Roland Handsonic 10 Users Manual HPD 10_e

Roland Corporation HPD-10 Owner's Manual hpd-10_om Roland Corporation - HPD-10 - Owner's Manual

handsonic10 cbb35943-80da-4207-9746-fa6b1e3b09d4 Roland Musical Instrument HandSonic 10 User Guide |

Roland Corporation HPD-10 Owner's Manual hpd-10_om Roland Corporation - HPD-10 - Owner's Manual

2015-02-02

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04129645 ’06-04-2N

HPD-10_e1.book 1 ページ 2006年4月7日 金曜日 午後2時14分

Audio Cable
Monitor Amplifier
PM-10

Cable
PCS-31L

Pad Stand
PDS-10

Kick Trigger Unit
KD-7
Bass Drum Pedal

Foot Switch
FS-5U

HPD-10_e1.book 2 ページ 2006年4月7日 金曜日 午後2時14分

Contents
L-R EXCHANGE .......................................... 23

Features ...................................................... 3

UNDO .................................................... 23
Setup....................................................... 24

Demo Songs ...............................................3

METRONOME ........................................... 24
AMBIENCE................................................ 24
SYSTEM .................................................... 24
D BEAM .................................................... 25
Pad Settings (PAD) ...................................... 25
External Trigger Settings (EXT TRIG) .............. 26
Foot Switch Functions ............................ 26
MIDI ......................................................... 27
BULK DUMP ............................................... 27
FACTORY RESET ........................................ 27

Panel Descriptions ....................................... 4
Top Panel...................................................4
Display ......................................................5
Rear Panel..................................................6

Getting Familiar........................................... 7
Basic Operations ........................................7
Preset Kit Buttons .....................................7
Instrument View Mode ..............................7
Positional Sensing ....................................7
D BEAM .................................................8
Ambience ...............................................8
Effects ....................................................8
Control Knob ..........................................8

Short Cuts ................................................ 28
Favorite Kit Jump Function............................ 28

Appendices

Basic Editing...............................................9
Assigning a Sound to a Pad............................9
PRESSURE...................................................11
EFFECTS (Basic)...........................................12
Naming a Kit ..............................................12

D BEAM...................................................13
METRONOME (STYLE GUIDE) ....................14
Tempo........................................................14
Volume.......................................................14
Tempo Change ...........................................15

METRONOME (NORMAL) .........................15
Tempo........................................................15
Beat (Time Signature) ...................................15
Rhythm .......................................................15
Metronome Sound .......................................16
Volume.......................................................16

COACH MODE ........................................17
Quiet Count ................................................17
Rhythm Check .............................................18
Time Check.................................................18
Pad Follow..................................................19
Auto Up/Down ...........................................20
Tap Tempo .................................................20

Advanced Edit ........................................... 21
ROLL........................................................21
EFFECTS ..................................................21
KIT Parameters ..........................................22
KIT Volume .................................................22
MIDI ..........................................................22

TOOLS.....................................................23
KIT COPY ...................................................23
Restoring an Individual Kit to the
Factory Settings ..................................... 23
KIT EXCHANGE ..........................................23
KIT CLEAR ..................................................23
PAD COPY .................................................23
PAD EXCHANGE ........................................23
PAD CLEAR.................................................23

2

Error Messages/Troubleshooting ................29
Effects List..................................................30
Instrument List............................................34
Kit List .......................................................36
Style Guide Metronome Pattern List ............37
Glossary....................................................38
Interface Profile .........................................40
MIDI Implementation Chart.........................42
Specifications.............................................43
Attaching the HandSonic 10 to the Stand
(optional)...................................................44
Index ........................................................45
MEMO.......................................................47
USING THE UNIT SAFELY............................48
IMPORTANT NOTES ...................................50
201a

Before using the HandSonic 10, please read the
sections, “USING THE UNIT SAFELY” (p. 48) and
“IMPORTANT NOTES” (p. 50). They provide
important information concerning proper
operations of the HandSonic 10. This Owner’s
manual should be read in its entirety in order for
you to understand all features and operations. Keep
the manual on hand for reference purposes.
202

Copyright © 2006 ROLAND CORPORATION
All rights reserved. No part of this publication may be
reproduced in any form without the written permission of
ROLAND CORPORATION.

HPD-10_e1.book 3 ページ 2006年4月7日 金曜日 午後2時14分

Features
410 Sounds

Play With External Audio Sources

Sound selection is made easy thanks to sound category Groups
or Alphabetical listing.

