Radio Shack Md 981 Users Manual
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2015-01-21
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Please read before using this equipment. 42-4042.fm Page 1 Friday, April 28, 2000 11:18 AM MD-981 MIDI Keyboard Owner’s Manual 42-4042.fm Page 2 Friday, April 28, 2000 11:18 AM ˆ Contents Features ................................................................................................................... 4 The FCC Wants You to Know ............................................................................. 5 Preparation .............................................................................................................. Connecting Power .............................................................................................. Using Batteries ............................................................................................. Using AC Power ........................................................................................... Using Vehicle Battery Power ........................................................................ Connecting Headphones .................................................................................... Listening Safely ............................................................................................ Connecting an External Amplifier ....................................................................... Using the Sheet Music Stand ............................................................................. 5 5 6 6 7 7 7 7 8 A Quick Look at Your Keyboard ............................................................................ 8 Operation ................................................................................................................. 9 Basic Operation .................................................................................................. 9 Cancelling Auto Power Off ........................................................................... 9 Playing the Prerecorded Tunes .......................................................................... 9 Playing Back a Prerecorded Tune ............................................................. 10 Playing Along with a Prerecorded Tune ..................................................... 11 Turning Applause Off/On ........................................................................... 12 Consecutively Playing Back the Tunes ...................................................... 12 Using the Preset Tones .................................................................................... 12 Selecting/Playing a Preset Tone ................................................................ 12 Keyboard Split Tones ................................................................................. 13 Layered Tones ........................................................................................... 13 Percussion Sounds .................................................................................... 13 Using the Preset Auto-Rhythms ....................................................................... 14 Selecting/Playing an Auto-Rhythm ............................................................ 14 Using SYNCHRO ....................................................................................... 15 Using FILL-IN ............................................................................................. 15 Using Auto Accompaniment ............................................................................. 15 Adjusting the Accompaniment Volume ...................................................... 15 Concert Chord ............................................................................................ 16 Standard Fingering .................................................................................... 17 Using the Chord Book ...................................................................................... 18 © 2000 Tandy Corporation. All Rights Reserved. RadioShack and RadioShack.com are trademarks used by Tandy Corporation. 2 Contents 42-4042.fm Page 3 Friday, April 28, 2000 11:18 AM Special Features ................................................................................................... Changing Keys ................................................................................................. Tuning the Keyboard ........................................................................................ Using a Sustain Pedal ...................................................................................... 19 19 20 20 Using MIDI ............................................................................................................. About MIDI ....................................................................................................... Making the MIDI Connections .......................................................................... MIDI Data ......................................................................................................... Changing MIDI Settings ................................................................................... Notes About the MIDI Implementation Chart .................................................... 21 21 21 22 22 23 Troubleshooting .................................................................................................... 24 Standard Fingering Chord Charts ....................................................................... 26 Note Table .............................................................................................................. 29 MIDI Implementation Chart .................................................................................. 31 Care and Maintenance .......................................................................................... 32 Specifications ....................................................................................................... 33 Contents 3 42-4042.fm Page 4 Friday, April 28, 2000 11:18 AM ˆ Features Your RadioShack MIDI Keyboard is a state-of-the-art keyboard with many exciting features. You can set the keyboard to sound like 100 different musical instruments or sound effects. To accompany your music, the keyboard has 100 rhythms, as well as auto accompaniments and percussion sounds. 100 Tones — you can set your keyboard to sound like anything from a harpsichord to a honky-tonk piano. 100 Auto-Rhythms — give you a steady beat for many styles of music, from rhumba to slow rock. Your keyboard also includes a MIDI (Musical Instrument Digital Interface) feature, which lets you connect it to other MIDI-equipped musical instruments or devices — even your personal computer. 100 Prerecorded Tunes — let you hear a sample of what you and the keyboard can do. You can play the tunes either one at a time or consecutively, and you can turn off the melody or accompaniment portion so you can play along with the tunes. This versatile keyboard can provide hours of fun and is ideal for anyone who wants to make music, from the beginner to the experienced musician. 