Yamaha 01_28(atari) Concert Percussion Catalog 45706 Concertpercussion Cat

User Manual: Yamaha Concert Percussion Catalog

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cover 4 cover 1
LEP0348U
This document is printed on chlorine-free (ECF) paper with soy ink.
*Specifications are subject to change without notice.
*Some models may not be available in some countries.
*Colors shown in this catalog may not be represented exactly as the original colors due to printing processes involved.
xxxx Printed in Japan
http://www.yamahapercussion.com
page 2 page 3
MARIMBAS
CONTENTS
4
page
VIBRAPHONES 8
page
XYLOPHONES 10
page
GLOCKENSPIELS 12
page
CHIMES 13
page
DEAGAN CHIMES & BELLS 14
page
TIMPANI 15
page
CONCERT SNARE DRUMS & CONCERT TOMS
ACCESSORIES 19
page
17
page
CONCERT BASS DRUMS 18
page
MULTI-FRAME II SYSTEM & TOUGH-TERRAIN FRAMES 11
page
SCALE RANGE 27
page
DIMENSIONS & WEIGHT 26
page
ARTISTS 24
page
page 2 page 3
MARIMBAS
CONTENTS
4
page
VIBRAPHONES 8
page
XYLOPHONES 10
page
GLOCKENSPIELS 12
page
CHIMES 13
page
DEAGAN CHIMES & BELLS 14
page
TIMPANI 15
page
CONCERT SNARE DRUMS & CONCERT TOMS
ACCESSORIES 19
page
17
page
CONCERT BASS DRUMS 18
page
MULTI-FRAME II SYSTEM & TOUGH-TERRAIN FRAMES 11
page
SCALE RANGE 27
page
DIMENSIONS & WEIGHT 26
page
ARTISTS 24
page
page 4 page 5
5
page
page 4
YM 5100A
Range: 5 octaves, C16–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–2 7/8" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Helmholz (C16 to F21),
Round cornered rectangle (F#22-A#26)
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
Marimbas
The YM 6000 Concert Grand Marimba is an exceptional instrument representing the ultimate in design, construction, and materials. It offers a
full five-octave range of carefully aged Honduran rosewood bars, cut and tuned by hand, and features a beautifully crafted, sturdy frame. Also
available is the YM 6000A model featuring our exclusive pneumatic height adjustment system.
Incorporating a streamlined frame and special resonator designs, our other rosewood models also maintain the exceptional sound quality for
which Yamaha marimbas are known. These instruments incorporate all the lessons we have learned from the greatest players in perfecting our
YM 6000 Concert Grand Marimba. Featuring the finest in traditional craftsmanship and the very latest in materials technology, all give you a
rich, glowing tone and perfect intonation.
YM 6000
Range: 5 octaves, C16–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–3 1/8" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Round, adjustable from C16 to F33
Height: 35 1/2"
YM 6000A
YM 6000 with height adjustment
Height adjustment: Pneumatic strut system 33 7/8"-39 3/4"
Scale Range
C76
C16
Scale Range
C76
C16
YM 5104A
Range: 5 1/2 octaves, C16–G83
Bars: Honduran rosewood
Bar sizes: 1 1/2"–2 7/8" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Helmholz (C16 to F21),
Round cornered rectangle (F#22-A#26)
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
Scale Range
G83
C16
8va
YM 6000
YM 6000A
Yamaha has been developed the special way of the drying process with its
long experience of mallet percussion making history.
Block shaped wood materials spend the longest natural drying process.*
After the first tuning process is done they are preserved in the humidity
controlled space in a certain period.**
Then they are checked again and are processed with final tuning before tone
color matching process to be a one tone bar set. All these process maintain
the reputation of Yamaha tone bars that is the most hard to be out of tune.
* actually 2-3 years
** actually one month
The resonators on the lower end of the
YM 6000 and YM 6000A are adjustable,
allowing a well-focused and balanced
tone when changes in temperature and
humidity occur.
The Concert Grand marimba is the result of
more than 20 years of collaboration between
the legendary marimbist Keiko Abe and
Yamaha designers.
page 4 page 5
5
page
page 4
YM 5100A
Range: 5 octaves, C16–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–2 7/8" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Helmholz (C16 to F21),
Round cornered rectangle (F#22-A#26)
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
Marimbas
The YM 6000 Concert Grand Marimba is an exceptional instrument representing the ultimate in design, construction, and materials. It offers a
full five-octave range of carefully aged Honduran rosewood bars, cut and tuned by hand, and features a beautifully crafted, sturdy frame. Also
available is the YM 6000A model featuring our exclusive pneumatic height adjustment system.
Incorporating a streamlined frame and special resonator designs, our other rosewood models also maintain the exceptional sound quality for
which Yamaha marimbas are known. These instruments incorporate all the lessons we have learned from the greatest players in perfecting our
YM 6000 Concert Grand Marimba. Featuring the finest in traditional craftsmanship and the very latest in materials technology, all give you a
rich, glowing tone and perfect intonation.
YM 6000
Range: 5 octaves, C16–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–3 1/8" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Round, adjustable from C16 to F33
Height: 35 1/2"
YM 6000A
YM 6000 with height adjustment
Height adjustment: Pneumatic strut system 33 7/8"-39 3/4"
Scale Range
C76
C16
Scale Range
C76
C16
YM 5104A
Range: 5 1/2 octaves, C16–G83
Bars: Honduran rosewood
Bar sizes: 1 1/2"–2 7/8" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Helmholz (C16 to F21),
Round cornered rectangle (F#22-A#26)
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
Scale Range
G83
C16
8va
YM 6000
YM 6000A
Yamaha has been developed the special way of the drying process with its
long experience of mallet percussion making history.
Block shaped wood materials spend the longest natural drying process.*
After the first tuning process is done they are preserved in the humidity
controlled space in a certain period.**
Then they are checked again and are processed with final tuning before tone
color matching process to be a one tone bar set. All these process maintain
the reputation of Yamaha tone bars that is the most hard to be out of tune.
* actually 2-3 years
** actually one month
The resonators on the lower end of the
YM 6000 and YM 6000A are adjustable,
allowing a well-focused and balanced
tone when changes in temperature and
humidity occur.
The Concert Grand marimba is the result of
more than 20 years of collaboration between
the legendary marimbist Keiko Abe and
Yamaha designers.
page 6 page 7
7
page
page 6
YM 40
Range: 3 1/2 octaves, C28–F69
Bars: Padauk
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick
Pitch: A=442Hz
Height adjustment: 34 5/8"–38 5/8"
Scale Range
The YM 2400 marimba offers the excellent tone of our exclusive
Acoustalon bars supported by a height-adjustable frame. Tested for
years in the most rigorous performance situations, this instrument
is built to remain stable, and to maintain its consistency of sound.
A set of rosewood bars is available separately for added versatility
(model YM-2400RBARS).
YM 2400
Range: 4 1/3 octaves, A25–C76
Bars: Acoustalon
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 35"–38 1/4"
YM 2400RBARS
Optional rosewood bars for YM 2400
Scale Range
YM 1430
Range: 4 1/3 octaves, A25–C76
Bars: Padauk
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 34 5/8"–38 5/8"
With tone bars made of select padauk wood for a natural wood
sound and feel, the Standard and Junior marimbas offer an ideal
balance between tone and price.
Scale Range
YM 4900A
Range: 4 1/2 octaves, F21–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Helmholz (F21),
Round cornerd rectangle (F#22-A#26)
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
Scale Range
C76
F21
YM 4600A
Range: 4 1/3 octaves, A25–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Round
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
C76
A25
C76
A25
F69
C28
Scale Range
C76
A25
Easy Height Adjustment
Our exclusive height adjustment system
uses pneumatic struts to allow height
changes to be made easily by one person.
Unique Resonator Design
For a beautifully rich tone Yamaha
marimbas employ a unique resonator
design that includes special shapes,
denser alloy, and thicker walls.
Portability
Transport, set-up and tear-down of the
instruments are made simple by hinged
resonators and rails, a two-piece crossbar
and overall streamlined design. Four
inch casters make rolling a breeze and
locks on the playing side secure the
instrument during play.
YMRD2400
with
Multi-Frame II
Page 11
YMT2400
with
Tough-Terrain Frame
Page 11
page 6 page 7
7
page
page 6
YM 40
Range: 3 1/2 octaves, C28–F69
Bars: Padauk
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick
Pitch: A=442Hz
Height adjustment: 34 5/8"–38 5/8"
Scale Range
The YM 2400 marimba offers the excellent tone of our exclusive
Acoustalon bars supported by a height-adjustable frame. Tested for
years in the most rigorous performance situations, this instrument
is built to remain stable, and to maintain its consistency of sound.
A set of rosewood bars is available separately for added versatility
(model YM-2400RBARS).
YM 2400
Range: 4 1/3 octaves, A25–C76
Bars: Acoustalon
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 35"–38 1/4"
YM 2400RBARS
Optional rosewood bars for YM 2400
Scale Range
YM 1430
Range: 4 1/3 octaves, A25–C76
Bars: Padauk
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 34 5/8"–38 5/8"
With tone bars made of select padauk wood for a natural wood
sound and feel, the Standard and Junior marimbas offer an ideal
balance between tone and price.
Scale Range
YM 4900A
Range: 4 1/2 octaves, F21–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Helmholz (F21),
Round cornerd rectangle (F#22-A#26)
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
Scale Range
C76
F21
YM 4600A
Range: 4 1/3 octaves, A25–C76
Bars: Honduran rosewood
Bar sizes: 1 5/8"–2 1/2" Wide, 3/4"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Resonators: Round
Height adjustment: Pneumatic strut system 33 7/8"–39 3/4"
C76
A25
C76
A25
F69
C28
Scale Range
C76
A25
Easy Height Adjustment
Our exclusive height adjustment system
uses pneumatic struts to allow height
changes to be made easily by one person.
Unique Resonator Design
For a beautifully rich tone Yamaha
marimbas employ a unique resonator
design that includes special shapes,
denser alloy, and thicker walls.
Portability
Transport, set-up and tear-down of the
instruments are made simple by hinged
resonators and rails, a two-piece crossbar
and overall streamlined design. Four
inch casters make rolling a breeze and
locks on the playing side secure the
instrument during play.
YMRD2400
with
Multi-Frame II
Page 11
YMT2400
with
Tough-Terrain Frame
Page 11
page 8 page 9
9
page
page 8
YV 2700G
YV 2700
Vibraphones
Our vibes are world class instruments that reflect a beautiful sound supported by practical design. Made of an aluminum
alloy unique to Yamaha, our vibe bars respond well at low dynamics yet do not distort at high levels. The special tuning
of the bars, unique to our various models, ensures a pure fundamental and solid, full tone. By working with top pros,
our design team creates instruments that not only sound wonderful, but offer exceptionally smooth mechanical
operation for all recording and performance situations.
Glossy tone bars feature a brighter sound with prominent overtones and enhanced projection. Matte finish bars have a slightly warmer sound
with less overtones and a smooth, even sound. All vibe models use a height adjustable frame for maximum player comfort.
The following three vibe models use frames that can be disassembled into relatively small parts for easy transport. The extended range models are
very specialized instruments created by Yamaha designers in conjunction with top players and orchestras from around in the world.
Dave Samuels
David Friedman
Mike Mainieri
With fixed upper frame and parallel crossbars, our Studio vibe series is designed
primarily for transport while set-up.
The YV 1600A is an inexpensive alternative based on our more expensive model vibes.
The special aluminum alloy provides exceptional tone quality and the fan motor offers
variable speeds. The frame height is adjustable and the pedal is oversized for player
comfort.
As a compact, lightweight vibe, the YV 520 uses a narrow, non-graduated bar design.
Professional features include accurate tuning, variable speed motor with silent on/off,
sturdy frame, height adjustment, large casters, oversized pedal and double-locking
pedal assembly.
All Yamaha vibes feature a compact fan motor and pulley system. A silent pause and slider control provides quiet
operation and exceptional musical expression. The YVM 300 motor is equipped with our exclusive memory system that
returns the fans to a pre-determined position regardless of where the fans are when the pause button is pressed.
