Kodak Tourist Instruction Manual Www.orphancameras.com
PDF kodak_tourist T E X T F I L E S
kodak_tourist kodak_tourist
Tourist - Operating Instructions tourist_eng Free User Guide for Kodak Camera, Manual - page5
2015-08-19
: Kodak Kodak-Tourist-Instruction-Manual-788151 kodak-tourist-instruction-manual-788151 kodak pdf
Open the PDF directly: View PDF 
.
Page Count: 39
| Download | |
| Open PDF In Browser | View PDF |
O p e n i n g a n d C l o s i n gl h e C q m e r o
EosyosABC
Selectingthe Shutter SPeed
Setting the LensOPening
Focusingthe Ccmers
[xposure Guide
Kodqk Films
Looding
D e p i h - o f - F i e l dS c o l e
Toking the Picture
Removing the Film
When the Light is Poor
Flosh Pictures
SpeedlomP
Flood Pictures
Time Exposures
FlooC ond Flcsh ExposureTobles
Adding lnlerest io Your Pictures
Tips on Fost-Action Shots
Aids for Piciure Tcking
1.!{ R... iJ 5 l'di, Oq
www.orphancameras.com
3
4
6
THE KODAK
SYA'CHRO-RAP'D
8OO SHUTTSR
This new Kodok Tourist Comero with its superb lens
ond shutter opens new doors to extend your picture opPorlunities.
The shorp culling, color-corrected, Kodok f/4.5 Anostor Lens is
mounled in lhe new Kodok Synchro-Ropid Shutfer with speeds uP to
l/800
second, twice os fosl os ony previous Kodok between-the-
lens shutfer, Synchronizotion for oll types of flosh is built in. Closs F
flosh lomps con be synchronized up to ond including I /400 second;
ClossM lomps up to ond including l/800 second. Speedflosh con
olso be used. High-speed oction shots of qlmost unlimited voriety
ore possible. They will odd zesl to your picture collection.
THE KODAK
IOURIST
ADAPTER, KIf
The versotility of your Tourisf con be increosed still further with the
Kodck Tourist Adopier
i n c h e so n d 2 % x 2 %
Kit. Additionol negolive sizes ol lVa x 2Vc
i n c h e sc o n b e m o d e w i t h t h e s o m e K o d o k 6 2 0
F i l m .W i t h K o d q k 8 2 8 F i l m , 2 8 x 4 o m m K o d o c h r o m e l r o n s p o r e n c i e s
con be mode. These moke brilliqni,full-colorKodqslide tronsporencies for proiection.
The compleie kil is contoined in o hondy pocket cose. A telephoto
effect is obfo ined with the smoller negotive sizes. The comerc con be
further from ihe subiect, wifhouf reducing fhe imoge size, resuliing
in improved
perspective. This is of porticulor volue when moking
piclures of people.
o Read this instruction manual carefully-go through
the mechanical motions-to
be sure you fully understand the operation of your camera. Follow "the little
man" through the illustrations. Before taking a trip
or picturing that important event coming up, give
yourself some practice by shooting a roll or two of film
and taking a few flash pictures. You will give the
equipment a workout too. Ifthereare any questions in
your mind, your Kodak dealer will be glad to help you.
www.orphancameras.com
OPEIV'A'G
fHE CAITERA
To open the comero, press the
opening button ond pull down the
front unlil it locks. Do not depress
the bed shutter releose while
opening the comero,
CIOs"VG
THE CAITERA
Press on the rqised knurled sections to fold lhe two brqces; fhen
push the froni until it snqps shut.
set
,S:lFi
expo.$are tirng
set lil
Iens opening
set
foerr,*
i:t i'i
www.orphancameras.com
a
a
xors
e
3;:;
c*;j
-i
t t g
The length of time the light is permitted to reach the
fiIm is controlled by rotating the outside knurled
collar of the shutter until the index line is at the desired
speed. The Kodak Synchro-Rapid 800 Shutter provides exposure times of 1/800, 7l4OO, ll2OO, 7llOO,
7150, L125, 7110, ll5, 712, and 1 second-as well as
the speed index opposite the 800 dot.
