . . .._ . . . . . . . . . . . . . . . , . . , . . . . . . . . . . . . . . . . 37‘ 105
Menu . . . . .
. . . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . ..34
Miiimhomc . . . . . . . .
Midi1h Swiich . . . . .
Midi Mix Switch . . .
Midi Q31 Switch . . .
Minimum Dynamic .
Minimum \/e10Ci1y .
M11111 Tiihhie . . . . . .
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... 103
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. . 117
. . 117
. . . 45
. .. 46
.. 199
Fl
R1____Rg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4|
RAD _ 51) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Q
Rack Mount Adapigr . . - - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Realm-1-13 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Realiimc Message . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ]
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
R3561
(:01-111-0113; . . . . . . . - - - . . . . . . . . .
. . . . . . . . . . . . . .-. 1
Rfivhi-13 Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Rhythm pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 10
Rim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21), 21
N
N01-1-1-13_]Pa1r-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56‘
Rim Shot 5igha1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Note Message . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1] 1
Rim S1101 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
N013 Namc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50‘
Roop
¢ . . . - . ¢ . . . . . . . . - . - - - . . . . . . . . . . . . . . - . . . .
N013 Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36' 4]‘
N013
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Nflie
Message . . . . . . . . . . . . . . . . - - . . . - - . . . . . . . . . . . . . 1
N016
Reccive Switch
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
1\101cOh......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..43i1O9
Nuance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Numbcr Ofhi/1635“!-as . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98'
S
33,111,151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . 133
Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
85111311 LCVC1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38’ 131
Schdz Lei,-C1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33_ 1.31
Sequence piiiicm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Scqiichcfi paiicm Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44_ 69
Scquahhcr . . . . . . . . . . . . . .- . . . . . . . . . . . . . . . . . . . . . 23‘ 35' 36, 95
O
Output Level
Sound Seiiip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 129
. . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62' 64‘ 88‘
Sound on Sound . . . - . . . . . . . - . - . - . . . . . . . . . . . . . . . . . . . . . .
P
PAD - 39 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 15
_
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
PD __ 7 . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . - . . . . . . . . . . . . . . . .
501_ihd1 . . . . .
Sound; . . . . .
Stand 1.1o1i1cr
Siahdai-1.1 pan
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. . . . 49
. . . . 4g
. . . . 19
56_ 119
pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 15
Sicp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Performance Section - - - - - - - - - - - - - - ' - - ~ - - - - - - - ' - - 3?, 56, I09
Step End Number - - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Pan Reedy: Switch - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Stcp Numbcr . . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . . . . . . . . . . -
Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
S151-co Jack - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Syhchi-hhizcd p1a),haCk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
pinch Chain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 25
Systcm Exclusive Reccive Switch - * ' - - - — - - - - - - - - - - - l I8, 122
Patch Control Transmit/Receive Channel - ~ ~ - - - - - - - - - - ~ - - - l 16
Syswin Nltssagc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Paid}
Systcm
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
patch phi}, Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17' 21)
Pattern Creating Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
T
Pcdal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
T|
p€_.da1Ciih,E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 63
'1'ci-hpo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
. . . . - . . . . . . . . . . . . - . . - - . . . . . . . . . . . . » . - . - - - . . . .
Pedal Parameter . . . - . . . . . . . . . . . . . . . . - . . . . . . . . . - . . . . . . . .
Threshold Lcvci . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Pei-formahcc Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 191)
Trigger ]1-113111 Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
c
Q
n
Q
I
Q
Q
u
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1
I
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n
Q
Q
Q
I
I
U
U
I
U
C
O
O
U
i
l
I
Q
0
I
I
Q
I
I
Trigger M1131 Chhvcnai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
piich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491 33
pitch Bhhd Chaiigc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
piwh Band . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Trigger 5igmi1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37_ 41
P|a1c Echo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . .
Trigger T1-31-15mi1Ch3m~1e| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Trigger
11-1181-face . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tfiggar Pa1-amcm; . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
1
pmyhhohic Kay Pressurfi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 13
1)01},ph0i-iy(h;1aximun-ii) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1Q
PO11/phony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Powar . - . . . . . . . . . . . . . . . . . . . . . . . . .
Pre Low pass 1::i1iei- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
1.31-c5e_1121a11ci-ii . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 95
Preview Key . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48‘ 55_ 58
Program
program
program
Program
Program
Change
Change
Change
Change
Change
..............
Message . . . . . . .
Number . . . . . . .
Receive Switch Transmit Switch
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*
-
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- ¢ - » . ¢ ¢ . ¢ - . , . ¢ . - - ¢ ¢ - - . . . . . . - . . . . - . . . - . - v .. ..
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1 12
1 16
. 70
l 18
1 18
V
\/dociiy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1 1
\/docih, CiO551~ade1 . . . . . .
\ze1ociii, Ci-Qssfadcg . . . . . .
\/e10ciiy Mix . . . . . . . . . . . .
\/131013111’, Schsc Cm-1,6 . . . . .
\/e1Oci1y 5wi1ch1 . . . . . . . . .
\/e1Qcii-1, Swhchz . . . . . . . . .
\:o1iimc Rcccivc Swiich . . .
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. . . 53
. . . 53
. . . 52
44‘ 139
. . . 52
. . . 52
. . 1 19
Q
Qiiamizc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . g7_ 123
wavfifom ¢ - . . . - . » . . . . . . - - - - . . - - . . . . . . . . . . . . . . . . . . . . . .
