Roland Handsonic 10 Users Manual HPD 10_e

Roland Corporation HPD-10 Owner's Manual hpd-10_om Roland Corporation - HPD-10 - Owner's Manual

handsonic10 cbb35943-80da-4207-9746-fa6b1e3b09d4 Roland Musical Instrument HandSonic 10 User Guide |

Roland Corporation HPD-10 Owner's Manual hpd-10_om Roland Corporation - HPD-10 - Owner's Manual

: Roland Roland-Handsonic-10-Users-Manual-444135 roland-handsonic-10-users-manual-444135 roland pdf

Open the PDF directly: View PDF .
Page Count: 56

04129645 ’06-04-2N

* 04129645 - 02*

Cable

PCS-31L

Audio Cable

Foot Switch

FS-5U

Pad Stand

PDS-10

Bass Drum Pedal

Kick Trigger Unit

KD-7

Monitor Amplifier

PM-10

HPD-10_e1.book 1 ページ ２００６年４月７日　金曜日　午後２時１４分

2

Contents

Features ......................................................3

Demo Songs ...............................................3

Panel Descriptions .......................................4

Top Panel...................................................4

Display ......................................................5

Rear Panel..................................................6

Getting Familiar...........................................7

Basic Operations ........................................7

Preset Kit Buttons .....................................7

Instrument View Mode ..............................7

Positional Sensing ....................................7

D BEAM .................................................8

Ambience ...............................................8

Effects ....................................................8

Control Knob ..........................................8

Basic Editing...............................................9

Assigning a Sound to a Pad............................9

PRESSURE...................................................11

EFFECTS (Basic)...........................................12

Naming a Kit ..............................................12

D BEAM...................................................13

METRONOME (STYLE GUIDE) ....................14

Tempo........................................................14

Volume.......................................................14

Tempo Change ...........................................15

METRONOME (NORMAL) .........................15

Tempo........................................................15

Beat (Time Signature) ...................................15

Rhythm .......................................................15

Metronome Sound .......................................16

Volume.......................................................16

COACH MODE ........................................17

Quiet Count ................................................17

Rhythm Check .............................................18

Time Check.................................................18

Pad Follow..................................................19

Auto Up/Down ...........................................20

Tap Tempo .................................................20

Advanced Edit ...........................................21

ROLL........................................................21

EFFECTS ..................................................21

KIT Parameters..........................................22

KIT Volume .................................................22

MIDI ..........................................................22

TOOLS.....................................................23

KIT COPY ...................................................23

Restoring an Individual Kit to the

Factory Settings..................................... 23

KIT EXCHANGE ..........................................23

KIT CLEAR ..................................................23

PAD COPY .................................................23

PAD EXCHANGE ........................................23

PAD CLEAR.................................................23

L-R EXCHANGE.......................................... 23

UNDO ....................................................23

Setup.......................................................24

METRONOME ........................................... 24

AMBIENCE................................................ 24

SYSTEM .................................................... 24

D BEAM .................................................... 25

Pad Settings (PAD)...................................... 25

External Trigger Settings (EXT TRIG) .............. 26

Foot Switch Functions............................ 26

MIDI ......................................................... 27

BULK DUMP............................................... 27

FACTORY RESET ........................................ 27

Short Cuts ................................................28

Favorite Kit Jump Function............................ 28

Appendices

Error Messages/Troubleshooting ................29

Effects List..................................................30

Instrument List............................................34

Kit List .......................................................36

Style Guide Metronome Pattern List ............37

Glossary....................................................38

Interface Profile .........................................40

MIDI Implementation Chart.........................42

Specifications.............................................43

Attaching the HandSonic 10 to the Stand

(optional)...................................................44

Index ........................................................45

MEMO.......................................................47

USING THE UNIT SAFELY............................48

IMPORTANT NOTES ...................................50

201a

202

Copyright © 2006 ROLAND CORPORATION

All rights reserved. No part of this publication may be

reproduced in any form without the written permission of

ROLAND CORPORATION.

Before using the HandSonic 10, please read the

sections, “USING THE UNIT SAFELY” (p. 48) and

“IMPORTANT NOTES” (p. 50). They provide

important information concerning proper

operations of the HandSonic 10. This Owner’s

manual should be read in its entirety in order for

you to understand all features and operations. Keep

the manual on hand for reference purposes.

HPD-10_e1.book 2 ページ ２００６年４月７日　金曜日　午後２時１４分

3

Features

410 Sounds

Sound selection is made easy thanks to sound category Groups

or Alphabetical listing.

Specially Selected Effects

Ambience (5 Types) and a choice from on-board Multi Effects

(20 types) can be used at the same time.

Friendly Interface

The large, custom LCD lets you easily view various functions

and information. The panel buttons and the friendly interface

make modifying a kit a very simple process. The Control knob

gives you instant editing access. The Preset Kit buttons give you

quick access to 5 specially selected kits and 5 of your favorite

kits.

Pads and Expandability

10 velocity sensitive and pressure reactive pads. 2 of these

pads also feature positional sensing. The D Beam can be used

for triggering and controlling sounds and effects. The stereo

input for external triggers lets you have a choice to use optional

kick triggers, a head/rim capable pad, cymbal pads or foot

switches (with multi-functions possible).

Play With External Audio Sources

The mix in allows one to connect external audio sources, ideal

for playing along with CDs or for connecting external sound

modules.

For Improving Techniques

In addition to normal metronome functions, the HandSonic 10

includes a unique Style Guide Metronome, featuring a wide

range of rhythmical categories; perfect for learning, practicing

and performing.

The Coach Mode's functions include Time Check, Rhythm

Check and Pad Follow. These exercises will challenge you and

help you to improve your technique.

Set Up & Portability

Lightweight and compact, the HandSonic 10 mounts easily on

the optional PDS-10 stand, (recommended) or on a cymbal

stand when using the APC-33.

This Manual

This manual should be read carefully as it will not only explain

WHAT is possible, but will guide you in a friendly way so you

can understand HOW to use the on-board sounds, functions

and the potential of the incorporated technology.

To hear some of the HandSonic 10’s possibilities, we have incorporated 5 different demo songs.

1.

Press the [CONGA] button (or any of the 5 Preset Kit buttons) and hold it down for 2 seconds.

The demo song will start to play.

If you press the [CONGA] button again, the demo song will re-start from the beginning.

If you press any of the other Preset Kit buttons, the demo songs assigned to those will play.

You can also use the [+]/[-] buttons to change songs.

2.

To stop the demo, press [KIT] button.

While the demo song is playing, all pads are disabled. Also, the kit being played in the demo song may not

be the same as indicated by the button name.

982

* No data for the music that is played will be output from MIDI OUT.

Demo Songs

KIT Button

Value Buttons

Preset KIT Buttons

HPD-10_e1.book 3 ページ ２００６年４月７日　金曜日　午後２時１４分

4

Panel Descriptions

fig.0-01.e

Top Panel

EFFECT Button

On/Off

LED is lit when ON.

[SHIFT] + this button for AMBIENCE ON/OFF

See p. 8, 12

PRESET KIT Buttons [1]–[5]

Preset kit instant access

Demo Song access (hold down for 2 seconds)

User programable functions

See p. 3, 7, 28

(METRONOME)

Button

Start & Stop function

Blinks in tempo

[SHIFT] + this button

for TEMPO setting

See p. 14

VOLUME Knob

Master Volume control

Control Knob

Multi-function, push & turn

easy editing knob

See p. 8

KIT Button

Main play page return function

[SHIFT] + this button for UNDO function

See p. 23

EDIT Button

Access to all EDIT parameters

[SHIFT] + this button for SETUP parameters

See p. 9–13

+/- Value Button

For changing kits, or for

modifying parameters

SHIFT Button

In combination with other buttons,

provides short cut access to many

functions

COACH Button

Coach Mode access

LED is lit when in use.

See p. 17

CURSORS

For moving through

edit pages

D BEAM Controller

D BEAM Button

On/Off LED is lit when ON.

See p. 8, 13

Pad

Strike to produce a sound or

press to control the tone

HPD-10_e1.book 4 ページ ２００６年４月７日　金曜日　午後２時１４分

5

Panel Descriptions

Display

Appears when

AMBIENCE is on.

Page direction indicators

during edit modes

Appears during instrument

selection when instrument

sorting is set to alphabetical order.

Kit numbers and Tempo appears here when in COACH Mode

Kit names, instrument names, parameter names and

messages appear here.

Current Instrument Group

name is highlighted here.

Various information status indicators

relative to the pad currently being edited

In COACH mode, the current

function appears in this menu.

These appear for confirming execution of

functions like Copy, Exchange etc.

Pad/D BEAM/External trigger status

indicators during EDIT mode

Velocity level, and various parameter

status indications appear here.

These individual indications appear during EDIT mode showing the

respective status:

HH CTRL appears, indicating Hi Hat sounds that work

with the Hi Hat control function of an optional foot switch

MUTE or MUTE SW appears, indicating sounds that react

with the Rx MUTE pressure control

POSITION appears, indicating sounds that react to positional

sensing (Pad M1, M5 only)

NOTE OFF appears, indicating sounds that react to Gate Time settings

HPD-10_e1.book 5 ページ ２００６年４月７日　金曜日　午後２時１４分

6

Panel Descriptions

fig.0-02.e

921

* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the

power on all devices before making any connections.

924

* Anchor the power cord, using the cord hook (see diagram). This prevents the plug from being pulled out accidently, and

reduces stress to the jack itself.

926a

* When connection cables with resistors are used, the volume of equipment connected to the inputs (MIX IN) may be low.

If this happens, use connection cables that do not contain resistors.

Rear Panel

AC adaptor

Audio cable

Audio cable

Kick Trigger Unit

KD-7

Foot Switch

FS-5U

Dual-Trigger Pad

PD-8

Dual-Trigger

Cymbal Pad

CY-8

Monitor Amplifier, etc.

R

L

Kick trigger unit, External pad, etc.

Cable

PCS-31L

Cord hook

Headphones

Portable music player, etc.

PHONES Jack

Connect stereo headphones.

Even if headphones are connected,

sound will still be output from the

OUTPUT jacks.

OUTPUT Jacks

For connecting to amplifiers, recording equipment.

When using in MONO, use only the L (MONO) jack.

MIX IN Jack (STEREO)

For connecting external audio sources. Sound input here

goes to the output jacks and headphone jack.

EXT TRIG / FOOT SW Jack

For connecting external pads, kick triggers

or foot switches (FS-5U/DP-2)

MIDI Connectors (IN, OUT)

OUT: For playing external modules

from the HandSonic 10

For saving data

IN: For using the HandSonic 10 as

a sound module

For loading data

AC Adaptor Jack

For connecting the included

AC adaptor

POWER Switch

Turns power on or off.

HPD-10_e1.book 6 ページ ２００６年４月７日　金曜日　午後２時１４分

7

Getting Familiar

Turning the Power On/Off

941, 942

Make sure the volume controls on the HandSonic 10, and any connected devices are set to “0.” Then turn

on the device connected to the MIX IN Jack. Turn on the HandSonic 10’s power switch. As there is a built-in

protection circuit, it will take a few seconds before you see the kit name appear in the display. Until that

time, Do NOT touch any pad, or use the D BEAM. Turn on the device connected to the output jacks. Then

adjust the respective volume settings.

When turning the HandSonic off, turn down all respective volumes before turning off the power.

Preset Kit Buttons

The 5 Preset kit Buttons, [1]–[5], will take you to the indicated kits. These 5 kits can NOT be modified, as

they are separate from the 64 user kits. Using the [+]/[-] buttons will let you scroll only through those 5 kits.

To return to the user kits, press [KIT]. However, when used in combination with the [SHIFT] button, they can

be used to quickly jump to your own pre-determined selection. How to make settings for this function will be

explained further on. We’ll use a few of these kits to help you get to know the HandSonic.

Instrument View Mode

There is a way to call up the name of the sounds being played without

using the EDIT function. While in Kit mode, press the [ ] cursor once.

Then when you play any pad you can see the instrument name in the

display.

Positional Sensing

Press the [CONGA] kit button (#1).

Play the 2 larger pads starting

near the center, and as you move towards the edge, play a bit

harder, and you will hear what the positional sensing function does.

Slap the edge. This works on specific sounds only. (More about that

is explained later.)

Basic Operations

CURSOR

KIT Button

Preset KIT Buttons

+/- Buttons

SHIFT Button

center

edge

M1 M5

HPD-10_e1.book 7 ページ ２００６年４月７日　金曜日　午後２時１４分

8

Getting Familiar

D BEAM

Now pass your hand over the D Beam. Here you are simply triggering a sound with it.

Make sure the [D BEAM] button is lit.

Ambience

Next, while holding down the [SHIFT] button, press the [EFFECT] button. This is how you turn the Ambience

on or off, and you will see the indication in the display.

Effects

Press the [SFX] kit button (#5).

Play the pads and D Beam. Press the [EFFECT] button to hear the difference.

Control Knob

TUNING: Press the [STEEL DRUM] kit button (#3).

Now, push the Control Knob, LED

next to TUNING will light. Tap any pad, and turn the control knob. This is

a quick way to tune the sounds.

MUFFLING:

Press the Control Knob and the LED next to MUFFLING will light. Tap any

pad and turn the Control knob.

EFFECT:

Press the Control knob and the LED next to EFFECT will light. Tap any pad

and turn the Control knob. In this case, you are changing a parameter in

the Effects assigned to this kit.

* If you make any of the above adjustments while in a User Kit (1–64), those changes will be written. You

can undo them however. (see page 23)

Preset KIT Buttons

KIT Buton

Control Knob

SHIFT Button

EFFECT Button

D BEAM Button

D BEAM Controller

Press the [KIT] button and try out some of the 64 user kits.

HPD-10_e1.book 8 ページ ２００６年４月７日　金曜日　午後２時１４分

9

Getting Familiar

In order to understand the possibilities of the various editing functions, there are a few basic points you must

take into consideration. These will help save you time, and avoid frustration whether this is your first

electronic musical instrument or not. Any changes you make are automatically registered as there is no

“write” function. Taking that into consideration, we recommend that you explore the editing process first by

using one of the 5 preset kits shown here. The reason we suggest this is because these kits are pre-set. You

can edit them temporarily, but once you change the kit, they automatically return to their factory settings.

1.

Push the [CONGA] button.

2.

Press [EDIT], and you will see <INST> in the display.

3.

Press the [ ] cursor and here you will see the sound assigned to

any pad you touch (or D Beam, optional external pad/foot

switch).

