Roland Corporation TD 7 Owner's Manual Om.ocr

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OWNER'S

MANUAL

VOLUME

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TE}-7

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For

the

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IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE

:

NEUTRAL

BROWN

1

LIVE

As

the

colours

ol

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

lo

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

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F-‘EF'~lCILJSSll:|l\|

SUUNIJ

l\/llIlElLll_E

OWNER’SMANUAL

INTRODUCTION

Thank

you

tor

purchasing

the

Roland

TD-7

Percussion

Sound

Module;

TheTD-7

is

a

superbisound

module

incorporating

Roland’s

latest

technology.

To

take

full

advantage

of the

TD~7's

capabilities,

and

to

ensure

years

of

ll'0Ub|€f-Tl'8Bj-.S8l'VlCB,

please

read

this

Owner's

Manual

carefully.

Copyright

©

1992

by

ROLAND

CORPORATION

All

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

permission

of

Roland

Corporation.

Important

Notes

Be

sure

to

use

only

the

adaptor

supplied

with

the

unit.

Use

of

any

other

power

adaptor

could

result

in

damage,

malfunction,

or

electric

shock.

[

Power

Supply

J

OWhen

making

any

connections

with

other

devices,

always

turn

off

the

power

toiiaglliequipment

first;

thisiiiwill

hell?

Prevent

damage

or

malfunction.

,

I

Do

not

use

this

unit

on

the

sarnepower

circuit

with

any

device

that

will

generate

line

noise,

jsuchias

a

motor

or

g

variable

lighting

system.

A A

O

Thepower

supply

required

for

this

unit

is

shown

on

its

nameplate.

Ensure

that

the

line

voltage

of

your

installation

meets

this

requirement.

lAvoid

damaging

the

power

cord;

do

not

step

on

it,

place

heavy

objects

on

it

etc.

OWhen

disconnecting

the

AC

adaptor

from

the

outlet,

grasp

the

plug

itself;

never

pull

on

the

cord.

I

It

the

unit

is

to

remain

unused

for

a

long

period

of

time,

unplug

the

power

cord.

Placement

I

Do

not

subject

the

unit

to

temperature

extremes

(e.g.

direct

sunlight

in

an

enclosed

vehicle).

Avoid

using

or

storing

the

unit

in

dusty

or

humid

areas

or

areas

that

are

subject

to

high

vibration

levels.

O

Using

the

unit

near

power

amplifiers

(or

other

equipment

containing

large

transformers)

may

induce

hum.

IThis

unit

may

interfere

with

radio

and

television

reception.

Do

not

use

this

unit

in

the

vicinity

of

such

receivers.

_____:.

"—

' '

'

7

’*’~;:Jun

_ _

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W

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[

Maintenance

J

O

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth..(or

one that

has

been

slightly

dampened

with

w‘ater)."To

remove

stubborn

dirt,

use

a

mild

neutral

detergent.

Afterwards,

be

sure

to

wipe

the

unit

.th0r<>tl9hlviwith

a.s<>tt.

dry

Cloth-

O

Never

use

benzine,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

risk

of

discoloration

and/or

deformation.

r r r

rr

i-1*"

—

in

'

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___1 5

1'

1nu:;*;r:.__

‘

Additional

Precautions

I

Protect

the

unit

from

strong

impact.

I

Do

not

allow

objects

or

liquids

of

any

kind

to

penetrate

the

unit.

in

the

event

of

such

an

occurrence,

discontinue

use

immediately.

Contact

qualified

service

personnel

as

soon

as

possible.

O

Never

strike

or

apply

strong

pressure

to the

display.

I

A

small

amount

of

heat

will

radiate

from

the

unit,

and

thus

should

be

considered

normal.

I

Should

a

malfunction

occur

(or

if

you

suspect

there

is

a

problem)

discontinue

use

immediately.

Contact

qualified

service

personnel

as

soon

as

possible.

I

To

prevent

the

risk

of

electric

shock,

do not

open

the

unit

or

its

AC

adaptor.

[

Memory

Backup

I

IThe

unit

contains

a

battery

which

maintains

the

contents

of

memory

while

the

main

power

is

off.

The

expected

life

of

this

battery

is

5

years

or

more.

However,

to

avoid

the

unexpected

loss

of

memory

data,

it

is

strongly

recommended

that

you

change

the

battery

every

5

years.

Please

be

aware

that

the

actual

life

of

the

battery

will

depend

on

the

physical

environment

(especially

temperature)

in

which

the

unit

is

used.

When

it

is

time

to

change

the

battery,

consult

with

qualified

service

personnel.

OWhen

the

battery

becomes

weak,

the

following

message

will

appear

in

the

display:

="+eralou

rre=:enHhse

--

Please

change

batteryas

soon

as

possible

to

avoid

the

loss

of

memory

data.

O

Please

be

aware

that

the

contents

of

memory

may

at

times

be

lost;

when

the

unit

is

sent

for

repairs

or

when

by

some

chance

a

malfunction

has

occurred.

Important

data

should

be

stored

in

another

MIDI

device

(e.g.

a

sequencer),

or

settings

written

down

on

paper.

During

repairs,

due

care

is

taken

to

avoid

the

loss

of

data.

However,

in

certain

cases

(such

as

when

circuitry

memory

itself

is

out

of

order),

we

regret

that

it

may

be

impossible

to

restore

the

data.

r

Conventions

in

this

manual

If".

:

This

symbol

is

followed

by

what

you

should

refer

to.

[

Name

of

a

button

]

:

Represents

a

key

or

knob

on

the

front

panel

of the

unit.

W

:

This

symbol

is

followed

by

a

page

number

where

relevant

information

can

be

found.

=l=

:

This

symbol

is

followed

by

a

cautionary

note

or

important

information.

TABLE

OF

CONTENTS

I

important

Notes

I

Conventions

in

this

manual

I

Table

of

Contents

I

Panel

Descriptions

s

I

Features

t .

I

Installing

the

TD»?

on a

Stand

Chapter

1

Playing

the

rm

Connections

and

Precautions

.............

..'l2

Power

ON./

Power

OFF

......................

..17

Adjusting

the

LCD

Contrast

................

..

18

Playing

the

Demo

Songs

....................

..

19

Quick

Start

(

Experimenting

with

various

performances

)

..............

..

20

it]

Patch

Selection

........................................

..

20

f2]

Rim

Shot

..................................................

..

20

i3]

Choke

Effect

............................................

..

22

:4]

Playing

Sequence

Patterns

.....................

..

23

f5]

Patch

Editing

............................................

..

24

j6]

The

Patch

Chain

......................................

..

25

|

Chapter2

Basic

Operation

/Thside“theHTD-7

I

1.

Basic

Operation

.................................

..

30

[1]

Setting

Parameters

..................................

..

30

[2]

The

Jump

Function

..................................

..

31

A

[3]

Main

some-n..........i....

.........................

34

9":P§-°i\9:""

2.

Inside

the

TD-7

.......

..................

..;’.,:i..t.*36

N

[1]

Parameters

inla

Patch.

......................

37

[2]

Other

Parameters

....................................

..

38

l

Chapter3

Patch

Setting

I

1.

Setting

a

Patch

.....................

..........

40

[1]

Naming

a

Patch

......................

.......

40

[2]

Assigning

at

Note

Number

to

a

Trigger

Signal

41

3]

Setting

Various

Trigger

Parameters

..........

..

48

j

Instrument

Section

.......................

..........

49

a.

Setting

Sound

1

and

2

.........................

..

49

rb.

Layer.........

..........................................

...

52

[5]

Performance

Section

.................................

..

56

r;\|—"*|

[6]

Effects

.......................................................

..

59

a.

Parameters

for

Effect

1

........................

..

62

b.

Parameters

for

Effect

2

.....................

64

[7]

Hi-hat

Control

Pedal

..................................

..

65

[81

Program

Change

Numbers

.................

..70

2.

Patch

Copy

........................................

..

71

3.

Global

Performance

Parameters

.......

..

73

1.

Instrument

Parameters

......................

..

78

2.

Instrument

Copy

................................

..

89

[Chapter

5

Phrase

Sequencer

I

1.

How

to

Record

Sequence

Data

.........

..

92

2.

Phrase

Sequencer

.............................

..

95

[1]

Recording

and

playback

of

Sequence

Patterns

...................................................

..

96

[2]

Setting

Beat

and

Measure

Number

and

erasing

Sequence

Data

....................

..

98

[3]

Selecting

a

Performance

Type

..............

..

100

[4]

Copying

Sequence

Pattern

....................

..

101

3.

Tempo,

Metronome,

Available

I

Memory

and

Synchronized

Playback

104

[1]

Tempo

Setting

.......................................

..

104

[2]

Setting

the

Metronome

..........................

..

104

[3]

Available

Memory

.............................

105

[4]

Synchronized

Playback

.........................

..

105

I

Chapter4

Editinglnstrument

Sounds

I

g

I

Chapter6

System

Setting

I

1.

MIDI

.................................................

..

108

[1]

MIDI

Messages

.......................................

..

108

[2]

The

TD-7's

MIDI

Messages

....................

..

111

[3]

Setting

MIDI

Parameters

...............

114

2.

Setting

the

Interface

Mode

...............

..123

3.

Using

the

Footswitch

and

Sound-on-Sound

..............

....

...........

..

124

[1]

How

to

set

the

Footswitch

Mode

...........

..

124

[2]

Using

the

Sound-on-Sound

Function

....

..

126

4.

The

Sound

Setup

.............................

..

129

5.

Initialization

.......................

132

[1]

Hi-hat

Control

Pedal

Initialize

................

..132

[2]

All

Initialize

.............................................

..

133

I

Chapter7

Reference

I

_~.to>o1-l=-cor~o-»

.

Error

Messages

...............................

...136

.

Troubleshooting

................................

..138

.

Patch

List

..........................................

..141

.

Waveform

List

...................................

..144

.

Instrument

List

..................................

..146

.

Initial

Settings

...................................

..150

Blank

Chart

.......................................

..

153

I

Roland

Exclusive

Messages

.............................

..

156

I

MIDI

Implementation

.................................

......

..

158

I

MIDI

Implementation

Chart

............

...

............

.."....I164

I

How

to

read

the

MIDI

Implementation

chart

.....

..

166

I

Specifications

....................................................

..

167

I

Index

.................................................................

..

168

I

Information

........................................................

..

170

PANEL

DESCRIPTIONS

@oATA

Dial

I-it

P.

ts)

@)sYs"rsrvt

button

(tr

P.

34)

@voLuME

Knob

(er

P.

131)

@DispIay

re

P.

ts)

@PHnAsE

seousrvcsn

button

(wt

P.

34)

\3

I

)1)

fl

tr

1

I

‘

'

tutor

MESSAGE

,

_.

1'/2%

sisittﬁ

FEE-

o

MlDI

MESSAGE

gyj

C

i

T

-.

Indicator

(er

P106)

row

MAX

DATA‘

2 3

©

t

I

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P“?

L

c

“o

ll

{I3

r::::r

I

L731

lI.7.:12D

II

E:

QQQ

ODD

DUO

/:"".__._._.--—~

‘1

consort

IP

.if.lMP

Exit

ENTER

'

Pl-tones

are

—

~-5

he

------

--r

--rs

1

****

in

"E:D, *,j,‘|*

in

*

it

P

*

*"*

"5"

"

-~——~

=

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"""”“'"“""'cr~iitirv"'*"""**"****

POWER

lL._

-_

_

__

____

-_g_,,,,_.

__,_,__

.

-

,

._

___._...L_.,.

-.

_

I__:..._..

®

POWER

Switch

(er

P.

tr)

'-

@Leﬁ

Cursor

button

(w"

P

18)

@

ENTER

button

(Q

P”

19)

PHONES

Jack

(er

P.

12)

I I

I.

I

®

EXIT

°“"°“

I“

P‘

18)

' ' '

Right

Cursor

button

(W

P.

18)

@

JUMP

button

(ire

P,

31)

@[\/OLUME]

Knob

PHONES

Jack

.

This

knob

controls

the

voltrntc

of

the

sottntl

output

througlt

the

(Itittrwct

l1r:*:.ttl|"1l'tt'.ir1r:.~'.

tt:.g.

ltolttnrl

RH-1'.?.t'l

;

optional)

to

this

jttt-It.

OUTPLIT

jacks

and

PHONES

jr.-tck._

.

_ _

. .

TI1c;tppru_pri;itt:

impetltincc

ul‘ltt*;td|>I1uncsis

8

to

150

oltms.

I-Twit

when

l1L*1l(lplit.Jl1L'.*i

tire

r..'t'.rttt1r:i.'tc'tl.

sotmtl

is

output

tlTl't.ltlt.{ll

iliff

@.

Display

(LCD)

I

Ol.F'l'I’t.i'I"

jacks.

.

.-

1

'

The

tlisplay

indicates

the

current

operating

ttondition

or

value

of

it

particular

parzttnt-rtcr.

'

®

Left

Cursor

button

' ' '

This

btittnn

t1'tovcs

the

cursor

l'lla.~;l1ing

point)

in

tltc

LCD

to

the

lelt.

@

[DATA]

Dial

In

the

I’tit<;'lt

l’l:l\»'

scrt':cn,'tItt:

sortie

button

will

serve

to

L‘;lll

the

¢

.

Use

this dial

to

select

pr-trantctcrs

;.1ndr'or

set

part-tmetcr

values.

seqttence

of

littttfltes

in

‘ti

Ptttttlt

Cltain.

'

@

[SYSTEM]

button

A

I

A

Right

Cursor

button

t

I‘

Use

this

button

to

set

p:-trarneter

values

wlticlt

apply

to

the

entire

This

button

:11t"i\rt;-is

the

t'.'ursor(llttsIting

point)

in

the

LCD

tothe

rigltt.

I

system,

such

as

those

for

MIDI

(

W‘

P.

I08ji.footswitch(_#11%I’.24

I

In

the

Pittclt

Play

st;'rct*n,

the

SLIIIIL’

button

will

sun's

to

call

the

or

Sound

Sclupt

A?

P.

129 I.

*1“

”

scqtttritcc

ol

I3’;tt'tfl"tcs

in

:1

Pittclt

Clilllll.

Q.)

[SEQUENCER]

button

®

[JUMP]

button

Ilse

this

button to

set

or

edit

tltc

Sequence

patterns

of

it

Pltrztsc

Use

this

ltutttirt

to

jump

lii1t'.rt"c'i

to

Ll

spt*ciI"ictl

.‘iL‘IL”L'-l‘i.

Sequencer

IA?

P.

92)

for

Sync

pcrtortttartce,

etc.

®

[EXIT]

button

©

IEDITI

button

I . I I

..

.

Usctl1i.~;l1t|lir'1rn

to

lcttvt-.=

(exit)

the

cttrrcnt

st'rcen.

-

Use

this

button

to

set

lnstrumem

para

nteters

or

paratticter

values

in

It

Patch

re-r

rt.

irii.

@

[ENTER]

DUTIOH

Lise

this

button

to

t-'xct:tilt.=

l'prr.>t'cetI

with)

the

r'tper;ititrn.’I'irnction

"

The

lSYSTEIlil,

ISEQI..iEI\iCER]

or

IEDITI

button

may

be

ztssigncditt

you

ltitvc

set.

different

function

depending

on

the

.I’ar;tmctcr

Setting

l)isplay.

[POWER]

Switch

®

MIDI

MESSAGE

Indicator

This

switclt

turns

the

unit

ON

and

OFF.

This

indicator

lights

when

MIDI

ntcssrtgcs

art:

lacing

rettcit-'ctl.

6

®

Cord

Hook

(W

P.

7)

@Au><I~~1A¢=t<

(W

P»12>

t

Stereo

OUTPUT

(L/Ft)

(w

P.

12)

..__.___.....o..

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(Trigger

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Jacks)

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inrlts

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t:'i_q;.1c*:'

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|‘1;tcl.~:'l.

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lt'1r+tt't:mt:nt's

lt;:\-‘v

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at

thc

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you

can

tflmngc

the

ztssigttltltrnts

as

f12‘(|l.llt'L"Ll.

'l‘|1cs<:

are

stereo

jacks

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Rim

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ancl

Choke

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signzlls

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you

are

tlsingg

optkmztl

l“l)-T’

pads.

‘mt

can

also

connect

otlwr

types

ol‘p;1ds

t.c:.;.;.

PD-2]

:

optional)

to

tiny

ol

tltesc

iztclot

using

at

lT1t'7ﬁt')C1ll}lt‘.

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the

supplied

AC

ztdztptor

to

this

izlck.

@

Cord

Hook

Lot

tp

the

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aalzaptor

cord

around

this

hools

to

|*>1"c\-1-rot

tltc".-1¢l;:ptr'>r

lrom

;1ct?iclcnt.;1l

tlimattncciimt.

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IN/OUT

Connectorsﬁe

o

I

Tltose

sockets

are

for

connecting

MIDI

devices.

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Q?)

FOOT

SW

(Footswitch)

Jack

(Ionnect

:1

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t.

F

S-51.?

-1

optio'm1ll'to

this

jack-.

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can

the

desired

Function

to

the

footswitclt,

such

as

l’atch

selector,

hold

swiiclt

<'.:|'~rec<.>rcling

start

so-'iIa"|1

lor

5o11ml—-on-Sounr.l

(W

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126).

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"'-'"-"~*-I‘-ltis

is":t

stereo

-"f::Ck--1":aﬁd‘tlleféforé

slio{ild“""lSé

-"divided

"-iﬁtt)

two

monuu

ml

inputs

with

11

special

c1tla|e(PCS~51

:

O]7ll('}l1£ll)\\=’l1t?I'!

using

two

lt'><1>tswitc|t'e+i.

-

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-

--

@

HH

CONT

(Hi-hat

Control)

Pedal

Input

Jack

This

iztck

receives

control

signals

from

the

Hi-hat

Control

Pedal

(.FD~

3-’

;

optional).

This

is

:1

stereo

jack.

to

Connect:

tlw

imrlutled

AC

adaptor

to

the

TD-.7,

and

then

plug

it

into

an

AC

out]:-st.

By

looping

the

AC

;1cl;1pl'or

C1!

hlc

around

tho

Cord

Hook,

you_

CQD

|.m-:\-»'r.'n.t

the

plug

from

;u‘cicl:'*.nt::lly

being

disconnected.

\

.-

ToAC

outlet

=

.

l

}

t

ll

U

r;

Note:

l’lc;tse

use’

only

the

lH{.‘.|ll(lt‘(l

AC

adaptor.

Using

otltor

AC

aclzzptors

can

result

in

malfunctions

or

electric

shock.

7

FEATURES

1.

The

TD-7

contains

512

percussion

sounds!

I

Sounds

lip

to

5'12.

Instrument

sounds

can

he

created

using

2‘3('.$li;1sic

pwcussion

u-‘at-'el'onus.

Para

meters

involvetl

with

sound

creation

are

Pilrh.

l')e<.';n*.

I-’;it1tti:'t_u,.

i\iuanee.

lirilliance.

Attack

l')an1p,

\-"elot.'in-*,

Pitcli

Bend,

\-‘olume

and

Assign

'l‘ype.

The

zeta

wilt-'cl'or|ns

in<:|u<.le

+13

kick

drums,

it)

snare

drums.

56

tozns,

8

lii~h;us,

S

L‘§’t11l11ll.‘~;.

plus

32

additional

pen;ussion

lnstnnnenls.

also

includetl

are

ll

mallet

Instruments

(such

as

\'ihrapl1onel.

3-1i

ellbct

sounds

and

5

lwass

sounds.

I

Sound

Source

The

TD»?

uses

a

'16-hit

sound

sotlrci:

t\'lliL‘l111CL‘L1t‘;tlti’l}’

reproduces

the

Ll;-'nau1ic

range

and

hannonic

content

ofall

the

on-hozucl

sounds

--

depend on

ll<.>\\‘

hard

you

play

the

pads

t_\--'<.-lot'.'it_\'l.

I

Instrument

Section

and

Performance

Sections

The

'l'D-7

contains

one

lnstrtm1ent'

section

and

tltree

l’erl'orm;tnce

sections

and

t'ltei'clore

can

he

usetl

as

a

4

Part

multi-tiinhral

sound

module.

I

Maximum

Polyphony

The

TD-7

can

play

up

to

14

voices

at

the

same

time.

A

maxitnum

oi

two

\-oices

can

be

mixed

tL.+\YlSli,l._

at

which

time

you

can

use

the

\-"'elot'it"_i-'

St\'itt'lt.

\-'elo1".'ity'

i\""li.\;

or

\='e|ocit_5-'

Cross

Fade

l'oni.?tii.ms.

I

Dynamic

Pitch

Bend

The

amount

of

pitch

bend

change

depends

on

how

ltard

you

play

the

pads

t_\-'elocit3-"

l.

2.

High-speed

pad

response

is

made

possible

by

direct

trigger

inputs!

I

Trigger

Input

Jacks

The

TD-T

is

oquippewl

with

9

Trigger

Inputs.

Lising

the

specilied

pads

t

l’l)~"--’

:

optional

l.

l8

sounds

can

he

controlled

t_sint':e

the

Rim

Shot

signal

is

recognizced

as

well

as

the

standarcl

center-of-pad

signal).

ln

the

sound

module

section,

two

voices

can

he

mixed

(_l.AYERl,

allovring

you

to

conn‘ol

up

to

i

voices

nitli

one

pad

(PD-T"

:

optional

J.

You

can

set

MIDI

Note

i\iumhcr,

Gate

Time,

\§’elo<'it'3='

Cu.r\--'e,

etc,

for

each

trigger

signal.

and

output

it

as

a

t\-'llDl

?\£t.>teniess:1ge.

I

AutomaticTrissereisnel

$etti.n9,.Fvn¢ti°"

This

function

autontatically

sets

the

paraoteters

for

the

trigger

signal

of

each

pad

count;-ct:-rtl

to

the

Tl)-T’.

l’;u';uneters

set

with

this

function

are.

Miilillltttil

Dynamic

Range,

Maximum

l')yn:1:11it‘lt;1i"ige,

i\1inimum

\i'el<“1cin-'.

Mask

Time

and

Threshold

l.e\-'el.

I

Choke

Effect

Using

the

specified

pads

(Pl)-7s

:

optional).

you

can

create

Choke

el'l'ects

1.

muting).

This

may

he

uselul

lor

Instruments

like

craslt

Q-'nil.1;tls.

I

Hi-hat

Control

Pedal

Jack

By

connecting

the

speciﬁc

pedal

{FD-T

1

optional}

to

this

jack,

you

can

control

the

sound

llltit-llllt’

section;

t‘ont.inuotts|y

control

the

open

and

closed

Hi-

hat,

play

open

and

closed

sounds

and

also

control

the

pitch,

cleouu

or

nuance

oi

a

specilietl

sound.

8

3.

Using

the

Phrase

Sequencer

and

Sound-On-Sound,

you

can

enjoy

spon-

taneous

performances!

I

Phrase

Sequencer

"1"h@'1"|')-".='i~t

eouippetl

with

a

l‘lu';tsc

.‘ieqtteut"'i.'|‘

that

allows

you

to

record

and

playh;u‘k_

up to

lo

measttres

oldata.

lt

can

pla_\ﬁhattl<

Z-Ii

l’t'eset

Patterns

and

.24

liser

Patterns

bib’

patterns

in

total

t.

I

Performance

You

can

start

or

sto

ll1t’l)ltf;lSt.*SU(.ttL’l1L‘t‘t'llfillitﬁli

tad.

You

can

also

ilav

a

l’lu':tst:

t'

:'ecortlet.l

on

the

set.

t1entfer.lat

the

tent

to

you

set

ht,-'

taining

on

a

I

..

.

I

.

l l

.

pad

(Tap

l“erl"orn1;|nce

l.

I

Synchronization

The

l-’lu'a_-so

.‘.~?e<|uence1'olthe

TD»?

can

st'l‘tt‘l!l'tit"tiZt_*

with

an

external

it-lll')l

tlux-"it‘e

(via

i\'lll.)l'1.

I

Voice

Click

You

can

use

the

sound

ol

a

iluman

Voice

lot‘

the

‘tempo

click‘

tmetroru.;mie'>

wlten

rectmling

into

the

set.|uencer.

I

Sound-On--Sound

You

can

1':-.'et.u'tl

data

into

the

seqtteltoer

and

then

pla

it

hack

inuuediately.

The

SotmtI-on-Sound

can

retford

up

to

iii

tne:.tst.tres

of

data.

4.

The

On-board

mixer

and

digital

effects

allow

you

to

control

the

output

at

will!

I

Effects

The

Tl)-T

leat'ures

two

sets

ol

e-l'l'ect.~t;

ltex-'e1'li.-"Delta-'

and

(Ilu>1'tts--ililtt

nger.

You

can

use

two

t~|*t‘t~t.~s

at

the

sanie

time.

This

iat:|t

I‘L'L'L‘i\-’L‘h'

the

audio

signal

lrom

an

ixtternal

plat-'l‘t;|t'k

dot-‘ice

and

mixes

it

with

the

Tl)~7's

output.

The

result

is

output

tltrough

the

l’l~lONES

jack.

I

Audio

Outputs

The

audio

outputs

consist

of

a

stereo

pair

tOlTTl’l..'T

l..:"'l~l't

and

tw<.:iintlivitlt1:1loutpuIst'lNl)

1

and

IND

2!.

5.

Other

Useful

Functions

I

\‘i-'ith

5.2

Patclies

and

H

liatclt

Chains

{of

lo

steps)

av'.1ilal*.tle.

tlieTl)-'Fallt1it-vs

you

to

change

l’atcl1es

during

a

|ierlor11'tano:.

Q

Patch

settings

can

he

recorded

into

the

seqttemet"

using

the

Bulk

Dump

lunction.

I

The

screen

is

a 2

line.

hat:'k-lit

l.Cl‘)

t

lo

t‘li1tt'1tL”l't:‘l'S

per

line).

The

Patch

t\iumhers

are

displayed

in

large.

easily

read

clairaeters.

I

You

can

eonntrct

two

l‘o<.itsi\-'itrl1es

to

the

'l'l)~'.T-‘"

and

use

them

lor

Patch

selection,

sustain

(hold)

or

Sound-On-Sound

control.

I

The

_li..it‘~-"lli

ittnetion

allows

_\_-tort

to

more

to

an}-'

specified

screen

lrom

any

other

screen.

I

The

T117

is

a

ltalli-r;-tifk

t

l

lit

unit

easily

installed

in

a

sy'st.e1n

rack

or

on

a

drum

stand

l

using

the

rack

mount

adaptor

or

stand

holder).

9

Use

the

supplied-screws

(.5

x

Smml

to

attach

me

MDS-7

{

I

1mm

Smml)

10

the

'|‘I)-'?-

as

slum-';1

hcluw;

‘i/’

Installing

the

TD--7

on

a

Stand

\

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Set

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in

the

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screen

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=

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ll?

Set

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in

the

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screen

to

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Ctrl

=()FF".l1it‘

P.

120

Tum

the

sequencers

Soft

Thru

function

ON.

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get

the

most

from

the

TD~'.?,

use

:1

stereo

output

wltencvcr

possilJIe.

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In

=

ON

Midi

Out

=

ON

Local

Ctrl

=

ON

Be

sure

to

set

the

sound

setting

of the

perlorm~

ance

data

on

the

sequ~

encer

to

match

the

sound

setting

on

the

TD-7.

we

P.

49,

146

The

TD-7

contains

Drum

Sets

that

conform

to the

GM

System

(General

MIDI

System

Level

1)

and

the

GS

Format.

It-1'-"~"‘

P.

141

Chapter

1

Playing

the

TD-7

14

I

When

using

a

device

with

MIDI

output

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as

the

Roland

PAD»

1

80):

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i\"lll)l

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clmnnels

in

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I’erl't':r:m1m‘e

Section

3

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C|1:z1"mel

II.)

(Ilmnncl

II

Channel

12

Clmnnel

I5

To

play

Il1eTI")~'.?

using

:1

a\-IIDI

kc}-'|1o;1rc.l.

set

the

tr;1n.<;mi1

clulnnel

of

the

keylmzlrtl

to

10.

ll'I|1cI'mnsmil

clmnnxrl

olthe

lim-'ho;1rt"|

is

11nt.~;eI

l'o;1n§-‘of

the

:1l1o\=e

channels,

no

sound

will

be

lteard.

ﬁe‘

P.

109

*

The

default

settings

are

as

follows:

Midi

In

=

ON

Midi

Out

=

ON

Midi

Mix

=

OFF

=:=

When

the

TD-7

is

set

to

the

defaults,

no

sound

is

output

from

IND

1

orIND

2

(the

INDIVIDUAL

outputs).

15

Chapter

1

Playing

the

TD-7

I

About

the

Pad

Setup

KI;-‘lawn

|":<_1:s.~;il'.1lct

connect

ll1u§+p¢3t‘ill<:tl

p;1dsIPD-75

;

ti[‘liltlI1;Ill

to

the

‘l'1'iggt+i"

Input

juttlts

on

tl1tr"l'l'.)-

_...,

"l'l1t*F)'l":'iggt*:"

Input

izlclts

;1z't';tll

sttrzeostlllzalt{xx-1>sign1alsI_tl"1c

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$1101

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ccnIc:'-:1!‘-pail

;~i§.1n;:l

1

can

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|1rocus.~fcal

at

{l'te.~+;1me1iz1w.

I

Ersing

nilu:r

drum

panda

I

t"u:tm;*tflt;'cl

viz:

mono

L'1Il'llL‘.*il

will

not

c;u1.we

;:n_\_-'

|\rnl>l<:1ns.

NuI-limSl1o1s<1untls

will

he

|m>t'_|1|<_'t-cl.

ltutx-wet‘.

A

PD-7

Chapter

1

Playing

the

TD-7

16

---K

-

WW

,_w~M"”

,,-:::;T;:;

,,,,_;::~e;W

e e

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,,,,,;

_

1,:

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,___T,,__

______ ,,,,

__

_;____

,_,__W___

W

7

Bu

sure

all

r;lt-rvices

are

_~"-witclterl

ell

lwcl'ur'r:

m;rkin_;;

any

cor1n1:clions.

\‘l"hen

you

ltzrws

rnarcle

all

the

ll

~

.

l

|tct'r:.$:s:t1'y

t.‘unrtect1ur1:~'.

h\\’IlL"lI

on

the

tlcvittcs

lit

the

|r>llzrw1n;__;

nrtlcr:

(D

Turn

on

the

Tl)-?-’.

The

ill?-i|7l;l}-'

will

TL‘.~2|'l()lItl1lHl7('llltl\.’l’!-§.

This

rs

the

P8’[Ch

Play

SCl'99l"tl<i1r

Pztltflt

1.

-.

'

=t=

The

Patch

Play

screen

1

will

differ

depending

on

Patch

Name

the

selected

Patch.

Fﬁ

E

Woman

A

%§

g

F=El.'.l:l‘l:

-:--

3

=r=When

using

an

FD-7.

T

I

T

I

execute

Hi-hat

Control

Patch

Number

Program

Change

Number

‘

Pedal

Initialization.

.

I-‘it’

P.

132

®

fflwitclt

on

the

external

devices

connected

to

the

TD-7.

3"."

I..5'l"§

®

To

power

clown,

first

sh-'it'clt

nll

the

exlemal

clevéccs

and

then

the

TI)-T1’.

I

The

TD-7

contains

a

circuit

protection

feature

which

mutes

the

output

for

a

few

seconds

after

power

up.

I

When

power

is

turned

on,

you

should

never

attempt

to

hit

the

pads

until

alter

the

Patch

Play

screen

has

appeared.

i

17

Chapter.

1

Playing

the

TD-7

3.

sti

th

e

co

ntrast

The

contrzzst

(_l_1rigl1tnessl

of

the

LCD

can

he

clurrtgecl.

(\=’;Iri;1l'>lr:

range

:

1

to

15'}.

1

®

l’:'ess

[SYSTEM}

lrom

thc

I";rtch

Play

screen.

rsea>n1n1r1FtIu1

*

Fa~i@Ee@rL¢@r5ET

®

ll‘l0vr'3ll1<:‘

cursurtu

l..l:l:3

using

1!llt_l

.

@

I>rc-is

[ENTER].

l_I:I[Ir

it

I

III

r3

1-";

t__.

§-"-

.3

53.

l“__.

m

15

@

To

adjust

the

contrast

ul

the

LCD,

clmngc

the

talus

witlt

the

[DATA]

dial.

®

Press

[EXIT]

twice

tn

return

to

the

l)L'-llt'll

Play

screen.

[W

ea

g

Psness

1-

“LCD”

stands

for

Liquid

Crystal

Display.

The

characters

at

the

cursor

position

will

flash.

Chapterl

Playing

the

TD-7

18

Playing

the

em

Songs

You

can

play

any

o|'

the

rlcmonstrattion

songs

stored

in

the

Tl)-T’;

@

Press

[SYSTEM]

from

the

Patch

Play

screen.

QETEFWID

IHI

FE

Z

5ET

Q;

51"‘?

i"i'l

F

:____:

immi--ri

i""":::::=

j“‘js--4

*T.'.'..'3'"T'l

Irﬁﬂﬁi

@

.\~lnre

the

ctu'sor'

to[1‘Ei‘li:l

tlsing

[<1]

and

[P].

L-::»The

characters

at

the

I

cursor

position

will

llash.

(J

rwsrenrear

DEWU

Mu1tiFieets

STQET

?

~e

EHTEE

r

@

Select

a

l)cmo

Son§.1_

ttsing

the

[DATA]

dial.

®

Pi'ess

[ENTER]

to

start

playhaclt.

oeno

Mu1tiFiessc

ares

s

~+Ea1r

-t-

LL

@

Press

[EXIT]

to

stop

playhacl~:.

®

Press

[EXIT]

twice

to

return

to

the

Patclr

Play

screen.

l

17*

W

_”_,

K

___,_,,,,,,,

,,

V V

,.._.

._.,

..

-

—

-

—

if

_

____________

ﬂu.

l l

i

Song

Title

Biographies

of

Composers

l

l,

,

r

,,

,

_,,,,

__,,,__,,,,,,:,,,,”_,___:;”_w_m

H

,

W

’

_

__’

, , ,

’

_

,_,,,,,

:11?

__,__,

”””

_;____

’_

"___

_

__

y

W

,

I

l

W

Freestyle

Steven

G.

Fisher

is

currently

the

Percussion

Product

Manaiger

for

Roland

Corporation

US

as

well

as

an

ac-

_ \

1

e 1 1

-w

\

v

rr

v

_

-

3-

-

"

l

Music

hy

Steven

G.

Fisher

1

complrshed

clnimmcr

and

percussionist.

home

credits

include

many

Tl;

L‘0ﬂ"lft1€t'CltllS,

film

scores,

as

well

j

Crjipv,-ight

©

1992,

as

Llll"ltliTIt~}

and

recordings

witli

artists

such

as

Maynard

Ferguson,

Dizzy

Gilespie,

T

-

Lavitz

and

the

‘

'

l l l

5

Roland

US

'

Temptations.

His

contributions

to

Roland

Corporation

include

the

factory

preset

patches

for

the

R~8M

Total

[I

Percussion

Sound

Module,

"9tl‘s

l')ance“

Rhythm

Style

Card

for

the

CR-80,

the

factory

demo

songs

for

the

I

ti

t

l

l ‘

R-Zttl

Human

Rhythm

Composer

and

the

Dr-660

Dr

Rhythm

drum

machines

and

numerous

clinics

and

I]

l ‘

riemonstrations.

I

l

T

TTTTTTTTT

T

MultiFiesta

;

Iylugigfl‘)\']]§13(j)K;1](r3l1;{_$;]1i

1

\li":.1l\'aliayaslii.

He

has

also

done

extensive

research

on

world

music

(especially

Asian

and

Arabic).

He

is

Copyrigllt

©

1992.

involved

as

a

non-horder

percussionist

(Ethnic

Music

~

contemporary

music

-

electronics,

pop

music)

in

Rt-)1-,.mrl

session

and

studio

work.

He

also

produces

Computer

Music

Software

and

advises

Roland

on

new

musical

lkuo

lialtchashi

maiorer.l

in

l’ercussion

at

Tokyo

College

of

Music

and

studied

under

Prof.

Tadahiro

p

l

instruments.

e

~

e

» »

