Peavey Electronics PV6BT Audio Mixer User Manual UserMan
Peavey Electronics Corporation Audio Mixer UserMan
UserMan
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| Date Submitted | 2015-05-22 00:00:00 |
| Date Available | 2015-05-22 00:00:00 |
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PV®6 • PV®6BT
Compact Mixer
Operating
Manual
www.peavey.com
FCC/ICES Compliancy Statement
This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s).
Operation is subject to the following two conditions: (1) this device may not cause harmful interference,
and (2) this device must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de
licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de
brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le
brouillage est susceptible d’en compromettre le fonctionnement.
Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void
the user’s authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which can
be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures.
•
Reorient or relocate the receiving antenna.
•
Increase the separation between the equipment and receiver.
•
Connect the equipment into an outlet on a circuit different from that to which the receiver is
connected.
•
Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled
environment.
ENGLISH
PV®6 and PV®6BT
Compact Mixers
Introducing the next level in world class non-powered mixer performance. The all new PV series mixing consoles include Peavey's
reference-quality mic preamps that deliver an incredible 0.0007% THD, making the PV series mixers excellent for live or recording applications. The PV 6 BT includes 2 channels of reference-quality mic preamps, 2 direct outputs for recording, 2 stereo channels, media
channel with Bluetooth wireless input, high quality digital effects, streaming USB out, 48 volt phantom power, dual selectable control
room outputs, compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, effects level per
channel, signal clip indicators, and a stereo master LED meter bridge. This amazingly versatile mixer is at home both in the studio as
well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. Direct outs
allow easy connection to most DAW interfaces for recording; in addition, the PV 6 BT can stream audio directly to a PC. EQ bypass
allows the user to compare the EQ'd signal to the original signal with the push of a button. Compression keeps signals with difficult
levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specifically for guitar. The all new PV series mixers represent the pinnacle of performance and value. Combine Peavey's legendary reliability with our 5 year warranty, and you can be
assured of years of quality reliable service!
FEATURES (both models):
• 2 Combination 1/4" balanced / XLR inputs feeding Silencer™ preamps
• Stereo 1/4"/ 3.5mm input channel with input gain, EQ, Effects send and Pan / Balance
• Switchable 1/4" / RCA (/ Bluetooth PV6 BT only) stereo input with input balance and level control
• 3-band EQ on all channels
• 2 Channels of Peavey's Exclusive Mid-Morph
• LED clip and signal present indication
• EQ Bypass on mic channels
• Dual selectable control room outputs
• Global 48V phantom power
• 1/4" balanced Main stereo ouputs
• Rugged console design
• Built-in stereo compressor with enable switch
• Stereo pan control per channel
• 2 Channels of direct out
• Stereo USB-B streaming audio in and out
• High quality master LED meter bridge
• Studio quality headphone output
• Peavey's exclusive on-board 1 Meg Ω guitar input
• Control room output with level control
• Electric Guitar Pre-Shape switch
• External universal input power supply
PV6BT ADDITIONAL FEATURES:
• Bluetooth wireless stereo audio input
• Efx Mute switch
PV6 ONLY:
• Efx master level feeding balanced 1/4" output
Installation Note:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
Front Panel: MONO MIC INPUT CHANNEL
Electric Guitar Pre-Shape
Engaging this button optimizes the on board equalization for guitar.
Signal Presence/Clip LED
This LED helps in setting the gain control. Gain (3) should be adjusted so that the green LED
flashes in time with the source, and turns red only on the loudest peaks. If adding EQ results in
clipping (red LED), compensate here by reducing gain (3). The red clipping LED lights when
roughly 5dB of headroom remains.
Gain
The Input Gain control is used to establish proper gain structure in the channel. The input gain
can be adjusted over a wide range to compensate for soft voices or very loud drums. To maximize the signal-to-noise ratio, the gain should be set to the proper level, with the Level Knob
(10) set to 0. If the clip LED comes on and remains lit, try reducing the gain.
High EQ
This High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12
kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of
the source.
Mid EQ
Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When
turned counterclockwise, it cuts at 250 Hz to reduce frequencies that muddy the sound. When
turned clockwise, it boosts at 4 kHz to add intelligibility to vocals. Either way, improved vocal or
instrument definition can be achieved.
Low EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15 dB at 80 Hz). Low EQ adds
depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too
much of this EQ can give you a booming bottom end. Caution: Excessive low frequency boost
causes greater power consumption and increases the possibility of speaker damage.
EQ Bypass
Engaging this button bypasses the equalization of the channel.