12-Note Polyphonic Sound — lets you play and hear up to 12 notes at the same time so you can play or create almost any type of music. Note: The keyboard conforms to most, but not all, General MIDI specifications. Because of this, you might experience some incompatibility when using the keyboard with another General MIDI device. For more information, see “Using MIDI” on Page 21. MIDI In/Out Jacks — let you connect the keyboard to another MIDI-equipped device. Your keyboard’s features include: Headphones/Output Jack — lets you connect headphones so you can play without disturbing others, or an external amplifier so you can play for a crowd. 61 Full-Sized Keys — provide the feel of a fine musical instrument. LCD Music Information Display — shows you a ‘staff’ with the notes and chords as you play them, along with the fingering, current tone, rhythm, volume, melody, and tempo. The display also shows a metronome icon to indicate the beat. 4 Sustain Jack — lets you connect a sustain pedal (not supplied) to the keyboard so you can sustain your keyboard’s sound. Tune Control — lets you adjust the pitch of your keyboard so you can play in tune with other instruments. Transpose Function — lets you instantly change the key of the music, even while you are playing. Features 42-4042.fm Page 5 Friday, April 28, 2000 11:18 AM Tempo Control — lets you speed up or slow down the tempo of any selected music pattern. Chord Book — lets you easily see which keys to press and which fingers to use to form a chord, as well as a chord’s name. Three Power Options — let you power the keyboard from internal batteries (not supplied), standard AC power (with an optional adapter), or your vehicle’s cigarette-lighter socket (with an optional adapter) so you can make music almost anywhere. Notes: • You can use an optional keyboard stand (available at your local RadioShack store) to mount the keyboard. • This Owner’s Manual explains how to use this electronic keyboard. It does not teach music. THE FCC WANTS YOU TO KNOW This equipment complies with the limits for a Class B digital device as specified in Part 15 of FCC Rules. These limits provide reasonable protection against radio and TV interference in a residential area. However, your equipment might cause TV or radio interference even when it is operating properly. To eliminate interference, you can try one or more of the following corrective measures: • reorient or relocate the receiving antenna • increase the distance between the equipment and the radio or TV • use outlets on different electrical circuits for the keyboard and the radio or TV. Consult your local RadioShack store if the problem still exists. You must use shielded interface cables with this equipment. ˆ Preparation Note: To connect a MIDI device to your keyboard, see “Making the MIDI Connections” on Page 21. CONNECTING POWER You can power your keyboard in any of these ways: • internal batteries • standard AC power optional AC adapter using an • a vehicle’s cigarette-lighter socket using an optional DC adapter Notes: • Connecting an AC or DC adapter automatically disconnects any internal batteries. • Always disconnect the AC or DC adapter when you finish using the keyboard. Preparation 5 Using Batteries Using AC Power Your keyboard can use six AA batteries (not supplied) for power. For the best performance and longest life, we recommend RadioShack alkaline batteries. You can power the keyboard using a 9V, 800-mA AC adapter and a size M Adaptaplug™ adapter (neither supplied). Both are available at your local RadioShack store. Cautions: • Use only fresh batteries of the required size and recommended type. Cautions: You must use a Class 2 power source that supplies 9V DC and delivers at least 800 mA. Its center tip must be set to negative and its plug must fit the keyboard's DC 9V jack. Using an adapter that does not meet these specifications could damage the keyboard or the adapter. ! • Do not mix old and new batteries, different types of batteries (standard, alkaline, or rechargeable), or rechargeable batteries of different capacities. Follow these steps to install batteries. 1. Slide POWER/MODE to OFF. 2. While pressing the tab on the battery compartment cover on the bottom of the keyboard, pull up the cover to remove it. 3. Place the batteries in the compartment as indicated by the polarity symbols (+ and –) marked below the compartment. • Always connect the AC adapter to the keyboard before you connect it to AC power. When you finish, disconnect the adapter from AC power before you disconnect it from the keyboard. Follow these steps to connect an AC adapter to the keyboard. 1. Slide POWER/MODE to OFF. 2. Set the DC adapter’s voltage switch to 9V. 4. Replace the cover. When the keyboard stops operating properly, replace the batteries. 3. Insert the Adaptaplug adapter into the adapter’s cord so it reads – TIP. Warning: Dispose of old batteries promptly and properly. Do not burn or bury them. 4. Connect the AC adapter’s barrel plug to the DC 9V jack on the back of the keyboard. Caution: If you do not plan to use the keyboard with batteries for a week or more, remove the batteries. Batteries can leak chemicals that can destroy electronic parts. 6 Preparation 42-4042.fm Page 7 Friday, April 28, 2000 11:18 AM 5. Plug the AC adapter’s other end into a standard AC outlet. 5. Plug the DC adapter’s other end into your vehicle’s cigarette-lighter socket. Using Vehicle Battery Power You can power the keyboard from a vehicle’s 12V power source (such as a cigarette-lighter socket) using a 9V, 800mA AC adapter and a size M Adaptaplug adapter (neither supplied). Both are available at your local RadioShack store. Cautions: You must use a power source that supplies 9V DC and delivers at least 800 mA. Its center tip must be set to negative and its plug must fit the keyboard's DC 9V jack. Using an adapter that does not meet these specifications could damage the keyboard or the adapter. ! • Always connect the DC adapter to the keyboard before you connect it to the power source. When you finish, disconnect the adapter from the power source before you disconnect it from the keyboard. Follow these steps to connect a DC adapter to the keyboard. 1. Slide POWER/MODE to OFF. 2. Plug the DC adapter’s barrel plug into the cable so it reads – TIP. 3. Set the DC adapter’s voltage switch to 9 volts. CONNECTING HEADPHONES To listen to your keyboard without disturbing others, you can connect an optional pair of stereo headphones with a 1 4 / -inch (6.4-mm) plug. Your local RadioShack store sells a wide selection of headphones. Insert the headphones’ plug into the PHONES/OUTPUT jack on the back of the keyboard. Note: Connecting headphones disconnects the keyboard’s built-in speakers. Listening Safely To protect your hearing, follow these guidelines when you use headphones. • Set the volume to the lowest setting before you begin listening. After you begin listening, adjust the volume to a comfortable level. • Do not listen at extremely high volume levels. Extended high-volume listening can lead to permanent hearing loss. • Once you set the volume, do not increase it. Over time, your ears adapt to the volume level, so a volume level that does not cause discomfort might still damage your hearing. 