Kawai CA98/CA78 Owner's Manual (English) CA98 CA78 EN R101

User Manual: Kawai

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Introduction

Playing the Piano

Recorder

CA98 / CA78

Music Screen

Owner’s Manual
Favorite Screen

Settings

Appendix

Thank you for purchasing this Kawai Concert Artist CA98/CA78 digital piano.
This owner’s manual contains important information regarding the instrument’s usage and operation.
Please read all sections carefully, keeping this manual handy for future reference.

 About this Owner’s Manual
Before attempting to play this instrument, please read the Introduction section (page 10) of this owner’s manual. This section
explains the name and function of each part, how to connect the power cable, and how to turn on the power.
The Playing the Piano section (page 22) provides an overview of the instrument’s commonly used functions, allowing the CA98/
CA78 digital piano to be enjoyed almost immediately after being connected, while the Recorder section (page 39) provides
instructions on how to record pieces both to the instrument’s internal memory, and to a USB memory device.
The Music Screen section (page 52) includes information regarding the built-in demonstration songs, Piano Music pieces, Lesson
and Finger Exercise features, and Concert Magic function. This section also explains how to playback songs recorded to internal
memory, or stored on a USB memory device.
The Favorite Screen section (page 81) provides instructions on how to store, select, and manage favourite sounds, while the
Settings section (page 89) details the various options and settings that can be used to adjust the sound and operation of the
instrument.
Finally, the Appendix section (page 150) includes lists for all internal sounds, songs, and drum rhythms, assembly instructions for the
CA78 model, MIDI reference information, and full specification details.

 About Illustrations
All illustrations used within this owner’s manual depict the CA98 model unless stated otherwise.

Important Safety Instructions
SAVE THESE INSTRUCTIONS
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

WARNING

CAUTION

TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS PRODUCT TO
RAIN OR MOISTURE.

RISK OF ELECTRIC SHOCK
DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting flash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sufficient magnitude to constitute a risk of
electric shock to persons.

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance
(servicing) instructions in the leterature
accompanying the product.

Examples of Picture Symbols
Denotes that care should be taken.
The example instructs the user to take care not to allow fingers to be trapped.
Denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
Denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.

Read all the instructions before using the product.
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in
accordance with the manufacturer's instructions.
8) Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prong are
provided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.

10) Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.
11) Only use attachments/accessories specified by the
manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table
specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or
when unused for long periods of time.
14) Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.

Règles de sécurité

(Supplémentairespour le Canada)

CONSERVEZ CES INSTRUCTIONS
AVERTISSEMENT

CAUTION

POUR REDUIRE LES RISQUES
D’INCENDIE OU D’ELECTROCUTION,
PROTEGEZ CET APPAREIL DE LA
PLUIE OU DE L’HUMIDITE.

RISK OF ELECTRIC SHOCK
DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE

- NE PAS OUVRIR.

POUR REDUIRE LES RISQUES D’INCENDIE OU D’ELECTROCUTION, NE DEMONTEZ PAS LE COUVERCLE
(OU L’ARRIERE). A L’INTERIEUR, AUCUNE PARTIE N’EST REPARABLE PAR L’UTILISATEUR.
POUR LA MAINTENANCE, ADRESSEZ-VOUS A DU PERSONNEL QUALIFIE.
Le symbole de l’éclair avec une pointe de flèche à
l’intérieur d’un triangle équilatéral met en garde
l’utilisateur contre la présence de tension
dangereuse, non isolée, à l’intérieur de l’appareil,
dont l’amplitude peut être suffisante pour induire un
risque d’électrocution d’une personne.

Le point d’exclamation à l’intérieur d’un triangle
équilatéral alerte l’utilisateur de la présence de règles
d’utilisation et d’entretien importantes dans la notice
qui accompagne l’appareil.

Exemples de symboles graphiques
Indique que des précautions doivent être prises.
L’exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.
Indique une manipulation interdite.
L’exemple indique que le démontage de l’appareil est interdit.
Indique qu’une manipulation doit être effectuée.
L’exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.

AVERTISSEMENT

Indique un risque potentiel qui peut entraîner
la mort, ou de graves lésions, si l’appareil
n’est pas manipulé correctement.
L’introduction d’eau, d’aiguilles ou d’épingles à
cheveux, peut provoquer une panne ou un
court-circuit. Ce produit doit être mis à l’abri des
écoulements ou projections d’eau. Ne jamais
placer sur le produit des objets contenant des
liquides, tels que des vases ou autres récipients.

Faite attention de ne pas introduire un
produit étranger à l’intérieur
de l’appareil.

Ce produit n’est pas totalement déconnecté du circuit électrique
lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil
ne doit pas être utilisé pendant une longue période, débranchez
le câble d’alimentation de la prise secteur.

Si vous ne le faisiez pas la foudre pourrait
provoquer un incendie.
Si vous ne le faisiez pas, la surchauffe de
l’appareil pourrait provoquer un incendie.

Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation
secteur de sorte qu’il puisse être débranché rapidement en cas d’urgence, le courant électrique étant toujours
présent tant que la prise est branchée même si le bouton de mise en marche est en position Arrêt.

[Seuls les produits avec 3P fiche]
INSTRUCTIONS DE MISE À LA TERRE
Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre
résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de
protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la
terre conformément à tous les codes et règlements locaux.
DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution.
Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne
modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien
qualifié.

PRECAUTION

Indique un risque potentiel qui peut entraîner la détérioration,
ou des dommages, pour l’appareil ou ses propriétés, si celui-ci
n’est pas manipulé correctement.

Description de la l'emplacement de la reference (Le cas échéant):
Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below.
Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement
a l’indication ci-dessous.
Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une
distance minimum de 5 cm autour de l’instrument pour une aération suffisante.

WARNING - When using electric products, basic precautions should always be followed, including the following.

WARNING
The product should be connected to
an AC outlet of the specified voltage.

Indicates a potential hazard that could result in death or
serious injury if the product is handled incorrectly.
120V

230V

240V

● If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specified power voltage.
● Failure to do so may result in fire.

Do not insert or disconnect the power
cord plug with wet hands.

Doing so may cause electric shock.

Take care not to allow any foreign
matter to enter the product.

Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects filled with liquids, such as
vases, shall be placed on the product.

The chair must be used properly (it must be
used only when playing the product).
● Do not play with it or stand on it.
● Only one person is allowed to sit on it.
● Do not sit on it when opening the lid.
● Re-tighten the bolts occasionally.

Doing so may cause the chair to fall over or your
fingers to be trapped, resulting in injury.

When using the headphones, do not
listen for long periods of
time at high volume levels.

Doing so may result in hearing problems.

Do not lean against the keyboard.

Doing so may cause the product to fall over,
resulting in injury.

Do not disassemble, repair or modify
the product.

Doing so may result in product breakdown, electric
shock or short-circuit.

When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.

● Pulling the AC power cord itself may damage
the cord, causing a fire, electric shock or
short-circuit.

The product is not completely disconnected from the
power supply even when the power switch is turned
off. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.

● Failure to do so may cause fire in case of
lightning.
● Failure to do so may over-heat the product,
resulting in fire.

This product may be equipped with a polarized line plug (one blade wider
than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an electrician to
replace your obsolete outlet.
Do not defeat the safety purpose of the plug.

This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet
even in a power switch off condition.

CAUTION

Indicates a potential hazard that could result in injury or
damage to the product or other property if the product
is handled incorrectly.

Do not use the product in the following areas.
● Areas, such as those near windows, where the product is
exposed to direct sunlight
● Extremely hot areas, such as near a heater
● Extremely cold areas, such as outside
● Extremely humid areas
● Areas where a large amount of sand or dust is present
● Areas where the product is exposed to excessive
vibrations

Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).

When you close the keyboard cover,
close it gently.

Closing it roughly may trap your fingers,
resulting in injury.

Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.

OFF

Failure to do so may cause breakdown of this
product and other devices.

Do not drag the product on the floor.
Take care not to drop the product.

Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.

Do not place the product near electrical
appliances such as TVs and radios.

● Doing so may cause the product to generate
noise.
● If the product generates noise, move the
product sufficiently away from the electrical
appliance or connect it to another AC outlet.

When connecting the AC power cord
and other cords, take care
not to get them tangled.

Failure to do so may damage them, resulting in
fire, electric shock or short-circuit.

Do not wipe the product with benzene
or thinner.

● Doing so may result in discoloration or deformation
of the product.
● When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the
product.

Do not stand on the product or exert
excessive force.

● Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.

Do not place naked flame, such as lighted
candles on the product.

Doing so may cause the illumination to fall over,
resulting in fire.

Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.

Failure to do so may over-heat the product,
resulting in fire.

The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sufficient ventilation.

The product should be serviced by qualified service personnel when:
● The power supply cord or the plug has been damaged.
● Objects have fallen, or liquid has been spilled into the product.
● The product has been exposed to rain.
● The product does not appear to operate normally or exhibits a marked change in performance.
● The product has been dropped, or the enclosure damaged.
Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which
the product was purchased.
CAUTION:
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
ATTENTION:
Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante de la prise et pousser jusqu'au fond.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it separately by taking it to an
appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative effects on the environment
and human health which could otherwise arise due to inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)

Instruction for AC power cord (U.K.)

IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE :
NEUTRAL
BROWN :
LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug,
proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Do not plug either terminal of the power cord to the the ground od AC outlet on the wall.

FCC Information (U.S.A)
CAUTION : Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the
equipment.
NOTE : This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are
designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio
frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there
is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following
measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

Declaration of Conformity
Products :
Model Number :
Responsible Party Name :
Address :
Telephone

The nameplate label is located on
the underside of the instrument, as
indicated below.

Electronic Piano
CA98/CA78
Kawai America Corporation
2055 East University Drive Rancho
Dominguez, CA 90220
310-631-1771
Nameplate

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired operation.
This applies only to products distributed by Kawai America Corporation.
About Bluetooth
• The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any
use of such marks by Kawai Musical Instruments Mfg. Co., Ltd. is under license. Other trademarks and trade
names are those of their respective owners.
• Frequency Band of Radio: 2400~2483.5 MHz Maximum Transmit Power: 2.5 mW (BLE), 4.5mW (A2DP)
• Availability of Bluetooth function dependent on market location.

Table of Contents
Important Safety Instructions .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 3
Table of Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Introduction
Welcome to the Concert Artist. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 10
Feature Highlights .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 10

Part Names and Functions.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 12
Setting Up the Piano.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 14
1. Power .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 14
2. Key cover and music rest.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 15
3. Volume and headphones. . . . . . . . . . . . . . . . . . . . . . . . 16
4. Pedals .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 17
5. Touchscreen Operations .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 18
6. User Interface Overview. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 19

Music Screen
About the Music Screen. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 52
Demo Songs. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 53
Piano Music .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 55
Lesson Songs.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 57
Concert Magic.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 63
1. Concert Magic song playback .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 65
2. Concert Magic song performance. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 67

Recorder Playback .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 69
USB Memory Player.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 75

Favorite Screen
About the Favorite Screen .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 81
1. Storing and Selecting Favorite memories. .  .  .  .  .  .  .  .  . 83

Playing the Piano
Pianist mode screen. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 22
1. Rendering character and Resonance depth.  .  .  .  .  .  .  . 23

2. Editing Favorite memories .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 85

Settings

2. Pianist mode menu.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 24

About Settings .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 89

Sound mode screen.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 26

1. Pianist mode menu.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 89

1. Single. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

2. Sound mode menu.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 93

2. Dual.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 27

Virtual Technician.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 99

3. Split .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 29

1. Touch Curve. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 103

4. 4Hands .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 31

User Touch Curve.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 104

5. Reverb. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 33

2. Voicing .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 105

6. Effects.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 34

User Voicing. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 106

Metronome / Drum Patterns.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 36

3. Damper Resonance.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 107

Metronome settings .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 37

4. Damper Noise.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 107

Drum rhythms.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 38

5. String Resonance.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 108
6. Undamped String Resonance. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 109

Recorder
About the Recorder.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 39
Song Recorder (Internal memory).  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 40
1. Recording a song: Pianist mode. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 40
2. Recording a song: Sound mode. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 43

Audio Recorder (USB memory).  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 49
1. Recording an audio file: Pianist and Sound mode .  .  .  . 49

8

7. Cabinet Resonance .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 110
8. Key-off Effect. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 111
9. Fall-back Noise .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 112
10. Hammer Delay .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 113
11. Topboard Simulation .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 114
12. Decay Time .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 115
13. Minimum Touch.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 115

Settings (cont.)

Settings (cont.)

14. Stretch Tuning. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 116

15. Auto Power Off.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 148

User Tuning.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 117

16. Factory Reset. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 149

15. Temperament.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 118
User Temperament .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 119
16. Temperament Key.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 120
17. Key Volume .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 121
User Key Volume .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 122
18. Half-Pedal Adjust.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 123
19. Soft Pedal Depth .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 123

Sound Settings.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 124
1. Tuning. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 125
2. Damper Hold. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 125
3. Tone Control .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 126
User Tone Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
4. Speaker Volume.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 128
5. Line In Level. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 129

Appendix
Assembly Instructions (CA78 only).  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 150
Connecting to Other Devices.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 154
Jack Panel.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 155
Headphone Panel. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 155

USB MIDI (USB to Host connector). .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 156
Troubleshooting .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 157
Demo Song List .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 160
Sound List (Sound mode).  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 161
Program Change Number List .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 162
Drum Rhythm List.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 170
Specifications .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 171

6. Wall EQ (CA98 only).  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 130

MIDI Exclusive Data Format. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 172

7. SHS Mode. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 131

MIDI Implementation Chart .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 173

8. Phones Type .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 132
9. Phones Volume. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 133

System Settings.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 134
1. Bluetooth® MIDI.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 135
2. Bluetooth® Audio.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 136
3. Bluetooth® Audio Level .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 137
4. Rename File.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 138
5. Delete File .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 139
6. USB Format .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 140
MIDI Overview. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 141
7. MIDI Channel. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 143
8. Send Program Change Number. .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 144
9. Local Control.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 144
10. Transmit Program Change Numbers .  .  .  .  .  .  .  .  .  .  .  . 145
11. Multi-timbral Mode.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 146
12. Channel Mute.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 146
13. LCD Contrast.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 147
14. Auto Display Off.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 147

9

Welcome to the Concert Artist
Feature Highlights
Grand Feel II wooden-key action with Ebony & Ivory Touch key surfaces, counterweights, and ‘Let-Off’ mechanism

Introduction

The CA98 and CA78 digital pianos utilise Kawai’s latest Grand Feel II wooden-key keyboard action, which draws upon 90 years
of acoustic piano craftsmanship to provide an exceptionally realistic playing experience.
As with a grand piano, all eighty-eight black and white keys are crafted entirely from long pieces of wood, pivoting on a
central balance pin in a smooth, seesaw-like motion. The Grand Feel II keys are longer than any other digital piano keyboard
action, with the pivot point distance matching that of a Kawai grand piano. When the front of a key is pressed down, the rear
rises, throwing a hammer which plays the note. These metal hammers have been micro-engineered to optmise their centre
of gravity, and are graded in size and weight to replicate the heavier bass and lighter treble notes of an acoustic grand piano.
The forward and backward movements of each hammer are precisely measured using triple-sensor technology, providing
faster key repetition, improved responsiveness, and enhanced playing realism.
In addition to grade-weighted hammers, the Grand Feel II action also features counterweights placed within each key. As
with an acoustic piano, these finely balanced weights help to lighten the touch of the keyboard during pianissimo passages,
while adding a feel of greater substance when playing with force. The Grand Feel II keyboard action even reproduces the
subtle let-off sensation felt when playing the keys of a grand piano very softly, satisfying the expectations of even the most
discerning pianists.
Finally, the Grand Feel II keyboard action features Kawai’s Ebony & Ivory Touch key surfaces. These finely textured materials
gently absorb moisture to assist playing control, and possess a natural, matte finish that is smooth, but not slippery.

Shigeru Kawai SK-EX concert grand piano reproduced with latest SK-EX Rendering sound technology
The magnificent tone of Kawai’s flagship Shigeru Kawai SK-EX full concert grand piano is at the heart of the CA98 and CA78
digital pianos. Widely regarded as the ‘premier pianos of Japan’, Shigeru Kawai instruments grace the stages of concert halls
and musical institutions throughout the world, and are prized for their tonal clarity and exceptional dynamic range.
In order to faithfully reproduce the stunning sound of a Shigeru digitally, Kawai has developed SK-EX Rendering – a brand
new piano sound engine that blends multi-channel, 88-key sampling with the latest resonance modelling technology. Multichannel sampling captures the sound from different points of the Shigeru Kawai concert grand piano, allowing a broader
range of tonal characteristics to be reproduced, and providing a more lively, authentic response to changes in dynamics.
This naturally expressive sound is further enriched by newly developed resonance algorithms, which physically model the
complex tonal interactions produced by the strings, pedals, and various other parts of an acoustic piano, giving players the
impression that they’re sitting at a living, breathing instrument.

Alternative acoustic piano sounds and a strong selection of additional instrument voices
In addition to the latest SK-EX Rendering piano sound engine, the CA98 and CA78 digital pianos also incorporate Kawai’s
highly regarded Harmonic Imaging XL technology, showcasing a variety of alternative acoustic pianos sounds and a strong
selection of additional instrument voices. The Kawai EX full concert grand piano has frequently been selected by professional
pianists in such prestigious events as the Chopin, Tchaikovsky, and Rubinstein international piano competitions, while the
Shigeru Kawai SK-5 chamber grand and Kawai K-60 upright, allow performers to enjoy the contrasting tonal characteristics
of various different piano sizes and voicing configurations.
Supplementing these realistic acoustic piano voices, the CA98 & CA78 digital pianos also feature an excellent selection of
additional instrument sounds, ranging from electric pianos and drawbar and church organs, to strings, human choirs, and
even atmospheric synth-style pads, inviting musicians to add greater variety to their performances. Furthermore, the Dual
playing mode also allows two different sounds, such as grand piano and strings, to be layered together, while the Split and
4Hands playing modes divide the keyboard into two independent sections.

Virtual Technician adjustments to personalise the instrument’s character
The CA98 & CA78 digital pianos’ Virtual Technician feature allows various characteristics of the selected acoustic piano,
electric piano, or harpsichord sound to be shaped from the instruments’ touchscreen display, with settings to adjust voicing
and regulation, string, damper, and cabinet resonances, and subtle hammer, damper, and key release noises. It is even
possible to adjust the precise tuning and volume of individual notes, before storing one’s favorite instrument configuration
to memory.

10

Integrated Bluetooth® MIDI and Audio connectivity

Introduction

In addition to standard MIDI jacks for connecting to other instruments, the CA98/CA78 digital piano also boasts integrated
Bluetooth MIDI and Audio technology that allows the instrument to communicate with supported smart devices wirelessly.
Once connected to a phone, tablet, or laptop, CA98/CA78 digital piano owners can enjoy a wide variety of exciting musicrelated apps that enhance their learning and playing experience, or stream audio from songs and videos through the
instrument’s speakers without any additional cables.
* Availability of Bluetooth function dependent on market location.

USB to Device functionality, with MP3/WAV file recording and playback
The CA98 & CA78 digital pianos are equipped with USB connectors that not only allow these instruments to be connected
to a computer for MIDI use, but also to load and save data to USB memory devices directly. This ‘USB to Device’ feature allows
recorded songs stored in internal memory to be saved to USB for posterity, or standard MIDI files (SMF) downloaded from
the internet to be conveniently played back without additional hardware.
USB memory devices can also be used to play back MP3 or WAV audio files, allowing musicians to learn the chords or melody
for a new piece, or to simply play along with their favorite songs. It is even possible to save performances as MP3 or WAV files
for emailing to friends and family, listening to on the move, or for further editing using an audio workstation.

Premium audio hardware, powered by Onkyo
Developed in collaboration with Onkyo, one of Japan’s leading premium audio equipment manufacturers, the CA98/CA78
digital pianos are the first musical instruments to utilise specialist components designed for high-end audio reproduction.
With cutting-edge technologies such as 1-bit processing, dual DAC signal conversion, and Onkyo’s DIRDC filtering, the
CA98/CA78’s optimised power amplifiers reproduce the Shigeru Kawai grand piano sound with stunning clarity, richness,
and power, while the high-performance Discrete SpectraModule™ headphone amplifier ensures the finest quality listening
experience, even when playing in privacy.

Full-colour touchscreen display for intuitive, button-less operation
The CA98 and CA78 digital pianos are the first instruments of their kind to feature a full-colour 5” touchscreen display.
Discreetly embedded within the left cheekblock, this high resolution touchscreen allows sounds and settings to be selected
from an attractive user interface with the swipe of a finger. The display can also be set to turn off automatically while playing,
thus preserving the instruments’ acoustic piano-like appearance, and minimising any visual distraction to the pianist.

11

Part Names and Functions

Introduction

c
a

b

e

d

LINE IN
LEVEL
Max

STEREO

USB to HOST

MIDI
IN

R

OUT

Min

f
12

LINE OUT
L / MONO

g

h

i

This button is used to turn the instrument on/off. Be sure to turn
off the instrument after playing.
* The CA98/CA78 digital piano features a power saving mode that
can turn off the instrument automatically after a specified period
of inactivity. For more information, please refer to the ‘Auto Power
Off’ setting on page 148.

b MASTER VOLUME slider
This slider controls the master volume level of the instrument’s
built-in speakers or headphones, if connected.
* The MASTER VOLUME slider will also affect the volume level of the
LINE OUT connectors.

c TOUCHSCREEN display
The touchscreen display provides useful information such as
the currently selected mode, sound name, settings values, and
the status of various functions. The touchscreen is also used to
interact with the instrument by gently tapping on buttons and
icons that appear, or by swiping left and right, or up and down.
* A protective plastic film is attached to the display during
production. Please remove this film before attempting to play the
instrument.

Introduction

a POWER button

f LINE IN STEREO jack
This jack is used to connect the 1/8” stereo output from smart
phones, tablets, computers, or other electronic audio equipment
to the CA98/CA78 digital piano’s amplifier and speakers.
The input level can be adjusted by using the LEVEL knob.

g LINE OUT jacks
These jacks are used to connect the stereo output (Left/Right
1/4” phone plug) of the CA98/CA78 digital piano to external
amplifiers, mixers, recording devices, and similar equipment.

h USB to HOST port
This port is used to connect the CA98/CA78 digital piano to a
computer using a USB ‘B to A’ type cable in order to send and
receive MIDI data.

i MIDI IN / OUT jacks
These jacks are used to connect the CA98/CA78 digital piano
to external MIDI devices such as other musical instruments or a
computer in order to send and receive MIDI data.
* For more information about the instrument’s connectors and
jacks, please refer to ‘Connecting to Other Devices’ on page 154.

* The display can be set to turn off automatically after a period of
inactivity. For more information, please refer to the ‘Auto Display
Off’ setting on page 147.

d USB to DEVICE connector
This port is used to connect a FAT or FAT32 formatted USB
memory device to the instrument in order to load/save recorded
song data, and MP3/WAV/SMF files etc.

e PHONES jacks
These jacks are used to connect stereo headphones to the
CA98/CA78 digital piano. 1/4” and 1/8” connectors are provided
for convenience, and both can be used simultaneously, allowing
two pairs of headphones to be connected at the same time.

13

Setting Up the Piano

1 Power
Introduction

1. Connecting the power cable to the instrument
CA98

CA78

Connect the included power cable to the ‘AC IN’ inlet located on
the back side of instrument in the bottom left corner.

Connect the included power cable to the ‘AC IN’ inlet located on
the right hand side, towards the back of the instrument.

2. Connecting the power cable to an outlet
Connect the instrument’s power cable to an AC outlet.

3. Turning on the power
Press the POWER button located on the right hand side of the
instrument.
The instrument will turn on and the KAWAI logo will appear in
the touchscreen display. After a short period, the Pianist mode
screen will appear, indicating that the instrument is ready to be
played. To turn off the power, press and hold the POWER button
again for 1~2 seconds.
* Please do not turn off the instrument while the initial KAWAI logo is
displayed.
* The CA98/CA78 digital piano features a power saving mode that
can turn off the instrument automatically after a specified period of
inactivity. For more information, please refer to the ‘Auto Power Off’
setting on page 148.

14

2 Key cover and music rest
 Opening the key cover

Introduction

Gently lift the key cover with both hands, then slowly push it back, into the instrument’s body.
To close the key cover, slowly pull the handle with both hands, then gently lower it downward.
* Please close the lid slowly in order to avoid injury.

 Adjusting the music rest
Lift the music rest, then lower the metal prop (rear side) into the recessed holder to set the desired music rest angle.
* The music rest can be set to one of six different angle positions.

Prop and holder

  

To lower the music rest, gently lift the prop from the recessed holder, then lower the music rest.
* Please lower the music rest slowly in order to avoid injury.

15

Setting Up the Piano

3 Volume and headphones
 Adjusting the volume

Introduction

The MASTER VOLUME slider controls the volume level of the
instrument’s speakers, or headphones if connected.
Move the slider up to increase the volume, and down to decrease
the volume.
Use this slider to set the volume to a comfortable listening level
– the middle is often a good starting point.
* The MASTER VOLUME slider will also affect the volume level of the LINE
OUT connectors.

Increase Volume

Decrease Volume

* The maximum volume level of the speakers can be reduced by using
the ‘Speaker Volume’ setting. Please refer to page 128 for more
information.

 Using headphones
Use the jacks located beneath the keyboard on the left hand side
to connect stereo headphones to the CA98/CA78 digital piano.
1/4” and 1/8” connectors are provided for convenience.
Two pairs of headphones can be connected and used
simultaneously.

When a pair of headphones is connected, sound will not be
produced by the speakers. In addition, the headphones icon will
appear in the status bar of the touchscreen display.
* The maximum volume level of the headphones output and other
headphone characteristics can be adjusted by using the settings in
the ‘Sound Settings’ menu. Please refer to pages 131~133 for more
information.

 Attaching the headphone hook (optional)
A headphone hook is included with the CA98/CA78 digital piano
and can be used to hang headphones when not in use.
If desired, attach the headphone hook to the underside of the
keyboard as shown in the illustration.
* For more information, please refer to the ‘Assembly Instructions’ on
page 150.

16

Headphone icon

4 Pedals
As with a grand piano, the CA98/CA78 digital piano features three pedals: damper, sostenuto, and soft.

Depressing this pedal sustains the sound after one’s hands have
been lifted from the keyboard – greatly enriching the piano
sound, while also assisting smooth ‘legato’ passages.
The damper pedal is capable of responding to half pedaling.

Introduction

 Damper pedal (right pedal)

Soft pedal
Sostenuto pedal
Damper pedal

 Soft pedal (left pedal)

 Sostenuto pedal (centre pedal)

Depressing this pedal softens the sound, reducing its volume.

Depressing this pedal after playing the keyboard and before
releasing the keys, sustains the sound of only those notes that
have been played. Any keys that are subsequently played after
the sostenuto pedal is depressed will not be sustained.

When the rotary speaker effect is selected, the soft pedal is also
used to alternate the speed of the rotary simulation between
‘Slow’ and ‘Fast’ effect modes.