EFX Send
This control adjusts the level of the channel signal added to the effects mix. The signal is sent
to the internal effects processor (PV6 BT) or the EFX send jack (PV6). Turning the knob to the
left (min) will turn off effects on the associated channel, while turning the knob to the right will
increase the amount of the selected effect.
Pan
This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise‚ the signal is present only on the left channel; when rotated completely clockwise‚
only in the right channel. This control functions as a balance control to adjust the relative level of
the left and right signals on stereo channels.
10
Channel Level
This controls the output level of the channel into the main mix. The gain is 0 dB when set to the
detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing
such that normal levels are seen at the bicolor LED and the main meter array. As additional
sources are added, it is normal to turn this knob down slightly.
1 GUITAR PRE-S
ELECTRIC
min
GAIN
max
min
GAIN
max
min
GAIN
-HIGH+
min
max
-HIGH+
min
max
-HIGH+
min
low
+ high
MID-MORPH
-LOW+
min
low
+ high
min
max
EQ BYPASS
-LOW+
min
+m
MID
MID-MORPH
max
EQ BYPASS
-LOW+
min
EQ BYPASS
min
EFX
max
min
EFX
max
min
EFX
left
PAN
right
left
PAN
right
left
PAN
ri
10
min
LEVEL
max
min
LEVEL
max
min
LEVEL
1
PV 6 BT
3/4
5/6
6 INPUT STEREO MIXER
WITH DIGITAL EFFECTS AN
Signal Presence/Clip LED
This LED helps in setting the gain control. Gain (3) should be adjusted so that the green LED
flashes in time with the source, and turns red only on the loudest peaks. If adding EQ results in
clipping (red LED), compensate here by reducing gain (3). The red clipping LED lights when
roughly 5dB of headroom remains.
Gain
ELECTRIC
The Input Gain control is used to establish proper gain structure in the channel. The
input gain GUITAR PRE-SHAPE
can be adjusted over a wide range to compensate for soft voices or very loud drums. To maximize the signal-to-noise ratio, the gain should be set to the proper level, with the Level Knob
(10) set to 0. If the clip LED comes on and remains lit, try reducing the gain.
High EQ
min
max
min
max
GAIN
GAIN
This High EQ shelving type of active tone control varies the treble frequencies
(+/- 15 dB
at 12
kHz) and is designed to remove noise or add brilliance to the signal, depending
on the quality
of
the source.
+ max
Mid EQ
min
HIGH
This midrange control adjusts the stereo channel's eq +/-20 dB @ 440Hz
min
-HIGH+
min
-LOW
+ max
10
-LOW
+ max
EQ BYPASS
EQ BYPASS
EFX Send
This control adjusts the level of the channel signal added to the effects mix. The signal is sent
to the internal effects processor (PV6 BT) or the EFX send jack (PV6). Turning the knob to the
left (min) will turn off effects on the associated channel, while turning the knob to the right will
increase the amount of the selected effect.
min
max
min
max
EFX
min
EFX
Pan
This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise‚ the signal is present only on the left channel; when rotated completely clockwise‚
only in the right channel. This control functions as a balance control
to adjust
level
of
R right the relative
R right
left L
left L
PAN
PAN
the left and right signals on stereo channels.
Channel Level
This controls the output level of the channel into the main mix. The gain is 0 dB when set to the
detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing
min
max
min
max
such that normal levels are seen at the bicolor LED and the main meter
array. As additional
LEVEL
LEVEL
sources are added, it is normal to turn this knob down slightly.
max
Bluetooth
-HIGH+
min
max
left
BAL
right
max
mi
Low EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15 dB at 80 Hz). Low EQ adds
+ high
+Too
depth to thin-sounding signals or cleans up the muddy ones. As low
with any
EQ, use sparingly.
low
high
MID-MORPH
MID-MORPH
much of this EQ can give you a booming bottom end. Caution: Excessive
low frequency
boost
causes greater power consumption and increases the possibility of speaker damage.
EQ Bypass
Engaging this button bypasses the equalization of the channel.
GAIN
max
min
RCA
1/4”
min
+ max
min
LEVEL
MID
-LOW
+ max
min
EQ BYPASS
min
EFX
EFX MUTE
max
EFX ADJUST
5/6
less
PAN
14
13
12
GLOBAL COMPRESSOR
left
more
EFX SELECT
Front Panel: STEREO INPUT CHANNEL
ENABLE
right
mi
CO
10
min
LEVEL
max
3/4
min
MAIN L+R
PV 6
6 INPUT STEREO MIXER
PV®6 Front Panel
12
13
14
15
Two-way Audio Input Selector
Allows you to select between a 1/4" and RCA audio input.
Balance
Adjusts relative levels of left and right channels.