The D Beam button must be lit in order for it to function.

* Remember that during the EDIT mode, the [EDIT] button will blink. Also, the pad you are editing will be

highlighted in the display.

4.

Let’s work with just one pad for the moment. Tap pad M5.

To change the sound you have a few choices:

• You can use the [+]/[-] buttons, or the Control knob.

• Or press [SHIFT], and while holding it down, press the [+]/[-] buttons. You can jump between instrument

groups, as shown in the display. Try this once to see what happens, and watch the display to see the

instrument group names change.

Basic Editing

Assigning a Sound to a Pad

CONGA Button

SHIFT Button

EDIT Button

CURSOR

KIT Button

+/- Buttons

Control Knob

D BEAM Button

M1

M2

M3

M4

M5

S1

S2

S3

S4

S5

Pad references used in this manual

HPD-10_e1.book 9 ページ ２００６年４月７日　金曜日　午後２時１４分

10

Getting Familiar

Tuning

1.

Press [KIT]

(*1)

, then press [CONGA], then [EDIT] and you see

<INST>. Press the [ ] cursor and you will see the instrument

name.

*1: This is only to reset this kit to the factory settings and ONLY for this basic functions explanation.

2.

Now press the [ ] once, you will see <Tuning> in the display.

Now you can use the [+]/[-] buttons or the Control knob to change the pitch.

Muffling

3.

Push the [ ] again, and you will see <Muffling> in the display.

While tapping one of the pads, use the [+]/[-] buttons or the Control knob, and you will not only hear what

is happening to the sound, but the Value meter on the right hand side of the display will indicate how much

muffling is being applied, as well as the numerical values in the display.

If you want to apply the same amount of muffling to all sounds in the kit, while holding down the [SHIFT]

button press the CONTROL knob.

The display shows <same for all>.

This function will work with all of the pad specific parameters.

Volume

4.

Press the [ ] again and you will see:

This sets the level of the sound for each pad.

Pan

5.

Press the [ ] again, and here you can adjust the position in the

stereo field of the sound for each pad.

Exiting the Edit Mode

6.

Press [EDIT], extinguishing its indicator.

HPD-10_e1.book 10 ページ ２００６年４月７日　金曜日　午後２時１４分

11

Getting Familiar

1.

Press [KIT], then press [CONGA], then [EDIT], so you see <INST> in

the display again.

2.

Press the [ ] cursor once and you will see <PRESSURE> in the

display.

3.

Press the [ ], and you will see <Tx> (this means “transmit pressure control”).

4.

Play the large left pad and you will see <ON> in the display.

5.

Press the [ ] once again, and you will see <Rx Mute> (receive

mute control) in the display.

6.

Play the right pad once. Now, place your left hand on the left pad, while playing the right pad. If

you don’t hear a difference in the sound of the right pad, press a little harder on the left pad.

You will hear how the pressure placed on one pad can mute the sound of another, very useful when playing

congas or bongos etc. This is an example of the “mute” function, and demonstrates pad interactivity and

control. The [+]/[-] buttons or Control knob can be used for on/off switching.

7.

Now play the right pad once, and use the [+]/[-] button or Control knob to turn “Rx Mute” to

“OFF.”

8.

Press the [ ] again and you will see <Rx Pitch> (receive pitch control) in the display.

Hit the right pad once, and use the [+]/[-] buttons or the Control knob change the pitch-change amount. Set

this as you wish. Then while playing the right pad, place your left hand on the left pad, and apply pressure.

Now you can hear how one pad can control the pitch of another with pressure.

fig.0-03.e

PRESSURE

HPD-10_e1.book 11 ページ ２００６年４月７日　金曜日　午後２時１４分

12

Getting Familiar

1.

Press [KIT], then press [STEEL DRUM], then [EDIT], so you see

<INST> in the display again.

2.

Press the [ ] cursor until you see <EFFECTS> in the display.

Verify that the [EFFECT] button is also lit.

3.

Press the [ ] and you will see <Type> in the display.

Here is where you can change the effect being used. More about effects will be explained on page 21 and 30.

1.

Press [KIT], then press [STEEL DRUM], then [EDIT] so you see

<INST> in the display again.

2.

Press the [ ] cursor until you see <KIT/MIDI> in the display.

3.

Press the [ ], and you will see <Kit Volume>.

4.

Press the [ ] again and you will see:

5.

Use the [+]/[-] buttons or Control knob to change the name as you desire.

Use the [ ] or [ ] to move between the letters.

EFFECTS (Basic)

Naming a Kit

EDIT Button

CURSOR

KIT Button

STEEL DRUM Button

EFFECT Button

Short Cut Access to Effects Editing

While holding down the [EDIT] button, press [EFFECT].

HPD-10_e1.book 12 ページ ２００６年４月７日　金曜日　午後２時１４分

13

Getting Familiar

The D Beam functions not only for triggering sounds, but for controlling them as well.

During this explanation, make sure the [EFFECT] button is NOT lit. (OFF)

1.

As an example, push the [DRUMS] button.

2.

Make sure the [D BEAM] button is lit, and pass your hand over the D Beam.

In this case the D Beam is just triggering the sound assigned there.

3.

Next, push the [EDIT] button, and press the [ ] cursor once.

You see <PRESSURE> in the screen.

4.

Push the [ ], and in the display you see <Tx> (transmit) and

<OFF>. Use the [+] button to turn it “ON.”

5.

Now push the [ ] twice and you will see <Rx Pitch> in the

display.

Here you can adjust the pitch bending range you will control with the D Beam.

Use the [+]/[-] buttons or the Control knob, and set it to -1200.

When using the [+]/[-] buttons for data entry, by holding down [SHIFT] and then pressing either of the

buttons, the increments/decrements move much quicker.

Or just turn the Control knob quickly to the left, to get to the -1200 position.

6.

Now pass your hand over the D Beam quickly and at close

range, and you will hear the sound bend.

7.

Then move your hand over the D Beam, and once the sound is

heard, move your hand up and down, to hear how you are

controlling the sound.

8.

Try this:

While you can still see <Rx Pitch> -1200 in the display, tap once the

large pad on the left and set this also to -1200. Now, while tapping the

pad with your left hand, place your right hand above the D Beam, and

then slowly lower your hand. Here you can see how the D Beam can

control the pitch of sounds assigned to other pads.

* Remember, the D Beam is sensitive to the light in the space where

you are playing it. See p. 25 for adjustments to the D Beam.

*Actual infrared beam is invisible.

D BEAM

EDIT Button

CURSOR

D BEAM Button

DRUMS Button

Control Knob

EFFECT Button

HPD-10_e1.book 13 ページ ２００６年４月７日　金曜日　午後２時１４分

14

Getting Familiar

STYLE GUIDE Metronome patterns include 86 variations and are not only fun to play along with, but can

help you learn different rhythms and styles.

(All adjustments to settings can be made with the [+]/[-] buttons or the Control Knob.)

1.

Press the [ ] button to start.

2.

While holding down the [SHIFT] button, press [EDIT] and you will

see <METRONOME> in the display.

3.

Press the [ ] cursor you will see:

There are two choices here, NORMAL and STYLE GUIDE. NORMAL will be explained further on, so keep

the setting at STYLE GUIDE.

* IMPORTANT: When the TYPE is set to STYLE GUIDE, all uses of the metronome will use the currently

selected pattern, even when using the COACH function (except for RHYTHM CHECK and PAD

FOLLOW). See page 17.

4.

Press the [ ] and you will see the current pattern in the display.

Use the [+]/[-] buttons or the Control knob to make a selection.

5.

Press the [ ] once, and here you can set the TEMPO.

(Range = 40–200 BPM)

6.

Press the [ ] again, and you’ll see:

The volume range is 0–10.

METRONOME (STYLE GUIDE)

Tempo

Volume

CURSOR

EDIT Button

SHIFT Button

METRONOME

Button

Control Knob

HPD-10_e1.book 14 ページ ２００６年４月７日　金曜日　午後２時１４分

15

Getting Familiar

7.

Press the [ ] until you see:

Style Guide patterns have their own tempo settings.

If Tempo Change is set to OFF, then those tempos will be ignored, and all Style Guide patterns will play at

the Metronome’s tempo setting.

If Tempo Change is set to AUTO, then, in general, each time you change a pattern the tempo will change as

well.

* Depending on the pattern chosen and the kit you are playing, you may notice sounds drop out, or mute.

1.

Press the [ ] button to start.

2.

While holding down the [SHIFT] button, press [EDIT] and you will

see <METRONOME> in the display.

3.

Press the [ ] cursor and you will see <Type> in the display.

Change this to NORMAL.

4.

Press the [ ] once, and here you can set the TEMPO.

(Range = 40–200 BPM)

5.

Press the [ ] again, and here you see <Beat> in the display.

The possibilities are from 0 beats to 9 beats per measure.

6.

Press the [ ] again, and here you see <Rhythm> in the display.

The choices include (whole notes), (half notes), (quarter notes), (quarter-note triplets),

(eighth notes), (eighth-note triplets) and (sixteenth notes).

Should you need to practice in tempos higher than 200 BPM, changing the Rhythm to eighth-notes and the

Beat to 0 can be helpful.

Tempo Change

METRONOME (NORMAL)

Tempo

Beat (Time Signature)

Rhythm

   3

 3 

HPD-10_e1.book 15 ページ ２００６年４月７日　金曜日　午後２時１４分

16

Getting Familiar

7.

Press the [ ] again, and you’ll see:

You have 12 different types of sounds to use as a metronome sound.

Metronome Sound List

8.

Press the [ ] again, and you’ll see:

The volume range is 0–10. (Some of the metronome sounds are rich in high frequencies, so please be

careful with this level setting, especially if you are using headphones.)

Metronome Sound

No. Sound No. Sound

01:

ELECTRONIC

07:

STICKS

02:

OLD STYLE

08:

COWBELL

03:

PULSE

09:

CLAVES

04:

BEEP

10:

WOODBLOCK

05:

SWEEP

11:

TRIANGLE

06:

ZAPP

12:

SHAKER

Volume

Short Cut Access

Metronome Parameters

While holding down the [EDIT] button, press the [ ] button.

If the TYPE selected is STYLE GUIDE, then this will immediately take you to the STYLE GUIDE pattern

select page.

If the TYPE is NORMAL, then this will take you to the TYPE select page.

Metronome Tempo

While holding down the [SHIFT] button, press the [ ] button.

HPD-10_e1.book 16 ページ ２００６年４月７日　金曜日　午後２時１４分

17

Getting Familiar

Here you will find 6 different functions, all designed to challenge and

help you improve your timing, rhythmical sense, stamina and make

you more comfortable with the pad positions. When entering this

mode, you will also see which function you are using appear in the

left side of the display. We advise to check each function as

explained here first, before make any adjustments to the factory

settings. This way you will have a good grasp of the possibilities.

1.

Press the [COACH] button and you see <QUIET COUNT> in the

display.

2.

Press the [ ] button now to see what it does.

3.

Press it again to stop.

4.

Press the [ ] cursor and you see:

5.

Press the [ ], and here you will see:

This means that in a four measure pattern, there will be a one measure

break on the 4th measure.

If you set “QUIET” to “2” then it means the last two measures are the break.

Depending on your metronome setting for TYPE, you can use this function with the NORMAL metronome

function or with the STYLE GUIDE.

Setting Possibilities:

Depending on the amount of MEASURES chosen, the QUIET possibilities will differ. RANDOM means the

COACH will change the break lengths in a random way.

6.

If you push the [ ] one more time, you can set the tempo.

COACH MODE

Quiet Count

Measures

From 2 to 16 measures.

Quiet

From RANDOM and 0.5 to 4 measures.

CURSOR

COACH Button

METRONOME

Button

HPD-10_e1.book 17 ページ ２００６年４月７日　金曜日　午後２時１４分

18

Getting Familiar

* This function uses the sound assigned to the large right pad (M5) in the current kit. Be sure there is a

sound assigned there or that the volume of that sound is not too low.

1.

Press the [COACH] button and use the [ ] or [ ] cursors until

you see <RHYTHM CHECK> in the display.

2.

Press the [ ] button now to see what it does.

Within the 2 measure count in, you will see <Listen> appear and then

<Play>.

The idea here is to simply copy the rhythm you hear.

When you play/copy the rhythm correctly, <Good> will appear and the Coach will advance to another

pattern.

If you make a mistake, you will see <Again> in the display until you get it right.

It does not make any difference which pad you play during this exercise.

So if you have optional foot switches or kick triggers connected, you can use them for training your foot

timing as well.

3.

Press the [ ] button again to stop.

4.

Press the [ ] and you see:

There are 5 Grade levels. 1 is the simplest, and 5 is the most difficult.

5.

Press the [ ] again and you will see:

6.

Push the [ ] until you see <Tempo>. Adjust as needed.

7.

Push the [ ] until you see <Beat>. Adjust as needed.

8.

Push the [ ] until you see <Metronome Vol>. Adjust as needed.

1.

Press the [COACH] button and use the [ ] or [ ] cursors until

you see <TIME CHECK> in the display.

2.

Press the [ ] button, watch the display and start playing in time

with the metronome.

You will see a little dark ball indicating exactly where you are playing in reference to the tempo. When you

play ON the beat the little dark ball appears in the center over the + indicator.

“S” at the left side of the bar graph means you are slow, or behind the beat, and “F” on the right side

means you are fast, or ahead of the beat.

3.

Press the [ ] button again to stop.

4.

Press the [ ] and you see:

There are 2 Grades: EASY & HARD.

5.

If you push the [ ] one more time, you can set the tempo.

Rhythm Check

Time Check

HPD-10_e1.book 18 ページ ２００６年４月７日　金曜日　午後２時１４分

19

Getting Familiar

Designed to help you become more familiar with the positions of the pads, it provides some challenging

variations. Remember this does NOT check your timing, but only your ability to know what sounds are on

which pads (or external triggers).

* This function uses all sounds assigned to all pads (and external triggers, if you have selected Ext Trig

ON). Be sure there is a sound assigned there or that the volume of that sound is not too low.

1.

Press the [COACH] button and use the [ ] or [ ] cursors until

you see <PAD FOLLOW> in the display.

2.

Press the [ ] button and within the 2 measure count in, you will

see <Listen> appear and then <Play>.

The display indicator will show you which pad has been played, and you just have to play the same one,

before the Coach advances to the next variation.

3.

Press the [ ] button again to stop.