Scale Range
YV 3910
Range: 3 1/2 octaves, C28–F69
Bars: Glossy finish gold aluminum alloy
Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 300 Pause-memory controller (25–150rpm)
Height adjustment: 33 7/8"–37"
With Matte finish gold aluminum alloy (YV 3910M)
F69
C28
Scale Range
YV 4110
Range: 4 octaves, C28–C76
Bars: Glossy finish gold aluminum alloy
Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 300 Pause-memory controller (25–150rpm)
Height adjustment: 33 7/8"–37"
With Matte finish gold aluminum alloy (YV 4110M)
C76
C28
Scale Range
YV 3710
Range: 3 octaves, F33–F69
Bars: Glossy finish gold aluminum alloy
Bar sizes: 1 1/2"–2 1/4 " Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 300 Pause-memory controller (25–150rpm)
Height adjustment: 33 7/8"–37"
With Matte finish gold aluminum alloy (YV 3710M)
F69
F33
YV 2700(G)
Range: 3 octaves, F33–F69
Bars: Glossy finish gold aluminum alloy (YV 2700G)
Bars: Matte finish silver aluminum alloy (YV 2700)
Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 200 Pause controller (25–150rpm)
Height adjustment: 31 7/8"–35"
Scale Range
F69
F33
YV 1600A
Range: 3 octaves, F33–F69
Bars: Matte finish silver aluminum alloy
Bar sizes: 1 1/2" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 200 Pause controller (25–150rpm)
Height adjustment: 31 1/2"–34 5/8"
Scale Range
F69
F33
YV 520
Range: 3 octaves, F33–F69
Bars: Matte finish silver aluminum alloy
Bar sizes: 1 1/4" Wide, 3/8" Thick
Pitch: A=442Hz
Motor: YVM 100 Pause controller (25–150rpm)
Height adjustment: 31 1/8"–34 1/4"
Scale Range
F69
F33
8va
YVRD2700(G)
with
Multi-Frame II
Page 11
YVT2700(G)
with
Tough-Terrain Frame
Page 11
page 8 page 9
9
page
page 8
YV 2700G
YV 2700
Vibraphones
Our vibes are world class instruments that reflect a beautiful sound supported by practical design. Made of an aluminum
alloy unique to Yamaha, our vibe bars respond well at low dynamics yet do not distort at high levels. The special tuning
of the bars, unique to our various models, ensures a pure fundamental and solid, full tone. By working with top pros,
our design team creates instruments that not only sound wonderful, but offer exceptionally smooth mechanical
operation for all recording and performance situations.
Glossy tone bars feature a brighter sound with prominent overtones and enhanced projection. Matte finish bars have a slightly warmer sound
with less overtones and a smooth, even sound. All vibe models use a height adjustable frame for maximum player comfort.
The following three vibe models use frames that can be disassembled into relatively small parts for easy transport. The extended range models are
very specialized instruments created by Yamaha designers in conjunction with top players and orchestras from around in the world.
Dave Samuels
David Friedman
Mike Mainieri
With fixed upper frame and parallel crossbars, our Studio vibe series is designed
primarily for transport while set-up.
The YV 1600A is an inexpensive alternative based on our more expensive model vibes.
The special aluminum alloy provides exceptional tone quality and the fan motor offers
variable speeds. The frame height is adjustable and the pedal is oversized for player
comfort.
As a compact, lightweight vibe, the YV 520 uses a narrow, non-graduated bar design.
Professional features include accurate tuning, variable speed motor with silent on/off,
sturdy frame, height adjustment, large casters, oversized pedal and double-locking
pedal assembly.
All Yamaha vibes feature a compact fan motor and pulley system. A silent pause and slider control provides quiet
operation and exceptional musical expression. The YVM 300 motor is equipped with our exclusive memory system that
returns the fans to a pre-determined position regardless of where the fans are when the pause button is pressed.
Scale Range
YV 3910
Range: 3 1/2 octaves, C28–F69
Bars: Glossy finish gold aluminum alloy
Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 300 Pause-memory controller (25–150rpm)
Height adjustment: 33 7/8"–37"
With Matte finish gold aluminum alloy (YV 3910M)
F69
C28
Scale Range
YV 4110
Range: 4 octaves, C28–C76
Bars: Glossy finish gold aluminum alloy
Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 300 Pause-memory controller (25–150rpm)
Height adjustment: 33 7/8"–37"
With Matte finish gold aluminum alloy (YV 4110M)
C76
C28
Scale Range
YV 3710
Range: 3 octaves, F33–F69
Bars: Glossy finish gold aluminum alloy
Bar sizes: 1 1/2"–2 1/4 " Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 300 Pause-memory controller (25–150rpm)
Height adjustment: 33 7/8"–37"
With Matte finish gold aluminum alloy (YV 3710M)
F69
F33
YV 2700(G)
Range: 3 octaves, F33–F69
Bars: Glossy finish gold aluminum alloy (YV 2700G)
Bars: Matte finish silver aluminum alloy (YV 2700)
Bar sizes: 1 1/2"–2 1/4" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 200 Pause controller (25–150rpm)
Height adjustment: 31 7/8"–35"
Scale Range
F69
F33
YV 1600A
Range: 3 octaves, F33–F69
Bars: Matte finish silver aluminum alloy
Bar sizes: 1 1/2" Wide, 1/2" Thick
Pitch: A=442Hz (other pitches available by special order)
Motor: YVM 200 Pause controller (25–150rpm)
Height adjustment: 31 1/2"–34 5/8"
Scale Range
F69
F33
YV 520
Range: 3 octaves, F33–F69
Bars: Matte finish silver aluminum alloy
Bar sizes: 1 1/4" Wide, 3/8" Thick
Pitch: A=442Hz
Motor: YVM 100 Pause controller (25–150rpm)
Height adjustment: 31 1/8"–34 1/4"
Scale Range
F69
F33
8va
YVRD2700(G)
with
Multi-Frame II
Page 11
YVT2700(G)
with
Tough-Terrain Frame
Page 11
page 10 page 11
11
page
page 10
Xylophones
Yamaha offers several xylophone models to fit virtually any performance situation. The rosewood model feature bars hand-crafted from the finest
Honduran rosewood for a warm, authentic sound. The Acoustalon model features our exclusive synthetic bar that is exceptionally resilient to
climate changes and therefore appropriate for indoor/outdoor use. For natural wood sound and feel at an affordable price, our standard model
uses padauk wood bars. While the rosewood and Acoustalon models use height adjustable frames, the padauk model uses folding legs for
compact storage and transport.
Multi-Frame II System
Perfect for indoor and outdoor marching activities, stage-show pits, percussion solos, and percussion ensembles, the Multi-Frame II and Tough-Terrain Frame
instruments are sturdy, convenient and practical.
Highlights of the Multi-Frame II system include 1 1/2" square piping on three sides of the instrument for more protection, on three sides of the instrument for
more protection, set-up options, and height adjustment by pneumatic struts for effortless height adjustments by one person. Other features include metal-hub
6" casters with in-line locking lever that locks both the swivel and hub rotation, and an easy-to-use clamp.
Tough-Terrain Frames
The Yamaha Tough-Terrain Frame features brawny, welded steel construction and angled dual lower crossbars to protect resonators. Aggressive 10" pneumatic
tires roll effortlessly over any field of play. An available hitch system means you can take your performance to places it’s never been before. Truly band-director-
designed, the Tough-Terrain Frame has a minimum amount of adjustments to eliminate loosening and subsequent loss of parts. In addition, the frames are
height adjustable, and can be adapted to older Yamaha instruments.
YMRD 2400 with extras
RD 2400
YX 350A
Range: 3 1/2 octaves, F45–C88
Bars: Honduran rosewood
Bar sizes: 1 1/2"–1 3/4" Wide, 7/8"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 32 5/8"–37 3/8"
YX 335
Range: 3 1/2 octaves, F45–C88
Bars: Acoustalon
Bar sizes: 1 1/2" Wide, 7/8" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 32 5/8"–37 3/8"
YXRD335
with
Multi-Frame II
Page 11
YXT335
with
Tough-Terrain Frame
Page 11
YX 135
Range: 3 1/2 octaves, F45–C88
Bars: Padauk
Bar sizes: 1 3/8" Wide, 3/4" Thick
Pitch: A=442Hz (other pitches available by special order)
Height: 34 1/4"
YMRD 2400
Range: 4 1/3 octaves, A25–C76
Bars: Acoustalon
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick
Pitch: A=442Hz
Height adjustment: pneumatic strut system 35"–40 7/8"
YMRD 2400/YMT 2400
4 1/3 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Marimba
YXRD 335/YMT 335
3 1/2 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Xylophone
YVRD 2700/YVT 2700
3 octave Multi-Frame II/Tough-Terrain Frame Vibe
YVRD 2700G/YVT 2700G
3 octave Multi-Frame II/Tough-Terrain Frame Vibe
RD 2400/T 2400
Multi-Frame II/Tough-Terrain Frame parts to upgrade YM 2400
RD 335/T 335
Multi-Frame II/Tough-Terrain Frame parts to upgrade YX 335
RD 2700/T 2700
Multi-Frame II/Tough-Terrain Frame parts to upgrade YV 2700 or YV 2700G
RDC 10
Multi-Frame II square clamp
Scale Range
*(C88)
*(F45)
Xylophones sound one octave
higher than the written notation.
*(Actual notation)
Scale Range
*(C88)
*(F45)
Xylophones sound one octave
higher than the written notation.
*(Actual notation)
Scale Range
*(C88)
*(F45)
Xylophones sound one octave
higher than the written notation.
*(Actual notation)
YMRD 2400
YMT 2400 with extras
T 2400
YMT 2400
Range: 4 1/3 octaves, A25–C76
Bars: Acoustalon
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick
Pitch: A=442Hz
Height adjustment: pneumatic strut system 35"–40 7/8"
YMT 2400
• Tough-Terrain Frames are available separately to retrofit to an existing instrument.
• Tough-Terrain Frames are available with a new instrument
(and you get the standard instrument frame too in case you want to use the TTF exclusively for marching season).
• Tough-Terrain Frames fit through standard doorways.
• Tough-Terrain Frames can be towed using an optional hitch system.
Multi-Frame II/Tough Terrain Frame Components
Each Mult-Frame II model includes four RDC10 multi-Clamps.
page 10 page 11
11
page
page 10
Xylophones
Yamaha offers several xylophone models to fit virtually any performance situation. The rosewood model feature bars hand-crafted from the finest
Honduran rosewood for a warm, authentic sound. The Acoustalon model features our exclusive synthetic bar that is exceptionally resilient to
climate changes and therefore appropriate for indoor/outdoor use. For natural wood sound and feel at an affordable price, our standard model
uses padauk wood bars. While the rosewood and Acoustalon models use height adjustable frames, the padauk model uses folding legs for
compact storage and transport.
Multi-Frame II System
Perfect for indoor and outdoor marching activities, stage-show pits, percussion solos, and percussion ensembles, the Multi-Frame II and Tough-Terrain Frame
instruments are sturdy, convenient and practical.
Highlights of the Multi-Frame II system include 1 1/2" square piping on three sides of the instrument for more protection, on three sides of the instrument for
more protection, set-up options, and height adjustment by pneumatic struts for effortless height adjustments by one person. Other features include metal-hub
6" casters with in-line locking lever that locks both the swivel and hub rotation, and an easy-to-use clamp.
Tough-Terrain Frames
The Yamaha Tough-Terrain Frame features brawny, welded steel construction and angled dual lower crossbars to protect resonators. Aggressive 10" pneumatic
tires roll effortlessly over any field of play. An available hitch system means you can take your performance to places it’s never been before. Truly band-director-
designed, the Tough-Terrain Frame has a minimum amount of adjustments to eliminate loosening and subsequent loss of parts. In addition, the frames are
height adjustable, and can be adapted to older Yamaha instruments.
YMRD 2400 with extras
RD 2400
YX 350A
Range: 3 1/2 octaves, F45–C88
Bars: Honduran rosewood
Bar sizes: 1 1/2"–1 3/4" Wide, 7/8"–1" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 32 5/8"–37 3/8"
YX 335
Range: 3 1/2 octaves, F45–C88
Bars: Acoustalon
Bar sizes: 1 1/2" Wide, 7/8" Thick
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: 32 5/8"–37 3/8"
YXRD335
with
Multi-Frame II
Page 11
YXT335
with
Tough-Terrain Frame
Page 11
YX 135
Range: 3 1/2 octaves, F45–C88
Bars: Padauk
Bar sizes: 1 3/8" Wide, 3/4" Thick
Pitch: A=442Hz (other pitches available by special order)
Height: 34 1/4"
YMRD 2400
Range: 4 1/3 octaves, A25–C76
Bars: Acoustalon
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick
Pitch: A=442Hz
Height adjustment: pneumatic strut system 35"–40 7/8"
YMRD 2400/YMT 2400
4 1/3 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Marimba
YXRD 335/YMT 335
3 1/2 octave Acoustalon Multi-Frame II/Tough-Terrain Frame Xylophone
YVRD 2700/YVT 2700
3 octave Multi-Frame II/Tough-Terrain Frame Vibe
YVRD 2700G/YVT 2700G
3 octave Multi-Frame II/Tough-Terrain Frame Vibe
RD 2400/T 2400
Multi-Frame II/Tough-Terrain Frame parts to upgrade YM 2400
RD 335/T 335
Multi-Frame II/Tough-Terrain Frame parts to upgrade YX 335
RD 2700/T 2700
Multi-Frame II/Tough-Terrain Frame parts to upgrade YV 2700 or YV 2700G
RDC 10
Multi-Frame II square clamp
Scale Range
*(C88)
*(F45)
Xylophones sound one octave
higher than the written notation.
