Line 6 Dt50 112 Quick Start Guide Guitar Amplifier Pilot's Revision D
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2014-07-19
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® DT50 Guitar Amplifier Pilot’s Guide Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto 取扱説明書 40-00-0284 Pilot’s Handbook available @ www.line6.com/manuals Rev D Important Safety Instructions C AU T IO N R ISK O F E LE C TR IC SH O C K DO NOT O PE N WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT REMOVE SCREWS. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THE APPLIANCE TO RAIN OR MOISTURE. CAUTION: This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. The lightning symbol within a triangle means “electrical caution!” It indicates the presence of information about operating voltage and potential risks of electrical shock. The exclamation point within a triangle means “caution!” Please read the information next to all caution signs. Please Note: Line 6 and POD are trademarks of Line 6, Inc. registered in the U.S. and other countries. DT50 is a trademark of Line 6, Inc. All rights reserved. Line 6, Inc.: The POD, Clifton House, Butler’s leap. Rugby, Warwickshire, United Kingdom, CV 21 3RQ 26580 Agoura Road, Calabasas, CA 91302-1921 USA SERIAL NO: You should read these Important Safety Instructions. Keep these instructions in a safe place • • • • • • • • • • • • • • • • • • • • • Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. This apparatus shall be connected to a MAINS socket outlet with a protective earthing connection. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Only use attachments/accessories specified by the manufacturer. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus. WARNING: To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture. The appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. Connect only to AC power outlets rated: 100/120V 220/240V 50/60Hz (depending on the voltage range of the included power supply). Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sure to practice “safe listening.” Service is required when the apparatus has been damaged in any way, such as: • power-supply cord or plug is damaged. • liquid has been spilled or objects have fallen into the apparatus. • the unit has been exposed to rain or moisture. • the unit is dropped or the enclosure is damaged. • the unit does not operate normally or changes in performance in a significant way. Front Panel Controls & Connections 1. Guitar In – Plug your guitar in here. It’s not uncommon to use HIGH input for guitars equipped with standard pickups and LOW when using guitars equipped with active electronics. Some like to use HIGH input for guitars equipped with single coil pickups and LOW when using guitars equipped with humbuckers. There’s no hard and fast rule – just plug in to the input that sounds best to you. 2. Power Switch – Connect the included power cable to your rear panel. For optimum tube life always power your amp on with your amp set to STBY. 3. Standby Switch – Allow the amp to warm up for one minute before setting STBY to ON. This extends the life and performance of your vacuum tubes. It is not necessary to set the amp to STBY before setting the Power Switch to its OFF position, but it can be a good habit, if only to ensure you’ve got it set properly next time you power up the amp. 4. Master Volume – Sets the overall volume of the amplifier without having to change your individual channel settings. 5. Channel A & B Controls – DRIVE controls how much “dirt” or “distortion” you get in your sound. BASS, MID, TREBLE and PRESENCE controls will interact differently depending on which VOICING you have selected. REVERB adjusts the channel’s reverb level, allowing you to switch between channels with different amounts of reverb. If you don’t want any reverb, simply turn this knob fully counter-clockwise. VOLUME sets the output level for its channel only. 6. Channel Select Switch – DT50 features two independent channels, A & B. When set to A, use the (5A) controls. For B use the (5B) controls. You can assign unique combinations of Voicing/ Feedback Topology, Amplifier Operating Class and Pentode/ Triode settings for each channel. This provides much more than the traditional clean/dirty channel configuration. Either channel can be set up any way you like…even identically, if that’s what you’re looking