Peavey Electronics PV6BT Audio Mixer User Manual UserMan

Peavey Electronics Corporation Audio Mixer UserMan

UserMan

www.peavey.comPV®6 • PV®6BT Compact MixerOperatingManual
FCC/ICES Compliancy StatementThis device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation.Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s authority to use the equipment.Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pur-suant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harm-ful interference in a residential installation. This equipment generates, uses, and can radiate radio frequen-cy energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interfer-ence by one or more of the following measures.• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.CautionThe equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment.
PV®6 and PV®6BTCompact MixersIntroducing the next level in world class non-powered mixer performance. e all new PV series mixing consoles include Peavey's reference-quality mic preamps that deliver an incredible 0.0007% THD, making the PV series mixers excellent for live or recording ap-plications. e PV 6 BT includes 2 channels of reference-quality mic preamps, 2 direct outputs for recording, 2 stereo channels, media channel with Bluetooth wireless input, high quality digital eects, streaming USB out, 48 volt phantom power, dual selectable control room outputs, compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, eects level per channel, signal clip indicators, and a stereo master LED meter bridge. is amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. Direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 6 BT can stream audio directly to a PC. EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. Compression keeps signals with dicult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specically for guitar. e all new PV series mix-ers represent the pinnacle of performance and value. Combine Peavey's legendary reliability with our 5 year warranty, and you can be assured of years of quality reliable service!FEATURES (both models):• 2 Combination 1/4" balanced / XLR inputs feeding Silencer™ preamps• Stereo 1/4"/ 3.5mm input channel with input gain, EQ, Eects send and Pan / Balance• Switchable 1/4" / RCA (/ Bluetooth PV6 BT only) stereo input with input balance and level control• 3-band EQ on all channels• 2 Channels of Peavey's Exclusive Mid-Morph• LED clip and signal present indication• EQ Bypass on mic channels• Dual selectable control room outputs• Global 48V phantom power• 1/4" balanced Main stereo ouputs• Rugged console design• Built-in stereo compressor with enable switch• Stereo pan control per channel• 2 Channels of direct out• Stereo USB-B streaming audio in and out• High quality master LED meter bridge• Studio quality headphone output• Peavey's exclusive on-board 1 Meg Ω guitar input• Control room output with level control• Electric Guitar Pre-Shape switch• External universal input power supplyPV6BT ADDITIONAL FEATURES:• Bluetooth wireless stereo audio input• Efx Mute switchPV6 ONLY:• Efx master level feeding balanced 1/4" outputENGLISHInstallation Note:is unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
Front Panel: MONO MIC INPUT CHANNELENABLEGLOBAL COMPRESSORHIGHMID-MORPHLOW0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0low high-+0low high-+PANcRLleft rightcRLleft rightcRLleft rightcRLleft rightLEVELmin max min max min maxGAIN1MAIN L+RL RUSBRETURNCONTROL ROOMTO MAINA/B TOGGLEABRLTO CONTROLROOMmin maxmin max min max min maxmin max min maxmin max min maxmin max min max min maxEFXPHANTOM POWER 48VLEVEL LEVELHEADPHONEELECTRIC GUITAR PRE-SHAPE POWEREQ BYPASSHIGHMID-MORPHLOWPANLEVELGAIN2EFXEQ BYPASSHIGHLOWMIDPANLEVEL LEVELmin maxGAIN3/41 2 3/4EFXEQ BYPASSCOMPRESSOR LEVEL5/6LEVELBAL1/4” RCARL3STEREO4RLDIRECT OUT1/4”-Hi-ZDIRECT OUTRL56RL5/6min maxPV 6 EFX MASTER6 INPUT STEREO MIXER PV 6MAINOUTEFXSEND34567891015678910324Electric Guitar Pre-ShapeEngaging this button optimizes the on board equalization for guitar.Signal Presence/Clip LEDis LED helps in setting the gain control. Gain (3) should be adjusted so that the green LED ashes in time with the source, and turns red only on the loudest peaks. If adding EQ results in clipping (red LED), compensate here by