The mix in allows one to connect external audio sources, ideal
for playing along with CDs or for connecting external sound
modules.

Specially Selected Effects
Ambience (5 Types) and a choice from on-board Multi Effects
(20 types) can be used at the same time.

Friendly Interface
The large, custom LCD lets you easily view various functions
and information. The panel buttons and the friendly interface
make modifying a kit a very simple process. The Control knob
gives you instant editing access. The Preset Kit buttons give you
quick access to 5 specially selected kits and 5 of your favorite
kits.

Pads and Expandability
10 velocity sensitive and pressure reactive pads. 2 of these
pads also feature positional sensing. The D Beam can be used
for triggering and controlling sounds and effects. The stereo
input for external triggers lets you have a choice to use optional
kick triggers, a head/rim capable pad, cymbal pads or foot
switches (with multi-functions possible).

For Improving Techniques
In addition to normal metronome functions, the HandSonic 10
includes a unique Style Guide Metronome, featuring a wide
range of rhythmical categories; perfect for learning, practicing
and performing.
The Coach Mode's functions include Time Check, Rhythm
Check and Pad Follow. These exercises will challenge you and
help you to improve your technique.

Set Up & Portability
Lightweight and compact, the HandSonic 10 mounts easily on
the optional PDS-10 stand, (recommended) or on a cymbal
stand when using the APC-33.

This Manual
This manual should be read carefully as it will not only explain
WHAT is possible, but will guide you in a friendly way so you
can understand HOW to use the on-board sounds, functions
and the potential of the incorporated technology.

Demo Songs
To hear some of the HandSonic 10’s possibilities, we have incorporated 5 different demo songs.

KIT Button

Value Buttons
Preset KIT Buttons

1. Press the [CONGA] button (or any of the 5 Preset Kit buttons) and hold it down for 2 seconds.
The demo song will start to play.
If you press the [CONGA] button again, the demo song will re-start from the beginning.
If you press any of the other Preset Kit buttons, the demo songs assigned to those will play.
You can also use the [+]/[-] buttons to change songs.

2. To stop the demo, press [KIT] button.
While the demo song is playing, all pads are disabled. Also, the kit being played in the demo song may not
be the same as indicated by the button name.
982

* No data for the music that is played will be output from MIDI OUT.

3

HPD-10_e1.book 4 ページ 2006年4月7日 金曜日 午後2時14分

Panel Descriptions
Top Panel
fig.0-01.e

EDIT Button
D BEAM Button

KIT Button
Main play page return function
[SHIFT] + this button for UNDO function
See p. 23

On/Off LED is lit when ON.
See p. 8, 13

Access to all EDIT parameters
[SHIFT] + this button for SETUP parameters
See p. 9–13

VOLUME Knob

D BEAM Controller

Master Volume control

COACH Button
Coach Mode access
LED is lit when in use.
See p. 17

CURSORS
For moving through
edit pages

(METRONOME)
Button
Start & Stop function
Blinks in tempo
[SHIFT] + this button
for TEMPO setting
See p. 14

Control Knob
Multi-function, push & turn
easy editing knob
See p. 8

EFFECT Button
On/Off
LED is lit when ON.
[SHIFT] + this button for AMBIENCE ON/OFF
See p. 8, 12

+/- Value Button
For changing kits, or for
modifying parameters

SHIFT Button

PRESET KIT Buttons [1]–[5]
Preset kit instant access
Demo Song access (hold down for 2 seconds)
User programable functions
See p. 3, 7, 28

In combination with other buttons,
provides short cut access to many
functions

Pad
Strike to produce a sound or
press to control the tone

4

HPD-10_e1.book 5 ページ 2006年4月7日 金曜日 午後2時14分

Panel Descriptions

Display
Kit names, instrument names, parameter names and
messages appear here.
Appears during instrument
selection when instrument
sorting is set to alphabetical order.

Page direction indicators
during edit modes
Appears when
AMBIENCE is on.

Kit numbers and Tempo appears here when in COACH Mode
These individual indications appear during EDIT mode showing the
respective status:
HH CTRL appears, indicating Hi Hat sounds that work
with the Hi Hat control function of an optional foot switch
MUTE or MUTE SW appears, indicating sounds that react
with the Rx MUTE pressure control
POSITION appears, indicating sounds that react to positional
sensing (Pad M1, M5 only)
NOTE OFF appears, indicating sounds that react to Gate Time settings

In COACH mode, the current
function appears in this menu.