Level
Adjusts the level of the source selected by (11).
GAIN
min
GAIN
max
GAIN
max
+ high
low
max
+ high
min
right
left
PAN
PAN
To Control Room
When depressed, USB digital audio return is routed to the control
room and headphone outputs. Use this setting when recording with
DAW software to avoid unintended loops.
min
max
min
LEVEL
LEVEL
right
19
max
left
+ max
min
BAL
DIGITAL
RETURN
right
13
min
max
min
LEVEL
MID
max
LEVEL
-LOW+
min
A/B TOGGLE
20
21
min
max
LEVEL
min
EFX
PHANTOM POWER 48V
max
PV 6
max
max
min
max
EFX MASTER
ENABLE
14
left
23
min
GLOBAL COMPRESSOR
PAN
24
right
min
max
COMPRESSOR
15
To Main
When depressed, USB digital audio return is routed to the Main summing amp. This setting is recommended only when there is a
requirement to playback through the main outputs, at which time the
DAW software must have input monitoring disabled.
22
max
TO MAIN
max
min
RCA
max
Digital Return Level
Controls the signal level coming in to the USB digital audio port, typiEFX
cally from a USB-equipped computer. The nominal setting
is nearEFX
12:00
for this control.
max
TO CONTROL
ROOM
-HIGH+
min
18
12
MID-MORPH
MID-MORPH
LED Meters
Two six-segment LED arrays are provided to monitor the levels of the
main left/right outputs. These meters range from -18-dBu
+ to +19dBu.
-LOW+
LOW
The highest green LED corresponds to +4 dBu at the
outputs.
EQ BYPASS
EQ BYPASS
min
-HIGH+
min
low
max
-HIGH+
min
Global Compressor Enable Button
When depressed, the compressor is enabled.
left
18
max
min
17
1/4”
11
min
17
POWER
5/6
min
16
16
ELECTRIC GUITAR PRE-SHAPE
CONTROL ROOM
11
min
LEVEL
max
HEADPHONE
LEVEL
max
3/4
min
MAIN L+R
25
LEVEL
26
max
27
Beware of creating an unintended loop, which results in very
LOUD and uncontrolled oscillation that can damage loudspeakers and eardrums!
19
RCA Connectors for Monitor
Connect powered monitors, or an amplifier feeding monitor speakers here. Set the volume controls on the monitors A
and B to be equal when the A/B switch is toggled. The signal sent to this output is normally the Left/Right mix.
When the "To Control Room" switch (17) is engaged, the USB return signal is also sent to the Monitor Outputs.
20
A/B Toggle Switch
When depressed, the A outputs are muted and the B outputs are on. When raised, the A outputs are on and the B outputs
are muted. This allows the easy checking of a computer DAW mix on two different sets of monitors.
21
Monitor Level
Use this control to set the listening level in your control room monitors. The optimum setting for this control is 12:00, so monitor
amplifier levels (or powered monitor levels) should be adjusted with this knob at 12:00. There is an additional 17 dB of gain available
on this pot at the max position.
22
Phantom Power
This Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power.
If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR
inputs that cannot handle this Voltage.
PV®6 Front Panel
23
EFX Level
This is the master output level control for the EFX mix. The output level sent to the EFX Send jack is controlled by the Channel Level
Control (10), the channel EFX Send controls (8), and by this master control. The 12:00 position is the recommended setting for this
control.
24
Headphone Level
This knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level.
25
Compressor Control
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. The compressor
ratio is in the 4:1 range, varying with signal levels and the amount of compression. This is useful for controlling peak levels from live
sources. The compressor is after the master level control(26), and before the main outs (35) and the USB port(39), so it can be used to
tame vocals being recorded into a DAW. You can audition the effect of the compressor by switching it in and out with the Enable
switch (14). When the compressor is active, the adjacent red LED will illuminate.
26
Level
This is the master level control, which controls the overall level sent to the main outputs (35) and the USB port (39).
27
Headphone Output
The Headphone Output is a 1⁄4” TRS (Tip= Left; Ring = Right; Sleeve = Ground) jack. The signal sent to this output is normally the
Left/Right mix. When the "To Control Room" switch (17) is engaged, the USB return signal is also sent to the headphones.