4. Connect the DC adapter’s barrel plug to the DC 9V jack on the back of the keyboard. Preparation 7 CONNECTING AN EXTERNAL AMPLIFIER Your local RadioShack store sells a full line of amplifiers, speakers, and connection cables. To amplify your keyboard’s sound, you can connect it to an optional external amplifier using an audio cable with a 1/4inch (6.4-mm) plug (not supplied). USING THE SHEET MUSICl STA12(as)NIER To connect an external amplifier to your keyboard, insert the cable’s plug into the PHONES/OUTPUT jack on the back of the keyboard, and connect the cable’s other end to the amplifier’s input jack(s) (such as AUX IN or TAPE IN). 8 A Quick Look at Your Keyboard 42-4042.fm Page 9 Friday, April 28, 2000 11:18 AM ˆ Operation BASIC OPERATION 1. To turn Notes: • The keyboard’s volume ranges from 0 (no sound) to 9 (maximum). Each time you turn on the keyboard, the volume is set to 7. on the keyboard, set POWER/MODE to NORMAL. The POWER/MODE indicator lights. Note: To save power when operating on batteries, the keyboard automatically turns off after about 6 minutes if you do not press a key. To turn on the keyboard again, set POWER/MODE to OFF then back to NORMAL. • To quickly change the volume setting, hold down MAIN VOLUME ▲ or ▼. • To quickly return to the default volume setting of 7, press both MAIN VOLUME buttons at the same time. 2. To hear a sample of the keyboard’s many sounds, play a prerecorded tune (see “Playing the Prerecorded Tunes”). To make your own music, simply begin playing the keyboard. • The volume level differs depending on the tone, accompaniment, or song you selected. 4. To Notes: turn off the keyboard, set POWER/MODE to OFF. The POWER/ • The keyboard automatically selects the tone PIANO 1 (No. 00) when you turn the power on. To select a different tone, see “Selecting/Playing a Preset Tone” on Page 12. • To select an auto-rhythm, see “Using the Preset Auto-Rhythms” on Page 14. • To play auto accompaniment, see “Using Auto Accompaniment” on Page 15. 3. Repeatedly press MAIN VOLUME ▲ or ▼ to increase or decrease the volume. The current setting appears. MODE indicator turns off. Cancelling Auto Power Off The keyboard automatically turns itself off when you use batteries to power it. To have the keyboard not automatically turn off during a session, turn on the keyboard while holding down TONE. The next time you turn the keyboard off then back on again, it will automatically turn off after about 6 minutes. PLAYING THE PRERECORDED TUNES You can sit back and listen to the 100 tunes that come prerecorded in the key- Operation 9 42-4042.fm Page 10 Friday, April 28, 2000 11:18 AM board, or you can turn off a tune’s melody or accompaniment and play along on the keyboard. Playing Back a Prerecorded Tune • a “score” to show you the notes that are playing (right side of the display) 1. Press SONG. An indicator appears next to SONG and the number of the current tune appears. • a “keyboard” to show you the fingering and which keys are pressed (bottom of the display) Note: The keyboard always selects the tune “A Whole New World” (No. 00) the first time you press SONG after turning the power on. 2. Choose a tune from the 100 SONGS list and enter its two-digit number on the keypad. • a “metronome” to show you the selected tempo — the metronome’s bar swings along with the tempo you selected, and the black dots above the metronome show the beat count in the measure Or, you can press – or + to move to the next higher or lower numbered tune. Notes: • the chord name (except for tunes 80 to 99, center right of the display) • Precede a single-digit number with a 0. For example, to select 07 (“O Christmas Tree”), press 0 7. • “hands” that show the fingering to play the tune and chords • If you enter an incorrect first digit, press SONG to clear your entry, then enter the correct digit. Note: Each tune plays a different preset tone for the melody, but you can change to another tone even while the tune is playing. Follow the steps under “Selecting/Playing a Preset Tone” on Page 12 to select a different tone. 3. Press PLAY/PAUSE or START/STOP to start playing the tune. You can change the tune by repeating Step 2 even while a tune is playing. The new tune immediately begins to play. 4. Use MAIN VOLUME to adjust the overall volume as desired. As a tune plays, the display shows: 10 Operation To adjust only the accompaniment volume (except tunes 80 to 99), press ACCOMP VOLUME then enter 42-4042.fm Page 11 Friday, April 28, 2000 11:18 AM the desired volume level using the number keys (between 0 and 9) or press + or – within 5 seconds. 5. To move to a particular section of a tune, hold down REW or FF during play. When you think you have reached the section you want, release REW or FF to resume normal play. 6. To change the tempo, press TEMPO ▼ or ▲. The current tempo setting appears. Guide for the Prerecorded Tunes, supplied with your keyboard. 1. Select and enter the tune you want to play. 2. Press ON/OFF RIGHT to turn off the melody. R disappears from the “hands,” indicating that the keyboard is not playing the right-hand portion of the music. Press ON/OFF LEFT to turn off the accompaniment. L disappears from the “hands.” Notes: Notes: • To quickly slow down or speed up the tempo, hold down TEMPO ▼ or ▲. • Tunes 80 to 99 are solo tunes. You can turn off either the righthand or left-hand portion, but not both. • To reset the tempo to its default (original) speed, press TEMPO ▲ and ▼ at the same time. • Tunes 80 to 99 are arranged so the tempo changes during play. However, if you select a tempo other than the default tempo, those tunes play in the newest tempo. 7. To temporarily stop playing the tune, press PLAY/PAUSE again. To stop the tune completely, press STOP. • If you select tunes 00 through 79 and turn off both the melody and accompaniment, the keyboard plays an obligato accompaniment (a simple background accompaniment). 3. Press PLAY/PAUSE to start play. 4. Adjust the tempo and volume as desired. 5. Play along with the tune on the keyboard. Playing Along with a Prerecorded Tune Follow these steps to have the keyboard not play the melody of a prerecorded tune, so you can! Note: You can find the scores for most of the prerecorded tunes in the Play Note: You can turn the melody on or off by repeating Step 2 even while the current tune is playing. 