Yamaha Clp 611 Owners Manual CLP811

Clp-611-Owners-Manual yamaha-clp-611-owners-manual-132755

CLP-811/CLP-611 Owner's Manual CLP811E

Yamaha Corporation CLP-611 Owner's Manual clp811e Yamaha Corporation - CLP-611 - Owner's Manual

Yamaha Corporation CLP-811 Owner's Manual clp811e Yamaha Corporation - CLP-811 - Owner's Manual

CLP-811 to the manual 35769df5-ac28-4c93-8041-143a321c8957

2014-12-13

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IMPORTANT

Check your power supply
Make sure that your local AC mains voltage matches the
voltage specified on the name plate on the bottom panel. In
some areas a voltage selector may be provided on the bottom
panel of the main keyboard unit near the power cord. Make
sure that the voltage selector is set for the voltage in your area.
The voltage selector is set at 240V when the unit is initially
shipped. To change the setting use a “minus” screwdriver to
rotate the selector dial so that the correct voltage appears next
to the pointer on the panel.

WICHTIG

Überprüfung der Stromversorgung
Vergewissern Sie sich vor dem Anschließen an das Stromnetz,
daß die örtliche Netzspannung den Betriebsspannungswerten
auf dem Typenschild an der Unterseite des Instruments
entspricht. In bestimmten Verkaufsgebieten ist das Instrument
mit einem Spannungswähler an der Unterseite neben der
Netzkabeldurchführung ausgestattet. Falls vorhanden, muß der
Spannungswähler auf die örtliche Netzspannung eingestellt
werden. Der Spannungswähler wurde werkseitig auf 240 V
voreingestellt. Zum Verstellen drehen Sie den Spannungsregler
mit einem Schlitzschraubendreher, bis der Zeiger auf den
korrekten Spannungswert weist

IMPORTANT

Contrôler la source d’alimentation
Vérifiez que la tension spécifiée sur le panneau arrière
correspond à la tension du secteur. Dans certaines régions,
l’instrument peut être équipé d’un sélecteur de tension situé sur
le panneau inférieur du clavier à proximité du cordon d’alimentation. Vérifiez que ce sélecteur est bien réglé en fonction de
la tension secteur de votre région. Le sélecteur de tension est
réglé sur 240 V au départ d’usine. Pour modifier ce réglage,
utilisez un tournevis à lame plate pour tourner le sélecteur afin
de mettre l’indication correspondant à la tension de votre
région vis à vis du repère triangulaire situé sur le panneau.

IMPORTANTE

M.D.G., EMI Division © Yamaha Corporation 1996
VU29860 604CRCP3.3-01A0 Printed in Japan

Verifique la alimentación de corriente
Asegúrese de que tensión de alimentación de CA de su área
corresponde con la tensión especificada en la placa de
características del panel inferior de la unidad del teclado
principal, cerca del cable de alimentación. Asegúrese de que
el selector de tensión esté ajustado a la tensión de su área. El
selector de tensión se ajusta a 240V cuando la unidad sale de
fábrica. Para cambiar el ajuste, emplee un destornillador de
cabeza “recta” para girar el selector de modo que aparezca la
tensión correcta al lado del indicador del panel.

SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.

CLP-611

CLP-811

Model _____________________________________
Serial No. __________________________________
92-469 1

Purchase Date ______________________________



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CLP-811
CLP-611

Owner’s Manual

English

Bedienungsanleitung

Deutsch

Mode d’emploi

Français

Manual de instrucciones

Español

Introduction
Thank you for choosing a Yamaha CLP-811/611 Clavinova. Your Clavinova is a fine musical instrument
employing advanced Yamaha music technology. With proper care, your Clavinova will provide you with
many years of musical pleasure.
● Yamaha’s AWM (Advanced Wave Memory) sound
generation provides extremely rich, realistic voices.
Piano voices are especially true and powerful.
● The damper pedal produces natural piano
resonances, obtained from direct sampling of string
and soundboard resonance characteristics.
● Piano-like touch response offers great control and
playability. Responsiveness can be set to any of four
levels.
● Dual mode lets you play any two voices in unison.
● Split mode divides the keyboard into two zones, so
that you can play a different voice with each hand.
● Special Organ Combination voice can be freely
edited.
● Unique Clavinova Tone voice provides a new and
versatile sound.

● Built-in metronome function facilitates effective
practice.
● Digital recording function can record and replay your
keyboard input (up to about 4,200 notes).
● With MIDI compatibility and a solid range of MIDI
functions, the Clavinova can serve well within a wide
variety of advanced MIDI setups.
● Built-in computer interface allows for direct connection to personal computers running advanced music
software.
● Large LCD provides an effective and friendly interface. Well-designed displays make setup and control
operations extremely easy.

To ensure that you can take full advantage of your Clavinova’s many outstanding features, please read
through this manual carefully, and store in a safe place for future reference.

Taking Care Of Your Clavinova
Your Clavinova is a fine musical instrument, and deserves the most careful treatment. Observe the following
points and your Clavinova will sound and look great for many years.

1 Never open the case and touch or tamper with
the internal circuitry.
2 Always turn the POWER switch OFF after use,
and close the key cover to protect the keyboard.
3 Clean the cabinet and keys of your Clavinova
only with a clean, slightly damp cloth. A neutral
cleanser may be used if desired. Never use
abrasive cleansers, waxes, solvents, or chemical
dust cloths as these can dull or damage the
finish.
4 Never place any vinyl products on your
Clavinova. Contact with vinyl can cause irreversible damage to the finish.
5 Install your Clavinova in a place that is away
from direct sunlight, excessive humidity and
heat.

6 Never apply excessive force to the controls,
connectors or other parts of your Clavinova, and
avoid scratching or bumping it with hard objects.
7 Make sure that your local AC voltage matches
the voltage specified on the Clavinova’s nameplate (located on the bottom panel, under the
keyboard). Note that some Clavinovas are
equipped with a voltage selector dial located
next to the power-cord inlet. If your unit includes a selector, turn it as necessary (with a
screwdriver) to select the correct voltage.
● Nameplate Location
The CLP-811/611 nameplate is located on the
bottom panel.

Contents
Getting Ready ........................................................ 2
Music Stand ..................................................... 2
Key Cover ......................................................... 2
Powering Up .................................................... 3
Adjusting the Volume ..................................... 3
Using Headphones ......................................... 3

Panel Controls and Connectors ............................... 4

F6.
F7.
F8.
F9.
F10.
F11.

Basic Controls and Functions .................................. 6

F12.

Controlling the Clavinova .............................. 6
Frequently Used Buttons ............................... 6

F13.

Playing the Demos and Piano Songs ...................... 8
Playing the Demos ......................................... 9
Playing the Piano Songs .............................. 10
One-Hand Practice with Piano Songs ........ 11
Repetition Practice with Piano Songs ........ 12

Selecting and Playing Voices ................................ 13
Selecting a Voice .......................................... 13
Using the Pedals .......................................... 14
Changing the Sound [VARIATION],
[BRILLIANCE], [REVERB], [EFFECT] .......... 14
TOUCH ............................................................ 16
TRANSPOSE .................................................. 17
DUAL Mode (Mixing two voices together) .. 17
SPLIT Mode (Dividing the keyboard) .......... 18
Using the METRONOME .............................. 19

OrganEdit (ORGAN
COMBINATION settings) ................... 30
Metronome (Metronome settings) ..... 32
Display (Display mode) ..................... 32
L.Pedal (Function of left pedal) ......... 33
DamperDpt (Damper-pedal depth) .... 33
Damper (Number of
damper-pedal levels) ......................... 34
CancelVol (Volume of muted
piano-song track) .............................. 34
MIDIFunc. (MIDI settings) ................. 34

CLP-811

F14. MicRevDpt (Microphone reverb
depth) ................................................. 36
F15. Backup (Backup ON/OFF
settings) .............................................36
CLP-611

F14. Backup (Backup ON/OFF
settings) .............................................36

The Clavinova’s Device Connectors ...................... 38
Connecting to a Personal Computer .......... 40

Troubleshooting .................................................... 42
Options ................................................................ 43
Index .................................................................... 44

Using the Recorder ............................................... 20
Recording....................................................... 20
Playback ......................................................... 22

Configuration Functions (FUNCTION mode) .......... 24
Basic Procedure ............................................ 26
Function descriptions .................................. 27
F1. Tune (Keyboard fine tuning) .............. 27
F2. KTune (Key-by-key fine tuning) .......... 27
F3. Scale (Temperament selection) ......... 28
F4. DualFunc. (Settings for
DUAL mode.)..................................... 29
F5. SplitFunc. (Settings for SPLIT
mode.) ................................................ 29

• Within this manual, a white arrow (
have taken.

Demo and Piano Songs Lists ................................ 46
Factory Defaults ................................................... 47
MIDI Data Format ................................................48
Specifications ........................................................ 53
CLP-811 Assembly Procedure .............................. 54
CLP-611 Assembly Procedure .............................. 60
MIDI Implementation Chart ................................. 66

) indicates how the Clavinova responds to an action that you

• All front panel illustrations are from the CLP-811.
• Screen illustrations show examples only. Actual screen content will vary according to operational
settings.

Getting Ready
Music Stand
CLP-811
To raise the stand:
1. Using two hands, take hold of the left and right sides
of the music stand. Lift the stand upwards while at
the same time rotating the top of the stand toward
you.
2. Push the stand down into place so that the opening
on the base of the stand fits onto the small notch on
the plastic hook.

To retract the stand:
Lift the stand straight up off the notch, then rotate it
backwards and return it to its original position.

CLP-611

To raise the stand:
1. Lift the stand forward as far as it will go.
2. Flip down the two metal supports at the bottom rear
of the stand.
3. Lower the stand downward slightly so that it comes
to rest on the metal supports.
To lower the stand:
1. Lean the stand forward as far as it will go.
2. Raise the two metal supports (at the back of the
stand) so that they are flush with the stand.
3. Gently lower the stand backward until it is all the
way down.
NOTE

Please do not try to use the stand in half-raised
position. When raising or lowering the stand, always
hold on to it until it is securely in place.

Key Cover
To open the cover:
1. Lift the cover slightly (not too much).
2. Gently slide the cover open.
To close the cover:
1. Slide the cover all the way forward, holding it firmly
so that it can’t drop down.
2. Gently lower the cover over the keys.

Be careful of fingers when opening or closing.

Hold the cover with both hands when moving it, and do not release it until it is fully opened
or closed. Be careful to avoid catching fingers (your and others’,) between the cover and the
main unit.

CLP-811/611

Getting Ready

Powering Up
1. Connect the power cord.
Insert one end of the power cord into the power connector on the Clavinova, and
the other end into a standard wall outlet. (If your unit comes with a plug adaptor
and its use is required, please connect it to the end of the cord before plugging in.)
AC INLET

The power inlet is located at
rear of Clavinova, on the
underside of the main unit
(directly above the backboard.)

2. Switch on the power.
The [POWER] button is located to the left of the keyboard. Press it once to
switch the power on.
The display comes on, and the power indicator on the front left of the
instrument lights up. One or more panel indicators also light up.

The power indicator is located on
the front side, so that you can tell
if power is on even with the key
cover closed.

POWER

NORMAL

BRILLIANCE

MIC. VOL.
MIN

MAX

MIC.

PHONES

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

CLP-811

Power indicator

To switch the power off, press [POWER] once again.
The display and indicators all go off.

Adjusting the Volume
You adjust the volume by moving the [MASTER
VOLUME] slider up or back. Adjust as necessary while
playing on the keyboard.

MASTER VOLUME

Louder

Softer

MAX

The [MASTER VOLUME] slider
also controls the output level to
the PHONES and AUX OUT
jacks.

MIN

Using Headphones
You can connect headphones to either
or both of the PHONES jacks. The
connection automatically cuts off
output from the Clavinova’s speakers.
Two jacks are provided so that two
people can listen at the same time.
(Headphones must be purchased
separately.)

CLP-611

Recommended headphones:
Yamaha HPE-160

CLP-811

PHONES

MIC. VOL.
MIN

MIC.

PHONES

MAX

Standard jack
for stereo headphones

CLP-811/611

Getting Ready

Panel Controls and Connectors
Front Panel
2

MASTER VOLUME

45
TRANSPOSE SPLIT

FUNCTION

MAX

0
PIANO 1

PIANO 2

CLAVI.TONE E.PIANO 1

HARPSICHORD

E.PIANO 2

VARIATION
TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BRILLIANCE

REVERB

E
DEMO/
PIANO SONG

G
RECORDER
1

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
FIXED
ECHO

BASS

C
METRONOME

EFFECT

TEMPO

SONG
SELECT

TOUCH

– / NO

MIN

6 789

+/ YES

F HI

This button exists on the CLP-811 but not on the CLP-611.
All other panel buttons are common to both models.

MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

VIBES

STRINGS

CLAVI.TONE E.PIANO 1

E.PIANO 2

HARPSICHORD

EFFECT

TOUCH

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
ECHO
STAGE
FIXED

BASS

DEMO/
PIANO SONG

METRONOME

VARIATION
TRANSPOSE

BRILLIANCE REVERB

TEMPO

SONG
SELECT

TOUCH

– / NO

MIN

+/ YES
STEREO SAMPLING

CLP-811

1
POWER

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

(CLP-811)

Middle C
PHONES

MIC. VOL.
MIN

MIC.

PHONES

MAX

M N

J
K

CLP-611

1
2
3
4
5
6
7
8
9
0

[POWER] ................................ page 3
[MASTER VOLUME]..................... 3
[FUNCTION] ................................. 24
t]..................... 17
[TRANSPOSE] / [t
s] .................................. 18
[SPLIT] / [s
[BRILLIANCE] .............................. 15
[REVERB] ....................................... 15
[EFFECT] ......................................... 15
[TOUCH] ........................................ 16
Voice selectors ............................... 13

CLP-811/611

CLP-811

Panel Controls and Connectors

A
B
C
D

[VARIATION] ............................... 14
Display (LCD) ................................. 6
[METRONOME] ........................... 19
Tempo [▲] [▼] [-/NO] [+/YES]
.................................................. 6,19,26
E [DEMO/PIANO SONG] ................ 8
F Song select [▲] [▼] ....................... 26
G RECORDER [1] [2] ........................ 20

Rear Panel
P
Q R

MIDI
IN

OUT

THRU

HOST SELECT
PC-2
MIDI

AUX OUT

AUX IN
R

L/L+R

TO HOST

PC-1
Mac

L/L+R

U
AC INLET

MIDI
IN

OUT

THRU

HOST SELECT
PC-2
MIDI

L/L+R

TO HOST

PC-1
Mac

AUX OUT

AUX IN
R

L/L+R

AC INLET

(CLP-811)

H
I
J
K
L
M
N
O

[START/STOP] ............. pages 10,21
[REC] ............................................... 21
Soft pedal ....................................... 14
Sostenuto pedal ............................. 14
Damper pedal ................................ 14
[MIC.VOL] (CLP-811 only) .......... 38
[MIC.] (CLP-811 only) ................... 38
[PHONES] ................................... 3,38

P MIDI [IN] [OUT] [THRU] ...... 39,48
Q HOST SELECT [MIDI] [PC-2]
[PC-1] [MAC] ............................ 39,40
R [TO HOST] ................................ 39,40
S AUX IN [R] [L/L+R] ...................... 39
T AUX OUT [R] [L/L+R].................. 39
U [AC INLET] ............................ 3,58,64

CLP-811/611

Panel Controls and Connectors

Basic Controls and Functions
This section describes the basic controls and operational features of your Clavinova.
Please read through this information carefully.

Controlling the Clavinova
You control the Clavinova functions by pressing the buttons on the panel. The display indicates the
results of each operation and keeps you informed of the current status.

Name of voice, piano song, or function

Transpose
Split

TRANSPOSE

Piano song No., Measure count

SONG
MEASURE

SPLIT

HARD
MELLOW ROOM CHORUS
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED
BRILLIANCE

REVERB

EFFECT

TEMPO

TOUCH

Touch

Tempo

Effect
Reverb
Brilliance

Metronome
Graphic

Frequently Used Buttons
TEMPO [▲] [▼] / [–/NO] [+/ YES]

[MASTER VOLUME]
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BASS

DEMO/
PIANO SONG

METRONOME

VARIATION

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED
BRILLIANCE

TEMPO

SONG
SELECT

TOUCH

MIN

– / NO

+/ YES

[MASTER VOLUME]
Adjusts the output level to the speakers, headphones, and AUX OUT jacks.

TEMPO [▼] [▲]
Adjust the playback tempo for demo songs and piano songs. Also adjust the metronome tempo.
You can set the tempo to any value between 32 and 280. Pressing [▼] and [▲] at the same time resets the
value to its standard setting (either 120 or else as set within the currently selected song).
• Holding down the appropriate increment/decrement button (TEMPO [▼][▲]/[-/NO][+/YES] or
SONG SELECT[▼][▲]) causes the corresponding value to change continuously. In most cases the
setting will stop upon reaching the maximum or minimum limit. In some cases, however, the setting
will continue to loop through the available values.
• You can return any value to its factory default by pressing [-/NO] and [-/YES] at the same time.

CLP-811/611

Basic Controls and Functions

Memory Backup
The Clavinova includes a memory-backup feature than can retain settings
while power is off and restore them when you resume play. Although all
backup is set to OFF at time of shipping, you can use the FUNCTION
mode’s Backup setting (F15 on the CLP-811, F14 on the CLP-611) to
selectivety set backup on or off for different groups of settings.
If backup for a group is set OFF, all settings within that group return to
their factory defaults each time power comes on. (A listing of factory
defaults appears on page 47.) Note that the Clavinova unconditionally
backs up and restores the Backup settings themselves, as well as any
keyboard input that you have recorded.
Memory backup remains effective for about a week, after which all
settings will return to their factory defaults. If you wish to retain your
settings for a long period of time, please be sure to switch the Clavinova
on for at least a few minutes each week.

FUNCTION mode...
You can use FUNCTION mode to
set a wide variety of system and
utility parameters. All parameters
are originally set to standard
default values (factory defaults),
but you are free to change them
to suit your particular needs.
Memory...
The Clavinova stores the various
settings you have made within its
internal memory.
Backup...
Use the memory backup feature
to retain memory settings while
power is off, so that they will be
restored when you switch the
power back on.

CLP-811/611 function groups
CLP-811/611 functions can be broadly divided into three groups, as
follows.
Voice and performance functions (p.13-p.19)
Recording and playback functions (p.20-p.23)
FUNCTION-mode settings
(p.24-p.37)

CLP-811/611

Basic Controls and Functions

Playing the Demos and Piano Songs
Your CLP-811/611 includes thirty built-in piano songs, together with demo songs for
each of the different voices (one demo per voice). Let’s try playing some of these songs
now. When playing piano songs you are free to turn off the left-hand or right-hand part
so that you can practice along. You can also pick out a specific phrase for repetition-type
practice.

2
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BRILLIANCE

REVERB

EFFECT

TEMPO

Switch on the power.
(If power is not yet on)
Press the [POWER] button.
The power comes on.
We’ll adjust the output volume while playing the songs. For now, please
set the [MASTER VOLUME] slider to approximately middle position.

Select the DEMO/PIANO SONG mode.
Press the [DEMO/PIANO
SONG] button on the right
side of the panel.
The voice indicators
begin cycling on and
off. The screen indiPress a voice selector or SONG SELECT button.
cates the new mode and
prompts you for a song selection.
SONG

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

We’ll begin by playing some demos. Then we’ll proceed to play some of the
piano songs and try out the special practice features.

CLP-811/611

START/
STOP

REC

+/ YES

For a listing of the internal
demos and piano songs...
See page 46.

NORMAL

SONG
SELECT

TEMPO

– / NO

Procedure

TOUCH

MIN

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

DEMO/
PIANO SONG

METRONOME

VARIATION

Playing the Demos and Piano Songs

The Clavinova does not receive
MIDI signals while DEMO/PIANO
SONG mode is active. It is not
possible to transmit demo and
piano song data to other devices
over MIDI.
DEMO/PIANO SONG mode
cannot be selected if the
Clavinova is in RECORDING
mode or if it is playing back a
recorded performance.
The word song, as used here,
refers to any stored sequence of
performance data. Demo songs
and piano songs both exist as
stored performance data.

Playing the Demos
3

DEMO/
PIANO SONG

START/
STOP

REC

MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

METRONOME

VARIATION

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

BRILLIANCE

REVERB

EFFECT

TEMPO

TOUCH

– / NO

MIN

Begin playback by selecting a voice.
Press the voice selector
corresponding to the demo
that you want to hear.
The voice indicator
begins flashing and the
Clavinova starts playing the demo.

Using [VARIATION]...
If you press [VARIATION] while in
DEMO/PIANO SONG mode, the
Clavinova will begin playback of
a randomly selected piano song.

SONG

NORMAL HALL 1

BRILLIANCE

REVERB

MEDIUM

EFFECT

+/ YES

Continuous playback...
You can choose to have demos
and piano songs play out one
after another, in either numerical
or random order. For details, see
“Playing the Piano Songs” on the
next page.

(After completing steps [1] and [2] above...)

SONG
SELECT

TEMPO

TOUCH

Adjusting the volume
Move the [MASTER VOLUME] up or down to adjust the volume while
listening to the playback.
Adjusting the tempo
Although each demo song
includes its own tempo
setting, you are free to
adjust the playback tempo
by pressing TEMPO [▼]
Displays playback tempo as an offset (-99 to
+99) from the demo song's internal tempo
or [▲]. To return the
setting. A TEMPO indication of "---" means that
playback tempo to its
playback is at the song's preset tempo.
original setting, press both
TEMPO buttons ([▼] + [▲]) at the same time.

Tempo reset...
Selecting a different song for
playback automatically resets the
tempo (so that the new song will
replay at its internal tempo
setting). During continuous
playback, the tempo automatically resets each time the song
changes.

Stopping the playback

Unlike piano songs, demo songs
cannot be used for one-handed
and repetition-type practice. (See
page 11, 12)

Terminating DEMO/PIANO SONG mode

SONG

NORMAL HALL 1

BRILLIANCE

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

You can stop playback of the ongoing song by pressing either the
[START/STOP] button or else the flashing voice selector.

Press the [DEMO/PIANO SONG] button.
The screen returns to the previous display.

CLP-811/611

Playing the Demos and Piano Songs

Playing the Piano Songs
3

-1

MASTER VOLUME

MAX

-2
RECORDER

FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

DEMO/
PIANO SONG

METRONOME

VARIATION

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

TEMPO

SONG
SELECT

TEMPO

TOUCH

– / NO

MIN

+/ YES

(After completing steps [1] and [2] on page 8...)

Select song(s) and begin playback.
Song name

Song No.