for. Customization of each channel is not limited to simply changing some components of the preamp or tone stack - the entire power section can be reconfigured and switched instantly too. It’s like having two extremely versatile tube amps in one box! 7. Voicing Switch – This switch determines the flavor of the currently selected channel’s preamp and tone stack, as well as the Negative Feedback Loop topology (NFL). NFL has a big impact on tonal characteristics and the overall “feel” of the amp. Flip the switch up or down to toggle through settings I through IV. With a single switch your tone can go from clean to mean. Each voicing is distinct: I – Puts the NFL in its tightest setting while configuring the Channel Control’s behavior reminiscent of the great American “Blackface” amps of the 60’s. Recommended settings: Class AB, Pentode II – Sets the NFL topology to be a little looser than I while the Channel Control settings are capable of dialing in echoes of classic British amps. Recommended settings: Class AB, Pentode III – This is the Zero Negative Feedback Loop setting which produces a very “open” or “dynamic” feeling amp. In this setting, the Channel DESIGNED IN U.S.A. MADE IN CHINA CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN 41-00-0291 -B LO F US E MIDI LEVEL OUT CABINET-SIMULATED DIRECT OUT EFFECT LOOP RETURN SEND (POWER AMP IN) (PREAMP OUT) GND 100V - 120V = T5.0AL / 250V SLO-BLO FUSE 220V - 240V = T2.5AL / 250V SLO-BLO FUSE LIFT U.S. PATENT NO. 5,789,689 TUBE AMP DESIGN BY POWER REQUIREMENTS MAINS FUSE – CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY WITH SAME TYPE FUSE. UTILISER UN FUSIBLE DE RECHANGE DE MEME TYPE ET CALIBRE INPUT DT50 112 L V S LO UTILISER UN FUSIBLE DE RECHANGE DE MEME TYPE ET CALIBRE T 1.0 A 50 /2 TUBE PROTECTION FUSE CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY WITH SAME TYPE FUSE. 120V ~ 50 - 60Hz 300W Max ® SERIAL NUMBER CAUTION: HOT TUBES! The power tubes get extremely hot during normal operation. DO NOT TOUCH! WARNING/AVIS: SHOCK HAZARD – DO NOT OPEN. RISQUE DE CHOC ÉLECTRIQUE – NE PAS OUVRIR. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. THIS EQUIPMENT HAS BEEN TESTED AND FOUND TO COMPLY WITH THE LIMITS FOR A CLASS B DIGITAL DEVICE PURSUANT TO PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRABLE OPERATION. Controls are configured for versatility with a distinct “chime-y” quality. Recommended settings: Class A, Pentode (clean) or Triode (rounder, vintage feel) IV – Setting IV brings the NFL back in and adds a low frequency resonance that pairs quite well with high gain voicing applied to the Channel Controls. Recommended settings: Class AB, Pentode 8. Class A / Class AB Switch – Class A operation is more dynamic with greater touch sensitivity. Use Class AB operation for greater headroom and power. In addition to setting the operating class, this switch also determines the wattage and bias type: When set to Class A the amp is running at 25 Watts and cathode biased. When set to Class AB the amp is running at 50 Watts and fixed biased. Try both settings with each voicing to see what sounds best to you. 9. Pentode / Triode Switch – This switch changes the configuration of the power tubes. Set switch to Pentode to sound clear and commanding. Triode sounds quieter and rounder with a more vintage feel. Rear Panel Controls & Connections 10. Power Cord Receptacle – Plug the included power cable here. 11. Speaker Outs – Connect speakers here using speaker cables only. You should only use one output (A, B, or C) at a time and never power the amplifier up without speakers connected. If you want to silence the speakers, use the Standby switch. The details are as follows: L6 LINK SPEAKER OUTPUTS THRU USE CLASS 2 WIRING ONLY Connect speakers to ONE output only – A, B or C. FOOTSWITCH NEVER OPERATE WITHOUT SPEAKERS CONNECTED. CONNECT TO L6 LINK ONLY (Use STANDBY to silence speakers.) 4 OHM OUT 8 OHM OUT A Use 8 OHM pair OR 4 OHM single 16 OHM OUT B C Use 16 OHM pair OR 8 OHM single Output A is for a 4-ohm speaker load. You can either hook up one 4-ohm speaker/cab or two 8-ohm speakers/cabs Output B is for an 8-ohm speaker load. You can either hook up one 8-ohm speaker/cab or two 16-ohm speakers/cabs. Output C is for a single 16-ohm speaker load. 12. Cabinet Simulated Direct Out – Provides a transformer-tapped direct output with cabinet simulation for studio recording or live performance without mic’ing your amplifier. The ground lift switch can be used to eliminate hum or buzz. 13. Serial Effect Loop – Use the effect loop to send your audio signal to external effects processors and stomp boxes such as modulations, delays & reverbs. Use the LEVEL knob to adjust the incoming signal strength. Note: Signal path is in series. When using the SEND, audio will not pass through to the poweramp without a connection back to the RETURN. 