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Tourist - Operating Instructions tourist_eng Free User Guide for Kodak Camera, Manual - page5

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Page Count: 39

Opening

and Closing

lhe Cqmero

EosyosABC

Selecting

the Shutter

SPeed

Setting

the Lens OPening

Focusing

the Ccmers

[xposure Guide

Kodqk Films

Looding

Depih-of-Field

Scole

Toking

the Picture

Removing

the Film

When the Light is Poor

Flosh

Pictures

SpeedlomP

Flood Pictures

Time

Exposures

FlooC

ond Flcsh

Exposure

Tobles

Adding lnlerest

io Your

Pictures

Tips on Fost-Action

Shots

Aids for Piciure

Tcking

1.!{ R... iJ

5 l'di, Oq

3

4

6

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THE KODAK SYA'CHRO-RAP'D 8OO SHUTTSR

This new Kodok Tourist Comero with its superb lens

ond shutter opens new doors to extend your picture opPorlunities.

The shorp culling, color-corrected, Kodok f/4.5 Anostor Lens is

mounled in lhe new Kodok Synchro-Ropid Shutfer

with speeds uP to

l/800 second, twice os fosl os ony previous Kodok between-the-

lens shutfer, Synchronizotion for oll types of flosh is built in. Closs F

flosh lomps con be synchronized up to ond including I /400 second;

Closs M lomps up to ond including

l/800 second. Speedflosh con

olso be used. High-speed oction shots of qlmost unlimited voriety

ore possible. They will odd zesl to your picture collection.

THE KODAK IOURIST ADAPTER, KIf

The versotility of your Tourisf con be increosed still further with the

Kodck Tourist Adopier Kit. Additionol negolive sizes ol lVa x 2Vc

inches

ond 2% x2% inches

con be mode with

the some Kodok 620

Film. With Kodqk 828 Film, 28 x 4omm Kodochrome lronsporencies

con be mode. These moke brilliqni, full-color Kodqslide tronsporen-

cies for proiection.

The compleie kil is contoined in o hondy pocket cose.

A telephoto

effect is

obfo ined with the smoller negotive sizes. The comerc con be

further from ihe subiect, wifhouf reducing fhe imoge size, resuliing

in improved perspective. This is of porticulor volue when moking

piclures of people.

o Read this instruction manual carefully-go through

the mechanical motions-to be sure you fully under-

stand the operation of your camera. Follow "the little

man" through the illustrations. Before taking a trip

or picturing that important event coming up, give

yourself some practice by shooting a roll or two of film

and taking a few flash pictures. You will give the

equipment a workout too. Ifthereare any questions in

your mind, your Kodak dealer will be glad to help you.

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OPEIV'A'G fHE CAITERA

To open the comero, press the

opening button ond pull down the

front unlil it locks. Do not depress

the bed shutter releose while

opening the comero,

CIOs"VG THE CAITERA

Press

on the rqised knurled sec-

tions to fold lhe two brqces; fhen

push the froni until it snqps shut.

set

set i:t i'i

expo.$are tirng

Iens opening

foerr,*

,S:lFi

set lil

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a

rs

3;:;

a

xo

e

c*;j -i

ttg

The length of time the light is permitted to reach the

fiIm is controlled by rotating the outside knurled

collar of the shutter until the index line is at the desired

speed. The Kodak Synchro-Rapid 800 Shutter pro-

vides exposure times of 1/800, 7l4OO,

ll2OO, 7llOO,

7150, L125, 7110, ll5, 712, and 1 second-as well as

the speed

index opposite the 800 dot.

Use 1/50 second

for average snapshots.

With exposures

of 1/10 second or slower or "B," the

camera must be on a tripod or other firm support.

"B" exposures are explained on page 26.

o

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The size of the lens opening, through which the light

passes

while the shutter is open, is changed by moving

the lever across the /-number scale at the bottom of

the shutter. For greater convenience, a dual /-number

scale is located on the top rim of the shutter.