Velocity level, and various parameter
status indications appear here.

Various information status indicators
relative to the pad currently being edited
Pad/D BEAM/External trigger status
indicators during EDIT mode

Current Instrument Group
name is highlighted here.
These appear for confirming execution of
functions like Copy, Exchange etc.

5

HPD-10_e1.book 6 ページ 2006年4月7日 金曜日 午後2時14分

Panel Descriptions

Rear Panel
fig.0-02.e

EXT TRIG / FOOT SW Jack
For connecting external pads, kick triggers
or foot switches (FS-5U/DP-2)

MIX IN Jack (STEREO)

MIDI Connectors (IN, OUT)

For connecting external audio sources. Sound input here
goes to the output jacks and headphone jack.

OUT: For playing external modules
from the HandSonic 10
For saving data
IN: For using the HandSonic 10 as
a sound module
For loading data

OUTPUT Jacks
For connecting to amplifiers, recording equipment.
When using in MONO, use only the L (MONO) jack.

AC Adaptor Jack

PHONES Jack

For connecting the included
AC adaptor

Connect stereo headphones.
Even if headphones are connected,
sound will still be output from the
OUTPUT jacks.

POWER Switch
Turns power on or off.

Headphones

Cord hook

AC adaptor
L

Audio cable
Cable
PCS-31L

R

Audio cable

Monitor Amplifier, etc.

Dual-Trigger
Cymbal Pad
CY-8

921

924

Foot Switch
FS-5U

Kick trigger unit, External pad, etc.

Kick Trigger Unit
KD-7

Portable music player, etc.

*

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the
power on all devices before making any connections.

*

Anchor the power cord, using the cord hook (see diagram). This prevents the plug from being pulled out accidently, and
reduces stress to the jack itself.

926a

*

6

Dual-Trigger Pad
PD-8

When connection cables with resistors are used, the volume of equipment connected to the inputs (MIX IN) may be low.
If this happens, use connection cables that do not contain resistors.

HPD-10_e1.book 7 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar
Turning the Power On/Off
941, 942

Make sure the volume controls on the HandSonic 10, and any connected devices are set to “0.” Then turn
on the device connected to the MIX IN Jack. Turn on the HandSonic 10’s power switch. As there is a built-in
protection circuit, it will take a few seconds before you see the kit name appear in the display. Until that
time, Do NOT touch any pad, or use the D BEAM. Turn on the device connected to the output jacks. Then
adjust the respective volume settings.
When turning the HandSonic off, turn down all respective volumes before turning off the power.

Basic Operations
Preset Kit Buttons

CURSOR

KIT Button

+/- Buttons
Preset KIT Buttons
SHIFT Button

The 5 Preset kit Buttons, [1]–[5], will take you to the indicated kits. These 5 kits can NOT be modified, as
they are separate from the 64 user kits. Using the [+]/[-] buttons will let you scroll only through those 5 kits.
To return to the user kits, press [KIT]. However, when used in combination with the [SHIFT] button, they can
be used to quickly jump to your own pre-determined selection. How to make settings for this function will be
explained further on. We’ll use a few of these kits to help you get to know the HandSonic.

Instrument View Mode
There is a way to call up the name of the sounds being played without
using the EDIT function. While in Kit mode, press the [ ] cursor once.
Then when you play any pad you can see the instrument name in the
display.

Positional Sensing
Press the [CONGA] kit button (#1). Play the 2 larger pads starting
near the center, and as you move towards the edge, play a bit
harder, and you will hear what the positional sensing function does.
Slap the edge. This works on specific sounds only. (More about that
is explained later.)

center
M1

M5
edge

7

HPD-10_e1.book 8 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

D BEAM Controller
D BEAM Button

KIT Buton

Control Knob

Preset KIT Buttons
EFFECT Button

SHIFT Button

D BEAM
Now pass your hand over the D Beam. Here you are simply triggering a sound with it.
Make sure the [D BEAM] button is lit.

Ambience
Next, while holding down the [SHIFT] button, press the [EFFECT] button. This is how you turn the Ambience
on or off, and you will see the indication in the display.

Effects
Press the [SFX] kit button (#5). Play the pads and D Beam. Press the [EFFECT] button to hear the difference.