Use 1/50 second for average snapshots.
With exposures of 1/10 second or slower or "B," the
camera must be on a tripod or other firm support.
"B" exposures are
explained on page 26.
o
www.orphancameras.com
The size of the lens opening, through which the light
passes while the shutter is open, is changed by moving
the lever across the /-number scale at the bottom of
the shutter. For greater convenience, a dual /-number
scale is located on the top rim of the shutter.
The opening is largest when the lens opening lever
is set at f 14.5 and smallest when it is set at f 132.Each
succeeding lens opening from f 132 to f 15.6 admits
twice as much light as the one
before; for example, a setting
of ll22 lets through twice as
much light as f 132.
The illustration above gives you a mental picture of
how the size of the lens opening-'the opening through
which light passes to the film-is changed as the lens
opening lever is moved across the scale.
www.orphancameras.com
The focusing scale on the lens is marked frorn 3tl feet
to co (infinity). Use the infinity setting for distances
100 feet from the camera and beyond.
When the subject is closer than 10 feet to the
camera, determine the distance accurately-it
is best
to measure it or to use the Kodak Service Range
Finder, an accessory which slides into the clip on the
top of the camera.
Use the depth-of-field scale to tell the nearest and
farthest objects which will be in sharp focus. Instructions for use of this scale are found on page 18.
I
// 4.rs.4
2 2 3 2 o P E l t l N c s" . ; .
,
I O S H U T T I R -I
{
Find ihe
I
Exposure
l-Sut
for film used (line up dots}
e*S.t
light condition doi opposife subject dot
( €-neoa
lens opening qbove selecled shutter speed
.
.
EXPOSUR,E
GU'DE
The exposure guide on the back of the camera indicates, quickly and easily, the correct exposure for
Kodak Films, with two common subject types under
the three most common lighting conditions.
Kodak black-and-white films have a wide latitude,
a built-in safety factor, which allows you to give as
little as one quarter the exposure indicated by the guide.
This should be relied on only when necessary at the
ltigher shutter speedsand under fauorable conditions.
The exposure f 111at 1/50 second (C) is the basic
10
www.orphancameras.com
Brighl sun
Strong Shodows
Hczy Sun
Sofi Shqdows
Gloudy Brighl
No Shodows
Subiecr - Neor - by
Averoge
people. gordens, houses ond
s c e n e sn o l i n s h o d e . U s e t h i s c r q s -
Dork or Shoded Subiect-Peop l e , g o r d e n s , o n d s u b i e c t si n o p e n
shode (lighted by open sky-
sificotion if in doubi.
not under lrees, porch roof, etc.).
exposure for average subjects in bright sunlight with
Kodak Verichrome, Plus-X or Kodacolor Films. The
same exposure results with the other settings shown
(f 18 atL1L00,f 116at|125, etc.). Your choice is governed
by other considerations (stopping motion, depth of
field, etc.).
The above illustrations and descriptions explain the
subject types and lighting conditions covered by the
exposure guide on your Tourist. For near-by people
in marine, beach or snow scenes, or scenics with
prominent foreground objects, give half the exposure
indicated fot aueragesubjects.
11
Use Kodok Film No.620
KODAK VERICHROTI''E
FTL'A
The film for general outdoor pictures. It has wide latitude to help
you get a good negative even
though you slightly misjudge the
exposrue. High in speed, it is also
excellent for night photography
with flash lamps. 8 exposures.
KODAK PLUS-X
PANCHR,OITATIC F'LM
Combined high speed and fne
grain make this film ideal for
outdoor
work
and for welllighted indoor subjects. 8 exposures.
KODAK SUPER-XX
PANCHROMATTC
FILM
Because of its very high speed,
this film is the logical choice for
making snapshots indoors with
flood lamps. Indoors or out, it is
the flm to use when the lisht is
poor. 8 exposures.