This function operates in a similar way to the Rhythm Check function.

4.

Press the [ ] and you see:

There are 5 Grade levels. Level 1 is the easiest, and Level 5 is the most difficult.

5.

Press the [ ] again and you will see:

If you turn it OFF, then this will help you memorize which sounds are where.

6.

Press the [ ] again and you will see:

If you are using optional external foot switches or triggers, then turn this

to ON and it/they will be included in the PAD FOLLOW exercise.

7.

If you push the [ ] one more time, you can set the Tempo.

8.

Push the [ ] again and you’ll see <Beat>. Adjust as needed.

9.

Push the [ ] again and you’ll see <Metronome Vol>. Adjust as needed.

Pad Follow

HPD-10_e1.book 19 ページ ２００６年４月７日　金曜日　午後２時１４分

20

Getting Familiar

1.

Press the [COACH] button and use the [ ] or [ ] cursors until

you see <AUTO UP/DOWN> in the display.

2.

Press the [ ] button and watch the display.

You will see the tempo indicator increase 1 BPM every two beats.

3.

Press the [ ] button again to stop.

4.

Press the [ ] and you see:

If you set the RATE to 1, the tempo will increase 1 BPM every measure, and if you set the RATE to 3, the

tempo will increase 1 BPM on every beat.

While the metronome is playing, you’ll also notice in the left side of the display, 90

→

200.

This is showing you the MINIMUM TEMPO and MAXIMUM TEMPO. This means that the metronome will

start playing at 90 BPM, increase to 200 BPM, and then go back down to 90 BPM.

You can adjust this by pressing the [ ] once, where you will see <Min Tempo> in the display. Use the [+]/

[-] buttons or the Control knob to set your desired tempo. Push the [ ] once more and you see <Max

Tempo>.

Also, while the metronome is playing, you can set the Max Tempo by pushing the [-], and you will see <set

max tempo> in the display. If you push the [+] you will see <reset max tempo> and it will be reset to 200

BPM.

1.

Press the [COACH] button and use the [ ] cursor until you see

<TAP TEMPO>.

Here, you can tap any pad, or external trigger to set the Tempo.

This is useful as a training exercise, because as you tap the pads, you can see the tempo indicated in the

display. Very good for tempo training.

Auto Up/Down

Tap Tempo

You can adjust the tempo(min tempo) when any of the coach mode functions appears in the display, or while

the metronome is running with the Control knob or using the [+]/[-] buttons. (except for Auto Up/Down)

HPD-10_e1.book 20 ページ ２００６年４月７日　金曜日　午後２時１４分

21

Advanced Edit

1.

Select any kit.

2.

Press [EDIT], and then the [ ], until you see

<PRESSURE>.

3.

Press the [ ] once and then the [ ] again until you

see:

If this is set to OFF, raise the value.

The roll speed range is 1–30 beats per second OR

(eighth notes), (eighth-note triplets),

(sixteenth notes), (sixteenth-note triplets),

and (thirty-second notes), who’s speed will be

determined by the metronome’s current tempo setting. Set

the value as you wish.

If you want all the pads to roll, while holding down

[SHIFT], push down the Control Knob.

4.

Press any pad, or place your hand over the D Beam.

The sound will roll.

Each pad, including the D Beam can use this function.

Another way to assign the Roll function to a pad is to press

the [SHIFT] button, and tap the respective pad. Also, if you

just hold down the [SHIFT] button, the display will show

you which pads have the roll function active.

* When using the Roll function set to high speeds, and

depending on the sounds you are “rolling,” sometimes

noise may occur.

1.

Verify that the [EFFECT] button is lit.

2.

Press [EDIT], and then the [ ], until you see

<EFFECTS>.

3.

Press the [ ] and you see the EFFECT TYPE.

4.

Press the [ ] until you see the status of Pad Sw.

Each pad has its own individual EFFECT on/off switch. Set

this as you wish.

If you just hold down the [SHIFT] button, the display will

show you which pads are using EFFECTS or not.

→

If you want to assign effects to all pads, turn one pad to

the “ON” position, then while holding [SHIFT], push the

Control Knob down once. Or press [SHIFT] and tap a

selected pad.

5.

Pushing the [ ] again will take you to the various

parameters of the EFFECT selected.

You will see <D Beam> and then <Knob>. As they both

can control different parameters of the effect currently in

use, use the [+]/[-] buttons or Control Knob to see what is

possible. For an overall idea please refer to the EFFECT

chart for more details. (p. 30)

* After you have selected an effects parameter to manipulate

with the Control Knob, while you are still in the Edit mode,

you can test the function. Press the Control Knob, (the LED

will light) and then turn it while playing a pad. You will see

changes in numerical values and the bar graph in the

display. If you decide to assign a different effect parameter

to the knob, first use it to return the values to where they

were, or execute the UNDO function.

ROLL

 3

 3



EFFECTS

Short Cut Access to Effects Editing

While pressing the [EDIT] button, press [EFFECT]

button.

HPD-10_e1.book 21 ページ ２００６年４月７日　金曜日　午後２時１４分

22

Advanced Edit

1.

Press [EDIT], and then the [ ], until you see

<KIT/MIDI>.

2.

Press the [ ] and you see the Kit Volume.

Note#

3.

Press the [ ] until you see:

* The MIDI Note # for each pad can be changed, and the

HandSonic will remember these on a “per kit” basis. You

would only need to do this when triggering an external

sound module. An “*” will appear to the right of the note

number if two pads use the same note number within the

same kit. Please be careful, because if identical MIDI

messages are received from an external sequencer or MIDI

controller, the HandSonic will not sound as you expect.

* If recording a performance on an external sequencer, and

using a Foot Switch for Hi-hat control, the HandSonic will

transmit a note number 4 steps lower than the one

assigned to the pad being played. (ONLY if this pad has a

sound capable of Hi-hat control.) This will occur only while

the foot switch is pressed and the pad is played.

Gate Time

ALT & GATE refer how “note on/note off” is handled. Only

certain sounds respond to these functions, the indications

appear above the instrument name in the display or you can

see this in the instrument list on page 34.

For an example, go to KIT #18 “Pot Drum”.

1.

Press [EDIT], then the [ ] and play the large pad on

the right.

You will see <NOTE OFF> appear above the instrument

name.

2.

Press and hold the pad for a few seconds, then

release your hand.

This is how GATE functions.

3.

Press the [ ] once and then [ ] until you see

<KIT/MIDI>.

Press the [ ] and then the [ ] until you see

<Gate Time>.

4.

Play the same pad, and change the Gate Time

parameter to “ALT.”

5.

Now tap the pad once, and then again.

You will hear how ALT works.

SCRAPE works only with the D Beam and literally allows

you to scrape a sound with your hand movement.

KIT Parameters

KIT Volume

MIDI

All Pads

GATE, ALT, 0.1–8 seconds.

D Beam

SCRAPE, GATE, ALT,

0.1–8 seconds.

External Trigger/

Foot Switch

ALT, 0.1–8 seconds.

HPD-10_e1.book 22 ページ ２００６年４月７日　金曜日　午後２時１４分

23

Advanced Edit

* If you have selected a preset kit, the only functions

available here are KIT COPY and L-R EXCHANGE.

1.

To access the TOOLS, press [EDIT] and then the [ ]

until you see:

2.

Press the [ ] and you see <KIT COPY>, and the [ ]

for selecting the functions as explained below.

From the KIT COPY page press the [ ] to select the source (Src

in the display) and then press the [ ] to select the destination

(Dst in the display).

To execute, press the [ ] again, and a confirmation message

will appear in the display. Press the [4] (OK) button if OK, and

the [2] (CANCEL) button to cancel the operation.

Restoring an Individual Kit to the

Factory Settings

KIT COPY can also be used to restore the selected kit to the

original factory settings. When selecting the “source” as

mentioned above, scroll to where you see a <P: > before the kit

name.

This is a useful function for re-arranging the order of your kits.

Follow the same procedure as explained in KIT COPY.

This function completely clears all parameters assigned to all

pads.

This allows you to copy all parameters of one pad to another.

Follow the same procedure as explained in KIT COPY. In this

case you can select your source and destination pads by simply

tapping the pad or external trigger/foot switch. (MIDI Note#

will not be copied)

Here you can swap the parameters between two pads. Follow

the same procedure as explained in KIT COPY.

This function completely clears all parameters assigned to one

pad. Follow the same procedure as explained in KIT COPY.

Perfect for exchanging all pad parameters, especially if you are

Left Handed. Follow the same procedure as explained in KIT

COPY. When you select this function, the display highlights the

pads that will be exchanged. All pad parameters will be

exchanged except for the M3 pad and the S3 pad.

The undo function allows you restore the Kit to the state it was in

BEFORE you made changes to any parameter. However, if you

make changes to a kit, and then change kits, your modifications

will be permanent. If you want to UNDO any changes made,

do so before going to another kit. While holding down [SHIFT],

press the [KIT] button, and follow the commands in the display.

* When executing the UNDO function, you can preview or

compare the newly edited kit with the kit as it was before

you made changes.

When this screen appears, you can play the pads, and

you will hear the previous version.

TOOLS

KIT COPY

KIT EXCHANGE

KIT CLEAR

PAD COPY

PAD EXCHANGE

PAD CLEAR

L-R EXCHANGE

UNDO

PAD COPY/EXCHANGE

(between different kits)

You can also copy or exchange pad parameters

between two different kits. To do that, follow the same

instructions for copy or exchange, but in this case you

need to press the [SHIFT] button, and use the [+]/[-]

buttons when choosing the source or destination kit.

Upon pressing [SHIFT], you will see the KIT NAME

appear in the display, and you can listen to the sound

assigned to the pad in the destination (Dst) or source

(Src) kit.

HPD-10_e1.book 23 ページ ２００６年４月７日　金曜日　午後２時１４分

24

Advanced Edit

Refer to page 14.

1.

While holding down the [SHIFT] button, press [EDIT].

2.

Use the [ ] until you see <AMBIENCE>.

3.

Press the [ ] once, and you’ll see:

You can also turn the AMBIENCE on and off, while

holding down the [SHIFT] button, and pressing the

[EFFECT] button. You will see the relative indication in the

display.

4.

Press the [ ] once, and you’ll see:

Here you can select from 5 different types of AMBIENCE.

The choices are:

STUDIO

,

ROOM 1

,

ROOM 2

,

THEATER

,

CHURCH

5.

Press the [ ] again, and you’ll see:

This is where you adjust the overall level of the

AMBIENCE. Remember that this is a global parameter,

meaning that when AMBIENCE is on, all sounds will be

included.

LCD Contrast

1.

While holding down the [SHIFT] button, press [EDIT].

2.

Use the [ ] until you see <SYSTEM> in the display.

3.

Press the [ ], and here you see:

Range: 1–10.

Depending on the lighting of where you are playing you

may need to adjust this.

Inst Sort (Instrument Selection Choices)

4.

Press the [ ] again, and you’ll see:

There are two choices.

GROUP

means that the instruments are arranged in 5

Groups.(LATIN, WORLD, ORCHESTRA, DRUMS, OTHERS)

ABC

means the instruments are arranged in alphabetical

order.

Pad Chase

5.

Press the [ ] again, and you’ll see:

If you turn this OFF, then when editing sounds, playing the

pads will NOT call up the triggered sound to the display,

requiring you to use just the combination of [SHIFT] and

the [ ] or [ ] to change the sound being edited.

Setup

METRONOME

AMBIENCE

EDIT Button

SHIFT Button

CURSOR

EFFECT Button

SYSTEM

Short Cut for Changing the Contrast

Press and hold down the [KIT] button, and use the

[+]/[-] buttons.

HPD-10_e1.book 24 ページ ２００６年４月７日　金曜日　午後２時１４分

25

Advanced Edit

1.

While holding down the [SHIFT] button, press [EDIT].

2.

Use the [ ] until you see <D BEAM>.

3.

Press the [ ], and you’ll see:

Range: 1–10

This needs to be adjusted, if for example, the D Beam

switch is on, you are not playing the instrument, but you

notice the Value Meter is moving or NOT in the zero

position.

Bring the sensitivity down until it stops moving.

If the response is not as you wish, raise the sensitivity.

4.

Press the [ ] again, and you’ll see:

This needs to be adjusted if you feel there is not a good

linear, or smooth response when pitch bending, or

controlling effects. Raise and lower your hand over the D

Beam, and watch the Value Meter.

If the meter moves suddenly at any point, change the

Curve Type.

Playing Style (Hands or Fingers)

1.

While holding down the [SHIFT] button, press [EDIT].

2.

Use the [ ] until you see <PAD>.

3.

Press the [ ], and here you’ll see:

You can choose between HAND or FINGER, obviously

referring to your playing preference.

Sensitivity

4.

Press the [ ], and you’ll see:

Range: 1–10

The 5 Main pads (M1–M5), have their own individual

Sensitivity.

The 5 Sub pads (S1–S5) share the same Sensitivity.

Tap the respective pad in order to adjust as you wish.

fig.0-03.e

Curve

5.

Press the [ ] and you’ll see:

Choices are:

LINEAR, EXP1, EXP2, LOG1, LOG2, SPLINE, LOUD1,

LOUD2

(See Glossary. p. 38)

Pressure Sens

6.

Press the [ ] and you’ll see:

Range: 1–10

Position

7.

Press the [ ] and you’ll see:

Range: OFF, -3–+3

Position (M1 & M5 pads only)

* Adjusting this parameter will affect the way the M1 and

M5 pads respond depending where you play them,

provided the sound assigned is positional sensing

capable. (see inst list on p. 34) A good way to understand

how this function works, is to use the pre-set CONGA kit.

Play the M1 or M5 pads, moving from the center to the

edge, while at the same time, changing the Position value.

To be more specific, if you set this to +3 you will notice

that the “edge” sound will be very easy to produce, even

when playing in the middle of the pad. Adjust according

to your playing style.

D BEAM

Pad Settings (PAD)

M1

M2

M3

M4

M5

S1

S2

S3

S4

S5

HPD-10_e1.book 25 ページ ２００６年４月７日　金曜日　午後２時１４分

26

Advanced Edit

1.

While holding down the [SHIFT] button, press [EDIT].

2.

Press the [ ] until you see <EXT TRIG> (external

trigger).

3.

Press the [ ], and you’ll see:

Foot/Pad x2:

For using 2 foot switches, 2 pads or a

combination of Foot switch and a pad or

kick trigger.

Pad (Rim):

When using a head/rim capable pad.

Foot Switch

4.