6. To temporarily stop playing the tune, press PLAY/PAUSE again. To stop the tune completely, press STOP. Operation 11 42-4042.fm Page 12 Friday, April 28, 2000 11:18 AM Turning Applause Off/On When you turn off either the melody or accompaniment and then play a tune, applause automatically sounds at the end of the tune. To turn off the applause, hold down STOP and press either ON/ OFF LEFT or ON/OFF RIGHT. Apls=Off appears. To turn the applause on again, press the same buttons. Apls=On appears. Consecutively Playing Back the Tunes Normally, the tune you selected plays continuously until you press STOP. To play all 100 prerecorded tunes consecutively, press either TONE or RHYTHM, then press PLAY/PAUSE. The keyboard plays the tunes in sequence starting with Tune 00. • Most tones on this keyboard have been recorded and processed using a technique called digital sampling. To ensure a high level of tonal quality, samples are taken in the low, mid, and high ranges and are then combined to sound amazingly close to the originals. You might notice very slight differences in volume or sound quality for some tones when you play them at different positions on the keyboard. This is an unavoidable result of multiple sampling and is not a malfunction. • Some sound effect tones, such as PERCUSSION (No. 99), do not follow the musical scale when played, but change effect as you play them in different octaves on the keyboard. Selecting/Playing a Preset Tone To stop consecutive playback, press STOP or START/STOP. 1. Press TONE. An indicator appears next to TONE and the current tone’s number appears. USING THE PRESET TONES Your keyboard can sound like 100 different musical instruments or sound effects. The name and two-digit number for each preset tone is listed on the 100 TONES list on the keyboard’s top panel. Notes: Note: Each time you turn the keyboard on, it automatically selects the tone PIANO 1 (No. 00). 2. To play a different tone, choose a preset tone from the 100 TONES list and enter its two-digit number on the keypad. As you press the keys, the selected digits appear. • The keyboard has 12-note (maximum) polyphonic sound. This means that you can play up to 12 different notes at the same time with most of the keyboard’s preset tones. Some of the keyboard’s preset tones, however, are capable of only 6-note polyphony. 12 Operation Or, you can use + or – to move to the next higher or lower numbered tone. 42-4042.fm Page 13 Friday, April 28, 2000 11:18 AM Notes: Percussion Sounds • Precede a single-digit number with a 0. For example, to select ELEC PIANO 1 (No. 04), press 0 4. PERCUSSION (No. 99) lets you play the 35 different percussion sounds shown here. The symbol for each sound appears above the corresponding key on the keyboard. • If you enter an incorrect first digit, press TONE to clear your entry, then enter the correct digit. 3. Play the keyboard to hear the selected tone and adjust MAIN VOLUME to the desired level. Cowbell Side Stick Crash Cymbal 2 Acoustic Snare 4. To select a different tone, repeat Steps 1 and 2. Keyboard Split Tones The preset tones numbered 90 through 96 on your keyboard let you automatically play two different musical instruments or sound effects independently on opposite sides of the keyboard. The instrument listed first in the tone’s name plays on the left half of the keyboard (below middle C). The instrument listed next plays on the right half of the keyboard (above middle C). For example, BS/PNO (No. 90) plays a bass tone on the left half of the keyboard and a piano tone on the right. Layered Tones The preset tones numbered 80 through 89 on your keyboard let you automatically play two different layered tones at the same time when you press one key. For example, STR PNO (No. 80) plays string and piano tones when you press a key. Bass Drum Claves Hand Clap Ride Cymbal 2 Electric Snare High Bongo Low Floor Tom Low Bongo Closed Hi-Hat Mute High Conga High Floor Tom Open High Conga Pedal Hi-Hat Low Conga Low Tom High Timbale Open Hi-Hat Low Timbale Low-Mid Tom High Agogo High-Mid Tom Low Agogo Crash Cymbal 1 Cabasa High Tom Maracas Ride Cymbal 1 Voice Bass Drum Chinese Cymbal Voice Snare Ride Bell Voice Closed Hi-Hat Tambourine Voice Open Hi-Hat Splash Cymbal Note: When you select the Fingered or Concert Chord mode, the keys in the lower 11/2 octaves become the accom- Operation 13 42-4042.fm Page 14 Friday, April 28, 2000 11:18 AM paniment keys and do not produce percussion sounds. See “Using Auto Accompaniment” on Page 15. the next higher or lower numbered rhythm. USING THE PRESET AUTO-RHYTHMS • Precede a single-digit number with a 0. For example, press 0 5 to select POP BALLAD (No. 05). Notes: Your keyboard has 100 preset autorhythms that provide a steady beat for your music. The name and two-digit number of each preset auto-rhythm is listed on the keyboard’s top panel. You can play a preset auto-rhythm on the keyboard in any of the following ways: • If you incorrectly enter the first digit of the rhythm, press RHYTHM to clear the entry and return to the last selected auto-rhythm. 3. Press START/STOP to start the selected auto-rhythm. • select and play a rhythm (see “Selecting/Playing an AutoRhythm”) 4. Adjust MAIN VOLUME and ACCOMP VOLUME to the desired level (see “Adjusting the Accompaniment Volume” on Page 15). • synchronize the start of a rhythm with your music (see “Using SYNCHRO” on Page 15) 5. To change the auto-rhythm speed, press TEMPO ▼ or ▲. The current tempo setting appears. Notes: • briefly vary the pattern of a rhythm (see “Using FILL-IN” on Page 15) • You can adjust the tempo to play an auto-rhythm from 20 to 255 beats per minute. Selecting/Playing an Auto-Rhythm • To quickly slow down or speed up the tempo, hold down TEMPO ▼ or ▲. 1. Press RHYTHM. An indicator appears to the right of RHYTHM and the number of the current autorhythm appears. Note: Each time you turn on the keyboard, it automatically selects the rhythm Club Pop (No. 00). 2. To select a different rhythm, choose an auto-rhythm from the 100 RHYTHMS list and enter its twodigit number on the keypad. Or, repeatedly press + or – to move to 14 • To reset the tempo to its default (original) speed, press TEMPO ▲ and ▼ at the same time. 6. Play the keyboard along with the auto-rhythm. 7. To select a different rhythm, repeat Steps 1 and 2. 8. To stop the auto-rhythm, press START/STOP again. Operation 42-4042.fm Page 15 Friday, April 28, 2000 11:18 AM Using SYNCHRO This feature lets you synchronize the start of an auto-rhythm with the beginning of your music. After you select and enter an autorhythm, press SYNCHRO/FILL-IN. The bars of the metronome flash to show the keyboard is in a standby mode. Begin playing the keyboard. The keyboard automatically begins to play the rhythm when you press any key within the first 11/2 octaves of the lower end of the keyboard (the first 18 keys from the left side of the keyboard). You can set the keyboard to play two different types of auto accompaniment using the accompaniment keys. • Concert Chord — lets you play chords on the accompaniment keys using chord formations of from one to four notes. The number of keys you press determines the type of chord that plays (see “Concert Chord” on Page 16). • Standard Fingering — lets you play chords on the accompaniment keys using standard chord formations of three or four notes (see “Standard Fingering” on Page 17). Notes: Using FILL-IN This feature lets you insert a short (1- to 2-measure) variation in the beat pattern of a selected auto-rhythm. Simply press and release SYNCHRO/ FILL-IN while the auto-rhythm is playing. The keyboard inserts a 1- to 2-measure variation, then the original rhythm automatically resumes at the end of the current measure. The 18 keys on the left side of the keyboard with note labels above them are called accompaniment keys. Melody Keyboard • After you press the auto accompaniment keys, the keyboard plays the same chord until you press other keys to play a different chord or press START/STOP. Adjusting the Accompaniment Volume USING AUTO ACCOMPANIMENT Accompaniment Keyboard • You can use the keyboard’s rhythm controls (FILL-IN and SYNCHRO) with both types of auto accompaniment. The keyboard lets you adjust the volume of your accompaniment separately from the overall volume of the keyboard. 