 Pedal support bolt
A pedal support bolt is attached to the base of the pedal board
to aid stability when the pedals are pushed.
Turn the bolt anti-clockwise until it makes contact with the floor
and supports the pedals firmly. If the pedal support bolt does
not make proper contact with the floor, the pedal board may
become damaged.
Pedal support bolt

When moving the instrument, always adjust or remove the pedal support bolt, then readjust
when the instrument is in its new position.

 Caring for the pedals
If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge.
Do not attempt to clean the pedals using rust-removing solvents, abrasives or files.

 Grand Feel Pedal System
The CA98/CA78 digital piano features the Grand Feel Pedal System, which replicates the position and individual weighting of the
damper, soft, and sostenuto pedals of a Shigeru Kawai SK Concert Grand piano. It is also possible to adjust the sensitivity of the
damper pedal, and the effectiveness of the soft pedal using the ‘Half-Pedal Adjust’ and ‘Soft Pedal Depth’ settings.
* For more information, please refer to page 123.

17

Setting Up the Piano

5 Touchscreen Operations
Introduction

The CA98/CA78 digital piano’s touchscreen display is used to provide useful information about the currently selected
sound mode/name, function, and setting. The display is also used to control the instrument’s various features by
tapping on buttons and icons, swiping in different directions, or tapping and holding onscreen elements.
The explanations below outline the different methods of interacting with the touchscreen, and how these operations
are referenced in this owner’s manual.

 Tap
This operation is the most common method of selecting sounds
and functions, and is performed by momentarily touching areas
of the screen (typically buttons and icons) with a single finger.
In this owner’s manual, this operation will be referred to as “tap
the xxxx button”.

 Swipe
This operation is frequently used to cycle through lists of sounds,
songs, and settings. The operation is performed by touching the
screen with a single finger, then sliding up, down, left, or right
while lifting the finger from the screen.
In this owner’s manual, this operation will be referred to as
“swipe left” or “swipe up”, etc.

 Long press
This operation is used when entering numeric values such as the
metronome tempo, and is performed by touching and holding
a button or icon with a single finger for more than two seconds.
In this owner’s manual, this operation will be referred to as “long
press the xxxx button”.

18

6 User Interface Overview
Screen

Explanation

Pianist mode

The instrument’s primary SK-EX Rendering sound engine, recommended for solo piano performance.
This screen will appear automatically when the CA98/CA78 digital piano is turned on.

Sound mode

The instrument’s secondary sound engine, featuring a broad selection of high quality acoustic piano, electric
piano, organ, strings and other sounds that can be layered, split, etc.

Music

The instrument’s built-in demonstration songs, piano music pieces, and classical and contemporary lesson
songs.
This screen is also used to playback internal recorder songs and audio files stored on USB memory devices.

Favorite

Favorite sounds and settings that can be recalled immediately with a single tap.

Introduction

The CA98/CA78 digital piano’s user interface is arranged into four different screens, which are selected by tapping
the corresponding icons shown at the bottom of the touchscreen display.

 Typical screen layout
An example of a typical screen (in this case, Pianist mode) and its main components is shown and explained below.

a Status bar
This area indicates the status of connected devices (headphones,
USB, Bluetooth), and important functions (transpose, effects,
reverb).

a
b

b Menu button
This button is used to display the function/settings menu for the
current screen.

c Sound adjustment/selection area
This area is used to change the rendering character and
resonance depth of the SK-EX concert grand piano sound (Pianist
mode screen), or to select the instrument sound for Single/Dual/
Split/4Hands keyboard modes (Sound mode screen).

c

d Recorder bar
This area is used to start and stop the instrument’s recorder, and
change recorder settings.
* For more information about the Recorder function, please refer to
page 39.

e Metronome bar
This area is used to start and stop the instrument’s built-in
metronome/drum rhythms, and change recorder settings.
* For more information about the Metronome function, please refer
to page 36.

d
e
f

f Screen bar
This area is used to select the main Pianist mode, Sound mode,
Music, and Favorite screens.

The Status bar, Menu button, Recorder bar, Metronome bar, and Screen bar components are shown on most screens, however their
functionality may vary slightly depending on the selected screen.

19

Setting Up the Piano
 Status bar
a Headphone icon

Introduction

Appears headphones are connected to the instrument, disabling
the built-in speakers.

b USB Device icon

a bc

d e

f

Appears when a USB memory device is connected to the
instrument.

c Bluetooth icon
Appears when Bluetooth MIDI or Bluetooth Audio is enabled.

d Transpose icon
Appears when the Key Transpose setting is changed.

e Effects icon
Appears when the Effects function is turned on (Sounds screen).

f Reverb icon
Appears when the Reverb function is turned on (Sounds screen).

 Recorder bar
a Open Recorder button
Tap to expand the Recorder bar and show additional recorder
settings.

b Recorder status

a

b

c

a

b

c

Indicates the current Recorder status.

c Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.
* For more information about the Recorder function, please refer to
page 39.

 Metronome bar
a Open Metronome button
Tap to expand the Metronome bar and show additional
metronome/rhythm settings.

b Metronome status
Indicates the current Metronome status.

c Metronome Start/Stop button
Tap to Start/Stop the Metronome.
* For more information about the Metronome function, please refer
to page 36.

20

 Screen bar
a Pianist button

b Sound button
Show the Sound mode screen, utilising the multi-instrument
sound engine.

a

b

c

Introduction

Show the Pianist mode screen, utilising the SK-EX Rendering
piano sound engine.

d

c Music button
Show the Music screen, used for accessing the built-in
demonstration songs, piano music pieces, lesson songs,
recorder songs, and the USB audio player.

d Favorite button
Show the Favorite screen, used for recalling favorite sounds and
settings.

21

Pianist mode screen
The Pianist mode screen utilises the CA98/CA78 digital piano’s new SK-EX Rendering piano sound engine. This
mode delivers the most realistic acoustic piano playing experience possible, and is therefore recommended for solo
piano performance.

Playing the Piano

Tap the [Pianist] button to show the Pianist mode screen.

Pianist button

a Menu button
Tap to display the function/settings menu for the Pianist mode
screen.

b Rendering character
Swipe left/right or tap the arrow buttons to change the
rendering character used for the SK-EX Rendering piano sound
engine.

a
b

c Resonance depth
Long press and drag up/down to adjust the resonance depth of
the SK-EX Rendering piano sound engine.

c

22

1 Rendering character and Resonance depth
Rendering character

Description

Classic

A standard grand piano sound with a broad dynamic range.

Romantic

A mellow grand piano sound with soft hammers.

Full

A big grand piano sound with a strong bass and bright character.

Jazz

A clean grand piano sound that is suitable for jazz.

Brilliant

A bright grand piano sound with emphasised treble.

Rich

A rich grand piano sound with emphasised resonances.

Ballad

A clear, light grand piano sound that is suitable for ballads.

Pop

A strong grand piano sound with emphasised attack that is suitable for pop music.

Vintage

A soft grand piano sound with a vintage character.

Boogie

A small grand piano with a detuned character.

Playing the Piano

The SK-EX Rendering piano sound engine combines high resolution multi-channel sampling with advanced
modelling algorithms to reproduce 10 different acoustic piano rendering characters, suitable for a variety of musical
genres.

 Selecting the Rendering character
Swipe the Rendering character name left or right, or tap
the arrow buttons to cycle through the available rendering
characters used for the SK-EX Rendering piano sound engine.
Rendering character

 Adjusting the Resonance depth
Long press and drag up and down to adjust the Resonance
depth of the SK-EX Rendering piano sound engine.
* The Resonance depth can be set to one of 10 levels.

23

Pianist mode screen

2 Pianist mode menu
The Pianist mode menu contains settings and functions related to the Pianist mode screen.
Tap the [Menu] button to show the Pianist mode menu.
Menu button

Playing the Piano

 Pianist mode menu
a Ambience type
Swipe left/right or tap the arrow buttons to change the ambience
type used for the SK-EX Rendering piano sound engine.
Ambience refers to the sense of sound moving around in a
virtual room.
* The Ambience type can be set to one of 10 types, listed below.

b Ambience depth
Long press and drag the slider to adjust the depth/strength of
the ambience.

c Pianist Demos
Tap to open the Pianist Demos screen, which performs pieces
that demonstrate the SK-EX Rendering piano sound engine.
* Please refer to the table below for more information regarding the
pieces of music played on this screen.

d Virtual Technician
Tap to open the Virtual Technician menu.
This menu is used to adjust various characteristics of the
acoustic piano sound.
* For more information about the Virtual Technician menu, please
refer to page 99.

e Sound Settings
Tap to open the Sound Settings menu.
This menu is used to adjust various settings of the sound.
* For more information about the Sound Settings menu, please refer
to page 124.

f System Settings
Tap to open the System Settings menu.
This menu is used to adjust various system settings.
* For more information about the System Settings menu, please
refer to page 134.

g Store to Favorite
Tap to store the current piano sound and associated settings to
a Favorite memory.
* For more information about the Favorite function, please refer to
page 81.

h Close Menu
Tap to close the menu and return to the Pianist mode screen.

24

a
b
c
d
e
f
g
h

Ambience Type

Description

Natural

Simulates the ambience of a natural environment.

Small Room

Simulates the ambience of a small room.

Medium Room

Simulates the ambience of a medium-sized room.

Large Room

Simulates the ambience of a large room.

Studio

Simulates the ambience of a recording studio.

Wood Studio

Simulates the ambience of a wooden recording studio.

Mellow Lounge

Simulates the soft ambience of a lounge.

Bright Lounge

Simulates the bright ambience of a lounge.

Live Stage

Simulates the ambience of a live stage.

Echo

Simulates the ambience of an echo chamber.

Playing the Piano

 Ambience types

 Pianist Demos pieces
Piece name

Composer

1

Polonaise in A-flat major, Op. 53

Frédéric Chopin

2

Suite bergamasque - Prélude

Claude Debussy

3

Turkish March

Wolfgang Amadeus Mozart

25

Sound mode
screenscreen
Sound
mode
The Sound mode screen utilises the CA98/CA78 digital piano’s secondary sound engine. This mode features a wide
selection of realistic instrument sounds suitable for various musical styles. These instrument sounds are arranged
into eight categories, with several sounds assigned to each category. In additional to playing instrument sounds
individually, it is also possible to play two sounds simultaneously, either by layering (Dual) or splitting the keyboard
into two sections (Split/4Hands).
* For a complete listing of available instrument sounds, please refer to page 161 of this owner’s manual.

Playing the Piano

Tap the [Sound] button to show the Sound mode screen.

Sound button

a Menu button
Tap to display the function/settings menu for the Sound mode
screen.

b Single
Tap to select the Single keyboard mode.
This is the standard mode for playing one sound across the
entire length of the keyboard.

b

c

d
a
e

c Dual
Tap to select the Dual keyboard mode.
This mode allows two sounds to be layered together.

d Split
Tap to select the Split keyboard mode.
This mode divides the keyboard into two sections, and allows
different sounds to be played in each.

e 4Hands
Tap to select the 4Hands keyboard mode.
This mode divides the keyboard into two 44-key sections with
the same playing range.

f Sound selection area
Tap to open the sound selection pop-up.

26

f

1 Single
By default, the SK-EX Concert Grand piano sound will be selected in Single keyboard mode, meaning that one sound
is used across the full width of the keyboard.

 Selecting sounds
1. Tap the sound selection area to enter sound selection mode.
2. Swipe left or right to cycle through the different instrument
sounds in the current category, or up and down to cycle
through the different instrument categories.
Sound selection

Playing the Piano

* The sound selection mode will close automatically after
approximately 5 seconds of inactivity.

2 Dual
The Dual keyboard mode allows two sounds to be layered together, creating a more complex sound. For example, a
piano sound layered with strings, or a church organ combined with a choir, etc.

 Selecting Dual keyboard mode
Tap the [Dual] button to select Dual keyboard mode.
The sound selection area of the Sound mode screen will divide
into two halves. The top half indicates the main sound, while
the bottom half indicates the layered sound. By default, Slow
Strings will be used for the layered sound.

Main sound
Layered sound

 Selecting sounds
Selecting sounds in Dual keyboard mode is identical to that of
Single keyboard mode.

Main sound

1. Tap the main or layered sound area to enter sound selection
mode.
2. Swipe left/right to change the instrument sound, and up/
down to change the instrument category.

Layered sound

27

Sound mode screen
 Dual keyboard mode settings
Dual setting

Description

Default Setting

Balance

Adjust the volume balance between the main and layered sounds.

9-9

Layer Octave Shift

Raise/lower the pitch of the layered sound in octave steps.

0

Dynamics

Adjust the dynamic sensitivity of the layered sound relative to the main sound.

10

Tap the [Menu] button to show the Sound mode menu.

Playing the Piano

Next, tap [Keyboard Settings] to show the Dual keyboard mode
settings.

Keyboard Settings

a Back button
Tap to return to the Sound mode menu

a

b Balance
Long press and drag the slider to adjust the volume balance
between the main and layered sounds.

c Layer Octave Shift
Long press and drag the slider to adjust the pitch of the layered
sound in octave steps.

b

d Dynamics
Long press and drag the slider to adjust the dynamic sensitivity
of the layered sound relative to the main sound.

c
d

28

3 Split
The Split keyboard mode function divides the keyboard into two sections, allowing each section to be played with a
different sound. For example, a bass sound in the lower section, and a piano sound in the upper section.

 Selecting Split keyboard mode
Tap the [Split] button to select Split keyboard mode.

The sound selection area will divide into two halves. The top
half indicates the upper section sound, while the bottom half
indicates the lower section sound. By default, Wood Bass will be
used for the lower section sound.

Playing the Piano

The keyboard will divide into upper and lower sections at key C4.

Upper sound
Lower sound

 Selecting sounds
Selecting sounds in Split keyboard mode is identical to that of Single and Dual keyboard modes.
1. Tap the upper or lower section sound area to enter sound
selection mode.
2. Swipe left/right to change the instrument sound, and up/
down to change the instrument category.

Upper sound

Lower sound

 Split keyboard mode settings
Split setting

Description

Default Setting

Balance

Adjust the volume balance between the upper section and lower section sounds.

9-9

Lower Octave Shift

Raise/lower the pitch of the lower section sound in octave steps.

0

Lower Pedal

Enable/disable the damper pedal for the lower section sound.

Off

Split Point

Set the point on the keyboard that divides the upper and lower sections.

C4

29

Sound mode screen
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Keyboard Settings] to show the Split keyboard mode
settings.

Playing the Piano

Keyboard Settings

a Back button
Tap to return to the Sound mode menu

a

b Balance
Long press and drag the slider to adjust the volume balance
between the upper section and lower section sounds.

c Lower Octave Shift
Long press and drag the slider to adjust the pitch of the lower
section sound in octave steps.

b

d Lower Pedal
Tab to enable/disable the damper pedal for the lower section
sound.

c

e Split Point
Tap to set the point on the keyboard that divides the upper and
lower sections.

d

e

 Changing the Split point
Tap the [Split Point] setting. A message will appear prompting
to press a key.
Press the desired split key on the keyboard.
The pressed key will become the new split point.

Split point

30

4 4Hands
The 4Hands keyboard mode function divides the keyboard into two sections in a similar way to that of the Split
keyboard mode. However, with 4Hands keyboard mode enabled, the octave/pitch of each section is automatically
adjusted to create two separate 44-key instruments with the same playing range. Furthermore, the damper (right)
pedal and soft (left) pedal act as separate damper pedals for the respective upper and lower sections, allowing two
people to perform piano duets using a single instrument.

 Selecting 4Hands keyboard mode

Playing the Piano

Tap the [4Hands] button to select 4Hands keyboard mode.
The keyboard will divide into right and left sections at key F4.
The sound selection area will divide into two halves. The top
half indicates the right section sound, while the bottom half
indicates the left section sound. By default, the SK-EX Concert
Grand sound will be used for both the right and left sections.

Right sound
Left sound

 Selecting sounds
Selecting sounds in 4Hands keyboard mode is identical to that of Single, Dual, and Split keyboard modes.
1. Tap the right or left section sound area to enter sound
selection mode.
2. Swipe left/right to change the instrument sound, and up/
down to change the instrument category.

Right sound

Left sound

 4Hands keyboard mode settings
4Hands setting

Description

Default Setting

Balance

Adjust the volume balance between the right section and left section sounds.

9-9

Right Octave Shift

Raise/lower the pitch of the right section sound in octave steps.

0

Left Octave Shift

Raise/lower the pitch of the left section sound in octave steps.

Off

Split Point

Set the point on the keyboard that divides the right and left sections.

F4

31

Sound mode screen
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Keyboard Settings] to show the 4Hands keyboard
mode settings.

Playing the Piano

Keyboard Settings

a Back button
Tap to return to the Sound mode menu

a

b Balance
Long press and drag the slider to adjust the volume balance
between the right section and left section sounds.

c Right Octave Shift
Long press and drag the slider to adjust the pitch of the right
section sound in octave steps.

b

d Left Octave Shift
Long press and drag the slider to adjust the pitch of the left
section sound in octave steps

c

e Split Point
Tap to set the point on the keyboard that divides the right and
left sections.

d

e

 Changing the Split point
Tap the [Split Point] setting. A message will appear prompting
to press a key.
Press the desired split key on the keyboard.
The pressed key will become the new split point.

Split point

32

5 Reverb
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. Some sound types, such as acoustic pianos, enable reverb automatically in order to improve acoustic realism.
The CA98/CA78 digital piano features six different reverb types, which can be adjusted via the Sound mode menu.

 Turning Reverb on/off
Tap the [Menu] button to show the Sound mode menu.
Next, tap the Reverb [ON/OFF] buttons to turn Reverb on/off.

Playing the Piano

Reverb On/Off buttons

* When Reverb is turned on, the Reverb icon will be shown in the status
bar.

 Reverb settings
Reverb setting

Description

Range

Type

Change the type of environment.

-

Depth

Adjust the depth of the environment (i.e. amount of reverberation to apply).

1~10

Time

Adjust the decay length/speed of the reverberation.

1~10

* Reverb settings are independent for each sound variation.

Tap the [Menu] button to show the Sound mode menu.

a

Next, tap [Reverb] to show the Reverb settings.

a Back button
Tap to return to the Sound mode menu

b Type
Swipe left/right or tap the arrow buttons to change the reverb
type.

c Depth
Long press and drag the slider to adjust the depth of the reverb
(i.e. amount of reverberation to apply).

d Time
Long press and drag the slider to adjust the decay length/speed
of the reverberation.

b
c
d

 Reverb types
Reverb type

Description

Room

Simulates the ambience of a small rehearsal room.

Lounge

Simulates the ambience of piano lounge.

Small Hall

Simulates the ambience of a small hall.

Concert Hall

Simulates the ambience of a concert hall or theatre.

Live Hall

Simulates the ambience of a live hall or stage.

Cathedral

Simulates the ambience of a large cathedral.

33

Sound mode screen

6 Effects
In addition to reverb, various other effects can be applied to the selected sound, altering the tonal character and
feeling of the instrument. As with reverb, some sound types enable certain effects automatically in order to enhance
tonal quality. The CA98/CA78 digital piano features 19 different effect types, with 2 combination effects, and 3
additional amplified effects. Effects are also adjusted via the Sound mode menu.

 Turning Effects on/off
Tap the [Menu] button to show the Sound mode menu.

Playing the Piano

Next, tap the Effects [ON/OFF] buttons to turn Effects on/off.
* When Effects is turned on, the Effects icon will be shown in the status
bar.

Effects On/Off buttons

 Effects settings
Effects setting

Description

Range

Type

Change the type of effect.

-

Setting 1

Adjust the primary setting of the effect (e.g. Dry/Wet level).

1~10

Setting 2

Adjust the secondary setting of the effect (e.g. Time).

1~10

* Effects settings are independent for each sound variation.

Tap the [Menu] button to show the Sound mode menu.
Next, tap [Effects] to show the Effect settings.

a

a Back button
Tap to return to the Sound mode menu

b Type
Swipe left/right or tap the arrow buttons to change the effect
type.

b

c Setting 1
Long press and drag the slider to adjust the primary effect
setting (e.g. Dry/Wet level).

c

d Setting 2
Long press and drag the slider to adjust the secondary effect
setting (e.g. Time).

34

d

Effect type

Description

Mono Delay

Applies an echo effect to the sound, playing through both speakers simultaneously.

Ping Delay

Applies a ‘ping pong’ echo effect to the sound, giving the impression that it is ‘bouncing’ from left to
right.

Triple Delay

Similar in principle to Ping Delay, but with an additional centre echo.

Chorus

Layers a slightly detuned version of the sound over the original, thus enriching its tonal character.

Classic Chorus

Similar in principle to Chorus, but intended for vintage electric piano sounds.

Ensemble

Applies a three-phase chorus to the sound, providing additional richness.

Tremolo

Continuously varies the volume at a constant speed, adding a vibrato type effect to the sound.

Classic Tremolo

Similar in principle to Tremolo, but intended for vintage electric piano sounds.

Vibrato Tremolo

Similar in principle to Tremolo, but with an additional Vibrato effect applied.

Auto Pan

Alternates the sound output from left to right across the stereo field using a sine wave.

Classic Auto Pan

Similar in principle to Auto Pan, but intended for vintage electric piano sounds.

Phaser

Applies a cyclic phase change to the sound, giving the impression that the sound is moving.

Classic Phaser

Similar in principle to Phaser, but intended for vintage electric piano sounds.

Rotary (1~6)

Simulates the sound of a rotary speaker commonly used with vintage electronic organs.
There are three different levels of overdrive, with and without a Chorus effect.

Playing the Piano

 Effect types

* The soft pedal can be used to alternate the speed of the rotary simulation between ‘Slow’ and ‘Fast’ effect modes.

Combination Effects

Different combinations of the above effects, applied simultaneously.
* Combination effect types: Phaser+Chorus, Phaser+AutoPan

Amplified Effects

A selection of the above effects, with a vintage electric piano speaker effect applied.
* Amplified effect types: Tremolo+Amp, Auto Pan+Amp, Phaser+Amp

 Effect parameters
Effect parameter

Effect setting

Description

Mono Delay / Ping Delay / Triple Delay

Dry / Wet

Adjust the intensity of the delay.

Time

Adjust the interval of time between each delay.

Dry / Wet

Adjust the intensity of the chorus.

Speed

Adjust the speed of the chorus.

Mono / Stereo

Toggle between a Mono or Stereo effect.

Speed

Adjust the speed of the chorus.

Dry / Wet

Adjust the intensity of the tremolo.

Speed

Adjust the speed of the tremolo.

Dry / Wet

Adjust the intensity of the pan.

Speed

Adjust the speed of the pan.

Dry / Wet

Adjust the intensity of the phaser.

Speed

Adjust the speed of the phaser.

Accel. Speed

Adjust the acceleration speed between slow and fast modes.

Rotary Speed

Adjust the speed of the rotary speaker.

Dry / Wet

Adjust the intensity of the effects.

Speed

Adjust the speed of the effects.

Chorus / Ensemble
Classic Chorus
Tremolo / Classic Tremolo / Vibrato Tremolo
Auto Pan / Classic Auto Pan
Phaser / Classic Phaser
Rotary
Combination Effects / Amplified Effects

35

Metronome / Drum Patterns
The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition to
regular metronome beats, the CA98/CA78 digital piano also features a variety of drum rhythms to accompany most
playing styles and musical genres. The Metronome function is available on both the Pianist mode screen and the
Sound mode screen.

 Turning the Metronome on/off
Tap the [Metronome Start/Stop] button.

Playing the Piano

The Metronome Start/Stop button will change colour, and a 4/4
beat will start to count.
The current metronome beat and tempo will also be shown in
the Metronome status bar.
Tap the [Metronome Start/Stop] button again to stop the
metronome.

Metronome Start/Stop button
Open Metronome button

36

Metronome settings
The Metronome settings allow the tempo, beat, and volume of the metronome to be adjusted.

Playing the Piano

Tap the [Open Metronome] button to expand the Metronome
bar and show the additional metronome/rhythm settings.

Open Metronome button

 Metronome settings
a Metronome bar
Tap to close the metronome settings.

b Metronome mode button
Tap the [METRONOME] button to select metronome mode, or
the [DRUM] button to select drum rhythm mode.

c Tempo term selection
Swipe left/right or tap the arrow buttons to change the preset
tempo term.
* There are 17 tempo presets, ranging from Grave to Prestissimo.

d Tempo selection

a
b
c
d

Swipe each digit up/down or tap the arrow buttons to adjust the
metronome tempo.
* The metronome tempo can be adjusted with the range of 10~400
BPM.

e Time signature selection
Swipe left/right or tap the arrow buttons to change the
metronome time signature.
When the metronome is counting, the current beat (of the bar)
will also be shown.

e
f
g

* There are ten different time signatures available: 1/4, 2/4, 3/4, 4/4,
5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.

f Metronome volume
Long press and drag the slider to adjust the volume of the
metronome.

g Metronome Start/Stop button
Tap to start/stop metronome.

37

Metronome / Drum Patterns

Drum rhythms
As an alternative to the simple metronome count, it is also possible to select a drum pattern from one of 100 different
rhythm styles.
For a complete listing of available drum rhythms, please refer to page 170 of this owner’s manual.
While the metronome settings menu is open, tap the [DRUM]
button to select drum rhythm mode.

Playing the Piano

DRUM button

 Drum rhythm settings
a Metronome bar
Tap to close the metronome settings.

b Metronome mode button
Tap the [METRONOME] button to select metronome mode, or
the [DRUM] button to select drum rhythm mode.

c Drum rhythm category
Swipe left/right or tap the arrow buttons to change the drum
rhythm category.
* There are 11 drum rhythm categories, ranging from 8 Beat to Latin.

d Tempo selection

a
b
c
d

Swipe each digit up/down or tap the arrow buttons to adjust the
drum rhythm tempo.
* The drum rhythm tempo can be adjusted with the range of 10~400
BPM.

e Drum rhythm pattern selection
Swipe left/right or tap the arrow buttons to change the drum
rhythm pattern.
When the drum rhythm is counting, the current beat (of the bar)
will also be shown.
* There are multiple drum rhythm patterns in each category.

f Drum rhythm volume
Long press and drag the slider to adjust the volume of the drum
rhythm.

g Drum rhythm Start/Stop button
Tap to start/stop the drum rhythm.

38

e
f
g

About the Recorder
The Recorder function allows performances to be recorded and stored in the CA98/CA78 digital piano’s internal
memory, or saved to a connected USB memory device. The recording format and capabilities differ between Pianist
mode and Sound mode.

 Recorder file format and capabilities
USB Audio Recorder

Pianist Mode

Sound Mode

Pianist Mode & Sound Mode

Recorder Format

MP3 audio (256 kbit/s)

Kawai song format

MP3 audio (256 kbit/s), WAV audio
(1411 kbit/s)

No. of parts

1 part

2 parts

1 part

No. of song memories

3 songs

10 songs

n/a (dependent on memory device)

Maximum capacity

10 minutes (per song)

90,000 notes total (all songs)

n/a (dependent on memory device)

Changes recorded
& played back

All changes

All changes except:
Tempo
Dual/Split balance
Reverb/Effect settings*
Virtual Technician settings*

All changes

Overdubbing possible

No

Yes

Yes

Recorder

Internal Recorder

MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
* In Sound mode, the current Reverb, Effects, and Virtual Technician settings will be used when the internal recorder song is played back.