3 -1 Press SONG SELECT
([▼] or [▲]) as necessary to
make your selection. You
can select a single song (by
song number), or you can
choose continuous playback of all songs. The “SONG” indication on the
screen indicates the selection.
SONG

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

1,..,30 Selects playback of one piano song, by its song number.
ALL
Selects sequential continuous play of all demo and piano songs.
RND Selects continuous play of the demo and piano songs, in random order.

(Alternative: You can select a random song by pressing [VARIATION].
In this case, playback will begin immediately.)

If you select ALL and then
press a voice selector ....
The Clavinova will begin
sequential playback beginning
with the demo song for the
selected voice.

3 -2 After making your selection, press [START/STOP] to begin playback.
Adjusting the volume
Move the [MASTER VOLUME] up or down to adjust the volume while
listening to the playback.
Adjusting the tempo
Each piano song includes its
own tempo setting. Once
you have selected a song,
however, you are free to
change the setting (either
Displays playback tempo as an offset (-99 to
before playback starts or
+99) from the piano song's internal tempo
while it in progress) by
setting. A TEMPO indication of "---" means
that playback is at the song's preset tempo.
pressing TEMPO [▼] or
[▲]. To return playback to
its original setting, press both TEMPO buttons ([▼] + [▲]) at the same time.
SONG

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Stopping the playback

Terminating DEMO/PIANO SONG mode

The Clavinova automatically prompts for new song selection when
playback is finished. You can stop the song while playback is in progress
by pressing the [START/STOP] button. You can then select another song
as described in Step [3] above.

Press the [DEMO/PIANO SONG] button.
The screen returns to the display shown just before you entered this mode.

Next we will see how to switch off either the left-hand or right-hand part of a
piano song so that you can practice the part yourself (one-hand practice). We
will also see how to repeatedly play a single selected song phrase (to facilitate
repetition-type practice).

CLP-811/611

Playing the Demos and Piano Songs

Reset of playback tempo...
Selecting a different song for
playback automatically resets the
tempo (so that the new song will
replay at its internal tempo
setting). During continuous
playback, the tempo automatically resets each time the song
changes.

One-Hand Practice with Piano Songs
Each piano song has its left-hand and right-hand parts recorded on separate tracks: the right-hand part in
Track [1], and the left-hand part in Track [2]. This makes it possible for you to switch off either part at any
time. This feature is ideal for one-handed practice: just switch off one of the parts, then play the missing
notes yourself in accompaniment with the other part.

2 3
MASTER VOLUME

MAX

1
RECORDER

FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

DEMO/
PIANO SONG

METRONOME

VARIATION

SPLIT

HARD
MELLOW ROOM CHORUS
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
ECHO
FIXED
STAGE

BASS

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE
TEMPO

SONG
SELECT

TEMPO

TOUCH

– / NO

MIN

+/ YES

Procedure

Switch off the part that you want to play by yourself.
After selecting a piano song as described above, simply press [1] or
[2] to mute (switch off) the right or left part.
When you switch off the track, the indicator above the track button
goes off. (When you first select the song, both indicators will be on.)
• You can toggle each part OFF and ON by pressing the track button as
needed.

Parts cannot be switched off
during continuous (“ALL” or
“RND”) playback.

Start playback and begin practice.

Switching parts ON/OFF
during playback...
The [1] and [2] buttons can be
used to switch tracks on and off
even while playback is in
progress.

Press [START/STOP] to begin playback. Play the muted part yourself,
for practice.

Synchronous start
You can set up one-part
playback so that it begins
precisely when you strike
the keyboard. To select this
feature, hold down the track
button that you have set ON
SYNCHRO START marking
(either [1] or [2]) and press
[START/STOP]. This sets the instrument into SYNCHRO START mode.
Playback of the selected part will then begin when you hit a key on the
keyboard.
When you select SYNCHRO START, a corresponding marking
appears at the center of the display.

Adjusting the volume of the
muted part...
After switching off a part, you
may notice that you can still hear
it sounding in the background at
low volume. This sound is
intentionally left to provide a
timing guide for your practice.
You are free to adjust its volume,
or to switch it off entirely, by
using function F12. See page 34
for details.

SONG

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Using the left pedal as a START/STOP switch.
You can set the left pedal to operate in the same way as the [START/
STOP] button, so that you can start and stop playback without using your
hands. Left-pedal operation is determined by function F9; see page 33 for
details.

Stopping the playback
The Clavinova automatically prompts for new song selection when
playback is finished. You can stop the song while playback is in progress
by pressing the [START/STOP] button.
CLP-811/611

If you hold down an unlit track
button and press [START/
STOP]...
The track button comes on and
the Clavinova enters SYNCHRO
START. The track will start
playing back when you hit a key
on the keyboard.

Reset of part selection...
The Clavinova automatically sets
both tracks ON when you select
another song.

Playing the Demos and Piano Songs

Repetition Practice with Piano Songs
This feature lets you extract a phrase from any piano song and play it repeatedly. By combining this
function with the “one-hand practice” feature described above, you can select and then practice a specific
passage as many times as you like.

MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

DEMO/
PIANO SONG

METRONOME

VARIATION

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE

SPLIT

HARD
MELLOW ROOM CHORUS
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
ECHO
FIXED
STAGE

BASS

TEMPO

SONG
SELECT

TEMPO

TOUCH

– / NO

MIN

+/ YES

Procedure

Set the phrase start and end points (“A” and “B”), and then
begin practice.

This feature is not available with
continuous (“ALL” or “RND”)
playback.

Select a piano song (by song number), then begin playback and listen for
the desired start point. When playback reaches the beginning of the
phrase you want to repeat, press [FUNCTION].
The Clavinova marks
this point as Point A.
The screen displays
“A–”.

If you want the phrase to start
at the beginning of the song...
Press [FUNCTION] before you
begin the playback.

SONG

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Continue listening for the end point of the phrase you want to repeat.
When playback reaches the
end point, press [FUNCTION] once again.
The Clavinova marks
this point as Point B.
The screen now displays “A-B”.
SONG

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Playback now automatically jumps back to the start point and the selected
sequence begins repeating. You can now practice the passage as many
times as you like.

Stopping the playback
To interrupt repeat play temporarily while retaining the Point A and B
settings, press [START/STOP] once. You can then resume the repeat
playback by pressing [START/STOP] once again.
To clear the A and B settings, press [FUNCTION].

CLP-811/611

Playing the Demos and Piano Songs

If you select a different song....
The A and B settings are
automatically cleared.

Selecting and Playing Voices
Your Clavinova offers you an excellent selection of great-sounding voices (11 voices on
model CLP-611, 12 voices on model CLP-811). You can use the VARIATION, BRILLIANCE, REVERB, and EFFECT features to vary the sound and feel of each voice.
The Clavinova also allows you to mix any two voices together (“DUAL mode”), and to
select different voices for the right and left ranges of the keyboard (“SPLIT mode”). A
built-in metronome is also provided.

Selecting a Voice
Voice selector
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BASS

BRILLIANCE

REVERB

EFFECT

TEMPO

Name of voice

BRILLIANCE

REVERB

MEDIUM

EFFECT

START/
STOP

REC

+/ YES

To familiarize yourself with the
features of each voice...
You can get a good feel for each
voice by listening to its built-in
demo (see page 46 of this
manual).

Procedure

ROOM

SONG
SELECT

TOUCH

– / NO

NORMAL

SONG
MEASURE

SPLIT

HARD
MELLOW ROOM CHORUS
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
ECHO
FIXED
STAGE

MIN

To select a voice, press the corresponding voice selector.
The voice indicator lights up.

DEMO/
PIANO SONG

METRONOME

VARIATION

About the EFFECT settings...
Each voice is set to its standard
(default) effect at time of
shipping. For information about
effects settings and how to
change them, see page 15.

TEMPO

TOUCH

Instrument icon

Try playing the voice. Adjust the volume as necessary by moving the [MASTER
VOLUME] slider.

CLP-811/611

The ORGAN COMBINATION
voice...
...can be set to any of eight builtin organ types. You can edit each
of these types to produce your
own customized sounds. You use
function F6 to set the voice up;
see page 30 for details.

Selecting and Playing Voices

Using the Pedals
This section explains the use of the instrument’s three pedals.

Damper (Right) Pedal
The damper pedal functions in the same way as a
damper pedal on an acoustic piano. While the
damper pedal is pressed notes played have a long
sustain. Releasing the pedal immediately stops
(damps) any sustained notes.

q
q. q. .

Variable damper-pedal action...
The sustain length produced by
the damper pedal varies
according to how far you press
the pedal down. The pedal is
factory-set for 8-level action, but
you can change this setting using
function F11 (see page 34).

If you step down on the damper
pedal here, the note already in
play and the three subsequent
notes will continue to sound after
their keys are released.

Sostenuto (Center) Pedal
This pedal sustains only those notes whose keys
are being pressed when the pedal first goes down.
Keys that you strike after the pedal is already down
are not held. This makes it possible to sustain a
chord, for example, while at the same time playing
other notes staccato.

q
q. q. .

If you step down on the sostenuto
pedal here, only the first note will be
held.

Changing the function of the
left pedal...
You can switch the function of the
left pedal so that it operates as a
second [START/STOP] button
rather than as a soft pedal. To
change the operation, use
function F9 (see page 33).

Soft (Left) Pedal
This pedal reduces the volume and slightly changes the timbre of the notes you
play. The pedal has no affect on notes that are already playing when the pedal is
first pressed.

Changing the Sound ... [VARIATION],
[BRILLIANCE], [REVERB], [EFFECT]
[BRILLIANCE]
[REVERB]
[–/NO] [+/ YES]

[VARIATION]

[EFFECT]
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BASS

BRILLIANCE

REVERB

EFFECT

TEMPO

SONG
SELECT

TEMPO

– / NO

You use this feature to select a variation on the standard voice.
Procedure

Press [VARIATION] to toggle the variation voice on and off.
The indicator lights up if the variation is selected.

Selecting and Playing Voices

START/
STOP

REC

TOUCH

[VARIATION]

CLP-811/611

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

MIN

DEMO/
PIANO SONG

METRONOME

VARIATION

+/ YES

Default setting = OFF.

[BRILLIANCE]
Use this feature to set the brightness of the output sound. You can select from
three levels.
MELLOW
NORMAL
BRIGHT

The BRILLIANCE setting does
not apply to the ORGAN
COMBINATION voice. Instead,
you can use function F6 (see
page 30) to edit this voice.

Light, mellow tone
Standard brightness (=default setting)
Clear and penetrating sound

Procedure

Press [BRILLIANCE] as necessary to select the desired setting,
while watching the screen.
The screen displays the current
setting.

ROOM

MEDIUM

BRIGHT
BRILLIANCE

REVERB

EFFECT

TEMPO

TOUCH

Selected brilliance

[REVERB]
This feature sets the reverb type applied to the Clavinova’s sound. Each setting
produces reverb acoustics similar to a particular performance environment. You
are also free to adjust the “reverb depth.”
OFF
ROOM
HALL 1
HALL 2
STAGE

No reverb applied.
Acoustics of midsize room
Sound of small concert hall
Sound of large concert hall
Stage-performance acoustics (=default setting)

Procedure

Press [REVERB] as necessary to
select the desired setting, while
watching the screen.
The screen shows the current
setting. (Nothing is shown if
reverb is set to OFF.)
Changing the reverb depth
Hold down the [REVERB] button
to display the current depth setting.
To change the depth setting:
continue to hold down [REVERB]
while pressing [-/NO] or [+/YES].
You can set to any value between 0
and 20. The default setting is 8.

The reverb type and depth
settings are common to all
voices.
BRIGHT
BRILLIANCE

HALL 1

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Selected reverb

Depth

BRIGHT
BRILLIANCE

HALL 1

REVERB

MEDIUM

EFFECT

“Depth” refers to the amount of
reverb applied.
Depth = 0: No reverb
Depth = 20: Maximum reverb

TEMPO

TOUCH

[EFFECT]
Use this button to select an effect for the voice. You can set a separate effect for
each voice. Within each voice you can also set separate depth levels for each of
the four effects.
OFF
CHORUS
SYMPHONIC
TREMOLO
ECHO

Default settings...
A standard (default) effect is set
for each voice prior to shipping.

No effect
Shimmering, broadening effect
Adds a deep, symphonic backdrop
Tremolo effect
Reverberating echo effect

CLP-811/611

Selecting and Playing Voices

Procedure

Press [EFFECT] as necessary to
select the desired setting, while
watching the screen.
The screen shows the current
setting. (Nothing is shown if
the effect is set to OFF.)

BRIGHT
BRILLIANCE

HALL 1

REVERB

CHORUS

EFFECT

MEDIUM

TEMPO

TOUCH

Selected effect

Changing the effect depth
Hold down the [EFFECT] button
to display the depth setting for the
currently selected effect. (No value
will be shown if the effect is set to
OFF.) To change the depth setting:
continue to hold down [EFFECT]
while pressing [-/NO] or [+/YES].
You can set to any value between 0
and 20.

Depth setting...
Depth = 0: No effect
Depth = 20: Maximum effect
Depth

Default depths...
Standard default depths are set
up for each effect type within
each voice.

You use this feature to set the relationship between key striking force and the
resulting sound volume. Select from among four settings in accordance with
personal preference, voice type, and performance goal.

This setting does not affect the
physical action of the keyboard.

BRIGHT
BRILLIANCE

HALL 1

REVERB

CHORUS

EFFECT

MEDIUM

TEMPO

TOUCH

TOUCH
HARD:
MEDIUM:
SOFT:
FIXED:

The TOUCH setting applies to all
voices.

Considerable force is required to produce maximum loudness.
Standard keyboard action (=default setting)
Allows maximum loudness to be produced with relatively light key
pressure.
All notes are produced at uniform volume, regardless of striking
force. You can select the volume by setting the velocity value, as
described below.
[–/NO] [+/ YES]

[TOUCH]
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BRILLIANCE

REVERB

EFFECT

TEMPO

– / NO

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

NORMAL

BRILLIANCE

TEMPO

TOUCH

CLP-811/611

Selecting and Playing Voices

ROOM
TEMPO

FIXED
EFFECT

REC

TOUCH

Only if FIXED

+/ YES

Velocity = 1: Minimum volume
Velocity = 127: Maximum volume
Volume

REVERB

START/
STOP

The clavinova measures
keyboard striking force by
monitoring the velocity at which
the key moves downward when
hit. If touch is HARD, MEDIUM,
or SOFT, this physical velocity
determines the volume.

Selected touch

Volume adjustment for FIXED setting
If FIXED touch is selected, you
can hold down the [TOUCH]
button to display and change the
velocity (volume) setting. To
change the setting, hold down
[TOUCH] and press [-/NO] or
[+/YES]. You can set to any value
between 1 and 127; the default setting is 64.

SONG
SELECT

TOUCH

MIN

Procedure
Press [TOUCH] to change the
setting.
The display indicates the
current selection.

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

DEMO/
PIANO SONG

METRONOME

VARIATION

The FIXED-touch velocity setting
applies to all voices.

TRANSPOSE
This feature allows you to shift the pitch of the entire keyboard, so that you
can continue to play in a signature that you are comfortable with while at the
same time “transposing” to match the key of a singer or of another instrument. You can set the transposition in semitone increments. If you set it to 5,
for example, then each keyboard C will produce the sound of F, and any song
played in key of C will be produced in key of F.
[–/NO] [+/ YES]

[TRANSPOSE]
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

DEMO/
PIANO SONG

METRONOME

VARIATION

BRILLIANCE

REVERB

EFFECT

TEMPO

– / NO

Transposition settings...
-12: Down by twelve semitones
(one octave)
0:
No transposition; notes
produce their standard pitch
+12: Up by twelve semitones
(one octave)

TRANSPOSE

NORMAL

ROOM

BRILLIANCE

REVERB

MEDIUM

EFFECT

REC

+/ YES

Transposition value (semitones)

Hold down [TRANSPOSE] and
press [-/NO] or [+/YES] to set the
transposition interval, in semitone
increments. You can set to any
value from -12 to +12; the default
setting is 0.

SONG
SELECT

TOUCH

MIN

Procedure

START/
STOP

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS
HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

TEMPO

High and low pitch limitations
The CLP-811/611 does not
produce pitches above C7 (the
highest note on an 88-key
keyboard) or below A-1 (the
lowest note). If you transpose up
by n semitones, the highest n
keys on the keyboard are
automatically sounded one octave
lower than the expected tone. If
you transpose down, the lowest
keys are automatically raised.

TOUCH

If transposition is set to nonzero, these indications and
the numerical setting will remain on the screen.

DUAL Mode (Mixing two voices together)
This feature selects simultaneous play of any two voices. You can combine dissimilar voices for a duetlike sound, or try working with similar voices to create a complex, layered type of sound.

1 2
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

BRILLIANCE

REVERB

EFFECT

TEMPO

SONG
SELECT

TEMPO

START/
STOP

REC

+/ YES

DUAL or SPLIT...
It is not possible to use the DUAL
and SPLIT features at the same
time.

Procedure
Entering DUAL mode

* The screen shows the name
for both voices, with the
lowest-numbered voice first
(in accordance with the voice
numbering shown at right).

TOUCH

– / NO

Simply press the two
appropriate voice selectors
at the same time (hold one
down and then press the
other).
The voice indicators for
both voices will come on.

SONG
MEASURE

MIN

DEMO/
PIANO SONG

METRONOME

VARIATION

First voice
(Voice #1)

NORMAL

BRILLIANCE

ROOM

REVERB

Second voice
(Voice #2)

MEDIUM

EFFECT

Voice numbering

TEMPO

TOUCH

PIANO 1

PIANO 2

VIBES

STRINGS

CHOIR

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

PIPE
ORGAN
ORGAN COMBINATION

Handling of VARIATION
The current VARIATION setting
for each voice remains in effect
when you first enter DUAL mode;
the VARIATION indicator will be
lit if VARIATION is selected for
either or both voices. Once you
have entered the mode, each
press of [VARIATION] switches
variation ON or OFF for both
voices together. If you need to
set variation ON for one voice
only, you must do so before
entering DUAL mode.

BASS

(CLP-811)
10

CLP-811/611

Selecting and Playing Voices

Handling of effects
If both voices are set to their standard effects at the time you enter DUAL mode, the
Clavinova will automatically select the effect and depth to be applied for the combination. In
all other cases, the Clavinova will set the effect as follows.

You can use function F4 to
make various settings related to
dual play — see page 29 for
details.
If you select [STRINGS] as
one of the voices, you can use
function F4 to select a slower
string attack.

[Type]
a) If both voices are set to the same effect...
Each voice retains its original effect.
b) If effect for one voice only is OFF...
Each voice retains its original effect settings. One voice receives no effect; the other
receives the effect set up prior to entry into DUAL mode.
c) If the two voices are set to different effects ...
The effect setting for Voice #1 is used for both voices. The effect setting for Voice #2 is
forced off until DUAL mode terminates.
d) If you change the EFFECT type while DUAL mode is in progress, the Clavinova will
apply the newly selected effect to both voices.

Terminating DUAL
mode...

[Depth]
You can set the depth to any level using function F4.

Pressing any one of the voice
selectors will select the corresponding voice and return you
to normal mode.

SPLIT Mode (Dividing the keyboard)
This feature allows you to divide the keyboard into left and right zones. You can select the split point,
and assign a different voice to each zone.

[SPLIT]

Voice selector

MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

DEMO/
PIANO SONG

METRONOME

VARIATION

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
ECHO
FIXED
STAGE

BASS

TEMPO

SONG
SELECT

TEMPO

TOUCH

– / NO

MIN

+/ YES

Procedure

Enter SPLIT mode.

Voice for left zone

Voice for right zone

Press [SPLIT].
The SPLIT indicator
lights up.
The Clavinova
automatically
selects the default
voice (BASS if CLP-811; STRINGS if CLP-611) for the left zone.
SPLIT

NORMAL

BRILLIANCE

ROOM

MEDIUM

REVERB

EFFECT

TEMPO

CLP-811/611

Select the split point.
Hold down [SPLIT] and hit
the key at which you want
to split the keyboard. If you
omit this operation, the
Clavinova automatically
sets the split point to F#2.

Selecting and Playing Voices

Split point

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TOUCH

Handling of VARIATION
You can select VARIATION
independently for each of the two
voices. During SPLIT mode, the
VARIATION lamp and voice
indicator show the status of the
right-zone voice only.
While you are holding the
[SPLIT] button down, however,
the lamps change to show the
status for the left-zone voice.
You can also use function F5 to
set the split point (see page 29).

SPLIT

NORMAL

The “split point” is the highest
note in the left zone.

TOUCH

You can use function F5 to make various settings related to split play —
see page 29 for details.

SPLIT or DUAL...
It is not possible to use the DUAL
and SPLIT features at the same
time.

TEMPO

Handling of EFFECTS
If both voices are set to their standard effects at the time you enter SPLIT mode, the
Clavinova will automatically select the effect and depth to be applied for the combination. In
all other cases, the Clavinova will set the effect as follows.

Select the voice for the
right zone.

Press a voice selector to select
the voice for the right zone.

[Type]
a) If both voices are set to the same effect...
Each voice retains its original effect.
b) If effect for one voice only is OFF...
Each voice retains its original effect settings. One voice receives no effect; the other
receives the effect set up prior to entry into SPLIT mode.
c) If the two voices are set to different effects...
The effect setting for the right-hand voice is used for both voices. The effect setting for
the left voice is forced off until SPLIT mode terminates.
d) If you change the EFFECT type while SPLIT mode is in progress, the Clavinova will
apply the newly selected effect to both voices.

Select the voice for the
left zone.

Hold down [SPLIT] and press
a voice selector to select the
voice. (The voice indicator for
the currently selected left-zone
voice lights up while [SPLIT]
is held down.)

[Depth]
You can set the depth to any level using function F5.

Terminating SPLIT
mode...

Press and release the [SPLIT]
button.
The SPLIT indicator goes
off.

Using the METRONOME
The CLP-811/611 includes a built-in metronome with adjustable tempo, volume and beat.

1 2
MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
ECHO
FIXED
STAGE

BASS

DEMO/
PIANO SONG

METRONOME

VARIATION

TEMPO

SONG
SELECT

TEMPO

TOUCH

– / NO

MIN

+/ YES

Procedure

Switch on the metronome and set the tempo.
Press the [METRONOME] button.
The metronome comes
on and begins tapping.
Adjust the tempo.
Press TEMPO [▼][▲] as
necessary to set the tempo. You
can set to any value between
32 and 280. The default setting
is 120.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Animated metronome icon

Metronome volume

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Tempo

Adjust the metronome volume.
Hold down [METRONOME] and press [-/NO] or [+/YES] to adjust the
metronome volume. The screen continues to display the volume setting
while the button is held down. You can set to any value between 1 and 20;
the default is 10.

You can also use function F7 to
set up the metronome. In
addition to volume setting, F7
also allows you to select a beat.
The metronome will generate the
corresponding beat pulse, and a
flashing beat display will appear
under the metronome icon. (See
page 32.)