The opening is largest when the lens opening lever

is set at f 14.5 and smallest when it is set at f 132.

Each

succeeding lens opening from f 132 to f 15.6 admits

twice as much light as the one

before; for example, a setting

of ll22 lets through twice as

much light as f 132.

The illustration above gives you a mental picture of

how the size of the lens opening-'the opening through

which light passes

to the film-is changed as the lens

opening lever is moved across the scale.

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The focusing scale on the lens is marked frorn 3tl feet

to co (infinity). Use the infinity setting for distances

100 feet from the camera and beyond.

When the subject is closer than 10 feet to the

camera, determine the distance accurately-it is best

to measure it or to use the Kodak Service Range

Finder, an accessory which slides into the clip on the

top of the camera.

Use the depth-of-field scale to tell the nearest and

farthest objects which will be in sharp focus. Instruc-

tions for use of this scale are found on page 18.

I

// 4.r s.4 2232 oPEltlNcs

".;."

,

IO SHUTTIRI

-

Find ihe

Exposure

{ l-Sut for film used (line

up dots}

I e*S.t light

condition doi opposife subject dot

( €-neoa lens

opening qbove selecled

shutter speed

..

EXPOSUR,E GU'DE

The exposure guide on the back of the camera indi-

cates, quickly and easily, the correct exposure for

Kodak Films, with two common subject types under

the three most common lighting conditions.

Kodak black-and-white films have a wide latitude,

a built-in safety factor, which allows you to give as

little as one quarter the exposure indicated by the guide.

This should be relied on only when necessary at the

ltigher shutter speeds and under fauorable conditions.

The exposure

f 111

at 1/50 second (C) is the basic

10

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Brighl sun

Strong Shodows

Hczy Sun

Sofi Shqdows

Gloudy

Brighl

No Shodows

Averoge Subiecr - Neor - by

people. gordens, houses ond

scenes

nol in shode. Use

this crqs-

sificotion if in doubi.

Dork or Shoded Subiect-Peo-

ple, gordens,

ond subiects in

open

shode (lighted by open sky-

not under lrees, porch roof, etc.).

exposure for average subjects in bright sunlight with

Kodak Verichrome, Plus-X or Kodacolor Films. The

same exposure results with the other settings shown

(f

18

atL1L00,f 116at|125,

etc.). Your choice

is

governed

by other considerations (stopping motion, depth of

field, etc.).

The above illustrations and descriptions explain the

subject types and lighting conditions covered by the

exposure guide on your Tourist. For near-by people

in marine, beach or snow scenes, or scenics with

prominent foreground objects, give half the exposure

indicated fot auerage subjects. 11

Use

Kodok Film No.620

KODAK VERICHROTI''E FTL'A

The film for general outdoor pic-

tures. It has wide latitude to help

you get a good negative even

though you slightly misjudge the

exposrue. High in speed, it is also

excellent for night photography

with flash lamps. 8 exposures.

KODAK PLUS-X

PANCHR,OITATIC F'LM

Combined high speed and fne

grain make this film ideal for

outdoor work and for well-

lighted indoor subjects. 8 ex-

posures.

KODAK SUPER-XX

PANCHROMATTC

FILM

Because of its very high speed,

this film is the logical choice for

making snapshots indoors with

flood lamps. Indoors or out, it is

the flm to use when the lisht is

poor. 8 exposures.

L2

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KODAK ,,NFR.ARED FILM*

The film for distant landscape photography when de-

tail ordinarily obscured by atmospherichaze is desired.

It can also be used to produce unusual pictorial results.

The Kodak Wratten A Filter (No. 25) is recommended

for use with this film. The above pictures were made

with this filter. 6 exposures.

KODACOLOR.