 Record Start/Stop button
The Record Start/Stop button (Pianist mode and Sound mode) provides a quick way to start and stop recording without opening the
main Recorder bar settings.
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.

2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
* Press the [Metronome Start/Stop] button before or during the
recording to turn on the metronome. The metronome ‘click’ sound
will not be recorded.

3. Tap the [Record Start/Stop] button again to stop the recording.

39

Song Recorder (Internal memory)

1 Recording a song: Pianist mode
In Pianist mode, the CA98/CA78 digital piano allows up to 3 different songs to be recorded, stored in internal
memory, and immediately played back.

 Recorder bar
Tap the Recorder bar to expand the Recorder.

a Recorder bar
Tap to close the Recorder settings.

a

b Recorder menu
Tap to open the Recorder menu.

c Recorder mode
Tap to select whether the Recorder should record to internal
memory or USB memory.

Recorder

* If a USB memory device is connected to the CA98/CA78 digital
piano, USB Audio mode will be selected automatically.
If a USB memory device is not connected, this setting will not be
shown, and the Internal recorder mode will be used.

b
c
d
e

d Song memory selection
Swipe left/right or tap the arrow buttons to change the song
memory to be used for recording.
* In Pianist mode, up to 3 songs can be recorded.

e Play/Stop button
Tap to Play/Stop the currently selected song.

f

f Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.

g

g Metronome bar
Tap to open the Metronome settings and/or Start/Stop the
metronome.

 Selecting the song memory
Swipe the song memory left/right or tap the arrow buttons to
change the song memory to be used for recording.
* In Pianist mode, up to 3 songs can be recorded.

Song memory selection

40

 Recording a song
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.

Record Start/Stop button

2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.

Recorder

The [Record Start/Stop] button will change colour, and the
recording will start.
* Press the [Metronome Start/Stop] button before or during the
recording to turn on the metronome. The metronome ‘click’ sound
will not be recorded.

3. Tap the [Record Start/Stop] button again to stop the recording.
* In Pianist mode, the maximum internal recording capacity is
approximately 10 minutes per song memory.
* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* Recorder songs will remain in memory after the power is turned off.
* During recording, it will not be possible to select Sound mode.
* Recording to a song memory that has already been recorded to, will
result in that song being overwritten.

 Playing the song
1. Tap the [Play/Stop] button.
The previously recorded song will start to play.

Play/Stop button

41

Song Recorder (Internal memory)
2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.

 Erasing the song
1. Tap the [Menu] button.

Recorder

The Pianist mode internal recorder menu will be shown.

2. Tap [Erase Song].
A confirmation box will be shown.

3. Tap the [Yes] button to erase the song, or the [No] button to
cancel.

42

Menu button

2 Recording a song: Sound mode
In Sound mode, the CA98/CA78 digital piano allows up to 10 different songs to be recorded, stored in internal
memory, and immediately played back. In addition, each song can consist of two separate tracks – referred to as
‘parts’ – that can be recorded and played back independently. This allows the left-hand part of a song to be recorded
first on one track, and the right-hand part to be recorded later on the other track.

 Recorder bar
Tap the Recorder bar to expand the Recorder.

a Recorder bar
Tap to close the Recorder settings.

a

b Recorder menu
c Recorder mode
Tap to select whether the Recorder should record to internal
memory or USB memory.
* If a USB memory device is connected to the CA98/CA78 digital
piano, USB Audio mode will be selected automatically.
If a USB memory device is not connected, this setting will not be
shown, and the Internal recorder mode will be used.

d Song memory selection

b
c
d

Recorder

Tap to open the Recorder menu.

e
f

Swipe left/right or tap the arrow buttons to change the song
memory to be used for recording.
* In Sound mode, up to 10 songs can be recorded.

e Play/Stop button
Tap to Play/Stop the currently selected song.

g
h

f Part record selection button
Tap to select which part (part 1 or part 2) of the song to record.
When a part is selected for recording, the circle will turn red.

i

g Part playback selection button
Tap to select which part (part 1 or part 2) of the song to playback.
Part has not been recorded to.
Part has been recorded, and is enabled for playback.
Part has been recorded, but is not enabled for playback.

h Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.

i	Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.

43

Song Recorder (Internal memory)
 Selecting the song memory and part
1. Swipe the song memory left/right or tap the arrow buttons to
change the song memory to be used for recording.
* In Sound mode, up to 10 songs can be recorded.

Song memory selection

2. Tap the circle button to the left of the [01] button to select
part1 for recording.
* The circle will turn red to indicate that this part will be recorded to.

Recorder

* If a part has already been recorded to, the part button will be filled
blue or white.

Part1 selected for
recording

 Recording the song (part1)
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.

Recorder button

2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
* Press the [Metronome Start/Stop] button before or during the
recording to turn on the metronome. The metronome ‘click’ sound
will not be recorded.

44

3. Tap the [Record Start/Stop] button again to stop the recording.
The selected [01] button will change colour (blue) to indicate
that part1 has been recorded to.

* In Sound mode, the maximum internal recording capacity is
approximately 90,000 notes, with button and pedal presses also
counted as one note.

Part recorded

* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* Recorder songs will remain in memory after the power is turned off.
* During recording, it will not be possible to select Pianist mode.
* Recording to a part that has already been recorded to, will result in that
part being overwritten.

 Playing the song (part1)

Recorder

1. Tap the [Play/Stop] button.
The previously recorded part1 of the song will start to play.

Play/Stop button

2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.

45

Song Recorder (Internal memory)
 Recording the song (part2)
1. Tap the circle button to the right of the [02] button to select
part2 for recording.
* The circle will turn red to indicate that this part will be recorded to.

Part2 selected for
recording

2. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.

Recorder

* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.

3. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.

Recorder button

The [Record Start/Stop] button will change colour, and the
recording will start.
The previously recorded part1 will also be played.

4. Tap the [Record Start/Stop] button again to stop the recording.
The selected [02] button will change colour (blue) to indicate
that part2 has been recorded to.

Part recorded

46

 Playing the song (part2)
1. Tap the [Play/Stop] button.
The previously recorded part1 and part2 of the song will start
to play simultaneously.
Play/Stop button

2. Tap the [Play/Stop] button again to stop playback.

Recorder

* For more information about playing back Recorder songs, please
refer to page 69.

3. Tap the [01] button.
The [01] button will change colour (white) to indicate that
part1 has been recorded to, but is not enabled for playback.

4. Tap the [Play/Stop] button.
The previously recorded part2 of the song will start to play,
with part1 muted.

47

Song Recorder (Internal memory)
 Erasing the song/part
1. Tap the [Menu] button.
The Sound mode internal recorder menu will be shown.

Menu button

2. Tap [Erase Song] or [Erase Song Part1/Part2].

Recorder

A confirmation box will be shown.

3. Tap the [Yes] button to erase the song/part, or the [No] button
to cancel

Yes/No button

48

Audio Recorder (USB memory)

1 Recording an audio file: Pianist and Sound mode
The CA98/CA78 digital piano is also capable of recording performances as digital audio – saving the data to a USB
memory device in either MP3 or WAV format. This useful function allows professional quality recordings to be
produced directly on the instrument – without the need for additional sound equipment – then emailed to friends
and family, listened to away from the instrument, or edited and remixed further using an audio workstation.
In addition, the LINE IN audio and Bluetooth Audio (if connected) will also be mixed and recorded to the MP3/WAV
audio file.
* If a USB memory device is connected to the CA98/CA78 digital piano, USB Audio mode will be selected automatically.

 Recorder bar
Tap the Recorder bar to expand the Recorder.

a

a Recorder bar
Tap to close the Recorder settings.

Tap to open the Recorder menu.

c Recorder mode
Tap to select whether the Recorder should record to internal
memory or USB memory.
* If a USB memory device is connected to the CA98/CA78 digital
piano, USB Audio mode will be selected automatically.
If a USB memory device is not connected, this setting will not be
shown, and the Internal recorder mode will be used.

b
Recorder

b Recorder menu

c
d
e

d Audio filename
Indicates the filename of the recorded audio file.
* ‘New Song 01’ will be used as the default name for the recorded
audio file, with the number increasing automatically.

e Play/Stop button

f

Tap to Play/Stop the current audio file.

f Record Start/Stop button

g

Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.

g	Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.

49

Audio Recorder (USB memory)
 USB memory recorder menu
Tap the [Menu] button to show the USB memory recorder menu.

a Format select
Tap the [MP3] or [WAV] buttons to select the desired audio
recorder file format.
* MP3 audio files require less storage space than WAV audio files.
* MP3 audio files will be recorded at a bitrate of 256 kbit/s.

b Gain level
Long press and drag the slider to adjust the volume level (gain)
of the recording.
Increasing the gain level may be beneficial when recording
quieter pieces of music.
* The gain setting can be adjusted within the range of 0 dB~+15 dB.
* Exercise caution when increasing the gain setting, as higher levels
may result in distorted recordings.

Recorder

a
b

 Recording a song
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.

Recorder button

2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
The current recording time will also be shown in the LCD
display.
* Press the [Metronome Start/Start] button before or during the
recording to turn on the metronome. The metronome ‘click’ sound
will not be recorded, however drum patterns will be recorded.

50

3. Tap the [Record Start/Stop] button again to stop the recording.
A confirmation box will be shown prompting to save the file
to USB memory.

4. Tap [Yes], then enter the desired filename for the recorded
audio file using the onscreen keyboard.
* The recorded audio file will be saved in the root folder of the USB
memory device. It is not possible to save the file in a different folder.

Recorder

* During recording, it will not be possible to alternate between
Pianist/Sound modes.

 Playing the song
1. Tap the [Play/Stop] button.
The previously recorded song will start to play.

Play/Stop button

2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.

51

About thethe
MusicMusic
Screen Screen
About
The Music screen provides access to the CA98/CA78 digital piano’s broad selection of built-in demonstration
songs, piano music pieces, and classical and contemporary lesson books. This screen is also used to access the
Concert Magic function, to playback recorder songs stored in internal memory, and WAV/MP3 audio files saved to a
connected USB memory device.
Tap the [Music] button to show the Music screen.

Music button

 Music screen
a Demo Songs
Tap to enter the Demo Songs function.
This function will play back demo songs for many of the Sound
mode instrument sounds.

b Piano Music

Music Screen

Tap to enter the Piano Music function.
This function will play back a selection of classical music pieces
using the Shigeru Kawai SK-EX grand piano sound.

a
b

c Lesson Songs
Tap to enter the Lesson Songs function.
This function allows aspiring pianists to learn and practise the
piano using a selection of classical and contemporary lesson
books.

c
d

d Concert Magic
Tap to enter the Concert Magic function.
This function allows non-pianists to enjoy playing a selection of
pieces by tapping the keyboard with a steady rhythm

e Recorder Playback
Tap to enter the Recorder Playback function.
This function allows recorder songs stored in internal memory
to be played back.

f USB Memory Player
Tap to enter the USB Memory Player function.
This function allows audio files saved to a connected USB
memory device to be played back.
* This function will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano.

52

e
f

Demo Songs
The Demo Songs function provides an excellent introduction to the varied capabilities of CA98/CA78 digital piano.
There are over 35 different demonstration songs available, highlighting the instrument’s rich selection of high
quality sounds and its power speaker system.
For a complete listing of demonstration songs, please refer to page 160 of this owner’s manual.
From the Music screen, tap [Demo Songs] to enter the function.
Demo Songs

 Demo Songs screen
a Back button
Tap to return to the Music screen.

a

b Demo songs list

Music Screen

Tap an instrument sound to select the demo song for playback.
Swipe up or down to scroll through the list of demo songs.

b

53

Demo Songs
 Selecting a demo song
Tap an instrument sound name to select the demo song for
playback.
The demo song playback screen will be shown, and the selected
song will begin to play.
Demo songs list

 Demo song playback screen
a Back button
Tap to return to the Demo Songs screen.

a

b Sound name
Displays the instrument sound name of the currently selected
demo song.

c Previous button
Tap to select the previous demo song for playback.

d Play/Stop button

Music Screen

Tap to Play/Stop the selected demo song.

e Next button
Tap to select the next demo song for playback.
* When the selected song has finished, the next demo song in the same
demo category will begin to play automatically. When all songs in the
category have been played, the first song in another category selected
at random will be played automatically.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

54

b
c
d
e

Piano Music
In addition to the sound demonstration songs, the CA98/CA78 digital piano also features a selection of popular
classical piano works from the Baroque and Romantic periods. Notated scores are provided in the separate ‘Classical
Piano Collection’ book*, assisting the musical appreciation and study of each piece.
* Depending on market area.

For a complete listing of Piano Music pieces, please refer to the separate ‘Internal Song Lists’ booklet.
From the Music screen, tap [Piano Music] to enter the function.

Piano Music

 Piano Music screen
a Back button
Tap to return to the Music screen.

a

b Piano Music pieces list

Music Screen

Tap a Piano Music title to select the piece for playback.
Swipe up or down to scroll through the list of Piano Music pieces.

b

 Selecting a Piano Music piece
Tap a Piano Music piece to select the piece for playback.
The Piano Music playback screen will be shown, and the selected
piece will begin to play.
Piano Music pieces list

55

Piano Music
 Piano Music playback screen
a Back button
Tap to return to the Piano Music songs screen.

a

b Piano Music menu button
Tap to open the Piano Music settings menu.

b

c Piece title
Displays the title of the currently selected Piano Music piece.

d Previous button
Tap to select the previous Piano Music piece for playback.

c

e Play/Stop button
Tap to Play/Stop the selected Piano Music piece.

f Next button
Tap to select the next Piano Music piece for playback.
* When the selected Piano Music piece has finished, the next piece will
begin to play automatically.

d
e
f

Music Screen

* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

 Piano Music settings menu
a Balance
Long press and drag the slider to adjust the volume balance
between the right-hand and left-hand parts of the selected
Piano Music piece.
* Availability of the Piano Music Balance function is dependent on
market location.

b Close Menu
Tap to close the menu and return to the Piano Music playback
screen.

a
b
56

Lesson Songs
The Lesson Songs function allows budding pianists to practice the piano using a selection of built-in song books and
finger exercises. The left and right-hand parts of each piece can be practiced separately, while the tempo can also be
adjusted to perfect difficult passages.
For a complete listing of the built-in lesson material, please refer to the separate ‘Internal Song Lists’ booklet.
From the Music screen, tap [Lesson Songs] to enter the function.

Lesson Songs

Alfred Lesson Books

Classical Lesson Books

Alfred’s Premier Piano Course Lesson 1A

Burgmüller 25 (25 Etudes Faciles, Opus 100)

Alfred’s Premier Piano Course Lesson 1B

Czerny 30 (Etudes de Mécanisme, Opus 849)

Alfred’s Basic Piano Library Lesson Book Level 1A

Czerny 100 (Hundert Übungsstücke, Opus 139)

Alfred’s Basic Piano Library Lesson Book Level 1B

Beyer 106 (Vorschule im Klavierspiel, Opus 101)

Alfred’s Basic Adult Piano Course Lesson Book Level 1

J.S. Bach: Inventionen

Music Screen

 Built-in Lesson Song Books

Sonatinen Album 1
Chopin Walzer (Chopin waltzes series 1-19)
* Lesson books sold separately – please refer to the separate ‘Internal
Song Lists’ booklet for more information.

Chopin Etüden (Opus 10 Urtext)
Finger exercises (scales, arpeggios, chords)

57

Lesson Songs
 Lesson Song screen
a Back button
Tap to return to the Music screen.

a

b Lesson Song book list
Tap a lesson song book to select the book for practise.
Swipe up or down to scroll through the list of lesson song books.

Music Screen

b

 Selecting a lesson book and song/piece
1. Tap a lesson song book to select the book.
A list of songs/pieces from the selected lesson book will be
shown.
2. Tap a lesson song/piece to select the song/piece for practice.
The Lesson Song playback screen will be shown.

58

Lesson Song book list

 Lesson Song playback screen
a Back button
Tap to return to the Lesson Song book screen.

a

b Lesson Song menu button
Tap to open the Lesson Song settings menu.

b

c Song/Piece title
Displays the title of the currently selected lesson song/piece.

d Bar/Beat indicator

c

Displays the bar and beat of the currently playing lesson song/
piece.
Swipe left or right to adjust the playback position.

d

e Playback mode button
Tap to change the playback mode.
* For more information about Lesson Song playback modes, please
refer to the explanation below.

i

f Previous button
Tap to select the previous lesson song/piece.

g Play/Stop button
Tap to Play/Stop the selected lesson song/piece.

j

h Next button
Tap to select the next lesson song/piece.

i A-B Repeat button

e

f

g

h

Music Screen

Repeat a section of the selected lesson song/piece between
points A and B.
Tap to set the A (start) and B (end) points of the phrase to be
repeated.
* Tap the A-B button for a third time to turn off the A-B repeat
function.

j	Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

59

Lesson Songs
 Lesson Song settings menu
a Balance
Long press and drag the slider to adjust the volume balance
between the right-hand and left-hand parts of the selected
lesson song/piece.

b Close Menu
Tap to close the menu and return to the Lesson Song playback
screen.

a
b

Music Screen

 Playing the selected lesson song/piece
1. Tap the [Play/Stop] button.
Following a 1 bar count-in, the lesson song/piece will start to
play.
The bar/beat indicator will scroll to indicate the current
playing position.
2. Swipe the bar/beat indicator left or right to adjust the
playback position.
3. Tap the [Play/Stop] button.
The lesson song/piece will stop playing.
4. Tap the [Play/Stop] button again.
The lesson song/piece will resume playback from 2 bars
before the stop position.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

60

Bar/beat indicator
Play/Stop button

 Changing the lesson song playback mode
Tap the playback mode button to change the lesson song
playback mode.
Play the selected song/piece once, then stop.
Play the selected song/piece repeatedly.
 lay the selected song/piece, then play other songs from
P
the current lesson book in order.
 lay the selected song/piece, then play another song from
P
the current lesson book at random.

Playback mode button

 Repeating a section of the lesson song/piece (A-B Repeat)
The A-B Repeat function allows sections of the selected lesson song/piece to be ‘looped’ between two points in order to practise
difficult passages continuously.
While the lesson song/piece is playing:
1. Tap the [A-B Repeat] button to specify the start point of the
loop.

Music Screen

An ‘A’ symbol will appear above the button.

A-B Repeat button:
(start point of loop)

2. Tap the [A-B Repeat] button again to specify the end point of
the loop.
A ‘B’ symbol will appear above the button, and the defined
section will be repeated continuously.
* The repeat will begin two measures before the defined ‘A’ point.

3. Tap the [A-B Repeat] button again to cancel the repeat
function.

A-B Repeat button:
(end point of loop)

The lesson song/piece will resume normal playback.

61

Lesson Songs
 Adjusting the lesson song/piece playback tempo
It is possible to adjust the playback tempo of the current lesson song/piece, allowing difficult passages to be practised more
conveniently.
1. Tap the [Open Metronome] button to expand the Metronome
bar.

Open metronome button

2. Swipe each digit up/down or tap the arrow buttons to adjust
the lesson song/piece playback tempo.
* It is also possible to turn the metronome on/off to assist with timing.

Music Screen

Tempo selection

Metronome Start/Stop

 Adjusting the lesson song balance
It is also possible to adjust the volume balance between the right-hand and left-hand parts of the current lesson song/piece, allowing
each hand to be practiced separately.
While the lesson song/piece is playing:
1. Tap the [Menu] button to show Lesson Song menu.
2. Long press and drag the Balance slider to the left-most
position (9-1).
The right-hand part of the selected lesson song/piece will be
muted, allowing this part to be practiced.
3. Long press and drag the Balance slider to the right-most
position (1-9).
The left-hand part of the selected lesson song/piece will be
muted, allowing this part to be practiced.
Balance slider
* If the Beyer lesson book is selected, increasing the left-hand value will
decrease the volume of the student’s part, while increasing the righthand value will decrease the volume of the teacher’s part.

62

Concert Magic
The Concert Magic function allows complete beginners to enjoy playing the piano by simply selecting one of the
176 pre-programmed songs, then tapping the keyboard with a steady rhythm and tempo.
For a complete listing of available Concert Magic songs, please refer to the separate ‘Internal Song Lists’ booklet..
From the Music screen, tap [Concert Magic] to enter the function.

Concert Magic

 Concert Magic screen
a Back button
Tap to return to the Music screen.

a

b Concert Magic category list
Tap a category to show the available Concert Magic songs in
that category.
Swipe up or down to scroll through the list of categories.

Music Screen

b

 Selecting a Concert Magic category and song
1. Tap a Concert Magic category.
A list of songs from the selected category will be shown.
2. Tap a song to select the song for playback/performance.
The Concert Magic playback screen will be shown.

Concert Magic category
list

63

Concert Magic
 Concert Magic playback screen
a Back button
Tap to return to the Concert Magic categories screen.

a

b Concert Magic menu button
Tap to open the Concert Magic settings menu.

b

c Song title
Displays the title of the currently selected Concert Magic song.

d Playback mode button

c

Tap to change the playback mode.
* For more information about Concert Magic playback modes,
please refer to the explanation below.

e Previous button
Tap to select the previous Concert Magic song.

f Play/Stop button

h

Tap to Play/Stop the selected Concert Magic song.

g Next button
Tap to select the next Concert Magic song.

h Performance mode button
Tap to change the Concert Magic performance mode between
‘Normal’ and ‘Steady Beat’ modes.
* For more information about Concert Magic performance modes,
please refer to the explanation below.

Music Screen

* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

d

e

f

g

 Concert Magic settings menu
a Balance
Long press and drag the slider to adjust the volume balance
between the right-hand and left-hand parts of the selected
Concert Magic song.

b Tempo
Swipe each digit up/down or tap the arrow buttons to adjust the
Concert Magic song playback tempo.

c Close Menu
Tap to close the menu and return to the Concert Magic playback
screen.

a
b

c
64

1 Concert Magic song playback
The Concert Magic playback function allows the currently selected song to be played automatically, without pressing
the keyboard.

 Playing the selected Concert Magic song
1. Tap the [Play/Stop] button.
The selected Concert Magic song will start to play.
2. Tap the [Play/Stop] button.
The Concert Magic song will stop playing.
Play/Stop button
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

 Changing the Concert Magic playback mode
Tap the playback mode button to change the Concert Magic
playback mode.
Play the selected song repeatedly.

 lay the selected song, then play another song from the
P
current song group at random.

Music Screen

 lay the selected song, then play other songs from the
P
current category in order.
Playback mode button

 Adjusting the Concert Magic song playback tempo
It is possible to adjust the playback tempo of the current Concert Magic song.
1. Tap the [Menu] button to show the Concert Magic settings
menu.
2. Swipe each digit up/down or tap the arrow buttons to adjust
the Concert Magic song playback tempo.

Tempo

65

Concert Magic
 Adjusting the Concert Magic song balance
It is also possible to adjust the volume balance between the right-hand and left-hand parts of the current Concert Magic song,
allowing each hand to be practiced separately when using the playback function.
1. Tap the [Menu] button to show the Concert Magic settings
menu.
2. Long press and drag the Balance slider to the left-most
position (9-1).
The right-hand part of the selected Concert Magic song will
be muted, allowing this part to be practiced.
3. Long press and drag the Balance slider to the right-most
position (1-9).
Balance slider

Music Screen

The left-hand part of the selected Concert Magic song will be
muted, allowing this part to be practiced.

66

2 Concert Magic song performance
Concert Magic performance function allows the currently selected song to be performed by pressing the keys with
a steady rhythm and tempo.
Concert Magic songs are divided into three different arrangement types, each requiring a different level of skill to
be performed correctly.
* The Concert Magic arrangement type is for each song is indicated in the ‘Internal Song Lists’ booklet as ‘EB’, ‘MP’, or ‘SK’.

 Easy Beat

EB

These are the easiest songs to play. To perform them, simply tap out a constant steady beat on any key on the keyboard.
The following example shows the notated score for ‘Für Elise’, indicating that a constant, steady rhythm should be maintained
throughout the song. This is the distinguishing characteristic of an Easy Beat song.
Key on:

X X

X X X X X X

X X X X

X

X

X

X

X

X

X

X

 Melody Play

MP

Music Screen

These songs are also relatively easy to play, especially if they are familiar to the player. To perform them, tap out the rhythm of the
melody on any key of the keyboard. Singing along as the rhythm is tapped can be helpful.
The following example shows the notated score for ‘Twinkle, Twinkle, Little Star’.
* When performing fast Concert Magic songs, it may be easier to tap different keys with two alternating fingers in order to play at a greater speed.

Key on: X

X

X

X

X

X

X

X

X

X

X

X

X

X

 Skillful

SK

These songs range in difficulty from moderately difficult to difficult. To perform them, tap out the rhythm of both the melody and
the accompaniment notes on any key of the keyboard. The Note Navigator will be very helpful when playing the Skillful type songs.
The following example shows the notated score for ‘Waltz of the Flowers’.
Key on

X

X

X

X

X

X

X X

X

X

X

X

X

67

Concert Magic
 Performing the selected Concert Magic song
Press a key on the keyboard.
The song will advance with every key that is pressed. Pressing
the keys gently will produce a soft sound, while pressing heavily
will produce a loud sound.

 Changing the Concert Magic performance mode
Tap the [Performance Mode] button to change the Concert
Magic performance mode.
 erform the selected Concert Magic song by tapping any
P
key, following the song arrangement type.

Music Screen

 erform the selected Concert Magic song by tapping any
P
key with a constant steady beat, regardless of the song
arrangement type.

68

Performance mode
button

Recorder Playback
The Recorder Playback function is used to playback songs that have been recorded to the instrument’s internal
memory using Pianist mode or Sound mode.
For more information about the internal song recorder, please refer to page 40.
From the Music screen, tap [Recorder Playback] to enter the
function.

Recorder Playback

 Recorder Playback song selection screen
a Back button
Tap to return to the Music screen.

a

b Recorder Playback song list

Music Screen

Lists the songs that have been recorded to internal memory.
Tap a song to select it for playback.
Swipe up or down to scroll through the list of internal recorder
songs.
The Recorder Playback playback screen will be shown.

b

69

Recorder Playback
 Recorder Playback playback screen
a Back button
Tap to return to the Recorder Playback song selection screen.

a

b Recorder Playback menu button
Tap to open the Recorder Playback settings menu.

b

c Song title
Displays the title of the currently selected internal recorder song.

d Position bar

c

Displays the current playback position of the selected internal
recorder song.

e Previous button

d

Tap to select the previous internal recorder song.

f Play/Stop button
Tap to Play/Stop the selected internal recorder song.

g Next button
Tap to select the next internal recorder song.

h

h	Overdubbing bar /
Overdubbing Start/Stop button
Tap to open the Overdubbing settings and/or Start/Stop the
Overdubbing function.

i

* This function will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano, and a Sound song is
selected.