Switching off the metronome...
Press and release the [METRONOME] button.
The metronome goes off.
Beat marker

CLP-811/611

Selecting and Playing Voices

Using the Recorder
Your Clavinova includes a two-track recorder that lets you record and play back a keyboard performance. If you like, you can build a two-track song by recording separate
performances (and separate voices) onto each track.
The recording function is a useful adjunct to any keyboard study program, since it lets
you hear exactly how you sound from the listener’s perspective. It can also be just plain
fun.
The recorder registers the following data.
■ Common to Both Tracks
● Tempo
● Reverb type & depth

● Effect type

■ Independent for Each Track
● Notes played
● Dual-mode voices
● Soft pedal
● Effect depth

●
●
●
●

NOTE

●
●
●
●

Voice selection
Split-mode voices
Sostenuto pedal
DUAL-mode settings (F4)

Voice variation
Damper pedal
Brilliance level
SPLIT-mode settings (F5)

DUAL-and SPLIT-mode settings cannot be changed while recording is in progress.

Recording
Procedure

Make initial settings.

If you have already recorded to one track and wish to listen
to it while recording on the other, check that the indicator
for the track you want to hear is lit up green. If the lamp is
off, press the track button ([1] or [2]) once to set it on.

Enter RECORDING-mode standby.

Select the voice you want to use. (If you are using SPLIT or DUAL
mode, select both voices.) You may also want to set the volume and
tempo values.

Press the [REC] button once to enter recording standby. The trackindicator over one of the track buttons will light up red.

The lamp will come on only if the
track contains recorded data.
Before beginning a recording...
You may find it convenient to
press both buttons to check
whether data already exists. If
either lamp comes on, then the
corresponding track contains
data that will be lost when you
being recording to it.
If you have not recorded
anything since power-on, the
lamp above button [1] will come
on. If you have already
recorded, then the lamp above
the most recently recorded track
will come on.
You cannot enter RECORDING
mode while the Clavinova is in
DEMO/PIANO SONG mode.
To release RECORDING-mode
standby...
Press the [REC] button a second
time.

CLP-811/611

Using the Recorder

Select the track you want to record.
The red indicator shows the
currently selected track. If
you wish to change the
selection, press the appropriate track button ([1] or
[2]).

Remaining memory

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Flashing

Measure count

MEASURE

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Beat

The approximate amount of
remaining memory...
appears at the upper right of the
screen (in kilobytes). The starting
value (with both tracks empty) is
21.
The first metronome dot
flashes in time with the current
tempo setting.

Start the recording.
Recording begins automatically when you play a note
at the keyboard. As an
alternative, you can begin
the recording by pressing
the [START/STOP] button.

If the selected track already
contains recorded data...
That data will be lost when you
begin actual recording as
described in Step 5 below.

Stop the recording.
You can stop the recording by pressing either [REC] or [START/STOP].
The indicator above the recorded track will change to green, to indicate
that the track contains data.

Using the left pedal as a
START/STOP switch...
You can set the left pedal to
operate in the same way as the
[START/STOP] button, so that
you can start and stop recording
without using your hands. Leftpedal operation is determined by
function F9; see page 33 for
details.
The screen counts the
measures (in accordance with
the TEMPO setting) as recording
proceeds. The metronome dot
display keeps track of the beat.
You are free to switch the
metronome sound on or off. The
metronome sound is not included
in the recording.
Maximum recording capacity...
is approximately 4,200 notes, but
varies somewhat according to
pedal usage and other such
factors. The recording indicator
begins flash when memory is
almost full. If memory becomes
completely full, recording stops
and the Memory Full! message
appears.

Changing initial settings
After recording is completed, it remains possible to modify the initial settings
that you selected at Step 1 above. (It is not possible, however, to modify SPLIT
or DUAL settings.)
When making such a change, BE CAREFUL! DO NOT hit any keys on the
keyboard and do not press the [START/STOP] button, as doing so will cause
erasure of all your data.
To make a change, proceed as follows.
(a) Press [REC] to enter RECORDING mode.
(b) If necessary, press the track button for the track you want to change (so
that the indicator is red).
(c) Make the changes. To change the voice selection, for example, you
would press the appropriate voice selector.
(d) Press [REC] again to exit RECORDING mode.

If you begin making a change at
Step (c) but then wish to
cancel it, you can do so by
pressing the other track button
and then pressing [REC].
Tempo, reverb type/depth, and
effect type settings...
apply to both tracks. If you
change the value for one track,
the change automatically applies
to both.

CLP-811/611

Using the Recorder

Erasing a track
To erase a track, proceed as follows:
(a) Press [REC] to enter RECORDING mode.
(b) Select the track you want to erase (so that the indicator is red).
(c) Press [START/STOP] twice.

Playback
To select a track for playback, press the corresponding track button so that the
indicator comes on green. You can then start the playback by pressing
[START/STOP]. Note that you are free to select either or both tracks. (If a track
is empty, its indicator will not come on.)
Playback always begins from the
Measure count
start of the recorded data, and
stops automatically at the end of
the recorded data. The LCD
displays the measure count as
playback progresses. You can stop
playback at any time by pressing the [START/STOP] button.
MEASURE

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

If both tracks contain data, then once you have started playback you can
toggle sound for either track ON or OFF by pressing the corresponding track
button.

You cannot start playback
while the Clavinova is in DEMO/
PIANO SONG mode or
FUNCTION mode. (But note that
FUNCTION mode is automatically released when you press
either of the track buttons.)
It is possible to play along on the
keyboard during playback.
To adjust the playback volume
and tempo...
Use the [MASTER VOLUME]
slider and the [TEMPO] buttons.
To restore the initial TEMPO
setting, press both TEMPO
buttons at the same time.
The Clavinova retains the
recording even after power
goes off, and will hold it for
about a week without power. If
you wish to maintain the data for
a long period of time, be sure to
switch the power on at least a
few minutes each week.
You can use the MIDI Bulk
Dump function to save your
recording to an external storage
device (such as a Yamaha DOU10 Disk Orchestra Unit). See
page 34 for details.
If you use the metronome
during playback...
It will automatically switch off
when playback is finished.
A track will not produce any
sound if its indicator is off.
This is in contrast to built-in
piano songs, where even a
deselected track may play back
at low volume as a practice aid
(see page 11).
Playback data is not transmitted through the MIDI OUT
connector.

CLP-811/611

Using the Recorder

Synchro Start
The Synchro Start feature lets you set recorder playback so that it begins automatically when you play on the keyboard.
To select this feature simply hold
down one of the recorded track
buttons and press [START/STOP].
A “SYNC” indication will appear
on the screen to indicate that the
Clavinova is in Synchro Start
standby, and the first metronome
dot will flash in time with the current tempo setting.
NORMAL

BRILLIANCE

ROOM

REVERB

EFFECT

SONG

MEDIUM

TEMPO

TOUCH

Flashing

Function of Left Pedal
You can set the left pedal so that it functions as a second [START/STOP]
button. This makes it possible for you to use your foot to start and stop playback
and recording, so that your hand does not have jump from the panel to the
keyboard. Left-pedal operation is selected by function F9; see page 33 for
details.

CLP-811/611

Using the Recorder

Configuration Functions (FUNCTION mode)
The Clavinova‘s FUNCTION mode provides a variety of configuration functions that
you can use to customize the operating environment. When you first receive the
Clavinova, all parameters are preset to their factory defaults. The configuration functions give you the freedom to adjust the settings to suit your needs.
FUNCTION mode consists of 15 or 16 main functions (F1 to F15 on CLP-811,
F1 to F14 on CLP-611). Six of these are further divided into subfunctions. The
table below illustrates the structure.
Function Table
Subfunctions

Main Functions
[F1.Tune]

(Keyboard fine tuning)

[F2.KTune]

(Key-by-key fine tuning)

[F3.Scale]

(Temperament selection)

[F4.DualFunc.]
(DUAL-mode settings)

[F5.SplitFunc.]
(SPLIT-mode settings)

[F6.OrganEdit]
(ORGAN COMBINATION settings)

Page

4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
6.1

D.Balance (Voice volume balance)
D.Detune (Voice tuning divergence)
Vc1.Octave (Octave shift for Voice #1)
Vc2.Octave (Octave shift for Voice #2)
Vc1.EffDpt (Effect depth for Voice #1)
Vc2.EffDpt (Effect depth for Voice #2)
Str.Atk (Attack speed for STRINGS
voice)
ResetOK? (Return to factory defaults.)
SplitPoint (Split point)
S.Balance (Voice volume balance)
VcR.Octave (Octave shift for right zone)
VcL.Octave (Octave shift for left zone)
VcR.EffDpt (Effect depth for right zone)
VcL.EffDpt (Effect depth for left zone)
Sus.Pedal (Effective range of
damper pedal)
ResetOK? (Return to factory defaults.)
****** (Organ type)

29
29
29
29
29
29
29
29
29
30
30
30
30
30
30
30
31

[Where “******” is replaced by type name,
such as “JAZZ ORGAN1”.]

[F7.Metronome]
(Metronome settings)

CLP-811/611

6.2 VoiceEdit (Voice edit settings)
6.3 AtkMode (Attack mode)
6.4 RotSP.Spd (Speed of rotaryspeaker effect)
6.5 RotSP.Dpt (Depth of rotaryspeaker effect)
6.6 ResetOK? (Return to factory defaults.)
7.1 Beat
7.2 Volume

Configuration Functions (FUNCTION mode)

31
31
31
31
31
32
32

Attack: Initial, sharp segment of
sound produced immediately
following key strike.
Rotary-speaker effect:
Shimmering sound effect
obtained by rotating the speaker.

Main Functions
[F8.Display]

Subfunctions

Page
32

(Display mode)

[F9.L.Pedal]

(Function of left pedal)

[F10.DamperDpt]

(Damper-pedal depth)

[F11.Damper]

(Number of damper-pedal levels)

[F12.CancelVol]

(Volume of muted piano-song track)

[F13.MIDIFunc.]

13.1
13.2
13.3
13.4

(MIDI settings)

13.5
13.6
13.7
13.8

TxCh. (MIDI transmitting channel)
RxCH. (MIDI receiving channel)
Local (Local control ON/OFF)
PrgChg (Program Change enable/
disable)
CtrChg (Control Change enable/
disable)
MIDITran (Transposition of outgoing MIDI data)
SetupSnd (Transmit Panel setup file)
BulkDump (Bulk data dump)

CLP-811 only:
[F14.MicRevDpt]

34
34
35
35
35
35
35
35
36

(Microphone reverb depth)

[F14/F15.Backup]
(Backup ON/OFF settings)
* F14 on CLP-611
F15 on CLP-811

14.1/15.1 Voice (Voice settings)
14.2/15.2 MIDI (MIDI settings)
14.3/15.3 Tune (Tuning and temperament settings)
14.4/15.4 Pedal (Pedal settings)
14.5/15.5 Display (Display mode)

CLP-811/611

36
36
36
36
36

Configuration Functions (FUNCTION mode)

Basic Procedure
This section explains the procedure for viewing and changing the function settings.

1 5

2 4

3 4

MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

CLAVI.TONE E.PIANO1

E.PIANO2

HARPSICHORD

TRANSPOSE

BRILLIANCE REVERB

EFFECT

TOUCH

VIBES

STRINGS

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

DEMO/
PIANO SONG

METRONOME

VARIATION

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
ECHO
FIXED

BASS

BRILLIANCE

REVERB

EFFECT

START/
STOP

REC

SONG
MEASURE
TEMPO

SONG
SELECT

TEMPO

TOUCH

– / NO

MIN

+/ YES

Procedure

Enter FUNCTION mode.

Select the main function.

Press [FUNCTION].
The FUNCTION indicator lights up.

Select the main function
using the [t] and [s]
buttons directly to the right
of the [FUNCTION]
button. (The arrow markings
are printed under the buttons.) Main functions run
from F1 to F15 (on the
CLP-811) or F14 (on the CLP-611).

NORMAL

BRILLIANCE

It is not possible to enter
FUNCTION mode directly from
DEMO/PIANO SONG mode or
RECORDING or playback is in
progress.

Function number
Function name

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Change the setting or select the subfunction using the
[-/NO] and [+/YES] buttons.
If there are no subfunctions: Pressing the button changes the value.
If there are subfunctions: Press [+/YES] to move to a subfunction.

Proceed using the following three sets of buttons.
■ Use the [t] and [s] buttons to cycle through subfunctions and main
functions.
■ Use the [-/NO] and [+/YES] buttons to set the value for the item
marked by the blinking cursor on the screen. Press both buttons at the
same time to return the value to its factory default.
■ If you are working at a screen with multiple settings, use SONG
SELECT [▼], [▲] to select the item you want to set. The selected
item will blink on the screen. (This operation is effective only with
screens that present more than one value.)

CLP-811/611

To terminate FUNCTION mode...
Press the [FUNCTION] button.
The FUNCTION indicator goes off, and the screen return to the
previous display.

Configuration Functions (FUNCTION mode)

Function descriptions
F1.Tune (Keyboard fine tuning)
You use this function to fine-tune the pitch over
the entire keyboard. This function is useful, for
example, when you need to adjust tuning when
playing with other instruments.
1 To access this item, enter FUNCTION mode and
select main function F1.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

F2.KTune (Key-by-key fine tuning)
This function lets you adjust the pitch of individual keys, so that you can set up your own
customized scaling system (temperament). The
function also allows you to switch this customized scaling system OFF or ON at any time.
1 To access this item, enter FUNCTION mode and
proceed to main function F2.

TEMPO

NORMAL

TOUCH

BRILLIANCE

2 The screen shows the current pitch (in hertz) for key
A3. You can adjust the pitch (in increments of about
0.2 hertz) by pressing [-/NO] or [+/YES]. The adjustment automatically carries over to all keys on the
keyboard.
Values:
Default:

427.0 to 453.0 (hertz)
440.0 (hertz)

• Hertz: Frequency, in cycles per second; abbreviated as
“Hz”. The frequency of a sound wave determines its
pitch, with higher frequencies producing higher pitches.
NOTE

You can make the same adjustment directly from
the keyboard without entering [FUNCTION]
mode, as follows.

To reset to standard pitch...
Hold down the three lowest keys (A-1, A#-1, B-1) and hit
any key from C3 to B3.
You can also adjust pitch in increments of about 1
Hz (without entering FUNCTION mode) as
follows.

To raise or lower the pitch...
Hold down keys A-1 and B-1 (the two lowest white keys)
or else A-1 and A#-1 (the two lowest keys), and press [-/
NO] or [+/YES].
To reset to standard pitch...
Hold down keys A-1 and B-1 or else A-1 and A#-1 and
press
[-/NO] and [+/YES] at the same time.
(Note that the screen will show the TUNE display when
you hold down keys A-1 and either A#-1 or B-1, and will
then return to normal display when these keys are released.)

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Values: ON, OFF
Default: OFF
• The ON/OFF setting determines whether this customized
tuning is used during play. Set ON to use the tuning, or
OFF to use standard tuning.
3 After setting the function ON, hit the key that you
want to tune.

NORMAL

To lower the pitch (by about 0.2 Hz)...
Hold down the two lowest keys (A-1 and A#-1) and hit any
key from C3 to B3.

ROOM

2 The screen indicates whether the function is ON or
OFF. You can toggle the setting by pressing either
[-/NO] or [+/YES]. You must set the function ON if
you wish to adjust the tuning.

To raise the pitch (by about 0.2 Hz)...
Hold down the two lowest white keys (A-1 and B-1) and
hit any key from C3 to B3.

NOTE

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

The screen displays the name of the struck key.
4 You can now adjust the pitch for that key by pressing
[-/NO] or [+/YES]. Adjustment is in 1-cent increments, and is indicated as a relative value (“0”
produces standard pitch).
Values: -50,...,+50 (cents)
Default: 0 (standard pitch) for all keys
You can repeat this procedure (3 and 4) to adjust pitch
for as many keys as you like.
Cent: One-hundredth of a semitone. (100 cents = 1 semitone)

To reset fine tuning of all keys to “0”...
1 Press down the three lowest keys on the keyboard
(A-1, A#-1, and B-1) at the same time. The screen will
display the following.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Press [+/YES] to reset.

CLP-811/611

Configuration Functions (FUNCTION mode)

F3.Scale (Temperament selection)
This function selects the tuning system, or temperament.
The equal temperament now standard on presentday pianos was preceded by a series of other
temperaments. These various temperaments had
an important influence on music composition and
instrument development in their day. Selecting
one of these other temperaments allows you to
experience the original sound of older musical
pieces.
The Clavinova lets you to select from seven
different temperaments, as follows.

1 To view or change the temperament setting, enter
FUNCTION mode and proceed to main function F3.
The screen displays the current temperament value
and key (if applicable).

NORMAL

BRILLIANCE

Equal
Pure Major
Pure minor

Mean Tone
Werckmeister
Kirnberger

Default:

CLP-811/611

Configuration Functions (FUNCTION mode)

MEDIUM

EFFECT

TEMPO

TOUCH

EQ.
PM.
Pm.
PY.
ME.
WE.
KI.
EQ.

Equal
Pure major
Pure minor
Pythagorean
Mean tone
Werckmeister
Kirnberger
Equal

3 If you select a non-equal temperament, you must also
select the key you want to play it in. (Tuning is
different for each key.) To do this, press SONG
SELECT [▲] to move the cursor to the key-selection
area, and then press [-/NO] or [+/YES] to change the
setting.
Values: C, Db, D, Eb, E, F, F#, G, Ab, A, Bb, B
Default: C
NOTE

REVERB

2 To change the temperament: Be sure that the blinking
cursor is located over the temperament value. (If
necessary, press SONG SELECT [▼] to move the
cursor.) Then press [-/NO] or [+/YES] to change the
setting.
Values:

Pythagorean

ROOM

You use the SONG SELECT arrows to select the
parameter you want to set (so that the parameter
is marked by a blinking cursor). You then use the
[-/NO] or [+/YES] button to set the value.

F4.DualFunc. (Settings for DUAL mode.)
You use this function to set various parameters for
DUAL-mode play.
1 To access this function: first activate DUAL mode (by
pressing two voice selectors at the same time), then
press [FUNCTION], and then press [t] or [s] to
proceed to F4.

4.7 Str.Atk (Attack speed for STRINGS voice)
Values: SLOW, FAST
Default: FAST
Sets the attack speed (the initial rise speed) for the STRINGS
voice. A SLOW attack can create an interesting ambience for
certain types of songs. (Note that this setting is effective only if
STRINGS is selected as one of the voices.)

4.8 ResetOK?

Press [+/YES] to return all of the DUAL-mode subfunction
settings to the factory defaults. (Factory defaults are different
for each voice combination.)
NOTE

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Next, press [+/YES] to enter the subfunction group.
Then use [t], [s] to move among the different
subfunctions, and [-/NO], [+/YES] to set the values.
NOTE

If you are not working in DUAL mode...
The top right of the screen will display a triple
dash (---) and you will not be able to enter the
subfunction group. To enable entry, activate
DUAL mode by pressing two voice selectors at
the same time. (You can do this without leaving
FUNCTION mode).

(Return to factory defaults.)

As a shortcut, you can switch directly into
FUNCTION mode’s F4.DualFunc. area by
holding down the two appropriate voice selectors
and pressing [FUNCTION]. Once you have
changed the settings, press [FUNCTION] again
to quit the mode.

F5.SplitFunc. (Settings for SPLIT mode.)
You use this function to set various parameters for
SPLIT-mode play.
1 To access this function: first enter SPLIT mode, then
press [FUNCTION], and then press [t] or [s] to
proceed to F5.

Subfunctions

4.1 D.Balance (Voice volume balance)
Settings: 0,...,20 [10 = equal balance]
[Above 10, Voice 1 is louder.]
Default: Varies according to voice combination
Sets the relative volumes for the two voices. This function is
useful when you want to highlight one voice while playing the
other as a backdrop.

4.2 D.Detune (Voice tuning divergence)

NORMAL

BRILLIANCE

Values: -1, 0, +1
Default: Varies according to voice combination
These subfunctions allow you to shift each voice up or down
an octave. Each combination produces its own distinctive
sound and acoustics.

4.5 Vc1.EffDpt (Effect depth for Voice #1)
4.6 Vc2.EffDpt (Effect depth for Voice #2)
Values: 0,...,20
Default: Varies according to voice combination
These subfunctions allow you to set the depth for each voice’s
effect. Setting is not available if the effect is set OFF. Note that
you cannot change a voice’s effect selection while working in
FUNCTION mode; you must first return to normal mode.
NOTE

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Next, press [+/YES] to enter the subfunction group.
Then use [t], [s] to move among the different
subfunctions, and [-/NO], [-/YES] to set the values.
NOTE

Introduces slight pitch difference between the two voices,
producing a somewhat fatter sound.
Values: -10,...,+10 [0: No detuning]
[0 → +10: Voice #1 pitch rises]
[0 → -10: Voice #2 pitch rises]
Default: Varies according to voice combination

4.3 Vc1.Octave (Octave shift for Voice #1)
4.4 Vc2.Octave (Octave shift for Voice #2)

ROOM

If you are not working in SPLIT mode when you
enter the main F5 screen...
The top right of the screen will display a triple
dash (---) and you will not be able to enter the
subfunction group. To enable entry, you must first
quit FUNCTION mode and press the [SPLIT]
button.

Subfunctions
5.1 SplitPoint (Split point)
Values: Any key on keyboard
Default: F#2
Selects the split point. The selected key becomes the top note
of the left zone.
• Once you are at this screen, you can select the split point
simply by pressing the appropriate key.
• To set the split point without entering FUNCTION mode:
Hold down [SPLIT] and press the appropriate key, see page
18.

“Voice #1” is identified by the first (left-side)
voice name on the screen. For information about
how the Clavinova selects the voice order, see
page 17.

CLP-811/611

Configuration Functions (FUNCTION mode)

5.2 S.Balance (Voice volume balance)

F6.OrganEdit (ORGAN COMBINATION settings)

Values:

0,...,20 [10 = equal balance]
[Right voice gets louder as value increases.]
Default: Varies according to voice combination
Sets the relative volumes for the two voices.

5.3 VcR.Octave (Octave shift for right zone)
5.4 VcL.Octave (Octave shift for left zone)
Values: -1, 0, +1
Default: Varies according to voice combination
These subfunctions allow you to shift each voice up or down
an octave. Set the values in accordance with the range of the
music you are playing.

5.5 VcR.EffDpt (Effect depth for right zone)
5.6 VcL.EffDpt (Effect depth for left zone)
Values: 0,...,20
Default: Varies according to voice combination
These subfunctions allow you to set separate effect depths for
each zone. Setting is not available if the effect is OFF. Note
that you cannot change a voice’s effect selection while
working in FUNCTION mode; you must first exit the mode.

5.7 Sus.Pedal (Effective range of damper pedal)
Values: L, L+R, R
Default: L+R
Selects whether the damper pedal operates on both zones
(L+R), on the left zone only (L), or on the right zone only (R).