L2
www.orphancameras.com
KODAK ,,NFR.ARED
FILM*
The film for distant landscape photography when detail ordinarily obscured by atmospherichaze is desired.
It can also be used to produce unusual pictorial results.
The Kodak Wratten A Filter (No. 25) is recommended
for use with this film. The above pictures were made
with this filter. 6 exposures.
KODACOLOR.
F'LI[
For full-color prints use Daylight Type outdoors; use
Type A with artificial light. Kodacolor Prints are
ordered through your Kodak dealer. Since Kodacolor
Film yields colored negatiues, black-and-white contact
prints or enlargements can also be made as easilv as
from regular films. 6 exposrues.
KODAK EKTACHP.OII',E
FTLTI
This film produces full-color transparencies for projecting, viewing, color printing by the Kodak Dye
Transfer Process, or for Kodachrome Enlargements.
It is not processed by the Eastman Kodak Company
but by the photographer with the special chemicals
supplied in convenient kits. Further information can
be obtained from your Kodak dealer.
*Infrared rays focus at a different point from uisual rays. Focus
the
camera as usual; then moue the focusing scale about 11,, counterclochwise.
13
1 A
OPENTHEBACK
The back of the camera
is hinged at both ends
and can be opened at
either end or removed
entirely. To open the
back, unlock the catch
by pulling out the slide
with the thumbnail or
by puShing the knurled
section to the other end
of its slot; then swing
the back outward.
www.orphancameras.com
WITHDR,AW
fHE P/N
To release the film centering pin, push in the
spool centering knob
and turn it clockwise
a quarter-turn.
This
brings the pin to the
"out" position as shown
above. The drawing in
figure 3 shows the pin
in the "in" position. It
must be in this position
to hold the spool.
o,
TTTE
'NSER,T
FTLIT
Insert the spool on the
bottom pin first so that
when the paper is drawn
off, the colored side will
be up. Press down the
spool while pushing in
the spool centering knob .
Turn the knobaquarterturn
counterclockwise
and release it.
,NSERIAIAKE-UPSPOOL
If the take-up spool is
not in place in the camera, turn and puII out
the wrNotNc KNoB as
far as it will go. Insert
an empty spool on the
bottom pin first. Turn
and push in the winding
knob to engage it with
the slot in the snool.
15
THR,EAD
IHE PAPER
Break the seal and pull
the paper to the empty
spool. Thread the end of
the paper into the longer
slot in the empty spool
as far as it will go.
Handle the roll carefully; the film will be
fogged if allowed to unwind or loosen.
TUR,NTHEWIND'NGKNOS
Turn the winding knob
two or three times to
bind the paper to the
spool. Be sure the paper
is started straight.
t6
www.orphancameras.com
'
]
.
t
CLOSE
THEBACK
The back, if removed,
must be replaced with
the top of the exposure
guide toward the view
finder. It is locked in
place by pushing in the
ends of the catches. A
white dot on the window
cover warns you to uncover the red window
when film is wound.
ADVANCETHEF'LT[
Before winding, uncover
the red window by pushing the lever toward the
bottom of the camera.
Turn the winding knob
until a small hand appears. Continue turning
slowly untTl the figure
"1" is
centered in the
window. Release the lever to cover the window.
17
When the focusing collar is set at one of the distances
marked on it, objects at that distance will be sharpest.
Sharpness extends to nearer and farther objects, but
with decreasingsharpness.The range ofgood sharpness
is "depth of field". Its limits are shown by comparing
the red figures on each side of the focusing pin with the
figures on the focusing scale. The red fgures represent
lens openings (/Tnumbers).
Example illustrated: Subject is at 20 feet. Exposure
calls for a lens opening of f l1l..
Set focusing scale with 20 opposite focusing pin. Look
for red figures 11f, UllD, on the depth of field scale.
There is one on each side ofthe focusing pin. The one
to the right of the pin stands between 10 and 12 on the
focusing scale. The other, to the left of the pin, stands
at co, infinity. These show all objects from infinity to
about 11 feet from the camera will be sharp.