Music Screen

* For more information about the Overdubbing function, please
refer to page 78.

i	Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* For more information about the Metronome function, please refer
to page 36.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

70

e

f

g

 Recorder Playback settings menu
a Part Select
Swipe left/right or tap the arrow buttons to select the part(s) of
the song to be played back.
* This setting applies to internal songs recorded in Sound mode only.

b Song Transpose
Long press and drag the slider to adjust the playback pitch of
the currently selected internal song in semi-tone steps.

a

* This setting applies to internal songs recorded in Sound mode only.

c Save to USB (INT)

b

Tap to save the currently selected internal song to USB memory
in Kawai internal (KSO) format.

c

* This function applies to internal songs recorded in Sound mode
only.

d

d Save to USB (SMF)

e

Tap to save the currently selected internal song to USB memory
in Standard MIDI File (SMF) format.

f

* This function applies to internal songs recorded in Sound mode
only.

g

e Load Song from USB
Tap to load a Kawai KSO format song saved to a USB memory
device into one of the instrument’s internal song memories.

h

f Erase Song

Music Screen

Tap to erase the currently selected recorder song from internal
memory.

g Erase All Songs
Tap to erase all recorded songs from internal memory.

h Close Menu
Tap to close the menu and return to the Recorder Playback
playback screen.
* The Save/Load functions will only be visible when a USB memory
device is connected to the CA98/CA78 digital piano.

 Playing the selected internal recorder song
1. Tap the [Play/Stop] button.
The selected internal recorder song will start to play.
2. Tap the [Play/Stop] button.
The selected internal recorder song will stop playing.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.

Play/Stop button

71

Recorder Playback
 Playing/muting parts of the song
When playing songs recorded in Sound mode, this setting allows the playback part to be changed.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Swipe left/right or tap the arrow buttons to select which
part(s) of the song to be played back.

Part Select

* This setting applies to internal songs recorded in Sound mode only.

 Transposing the song
When playing songs recorded in Sound mode, this setting allows the playback pitch to be changed.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Long press and drag the slider to adjust the playback pitch of
the currently selected internal song in semi-tone steps.
Song Transpose slider

Music Screen

* This setting applies to internal songs recorded in Sound mode only.

 Saving the song to USB memory
When playing songs recorded in Sound mode, these functions allow the currently selected song to be saved to USB memory in
internal Kawai (KSO) or Standard MIDI File (SMF) formats.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap [Save to USB (INT)] or [Save to USB (SMF)] functions save
the currently selected song in internal or SMF formats.
A filename input screen will appear.
3. Enter the desired filename for the saved song using the
onscreen keyboard, then tap the enter key to confirm the
save.
* The filename length is limited to 12 characters.
* These functions apply to internal songs recorded in Sound mode only.
* These functions will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano.

72

Save to USB

 Loading a song into internal memory
This function allows CA98/CA78 recorder songs (KSO format) stored on a USB memory device to be loaded into the instrument’s
internal memory.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap the [Load Song to USB] function.
The internal song memory list will be shown (10 memories).

Load Song to USB

3. Tap the internal song memory for the song to be loaded into.
A list of files and folders stored on the USB memory device will
be shown.

Internal recorder song list

Music Screen

4. Tap the filename of the song to be loaded into the selected
internal memory.
A confirmation box will be shown.

5. Tap the [Yes] button to load the song into the selected internal
memory, or the [No] button to cancel.
It should now be possible to play the loaded song via the
playback screen.
* This function applies to internal songs recorded in Sound mode only.
* This function will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano.

‘Yes’ button

73

Recorder Playback
 Erasing the song
This function allows the current internal recorder song to be erased from memory.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap [Erase Song].
A confirmation box will be shown.

Erase Song

3. Tap the [Yes] button to erase the song, or the [No] button to
cancel.

‘Yes’ button

Music Screen

 Erasing all songs
This function allows all recorder songs to be erased from internal memory.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap [Erase All Songs].
A confirmation box will be shown.

Erase All Songs

3. Tap the [Yes] button to erase all of the recorder songs stored
in internal memory, or the [No] button to cancel..

‘Yes’ button

74

USB Memory Player
The USB Memory Player function is used to playback songs and audio files stored on a USB memory device. This
function is particularly useful when attempting to learn the chords or melody to a new piece, or to simply play along
with one’s favorite song.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

From the Music screen, tap [USB Memory Player] to enter the
function.

USB Memory Player

 USB Memory Player supported formats
Song
Audio

KSO

Kawai Song file

SMF

Format 0, Format 1

MP3

32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 8-320 kbit/s (fixed & variable)

WAV

32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 16 bit

a Back button
Tap to return to the Music screen.

Music Screen

 USB Memory Player song selection screen

a

b USB Memory file list
Lists the song and audio files stored on the connected USB
memory device.
Tap a folder to enter that folder, or tap a song/audio file to select
it for playback.
Swipe up or down to scroll through the list of song/audio files.

b

The USB Memory Player playback screen will be shown.

75

USB Memory Player
 USB Memory Player playback screen
a Back button
Tap to return to the USB Memory Player song selection screen.

a

b USB Memory Player menu button
Tap to open the USB Memory Player settings menu.

b

c Song/Audio file title
Displays the title of the currently selected song/audio file.

d Position bar

c

Displays the current playback position of the selected song/
audio file.

e Playback mode button

d
i

Tap to change the playback mode.
* For more information about USB Memory Player playback modes,
please refer to the explanation below.

f Previous button
Tap to select the previous song/audio file in the folder.

g Play/Stop button

j

Tap to Play/Stop the selected song/audio file.

k

h Next button
Tap to select the next song/audio file in the folder.

i A-B Repeat button

Music Screen

Repeat a section of the selected song/audio file between points
A and B.
Tap to set the A (start) and B (end) points of the phrase to be
repeated.
* Tap the A-B button for a third time to turn off the A-B repeat
function.

j	Overdubbing bar /
Overdubbing Start/Stop button
Tap to open the Overdubbing settings and/or Start/Stop the
Overdubbing function.
* For more information about the Overdubbing function, please
refer to page 78.

k	Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* For more information about the Metronome function, please refer
to page 36.
* While a song/audio file is playing, selecting the Pianist or Sound modes
will cause playback to stop.

76

e

f

g

h

 Playing the selected song/audio file
1. Tap the [Play/Stop] button.
The selected song/audio file will start to play.
The position bar will indicate the current playing position.
2. Tap the [Play/Stop] button.
The song/audio file will stop playing.

Play/Stop button

3. Tap the [Play/Stop] button again.
The song/audio will start to play once again, from the
beginning.
* While a song/audio file is playing, selecting the Pianist or Sound modes
will cause playback to stop.

 Changing the song/audio file playback mode
Tap the [Playback Mode] button to change the song/audio file
playback mode.
Play the selected song/audio file once, then stop.
Play the selected song/audio repeatedly.
 lay the selected song/audio, then play other files stored in
P
the same folder in order.
Playback mode button

Music Screen

 lay the selected song/piece, then play other files stored in
P
the same folder at random.

 Repeating a section of the song/audio file (A-B Repeat)
The A-B Repeat function allows sections of the selected song/audio file to be ‘looped’ between two points in order to hear the same
passage continuously.
While the song/audio file is playing:
1. Tap the [A-B Repeat] button to specify the start point of the
loop.
An ‘A’ symbol will appear above the button.

A-B Repeat button:
(start point of loop)

77

USB Memory Player
2. Tap the [A-B Repeat] button again to specify the end point of
the loop.
A ‘B’ symbol will appear above the button, and the defined
section will be repeated continuously.
3. Tap the [A-B Repeat] button again to cancel the repeat
function.

A-B Repeat button

The song/audio file will resume normal playback.

 Overdubbing a song/audio file
The Overdubbing function allows the selected audio file to be recorded to a separate MP3/WAV audio file, while also recording any
notes played. This function can also be used to convert a song recorded to internal memory in Sound mode, or a song loaded from
USB memory, to an MP3/WAV audio file. In addition, the LINE IN audio and Bluetooth Audio (if connected) will also be mixed and
recorded to the MP3/WAV audio file.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

1. Tap the [Overdubbing Start/Stop] button.
The Overdubbing function will enter Standby mode.

Music Screen

* Press and hold the [Overdubbing Start/Stop] button to cancel the
Standby mode.

Overdubbing Start/Stop
button

2. Press a key on the keyboard, or tap the [Overdubbing Start/
Stop] button again.
The [Overdubbing Start/Stop] button will change colour, and
the overdubbing will start.

Overdubbing Start/Stop
button

78

3. Tap the [Overdubbing Start/Stop] button again to stop the
overdubbing.
A confirmation box will be shown prompting to save the file
to USB memory.

Overdubbing Start/Stop
button

4. Tap [Yes], then enter the desired filename for the overdubbed
audio file using the onscreen keyboard.
* The overdubbed audio file will be saved in the root folder of the USB
memory device. It is not possible to save the file in a different folder.
* During overdubbing, it will not be possible to alternate between
Pianist/Sound modes.

Music Screen

 USB Memory Player settings menu
a Play Volume
Long press and drag the slider to adjust the playback volume of
the currently selected song/audio file.

b Song Transpose
Long press and drag the slider to adjust the playback pitch of
the currently selected song/audio file.
* This setting applies to KSO/SMF songs only.

c Close Menu
Tap to close the menu and return to the USB Memory Player
playback screen.

a

b
c
79

USB Memory Player
 Adjusting the volume of the song/audio file.
This setting allows the volume of the song/audio file to be adjusted.
1. Tap the [Menu] button to show USB Memory Player settings
menu.
2. Long press and drag the slider to adjust the playback volume
of the currently selected song/audio file.

Play Volume slider

 Transposing the song file
This setting allows the playback pitch of the song file to be changed.
1. Tap the [Menu] button to show USB Memory Player settings
menu.

Music Screen

2. Long press and drag the slider to adjust the playback pitch of
the currently selected song/audio file.
* This setting applies to KSO/SMF songs only.

Song Transpose slider

80

About the Favorite Screen
The Favorite function allows the current instrument setup (sound selections, split point, reverb and effect settings,
and various other panel options) to be stored to a memory and immediately recalled with a single tap. The Favorite
screen displays 4 memories per page, with a maximum of 4 pages, allowing a total of 16 different Favorite memories
to be stored.
The Favorite screen is empty by default, but new Favorite memories can be added via the Pianist mode or Sound
mode menus. When created, each Favorite memory will store the settings listed below.
Tap the [Favorite] button to show the Favorite screen.

Favorite button

 Functions and Settings stored to Favorite memories
Pianist Mode

Metronome Settings

Rendering character

Mode

Resonance depth

Tempo

Ambience (type/depth)

Time Signature/Rhythm
Volume

Single: Sound

Virtual Technician Settings

Dual: Sounds, Balance, Layer Octave Shift, Layer Dynamics

Touch Curve (incl. User)

Split: Sounds, Balance, Lower Octave Shift, Lower Pedal, Split Point

Voicing (incl. User)

4Hands: Sounds, Left Octave Shift, Right Octave Shift, Split Point

Damper Resonance

Reverb (type/depth)

Damper Noise

Effects (type/settings)

String Resonance

Transpose

Undamped String Resonance

Favorite Screen

Sound Mode

Cabinet Resonance
Sound Settings

Key-off Effect

Tuning

Fall-back Noise

Damper Hold

Hammer Delay

Tone Control

Topboard Simulation
Decay Time

MIDI Settings

Minimum Touch

MIDI Channel

Stretch Tuning (incl. User)

Local Control

Temperament (incl. User)

Transmit Program Change Numbers

Temperament Key

Multi-timbral Mode

Key Volume (incl. User)

Channel Mute

Half-Pedal Adjust
Soft Pedal Depth

81

About the Favorite Screen
 Favorite screen
a Menu button
Tap to open the Favorite settings menu.

b Page indicator
Indicates the current Favorite page, and how many Favorite
pages (1~4) are available.

a
b

c Favorite memory buttons
Tap to select the desired Favorite memory.
Swipe this area left/right to cycle through the available Favorite
pages.
* This area will be empty by default, but will become populated as
new Favorite memories are stored.

c

* Favorite memories stored in Pianist mode will be represented by a
piano icon, while Favorite memories stored in Sound mode will be
represented by a musical note icon.

d	Recorder bar /
Record Start/Stop button
Tap to open the Recorder settings and/or Start/Stop the
recorder.
* For more information about the Recorder function, please refer to
page 39

d
e

e	Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* For more information about the Metronome function, please refer
to page 36.

 Favorite settings menu
a Startup with Favorite On/Off

Favorite Screen

Tap to specify whether or not the instrument should startup
with the Favorite screen.

b Edit Favorite
Tap to show the Edit Favorite screen, used to delete or reposition
Favorite memories.

c Rename Selected Favorite
Tap to rename the selected Favorite memory.

a
b
c

82

1 Storing and Selecting Favorite memories
 Storing a Favorite memory
The following procedure will store the current instrument settings to a Favorite memory.
1. In either Pianist or Sound mode, tap the [Menu] button to
show the mode’s menu.

Menu button

Pianist Mode

Sound Mode

2. Tap [Store to Favorite] at the bottom of the menu.
* In Sound mode, it may be necessary to scroll the screen in order to
see the ‘Store to Favorite’ function.

The Favorite Name screen will be shown.
3. Enter the desired name for the Favorite memory using the
onscreen keyboard, then tap the enter key to confirm the
store.

Store to Favorite

Sound Mode

Favorite Screen

Pianist Mode

83

About the Favorite Screen
 Selecting a Favorite memory
The following procedure will select a previously stored Favorite memory.
1. Tap the [Favorite] button.
The Favorite screen will be shown.
* If a Favorite memory was selected previously, that memory will be
re-selected automatically.

Favorite button

2. Tap the desired Favorite memory.
The Favorite memory will be selected, and its settings will be
recalled.

Favorite Screen

If necessary, swipe the screen left/right to cycle through the
available Favorite pages.

84

Favorite memory buttons

2 Editing Favorite memories
 Renaming a Favorite memory
The following procedure will rename the currently selected Favorite memory.
1. Tap the [Menu] button.
Menu button

The Favorite settings menu will be shown.

2. Tap [Rename Selected Favorite].
The Favorite Name screen will be shown.

Rename Selected Favorite

Favorite Screen

3. Enter the desired name for the Favorite memory using the
onscreen keyboard, then tap the enter key to confirm the
strore.

85

About the Favorite Screen
 Deleting a Favorite memory
The following procedure allows Favorite memories to be deleted.
1. Tap the [Menu] button.
Menu button

The Favorite settings menu will be shown.

2. Tap [Edit Favorite].
The Edit Favorite screen will be shown.
Edit Favorite

3. Tap the [X] icon in the top-left corner of a Favorite memory to
delete that memory.

Favorite Screen

If necessary, swipe the screen left/right to cycle through the
available Favorite pages.
4. Tap the [Back] button to exit the Edit Favorite screen and
return to the Favorite settings menu.

86

Back button

[X] icon

 Repositioning a Favorite memory
The following procedure allows a Favorite memory to be repositioned.
1. Tap the [Menu] button.
Menu button

The Favorite settings menu will be shown.

2. Tap [Edit Favorite].
The Edit Favorite screen will be shown.
Edit Favorite

3. Long press a favorite memory, then drag the memory into the
desired position.

Back button

Favorite Screen

Release the finger to confirm the new Favorite memory
position.
* It is also possible move a memory onto another page, by dragging
the memory to the left of right edge of the screen.

4. Tap the [Back] button to exit the Edit Favorite screen and
return to the Favorite settings menu.

87

About the Favorite Screen
 Startup with Favorite function
When the Startup with Favorite function is enabled, the CA98/CA78 digital piano will show the Favorite screen when the instrument
is turned on, and will select the first Favorite memory automatically.
1. Tap the [Menu] button.
Menu button

The Favorite settings menu will be shown.

2. Tap the Startup with Favorite [ON/OFF] button to enable the
function.
The next time the instrument is turned on, the Favorite
screen will be shown, with the first (top-left) Favorite memory
selected automatically.
* To startup with a different Favorite memory, follow the steps above to
reposition that memory to the first position.

Favorite Screen

* To startup in Pianist mode, set the ‘Startup with Favorite’ function to
Off.

88

‘Startup with Favorite’
On button

About Settings
The Pianist mode menu and Sound mode menu contain a variety of options to adjust the CA98/CA78 digital piano’s
operation and sound. These settings are grouped by category, providing convenient access to relevant controls.
The available settings will differ depending on whether Pianist mode or Sound mode is being used. Once adjusted,
settings can be stored to one of the instrument’s 16 Favorite memories for instant recall.

1 Pianist mode menu
The Pianist mode menu contains the following settings and functions.

Setting menu

Description

Available Settings

Page no.

Ambience

Adjust the sense of sound moving around in a virtual
room.

Type

p. 90

Depth

p. 90

Virtual Technician

Adjust various characteristics of the simulated grand
piano sound.

Touch Curve

p. 103

Voicing

p. 105

Damper Noise

p. 107

Fall-back Noise

p. 112

Hammer Delay

p. 113

Minimum Touch

p. 115

Key Volume

p. 121

Half-Pedal Adjust

p. 123

Soft Pedal Depth

p. 123

Save to Sound

p. 102

Tone Control

p. 126

Speaker Volume

p. 128

Line In Level

p. 129

Wall EQ (CA98 only)

p. 130

SHS Mode

p. 131

Phones Type

p. 132

Phones Volume

p. 133

Bluetooth MIDI

p. 135

Bluetooth Audio

p. 136

Bluetooth Audio Volume

p. 137

Rename File*

p. 138

Delete File*

p. 139

USB Format*

p. 140

MIDI Channel

p. 143

Send PGM#

p. 144

Local Control

p. 144

Transmit PGM# On/Off

p. 145

Multi-timbral Mode

p. 146

Channel Mute

p. 146

LCD Contrast

p. 147

Auto Display Off

p. 147

Auto Power Off

p. 148

Factory Reset

p. 149

Sound Settings

System Settings

Adjust settings related to the overall sound, such as the
volume of speakers, headphones, line inputs, etc.

Adjust settings related to the instrument’s operation,
such as Bluetooth and MIDI connectivity, USB
functions, LCD appearance, etc.

* USB functions will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

Settings

 Pianist mode settings and functions

89

About Settings
 Pianist mode menu
a Ambience type (p. 90)
Swipe left/right or tap the arrow buttons to change the ambience
type used for the SK-EX Rendering piano sound engine.
Ambience refers to the sense of sound moving around in a
virtual room.

b Ambience depth (p. 90)

a

Long press and drag the slider to adjust the depth/strength of
the ambience.

b

c Pianist Demos (p. 91)
Tap to open the Pianist Demos screen, which performs pieces
that demonstrate the SK-EX Rendering piano sound engine.

c

d Virtual Technician (p. 99)

d

Tap to open the Virtual Technician menu.
This menu is used to adjust various characteristics of the
acoustic piano sound.

e

e Sound Settings (p. 124)

f

Tap to open the Sound Settings menu.
This menu is used to adjust various settings related to the overall
sound if the instrument.

g

f System Settings (p. 134)
Tap to open the System Settings menu.
This menu is used to adjust various system settings.

h

g Store to Favorite (p. 98)
Tap to store the current piano sound and associated settings to
a Favorite memory.

h Close Menu
Tap to close the menu and return to the Pianist mode screen.

 Adjusting the Ambience Type and Depth
Ambience refers to the sense of sound moving around in a virtual room.
1. Swipe left/right or tap the arrow buttons to change the
ambience type used for the SK-EX Rendering piano sound
engine.
* The Ambience type can be set to one of 10 types, listed below.

Ambience type

Settings

2. Long press and drag the slider to adjust the depth/strength of
the ambience.
Ambience depth

90

 Ambience types
Ambience Type

Description

Natural

Simulates the ambience of a natural environment.

Small Room

Simulates the ambience/reverberation of a small room.

Medium Room

Simulates the ambience/reverberation of a medium-sized room.

Large Room

Simulates the ambience/reverberation of a large room.

Studio

Simulates the ambience/reverberation of a recording studio.

Wood Studio

Simulates the ambience/reverberation of a wooden recording studio.

Mellow Lounge

Simulates the soft ambience/reverberation of a lounge.

Bright Lounge

Simulates the bright ambience/reverberation of a lounge.

Live Stage

Simulates the ambience/reverberation of a live stage.

Echo

Simulates the ambience/reverberation of an echo chamber.

 About Pianist Demos screen
This screen contains pieces that demonstrate the SK-EX Rendering piano sound engine.

a Back button
Tap to return to the Pianist mode menu.

a

b Piece title
Displays the title of the current demo piece.

c Previous button
Tap to select the previous demo piece for playback.

d Play/Stop button

b

Tap to Play/Stop the selected demo piece.

e Next button
Tap to select the next demo piece for playback.
* When the selected demo piece has finished, the next piece will begin
to play automatically.

c

d

Settings

* While a demo piece is playing, tapping the Back button will cause
playback to stop.

e

91

About Settings
 About Pianist Demos pieces
Piece name

Composer

1

Polonaise in A-flat major, Op. 53

Frédéric Chopin

2

Suite bergamasque - Prélude

Claude Debussy

3

Turkish March

Wolfgang Amadeus Mozart

 Other Pianist mode menu settings
For information regarding the other Pianist mode menu settings, please refer to the pages below:

Settings

Virtual Technician: page 99
Sound Settings:
page 124
System Settings:
page 134

92

2 Sound mode menu
The Sound mode menu contains the following settings and functions.

Setting menu

Description

Available Settings

Page no.

Reverb

Adjust the acoustic environment of a virtual room.

Type

p. 96

Depth

p. 96

Adjust the tonal character of a sound by applying
various effects.

Type

p. 97

Settings

p. 97

Transpose

Adjust the pitch of the keyboard in semi-tone steps.

Key

p. 98

Keyboard Settings

Adjust various settings related to the Dual, Split, and
4Hands keyboard modes.

Dual
Balance, Layer Octave Shift,
Layer Dynamics

p. 98

Split
Balance, Lower Octave Shift,
Lower Pedal, Split Point

p. 98

4Hands
Balance, Right Octave Shift,
Left Octave Shift, Split Point

p. 98

Virtual Technician Mode

p. 99

Touch Curve

p. 103

Voicing

p. 105

Damper Resonance

p. 107

Damper Noise

p. 107

String Resonance

p. 108

Undamped String Resonance

p. 109

Cabinet Resonance

p. 110

Key-off Effect

p. 111

Fall-back Noise

p. 112

Hammer Delay

p. 113

Topboard Simulation

p. 114

Decay Time

p. 115

Minimum Touch

p. 115

Stretch Tuning

p. 116

Temperament

p. 118

Temperament Key

p. 120

Key Volume

p. 121

Half-Pedal Adjust

p. 123

Soft Pedal Depth

p. 123

Save to Sound

p. 102

Smart Mode Type

p. 99

Effects

(not shown when Single
keyboard mode is
selected)

Virtual Technician

Adjust various characteristics of the simulated grand
piano sound.

Settings

 Sound mode settings and functions

93

About Settings

Setting menu

Description

Available Settings

Page no.

Sound Settings

Adjust settings related to the overall sound, such as the
volume of speakers, headphones, line inputs, etc.

Tuning

p. 125

Damper Hold

p. 125

Tone Control

p. 126

Speaker Volume

p. 128

Line In Level

p. 129

Wall EQ (CA98 only)

p. 130

SHS Mode

p. 131

Phones Type

p. 132

Phones Volume

p. 133

Bluetooth MIDI

p. 135

Bluetooth Audio

p. 136

Bluetooth Audio Volume

p. 137

Rename File*

p. 138

Delete File*

p. 139

USB Format*

p. 140

MIDI Channel

p. 143

Send PGM#

p. 144

Local Control

p. 144

Transmit PGM# On/Off

p. 145

Multi-timbral Mode

p. 146

Channel Mute

p. 146

LCD Contrast

p. 147

Auto Display Off

p. 147

Auto Power Off

p. 148

Factory Reset

p. 149

System Settings

Adjust settings related to the instrument’s operation,
such as Bluetooth and MIDI connectivity, USB
functions, LCD appearance, etc.

Settings

* USB functions will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

94

 Sound mode menu
a Reverb settings (p. 96)
Tap to open the Reverb settings menu.
This menu is used to adjust the Reverb type and depth.

b Reverb ON/OFF (p. 96)
Tap to turn Reverb On/Off.

c Effects settings (p. 97)
Tap to open the Effects settings menu.
This menu is used to adjust the Effects type and settings.

d Effects ON/OFF (p. 97)
Tap to turn Effects On/Off.

a
b
c
d

e Transpose (p. 98)
Long press and drag the slider to adjust the pitch of the keyboard
in semi-tone steps.

f Keyboard Settings (p. 98)
Tap to open the Keyboard Settings menu.
This menu is used to adjust Dual, Split, and 4Hands keyboard
mode settings.
* This item will not be shown when Single keyboard mode is
selected.

g Virtual Technician (p. 99)
Tap to open the Virtual Technician menu.
This menu is used to adjust various characteristics of the
acoustic piano sound.

h Sound Settings (p. 124)
Tap to open the Sound Settings menu.
This menu is used to adjust various settings of the sound.

e
f
g
h
i
j
k

i System Settings (p. 134)
Tap to open the System Settings menu.
This menu is used to adjust various system settings.

j Store to Favorite (p. 98)
Tap to store the current sound and associated settings to a
Favorite memory.

k Close Menu

Settings

Tap to close the menu and return to the Pianist mode screen.

95

About Settings
 Adjusting the Reverb settings
Reverb refers to the acoustic environment of a virtual room.
1. Tap the [ON/OFF] buttons to turn Reverb on/off.

Reverb ON/OFF button

2. Tap [Reverb] to open the Reverb settings menu.
Reverb settings
Menu button

3. Swipe left/right or tap the arrow buttons to change the reverb
type.
* The Reverb type can be set to one of 6 types, listed below.

Reverb type

4. Long press and drag the two sliders to adjust the depth and
time of the reverb.

Settings

* The Reverb depth and time can be adjusted within the range of
1~10

 Reverb types

96

Reverb type

Description

Room

Simulates the ambience of a small rehearsal room.

Lounge

Simulates the ambience of piano lounge.

Small Hall

Simulates the ambience of a small hall.

Concert Hall

Simulates the ambience of a concert hall or theatre.

Live Hall

Simulates the ambience of a live hall or stage.

Cathedral

Simulates the ambience of a large cathedral.

Depth slider
Time slider

 Adjusting the Effect settings
Effects alter the tonal character and feeling of an instrument sound.
1. Tap the [ON/OFF] buttons to turn Effects on/off.

Effects ON/OFF button

2. Tap [Effects] to open the Effects settings menu.

Effects settings
Menu button

3. Swipe left/right or tap the arrow buttons to change the Effect
type.

4. Long press and drag the two sliders to adjust the settings of
the effect.

Effect type
Setting 1 slider
Setting 2 slider

Settings

* The Effect type can be set to one of 24 types. For a full list of available
effect types, please refer to page 35.

97

About Settings
 Adjusting the Transpose setting
The Transpose setting allows the pitch of the CA98/CA78 digital piano keyboard to be raised or lowered in semi-tone steps. This is
particularly useful when accompanying instruments tuned for different keys, or when a song learned in one key must be played in
another key. When transposed, the song can be played in the original key, yet heard in a different key.
Long press and drag the slider to adjust the value of the
Transpose settings.
* The Transpose value can be adjusted within the range of -12~+12.

Transpose slider

 Adjusting the Keyboard Settings
The Keyboard Settings menu is used to adjusted Dual, Split, and 4Hands keyboard mode settings.
* This item will not be shown when Single keyboard mode is selected.