5.8 ResetOK? (Return to factory defaults.)
Press [+/YES] to reset all of the SPLIT-mode subfunction
settings to their factory-default values. (Factory defaults are
different for each voice combination.)
NOTE

As a shortcut, you can switch directly into
FUNCTION mode’s F5.SplitFunc. area by
holding down [SPLIT] and pressing the [FUNCTION] button. Once you have changed the
settings, press [FUNCTION] again to return to
normal mode.

The CLP-811/611 offers you eight different
editable organ types. You use the OrganEdit
function to edit these types, and to select the type
to be played.
• You can use the Backup function (F15 on the CLP-811, F14
on the CLP-611) to select whether editing results are
retained after power goes off. See page 36.

You edit an organ voice by adjusting its various
stops — each represented as a separate bar that
appears on the display — and by setting a variety
of other edit parameters. Specifically, you can edit
the following items for each of the eight organ
types.
•
•
•
•
•
•

Volume levels for each of eight continuous tones
Response time for continuous tones
Volume levels for each of three decay (attack) tones
Attack length for the three decay tones
Attack mode (EACH or FIRST)
Rotary speaker effect (depth and speed)

As an example, you can build a very realistic
percussive organ sound by applying appropriate
decay volumes and attack length. Or you might
create a pipe-organ sound by combining slow
response with a weak attack.
1 To access this function: first select the ORGAN
COMBINATION voice, then enter FUNCTION mode
and go to main function F6.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Next, press [+/YES] to enter the subfunction group.
Then use [t], [s] to move among the different
subfunctions, and [-/NO], [-/YES] to set the values.
(But see additional information below regarding
operation of the VoiceEdit subfunction.)
NOTE

CLP-811/611

Configuration Functions (FUNCTION mode)

If the ORGAN COMBINATION voice is not yet
selected when you move to the main F6 screen...
The top right of the screen will display a triple
dash (---), and you will not be able to enter the
subfunction group. To enable entry, you must
first select the ORGAN COMBINATION voice.
(You can do this without leaving FUNCTION
mode.)

Subfunctions
6.1 ****** (Organ type) [ Where “******” is replaced by
the type name, such as “JAZZ ORGAN1”. If the selected
type has been edited, a “*” appears after the name.]
Values:

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

JAZZ ORGAN1, JAZZ ORGAN2, JAZZ ORGAN3, JAZZ 16 '1', BASIC 16 '8', THEATER 16',
OLD ORGAN, WONDERFUL
JAZZ ORGAN1

Default:

TEMPO

TOUCH

Selected bar flashes on and off.

6.2 VoiceEdit (Voice edit settings)
Each voice allows you to set independent volumes for eight
continuous tones and three decaying attack tones. You can also
set a response time (for the continuous tones) and an attack
length (for the decay tones).

8'
16'

4'
5+1/3'

2+2/3'

1'
1+1/3'

Response

Footage

Tones and Volumes

5+1/3'

Decay tones

2'
1+1/3'

2+2/3'

4'
2+2/3'

2-foot

2+2/3-foot

4-foot

1-foot

1+1/3-foot

2-foot

2+2/3-foot

4-foot

5+1/3-foot

8-foot

16-foot

16'

• The 8-foot stop sets the volume for the fundamental tone.
The 4-foot, 2-foot, and 1-foot stops respectively set volumes
for the overtones that are one octave, two octaves, and three
octaves up. The 16-foot stop sets the volume for the tone that
is one octave lower than the fundamental tone.
Response Time and Attack Length
Continuous Tone
Volume

2+2/3'

AtkLength

AtkFootage

Each parameter (each bar on the graphic) can be set to any of eight levels.

Continuous tones

Decay Tone

Greater response time →

Volume
Longer attack length →

Time

Attack length

Time

Procedure
1 Go to the [6.2 VoiceEdit] screen, and then press SONG
SELECT [▼] or [▲] to move into the editing component.
The screen displays a bar graph. Each bar corresponds to a different parameter, and can be set to any
of eight levels.

Edit parameters are as follows.
Footage 16'
(Continuous-tone volume)
Footage 8'
(Continuous-tone volume)
Footage 5+1/3'
(Continuous-tone volume)
Footage 4'
(Continuous-tone volume)
Footage 2+2/3'
(Continuous-tone volume)
Footage 2'
(Continuous-tone volume)
Footage 1+1/3'
(Continuous-tone volume)
Footage 1'
(Continuous-tone volume)
Response
(Response time for continuous tones)
AtkFootage 4'
(Decay-tone)
AtkFootage 2+2/3' (Decay-tone)
AtkFootage 2'
(Decay-tone)
AtkLength
(Length of decay tones)

6.3 AtkMode (Attack mode)
This parameter sets the attack mode for the organ voice
selected by subfunction 6.1. Choose either of the following.
EACH: Apply attack tones to all notes. (This is the
default.)
FIRST: Apply attack tones only to the first held note of
any note combination (legato sequence). If at
least one key is down, all subsequent keys are
produced without attack tones.

6.4 RotSP.Spd (Speed of rotary-speaker effect)
6.5 RotSP.Dpt (Depth of rotary-speaker effect)
Values: 0,...,20
Default: Varies according to organ type
These parameters set up the rotary-speaker effect. The speed
setting selects the speaker’s rotation speed. The depth setting
selects the intensity of the effect.

6.6 ResetOK? (Return to factory defaults.)
2 You can now use SONG SELECT [▼], [▲] to move from
bar to bar, and the [+/YES] and [-NO] buttons to change
the bar levels. The currently selected bar is displayed in
blinking mode.

Press [+/YES] to return all of the edit settings for the selected
voice type to their factory defaults.
NOTE

3 When you are finished editing, you can press [t] or [s]
to move to another subfunction.

CLP-811/611

As a shortcut, you can switch directly into
FUNCTION mode’s F6.OrganEdit area by
holding down the [ORGAN COMBINATION]
button and pressing [FUNCTION]. When you
are ready to exit from FUNCTION mode, press
[FUNCTION] once again.

Configuration Functions (FUNCTION mode)

F7.Metronome (Metronome settings)
This function sets the beat and volume for the
metronome.

ROOM

NORMAL

BRILLIANCE

1 To access these settings, enter FUNCTION mode and
go to main function F7.

MEDIUM

REVERB

EFFECT

TEMPO

TOUCH

2 Press [-/NO] or [+/YES] to change the setting.
Values: NORM, CHORD, VELO, MIDI
Default: NORM

Explanation
NORMAL

BRILLIANCE

NORM (normal)

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Voice name

2 Next, press [+/YES] to enter the subfunction group. If
necessary, use [t] or [s] to select the subfunction
(either “Beat” or “Volume”), and then use [+/YES] or
[-NO] to set the value.

NORMAL

BRILLIANCE

ROOM

MEDIUM

REVERB

EFFECT

TEMPO

TOUCH

Instrument icon

Subfunctions
CHORD

7.1 Beat
Values: NORMAL (no beat), 2, 3, 4, 5, 6
Default: NORMAL

Name of chord played at keyboard

7.2 Volume
Values: 1,...,20
Default: 10
NOTE

NOTE

NORMAL

BRILLIANCE

ROOM

MEDIUM

REVERB

You can also set the metronome volume without
entering FUNCTION mode. Simply hold down
the [METRONOME] button and press [-NO] or
[+/YES] to change the setting.

EFFECT

TEMPO

TOUCH

Volume of each note being hit

As a shortcut, you can switch directly into the
metronome setup function by holding down
[METRONOME] and pressing [FUNCTION].
Once you have changed the settings, press
[FUNCTION] again to return to normal mode.

F8.Display (Display mode)

C Db D

Eb E

F F# G Ab A

Bb B

This function selects the type of information
displayed in the screen areas indicated below.
• The bar graph shows the volume of each note being hit,
where the leftmost bar indicates note C (of any octave) and
the rightmost bar shows note B (of any octave). If you hit
two or more like-named notes (for example, C1 and C3), the
graph indicates the volume for the loudest of these.

Here

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

Here

1 To access this item, enter FUNCTION mode and go to
main function F8.

CLP-811/611

Configuration Functions (FUNCTION mode)

VELO (velocity)

F9.L.Pedal (Function of left pedal)
Name and velocity (1 to 127) of last note played

This setting determines whether the left pedal
operates as a soft pedal (its normal function) or as
a second, foot-driven START/STOP switch.
NORMAL

ROOM

BRILLIANCE

REVERB

MEDIUM

EFFECT

TEMPO

1 To access this item, enter FUNCTION mode and go to
main function F9.

TOUCH

Shows velocity of most recent note played within
each keyboard area. Each bar corresponds to a
different area (15 areas).
NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Press [-/NO] or [+/YES] to change the setting.
Values: SOFT, START
Default: SOFT

‘

‘
‘
‘
‘

‘
‘

‘
‘
‘
‘

‘
‘

A-1 C#0 G0 C#1 G1 C#2 G2 C#3 C3 C#4 C4 C#5 G5 C#6 G6
C0 F#0 C1 F#1 C2 F#2 C3 F#3 C4 F#4 C5 F#5 C6 F#6 C7

MIDI
Incoming MIDI message (realtime display)

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

F10.DamperDpt (Damper-pedal depth)
Selects the amount of resonance applied by the
damper pedal to the PIANO 1 acoustic piano
voice.
1 To access this item, enter FUNCTION mode and go to
main function F10.

TOUCH

Indicates volume of Clavinova notes being
played by external MIDI device. Each bar
shows volume of the loudest note on the
corresponding reception channel (channels 1 to
16).

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Press [-/NO] or [+/YES] to change the setting.
Values: 0,...,20
Default: 10
NOTE

This setting is effective for the PIANO 1 voice
only.

9 10 11 12 13 14 15 16

• The display format for incoming messages is as follows.
Message Type
Note on/off
Program Change
Control Change
Exclusive

Indication
xxx:Vel:yyy (where xxx = note name
yyy = velocity)
Prog #zzz
Ctrl #zzz:zzz
Ex.Data

The screen does not report Aftertouch and Pitchbend
messages.

CLP-811/611

Configuration Functions (FUNCTION mode)

F11.Damper (Number of damper-pedal levels)
Under normal settings, the length of the damper
pedal’s sustain effect varies according to how far
you displace the pedal — the harder you step
down, the longer the notes are held. You use
function F11 to set the number of discrete displacement levels recognized by the Clavinova.
You may find this feature useful during recording: setting the value to “2” (pedal ON/OFF only)
can reduce the amount of data generated by pedal
action, allowing you to record a longer series of
notes.
1 To access this item, enter FUNCTION mode and go to
main function F11.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Press [-/NO] or [+/YES] to change the setting.
Values: 2, 8, 128 (levels)
Default: 8

F12.CancelVol (Volume of muted piano-song track)
When playing one of the Clavinova’s 30 built-in
piano songs, you can elect to switch off either part
(left-hand or right-hand) so that you can practice
along. Under default settings, the Clavinova
continues to play back the deselected part at a low
volume to serve as a practice guide. You can use
the F12 setting to make this playback louder or
softer, or to switch it off entirely.
1 To access this setting, enter FUNCTION mode and go
to main function F12.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Press [-/NO] or [+/YES] to change the setting.
Values: 0,...,20
Default: 5

F13.MIDIFunc. (MIDI settings)
This function sets up the various MIDI parameters. For general information about your
Clavinova’s MIDI support, refer to “MIDI Data
Format” on page 48.

CLP-811/611

Configuration Functions (FUNCTION mode)

1 To access these settings, enter [FUNCTION] mode
and go to main function F13.

NORMAL

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Next, press [+/YES] to enter the subfunction group.
Then use [t], [s] to move among the different
subfunctions, and [-/NO], [+/YES] to set the values.

Subfunctions
13.1 TxCh. (MIDI transmitting channel)
Values: 1,...,16; OFF
Default: 1
Selects the channel the Clavinova uses to transmit performance-related messages to external MIDI devices. (Only devices
set to receive on this channel will respond to these messages.)
• For DUAL and SPLIT mode play...
If TxCh is set to any value other than OFF, the Clavinova
will always use Channel 2 to transmit data from Voice 2 (in
DUAL mode) or from the left zone (in SPLIT mode). If the
setting is OFF, the Clavinova will not transmit any data for
either voice.
• The Clavinova does not transmit data for demo songs, piano
songs, and recorded performances.

13.2 RxCH. (MIDI receiving channel)
Values: ALL; 1&2; 1,...,16
Default: ALL
Selects the channel the Clavinova uses to receive performancerelated messages from external MIDI devices. The Clavinova
will not recognize any messages received over non-selected
channels.
• If setting is ALL
The Clavinova operates as a multitimbral playback device,
responding indepently to messages over all channels. This
setting is ideal when you want to use a sequencer to drive a
multivoice arrangement.
• If setting is 1&2
The Clavinova responds to messages received over channels
1 and 2 only.
• Panel settings and keyboard play are not affected by received
MIDI data (with the exception of MIDI data for reverb type,
reverb depth, and effect type).
• The Clavinova does not receive MIDI messages when
operating in DEMO/PIANO SONG mode.

13.3 Local (Local control ON/OFF)
Values: ON, OFF
Default: ON
Selects whether the Clavinova keyboard produces sound from
the Clavinova. More precisely, determines whether the
Clavinova’s keyboard drives the Clavinova’s internal tonegenerator system.
Under normal circumstances this setting is left ON, so that the
Clavinova keyboard produces sound from the Clavinova’s tone
generator. If you want to use the keyboard to control an
external MIDI device only, however, you would set this value
to OFF. This setting makes it possible, for example, to use the
keyboard to play an external device, while at the same time
using another external device to play the Clavinova.

13.4 PrgChg (Program Change enable/disable)
Values: ON, OFF
Default: ON
A MIDI Program Change message instructs the receiving
device to switch voices.
If you are using the Clavinova to control an external device, for
example, then each time you change the voice selection (by
pressing a different voice selector), the Clavinova will issue a
Program Change message telling the external device to switch
to the same-numbered voice. (Each voice is associated with a
unique program-change number.)
Similarly, if the Clavinova is playing MIDI data received from
an external device, then receipt of a Program Change message
will cause the Clavinova to change the voice used to reproduce
this data. (Note that this change applies only to the MIDI data;
the voice produced by the Clavinova keyboard does not
change.)
There are times when you may want to disable the use of
Program Change messages, so that voice switching at both
sides must be handled locally. You can do this by setting the
PrgChg value to OFF. In this case, the Clavinova will not
generate messages when voice selectors are pressed, and will
not respond to any Program Change messages that it receives.
• Program-change numbers on the CLP-811/611
Program-change number assignments on the CLP-811/611
are in conformance with the XG standard. Refer to “MIDI
Data Format” (page 48) for specific information.

13.5 CtrlChg (Control Change enable/disable)
Values: ON, OFF
Default: ON
Control Change messages transfer performance-related control
information from one MIDI device to another. Such information includes pedal actions and volume settings.
If you are using the Clavinova to control an external device, for
example, then each time you step on the damper pedal a
corresponding Control Change message is issued to that
device.
If you are using an external device to control the Clavinova,
then Control Change messages received from that device will
cause appropriate changes at the Clavinova side. These
changes apply only to incoming MIDI data; panel settings and
keyboard sound do not change. (But note that reverb-depth
control change is an exception, since it affects both MIDI and
local sound.)
There are times when you may want to disable the use of
Control Change messages. You can do this by setting the
CtrlChg value to OFF, so that the Clavinova will not generate
these messages, and will not respond to any such messages that
it receives.

• Control Change implementation on the CLP-811/
611...
Refer to “MIDI Data Format” (page 48) for details.

13.6 MIDITrans (Transposition of outgoing MIDI
data)
Values: -12,...,12 (in semitones)
Default: 0 (no transposition)
Use this function to set transposition of note data being sent
out from the Clavinova. Note that this operation has no relation
to the keyboard transpotion set up by the [TRANSPOSE]
button.

13.7 SetupSnd (Transmit Panel setup file.)
This operation transmits the Clavinova’s current panel
configuration to an external MIDI sequencer such as the
YAMAHA DOU-10 Disk Ochestra Unit, so that it can be
restored to the Clavinova at a later time.
For example, assume that you want to record a performance to
a sequencer so that you can later play it back at the Clavinova
while at the same time playing along locally at the keyboard. In
this case you might find it convenient to first record the panel
configuration you will want to use for local play. The panel
will then set itself automatically just before playback begins.
Procedure
1 Set the panel to the configuration that you want to record.
2 Run a MIDI cable from the MIDI OUT connector on the
Clavinova to the MIDI IN connector on the sequencer.
3 Enter FUNCTION mode and move to subfunction 13.7
SetupSnd.
4 Press [+/YES] to transmit the setup.
The screen displays Completed briefly to indicate
that transfer is completed.
• Transmitted data...
In addition to the Panel data indicated on page 50 of the
“MIDI Data Format” section, the Clavinova also transmits
the key-by-key fine tuning data set up within the F2.KTune
function.
• To reload the data from the external device...
1. Run a MIDI cable from the MIDI OUT on the sequencer
to the MIDI IN at the Clavinova.
2. Begin transmission from the sequencer. (Refer to the
sequencer’s operation manual.)
The Clavinova automatically receives and loads the
data.
NOTE

It is not possible to reload the setup data into a
different Clavinova model. If you stored setup
data for a CLP-811, for example, then you can
reload the data to any CLP-811, but not to a CLP611.

13.8 BulkDump (Bulk data dump.)
This feature lets you permanently save recordings you have
made with the Clavinova’s RECORDER. The Bulk Dump
operation sends the performance data from both RECORDER
tracks to an external MIDI storage device such as the Yamaha
DOU-10 Disk Orchestra Unit. (Note that this information is
sent in the form of bulk data, rather than as sequence data.) The
saved data can later be restored by retransmission.
Procedure
1 Run a MIDI cable from the MIDI OUT connector on the
Clavinova to the MIDI IN connector on the storage device.
2 Set the storage device into the appropriate receiving mode.
(Refer to the device’s operating manual for instructions.)

CLP-811/611

Configuration Functions (FUNCTION mode)

3 At the Clavinova, select function F13 and move to
subfunction 13-8 BulkDump.
4 Press [+/YES] to begin the dump.
The screen displays Working while transmission is in
progress, and then Completed to indicate that the
operation is finished. It then returns to the original
Bulk Dump screen.
5 When transfer is finished, you can terminate FUNCTION
mode and resume normal play.
To reload the saved data:
1. Run a MIDI cable from MIDI OUT on the storage device
to MIDI IN at the Clavinova.
2. Start transmission from the storage device. (Refer to the
device’s operation manual.)
The Clavinova automatically receives and restores the
incoming data. The restored data is then available for
normal playback.
NOTE

• It is not possible to reload data into a different
Clavinova model. Data from a CLP-811, for
example, can be loaded into another CLP-811,
but not into a CLP-611.

F14/F15.Backup (Backup ON/OFF settings)
(F14 on the CLP-611; F15 on the CLP-811.)
The Clavinova’s backup feature allows you to retain selected
settings while power is off so that they can be restored when
power comes back ON. Each BACKUP subfunction sets
backup ON or OFF for a specific group of settings.
• If backup for a group is set OFF, all settings within that
group return to their factory defaults each time power comes
on. (A listing of factory defaults appears on page 47.) If
backup is set ON, then existing settings are automatically
restored.
• Memory backup remains effective for about a week, after
which all settings will return to their factory defaults. If you
wish to retain your settings for a long period of time, please
be sure to switch the Clavinova on for at least a few minutes
each week.
1 To access this setting, enter FUNCTION mode and go
to the main function F14 (CLP-611) or F15 (CLP-811).

• You cannot send or receive bulk data while the
Clavinova is in RECORDING mode or while it
is playing back recorded data.
NORMAL

• You cannot receive bulk data while the
Clavinova is in FUNCTION mode.
• When transmitting bulk data, the Clavinava
will not transmit other types of MIDI data and
will not recognize incoming MIDI messages.

BRILLIANCE

ROOM

REVERB

MEDIUM

EFFECT

TEMPO

TOUCH

2 Next, press [+/YES] to enter the subfunction group.
Then use [t], [s] to move among the different
subfunctions, and [-/NO], [+/YES] to set the values.

(On CLP-811 only:)

F14.MicRevDpt (Microphone reverb depth)
This function sets the reverb depth (intensity of
reverb effect) applied to microphone input. (Note
that this function is not available on the CLP-611.)
1 To access this setting, enter FUNCTION mode and go
to main function F14.

NORMAL

BRILLIANCE

MEDIUM

EFFECT

TEMPO

TOUCH

2 Press [-/NO] or [+/YES] to change the setting.
Values: 0,...,20
Default: 10

CLP-811/611

14.1/15.1 Voice (Voice settings)
14.2/15.2 MIDI (MIDI settings)
14.3/15.3 Tune (Tuning and temperament settings)
14.4/15.4 Pedal (Pedal settings)
14.5/15.5 Display (Display mode)
Values: ON, OFF
Default: OFF*
* But note that the Backup ON/OFF settings themselves, as
well as recorded performance data, are always backed up.

ROOM

REVERB

Subfunctions

Configuration Functions (FUNCTION mode)

Parameters in Each Group
14.1/15.1 Voice (Voice settings)
•
•
•
•
•
•
•
•
•
•
•
•
•

Voice selection
DUAL mode ON/OFF status and voice combination
The [F4.DualFunc.] settings (for each voice combination)
SPLIT mode ON/OFF status and voice combination
The [F5.SplitFunc.] settings (for each voice combination)
REVERB type and depth
EFFECT type and depth (for each voice)
BRILLIANCE setting
VARIATION ON/OFF status (for each voice)
TOUCH setting
All [F6.OrganEdit] settings
All [F7.Metronome] settings
The [F14.MicRevDpt] setting (CLP-811 only)

14.2/15.2 MIDI (MIDI settings)
All MIDI settings ([F13.MIDIFunc.] settings 13-1 to 13-6)

14.3/15.3 Tune (Tuning and temperament settings)
•
•
•
•

Current TRANSPOSE setting
Keyboard fine tuning ([F1.Tune] setting)
Key-by-key fine tuning ([F2.KTune] settings)
Temperament selection ([F3.Scale] settings)

14.4/15.4 Pedal (Pedal settings)
• Left-pedal function ([F9.L.Pedal] setting)
• Damper-pedal depth ([F10.DamperDpt] setting)
• Number of damper-pedal levels ([F11.Damper] setting)

14.5/15.5 Display (Display mode)
Display mode ([F8.Display] setting)

•

To reset all values to their factory defaults...
Switch the power OFF, then hold down the highest key on
the keyboard (key C7) and switch the power back on. Note
that this operation will also delete all recorded performance
data.
For a listing of the factory default values, see page 47.