Press the [ ] and when you see this screen, use the

[+]/[-] button and select “FOOTSW.”

Optional foot switches can be used for triggering sounds and

for performing various other functions.

You can use either a single foot switch, (DP-2 etc.) or 2 FS-5Us

(Boss) which will need to be connected with an optional PCS-

31L cable (insert cable). When using 2 foot switches, each one

can have its own individual functions, in addition of course, to

also triggering sounds. Assigning sounds to the foot switches

works exactly like assigning a sound to one of the on-board

pads, as explained on page 9.

When you step on a foot switch, you will see its relative number

(1 or 2) appear at the bottom of the display.

5.

Press the [ ] and you will see:

Depending on the foot switch you are using, you may

need to change this parameter. For example, if when you

step on the switch, and you only hear the sound when you

take your foot off, then you should change the polarity.

Some foot switches (ex:FS-5U) have polarity switching

possibilities.

6.

Press the [ ] and you will see:

Range: 1–127

As a foot switch can not respond to playing dynamics, this

is an important setting.

7.

Press the [ ] and you will see:

Foot Switch Functions

OFF

HH CTRL

:

This allows you to close the open Hi-hat sound (see the

instrument list to know which sounds allow this).

#329: AcuHH

#334: AcuHH 2

#339: ClubHH

#343: ClubHH2

#347: 808 HH

#351: 909 HH

<HH CTRL> will appear above the instrument name in the

display.

KIT+

,

KIT-

:

This allows you to change kits: one step up, or one step

down.

START/STOP

:

This lets you start or stop the metronome.

EFFECT SW

:

This turns the effects on or off.

D BEAM SW

:

This turns the D Beam on or off.

ROLL SW

:

When activating this function, it means that if the ROLL

function is ON for a specific pad, it will only roll while the

foot switch is pressed.

Other Triggers

After you have executed steps 1-3 (left column of this

page).

4.

From the Type screen use the [+]/[-] buttons and

select the type of pad you are using.

External Trigger Settings

(EXT TRIG)

Display Pad Compatibility

KD7/8 KD-7, KD-8

KD85/120 KD-80, KD-85, KD-120

PD8 PD-7, PD-8, PD-9

PDX8 PDX-8

PD85/125 PD-80, PD-80R, PD-85, PD-100,

PD-105, PD-120, PD-125

CY5/8 CY-5, CY-8

CY12/14 CY-12R/C, CY-14C, CY-15R

HPD-10_e1.book 26 ページ ２００６年４月７日　金曜日　午後２時１４分

27

Advanced Edit

5.

Continuing to press the [ ] will give you access to

the following parameters.

Normally you do not have to adjust them, as the settings

are automatically changed depending on your choice of

pads (listed previously).

For detailed explanations of the above trigger parameters,

please see Glossary (p. 38).

1.

While holding down the [SHIFT] button, press [EDIT].

Press the [ ] until you see <MIDI>.

Changes to any of the following parameters are only

needed if you are using the HandSonic to control an

external sound module or in exceptional situations.

2.

Press the [ ], and here you see:

3.

Press the [ ] to access the following parameters.

Local Control

Turn this off when recording your HandSonic performance

on an external sequencer, as long as you are also

receiving the MIDI signal FROM that sequencer.

PC Tx/Rx

This allows the HandSonic to transmit & receive “Program

Change” information.

CC Tx/Rx

Determines if you want to send or receive control changes.

(like pressure information etc..)

Pressure Control Change Number

(For details on PAf, see Glossary

→

p. 38)

D BEAM Control Change Number

Knob Control Change Number

* Control change information is ONLY transmitted from the

knob when it is in the EFFECT position (LED is lit). Use this

when you want to control an external MIDI module. If the

HandSonic receives this information via MIDI, nothing will

happen.

Device ID

1.

While holding down the [SHIFT] button, press [EDIT].

Press the [ ] until you see <BULK DUMP>.

Used for saving the HandSonic settings to an external

sequencer.

Press the [ ], then use tha [+]/[-] button to select the type.

Choices are: 1 KIT, ALL KITS, ALL

To execute, press the [ ] again, and a confirmation

message will appear in the display. Press the [4](ok) button

if OK, and the [2](cancel) button to cancel the operation.

* Saving/Re-Loading individual kits example: If you save

Kit #1, and then later want to re-load it, select the

destination for that kit BEFORE loading. It will not

automatically be loaded into the Kit #1 position.

1.

While holding down the [SHIFT] button, press [EDIT].

Press the [ ] until you see <FACTORY RESET>.

Press the [ ], then use tha [+]/[-] button to select the type.

The choices here are

SETUP

,

ALL KITS

,

ALL

To execute, press the [ ] again, and a confirmation

message will appear in the display. Press the [4](ok) button

if OK, and the [2](cancel) button to cancel the operation.

* This resets all parameters to the original factory version.

You can not use Undo after executing this function. Make

sure you save your settings first. (Bulk Dump)

Display Range/Choices

Sens

(Sensitivity)

1–16

Threshold 0–15

Curve LINEAR, EXP1, EXP2, LOG1, LOG2,

SPLINE, LOUD1, LOUD2

Scan Time 0–4

Retrig Cancel 1–16

Mask Time 0–64

XTalk Cancel OFF, 20–80

Rim Sens OFF, 1–20

Rim Gain 0.5–2.0

MIDI

BULK DUMP

FACTORY RESET

HPD-10_e1.book 27 ページ ２００６年４月７日　金曜日　午後２時１４分

28

Advanced Edit

EFFECT

While pressing the [EDIT] button, press [EFFECT] button to

access to Effects editing.

D BEAM

While holding down the [EDIT] button, press [D BEAM]

button to access to D Beam setup parameters.

METRONOME

While holding down the [EDIT] button, press

[ ] button to access to Metronome parameters.

“ALL” Function

While in EDIT mode, you can hold down the [SHIFT]

button and press the Control Knob to execute the “all”

function, allowing you to quickly set the same value to all

pads. This works with all pad specific parameters.

Editing Without Hitting a Pad

After pressing the [EDIT] button, you can select the pad by

holding down [SHIFT] and pressing either the [ ] or [ ].

LCD Contrast Adjust

Press and hold down the [KIT] button, and use the [+]/[-]

buttons.

Quick Increment/Decrement changes

While holding [SHIFT] and pressing the [+] or [-] buttons,

you can increase or decrease the selected parameter

value, or kit choice rapidly.

Also while holding the [-] button down and pressing the [+]

button, you can decrease the value quickly.

Also while holding the [+] button down and pressing the [-]

button, you can increase the value quickly.

Kit Naming

Hold down [SHIFT] and press the [ ] to insert a space.

Hold down [SHIFT] and press the [ ] to delete a

character.

Hold down [SHIFT] and press the [+] or [-] buttons to scroll

through the character set (letters, numbers, symbols,

space).

Press the Control Knob to change a character from small

letters to capital letters.

Using the Preset Kit buttons as a “jump function” to your

favorite kits.

Write

1.

First, select the kit.

2.

Then, while holding down the [SHIFT] button, press

any one of the 5 Preset Kit buttons, and hold them

both down until the following message appears.

“registered!”

Recall

To call up that kit, just press [SHIFT], and then the

button you have registered a favorite kit to.

Short Cuts

Favorite Kit Jump Function

HPD-10_e1.book 28 ページ ２００６年４月７日　金曜日　午後２時１４分

29

Error Messages/Troubleshooting

This section lists the messages (error messages) that the HandSonic 10 produces and explains the meaning of each

message, giving you to appropriate action to take.

Before contacting a local Roland service center, be sure you have read this manual in its entirety.

1.

NO SOUND?

Double check all audio connections, volume controls on

the HandSonic 10 or external amplifier.

2.

OVERALL SOUND OF A KIT HAS CHANGED?

Did you use the Control Knob to modify Tuning, Muffling

or Effects? If you did, and you changed kits without

executing UNDO, then you have re-written various

parameters in that kit.

For info on the Control Knob functions, see page 8. For

info on UNDO, see page 23. For info on recalling any

KIT’s original factory settings, see page 27.

3.

THE [EFFECT] BUTTON IS OFF, BUT YOU STILL HEAR

REVERB?

Look at the display to see if AMBIENCE is still ON. To

turn it off, while holding [SHIFT], press the [EFFECT] button.

(AMBIENCE-page 24)

4.

FOOT SWITCH SEEMS TO WORK BACKWARDS?

When using foot switches, if you hear the sound when you

release your foot from it, this means you need to switch the

POLARITY, or you have not set the correct TYPE of external

trigger. See page 26.

5.

STYLE GUIDE METRONOME - TEMPO PROBLEMS?

a.

You have set the tempo of the metronome, but the

pattern plays at a different tempo?

b.

All the patterns play back at the same speed.

Remember there is a Tempo Change parameter that

determines if the patterns play back at their own

individual, pre-set tempos, or at the tempo set by the

Metronome itself. See page 15.

6.

PLAYING WITH THE STYLE GUIDE METRONOME.

Depending on the pattern chosen and the kit you are

playing, you may notice sounds drop out, or mute.

7.

WHEN CHANGING FROM ONE KIT TO ANOTHER, YOU

HEAR A SOUND?

Depending on the EFFECT assigned to a specific kit, and

the length or decay, of the last sound played, this may

occur. If you play a cymbal sound, and then change the kit

while you can still hear that sound, then the effects

assigned to the new kit will be applied to that last sound.

8.

TEMPO DELAY

Because of the way the Tempo Delay operates, at low

tempos, depending on the BEAT selection, it may not work

as you expect.

Also, the Tempo Delay will not follow correctly if you are

using the Auto Up/Down function in COACH mode.

9.

COACH MODE- RHYTHM CHECK AND PAD FOLLOW

If you set the BEAT to “0” or “1” the HandSonic will play

in 4.

10.

ROLL

When using the Roll function set to high speeds, and

depending on the sounds you are “rolling,” sometimes

noise may occur.

MESSAGE MEANING WHAT TO DO

midi offline!

MIDI Cable was disconnected, or

communication with external MIDI device was

interrupted.

Check MIDI connections/cables.

midi buf full!

Too much MIDI information was received at

once and could not be processed correctly.

Verify connections, and the type of MIDI

information you are sending.

midi rx error!

The HandSonic 10 did not receive a MIDI

message correctly.

Re-transmit the message again.

bulk rx error!

The HandSonic 10 did not receive BULK MIDI

data correctly.

Re-transmit the message again. If the problem

continues, there’s a problem with the data

being transmitted to the HandSonic 10.

bulk checksum!

Checksum value of a System Exclusive

message was not correct.

Correct the checksum value.

battery low!

The internal battery, used for maintaining data

in the user memory, has become weak.

Contact your dealer, or Roland service to

have it replaced.

Troubleshooting

HPD-10_e1.book 29 ページ ２００６年４月７日　金曜日　午後２時１４分

30

Effects List

3Band EQ

Standard 3 Band Equalizer

Filter

Cuts high or low frequencies. Drive modulates the cut-off

frequency.

Compressor

Attenuates high-level sounds, & boosts low-level sounds,

compressing the overall variation in volume level.

Enhancer

An Enhancer can sharpen the sound.

Delay

Standard Delay Unit

Parameter Value Comments/

Descriptions

LowGain -12.0dB –

+12.0dB

Low Frequency Level

adjustment

MidFreq 50Hz – 12.5kHz

(1/3oct step)

Mid Frequency

adjustment

MidGain -12.0dB –

+12.0dB

Mid Frequency Level

adjustment

HighGain -12.0dB –

+12.0dB

High Frequency

Level adjustment

TotalLvl -12.0dB –

+12.0dB

EQ’s overall level

adjustment

Dbeam (control

possibilities)

OFF, TRANS,

INVERT

Knob (control

possibilities)

OFF, HGAIN,

MGAIN, LGAIN

Parameter Value Comments/

Descriptions

FilterType LPF, HPF Low Pass Filter, High Pass

Filter

Cutoff 0 – 100

Resonance 0 – 100

Rate 0 – 100

Depth 0 – 100

Drive 0 – 100

Dry:Effect 100:0 –

0:100

Balance of the non-

effected sound and the

effected sound

Dbeam (control

possibilities)

OFF, ZAP,

COLOR,

MODULAT,

DRIVE, MIX

ZAP = cutoff+filtertype,

COLOR = cutoff+reso,

MODULAT = rate+depth,

MIX = Dry/Effect balance

Knob (control

possibilities)

OFF,

CUTOFF,

COLOR,

MODULAT,

DRIVE, MIX

Parameter Value Comments/

Descriptions

Mode AUTO, MANUAL

Sens 0 – 100 Sensitivity of the

compressor

Threshold -60 – +6dB

Ratio 1.0, 1.2, 1.5,

2.0, 2.8, 4.0,

8.0, 16.0, INF:1

Attack 0.25 – 100ms Attack start point

Release 50ms – 2.0s Release point of

compressed sound

Gain -6.0 – +18.0dB

Dbeam (control

possibilities)

OFF, SENS SENS =

Sens+Threthold+

Ratio+Gain

(Only Mode =

MANUAL)

Knob (control

possibilities)

OFF, SENS

Parameter Value Comments/

Descriptions

Sens 0 – 100

Level 0 – 100

EQ Low -12.0 – +12.0dB Boosts low

frequencies

EQ High -12.0 – +12.0dB Boosts high

frequencies

Dbeam (control

possibilities)

OFF, PRESENCE,

LOWCUT

PRESENCE =

Sens+Level+EQ

High,

LOWCUT=

Presence+EQ Low

Knob (control

possibilities)

OFF, PRESENCE,

LOWCUT

Parameter Value Comments/

Descriptions

DelayTime 0.8 – 270ms

Feedback -98 – +98%

LF Damp THRU, 50 –

4000Hz

HF Damp 200Hz –

12.5kHz, THRU

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

HPD-10_e1.book 30 ページ ２００６年４月７日　金曜日　午後２時１４分

31

Effects List

Tempo Delay

Tempo Synchronized Delay

TapeEcho

Old Style Tape Echo Machine

Overdrive

Similar to Overdrive Pedal

Distortion

Standard Distortion Unit

Lo-Fi

Creates Low Quality Effect

Ring Mod (Ring Modulator)

Standard Ring Modulator Effect

Dbeam (control

possibilities)

OFF, INPUTSW,

DELAYTIME,

FEEDBACK, MIX

MIX = Dry/Effect

balance

Knob (control

possibilities)

