Peavey Electronics PV10 Audio Mixer User Manual 15 PV 10AT UserMan
Peavey Electronics Corporation Audio Mixer 15 PV 10AT UserMan
15_PV 10AT UserMan
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| Document ID | 2637291 |
| Application ID | QEo04z9Xm/MWdb7XA0wEsw== |
| Document Description | 15_PV 10AT UserMan |
| Short Term Confidential | No |
| Permanent Confidential | No |
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| Document Type | User Manual |
| Display Format | Adobe Acrobat PDF - pdf |
| Filesize | 297.01kB (3712637 bits) |
| Date Submitted | 2015-06-05 00:00:00 |
| Date Available | 2015-06-05 00:00:00 |
| Creation Date | 2015-04-22 16:44:37 |
| Producing Software | Adobe PDF Library 11.0 |
| Document Lastmod | 2015-04-22 16:44:50 |
| Document Title | 15_PV 10AT UserMan |
| Document Creator | Adobe InDesign CC (Windows) |
PV®10AT • PV®BT
Compact Mixer
1/4”-Hi-Z CH.4 Only
MAIN
OUTPUTS
USB A
DIRECT OUT
DIRECT OUT
DIRECT OUT
AUX SEND
DIRECT OUT
PV 10AT
5/6
10
STEREO IN
PAIRING
FS
3.5mm STEREO
7/8
Operating
Manual
9/10
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
AT
HI PASS
AT
HI PASS
Auto-TUNE
HI PASS
ELECTRIC GUITAR PRE-SHAPE
HI PASS
PHANTOM POWER
48V
USB B
min
comp
GAIN
max
min
comp
GAIN
max
min
GAIN
max
min
GAIN
9/10
PV 10
USB A Bluetooth
max
min
max
STEREO IN LEVEL
CONTROL ROOM
SOLO/MAIN
min
COMP
max
min
COMP
min
+ max
HIGH
min
+ max
min
+ high
-LOW+
max
EQ BYPASS
low
+ high
min
+ max
min
-LOW+
max
EQ BYPASS
low
+ high
min
+ max
min
-LOW+
max
EQ BYPASS
low
GAIN
+ max
min
+ high
min
-LOW+
max
+ max
min
EQ BYPASS
+ max
max
min
max
LEVEL A/B
RECORD LEVEL
-LOW+
+ max
min
max
min
max
B/
REC
B/REC
REC LEVEL
USB
TO CONTROL ROOM
min
-LOW+
Press to
Select
or edit
MEDIA SELECT
max
EFFECts
media
Press to
Select
MID
min
min
MID
max
HIGH
MID-MORPH
min
min
HIGH
MID-MORPH
max
HIGH
MID-MORPH
GAIN
HIGH
MID-MORPH
min
HIGH
low
min
max
A/B SELECT
EFX SELECT
AutoTUNE
max
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
SOLO
min
AUX
max
min
max
min
AUX
max
min
max
min
AUX
max
min
max
min
AUX
max
min
AUX
max
min
AUX
max
min
max
min
max
MASTER
AUX
EFX
EFX
EFX
EFX
max
ANALOG
MEDIA CHANNEL
DIGITAL
MEDIA CHANNEL
CLIP
R right
PAN
MUTE
SIGNAL
min
LEVEL
SOLO
left
CLIP
R right
PAN
MUTE
SIGNAL
max min
LEVEL
SOLO
left
CLIP
R right
PAN
MUTE
SIGNAL
max min
LEVEL
SOLO
left
CLIP
R right
PAN
MUTE
SIGNAL
max min
LEVEL
SOLO
left
CLIP
SIGNAL
max min
R right
BAL
MUTE
5/6
LEVEL
SOLO
left
CLIP
SIGNAL
max min
5/6
MONO
(SUM)
R right
max
RETURN TO AUX
max
EFX
min
LOW
max
ENABLE
KOSMOS-C
BAL
MUTE
MIC MUTE
HEADPHONE/
SOLO/MAIN
7/8
LEVEL
SOLO
min
RETURN TO MAIN
STEREO
left
HIGH
EFX
MUTE
SOLO
min
min
max
SOLO
7/8 MAIN L+R
min
LEVEL
max
SOLO/MAIN
www.peavey.com
FCC/ICES Compliancy Statement
This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation
is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device
must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence.
L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2)
I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible
d’en compromettre le fonctionnement.
Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s
authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try and correct the interference by one or more of the following measures.
•
Reorient or relocate the receiving antenna.
•
Increase the separation between the equipment and receiver.
•
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
•
Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment.
Features and specifications are subject to change without notice.
Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301
(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com
© 2015
EX000030
ENGLISH
PV®10AT and PV®10BT
Compact Mixers
Congratulations on purchasing the Peavey PV®10AT or PV®10BT Compact Mixer. The PV®10AT and PV®10BT are studio-quality mixing consoles designed to meet diverse needs while occupying a small space. These are the perfect consoles for small venue performances or home recording environments. PV series mixers feature built-in DSP effects that are useful in real-world recording and sound reinforcement, while parameter
controls allow you to tailor each effect to meet your needs.
The PV 10 BT includes 4 channels of reference-quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Bluetooth wireless input, high quality digital effects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos
audio enhancement, 48 volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable
guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge.
This amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless
connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 10 BT can
stream audio directly to a PC. MP3 playback is also available, just plug a flash drive with MP3 files on it into the USB A port and use the LCD to
select and playback music. The PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and
the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 2 Channels of compression keep signals
with difficult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specifically for guitar. Hi pass filters on every
channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or
power amplifier. The all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reliability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it.
In addition to all of these features, the PV10AT features 2 channels of Antares® world-famous Autotune®, which can be set to subtly tighten up
vocal harmonies, or it can be set for robotic vocal effects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to
auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set.
Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.
FEATURES:
• 4 Combination 1/4" and XLR low noise mic preamps
• 2 channels of built-in compression
• Stereo 1/4", RCA or 3.5mm input channel
• Stereo pan control per channel
• Bluetooth wireless connectivity
• On-board USB-A MP3 playback
• 3-band EQ on all channels
• 4 Channels of direct out
• 4 Channels of Peavey's Exclusive Mid-Morph
• Kosmos -C bass and treble enhancement
• 150 Hz low-cut switch on all mic inputs
• Channel 9/10 stereo return/input
• LED clip and signal present indication
• Individual Solo function
• Individual channel mutes
• Stereo USB-B streaming audio in and out
• EQ Bypass per mic channel
• High quality master LED meter bridge
• On board studio quality digital effects with individual channel control
• Master mic mute
• Effects and playback LCD display
• Studio quality headphone output
• One pre-fader AUX send
• Peavey's exclusive on-board 1 Meg guitar input
• Precision 60 mm faders on master
• Antares Auto-Tune with Peavey's exclusive Custom Key
feature
• Dual selectable control room outputs / Record out with independent level
• Global 48V phantom power
• Main stereo outputs with balanced 1/4" and XLR connectors
• Rugged console design
Installation Note:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
DIRECT OUT
DIRECT OUT
DIRECT OUT
PV10AT Front Panel (channels 1 and 2)
This combination input jack accepts a ¼” or XLR balanced plug. The XLR balanced input is optimized
for a microphone or other low impedance source. The ¼” input is a TRS balanced type, and also accepts
ordinary TS guitar cables.