*(Actual notation)
Scale Range
*(C88)
*(F45)
Xylophones sound one octave
higher than the written notation.
*(Actual notation)
Scale Range
*(C88)
*(F45)
Xylophones sound one octave
higher than the written notation.
*(Actual notation)
YMRD 2400
YMT 2400 with extras
T 2400
YMT 2400
Range: 4 1/3 octaves, A25–C76
Bars: Acoustalon
Bar sizes: 1 1/2"–2 1/4" Wide, 7/8" Thick
Pitch: A=442Hz
Height adjustment: pneumatic strut system 35"–40 7/8"
YMT 2400
• Tough-Terrain Frames are available separately to retrofit to an existing instrument.
• Tough-Terrain Frames are available with a new instrument
(and you get the standard instrument frame too in case you want to use the TTF exclusively for marching season).
• Tough-Terrain Frames fit through standard doorways.
• Tough-Terrain Frames can be towed using an optional hitch system.
Multi-Frame II/Tough Terrain Frame Components
Each Mult-Frame II model includes four RDC10 multi-Clamps.
page 12 page 13
13
page
page 12
Damper
The YCH 585 incorporates a three-board
damper box for effective muffling of the
tubes, and a low friction bearing
mechanism ensures smooth operation. A
one-touch damper stopper holds the boards
open without pedaling.
Base
For superior stability and strength, our base
is designed with a low center of gravity,
dual crossbars and 4" casters. The full
width damper pedal provides convenient
pedaling from any playing position.
The range given above is one octave
lower the actual frequency made by
tubes. The pitch heard by the ear is
one octave lower due to the
overtones produced by the tube.
Scale Range
Chimes
The YCH 585 features 1 1/2" Deagan tubes made with our exclusive Yamaha/Deagan tuning and voicing method to deliver true pitch, full-bodied
sound and superior resonance. A clear lacquer finish over the matte brass tubes reduces glare from lights or the sun. Its’ extended range
(C40–G59) satisfies more repertoire requirements, and the full width damper pedal offers smooth operation and playing convenience. A
reinforced frame with 4" casters provides stability and durability during play and transport.
YCH 585
Range: 1 1/2 octaves, C40–G59
Deagan Tubes: Clear lacquer, 1 1/2" diameter (Fine Tuned in USA)
Pitch: A=442Hz
Glockenspiels
Several features set these glockenspiel models apart from others: the use of a new high-carbon steel material treated with a special tempering
process for a pure, bright tone; and both nodal point support string with single pin bar mounting (YG 250D, YG 1210) and suspension cord
system (YG 2500) to increase sustain and maximize resonance.
G59
C40
YG 2500
Range: 3 1/3 octaves, C52–E92
Bars: High carbon steel
Bar sizes: 1 1/4"✕3/8"
Bar mounting: Suspension cord system
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: Pneumatic strut system 33 1/2"–41 3/8
Scale Range
*(E92)
*(C52)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
YG 1210
Range: 2 1/2 octaves, F57–C88
Bars: High-carbon steel
Bar sizes: 1 1/4"✕1/4"
Pitch: A=442Hz
Case cover: Removable
Frame: Removable from case
Scale Range
*(C88)
*(F57)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
YG 250D
Range: 2 1/2 octaves, F57–C88
Bars: High-carbon steel
Bar sizes: 1 1/8"✕1/4"
Pitch: A=442Hz
Case cover: Removable
Frame: Fixed in case
Scale Range
*(C88)
*(F57)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
Stand: YGS 100
Stand: YGS 70
YG 1210 and YG 250D utilize nodal
point support string to minimize the
contact with the tone bar. In
combination with single pin bar
mounting, this system affords
excellent sustain, purity of tone and
superb resonance from the bars.
The extended range model also uses a pedal dampening system and built-in frame with height adjustment by pneumatic struts.
page 12 page 13
13
page
page 12
Damper
The YCH 585 incorporates a three-board
damper box for effective muffling of the
tubes, and a low friction bearing
mechanism ensures smooth operation. A
one-touch damper stopper holds the boards
open without pedaling.
Base
For superior stability and strength, our base
is designed with a low center of gravity,
dual crossbars and 4" casters. The full
width damper pedal provides convenient
pedaling from any playing position.
The range given above is one octave
lower the actual frequency made by
tubes. The pitch heard by the ear is
one octave lower due to the
overtones produced by the tube.
Scale Range
Chimes
The YCH 585 features 1 1/2" Deagan tubes made with our exclusive Yamaha/Deagan tuning and voicing method to deliver true pitch, full-bodied
sound and superior resonance. A clear lacquer finish over the matte brass tubes reduces glare from lights or the sun. Its’ extended range
(C40–G59) satisfies more repertoire requirements, and the full width damper pedal offers smooth operation and playing convenience. A
reinforced frame with 4" casters provides stability and durability during play and transport.
YCH 585
Range: 1 1/2 octaves, C40–G59
Deagan Tubes: Clear lacquer, 1 1/2" diameter (Fine Tuned in USA)
Pitch: A=442Hz
Glockenspiels
Several features set these glockenspiel models apart from others: the use of a new high-carbon steel material treated with a special tempering
process for a pure, bright tone; and both nodal point support string with single pin bar mounting (YG 250D, YG 1210) and suspension cord
system (YG 2500) to increase sustain and maximize resonance.
G59
C40
YG 2500
Range: 3 1/3 octaves, C52–E92
Bars: High carbon steel
Bar sizes: 1 1/4"✕3/8"
Bar mounting: Suspension cord system
Pitch: A=442Hz (other pitches available by special order)
Height adjustment: Pneumatic strut system 33 1/2"–41 3/8
Scale Range
*(E92)
*(C52)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
YG 1210
Range: 2 1/2 octaves, F57–C88
Bars: High-carbon steel
Bar sizes: 1 1/4"✕1/4"
Pitch: A=442Hz
Case cover: Removable
Frame: Removable from case
Scale Range
*(C88)
*(F57)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
YG 250D
Range: 2 1/2 octaves, F57–C88
Bars: High-carbon steel
Bar sizes: 1 1/8"✕1/4"
Pitch: A=442Hz
Case cover: Removable
Frame: Fixed in case
Scale Range
*(C88)
*(F57)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
Stand: YGS 100
Stand: YGS 70
YG 1210 and YG 250D utilize nodal
point support string to minimize the
contact with the tone bar. In
combination with single pin bar
mounting, this system affords
excellent sustain, purity of tone and
superb resonance from the bars.
The extended range model also uses a pedal dampening system and built-in frame with height adjustment by pneumatic struts.
page 14 page 15
15
page
page 14
DC 9190A
Range: 1 1/2 octaves, C40–F57
Tubes: Chrome, 1 1/2" diameter
Pitch: A=442Hz
Made in U.S.A.
DEAGAN SYMPHONIC CHIMES—DC 9190A
The DC 9190A Symphonic chimes feature 1 1/2" diameter chime tubes with extra wall thickness to
produce a full, rich sound. Each set of tubes is individually tested and hand-tuned to ensure proper pitch
and harmonic voicing.
DEAGAN CONCERT CHIMES—DC 9160A & DC 9150A
Developed for educational use, our Concert chimes series uses 1 1/4" chime tubes and features quality
response and projection in a lighter weight instrument. As with our other models, each set of tubes is
individually tested and hand-tuned to ensure proper pitch and harmonic voicing.
Deagan Chimes
Utilizing original specifications and procedures, Deagan chimes and Symphonic bells by Yamaha maintain the traditional quality and
craftsmanship that made Deagan famous. Significant structural improvements and consistent production methods are incorporated, so the
Deagan instruments can exceed the demands of today’s professional percussionist.
Deagan Bells
Our professional Symphonic series bells feature bars made of high-grade, tempered steel for exceptional purity and brightness, and maximum
duration of tone. Each bar is carefully hand-tuned for superb intonation and is mounted with a single recessed screw to promote sustain.
A maple frame further enhances the instrument’s tone and projection.
DC 9160A
Range: 1 1/2 octaves, C40–F57
Tubes: Chrome, 1 1/4" diameter
Pitch: A=442Hz
Made in U.S.A.
DC 9150A
Range: 1 1/2 octaves, C40–F57
Tubes: Gold Satin Finish, 1 1/4" diameter
Pitch: A=442Hz
Made in U.S.A.
DC 9190A
Timpani
TP 9000 Grand Concert Series
Designed and tested with the assistance of professional timpanists from around the world, the TP 9000 series timpani are the ideal choice for
timpanists, orchestras and universities in need of a high caliber instrument. Because they are crafted with extreme attention to detail and under
strict mechanical tolerances, they produce a pure, unencumbered tone with outstanding sustain.
Features include heavy-duty frame, rim and tuning rods, a ball bearing pedal locking system and a fine tuner. Both Dresden and Berlin type
pedal systems are available in standard or German configuration. In addition, all models feature the clear, resonant sound of the Yamaha hand-
hammered bowl, as well as, extended tuning gauge, quiet mechanisms and adjustable footboard/kick plate relationship.
Scale Range
F57
C40
DG 1590A
Range: 2 1/2 octaves, G59–C88
Bars: High carbon Steel, 1 1/4" wide, 3/8" thick
Pitch: A=442Hz
Frame: Maple with 4 rubber feet
Made in U.S.A.
Scale Range
*(C88)
*(G59)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
Scale Range
F57
C40
Scale Range
F57
C40
The ranges given above are one
octave lower the actual frequency
made by tubes. The pitch heard by the
ear is one octave lower due to the
overtones produced by the tube.
Tuning gauge
In addition to letter names, the extended tuning gauge
uses accidental indicators for more accurate visual tuning.
Dresden and Berlin type pedal
Both versions use our clutch (ball bearing) pedal
locking system for a reliable hold of any note
within the range. The adjustable footboard/kick
plate relationship accommodates individual
player preference. Ratchet locking system is also
available for Berlin-type pedal.
(Left: TP 9000D, Right: TP 9000B, Below: TP 9000R)
Foot adjuster
Tilting stabilizers are adjustable to solidify the
playing position of each timpano, especially
on uneven stages. Optional longer versions
are available to accommodate sharper playing
angles, or choose built-in wheels that lock
securely during play and aid quick
movements around stage or rehearsal rooms.
Bowl and Frame
Heavy duty frames support precision-spun, hand-
hammered copper bowls to produce beautifully pure
resonance and deep, rich tones.
Timpani with case
Special cases are offered for
safe, secure transport. Rolling
carts are included with standard
models.
TP 9000B
Pedal
Locking system
Size
20"
23"
24"
26"
27"
29"
32"
Dresden-type
Clutch
TP 9020D
TP 9023D
TP 9024D
TP 9026D
TP 9027D
TP 9029D
TP 9032D
Clutch
TP 9020B
TP 9023B
TP 9024B
TP 9026B
TP 9027B
TP 9029B
TP 9032B
Ratchet
TP 9020R
TP 9023R
TP 9024R
TP 9026R
TP 9027R
TP 9029R
TP 9032R
Berlin-type
page 14 page 15
15
page
page 14
DC 9190A
Range: 1 1/2 octaves, C40–F57
Tubes: Chrome, 1 1/2" diameter
Pitch: A=442Hz
Made in U.S.A.
DEAGAN SYMPHONIC CHIMES—DC 9190A
The DC 9190A Symphonic chimes feature 1 1/2" diameter chime tubes with extra wall thickness to
produce a full, rich sound. Each set of tubes is individually tested and hand-tuned to ensure proper pitch
and harmonic voicing.
DEAGAN CONCERT CHIMES—DC 9160A & DC 9150A
Developed for educational use, our Concert chimes series uses 1 1/4" chime tubes and features quality
response and projection in a lighter weight instrument. As with our other models, each set of tubes is
individually tested and hand-tuned to ensure proper pitch and harmonic voicing.
Deagan Chimes
Utilizing original specifications and procedures, Deagan chimes and Symphonic bells by Yamaha maintain the traditional quality and
craftsmanship that made Deagan famous. Significant structural improvements and consistent production methods are incorporated, so the
Deagan instruments can exceed the demands of today’s professional percussionist.
Deagan Bells
Our professional Symphonic series bells feature bars made of high-grade, tempered steel for exceptional purity and brightness, and maximum
duration of tone. Each bar is carefully hand-tuned for superb intonation and is mounted with a single recessed screw to promote sustain.
A maple frame further enhances the instrument’s tone and projection.
DC 9160A
Range: 1 1/2 octaves, C40–F57
Tubes: Chrome, 1 1/4" diameter
Pitch: A=442Hz
Made in U.S.A.