18
www.orphancameras.com
These pictures show how the.depth of field is controlled
difierent lem openings.
ln the upper picfure o lorge lens opening wos used to
shollow depth of field, thus rhro*i;g.rhe bockground out of
fhe lower pictuie d smoll lits cipening wos used to obfoin
by using
obtoin o
focus. In
o greot
depth of field to gei detoil in both the subiect ond the bockground.
THE FINDER
Hold the comero firmly ogoinstthe
foce. To frome lhe picture properly, hold the comero ql thqt dislonce
from the eye which ollows you to
superimpose lhe reor finder frqme
on lhe front
finder
frome
(see
diogrom). If you connot superimpose the frome oll oround, move
the cqmero from one side to the
other in froni of your eye so thol
you see first the left ond fhen the
right edge
of
fhe front
frome.
Center lhe eye in this monner ond
keep il cenlered. To compose fhe
picture. move lhe comero ond your
heod simulloneously.
The illuslrotions show the
most
orocticol monner of holdinq the
comero lo quqrd oqoinst comero
movement of fhe moment of expos u r e . T o o s s u r er e m o r k o b l Y s l e o d y
horizontol pictures, cup lhe comerq bed in the hond qs shown in
the lop illustrotion. With fhe comero
steodied
ogoinsl
the foce.
press the shulfer releose in lhe
bed wilh o slow, squeezing oction.
20
www.orphancameras.com
Aher the lens opening, shulter speed
ond focus hove been sef-
,ffi
iiffi.o.r
rHE
sHUrrER'
Move the cocking lever
as far as it will go in the
direction of the arrow in
the illustration.
CO/i'IPOSE THE PTCTURE
TN THE V'EW F,iNDER,
Look in the finder and compose the picture. Hold the
camera and use the view finder as described on
page 20.
ffi
"^* THEExPosuRE
Hold the camera firmly to avoid camera motion. To
make the exposure, press the shutter release with a
slow, squeezing action.
W
ADYANCETHEFIL'A
After each picture has been
made, hold back the lever
to draw back the slide
under the red window and
turn the winding knob
until the next number is
centered in the window.
*The shufter-speed setting ring connot
be moyed to l/800 qffer lhe shuter is
cocked,
RE'IIOY'NG THEF'LM
After the last exposure on the roll of fllm has been
made, turn the film winding knob until the end of
the protective paper not only passes the red window
but is drawn up to the fiIm spool.
In subdued light, open the back
of the camera. Turn and pull out
the film winding knob to disengage it from the roll. To remove
the exposed roll, press the end of
the spool opposite the winding
knob and lift out the flm. Fold
the end of the protective paper
under and fasten it with the
sticker. Reload with No. 620
Kodak Film.
22
IMPORfANf: After removing the film, do not wind it lighlly
q lwisting molion os lhis moy scrofch fhe tilm.
with
CIEAA"NG
THE [ENs
T h e t i n t e d q p p e q r q n c e o f t h e l e n s i s d u e t o L u m e n i z i n g. , . o s p e c i o l
hord cooting opplied fo oll oir-gloss surfoces of the lens. This
treotmenl increoses Iight tronsmission ond decreoses internql reflections, thus improving the brillionce of block-ond-whife piclures
ond the color purity of full-color piciures.
Like ony fine lens, this lens should be cleoned wiih core. lf either
lhe front or bock surfoce requires cleoning, firsf brush owoy ony
gril or dust. Then wipe ih'e surfoce gently with Kodok Lens Cleoning
Poper or o cleon, soft. liniless clofh. lf moislure is necessory, breothe
on the lens or use Kodqk Lens Cleoner.
www.orphancameras.com
Sundown, dork doys, or dork inferiors
need not mork the end of picture
toking. This comero, wilh simple-touse flood, flosh, or speedlomp lighling, sfill further extends your picture
opportunities.
l
:
FI.A5HP'CIURES
For flash pictures, use the accessory Kodak Flasholder
illustrated below. The cord is connected to the eosr
on the rim of the shutter. The standard bracket is
attached to the tripod socket on the base ofthe Kodak
Tourist Camera.-Flashing of the lamp is controlled
by the synchro feature of the shutter.