reducing gain (3). e red clipping LED lights when roughly 5dB of headroom remains.Gaine Input Gain control is used to establish proper gain structure in the channel. e input gain can be adjusted over a wide range to compensate for so voices or very loud drums. To maxi-mize the signal-to-noise ratio, the gain should be set to the proper level, with the Level Knob (10) set to 0. If the clip LED comes on and remains lit, try reducing the gain.High EQis High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12 kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of the source.Mid EQWhere most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned counterclockwise, it cuts at 250 Hz to reduce frequencies that muddy the sound. When turned clockwise, it boosts at 4 kHz to add intelligibility to vocals. Either way, improved vocal or instrument denition can be achieved.Low EQA shelving type of EQ that varies the bass frequency levels (+/- 15 dB at 80 Hz). Low EQ adds depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too much of this EQ can give you a booming bottom end. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage.EQ BypassEngaging this button bypasses the equalization of the channel.EFX Sendis control adjusts the level of the channel signal added to the eects mix. e signal is sent to the internal eects processor (PV6 BT) or the EFX send jack (PV6). Turning the knob to the le (min) will turn o eects on the associated channel, while turning the knob to the right will increase the amount of the selected eect.Panis knob controls the placement of the signal in the stereo eld. When rotated completely coun-terclockwise‚ the signal is present only on the le channel; when rotated completely clockwise‚ only in the right channel. is control functions as a balance control to adjust the relative level of the le and right signals on stereo channels.Channel Levelis controls the output level of the channel into the main mix. e gain is 0 dB when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal opera-tion is to start with this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the bicolor LED and the main meter array. As additional sources are added, it is normal to turn this knob down slightly.21
ENABLEGLOBAL COMPRESSORHIGHMID-MORPHLOW0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0low high-+0low high-+PANcRLleft rightcRLleft rightcRLleft rightcRLleft rightLEVELmin max min maxmin maxGAIN1MAIN L+RL RUSBRETURNCONTROL ROOMTO MAINA/B TOGGLEABRLTO CONTROLROOMmin maxmin max min maxmin maxless moremin max min maxmin maxmin maxmin max min max min maxEFXEFX SELECTEFX ADJUSTEFFECTS ADJUSTPHANTOM POWER 48V1.Plate Reverb 12.Plate Reverb 23.Plate Reverb 34.Hall Reverb 15.Hall Reverb 26.Hall Reverb 37.Room Reverb 18.Room Reverb 29.Room Reverb 310.Double11.Slapback 12.Dly Few Repaets13.Dly More Repeats14.Chorus 115.Chorus 216.Chorus 3TIMERATEEFX MUTELEVEL LEVELHEADPHONE6 INPUT STEREO MIXER WITH DIGITAL EFFECTS AND BLUETOOTHELECTRIC GUITAR PRE-SHAPEPV 6PV 6 BTPOWEREQ BYPASSHIGHMID-MORPHLOWPANLEVELGAIN2EFXEQ BYPASSHIGHLOWMIDPANLEVELLEVELmin maxGAIN3/41 2 3/4EFXEQ BYPASSCOMPRESSOR LEVEL123456789101112131415 165/6LEVELBAL1/4”RCABluetoothRL MAIN OUTUSB3STEREO4RLDIRECT OUT1/4”-Hi-ZDIRECT OUTRL56RLPAIRING5/6568910324Front Panel: STEREO INPUT CHANNEL345678910Signal Presence/Clip LEDis LED helps in setting the gain control. Gain (3) should be adjusted so that the green LED ashes in time with the source, and turns red only on the loudest peaks. If adding EQ results in clipping (red LED), compensate here by reducing gain (3). e red clipping LED lights when roughly 5dB of headroom remains.Gaine Input Gain control is used to establish proper gain structure in the channel. e input gain can be adjusted over a wide range to compensate for so voices or very loud drums. To maxi-mize the signal-to-noise ratio, the gain should be set to the proper level, with the Level Knob (10) set to 0. If the clip LED comes on and remains lit, try reducing the gain.High EQis High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12 kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of the source.Mid EQis midrange control adjusts the stereo channel's eq +/-20 dB @ 440HzLow EQA shelving type of EQ that varies the bass frequency levels (+/- 15 dB at 80 Hz). Low EQ adds depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too much of this EQ can give you a booming bottom end. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage.EQ BypassEngaging this button bypasses the equalization of the channel.EFX Sendis control adjusts the level of the channel signal added to the eects mix. e signal is sent to the internal eects processor (PV6 BT) or the EFX send jack (PV6). Turning the knob to the le (min) will turn o eects on the associated channel, while turning the knob to the right will increase the amount of the selected eect.Panis knob controls the placement of the signal in the stereo eld. When rotated completely coun-terclockwise‚ the signal is present only on the le channel; when rotated completely clockwise‚ only in the right channel. is control functions as a balance control to adjust the relative level of the le and right signals on stereo channels.Channel Levelis controls the output level of the channel into the main mix. e gain is 0 dB when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal opera-tion is to start with this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the bicolor LED and the main meter array. As additional sources are added, it is normal to turn this knob down slightly.2
PV®6 Front PanelENABLEGLOBAL COMPRESSORHIGHMID-MORPHLOW0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0low high-+0low high-+PANcRLleft rightcRLleft rightcRLleft rightcRLleft rightLEVELmin max min max min maxGAIN1MAIN L+RL RDIGITALRETURNCONTROL ROOMTO MAINA/B TOGGLEABRLTO CONTROLROOMmin maxmin max min max min maxmin max min maxmin max min maxmin max min max min maxEFXPHANTOM POWER 48VLEVEL LEVELHEADPHONEELECTRIC GUITAR PRE-SHAPE POWEREQ BYPASSHIGHMID-MORPHLOWPANLEVELGAIN2EFXEQ BYPASSHIGHLOWMIDPANLEVELLEVELmin maxGAIN3/41 2 3/4EFXCOMPRESSOR LEVEL5/6LEVELBAL1/4” RCA3STEREO4RLDIRECT OUT1/4”-Hi-ZDIRECT OUTRL56RL5/6min maxPV 6 EFX MASTER6 INPUT STEREO MIXER PV 6EFX SENDRL MAIN OUTDIGITAL11 192021222324131415122516 17 1826 27111213141516171819202122Two-way Audio Input SelectorAllows you to select between a 1/4" and RCA audio input.BalanceAdjusts relative levels of le and right channels. LevelAdjusts the level of the source selected by (11).Global Compressor Enable ButtonWhen depressed, the compressor is enabled. LED MetersTwo six-segment LED arrays are provided to monitor the levels of the main le/right outputs. ese meters range from -18 dBu to +19dBu.e highest green LED corresponds to +4 dBu at the outputs.Digital Return LevelControls the signal level coming in to the USB digital audio port, typi-cally from a USB-equipped computer. e nominal setting is near 12:00 for this control.To Control RoomWhen depressed, USB digital audio return is routed to the control room and headphone outputs. Use this setting when recording with DAW soware to avoid unintended loops.To MainWhen depressed, USB digital audio return is routed to the Main sum-ming amp. is setting is recommended only when there is a requirement to playback through the main outputs, at which time the DAW soware must have input monitoring disabled. Beware of creating an unintended loop, which results in very LOUD and uncontrolled oscillation that can damage loudspeak-ers and eardrums!RCA Connectors for MonitorConnect powered monitors, or an amplier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal when the A/B switch is toggled. e signal sent to this output is normally the Le/Right mix. When the "To Control Room" switch (17) is engaged, the USB return signal is also sent to the Monitor Outputs.A/B Toggle SwitchWhen depressed, the A outputs are muted and the B outputs are on. When raised, the A outputs are on and the B outputsare muted. is allows the easy checking of a computer DAW mix on two dierent sets of monitors.Monitor LevelUse this control to set the listening level in your control room monitors. e optimum setting for this control is 12:00, so monitor amplier levels (or powered monitor levels) should be adjusted with this knob at 12:00. ere is an additional 17 dB of gain available on this pot at the max position.Phantom Poweris Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power. If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLRinputs that cannot handle this Voltage.
