Yamaha 01_28(atari) Concert Percussion Catalog 45706 Concertpercussion Cat
User Manual: Yamaha Concert Percussion Catalog
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http://www.yamahapercussion.com *Specifications are subject to change without notice. *Some models may not be available in some countries. *Colors shown in this catalog may not be represented exactly as the original colors due to printing processes involved. This document is printed on chlorine-free (ECF) paper with soy ink. cover 4 LEP0348U xxxx Printed in Japan cover 1 CONTENTS page 2 MARIMBAS page 4 VIBRAPHONES page 8 XYLOPHONES page 10 MULTI-FRAME II SYSTEM & TOUGH-TERRAIN FRAMES page 11 GLOCKENSPIELS page 12 CHIMES page 13 DEAGAN CHIMES & BELLS page 14 TIMPANI page 15 CONCERT SNARE DRUMS & CONCERT TOMS page 17 CONCERT BASS DRUMS page 18 ACCESSORIES page 19 ARTISTS page 24 DIMENSIONS & WEIGHT page 26 SCALE RANGE page 27 page 3 CONTENTS page 2 MARIMBAS page 4 VIBRAPHONES page 8 XYLOPHONES page 10 MULTI-FRAME II SYSTEM & TOUGH-TERRAIN FRAMES page 11 GLOCKENSPIELS page 12 CHIMES page 13 DEAGAN CHIMES & BELLS page 14 TIMPANI page 15 CONCERT SNARE DRUMS & CONCERT TOMS page 17 CONCERT BASS DRUMS page 18 ACCESSORIES page 19 ARTISTS page 24 DIMENSIONS & WEIGHT page 26 SCALE RANGE page 27 page 3 Marimbas The YM 6000 Concert Grand Marimba is an exceptional instrument representing the ultimate in design, construction, and materials. It offers a full five-octave range of carefully aged Honduran rosewood bars, cut and tuned by hand, and features a beautifully crafted, sturdy frame. Also available is the YM 6000A model featuring our exclusive pneumatic height adjustment system. Incorporating a streamlined frame and special resonator designs, our other rosewood models also maintain the exceptional sound quality for which Yamaha marimbas are known. These instruments incorporate all the lessons we have learned from the greatest players in perfecting our YM 6000 Concert Grand Marimba. Featuring the finest in traditional craftsmanship and the very latest in materials technology, all give you a rich, glowing tone and perfect intonation. YM 5104A Range: 5 1/2 octaves, C16–G83 Bars: Honduran rosewood Bar sizes: 1 1/2"–2 7/8" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Helmholz (C16 to F21), Round cornered rectangle (F#22-A#26) Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" Scale Range 8va G83 YM 6000 C16 YM 5100A Range: 5 octaves, C16–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–2 7/8" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Helmholz (C16 to F21), Round cornered rectangle (F#22-A#26) Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" YM 6000A YM 6000 Scale Range Range: 5 octaves, C16–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–3 1/8" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Round, adjustable from C16 to F33 Height: 35 1/2" C76 Scale Range C76 YM 6000A C16 YM 6000 with height adjustment C16 Height adjustment: Pneumatic strut system 33 7/8"-39 3/4" The Concert Grand marimba is the result of more than 20 years of collaboration between the legendary marimbist Keiko Abe and Yamaha designers. The resonators on the lower end of the YM 6000 and YM 6000A are adjustable, allowing a well-focused and balanced tone when changes in temperature and humidity occur. Yamaha has been developed the special way of the drying process with its long experience of mallet percussion making history. Block shaped wood materials spend the longest natural drying process.* After the first tuning process is done they are preserved in the humidity controlled space in a certain period.** Then they are checked again and are processed with final tuning before tone color matching process to be a one tone bar set. All these process maintain the reputation of Yamaha tone bars that is the most hard to be out of tune. * actually 2-3 years ** actually one month page 4 page 4 page 5 page 5 Marimbas The YM 6000 Concert Grand Marimba is an exceptional instrument representing the ultimate in design, construction, and materials. It offers a full five-octave range of carefully aged Honduran rosewood bars, cut and tuned by hand, and features a beautifully crafted, sturdy frame. Also available is the YM 6000A model featuring our exclusive pneumatic height adjustment system. Incorporating a streamlined frame and special resonator designs, our other rosewood models also maintain the exceptional sound quality for which Yamaha marimbas are known. These instruments incorporate all the lessons we have learned from the greatest players in perfecting our YM 6000 Concert Grand Marimba. Featuring the finest in traditional craftsmanship and the very latest in materials technology, all give you a rich, glowing tone and perfect intonation. YM 5104A Range: 5 1/2 octaves, C16–G83 Bars: Honduran rosewood Bar sizes: 1 1/2"–2 7/8" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Helmholz (C16 to F21), Round cornered rectangle (F#22-A#26) Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" Scale Range 8va G83 YM 6000 C16 YM 5100A Range: 5 octaves, C16–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–2 7/8" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Helmholz (C16 to F21), Round cornered rectangle (F#22-A#26) Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" YM 6000A YM 6000 Scale Range Range: 5 octaves, C16–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–3 1/8" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Round, adjustable from C16 to F33 Height: 35 1/2" C76 Scale Range C76 YM 6000A C16 YM 6000 with height adjustment C16 Height adjustment: Pneumatic strut system 33 7/8"-39 3/4" The Concert Grand marimba is the result of more than 20 years of collaboration between the legendary marimbist Keiko Abe and Yamaha designers. The resonators on the lower end of the YM 6000 and YM 6000A are adjustable, allowing a well-focused and balanced tone when changes in temperature and humidity occur. Yamaha has been developed the special way of the drying process with its long experience of mallet percussion making history. Block shaped wood materials spend the longest natural drying process.* After the first tuning process is done they are preserved in the humidity controlled space in a certain period.** Then they are checked again and are processed with final tuning before tone color matching process to be a one tone bar set. All these process maintain the reputation of Yamaha tone bars that is the most hard to be out of tune. * actually 2-3 years ** actually one month page 4 page 4 page 5 page 5 The YM 2400 marimba offers the excellent tone of our exclusive Acoustalon bars supported by a height-adjustable frame. Tested for years in the most rigorous performance situations, this instrument is built to remain stable, and to maintain its consistency of sound. A set of rosewood bars is available separately for added versatility (model YM-2400RBARS). YM 4900A Range: 4 1/2 octaves, F21–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Helmholz (F21), Round cornerd rectangle (F#22-A#26) Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" YM 2400 Scale Range C76 Range: 4 1/3 octaves, A25–C76 Bars: Acoustalon Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 35"–38 1/4" Scale Range C76 YM 2400RBARS A25 Optional rosewood bars for YM 2400 YMRD2400 with Multi-Frame II Page 11 YMT2400 with Tough-Terrain Frame Page 11 F21 With tone bars made of select padauk wood for a natural wood sound and feel, the Standard and Junior marimbas offer an ideal balance between tone and price. YM 4600A Range: 4 1/3 octaves, A25–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Round Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" YM 1430 Scale Range C76 Range: 4 1/3 octaves, A25–C76 Bars: Padauk Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 34 5/8"–38 5/8" Scale Range C76 A25 A25 Easy Height Adjustment Portability Our exclusive height adjustment system uses pneumatic struts to allow height changes to be made easily by one person. Transport, set-up and tear-down of the instruments are made simple by hinged resonators and rails, a two-piece crossbar and overall streamlined design. Four inch casters make rolling a breeze and locks on the playing side secure the instrument during play. Unique Resonator Design For a beautifully rich tone Yamaha marimbas employ a unique resonator design that includes special shapes, denser alloy, and thicker walls. page 6 page 6 YM 40 Scale Range Range: 3 1/2 octaves, C28–F69 Bars: Padauk Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick Pitch: A=442Hz Height adjustment: 34 5/8"–38 5/8" F69 C28 page 7 page 7 The YM 2400 marimba offers the excellent tone of our exclusive Acoustalon bars supported by a height-adjustable frame. Tested for years in the most rigorous performance situations, this instrument is built to remain stable, and to maintain its consistency of sound. A set of rosewood bars is available separately for added versatility (model YM-2400RBARS). YM 4900A Range: 4 1/2 octaves, F21–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Helmholz (F21), Round cornerd rectangle (F#22-A#26) Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" YM 2400 Scale Range C76 Range: 4 1/3 octaves, A25–C76 Bars: Acoustalon Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 35"–38 1/4" Scale Range C76 YM 2400RBARS A25 Optional rosewood bars for YM 2400 YMRD2400 with Multi-Frame II Page 11 YMT2400 with Tough-Terrain Frame Page 11 F21 With tone bars made of select padauk wood for a natural wood sound and feel, the Standard and Junior marimbas offer an ideal balance between tone and price. YM 4600A Range: 4 1/3 octaves, A25–C76 Bars: Honduran rosewood Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick Pitch: A=442Hz (other pitches available by special order) Resonators: Round Height adjustment: Pneumatic strut system 33 7/8"–39 3/4" YM 1430 Scale Range C76 Range: 4 1/3 octaves, A25–C76 Bars: Padauk Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 34 5/8"–38 5/8" Scale Range C76 A25 A25 Easy Height Adjustment Portability Our exclusive height adjustment system uses pneumatic struts to allow height changes to be made easily by one person. Transport, set-up and tear-down of the instruments are made simple by hinged resonators and rails, a two-piece crossbar and overall streamlined design. Four inch casters make rolling a breeze and locks on the playing side secure the instrument during play. Unique Resonator Design For a beautifully rich tone Yamaha marimbas employ a unique resonator design that includes special shapes, denser alloy, and thicker walls. page 6 page 6 YM 40 Scale Range Range: 3 1/2 octaves, C28–F69 Bars: Padauk Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick Pitch: A=442Hz Height adjustment: 34 5/8"–38 5/8" F69 C28 page 7 page 7 Vibraphones David Friedman Our vibes are world class instruments that reflect a beautiful sound supported by practical design. Made of an aluminum alloy unique to Yamaha, our vibe bars respond well at low dynamics yet do not distort at high levels. The special tuning of the bars, unique to our various models, ensures a pure fundamental and solid, full tone. By working with top pros, our design team creates instruments that not only sound wonderful, but offer exceptionally smooth mechanical operation for all recording and performance situations. Mike Mainieri Dave Samuels With fixed upper frame and parallel crossbars, our