PV 6 BT
6 INPUT STEREO MIXER
WITH DIGITAL EFFECTS AND BLUETOOTH
PV®6BT Front Panel
11
GAIN
max
min
GAIN
max
POWER
1/4”
max
5/6
RCA
TO CONTROL
ROOM
-HIGH+
-HIGH+
14
EFX Mute
- +
- +
MID-MORPH
MID-MORPH
Depressing this button will cut all digital effects from
the
main mix.
min
max
min
low
max
low
TO MAIN
13
max
min
left
max
PAN
right
EFX SELECT
Use this rotary encoder to choose which effect you want to
apply. There are 9 reverbs, 4 delays, and 3 chorus effects.
min
max
LEVEL
You can fine-tune the behavior of the selected effect with
the EFX ADJUST knob.
min
max
min
left
max
PAN
max
left
min
+ max
min
BAL
right
right
max
min
LEVEL
MID
EFX Adjust
-LOW+
-LOW+
This rotary encoder adjusts the parameter of the effect
selected EQbyBYPASS
EQ BYPASS
EFX SELECT (16). For reverbs, double, slapback, and delays, the knob
controls the time. For chorus effects, this knob controls the rate. Any
adjustment you make with this knob will be stored into memory until
EFX
EFX
the next time you adjust the parameter. In other words,
your changes
will "stick" even if you select a different effect. When you return, things
will be the way you left them.
min
-HIGH+
min
DIGITAL
RETURN
high
max
LEVEL
LEVEL
max
17
Global Compressor Enable Button
When depressed, the compressor is enabled.
18
LED Meters
Two six-segment LED arrays are provided to monitor the levels of the
main left/right outputs. These meters range from -18 dBu to +19dBu.
The highest green LED corresponds to +4 dBu at the outputs.
19
Digital Return Level
Controls the signal level coming in to the USB digital audio port, typically from a USB-equipped computer. The nominal setting is near 12:00
for this control.
20
To Control Room
When depressed, USB digital audio return is routed to the control
room and headphone outputs. Use this setting when recording with
DAW software to avoid unintended loops.
21
To Main
When depressed, USB digital audio return is routed to the Main summing amp. This setting is recommended only when there is a
requirement to playback through the main outputs, at which time the
DAW software must have input monitoring disabled.
Beware of creating an unintended loop, which results in very
LOUD and uncontrolled oscillation that can damage loudspeakers
and eardrums!
A/B TOGGLE
23
24
min
max
LEVEL
25
-LOW+
min
14
PHANTOM POWER 48V
max
15
min
16
EFX
max
EFFECTS
EFX MUTE
PV 6 BT
less
16 1 2
10 9 8
1.Plate Reverb 1
2.Plate Reverb 2
3.Plate Reverb 3
4.Hall Reverb 1
5.Hall Reverb 2
6.Hall Reverb 3
7.Room Reverb 1
8.Room Reverb 2
9.Room Reverb 3
10.Double
11.Slapback
12.Dly Few Repaets
13.Dly More Repeats
14.Chorus 1
15.Chorus 2
16.Chorus 3
TIME
RATE
ENABLE
17
min
ADJUST
GLOBAL COMPRESSOR
left
more
15
14
13
12
11
PAN
right
26
min
max
COMPRESSOR
18
min
high
22
Bluetooth
12
Level
Adjusts the level of the source selected by (11).
16
GAIN
13
15
min
21
EFX SELECT
Balance
Adjusts relative levels of left and right channels.
min
20
EFX ADJUST
12
19
Three-way Audio Input Selector
ELECTRIC GUITAR PRE-SHAPE
Allows you to select between a 1/4", RCA audio input, or Bluetooth
connection.
CONTROL ROOM
11
min
LEVEL
max
HEADPHONE
LEVEL
max
3/4
min
MAIN L+R
27
LEVEL
28
max
29
PV®6BT Front Panel
22
RCA Connectors for Monitor
Connect powered monitors, or an amplifier feeding monitor speakers here. Set the volume controls on the monitors A
and B to be equal when the A/B switch is toggled. The signal sent to this output is normally the Left/Right mix.
When the "To Control Room" switch (20) is engaged, the USB return signal is also sent to the Monitor Outputs.
23
A/B Toggle Switch
When depressed, the A outputs are muted and the B outputs are on. When raised, the A outputs are on and the B outputs
are muted. This allows the easy checking of a computer DAW mix on two different sets of monitors.
24
Monitor Level
Use this control to set the listening level in your control room monitors. The optimum setting for this control is 12:00, so monitor
amplifier levels (or powered monitor levels) should be adjusted with this knob at 12:00. There is an additional 17 dB of gain available on
this pot at the max position.
25
Phantom Power
This Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power.
If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR
inputs that cannot handle this Voltage.
26
Headphone Level
This knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level.