DC 9150A
Range: 1 1/2 octaves, C40–F57
Tubes: Gold Satin Finish, 1 1/4" diameter
Pitch: A=442Hz
Made in U.S.A.
DC 9190A
Timpani
TP 9000 Grand Concert Series
Designed and tested with the assistance of professional timpanists from around the world, the TP 9000 series timpani are the ideal choice for
timpanists, orchestras and universities in need of a high caliber instrument. Because they are crafted with extreme attention to detail and under
strict mechanical tolerances, they produce a pure, unencumbered tone with outstanding sustain.
Features include heavy-duty frame, rim and tuning rods, a ball bearing pedal locking system and a fine tuner. Both Dresden and Berlin type
pedal systems are available in standard or German configuration. In addition, all models feature the clear, resonant sound of the Yamaha hand-
hammered bowl, as well as, extended tuning gauge, quiet mechanisms and adjustable footboard/kick plate relationship.
Scale Range
F57
C40
DG 1590A
Range: 2 1/2 octaves, G59–C88
Bars: High carbon Steel, 1 1/4" wide, 3/8" thick
Pitch: A=442Hz
Frame: Maple with 4 rubber feet
Made in U.S.A.
Scale Range
*(C88)
*(G59)
Glockenspiels sound two octave
higher than the written notation.
*Actual notation
Scale Range
F57
C40
Scale Range
F57
C40
The ranges given above are one
octave lower the actual frequency
made by tubes. The pitch heard by the
ear is one octave lower due to the
overtones produced by the tube.
Tuning gauge
In addition to letter names, the extended tuning gauge
uses accidental indicators for more accurate visual tuning.
Dresden and Berlin type pedal
Both versions use our clutch (ball bearing) pedal
locking system for a reliable hold of any note
within the range. The adjustable footboard/kick
plate relationship accommodates individual
player preference. Ratchet locking system is also
available for Berlin-type pedal.
(Left: TP 9000D, Right: TP 9000B, Below: TP 9000R)
Foot adjuster
Tilting stabilizers are adjustable to solidify the
playing position of each timpano, especially
on uneven stages. Optional longer versions
are available to accommodate sharper playing
angles, or choose built-in wheels that lock
securely during play and aid quick
movements around stage or rehearsal rooms.
Bowl and Frame
Heavy duty frames support precision-spun, hand-
hammered copper bowls to produce beautifully pure
resonance and deep, rich tones.
Timpani with case
Special cases are offered for
safe, secure transport. Rolling
carts are included with standard
models.
TP 9000B
Pedal
Locking system
Size
20"
23"
24"
26"
27"
29"
32"
Dresden-type
Clutch
TP 9020D
TP 9023D
TP 9024D
TP 9026D
TP 9027D
TP 9029D
TP 9032D
Clutch
TP 9020B
TP 9023B
TP 9024B
TP 9026B
TP 9027B
TP 9029B
TP 9032B
Ratchet
TP 9020R
TP 9023R
TP 9024R
TP 9026R
TP 9027R
TP 9029R
TP 9032R
Berlin-type
page 16 page 17
17
page
page 16
Timpani
Our balanced pedal timpani are available in four different models depending on your specific musical needs. Features like our unique bowl
shape for tone clarity and superb resonance, cable-linked tuning gauge for consistent tuning reference and key-only adjustments to avoid
unwanted tampering are incorporated in each series.
TP 4200 Concert Series
Our 4200 Concert series timpani feature uniquely
shaped bowls made of FRP™ (Fiberglass Reinforced
Plastic) that deliver enough sound to fill the hall
while being both lightweight and durable. They
boast many of the same features of our Symphonic
series with the exception of freely suspended bowl
and PAC.
TP 6200 Symphonic Series
As with our Hand-Hammered Symphonic series, the
Symphonic series uses heavy, high-grade copper
bowls spun with precision to ensure uniform wall
thickness for pure resonance and a beautiful tone.
To further enhance dynamic range and tonal
projection, the bowls are freely suspended in a steel
support ring. This design allows pure, undistorted
sound even at dynamic extremes.
TP 7200 Hand-Hammered Symphonic Series
A hand-hammered bowl and heavy rim set this series
apart. Hammering is done by craftsmen, not
machine, to ensure the entire surface of the bowl is
hammered. This process results in a clearer tone
with less unwanted overtones. The weight and
rigidity of the 4mm steel rim absorbs less vibration
to allow more head sustain and provides consistent
tension throughout the tuning range.
TP 3000 Portable Concert Series
For various performance situations, three locking
positions for both the legs and the pedal heel allow
five practical height/angle combinations. Combined
with the positive pedal feel and the overall
lightweight design, this series is a must for the
professional timpanist needing a travel set of
timpani.
Concert Snare Drums
Percussionists need a snare drum that will respond well in a variety of musical settings. Conductors need a snare drum with a clear, articulate
tone. Through a unique combination of materials and specifications, the Concert Series snare drums can satisfy both. All models utilize extra
smooth and quiet strainer systems for quick on/off operation without excess noise, and the 14-inch models feature a 10-lug design for precise
tuning control.
Concert Toms
Yamaha single-headed concert toms feature birch and mahogany shells to produce a full, directional sound which is dry and has a sharp attack.
Concert toms are available in black.
Models
CT 806
CT 808
CT 810
CT 812
CT 813
CT 814
CT 815
CT 816
size
6"✕5 1/2"
8"✕5 1/2"
10"✕6"
12"✕8"
13"✕9"
14"✕10"
15"✕12"
16"✕14"
Shell
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
Specifications
Tom stand WS 860 (Optional)
The WS 860 tom stand utilizes a ball and socket design for complete adjustment and stability.
The stand features a strong double-braced leg design, and securely supports two drums.
The maple, copper and birch shell models feature extended, brass cable snares that balance sensitivity with clear articulation at all dynamic levels. Perfect for all-around concert applications, the
two steel shell models use coiled wire snares made of hard, high-carbon steel. These snares offer bright, delicate response and make sustained, legato press roles easy to play.
Natural Vintage Finish
This original finish formulated by Yamaha not only beautifies the look of the shell, but actually enhances its’ dynamic range and sustain. It also seals the wood from humidity variations to
protect the shell and make it more consistent sonically. (Note: exposure to light changes the shell color to a golden brown over a 4-6 month period.)
CSM 1465
Size: 14"✕6 1/2"
Shell: 6-ply Maple
Rim: 2.3 mm steel, triple-flange
Snare: 0.6 mm brass cable; 14 strand
Strainer System: Extended extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Natural Vintage
Interior Finish: Natural Vintage
CSC 1455
Size: 14"✕5 1/2"
Shell: 1.2 mm Copper
Rim: 2.3 mm steel, triple-flange
Snare: 0.6 mm brass cable; 14 strand
Strainer System: Extended extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Clear lacquer
Interior Finish: None
CSB 1345
Size: 13"✕4 1/2"
Shell: 6-ply Birch
Rim: 1.6 mm steel, triple-flange
Snare: 0.6 mm brass cable; 14 strand
Strainer System: Extended extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Natural Vintage
Interior Finish: Natural Vintage
CSS 1465
Size: 14"✕6 1/2"
Shell: 1.2 mm Steel
Rim: 1.6 mm steel, triple-flange
Snare: Hard, high-carbon steel; 20 strand
Strainer System: Extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Black powder coating
Interior Finish: Black powder coating
CSS 1455
Size: 14"✕5 1/2"
Shell: 1.2 mm Steel
Rim: 1.6 mm steel, triple-flange
Snare: Hard, high-carbon steel; 20 strand
Strainer System: Extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Black powder coating
Interior Finish: Black powder coating
SS745
Concert height stand with single braced legs
Tuning Gauge
Letters with accidental
indicators offer silent
tuning reference, while an
enclosed housing ensures
smooth operation and
lasting durability.
Pedal Adjustment Clutch
(TP 7200, 6200 series)
Our exclusive PAC system allows percussionists to tailor
the pedal’s feel to meet their individual playing style.
Compact and
Lightweight
TP 3000 Series
Folding pedal and
retractable legs reduce
packing space, while FRP
bowl and streamlined
mechanisms reduce overall
weight.
page 16 page 17
17
page
page 16
Timpani
Our balanced pedal timpani are available in four different models depending on your specific musical needs. Features like our unique bowl
shape for tone clarity and superb resonance, cable-linked tuning gauge for consistent tuning reference and key-only adjustments to avoid
unwanted tampering are incorporated in each series.
TP 4200 Concert Series
Our 4200 Concert series timpani feature uniquely
shaped bowls made of FRP™ (Fiberglass Reinforced
Plastic) that deliver enough sound to fill the hall
while being both lightweight and durable. They
boast many of the same features of our Symphonic
series with the exception of freely suspended bowl
and PAC.
TP 6200 Symphonic Series
As with our Hand-Hammered Symphonic series, the
Symphonic series uses heavy, high-grade copper
bowls spun with precision to ensure uniform wall
thickness for pure resonance and a beautiful tone.
To further enhance dynamic range and tonal
projection, the bowls are freely suspended in a steel
support ring. This design allows pure, undistorted
sound even at dynamic extremes.
TP 7200 Hand-Hammered Symphonic Series
A hand-hammered bowl and heavy rim set this series
apart. Hammering is done by craftsmen, not
machine, to ensure the entire surface of the bowl is
hammered. This process results in a clearer tone
with less unwanted overtones. The weight and
rigidity of the 4mm steel rim absorbs less vibration
to allow more head sustain and provides consistent
tension throughout the tuning range.
TP 3000 Portable Concert Series
For various performance situations, three locking
positions for both the legs and the pedal heel allow
five practical height/angle combinations. Combined
with the positive pedal feel and the overall
lightweight design, this series is a must for the
professional timpanist needing a travel set of
timpani.
Concert Snare Drums
Percussionists need a snare drum that will respond well in a variety of musical settings. Conductors need a snare drum with a clear, articulate
tone. Through a unique combination of materials and specifications, the Concert Series snare drums can satisfy both. All models utilize extra
smooth and quiet strainer systems for quick on/off operation without excess noise, and the 14-inch models feature a 10-lug design for precise
tuning control.
Concert Toms
Yamaha single-headed concert toms feature birch and mahogany shells to produce a full, directional sound which is dry and has a sharp attack.
Concert toms are available in black.
Models
CT 806
CT 808
CT 810
CT 812
CT 813
CT 814
CT 815
CT 816
size
6"✕5 1/2"
8"✕5 1/2"
10"✕6"
12"✕8"
13"✕9"
14"✕10"
15"✕12"
16"✕14"
Shell
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
8-ply birch/mahogany
Specifications
Tom stand WS 860 (Optional)
The WS 860 tom stand utilizes a ball and socket design for complete adjustment and stability.
The stand features a strong double-braced leg design, and securely supports two drums.
The maple, copper and birch shell models feature extended, brass cable snares that balance sensitivity with clear articulation at all dynamic levels. Perfect for all-around concert applications, the
two steel shell models use coiled wire snares made of hard, high-carbon steel. These snares offer bright, delicate response and make sustained, legato press roles easy to play.
Natural Vintage Finish
This original finish formulated by Yamaha not only beautifies the look of the shell, but actually enhances its’ dynamic range and sustain. It also seals the wood from humidity variations to
protect the shell and make it more consistent sonically. (Note: exposure to light changes the shell color to a golden brown over a 4-6 month period.)
CSM 1465
Size: 14"✕6 1/2"
Shell: 6-ply Maple
Rim: 2.3 mm steel, triple-flange
Snare: 0.6 mm brass cable; 14 strand
Strainer System: Extended extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Natural Vintage
Interior Finish: Natural Vintage
CSC 1455
Size: 14"✕5 1/2"
Shell: 1.2 mm Copper
Rim: 2.3 mm steel, triple-flange
Snare: 0.6 mm brass cable; 14 strand
Strainer System: Extended extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Clear lacquer
Interior Finish: None
CSB 1345
Size: 13"✕4 1/2"
Shell: 6-ply Birch
Rim: 1.6 mm steel, triple-flange
Snare: 0.6 mm brass cable; 14 strand
Strainer System: Extended extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Natural Vintage
Interior Finish: Natural Vintage
CSS 1465
Size: 14"✕6 1/2"
Shell: 1.2 mm Steel
Rim: 1.6 mm steel, triple-flange
Snare: Hard, high-carbon steel; 20 strand
Strainer System: Extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Black powder coating
Interior Finish: Black powder coating
CSS 1455
Size: 14"✕5 1/2"
Shell: 1.2 mm Steel
Rim: 1.6 mm steel, triple-flange
Snare: Hard, high-carbon steel; 20 strand
Strainer System: Extra smooth type
Head: Batter: Coated Ambassador Snare; Clear
Ambassador
Exerior Finish: Black powder coating
Interior Finish: Black powder coating
SS745
Concert height stand with single braced legs
Tuning Gauge
Letters with accidental
indicators offer silent
tuning reference, while an
enclosed housing ensures
smooth operation and
lasting durability.