Studio vibe series is designed primarily for transport while set-up. Glossy tone bars feature a brighter sound with prominent overtones and enhanced projection. Matte finish bars have a slightly warmer sound with less overtones and a smooth, even sound. All vibe models use a height adjustable frame for maximum player comfort. The following three vibe models use frames that can be disassembled into relatively small parts for easy transport. The extended range models are very specialized instruments created by Yamaha designers in conjunction with top players and orchestras from around in the world. YV 4110 Range: 4 octaves, C28–C76 Bars: Glossy finish gold aluminum alloy Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 300 Pause-memory controller (25–150rpm) Height adjustment: 33 7/8"–37" With Matte finish gold aluminum alloy (YV 4110M) YV 2700(G) Range: 3 octaves, F33–F69 Bars: Glossy finish gold aluminum alloy (YV 2700G) Bars: Matte finish silver aluminum alloy (YV 2700) Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 200 Pause controller (25–150rpm) Height adjustment: 31 7/8"–35" Scale Range F69 YV 2700 F33 YVRD2700(G) with Multi-Frame II Scale Range 8va Page 11 C76 YVT2700(G) with Tough-Terrain Frame Page 11 YV 2700G C28 The YV 1600A is an inexpensive alternative based on our more expensive model vibes. The special aluminum alloy provides exceptional tone quality and the fan motor offers variable speeds. The frame height is adjustable and the pedal is oversized for player comfort. YV 3910 Range: 3 1/2 octaves, C28–F69 Bars: Glossy finish gold aluminum alloy Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 300 Pause-memory controller (25–150rpm) Height adjustment: 33 7/8"–37" With Matte finish gold aluminum alloy (YV 3910M) YV 3710 Range: 3 octaves, F33–F69 Bars: Glossy finish gold aluminum alloy Bar sizes: 1 1/2"–2 1/4 " Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 300 Pause-memory controller (25–150rpm) Height adjustment: 33 7/8"–37" With Matte finish gold aluminum alloy (YV 3710M) Scale Range F69 C28 YV 1600A Range: 3 octaves, F33–F69 Bars: Matte finish silver aluminum alloy Bar sizes: 1 1/2" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 200 Pause controller (25–150rpm) Height adjustment: 31 1/2"–34 5/8" page 8 page 8 F69 F33 Scale Range F69 F33 As a compact, lightweight vibe, the YV 520 uses a narrow, non-graduated bar design. Professional features include accurate tuning, variable speed motor with silent on/off, sturdy frame, height adjustment, large casters, oversized pedal and double-locking pedal assembly. YV 520 All Yamaha vibes feature a compact fan motor and pulley system. A silent pause and slider control provides quiet operation and exceptional musical expression. The YVM 300 motor is equipped with our exclusive memory system that returns the fans to a pre-determined position regardless of where the fans are when the pause button is pressed. Scale Range Range: 3 octaves, F33–F69 Bars: Matte finish silver aluminum alloy Bar sizes: 1 1/4" Wide, 3/8" Thick Pitch: A=442Hz Motor: YVM 100 Pause controller (25–150rpm) Height adjustment: 31 1/8"–34 1/4" Scale Range F69 F33 page 9 page 9 Vibraphones David Friedman Our vibes are world class instruments that reflect a beautiful sound supported by practical design. Made of an aluminum alloy unique to Yamaha, our vibe bars respond well at low dynamics yet do not distort at high levels. The special tuning of the bars, unique to our various models, ensures a pure fundamental and solid, full tone. By working with top pros, our design team creates instruments that not only sound wonderful, but offer exceptionally smooth mechanical operation for all recording and performance situations. Mike Mainieri Dave Samuels With fixed upper frame and parallel crossbars, our Studio vibe series is designed primarily for transport while set-up. Glossy tone bars feature a brighter sound with prominent overtones and enhanced projection. Matte finish bars have a slightly warmer sound with less overtones and a smooth, even sound. All vibe models use a height adjustable frame for maximum player comfort. The following three vibe models use frames that can be disassembled into relatively small parts for easy transport. The extended range models are very specialized instruments created by Yamaha designers in conjunction with top players and orchestras from around in the world. YV 4110 Range: 4 octaves, C28–C76 Bars: Glossy finish gold aluminum alloy Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 300 Pause-memory controller (25–150rpm) Height adjustment: 33 7/8"–37" With Matte finish gold aluminum alloy (YV 4110M) YV 2700(G) Range: 3 octaves, F33–F69 Bars: Glossy finish gold aluminum alloy (YV 2700G) Bars: Matte finish silver aluminum alloy (YV 2700) Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 200 Pause controller (25–150rpm) Height adjustment: 31 7/8"–35" Scale Range F69 YV 2700 F33 YVRD2700(G) with Multi-Frame II Scale Range 8va Page 11 C76 YVT2700(G) with Tough-Terrain Frame Page 11 YV 2700G C28 The YV 1600A is an inexpensive alternative based on our more expensive model vibes. The special aluminum alloy provides exceptional tone quality and the fan motor offers variable speeds. The frame height is adjustable and the pedal is oversized for player comfort. YV 3910 Range: 3 1/2 octaves, C28–F69 Bars: Glossy finish gold aluminum alloy Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 300 Pause-memory controller (25–150rpm) Height adjustment: 33 7/8"–37" With Matte finish gold aluminum alloy (YV 3910M) YV 3710 Range: 3 octaves, F33–F69 Bars: Glossy finish gold aluminum alloy Bar sizes: 1 1/2"–2 1/4 " Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 300 Pause-memory controller (25–150rpm) Height adjustment: 33 7/8"–37" With Matte finish gold aluminum alloy (YV 3710M) Scale Range F69 C28 YV 1600A Range: 3 octaves, F33–F69 Bars: Matte finish silver aluminum alloy Bar sizes: 1 1/2" Wide, 1/2" Thick Pitch: A=442Hz (other pitches available by special order) Motor: YVM 200 Pause controller (25–150rpm) Height adjustment: 31 1/2"–34 5/8" page 8 page 8 F69 F33 Scale Range F69 F33 As a compact, lightweight vibe, the YV 520 uses a narrow, non-graduated bar design. Professional features include accurate tuning, variable speed motor with silent on/off, sturdy frame, height adjustment, large casters, oversized pedal and double-locking pedal assembly. YV 520 All Yamaha vibes feature a compact fan motor and pulley system. A silent pause and slider control provides quiet operation and exceptional musical expression. The YVM 300 motor is equipped with our exclusive memory system that returns the fans to a pre-determined position regardless of where the fans are when the pause button is pressed. Scale Range Range: 3 octaves, F33–F69 Bars: Matte finish silver aluminum alloy Bar sizes: 1 1/4" Wide, 3/8" Thick Pitch: A=442Hz Motor: YVM 100 Pause controller (25–150rpm) Height adjustment: 31 1/8"–34 1/4" Scale Range F69 F33 page 9 page 9 Xylophones Multi-Frame II System Yamaha offers several xylophone models to fit virtually any performance situation. The rosewood model feature bars hand-crafted from the finest Honduran rosewood for a warm, authentic sound. The Acoustalon model features our exclusive synthetic bar that is exceptionally resilient to climate changes and therefore appropriate for indoor/outdoor use. For natural wood sound and feel at an affordable price, our standard model uses padauk wood bars. While the rosewood and Acoustalon models use height adjustable frames, the padauk model uses folding legs for compact storage and transport. Perfect for indoor and outdoor marching activities, stage-show pits, percussion solos, and percussion ensembles, the Multi-Frame II and Tough-Terrain Frame instruments are sturdy, convenient and practical. Highlights of the Multi-Frame II system include 1 1/2" square piping on three sides of the instrument for more protection, on three sides of the instrument for more protection, set-up options, and height adjustment by pneumatic struts for effortless height adjustments by one person. Other features include metal-hub 6" casters with in-line locking lever that locks both the swivel and hub rotation, and an easy-to-use clamp. YX 350A Scale Range Range: 3 1/2 octaves, F45–C88 Bars: Honduran rosewood Bar sizes: 1 1/2"–1 3/4" Wide, 7/8"–1" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 32 5/8"–37 3/8" YMRD 2400 with extras *(C88) RD 2400 YMRD 2400 *(F45) YMRD 2400 Xylophones sound one octave higher than the written notation. *(Actual notation) Tough-Terrain Frames YX 335 Scale Range Range: 3 1/2 octaves, F45–C88 Bars: Acoustalon Bar sizes: 1 1/2" Wide, 7/8" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 32 5/8"–37 3/8" *(C88) Range: 4 1/3 octaves, A25–C76 Bars: Acoustalon Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick Pitch: A=442Hz Height adjustment: pneumatic strut system 35"–40 7/8" The Yamaha Tough-Terrain Frame features brawny, welded steel construction and angled dual lower crossbars to protect resonators. Aggressive 10" pneumatic tires roll effortlessly over any field of play. An available hitch system means you can take your performance to places it’s never been before. Truly band-directordesigned, the Tough-Terrain Frame has a minimum amount of adjustments to eliminate loosening and subsequent loss of parts. In addition, the frames are height adjustable, and can be adapted to older Yamaha instruments. *(F45) YXRD335 with Multi-Frame II Page 11 YXT335 with Tough-Terrain Frame YMT 2400 with extras Xylophones sound one octave higher than the written notation. *(Actual notation) T 2400 Page 11 YMT 2400 YMT 2400 YX 135 Scale Range Range: 3 1/2 octaves, F45–C88 Bars: Padauk Bar sizes: 1 3/8" Wide, 3/4" Thick Pitch: A=442Hz (other pitches available by special order) Height: 34 1/4" *(C88) • Tough-Terrain Frames are available separately to retrofit to an existing instrument. • Tough-Terrain Frames are available with a new instrument (and you get the standard instrument frame too in case you want to use the TTF exclusively for marching season). • Tough-Terrain Frames fit through standard doorways. • Tough-Terrain Frames can be towed using an optional hitch system. Range: 4 1/3 octaves, A25–C76 Bars: Acoustalon Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick Pitch: A=442Hz Height adjustment: pneumatic strut system 35"–40 7/8" Multi-Frame II/Tough Terrain Frame Components *(F45) Xylophones sound one octave higher than the written notation. *(Actual notation) page 10 page 10 Each Mult-Frame II model includes four RDC10 multi-Clamps. YMRD 2400/YMT 2400 4 1/3 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Marimba YVRD 2700G/YVT 2700G 3 octave Multi-Frame II/Tough-Terrain Frame Vibe RD 2700/T 2700 Multi-Frame II/Tough-Terrain Frame parts to upgrade YV 2700 or YV 2700G YXRD 335/YMT 335 3 1/2 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Xylophone RD 2400/T 2400 Multi-Frame II/Tough-Terrain Frame parts to upgrade YM 2400 RDC 10 Multi-Frame II square clamp YVRD 2700/YVT 2700 3 octave Multi-Frame II/Tough-Terrain Frame Vibe RD 335/T 335 Multi-Frame II/Tough-Terrain Frame parts to upgrade YX 335 page 11 page 11 Xylophones Multi-Frame II System Yamaha offers several xylophone models to fit virtually any performance situation. The rosewood model feature bars hand-crafted from the finest Honduran rosewood for a warm, authentic sound. The