27
Compressor Control
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. The compressor
ratio is in the 4:1 range, varying with signal levels and the amount of compression. This is useful for controlling peak levels from live
sources. The compressor is after the master level control (28), and before the main outs (36) and the USB port(39), so it can be used to
tame vocals being recorded into a DAW. You can audition the effect of the compressor by switching it in and out with the Enable
switch (14). When the compressor is active, the adjacent red LED will illuminate.
28
Level
This is the master level control, which controls the overall level sent to the main outputs (36) and the USB port (39).
29
Headphone Output
The Headphone Output is a 1⁄4” TRS (Tip= Left; Ring = Right; Sleeve = Ground) jack. The signal sent to this output is normally the
Left/Right mix. When the "To Control Room" switch (20) is engaged, the USB return signal is also sent to the headphones.
PV®6 Upper Panel
28
30
32
35
1/4”-Hi-Z
DIGITAL
STEREO
DIRECT OUT
PV 6
3/4
5/6
6 INPUT STEREO MIXER
29
31
33
34
MIC/LINE INPUT
This combination input jack can accept either a 1/4” (balanced or unbalanced) input or a XLR balanced, low-impedance connection.
The tip is positive on the 1/4” balanced input,
and pin
2 is positive
on the XLR. When ELECTRIC POWER
GUITAR PRE-SHAPE is depressed,
ELECTRIC
GUITAR
PRE-SHAPE
the channel 1 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum
tube
guitar
amplifier input.
TO CONTROL
5/6
29
EFX SEND
DIRECT OUT
28
MAIN OUT
ROOM
1/4”
RCA
1/4" TRS Direct Outs
min
max
min
max
min
max
TO MAIN
Impedance-balanced outputs fed
by
the
mic
preamp.
Channel
output
is
after
the ELECTRIC
GUITAR PRE-SHAPE switch.
GAIN
GAIN
GAIN
Stereo 3.5mm Input
A/B TOGGLE
DIGITAL
Accept a stereo input from theminoutput
CD player,
deck
or other
similar device. This input is optimized for por+ max tape
R right
max
min left L
-HIGH+ maxof anminMP3
-HIGH+player,
RETURN
BAL
HIGH
table handheld devices and therefore
has
very
high
sensitivity.
31
Stereo Inputs
+ max
+ high
min min
max
min
max
min
max
- + highvia 1/4"
low Channels 3 and 4 feature stereolowMID-MORPH
inputs
jack.
If only MID
one jack is used,
as a mono source
LEVELit behaves LEVEL
LEVEL with a pan control. Once both
MID-MORPH
jacks are connected, it behaves as a stereo source with a balance control; 3 is Left and 4 is Right.
32
33
34
35
CONTROL ROOM
30
PHANTOM POWER 48V
+ max
+ max
+ max
min min min RCA Connection
LOW
LOW
LOW
Accept a stereo input from theEQoutput
MP3
BYPASS of an EQ
BYPASSplayer, CD player, tape deck or other similar device. This input is optimized for portable handheld devices and therefore has very high sensitivity.
PV 6
Stereo
min
max
min
max
min
max
min
max
EFX
EFX
EFX
EFX MASTER
Accept a stereo input from the output
of
an
MP3
player,
CD
player,
tape
deck
or
other
similar
device.
This
input is optimized for porGLOBAL
COMPRESSOR
ENABLE
table handheld devices and therefore has very high sensitivity.
R right
R right
R right
left L
left L
left L
min
max
min
max
EFX Send
PAN
PAN
PAN
COMPRESSOR
LEVEL
Ground compensated TRS balanced output fed by the EFX SEND master level (23). These outputs can be used with Tip Ring Sleeve
HEADPHONE
(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
min
max
min
max
min
max
min
max
Main Out
LEVEL
LEVEL
LEVEL
LEVEL
Ground compensated TRS balanced outputs
control
(26). These outputs can be used with Tip Ring Sleeve
1 fed by 2the master LEVEL
3/4 MAIN
L+R
(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
PV®6BT Upper Panel
30
32
34
36
1/4”-Hi-Z
DIGITAL
STEREO
DIRECT OUT
MAIN OUT
DIRECT OUT
ON/OFF
PV 6 BT
3/4
5/6
6 INPUT STEREO MIXER
WITH DIGITAL EFFECTS AND BLUETOOTH
31
33
35
38
37
MIC/LINE INPUT
This combination input jack can accept either a 1/4” (balanced or unbalanced) input or a XLR balanced, low-impedance connection.
The tip is positive on the 1/4” balanced input, and pin 2 is positive on the XLR. When ELECTRIC GUITAR PRE-SHAPE is depressed,
the channel 1 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplifier input.