OFF, FEEDBACK,

MIX

Parameter Value Comments/

Descriptions

Tempo 40 – 200,

Metronome

Can sync with it’s

own tempo or the

Metronome

Beat , , , ,

, , , ,

, ,

delay time in note

values

Feedback 0 – 98%

Dry:Effect 100:0 – 0:100 Balance of the

non-effected sound

and the effected

sound

Dbeam (control

possibilities)

OFF, INPUTSW,

FEEDBACK, MIX

MIX = Dry/Effect

balance

Knob (control

possibilities)

OFF, FEEDBACK,

MIX

Parameter Value Comments/

Descriptions

RepeatRate 0 – 100

Intensity 0 – 100

EchoLevel 0 – 100 Return level

Dbeam (control

possibilities)

OFF, RATE,

INTENSITY, LEVEL

Knob (control

possibilities)

OFF, RATE,

INTENSITY, LEVEL

Parameter Value Comments/

Descriptions

Drive 0 – 100

Tone 0 – 100

DriveCutoff 0 – 100

DriveLevel 0 – 100

LowMix OFF, ON

Dbeam (control

possibilities)

OFF, DRIVE,

LEVEL, DYNAMIC

DYNAMIC =

Drive+Tone+Cutoff+

Level

Parameter Value Comments/

Descriptions



 3 

 3  

3 



Knob (control

possibilities)

OFF, DRIVE,

LEVEL, DYNAMIC

Parameter Value Comments/

Descriptions

Drive 0 – 100

Tone 0 – 100

DriveCutoff 0 – 100

DriveLevel 0 – 100

LowMix OFF, ON Adds low

frequencies

Dbeam (control

possibilities)

OFF, DRIVE,

LEVEL, DYNAMIC

DYNAMIC =

Drive+Tone+Cutoff+

Level

Knob (control

possibilities)

OFF, DRIVE,

LEVEL, DYNAMIC

Parameter Value Comments/

Descriptions

CompSens 0 – 100 Compressor

sensitivity

FsRate 0 – 100

BitRate 0 – 20

LPFcutoff 0 – 100 Low Pass Filter cut

off point

Dbeam (control

possibilities)

OFF, RATE RATE = Fs rate+LPF

cutoff,

QUALITY = Comp

Sens+FsRate+

BitRate+LPFcutoff

Knob (control

possibilities)

OFF, QUALITY,

RATE

Parameter Value Comments/

Descriptions

Rate 0 – 100

Depth 0 – 100

Frequency 0 – 100

Sens -50 – +50

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF, RATE, FREQ,

SENS, MIX

MIX =

Dry/Effect balance

Knob (control

possibilities)

OFF, RATE, FREQ,

SENS, MIX

Parameter Value Comments/

Descriptions

HPD-10_e1.book 31 ページ ２００６年４月７日　金曜日　午後２時１４分

32

Effects List

Pitch Sweep

Pitch Bending with a Sweep Effect

Wah

Similar to a Wah Wah Pedal

Flanger

Standard Flanger Unit

Step Flange (Step Flanger)

Standard Step Flanger

Parameter Value Comments/

Descriptions

Pitch -50 – +50

Sens -50 – +50

Feedback 0 – 98%

Dry:Effect 100:0 - 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF,

PITCH+,

PITCH-,

FEEDBACK,

MIX

PITCH+ = pitch –

maximum,

PITCH- = pitch –

minimum,

MIX = Dry/Effect

balance

Knob (control

possibilities)

OFF, PITCH,

FEEDBACK, MIX

Parameter Value Comments/

Descriptions

Sens 0 – 100

Frequency 0 – 100

Resonance 0 – 100

Dbeam (control

possibilities)

OFF, SENS,

FREQ, RESO,

PEDAL

PEDAL = Frequency

(Sens=0)

Knob (control

possibilities)

OFF, SENS,

FREQ, RESO

Parameter Value Comments/

Descriptions

Depth 0 – 100

Rate 0 – 100

Resonance 0 – 100

Delay 0 – 100

Sens -50 – +50

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF, MOD,

RESO, MANUAL,

MIX

MANUAL =

Rate+Delay

(Rate=0),

MOD =

Depth+Rate+Mix,

MIX = Dry/Effect

balance

Knob (control

possibilities)

OFF, MOD,

RESO, MIX

Parameter Value Comments/

Descriptions

Sync OFF, ON Determines tempo

source

Tempo 40 – 200,

Metronome

Can be

synchronized with

the Metronome’s

tempo or the tempo

set in the effect

parameters

Beat , , ,

, , ,

, , ,

,

Values when SYNC

is ON

StepRate 0 – 100 Values when SYNC

is OFF

Depth 0 – 100

Rate 0 – 100

Resonance 0 – 100

Delay 0 – 100

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF, RATE, MOD,

RESO, MANUAL,

MIX

RATE = beat when

sync is on steprate

when sync is off,

MOD =

Depth+Rate+Mix,

MANUAL =

rate+delay,

MIX = Dry/Effect

balance

Knob (control

possibilities)

OFF, RATE, MOD,

RESO, MIX





3

 

3

 

3





HPD-10_e1.book 32 ページ ２００６年４月７日　金曜日　午後２時１４分

33

Effects List

Phaser

Standard Flanger Unit

Chorus

Chorus can “fatten” the sound

Auto Pan

Automated Panning Effect

Reverb

Standard Reverb Unit

Delay Verb (Delay Reverb)

Delay and Reverb Combination

Parameter Value Comments/

Descriptions

Depth 0 – 100

Rate 0 – 100

Resonance 0 – 100

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF, MOD, MIX MOD =

Depth+Rate+Mix

Knob (control

possibilities)

OFF, MOD, MIX

Parameter Value Comments/

Descriptions

Depth 0 – 100

Rate 0 – 100

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF, MOD, MIX MOD =

Depth+Rate+Mix

Knob (control

possibilities)

OFF, MOD, MIX

Parameter Value Comments/

Descriptions

Speed 0 – 100

Depth 0 – 100

WaveShape 1 – 10

Dbeam (control

possibilities)

OFF, MOD MOD =

Speed+Depth

Knob (control

possibilities)

OFF, MOD

Parameter Value Comments/

Descriptions

Type HALL. ROOM,

PLATE

Reverb choices

Time 0.1 – 5.0sec Reverb length

LF Damp THRU,

50 – 4000Hz

HF Damp 1000Hz –

12.5kHz, THRU

Dry:Effect 100:0 – 0:100 Balance of the

non-effected sound

and the effected

sound

Dbeam (control

possibilities)

OFF, DEPTH, MIX DEPTH =

Time+Mix

Knob (control

possibilities)

OFF, DEPTH, MIX

Parameter Value Comments/

Descriptions

DelayTime 0.8 – 560ms Pre-reverb delay

time

Feedback 0 – +98%

LowCut THRU,

50 – 4000Hz

ReverbType HALL. ROOM,

PLATE,

Time 0.1 – 5.0sec

HF Damp 1000Hz –

12.5kHz, THRU

Dry:Effect 100:0 – 0:100 Balance of the non-

effected sound and

the effected sound

Dbeam (control

possibilities)

OFF, FEEDBACK,

DEPTH, MIX

DEPTH =

Feedback+Time+

Mix

Knob (control

possibilities)

OFF, FEEDBACK,

DEPTH, MIX

HPD-10_e1.book 33 ページ ２００６年４月７日　金曜日　午後２時１４分

34

Instrument List

Instrument Name Abbreviations/Terms

When you see a “/” for example: AgogoBell L/H— it means that the sound will “velocity switch.” Soft dynamics will play the

low sound and stronger dynamics will play the high sound.

OP = Open HT = Heel, Toe Botm = Bottom

Cl, Cls = Close Ft = Foot Rels = Release

Mt = Mute HnMt = Hand Mute Scrpe = Scrape Strke = Stroke

Instrument List Indications

*H (HH Control): The Hi-hat sound works with Foot Switch Hi-hat control. (p. 26)

*M (MUTE): The sound will change when muting with the hand. (p. 11)

*P (POSITION): The sound, when assigned to the M 1 or M 5 pads, will change according to where it is played on the pads.

*N (NOTE OFF): The sound reacts to Note on/off messages. (p. 22)

No. Inst Remarks

001 Bongo Hi *M, *P

002 Bongo H /HT *M, *P

003 Bongo H Cls *P

004 Bongo H Slap *M

005 Bongo H Heel

006 Bongo H Toe

007 Bongo Lo *P

008 Conga Hi *M, *P

009 Conga H /HT *M, *P

010 Conga H Cls *P

011 Conga H Slap *M

012 Conga H Bass

013 Conga H Heel

014 Conga H Toe

015 CongaH Slide

016 Conga Lo

017 Conga2 Hi *M, *P

018 Conga2H /HT *M, *P

019 Conga2H Cls *P

020 Conga2H Slap *M

021 Conga2H Bass

022 Conga2 Lo

023 Timbale Hi *P

024 TimbalH Rim

025 TimbalH /Rim

026 TimbalH Pila

027 Timbale Lo *P

028 TimbalL Rim

029 TimbalL /Rim

030 TimbalL Hand *M

031 TimbalL HnMt

No. Inst Remarks

032 TimbalL Pila

033 Claves 1

034 Claves 2

035 Cowbell 1

036 Cowbell 2

037 Cowbell 3

038 Cowbell 4

039 Cowbell 5

040 Cowbell 6L/H

041 Shaker 1 *N

042 Shaker 2 *N

043 Ganza 1 *N

044 Ganza 2 *N

045 Ganza 3 *N

046 Maracas 1

047 Maracas 2

048 Caxixi

049 Shekere Bead

050 Shekere Botm

051 Cabasa *N

052 Afuche *N

053 Guiro1 Scrpe *M

054 Guiro1 Strke

055 Guiro1 Notch

056 Guiro2 Scrpe *M

057 Guiro2 Strke

058 AgogoBell Hi

059 AgogoBell Lo

060 AgogoBel L/H

061 Surdo *M, *P

062 Surdo Mute

063 Surdo Rim

064 Repinique *P

065 Repiniq Rim

No. Inst Remarks

066 Repiniq Hand *M

067 Repiniq HnMt

068 Pandeiro

069 Pande Thumb *M

070 Pande ThmbMt

071 Pande Heel

072 Pande Slap

073 Tamborim *M

074 Tamborim Mt

075 Cuica *M

076 Cuica Mute

077 Caixa *P

078 Caixa Rim

079 Vibra-slap

080 Rain Stick

081 Cricket

082 Flex Metal +

083 Flex Metal

084 MetalCrasher

085 SteelDrum C

086 SteelDrum D

087 SteelDrum E

088 SteelDrum F

089 SteelDrum G

090 SteelDrum A

091 SteelDrum B

092 SteelDrum c

No. Inst Remarks

093 Cajon *P

094 Cajon Slap

095 Cajon Bass1

096 Cajon Bass2

097 Djembe *M, *P

098 Djembe Cls *P

099 Djembe Slap *M

100 Djembe Bass

101 Djembe2 *M, *P

102 Djembe2 Cls *P

103 Djembe2 Slap *M

104 Djembe2 Bass

105 Talking Drum

106 PotDrum Body

107 PotDrum Mute

108 PotDrum Botm

109 PotDrum Hole *N

110 PotDrum Rels

111 Tabla Na

112 Tabla Tin

113 Tabla Tun

114 Tabla Ti

115 Tabla TinNa *P

116 Tabla TiNa *P

117 Tabla TunTin *P

118 Tabla Gin

119 Baya Ka

120 Baya Ge

121 Baya GeKa *P

122 Baya GeSlide

123 Dholak Ga

:

The group it is assigned to, as indicated in the LCD display. (p. 9)