The settings in this menu will vary depending on the keyboard
mode selected. For more information regarding the different
keyboard modes, and adjusting their relevant settings, please
refer to the pages below:
Dual keyboard mode:
page 27
Split keyboard mode:
page 29
4Hands keyboard mode: page 31
Keyboard Settings

 Store to Favorite function
The Store to Favorite function is used to store the current instrument settings to a Favorite memory.
1. Tap [Store to Favorite].

Settings

The Favorite Name screen will be shown.
2. Enter the desired name for the Favorite memory using the
onscreen keyboard, then tap the enter key to confirm the
store.
* For more information about the Favorites function, please refer to
page 81.

Store to Favorite

98

Virtual Technician
The Virtual Technician menu contains a variety of settings that allow the character of the CA98/CA78’s acoustic piano
to be dramatically adjusted. There are two methods of using the Virtual Technician: Smart Mode and Advanced
Mode.
Tap [Virtual Technician] to open the Virtual Technician menu.

Virtual Technician

 Smart Mode

Pianist Mode

Sound Mode

In Smart Mode, the Virtual Technician intelligently performs a collection of adjustments for the player, based on ten preset attributes
such as ‘Soft’ or ‘Strong’, ‘Brilliant’ or ‘Dark’. This mode is recommended for musicians that wish to enjoy different piano characteristics,
without delving into the individual parameters of Advanced Mode.
* The Smart Mode Virtual Technician is only available in Sound mode.

Tap the [Smart] button to select the Smart Mode Virtual Technician.

a Back button
Tap to return to the Sound mode menu.

a

b Virtual Technician mode select
Tap to change the Virtual Technician to Smart or Advanced
mode.

c Smart Mode preset
Swipe left/right or tap the arrow buttons to change the Smart
Mode preset.

b

d Smart Mode preset explanation
Displays information about the currently selected Smart Mode
preset.

e Save to Sound

c

Tap to save the current Virtual Technician settings to the selected
instrument sound.

d
Settings

* It is also possible to use the Favorites function to store preferred
Virtual Technicians settings to memory. For more information
please refer to pages 83 and 100.

e

99

Virtual Technician
 Changing the Smart Mode preset
Adjust the overall character of the sound using a preset.
1. Swipe left/right or tap the arrow buttons to change the Smart
Mode preset
The tonal character of the piano sound will change, and
information about the selected Smart Mode preset will be
shown in the explanation area.

Smart Mode preset

 Storing the Smart Mode preset
Store the current Virtual Technician settings to the selected instrument sound.
1. Tap [Store to Sound].
The current Virtual Technician Smart Mode preset will be
stored to the selected instrument sound, and recalled
automatically whenever that sound is selected.

Settings

Store to Sound

100

 Advanced Mode
In Advanced Mode, the player is given full control over every aspect of the piano’s configuration, allowing precise adjustments over
hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics. This mode is recommended for
musicians that enjoy fine-tuning individual details of the piano sound in order to suit their personal preferences.
In Sound mode, Virtual Technician settings are adjusted and stored independently for each sound, variation, allowing flexible control
over the characteristics of each piano voice.
* The Advanced Mode Virtual Technician is available in both Pianist and Sounds modes, however some settings will be hidden in Pianist mode.
* The Advanced Mode Virtual Technician settings in Pianist mode and Sound mode are adjusted independently.

 Virtual Technician Advanced mode settings
Description

1

Touch Curve

Adjust the touch sensitivity of the keyboard.

Pianist Mode Default

Page no.



Normal

p. 103

2

Voicing

Adjust the tonal character of the instrument.



Normal

p. 105

User Voicing

Adjust the individual voicing of each of the 88 keys.



–

p. 106

5

p. 107

5

p. 107

3

Damper Resonance

Adjust the resonance that is heard when pressing the damper pedal.

4

Damper Noise

Adjust the sound that is heard when pressing the damper pedal.

5

String Resonance

Adjust the resonance that is heard when notes are held.

5

p. 108

6

Undamped Str. Res.

Adjust the resonance produced by the topmost undamped strings.

5

p. 109

7

Cabinet Resonance

Adjust the resonance produced by the piano cabinet itself.

1

p. 110

8

Key-off Effect

Adjust the sound that is heard when keys are released.

5

p. 111

9

Fall-back Noise

Adjust the sound that is heard when the key action falls back.



5

p. 112

10

Hammer Delay

Adjust the delay of the hammer striking strings when playing pianissimo.



Off

p. 113

11

Topboard Simulation

Adjust the position of the grand piano topboard.

Open 3

p. 114

12

Decay Time

Adjust the decay time of the piano sound while the keys are pressed.

5

p. 115

13

Minimum Touch

Adjust the minimum key velocity required to produce a sound.

1

p. 115

14

Stretch Tuning

Adjust the level of stretch tuning for equal temperaments.

Normal

p. 116





User Tuning

Adjust the individual tuning of each of the 88 keys.

–

p. 117

15

Temperament

Adjust the tuning system to suit Renaissance and Baroque periods etc.

Equal Temp.

p. 118

User Temperament

Adjust the tuning of each note in the scale to a custom temperament.

–

p. 119

16

Temperament Key

Adjust the key of the selected tuning system.

C

p. 120

17

Key Volume

Adjust the volume balance of the keyboard.



Normal

p. 121

User Key Volume

Adjust the individual volume of each of the 88 keys.



–

p. 122

18

Half-Pedal Adjust

Adjust the point at which the damper pedal begins to sustain the sounds.



5

p. 123

19

Soft Pedal Depth

Adjust the depth/effectiveness of the soft pedal.



3

p. 123

Settings

No. Setting

101

Virtual Technician
 Storing the Virtual Technician settings
Store the current Virtual Technician settings to the selected instrument sound.
1. Tap [Store to Sound].
The current Virtual Technician settings will be saved to the
selected instrument sound, and recalled automatically
whenever that sound is selected.
* In Pianist mode, the Store to Sound function can be used to
automatically recall preferred settings whenever the instrument is
turned on, without needing to use Favorite memories.

Store to Sound

 About Stored Virtual Technician settings

Settings

As mentioned above, in Sound mode, the Virtual Technician settings are adjusted and stored independently for each sound. This
allows different Virtual Technician adjustments to be made for each piano voice. For example, it may be desirable to voice the SK
Concert Grand piano a little brighter than the EX Concert Grand piano, or increase the Damper, String, and Cabinet Resonances of the
SK-5 Grand while leaving the Pop Piano unchanged.

102

1 Touch Curve

Pianist Mode

Sound Mode

As with an acoustic piano, the CA98/CA78 digital piano produces a louder sound when the keys are struck with
force, and a softer sound when the keys are played gently. The volume and tonal character change in relation to the
strength and velocity of playing – on a digital piano this system is referred to as ‘touch sensitivity’.
The Touch Curve setting allows the touch sensitivity of the keyboard to be conveniently adjusted. There are six
different preset touch curve settings available, with an additional ‘User’ setting allowing performers to customise
the instrument’s keyboard responsiveness to suit their individual playing style.
The default ‘Normal’ setting is designed to accurately recreate the touch of a Kawai concert grand piano. However,
if the keyboard feels too light, or fortissimo playing is achieved too easily, it may be desirable to select a heavier
touch curve. Alternatively, if the keyboard feels too heavy, or fortissimo playing is too difficult to achieve, it may be
desirable to select a lighter touch curve.
* This Virtual Technician setting will affect all sounds.

 Touch Curve types
Touch Curve

Description

Light +

Requires less striking force to achieve a forte note. For players with a very delicate touch.

Light

A louder volume is produced even when playing with a soft touch. For those still developing finger strength.
* This touch curve is recommended for children and organ players.

Normal (default)

Reproduces the standard touch sensitivity of an acoustic piano.

Heavy

Requires a heavier touch to produce a loud volume. Ideally suited to those with stronger fingers.

Heavy +

Requires considerably more striking force to achieve a loud volume.

Off (constant)

A constant volume is produced regardless of how hard the keys are struck.
* This touch curve intended for playing sounds of instruments that have a fixed dynamic range (e.g. organ and harpsichord).

User

A custom touch curve, created to suit an individual’s personal playing style.

 Touch Curve graph

a

b

c

d

e

Touch Curve

a

Light +

b

Light

c

Normal (default)

d

Heavy

e

Heavy +

f

Off (constant)

Settings

f

No.

Soft

Sound Volume

Loud

The illustration below provides a visual representation of the different Touch Curve settings.

Gentle

Keyboard Pressure

Strong

103

Virtual Technician
 Changing the Touch Curve type
Swipe left/right or tap the arrow buttons to change the Touch
Curve type.
* The Touch Curve can be set to one of 7 types.

The perceived weight of the keyboard will change depending
on the selected touch curve.

Touch Curve type

* Any changes made to the Touch Curve setting will remain until the
power is turned off.
* Preferred Touch Curve settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

User Touch Curve

Pianist Mode

Sound Mode

The User Touch Curve function automatically creates a custom touch curve, based on the individual’s playing style.

 Creating a User Touch Curve
1. Swipe left/right or tap the arrow buttons to select the User
touch curve type.
2. Tap the [Edit] button.
The User Touch Curve screen will be shown.

3. Tap the [Start] button.

Touch Curve type

BACK button

4. Play the piano dynamically from very soft to very loud,
allowing the instrument to examine the personal playing
technique.

Settings

* More than one attempt may be required in order to create an
accurate User Touch Curve.
* Reducing the master volume fader to the lowest position before
creating the User Touch Curve may help to reduce user distractions,
thus improving accuracy.

5. Tap the [Stop] button.
The new User Touch Curve will be stored to the User touch
type, and selected automatically.
6. Tap the [Back] button to return to the Virtual Technician menu.
* If desired, tap [Save to Sound] to ensure that the User touch type is
retained after the instrument’s power is turned off.

104

Start button

2 Voicing

Pianist Mode

Sound Mode

On an acoustic piano, the shape, density, and texture of the hammers all influence on the tonal character of the
instrument’s sound. Technicians utilise a variety of tools such as needles, files, and brushes to manipulate these
hammer felts, with the ultimate goal of achieving a balanced tonal character across the keyboard.
The Voicing setting recreates various hammer properties, allowing the overall tonal character of the CA98/CA78
digital piano to be adjusted. There are six different preset voicing settings available (applied uniformly to all keys),
with an additional ‘User’ setting allowing players to perform custom adjustments on each individual key.
While the default ‘Normal’ voicing setting should be appropriate for a broad range of musical genres, it may be
desirable to select a softer, more mellow tonal character for romantic pieces, or a brighter, more aggressive tone for
modern styles.
* This Virtual Technician setting will affect all sounds.

 Voicing types
Voicing type

Description

Normal (default)

The normal tonal character of an acoustic piano throughout the entire dynamic range.

Mellow 1

A softer, more mellow tonal character throughout the entire dynamic range.

Mellow 2

An even softer tonal character than Mellow 1.

Dynamic

A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.

Bright 1

A bright tonal character throughout the entire dynamic range.

Bright 2

An even brighter tonal character than Bright 1.

User

A custom tonal character, allowing each key to be individually voiced.

 Changing the Voicing type
Swipe left/right or tap the arrow buttons to change the Voicing
type.
* The Touch Curve can be set to one of 7 types.

The tonal character of the sound will change depending on the
selected voicing type.
* Any changes made to the Voicing setting will remain until the power is
turned off.

Voicing type

Settings

* Preferred Voicing settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.

105

Virtual Technician

User Voicing

Pianist Mode

Sound Mode

The User Voicing function allows each of the 88 keys to be voiced individually.

 Adjusting the User Voicing function
1. Swipe left/right or tap the arrow buttons to select the User
Voicing type.
* In Sound mode, User Voicing is performed and stored independently
for each sound.

2. Tap the [Edit] button.
The User Voicing screen will be shown.

3. Tap [Key], then press the desired key on the keyboard to be
adjusted.

Voicing type

BACK button

The selected key should be shown.
4. Long press and drag the slider to adjust the User Voicing value
for the selected key.
* The User Voicing value can be adjusted within the range of –5~+5,
with lower values creating a mellower sound and higher values
creating a brighter sound.

5. Tap the [Back] button to return to the Virtual Technician menu.

Settings

* If desired, tap [Save to Sound] to ensure that the User Voicing type
is retained after the instrument’s power is turned off.

106

Key

User Voicing slider

3 Damper Resonance

Sound Mode

Pressing the damper pedal of an acoustic piano raises all dampers, allowing the strings to vibrate freely. When a
note or chord is played on the piano with the sustain pedal pressed, not only will the strings of the notes played
vibrate, but also the strings of other notes, vibrating in sympathetic resonance.
The CA98/CA78 digital piano recreates this phenomenon, with the Damper Resonance setting allowing the volume
of this resonance sound to be adjusted.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Adjusting the Damper Resonance volume
Long press and drag the slider to increase or decrease the
volume of the Damper Resonance setting.
* The Damper Resonance volume can be adjusted within the range
of Off, 1~10, with higher values resulting in a more pronounced
resonance.
* Any changes made to the Damper Resonance setting will remain until
the power is turned off.
* Preferred Damper Resonance settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

4 Damper Noise

Damper Resonance slider

Pianist Mode

Sound Mode

When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of the
damper head touching and releasing the strings.
The CA98/CA78 digital piano reproduces this sound, with the Damper Noise setting allowing the volume of this
sound to be adjusted. The speed at which the damper pedal is pressed will also influence the prominence of the
damper noise, with fast pedalling creating a very pronounced sound.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Adjusting the Damper Noise volume

Settings

Long press and drag the slider to increase or decrease the
volume of the Damper Noise setting.
* The Damper Noise volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced noise.
* Any changes made to the Damper Noise setting will remain until the
power is turned off.
* Preferred Damper Noise settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

Damper Noise slider

107

Virtual Technician

5 String Resonance

Sound Mode

String Resonance refers to a phenomenon that exists in acoustic pianos whereby the strings of held notes resonate
‘sympathetically’ with other notes of the same harmonic overtone series.
The CA98/CA78 digital piano recreates this phenomenon, with the String Resonance setting allowing the volume of
this resonance to be adjusted.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Demonstrating String Resonance
To experience the string resonance phenomenon, gently hold down the ‘C’ key as shown in the illustration below, then play (strike and
release quickly) any of the keys marked with a  symbol. In addition to the sound of each note played, it should also be possible to
hear the strings of the first ‘C’ key resonating ‘sympathetically’, thus demonstrating String Resonance.
C

F G

B

F G

C

E

G

C

E

G

A

C D E

G

C

ho
ld

C

A

 Adjusting the String Resonance volume
Long press and drag the slider to increase or decrease the
volume of the String Resonance setting.
* The String Resonance volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced resonance.
* Any changes made to the String Resonance setting will remain until
the power is turned off.

Settings

* Preferred String Resonance settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

108

String Resonance slider

6 Undamped String Resonance

Sound Mode

The dampers of an acoustic piano span almost the full width of the keyboard. However, the topmost 18 keys
(approximately 1.5 octaves) do not incorporate dampers, as the shorter strings for these treble notes decay quickly
and therefore do not need to be dampened.
Damped Strings

A0

Undamped Strings

G6

C8

As a result, the strings of these ‘undamped’ treble notes are free to vibrate in sympathetic resonance with those of
lower keys – independently of the damper pedal position – helping to enrich the sound with additional harmonics
and tonal colour.
The CA98/CA78 digital piano recreates this phenomenon, with the Undamped String Resonance setting allowing
the volume of this resonance sound to be adjusted.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Adjusting the Undamped String Resonance volume
Long press and drag the slider to increase or decrease the
volume of the Undamped String Resonance setting.
* The Undamped String Resonance volume can be adjusted within the
range of Off, 1~10, with higher values resulting in a more pronounced
resonance.
* Any changes made to the Undamped String Resonance setting will
remain until the power is turned off.

Undamped String
Resonance slider

Settings

* Preferred Undamped String Resonance settings can be stored to the
sound’s memory (in Sound mode) or a Favorite memory for convenient
recall. Please refer to pages 83 and 102 for more information.

109

Virtual Technician

7 Cabinet Resonance

Sound Mode

While the fundamental sound of an acoustic piano is produced by vibrating strings, transmitting energy through a
spruce soundboard, the cabinet of the instrument itself also contributes a variety of subtle tonal characteristics that
enrich the playing and listening experience. The keybed, inner and outer rim, iron plate, and beams all play a role in
disseminating sound energy, which in turn gives the piano a living, breathing quality.
The CA98/CA78 digital piano recreates these natural acoustic characteristics, with the Cabinet Resonance setting
allowing the volume of this resonance sound to be adjusted.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Adjusting the Cabinet Resonance volume
Long press and drag the slider to increase or decrease the
volume of the Cabinet Resonance setting.
* The Cabinet Resonance volume can be adjusted within the range of
1~10, with higher values resulting in a more pronounced resonance.
* Any changes made to the Cabinet Resonance setting will remain until
the power is turned off.
* Preferred Cabinet Resonance settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

Settings

Cabinet Resonance slider

110

8 Key-off Effect

Sound Mode

When playing an acoustic piano – particularly in the bass region of the keyboard – if a key is played with force and
released quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before
the vibrations are stopped.
In addition, the speed at which keys are lifted will also affect the character of the sound. For example, when lifting
the keys quickly (e.g. staccato playing) the ‘release’ portion of the sound will be noticeably shorter than when lifting
the keys slowly (e.g. legato playing).
The CA98/CA78 digital piano reproduces both characteristics, with the Key-off Effect setting allowing the volume of
the key-off sound to be adjusted, and the key-off release speed detection to be turned on or off.
* This Virtual Technician setting will affect acoustic piano and electric piano sounds.

 Adjusting the Key-off Effect volume
Long press and drag the slider to increase or decrease the
volume of the Key-off Effect setting.
* The Key-off Effect volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced effect.
* When the Key-Off Effect setting is set to Off, the key-off release speed
detection will also be disabled, and the speed at which keys are lifted
will not affect the character of the sound.
* Any changes made to the Key-off Effect setting will remain until the
power is turned off.

Key-off Effect slider

Settings

* Preferred Key-off Effect settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

111

Virtual Technician

9 Fall-back Noise

Pianist Mode

Sound Mode

When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e.
‘falling back’) to the neutral position after a key is released.
The CA98/CA78 digital piano reproduces this sound, with the Fall-back Noise setting allowing the volume of this
sound to be adjusted.
While the default value is intended to simulate the natural volume level of the keys as they return to their neutral
position, it may occasionally be desirable to adjust the volume of this sound. For example, reducing the volume
when playing very soft pieces, where the fall-back noise may become too prominent.
* This Virtual Technician setting will affect acoustic piano and harpsichord sounds.

 Adjusting the Fall-back Noise volume
Long press and drag the slider to increase or decrease the
volume of the Fall-back Noise setting.
* The Fall-back Noise volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced noise.
* Any changes made to the Fall-back Noise setting will remain until the
power is turned off.

Settings

* Preferred Fall-back Noise settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

112

Fall-back Noise slider

10 Hammer Delay

Pianist Mode

Sound Mode

When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key being
pressed and the hammer striking the strings.
If desired, the CA98/CA78 digital piano can recreate this delay, with the Hammer Delay setting allowing the delay
length to be adjusted.
While the default value of ‘Off’ is intended to replicate a well-regulated concert grand piano, with an immediate
connection between the keyboard and hammers, some players may find it desirable to introduce a minor delay, in
order to mimic different types of piano or instruments with a slightly worn keyboard action.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Adjusting the Hammer Delay value
Long press and drag the slider to increase or decrease the value
of the Hammer Delay setting.
* The Hammer Delay value can be adjusted within the range of Off,
1~10, with higher values resulting in an increased delay.
* Any changes made to the Hammer Delay setting will remain until the
power is turned off.

Hammer Delay slider

Settings

* Preferred Hammer Delay settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

113

Virtual Technician

11 Topboard Simulation

Sound Mode

When playing an acoustic grand piano, the position of the instrument’s topboard (lid) affects both the volume and
‘openness’ of the tone produced. A fully open topboard allows sound waves to reflect off the polished lid surface
and project into the room, while a closed lid has the opposite effect, resulting in a darker, more opaque tone.
The CA98/CA78 digital piano simulates these characteristics, with four different topboard positions.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Topboard positions
Topboard position

Description

Open 3 (default)

Simulates the character of a fully open topboard, with maximum sound projection.

Open 2

Simulates the character of a half open topboard, with reduced sound projection.

Open 1

Simulates the character of a partially open topboard, with limited sound projection.

Closed

Simulates the character of a closed topboard, with minimum sound projection.

 Changing the Topboard position
Swipe left/right or tap the arrow buttons to change the Topboard
position.
* The Topboard can be set to one of 4 positions.

The tonal character of the sound will change depending on the
selected Topboard position.
* Any changes made to the Topboard setting will remain until the power
is turned off.

Settings

* Preferred Topboard settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.

114

Topboard position

12 Decay Time

Sound Mode

When playing an acoustic grand piano, the length of the instrument influences the speed at which held notes decay,
with longer grand pianos (i.e. longer strings) characterised by longer decay times.
The CA98/CA78 digital piano simulates this characteristic, with the Decay Time setting allowing the length of decay
while keys are pressed to be adjusted.
* This Virtual Technician setting will affect all sounds.

 Adjusting the Decay Time value
Long press and drag the slider to increase or decrease the value
of the Decay Time setting.
* The Decay Time value can be adjusted within the range of 1~10, with
larger values resulting in increased decay times.
* Any changes made to the Decay Time setting will remain until the
power is turned off.
* Preferred Decay Time settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.

Decay Time slider

13 Minimum Touch

Pianist Mode

Sound Mode

The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By default,
this setting recreates the extremely fine touch sensitivity of a concert grand piano, allowing a very soft sound to be
produced with the slightest of key touches. However, it may be desirable to reduce this sensitivity, when wishing to
recreate the sensitivity of a small grand piano or an upright piano.
* This Virtual Technician setting will affect acoustic piano and electric piano sounds.

 Adjusting the Minimum Touch value
Long press and drag the slider to increase or decrease the value
of the Minimum Touch setting.

Settings

* The Minimum Touch value can be adjusted within the range of 1~20,
with larger values requiring greater key force in order to produce
a sound. For example, a value of 10 will require the keyboard to be
played with a velocity of 10 or above in order to produce a sound.
* Any changes made to the Minimum Touch setting will remain until the
power is turned off.
* Preferred Minimum Touch settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

Minimum Touch slider

115

Virtual Technician

14 Stretch Tuning

Sound Mode

Stretch tuning is a piano-specific tuning method used by acoustic piano technicians in which the lower octaves are
tuned slightly flatter and the upper octaves are tuned slightly sharper to match the natural harmonics of an acoustic
piano.
The Stretch Tuning setting allows the degree of stretch tuning to be adjusted when Equal temperament is selected,
or for stretch tuning to be completely disabled. It is also possible to create custom tuning methods by adjusting the
pitch of each individual key.
* This Virtual Technician setting will affect all sounds.

 Stretch Tuning setting
Stretch Tuning

Description

Off

Stretch tuning is disabled.

Normal (default)

Normal stretch tuning is applied.

Wide

Wide stretch tuning is applied.

User

A custom tuning method, allowing the pitch of each key to be individual tuned.

 Changing the Stretch Tuning type
Swipe left/right or tap the arrow buttons to change the Stretch
Tuning type.
* The Stretch Tuning type can be set to one of 4 types.

The tonal character of the sound will change depending on the
selected Stretch Tuning type.
* Any changes made to the Stretch Tuning setting will remain until the
power is turned off.

Settings

* Preferred Stretch Tuning settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

116

Stretch Tuning type

User Tuning

Sound Mode

The User Tuning function allows each of the 88 keys to be tuned individually.

 Adjusting the User Tuning function
1. Swipe left/right or tap the arrow buttons to select the User
Tuning type.
* In Sound mode, User Tuning is performed and stored independently
for each sound.

Stretch Tuning type

2. Tap the [Edit] button.
The User Tuning screen will be shown.

3. Tap [Key], then press the desired key on the keyboard to be
adjusted.

BACK button

The selected key should be shown.
4. Long press and drag the slider to adjust the User Tuning value
for the selected key.
* The User Tuning value can be adjusted within the range of –50~+50.
A value of +20 indicates a pitch increase of 20 cents.

Key

User Tuning slider

5. Tap the [BACK] button to return to the Virtual Technician
menu.

Settings

* If desired, tap [Save to Sound] to ensure that the User Tuning type is
retained after the instrument’s power is turned off.

117

Virtual Technician

15 Temperament

Sound Mode

The Temperament setting allows the tuning system used by the CA98/CA78 digital piano to be changed from the
modern ‘Equal Temperament’ standard to one of the various temperaments popularised during the Renaissance
and Baroque periods. It is also possible to create customised temperaments using the User Temperament function.
* This Virtual Technician setting will affect all sounds.

 Temperament types
Temperament type

Description

Equal Temperament (default)
(Equal)

This temperament is the most popular tuning method, and divides the scale into twelve equal
semi-tones. This produces the same chordal intervals in all twelve keys, and has the advantage
of limitless modulation of the key. However, the tonality of each key becomes less characteristic
and no chord is in pure consonance.

Pure Temperament
(Pure Major/Pure Minor)

This temperament, which eliminates dissonances for thirds and fifths, is still popular in choral
music because of its perfect harmony. Any key modulation will result in dissonances.

Pythagorean Temperament
(Pythagorean)

This temperament, which uses mathematical ratios to eliminate dissonance for fifths, is very
limited for use with chords, but produces very characteristic melodic lines.

Meantone Temperament
(Meantone)

This temperament, which uses a mean between a major and minor whole tone to eliminate
dissonance for thirds, was devised to eliminate the lack of consonances experienced with certain
fifths for the Mersenne pure temperament.
It produces chords that are more beautiful than those played with equal temperament.

Werckmeister Temperament
(Werckmeister)
Kirnberger Temperament
(Kirnberger)

These two temperaments are placed in between Meantone and Pythagorean. For music with
few accidentals, this temperament produces the beautiful chords of the mean tone, but as
accidentals increase, the temperament produces the characteristic melodies of the Pythagorean
temperament.
It is used primarily for classical music written in the Baroque era to revive the original
characteristics.

User Temperament
(User)

A custom temperament, created by raising or lowering the pitch of each note in the scale.

* The key of the temperament and major/minor setting must be correctly matched.

 Changing the Temperament type
Swipe left/right or tap the arrow buttons to change the
Temperament type.
* The Temperament type can be set to one of 8 types.

Settings

* Any changes made to the Temperament setting will remain until the
power is turned off.
* Preferred Temperament settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.

118

Temperament type

User Temperament

Sound Mode

The User Temperament function allows custom temperaments to be created.

 Adjusting the User Temperament function
1. Swipe left/right or tap the arrow buttons to select the User
Temperament type.
2. Tap the [Edit] button.
The User Temperament screen will be shown.

3. Tap [Key], then press the desired key on the keyboard to be
adjusted.

Temperament type

BACK button

The selected key should be shown.
4. Long press and drag the slider to adjust the User Temperament
value for the selected key.
* The User Temperament value can be adjusted within the range of
–50~+50. A value of +20 indicates a pitch increase of 20 cents.