1. Press ACCOMP VOLUME. The current accompaniment volume setting appears next to Acomp Vol. 2. Within 5 seconds, enter a number from 0 (no sound) to 9 (loudest) on the keypad. The number appears as you press the key. Operation 15 42-4042.fm Page 16 Friday, April 28, 2000 11:18 AM Or, press – or + to select the next lowest or highest accompaniment volume setting. To reset the accompaniment volume to its default value of 7, press – and + at the same time. Note: You can adjust the accompaniment volume separately for your keyboard play and prerecorded tune playback. Note: You can press any labeled note(s) to the right of the lowest note in the chord to produce a minor, a dominant seventh, or minor seventh chord. Follow these steps to start concert chord auto accompaniment. 1. Set POWER/MODE to CONCERT CHORD. Concert Chord The concert chord method lets beginning keyboard players easily select and play a chord. The number of accompaniment keys you press determines the type of chord that plays. This chart shows the chord type that plays when you press one, two, three, or four accompaniment keys at the same time. Number of Keys Pressed The lowest note you play determines the key of the chord. For example, if the lowest note is C, the keyboard plays a C chord. Chord Type 2. Enter a two-digit auto-rhythm number. 3. To start the auto-rhythm before the auto accompaniment, press START/ STOP. Or, to synchronize the start of the selected auto-rhythm with your accompaniment, press SYNCHRO/ FILL-IN. 4. Begin the accompaniment at the desired interval by pressing the desired accompaniment key(s). C DE F G ABCDE F To play a melody along with the accompaniment, press any key(s) to the right of the accompaniment keys. Major C DE F G ABCDE F Minor (m) 5. Adjust the tempo, MAIN VOLUME, and ACCOMP VOLUME to the desired levels. Dominant Seventh (7) 6. To change chords without interrupting the rhythm, simply press the auto accompaniment key(s) required to form the new chord. C DE F GABC DE F C DE F G ABCDE F 16 Minor Seventh (m7) 7. To stop auto accompaniment and the auto-rhythm, press START/STOP. Operation Standard Fingering The standard fingering method uses standard formations of three or four notes, and lets the experienced musician play a wider variety of accompaniment chords. This chart shows the 15 chord types you can play on your keyboard by using standard fingering. ( ) Notes: • You do not have to press the key marked with parentheses on the keyboard in the preceding chart to produce a 7, m7, M7, mM7, 9, or m9 chord. • This chart shows only one possible fingering position for each chord. It is possible to play a chord using several different positions. For example, the following three fingering positions produce the same C chord. Operation 17 42-4042.fm Page 18 Friday, April 28, 2000 11:18 AM • When you play an aug, 7–5, or dim7 chord, the lowest note you play determines the root of the chord. Be sure that your fingering correctly defines the root you want. Note: See “Standard Fingering Chord Charts” on Page 26 for a list of all the chords you can play on your keyboard using standard fingering accompaniment. Follow these steps to start standard fingering auto accompaniment. 1. Set POWER/MODE to FINGERED. 7. To stop auto accompaniment and the auto-rhythm, press START/STOP. USING THE CHORD BOOK You can use your keyboard’s chord book display feature to see which keys to press and which fingers to use to form a chord. You can also display the name of a chord you play. Follow these steps to use the chord book feature. 1. Set POWER/MODE to NORMAL or CONCERT CHORD, then press CHORD BOOK. 2. Select and enter an auto-rhythm. 3. To start the auto-rhythm before your auto accompaniment, press START/ STOP. 2. Press CLEAR (0) to clear any previous chord entry. Or, to synchronize the start of the selected auto-rhythm with your accompaniment, press SYNCHRO/ FILL-IN. 3. If you want to see information about a major chord while you play it, skip to Step 4. Otherwise (if the desired chord name is a minor chord), enter the chord’s name using that chord’s keys on the numeric keypad. 4. Begin the accompaniment at the desired interval by pressing at least three accompaniment keys to play the desired chord. For example, to enter a minor 7–5 chord, press m ( 8 ) 7 ( 9 ) –5 (2). Or, to enter 7sus4, press 7 (9) and sus4 (1). To play a melody along with the accompaniment, press any key(s) to the right of the accompaniment keys. 4. Press the root key on the accompaniment keyboard to play the chord. 5. Adjust the tempo, MAIN VOLUME, and ACCOMP VOLUME to the desired levels. 6. To change chords without interrupting the rhythm, simply press the auto accompaniment keys required to form the new chord. 18 Operation As the chord plays, the display shows the chord you entered, the keys to press to form the chord (on the bottom “keyboard”), the fingers you need to use to play the chord (on the center “hands”), and the notes that make up the chord (on the staff display). 42-4042.fm Page 19 Friday, April 28, 2000 11:18 AM 5. Use – or + to scroll through the chords associated with the root chord you entered in Step 3. Or, press a different root key to see the chords based on that key. Notes: • If the chord is not recognized by the keyboard, only a dash appears. • Since the keyboard automatically changes some chords so you can play them on the accompaniment keyboard, the keyboard might display some chords in inverted form. • The keyboard does not display some chords because the chords cannot be played within the accompaniment keyboard’s range. See “Standard Fingering Chord Charts” on Page 26 for more information. 6. Using the center “hands” as a guide, play the displayed chord on the keyboard. 7. You can also display the name of the chord you play on the accompaniment keyboard. Press CHORD BOOK, press CLEAR to erase any previous entry, then play the chord on the accompaniment keyboard. The name of the chord appears. 8. When you have finished, press CHORD BOOK to turn off chord book. ˆ Special Features CHANGING KEYS The keyboard automatically selects the key of middle C each time you turn it on. For added flexibility as you play, the keyboard lets you change (transpose) the musical key in which it plays. Note: You cannot change the key while a prerecorded tune is selected or playing. 1. Repeatedly press TRANSPOSE/ TUNE/MIDI until Trans and the current key setting appear. Note: The number on the display is the number of “semitones” to which the keyboard is set, compared to its default key. A semitone is a measurement that represents the acoustical interval between the tones of any two keys on the keyboard. For example, the difference between C and C or B and B is one semitone. You can transpose the key down 6 semitones (to an F ) and up 5 semitones (to an F) — a full octave. 