Information
When you need reoair service, call your local Roland Service Station or the authorized Roland distributor in your
country as shown below.
U. S. A.
NEW ZEALAND
90040-3647. U. S. AB (2l3)685 -SIM
SPAIN
Roland Electronics
dc Espana. S. A.
Calle Bolivia 239
08020 Barcelona. SPAIN
B 93 - 308 - I000
CANADA
GERMANY
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood
Richmond B. C.. \/6V 2M4
CANADA
B (604)270 - 6626
Roland Elektronische
Musikinstmmente
Handelsgesellschaft mbl-I.
Oststrasse 96, 2000
Norclerstedt. GERMANY
‘B 0&0/52 60 O90
Roland Canada Music Ltd.
9425 Transcanadienne
Service Rd. N., St Laurent,
Quebec H45 W3.
CANADA
'3 (5 l4)335 - 2009
FRANCE
AG
Musikengro
Postfach/Hauptstrasse 21
CH-4456 Tenniken
Roland Corporation US
7200 Dominion Circle
Los Angeles. CA.
Roland Corporation
(NZ) Ltd.
Street, Ard EI Golf,
BRAZIL
MALAYSIA
SWITZ ERLAND
Roland Brasil Ltda.
R. Alvarenga 59I
CEP~05509 Sao Paulo
BRAZIL
fi(0I l)8l3 - 7967
Repair Service for Roland
Syarikat Bentley
No. I42. Jalan Bukit
Bintang 55100 Koala
Lumpur. MALAYSIA
‘Z? .?.42I288
Roland Canada Music Ltd.
Mississauga, Ontario L42
IX2. CANADA
B (4I6)89I3 - 6483
AUSTRALIA
Roland Corporation
(Australia) Pty. Ltd.
(Head Office)
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
2: (o2)9s2 - azaa
69007 Lyon Cedex 07
FRANCE
3 (7)858 - 54 60
Musikengro (Paris Office)
Centre Region Parisienne
41 rue CharIes~Fourier.
94400 Vitry 5/Seine
FRANCE
8 (1)4680 86 62
BELGIUM/
HOLLAND/’
LUXEMBOURG
Roland Benelux N. V.
Houtstraat I
B-2260 Oevel-Westerlo
BELGIUM
‘B (0032)I4 - 5758i I
Musitronic AG
Gerberstrasse 5. CH-4410
Liestal. SWITZERLAND
E061/92I I615
(Australia) Pry. Ltd.
DENMARK
(Melbourne Office)
50 Garden Street
Roland Scandinavia AIS
Langebrogade 6
Box I937
DK-I023 Copenhagen K.
DENMARK
‘B 3I - 95 3! ll
AUSTRALIA
‘B (03)24I - I254
UNITED KINGDOM
RoIand(U.K.) Ltd.
Rye Close
SWITZERLAND
21' 061/98 60 55
‘B Z9I78G3 - 66S9I8
SWEDEN
Roland Scandinavia A/S
and Rhodes products
Oliver do Brasil S.A.
Instrumentos Musicais
Av. C-eci. I\Io.578 Centre
Empresarial Tam bore
Repair Service by
Barueri SP CEP 06400
Musitronic AG
BRAZIL
B(0lt)709 - I267
Repair Service for BOSS
products
AUSTRIA
E. Dematte &Co.
Neu-Rum SiemensStrasse 4
MEXICO
Case Veerkamo. s.a. do c.\-2
Chung Shari N.Road Sec.2
AUSTRIA
13 (05I2)63 451
Mesones No. 21
Col. Centro
Taipei. TAIWAN. R.O.C.
‘B (02)536d546
C.P. 06080 Mexico, D.F.
GREECE
MEXICO
V. Dirnitriadis 8: Co. Ltd.
2 Phidiou Str., GR I06 78
n (5)709 ~ am
Athens, GREECE
B I - 3620l30
La Casa Wagner de
Guadalajara s.a. de c.v.
Av. Corona No. 202 SJ.
C.P.44IO0
Guadalajara. Jalisco
MEXICO
Casa Caius Instrumentos
Musicais LdaRua do Santa Catarina I31
Porto. PORTUGAL
fi 02 - 38 44 56
n (3a)t3 -1414
Paul Bothner(PTY) LTD.
l7 Werdmuller Centre
Claremont 7700
ARGENTINA
Republic of South Africa
2'3 021- 64 - 4030
HUNGARY
Venezuela I433
Intermusica Ltd.
Warehouse Area ‘DEPO'
Torokbalint, Budapest
HUNGARY
B (I)I86B905
1095 Buenos Aires
ARGENTINA
8 37 - I632
Dar:vilIxiti0Ibiai8ld-iwffilwoenllIUflIII!TV.HIIQt$l!y.YOU!fKi\fifl3l'8l.lyflldIUHtII1QI1JQl'bft.0d
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This bootdel is available lromthn U.S.GovarrrnQmPrint'ng Olf|oa.V\hst'i1gton,O.C..20402.SI:d:No.Ebi-{II}-(133454.
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CLASS B
NOTICE
This digital apparatus does not exceed the Class B limits tor radio noise emissions set out in the Radio lnterlerence
Regulations of the Canadian Department ol Communications.
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CLASSE B
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AVIS
Cel appareil numerique ne dépasse pas les tirniles de la classe B au niveau des emissions de bruits radioéleclriques fixes
dans le Fiéglemenl des signaux parasites par le minislére canacfien des Communications.
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Source Exif Data:
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