EFX Levelis is the master output level control for the EFX mix. e output level sent to the EFX Send jack is controlled by the Channel Level Control (10), the channel EFX Send controls (8), and by this master control. e 12:00 position is the recommended setting for this control. Headphone Levelis knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully coun-terclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level.Compressor ControlAdjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. e compressor ratio is in the 4:1 range, varying with signal levels and the amount of compression. is is useful for controlling peak levels from live sources. e compressor is aer the master level control(26), and before the main outs (35) and the USB port(39), so it can be used to tame vocals being recorded into a DAW. You can audition the eect of the compressor by switching it in and out with the Enable switch (14). When the compressor is active, the adjacent red LED will illuminate.Levelis is the master level control, which controls the overall level sent to the main outputs (35) and the USB port (39).Headphone Outpute Headphone Output is a 1⁄4” TRS (Tip= Le; Ring = Right; Sleeve = Ground) jack. e signal sent to this output is normally the Le/Right mix. When the "To Control Room" switch (17) is engaged, the USB return signal is also sent to the headphones.2425262723PV®6 Front Panel
ENABLEGLOBAL COMPRESSORHIGHMID-MORPHLOW0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0low high-+0low high-+PANcRLleft rightcRLleft rightcRLleft rightcRLleft rightLEVELmin max min max min maxGAIN1MAIN L+RL RDIGITALRETURNCONTROL ROOMTO MAINA/B TOGGLEABRLTO CONTROLROOMmin maxmin max min max min maxless moremin max min maxmin max min maxmin max min max min maxEFXEFX SELECTEFX ADJUSTEFFECTS ADJUSTPHANTOM POWER 48V1.Plate Reverb 12.Plate Reverb 23.Plate Reverb 34.Hall Reverb 15.Hall Reverb 26.Hall Reverb 37.Room Reverb 18.Room Reverb 29.Room Reverb 310.Double11.Slapback 12.Dly Few Repaets13.Dly More Repeats14.Chorus 115.Chorus 216.Chorus 3TIMERATEEFX MUTELEVEL LEVELHEADPHONE6 INPUT STEREO MIXER WITH DIGITAL EFFECTS AND BLUETOOTHELECTRIC GUITAR PRE-SHAPEPV 6 BTPV 6 BTPOWEREQ BYPASSHIGHMID-MORPHLOWPANLEVELGAIN2EFXEQ BYPASSHIGHLOWMIDPANLEVELLEVELmin maxGAIN3/41 2 3/4EFXCOMPRESSOR LEVEL123456789101112131415 165/6LEVELBAL1/4”RCABluetoothRL MAIN OUTDIGITAL3STEREO4RLDIRECT OUT1/4”-Hi-ZDIRECT OUTRL56RLON/OFF5/6PV®6BT Front Panel22232425262719 20 2128 2911131415161817121112131415161718192021ree-way Audio Input SelectorAllows you to select between a 1/4", RCA audio input, or Bluetooth connection.BalanceAdjusts relative levels of le and right channels. LevelAdjusts the level of the source selected by (11).EFX MuteDepressing this button will cut all digital eects from the main mix.EFX Adjustis rotary encoder adjusts the parameter of the eect selected byEFX SELECT (16). For reverbs, double, slapback, and delays, the knob controls the time. For chorus eects, this knob controls the rate. Any adjustment you make with this knob will be stored into memory until the next time you adjust the parameter. In other words, your changes will "stick" even if you select a dierent eect. When you return, things will be the way you le them.EFX SELECTUse this rotary encoder to choose which eect you want toapply. ere are 9 reverbs, 4 delays, and 3 chorus eects.You can ne-tune the behavior of the selected eect withthe EFX ADJUST knob.Global Compressor Enable ButtonWhen depressed, the compressor is enabled. LED MetersTwo six-segment LED arrays are provided to monitor the levels of the main le/right outputs. ese meters range from -18 dBu to +19dBu.e highest green LED corresponds to +4 dBu at the outputs.Digital Return LevelControls the signal level coming in to the USB digital audio port, typi-cally from a USB-equipped computer. e nominal setting is near 12:00 for this control.To Control RoomWhen depressed, USB digital audio return is routed to the control room and headphone outputs. Use this setting when recording with DAW soware to avoid unintended loops.To MainWhen depressed, USB digital audio return is routed to the Main sum-ming amp. is setting is recommended only when there is a requirement to playback through the main outputs, at which time the DAW soware must have input monitoring disabled.Beware of creating an unintended loop, which results in very LOUD and uncontrolled oscillation that can damage loudspeakers and eardrums!
