Yamaha Cl5 Cl3 Cl1 Data Sheet 名称未設定 1
2015-03-09
: Yamaha Cl5-Cl3-Cl1-Data-Sheet yamaha-cl5-cl3-cl1-data-sheet-647329 yamaha pdf
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CL Series Digital Mixing Console CL5 Rear Panel CL3 Rear Panel CL1 Rear Panel CL Series Versatile, creative consoles for expressive engineering. • Naturally superior sound plus a comprehensive range of “coloring” options. • Acclaimed Yamaha Centralogic concept at the core of a refined user interface. • Separate console and I/O rack components communicate via Dante™ network audio protocol. • Up to eight I/O rack units can be connected to each console. 5U size Rio3224-D I/O unit provides 32 ins, 16 outs, and four AES/EBU outputs. 3U size Rio1608-D I/O unit has 16 ins and 8 outs. • I/O rack unit sharing allows multiple consoles to be control the same I/O unit, with gain compensation. • Virtual “Premium Rack” with VCM models of the renowned Neve Portico 5033 equalizer and Portico 5043 compressor/limiter, plus other VCM equalizers, compressors, and studio-quality effects. • Virtual “Effect Rack” allows simultaneous use of up to 8 effects from a selection of 46 ambience effects and 8 insertion effects. • Virtual “GEQ Rack” allows graphic EQ to be inserted into the output buses as required for room equalization and other functions. • Seamlessly integrated remote control and offline editing via an Apple iPad® or other computer. • Network redundancy supported for maximum reliability. • Every detail – faders, knobs, switches, indicators, displays, etc. – designed for optimum operating feel. • 2-track mp3 recording to USB memory. • Tight integration with Nuendo Live (included) for serious live multitrack recording. • Multitrack recordings can be used for “virtual sound checks” when the performers aren’t available. • Three Mini-YGDAI card slots provide easy I/O expansion as well as extra processing capabilities. • Lake® processing can be added via expansion slots. • Other features: editable channel names and colors, user defined keys and knobs, 300 scene memories, input and output delays, ample EQ and dynamics processing, 16 DCA groups, 8 mute groups, 5-in/5-out GPI interface, multiple user key sets, on-screen help, and more. [CL5] Three-section fader layout for efficient hands-on control. The CL5 is the ideal choice for a diverse spectrum of live sound systems. • Input channels: 72 mono, 8 stereo. • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section. • Aluminum stay for iPad support. • Built-in meter bridge. [CL3] An ideal blend of compact size and channel capacity for a variety of live and installed applications. • Input channels: 64 mono, 8 stereo. • Fader configuration: 16-fader left section, 8-fader Centralogic section, 2-fader master section. • Aluminum stay for iPad support. • Meter bridge optional. [CL1] Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion. • Input channels: 48 mono, 8 stereo. • Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section . • Meter bridge optional. OPTIONS Rio3224-D Rio1608-D 5U 3U Rio3224-D Rio1608-D I/O RACK MBCL Meter Bridge Two rack-mountable I/O units with different input and output capacities are available for use with the CL series consoles. The 5U size Rio3224-D provides 32 ins, 16 outs, and four AES/EBU outputs, while the 3U size Rio1608-D has 16 ins and 8 outs. Both types connect to the console via Dante network protocol for low-jitter, low-latency digital audio communication. The optional CL3 and CL1 Meter Bridge fits right above the console's display and provides high-visibility level monitoring while allowing the display to be used for other operations. PW800W LA1L GENERAL SPECIFICATIONS (PW800W) Power Supply Unit Power requirements Power consumption 3U When a CL unit is added the internal power supply and the PW800W provide redundant failsafe operation. Dimensions (W x H x D) Weight Rear Panel AC100-240V 50/60Hz 1000W When using with CL5: 200W (Max) When using with CL3: 200W (Max) When using with CL1: 200W (Max) 480 x 142 x 384mm (18.7" x 5.5" x 14.98") 10kg (22lbs) Gooseneck Lamp PSL360 Power Supply Link Cable CL Series GENERAL SPECIFICATIONS Sampling frequency rate Internal: ANALOG INPUT SPECIFICATIONS 44.1kHz, 48kHz Input terminal External: 44.1kHz (+4.1667%, +0.1%, -0.1%, -4.0%) ±200ppm 48kHz (+4.1667%, +0.1%, -0.1%, -4.0%) ±200ppm Signal Delay Less than 2.5 ms OMNI IN to OMNI OUT (@fs=48kHz) Total harmonic distortion*1 Less than 