DIRECT OUT
DIRECT OUT
HI PASS
150 Hz HI PASS FILTER
min
COMP
HI PASS
max
max
HIGH
max
min
HI PASS
min
COMP
min
+ max
HIGH
-LOW
min
+ high
MID-MORPH
min
min
max
min
16
17
left
max
-LOW
low
min
R right
SIGNAL
min
max
LEVEL 1
SOLO
min
LEVEL
SOLO
+ high
min
min
AUX
-LOW+
max
min
R right
EFX
left
PAN
MUTE
19
R righ
PAN
MUTE
max
EFX
CLIP
min
LEVEL
SOLO
max min
R right
PAN
MUTE
SIGNAL
LEVEL
SOLO
left
max
LEVEL2
SOLO
SIGNAL
R right
SIGNAL
min
min
CLIP
max
18
CLIP
AUX
left
15
SIGNAL
max min
min
PAN
MUTE
max
min
CLIP
max
EFX
max
left
max
max
EQ BYPASS
13
AUX 14
PAN
MUTE
CLIP
min
max
MID-MORPH
max
EFX
-LOW+
low
max
AUX
-LOW+
+ max
HIGH
EQ BYPASS
+ high
min
min
min0
MID-MORPH
12
R right
EFX
SIGNAL
min
+ max
min 0
max
PAN
MUTE
max
CLIPmin
AUX
MID-MORPH
10
HIGH
+ hig
low0
+ max
left
+ high
EQ BYPASS
EFX
min
max
EQ BYPASS
min
COMP
+ max
max
MID-MORPH
max
AUX
-LOW+
GAIN
min
HIGH
11
EQ BYPASS
EQ BYPASS
low
min
low 0
+ max
min
Low EQ
This control adjusts the level of the channel signal sent to the Aux output. The signal is taken before the
channel level (18) but after the channel EQ, meaning that changes to the EQ settings will affect the aux
mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors,
when used in a live performance, or to feed headphone amplifiers in a recording situation.
HIGH
MID-MORPH EQ (CH. 1-7)
AUX SEND
max
+ high
max
HI PASS
max
MID-MORPH
Hi EQ
EQ BYPASS
GAIN
Auto-TUNE
min
max
compminGAIN
max
COMP
min
6AT
low
max
GAIN
-GAIN+
min
comp
min
Compressor LED
Engaging this button bypasses the equalization of the channel, allowing you to easily hear the effect of
the EQ settings.
12
min
comp
COMPRESSION CONTROL (Channels 1 and 2 only)
This active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker
damage.
11
max
GAIN
Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned
counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise,
it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument definition can
be achieved.
10
min
comp
HI PASS
This active tone control (shelving type: ±15 dB) varies the level of the high frequency range.
HI PASS
AT
This LED illuminates when the compressor is actively compressing a signal.
Auto-TUN
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of
compression. The compressor ratio is in the 4:1 range, varying with signal levels and the amount of compression. This is useful for controlling peak levels from live sources, and has been designed to subtly tame
the levels of live vocals without noticeable artifacts. The compressor is after the gain control (5) and the hi
pass filter (4), but before the direct out (2), so it can be patched to external equipment.
3 AT
AT
The hi pass filter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing
low frequencies that make a mix sound muddy. This feature is especially useful when playing outside on a
windy day or on a hollow-sounding‚ noisy stage. These kinds of ambient noises can rob your sound system
of power. Engaging this switch will remove those frequencies from the system and restore power where
needed.
GAIN
The Input Gain control is used to establish proper gain structure in the channel. For best results, use the
Solo system (19) to monitor the channel while you set the gain. The goal is maximum gain without distortion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (16,17) can be used
for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain.
DIRECT OUT
PV 10A
AUTO-TUNE ACTIVATION BUTTON AND LED (PV10AT only)
Pressing this button activates the PV10AT's onboard AUTO-TUNE feature. The button illuminates when
in AUTO-TUNE mode (SEE Effects Select {50} and the following page).
DIRECT OUT
This impedance-balanced TRS output signal is taken after the mic preamp, hi pass filter, and compressor,
but before the EQ stage.
PV 10A
MIC/LINE INPUT (CH.1-8)
LEVEL
SOLO
max
PV10AT Front Panel (channels 1 and 2)
13
EFX SEND
This control adjusts the level of the channel signal added to the effects mix. The signal is sent to the internal effects processor. Turning the knob to
the left (min) will turn off effects on the associated channel, while turning the knob to the right will increase the amount of the selected effect. The
effects send signal is taken after the channel level (18) so that adjustments made to the fader will also affect the send level.
14
PAN CONTROL
This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise‚ the signal is present only on the left
channel; when rotated completely clockwise‚ only in the right channel. This control functions as a balance control to adjust the relative level of the
left and right signals on stereo channels 5/6 and 7/8. (Note 1/4" inputs on ch 5-6 and 9-10 are mono unless both are connected, then they switch
to stereo)
15
MUTE SWITCH
Pressing this switch will silence the channel signal going to the main mix, aux send, and effects. The mute switch will not affect the signal sent to
the solo system.
16
CLIP/MUTE LED
This LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. The clip indicator
circuit monitors the signal after the gain control, after the EQ, and after the main level; because clipping can be caused by high settings of any
of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e.
piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting
of input gain + EQ will result in this LED flashing briefly on the loudest peaks.
17
SIGNAL LED
The signal LED lights when the channel level reaches approximately -20 dBu. This not only indicates which channels are active, but also serves as
a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source.
18
CHANNEL LEVEL CONTROL
This is the channel's output control, which sets the signal level sent to the left and right mix and the effects send control. The gain is 0 dB (unity gain) when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with
this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the signal /clip LED's and the
main meter array. As additional sources are added, it is normal to turn this knob down slightly to prevent overdriving the main mix bus.
19
SOLO SWITCH AND LED
1/4”-Hi-Z CH.4 Only
When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master section, indicating that the Solo system is now active. The Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to 3.5mm STEREO
the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected
source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed
channel(s).
PV10AT Front Panel (channel 4)
20
MIC/LINE INPUT (CHANNEL 4 ONLY)
DIRECT OUT
DIRECT OUT
Electric Guitar Pre-Shape
Engaging this button optimizes the on board equalization for electric guitar.
DIRECT OUT
PV 10BT
DIRECT OUT
DIRECT OUT
DIRECT OUT
1/4”-Hi-Z CH.4 Only
20
This input is the same as channels 1-3 unless Guitar Shape is pressed. When ELECTRIC GUITAR
PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube
guitar amplifier input.
21
DIRECT OUT
5/6
3.5mm STEREO
10 INPUT
STEREO
WITH DIGITAL EFFECT
DIRECT OUT
PV 10BT
21
ELECTRIC GUITAR PRE-SHAPE
HI PASS
min
comp
HI PASS
GAIN
max
min
comp
GAIN
HI PASS
max
min
GAIN
10 INPUT STEREO
WITH DIGITAL EFFECT
HI PASS
max
ELECTRIC GUITAR PRE-SHAPE
min
GAIN
5/6
max
USB A
USB A
FS
3.5mm STEREO
PV10AT/PV10BT Front Panel (channels 5, 6, 7 and 8)
DIRECT OUT
22
DIRECT OUT
DIRECT OUT
DIRECT OUT
22
PV 10BT
STEREO INPUTS
DIRECT OUT
DIRECT OUT
USB MEDIA JACK
USB A
5/6
7/8
3.5mm STEREO
L BLUET
L DIGITAL EFFECTS,
WITH
MEDIA PLAYBACK AND
AUX SEND
5/6
7/8
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUET
HI PASS
PHANTOM POWER
48V
27
max
-0
max
COMP+ high
low
MID-MORPH
BLUETOOTH PAIRING BUTTON AND LED
min
comp
max
-0
min
min
max
COMP+ high
low
MID-MORPH
low
max
-0
min
+ high
low
MID-MORPH
-0
+ high
MID-MORPH
USB A Bluetooth
max
+ max
+ max
+ max
+ max
min min min min The Bluetooth Pairing Button is used to turn on/off the
The
+ max
+ max “Bluetooth
-Bluetooth.