~

~~~*e~—»*»~»~»~:~*,_

a,

H,

__,

W

, ,

—

~——

e

—

~~

P P

— —

~;~

¢_,

W:

P

;~~~~~~;

’~—~—~*~*~

~~,~;~

_

_x

_

r

*~*~**<>

‘:._

ages

Atsushi

l"loshilt:t

is

a

tltt“tl1l)t‘.t'

of

one

of

Roland's

engineering

teams.

He

performed

an

important

role

in

the

L}

[\.-qusic

by

],r[_Su5|,;

HUS]-lgku

development

of

the

It-'?tl,

as

well

as

the

It-ti

and

the

I§.)lt-55(l.

He

has

also

rlirccted

his

talents

toward

the

l

Cam.-,i;g]];

@

1991

creation

of

demonstrat.ion

songs

for

the

R-*3

and

the

R-8.

I

Roland

l

Warriing

1

All

rights

reserved.

Unauthorized

use

of

this

material

is

a

violation

of

applicable

laws.

19

Chapter

1

Playing

the

TD-7

5.

Quick

Sta

rt

(

performances

)

"l‘l1e"I'I'.)-7*

t'nnt;ttns

5.2

prepn1§_{ratn1ncc.l

l)'.ll'L‘l1c‘.*~;t

I-_*I2t\\'l1it'l'1t';1It

he

used

right

run-=;t_y.

Fir_~;t.

cnnncct

the

Shccillietl

Imtls;

t

|’l_')-'?-Kt

and

the

l-Ii-hat

(Inntrnl

Pctlrtl

E

l‘I')-Y-=’_l

In

the

'l"l'..7-T".

I’.

I2

\\'-"'l'rcn

all

the

connections

:.1:'ecnrr'cct

and

suture,

turn

en

the

'l‘I'_)-T’.

I’.

I7

[1]

Patch

Selection

Tn

cltztltgc

I-’;tt'cl1e:s

tlrnm

the

Prrtclt

I"l-at-'

st;r"cc11_§:

S\\-’itt.'l1iﬂg

nn

tl1c'l“l)~?'t\-’ill

;rulnm;ltir.';1llyslslccttltc

Patch

Play

surccrt:

Patch

Name

:

l—

ll

‘an

I""‘

fl"?

W

I00.

I

:

NIH!

Patch

Number

Program

Change

Number

Cl'1;11n;c

arnynlhtlre

52

l’:.ucl\es

(num|1t'-:r't'*t.l

.1

{-32}

using

[<1]

and

[P].

You

can

1llSit.tSt"3lt‘L‘t

P:;ttcltc5

hy

r'r>I:.-rting

the

[DATA]

tllitl.

llyon

frat-we

set

a

letrtswitclt

properly,

you

can

czltange

I’;rIclte.~';

u.~ai|1gI.l"1cl'nol.sn"it'clr.

tie’

I’.

I2-l

[2],

Him

Shot

All

52

Patches

are

set

so

that

Rim

Sltots

can

he

pl:.tyc*tl

Iron]

each

pzrd.

pl

A

Rim

Shot

is

:1

pert'orm:.1nce

tecltniquc

in

which

hcth

the

actual

pad

anal

the

rim

at

the

pact

are

nntclr

sinlultanccusly.

ll‘

ynu

only

hit

the

rim

01'

the

pad,

the

proper ellcct

will

not

lac

t')l}{'.-li11t;"L'l.

Head

;

Ir

at

I

Select

Patch

1'?

(Augtrst

I<it.las1tn

crclntplc.

taeaneec

e

T

l

I

...I-.

I1,

A

“Patch”

is

a

collection

of

sound

settings

(stored

at

a

numbered

memory

location).

-:i=

Depending

on

the

patch

selected,

what

appears

in

the

Patch

Play

screen

l

I

will

be

different.

llut=

..

"

For

the

default

value

of

each

Patch,

refer

to

WP.

-150.

e

Note

on

playing

the

TD-

?

from

an

external

MIDI

keyboard:

,

MIDI

receive

channels

in

the

TD-7

are

prepro-

grannrned

(at

the

factory)

as

shown

below

.

Instrument

Section

:

Channel

10

Performance

Section

1:

, I

Channel

11

Performance

Section

2:

Channel

12

Performance

Section

3:

Channel

13

To

play

the

TD-7

using

a

MIDI

keyboard,

set

the

transmit

channel

of

the

keyboard

to

10.

If

the

transmit

channel

of

the

keyboard

is

not

set

to

any

of

the

above

channels,

no

sound

will

be

heard,

Chapter

1

Playing

the

TD-7

20

O

Snare

Drum

llc

Ht.1t‘t'

;1

Pl

t-"7

is

t_‘nnnet‘tt.'tl

tn

the

2/SNAl:lE

lzttflt

tut

the

t't;‘;tr

til‘

the

'l'l")-7.

\rtt\'.

hit

the

lttxttl

til"

the

pzitl.

Ynu

sltntrltl

In-r;n"

the

"

I

2(‘t:l-’t'nztt..\"'

.~snunt_l.

:\’cxt".

hit

the

ltezttl

;1nt.l

rim

.~u.'t'tit

ans

nl

the

putt

sirnttltztnet

lusty

to

rtutte

the

ltint

Shut

el*l"ect.

ltt-'tlnin_t1

tltls

trtttt

sh:

tttltl

Item‘

the

"l23:lix|wln..‘§"

.~tnnntl.

Head

Hit

Rim

Shot

/"/<1;\,

1

./""l'lI"“\

31;’

‘

If

-~l\

/l

t\

1

I

‘sf’

T91

.

_

W-*""'

l/

'”\\

“*--t

I

Tomtom

ltesttre

the

I'l')»?-s

are

cuttrtcctctl

ltt

the

4/TOM1

.

5/TOM2.

6/TOM3

ttntl

7/TOM4

jztclts

on

the

rem‘

nl‘

the

'l'I

)-"F.

l“l;tt,-'itt§J,

the

ltetttl

nl"e;tcl1

pad

will

tri_e,gt'r

the

t'nrr'c.sptmtli|t§.z,

“2liI.'.l;Qtt;|kl

.T"

tmtrttl.

while

playing

Rim

Sltrats

will

tt'i§_{‘t.t_t-'t'

the

"--"-t--'t--t:t'It'sltl!.l-Z“

sntttttls.

O

Ftide

Cymbal

, .

Be

sure

at

Pl‘)-'.?

is

cnnnecttztl

to

the

B/HIDE

jaclt

an

the

rear

0|"

the

'l'l')-F’.

I-’l;-tying

the

ltead

of

the

pad

will

t.:'igget'

the

.",f?1,’1..'2;ltit;l<;*.(I"

snuntl,

while

pl;1yinga

Rim

Shut

will

trigger

the

"5j5:ltitlltl.t1"

sound.

I

Crash

Cymbal

Be

sure

:1

IJDJF’

is

t'nnner."tetl

tn

the

9/CRASH

luck

on

the

rear

nl

the

'l'I)-T.

lllrtyittg

the

hestl

cl

the

ptttl

will

t:'i_g_t{et'

the

"_’»2l§:Cl:'slt§’.».Cl"

.\'.t

1-ttntl_

txhile

plztyintg

-.t

Rim

Shut

will

t'rig_Q,er

the

5'1.

:Cltin2.C"'

.~tntrntl.

.~\ll

the

I’;ttt'lte.\'

in

the

Tl)-T’

are

setup

tn

re~_;pt'rtttl

tn

Rim

Sltnts.

l=t=

In

ortlelr

to~}play..[two

different

sounds

from

one

pad,

assign

one

Note

Number

to

the

head

of

the

pad

(the

head

trigger

signal)

(er

P.

41)

and

one

to

the

rim

(Flinn

Shot

trigger

signal.)

Then

select

an

Instrument

for

each

Note

Number(=-er"

P.

49).

A

Flim

Shot

is

a

per-

formance

technlque

in

which

both

the

actual

pad

and

the

rim

of

the

pad

are

struck

simultane-

ously.

lf

you

only

hit

the

rim

of the

pad,

the

proper

effect

will

not

be

obtained.

21

Chapter

=1

Playing

the

TD-7

_

__

_______.___:T._.

. .

.. _

___

._.___

_

_.;_

______.77____

_

_ ___

_

1

L7

___

__

[3]

Choke

Effect

All

the

TD-"F's

Patches

are

set

so

that

the

Clarke

eIl'et't

can

he

ohtainetl.

Select

Patch

18

(Chicken

kit)

as

an

example.

It-ii‘

P.

2.0

O

Crash

Cymbal

Be

sure

at

PD—7

is

ctitnnectetl

tn

the

9/

CRASH

lack

an

the

rear

cl

the

TD-'.=’.

As

usual,

playing

the

heatl

ofthe

patl

will

trigger

the

‘"525:

Crsl12.C"

seuntl.

Htrn-wet‘.

if

imrnetliatt*l§.’

after

striking

the

pad

you

grab

helcl

nl

the

rim,

the

sound

currently

being

pl'.-tyetl

will

he

muted

or

eholtetl.

This

is

the

Choke

effect.

The

Cltuke

effect

is

possible

even

alter

playing

Rim

Sltttts.

O

Ride

Cymbal

Be

sure

a

PD-Ti’

is

connected

tn

the

B/HIDE

[aclt

on

the

rear

nl

the

TD

.

Striking

the

head

cl‘

the

pad

will

trigger

the

“532:Ricle.C"sr;tr1ttl.

Again,

ifynu

grah

the

rim

olthe

pad

after

you

have

played

it,

the

Choke

ellect

is

obtained.

The

Choke

effect

can

also

he

nhtainecl

alter

-I

ll

-

playing

a

Rim

Shot.

The

Choke

effect

can

be

chtainetl

in

all

the

Tl)~'F's

Patches.

\

*

lf

the

Choke

effect

cannot

be

properly

obtained,

refer

to

Page

45

and

check

the

set

value.

-elf

you

hit

the pad

while

grabbing

hold

of

the

rim,

Decay

will

be

shortened.

It

can

be

sirnplated

the

Mute

Triangle

effect.

Chapter

1

Playing

the

TD-7

22

[4]

Playing

Sequence

Patterns

\li-"lien

t-‘ctr

select

P;1tt'he:~"

]‘)~-22.

at

Sequence

lpétltt-Bfn

will

he

|"1l-aye-cl

ht"

hitting

the

relevztnt

pad.

There

are

three

tlill'et't-3111

Sct|tt<:ttt'e

Ptttternsz

l.tm]t.

t'I)1tt‘e

zmtl

Tttp.

O

Loop

l""lillit1t.{;t

pattl

nt1t'e\\'ill

triggert'lteSut.]t|enct*

Patttern

to

plat‘

repezttetlly

ttnlil

ytttt

hit

the

sttme

ptttl

atgttin.

Select

P:ttt'|t

ll)

t

l*llues

ltitt

tts

;.|n

t‘XLlttt|‘:lt3.

"'*-Ti‘

P.

ll.)

lie

hl.ll'L'

ll

l-‘I3-‘F

is

mtmetrtetl

tttllte

9/CRASH,

4/TOM1

tmtl

5/'l'OM2i1tt."k0ntl1e

rear

of

the

TD-

“F.

Triggttr

the

CRASH

sutmtl

tvith

ll

Rim

Shot.

By

titling

this.

the

Sequence

Pztttern

will

he

plztyetl

5ilt1ttll:tﬁL‘tttt.~il§’

with

the

mtttttl.

To

step

the

.‘_'iet|ttent‘e'

Pattern.

play

ttrtttther

Rim

Shot.

St--lect

lintrlt

ll)

t

ltemix

kill.

then

trigger

the

TOM1

;-mtl

TOM2

sttttntl

with

:1

Rim

Shot.

By

doing

this.

ttnntlter

Set.tt:entfe

Pattern

will

he

plat-'et.l.

I

Once

Hitting

it

pntl

will

t-:11

use

the

twrespnntling

Sequence

l-‘ztttern

to

pltt}-'

tltrnuglt

once.

To

play

the

Pattern

ttgz-tin.

simply

hit

the

ptttl

again.

Select

Patch

21

(Strckekitl;1st|n

tr:-:;ttt1|1le.It~’-ti‘

P.

Ztl

Hit

the

head

of

the

Pl)-T?’

t't>nnt:‘t‘tetl

to

the

MTOM

1,

5/T

OM

2,

6/TOM

3

and

7/T

OM

4

jack

to

play

the

sottnd.

in this

way.

;-1

Setlttence

Pattern

will

also

he

played

(along

with

the

sound).

Select

Patch

22

t'_htttt.'litm

kit).

tltett

trigger

the

TOM1

sound

with

:1

Rim

Shot.

By

doing

this,

another

Set|uertce

Pattern

will

he

plttyetl.

I

Tap

i

The

TAP

functicn

allows

yet:

to

trigger

the

notes

in

:1

sequence

one

at

:1

time.

That

is,

when

you

strike

at

ptttl,

the

ﬁrst

note

of

the

Seqttence

Pattern

assigned

to

that pad

will

he

plttfretl.

ll

you

strike

the

same

pad

ttgztin,

the

second

note

in

that

Sequence

Pattern

will

he

played

and

so

on.

.

Select

Patch

23

ti

Dance

kit)

:.-ts

an

example.

“*3”

P.

20

Hit

the

head

of

the

lit)-‘F

ctmnectetl

to

the

4/TOMl

and

5/1’

OM2

jack

to

play

the

sound.

The

first

nti:t.enft.l1e

Sequence

Pattern

will

he

playetl

sirnttltttnettttsly

with

the

sou

nd.

ll

ytittt

keep

hitting

the

pad,

every

sttt't?essi\*e

note

ol

the

seqtlenee

will

he

plttyetl.

;

rt»

A

device

that

records

and

plays

back

performance

data

is

called

a

“se-»

quencefi

Sequence

Patterns

are

perform-

ance

patterns.

recorded

in

a

sequencer.

1=t:»To

assign

a

Sequence

Pattern

Numberto

a

pad,

follow

the

procedure

on

page

41.

I:>To

create

a

new

Se-

quence

Pattern,

follow

the

procedure

Ion

page

.

92.

23

Chapter

1

Playing

the

TD-7

[5]

Patch

Editing

The

iol.l0wingex;n'n]'>|e

t;‘.\"|J|2liI1!-3l1(.]WI{)t3(litPitlflll

l

tochange

l2(i:Frn7.n.S

tr)

l52:Ht1gt+.S.

First_se.lt-.+t't

=fi;>“Editing"

is

the

process

P;1tt1l1i?.II§'"‘

[K20

f

whereby

sound

para-

'

®

"Press

[EDlT]

horn

tl1el’;tit*lt

l’l:13-'>i.t‘1‘een.

KEDITEPQTCHEIHST

F'"'33F'

""H"'3F"'*"5

'3F'F"1

i

A

®

Move

the

Cuirsor

to

F'l:lTl:H

tnaing

[-1]

at

ti

[Pl

E

then

press

[ENTER].

[F‘1?]TlT=iIi3§FI=-=1EF*1Iit*i

HUTEEPDLEHQNEEEF

i

. .

(3)

Meve

the

cursor

to

l"lL.|TE

using

[<1]

and

Note

hiumber

HUTE€#3B}5eund1

Inet=1EE§Feezn.E

Change

the

Note

number

to

58

by

hitting

tl1e.ri111-el't:1e

pad

connected

to

t.l1e_2_r"'SNA_RE

inck.

Or

move

the

cursor

to

HEITE

and

select

#33

win

the

[DATA]

dial.

In

the

i':1r:ton'

preset

setting.

“126:Frozn.S"

is

assigned

to

Note

Number

38.

Change

this

to

1

32:Huge.S".

@

Mevethecursor

to

the

Instrument

Nt::11l)ert'_lIE¥§:~}t1sing

[4]

and

[P].

17']

.

then

press

[ENTER].

‘X-

rneters

or

Patch

settings

Be

sure

at

PD»?

is

cenneetetl

to

the

2/SNARE

luck

on

the

rear

of

the

'l‘l)-?.

are

changed.

'

One

of

the

following

screens

may

be

shown

instead

of

the

Sound

1

screen.

If

this

happens,

move

the

cursor

to the

far

right

on

the

ﬁrst

line

in

the

screen,

then

select

the

Sound

1

screen

(i5=:=i.n"n:l1)

using

the

[DATA]

dial.

r

®

Rotate

the

[DATA]

dial

to

select

"152:Huge.S”

New,

hit

the

pad

connected

to

the

2/SNARE

jack

to

confirm

th;-"it

“l26;Frezn.S"'

has

clmngecl

to

I

i

fi

jjfifrfif;

l

Iﬁe-t_-=51l7;‘§

i:~+"t"..E

'132;Hug¢_S"'_

H1IiTE-=II

t|=Ti’-:51

II=-Laaei--

IIIFF

.

--

ll

E"

N

E E V

Foradetznledexplzmatton

about

Instmment

msssgnntent,

:'efert0p;1ge

'_.?’-*5.

t

—

E

HUTEi#38?JPTP1Q

JUMP

he

TRIS

?

=i=

Two

different

Instru-

ments

can

be

assigned

to

each

Note

Number,

but

only

one

Instrument

has

been

pre-assigned

to

Patch

17.

Chapter

1

Playing

the

TD-7

24

The

Patch

Chain

ltmetinn

;tllo\\-aw

yt

at

tom'r1:1tgt*tl1efi2

l-‘ateltes

in

any

ertle1'you

like.

You

can

then

.~;e|et't

them

In-'

pt‘t*>tsit1;.t;t

lhttt.<\\‘itt'lt

nt'ttsi1't§__-1

atntl

.-ts

Sl1n\\'n

in

the

l’tiIlt1\\-‘tan;

l*i§.z,t::'e.

the

l'it'.-tt

l-’;|tt'h

will

he

selected

;1l"ter

the

lztst

Patclt

(il

you

ztclvztttce

lllt't'tt|§3_ll

at

t"h:.iin

one

I-’:1tt‘h

at

:1

time).

Cl~tAiN

1

CHAIN

2

CHAEN

3

-

~

*

-

~

--CHAIN

T

CHAIN

8

NORMAL

rﬂpl

5-

"""

Mm“

$__“—.

PATCH

1

PATCH

t

lPATCH__L

P§TC§_

..

H:

3

we

i

-

.

‘iii

331

-1

-t

l

4ec:4Jr:44r:

r>4#

.lI

x

II

ll.

.?\.'|

I5-J

1'13

l

9

‘bi

nu

1*

.1;

g

=

ee;:

+-

4-».

4-

4

5

.w

‘

to

re

l

wN

M

Q

m

w

“u

1::

he

ll

E

l

it

EE

P

___‘

‘

--

4#r>4Jr:4-e:4—_

we

_*

EI

”

I

c

m

I

ﬁlm

i

‘ca

T

I

AMA

‘Al

i444

I

A

IE4

El

A

‘I4

A

IA

AA

A

I

A

I

A

‘

A

l

I

‘

i

C

1

IIII

IIIII

I

II

}

8

II

‘

I

l

I

UU

2

I

E

I

OO

I

4

T_Tj;'\

I_

.

_

C4

,

F1

u

1

iv

-

vi

ﬁl

t

~

‘

t

L"

‘

1'

1

1;

--

41

y4~

'

+1;

4i

l4Jtj4{

l

-4

at

I

as

cal

we

4414

;,.‘

eﬂ

‘

P‘

5:»

_

~43.

s

I

__[‘

y

‘,1

-1

-

Q--l

_

‘4.~

l

j

’

-t-.1

_‘

(

ll-Q-

4-l

‘

l

If

‘

i

lw

a

*

ej

‘

__

STEP

1

PATCHIT

CH2

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the

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[6]

The

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25

Chapter

1

Playing

the

TD-7

I

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1

Playing

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26

I

Changing

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27

Chapter

1

Playing

the

TD-7

Basic

Operationllnsidethe

TD-7

1.Basic

Operation

------------

~~

30

2.|nside

the

TD-7

36

1.

Basic

Operation

[1]

Setting

Parameters

lizrsienlly,

the

pztrtunelerst_§>I*tl1e'l'l)~?

are

set.

as

lull:

mas;

ht

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set

the

M

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nel.

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the

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DATA

"1

CURSOR

P’

JUMP

EXIT

ENTER

mWtuW,uumtrn

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tat

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Move

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item

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select

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[-1]:1n:.I

[b]

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cltztnge

MIDI

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the

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to

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If

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display

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show

the

Patch

Play

screen,

press

{EXIH

until

it

is

selected.

For

a

detailed

expla—

nation

of

the

System

screen,

refer

to

page

34.

The

characters

at

the

cursor

position

will

flash.

The

TD-7

contains

tour

main

screens:

The

Edit

screen

is

selected

by

pressing

the

[EDIT]

butt0n.The

Sequence

screen

is

selected

by

pressing

the

[SE-

QUENCER]

button.

The

System

screen

is

selected

by

pressing

the

[SYSTEM]

button.The

Patch

Play

screen

is

the

default.

re

P.

34

Chapter

2

Basic

Operation/Inside

the

TD-7

30

®

.\'int1't.|ter'tt:'snr'ispt,isitir)netl;ttTi“"‘Il.‘§

T11-II

i_1l"t_yet:canselectthe|11n‘a1ttete|'t0l1e

edited

hy

rntttting

the

[DATA]

dial.

t"~'*I3I

ft»--t

5"‘?

aiTe€h

e

18

I

I.

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’te§~.s

[P]

tnt't"tr-wetItet.'n:'sn:‘luthevalue

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the

[DATA]

rlial

in

c|t;1n§.:e

the

value

l:\-‘IIDI

clmnnel

nurttlner

l.

?\‘rn\'.

:1

new

r\-"lIl')l

rltztnnel

has

heen

set.

To

return

tn

the

p|‘e\’intt.\‘

st'|'ee|t.

pr'es.~;

[EXIT].

This

is

the

hztsie

p1'ncetltn‘e

|hrt"l1;trt§.1ir1§.:

p;|r;tn'1eter.~2.

'l'he_lunt

p

Funct

inn

texpluirtetl

helew)

can

he

used

I

to

speed

up

the

prnress.

[2]

The

Jump

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The

_lump

|’unr_'tinn

Itllt')\1-'5

yr

>1:

to

insl;tntl_t-'

jump

t

mere)

tn

any

screen

from

any

other

screen.

I

How

to

jump

@

l».-at

[JUMP].

[SYSTEM]

[SEOUENCEF-t]

[EDIT]

-

I I

I

e

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It

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ll

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I

I-IET

®

Press

the

huttnn

in

wlticlt

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screen

is

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pressing

[EDIT]

will

rr@tFrtP@Ll~1eI

I

T

I

T

[<1]

[>1

[ENTER]

[EXIT]

trike

you

in

the

screen

lnr

editing

an

lnst.rutnent

SULIIKI.

T

-it

#

,3. ,3,

-it

3,

1

-1+

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1

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the

sound

of

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cancel

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UMP]

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Set

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and

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Tr"-

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to the

same

channel

number.

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channel

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set

at

10)

Tr“

1*;

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Cl":

and

Ina-t.

Tr"-

111

h

have

b.oth

been

factory

preset

to

channel

1

0.

1:1-=lf

you

keep

pressing

[EXIT],

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Patch

Play

screen

will

ultimately

be

selected.

=t=

liyou

press

[.JUMP],and

then

depress

the

toot-

switch,

you can

jump

to

the

footswitchdisplay.

31

Chapter

2

Basic

Operation/Inside

the

TD-7

TI1c?c.I::.»'iin;11iun

scsven

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is

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Chapter

2

Basic

Operation/Inside

the

TD-7

32

I

Changing

the

Destination

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TH

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zassign

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Chapter

2

Basic

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TD-I7

3.

Main

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There

are

hurt‘

Main

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in

the

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System

Screen

I

Tltese

Iottrscrecnsrcprcsentthe

TD~?'sI'ciu1'r11ocIes.

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main

screen

is

rt

menu

screen

where

\"'1tI'I£)LlS

[I

items

are

listed.

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example.

the

Edit

screen

crrntztins

I:'I:I

T

I:

I"I,

I

I'I

5

T

_

F’

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F‘

I1"

.

I

‘"

I:I:'

Ir‘

and

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I3

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Patch

Play

screen

is

used

for

plztying

data.-1.

This

is

the

TI)-‘F's

tIef:iuIt

screen.

=

WA

“Patch”

is

a

coltection

of

sound

settings

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Edit

screen

is

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the

values

rif

souncl

|‘>1-ti’;-lt1tL'tt't'-H

rirnltcringa

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in

some

tt-=35-'.

at

a

numbered

memory

I’ressing

[EDIT]

from

the

I’atch

Play

screen

xx-'iII

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the

Edit

screen.

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menu

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the

location).

following:

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7

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I

“Editing”

is

the

process

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F'I:ITI:IHtPatcl1)

I

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can

edit

data

in

it

Patch.

Betbitt

whereby

sound

para—

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IH

__T

I

meters

or

Patch

settings

.

“I

You

can

change

the

suurrcI

of

an

Instrument.

ﬂit‘

I’.

TF8

] I

are

changed.

t_Instrumcnt)

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1 »

-

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I:""'|..-F

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You

can

copy

the

data

tn

:1

Pntclt

to

another

Patch

or

excltatnge

clzttzz

I

(I-’atcI1C0py,t

betweentwr>P;'ttches.

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TI

I

M

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You

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copy

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to

tmether

tristrurnent

or

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I

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Copvt

e.\tch1mger.Iata

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Instruments.

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1

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,

.,

I

,

4'

,

1

I

.

5;

‘mu

can

set

the

Lrlobal

Pztmmeters

in

the

Pertormaance

bectufin.

1

I

(GlobalIlerformztnce

W‘

P

.3

‘I

A

I,

Parameters)

'

]

I

""7

_

___

__

_7________

__

7

_

Chapter

2

Basic

Operationltnside

the

TD-7

34

The

Sequencer

screen

;tI|r

nrs

3-Inn

to

create

per|Innn;tnce

patterns

in

the

Pltrztse

Seqttencer.

=.:>

A"5equ@n¢e|-"

is

3

device

I’ressin;1

l.\'|ZQI,_?I‘1I\'(III-{It}

Irum

the

Pzttch

I’I;t}.--'

screen

will

setect

the

Sequencer

screen.

The

menu

I

which

records

and

Mays

(III

IIIIF

F»LIII{;'L'I'I

I!ILIII.I£IL'hI

IIIIL‘

IIDII(.'I\\'IYIgI

back

perfarrnance

data_

A

I:'III“I'-I

tP;tttcmt

M

Yntt

can

create

and

ptzty

perthrmztnce

patterns.

"F

P92

‘I

;

--

_

__

_

Ha

_

1

TEI*IF'iIt

I

-

. .

W

.

I

1

_

,_

hm

ct-tn

determine

the

tempo

It>|'cI;tt1t

plzwhzick.

ﬁr

P.

105

I

t.‘-et|uence

Ie:npi_r.t

'

,

I I

1

,._,

,t

,|_._

\\I""hen

the

'I'I3-‘E’

is

st-'ncI1rnniZetI

with

other

MIDI

tlevrces,

you

can

I

‘

II‘:

OIQ

V?

"

‘ ‘

I

""

“I

determine

whether

it

tmrks

as

;t

'SI;|\='e‘

clevice

or

1-1

‘II-"taster"

device.

I

1

I

"

I'.lI

I

..

I

tntltrnnrztttun

W

R

mu

pi

l

. , I

I

--

. , .

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. .

ii

I

I-II-.-I

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You

can

determine

huts"

the

ntetrrmnme

shnttld

sound

during

recording

It

I

I3\-"Ieti'nn<">tnet

and

pI;t'_t_-'I1;ri.'It.

K5?‘

I’.

III}

I

The

System

screen

;|IIn\\*s

gut: tn

set

the

psrtrnzeters

reI;tted

tn

the

entire

systerti

uIIthe

'I'II)~

‘I

sucli

ss

A-"III")I.

LCD

Contrast.

Atttlin

Output.

l')em0

song

pI;r§-'I>;tt"I<,

etc.

Pressing

[SYSTEM]

k.

I

Irwin

the

Patclt

Play

screen

will

select

the

St-'ster1t

screen.

The

menu

includes

the

IIl.}IIt_.)\\=’II1]_{:

3

I‘I

I

£31

‘r’nu

can

set

IIIIIDI

[31tt'1ti‘t1t‘IL‘t‘§._

such

as

MIDI

channel.

1%"

P.

I14

I

II:

tﬁettin

I

the

Inter-I

. .

I

I . I

I‘

You

can

cletermine

the

operzttionttl

t'n0£Ies

r>ITI)~7.

5%?‘

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I

Iztce

é\'It_It.IC.II

I I

.

If-II

t

Iﬂiti;-;]i;{t;')

Yrm

can

retrieve

the

Iltctnrj,-'

preset

data

.set't'ing:~I.

Witt"

P.

I32

1

I

‘

'

I

FE-1.1.?

tI*t_>r_>tswitcI:)

I

Yrrucztrtdeterminet|1eIIunetiunnIIt.heI'nutswitcI1.

It’-F

P134

]

I:1'EI"II...I

tDentt>Sun_t;st

A

You

cam

play

the

tleinonstrtititm

songs.

1?‘

P.

I9

I

I._I:§[3

You

can

ntljust

the

LC!)

c<_mtr;rst.

W’

P.

18

. I

;

--

..

.

This

determines

Ituw

to

nut

ut

si

Inats

t.Itruu

IIh

the

rear

mnel

out

ttl

I

j

EET

(ht--1tlncIhettt|*i)

I

_

P

‘I’

I-‘

I

P

,

I I

|;tcIts.

Q"

P.I39

]

35

Chapter

2

Basic

Operation/Inside

the

TD-7

2.

Inside

the

TD-7

The

TD»?

is

di\'itic*t|

into

.~setttions

as

§‘ii‘it}\\-‘I1

l)*:'it>\t‘:

PEDAL

K

N01-E

MAP

BLQCK

\

SEQUENCER

‘;§"i14;%i”

BLOCK

it

BLOCK

CONTHYLPEDAL

f

'"|Nsi|=tL1ivtE|§iT"]

\_co.._§FC_T'.9N--_

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INSTRUMENT

,...,_

W W W

M

W

M

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W W

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BLOCK

TRIGGER

t

I

PERFORMANCE

I

BLOCK

t

t_

se;IIO~_

1 1

,1;;;;‘;;§;I;;”;f

;

EFFECT

I

PERFORMANCE

it

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decide,

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git

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‘ti

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--

-- --

--

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1

Tht-:

Trigger

BIOCK

corwerts

the

t:'igger

:si_en:zl:§

ttwutetl

by

hitting

the

patls)

into

z\’l[l_)i

signziis.

'1

‘he

Instrument

BIOCR

(itf[t?l‘111iI1t.'-S

the

sound

of

an

iIISiI‘tll1iL’l1l.

The

'|"I.)-"F

t'ontain:~i

31.3

Instrument

sounds

‘I-\’|‘IiCii

are

mutle

from

the

;Z_"5t'}

wait-'t.-l'oi':1is.

The

N018

Map

BIOCR

assigns

L-lH.iiiSfftIiI1ti't"1l

to

each

MIDI

Note

Number.

That

is,

{rota

can

determine

the

instrument

to

he

|.1l:t_w:'t.l

in-*

hitting

1-1

pad

or

|"ihn.-'ing

it

t'{iIiI'it?L.‘it.‘t|

ktft-=l1t>;m.i.

The

Instrument

section

can

provicle

one

Note

Map

and

the

three

Performance

sections

can

providt-:

one

Note

Map

each.

This

Ci'L"2iitfS

11

total

of

Your

Note

ivlups.

The

Pedal

BIOCK

detennines

how

to

control

the

sound

module

with

the

i~Ii-l1;tt(Iontrol

Pedal

t

Fli-

Ti.

'

The

Effect

B|OCi<

prtxcesses

the

sountl

with

the

on-l.Jo;irtlel‘l‘ects(such

;i:.~i

t'e\-'e1‘h'.tz1d

i;lto1't1s).

The

Effect

section

contziins

two

independent

eI'l'ects

]7l't'.)L'tf.‘iStif$.

'|"he

Sequencer

Block

records

clzitzi

oI'tl1c*

I’lirase

Scqttencirr

and

pliiys

it

lmclt.

MIDI

sigiiais

sent

from

:1

n

extemal

det-‘ice

can

lac

l”L"L‘Of'(iL‘t'.i

via-1

the

Note

M11

p

Block.

Tvm

el'|'ect.~'.

um

he

tiseti

simuit-.1neouslt-Y.

The

MIDI

Input

/

Output

Block

sets

the

p:.ir:1mi':tcrs

rt;'t‘ei\'ing_

MIDI

niessaiges.

:3:

.-

Q3.

_l

1,.

A

"Note

Number”

is

the

numberassigned

to

each

key

of

a

keyboard.

A

“Sequencer”

is

a

device

that

records

and

plays

back

performance

data.

"MIDI"

stands

for

Musical

Instrument

Digitat

Inter—

face,

an

international

standard

for

communi-

cating

performance

infor-

mation

or

sound

se|ec~

tion

messages,

etc.

Chapter

2

Basic

Operation/Inside

the

TD-7

36

[1]

Parameters

in

a

Patch

.-'\

liatclt

is

11

tTttllt't‘i.ltiti

n|'sou1ttl

settings

tstoretl

at

a

titltIil)t‘t‘t;?Ll

iitcititin-'

location

).

\-';trinu.~;

st‘t'lltt§_1s

that

determine

ltnw

the

sonntl

should

he

playetl

are

storetl in

a

Patch.

A

Patch

is

in

turn

st:

wctl

in

the

internal

memory

olthe

Tl")-7.

.»\

Patch

il1L'ltItlt.'5.

among

t"_:tltertlti1tgs_

lt1.‘~itI'tii]iC‘I'il

and

cllt.-ct

.wttit1§_1s,

The

Tl‘)-7’

can

store

up to

52

tlillerent

I-‘atcltiss.

By

using

a

l'ootst\'itclt

while

a

Patt'h

is

ht:in_t;

|1lat-ml.

jrntt

can

in:='tantanctaisly

:<.elet‘t

a

nun"

l’att‘h.

The

new

Pzttch

may

have

t'om|>lete'ly

t|i|‘I"'ei'ent

stttttttls

t;mt.l

1.-fit-t.'ts

settings

'1

for

each

pad.

f.

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can

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in

t

he

l'igtire

1tl'K.)\‘L’.

many

t|il'l'et'ent

parameters

can

he

written

into

a

Patelt.

The

following

e\'plains

some

important

Patelt

p:.tramet"en<

oi

the

TD~?"'.

'l'wo

tlil'l'erent'

trigger

signals

are

output

tlepeiitling

on

l__1£'iVt'

you

strike

the

l’l')-I-’s;

a

signal

creatctl

h_\_'

hitting

the

head

Of

the pad

and

a

Rim

Shot

signal.

lRe1ne:nl_1et'.

Rim

Shot

signals

arecreatecl

ht"

hitting

the

head

and

rim

sections

ol

the

pad

at

the

same

time.)

Up

to

nine

l’If‘J-"F5

can

he

connected

to

the

Tl‘)-'.?.

so

a

maxizttuin

ol

18

trigger

signals

can

he

output.

Head

I-tit

Rim

Shot

_.---"L

@

lin

if

P:.1t't"h.

you

can

also

set

the

lnstrttrnent

assignment‘

that

determines

whitth

Instrument

should

he

olayctl

hy

hitting

a

pad

tor

playing

a

connected

keyboard).

How

the

Instrument

sounds

differs

in

the

instrument

section

and

{ht-.‘

Performance

section.

The

lttsttttmentseetitm

assigns

an

Instrument

o

each

i\=ote

Ntittilwer

and

titcrelore

each

pad

t'lteyi

will

sound

dillerenthr.

In the

Performance

section,

hovt-‘ct-ter.

the

same

sound

is

assigned

to

each

pad

(key).

In

the

Performance

sectiion.

one

instrument

sound

is

playecl

with

tlilTet'enl

pitcltcs.

=11

I

1:-:."Mem0ry“

is

the

place

(memory

IC)

where

data

can

be

stored

and

retrieved.

A

Ftim

Shot

is

a

per-

formance

technique

in

which

both

the

actual

pad

and the

rim

of

the

pad

are

struck

simultane~

ously.

If

you

only

hit

the

rim

of

the

pad,

the

proper

effect

will

not

be

obtained.

37

Chapter

2

Basic

Operation/Inside

the

TD-7

In

the

I

I1S{I‘tlI1]t..‘ﬂ{

suction,

twu

Inst.1'tt1ncnt:~'

are

atssigrtctl

to

unc

putl

t

kt;*_\-"

I.

T|tt:5t;*£\\"'t.'>:+ut1nd:§;t1't3

cztlletl

Sound

1

and

SOUﬂd

2.

Thu|1;t1';tmutc2‘cullcd

Layer

cam

he

Uh'L'L|EU£|L‘{Cfll"1it'tL‘|1t.}R\-'

tltcsc

.~+<':ttrtr.i.'~s

should

he

|1l;-{vs-cl.

\"rm

can

play

two

suttﬂtls

sinttrltzlm-:t.msl§-*

or

cI"1;1ngt+

the

t'un¢;*

t'|u:-:lit§=

depending

on

how

hard

you

play

the:

pads

{

keys

L

Sounds

can

he

selcctul

from

the

Suund

Group

called

"Instrument".

The

TD-'.-F’

contains

312

diffwcnt

Imtrtttnent

srmnd.<s.

[2]

Other

Parameters

Tlv:

pzmatttclers

that

C;'-{I1

he

written

into

l

he

it1[t’¥'i1Ll|

mt:t11<'1r§='

oftlw

TD-F‘

arc:

lnstru

ment.

Sequencer

and

System

Pl-U'£lll1t?lt."'I‘S.

An

lnstt'umu'nt

munti

is

t‘:‘<:;1tr:d

by

one

of

the

Z50

waveforms.

\"'Qu

can

create

y0t__.__1_r

_t_)t\-‘n

I'nstrun1cnt

sound

hyt-diti11gt|1c'

pats:-trztctcrs

tsuclt

as

the

Pitch.

l)::'c;1y

or

Pzmningt

of

:1

pztrticulztr

W;-tx-'cft;>rm

.

The

two

Effects

(Rex-'e;‘|'|.1.

Ch0ru.~a,

ctr.)

um

he

used

in

l'u1tht~:r

c:!1;tn_t;c

the

mtttttl.

r

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3.Grobal

Performance

Parameters

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73

1..

Setting

a

Patch

The

llollrming

cltupter

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p;tr;uuele|'.-

that

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then

|1re."~;s

[ENTER].

EPEEJTRIGEFHEPGW

“'3’TEF'*3“‘-l

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O

At

this

stage,

you

can

change

Patch

Numbers

by

rotating

the

[DATA]

dial.

up

®

Move

the

cursor

(using

['1]

and

[P]

Ho

HI-ll']E,tl1en

press

[ENTER].

Patch

Number

Patch

Name

l

ttttttttt

_

l

[P23]

F

Haneiﬁaoﬁee

T

@

at/lovetlteeursertusing

['1]

and

[P]

)toll1ePutc|'1

a\Iuml1erl‘ielt|.thenselerttl1el’;1tcl1Number

you

wish

to

name

using

the

[DATA]

tlinl.

ll

®

Move

the

cursortusing

[*1]

and

[P]

ttotl1eP:ttc|1Ntunefieltlzuulsturt

creating

the

Pzttclt

3

name.

T

®

Select

the

ﬁrst

clturacter

in

the

new

name

using

the

[DATA]

dial.

®

Press

[P]

to

move

to

the

Select

the

second

t'ltunu;te:'.

Proceed

in

this

manner

until

the

nante

is

complete.

®

Press

[EXIT]

three

times

to

return

to

the

P;uel1

play

screen.

l

Chapter

3

Patch

Setting

40

[2]

Assigning

a

Note

Number

to

a

Trigger

Signal

Tlic

'l'l

)3

is

ut|tti|1|1t-tltvith‘.1"l'|'it:gt=i'litpiit

i;t<.'lts.

lisittgttlte

.~;|wt'i|'iet.l

ptttlsl

lv‘l.)~?':

option-.2]

).

l$Trigger

Signals

um

he

t.'l

1nt'rullt'tl.

l;i;tt'lt

I‘l7-“.-111:1

titttptttu

Rim

Shut

rat;-mil

tie

utltlition

to

the

!~'~ltttiL'l;II'tl

t?entt~r-

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sigttttl

It

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the

rim

and

htxttl

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ptttl

1.:

re

nl;tt-*etl

sitmtltzmetittsly.

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wltett

9P1)-

T;

;ts't:

ttsctl.

iii

Trigger

Signals

(3

lrnm

t:;tt'|t

ptttlt

are

[l()S.'-'»ll§lL‘.

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/_;

‘.l

(""7"

t

->

T1

"re

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-

as

.

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1

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ll

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--

;

-

The

l‘0llt.>vt'ittg

tlt:st'til1e.<

ltott"

to

ttssigtt

1t

l\-'lll)l

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i\ittmlw:'

tn

tutclt

'l'rigge:*

5ig:t;tl.

The

S‘§’itil1t')lH

Tl

--

Ti?)

.~;ltot\"n

in

the

HL‘l'L'L’li

t'eprt.-watt

the

'l"t'tt1ger

Signttls

ct'e;1tt'tlwlie1t

tlte

head

("ll

:1

pail

is

hit.

ltl

—

R3.

repmettt

the

'l't'i;2,g1_t;*|'

Sigtittls

nutput

wlten

you

play

Rim

Sltets.

.-=\ssign

11

t\=lll"ll

Note

Ntittilit.-=1'l_i5~‘_)_?{t

tr)

catch

Tt'ig_ecr

Signal.

The

snttntl

moduli:

til

the

TD-7

will

he

p|;tt_§ct|

:.|ccnt't_ling

in

the

ttssigtttttl

Mitt?

;\it.|mhet'.

The

srtuml

or

pitch

that

ct1t"n:.~;pnntls

to

the

ttssigtietl

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t\'timl

wurwill

he

llt;‘1ti(l£lL"pL’t1LliI'l§1

en

wltetlter

the

lnstrutttent

erl’erf0ni1;tnt*e

st;-t'ti0n

is

lacing

usecl.

in

the

Instrument

Section.

at

L|il'l'erent

.*it_ItttI'ttlllt1Ht.t'tltl‘tL’t1l'l

is

1-tssignetl

tn

(31-!L‘l1

Mil’)!

i\*otr:

t\?tttnI1er

;tnt.l

tlttt-r|'c|'t

tt'ct|il'|'crcttt

sottntls

will

he

lttrurtl

lay

plttt-'in_g

ttil'l'ctc'nt

putts.

in

the

Performance

S9CliOl‘t.

|1t_i\t=.--wt.-:1

the

‘st-‘l

sntnttl‘

will

he

played

at

the

pitch

of

the

MIDI

Note

hiumher

th:-it

is

eutpttt

from

the

ptttl.

I-‘l;|§-*in_q

zt

Ptitl

will

t.1ut'pttt

the

t1tess;t_;c

nl’

the

set

;\-lll")l

hittte

Nttt11lit:rt.ltt'uuglt

lltt.’

MIDI OUT

ct)ttnt:t't't>t'

on

the

:'e;u'n|'tl1i:

unit.

' '

Cerresooedence

between

Note

Numbers

and

Names

_ _

__

lllllllllllllllllllllllllllllllllllllllllllllll

Note

Name

A0

Nora

Numbgf

21

--—--—-—

35

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he

was

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7

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_______

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____:

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7 7

_

A

“Trigger

Signal"

is

an

electric

impulse

gen-

erated

by

hitting

a

pad.

The

TD-7

can

detect

the

timing

and

strength

(velocity)

of

the

Trigger

Signal

via

high

speed

signal

processing.

r:>-A

“Note

Number”

is

the

nurnberassigned

to

each

key

on

a

keyboard.

For

a

detailed

expla-

nation

oi

how

to

set

the

transrnitchanneltorMlD|

messages

created

by

playing

a

pad,

refer

to

page

115.

41

Chapter

3

Patch

Setting

I

Setting

a

Note

Number

A

(D

Select

the

Pzttclt

l’l;ty

.~aereett.

then

press

[EDIT].

t

l

an

-an

®

Met-'e

the

t'ttr.sut'

to

l:'|—l“l‘i..1l"l.

then

press

[ENTER].

te

'retr::er*'l¥?

t=*ar=t

aereteeet-"

1§?F

l":::::::

I”T'i

""'.I"""

31%‘

I

At

this

stage,

you

can

change

Patch

Numbers

by

rotating

the

[DATA]

dial.

1

‘.

i

..-

®

t\='it_i\-"e

the

L11

rims‘

tn

Tl;-1

I

lit,

then

|1re.~as

[ENTER].

3

Trigger

SignaiNun'tber

Ltivel

Meter

tE1a{T1}eeeeeeee

5

Hate

#

*B?§D#b

Parameter

Name

Note

Name

t

Note

Number

@

Min-tr":

the

ctttwr

te

TF1

I

l.::i'=3:

T1

:3‘.

You

can

cltttnge

the

'['t"igger

Signal

i\iutnhe1'is

using

the

[DATA]

tliztl.

~

ll

eztternal

pads

are

eonnectetl,

playing

Ll

pad

will

ehitnge

the

Trigger

Signal

t\iuntl.1erul'tlt;tt

pad.

l

The

Level

Meter

reller;t:t

yttttr

pl;1_t_-‘ing

strengtlt.

@

Movethe

cttrsurttsing

['4]

and

[P].thenpre:ts[ENTEF-l].TlieLevelA-teterintliezttinnwill

eltange

to

Velocity

value.

l’i'essir1g

[E

NTER]

itlte.-mzttrt-rly

.<teleets

the

l..et='el

mete

r

or

\-ielr

teity

t-ttlue

]

intlietttittn.

Tera

Hate

..?,..

..-.9-.

.-,

..

.1"

l

>.,

<

.

01>

l

....-

-4.»

l

=i=i=i-ii

In-L

s

......_.!

I

t

1[ENTEH]

TEIE{T1}

13?

Hﬁié

#

“Z

§D#E

1

‘II

II

‘II

II

OII“j

ah

When

the

cursor

is

positioned

anywhere

except

the

Level

Meters,

you

can

perform

a

Jump

To

Note.

(rt

P.

48)

@

Nlot-re

tl1et:urs0rtotl"te

l’;tr:tn1eterN;tr1te,

then

seleetn

l'ltI=l_-I?"

#

by

rt.it;'-tt"ingtl'te

[DATA]

tlitll.

=t=

35(B1)-93(A6)arevaIid

ll

you

select

;t

tlit'l'et'ent

pztrttmeter

ltere.

you

can

set

\=’1tfll.)tlS

T't"igger'

p;tr;mtet'ers.

M

|

[)1

N

Q19

N

U

m

be

rs

®

Move

the

ctztenr

to

the

Note

Ntttnher.

then

set

the

t\it.)tt:

i\iuml.1er

using

the

[DATA]

dial.

A

The

Note

i\izune

is

5l]t'}Wli

tegetlter

witlt

the

iiute

t\iunthe1:

(Note

Names).

Chapter

3

Patch

Setting

42

[3]

Setting

Various

Trigger

Parameters

The

It

tllt1=.\'itt_t_1

p;tr;tmeter.-'

can

he

set

hit‘

the

Trigger

Sigttttls

uletrttlt

pzttl.

Yntt

can

set

them

in

:t

sintilztr

Witt-'

as

in

"3.

.r\ssi_ettin;1

;t

.\?i

tit?

ﬁrmly.-.'t'

tn

:1

"l'ri;.1}_tet‘

5ien;.tl"

ll’.

--l

l

i.

I

Gate

Time

:

Gate

Time

(O.t-

4.0

sec)

T

n

H

ﬁﬁﬁﬁﬁﬁ

Hi

*'":m

=11].

t.'3i~:

nun

I

I_

Ii

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r

§"*"‘*

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T

The

tiztte

Time

tletertnines

the

ztrtuttl

lt:ngt'lt

0|‘

time

tin

lnstrtttnent

will

.~1nt.mtl

trhen

:1

Ptttl

is

plrtyetl.

Gate

Time

is

eqttirttlent

tn

the

time

iron:

N0l9

Oi‘!

to

NOIQ

Oil

when

yeti

play

ti

A-"llli)l

lteyhnr-trt.l.

‘-—-ii-~

Gate

time

i-j’

Y

V

1,

1..............—

___...

_......‘

.............____......)

Time

V

NOTE‘

On

T

V

NOTE

T

Pad

ti-tar

S

ll.

l‘nt'e>;an1|.>le.

the

(latte

Time

set

let

at

paid

is

l‘;tirl*_t-'

lnn_e,

t

1

nr

2

secr.mr.lsi.

every

time

yrttt

strike

the

pad,

yeti

will

titttrilll

the

pt'e\‘it.>tts

shunt]

tmtl

t|'ip,_t2,et"

it

new

tine.

Gate

Time

Gate

Time

——-W

l

_-1

T

V

._

V

".:'_.'

T

Pad

Hll

Time

Y

Note

On

V

Note

Git

:\-"lnnt-'

tlrum

m;tt'ltine.~;

llI1{.l

|"ret't"trssit">:t

anttntl

I1t{tLltllt'*‘.“itf‘1il‘lﬁ(')l'

t*et?t'tgnize

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it

is

ret'untntent.letl

that

yr

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set

the

'l'l)-T

tn

ignore

Note

(.)l'ltttess;1ge-s.

ll

yntt

set

the

"Mite

OIT

lteceive

Stt-'itt.‘lt"

tr;

Oi\‘*

tl’.

ll?

i.

the

Tl')-7’

can

recognize

hitttc

(.)t'l*1ttess;ages.

\t=-‘hen

the

Gate

Titnettltn';rtit.tn

l'rt.m"t

Note

On

to

i\iot.e

Ol'l')tlieTD-"F

receives

islnngertlt;-tntltt-r

('iat.eTinte

set

lnr

the

internal

sutmtl

ntntlule.

the

st

tttntl

will

strip

even

ltelnre

i\inte

Oil‘

t1tes.~;;t;._';es

:1

re

rerteivetl.

(See

ligttre

ll

lveltny).

\lt-‘lien

the

ret'ei\'etl

Gttte

Time

is

slterter.

the

hiote

Oil

rttessttge=s

will

he

retingnizetl

wlten

reeeivetl.

t1§it*t.+

figure

h

ltelntwzi

V0

Ufl'i6

~

t

_

5'“

Time

A

Note

On

A

Gate

Time

A

N019

Q"

I

Gate

Time

Fig.

a

Fig.

b

r:r~The

TD-7's

default

setting

is

“Note

Oit

Pleceive

Switch"

OFF.

=4;-The

Gate

Time

of the

intemal

sound

module

can

be

set

with

the

Decay

of

the

instrument

in

the

Edit

screen.

er

P.

83

_

__

-~;_.L__s:;.

1

if

1

_

_.__.

.

_

m__::._.__..

43

Chapter

3

Patch

Setting

O

Cross

Talk

Cancel

Group

:

CrsTlkGrp

(1-

4/

OFF)

=

l

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the

\'iln';|tit1ns

L‘1ltlHL‘Ll

ht‘

st:'il<i|1;.;uz1u

pml

znny

in;ttl\'u|'tct1tl_\_-'

tt‘iggct'tl'1csuttnclrs

ut'nt.|1cr

|>;1t|.».

The

'(.I1'us.~;

Tull;

(.I;mu.'l

t'.'}rnu|\'

p1'c\"u11t;~;

suclt

t."t'ru1's.

==\ﬁ§ii§J,t1;tll

the

p-.-lcls

in

:1

gt"<>Ls|atl|1c

|)1lLl

pl;1}.-val

and

ll1u;~;c

;|l'lL-cm!

hy

the

\-'i|1t".1tittnsltl1c

>"-;1m¢:

number

t'.(Im.~;.s

Tull;

C;t|tL‘L"l

G1'0t|p

=

ON

J.

Tu

turn

all

this

lilnctititn.

at-t

to

l:|Fl:.

I

Velocity

Sense

Curve

:

VelCurve

(NORMAL1/2/3/4/F

lX32/64/96/

127)

A

TREE-=I§T1

j:=-meme

Uelﬁuvue

m

Hnvmes

The

Velocity

Sense

CUWe1'c|1|‘esct1tst|tt:

‘stn:11;:,tl1'

will:

\\'lticltu=.tcl1

ptul

is

|1l;|jt-ul.

\X-=’lte:"t.»1'tt=.>

ll

-':'

The

volume

of the

TD~

“NC)l'{t\-'lAL"

(l‘l1IIl“"'i"'t

1,

tltc

mltlntc

will

il}L'l't'Ll5L‘?

by

plat-’i:1§_.s,

Iturtlt.-1'.

There

11

re

-l

;\EOR;\-lAl..

cutws.

(Sec

Ts

internal

sound

source

llgttre

at

helt'j>w.')

\t-’l'tcn

“FIX”

(

F

i

3-:1

1

i_~;

_~;<;»lt;,~<_*tet.|.

the

volume

will

nut

he

;:t'lbctecl

Ivy

playing

slmtgtlt

depends

u

pon

the

tie.

the

vuluntc

rcmztins

c0|1.~;t;ml).

Tlttirc

arc

FIX

t.'Lu"w.~;

with

tlil'lL‘rent'

\'L'l0cit5-'

\-';tlt1¢*s.

(Sec

ligutt‘

I1

received

velocity

value.

l.>el0w.

t

_

/l\

t

V‘-”'°°i*Y

V“""°°“Y

FtX

:27

nu

In

Hr

In

-In

-I

II

In

I-I I-I

-Iv

II

III

In

II

Ir

@————

——————————————

——1-¢_—;;;i_—;:_—__—_:___:::_;;——————;;

-5-

-‘

\

j

I1

iiiili

i

ii

11

i

J

FIX

es

t

96‘

Ftx

54

--——---—~

-—--

--—

-

------~

=

FlX

32

;

—

j

—

eﬁewww

MIN

Strength

of

hitting

the

pad

MAX

Mm

Strength

of

hitting

the pad

MAX

Fig.

a

Fig.

b

O

Sequence

Pattern

Number

:

8eqF’tn

#

(OFF/

1~48)

A;

Id

TEI@{T1}meeeeeee

5eePtn

# e

E4

Hitting

at

pad

will

trigger

the

zlssigtteal

Seqttenur

l."'.-ttttsm.

The

Scqtlc11cc:l’uttc:'nwill

;tlst..1|">r:lt'iggc1'¢cl

;

by

rcrctsix-'ing

:1

MIDI

Note

On

ttttsssztge.

\‘€’licn

set

to

l:lFl:,

nu

Seqttcnce

Pzutern

will

he

plztyetl.

1-24

}

are

Lise!

Patterns

and

2348

are

Preset

l‘;ttt.<:r:1s.

l

Chapter

3%

Patch

Setting

44

0

Choke

1

Choke

(om/ot=t=)

''''

liﬂeeeeeeee

tohe

W

5%

n-I

p

up

~e

efe

i---I

Lt.

0

'

I

g 0

an

"the

(jltt

the

t:l'l't*ct

tlk

it

Qt-'tttl>;tls.

cttt.

t