Both Class F (such as SM or SF) and Class M (such
as No. 5 or No.25) flash lamps can be used. Exposure
data are given on page 27.
Class F lamps can be used up to and including 1/400
second. For Class F lamps, set the sELECToRon F. In_
sert the lamp; cock and release the shutter as usual.
Class M lamps can
be used on all shutter speeds. Move the
synchronization
selector to M for Class
M lamps. fnsert the
23
lamp; cock and release the shutter in the normal way.
At shutter speeds slower than 1/100 second with the
No. 5 and No. 25 lamps, fuller exposures may be obtained by moving the selector one or two dots toward
the F setting.
At 1/800 second with the No. 5 lamp, set the selector
at the first dotbeyond M; with the No. 25 larnp, set the
selector two dots beyond M (at the end ofthe scale).
Caution:Since lamps may shatter when flashed, the
use of a transparent protective screen over the reflector
is recommended. Do not flash the lamps in an explosive
atmosphere.
Do not insert flash lamps in the reflector if the
shutter is open-the
lamp may flash and a serious
burn may result.
Use fresh, size C photoflash or, if these are not available, flashlight batteries. The battery should test at
least 5 amperes.
SPEEDLAITP
P'CTURES
Kodatron Speedlamps (or similar equipment with no
lag in the trip circuit) can be used with this camera.
For these light sources, set the selector on X; connect
the cord from the lamp to the post on the rim of the
shutter; then follow the regular picture-taking procedure. The normal blade action of the shutter actuates
and synchronizes the flash discharge ofthe speedlamps.
This shutter is not made for use with electronic
flash units which are flashed by means ofheavy-duty
relays or solenoids. Such units may completely destroy
the shutter contacts.
24
www.orphancameras.com
FLOOD PICTURES
Flood
lamps
mounted
in
Kodak
Vari-Beam Standlights or Clamplights provide an efficient means of controlled lighting.
A good basic arrangement of lights for pictures of
people is illustrated in the diagram. Turn the control
ring on both lights to srrr,r- and place one light
beside the camera a little higher than the subject's
eyes. Place the other light on the other side of the
camera but higher. Tilt the reflector to shine the light
directly at the subject. To get a stronger highlight,
turn the control ring on this light to spor.
Choose simple backgrounds, light in tone for youngsters, darker in tone for adults.
The distance from the ends of the bulbs to the
subject determines the exposure. For exposure data,
see the table on page 27.
Divide the numberby the disfonce
EXPOSURE
GUIDENUMBERST
in feel from lomp lo subiectto find f/number.
SM or S F
No. 5 or No. 25
o
Shutter
Speed
\N x;
- o
70
95
, Super-XX
i Kodocolor
l; Type A
45
25 r 0 0
O
60
75
lt0
80
30 ,:,:t.:,1:
40 ,:.'',"').:
55
?n
60
*B exposures. No bright lights in comero's view.
CAUTION: Since lomps mdy shotler when 0qshed, the use of o lronsporent
proiectiye scroeri over fhe reflector is recommended. Do not flosh the lomps
in on explosive qlmosphere.