-LOWblue
-LOW+ maxActivemin HIGH
-LOW+ max
min HIGH
min HIGH
min HIGH
LOW
0 the Bluetooth
LED” indicates the status of the Bluetooth connection. If 0the LED is off,
module 0
EQ BYPASS
EQ BYPASS
EQ BYPASS
EQ BYPASS
is powered off. If the LED is slowly flashing, the PV mixer is not paired with any device, but is
available for connection. When the LED is lit solid, the source device is properly paired to the
+ high
+ high
+ high
+ high
low low low low mixer and ready to play.
MID-MORPH
MID-MORPH
MID-MORPH
MID-MORPH
LAUX
max
R right
PAN
MUTE
CLIP
min
left
LAUX
max
R right
PAN
MUTE
CLIP
min
left
LAUX
max
R right
min
left
PAN
MUTE
CLIP
LAUX
max
R right
PAN
MUTE
CLIP
The RCA inputs to channel 5/6 accept a stereo source such as an MP3 player, CD player,
SIGNAL
SIGNAL
SIGNAL
SIGNAL
tape deck or other similar device. This input is optimized
for portable
handheld
devices
min
max
min
max
min
max
min
EFX
EFX
EFX
EFX
and therefore has very high sensitivity.
max
GAIN
min
USB0B
min
+ max
HIGH
max
- ++
-LOW
max
min HIGH max
min
+ max
MID
min
min
+ max
HIGH
min
max
AUX
max
GAIN+ max
min
MID
left
R right
left
R right
left
R right
left
PAN
PAN
This switch selects between USB A (24), USB B (68), and
the internalPAN
Bluetooth receiver.
min
CLIP
MUTE
max CLIP
min
LEVEL
SOLO
SIGNAL
11
MUTE
max CLIP
min
LEVEL
SOLO
SIGNAL
22
MUTE
max CLIP
min
LEVEL
SOLO
SIGNAL
33
min
- ++
-LOW
max
min HIGH max
max
max
LEVEL A/B
LEVEL
SOLO
max min
LEVEL
SOLO
max min
LEVEL
R right
SOLO
min
MEDIA SELECT
min
max
RECORD LEVEL
+ max
min
min
AUX
-LOW+
min
MEDIA SELECT
MASTER
max
max
SOLO
min
max
RETURN TO MAIN
30
STEREO
LAUX
BAL
MUTE
ma
SOLO
max
max
R right
min
TO CONTROL RO
Press to
Select
MID
DIGITAL
MEDIA CHANNEL
min
left
LAUX
max
R right
BAL
MUTE
CLIP
ANALOG
SIGNAL
MEDIA CHANNEL
DIGITAL
SIGNAL
MEDIA CHANNEL
left
LEVEL
LEVEL
SOLO
ma
REC LEVEL
5/6
7/8
R right
left
min
MASTER
SOLO
MONO
(SUM)
max
MIC MUTE
min
max
RETURN TO MAIN
LEVEL
44
SOLO
SIGNAL
max min
5/6
5/6
LEVEL
SOLO
LEVEL
SOLO
SIGNAL
max min
MIC MUTE
SOLO
7/8
7/8 MAIN L+R
LEVEL
SOLO
MONO
(SUM)
R right
PAN
BAL
BAL
MUTE
MUTE
MUTE
max CLIP
min
max CLIP
min
max
SOLO
SIGNAL
max min
min
SOLO
max
Stereo channels' midrange is +/-20 dB @ 440Hz ; the HIGH (8) and LOW (10) controls are
described above.
min
ma
Select
min
ANALOG
MEDIA CHANNEL
CLIP
min
STEREO
IN LEV
min
TO CONTROL RO
max
RECORD LEVEL
-LOW+
min
left
REC LEVEL
Press to
min
min
min
GAIN+ max
min
MID
min
min
max
PHANTOM
POWER
LEVEL A/B
48V
USB A Bluetooth
min
max
GAIN
STEREO
DIGITAL SOURCE SELECTOR
9/10
min
29
min
left
min
STEREO IN LEV
min
max
min
max
max
min
max
The PV Mixer will remember up to 10 devices that it was
previously
paired
withminand
AUX
AUX
AUXwill
AUX
automatically connect to the last device with which it was paired when turned on. To clear the
+ max
+ Bluetooth
+ max
+ max
paired device memory, make sure Bluetooth is on and
press
and hold
Pairing
min min - themax
min min LOW
LOW
LOW
LOW
Button for 5 seconds. The PV mixer will ask if you would
clear
the Bluetooth
EQ BYPASSlike to EQ
BYPASS
EQ BYPASSmemory.
EQ BYPASS
min
max
min
max
min
max
min
max
Select "Y" using the Media Select knob to clear the memory.
will go
through
the
EFX The PV mixer
EFX
EFX
EFX
process of clearing the memory, which should take approximately 15 seconds.
MID CONTROL
9/1
26
USB B
min
28
9/1
10 INPUT STEREO MIXER
First, slide the input selection switch (27) to the USB GAIN
A position. The
the LCD GAIN
GAIN bottom of
GAIN
display will say “Insert USB drive”. Insert your USB drive
into theGUITAR
USB Media
Jack (24)
ELECTRIC
PRE-SHAPE
at the top of channel 7/8. The Media Player will now enter "Folder Navigation Mode". In
HI PASS
HI PASS
HI PASS
this mode, you can scroll through a list of all folders
on the USB
drive. Once
you selectHI PASS
min
max
min
max
COMP
COMP
a folder, the Media Player will enter "Song Navigation Mode" which allows you to scroll
through a list of all songs contained in the selected folder. If there are no songs in the
selected folder, the LCD will display "No Songs". To return to Folder Navigation Mode, scroll
min
max
min
max
min
comp GAIN
comp GAIN
+ max
+ max
to the very beginning of the list and select the
option.
- +maxmax minminGAIN
- +maxmax
min min min GAIN
HIGH
HIGH
HIGH
HIGH
Once a song is finished playing, the Media Player will automatically
start
playing the0 next
song. Once the Media Player reaches the last song, it will automatically loop back to the
28
beginning of the list.
27
ELECTRIC GUITAR PRE-SHAPE
min
comp
RCA MEDIA INPUTS
STEREO IN
25
USB PLAYBACK:
26
9/
FS
10 INPUT STEREO MIXER
PV 10BT
A-type USB connector that a removable data storageHIdevice
can be
connected HItoPASS
playback
PASS
HI PASS
music
25
24
PAIRING
Channels 5 and 6 also feature 1/4" inputs. If only one jack is used, it behaves as a mono
2 serve3as a
source with a pan control. When both jacks are connected,1these connections
stereo source with a balance control; 5 is Left and 6 is Right.
24
STEREO IN
PAIRING
23OUT
DIRECT
DIRECT OUT
AUX SEND
1/4”-Hi-Z CH.4 Only
3.5mm STEREO INPUT
The 3.5mm input to channel 5/6 accepts a stereo input from1the output 2
of an MP3 player,
CD player, tape deck or other similar device. This input is optimized for portable handheld devices and therefore has very high sensitivity.