ram

its

ohtztinetl

witch

ttsittt;

Pl)-‘F’

|7;t£lS.

The

Cltolte

ellllcct

ttttttes

the

sotttttl

ttltvtt

the

rim

nl'tltt-'

p;ttl

is

lt..ItlL'llL'£l

tn"

;.1t';tltl\e<l.

\‘i-‘limit

it

is

set

to

Cllrlt.

the

(Iltokc

elletft

t';tt"tnt.il.

ht:

t'tht;tittt.*tl.

I

Automatic

Parameter

setting

:

Auto

(MING-*MAX3)

*,“{T1}eeeeeeee

“m-:

NIH

Etimee

II;

2'":

Z...

I3

1"!"

t--1

.Z

U

2321

tilt

ml};

striltc

;t

ptttl

six

tlmv.~;—t

ltrtrt?

i

itttes

.~+ol'tlt-'.

tltrcc

téntvs

sttottgly—zttwttlittgg

tothc

tttess;tgt'sltt.m-’tt

in

the

t'li.<pl;ty.

The

llnllou-=ittg

p;lr;tmettr|'.~:

lj:\-"lax

I')§,-ttzttttit":-""3-"linitttttm

l)ytt;ttttit'_.="'Mttslt.

Titnts,--""Tl1t't:sltt'iltl

l.cn.-l

t

will

he

sot

Lltllttlt1;tilt.‘;lll}'.

lllytttt

t.‘t'iﬂlil'ltiL'

ltittingthup;ttl.tl1et|ispl;ty\\'ill

t'lt;tt1_gt-tts

stltowtt

hclott-':

Pi

I

i-l

1‘.

t=te:§-

es»

l'*l

I

t--t

t='i|:=t"~e

»~

Pt

It

I"-l

1

t='i

1:1

t"-e

l"=lt3i=-=Z

IIEl’r..-

i

mes-

>

l*lt3ti=-=1

1.33

r="i=:tt"-t-:-:=

>

l=lt3'ti=-=i

it

t=t=:::r'~e

s>

‘SET

Ett-=II

E

"“

n"

“

‘Q

;.

._.,,.

-1-p-iv

ac»:

4-uh»

,- -,

1.

..-.

_

,.

.t..

1“.

..-.

9

1.»

H»

H¢-

¢-»

no¢1

I

I I

Ii

1?

IZ

Q

I

ID

—-l

15"!"

t---t

#3

G‘

I

H

$2

Ill.-

‘TI

-'E'=i'-

llt-'ou

do

not

.~;ttcctretl,:"tto\'t:tltt'

L'llI'.‘~;ttl'tlSll'1§.1

[4]

ztntl

[I-]

,.-eelectzttlil‘l'ct'untP:tt';ttttetet‘scrtwthwitlt

the

[DATA]

tliztl.

.*+t‘lt.'L'Tl

the

l:li.~l'lI.-1'11

st'|'cctt

113111511.

zttttl

then

hit

the

ptttls,

_

This

|)I't_tL'L'Lll.ti't’

itllntt-*5

you

to

set

the

mztxintum

nntl

minimum

\-'olt:tttt.'

ltrt't:l.~;

{'tl7litll"lL"'£l

Item

the

patls.

Thttt

i.~;_

plat-'in_t.:

lt:_t|'tlu-r

than

the

set

maxitttttnt

voltittte

let-'t*l

will

net

inrreztse

the

v'elt.tntt:.

Similztrly‘.

]"tl".t§'itt‘t_'-,1

sollttrt

tltittt

the

set

tttittitttuttt

ltcwl

will

not

tl-:t'tt';tst?

the

t--'t'1lutttt=.

l

I.‘

=l=

If

you

hit

the

pad

while

grabbing

hold

of

the

rim,

decay

will

be

shortened.

It

can

be

simulated

the

Mute

Triangle

effect.

It

you

wish

to

change

the

maximum

and

minimum

levels,

repeat

the

pro-

cedure

or

edit

the

tol-

lowing

parameters

(Max

Dynamic/Minimum

Dynamic/Mask

Time!

Threshold

Level).

W

_

__

_

"W,

if

i

7 7

S S

isiininil

_ _ _

,,_

__

S

___ii

45

Chapter

3

Patch

Setting

I

Max

Dynamic

I

Minimum

Dynamic

:

Max

Dyna

I

Min

Dyna

(1

-

16)

an

l

-4»

H

;TE15{T1}eeeaeaeal

Ha

Dena

ewm

ta

I-I

II‘

l

‘ll

I I

G

;

g

-

_-

<-,

...-,

-OCl—O

....u.

,.._,

‘

.

'"U4Y

--

H

----i~

4-as

~

n

t

‘

. .

‘V;

:

:1

H“

1-in

t

3

t

'

|,

'

¢

1

1+

w-

.

u

I

0 0

‘

tﬁin

Dena

eg

lé

l’l;t}'ittg

tlt-'tt;ttttic.~'

t-‘an-'

llt't'.ittt

pl;tt’t*t‘

to

|>l;t}-'et'.

ztntl

the

larval

ttl"l't'tggn't‘

Sigttttlx

t-11

rt-'

ht

mt

putl

ma

ttt:l11t_'t'ttrtrr

to

p:tt.;l

1t1'.tnttl';:t'turt:r.

The

;\-lttx

[)§'n;tthit'

and

;\'linimt.tm

I)yn;1mic

settings

t'('ttttpr.'*nS;lltf

for

such

tlil'l'c1"cttt'cstttttl

lltlllllllllfl

-.t

mitximum

dynamic

range.

Tu

set

the

5\-lax

and

t\'lll1ltlttll'll

l')t*tt;tt1tit.:s,

spt:t:il't"

the

"l'1'Egg§_§t*r

.R.i§.;n.tl

level

oi

the

putl:-i

that

tot-rcs|*»ntttls

to

the

tttztximtittt

ttntl

tninittttitn

\-ttltte.-s

of

the

:\-"lll'.')l

\-’ulocit'_t--'.

\ll='lten

your

playing

\-“clocitt,-'

is

low

tic.

_t_*ott'rc

[tl1t§-‘l£'l_t_.{

st'il"tly)

or

the

'l"riggn*t'

Signzil

level

til

the

patls

is

low.

set

the

Max

ztntl

t\-‘linimum

l)t=-'n;tmit"

l':tirl\='

lttw.

Atty

'l"rigget

Sigttttl

;tl_1t'j>vc

the

lcvtrl

set

witlt

t.l1c§\-lax

l)5*tt;ttttit"

will

he

rt-gztnlctl

‘.-l.‘i

\-=’='-;-locitt-'

I37‘.

Atty

Trigger

Signal

ltm-'ct'tl1;t1t

the

let-el

.wct'

xx-'itlt

the

trlinintttm

l')yn;miit'

will

he

1'cg:tt'tlt-1|

as

the

\-"'c*lt1t'it'y

t=-':.tltt<-.-

st-rt

witlt

the

A-linit'ttttnt

\-"t;'lt_icity

1'ul'ct'rctl

to

in

the

l'ollot\'ing

|t;tr'.-ttttettrr.

I

Minimum

Velocity

:

Min

Velo

(1-

64)

TR15{T1}eaaeeaae

Win

UE1Q

m

S4

You

may

at

tintcs

wish

to

ntztintain

:1

minimum

volunte

level

even

wlttsn

playing

very

sol'tly.

t\*1init1tttn1

Velocity

st-':ts

this

volttmt:

lcvcl.

Any

Trigger

Signal

lower"

than

the

level

set

with

the

Min

l)ytt;tttt.ir‘

is

1't*g:tt'tlt*tl

as

the

\-='t+lot'itt,'

tztlttt-'

set

ltcrc.

‘Jclocity

\-':tlue

can

he

set

o\=t—.t"

.l.t.3

steps.

The

l'igurc

s|to\'\'n

in

the

tlispl;ty

t'ept'c.<ettts

the

l\-illltl

wlority

\-':.tlttc.

MlDt

Velocity

127

*

* *

— —

—

H

--

I

x

-

\

x

\\

x-

u,eq

_

M

)%ﬁ‘

Velocity

Curve

I

1

*

t

Minimum

Velocity

: 1

l

Minimum

Dynamic

:

1

Max

Dynamic

1

16

I

t

Minimum

Velocity

‘

I

"

*

P

—=;—s——~ss—~*****»**»s————i-Pm

Input

Trigger

Signet

Levet

1

1-»

as

1

Minimum

Dynamic

Max

Dynamic

1/

I

;

l

t

r:-“Dynamic

range"

is

the

difference

between

the

maximum

and

minimum

volume

levels.

=The

volume

of

the

TD-

7‘s

internal

sound

module

is

determined

by

the

Velocity

value

set

here.

Chapter

3

Patch

Setting

46

I

Mask

Time

:

Mask

Time

(O~l24ms)

"

I

:;:"§'

:11:

J

it-1

1

‘I

n-H...

4“-.

5|“

;F§.§

ﬂ

1-11$

I“

C

i

...:n

‘I

‘-

=

“"'

.:I..

F

l

.11‘

£2

ml

£..

13".?

I’:

t---t

t:j.=

-~'-i

"-4

;...:

.

;.....:.

""-"1

1‘

'0

{Ii

on

ml

I

0

Tllis

p:tr;ln1ctc1'sltrtultl

he

wt

l't..n'p;1tl.~;t|t;tt

tend

tn

utetttc

double

triggers,

surll

as

tltc

Ititflc

pt-tl;tl.

l-Iwn

*;\-'ltt.*n

2111.111:

ll'l;tl1

unul':'i_<_1;}.1t*r.‘iigz1;1l

is

tmtlctl

tt-'il'ltin

t|1e.~i~:t

time.

the

latter

si}_tn;tl

will

he

i§_tntn"ctl.

ln

thel'igttrclwclmt-'.'l't‘itt_et*|*Si;.1n;tls

®

and

(3)

will

t';tt.l.~+.t'

the

snttntl

tn

he

|1l;|3'ctl.

\\-"hill:

.‘il_l1l'lLll

@

will

nut.

The

time

can

he

act

in

~i

tttst-1‘ste|ws.

Trigger

Signal

(-3

(3 (9

H

i

~

»-

e

i

eel

_

'z—W>_<—~—=<~

e

W

V

WW’

Time

no-nap.

nun-an-an

Mask

Time

>

T"

OThre-shold

Level

:

Threshold

(1-16)

I

M‘

-"

"w

":11:

::::

ti‘?

J

'-

-‘

:24;

E

":15;

‘I ‘I

I‘

I.

X?‘

?§

P‘

dz:

‘Ii

P

IX

1

II

:

H-I

1

§

I

E

l

‘nu

-:-':'

i

-

u

_...

an:

_'-_'.

1

I

J

=

1

-

|

?

.

A

i

I

‘I

-

‘

It

l

\

{

I I

'

3“

\\

hut

tht

let-ml

ml

the

'I'rit;qet'

Signal

sent

front

at

pa-tcl

islr>wertl1:1n

the

set

tl1reshult"l

|t'=-\-'t:l.

no

seuntl

is

lL’.llL

l

sllllilltlﬁ|l;;';ll'lll'L.lf{_')til.TLll1|"tI'ﬁf\’t?l1llllL’

\'ll1i'I-lllf_}l1Slht'('t!11{'l'l€P;l{l

lveing|1l:t§'t+tll'n'm1

generating

"I

I

segut

\l_s.;t11t|s

in

'ttli-u;e11l"p'-ttls.

ln

the

ligurc

helnw.

l'rigge1‘Sigt1:-tl

@

will

cttuse

the

.~"ntmtllc'1l1t=:plztyctl

xx

lult

~.t<tn;t|s

@

and

@

will

not.-

~"l

‘ll

0

d

Lave

9

®

@

Thrash

he

*

—

ll

—

it

****

el>

Time

ll

=

l

l l

ll

:—;

_

—_

¢—_—__

-

-+L-

—

fr:

__

_

——_—

_

---

_:_

i—_—

--

‘

A“Doubletrigger"

occurs

when

two

(or

motel

Trigger

Signals

are

generated

when

only

one

was

intended.

47

Chapter

3

Patch

Setting

[Useful

Functions

for

setting

Trigger

Parameters]

1

'|"|tr:l"t1l|t>\\-“trig

r:.~;pl;tin.~;"_lttt11|1'l'e

Nuts"

and

"l’n-\‘icn'

list-"I

'1

‘lit-su

lttnutit

111$

will

t1‘pt‘c‘t'l

up

llttf

prt

1t_‘t-‘as

A

-

.

. .

_

ll

ul

.‘~lULll1'Ll(_‘£lIllIl}.1ElllLl

:t1o|t:tonn;..:

wltcn

you

sci

the

lrlggtn‘

l".tt'".ttttt:tt.'t‘.~;.

_

I

Jump

To

Note

Wltett

you

ttrta

setting

l't'i__t;.§;.;t't'

p-.tt':ttt1c'tt.=t‘:~.

you

can

use

the

lump

To

;\.’ntt-

lltteutitm

tn

t'lt;ln;.;c

Elli:

‘

=;=

when

the

(;u{$Q{

lg

lnstrttmrrttt

;ts.sigttct.l

to

it

1\§t_>te

Ntt:'ttl1t't'.

lising

this

l'uttt."tiun.

lftltl

um

qtticlth-'

.~+ul::t."l

thc

.\(1lL’

r+t't*t't*tt

l.;l.<-

pggiﬂgngd

at

Level

Meta;

yet:

meet!

not

n:tt'ie\'e

the

Llatsiti

.~;c1'ecn

ht-'

|1t't*s.s'it1§.t

[EXIT]

'1.

l

(O;

velocity

\/awe),

Jump

E

To

Note

cannot

be

used.

(ID

.‘5r:|cct

the

‘l't'iggc*t'

l’;1t";t11tcte|'

st.-rttiitg

st.*t"t;=r:-:1.

then

prt:.~2.~s

[ENTER].

"l"|t<-2

t.'|ispl;t5*

re.~epr'_>tttl.s

t\'it'h

l:-ll“

E‘

‘xiii!

L4

1:-“I-t.1tlr"'*E':5?'.

ﬁve

emu

euve

?

.1

Ll

l

=1

F‘

1;. 2::

H i:i

"

“"1

ll“?

ilili

®

l":'t:ss

[ENTER]

to

.~at:let'"t

the

.~;t'rt'ctt

l't.>t';t.ssi_u;t1int1

an

lttst|'utttct'tt

to

;t

Note

Ntttttlm.

. .

M

'l"ut.*;1t1t'el

t|lcjtt:1t|)"l't>

New

ttttltltf.

|"1|‘css

[EXIT].

I

Preview

Key

it

\.\»*'lu+n

'_~.='ott

1111-

in

tl1c'l'1'igger

Patrtttneter

settirtg

st'1'eet1._

[1]([SYSTEM]).

[2]([SEQUENCEFl])

zmtl

[3]([EDlT])

will

l.)L‘L‘0ltlL‘

l"t'~;'*\.-'ie\t»-'

Key-*s.'llt;1t

is,

ct-’t'tt

ilno

ptttl

or

MIDI

tlct--'icl:

is

LTt)l]l1t';fClL‘Ll

to

the

l

'l'l_?l-?,|1rc*s;~;i|1gtltesckeys

will

trigger

llu:

'l‘l')~?‘sst1>titttls.

[1

]([SYSTEM])

trig_s;cr':s

:1

s0l"t

sound

l.

t-'cli'.>t.'it'y

t

val

tic

52,1,

[2]([SEQU

ENCE

at

lllL‘(llLlll!

let-"cl

sou

nd

l\-'clt>cit)-'

\-ttluc

ti--'-t

i.

tr

ml

[3]([E

DlT]).

:1

loud

souttd

(\"t*l0t'it"jt=

vztluc

l.Z?’l.

A

ell

.l

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_____

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Chapter

3

Patch

Setting

48

[4]

Instrument

Section

"l":'ig.1§..tct"

5i_<.;nrtl

will

pl;n'

;t

tlil'lL'1‘t.*r1t

ln.~@tt'tttnent.

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from

xx-"islt

to

rlssigrt

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t;';l(lt

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Number

INSTRUMENT

SECTION

Trigger

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8

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to

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Sounds

1

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2

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1

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2

r-;‘~

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lttstrtttttent

tr_ru;tr'ltl\ir">tt.-'

Nurnlver.

That

is_c;1r__'lt

I

'i"The

Instrument

Section

is

similar

to

the

“Drum

Part"

(or

Flhythm

Part)

in

a

MIDI

rnulti-timbral

sound

module.

It

is

also

similar

in

that

a

different

sound

is

heard

from

each

key

on

a

MIDI

keyboard.

Yul:umztssigttl\\'r1tlil"|l't't'tttlnstt'ttntt'ntstmme‘luteNttnthtrrttttrczttcvttriuttstttiXittgr;*l‘l‘t:t‘ts.

Tltisirt

r--1--For

a

detailed

expla-

t‘;tllcr;l

"Layer".

Tlw

turn

lﬁSll'1.llllL'lllhT

are

tfztllctl

SOUt'tCl

1

and

Sound

2.

nation

of

setting

Layers,

.-"\

tlil'l'c1'cnt

F’

i

lL-

I2

l":

can

he

set

lnr

hrrtlt

St

rtmtl

l

:1

ntl

.‘§r_>t.1ntl

2

.

The

pitch

is\';t1"i:tl1|c

in

surtti-tr.me

l

ll,lt')

refer

to

page

52.

rt-rnt

1

ratr.-‘pa.

lrutn

—~-ittliitt_t

In

+¢rt~Tt..tt_'.l

t'cnt's.

F

-

PA

"Cent"

is

a

unit

of

pitch.

1

cent

is

1/100th

of

a

I

Setting

the

instrument

and

Pitch

semi-tone.

@

hL‘lt‘tTl'

the

l’;ttt'h

Plrty

.s't‘n-rt.-n.

then

|1r"c.~ss

[EDlT].

\

®

it-‘lane

the

t't_rt".su|'

tn

Plzll-l_l:§l'l.

than

]7l't'5H

[ENTER].

tasa1TeratFareaa

entstenatnnnsras

O

At

this

stage,

you can

change

Patch

Numbers

by

rotating

the

[DATA]

dial.

49

Chapter

3

Patch

Setting

®

it-lo\-‘e

the

t'ttrsr.n'

to

l"-ll..l_l-E.

tlton

paws"

[ENTER].

Select

Sound,

Layer

or

Jump

Note

Number

HUTE€#3E?5ound1

I“5tm@T5lTi9htrH

llrlove

the

cursor

to

the

Note

r\’ttr11l"ir;-r.

tltcn

select

:1

i\iot.c

:\iumher

using

the

[DATA]

dial.

ll

you

])t'c.'s's

[ENTER]

ltcrc.

the

screen

sltows

the

2\iotr.+

mt:

ittstertrl

ol

.\intc

r\itttnht:r.

l’r‘essing

[ENTE

R]

again

-l

will

rctrict-'1:

the

i\-‘otr:

;\lttttt|1r:t'tlispl1tt'.

[ [

lnstrulnent

Group

l,

Instrument

Name

Instrument

Number

l

Select

Instrument

or

Pitch

l

=1:

One

of

the

following

screens

may

be

shown

instead

of the

Sound

1

screen.

lf

this

happens,

move

the

cursor

to

the

far

right

on the

first

line

in

the

screen,

then

select

the

Sound

1

screen

(Eor.-tr'rr:rl1)

using

the

[DATA]dmL

Note

Name

norsressissdaae

A

lInst=@3?i

Huee.Hj

-@»i

,l,__m

»—~w»;~ii

HGTE{#3€¥LfaeP

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"bound1

l

T

'l'

-:j_

:

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.

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I-4

IIIFF

l

1:

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.

J.

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2_l

_

_ _

________--

g

,

M

shuts

,,-

-cc -

.

l

l-liIIiTE-=11#iT;3E=fI=*-Jl=‘Tr"i'3

rwrs

-ie.

rrrar

Chapter

3

Patch

Setting

Keen,’

K

;_

.

e~_,

H

,..._..._

.

_

W.

..,

_

__

_

__

_

__

___

_

_W

_

@

Select

the

lnshtttnent

to

he

;tssi_u,1tetl

ht‘

rrat;ttin§.t

the

[DATA]

dial.

‘rt-"lie-rt

you

more

the

tursur

witlt

[4]

and

[Pr].

Mite

;\iumher

E1131.-it"tr3

1

.

Ii"tE-T.-.

lE.:l?5.

T

i

*3

l"t'l°_r

and

ii:

will

llztslt.

'l'r1tflt;tnj.tetltt.'

\-':.tlue.~'.

more

the

t.'tlI'.\'t3l'llllllL‘

relemnl

pttHilirtt1,lltett

rotate

the

[DATA]

dial.

l)epet1tling

on

the

t't1t'.~".or

position.

r;lil'|'erenl

p;tt‘:trtteter.~e

can

he

etliterl.

‘=3:

:3‘

......

..

The

Note

?\'uml>er

otn

he

etliterl.

Elot.4r"n;l1

Yr

ill

can

set

the

li_>llowin_=.1

p;|r;tmeler.~;hy

rnovlrrg

t|iet'ursr1r'tntlris

position

and

rotating

the

[DATA]

tliatl.

.

Sountll

giiii.-li"tII:l1

1

You

cart

rrrljust

the

settirtgs

for

Shunt!

l.

Srrttntl

.2

Eilllii.-li't=I.‘l:;:

:

‘t'rittt';tn

tttljusl

the

wtlittgsl'r>|'F§nttnt.l

.2.

lrtyer

l.-3';-..-RE-*l""'

;

You

can

rrrljust

tl1esettirt§_1s

lot‘

Layer.

1'1“

I‘.

-32

lttmp

Tr>Trig§.re*r'

-.:lF"Tl""i*3

;

‘1’rrtt't‘;t|t

jt|:nptntliest‘reenlot‘setting'l‘rigger

Pztrttmeters.

P.

3'5

I

i"'iE-

T:

..........

..Yr

Ill

can

select

the

tlesirerl

lnslrtlment.

‘r"ot|

can

L‘l1;lI'l]__{t.‘

the

pitrch

nlthe

lnstrtrrnent

hy

seleel

int;

Pitch

trains,

the

[DATA]

rlirtl.

The

\':u'i;1hle

rrtnge

oi

the

pitclt

is

-=itil.il'J

-

+~"'ltitltj.l

rents.

The

pitch

can

he

Cltttngetl

in

semi-tone

t

lt_)l_)

cents)

steps.

l-~-|rZi"t‘E

-=11tt=Zi1r5.I:=-Eii:lr_rr-rat

sites

e

~4een

l-:i?l'§

.............

..

You

can

select

an

Irtstrttntent

with

the

eort'espr_>nrling

number.

lrorn

1512.

T

It.

'§.3il"ti..-

......

..

You

can

selet:t

an

instrument

with

the

corresponding

name.

li:

....................

..

You

can

st-:lr:et

an

lnstruntent

with

the

c‘ttt'1'e.~apotttling

group

name-

O

Hitting

a

pad

will

automatically

select

the

MIDI

Note

Number

assigned

to

the

Trigger

signal

of

that

pad.

OAs

the

TD-7

receives

the

MIDI

Note

messages,

the

received

MIDI

Note

Number

will

be

automatically

selected.

O

It

you

select

EIot.tt~"rr::ll.'§-.'

in

step

@,

you

can

set

the

parameters

for

Sound

2.

rt»

The

name

and

the

group

name

of

the

instrument

can

be

set

easily.

sir

P.

82

l

-1:»

Be

sure

to

set

the

receive

and

transmit

MlDl

chan~

nelsto

the

same

number.

51

Chapter

3

Patch

Setting

b.Layer

1;1I2d5t1tit‘tt.t2.réttlltihLit1L‘ULl§|§.-'.

lt'l,;tycri.~;

*

st.-‘E

to

with‘

Sutlttd

l

will

he

]?];-.t‘_s-"’t.".‘L|.

'Tl'1crc

am:

tire

types

ul‘

L;tyt:r.~;:

Velocity

Mixtt-rt;

i-.-'+§5=ltZ1

Pt

ii:-=Z

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two

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tr

>

1.:

pad

are

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ttil‘tL*:"ur1t

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tlupu11rIirtgr.>n

l'1m\'

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3-1

us

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h)\\-'

srrttittg

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play

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ltighur

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Sound

1

VOLUME

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Sound

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only

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play

the

p;.1d.s

\'t.'ry

ttzml.

VOLUME

Sound

1

Sound

2

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ltrmrrl

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time

I'l<:_1vve\-'¢rr,

h»:+|'et.l1t3r>\-'<:r';|||

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tixctl

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is

nut

;r['tL=t"t-ml

l1j.'3'r>11r'|1I;ryin_r;

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playing

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clc-tc:':11ines

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l1ig!1erset't'ing

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play

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ltztrtl.

lﬂeup

in

rniml

that

the

zttitttul

mlumc

level

lwrml

will

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m

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volume.

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1

Sound

2

+

un)-

=-:2:

SW2

E555

EEHEEE

E

7,

*7

,,

"'E‘*0C'TY

1

e,..

8

1

When

the

Layer

function

is

being

used,

two

sounds

are

played

by

one

Note

ON

message.

Although

the

TD~7

can

play

up

to

14

notes

at

once.

this

number

witl

be

reduced

when

using

the

Layer

function.

It

this

causesproblemstoryou.

set

the

Layer

parameter

of

some

Instruments

to

tIYtFF.

r

_

1?:

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V V

__

1

_,__,

_

W

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3

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Setting

52

Velocity

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1

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1

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set.

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1-",,.,.|,‘

-may-p--emu.

y|u|nuululI|nv_.,,'.-,-

ltooylanlnn.

puulnnooau.

nIQllIIIIll~

i

I

p

nnnbl

nan

I

n-||

anon

‘

.

%.:::m::::::

_

__

IIIlIIIIII.IIBIUUu~

JIIIIII

litnlll.

Jplnilllillbhﬂh

vE‘"C’C'TY

1

_._._.;..;;._-

4,

8

I

Setting

the

Layer

Parameters

(D

.‘~}uIct't

tltt.’

I-‘atttlt

I‘I;|_\'

st't't;'t:tt.

tlttctt

|vre.~;.~',

[EDIT].

®

.\-"It

rt-‘tr

the

<.it.tr'sor

to

I:'l:ITI:I‘I.

then

pt't.*ss

[ENTER].

I

sreateee

l

rt

:11:

r-ta

t

PF"

nun

t"""l

"'3"

..-'-2

._:i

#3:

L....i

"U

--t

I71"?

i""'

t-'-2

um:

"""

*...

..:I..

HQTE

O

If

you

rotate

the

[DATA]

dial

here,

you can

change

Patch

Numbers.

®

Ftlove

the

t‘t1|'.~sur

tnI'I|:5-I-E

ttsittg

I4]

tttttl

[F-]_thcn

|1rc.ss[ENTEFl].

Q1)

Select

;t

I.-.t_\_-er

screen

ttsitt_t{tI't1;*

[DATA]

dial.

Fit"

P.

it.)

®

Ftlm-'=:

the

tftrrsnr

to

the

layer

Typo

licltl,

then

.~aeIet'.'t

the

layer

'l'§-tpe

rising

the

[DATA]

dial.

.""~

"'1:-'

‘min

-dam

{fr

:2

g...-.4

.5

"Ei#?E§LaeePﬁH

III

L

. I

C

CDIDO

! :

1

._.

_..._

‘

’%

‘I

I.

I“.

nqil

CDC

A

t t

Layer

Type

Value

I

Q

Il'yotr

wislt

toclmngctl1cNotv

?\ttrmIwr__

rnovctlwtft.trsortot.Itt:

.‘-tote

?\tumher

field

using

['1]

artd

[P]

.

then

t'r_>t';ttt;*

tlw

[DATA]

t.Ii:tI.

@

1\-‘lot-"ctltc

ctzrsor

to

the

value

lttrltl.

then

set

the

\';tIu:;*

with

the

[DATA]

tli;-tl.

l

1:»

Patch

Play

Screen

er

P.

17

=t=

7horE£#e§as5o£a1

IHet=3E4=Pnd$e.PI

One

of

the

following

screens

may

be

shown

instead

of

the

Layer

screen.

It

this

happens,

move

the

cursor

to

the

far

right

on

the

first

line

in

the

screen,

then

select

the

Layer

screen

if

A A

-

(L-a'=tet"-

1)

using

the

[DATA]

dial.

H@TE{#9E?5oundE

Ina£=152=RokeP.$i

4e—4—:t.

;jHoTE{#a2>JeTwia

f

lee

r@_"HB?.

I

____

___-

__

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W

_

:.______..;..___:;:__T_,

___,

,

__

___,

-_____________

.

_____________._:I.____,

_____,,_

_

_ _

,__

,

53

Chapter

3

Patch

Setting

[Useful

Functions

for

Editing

the

Instrument

Section]

y

The

l‘oIIo\\"ing

t:.~rpI;tin.s

the

‘flump

Tr

.1

Instr'umr-nt'"._

"jttmp

to

'l"r'iggcr"'

and

"I-’1'ct'ic\\-"'

I'ttrtt'tior1.»'.

Tltcsr:

ltmctitrrts

spcctl

up

the

p1'm'c.~a.ml“ctIitirtg

srittntls.

t'I'tct'king

the

'l'r‘iggcr

Sigttrtls

and

rttortitoringz,

in

the

;

lrrstrttmcttt

Section.

I

Jump

To

Instrument

\ti="'I1et1

you

are

ztssigrtirtg

lrtmtrmctttrr

to

Sritttttls

I

and

2,1.-'t.'rttc;trt

tt.wet'I1isl't:nctir>1t

to

edit

the

.~;ot:ntIsl1y

t'|1;tngingtI'1t-

p;tr;.tr1tctcrstsucltas

Decay-‘t.

l.I.~tir1_etItis

Iunction.}-"ctr

can

quickly

select

the

ﬁtttltttl

crliling

'

I

succtt

twitltuttt

Itztving

to

:'ctt'ic\-1:

the

Basic

st‘t'ct:|t

hy

ptessittg

[EXIT]

},

\

From

the

Sound

1

Soatttl

2

ln:~"t.1'untcnt

setting,

.~scrccns,

or

the

Pitch

scttittg

screen:

®

l’rcss

[ENTER].

The

screen

l‘tf.\'P(1tt(I:§

t\'itl1l:lt"'=£-'

at

o

1.4

stir"-e

I

Ail

I

"

eoo

sure

6

ho

IH5T

=3--1

It

C

"5

3.

II

‘Ci

®

Press

[ENTER]

again

to

select

the

sound

ctlitirtg

screen

for

an

lztstruttwut.

Begin

erliting.

I

.

I

To

cancel

the

_ILlmp

To

lmatrumcnt

mode.

press

[EXIT].

*

Chapter

3

Patch

Setting

54

I

Jump

To

Trigger

In

the

Instrument

Section.

you

;tssip,r"t

an

Instrument

to

:1

.\iutc

.@‘~iumhcr.

I

lu\\'c\-’ct‘.

you

cannot

tcll

vrhich

purl

sltoultl

he

hit

lot

the

clcsirctl

lnmtrmcnt

unless

you

wrttch

the

'l'riggt*r

l~’ar;:mct.er'

scrccrt

(P.

-42.

).

t.F.~;in

5.1,

thcjump

to

Tri

ggcr

Ittnction.

you

can

instatntmcottsly

mot--‘c

to

the

Tri

_r__1,gc|'

ltrmtmcter

screen

from

the

ln.~strumcnt

Sectirin

.~+crccn.

®

Sclcct

tltc

Pzttclt

l’l;t'_r

.'~'c|‘cco.

thctt

|1!'l.‘l'i.‘l

[EDIT].

'5'

Patch

Play

screen

@

§\‘lm-'t-:tltc

L‘ttl‘St'1ft1')l:'I:IT3:I'l

IFsin§.;

['4]

and

IP:l.tltcnprcss[EI\lTEF'I].

{P321?PIE§FH§PEh

HﬁTE§PDLtHQHEEPF

I

llyou

morethccttrsortnt|1r:I"rI1It'I.-t~.2-'

Ntttrilmttsirrp,

['1]

and

[I*].youc;m

c‘l11trtgctl1c.__.;Notc.

numhcr

using

the

[DATA]

dial.

®

.\1<>t-'ctl1c

ctrrsort.oI'll:|TE

using

I4]

and

[P].thcn

pr'ess[ENTER].

@

Select

-.TF'Tt"'i'3

using

the

[DATA]

dial.

F-*1="‘

I’.

50

HUTE{#H£}JeTPie

JUHPto

TRIE

?

()

vmerewreet

'I'ltcst'rccn

ft.-?.w‘|‘t<tt1(.l.H‘

wirtititr"-e

eou

:2-1.41-"re

I

@

l’rcss

[E

NTE

Fl]

agztin

to

sclcct

the

Tt'ig_t;ct'

l’;tr;t111ctcr

scrccn.

IT

you

wish

to

cztnccl

thc]

u

mp

To

Trigger

mode,

|?rft’55

[EXIT]

instcarl

of

[ENTEFI].

ll‘

the

i\iotc

hittmhcr

currently

selected

is

not

assigztctl

to

arty

Trigger.

tltc

following

mcssztgc

appears.

The

prcviotts

displzty

is

then

rccallctl.

Hot

assigned

!

I

Preview

Key

Wltcn

the

Instrument

Section

screen

is

sclcctecl,

the

1

[SYSTEM].

2

[S

EQUENCEFI]

and

3

[EDIT]

buttons

will

work

as

P1'et-'ic-rv

Keys.

Th'.-rt

is,

even

if

no

pad

or

MIDI

device

is

connected

to

the

Tl)~'F.

pt'cssittg

tl

tcsc

keys

will

trigger

the

Tl)-'..-""5

sottrttls.

‘I

[SYSTEM]

triggers

:1

soft

sound

(velocity

ttztluc

52).

2

[SEQUENCEFI].

:1

mctlitrm

level

sound

tvclocity

value

64.).

and

3

[EDIT],

:1

loud

wtmcl

ft-=elr'>c'ity

value

12'.--"1.

P.

17

55

Chapter

3

Patch

Setting

[5]

Performance

Sectuons

In

11

l’ct'l1'>:':t1;tm;c

.'\'c<;t'.ion.

one

ln.~atrumrmt

sound

is

ztssigstetl

to

all

the

pntlr».

witlt

ezugh

putt

pI;tyin_<..{

Li

r.lil'I‘crt-nl

pitch.

\\"itl"1

this

;t:*:';t11ge11w:tt

you

can

pl:-at-'1m:|t'>tlit'*.~:.

Also.

u:~"in_<_1

1:

z\=lll')l

|§t=3*l‘m;1r"tl.

you

um

hltt

tr

melt

ml

ics

lrt

mt

:1

|’c1'l'onn:|nt'c

Scctit

an.

Thztt

is.

11

l’e:'l1.>|'t"n;|nccStsction

is

.~simiI;tr

to

1:

"St;md;|rr|

l’:u't"

i1t;1§\'ll|“)l

tltttllt-timhtztl

st

sttttd

tllt)t|ttlL'.

Tl

tr

TI")-7

umt;tinr~tl1|‘cc

l’crl'o1'nt;tttt'cScctiumand

t|1t.-'rc|‘ur::

C1111

he

usutl

as

11

-it-p;u't._

multi~timh1';\l

mttml

zraotltalt-,

Nate

Number

PERFORMANCE

PE?-?FOF¥l\,1AN(IE

Pi§RFORl'l.'1ANCE

Pad

T-—-~

secraon

1

SECt'|0r~1

:2

semen

3

Trigger

\\

‘\

/>/

gm

/r/

as

"r//

as

l

N

as

85‘~~~~

._.._m__m__._w,_...W...M,__W\

LE

i5"-In

lNSTFtUMENT

INSTRUMENT

t

INSTRUMENT

I

l

2

3

r

o

ll

l

/'

'

P

l

M,

E

r

l

1;

l

9

'""

[

as

.r

t

_gp

I

Sound

Settings

in

the

Performance

Sections

T|1crt';t1'<?li'tt't*t-

I’u|'ll'>:‘tt1;tt1tTe$L*t‘tion:tll’F3-'l'l.

l’Ft\-l.

l’l*'.\'l_‘5.)in

tltt*'l'l)~'F.

Yott

t;';:1t;|.ssi§.§n

;lm*<1:t=:ol"tl1u

1

l

‘S12

|n.~;trtunt*nl:-a

to

r:;u;'h

l’ct'lot'nt;tno:

Srsctirm.

(D

Select

the

I’-.ttch

l’l;|3='

scrcctt,

than

pt"c".*i.~;

[EDIT].

®

t\-'Io\"t:

the

t.‘ursr'1r'toF'HT|...§H

tttsittg

[4]

and

[P]

l.t|tt*11|')1‘sss[ENTEFl].

rPa21raretFatPen

nnreteattnanetee

O

If

you

wish

to

change

Patch

Numbers,

rotate

the

[DATA]

dial.

In

some

sound

modules.

a

“Standard

Part"

is

called

a

“Normal

Part"t

For

a

detailed

expla-

nation

of

parameter

settings

in

the

Per-

formance

Sections‘

refer

to

page

73.

Parameters

the

entire

Performance

Section

should

be

set

in

Global

Performance

Parameter

(page

73

).

Chapter

3

Patch

Setting

56

I

Sound

Setting

in

Performance

Section

1

®

i\|l)‘t'L‘lht‘t.‘t.lf‘H1'_tl‘l{‘=fp§::

lttsim.-1

[4]

ztntl

[P]

3,lliL‘t1P!'L‘§lri[ENTEH].

:00

II:

-III:

14:

ll:

gun

:uanl

:IlI.

.

‘

sow.

|::l1\

‘Ion:

i

:

IM

I

In-in

on

non‘

I

‘”

"3

{uni

l

!

in

II

‘:01

apron‘

'

an-ls

nwoor

»-:2:

an

loo

neon

IIII£

'.

I

i..“

E

ill

'5

oz..-

!:-U.‘

‘Ii

“m

”

anon

I

r

O:

I

l

‘-..:

l

:

. :

.

°...*'.-':

f‘

'..'

'...§..

-...

::

:...'

-_

l

{

W

Instrument

Group

”"§

."

“'3”!

-war

nu

000:»

lnstrument

Name

instrument

Number

A

Performance

Section

ll

®

.\‘clt't.‘t

tl"lu

ln.\'trun1unl

to

lit"

;t.~;.~si_u_nutl

using;

the

[DATA]

t|i;l|.

Fllorc

l|iL’L'lil'.\(Jt'

tnF'Ft"t1

.

E1132???

-it-5:!

IE

or

E?

and

cl1;trt§_1_ctltt:

\.’1l|LlL'

i|"'§'ou

\\‘i.~sl.1.

‘

l

O

Sound

Setting

in

Performance

Section

2

®

t\‘|u\'L'l'|tL'tTllt'»t>t'lttF=F""l'l1{will}

[4]

and

[P]

l,tltt'mflt;|n§.>;t:ittuF'Fl‘1E\\*it'lithi:[DATA]

l

tliztl.

it

Uﬂ

T,

“IX

OI

XI.‘

II‘

lII::iI

-4-»-

t"";z

2'

I-

gnooo

.140

IUII

Irv‘

I

III

"Tf

t"'"a

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i“--.3

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PI

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“J-

28¢!

1-iii

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==

"

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I

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IUD

1

_ _ _ _

__

__________

_______

___,

_

@

:\-luvsthet't:rso:'\\‘il.l1

[4]

ttntl

[P]

.t1hcn

editlI1r:\-';|lt|::\\'it.lttltc[DATA}t|i;|l.

O

Sound

Setting

in

Performance

Section

3

®

Tn

.»‘u|ct.'t

this

Instrtnitcnt

to

he

1lHh1l_tJ,l'lt"Ll

to

l’erl‘orm;1no:Section

3.

sr.'lut?tF‘Fl‘l3

in

step

Q5).

{F251

PFW

EBB

PFH3*'3

..§.=.

I

pl

;.....s.

2:31

"‘"'.l'*‘

-..»:-

§j_i

"1-

_:

i-‘

-

.

_

"""

“".'*"'

F"?

mtﬁ

Depending:

on

‘the

patch

selected,

what

appears

in

the

screen

will

be

different.

The

left

screen

will

be

shown,

when

you

select

the

Patch

25

(Standard

kit).

57

Chapter

3

Patch

Setting

[Useful

Functions

for

Editing

a

Performance

Section]

l

The

lollott-'ing

ettplains

"'_lump

To

lnznruntent"

and

"l’|'e\-few

liens".

Tliese

l'unt'lion.~s

speed

up

the

p:'ot.'t:.~;.~;

oletliting

the

sountl

in

at

Perl}

1rnt;1nt'e

Seetiun.

I

Jump

To

Instrument

When

you

are

atssigtting

an

instrument

to

at

l’erl'orn1;mt'e

Section.

you

can

use

tltejuntp

To

lns~itrt:|nenl

function

for

editing

sountls

hy

cltztnging

|1;tnt11'1etet‘s

lstlelt

as

l)et';t_\_').

Using

this

ftmetion.

yott

can

i

inst'1tnt;tne0ttsl§-'

tnnve

to the

.‘§ountl

Etliting;

.~;t‘t'een.

Select

the

lnsttttment

Setting

screen

for

ll

Pe1'l"nn1t:.ince

Section

tmtl

then:

(D

Press

[ENTER].

‘

The

screen

will

reap:

fl1(l

witlt

l:lt"tE'

‘=hIH..4

E-l.tt"E*

'?

l‘-ll""t~E'

‘dt.'.'3!.-I

5

L-l

l"‘E“

:"

JUMP

to

IHST

®

l’res.s

[ENTER]

again

to

select

the

screen

l'ot'lnstrt|n1ent

ecliting.

then

edit‘

the

lnslzument.

To

leave

the

mode.

press

[EXIT].

I

Preview

Keys

l

Wltett

you

are

in

the

Petlormztnce

Section

screen,

the

‘l

[SYSTEM].

2

[SEQUENCER]

and

3

I

[EDIT]

huttons

work

llfi

Preview

Keys.

That

is.

even

if

no

pad

or

MIDI

clet--‘ice

is

connected

to

the

TD-

1

T’.

pressing

these

keys

will

trigger

the

"l'D-Ts

sountls.

1

[SYSTEM]

triggers

Ll

soft

souncl

{velocity

;

eztlue

52'),

2

[SEQUENCEH].

tt

merlium

level

sound

(velocity

\-’1lltlt."‘

(jail.

and

3

[EDIT].

it

loutl

sound

(veloi:ity

value

127').

l

Chapter

3

Patch

Setting

58

[6]

Effects

TheTl‘)-Wneltttlest\\"ol{l“l'et'ts:

Eft°9Ct

‘l

tintl

Eh‘8Cl2.

l,_?sinf-Itltese

l_?Il'leet:s.

you

can

enlt'.tnt'etl1e

TD~

=|-=

No

effects

will

be

"R

sot.tntl.~t.

ll

is

pn.~;:~‘il1|t.'

tr

i

apply

two

l{l‘l'et't'.~;

to

one

Instrument‘

;tt

the

saline

time.

obtained

when

using

the

1]

Individual

Outputs.

Ft

nu

tlillerenl

efl'et.'t.~'-

are

pn

)\'ltlL’Ll

in

l.Zl'l'eet.»'

1

untl

1.

"l"l1e.~;e

1|

re

the

l§|'l'eet

Types

:

P

I

e

as

e

re

ad

“S

0

U

n

d

Setup"

on

page

129

I

Fteverb

sintul;1te.~;

the

re\‘erlier;ttion

lsottml

rellet'tinn.<)

in

it

lLlt‘§.1t;'L’ttL‘ll}lit;‘(l

space

(:1

concert

hall

l

carefully,

lnt'ex;t:tt]1le).

Tltir-'

creates

rich

and

liillttfill

sottntls.

Y:

it!

can

t‘lt;|n§.;e

llteqtlttlitt-'

ol't'e\’e|'h

.~;otintl

in-filh

A

lit-\'ei'l"i'l'.\'l1e).

the

xi"/.e

r

tl‘

I

he

.~'h;tee

l

with

lteverh

Time]

antl

the

level

olthe

ret-*erher;ition

.~;nt|ntl(t\'itl1

output

l.t-tart-I

1.

I

Delay

cre;1te.~'

an

Echo

like

el"l'eet

hy

rleln}.-‘in

5.-1

the

st

itintl

output.

You

can

set

tlillerent

delay

times

for

the

ri;_=;l1t

and

left

eltannels

l

Vt-’ltl'.‘f1

t1sin§._-1

zt

stereo

output

l.

I

Cl"lOl'LlSis

an

elleetlhrrt

inultestlte

.-anuntl

l';tlte1‘;tntI

tvnrmer.

lle;|n;tlsoe1'e;tte

tlislortionor\'ihr;tto

3

el'l'eet'.»‘

ht-'

eli;tn_ein_t:

the

volume

anti

pittflt

of

the

st

iuntl.

You

t';in:ttlit1r<ltl1e

speecl

ol

the

motlulzttion

twitlt

Rate)

and

the

tlepth

l

with

Depth).

Q

Flanger

is

an

el'l'et't

that

ntttliera

the

sonntl

lzttter

;|nr.l

hrighter.

making

it

even

more

ttnustlitl

than

l

with

Cltortts.

1

Effect

Types

Available

for

Effect

1

y

"l

Wrsri

~

r

l l

Type

El‘l'eet

Description

ltererh

l----l.-=\l_l.

1

'l'hi.~a

setting

.~;imtil;ttes

the

reverlueration

in

if

large

space

like

:1

concert"

[

A

1‘

1..

t

{

;l

t

hall.

\

]

tr]

777

7'

7

W

7

'7

N

EEWWWEWEWEEN

7

T777

7

H

7

7'

7

l

t]

li

l

ll

lt()t'ItF\-"1

This

setting,

sittttilzttes

the

rel-"erhertttion

in

1-1

.5'l1}ttllt;’l'5PEiCti'.

l

\

P|-ATl.i

This

setting

trettte.-a

at

Plate

Echo

ellleet;

it

hright.

metallic

sountl.

ti;-.

Aspgate

Echo"

isadevgce

l‘)el;:}'

l“)lEl...-\Y

This

stettints,

ge'ne1';ltestlist'reet

i'ellet'tinn.~;,liltetltuseolz-|ner.‘ho.

that

Creates

its

effect

E

if

I

if

ffffffffffff

"E

E]

i

from

the

vibrations

of

a

suspended

metal

plate.

Effect

Types

Available

for

Effect

2

-‘

_

~

——

7

—

——

—

:———

——;_——

— —

—_—;—_——~

—

~

—

—~—:—:

__

;——

<:::::T::;:_____

__

—

——:_—____:_—_—;—_—:_

____

__

T.‘

3

Type

lillect

l)e.seription

R

‘+:_r_~___

—

~

—

—~—~_:;_

_ _ _ _

_

———~

_—:~—

—_—~

——~~—

———::_—______

1

?ti1H(_')ltl.1S

l

"l"ltis

elleet

makes

.~sount'l.s

latter

Elﬂtl

vtwttter.

l

E

Fl..A\iGlZlt

"l'ltise|'l'eel

tnultessountlsllttterzintl

hri_e,l1t'er--more

unu.~;u;1ltl1;in

thoseol'tlieCl1orus

E

ellect.

l

ll

,

_______

__

59

Chapter

3

Patch

Setting

I

Selecting

an

Effect

Type

and

Setting

Parameters

®

Select

the

l";m.'l1

l’l;v_;-*

amt-art.

{hen

p|'<:.~a.~;

[EDIT].

we

®

?v10\-'0

the

=.‘u1‘.\m‘

In

F'HTi:1H,

flu;-:1

p:'c_s.»"

[ENTER].

EPEEETREEEFE

"“ﬁ

HUTEEFDLEHQW

;1";%

WT

"UK

"T?

O

If

you

wish

to

change

Patch

Numbers,

rotate

the

{DATA}

dial.

®

;\-1u\-"u

the

=.'L11‘wi'

lu

{|1::n

p1‘c:s.-'

[ENTER].

Effect

1

or

Effect

2

i

Effect

Type

Effecti

Hut

Level

In-IIO

IICIIQ

QQII

moan

sun

‘E1

11

I

;.....:.

;.....:

{__€‘i

a--~=

Effect

Parameter

@

Mc\'c

the

cur.~<u:'l<:>l|1c

Effect

l.-'2

field.

then

wlccf

E“§7"§'“'*I'-ffi-'3’.-1

with

the

[DATA]

Lliatl.

@

A-1<i:\='c

lhu

cursor

to

the

lZl'l'ccl

Type

Field.

{|‘1t‘!1

sclcwl

the

Efilzci

Type

{'<"»1'E'§7'§:'*E-‘=1-’F..-1

.

©

;\-‘Iu\-‘c

the

<.':.:|'su:'

In

the

RIM‘!

I’;:r:1m¢.?Iv1'lfvltl.

lhun

svlvcl

fhv

l'~1l‘i'L*t."f

lfzlmnclcf"

I1

>rE‘F'1C'*§II.-

11-

1

.

®

€\*"lc\-‘c

flu:

cursm

In

the

p;u11u1cler

valufs

l'iclcI_

l|1t;‘l1

sci

I11:-3

xzzluc

with

the

[DATA]

<.|i;1!.

--+

Parameter

Value

1

<

I

f

a

|

E

1

5

!

E

§2

F

E

=

§

E

1

E

5

E

5

i

!

E

Chapter

3

Patch

Setting

60

O

To

set

Effect

2,

select

!Z'f"

in

step

it?

t|*;l;;t»t»t.1t.

Effect

Typi

of

Effect

2

="r"s

II

III

‘n.

:"-

‘i

:'

.-n:

I‘

"0"

=

I‘

.-.

I‘

..I

"'1'

1'

:.....::

1

."

......§

§'§:

:i"i

i‘...

-..

2

1

"...

'...'

'..'

.:...

'...-

:

.

'...'

:

'..':

....'

"

f

E.

====

OI

§

O

.I.'f‘

I

.$.'\

nu

J

new

P

f‘

T‘

Parameter

for

Effect

2

f

INSTRUMENT

512

‘Q-p

- -

u

QQQQQ

c

Q

»

a

-

n

»

n u

Q

w

¢

an

’q—

---

-

n

Q

n

u

-

a

uuu

-

Q

n

-

n

u

~

mu-

.....

,

~

Q

-

- -

»

~

n

w

~ ~ ~

-

- - - - - - - -

an

I

_

__

,_,

,

_,,_

W,

tn.-.aa1;.;;a+1

H

I

s

----

Outputtevel

U

Panning

Sound

'

A?

‘

Generator

Sand!

Laval

aria

1|

'||

an

\

-.

nu-alum-ouv

Q

-paw-nu

c

-nu-anon

i

atrsrnumem

sendztmt

reaatmstra

::;;;;;;_1-n|q__

-.-

,-

--

.5t

‘

-

..

-1‘

{--..4..

*::'

Parameter

Value

eeee

1

at

se>©

f

_____..-

9 9

I

5-P

60-5?

Flavmlfr-“D03ﬂ‘r

E.“

h

-

I

L

‘

H‘:

5-

- -

-

---

~

-

--5

sum“

~

VOLUME

Outvll"

“=5

.

O

. .

f

l

;<>\<»»@l|5lllIlI

tl%i|@

ﬁrpﬁ

Z:

OOF:F

Ch-cruc

=“!-'laﬂ9nr

f

lndwidua‘

I :

E

i

Output

1

3

O\

OL

:

;~~.

0.

|

.

>©

Tffs‘

lndividunt

§_ _?

;_

_§

Output

2

SYST

EM

PATCH

wk

,_-,~

pea

PARAMETER

P

=.-»-

P129

er

P.52_Bd

61

Chapter

3

Patch

Setting

TI1t:rt'

are

many

IiI'I'ecls

l’;t:'1ttm*tt~t's.

C:.tL‘Il

tt|'\\"IticI1

can

ht:

ctlitctl

in

step

@-@

I

|1;t_t1t-

t3i't).

a.

Parameters

for

Effect

1

,t

*

A\'@I'ab*@

Parameters

§

differ

depending

on

EI‘I1:t't

I

i1tt'lttt'.It's

Itt.-\-'ct'h

amt]

I")t'|;tyi

which

Effect

Type

I

(Fteverb

or

Delay)

is

O

Output

Level

:

Out

Level

(0

-

15)

selected.

Erreett

m

=

I

Fig

_;-I-_

I

pt

_t;:::=]_m

I

II

INDIVIDUAL

1

0rOFF

nun

'

upon’:

O00

I

E1

i...

t--=-

r---1

tf__t'i

2»--I

I I

A

is

selected

(for

Send

1)

This

p'.t1".tmt-_'*tc:'zttljttsts

the

\'0IttmeoI"t|tc

t'I“I'ct.'t

sotmtl.

T|'ti.~t

is

the

ct.|tti\';t|unt

ulthc

EI'I'ct‘t

Rctum

l_c\-'t:|

in

“Sound

setup"

(page

oI';tmi3tt:|'.

Higttcrt-';t|ttes

\\'i|Iinct'c;tsctItc

\'oItnnt:uItI1t:

t:I"I1:tft

f~5(ltll1(I.

\\'--'I1t;=t1.~;cttozcrn.rtm-|'I't%t't'shunt!

‘

129)!

Effect

1

(pgeve,-b_

if

f'"*ll‘1"-

Delay)

cannot

be

used.

O

Reverb

Time

:

Rv

Time

(0-5)

(Available

only

for

Fteverb)

EFFect1

e

A

Ru

tlme

3

M

I

111

I--*~I---4

I..l'l*-'

I

II1:.~;

15

the

rc\'e1'I1ci';1ttt.tt1

tlcczty

Itttttf.

I~ItgI1cr\-';tIt|t*s

\\':II

maltc

the

rct-*cr|1cr;tt'tt1t1

tame

lnn}_{t*r.

SlI'|}tl|;tIttt§.1

I;trgct'

.~tp'.-ices.

I

O Pre

Low

Pass

Filter

:

Pre

LPF

(O

-

15)

\

Erractt

=

Hell

A

F‘t""eLF‘F

15

This

is

the

low-|);ts.~;

Iilter

for

cutting

the

Itigllur

I‘rctIttt:t1t*ic-s

t.>I'tI1c'

tlircct

shunt!

Ietl

intntI'1t*

I§l'I't*ct.

You

can

control

tI'1t-:cutolTI'reqttcnc§-'olthe

low’-pztss

Iiltcr

by

cIt:tn_ging

the

vttlttr.-s

I1

tr

the

Pro

Low

l’;|s.~

FiItt't'.

Higher

\-':tItte.~;

will

lower

the

cutull‘

I'ret.|ut:m'y.

cttrztting

tt

\\';tt11'tc1'.~eotmt|.

3

Chapter

3

Patch

Setting

62

7

I

_

___;j_——:—

—

——

—r

_

7

I

Delay

F-light

Time/Delay

Left

Time

:

FttghtTime

/ Left

Time

(2

-

450ri1s)

(Available

only

for

Delay)

11

;Ettecti

e

Delae;

Pi§htTime*

453mg

Effecti

3

Delae

LP

H-"Tiif'.i5‘;

."“i5‘3f"*

Tltis

setting

deterinint-s

the

delay

time

for

each

channel

t

in

2:125

steps).

O

Feedback

:

Feedback

(0~15)

(Available

only

for

Delay)

Effecti

m

Delaa

Feedhachelﬁ

_

This

p;t1‘;|mt+tcrtlctcrttiincstI1t';u11t_>t|nt

o|“tIt:I;ty;»"ttt1mI

tnhcrctttrnctltot|1eEI'I't;'ct

input.

fliglttirvttlttcs

will

incttrztstr

the

numhcr

cl

tlt-rlzty

repuztts.

I

63

Chapter

3

Patch

Setting

b.

Parameters

for

Effect

2

‘

l1lL'ltltlL’.'-illlllttfilriIlfltl

I':lItI1f.__',t.‘l'.

;;~;

Available

paramgfefs

I

differ

depending

on

OOutput

Level:

OutLevel

(0-15)

which

Enact

Type

...

.._

_...

..._

if

I

(Chorus

or

Flanger)

is

httecta

“chance

I

..._

, .,

_,

2:.

I

selected.

UUL

Lewetw

ta

I

This

();ll'1ll‘llt?i.t.'t'tltllltifilﬁ

the

\'t..iltttnt"

nltht:

cl'lct't

rititllitl.

This

is

cqttivztlent

to

tht:

til'l"cct

llctmti

l..t:\-*cl

til

=1:

If

INDIVIDUAL

2

or

OFF

at

mixer.

l"li§.1I'tci"\"ti|uc.~tt\*il|

ltit't‘tI'1t.'%t.'lllft\-'t_'tltll'iit‘tlllllit‘L‘l‘I‘L‘t‘lfilllltltl.

\*i"'liuiisct

toll.

nocl"l'ct‘t

htltlittl

is

selected

(IO!

Send

2)

output.

in

“Sound

Setup"

(page

129),

Effect

2

(Chorus.

.

Hate

3

Rate

(0

“'31)

.

Flanger)

cannot

be

used.

Effect?

mﬁhet

a

I

Rate

e

_2

ti.-4

LII

in-L

This

p;tr;tmcit.-r

:it|it:.~its

thc

ClI'itii'tis

til’

I--'I;tii_a,tri"

miitlti|;ititm

.~'»pt't-tl.

I--ligltci"

\':iltiL‘.‘~'

lilL‘t't.‘;lhl:

the

:»"pct*tl.

I

O

Depth

:

Depth

(0

-

15)

Effectﬁ

mﬂhdrua

I

Death

e

1%

This

p;tr:ttnt:‘tct'

atljtrsts

the

(II'tnrur~

mutlttlntion

tlcptlt.

I--liglicr

\";tlt|c:~'

inc1't';1.st:

mutIttl;|tiun

tlcptli.

I

O

Feedback

:

Feedback

(O

~

15)

(Available

only

for

the

Flanger)

.;.

m

Same

devices!

"Feed-

E+___E:__

T

{___

F“

3

back“

is

called

“Resc-

1:.:‘¥:-

x

l

l"'i'...

5'13‘

fg

F

ti‘-3*

*~3't'.‘:l

i;'t-313

I~=I

P

g

I;

nanceh

This

pztrtttnctcr

sets

the

ztinntmt

of

l-'I;tiig1cr

|Lw:tIIi;tt"k.

I-Iigltt-t‘

vtiltlcs

;it.'L'c‘illtl;lIt‘

the

l*l;tii§_{ii1g

t~l'lt't.'t.

I

Delay

Time

:

Dela)/Time

(1

-

30ms)

(Available

only

for

the

Flanger)

I

m

some

de(,;¢e5_

“[)e|ay

I

Time"

is

called

"Manual".

Effecti

=Flan%e

DeieeTime*

Eﬁma

I

Tltis

|);li'tlliiti‘l‘L’l'

;tt'lju.~;tr~i

the

tlclai-'

time

til

the

el‘I't:r.'t

sntint.l.

I--ligltcr

\"’;tltlL‘.‘~'

will

im‘t'c;isc

tht:

tlclzn"

tiinc.

A

longer

delay

time

will

;tttt<.'.im;iticull}-'

ltn-wt‘

the

cattle!‘

l‘:'t%t|t:c-in-‘

olthc

Il1tlt_t{it‘f_t.{

it-l'l*ct't.

Wllilt‘

11

Slit

lt'lL.‘l'

I

tlclaiy

tit't1c-will

f'Lllh'<".‘

it.

)

Chapter

3

Patch

Setting

64

_

~_a:a*:

,

T,a_7T;a,a~~

at

<_,1,_,;_,a:o__a____,o,J_

_

7

t

[7]

Hi-hat

Control

Pedal

*

when

“She

an

FD”-

'I'hc'l‘l)-'-';t||o\\'s[watttut'ont:'olsoundp;1r;unctu:'rauaingtheFU~e'

1-Ii-|1;|t(',Iontro]I-’cd;|l.

l'-'ore.\;;1mplo.

I

you

tan

lt1ttt.]i[§'I|tt'

l")c<.';i}".

l‘itt*h

and

§\Iu;|m'c

of

;1

sound

using

an

l’I“)-

"|"l1v(jont1'o!

A"lt1tlt*

t'l’;1tc|t

2\7umht_'r

I

to

3_i'1mi'lIn:

I‘t-tlnl

|1;1.~'|tt*tf:1:-tut

to

Hi~h;tt

1

attl1cl';tcto|1=.allowing

you

to

control

both

the

(_)pun

amt!

Elm"-etl

Hi-hat

sotmd.~».

lit’

atssi

min

*

:.\Eott:

§\?un1ht-r

to

the

!’ct|;tl.

Vntl

can

*>|;t\_'

the

tlcsirctl

Instrtnm-nt.~»"

Inf

wnwsittq

the

Pt.'t];l|.

t

.

3-»

5

.

I

.

. I .

t

The

l_)ec;1v

is

controlled

ht"

lmtx-'

fur

vou

rcss

the

PL'L|tl|.

You

can

also

ttsc

the

Pedal

to

1rivqt:1'

Soc

uencc

1

. . .

3.5:.

‘

|’;tttct'n>'.

I

How

to

Set

the

Pedal

Parameters

®

Select

the

Pzltclt

l’|;|}=st'1'ec:1,t|tett

[>rt:.~".:~"

[EDIT].

"

H

TER

®

i\-"loxiz.-+

the

L'tIt‘.~;or

zoF'HT¥...1H.

than

press

[EN

].

I

If

you

wish

to

change

Patch

Numbers,

rotate

the

[DATA]

dial.

®

It-"love

the

cursor

to

FT3]...

then

|vs"es.~"

[ENTER].

teeetataatpeeat

Qeeiene

TEIM

3

Parameter

Value

field

@

?:\"Io\-'0

the

ct1r.~eor1ol|1e

pztrzlmelerttatrttu

field

anti

selccttlte

p;|r;m1eter§-"on

wish

to

edit

with

the

[1

[DATA]

dial.

@

Mot-‘t-.‘

the

t.'ttr.~;or

to

the

\";1lue|'iel(|.

then

set

thc\'-';1l't1c't\'itI1

the

[DATA]

dial.

—-t.

-._

‘Kw.

T“"~

___“?

\

“B

ﬂ

\

tgi

}

1

((0

FD-7

execute

H:~hat

Control

~

‘

Pedal

tnitializatton.

tit"

P.

132

65

Chapter

3

Patch

Setting

Pedal

Parameters

include

the

t'ollo\\'ing:

O

Control

Mode

:

CtrlMode

1:-1

1

l-lat...

S

F‘E[Iit'lti_

tilt-ii;,1t'i~¢*==i*1eH

1'-He

The

(Iontrol

Mode

determines

how

the

Hi-hat

Control

Petlal

works"

or

\\-’l'iitl

sountl

pantmeter

will

he

controlled.

ll

the

Control

:\'lode

is

set

to

UFF,

the

sound

will

not

he

:il'|'eetetl

hy

any

pedztl

action.

i\-"llI)I

Control

Cl

range

tnessttges

will

not

he

output

either.

Hi-hat

1 :

H

i

l—l.at.1

Both

Layer

and

l)ec;ty

oitlte

two

instruments

l

ztssignetl

to

one

rte

i\ltlllil)L‘l'

in

the

lnstrttment

Section)

can

he

controlled

at

the

same

time.

Depending

on

liow

tar

yoti

rlepress

the

Hi-hut

Control

Pet"l;tl.

the

volume

balance

ol

the

two

lnstruntenls

cltanger-i.

thus

cltttnging

the

tlecttt-'.

For

exatinple,

il

Open

Hi-hat

is

ztssigrtetl

to

Sound

1

and

Closetl

I-Ii-hat

to

Sound

2

ofzt

particular

Note

Nunther,

selecting

Hi-hat

mode

i

will

autontutieally

elioo.~ze

Hi-hat

sounds

lroin

Open

to

Closetl

in

sequence

l_erossl:ttle3,