F'LI[

For full-color prints use Daylight Type outdoors; use

Type A with artificial light. Kodacolor Prints are

ordered through your Kodak dealer. Since Kodacolor

Film yields colored negatiues,

black-and-white contact

prints or enlargements can also be made as easilv as

from regular films. 6 exposrues.

KODAK EKTACHP.OII',E

FTLTI

This film produces full-color transparencies for pro-

jecting, viewing, color printing by the Kodak Dye

Transfer Process, or for Kodachrome Enlargements.

It is not processed by the Eastman Kodak Company

but by the photographer with the special chemicals

supplied in convenient kits. Further information can

be obtained from your Kodak dealer.

*Infrared rays focus at a different point from uisual rays. Focus the

camera as usual; then moue the

focusing scale

about 11,,

counterclochwise.

13

OPEN THE BACK

The back of the camera

is hinged at both ends

and can be opened at

either end or removed

entirely. To open the

back, unlock the catch

by pulling out the slide

with the thumbnail or

by puShing the knurled

section to the other end

of its slot; then swing

the back outward.

WITHDR,AW

fHE P/N

To release the film cen-

tering pin, push in the

spool centering knob

and turn it clockwise

a quarter-turn. This

brings the pin to the

"out" position as shown

above. The drawing in

figure 3 shows the pin

in the "in" position. It

must be in this position

to hold the spool.

1A

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o,

,NSERIA IAKE-UP

SPOOL

If the take-up spool is

not in place in the cam-

era, turn and puII out

the wrNotNc KNoB as

far as it will go. Insert

an empty spool on the

bottom pin first. Turn

and push in the winding

knob to engage it with

the slot in the snool.

'NSER,T

TTTE

FTLIT

Insert the spool on the

bottom pin first so that

when the paper is drawn

off, the colored side will

be up. Press down the

spool while pushing in

the spool centering knob .

Turn the knobaquarter-

turn counterclockwise

and release it.

15

THR,EAD

IHE

PAPER

Break the seal and pull

the paper to the empty

spool. Thread the end of

the paper into the longer

slot in the empty spool

as far as it will go.

Handle the roll care-

fully; the film will be

fogged if allowed to un-

wind or loosen.

TUR,N THE

WIND'NG

KNOS

Turn the winding knob

two or three times to

bind the paper to the

spool. Be sure the paper

is started straight.

t6

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'].

t

CLOSE

THE

BACK

The back, if removed,

must be replaced with

the top of the exposure

guide toward the view

finder. It is locked in

place by pushing in the

ends of the catches. A

white dot on the window

cover warns you to un-

cover the red window

when film is wound.

ADVANCE

THE

F'LT[

Before winding, uncover

the red window by push-

ing the lever toward the

bottom of the camera.

Turn the winding knob

until a small hand ap-

pears. Continue turning

slowly untTl the figure

"1" is centered in the

window. Release the le-

ver to cover the window. 17

When the focusing collar is set at one of the distances

marked on it, objects at that distance

will be sharpest.

Sharpness extends to nearer and farther objects, but

with decreasing

sharpness.

The range

ofgood sharpness

is "depth of field". Its limits are shown by comparing

the red figures on each side of the focusing pin with the

figures on the focusing scale. The red fgures represent

lens openings (/Tnumbers).

Example illustrated: Subject is at 20 feet. Exposure

calls for a lens opening of f l1l..

Set focusing scale

with 20

opposite focusing pin. Look

for red figures 11f,

UllD, on the depth of field scale.

There is one on each side ofthe focusing pin. The one

to the right of the pin stands between 10 and 12 on the

focusing scale. The other, to the left of the pin, stands

at co, infinity. These show all objects from infinity to

about 11 feet from the camera will be sharp.

18

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These pictures show how the.depth of field is controlled by using

difierent lem openings.

ln the upper picfure o lorge lens opening wos used to obtoin o

shollow depth of field, thus rhro*i;g.rhe bockground out of focus. In

fhe lower pictuie d smoll lits cipening wos used to obfoin o greot

depth of field to gei detoil in both the subiect ond the bockground.