23
max
SOLO
PV10AT/PV10BT Front Panel (channel 4)
32
1/4”-Hi-Z CH.4 Only
MAIN
OUTPUTS
USB A
FS
3.5mm STEREO
ECT OUT
31
AUX SEND
DIRECT OUT
0BT
29
5/6
10
STEREO IN
PAIRING
7/8
9/10
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
33
34
35
ANALOG BALANCE CONTROL
Controls the balance between the analog channels 5/6.
30
Controls the balance between the digital channels 7/8.
SHAPE
DIGITAL BALANCE CONTROL
31
HI PASS
9/10
AUX SEND XLR and 1/4" OUT
PHANTOM POWER
48V
USB B
GAIN
POWER
Ground compensated balanced output fed by the AUX SEND master level (52). The XLR is internally in parallel with the TRS. You will
PV 10
get better hum and noise
USBrejection
A Bluetoothby using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will
min
max
min
max
CONTROL ROOM
GAIN
STEREO IN LEVEL
SOLO/MAIN
also
work.
max
A/B SELECT
32
FOOTSWITCH
min
GAIN
+ max
min
HIGH
HIGH
max
min
HIGH
33
PASS
AUX
HIGH
min
max
min
max
LEVEL A/B
min
max
min
max
B/
REC
B/REC
REC LEVEL
max
RECORD LEVEL
USB
TO CONTROL ROOM
1/4" STEREO INPUTS
min
-LOW+
max
min
-LOW+
max
34 EQ1/4"
STEREO OUTPUTS
BYPASS
EFFECts
media
Press to
Select
Press to
Select
or edit
min
-LOW+
max
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
Ground compensated balanced output fed by the master L and R Faders (60). The TRS jacks are internally in parallel with the XLR's.
You will get better hum and noise rejection by using
SOLO balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS)
cables
will
also
work.
min
max
min
max
min
max
min
max
min
max
max
AUX
35
EFX
min
max
+ max a stereo
+ max of 1/4" jacks that can be used for an aux input, or effects return from an external processor.
Channel
pair
+ high9 and
min -10 are
min low MID
IfMID-MORPH
only
one jackMID
is0 used, it behaves
as a mono
source.
it behaves as a stereo source; 9 is Left and 10 is
MEDIA
SELECT Once both jacks are connected,
EFX SELECT
Right.
+ high
D-MORPH
+ max
max
GAIN
LOW
min
This0 TRS jack is 0designed for0use with Peavey's 2 Button Special Use Momentary Footswitch, Item # 03014070. The tip of this TRS jack,
switch 1, remotely actuates the EFX Mute switch. The ring of the TRS jack, switch 2, remotely turns off the Auto-Tune on AT models.
This
the-use+ of Auto-Tune
- makes
- + inconspicuous; by using the footswitch, your between-songs spoken banter won't be Auto-Tuned.
max
max
AUX
AUX
XLR STEREO OUTPUTS
ANALOG
MEDIA CHANNEL
SOLO
DIGITAL
MEDIA CHANNEL
PAN
MUTE
HIGH
EFX
MUTE
min
maxcompensated balanced output
minR Faders
max
minfed by
maxthe master L and
min
max are internally in parallel with the TRS's.
Ground
(60).
The XLR
jacks
EFX
EFX
RETURN TO MAIN
RETURN TO AUX
LOW
You will get better hum and noise rejection by using balancedL interconnects
(either XLR or TRS).
STEREO
R right
AUX
MASTER
left
CLIP
R right
PAN
MUTE
SIGNAL
left
CLIP
SIGNAL
R right
BAL
MUTE
5/6
left
CLIP
SIGNAL
MONO
(SUM)
R right
BAL
MUTE
7/8
ENABLE
KOSMOS-C
MIC MUTE
HEADPHONE/
SOLO/MAIN
0AT
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
PV10AT Front Panel
36
Auto-TUNE
HI PASS
ELECTRIC GUITAR PRE-SHAPE
HI PASS
GAIN
max
min
GAIN
9/10
PHANTOM POWER
48V
USB B
min
37
PV 10
USB A Bluetooth
max
min
max
STEREO IN LEVEL
CONTROL ROOM
SOLO/MAIN
A/B SELECT
min
min
+ max
HIGH
+ max
min
HIGH
+ max
min
max
+ max
HIGH
min
max
min
max
LEVEL A/B
max
AUX39
EFX
39LEVEL
RECORD
40 ROOM
41
TO CONTROL
44 USB
42
EFFECts
media
Press to
Select
or edit
min
max
min
max
min
-LOW+
AutoTUNE
max
USB MEDIA PLAYBACK
min
max
min
LEVELAUX
A/B
AUX
max
min
AUX
max
min
MASTER
AUX
max
min
HIGH
max
Controls the level of both A and B control room outputs.SOLO
The active output is selected
with A/B SELECT switch (41), when B/REC switch (42)
EFX
MUTE
is up. When B/REC
switch is DIGITAL
down, only output A is controlled.
ANALOG
max
40
min
EFX
max
MEDIA CHANNEL
MEDIA CHANNEL
REC LEVEL
min
min
max
RETURN TO MAIN
max
RETURN TO AUX
MONO
EFX
min
LOW
max
ENABLE
(SUM) outputs. Note: When B/REC switch is up, this control is inactive.
WhenLB/REC
switch
isRdown, controls
the level at the B/REC
R right
left
right
PAN
PAN
MUTE CLIP
MUTE
41 A/B SELECT
SIGNAL
min
max
B/
REC
STEREO
CLIP
min
B/REC
EQ BYPASS
Controls
the level of input jacks 9 and 10. If only one jack is connected,DIGITAL
it is sentEFFECT/MEDIA
to both L andPLAYBACK
R. If both jacks are connected, 9 is L and 10 is R.
The Aux output could be fed to an external effects processor, and these jacks could be used as the effects return. Or a second mixer could be
daisy-chained in here.
SOLO
EQ BYPASS
left
max
REC LEVEL
If phantom
power isMID
used, do notMID
connect unbalanced dynamic microphones or other devices to the XLR
MID-MORPH
MEDIA SELECT
EFX SELECT
inputs that cannot handle this Voltage.
max
min
Press to
Select
+ STEREO
+ LEVEL -9/10+
-LOW37
-LOWIN
LOW
min
GAIN
Switch
+48+VDC
voltage
to the input XLR connectors to power microphones requiring phantom power.
+ max
+ highThislow
- + highapplies
min max
min -
min
min
43
HIGH
PHANTOM POWER
MID-MORPH
min
min
max
36
low
GAIN
SIGNAL
left
CLIP
right
BAL
MUTE
SIGNAL
left
CLIP
right
KOSMOS-C
BAL
MUTE
MIC MUTE
HEADPHONE/
SOLO/MAIN
SIGNAL
this switch is up, output A is on and output B is off. When this switch is down, output B is on and output A is off. Use this switch to
3When
5/6
7/8
evaluate a mix on 2 different pairs of monitors, such as near field and far field monitors. By setting the level controls on both monitoring sys-
tems the same, a rapid A/B comparison can be made. Overall monitor level is controlled by LEVEL A/B. NOTE: When the B/REC switch (42)is
down, this switch is disabled , and the A output remains on at all times, fed by LEVEL A/B (39).
LEVEL
42
SOLO
max min
max min
B/RECLEVEL
SWITCH
SOLO
LEVEL
SOLO
max min
LEVEL
max
SOLO
min
LEVEL
max
SOLO
of the B/REC output. When up, B/REC jack functions as monitor B output, selected by A/B select and controlled by
3Determines
4the function
5/6
7/8 MAIN L+R
SOLO/MAIN
LEVEL A/B. When down, B/REC jack is an independent record output, with level controlled by REC LEVEL.