Acoustalon model features our exclusive synthetic bar that is exceptionally resilient to climate changes and therefore appropriate for indoor/outdoor use. For natural wood sound and feel at an affordable price, our standard model uses padauk wood bars. While the rosewood and Acoustalon models use height adjustable frames, the padauk model uses folding legs for compact storage and transport. Perfect for indoor and outdoor marching activities, stage-show pits, percussion solos, and percussion ensembles, the Multi-Frame II and Tough-Terrain Frame instruments are sturdy, convenient and practical. Highlights of the Multi-Frame II system include 1 1/2" square piping on three sides of the instrument for more protection, on three sides of the instrument for more protection, set-up options, and height adjustment by pneumatic struts for effortless height adjustments by one person. Other features include metal-hub 6" casters with in-line locking lever that locks both the swivel and hub rotation, and an easy-to-use clamp. YX 350A Scale Range Range: 3 1/2 octaves, F45–C88 Bars: Honduran rosewood Bar sizes: 1 1/2"–1 3/4" Wide, 7/8"–1" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 32 5/8"–37 3/8" YMRD 2400 with extras *(C88) RD 2400 YMRD 2400 *(F45) YMRD 2400 Xylophones sound one octave higher than the written notation. *(Actual notation) Tough-Terrain Frames YX 335 Scale Range Range: 3 1/2 octaves, F45–C88 Bars: Acoustalon Bar sizes: 1 1/2" Wide, 7/8" Thick Pitch: A=442Hz (other pitches available by special order) Height adjustment: 32 5/8"–37 3/8" *(C88) Range: 4 1/3 octaves, A25–C76 Bars: Acoustalon Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick Pitch: A=442Hz Height adjustment: pneumatic strut system 35"–40 7/8" The Yamaha Tough-Terrain Frame features brawny, welded steel construction and angled dual lower crossbars to protect resonators. Aggressive 10" pneumatic tires roll effortlessly over any field of play. An available hitch system means you can take your performance to places it’s never been before. Truly band-directordesigned, the Tough-Terrain Frame has a minimum amount of adjustments to eliminate loosening and subsequent loss of parts. In addition, the frames are height adjustable, and can be adapted to older Yamaha instruments. *(F45) YXRD335 with Multi-Frame II Page 11 YXT335 with Tough-Terrain Frame YMT 2400 with extras Xylophones sound one octave higher than the written notation. *(Actual notation) T 2400 Page 11 YMT 2400 YMT 2400 YX 135 Scale Range Range: 3 1/2 octaves, F45–C88 Bars: Padauk Bar sizes: 1 3/8" Wide, 3/4" Thick Pitch: A=442Hz (other pitches available by special order) Height: 34 1/4" *(C88) • Tough-Terrain Frames are available separately to retrofit to an existing instrument. • Tough-Terrain Frames are available with a new instrument (and you get the standard instrument frame too in case you want to use the TTF exclusively for marching season). • Tough-Terrain Frames fit through standard doorways. • Tough-Terrain Frames can be towed using an optional hitch system. Range: 4 1/3 octaves, A25–C76 Bars: Acoustalon Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick Pitch: A=442Hz Height adjustment: pneumatic strut system 35"–40 7/8" Multi-Frame II/Tough Terrain Frame Components *(F45) Xylophones sound one octave higher than the written notation. *(Actual notation) page 10 page 10 Each Mult-Frame II model includes four RDC10 multi-Clamps. YMRD 2400/YMT 2400 4 1/3 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Marimba YVRD 2700G/YVT 2700G 3 octave Multi-Frame II/Tough-Terrain Frame Vibe RD 2700/T 2700 Multi-Frame II/Tough-Terrain Frame parts to upgrade YV 2700 or YV 2700G YXRD 335/YMT 335 3 1/2 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Xylophone RD 2400/T 2400 Multi-Frame II/Tough-Terrain Frame parts to upgrade YM 2400 RDC 10 Multi-Frame II square clamp YVRD 2700/YVT 2700 3 octave Multi-Frame II/Tough-Terrain Frame Vibe RD 335/T 335 Multi-Frame II/Tough-Terrain Frame parts to upgrade YX 335 page 11 page 11 Glockenspiels Chimes Several features set these glockenspiel models apart from others: the use of a new high-carbon steel material treated with a special tempering process for a pure, bright tone; and both nodal point support string with single pin bar mounting (YG 250D, YG 1210) and suspension cord system (YG 2500) to increase sustain and maximize resonance. The YCH 585 features 1 1/2" Deagan tubes made with our exclusive Yamaha/Deagan tuning and voicing method to deliver true pitch, full-bodied sound and superior resonance. A clear lacquer finish over the matte brass tubes reduces glare from lights or the sun. Its’ extended range (C40–G59) satisfies more repertoire requirements, and the full width damper pedal offers smooth operation and playing convenience. A reinforced frame with 4" casters provides stability and durability during play and transport. The extended range model also uses a pedal dampening system and built-in frame with height adjustment by pneumatic struts. YG 2500 Scale Range Range: 3 1/3 octaves, C52–E92 Bars: High carbon steel Bar sizes: 1 1/4"✕3/8" Bar mounting: Suspension cord system Pitch: A=442Hz (other pitches available by special order) Height adjustment: Pneumatic strut system 33 1/2"–41 3/8 *(E92) YCH 585 Range: 1 1/2 octaves, C40–G59 Deagan Tubes: Clear lacquer, 1 1/2" diameter (Fine Tuned in USA) Pitch: A=442Hz Scale Range *(C52) G59 Glockenspiels sound two octave higher than the written notation. *Actual notation YG 1210 The range given above is one octave lower the actual frequency made by tubes. The pitch heard by the ear is one octave lower due to the overtones produced by the tube. C40 Damper The YCH 585 incorporates a three-board damper box for effective muffling of the tubes, and a low friction bearing mechanism ensures smooth operation. A one-touch damper stopper holds the boards open without pedaling. Scale Range Range: 2 1/2 octaves, F57–C88 Bars: High-carbon steel Bar sizes: 1 1/4"✕1/4" Pitch: A=442Hz Case cover: Removable Frame: Removable from case *(C88) *(F57) Glockenspiels sound two octave higher than the written notation. *Actual notation Stand:YGS 100 YG 250D Base For superior stability and strength, our base is designed with a low center of gravity, dual crossbars and 4" casters. The full width damper pedal provides convenient pedaling from any playing position. Scale Range Range: 2 1/2 octaves, F57–C88 Bars: High-carbon steel Bar sizes: 1 1/8"✕1/4" Pitch: A=442Hz Case cover: Removable Frame: Fixed in case YG 1210 and YG 250D utilize nodal point support string to minimize the contact with the tone bar. In combination with single pin bar mounting, this system affords excellent sustain, purity of tone and superb resonance from the bars. *(C88) *(F57) Glockenspiels sound two octave higher than the written notation. *Actual notation Stand:YGS 70 page 12 page 12 page 13 page 13 Glockenspiels Chimes Several features set these glockenspiel models apart from others: the use of a new high-carbon steel material treated with a special tempering process for a pure, bright tone; and both nodal point support string with single pin bar mounting (YG 250D, YG 1210) and suspension cord system (YG 2500) to increase sustain and maximize resonance. The YCH 585 features 1 1/2" Deagan tubes made with our exclusive Yamaha/Deagan tuning and voicing method to deliver true pitch, full-bodied sound and superior resonance. A clear lacquer finish over the matte brass tubes reduces glare from lights or the sun. Its’ extended range (C40–G59) satisfies more repertoire requirements, and the full width damper pedal offers smooth operation and playing convenience. A reinforced frame with 4" casters provides stability and durability during play and transport. The extended range model also uses a pedal dampening system and built-in frame with height adjustment by pneumatic struts. YG 2500 Scale Range Range: 3 1/3 octaves, C52–E92 Bars: High carbon steel Bar sizes: 1 1/4"✕3/8" Bar mounting: Suspension cord system Pitch: A=442Hz (other pitches available by special order) Height adjustment: Pneumatic strut system 33 1/2"–41 3/8 *(E92) YCH 585 Range: 1 1/2 octaves, C40–G59 Deagan Tubes: Clear lacquer, 1 1/2" diameter (Fine Tuned in USA) Pitch: A=442Hz Scale Range *(C52) G59 Glockenspiels sound two octave higher than the written notation. *Actual notation YG 1210 The range given above is one octave lower the actual frequency made by tubes. The pitch heard by the ear is one octave lower due to the overtones produced by the tube. C40 Damper The YCH 585 incorporates a three-board damper box for effective muffling of the tubes, and a low friction bearing mechanism ensures smooth operation. A one-touch damper stopper holds the boards open without pedaling. Scale Range Range: 2 1/2 octaves, F57–C88 Bars: High-carbon steel Bar sizes: 1 1/4"✕1/4" Pitch: A=442Hz Case cover: Removable Frame: Removable from case *(C88) *(F57) Glockenspiels sound two octave higher than the written notation. *Actual notation Stand:YGS 100 YG 250D Base For superior stability and strength, our base is designed with a low center of gravity, dual crossbars and 4" casters. The full width damper pedal provides convenient pedaling from any playing position. Scale Range Range: 2 1/2 octaves, F57–C88 Bars: High-carbon steel Bar sizes: 1 1/8"✕1/4" Pitch: A=442Hz Case cover: Removable Frame: Fixed in case YG 1210 and YG 250D utilize nodal point support string to minimize the contact with the tone bar. In combination with single pin bar mounting, this system affords excellent sustain, purity of tone and superb resonance from the bars. *(C88) *(F57) Glockenspiels sound two octave higher than the written notation. *Actual notation Stand:YGS 70 page 12 page 12 page 13 page 13 Deagan Chimes Timpani Utilizing original specifications and procedures, Deagan chimes and Symphonic bells by Yamaha maintain the traditional quality and craftsmanship that made Deagan famous. Significant structural improvements and consistent production methods are incorporated, so the Deagan instruments can exceed the demands of today’s professional percussionist. TP 9000 Grand Concert Series DC 9190A Range: 1 1/2 octaves, C40–F57 Tubes: Chrome, 1 1/2" diameter Pitch: A=442Hz Made in U.S.A. DC 9160A Range: 1 1/2 octaves, C40–F57 Tubes: Chrome, 1 1/4" diameter Pitch: A=442Hz Made in U.S.A. Scale Range Scale Range C40 Features include heavy-duty frame, rim and tuning rods, a ball bearing pedal locking system and a fine tuner. Both Dresden and Berlin type pedal systems are available in standard or German configuration. In addition, all models feature the clear, resonant sound of the Yamaha handhammered bowl, as well as, extended tuning gauge, quiet mechanisms and adjustable footboard/kick plate relationship. Range: 1 1/2 octaves, C40–F57 Tubes: Gold Satin Finish, 1 1/4" diameter Pitch: A=442Hz Made in U.S.A. Scale Range F57 F57 C40 DC 9150A Designed and tested with the assistance of professional timpanists from around the world, the TP 9000 series timpani are the ideal choice for timpanists, orchestras and universities in need of a high caliber instrument. Because they are crafted with extreme attention to detail and under strict mechanical tolerances, they produce a pure, unencumbered tone with outstanding sustain. F57 Bowl and Frame Tuning gauge Heavy duty frames support precision-spun, handhammered copper bowls to produce beautifully pure resonance and deep, rich tones. In