14. Footswitch – Connect a Tip-Sleeve (TS) latching footswitch here for easy access to switch between Channels A and B. 15. MIDI – Integrate your DT50 amp into your existing MIDI rig. 16. L6 LINK – is a powerful, proprietary connection developed by Line 6 to enable easy, reliable, one-cable connectivity between various Line 6 products. In the case of the DT50 Series guitar amplifiers and POD HD (300/400/500) series multi-effects processors, this connection allows both products to sync and communicate uniquely with each other. L6 LINK passes both audio and control data in a single cable, and the resulting operation allows users to plug a single cable from their POD HD family processor into a DT50 series amp and receive many incredible benefits: • No additional cables are required to connect a POD HD (300/400/500) to a DT50 series guitar amplifier. • Changing Tone settings (for example) on either the POD HD or DT50 immediately updates the other, with the result that both units stay perfectly in sync. • “Edit” a preset on a POD HD by simply turning knobs on the DT50 as one would any other guitar amp, then save it on the POD HD to perfectly recall every time the preset is selected. • This one is crazy cool! Calling up a particular amp model or preset on the POD HD enables the DT50 to dynamically reconfigure itself in the analog realm to optimize its components to match the source amplifier. Change your preset on a POD HD, and the DT50 will immediately align itself in the analog realm to such things as the appropriate Class A or AB operation, Biasing method, Feedback topology, Triode/Pentode power tube configuration and more! • Automatic sensing allows amps that are daisy-chained via L6 LINK to operate in a variety of ways, depending on which POD HD is connected. At a minimum, all POD HD multi-effects support stereo operation with linked DT50s, and POD HD500 supports up to four uniquely linked amps with configurations like “wet/dry mode” easily available. More online at www.line6.com/manuals While you’re online be sure to register your amp or simply fill out and mail us your included registration card. Registering gets you all set up for warranty service should you have an issue with your amp, and also qualifies you for contests, special offers and more. MIDI Implementation Continous Controller (MIDI CC #) Value Function 19 0-63 = Channel A, 64-127 = Channel B Channel A/B Toggle 77 0 = Voicing I, 1 = Voicing II, 2 = Voicing III, 3 = Voicing IV Channel A Voicing (I, II, III, IV) 73 0-63 = Class A, 64-127 = Class AB Channel A Operation Class Configuration (Class A / Class AB) 75 0-63 = Triode, 64-127 = Pentode Channel A Power Tube Configuration (Pentode/Triode) 36 0-63 = Reverb Off, 64-127 = Reverb On Channel A Reverb On/Off 114 0 = Voicing I, 1 = Voicing II, 2 = Voicing III, 3 = Voicing IV Channel B Voicing (I, II, III, IV) 115 0-63 = Class A, 64-127 = Class AB Channel B Operation Class Configuration (Class A / Class AB) 116 0-63 = Triode, 64-127 = Pentode Channel B Power Tube Configuration (Pentode/Triode) 105 0-63 = Reverb Off, 64-127 = Reverb On Channel B Reverb On/Off
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/;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /;/metadata, /metadata Create Date : 2012:10:09 14:29:27-05:00 Modify Date : 2012:10:09 14:37:22-05:00 Metadata Date : 2012:10:09 14:37:22-05:00 Creator Tool : Adobe InDesign CS5.5 (7.5) Page Image Page Number : 1, 2 Page Image Format : JPEG, JPEG Page Image Width : 256, 256 Page Image Height : 256, 256 Page Image : (Binary data 7472 bytes, use -b option to extract), (Binary data 9503 bytes, use -b option to extract) Doc Change Count : 966 Format : application/pdf Title : DT50 Guitar Amplifier Pilot's Guide - Revision D Creator : Producer : Adobe PDF Library 9.9 Trapped : False Page Layout : SinglePage Page Count : 8 Warning : [Minor] Ignored duplicate Info dictionaryEXIF Metadata provided by EXIF.tools