43
CONTROL ROOM MONITOR OUTPUT A
Connect powered monitors, or an amplifier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal
when the A/B switch is toggled. The signal sent to this output is normally the Left/Right mix. The USB "To Control Room" pot (47) feeds the
USB return signal to these Monitor Outputs for use in a DAW recording setup. When the Solo LED is lit (62), only the soloed source(s) will
be heard. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the LEVEL
A/B control.
T
Auto-TUNE
HI PASS
HI PASS
min
GAIN
max
min
GAIN
9/10
PV10AT FrontUSB
Panel
PHANTOM POWER
48V
USB A Bluetooth
max
PV 10
min
min
min
+ max
min
MID-MORPH
min
+ max
min
-LOW+
max
EQ BYPASS
low
GAIN
+ max
min
+ high
min
-LOW+
+ max
45
min
min
EQ BYPASS
+ max
max
min
max
LEVEL A/B
RECORD LEVEL
min
max
min
max
A/B SELECT
B/
REC
B/REC
REC LEVEL
USB
TO CONTROL ROOM
-LOW+
+ max
min
-LOW+
Press to
Select
or edit
MEDIA SELECT
max
EFFECts
media
Press to
Select
MID
max
min
48
SOLO/MAIN
MID
max
HIGH
MID-MORPH
min
min
47
CONTROL ROOM
HIGH
+ high
max
HIGH
low
GAIN
HIGH
max
STEREO IN LEVEL
46
50
EFX SELECT
AutoTUNE
max
51
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
SOLO
min
AUX
44
left
max
min
AUX
max
min
AUX
max
min
AUX
max
min
MASTER
49
max
CONTROL ROOM MONITOR OUTPUT B / RECORD OUT
AUX
min
HIGH
max
EFX
MUTE
SOLO
ANALOG
DIGITAL
This
pairminof outputs
can either serve
as your "B" Record
Monitor Output; or,
withmaxthe B/REC
switch
(42)max
down, as an independently controlled
max
max
min
min
max
min
EFX
MEDIA CHANNEL MEDIA CHANNEL
EFX
EFX
RETURN TO MAIN
RETURN TO AUX
LOW
Record
Output.
NOTE:
When
the
B/REC
switch
is
down,
the
A/B
SELECT
switch
becomes
disabled,
and
this
output is output is controlled by the
B/REC control.
min
45
STEREO
USB
RECORD
LEVEL KNOB
right
left
right
left
right
left
R right
MONO
(SUM)
ENABLE
KOSMOS-C
PAN
PAN
BAL
Controls the
level
signal
sent to theBAL
USB
B connector
on the back of the mixer. The recommended setting is near 12:00, but a wide range is
MUTE
MUTE ofCLIP
MUTE
MUTE
MIC MUTE
HEADPHONE/
CLIP
CLIP
CLIP
available to accommodate varying levels and sensitivites.
SIGNAL
46
SIGNAL
SIGNAL
CONTROL
ROOM
4 LEVEL 5/6
SIGNAL
SOLO/MAIN
7/8
Controls the level of signal returning from the USB B connector on the back of the mixer. The signal is routed to the control room and headphone outputs, for multitrack recordings on a DAW. The recommended setting is near 12:00.
47
max min
ELECTRIC GUITAR PRE-SHAPE
MEDIA AND EFFECTS LCD DISPLAY
max min
max min
max min
max
min
max
LEVELthe MP3 Player, which can be used for
LEVEL
LEVEL
LEVEL
The top row
of this LCD
displays theLEVEL
currently selectedSOLO
Effect and the bottom row displays the statusof
SOLO
48
SOLO the folders
SOLO
navigating
on the USBSOLO
drive or displaying the current song playing. The bottom line will also briefly display the Bluetooth status
during
and memory
clearing.
3 power on,4 power off,
5/6
7/8
MAIN L+R
SOLO/MAIN
MEDIA SELECT
Once a USB device is connected in channel 8, you can use the “Media Select” encoder to navigate through the folders/songs on the drive.
Once the desired file is displayed on the screen, press the Media Select knob to cue that file. Use the controls on the mixer for play, pause,
forward and reverse.
49
EFX SELECT KNOB
See detailed description on the following page.
50
MEDIA PLAYBACK CONTROLS
These controls allow you to play, pause and scroll though digital media via USB jack.
51
AUTO-TUNE ACTIVATION BUTTON (PV10AT ONLY)
Pressing this switch changes the top line of the LCD between Auto-Tune Edit Mode and EFX Edit Mode. This funtion is not available in
the PV10BT.
PV10AT Front Panel
EFX Select Knob:
EFX Mode:
In EFX Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the EFX presets. Turning the knob changes the
EFX preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new effect. Once the effect has been selected, you can now edit the effect. To do this, press the EFX Select knob and the display will change to the current parameter
setting of the preset. Turn the EFX Select knob to edit the parameter. Press the knob again to exit EFX preset edit mode. To restore the EFX
presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted.
Auto-Tune Mode:
In Auto-Tune Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the Auto-Tune presets. Turning the knob
changes the Auto-Tune preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new
Auto-Tune preset.
Once the preset has been selected, you can edit the preset by pressing the EFX Select knob. The display will change to the current Key setting.
Turn the EFX Select knob to change the key and push the EFX Select knob when you have chosen the key you desire. The Key setting determines which notes are enabled in the Auto-Tune process. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all
other notes are disabled. To see which notes are enabled or disabled for each key, see the Key Table below.
Note:
If Custom Key is selected, the display will enter Custom Key Edit Mode. In this mode, you can create a custom Auto-Tune Key. Use
the EFX Select knob to select the Root (labeled "RT"). This will be the note off which the custom key is based. Then use the
Media Select knob to move the cursor and use the EFX Select knob to activate or deactivate the 12 notes in the key. Once you have
finished editing the custom key, press the EFX Select knob to exit Custom Key Edit Mode. The mixer is capable of storing 9 different
custom keys, one for each preset slot.
The scale degrees are numbered across the top, with half-steps indicated by a dash.
*RT=Scale Degree
RT
Key
*Key = indicates the root
or key is C
"+" indicates the note will be allowed.
"-" indicates the note will not be allowed.
By looking at the sequence of allowed and disallowed notes above, this is a whole tone scale. There are only two of those, so you can have the
other one just by changing the root to C# or B.
*This screen cap shows an A blues scale. You don't have to edit the whole scale to change keys - just change the root.
Once you have selected the key and pressed the EFX Select knob, the display will change to the current Speed setting. Turn the EFX Select
knob to change the Speed setting. The Speed setting determines how quickly and aggressively the Auto-Tune will correct the pitch. The range
for this setting is 0 to 25, where 0 is the quickest and 25 is the slowest. Push the EFX Select knob when you are done editing the speed parameter.
The display will now change to the current Detune setting. Turn the EFX Select knob to change the Detune setting. The Detune setting
determines how the Auto-Tune pitch correction is calibrated. When the Detune setting is 0 cents, this means the Auto-Tune is calibrated to
the standard A440, or where the note A4 equals 440 Hz. The range of the Detune setting is -64 to 63 cents, a width of 128 cents. The distance
between two notes, or semitones, is 100 cents, which means that the Auto-Tune can be detuned to fit any possible environment.