THE FINDER

Hold the comero

firmly ogoinstthe

foce. To frome lhe picture proper-

ly, hold the comero ql thqt dislonce

from the eye which ollows you to

superimpose lhe reor finder frqme

on lhe front finder frome (see

diogrom). If you connot superim-

pose the frome oll oround, move

the cqmero from one side to the

other in froni of your eye so thol

you see first the left ond fhen the

right edge of fhe front frome.

Center lhe eye in this monner ond

keep il cenlered. To compose fhe

picture.

move lhe comero ond your

heod simulloneously.

The illuslrotions show the most

orocticol monner of holdinq the

comero lo quqrd oqoinst comero

movement of fhe moment of expo-

sure.

To ossure

remorkoblY

sleody

horizontol pictures, cup lhe com-

erq bed in the hond qs shown in

the lop illustrotion. With fhe com-

ero steodied ogoinsl the foce.

press the shulfer releose in lhe

bed wilh o slow, squeezing oction.

20

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Aher the lens opening, shulter speed

ond focus hove been sef-

,ffi

iiffi.o.r rHE sHUrrER'

Move the cocking lever

as far as it will go in the

direction of the arrow in

the illustration.

CO/i'IPOSE THE PTCTURE

TN THE V'EW F,iNDER,

Look in the finder and compose the picture. Hold the

camera and use the view finder as described on

page 20.

ffi "^* THEExPosuRE

Hold the camera firmly to avoid camera motion. To

make the exposure, press the shutter release with a

slow, squeezing action.

W ADYANCE THE FIL'A

After each picture has been

made, hold back the lever

to draw back the slide

under the red window and

turn the winding knob

until the next number is

centered in the window.

*The shufter-speed setting ring connot

be moyed to l/800 qffer lhe shuter is

cocked,

22

RE'IIOY'NG

THE

F'LM

After the last exposure on the roll of fllm has been

made, turn the film winding knob until the end of

the protective paper not only passes the red window

but is drawn up to the fiIm spool.

In subdued light, open the back

of the camera. Turn and pull out

the film winding knob to disen-

gage it from the roll. To remove

the exposed roll, press the end of

the spool opposite the winding

knob and lift out the flm. Fold

the end of the protective paper

under and fasten it with the

sticker. Reload with No. 620

Kodak Film.

IMPORfANf: After removing the film, do not wind it lighlly

with q lwisting molion os lhis moy scrofch fhe tilm.

CIEAA"NG THE [ENs

The tinted

qppeqrqnce of the lens is due to Lumenizing

.,. o speciol

hord cooting opplied fo oll oir-gloss surfoces of the lens. This

treotmenl increoses Iight tronsmission ond decreoses internql re-

flections, thus improving the brillionce of block-ond-whife piclures

ond the color purity of full-color piciures.

Like ony fine lens,

this lens should be cleoned wiih core. lf either

lhe front or bock surfoce requires cleoning, firsf brush owoy ony

gril or dust. Then wipe ih'e

surfoce gently with Kodok Lens

Cleoning

Poper or o cleon, soft. liniless

clofh. lf moislure is necessory, breothe

on the lens or use Kodqk Lens

Cleoner.

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Sundown, dork doys, or dork inferiors

need not mork the end of picture

toking. This comero, wilh simple-to-

use flood, flosh, or speedlomp lighl-

ing, sfill further extends your picture

opportunities. l

:

FI.A5H

P'CIURES

For flash pictures, use the accessory Kodak Flasholder

illustrated below. The cord is connected to the eosr

on the rim of the shutter. The standard bracket is

attached to the tripod socket on the base

ofthe Kodak

Tourist Camera.-Flashing of the lamp is controlled

by the synchro feature of the shutter.

Both Class F (such as SM or SF) and Class M (such

as No. 5 or No.25) flash lamps can be used.

Exposure

data are given on page

27.