Control Knob
TUNING:

MUFFLING:
EFFECT:

Press the [STEEL DRUM] kit button (#3). Now, push the Control Knob, LED
next to TUNING will light. Tap any pad, and turn the control knob. This is
a quick way to tune the sounds.
Press the Control Knob and the LED next to MUFFLING will light. Tap any
pad and turn the Control knob.
Press the Control knob and the LED next to EFFECT will light. Tap any pad
and turn the Control knob. In this case, you are changing a parameter in
the Effects assigned to this kit.

* If you make any of the above adjustments while in a User Kit (1–64), those changes will be written. You
can undo them however. (see page 23)

Press the [KIT] button and try out some of the 64 user kits.

8

HPD-10_e1.book 9 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

Basic Editing
In order to understand the possibilities of the various editing functions, there are a few basic points you must
take into consideration. These will help save you time, and avoid frustration whether this is your first
electronic musical instrument or not. Any changes you make are automatically registered as there is no
“write” function. Taking that into consideration, we recommend that you explore the editing process first by
using one of the 5 preset kits shown here. The reason we suggest this is because these kits are pre-set. You
can edit them temporarily, but once you change the kit, they automatically return to their factory settings.
D BEAM Button

EDIT Button

S3
S2
S1

S4

M2

M4

S5

M3

CURSOR

M1

M5

+/- Buttons
CONGA Button
KIT Button

SHIFT Button

Pad references used in this manual
Control Knob

Assigning a Sound to a Pad
1. Push the [CONGA] button.
2. Press [EDIT], and you will see  in the display.
3. Press the [ ] cursor and here you will see the sound assigned to
any pad you touch (or D Beam, optional external pad/foot
switch).
The D Beam button must be lit in order for it to function.
* Remember that during the EDIT mode, the [EDIT] button will blink. Also, the pad you are editing will be
highlighted in the display.

4. Let’s work with just one pad for the moment. Tap pad M5.
To change the sound you have a few choices:
• You can use the [+]/[-] buttons, or the Control knob.
• Or press [SHIFT], and while holding it down, press the [+]/[-] buttons. You can jump between instrument
groups, as shown in the display. Try this once to see what happens, and watch the display to see the
instrument group names change.

9

HPD-10_e1.book 10 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

Tuning
1. Press [KIT](*1), then press [CONGA], then [EDIT] and you see
. Press the [
name.

] cursor and you will see the instrument

*1: This is only to reset this kit to the factory settings and ONLY for this basic functions explanation.

2. Now press the [

] once, you will see  in the display.

Now you can use the [+]/[-] buttons or the Control knob to change the pitch.

Muffling
3. Push the [

] again, and you will see  in the display.

While tapping one of the pads, use the [+]/[-] buttons or the Control knob, and you will not only hear what
is happening to the sound, but the Value meter on the right hand side of the display will indicate how much
muffling is being applied, as well as the numerical values in the display.
If you want to apply the same amount of muffling to all sounds in the kit, while holding down the [SHIFT]
button press the CONTROL knob.
The display shows .
This function will work with all of the pad specific parameters.

Volume
4. Press the [

] again and you will see:

This sets the level of the sound for each pad.

Pan
5. Press the [ ] again, and here you can adjust the position in the
stereo field of the sound for each pad.

Exiting the Edit Mode
6. Press [EDIT], extinguishing its indicator.

10

HPD-10_e1.book 11 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

PRESSURE
1. Press [KIT], then press [CONGA], then [EDIT], so you see  in
the display again.
2. Press the [
display.

] cursor once and you will see  in the

3. Press the [

], and you will see  (this means “transmit pressure control”).

4. Play the large left pad and you will see  in the display.
5. Press the [ ] once again, and you will see  (receive
mute control) in the display.
6. Play the right pad once. Now, place your left hand on the left pad, while playing the right pad. If
you don’t hear a difference in the sound of the right pad, press a little harder on the left pad.
You will hear how the pressure placed on one pad can mute the sound of another, very useful when playing
congas or bongos etc. This is an example of the “mute” function, and demonstrates pad interactivity and
control. The [+]/[-] buttons or Control knob can be used for on/off switching.

7. Now play the right pad once, and use the [+]/[-] button or Control knob to turn “Rx Mute” to
“OFF.”
8. Press the [

] again and you will see  (receive pitch control) in the display.