Note:
Detuning the Auto-Tune can be very useful, especially when being used in conjunction with an instrument that is not easily tuned
on-the-fly. For example, if a piano is accompanying Auto-Tuned vocals and the piano is slightly out of tune from the A440 stan
dard, simply change the Detune setting in the Auto-Tune setting. This is much easier and takes much less time than having some
one tune the entire piano! Also, although the Detune setting is changed in the Auto-Tune preset edit mode, this is a global param
eter. This means if you change the Detune setting and then later change the Auto-Tune preset, the Detune setting will not change.
Once you have selected the appropriate Detune setting, press the EFX Select knob to exit Auto-Tune preset edit mode. To restore all AutoTune presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted.
Note:
Preset 9 is chromatic with speed set to 7. It is recommended for general purpose, safe, easy use of Autotune, without having to
adjust any settings. The slower speed setting does not produce a robotic effect on the voice, and all twelve semitones are allowed.
Just remember to use footswitch #2 to bypass Autotune between songs, otherwise your speaking will be Autotuned!
Auto-Tune Key Table
Auto-Tune Key Table
Key Display Note Number (n)=
Key 0
Chrom C
C Maj C
C Mnr C
C#Maj C
C#Mnr
D Maj
D Mnr C
D#Maj C
D#Mnr
E Maj
E Mnr C
F Maj C
F Mnr C
F#Maj
F#Mnr
G Maj C
G Mnr C
G#Maj C
G#Mnr
A Maj
A Mnr C
A#Maj C
A#Mnr C
B Maj
B Mnr
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
10
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
11
ax
gh
ax
ax
ax
ht
TE
min
+ max
HIGH
min
low
min
+ high
-LOW+
max
EQ BYPASS
low
min
+ high
max
min
min
MID
max
min
MID
min
EQ BYPASS
max
RECORD LEVEL
min
USB
max
TO CONTROL ROOM
-LOW+
min
MEDIA SELECT
52
-LOW+
Press to
Select
or edit
max
max
EFFECts
media
Press to
Select
PV10AT
- + Front- Panel
-LOW+
+ max
HIGH
MID-MORPH
min
+ max
HIGH
MID-MORPH
min
+ max
HIGH
53
max
54
EFX SELECT
55
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
SOLO
min
AUX
max
min
AUX
max
min
AUX
max
min
AUX
min
max
MASTER
min
EFX
max
min
EFX
max
DIGITAL
MEDIA CHANNEL
left
R right
PAN
MUTE
CLIP
SIGNAL
left
CLIP
R right
PAN
MUTE
SIGNAL
left
CLIP
SIGNAL
R right
BAL
MUTE
5/6
left
CLIP
59
SIGNAL
min
max
RETURN TO MAIN
STEREO
MONO
(SUM)
R right
max
RETURN TO AUX
58
min
min
HIGH
max
57
EFX
MUTE
SOLO
ANALOG
MEDIA CHANNEL
AUX
max
56
EFX
min
LOW
max
ENABLE
KOSMOS-C
BAL
MUTE
MIC MUTE
HEADPHONE/
60
SOLO/MAIN
7/8
61
max min
LEVEL
SOLO
52
max min
LEVEL
SOLO
max min
LEVEL
SOLO
max min
5/6
LEVEL
62
SOLO
max
SOLO
7/8 MAIN L+R
min
LEVEL
max
SOLO/MAIN
AUX MASTER CONTROL KNOB
Controls the overall level of the signal coming out of the Aux Output (31). This Auxiliary output is typically fed to a power amplifier to drive
stage monitors so singers can hear themselves amidst amplified instruments, or to a headphone amplifier to give vocalists a monitor feed that
will not be picked up by microphones while recording.
53
AUX MASTER SOLO BUTTON AND LED
Allows you to listen to just the Auxiliary mix. The setting of the AUX MASTER knob determines the level you will hear when this button is
pressed.
54
EFX RETURN SOLO BUTTON AND LED
Allows you to listen to just the effects return. The setting of the Return to Main knob determines the level you will hear when this button is
pressed.
55
RETURN TO AUX CONTROL KNOB
This control determines the level of the internal digital effects processor being sent to the Aux output. One possible use is to put reverb in the
headphones of a vocalist, to give them a confidence boost for recording, without putting any reverb on the actual recorded track. Or in a live
situation, the same can be done by feeding a delay or reverb to the monitors.
56
EFX RETURN TO MAIN
This control determines the level of the internal digital effects processor being sent to the main L and R outputs.
57
EFX MUTE BUTTON AND LED/CLIP LED
When depressed, the output of the internal digital effects is shut off. Muting the effects is an easy way to determine what a particular effect is
doing to your mix. LED remains lit when EFX MUTE is engaged. When EFX MUTE is not engaged, this LED functions as a clip indicator for
the internal digital effects. If the digital effects are clipping, reduce the level of the EFX SEND pots.
PV10AT Front Panel
58
STEREO/MONO MODE SWITCH
In the mono position, the left and right buses are summed together after the faders. In this position, the L fader controls the level of the L bus,
and the R fader controls the level of the R bus, allowing you to use the L and R buses as groups. For example, all vocals could be panned L and
all instruments panned R. Then the L fader becomes the vocal master level and the R becomes the instruments master level.
59
MIC MUTE BUTTON AND LED
Depressing this button mutes all of the mic inputs channels (1-4) and the effects return. The media input channels are still "live". This allows
you to play break music, while muting all of the microphone inputs.
60
MAIN LEVEL FADERS
The Master Faders control the levels sent to the Main Left/Right outputs (34, 35). Best results are obtained when these controls are set near the
midpoint of the enclosed rectangle.
61
MAIN L+R METER ARRAY
Displays the level of the L and R outputs, or, when solo is active, displays the soloed channel(s). The top green LED corresponds to an output
level of +4dBu. The red LED is a clip warning indicator. The range of the meter is from -17 dBu to + 15 dBu.
62
MAIN SOLO LED
Lights when any solo button is pushed, to indicate that the solo system is active.
-
low
+ high
MID-MORPH
min
-LOW+
63
MID-MORPH
max
EQ BYPASS
low
+ high
min
-LOW+
max
EQ BYPASS
low
+ high
MID-MORPH
low
+ high
MID-MORPH
min
+ max
MID
max
EQ BYPASS
min
max
min
min
EQ BYPASS
-LOW+
Press to
Select
or edit
MEDIA SELECT
max
EFFECts
media
Press to
Select
MID
PV10AT Front Panel
-LOW+
-LOW+
-LOW+
min
min
+ max
EFX SELECT
max
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
KOSMOS-C HIGH CONTROL
A very selective high frequency filter with a high Q. The effect varies with source material, so some experiSOLO
mentation is required for optimum results.
min
max
AUX
64
min
min
AUX
max
min
AUX
max
min
AUX
KOSMOS-C LOW CONTROL
max
min
AUX
max
min
AUX
max
min
MASTER
EFX
SOLO
This Kosmos-C Low enhancement works by creating harmonics of signals in the bottom
ocave, where MUTE
ANALOG
DIGITAL
aremaxusually
The
harmonics
are more easily reproduced,
resulting
in a perception
ofmax
maxspeakers
min
min ineffective.
max
min
max
min
min
max
EFX
MEDIA CHANNEL MEDIA CHANNEL
EFX
EFX
EFX
RETURN TO MAIN
RETURN TO AUX
strongercbass. The effect
is source dependent;
obviously
a source
with little energy in the bottom
L octave will
not create booming bass.