addition to letter names, the extended tuning gauge uses accidental indicators for more accurate visual tuning. C40 The ranges given above are one octave lower the actual frequency made by tubes. The pitch heard by the ear is one octave lower due to the overtones produced by the tube. DEAGAN SYMPHONIC CHIMES—DC 9190A The DC 9190A Symphonic chimes feature 1 1/2" diameter chime tubes with extra wall thickness to produce a full, rich sound. Each set of tubes is individually tested and hand-tuned to ensure proper pitch and harmonic voicing. DEAGAN CONCERT CHIMES—DC 9160A & DC 9150A Developed for educational use, our Concert chimes series uses 1 1/4" chime tubes and features quality response and projection in a lighter weight instrument. As with our other models, each set of tubes is individually tested and hand-tuned to ensure proper pitch and harmonic voicing. DC 9190A TP 9000B Deagan Bells Foot adjuster A maple frame further enhances the instrument’s tone and projection. DG 1590A *(C88) *(G59) Glockenspiels sound two octave higher than the written notation. *Actual notation 14 page 14 Both versions use our clutch (ball bearing) pedal locking system for a reliable hold of any note within the range. The adjustable footboard/kick plate relationship accommodates individual player preference. Ratchet locking system is also available for Berlin-type pedal. (Left: TP 9000D, Right: TP 9000B, Below: TP 9000R) Scale Range Range: 2 1/2 octaves, G59–C88 Bars: High carbon Steel, 1 1/4" wide, 3/8" thick Pitch: A=442Hz Frame: Maple with 4 rubber feet Made in U.S.A. page Dresden and Berlin type pedal Tilting stabilizers are adjustable to solidify the playing position of each timpano, especially on uneven stages. Optional longer versions are available to accommodate sharper playing angles, or choose built-in wheels that lock securely during play and aid quick movements around stage or rehearsal rooms. Our professional Symphonic series bells feature bars made of high-grade, tempered steel for exceptional purity and brightness, and maximum duration of tone. Each bar is carefully hand-tuned for superb intonation and is mounted with a single recessed screw to promote sustain. Pedal Dresden-type Locking system Clutch Size 20" 23" 24" 26" 27" 29" 32" TP 9020D TP 9023D TP 9024D TP 9026D TP 9027D TP 9029D TP 9032D Berlin-type Clutch Ratchet TP 9020B TP 9023B TP 9024B TP 9026B TP 9027B TP 9029B TP 9032B TP 9020R TP 9023R TP 9024R TP 9026R TP 9027R TP 9029R TP 9032R Timpani with case Special cases are offered for safe, secure transport. Rolling carts are included with standard models. page 15 page 15 Deagan Chimes Timpani Utilizing original specifications and procedures, Deagan chimes and Symphonic bells by Yamaha maintain the traditional quality and craftsmanship that made Deagan famous. Significant structural improvements and consistent production methods are incorporated, so the Deagan instruments can exceed the demands of today’s professional percussionist. TP 9000 Grand Concert Series DC 9190A Range: 1 1/2 octaves, C40–F57 Tubes: Chrome, 1 1/2" diameter Pitch: A=442Hz Made in U.S.A. DC 9160A Range: 1 1/2 octaves, C40–F57 Tubes: Chrome, 1 1/4" diameter Pitch: A=442Hz Made in U.S.A. Scale Range Scale Range C40 Features include heavy-duty frame, rim and tuning rods, a ball bearing pedal locking system and a fine tuner. Both Dresden and Berlin type pedal systems are available in standard or German configuration. In addition, all models feature the clear, resonant sound of the Yamaha handhammered bowl, as well as, extended tuning gauge, quiet mechanisms and adjustable footboard/kick plate relationship. Range: 1 1/2 octaves, C40–F57 Tubes: Gold Satin Finish, 1 1/4" diameter Pitch: A=442Hz Made in U.S.A. Scale Range F57 F57 C40 DC 9150A Designed and tested with the assistance of professional timpanists from around the world, the TP 9000 series timpani are the ideal choice for timpanists, orchestras and universities in need of a high caliber instrument. Because they are crafted with extreme attention to detail and under strict mechanical tolerances, they produce a pure, unencumbered tone with outstanding sustain. F57 Bowl and Frame Tuning gauge Heavy duty frames support precision-spun, handhammered copper bowls to produce beautifully pure resonance and deep, rich tones. In addition to letter names, the extended tuning gauge uses accidental indicators for more accurate visual tuning. C40 The ranges given above are one octave lower the actual frequency made by tubes. The pitch heard by the ear is one octave lower due to the overtones produced by the tube. DEAGAN SYMPHONIC CHIMES—DC 9190A The DC 9190A Symphonic chimes feature 1 1/2" diameter chime tubes with extra wall thickness to produce a full, rich sound. Each set of tubes is individually tested and hand-tuned to ensure proper pitch and harmonic voicing. DEAGAN CONCERT CHIMES—DC 9160A & DC 9150A Developed for educational use, our Concert chimes series uses 1 1/4" chime tubes and features quality response and projection in a lighter weight instrument. As with our other models, each set of tubes is individually tested and hand-tuned to ensure proper pitch and harmonic voicing. DC 9190A TP 9000B Deagan Bells Foot adjuster A maple frame further enhances the instrument’s tone and projection. DG 1590A *(C88) *(G59) Glockenspiels sound two octave higher than the written notation. *Actual notation 14 page 14 Both versions use our clutch (ball bearing) pedal locking system for a reliable hold of any note within the range. The adjustable footboard/kick plate relationship accommodates individual player preference. Ratchet locking system is also available for Berlin-type pedal. (Left: TP 9000D, Right: TP 9000B, Below: TP 9000R) Scale Range Range: 2 1/2 octaves, G59–C88 Bars: High carbon Steel, 1 1/4" wide, 3/8" thick Pitch: A=442Hz Frame: Maple with 4 rubber feet Made in U.S.A. page Dresden and Berlin type pedal Tilting stabilizers are adjustable to solidify the playing position of each timpano, especially on uneven stages. Optional longer versions are available to accommodate sharper playing angles, or choose built-in wheels that lock securely during play and aid quick movements around stage or rehearsal rooms. Our professional Symphonic series bells feature bars made of high-grade, tempered steel for exceptional purity and brightness, and maximum duration of tone. Each bar is carefully hand-tuned for superb intonation and is mounted with a single recessed screw to promote sustain. Pedal Dresden-type Locking system Clutch Size 20" 23" 24" 26" 27" 29" 32" TP 9020D TP 9023D TP 9024D TP 9026D TP 9027D TP 9029D TP 9032D Berlin-type Clutch Ratchet TP 9020B TP 9023B TP 9024B TP 9026B TP 9027B TP 9029B TP 9032B TP 9020R TP 9023R TP 9024R TP 9026R TP 9027R TP 9029R TP 9032R Timpani with case Special cases are offered for safe, secure transport. Rolling carts are included with standard models. page 15 page 15 Timpani Concert Snare Drums Our balanced pedal timpani are available in four different models depending on your specific musical needs. Features like our unique bowl shape for tone clarity and superb resonance, cable-linked tuning gauge for consistent tuning reference and key-only adjustments to avoid unwanted tampering are incorporated in each series. Percussionists need a snare drum that will respond well in a variety of musical settings. Conductors need a snare drum with a clear, articulate tone. Through a unique combination of materials and specifications, the Concert Series snare drums can satisfy both. All models utilize extra smooth and quiet strainer systems for quick on/off operation without excess noise, and the 14-inch models feature a 10-lug design for precise tuning control. TP 7200 Hand-Hammered Symphonic Series The maple, copper and birch shell models feature extended, brass cable snares that balance sensitivity with clear articulation at all dynamic levels. Perfect for all-around concert applications, the two steel shell models use coiled wire snares made of hard, high-carbon steel. These snares offer bright, delicate response and make sustained, legato press roles easy to play. A hand-hammered bowl and heavy rim set this series apart. Hammering is done by craftsmen, not machine, to ensure the entire surface of the bowl is hammered. This process results in a clearer tone with less unwanted overtones. The weight and rigidity of the 4mm steel rim absorbs less vibration to allow more head sustain and provides consistent tension throughout the tuning range. CSM 1465 CSS 1465 CSC 1455 CSS 1455 Size: 14"✕6 1/2" Shell: 6-ply Maple Rim: 2.3 mm steel, triple-flange Snare: 0.6 mm brass cable; 14 strand Strainer System: Extended extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Natural Vintage Interior Finish: Natural Vintage Size: 14"✕6 1/2" Shell: 1.2 mm Steel Rim: 1.6 mm steel, triple-flange Snare: Hard, high-carbon steel; 20 strand Strainer System: Extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Black powder coating Interior Finish: Black powder coating TP 6200 Symphonic Series As with our Hand-Hammered Symphonic series, the Symphonic series uses heavy, high-grade copper bowls spun with precision to ensure uniform wall thickness for pure resonance and a beautiful tone. To further enhance dynamic range and tonal projection, the bowls are freely suspended in a steel support ring. This design allows pure, undistorted sound even at dynamic extremes. Size: 14"✕5 1/2" Shell: 1.2 mm Copper Rim: 2.3 mm steel, triple-flange Snare: 0.6 mm brass cable; 14 strand Strainer System: Extended extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Clear lacquer Interior Finish: None Size: 14"✕5 1/2" Shell: 1.2 mm Steel Rim: 1.6 mm steel, triple-flange Snare: Hard, high-carbon steel; 20 strand Strainer System: Extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Black powder coating Interior Finish: Black powder coating CSB 1345 TP 4200 Concert Series Size: 13"✕4 1/2" Shell: 6-ply Birch Rim: 1.6 mm steel, triple-flange Snare: 0.6 mm brass cable; 14 strand Strainer System: Extended extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Natural Vintage Interior Finish: Natural Vintage Our 4200 Concert series timpani feature uniquely shaped bowls made of FRP™ (Fiberglass Reinforced Plastic) that deliver enough sound to fill the hall while being both lightweight and durable. They boast many of the same features of our Symphonic series with the exception of freely suspended bowl and PAC. SS745 Concert height stand with single braced legs Natural Vintage Finish This original finish formulated by Yamaha not only beautifies the look of the shell, but actually enhances its’ dynamic range and sustain. It also seals the wood from humidity variations to protect the shell and make it more consistent sonically. (Note: exposure to light changes the shell color to a golden brown over a 4-6 month period.) TP 3000 Portable Concert Series Concert Toms For various performance situations, three locking positions for both the legs and the pedal heel allow five practical height/angle combinations. Combined with the positive pedal feel and the overall lightweight design, this series is a must for the professional timpanist needing a travel set of timpani. Pedal Adjustment Clutch (TP 7200, 6200 series) Our exclusive PAC system allows percussionists to tailor the pedal’s feel to meet their individual playing style. Yamaha single-headed concert toms feature