Pedal Adjustment Clutch
(TP 7200, 6200 series)
Our exclusive PAC system allows percussionists to tailor
the pedal’s feel to meet their individual playing style.
Compact and
Lightweight
TP 3000 Series
Folding pedal and
retractable legs reduce
packing space, while FRP
bowl and streamlined
mechanisms reduce overall
weight.
page 18 page 19
19
page
page 18
Stand: BS 753
Stand: BS 751
Stand: BS 751
CB 636
Stand: BS 753
CB 640
CB 840B
CB 632
CB 628
BS-125 BS-425 BS-753
SCH1
CCHTOP1
YGS-70 YGS-100
SS-745
CCH2
Concert Bass Drums
Yamaha concert bass drums CB 600 series feature an 8-ply birch/mahogany shell made using our unique Air-Seal System process. They also
feature one-piece, high tension lug casings, along with drum key tension rods to allow freedom of movement during performance. For tuning
accuracy, natural tone, and long-term durability, the hoops are made of 10-ply birch/mahogany, and are constructed the same way as the
drum shells.
Models
CB 640
CB 636
CB 632
CB 628
CB 840B
Size
40"✕18"
36"✕16"
32"✕16"
28"✕14"
40"✕22"
Shell
birch/mahogany
birch/mahogany
birch/mahogany
birch/mahogany
9-ply birch/darkwood stain finish
Rim
birch/mahogany
birch/mahogany
birch/mahogany
birch/mahogany
solid steel
Lug
16
12
12
10
10
Stand
—
—
—
—
included
Specifications
Concert Bass Drum 600 Series and 800 Series
Our CB 840B has set a standard of excellence with superb construction, a
powerful tone and outstanding fundamental sustain. The all-birch shell is
fitted with solid steel hoops and specially designed small-body lugs for
maximum shell resonance. Legacy heads provide a warm, natural sound.
AIR-SEAL
SYSTEM
Competitors’
Seam
Yamaha
Seam
Air Seal System™
Yamaha shells are made using a unique Air-Seal System process for a drum that starts round and stays round. Carefully selected woods are
cut in plies, positioned with staggered diagonal seams and sealed together with evenly distributed air pressure.
To eliminate weak points and extra stress, diagonal seams distribute the point of shell separation over a wider area than a vertical seam.
In addition, these seams are staggered evenly throughout the shell. This design provides superior shell strength for a drum that always
maintains its shape. An in-round drum provides a true fundamental pitch, tunes easily, projects purely and feels better to play—“A round
drum is a happy drum!”
Accessories
Concert Bass Drum Stands
All stands feature Yamaha quality and
construction with convenient designs.
BS-125:
Concert bass drum portable folding bass stand
BS-425:
Concert bass drum semi-portable rolling stand
BS-751:
Concert bass drum tiltable stand with casters
for 28" and 32"
BS-753:
Concert bass drum tiltable stand with casters
for 36" and 40"
Percussion Hardware
Stands and Attachments
Cymbal Stands
CCH1:
One tier crash cymbal holder with MS-925 base
CCH2:
Two tier crash cymbal holder with MS-925 base
CCHTOP:
One tier crash cymbal holder top; fits 7/8" and
1" stand openings
CCHTOP2:
Two tier crash cymbal holder top; fits 7/8" and
1" stand openings
CCH-CRADLE:
Two crash cymbal arms with bracket for 1" tube
SCH1:
Suspended cymbal holder with MS-925 base
(cymbal requires strap)
SCHTOP:
Suspended cymbal holder top; fits 7/8" stand
openings (cymbal requires strap)
Drum Stands
SS-655:
Snare drum stand; concert height;
lightweight; single braced
SS-745:
Snare drum stand; concert height;
medium weight; single braced
WS-860:
Double tom stand; medium weight;
double braced
YGS-70:
Bell stand
YGS-100:
Rolling bell stand/trap table
page 18 page 19
19
page
page 18
Stand: BS 753
Stand: BS 751
Stand: BS 751
CB 636
Stand: BS 753
CB 640
CB 840B
CB 632
CB 628
BS-125 BS-425 BS-753
SCH1
CCHTOP1
YGS-70 YGS-100
SS-745
CCH2
Concert Bass Drums
Yamaha concert bass drums CB 600 series feature an 8-ply birch/mahogany shell made using our unique Air-Seal System process. They also
feature one-piece, high tension lug casings, along with drum key tension rods to allow freedom of movement during performance. For tuning
accuracy, natural tone, and long-term durability, the hoops are made of 10-ply birch/mahogany, and are constructed the same way as the
drum shells.
Models
CB 640
CB 636
CB 632
CB 628
CB 840B
Size
40"✕18"
36"✕16"
32"✕16"
28"✕14"
40"✕22"
Shell
birch/mahogany
birch/mahogany
birch/mahogany
birch/mahogany
9-ply birch/darkwood stain finish
Rim
birch/mahogany
birch/mahogany
birch/mahogany
birch/mahogany
solid steel
Lug
16
12
12
10
10
Stand
—
—
—
—
included
Specifications
Concert Bass Drum 600 Series and 800 Series
Our CB 840B has set a standard of excellence with superb construction, a
powerful tone and outstanding fundamental sustain. The all-birch shell is
fitted with solid steel hoops and specially designed small-body lugs for
maximum shell resonance. Legacy heads provide a warm, natural sound.
AIR-SEAL
SYSTEM
Competitors’
Seam
Yamaha
Seam
Air Seal System™
Yamaha shells are made using a unique Air-Seal System process for a drum that starts round and stays round. Carefully selected woods are
cut in plies, positioned with staggered diagonal seams and sealed together with evenly distributed air pressure.
To eliminate weak points and extra stress, diagonal seams distribute the point of shell separation over a wider area than a vertical seam.
In addition, these seams are staggered evenly throughout the shell. This design provides superior shell strength for a drum that always
maintains its shape. An in-round drum provides a true fundamental pitch, tunes easily, projects purely and feels better to play—“A round
drum is a happy drum!”
Accessories
Concert Bass Drum Stands
All stands feature Yamaha quality and
construction with convenient designs.
BS-125:
Concert bass drum portable folding bass stand
BS-425:
Concert bass drum semi-portable rolling stand
BS-751:
Concert bass drum tiltable stand with casters
for 28" and 32"
BS-753:
Concert bass drum tiltable stand with casters
for 36" and 40"
Percussion Hardware
Stands and Attachments
Cymbal Stands
CCH1:
One tier crash cymbal holder with MS-925 base
CCH2:
Two tier crash cymbal holder with MS-925 base
CCHTOP:
One tier crash cymbal holder top; fits 7/8" and
1" stand openings
CCHTOP2:
Two tier crash cymbal holder top; fits 7/8" and
1" stand openings
CCH-CRADLE:
Two crash cymbal arms with bracket for 1" tube
SCH1:
Suspended cymbal holder with MS-925 base
(cymbal requires strap)
SCHTOP:
Suspended cymbal holder top; fits 7/8" stand
openings (cymbal requires strap)
Drum Stands
SS-655:
Snare drum stand; concert height;
lightweight; single braced
SS-745:
Snare drum stand; concert height;
medium weight; single braced
WS-860:
Double tom stand; medium weight;
double braced
YGS-70:
Bell stand
YGS-100:
Rolling bell stand/trap table
page-20 page-21
21
page
page 20
Percussion Covers
YS-200
YTC-1
YSTC-4
YSTC-6
YSTC-10
YSTC-8
YWB-200
YWB-100
DA-SKIT
DA-PKIT
PCH-YM2400
PCS-YM5100A
CSC-1455
PCS-1455
PCS-1465
TAC-020
TAC-023
TAC-026
TAC-029
TAC-032
Woodblocks
YWB-100:
Medium woodblock; one piece solid maple
YWB-200:
Large woodblock; one piece solid maple
Slapstick
YS-200:
Slapstick
Tambourines
YT-100:
10" Concert Tambourine; 6-ply maple shell;
staggered double row, silver jingles; skin head
YT-300:
10" Virtuoso Tambourine; 10-ply maple shell;
staggered double row, silver/phosphorus
bronze jingles with goat skin head
Triangles
YST-4:
4" Symphonic triangle
YST-6:
6" Symphonic triangle
YST-8:
8" Symphonic triangle
YST-10:
10" Symphonic triangle
Triangle Accessories
TB-3:
Set of three Symphonic triangle beaters; with
color grips and carrying case
TB-6:
Set of six Symphonic triangle beaters; with
color grips and carrying case
YTC-1:
The Clipper™, single triangle clip
Triangle Cases
YSTC-4:
Holds 4" triangle
YSTC-6:
Holds 6" triangle
YSTC-8:
Holds 8" triangle
YSTC-10:
Holds 10" triangle
Drum Keys
DK-10:
Drum key
DK-30:
Power drum key
TK-40:
Timpani key
TK-90:
Timpani key; TP9000 series
Concert Accessories
MU-SNARE:
Felt concert snare drum mute; includes
attachment string
MU-BASS:
Multi-Utility Towel; mutes concert bass; covers
music stand; catch-all bag
Hand-Held Accessories
YHH-100:
Hand-held percussion carry-all; fits one or two tambourines with various percussion items
YT-100
YT-300
Percussion Accessories & Parts
Practice Kits and Practice Pads
Tools to assist beginning students and professionals in practice and music education.
Strike Force Percussion Acc. Kit
DA-SKIT:
StrikeForce Percussion Accessories Kit
DA-PKIT:
Performance Mallet Kit
DA-SHHKIT:
Student Hand-Held Kit
DA-PHHKIT:
Performance Hand-Held Kit
Practice Pads
PP-100:
Chop Block practice pad; 7" double sided
PP-110:
Chop Block practice pad; 7" single sided with
threaded receiver
PP-200:
Chop Block practice pad; 9" double sided
PP-250:
Chop Block practice pad; 9" single sided with
subtle snare sound
YHH-100
MU-SNARE MU-BASS
DK-30, DK-10, TK-40
PP-100, 110, 200, 250
YST-4, 6, 8, 10
Hard Cases
Hard cases provide protection for travel under
the bus or in the equipment truck. Easy access
slots, wheels and slim design are east to load
and move.
PCH-YM2400
Medium duty road case for YM-2400 marimba
(set of two)
PCH-32AUB
MBL-832AU Multi-Application bells case
PCH-32AFX
MXL-32AF Multi-Application xylophone case
PCH-1590
Deagan DG-1590A Symphonic bells case
PCH-TP90XX
ATA case for TP-9000 series timpani
Soft Cases
Lightweight durable bags offer easy carrying
convenience and protection. They are perfect for
the working professional or ensemble.
PCS-YM4600A
Soft cases for YM-4600A marimba (set of five)
PCS-YM4900A
Soft cases for YM-4900A marimba (set of five)
PCS-YM5100A
Soft cases for YM-5100A marimba (set of five)
PCS-YV3710
Soft cases for YV-3710 and YV-3710M vibes
PCS-YV3910
Soft cases for YV-3710 and YV-3910M vibes
PCS-YV2700
Soft cases for YV-2700 or YV-2700G vibes
PCS-YX-335
Soft cases for YX-335 xylophone
Concert Snare Drum Cases
Feature plush interior with a rugged Cordura®
type exterior.
CSC-1455
Soft-side case for concert snare CSB-1345
(13" x 4 1/2" drum)
PCS-1455
Soft-side case for concert snare CSC-1445
and CSS-1455 (14" x 5 1/2" drum)
PCS-1465
Soft-side case for concert snare CSM-1465
and CSS-1465 (14" x 6 1/2" drum)
Percussion Cases
Timpani Protective Head
Covers
Black leatherette with felt lining.
TAC-020
20"
TAC-023
23"
TAC-026
26"
TAC-029
29"
TAC-032
32"
Mallet Keyboard Covers
Water resistant nylon material with padded no-
scratch lining; 6" drop.
TAC-YM40DC
Marimba YM-40
TAC-YM1430DC
Marimba YM-1430
TAC-YM2300DC
Marimba YM-2300/2400
TAC-YM4600DC
Marimba YM-4600
TAC-YM4900DC
Marimba YM-4900
TAC-YM5100DC
Marimba YM-5100
TAC-YM6000DC
Marimba YM-60006000A
TAC-YV1600DC
Vibe YV-1600
TAC-YV520DC
Vibe YV-520
TAC-YV2500DC
Vibe YV-2500/2600/2700/2700G
TAC-YV3300DC
Vibe YV-3300/3400/3710
TAC-YV3910DC
Vibe YV-3910/3910M
TAC-YX135DC
Xylophone YX-135
TAC-YX330DC
Xylophone YX-330
TAC-YX360DC
Xylophone YX-360/335/350
TAC-YV4110DC
Vibe YV-4110/4110M Before TAC-YX135DC
Drop Covers
Timpani
Water resistant nylon material with padded no-
scratch lining; 15" (short) drop and 27" (long) drop.