Class F lamps can be used up to and including 1/400

second.

For Class F lamps, set the sELECToR

on F. In_

sert the lamp; cock and release the shutter as usual.

Class

M lamps can

be used on all shut-

ter speeds. Move the

synchronization se-

lector to M for Class

M lamps. fnsert the

23

lamp; cock and release the shutter in the normal way.

At shutter speeds

slower than 1/100 second with the

No. 5 and No. 25 lamps, fuller exposures may be ob-

tained by moving the selector one or two dots toward

the F setting.

At 1/800 second with the No. 5 lamp, set the selector

at the first dotbeyond M; with the No. 25 larnp, set the

selector two dots beyond M (at the end ofthe scale).

Caution:

Since lamps may shatter when flashed, the

use of a transparent protective screen over the reflector

is recommended. Do not flash the lamps in an explosive

atmosphere.

Do not insert flash lamps in the reflector if the

shutter is open-the lamp may flash and a serious

burn may result.

Use fresh, size C photoflash or, if these are not avail-

able, flashlight batteries. The battery should test at

least 5 amperes.

SPEEDLAITP P'CTURES

Kodatron Speedlamps (or similar equipment with no

lag in the trip circuit) can be used with this camera.

For these light sources, set the selector on X; connect

the cord from the lamp to the post on the rim of the

shutter; then follow the regular picture-taking proce-

dure. The normal blade action of the shutter actuates

and synchronizes the flash discharge ofthe speedlamps.

This shutter is not made for use with electronic

flash units which are flashed by means ofheavy-duty

relays or solenoids. Such units may completely destroy

the shutter contacts.

24

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FLOOD PICTURES

Flood lamps mounted in Kodak

Vari-Beam Standlights or Clamplights provide an ef-

ficient means of controlled lighting.

A good basic arrangement of lights for pictures of

people is illustrated in the diagram. Turn the control

ring on both lights to srrr,r- and place one light

beside the camera a little higher than the subject's

eyes. Place the other light on the other side of the

camera but higher. Tilt the reflector to shine the light

directly at the subject. To get a stronger highlight,

turn the control ring on this light to spor.

Choose simple backgrounds, light in tone for young-

sters, darker in tone for adults.

The distance from the ends of the bulbs to the

subject determines the exposure. For exposure data,

see the table on page 27.

EXPOSURE GUIDE NUMBERST

Divide the number by the disfonce

in

feel from lomp lo subiect to find f/number.

No. 5 or No. 25

Shutter

Speed

I Verichrome

j Plus-X

, Super-XX

i Kodocolor

l;

Type

A

N;

\x

-o

60

75

lt0

o:

O i,::,:t:i:rrii'

F::rl.iirr:!:ir

-,::,ril.:iiri::

30 ,:,:t.:,1::,,

40 ,:.'',"').:.:,::

55 r:::t.

t.l

?n

o

N

I l0

130

200

r00 80 60

*B exposures.

No bright lights in comero's view.

SM SFor

70

95

45

?n

e{

50

25

CAUTION: Since lomps mdy shotler when 0qshed, the use of o lronsporent

proiectiye scroeri over fhe reflector is recommended. Do not flosh the lomps

in on explosive qlmosphere.

Shutter

Speed

Two No. 2 Flood

Lomps in Kodok

Vori-

Beom Lights oi STILL

Distonce in feel from Lomp to Subiecl

l/r00

1

ls0

1l2s

l/r0

tls

Side Lisht

Comero Lighi

Side lishr

Comero Lighl

Side light

Comero Light

Side lighi

Comero lighi

Side Light

f

l4.s f 15.6

4

6%

7

9

l0

l3

16

21

20

28

f 111

3

4

4

7

8

l0

12

16

t8

23

3

4

5

7

8Y2

ll

l2

l6

l3

l4

l3

le

I ll

..