Hit the right pad once, and use the [+]/[-] buttons or the Control knob change the pitch-change amount. Set
this as you wish. Then while playing the right pad, place your left hand on the left pad, and apply pressure.
Now you can hear how one pad can control the pitch of another with pressure.
fig.0-03.e

11

HPD-10_e1.book 12 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

EFFECTS (Basic)

EDIT Button

CURSOR

KIT Button

STEEL DRUM Button
EFFECT Button

1. Press [KIT], then press [STEEL DRUM], then [EDIT], so you see
 in the display again.
2. Press the [

] cursor until you see  in the display.

Verify that the [EFFECT] button is also lit.

3. Press the [

] and you will see  in the display.

Here is where you can change the effect being used. More about effects will be explained on page 21 and 30.

Short Cut Access to Effects Editing
While holding down the [EDIT] button, press [EFFECT].

Naming a Kit
1. Press [KIT], then press [STEEL DRUM], then [EDIT] so you see
 in the display again.
2. Press the [

] cursor until you see  in the display.

3. Press the [

], and you will see .

4. Press the [

] again and you will see:

5. Use the [+]/[-] buttons or Control knob to change the name as you desire.
Use the [

12

] or [

] to move between the letters.

HPD-10_e1.book 13 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

D BEAM
The D Beam functions not only for triggering sounds, but for controlling them as well.
During this explanation, make sure the [EFFECT] button is NOT lit. (OFF)

D BEAM Button

EDIT Button

CURSOR

Control Knob

DRUMS Button
EFFECT Button

1. As an example, push the [DRUMS] button.
2. Make sure the [D BEAM] button is lit, and pass your hand over the D Beam.
In this case the D Beam is just triggering the sound assigned there.

3. Next, push the [EDIT] button, and press the [

] cursor once.

You see  in the screen.

4.

Push the [ ], and in the display you see  (transmit) and
. Use the [+] button to turn it “ON.”

5. Now push the [
display.

] twice and you will see  in the

Here you can adjust the pitch bending range you will control with the D Beam.
Use the [+]/[-] buttons or the Control knob, and set it to -1200.
When using the [+]/[-] buttons for data entry, by holding down [SHIFT] and then pressing either of the
buttons, the increments/decrements move much quicker.
Or just turn the Control knob quickly to the left, to get to the -1200 position.

6. Now pass your hand over the D Beam quickly and at close
range, and you will hear the sound bend.
7. Then move your hand over the D Beam, and once the sound is
heard, move your hand up and down, to hear how you are
controlling the sound.
8. Try this:
While you can still see  -1200 in the display, tap once the
large pad on the left and set this also to -1200. Now, while tapping the
pad with your left hand, place your right hand above the D Beam, and
then slowly lower your hand. Here you can see how the D Beam can
control the pitch of sounds assigned to other pads.
* Remember, the D Beam is sensitive to the light in the space where
you are playing it. See p. 25 for adjustments to the D Beam.
*Actual infrared beam is invisible.

13

HPD-10_e1.book 14 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

METRONOME (STYLE GUIDE)
STYLE GUIDE Metronome patterns include 86 variations and are not only fun to play along with, but can
help you learn different rhythms and styles.
(All adjustments to settings can be made with the [+]/[-] buttons or the Control Knob.)

EDIT Button
METRONOME
Button

CURSOR

SHIFT Button

Control Knob

1. Press the [

] button to start.

2. While holding down the [SHIFT] button, press [EDIT] and you will
see  in the display.
3. Press the [

] cursor you will see:

There are two choices here, NORMAL and STYLE GUIDE. NORMAL will be explained further on, so keep
the setting at STYLE GUIDE.
* IMPORTANT: When the TYPE is set to STYLE GUIDE, all uses of the metronome will use the currently
selected pattern, even when using the COACH function (except for RHYTHM CHECK and PAD
FOLLOW). See page 17.

4. Press the [

] and you will see the current pattern in the display.

Use the [+]/[-] buttons or the Control knob to make a selection.

Tempo
5. Press the [ ] once, and here you can set the TEMPO.
(Range = 40–200 BPM)

Volume
6. Press the [

] again, and you’ll see:

The volume range is 0–10.

14

HPD-10_e1.book 15 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

Tempo Change
7. Press the [

] until you see:

Style Guide patterns have their own tempo settings.
If Tempo Change is set to OFF, then those tempos will be ignored, and all Style Guide patterns will play at
the Metronome’s tempo setting.
If Tempo Change is set to AUTO, then, in general, each time you change a pattern the tempo will change as
well.
* Depending on the pattern chosen and the kit you are playing, you may notice sounds drop out, or mute.