LATIN WORLD

HPD-10_e1.book 34 ページ ２００６年４月７日　金曜日　午後２時１４分

35

Instrument List

No. Inst Remarks

124 Dholak Ta

125 Dholak Tun

126 Dholak Na

127 Dholak TunNa *P

128 Darabuka Dom *P

129 Darabuka Tak

130 Doira Dun *P

131 Doira Tik

132 Doholla Dom *M, *P

133 Doholla Sak

134 Doholla Tak *M

135 Rek Dom *P

136 Rek Tek

137 Rek Jing

138 Bendir

139 AnkleBeads

140 AfricaJingle

141 Quijada

142 Sagat *M

143 Sagat Mute

144 Bonang

145 Sitar

146 Sitar Gliss

147 Gyilli C

148 Gyilli D

149 Gyilli E

150 Gyilli F

151 Gyilli G

152 Gyilli A

153 Gyilli B

154 Gyilli c

155 Santoor C

156 Santoor D

157 Santoor E

158 Santoor F

159 Santoor G

160 Santoor A

161 Santoor B

162 Santoor c

163 JewsHarp

164 Nagado Taiko *P

165 Nagado Rim

166 Hira Taiko *P

167 Hira Rim

168 Tsuzumi

169 Ohkawa

170 Atarigane

171 Hyoshigi

172 Gengari *M

173 Gengari Mute

174 HuYinLuo *M

No. Inst Remarks

175 HuYinLuo Mt

176 Nao Bo

177 Xiao Bo

178 FingerCymbal *M

179 FingerCym Mt

180 Chenchen *M

181 Chenchen Mt

182 BaliCymbal *M

183 BaliCym Mute

184 Ban Gu

185 Buk *P

186 Buk Rim

187 Jang Gu

188 Tang Gu

No. Inst Remarks

189 ConcertBD

190 ConcertSnare

191 PairCymbals

192 Mallet Cym

193 Large TamTam

194 Sleigh Bell

195 Tree Chimes

196 Pin Chimes

197 Bell Tree

198 Crotale

199 Wood Block H

200 Wood Block M

201 Wood Block L

202 Wood Bk L/H

203 TempleBlk H

204 TempleBlk L

205 TempleBk L/H

206 Triangle *M

207 Triangle Mt

208 Triang Mt/Op

209 Tambourine 1

210 Tambourine 2

211 Tambourine 3

212 Castanets

213 Ratchet

214 Ratcht Notch

215 ClapStick

216 Whistle Shrt

217 Whistle Long *M

218 Whistle L/H

219 Timpani F

220 Timpani G

221 Timpani A

No. Inst Remarks

222 Timpani B

223 Timpani c

224 Timpani d

225 Timpani e

226 Timpani f

227 Glocken C

228 Glocken D

229 Glocken E

230 Glocken F

231 Glocken G

232 Glocken A

233 Glocken B

234 Glocken c

235 Xylophone C

236 Xylophone D

237 Xylophone E

238 Xylophone F

239 Xylophone G

240 Xylophone A

241 Xylophone B

242 Xylophone c

243 Vibraphone C

244 Vibraphone D

245 Vibraphone E

246 Vibraphone F

247 Vibraphone G

248 Vibraphone A

249 Vibraphone B

250 Vibraphone c

251 Marimba C

252 Marimba D

253 Marimba E

254 Marimba F

255 Marimba G

256 Marimba A

257 Marimba B

258 Marimba c

259 HandBell C

260 HandBell D

261 HandBell E

262 HandBell F

263 HandBell G

264 HandBell A

265 HandBell B

266 HandBell c

267 TubularBel C

268 TubularBel D

269 TubularBel E

270 TubularBel F

271 TubularBel G

272 TubularBel A

No. Inst Remarks

273 TubularBel B

274 TubularBel c

No. Inst Remarks

275 AcuKick 1

276 AcuKick 2

277 AcuKick 3

278 AcuKick 4

279 ClubKick 1

280 ClubKick 2

281 ClubKick 3

282 ClubKick 4

283 808 Kick

284 909 Kick

285 AcuSnare1 *P

286 AcuSnare1 Rm

287 AcuSnare2 *P

288 AcuSnare2 Rm

289 AcuSnare3 *P

290 AcuSnare3 Rm

291 AcuSnare4 *P

292 AcuSnare4 Rm

293 AcuSnare5

294 MarchSnare *P

295 BrushSnare *P

296 BrushSwish

297 CrossStick 1

298 CrossStick 2

299 ClubSnare 1

300 ClubSnare 2

301 ClubSnare 3

302 ClubSnare 4

303 ClubSnare 5

304 ClubSnare 6

305 ClubSnare 7

306 808 Snare

307 909 Snare

308 Kick/Snare *P

309 AcuTom 1 Hi

310 AcuTom 1 Mid

311 AcuTom 1 Lo

312 AcuTom 2 Hi

313 AcuTom 2 Mid

314 AcuTom 2 Lo

315 BrushTom Hi

316 BrushTom Lo

317 ElecTom Hi

318 ElecTom Mid

319 ElecTom Lo

ORCHESTRA

DRUMS

HPD-10_e1.book 35 ページ ２００６年４月７日　金曜日　午後２時１４分

36

Kit List

No. Inst Remarks

320 SpokeTom Hi

321 SpokeTom Mid

322 SpokeTom Lo

323 OctTom Hi

324 OctTom Mid

325 OctTom Lo

326 808 Tom Hi

327 808 Tom Mid

328 808 Tom Lo

329 AcuHH *H

330 AcuHH Cl

331 AcuHH Op

332 AcuHH Cl/Op

333 AcuHH Ft

334 AcuHH2 *H

335 AcuHH2 Cl

336 AcuHH2 Op

337 AcuHH2 Cl/Op

338 AcuHH2 Ft

339 ClubHH *H

340 ClubHH Cl

341 ClubHH Op

342 ClubHH Cl/Op

343 ClubHH2 *H

344 ClubHH2 Cl

No. Inst Remarks

345 ClubHH2 Op

346 ClubHH2 C/O

347 808 HH *H

348 808 HH Cl

349 808 HH Op

350 808 HH Cl/Op

351 909 HH *H

352 909 HH Cl

353 909 HH Op

354 909 HH Cl/Op

355 CrashCym 1

356 CrashCym 2

357 SplashCym 1

358 SplashCym 2

359 ChinaCym

360 AccentCym

361 Cup Chime

362 808 Cym

363 RideCym

364 RideCym Bell

365 RideCym/Bell

366 Brush Ride

367 Ride/Crash

No. Inst Remarks

368 HandClap

369 ClubClap

370 FlamencoClap

371 808 Claps

372 909 Claps

373 FingerSnap

374 78 Claves

375 78 Cowbell

376 78 Maracas

377 78 MetalBeat

378 78 Tamb

379 Scratch

380 Scratch LE

381 Scratch PP *M, *N

382 Super Low

383 SweepDown

384 Hammer

385 AirDraft

386 AirRelease

387 CarHorn

388 FightGong

389 Bottle Blow

No. Inst Remarks

390 Bubble

391 Junk Beat

392 Glass Beat

393 Noise Beat

394 Toy Sound Hi *M, *N

395 Toy Sound Lo *M, *N

396 Clock Tick

397 Squelch

398 Glass Crash

399 Trash Can

400 VerbyStick

401 Thunder

402 SpaceGun

403 TechnoChirp

404 Zweeper

405 Ricochet

406 Transponder

407 WarpDrive *M

408 MicroScratch *M

409 MarsCode

410 Off

OTHERS

Kit List

No. Kit

01 Latin Perc

02 Djembe

03 Cajon

04 Jazz Kit

05 MiddleEast

06 Pandeiro

07 LatinHouse

08 Nature

09 China

10 Orchestral

11 Conga

12 Bongo

13 Timbales

14 BongoConga

15 Repinique

16 Batucada

No. Kit

17 Talking Dr

18 Pot Drum

19 African

20 Rek

21 Tabla

22 Dholak

23 Darabuka

24 India

25 Silkroad

26 Gamelan

27 Japan

28 Korea

29 Handbells

30 Gyilli

31 HonkyTonk

32 SteelDrum

No. Kit

33 Xylophone

34 Vibraphone

35 MelodicTom

36 Marching

37 BalladPerc

38 MuteContrl

39 Drums

40 Brushes

41 Electronik

42 Metal

43 808 Kit

44 909 Kit

45 Club Kit

46 BreakBeats

47 JunkBeat

48 Drum Set

No. Kit

49 BitCrushGT

50 DrumChat

51 DubDrum

52 HandPowerD

53 Tee Bits

54 Cosmo 42

55 Scientific

56 Creature

57 Droid

58 Horror

59 Suspense

60 CarChase

61 Foley

62 Breath

63 Noizes

64 Resounder

HPD-10_e1.book 36 ページ ２００６年４月７日　金曜日　午後２時１４分

37

Style Guide Metronome Pattern List

No. Pattern Name Tempo Meas TimeSig

01 Samba 90 1 4/4

02 SambaKick 126 2 4/4

03 Baiao 110 2 2/4

04 Surdo 100 8 2/4

05 Repinique 115 1 4/4

06 Tamborim 120 2 2/4

07 Carnival 120 4 4/4

08 AfroCuban 88 1 6/8

09 Bolero 120 2 4/4

10 Mambo 95 2 2/4

11 Merengue 160 2 2/4

12 Calypso 100 1 2/4

13 Guaguanco 150 4 2/4

14 Comparsa 100 2 4/4

15 Salsa 87 2 4/4

16 ChaCha 1 100 2 4/4

17 ChaCha 2 120 2 4/4

18 Bongo 104 2 4/4

19 Djembe 1 117 1 4/4

20 Djembe 2 113 1 4/4

21 Djembe 3 120 4 4/4

22 African 1 130 2 4/4

23 African 2 145 1 4/4

24 African 9bt 97 1 9/8

25 Spanish 12 120 1 12/8

26 Flamenco 1 106 4 4/4

27 Flamenco 2 102 1 12/8

28 Flamenco 3 102 4 12/8

29 Arab 4beat 100 2 4/4

30 Arab 10beat 120 2 5/4

31 BellyDance 120 2 4/4

32 Moroccan 100 2 4/4

33 Orient 1 96 4 4/4

34 Orient 2 96 2 4/4

35 Polynesian 155 1 4/4

36 Tabla Folk 99 2 4/4

37 Tabla 16beat 120 4 4/4

38 Tabla 10beat 113 1 10/8

39 Tabla 7beat 120 1 7/4

40 PunjabiFolk 96 1 2/4

41 Gamelan 129 4 4/4

42 China 1 90 4 4/8

43 China 2 175 4 4/4

No. Pattern Name Tempo Meas TimeSig

44 Matsuri 1 86 2 4/4

45 Matsuri 2 131 2 4/4

46 SamulNori 1 160 4 4/4

47 SamulNori 2 100 4 5/8

48 Pops Perc 96 4 4/4

49 GyilliBass 132 8 4/4

50 MarimBass 116 4 4/4

51 House 125 4 4/4

52 2Step 132 4 4/4

53 909 Techno 126 2 4/4

54 Abstract 78 2 4/4

55 R&B 100 2 4/4

56 808 Slow 78 2 4/4

57 Jungle 148 4 4/4

58 Funk 108 4 4/4

59 Rock 114 2 4/4

60 HardRock 144 2 4/4

61 Metal 186 4 4/4

62 8Beat 100 2 4/4

63 16Beat 116 4 4/4

64 DiscoBeat 116 2 4/4

65 SlowRock 68 4 4/4

66 Shuffle 122 4 4/4

67 Ballad 66 4 4/4

68 BossaNova 144 4 4/4

69 Reggae 74 4 4/4

70 Swing 100 1 4/4

71 Brushes 80 4 4/4

72 March 120 4 4/4

73 Waltz 160 8 3/4

74 Son 3-2 100 1 4/4

75 Son 2-3 100 1 4/4

76 Rumba 3-2 100 1 4/4

77 Rumba 2-3 100 1 4/4

78 Cowbell 1 120 2 4/4

79 Cowbell 2 120 2 4/4

80 Cowbell 3 112 1 4/4

81 Shaker 104 1 4/4

82 Maracas 112 1 4/4

83 SleighBells 92 1 4/4

84 Triangle 1 108 1 4/4

85 Triangle 2 108 1 4/4

86 TempleBlocks 106 2 4/4

HPD-10_e1.book 37 ページ ２００６年４月７日　金曜日　午後２時１４分

38

Glossary

(from

p. 27

)

An example of PAf is as follows: Let’s say you are using the

ROLL function on all the pads. IF you press lightly on one pad,

and more strongly on another, then their respective sound levels

will be different.

(from

p. 27

)

Define the sensitivity of the pad or the like to control the

balance between the strike force and the sound volume. As the

value increases, the sensitivity gets higher, which means that a

louder sound is produced with weak strikes.

(from

p. 27

)

Setting the Minimum Levels for the Pads

Allows a trigger signal to be received only above a determined

velocity level. In the following example, B will sound but A and

C will not sound.

(from

p. 25

,

27

)

This setting determines the relation between playing velocity

and changes in volume.

The standard setting, producing the most natural

correspondence between playing dynamics and volume

change.

fig.VeloC-LINEAR.e

Stronger dynamics produce a greater change.

fig.VeloC-EP.e

Softer dynamics produces a greater change.

fig.VeloC-LOG.e

Extreme changes are made in response to playing dynamics.

fig.VeloC-SPLINE.e

PAf (Polyphonic Aftertouch)

Sens (Sensitivity)

Threshold

Curve (Velocity Curve)

Threshold

CBA

LINEAR

EXP1 (Exponential 1),

EXP2 (Exponential 2)

LOG1, LOG2

SPLINE

Volume

Striking Force

LINEAR

Volume Volume

Striking Force

EXP 2EXP 1

Volume Volume

Striking Force

LOG2LOG1

Volume

Striking Force

SPLINE

HPD-10_e1.book 38 ページ ２００６年４月７日　金曜日　午後２時１４分

39

Glossary

Hardly any dynamic response, easy to maintain strong volume

levels. Ideal when using drum triggers.

fig.VeloC-LOUD.e

(from

p. 27

)

A trigger signal may differ slightly depending on the

characteristics of each pad or acoustic drum trigger (drum

pickup) being used. If identical hits produce sound at different

volumes, you can adjust the “SCAN TIME” so that your way of

playing can be detected more precisely. The higher the value

the longer it will take for the sound to be played.

fig.scan time1.e

fig.scan time2.e

(from

p. 27

)

This is important if you are using acoustic drum triggers which

can produce altered waveforms that may also cause inadvertent

sounding at Point A in the following figure.

fig.Retrigger.e

Retrigger Cancel detects such distortion in and prevents

retriggering from occurring.

Setting this to a high value prevents retriggering, but may also

cause sounds to be omitted during fast playing (roll etc.). Set

this to the lowest value possible while still ensuring that there is

no retriggering.

You can also eliminate this problem of retriggering

with the Mask Time setting.

(from

p. 27

)

Once a pad has been hit, any additional trigger signals

received within the specified “Mask Time” (0-64 msec) will be

ignored.

fig.mask time.e

(from

p. 27

)

An example of crosstalk is If two pads are mounted on the same

stand, or nearby, and hitting one pad causes the other pad to

sound. To eliminate this, adjust Crosstalk Cancel on the pad

that is sounding inadvertently.

(from

p. 27

)

Control the sensitivity of the rim. As the value increases, the rim

is more likely to produce a sound. When it is set to OFF, the

instrument of the head is reproduced at a rim shot. Note that if

the value is too large, the instrument of the rim will be produced

when you strike the head.

(from

p. 27

)

Control the sensitivity of the rim. Configure this parameter to

change the sensitivity of the rim alone with that of the head left

unchanged.

LOUD1, LOUD2

Scan Time

Retrig Cancel

(Retrigger Cancel)

Volume Volume

Striking Force

LOUD2LOUD1

Time

Scan Time

Time

A

Mask Time

XTalk Cancel

(Crosstalk Cancel)

Rim Sens (Rim Sensitivity)

Rim Gain

Time

Mask Time

Sound not produced

HPD-10_e1.book 39 ページ ２００６年４月７日　金曜日　午後２時１４分

40

Interface Profile

[EDIT]

Depend on “Type”

HPD-10_e1.book 40 ページ ２００６年４月７日　金曜日　午後２時１４分

41

Interface Profile

SETUP ([SHIFT] + [EDIT])

Only for Dump = 1KIT

Only for Mode = PAD(RIM)

HPD-10_e1.book 41 ページ ２００６年４月７日　金曜日　午後２時１４分

42

MIDI Implementation Chart

MIDI Implementation Chart

Function...