Shutter Two No. 2 Flood
Speed Lompsin Kodok VoriBeom Lightsoi STILL
Distonce in feel from Lomp to Subiecl
fl4.s
l/r00
1l s 0
1l2s
l/r0
tls
Side Lisht
Comero
Side lishr
Comero
Side light
Comero
Side lighi
Comero
Side Light
Lighi
Lighl
Light
lighi
4
6%
7
9
l0
l3
16
21
20
28
f 111
f 15.6
3
4
4
7
8
l0
12
16
t8
23
3
4
5
l
7
l
8Y2
ll
l2
l
l6
I
3
4
l e3
.
www.orphancameras.com
:
i,::,:t:i:rrii'
F::rl.iirr:!:ir
-,::,ril.:iiri::
Il0
e{
130
5 0 200
?n
I Verichrome
j Plus-X
o
N
ll
.
r:::t.t.l
I
iI
TITAEEXPOSUR.ES
When the light is too dim for the snapshot or the slow,
measured speeds, use a time exposure. The night scene
shown below is an example of the many picturetaking possibilities with time exposures. The camera
must be placed on a tripod such as the I(odak EyeLevel Tripod, page 33, or other support for exposures
longer than 1/25 second.
For time exposures, set the shutter speed index at
"B"; then press the shutter release for the desired interval. The shutter will remain open as long as the shutter release is pressed.
For long time exposures, the use of a Kodak T.B.I.
Cable Release No. 2, available from your Kodak
dealer, is recommended. The plunger of this cable
release stays down until released, to keep the shutter
open for as long as desired. Use a firm pressure on the
release to open the shutter. The use of a cable release
for "B" exposures minimizes the danger of jarring the
camera during exposure. Instructions for its use accompany each release.
26
For o scene like
liris. moke on exposure of obout 5
mlnules oT
fl ll
wiih Kodok Plus-X
Film.
Adding INTERESTto your pictures
Practice will make the operation
of your camera a
habit so that you can concentrate
on increasing the
appeal of the picture. The few thoughts and examples
that follow may give you ideas to help in improving
your pictures.
TELL A STORY-ond
tell it or o
glonce. Keep the picture simple
ond uncluttered. Hove only one
center of interesf. Ploin, unobrrusive bockgroundshelp lo emphosize ihis. Try o low viewpoinf for
outdoor portroits-fhe
sky mokes
on excellent bockground. A good
piclure need nol be losl becouse
of o busy bockground-o
high
shutter speed. o wide operlure,
ond on occurote focus on the subiect will throw the bockground out
of focus enough to subdue ii.
POS|NG-Sublects should oppeor
to be unposed. Keep them busy
qf plqy or work. ond they will
look nolurol. Wilh the high speeds
of this shutter, you con moke dynomic qction sholsof olmosl onvt h i n g y o u r s u b i e c t sm o y b e d o i n g The buili-in synchronizotion for
flosh ond speedflosh opens up on
qlmost unlimited field of hiohspeed photogrophy.
28
www.orphancameras.com
Correct pldceCOflPOSrIlOllmenl of the subiect is necessory
to gel o sotisfying picture. The
skier in this picture is well ploced;
there is free spoce lo ski into;
there is bolonce produced by
highlighis qnd shodows; ond there
is o feeling of motion, heightened
by the diogonol ski trocks. Diogonol or zigzog lines suggest
molion.
BACK OR SIDE LIGHTING-You
con give mony of your pictures
"punch"
odded
by shooting into
the lighr. Be sure lo shode your
lens from the direci roys of the
light source. To get shodow detoil in side-lighted shois. increose
your exposure by 5O per cent;
for bock-lighted shols, give lwice
fhe normol exposure. See poge
34 for o description of lhe
Kodqk Lens Hood.
LtGHf FTLIERS-Are
most commonly used wilh ponchromotic
films fo dqrken the sky. This mokes
clouds ond light-colored obiects
slond out in shorp relief ogoinst
the sky. In lhe occomponying piclure, greoler emphosis wos
brought to the white foom of lhe
croshing wove by rendering the
sky in o dork tone, Refer to poge
34 for informotion on the Kodok
Combinqtion Lens Aftqchmenis,
29
Tipson FAST-ACTION
Shots
With your Tourist loaded with Kodak Super-XX Film
and with this camera's fast lens and shutter speeds
you are all set to get some exciting fast-action shots.
By observing the following tips you can be sure of
highly successful pictures.