ELECTRIC GUITAR PRE-SHAPE
33
min
low
34
min
+ high
low
max
min
+ high
min
max
Bluetooth
+ max
min
max
min
LEVEL
MID
MID-MORPH
max
LEVEL
min
max
LEVEL
RCA Connection
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. This input is optimized for porPHANTOM POWER 48V
table handheld devices and therefore has very high sensitivity.
-LOW+
max
min
-LOW+
max
min
-LOW+
max
EFFECTS
ADJUST
1.Plate Reverb 1
2.Plate Reverb 2
3.Plate Reverb 3
4.Hall Reverb 1
5.Hall Reverb 2
6.Hall Reverb 3
7.Room Reverb 1
8.Room Reverb 2
9.Room Reverb 3
10.Double
11.Slapback
12.Dly Few Repaets
13.Dly More Repeats
14.Chorus 1
15.Chorus 2
16.Chorus 3
PV 6 BT
Stereo
EFX MUTE
1 2
16 device.
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar
This input is TIME
optimized for por3
15
14
table handheld devices and therefore has very high sensitivity.
13
EQ BYPASS
min
36
max
MID-MORPH
min
35
1/4”
TO MAIN
Stereo 3.5mm Input
GAIN
GAIN
GAIN
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. This input is optimized for porB
table handheld devices and therefore has very high sensitivity.
A/B TOGGLE
DIGITAL
+ max
+ max
+ max
R right
min min min left L
RETURN
BAL
HIGH
HIGH
HIGH
Stereo Inputs
Channels 3 and 4 feature stereo inputs via 1/4" jack. If only one jack is used, it behaves as a mono source with a pan control. Once both
jacks are connected, it behaves as a stereo source with a balance control; 3 is Left and 4 is Right.
EQ BYPASS
max
min
right
left
max
min
right
left
max
less
more
EFX SELECT
32
1/4" TRS Direct Outs
5/6
Impedance-balanced outputs fed by the mic preamp. Channel 1 output is afterRCA
the ELECTRIC GUITAR PRE-SHAPE
switch.
EFX ADJUST
31
POWER
TO CONTROL
ROOM
CONTROL ROOM
30
12
11
10 9 8
Main Out
GLOBAL COMPRESSOR
Ground compensated TRS balanced outputs fed by the master LEVEL controlENABLE
(28). These outputs can be used with Tip Ring Sleeve
(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
left
EFX
PAN
EFX
PAN
EFX
PAN
right
min
max
COMPRESSOR
min
LEVEL
RATE
max
37
Bluetooth® Activation Button
Press and hold this button until the LED blinks 3 times, indicating the Bluetooth has been powered on orHEADPHONE
off, then release.
Once turned on, the Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled device with the
mixer using the PIN 7878. The mixer will remember up to 10 devices that it was previously paired with and will automatically connect
min
max
min
max
min
max
min
max
to the last device with which it was
paired whenLEVEL
turned on. ToLEVEL
clear the paired device memory,
make sure the Bluetooth is turned off
LEVEL
LEVEL
2 LED will 3/4
and press and hold the button for at least110 seconds. The
initially
blink L+R
3 times but then should remain off. Once you have
MAIN
released the button after 10 seconds, you can proceed by powering it on as normal, and the memory will be cleared.
38
Left/Right Outputs
The Left/Right Outputs feature two 1/4" TRS Z-balanced jacks. These outputs can be used with Tip Ring Sleeve (TRS) balanced or Tip
Sleeve (TS) unbalanced connectors.
PV®6 and PV®6BT Rear Panel
37
38
POWER
ON
28
39
DIGITAL AUDIO
PORT
COMPUTER
DC POWER INLET
Use to connect the included power supply. Be sure the power supply is connected to the PV®10 before connecting to a power source.
Use 15VDC, 1A adapter only. Replace only with Peavey part number 30908119.
29
POWER SWITCH
This is the main power switch.
30
USB PORT TYPE B
The USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer.
The USB port sends the mixer’s main/tape stereo out to the computer. The USB port receives digital audio from the computer; it can then be
assigned through the USB TO Main switch ({18}, PV6; {21}, PV6BT) to the main left/right output, if the computer is being used for playback
only. For recording, use the USB TO CONTROL ROOM control ({17}, PV6; {20}, PV6BT), to avoid creating a loop. Compatible with Windows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0 or later, and iOS devices.