thereby

creating

ti

realistic

Hi-hat

periormmce.

'1

Hi-hat

2

I

l'l

I

H-Bl.-IE1

The

instalments

ztssignecl

to

two

Note

l\iumher.~;

in

the

lnstrunient

Section

can

he

Wt-'itt'l1etl

hy

using

the

Hi-l1;ttl‘ed;'-tl.

If

you

depress

the

l-ii-hat

Control

Pedal

11

little

and

hit

the

pad,

the

sound

selected

with

"Assig11"

will

he

plztyetl.

ll

you

depress

the

H

i-hat

Contra

ll

Pedal

lartlier

and

hit

the

pad,

the

sound

oithe

Note

i\iumher

wlziclr

1'34

numbers

lesstltttn

the

Note

Ntnnlner

selected

in

"Assign"

will

he

playetl.

For

instance,

ii’

Note

l\lumher4(i

is

assignetl

to the

Trigger

Signal

selected

in

“Assigtf,

Note

Number

~'-‘i2

will

he

pltiyed

ittstetttl.

O

In

the

H

i

Ha’r...1

or

H

i

Hat.-12

mode,

the

TD-7

can

be

played

simply

by

pressing

the

Hi-hat

Control

Pedal

even

without

hitting

the

Pads,

You

can

select

what

sound

to

be

played

by

assigning

the

Note

Number

that

corre-

sponds

to

the

Instrument

you

wish

to

play.

re

P.

68

IGenerally

speaking,

when

using

FD-7,

select

the

HiHat-1

mode

for

t

1

playing

the

TD-7‘s

internal

sound

source

and

select

the

H

1

H-at-2

mode

for

playing

an

external

sound

module.

=t=

How

tar

you

depress

the

Hi-hat

Control

Pedal

is

output

as

a

MIDI

Control

Change

message.

iris-1"

P.

121

=t=

When

HiH-ail

is

se-

lected,

the

Layering

of

Sounds

1

and

2

assigned

to

the

Note

Number

cannot

be

controlled

by

Velocity.

=':»For

a

detailed

expla-

nation

of

Note

Numbers

assigned

to

Trigger

Signals,

see

page

41.

=::=

For

a

detailed

expla-

nation

of

“Assign”,

refer

to

page

41.

-It"--HiH-at-LE2

may

be

ef-

fectively

used

when

Open

Hi-hat

and

Closed

Hi-hat

are

assigned

to

two

different

Note

Num-

bers.

e:>HiH-at.-12;‘

may

be

useful

when

you

need

two

MlDl

Notes,

Open

Hi~hat

and

Closed

Hi-hat.

Chapter

3

Patch

Setting

65

i’

Pitch

:

F‘

i

t.-1::-F1

The

Pitch

nl

11

statttitl

cam

ht*c1mt1‘11|lt-tl

113'

ltmx"

l';11"y1111tluprt's.~"the

I--Ii-hatt

C.1111t|'nl

Ptrtlall.

F’

I

T¥:3l"l"l“l.=.l

1\’;11'i11hlc|';11tt:c1>|'1l1cpi11;|1iswitlu.

The

l'111'tl1t-111-11111

1'|epr1:.~1:~‘1l1e

pctlal.

tltcltigltertltc

pitrh

will

lwemttte.

F’

I

"l“5:Tl-l'l“'l'l

:

\-’;11'i;1h|c

1';11t\1_-_1,c1_>l'llw

|‘.1itcl1

i.»‘11;11'rmv_

The

l':|rt'l11.=1'j1-‘mt

tleprcss

the

pedal.

the

higltcr

the

pitch

will

l1ct'1">m1:.

K“:

"'-

. .

~

.

-

1'"

I_l_l...-l‘l""l.1.l

1

\-‘;1rt;1hlv

|‘;1ttg1.*n|

il1ep1t1.'lt

ts

wttltr.

T|11>l;11'tlt1s1't-'1>1|1_lt*prt-.=ssthep1=1l11l,tl1el1_1w1:rtl1c

pitch

will

|1m">1111:.

F’

I

Tl:

l'l""l"<l

;

\-";1ri;1l1|c

r:11tgc<"1l'tl1e

pitch

is

n;tt'|-11111".

The

l';tr1l11:|"§-'1.1t1tl1:|1r1:ssl.|1c

pc1l;tl,ll1cl1.m-'crtl1c

pilch

will

hem

11116.

Decay

:

[I*e1:..e'=1

The

I')et';1}"l‘i111c

can

he

crmtrtullctl

hy

l3t'_1\\-'

litr

11111

tl1:|11'csr+tl1c

Hi~l1;-1t

Ct'.111t1'1.1l

Pc1.l;1l.

[3‘Ei:3l:l"1'!"l*l.*.l

:

\"';11'i;1hle

r'.1ng1:

l'1._1rtlt::

l)1;'1:;11.-1

Time

is

11-title.

The

l'111'tlt1:1'y1'.'111

t'leprcs.~i

the

pctlztl.

the

l1_>n_uer

the

1".)1:tt:1}.-"l"im1-.*

lvctrutttcs.

[3'El:3l-':li'1"'!'l'-l

;

\’;11'i;1hlL*

r:.1ng1:

lnrtltc

l'I)cc11}*Ti1hc

is

1111111111-*.

Tl11;*F1trt'l'1cry1..1t11lepresst'|'1e

pctl:1l.tl'11.=

longer

the

l7ec1l_\-'T'i11tc

l1ct‘1;11t1e.~?-.

Fﬂnu

l:'E5_:l-l"1"""'l.I.l

:

\-’;1ri:1hlc

rzutgc

lot

the

lf)cc:11*

Time

is

witle.

The

l':1rt'l'11:r}=1.'>t1

dt;‘p11ess

the

pcclztl,

the

slmrtct"

the

I)ec;11,'

"lime

ltecmnus.

[3El...3l—l"1"""'l'l

:

\-’111'i:.1hle

r;111gcl'1_>rtlt1':

l)ec:1_\_-*"l"in1cisnttrrow.

The

fztrther

3-'01:

tleprcss

the

petlal.tl1e

slmrter

the

l')ec11\-'

Time

la1—.'1;1>1nc.~s.

NUANCE:Huance

The

11t1;1n1"e

nl

11

.~;n11n<l

can

he

1'0nt'1'r_1llecl

hf.’

the

l--Ii—h:1t

C011t1'nl

P1.=1.l;1l.

_

The

l';1rt|11:ry0t1

1;l1-rprcss

the

pedal,

the

|1igl11:rt.ltc

:’\'t11;t11ce

\’;'iltlL"

h1:c1'1111r:s.

OFF

1

EFF

The

snutttl

will

not

he

;1l'l'ecl12tl

ht-'

tlt-zprtrssing

the

Hi-hat

ifltirntml

Pct'l;1l

and

MIDI

C1"mtr1'.1l

Cltzmge

zttcssngcs

will

not

he

otttpttt".

11:1

Refer

to

Pitch-ion

page

l

83.

1111-1-Refer

to

Decay

on

page

$3.:

*

83.

Refer

to

Nuance

on

page

84.

You

can

control

the

Nu-

ance

value

only

for

the

sounds

marked

with

"0"

at

the

Nuance

section

in

"Waveform

List“.

(Hr

P.

144)

67

,

WWW77

,,,,,

We

fjﬂi

,,,,,,,,,,,,

77

____,

i

4

_

, , ,

_,_

c

’i,W,iW__,_,

Chapter

3

Patch

Setting

OAssign

:

Assign

(TRIG1

-

9/ALL)

EFE5]HiHaLFEﬁ@L

Paei@“*TEIE3

The

suuntl

ul

the

"l“1'it;ge|'

Sig1t;tl

siclcctctl

ltL‘t'L‘

151111

he

L‘1mtt'u|lt*tl

ht’

the

I-li-ltttt

Ctttttml

l’t't'|;1l

t(j111tt't'11l

I

l\’l(JLlt;‘.:

l’.(§(_1'I.

A'l't‘iggc1'Sigt1:1l

i.~;tli'1'it|utl

i|tl1.>;1nt|"R”.

huthtttlt"l't'it;;;t't'Sig1t;1ls

I

can

he

c1>nt'r1_">llctl

.~;imult1tn1;+1'_>ttsly

.

I-1'11‘

t-.1-;;1m|_"1le._

if

‘I-Fl

I

I3

is

.~1clcclctl._

"l':I;.11"1tl

l't5;1t't.-ht1tl1

1*1:11~

»

tmlltrtl.

T11

1;1"_11tt1'0l

ztll

[l1c'T1'iggL*tSig11;tls.

.~eelt*tft

I§l._l_.

O

Pedal

Curve

:

PdlCt1rve

(1

-

4)

tF=;2&111~1t1-1.51..

PE[I*F'tt...

1

Fﬁ1CUPUE*

4

1

MIDI

Ct.')l1lTt')l

Cltttttge

1111:‘$5:tg1;*5

will

ltet;t1t|1t1t

in

1'c.~1p1_1n.\1c

to

h11\\'

l'lt1',t_-'11t1

tlcp1'cs.~1

the

I-li-l1;1t

(.11

mitt

tl

T

pctl;1l.

You

131111

select

cnc

1)l'l"'1.>ur

Pctl;tl

t'I111"1'u.»"

that

t'l1:tt'rmint*

ltuu"

the

t.I1mtr1">l

(Il't;111gt'

valttu

will

1

cltztttge

\

1ii11$\§nu1*X%nl|&nn0$

‘

J;

.

UH

Contra

Change

Va

-mo

Depth

ot

depressing

the

pedal

1

0

Note

Number

;

Note

#

(35

-

93/OFF)

A

EP253HiHat

PEUQL

*

H*==*1~*=-=~=

ti

“*4

=

'3#1l‘f

You

can

play

an

lnstrttttwttt

inst

l.1yclt'pr1:ssi11g

the

Hi-hztt

C1.1ntml

P1:'tl;1l.

Selct't

the

i‘\'11lc*

\*tt1nl1c1'

in

which

the

lttstrttment

You

wish

11;:

hltl

is

ztssit-tttecl.

\It--"Item

it

is

set

to

QFF.

11t_>sct1111".l

is

l1e;11'tl.

I

Chapter

3

Patch

Setting

53

K

I

W

Hm

i

,

I

Til.

O

Gate

Time

:

Gate-Time

(0.1

-

4.0

sec)

EPE51HiHet

eeeet

Eeteiimee

etﬁe

"

-

--Q

I

| |

l

lh1.~1

p;t1';tn1eterscts

tht:

t'];tlt~.-

Time

til

the

H1-hat

uttttrnl

Petl;1|

snttntl.

Thts

ts

1-_*qtt1t';1lt=1tt

to

hmt-'

lung

1

the

kt.--t"

tin

;t

kt-§,'l111;11'tl

is

hcltl

tlhwn

i

lhattt

.'\iht'e

O;\3

tn

Mute

UFF1.

I

Velocity

Sense

Curve

:

Ve-lCurve

(NOHMAL1/2/3/4/FlX32/64/96/127)

eaelataateepat

a*.IuPuee

Pixiﬁ?

:

r""s

5-E

'-2":

:........:

"

1\-Ill)!

Note

11tc‘ss;1gt's

um

he

_geeer;tt1:tl

ittst

l1§'tlt%prtfssin§_{tlte

I-Ii-hztt

tLI1'11tt1'1.:l

Pctlul.

I-Ieret--'1>1t

can

select

ht

aw

the

velt

tcity

\*11lt1e.~s|11

tttltl

t'l1:|ngt'11t'1ru1'tling

1.0

ltow

hard

3-11111

tlepress

the

petlal.

The

value

cltztnges

are

the

s;m1c

11$

lur

the

T'ri£ilt*r

l’1t1':|mctc1'.~1.

t‘i1-3*‘

P.

-=t+t.

O

Sequence

Pattern

Number

:

SeqPtn

#

(t~48/OFF)

teaethieeteepet

it

=

14%

Y1

ttt

can

trigger

:1

St~<;]ttencc

lizzttcm

hy

dcprcssittg

the

Hi—hat

C(}I1lI'[)l

Petlttl.

Here

3-'01:

t";11t.<-electtlte

Settttcncc

I’;1ttern

t\it11ttla1:rtn|>c

playctl.

I-24'

are

User

Patterns

Ilfttl

25--=i-S

are

I-‘reset

IE-tttertts.

\\'1’ltt-.1‘:

the

|'a;1r;1n1ele|'

is

set

tn

l:ll:l:.

no

pztttcrn

tlzttzt

is

plttyecl.

69

Chapter

3

Patch

Setting

_

__

—_—_—_i_

___;—_—_—_

_—_—;_

——

_———

——:_—_—;—;—_—;——_—_—_——_———

’

7

1

"

I—I1Yif::'¥*:f

1

[8]

Program

Change

Numbers

Chtmging

l’11t1‘hes

on

the

TD-T’

will

scrttl

.\'lll')l

l’1't>g1';1t1t

Clmttgc

t1tt:ss11gt~'s

to

any

cortttcctetl

MIDI

>1:

OFF/1-128

are

valid

tlt:\'it‘t',

lict‘1;'it-'ing

|’t"t.1g|"11m

('llt11nge

1t1t*ss11gcs

on

tl1eTl')-'5’

v»"illt?lt111t_gc

l’1ttcltr:s.

Program

Change

Num-

l-ltttretrsr.

wlten

IIIFF

is

sclectetl.

tt1>tt'1ess11ges\t*ill

he

sent

t.1rt*ct't;-it-'et'|.

You

c1t1t1tssigtt11

l’1'ogr11t1t

bets.

Cltztttge

hittrttlacr

to

e;1t"l‘t

l".1t't.‘l't.

(D

Select

the

l’1ttt:h

l’l1tyst't'cc1t.tltcn

press

[EDIT].

\

®

1\-"litre

the

t‘u1"s0r

to

l:'l-lTI..3l'l.

then

press

[ENTER].

I

If

you

wish

to

change

Patch

Numbers,

rotate

the

[DATA]

dial.

®

Mot-'t*

the

t'ttt'sot'

to

PE

l‘l_

then

press

[ENTER].

[P253

PEN

CHPHGE

PEN

Humhehm

128

I

@

1\--love

the

t"t1r.~;r1r

to

the

t-';tlt1t=

lieltl,

tlten

set

the

1-‘aloexx-'itlttl*1c[DATA]

tlittl.

ll

You

can

set

1t

l’rogr1tnt

hitrntlaer

by

sper'il*t-'ing-11

11t1ml_1et'lro1n

|~

l

28,

or

ht‘

using

tltt:

grottp.

httnlt.

ttntl

1tt11t1l1ertGBN‘)

1ttc*tlt1"1t;l.

\Vlt1:n

:1

l<t:1_t-'lt1'".11t1'cl

is

cortncctetl

to

tlt1.+'l"l)-"F,

the

GEN

ntethotl

will

he

more

:

pmdkﬂ.

\Ii»"l11-:11

yet:

use

the

G

BN

mt;-tl1t.1t'l.

sp<:t"il'y

the

group.

hattlt

1|

ntl

then

ﬁttlt‘ll‘tt?t'.

For

example,

il'yo1t

specilt-'

"A-5-5",

l’r11)gr.ttt"1Clt111tgc

55

will

he

trttrtsmittctl.

<

Group

B

>

<

Group

A

>

Number

Bank

at

~¢

as

01-»

co

ma

~

;;~<<

f;I%iZ;;‘4_?i‘

41

.4

to

rmrm

~4

01

é

U,

mltﬂ

-»

on

ut

t

l

“ii

l

wlj

el

l

ml

ox

‘"~l

oz

Bank

oa

~1

oz

or

¢-

on

ma-A

1-oh

ml

us

J5-

u1\u1

l

Kmlm

an-st

a

ha

~

cs

ﬁg

e-

o1‘”

‘P

‘__

n-our

r

:

'

______:

—

_

—

——

I

aea?aaea"ro7172

1234

I

74

vs

7?

as

re

act

9

10111213

*

‘

B2 B3 B4

85

B6

87 88 117

18

19

20

21

22

23

90

91

92

93 94 95 96 35 35

37 23

29 30

31

98

99tDO1O11O21O31U41~

33

34

35

35 37

33

39

105

106107108109

110

111

1121

41

43

43 44

45

45 47

43

11

pp

1141t511s11r1te11912o;j

49

59

51

52 53 54

55

552;

1

@12112212a12412512a12r1za1

5?

as

59

so

s1

62 53

541

l

11

'7Ti

C

77

____

_T'

_

'7?

4‘-I

"""

"7

'

"'

"

'

—

———

__

_

i__

___*ii__

C

__

f

7’

iiiié

®

Move

the

cursor

to

PIE

l'l

l‘li.-ll"'tEI*E'.*".

@

Select

the

method.

Progr11nt

1\ttn1l1cr

or

GI3:'\i,

with

the

[DATA]

dial.

teaalhehchhhaa

P@"EBH“B*@"@

l l

Ntlmber

Group

Bank

®

Move

the

cursor

to

the

valtte

Iielrlts),

then

set

the

1-='11luct

st

with

the

[DATA]

dial.

1

Chapter

3

Patch

Setting

70

2..

Patch

Copy

'l"l1eTD-7';:|l<>w.~+

{putt

to

copy

at

Patch

H11:

difl'ct"e|":t

location

tl’:1tt'|t

nt_1ml>e:'t.

The

Patch

Cb|‘>y

l‘t:m‘ti_t_."m

max-'

he

ul'|1:cti\"t:l\-'

ttsctl

wltcn

\-nu

want

to

urtzzttc

l\\’(1

(orn1<n'e)\';t1'i;tti<tns

of

;t

h;t.-'ic

st

1un<;|.

.-

-

¢

1:011!‘

tli|‘¥‘crmt

t§'|1c.s

of

ct

!|1'_t'il1_t_.1

are

;|\';til;|hIe:

I

Patch

Copy

I

COPY

'I"l1i.~smpie.~+theentireI-‘archmudilTcrcmI“;1tchnumbert.I0cati<_m').

eaten

zaea

x

.';,

F

0:-

qlibg

UIUIUIC

=*"*....:'"'":='-"'

-

3“FQi

"e

M

Source

Patch

Number

Destination

Patch

Number

I

Patch

Exchange

I

EXCHANGE

.....Tl1iscxclt;1ngcsthe

contents

ofcne

Patch

with

thatof

anntlttrr.

PPTCHEHCHPHEE

hcl

.

§__&Q@

FT‘.

‘!:'"""':*'

|:t__.|';_,_-_'_.__!;'

t

Patch

to

be

exchanged.

I

Patch

Trigger

Copy

I

TRIG

COPY

This

copies

Trigger

Parantcter

data

(P.

45)

in

:1

Pzttch

to

at

different

Patch.

PQTFHTRIEFWPP

5=F31

*%

Dﬁﬁﬁ?

I

Patch

Pedal

Copy

I

PDL

COPY

This

copies

Pedal

Parameter

data

(P.

66)

in

at

Patch

to

at

different

P;tt.c|1.

|=-t:m;H

tttttt

Pa_t;~..-»;t=-~.t

5=F31

~+

e=ae?

=1"-

Factory

Preset

Patches

F1-F32

have

been

copied

to

User

Patches

1-32

at

the

factow.

71

Chapter

3

Patch

Setting

I

Patch

Copy

Procedure

Select

this

I-’:iIi.'h

l’l;tt'

.~sc1'cc1t_

llliﬁil

plus.»

[EDIT].

®

ll--lot-'c

the

t‘til‘SttI'

to

l:"“"l:l:d'r'i.

then

press

[ENTER].

COPY

']'ype

PQTCH

pass

5mF3E

"P

D*E5?

l

Select

Factory

Preset

or

User

Patches

®

i\-‘lovetl1ct'urso|'tuCop],-*

"l"§'|1ci|.sing

[4]

and

[P-],tl1cns1%|ei't'...:._

F"':“:i

E:*'=J..1l“1l~ll"'~l1.'ilt.,

In

1-nun

neon

Tl:-1

I

ti

[._.:|...]F‘I'I'i.

or

F'l:I*l..

l..§|...|F"'ri

using

the

[DATA]

iliul.

@

i’\-‘lot-1'tl'tct‘t1r'>;i_ri‘,

then

si:lct‘t

1':

t'_l’;ti.'tor"v

I-’rc.~si:.t

l‘:tlcl1i.=r="i

or

U

ll.isui'

lhultesl.

ii

®

it-"love

the

cursor

totl1cSi_itti'ce

Pztlclt

?\*ur11h<:1'

lieltl,

.»"<-:luct

the

l-’;1tt'li

nuinliur

\-tcith

the

[DATA]

dial.

lfyouwisht'r">restore;1||

U5t‘I']]1ilCl1Ll1l[;tEl.)F1iCl()t'§’Pi'tfSl3l5.k5tfltfC[FF'[:‘[1

1

using

the

[DATA]

dial.

®

i\-love

the

cursor

to

the

Di:‘SIlttLiiit)i"l

Piittflt

.<‘\iim1|ier

lieltl.

and

select

the

l.lt".':ilti11lllt.)i1

Patclt

nuattlv.-*1‘.

‘

witli

the

[DATA]

dial.

l

®

l)ft.‘S."i

[ENTER].

T|tt?.‘i(‘t”t‘t?ﬂ

will

respontl

witl1l:lt“'*:"l-'

‘:.-“Iii--i

E-¥..tl""E-'

A

Press

[E

NTE

Fl]

to

co|"i§-'.

To

cimcirl

Patcl1Copy.

press

[EXIT].

l

Patch

Number

1:

lull

:_-

-

cpl-010»

:1:

vii

=l=

When

you

have

selected

CI

III

F"~.-’

==

T

F1113

CI

£11

F‘

‘-6

I‘

or

PDL

tIitf.IF*’-.-‘,

you

can

select

a

Factory

Preset

Patch

(F1

-F32)

or

a

User

Patch

(U1-U32)

as

the

source

Patch.

Only

a

User

Patch

can

be

used

as

a

destination.

When

you

have

selected

EI=-=1!IIHiZll-NEE,

only

User

Patches

(1-32)

can

be

assigned

to

F‘=:-in.

If

you

selectFi'=~'-F41

1

step

5.53,

the

destination

Patch

Number

is

selected

Ur"-titl

1.

(You

cannot

select

the

destination

Patch

Number).

Chapter

3

Patch

Setting

72

3.

Global

Performance

Parameters

'l‘|ir.->l'nlIon"ir1;1t|e.<i':'iIicsthutf;|oh::llmlnrtnztncul’;r:";tim*t'i:t'sintltmlmrcl’ur'ln1't1t;rtm>Sections.

l

.;_.|:o,-

a

detaned

exp|a..

I

How

to

Set

the

Global

Performance

Parameters

(D

Select"

the

I'~‘;itt:l1

I’l;n-'

.~=i'1u-rt.

tltcn

pru:»'.»'

[EDIT].

®

l\=li.we.

the

t'11:'sr1i'tii5:til:‘i:l"]_

tltcn

|1t'c.~s.~"

[ENTER].

Performance

Section

Number

PPM

Section

e

1

L

t__rE,=_t

r___t

L.

2;-__-=

---

.__;=

___

rt

Ii:

i

:2

=

"Ti

5-ct»

Parameter

Value

Parameter

Name

@

it-"lmfutltr.-cursor.

tlicnsclcct

thel’crl'ormatniicSuction

i\*1.tinhi.-rt"t-3'twltei'evou

wisliti'>setl'ltc

‘

tilnhttl

l’;tr';.|tttt?ti;'t'.~a

using

[DATA]

tlittl.

@

i\-lore

the

<ftrr.~tor

tn

the

p;tr;tmi-tr.--r

name

liclil.

then

:~".c|ci‘t'

the

pIil'illi1L.’ltft'

ft-‘tart

wislt

to

edit.

-

_.|-_,|_.-_

.|:;_

..

_.

,,_

_

._

_

,_

.I

@

.-t-"lore

the

cursor‘

to

the

para:nrclL=r‘-'i'ét3ii'l-itc':""l'i'tEl<l';'iflttsrt

the

t=i-l'lt1c"‘t}trit'li't‘hi?

nation

of

sound

settings

in

the

Performance

Sec-

lions,

refer

to

page

56.

__7

7

__

_

__7__________

_

__

_____

_.l

__

_

_. _.

.

_.

..

.

_

7________

73

Chapter.3

Patch

Setting

7———

~~—

_

—— —

—

7

r~;_r:_:__

__

_

_~

_

—

~

————

—___________

__

:;

7

_

Glohttl

l’erlorr1r.tnee

Pu

l‘1ltttt’[t’t‘.'~i

int'lttt.le:

O

Key

Ftange

Low

Note

/

High

Note

:

Low

Note

/

Hi

Note

(35(B

1)

-

93(A

6))

PPM

Eection

e

1

LUM

Hﬁhém

3535

1

]

Note

Name

Note

Number

PFH

Section

e

1

Hi

l-l

1::

he

e

ti-

Tltis

pttrttmeterdetermines

the

r;tngeol"'i\ioteNumhers

that

l.‘2.lL'l1

l’erl"‘orn1;mee

Section

can

t'et‘ei\'e.

A113‘

l

Note

stress;-tge

hetween

the

Key

Range

Lon-'

t

the

lott-'est

note)

and

the

Key

Range

Hi

tthe

highest

note}

can

he

rei:eivetl.

For

t.’X{tt't¥Pltf,

il‘)’ott

set

the

r'eceive

<:h;tnnels

ol

the

l’eri'orm;tnee

Sections

to

the

so

me

number

and

clivicle

the

sound

range

ol‘

eztelt

sei.'tion

with

the

Key

R;rr'tge,

yoti

can

plat-'

tlillerertt

]

Note

Name

Note

Number

lttstnirnents

in

tliilerent

sound

ranges.

5

r

___

___,

_—_

_

;

—

—— —

'

'1

__

1:

_ _

__..

'

___;_1

:*:__

_:

2

. .

Wi

<-—~-W----are

-------------------

~~

~11:-.~

A

aaaaaaaaaaaaa

-~~——

A

P

~

Not

Sound

Not

Sound

Key

Range

Low

Key

Flange

High

I

Control

Change

Mode

:

Ctrl

Mode

(OFF/Decay/Pitch/Nuance)

PFH

Eection

=1

I“:

F"

1

[‘]

t"'t

fj

i-"-it

""'

I“!

FF

Select

the

punittieter

lI)ec;ty..-’l‘iti:lt.r"i\iu;tnt'e)

to

be

controlled

by

it-ill)!

Control

Cliairige

itiessuges.

The

Control

Change

Number

on

that

occ:.t:aion

is

the

number

set

with

the

"Control

Clmnge“

in

the

Systettt

Parameters.

l'_"1PP.

121)

If

you

do

not

it-'isl1

to

control

any

paranteter.

set

it

to

¥:¥l:l:.

O

Level

:

Level

(0

~

15)

PFN5ectione1

L~~-1

~

is

E

I-I

E

w

.

we

This

ptirztmeter

sets

the

volume

oleaclt

Perlonnttnce

Sectiort.

Higher

\-’1ilL1ti'.Ei

will

increase

the

t-iolume.

When

set

to

ll.

no

sound

will

he

heard.

:1:

=i=

-_:

=i=

lf

Key

Ftange

Low

and

Key

Flange

Hi

are

set

to

the

same

Note

Number,

only

that

Note

Number

will

be

received.

Then

it

will

be

sound.

You

cannot

set

Key

Range

Low

to

a

higher

value

than

Key

Flange

Hi,

or

vice

versa.

If

you

set

the

MIDI

channel

of the

Trigger

Section

and

the

Perform»

ance

Section

to the

same

number,

you

can

control

the

parameter

you

have

selected

here

with

the

Hi-hat

Control

Pedal.

Control

Change

Mes-

sages

can

be

used

only

1

type

in

TD-7.

It

is

selected

in

"System"

(page

121).

Chapter

3

Patch

Setting

I

Key

Follow

Parameters

(1lt>It;t|

Pct‘t'ur1tt;tt'a<"t.=

P;.tF;.lI1‘lt.'!t_.‘I'.‘i

also

imltldu

Kt-\'

Fuilnw

l‘;|1';1|m'tt=r*.~'.

l\'c}‘

Ft

1|

lam"

|‘;|

r;tmuI::rs

um

hr uwtl

In

t'It;m_t_§c

the

st

mm:

1-‘;1r;1mctcr.~‘~

t

I’itti|1.--"'I)ct";1y--"‘?~Eu;|:1cc,-"l’;:n

ft

as

you

mt

we

;m';.t}"'

tn

mt

the

selectml

I'teiL*1*uz1t.'cr

:\Eute

Atumltcr.

F<_>r<;~x:1n1plc.

jmu

can

t|m'e;2sc*t|1e

|‘.)c'c;|§-’

Time

"

_t1r:tt|u;IHt'

LES

you

plat-'

I*;t1't|tcI';1\t".t}-'

[tout

1hL‘SL'|L’L‘[L‘L|

|tt.'|L':‘c'1tt'c

nnlc.

ilttttt

hztt-'0

set

the

Kt:jt_'

Fullnw

in

I

)1.-watt-’.

liuv

Follow

I’;tr;nnctv:'s

um

ht:

set

fur

vault=.l’erl‘um1;mc_e

Scctiu:1..__.

.

_ _

\_

I

Key

Follow

Reference

Note

Number

:

Kfw

Note

(35

:

B

1

-

93

:

A

6)

This

p;tr;.mwtez'

tlu'tcnnine.~'

the

|w;|.wi¢it'<1rt{el'ct'e1tt"cJ

?\*utv

Number.

l.?st|;tlIy

it

is

set

to

i\£t_"_>t@

E\Eumhcr

(10.

PPM

Eeetimn

K

1

we-e

EH

*1

it

+

1

‘

Note

Name

Note

Number

O

Key

Follow

Pitch

:

Kfw

Pitch

(-990

-

+990)

This

ptll‘;it1tt;'ltt!'

sets

the

pitch

for

catch

t\?oleNunt|1erin

one

cent

steps.

Wlten

set

to

+100.

you

can

play

using

equal

l:;~mpe:';um:nt.

PFN

Eeatimn

e

1

HFwPiiehm

W999

O

Key

Follow

Decay

:

Ktw

Decay

(-7

-

+7)

PPM

Eeetimn

K

HFwDeesee

W

"-.j

1--L

0

Key

Fotlow

Nuance

:

Kfw

Nuance

(-2

-

+2)

Pehssssisee

1

KteHMeh@="*?

O

Key

Follow

Pan

:

Ktw

Pan

(-2

-

+2)

PFW

géﬂiiﬁﬁ

x

1

HFw

Fen

m

*2

A

"Cent"

is

a

unit

of

pitch.

One

cent

is

tit

00th

of

a

semi~tone.

“Eq

ual

Tempe

rernent”

is

the

12-tone

tuning

sys-

tem

used

throughout

the

Western

world.

75

Chapter

3

Patch

Setting

AboutKey

F0llowParamete

rs

5

"Iht-r

vttluc

set

t1':rC:tclt

Key

Fulltttx‘

p;u';ttttut"cr

is

udtlt-.-ti

to

tor

stt|ttt';tt.'tctl

rm:

the

st.>tm'c

vtthtc

‘

;tstltt'Ntttt*Nttmhtfrinrrttztscstt_tt‘t|t't't"c;tsc‘s}ltttttt1l1t;*Rt:|'t:t'cttt't:Nt>tL*Ntttt1ht*t‘§'tttt

'1;trust~t.

The

Itigltt-r

the

|\'cy

t-‘ulhtw

mitts,

the

tnurc

tht:

tﬁlhtt.’

ultttngcs

the

l";t1'tht-ntttt

get

ltum

the

ltt.'l't"wc:1t't"'

t

i\t>tt;*.

/

__/

j,_-.__.

t‘

|L_..........-t.

1......

--.

1

HTCTGGSE

-.__

.~\

‘\-

H\\\~___\_

/_-*"""'_

Id

t

*

“‘“~

+”

Value

(Key

Foltew)

If

/

if

\

t

“NR

t

Parameters

‘

t..._

..__

_....

..... .....

.,..

._..

._.

_...

._.

.....

_....

___

_.

..

_

‘___

.»-

...

"‘-\____‘_~H\“‘H

,

'\.

‘t

s

/..

I

X

\

t

\“‘*-\_H

Value

(Key

Follow)

;

.-/""/My

\

1‘

./

/"I

/

1

\“

t

‘fr

‘

''''

/./

““-.___\_\‘\‘

decrease

*______./~

Reference

Note

Number

--._\\\_

H

Wltcn

at

Kc}.-'

Ft'.>llt)\\-'

l-’;tr:ttnctct'

is

set

to

;t

pt'>siti\*c

t

+

t

\-';|luc,

the

st.tttt't'c

vztlttc

will

itttmtstt

as

the

1

tttote

Nttt'tt|tt*t's

ittcrettst-:.

Hnwct-'01".

when

it

is

stat

to

at

negtttive

t—-)

valtte,

the

sottrce

\='ttlttt:'

will

9‘

decreatse

as

the

Note

Nttmht-rrs

int'rett.sc.

Fur

e>:;tn"tplt-:.

tvhtrn

set

to

'4'

1

:

.

the

vathttr

of

the

‘u

-an

....i

t

pzttzttltt-:tr:r

will

ittcreztsc

hy

I

whttn

the

Note

mmtherittttutscts

|1yH.

\‘t-"Itch

it

is

svt

ttt*":;;'

_

tht?

t'tt|ttt.-

drct:rc';tst:shylwhtsnthe

{\‘0tc'NtttttlterincmztscsIwytatte

lfyuut|t_>ttt.ttwislttutttttstt;t|t§-‘t'|t;tngc

in

at

suurctr

pztrtttttettsr,

set

this

puratmeter

tn

it

.

3

.

'

t

_

.-L

J

L

_;

,_

___,_

__

_ _

es

_

___

J.

_.-.._L_i..-.'

Chapter

3‘

Patch

Setting

76

Editing

Instrument

Sounds

Hnstrumertt

Parameters

.........

..

78

2.lnstrumeht

Copy

............

..

89

1.

Instrument

Parameters

lhttttlt

Setting

lpagc

stlflt

;tllo\\--‘s

you

to

t;I1;tngc

the

pitch

cl‘

an

Instrument

l

in

sctttituttc

stcpst

nssigttctl

to

at

Ntatc

.‘€utnhcr.

l"Iu\\-'ct'ct‘.

it

you

\\-'isI1

Ilttttlwr

mt.1>tIiI‘ic;ttinn.

sttclt

as

tnttking

the

sn;trt-

sotnttl

st

tltt.-r.

you

sltoultl

ctlit

the

Instrument

l’;tt';t1nt:tct's.

Doirtg

so11llt'_wrs_'_t'<.ttt

tt

1

c;tsil_\_,-'

t;t'c;ttc

the

st

tuntls

_\‘t

tu

tlcsirc.

_.._-;;1-

.-

.

;-.~_=_;-_-:.:_-:

-t

.-

-

-_

3.;--;..'_'~_§".

:;--.--.,-

_1;-

-

.'|'_r

_

-

ment

Parameters

1.'_-'-1'-;j':.-.4"-;-.:-_;r¢-_-_

--

:'-

-

:._

1-.

gg-:_-;;=_'.

.—.:-\_--.'.~.--r_'.-,=;»-.:_

:.-.A-.,._-1:-.l_-.--

;_\.

-.

-

.-,-.1?

'-

_

'.

,':

--;

.;1,';

-2

--

-

;.'

--

'.

;

.-

-_--:2

-'_':_-i-=.P.='-'--

_~

-

--;

-:-;;'1-

_

.j.-;

'

_

""1

'

-_-

-_

:;;;.;;jI-_-_-_-,

Q

t;

j

.;

I

-.1;_t_}\

j_1§_;§._'='f.=

_:"

-2:

:

.'_-_<1;;,-_='

-.;1_=_;.';_;j._

5

_r

;_

_

-'

'.'

1-

I’.

Z'.=;:'.=;‘.i-IT-‘:;-'-

3

-.

-

-':::f-l'\-.-'.-=‘-:-'-

i-3_T-

-Ii:

I‘

-.

. _

;i

.:....___.;_;-__:=;-_-;_-r_=-__-.

I

'

- -

--

-

l§(l§@§ﬂ@E§§y

.

-.

-

"-

-.

'-

.'

'

_

I

§_:

-'

_

{:'

‘;'?..'_ll§_':

-

l

ILl.*iII't§.{

I4]

ttntl

[P]

l.

tltcn

press

[ENTER].

.

.-

"-."i~-~;=-"

:'

-'

-

-=

"-1

."

1-

-=

;.-

_

_.;

_-

. ;

,5-:_;'.;_:

t;._'._:

_-

f

-_

-_-__-__:1;g-J:.-_--:::'._'.;1{.:.;.Fi-'};?I.-4$'3_.1_;-_'-';;.__;

-'

I

;

-.

_

'.

-

.

.,

;_

;:t._t-

Q

_

..

.-_

:-,-.5

.

_

-

,;

_=

=-

il

n¢tt=tltnttmset

L

Sojnd

in

the

Instrument

Section

I

as

_

lnstruilment,iNumber

TE+H#3$+51eit39

Haméli

hLmF3t"5§

®

Select

the

Instntmrrttt

Ntttttltr:1'yot|

wislt

to

ctlit

using

tltc

[DATA]

dial.

Mot-'c

the

cursor

to

the

'l'riggct',

Note

t\iutnhct"

cl"

Sotmtl,

_\-‘on

cam

also

select

the

Inst't't|ntcnt

t\’ttnther.

Olt

the

selected

Instrument

has

only

been

assigned

to

the

Performance

Section,

the

screen

will

respond

with:

Performance

Section

Number

is

shown

_,

;t":"i

$l-E]-Ill!

....,t;1

*""""I

w==

I‘-I¥""

I’-I:.;._I:l

ti

Henet~»--

=>

I

It

the

selected

Instrument

has

not

been

assigned

to

either

the

Instrument

or

Performance

Section,

the

screen

will

respond

with:

..s.sttsussi414

HEMP

€MUUdH,F}

@

Movt:

the

cursor

to

the

pztrttntctcr

name

l'ic|t'l._

then

select

:-t

l’;tr;t|nctct'

using

the

[DATA]

tlittl.

Instrument

Number

-I-.--,.

--t-,--,

.

,--

.

-

--t-,-,

a*H#&o*31*11&o

P

1

+-it

is

_

I

Parameter

Name

Parameter

Value

@

More

the

cursor

to

the

pttrztntctt.-‘r

\-':.tIue

l'iclt'I.

then

set

the

Vlllllt’

using

the

[DATA]

dial.

Depending

on

the

patch

selected,

what

appears

in

the

screen

will

be

different.

The

left

screen

will

be

shown,

when

you

select

the

Patch

25

(Standard

kt).

I

t’

Chapter

4

Editing

Instrument

Sounds

78

I

How

to

view

the

Instrument

Parameter

Screen

O

When

the

I.-J

-at

*-.-tat"

=21

r'-

r-t

Parameter

has

been

selected,

move

the

cursor

to

the

Number

and

Extension,

then

change

the

value

with

the

[DATA]

dial.

Tsanssaastettse

Wa*et@P"“35~5

Number

O

It

you

move

the

cursor

to

the

Note

Number

and

press

[ENTER],

the

Note

Number

indication

will

change

to

Note

Name.

Pressing

[ENTER]

will

alternately

select

Note

Number

and

Note

Name.

Note

Number

Extension

"':

'

"'I"|"'|

'

1"‘

'

"

"'I"'t""'|

Heme

€LﬁFat.E?

lTa*H#¢o*21*11¢o

I

[ENTER] [ENTER]

.

Note

Name

I

Tianb

aesleliii

Heme

€LHFat.

O

If

an

Instrument

is

used

in

more

than

one

place

(T

rigger/Note

Number/Sound

1/Sound

2

or

Performance

Section)

a

(*)

mark

will

appear

tothe

right

of

the

l

Instrument

Number.

I

A

mark

is

shown

Ti

=

Ts

lT5eH#4Se51eiE_

t

tame

tﬁeeli.

Q

'11:‘

t............................l

Chapter

4

Editing

Instrument

Sounds

I

ll‘

so,

rota

can

monitor

what

Pttrls

(or

Pxiotc

t\ittntht:rs)

the

lnstrttntcnt

is

assigned

tn.

' ' '

.

More

lltccursor

lothe

Instrttnient

t\ltttnl>ct'l._Il,

E5

1

,3,

then

press

[ENTER].

Prcssi.ng

[ENTER]

will

select

the

Iollowing

displays

in

sequence:

-

"

'

-

'

"

I

R1aH#35e52ei51Ee

Heme

rorr,Et

!_-...

£_,[ENTER]

I

T1sH#36eS2ei51Ea

Hans

Iﬁtt»E>

*

i,,[ENTER]

~-anseseesatatse

Hemeiﬁii-E?

t

.[ENTER]

I

T2eH#39e52ei512e

Hanei@tt~Er

im,[ENTER]

E5eH#39e52ei51Ee

Heme

i

UFF,E}

.

O

If

you

hit

a

pad

while

the

Instrument

Parameter

setting

screen

is

displayed,

it

3

will

change

to the

screen

of

the

pad,

you

hit,

For

example,

even

it

the

Trigger

I

Signal

“T5”

screenls

currently

displayed],

hitting

the

“T2”

pad

will

select

the

I

‘T2

screen.

Similarly,

it

the

MIDI

Note

message

of

a

certain

Note

Number

is

received,

the

corresponding

Note

Number

screen

will

be

displayed.

T5+H#4Se51ei25Se

He"siRee13~Tt

ltiennaaeataiteae

,

hens

<LnFst.s>

‘

Olf

you

depress

the

Hi-hat

Control

Pedal

while

the

Instrument

Parameter

setting

screen

is

displayed,

it

will

change

to

the

screen

assigned

to

the

Pedal.

TE%H#35%51%il3E$

Heme

€LQFattS}

'

Pd+H#44e51ei3@#$

Hame€QcoPHtH}i

l

Chapter

4

Editing

Instrument

Sounds

80

I

Jump

Function

Thrqlrlrnp

function

allows

you

In

instanrnncnusly

|110vc

from

the

Instrument

Pam-|1"m:lc%r

screcn'

Ii:

the

Trigger

l’;1r;mwicr,-""'I’ccl:1!

Pa:rzunutcﬁlnstrumenr

Scctir1nfI’r:rFr.>rzm1nce

Scrction

screen.

.

_

.

@

E\'1m='c'*

{hr

cursor

In

the

]7ilf11l11Cl££'I'

you

wish

to

jump

to.

*

(D

®

\

r2+M#3s+51+i13a

A

1'"-l~3r="=#%-1*

"=1ILF*F-B*»~i1='

\X-*'hcnth<:

L"Ll!‘S(}I'

is

position:-rd

'.-:l@,

you

can

more

to

the

Trigger

Prlrzuncleror

Pedal

Para111'cler

Scm-zn.

1

fl

\Yr'it|1

the

cursor

:11

position

@,

you

can

l11()\-‘ClOl|'lt3

Inslrumrrnlﬁrictiran

or

Perfornlance

Section

screen.

._

-¢

'

Y

®

\\*’l1en

the

cursor

is

]‘JOSiIiOI1f3(|Il{

@,

press

[ENTER].

\

T2+H#3S+51+i1;E

JU“Ft@TEIE?

M

:__-I

When

the

<.'urs0r

is

pcasirinncrl

at

®._

press

[ENTER].

j

‘nnnlu

T2+H#3$+51+i

35

JUMPLQ

EBUHD1

?

®

Pre-rss

[ENTER]

again

to

jump.

To

cancel

Ihrsjump

nwdc.

press

[EXlT].

81

Chapter

4"

Editing

Instrument

Sounds

The

following

pztrztmeters

can

he

set

for

each

of

the

TD-Ts

512

Instrument

sounds.

‘

O

Instrument

Name

:

Name

lT2+nsse+51+'

32

.HenetLﬁFee-5*

I-'

5...;

Each

lnstnrment

can

be

named

using

up

to

6

characters;

5

letters

and

one

extension.

You

should

put

rt

(full-stop)

between

the

5

letters

and

the

extension.

The

extension

is

at

clmructer

that

represents

the

?

category

of

the

Instrument.

O

Waveform

:

Waveform

Teeneseesteitse

I

tAaU@FUPW

x

35.5

Select

the

waveform

that

the

Instrument

is

mscle

from.

There

are

256

different

weveforttts.

W

P.

1-‘H

[

@1.H

-

‘I

1

"3':

ml-

1-_L

I

T

..

_

H

-

F

l_;|'I

I-"

ll

“'1':

-L

1--L

I

@1.C

-

@1.P

-

@1.H

-

E

..

"1":

ml-

|-L

I

51.8

-

1

"""I'

.

I‘

0*!

n

59.

35':

E8.

E3.

5

BI;

‘_:

‘nun

alum

II

11¢

34.

Q5.

H

T

H

E

P

H

E

B

Wztveforms

for

Kick

Drums.

W;.t\-'el'omts

for

Snare

Drums.

Wtwefonns

l'orTon1-Torus.

Wztvelorms

for

Hi-hat

Cyrttlr.-tls.

\‘V;weforms

for

Ride./‘Craslt

Cymbals.

\ll’aveforms

for

Percussion

sounds.

Wztvefonns

for

Mallet

Instruments.

Wrwefornrs

for

Ellect

Sounds.

Waxtefcarms

for

Bass

Guitars.

Chapter

4

Editing

Instrument

Sounds

82

O

Pitch

:

Pitch

(-4800

-

+4800

cents;

in

10

cent

steps)

TEeH#35e51%i13S

Pitgh

K

=

+39

This

|7;ll';il1]L".i€‘t'11£iil.1S[Sil'i€

pitch

olthe

Instrument.

The

value

can

he

changed

in

It)

cent

steps.

Higher

=t=

For

some

Instruments,

\-"ttlues

rttise

the

pitch.

l

the

pitch

cannot

be

l

changed

beyond

0

Decay

I

Decay

(-31

-

+31)

certain

point.

TE+H#3S+51+i133

Decaa

m

"31

This

pitrzmieter

adjusts

the

Decay

Time

of

the

Instrument.

Higher

vztloes

increase

the

DecayTi1ne.

Level

Waveform

l

Time

r

I

lo

1

.

1

|

t

S

i

4

'+—

S

-

es»

Decay

-

!

I

Panning

:

Pan

(L7

-

C

-

R7/RND)

TE*H#33eS1+i133

Pan

m

E

F

This

pztrsmeter

sets

the

panning

(stereo

positioning)

of

the

lnstrttment.

15

When

set

to

RN

D.

stereo

positioning

will

change

every

sounds.

Left

Speaker

‘H14

E

l

_

—\,_.,,.._,.__----.

_.

positions

are

Ftight

Speaker

.

--w

=

--_._..,....__._..._...¢-»'

'

'I_

ué-—-—i

c

-*---—-91%?

(Center)

svail;1l)|e.

83

Chapter

4

Editing

Instrument

Sounds

I

B

O

Nuance

:

Nuance

(-?

--

+7)

T2+H#38+51+i138

Huance

m

__

+

....__j

"

For

instruments

Nuance

marked

with

“O”

in

the

“\i/avefonn

List"

(page

144

ft,

the

sound

will

be

subtly

T

-

S

altered

by

the

Nuztnce

setting.

With

drum

type

sounds,

the

harmonic

content

will

he

etnphasized

by

lower

Nuance

values,

sintulztting

l

- -

the

sounds

crested

by

striking

:.t

drum

near

the

rim

ts).

When

the

Nottnce

partmteter

is

set

to

it

higher

\-'ttlue_,

the

sound

will

simulate

that

of

tr

drum

being

struck

in

the

center

of

the

head

(bl.

T

;

%‘E

’e

e

[It

El]

it

aﬁ

EE

\\

/

Q

@/

l‘

Q

T

.

A7

,

:11

ct

3/Q\

i

<il\

as

\/

,.;.E'.°~

T*Ti’__'_*

T3

TE

V

1?“

I

~..

///I

.*,

ii

_/

,

r

fﬁ

__

E».

1

-

a

—=—-r"

W

_

.

C.

-r—

With

ct-tnilasl

type

sottrtds.

lower

Nuance

vztlues

will

sirnulttre

the

souncls

created

by

striking

it

cymbal

.

near

the

edge

(:1),

while

ltigher

values

will

simulate

the

sounds

olu

cymbal

being

struck

near

the

center

1

lb).

l

ll

3

b

1

5..

CS‘

T

S

I

1

-1<a~

__

.a>+1

Witlt

mallet

type

sounds,

lower

Nottnce

values

will

sinntlate

the

sounds

created

by

playing

the

;

viii

“MaIlet"arespecial

sticks

Instrument

witlt

21

hsrd

(wood

or

ruhher)

mallet,

while

higher

tr:-tlttes

will

sirntilztte

the

sounds

crested

used

for

playing

vibra-

by

plsyirtg

the

lnstruntent

with

a

soft

(wool

or

felt)

mallet.

phones,

marimbas,

etc.

Chapter

4

Editing

Instrument

Sounds

84

O

Brilliance

:

Brilliance

(0

-

15)

-1".--.:

|--r-*-.--

.-

'":-'"

:

..

:__|

:__

‘___

._

:__:

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i

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Wlten

set

to

11

l1igl1ervalue,1tl1e

higher

;

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will

he

empl1;|.=ai2t.=d.

\lt'-="'l1cn

set

In

ll,

tlm-';1rc'

notc|npl'1:|si20cl;"1t

all.

31

O

Attack

Damp

:

AttackDamp

(0

-»

15)

\

II

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II?

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gﬁlll

I‘

Q

KT

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the

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the

scwttnal.

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sefttzn

the

ilI'l'3L‘l\'.

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decrease

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Attack

Damp

Value

l

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increase

.-_‘

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pa-Q0

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n

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O

Dynamic

Pitch

Bend

:

DynaPtBend

(-7

~

+7)

I

t2+H#3e+e1+i13e

l

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"?

T|'1i.s

|1;1rmnc:cr

dc*tc'1'111incs

the

amount

of

pitch

<:lmngel_pitcl1bend

range)

czlumcdhy

hit__tingtl1e

pads;

\ 3

The

pitch

itwczzses

wlten

Dynamic

Pitch

Bend

is

set

to

:1

positive:

value,

hut

clecrcascs

when

the

value

"Q

is

mjgzttix-=e.

Hlgl1e:"\-';1|ueswill<:zm:+c=more

drastic

pitclt

rzhztnge.

\ll-’l1t=.n

set

In

U.

the

pitch

docs

not

cl1ahge-

5

mﬂ.

_»

-l

l

—

— —

—

——

___

_ __

_

'

:'

’*

:f*f'J

__;

——

_____________

W

——

__:_

ta

''''

Y7

4'1’

ti"

W

'

;_

85

Chapter

4-.

Editing

lnstrument-Sounds

O

Dynamic

Pitch

Bend

Time

:

Bend

Time

(0

~

31)

i

TL"?-it-l-l=l=l=-'I":?B~5*-i';-"3-“I1"5*~i1T.Y.*?i:i

E=et"~'ﬂT1

T‘?

Iii‘

1

Bend

Time

sets

the

duration

of

the

l)§-inamic

Pitch

Bend.

Higher

values

increase

the

Bend

Time.

1

I

Polyphony

:

(Poly!

Mono)

TI.'Z';‘-:tl~li=iT.:'£itE:-:1-'E.'I1~%=~i1§.'i.’I‘E

t

Fe

1

'ﬂ'=het?t'att

F'*I*1'ﬂ

II

Kill

This

selects

either

Poly

or

Mono

mode

for

playing

one

Instrument.

Poly

t

In

the

poly

mode,

the

sounds

oi

one

Instrument

overiztp

with

one

zmotlter.

For

example,

if

you

play

ti

ride

cymbal

sound,

which

has

at

long

decay,

the

decay

of

individual

strokes

overlztp

with

one

zinother,

creating

:1

realistic

effect.

V0

ume

Sounds

are

mixed

MONO

.

_

..

_

l

In

the

mono

mode,

the

sound

ol

an

lnstmment

15

cutoll

whenever

another

sound

IS

plztyecl.

3

8

V0

um

_

l

Sounds

are

not

mtxed

\

‘lime

it

‘lime

7

——

e

*;'_*

1*

";::::;__

__

—

_—~

—7

,,-t

—

Chapter

4

Editing

Instrument

Sounds

:_::___

_

_n-nu-at

_

'

pnunnnunn-mnnni

'

' ' '

";;::::

__

1-out

_

_'

__7

_____

__

SW

86

O

Assign

Group

:

AsignGroup

(Exct

-

31/OFF)

T2%H#3Be§1ei13B

.

iQsiQnBeoueeEno31

5

The

Inst

rumentx

assigned

to

the

same

Assign

Group

cannot

play

at

the

same

time.

For

example,

when

-

tron

are

plityiitg

an

;iC(.'tL!$ll(‘

drum

set,

the

open

Hi~hat

and

closed

Hi-hat

sonntls

cannot

occur

l

.‘iil't‘lt.tliLlI'if;‘t')\_iSl‘_t,-’.

Thztt

is,

you

can

assign

Instruments

that

do

not

normally

sound

together

to

the

same

Assigzt

Group.

lnstrttntents

that

sltottld

he

1-tssignetl

to

the

some

Assign

Group

are:

Short

Wltistle

and

Long

Whistle,

Short

Guiro

and

Long

Guiro.

Mute

Cuictt

and

Open

Cuiczt,

Mute

Triangle

and

Open

Triangle,

Mttte

Surdo

\

and

Open

Surtlo.

Mute

Pandiero

and

Open

Ptmdiero.

etc.

’

-

l

ll

you

wish"

to

play

an

Instrument

at

the

some

time

with

the

others,

set

the

Assign

Group

to

OFF.

"

V0

ume

EXC1 EXC1

EXBC2

"5

Time

Sounds

are

not

mixed

Sounds

are

mixed

5;

87

Chapter4

Editing

Instrument

Sounds

O

Output

Level

:

Out

Level

(0

-

15)

T2eH#3B+51ei13B

Uut

Levels

15

This

psrstneter

sets

the

volume

of

an

Instrument

output

through

the

Stereo

Outs.

Higher

vztlues

increase

the

volume.

At

0,

no

sound

is

output.

' '

O

Send

1

Level

:

Send1Level

(O

-

15)

Tzsnssesslsitse

5snd1Lees1=

15

This

pttrsrneter

sets

the

level

of

an

Instrument

signal

sent

to

El'l*e-ct

I

and

Indit-'iduttl.

Output.

.1.

Higlter

l

'

l

values

increase

the

signal

level.

At

0,

no

sigitnl

is

output.

OSend

2

Level

:

Send2Level

(O

-

15)

T2sH#3S+51+i13S

5end2Leue1=

15

This

parztmeter

sets

the

level

of

an

Instrument

signal

sent

to

Effect

.7V§V;.-V:,tnd..InVVcVli\='idu:1lOutput

2.

Higher

V1llU€'S

increase

the

signal

level.

At

0,

no

signal

isVVoVuVtput.

VV

V

I

V V

V_

V

=t<

Signals

to

be

sent

to

Send

1

should

be

se-

lectedfrom:

Q")

lnput

to

Eﬂect

1

Qt

Output

from

lndi-»

vidual

Output

1

Either

can

be

selected

in

Sound

Setup.

or

P.

129

=t=

Signals

to

be

sent

to

Send

2

should

be

se~

I

lectedfrom:

ti)

input

to

Effect

2

®VVOutput

from

Indi-

vidual2

Either

can

be

selected

in

Sound

Setup.

rs"

P.

129

"**"*

I

' '

"

s

'

~

— —

————_———_——

——_——

——

———~~

_

~A

__

—

e

~

—

_ _

Chapter

4

Editing

Instrument

Sounds

B8

2.

Instrument

Copy

'l'htr

Instrument

Cr

rpy

|“un<:ti:

>11

;tlh.>\-rs

3-'01:

tn

mpy

the

(lain

t

Htrztmrrter

settings)

nl‘

an

l|t.St_t_'t1;1_tL_'.t1t,t_t1.;g

..

i_

tliI"'lL*rent

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lt'yutt\-*~'isl1

lt_:L*t;|iL;tI1

I:t_s"t1'11m:mt.

but

;1l.sn|'ct;1m

the

miginztl

tlulu.

you

can

first

mpy

it

to

;t

diﬂbrcnl

pl;-we

Itelhrc‘

cditingg.

'l'he|'t:

an:

two

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;

her.

Ieetenmewtﬁnev

5mF5l1

""5"

[Im1‘.§i1'-.:f"§‘

,

_

\

The

destination

Instrument

Number

’

t

;

The

source

Instrument

Number

Q

Exchange

I

EXCHANGE

This

function

exclt;1ngcs

all

the

data

<'1l'0i'§e]nStrt'it11'£'nt

wi'tlt"'t|1:1't--'

"

<_>l'-.1n.0t|1e1'

Instrument.

A

It~t5T

H

EI=-=::IIHF1tt~t|3E

Ine5iie“%Ins512?

T

Instrument

Numbers

to

be

exchanged

A

=5-

\

89

Chapter

4

Editing

Instrument

Smtnds

I

Instrument

Copy

Procedure

(D

Select

the

Ptttelt

Plny

screen.

then

press

[EDIT].

It

=:1Et:~

IT

1:~

F‘l3lTt'jIH

ttt-415T

F‘

""‘--

7'

'7

APP

ll

®

Move

the

cursor

to

I

"L3

F‘

"1".

then

press

[ENTER].

®

Move

the

cursor

to

"COPY

or

EXCHANGE",

then

select

either

with

the

[DATA]

clittl.

@

Move

the

cursor,

then

select

F

(Factory

Preset

Instruments)

or

l..|

t

User

Instrttntents)

@

Move

the

cursor

to

the

source

number

field,

then

select

the

source

Instrument

Number

with

the

[DATA]

dial.

If

you

wish

to

restore

ttll

User

Instnttnent

data

to

Fttctoty

Presets,

select

FF'I:I1

1

using

the

[DATA]

dial

@

Move

the

cursor

to

the

destination

number

field.

then

select

the

tlestimttinn

Instrument

Number

with

the

[DATA]

dittl.

"'F"t'H

!"'F“=‘l“'

"

an

Select

COPY¢or

EXCHANGE

It-lets:

u

l=IEt-I

T

:::ot=~

s=Fs11

~+o=s12?

IT

Instrument

Number

Select

Preset

or

User

Instruments

®

Press

[ENTER].

The

screen

responds

with

l:lt"'*E'

‘-31211.4

25-

t.It"1E'

'5'

Press

[ENTER]

to

copy.

To

cancel

copying,

press

[EXIT].

=t=

=l=

=I=

When

you

have

setected

COPY,

you

can

select

a

Factory

Preset

Instru-

ment

(F1

-F512)

or

User

Instruments

(U1~U512)

as

the

source

Instrument.

Only

a

User

Instrument

can

be

used

as

a

destination.

When

you

have

selected

EI='=IiIIHt3tI-II3E,

only

User

Instruments

can

be

assigned

to

Ins.

If

you

select

Fe-Fill

tn

step

<5),

the

destination

lnstru-ment

Number

is

selected;

l_lr"~|3l11.

(You

cannot

select

the

desti~

nation

Instrument

Num-

ber).

' '

_?:

_

1-at

__

___

_

;:

1;’;

;;_—_:;——

7;

____:____

_

— —

_—

————

___

_

__—7_

7

_

—

_

_ _

_

WW7’

7:

~i::_

__

_—

___

_____

7

___

iiﬂﬁi

Chapter

‘4

Editing

Instrument

Sounds

Phrase

Sequencer

1.How

to

Record

Sequence

Data

............

..

92

P

2.PhraseSequencer

............

..

95

3.Tempo,

Metronome,

Available

Memory

and

Synchonized

Playback

.........

..

103

1.

How

to

Record

Sequence

Data

The

'I"l)-Ts

recortling

tnetltotl

is

Loop

I'tecot'tlin_tr

in

Iteiil-time.

That

is,

as

l_t't)tt

pltty.

t1t_‘\\'Ll1Illi

is

;ttlt.let|

to

your

set|ttence

u-'hich

is

plztying

over

and

tn-"er

ttgttin.

You'll

lintl

it

very-'

east-'!

Before

l]L"1il11ttt"l

1,

5

Jettil

-’

the

Set

uence

Pattern

?\luntl"ter

tutti

the

nunther<.1I'nte;tsttres

rt

an

are

at

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to

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l

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l

then

pt‘t;‘SS

ts

EQUENCER

1.

Patch

Play

Screen

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fee:-:sI-":1

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LrltllETl*-T5

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_.:

.;-

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-.

»

-.1

,2:

;_-,t_.;_@

®

Using

[*1]

and

[P]

,

more

the

cursor

to

F’-ll‘-l

and

then

press

[ENTER].

.

_

-

PTHI

ecu

PLne

¢LEPRt T?PEtE@P*

I .

::_:.

2

.

_

._

_ _

-up

an

®

More

the

cursor

to

L1

L

E

I-I

l;-1,

then

press

[ENTER].

l

Sequence

liattern

Number

r:l_

t=_l-'1:l-?:t==‘t'l-ltI

n1

Ill]

a

I

'3I1earFl11='

tilts

l

*

I

.

-

-.

"

;1-

-:

-t'==,=‘-'-r'.'----;.'r

.5:-‘_.:,--r-t;-:_:_.'5-1

_-.==;-",4--=;:_-.>.-_.-.1=:;t1_-

‘I

@

Using

the

[DATA]

dial,

spttcily

the

Sequence

Pttttern

t\Et|mher

to

he

t‘econ;|etl.

l

ti<

Please

note

that

press-

ing

[ENTER]

in

this

screen

will

erase

the

sequence

data.

Sequence

Pattern

Num~

bers

25

-

48

are

Preset

Patterns

and

cannot

be

used

for

recording.

Chapter

5

The

Phrase

Sequencer

92

®

?vln\'L‘l|1t;’L‘tlt':+t_1rtt)l:1*?-3i‘“'

I:-t1

1

,{|1L‘I1

seIet't]']1§'-3'-.2-t.-it"'*-E‘

L1si11gll'1c[DATA]

dial.

More

1

the

r:t|rsnrt'ol|rt3

s\-='Ic;|.~;urc

Nu|n|1cl'._rqltztrtguthe\-’;r|uctulhr:

t'lt*sin:d

nu

mhcr

with

the

[DATA]

dial

and

tlten

|)ress

[ENTER].

=

r

~,

‘

-elf

any

data

exists

in

the

WLEQR

FTH[?33

Hereure

“

-i

‘I2

UII

II

III

X...

U

T--..

Number

of

measures

\

[ENTER]

Oil

U

i-]]""z~'§=

=-rr"u_4

'$.t_1]"":‘~1‘~=

"3’

n

no

nu

can

‘I

an

Heeeune

W

OIOI

nun

4

O.’

II

an

III

.

_

@

__Tl1t=:disp]ay

r'c.s|1('1ndst\-'itl1

Flt"-e

‘ﬁll-':l.,-I

:§.r._4r‘-+3

'?-It'yo1.1wishreeniertlle

new=va'l11c,prcss

-

.

[ENTER].

l’rcss

[EXIT]

l't')LT1ll1L't.’].

I

599]"

"9¢°"d]"91

‘

Pl'css[ENTER]toselecu-cr::en@intltc

pn-:\-'ious|v|'noctltrt'<:.

t.:;-1

l

F

‘ta

eeceetea

PF

T