TDC20S
20"; short
TDC23S
23"; short
TDC26S
26"; short
TDC29S
29"; short
TDC32S
32"; short
TDC04S
Set of 4: 23", 26", 29", 32"; short
TDC20L
20"; long
TDC23L
23"; long
TDC26L
26"; long
TDC32L
32"; long
TDC04L
Set of 4: 23", 26", 29", 32"; long
Chime
DCC-100
Chime cover; black Cordura;
DC-9150A / DC-9160A / DC-9190A / YCH-585
Bass Drum
CBC-100
Concert bass drum cover; black Cordura;
fits 28" to 32" bass drums
CBC-200
Concert bass drum cover; black Cordura;
fits 36" to 40" bass drums
CBC-300
Concert bass drum cover; black Cordura;
fits 40" x 22" bass drums
page-20 page-21
21
page
page 20
Percussion Covers
YS-200
YTC-1
YSTC-4
YSTC-6
YSTC-10
YSTC-8
YWB-200
YWB-100
DA-SKIT
DA-PKIT
PCH-YM2400
PCS-YM5100A
CSC-1455
PCS-1455
PCS-1465
TAC-020
TAC-023
TAC-026
TAC-029
TAC-032
Woodblocks
YWB-100:
Medium woodblock; one piece solid maple
YWB-200:
Large woodblock; one piece solid maple
Slapstick
YS-200:
Slapstick
Tambourines
YT-100:
10" Concert Tambourine; 6-ply maple shell;
staggered double row, silver jingles; skin head
YT-300:
10" Virtuoso Tambourine; 10-ply maple shell;
staggered double row, silver/phosphorus
bronze jingles with goat skin head
Triangles
YST-4:
4" Symphonic triangle
YST-6:
6" Symphonic triangle
YST-8:
8" Symphonic triangle
YST-10:
10" Symphonic triangle
Triangle Accessories
TB-3:
Set of three Symphonic triangle beaters; with
color grips and carrying case
TB-6:
Set of six Symphonic triangle beaters; with
color grips and carrying case
YTC-1:
The Clipper™, single triangle clip
Triangle Cases
YSTC-4:
Holds 4" triangle
YSTC-6:
Holds 6" triangle
YSTC-8:
Holds 8" triangle
YSTC-10:
Holds 10" triangle
Drum Keys
DK-10:
Drum key
DK-30:
Power drum key
TK-40:
Timpani key
TK-90:
Timpani key; TP9000 series
Concert Accessories
MU-SNARE:
Felt concert snare drum mute; includes
attachment string
MU-BASS:
Multi-Utility Towel; mutes concert bass; covers
music stand; catch-all bag
Hand-Held Accessories
YHH-100:
Hand-held percussion carry-all; fits one or two tambourines with various percussion items
YT-100
YT-300
Percussion Accessories & Parts
Practice Kits and Practice Pads
Tools to assist beginning students and professionals in practice and music education.
Strike Force Percussion Acc. Kit
DA-SKIT:
StrikeForce Percussion Accessories Kit
DA-PKIT:
Performance Mallet Kit
DA-SHHKIT:
Student Hand-Held Kit
DA-PHHKIT:
Performance Hand-Held Kit
Practice Pads
PP-100:
Chop Block practice pad; 7" double sided
PP-110:
Chop Block practice pad; 7" single sided with
threaded receiver
PP-200:
Chop Block practice pad; 9" double sided
PP-250:
Chop Block practice pad; 9" single sided with
subtle snare sound
YHH-100
MU-SNARE MU-BASS
DK-30, DK-10, TK-40
PP-100, 110, 200, 250
YST-4, 6, 8, 10
Hard Cases
Hard cases provide protection for travel under
the bus or in the equipment truck. Easy access
slots, wheels and slim design are east to load
and move.
PCH-YM2400
Medium duty road case for YM-2400 marimba
(set of two)
PCH-32AUB
MBL-832AU Multi-Application bells case
PCH-32AFX
MXL-32AF Multi-Application xylophone case
PCH-1590
Deagan DG-1590A Symphonic bells case
PCH-TP90XX
ATA case for TP-9000 series timpani
Soft Cases
Lightweight durable bags offer easy carrying
convenience and protection. They are perfect for
the working professional or ensemble.
PCS-YM4600A
Soft cases for YM-4600A marimba (set of five)
PCS-YM4900A
Soft cases for YM-4900A marimba (set of five)
PCS-YM5100A
Soft cases for YM-5100A marimba (set of five)
PCS-YV3710
Soft cases for YV-3710 and YV-3710M vibes
PCS-YV3910
Soft cases for YV-3710 and YV-3910M vibes
PCS-YV2700
Soft cases for YV-2700 or YV-2700G vibes
PCS-YX-335
Soft cases for YX-335 xylophone
Concert Snare Drum Cases
Feature plush interior with a rugged Cordura®
type exterior.
CSC-1455
Soft-side case for concert snare CSB-1345
(13" x 4 1/2" drum)
PCS-1455
Soft-side case for concert snare CSC-1445
and CSS-1455 (14" x 5 1/2" drum)
PCS-1465
Soft-side case for concert snare CSM-1465
and CSS-1465 (14" x 6 1/2" drum)
Percussion Cases
Timpani Protective Head
Covers
Black leatherette with felt lining.
TAC-020
20"
TAC-023
23"
TAC-026
26"
TAC-029
29"
TAC-032
32"
Mallet Keyboard Covers
Water resistant nylon material with padded no-
scratch lining; 6" drop.
TAC-YM40DC
Marimba YM-40
TAC-YM1430DC
Marimba YM-1430
TAC-YM2300DC
Marimba YM-2300/2400
TAC-YM4600DC
Marimba YM-4600
TAC-YM4900DC
Marimba YM-4900
TAC-YM5100DC
Marimba YM-5100
TAC-YM6000DC
Marimba YM-60006000A
TAC-YV1600DC
Vibe YV-1600
TAC-YV520DC
Vibe YV-520
TAC-YV2500DC
Vibe YV-2500/2600/2700/2700G
TAC-YV3300DC
Vibe YV-3300/3400/3710
TAC-YV3910DC
Vibe YV-3910/3910M
TAC-YX135DC
Xylophone YX-135
TAC-YX330DC
Xylophone YX-330
TAC-YX360DC
Xylophone YX-360/335/350
TAC-YV4110DC
Vibe YV-4110/4110M Before TAC-YX135DC
Drop Covers
Timpani
Water resistant nylon material with padded no-
scratch lining; 15" (short) drop and 27" (long) drop.
TDC20S
20"; short
TDC23S
23"; short
TDC26S
26"; short
TDC29S
29"; short
TDC32S
32"; short
TDC04S
Set of 4: 23", 26", 29", 32"; short
TDC20L
20"; long
TDC23L
23"; long
TDC26L
26"; long
TDC32L
32"; long
TDC04L
Set of 4: 23", 26", 29", 32"; long
Chime
DCC-100
Chime cover; black Cordura;
DC-9150A / DC-9160A / DC-9190A / YCH-585
Bass Drum
CBC-100
Concert bass drum cover; black Cordura;
fits 28" to 32" bass drums
CBC-200
Concert bass drum cover; black Cordura;
fits 36" to 40" bass drums
CBC-300
Concert bass drum cover; black Cordura;
fits 40" x 22" bass drums
page-22 page-23
23
page
page 22
Concert Drumsticks
Both models are made with the same North
American maple Yamaha uses for its world class
drumsets.
YS-PPC
Pianissimo model; length=16"
YS-ORC
Orchestral model; select maple length=16 1/4"
Drumsticks & Mallets
YS-PPC & YS-ORC
Timpani Mallets
Ideal for all levels of performance, each pair is
precision matched for weight and pitch to give
the best feel possible.
Length=14 1/2"
YTM-1
Orange band; legato; timpani mallets
YTM-2
Blue band; general purpose; timpani mallets
YTM-3
Yellow band; soft staccato; timpani mallets
YTM-4
Green band; medium staccato; timpani mallets
YTM-5
Maroon head with white band; hard staccato;
timpani mallets
YTM-6
Red band; wood; timpani mallets
Deagan Chime Mallets
Two models feature easy-to-grip tapered handles
and a head that produce a strong fundamental
tone.
DCM-11002
Rawhide; Deagan chime mallet
DCM-15002
Plastic; Deagan chime mallet;
ideal for outdoor use
Artist-Master Concert Bass
Drum Mallets
Available in five models to suit any musical
style, these mallets are precisely balanced to
maximize sound control.
Length=16 1/2"
CBM-100F
Ultra-staccato; single; felt;
Artist-Master concert bass drum mallet
CBM-200S
Staccato; single; pile;
Artist-Master concert bass drum mallet
CBM-300M
General; single; pile;
Artist-Master concert bass drum mallet
CBM-400M
Legato; single; pile;
Artist-Master concert bass drum mallet
CBM-500R
General; pair; pile; rollers;
Artist-Master concert bass drum mallet
Artist-Master™ Gong Mallets
Feature 7/8" maple shafts and yarn wound solid
core herds for full sound and feel.
Length=17 1/4"
YGM1
Light; Artist-Master gong mallet
YGM1
General; Artist-Master gong mallet
YGM1
Heavy; Artist-Master gong mallet
Two-tone Keyboard Mallets
Achieves a perfect combination of sounds with
very distinct hard and soft timbre.
Length=17 1/4"
MTR-10
Red with white stitch; hard to medium-soft;
rattan shaft; Two-tone mallets
MTB-10
Red with white stitch; hard to medium-soft;
birch shaft; Two-tone mallets
Professional Series
Keyboard Mallets
Feature unique semi-flexible birch shafts,
durable yarn and unique mushroom shape head.
Length=17 1/4"
MP-01
Red tape; medium-hard;
Professional series mallets
MP-02
Yellow tape; medium;
Professional series mallets
MP-03
Light pink tape; medium-soft;
Professional series mallets
MP-04
Green tape; soft;
Professional series mallets
MP-05
Blue tape; extra soft;
Professional series mallets
Keiko Abe Signature Series
Mallets
MKA-01
Red tape; Two-tone;
Keiko Abe Signature marimba mallets
MKA-02
Pink tape; very hard;
Keiko Abe Signature marimba mallets
MKA-03
Orange tape; hard;
Keiko Abe Signature marimba mallets
MKA-04
Yellow tape; hard;
Keiko Abe Signature marimba mallets
MKA-05
Light green tape; medium-hard;
Keiko Abe Signature marimba mallets
MKA-06
Green tape; medium-soft;
Keiko Abe Signature marimba mallets
MKA-07
Blue tape; soft;
Keiko Abe Signature marimba mallets
MKA-S7
Blue/Light blue; soft;
Keiko Abe Signature marimba mallets
MKA-08
Light blue tape; soft;
Keiko Abe Signature marimba mallets
MKA-09
Purple tape; very soft;
Keiko Abe Signature marimba mallets
Virtuoso Keyboard Mallets
With Birch Shafts
The Virtuoso yarn mallets have been adapted
with a unique semi-flexible birch shaft.
Length=17 1/4"
MVB-4010
Yellow; hard;
Virtuoso mallet with birch shaft
MVB-4020
Peach; medium-hard;
Virtuoso mallet with birch shaft
MVB-4030
Light green; medium;
Virtuoso mallet with birch shaft
MVB-4040
Light purple; medium-soft;
Virtuoso mallet with birch shaft
MVB-6040
Blue; soft;
Virtuoso mallet with birch shaft
MVB-6050
Dark blue; extra soft;
Virtuoso mallet with birch shaft
MVB-8040
White with red stitch;
Virtuoso mallet with birch shaft
MVB-8060
White with yellow stitch;
Virtuoso mallet with birch shaft
MVB-8080
White with blue stitch;
Virtuoso mallet with birch shaft
Virtuoso Keyboard Mallets
With Rattan Shafts
Handmade heavyweight mallets with thick rattan
shafts for improved response and feel.