0.05% 20Hz to 20kHz @+4dBu into 600Ω GAIN Actual source impedance Dynamic range (maximum level to noise level) Hum & noise level*2 (20Hz to 20kHz), Rs=150Ω Crosstalk (@1kHz) +17dB CL5/CL3/CL1: 170W, Internal Power Supply CL5/CL3/CL1: 200W, Simultaneous use of Internal PSU and External PW800W CL5: 1053 x 299 x 667mm (41.5" x 11.8" x 26.3") CL3: 839 x 299** x 667mm (33.1" x 11.8" x 26.3") CL1: 648 x 299** x 667mm (25.5" x 11.8" x 26.3") CL5: 36kg (79.4lbs) CL3: 29kg (63.9lbs) CL1: 24kg (52.9lbs) Dimensions (W x H x D) Weight -62dBu -42dBu -34dBu -14dBu +6dBu -33dBu -13dBu +7dBu -10dBu +10dBu +30dBu -70dBu -60dBu -40dBu -26dBu -16dBu +4dBu Connector XLR3-31 type* 3kΩ +64dB TALKBACK 50-600Ω Mics & 600Ω Lines 10kΩ +20dB Power consumption -82dBu -6dB Input Gain=Min. +48V AC110V-240V, 50/60Hz Max. before clip 50-600Ω Mics & 600Ω Lines OMNI IN 1-8 +0.5, -1.5dB 20Hz to 20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT 112dB typ., DA Converter, 108dB typ., OMNI IN to OMNI OUT, Input Gain = Min. -128dBu Equivalent input noise, Input Gain=Max., -84dBu Residual output noise, ST master off -100dB*3, Adjacent OMNI IN/OMNI OUT channels Phantom Power Power requirements Nominal 10kΩ +18dB CH INPUT to OMNI OUT Input level Sensitivity +66dB OMNI IN to OMNI OUT Input Gain=Min. Frequency response For use with nominal XLR3-31 type* ANALOG OUTPUT SPECIFICATIONS Output terminal Actual source impedance For use with nominal 75Ω 600Ω Lines OMNI OUT 1-8 *1 Total harmonic distortion is measured with a 18dB/Oct filter @80kHz. *2 Hum & noise level is measured with a 6dB/oct filter @12.7kHz; equivalent to 20kHz filter with infinite dB/Oct attenuation. *3 Crosstalk is measured with a 30 dB/octave filter @22kHz. ** Excluded MBCL optional meter bridge. PHONES GAIN SW Output terminals Max. before clip Nominal +24dB +4dBu +24dBu +18dB -2dBu +18dBu 8Ω Phones — 75mW 150mW 40Ω Phones — 65mW 150mW Connector XLR3-32 type* 15Ω ST Phone Jack** DIGITAL I/O SPECIFICATIONS Terminal Format Primary/Secondary Dante Data length Level 24bit or 32bit 1000Base-T Audio Connector 64ch Input/64ch Output etherCON Cat5e @48kHz DIGITAL OUTPUT SPECIFICATIONS Terminal DIGITAL OUT AES/EBU Format Data length Level Connector AES/EBU Professional Use 24bit RS422 XLR3-32 type* I/O Slot (1-3) SPECIFICATIONS Each I/O Slot accepts a Mini-YGDAI card. Only Slot1 has a serial interface. CONTROL I/O SPECIFICATIONS Terminal MIDI WORD CLOCK Format Level IN MIDI — OUT MIDI — IN — TTL/75Ω terminated OUT — TTL/75Ω — — GPI (5IN/5OUT) NETWORK IEEE802.3 LAMP (CL5=3, CL3=2, CL1=1) — 10BASE-T/100Base-TX/ 0V - 12V USB HOST USB 2.0 — EXT DC IN — — Meter Bridge (CL3/CL1 only) — — *1. Input pins: Internal TTL-level pull-up resistors provided (47kΩ). Output pins: Open-drain output (Vmax = 12V, max. sink current/pin = 75mA) Power pins: Output voltage Vp = 5V, max. output current Imax = 300mA *2. Pin 4 = +12V, Pin 3 = GND, lamp rating 5W. Software voltage control. DIMENSIONS unit : mm 15 15 15 374 389 299 201 667 1053 CL5 299 201 667 535 667 299 201 130 839 CL3 130 648 CL1 130 CL Series BLOCK DIAGRAM 1/2 Applications System Examples: Live Sound Wi-Fi AccessPoint SP2060 AES/EBU Rio3224-D CL3 Rio3224-D Monitor Rio3224-D CL StageMix Rio3224-D PC for Live Recording Primary Switch Secondary Switch Primary Switch Secondary Switch CL StageMix Wi-Fi Access Point CL StageMix Wi-Fi Access Point CL5 PC for Live Recording PC for Live Recording CL5 FoH Rio1608-D A Simple Daisy-chain System A Flexible, Redundant Star Network Internal port switches allow the CL series to be easily set up for daisy-chain or star network congurations. In this example the Console at FOH position is directly connected to the I/O rack at the side of the stage. The network is self-congured. Of course the CL StageMix iPad app can be used even in simple systems like this one, and Dante Virtual Soundcard can be used to enable multitrack recording to a DAW such as Steinberg's Nuendo Live. Star topologies can be congured with network switches. In this conguration, redundant connections to each device on the network ensure that a malfunction in one cable or network device will not disrupt the entire system. The Gain Compensation feature allows multiple consoles to control analog gain for a single I/O rack, for seamless integration of FOH and monitor operation. Multiple computers can be used for live recording, too. CL Series BLOCK DIAGRAM 2/2
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