FEECUF

no

Measure

number

Tempo

‘TI

'

:._

“':'!

_

_E\-=l0tf§'_t]tc

u1r.sortoEfE|..1-"‘F'LH"="._thsnprsss[ENTER].

I

Quantlze

t

g

t

Sequlence

Pattern

Number

for

recording

PTH@l~ﬁiJ12@:@1e

EREF

EPLQVEEEQET

]

Fleturn

to

the

first

measure

Start

playback

Start

recording

have

selected

rt

Wt"

be

ll

Sequence

Pattern

you

played

back

here.

It

you

change

the

meas-

ure

number

or

beat

previously

set,

’?

will

be

displayed

to"

the

right

of

the

new

value.

lt

screen

®

does

not

appear

when

you

press

[ENTER],

follow

steps

(D

and

®)

in

the

“I

Specifying

the

Sequence

Pattern

Number

and

the

number

of

measures”.

93

Chapter

5

The

Phrase

Sequencer

___

..___;_,,,

__

..

-____,,__T_

______;__.____,..

_

M

___.___Ae_:

M

on

_____

l

®

Move

the

cursor

to

Jf.-*2-'T*'tl='t'.3,

then

set

the

tempo

with

the

[DATA]

tlittl.

@

Move

the

cursor

to

i;ii.l8t”tl.-

i

E19.

then

set

the

Qtttmtize

vttlue

with

the

[DATA]

dial.

11>

“Qu3nﬁZe"

means

Coy-

recting

timing

inaccuracy

@'

Press

[1](

[SYSTEM]

fl

to

select

the

record

stand-by

mode.

in

performance,

eEera1~e11l=12e

QPP4

@ER“5E55T@P

The

LED

of

the

[SEQUENCER]

button

tlttsltes

at

the

current

tempo.

Play

the

pttds

(or

at

lteyhottrtll

in

time

with

the

llttslting

LED

or

the

unit's

metrononte.

Wltttt

you

pluy

will

he

recorded

in

real-time.

During

Loop

recording,

the

ntettsures

in

your

sequence

(or

Loop)

will

play

over

and

over

again.

For

extttttple,

if

you

are

recording

Lt

two

bar

sequence,

those

two

hers

will

he

played

repeatedly.

During

recording,

wltttt

you

play

is

immediately

tttldetl

to

what

you

played

previously.

in

this

way.

you

can

build

up

your

sequence

until

it's

complete.

®

When

you

finish,

press

[3]

t[El)lTl)

to

stop

recording.

To

playback

the

sequence

data,

press

[2]

(lSEQtEENCERl).

You

“can

also

play

hack

the

sequence

data

by

playing

the

pads.

The

parameters

for

this

function

are

shown

on

page

4*~i.

'

tvttett

the

TD-‘}"receives

:1

MIDI

Note

On

ntessage

from

an

external

device,

it

starts

playing

hack

the

sequence

data.

The

Note

On

messttge

is

sent

on the

MlDl

channel

set

in

the

Trigger

(Trigger

Trunstttit

Channel).

W

P.

115

You

can

start

playing

:.t

sequence

pattern

by

pressing

the

Hi-hat

Control

Pedal

(FD-Yzoptionl.

How

to

set

the

sequence

Pattern

to

be

played

is

explained

on

page

69.

=i=

To

change

tempo

or

quantize

values

during

recording,

move

the

cursor

to

the

relevant

parameter,

then

change

the

value

using

the

[DATA]

dial.

However,

when

the

Sync

Mode

(er

P.

105)

is

set

to

l*lI[I*I,

you

cannot

change

tempo

values.

In

this

mode,

the

display

will

show»!

=r=t

i

el

and

the

TD-

7

starts

recording

only

when

it

receives

MlDl

timing

clocks

from

an

external

MlDl

device.

Chapter

5

The

Phrase

Sequencer

94

2.

Phrase

Sequencer

The

'l'D-‘.-’

is

equipped

witlt___;t__seqne_t1eer_tlt:;tt

allows

ygu

to

tfrertte

q_r__iginztl___rl1ytltnjsanti

l}z_1ss_pa_tt:ern_s.

The

SBQUGHCBF

is

the

unit

that

ret'ort"ls

purl

fer

lie}.-'l)n;1rtl"l

'p'er'for1'h:tn'te'

tlatzt

tint!

plli-tiysliitiléztlelt.

The

Set]uent't.=r

rztn

;-tlsri

he

s_\_='neltrt;tt‘ti?'.e(l

to

zmnt

her

MlDl

c.levit.'.e.

'

O

The

TD-7

contains

24

different

Preset

Patterns

and

can

store

up to 24

User

Patterns.

Original

Sequence

Patterns

are

stored

in

User

Patterns;

the

contents

of

the

Preset

Patterns

cannot

be

changed.

I

Pattern

Numbers

1

-

24

are

User

Patterns,

and

Pattern

Numbers

25

-

48

are

Preset

Patterns.

The

'TD—T's

Tour

Seetiotts

can

he

pluyetl.

The

lour

settitms

are:

the

|ﬁSti't.tI’ﬂ8M

SBCUOFI,

Performance

Section

1,

Performance

Section

2

and

Performance

Section

3.

Eztelt

of

the

it

Sections

is

assigned

its

own

.\-'ll[)l

cltrtnnel.

Therefore.

wltat

can

he

recortled/'played

hztck

must

he

d;tt;t

that

uses

one

of

these

same

+i

channels.

and

it

will

he

recorded./plztyed

back

as

helonging

to

the

Ser.'tion

that

is

ztssignecl

the

same

clutnnel

as

the

that

nnel

the

performance

data

tnwelecl

on.

This

is

true

whetherit

is

perlonnztntie

data

generated

by

ltittirtg

the

pads.

orthat

:tn"ivingoverMfDl'lN.

However.

The

MIDI

channel

is

not

recorrletl

in

the

Pltntse

Sequencer.

Sequence

data

is

distinguished

by

the

settion

rt:-tine.

'

l

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77777

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ENT

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t

,

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,.

ﬁt?

O

Only

Note

On

and

Control

Change

(of

the

Hi-hat

Control

Pedal),

messages

are

recorded

in

the

Phrase

Sequencer.

No

other

messages

are

recorded.

That

is,

onlythe

data

set

with

the

"SYSTEM"

parameters

(er

P.

1

21

)

is

recorded.

I

Though

the

MIDI

channel

is

not

recorded

in

the

Phrase

Sequencer,

sequence

data

can

be

distinguished

by

the

section

name.

MIDI

messages

are

output

to

external

devices

on

the

MIDI

channel

set

in

the

Instrument

or

Performance

section.

For

example,

if

channel

2

is

set

in

Performance

section

1,

sequence

data

of

Performance

section

1

will

be

tranmitted

on

channel

2.

J

I

ll

=l=

[_-:,\

=i=

The

amount

of

data

that

can

be

recorded

in

the

TD-7's

sequencer

is

limited.

That

is,

when

you

have

created

Sequence

Patterns

with

a

lot

of

data,

you

may

not

have

room

tor

24

different

patterns.

Check

the

amount

of

memory

remaining

using

Available

Memory

(+

P.

105)

For

a

detailed

expla-

nation

about

MIDI

chart»

nel

settings.

refer

to

page

115.

116.-P

The

Phrase

Sequencer

does

not

record

Note

Oh‘

messages

(=1?

P.

111).

When

the

seeuencer

is

playing

back

data,

a

Note

O11

message

is

output

immediately

after

a

Note

On.

T

95

Chapter

5

The

Phrase

Sequencer

7

__

___

_

"___

_

-

'_-_

___4~'_-

__;_

7 _

U

—

___b;W

—

~7_

__

_

[1]

Fleﬁording

and

playback

of

Sequence

Patterns

_'l'o_rt;;=corr.lorpl;tyl"1:ick

kieqttence

Pzttterns,

select

F'Tl'l

in

the

iiet|uencet‘

screen.

l

1::

Sequencer

Screen

t-ePo4

.,

II*F‘Tt*l

its-it-1;.

q¥HFEﬂUHILiHETRﬁ

~

‘IQ

OK

-D

Ill

__

Wl1en__F‘:Tl'l

is

selectetl.

the

l'ollo'vring;;

menu

tttu

he

rlisplztyetl.

This

is

tjztlled

the

Pattern

Creating

_

_Screen._

t==rt~t

i~?iEtI:,.+"F‘LFl

§_

‘I

i

:

!_ _!

I

5LEQEiT*PEi5@F

. I

"

To

record

or

play

hack,

select

F1El:I-"'F‘Ll3l"r'

in

the

Pattertt

Cre-.tting

screen...

Sequence

Pattern

Number

I

Measure

number

in

the

Sequence

Pattern

iv

Tetipo

Quzitntize

;

PTHe1~etJ1Ee:e1e

I

IPEP

@PLQ“§PErET

1

ii

..

___.

'1‘

.._

::

I

Return

to

thefirstmeasure“

T

Start

playback

Start

recording

Pressing

[1]

(lSYSTEMll

will

select

the

record

stztnrl-by

anode.

I

Pressing

[2]

t.lSEQLlENCERl.l

will

start

playltztck.

Pressing

[3]

(ll-Il')l'l']'I

will

reset

to

the

first

nteusure

of

dzttzt.

Move

the

cursor

to

the

appropriate

pittmiiteteri

-'tliencl1ttnge

tlié

yaltte

with

the

[DATA]

dial.“

"

1%

.0

Sequence.

Pattern

.Numb,er

(1

-

24).

This

indicates

the

mettsure

number

in

a

Sequence

Pattlern.

You

can

select

the

measure

nuniher

from

1

which

to

start

recortling

or

pl;tyh'.-tt:k.

I

Tempo

(24

-

260

bpm)

This

sets

the

tempo

of

the

sequencer".

QqMea_sure.Number(1+i1.6)

1

.

1

*1.

T

y

=r._

For

recording,

Preset

Select

tltetliattern

l\it1It1l)t'ftfIQ.be-t‘eCQrd¢Cl.(I_fPl¥1YQd@

‘I

g

Patternsq(25-48)

cannot

v

N

~

it

Pbe

used.

Chapter

5

The

Phrase

Sequencer

96

0

Quamize

<1/8,

'l_l1t‘(§|LI;ll1lll?’.L’l‘llﬁCllUl1(‘UI‘l't?t‘lSl'lI‘l1ll1glI1ll£‘£'iil'1ICl(:‘Slll1ll{)L‘Cll|‘(ll.i¥'ll"2gTL‘L‘l)1'£llI1}l.

Fnrinst:mci:.

il'y0i1scl

l

ii

in

1

all

lllt-.'

.~:i.~ilee1itl"i

mics

in

3-1

)i!!'

Hﬁ;'(]llt‘ﬂ£‘L’

will

lull

precisely

on

the

sixlecntli

nun:

clivisinns

lﬁ.L'."I-.!L‘ll

niL';1siirc=.

lz\'ntc.~m|'

l()ﬂ§.1L’i'

iliimiimi

will

l;ill

oh

{lieirrespcc1i\'e

(ll\‘l$l{)!'lS

as

well]

Nriiriiially.

this

.scltin;_;

sliiiulil

rcllccl

the

siiizillirsi

l1HiC\';2lLIt'

in

3-‘nus’

St’(|lit‘I'I£‘L?.

\\i~"’lien

scl

in

H

I

El-l.

n<'>qu;mtiz1i!ir.>11

will

l1c;1pplic'il

tn

wlml

yuu

play.

_

Example:1/16

resolution

i

Resolution

'7

i

l

Actual

note

date

1 1

i

0

Q

|

I

n

0

r

0

Q_uantiza___at_sixteenth

._

I .

‘B

note

I'8SOlUUOI'\

iii

7

"W15

_?»-

iiﬁ

f

-j

jg

?_

Ncjtel

date

after

quantization

W:

_

W

_

Z

1

*******

»;Ll~~~:

u a

I

l

.

l ‘

l

I

To

edit

the

recorded

data

ll

you

WA-‘iﬁll.

yr,-:21

can

crass

your

work

and

re-record

the

scquirncc-.

You

can

also

erase

in£li\'iclu:1l

'

lﬂSiI'LI!11CﬁlS

or

l\i0tc

Nilniliers

lI'l.'*illi';lLl

ml“

re-recoriling

the

entire

scqiicnccr.

\

REE

£@1~@12i=12@

A

'?=1=1*f-@EFfF*5E§‘5T'I*F‘

‘

ln

ihi:

;il‘>(.}\'('_‘

recimling

screen,

pﬂzssing

[2]

ilSEQLiENCER])

will

cz-1

use

EEIFIEE

in

ll21Sl1.

an

vnw

l

ll

you

pl1l§-"'1!

pad

(or

3

nuts

on

the

kcyl)<">arnll\x-'l1ile

El:=fl-l".:-E

is

llasliing.

the

sequence

data

of

the

l

lnstrumirnl

zissigried

£0

the

l‘C'lt‘\'3ﬂi

Pad

((_)1'l‘l()I€

l\lUI11lT1l‘.’f)

will

he

eralscd.

\

ll

you

[)!'L‘.‘.i.Hf

[2]

l_'lSEQl.FENCER]);1g;iin

while

E553:-IEE

is

ll:lSl1iﬁg,

the‘

seqursncrsr

will

return

to

the

;

RZ‘C{)FLl

ﬁ}(_}Llt'.

_

7________

_

_;

:_—_~___

7

————

~

7

—

——

—————7——

———

7';

—_;

1,

,7

———————————

_

"*—

7"

"*7

'

'1

"

___

_ _

__

:_

————

4&4

+7“

7

_

__

_

____

_____77_

7::_;___

'

_

__

—————

97

Chapter

5

The

Phrase

Sequencer

[2]

Setting

Beat

and

Number

of

Measureand

Erasing

Sequence

Data

®

ln

the

Sequencer

screen,

move

the

cursor

to

l:'Ti'l

zmcl

then

press‘

[ENTER].

This

will

select

the

Pztttcm

Creating

screen.

eta

REC

Pchw

CLEQEiT¥PEECUF¥

®

it-"love

the

curs01'tul:ILEl:lFi,

tlien

prc.~;.~s

[ENTER].

Sequence

Pattem

Number

to

be

edited

t

i

Lwhetrer

sequence

data

existstor

not

CLEQR

PTHEEE]

E

¢1eeea1v=te1?

We

T

it

t

Name

of

the

function

to

be

used

®

Move

the

cursor

using

and

[IF],

then

set

the

Sequence

Pttttern

i\’umhcr

tn

he

ctlitccl

;tn<l

the

function

to

be

i.l.‘it;".‘(l.

The

l'0ll<"iwing

functions

are

M-'I.llll'-ll‘tlt:‘I

l

C111“-ﬁt"

l:l1

1

Erztscs

the

entire

Sequence

l’1lttcm.

l‘lIE'-35-i..Jt"'€-'

Sets

the

numhcr

cl

nicttsurcs

in

the

Sequence

Ptittcm

tl

-

1(3).

Eié?

-E:

‘l'..-

Sets

the

licat

of

the

Sequence

l’;1ttem

5--“ii.

l

if

H

W:

We

,

e

We

t,,,,,_:__,,_,,,,_,,

_

i

_ _ _

c

___

_

__

_____

___”

_

4444

‘l

L111

Sequencer

Screen

er

P.

34

=:‘<»If

data

exists

in

the

Sequence

Pattern

Num-

ber,ﬂ

is

displayed.

It

no

data

exists,

E1

is

dis~

played.

Chapter

5

The

Phrase

Sequencer

93

I

To

erase

Sequence

Data

(D

Select3:1€-=-ﬁt‘

l:l1l

usiogt'lic[DATA]di;tl,t'henpress[ENTEFi].

ll

The

screen

l't:5|'tuﬁLl.‘~i

it-'itlil:lt"1-E

'£I.3i..4

IE~|..1l""!E'?

The

selected

Sequence

l‘;tttern

is

played

St")ll1;tl"_t-’t'lti

can

hear

it

one

more

time.

®

l’res.s"

[ENTER]

again

to

erztse

the

Sequence

Pztttern.

To

leave

this

mode.

press

[EXIT].

ll

no

tlztta

exists

in

the

Sequence

l’;ittern

you

lint-'e

selected.

the

llollott-‘ing

screen

will

;1[)[)L‘;ll'r

3

When

no

sequence

data

exists

t

w;_

{_H7WW_Wmmm

f

l

.

CLEHR

FTHEZEJ

B

A

Cleaeﬁll=

UH

?

W

hen

the

sequence

data

is

erased,

the

mezmure

ntimher

and

heat

set

in

the

lollowing

section

will

he

the

new

values.

|The

l';tct01"_l=

delliult

setting

for

it-"lea.~;tz1'e

number

is

and

the

default

for

Beat

is

»=i".l

I

To

set

Measure

Number

and

Beat

@

Select

l'l=:-us

mtr"-is

m~Eie=-a1‘.-

ltsiﬁg

the

[DATA]

dial.‘

E

ECLEQEFTHEEEJ

m

~

e

:LEaePTH[sa1

a

.

“eh

*@”4

ac-c

YE

Q5)

:\-’lo\-'et|1etitirstarttsing

[4]

and

[P].then

set

the

value

with

the

[DATA]

dial.

\’i-‘hen

the

preprogramnietl

measure

number

or

heat

value

is

edited.

'?'

will

appear

to

the

right

of

the

"

value.

"

cLEoePTH£?e1a

Measure

W

18?

@

l’ress

[ENTER].

The

screen

responds

witl1l:lr”E'

'=ltZILt

:2-l.ll"'IE"§'

ll

=l=

The

selected

Sequence

Pattern

is

played

so

that

you

can

hear

it

one

more

time.

®

Press

[ENTER]

to

enter

the

value.

To

cancel

the

procedure,

press

[EXIT].

-

If

you

have

shortened

the

number

of

measures

or

the

beat,

the

extra

data

is

erased.

li

you

have

made

them

longer,

all

the

will

be

retained.

99

Chapter

5

The

Phrase

Sequencer

[3]

Selecting

a

Performance

Type

The

Sequencer

contttins"

se\'er;|l

tlillerenij

l’erform1tnceTypes:

Set

to

A

,

the

level

oi

Set.p.|ence

l’;tttern

is

deterniinctl

depencl

on

hoax’

ltttul

you

play

the

ptttl.

Set

to

B.

.weqt|ence

Pztttern

will

pl-.13‘

the

recortletl

level

|'e*g;trtlle-as

oi"

the

strengtli

you

play

the

p;ul.

Loop

A

Loop

B

..........

..

l-litting

at

pad

will

rttztit

plttylizwk.

The

pttttetn

will

play

repetttedly

ttntil_yot_t

hit

the

pttcl

again.

Once

A

Once

li

.........

..

lclitting

11

pad

will

.~;t;t|t

plttyhzlclt.

The

Set.|t|ent'e

l’:tttet'n

will

he

|3ltt}’t.‘tlttt1t"L‘.

Hitting

the

.-:;une

pad

tigttin

wltile

the

Sequence

Pattern

is

pl;-tying

trill

re-

ti'igger

the

pattern

lrotn

the

lwgintiittg.

_'

Tttpl

A

~'l11p-ii

A

..........

..

Sequence

data

ttclt-ances

one

step

e\'er_\_-'

time

Ll

pad

is

hit.

_\li/'l1<-.*n

setto

TAP2

Tap]

ll

-

Tupi

B

-TAPi.

hittingtltepzttlttlterttcertttin"intei"\-';tl"t\'ill

resetthe

Sequence

Pattern.

playing

it

from

the

heginning.

The

"totem-tl"

is

longer"

when

the

Ta

p

numher

is

higher

t

.2

-

-"ti.

I

You

can

control

a

Sequencer

Pattern

by

playing

a

note

on

an

external

MIDI

keyboard

(in

the

same

way

as

hitting

a

pad).

To

do

so,

play

the

key

(Note

Number)

assigned

to the

pad

(or

P,

42),

I

How

to

set

the

Sequencer

Performance

Type.

(D

in

the

..\'eq1ie|1cer

screen.

tttove

the

cttrsor

to

l:'Tl'~l

and

then

press

[ENTER].

The

l’;tttern

(Ire:1t.ing

Screen

is

selectecl.

'

PTHEEC,PL@o

ELEHRt

Tesstcoee

®

Move

the

cursor

to

T"r*F'E.

then

press

[ENTER].

Sequence

Pattern

Number

to

be

played

Pnrrsshtssl

Pi“

TsPe=L@ePP

Performance

Type

®_._

Move

the

cursor

using

[1]

and

[P],

then

select

the

Sequence

Pattern

;"~iuntl1er

to

he

plttyetl

.

using

the

[DATA]

dial.

_

@

Movethecursorusing

[<];1nc|

[P],tltenselectt|ie

PerformttnceTypeusingthe[DATA]dittl.

l

=i=

'-‘i=

All

Sequence

Patterns

are

created

with

the

“Loop”

recording

math»

od.

ln

the

Playback

mode,

however,

data

is

played

with

the

selected

Performance

Type.

You

cannot

play

“Loop”

Sequence

Patterns

and

“Once”

Sequence

Pat-

terns

at

the

same

time.

However,

both

Se»

"quencet

Patterns

set

at

“Once

(l_oop)"

and

“Tapt

~4"

can

be

played

simultaneously.

-re

Sequencer

Screen

W.

P.‘

34

Chapter

5

The

Phrase

Sequencer

100

~'—’”'

—~—

7

——li'

—

'

—

~

—_

77

We

7»

7

'

1

'"

'

7

"f""’"

”*7W

W

7W7’

mm

W»;

7

"'"

’

'71"

"~__

H

W

1

'

___

____

__

—:'l_~j:—7—_—_:_¢T

—_~::;i

————7———;i——7——

—

;—

—

_

——

—

—;

[4]

Copying

Sequence

Pattern

You

urn

mpy

11

S@r|ucncu1'

P;:l'lL'rn

in

1:

riiflrwcnt

Scr|ur:m‘c

Ikmcrn

.\'umhc-1'.

1|‘;m

wish

In

erlil

the

:3

I’:utr..-rn

\\‘i!ht')lIi

lrrsing-.:

the

r)!'if=J,iﬂ1l|

t|;ll;I.L'()|'1§‘

it

in

11

Lli|'l‘vi'enI

Sr:r|t1unce

l’:1lu:|'r1

:1L|111ber|n:l1>r'c

editing

it.

”|"hemp3'

lmcliun

;1]5r>;l||m\-'5}'utI

tu:~'|1ift

the

pitch

ul‘cl;.:t;r

1

in

.~"r:mi-tone

steps)

to

1n:rkclr:msp0sirim1

r

c;.z.~;ir?|'.

_

_-

.

..

A

You

um

use

nﬂt‘

u|'

um

mp}-'ir1g

mt.‘l'|}n£].~s:

I

COPY

Thismrsihud

copies

s<;*que:1ce<l:.:t;1

wlrilc

r:l1;|n3.1in_r;rI1c_piirI'1_;n_ti1r§

serjjcIi111e{fil_'LIe:;irer|

'1.

It

may

he

cifflwiix-'eI3'

merl

for

clmnging

the

lccy

of

melodic

$§.*(]r1r+nrfr*

data

(hash?

1

>+uc_|r|r::1cc.~.

Fr

>1‘

cxumplrr

1.

2+}let-'ul:+.i‘:"nn1-1210+I2.;1rc;|\-*;1il;1hle._A

setting

nf+12_rai_ses

the

pitch

by

l

ucl;2w:.

A1E').lhcpilr'l1ni'rl;aI;r

isunc|1;:nger.I.

-"

‘

TH

W

'"

....

:"::n==

5*l4 i@*P*E3?

T

"1:=

--4

:':=".:=

3-

Destination

Sequence

Pattern

Number

S

The

amount

of

pitch

shift

Source

Sequence

Pattern

Number

‘

I

EXCHANGE

'|I1:.~'meI|wrlexrflrrangrwlarlar

0|

one

.\cquence

PilH'l:‘I‘ﬂ

\\-'|l.h

timer‘.-1|10t.l1@:'.

1

PQTTEEHEHCHQHEE

PrH1§ +-erreﬁﬁe

r

1

SeSquencSe"Pattern

Numbers

to

be

exchanged

101

Chapter

5

ThePhrase

Sequencer

I

Procedure

for

copying

Sequence

Pattern

r

@

Move

the

ctlrsur

to

F'T|"],

then

prcrss

[ENTER].

P

11--i

-

Sequencer

Screen

The

Pattern

Crr:;1t'ing

St't'een

is

selected.

It-s"

P.

34

Prhescwetne

?LEHR§

TPPEBFWPN

Qﬁ

IIOO

®

r\tlm-':'

the

('ur.s0r

In

|::]:|F'I't'I,

then

press

[ENTER

.

COPY

or

EXCHANGE

5x14

iﬁ

era

TRHH5

seer

l

U

I

-..

I...‘

“':'.

vi“:

-+

I

mun

U.

.:

0.

.

'

Jul

‘nun

u

-no-at

an-u

nu

-an

I-an

(‘D

:\-‘Irma

the

tttttsor

to

|..1l..|1:"'|",

then

select

i..Ii_¥F"'r‘

t'1rE:='=:|..§HH|"]l;iE

using

the

[DATA]

dial.

]

=t=

@

l\"lrwcthccursortasing

and

[P-].thr-an

setthePatter11Nu:nhr:r;1ndl’itcl1usin_gtl1e[DATA]

l

dial.

()

vasrewreat

The

.~.;creen

responds

witl1l:|t""€=

‘H1211.-I

5!.-ll“"'t£-'

'?'

OThe

Sequence

Pattern

that

is

flashing

in

the

screen

is

played

back.

N

=t=

@

lire.“-5

[ENTER]

to

Copy-'.

Press

[EXIT]

tor.‘:111c?el.

Chapter

5

The

Phrase

Sequencer

1

l

When

iZ1IIlF"-1-'

is

seIecte\d,

Sequence

Patterns

1

-

48

are

available

as

source

patterns,

while

only

User

Patterns

1

~

24

are

available

as

destination

patterns.

When

EI=—=IlIIHﬁi»ltE'E

is

selected,

only

User

Patterns

1

-

24

are

available

as

both

source

and

destination

patterns.

3.

Tempo,

Metronome,

Available

Memory

and

Synchronized

Playback

[1

1

Ten-I

po

ng

er

"Tempo"

is

the

speed

at

1

which

performance

data

"__

r

is

played.

The

value

(D

in

the

St:t.|ttent;er

sereett,

mt‘>\'e

the

ettr.-tt_tr

to

TE["|F

1.1

and

then

press

[ENTER].

The

screen

t*lt:tngt,es

to

the

Pttttern

Creating

screett.

shown

in

the

screen

represents

the

number

l

P

T

it

i

of

quarter

notes

played

EEQUEHCER

'

.

.t

Ter='tt=-=:=

.5

-e

Zti-II=E.t

'“

°"@"""“

8'

®

Set

the

tempo

by

misting

the

[DATA]

dial.

Er

-Sequencer

Screen

Hr

P.

34

[2]

Setting

the

Metronome

This

cletertnines

how

the

metrttnntne

sltuttltl

sottntl

dttring:

recording

or

plat-'l_t;tck.

(D

in

the

Sequencer

sereert.

ntnve

the

cttrs0t‘tt1[‘]ETFT\:l

and

then

press

[ENTER].

=t=

When

the

Sync

Mode

is

set

to

P1

I

DI

.

you can

not

[']ETEf1:l]"-[|:Y[’]E

T

changetempo

values.

In

[']*II1j1~E~'

[W

*7]

3

El"'|F"]I.-‘:!

this

rnode,thedisplaywill

V

T

.

show

J

ertt

i

ti

Paramete!’

Value

*

I

cluding

the

metronome

®

Select

;t

prtrztmeter

by

rtttttting

the

[DATA]

dial.

Sound

®

Mm-‘e

the

cursor

ttsing

[<1]

and

[P]

.

then

set

the

vztlue

with

the

diai_._

103

Chapter

5

The

Phrase

Sequencer

—

_

es

_

_.+<._,_W,__.

__

_.

-_

.

."<_#

-

.

[

,

_

..

Metrt_tnttme'

parameters

it

re:

\

Ilnten1al(1/4.1/8,1/12)

_

.

_

.

_!

H

..._

.

___

_

__

Tlttspttr:.1tt1eter

sets

the

tnten-';tl

tlaetttlfttrtlte

tnetrnntttne.

\\=hen

the

1‘:

l-’l:

is

scttt:t|._-1

11..-l=.

.thel|t‘st

;

‘l

note

of

the

meastt-re

will

srtttml

ltigher

in

pitch.

\\'-‘lien

set

ti

t

l-.-lit

i

II-E“.

the

mice

chttnges

tlttpentlittg,

[

on

the

ntettononte

setting.

»

O

Mode

(OFF/Rec/Empty/Play)

This

psrttmeter

Lletermittes

l1r_t\\'

the

melronntttt.-'

slttitttltl

he

pl;tt‘etl:

OFF:

U.l:_-F

l

i‘\t'ttntetrot'1ottte

sottntlislieztrtl.

.

.____

___

. ____

if

l.

..

_

__

___

l

___

_ _ _

_

i

is

7

~—

—

l

****"

r

~"

1"

rr

' '

""

"

_

ml

._

.;

1-.

;.

5;

"

-:'I..

'

ll

- -

'.

':_

‘

-

u

“Q

-1»

1

4

v

_

J

Recording;

l:-ft:.-'I...-

The

tttetrttnutne

is

ltettrrl

<;lttrtng

retwtltttg.

“:._

C

E

..

_l

Et1tpty~;Ef"tF-t_.*£

3

The

tttetruneme

is

hettt't.l

only

t\'lit:n

nu

pt-t'l't.'tt-tttttnce

tlttttt

exists

in

the

.

T T

l

j

t

selected

Sequence

Pattern.

~

_

;

re

__—;

1

——

— —

—~

_:‘.

_:__

——

——————'

—— ——

——~

—————t

___.

'

""'~~

————

—————1

—::

___

:

:7

*7

’

re

**’*

——————~

7"

W

‘

l

l’lztv:lf'3‘.1-5.‘?-=i

.

l

The

tnett't'>not"_ne

is

heard

tluring

rect".tt'tling_t-incl

playlatttfk.

This

nttttle

ntttr.

l

I

-

I

.

_

;

I

1

A

. 1

-

1.

tltetelure.

he

ttsetl

lttr

practice.

For

instance.

you

cttttltl

mslte

at

ltlttﬂh

ll

l

Sequence

liatttern

(witl'1

netltttttl.

then

play

it

hack hy

|:tl;tyingtlic

ptttls.

By"

.1.

‘

doing

sti).

rtnl}-'

the

tttetrtmttme

will

he

heztrtl.

Ytttt

ct-in

then

practice

plttt-tin

'12

\

along

witlt

the

met

rnrtttme.

I'Count

in

(OFF/1,

2)

y

V

l

Atnetrononte“cot1nt-irfnccers

he-lore

rectitnling

hegins

t

-.tt'terthe

Recortl

htttlttn

l

ll

l

t

is

pressed

l.

\\i=’ltett

sat

t0'l:|l:l:',lrec0rtlitig

starts

immetlitttely

wlten

the

Record

htttton

is

presset'l.

\‘i-iltep

set

tel

t.tt'IZI.

recording

begins

after

1-1

one

or

twtt

met.-tsure

ctittnt—in.

I

Type

(Click/Voice/CowBlfWdBlk/8DMrc)

This

pttrttrneter

cletermines

which

sound

~

click.

ltttman

voice.

cmchell.

ts-'ttntlltlttt'k.

ttr

TR-tttlh

mttr;t-

l

czts

-

will

he

heurcl

during

the

metrnnttme

count-in.

OLevel(1

-

16)

This

p:tr;tmete|'

sets

the

volttnte

of

the

tnetrrtnttrne.

Higher

t-'ttlttes

inct't=:;tse

the

rttlttme.

1

—~

if

use

E,E,___.._.._,,

_..-

'f

.7

.

...,.;:,,___.;_

_

_ _ _

giiyi

Chapter"5

The

Phrase

Sequencer

104

[3]

Available

Memory

The

Tl)-"

>121

arcs

.~;ut.|m-tut.“

purl}

ll'll1;1D(.'L'

data

in

intctml

;m'|t1n:"_»--'.

'l'l1ut1tp;u;ii3-’

ultlte

Memory

IC

is

limitctl.

zmtl

the

'l"I')-".7

um

imlitzttc

hmx"

murh

tncmnry

is

still

;t».-=lt|;tl*»lt+<Available

Memory),

\‘£-‘Itch

5;'i:'I.l

is

sltmvn.

no

l'urtl:er

rm

>rtIin§.:

is

pt1.'4.~'-il1|L’.

(D

In

the

Seqtlct1cc|'

.~+t"t'u'|1.

ntuvu

the

t'ur.~;ur

in

1:1;-.-“:1

I

L.

tmtl

than

pt'c.~»"s

[ENTER].

eeaileeleetee

1

"*3

Available

Memory

[4]

Synchrcmzed

Playback

The

Tl‘)-T"'.~a

l’l1r;1.~ie

f~}ct_|ttt:ttu-.'rc;1:1

s§'nc|t|"u|1izt:

tn

an

vxtcntnl

A-Ill)!

tlt:\'it'c.

®

In

the

Set|ltcttt.'t:t'

.H‘L'l't’t.’l1.

tnmt:

tht:

L'tll‘_\i(1rl{1:.:?‘s'i|"'!3::

and

then

pt‘c.ss

[ENTER].

seeueeeee

J‘

tit?-'1~

1HTEFTt*‘F*L

Synchrcntzed

Playback

Mode

®

Select

at

S§'nc|tm|1i2ctl

l’l;1yh;tcl\'

t\-lodet|sin§gtl1r:[DATA]

dial.

IHTERHIZIL

An

t‘Klt‘t‘ll;ll

MID]

t.|c\'iuc

synclttnttizes

In

the

ll)-7""s

;\Elll'.)l

duck

signatls.

Pl

I

[3

I

The

Tl')-7’

$3-*:1t‘|1|-t

mixes

tn

an

extetml

dl:\*ice'.-'

fl-llDl

clutgk

sigttuls.

xvlltm

set

In

I

H

TEE:

t~lt1tL

.

the

Tn-'¢

semis;

mm

Timing

Cltadis

ta

F81

lllrtlttgll

A-l1l)l

om".

but

docs

not

send

.‘it';1t‘l

(FA

.1.

Continue

IFBI

tn‘

Slop

(F-C}

xignzllﬁ.

xx-*|lt~n

set

tn

Pl

I

[1

I

.

the

't|">_'#

tit».-.~»

not

aiencl

MIDI

Timing

C|tlL"l<S

II

F8)

tltrtltlgll

mt)1

otiti

TIM’.

TD-

?

t'ecci\'c-s

Timing

Clncksi

|'r0m

an

c?~:t't:1'n;1|

MIDI

clc*\-‘in:

tltrmtglt

MlDl

lt\'

and

pl;1'_l_='s

hack

the

pc1'l'u:'m;tncv

tlnta

:1mn't|i:1gI§-'.

l’l;t3'ing

the

pmls

{UT

|.c§'l>r.r.-art!)

0;"

rw:i\'ing

M1131

‘N-cute

will

start

plat-'lt;tt‘k.

St;trt

{l’.+\t_

lflontinuc

{Flt}

01'

Stop

ll-"(ll

si_<.-malls

will

he

igntwretl.

=l=

Sequencer

Screen

W

P.

34

When

set

to

l*1I[I*I,

you

can

not

change

tempo

values.

In

this

mode,

the

display

will

show

.l=

r=':

i

1:l

.

105

Chapter

5

The

Phrase

Sequencer

SystemSetting

1.MlDl

..........

..

108

2.Set"tlng

the

Interface

Mode

......

..

123

3.Using

the

Footswitch

Sound§_yon~Scundy;c;’

..........

..124

"’*4.The

Sound

Setup

t

..........

..129

5.lnltializati0n

..........

..

132

System

parameters

include

those

the

entire

system

of

the

TD-7,

such

as

MID].

Fcotswitches,

Sound-on-Sound,

Effects

Output,

Individual

Output.

Initialization,

etc.

»

1.

MIDI

i\‘III)I

t'|"1ronottnt'ctI

tttitltlt-‘.1

sttmtls

Ior

§\-Ittsiutl

lI‘th'll‘l.lII'lL‘itI

I)i;._z,it-,tl

ltitt-:*l';|t"c.

:\-III)I

is

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tmrltl-witlc

sttttttlattl

that

;tlIt_m's

IIi{l.“.iIL‘lll

i{1.‘iiI't.liiIL’IIIS

anti

tit.>tnputcr.~s

to

t:.~tt'li;tt1_<,.{c

1nt:.~;ic;t

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s\"lt>5I

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fI=III')I

t'omp;itihIc.

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t'untp;:tihIc

tle\‘it'cs

lt;t\'c

MIIII

t"tit11tct"t-.>::~;

t_'t-'__I_t___i§_I_t___f.:t_tf|;'__tts__cYtI_lo

pin-'si_c;1II_}!f

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From

a

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device

IDIT

device

'

MIDI

Ii\’

:This

connector

t'ccci\-es

It-~III)I

ittcssttges

innit

an

external

Mil")!

tlct-inc.

MIDI

OUT

:"

This

connector

ti",-tnsniits

outgoing

MIDI

ittess,-ages

to

other

tlct-‘ices.

MIDI

TI-IIIL?

:

MIDI

iiicssages

receiwd

at

MIDI

are

1'c-transmittctl

In-'

the

It-IIITI

TI-IItI.*

connt+t'tnr.

I

'l“hi.~".

l

4,

connector

does

not

In-tttstttil

iiicssttgcs

that

originate

insitlc

the

unit

itscllli

O

The

TD»?

does

not

feature

the

MIDI

THFIU

connector.

4‘

I

Technically

speaking,

any

number

of

MIDI

devices

can

be

con-

nected

using

MIDI

THRU

connectors.

The

practical

limit,

however,

is

5

units.

This

is

because

delay

or

deterioration

of

the

MIDI

signals

will

occur

as

the

signal

path

becomes

longer

and

longer.

Chapter

6

System

Setting

108

I

MIDI

Channels

MIDI

:tIIo\\-*st_t-'01!

to

trztttsmil

and

1'ct.'ci\-‘c

mztny

tIil"|"ct'cnt

i\iIDI

tttcssttgcs

ttsing_tonI_t-'t_1ne

cahlc.

This

is

!tt;ttIt_-'

|nt.H.*iil1It'

lTL‘L‘1ItI.‘~it‘

;'\-‘IIDI

int‘-Iutlcs

II:

tliIIcrcnt'

chitnncls.

MIIIII

chatnnels

are

trust-'

to

untlet'st;in<l

ilwc

use

the

ai1:t|t>gy

0l"lt:lc\-'ision

hroatlcatstittg.

I\="l;1nytcIct'isioti

prt.:_tgt:tt1ts

art:

lirozttlcttst

Irom

ll"t;ill‘_t-'

Di

stations.

and

your

"I"\F

;tnlt*nn;t

t'ccei\'cstI1ctit

all.

Iiy

setting

your

television

to

:t

specific

cltanncl,

you

can

watclt

only

the

(It?.\jIl't:‘t;l

program.

The

S1-ltllt.‘

iclrrzt

;tp|iIit:.~‘»

to

MIDI

t‘It;tnnc|s.

Thu

ti1:tstt:rItrztnsmittingtt|c\"it't:

is

sotncwltztt

like

the

ltrotttlcztst

station.

ztntl

the

slavt:

Irccci\'in_o;I

tIc\'it‘c

is

like

it

ttricvision

t'ccci\-ct‘.

The

.\-"IIDI

tttessztgcs

cttrrictl

hy

Illt.‘

MIDI

cable

an:

like

tlic

prt"igt‘:1ttts

that

arc

trattstiiittctl

Irom

the

I‘Il'O1lLIL"LlSl

stations.

-

TV

messages

from

various

TV

station

are

sent

I'T'

V

s'ta't"i'o"n'A"

‘

through

the

antennas

cable.

I

. . .

TV

station

C

-

It-"'IIl'.)I

pct'Iot'tn:tnt'tf

int'or1n:ttion.'

“tt':.t;'=t_'_1_stt1ittQ9I_.-,?;.ItI1n_t

the

tttastet

device

tti"tIt'c'sI1tt'e

\\flt_t.~,t_=t___t=Iit;_f_

chzmnt-.-ls

on

hoth

tlerices

inzttch

t'-i.ci--pztrcrset

to_t_he

sztitte

numhet'_I.

WI1e'h"tIte

MIDI

.

-

:-.---.»

Inllnn-s.

tmlt‘

snunrl

tnotlttlc

Ii

will

rcspontl

IX-'l‘tt_’ﬂ

the

keyliottrtl

is

played

'_(_sottnd-

tnt".">tIt1I_e-ft-does_;;.not

t't:spontll.

This

Imppcns

liccttttsii-'"otiIy"

sotiiitlitnotltilc

I3

is

set

to

tlte__;§_;1nte

cltannel

nutnhcr--as

the

kt’}'|1o;trtI.

while

that

0|‘

sountl

tttocltilc

It

i5"'5'Eit"'.I0

at

dillcrcnt

I'ItlI'I1l)f:ff.

I

MIDI

ouT

' ' ' '

NllDl__IFlN

'

Itvuot

THRU

Transrrtit

channei*§W1fOl

§eoeiva;channeIi;*‘I'

if

iii?

I

in

Sk

EH

HIE

EB

IIIIIIIIIIIIIIIII

ttt§ttr,.Bca:t

MIDI

Keyboard

The

Tl“.)-Ti

can

i't‘.‘L"U_l{lTIZt3

It-IIDI

incss;-.1gesoI'motct|1:.tn

one

chzmnel

at

11

time.

It

has

four

cltannels

for

the

Pci"Iornt:1nCc

I";'trts

(sections)

and

one

for

Program

Ch;-tngcs

I

:1

channel

for

rct.‘ci\'ing

and

transmitting

I‘;tlt'h

Control

Iﬁi‘

P.

Ilh

Iiecttttse

the

TD-T

can

rccogttize

MII)l

inessnges

on

four

clmnnels

:11

once,

it

can

he

used

as

:1

4-part

multi-timhrttl

sound

ntotlulc.

That

is,

I13:

setting

tlillercnt

chatnncls

Iorthc

Instrument

Section

and

Performance

SBCIIOFIS

(1

,

2

and

3),

you

can

create

It-IttIti~p;trt'

pcrfonnances

using

MIDI

data.

X

I

x,

'

I

TV

SIaI'°n

B

I

‘I

_

Select

the

channel

of

the

Z

TV

station

you

wish

"to"

watch.

I09

Chapter

6

System

Setting

The

Instrument

S8Cti0n

ultlte

TD-?"’

is

t.‘L|tlt\'1ttL’t1t

tethc

Drum

Part

in

;t

1-’\-"IIIJI

multi»tim|>r;|l

sutlml

ntudttlc.

In

this

section.

t|il'|L*rr:t1t

.~;uunt'|s

will

he

pluyccl

by

ct

>t'rc'n'|)u11t|it1g

Mate

t\Zt|:n|">t-rm.

You

can

atssigtt

ti

drum

\--*0icc

or

:1

pcrt'tlssit)t1st1ttnt|

to

cuclt

New

Ntnnhcr.

Channel

ll}

is

ltequently

set

fur

this

section.

A

Performance

Section

in

the

TD-'_?

is

equit-';1Icnt

to

at

Standard

Part

in

;t

MIDI

mulli~timhr:tl

:~:ountlm<..1tlt1le.

A

I’:-.-rl'u|'m:tncc

Section

is

used

for

playing

rt1r:|0tlyor

Ives.-4

parts.

Herc.

;’\?etc

Nttmltt-'|'s

c(.antr('>lunlytI1c

pitch

of

11

sound.

TI

at:

TD-T-’

l1tt.~st|t|‘ce

l’t+r|'t':rm;tncc

Sect

ions

amt!

one

In.~;t:'u|ncnt

Scctimt.

and

tlterclbre

;1IIt'>\vsy't>t|

to

play

tout

parts

sinttllttmeouslyz

ntclutly.

cltnrtls,

buss

zmtl

drums.

The

Trigger

Transmit

Section

converts

operation

infotmation

of

the

Pad,F0otswitch

and

Pedal

into

MIDI

ntessages

then

transmits

them

to

the

Instrument

Section

and

Performance

Sections.

MIDI

zttcssagcs

sent

from

the

Trigger

Tmnsmit

Section

are

used

for

recording

data

into

the

Pltrast-2

Sec;

uencer

or

transmitted

through

MIDI

OUT.

TD-7

MIDI

Flow

diagram

MD

INSTRUMENT

t°*“**‘*"‘E‘-Salem”,”$Et¢T!OIL__t

i¢Hjd;{t1'r§1'EL€&

""

********

"

TRIGGER

PERFQRMANCE

"°°"s“"'°"‘

TRANSMIT

§°“API‘fEE?ttt,_ttt,T_§§°T'°"I1

_

@

SECTION

Mil)!

OUT

menu

I

PHRASE

I

5Mplaprttr;§-I

PATCH

cournéﬁ

$E°"E"°E"

I

PEDAL

Iii"

MD

PERFORMANCE

CHANNEL

sscrton

2

M

D

PERFORMANCE

CHANNEL

SECTION

3

_

1

,_7__7:_7_

-

It-sln

some

models,

the

..-I

1.‘

Y-is

“Drum

Part”

may

be

called

the

“Rhythm

Part".

<-In

same

models,

a

“Standard

Part"

may

be

called

a

“Normal

Part".

The

TD-7

can

play

14

notes

atonce

(Maximum

Polyphony).

It

the

number

of

notes

used

exceeds

14,

some

sounds

will

be

cut

oh‘

and

the

performance

cannot

be

properly

recreated.

Chapter

6

System

Setting

110

[2]

The

TD-7’s

MIDI

Messages

I

Chan

.\-I'll

DI

ittclutles

II‘t;lI1§I'

tlilIlIet'ent

ttte'ss;tge+s

lot‘

cunt-Ieying

\I;I

tit

ms

|_7L*t'lt)l‘Il1;1l1L't’

;ts|)et't.wI.

I1-IIIDI

tt1e.~I.sI;t_t;es

are

tlit-Iitletl

intn

Clittnnel

tTtL'.'w'.H'Llf.-'.?,t..’h'1ll1tl

Systettt

1ttess;.t_ee.s.

Clntnttel

tttessztges

are

sent

t--Iizt

the

intlivitlttul

t\-IIll)I

eliitnnels.

while

S}-'h'l"L’I1'l

ntessztges

can

he

reeeit-Ietl

regztrtlless

of

the

rchunnel

settings.

nel

Messages

Cltztnnel

Ittessztges

int'httle

petlltttntztnce

tIt_InttInlling

inlhnnzttinn;

lnr

lI1.'ilI.lIlL'tf.

"\\-'lllL'lI

p:-ttl

is

hit

and

l1t'}\\-'

ltztttl".

l"lnw

at

tlex-Iice

will

respnzttl

to

teceit-Ietl

I\-Illl)l

Ines.~;;tgesl_'l10w

it

sltottltl

snuntl

I

is

tleterminetl

ht‘

the

.<Peeilie;ttinn:~;

of

that

device.

Therel'nre,

if

the

receiving

tlet-Iiee

clues

not

lezttere

the

lttnetinn

required

hy

the

ntessztge

sent

from

the

irttnsmitter.

nothing

may

happen.

I

Note

Messages

Note

Ittessttges

include

inlnrm;1titI1tt

rehttetl

tn

striking

the

pzttls.

:1.-I

sltntvn

ltel0t\'.

These

tnessztges,

tlterelhre.

are

equivztlent

tn

E\Inte

On

tnessttges

from

:1

keyhnttrtl.

4'

l

ArS

SSS

S

SSSSSSSSS

S

SS

S

SSSSSSSSSS

SSSSSSSSSSSS

SS

SSSS

SS_SSSSSSS

SSS

SSSSSSSSSSSSSS

SSSSS

S

'

SS:S

'S

SS

**'

<7

W:;_____

_ _

________

___

_ _

N

_

___

_

____________

___

WW7

________________‘

I\inteNttmher:

I;

llte

number

its.-tigtietl

tnetttflt

trigger

sigitttl.

(The

21tll1'|l}t‘l'

assigtted

tn

eztclt

key

I

I I

I

Y

ll

tin

at

l\Ie\=*ltt1;t1'tl.)

I

-I

prt:.sst:Ll_).

l

____

SS

SSSSSSSSSSSSSS

SSSS

_________

SSS

_______

SS

S_SSSSSSS_SS

S

SSSS

SS

SSSSSSSSSSSSVSSS

S

___SS_SS________

SSSSSSSSSSSSSSS

S

I\=nte

ON

:

Tl'Il.'~i

type

(ll

tttessatge

ts

genertttetl

when

ll

pad

Is

htt

tor

it

key

on

at

l\Ie_\_'ltuItrtl

is

I

n

'3

lztpsetl

;-Ifter

at

pttiil

is

hit

tnr

when

the

key

nit

at

l\'et-Ihnatrtl

is

releztsetlt.

it

.

._

.

p

I\inte

OFF:

This

type

ttl

ltit.'h'h'Lt§{t.'

is

genertttetl

when

the

Gate

"lune

tlengtlt

0|

:1

notelhzts

l

\-’elucit§-I

:

The

strengtlt

will]

wlticlt

at

pittl

tut‘

key)

is

plzn-Ietl.

l l

I

S

SSSSS

S

SSSSSSSSS

SSS

S S

SSSS

St

SSSSSSSSSSSSSSSSSSSSSSSS

SSSSSS

Sig

N:

lit’

I'\iuInher.s

I‘)

-

l.Z'?

n:-pre.~Ient

the

notes

on

1:

l\‘L'}’llt};l!'Ll.

I.\-‘rite

ntnnher

60

is

.\-Ilidtlle

C

{C-=t_i.

Correspoedence

between

Note

Numbers

and

Names

lllllllllllllllllllllllllllllllllllllllllllllll

Note

Name

A0

-----

at

-its

as

c4

A6

"'-"""""""""""'_"—"

l-‘¥;ii;::l

”

lﬂjii

N"

’::::'T"'::"7:

Wmwﬂjrffih

C’)

OD

108

T

II

l

I

F

111

Chapter

6

System.

Setting

I

Pitch

Bend

Change

\‘-I’-='|ten

:1

Pitch

Bend

Cltttnge

nie.~I.~;;I§_ge

is

reei-:i\-Iei.l.

the

pitch

will

tilt;tn;..;e.

I

Attertouch

Al'tertottelIt

is;t

ltmetion

t\'l1tL'lI

;Illo\\I:I\-"t.itI

tottiter

.~Iotmtl.s

h

';t

1

tlt--‘int’

iIIe.s>tIzIetI>t|te

kt-\I>Iol';t

ket-Iltoitrtl

.

w

D

.

¢

alter‘

the

tttttes

ltttre

heen

plztt-‘eel

,=\l'tt:rtot|tIlt

ittcltttles

two

kinds

til

It1t‘.‘$.*i;.l§1L".‘$'

polt--IplttInitI

kex-I

|t1It:.~;.

sends

inl‘omIt;1tiotIt

for

the

entire

elmnnel.

The

TD-'1’

sends

pol}-Ipltonit:

key

pre.~t.sIt1tIe

tltessiges

trltezt

the

rim

of

Ll

pad

is

held

and

t'ele;.I.~t_Ietl.

'

l

I'L‘

.

'_

st

tttemattgesﬁ

VI-'lItt‘lI

send

inlonnzttiott

lot‘

t;'Llt.‘ll

key

pl;n-Ied,

and

eltztnnel

key

|1l'L‘fih'Lil'L‘

tttess;tges_

\\I|titIh

Wltett

receiving

polypltonie

key

pre.~;stI

re

l1It‘.H‘5;l_t{c’h'

Iro|tI1e.\tten1;tl

It-lll)l

tle\Iitfes,

the

_Tl.)—'.?

will

re.~;pond

as

il’

_\_-‘oh

’t\-’t;’l'L‘

holding

the

rim

ol‘

11.

ptttl.

I

Program

Change

Generally’.

Progt';tn1ClIt;inge

Ittessttges

are

ttsetl

for

tIlt;IttgiItg

sountls.

I

-

l.28;tft'I.’\’11llLl

l’ro_eII;I.i1i(IlII;t

I\iumhetIs.

The

TD-7

ttllttws

I-'ou

to

change

l)1l{t.'l]L‘h'

tising,

l’rogI';tttI

Cltztnge

ttte-sstiges.

I

Control

Change

Control

Cltztnge

ntesetges

control

severttl

|'ttntI'tion.s.

sttelt

as

ntotlttlzttion.

Piiti.

etc.

Funetion.I~I

speeil'ieI;l

hy

Control

Ntttttlvers.

The

TD3?

st-Isteiti

um

send

Hi-hut

Control

Petlztl

inl'orm;ttion

ttsing

(._"Iontrol

Clt:-Inge

tttessztgcs.

The

TI.)-'?

can

ttend

Hold

ittessitges

\\-‘hen

the

FO(}[.5'Vt'llCl1

motle

is

set

to

mode

Z.

t_ﬁ-it

I’.

I

2-ail

§

K

I1gt'

1":

E1111‘

I

How

the

Patch

Numbers

in

the

TD-7

correspond

to

Program

Change

Numbersis

explained

on

page

70.

Chapter

6

System

Setting

1

12

'*I——

——II

"*

*"

———

7

*

*7

—

— —

—————

——::—S

S

—

_—::_S—:S—:_<—~—

—

T

_

S

_

SS4»

~

SS_~_

SS

S

_,,~_,

a

_

,__

W

_

__

_

__ __

_

W

_W__f_j__:_:_,__,

g

T

g

_

:___

_____

_

I

System

Messages

S§*.~"ten1

A-It-ssttges

can

he

sent

nu

mutter

ltnw

the

A-'IlI)I

ehttnnels

are

set,

System

messztges

inelutle

e-xelt|.~;i\~e

tttess:|_etrs.

ztte.s.~:;tge:~'

int

.<yneI1rnniz;ttinn.

etc,

O

Reattime

Messages

These

|ne.ss;t_ee.~+

are

ttsetl

int

at-'ttt‘ltt't

snizutit

tn.

The

TD-7’

am

tr;tn~amit

attttl

retfeive

MIDI

timing

elr>e|<.~@.

I

Active

Sensing

.-tctive

sensing-,=-_

ttte.~t:+;t§;e~;

!ttt>ttitt'tt'

the

integeitt"

of

it-llI“)l

mnnet?ti<.>n.~;.

Once

the

TI")-7

t‘et.'ei\'e.s'

Aelit-'e

st=t1sittgtt1t-ssztees

via

It-'lll‘)l

I;\£.

it

will

;ttttt>|n;ttie::|l§'

Innk

Int"

further

tttessatges.

In

this

mutle,

ilthe

TD-

‘

tlt.ter~'

nut

re'eci\'e

:1

in-'

t\="llI_'JI

tttL':-;.s;t_t:t.’r-z

til‘

.-;\.t'l%\'e

sensing

tttessttges

(hr

ether

MIDI

ntessttgesl

withi

n

5l.'Il')tn§~‘et"

(Tl)-"F

l,

it

will

itttlge

that

the

t\lII)I

ezthle

is

tli.~smttnet.*tetl

t'll‘tI;tt1lLl§{t:‘Ll.

The

unit

will

cttt

eIl';tll

sttumls

and

take

ex;tetI_\_-'

the

matte

action

us

when

ret?ei\‘in_e

Reset

All

Llttntrttllers

tttessages.

Active

Settsine,

tttt=ss;t_e,t.*s'

will

no

ltm_t1t".‘l'

he

mnnitrwetl.

The

Tl)-Ti

can

ztlsh

ttttnsntit

.-"tt'ti\'e

sensing

tt"tes5ttges.

O

Exclusive

Messages

lr.".xt."lt:.s"i\-‘e

nte.~;s;t

ges

:1

re

unique

in

;t

p;trliettl;t1'

model

and

m;tnu|';tctt:rer

I

e. g.

Patch

til:-ttzt

1.

|*m'

:1

cletatiletl

e.\;pI;:n;ttiun.

see

A-lll)I

Implementation

ti’.

I-SH)

I

About

MIDI

implementation

Chart

.\-lI

DI

h;1.~"-

tnzttle

it

|m.s:siltIel'nr;1\\'itle

\-';tt'iety

t

>I’t.le\-'it:e.-<

In

ezteltatnge

i1tl'c._>rttt-.tti0n,

hut

it

is

net

ul\\=';t}-'s

true

thztt

ztll

types

uI':’\-'lll)l

t"t"te.~+.~+;tge.<.

can

he

emltztttgetl

hetweett

all

types

<1l'tle\'iee's.

Fur

exztntple.

I

il

yntt

use

at

at-’nllte.~:i.?.er

as

:1

ttt;t.stet*

device

tn

etmtml

:1

digital

pianu,

the

pitch

hetttlet'

l

the

level"

I

hr

xvlteel

that

tttutliltes

the

pitch)

ulthe

syntltesizer

will

ltzne

nu

elleel

on

the

snuntl

el

the

piann,

I . . . .

3,

The

tmphrtztnt

tlttng

to

keep

tn

mtntl

when

ttstttg

it-lll.)l

ts

that

the

slztve

clevtce

must

he

zthle

to

I

't|ntlet'st';tm|'

wlutt

the

tnztster

is

's;t}’ing'.

In

ntlter

wnrtl.~4.

the

t\=’Ill')l

t1tes.~;:tge.~t

must

he

etttntnun

to

I

hntlt

muster

atntl

sl;l\-‘L’.

II

.

I

Th

help

you

quieltly

determine

whztt

types

oi

t'vllI)l

tttessztges

can

he

ext'lt:tngetI

hetween

tttztster

1:

ntl

sl;t\'e.

the

Operzttinn

A-tlztttttttl

of

ettelt

MIDI

device

ineltttles

at

MIDI

Implementation

eltatrt

(P.

Ih—t'

l.

By-'Ir>t">l<i|1g:tt

this

chart.

‘_\_-‘Oil

can

t|uit:l<ly

see

at-'l1;tt

tttessatges

the

cleviee

is

zthle

to

transmit

and

I

receit-'e.

The

left

side

nl

the

eltttrt

lists

the

names

of

a

variety

of

:\=IIl.)l

tttessages.

ttntl

the

'i'r;tnstni.»".~titm

and

Reception

ehltttntts

use

"0"

and

marks

to

intliettte

whether

or

not

euelt

of

the.-te

tttessztgt-rs

cztn

he

tnmsmittetl

ill‘

received.

This

means

that

at

specilie

A-1Il)ltttessttge

can

he

exel1;:n_eetl

mtly

if

there

is

:1

n

"0"

in

hnth

the

'l":';tnstnissiz'>:t

cttlttmn

ul

the

ntuster

and

the

Reception

;

eulumn

of

the

slut-'e

dex-‘ice.

MIDI

itttplementztttnn

clmrts

1-tre

st";1ntl;-tttlizetl.

so

vttu

can

lhlcl

the

I

t'h:ttt.s

irnm

two

ttt;tm|;tls

tr_>getltet'

tn

see

at

zt

_t-tlztnee

ltttw

the

two

devices

will

chnttttttnieatte.

For

at

tletztilecl

L’K['!l1I!'I2tIlt'tl't

hi

the

Tl)-‘?'s

Mil)!

implementtttion,

1'e|"e.rth

p;.tge

I

58.

I‘

I

W

‘...,

When

the

TD-7

receives

a

Reset

All

Controllers

message,

it

will

reset

some

of

the

parameters

to the

power

ON

values,

e.g.

pitch

bend,

after-

touch,

etc.

Fora

detailed

explanation

about

the

Fteset

All

Controllers

message,

see

page

159.

‘I13

Chapter

6

System

Setting

[3]

Setting

MIDI

Parameters

The

Ittlluttittgg

tlt'su'iltes

ltow

to

set

the

MIDI

p;tr;ttt'teter.~+

lsuelt

as

tt":tttstttitfreceit-"e

t'lt;tnnels.

channel

I

tttessttge

tt';tn:»'tt'tit.--"'t'et'ei\'e

.s\\‘Itt.'l'te>s.

etc}.

I

How

to

set

MIDI

Parameters

®

Select

the

l";tteh

I-‘laj.-';~;t"rt-.*ett,

then

pre.»-.~;

[5YSTElVl].'l'he

St-'.~;tettt

Sereett

menu

\\"ill;tppe;t1'.

{:3-Patch

Flqay

Scrgen

I

Hr

P.

17

MIDI

Interface

I

1

Initialize

I

t='l

tnttt

F-‘til-it

~

tiete

t

wr1t1=tsEt

I

e_F"":'

I"!

It

_

I

1

I I

Sotlnd

Setup

LCD

Contrast

Demo

Song

Footswitch

®

Move

the

t'Ltrsot'

to

I‘l

I

I3‘

I

.

then

|3I't'.H'."i

[E

NTEFI].

77

7 7 _

I

l‘l

I

[It

I

TPi§

TH

EH

:

IE

I

Parameter

Value

‘

Name

@

Select

the

pttnttneter

to

he

etlitecl

ttsing

the

[DATA]

dial.

@

l\=In\-‘etl"teeursorusing

[<1]

ztntpl

lPl.tlten

set

the

\-':tlueol'tlte

prtmmeter

ttsingtlte

[DATA]

\

tliul.

I

Chapter

6

System

Setting

114

MIDI

I’".tt';tntelet's

intiltttie

the

I'ttlirm'itt;.1_;

O

Trigger

Transmit

Channel

:

Trig

Tx

Ch

(1

-

16)

IIIDI

Tr"-i=1

T11-=1

til":

x

II3

bit

nu

ﬁn-an

Set

the

eltztnnei

to

ntstclt

that

set

in

the

instrutnent

or

I’et'iorttt;tnce

Sections.

I-titling

;t

pzttl

will

pl;t_t;'

the

st

'liIiii..l

oi‘

the

sect

ittlt

that

is

set

to

the

sattte

ehatnnel

nttntl"1er;ts

the

Trigger

Tntnstnit

(Iltsnnel.

\‘t’-"lien

the

tfhztnnel

is

set

to

at

tliiierent

nttmher.

the

internal

sottntl

sottrce

oi‘

the

TD-T

will

not

play.

Note

tttess;tge*s

;tt'e

sent

via

MIDI

OITT

on

the

eh;tnnei

set

here.

Messztges

tfrettteti

usin_i;

the.

I'll-l'l;li

Control

I’eti:tl

anti

Foots\\'it't'It

will

also

he

sent

on

the

szttne

ehttnnel.

Ft

tr

ti

ruin

pert}