Key

User Temperament slider

5. Tap the [Back] button to return to the Virtual Technician menu.

Settings

* If desired, tap [Save to Sound] to ensure that the User Temperament
type is retained after the instrument’s power is turned off.

119

Virtual Technician

16 Temperament Key

Sound Mode

The Temperament Key setting allows the key of the selected temperament to be specified. When using a temperament
other than Equal temperament, use this setting to specify the key signature of the piece.
* This Virtual Technician setting will affect all sounds.
* This setting will only affect the ‘balance’ of the tuning system, the pitch of the keyboard will remain unchanged.

 Changing the Temperament Key
Swipe left/right or tap the arrow buttons to change the
Temperament Key.
* The Temperament Key can be set within the range of C to B.
* Any changes made to the Temperament Key setting will remain until
the power is turned off.

Settings

* Preferred Temperament Key settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

120

Temperament Key

17 Key Volume

Pianist Mode

Sound Mode

The Key Volume setting allows the volume of different regions of the keyboard to be subtly reduced. There are four
different damping presets available, with an additional ‘User’ setting allowing players to perform subtle volume
adjustments on each individual key.
While the default ‘Normal’ key volume setting should be appropriate for a broad range of musical genres, it may be
desirable to experiment with different damping presets, or the User setting to attenuate or amplify the volume of
individual keys.
* This Virtual Technician setting will affect all sounds.

 Key Volume types
Key Volume

Description

Normal (default)

An evenly balanced volume throughout the keyboard.

High Damping

Gradually reduces the volume of the keyboard towards the treble region.

Low Damping

Gradually reduces the volume of the keyboard towards the bass region.

High & Low Damping

Gradually reduces the volume of the keyboard in both the treble and bass regions.

Center Damping

Gradually reduces the volume of the keyboard in the central region.

User

A custom keyboard volume, allowing the volume of each key to be individually adjusted.

 Changing the Key Volume type
Swipe left/right or tap the arrow buttons to change the Key
Volume type.
* The Key Volume type can be set to one of 6 types.
* Any changes made to the Key Volume setting will remain until the
power is turned off.
* Preferred Key Volume settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.

Settings

Key Volume type

121

Virtual Technician

User Key Volume

Pianist Mode

Sound Mode

The User Key Volume settings allows the volume of each of the 88 keys to be adjusted individually.

 Adjusting the User Key Volume function
1. Swipe left/right or tap the arrow buttons to select the User
Key Volume type.
* User Key Volume is performed and stored independently for each
sound.

2. Tap the [Edit] button.
The User Key Volume screen will be shown.

Key Volume type

3. Tap [Key], then press the desired key on the keyboard to be
adjusted.

BACK button

The selected key should be shown.
4. Long press and drag the slider to adjust the User Key Volume
value for the selected key.
* The User Key Volume value can be adjusted within the range of
–50~+50, with lower values attenuating the sound and higher
values amplifying the sound.

5. Tap the [Back] button to return to the Virtual Technician menu.

Settings

* If desired, tap [Save to Sound] to ensure that the User Key Volume
type is retained after the instrument’s power is turned off.

122

Key

User Key Volume slider

18 Half-Pedal Adjust

Pianist Mode

Sound Mode

The Half-Pedal Adjust setting allows the point at which the damper/sustain pedal becomes effective (i.e. when the
dampers of the piano begin to lift from the strings) to be adjusted. This setting may be useful for pianists that
habitually rest their right foot on the damper/sustain pedal, but do not necessarily wish to sustain the sound.
* This Virtual Technician setting will affect all sounds.

 Adjusting the Half-Pedal Adjust value
Long press and drag the slider to increase or decrease the value
of the Half-Pedal Adjust setting.
* The Half-Pedal Adjust value can be adjusted within the range of 1~10,
with higher values resulting in a later damper pedal point.
* Any changes made to the Half-Pedal Adjust setting will remain until
the power is turned off.
* Preferred Half-Pedal Adjust settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

Half-Pedal Adjust slider

19 Soft Pedal Depth

Pianist Mode

Sound Mode

The Soft Pedal Depth setting adjusts the extent to which the soft (left) pedal of the CA98/CA78 digital piano softens
the sound of played notes.
While the default value is intended to replicate the effectiveness of a concert grand Una Corda pedal, it may be
desirable for players to increase or decrease the value of this setting to suit their playing style.
On an acoustic piano, pressing this Una Corda pedal shifts the keyboard action slightly to the right, causing the
hammers to strike two strings instead of the usual three, thus reducing the volume of each note.
* This Virtual Technician setting will affect all sounds.

 Adjusting the Soft Pedal Depth value

Settings

Long press and drag the slider to increase or decrease the value
of the Soft Pedal Depth setting.
* The Soft Pedal Depth value can be adjusted within the range of 1~10,
with higher values resulting in a softer sound.
* Any changes made to the Soft Pedal Depth setting will remain until the
power is turned off.
* Preferred Soft Pedal Depth settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.

Soft Pedal Depth slider

123

Sound Settings
The Sound Settings menu contains settings for adjusting the overall sound of the instrument, such as pitch, tone
control, and headphone enhancements.
* The Sound Settings menu settings in Pianist mode and Sound mode are shared (i.e. adjustments made in Pianist mode will also affect Sound mode
and vice versa).

Tap [Sound Settings] to open the Sound Settings menu.

Sound Settings

Pianist Mode

Sound Mode

 Sound Settings menu
No.

Setting

Description

Default setting

Page no.

1

Tuning*

Adjust the pitch of the instrument in 0.5 Hz steps.

440.0 Hz

p. 125

2

Damper Hold*

Change the effect of pressing the sustain pedal on organ, string, etc.
sounds.

Off

p. 125

3

Tone Control

Adjust the EQ settings of the instrument’s sound.

Off

p. 126

4

Speaker Volume

Change the maximum volume level of the speaker output.

Normal

p. 128

5

Line In Level

Adjust the input volume of the Line In connectors.

0 dB.

p. 129

6

Wall EQ (CA98 only)

Optimise the instrument’s speaker system based on instrument
placement.

Off

p. 130

7

SHS Mode

Select the desired SHS (Spatial Headphone Sound) mode.

Normal

p. 131

8

Phones Type

Select the type of headphones to be used with the instrument.

Normal

p. 132

9

Phones Volume

Change the maximum volume level of the headphones output.

Normal

p. 133

Settings

* The Tuning and Damper Hold settings will be hidden in Pianist mode.

124

1 Tuning
The Tuning setting allows the overall pitch of the CA98/CA78 digital piano to be raised and lowered in 0.5 Hz steps,
and may therefore prove useful when playing with other instruments.
* The Tuning setting will be hidden in Pianist mode.

 Adjusting the Tuning value
Swipe up/down or tap the arrow buttons above and below each
digit to adjust the Tuning value.
* The Tuning value can be adjusted in 0.5 Hz increments within the
range of 427.0~453.0 Hz.
* Any changes made to the Tuning setting will remain until the power is
turned off.

Tuning value

* Preferred Tuning settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.

2 Damper Hold
The Damper Hold setting is used to determine whether sounds such as organ or strings should be sustained
continuously when the damper pedal is pressed, or whether these sounds should decay, naturally.
* The Damper Hold setting will be hidden in Pianist mode.

 Damper Hold setting
Damper Hold

Description

Off (default)

Organ, strings, etc. sounds will gradually decay, even while the sustain pedal is pressed.

On

Organ, strings, etc. sounds will be sustained continuously while the sustain pedal is pressed.

 Changing the Damper Hold setting
Tap the [ON/OFF] buttons to turn Damper Hold on/off.

Settings

* Any changes made to the Damper Hold setting will remain until the
power is turned off.
* Preferred Damper Hold settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.

Damper Hold
ON/OFF buttons

125

Sound Settings

3 Tone Control
The Tone Control setting allows the overall sound character of the CA98/CA78 digital piano to be adjusted to provide
the best sound quality within the area that the instrument is located. There are five different preset EQ settings
available, with an additional ‘User’ setting allowing finer control over the different frequency bands.

 Tone Control setting
Tone Control type

Description

Off (default)

Tone control adjustment is not applied.

Brilliance

Adjusts the overall brightness of the sound, independently of the Virtual Technician ‘Voicing’ parameter.

Loudness

Emphasises frequencies to retain the instrument’s sound character when playing at low volume levels.

Bass Boost

Emphasises low-range frequencies, creating a deeper sound.

Treble Boost

Emphasises high-range frequencies, creating a brighter sound.

Mid Cut

Reduces mid-range frequencies, creating a clearer sound.

User

Allows the low, mid, and high-range frequency bands to be adjusted separately.

 Changing the Tone Control type
Swipe left/right or tap the arrow buttons to change the Tone
Control type.
* The Tone Control can be set to one of 7 types.
* Any changes made to the Tone Control setting will remain until the
power is turned off.
* Preferred Tone Control settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.

Tone Control type

 Adjusting the Brilliance value
1. Swipe left/right or tap the arrow buttons to select the
Brilliance tone control type.

Settings

2. Tap the [Edit] button.

Tone Control type

The Brilliance screen will be shown.
3. Long press and drag the slider to adjust the overall brightness
of the sound.
* The Brilliance value can be adjusted within the range of –10~+10,
with lower values creating a mellower sound and higher values
creating a brighter sound.

4. Tap the [Back] button to return to the Sound Settings menu.

126

Back button

Level slider

User Tone Control
The User Tone Control option allows finer control over the instrument’s sound character, allowing the volume of four
frequency bands to be adjusted individually. It is also possible to adjust the frequency range of the mid-low and
mid-high frequency bands.

 User Tone Control setting
No. User Tone Control

Description

1

Low

Adjusts the volume of the low range frequency band (20~100 Hz).

2

Mid-low Frequency

Adjusts the frequency of the mid-low band (355~3150 Hz).

Mid-low dB

Adjusts the volume of the mid-low range frequency band.

Mid-high Frequency

Adjusts the frequency of the mid-high band (355~3150 Hz).

Mid-high db

Adjusts the volume of the mid-high range frequency band.

High

Adjusts the volume of the high range frequency band (5000~20000 Hz).

3
4

 Adjusting the User Tone Control setting
1. Swipe left/right or tap the arrow buttons to select the User
tone control type.
2. Tap the [Edit] button.
The User Tone Control screen will be shown.

Tone Control type

3. Long press and drag the sliders to adjust the volume of the
different frequency bands.
* Each frequency band can be adjusted within the range of –6 dB~+6
dB.

Back button

frequency bands sliders

4. Swipe left/right or tap the arrow buttons to adjust the Midlow/Mid-high freqency.
Mid-low/Mid-high
freqency

Settings

* Any changes made to the Tone Control setting will remain until the
power is turned off.
* Preferred Tone Control settings can be stored to a Favorite
memory for convenient recall. Please refer to page 83 for more
information.

5. Tap the [BACK] button to return to the Sound Settings menu.

127

Sound Settings

4 Speaker Volume
The Speaker Volume setting allows the maximum volume level of the CA98/CA78 digital piano’s speaker output to
be reduced, providing finer adjustment control over the master volume. This setting can also function as a volume
limiter, preventing the instrument from being played too loudly in the home or classroom etc.
* This setting does not affect the headphones or Line Out volume.

 Speaker Volume setting
Speaker Volume

Description

Normal (default)

The instrument’s speakers will output sound at the normal volume level.

Low

The instrument’s speakers will output sound at a reduced volume level.

 Changing the Speaker Volume setting
Swipe left/right or tap the arrow buttons to change the Speaker
Volume setting.
* Any changes made to the Speaker Volume setting will remain until the
power is turned off.

Settings

Speaker Volume

128

5 Line In Level
The Line In Level setting allows the volume level of the instrument’s Line In input jacks to be adjusted digitally. This
setting may be useful when using the USB Recorder function and attempting to balance an external audio source
with the instrument’s sound.
* The Line In Level can also be adjusted by using the LEVEL knob, located on the jack panel. Please refer to page 155 for more information.

 Adjusting the Line In Level setting
Long press and drag the slider to adjust the Line In Level setting.
* The Line In Level can be adjusted within the range of –10 dB~+10 dB.
* Any changes made to the Line In Level setting will remain until the
power is turned off.

Line In Level slider

 Line In Level setting vs Line In LEVEL knob
The CA98/CA78 digital piano provides two methods of adjusting the level of the Line In audio: the Line In LEVEL knob (located beside
the Line In connector on the jack panel), and the Line In Level setting. The LEVEL knob is used to adjust the analogue volume of the
sound entering the instrument, while the Line In Level setting adjusts the digital volume of the sound once it is ‘inside’ the instrument.

Settings

To ensure the Line In audio is of a high quality, it is recommended to set the volume of the external audio device (for example a tablet)
to a high level, then adjust the instrument’s Line In LEVEL knob to a comfortable level, without distortion. If it is necessary to further
increase or decrease the volume of the external audio, the Line In Level setting can then be used as desired.

129

Sound Settings

6 Wall EQ

(CA98 only)

The Wall EQ setting optimises the sound character of the soundboard speaker depending on whether the CA98
digital piano (back) is placed beside a wall, or in an area away from a wall.
* This setting does not affect the headphones or Line Out output.

 Wall EQ setting
Wall EQ

Description

Off (default)

Optimise the speaker system for placing the CA98 digital piano in an area away from a wall.

On

Optimise the speaker for placing the CA98 digital piano beside a wall.

 Changing the Wall EQ setting
Tap the [ON/OFF] buttons to turn Wall EQ on/off.
* Any changes made to the Wall EQ setting will remain until the power is
turned off.

Settings

Wall EQ ON/OFF buttons

130

7 SHS Mode
Spatial Headphone Sound (SHS) is a special feature of the CA98/CA78 digital piano that enhances the depth and
realism of the acoustic piano sound when listening through headphones or earphones.
The SHS Mode setting allows the player to select from one of three different acoustic presets that adjust the spatial
positioning of the sound, while also helping to reduce auditory fatigue when using earphones or headphones for
extended periods of time.
* This setting does not affect the speaker or Line Out sound.

 SHS Mode setting
SHS Mode

Description

Off

Disable the Spatial Headphone Sound feature.

Forward

Front focused, somewhat narrow spatial positioning.

Normal (default)

Naturally balanced spatial positioning that is neither forward nor wide.

Wide

Wide, very open spatial positioning.

 Changing the SHS Mode setting
Swipe left/right or tap the arrow buttons to change the SHS
Mode setting.
* The SHS Mode can be set to one of 3 types, or turned off.
* Any changes made to the SHS Mode setting will remain until the
power is turned off.

Settings

SHS Mode

131

Sound Settings

8 Phones Type
The Phones Type setting optimises the sound of the CA98/CA78 digital piano when listening through different types
of headphones or earphones.
* This setting does not affect the speaker or Line Out sound.

 Phones Type setting
Phones Type

Description

Normal (default)

Disables headphone optimisation.

Open

Optimises the sound for open type headphones.

Semi-open

Optimises the sound for semi-open type headphones.

Closed

Optimises the sound for closed type headphones.

Inner-ear

Optimises the sound for inner-ear type headphones.

Canal

Optimises the sound for canal-type headphones.

 Changing the Phones Type setting
Swipe left/right or tap the arrow buttons to change the Phones
Type setting.
* The Phones Type can be set to one of 6 types.
* Any changes made to the Phones Type setting will remain until the
power is turned off.

Settings

Phones Type

132

9 Phones Volume
The Phones Volume setting allows the maximum volume level of the headphones output to be increased.
The default setting for Phones Volume is ‘Normal’ in order to protect an individual’s ears from excessive volume
levels. The ‘High’ setting may be selected when using headphones with a high impedance, or in situations where it
is desirable to increase the maximum volume level of the headphones output.
* This setting does not affect the speaker or Line Out sound.

 Phones Volume setting
Phones Volume

Description

Normal (default)

The instrument’s headphone connectors will output sound at the normal volume level.

High

The instrument’s headphone connectors will output sound at an increased volume level.

 Changing the Phones Volume setting
Swipe left/right or tap the arrow buttons to change the Phones
Volume setting.
* Any changes made to the Phones Volume setting will remain until the
power is turned off.

Settings

Phones Volume

133

System Settings
The System Settings menu contains settings and functions related to the instrument’s operation, such as Bluetooth
and MIDI connectivity, USB functions, LCD appearance, etc.
* The System Settings menu settings in Pianist mode and Sound mode are shared (i.e. adjustments made in Pianist mode will also affect Sound mode
and vice versa).

Tap [System Settings] to open the System Settings menu.

System Settings

Pianist Mode

Sound Mode

Settings

 System Settings menu
No.

Setting

Description

Default setting

Page no.

1

Bluetooth MIDI

Enable/disable the instrument’s Bluetooth MIDI function.

On

p. 135

2

Bluetooth Audio

Enable/disable the instrument’s Bluetooth Audio function.

On

p. 136

3

Bluetooth Audio Volume

Adjust the volume of Bluetooth Audio playback.

0 dB

p. 137

4

Rename File*

Rename a file stored on a USB memory device.

-

p. 138

5

Delete File*

Delete a file stored on a USB memory device.

-

p. 139

6

USB Format*

Format a USB memory device, erasing all stored data.

-

p. 140

7

MIDI Channel

Specify the channel that is used to transmit/receive MIDI
information.

1

p. 143

8

Send PGM Change #

Send a MIDI program change number from 1 to 128.

1

p. 144

9

Local Control

Specify whether internal sounds will be heard when the
keyboard is pressed.

On

p. 144

10

Trans. PGM Change

Specify whether program change data is sent when sounds are
changed.

On

p. 145

11

Multi-timbral Mode

Specify whether the instrument can receive Multi-timbral MIDI
information.

Off

p. 146

12

Channel Mute

Specify which channels (1-16) are activated to receive MIDI
information.

Play All

p. 146

13

LCD Contrast

Adjust the contrast of the instrument’s LCD touchscreen
display.

5

p. 147

14

Auto Display Off

Enable/disable the touchscreen display’s auto off function.

Off

p. 147

15

Auto Power Off

Enable/disable the instrument’s Auto Power Off energy saving
function.

-

p. 148

16

Factory Reset

Restore all panel settings to the original factory configuration.

-

p. 149

* USB functions will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

134

1 Bluetooth® MIDI
The Bluetooth MIDI setting is used to enable/disable the CA98/CA78 digital piano’s Bluetooth MIDI function. When
enabled, the CA98/CA78 digital piano can be connected to smart phones, tablets, and other smart devices to facilitate
wireless MIDI communication, allowing a wide range of music-related apps to be enjoyed using the instrument.
* Availability of Bluetooth MIDI function dependent on market location.

 Bluetooth MIDI setting
Bluetooth MIDI

Description

Off

The instrument’s Bluetooth MIDI function will be turned off.

On (default)

The instrument’s Bluetooth MIDI function will be turned on.

 Changing the Bluetooth MIDI setting
Tap the [ON/OFF] buttons to turn Bluetooth MIDI on/off.
* Any changes made to the Bluetooth MIDI setting will remain until the
power is turned off.

Bluetooth MIDI
ON/OFF buttons

 Connecting the CA98/CA78 digital piano to a smart device using Bluetooth MIDI
After enabling the Bluetooth MIDI function of the CA98/CA78 digital piano, enable Bluetooth communications on the smart device,
then open the desired MIDI app. After a few seconds ‘CA98’ or ‘CA78’ should appear in the app’s device list. Tap the CA98/CA78 entry
to connect the instrument to the smart device. It should now be possible for MIDI apps to communicate wirelessly with the CA98/
CA78 digital piano.
* When the CA98/CA78 digital piano is connected to a smart device via Bluetooth MIDI, the USB MIDI and MIDI IN/OUT connectors will be disabled.
* Please check for Bluetooth MIDI compatibility with the smart device manufacturer and app developer.

* For more detailed instructions regarding Bluetooth connectivity, please refer to the supplementary Bluetooth® Connectivity Guide, available from
the Kawai Global website: http://www.kawai-global.com/support/bluetooth

135

Settings

* For a list of potential issues and recommended solutions when using Bluetooth communications, please refer to page 158 of this owner’s manual.

System Settings

2 Bluetooth® Audio
The Bluetooth Audio setting is used to enable/disable the CA98/CA78 digital piano’s Bluetooth Audio function.
When enabled, the CA98/CA78 digital piano can be connected to smart phones, tablets, and other smart devices
to facilitate wireless audio communication, allowing music stored on a device to played through the instrument’s
speaker system/headphones.
* Availability of Bluetooth Audio function dependent on market location.

When using the USB audio recorder function, the Bluetooth Audio stream will also be mixed with the instrument’s internal sound and
recorded to the MP3/WAV file.

 Bluetooth Audio setting
Bluetooth Audio

Description

Off

The instrument’s Bluetooth Audio function will be turned off.

On (default)

The instrument’s Bluetooth Audio function will be turned on.

 Changing the Bluetooth Audio setting
Tap the [ON/OFF] buttons to turn Bluetooth Audio on/off.
* Any changes made to the Bluetooth Audio setting will remain until the
power is turned off.

Bluetooth Audio
ON/OFF button

 Connecting the CA98/CA78 digital piano to a smart device using Bluetooth Audio

Settings

After enabling the Bluetooth Audio function of the CA98/CA78 digital piano, enable Bluetooth communications on the smart device.
After a few seconds ‘CA98 Audio’ or ‘CA78 Audio’ should appear in the smart device’s Bluetooth settings device list. Tap the CA98/CA78
Audio entry to connect the instrument to the smart device. It should now be possible for audio produced by the smart device to be
heard through the instrument’s speaker system/headphones.
* If loss of audio/connectivity or noise occurs, please check for Bluetooth Audio compatibility with the smart device manufacturer.
* For a list of potential issues and recommended solutions when using Bluetooth communications, please refer to page 158 of this owner’s manual.
* For more detailed instructions regarding Bluetooth connectivity, please refer to the supplementary Bluetooth® Connectivity Guide, available from
the Kawai Global website: http://www.kawai-global.com/support/bluetooth
* The Auto Power Off setting will still be observed when playing audio via Bluetooth Audio.

136

3 Bluetooth® Audio Level
The Bluetooth Audio Level setting is used to increase or decrease the volume level of Bluetooth Audio playback.
While it’s generally preferable to adjust the audio volume level on the smart device itself, this setting may still be
useful in certain situations.

 Adjusting the Bluetooth Audio Level setting
Long press and drag the slider to adjust the Bluetooth Audio
Level setting.
* The Bluetooth Audio Level setting can be adjusted within the range of
–15 dB~+15 dB.
* Increasing the Bluetooth Audio Level setting above normal levels may
result in distortion or reduced audio quality.

Bluetooth Audio Level
slider

Settings

* Any changes made to the Bluetooth Audio setting will remain until the
power is turned off.

137

System Settings

4 Rename File
The Rename File function is used to rename song (SMF/KSO) and audio (MP3/WAV) files stored on a USB memory
device.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

 Renaming a file
1. Tap [Rename File].
The Rename File screen will be shown listing song and audio
files stored on the USB device.

Rename File

2. Tap the file to be renamed.

BACK button

A filename input screen will be shown.
3. Enter the desired filename for the selected file using the
onscreen keyboard, then tap the enter key to confirm the
name.
* The filename length is limited to 12 characters.

Settings

To cancel the rename operation, press the [Back] button.

138

File

5 Delete File
The Delete File function is used to delete song, audio, and registration files stored on a USB memory device.
Once a file has been deleted from the USB device it cannot be recovered.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

 Deleting a file
1. Tap [Delete File].
The Delete File screen will be shown listing song and audio
files stored on the USB device.

Delete File

2. Tap the file to be deleted.
A confirmation box will be shown.
File

Settings

3. Tap the [Yes] button to confirm the delete operation, or the
[No] button to cancel.

Yes/No buttons

139

System Settings

6 USB Format
The USB Format function is used to format the connected USB memory device, erasing all stored data.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.

The USB Format function will erase all data stored on the connected USB memory device.
Exercise caution when using this function in order to prevent accidental data loss.

 Formatting a USB device
1. Tap [Format USB].
A confirmation box will be shown.

Format USB

2. Tap the [Yes] button to confirm the format operation, or the
[No] button to cancel.

Settings

Yes/No buttons

140

MIDI Overview
The term MIDI is an acronym for Musical Instrument Digital Interface, an international standard for connecting
musical instruments, computers, and other devices to allow the exchange of performance data.

 MIDI Terminals
MIDI terminal

Function

MIDI IN

Receiving note, program change, and other data.

MIDI OUT

Sending note, program change, and other data.

 MIDI channels
MIDI uses channels to exchange data back and forth between MIDI devices. There are receive (MIDI IN) and transmit (MIDI OUT)
channels. Most musical instruments or devices with MIDI functions are equipped with both MIDI IN and OUT jacks and are capable
of transmitting and receiving data via MIDI. The receive channels are used to receive data from another MIDI device, and the transmit
channels are used to transmit data to another MIDI device.
The illustration below shows three musical instruments, connected together using MIDI.

Transmitting instrument a

Receiving instrument b

Receiving instrument c

Transmitting instrument a sends transmit channel and keyboard information to receiving instruments b/c.
The information arrives at the receiving instruments b/c.
Receiving instruments b/c will respond to MIDI data that is sent if their receive channel is the same as the transmit channel of the
transmitting instrument a. If the channels do not match, the receiving instruments b/c will not respond to any data that is sent.
For both receiving and transmitting, channels 1-16 can be used.

 Recording/playing with a sequencer

Settings

When connected to a sequencer (or a computer running MIDI
sequencing software), the CA98/CA78 digital piano can be used
to record and playback multi-track songs, with separate sounds
playing simultaneously on each channel.

Sequencer

141

System Settings
 MIDI Functions
The CA98/CA78 digital piano supports the following MIDI functions:

Transmit/receive note information

Transmit/receive program change information

Transmit/receive note information to/from a MIDI-connected
musical instrument or device.

Transmit/receive program change data to/from a MIDIconnected musical instrument or device.

Transmit/receive channel settings

Transmit/receive pedal data

Specify transmit/receive channels within the range of 1 to 16.

Transmit/receive sustain, sostenuto, and soft pedal data to/
from a MIDI-connected musical instrument or device.

Transmit/receive exclusive data

Receive volume data

Transmit/receive front panel or menu function settings as
exclusive data.

Receive MIDI volume data sent from a MIDI-connected
musical instrument or device.

Multi-timbral mode setting

Settings

Receive multiple channel MIDI data from a MIDI-connected
musical instrument or device.

142

* Please refer to the ‘MIDI Implementation Chart’ on page 173 for
further information regarding the MIDI capabilities of the CA98/CA78
digital piano.

7 MIDI Channel
The MIDI Channel setting allows the transmit/receive channel to be specified. The selected channel will function as
both the transmit and receive channel (separate transmit/receive channels cannot be specified).

 Changing the MIDI Channel
Swipe left/right or tap the arrow buttons to change the MIDI
Channel setting.
* The MIDI Channel value can be adjusted within the range of 1~16.
* Any changes made to the MIDI Channel setting will remain until the
power is turned off.

MIDI Channel

* Preferred MIDI Channel settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.

 Omni mode
When the CA98/CA78 digital piano is turned on, the instrument is automatically set to ‘omni mode on’, allowing MIDI information to
be received on all MIDI channels (1-16). When the MIDI Channel setting is used to specify a transmit/receive channel, the instrument
will be set to ‘omni mode off’.