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I

i

I

TITAE

EXPOSUR.ES

When the light is too dim for the snapshot or the slow,

measured speeds, use a time exposure. The night scene

shown below is an example of the many picture-

taking possibilities with time exposures. The camera

must be placed on a tripod such as the I(odak Eye-

Level Tripod, page 33, or other support for exposures

longer than 1/25 second.

For time exposures, set the shutter speed index at

"B"; then press

the shutter release for the desired inter-

val. The shutter will remain open as long as the shut-

ter release is pressed.

For long time exposures, the use of a Kodak T.B.I.

Cable Release No. 2, available from your Kodak

dealer, is recommended. The plunger of this cable

release stays down until released, to keep the shutter

open for as long as desired. Use a firm pressure on the

release to open the shutter. The use of a cable release

for "B" exposures minimizes the danger of jarring the

camera during exposure. Instructions for its use ac-

company each release.

26

For o scene like

liris. moke on ex-

posure

of obout 5

mlnules oT fl ll

wiih Kodok Plus-X

Film.

Adding INTEREST

to your pictures

Practice will make the operation of your camera a

habit so that you can concentrate on increasing the

appeal of the picture. The few thoughts and examples

that follow may give you ideas to help in improving

your pictures.

TELL

A STORY-ond tell it or o

glonce. Keep the picture simple

ond uncluttered. Hove only one

center of interesf. Ploin, unobrru-

sive bockgrounds

help lo empho-

size ihis. Try o low viewpoinf for

outdoor portroits-fhe sky mokes

on excellent bockground. A good

piclure need nol be losl becouse

of o busy bockground-o high

shutter speed. o wide operlure,

ond on occurote focus

on the sub-

iect will throw the bockground out

of focus enough to subdue ii.

POS|NG-Sublects should oppeor

to be unposed. Keep them busy

qf plqy or work. ond they will

look

nolurol.

Wilh the

high speeds

of this shutter, you con moke dy-

nomic

qction

shols

of olmosl onv-

thing your subiects

moy be doing-

The buili-in synchronizotion for

flosh ond speedflosh opens up on

qlmost unlimited field of hioh-

speed photogrophy.

28

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COflPOSrIlOll- Correct pldce-

menl of the subiect is necessory

to gel o sotisfying picture. The

skier in this picture is well ploced;

there is free spoce lo ski into;

there is bolonce produced by

highlighis qnd shodows; ond there

is o feeling of motion, heightened

by the diogonol ski trocks. Diog-

onol or zigzog lines suggest

molion.

BACK OR SIDE LIGHTING-You

con give mony of your pictures

odded "punch" by shooting into

the lighr. Be sure lo shode your

lens from the direci roys of the

light source. To get shodow de-

toil in side-lighted shois.

increose

your exposure by 5O per cent;

for bock-lighted shols,

give lwice

fhe normol exposure. See poge

34 for o description of lhe

Kodqk Lens Hood.

LtGHf FTLIERS-Are most com-

monly used wilh ponchromotic

films fo dqrken the sky. This mokes

clouds ond light-colored obiects

slond out in shorp relief ogoinst

the sky. In lhe occomponying pic-

lure, greoler emphosis

wos

brought to the white foom of lhe

croshing wove by rendering the

sky in o dork tone, Refer to poge

34 for informotion on the Kodok

Combinqtion Lens Aftqchmenis,

29

Tips

on FAST-ACTION

Shots

With your Tourist loaded with Kodak Super-XX Film

and with this camera's fast lens and shutter speeds

you are all set to get some exciting fast-action shots.

By observing the following tips you can be sure of

highly successful pictures.

KivOyy your equipment. Practice with an empty camera

on all types of action to get the feel of your Tourist and

to develop a good sense of timing. Follow through all

the details in your practice, even to operating the shut-

ter, winding the film, and cocking the shutter, so that

the camera will be immediately ready for the next

shot.