irntttnees.

you

man-=

set

the

'i‘rig,ger'Ir;1tts1t1it

Channel

atnti

the

instntment

Section

Tntnstnit.

anti

Receive

Channel

I

espittinetl

in

the

ioiiovt-*itt§.t

section)

to

III.

I

Instrument

Section

Transmit

and

Receive

Channel

:

Inst

Tr

Ch

(1

-

16)

""2""

m

t»--t

*1“?

I----I

t---I

""1

2.

Tr"

III

I-"I

=

IE1

'4'-

Tn

play

the

'i"I‘J-T-‘"'s

internal

sound

sotnte.

set

this

channel

to

the

same

nttnther

as

the

Trigger

Transmit

(lhztnnei.

To

hint‘

the

TD~?"

usinti

snot

her

MIDI

tieviee.

set

this

to

the

same

nunther

as

the

tr;-tnsmit

elntnnei

oi‘

that

t.ie\-"ire.

The

lnstrtttnent

set'l'ion's

seqttenee

tlattt

treeortleti

in

the

Pltratse

Seqttencer)

is

output

tltrottgit

MIDI

OUT

on

the

channel

set

here.

st--T3:-:1

in

the

LCD

represents

the

Transmitter.

=t=

When

Midi

Out

is

set

to

OFF,

no

messages

are

transmitted.

rt-

Tr"

in

the

LCD

represents

the

Transceiver.

115

Chapter

6

System

Setting

O

Performance

Section

Transmit

and

Receive

Channel

:

PFM1

Tr

Ch

I

PFM2

Tr

Ch

/

PFM3

Tr

Ch

(OFF/1

-

16)

MIDI

_PFW1TP

Ch

5

11

F,_:,_,c_s_c

______

_

as

C

N

ntnt

PFHE

Tn

an

m

12

ntpt

{PFH3

Th

Eh

e

tar

To

play

the

internal

.~tet1ntl

sntiree

lay

hitting

the

pztcls.

set

this

chttnnel

to

the

$11

me

ntltnher

as

the

Trigger

Trztnsntit

tlltanitel.

To

play

the

TDJ

ttsing

ttnotltet"

MIDI

tlevice.

set

it

tn

the

sattte

numher

us

the

transmit

channel

oi"

that

tlevice.

At

CIFF

_

the

Perl'onn;tnce

Sectiott

net

.~;ot.mt|.s.

The

Perfomtttnttr

set'tit1n‘.-;

sequence

dttitt

lteettrtletl

in

the

l’ltt';tst;'

Sct|ttettce|‘)

istttttpttt'tlttuttgl1

MIDI

OUT

on

the

eltannel

set

ht-.rt'tr.

I

Patch

Control

Transmit

and

Receive

Channel

:

Ctrl

Tr

Ch

(1

-

16)

ntpt

ctette

cnete

Tc

trhttnge

Ptttcltes?

use

Program

Change

tnessatges.

\‘i/hen

the

TD-T’

receit-'e.~a

at

l’i'ngr;tni

Cltttnge

tttessttge

on

the

Cltttnnel

set

here.

the

mrrcspondittg

Pzttch

will

he

seleetetl.

On

the

other

httntl.

wltett

you

change

PZitL"l1t‘S

on

the

TD~7

using

panel

controls.

the

conespontlittg

Prognutt

Chatnge

tttessztge

will

he

sent

to

the

external

dettice

on

the

channel

set

here.

O

Device

ID

:

Device

ID

(1

-

32)

HIDE

Device

ID

=

1?

This

sets

the

Device

ll)

for

Rolzlntl

Ext'|tt.sive

zttessttges.

Extflttsit'e-tttessztges

can

he

sent

or

receit-'etl,

no

matter

tvltztt

cltttnnel

is

ettrnrntly

selected,

as

long

as

the

l)e\--‘ice

Ills

oi’

twe

tlevices

are

the

5;-tnte.

ﬁe

I

1.‘

When

Prg

Chg

Fix

is

set

to

OFF,

the

TD-7

does

not

respond

to

Program

Change

messages

(Patches

do

not

change).

-The

relationship

be-

tween

Patch

Numbers

and

Program

Change

Numbers

is

shown

on

page

70.

Chapter

6

System

Setting

1

16

’

c

i

’—~~e—:—T—=1

~

--

I

O

Midi

In

Switch

I

Midi

In

(ON/OFF)

""12"

"':'?

M

ﬁﬂih

1-ht»--t

[j,'5__

*1“?!

t--=-

:--t t--t

"*1

II‘:

-

L_

S

U”

\‘t'=’hen

it

is

set

to

OFF.

no

MIDI

ittessttges

tire

retognized.

To

control

the

TD-?

VILI

it-IIDI.

set

it

to

ON.

I

Midi

Out

Switch

:

Midi

Out

(ON/OFF)

slot

Widiﬁuh

m

an

\\-’hen

this

pantmeter

is

set

to

OFF.

no

it-IIDI

tttL'ss';tgL*.-;tt'L*tl';tt1stttiliL‘LI.

To

send

MIDI

mess;tgesI'1'o1n

the

'l'l")-'7’.

he

sure

to

set

it

to

ON.

O

Midi

Mix

Switch

:

Midi

Mix

(ON/OFF)

stat

Miﬁihie

*@FF

\‘i-’Iten

set

to

O.\'=.

;t

t.'opji'

oltlie

ittessttges

reteit-=etI

tlttottgh

FVIIDI

IN

will

he

sent

from

MIDI

OLT

This

is

cttlletl

St

iii

Thru.

ltlessatges

gettenttetl

h_t_-'

the

TI')-T

will

he

mixed

witli

the

ret:ei\'ed

messztges

and

then

sent

through

MIDI

OUT.

\l¢'Iten

set

to

OFF.

the

Soli

Tltiu

ellect

does

not

Iunetion.

MIDI

OUT

MIDI

{N

I

/CI‘

I

O

Q

U

MIDI

QLOCK

Do

Po

I

Note

Oﬁ

Receive

Switch

:

NoteOi1

Rx

(ON

/

OFF)

etet

Heieﬁii

he

*@FF

\‘i-‘lien

this

p;-trzimeter

is

set

it

t

OFF.

Nttte

OII

ntessztges

are

not

recognized.

When

Note

Oil

ittessages

are

1

reeeivetl.

the

sottntl

cttrrenlly

heing

pI;t§-'etI

will

he

cut

oil‘.

i\iorm;tII§-'.

this

pztranteter

should

he

set

to

on-1

=i=Bulk

Dump

data

is

transmitted

regardless

of

the

Midi

Out

Switch

setting.

=::»E::-=:

in

the

LCD

represents

the

Receiver.

117

Chapter

6

System

Setting

I

Aitertouch

Transmit

and

Receive

Switch

:

Aftertouch

(ON/OFF)

MIDI

13'-H"’r.t-"==

tr"-i;.t;t

tgi";

m

[ii-igg

\\=-’Iten

this

pziniineter

is

set

to

ON.

the

Tl)-Ti

sends

PoIt.'|'>Itonic

Key

Pi'esstire

tttessztges

when

the

rim

oi‘

I

it

Pl‘)-I?

pad

i5I]t.‘It.I1£l1(.II'CIl.’1ltiiJLI.

Wlten

tIieTI.)-T?‘

t‘et‘ei\'es

I-’ol‘_t'pIionie

Key

Pressttre

inessitges,

the

sountl

i

ctirrentl_t-'

heing

pI:t§-‘etl

will

I1estttItIL‘ttIt't‘ttt

oil.

\\='Iten

set

to

OFF.

the

TI)~'?

does

not

send

or

recognize

I’oIt*pI1onic

Key

l’resstti'e

ittesssges.

I

System

Exclusive

Receive

Switch

:

Sys Exc

Rx

(ON/OFF)

MIDI

Sea

Ewe

Ra

e

DH

Wltett

this

p:tt':.tnteter

is

set

to

ON.

the

TD—'..T

t'1tnt'et'ei\'e

Extflusit-‘e

tlztttt.

Set

it

to

ON

to

transI'er

Bull;

Dump

tlttttt

Itont

ttnother

TD-T?

or

to

t'I1;tti_t.te

Pzttch

tlttttt.

\‘i-‘lien

set

to

OFF.

Exclusit-'e

tttessztges

will

he

ignored.

I

Program

Change

Transmit

Switch

:

Pig

Chg

Tx

(ON/OFF)

I

Program

Change

Receive

Switch

:

Prg

Chg

Rx

(ON/OFF)

f—___1__

_:;:_

1

———

—

:——

— —

——

————:—__—_____

_

_ _

;

—

____

__

NWT

ntat

I

F‘

1-"'-‘El

i:II~";'§

T1:-:1

2

i:iI-E

it-T:=-=:intheLCDrepresents

__

_

if

1

the

Transmitter.

IMIDI

I I

I

--

-

I I

.

jj

F'1-”-‘Q

LI-"|'§

Eff:-:1

ﬁ

I___iI'-I

gt

-;rFf::-::|nthe

LCD

represents

I

the

Receiver.

I

Set

hoth

pztrtnneters

to

ON

to

send

or

reteive

lirrigrz-am

ijlltztnge

inessages.

I

O

Hold

Receive

Switch

:

Hold

Rx

(ON/OFF)

I

PI

I

D

I

Hold

Ra

e

OFF

I

W

hen

set

to

ON.

Hold

ntess;-tges

in

Control

Cltttnges

iCotttroI

;\itttt1l>et't}+'i'i

will

he

t'et'ogttized.

The

TD~

7

can

control

the

decay

time

of

an

Instrument

by

eltanging

the

vztltie

oltlte

Control

Cltange.

\‘t"’Iten'OFF.

the

TD-7

ignores

Hold

messages.

I

Chapter

6

System

Setting

1

18

O

Pan

Receive

Switch

:

Pan

Rx

(ON/OFF)

ODDS‘!

...:=.

t---t

iI"'Ii

t--4

ii‘

rt

2'91?

1:-:1

m

i.'IiF'F'

\\‘.-=’Iiet1

set

to

Pun

inessttges

in

(Loni

rt

1|

CIt;t1t_qesttlontrol

t\t1n1het

Iii)

are

ret‘ogni2etI.

Wlien

set

to

OFF.

the

TI“)-T

i_t{ttoi‘es

Pztn

messages.

I

Volume

Receive

Switch

:

Volume

Rx

(ON/OFF)

-II

E

tjt

1»-~t

t--i

£1?

1---t

“Ti

HMS

RR

R

L

Wlteit

set

to

OK

the

Tl)-'7

i'et‘ttgiiizes

the

it-"'I;tin

Voltnne

t'I[§tirit.rt>I

i\ittnther

Ti

in

Control

Cliztnge

niesstiiges.

Tlitti

is,

the

t-‘t_JItiiiiL‘

oi

the

section

ithttt

is

set

to

the

SLIIIIL‘

MIDI

cltatnnei

ntimliieri

can

he

t'oittt'oIIetI

viii

MIDI.

\t-‘lien

set

to

OFF.

the

'I'I')~'F

i_t.{not'es

\-iolttme

tttessttges.

I

Instrument

Section

Level

:

Inst

Level

(0

-

15)

“':l"

--L

i"""i

II"?

-t-

2:-i

L

....

I

Ins-

hassle

ii

This

p;ti':nnt:ter

sets

the

level

oithe

lnstn.tntent

Section.

It

can

tIiereI'ore

he

used

It

tr

tttlittsting

the

voltttne

h;tI;int'e

with

the

I’erI"'oi*tn:tnt.'e

Sectiotts.

.=-"\t

no

sound

is

ntttput'.

-

I

‘I19

Chapter

6

System

Setting

O

Local

Control

:

Local

Ctrl

(ON/OFF)

I

MIDI

Local

Ctrl

H

UH

On

lI1cTl'.)-"F.

the

MIDI

r:I1;mnc|sol'lI1<:

Triggm

Bl<_>r.'I<

and

Sound

Block

are

sci

lo

the

saunc

numlu:'r

I

=1:

When

Midi

Out

and

Midi

lcc.>|1nm?Ir:£.Il

so

than

the

internal

sound

.~;rm:'c@

can

he

p|Ll}'t'.‘LI.

"'I.o<;;1|

Control"

I();*\?."'()I3‘F}

£.It".'{CI‘l11I!1L*S

I

In

are

OFF,

no

MIDI

xx-'l1eII1o1*

the

'l'riggcr

Block

anal

Sound

§l*l<.>dul(-:

Blucl<

an-.~

co:‘1nr:cIc:'Ll

or

non.

\\l-"hen

"Locl

Control"

is

not

I

messages

will

be

sent

or

sci

IUUFF.

lII'1vScqucncc1'

Block

and

Sound

Block

are

L|ih'L'Ul1l1{;‘Cit‘LI.

received.

=-<1‘

P.

117

\l¢"Iwn

ON,

the

Sound

Module

Block

is

;1c1i\-1:.

uml

the

internal

souml

.~aourcrc

can

he

[7I;l§'L"{I

using

the

pzltls

or

pedals.

\‘1I=-='I1::n

OFF.

no

raounnl

is

|'l!'{lLIllf.'t‘LI.

Normally,

set

this

to

ON

Rcgzzralless

of

lhc

selling,

the

lIlIL"I‘ll1lIhIl'}lI!'l£|S(')Ill'(Tt?IS]7I1IYt?£|

by

:11oss;1gcs

!'t‘(‘L‘I\'t’(I

via

MIDI

and

;

pvrlormzlnce

inl'o:'m;:lion

of

{ho

|‘J;i(I.";;ll1(|

p¢+c.I;:ls

is

sent

Ihmugll

:\'"lII‘)l

(.')l?"l".

MIDI

OUT

MIDI

IN

n n

I

oo

I

Local

Control

ON

0

u

souuo

BLOCK

II

_

___

_

____

__%:*;f:*_

________

_ _

=

'

1

*

"

"'

'7'

~11-mnr*’*

""

‘

I

ssouancsn

I

{TRIGGER

BLOCK

]

It

BLOCK

]

I

TD

-~

7

Set

the

Local

Control

to

OFF

in

the

following

situations:

To

(‘()ﬁI1(fC[

11

MIDI

clevica-(sc'L]uo11cr;*r_

pczrsonul

mmpnter.

ctr.)

that

usually

\\'o|'I<."~s

in

lhc

Soil

'l"hru

‘

mode,

set

the

"Loc;:|

Control"

to

OFF.

A

MIDI

<.Ie\-’iu:£l1;1I

usuzilly

\\'ork.~;

in

the

SoI£Tl1r1|

mods

will

return

{I113

.\=lII')I

:11c.~:.~;;:_s;os

sum

lrum

{he

I

TD-"J.

If

“Local

Control"

is

,

the

llll:fS5ilgt.‘.‘.-I

generzltecl

in

{I10

'l'rigga'*r

Illork.

and

ilrosc

that

Il;l\-‘t’

I1:-am

returned

fromIl1c<:xu:rnnIdc\'ioc

"

‘*

"

'

"

I

/Q0

I

Q0

1

.

'.

-

__

VHII

Ldllht

pl

oI1|c'm.s.

mo:

m

mo:

our

mo:

an

I

0

.

0

Local

Control

OFF

Soﬂ

Thru

I

Other

MIDI

Device

e;¢r;¢;¢~¢¢¢=.r

or

[

TRIGGER

BLOCI-(J

L

BLOCK

]

MWWU

I

WWTQiToo

1

_oWZ”

K

I

7

I

Chapter

6

System

Setting

120

-

'

~

——

—

—_—;—;—4r:_—;——'——

—

— —

—

——— —

—

——i:<—_——7+—_—_——

_

__

—_———

_

_____

_

********

W’

"

Wok’?

J

a

H

"L

W;

,,,_,,,,,

,,_,_

,

,,,,,,

,,__,,,__,__

,,W_,

_,,,,,

,,,___

_

, ,

,__,_,,,___

K

—

__,,

,

‘

I

_________,

_

’__

i

0

Pitch

Bend

;

Pitch

Bend

(OFF/1

-

12)

|“-13531

it

I

it

F‘

i

t..=:.l"i

Eiemi

==

iIiFF

This

]1LiI';IlI}t’lL"l'

sets

the

m:t\'imt|m

;li'ltl

mitt

ol

pitch

clizmgc

L1-tLlh'L‘tl

ht‘

ruociwtl

liitclt

Bend

tttessztgos

in

.-+uttii-toms.

I

ligl1c'1'\";tlt2t-s

will

cttttsc

:1

§.trt':tlt;'r

pittlt

t'l1;mt:t'.

\‘\"-"'licn

set

IUOFF,

tltt:

Tl)-'.?

will

ignore

Pitch

Bend

iiii-.*.~;.~;;:;;i-.-.~e.

I

Control

Change

:

Ctrl

Chg

(FOOT/MODU/HOLD/GNL1/GNL2)

Pi

1

D

I

l:1’€.-l""

1

iIIi"i'3

mFiIi¥I§T

'I'lttcTl.)-T?

trimsmits

Control

(il|t;t1tgc

ll1L’Sh;l}_1,L’.\

that

tlL‘h'(‘l'll'lt.‘

Iiow

the

Hi-hut

Control

l’et|;t|

I

Fl)-?)

is

living

llSt*l.l1

mm

at

I

l:l_lt__ll

l:.lt'}ttIl't‘lli\ltI¥Ill1L’l'4(Filth(.:t)l'tli'tlllt3fllSll'1lt‘llil11lll€Ll.

l‘ll..ll.I'l..|

Control

t~iu:11w:'ltl_Motlul;1tion[lismttnsmittetl.

l"'l-I-~

l-ll...lt...[-*

I

('.ontrol

l\itltt1l3t‘f

ti--ll

(Hold)

is

tntnsittittctl.

l§il"ll...l.

ll

Contro

l\_*tl!Tll'lt.'l'

;(1l_Gt:net1tl1’t|r|1osc

Controller

ll

is

[I‘2tI"ltSI'I‘tll[ti'Ll.

‘I

_

___

____

__

______________

___________

____

___

___________

____

_

____

_____

___

|3l'll..I:.'

Centre]Ntliiilicrlilﬁcncrall’urposo

Controller!)istrzmsmitted.

_

I

litm-:x;t|1tplt'.

ill:l:|

UT

is

.\‘t;'lt’t'It'tl.

tl1t*l'l.)-T

tr;tnsmit.~s

at

Control

Clliztnge

vztluc

that

intliczitt;-rs

how

liir

the

I---Ii-hat"

(Iontrol

l’otl:|l

has

lwett

Pl'ti'.‘iSt3{l.

lltht:

TD-F

receix-'estl1c

Control

Clltt

ngi-3

ttaessttges

set

Lilli“-‘t’,

it

will

respond

as

if

the

l‘ll—l'l'.il

Control

Pedal]

wort:

living

osctl.

\‘t-*’I1t+n

l‘l

l:![3*

U

is

sclcctctl.

it

Hi-hut.

pcrlormitnce

can

he

siztttilatetl

by

playing

:1

key-'l)r;>;1rd.

Play

the

key

set

to

the

i\iott:

Nit

!'l1l.lL"t'

that

is

ztssignotl

to

the

Hi-hat

Control

Peclatl

(P.

68')

and

use

the

it-loclulution

Wheel

on

the

l{t?§-’l‘)O1li't.l.

liy

tloing

so.

3-‘nit

can

obtain

an

ellect

similar

to

that

wlten

using

the

Hi-hat

Control

Pet'l;1l.

jefi

J"

_,

_

__

__::,

W;

t

"1,

_,

_

__,____

,_

_:,:_””_

,_,

:_,_

::;;~~

t

W

L

_

W__,_;__,

____

__

I

r::lFor

a

detailed

expla-

nation

about

how

the

TD-

7

responds

when

the

Hi-

I

hat

Control

Pedal

is

used,

I

refer

to

page

65.

=t=

A

sages

that

the

TD-7

can

I

Control

Change

mes-

transmit

and

receive

are

limited

to

one

of

those

shown

above.

121

Chapter

6

System

Setting

O Bulk

Dump

:

Bulk

Dump

A

‘Bulk

Dulttp'

is

the

lr;lnsl'ert'ing

ol‘

l’;tteh

or

l’l1t';|st'

5et|ttettt'et‘

tl;tt;t

to

no

external

tlt:i'i<..'e

trite

it-lll)l

(')li'l"}.

Tlti.~;ltt1tl\'es

itpossihletotr;tnsl'ertlte'I'l')-7">~t|;tt;t

to;iset_1ttent"ei'ot'person;tlcontpotez'.

ll'§"ou

wish

to

set

two'l'l")-‘.=-".~a

to

exactly

the

statue

h'L‘lllll§.{.H.

you

can

tloso

.-impli-'

In-'

11

hulk-tlu

one

lo

the

otlter.

\'i-"lien

yott

select

E1

Ll

1

li

l:‘i.il'*'tF'.

the

.-'t':'een

will

respontl

with;

l=l

I

o

I

E“-~*3~

ii

l3"~‘""‘*”'

"“:lLl--

Data

to

be

transferred

Alter

selecting

E51.-I

1

l-=1

l:3l..-l

l"tl='.

follow

the

p1'ut'L'tltl1't:

elites‘

step

@

on

page

I

It-I.

@

ilzlove

the

L'lll'.“it‘lf

usiiig

[<1

ztntl

l>l.

then

select

one

ol

the

tl;tt;t

types.

to

he

toms

ll)AI'.»"\]

tliul.

mp

tlll

tl;1t;t

In

mt

l"erretl

ttsing

the

l—ll_l_

All

lliL"l'D—T"".~itl1tIi-lWilll‘lt‘lI'1tl‘llilltfl'l‘t;‘Lll1lt‘l[)l'tlXlll'lLlit;’l§'ii‘-'i

lthytel.

;

__

___

_

—

————

~—~—

__

7—_—

__

_

———_——_—————_—

——

:1

_

—;_——::—;————__

—;_—_—:::____

;

7—

_—

;—

————

——;_——

::_

_

7

_.

gll

l:'|..§l'l

l

l";ttt'h

tlatztll’.

fl

lis

lt':tn.»"l'et't'etl

Ittpprilxitmttely

3;

kltytel.

I

Z

I

E

Z

E

I

E

*1

“

3

44

44:

I

Il"lf:=

I

lttstrtlmenl

tl:.tt;1(l-’.

Tl-ills

tr;tnsle|'t'etlt:tppi'oxit1t;ltely

I8

khytel.

I

I-I-If

E

.

.*

.

I

it-El;-i

I

Dtlltl

in

thePltrttsehequeneertl-’.

‘)2.Iisti';tnslerretl.l;tpp1'or-ttm;tt'elyljk

byte).

l

1

- -

_.

’

.-_

\

-

O

i:-‘tlb

.Sy.~;temll’_

53),

Ltlohal

l’erlorm;|nce

Pzirzmtetersll’.

T=’_-t

Lttntl

l‘ittcltCl1;tin

Iﬁﬂ

I"!

i

y

msrttittetl

I

ttpproxinttttely

[I5

khyte

I.

II

I

ll’.

2'3)

clntzt

is

@

Press

[ENTER].

The

screen

respt.intlswitlIl:lt"'=~.“£'

‘.~.4tIti.i

:5-i..4l"'€-"-::'.

@

Press

[ENTER].

The

sttreen

clispl:.-tys

the

i1tess;tgel'lIIIl.=.l

:2-t-E*t"ttj

Il.

I'"t‘§.

Wlten

the

Bulk

Dump

is

complete.

the

screen

will

tli.~;|3~l-try

the

1t1ess;tgel:tI1t"tF'

1

*1:

I

Wlten

the

tmnsntitting

tlet--ice

starts

trzttlsltwring

data.

the

tlisplttj,-'

ol

the

TD-'1’

Reoeiuine

5aeEa.

t.-ed.

=l=

The

amount

of

Bulk

Dump

data

is

large.

Be

sure

to

check

the

available

memory

in

the

receiving

MIDI

device

before

you

proceed.

If

there

is

insufficient

memory

space

in

the

receiving

device.

the

transfer

of

data

cannot

take

place.

Set

the

System

Exclusive

F-leceive

Switch

on the

receiving

device

to

ON.

If

it

is

set

to

OFF,

the

unit

will

not

receive

the

Bulk

Dump

data.

ta"

P.

118

ft-_'*Sl'1{')t1L'l.*i

with

*

Donothitthe

Padorplay

the

Sequencer

while

the

TD-7

is

receiving

data.

Chapter

6

System

Setting

122

The

TI

)7

pm

}\’l(l{;’S

:|

choice

of

operzttiorittl

modes.

These

are

the

Stztntlttrtl,

Tritgger

MIDI

Interface.

:-1

nd

ZIIIDI

Sound

.\ltILli.!lL’

modes.

Ortlin;tt‘ily.

the

unit

can

he

lelt

set

st

the

Stzznclsrcl

tuode

I

How

to

Set

the

Interface

Mode

(D

l'~‘rom

the

Ptttch

I’l1ty

screen.

press

[SYSTEM].

1-mtl

conlirm

that

you

h;u"e

the

Fiystem

screen's

menu

in

\-'ie\\'.

-':'!!:

"'

ICI

l

*-.

.Z=

't‘

....

lFsw

"

“Y

112332

‘-...

ore

IAI

"“""I“

...::=.

*""'i

-"'"

2"":

:€..‘

O...’

EH35

M

!""'”

arm:

if”:

s--t

8""’I

""8"!

.I.'.I‘

i

!

3333521

ﬁll!!!

i‘-ill

r'r‘=

‘"3"

'

at-‘Illa

®

I'sih§.,;

[P].moretlwcursorto

IF.tlienpt‘ess[ENTER].

I

T

E

F

:3

E

I I

Stundzt

rd

;\-It

ide

iWQﬁEm

5TQHﬁQRD

®

lit-'

mi

_i\'itt;.:

the

[DATA]

dial.

in

)Lt

can

select

lichwen

the

screens

sliowh

helot\‘.

thus

nt'sl§id'g

t-;rl’it'ir

tfltriitfc

lot‘

the

tnnde.

T

_

-E

_,

Q.

--.

ﬁl

I

"'

*""E*FH;""E

i

A-illll

.‘iouttd

Module

Mode

?'iE‘l3‘5*l‘l

1

I31

"5513

i-

e_

~='~§~"~

.4.-...

I1":

‘J

"

"""

3

1"‘

""5

8"-"

l

Ill:

F

H

L‘

t

_,,

Trigger

:\-ll

l)l

Intei'l';zce

:\-locle

The

writ

ius

mt

ides

and

the

luncliotts

they

|‘tt‘o\'it.le

;|rc

as

I"ullo\\'s:

Standard

Mode;

f:"§Tl:Il'l[I*l:ll:-f[I'

l

(.f)rrlin:.n"i_I

the

unit.

can

he

left

set

to

this

mode.

Wlieii

you

strike

the

pads.

the

internal

sound

sources

will

produce

suuml.

At

the

stthte

time.

A-III')I

|iie=ss;1ges

that

mire

from

an

external

unit

will

also

result

in

the

protlttctiutt

ullsuutttl.

l"-Iuwe\'ert

while

in

this

mode,

pi'ioz"ity

is

given

to

the

pads

trigger

s5}.-gm-tls

and

the

suttntls

tltey

protlttce.

MIDI

Sound

Module

Mode

1

I*II[I*I-5tItI..!l-III?

\‘i’lien

set

to

this

mode,

sound

will

not

he

produced

when

the

parls

are

struclt.

I"loweve:'._

sound

will

he

produced

wit

h

respect

to

all

MI

DI

§\iote

On

ti1i3Sh'1l_L§t;‘Si'l11ii

are

receivecl.

Since

the

TD-T-"’

does

not

perloriii

the

ct

1!1\'{"fl'5l{)!'i

<

il'ti‘ip,ger

signals

to

it-ll

DI

messages

in

this

mode,

there

is

an

increase

in

!l’1t-‘5|)t"L".L'l3I

which

it

produces

the

notes

after

they

have

eurivetl

us

MIDI

messages.

This

mode

can

he

conveniently

used

when

you

u-‘islt

to

use

the

Tl)?

as

at

;\"IlDl

sound

module.

Trigger

MIDI

Interface

Mode

;

TI?-1113-I'IIlII'I

Since

the

Tl)-T’

is

cupzthle

ml

transmitting

MID]

messages

tltzlt

correspond

witli

the

trigger

signals

thztt

1t!'L'

_e,ener;1tetl

hy

the

pads,

it

cu

n

he

thou

gltt

I

il

11$

II

device

wltich

converts

tri

gger

signals

to

MIDI

signals.

Such

at

device

is

called

Li

Trigger

MlDl

Interface

This

ntor.'le

should

he

selcctecl

when

3-You

wish

tr

'1

use

the

unit

as

at

Tt'iggL*r

.=\=llDl

lnterlsce.

\\-‘lien

connected

with

at

MIDI

sound

generutiue,

unit

such

as

it

sampler‘.

Wliile

in

this

mode,

the

"I'[)-T-"s

internal

sound

sources

are

(.lC£1Cll\’l!lt.‘£l.

so

the

speed

st

wliicli

trigger

signals

are

con\-'erted

to

MIIJI

signals

increttscs.

As

:1

result.

the

i\-IIDI

sotintl

generating

unit

can

produce

the

sound

tttuc.lt

luster.

with

:1

minimum

oldelzty

occurring

after

the

ittstunt

:1

pad

is

struck.

llovrcx-'e.r.

the

'l'D-"F's

internal

sottntl

sources

will

not

sountl.

’HUDE~

TRIEWWIQI

~

the

InterfaceM0de

-:tr>

At

the

factory

default

settings,

the

unit

is

set

to

use

the

Standard

mode.

r:I\

Patch

Play

screen

Ire"

p. 17

=t=

Note

that

while

in

the

Trigger

MIDI

Interface

Mode,

the

TD—7‘s

internal

sound

sources

will

no

longer

generate

any

sound.

123

Chapter

6

System

Setting

3.

Using

theFootswitch

and

Soun-on-Sound

The

TI)-T-’

is

equipped

ii-‘I-‘tilt

at

jack

for

connection

of

l'ootswitcltes.

This

stereo

jack

ztllows

connection

;

oi

two

tootswitcltcs

ti.-‘hen

using

;t

special

czthle

tl’(lS-5.1zoptionttlt.

ljse

BOSS

FS~

‘iti

lot'>ts\\'itt.'l1t.*s

I

(optional

t.

The

lot.>tswitcl1

side

oi

the

connection

ctthle

has

two

tttottztttrnl

plugs.

The

iootst\'ittth

connected

to

the

1

plug

with

the

wltite

line

is

Fttotstt-'itt‘lt

I

and

the

other

is

F'oots\\=itclt

2.

FOOT

SW

Wlten

at

l)l’~Z

l'ootsn'itclt

(optional

l

is

cottnectetl

to

the

Ft.)(t[S\\-’llL'll_lLlt.'l§,

Ft

iotst\'itclt

3

will

lt;t\-'e

no

el'l'ect'.

Footswitch

t

White

hr?

F$.5U

PCS-31

->

i

‘

F-tad

ling

3°55

Footswitch

2

[1]

How

to

set

the

Footswitch

Mode

(D

Select

the

Ptttch

Play

screen,

then

press

[SYSTEM]

to

select

the

St-"steztt

screen

menu.

ts

it

r-1

ttiitttstt

it

t

F-"1.-.1

E

lII*EI*i

Eli

Li"I[i*i

SE

T

1

X

K

®

Move

the

cursor

to

FE-I.-.t.

then

press

[ENTER].

Foot

Em

=

Model

t

ll

1

UP

4*

EEK‘

2"”;

®

Select

one

of

the

three

modes

using

the

[DATA]

dial.

l"lCu'.':lt'-3

1

Model

This

rnotle

1Illt')\\'$

you

to

cliztnge

P-tttcltes

ttsittg

the

m-q-J

.7“

Mi

t'1tswitcltes.

__\__

ll'ltIHﬂ1'l*

Modei

This

mode

;tllot\'s

you

to

use

the

lootsvritc'ltes

to

sttstsin

sounds

and

cltztnge

Pzttcltes.

I-In

an

0»

.'

I»

...=

t...tt't

'...=

Sooncl-on~sottntl

Mode

iv

This

mode

allows

you

to

use

the

Sound-on-Sottnrl

ll:

nctiz

H1.

ls

We

e

7

'7

_ _

_

Chapter

6

System

Setting

124

O

Mode

1

Feei

Em

e

Made

1

l

#1:,_;;==

*1“

__

#13;

5:

:1

IIIII

IIQIUQ

‘I2

_l:‘Il

than

\‘§-'|tunl"l*IHI'.l1-‘.E‘

1

is

scla't"l'ucl.ll1cl'\\-":1l'unts\\‘itr|1cs;:rc

.~e:.-'lIu.\-ludt:

l.

,1,

when

P1,;-_,.;{,;.

1

is

selected,

the

S0und~on—

:\-lualc1.isl}>1't‘l1:l11gi11gl’;ll'clwswit'l1thel'onts\vil=;"|1us.

lhessirlgllmiswilcltlinctwstsstl1eP;1icl1Number

gmmd

fungﬁgn

cannog

vclxilu

l'u<>ts\\-'i1c|‘:

.2clv.-'t'1'c:|.~'c.~a

it.

ll'3'<.mtll:|1t'c*ss;1mllmlcltlmmeither|'onlsvri1cl"1.tlw]’;1tc‘l1Numhcrs

be

uSed_

To

use

that

will

rlnmge

ce11linu<_1t1s|'_t_-'.

‘lung-ﬂgn,

5e|e¢¢

35;

.3;-,

C

ruin‘

b

In

z\ludc

I.

the

l'u¢_'1ls\\-"ilcltcs

llmcii¢"1n

in

the

sarm:

w;:};;1.<

the

[Q]

and

[P]

huilnns

in

the

l’;1tcl1l’l;:y

l

K-I»

Patch

Play

Screen

W

P.

.-wrven.

l'*nnts\\’itvl2

1

cm'rus|?mm|.~:

in

the

[P]

lmrlnn.

while

l’nuls\\-*itcl1

2

cnrrcspnncls

to

llte

ii

17

lmttun.

l

.

Mgde

2

1

F0et5w

W

Wade

E

A

1%

1

Ll?‘

[Irt:!i_:_lH

fl-1?j,'jfl-—ii:il_[I1

‘

\l£"’l1rc11l‘l*IHI:l*§‘

is

sclc'ctcLl.l|1c'l\\'0l'nnls\\-'ilc|leszlresultnMuL|c

.2.

=i=

When

l'l*IHZ:lE

is

selected,

the

Sound~on-

In

l\-lutlc

.2.

l1ml"s\\*ilcl1

l

cltztztges

l’;m*lu:s;1ml

l'unts\\*it'c|1

.2s1:sl:zi:1stl1c

seuml.

Sound

function

cannot

be

1

used.

To

use

that

func-

E;IL'll

time

you

|1l'L‘HS

l'u0t.~;x\'itcl1

1

the

l’ulch

;\%:ml1e1"

will

incnaase.

l’ressingl‘0els\\-'itcl1ltvvicequickly-'

l

llﬁﬂ.

S8480!

'-=

*3t'1

1-.

__-

.,,,,,._‘

.

‘

'__.

‘

‘___

..'

J),

._ _

I,‘

'

,

,_.

l

'

\\2|l

tlcczmwt.

lh<..

numhu.

ll

you

£lL|3I'L.‘wh

and

hold

luuls\\1l£h

l.

{ht

um

Pxumlnlrrs»

ml]

1I'lL1't‘dh€‘

*

To

usethe

HO|dfunCtmn|

t.‘()i1l!I'lt2(1ll.=§l}-"'.

Set

the

How

Receive

'1'

.4

>.:|--1

Y

‘

_"

'

‘

I

u_'

-

'

1‘

*1

_"..\1"..1

“

_*'

'1‘

(I

'

-‘

l

ll

you

alapms

and

l1eltllnnt.-\\sltl1

_

shalt

301.1pl.r§.!l1u1|r:Lnll3

.\LlLL.lL£l.5{)LiTl{lY\lllllt.

hllS[JlI1(:‘Ll.

Thls

Switch

(P.

118

)

to

ON

K

is

l.'1llll.’(.l

the

lluld

c|'|'c-..'(‘t.

it

is

OFF‘

the

How

effect

~

cannot

be

obtained.

1="-i»When

P1121

ﬁr?‘

l$

selected,

pressing

;

foetswitch

2

will

send

a

Hold

message

(Control

»

Number

64).

l

____

_

___

_

____

_ _

__

_

___

__

_ __ _

_ _

l

_

7

_

125

Chapter

6

System

Setting

[2]

Using

the

Sound-on-Sound

Function

Stat:

tttl-<_:tt-fit'_>tt:.ttl

is

Li

l'umitit:>ntl1;:t

;tl|o\\'.»'

yr

vu

it

1

rm

ml

the

pltrttsc

L'£it'l'L'i"t[]}-’

living

plztytrtl

um!

then

|tl;t'_t'

1

it

huclt

itntttistlizitt.-'h-'.

lt

was

[|‘tL‘

Lot

ip

ltcumliitgmctl1tu,ltlt;||

ullt

>\\‘.~+

yeti

tot'et‘o:1lstntntlsztstttztnji-"times

t

as

you

like

tljwy

|;1m'i|1g

tltctm

l:tec:1u.se

l't1otswitcl1cs

can

he

li.‘iL‘L|

fo|'qt1it.'k

t1'coi'tliz1g

tmtl

pl;.t§-'lw;u;k

p

during

11:11!-time

pc*rl'<>:'t11;tt1ce.s.

one

pt;'t'.s'ttt1

can

|ftl;ty.~;c\-'r;=i':1l

p11rt.s

at

tlt'tt_‘t".

I

How

to

use

Sound-on-Sound

®

Select

the

P:|tcl1

l’l;ty

_~;ct'r.-‘ext.

then

pI't.;‘$S

[SYSTEM].

j

=1“

Patch

Play

screen

if-it

P.

17

|V||[)l

\

Trigger

MlDl

interface

l

lnitiiilize

l”'-l

tewetete

1

i“'"i

man

l"""§

"T1

:::::::

P-"4

':Hl@EHﬁ

“"

SET

i

C."

‘T

2333

LCD

Contrast

Demo

Song

Footswitch

l

‘l

l

®

l\’lt1\-1-rtltc

sumo!‘

to

F1.-1'-1.=.t,

then

prcs.~:

[ENTER].

‘

Sound

Setup

it

F.~.;..:t

1;.

EIt.=.t

t-tt;:tt:.tt-:1-1

#1‘-‘F’

t

it

#73ii3?*t1“-*-‘ll

®

Selectg

tilt‘:

Ettsing

the

[DATA]

dial.

Ft}

1::

l‘_.

1'-3

1:!

§""|

:5

#15P~wP~@w#2eE¢

Chapter

6

System

Setting

125

@

l’rus.-"

l'r-trrts.-witr."l1

.2.

trod

the

'l"l")-‘T

is

ru;rtl§'

lot"

rt'wrrlin§.:

|turl‘r>rtt't;|rtt"c

ir'tl'ontt;.ttior1.

This

is

the

rt‘tfot'tl

.\:t:1ntl-lit

motlu.

'

®

l’l;t§-'

tr

purl

to

stztrt

t'mtr‘tlitt_=.1.

then

|tl;rf.'tl1u

pltrttse

you

\\'i.~<h

tn

t'emt'tl.

\‘€-ilten

you

ltzn-‘e

l"inisltet.l

pl;tt'io_<.;_

pt'u.s.s'

lr

l(ll.*1\\’llC]l

.1

tr.

t

st:

up

t'ut‘r.

>rt.lin

3.1.

The

t‘r.-‘tit

trtlutl

tlzttzt

will

he

ittttnct.littl't;'l}-*

]'llLl§’l.7L]

l7L1t.‘l\'.

®

l.’1‘cs.sitt_t.{

l'oot>;t\'itt‘l1

3tlur'irt_t:,

pl:t§t'l1;tt'lt

will

.=2t;trt

:'ccortlih§_1again.

Yott

can

rct'ortl

(Loop

liccortl)

orcr

the

cxistint:

tl;tt;r

;t.s

t'n;tn\_-'

titncs

as

't't'ttl

\\'i.~tl"t.

I.‘

»

-

®

l’rc.s.~tin_e,

loot.~t\\-‘itrlt

l

\\-hilu

:1

pltrztscisl1t'itt;_§pl:t§--‘ct!

hatch

{or

t‘umt'tlctl)

will

stop

|tl;tylr.tt'l<

(or

r"<:ro1‘tlin;.1

1.

t-'r;.t.-".in_s:

the

|"tt'e\'iottsl~_t'

recot'tler;|

plti";tse.

I

Setting

the

Interval

and

Quantize

.-'\lit't‘

;'~ilt.‘]'l

:thn\'t.*.

l~ttllu\\'

tlttrs

prr1t't‘t.lttt't_.':

(Q)

l’|‘e.~;.s'

[ENTER].

@

.\-lr_t\‘t*

tl1et'trr-"ot'to

the

I

t"!?L_-t:'E*t“'*-.-*-B

\';.tlutr.

then

set

the

vztlttc

with

the

[DATA]

tliatl.

Pmmi

QM

m

S

we

5

I

on no

.

all

I.i

MIG:

‘Ill.

:

E

uni:

]

Inhenwale

ifiﬁ

T

Value

Parameter

P

@

.\-It

)\'L'

the

cttr.-:ot'

to

It"ti'..-1:-?t""*-.-*-$1

.

thtsn

.~tt:-'let't1;?i..t-&l"'t‘l‘..-

It

XE‘

using

the

[DATA]

dial.

III

3-.‘

I

Font

PM

M

S

H

Qoantiaza

twee

“':-

"-3

M‘:

III

w

t

®

i\‘ln\’t‘

the

rtttsor

to

the

5;il.t-E':tl'"t'iI.-

i

Zr:-"L-=

vrtlttc{resolutiont.t|1t:nsettltt=\':2lt1e

with

the

[DATA]

tlittl.

tl=

=f=

=l=

The

Sound-on-Sound

function

cannot

record

a

long

phrase

(refer

to

page

126).

Pressing

footswitch

1

(while

the

phrase

is

stopped)

will

change

the

Patch

Number.

Each

time

you

press

footswitch

1

the

Patch

Number

will

increase;

twice

quickly

will

decrease

the

number.

The

Sound-on-Sound

and

Phrase

Sequencer

(P.

92)

data

are

recorded

in

the

common

memory

area.

If

the

Phrase

Se-

quencer

data

tstoo

large.

the

Sound-on-Sound

-S

data

cannot

be

recorded.

lf

this

hap-pens,

check

the

available

memory

with

the

Available

Memory

function

(P.

105)

and

reduce

the

amount

of

data

you

want

to

record.

127

Chapter

6

System

Setting

The

lolltmvirtg

explains

the

Internal

and

Quztntizc.

*

ll

the

lmewal

is

mo

longi

the

phrase

cannot

be

0

Interval

;'eCQ|'de|j_

This

p:.tr;tn1eter

sets

the

pluyh;.tclt

tempoul'

Stitttttl—otl~Sotttttl

data.

mt

start

iceortlirtg

ht’

tlepressing.1_

[

~

.

..

. . .

-

l

lootsouch

2

then

htttmg

ll

ptttl.

lhe

time

mterrttl

lltfl\\'L‘L‘ll

tltcse

two

crents

tletermines

the

hztsrt"

tetltpo.

[

Youcztnselcct

1.»-"t-l.

1.--"’.llot'Ol’F.

Thetiininf-1

tztluc‘

You

select.

here

is

set

;tstl'te'lte;tt"ollhe

selectctl

>t=

When

OFF

is

selected.

note.

the

basic

tempo

is

not

1

set

and

no

quantization

T

‘

A

qututcr

note

is

applied.

.

if

:3

T

4-L

ti

1...

-Mr

'7

__

__________

_

1

—

_i,

A

1

E

An

eighth

note

l

1.-"'IlI:-3

Quzuter

note

triplets

;

|...|l:l:

i

No

quttntizzttion

l

IQuanttze

[1/8,

1/12,

1/16,

1/24,

1/32,

1/48, 1/64,

HIGH

(1/96)]

i

The

quantize

function

corrects

timing

inaccttntcies

that

occur

during

recording.

For

instance,

ifyou

sct

i

it

(resolution)

to

1 1

I5,

all

the

sixteenth

notes

in

your

sequence

will

fall

precisely

on

the

sixteenth

note

.

divisions

in

each

measure.

[Notes

of

longer

duration

will

fall

on

their

respective

dit-risions

as

well.l

[T

Normally,

this

setting

should

reﬂect

the

smallest

note

value

in

your

sequence.

When

set

to

H

I

EH,

.

no

quantization

will

he

applied

to

what

you

play.

Example:1/16

resolution

__

go

t

it

t

Actual

note

date

.......

_

--

$

Ouantize

at

sixteenth

ﬁ

-B

;

we

resolution

t*'

"2

"t

6*"

Note

date

after

1

quantization

6

____

-

.

Recorded

data

Q

The

maximum

length

ol'dat'.-1

that

can

he

recorded

when

using

Sottntl-on-Sottrtcl

is

112

hezits

l

with

the

quarter

note

setting).

That

is.

2.8

measures

in

or

fl?

tneztsures

in

3.-‘ll.

A

]l

l

The

Sound-on-Sound

and

Pltrase

Sequencer

(P.

92)dat'.-1

are

recorded

in

the

common

memory

ztrczt.

ll

l

the

Phrase

Sequencer

data

is

too

large.

the

Sound-on-Sound

data

cannot

he

recorded.

ll

this

happens.

t

check

the

available

memory

area

with

the

Available

Memon,-'

function

(P.

1073)

and

reduce

the

ttnrount

ll

of

data

you

want

to

record.

Chapter

6

System

Setting

123

4.

The

Sound

Setup

'l“l1e'l"l')~"*'s

|llHl'.l'tIlW3ﬁ{H

can

he

;:ssigm*tl

In

one

ullhu

ilm-unu1|.wis;

.\'I<:ren

Output.

Send

_]

or

.“~}<:n¢.|

2

\\"l1it.‘h

ulllw

l€l'lL'c!

er

lndi\'it|u;i|

Output

will

he

u.~<I:tl.

'l'l1e.~+eIlin_e;ul'Il1e

Snuntl

Setup

i.~amn1n1nn

In

ul

the

lnsi

I'IIII1L‘l‘ll'§-L,

I1

}l'

c.\;n11|“I|t:,

.~aulucling

I-lllect

I

will

.~auml

all

the

lns1rum<:nts

to

the

El"'l'cct

I

output

1|

nc

nu

si_sm:1l

i.»'nuI|"IuIl':'n111

lmli\-'itlu;:l

II)I.IIpI.II

l.

'=‘3*"‘

l’.

I5]

R

--

OUTPUT

L

2

-"

INDIV

~

1

Individual

Output

1

Stereo

Outputs

Individual

Output

2

I

How

to

set

the

Sound

Setup

®

Select

the

Paltch

l~"l;n'

.~<c|'c‘e11.

then

press

[SYSTEM].

MIDI

Trigger

MIDI

Interface

S

l

Initialize

q5w5;n1e1a1F§In1

Fe

§eEnu§Lee§5ET

I

‘Q!

I11

I

Solnd

Setup

LCD

Contrast

Demo

Song

Footswitch

®

;\-lure

the

t‘ur.~;ur

in

EET.

then

prc.~;.~+

[ENTER].

Setting

Send

1

i:'El€-r":=ﬁi

-it

EF'FEI:IT__l

‘

Eeﬁﬁi

t

1“D1“~3

Setting

of

Send

2

{M

I’.

H:-I!

The

Send

I

signal

can

lweserti

In

eiIl1erl~”.l'|‘et.'i

I

urlm|i\‘itlu:1lOulpul

l.

Similarly.tl1cSeml

3

signztl

um

he

sun!

In

I:iI'l1L'r

l{l'l'ccI

3

ur

lm.|i\'idu;:l

(fmlpul

Z.'l"l1esettingul’1l1c

Sullml

Setup

tleierminc.»'

l

I

:--

Patch

Play

Screen

Be‘

P.

17

129

Chapter

6

System

Setting

®

Select

Send

1

using

the

[DATA]di:1l.

Sendt

EFFEIIITH

1

All

Instruments

zlssigned

to

Send

1

are

sen:

tn

Ell"eel

1.

mixed.

and

then

output‘

l

tltmuglt

the

Stereo

Outputs.

I

HE‘

I

l-.3__

1

All

Instruments

zlssignecl

tn

Send

I

are

nutpui

tltrnugh

|ﬁ(;li\"'it.lI.Ilil

Output

1.

I"

I

_

FF

1

All

Instruments

assignecl

to

Send

1

are

mured.

-p_

(<3

llrluve

the

cursor

to

the

lower

line

using

[<1]

and

[P].lhen

set

Se:1cl2lE'=E*r':I;llEI)I1sing

the

[DATA]

dial.

Send2

___

I

El:FE!...T____L-;:f

I

Alllnstnnnaents

assignecl1t>SenLl2;1re

senuuEIl'ect

2,mixed,zmtltltenuutptlt

l

through

the

Stereo

Outputs.

I|"l[I'

I

l-.-'__IZ

\

All

Instruments

assigned

to

Send

2

are

output

thruuglt

Inclividunl

Output

2.

ll

“I

""1

I

JFF

p

All

Instruments

1l3SIgI1t’£|[(.}§t‘l'i(.l

2

are

muted.

I4

Chapter

6

System

Setting

130

~WW_

T”

l

_

11111

r__

'~W__1___r__

We

___

______

"C

ff

_

___,,_W

___”

3»

CI.

I

Audio

Output

and

Effects

l..e\"el~;

Iur

three

p;tr;tmett.'rs

can

he

set

lur

the

'l"l'J-"Ts

ln.~'lrtuut*nI.~t.

W‘

I‘.

SH

Output

l.e\*e|

Sentl

l

l.e\‘el

Send

1

l.e\'e|

'l"he

.‘~iounrl

Setup

tletermines

the

output

mode

of

Send

I

and

Sentl

2.

The

sigrtrtl

nl'.‘éentl

I

tun

he

seleeletl

as

either:

@

Input

to

l§|'let't

I I

Retterli.’l")el;n-‘I

(Q

Output

lnrnt

lntlivitlurtl

Output

I

The

signztl

cl

Send

3

can

he

selectetl

us

either:

(D

Input

to

Effect"

2

(Chirrtu.-"'I’|;trtgerI

@

Otitput

from

lIitll\-'it|tI;il

Output

2

msrnuustrr

512

'55::::;:g::;;:5i:iri5g;;t5:L::j_~‘

f

FINSTHUMENT

1

I,

S

o

to

M

I

Fievmb./Delay

""""

I

.........

..'

Stone

I

;

5

I

-

I

VQLUME

Output:

l

Output

Level

O

Eff&G!‘l

er

P5

'

Sound

/$1‘

P'"“i"g

O

or

*

"

”‘**""

***)©

5

E

ChOl'UF/‘Fl-if'iQD§'

‘

lndividaai

ii,

Individual

INSTRUMENT

Bend?

Level

:3

°""'“"

I

PARAMETER

--»

svsrsu

PATCH

K

ttr

nae

"

PAHAMETEH

PARAMETER

a

air

r

s

re

P129

er

P.62.64

E

MN

—

iiiﬁiiﬁiiﬁi

'|||

*|||

in

'1

P

S

SS

SSS

6

o

O

What

is

set

in

Send

1

and

Send

2

is

common

to

all

the

Instruments,

that

is,

if

you

select

“Output

through

Individual

Output

1”,

Effect

I

cannot

be

used.

Therefore,

it

is

not

possible

to

“apply

reverb

to

a

certain

Instrument

and

output

a

different

Instrument

through

Individual

Output

1”.

I

If

you

wish

to

output

a

specific

Instrument

through

an

Individual

Output,

set

the

Send

Levels

of the

other

Instruments

to

zero.

O

The

level

of

the

Stereo

Out

for

each

Instrument

can

be

set

with

the

Output

Level

(P.

87)

of

each

Instrument.

OThe

Send

Level

(P.

88)

of

each

Instrument

works

as

an

Individual

Output

Level,

when

Individual

(I

t-ID

I

I-.1)

is

selected

in

the

Sound

Setup.

If,

however,

Effect

(EFFECT)

is

selected,

it

works

as

an

Effect

Send

Level.

131

Chapter

6

System

Setting

5.

Initialization

The

T[)-

Ierttures

lit-’t1tt-='t‘te:~‘o|

tnrt1;tln'.;tt|un:_

one

is

initializing

llll

the

p;|r;tmeters

to

the

lnetun-'

preset

t-=';tlues

(P.

l"iI]_I

and

the

other

is

oplirnizing

the

Hl~l'I;lI'

Control

Pedttl

lunetion

to

the

most

;tppt'r'>pri:tte

vnltre,

,

[1]

Hi-hat

Control

Pedal

Initialize

I

This

lunetion

zillrjnt-"s

you

to

set

the

FD-‘.7’

Hi-hut

Control

Pedal

(optional)

lor

the

hest

possihle

I

periormztrtee

results.

Once

you

ltzu--'e

irtitiulizetl

the

TI)-ii

for

the

FD-Ti.

the

vrtlues

will

he

1'et;tinet'l

even

l

t1l‘teFfrott

so-*itcl1et'l

off

the

'l'l'.)-"F.

‘

CD

Connect

the

FD-"F

Hi-hat

Control

l’e<.l;tl

to

the

Hi-hut

Control

_I;telt

tl--IH

COr\'-T‘)

on

the

Tl.)~'?.

Do

not

tlep1'ess

the

Hi~h;tt

Control

Petlrtl.

p

®

Select

the

l’:|tel'1

Play

screen.

then

press

[SYSTEM].

raesrnrerlrrirur

,

FsetPEH@tL@@i5Ei

.

®

Move

the

ettrsor

to

IHI

using

[4]

and.

[P],

then

press

[ENTER].

1uITtnL12s

HiHaL

A

HiHst1n1T?*

14

The

value

to

he

set

Pressing

[E

NTE

Fl]

will

execute

the

Inititrlizrttitrn

procedure,

setting

the

H

i-hat

pztrztmeters

to

the

most

appropriate

values.

Ilyou

wish

to

eltange

values,

more

the

cursor

to

the

vztlue

lield,

then

rot‘.-tte

the

Y

[DATA]

dial.

I

Chapter

6

System

Setting

132

[2]

All

Initialize

,

The

.-\ll

Initialize

l'unt‘tiun

i'L’ll.lI'ﬁ."i

all

the

tlula

in

l.l1e"l'l')-'.-"

to

the

l';lt‘to|"§'

|‘in:sets.

This

will

;tutu|n;1tic;-|ll'_i='

l

crust.-'

any

pre\"iou.»"

Ll;lt1t

in

the

inlcrnrtl

n1crn:.n"y

cl

the

Tl)-7?.

So.

if

you

wisli

in

retain

the

original

tl;1l'a.

§~;l\'L‘

it

onto

;t!1t}lllCt‘i\-"lll)lLlC\'iCL’LlSlt‘tt1il1t3

Bulk

Dump

lunction

(W

P.

L22)

or

mztlte

:1

inemu

as

to

the

st-rttirtgs,

(D

Scletft

the

Pzttch

l’l;iy

screen.

then

press

[SYSTEM].

l

ll

®

1\’lt}\'L’lliL’

t'ur.~eur

lolNT

ttsiiig

[<1]

and

[P].

tl1<:n|1ress

[ENTER]

IH1T1eL1EEHiHaa

HiH5t1H1T?“14

®

a\-=lu\-‘e

the

t't|i'sorto

H

i

l'l-ﬁle

ttsing

and

[P]

.

then

select

ALL

by

rotating

the

[DATA]

dial.

IHITIQLIZEQLL

3

TD“?

QLL

tart

e

;

l

@

l’r'cs'.s[ENTER].;1ntlthe

.scrcer1willrcs|>ontlt\-'itlilqr"'E=

‘:.*IZ1*.4

2-1.4:"-e‘?

l

@

l’rcss

[E

NTE

Ft]

again.

and

the

All

Initialize

will

he

|ficrft')1"mi:‘(l.

To

C1l!‘lL"t‘l

tl1eAll

lniti;1li'zi.'.

press

[EXIT]

instczttl

of

[ENTER].

'

l

I

lf

you

wish

to

reset

only

the

Patch

data,

copy

the

factory

preset

Patch

data

into

the

User

area

using

the

Patch

Copy

function

(P.

71).

l

O

If

you

wish

to

reset

only

the

Instrument

data,

copy

the

factory

preset

data

into

?

the

User

area

using

the

Instrument

Copy

function

(P.

89).

=i=

Copying

factory

preset

data

into

the

USer

Patches,

Instruments

and

Sequence

Patterns

will

automatically

over-

write

(replace)

any

data

stored

there.

‘I33

Chapter

6

System

Setting

Reference

t.Error

Messages

............

..136

2.Troubleshooting

............

..138

3.Patch

List

............

..141

s

4.Wavetorm

List

............

..144

5_lnstrument

List

............

..146

6.lnitial

Setting

............

..1

50

7.Blank

Chart

............

..153

1.

Error

Messages

When

any

operational

error

or

problem

occurs,

the

screen

will

display

an

error

message.

If

this

happens,

refer

to

the

following

section

for

help.

5erial-srrnr-

§$E§§§$Eﬁ$%%%§

==l'-

-t.;'--:1.-=:"_‘-';--

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.

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.

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consult

your

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or

the

local

Roland

service

center.

Will

retrieve

the

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.._;._____<_.;;..__,__._..._._..__“-_.,_‘

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t_:'_-'_-__'

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'-’-=1.‘

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'

:'

2:‘

,-Q

.;T__i:$I}'-_&i_=.-.'-

5

.=,i

;=_'r.

E

1:;

~,=

The

unit

received

an

excessive

amount

of

MlDl

data

from

an

external

MlDl

device.

Reduce

the._.atnoitn_t--.-_o.f'1‘_MlDl

data

transmitted

from

the

extemal

MIDI

device.

Alternatively,

send

data

over

a

longer

interval

so

that

the

ialniiititini

are

dai'ii"'si§ri=t"'each

time

will

be

reduced.

Pressing

any

button

on the

panel

of

the

unit

will

retrieve

the

iﬁot

aenaine

one

PPE55

ana

bee

A

connecting

MlDl

cable

may

be-damaged

or

disconnected.

-t»

Check

the

MlDl

cable

and

all

connection.

Pressing

any

button

onithc

panel

of

the

unit

will

retrieve

the

"

r

'*****i1_

_ _

__

_

:

_

__

_ _ _ _ _

in-1

_

7;;

_;:r:1T_

T,"

__

Check

sum

error

PPPEEEPQHH

hoe

The

unit

could

not

receive

Exclusive

data

properly.

-0

Check

the

MlDl

cable

and

data

to

be

transmitted,

then

send

the

data

again.

Pressing

any

button

on

the

panel

of

the

unit

will

retrcive

the

DC-UULT

abnormal

Press

one hoe

The

signal

fed

into

the

Trigger

Input

section

is

of

abnormally

high

voltage.

Be

sure

to

use

pads

with

the

proper

output

voltage.

Pressing

any

button

on

the

panel

of

the

unit

will

retrieve

the

if

the

cannot

be

retrieved

,

contact

your

local

Roland

Service

Center.

lrt

addition,

if

you

hit

the

pads

when

power

is

turned

on,

this

error

rrtessagge

could

appear

in

the

display.

ln

this

case,

torn

the

power

on

again.

In

-H1

1

*1

it'=r.*~t*-

-

This

message

appears

when

the

same

number

has

been

assigned

to

the

source

and

the

destination

number

in

Patch

Copy/Pattem

Copy/Instrument

Copy,

etc.

-t>Select

differrent

numbers

for

source

and

destination.

The

will

be

recalled

in

several

seconds.

136

7

:74’

_

_ _

:._

*"__

_:____

___

Mike

7

7 _ _

;_;;:_:7:_'_;:__

*;"'i

_;__7

_ __

in-an-an-t

_

I-at

'

If

'77?’

1’

77

7

momoca

Pull

No

more

sequence

pattems

can

be

written

into

memory.

-P

lfyou

wish

to

continue

to

record,

erase

some

unnecessary

sequence

patterns.

The

will

be

recalled

in

several

seconds.

Emnta

nattorn

You

are

trying

to

erase

a

Sequence

Pattern

in

which

no

data

exists.

--r

Select

a

Sequence

Pattern

that

contains

data.

The

will

be

recalled

in

several

seconds.

Hot

cocnesaond

The

Trigger

Transmit

Channel

(

ﬁr

P.

ll5)

is

not

set

to

the

same

number

as

the

Instrument

Section’s

Transmit

and

Receive

channel

(Ii?

P.l

15)

,or

the

Performance

Section's

Transmit

and

Receive

channel

(

KY‘

P.l

I6).

Therefore,

you

cannot

select

an

Instrument.

-tr

Set

the

Trigger

Transmit

Channel

to

the

same

number

as

the

Instrument

Seetion's

Transmit

and

Receive

channel

or

the

Performance

Section's

Transmit

and

Receive

channel.

The

will

be

recalled

in

several

seconds.

Happens

low

Pnoss

ans

new

no

. .

O

Own

IIIO

-can

I

III

The

battery

that

supports

the

backup

system

of

the

internal

memory

is

nearly

exhausted.

-+

All

data

stored

in

the

internal

memory

may

be

lost.

Have

the

local

Roland

Service

Center

replace

the

battery

as

soon

as

possible.

Ii

IQ

T».

"'

I

"3

E

-"3

I I

I100

I-n

-

t-MI?

Iii

H.“

-|:'-"st"

1--12:

IT!

£3‘

The

internal

data

of

the

TD

-

7

is

damaged.

--0

Data

cannot

be

restored

unless

it

is

initialized.

Follow

this

Initialization

procedure:

Q)

Press

|El\lTER_].

"ea

sou

suns?

trtnctzea

UU_

t---1]:

"*:='""1"

M

@

Pressing

[ENTER]

again

will

recall

the

Patch

Play

screen.

*

The

above

initialization

procedure

will

set

all

the

data

in

the

TD

-

T’

to

the

factory

preset

values.

__

'

__

—’

_

::'_:::

f7__i;i%'Tr":_

_

7

77'

_

Jun-1

nu

in

'"

7'"::r;::"uuQni\c_

"

'

"'

' '

innlnnnnlnt

tumour

_____

"e

WW7

*’"*

Y"?

W

'

137

2.

Troubleshooting

Instrument

I

No

sound

is

heard.

Make

sure

that

the

TD

-

7

is

connected

securely

and

correctly

to

the

amplifier.

-P

Connect

the

TD

-

7

to

the

amplifier

securely

and

correctly.

Make

sure

that

the

signal

is

not

output

to

Individual

Output

l

or

2.

-P

Connect

the

amplifier

to

Individual

Output