PV®6BT Front Panel RCA Connectors for MonitorConnect powered monitors, or an amplier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal when the A/B switch is toggled. e signal sent to this output is normally the Le/Right mix. When the "To Control Room" switch (20) is engaged, the USB return signal is also sent to the Monitor Outputs.A/B Toggle SwitchWhen depressed, the A outputs are muted and the B outputs are on. When raised, the A outputs are on and the B outputsare muted. is allows the easy checking of a computer DAW mix on two dierent sets of monitors.Monitor LevelUse this control to set the listening level in your control room monitors. e optimum setting for this control is 12:00, so monitor amplier levels (or powered monitor levels) should be adjusted with this knob at 12:00. ere is an additional 17 dB of gain available on this pot at the max position.Phantom Poweris Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power. If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLRinputs that cannot handle this Voltage.Headphone Levelis knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully coun-terclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level.Compressor ControlAdjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. e compressor ratio is in the 4:1 range, varying with signal levels and the amount of compression. is is useful for controlling peak levels from live sources. e compressor is aer the master level control (28), and before the main outs (36) and the USB port(39), so it can be used to tame vocals being recorded into a DAW. You can audition the eect of the compressor by switching it in and out with the Enable switch (14). When the compressor is active, the adjacent red LED will illuminate.Levelis is the master level control, which controls the overall level sent to the main outputs (36) and the USB port (39).Headphone Outpute Headphone Output is a 1⁄4” TRS (Tip= Le; Ring = Right; Sleeve = Ground) jack. e signal sent to this output is normally the Le/Right mix. When the "To Control Room" switch (20) is engaged, the USB return signal is also sent to the headphones.2324252622272829
PV®6 Upper Panel ENABLEGLOBAL COMPRESSORHIGHMID-MORPHLOW0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0low high-+0low high-+PANcRLleft rightcRLleft rightcRLleft rightcRLleft rightLEVELmin max min max min maxGAIN1MAIN L+RL RDIGITALRETURNCONTROL ROOMTO MAINA/B TOGGLEABRLTO CONTROLROOMmin maxmin max min max min maxmin max min maxmin max min maxmin max min max min maxEFXPHANTOM POWER 48VLEVEL LEVELHEADPHONEELECTRIC GUITAR PRE-SHAPE POWEREQ BYPASSHIGHMID-MORPHLOWPANLEVELGAIN2EFXEQ BYPASSHIGHLOWMIDPANLEVEL LEVELmin maxGAIN3/41 2 3/4EFXCOMPRESSOR LEVEL5/6LEVELBAL1/4” RCA3STEREO4RLDIRECT OUT1/4”-Hi-ZDIRECT OUTRL56RL5/6min maxPV 6 EFX MASTER6 INPUT STEREO MIXER PV 6EFX SENDRL MAIN OUTDIGITAL28 30 32 3529 31 33 342829303132333435MIC/LINE INPUTis combination input jack can accept either a 1/4” (balanced or unbalanced) input or a XLR balanced, low-impedance connection. e tip is positive on the 1/4” balanced input, and pin 2 is positive on the XLR. When ELECTRIC GUITAR PRE-SHAPE is depressed, the channel 1 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplier input.1/4" TRS Direct OutsImpedance-balanced outputs fed by the mic preamp. Channel 1 output is aer the ELECTRIC GUITAR PRE-SHAPE switch. Stereo 3.5mm InputAccept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for por-table handheld devices and therefore has very high sensitivity.Stereo InputsChannels 3 and 4 feature stereo inputs via 1/4" jack. If only one jack is used, it behaves as a mono source with a pan control. Once both jacks are connected, it behaves as a stereo source with a balance control; 3 is Le and 4 is Right.RCA ConnectionAccept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for por-table handheld devices and therefore has very high sensitivity.StereoAccept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for por-table handheld devices and therefore has very high sensitivity.EFX Send Ground compensated TRS balanced output fed by the EFX SEND master level (23). ese outputs can be used with Tip Ring Sleeve(TRS) balanced or Tip Sleeve (TS) unbalanced connectors. Main OutGround compensated TRS balanced outputs fed by the master LEVEL control (26). ese outputs can be used with Tip Ring Sleeve(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