 Multi-timbral mode and Split/Dual modes
Using Split mode with Multi-timbral mode enabled

Using Dual mode with Multi-timbral mode enabled

Notes played in the lower section of the keyboard will be
transmitted on the channel that is 1 channel higher than the
specified channel. For example, if the MIDI channel is set to
3, notes played in the lower section of the keyboard will be
transmitted on channel 4.

Notes played will be transmitted on two channels: the
specified channel and the channel that is 1 channel higher.
For example, if the MIDI channel is set to 3, notes played on
the keyboard will be transmitted on channels 3 and 4.

Settings

* If the specified MIDI channel is 16, the lower section / layered part will be transmitted on channel 1.

143

System Settings

8 Send Program Change Number
The Send Program Change Number function is used to send a Program Change Number (1-128) to the connected
MIDI device.

 Sending the Program Change Number
1. Swipe up/down or tap the arrow buttons above and below
each digit to set the Program Change Number.
* The program change number can be set within the range of 1~128.

2. Tap the [Send] button to send the specified Program Change
Number.

Program Change Number

Send button

9 Local Control
The Local Control setting determines whether the instrument will play an internal sound when the keys are pressed.
This setting may be useful when using the CA98/CA78 digital piano to control an external MIDI device that is
connected to the instrument’s amplifier/speakers.

 Local Control setting
Local Control

Description

Off

The instrument will transmit information to an external MIDI device only.

On (default)

The instrument will play an internal sound and transmit information to an external MIDI device.

 Changing the Local Control setting

Settings

Tap the [ON/OFF] buttons to turn Local Control on/off.
* Any changes made to the Local Control setting will remain until the
power is turned off.
* Preferred Local Control settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.

Local Control
ON/OFF buttons

144

10 Transmit Program Change Numbers
The Transmit Program Change Numbers setting determines whether the CA98/CA78 digital piano will transmit
program change information via MIDI when the instrument’s panel buttons are pressed.

 Transmit Program Change Numbers setting
Transmit PGM#

Multi-timbral setting

Effect of pressing panel buttons

On (default)

Off, On1

Sound mode selections will send PGM# shown in the left column*.

On

On2

Sound mode selections will send PGM# shown in the right column*.

Off

Off

Program Change information will not be transmitted via MIDI.

* Please refer to the ‘Program Change Number List’ on page 162.

 Changing the Transmit Program Change Numbers setting
Tap the [ON/OFF] buttons to turn Transmit Program Change
Numbers on/off.
* Any changes made to the Transmit Program Change Numbers setting
will remain until the power is turned off.
* Preferred Transmit Program Change Numbers settings can be stored to
a Favorite memory for convenient recall. Please refer to page 83 for
more information.

Transmit Program Change
Numbers
ON/OFF buttons

 Omni mode
 Program change numbers will also be transmitted when
Multi-timbral mode is set to On1 or On2.

Settings

 When using Dual or Split mode, On/Off information and sound
type settings for are transmitted as exclusive data, however
program change numbers will not be transmitted.

145

System Settings

11 Multi-timbral Mode
The Multi-timbral Mode setting determines whether or not the CA98/CA78 digital piano is able to receive MIDI
information on more than one MIDI channel simultaneously. This allows the instrument to play back multi-track,
multi-timbral performance data sent from an external MIDI device.

 Multi-timbral Mode setting
Multi-timbral Mode

Selected sound

Off (default)

The sound shown in the left column is selected*.

On1

The sound shown in the left column is selected*.

On2

The sound shown in the right column is selected*.

* Please refer to the ‘Program Change Number List’ on page 162.

 Changing the Multi-timbral Mode setting
Swipe left/right or tap the arrow buttons to change the Mulittimbral Mode setting.
* Any changes made to the Multi-timbral Mode setting will remain until
the power is turned off.
* Preferred Multi-timbral Mode settings can be stored to a Favorite
memory for convenient recall. Please refer to page 83 for more
information.

Multi-timbral Mode

12 Channel Mute
The Channel Mute setting determines which MIDI channels (1~16) are activated to receive MIDI information when
Multi-timbral mode is enabled.

 Changing the Channel Mute setting

Settings

1. Swipe left/right or tap the arrow buttons to select the desired
MIDI channel.
* The MIDI Channel value can be adjusted within the range of 1~16.

2. Tap the [Mute/Play] buttons to change the status of the
selected MIDI channel.

146

* Any changes made to the Channel Mute setting will remain until
the power is turned off.

Selected MIDI channel

* Preferred Channel Mute settings can be stored to a Favorite
memory for convenient recall. Please refer to page 83 for more
information.

Channel Mute/Play
buttons

13 LCD Contrast
The LCD Contrast setting is used to adjust the contrast of the CA98/CA78 digital piano’s touchscreen display. The
contrast of the display becomes sharper as the value increases.

 Adjusting the LCD Contrast setting
Long press and drag the slider to adjust the LCD Contrast setting.
* The LCD Contrast setting can be adjusted within the range of 0~10.
* Any changes made to the Bluetooth Audio setting will remain until the
power is turned off.

LCD Contrast slider

14 Auto Display Off
The Auto Display Off setting determines whether or not the CA98/CA78 digital piano’s touchscreen display will turn
off automatically after a period of inactivity. This setting may be desirable if the display becomes a distraction when
playing in low-light environments.

 Auto Display Off setting
Auto Display Off

Description

Off (default)

The instrument’s LCD display with remain turned on at all times.

On

The instrument’s LCD display with turn off automatically after a period of inactivity.

 Changing the Auto Display Off setting
Tap the [ON/OFF] buttons to turn Auto Display Off on/off.

Settings

* When set to ‘On’, the LCD display will gradually fade to black after a
period of inactivity. To turn the display on again, simply tap anywhere
on the display.
* The Auto Display Off setting will be stored automatically, and recalled
every time the instrument is turned on.

Auto Display Off
ON/OFF buttons

147

System Settings

15 Auto Power Off
The Auto Power Off setting can be used to automatically turn off the instrument after a specified period of inactivity.
This function may be enabled by default, depending on the market location.
* This setting will be stored automatically, and recalled every time the instrument is turned on.

 Auto Power Off settings
Auto Power Off

Description

Off

The Auto Power Off function is disabled.

15 min.

The instrument will turn off automatically after 15 minutes of inactivity.

60 min.

The instrument will turn off automatically after 60 minutes of inactivity.

120 min.

The instrument will turn off automatically after 120 minutes of inactivity.

 Changing the Auto Power Off setting
Swipe left/right or tap the arrow buttons to change the Auto
Power Off setting.
* The Auto Power Off setting will still be observed when playing audio
via Bluetooth Audio.
* The Auto Power Off setting will be stored automatically, and recalled
every time the instrument is turned on.

Settings

Auto Power Off

148

16 Factory Reset
The Factory Reset function clears any user adjustments stored to sound memories and all Favorites memories,
restoring the CA98/CA78 digital piano to its factory default settings.
* This function will not clear recorder songs stored in internal memory.

 Restoring Factory settings
1. Tap [Factory Reset].
A confirmation box will be shown.

Factory Reset

2. Tap the [Yes] button to confirm the Factory Reset operation,
or the [No] button to cancel.

Settings

Yes/No buttons

149

Assembly Instructions
(CA78 only)(CA78 only)
Assembly
Instructions
Please read these assembly instructions thoroughly before attempting to assemble the CA78 digital piano.
Please ensure that two or more people work on assembling the CA78 digital piano, especially when lifting the
main body of the instrument onto the stand.

 Included parts
Before attempting to assemble the CA78 digital piano, ensure that all parts below are included.
A Phillips-head screwdriver (not included) will also be required in order to assemble the instrument.

A

B

C

Main body

Side panel (left)

Side panel (right)

D

E

Pedal board
(including adjustor bolt)

Screw set

Screw (with washer) x 2

Flat headed screw (20mm) x 2

Appendix

Tapping screw (black, 30 mm) x 4 *

Tapping screw (black, 20 mm) x 4 *

Tapping screw (silver, 16 mm) x 4

* For Satin White finished instruments, black screws will be
replaced with silver screws.

150

Back board

Power cable

Headphone hook set

Headphone hook



Mounting screws (14 mm) x 2

1. Attaching the side panels to the pedal board
Unfasten and extend the pedal connection cable attached
to the bottom of the pedal board (D).
Attach the pedal board (D) to the left (B) and right (C) side
panels using the temporary mounting screws located on
either end of the pedal board.
Ensure that the pedal board and side panels make close
contact, and that there are no large gaps between the
assembled parts.
Insert the four short silver tapping screws into the holes as
shown, and securely fasten the pedal board to the left and
right side panels.

B

2. Attaching the back board
Allow the assembled pedal board and side panels to stand
upright (vertically) on the floor.
* Ensure that the adjustor bolt is attached to the pedal board.

Loosely attach the back board (E) to the left and right side
panels using the four long black tapping screws .
Loosely attach the back board to the pedal board using the
four mid-length black tapping screws .
Adjust the positioning of the pedal board, side panels, and
backboard to ensure that all parts are in alignment, then
tighten the screws in steps and .

B
D

D
adjustor bolt

C

gap

B

D

D

E

pedal cable

B

B

C

D

not aligned

Hole of pedal board/side panel

B
D
temporary
mounting
screw

Appendix

B

Hole of
back board
* Ensure that the hole of the back
board is aligned with the hole of
the pedal board/side panel before
tightening the screws.

151

Assembly Instructions (CA78 only)
3. Mounting the main body onto the stand
Ensure that two or more people undertake the
following step of the assembly process.
Lift the main body and carefully place it onto the stand.
Position the main body slightly towards the back of the
stand, to ensure that the guide screw in the front of the
stand is still visible.
Gently slide the main body forward until it comes to a halt.
When positioned correctly, the attachment screw holes
should be visible from the underside of the main unit.
* If the screw holes are not visible, re-adjust (loosen) the screws
attached in step 4- .

When lifting the main body onto the stand, be
careful not to catch/trap hands and fingers.

4. Fastening the main body to the stand
View the front of the instrument to ensure that the main
body and side panels are in alignment.
* If the parts are not in alignment, re-adjust (loosen) the screws
attached in step 4- .

Loosely fasten the front of the main body to the stand from
below, using the two screws (with washer) on either side.
Loosely fasten the rear of the main body to the stand from
below, using the two flat headed screws on either side.
When all four screws are attached and the main body is
correctly positioned on top of the stand, securely tighten all
screws.
Tighten all screws securely to ensure that the
main body is firmly attached to the stand.

Front view

A

A
B

C

C

Appendix

A

B

152

A

5. Connecting the pedal and power cables
Pass the pedal cable (extending from the rear of the pedal
board) through the aperture to the front of the main body,
and connect to the PEDAL terminal.
Connect the power cable to the AC IN terminal on the
underside of the main body, then pass the cable through the
back board aperture, and out to the rear of the instrument.

6. Attaching the headphone hook (optional)
A headphone hook is included with the CA98/CA78 digital piano
and can be used to hang headphones when not in use.
If desired, attach the headphone hook to the underside of
the main body using the two tapping screws provided.

With the power and pedal cables connected, use the binders
to fix the cables in place and tidy their appearance.

7. Adjusting the pedal support bolt

C

Turn the pedal support bolt anti-clockwise, extending the
bolt until it makes contact with the floor and supports the
pedals firmly.

When moving the instrument, always adjust or
remove the pedal support bolt, then readjust
when the instrument is in its new position.

Appendix

B

A

Ensure that the pedal cable plug is facing
the direction shown and correctly aligned.
Applying excessive force when connecting the
plug may damage pinsinside the plug.

153

Connecting to Other
Connecting
toDevices
Other Devices
The CA98/CA78 digital piano features a variety of jacks that allow the instrument to be connected to MIDI devices,
computers, speakers, and mixers. It is also possible to connect external audio sources, such as an MP3 player, tablet,
or a secondary keyboard, to the instrument’s amplifier and speaker system. The illustration below provides a visual
overview of the connectors and their typical applications.

USB type ‘B’

USB type ‘A’

Connect the audio from
other devices to the
instrument’s speakers.

Connect the instrument
to external speakers,
amplifiers, mixers, etc.

Connect the instrument
to a computer or tablet
to send or receive MIDI
data.

Connect the instrument
to MIDI modules, other
instruments/devices, etc.

Appendix

Before connecting the CA98/CA78 digital piano to other devices, ensure that the power to both the instrument
and the other device is turned off. If connections are established while the power is turned on, extraneous
noise that can damage the CA98/CA78 digital piano may activate the instrument’s amplifier protection circuit,
preventing any sound from being produced. If this occurs, turn the power off and then on again to reset the
amplifier protection circuit.
Do not connect the LINE IN and LINE OUT jacks of the CA98/CA78 digital piano together with the same cable. An
audio loop (oscillation sound) will occur, resulting in damage to the unit.

154

Jack Panel
 LINE IN STEREO jack (1/8” phone jack)

 LINE OUT jacks (1/4” phone jack)

This jack is used to connect the 1/8” stereo outputs from smart
phones, tablets, computers, or other electronic audio equipment
to the CA98/CA78 digital piano’s amplifier and speakers. The
input level can be adjusted using the LEVEL knob, or by adjusting
the volume of the connected device.

These jacks are used to connect the stereo output of the CA98/
CA78 digital piano’s sound to external speakers, amplifiers,
mixers, recording devices, and similar equipment.

When using the USB audio recorder function, this LINE in audio
will also be mixed with the instrument’s internal sound and
recorded to the MP3/WAV file.

To output a mono signal, connect a single cable to the L/MONO
jack.
The LINE OUT level can be adjusted using the MASTER VOLUME
slider.

* The ‘Line In Level’ setting can also be used to adjust the level of the
LINE IN signal. Please refer to page 129 for more information.

 USB to Host port (‘B’ type)

 MIDI IN/OUT jacks

This USB port is used to connect the CA98/CA78 digital piano to
a computer using an inexpensive USB cable. When connected,
the instrument can be used as a standard MIDI device, allowing it
to send a receive MIDI data. Connect a ‘B’ type USB connector to
the instrument, and an ‘A’ type USB connector to the computer.

These jacks are used to connect the CA98/CA78 digital piano
to external MIDI devices, or to a computer (using a USB-MIDI
interface) as an alternative to the ‘USB to Host’ port.
* Please refer to page 141 for more information about MIDI.

* Please refer to page 156 for more information about USB MIDI.

With additional conversion adaptors, this port may also be used
to connect the CA98/CA78 digital piano to tablets and other
mobile devices.

Headphone Panel
 PHONES jacks (1/4” & 1/8” phone jacks)

 USB to Device port (‘A’ type)

These jacks are used to connect stereo headphones to the CA98/
CA78 digital piano. Two pairs of headphones can be connected
and used simultaneously. When a pair of headphones is
connected, sound will not be produced by the speakers.

This USB port is used to connect a USB memory device to the
CA98/CA78 digital piano. This allows MP3/WAV audio files, and
SMF song files to be played directly. It is also possible to record
performances to MP3/WAV audio files, and save recorder songs
stored in internal memory for posterity.

 The ‘USB

to Device’ functionality of the CA98/CA78 digital
piano conforms to USB2.0 Hi-Speed standards. Older USB
devices can still be used, however data transfer speed will be
limited to the maximum transfer speed of the device.

 The

‘USB to Device’ port is intended for connecting USB
memory devices, however USB floppy drive devices can also
be used to save recorder songs stored in internal memory, or
play SMF song files.

 It may be necessary to format the USB memory device before
it can be used with the CA98/CA78 digital piano. If so, please
refer to the USB Format function instructions on page 140.
Formatting the device will erase all data.

 Avoid removing the USB memory device while data is being
loaded or saved, files are being renamed or deleted, or the
device is being formatted.

 Other

USB devices, such as computer mice, keyboards, or
battery chargers etc. cannot be used with this instrument.

155

Appendix

 USB device information

USB MIDI
(USB (USB
to Host
USB
MIDI
to connector)
Host connector)
The CA98/CA78 digital piano features a ‘USB to Host’ type connector, allowing the instrument to be connected to a
computer using an inexpensive USB cable and utilised as a MIDI device. Depending on the type of computer and
operating system installed, additional driver software may be required for USB MIDI communication to function
correctly.

 USB MIDI driver
Operating System
Windows ME
Windows XP (no SP, SP1, SP2, SP3)
Windows XP 64-bit
Windows Vista (SP1, SP2)
Windows Vista 64-bit (SP1, SP2)
Windows 7 (no SP, SP1)
Windows 7 64-bit
Windows 8 / 8.1
Windows 8 / 8.1 64-bit
Windows 10
Windows 10 64-bit
Windows 98 se
Windows 2000
Windows Vista (no SP)

USB MIDI Driver Support

Additional USB MIDI driver software NOT required.
The standard (built-in) Windows USB MIDI driver will be installed automatically when the
instrument is connected to the computer.
* After driver installation, ensure that the ‘USB Audio Device’ (Windows ME/Windows XP) or ‘USB-MIDI’
(Windows Vista/Windows 7/Windows 8) device is correctly selected in the application software.

Additional USB MIDI driver software required.
Please download the USB MIDI driver from the Kawai Japan website:
 http://www.kawai-global.com/support/downloads/
* After driver installation, ensure that the ‘KAWAI USB MIDI’ device is correctly selected in the application
software.

Windows Vista 64-bit (no SP)

USB MIDI is not supported.
Please upgrade to service pack 1 or service pack 2.

Mac OS X

Additional USB MIDI driver software NOT required.
The standard (built-in) Mac OS X USB MIDI driver will be installed automatically when the
instrument is connected to the computer.

Mac OS 9

USB MIDI is not supported.
Please use the standard MIDI IN/OUT connectors.

Appendix

 USB MIDI information
 If the instrument’s MIDI IN/OUT jacks and USB MIDI port are

 Disconnecting the USB MIDI cable suddenly, or turning the

both connected simultaneously, the USB MIDI port will be
given priority.

instrument on/off while using USB MIDI may cause computer
instability in the following situations:

 Ensure that the instrument is turned OFF before attempting to
connect the USB MIDI cable.

 When connecting the instrument to a computer using the USB
MIDI port, there may be a short delay before communications
begin.

 If the instrument is connected to a computer via a USB hub
and USB MIDI communication becomes unreliable/unstable,
please connect the USB MIDI cable directly to the one of the
computer’s USB ports.

– while installing the USB MIDI driver
– while starting up the computer
– while MIDI applications are performing tasks
– while the computer is in energy saver mode

 If there are any further problems experienced with USB MIDI
communication while the instrument is connected, please
double-check all connections and relevant MIDI settings in
the computer’s operating system.

* ‘MIDI’ is a registered trademark of the Association of Manufacturers of Electronic Instruments (AMEI).
* ‘Windows’ is registered trademark of Microsoft Corporation.
* ‘Macintosh’ is registered trademark of Apple Computer, Inc.
* Other company names and product names mentioned referenced herein may be registered trademarks or trademarks of respective owners.

156

Troubleshooting
The tables below summarise issues that may be experienced with the CA98/CA78 digital piano, explaining the
typical cause(s), and recommended solution(s).

 Power
Issue

Possible Cause and Solution

Page no.

The instrument does not turn on.

Check that the power cable is firmly attached to the instrument, and
connected to an AC outlet.

p. 14

The instrument turns itself off after a
period of inactivity.

Check that the ‘Auto Power Off’ function is not enabled.

p. 148

 Sound
Issue
The instrument is turned on, however
no sound is produced when the keys are
pressed.

Possible Cause and Solution

Page no.

Check that the MASTER VOLUME slider is not set to the lowest position.

p. 16

Check that a pair of headphones (or headphone adaptor plug) are not
connected to the PHONES jacks.

p. 16

Check that the ‘Local Control’ setting in the MIDI Settings menu is set to On.

p. 144

The sound distorts when playing at very
loud volume levels.

Check that the MASTER VOLUME slider is set to an appropriate level,
reducing the volume if excessive distortion is heard.

p. 16

Strange sounds or noises are heard when
playing with piano sounds.

The CA98/CA78 digital piano attempts to reproduce the rich variety of
tones created by an acoustic grand piano as accurately as possible. This
includes various resonances, noises, and other subtle characteristics that
contribute to the overall piano playing experience.

The top 18 notes of the keyboard sustain
for longer than neighbouring notes, even
when the damper pedal is not pressed.

The noise occurs when the damper pedal is depressed and released.
 Damper Noise

p. 107

The noise occurs after a key is released.
 Fall-back Noise, Key-off Effect

p. 111
p. 112

The sound has a metallic characteristic.
 Key-off Effect, Undamped Resonance, String Resonance

p. 108
p. 109
p. 111

The sound is muffled or too bright.
 Topboard, Voicing

p. 105
p. 114

A particular key’s level/volume is higher than other keys.
 User Key Volume

p. 122

A particular key’s pitch is heard as incorrect.
 Temperament, User Temperament, User Stretch Tuning

p. 117
p. 118
p. 119

This is the correct behaviour, and intended to reproduce the undamped
notes (typically the top two octaves) of an acoustic grand piano.

The volume of the device connected to the Check the position of the Line In LEVEL knob (located on the jack panel),
Line In jacks is too low/too high (distorted). and adjust as necessary.

Appendix

While these additional tones are intended to enhance the realism of the
instrument, it is possible to reduce their prominence, or disable the effects
altogether using the settings in the Virtual Technician menu.

–

p. 155

157

Troubleshooting
 Pedals
Issue

Possible Cause and Solution

Page no.

The pedals are unreliable or do not
function at all.

Check that the pedal cable is firmly connected to the instrument (CA78
only).

p. 153

When depressing a pedal, the pedal board
flexes and is not firm.

Check that the pedal support bolt is fully extended.

p. 17
p. 153

 Headphones
Issue

Possible Cause and Solution

Page no.

The headphone volume is too low.

If the ‘Nominal Impedance’ specification of the headphones is less than 100
Ω (ohms), set the ‘Phones Volume’ setting in the Phones Settings menu to
High.

p. 133

The headphone output sounds strange.

Check that the ‘SHS Mode’ and ‘Phones Type’ settings are set to ‘Normal’.

p. 131
p. 132

 USB (memory device)
Issue

Possible Cause and Solution

Page no.

A USB memory device is not detected,
cannot be saved to, or does not appear
to function when connected to the ‘USB
to Device’ port.

Check that the USB memory device is formatted to use the FAT/FAT32
filesystem, and not set to ‘Write Protect’ mode.

p. 155

Disconnect the USB memory device, turn the instrument off then on, then
reconnect the USB device. If the USB device still does not function, it may be
damaged or incompatible. Please try using a different USB device.

–

The instrument pauses briefly when
connecting a USB memory device.

This is recognised behaviour when using large capacity (e.g. 8GB+) USB
memory devices.

–

 USB MIDI, MIDI, Bluetooth® MIDI

Appendix

Issue

Page no.

Check that a USB MIDI driver is installed on the computer.
The instrument is connected to the
computer using a USB cable, however the
Check that ‘USB Audio Device’ or ‘KAWAI USB MIDI’ is selected in the
software does not respond to key presses.
software’s input/output device settings.

p. 156

Check that the instrument is not connected to a smart device using
Bluetooth MIDI.

p. 135

Check that the instrument’s Bluetooth MIDI/Audio function is turned On.

p. 135

The instrument cannot connect to the
smart device/app via Bluetooth.

158

Possible Cause and Solution

p. 156

Ensure that the mobile device’s Bluetooth function is turned On.

–

Ensure that the instrument isn’t already connected to another Bluetooth
device.

–

Try deleting the instrument’s Bluetooth connection using the mobile
device’s ‘Forget Device’ function.

–

Try turning the instrument Off and then On, and/or restarting the mobile
device.

–

 MP3/WAV/SMF files
Possible Cause and Solution

Page no.

No sound can be heard when playing an
MP3 or WAV audio file stored on a USB
memory device.

Check that the audio player volume is not set to 0.

p. 80

Check that the format of the audio file is supported and listed in the ‘USB
Memory Player supported formats’ table.

p. 75

An MP3/WAV audio file stored on a USB
memory device sounds strange, or does
not play back correctly.

Check that the format of the audio file is supported and listed in the ‘USB
Memory Player supported formats’ table.

p. 75

The file transfer speed of the USB memory device may be too slow to play
the audio file. Please try using a different USB memory device, ensuring that
it conforms to USB2.0 Hi-Speed standards.

p. 155

When recording MP3/WAV audio
files, the volume is too low/too high
(distorted).

Check the gain setting before recording the audio, and if necessary adjust to
increase/decrease the recording level.

p. 49

An SMF MIDI file stored on a USB memory The CA98/CA78 digital piano does not contain the full General MIDI sound
device sounds strange when played back. bank selection. Consequently, some SMF song files may not be reproduced
entirely accurately when played through the instrument.

p. 49

Appendix

Issue

159

Demo
Song
List
Demo
Song
Sound Name

List
Song Title

Composer

SK Concert Grand

Scherzo No.2

Chopin

EX Concert Grand

La Campanella

Liszt

SK-5 Grand

Lieder Ohne Worte No.18 "Duetto"

Mendelssohn

Jazz Clean

Original

Kawai

Warm Grand

Sonata No.30 Op.109

Beethoven

Warm Grand 2

La Fille aux Cheveux de lin

Debussy

Standard Grand

Petit chien

Chopin

Pop Grand

Original

Kawai

Pop Piano

Original

Kawai

New Age Grand *

Original

Kawai

Upright Piano

Nocturne No. 20 Op. posth.

Chopin

Modern Piano

Original

Kawai

Classic E.Piano

Original

Kawai

Modern E.P.

Original

Kawai

Modern E.P. 2 *

Original

Kawai

Jazz Organ

Original

Kawai

Blues Organ

Original

Kawai

Drawbar Organ

Original

Kawai

Church Organ

Chorale Prelude “Wachet auf, ruft uns die Stimme.”

Bach

Diapason

Wohl mir, daβ ich Jesum have

Bach

Full Ensemble

Original

Kawai

Harpsichord

French Suite No.6

Bach

Harpsichord Oct.

Prelude in Ab

Bach

Vibraphone

Original

Kawai

Clavi

Original

Kawai

Slow Strings

Original

Kawai

String Pad

Original

Kawai

String Ensemble

Le quattro stagioni La primavera

Vivaldi

Choir

Londonderry Air

Irish folk song

Choir 2

Original

Kawai

Jazz Ensemble

Original

Kawai

New Age Pad

Original

Kawai

Atmosphere

Original

Kawai

Wood Bass

Original

Kawai

Finger Bass

Original

Kawai

Fretless Bass

Original

Kawai

W. Bass & Ride

Original

Kawai

Ballad Guitar

Original

Kawai

Pick Nylon Gt.

Original

Kawai

PIANO1

PIANO2

ELECTRIC PIANO

ORGAN

HARPSI & MALLETS

STRINGS

Appendix

VOCAL & PAD

BASS & GUITAR

* CA98 only.