PV®6BT EFX
1 - Plate Reverb Bright
2 - Plate Reverb Medium Low-Pass
3 - Plate Reverb Dark
4 - Hall Reverb Vocal
5 - Hall Reverb Vocal Huge
6 - Hall Reverb Strings
7 - Room Reverb Vocal Air
8 - Room Reverb Snare Low
9 - Room Reverb Acoustic Guitar
10 - Delay Double
11 - Delay Slapback
12 - Delay Bright, Few Repeats
13 - Delay Bright, More Repeats
14 - Chorus High Depth, Slow Rate
15 - Chorus Moderate Depth, Wide Rate
16 - Chorus Short Depth, Fast Rate
4
BLUETOOTH
INPUT
USB B Streaming Return
(BT Model Only)
ON/OFF
STATUS
CHANNEL 5/6
3.5mm In
RIGHT
LEFT
CHANNEL 3/4
LINE
XLR
PHANTOM
CHANNEL 2
LINE
XLR
PHANTOM
CHANNEL 1
+48V
Gain
Input
Selector
MIC PRE
Gain
MIC PRE
Guitar
EQ
Guitar
In
HI
12kHz
LO
EQ
EQ
LEVEL
Direct Output
Direct Output
MID HI
EQ
Bypass
EQ
Bypass
DIGITAL RETURN
LEVEL
LEVEL
400Hz
4kHz
MID-MORPH
HI
12kHz
EQ
400Hz
4kHz
MID-MORPH
80Hz
LO
80Hz
LO
EQ
LEVEL
LEVEL
EFX
To
Control Room
To Main
BALANCE
BALANCE
Left
Right
To Monitor Bus
SIGNAL
CLIP
EFX
PAN
SIGNAL
CLIP
EFX
PAN
SIGNAL
CLIP
Master
EFX Out
EFX In
Monitor Bus
CLIP
PV6 ONLY
Output
Level
Meters
EFX
MUTE
A/B
Toggle
Headphone
Level
EFX
SELECT
EFFECTS
Control Rm
Level
EFX
ADJUST
PV6BT ONLY
Threshold
Enable
COMPRESSOR
LEFT
OUT
CONFIDENTIAL
EFX
SEND
Control Rm B
Control Rm A
Headphone
RIGHT
OUT
Sheet 2
of 2
Date: 4-10-2015_9:55
PV6_BLOCK
5022 Hartley Peavey Drive
Meridian, MS 39305
Peavey Electronics Corp.
Sheet Title:
Title:
To USB B Streaming Output
Block Diagram
EFX
Product Specifications
PV®6 & PV®6BT Series Specifications
Mic pre EIN = -126 dBu @ max gain with 150 ohm source
Inputs
Function
Microphone
(150 ohms)
Min**
Input Levels
Nominal*
-71 dBu
-51 dBu
Min Gain
(4 dB)
-17 dBu
+5 dBu
+16 dBu
Input Z
Input Gain
Setting
2 kΩ
Max Gain
(59 dB)
Max
Bal/
Unbal
Connector
-39 dBu
Bal
XLR Pin 1 Gnd
Pin 2 (+)
Pin 3 (-)
Bal
1/4" TRS;
Tip (+)
Ring (-)
Sleeve Ground
Unbal
1/4" TS;
Tip (+)
Sleeve Ground
Line
(10 k ohms)
10 kΩ
Max Gain
(40 dB)
-52 dBu
-32 dBu
-20 dBu
Line 1, GTR SHAPE
ON
1 Meg Ω @ ≤ 200
Hz, like 12AX7
input.
Min Gain
(-15 dB)
+2 dBu
+23 dBu
> +32 dBu
Line 3/4
10 kΩ
Max Gain (19 dB)
-32 dBu
-12 dBu
+2 dBu
Nominal
-15 dBu
+6 dBu
+13 dBu
-24 dBu
-10 dBu
3.5mm
2.8 kΩ
Max Gain ( 30 dB)
-44 dBu
Nominal
-27 dBu
-6 dBu
+8 dBu
Line 5/6
6.8 kΩ
Max Gain (18 dB)
-43 dBu
-23 dBV
-10 dBu
Nominal
-13dBu
-3 dBu
+12dBu
Max Gain (29 dB)
-32 dBu
-22 dBu
-8 dBu
Nominal
-19 dBu
-8 dBu
+6dBu
RCA
2.2 kΩ
3.5mm; Tip=L, Ring=R,
Sleeve Ground
Unbal
1/4" TS; Tip (+), Sleeve
Ground
RCA: Tip (+),
Sleeve Ground
0 dBu=0.775 V (RMS)
** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and
master faders set for maximum gain.
* Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment
pot which is as specified.