PV®6BT Upper PanelENABLEGLOBAL COMPRESSORHIGHMID-MORPHLOW0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0-+min max0low high-+0low high-+PANcRLleft rightcRLleft rightcRLleft rightcRLleft rightLEVELmin max min max min maxGAIN1MAIN L+RL RDIGITALRETURNCONTROL ROOMTO MAINA/B TOGGLEABRLTO CONTROLROOMmin maxmin max min max min max less moremin max min maxmin max min maxmin max min max min maxEFXEFX SELECTEFX ADJUSTEFFECTS ADJUSTPHANTOM POWER 48V1.Plate Reverb 12.Plate Reverb 23.Plate Reverb 34.Hall Reverb 15.Hall Reverb 26.Hall Reverb 37.Room Reverb 18.Room Reverb 29.Room Reverb 310.Double11.Slapback 12.Dly Few Repaets13.Dly More Repeats14.Chorus 115.Chorus 216.Chorus 3TIMERATEEFX MUTELEVEL LEVELHEADPHONE6 INPUT STEREO MIXER WITH DIGITAL EFFECTS AND BLUETOOTHELECTRIC GUITAR PRE-SHAPEPV 6 BTPV 6 BTPOWEREQ BYPASSHIGHMID-MORPHLOWPANLEVELGAIN2EFXEQ BYPASSHIGHLOWMIDPANLEVEL LEVELmin maxGAIN3/41 2 3/4EFXCOMPRESSOR LEVEL123456789101112131415 165/6LEVELBAL1/4”RCABluetoothRL MAIN OUTDIGITAL3STEREO4RLDIRECT OUT1/4”-Hi-ZDIRECT OUTRL56RLON/OFF5/630 32 34 3631 33 35 37 38303132333435363738MIC/LINE INPUTis combination input jack can accept either a 1/4” (balanced or unbalanced) input or a XLR balanced, low-impedance connection. e tip is positive on the 1/4” balanced input, and pin 2 is positive on the XLR. When ELECTRIC GUITAR PRE-SHAPE is depressed, the channel 1 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplier input.1/4" TRS Direct OutsImpedance-balanced outputs fed by the mic preamp. Channel 1 output is aer the ELECTRIC GUITAR PRE-SHAPE switch. Stereo 3.5mm InputAccept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for por-table handheld devices and therefore has very high sensitivity.Stereo InputsChannels 3 and 4 feature stereo inputs via 1/4" jack. If only one jack is used, it behaves as a mono source with a pan control. Once both jacks are connected, it behaves as a stereo source with a balance control; 3 is Le and 4 is Right.RCA ConnectionAccept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for por-table handheld devices and therefore has very high sensitivity.StereoAccept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for por-table handheld devices and therefore has very high sensitivity.Main OutGround compensated TRS balanced outputs fed by the master LEVEL control (28). ese outputs can be used with Tip Ring Sleeve(TRS) balanced or Tip Sleeve (TS) unbalanced connectors. Bluetooth® Activation ButtonPress and hold this button until the LED blinks 3 times, indicating the Bluetooth has been powered on or o, then release.Once turned on, the Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled device with the mixer using the PIN 7878. e mixer will remember up to 10 devices that it was previously paired with and will automatically connect to the last device with which it was paired when turned on. To clear the paired device memory, make sure the Bluetooth is turned o and press and hold the button for at least 10 seconds. e LED will initially blink 3 times but then should remain o. Once you have released the button aer 10 seconds, you can proceed by powering it on as normal, and the memory will be cleared. Le/Right Outputse Le/Right Outputs feature two 1/4" TRS Z-balanced jacks. ese outputs can be used with Tip Ring Sleeve (TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
PV®6 and PV®6BT Rear Panel POWERONDIGITAL AUDIOPORTCOMPUTER37 38 39282930DC POWER INLETUse to connect the included power supply. Be sure the power supply is connected to the PV®10 before connecting to a power source. Use 15VDC, 1A adapter only. Replace only with Peavey part number 30908119.POWER SWITCHis is the main power switch.USB PORT TYPE Be USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer. e USB port sends the mixer’s main/tape stereo out to the computer. e USB port receives digital audio from the computer; it can then be assigned through the USB TO Main switch ({18}, PV6; {21}, PV6BT) to the main le/right output, if the computer is being used for playback only. For recording, use the USB TO CONTROL ROOM control ({17}, PV6; {20}, PV6BT), to avoid creating a loop. Compatible with Win-dows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0 or later, and iOS devices.