Basic

Channel

Mode

Note

Number :

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change

System Exclusive

System

Common

System

Real Time

Aux

Message

Notes

Transmitted Recognized Remarks

Default

Changed

Default

Messages

Altered

True Voice

Note ON

Note OFF

Key’s

Ch’s

4

16

17

81

1–5, 7–31, 64–95

: True #

: Song Pos

: Song Sel

: Tune

: Clock

: Commands

: All sound off

:

Reset all controllers

: Local Control

: All Notes OFF

: Active Sense

: Reset

1–16, OFF

1–16, OFF

Mode 3

x

O 9nH, v=1-127

O 9nH, v=0

O 8nH, v=1-127 *1 *1

0–127

O

x

*2 *2

x

O (Foot Sw)

O (Pad Position)

O (Pad Position)

O (D Beam)

O

O

O

O

O

O

O

**************

*2 *2

O

x

x

x

x

x

x

x

x

x

O

x

1–16, OFF

1–16, OFF

Memorized

Mode 3

x

O

x

O

0–127

0–127

O

x

x

O

0–63

O

x

x

x

x

x

O

O

x

x

O

x

Foot Control

General Purpose Controller 1

General Purpose Controller 2

General Purpose Controller 6

Pad Pressure, D Beam, Knob

* 1 Transmitted/Recognized when “Gate Time” is “GATE” or “ALT.”

* 2 o x is selectable.

PERCUSSION SOUND MODULE

Model HPD-10

Date : February 1, 2006

Version : 1.00

MIDI Implementation Chart

************** **************

**************

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

Program number 1–64

*2

*2

*2

*2

*2

*2

*2

*2

*2

*2

HPD-10_e1.book 42 ページ ２００６年４月７日　金曜日　午後２時１４分

43

Specifications

HPD-10: HandSonic 10

Pad

10 inches, 10 sections, Pressure-Sensitive

Instruments

410

Kits

64

Effects

Ambience (5 types)

Multi-Effects (20 types)

Style Guide Metronome

86 patterns

Tempo

40–200

Coach Mode

QUIET COUNT

RHYTHM CHECK

TIME CHECK

PAD FOLLOW

AUTO UP/DOWN

TAP TEMPO

Controllers

D Beam Controller

Control Knob

Display

Icon-driven Backlit LCD

Connectors

Output Jacks (L/MONO, R)

Phones Jack (Stereo)

Mix In Jack (Stereo)

Trigger Input/Foot Sw Jack (Dual)

MIDI Connectors (IN, OUT)

Power Supply

AC Adaptor (DC 9 V)

Current Draw

350 mA

Dimensions

323 (W) x 427 (D) x 75 (H) mm

12-3/4 (W) x 16-13/16 (D) x 3 (H) inches

Weight

2.9 kg / 6 lbs 7 oz (excluding AC adaptor)

Accessories

Owner’s Manual

AC Adaptor

Options

Pad Stand (PDS-10)

Carrying Bag (CB-HPD-10)

Foot Switch (BOSS: FS-5U, FS-6)

Pedal Switch (DP-2)

Kick Triggers (KD-7, KD-8, KD-85BK/WT, KD-120BK/WT)

Pads (PD-8, PDX-8, PD-85BK/WT, PD-105BK/WT, PD-125BK/

WT)

Cymbals (CY-5, CY-8, CY-12R/C, CY-14C, CY-15R)

Connection Cable (PCS-31L)

962a

* In the interest of product improvement, the specifications

and/or appearance of this unit are subject to change

without prior notice.

Demo Song List

1. Latin Passion Music by Ikuo Kakehashi

Copyright © 2006 Roland Corporation

2. Drums of India Music by Ikuo Kakehashi

Copyright © 2006 Roland Corporation

3. Tropical Waves Music by Ikuo Kakehashi

Copyright © 2006 Roland Corporation

4. Drums from Africa Music by Roland Corporation

Copyright © 2006 Roland Corporation

5. Samba de Droid Music by Ikuo Kakehashi

Copyright © 2006 Roland Corporation

981a

* All rights reserved. Unauthorized use of this material

for purposes other than private, personal enjoyment is

a violation of applicable laws.

HPD-10_e1.book 43 ページ ２００６年４月７日　金曜日　午後２時１４分

44

Attaching the HandSonic 10 to the Stand (optional)

1.

Using the screws already mounted on the bottom of the HandSonic 10, attach the stand holder as shown in

the diagram below.

Use ONLY these screws, otherwise damage may result.

fig.0-03.e

2.

Mount the HandSonic 10 to the stand. (PDS-10)

For details on assembling the pad stand and attaching the HandSonic 10, refer to the owner’s manual for

the pad stand.

fig.0-04.e

Gig Bag for HandSonic

CB-HPD-10

Kick Trigger Unit

KD-7

Foot Switch

FS-5U

Dual-Trigger Pad

PD-8

Dual-Trigger

Cymbal Pad

CY-8

Stereo

Headphones

RH-200S

Trigger Cable

PCS-31L

Pad Stand

PDS-10

Personal Monitor Amplifier

PM-10

Options

The CB-HPD-10 gig

bag can hold the

HandSonic, the PDS-

10, AC adaptor, and

headphones.

Bass Drum Pedal

not included.

HPD-10_e1.book 44 ページ ２００６年４月７日　金曜日　午後２時１４分

45

Index

A

Ambience

.............................................................. 8, 24

Assigning a Sound to a Pad

........................................ 9

Auto Up/Down

......................................................... 20

B

Beat

Metronome

.......................................................... 15

Pad Follow

.......................................................... 19

Bulk Dump

................................................................. 27

C

CC Tx/Rx (MIDI)

....................................................... 27

[COACH] button

................................................. 17–20

Coach Mode

............................................................. 17

Control Knob

.............................................................. 8

Cord Hook

.................................................................. 6

Curve

........................................................................ 27

D Beam

............................................................... 25

Grossaly

.............................................................. 38

Pad

...................................................................... 25

D

D Beam

..................................................... 8, 13, 25, 28

Effects

.................................................................. 21

Gate Time

........................................................... 22

[D BEAM] button

................................................... 8, 13

D BEAM Control Change Number (MIDI)

................. 27

Demo Song

................................................................. 3

Demo Song List

......................................................... 44

Device ID (MIDI)

........................................................ 27

E

[EDIT] button

......................................................... 9, 21

Effect

......................................................... 8, 12, 21, 28

[EFFECT] button

..................................................... 8, 12

Effects List

.................................................................. 30

Error Messages

......................................................... 29

EXP

........................................................................... 38

Exponential

............................................................... 38

External Trigger Settings (EXT TRIG)

.......................... 26

F

Factory Reset

............................................................. 27

Favorite Kit Jump Function

......................................... 28

Foot Switch

............................................................... 26

Foot Switch Functions

................................................ 26

G

Gate Time (Kit/MIDI)

................................................. 22

Glossary

.................................................................... 38

H

HH CTRL

.................................................................... 26

I

Inst Sort

...................................................................... 24

Instrument List

............................................................. 34

K

Kit

.............................................................................. 22

Kit Clear

.................................................................... 23

Kit Copy

.................................................................... 23

Kit Exchange

.............................................................. 23

Kit List

........................................................................ 36

Kit Naming

.......................................................... 12, 28

KIT Volume (Kit/MIDI) ................................................ 22

Knob (Effects) ............................................................. 21

Knob Control Change Number (MIDI) ....................... 27

L

LCD Contrast ....................................................... 24, 28

Level (Ambience) ........................................................ 24

Linear ......................................................................... 38

Local Control (MIDI) ................................................... 27

Log ............................................................................ 38

Loud ........................................................................... 39

L-R Exchange .............................................................. 23

M

Mask Time ........................................................... 27, 39

Metronome

Normal ................................................................ 15

Short Cut .............................................................. 28

Style Guide .......................................................... 14

Metronome Sound ..................................................... 16

MIDI ........................................................................... 27

Kit/MIDI ............................................................... 22

Mode (Ext Trig) .......................................................... 26

Muffling ................................................................. 8, 10

Mute .......................................................................... 11

N

Naming a Kit ............................................................. 12

Short Cut .............................................................. 28

HPD-10_e1.book 45 ページ ２００６年４月７日　金曜日　午後２時１４分

46

Index

NOTE OFF

................................................................ 22

Note#

....................................................................... 22

O

Option

...................................................................... 44

P

Pad

............................................................................. 9

Pad Chase

................................................................ 24

Pad Clear

.................................................................. 23

Pad Copy

.................................................................. 23

Pad Exchange

........................................................... 23

Pad Follow

................................................................ 19

Pad Settings

.............................................................. 25

Pad Switch (Effects)

................................................... 21

PAf

............................................................................ 38

Pan

........................................................................... 10

PC Tx/Rx (MIDI)

........................................................ 27

PlayStyle (Pad)

.......................................................... 25

Polarity (Ext Trig)

....................................................... 26

Polyphonic Aftertouch

............................................... 38

Position

....................................................................... 7

Position (Pad)

............................................................ 25

Positional Sensing

....................................................... 7

Power

.......................................................................... 7

Preset Kit button

...................................................... 3, 7

Pressure

.................................................................... 11

Pressure Control Change Number (MIDI)

.................. 27

Pressure Sens (Pad)

................................................... 25

Q

Quiet Count

.............................................................. 17

R

Rate (Auto Up/Down)

............................................... 20

Restoring an Individual Kit to the Factory Settings

..... 23

Retrig Cancel (Retrigger Cancel)

......................... 27, 39

Rhythm (Metronome)

................................................. 15

Rhythm Check

........................................................... 18

Rim Gain

............................................................. 27, 39

Rim Sens

............................................................. 27, 39

Roll (Pressure)

............................................................ 21

Rx Mute

..................................................................... 11

Rx Pitch

..................................................................... 11

D Beam

............................................................... 13

S

Scan Time

........................................................... 27, 39

SCRAPE

..................................................................... 22

Sens

........................................................................... 27

D Beam

................................................................ 25

Sensitivity (Pad)

.......................................................... 25

Setup

......................................................................... 24

Short Cut

.................................................................... 28

Effects

.................................................................. 21

Effects Editing

....................................................... 12

LCD Contrast

........................................................ 24

Metronome

........................................................... 16

Naming a Kit

....................................................... 28

Sound

.......................................................................... 9

Spline ........................................................................ 38

Stand ......................................................................... 44

Style Guide ................................................................ 14

Style Guide Metronome Pattern List ............................ 37

Switch (Ambience) ..................................................... 24

T

Tap Tempo ................................................................. 20

Tempo

Metronome (Normal) ........................................... 15

Metronome (Style Guide) ..................................... 14

Tempo Change (Metronome) ..................................... 15

Threshold ............................................................. 27, 38

Time Check ................................................................ 18

Time Signature (Beat) ................................................. 15

Tools .......................................................................... 23

Troubleshooting ......................................................... 29

Tuning .................................................................... 8, 10

Tx (D Beam) ............................................................... 13

Type

Ambience ............................................................. 24

Effects .................................................................. 12

Ext Trig ................................................................. 26

U

Undo ......................................................................... 23

V

Velocity (Ext Trig) ....................................................... 26

Velocity Curve ........................................................... 38

Volume ...................................................................... 10

Metronome ..................................................... 14, 16

X

XTalk Cancel (Crosstalk Cancel) .......................... 27, 39

HPD-10_e1.book 46 ページ ２００６年４月７日　金曜日　午後２時１４分

47

MEMO

HPD-10_e1.book 47 ページ ２００６年４月７日　金曜日　午後２時１４分

48

USING THE UNIT SAFELY Please Read This Section

USING THE UNIT SAFELY

001

• Before using this unit, make sure to read the instructions

below, and the Owner’s Manual.

................................................................................................

002c

• Do not open (or modify in any way) the unit or its AC

adaptor.

................................................................................................

003

• Do not attempt to repair the unit, or replace parts within

it (except when this manual provides specific instructions

directing you to do so). Refer all servicing to your

retailer, the nearest Roland Service Center, or an

authorized Roland distributor, as listed on the

“Information” page.

................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight

in an enclosed vehicle, near a heating duct, on top

of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or

are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

................................................................................................

005

• This unit should be used only with a stand (PDS-10) that

is recommended by Roland (p. 44).

................................................................................................

006

• When using the unit with a stand (PDS-10)

recommended by Roland, the stand must be carefully

placed so it is level and sure to remain stable. If not

using a stand, you still need to make sure that any location you

choose for placing the unit provides a level surface that will

properly support the unit, and keep it from wobbling.

................................................................................................

008c

• Be sure to use only the AC adaptor supplied with the

unit. Also, make sure the line voltage at the installation

matches the input voltage specified on the AC adaptor’s

body. Other AC adaptors may use a different polarity,

or be designed for a different voltage, so their use could

result in damage, malfunction, or electric shock.

................................................................................................

008e

• Use only the attached power-supply cord. Also, the

supplied power cord must not be used with any other

device.

................................................................................................

009

• Do not excessively twist or bend the power cord, nor

place heavy objects on it. Doing so can damage the

cord, producing severed elements and short circuits.

Damaged cords are fire and shock hazards!

................................................................................................

010

• This unit, either alone or in combination with an

amplifier and headphones or speakers, may be capable

of producing sound levels that could cause permanent

hearing loss. Do not operate for a long period of time at

a high volume level, or at a level that is uncomfortable. If

you experience any hearing loss or ringing in the ears,

you should immediately stop using the unit, and consult

an audiologist.

................................................................................................

011

• Do not allow any objects (e.g., flammable material,

coins, pins); or liquids of any kind (water, soft drinks,

etc.) to penetrate the unit.

................................................................................................

Used for instructions intended to alert the

user to the risk of injury or material

damage should the unit be used

improperly.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic animals

or pets.

Used for instructions intended to alert the

user to the risk of death or severe injury

should the unit be used improperly.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In

the case of the symbol at left, it means that the power-

cord plug must be unplugged from the outlet.

The symbol alerts the user to important instructions or

warnings.The specific meaning of the symbol is

determined by the design contained within the triangle.

In the case of the symbol at left, it is used for general

cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never

be carried out (are forbidden). The specific thing that

must not be done is indicated by the design contained

within the circle. In the case of the symbol at left, it

means that the unit must never be disassembled.

HPD-10_e1.book 48 ページ ２００６年４月７日　金曜日　午後２時１４分

49

USING THE UNIT SAFELY Please Read This Section

012b

• Immediately turn the power off, remove the AC adaptor

from the outlet, and request servicing by your retailer,

the nearest Roland Service Center, or an authorized

Roland distributor, as listed on the “Information” page

when:

• The AC adaptor, the power-supply cord, or the plug

has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled

onto the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

................................................................................................

012c

• Immediately turn the power off, remove the AC adaptor

from the outlet, and request servicing by your retailer,

the nearest Roland Service Center, or an authorized

Roland distributor, as listed on the “Information” page

when:

• The AC adaptor or the power-supply cord has been

damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled

onto the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

................................................................................................

013

• In households with small children, an adult should

provide supervision until the child is capable of

following all the rules essential for the safe operation of

the unit.