160

Piano 1

Bright Ensemble

SK ConcertGrand

Full Organ

EX ConcertGrand

Reed Ensemble

SK-5 GrandPiano

Harpsi & Mallets

Jazz Clean

Harpsichord

Jazz Old School

Harpsichord Oct

Warm Grand

Vibraphone

Warm Grand 2

Clavi

Standard Grand

Marimba

Piano 2

Celesta

Pop Grand

Harpsichord 2

Pop Grand 2

Bell Split

Pop Piano

Strings

New Age Grand

Slow Strings

Upright Piano

String Pad

Modern Piano

Warm Strings

Boogie Piano

String Ensemble

Honky Tonk

Soft Orchestra

Electric Piano

Chamber Strings

Classic Electric Piano

Harp

60's Electric Piano

Pizzicato Str.

Modern Electric Piano

Vocal & Pad

Classic Electric Piano 2

Choir

Classic Electric Piano 3

Pop Ooh

Crystal Electric Piano

Pop Aah

Modern Electric Piano 2

Choir 2

Modern Electric Piano 3

Jazz Ensemble

Organ

Pop Ensemble

Jazz Organ

Slow Choir

Blues Organ

Breathy Choir

Ballad Organ

New Age Pad

Gospel Organ

Atmosphere

Drawbar Organ

Itopia

Drawbar Organ 2

Brightness

Drawbar Organ 3

New Age Pad 2

Drawbar Organ 4

Brass Pad

Church Organ

Bowed Pad

Diapason

Bright Warm Pad

Full Ensemble

Bass & Guitar

Diapason Oct.

Wood Bass

Chiffy Tibia

Finger Bass

Principal Oct.

Fretless Bass

Principal Choir

W.Bass & Ride

Baroque

E.Bass & Ride

Soft Diapasn

Ballad Guitar

Soft Strings

Pick Nylon Gt.

Mellow Flutes

Finger Nylon Gt

Medium Ensemble

Appendix

Sound List (Sound mode)

* CA98 only.

Loud Ensembe

161

Program Change
Number Number
List
Program
Change
List
Multi-timbral mode = off/on1
Sound Name

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

SK ConcertGrand

1

1

EX ConcertGrand

2

SK-5 GrandPiano

Bank
MSB

LSB

1

121

0

2

1

95

27

3

3

1

95

30

Jazz Clean

4

4

1

121

1

Jazz Old School

5

–

1

95

32

Warm Grand

6

5

1

121

2

Warm Grand 2

7

6

1

95

29

Standard Grand

8

7

1

95

16

Pop Grand

9

8

1

95

28

Pop Grand 2

10

9

1

95

31

Pop Piano

11

10

2

95

10

New Age Grand

12

–

1

95

17

Upright Piano

13

11

1

95

25

Modern Piano

14

12

2

121

0

Boogie Piano

15

–

1

95

33

Honky Tonk

16

–

4

121

0

Classic Electric Piano

17

13

5

121

0

60's Electric Piano

18

14

5

121

3

Modern Electric Piano

19

15

6

121

0

Classic Electric Piano 2

20

16

5

121

1

Classic Electric Piano 3

21

17

5

95

1

Crystal Electric Piano

22

18

6

95

1

Piano 1

Piano 2

Electric Piano

Modern Electric Piano 2

23

–

6

121

1

Modern Electric Piano 3

24

–

6

121

2

Jazz Organ

25

19

18

121

0

Blues Organ

26

20

17

121

0

Ballad Organ

27

21

17

95

5

Gospel Organ

28

22

17

95

3

Drawbar Organ

29

23

17

95

1

Drawbar Organ 2

30

–

17

95

2

Drawbar Organ 3

31

–

18

121

2

Drawbar Organ 4

32

24

17

121

3

Church Organ

33

25

20

121

0

Diapason

34

26

20

95

7

Full Ensemble

35

27

21

95

1

Diapason Oct.

36

28

20

95

6

Chiffy Tibia

37

29

20

95

17

Principal Oct.

38

30

20

95

24

Principal Choir

39

–

20

95

23

Baroque

40

–

20

95

19

Appendix

Organ

162

Multi-timbral mode = off/on1
Sound Name

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

Soft Diapasn

41

–

Soft Strings

42

Mellow Flutes

43

Medium Ensemble

Bank
MSB

LSB

20

95

45

31

20

95

41

32

20

95

48

44

33

20

95

42

Loud Ensembe

45

34

20

95

43

Bright Ensemble

46

35

20

95

47

Full Organ

47

36

20

95

44

Reed Ensemble

48

–

20

95

46

Harpsichord

49

37

7

121

0

Harpsichord Oct

50

38

7

121

1

Harpsi & Mallets

Vibraphone

51

39

12

121

0

Clavi

52

40

8

121

0

Marimba

53

41

13

121

0

Celesta

54

42

9

95

1

Harpsichord 2

55

–

7

121

3

Bell Split

56

–

15

95

5

Slow Strings

57

43

45

95

1

String Pad

58

44

49

95

8

Warm Strings

59

45

49

95

1

String Ensemble

60

46

49

121

0

Soft Orchestra

61

47

50

95

1

Chamber Strings

62

–

49

95

14

Harp

63

48

47

121

0

Pizzicato Str.

64

–

46

121

0

Choir

65

49

53

121

0

Pop Ooh

66

50

54

95

39

Pop Aah

67

51

54

95

40

Choir 2

68

52

54

95

53

Jazz Ensemble

69

53

54

95

2

Pop Ensemble

70

54

54

95

7

Slow Choir

71

–

53

95

2

Breathy Choir

72

–

53

95

1

New Age Pad

73

55

89

121

0

Strings

Atmosphere

74

56

100

121

0

Itopia

75

57

92

121

1

Brightness

76

58

101

95

1

New Age Pad 2

77

–

89

95

2

Brass Pad

78

59

62

95

2

Bowed Pad

79

60

93

121

0

Bright Warm Pad

80

–

90

95

1

Appendix

Vocal & Pad

163

Program Change Number List
Multi-timbral mode = off/on1
Sound Name

Program Number
CA98

Multi-timbral mode = on2
Program Number

CA78

Bank
MSB

LSB

Bass & Guitar
Wood Bass

81

61

33

121

0

Finger Bass

82

62

34

121

0

Fretless Bass

83

63

36

121

0

W.Bass & Ride

84

64

33

95

1

E.Bass & Ride

85

–

34

95

2

Ballad Guitar

86

65

26

95

6

Pick Nylon Gt.

87

66

25

95

3

Finger Nylon Gt

88

–

25

95

4

–

–

2

121

1

MIDI Tones

Appendix

Rock Piano

164

Electric Grand

–

–

3

121

0

Electric Grand2

–

–

3

121

1

Wide Honky Tonk

–

–

4

121

1

Classic E.P. 4

–

–

5

121

2

Legend E.P.

–

–

6

121

3

Phase E.P.

–

–

6

121

4

WideHarpsichord

–

–

7

121

2

Synth Clavi

–

–

8

121

1

Celesta

–

–

9

121

0

Glockenspiel

–

–

10

121

0

Music Box

–

–

11

121

0

Wide Vibraphone

–

–

12

121

1

Wide Marimba

–

–

13

121

1

Xylophone

–

–

14

121

0

Tubular Bells

–

–

15

121

0

Church Bells

–

–

15

121

1

Carillon

–

–

15

121

2

Dulcimer

–

–

16

121

0

Drawbar Organ 5

–

–

17

121

1

60's Organ

–

–

17

121

2

Perc. Organ

–

–

18

121

1

Rock Organ

–

–

19

121

0

Church Organ 2

–

–

20

121

1

Church Organ 3

–

–

20

121

2

Reed Organ

–

–

21

121

0

Puff Organ

–

–

21

121

1

FrenchAccordion

–

–

22

121

0

Accordion

–

–

22

121

1

Harmonica

–

–

23

121

0

Tango Accordion

–

–

24

121

0

Nylon Acoustic

–

–

25

121

0

Ukulele

–

–

25

121

1

Nylon Acoustic2

–

–

25

121

2

Sound Name

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

Nylon Acoustic3

–

–

Steel Guitar

–

12 String

–

Mandolin

Bank
MSB

LSB

25

121

3

–

26

121

0

–

26

121

1

–

–

26

121

2

Steel Guitar 2

–

–

26

121

3

Jazz Guitar

–

–

27

121

0

Pedal Steel

–

–

27

121

1

Electric Guitar

–

–

28

121

0

E. Guitar 2

–

–

28

121

1

Rhythm Guitar

–

–

28

121

2

Muted Electric

–

–

29

121

0

Cutting Guitar2

–

–

29

121

1

E. Guitar 3

–

–

29

121

2

Country Lead

–

–

29

121

3

OverdriveGuitar

–

–

30

121

0

Dynmic Ov.drive

–

–

30

121

1

Distortion

–

–

31

121

0

Dist Feedback

–

–

31

121

1

Dist Rhythm

–

–

31

121

2

E.Gtr Harmonics

–

–

32

121

0

Guitar Feedback

–

–

32

121

1

FingerSlap Bass

–

–

34

121

1

Pick Bass

–

–

35

121

0

Slap Bass

–

–

37

121

0

Slap Bass 2

–

–

38

121

0

Synth Bass

–

–

39

121

0

Warm Synth Bass

–

–

39

121

1

Synth Bass 3

–

–

39

121

2

Clavi Bass

–

–

39

121

3

Hammer Bass

–

–

39

121

4

Synth Bass 2

–

–

40

121

0

Synth Bass 4

–

–

40

121

1

Rubber Bass

–

–

40

121

2

Attack Bass

–

–

40

121

3

Violin

–

–

41

121

0

Slow Violin

–

–

41

121

1

Viola

–

–

42

121

0

Cello

–

–

43

121

0

Contrabass

–

–

44

121

0

Tremolo Strings

–

–

45

121

0

Celtic Harp

–

–

47

121

1

Timpani

–

–

48

121

0

Strings & Brass

–

–

49

121

1

60's Strings

–

–

49

121

2

Appendix

Multi-timbral mode = off/on1

165

Program Change Number List
Multi-timbral mode = off/on1

Appendix

Sound Name

166

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

StringEnsemble2

–

–

Synth Strings

–

Synth Strings 3

–

Synth Strings 2

Bank
MSB

LSB

50

121

0

–

51

121

0

–

51

121

1

–

–

52

121

0

Choir 3

–

–

53

121

1

Voice Oohs

–

–

54

121

0

Humming

–

–

54

121

1

Synth Vocal

–

–

55

121

0

Analog Voice

–

–

55

121

1

Orchestra Hit

–

–

56

121

0

Bass Hit Plus

–

–

56

121

1

6th Hit

–

–

56

121

2

Euro Hit

–

–

56

121

3

Trumpet

–

–

57

121

0

Solo Trumpet

–

–

57

121

1

Trombone

–

–

58

121

0

Trombone 2

–

–

58

121

1

Bright Trombone

–

–

58

121

2

Tuba

–

–

59

121

0

Muted Trumpet

–

–

60

121

0

Muted Trumpet 2

–

–

60

121

1

French Horns

–

–

61

121

0

Warm FrenchHorn

–

–

61

121

1

Brass Section

–

–

62

121

0

Brass Section 2

–

–

62

121

1

Synth Brass

–

–

63

121

0

Synth Brass 3

–

–

63

121

1

Analog Brass

–

–

63

121

2

Jump Brass

–

–

63

121

3

Synth Brass 2

–

–

64

121

0

Synth Brass 4

–

–

64

121

1

Analog Brass 2

–

–

64

121

2

Soprano Sax

–

–

65

121

0

Alto Sax

–

–

66

121

0

Tenor Sax

–

–

67

121

0

Baritone Sax

–

–

68

121

0

Oboe

–

–

69

121

0

English Horn

–

–

70

121

0

Bassoon

–

–

71

121

0

Clarinet

–

–

72

121

0

Piccolo

–

–

73

121

0

Flute

–

–

74

121

0

Recorder

–

–

75

121

0

Pan Flute

–

–

76

121

0

Sound Name

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

Blown Bottle

–

–

Shakuhachi

–

Whistle

–

Ocarina

Bank
MSB

LSB

77

121

0

–

78

121

0

–

79

121

0

–

–

80

121

0

Square

–

–

81

121

0

Square 2

–

–

81

121

1

Sine

–

–

81

121

2

Classic Synth

–

–

82

121

0

Classic Synth 2

–

–

82

121

1

Lead

–

–

82

121

2

Classic Synth 3

–

–

82

121

3

SequencedAnalog

–

–

82

121

4

Caliope

–

–

83

121

0

Chiff

–

–

84

121

0

Charang

–

–

85

121

0

Wire Lead

–

–

85

121

1

Voice

–

–

86

121

0

Fifth

–

–

87

121

0

Bass & Lead

–

–

88

121

0

Soft Wire Lead

–

–

88

121

1

Warm Pad

–

–

90

121

0

Sine Pad

–

–

90

121

1

Polysynth

–

–

91

121

0

Choir Pad

–

–

92

121

0

Metallic Pad

–

–

94

121

0

Halo Pad

–

–

95

121

0

Sweep Pad

–

–

96

121

0

Rain Pad

–

–

97

121

0

Soundtrack

–

–

98

121

0

Crystal

–

–

99

121

0

Synth Mallet

–

–

99

121

1

Brightness

–

–

101

121

0

Goblin

–

–

102

121

0

Echoes

–

–

103

121

0

Echo Bell

–

–

103

121

1

Echo Pan

–

–

103

121

2

Sci-Fi

–

–

104

121

0

Sitar

–

–

105

121

0

Sitar 2

–

–

105

121

1

Banjo

–

–

106

121

0

Shamisen

–

–

107

121

0

Koto

–

–

108

121

0

Taisho Koto

–

–

108

121

1

Kalimba

–

–

109

121

0

Appendix

Multi-timbral mode = off/on1

167

Program Change Number List
Multi-timbral mode = off/on1
Sound Name

Appendix

Bag Pipe

168

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

–

–

110

Bank
MSB

LSB

121

0

Fiddle

–

–

111

121

0

Shanai

–

–

112

121

0

Tinkle Bell

–

–

113

121

0

Agogo

–

–

114

121

0

Steel Drums

–

–

115

121

0

Woodblock

–

–

116

121

0

Castanet

–

–

116

121

1

Taiko Drums

–

–

117

121

0

Concert BD

–

–

117

121

1

Melodic Toms

–

–

118

121

0

Melodic Toms 2

–

–

118

121

1

Synth Drum

–

–

119

121

0

Rhythm Box Tom

–

–

119

121

1

Electric Drum

–

–

119

121

2

Reverse Cymbal

–

–

120

121

0

Gtr Fret Noise

–

–

121

121

0

GtrCuttingNoise

–

–

121

121

1

Ac Bass Slap

–

–

121

121

2

Breath Noise

–

–

122

121

0

Flute Key Click

–

–

122

121

1

Seashore

–

–

123

121

0

Rain

–

–

123

121

1

Thunder

–

–

123

121

2

Wind

–

–

123

121

3

Stream

–

–

123

121

4

Bubble

–

–

123

121

5

Bird Tweet

–

–

124

121

0

Dog Barking

–

–

124

121

1

Horse Gallop

–

–

124

121

2

Bird Tweet 2

–

–

124

121

3

Telephone

–

–

125

121

0

Telephone 2

–

–

125

121

1

Door Creak

–

–

125

121

2

Door Slam

–

–

125

121

3

Scratch

–

–

125

121

4

Wind Chime

–

–

125

121

5

Helicopter

–

–

126

121

0

Car Engine

–

–

126

121

1

Car Stopping

–

–

126

121

2

Car Passing

–

–

126

121

3

Car Crash

–

–

126

121

4

Siren

–

–

126

121

5

Train

–

–

126

121

6

Sound Name

Jet Plane

Program Number

Multi-timbral mode = on2
Program Number

CA98

CA78

–

–

126

Bank
MSB

LSB

121

7

Starship

–

–

126

121

8

Burst Noise

–

–

126

121

9

Applause

–

–

127

121

0

Laughing

–

–

127

121

1

Screaming

–

–

127

121

2

Punch

–

–

127

121

3

Heartbeat

–

–

127

121

4

Foot Step

–

–

127

121

5

Gunshot

–

–

128

121

0

Machine Gun

–

–

128

121

1

Laser Gun

–

–

128

121

2

Explosion

–

–

128

121

3

Pop Set

–

–

1

120

0

Ballad Set

–

–

9

120

0

Power Set

–

–

17

120

0

Electronic Set

–

–

25

120

0

Analog Set

–

–

26

120

0

Jazz Set

–

–

33

120

0

Brush Set

–

–

41

120

0

Orchestra Set

–

–

49

120

0

SFX Set

–

–

57

120

0

Appendix

Multi-timbral mode = off/on1

169

Drum
Rhythm
List
Drum
Rhythm
No.

Rhythm Name

8 Beat 1
8 Beat 2
8 Beat 3
Pop 1
Pop 2
Pop 3
Pop 4
Pop 5
Pop 6
Ride Beat 1
Ride Beat 2
Dance Pop 1
Country Pop
Smooth Beat
Rim Beat

8 Beat Rock

16
17
18
19
20
21
22
23

Modern Rock 1
Modern Rock 2
Modern Rock 3
Modern Rock 4
Pop Rock
Ride Rock
Jazz Rock
Surf Rock

16 Beat

24
25
26
27
28
29
30
31
32
33
34
35
36

16 Beat
Indie Pop 1
Acid Jazz 1
Ride Beat 3
Dance Pop 2
Dance Pop 3
Dance Pop 4
Dance Pop 5
Dance Pop 6
Dance Pop 7
Dance Pop 8
Indie Pop 2
Cajun Rock

8 Beat Ballad

Appendix

37
38
39
40
41
42
43
44
45

Pop Ballad 1
Pop Ballad 2
Pop Ballad 3
Rock Ballad 1
Rock Ballad 2
Slow Jam
6/8 R&B Ballad
Triplet Ballad 1
Triplet Ballad 2

16 Beat Ballad

46
47
48
49
50
51
52

170

No.

Rhythm Name

16 Beat Dance

8 Beat

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15

List

16 Ballad 1
Dance Ballad 1
Dance Ballad 2
Dance Ballad 3
Electro Pop
16 Ballad 2
Mod Pop Ballad

53
54
55
56
57
58

Dance 1
Dance 2
Dance 3
Disco
Techno 1
Techno 2

16 Beat Swing

59
60
61
62
63
64
65
66

16 Shuffle 1
16 Shuffle 2
16 Shuffle 3
Acid Jazz 2
Acid Jazz 3
New Jack Swing
Modern Dance
Indie Pop 3

8 Beat Swing

67
68
69
70

Swing Beat
Motown
Country 2 Beat
Boogie

Triplet

71
72
73
74
75
76
77
78

8 Shuffle 1
8 Shuffle 2
8 Shuffle 3
Dance Shuffle
Triplet 1
Triplet 2
Triplet Rock
Reggae

Jazz

79
80
81
82
83
84
85

H.H. Swing
Ride Swing
Fast 4 Beat
Afro Cuban
Jazz Bossa
Jazz Waltz
5/4 Swing

Latin / Traditional

86
87
88
89
90
91
92
93
94
95
96
97
98
99
100

H.H. Bossa Nova
Ride Bossa Nova
Beguine
Rhumba
Cha Cha
Mambo
Samba
Sala
Merenge
Tango
Habanera
Waltz
Ragtime
March
6/8 March

Specifications
CA98
Keyboard

Internal Sounds

Pianist mode

SK-EX Rendering: 88-key multi-channel piano sampling, 88-key resonance modelling

Sound mode

Harmonic Imaging XL: 88-key piano sampling

Pianist mode

SK-EX Concert Grand, 10 rendering characters

Sound mode

88 sounds

Keyboard Modes

Dual, Split, 4Hands (Volume/Balance adjustable)

Polyphony
Effects

max. 256 notes (depending on selected sound)
Pianist mode

Resonance Depth (10 types), Ambience (10 types)

Sound mode

Reverb (6 types), Effects (24 types)
(Chorus x 3, Delay x 3, Tremolo x 3, Auto pan x 2, Phaser x 2, Rotary x 6, Combination x 5)

Pianist mode

Touch Curve (incl. User), Voicing (incl. User), Damper Noise, Fall-back Noise, Hammer Delay,
Minimum Touch, Key Volume (incl. User), Half-Pedal Adjust, Soft Pedal Depth

Sound mode

Touch Curve (incl. User), Voicing (incl. User), Damper Resonance, Damper Noise,
String Resonance, Undamped String Resonance, Cabinet Resonance, Key-off Effect,
Fall-back Noise, Hammer Delay, Topboard Simulation, Decay Time, Minimum Touch,
Stretch Tuning (incl. User), Temperament (incl. User), Temperament Key,
Key Volume (incl. User), Half-Pedal Adjust, Soft Pedal Depth

Pianist mode

3 song recorder (approximately 10 min. per song)

Sound mode

10 song, 2 track recorder (approximately 90,000 note memory capacity)

Playback

MP3, WAV, SMF, KSO (internal song file)

Record

MP3, WAV, Overdub audio, Save as SMF/KSO, Line In & Bluetooth Audio Recording

Virtual Technician

Internal Recorder
USB Recorder

1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8 + 100 drum rhythms
10~400 bpm (20~800 bpm for eighth note rhythms)

Metronome
Demo Songs
Internal Songs

39 songs

37 songs

Piano Music

29 or 42 songs ¹

Concert Magic

176 songs

Lesson Books

584 Songs from Alfred, Burgmüller, Czerny, Beyer, Bach, and Chopin lesson books ²,
140 Finger Exercises

Favorites

16 memories (4 x 4 pages)

Transpose

Key Transpose: -12~+12 semi-tones, Song Transpose: -12~+12 semi-tones
Sound Settings

Tuning (Sound mode only), Damper Hold (Sound mode only), Tone Control (incl. User),
Speaker Volume, Line In Level, Wall EQ (CA98 only), SHS Mode, Phones Type, Phones Volume,
LCD contrast, factory reset, MIDI setting, Bluetooth setting

System Settings

Bluetooth MIDI, Bluetooth Audio, Bluetooth Audio Volume, Rename File, Delete File,
USB Format, MIDI Channel, Send PGM, Local Control, Transmit PGM# On/Off,
Multi-timbral Mode, Channel Mute, LCD Contrast, Auto Display Off, Auto Power Off,
Factory Reset

Other Settings &
Functions

Display

5” LCD touchscreen (480 x 800 pixels)
Bluetooth (Ver. 4.1; GATT compatible)
Bluetooth Low Energy MIDI Specification compliant, Bluetooth Audio

Bluetooth

LINE IN (1/8” STEREO), LINE IN Level, LINE OUT (1/4” L/MONO, R), Headphones x 2 (1/4”, 1/8”),
MIDI (IN/OUT), USB to Host, USB to Device

Jacks
Pedals

Speaker System

66 sounds

Appendix

Sound Source

CA78

88 wooden keys with Ivory and Ebony Touch key surfaces
Grand Feel II (GFII) action with Let-Off, Triple Sensor, and Counterweights

Damper (with half-pedal support), Soft, Sostenuto. Grand Feel Pedal System
Speakers
Output Power

Power Consumption
Dimensions
(Not including music rack)

Weight
¹ Depending on market location.
² Lesson books sold separately.

8 cm x 4 (top speakers)
2 cm x 2 (dome tweeters)
Soundboard Speaker System

13 cm x 2 (woofers)
(8 x 12) cm x 2 (top speakers)
5 cm x 2 (tweeters)

135 W (45 W x 3)

100 W (50 W x 2)

55 W

50 W

1455 (W) x 465 (D) x 940 (H) mm
57 1/3” (W) x 18 1/3” (D) x 37” (H)

1455 (W) x 455 (D) x 925 (H) mm
57 1/3” (W) x 18” (D) x 36 1/2” (H)

85.0 kg / 187 1/2 lbs.

75.0 kg / 163 1/3 lbs.

Specifications are subject to change without notice.
* Availability of Bluetooth function dependent on market location.

171

MIDI
Exclusive
Data Format
MIDI
Exclusive
Data

Format

1st byte

2nd byte

3rd byte

4th byte

5th byte

6th byte

7th byte

8th byte

9th byte

10th byte

1

2

3

4

5

6

7

8

9

10

Byte

ID

Description

1 F0

Start code

2 40

Kawai ID number

3 00 - 0F

MIDI channel

4 10, 30

Function code (30 when setting Multi-timbre On/Off )

5 04

Indicates that the instrument is an electric piano

6 02

Indicates that the piano is a CA/ES model

7 data 1
8 data 2

See table below

9 data 3
10 F7

data 1

data 2

data 3

00

00

-

Multi-timbre Off

01

00

-

Multi-timbre On 1

02

00

-

Multi-timbre On 2

0F

00 - 7F

-

Split Point

14

00 - 7F

-

Dual/Split balance

16

1F - 60

-

Tune, 40: 440 Hz

17

00, 7F

-

00: Program Change Off, 7F: Program Chage On

18

00 - 07

-

00: Light, 01: Normal, 02: Heavy, 03: Off, 04: Light +, 05: Heavy +,
06: User1, 07: User2

19

00 - 03

-

Lower Octave Shift

00 - 3B

00 - 3B

00 - 4F *

00 - 4F *

00 - 3B

00 - 3B

00 - 4F *

00 - 4F *

00 - 3B

00 - 3B

00 - 4F *

00 - 4F *

25

00 - 08

00 - 0B

data 2: Temperament, data 3: Key

26

00, 7F

00 - 0F

Multi-timbre channel mute, data 2: 00 (mute On), 7F (mute Off), data 3: Channel

20

21

22

Appendix

End code

Function

Dual, data 2: Main sound, 3: Layer sound

Split, data 2: Upper sound, data 3: Lower sound

Four Hands, data 2: Right sound, data 3: Left sound

* CA98 only.

172

MIDI Implementation Chart

Kawai CA98/CA78
Function

Transmitted

Basic
Channel

Mode

Default

1 - 16

1 - 16

Changed

1 - 16

1 - 16

Default

Mode 3

Mode 1

X

Mode 1, 3

Messages
Altered

Note
Number

0 - 127

*****

0 - 127

Note ON

O

O

Note OFF

O

O

Key

X

X

Channel

X

X

X

X

O
X
X
X
O (Right pedal)
O (Middle pedal)
O (Left pedal)

O
O
O
O
O
O
O

O 0 - 127

O 0 - 127 ***

*****

0 - 127

O

O

Song Position

X

X

Song Select

X

X

Tune

X

X

Clock

X

X

Commands

O

X

Local OFF/ON

X

O

All Note OFF

X

O (123-127)

Active Sense

X

O

Reset

X

X

True Voice

After Touch
Pitch Bend

0, 32
7
10
11
64
66
67

Control
Change

True #

System
Exclusive

Common

System
Real Time

Others

*****
21 - 108**

Velocity

Program
Change

Section

Date: August 2017
Version: 1.0
Remarks

* The default for the OMNI mode
is ON.
Specifying MIDI channels
automatically turns it OFF.
** The value depends on the
Transpose setting.

Bank Select
Volume
Pan Pot
Expression Pedal
Sustain Pedal
Sostenuto Pedal
Soft Pedal
*** Refer to the Program Change
Number List on p. 162.
On/Off Selectable

Appendix

[DIGITAL PIANO]

Notes
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON , MONO
Mode 4 : OMNI OFF, MONO

O : Yes
X : No

173

Copyright © 2018 Kawai Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.

CA98/CA78 Owner’s Manual
818706
KPSZ-0894 R101
OW1109E-S1805
Printed in Indonesia



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