CLP-811/611

Configuration Functions (FUNCTION mode)

The Clavinova’s Device Connectors

MASTER VOLUME

MAX

RECORDER
FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2

VIBES

STRINGS

CLAVI.TONE E.PIANO 1

E.PIANO 2

HARPSICHORD

EFFECT

TOUCH

CHOIR

PIPE
ORGAN
ORGAN COMBINATION

BASS

DEMO/
PIANO SONG

METRONOME

VARIATION
TRANSPOSE

BRILLIANCE REVERB

REVERB

EFFECT

1/ R

2/ L

START/
STOP

REC

SONG
MEASURE

SPLIT

MELLOW ROOM CHORUS HARD
NORMAL HALL 1 SYMPHONIC MEDIUM
BRIGHT HALL 2 TREMOLO SOFT
STAGE
FIXED
ECHO
BRILLIANCE

TEMPO

SONG
SELECT

TOUCH

– / NO

MIN

+/ YES
STEREO SAMPLING

CLP-911

POWER

(CLP-811)

PHONES

3
MIC. VOL.
MIN

MIC.

1 2
CLP-611

PHONES

MAX

CLP-811

1 MIC. VOL. dial, and 2 MIC. jack (CLP-811)
Connecting a microphone to the MIC jack (a standard phone jack) lets you sing along. The input
from the microphone is mixed with the keyboard sound and produced at the Clavinova’s speakers.
•

MIC. VOL. dial
Use the dial to adjust the input volume from the microphone.
NOTE

Microphone reverb depth...
Although the reverb type setting is always the same for both keyboard and microphone, the CLP-811 allows you to set an independent reverb depth for the microphone input. (You make this setting using function F14; see page 36.)

3 PHONES jacks
The Clavinova provides two headphone jacks (standard phone jacks), so that two people can listen
in at the same time. Connecting a headphone set to either jack automatically cuts off the internal
speakers.

CLP-811/611

The Clavinova’s Device Connectors

Recommended headphones:
Yamaha HPE-160

MIDI
IN

OUT

THRU

HOST SELECT
PC-2
MIDI

AUX IN
R

TO HOST

PC-1
Mac

AUX OUT

L/L+R

AC INLET

(CLP-811)

6
7 8

MIDI
IN

THRU

OUT

HOST SELECT
PC-2
MIDI

AUX OUT

AUX IN
R

TO HOST

PC-1
Mac

L/L+R

4
4 AUX IN jacks (R and L/L+R)
5 AUX OUT jacks (R and L/L+R)
•

AUX IN R and L/L+R
These standard phone jacks accept
connection from a synthesizer, tonegenerator module (such as the
YAMAHA DOU-10 Disk Orchestra
Unit), or other such playback
device. Sound transmitted from the
external device is produced by the
Clavinova’s internal speakers. Make
the connection (using standard
audio cord) as illustrated at right.
NOTE

•

Clavinova
MIDI
IN

OUT

THRU

HOST SELECT
PC-2
MIDI

AUX IN
R

L/L+R

TO HOST

PC-1
Mac

AUX OUT
R

L/L+R

OUTPUT
AUX IN

Standard
phone plugs
Audio cord

DOU-10 or
Synthesizer, tonegenerator
module,...

Audio cord (and adaptors, if
required) should be nonresistance type.
The Clavinova’s [MASTER
VOLUME] slider and REVERB
setting do not affect the sound
received at the AUX IN jacks.

A line-level mono source can be connected to the L/L+R jack.

AUX OUT R and L/L+R
You use these standard phone
jacks to feed Clavinova output
to an external stereo recorder,
amplifier, or other such device.
This makes it possible, for
example, to record the sound to
a tape recorder or cassette, or
to produce it through external
speakers. Make the connection
(using standard audio cord) as
shown above.

Never feed AUX OUT output
back into the AUX IN jacks.
When using AUX OUT to
connect to an external device, do
not connect that device back to
the AUX IN at the Clavinova side.
Since the AUX OUT signal
always includes all sound
received at the AUX IN jacks,
interconnection will create a
feedback loop that will distort the
sound and may cause damage to
your equipment.

Clavinova
MIDI
IN

OUT

THRU

HOST SELECT
PC-2
MIDI

AUX IN
R

L/L+R

TO HOST

PC-1
Mac

Stereo

AUX OUT
R

L/L+R

Pin-phone
adaptors
AUX OUT
Standard
phone plugs

Pin plugs
or

AUX IN
Pin plugs
Audio cord

When connecting to a stereo unit, set the [MASTER VOLUME] slider to center position and
adjust the volume at the recording side.
NOTE

If a line is inserted into the L/L+R jack only, the Clavinova mixes left- and rightchannel signals and outputs them over this line. This ensures that you don’t lose any
of the Clavinova’s sound.

6 MIDI IN, OUT, and THRU connectors
These are used to connect to external MIDI devices. Note that you must set the HOST SELECT
switch (described below) to MIDI in order to enable use of these connectors.
For basic information about MIDI connections and operation, refer to page 48.

7 HOST SELECT switch, and 8 TO HOST connector
TO HOST connector....
Allows direct connection to a personal computer.
HOST SELECT switch...
Sets the connection type. If connecting directly to a personal computer, you use this switch to
select the computer type. If connecting via MIDI, set this switch to the MIDI position. Refer to
“Connecting to a Personal Computer” (page 40) for detail.

CLP-811/611

The Clavinova’s Device Connectors

Connecting to a Personal Computer
Although the CLP-811/611 can be connected to a personal computer via the MIDI IN/OUT connectors and
a MIDI interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple
Macintosh, IBM-PC/AT, or NEC PC-9801/9821 series personal computers for sequencing and other music
applications without the need for a separate MIDI interface.

1. Connecting to an Apple Macintosh Series
Connect the TO HOST connector of the Clavinova to the modem or printer port on your
Macintosh, depending on which port your MIDI software is using for MIDI data communication, using a standard Macintosh 8-pin system peripheral cable. Set the HOST SELECT switch
to the “Mac” position.
You may also have to make other MIDI interface settings on the computer side, depending on
the type of software you use (refer to your software owner’s manual). In any case the clock
speed should be set to 1 MHz.
● “Mac” Cable Connections

MINI DIN
8-PIN

1
2
3
4
5
6
7
8

2 (HSK i)
1 (HSK 0)
5 (RxD-)
4 GND
3 (TxD-)
8 (RxD+)
7 (GP i)
6 (TxD+)

MINI DIN
8-PIN

• 8-pin system peripheral cable.
• Data transfer rate: 31,250 bps.

■ Trademarks
• Apple and Macintosh are trademarks of Apple Computer, Inc.
• IBM-PC/AT is a trademark of International Business Machines Corporation.
All other trademarks are the property of their respective holders.

CLP-811/611

The Clavinova’s Device Connectors

HOST SELECT
PC-2
MIDI

TO HOST

PC-1
Mac

Set to the
“Mac”
position.
Apple Macintosh
Series Computer

2. Connecting to an IBM-PC/AT Series Computer
Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB cross cable. Set the HOST SELECT
switch to the “PC-2” position.
Refer to your software owner’s manual for information on any settings you might have to make
on the computer side.

1
2
3
4
8
5

PC-2
MIDI

TO HOST

PC-1
Mac

Set to the
“PC-2”
position.
IBM-PC/AT Series
Computer

● “PC-2” Cable Connections

MINI DIN
8-PIN

HOST SELECT

8 (CTS)
7 (RST)
2 (RxD)
5 (GND)

D-SUB
9-PIN

3 (TxD)

• 8-pin mini DIN → 9-pin D-SUB cable. Use a “PC-1” type cable if your computer uses a
25-pin serial port.
• Data transfer rate: 38,400 bps.
● “PC-1” Cable Connections

MINI DIN
8-PIN

1
2
3
4
8
5

5 (CTS)
4 (RTS)
3 (RxD)
7 (GND)

D-SUB
25-PIN

2 (TxD)

• 8-pin mini DIN → 25-pin D-SUB cable.

● Connector Pin Numbers
MINI DIN 8-PIN

NOTE

• When using the [TO HOST] terminal of the CLP-811/611, first turn the power off
on both the CLP-811/611 and the computer before connecting the cable. After
connecting the cable, turn the power of the computer on first, then the CLP-811/
611.
• When not using the [TO HOST] terminal of the CLP-811/611, make sure the cable
is disconnected from the [TO HOST] terminal. If the cable is left connected, the
CLP-811/611 may not function properly.
• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data
transfer occurs via the MIDI connectors. To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.

6 7 8
3 4\ 5
1 2

D-SUB 25-PIN
1 2 3 4 5 6 7 8 9 10 11 12 13
14 15 16 17 18 19 20 21 22 23 24 25

D-SUB 9-PIN
5 4 3 2 1
9 8 7 6

• If your system doesn’t work properly with the connections and settings listed
above, your software may require different settings. Check your software operation
manual and set the HOST SELECT switch to the position that provides the
appropriate data transfer rate.

CLP-811/611

The Clavinova’s Device Connectors

Troubleshooting
If you encounter what appears to be a malfunction, please check the following points before assuming that
your Clavinova is faulty.

1. No Sound When the Power is Turned ON
Is the AC plug properly connected to the Clavinova and an AC wall outlet? Check the AC connection
carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?
Also make sure that a pair of headphones is not plugged into the PHONES jack, and that Local
Control (see page 35) is ON.

2. The Damper Pedal Doesn’t Work
If the damper pedal doesn’t function, or if notes are sustained even when the pedal is not pressed,
check that the pedal cord is properly plugged into the main unit (see page 58:CLP-811, see page
64:CLP-611).

3. The Clavinova Reproduces Radio or TV Sound
This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise
This is usually due to turning ON or OFF a household appliance or other electronic equipment which
is fed by the same AC line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova
The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to
move the Clavinova further away from the affected equipment, or vice versa.

6. Distorted Sound When the Clavinova is Connected to An External Amplifier/
Speaker System
If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted,
reduce the setting of the Clavinova volume control to a level at which the distortion ceases.

7. KSN NG error message appears on the screen.
This message indicates that there is an internal problem. Please contact your dealer for assistance.

CLP-811/611

Troubleshooting

Options
● BC-8 Bench
A comfortable bench styled to match your Yamaha Clavinova.

● HPE-160 Stereo Headphones
High-performance lightweight dynamic headphones with extra-soft ear pads.

● DOU-10 Disk Orchestra Unit
Offers a range of MIDI recording and playback functions, plus the Yamaha Disk Orchestra Collection,
Disklavier PianoSoftTM, General MIDI, and Standard MIDI File disk playback capability.

CLP-811/611

Options

Index
• For a full overview of the contents of this manual: Refer to Contents on page 1.
• To locate information about specific buttons and connectors: Refer to Panel Controls
and Connectors on pages 4 and 5.
• To locate information about FUNCTION-mode parameters: See the Function Table on
pages 24 to 25.
This index is intended to help you locate information not covered by the sections mentioned above. Note that an asterisk (*) after a page number indicates that the information is in the page’s sidebar (to the right of the main text).

Computer, connection to ............................... 40-41
Configuration functions .................................. 24-37
Connectors .................................................... 38-39

Main functions, list of ..................................... 24-25
Memory backup ..................................................... 7
setting ON or OFF ......................................... 36
Microphone reverb ...............................................36
MIDI ............................................................... 34-36
Music stand ........................................................... 2
Muted-part volume adjustment .................... 11*, 34

D
Damper pedal ...................................................... 14
number of levels ..................................... 14*, 34
DEMO/PIANO SONG mode ............................ 8-12
Demo songs ....................................................... 8,9
listing of .......................................................... 46
Depth
Damper pedal ................................................. 33
EFFECT depth ...............................................16
REVERB depth .............................................. 15
Display ................................................................... 6
DUAL mode ................................................... 17-18

F
Factory defaults ..................................................... 7
listing of .......................................................... 47
Resetting to .................................................... 37
FUNCTION mode ..................................... 7*, 24-37

H
Headphones .......................................................... 3

K
Key cover ............................................................... 2

L
Left pedal, function ....................................... 14*,33

CLP-811/611

Index

P
Parts, left- and right-hand ................................... 11
Muting a part .......................................... 11*, 34
Pedals ................................................................. 14
changing function of left pedal ................ 14*, 33
Piano songs ..................................................... 8, 10
one-hand practice .......................................... 11
repetition practice .......................................... 12
Power .................................................................... 3
Power indicator ...................................................... 3

R
Recording (Recorder feature) ........................ 20-23
Changing initial settings ................................ 21
Initial settings .................................................20

S
Setup File ............................................................ 35
Shortcuts to FUNCTION mode
To [F4.DualFunc.] .......................................... 29
To [F5.SplitFunc.] ..................................... 29-30
To [F6.OrganEdit] ..................................... 30-31
To [F7.Metronome] ........................................ 32
Soft pedal ............................................................ 14
changing function of ............................... 14*, 33
Songs .............................................................. 8-12
listing of .......................................................... 46
Sostenuto pedal .................................................. 14
SPLIT mode .................................................. 18-19
Split point ............................................................ 18
Subfunctions, list of ....................................... 24-25
SYNCHRO Start
For recorder playback .................................... 23
For song playback ......................................... 11

T
Temperament ...................................................... 28
Scale .............................................................. 28
Tracks, recorder ............................................. 20-21
erasing a track ................................................ 22
(See also Parts)

V
Volume adjustment ................................................3

CLP-811/611

Index

Demo and Piano Songs Lists
Listen der Demo-Songs und der Piano-Songs
Liste des morceaux de démonstration et des
morceaux de piano
Listas de canciones de demostración y piano
Demo Songs / Demo-Songs / Morceaux de démonstration / Canciones de demostración
Voice Name
Piano1
Piano2
Clavinova Tone
E.Piano1
E.Piano2
Harpsichord
Vibes
Strings
Choir
Pipe Organ
Organ Combination
Bass (CLP-811)

Title
Ballad No. 1 G minor op. 23
Lake Louise
Consolation No. 3
original (© 1996 by YAMAHA CORPORATION)
original (© 1996 by YAMAHA CORPORATION)
“Allemande” from French Suite No. 5 BWV816
Study in A minor op.70
Salut D’amour op.12
My Old Kentucky Home
“Prelude No.1 C Major” from Eight Short
Prelude and Fugues, BWV553 - 560
original (© 1996 by YAMAHA CORPORATION)
Greensleeves

Composer
F.F. Chopin
Y. Kuramoto
F. Liszt
J.S. Bach
G. Pfeiffer
E. Elgar
S.C. Foster
J.S. Bach
Traditional

Some demo pieces are excerpts from or rearrangements of the original work.
Einige Demo-Songs sind Auszüge aus oder Arrangements von Originalwerken.
Certains morceaux de démonstration sont des extraits ou des réarrangements de l’oeuvre originale.
Algunas canciones de demostración son extractos del trabajo original o arreglos del mismo.

Piano Songs / Piano-Songs / Morceaux de piano / Canciones de piano
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15

Title
Für Elise
Dolly’s Dreaming and Awakening
Blumenlied
“Marche Turke” from Sonata A major K.331
Waltz “Petit Chien” op.64-1
Türkicher Marsch
SpinnerLied
Alpenabendröte
Sonatine Anh.6
Melodie op.68-1
Heidenröslen
La chevaleresque
Minuet G major BWV Anh.114
Ronde alla Turca
Minuet G minor K.1e

CLP-811/611

Composer
L.v.Beethoven
T.Oesten
G.Lange
W.A.Mozart
F.F.Chopin
L.v.Beethoven
A.Ellmenreich
T.Oesten
L. v. Beethoven
R. A. Schumann
G.Lange
J.F.F.Burgmüller
J.S.Bach
J.F.F.Burgmüller
W. A. Mozart

No.
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30

Title
The Harvest Time
Impromptu op.90-2
Waltz op.64-2
Nocturne op.9-2
Sonata C major K.545 1st Mov.
1ére Arabesque
La Prière d’une Vierge
Frühlingslied
La Viollette
Ecossaise G major
Arabesque
The Entertainer
Gavotte
Little Serenade
Allegro B major K.3

Composer
G. Lange
F.P.Schubert
F.F.Chopin
F.F.Chopin
W.A.Mozart
C.A.Debussy
T.Badarzewska
J.L.F.Mendelssohn
L.Streabbog
L. v. Beethoven
J.F.F.Burgmüller
S.Joplin
G. P. Telemann
J. Haydn
W. A. Mozart

Demo and Piano Songs Lists/Listen der Demo-Songs und der Piano-Songs/Liste des morceaux de démonstration et des morceaux de piano/Listas de canciones de demostración y piano

Factory Defaults / Werksvoreinstellungen
Réglages d’usine par défaut / Ajustes de fábrica
The following is a listing of the Clavinova’s factory defaults.
Die folgende Liste ist eine Zusammenstellung der werksseitigen Voreinstellungen des Clavinova.
Vous trouverez ci-dessous une liste des réglages par défaut du Clavinova.
La siguiente es una relación de los ajustes de fábrica del Clavinova.
Voice selection
DUAL mode
SPLIT mode
SPLIT mode Voice #2
REVERB type
REVERB depth
EFFECT type

PIANO1
OFF
OFF
BASS (on CLP-811)
STRINGS (on CLP-611)
STAGE
8
Varies by voice

EFFECT depth
BRILLIANCE
TRANSPOSE
TOUCH setting
Fixed-touch velocity
Metronome
Metronome volume
TEMPO

Varies by effect type and voice
NORMAL
0
MEDIUM
64
OFF
10
120

FUNCTION-mode settings / Einstellungen des FUNCTION-Modus’ /
Réglages du mode FONCTION / Ajustes del modo FUNCTION
F1
F2
F3
F4-1
F4-2
F4-3,F4-4
F4-5,F4-6
F4-7
F5-1
F5-2
F5-3,F5-4
F5-5,F5-6
F5-7
F6-1
F6-2~5
F7-1

Tuning
Key-by-key tuning
Tuning values
Scale (temperament)
DUAL/Voice volume balance
DUAL/Detuning
DUAL/Octave shift
DUAL/Effect depth
DUAL/STRING attack
SPLIT/Split point
SPLIT/Voice volume balance
SPLIT/Octave shift
SPLIT/Effect depth
SPLIT/Damper-pedal range
Organ Type
Organ Edit settings
Metronome beat

A3=440Hz
OFF
All values = 0
EQ (equal)
Varies by voice combination
Varies by voice combination
Varies by voice combination
Varies by voice combination
FAST
F#2
Varies by voice combination
Varies by voice combination
Varies by voice combination
L+R
JAZZ ORGAN1
Varies by organ type
Normal (No beat)

F7-2
F8
F9
F10
F11
F12
F13-1
F13-2
F13-3
F13-4
F13-5
F13-6
If CLP-811
F14
F15
If CLP-611
F14

Metronome volume
Display mode
Left-pedal function
Damper-pedal depth
Damper-pedal levels
Volume of muted part
MIDI/Transmitting channel
MIDI/Receiving channel
MIDI/Local control
MIDI/Program Change enable
MIDI/Control Change enable
MIDI/Transposition

10
NORMAL
SOFT pedal
10
8
5
1
ALL
ON
ON
ON
0

Microphone reverb depth
Backup settings

10
All OFF

Backup settings

All OFF

Factory Reset
You can return all settings to their factory defaults by holding down key C7 (the highest key) while switching on the
power. Note that this reset covers all settings—dual mode, split mode, reverb, effect, touch, and so on. Note also that the
reset will erase the contents of the recorder, and will return all Backup settings to OFF.

Zurücksetzen aller Parameter
Sie können alle Einstellungen zurück auf die Werksvoreinstellungen bringen, indem Sie während des Einschaltens Taste
C7 (die höchste Taste) gedrückt halten. Beachten Sie, daß diese Funktion alle Einstellungen betrifft - den Dual-Modus,
den Split-Modus, den Hall, die Effekte, die Anschlagsdynamik usw. Bedenken Sie auch, daß der gesamte Inhalt des
Rekorders gelöscht wird, und daß alle Einstellungen der Backup-Funktion auf OFF gestellt werden.

Réinitialisation d’usine
Vous pouvez réinitialiser tous les réglages à leurs valeurs par défaut en maintenant enfoncée la touche C7 (Do7 - la
touche la plus haute) à la mise sous tension. Cette réinitialisation couvre alors tous les réglages - mode double, mode
partagé, réverbération, effet, toucher, etc. Elle effacera également tout le contenu de l’enregistreur et tous les réglages
de copie de sauvegarde seront désactivés (remis sur OFF).

Reposición de los ajustes de fábrica
Es posible restablecer todos los ajustes a sus valores originales de fábrica manteniendo pulsada la tecla C7 (la nota más
alta) mientras se enciende el instrumento. Advierta que esta operación de reposición afecta a todos los ajustes del modo
dual, dividido, reverberación, efectos, pulsación, etc. Tenga también presente que la reposición borrará los contenidos de
la grabadora y volverá a desactivar todos los ajustes de memoria de seguridad.
CLP-811/611

Factory Defaults/Werksvoreinstellungen/Réglages d’usine par défaut/Ajustes de fábrica

MIDI Data Format
Introduction to MIDI

Einführung zu MIDI

MIDI (for “Musical Instrument Digital Interface”)
is an internationally recognized standard for communication of musical performance and control data
among supporting devices. Such devices include
electronic musical instruments, computers, and
sequencers. MIDI communication is carried out
through standard MIDI connectors and cables.
MIDI makes it possible for you to use your
Clavinova to control playback at remote devices,
and to use remote devices to control playback at
your Clavinova.
• MIDI operates on digital data. All data is converted to appropriate digital format prior to
transmission.
• Different MIDI devices offer differing levels of
MIDI support. The level of available support is
given in the device’s “MIDI Implementation
Chart.” (The Implementation Chart for your
Clavinova appears on page 66.) In general, you
will want to avoid transmission of MIDI communications that are not supported at the receiving side.
MIDI Connectors
MIDI
IN

OUT

MIDI-Datenformat
MIDI (Akronym für “Musical Instrument Digital
Interface”) ist ein international anerkannter Standard für den Austausch musikalischer Spiel- und
Steuerdaten zwischen Geräten, die dieses Format
unterstützen. Diese Geräte sind unter anderen
elektronische Musikinstrumente, Computer,
Sequenzer und Effektgeräte. Die MIDI-Kommunikation findet über standardisierte MIDI-Buchsen
und -Kabel statt.
MIDI ermöglicht es Ihnen, mit Ihrem Clavinova die
Wiedergabe und den Klang anderer Geräte zu
steuern, und umgekehrt von anderen Geräten aus
die Wiedergabe und den Klang Ihres Clavinova zu
beeinflussen.
• MIDI funktioniert mittels digitaler Daten. Alle
Daten werden vor der Übertragung in das
entsprechende, digitale Format konvertiert.
• Die verschiedenen MIDI-Geräte bieten verschiedene Ebenen der MIDI-Kommunikation. Die
kommunizierbaren Parameter werden in der sog.
“MIDI-Implementationstabelle” jedes Gerätes
angegeben (Die Implementationstabelle des
Clavinova befindet sich auf Seite 66.) Im allgemeinen ist es sinnvoll, die Übertragung von
MIDI-Daten zu vermeiden, die empfangsseitig
nicht verarbeitet werden.