KivOyyyour equipment. Practice with an empty camera
on all types of action to get the feel of your Tourist and
to develop a good sense of timing. Follow through all
the details in your practice, even to operating the shutter, winding the film, and cocking the shutter, so that
the camera will be immediately ready for the next
shot.
D|SCOVER
your own time lag between the moment you
decide to take the picture and the moment the shurter
blades open. This time lag differs with individual re_
flexes and c:u1 be overcome by learning to trip the
shutter an instant
before the action
you wish to record occurs.
30
Fost oction ot o 45o ongle.
Pictures like this cqn be foken
or l/800 ot f 15.6 with Kodqk
SuperXX Film.
i:l:::
www.orphancameras.com
ANTTCIPAIE
the action so that
you will be ready for it. If you
know the sport or the general
action sequence of the activity
you can, for instance, have the
camera sighted at the right
spot, the focus set, and know
about when the climax of the
action will be. In this way you
increase your chances of recording the action with the
greatest impact.
coMPOsEthe picture ahead of
time. Imagine what the subject will look like in the finder
when the right moment comes.
Check the background, lighting, camera angle, focus, and
exposure. If possible, select a
camera angle which will allow
a dynamic composition and
yet not require a shutter
speed higher than necessary.
Action ot o 45o ongle ond
ocross the field of view. Use
I /800 qt fi4.5 with Kodok
Action coming directly loword
lhe cqmero.Use I l2O0 ot f ll I
with Kodok Suoer-XX Film for
similcr shois.
JIt
Here the cqmero ond subiect were trovelling
of the some speed. Note how lhe blurred
sproy gives lhe impression of greot speed'
Pictures like this cqn be token ot ll2OO ot
f/8 with Kodok Super-XX Film.
';i:1.*:::::ii&
:.).:..,.: :...
??& ;.):.:..i',...w,...
32
REIElll8ERthat the closer you are to the subject and the
greater the angle between the camera and the direction
of the action, the faster the shutter speed required.
Fast action (track and field sports, skating, yachting,
horse racing, diving, etc.) can be photographed from
about a 45' angle. Subjects moving at high speeds
(automobile, motorcycle, and speedboat races, etc.)
should be taken from a very acute angle. Very fast
motion should be toward or away from the camera.
If, on occasion, you have to shoot a fast-moving subject moving across tlne field of view, panoram your
camera. Swing it in unison with the subject while you
trip the shutter. The background will be completely
blurred, but the subject will be sharp. Some of these
shots are very effective; the blurred background gives
the impression of extreme speed.
Action pictures similar to the types illustrated on
pages 30, 31, and 32 can be made at the exposures
recommended for each picture.
lce shows offer rich fore for the
ovid oction enthusiosl,
Pictures like this cqn be tqken ot
oi f/4.5 whh flosh ond
Kodok Super-XX Film.
l/400
www.orphancameras.com
THE KODAK EYE-LEVELTRIPOD
provides a light-weight, sturdy
support for your camera. The
tripod screw fits directly into
the tripod socket in the side
wall of your camera for horizontal pictures. The use ofthe
Kodak Turn-Tilt Tripod Head
(illustrated) is recommended
if both vertical and horizontal
pictures are desired.
THEKODAKSER,YICE
RANGEF"VDER
is recommended as your assurance of sharply focused pictures. It is easily installed by
slipping the base of the finder
into the special clip provided
on the turret of your Kodak
Tourist Camera.
A LEAIHERCARRYTwGCASEand
neckstrap protects your camera and permits it to be ready
at a moment's notice. The
knurled screw in the base of
the case screws into the tripod
socket of the camera, and the
film number window and exposure guide are both visible
when the front section of the
case is unsnapped and dropped
for action.
OD
KODAK COIr'BtNAttON LENSATTACHT
ENIS Series VI pro_
vide a flexible, economical set of supplementary lens
equipment for your Tourist. The following is a partial
list of the units available in this series:
Kodak Wratten Filters K2, A,X1,, and G.
Kodak Portra Lenses l+, 2+, and g +.
Kodak Close-up Diffusion Disk.