birch and mahogany shells to produce a full, directional sound which is dry and has a sharp attack. Concert toms are available in black. Specifications Tuning Gauge Letters with accidental indicators offer silent tuning reference, while an enclosed housing ensures smooth operation and lasting durability. Compact and Lightweight TP 3000 Series Folding pedal and retractable legs reduce packing space, while FRP bowl and streamlined mechanisms reduce overall weight. Models size Shell CT 806 6"✕5 1/2" 8-ply birch/mahogany CT 808 8"✕5 1/2" 8-ply birch/mahogany CT 810 10"✕6" 8-ply birch/mahogany CT 812 12"✕8" 8-ply birch/mahogany CT 813 13"✕9" 8-ply birch/mahogany CT 814 14"✕10" 8-ply birch/mahogany CT 815 15"✕12" 8-ply birch/mahogany CT 816 16"✕14" 8-ply birch/mahogany Tom stand WS 860 (Optional) The WS 860 tom stand utilizes a ball and socket design for complete adjustment and stability. The stand features a strong double-braced leg design, and securely supports two drums. page 16 page 16 page 17 page 17 Timpani Concert Snare Drums Our balanced pedal timpani are available in four different models depending on your specific musical needs. Features like our unique bowl shape for tone clarity and superb resonance, cable-linked tuning gauge for consistent tuning reference and key-only adjustments to avoid unwanted tampering are incorporated in each series. Percussionists need a snare drum that will respond well in a variety of musical settings. Conductors need a snare drum with a clear, articulate tone. Through a unique combination of materials and specifications, the Concert Series snare drums can satisfy both. All models utilize extra smooth and quiet strainer systems for quick on/off operation without excess noise, and the 14-inch models feature a 10-lug design for precise tuning control. TP 7200 Hand-Hammered Symphonic Series The maple, copper and birch shell models feature extended, brass cable snares that balance sensitivity with clear articulation at all dynamic levels. Perfect for all-around concert applications, the two steel shell models use coiled wire snares made of hard, high-carbon steel. These snares offer bright, delicate response and make sustained, legato press roles easy to play. A hand-hammered bowl and heavy rim set this series apart. Hammering is done by craftsmen, not machine, to ensure the entire surface of the bowl is hammered. This process results in a clearer tone with less unwanted overtones. The weight and rigidity of the 4mm steel rim absorbs less vibration to allow more head sustain and provides consistent tension throughout the tuning range. CSM 1465 CSS 1465 CSC 1455 CSS 1455 Size: 14"✕6 1/2" Shell: 6-ply Maple Rim: 2.3 mm steel, triple-flange Snare: 0.6 mm brass cable; 14 strand Strainer System: Extended extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Natural Vintage Interior Finish: Natural Vintage Size: 14"✕6 1/2" Shell: 1.2 mm Steel Rim: 1.6 mm steel, triple-flange Snare: Hard, high-carbon steel; 20 strand Strainer System: Extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Black powder coating Interior Finish: Black powder coating TP 6200 Symphonic Series As with our Hand-Hammered Symphonic series, the Symphonic series uses heavy, high-grade copper bowls spun with precision to ensure uniform wall thickness for pure resonance and a beautiful tone. To further enhance dynamic range and tonal projection, the bowls are freely suspended in a steel support ring. This design allows pure, undistorted sound even at dynamic extremes. Size: 14"✕5 1/2" Shell: 1.2 mm Copper Rim: 2.3 mm steel, triple-flange Snare: 0.6 mm brass cable; 14 strand Strainer System: Extended extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Clear lacquer Interior Finish: None Size: 14"✕5 1/2" Shell: 1.2 mm Steel Rim: 1.6 mm steel, triple-flange Snare: Hard, high-carbon steel; 20 strand Strainer System: Extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Black powder coating Interior Finish: Black powder coating CSB 1345 TP 4200 Concert Series Size: 13"✕4 1/2" Shell: 6-ply Birch Rim: 1.6 mm steel, triple-flange Snare: 0.6 mm brass cable; 14 strand Strainer System: Extended extra smooth type Head: Batter: Coated Ambassador Snare; Clear Ambassador Exerior Finish: Natural Vintage Interior Finish: Natural Vintage Our 4200 Concert series timpani feature uniquely shaped bowls made of FRP™ (Fiberglass Reinforced Plastic) that deliver enough sound to fill the hall while being both lightweight and durable. They boast many of the same features of our Symphonic series with the exception of freely suspended bowl and PAC. SS745 Concert height stand with single braced legs Natural Vintage Finish This original finish formulated by Yamaha not only beautifies the look of the shell, but actually enhances its’ dynamic range and sustain. It also seals the wood from humidity variations to protect the shell and make it more consistent sonically. (Note: exposure to light changes the shell color to a golden brown over a 4-6 month period.) TP 3000 Portable Concert Series Concert Toms For various performance situations, three locking positions for both the legs and the pedal heel allow five practical height/angle combinations. Combined with the positive pedal feel and the overall lightweight design, this series is a must for the professional timpanist needing a travel set of timpani. Pedal Adjustment Clutch (TP 7200, 6200 series) Our exclusive PAC system allows percussionists to tailor the pedal’s feel to meet their individual playing style. Yamaha single-headed concert toms feature birch and mahogany shells to produce a full, directional sound which is dry and has a sharp attack. Concert toms are available in black. Specifications Tuning Gauge Letters with accidental indicators offer silent tuning reference, while an enclosed housing ensures smooth operation and lasting durability. Compact and Lightweight TP 3000 Series Folding pedal and retractable legs reduce packing space, while FRP bowl and streamlined mechanisms reduce overall weight. Models size Shell CT 806 6"✕5 1/2" 8-ply birch/mahogany CT 808 8"✕5 1/2" 8-ply birch/mahogany CT 810 10"✕6" 8-ply birch/mahogany CT 812 12"✕8" 8-ply birch/mahogany CT 813 13"✕9" 8-ply birch/mahogany CT 814 14"✕10" 8-ply birch/mahogany CT 815 15"✕12" 8-ply birch/mahogany CT 816 16"✕14" 8-ply birch/mahogany Tom stand WS 860 (Optional) The WS 860 tom stand utilizes a ball and socket design for complete adjustment and stability. The stand features a strong double-braced leg design, and securely supports two drums. page 16 page 16 page 17 page 17 Concert Bass Drums Accessories Yamaha concert bass drums CB 600 series feature an 8-ply birch/mahogany shell made using our unique Air-Seal System process. They also feature one-piece, high tension lug casings, along with drum key tension rods to allow freedom of movement during performance. For tuning accuracy, natural tone, and long-term durability, the hoops are made of 10-ply birch/mahogany, and are constructed the same way as the drum shells. CB 632 CB 628 Stand: BS 751 Stand: BS 751 CB 636 Our CB 840B has set a standard of excellence with superb construction, a powerful tone and outstanding fundamental sustain. The all-birch shell is fitted with solid steel hoops and specially designed small-body lugs for maximum shell resonance. Legacy heads provide a warm, natural sound. Stand: BS 753 CB 640 Percussion Hardware Concert Bass Drum Stands All stands feature Yamaha quality and construction with convenient designs. BS-125: Concert bass drum portable folding bass stand BS-425: Concert bass drum semi-portable rolling stand BS-751: Concert bass drum tiltable stand with casters for 28" and 32" BS-753: Concert bass drum tiltable stand with casters for 36" and 40" BS-125 BS-425 BS-753 Stands and Attachments Stand: BS 753 Concert Bass Drum 600 Series and 800 Series CB 840B Specifications Models Size Shell Rim Lug Stand CB 640 40"✕18" birch/mahogany birch/mahogany 16 — CB 636 36"✕16" birch/mahogany birch/mahogany 12 — CB 632 32"✕16" birch/mahogany birch/mahogany 12 — CB 628 28"✕14" birch/mahogany birch/mahogany 10 — CB 840B 40"✕22" 9-ply birch/darkwood stain finish solid steel 10 included Cymbal Stands CCH1: One tier crash cymbal holder with MS-925 base CCH2: Two tier crash cymbal holder with MS-925 base CCHTOP: One tier crash cymbal holder top; fits 7/8" and 1" stand openings CCHTOP2: Two tier crash cymbal holder top; fits 7/8" and 1" stand openings CCH-CRADLE: Two crash cymbal arms with bracket for 1" tube SCH1: Suspended cymbal holder with MS-925 base (cymbal requires strap) SCHTOP: Suspended cymbal holder top; fits 7/8" stand openings (cymbal requires strap) Drum Stands SS-655: Snare drum stand; concert height; lightweight; single braced SS-745: Snare drum stand; concert height; medium weight; single braced WS-860: Double tom stand; medium weight; double braced YGS-70: Bell stand YGS-100: Rolling bell stand/trap table Air Seal System™ Yamaha shells are made using a unique Air-Seal System process for a drum that starts round and stays round. Carefully selected woods are cut in plies, positioned with staggered diagonal seams and sealed together with evenly distributed air pressure. To eliminate weak points and extra stress, diagonal seams distribute the point of shell separation over a wider area than a vertical seam. In addition, these seams are staggered evenly throughout the shell. This design provides superior shell strength for a drum that always maintains its shape. An in-round drum provides a true fundamental pitch, tunes easily, projects purely and feels better to play—“A round drum is a happy drum!” page 18 page 18 CCHTOP1 AIR-SEAL SYSTEM CCH2 Yamaha Seam SCH1 SS-745 YGS-70 YGS-100 Competitors’ Seam page 19 page 19 Concert Bass Drums Accessories Yamaha concert bass drums CB 600 series feature an 8-ply birch/mahogany shell made using our unique Air-Seal System process. They also feature one-piece, high tension lug casings, along with drum key tension rods to allow freedom of movement during performance. For tuning accuracy, natural tone, and long-term durability, the hoops are made of 10-ply birch/mahogany, and are constructed the same way as the drum shells. CB 632 CB 628 Stand: BS 751 Stand: BS 751 CB 636 Our CB 840B has set a standard of excellence with superb construction, a powerful tone and outstanding fundamental sustain. The all-birch shell is fitted with solid steel hoops and specially designed small-body lugs for maximum shell resonance. Legacy heads provide a warm, natural sound. Stand: BS 753 CB 640 Percussion Hardware Concert Bass Drum Stands All stands feature Yamaha quality and construction with convenient designs. BS-125: Concert bass drum portable folding bass stand BS-425: Concert bass drum semi-portable rolling stand BS-751: Concert bass drum tiltable stand with casters for 28" and 32" BS-753: Concert bass drum tiltable stand with casters for 36" and 40" BS-125 BS-425 BS-753 Stands and Attachments Stand: BS 753 Concert Bass Drum 600 Series and 800 Series CB 840B Specifications Models Size Shell Rim Lug Stand CB 640 40"✕18" birch/mahogany birch/mahogany 16 — CB 636 36"✕16" birch/mahogany birch/mahogany 12 — CB 632 32"✕16" birch/mahogany birch/mahogany 12 — CB 628 28"✕14" birch/mahogany birch/mahogany 10 — CB 840B 40"✕22" 9-ply birch/darkwood stain finish solid steel 10 included Cymbal Stands CCH1: One tier crash cymbal holder with MS-925 base CCH2: Two tier crash cymbal