THRU

MIDI-Buchsen
MIDI
IN

MIDI IN
MIDI OUT
MIDI THRU

OUT

THRU

Receives incoming MIDI data.
Transmits outgoing MIDI data.
Relays all data received at the MIDI
IN connector.
MIDI IN

Empfängt ankommende MIDIDaten.
Sendet abgehende MIDI-Daten.
Leitet alle am MIDI IN empfangenen Daten unverändert weiter.

MIDI Cable
MIDI connection requires use of dedicated MIDI
cables.

MIDI OUT
MIDI THRU

• You set up the Clavinova’s MIDI parameters
using Function F13 (MIDIFunc.). See page 34.
• Information about MIDI can be found in a wide
variety of readily available magazines and
books.

MIDI-Kabel
MIDI-Verbindungen erfordern spezielle MIDIKabel.
• Die MIDI-Parameter des Clavinova stellen Sie
mit Funktion F13 (MIDIFunc.) ein. Siehe Seite
34.
• Informationen über MIDI sind in vielen Musikmagazinen und Büchern verfügbar.

CLP-811/611

MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

Format de données MIDI Formato de datos MIDI
Introduction au système MIDI
Le système MIDI, de l’anglais “Musical Instrument
Digital Interface” (interface pour instruments de
musique numériques) est une interface de communication utilisée de par le monde qui permet le
partage de données musicales entre divers instruments ou équipements musicaux MIDI et la commande mutuelle de ces équipements. Les instruments impliqués sont notamment les instruments de
musique électroniques, des ordinateurs et des
séquenceurs. Les communications MIDI s’effectuent par le biais de connecteurs et de câbles MIDI
standards.
Le système MIDI permet d’utiliser le Clavinova
pour contrôler la reproduction sur des appareils
éloignés ou d’utiliser des appareils distants pour
contrôler la reproduction sur le Clavinova.
• Le système MIDI concerne les données numériques. Toutes les données sont converties dans le
format approprié avant la transmission.
• Différents appareils MIDI peuvent offrir un
niveau différent de compatibilité MIDI. Le
niveau de compatibilité disponible est repris
dans le “tableau d’implémentation MIDI” de
l’appareil. (Le tableau d’implémentation MIDI
du Clavinova se trouve à la page 66). En règle
générale, il convient d’éviter la transmission de
communications MIDI qui ne sont pas supportées du côté récepteur.

Introducción a MIDI
El sistema MIDI (“Musical Instrument Digital
Interface” = intercomunicación digital entre instrumentos musicales) es una norma internacionalmente
aceptada para el intercambio de datos de control y
de interpretaciones musicales entre dispositivos de
soporte. Entre tales dispositivos se encuentran los
instrumentos musicales electrónicos, los ordenadores y los secuenciadores. La comunicación MIDI se
realiza a través de conectores y cables MIDI normalizados.
El sistema MIDI le permite utilizar el Clavinova
para controlar la reproducción en dispositivos
remotos, así como utilizar los dispositivos remotos
para controlar la reproducción del Clavinova.
• MIDI opera con datos digitales. Todos los datos
son convertidos al formato digital adecuado
antes de la transmisión.
• Los dispositivos MIDI diferentes ofrecen niveles
distintos de soporte MIDI. El nivel de soporte
disponible se facilita en la “Tabla de
Implementación MIDI” del equipo (la del
Clavinova se ofrece en la página 66). Por lo
general, intentará evitar la transmisión de comunicaciones MIDI que no sean soportadas por el
equipo receptor.
Conectores MIDI
MIDI
IN

Connecteurs MIDI

OUT

THRU

MIDI
IN

MIDI IN
MIDI OUT
MIDI THRU

OUT

THRU

Reçoit les données MIDI entrantes.
Transmet les données MIDI
sortantes.
Sert de relais pour toutes les
données reçues à la borne MIDI IN.

Câble MIDI
La connexion MIDI demande l’utilisation de câbles
MIDI appropriés.
• Vous pouvez configurer les paramètres MIDI du
Clavinova à l’aide de la fonction F13
(MIDIFunc.). Voir page 34.
• Vous trouverez de plus amples informations
concernant le système MIDI dans toute une série
d’ouvrages et de magazines de lecture aisée.
CLP-811/611

MIDI IN
MIDI OUT
MIDI THRU

Recibe los datos MIDI entrantes.
Transmite los datos MIDI salientes.
Reenvía todos los datos recibidos a
la entrada MIDI IN.

Cable MIDI
Las conexiones MIDI requieren el uso de cables
MIDI específicos.
• Los parámetros MIDI del Clavinova se configuran con la función F13 (MIDIFunc.). Véase
página 34.
• Existe información sobre MIDI en una amplia
variedad de revistas y libros de difusión pública.

MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

1. NOTE ON/OFF

1) All Sound Off

[9nH] → [kkH] → [vvH]
9nH = Note ON/OFF event (n = Channel No.)
kkH = Note No.
(Sending: 09H~78H = A-2~C8)
(Receiving: 00H~7FH = C-2~G8) *1
vvH = velocity
(Note ON = 01H~7FH. Note OFF = 00H.)

ccH
78H

[8nH] → [kkH] → [vvH]
8nH = Note OFF (n = Channel No.)
kkH = Note No. (00H~7FH = C-2~G8)
vvH = velocity

ccH
79H

Controller
All Sound Off

Value (vvH)
00H

* Turns off all sound on the specified channel.
Does not reset Note On and Hold On conditions
established by Channel Messages.

2) Reset All Controllers
Controller
Reset All Controllers

Value (vvH)
00H

*1: If received value exceeds the supported range
for the selected voice, the note is adjusted by
the necessary number of octaves.

* Resets controllers as follows.
Controller
Reset Value
Expression
127 (Max.)
Damper Pedal
0 (OFF)
Sostenuto
0 (OFF)
Soft Pedal
0 (OFF)

2. Control Change

3) All Notes Off

[BnH] → [ccH] → [vvH]
BnH = Control Change (n = Channel No.)
ccH = Control No.
vvH = Control value

ccH
7BH

Controller
All Notes Off

Value (vvH)
00H

34H
13H
10H
20H

5. System Realtime Messages
1) Active Sensing
[FEH]
* Transmitted every 200 msec.
* If the Clavinova receives no MIDI signals for
400 msec. following receipt of an FEH, it will
execute processing equivalent to All Sound Off
→ All Notes Off → Reset All Controllers.

2) Clock
[F8H]
* Clock signal is issued 96 times per whole note.
* If Exclusive Message specifies use of an external
clock, the Clavinova counts 96 clock signals as
one whole note.

3) Start

1) Bank Select

* Switches OFF all the notes that are currently ON
on the specified channel. Any notes being held
by the damper or sostenuto pedal will continue
to sound until the pedal is released.

ccH
00H

4) Omni Off (Receive only)

4) Stop

ccH
7CH

[FCH]
* Transmitted at rhythm stop.
* Receipt causes song to stop.

20H

Parameter
Value (vvH)
Bank select MSB 01H: Normal
00H~7FH: Incorrect sounding
Bank select LSB 00H~7FH
70H Brilliance: Normal Variation: OFF
71H
Normal
ON
72H
Bright
OFF
73H
Bright
ON
74H
Mellow
OFF
75H
Mellow
ON

* Bank selection processing does not occur until
receipt of next Program Change message.
* Bank Select messages are not effective on the
Organ Combination voice.

Controller
Omni Off

Value (vvH)
00H

* Same processing as All Notes Off.

5) Omni On (Receive only)
ccH
7DH

Controller
Omni On

Value (vvH)
00H

* Same processing as All Notes Off.

6) Mono (Receive only)
ccH
7EH

Controller
Mono

Value (vvH)
00H

2) Main Volume (Receive only)

* Same processing as All Sound Off.

ccH
07H

7) Poly (Receive only)

Parameter
Volume

Value (vvH)
00H~7FH

ccH
7FH

3) Expression
ccH
0BH

Parameter
Expression

Value (vvH)
00H~7FH

Controller
Poly

Value (vvH)
00H

* Same processing as All Sound Off.

● Remarks
4) Damper Pedal
ccH
40H

Parameter
Damper

Value (vvH)
00H~7FH

5) Sostenuto Pedal
ccH
42H

Parameter
Sostenuto

Value (vvH)
00H~3FH:OFF 40H~7FH:ON

6) Soft Pedal
ccH
43H

Parameter
Soft pedal

Value (vvH)
00H~3FH:OFF 40H~7FH:ON

7) Attack Time
ccH
49H

Parameter
Attack time

Value (vvH)
00H~7FH

8) Effect-1 Depth (Reverb Send Level)
ccH
5BH

Parameter
Effect-1 depth

Value (vvH)
00H~7FH

* Adjusts the send level for the reverb effect.

9) Effect-4 Depth (Variation-Effect
Send Level)
ccH
5EH

Parameter
Effect-4 depth

Value (vvH)
00H~7FH

3. Mode Messages
[BnH] → [ccH] → [vvH]
BnH = Control Event (n = Channel No.)
ccH = Mode Message No.
vvH = Mode Message value

CHOIR
PIPE ORGAN
ORGAN CONBINATION
BASS (CLP-811)

CLP-811/611

1. The Clavinova will not send or accept Control
Change messages if the FUNCTION-mode
Control Change setting is OFF.
2. The Clavinova does not transmit Local ON/OFF
and Omni ON/OFF messages. (All Notes Off is
transmitted as a series of Note Off messages.)
3. The Clavinova saves the bank select value (MSB
and LSB; receivable in any order) to its internal
buffer. This value is then used to determine the
voice selection upon receipt of the next Program
Change message.
4. The Clavinova always operates in multitimbral
polyphonic mode. The mode does not change in
response to Omni ON/OFF, Mono, and Poly
messages.

4. Program Change
[CnH] → [ppH]
CnH = Program Change (n = Channel No.)
ppH = Program Change No.
* The Clavinova will not send or accept Program
Change messages if the FUNCTION-mode
Program Change setting is OFF.
* Program number assignments are as follows.
Voice
PIANO 1
PIANO 2
CLAVI. TONE
E. PIANO 1
E. PIANO 2
HARPSICHORD
VIBES
STRINGS

Program Change No.
00H
01H
58H
05H
04H
06H
0BH
30H

[FAH]
* Transmitted at rhythm start.
* Receipt causes song to start.

* If error occurs during MIDI reception, the
Clavinova switches off damper, sostenuto, and
soft effects and then executes All Notes Off
processing (for all channels).

6. System Exclusive Message
(Yamaha MIDI Format)
[F0H] → [43H] → [0nH]→ [7CH] → ... → [F7H]
F0H,43H,0nH,7CH:
n = Channel No.
01H,36H:
Data length
43H,4CH,20H,20H:
CL
43H,4CH,50H,27H,39H,36H: CLP’96
30H,30H:
(Version x,y)
[Panel Data]
[Checksum (1 byte)]=0-(43H+4CH+20H+..... data end)
F7H:
End of Exclusive
[Panel-data content]
(1)
Voice
(2)
DUAL ON/OFF
(3)
DUAL voice
(4)
DUAL balance
(5)
DUAL detuning
(6)
DUAL Voice#1 octave shift
(7)
DUAL Voice#2 octave shift
(8)
DUAL Voice#1 effect depth
(9)
DUAL Voice#2 effect depth
(10) DUAL/STRINGS slow attack ON/OFF
(11) SPLIT ON/OFF
(12) SPLIT voice
(13) SPLIT point
(14) SPLIT balance
(15) SPLIT Voice#1 octave shift
(16) SPLIT Voice#2 octave shift
(17) SPLIT Voice#1 effect depth
(18) SPLIT Voice#2 effect depth
(19) SPLIT damper mode
(20) Reverb type
(21) Reverb depth
(22) Effect type 1
(23) Effect type 2
(24) Effect depth
(25) Brilliance
(26) Variation #1 ON/OFF
(27) Variation #2 ON/OFF
(28) Touch sensitivity
(29) FIXED-touch velocity
(30) Left pedal function (Soft/Start)
(31) Key-specific tuning ON/OFF
(32) Tempo (absolute value; LSB)
(33) Tempo (absolute value; MSB)
(34) Organ Combination voice No.
(35)~(51) Organ Combination data 1

MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

(52)~(68)
(69)~(85)
(86)~(102)
(103)~(119)
(120)~(136)
(137)~(153)
(154)~(170)

2) Universal Non-Realtime Message
(GM ON)

Organ Combination data 2
Organ Combination data 3
Organ Combination data 4
Organ Combination data 5
Organ Combination data 6
Organ Combination data 7
Organ Combination data 8

[F0H] → [7EH] → [XnH]→ [09H]→ [01H] →
[F7H]

ddH:
:
F7H:

Data
:
End Of Exclusive

2) Bulk Dump (Receive only)
GM (General MIDI) Mode ON

* The Clavinova does not accept requests to
transfer panel data.

7. System Exclusive Messages
(Universal System Exclusives)
1) Universal Realtime Message
[F0H] → [7FH] → [XnH]→ [04H]→ [01H] →
[RR
RRH] → [mmH] → [F7H]
RR

MIDI Master Volume
* This message changes the volume for all
channels at the same time.
* Receipt of this message affects the volume on
the MIDI receiving channel(s) only. Panel
volume does not change.
F0H: Exclusive status
7FH: Universal realtime
7FH: ID of target device
04H: Sub-ID #1 (Device control message)
01H: Sub-ID #2 (Master Volume)
RR
RRH: Volume LSB
mmH: Volume MSB
F7H: End of Exclusive
-orF0H: Exclusive status
7FH: Universal realtime
XnH: X is ignored; n=0~F
04H: Sub-ID #1 (Device control message)
01H: Sub-ID #2 (Master Volume)
RR
RRH: Volume LSB
mmH: Volume MSB
F7H: End of Exclusive

F0H: Exclusive status
7EH: Universal non-realtime
7FH: ID of target device
09H: Sub-ID #1 (General MIDI message)
01H: Sub-ID #2 (General MIDI ON)
F7H: End of Exclusive
-orF0H: Exclusive status
7EH: Universal non-realtime
XnH: X is ignored; n=0~F
09H: Sub-ID #1 (General MIDI message)
01H: Sub-ID #2 (General MIDI ON)
F7H: End of Exclusive
* Receipt of the GM ON message causes MIDI
parameters to reinitialize. Allow sufficient time
for processing to execute (about 50 msec) before
sending the Clavinova another message.

8. System Exclusive Messages
(XG Standard)
1) XG Native Parameter Change
[F0H] → [43H] → [1nH]→ [4CH]→ [hhH] →
RR
[mmH] → [RR
RRH] → [ddH] ... → [F7H]
F0H:
43H:
1nH:

Exclusive status
Yamaha
Device No.
(If transmission, n=0. If reception, n=0~F.)
4CH: XG model ID
hhH: Address High
mmH: Address Mid
RR
RRH: Address Low

[F0H] → [43H] → [0nH]→ [4CH] → [aaH] →
RR
[bbH] → [hhH] → [mmH] → [RR
RRH] → [ddH] →
... → [ccH] → [F7H]
F0H: Exclusive status
43H: Yamaha
0nH: Device No. (n=0~F.)
4CH: XG model ID
aaH: Byte count
bbH: Byte count
hhH: Address High
mmH: Address Mid
RR
RRH: Address Low
ddH: Data
:
:
ccH: Checksum
F7H: End Of Exclusive
* Receipt of this message causes reinitialization of
relevant parameters and Control Change values.
Allow sufficient time for processing to execute
(about 50 msec) before sending the Clavinova
another message.
* XG Native Parameter Change message may
contain two or four bytes of parameter data
(depending on the parameter size).
* For information about the Address and Byte
Count values, refer to Table 1 below. Note that
the table’s Total Size value gives the size of a
bulk block. Only the top address of the block
(00H, 00H, 00H) is valid as a bulk data address.
* Transmission of excessive bulk-data length may
cause error at the receiving side. Keep message
length within 512 bytes. If you need to send
more than 512 bytes, break the transmission into
multiple parts and allow at least 120 msec
between each transmission.

MIDI Parameter Change (SYSTEM)
Address (H) Size (H)
00 00 00
4
01
02
03
04
05
06
7E
7F
Total Size

1
1
1

Data (H)
020C~05F4

Parameter
MASTER TUNING

Description
-50~+50 [cents]
1st byte bits (3~0) → Bits 15~12
2nd byte bits (3~0) → Bits 11-8
3rd byte bits (3~0) → Bits 7-4
4th byte bits (3~0) → Bits 3-0
0~127

00~7F

MASTER VOLUME

34~4C
0
0

TRANSPOSE
-12~+12 [semitones]
XG SYSTEM ON
00=XG System ON
RESET ALL PARAMETERS 00= ON (Receive only)

Default (H)
00 04 00 00
400

* Value below 020CH selects -50 cents.
Value above 05F4H selects +50 cent.

7F
40

* Values 28H to 33H select -12 to -1, respectively.
Values 4DH to 58H select +1 to +12, respectively.

MIDI Parameter Change (EFFECT 1)
* For a listing of REVERB, CHORUS, and VARIATION type numbers, refer to the Effect MIDI maps.
Address (H) Size (H)
02 01 00
2
0C

02 01 40

Data (H)
00~7F
00~7F
00~7F

Parameter
REVERB TYPE MSB
REVERB TYPE LSB
REVERB RETURN

Description
Refer to the Effect MIDI Map.
00: Basic Type
-∞dB…0dB…+6dB (0…64…127)

00~7F
00~07F

VARIATION TYPE MSB Refer to the Effect MIDI Map.
VARIATION TYPE LSB 00: Basic Type

Default (H)
01 (=HALL 1)
00
40
00 (No effect)
00

Note: “VARIATION TYPE” corresponds to the Clavinova’s panel-set effect type.

MIDI Parameter Change (Multipart)
Address (H) Size (H)
08 nn 11
1
nn= Part number

Data (H)
00~7F

CLP-811/611

Parameter
DRY LEVEL

Description
0~127

Default (H)
7F

MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

Effect MIDI Map (REVERB)
MSB LSB 00H
00H
No effect
01H
HALL 1
02H
ROOM
03H
STAGE

01H
←
HALL 2
←
←

02H
←
HALL 1
←
←

2) Bulk Dump Format for Sequence
Data
03H~
←
←
←
←

Effect MIDI Map (VARIATION)
MSB LSB 00H
01H
00H~06H No effect
←
07H
ECHO
←
41H
CHORUS
←
44H
SYMPHONIC ←
46H
TREMOLO ←

02H
←
←
←
←
←

03H~
←
←
←
←
←

9. System Exclusive Messages
(Clavinova MIDI compliance)
[F0H] → [43H] → [73H]→ [xxH] → [nnH] →
[F7H]
F0H: Exclusive status
43H: Yamaha
73H: Clavinova
xxH: Device ID (CLP’96:3BH; CLP common:01H)
nnH: Substatus
Control
nn
Internal clock
02H
External clock 03H
Bulk data:
06H (followed by bulk data)
F7H: End Of Exclusive
* Substatuses 02H and 03H can be received by
Device ID 01H as well as by 3BH.

1) Bulk Dump Format for Key-by-Key
Tuning Data
F0H,43H,73H
3BH:
06H:
00H:

Device ID (CLP’96:3BH)
Bulk ID
Bulk No.
(Bulk dump format for keyspecific tuning data)
00H,00H,0BH,00H:
Data length
[Bulk data]:
low(A-1), high (A-1) ...
low (C7), high (C7)
[Checksum (1 byte)] = 0 - sum(bulk data)
F7H:
End Of Exclusive

CLP-811/611

F0H,43H,73H
nnH: Device ID (CLP-811:40H; CLP-611:3EH)
06H: Bulk ID
05H: Bulk No.
(Sequence-data bulk dump format)
0xH,0xH,0xH,0xH:
Data length = xxxx bytes
[Bulk data]:
low,high,...,low,high
[Checksum (1 byte)] = 0 - sum(bulk data)
F7H: End Of Exclusive

0nH:
cc:
dd:
F7H:

Control MIDI Change (n = Special Operator Channel No.)
Control No.
Value
End Of Exclusive

Control
SPLIT POINT
METRONOME

ON
Always 00H
Always 00H

ccH
14H
1BH

DAMPER LEVEL Ch:00~0FH

3DH

CHANNEL DETUNING Ch:00~0FH

43H

VOICE RESERVE Ch:00~0FH

45H

3) Bulk Data Format for Organ
Combination
F0H,43H,73H
3BH:
06H:
06H:

Device ID
Bulk ID
Bulk data format for
organ combination
Data length = 11H bytes
n = Channel No.

00H,00H,01H,01H:
0nH:
[16']
[8']
[5+1/3']
[4']
[2+2/3']
[2']
[1+1/3']
[1']
[Response]
[Attack 4']
[Attack 2+2/3']
[Attack 2']
[Attack length]
[Attack mode] (00H=FIRST; 01H=EACH)
[Rotary-speaker speed]
[Rotary-speaker depth]
[Checksum (1 byte)] = 0 - sum(bulk data)
F7H: End Of Exclusive

10. System Exclusive Message
(Special operators)
RR
[F0H] → [43H] → [73H]→ [xxH] → [RR
RRH] →
[0nH] → [ccH] → [vvH] → [F7H]
F0H: Exclusive status
43H: Yamaha
73H: Clavinova
3BH: Device ID (CLP’96n:3BH)
RR
RRH: SK special operator

ddH
Split key No.
00H:OFF
01H: –
02H:2/4
03H:3/4
04H:4/4
05H:5/4
06H:6/4
7FH:Normal
(Sets channelspecific piano
damper level)
00H~7FH
(Sets channelspecific
detuning)
00H~7FH
00H:RESERVE
OFF
7FH:ON *1

When RESERVE=ON, received volume and
expression data becomes effective at next Key
ON. RESERVE=OFF is the normal setting.

11. Additional System Exclusive
Message
[F0H] → [43H] → [1nH]→ [27H] → [30H] →
RR
[00H]→ [00H] → [RR
RRH]→ [ccH]→ [F7H]
* This message changes master tuning for all
channels. (If this and XG master-tuning message
are both received then last received becomes
effective.)

1) Master tuning
RR
[00H] → [mmH] → [RR
RRH] → [ccH]
F0H: Exclusive status
43H: Yamaha
1nH: (If transmission, n=0. If reception, n=0~F.)
27H: TG100 Device ID
30H: Sub-ID
00H:
00H:
mmH: Master Tuning MSB
RR
RRH: Master Tuning LSB
ccH: Any value up to 7FH.
F7H: End Of Exclusive

MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

Specifications / Technische Daten
Spécifications techniques / Especificaciones
CLP-811

CLP-611

Keyboard

88 keys (A-1 to C7)

Tone Generator

AWM (Advanced Wave Memory)

Polyphony

64 notes max.