2. Within 5 seconds, press – or + to lower or raise the key. Each time you press – or +, the number decreases or increases by 1 (semitone). As you raise the key, 1 is C , 2 is D, and so on. As you lower the key, –1 is B, –2 is B , –3 is A, and so on. Special Features 19 42-4042.fm Page 20 Friday, April 28, 2000 11:18 AM Notes: • You can also use the number keypad to quickly raise the key. Simply press the semitone change value (1 to 5). • The keyboard automatically resets the key to the default value of 0 (middle C) each time you play a prerecorded tune. • Each preset tone plays within a specified range. If a key change causes a note to exceed its range, the same note sounds in the nearest octave. • When you select preset tones 90 through 96 after changing the key, the keyboard split point changes accordingly (see “Keyboard Split Tones” on Page 13). • Changing the key does not affect the PERCUSSION (No. 99) preset tone. keyboard is currently tuned, compared to its default pitch. A cent is the measurement that represents the acoustical interval between two tones. 1200 cents equal 1 octave. You can tune the keyboard to within 50 cents (101 levels) of its default pitch. 2. Within 5 seconds, repeatedly press – or + to lower or raise the keyboard’s pitch. Each time you press the key, the number decreases or increases by 1 (cent). Notes: • You can use the number keypad to raise the pitch by entering the cent change value. • The keyboard automatically resets the tuning pitch to the default value of 00 (cents) each time you turn off the keyboard or play the prerecorded tunes. USING A SUSTAIN PEDAL TUNING THE KEYBOARD Although your keyboard never goes out of tune, it does let you adjust its pitch to match other instruments or musical recordings. Note: You cannot tune the keyboard while a prerecorded tune is displayed or playing. For added flexibility and control as you make music, you can connect an optional sustain pedal (available through your local RadioShack store). A sustain pedal lets you sustain the keyboard’s sound. To connect a sustain pedal to your keyboard, insert the plug on the pedal’s cord into SUSTAIN on the back of the keyboard. Follow these steps to tune the keyboard. 1. Repeatedly press TRANSPOSE/ TUNE/MIDI until the display shows Tune and the current pitch setting. Note: The number on the display is the number of “cents” to which the 20 Special Features 42-4042.fm Page 21 Friday, April 28, 2000 11:18 AM ˆ Using MIDI Your keyboard includes a feature called MIDI (Musical Instrument Digital Interface). MIDI is the universal standard for sending and receiving performance data between all types of electronic musical instruments, regardless of the manufacturer. Using MIDI, you can play music on your keyboard and another instrument at the same time while pressing the keys on only one, record your music to a sequencer, acquire a wider selection of preset tones from a sound module, and much more. MIDI-equipped devices communicate with each other using digital codes (instructions). One MIDI device sends digital instructions representing exactly what is being played on it. The other MIDI device receives and translates those instructions, then produces (or records) the sound exactly as it was played on the first device. Note: Connecting your keyboard to another MIDI device requires a MIDI cable (not supplied). See “Making the MIDI Connections.” MAKING THE MIDI CONNECTIONS ABOUT MIDI Every MIDI-equipped instrument has MIDI OUT and IN terminals, and some also have a MIDI THRU terminal. Each of these terminals serves a different purpose. To connect your keyboard to another MIDI-equipped device, you must use a MIDI cable (available at your local RadioShack store). Cautions: MIDI OUT sends MIDI data to (“talks to”) the other MIDI instrument(s). MIDI IN receives (“listens to”) MIDI data sent by the other MIDI instrument(s). MIDI THRU lets you connect (“network”) additional MIDI instruments, and sends along to other MIDI devices a copy of all data it receives through its MIDI IN terminal. Your keyboard has MIDI OUT and MIDI IN terminals. The cable that connects MIDI devices does not actually carry sound between them, like a speaker wire carries sound from a receiver to a speaker. Instead, • Always turn off power to your keyboard and the other MIDI device before you connect or disconnect MIDI cables. • As you make the cable connections, be sure to align the MIDI cable pins with the matching holes on your keyboard’s MIDI OUT and MIDI IN terminals. If you have trouble plugging in the cable, do not force it! You might damage the plug or the instrument. To send MIDI data from your keyboard, use a MIDI cable to connect the keyboard’s MIDI OUT terminal to the other device’s MIDI IN terminal. Using MIDI 21 42-4042.fm Page 22 Friday, April 28, 2000 11:18 AM To receive MIDI data on your keyboard, use a MIDI cable to connect the keyboard’s MIDI IN terminal to the other device’s MIDI OUT terminal. Note: You do not need to make both connections if you are only either sending or receiving. MIDI DATA Your keyboard can send and receive several different types of MIDI data. The keyboard’s tones, rhythms, and other types of MIDI data are sent automatically as you play. Notes: • The keyboard’s prerecorded tunes cannot be sent as MIDI data. • For detailed specifications of the MIDI function, see the “MIDI Implementation Chart” on Page 31. within the same range if GM tone mapping is set to N, or in the range of 0 to 127 if GM tone mapping is set to G. In the latter case, tones in the range of 100 to 127 are translated to the closest tone that the keyboard has. Pitch Bend — supplies pitch bend information. The keyboard’s pitch changes as it receives a Pitch Bend message through the MIDI IN terminal. Control Change — adds effects such as vibrato and volume changes applied during keyboard play. The message includes a control number (the effect type) and a control value (the on/off and depth of the effect). Here is the data that can be received with this keyboard and the corresponding control number. Effect Note On/Off — specifies which keys are pressed (Note On) or released (Note Off). Also includes how loud a note is played as a value from 0 to 127. Control Number Modulation 1 Volume 7 Pan 10 Hold1 (Sustain) 64 Notes: • The pitch of a note depends on the tone that is being used, as shown in the “Note Table” on Page 29. The keyboard can send Hold1 Control Change data only when you connect a sustain pedal and press it. • If the keyboard receives a “request” to play notes outside of its range (higher or lower), it automatically selects the same note in the nearest octave. CHANGING MIDI SETTINGS Program Change — specifies the tone. The keyboard sends program change data in the range of 0 to 99, corresponding to tone numbers. It receives data 22 The keyboard lets you change two MIDI parameters, Tone Map and Keyboard Channel. Keyboard Channel — sets the channel for sending MIDI data to an external device (Default: 01). The keyboard receives Using MIDI 42-4042.fm Page 23 Friday, April 28, 2000 11:18 AM MIDI data on channels 1 through 4 and 10 only. The data received on other channels are ignored. For transmission of MIDI data, you can use any of 16 channels. means that the keyboard has this feature; X means it does not have this feature. The following notes explain what the keyboard can do. 1. Repeatedly press TRANSPOSE/ TUNE/MIDI until Keybd Ch appears. Basic Channel — MIDI uses up to 16 channels to exchange data. As in a TV broadcast, different channels send different data. The keyboard can send data in any of 16 channels, but receives data only on channels 1 through 4 or 10. 