holder with MS-925 base CCHTOP: One tier crash cymbal holder top; fits 7/8" and 1" stand openings CCHTOP2: Two tier crash cymbal holder top; fits 7/8" and 1" stand openings CCH-CRADLE: Two crash cymbal arms with bracket for 1" tube SCH1: Suspended cymbal holder with MS-925 base (cymbal requires strap) SCHTOP: Suspended cymbal holder top; fits 7/8" stand openings (cymbal requires strap) Drum Stands SS-655: Snare drum stand; concert height; lightweight; single braced SS-745: Snare drum stand; concert height; medium weight; single braced WS-860: Double tom stand; medium weight; double braced YGS-70: Bell stand YGS-100: Rolling bell stand/trap table Air Seal System™ Yamaha shells are made using a unique Air-Seal System process for a drum that starts round and stays round. Carefully selected woods are cut in plies, positioned with staggered diagonal seams and sealed together with evenly distributed air pressure. To eliminate weak points and extra stress, diagonal seams distribute the point of shell separation over a wider area than a vertical seam. In addition, these seams are staggered evenly throughout the shell. This design provides superior shell strength for a drum that always maintains its shape. An in-round drum provides a true fundamental pitch, tunes easily, projects purely and feels better to play—“A round drum is a happy drum!” page 18 page 18 CCHTOP1 AIR-SEAL SYSTEM CCH2 Yamaha Seam SCH1 SS-745 YGS-70 YGS-100 Competitors’ Seam page 19 page 19 Percussion Accessories & Parts Percussion Cases Woodblocks Slapstick Tambourines YWB-100: Medium woodblock; one piece solid maple YWB-200: Large woodblock; one piece solid maple YS-200: Slapstick YT-100: 10" Concert Tambourine; 6-ply maple shell; staggered double row, silver jingles; skin head YT-300: 10" Virtuoso Tambourine; 10-ply maple shell; staggered double row, silver/phosphorus bronze jingles with goat skin head YWB-100 YT-100 YT-300 YS-200 Hard Cases Concert Snare Drum Cases Hard cases provide protection for travel under the bus or in the equipment truck. Easy access slots, wheels and slim design are east to load and move. Feature plush interior with a rugged Cordura® type exterior. PCH-YM2400 Medium duty road case for YM-2400 marimba (set of two) PCH-32AUB MBL-832AU Multi-Application bells case PCH-32AFX MXL-32AF Multi-Application xylophone case PCH-1590 Deagan DG-1590A Symphonic bells case PCH-TP90XX ATA case for TP-9000 series timpani CSC-1455 CSC-1455 Soft-side case for concert snare CSB-1345 (13" x 4 1/2" drum) PCS-1455 Soft-side case for concert snare CSC-1445 and CSS-1455 (14" x 5 1/2" drum) PCS-1465 Soft-side case for concert snare CSM-1465 and CSS-1465 (14" x 6 1/2" drum) PCS-1465 PCH-YM2400 PCS-1455 YWB-200 Triangles Triangle Accessories YST-4: 4" Symphonic triangle YST-6: 6" Symphonic triangle YST-8: 8" Symphonic triangle YST-10: 10" Symphonic triangle TB-3: Set of three Symphonic triangle beaters; with color grips and carrying case TB-6: Set of six Symphonic triangle beaters; with color grips and carrying case YTC-1: The Clipper™, single triangle clip Soft Cases Lightweight durable bags offer easy carrying convenience and protection. They are perfect for the working professional or ensemble. YST-4, 6, 8, 10 YTC-1 PCS-YX-335 Soft cases for YX-335 xylophone PCS-YM4600A Soft cases for YM-4600A marimba (set of five) PCS-YM4900A Soft cases for YM-4900A marimba (set of five) PCS-YM5100A Soft cases for YM-5100A marimba (set of five) PCS-YV3710 Soft cases for YV-3710 and YV-3710M vibes PCS-YV3910 Soft cases for YV-3710 and YV-3910M vibes PCS-YV2700 Soft cases for YV-2700 or YV-2700G vibes PCS-YM5100A Triangle Cases Hand-Held Accessories YSTC-4: Holds 4" triangle YSTC-6: Holds 6" triangle YSTC-8: Holds 8" triangle YSTC-10: Holds 10" triangle YSTC-10 YHH-100: Hand-held percussion carry-all; fits one or two tambourines with various percussion items YSTC-6 YSTC-8 YSTC-4 YHH-100 Percussion Covers Timpani Protective Head Covers Practice Kits and Practice Pads Tools to assist beginning students and professionals in practice and music education. Strike Force Percussion Acc. Kit DA-SKIT: StrikeForce Percussion Accessories Kit DA-PKIT: Performance Mallet Kit DA-SHHKIT: Student Hand-Held Kit DA-PHHKIT: Performance Hand-Held Kit DA-PKIT Practice Pads PP-100: Chop Block practice pad; 7" double sided PP-110: Chop Block practice pad; 7" single sided with threaded receiver PP-200: Chop Block practice pad; 9" double sided PP-250: Chop Block practice pad; 9" single sided with subtle snare sound Drop Covers Timpani Water resistant nylon material with padded noscratch lining; 15" (short) drop and 27" (long) drop. Black leatherette with felt lining. TAC-020 20" TAC-023 23" TAC-026 26" TAC-029 29" TAC-032 32" DA-SKIT PP-100, 110, 200, 250 TAC-032 TAC-029 TAC-026 Drum Keys Concert Accessories DK-10: Drum key DK-30: Power drum key TK-40: Timpani key TK-90: Timpani key; TP9000 series MU-SNARE: Felt concert snare drum mute; includes attachment string Mallet Keyboard Covers TAC-023 MU-BASS: Multi-Utility Towel; mutes concert bass; covers music stand; catch-all bag TAC-020 DK-30, DK-10, TK-40 MU-SNARE page 20 page-20 TDC20S 20"; short TDC23S 23"; short TDC26S 26"; short TDC29S 29"; short TDC32S 32"; short TDC04S Set of 4: 23", 26", 29", 32"; short MU-BASS Water resistant nylon material with padded noscratch lining; 6" drop. TAC-YM40DC Marimba YM-40 TAC-YM1430DC Marimba YM-1430 TAC-YM2300DC Marimba YM-2300/2400 TAC-YM4600DC Marimba YM-4600 TAC-YM4900DC Marimba YM-4900 TAC-YM5100DC Marimba YM-5100 TAC-YM6000DC Marimba YM-60006000A TDC20L 20"; long TDC23L 23"; long TDC26L 26"; long TDC32L 32"; long TDC04L Set of 4: 23", 26", 29", 32"; long Chime DCC-100 Chime cover; black Cordura; DC-9150A / DC-9160A / DC-9190A / YCH-585 Bass Drum CBC-100 Concert bass drum cover; black Cordura; fits 28" to 32" bass drums CBC-200 Concert bass drum cover; black Cordura; fits 36" to 40" bass drums CBC-300 Concert bass drum cover; black Cordura; fits 40" x 22" bass drums TAC-YV1600DC Vibe YV-1600 TAC-YV520DC Vibe YV-520 TAC-YV2500DC Vibe YV-2500/2600/2700/2700G TAC-YV3300DC Vibe YV-3300/3400/3710 TAC-YV3910DC Vibe YV-3910/3910M TAC-YX135DC Xylophone YX-135 TAC-YX330DC Xylophone YX-330 TAC-YX360DC Xylophone YX-360/335/350 TAC-YV4110DC Vibe YV-4110/4110M Before TAC-YX135DC page 21 page-21 Percussion Accessories & Parts Percussion Cases Woodblocks Slapstick Tambourines YWB-100: Medium woodblock; one piece solid maple YWB-200: Large woodblock; one piece solid maple YS-200: Slapstick YT-100: 10" Concert Tambourine; 6-ply maple shell; staggered double row, silver jingles; skin head YT-300: 10" Virtuoso Tambourine; 10-ply maple shell; staggered double row, silver/phosphorus bronze jingles with goat skin head YWB-100 YT-100 YT-300 YS-200 Hard Cases Concert Snare Drum Cases Hard cases provide protection for travel under the bus or in the equipment truck. Easy access slots, wheels and slim design are east to load and move. Feature plush interior with a rugged Cordura® type exterior. PCH-YM2400 Medium duty road case for YM-2400 marimba (set of two) PCH-32AUB MBL-832AU Multi-Application bells case PCH-32AFX MXL-32AF Multi-Application xylophone case PCH-1590 Deagan DG-1590A Symphonic bells case PCH-TP90XX ATA case for TP-9000 series timpani CSC-1455 CSC-1455 Soft-side case for concert snare CSB-1345 (13" x 4 1/2" drum) PCS-1455 Soft-side case for concert snare CSC-1445 and CSS-1455 (14" x 5 1/2" drum) PCS-1465 Soft-side case for concert snare CSM-1465 and CSS-1465 (14" x 6 1/2" drum) PCS-1465 PCH-YM2400 PCS-1455 YWB-200 Triangles Triangle Accessories YST-4: 4" Symphonic triangle YST-6: 6" Symphonic triangle YST-8: 8" Symphonic triangle YST-10: 10" Symphonic triangle TB-3: Set of three Symphonic triangle beaters; with color grips and carrying case TB-6: Set of six Symphonic triangle beaters; with color grips and carrying case YTC-1: The Clipper™, single triangle clip Soft Cases Lightweight durable bags offer easy carrying convenience and protection. They are perfect for the working professional or ensemble. YST-4, 6, 8, 10 YTC-1 PCS-YX-335 Soft cases for YX-335 xylophone PCS-YM4600A Soft cases for YM-4600A marimba (set of five) PCS-YM4900A Soft cases for YM-4900A marimba (set of five) PCS-YM5100A Soft cases for YM-5100A marimba (set of five) PCS-YV3710 Soft cases for YV-3710 and YV-3710M vibes PCS-YV3910 Soft cases for YV-3710 and YV-3910M vibes PCS-YV2700 Soft cases for YV-2700 or YV-2700G vibes PCS-YM5100A Triangle Cases Hand-Held Accessories YSTC-4: Holds 4" triangle YSTC-6: Holds 6" triangle YSTC-8: Holds 8" triangle YSTC-10: Holds 10" triangle YSTC-10 YHH-100: Hand-held percussion carry-all; fits one or two tambourines with various percussion items YSTC-6 YSTC-8 YSTC-4 YHH-100 Percussion Covers Timpani Protective Head Covers Practice Kits and Practice Pads Tools to assist beginning students and professionals in practice and music education. Strike Force Percussion Acc. Kit DA-SKIT: StrikeForce Percussion Accessories Kit DA-PKIT: Performance Mallet Kit DA-SHHKIT: Student Hand-Held Kit DA-PHHKIT: Performance Hand-Held Kit DA-PKIT Practice Pads PP-100: Chop Block practice pad; 7" double sided PP-110: Chop Block practice pad; 7" single sided with threaded receiver PP-200: Chop Block practice pad; 9" double sided PP-250: Chop Block practice pad; 9" single sided with subtle snare sound Drop Covers Timpani Water resistant nylon material with padded noscratch lining; 15" (short) drop and 27" (long) drop. Black leatherette with felt lining. TAC-020 20" TAC-023 23" TAC-026 26" TAC-029 29" TAC-032 32" DA-SKIT PP-100, 110, 200, 250 TAC-032 TAC-029 TAC-026 Drum Keys Concert Accessories DK-10: Drum key DK-30: Power drum key TK-40: Timpani key TK-90: Timpani key; TP9000 series MU-SNARE: Felt concert snare drum mute; includes attachment string Mallet Keyboard Covers TAC-023 MU-BASS: Multi-Utility Towel; mutes concert bass; covers music stand; catch-all bag TAC-020 DK-30, DK-10, TK-40 MU-SNARE page 20 page-20 TDC20S 20"; short TDC23S 23"; short TDC26S 26"; short TDC29S 29"; short TDC32S 32"; short TDC04S Set of 4: 23", 26", 29", 32"; short MU-BASS Water resistant nylon material with padded noscratch lining; 6" drop. TAC-YM40DC Marimba YM-40 TAC-YM1430DC Marimba YM-1430 TAC-YM2300DC Marimba YM-2300/2400 TAC-YM4600DC Marimba YM-4600 TAC-YM4900DC Marimba YM-4900 TAC-YM5100DC Marimba YM-5100 TAC-YM6000DC Marimba YM-60006000A TDC20L 20"; long TDC23L 23"; long TDC26L 26"; long TDC32L 32"; long TDC04L Set of 4: 23", 26", 29", 32"; long Chime DCC-100 Chime cover; black Cordura; DC-9150A / DC-9160A / DC-9190A / YCH-585 Bass Drum CBC-100 Concert bass drum cover; black Cordura; fits 28" to 32" bass drums CBC-200 Concert bass drum cover; black Cordura; fits 36" to 40" bass drums CBC-300 Concert bass drum cover; black Cordura; fits 40" x 22" bass drums TAC-YV1600DC Vibe YV-1600 TAC-YV520DC Vibe YV-520 TAC-YV2500DC Vibe YV-2500/2600/2700/2700G TAC-YV3300DC Vibe YV-3300/3400/3710 TAC-YV3910DC Vibe YV-3910/3910M TAC-YX135DC Xylophone YX-135 TAC-YX330DC Xylophone YX-330 TAC-YX360DC Xylophone YX-360/335/350 TAC-YV4110DC Vibe YV-4110/4110M Before TAC-YX135DC page 21 page-21 Drumsticks & Mallets Drumsticks & Mallets Timpani Mallets Deagan Chime Mallets Both models are made with the same North American maple Yamaha uses for its world class drumsets. Ideal for all levels of performance, each pair is precision matched for weight and pitch to give the best feel possible. Length=14 1/2" YTM-1 Orange