Voices

PIANO 1, PIANO 2 CLAVINOVA TONE, ELECTRIC PIANO 1, ELECTRIC PIANO 2, HARPSICHORD, VIBES, STRINGS, CHOIR, PIPE
ORGAN, ORGAN COMBINATION, BASS (CLP-811 only), and voice
variations.

Reverb

ROOM, HALL 1, HALL 2, STAGE

Effects

CHORUS, SYMPHONIC, TREMOLO, ECHO

Brilliance

MELLOW, NORMAL, BRIGHT

Controls

DUAL, SPLIT, METRONOME, TRANSPOSE, TOUCH (HARD, MEDIUM, SOFT, FIXED), MICROPHONE VOLUME (CLP-811 only),
MICROPHONE REVERB (CLP-811 only), various functions.

Display

Large liquid-crystal display

Recorder

2-TRACK RECORDING/PLAYBACK; adjustable TEMPO

Pedals

DAMPER, SOSTENUTO, SOFT

Demos

12 demo songs and 30 piano songs

Connectors

AUX OUT R & L/L+R (output impedance 600Ω);
AUX IN R & L/L+R (input impedance 10kΩ, input sensitivity -10dBm);
MIC jack (CLP-811 only) ; two PHONES jacks; TO HOST; MIDI IN/
OUT/THRU

Main Amplifiers

120W (60W × 2)

Speakers

14cm × 2, 5cm × 2, elliptical (5 × 9cm) × 2

14cm × 2, 5cm × 2

Dimensions Music stand
(W × D × H) down

1436mm × 513mm × 906mm
(56-9/16 × 20-3/16 × 35-11/16)

1418mm × 511mm × 879mm
(55-13/16 × 20-1/8 × 34-5/8)

Music stand up 1436mm × 513mm × 1014mm
(56-9/16 × 20-3/16 × 39-15/16)
Weight

67.0kg (147 lbs 9 oz)

32 notes max.

11 demo songs and 30 piano songs

1418mm × 511mm × 1051mm
(55-13/16 × 20-1/8 × 41-3/8)
60.0kg (132 lbs 3 oz)

Specifications and appearance are subject to change without notice for purpose of product improvement.
Die Technischen Daten und das Äußere können sich mit dem Ziel der Weiterentwicklung des Produktes
jederzeit ohne Ankündigung ändern.
Les spécifications techniques et l’aspect du Clavinova peuvent être sujets à modifications sans avis préalable,
dans un but d’amélioration continue du produit.
Las especificaciones técnicas y las características físicas están sujetas a modificaciones para fines de mejora
de producto sin previo aviso.

CLP-811/611

Specifications/Technische Daten/Spécifications techniques/Especificaciones

2
Phone jacks
Klinkenbuchsen
Prises pour casque d’écoute
Tomas de auriculares

NOTE

• Be careful not to confuse parts, and be sure to install all parts
in the correct direction. Please assemble in accordance with
the sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size, as indicated above. Use
of incorrect screws can cause damage.
• Be sure to tighten up all screws upon completing assembly of
each unit.
• To disassemble, reverse the assembly sequence given below.

1 Have a Phillips-head screwdriver ready.
2 Open the box. Take out the two styrofoam
pads and place them on the floor. Then
take out main unit (A) and place it on top
of the pads.
NOTE

Position the pads so as to protect the phone jacks on the base of
the unit.

3 Remove all parts from the box. Confirm
that all of the parts indicated above are
present.
4 Fasten lower board (E) to the left and
right sideboards.
First, unravel the pedal cord bundled to the bottom of
lower board (E). Then align the ends of lower board (E)
with the right sideboard (C) and left sideboard (B).
Finally, fasten in place with the four wide roundhead
screws 1.

CLP-811/611

Four tapered screws 4
Vier Senkkopfschrauben 4
Quatre vis pointues 4
Cuatro tornillos cónicos 4
(4✕20mm)

Four wide flathead screws 2
Vier breite Flachkopfschrauben 2
Quatre grosses vis à tête plate 2
Cuatro tornillos anchos de cabeza plana 2
(6✕20mm)

Two short roundhead screws 5
Zwei kurze Rundkopfschrauben 5
Deux petites vis à tête ronde 5
Dos tornillos cortos de cabeza redonda 5
(4✕12mm)

Two thin flathead screws 3
Zwei dünne Flachkopfschrauben 3
Deux fines vis à tête plate 3
Dos tornillos finos de cabeza plana 3
(4✕20mm)

Two cord clamps 6
Zwei Kabelhalter 6
Deux pinces de fixation pour câbles 6
Dos bridas de cable 6

Styrofoam pads
Styroporteile
Coussinets en mousse
Planchas de poliestireno

CLP-811 Assembly Procedure

Four wide roundhead screws 1
Vier breite Rundkopfschrauben 1
Quatre grosses vis à tête ronde 1
Cuatro tornillos anchos de cabeza redonda 1
(6✕20mm)

Montage des CLP-811
HINWEIS
• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie
alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau
bitte in der angegebenen Reihenfolge vor.
• Die Montage sollte von mindestens zwei Personen vorgenommen
werden.
• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es
oben gezeigt ist. Die Verwendung der falschen Schrauben kann zu
Schäden führen.
• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle
Schrauben festzuziehen.
• Für die Demontage muß die angegebene Reihenfolge umgekehrt
befolgt werden.

1 Halten Sie einen
Kreuzschlitzschraubendreher bereit.
2 Öffnen Sie den Karton. Nehmen Sie die
beiden Styroporteile heraus und legen Sie sie
auf den Boden. Nehmen Sie dann die Haupteinheit (A) heraus, und legen Sie es auf die
Styroporteile.
HINWEIS
Positionieren Sie die Styroporteile so, daß die Klinkenbuchsen am Boden
des Gerätes geschützt sind.

3 Nehmen Sie alle Teile aus dem Karton. Sehen
Sie nach, ob alle oben gezeigten Teile vorhanden sind.
4 Bringen Sie die Unterseite (E) an den linken
und rechten Seitenteilen an.
Lösen Sie dazu zunächst das Pedalkabel auf, das unten an der
Unterseite zusammengebündelt ist (E). Richten Sie dann die
Enden der Unterseite (E) mit dem rechten Seitenteil (C) und dem
linken Seitenteil (B) aus. Schrauben Sie die Unterseite schließlich
mit den vier breiten Rundkopfschrauben 1 fest.

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

Main unit (A)
Haupteinheit (A)
Appareil principal (A)
Unidad principal (A)

Right sideboard (C)
Rechte Seitenteil (C)
Panneau latéral droit (C)
Panel lateral derecho (C)

Left sideboard (B)
Linkes Seitenteil (B)
Panneau latéral gauche (B)
Panel lateral izquierdo (B)

Four wide roundhead screws 1
Vier breite Rundkopfschrauben 1
Quatre grosses vis à tête ronde 1
Cuatro tornillos anchos de cabeza redonda 1
(6✕20mm)

Backboard (D)
Rückseite (D)
Panneau arrière (D)
Panel de fondo (D)

Power cord (F)
Netzkabel (F)
Cordon d’alimentation (F)
Cable de alimentación (F)

Lower board (E)
Unterseite (E)
Panneau inférieur (E)
Panel inferior (E)
Pedal cord bundled at back of board.
Pedalkabel an der Unterseite.
Cordon des pédales enroulé à l’arrière du panneau.
Cable de pedal enrollado en el reverso del panel.

CLP-811 Montage Procédure
REMARQUE

Montaje del modelo CLP-811
NOTA

• Veiller à ne pas mélanger les pièces et à les installer dans le sens
correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous.
• La présence de deux personnes minimum est nécessaire pour
procéder au montage.
• Toujours utiliser des vis aux dimensions correctes, comme indiqué cidessus. l’utilisation de vis aux dimensions incorrectes pourrait en effet
endommager l’instrument.
• Resserrer convenablement toutes les vis après le montage de chaque
élément.
• Pour démonter le Clavinova, inverser l’ordre des indications données cidessous.

• Observe cuidado para no confundir las piezas, y asegúrese de montar
todas ellas en el sentido correcto. Proceda al montaje en el orden
indicado a continuación.
• El montaje deberá realizarse al menos por dos personas.
• Procure utilizar los tornillos del tamaño adecuado, según se indica
arriba. El empleo de tornillos inadecuados puede ocasionar daños en el
instrumento.
• Asegúrese de apretar bien todos los tornillos después de montar cada
unidad.
• Para desmontar las unidades, invierta la secuencia de montaje
facilitada a continuación.

1 Préparer un tournevis Phillips (en croix).

1 Prepare un destornillador de estrella.

2 Ouvrir le carton d’emballage. Sortir les deux
coussinets en mousse et les placer sur le sol.
Sortir ensuite l’appareil principal (A) et le
placer sur les coussinets.

2 Abra la caja. Retire las dos planchas de
poliestireno y colóquelas sobre el suelo. A
continuación extraiga la unidad principal (A)
y colóquela sobre las planchas.

REMARQUE

NOTA

Placer les coussinets de sorte à protéger les connecteurs pour casques
d’écoute, sur la face arrière.

Sitúe las planchas de forma que queden protegidas las tomas de
auriculares de la base de la unidad.

3 Retirer toutes les pièces du carton. Vérifier
que toutes les pièces indiquées ci-dessus sont
présentes.

3 Extraiga todas las piezas de la caja. Compruebe que no falta ninguna de las piezas arriba
indicadas.

4 Attacher la partie inférieure (E) aux parties
latérales gauche et droite du coffret.

4 Asegure el panel inferior (E) a los laterales
derecho e izquierdo.

Défaire en premier lieu le cordon de la pédale fixé à la partie
inférieure (E). Aligner ensuite les extrémités de la partie
inférieure (E) sur les extrémités de la partie latérale droite (C) et
de la partie latérale gauche (B). Finalement, visser en place à
l’aide des quatre vis à tête ronde 1.

CLP-811/611

En primer lugar, desenrolle el cable del pedal fijado en la base del
panel inferior (E). Seguidamente, alinee los bordes del panel
inferior (E) con los paneles laterales derecho (C) e izquierdo (B).
Por último, ensámblelo en su sitio con los cuatro tornillos anchos
de cabeza redonda 1.

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

6
Two short roundhead screws 5
Zwei kurze Rundkopfschrauben 4
Deux petites vis à tête ronde 4
Dos tornillos cortos de cabeza redonda 4
(4✕12mm)

At least 4 inches(10 cm)
Mindestens 10 cm
Minimum 10 cm
Mínimo 10 cm

Four tapered screws 4
Vier Senkkopfschrauben 4
Quatre vis pointues 4
Cuatro tornillos cónicos 4
(4✕20mm)

5 Install backboard (D).
Rest the bottom of backboard (D) on the leg ledges (on
both sideboards), and pivot the top of the board into place.
Fasten the upper part of the backboard to the two sideboards using the short roundhead screws 5. Fasten the
lower part of the backboard in four places using the
tapered screws 4.

6 Install main unit (A).
Lift the main unit, holding it on the bottom as shown in
the diagram. Be sure to grasp the board at least 4 inches
(10 cm) away from the sides. Slide the unit onto the
sideboards from the front, and continue sliding until it is
all the way back.
NOTE

Be careful to avoid snagging your hands or clothes when
installing the main unit.

7 Fasten main unit (A) into place.
First check from the sides to confirm that there is no gap.
Then move to the back and check the gaps between the
main unit and the right and left sideboards. Adjust so that
these gaps are equivalent, and fasten in place (at both ends
of the rear side) with two of the wide flathead screws 2.
Next, move to the front and screw in the two thin flathead
screws 3, and then the remaining two flathead screws 2.

CLP-811/611

5 Bringen Sie die Rückseite (D) an.
Setzen Sie die Unterkante der Rückseite (D) auf die Fußvorsprünge (auf beiden Seitenteilen), und kippen Sie die Oberkante
der Rückseite an die Haupteinheit. Befestigen Sie die Oberkante
der Rückseite mit den kurzen Rundkopfschrauben 5 an den
beiden Seitenteilen. Befestigen Sie den unteren Teil der Rückseite
an vier Stellen mit den vier Senkkopfschrauben 4.

6 Montieren Sie die Haupteinheit (A).
Heben Sie die Haupteinheit an, indem Sie darunter greifen, wie in
der Abbildung gezeigt. Achten Sie darauf, das Teil mindestens 10
cm von den Seiten entfernt zu greifen. Schieben Sie die Einheit
von vorne auf die Seitenteile, bis sie ganz hinten anschlägt.
HINWEIS
Achten Sie darauf, daß Sie während der Installation der Haupteinheit nicht
Ihre Hände oder Ihre Kleidung verletzen.

7 Befestigen Sie die Haupteinheit (A).
Überprüfen Sie von der Seite, daß keine Lücke zu sehen ist.
Überprüfen Sie dann von hinten aus den Spalt zwischen der
Haupteinheit und den linken und rechten Seitenteilen. Richten
Sie die Haupteinheit so aus, daß beide Abstände gleich sind, und
schrauben Sie die Haupteinheit an den beiden Enden der
Rückseite mit zwei breiten Flachkopfschrauben 2 fest.
Schrauben Sie dann an der Vorderseite die beiden dünnen
Flachkopfschrauben 3 und die beiden übrigen Flachkopfschrauben 2 fest.

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

Two wide flathead screws 2
Zwei breite Flachkopfschrauben 2
Deux grosses vis à tête plate 2
Dos tornillos anchos de cabeza plana 2
(6✕20mm)
Two wide flathead screws 2
Zwei breite Flachkopfschrauben 2
Deux grosses vis à tête plate 2
Dos tornillos anchos de cabeza plana 2
(6✕20mm)

5 Installer le panneau arrière (D)
Reposer le bas du panneau arrière (D) sur le rebord des pieds (des
deux panneaux latéraux) et faire pivoter le dessus du panneau
pour le mettre en place. Fixer la partie supérieure du panneau
arrière aux deux panneaux latéraux à l’aide des petites vis à tête
ronde 5. Attacher la partie inférieure du panneau arrière à quatre
endroits à l’aide des vis pointues 4.

6 Installer la partie principale (A)
Soulever la partie principale, en la soutenant par le fond comme
illustré sur le diagramme. Toujours veiller à saisir le panneau à
au moins 10 cm des extrémités. Glisser la partie principale sur les
panneaux latéraux en commençant par l’avant et la faire glisser
jusqu’à ce qu’elle soit insérée à fond.

Two thin flathead screws 3
Zwei dünne Flachkopfschrauben 3
Deux fines vis à tête plate 3
Dos tornillos finos de cabeza plana 3
(4✕20mm)

5 Instale el panel posterior (D).
Apoye la base del panel posterior (D) sobre los rebordes de las
patas (en ambos paneles laterales), y gire la parte superior del
panel para colocarlo en su posición. Asegure la parte alta del
panel posterior a los dos paneles laterales utilizando los tornillos
cortos de cabeza redonda 5. Atornille la parte baja del panel
posterior a cuatro puntos empleando los tornillos cónicos 4.

6 Instale la unidad principal (A).
Levante la unidad principal, sosteniéndola por la base como se
muestra en la ilustración. Procure sujetar el panel como mínimo a
10 cm de los bordes. Inserte la unidad en los paneles laterales
desde la parte frontal, y deslícela hasta el fondo.
NOTA

REMARQUE
Faire attention de ne pas coincer ses mains ou ses vêtements lors de
l’installation de la partie principale.

7 Fixer la partie principale (A).
Vérifier tout d’abord de côté pour s’assurer qu’il n’y a pas de
vide. Se mettre ensuite derrière et vérifier les espaces entre la
partie principale et les panneaux latéraux gauche et droit. Régler
l’ensemble de sorte que les espaces soient équivalents de chaque
côté et les fixer en place (aux deux extrémités de la partie arrière)
avec deux des grosses vis à tête plate 2. Se déplacer ensuite vers
l’avant et visser les deux petites vis à tête plate 3 puis les deux
grosses vis à tête plate restantes 2.

CLP-811/611

Tenga cuidado con las manos y la ropa cuando instale la unidad principal.

7 Asegure la unidad principal (A) en su posición.
Primero observe desde los lados para asegurarse de que no queda
ninguna abertura. Después sitúese en la parte posterior y revise
las aberturas existentes entre la unidad principal y los paneles
derecho e izquierdo. Ajústelos para que queden igual y asegúrelos
en su posición (en ambos extremos de la parte posterior) con dos
de los tornillos anchos de cabeza plana 2.
A continuación, colóquese en la parte frontal y atornille los dos
tornillos finos de cabeza plana 3, y después los dos de cabeza
plana restantes 2.

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

8
T
AC INLE

T
AC INLE

Two cord clamps 6
Zwei Kabelhalter 6
Deux pinces de fixation pour câbles 6
Dos bridas de cable 6

8 Connect up the pedal cord and power cord.
Hold the pedal-cord connector so that the hook is facing
away from the backboard, the backboard, and plug it into
the main unit. Then adhere the two cord clamps 6 to the
backboard at the locations shown in the diagram. Set the
pedal cord securely into the clamps. Finally, connect the
power cord (F) to the main unit.

9 Extend the adjuster.

8 Schließen Sie das Pedalkabel und das Netzkabel an.
Halten Sie den Stecker des Pedalkabels so, daß der Haken zur
Tastaturseite weist, und stecken Sie ihn an die Haupteinheit.
Bringen Sie dann die beiden Kabelhalter 6 an der Rückseite an
den in der Abbildung gezeigten Positionen an. Stecken Sie das
Pedalkabel sicher in die Kabelhalter. Stecken Sie zum Schluß das
Netzkabel (F) an die Haupteinheit.

9 Ziehen Sie den Höhenversteller heraus.

Turn the adjuster so that it is set firmly against the floor.

0 Set the voltage selector (if applicable),
and plug the power cord into a standard
wall outlet.
If your unit is equipped with a voltage selector, make sure
that the value is set to the voltage level used in your area
(110V, 127V, 220V or 240V). To change the setting, turn
the selector (with a screwdriver) so that the appropriate
value is aligned with the pointer on the panel. Note that
the selector is set to 240V at time of shipment.

Drehen Sie den Höhenversteller so, daß er fest gegen den
Fußboden drückt.

0 Stellen Sie den Spannungsumschalter ein
(wenn nötig), und stecken Sie dann das
Netzkabel in eine Netzsteckdose.
Wenn Ihr Gerät mit einem Spannungsumschalter ausgestattet ist,
vergewissern Sie sich, daß der eingestellte Wert auf die
Versorgungsspannung Ihrer Gegend eingestellt ist (110 V, 127 V,
220 V oder 240 V). Um die Einstellung zu ändern, drehen Sie den
Schalter (mit einem Schraubendreher), so der korrekte Wert mit
dem Zeiger auf dem Panel übereinstimmt. Beachten Sie, daß der
Schalter zur Zeit der Auslieferung auf 240 V eingestellt ist.

After completing the adjustment, you can plug the cord
into a wall outlet. In some areas you may need to attach a
(supplied) adaptor to the plug to enable connection to the
standard local outlet.

■

After completing the assembly, please
check as follows.
• Are there any parts left over?
➔ Review the assembly procedure and correct any errors.
• Is the Clavinova clear of doors and other movable fixtures?
➔ Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when you shake
it?
➔ Tighten all screws.
• Does the lower board rattle or give way when you step on
the pedals?
➔ Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely into the
inlets?
➔ Check the connections.
• If the main unit creaks or is otherwise unsteady when you
play on the keyboard, refer to the assembly diagrams and
retighten all screws.

CLP-811/611

Wenn Sie die Einstellung vorgenommen haben, können Sie das
Kabel in eine Netzsteckdose stecken. In einigen Gegenden
müssen Sie evtl. einen (mitgelieferten) Adapter am Stecker
anbringen, um diesen in die Netzsteckdose einstecken zu können.

■

Wenn der Zusammenbau beendet ist, prüfen
Sie bitte folgende Dinge:
• Sind Teile übrig geblieben?
➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch
und korrigieren Sie eventuelle Fehler.
• Befindet sich das Clavinova weit genug von Türen und anderen beweglichen Vorrichtungen entfernt?
➔ Bewegen Sie das Clavinova an einen entsprechend sicheren
Ort.
• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?
➔ Ziehen Sie alle Schrauben fest.
• Klappert die Unterseite oder gibt sie nach, wenn Sie das Pedal treten?
➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden
steht.
• Sind Pedal- und Netzkabel richtig an den Buchsen angeschlossen?
➔ Prüfen Sie die Verbindung.
• Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrachten Sie die Abbildungen und ziehen Sie alle Schrauben noch einmal
nach.

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

220

240
110

127

8 Raccorder le cordon des pédales et le cordon
d’alimentation
Tenir la fiche du cordon des pédales de telle sorte que le crochet
soit tourné à l’opposé du panneau arrière et la brancher dans la
partie principale. Appliquer ensuite les deux pinces de fixation du
cordon 6 sur le panneau arrière aux emplacements marqués sur
le diagramme. Faire passer le cordon des pédales fermement
entre les pinces de fixation. Finalement, raccorder le cordon
d’alimentation (F) à la partie principale.

9 Etendre le stabilisateur
Tourner le stabilisateur afin qu’il repose fermement sur le sol.

0 Régler le sélecteur de tension (le cas échéant)
et brancher le cordon d’alimentation dans une
prise secteur normale.

8 Conecte el cable del pedal y el cable de
alimentación.
Sostenga el conector del pedal del cable de manera que el gancho
quede orientado en sentido contrario al panel de fondo, y
conéctelo a la unidad principal. Después adhiera las dos bridas de
cable 6 al panel de fondo, en las posiciones indicadas en el
dibujo. Asegure con decisión el cable del pedal a las bridas. Por
último, conecte el cable de alimentación (F) a la unidad principal.

9 Regule el estabilizador.
Gire el estabilizador hasta que apoye firmemente sobre el suelo.

0 Ajuste el selector de tensión (si es necesario),
y conecte el cable de alimentación a una toma
mural estándar.
Si la unidad está provista de un selector de tensión, asegúrese de
que coincide con la tensión de red de su localidad (110 V, 127 V,
220 V o 240 V). Para cambiar el ajuste, gire el selector (con un
destornillador) hasta que la aguja del panel esté alineada con el
valor adecuado. Observe que el selector viene ajustado a 240 V
en el momento de salir de fábrica.

Si votre appareil est équipé d’un sélecteur de tension, toujours
s’assurer qu’il est bien positionné sur la tension en vigueur dans
votre région (110V, 127V, 220V ou 240V). Pour modifier le
réglage, tourner le sélecteur (à l’aide d’un tournevis) de sorte que
la valeur souhaitée s’aligne sur le pointeur du panneau. Le
sélecteur est réglé sur 240V à la sortie d’usine.
Après avoir effectué les réglages, vous pouvez brancher le cordon
dans une prise secteur. Dans certaines régions, vous devrez peutêtre relier la fiche à un adaptateur (fourni) pour pouvoir raccorder
le Clavinova à une prise secteur locale.