Yarn Wound
Length=15 3/4"
MV-4000H
Red; yarn wound; two-tone; hard;
Virtuoso mallet with rattan shaft
MV-4000S
Red; yarn wound; two-tone; soft;
Virtuoso mallet with rattan shaft
MV-4010
Yellow; yarn wound; hard;
Virtuoso mallet with rattan shaft
MV-4020
Peach; yarn wound; medium-hard;
small Virtuoso mallet with rattan shaft
MV-4030
Light green; yarn wound; medium-soft;
small Virtuoso mallet with rattan shaft
MV-4040
Light purple; yarn wound; soft;
small Virtuoso mallet with rattan shaft
MV-6040
Blue; yarn wound; soft;
medium Virtuoso mallet with rattan shaft
MV-6050
Dark blue; yarn wound; very soft;
medium Virtuoso mallet with rattan shaft
MV-8040
Red stitch; yarn wound; medium-soft;
large Virtuoso mallet with rattan shaft
MV-8060
Yellow stitch; yarn wound; very soft;
large Virtuoso mallet with rattan shaft
MV-8080
Blue stitch; yarn wound; extra soft;
large Virtuoso mallet with rattan shaft
Cord Wound
Length=15 3/4"
MV-5010
Bright red; cord wound; hard;
small Virtuoso mallet with rattan shaft
MV-5020
Pink; cord wound; medium-hard;
small Virtuoso mallet with rattan shaft
MV-5030
Green; cord wound; medium-soft;
small Virtuoso mallet with rattan shaft
MV-5040
Blue; cord wound; soft;
small Virtuoso mallet with rattan shaft
MV-7040
Purple; cord wound; soft;
medium Virtuoso mallet with rattan shaft
MVB Series MV Series
DCM-11002
MP-01, 02, 03, 04, 05
Yamaha Educational
Keyboard Mallets
Durable lightweight mallets with Fiberglass
Reinforced Plastic™ (FRP) shafts, for smaller
hands.
Dual Head
Length=13 1/2"
ME-10W
Blue and white; hard and soft
Hard Rubber
Length=14 3/4"
ME-101
Black; very hard
ME-102
Yellow; hard
ME-103
Orange; medium-hard
ME-104
Red; medium-soft
ME-105
Purple; soft
Yarn Would
Length=15 1/8"
ME-201
Red; hard
ME-202
Yellow; medium-hard
ME-203
Peach; medium-soft
ME-204
Green; soft
Cord Would
Length=15 3/4"
ME-301
Red; hard
ME-302
Orange; medium-hard
ME-303
Pink; medium-soft
ME-304
Green; soft
Drumsticks & Mallets
Artist Master™ Keyboard
Mallets
Mallets for everyday percussion use.
Unwound
KRB-1B/F/R
Black rubber; extra soft
KRB-2B/F/R
Tan rubber; soft
KRB-3B/F/R
Brown rubber; medium-soft
KRB-4B/F/R
Light green rubber; medium
KRB-5B/F/R
Dark green rubber; medium-hard
KRB-6B/F/R
Gray rubber; hard
KWB-7B/F/R
Large maple; medium
KWB-8AB/F/R
Large rosewood; hard
KBB-9B/F/R
Brass; hard
KPB-91B/F/R
Poly ball; medium-hard
KPB-92B/F/R
Lexan; hard
KPB-93B/F/R
White phenolic; extra hard; 1" diameter
KPB-10B/F/R
Black phenolic; extra hard; 1 1/2" diameter
Yarn Wound
KYB-11B/F/R
Yellow; hard
KYB-12B/F/R
Green; medium-hand
KYB-13B/F/R
Blue; medium
KYB-14B/F/R
Red; medium-soft
KYB-15B/F/R
Aqua; soft
KYB-16B/F/R
Orange; extra soft
KYB-61B/F/R
Yellow; mushroom; medium
Cord Wound
KCB-21B/F/R
Yellow; hard
KCB-22B/F/R
Green; medium-hand
KCB-23B/F/R
Blue; medium
KCB-24B/F/R
Red; soft
KCB-25B/F/R
Silver; jazz
KCB-62B/F/R
Yellow; mushroom; medium
B: Birch; Length=15 1/4"
F: Fiberglass; Length=15 1/4"
R: Rattan; Length=15 1/4"
StrikeForce™ Mallets
Designed for young percussionists.
Length=13"
KPSF
Black phenolic; extra hard bell mallets
Yamaha Standard Keyboard
Mallets
Medium weight mallets with ratten shaft.
Brass & Ebonite
Length=11 13/16"
MR-840
Very hard; brass & ebonite
Hytrel
Length=14 5/8"
MR-930
Large; Hytrel
page-22 page-23
23
page
page 22
Concert Drumsticks
Both models are made with the same North
American maple Yamaha uses for its world class
drumsets.
YS-PPC
Pianissimo model; length=16"
YS-ORC
Orchestral model; select maple length=16 1/4"
Drumsticks & Mallets
YS-PPC & YS-ORC
Timpani Mallets
Ideal for all levels of performance, each pair is
precision matched for weight and pitch to give
the best feel possible.
Length=14 1/2"
YTM-1
Orange band; legato; timpani mallets
YTM-2
Blue band; general purpose; timpani mallets
YTM-3
Yellow band; soft staccato; timpani mallets
YTM-4
Green band; medium staccato; timpani mallets
YTM-5
Maroon head with white band; hard staccato;
timpani mallets
YTM-6
Red band; wood; timpani mallets
Deagan Chime Mallets
Two models feature easy-to-grip tapered handles
and a head that produce a strong fundamental
tone.
DCM-11002
Rawhide; Deagan chime mallet
DCM-15002
Plastic; Deagan chime mallet;
ideal for outdoor use
Artist-Master Concert Bass
Drum Mallets
Available in five models to suit any musical
style, these mallets are precisely balanced to
maximize sound control.
Length=16 1/2"
CBM-100F
Ultra-staccato; single; felt;
Artist-Master concert bass drum mallet
CBM-200S
Staccato; single; pile;
Artist-Master concert bass drum mallet
CBM-300M
General; single; pile;
Artist-Master concert bass drum mallet
CBM-400M
Legato; single; pile;
Artist-Master concert bass drum mallet
CBM-500R
General; pair; pile; rollers;
Artist-Master concert bass drum mallet
Artist-Master™ Gong Mallets
Feature 7/8" maple shafts and yarn wound solid
core herds for full sound and feel.
Length=17 1/4"
YGM1
Light; Artist-Master gong mallet
YGM1
General; Artist-Master gong mallet
YGM1
Heavy; Artist-Master gong mallet
Two-tone Keyboard Mallets
Achieves a perfect combination of sounds with
very distinct hard and soft timbre.
Length=17 1/4"
MTR-10
Red with white stitch; hard to medium-soft;
rattan shaft; Two-tone mallets
MTB-10
Red with white stitch; hard to medium-soft;
birch shaft; Two-tone mallets
Professional Series
Keyboard Mallets
Feature unique semi-flexible birch shafts,
durable yarn and unique mushroom shape head.
Length=17 1/4"
MP-01
Red tape; medium-hard;
Professional series mallets
MP-02
Yellow tape; medium;
Professional series mallets
MP-03
Light pink tape; medium-soft;
Professional series mallets
MP-04
Green tape; soft;
Professional series mallets
MP-05
Blue tape; extra soft;
Professional series mallets
Keiko Abe Signature Series
Mallets
MKA-01
Red tape; Two-tone;
Keiko Abe Signature marimba mallets
MKA-02
Pink tape; very hard;
Keiko Abe Signature marimba mallets
MKA-03
Orange tape; hard;
Keiko Abe Signature marimba mallets
MKA-04
Yellow tape; hard;
Keiko Abe Signature marimba mallets
MKA-05
Light green tape; medium-hard;
Keiko Abe Signature marimba mallets
MKA-06
Green tape; medium-soft;
Keiko Abe Signature marimba mallets
MKA-07
Blue tape; soft;
Keiko Abe Signature marimba mallets
MKA-S7
Blue/Light blue; soft;
Keiko Abe Signature marimba mallets
MKA-08
Light blue tape; soft;
Keiko Abe Signature marimba mallets
MKA-09
Purple tape; very soft;
Keiko Abe Signature marimba mallets
Virtuoso Keyboard Mallets
With Birch Shafts
The Virtuoso yarn mallets have been adapted
with a unique semi-flexible birch shaft.
Length=17 1/4"
MVB-4010
Yellow; hard;
Virtuoso mallet with birch shaft
MVB-4020
Peach; medium-hard;
Virtuoso mallet with birch shaft
MVB-4030
Light green; medium;
Virtuoso mallet with birch shaft
MVB-4040
Light purple; medium-soft;
Virtuoso mallet with birch shaft
MVB-6040
Blue; soft;
Virtuoso mallet with birch shaft
MVB-6050
Dark blue; extra soft;
Virtuoso mallet with birch shaft
MVB-8040
White with red stitch;
Virtuoso mallet with birch shaft
MVB-8060
White with yellow stitch;
Virtuoso mallet with birch shaft
MVB-8080
White with blue stitch;
Virtuoso mallet with birch shaft
Virtuoso Keyboard Mallets
With Rattan Shafts
Handmade heavyweight mallets with thick rattan
shafts for improved response and feel.
Yarn Wound
Length=15 3/4"
MV-4000H
Red; yarn wound; two-tone; hard;
Virtuoso mallet with rattan shaft
MV-4000S
Red; yarn wound; two-tone; soft;
Virtuoso mallet with rattan shaft
MV-4010
Yellow; yarn wound; hard;
Virtuoso mallet with rattan shaft
MV-4020
Peach; yarn wound; medium-hard;
small Virtuoso mallet with rattan shaft
MV-4030
Light green; yarn wound; medium-soft;
small Virtuoso mallet with rattan shaft
MV-4040
Light purple; yarn wound; soft;
small Virtuoso mallet with rattan shaft
MV-6040
Blue; yarn wound; soft;
medium Virtuoso mallet with rattan shaft
MV-6050
Dark blue; yarn wound; very soft;
medium Virtuoso mallet with rattan shaft
MV-8040
Red stitch; yarn wound; medium-soft;
large Virtuoso mallet with rattan shaft
MV-8060
Yellow stitch; yarn wound; very soft;
large Virtuoso mallet with rattan shaft
MV-8080
Blue stitch; yarn wound; extra soft;
large Virtuoso mallet with rattan shaft
Cord Wound
Length=15 3/4"
MV-5010
Bright red; cord wound; hard;
small Virtuoso mallet with rattan shaft
MV-5020
Pink; cord wound; medium-hard;
small Virtuoso mallet with rattan shaft
MV-5030
Green; cord wound; medium-soft;
small Virtuoso mallet with rattan shaft
MV-5040
Blue; cord wound; soft;
small Virtuoso mallet with rattan shaft
MV-7040
Purple; cord wound; soft;
medium Virtuoso mallet with rattan shaft
MVB Series MV Series
DCM-11002
MP-01, 02, 03, 04, 05
Yamaha Educational
Keyboard Mallets
Durable lightweight mallets with Fiberglass
Reinforced Plastic™ (FRP) shafts, for smaller
hands.
Dual Head
Length=13 1/2"
ME-10W
Blue and white; hard and soft
Hard Rubber
Length=14 3/4"
ME-101
Black; very hard
ME-102
Yellow; hard
ME-103
Orange; medium-hard
ME-104
Red; medium-soft
ME-105
Purple; soft
Yarn Would
Length=15 1/8"
ME-201
Red; hard
ME-202
Yellow; medium-hard
ME-203
Peach; medium-soft
ME-204
Green; soft
Cord Would
Length=15 3/4"
ME-301
Red; hard
ME-302
Orange; medium-hard
ME-303
Pink; medium-soft
ME-304
Green; soft
Drumsticks & Mallets
Artist Master™ Keyboard
Mallets
Mallets for everyday percussion use.
Unwound
KRB-1B/F/R
Black rubber; extra soft
KRB-2B/F/R
Tan rubber; soft
KRB-3B/F/R
Brown rubber; medium-soft
KRB-4B/F/R
Light green rubber; medium
KRB-5B/F/R
Dark green rubber; medium-hard
KRB-6B/F/R
Gray rubber; hard
KWB-7B/F/R
Large maple; medium
KWB-8AB/F/R
Large rosewood; hard
KBB-9B/F/R
Brass; hard
KPB-91B/F/R
Poly ball; medium-hard
KPB-92B/F/R
Lexan; hard
KPB-93B/F/R
White phenolic; extra hard; 1" diameter
KPB-10B/F/R
Black phenolic; extra hard; 1 1/2" diameter
Yarn Wound
KYB-11B/F/R
Yellow; hard
KYB-12B/F/R
Green; medium-hand
KYB-13B/F/R
Blue; medium
KYB-14B/F/R
Red; medium-soft
KYB-15B/F/R
Aqua; soft
KYB-16B/F/R
Orange; extra soft
KYB-61B/F/R
Yellow; mushroom; medium
Cord Wound
KCB-21B/F/R
Yellow; hard
KCB-22B/F/R
Green; medium-hand
KCB-23B/F/R
Blue; medium
KCB-24B/F/R
Red; soft
KCB-25B/F/R
Silver; jazz
KCB-62B/F/R
Yellow; mushroom; medium
B: Birch; Length=15 1/4"
F: Fiberglass; Length=15 1/4"
R: Rattan; Length=15 1/4"
StrikeForce™ Mallets
Designed for young percussionists.