EFX
STEREO
left
left
right
left
right
65rightKOSMOS-C
ENABLE
PAN
PAN
PAN
MUTE CLIP
MUTE CLIP
MUTE
left
R right
PAN
MUTE
left
R right
BAL
MUTE
left
SIGNAL
SIGNAL
66
SIGNAL
SIGNAL
1HEADPHONE
2 SOLO/MAIN
3 LEVEL4
SIGNAL
5/6
SIGNAL
MONO
(SUM)
R right
min
HIGH
max
64
min
LOW
max
65
ENABLE
KOSMOS-C
BAL
MUTE
MIC MUTE
CLIP
CLIP
Allows you to easily A/B the effects
of yourCLIPKosmos Settings.
CLIP
63
AUX
max
HEADPHONE/
SOLO/MAIN
7/8
Controls the level of the headphones. The headphone is normally fed by the main outs, unless the solo
system is active. Always start with the headphone level at "min" to avoid hearing damage.
min
LEVEL
SOLO
max min
LEVEL
SOLO
max min
LEVEL
SOLO
max min
LEVEL
SOLO
max min
LEVEL
SOLO
max min
5/6
LEVEL
SOLO
max
SOLO
7/8 MAIN L+R
66
min
LEVEL
max
SOLO/MAIN
PV10AT/PV10BT
67
68
POWER
ON
67
69
DIGITAL AUDIO
PORT
COMPUTER
DC POWER INLET
Use to connect the included power supply. Be sure the power supply is connected to the PV®10 before connecting to a power source.
Use 15VDC, 1A adapter only. Replace only with Peavey part number 30908119.
68
POWER SWITCH
This is the main power switch.
69
USB PORT TYPE B
The USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer.
The USB port sends the mixer’s main/tape stereo out to the computer. The USB port receives digital audio from the computer; it can then be
assigned through the selector switch (27) to the main left/right output, if the computer is being used for playback only. For recording, use the
USB TO CONTROL ROOM control (47), to avoid creating a loop. Compatible with Windows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0
or later, and iOS devices.
4
CHANNEL 9/10
RIGHT
LEFT
ON/OFF
STATUS
BLUETOOTH
INPUT
USB B
Streaming
Input
USB A
Media Player
Input
CHANNEL 7/8
3.5mm In
RIGHT
LEFT
RIGHT
LEFT
CHANNEL 5/6
LINE
XLR
PHANTOM
CHANNEL 4
LINE
XLR
PHANTOM
CHANNEL 1 - 3
+48V
Gain
MIC PRE
Input
Selector
Gain
MIC PRE
Guitar
EQ
Guitar
In
HI PASS
HI PASS
Threshold
COMP
Ch 1-2 Only
Threshold
COMP
Ch 1-2 Only
HI
400Hz
4kHz
12kHz
MID-MORPH
HI
12kHz
EQ
400Hz
4kHz
MID-MORPH
80Hz
LO
80Hz
LO
EQ
EQ
LO
EQ
LO
EQ
EQ
AUTO-TUNE
MID HI
LEVEL
LEVEL
Direct Output
CH 1-2 ONLY
AUTO-TUNE
ON/OFF
Direct Output
CH 1-2 ONLY
MID HI
EQ
Bypass
EQ
Bypass
ON/OFF
Mute
Mute
BALANCE
Solo
AUX
BALANCE
EFX
AUX
EFX
Solo
Mute
Solo
Mute
Solo
LEVEL
LEVEL
SIGNAL
CLIP
SIGNAL
CLIP
AUX
EFX
PAN
SIGNAL
CLIP
AUX
EFX
PAN
SIGNAL
CLIP
EFX Return
To AUX
EFX Return
To Mains
Solo
MIC
MUTE
MIC
MUTE
EFX Out
MUTE
EFX
SELECTOR
EFFECTS
MEDIA PLAYER
Record
Level
Record
Level
A/B
Select
Headphone
Level
Mono
B/
Record Out
EFX
DEFEAT
Solo
To USB B Streaming Output
Right
Master
Left
Master
Control Rm
Level
MEDIA
SELECTOR
EFX In
CLIP
Solo
LOW HIGH
KOSMOS - C
KOSMOS ENABLE
AUX
OUT
Sheet 2
of 2
Date: 4-9-2015_11:36
PV10_BLOCK
5022 Hartley Peavey Drive
Meridian, MS 39305
Peavey Electronics Corp.
Sheet Title:
Title:
FOOTSWITCH
T = EFX Mute
R = AutoTune Bypass (AT Models)
CONFIDENTIAL
Control Rm B/
Record Out
Control Rm A
Headphone
RIGHT
OUT
LEFT
OUT
Block Diagram-PV®10AT & PV®10BT
SOLO
Left
Right
EFX
AUX
Left 1-4
Right 1-4
PV®10AT & PV®10BT Series Specifications
Mic pre EIN = -126 dBu @ max gain with 150 ohm source
Inputs
Function
Microphone
(150 ohms)
Min**
Input Levels
Nominal*
-71 dBu
-51 dBu
Min Gain
(4 dB)
-17 dBu
+5 dBu
+16 dBu
Input Z
Input Gain
Setting
2 kΩ
Max Gain
(59 dB)
(ohms min)
Max
Bal/
Unbal
Connector
-39 dBu
Bal
XLR Pin 1 Gnd
Pin 2 (+)
Pin 3 (-)
Bal
1/4" TRS;
Tip (+)
Ring (-)
Sleeve Ground
Unbal
1/4" TS;
Tip (+)
Sleeve Ground
Unbal
3.5mm; Tip=L, Ring
= R,
Sleeve Ground
RCA: Tip (+),
Sleeve Ground
Line
(10 k ohms)
10 kΩ
Max Gain
(40 dB)
-52 dBu
-32 dBu
-20 dBu
Line 4 TS, GTR
SHAPE ON
1 Meg Ω @ ≤ 200
Hz, like 12AX7
input.
Min Gain
(-15 dB)
+2 dBu
+23 dBu
> +32 dBu
Stereo Input 5/6
10 kΩ
Max Gain (18 dB)
-31 dBu
-12 dBu
+1 dBu
Nominal
-13 dBu
+6 dBu
+19 dBu
Max Gain ( 18 dB)
-23 dBu
-13 dBu
+3dBu
Nominal
-15 dBu
-5 dBu
+12 dBu
Max Gain (18 dB)
-43 dBu
-23 dBV
-10 dBu
Nominal
-24 dBu
-5 dBu
+8 dBu
Stereo Input 9/10
3.5mm, RCA
6.8 kΩ
2.8 kΩ
0 dBu=0.775 V (RMS)
** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and
master faders set for maximum gain.
* Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment
pot which is as specified.