Jack

I

or

2.

Make

sure

that

the

Instn.tment's

Output

Level

is

not

set

to

zero.

--0

Set

the

Output

Level

to

an

appropriate

level.

(ET

P.

8'7)

Make

sure

the

Midi

In

Switch

in

the

System

screen

is

not

set

to

OFF.

-0

Set

the

Midi

In

Switch

to

ON.(r-'1'

P.l

I6)

Make

sure

that

the

Local

Control

Switch

in

the

System

screen

is

not

set

to

OFF.

--9

Set

the

Local

Control

Switch

to

ON.

(fr

P.l20)

Make

sure

that the

Trigger

Interface

Mode

in

the

System

screen

is

not

set

to the

Trigger

MIDI

Interface

Mode

or

MIDI

Sound

Module

mode.

-0

If

so,

change

it

to

the

Standard

mode.(

sit"

P.

I23)

If

you

are

going

to

play

the

Instrument

Section,

make

sure

that

the

Instrument

Section

Transmit

and

Receive

channel

is

set

to

the

same

number

as

the

Trigger

Transmit

channel.

Or

make

sure

that

Instrument

Section

Level

is

not

set

to

O.

-0

Set

the

Instrument

Section

Transmit

and

Receive

channel

to

the

same

number

as

the

Trigger

Transmit

channel.

(-11?

P.

I

IS)

'0

Set

the

Instrument

Section

Level

to

an

appropriate

level.(

I‘-T

P.

I

I9)

lfyou

are

going

to

play

a

Performance

Section,

make

sure

that

the

Performance

Section

Transmit

and

Receive

channel

is

set

to

the

same

number

as

the

Trigger

Transmit

channel.

Or

make

sure

that

the

Global

Performance

Level

is

not

set

to 0.

-0

Set

the

Performance

Section

Transmit

and

Receive

channel

to

the

same

number

as

the

Trigger

Transmit

channel.

(ﬁr

P.

116)

-t»

Set

the

Global

Performances

Level

to

an

appropriate

level.(

til’

P.

'74)

O

The

sound

level

is

too

low.

Cheek

if

the

volume

of

the

amplifier

is

set

too

low.

-b

llso,

raise

the

volume

of

the

amplifier.

Check

if

the

volume

of

the

TD

-

'7

is

set

too

low.

-0

If

so,

raise

the

volume

of

the

TD

~

7.

Q

The

sound

of

an

Instrument

is

strange.

Check

if

the

lnstntrnent

Parameters

are

set

properly.

-b

If

not,

set

the

Instrument

Parameters

properly.

(Cr

P.

78)

Q

Playing

a

pad

with

the

Choke

function

set

to

ON

will

produce

the

sound

with

a

short

decay.

Check

if

a

pad

other

than

a

PD

~

7

is

connected

to

a

Trigger

Input

Jack.

--b

lf

so, set

the

Choke

function

to

OFF.

(Hf

P.

45)

‘I38

Q

The

volume

doesn’t

change

with

different

playing

dynamics.

Check

if

the

Velocity

Sense

Curve

is

set

to

Fix.

,.

-r

lfso,

change

the

Velocity

Sense

Curve

to

Normal.

(_

1;‘-it"

P.44)

The

volume

you

expect

cannot

be

obtained

if

the

Max

Dynamic

and

Minimum

Dynamic

are

set

improperly.

'-+

Change

the

settings

of

the

Max

Dynamic

and

Minimum

Dynamic.

(-'»-‘-Ir

PI46)

Q

When

you

play

the

pads

quickly

in

sequence,

some

pads

do not

sound.

Check

if

the

Mask

Time

is

set

too

long.

--t

If

so,

lower

the

Mask

Time

value.

(

ﬁr

P.

47)

Q

No

sound

is

produced

if

you

play

softly.

Check

if

the

Threshold

Level

is

set

too

high.

--tr

If

so,

lower

the

Threshold

Level.

Q

Effect

1

(or

Effect

2)

does

not

work.

Check

if

the

OFF

or

lNDl\/__l

(or

lNDlVlD____2)

is

set

in

the

Sound Setup.

-0

If

so,

change

the

settings

of

the

Sound

Setup.(

1:1‘

P.

I29)

'

Phrase

Sequencer

Q

No

sound

is

produced

even

by playing back

a

Sequence

Pattern.

Check

if

you

are

playing

back

a

blank

Sequence

Pattern

(where

no

data

exists).

-P

lf

so,

select

a

Sequence

Pattern

where

data

is

recorded.

Check

if

you

are

playing

hack

a

Sequence

Pattern

where

only

the

Control

Change

messages

are

recorded.

-r

If

so,

select

a

different

Sequence

Pattern.

Q

Indicators

flash

in

the

Patch

Play

screen.

Check

if

you

are

playing

back

a

blank

Sequence

-Pattern

(where

no

data

exists).

_

-

-0

lfso,

stop

playback

by

playing

the

pad

that

caused

the

blank

Sequence

Pattern

to

play

or

by

moving

to

the

Pattern

Play

in

the

Sequencer

SCFCEII.

Q

None

of the

Pattern

Numbers

25

—

48

can

be

selected

in

the

Sequence

Pattern

creation

mode.

-P

Remember

that

Pattern

Numbers

25

—

48

are

preset

patterns

and

therefore

cannot

be

recorded.

(fr

P.

96)

QThe

Tempo

cannot

be

edited

while

a

Sequence

Pattern

is

being

recorded.

Check

ifthe

Sync

Mode

is

set

to

MlDl.

~+

lfso,

change

it

to

INTERNAL.

(sir

P.

I05)

Q

When

you

start

the

Phrase

Sequencer

via

MIDI,

a

pattern

different

from

what

is

selected

is

played.

Check

if

the

same

Note

Number

is

assigned

to

more

than

one

Trigger

Signal.

When

the

same

number

is

assigned

to

more

thanone

Trigger

Signal,

one

Sequence

Pattern

Number

is

selected

in

the

priority

sequence

ofTRlG1,

RIMI

,

TRIGZ,

RlM2

RlM9

and

PEDAL.

--1»

lf

so,

change

the

Note

Numbers.

(_

=1?

P.

42)

77

—————

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139

System

Q

The

sound

is

cut

when

the

TD

-

7

is

played

in

the

Multi

-

timbral

mode.

Check

if

the

number

of

voices

used

exceeds

the

maximum

of

14.

-ti

lf

so,

lower

the

number

of

voices

to

be

played

simultaneously.

Q

Patches

on

the

unit

are

not

changed

even

when

it

receives

Program

Change

messages.

Check

if

the

Program

Change

Receive

Switch

in

the

System

screen

is

set

to

OFF.

--0

If

so, set

the

Program

Change

Receive

Switch

to

ON.

(KT

P.

l

I8)

Q

The

unit

does

not

receive

System

Exclusive

Messages.

Check

if

the

System

Exclusive

Switch

is

set

to

OFF.

--I»

If

so,

change

the

System

Exclusive

Switch

to

ON.

(r-T

P.

l

18)

O

Bulk

dump

data

cannot

be

transferred

completely.

Check

if

the

amount

of

available

memory

in

the

receiving

MlDl

device

is

sufficient.

--I»

Be

sure

that

there

is

sufficient

memory

available

in

the

receiving

MID!

device.

Q

Sound

-

on

-

sound

recording

is

not

possible.

Check

if

there

is

sufficient

memory

available.

(if-Y‘

P.

I27)

--ti

If

not,

erase

some

unnecessary

data,

then

repeat

the

recording.

(II?

P.l05)

Determine

if

the

interval

between

pressing

footswitch

2

and

hitting

a

pad

was

too

long.

-1+

if

so,

repeat

recording

using

a

shorter

interval.

Q

The

screen

on

the

TD

-

7

is

difficult

to

read.

Check

if

the

LCD

Contrast

is

set

properly.

-P

If

not,

change

the

LCD

Contrast

so

that

you

can

read

the

screen

easily.

Q

You

cannot

holdlsustainl

a

sound.

When

“CtrlMode"

in

the

Pedal

Parameters

(CT

P67)

or

Global

Performance

Parameters

(

t-‘it’

P.74)

is

set

to

“Decay”.

the

Hold

function

cannot

be

obtained

in

that

section.

Q

You

cannot

play

back

the

Hi-hat

Control

Pedal

information

recorded

in

the

Phrase

Sequencer.

When

the

System

Parameter

is

set

to

“Ctrl

Chg

=

HOLD"

(U

P.l2l)

and

“Hold

Rx

=

OFF"

(KT

P.l18),

the

Hi-hat

Control

Pedal

operation

information

is

converted

to

Hold

messages,

and

therefore

cannot

be

sent

to

the

internal

sound

source.

-+

Set

the

“Ctrl

Chg"

to

a

status

other

than

"HOLD",

or

set

it

to

“Hold

Rx

=

ON".

O

Unexpected

sounds

are

heard

when

you

play

the

TD-7

with

an

external

MlDl

sequencer.

Check

if

the

TD-7's

Phrase

Sequencer

is

playing.

-+

Set

the

Sequence

Pattern

Number

set

at

the

Trigger

signal

to

“OFF”.

(

=11’

P44)

Q

The

sensitivity

of

pads

seems

weak,

and

appropriate

sound

is

difficult

to

obtain.

Did

you

hit

the

pads

immediately

after

turning

the

power

on‘?

-tiwhen

power

is

turned

on,

you

should

never

attempt

to

hit

the

pads

until

after

the

Patch

Play

screen

(1?

P.l7)

has

appeared.

lf

you

hit

the

pads

when

power

is

turned

on,

a

"DC~\/OLT

abnormal"

error

rnessagge

could

appear

in

the

display.

In

this

case,

tum

the

power

on

again.

Q

On

occasion,

no

sound

is

heard

when

a pad

is

struck;

or,

the

tempo

slows

down when

the

Phrase

Sequencer

is

playing

back

something.

Check

if

other

devices

are

sending

System

Exclusive

data to

the

TD-7.

-t»

Do

not

hit

the

Pads

or

play

the

Sequencer

while

the

TD~7

is

receiving

System

Exclusive

data.

Q

The

setting

for

the

Threshold

Level,

a

Trigger

parameter,

tends

to

get

altered.

lf

set

to

use

the

Automatic

Parameter

Setting

(

tit‘

P.45),

the

Threshold

Level

for

pads

which

are

not

hit

is

set

automatically.

This

is

an

intelligent

feature

which

is

designed

to

eliminate

the

crosstalk

that

might occur

between

pads.

lf

you

wish

to

have

the

Threshold

Level

at

a

different

setting,

follow

the

procedure

on

page

42,

47'

to

make

the

setting

again.

140

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acoustic

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solid

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commercial

bright

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commercial

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deep

kick

dig

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deep

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electronic

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electronic

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face

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fioor

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grit

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heavy

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house

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house

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huge

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hybrid

kick

high

Q

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jazz

kick

light

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light

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log

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light

reverb

kick

machine

kick

manufacture

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mondo

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mondo

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mufﬂe

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kick

pinch

kick

punch

kick

rap

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kick

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resonant

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reverb

kick

room

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1

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68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

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Sine.l<

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Soft2.K

Solid.K

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Stone.K

Syn1.K

Syn2.K

Tight.K

TmPlw.K

Tom.K

TF1808.l<

TFl909.K

Tube.K

Vb8ld.K

Verby.K

Wild.K

Wood1.K

Wood2.K

808Sf.K

909Ac.K

909Cm.K

909Hd.K

Acous.S

AcoF1rn.S

Atak1.S

Atak2.S

Atak3.S

Barnbo.S

Bg8hLS

Brass.S

BrF1‘i1.8

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BrFlll3.S

E1r8ll1

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Br8ll3.S

BrS*

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8rS‘5.S

8rSl6.S

BrSw1.S

Br8w2.S

Cave.8

Ceram.S

Chain.S

Clip.S

Combt

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Comb2.S

Crack.S

Crker.S

0ance.S

DblFln.S

Dk808.8

Dopin.8

Drip.S

Explo.8

Fat.S

Fiber.S

Freez.S

Frozn.S

Hard.S

Houst

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rubber

kick

sine

kick

smash

kick

soft

kick

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soft

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solid

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surdo

acoustic

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stone

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synthesizer

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909

commercial

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909

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acoustic

snare

acoustic

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bamboo

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big

shot

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brass

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brush

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brush

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brush

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cave

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ceramic

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chain

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clip

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combo

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crack

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cracker

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dance

snare

double

ring

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dark

808

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dopin'

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drip

snare

explosive

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tat

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fiber

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freeze

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hard

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house

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Instrument

Name.

M

Display

instrument

Name

1

65

66

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

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155

157

153

159

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170

171

172

173

174

175

17s

177

173

179

190

191

132

133

194

195

196

137

res

139

190

191

192

Hous2.S

Hous3.8

HsDpn.S

Huge.S

Hypec8

Keri.8

Kettl.8

LA.8

Labo.S

LAFat.8

Litei

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Lite2.S

Lite3.8

Lo

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Fi.8

Loosi

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Loos2.S

LtMpl.8

Lt909.8

Machi.8

Megal.8

Memph.S

Micro.S

MpF1ck.8

Noise.S

Nshvl.8

PapenS

Paris.8

Picci

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Picc2.S

Picc3.8

Picc4.S

Power.8

Pow1l.8

Punch.S

Fladio.8

F1cker.8

F1ckin.8

F1ckLt.8

F1ckPw.8

FickF1m.8

Fiealf

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F1eal2.8

F1eal3.8

F1eal4.S

F1eal5.8

Fieggt

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Flegg2.S

F1egg3.S

Fiegg-4.8

F1ing.8

F1ngMp.S

F1ock1.8

F1ock2.S

Roomt

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F1oom2.8

SprCb.8

SprLt.8

SprWk.8

Stead.8

Tight.S

Tin.S

Toy.8

TF18088

TF1909.S

house

snare

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house

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house

dopin'

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huge

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hyper

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kerf

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kettle

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L.A.

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labo

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L.A.

fat

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light

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light

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light

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light

909

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machine

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megalo

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Memphis

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micro

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maple

rock

snare

noise

snare

Nashville

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paper

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Paris

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piccolo

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piccolo

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2

piccolo

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3

piccolo

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power

snare

powerful

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punch

snare

radio

snare

rocker

snare

rockin’

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rock

light

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rock

power

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rock

rim

shot

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real

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real

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real

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real

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real

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reggae

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ring

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maple

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room

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super

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super

light

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super

whack

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steady

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tight

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tin

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toy

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TF1

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TF1

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909

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95

196

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201

202

203

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205

206

207

208

209

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220

221

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223

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227

228

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230

231

232

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234

235

236

237

238

239

240

241

242

243

244

245

246

247

248

249

250

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253

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255

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WdAtk.8

Wd8ht.8

90's.8

909Lt.8

Amb8t.8

Dry8t.8

Hic8t.8

MplSi.5

Mtl8t.8

80881.8

Acout

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Acou2.T

Acou3.T

Acou4.T

Arnbo1.T

Ambo2.T

Arnbo3.T

Ambo-4.T

Bend1.T

Bend2.T

Bend3.T

Bend-4.T

8oos1.T

Boos2.T

Boos3.T

8oos4.T

Brsh1.T

Brsh2.T

8rsh3.T

Brsh4.T

Dry1.T

Dry2.T

Dry3.T

Dry4.T

Dubl1.T

Dubl2.'i'

Dubl3.“1‘

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Elec4.T

Flot1.T

Flot2.T

Flot3.T

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Grnd1.T

Grnd2.T

Grnd3.T

Grnd4.T

Lite1.T

Lite2.T

Lite3.T

Lite4.T

Mapl1.T

Mapl2.T

Mapl3.T

Mapl4.T

MBru1.T

MBru2.T

MBru3.T

MBru4.T

Mllt1.T

ultra

light

snare

wood

attack

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90's

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909

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side

stick

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side

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double

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Side1.T

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155

Roland

Exclusive

Messages

niDataFormatior

=

One

way

transfer

procedure

(See

Section

3

for

details.)

Roland's

MIDI

implementation

uses

the

following

data

format

for

all

exclusive

messages

(type

ll.-'):

:

' ' '

r

i;r

::T_t;:_

__

77.

7

——

'

..;_

___

_ _

_

_:_____;__—;_7__:uuc.;ﬁ

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Byte

Description

_,____

W

~_~__

.

~

......

:;,.:,_:__

,

___<____,__,._

%_:;:_s.*

.

FOH

w

Exclusive

status

.

__

_;r____

_;

‘

diH

1:

Manufacturer

if)

(Ftoiand)

U

1

DEV

11

Device

ID

MDL

=

Mode!

lD

CMD

Command

ID

1‘

[BODY]

Main

data

l

1

l

.1

MIDI

status

:

FOH,

F7H

An

exclusive

message

must

be

flanked

by

a

pair

of

status

codes,

starting

with

a

Manufacturer-ID

immediately

after

FOH

(MIDI

versionl.O).

.1

Manufacturer-ID

:

41H

The

Manufacturer-ID

identities

the

manufacturer

of

a

Mini

instrument

that

triggers

an

exclusive

message.

Value

4lli

represents

Roiand's

Manufacturer~llJ.

.'-:

Device~lD

:

DEV

The

Device-ID

contains

a

unique

value

that

identifies

the

individual

device

in

the

multiple

implementation

of

MIDI

instruments.

it

is

usuaily

set

to

OOH

-

DFH.

a

value

smaller

by

one

than

that

of

a

basic

channel.

but

value

OOH

—

ll“-‘it

may

be

used

tor

a

device

with

multiple

basic

channels.

e

Model-ID

:

MDL

The

Model-ID

contains

a

value

that

uniquely

identities

one

tnodei

from

another.

Different

models.

however,

may

share

an

identical

Mocleilﬁ

if

they

handle

similar

data.

The

Model-H)

format

may

contain

can

in

one

or

more

places

to

pmvidc

an

extended

data

lit".-id.

The

lnilowing

are

examples

of

valid

Model

H35.

each

representing

a

unique

model:

Oltl

02H

()3!-I

OOH.

011-l

OOH.

02H

OOH, OOH.

Olil

:..-Command.lD;

CMD

The

Command-ID

indicates

the

function

of

an

exclusive

message.

The

Command-ID

format

may

contain

OOH

in

one

or

more

places

to

provide

an

extended

data

field.

The

loiiowing

are

examples

oi

valid

Command

IDs.

each

representing

a

unique

function:

O

i

I-I

02H

U3]-I

This

procedure

I5

suited

for

the

transfer

oi

a

small

amount

of

data.

it

sends

out

an

exclusive

message

completely

independent

of

a

receiving

device

status.

Connection

Diagram

Device

(A)

Device

(B)

l

Mini

out

no

lhl

MlDl

IN

"5""

M151

OU1

Connecliort

at

point

1-.’

is

essential

For

“itequesl

tilaia”

tJrot':ci'.lu|'t:s.

(Sec

Section

3.)

rrn

End

of

eicciusive

=Har_idshak_e

transfer

procedure

_

“-~""

"

r-~

-—

"Tr

~

r*""<~

{This

device

does

not

cover

this

procedure)

This

procedure

initiates

a

predetermined

transfer

sequence

(handshakingfl

across

the

interface

be-lore

data

transfer

tal-tes

place.

llandshaking

ensures

that

reliability

and

transfer

speed

are

high

enough

to

handle

a

large

arnount

of

data.

Connection

Diagram

Device

(A)

Device

(E3)

MlDl

our

‘

snot

iN

MlDl

in

2

mics

our

Connection

at

points

I

and

2

is

essential.

Notes

on

the

above

two

procedures

=l=

There

are

separate

Command-li.)s

lor

diilercnt

transit-r

procedures.

*

Devices

A

and

li

cannot

exchange

data

unless

they

use

the

same

lranslcr

procedure.

share

identical

Device-ll.')

and

Model

ll),

and

are

ready

for

cornniunication.

ﬁlransfer

Procedure]

This

procedure

sends

out

data

all

the

way

until

it

stops

and

is

used

when

the

messages

an:

so

short

that

answcrbactts

need

not

--he

checked.

For

lone

messages.

however.

the

receiving

device

must

acquire

each

message

in

time

with

the

transfer

sequence.

which

inserts

intervais

oi

at

least

20

miiliscconds

in

between.

Typos

of

Messages

Request

data

l

R0!

(ill-l]

Data

set

l

OT!

(l2l-1)

i.i;......i.i

i

}

ca§i§}{{.Y=-la

15"

f

W

*

0914,0114

.-=Request

data

=1

;

R01

(HH)

OOH.

02H

OOH, OOH.

Oil-I

.~=Main

data:

BODY

This

field

contains

a

message

to

be

exchanged

across

an

interface.

The

exact

data

size

and

contents

will

vary

with

the

Model-ID

and

Command-It).

lAddre=»r~=m=@d

Pm

T'=~=ferl

Address

mapping

is

a

technique

lor

translerring

messages

conforming

to

the

data

Iormat

given

in

Section

l.

ll

assigns

a

series

of

memory-

resident

records-waveform

and

tone

data.

switch

status,

and

parameters.

tor

example-to

specific

locations

in

a

machine-dependent

address

space.

thereby

atiowing

access

to

data

residing

at

the

address

a

message

specifies.

Address-mapped

data

transfer

is

therefore

independent

of

models

and

data

categories.

This

technique

allows

use

of

two

different

transfer

procedures:

one-way

transfer

and

handshake

transfer.

This

message

is

sent

out

when

there

is

a

need

to

acquire

data

from

a

device

at

the

other

end

of

the

interface.

it

contains

data

for

the

address

and

size

that

specii)-'-designation

and

length.

respectively.

ol

data

required.

On

receiving

an

RE)!

message.

the

remote

device

checks

its

l'llL‘lli{.!f}’

lo!

the

data

address

and

size

that

satisly

the

request.

it

linds

thcrn

and

is

ready

tor

communication.

the

device

will

transmit

a

“Data

set

1

ti}'l'I)"

message.

which

contains

the

requested

data.

Otherwise.

the

device

vviil

send

out

nothing.

i

Byte

Deseriotion

,,,,4,,,......n4

FOH

Exclusive

status

41H

Manufacturer

ID

(Fioiand)

DEV

Device

iD

MDL

Model

ID

HH

Commend

ID

‘

Address

lvlSB

ca

......

in

I.

3

*

LSB

Size

M55

oi

..

.

so

I

_h____4

~

LS8

‘

sum

1

Check

sum

»

FT}-l

End

of

exclusive

*

The

size

oi

the

requested

dale

does

not

tndicztte

the

numher

of

bytes

that

wiil

make

up

at

i)Tt

message,

hut

represents

the

address

fields

where

the

requested

data

resides.

=t=

Sonic

mndels

are

subject

tn

limitations

in

data

format

used

fur

a

singte

transaction.

Requested

data.

for

exempte,

may

have

a

limit

in

length

or

must

he

divided

intn

predetermined

address

fields

before

it

is

exchanged

across

the

interface.

=i=

The

same

number

et

bytes

comprises

address

and

size

data.

which.

however.

vary

with

the

It-tndel-ll).

=l=

The

error

elteekintt

process

uses

a

checl-tsum

that

provides

a

hit

pattern

where

the

tees!

significant

T

bits

are

zero

when

values

for

an

address.

size.

and

that

eheeksum

are

sttmtneti.

.~=Data

set

1

;

DT1

(1

2H1

This

message

cnrrespends

to

the

actual

data

transfer

process.

Because

every

byte

in

the

data

is

assigned

a

unique

address.

Z1

DT1

message

can

convey

ti"-‘

Siﬂfliﬂtl

address

nt

nne

or

more

data

as

weil

as

at

series

of

dale

forrnzttted

in

an

arltlress

dependent

order.

The

X-Ill)!

ertelusive

stzmdartts

inhibit

non-reel

time

messages

{rem

interrupting

an

one.

This

feet

is

inconvenient

for

the

devices

that

support

a

"soft

lhrout_:h"

tne<:hanism.

To

maintain

ct1m1.::1tii)ilit1t'

with

such

devices,

Roland

has

timited

the

HT!

to

2513

hyles

so

that

an

exc.essi\"e|3r

tong

message

i

5

SUI’?!

till!

lﬁ

SCIJEIFHIL‘

5CR¥'ii£‘I1l5.

ﬂ77___;:_:_____

X

Byte

_

:_7_

:7

7,

;7_7_7_

:_7__;:7;_::7;77

:7

_71-at

_

7;7:

77

77:7"

_;:77 7

7_7:;:_

_

:__

‘

;

Description

7 7

'

7

77_

7:7

7

<77

777

77_77

7

777

7

77777

77

777

77;

7,,

_

_7_*-

F0!-I

t

Ail-t

est»

it

MDL

t

2t~t

D

--...r.>

I

Q.

-ct.

I

SUP“

i

Exclusive

;

Marn.1far:turer

ti")

(Roland)

‘i

~

Device

ID

Modei

ID

1

Commend

IO

Address

MSB

\

LS8

Data

X

no‘

0

Check

sum

F"?t--I

M

End

of

exclusive

*

A

DTI

message

is

capable

of

providing

only

the

vaiid

data

among

those

specified

by

an

RQI

message.

*

Same

modets

are

subject

to

limitations

in

data

format

used

for

a

single

transattdion.

lteqtzesletl

data.

for

example.

may

have

a

limit

in

length

or

must

be

divided

into

predetermined

address

fields

eefere

it

is

exchanged

across

the

interface.

=t=

The

number

oi

bytes

comprising:

address

data

varies

fmm

one

Medel-

tt)

to

another,

*

The

error

checking

process

uses

a

checksurn

that

nrovides

at

bit

pattern

where

the

least

signitieant

7

hits

are

zero

when

vutues

for

an

utttlress.

size.

and

that

cheekstim

are

summed.

=¢

Example

of

I

Device

Massage

Transactions

A

sending

data

to

Device

it

Transfer

of

21

I11‘!

message

is

all

that

takes

place.

Device

cs)

{Data

set

1]

--------—-----—--IF

=t=

More

than

20m

se

' '

[Data

set

11

e

ttrne

tnternat.

-

b_bQ—ﬂﬁ

[Data

set

i]

-—-—--------------------I>-

7

Roland

Exclusive

Messages

‘Device

It

requesting

data

from

Device

A

Device

B

sends

an

RQI

message

to

Device

A.

Checking

the

message,

Device

A

sends

a

UT!

message

hack

to

Device

B.

[Data

sat

1}

ﬁeuuest

data]

{Data

set

1]

---------------------be

=t=

More

than

20m

sec

time

internai.

[Data

set

1]

--—--------—---—-----------D-

{Data

set

I]

--———-—-—-—--------Iv

PERCUSSION

SOUND

MODULE

Date

:

Aug.

4,

‘I992

Model

TD-?

MlDl

lmplementatlon

Version

I

1.00

;

*;;:;—'—7

_

.;:;

_::_;_;__::_;*:

:_"

' '

1

’

*

1-1?

___

.1

l1,

TRANSMITTED

DATA]

-Channel

Voice

Message

INote

Off

Stat

us

Second

Third

tinii

kit}-i

Utili

rt:

Mil)?

tﬁhtlnnel

:01!

-

Fl!

(£11.!

Chili)

kit

==

Nttte

ttumhcr

:23li

~"

SUI!

(35

~-

93'}

INote

On

Status

Secunti

Thirtl

9n

I--l

It

it

H

v

I

n

-~

MID!

channel

ztlli

Fl--l

(611.1

--

ch.ltil

kit

Note

number

:25-iii

5I.)l-i

['35

--

93}

W

=

Velocity

:0!!!

—

TF1!

ii

*

12?)

The

TD-‘F

transmits

at

channel

of

each

section.

The

period

l}Gl\\'0£‘ﬂ

a

i\*ute

On

and

the

subsenuctnt

.\'nte

Oil’

is

about

lt)inS

at

the

Phrase

sequencer

and

is

the

time

set

tu

“Gate

Time"

of

the

TRIG

section.

if

another

note

is

made

on

the

TRIG

section

before

the

Note

Off

for

the

IR‘t)\'t0U5

note

is

issued.

a

Note

Off

for

the

precedes

the

new

Note

Uri.

Q

Polyphonic

Key

Pressure

Status

Second

Third

Aztil

kkil

wit

n'"~"

Mil)!

channel

:t}!~i

~

I-‘H

£ch.l

~-

ch.t6)

kit

1

Note

number

:23l'l

~-

5!)!-I

(35

—

93}

W

=

Value

:Dt}lI.

Ti-‘ii

(O,

12?}

Transmitted

if

the

"choke"

of

the

TRiG

paranzeter

assigned

to

heart,-/rint

of

each

pact

is

set

at

t)i\'.

This

message

is

transmitted

with

vaiue

TFII

when

the

rim

of

the

patl

is

grtthheti

or

with

vaiue

not-t

when

the

rim

is

released.

Note

number

to

be

transierreti

is

contained

in

the

head/"rim

of

the

grabbed

pad.

when

TRIO

is

set

tn

the

same

number

as

Assign

of

the

Pedal

parameter

and

"Ctrii\=lode"

is

set

at

Hit-latt,

the

note

number

of

the

Hi-hat

Control

Pedal

can

be

transferred.

when

"CtrlMnde"

is

set

to

Iliiiat2

instead

of

I-iiiiatt,

the

note

number

of

the

head,

rim,

and

note

number

of

head

minus

4,

note

number

of

rim

minus

it

and

note

number

of

the

Hi-hat

Control

Pedat

are

transferred.

OControl

Change

Clﬁlodulation

Depth

Status

Second

Thirrt

Bn

H

Oi

H

wit

Q

Foot

Type

Status

Second

Third

n

l3nH

{NH

vvil

GGanarai

Purpose

Controller

—

1

Status

Second

Third

E-int-l

IOH

wt-I

CJGeneral

Purpose

Controiler

-

2

Status

Second

Thi

d

Dill!

IIH

rt

==

MIDI

channel

:

(J1-l

—

vv

=

Parameter

vatue

:00l~t

—

The

TD-7

transmits

a

vaiue

corresponding

to

the

position

of

the

Hi

hat

C‘-ontroi

Pedai

by

one

of

above

control

messages

set

at

the

"Ctr!

Chg”

of

the

Mil?!

Di]

I'd

meter.

__....!L._

wt-l

OF

it

£ch.i

cimtﬁi

7!’!-I

(

D

--

l2?

{'3

Hold

1

Status

Second

'l'hirt'I

zu-nu-—u—n~»p-Q--»-tq-i-»-n--u—-u

linil

=1t"iH

vvll

n

It-lit)!

channel

:t}ll

W

UFII

tch.t

--

ch.lti,i

\'\-'

"Partlmeter

vaiue

:UttH

i'l-‘ii

(U

--

I27}

The

TD

7

transmits

a

vaim:

mrrespnnriing

to

the

position

of

a

lli-hat

Contra!

Perla!

hy

one

at

the

above

centrni

niessattes

set

at

the

"Ctrl

Chg"

oi

the

kliiii

{)i.1i'Zll¥iL‘lL‘I‘.

Transmit

vv

=

"II-“ti

when

inetswitch

2

is

pressed

anti

vv

tltlli

ttlieit

itintswitt.-it

2

is

prtrsseti

it

"matte"

of

i-‘ontstxitch

motto

of

System

is

set

to

"1-!otit-

IProgram

Change

Status

Second

Col!

npti

n

Mil)!

channel

:tiIt

Fll

tch.l

-

t:h.l{3i

p;.i~=~"l’rt‘igram

number

:0(iil

Tl-‘ii

tprt)g.i

prug.i28_}

'l‘r;msmitteil

if

the

"Prg

Chit

Ts"

of

the

MID!

parameter

is

set

at

t').\I.

This

Ti)

7

transmits

this

message

on

the

channel

sot

at

"Ctrl

Ch"

when

the

patch

is

changed.

ISystem

Exclusive

Message

Status

FOII

:

Systc-in

1-I.\tt:lusivc:

I-"ill

:

tit)?-C

t'

{incl

Oi

i-Ii-:c.lusi\*t-

3

With

the

'1'!)-ii.

the

Systirni

l'ixi:ltxsive

3-iessages

can

be

used

tn

transmit

Hulk

Dttntp

of

patch

data.

instrumertl

data.

system

data.

chain

data

and

sequence

ttata.

For

detaits

reter

to

"3.

l':."ICll.lSl\’L‘

Co|itmtinicati0ns"

ant!

"Rotanrt

l?lxcIt:si\'t:

massages."

ISvstem

Real

Time

Message

‘Timing

clock

Status

nun-nun-nu-n-nun

F8

H

When

the

sync

mode

is

set

at

I.\iTi3R!\’Al..,

the

TD“?

always

transmits

timing

clocks

and

when

the

sync

motto

is

set

at

MIDI.

the

TD

-

7

never

transmits

tinting

clocks.

IActive

Sensing

Status

Fiiil

Transmitted

for

checking

.\iiDi

ciinnectitms

l3L’{\\i;!L‘I'i

the

‘I'D-7'

and

£"XlL‘i'l'lill

equipmt:nt..

l2-RH-=06

~'ZEDRE<=E'vE..°ATAl

2.1

Instrument

section

and

Performance

section

1

--

3

IChannel

Voice

Message

ONote

Off

Stains

Secnntl

Third

9n

H

it

H

{Jt}ll

Hnll

ltltli

twll

n

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channel

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tilt

I-‘ii

tch.l

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ch.lt-it

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nunlber

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(35

--

93)

vv

Velnt'.it)'

2

tl0li

-

TF1!

((1

--

I2?)

The

TI)-7

receives

the

messages

on

the

channel

oi

each

section.

Note

Elf!

messages

are

ignored

if

the

"I\'otet)t‘f

Rx"

nf

it-iii)!

ziaranteter

is

set

at

OFF.

Note

OH’

messattes

are

not

recorder!

in

the

Phrase

Sequencer.

The

\"elncit}'

is

always

ignored.

I

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Instrument

Section

Footswitch

Mode

Transmit

rmiﬂceseellvﬂf

1 _

‘

Receive

1PerfoF§§a_§hce?Sectlog1_2

j

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Send1

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j

M19!

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l

Program

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J

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155

Roland

Exclusive

Messages

Roland's

Mil}!

implementation

uses

the

following

data

furntatt

for

all

exclusive

messages

(type

it’):

i

Byte

‘

Deserietion

i

'

":*;:if;_._

_:_:__

_

;:_:::_:

_____

__

_ _

'

in

'

7"

*

';i’1I_T1

______i'

77'

7?

I

FOH

Exclusive

status

ll

41H

3

Manufacturer

3D

(Roland)

‘

DEM‘

Device

ID

‘

'

MDL

Model

|D

I

‘

CMD

‘

Command

ID

T

[BODY]

Main

data

l

An

exclusive

message

must

be

flanked

by

a

pair

of

status

codes.

starting

with

a

Manufacturer-ID

immediately

after

F0!--l

(Mil)!

versinnl.{)).

Manufacturer-ID

:

41H

The

Manufacturer-lD

identifies

the

manufacturer

of

a

MlDl

instrument

that

triggers

an

exclusive

message.

Value

dill

represents

Roland's

Manufacturer~lD.

-

Device-ID

:

DEV

The

[}evice»ID

contains

a

unique

value

that

identifies

the

individual

device

in

the

multiple

implementation

of

MIDI

instruments.

lt

is

usually

set

to

OOH

-

OFH.

a

value

smaller

by

one

than

that

of

a

basic

channel.

out

value

U0!-I

-

IF!-i

only

be

used

for

a

device

with

multiple

basic

channels.

::Model-ID

;

MDL

The

Model-ll)

contains

a

value

that

uniquely

identifies

one

model

from

another.

Different

models.

however,

may

share

an

identical

Model-ll‘)

if

they

handle

similar

data.

The

lvlodel~llJ

format

may

contain

OOH

in

one

or

more

places

to

provide

an

extended

data

field.

The

following

are

examples

of

valid

Model-ills.

each

representing

a

unique

model:

Dill

02H

03H

IJDH.

(Jill

ODH.

02!-I

OOH. OOH.

Dill

.-=

Command-ID

=

CMD

The

Command-ll)

indicates

the

function

of

an

exclusive

message.

The

Cotnmand-ID

format

may

contain

0011

in

one

or

more

places

to

provide

an

extended

data

field.

The

following

are

examples

of

valid

Command-

lI)s.

each

representing

a

unique

function:

0

I

H

02H

03H

D_a_t_a

Format

fofrﬁgxcglugsiive

Messages‘

=

One

way

transfer

procedure

(See

Section

3

for

details.)

This

procedure

is

suited

for

the

transfer

of

a

small

amount

of"data.

it

sends

out

an

exclusive

ntcssuee

cornpictely

independent

of

21

receiving

device

status.

Connection

Diagram

Device

(A)

Device

(B)

I

~

MID!

DUI

MlDl

FN

MlDl

IN

"é*""'

MID! OUT

Connection

at

point

2

is

essential

for

"l'-it.-out-st

data"

p|'tx:t:dures.

(See

Section

3.)

F7H

End

of

exclusive

1

:Handshake--transfer

procedure

is

e

‘

~

---

e

-~

1

=

~*

(This

device

does

not

cover

this

procedure;

MIDI

status:

FOH

FTH

This

procedure

initiates

a

prodeterrnined

transfer

sequence

(handshal-tinlt)

across

the

interface

before

data

transfer

takes

place.

llandshal-tint!

ensures

that

reliability

and

transfer

speed

are

high

enough

to

handle

a

large

arnount

of

tiala.

Connection

Diagram

Device

(A)

Device

(E1)

t

MlDl

out‘

mot

IN

MIDI

IN

2

mot

our

(.‘onnectiun

at

points

l

and

2

is

essential.

Notes

on

the

above

two

procedures

=l=

There

are

separate

Command

ills

{or

different

transit.-r

procedures.

*

Devices

A

and

ll

cannot

exchange

data

unless

they

use

the

same

transfer

procedure.

share

identical

l)evicc-ll)

and

.\ltx'lt-:l

ll).

and

are

ready

for

communication.

lonewav

Transfer

Procedure]

This

procedure

sends

out

data

all

the

way

until

it

stops

and

is

used

when

the

messages

are

so

short

that

anstvertiacks

need

not“-be

checked.

For

long

rncssastcs.

however.

the

receiving

device

must

acquire

each

message

in

time

with

the

transfer

sequence.

which

inserts

intervals

of

at

least

20

millisetmnds

in

tic-tween.

"

Typos

of

Massage:

Y

_

7*;

4:

__

Jirrﬂf

:;::*

:

7%

:7:

if’

7

s"

T

:

"*’*’

in-1'

'

1;;

Message

Command

ID

Request

data

l

RQI

(ill-i)

Data

set

I

DTI

(l2Hl

Q{)H_

gift

:HBql.l8S‘l

data

;:1

:

RQ1

t1lH)

OOH,

02H

OOH. OOH.

Oil!

:M8lﬂ

data:

BODY

This

field

contains

a

message

to

be

exchanged

across

an

interface.

The

exact

data

size

and

contents

will

vary

with

the

Model-If)

and

Command-1D.

.A=ld's==~'»'"=PP"='

Peta

Ttrmlstl

Address

mapping

is

a

technique

for

transferring

messages

conforming

to

the

data

format

given

in

Section

1.

it

assigns

a

series

of

memory-

resident

records»-waveform

and

tone

data,

switch

status.

and

parameters.

for

example-to

specific

locations

in

a

machinedeoendent

address

space,

thereby

allowing

access

to

data

residing

at

the

address

a

message

specifics.

Address

mapped

data

transfer

is

therefore

independent

of

models

and

data

categories.

This

technique

allows

use

of

ttvo

different

transfer

procedures:

one-was’

transfer

and

handshake

transfer.

This

message

is

sent

out

when

there

is

a

need

lo

acquire

dam

from

a

device

at

the

other

end

of

the

interface.

it

contains

data

for

the

address

and

size

that

specify

designation

and

length.

respectively,

of

data

required.

On

receiving

an

Rt}!

message.

the

remote

device

checks

its

memory

for

the

data

address

and

size

that

satisfy

the

request.

if

it

finds

them

and

is

read)’

for

communication.

the

device

will

transmit

ti

"Data

set

l

{l)'l'll"

message.

which

contains

the

requested

data.

Otherwise.

the

device

will

send

out

nothing.

F

—*"

"*;(""

*~—*——=_

"—_—

"*1

”

*1’

*

=

l

Byte

Description

9

it

'

"W

1-unuiir

"

in-an-1

_

__

1

FOH

Exclusive

status

~

rill-l

=

Manufacturer

ID

(Finland)

.1

DEV

l

Device

ID

‘l

MDL

"

Model

tD

l

if-I

.[

Command

it)

i

1

Address

MSB

1

tn

co

DU”!

anon-uni

II

hﬂﬁ

‘USU

tse

o

3

Size

M55

l

I

‘

I

on

i

.

tsa

sum

~

Check

sum

FYH

End

of

exclusive

-4'

'

”

'

247*"

"s

*'

4'

_

—

:

;:;____

'

——

_

i

>t=

The

size

of

the

requested

data

does

not

iﬂtiitfitlt?

the

numher

oi

hytes

that

will

mat-te

an

a

l}'i‘t

message,

hut

represents

the

address

fields

where

the

requested

data

resides.

=4“

Some

models

are

subject

tn

limitations

in

data

format

used

for

a

single

transaction.

Requested

data.

lnr

example,

may

have

a

limit

in

tength

or

must

he

divittett

into

predetermined

address

fields

before

it

is

exchanged

across

the

interface.

at

The

same

number

of

bytes

comprises

address

and

size

data,

which.

ht]W0\'l?F.,\'ll1'_\_'

with

the

.\-lode!-it).

=t=

The

error

checking

process

uses

a

checksurn

that

provides

a

hit

pattern

where

the

least

significant

T

hits

are

zero

when

values

for

an

address.

size.

and

that

checltsum

are

summed.

=Data

set

1

:

DT1

t12H.l

This

message

correstmnrls

to

the

actual

data

transfer

process.

Because

every

byte

in

the

data

is

assigned

a

unique

address.

a

DTI

message

can

cenve_v

the

starting

address

of

one

or

more

data

as

welt

as

a

series

of

data

formatted

in

an

artdress-

dependent

order.

The

.‘\-tit)!

stanttarrts

inhibit

non-real

time

messages

from

interrupting

an

e.‘<t:tttsi\'t:

one.

This

tact

is

intzonvenient

for

the

devices

that

5L1{.lptJ|'t

a

"sn{lthrnugh"

tnechanisrn.

To

maintain

cnmrlatibility

with