D|SCOVER your own time lag between the moment you

decide to take the picture and the moment the shurter

blades open. This time lag differs with individual re_

flexes and c:u1 be overcome by learning to trip the

shutter an instant

before the action

you wish to re-

cord occurs.

30

Fost

oction ot o 45o ongle.

Pictures like this cqn be foken

or l/800 ot f

15.6 with Kodqk

SuperXX Film.

i:l:::

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ANTTCIPAIE

the action so that

you will be ready for it. If you

know the sport or the general

action sequence

of the activity

you can, for instance, have the

camera sighted at the right

spot, the focus set, and know

about when the climax of the

action will be. In this way you

increase your chances of re-

cording the action with the

greatest impact.

coMPOsE

the picture ahead of

time. Imagine what the sub-

ject will look like in the finder

when the right moment comes.

Check the background, light-

ing, camera angle, focus, and

exposure. If possible, select a

camera angle which will allow

a dynamic composition and

yet not require a shutter

speed higher than necessary.

Action coming directly loword

lhe cqmero. Use

I

l2O0 ot f

ll I

with Kodok Suoer-XX Film for

similcr shois.

JIt

Here the cqmero ond subiect

were trovelling

of the some speed. Note how lhe blurred

sproy gives lhe impression of greot speed'

Pictures like this cqn be token ot ll2OO ot

f/8 with Kodok Super-XX Film.

';i:1.*:::::ii&

Action ot o 45o ongle ond

ocross the field of view. Use

I

/800 qt fi4.5 with Kodok

??& ;.

) :.

:..i',...w,...

:. ). :..,.:

:...

32

RE

IElll8ER

that the closer you are to the subject and the

greater the angle between the camera and the direction

of the action, the faster the shutter speed required.

Fast action (track and field sports, skating, yachting,

horse racing, diving, etc.) can be photographed from

about a 45' angle. Subjects moving at high speeds

(automobile, motorcycle, and speedboat races, etc.)

should be taken from a very acute angle. Very fast

motion should be toward or away from the camera.

If, on occasion, you have to shoot a fast-moving sub-

ject moving across tlne field of view, panoram your

camera. Swing it in unison with the subject while you

trip the shutter. The background will be completely

blurred, but the subject will be sharp. Some of these

shots are very effective; the blurred background gives

the impression of extreme speed.

Action pictures similar to the types illustrated on

pages 30, 31, and 32 can be made at the exposures

recommended for each picture.

lce shows offer rich fore for the

ovid oction enthusiosl,

Pictures

like this

cqn be tqken ot

l/400 oi f/4.5 whh flosh ond

Kodok Super-XX Film.

www.orphancameras.com

THE KODAK EYE-LEVEL TRIPOD

provides a light-weight, sturdy

support for your camera. The

tripod screw fits directly into

the tripod socket in the side

wall of your camera for hori-

zontal pictures. The use ofthe

Kodak Turn-Tilt Tripod Head

(illustrated) is recommended

if both vertical and horizontal

pictures are desired.

THE KODAK SER,YICE RANGE F"VDER

is recommended as your assur-

ance of sharply focused pic-

tures. It is easily installed by

slipping the base of the finder

into the special clip provided

on the turret of your Kodak

Tourist Camera.

A LEAIHER CARRYTwG CASE

and

neckstrap protects your cam-

era and permits it to be ready

at a moment's notice. The

knurled screw in the base of

the case screws into the tripod

socket of the camera, and the

film number window and ex-

posure guide are both visible

when the front section of the

case

is unsnapped and dropped

for action.

OD

KODAK COIr'BtNAttON

LENS

ATTACHT

ENIS Series VI pro_

vide a flexible, economical set of supplementary lens

equipment for your Tourist. The following is a partial

list of the units available in this series:

Kodak Wratten Filters K2, A,X1,, and G.

Kodak Portra Lenses

l+, 2+, and g

+.

Kodak Close-up Diffusion Disk.

Kodak Pictorial Diffusion Disk.