................................................................................................

014

• Protect the unit from strong impact.

(Do not drop it!)

................................................................................................

015

• Do not force the unit’s power-supply cord to share an

outlet with an unreasonable number of other devices. Be

especially careful when using extension cords—the total

power used by all devices you have connected to the

extension cord’s outlet must never exceed the power

rating (watts/amperes) for the extension cord. Excessive

loads can cause the insulation on the cord to heat up

and eventually melt through.

................................................................................................

016

• Before using the unit in a foreign country, consult with

your retailer, the nearest Roland Service Center, or an

authorized Roland distributor, as listed on the

“Information” page.

................................................................................................

101b

• The unit and the AC adaptor should be located so their

location or position does not interfere with their proper

ventilation.

................................................................................................

101c

• This (HandSonic 10) for use only with Roland stand

PDS-10. Use with other stands (or carts) is capable of

resulting in instability causing possible injury.

................................................................................................

102c

• Always grasp only the plug on the AC adaptor cord

when plugging into, or unplugging from, an outlet or this

unit.

................................................................................................

102d

• Always grasp only the output plug or the body of the AC

adaptor when plugging into, or unplugging from, this

unit or an outlet.

................................................................................................

103b

• At regular intervals, you should unplug the AC adaptor

and clean it by using a dry cloth to wipe all dust and

other accumulations away from its prongs. Also,

disconnect the power plug from the power outlet

whenever the unit is to remain unused for an extended

period of time. Any accumulation of dust between the

power plug and the power outlet can result in poor

insulation and lead to fire.

................................................................................................

104

• Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be placed

so they are out of the reach of children.

................................................................................................

106

• Never climb on top of, nor place heavy objects on the

unit.

................................................................................................

107c

• Never handle the AC adaptor or its plugs with wet

hands when plugging into, or unplugging from, an outlet

or this unit.

................................................................................................

107d

• Never handle the AC adaptor body, or its output plugs,

with wet hands when plugging into, or unplugging from,

an outlet or this unit.

................................................................................................

108b

• Before moving the unit, disconnect the AC adaptor and

all cords coming from external devices.

................................................................................................

109b

• Before cleaning the unit, turn off the power and unplug

the AC adaptor from the outlet (p. 6).

................................................................................................

110b

• Whenever you suspect the possibility of lightning in your

area, disconnect the AC adaptor from the outlet.

................................................................................................

118a

• Should you remove screws for the stand, keep them in a

safe place out of children’s reach, so there is no chance

of them being swallowed accidentally.

................................................................................................

HPD-10_e1.book 49 ページ ２００６年４月７日　金曜日　午後２時１４分

50

IMPORTANT NOTES Please Read This Section

IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 48–49, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by

an electrical appliance that is controlled by an inverter (such as a

refrigerator, washing machine, microwave oven, or air conditioner),

or that contains a motor. Depending on the way in which the

electrical appliance is used, power supply noise may cause this unit

to malfunction or may produce audible noise. If it is not practical to

use a separate electrical outlet, connect a power supply noise filter

between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of

consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all

units. This will help prevent malfunctions and/or damage to speakers

or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing

large power transformers) may induce hum. To alleviate the problem,

change the orientation of this unit; or move it farther away from the

source of interference.

352a

• This device may interfere with radio and television reception. Do not

use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as

cell phones, are operated in the vicinity of this unit. Such noise could

occur when receiving or initiating a call, or while conversing. Should

you experience such problems, you should relocate such wireless

devices so they are at a greater distance from this unit, or switch

them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that

radiate heat, leave it inside an enclosed vehicle, or otherwise subject

it to temperature extremes. Excessive heat can deform or discolor the

unit.

355b

• When moved from one location to another where the temperature

and/or humidity is very different, water droplets (condensation) may

form inside the unit. Damage or malfunction may result if you attempt

to use the unit in this condition. Therefore, before using the unit, you

must allow it to stand for several hours, until the condensation has

completely evaporated.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that

has been slightly dampened with water. To remove stubborn dirt, use

a cloth impregnated with a mild, non-abrasive detergent. Afterwards,

be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid

the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be

lost when the unit is sent for repairs. Important data should always be

backed up in another MIDI device (e.g., a sequencer)., or written

down on paper (when possible). During repairs, due care is taken to

avoid the loss of data. However, in certain cases (such as when

circuitry related to memory itself is out of order), we regret that it may

not be possible to restore the data, and Roland assumes no liability

concerning such loss of data.

Memory Backup

501b

• This unit contains a battery which powers the unit’s memory circuits

while the main power is off. When this battery becomes weak, the

message shown below will appear in the display. Once you see this

message, have the battery replaced with a fresh one as soon as

possible to avoid the loss of all data in memory. To have the battery

replaced, consult with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as listed on the

“Information” page.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost

as a result of a malfunction, or the improper operation of the unit. To

protect yourself against the risk of loosing important data, we

recommend that you periodically save a backup copy of important

data you have stored in the unit’s memory in another MIDI device

(e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data

that was stored in user kit. once it has been lost. Roland Corporation

assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons,

sliders, or other controls; and when using its jacks and connectors.

Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector

itself—never pull on the cable. This way you will avoid causing

shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at

reasonable levels. You may prefer to use headphones, so you do not

need to be concerned about those around you (especially when it is

late at night).

558d

• This instrument is designed to minimize the extraneous sounds

produced when it’s played. However, since sound vibrations can be

transmitted through floors and walls to a greater degree than

expected, take care not to allow these sounds to become a nuisance

to neighbors, especially when performing at night and when using

headphones.

559a

• When you need to transport the unit, package it in the box (including

padding) that it came in, if possible. Otherwise, you will need to use

equivalent packaging materials.

566a

• The usable range of D Beam controller will become extremely small

when used under strong direct sunlight. Please be aware of this when

using the D Beam controller outside.

566b

• The sensitivity of the D Beam controller will change depending on the

amount of light in the vicinity of the unit. If it does not function as you

expect, adjust the sensitivity as appropriate for the brightness of your

location.

HPD-10_e1.book 50 ページ ２００６年４月７日　金曜日　午後２時１４分

This product complies with the requirements of European Directive 89/336/EEC.

For EU Countries

For EU Countries

Apparatus containing

Lithium batteries

ADVARSEL!

Lithiumbatteri - Eksplosionsfare ved

fejlagtig håndtering.

Udskiftning må kun ske med batteri af

samme fabrikat og type.

Levér det brugte batteri tilbage til

leverandøren.

VARNING

Explosionsfara vid felaktigt batteribyte.

Använd samma batterityp eller en

ekvivalent typ som rekommenderas av

apparattillverkaren.

Kassera använt batteri enligt

fabrikantens instruktion.

CAUTION

Danger of explosion if battery is

incorrectly replaced.

Replace only with the same or

equivalent type recommended by the

manufacturer.

Discard used batteries according to the

manufacturer’s instructions.

ADVARSEL

Eksplosjonsfare ved feilaktig skifte av

batteri.

Benytt samme batteritype eller en

tilsvarende type anbefalt av

apparatfabrikanten.

Brukte batterier kasseres i henhold til

fabrikantens instruks joner.

VAROITUS

Paristo voi räjähtää, jos se on

virheellisesti asennettu.

Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan

tyyppiin. Hävitä käytetty paristo

valmistajan ohjeiden mukaisesti.

For Canada

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

NOTICE

AVIS

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

– Reorient or relocate the receiving antenna.

– Increase the separation between the equipment and receiver.

– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

– Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and

(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE:

BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL

LIVE

For the U.K.

HPD-10_e1.book 51 ページ ２００６年４月７日　金曜日　午後２時１４分

As of April 1, 2006 (ROLAND)

Information When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany

Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: 20-2-417-1828

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

REUNION ISLAND

TEL: (0262) 218-429

SOUTH AFRICA

T.O.M.S. Sound & Music

(Pty)Ltd.

11 Melle St., Braamfontein,

Johannesbourg,

SOUTH AFRICA

TEL: (011) 403 4105

FAX: (011) 403 1234

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24

Londonderry Road, Ottery 7800

Cape Town, SOUTH AFRICA

TEL: (021) 799 4900

CHINA

Roland Shanghai Electronics

Co.,Ltd.

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Roland Shanghai Electronics

Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 3 Section Anhuaxili

Chaoyang District Beijing

100011 CHINA

TEL: (010) 6426-5050

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

TEL: 2415 0911

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 2333 1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra

Mahalaxmi Flats Compound

Off. Dr. Edwin Moses Road,

Mumbai-400011, INDIA

TEL: (022) 2493 9051

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

KOREA

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

MALAYSIA

Roland Asia Pacific Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 899 9801

SINGAPORE

SWEE LEE MUSIC

COMPANY PTE. LTD.

150 Sims Drive,

SINGAPORE 387381

TEL: 6846-3676

SRI LANKA

Penguin Electronics (Pvt) Ltd.

115, Maya Avenue,

Colombo 06, SRI LANKA

TEL: (11) 2552376

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung

Shan N.Road Sec.2, Taipei,

TAIWAN, R.O.C.

TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Soi Verng NakornKasem,

New Road, Sumpantawongse,

Bangkok 10100, THAILAND

TEL: (02) 224-8821

VIETNAM

SAIGON MUSIC

DISTRIBUTOR

(TAN DINH MUSIC)

138 Tran Quang Khai Street

Dist. 1, Ho Chi Minh City

VIETNAM

TEL: (08) 848-4068

AUSTRALIA/

NEW ZEALAND

Roland Corporation

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

For Australia

Tel: (02) 9982 8266

For New Zealand

Tel: (09) 3098 715

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, Barbados

TEL: (246)430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, Colombia

TEL: (574)3812529

COSTA RICA

JUAN Bansbach Instrumentos

Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

CURACAO

Zeelandia Music Center Inc.

Orionweg 30

Curacao, Netherland Antilles

TEL:(305)5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Santo Domingo,

Dominican Republic

TEL:(809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma

Guayaquil - Ecuador

TEL:(593-4)2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final

Alameda Juan Pablo II,

Edificio No.4010 San Salvador,

EL SALVADOR

TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala

Guatemala

TEL:(502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

3 Ave.11 Calle S.O

San Pedro Sula, Honduras

TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle

97232 Le Lamantin

Martinique F.W.I.

TEL: 596 596 426860

Gigamusic SARL

10 Rte De La Folie

97200 Fort De France

Martinique F.W.I.

TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico

D.F. MEXICO

TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos

Musicales Nicaragua

Altamira D'Este Calle Principal

de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, Nicaragua

TEL: (505)277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE

PANAMA

TEL: 315-0101

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (595) 21 492147

PERU

Audionet

Distribuciones Musicales SAC

Juan Fanning 530

Miraflores

Lima - Peru

TEL: (511) 4461388

NORWAY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

TEL: 2273 0074

POLAND

MX MUSIC SP.Z.O.O.

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

PORTUGAL

Roland Iberia, S.L.

Portugal Office

Cais das Pedras, 8/9-1 Dto

4050-465, Porto, PORTUGAL

TEL: 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1,

535500 Gheorgheni,

ROMANIA

TEL: (266) 364 609

RUSSIA

MuTek

Dorozhnaya ul.3,korp.6

117 545 Moscow, RUSSIA

TEL: (095) 981-4967

SPAIN

Roland Iberia, S.L.

Paseo García Faria, 33-35

08005 Barcelona SPAIN

TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

SWITZERLAND

TEL: (061) 927-8383

UKRAINE

TIC-TAC

Mira Str. 19/108

P.O. Box 180

295400 Munkachevo,

UKRAINE

TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

TEL: 17 211 005

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

TEL: (021) 285-4169

ISRAEL

Halilit P. Greenspoon & Sons

Ltd.

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

TRINIDAD

AMR Ltd

Ground Floor

Maritime Plaza

Barataria Trinidad W.I.

TEL: (868) 638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa

1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales

Allegro,C.A.

Av.las industrias edf.Guitar

import

#7 zona Industrial de Turumo

Caracas, Venezuela

TEL: (212) 244-1122

AUSTRIA

Roland Elektronische

Musikinstrumente HmbH.

Austrian Office

Eduard-Bodem-Gasse 8,

A-6020 Innsbruck, AUSTRIA

TEL: (0512) 26 44 260

BELGIUM/FRANCE/

HOLLAND/

LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

CZECH REP.

K-AUDIO

Kardasovska 626.

CZ-198 00 Praha 9,

CZECH REP.

TEL: (2) 666 10529

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial

Finland

Elannontie 5

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

GERMANY

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844

Norderstedt, GERMANY

TEL: (040) 52 60090

GREECE/CYPRUS

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint,

HUNGARY

TEL: (23) 511011

IRELAND

Roland Ireland

G2 Calmount Park, Calmount

Avenue, Dublin 12

Republic of IRELAND

TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

JORDAN

MUSIC HOUSE CO. LTD.

FREDDY FOR MUSIC

P. O. Box 922846

Amman 11192 JORDAN

TEL: (06) 5692696

KUWAIT

EASA HUSAIN AL-YOUSIFI

& SONS CO.

Abdullah Salem Street,

Safat, KUWAIT

TEL: 243-6399

LEBANON

Chahine S.A.L.

Gerge Zeidan St., Chahine

Bldg., Achrafieh, P.O.Box: 16-

5857

Beirut, LEBANON

TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1

Al Noor Street, Ruwi

SULTANATE OF OMAN

TEL: 2478 3443

QATAR

Al Emadi Co. (Badie Studio &

Stores)

P.O. Box 62, Doha, QATAR

TEL: 4423-554

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary

Bldg., 1st Floor, Alkhobar,

SAUDI ARABIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SYRIA

Technical Light & Sound

Center

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

TEL: (011) 223-5384

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.37

Beyoglu - Istanbul / TURKEY

TEL: (0212) 249 85 10

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai,

U.A.E.

TEL: (04) 3360715

CANADA

Roland Canada Ltd.

(Head Office)

5480 Parkwood Way

Richmond B. C., V6V 2M4

CANADA

TEL: (604) 270 6626

Roland Canada Ltd.

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

TEL: (323) 890 3700

ASIA

AFRICA

AUSTRALIA/

NEW ZEALAND

EUROPE

CENTRAL/LATIN

AMERICA

MIDDLE EAST NORTH AMERICA

HPD-10_e1.book 52 ページ ２００６年４月７日　金曜日　午後２時１４分

04129645 ’06-04-2N

* 04129645 - 02*