such

devices.

Roland

has

litnited

the

{I'll

to

25t".i

hytes

sh

that

an

excessively

long

message

is

sent

out

in

separate

segments.

*7___.

___

________

_

i

:7.

__

____

_

_____

_

__

_

__

1

Byte

Descnotion

1

‘NH

121-1

in

.61

I

¢-¢-

Q.

....ct_

I

FOH

Exclusive

l

DEV

Device

ID

3

MDL

Mtildel

ti}

Manufacturer

FD

(Roland)

Command

iD

Address

MSB

A

'

1

Iv-

LS5

i

Data

-¢-

4-

‘

sum

Check

sum

F7H

End

of

exclusive

it

___

__

J

=t=

A

tl'I't

message

is

capable

of

providing

ontit-'

the

valid

data

among

those

specifier!

by

an

RQI

message.

*

Some

models

are

subject

te

limitations

in

data

lermat

used

for

a

sinnle

transaction.

Requested

data.

for

example.

may

have

a

limit

in

length

or

must

be

divided

into

predetermined

address

fields

before

it

is

etttzhanged

across

the

interface.

*

The

number

of

bytes

comprising

address

data

varies

from

one

Model-

it)

to

another.

'

*

The

error

checking

nrtttiess

uses

a

checltsum

that

provides

a

bit

pattern

where

the

least

significant

T

hits

are

zero

when

values

for

an

arltiress.

size.

and

that

checksum

are

summed.

=.~Exan1ple

of

Message

Transactions

Oiltevice

A

sending

data

to

Device

ti

Transfer

of

a

t)'t‘t

rnessa;-ze

is

all

that

takes

place.

{Data

set

1]

——------~—-—--~—-———-P-

=t=

More

than

20m

set:

time

internal.

{Data

set

t]

----—--—-----------------DP

annoy.»

{Data

set

t]

Roland

Exclusive

Messages

IDe\-ice

ll

requesting

data

from

Device

A

Device

B

sends

an

RQI

message

to

Device

A.

Checking

the

message.

Device

.-’t

sends

a

DTI

message

back

to

Device

El.

0......

(B)

[Data

set

1]

Requeat

data]

[Data

set

1]

-Z------------------P*

=t=More

than

20m

sec

time

internal.

[Data

set

1]

----------------—--~I-

{Data

set

t]

------------—-—-----9’

PERCUSSION

SOUND

MODULE

Date

:

Aug.

4,

1992

Model

m-7

MIDI

implementation

Version

.

1.00

l1~TRAN$!Y!!IIE°

DATA!

IChannel

Voice

Message

CNote

Off

Status

Secnnd

Third

Qnl-l

kki-l

00!!

nr»

Wt)!

channel

:t}lt

--

l-‘ll

(c.h.l

chili)

lck

-'-=

Note

number

:23l"l

-

5!)!-l

(35

~

93}

I

Note

On

Status

Second

Third

ummmmmnun-n-1-_-1-puma»-Imam

QM"!

ltkil

vvll

n="-M11)!

channel

:01!

Fl]

(cl-:.i

ch.it3)

kk

Note

number

:23!-I

EDI!

(35 93)

vv

=

Velocity

rtllll

--

7!-‘ll

ll

l2?)

The

Ti)-T

transmits

at

channel

of

each

section.

The

period

between

a

.\‘nte

On

and

the

subsequent

Note

Off

is

about

Itlmﬁ

at

the

Phrase

sequencer

and

is

the

time

set

in

"Gate

Time"

of

the

TRIG

section.

if

another

note

is

made

un

the

TRIS

section

before

the

.\'nte

Oil

for

the

nrevinus

note

is

issued.

a

Note

Oil

for

the

precedes

the

new

Note

On.

‘Polyphonic

Key

Pressure

Status

Second

Third

—~nu-nun-nun-on-unnnmmuuuvwu-nu-u-an-nuu

Ant!

kkl-I

vvll

M111]

channel

:Ul-l

-~

Fl-I

(ch.I

ch.I£3}

kk

=~

Note

number

:23}-I

~

SDH

{S5

-~

93)

vv

-::

Value

IUUH.

TF1-l

(0,

£2?)

Transmitted

if

the

"choke"

of

the

‘!"ltit.";

parameter

assigned

to

heart,/rirn

oi

each

pad

is

set

at

ON.

This

message

is

transmitted

with

value

Tl-‘ii

when

the

rim

of

the

putt

is

grabbed

or

with

value

00!-I

when

the

rim

is

released.

Note

number

to

be

transferred

is

contained

in

the

head./rim

of

the

grabbed

pad.

Wher!

TING

is

set

to

the

same

number

as

Assign

of

the

Pedal

parameter

and

"Ct:'tMode"

is

sot

at

Hit-tall.

the

note

number

of

the

l-li-hat

Control

Pedal

can

be

transferred.

When

"Ctrh\-lode"

is

set

tn

l~lillnt2

instead

of

l-lillatl.

the

note

number

of

the

head.

rim,

and

note

number

of

head

minus

4.

nnlc

number

of

rim

minus

-1

and

nuke

number

oi

the

Hi

hat

Contra?

Pedal

are

translerreri.

OContro|

Change

Cillllodulation

Dapth

Status

Second

Third

Bnll

O1

H

vvll

OFoot

Type

Status

Second

Third

Bnl-I

{)4

H

vvt-i

C)Gonural

Purpose

Controller

--

1

Status

Second

Third

Bn

H

IOH

vvll

C)GermraI

Purpose

Controller

2

St't

s

Second

Third

.....9‘...§!....:............................._...

Bnl-I

l

1

H

vvll

n-=

A-1IDi

channei

:01!

~-

OFH

(ch.t

-

ch.l6)

vv

=

Parameter

vatue

:{}tll'|

-

TF1--I

(O

127)

The

TD-7

transmits

:1

value

corresponding

to

the

position

of

the

I-li

hut

Control

Pedal

by

one

of

above

control

messages

set

at

the

"Ctrt

Chg”

of

the

MIDI

parameter.

’-'DHoid1

Status

Second

Tltircl

lint!

-mi-t

vvll

n=

it-"llﬁl

channel

:{)l-l

t1l~‘l|

{ch.t

-

ch.l{i}

vv

l’:1|'amctcr

value

:l){}ll

Tl-‘II

(0

~

I2?)

The

TD

7

tmnsiilils

a

value

cnrresponcling

to

the

position

of

:1

iii-hat

Control

Pedal

by

one

of

the

above

cnntml

mvsszages

set

at

the

"Ctrl

Clint"

of

the

XIII)!

parameter.

Transmit

vv

=-

Tlill

when

lnntsivitch

2

is

pressed

and

vv

tltii-I

when

lunlstvilch

2

is

nrcssecl

if

"inude"

of

i“-'notsv.'itch

matte

of

System

is

set

to

"1-lone

IPro9ram

Change

Status

Second

Chi-i

pp!-I

.\-ill)!

channel

znl-I

-

l-‘ii

ich.i

ch.li‘ti

pp

Program

number

:t'&0l!

Ti-‘H

(nmg.i

prug.l28)

'Transn1itte£1

if

the

"Prg

Chg

Tit”

of

the

\llI}l

parameter

is

set

an

t“)T\'.

The

Tl)-

?

transmits

this

nu-zssagc

on

the

ctmnm.-I

set

at

"Ctrl

Ch"

Mien

the

notch

is

chart;-zed.

I

System

Exclusive

Message

Status

l-‘tlll

:

System

Exclusive

l-"Til

I

I':It".i){

(

lincl

Of

liltcltisivc

'}

With

the

Tl“)-T.

the

System

lixclusive

Messages

can

be

used

tn

transmit

ltull-1

Dump

of

patch

data.

instrument

data.

system

tluta.

chain

dam

amt!

5iL.‘t|ti£!lI£.‘.i-‘

llillii.

I-‘or

details

refer

tn

"3.

Exclnslt-'0

Comniunicaitiuns”

and

"Rnluntl

I-Ixciu.'~.=.i\'c

.\-lessaptcs.”

ISystern

Real

Time

Message

ITiming

clock

Status

FBH

when

the

sync

mode

is

set

at

I;\"i‘ERl\’."t[.,

the

TD-7

alvmys

transmits

timing

clocks

and

when

the

sync

mode

is

sot

at

MlDl,

the

TD-7

never

transmits

tin1ing

clocks.

II-tctive

Sensing

Status

FEH

Transmitted

for

checking

Mil)!

connections

bettvccn

the

TD-3’

um!

u>;ternul

equipment.

' '

"*nnnnr"""

"7

' ' '

.._r.

l2-RE<-=<>G~'ZEDRE¢E~EDATA]

2.1

Instrument

section

and

Performance

section

1

-

3

-Channel

Voice

Message

INote

Off

Stat

us

Second

'!‘hirct

Quit

kltti

OOH

Bnli

kkf-I

vvi-l

rt

.\tll)i

channel

:0!-l

--

I-‘ll

tch.l

--

ch.lti>

kl»:

Note

number

:23iI

51)}!

I135

93)

vv

---

Veiocity

:

tlttll

?l-“it

tn

12?}

The

'I‘IJ'

t

receives

the

messages

on

the

channel

of

each

section.

Note

Oil

messages

are

ignored

it

the

".\'<1teOlf

l'<tx"

of

MIDI

parameter

is

set

at

OF!-'.

Note

Oil

messages

are

not

recnrtlctl

in

the

Phrt-ise

Sequencer.

The

Velocity

is

always

ignored.

Illlote

On

Status

Second

Thirit

'.~')nIl§

kit]!

Wll

n

--

MIDI

cliimriel

:till

tiiill

€i:h.l

r_‘.h.li:i_3

kit

Z\<'ut.e

number

:23li

W

5I'}ll

(35

H3)

vv

‘t-’elnt:ity

:

tllil

'Fi"‘i!

(E

-

127'}

'l‘hc-

Tl)

T

receivt.-s

the

message

nn

the

clianiiel

iii

each

section.

Siniutls

the

instrument

assiignc-ijl

tn

the

it-cc-i\'i.~tl

mite

iiuniher

of

the

current

ptilcli

nl

the

instrument.

section.

Snnncis

the

instrument

assigneit

tn

the

Performance

section

in

the

range

ei

Xnte

nurutier

that

is

frnm

the

value

of

"Lew

Note"

tn

"Iii

Nttte“

set

on

each

Perlnrmant‘-e

seclinn.

U

Polyphonic

Key

Pressure

'1

...:

6

.

--

E

‘III

4-1‘

"\

....

Stiiltis

Secnnti

Ant!

kltll

n

—

Wit)!

channel

:tJl-I

~-

till

{cit.l

~

(:h.t{~‘-l

Hit

.\'nle

number

:2.'ill

5i)lI

(35

93}

vv

-

\-'ulut:

ttltlli

Ti’?!

if.)

12?}

It

the

".-\{terti.it|ch"

iii

the

kllhl

parameter

is

set

at

l'.'i.\'.

the

'l'I.‘t-T

recngnizes

the

messtme

nn

the

cliunnel

ul

each

section.

if

the

value

is

greater

than

or

equal

In

40!-l

{G1-ti.

the

decay

of

the

instrument

which

cnrrespnmts

tn

the

note

number

is

rnatleshnrter.

-

This

nwssage

is

net

recurtlect

in

the

Phrase

Sequencer.

‘Control

Change

C)

Volume

Status

Secrmti

Thirtl

lint-I

trill

evil

n

"I\*llI}i

channel

ztltl

lili

lch.l

—

cli.l6)

vv

\-"'i.'ilumi.'

ztttiil

-

TFII

(fl

--

ii-I?)

ll

the

"\-‘niiime

Rx"

nl

the

.\-*lll'.it

parameter

is

set

at

t'.i.\'.

the

Tl)

T

receives

the

message

en

the

channel

ni

each

section.

Ci

Panpot

Status

Second

Third

Bnll

U.-=\

ti

wit

rt

.\-ll]?!

channel

:0]!

~-

tllill

(_ch.l

--

ch.i6)

\-‘V

"

Pimpnt

:t'.1tlll

~

‘FRI

(D

I2?)

if

tl1e"l‘t"in

Rx"

el

the

.\-lli)l

parameter

is

set

at

(_i.\',

the

Tl}-T

receives

the

niessuge

rm

the

channel

uf

each

section.

1'.)

Expression

Stet

us

Second

Third

l'-in

I

till!

I

veil

ri

.\-tit")!

channel

:0!-I

til"-‘ti

(ch.i

ch.tt§l

vvtixpressinn

:t3t}tl

7!-‘ll

(D

--

£2?)

If

the

"Volume

Rx"

of

the

Mil")!

parameter

is

set

at

().\‘.

the

Tl)-7

receives

the

message

en

the

channel

nl

each

section.

O

Modulation

Depth

Status

Second

[tn

I

O

l

ll

C?

Foot

Type

Status

Second

ilnil

(Hi!

Third

vvll

Third

Wll

tfiﬁeneral

Purpose

ContrelIar~

1

Status

Second

Third

iinil

101!

wit

ClGanarai

Purpose

Controller

2

Status

Secenrt

Third

linll

I

ill

\'\'H

n

=-

HID]

channel

:0l-I

~-

OT~'l~l

(ch.l

-

ch.i5)

t-\'

Purtinieter

value

:00}!

s

TFH

{O

I27)

Only

the

cnntrotler

set

en

"Ctrl

Chg"

of

MIDT

parameter

-receives

the

message

on

the

channel

ei

each

section

ant!

is

recnrrled

in

the

Phrase

Sequencer.

The

result

ul

receiving

the

messaitte

tlepuniis

en

the

palrarneter

i1f"Clrl;\lniie"

til

each

seclinn.

The

value

is

recorded

in

the

Phrase

Sequencer

as

the

position

tit

the

l-Ii’

l-tat

Centre!

pedal.

C)

Heidi

Status

Second

Third

ltnll

40!-I

wt-I

n=»

.\1lI)i

channel

:0!-I

-

OFI-I

(ch.l

~

ch.lE5)

vv=*Parameter

value

:OOll

-

7Fli

(0

-~

t2?)

It

the

"1-mm

Rx”

of

the

MID!

parameter

is

set

at

ON.

the

TD-7

receives

the

niessage

en

the

channel

of

each

section.

it

the

"Ctrl

Chg"

of

.\llDl

parameter

is

set

at

HOLD.

the

result

of

receiving

the

message

depends

on

the

parameter

of

"Ctrtlvtede"

of

each

section.

If

the

"Ctrl

Chg“

oi

MIDI

parameter

pf

each

section

is

set

at

I-101.1“),

this

message

is

recorder!

in

the

Phrase

Sequencer

as

position

of

the

Hi-Hat

Control

Pedai.

I

Pitch

Bend

Change

--l

QT

'1

C‘-

Status

Second

lintt

til-l

mmlt

n

-"-

MIDI

channel

:0!-l

Flt

(ch.l

--

ch.tB)

mm.|I

Pitch

bend

value

:f.l0lt,0t)ll

--

401-i.00l-I

TF1-l.7Fi~l

M8192

-

O

-

+8191)

ll

the

"Pitch

Bend"

of

the

Mil)!

parameter

is

set

at

OFF.

the

TD-7

does

not

receive

the

message.

This

message

is

net

recorded

in

the

Phrase

Sequencer.

IChanne|

Mode

Massage

IReset

All

Controllers

ifit

C

vi

'-l

2'.

H

Second

tint!

79H

DUH

MIDI

chunnet

:()H

Fit

(ch.l

--

ch.l6)

The

Ti)-7

receives

the

message

on

the

channel

at

each

section.

The

Tl)-‘F

initiaiizes

all

the

crmtreliers

upnn

receiving

this

message.

Pitch

Bend

Change

:0

(Center)

Parapet

OFF

Vetume

127

Ex

press-inn

I27

ilnidl

0

The

controller

set

on

"Ctrl

Chit”

0

This

message

is

not

recorded

in

the

Phrase

Sequencer.

2.2

Receive

Messages

to

Control

the

System

IChannel

Voice

message

OP:-ogram

Change

Status

Second

Col-I

Milt

if

the

“Prg

Chg

Rx"

of

the

Mil)!

parameter

is

set

at

ON,

the

TD-‘i’

receives

on

the

channel

set

by

"Ctrl

Ch"

of

the

MIDI

parameter.

This

message

is

not

recorded

in

the

Phrase

Sequencer.

-System

Real

Time

Messages

OTimin9

Clock

Status

FBH

Recognize

oniy

sync

mode

when

sot

at

MIDI.

‘Active

Sensing

Status

FEH

Whenever

the

Tl}

1'

receives

this

message.

it

monitors

the

interval

of

the

incoming

data.

ll

the

subsequent

message

has

not

arrived

within

Sdtlms

alter

the

it

processes

all

sections

as

though

it

has

received

a

Reset

All

Controllers.

and

mules

the

sounding

voices.

then

stops

monitoring

receiving

interval.

Isvstem

Exclusive

Message

Status

F0!-I

:System

Exclusive

F'?li

:{-IOX

(End

of

Exclusive}

with

the

TD-7.

the

System

Exclusive

Message

can

be

used

to

transmit

and

receive

parameters

of

sequence

and

setup

data.

For

details

refer

to

"Roland

Exclusive

Messages"

and

paragraph

"3.

Exclusive

Communications."

Ignore

System

Exclusive

message

if

oaramctcr

Sys

Exc

Rx

=OFF

of

Mil)!

Parameter.

System

Exclusive

messages

are

not

recorded

in

the

Phrase

Sequencer.

l3-E><<='v$i\£.s°°

mm“

"isa*i°"$l

IGenera|

-

'i‘D~T

can

do

one»

way

communications

to

send

and

receive

parameters

for

sequence

and

setup.

Model

ll)

inciudod

in

the

exclusive

message

should

be

5531!.

The

device

ID

code

should

be

MIDI

parameter

Device

ID

of

System.

Note

that

the

actual

value

that

set

in

the

device

ID

field

is

smaller

by

one

than

the

value

set

at

parameter

Device

ii)

oi

System.

IOne

Way

Communications

Request

data

RQ1

HH

Bvte

Description

._____

s

_

FOH

Exclusive

status

411-!

Manufacturer

ID

(Roland)

DEV

Device

ID

(OOH

Hill)

58H

Model

to

(Ti)-7)“

illt

Command

ll)

(RQH

aaH

Address

M58

aall

Address

aall

Address

aall

Address

LSB

ssH

size

MSB

ssH

size

sslt

size

55!"!

size

LS8

sum

Check

sum

F7!-i

BOX

(End

oi

Exciusivel

Data

set

l)Tl

|2i-l

liytc

.

_.l1psc

riptimi

if

I-‘ﬁll

I-Ixclusive

status

rill-I

klanufacturer

if)

{Roland}

Di-It’

Device

ll)

{OOH

ll-‘ill

58!-l

.\.-lode!

ll)

{TD-‘Ii

l2i-l

Command

..lD

i¥)'l‘ll

aall

Address

MSB

aall

Address

aail

Address

aali

Address

L513

ddll

data

sum

Check

sum

I-"ill

{BOX

(I.-Intl

of

l§.\tciusi\-‘cl

ITransmission

The

TD-T

transmits

Eltciusivo

messages

only

when

.lvllDl

Bulk

dump

is

iierfornzt.-ti

by

panel

otleration

in

the

menu

of

System

iunctions.

-Receive

TD-7

is

stopped

and

Built

tiumtJ

is

not

performed.

"

‘i;

_II__

_

i_

_

JL____._

___._

____:___

___

__

Jamal

'

haul"

*

[4~Pa!ame*e!

addrsssdagl

Addresses

are

shown

in

ever)-'

7

-

bit

hexadecimal.

Add

toss

-llS!Ii

LS

l5

Binary

i

Gotta

aaaa

.

tlhhti

tzhbb

-

{lectr

cccc

t

llddd

ddtltl

-

lthlt

heat.

"

AA

tilt

CC

=

llli

......

..

....._.....-._.._.._.._.._--_

.

. .

-Parameter

base

addresses

Start

Address

Descrlutinn

£10

tit}

till

00

Patch

parameters

M-I

-

¢

I .

0!

B0

till

G0

instrument

parameters

H~L‘

U2

fill

{Ill

till

glohai

performance

parameters

#4"-'3

03

tltl

80 tit}

system

set

up

til--l

0

ﬁt

Dtl

B0

00

chain

setup

M-5

05 09

G0

00

sequence

data

Hi-ti

Table

-1

s

I

Patch

parameters

pp:

Patch

i\2o.(0

31>

nn

:

Note

l\Zo.(35

-~

93)

tt

:TRlG

Noll

2

Tl

2:Rl

~

l’?

:

T9

l8:R9)

Offset

Add

ress

Desert

pt

ion

pp

U6

U0

PROGRAM

CHANGE

No.

00

Bl

PROGRAM

CHANGE

So.

i{l:UFFl

OB

B2

ﬁame

A5CIl(leiti

I2?

tltl tilt

"

Nettie

ASCH

12?

on

at

vast

ASCII

-

121

no 05

some

.=\St".lt

I2?

{iii

lili

{tame

ASCII

I2?

till

GT

Name

A5Cii(rlght)

I2?

l‘.-;&Jr..-.:b3I-22.-3:31;:

{wt-'I--ﬁr-crab-3r.:

-.

..,

3

--.1

00

08

PFMI

SUUNU

(1-5!?)

E996?

Zbits

~

3

00

B9

?FHi

SOEND

ti

512)

Loser

Tbits

12?

D9

BA

PFH2

SOEND

(1~5l2l

U098?

Zbits

3

00

BB

PFM2

SOHND

(I

512)

Lower

Ybits

I2?

00

BC

PFH3

SOUND

(1-532)

U090?

Zbits

3

OD

GD

FFM3

SUUNU

(i-512}

Lower

Tbils

12?

'

l:IZCDl=3ZZ

1:-it

G9

GU

D0

no

U0

UH

GU

ﬁﬁ

80

U0

on

ﬁﬁ

00

GU

ﬁﬁ

90

BU

00

GU

OH

GU

GD

Uﬂ

U0

BB

U0

09

ﬂﬁ

D0

O0

U9

ll

11

ll

Ll

ll

Ill?

RH

[Ill

ﬁll

fill

ﬁll

ﬂli

HT]

Table

4

—

2

instrument

parameters

lnm

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PERCUSSION

SOUND

MODULE

(Trigger

Transmit

section)

Date

:

Aug.

4 1992

Mode.

113-7

MIDI

Implementation

Chart

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mo

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be

set

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or

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*

2

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select

one

of

these

controllers

for

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Hi~hat

Control

Pedal.

Mode

11

OMNI

ow,

Pom?

Mode

2;

OMNI

ow.

MONO

0

1

Yes

Mode

3:

OMNI

OFF,

POLY

Mode

4:

OMNI

OFF,

MONO

><

:

No

164

PERCUSSION

SOUND

MODULE

(Instrument/Performance

section)

Date

:

Aug.

4

I992

MQde|TD-7

MIDI

Implementation

Chart

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Remarks

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numunnnu-nu

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(Non-volatile)

Mode

Default

Mode

3

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Mode

3

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11X

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Notes

>l=I

Can

be

set

to

O

or

><

=l<

2

Can

select

one

of

these

controllers

for

the

Hi-hat

Control

Pedal.

Sync

mode

is

INTERNAL.

Sync

mode

is

MIDI

Can

only

set

the

channnel

of

Performance

section

to

OFF.

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*4

*5

><

l

1

Q

Mode

I

:

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ON,

POLY

Mode

2:

OMNI

ON,

MONO

C)

:

Yes

Mode

3:

OMNI

OFF,

POLY

Mode

4:

OMNI

OFF,

MONO

><

:

No

165

IHow

to

read

a

MIDI

Implementation

Chart

ff;-:MlDI

messages

that

can

be

transmitted

or

received.

X

:MlDl

messages

that

cannot

be

transmitted

or

received.

.

Basic

Channel

The

MIDI

channel

for

transmitting

(or

receiving)

MIDI

messages

can

be

specified

over

this

range.

The

MIDI

channel

setting

is

retained

even

when

the

power

is

turned

off.

Q

Mode

Most

recent

keyboards

use

mode

3

(ornni

off;

poly).

Reception:

MIDI

messages

are

received

only

on

the

specified

channels.

and

played

polyphonically.

Transmission:

All

MIDI

messages

are

transmitted

on

the

specified

MIDI

channel.

>t=“l\/lode"

refers

to

MIDI

Mode

messages.

Q

Note

Number

This

is

the

range

of

note

numbers

that

can

be

transmitted

(or

received).

Note

number

60

is

middle

C

(C4).

Ivelocity

This

is

the

range

over

which

velocity

can

be

transmitted

(or

received)

by

Note

On

and

Note

Off

messages.

I

Aftertouch

Key's

:

Polyphonic

Aftertouch

Ch's

:

Channel

Aftertouch

.F’itCl'l

Bend

The

bend

range

setting

of

System

Parameters

determines

the

range

of

pitch

change

caused

by

Pitch

Bend

messages.

When

set

to

OFF,

Pitch

Bend

messages

will

be

ignored.

‘Control

Change

This

indicates

the

control

numbers

that

can

be

transmitted

(or

received).

and

what

they

will

control.

For

details,

refer

to

the

MIDI

Implementation.

QProgram

Change

The

program

numbers

in

the

chart

indicate

the

actual

data.(This

is

one

less

than

the

Patch

program

numbers.)

Q

Exclusive

message

reception

can

be

turned

On/’

Off.

ICommon,

Real

time

These

MIDI

messages

are

used

to

synchronize

sequencers

and

rhythm

machines.

.Aux

messages

These

messages

are

mainly

used

to

keep

a

MIDI

system

running

correctly.

Active

sensing

transmission

can

be

turned

on/oft.

166

Specifications

TD

-

7

PERCUSSION

SOUND

MODULE

.Maximum

Poiyphony

‘Connectors

14

voices

Stereo

Output

Jacks

(L,R)

Individual

Output

Jacks

(1,2)

‘Instruments

Headphone

Jack

Wavefomts

r256

MIDI

Connectors

(lN.OUT)

Instruments

:5l2

Footswitch

Jack

(Stereo)

Hi

-

hat

Control

Jack

(Stereo)

.PE1lC|'l

Trigger

Input

Jacks

(Stereo)

(with

Rim

Shot)

:

9

32

AUX

IN

Jack

(Stereo)

IPatch

Chain

QPower

Supply

'

Strack

(

I6

steps/ltrack)

AC1

2V

:AC

Adaptor

IEffects

‘Current

Draw

Effect]

650mA

Rcvcrb

-

Delay

QDimensions

218

(W)

><

234(0)

><

44

(H)

mm

errwz

s

-

5/8

(w)

><

9

»

1/4

(:3)

><

1

~

3x4

(H)

“inches

Chorus

Flanger

.Weight

1.35

kg

(without

AC

Adaptor)

QF-‘hrase

Sequence

Pattern

3

lbs

User's

Patterns

:24

Preset

Patterns

:24

QAccessories

Owncr’s

Manual

Cﬁesolution

AC

Adaptor

Phrase

Sequencer

per

quarter

note.

:96

Sound

-

on

-

Sound

per

quarter

note

:96

.OptiOI1S

Pad

(PD

-

7)

QTempo(bpm)

Kick

Trigger

Unit

(KD

-

7)

J

=

24--260

Hi

-

hat

Control

Pedal

(FD

-

7‘)

Compact

Drum

Stand

(MDS

-

7)

IDisp|ay

Symbol

Holder

Set

(MDY

-

7)

16

characters

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lines

(backlit

LCD)

Pad

Holder

(MDH

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7)

Rack

Mount

Adaptor(RAD~50)

.|ﬂdiCE.ltOI'S

Footswitch

(FS

-

5U)

MIDI

Message

Indicator

Footswitch

Cable

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System

Indicator

Stereo

Headphone

(RH

-

I20)

Sequencer

Indicator

_

Edit

Indicator

*The

specifications

for

this

product

are

subject

to

change

without

Jump

Indicator

prior

notice.

QData

Input

Method

Phrase

Sequencer"

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Sound

-

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Sound

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—

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W

WWWW

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mm

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mun-n-nun

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167

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Par-amcIcr

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...

.

. .

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.....

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....

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Assign

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.

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......

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.,....

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.....

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. .

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....

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.

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. .

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C91-III~Q|

P8931

-

.

..........

.

. .

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AUIQI-natic

Parameter

Stating

.

. . . . . .

.

......

.

. .

.

. .

.

45

Hitting

the

I-mad

of

I]-IE

pad

.......

.

. .

.

....

.

. .

.

. .

Avaimblﬁ

Mamet)

1

.

...

.

. .

.

. . . . . .

.

. . . . .

.

Recciyc

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.

......

.

. .

.

. .

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. .

.

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. .

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How

.

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....

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.....

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I25

B

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.

. . .

.

. .

.

...

.

. .

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.......

. .

.

. .

. . .

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. .

93

|

__

BI-Hliance

. .

.

...

. . . .

.

. .

. . .

.

. .

.

85

Individum

Dutpm

.

...

.

. .

.

...

.

.....

.

...

. .

5'9

Bum

Damp

.

. .

.

. .

. . .

. . . .

. .

.

...

. .

.

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.

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I22

II-IdivIdua|

Qmpm

I

.

. .

...

.

. .

.

. .

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......

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. . .

. .

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. .

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Indivgdum

Quip,“

2

.

....

...

. . . . . .

...

.

. .

.

...

.

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I3I

C

In;;;aI;Zat;On

.

. .

...

.

. .

. . .

.

. . . .

.

. . . .

.

I32

Channel

Iyicssagc

. .

.

. .

. . .

.

. .

.

. .

.

....

. .

.

1

l

I

lnsffumcnt

....

. .

...

.

. .

...

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......

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Choke

.

. .

.

...

.....

. .

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...

.

. . .

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45

Insmlmem

Copy

.

...

.

. . . .

.

.....

.

......

.

...

.

. .

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.....

39

choke

Effeci

.

...

.

. . .

.

.......

. .

. . . .

.

.....

.

. .

Ins“-umcm

Namc

. .

.

. .

.

...

.

. .

.

. . . .

.

32

Cmmmst

.........

.

. .

. . . . .

.

. . . .

.

. . .

. .

.

...

.

. .

.

.9.

I3

Instl-umm;

pammcmr

.

. .

.....

.

. .

.

. . . .

...

.

...

.

. .

...

73

C0,-MOI

Change

IvIode

.

. .

.

. . .

.

. .

.

.....

.

. .

74

Ins“-umcm

Section

.

.....

. .

.....

.

. .

.

....

.

37_

49’

I99

Com]-OI

Change

. .

.

. . . . . . . . . .

.

......

.

. . . I

I2’

IZI

[I-I59-um¢m

Sccfion

LCVCI

...........

.

. .

.

....

.

. .

.

. .

.

. I

I9

Con“-0|

Modﬁ

....

.

....

.

. . . .

. .

.

.....

.

...

. . . .

.-

instalment

Section

Transmit/Rcccivc

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...

.

. .

.

. .

I

Conn-0|

Numbcr

. .

.

. . . .

.

. .

.

. . .

.

. . . .

.

. .

.

...

.

Intcrfacc

Modc

.

. .

.

. .

...

.

. .

.........

.

.. ...

Cross

Talk

QMCCI

Gmup

.

. . .

.

. .

...

. .

.

...

. .

.

....

44

Imci-vaI

.

...

.

........

.

. .

.

. .

...

.

. . . . . . . .

.

......

I28

Cw-SO;

. . .

.

.........

.

. .

.

. . .

.

. . .

.

. .

.

...

.

. .

.

I3‘

39

J

D

Jump

Io

Ins“-“mam

.

....

.

...

.

. .

.

. .

.

. .

.

. .

.

.....

.

54

DP

_

2

. . . . . .

.

......

.

...

. . .

.

........

.

. .

.

. . .

I24

jump

I9

Non:

. .

.

. .

.

.......

..........

.

. . . .

. .

.

...

.

48

Decay

.

. .

.

. .

. . . . .

.

. . .

. . . .

. .

.

. . . .

. . .

.

...

.........

Jump

Io

.....

.

.....

.

. .

.

...

.

-

.

. .

. . . .

. .

.

. .

.

Dewy

Left

Time

.

. .

.

...

.

. .

.

.....

. .

.

...

.

. .

.

53

jump

Function

. .

.

...

.

.....

.

. .

.

. .

......

.

. .

. . .

. .

.

8]

Dewy

Right

Timc

...

.

. .

.

. .

.

. . .

.

. .

.

. . .

. .

.

...

.

...

.

53

Dam,

Time

.

. .

.....

.

...

.

. . . . .

.

. .

.

. .

.

. . .

.

. .

.

. .

54

K

Dewy

.

. .

.

......

.

...

.

. . . .

.

. .

.

. .

.

...

.

. .

.

59

Kc},

FOIIOW

Dccay

.....

.

....

.

. .

.

......

.

...

.

. .

75

D¢n-In

Song

. .

.

. .

.

...

.

. . . .

.

...

.

. .

.

. . .

.

. .

.

I9

Kay

FOIIO“,

Nuance;

..........

.

. . . . . . . . . .

.

. .

.

. .

.

...

.

. .

'75

Dcpm

. . . .

.

....

.

. .

.

. . . .

.

. . . . . . . .

.

. .

.

.......

.

. . . .

54

Kc),

FOIIOW

pan

............

.

...

.

. .

.

........

.

...

75

De_yicc

......

. .

......

.

. . .

.

. . . . . . . . .

.

. .

.

. . . .

.

Key

Follow

Parameter

»

-

‘

-

. .

.

-

. . . .

.

...

-

.

-

.

...

-

.

- -

Drum

Pal-I

.

......

.

...

.

. . . .

.

. .

.

. . .

.

. .

.

. . . . . . .

.

. .

Kay

Fgllgw

.

. . .

.

. .

.

.....

.

...

.

-

.

.....

. .

.

....

D;-um

Stand

....

.

...

.

...

.

. . . . . . . .

.

. . . . .

.

...

.

. .

.

. .

I9

KW

FOIIOW

R,:f¢I-mac

Now

Numb“

. . .

.

. . .

...

.

. .

.

.....

.

74

Dynamic

pitch

Band

Time

.

. . . .

.

. . . . . . .

.

.......

.

. .

36

--

Dynamic

pitch

Bcnd

.

...

. .

.

. . .

.

.....

.

.....

. .

.

. .

.

35

|_

Dynamic

Rangc

. .

.

. .

.

. . . .

.

. . .

.

. .

o

. .

.

. . . . .

.

. .

45

IJCD

. . . . . . . . . .

.

....

.

...............

.

. . .

.

. .

.

. .

I8

Layer

.

. .

....

.

. .

.

. . . .

.

. . .

.

. . . .

. .

.

. .

.

52

E

LCVBI

.

. . .

.

.....

.

....

.

......

.

. .

.

...

. .

..

74

Echo

. . . . .

.

...

.

. . .

...

.

. . .

. .

.

. .

.

t

.

.....

.

59

Liquid

(jrysm

[)I5p|ay

.

. .

.

...

.

. .

.

. .

.

. .

.

. .

.

I3

Edi;

. . .

. .

...

.

. .

.

. .

.

. . . . . .

.

. .

.

. .

.

...

......

. .

24, 34

Lm-:3]

Cum-DI

.

..........

.

. . . . . .

.

.....

. .

.

...

.

......

.

I29

Effect

. .

...

. . . .

.

. . .

. .

.

. . . .

. .

.

. .

.

. . . .

.

-

.

Law

P355

Finer

. .

.

. .

.

.....

.

. . . .

.

. .

.

......

-

.

- -

-

.

Effccﬂ

.....

...

.

. . .

.

. . . . . . . . . . . .

.

. .

. . . .

.

,

......

59’

I31

Effect;

.....

...

. . . .

.

. .

.

. . .

. .

.

. . . . . .

.

.....

..

59,

I31

M

E,-35¢

Sﬁquencc

Data

.

. .

. . . . . .

.

. .

.

. .

.

. .

...........

99

MC

_

59

.

. .

.

........

.

......

.

. . .

.

.....

. .

.....

I4

EXCIUSIVE

Mcssaga

.

. . .

. .

. . . . . .

.

.......

. .

.

.....

II3

MD5

_

7

. .

.

................ .

.

. . .

.

. . . . . .

.

. .

.

I9

MIDI

. .

.

...

......

.

.......

. .

.

. . . . . .

.

........

.

..

I97

F

MIDI

Chm-m¢|

.

......

.

...

.

...

.

. .

.

...

.

......

.

. . .

.

. .

I99

FD

_

7

.

. . . . . . .

.

. .

.

. . .

.

. .

.

...

.

.....

...

.

. .

..

55

MIDI

connector

.

...

.

.....

.

. .

.

. .

.

....

.

...

. .

.

I93

F5_5U

.

....

. .

.

. .

.

. .

.

. .

.

...........

.

. .

“I24

MIDIIN....

.

...

.

. . .

.

...

....

.

. .

.

. .

. . . . .

.

. .

“I93

Fccdback.

.

.......

.

. .

.

. . . . . . . . .

.

. .

.

.....

. .

.

. .

63’

64

MlDl

Implcmcmation

.

. . .

.

. .

.

...

.

. . .

. .

....

I58

Fm-‘gar

. .

.....

.

.........

.

. .

.

. .

.

.........

.

...

. .

59

MIDI

Imp|cm¢maII0n

CI-Ian

. .

.

...

.

. .

.

.......

.

. .

.

I13,

I64

Irhmging

Effcct

. .

.

......

.

. .

.

. . . .

.

..........

.

. .

.

59

MIDI

Mcssagc

.....

.

...

.

....

.

. . . .

.

. .

. . . .

I93

Foot

switch

.

.........

.

. . .

.

. .

.

........

.

. .

I24

MIDI

DUI“

.

...

. .

. . .

.

......

.

. . . . . . . .

.

.....

.

. . .

.

9

I98

I300;

SWIICM

....

.

.......

.

. . . . . .

.

. .

.

. .

.

. .

. . .

I24

MIDI

parameters

. .

.

.....

.

...

.

.....

.

. . . .

.

...

.

. .

.

. . . .

II4

Foot

Swhchz

.

.....

.

. . . . . .

.

. .

.

. . . .

.

....

.

.....

I24

MIDI

THRU

. . .

.

....

.

....,.

.

.....

.

.....

.

. .

.

. .

.

. .

.

I98

Main

SCI-cans

.

......

.

...

.

R

. .

.

......

.

¢

...,.

.

. .

.

. . . .

.

34

G

Manmﬂ

. . . .

.

.....

.

. . .

.

. .

.

.,.

.

...

. , .

. .

.

. .

.

. . .

..

Z

.

64

GEN

memod

.

. .

.

. .

.

. .

.

. . . .

.

. . .

.

...

. .

.

. .

.

. . .

79

Mask

Time

.

......

.

...

.

. .

.

=

. .

.

. ,

.

. . . .

.

. .

.

‘

.

47

Dam

Timc

...

.

. .

.

. .

.

. .

.

. . .

.

..

43'

69

Max

Dynamic

...

...........

.

O

.

..,

.

r

. . . . .

,

.

n

.

L

.

. .

.

. .

.

45

ii_

__

WWWW

——_——

——

—

——

—_

—

WWW

W

WW

;W

;—;;—__

___

_

W,

1-QWWWWWWW

W

7

_

1-;-n1WWW:_W7W_____;:W___

WW

_

________

__

_____

___

_

___‘

_______7____

7

_

168

Maximum

polyphony

.

. . .

‘

.

B

,

~

. .

.

...

.

...

.

. .

.

. . .

I

Memory

.

.._

. .

.

. .

.

. . . , . .

,

...

.

. . .

.

. .

.

37‘

105

Menu

...

.

. . . . .

.

. . .

.

. ,

.

. . . . . .

.

. .

.

. .

.

..34

Miiimhomc

.

...

.

. .

.

. .

. . .

. .

.

. . . . . .

.

. . .

.

...

. .

.

...

103

Midi1h

Swiich

.

. .

.

. .

.

‘

.

. . . . . . .

.

. . . .

. .

....,

.

..

117

Midi

Mix

Switch

.

. . . . .

.

. .

. . .

.

. .

.

..........

.

. .

.

117

Midi

Q31

Switch

. .

.

. .

.

,

.

. .

.

. .

.

. .

.

. .

.

. .

.

......

117

Minimum

Dynamic

. . . .

.

. , .

.

. .

.

......

.

.....

.

. .

45

Minimum

\/e10Ci1y

. . . .

.

. .

.

. .

.

....

.

....

...

. .

.

..

46

M11111

Tiihhie

.

. . . . . .

.

. . .

.

. . . . .

.

. .

.

.......

.

. .

.

. . . .

..

199

N

N01-1-1-13_]Pa1r-1

. .

.

. . .

.

. . . .

.

. .

. . .

. .

.

. .

.

. .

.

. .

56‘

Note

Message

. .

.

. .

.

. .

.

. . . .

. .

.

...

.

...

.

....

1]

1

N013

Namc

.

. .

.

. . .

.

. . .

. . . .

.

. .

.

. . . .

.

...

.

50‘

N013

Number

. .

.

. . .

.

. . . .

.

...

. . . . . . . .

36'

4]‘

N013

...

......

.

. . . . . . .

.

. .

.

........

. .

.

. .

.

. .

.

Nﬂie

Message

.

. . .

. .

.

. .

-

.

. .

- -

.

. .

...

.

. 1

N016

Reccive

Switch

. . .

.

. .

.

. . . . . . . .

.

. .

.

.....

.

...

.

1

1\101cOh.........

. .

.

. .

.

...........

.

...

..43i1O9

Nuance

. .

.

. . .

.

. .

.

. .

.

. .

.

.......

.

. .

.

. . .

.

...

.

Numbcr

Ofhi/1635“!-as

.

. .

. . .

.

. .

....

.

98'

O

Output

Level

. .

,

.

. . .

. .

.

. . .

.

.........

62'

64‘ 88‘

P

PAD

-

39

.

.........

.

. . .

.

......

.

. .

.

. .

..

15

_

......

. . .

.

. . .

. .

.

. . .

.

....

.

. .

...

.

. .

.

...

PD

__

7

.

...

. .

.

,

.

. .

.

. .

-

.

.....

. .

.

. .

pad

.......

.

. . . . . . . .

. .

.

. .

.

. .

. . .

.

....

.

. .

.

. .

..

15

Performance

Section

- - -

-

- - -

-

'

-

~

- -

-

'

-

3?,

56,

I09

Pan

Reedy:

Switch

-

. .

.

. .

.

. .

.

. .

...

.

. .

.

1

Panning

.

.....

.

. . . .

.

. . .

.

. .

.

............

.

. . . .

.....

Patch

......

.

. .

.

. .

.

. . . .

...

. . . . . . . .

.

. .

.

201

pinch

Chain

. .

.

. . . . . . . .

. . .

.

. .

.

. .

.

..

25

Patch

Control

Transmit/Receive

Channel

-

~ ~

-

---

- -

-

~

-

l

16

Paid}

.

. .

.

. .

.

. . . .

.

. .

.

. .

.

. . .

.

....

.

...

patch

phi},

Screen

.

. .

.

. . .

. .

.

. .

.

. . .

.

. .

.

17'

21)

Pattern

Creating

Screen

.

. . . . . .

. .

.

....

.

. .

.

Pcdal

....

.

. . .

.

. . .

.

. .

.

....

.

. .

....

...

.

p€_.da1Ciih,E

.

. . . . . . .

. .

. . . . . .

.

. .

.

......

.

. .

.

..

63

Pedal

Parameter

.

-

.

. .

.

. . .

.

. .

.

. . .

.

-

.

.....

.

-

.

Pei-formahcc

Types

.

. .

.

...

.

. .

.

. .

.

. .

.

.......

.

. .

.

..

191)

c

Q

n

Q

I

Q

u

\ I

1

I I

I

n

Q Q Q

I

U U

I

U

C

O

U

i

l

I

Q

0

I

Q

I

piich

.

. .

.

. .

.

. .

.

. .

.

. .

.

......

.

......

...

491

33

pitch

Bhhd

Chaiigc

.

. . .

.

. . . .

. .

.

.......

.

. .

. . .

.

113

piwh

Band

...

.

. .

.

. . .

.

........

.

. .

.

. .

.

121

P|a1c

Echo

.

. .

.

. .

. . .

. .

.

. . . .

.

. .

.

...

. .

.

,

.

pmyhhohic

Kay

Pressurﬁ

.

. .

.

. . . .

.

...

. .

.

....

1

13

1)01},ph0i-iy(h;1aximun-ii)

.

...

. . .

. .

.

....

.

....

...

.

1

1Q

PO11/phony

.

...

.

. . .

. . . .

.

. . .

. .

.

. . .

.

....

. .

.

. .

. . .

. .

35

Powar

.

-

.

. .

.

. . . .

.

. . .

. . . . .

.

. .

. .....

.

. .

.

. . .

....

Pre

Low

pass

1::i1iei-

.

. . . .

...

.

. .

.

. .

.......

.

.....

.

. .

.

52

1.31-c5e_1121a11ci-ii

. .

.

. ,

. . .

.

. .

.

. .

.

. . .

.

........

..

95

Preview

Key

.

..

.

. . . .

.

. .

.

. .

.

...

. .

.

. .

.

. .

.

48‘

55_

58

Program

Change

. . . . .

.

. .

. . .

. . . .

.

. . .

.

. . . . .

.

. . .

....

1

12

program

Change

Message

. . .

.

. . . . . .

.

. .

.

. .

.

....

...

.

1

16

program

Change

Number

. . . . . . . . . . .

.

. .

.

. .

.

. .

.

70

Program

Change

Receive

Switch

-

*

-

-----

~

-

----

~

---

-

l

18

Program

Change

Transmit

Switch

- - - - -

-

- -

-

---

~

- -

'

~

----

- -

1

18

Q

Qiiamizc

. .

.

. . .

.

. .

.

. . . .

. . .

.

...

. .

.

...

g7_

123

Fl

R1____Rg

.

. .

.

. .

...

.

......

.

. .

....

.

. .

.

. . .

.

. .

.

...

.

4|

RAD

_

51)

.

.............

.

....

.

.....

.

...

.

. .

...

.

1Q

Rack

Mount

Adapigr

. .

-

.............

.

...

. .

.

Rate

. .

.

....

...

.

. .

.

. .

.

.....

.

. .

.

...

.

. .

.

. .

.

64

Realm-1-13

..........

.

..........

.

...

. .

.

....

92

Realiimc

Message

. .

.

. .

.

......

. .

.

. . .

. .

.

..

.

]

Recording

.

........

.

. .

.

........

.

. .

.

....

. .

....

...

.

R3561

(:01-111-0113;

.....

.

---

...

.

. . .

.

. .

.

...

.

.-.

1

Rﬁvhi-13

Time

.

. . . .

.

...

..........

.

. .

.

...

.

. .

......

.

62

Rhythm

pan

.

. .

.

. .

.

........

.

. .

.

...

. .

...

1

10

Rim

....

. .

.

. .

.

. . . .

.

...

.

...

.

...

.

. .

.

. .

.

21),

21

Rim

Shot

5igha1

. .

.

........

.

. .

. . .

.

. .

.

...

....

.

. . .

37

Rim

S1101

. .

.

. .

.

....

.

......

.

. . . .

.

...

.

20

Roop

¢

.

-

.

¢

. .

.

...

. .

-

.

-

- -

.

. .

.

...

. .

.

-

...

.

S

33,111,151

.

. .

.......

.

...

.......

.

. .

.

..

. .

.

133

Section

.

. .

.

......

.

. . .

.

....

.

. . . . . .

.

...

.

....

.

85111311

LCVC1

......

.

. .

.

....

.

....

.

.....

.

....

38’

131

Schdz

Lei,-C1

.......

.

. .

.

........

.

. .

. . . . . .

.......

33_

1.31

Sequence

piiiicm

...

.

...

.

. .

.

. .

.

. . .

.

...

......

. .

23

Scqiichcﬁ

paiicm

Number

. .

.....

.

. . . .

.

......

.

44_

69

Scquahhcr

.

....

.

.-

. .

. . . .

.

. .

.

....

23‘

35'

36,

95

Sound

Seiiip

.

...

.......

.

....

.

. . . .

.

....

.

...

.

..

129

Sound

on

Sound

.

. .

-

. .

.

. .

.

-

.

-

.

-

.

. .

.

...

.

. .

.

501_ihd1

. .

.

. .

.

. .

.

. .

.

. . . .

.

. .

.

49

Sound;

...

.

. .

.

...

. .

.

. .

.

. . . .

.

. . . . . .

.

4g

Stand

1.1o1i1cr

. .

....

.

. .

.

....

.

. .

.

. .

.

. . .

.

. .

.

19

Siahdai-1.1

pan

. . . . . .

.

. .

.

.....

.

...

.

....

.

......

..

56_

119

Sicp

....

.

. . .

.......

.

....

.

. .

.

. .

.

.........

.

Step

End

Number

- -

. .

....

.

. .

.

............

.

. . . .

25

Stcp

Numbcr

...

.

. . . . . .

. .

.

. .

-

. .

.

. .

....

.

. .

.

-

S151-co

Jack

-

.

......

.

...

.

. .

. . .

...

.

.......

.

Syhchi-hhizcd

p1a),haCk

.

.....

.

. .

.

. .

.

. . .

.

.....

105

Systcm

Exclusive

Reccive

Switch

-

*

'

- -

-

—

-

-----

-

l

I8,

122

Syswin

Nltssagc

.

. .

.

...

.

. .

.

. . . .

.

. .

.

. .

.

1

Systcm

.

. .

.

.....

.

. .

.

. .

.

. . .

. . . . . . .

. . .

.

...

.....

T

T|

.

. .

-

. .

.

...

. .

-

.

- -

. .

.

. . . .

.

. . .

»

.

-

.

-

- -

.

. .

'1'ci-hpo

.

. .

.

. . . . . . .

.

...

.

...

.

. . .

.

. .

.

. . .

.

....

.

193

Threshold

Lcvci

.

. .

.

. .

.

.....

.

.....

.

. .

.

...

..

.

Trigger

]1-113111

Jack

.

. .

.

. . .

.

. . . . .

.

. .

.

. .

.

Trigger

M1131

Chhvcnai

.

...

.

. .

.

. .

.

......

.

.....

13

Trigger

11-1181-face

......

.

. . . .

.

. .

.

...

.

...

.

...

Tfiggar

Pa1-amcm;

...

.

. .

.

....

.

. . . .

.

.........

.

. . . .

43

Trigger

5igmi1

. .

...

.

. .

. . .

.

. .

.

...

.

...

.

. .

.

...

.

37_ 41

Trigger

T1-31-15mi1Ch3m~1e|

. . .

.

. . . .

.

. .

...

.

...

.

....

.

1

-

¢

-

»

.

¢ ¢

.

¢

-

.

,

.

¢

.

-

¢ ¢

- -

.

-

.

. .

-

...

-

.

-

v

.. ..

V

\/dociiy

.

. .

.....

.

. .

...

. .

.

. .

.

. . .

.

.........

.

1

\/docih,

CiO551~ade1

. .

....

.

. . . .

.

...

.

. .

.

53

\ze1ociii,

Ci-Qssfadcg

....

. .

...

.

. .

.

. . .

. .

.

. .

.

.......

. .

53

\/e10ciiy

Mix

. .

.

.....

. .

.

. .

.

. . . .

. . .

.......

. .

52

\/131013111’,

Schsc

Cm-1,6

....

.

.....

.

. .

.

. . .

.

...

44‘

139

\/e1Oci1y

5wi1ch1

.

......

.

. . . .

.

. .

...

.

...

. .

. . . .

52

\/e1Qcii-1,

Swhchz

.

. .

.

_

.

.....

. .

.

. . . . .

. .

.

. .

52

\:o1iimc

Rcccivc

Swiich

......

.

. . . . . .

. .

.....

.

. .

.

. .

.

1

19

wavﬁfom

¢

-

.

-

.

»

.

. . . .

-

- -

-

. .

- -

. .

.

. .

.

. .

.

......

...

. .

Information

When

you

need

reoair

service,

call

your

local

Roland

Service

Station

or

the

authorized

Roland

distributor

in

your

country

as

shown

below.

U.

S.

A.

Roland

Corporation

US

7200

Dominion

Circle

Los

Angeles.

CA.

90040-3647.

U.

S.

A-

B

(2l3)685

-SIM

CANADA

Roland

Canada

Music

Ltd.

(Head

Office)

5480

Parkwood

Richmond

B.

C..

\/6V

2M4

CANADA

B

(604)270

-

6626

Roland

Canada

Music

Ltd.

9425

Transcanadienne

Service

Rd.

N.,

St

Laurent,

Quebec

H45

W3.

CANADA

'3

(5

l4)335

-

2009

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Canada

Music

Ltd.

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Mississauga,

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L42

IX2.

CANADA

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06080

Mexico,

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Tsuen

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New

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415

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Theera

Music

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H3100.

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TAIWAN.

R.O.C.

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Roland Corporation TD 7 Owner's Manual Om.ocr

Roland Corporation TD-7 Owner's Manual td-7_om.ocr Roland Corporation - TD-7 - Owner's Manual

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