band; legato; timpani mallets YTM-2 Blue band; general purpose; timpani mallets YTM-3 Yellow band; soft staccato; timpani mallets YTM-4 Green band; medium staccato; timpani mallets YTM-5 Maroon head with white band; hard staccato; timpani mallets YTM-6 Red band; wood; timpani mallets Two models feature easy-to-grip tapered handles and a head that produce a strong fundamental tone. CBM-400M Legato; single; pile; Artist-Master concert bass drum mallet CBM-500R General; pair; pile; rollers; Artist-Master concert bass drum mallet Artist-Master™ Gong Mallets Two-tone Keyboard Mallets Feature 7/8" maple shafts and yarn wound solid core herds for full sound and feel. Achieves a perfect combination of sounds with very distinct hard and soft timbre. Length=17 1/4" YGM1 Light; Artist-Master gong mallet YGM1 General; Artist-Master gong mallet YGM1 Heavy; Artist-Master gong mallet Length=17 1/4" MTR-10 Red with white stitch; hard to medium-soft; rattan shaft; Two-tone mallets MTB-10 Red with white stitch; hard to medium-soft; birch shaft; Two-tone mallets YS-PPC Pianissimo model; length=16" YS-ORC Orchestral model; select maple length=16 1/4" YS-PPC & YS-ORC Artist-Master Concert Bass Drum Mallets Available in five models to suit any musical style, these mallets are precisely balanced to maximize sound control. Length=16 1/2" CBM-100F Ultra-staccato; single; felt; Artist-Master concert bass drum mallet CBM-200S Staccato; single; pile; Artist-Master concert bass drum mallet CBM-300M General; single; pile; Artist-Master concert bass drum mallet Professional Series Keyboard Mallets Feature unique semi-flexible birch shafts, durable yarn and unique mushroom shape head. Length=17 1/4" MP-01 Red tape; medium-hard; Professional series mallets MP-02 Yellow tape; medium; Professional series mallets MP-03 Light pink tape; medium-soft; Professional series mallets The Virtuoso yarn mallets have been adapted with a unique semi-flexible birch shaft. Length=17 1/4" MVB-4010 Yellow; hard; Virtuoso mallet with birch shaft MVB-4020 Peach; medium-hard; Virtuoso mallet with birch shaft MVB-4030 Light green; medium; Virtuoso mallet with birch shaft Virtuoso Keyboard Mallets With Rattan Shafts Handmade heavyweight mallets with thick rattan shafts for improved response and feel. Yarn Wound Length=15 3/4" MV-4000H Red; yarn wound; two-tone; hard; Virtuoso mallet with rattan shaft MV-4000S Red; yarn wound; two-tone; soft; Virtuoso mallet with rattan shaft MV-4010 Yellow; yarn wound; hard; Virtuoso mallet with rattan shaft 22 page-22 Mallets for everyday percussion use. DCM-11002 Rawhide; Deagan chime mallet DCM-15002 Plastic; Deagan chime mallet; ideal for outdoor use DCM-11002 Unwound KRB-1B/F/R Black rubber; extra soft KRB-2B/F/R Tan rubber; soft KRB-3B/F/R Brown rubber; medium-soft KRB-4B/F/R Light green rubber; medium KRB-5B/F/R Dark green rubber; medium-hard KRB-6B/F/R Gray rubber; hard KWB-7B/F/R Large maple; medium KWB-8AB/F/R Large rosewood; hard KBB-9B/F/R Brass; hard KPB-91B/F/R Poly ball; medium-hard KPB-92B/F/R Lexan; hard KPB-93B/F/R White phenolic; extra hard; 1" diameter KPB-10B/F/R Black phenolic; extra hard; 1 1/2" diameter Yarn Wound KYB-11B/F/R Yellow; hard KYB-12B/F/R Green; medium-hand KYB-13B/F/R Blue; medium KYB-14B/F/R Red; medium-soft KYB-15B/F/R Aqua; soft KYB-16B/F/R Orange; extra soft KYB-61B/F/R Yellow; mushroom; medium Cord Wound KCB-21B/F/R Yellow; hard KCB-22B/F/R Green; medium-hand KCB-23B/F/R Blue; medium KCB-24B/F/R Red; soft KCB-25B/F/R Silver; jazz KCB-62B/F/R Yellow; mushroom; medium B: Birch; Length=15 1/4" F: Fiberglass; Length=15 1/4" R: Rattan; Length=15 1/4" MP-04 Green tape; soft; Professional series mallets MP-05 Blue tape; extra soft; Professional series mallets Keiko Abe Signature Series Mallets MKA-01 Red tape; Two-tone; Keiko Abe Signature marimba mallets MKA-02 Pink tape; very hard; Keiko Abe Signature marimba mallets MKA-03 Orange tape; hard; Keiko Abe Signature marimba mallets MKA-04 Yellow tape; hard; Keiko Abe Signature marimba mallets MP-01, 02, 03, 04, 05 Virtuoso Keyboard Mallets With Birch Shafts page Artist Master™ Keyboard Mallets Concert Drumsticks MVB-4040 Light purple; medium-soft; Virtuoso mallet with birch shaft MVB-6040 Blue; soft; Virtuoso mallet with birch shaft MVB-6050 Dark blue; extra soft; Virtuoso mallet with birch shaft MVB-8040 White with red stitch; Virtuoso mallet with birch shaft MVB-8060 White with yellow stitch; Virtuoso mallet with birch shaft MVB-8080 White with blue stitch; Virtuoso mallet with birch shaft MV-4020 Peach; yarn wound; medium-hard; small Virtuoso mallet with rattan shaft MV-4030 Light green; yarn wound; medium-soft; small Virtuoso mallet with rattan shaft MV-4040 Light purple; yarn wound; soft; small Virtuoso mallet with rattan shaft MV-6040 Blue; yarn wound; soft; medium Virtuoso mallet with rattan shaft MV-6050 Dark blue; yarn wound; very soft; medium Virtuoso mallet with rattan shaft MV-8040 Red stitch; yarn wound; medium-soft; large Virtuoso mallet with rattan shaft MVB Series MV-8060 Yellow stitch; yarn wound; very soft; large Virtuoso mallet with rattan shaft MV-8080 Blue stitch; yarn wound; extra soft; large Virtuoso mallet with rattan shaft MKA-05 Light green tape; medium-hard; Keiko Abe Signature marimba mallets MKA-06 Green tape; medium-soft; Keiko Abe Signature marimba mallets MKA-07 Blue tape; soft; Keiko Abe Signature marimba mallets MKA-S7 Blue/Light blue; soft; Keiko Abe Signature marimba mallets MKA-08 Light blue tape; soft; Keiko Abe Signature marimba mallets MKA-09 Purple tape; very soft; Keiko Abe Signature marimba mallets Yamaha Educational Keyboard Mallets Yamaha Standard Keyboard Mallets Durable lightweight mallets with Fiberglass Reinforced Plastic™ (FRP) shafts, for smaller hands. Medium weight mallets with ratten shaft. Dual Head Length=13 1/2" ME-10W Blue and white; hard and soft Hard Rubber Length=14 3/4" ME-101 Black; very hard ME-102 Yellow; hard ME-103 Orange; medium-hard ME-104 Red; medium-soft ME-105 Purple; soft Yarn Would Length=15 1/8" ME-201 Red; hard ME-202 Yellow; medium-hard ME-203 Peach; medium-soft ME-204 Green; soft Brass & Ebonite Length=11 13/16" MR-840 Very hard; brass & ebonite Hytrel Length=14 5/8" MR-930 Large; Hytrel StrikeForce™ Mallets Designed for young percussionists. Length=13" KPSF Black phenolic; extra hard bell mallets Cord Would Length=15 3/4" ME-301 Red; hard ME-302 Orange; medium-hard ME-303 Pink; medium-soft ME-304 Green; soft MV Series MV-5040 Blue; cord wound; soft; small Virtuoso mallet with rattan shaft MV-7040 Purple; cord wound; soft; medium Virtuoso mallet with rattan shaft Cord Wound Length=15 3/4" MV-5010 Bright red; cord wound; hard; small Virtuoso mallet with rattan shaft MV-5020 Pink; cord wound; medium-hard; small Virtuoso mallet with rattan shaft MV-5030 Green; cord wound; medium-soft; small Virtuoso mallet with rattan shaft page 23 page-23 Drumsticks & Mallets Drumsticks & Mallets Timpani Mallets Deagan Chime Mallets Both models are made with the same North American maple Yamaha uses for its world class drumsets. Ideal for all levels of performance, each pair is precision matched for weight and pitch to give the best feel possible. Length=14 1/2" YTM-1 Orange band; legato; timpani mallets YTM-2 Blue band; general purpose; timpani mallets YTM-3 Yellow band; soft staccato; timpani mallets YTM-4 Green band; medium staccato; timpani mallets YTM-5 Maroon head with white band; hard staccato; timpani mallets YTM-6 Red band; wood; timpani mallets Two models feature easy-to-grip tapered handles and a head that produce a strong fundamental tone. CBM-400M Legato; single; pile; Artist-Master concert bass drum mallet CBM-500R General; pair; pile; rollers; Artist-Master concert bass drum mallet Artist-Master™ Gong Mallets Two-tone Keyboard Mallets Feature 7/8" maple shafts and yarn wound solid core herds for full sound and feel. Achieves a perfect combination of sounds with very distinct hard and soft timbre. Length=17 1/4" YGM1 Light; Artist-Master gong mallet YGM1 General; Artist-Master gong mallet YGM1 Heavy; Artist-Master gong mallet Length=17 1/4" MTR-10 Red with white stitch; hard to medium-soft; rattan shaft; Two-tone mallets MTB-10 Red with white stitch; hard to medium-soft; birch shaft; Two-tone mallets YS-PPC Pianissimo model; length=16" YS-ORC Orchestral model; select maple length=16 1/4" YS-PPC & YS-ORC Artist-Master Concert Bass Drum Mallets Available in five models to suit any musical style, these mallets are precisely balanced to maximize sound control. Length=16 1/2" CBM-100F Ultra-staccato; single; felt; Artist-Master concert bass drum mallet CBM-200S Staccato; single; pile; Artist-Master concert bass drum mallet CBM-300M General; single; pile; Artist-Master concert bass drum mallet Professional Series Keyboard Mallets Feature unique semi-flexible birch shafts, durable yarn and unique mushroom shape head. Length=17 1/4" MP-01 Red tape; medium-hard; Professional series mallets MP-02 Yellow tape; medium; Professional series mallets MP-03 Light pink tape; medium-soft; Professional series mallets The Virtuoso yarn mallets have been adapted with a unique semi-flexible birch shaft. Length=17 1/4" MVB-4010 Yellow; hard; Virtuoso mallet with birch shaft MVB-4020 Peach; medium-hard; Virtuoso mallet with birch shaft MVB-4030 Light green; medium; Virtuoso mallet with birch shaft Virtuoso Keyboard Mallets With Rattan Shafts Handmade heavyweight mallets with thick rattan shafts for improved response and feel. Yarn Wound Length=15 3/4" MV-4000H Red; yarn wound; two-tone; hard; Virtuoso mallet with rattan shaft MV-4000S Red; yarn wound; two-tone; soft; Virtuoso mallet with rattan shaft MV-4010 Yellow; yarn wound; hard; Virtuoso mallet with rattan shaft 22 page-22 Mallets for everyday percussion use. DCM-11002 Rawhide; Deagan chime mallet DCM-15002 Plastic; Deagan chime mallet; ideal for outdoor use DCM-11002 Unwound KRB-1B/F/R Black rubber; extra soft KRB-2B/F/R Tan rubber; soft KRB-3B/F/R Brown rubber; medium-soft KRB-4B/F/R Light green rubber; medium KRB-5B/F/R Dark green rubber; medium-hard KRB-6B/F/R Gray rubber; hard KWB-7B/F/R Large maple; medium KWB-8AB/F/R Large rosewood; hard KBB-9B/F/R Brass; hard KPB-91B/F/R Poly ball; medium-hard KPB-92B/F/R Lexan; hard KPB-93B/F/R White phenolic; extra hard; 1" diameter KPB-10B/F/R Black phenolic; extra hard; 1 1/2" diameter Yarn Wound KYB-11B/F/R Yellow; hard KYB-12B/F/R Green; medium-hand KYB-13B/F/R Blue; medium KYB-14B/F/R Red; medium-soft KYB-15B/F/R Aqua; soft KYB-16B/F/R Orange; extra soft KYB-61B/F/R Yellow; mushroom; medium Cord Wound KCB-21B/F/R Yellow; hard KCB-22B/F/R Green; medium-hand KCB-23B/F/R Blue; medium KCB-24B/F/R Red; soft KCB-25B/F/R Silver; jazz KCB-62B/F/R Yellow; mushroom; medium B: Birch; Length=15 1/4" F: Fiberglass; Length=15 1/4" R: Rattan; Length=15 1/4" MP-04 Green tape; soft; Professional series mallets MP-05 Blue tape; extra soft; Professional series mallets Keiko Abe Signature Series Mallets MKA-01 Red tape; Two-tone; Keiko Abe Signature marimba mallets MKA-02 Pink tape; very hard; Keiko Abe Signature marimba mallets MKA-03 Orange tape; hard; Keiko Abe Signature marimba mallets MKA-04 Yellow tape; hard; Keiko Abe Signature marimba mallets MP-01, 02, 03, 04, 05 Virtuoso Keyboard Mallets With Birch Shafts page Artist Master™ Keyboard Mallets Concert Drumsticks MVB-4040 Light purple; medium-soft; Virtuoso mallet with birch shaft MVB-6040 Blue; soft; Virtuoso