2. Within 5 seconds, press – or + to select the channel you want. Tone Map —sets the range of program change values received/recognized by this keyboard. 1. Repeatedly TUNE/MIDI press until TRANSPOSE/ TonMap=N appears. 2. Within 5 seconds, press – or + to select the setting you want. N: Normal Tone Map. This setting allows receipt of 0 to 99 program changes. Each program change corresponds to one of the keyboard’s prerecorded tones. G: General MIDI Tone Map. This setting allows receipt of all 0 to 127 program changes. Any data over 100 are translated to the closest tone the keyboard has. See “Note Table” on Page 29 for details. Select G when you listen to General MIDI data from an external device. NOTES ABOUT THE MIDI IMPLEMENTATION CHART The “MIDI Implementation Chart” on Page 31 illustrates the details of the keyboard’s MIDI function. An O in the chart Mode — The chart shows that Mode 3 is OMNI OFF, POLY. This means the keyboard sends and receives polyphonic data on only one channel at a time. Note Number — This number represents each key of the keyboard. The lowest number (0) is five octaves below middle C. Since the keyboard’s lowest note is two octaves below middle C and the highest is three octaves above middle C, your keyboard can send note numbers between 36 and 96 and receive note numbers from 0 through 127. The keyboard automatically assigns any key outside its range to a key within its key range. Velocity — This number shows how fast the key was pressed, or how loud the note should sound. Pianissimo (1) is the lowest velocity, Fortissimo (127) is the loudest. A zero (0) means the key is released. Your keyboard can send volume level 75 or 100, and receive all volume levels from 0 through 127. 9n — This means that the Note On message is 9 hexadecimal, and n is the channel number. Pitch Bender — The keyboard receives (but cannot send) pitch bending signals. Using MIDI 23 42-4042.fm Page 24 Friday, April 28, 2000 11:18 AM Control Change — This feature sends data on various controllers, each having its own number. For the details of each parameter, see “MIDI Data” on Page 22. Program Change — This feature changes the preset sounds. Each sound number corresponds to a program number between 0 and 127. For more information, see “MIDI Data” on Page 22. ˆ Troubleshooting If your keyboard is not performing as it should, these suggestions might help. If you still cannot solve the problem, take the keyboard to your local RadioShack store for assistance. Trouble No sound, even if keys are pressed. No sound when connected to an external amplifier. The key or tuning does not match when playing along with another MIDI instrument. 24 Possible Cause Remedy The keyboard has turned off automatically. Set POWER/MODE to OFF then ON again. Volume is turned down. Repeatedly press MAIN VOLUME ▲ to increase the volume. Headphones are connected. Disconnect headphones. Power supply problem. Check the power supply. Are battery symbols (+/–) facing correctly? Are the batteries fresh? Is the AC or DC adapter connected properly? You are pressing too few accompaniment keys while POWER/MODE is set to FINGERED. Set POWER/MODE to NORMAL or CONCERT CHORD. Volume is turned down. Repeatedly press MAIN VOLUME ▲ to increase the volume. Defective connection cord. Replace the connection cord. The tuning or transpose parameter is set to a value other than 0 or 00. Set the tuning or transpose to 0 or 00. Troubleshooting Press 3 or 4 keys to form a chord while POWER/MODE is set to FINGERED. 42-4042.fm Page 25 Friday, April 28, 2000 11:18 AM Trouble Possible Cause Remedy No sound when receiving and playing MIDI data. MIDI cables are not connected properly. Check the connection. Bass notes in General MIDI data are sent out one octave lower. Tone map parameter is set to N. Set the tone map parameter to G (see “Changing MIDI Settings” on Page 22). Sounds sent to another MIDI device by the keyboard do not sound correct. The other device’s MIDI THRU function is turned on. Turn off the MIDI THRU function on the other device. Troubleshooting 25 ˆ Standard Fingering Chord Charts These tables show the left-hand fingering for the chords you play most often. This illustration shows which fingers on your left hand match the numbers on the charts. The illustration also appears on your keyboard’s display. Note: You cannot play chords marked with an asterisk (*) in the fingered mode on this keyboard. 26 Standard Fingering Chord Charts 42-4042.fm Page 27 Friday, April 28, 2000 11:18 AM Standard Fingering Chord Charts 27 28 Standard Fingering Chord Charts ˆ Note Table Legend: (1) Tone number (2) Maximum polyphony (3) Range type (see Page 30) (4) Corresponding general MIDI number (see “MIDI Data” on Page 22) Note Table 29 Legend: Range of keyboard play Playable range (when receiving MIDI data) Range transposed to nearest octave (when receiving MIDI data or using the keyboard’s transpose function) (1) The received MIDI data is played one octave lower (2) The received MIDI data is played one octave higher 30 Note Table 42-4042.fm Page 31 Friday, April 28, 2000 11:18 AM ˆ MIDI Implementation Chart FUNCTION TRANSMITTED RECOGNIZED REMARKS Basic Channel Default Changed 1 1–16 1–4, 10 1–4, 10 Mode Default Messages Altered Mode 3 X Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊ ❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 36–96 0–127 36–96 *1 *1 Depends on tone *2: V(Velocity)=100 when note on date when the main volume value of this unit is 9 to 2, and V=75 when the main volume value is 1 or 0. *3 no relation Note Number: True voice ❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Velocity Note ON Note OFF O 9nH v=75,100*2 X 9nH v=0 O 9nH v=1–127 X 9nH v=0, 8nH v=*3 After Touch Keys Channels X X X X Pitch Bender X O Control Change 1 6, 38 7 10 11 64 100, 101 120 121 X X X X X O X X X O X O O X O X X X Modulation Data entry Volume Pan Expression Hold1 RPN LSB, MSB All sound off Reset all controller O 0–99 O 0–127*4 *4: True # ❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊ ❊❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Program Change: MIDI Implementation Chart Depends on GM Tone Map setting When set to N, only the 100 normal list tones from 0 to 99 are received. When set to G, tone numbers 0 to 127 are received. Those that most closely match the 100 prerecorded tones of this keyboard are mapped to the applicable tone numbers (0 to 99) 31 42-4042.fm Page 32 Friday, April 28, 2000 11:18 AM FUNCTION System Exclusive TRANSMITTED RECOGNIZED X X X X X X X X System Real Time : Clock X : Commands X X X Aux : Local ON/ OFF : All notes OFF : Active Sense : Reset X X X X System : Song Pos Common : Song Sel : Tune Messages X X X X REMARKS Mode 1: OMNI ON, POLYMode 3: OMNI OFF, POLYO: Yes Mode 2: OMNI ON, MONOMode 4: OMNI OFF, MONOX: No ˆ Care and Maintenance Your RadioShack MIDI Keyboard is an example of superior design and craftsmanship. The following suggestions will help you care for your keyboard so you can enjoy it for years. Keep the keyboard dry. If it gets wet, wipe it dry immediately. Liquids might contain minerals that can corrode the electronic circuits. Use and store the keyboard only in normal temperature environments. Temperature extremes can shorten the life of electronic devices, damage batteries, and distort or melt plastic parts. Keep the keyboard away from dust and dirt, which can cause premature wear of parts. Handle the keyboard gently and carefully. Dropping it can damage circuit boards and cases and can cause the keyboard to work improperly. 