Kodak Pola-Screen,

Kodak Lens Hood.

All of the above items in the series VI size fit the

1$-inch Kodak Adapter Ring ($/ith Insert) which in

turn slips over the lens mount of your Tourist. To

assemble a filter, Portra Lens or diffusion disk in the

ring, unscrew and remove the insert and place the

desired lens or filter in the ring and replace the insert.

The Kodak Lens Hood can be used in place of the

insert to hold the part in place. The Kodak Fola-

Screen screws into the adapter ring in place of the

insert. If a Portra Lens and a filter or a pola-Screen

are to be used together, a Kodak Retaining Ring is

also necessary.

34

www.orphancameras.com

THE KADAK IOURTST ADAPTEN, KIf

Your Tourist is designed

to accept the Kodak Tourist

Adapter Kit. It is attached in a jiffy in place of the

regular back. The versatility of your camera is in-

creased

jn the following respects:

Kodachrome Fiim in the 828 size can be used to get

brilliant full-color Kodaslide transparencies which can

be projected or printed in color. Your dealer can give

you full information about Kodachrome Prints. The

user of 828-size film in a Tourist has the advantage of

getting good close-ups with excellent

perspective.

This

is due to using a 101mm lens for a miniature picture.

You can take sixteen half-620 (1;. x 2la-inches)

size

pictures, thus getting twice as many pictures on

each roll of fiIm.

You can take 2fu-inch pictures if you prefer the

square format and get 12 black-and-white or 9 Koda-

color or Ektachrome shots on each roll of film.

The same accessory back can be used for the regular

2fu x 3fi-inch size

pictures. 35

--=F

---=

M

sET,&dt5

Kodok Tourist Cqmerq f/4.5 with Kodok Syn-

chro-Ropid 8OO

Shutter

Frllll *-*=_

Nrcarrvr Snn-2rr1 x 3l inches

Frr,u Srzn-Kodak 620; 8 exposures for regular black-and-

white; 6 exposures for Kodacolor, Ektachrome and In-

frared Films.

LEIVS

-,--.,..

Kooar Ar.rasrax-]r0Imm f I

4.b, Lumenized, 4-element lens

LENS OpENTNGs-fl4.s, fl\.6, fl\, flt7, flt6, f122, flsz

SHUIIER._._,..

-....=.-

Kooax Syrcrrno-Rapro 8OG-cocking type

Spenos-l,

Ll2,

rls, rlr0!,

rl2\, UEo,

rlL}o,

rl2OO,

tl4OO,

1/800,

and "B."

Rsr-pasn-built into camera bed

Fr-ess-Built-in synchronization for Class F and M flash

lanps and for Kodatron and sinilar speedlamps. No

presetting necessary.

cowsrRucrrorv _-= ,-.

.

Bouy-die-cast aluminum allov

Bacr-hinged for opening eitier to right or left, or re-

moving completely

Frr.rrsrr-metal parts, black lacquer and chrome trim

Covnnrnc-black Kodadur

Th.rpoo Socr<pr-fits tripod or Kodak Flasholder bracket

Srnrar- Nuruaen-for positive identifcation in case of loss

or theft - is located on the camera body, under the up-

per back latch. Make a record of this number and ke6p

it in a safe place.

EASTMAN

KODAK COMPANY o ROCHESTER

4, N.y.

&s<H-E PRINTED IN THE UNITEO STATES OF AMERICA

www.orphancameras.com

O KODAK VERICHROMT

The Every-Doy Fovoriie

. KODAK PtUS-X

High

Speed,

Fine

Groin

. KODAK SUPER-XX

Exceptionolly

High Speed

. KODAK INFRARED

For Striking Results

. KODACOTOR.

For

Snopshots in Color

. KODAK

EKIACHROME

For Full-Color

Tronsporencies

O KODACHROME

828

For

Full-Color Tronspqrencies

wifh

the

Kodok

Tourist Adopler Kit