Kodak Pictorial Diffusion Disk.
Kodak Pola-Screen,
Kodak Lens Hood.
All of the above items in the series VI size fit the
1$-inch Kodak Adapter Ring ($/ith Insert) which in
turn slips over the lens mount of your Tourist. To
assemble a filter, Portra Lens or diffusion disk in the
ring, unscrew and remove the insert and place the
desired lens or filter in the ring and replace the insert.
The Kodak Lens Hood can be used in place of the
insert to hold the part in place. The Kodak FolaScreen screws into the adapter ring in place of the
insert. If a Portra Lens and a filter or a pola-Screen
are to be used together, a Kodak Retaining Ring is
also necessary.
34
www.orphancameras.com
THEKADAK IOURTSTADAPTEN,
KIf
Your Tourist is designed to accept the Kodak Tourist
Adapter Kit. It is attached in a jiffy in place of the
regular back. The versatility of your camera is increased jn the following respects:
Kodachrome Fiim in the 828 size can be used to get
brilliant full-color Kodaslide transparencies which can
be projected or printed in color. Your dealer can give
you full information about Kodachrome Prints. The
user of 828-size film in a Tourist has the advantage of
getting good close-upswith excellent perspective. This
is due to using a 101mm lens for a miniature picture.
You can take sixteen half-620 (1;. x 2la-inches)
size pictures, thus getting twice as many pictures on
each roll of fiIm.
You can take 2fu-inch pictures if you prefer the
square format and get 12 black-and-white or 9 Kodacolor or Ektachrome shots on each roll of film.
The same accessory back can be used for the regular
2fu x 3fi-inch size pictures.
--=F
-
-
-
=
M
35
sET,&dt5
Kodok Tourist Cqmerq f/4.5 with Kodok Synchro-Ropid 8OO Shutter
Frllll *-*=_
Nrcarrvr
Snn-2rr1 x 3l inches
Frr,u Srzn-Kodak
620; 8 exposures for regular black-andwhite; 6 exposures for Kodacolor, Ektachrome and Infrared Films.
LEIVS-,--.,..
Kooar Ar.rasrax-]r0Imm
f I 4.b, Lumenized, 4-element lens
LENS OpENTNGs-fl4.s, fl\.6, fl\, flt7, flt6, f122, flsz
SHUIIER._._,..
-....=.Kooax Syrcrrno-Rapro
8OG-cocking type
Spenos-l, Ll2, rls, rlr0!,rl2\, UEo,rlL}o, rl2OO,
tl4OO,
"B."
1/800, and
Rsr-pasn-built
into camera bed
Fr-ess-Built-in
synchronization for Class F and M flash
lanps and for Kodatron and sinilar speedlamps. No
presetting necessary.
cowsrRucrrorv
_-=,-..
Bouy-die-cast
aluminum allov
Bacr-hinged
for opening eitier to right or left, or removing completely
Frr.rrsrr-metal
parts, black lacquer and chrome trim
Covnnrnc-black
Kodadur
Th.rpoo Socr
Source Exif Data:
File Type : PDF
File Type Extension : pdf
MIME Type : application/pdf
PDF Version : 1.5
Linearized : Yes
Encryption : Standard V1.2 (40-bit)
User Access : Print, Fill forms, Extract, Assemble, Print high-res
Page Count : 39
XMP Toolkit : XMP toolkit 2.9.1-13, framework 1.6
About : uuid:74b6ddfd-2de3-4a3d-8a67-075e5c25a092
Producer :
Create Date : 2004:06:20 10:30:04-05:00
Creator Tool : Canon
Modify Date : 2004:07:24 13:25:29-04:00
Metadata Date : 2004:07:24 13:25:29-04:00
Document ID : uuid:5dc5d5e8-0f4d-4c68-a45b-5458f9aca05c
Format : application/pdf
Title : www.orphancameras.com
Creator : Mike Butkus
Author : Mike Butkus
EXIF Metadata provided by EXIF.tools