PV®6BT EFX 1 - Plate Reverb Bright2 - Plate Reverb Medium Low-Pass3 - Plate Reverb Dark4 - Hall Reverb Vocal5 - Hall Reverb Vocal Huge6 - Hall Reverb Strings7 - Room Reverb Vocal Air8 - Room Reverb Snare Low9 - Room Reverb Acoustic Guitar10 - Delay Double11 - Delay Slapback12 - Delay Bright, Few Repeats13 - Delay Bright, More Repeats14 - Chorus High Depth, Slow Rate15 - Chorus Moderate Depth, Wide Rate16 - Chorus Short Depth, Fast Rate
Block Diagram+48VLO80Hz4kHzMID-MORPH12kHzHI400HzLO80Hz4kHzMID-MORPH12kHzHI400HzPANBALANCEBALANCEPeavey Electronics Corp.4321D4321CBAA B C DSheet Title:Title:Sheet Date:ofDCONFIDENTIALMeridian, MS 393055022 Hartley Peavey DrivePANEQLO MID HIThresholdXLRLINE GainMIC PRECHANNEL 2GuitarLINEMIC PREGainEQGuitarInXLRCHANNEL 1SIGNALEFXCLIPEQBypassEQ LEVELDirect OutputOUTOUTRIGHTEFXSIGNALEFXEFXBLUETOOTHCLIPSTATUSEQBypassEQLEFT3.5mm InDirect OutputCLIPEFXEQLEVELSIGNALInputSelectorLEFTLeftRightHeadphoneControl Rm ALevelControl RmLevelHeadphoneA/BEFXEFX InEFX OutCHANNEL 3/4INPUTCHANNEL 5/6ADJUSTEFXSELECTEFFECTSMUTELEVELToggleControl Rm BON/OFF(BT Model Only)MasterLEVELCOMPRESSOREnableSENDEFXCLIPPV6 ONLYPV6BT ONLYLEVELDIGITAL RETURNUSB B Streaming ReturnTo MainToControl RoomTo Monitor BusMonitor BusRIGHTTo USB B Streaming OutputMetersLevelOutputPHANTOM231132PV6_BLOCK4-10-2015_9:552 2231231PHANTOM132
Product SpecificationsPV®6 & PV®6BT Series SpecicationsInputsFunction Input Z Input Gain Setting Min** Nominal* MaxBal/UnbalConnectorMicrophone(150 ohms)2 kΩ Max Gain(59 dB)Min Gain(4 dB)-71 dBu-17 dBu-51 dBu+5 dBu-39 dBu+16 dBuBal XLR Pin 1 GndPin 2 (+)Pin 3 (-)Line(10 k ohms)Line 1, GTR SHAPE ON10 kΩ1 Meg Ω @ ≤ 200 Hz, like 12AX7 input.Max Gain(40 dB)Min Gain(-15 dB)-52 dBu+2 dBu-32 dBu+23 dBu-20 dBu> +32 dBuBal 1/4" TRS;Tip (+)Ring (-)Sleeve GroundLine 3/43.5mm10 kΩ2.8 kΩMax Gain (19 dB)NominalMax Gain ( 30 dB)Nominal-32 dBu-15 dBu-44 dBu-27 dBu-12 dBu+6 dBu-24 dBu-6 dBu+2 dBu+13 dBu-10 dBu+8 dBuUnbal 1/4" TS;Tip (+)Sleeve Ground 3.5mm; Tip=L, Ring=R,Sleeve GroundLine 5/6RCA6.8 kΩ2.2 kΩMax Gain (18 dB)Nominal Max Gain (29 dB)Nominal-43 dBu-13dBu-32 dBu-19 dBu-23 dBV-3 dBu-22 dBu-8 dBu-10 dBu+12dBu-8 dBu+6dBuUnbal1/4" TS; Tip (+), Sleeve GroundRCA: Tip (+),Sleeve GroundInput Levels0 dBu=0.775 V (RMS)** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain. * Nominal settings are dened as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot which is as specied.OutputsFunction Min Load Z(ohms)Nominal Max Bal/UnbalConnectorMain Left/Right 600 +4 dBu +20 dBu Bal XLR Pin Ground TipPin 2 (+), Pin 3 (-)1/4" TRS: Tip (+), Ring (-) Sleeve GroundEects Send (PV6 only)600 +4 dBu +20 dBu Bal 1/4" TRS: Tip (+), Ring (-) Sleeve GroundControl Room 600 +4 dBu +20 dBu Unbal RCA: Tip (+),Sleeve GroundHeadphone 8 +4 dBu (no load) +20 dBu Unbal 1/4" TRS; Tip Left, Ring Right Sleeve GroundOutput Levels0 dBu=0.775 V (RMS)Mic pre EIN = -126 dBu @ max gain with 150 ohm source