METRONOME (NORMAL)
1. Press the [

] button to start.

2. While holding down the [SHIFT] button, press [EDIT] and you will
see  in the display.
3. Press the [ ] cursor and you will see  in the display.
Change this to NORMAL.

Tempo
4. Press the [ ] once, and here you can set the TEMPO.
(Range = 40–200 BPM)

Beat (Time Signature)
5. Press the [

] again, and here you see  in the display.

The possibilities are from 0 beats to 9 beats per measure.

Rhythm
6. Press the [

] again, and here you see  in the display.

The choices include
 (eighth notes),

 (whole notes),

 (half notes),

3 (eighth-note triplets) and

 (quarter notes),

3 (quarter-note triplets),

 (sixteenth notes).

Should you need to practice in tempos higher than 200 BPM, changing the Rhythm to eighth-notes and the
Beat to 0 can be helpful.

15

HPD-10_e1.book 16 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

Metronome Sound
7. Press the [

] again, and you’ll see:

You have 12 different types of sounds to use as a metronome sound.

Metronome Sound List
No.
01:
02:
03:
04:
05:
06:

Sound
ELECTRONIC
OLD STYLE
PULSE
BEEP
SWEEP
ZAPP

No.
07:
08:
09:
10:
11:
12:

Sound
STICKS
COWBELL
CLAVES
WOODBLOCK
TRIANGLE
SHAKER

Volume
8. Press the [

] again, and you’ll see:

The volume range is 0–10. (Some of the metronome sounds are rich in high frequencies, so please be
careful with this level setting, especially if you are using headphones.)

Short Cut Access
Metronome Parameters
While holding down the [EDIT] button, press the [

] button.

If the TYPE selected is STYLE GUIDE, then this will immediately take you to the STYLE GUIDE pattern
select page.
If the TYPE is NORMAL, then this will take you to the TYPE select page.

Metronome Tempo
While holding down the [SHIFT] button, press the [

16

] button.

HPD-10_e1.book 17 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

COACH MODE

COACH Button
METRONOME
Button

CURSOR

Here you will find 6 different functions, all designed to challenge and
help you improve your timing, rhythmical sense, stamina and make
you more comfortable with the pad positions. When entering this
mode, you will also see which function you are using appear in the
left side of the display. We advise to check each function as
explained here first, before make any adjustments to the factory
settings. This way you will have a good grasp of the possibilities.

Quiet Count
1. Press the [COACH] button and you see  in the
display.
2. Press the [

] button now to see what it does.

3. Press it again to stop.
4. Press the [

] cursor and you see:

5. Press the [

], and here you will see:

This means that in a four measure pattern, there will be a one measure
break on the 4th measure.
If you set “QUIET” to “2” then it means the last two measures are the break.
Depending on your metronome setting for TYPE, you can use this function with the NORMAL metronome
function or with the STYLE GUIDE.

Setting Possibilities:
Measures
Quiet

From 2 to 16 measures.
From RANDOM and 0.5 to 4 measures.

Depending on the amount of MEASURES chosen, the QUIET possibilities will differ. RANDOM means the
COACH will change the break lengths in a random way.

6. If you push the [

] one more time, you can set the tempo.

17

HPD-10_e1.book 18 ページ 2006年4月7日 金曜日 午後2時14分

Getting Familiar

Rhythm Check
* This function uses the sound assigned to the large right pad (M5) in the current kit. Be sure there is a
sound assigned there or that the volume of that sound is not too low.

1. Press the [COACH] button and use the [ ] or [
you see  in the display.
2. Press the [

] cursors until

] button now to see what it does.

Within the 2 measure count in, you will see  appear and then
.
The idea here is to simply copy the rhythm you hear.
When you play/copy the rhythm correctly,  will appear and the Coach will advance to another
pattern.
If you make a mistake, you will see  in the display until you get it right.
It does not make any difference which pad you play during this exercise.
So if you have optional foot switches or kick triggers connected, you can use them for training your foot
timing as well.

3. Press the [
4. Press the [

] button again to stop.
] and you see:

There are 5 Grade levels. 1 is the simplest, and 5 is the most difficult.

5. Press the [

] again and you will see:

6. Push the [

] until you see . Adjust as needed.

7. Push the [

] until you see . Adjust as needed.

8. Push the [

] until you see . Adjust as needed.

Time Check
1. Press the [COACH] button and use the [
you see 

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