Length=13"
KPSF
Black phenolic; extra hard bell mallets
Yamaha Standard Keyboard
Mallets
Medium weight mallets with ratten shaft.
Brass & Ebonite
Length=11 13/16"
MR-840
Very hard; brass & ebonite
Hytrel
Length=14 5/8"
MR-930
Large; Hytrel
page 24 page 25
25
page
page 24
Homero Cerone Robert Chappell Anthony Cirone David Collier J.C. Combs Orlando Cotto
Niel DePonte Theresa Dimond Brad Dutz
Tim Genis Terry Gibbs
James Armstrong Ted Atkatz John H. Beck John R. Beck John Beckford
Dave Black Robert Bridge Robert Breithaupt Ken Broadway George Brown David Buzminsky
Michael Gould Dean Gronemeier Dave Hagedorn Chris Hanning
Scott Harris Ed Hartman Steve Hobbs Gary Hodges Richard Holly Gifford Howarth Billy Hulting
Marc Jacoby Vicki Jenks Howard Joines Momoko Kamiya (Japan) Laurence Kaptain Rebecca Kite
Frank Kumor Larry Lelli Stanley Leonard Kevin Lepper Mike Mainieri
Dave Mancini Stuart Marrs Barrett Martin Victor Mendoza Nanae Mimura Dan Moore
David Nyberg Nick Petrella
F. Feza Zweifel
Gary Fink David Friedman
Keiko Abe Amy Lynn Barber
James Campbell
Barry Larkin
Jim Petercsak Salvatore Rabbio
Michael Kingan
Rafael Christen (Switzerland)
Jean Geoffroy (France)
Isao Nakamura (Germany/Japan)
Federico Poli (Italy)
Don Liuzzi
Will Rapp
Jeff Moore
Larry Doran
The communication takes place among designers, craftsmen and players, and it is constant. For more than three decades now we have
been working with some of the world’s greatest players designing and crafting the instruments of their dreams. Players know what they
want, and we know what we can give them. But they inspire us to go beyond what we “know” we can do, just as we help them go
farther than they thought they could. That’s the magic of communication. That’s the spirit of our percussion.
The Secret Behind Yamaha’s Concert Percussion is Communication!
page 24 page 25
25
page
page 24
Homero Cerone Robert Chappell Anthony Cirone David Collier J.C. Combs Orlando Cotto
Niel DePonte Theresa Dimond Brad Dutz
Tim Genis Terry Gibbs
James Armstrong Ted Atkatz John H. Beck John R. Beck John Beckford
Dave Black Robert Bridge Robert Breithaupt Ken Broadway George Brown David Buzminsky
Michael Gould Dean Gronemeier Dave Hagedorn Chris Hanning
Scott Harris Ed Hartman Steve Hobbs Gary Hodges Richard Holly Gifford Howarth Billy Hulting
Marc Jacoby Vicki Jenks Howard Joines Momoko Kamiya (Japan) Laurence Kaptain Rebecca Kite
Frank Kumor Larry Lelli Stanley Leonard Kevin Lepper Mike Mainieri
Dave Mancini Stuart Marrs Barrett Martin Victor Mendoza Nanae Mimura Dan Moore
David Nyberg Nick Petrella
F. Feza Zweifel
Gary Fink David Friedman
Keiko Abe Amy Lynn Barber
James Campbell
Barry Larkin
Jim Petercsak Salvatore Rabbio
Michael Kingan
Rafael Christen (Switzerland)
Jean Geoffroy (France)
Isao Nakamura (Germany/Japan)
Federico Poli (Italy)
Don Liuzzi
Will Rapp
Jeff Moore
Larry Doran
The communication takes place among designers, craftsmen and players, and it is constant. For more than three decades now we have
been working with some of the world’s greatest players designing and crafting the instruments of their dreams. Players know what they
want, and we know what we can give them. But they inspire us to go beyond what we “know” we can do, just as we help them go
farther than they thought they could. That’s the magic of communication. That’s the spirit of our percussion.
The Secret Behind Yamaha’s Concert Percussion is Communication!
page-26 page-27
27
page
26
page 27
page
page 26
MARIMBA
YM 5104A
YM 6000
YM 6000A
YM 5100A
YM 4900A
YM 4600A
YM 2400
YMRD 2400
YM 1430
YM 40
VIBRAPHONE
YV 4110
YV 3910
YV 3710
YV 2700
YVRD 2700
YV 2700G
YVRD 2700G
YV 1600A
YV 520
Dimensions
(W x D)
110 5/8" x 40 1/2"
108 1/4" x 45 1/2"
108 1/4" x 45 1/2"
102 3/4" x 40 1/2"
92 1/2" x 37 3/4"
86 1/4" x 35 7/8"
78" x 34 5/8"
87 1/2" x 42"
74" x 33 1/8"
74" x 33 1/8"
Dimensions
(W x D)
72 7/8" x 32 5/8"
56 1/4" x 32 1/4"
56 1/4" x 32 1/4"
56 1/4" x 32 1/4"
65 7/8" x 37 5/8"
56 1/4" x 32 1/4"
65 7/8" x 37 5/8"
48 7/8" x 29 1/8"
41 3/4" x 26 3/4"
Weight
218 lbs
235 3/4 lbs
246 3/4 lbs
211 1/2 lbs
171 3/4 lbs
149 3/4 lbs
134 1/4 lbs
191 5/8 lbs
108 lbs
108 lbs
Weight
207 lbs
134 1/4 lbs
127 3/4 lbs
114 1/2 lbs
161 7/8 lbs
114 1/2 lbs
161 7/8 lbs
83 3/4 lbs
68 1/4 lbs
XYLOPHONE
YX 350A
YX 335
YXRD 335
YX 135
GLOCKENSPIEL/BELL
YG 2500
YG 1210
YG 250D
DG 1590A
CHIME
YCH 585
DC 9190A
DC 9160A
DC 9150A
Dimensions
(W x D)
57 1/8" x 30 3/4"
54" x 31 1/2"
64 3/8" x 37 1/4"
48 3/8" x 24 3/8"
Dimensions
(W x D x H)
41 3/4" x 22"
32" x 19" x 5"
29" x 18" x 3"
30" x 18"
Dimensions
(W x D x H)
33 7/8" x 26 3/4" x 70 3/4"
33" x 24 1/2" x 71"
33" x 24 1/2" x 66 1/2"
33" x 24 1/2" x 66 1/2"
Weight
79 1/4 lbs
79 1/4 lbs
132 1/8 lbs
48 1/2 lbs
Weight
79 lbs
35 lbs
(case included)
21 lbs
(case included)
30 lbs
Weight
185 lbs
167 lbs
125 lbs
125 lbs
16
C
18 20 21 23 25 274
C
689111315113 28
CMC
30 32 33 35 37 39 40 42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
MARIMBA
YM 5104A
YM 6000/6000A
YM 5100A
YM 4900A
YM 4600A
YM 2400
YMRD 2400
YM 1430
YM 40
VIBRAPHONE
YV 4110/4110M
YV 3910/3910M
YV 3710/3710M
YV 2700/2700G
YVRD/YVT 2700
YVRD 2700G
YV 1600A
YV 520
XYLOPHONE
YX350A
YX 335
YXRD 335
YX 135
GLOCKENSPIEL/BELL
YG 2500
YG 1210
YG 250D
DG 1590A
CHIME
YCH 585
DC 9190A
DC 9160A
DC 9150A
TIMPANI
TP 7220/6220
TP 7223/6223/3023
TP 7224
TP 7226/6226/3026
TP 7227
TP 7229/6229/3029
TP 7232/6232/3032
Scale Range
Dimensions and Weight
Ed Saindon Dave Samuels
Jim Sewrey Mark Sherman Larry Snider Andrew Spencer Naoko Takada Jason Taylor
Ben Toth Mike Varner Michael Waldrop Doug Walter
Norman Weinberg Jeff White William Scott-Deal
Dean WittenDean Witten Brian ZatorBrian Zator Nebojsa Zivkovic
Franck Tortiller (France)
Patrick Roulet
Ney Rosauro
Chuck Redd Emil Richards Anthony Robinson
page-26 page-27
27
page
26
page 27
page
page 26
MARIMBA
YM 5104A
YM 6000
YM 6000A
YM 5100A
YM 4900A
YM 4600A
YM 2400
YMRD 2400
YM 1430
YM 40
VIBRAPHONE
YV 4110
YV 3910
YV 3710
YV 2700
YVRD 2700
YV 2700G
YVRD 2700G
YV 1600A
YV 520
Dimensions
(W x D)
110 5/8" x 40 1/2"
108 1/4" x 45 1/2"
108 1/4" x 45 1/2"
102 3/4" x 40 1/2"
92 1/2" x 37 3/4"
86 1/4" x 35 7/8"
78" x 34 5/8"
87 1/2" x 42"
74" x 33 1/8"
74" x 33 1/8"
Dimensions
(W x D)
72 7/8" x 32 5/8"
56 1/4" x 32 1/4"
56 1/4" x 32 1/4"
56 1/4" x 32 1/4"
65 7/8" x 37 5/8"
56 1/4" x 32 1/4"
65 7/8" x 37 5/8"
48 7/8" x 29 1/8"
41 3/4" x 26 3/4"
Weight
218 lbs
235 3/4 lbs
246 3/4 lbs
211 1/2 lbs
171 3/4 lbs
149 3/4 lbs
134 1/4 lbs
191 5/8 lbs
108 lbs
108 lbs
Weight
207 lbs
134 1/4 lbs
127 3/4 lbs
114 1/2 lbs
161 7/8 lbs
114 1/2 lbs
161 7/8 lbs
83 3/4 lbs
68 1/4 lbs
XYLOPHONE
YX 350A
YX 335
YXRD 335
YX 135
GLOCKENSPIEL/BELL
YG 2500
YG 1210
YG 250D
DG 1590A
CHIME
YCH 585
DC 9190A
DC 9160A
DC 9150A
Dimensions
(W x D)
57 1/8" x 30 3/4"
54" x 31 1/2"
64 3/8" x 37 1/4"
48 3/8" x 24 3/8"
Dimensions
(W x D x H)
41 3/4" x 22"
32" x 19" x 5"
29" x 18" x 3"
30" x 18"
Dimensions
(W x D x H)
33 7/8" x 26 3/4" x 70 3/4"
33" x 24 1/2" x 71"
33" x 24 1/2" x 66 1/2"
33" x 24 1/2" x 66 1/2"
Weight
79 1/4 lbs
79 1/4 lbs
132 1/8 lbs
48 1/2 lbs
Weight
79 lbs
35 lbs
(case included)
21 lbs
(case included)
30 lbs
Weight
185 lbs
167 lbs
125 lbs
125 lbs
16
C
18 20 21 23 25 274
C
689111315113 28
CMC
30 32 33 35 37 39 40 42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
16
C
18 20 21 23 25 27 28
C
30 32 33 35 37 39 40
MC
42 44 45 47 49 51 52
C
54 56 57 59 61 63 64
C
66 68 69 71 73 75 76
C
78 80 81 83 85 87 88
C
90 92 93
MARIMBA
YM 5104A
YM 6000/6000A
YM 5100A
YM 4900A
YM 4600A
YM 2400
YMRD 2400
YM 1430
YM 40
VIBRAPHONE
YV 4110/4110M
YV 3910/3910M
YV 3710/3710M
YV 2700/2700G
YVRD/YVT 2700
YVRD 2700G
YV 1600A
YV 520
XYLOPHONE
YX350A
YX 335
YXRD 335
YX 135
GLOCKENSPIEL/BELL
YG 2500
YG 1210
YG 250D
DG 1590A
CHIME
YCH 585
DC 9190A
DC 9160A
DC 9150A
TIMPANI
TP 7220/6220
TP 7223/6223/3023
TP 7224
TP 7226/6226/3026
TP 7227
TP 7229/6229/3029
TP 7232/6232/3032
Scale Range
Dimensions and Weight
Ed Saindon Dave Samuels
Jim Sewrey Mark Sherman Larry Snider Andrew Spencer Naoko Takada Jason Taylor
Ben Toth Mike Varner Michael Waldrop Doug Walter
Norman Weinberg Jeff White William Scott-Deal
Dean WittenDean Witten Brian ZatorBrian Zator Nebojsa Zivkovic
Franck Tortiller (France)
Patrick Roulet
Ney Rosauro
Chuck Redd Emil Richards Anthony Robinson
cover 4 cover 1
LEP0348U
This document is printed on chlorine-free (ECF) paper with soy ink.
*Specifications are subject to change without notice.
*Some models may not be available in some countries.
*Colors shown in this catalog may not be represented exactly as the original colors due to printing processes involved.
xxxx Printed in Japan
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