32 Care and Maintenance 42-4042.fm Page 33 Friday, April 28, 2000 11:18 AM Use only fresh batteries of the required size and recommended type. Batteries can leak chemicals that damage your keyboard’s electronic parts. Wipe the keyboard with a damp cloth occasionally to keep it looking new. Do not use harsh chemicals, cleaning solvents, or strong detergents to clean the keyboard. Modifying or tampering with the keyboard’s internal components can cause a malfunction and might invalidate its warranty and void your FCC authorization to operate it. If your keyboard is not performing as it should, take it to your local RadioShack store for assistance. ˆ Specifications Number of Keys ..................................................................................................................... 61 Polyphonic Sound .............................................................................................. 12-note (Max.) Preset Tones ....................................................................................................................... 100 Auto-Rhythms ...................................................................................................................... 100 Tempo ...................................................................... Adjustable (20–255 Beats Per Minute) Other .............................................................................................. Fill-in and Synchro Start Accompaniments ................................................................................ Concert Chord, Fingered Prerecorded Tunes .................................................................................................... 100 Tunes Transpose ................................................................................................ (F ~C~F: half-notes) Tuning ................................................................................. Adjustable A4 = 440 Hz ±50 cents Built-In Speakers ......................................................... 43/4 Inch (12 cm) × 2 (Output 2W + 2W) Terminals: Power Supply .................................................................................................... DC 9V Jack PHONES/OUTPUT Jack ........................................................ Output Impedance: 78 Ohms Output Voltage: 4V (RMS) MAX MIDI IN, OUT SUSTAIN 1/4-Inch Standard Jack Power Sources ............................................................................................. DC: 6 AA batteries AC: 120V, 60Hz, with AC adapter Vehicle Battery: 9V with DC adapter Power Consumption ......................................................................................................... 7.7 W Specifications 33 42-4042.fm Page 34 Friday, April 28, 2000 11:18 AM Dimensions (HWD) ...................................................................... 4 /4 × 3617/32 × 1215/16 Inches (108 × 929 × 329 mm) 1 Weight (Without Batteries) .......................................................................................... 8 lb 14 oz (4 kg) Included Accessories ................................................................................... Sheet Music Stand Play Guide for the Prerecorded Tunes Specifications are typical; individual units might vary. Specifications are subject to change and improvement without notice. 34 Specifications 42-4042.fm Page 35 Friday, April 28, 2000 11:18 AM ˆ Notes Notes 35 42-4042.fm Page 36 Friday, April 28, 2000 11:18 AM Limited One-Year Warranty This product is warranted by RadioShack against manufacturing defects in material and workmanship under normal use for one (1) year from the date of purchase from RadioShack company-owned stores and authorized RadioShack franchisees and dealers. EXCEPT AS PROVIDED HEREIN, RadioShack MAKES NO EXPRESS WARRANTIES AND ANY IMPLIED WARRANTIES, INCLUDING THOSE OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE DURATION OF THE WRITTEN LIMITED WARRANTIES CONTAINED HEREIN. EXCEPT AS PROVIDED HEREIN, RadioShack SHALL HAVE NO LIABILITY OR RESPONSIBILITY TO CUSTOMER OR ANY OTHER PERSON OR ENTITY WITH RESPECT TO ANY LIABILITY, LOSS OR DAMAGE CAUSED DIRECTLY OR INDIRECTLY BY USE OR PERFORMANCE OF THE PRODUCT OR ARISING OUT OF ANY BREACH OF THIS WARRANTY, INCLUDING, BUT NOT LIMITED TO, ANY DAMAGES RESULTING FROM INCONVENIENCE, LOSS OF TIME, DATA, PROPERTY, REVENUE, OR PROFIT OR ANY INDIRECT, SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, EVEN IF RadioShack HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. Some states do not allow limitations on how long an implied warranty lasts or the exclusion or limitation of incidental or consequential damages, so the above limitations or exclusions may not apply to you. In the event of a product defect during the warranty period, take the product and the RadioShack sales receipt as proof of purchase date to any RadioShack store. RadioShack will, at its option, unless otherwise provided by law: (a) correct the defect by product repair without charge for parts and labor; (b) replace the product with one of the same or similar design; or (c) refund the purchase price. All replaced parts and products, and products on which a refund is made, become the property of RadioShack. New or reconditioned parts and products may be used in the performance of warranty service. Repaired or replaced parts and products are warranted for the remainder of the original warranty period. You will be charged for repair or replacement of the product made after the expiration of the warranty period. This warranty does not cover: (a) damage or failure caused by or attributable to acts of God, abuse, accident, misuse, improper or abnormal usage, failure to follow instructions, improper installation or maintenance, alteration, lightning or other incidence of excess voltage or current; (b) any repairs other than those provided by a RadioShack Authorized Service Facility; (c) consumables such as fuses or batteries; (d) cosmetic damage; (e) transportation, shipping or insurance costs; or (f) costs of product removal, installation, set-up service adjustment or reinstallation. This warranty gives you specific legal rights, and you may also have other rights which vary from state to state. RadioShack Customer Relations, 200 Taylor Street, 6th Floor, Fort Worth, TX 76102 We Service What We Sell MD981E-1 RadioShack A Division of Tandy Corporation Fort Worth, Texas 76102 12/99 42-4042 MA0005-A 04A00 Printed in Malaysia
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