GainFrequency ResponseTotal Harmonic DistortionHum and NoiseEquivalent Input Noise (EIN)Mic Input Gain Adjustment Range: +4 dB to +59 dBMic Input to Left/Right Balance Output 79 dB (max gain)Line Input Gain Adjustment Range: -15 dB to 40 dBLine Input to Left/Right Balance Output 60 dB (max gain)Stereo 3/4 Gain Adjustment Range: O to +19 dBStereo3/4 to Left/Right Output 39 dB (max gain)3.5mm Input Gain Adjustment Range: O to +30 dB3.5mm Input to Left/Right Output 51 dB (max gain)Stereo Line 5/6 Gain Adjustment Range: O to +18 dBStereo 5/6 to Left/Right Output 28 dB (max gain)Mic Input to Left/Right Output 10 Hz to 20 kHz +0 dB/-1 dB <0.006% Typical (22 Hz to 22 kHz BW)-126 dBu (input terminated with 150 ohms, bandwidth 20 kHz)Output Residual Noise S/N Ratio (Ref: +4dBu) Test ConditionsMaster Left/Right -97 dBu 101 dB Master Fader Down, Channel Levels Down -92 dBu 96 dB Master Fader Nominal, Channel Levels Down, Efx muted -82 dBu 86 dB Master Fade Nominal, Channel Faders Nominal, Panned Odd Channels (left), Even Channels (right)(Hum and noise measurements: 22 Hz to 22 kHz BW)RCA Gain Adjustment Range: O to +29 dBRCA to Left/Right Output 39 dB (max gain)
Crosstalk/AttenuationDimensionsMetersWeightSignal/Overload IndicatorsPower RequirementsCommon Mode Rejection Ratio (Mic Input) Adjacent Input Channels (1 kHz) >90 dB Left to Right Outputs (1 kHz) >70 dB Channel level control Kill (1 kHz) >85 dB 7.25" wide x 11" deep x 3.1875" high (18.42 cm x 27.94 cm x 8.1 cm) PV6: 3.99 lbs (1.81 kg) 100-240 VAC 50/60 Hz 15 Watts PV6BT: 4.06 lbs (1.84 kg) 6 segment, peak reading (top green LED = +4 dBu) Red LED lights 5 dB below clipping 50 dB minimum (20 Hz to 20 kHz) 70 dB typical @ 1 kHzInstallation Note:This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTYEffective Date: 11/01/2011What This Warranty CoversYour Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada.What This Warranty Does Not CoverThe Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not purchased from an Authorized Peavey Dealer.Who This Warranty ProtectsThis Warranty protects only the original purchaser of the product.How Long This Warranty LastsThe Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows: Product Category Duration Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers 2 years *(+ 3 years) Drums 2 years *(+ 1 year) Enclosures 3 years *(+ 2 years) Digital Effect Devices and Keyboards and MIDI Controllers 1 years *(+ 1 year) Microphones 2 years Speaker Components 1 year (incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers) Tubes and Meters 90 Days Cables Limited Lifetime AmpKit Link, Xport, Rockmaster Series, Strum’n Fun, RetroFire, GT & BT Series Amps 1 year Marvel Jr. Guitar 90 Days [* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.]What Peavey Will DoWe will repair or replace (at Peavey’s discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges.How To Get Warranty Service(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center.OR(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address.Limitation of Implied WarrantiesANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY.Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you.Exclusions of DamagesPEAVEY’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY’S OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you.This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International Service Center at (601) 483-5365.Features and specifications are subject to change without notice.Logo referenced in Directive 2002/96/EC Annex IV(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005The bar is the symbol for marking of new waste and is applied only to equipment manufactured after13 August 2005
Peavey Electronics CorporationAttn: Warranty Department PO Box 1150 Meridian, Ms 39305FROM:PlacePostageHere

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