Outputs
Function
Min Load
(ohms)
Main Left/Right
600
Output Levels
Nominal
Max
+4 dBu
+20 dBu
Bal/
Unbal
Connector
Bal
XLR Pin Ground Tip
Pin 2 (+), Pin 3 (-)
1/4" TRS: Tip (+), Ring (-)
Sleeve Ground
Effects Send (PV6
only)
600
+4 dBu
+20 dBu
Bal
1/4" TRS: Tip (+), Ring (-)
Sleeve Ground
Control Room
600
+4 dBu
+20 dBu
Unbal
RCA: Tip (+),
Sleeve Ground
Headphone
+4 dBu (no load)
+20 dBu
Unbal
1/4" TRS; Tip Left, Ring Right
Sleeve Ground
0 dBu=0.775 V (RMS)
Gain
Mic Input Gain Adjustment Range:
+4 dB to +59 dB
Mic Input to Left/Right Balance Output
79 dB (max gain)
Line Input Gain Adjustment Range:
-15 dB to 40 dB
Line Input to Left/Right Balance Output
60 dB (max gain)
Stereo 3/4 Gain Adjustment Range:
Off to +19 dB
Stereo3/4 to Left/Right Output
39 dB (max gain)
3.5mm Input Gain Adjustment Range:
Off to +30 dB
3.5mm Input to Left/Right Output
51 dB (max gain)
Stereo Line 5/6 Gain Adjustment Range:
Off to +18 dB
Stereo 5/6 to Left/Right Output
28 dB (max gain)
RCA Gain Adjustment Range:
Off to +29 dB
RCA to Left/Right Output
39 dB (max gain)
Frequency Response
Mic Input to Left/Right Output
10 Hz to 20 kHz +0 dB/-1 dB
Total Harmonic Distortion
<0.006% Typical
(22 Hz to 22 kHz BW)
Hum and Noise
Output
Residual Noise
S/N Ratio (Ref: +4dBu)
Test Conditions
Master Left/Right
-97 dBu
101 dB
Master Fader Down, Channel Levels Down
-92 dBu 96 dB Master Fader Nominal, Channel Levels Down,
Efx muted
-82 dBu 86 dB Master Fade Nominal, Channel Faders Nominal,
Panned Odd Channels (left), Even Channels
(right)
(Hum and noise measurements: 22 Hz to 22 kHz BW)
Equivalent Input Noise (EIN)
-126 dBu (input terminated with 150 ohms, bandwidth 20 kHz)
Crosstalk/Attenuation
Adjacent Input Channels (1 kHz) >90 dB
Left to Right Outputs (1 kHz) >70 dB
Channel level control Kill (1 kHz) >85 dB
Common Mode Rejection Ratio (Mic Input)
50 dB minimum (20 Hz to 20 kHz)
70 dB typical @ 1 kHz
Meters
6 segment, peak reading (top green LED = +4 dBu)
Signal/Overload Indicators
Red LED lights 5 dB below clipping
Dimensions
7.25" wide x 11" deep x 3.1875" high
(18.42 cm x 27.94 cm x 8.1 cm)
Weight
PV6: 3.99 lbs (1.81 kg)
PV6BT: 4.06 lbs (1.84 kg)
Power Requirements
100-240 VAC 50/60 Hz 15 Watts
Installation Note:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY
Effective Date: 11/01/2011
What This Warranty Covers
Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada.
What This Warranty Does Not Cover
The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring
during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or
removed; (5) products not purchased from an Authorized Peavey Dealer.
Who This Warranty Protects
This Warranty protects only the original purchaser of the product.
How Long This Warranty Lasts
The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows:
Product Category
Duration
Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers
2 years *(+ 3 years)
Drums
2 years *(+ 1 year)
Enclosures
3 years *(+ 2 years)
Digital Effect Devices and Keyboards and MIDI Controllers
1 years *(+ 1 year)
Microphones
2 years
Speaker Components
(incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers)
1 year
Tubes and Meters
90 Days
Cables
Limited Lifetime
AmpKit Link, Xport, Rockmaster Series, Strum’n Fun, RetroFire, GT & BT Series Amps
1 year
Marvel Jr. Guitar
90 Days
[* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.]
What Peavey Will Do
We will repair or replace (at Peavey’s discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for
Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges.
How To Get Warranty Service
(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center.
OR
(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description
of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address.
Limitation of Implied Warranties
ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF
THIS WARRANTY.
Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you.
Exclusions of Damages
PEAVEY’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY’S OPTION. IF WE ELECT TO REPLACE THE
PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS,
LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR
OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you.
This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.
If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International
Service Center at (601) 483-5365.
Features and specifications are subject to change without notice.
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
The bar is the symbol for marking of new waste and
is applied only to equipment manufactured after
13 August 2005
FROM:
Place
Postage
Here
Peavey Electronics
Corporation
Attn: Warranty Department
PO Box 1150
Meridian, Ms 39305
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