■

Lorsque le montage est terminé, veuillez
mener à bien les vérifications suivantes.
• Reste-t-il des pièces non utilisées?
➔ Passer en revue la procédure de montage et corriger toute erreur éventuelle.
• Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile?
➔ Déplacer le Clavinova vers un emplacement approprié.
• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un
cliquetis?
➔ Serrer convenablement toutes les vis.
• Le panneau inférieur fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur les pédales?
➔ Tourner le stabilisateur de sorte que le Clavinova repose
fermement sur le sol.
• Les cordons des pédales et d’alimentation sont-ils bien enfoncés
dans les prises?
➔ Vérifier toutes les connexions.
• Si la partie principale de l’appareil craque ou est instable lorsque
vous jouez sur le clavier, consulter les diagrammes de montage et
resserrer toutes les vis.

CLP-811/611

Una vez realizado el ajuste, puede conectar el cable de alimentación a una toma mural. En algunas zonas quizás sea necesario
acoplar un adaptador (incluido con el equipo) al enchufe para
poder conectarlo a la toma mural.

■

Cuando haya concluido el montaje, compruebe los siguientes puntos:
• ¿Ha quedado alguna pieza sin instalar?
➔ Revise el procedimiento de montaje y corrija cualquier error
que se haya podido cometer.
• ¿Está el Clavinova alejado del recorrido de puertas y muebles?
➔ Traslade el Clavinova a una posición adecuada.
• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?
➔ Apriete con firmeza todos los tornillos.
• ¿Vibra o cede el panel inferior cuando se pisan los pedales?
➔ Gire el estabilizador hasta que apoye firmemente sobre el
suelo.
• ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores?
➔ Revise las conexiones.
• Si la unidad principal cruje o presenta algún signo de inestabilidad
cuando se toca el teclado, consulte los esquemas de montaje y
vuelva a apretar todos los tornillos.

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

2
Phone jacks
Klinkenbuchsen
Prises pour casque d’écoute Styrofoam pads
Styroporteile
Tomas de auriculares
Coussinets en mousse
Planchas de poliestireno

CLP-611 Assembly Procedure
NOTE

• Be careful not to confuse parts, and be sure to install all parts
in the correct direction. Please assemble in accordance with
the sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw sizes. Use of incorrect screws
can cause damage.
• Be sure to tighten up all screws upon completing assembly of
each unit.
• To disassemble, reverse the assembly sequence given below.

1 Have a Phillips-head screwdriver ready.
2 Open the box. Take out the two styrofoam
pads and place them on the floor. Then
take out main unit (A) and place it on top
of the pads.
NOTE

Position the pads so as to protect the phone jacks on the base of
the unit.

3 Remove all parts from the box. Confirm
that all of the parts indicated above are
present.
4 Fasten right sideboard (C) to right leg (G),
and left sideboard (B) to left leg (F). In
each case, join the board to the leg, aligning the notch on the metal fitting with the
indentation on the leg. Fasten in place
with the long gold screws 1.

CLP-811/611

Six long golden screws 1
Sechs lange goldene Schrauben 1
Six longues vis dorées 1
Seis tornillos largos de oro 1
(5✕40mm)

Four tapered screws 4
Vier Senkkopfschrauben 4
Quatre vis pointues 4
Cuatro tornillos cónicos 4
(4✕20mm)

Four medium roundhead screws 2
Vier mittlere Rundkopfschrauben 2
Quatre vis moyennes à tête ronde 2
Cuatro tornillos medianos de cabeza redonda 2
(6✕20mm)

Two short roundhead screws 5
Zwei kurze Rundkopfschrauben 5
Deux petites vis à tête ronde 5
Dos tornillos cortos de cabeza redonda 5
(4✕12mm)

Four medium flathead screws 3
Vier mittlere Flachkopfschrauben 3
Quatre vis moyennes à tête plate 3
Cuatro tornillos medianos de cabeza plana 3
(6✕20mm)

Two cord clamps 6
Zwei Kabelhalter 6
Deux pinces de fixation pour câbles 6
Dos bridas de cable 6

Montage des CLP-611
HINWEIS
• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie
alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau
bitte in der angegebenen Reihenfolge vor.
• Die Montage sollte von mindestens zwei Personen vorgenommen
werden.
• Achten Sie darauf, die richtige Schraubengröße zu verwenden. Die
Verwendung der falschen Schrauben kann zu Schäden führen.
• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle
Schrauben festzuziehen.
• Für die Demontage muß die angegebene Reihenfolge umgekehrt
befolgt werden.

3 Nehmen Sie alle Teile aus dem Karton. Sehen
Sie nach, ob alle oben gezeigten Teile vorhanden sind.
4 Bringen Sie das rechte Seitenteil (C) am
rechten Bein (G), das linke Seitenteil (B) am
linken Bein (F) an. Verbinden Sie das Seitenteil mit dem Bein, indem Sie die Aussparung
an dem Metallbeschlag mit der Vertiefung im
Bein in Übereinstimmung bringen. Befestigen Sie es mit den langen Goldene Schrauben
1.

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

Main unit (A)
Haupteinheit (A)
Appareil principal (A)
Unidad principal (A)

Left sideboard (B)
Linkes Seitenteil (B)
Panneau latéral gauche (B)
Panel lateral izquierdo (B)

Right sideboard (C)
Rechtes Seitenteil (C)
Panneau latéral droit (C)
Panel lateral derecho (C)

Backboard (D)
Rückseite (D)
Panneau arrière (D)
Panel de fondo (D)

Right leg (G)
Rechtes Bein (G)
Pied droit (G)
Pata derecha (G)

Lower board (E)
Unterseite (E)
Panneau inférieur (E)
Panel inferior (E)

Left leg (F)
Linkes Bein (F)
L
Pied gauche (F)
Pata izquierda (F)

Pedal cord bundled at back of board.
Pedalkabel an der Unterseite.
Power cord (H)
Cordon des pédales enroulé à l’arrière du panneau.
Netzkabel (H)
Cordon d’alimentation (H) Cable de pedal enrollado en el reverso del panel.
Cable de alimentación (H)

CLP-611 Montage Procédure
REMARQUE
• Veiller à ne pas mélanger les pièces et à les installer dans le sens
correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous.
• La présence de deux personnes minimum est nécessaire pour
procéder au montage.
• Toujours utiliser des vis aux dimensions correctes, comme indiqué à
gauche. L’utilisation de vis aux dimensions incorrectes pourrait en effet
endommager l’instrument.
• Resserrer convenablement toutes les vis après le montage de chaque
élément.
• Pour démonter le Clavinova, inverser l’ordre des indications données cidessous.

1 Préparer un tournevis Phillips (en croix).
2 Ouvrir le carton d’emballage. Sortir les deux
coussinets en mousse et les placer sur le sol.
Sortir ensuite l’appareil principal (A) et le
placer sur les coussinets.

Six long gold screws 1
Sechs lange goldene Schrauben 1
Six longues vis dorées 1
Seis tornillos largos de oro 1
(5✕40mm)

Montaje del modelo CLP-611
NOTA
• Observe cuidado para no confundir las piezas, y asegúrese de montar
todas ellas en el sentido correcto. Proceda al montaje en el orden
indicado a continuación.
• El montaje deberá realizarse al menos por dos personas.
• Procure utilizar los tornillos del tamaño adecuado. El empleo de
tornillos inadecuados puede ocasionar daños en el instrumento.
• Asegúrese de apretar bien todos los tornillos después de montar cada
unidad.
• Para desmontar las unidades, invierta la secuencia de montaje
facilitada a continuación.

1 Prepare un destornillador de estrella.
2 Abra la caja. Retire las dos planchas de
poliestireno y colóquelas sobre el suelo. A
continuación extraiga la unidad principal (A)
y colóquela sobre las planchas.
NOTA

REMARQUE
Placer les coussinets de sorte à protéger les connecteurs pour casques
d’écoute, sur la face arrière.

3 Retirer toutes les pièces du carton. Vérifier
que toutes les pièces indiquées ci-dessus sont
présentes.
4 Attacher le panneau latéral droit (C) au pied
droit (G) et le panneau latéral gauche (B) au
pied gauche (F). Dans chacun des cas, fixer le
panneau au pied en alignant l’encoche de la
ferrure en métal sur l’indentation du pied.
Serrer en place à l’aide des longues vis dorées
1.

CLP-811/611

Sitúe las planchas de forma que queden protegidas las tomas de
auriculares de la base de la unidad.

3 Extraiga todas las piezas de la caja. Compruebe que no falta ninguna de las piezas arriba
indicadas.
4 Asegure el panel derecho (C) a la pata derecha
(G), y el panel izquierdo (B) a la pata izquierda (F). En ambos casos, acople el panel alineando la entalladura de la parte metálica con
los dientes de la pata. Asegúrelo con los
tornillos dorados largos 1.

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

6
Two short roundhead screws 5
Zwei kurze Rundkopfschrauben 5
Deux petites vis à tête ronde 5
Dos tornillos cortos de cabeza redonda 5
(4✕12mm)

Four medium roundhead screws 2
Vier mittlere Rundkopfschrauben 2
Quatre vis moyennes à tête ronde 2
Cuatro tornillos medianos de cabeza redonda 2
(6✕20mm)

Unravel the pedal cord bundled to the bottom of lower
board (E). Then align the ends of lower board (E) with the
right sideboard (C) and left sideboard (B). Fasten board
(E) in place with the four medium roundhead screws 2.

6 Install backboard (D).
Rest the bottom of backboard (D) on the leg ledges (on
both sides), and pivot the top of the board into place.
Fasten the upper part of the backboard to the two sideboards using the short roundhead screws 5. Fasten the
lower part of the backboard in four places using the
tapered screws 4.

7 Set main unit (A) into place.
Lift the main unit by holding it on the bottom as shown in
the diagram. Be sure to grasp the board at least 4 inches
(10 cm) away from the sides.

8 Fasten main unit (A).
View the unit from the front, and adjust the position to the
right or left as necessary so that the overhang is equivalent
at both sides. Then, still working from the front, fasten in
place with the four medium flathead screws 3.

CLP-811/611

5 Install lower board (E).

Four tapered screws 4
Vier Senkkopfschrauben 4
Quatre vis pointues 4
Cuatro tornillos cónicos 4
(4✕20mm)

5 Bringen Sie die Unterseite (E) an.
Lösen Sie dazu zunächst das Pedalkabel auf, das unten an der
Unterseite zusammengebündelt ist (E). Richten Sie dann die
Enden der Unterseite (E) mit dem rechten Seitenteil (C) und dem
linken Seitenteil (B) aus. Schrauben Sie die Unterseite schließlich
mit den vier mittleren Rundkopfschrauben 2 fest.

6 Bringen Sie die Rückseite (D) an.
Setzen Sie die Unterkante der Rückseite (D) auf die Fußvorsprünge (auf beiden Seitenteilen), und kippen Sie die Oberkante
der Rückseite an die Haupteinheit. Befestigen Sie die Oberkante
der Rückseite mit den kurzen Rundkopfschrauben 5 an den
beiden Seitenteilen. Befestigen Sie den unteren Teil der Rückseite
an vier Stellen mit den vier Senkkopfschrauben 4.

7 Montieren Sie die Haupteinheit (A).
Heben Sie die Haupteinheit an, indem Sie darunter greifen, wie in
der Abbildung gezeigt. Achten Sie darauf, das Teil mindestens 10
cm von den Seiten entfernt zu greifen.

8 Befestigen Sie die Haupteinheit (A).
Betrachten Sie das Gerät von vorn, und schieben Sie es in die
Position, in der der Überhang an den linken und rechten Seiten
gleich ist. Schrauben Sie, immer noch von vorn, die Haupteinheit
mit den vier mittleren Flachkopfschrauben 3 fest.

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

At least 4 inches (10 cm)
Mindestens 10 cm
Minimum 10 cm
Mínimo 10 cm

5 Installer le panneau inférieur (E)
Défaire en premier lieu le cordon de la pédale fixé à la partie
inférieure (E). Aligner ensuite les extrémités de la partie
inférieure (E) sur les extrémités de la partie latérale droite (C) et
de la partie latérale gauche (B). Finalement, visser en place à
l’aide des quatre vis moyennes à tête ronde 2.

6 Installer le panneau arrière (D)
Reposer le bas du panneau arrière (D) sur le rebord des pieds (des
deux panneaux latéraux) et faire pivoter le dessus du panneau
pour le mettre en place. Fixer la partie supérieure du panneau
arrière aux deux panneaux latéraux à l’aide des petites vis à tête
ronde 5. Attacher la partie inférieure du panneau arrière à quatre
endroits à l’aide des vis pointues 4.

7 Installer la partie principale (A)
Soulever la partie principale, en la soutenant par le fond comme
illustré sur le diagramme. Toujours veiller à saisir le panneau à
au moins 10 cm des extrémités.

8 Fixer la partie principale.
Regarder l’appareil de face et régler sa position vers la droite ou
vers la gauche pour que la partie principale dépasse de manière
identique à gauche et à droite. Ensuite, continuer de travailler de
face et visser les quatre vis moyennes à tête plate 3.

CLP-811/611

Four medium flathead screws 3
Vier mittlere Flachkopfschrauben 3
Quatre vis moyennes à tête plate 3
Cuatro tornillos medianos de cabeza plana 3
(6✕20mm)

5 Instale el panel inferior (E).
Desenrolle el cable del pedal fijado en la base del panel inferior
(E). Seguidamente, alinee los bordes del panel inferior (E) con
los paneles laterales derecho (C) e izquierdo (B). Acople el panel
(E) con los cuatro tornillos medianos de cabeza redonda 2.

6 Instale el panel de fondo (D).
Apoye la base del panel de fondo (D) sobre los rebordes de las
patas (en ambos lados), y gire la parte superior del panel para
colocarlo en su posición. Asegure la parte alta del panel de fondo
a los dos laterales empleando los tornillos cortos de cabeza
redonda 5. Atornille la parte baja del panel de fondo a cuatro
puntos empleando los tornillos cónicos 4.

7 Instale la unidad principal (A).
Levante la unidad principal, sosteniéndola por la base como se
muestra en la ilustración. Procure sujetar el panel como mínimo a
10 cm de los bordes.

8 Asegure la unidad principal (A) en su posición.
Sitúese delante de la unidad y ajuste los laterales derecho e
izquierdo de forma que el saliente sea equidistante por ambos
lados. A continuación, y también desde la parte frontal, asegúrelos en su posición con los cuatro tornillos medianos de cabeza
plana 3.

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

AC INLE

T
AC INLE

Two cord clamps 6
Zwei Kabelhalter 6
Deux pinces de fixation pour câbles 6
Dos bridas de cable 6

9 Connect up the pedal cord and power cord.
Hold the pedal-cord connector so that the hook is facing
away from the backboard, and plug it into the main unit.
Then adhere the two cord clamps 6 to the backboard at
the locations shown in the diagram. Set the pedal cord
securely into the clamps. Finally, connect the power cord
(F) to the main unit.

0 Extend the adjuster.

9 Schließen Sie das Pedalkabel und das Netzkabel an.
Halten Sie den Stecker des Pedalkabels so, daß der Haken zur
Tastenseite weist, und stecken Sie ihn an die Haupteinheit.
Bringen Sie dann die beiden Kabelhalter 6 an der Rückseite an
den in der Abbildung gezeigten Positionen an. Stecken Sie das
Pedalkabel sicher in die Kabelhalter. Stecken Sie zum Schluß das
Netzkabel (F) an die Haupteinheit.

0 Ziehen Sie den Höhenversteller heraus.

Turn the adjuster so that it is set firmly against the floor.

A Set the voltage selector (if applicable),
and plug the power cord into a standard
wall outlet.
If your unit is equipped with a voltage selector, make sure
that the value is set to the voltage level used in your area
(110V, 127V, 220V or 240V). To change the setting, turn
the selector (with a screwdriver) so that the appropriate
value is aligned with the pointer on the panel. Note that
the selector is set to 240V at time of shipment.

Drehen Sie den Höhenversteller so, daß er fest gegen den
Fußboden drückt.

A Stellen Sie den Spannungsumschalter ein
(wenn nötig), und stecken Sie dann das
Netzkabel in eine Netzsteckdose.
Wenn Ihr Gerät mit einem Spannungsumschalter ausgestattet ist,
vergewissern Sie sich, daß der eingestellte Wert auf die
Versorgungsspannung Ihrer Gegend eingestellt ist (110 V, 127 V,
220 V oder 240 V). Um die Einstellung zu ändern, drehen Sie den
Schalter (mit einem Schraubendreher), so der korrekte Wert mit
dem Zeiger auf dem Panel übereinstimmt. Beachten Sie, daß der
Schalter zur Zeit der Auslieferung auf 240 V eingestellt ist.

After completing the adjustment, you can plug the cord
into a wall outlet. In some areas you may need to attach a
(supplied) adaptor to the plug to enable connection to the
standard local outlet.

■

CLP-811/611

■

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

220

240
110

127

9 Raccorder le cordon des pédales et le cordon
d’alimentation
Tenir la fiche du cordon des pédales de telle sorte que le crochet
soit tourné à l’opposé du panneau arrière et la brancher dans la
partie principale. Appliquer ensuite les deux pinces de fixation du
cordon 6 sur le panneau arrière aux emplacements marqués sur
le diagramme. Faire passer le cordon des pédales fermement dans
les pinces de fixation. Finalement, raccorder le cordon d’alimentation (F) à la partie principale.

0 Etendre le stabilisateur
Tourner le stabilisateur afin qu’il repose fermement sur le sol.

A Régler le sélecteur de tension (le cas échéant)
et brancher le cordon d’alimentation dans une
prise secteur normale.

9 Conecte el cable del pedal y el cable de
alimentación.
Sostenga el conector del pedal del cable de manera que el gancho
quede orientado en sentido contrario al panel de fondo, y
conéctelo a la unidad principal. Después adhiera las dos bridas de
cable 6 al panel de fondo, en las posiciones indicadas en el
dibujo. Asegure con decisión el cable del pedal a las bridas. Por
último, conecte el cable de alimentación (F) a la unidad principal.

0 Regule el estabilizador.
Gire el estabilizador hasta que apoye firmemente sobre el suelo.

A Ajuste el selector de tensión (si es necesario),
y conecte el cable de alimentación a una toma
mural estándar.
Si la unidad está provista de un selector de tensión, asegúrese de
que coincide con la tensión de red de su localidad (110 V, 127 V,
220 V o 240 V). Para cambiar el ajuste, gire el selector (con un
destornillador) hasta que la aguja del panel esté alineada con el
valor adecuado. Observe que el selector viene ajustado a 240 V
en el momento de salir de fábrica.

■

Lorsque le montage est terminé, veuillez
mener à bien les vérifications suivantes.
• Reste-t-il des pièces non utilisées?
➔ Passer en revue la procédure de montage et corriger toute
erreur éventuelle.
• Le Clavinova est-il placé à l’écart des portes et de toute autre
structure mobile?
➔ Déplacer le Clavinova vers un emplacement approprié.
• Lorsque vous secouez quelque peu le Clavinova, entendez-vous
un cliquetis?
➔ Serrer convenablement toutes les vis.
• Le panneau inférieur fait-il du bruit ou s’écarte-t-il lorsque vous
appuyez sur les pédales?
➔ Tourner le stabilisateur de sorte que le Clavinova repose
fermement sur le sol.
• Les cordons des pédales et d’alimentation sont-ils bien enfoncés
dans les prises?
➔ Vérifier toutes les connexions.
• Si la partie principale de l’appareil craque ou est instable lorsque
vous jouez sur le clavier, consulter les diagrammes de montage et
resserrer toutes les vis.

CLP-811/611

Una vez realizado el ajuste, puede conectar el cable de
alimentación a una toma mural. En algunas zonas quizás sea
necesario acoplar un adaptador (incluido con el equipo) al
enchufe para poder conectarlo a la toma mural.

■

Cuando haya concluido el montaje,
compruebe los siguientes puntos:
• ¿Ha quedado alguna pieza sin instalar?
➔ Revise el procedimiento de montaje y corrija cualquier error
que se haya podido cometer.
• ¿Está el Clavinova alejado del recorrido de puertas y muebles?
➔ Traslade el Clavinova a una posición adecuada.
• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?
➔ Apriete con firmeza todos los tornillos.
• ¿Vibra o cede el panel inferior cuando se pisan los pedales?
➔ Gire el estabilizador hasta que apoye firmemente sobre el
suelo.
• ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores?
➔ Revise las conexiones.
• Si la unidad principal cruje o presenta algún signo de inestabilidad
cuando se toca el teclado, consulte los esquemas de montaje y
vuelva a apretar todos los tornillos.

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted
by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with
the requirements listed in FCC Regulations, Part 15 for Class “B”
digital devices. Compliance with these requirements provides a
reasonable level of assurance that your use of this product in a
residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio
frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful
to the operation of other electronic devices. Compliance with FCC
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured makings identifying the terminals
in your plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of
the three pin plug.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,
INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA
BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU
FOND.
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

regulations does not guarantee that interference will not occur in
all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and
“ON”, please try to eliminate the problem by using one of the
following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker
or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type
of product. If you can not locate the appropriate retailer, please
contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed
by Yamaha Corporation of America or its subsidiaries.

IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly Instructions
found in this manual BEFORE marking any connections, including connection to the main supply.

Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact
your dealer for supply voltage verification and (if applicable)
instructions. The required supply voltage is printed on the
name plate. For name plate location, please refer to the graphic
found in the Special Message Section of this manual.

This product may be equipped with a polarized plug
(one blade wider than the other). If you are unable to insert the
plug into the outlet, turn the plug over and try again. If the
problem persists, contact an electrician to have the obsolete
outlet replaced. Do NOT defeat the safety purpose of the plug.

Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any
power supply or adapter other than one described in the owners
manual, on the name plate, or specifically recommended by
Yamaha.

WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or
connecting cords of any kind. The use of an extension cord is
not recommended! If you must use an extension cord, the
minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:
The smaller the AWG number, the larger the current handling
capacity. For longer extension cords, consult a local electrician.

Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be
assumed that unobstructed ventilation is required.

Temperature considerations: Electronic products
should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and
other devices that produce heat should be avoided.

This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub,
sink, or wet basement.

This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.

10.

The power supply cord (plug) should be disconnected from
the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when
there is a high probability of lightening and/or electrical storm
activity.

11.

Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.

12.

Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.

13.

Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing
should be referred to qualified service personnel.

14.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing
sound levels that could cause permanent hearing loss. DO NOT
operate for a long period of time at a high volume level or at a
level that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.

15.

Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the
product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that
benches are stable and any optional fixtures (where applicable) are
well secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL
92-469-2

,,,,,,,,,,,,,,,,

IMPORTANT

WICHTIG

IMPORTANT

IMPORTANTE

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