mallet with birch shaft MVB-6050 Dark blue; extra soft; Virtuoso mallet with birch shaft MVB-8040 White with red stitch; Virtuoso mallet with birch shaft MVB-8060 White with yellow stitch; Virtuoso mallet with birch shaft MVB-8080 White with blue stitch; Virtuoso mallet with birch shaft MV-4020 Peach; yarn wound; medium-hard; small Virtuoso mallet with rattan shaft MV-4030 Light green; yarn wound; medium-soft; small Virtuoso mallet with rattan shaft MV-4040 Light purple; yarn wound; soft; small Virtuoso mallet with rattan shaft MV-6040 Blue; yarn wound; soft; medium Virtuoso mallet with rattan shaft MV-6050 Dark blue; yarn wound; very soft; medium Virtuoso mallet with rattan shaft MV-8040 Red stitch; yarn wound; medium-soft; large Virtuoso mallet with rattan shaft MVB Series MV-8060 Yellow stitch; yarn wound; very soft; large Virtuoso mallet with rattan shaft MV-8080 Blue stitch; yarn wound; extra soft; large Virtuoso mallet with rattan shaft MKA-05 Light green tape; medium-hard; Keiko Abe Signature marimba mallets MKA-06 Green tape; medium-soft; Keiko Abe Signature marimba mallets MKA-07 Blue tape; soft; Keiko Abe Signature marimba mallets MKA-S7 Blue/Light blue; soft; Keiko Abe Signature marimba mallets MKA-08 Light blue tape; soft; Keiko Abe Signature marimba mallets MKA-09 Purple tape; very soft; Keiko Abe Signature marimba mallets Yamaha Educational Keyboard Mallets Yamaha Standard Keyboard Mallets Durable lightweight mallets with Fiberglass Reinforced Plastic™ (FRP) shafts, for smaller hands. Medium weight mallets with ratten shaft. Dual Head Length=13 1/2" ME-10W Blue and white; hard and soft Hard Rubber Length=14 3/4" ME-101 Black; very hard ME-102 Yellow; hard ME-103 Orange; medium-hard ME-104 Red; medium-soft ME-105 Purple; soft Yarn Would Length=15 1/8" ME-201 Red; hard ME-202 Yellow; medium-hard ME-203 Peach; medium-soft ME-204 Green; soft Brass & Ebonite Length=11 13/16" MR-840 Very hard; brass & ebonite Hytrel Length=14 5/8" MR-930 Large; Hytrel StrikeForce™ Mallets Designed for young percussionists. Length=13" KPSF Black phenolic; extra hard bell mallets Cord Would Length=15 3/4" ME-301 Red; hard ME-302 Orange; medium-hard ME-303 Pink; medium-soft ME-304 Green; soft MV Series MV-5040 Blue; cord wound; soft; small Virtuoso mallet with rattan shaft MV-7040 Purple; cord wound; soft; medium Virtuoso mallet with rattan shaft Cord Wound Length=15 3/4" MV-5010 Bright red; cord wound; hard; small Virtuoso mallet with rattan shaft MV-5020 Pink; cord wound; medium-hard; small Virtuoso mallet with rattan shaft MV-5030 Green; cord wound; medium-soft; small Virtuoso mallet with rattan shaft page 23 page-23 The Secret Behind Yamaha’s Concert Percussion is Communication! The communication takes place among designers, craftsmen and players, and it is constant. For more than three decades now we have been working with some of the world’s greatest players designing and crafting the instruments of their dreams. Players know what they want, and we know what we can give them. But they inspire us to go beyond what we “know” we can do, just as we help them go farther than they thought they could. That’s the magic of communication. That’s the spirit of our percussion. page Keiko Abe James Armstrong Ted Atkatz Amy Lynn Barber John H. Beck John R. Beck John Beckford Scott Harris Ed Hartman Steve Hobbs Gary Hodges Richard Holly Gifford Howarth Billy Hulting Dave Black Robert Bridge Robert Breithaupt Ken Broadway George Brown David Buzminsky James Campbell Marc Jacoby Vicki Jenks Howard Joines Momoko Kamiya (Japan) Laurence Kaptain Michael Kingan Rebecca Kite Homero Cerone Robert Chappell Rafael Christen (Switzerland) Anthony Cirone David Collier J.C. Combs Orlando Cotto Frank Kumor Barry Larkin Larry Lelli Stanley Leonard Kevin Lepper Don Liuzzi Mike Mainieri Niel DePonte Theresa Dimond Larry Doran Brad Dutz F. Feza Zweifel Gary Fink David Friedman Dave Mancini Stuart Marrs Barrett Martin Victor Mendoza Nanae Mimura Dan Moore Jeff Moore Jean Geoffroy (France) Tim Genis Terry Gibbs Michael Gould Dean Gronemeier Dave Hagedorn Chris Hanning Isao Nakamura (Germany/Japan) David Nyberg Jim Petercsak Nick Petrella Federico Poli (Italy) Salvatore Rabbio Will Rapp 24 page 24 page 25 page 25 The Secret Behind Yamaha’s Concert Percussion is Communication! The communication takes place among designers, craftsmen and players, and it is constant. For more than three decades now we have been working with some of the world’s greatest players designing and crafting the instruments of their dreams. Players know what they want, and we know what we can give them. But they inspire us to go beyond what we “know” we can do, just as we help them go farther than they thought they could. That’s the magic of communication. That’s the spirit of our percussion. page Keiko Abe James Armstrong Ted Atkatz Amy Lynn Barber John H. Beck John R. Beck John Beckford Scott Harris Ed Hartman Steve Hobbs Gary Hodges Richard Holly Gifford Howarth Billy Hulting Dave Black Robert Bridge Robert Breithaupt Ken Broadway George Brown David Buzminsky James Campbell Marc Jacoby Vicki Jenks Howard Joines Momoko Kamiya (Japan) Laurence Kaptain Michael Kingan Rebecca Kite Homero Cerone Robert Chappell Rafael Christen (Switzerland) Anthony Cirone David Collier J.C. Combs Orlando Cotto Frank Kumor Barry Larkin Larry Lelli Stanley Leonard Kevin Lepper Don Liuzzi Mike Mainieri Niel DePonte Theresa Dimond Larry Doran Brad Dutz F. Feza Zweifel Gary Fink David Friedman Dave Mancini Stuart Marrs Barrett Martin Victor Mendoza Nanae Mimura Dan Moore Jeff Moore Jean Geoffroy (France) Tim Genis Terry Gibbs Michael Gould Dean Gronemeier Dave Hagedorn Chris Hanning Isao Nakamura (Germany/Japan) David Nyberg Jim Petercsak Nick Petrella Federico Poli (Italy) Salvatore Rabbio Will Rapp 24 page 24 page 25 page 25 Scale Range Chuck Redd Emil Richards Anthony Robinson Ney Rosauro Patrick Roulet Ed Saindon Dave Samuels 1 3 4 6 8 9 11 13 15 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C C MC C C C C MARIMBA Jim Sewrey Mark Sherman Larry Snider Andrew Spencer Naoko Takada Jason Taylor Franck Tortiller (France) YM 5104A YM 6000/6000A YM 5100A YM 4900A YM 4600A YM 2400 YMRD 2400 YM 1430 YM 40 VIBRAPHONE Ben Toth Mike Varner Michael Waldrop Doug Walter Norman Weinberg Jeff White William Scott-Deal 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C YV 4110/4110M YV 3910/3910M YV 3710/3710M YV 2700/2700G YVRD/YVT 2700 YVRD 2700G YV 1600A YV 520 XYLOPHONE 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C YX350A YX 335 YXRD 335 YX 135 GLOCKENSPIEL/BELL Dean Witten Brian Zator Nebojsa Zivkovic Dimensions and Weight page 26 page-26 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C YG 2500 YG 1210 YG 250D DG 1590A MARIMBA Dimensions (W x D) Weight XYLOPHONE Dimensions (W x D) Weight CHIME YM 5104A YM 6000 YM 6000A YM 5100A YM 4900A YM 4600A YM 2400 YMRD 2400 YM 1430 YM 40 110 5/8" x 40 1/2" 108 1/4" x 45 1/2" 108 1/4" x 45 1/2" 102 3/4" x 40 1/2" 92 1/2" x 37 3/4" 86 1/4" x 35 7/8" 78" x 34 5/8" 87 1/2" x 42" 74" x 33 1/8" 74" x 33 1/8" 218 lbs 235 3/4 lbs 246 3/4 lbs 211 1/2 lbs 171 3/4 lbs 149 3/4 lbs 134 1/4 lbs 191 5/8 lbs 108 lbs 108 lbs YX 350A YX 335 YXRD 335 YX 135 57 1/8" x 30 3/4" 54" x 31 1/2" 64 3/8" x 37 1/4" 48 3/8" x 24 3/8" 79 1/4 lbs 79 1/4 lbs 132 1/8 lbs 48 1/2 lbs YCH 585 DC 9190A DC 9160A DC 9150A VIBRAPHONE Dimensions (W x D) YV 4110 YV 3910 YV 3710 YV 2700 YVRD 2700 YV 2700G YVRD 2700G YV 1600A YV 520 72 7/8" x 32 5/8" 56 1/4" x 32 1/4" 56 1/4" x 32 1/4" 56 1/4" x 32 1/4" 65 7/8" x 37 5/8" 56 1/4" x 32 1/4" 65 7/8" x 37 5/8" 48 7/8" x 29 1/8" 41 3/4" x 26 3/4" GLOCKENSPIEL/BELL Dimensions (W x D x H) Weight YG 2500 YG 1210 YG 250D DG 1590A 41 3/4" x 22" 32" x 19" x 5" 29" x 18" x 3" 30" x 18" 79 lbs 35 lbs (case included) 21 lbs (case included) 30 lbs Weight CHIME Dimensions (W x D x H) Weight 207 lbs 134 1/4 lbs 127 3/4 lbs 114 1/2 lbs 161 7/8 lbs 114 1/2 lbs 161 7/8 lbs 83 3/4 lbs 68 1/4 lbs YCH 585 DC 9190A DC 9160A DC 9150A 33 7/8" x 26 3/4" x 70 3/4" 33" x 24 1/2" x 71" 33" x 24 1/2" x 66 1/2" 33" x 24 1/2" x 66 1/2" 185 lbs 167 lbs 125 lbs 125 lbs TIMPANI 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C TP 7220/6220 TP 7223/6223/3023 TP 7224 TP 7226/6226/3026 TP 7227 TP 7229/6229/3029 TP 7232/6232/3032 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C page 27 page-27 Scale Range Chuck Redd Emil Richards Anthony Robinson Ney Rosauro Patrick Roulet Ed Saindon Dave Samuels 1 3 4 6 8 9 11 13 15 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C C MC C C C C MARIMBA Jim Sewrey Mark Sherman Larry Snider Andrew Spencer Naoko Takada Jason Taylor Franck Tortiller (France) YM 5104A YM 6000/6000A YM 5100A YM 4900A YM 4600A YM 2400 YMRD 2400 YM 1430 YM 40 VIBRAPHONE Ben Toth Mike Varner Michael Waldrop Doug Walter Norman Weinberg Jeff White William Scott-Deal 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C YV 4110/4110M YV 3910/3910M YV 3710/3710M YV 2700/2700G YVRD/YVT 2700 YVRD 2700G YV 1600A YV 520 XYLOPHONE 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C YX350A YX 335 YXRD 335 YX 135 GLOCKENSPIEL/BELL Dean Witten Brian Zator Nebojsa Zivkovic Dimensions and Weight page 26 page-26 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C YG 2500 YG 1210 YG 250D DG 1590A MARIMBA Dimensions (W x D) Weight XYLOPHONE Dimensions (W x D) Weight CHIME YM 5104A YM 6000 YM 6000A YM 5100A YM 4900A YM 4600A YM 2400 YMRD 2400 YM 1430 YM 40 110 5/8" x 40 1/2" 108 1/4" x 45 1/2" 108 1/4" x 45 1/2" 102 3/4" x 40 1/2" 92 1/2" x 37 3/4" 86 1/4" x 35 7/8" 78" x 34 5/8" 87 1/2" x 42" 74" x 33 1/8" 74" x 33 1/8" 218 lbs 235 3/4 lbs 246 3/4 lbs 211 1/2 lbs 171 3/4 lbs 149 3/4 lbs 134 1/4 lbs 191 5/8 lbs 108 lbs 108 lbs YX 350A YX 335 YXRD 335 YX 135 57 1/8" x 30 3/4" 54" x 31 1/2" 64 3/8" x 37 1/4" 48 3/8" x 24 3/8" 79 1/4 lbs 79 1/4 lbs 132 1/8 lbs 48 1/2 lbs YCH 585 DC 9190A DC 9160A DC 9150A VIBRAPHONE Dimensions (W x D) YV 4110 YV 3910 YV 3710 YV 2700 YVRD 2700 YV 2700G YVRD 2700G YV 1600A YV 520 72 7/8" x 32 5/8" 56 1/4" x 32 1/4" 56 1/4" x 32 1/4" 56 1/4" x 32 1/4" 65 7/8" x 37 5/8" 56 1/4" x 32 1/4" 65 7/8" x 37 5/8" 48 7/8" x 29 1/8" 41 3/4" x 26 3/4" GLOCKENSPIEL/BELL Dimensions (W x D x H) Weight YG 2500 YG 1210 YG 250D DG 1590A 41 3/4" x 22" 32" x 19" x 5" 29" x 18" x 3" 30" x 18" 79 lbs 35 lbs (case included) 21 lbs (case included) 30 lbs Weight CHIME Dimensions (W x D x H) Weight 207 lbs 134 1/4 lbs 127 3/4 lbs 114 1/2 lbs 161 7/8 lbs 114 1/2 lbs 161 7/8 lbs 83 3/4 lbs 68 1/4 lbs YCH 585 DC 9190A DC 9160A DC 9150A 33 7/8" x 26 3/4" x 70 3/4" 33" x 24 1/2" x 71" 33" x 24 1/2" x 66 1/2" 33" x 24 1/2" x 66 1/2" 185 lbs 167 lbs 125 lbs 125 lbs TIMPANI 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C TP 7220/6220 TP 7223/6223/3023 TP 7224 TP 7226/6226/3026 TP 7227 TP 7229/6229/3029 TP 7232/6232/3032 16 18 20 21 23 25 27 28 30 32 33 35 37 39 40 42 44 45 47 49 51 52 54 56 57 59 61 63 64 66 68 69 71 73 75 76 78 80 81 83 85 87 88 90 92 93 C C MC C C C C page 27 page-27 http://www.yamahapercussion.com *Specifications are subject to change without notice. *Some models may not be available in some countries. *Colors shown in this catalog may not be represented exactly as the original colors due to printing processes involved. This document is printed on chlorine-free (ECF) paper with soy ink. cover 4 LEP0348U xxxx Printed in Japan cover 1
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