Outputs
Function
Min Load
(ohms)
Main Left/Right
600
Output Levels
Nominal
Max
+4 dBu
+20 dBu
Bal/
Unbal
Connector
Bal
XLR Pin Ground Tip
Pin 2 (+), Pin 3 (-)
1/4" TRS: Tip (+), Ring (-)
Sleeve Ground
Effects and
Monitor Sends
600
+4 dBu
+20 dBu
Bal
1/4" TRS: Tip (+), Ring (-)
Sleeve Ground
Control Room
600
+4 dBu
+20 dBu
Unbal
RCA: Tip (+),
Sleeve Ground
Headphone
+4 dBu (no load)
+20 dBu
Unbal
1/4" TRS; Tip Left, Ring Right
Sleeve Ground
0 dBu=0.775 V (RMS)
Gain
Mic Input Gain Adjustment Range:
4 dB to 59 dB
Mic Input to Left/Right Balance Output
79 dB (max gain)
Line Input Gain Adjustment Range:
-16 dB to 40 dB
Line Input to Left/Right Balance Output
60 dB (max gain)
Stereo 5/6 1/4" Gain Adjustment Range:
Off to +18 dB
Stereo 5/6 1/4"to Left/Right Output
42 dB (max gain)
Stereo 5/6 3.5mm / RCA Gain Adjustment Range:
Off to +28 dB
Stereo 5/6 3.5mm / RCA to Left/Right Output:
Stereo 9/10 Gain Adjustment Range:
Stereo 9/10 to Left/Right Output
47 dB (max gain)
Off to +18 dB
28 dB (max gain)
Frequency Response
Mic Input to Left/Right Output, Max Input Gain
Mic Input to Left/Right Output, input gain 12:00
14 Hz to 25 kHz +0 dB/-1 dB
9.5 Hz to 29 kHz +0 dB/-0.8 dB
Total Harmonic Distortion
<0.006% Typical, Mic to Left/Right Output
(22 Hz to 22 kHz BW)
Hum and Noise
Output
Residual Noise
S/N Ratio (Ref: +4dBu)
Test Conditions
Master Left/Right
-97 dBu
101 dB
Master Fader Down, Channel Levels Down
-90 dBu 94 dB Master Fader Nominal, Channel Levels Down
-83 dBu 87 dB Master Fade Nominal, Channel Faders Nominal,
Panned Odd Channels (left), Even Channels
(right)
Monitor Send -95 dBu 99 dB All controls off
-80 dBu 84 dB All channel sends nominal, masters nominal
(Hum and noise measurements: 22 Hz to 22 kHz BW)
Equivalent Input Noise
-128 dBu (input terminated with 150 ohms, bandwidth 20 kHz)
Crosstalk/Attenuation
Adjacent Input Channels (1 kHz) >90 dB
Mute Button Attenuation (1 kHz) >90 dB
Left to Right Outputs (1 kHz) >70 dB
Channel Fader Kill (1 kHz) >85 dB
Common Mode Rejection Ratio (Mic Input)
50 dB minimum (20 Hz to 20 kHz)
70 dB typical @ 1 kHz
Meters
6 segment, peak reading (0 db = +4 dBu)
Signal/Overload Indicators
Red LED lights 5 dB below clipping
Dimensions
12.75" wide x 15.1" deep x 2.1875" high
(32.39 cm x 38.35 cm x 5.56 cm)
Weight
PV10BT: 8.22 lbs (3.73 kg)
PV10AT: 8.26 lbs (3.75 kg)
Power Requirements
100-240 VAC 50/60 Hz 15 Watts
PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY
Effective Date: 11/01/2011
What This Warranty Covers
Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada.
What This Warranty Does Not Cover
The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring
during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or
removed; (5) products not purchased from an Authorized Peavey Dealer.
Who This Warranty Protects
This Warranty protects only the original purchaser of the product.
How Long This Warranty Lasts
The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows:
Product Category
Duration
Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers
2 years *(+ 3 years)
Drums
2 years *(+ 1 year)
Enclosures
3 years *(+ 2 years)
Digital Effect Devices and Keyboards and MIDI Controllers
1 years *(+ 1 year)
Microphones
2 years
Speaker Components
(incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers)
1 year
Tubes and Meters
90 Days
Cables
Limited Lifetime
AmpKit Link, Xport, Rockmaster Series, Strum’n Fun, RetroFire, GT & BT Series Amps
1 year
Marvel Jr. Guitar
90 Days
[* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.]
What Peavey Will Do
We will repair or replace (at Peavey’s discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for
Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges.
How To Get Warranty Service
(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center.
OR
(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description
of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address.
Limitation of Implied Warranties
ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF
THIS WARRANTY.
Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you.
Exclusions of Damages
PEAVEY’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY’S OPTION. IF WE ELECT TO REPLACE THE
PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS,
LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR
OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you.
This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.
If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International
Service Center at (601) 483-5365.
Features and specifications are subject to change without notice.
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
The bar is the symbol for marking of new waste and
is applied only to equipment manufactured after
13 August 2005
U.S. CUSTOMER WARRANTY REGISTRATION
Optional Product Extended Warranty Registration
Give us some information and put your extended warranty into effect!
Please take a few minutes to fill out this information/survey sheet to help us get to know and serve you better.
To save time, submit your warranty registration online at www.peavey.com/support/warrantyregistration
1.
7. How did you learn about this Peavey product? (select best answer)
First Name
Initial
❒
❒
❒
❒
❒
❒
Last Name
Street Address
Magazine review
Newspaper review
Radio advertisement
Advertised special
Friend/Relative’s recommendation
Salesperson’s recommendation
❒
❒
❒
❒
❒
Teacher’s recommendation
Catalog or flyer
Saw in store
Use by professional
Other
8. Which other brands/models did you consider?
City
State/Province
Postal Code
Telephone Number
E-mail Address
9. How would you describe your level of musicianship/technical expertise?
Fax Number
Date of birth
❒ Beginner - Never played or taken less than one (1) year of lessons
❒ Intermediate - One (1) to five (5) years of lessons or playing
❒ Advanced - More than five (5) years of lessons or playing; play professionally
Gender
❒M
❒F
10. Education: (select best answer)
2.
Model
❒
❒
❒
❒
Serial #
Date of Purchase
11. Which best describe your family income? (select best answer)
Price Paid
❒
❒
❒
❒
❒
3.
Name of store where purchased
City
Availability of product
Friend/Relative’s recommendation
Store credit card
Knowledgeable staff
Availability of lessons
Technical instruction
❒
❒
❒
❒
❒
❒
Past favorable experience
Best price
Advertised special
Convenient location
Received as a gift
Other
5. Where do you most often shop for music and sound products?
❒ Independent retailer
❒ Mass market retailer
❒ Mail order magazines
Under $15,000
$15,000 - $24,999
$25,000 - $34,999
$35,000 - $49,999
$50,000 - $74,999
❒ $75,000 - $99,999
❒ $100,000 - $149,999
❒ Over - $150,000
12. Which of the following is your primary source of information on musical
products: (select best answer)
State
4. Top two (2) reasons why you purchased from this store/dealer:
❒
❒
❒
❒
❒
❒
High school
Some college
Completed college
Graduate school
❒ Newspaper ads
❒ Internet/Web sites
❒ Other
❒
❒
❒
❒
❒
Television
Radio
Internet
Newspaper
Magazines
❒
❒
❒
❒
Mail order catalogs
Direct mail
Literature from manufacturer
Other
13. What is your main motivation for buying new equipment?
❒ Replacing old product
❒ Want new and leading edge
equipment
❒ Fullfill a specific need
❒ Supplement existing products
❒ Value
❒
❒
❒
❒
❒
Impulse
Need for improved performance
New technology
Availability of product
Other
6. What two (2) factors most influenced your purchase of this product?
❒
❒
❒
❒
❒
Peavey brand name
Craftsmanship
Features for price
Bundled accessories
Sound quality
❒
❒
❒
❒
❒
Product appearance
Durability
Prior experience with Peavey
Packaging
Other
14. Please list your three most frequently visited Web sites.
1. http://__________________________________________
2. http://__________________________________________
3. http://__________________________________________
15. In your opinion, what could Peavey do to improve its products and/or service? Please use the space below to tell us your answer.
Revised 1/11
Thank you for taking the time to fill out our survey! Don’t forget to fold and tape
(with Peavey address facing out), affix postage stamp and drop in the mail!
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
The bar is the symbol for marking of new waste and
is applied only to equipment manufactured after
13 August 2005
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